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I need employees how can i ad jobs
...(yellow highlights) with following information: Number of Employees Source of employee data (please paste link) Sector (if available) I filled the first 3 entries as an example. Assure that the company is the right one - the link in column B should identify/verify the company (e.g. name and logo) I would expect that the project takes around 3 hours. each
Requires High end knowledge of excel formulas and functions
Please provide information for companies in excel document from the inc website
1) Skills (Expert) - PHP , Mysql , Html , Android , IOS , online Security and ETC. 2) Western countries people can apply for this Job.
...websites: Collecting e-mails of employees of 60 companies in Greater Toronto Area [login to view URL] AND [login to view URL] I need someone to collect from all
...and technology to help us build promotional music networks on each platform. We have a division of the company that handles music PR for a number of US artists. We also need an assistant publicist to pitch music and videos from our artists to US-based magazines and radio stations for possible coverage. We are also look to fill roles for: • Software
Design a new UNIFORM for store with cap and Apron
I have content about what happened in H1 of this year, new accounts opened, key hires, key wins and such but I would like to make sure the delivery of this content is done well and I could use help making sure the speach I am giving is smooth and professional.
I'm looking for Full or Part Time employees to work remotely. Please read before responding: ALL TIMES ARE EASTERN TIMES: 7:30 am till 12:30 pm (Three Openings) - Monday thru Friday 12:30 pm till 5:30 pm (Three Openings) - Monday thru Friday 7:30 am till 12:30 pm (One Opening) - Saturday thru Wednesday 4:00 pm till 1:00 am (One Opening) - Friday
...software system, available through customer's web site, with the goal to simplify and automate some internal activities and increase the efficiency of the customer's team (Employees, administrative operators, etc.) In order to cover all requirements needed , the development will involve either: - The integration and customization of one or more plugins
I need an Android app. I would like it designed and built.
Black Trident Records is looking for freelance web designers, filmmakers, live gigs managers, photoshop artists and more.
I need an iPhone/iPad app. I would like it designed and built.
This e-newsletter will represent the entire group activities and different divisions. It's mainly targeted towards employees. The content is still developing but we need to approve the look and feel for the senior management. It's really urgent and at least two design options are required to compare
We run a recruitment service and have a wide range of corporate partners. We are looking to build a simple native app for Android and iOS that will enable our employees and ex-employees to view all of our corporate tie-ups as well as those in their current location. We are looking for experienced mobile developers for creating an app with the below
We are a real estate development/...development/general construction company, and have about 70 employees. We are looking for someone to help us create an intranet or OA system. Ideally, the system will allow us to create an automated workflow process, storage capacity, and a place where employees can download forms and connect with other employees.
I need you to develop some software for me. Want to be able to use my chinease card reader and writer hardware for my companies employee database on a easy software that can also read and write the sim card chips on my companies employee cards. We use the emv chips on the employee cards tk track where the employee is in the building. It shows us where
You need write a BUSINESS REPORT ON SYSTEM DEVELOPMENT METHODOLOGIES FOR EMPLOYEES OF EXPLORIA SOLUTIONS to use when selecting the optimal approach for clients. You will investigate what factors should be considered when deciding which development methodology to use to support development in a particular project, and present your findings in the
A platform that delivers a competitive employees benefit program to help businesses attract, engage and retain staff with fun, intuitive benefits that match your budget and your employee's aspirations. Here is the mock-up site [login to view URL]


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Private Cloud
Efficient Data Management through Cloud Computing
75Health Private Cloud computing System offers hospitals and medical practices an exclusive solution for managing their crucial medical information. No need for practices to invest on resources, we provide ready to use solutions. Completely reliable and secure, our efficient Private Cloud service proves cost-effective as well.
Salient Features of 75Health Private Cloud
Practice-specific Cloud-based Software
Controlled Access
Assured Data Security & Privacy
Remote Access using Several Digital Devices
Dedicated Server hosting
Key Benefits
No need for investing on hardware or software
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Information at the click of a key
Anywhere, anytime access and use
Pay as you use option
Approach 75Health.com for highly reliable private cloud computing solutions with sophisticated infrastructure, total administrative control, round the clock tech support, and tailor-made solutions to fit your budget for enhancing your health care standards while improving revenue!
Interested in private cloud, please enter your email address and phone number with country code and press Submit button. We will arrange individual live demo as soon as possible.
