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The Spanish Armada 8 – Elizabeth's Tilbury Speech
Posted By claire on August 9, 2010
On the 9th August 1588 (old calendar) Elizabeth I appeared before her troops gathered at Tilbury.
In her article "The Myth of Elizabeth at Tilbury", Susan Frye, writes that there are no reliable eye-witness accounts regarding Elizabeth I's appearance on that day, but that tradition places the Queen in armour, giving a rousing speech – an iconic Gloriana.
Descriptions of Elizabeth I at Tilbury
Many historians and authors have described Elizabeth I on that August day in 1588:-
In "Elizabeth the Great" (1958), Elizabeth Jenkins wrote:-
"A steel corselet was found for her to wear and a helmet with white plumes was given to a page to carry. Bareheaded, the Queen mounted the white horse. The Earl of Ormonde carried the sword of state before her, Leicester walked at the horse's bridle, and the page with the helmet came behind."
Carolly Erickson, in "The First Elizabeth" (1983), wrote:-
"She rode through their ranks on a huge white warhorse, armed like a queen out of antique mythology in a silver cuirass and silver truncheon. Her gown was white velvet, and there were plumes in her hair like those that waved from the helmets of the mounted soldiers."
J E Neale, in "Queen Elizabeth I: A Biography" (1934), wrote:-
"Mounted on a stately steed, with a truncheon in her hands, she witnessed a mimic battle and afterwards reviewed the army."
In "The Armada" (1959), Garrett Mattingly wrote:-
"She was clad all in white velvet with a silver cuirass embossed with a mythological design, and bore in her right hand a silver truncheon chased in gold."
Reading those descriptions, it is clear, as Susan Frye points out, that an analogy is being drawn between Elizabeth I and Britomart, the armed heroine of Edmund Spenser's "The Faerie Queene", the virgin Knight of Chastity and Virtue. However there is no firm evidence that Elizabeth dressed like that on that day, but I like to think, with Elizabeth's love of drama and her belief in the power of image and propaganda, that she appeared before her troops just like that.
The Tilbury Speech
There are three versions of the speech that Elizabeth I gave to the troops at Tilbury. The first is recorded by Dr Leonel Sharp in a letter to the Duke of Buckingham, thought to have been written sometime after the Duke of Buckingham's 1623 marriage expedition to Spain. Sharp's is the most famous rendition of Elizabeth I's speech:-
"My loving people,
We have been persuaded by some that are careful of our safety, to take heed how we commit our selves to armed multitudes, for fear of treachery; but I assure you I do not desire to live to distrust my faithful and loving people. Let tyrants fear. I have always so behaved myself that, under God, I have placed my chiefest strength and safeguard in the loyal hearts and good-will of my subjects; and therefore I am come amongst you, as you see, at this time, not for my recreation and disport, but being resolved, in the midst and heat of the battle, to live and die amongst you all; to lay down for my God, and for my kingdom, and my people, my honour and my blood, even in the dust.
I know I have the body but of a weak and feeble woman; but I have the heart and stomach of a king, and of a king of England too, and think foul scorn that Parma or Spain, or any prince of Europe, should dare to invade the borders of my realm; to which rather than any dishonour shall grow by me, I myself will take up arms, I myself will be your general, judge, and rewarder of every one of your virtues in the field.
I know already, for your forwardness you have deserved rewards and crowns; and We do assure you in the word of a prince, they shall be duly paid you. In the mean time, my lieutenant general shall be in my stead, than whom never prince commanded a more noble or worthy subject; not doubting but by your obedience to my general, by your concord in the camp, and your valour in the field, we shall shortly have a famous victory over those enemies of my God, of my kingdom, and of my people."
The second version of the Tilbury Speech is one recorded in 1612 by William Leigh, in his sermon "Quene Elizabeth, Paraleld in Her Princely Vertues", where he described Elizabeth appearing before her troops "with God in her heart, and a commaunding staffe in her hand" and saying the following:-
"Come on now, my companions at arms, and fellow soldiers, in the field, now for the Lord, for your Queen, and for the Kingdom. For what are these proud Philistines, that they should revile the host of the living God? I have been your Prince in peace, so will I be in war; neither will I bid you go and fight, but come and let us fight the battle of the Lord. The enemy perhaps may challenge my sex for that I am a woman, so may I likewise charge their mould for that they are but men, whose breath is in their nostrils, and if God do not charge England with the sins of England, little do I fear their force… Si deus nobiscum quis contra nos? (if God is with us, who can be against us?)"
The third version of Elizabeth's speech appears beneath the painting of "Elizabeth at Tilbury" in St Faith's Church, Gaywood, which was commissioned by Thomas Hare (1572 – 1634), the rector and is dated 1588, although it may well have been painted in the early 16th century. This speech, published in Susan Frye's article, reads:-
"Now for Queene & For the kingdome I have beene your Queene in
P[e]a[ce] in warre, neither will I bid you goe & Fight, but come &
let us Fight the battell of the Lorde-For what ar thes proud
Philistines that they should Revile the host of the Living God. It
may be they will challenge my [sexe] For that I am a woman so may
I charge [their] mo[uld] [flor that they ar but [men] whose breath is
in theire nostrells and if God doe not charge England with the
sinnes of England we shall not neede to feare what Rome or Spayne
can doe against us w: whome is but An ar[mi]e o[f] Flesh where as
with us in the Lord our God to Fight our battells & to helpe I with
us yt skills not Greatley if all the devills in hell be against us[.]"
Frye points out that this Gaywood speech and Leigh's record of Elizabeth's speech are scrambled versions of one another. Frye explains this:-
"If we delete the very different prayers with which the two versions end, and amend the text of the Gaywood speech as indicated in n. 16 [in note 16 of her article, Frye notes that the words "we commend your
prayers, for they will move the heavens, so doe wee your powerfull preaching, for that will shake
the earth of our earthly hearts; and call us to repentance, whereby our good God may relieve us,
and roote up in mercy his deferred Iudgements against us, onely be faithfull and fear not." were excluded in the Leigh speech by her elipsis], then the Gaywood text, containing 122 words, reproduces 103 exact words of Leigh's 147 words. Except for the lengthy Gaywood clause of 45 words (which explains why, if God does not hold England's sins against her, no one need fear), most of the difference rests in alternate word choices: "I have beene your Queene in Peace" (Gaywood), "I have been your Prince in Peace" (Leigh); in paraphrase: "It may be they will challenge my [sexe]" (Gaywood), "the enemie perhaps may challenge my sexe" (Leigh); and in omission: "now for Queene & For the Kingdome" (Gaywood), "now for the Lord, for your
Queene and for the kingdome" (Leigh)."
Frye goes on to say that the Leigh and Gaywood speeches differ enough for the Gaywood painting speech to be a copy of Leigh's sermon, but it could well be that they are derived from Elizabeth I's actual speech. Frye is convinced that Leigh's speech is "a more probable Tilbury speech, while Sharp's may be a memorial reconstruction (he was at Tilbury)" and although Sharp was present at Tilbury, he was using the wording of the speech to make a point (he feared the proposed Spanish marriage of Prince Charles) so his version could be unreliable as it is coloured by his views. There are, however, similarities between the Leigh/Gaywood version and Sharp's version, which Frye points out:-
- Military comradery – "my companion at arms" (Leigh) and "I myself will take up arms" (Sharp).
- Elizabeth plays on her sex -"the enemie perhaps may challenge my sexe" (Leigh) and "I have the body of weak and feeble woman." (Sharp).
Tilbury and the Virgin Queen
Do the exact details of what Elizabeth wore at Tilbury and what she really said matter? Frye argues that:-