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White Labeling
Innovative White Labeling Cloud Service from 75Health
75Health offers hassle-free white labeling service to your business irrespective of industry and sizes. Client's unique brand and URL are seamlessly incorporated in the system. No need for them to invest on resources- we provide ready to use solutions under your banner or brand!
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Your company Logo & URL will be used while retaining features developed by us
Redesigning options according to country or region specific requirements
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Tech Support and Resources offered 24 * 7
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Practices utilize the service and run their campaigns under their brand and banner
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Avail 75Health White Labeling Services to effectively project your business, gain a head start, and save time and resources!
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About Us
The idea of founding an EHR Company was conceptualized by Kumar Subramaniam when he had to carry several paper reports, accompanied by his wife who was undergoing treatment. The founder and CEO embarked on a journey with a vision to empower people with digitized medical records that prove not only accurate but also easy and convenient. The result - the all new, innovative 75Health EHR!
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subset: commoncrawl


text:
I love personalising things, from etching glass to stencilling fabric. This is how you can make your own stencils, from any picture, numbers and letters.
1) Find a font you like and the right size you need (this might take a few print tests for size)
2) Print and the laminate (if you don't have a laminator, thick card should work but you have to be careful it doesn't get too wet and tear, you also can't really re-use them)
3) With sharp craft knife, slowly cut out the letters using a cutting mat
4) Place the stencil on whatever it is you are wanting to stencil (make sure you keep all the inside parts to letters - e.g. A in this case)
5) Tape the stencil down and tape the back of any loose parts as well as any parts which seem to be raised.
6) Using a sponge slowly dab the letter areas, do not press to hard as the paint will run. I used fabric paint for this example.
Make sure you put some cardboard behind the fabric you are stencilling, as you can see a lot went through.
7) Slowly peel away the stencil. I usually peel it off while it is still went incase I need to do any touch up and to make sure it doesn't stick in an area after it dries. Be careful when taking off the inside parts of the letters when wet!
Quick cleaning and time saving tip: I usually line my bowls or wrap plates with tin foil so I don't need to wash off any paint. I just pull it off and throw it away :)


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Thursday, 11 February 2016
PRODUCT REVIEW / Oriflame Cosmetics (Lipstick, Eyeliner stylo & Cream Eyeshadow)
I was sent some makeup products from Oriflame Cosmetics, and i was able to use them to create a look today. I will not post pictures of the look i created here because it was one of my ´Bad makeup days´ *yes, i actually have one of those*. One naughty friend of mine saw me and said it looked like makeup from 1976 *side eyes Uju and her long mouth*.
So, i was sent The One Color Impact Cream Eyeshadow in ´Olive green´, The One Color Unlimited Lipstick in ´Always Cranberry´ , and The One Eyeliner Stylo in ´Black´.
Let´s keep the review short ´n Sweet * at least, i´ll try*......
Let´s start with the cream eyeshadow. It comes in a small plastic jar just like most gel eyeliners.
The product has a thick consistency, and once you apply it, it dries to a smooth satin texture. It is very buildable and surprisingly pigmented.
I did just one swatch in the picture below, and i didn´t even use a primer!
I have never used a cream eyeshadow before, and i was skeptical about this one, but it turned out pretty amazing and i´m going to be using it a lot!
Next, let´s review The One Eyeliner Stylo.
I have used various Eyeliner Stylos in the past, and i was really hoping that this one would be different. But i think it´s just the same as the rest. When you apply on the back of your hand, they turn out really black, but attempting to apply on your lash line gives you a different result. It doesn´t turn out as pigmented as it was on the back of your hand.
See ehn, i like my eyeliner really black, but the Stylo doesn´t turn out as black as i would like it to be.
Like every Stylo pen, it has a felt tip. I hope the tip won´t get soft and bendy like other stylo tips do.
It looks dark on the back of my hand, but it doesn´t appear so when i draw my winged liner on my lash line. I still prefer my gel eyeliners *covers face*. I also hope that the One Eyeliner Stylo won´t dry out quickly.
The One Color Unlimited Lipstick in ´Always Cranberry´ is a beautiful pink satin lipstick. It applies really sheer but it´s buildable to a point. It glides on really smoothly when applied.
I like the fact that it comes in a little tube which can easily fit into your makeup purse. I also love the smell of the product.....as in.......it has this really sweet smell *like candy*.