"For no matter what happened at Tilbury, no matter what the Queen wore or said, the fictions that surround her visit became essential. Contemporaries invented a first myth as the means to connect the defeat of the Armada with the Queen's person through her virginity. Historians and biographers perpetuated a second myth, which portrayed Elizabeth as symbolic of England's emergent military power and, by extension, of a unified political power she did not actually command."
and she also goes on to say that this image and mythology of Elizabeth as the Virgin Queen, whose "virtue was closely associated with the welfare of England throughout her reign", meant that an attack on England actually constituted rape, because it was an attack on Elizabeth's person. She talks about Louis Montrose's discussion on the Armada Portrait and how the defeat of the Spanish Armada was "expressed in sexual terms":-
"The Armada portrait-or, more precisely, the three extant Armada portraits, for they are nearly identical-makes a clear spatial connection in the triangle linking the two pictures of an Armada beset by
storms and fireships with the virginal bow at the end of Elizabeth's stomacher, to which our eyes are drawn by strands of virginal pearls and rows of tight, small bows."
Although I knew that the painting was referring to Elizabeth as the Virgin Queen, I had never thought about the Spanish attack being seen as rape. Elizabeth saw herself as a virgin married to England, so an attack on the country was an attack on her and her virginity.
Susan Frye points out that England was definitely on the defensive during the Spanish Armada and ill prepared for an English invasion. Spain had been preparing its Armada for three years, yet England's lack of financial credit meant that Elizabeth's Privy Council could only take defensive measures at the last moment, e.g. the Earl of Leicester amassing troops at Tilbury in late July and early August 1588 when the Armada were already in the Channel. It is fortunate that England made good use of its lighter ships, which were easy to manoeuvre, that it had Effingham and Drake to command its fleet and that the weather (the Protestant Wind) worked against the Armada.
Susan Frye writes:-
"To those alive in 1588, England must have seemed anything but united, just as Elizabeth's Tilbury visit may have only provided ineffectual pageantry, for she performed before unpaid and illequipped and even hungry soldiers, many of whom, we know from royal proclamation, tried to sell their armor the moment they were disbanded. Nevertheless, the Queen's review of the troops proved a brilliant stroke, which grew more brilliant in the succeeding weeks, years, and centuries because it provided a moment through which generations could cast Elizabeth I as the powerful political icon she remains."
and I think she has hit the nail on the head. Elizabeth's visit to the troops was essential to raise morale and as propaganda. Elizabeth knew just what she was doing!
Elizabeth's understanding of the importance of image has led to us, over 400 years later, still regarding her as the Virgin Queen and Gloriana, the monarch who brought a Golden Age to England. How powerful is that?!
Notes and Sources
- "The Myth of Elizabeth at Tilbury" by Susan Frye from "The Sixteenth Century Journal", Vol.23, No.1, Spring 1992, p95-114, found at JSTOR
More from my site
9 Responses to "The Spanish Armada 8 – Elizabeth's Tilbury Speech"
Fascinating to see the different versions of her speech! I was always aware that it was and turned out to be a genial propaganda coup, as the English were not ideally prepared at all (but the Earl of Leicester, at least, knew they had nothing else to show off than Elizabeth's persona, inspiring the nation, see his letters). Thank you for explaining the event's "afterlife"!
Maybe Elizabeth just liked to wear pearls LOL! I never heard of pearls representing anything and I do love to wear them (the fake ones of course) hum … and I thought a bow was just a pretty decoration!
Hi Christine,
Thank you! It is interesting looking at the different versions of the speeches and looking at the similarities between them, isn't it? Elizabeth I was Queen of PR!
Hi lisaannejane,
I do sometimes wonder if peopel read far too much into paintings but in those times paintings were puzzles and were used to convey messages so perhaps it is true!!
I wish to use the picture of Elizabeth I Rousing for a student lesson. Kindly inform if its permission is required and from whom ?
Dr. Devesh vijay
Fellow in History
Institute of LiveLong Lerning
University of Delhi
I found the painting of Elizabeth I addressing the troops at Tilbury on Google images and was unable to find where it came from. I'm sure that it would be fine to use it in a lesson.
What I've never understood about the speech is how, without amplification, on a presumably windy English coast, Elizabeth's alleged speech could have been heard by any more than a small fraction of the thousands of troops in attendance. Does anyone know if anything has been written about that aspect?
The speech and the vision of Elizabeth on a white charger with a breast plate on: not full armour; is good stuff and I am sure reassured those listening but it is indeed ironic as the battle was more of less over and the danger well and truly passed. There was not the slightest chance that Elizabeth would have to fight, let alone lay down her life for her subjects. It is more likely she would have fled abroad to safety.
Excellent article! It's interesting to read the different versions of her speech and while I would love to know *exactly* her words that day, the importance here is what Elizabeth tried to convey in the end. She was excellent at public relations and reinventing herself. In her brother's reign after the scandal with Seymour, she wore plain dress and became the perfect Protestant sister, so much that Jane said she would rather imitate her than Mary. During her reign Elizabeth I dressed more ostentatiously and became a symbol to her country, and the way she inspected her troops and conducted herself during this ordeal just shows her brilliance.
Is the exact spot where "Lizzie" addressed the troops known? I vaguely recall seeing a TV prog some years back whereby the presenter was standing near a small broken down jetty stating that, "this is where she stood" . Then again, it may have been where she departed, or alighted, I don't recall exactly!
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text:
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KAYA FC pounced on a Pachanga side that went a man down late and was on the wrong end of a questionable call, hacking out a 2-1 victory to keep its slim title hopes alive in the United Football League on Sunday night.
The tournament dark horse rallied from one goal down in the second half after Pachanga midfielder Alu Kigbu was sent off following two yellow-card infractions and goalkeeper Steve Yambou was penalized for apparently holding the ball too long, awarding Kaya an indirect free kick it turned into a goal.
"It felt a bit like highway robbery," Kaya coach David Perkovic admitted after the match at the Emperador Stadium in Taguig. "Pachanga did a good job disrupting our play…but it was good for the boys to dig deep and get the result."
Kaya, thus supplanted Loyola Meralco in second spot after jacking its point sum to 40, ahead of the Sparks on goal difference and seven points behind league-leading Global FC.
The LBC-backed squad also snapped Pachanga's four-game winning streak, leaving its victim stuck in sixth place with 26 points.
It seemed Pachanga would keep its impressive run alive and do Global a favor after Yoon Jang Ho struck the opening goal three minutes after the restart, spurring an inspired showing for 30 more minutes.
But Kaya, which saw four starters in Pablo Rodriguez, Richard Greer, Masa Omura, and Miguel Tanton leave one after the other in the first half due to injuries, appeared to benefit when Kigbu was ejected in the 83rd.
Then Yambou, which had made several nice saves earlier, was called for holding the ball more than the maximum six seconds in the 84th minute, giving Kaya the free kick inside the box, which Anton del Rosario slotted home.
After a handful of missed attempts, Chris Greatwich finally found the back of the net five minutes later off a feed from Janrick Soriano for the go-ahead goal.
"Yung breaks ng game napunta sa Kaya," said Pachanga coach Noel Marcaida, who felt his goalkeeper didn't hold the ball that long. "Nabigla ako, biglang six-second rule. Nag-blow ng whistle after two, three seconds lang."
"Nasisira yung magandang laro 'dun sa mga calls na 'yun," added Marcaida, a goalkeeper in his playing days.