The One Color Eyeliner Stylo --- N2,190
The One Color Cream Eyeshadow ---- N2,190
The One Color Unlimited Lipstick ----- N1,990
Contact Chiagozie Salami on 07055082825 or BBM 58ADFB30.
Oriflame consultants get the products at 23% discount. The eyeliner then goes for N1,685, the cream eyeshadow goes for N1,685 and the lipstick goes for N1,531.
To sign up to be a consultant, click on this link ...
Registration costs N1,200 and you get the products at consultant price delivered to your doorstep at a fee Nationwide.
If the link doesn´t open, just copy it and paste in your browser tab. For more information, contact Chiagozie with the details above
9 comments:
- Anonymous11 February 2016 at 20:31
Are there other products other than these? Nice review.ReplyDeleteReplies
- Anonymous12 February 2016 at 00:42
I love Oriflame products, affordable and nice. Been an ardent user since last year. Chinazor, try the High impact eye pencil, you will love it.ReplyDelete
- Anonymous21 March 2016 at 18:27
2016-3-22 xiaozhengmReplyDelete
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Here you will find themost important information about our international coach tickets, luggage, the trip on Sindbad coaches etc.
Open ticket is valid for 12 months from the date of departure.
The price of ticket includes transport of 1 or 2 pieces of luggage with a total limit not exceeding 30 kg and 5 kg hand luggage.
No. Sindbad company is not a courier company and we do not transport single packages, we are not responsible for any packages that are handed to our drivers or pilots in order to transport.
The coaches are equipped with disposable chairs, toilet, air conditioning, audio-video system, hot and cold drinks bar as well as free internet access in Poland. Most of our vehicles are also equipped with 230V sockets with USB input.
Pilot is present on every coach on international lines.
Identity card or passport is required.
Binding information concerning this topic is given in the Department of Passports in every town or in the Embassy of a particular country.
No. School ID or birth certificate are not the documents that allow Passenger to travel abroad.
Specific numbers of seats are not apportioned on coach. Pilot gives seats for the Passengers.
No. Entering and exiting the coach is allowed in definite places according to the timetable, based on the actual line permission.
It is forbidden to travel with a dog. In exceptional situations, it is possible to carry a small animal, however it requires a written consent of the carrier. The carrier can agree to transport a small animal (dog, cat, ferret – up to 4 kg!). Transported animal must have a passport, implanted microchip and all the veterinary examination that are required by the country Passenger is travelling to. The discount applicable for animal tickets is of 25 % off the regular price. This does not concern travel to Great Britain and Italy, where animal transport is strictly prohibited.
The Passenger is covered by personal accident insurance of the Carrier (NNW). The insurance covers only situation that may occur while the Passenger remains in the coach. Any other incidents resulting in damages to the Passenger outside the coach are not covered by this insurance.
Yes. The passenger has the possibility to buy for himself a second place, the discount is 25% of the ticket price.
When purchasing ticket at the Travel Agency, Passenger pays for the ticket in the currency applicable in a given country (Germany - EUR, England - GBP, etc.). If you buy the ticket through our website www.sindbad.pl, paying by card or by bank transfer, Passenger can pay in PLN.
During the journey, due to logistical reasons or Passengers' security, a coach change can take place. Information about possible coach changes is given during the day of departure.
The departure date can be changed at the latest 24 hours before the scheduled trip. The change is not possible during the day of departure.
Unfortunately, there is no such possibility. Sindbad company does not carry bikes on board of the coach or in luggage compartments.
Most of our coaches are already equipped with 230V sockets. We make every effort to equip all coaches with the sockets for our passengers in the near future.
Yes, our passengers can use free wireless internet service in Poland.
There are 3 different ticket fares available in our offer.