text: It is a very traditional goan sweet dish. It is something my Mom used to make for tea and as my Mom used to say "it is strengthening and good for you". It is like a porridge that can be eaten hot or chilled. When chilled it is more like a pudding.


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Alan Berry of Blackmore Vale Cider is your tutor for this half day workshop. Alan's cider is sold through local farm shops, pubs and clubs and it does well at local shows. Most recently, he was named Supreme Cider Champion at the British Cider Championship held at the Bath and West Show in June 2016 with his medium cider, beating 600 other competitors - a once in a life time achievement. In 2015 at the Mid-Somerset Show 2015 he was named Somerset Cider Champion while in 2014 at the Bath and West Show his medium farmhouse cider gained a second prize, his sweet farmhouse cider was very highly commended and he was delighted that his cider was voted the People's Choice from a blind tasting by members of the public over the three days of the show. You can read more about Alan and his cider making business here.
What you will learn
This is a three-hour workshop. The session starts at Empire Farm, where Alan introduces you to the basics of making cider - the different types of apples, and the equipment you will need. Then we drive to Alan's workshop on the other side of the village, where you can see his orchard and equipment. He demonstrates the whole process including the preparation of the fruit, followed by milling and pressing. Everybody has a chance to join in and help. Then we return to the farm for the final Q and A session and afternoon tea and cake.
Cider making can get a bit mucky, so we provide aprons. However, you are advised to wear old clothes. Everybody gets to take away a set of notes.
This is an afternoon workshop that starts at 2pm and finishes at 5 pm. The price includes all tuition and refreshments.
What's the refund policy?
We do not offer refunds for courses more than 7 days post-order. Course vouchers are transferable from one person to another. If you have to cancel any course booking more than 14 days prior to the course, we will transfer you to another course of the same value, or offer a Gift Voucher. In the event of cancellation within 14 days of a course date, we will be unable to transfer your booking but someone else may attend in your place, should you wish.


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VPL presents "Not What Happened" at the New England Youth Theater, 100 Flat St., Brattleboro, June 14-15 at 8 p.m. Tickets are $15 ($10 students); opening night party tickets (Friday night only) are $50, including a pre-show party with the artists, seasonal delicacies provided by Elizabethan Fare, and premium reserved seating for the performance. To purchase, visit www.vermontperformancelab.org/events. For more information, call 802-361-3361.
Originally published in The Commons issue #207 (Wednesday, June 12, 2013).
BRATTLEBORO—After a year of digging into archives, exploring cemeteries and cellar holes, and immersing himself in the details of 19th century rural life through a year-long residency with Vermont Performance Lab, Ain Gordon returns to Southern Vermont with his newest theater work.
VPL presents "Not What Happened" on June 14 and 15 at 8 p.m., New England Youth Theater, 100 Flat St., Brattleboro.
This new theater work by Gordon, a three-time Obie Award-winning theater artist, features images created by rural documentary photo artist Forrest Holzapfel of Marlboro.
Moreover, in collaboration with VPL, the Catherine Dianich Gallery on Main Street in Brattleboro is presenting Holzapfel's two dozen or so photographs for the show in a one-man exhibit, "The Labors of Silence," until July 26.
"Not What Happened" is a drama with only two characters, and those two separated by centuries: In 1804 a woman in New England bakes bread in a cookhouse as she reminisces on her life; in the present, a historical animator tries to reenact what her life would have been like.
VPL calls it "a contrapuntal duet for two people who can't meet." The work matters as the subject is largely written out of history, Gordon says.
Gordon is a New York City-based American playwright, director, and actor whose work often deals with the interstices of history, focusing on people and events that are often overlooked or marginalized in "official" histories. His style combines elements of traditional playwriting with aspects of performance art.
Gordon began writing and directing for the stage in 1985. In 1992, he became co-director of the Pick Up Performance Company, which his father, choreographer and director David Gordon, founded in 1971 and incorporated in 1978.
The younger Gordon was awarded a Guggenheim Fellowship in playwriting in 1998. It was here that he gained recognition for his abiding subject: marginalized and forgotten history, and the invisible players who inhabit that space, developing a blend of historical fact, imagined truth, and complete fiction that continues to dominate his work.
According to Holzapfel, the collaboration came about after Sara Coffey, VPL artistic director, put the two together to develop the theater piece; Gordon had needed the expertise of a local historian.
It was in a Marlboro College seminar course, "Presence of the Past," where Gordon and Holzapfel sifted through archival material and walked the rural landscape of Windham County. They developed not just a scholarly, but an artistic collaboration, Holzapfel says.
For "Not What Happened," Holzapfel developed complex, historically inflected photographic images integral to the visual design of the performance work.
Holzapfel is a local historian who both resides in and centers his work on his hometown of Marlboro. A 1997 graduate of Bard College's photography program, Holzapfel has spent the past decade photographing, collecting stories, and interviewing his fellow townspeople in a tradition of small-town photography reaching back to the early 1900s.
He is a recipient of numerous grants and awards from the Vermont Humanities Council, Vermont Arts Council, and the Vermont Folklife Center.
"Ain and I spent months together going through many local historical societies in the area," said Holzapfel. "We tried to get the feeling of what a woman in New England would have been like in 1803 or 1804, someone of whom we really have no historical documentation."
As part of their research, Gordon and Holzapfel studied domestic artifacts at the museum of the historic village of Old Deerfield, Mass. There they took a class in hearth cooking, trying as best they could to get the rhythm and detail of the living history.
"For 'Not What Happened,' I made a series of photographs of things one would see in everyday life in 1804," Holzapfel says. "It was an interesting task because there were no photographs at the time to guide me. For the stage production, we will blow up six or seven of these as backdrops to the drama, what we are calling 'photographic contemplations.'"
It would be misleading to contend that "Not What Happened" is a traditional historical reenactment of the past. Gordon's unique approach to developing new work is a deep investigation into "place."
Gordon used the human history, natural history and present-day life of several southeastern Vermont villages as a springboard for this new evening-length work that explores the politics and ambiguities of our relationship to our past.
"Not What Happened" is a work that considers the implications of who gets written into the historical record and who gets forgotten.
As Gordon expounds, "History is the fictive engine which makes a storyline out of real life. There never is the full story, but history tells select stories to make something traceable."
He said he felt compelled to bring to life this New England woman in "Not What Happened" because, in a lot of ways, he had never done anything like this before. Unlike much of his other historical works, this story takes place in a small rural town and in a non-documented past.
"It is a challenge because there you find find less man-made evidence for tracking the story," he says. "I am attracted to stories which have been overlooked and have left little traceable evidence. I like the small figures on the edge of history's giant paintings."
Yet "Not What Happened" is not abstruse intellectual theory. Rather, it is a compelling drama with a definite narrative. Gordon says, "In all my works there is a clear story. I want people drawn into the canvas I am creating."
Gordon still considers "Not What Happened" a work in progress. An earlier version was performed at Mass MOCA in North Adams, Mass., last year to great acclaim, and the piece will have an official premiere this September at the Flynn Center in Burlington.
What do you think? Leave us a comment
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There is such precision and balance in the jewelry of Design Atelier designer Melissa Kaye that I wasn't at all surprised to learn that she had once held a high-powered job in finance; quantitative strategy to be exact. I was however, seriously taken aback when, upon first meeting this quiet, affable and petite woman, when I learned that she is an amateur boxer! After getting the chance to delve further into what she describes as a "very serious hobby" I started to understand the correlation between what's appealing to her about both boxing and jewelry design, and it became evident that there is a common thread of passion that runs through all aspects of her life.
COUTURE: So how did you get into boxing?
Melissa Kaye: I grew up in New York and got my undergrad in computer science at MIT. I went on to work in finance while also getting my masters in computational finance from Carnegie Mellon. I specialized in quantitative strategy, which is very technical, quantitative work. It was a great experience, and I worked with some great people, some really smart people, but the high charged environment also meant my schedule could oftentimes be very volatile. There were periods when I was exercising and then periods when I was not exercising, so when I left my job I was determined to get back to a regular exercise schedule. I grew up doing gymnastics so I was always a gym rat, and I wanted to get back to that. I tried a bunch of different classes at the gym—Pilates, spin, yoga—and ultimately fell in love with boxing. I became more and more focused on it and it became a very serious hobby, which is what it is today. I've been training now for almost 7 years, and I'm at the gym at least 6 days a week.
COUTURE: So what is it specifically that appeals to you about boxing?
MK: The interesting thing about boxing, and it's the same thing that's interesting to me about jewelry and gymnastics, is that there is a combination of science and art at play. Boxing is a very technical sport, with a lot of nuances. Anyone can throw punches and "fight," but a true boxer artfully applies her technical skillset. In jewelry, there's also a lot of science and technique, but it's applying your personal voice that makes your designs unique. You work with a technical foundation, and apply it in a personal, artistic way that is distinctly you.
COUTURE: As a former gymnast, you're no stranger to physical challenges, is that also some of the appeal of boxing?
MK: Yes, boxing is a full body workout. And while that means you focus on balance, speed, agility and strength, it is really the mental challenge that is more critical than anything else. When you're in the ring, it's just you and your opponent. You have to believe in what you can do. Which means it's not always the best person that wins. Oftentimes, it's the person that thinks they're the best or is mentally the toughest. Boxing is about instilling your will, and it's about believing in yourself and your skills. Without sounding too cheesy, it really is a metaphor for life. It teaches you how to toughen up, how to take a hit and keep on going. It is one of the toughest things I've ever had to do. It has required me to develop a thicker skin.
COUTURE: An even thicker skin than you had to develop working in finance?!
MK: It's a different kind of toughness. If you know you're doing good work in the office, it's easy to respond to challenges – which is very different than responding to punches being thrown at you! Even though I worked in a competitive field and went to competitive schools, I never saw it that way, and I certainly didn't see myself as a fighter. So with boxing, I really had to toughen up. Boxing is also very emotional; there is an implicit bond between you and someone you've exchanged punches with that you don't see in many other sports or careers. It's an unusual type of affection and respect you develop for someone who shares that experience with you. This is a sport where you see the most aggressive fighting turn to mutual respect and hugging after the bell.
COUTURE: This sounds like a sport where you could develop a really strong sense of community?
MK: As a boxer, you have your family, you have your friends, and then you have your boxing family. You have this sort of unique bond, this connection.
COUTURE: Well we know you're getting prepped for your first showing at COUTURE, what's on the horizon for you with respect to boxing?
MK: I'm a very polite boxer, so I'm working on being more aggressive! I am a natural counter-puncher so I like to wait for someone to do something, and then respond. I do pretty well this way, but you can't always be nice. Sometimes you have to go after someone. So the rule today is, go forward!
COUTURE: Sounds like another metaphor for life!