SINDBAD-EUROBUS is the basic fare, which can be used for all discounts available to passengers, i.e.:
- 10% for people over the age of 60 (birth date is decisive)
- 10% for young people up to 26
- 10% for a group of at least 10 people going back and forth at the same time
- 10% for Sindbad Business Club Card holders
- 15% for Sindbad Club Loyalty Card holders or Sindbad VIP Club Card holders
- 25% for extra space (next door) while purchasing a ticket in the same price group
- 40% for a child up to the age of 12 (birth date is decisive) while the ticket for an accompanying person was purchased in the same price group
- 10% for a second child up to 12
SINDBAD-EUROBUS-PROMOTION is a promotional fare, available on most connections, however in a limited capacity. Promotional fare may not be available during periods of increased traffic, weekends, holidays, winter holidays and vacations, this fare can also be excluded when purchasing ticket on the day of departure, as well as on the day before departure. Only the following discounts can be applied to the Sindbad-Eurobus-Promotion:
- 15% for Sindbad Club Loyalty Card holders
- 15% for Golden Loyalty Card Sindbad VIP Club holders
- 10% for Sindbad Business Club Card holders
SINDBAD-INTERBUS – super promotion, it's a promotional fare, thanks to which you can get the lowest possible price of a Sindbad-Eurobus coach ticket. There is no possibility of granting any additional discounts at this fare (e.g. due to holding Loyalty Cards or due to age privileges). Tickets at this fare are available for sale on selected week days depending on the direction. The SINDBAD-INTERBUS fare may not be available during periods of increased traffic, weekends, holidays, winter holidays and vacations, and it is also excluded when purchasing a ticket on the day of departure, and often also on the day before departure.
When deciding to buy our tickets a few days in advance, most tickets can be purchased at lower promotional prices, which are usually not available before departure.
Regardless of the fare, the transport is done by the same coach and of the same high standard.
In our offer the following discounts are available:
1. SINDBAD-EUROBUS fare
- 10% for people over the age of 60 (birth date is decisive)
- 10% for young people up to the age of 26
- 10% for a group of at least 10 people going back and forth at the same time
- 10% for Sindbad Business Club Card holders
- 15% for Sindbad Club Loyalty Card holders or Sindbad VIP Club Card holders
- 25% for extra space (next door) while purchasing a ticket in the same price group
- 40% for a child up to 12 (birth date is decisive) while the ticket for an accompanying person was purchased in the same price group
- 10% for a second child up to 12
2. SINDBAD-EUROBUS-PROMOTION fare
- 15% for Sindbad Club Loyalty Card holders
- 15% for Golden Loyalty Card Sindbad VIP Club holders
- 10% for Sindbad Business Club Card holders
3. SINDBAD-INTERBUS fare
- There is no possibility of applying any discounts at this fare.
No. There are available OPEN tickets in our offer (open, with a specified departure date but no return date). OPEN tickets are only available in the SINDBAD-EUROBUS basic fare, however the cost of the return way is included in the price of the ticket.
Yes. We offer return tickets, the cost of which is usually less than the sum of two one-way tickets. Return tickets are available to purchase at all price fares.
According to the amendment of The Act, Road Traffic Law, which entered into force on 15.05.2015, it is not obliged to carry children in safety seats in coaches.
Children under 12 cannot travel independently on Sindbad coaches.
Yes. Children above 12 may travel alone (except Italy, Greece, Ukraine, Bulgaria and The United Kingdom ). Guardians accompanying children at the place of departure are required to sign: "Handling Advice for Unaccompanied Minor", which is available at the coach pilot. For unaccompanied minors (above 16) travelling to the UK, it is required to provide additional information, such as: photocopies of parents passports, personal data of an adult with whom the child is travelling to the UK, personal data of an adult in the UK to which the child is travelling, the reason for travel, as well as UK address with postcode.
Passenger reports problems with the ticket at the Travel Agency, where the ticket was purchased (in case of purchase through the Internet, please call the helpline).
Losing luggage happens very rarely, however, it is good to know what to do in such situations. Any complaint concerning lost luggage should be reported to the coach pilot. In case of lost baggage, please contact us at the phone number +48 77 545 98 45.
All opinions and observations can be reported:
- In writing - by registered letter to the following address: Sinbad Sp. z o.o. ul. Działkowa 4, 45- 144 Opole.
- By phone: +48 77 549 48 45, Fax.: +48 77 549 48 40,
- Email: email@example.com
Any complaints resulting from the execution of a transport agreement are to be sent in writing (by registered letter) to the Carrier's address or via e-mail firstname.lastname@example.com within three months from the occurrence of circumstances being the subject of the complaint. The person authorised to lodge a complaint is the Passenger or his legal guardian, legal successor or proxy. Complaints submitted by third parties shall not be considered. The complaint shall be accompanied with the ticket or its photocopy, andin case of a luggage complaint, a written confirmation of his luggage damage or loss.
The Carrier shall consider complaints in one month from the date of delivery to the aforementioned address. In justified cases, this period may be extended to three months, provided that the Carrier gives Passenger the reasons for extending the period for considering the complaint. This notification must occur within 30 days from the date of receiving the complaint by the Carrier.


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The mission of Lois D. Cohen Associates is to foster connection, communication, and collaboration for our public and private sector clients and the people touched by their projects.
The vision of Lois D. Cohen Associates is to help build relationships that sustain a thriving civic society.
Every project we complete brings us a few steps closer to our vision.


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Health Department secretary Martin Bowles to retire from public service
He will finish up at the Health Department in September.
SOURCE: Brisbane Times
He will finish up at the Health Department in September.
SOURCE: Brisbane Times
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To say that 2017 was a year of upheaval for the Consumer Financial Protection Bureau is putting it mildly.
The first 11 months alone under former CFPB Director Richard Cordray saw a steady stream of enforcement actions and regulatory policies that by itself would make the bureau's year more eventful than that of other agencies. That span also saw the Trump administration's challenges to Cordray's leadership, and the congressional repeal of the CFPB arbitration rule.
But then one could write an entire book just on the last month, with Cordray's departure, an unprecedented legal fight over who would succeed him, and early moves by the apparent victor in that fight, current acting CFPB Director Mick Mulvaney, to take the bureau in an entirely new direction from his predecessor.
If Mulvaney ultimately prevails in the lawsuit brought by CFPB Deputy Director Leandra English, who claims she should be acting director based on the Dodd-Frank Act, he is expected in 2018 to continue implementing the most significant changes to the agency in its six-year history, with the focus on reducing companies' regulatory burden.
Even more change could be in the air if the administration moves quickly in 2018 to nominate a full-time CFPB director. Several names have been mentioned for the permanent role, with National Credit Union Administration Chairman J. Mark McWatters having emerged as a candidate just last week.
Mulvaney, who is also White House budget director, already has reopened the CFPB's rulemaking that imposed new requirements under the Home Mortgage Disclosure Act, saying the CFPB will not assess penalties against mortgage lenders for "material" errors in mortgage data collected next year. The bureau also will propose changes in January to its prepaid rule, which will not go into effect in April 2018 as originally scheduled.
Both announcements were hailed as victories for banks and financial companies. They are signs that Mulvaney could tweak or reverse as many rules as possible that were issued under Cordray.
"I do see very beneficial changes for business and more moderation at the bureau," said Stephen Ornstein, a partner at Alston & Bird.
Perhaps the clearest sign that a new era has begun for the CFPB is a recent change to the agency's mission statement under Mulvaney, which now includes an added line that the bureau "regularly" identifies and addresses "outdated, unnecessary or unduly burdensome regulations."
Jaret Seiberg, an analyst at Cowen Washington Research Group, said it is still unclear whether the CFPB merely intends to tweak the prepaid rule "or if it is looking for a way to reverse the entire rule."
"This matters as it will tell us what to expect from Mulvaney and Team Trump, especially with conservatives like Mulvaney expected to have more influence in 2018 than in 2017," he wrote in a research note.
Despite President Trump's election in 2016, the CFPB had operated for most of this year largely as if there had been no change in power in Washington, fining companies for consumer law violations and strengthening rules of the road for everyone.
Cordray, threatened by a lawsuit over the constitutionality of the CFPB's single-director structure and daily rumors of President Trump wanting to fire him, seemed to have nine lives at the agency. He stayed despite speculation that he wanted to leave to run for governor of Ohio.
The two most notable examples during 2017 of the CFPB's broadening its power under Cordray were the July issuance of the final arbitration rule, banning firms from forcing arbitration on consumers, followed by a final rule in October cracking down on payday lenders.
Yet Republicans in Congress rediscovered their authority to curb the CFPB through the Congressional Review Act, a dusted-off law allowing lawmakers to repeal regulations within a limited time frame with just a simple legislative majority. In late October, Congress used the law to repeal the arbitration rule. Later in the year, the Government Accountability Office ruled a separate CFPB policy restricting indirect auto lenders needed to be resent to Congress for review, essentially invalidating the auto lending policy.
But the push-back against the CFPB came to a head right after Thanksgiving when Trump installed Mulvaney, who had once called the CFPB a "sad, sick joke," as acting director.