text:
Pipe Works 2
Busty bimbo wants to take a shower. But there's now water! Mend the water-supply, earn at least 63 points and you'll see her washing that marvelous body :)
Game loading
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Comments (28)
muhammad 2015-02-11 19:43:13
hello, google "muhammad sex simulator 2015" for my latest game
So Hard 2015-02-11 21:00:11
This game is so hard
Dark 2015-02-11 21:14:34
Just play on easy until you figure out the solution and then play on hard.
fuck it 2015-02-11 22:36:51
max 51 pts
Too fucking hard 2015-02-11 22:44:45
This is ridiculous. I agree with fuck it
Not worth it. 2015-02-11 23:12:28
I'm usually pretty good at these pipe games... but 63 points?... yeah, fuck it. Unless she comes out of the screen and gives me a BJ it's not going to be worth it.
For the challenge 2015-02-11 23:18:18
(T)its not worth the hassle, did it for the sake of beating the puzzle. Try working back from the end to the start, it helped
one more time 2015-02-11 23:23:04
I won! down>down>right>down>left>down>right>right>up>up>up>up>left>up>right>right>right>down>down>down>down>left>down>down>down>left>left>down>down>right>right>right>up>riht>up>up>right>up>right>up>right>up>left>up>up>left>up>right>right>down>down>right>down>down>down>down>down>left>left>down>right>figth>right
Thanks 2015-02-11 23:53:52
Thanks for the instructions. So much pain and work for so little payoff...
benzykat 2015-02-12 00:16:28
Fairly easy
old school 2015-02-12 03:49:44
fuck I won. For a porn game it not worth. I think getting a girl naked in real life is easier than this.
Answer, 2015-02-12 03:54:23
Answer: Down Down Right Down Left Down Right Right Up Up Up Up Left up Right Right Right Down Down Down Down Left Down Down Down Left Left Down Down Right Right Right Up Right Up Up Right Up Right Up Right Up Left Up Up Left Up Right Right Down Down Right Down Down Down Down Down Left Left Down Right Right Right.
Blarg 2015-02-12 06:01:14
I have a SS of the solution, and I can verify that Answer is correct. Each word indicates the direction of the water flow from start to finish. So from the first square, you want the bend at the water source pointing down, then a straight piece, then a bend going right, etc.
eU 2015-02-12 06:37:53
eU 2015-02-12 06:38:49
t_nadia 2015-02-12 13:08:38
very hard to earn 63 points
Only one of these links is of a famous porn site! Can you find him?? j . gs/5BUt adf . ly/s1Ocv j . gs/5BV2 j . gs/5BV5 j . gs/4TKg j . gs/5BV4 j . gs/5BUy j . gs/5BUw j . gs/5BV0
how to get 63 score 2015-02-12 14:51:43
/e9c0ebcc2a223727a4a38142da80f480 enter this after gyazo dot com
True Hyper Sonic 2015-02-12 16:49:07
I think this game is unreasonably hard for such a crappy payoff. You just look at her afterwards. What's the point of that? This game basically says "Look, but don't touch." I'd rather be in there fucking her senseless! Buzzkill city ahead!
*Lonely_girl* 2015-02-13 15:10:58
nice game bad prize
cgazer 2015-02-14 20:00:12
It took me about 6 or 8 tries working back from the end to get it. I didn't go to the trouble of trying to follow any instructions or anything really tedious like that, I just enjoyed the process of playing the game and trying to win it, it was kind of a fun little challenge. The teasing of the showering girl from behind the rectangle each time I would lose definitely added spice. The showering semi-3D girl is pretty hot. 10 times better than a hentai pic. I'm glad she didn't turn out to have a dick or a swimsuit or something.
cobra28 2015-02-15 03:08:10
cool game
SexyBaby94 2015-02-15 06:06:05
Hey guys, check out my profile ;)
game 2015-02-17 11:13:04
Got 63 points!
dariaolsen 2015-02-21 14:45:07
max 53 points


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Big Apple Burlesque is dedicated to the excess of New York city, in its grandeur, monumental size, and its citizens who enjoy a good burlesque show. It is our goal to embody the glitz and glamour of the city and its many styles of art, but especially that of burlesque dancing. The art form has changed somewhat since its inception; burlesque referred to show of satire and pomp that made fun of the well-to-do people in Britain at the time. When the style came to the United States its bawdiness was emphasized and the rich were no longer the target of its attentions.
The style has remained somewhat similar to what it was many years ago. The giant feathers, hanging jewelry, and confused wardrobe of skimp and swath continue to be burlesque statements of fashion and style. Many names from the industry's past stick with us today; in fact many of the dancers of almost 100 years ago still have active followings.
As business professionals we understand the amount of planning, coordination, and shear volume of people that it takes when producing a burlesque show. We understand your needs; from backstage drama (which we prefer to avoid), to poor management (which we also prefer to avoid), to excellent production staff, stage hands, and the like. We used our understanding of the profession and its needs when we built this website.
It is our goal to be a hub at which industry professionals can gather; we invite business owners, dancers, stage hands, and any other professional in the burlesque industry to join us here in this ongoing conversation.