Cordray had resigned just after naming English, previously his chief of staff, as deputy director. The move was an attempt to automatically install her as acting director based on a provision of the Dodd-Frank Act pointing to the deputy director as the agency's de facto head whenever a Senate-confirmed director is unavailable.
Mulvaney, the director of the Office of Management and Budget, was named acting director of the CFPB by Trump, prompting English to sue them both to block Mulvaney's appointment in a bizarre power struggle in which two separate people claimed to be running the same agency.
A federal judge initially sided with Trump, allowing Mulvaney to keep the acting director job, and is expected to uphold Mulvaney's appointment. Upon his arrival, Mulvaney announced a freeze on new regulations, and said he planned to bring more political appointees into the agency — pairing a political staffer with each senior career head of a CFPB unit.
The ongoing court case will keep the leadership controversy at the CFPB alive while it winds its way through the courts, hanging over Mulvaney until it is resolved or Trump appoints a permanent CFPB director who gets confirmed by the Senate. A separate case challenging the CFPB's constitutionality, PHH Corp. v. CFPB, is still pending before the U.S. Court of Appeals for D.C. Circuit Court.
Against that backdrop, Mulvaney is expected to revisit the CFPB's controversial small-dollar payday lending rule, which is widely expected to be scuttled, either by delaying its effective date or reopening a new rulemaking. Some lawmakers are also seeking to overturn the rule using the Congressional Review Act.
"I think the payday rule is in trouble and they are going to get rid of it because there are Democratic constituencies where people have no access to credit," Ornstein said.
But Seiberg warned that going too far in changing the CFPB's direction could have consequences.
He said an outright repeal of the prepaid rule, as opposed to just tweaking it, "would be negative by suggesting policy could yo-yo based on White House control."
"Financial firms benefit most from a stable regulatory environment," Seiberg wrote. "Tweaks [to rules] are much different than having one party impose a regulatory regime, another withdraw it and then the original political party [reinstate] it when it regains power."
If "Mulvaney and the eventual Trump nominee to permanently run the CFPB are going to seek radical regulatory changes, that means significant investments in new compliance regimes," he wrote. "And if the Democrats retake the White House in 2020, it could mean all these rules come back."
Yet observers think Mulvaney will potentially change or reverse other regulations still in the works, such as the debt collection rule. There also is an expectation that Mulvaney will pull back on enforcement actions, and reduce fines and penalties for all but the most egregious wrongdoers.
High on Mulvaney's agenda in the new year will be a five-year look-back review of the CFPB's "qualified mortgage" and mortgage disclosure rules. Mulvaney is expected to use the statutory review vehicle to amend both rules, lawyers said.
Mortgage lenders have asked for more clarity around the CFPB's rule that is supposed to help consumers more clearly understand the total cost of a mortgage. The rule, commonly known as TRID, combines the Truth in Lending and the Real Estate Settlement Procedures acts into a single integrated mortgage disclosure. Lenders want changes after complaining for years that compliance has become a nearly impossible task.
It remains to be seen how the bureau deals with the scandal-ridden Wells Fargo, given that President Trump vowed to come down hard on the bank in a tweet. Wells is playing offense, claiming it raised its minimum wage to $15 an hour, a plan that was already in the works, because of the Republican tax bill.
Mulvaney has not been shy about his intention to radically change the CFPB.
"The way we go about it, the way we enforce it, the way we interpret it, will be dramatically different under the current administration than it was under the last," he said on his first day at the job. "Anybody who thinks that a Trump administration's CFPB would be the same as the Obama administration's CFPB is being naive. Elections have consequences at every agency and that includes the CFPB."


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HOME > Press Releases > Epson Delivers Big-Screen Home Entertainment for Under $360
Epson Delivers Big-Screen Home Entertainment for Under $360Epson Home Cinema Projectors Offer Bright and Compact Full HD at a Fraction of the Price of TVs
LONG BEACH, Calif.–Aug. 22,2017– Epson, the number-one projector manufacturer in the world, today announced three new Home Cinema projectors to bring big-screen, affordable, Full HD entertainment for on-demand streaming, outdoor movies, multiplayer video games, and more. The compact Home Cinema 660, Home Cinema 760HD and Home Cinema 1060 shine bright with up to 3,300 lumens equal color and white brightness(1) for vibrant images and remarkable color accuracy. Users simply project onto any wall, screen or other flat surface to enjoy 300-inches of life size entertainment, with 25 times the screen area of a 60-inch TV.