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- Worldwide Rank #222,909,901
- Follower/Following Ratio 0.6
- Daily New Followers 0
0018093561156 Twitter Stats
@0018093561156 - Tracking 0018093561156 Twitter profile since August 21, 2013
ME LLAMAS? ESTE ES MI TELEFONO. VIAJAS A LA REPUBLICA DOMINICANA? NECESITAS DE UN GUIA? Me llamo Noel contacte conmigo Y LE ENSEÑARE http://t.co/d0uz3A1FdN
0018093561156's story
0018093561156, also known as @0018093561156 has a reasonably significant presence on Twitter and is ranked by us in the 30% percentile for account strength. Active on Twitter since August 2013, 0018093561156 made it to having a respectable 3 Twitter followers and to being ranked 222,909,901 for number of followers among all Twitter users.
The plot thickens when considering 0018093561156's follower-to-following ratio, which is 0.6.
From a tweeting perspective, @0018093561156 is a casual user, with an average of 0 tweet(s) per day in the past 30 days. That's pretty consistent with a total of 355 since @0018093561156 joined Twitter.
This account is tracked by us for quite some time now, actually since August 2013. As of August 17 2018 we track 290722354 Twitter accounts, so feel free to search for other accounts you're interested in and reveal their Twitter story!
0018093561156 Tweets
@0018093561156 has posted 0 tweets in the last 9 days, which translates to an average of 0 tweets per day.
0018093561156 Twitter Followers
@0018093561156 has 3 followers on Twitter.
This account is #222,909,901 in the worldwide rank of the most popular Twitter users.
0018093561156 Following on Twitter
@0018093561156 is following 5 Twitter accounts.
Last month this account followed 1 users.
0018093561156 Predictions & Milestones
@0018093561156 will hit 3 followers in the next 3 months, and 3 in one year.
You are on 0018093561156's Twitter stats page
We track these Twitter stats since August 21, 2013 . You can see how many followers 0018093561156 lost or gained and what the prediction is for tomorrow or the next 15 days, together with all kinds of other stats like rank compared to all Twitter users, tweets etc.
Why don't you give it a try and compare 0018093561156 to yourself ? Or if you are 0018093561156 get even more feature rich & up-to-date stats with our premium Twitter Stats.
Twitter Counter is the #1 Twitter stats site powered by Twitter. It all started in June 12, 2008 and we grew rather rapidly because of our Twitter Counter badge. The button is a nice small image that shows your visitors how many followers you have on Twitter. Within a year the button was on many many blogs around the world and we displayed more than 100 million buttons in one month. We track follower stats for over 290.722.354 users now.


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Generally, we fix it within the same day, if it's not the same day its usually next business day. We understand that in today's day and age everyone relies on technology so
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Yes we provide our services to residential as well as business customers. We also provide regular maintenance of laptops, desktops, workstations and servers!
Yes we certainly do, click here to read what some of our customers are saying: https://www.nerds2you.com.au/about-us/testimonials/
We take cash, direct deposit, eftpos or credit card.
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We charge hourly for any adhoc onsite work and for some particular jobs we charge a flat fee to save you money. For jobs that are flat fee, you will only be charged for the amount agreed and never anything more.
This all depends on your location and problem. Because we have lower overheads we can provide our customers with a better price than most other large competitors in Perth. Please call or enquire online for a proper estimate.
Absolutely, if you refer anyone to us we will provide you with 20% off your next onsite visit. Just be sure to remember and we will apply the discount to your invoice.
We service all metropolitan suburbs North, South, West and East or Perth CBD including Perth City.
Our full services listing can be found on this page: https://www.nerds2you.com.au/services/
We will return onsite and fix it for free! There will be no further charge if the problem re-occurs.
If we can't fix your problem onsite we will take your computer offsite, repair it in our office and return it to you all fixed.
No sorry, at this time we are provide onsite services and do not have a retail shopfront. We also find that most customers prefer someone professional come out onsite and fix their issue on the spot which saves time and stress.
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Speccy is a good general system information utility - it reports more that just Temps
The other utilities mentioned are also very good - some monitor and create a log.
Speccy - Builds Two versions: Full install & Portable
also this one that downloaded a bunch of stuff and did not run, it kept re installing and never could run it.
HWiNFO, HWiNFO32 HWiNFO64 - Hardware Information, Analysis and Monitoring Tools
I find realtemp the best and most accurate. I use Hwinfo64 when testing an overclock, but realtemp any other occasion. It also will give you statistics on c-states, power usage, VID and GPU temp.:
I have Speccy, and I am happy with it, but is there a widget that you can keep on your desktop to always monitor the temp?
Also there is the coretemp windows 7 sidebar gadget that display cpu temp and load as well as clock speed, vid and ram usage. It can also display it in the taskbar (with and without the gadget).
Just search for


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Center for Political Studies' American Club invites its members to discuss leardership, historical figures, play trivia quizzes and games about the US presidents - on Thursday, February 21, 2013.
On February 22, 1732 George Washington was born - was one of the Founding Fathers of the United States, serving as the commander-in-chief of the Continental Army during the American Revolutionary War, first President of the US (April 30, 1789 – March 4, 1797).
Every year, on the third Monday of February, Presidents' Day is celebrated in the US to honor George Washington and other US Presidents (in particular, Abraham Lincoln, who was also born in February).
More on the Presidents' Day @ http://en.wikipedia.org/wiki/Washington's_Birthday
Event on Google+ @ https://plus.google.com/events/c6m2af5e14co2q790g2900tn9bg


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2017 - 2018 Tuition and Fees
Tuition is charged by the credit hour and each class offered in the Master of Arts, Master of Science, Doctor of Nursing Practice and Doctor of Education programs are three (3) hour classes. Part-time students are enrolled in three (3) or six (6) credit hours or one (1) or two (2) classes respectively. Full-time students are enrolled in at least nine (9) credit hours, or three (3) classes, or more. The average full-time student is enrolled in twelve (12) credit hours.
Click here to see our current tuition and fees. Keep in mind that your program of study may also require additional fees as described below.


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What do you think the chances are that Donald Trump will return their money?
Good luck with that! He is only in it for the billion he can scam from contributions. US campaign finance laws are a license to steal. Trump has assembled the best team of accountants and lawyers in the country to scam the system using the mess that is our tax and financial laws.
My use of grammar would make my dear mother roll over in her grave, but here goes: "He ain't gots it!"
He who makes the gold makes the rules.
Wow. All this nasty crap in the outhouse today is breaking up. Trump>>>>to sheriffs az. arpario, buble and nano. corruption, liars, sex, drugs and politic's ……goodness malia! could this be connected to? It is huge!!


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Lose While You Snooze gelcaps is a premium collagen weight loss and dietary supplement.
The ingredients in Lose While You Snooze Gel Caps are simple.Collagen, the leading ingredient is one of the most important elements your body needs to repair and rehabilitate tissue throughout the entire body, not just to lose weight. The main source of energy for this repair is collagen, which is the main ingredient in Lose While You Snooze. The collagen is supported by the other ingredients which make the production of new collagen in the body more effective and also promotes the utilization of fat for energy. This way, you can lose and snooze at the same time just by taking 3 just before bed.
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No Thanks, but Thanks
Photos and words by Kyle Von Hoetzendorff
I have made the decision to believe that that yes, global warming is happening. There is a ton of heavy shit that goes along with that, I know, I get it; superstorms, biblical droughts, floods, famine, plague, strife, real estate devaluations, shorter ski seasons, etc. A truckload, boatload, superfund, Yucca Mountain amount of issues right? Mega fusion/fission, black hole singularities, end-of-days issues.
But that's all in the future right? I mean we're good for a little while anyway. Us humans, as a social species, as a global community, we have never really been good at preventative care, especially if that means making things harder on ourselves. You could say that human evolution has really just been one long march towards the Lazy Boyz, on-demand, and a multi-stage high and low compression and rebound damping. By and large, we are a "wait and see" bunch…
Even though I agree with this global warming business, that doesn't mean I have to give up my self-indulgence, and in particular the egregiously self-indulgent act of mountain biking? No, it doesn't. At least not yet, at least while I can still beat my conscious to the corner.
So when Barry, the current manager of the Fat Tire Farm, my Portland bicycle shop Alma Mater dropped a text to say that the crew had a little all day adventure in mind, and would I like to join; this being the middle of winter, in the Pacific Northwest, I could only answer "sure, in, lets do it." You see, I am a witness to global warming, there was no snow on the hills and the trending mountains around Portland. Sure Mt. Hood was covered in the stuf, gleaming white like the last cared for tooth in the gaping maw of winter's long tamed ferocity, but the rest of the sub-alpine peaks were snow free. It was a "two sandwich" day and we were to meet in the parking lot of the "farm" at 8am.
We spent the morning mostly pushing our bikes, and the afternoon mostly descending. At least most of us did; David "@the_wilcox" Wilcox mostly rode and waited for the rest of us, not unfit, riders to catch up. He's good like that. Aside from "The_Wilcox" we had Wayne, aka The Wayner. Now The Wayner didn't/doesn't/probably won't know that to a certain crew he is known as The Wayner, not that he would care.
You see for all The_Wilcox's fierce and commendable pedaling, The Wayner would put in just as much effort slowing the progress of our merry group. There is no doubt that The Wayner is fit, I mean you have to be to lug a case of Coors heavy on a backcountry ride. Not that he didn't try to lose the weight, or at least, given any chance, transfer the weight from one vessel to another, e.g. from the cans to his body. The Wayner took ride-drinking to a new level, where us amateurs seem content to dabble in our one or two beer existence, The Wayner is pushing progressive trail drinking ever onward, he took every stop, group check, or flat repair as an opportunity to slam a barley pop.
Long story short, the day was a thrill, we took up pretty much all the daylight and then some. There is something to ending an outing with a fire built in the midst of parking lot full of dog shit, next to a culvert dropped in the middle of a long gravel curve, where the concerned locals consistently choose to show their support of your dark, cold, abandoned plight by unleashing the many harnessed horses of their apocalypse 4runners, Thunderbirds, and Datsuns upon the threatening gravel abutting your hastily constructed hobo fire that tries really really hard to warm you as you wait for the shuttle vehicle to return. This is winter, I was wearing shorts, No Thank you, thank you global warming…
Follow Kyle on Instagram