"If you're shopping on a budget or for a small space, ditch the traditional TV for an Epson Home Cinema projector to enjoy immersive, life-size entertainment," said Rodrigo Catalan, senior product manager, Projectors, Epson America."Epson projectors offer creative solutions with a host of benefits –from the compact, coffee-table friendly design, to delivering huge, high-quality images, as well as connected home integration, portability, and setup flexibility."
With the Home Cinema 660, 760HD and 1060, users can easily connect Blu-ray players, gaming consoles or streaming devices via HDMI®to enjoy favorite content. The Home Cinema 1060 adds MHL® support via one of the two HDMI ports(2), enabling users to simply source content from phones or tablets, as well as other MHL-supported devices like the Roku® Streaming Stick(3). In addition, Epson 3LCD projectors deliver remarkable color accuracy, with up to 3x Higher Color Brightness(4)and up to 3x Wider Color Gamut(5) over competitive DLP projectors.
Home Cinema 660, 760HD and 1060 Key Features:
•Images up to 300-inches–Life-size images 25 times larger than a 60-inch flat panel
•High Color and White Brightness –Ideal for a variety of lighting conditions, the projectors offer up to 3,300 lumens of equal color and white brightness(1)for vibrant images
•Built-in Sound and Installation Flexibility –The compact projectors fit seamlessly into living rooms and include built-in sound for HD entertainment right out of the box
•All-digital HDMI Connectivity –Connect a cable/satellite box, Blu-ray Disc® player, gaming console or streaming device
•Remarkable Color Accuracy–Epson delivers up to 3x Higher Color Brightness(4) and 3x Wider Color Gamut(5) over competitive DLP projectors
•Innovative 3LCD Technology –Amazing action scenes with no rainbow effect
•Dynamic Contrast Ratio–Up to 15,000:1 for rich detail in dark scenes
•Easy-Slide Horizontal Image Correction –Place the projector virtually anywhere
•Instant Off®–Quickly power down the projectors; no cool-down time
•Portable Design –Lightweight and easy to use, the projectors are versatile enough for a range of applications –from backyard movie nights and big-game parties to gaming nights and more
Availability and Support
About Epson
Epson America, Inc., based in Long Beach, Calif., is Epson's regional headquarters for the U.S., Canada, and Latin America. To learn more about Epson, please visit: epson.com. You may also connect with Epson America on Facebook (facebook.com/Epson), Twitter (twitter.com/EpsonAmerica), YouTube (youtube.com/EpsonAmerica), and Instagram (instagram.com/EpsonAmerica).
1. Color brightness (color light output) and white brightness (white light output) will vary depending on usage conditions. Color light output measured in accordance with IDMS 15.4; white light output measured in accordance with ISO 21118.
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Spend an exciting day on your feet with the SKECHERS Boys' Skech-Air 3.0 Downplay Shoes. Perfect for active play, these kicks offer irresistible cushioning with gel-infused memory foam insoles and cozy fabric linings. Air-cushion pods in the midsoles help energize every step, and the flexible rubber outsoles provide the traction you need to keep on moving.


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Today those two men weighed in for their bout with both men making weight on their first attempt.
On the scales Ishimoto was just inside the limit, coming in at 121.92lbs, or 55.3KG's and although not looking shredded he did appear in great shape. Unsurprisingly the champion was confident and seemed to suggest that he was still aiming at getting a world title fight, though at 34 he will know that a loss here will derail that goal.
The challenger was notably lighter at weighing 121.48lbs, or 55.1KG's though looked in great shape and didn't really appear to be the smaller man, despite having fought much of his career at Super Flyweight.
For those interested in watching, this will be televised between 17:45 and 22:00.
Yasutaka Ishimoto battles Yosuke Fujihara in first defense
(Image courtesy of boxingnews.jp)


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Lone Star Ladies Ministry is a place where women of all ages can find others to connect with in a Christian community.
There are many offerings throughout the year including Bible Studies and Social Events.
We invite you to jump in and be a part of it all! Join us on Facebook!