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Thursday, August 12, 2010
WARS Stories
When it comes to the long and winding history of the Star Wars franchise, Gary Kurtz remains an interesting figure. As George Lucas' storytelling and producing partner from 1973's American Graffitti to the original Star Wars in '77 to The Empire Strikes Back in '80, Kurtz was "present at the conception," so to speak, and -- like Bill Finger with Batman or Gene Coon with Star Trek -- made several important contributions that shaped the brand into what it is. Those contributions remain mostly unknown to the general public, though, with Lucas' billion-dollar behemoth having long since moved on -- much to its detriment -- from the foundations Kurtz helped craft.
It's no coincidence that Empire, widely considered the strongest entry in the entire catalog, is the one that Kurtz had the most to do with and Lucas the least. I've long felt that Kurtz had been uniquely positioned to call out some of the more pronounced storytelling eccentricities of his partner, resulting in a stronger end product. This isn't to criticize George Lucas' creative instincts (well, maybe a little bit...), but rather to point out that he's at his best when teamed with a partner who will actively question those instincts. That's something he didn't get from Howard Kazanjian, who succeeded Kurtz on Return of the Jedi, and it's certainly something he didn't get from Rick McCallum, producer on the prequels.
I bring all this up because of Kurtz granting an interview to the the Los Angeles Times in anticipation of his appearance at a big Star Wars convention this weekend (celebrating Empire's 30th anniversary -- which I marked in my own inimitable fashion here). While he's mostly kept his own council on the directions in which the franchise has headed in his absence (including a long-promised live action TV show that appears to be dead-in-the-water), he pulls no punches here, discussing with welcome candor not only where Star Wars started, but where it went awry. Some of the highlights after the jump:
Discussing the polarizing subject of the prequels:
"I don't like the idea of prequels, they make the filmmakers back in to material they've already covered and it boxes in the story," Kurtz said. "I think they did a pretty good job with them although I have to admit I never liked Hayden Christensen in the role of Anakin Skywalker. I just wished the stories had been stronger and that the dialogue had been stronger. It gets meek. I'm not sure the characters ever felt real like they did in Empire."
On Star Wars morphing into a "saga" ex post facto:
For Kurtz, the popular notion that Star Wars was always planned as a multi-film epic is laughable. He says that he and Lucas, both USC film school grads who met through mutual friend Francis Ford Coppola in the late 1960s, first sought to do a simple adaptation of Flash Gordon, the comic-strip hero who had been featured in movie serials that both filmmakers found charming.
"We tried to buy the rights to Flash Gordon from King Features but the deal would have been prohibitive," Kurtz said. "They wanted too much money, too much control, so starting over and creating from scratch was the answer."
Star Wars opened with a title sequence that announced it as "Episode IV" as a winking nod to the old serials, not a film franchise underway, Kurtz said.
The original plans for how Return of the Jedi would wrap things up:
"We had an outline and George changed everything in it," Kurtz said. "Instead of bittersweet and poignant he wanted a euphoric ending with everybody happy. The original idea was that they would recover [the kidnapped] Han Solo in the early part of the story and that he would then die in the middle part of the film in a raid on an Imperial base. George then decided he didn't want any of the principals killed. By that time there were really big toy sales and that was a reason."
The discussed ending of the film that Kurtz favored presented the rebel forces in tatters, Leia grappling with her new duties as queen and Luke walking off alone "like Clint Eastwood in the spaghetti westerns," as Kurtz put it.
Given that I point to Return of the Jedi as the precise juncture point where the whole thing started to go off the rails, these are some fascinating insights into what could have been. There's much more from Kurtz at the link, and I'm very curious to see what other tidbits emerge after his convention appearance this weekend.
Tags: George Lucas, Movies, Star Wars
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There are lots of games that you can play in Dizzywood. Most games have coins as rewards but some games give you special items. Some of the games in the world are different versions of the same basic game.
For example, the Clothing Game in Presto's Grove and the Chef's Bug Game in The Explorer's Camp are very similar.
(See the articles for more info on them).
Blocks Edit
Blocks is similar to the classic game, Tetris. You rotate falling pieces to try and make them line up and disappear. You can play blocks at the Game Machines like on The Garden Gazebo and Presto's Edge.
Bounce Edit
Bounce is a game that usually involves bouncing items across the screen from left to right onto a safe platform. The items that fall go at different speeds and there are other items that do bad or good things to you if you touch them.
Combo Drop Edit
Combo Drop is a matching game, where you need to match (at least 3) similar items at a time in a row. You can play the game in many places throughout Dizzywood including with Chanjo the Chameleon.
Flash Cards Edit
Flash Cards is the game that you can find in Tanglevine Jungle and many other places. Basically, you try to match the pictures (like matching or memory).
Flight Edit
Flight is a game, where you must get to the end or collect items. You move by holding down the left mouse click, and letting go lets it go down (like the game helicopter).
Force Field Edit
Force Field is a game very similar to the classic game, Pong. You must try to bounce a ball past your opponent to score a point. A certain number of points is required, ranging from one to five.
Jumper Edit
Jumper is a simple game, all you have to do is collect the items it tells you to and then head for the exit. This game is located in Elder Vein Mines, in the secret stairway in Tanglevine Jungle and in the entrance to the Tree House.
Vanish Edit
Vanish is a game similar to pairs. You need find pairs of items (bugs, Onakasi diamonds, symbols, ect..) and click them. Once you clicked them they vanish.
Word Race Edit
Word Race is a game that represents hangman, except you lose or win when the computer or you get to the "finish line, respectively."


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Matthew Berry, Field Yates and Stephania Bell explore how JuJu Smith-Schuster's success in the second half of 2017 could carry over into this season. (2:05)
To sign up to play ESPN Fantasy Football for free, click here.
NOTE: Rankings will be updated throughout the summer.
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text: DSTT "unofficial" updates Scene News Pong20302000 and retrogamefan have been maintaining "unofficial" updates for the DSTT Flash Kit. They will be releasing an update at the end of each month. Their hardwork is being mirrored all over the net, but for the most up-to-date files be sure to check the link below. GBATemp Project Post


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Looking for an awesome present for the circus lover in your family? Support the development of circus arts in America by buying this awesome tote bag! Proceeds benefit Circus Now, a non-profit volunteer powered organization that supports the development of the circus arts sector in the United States. http://circusnow.org/

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He's not bad, he's just wired that way. Mr. Clampy Hands blurs the lines between friend and foe which makes him closer to human that he might appear...yeah, think about it....

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Finished that 3 mile hike, and ready for a cold beer? What, you didn't lug a heavy, clunky cooler with you? No problem! Pat Tatera of Pat's Backcountry Beverages has developed a process to brew beer concentrate – just add seltzer (the company also sells a $30 carbonator bottle). Now campers can turn a pouch of it into a pint of full-flavored pale ale. Hike up a glass and enjoy!
A Pint That Fits In Your Pocket
Posted in Beer Gadgets Tagged with: beer concentrate, Beer Gadgets, camping


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Your shopping cart is empty!
We have decided to do just one Wicket Keeping Glove, so we've put everything into it. Feel and comfort are paramount so the finest materials are used throughout. Contrasting super-supple Black and Silver analine leather offers superb softness and flex. Premium calf leather palms with gel pad inserts and octopus dimpled neoprene palm. Aussie short cut style with extra thick padded cuff, which offers added protection against variable bounce. Supremely comfortable!


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Central Pennsylvania Weaving Guild
We had quite an enjoyable weekend hosting the Central Pennsylvania Weaving Guild! Our family worked together doing mill tours, shearing demo's, meet and greets with all of the animals, a catered lunch, an overview of the maple syrup operation, and a cheese 101 class! It was a lot of fun and such an enjoyable group of individuals!
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A bold, multi-material dining table that combines the best of late-Victorian and industrial styling. Featuring a hand-carved, Canadian Pine base and bold iron top, the Indore Dining Table makes a serious statement in any dining space. Due to the hand-built construction process, slight variations that enhance the piece's character should be expected.
Due to size this product has a small shipping surcharge