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Landscaped Backyards
Thursday, October 5th, 2017
Using a great look for ways to your home is kind of painless, people must fill out an application the reasoning behind from this particular Furnishing A Small Living Room image gallery. When your redesigning mission concentrates to the key and also trivial shifts, the following Furnishing A Small Living Room photograph stock shall be especially beneficial to your private benchmark. Furnishing A Small Living Room picture stock will help you produce a wonderful result for the look of your dwelling even if you only just embrace some ideas. There are plenty of suggestions which you could select this amazing Furnishing A Small Living Room picture stock, in addition to each and every design has got a originality. Select the very idea of Furnishing A Small Living Room photograph collection that in accordance with your own require in addition to taste so that your dwelling can provide ease for you. You can blend some antique collectible fixtures to check the reasoning behind you decided on coming from Furnishing A Small Living Room pic collection. And also the model from this amazing Furnishing A Small Living Room graphic gallery will also work well using several current accessories. Which means, no matter whether you are a good fanatic associated with a classic and modern day look, this particular Furnishing A Small Living Room snapshot stock will probably be your prime solution.
As noun
furniture, carpeting, etc
, for a house or room
articles or accessories of dress: men's furnishings
that with which anything is furnished
As noun, plural A's or As, a's or as
the first letter of the English alphabet, a vowel
any spoken sound represented by the letter A or a, as in bake, hat, father, or small
something having the shape of an A
a written or printed representation of the letter A or a
a device, as a printer's type, for reproducing the letter A or a
As Idioms
from A to Z, from beginning to end; thoroughly; completely:He knows the Bible from A to Z
not know from A to B, to know nothing; be ignoranta
As adjective, smaller, smallest
of limited size; of comparatively restricted dimensions; not big; little:a small box
slender, thin, or narrow:a small waist
not large as compared with others of the same kind:a small elephant
(of letters) lowercase (def )
not great in amount, degree, extent, duration, value, etc
:a small salary
not great numerically:a small army
of low numerical value; denoted by a low number
having but little land, capital, power, influence, etc
, or carrying on business or some activity on a limited scale:a small enterprise
of minor importance, moment, weight, or consequence:a small problem
humble, modest, or unpretentious:small circumstances
characterized by or indicative of littleness of mind or character; mean-spirited; petty:a small, miserly man
of little strength or force:a small effort
(of sound or the voice) gentle; with little volume
very young:when I was a small boy
diluted; weak
As adverb, smaller, smallest
in a small manner:They talked big but lived small
into small pieces:Slice the cake small
in low tones; softly
As noun
something that is small:Do you prefer the small or the large?
a small or narrow part, as of the back
those who are small:Democracy benefits the great and the small
smalls, small goods or products
smalls, British
household linen, as napkins, pillowcases, etc
smalls, British Informal
the responsions at Oxford University
smalls, Mining
coal, ore, gangue, etc
, in fine particles
As Idioms
feel small, to be ashamed or mortified:Her unselfishness made me feel small
As adjective
having life; being alive; not dead:living persons
in actual existence or use; extant:living languages
active or thriving; vigorous; strong:a living faith
burning or glowing, as a coal
flowing freely, as water
pertaining to, suitable for, or sufficient for existence or subsistence:living conditions; a living wage
of or relating to living persons:within living memory
lifelike; true to life, as a picture or narrative
in its natural state and place; not uprooted, changed, etc
:living rock
very; absolute (used as an intensifier): You scared the living daylights out of me!He's making her life a living hell
As noun
the act or condition of a person or thing that lives:Living is very expensive these days
the means of maintaining life; livelihood:to earn one's living
a particular manner, state, or status of life:luxurious living
(used with a plural verb) living persons collectively (usually preceded by the):glad to be among the living
the benefice of a clergyman
As noun
a portion of space within a building or other structure, separated by walls or partitions from other parts:a dining room
rooms, lodgings or quarters, as in a house or building
the persons present in a room:The whole room laughed
space or extent of space occupied by or available for something:The desk takes up too much room
opportunity or scope for something:room for improvement; room for doubt
status or a station in life considered as a place:He fought for room at the top
capacity:Her brain had no room for trivia
a working area cut between pillars
As verb (used without object)
to occupy a room or rooms; lodge
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Thursday, October 5th, 2017
Saturday, September 30th, 2017
Monday, October 2nd, 2017
Wednesday, September 27th, 2017
Friday, September 22nd, 2017
Monday, September 25th, 2017
Thursday, September 28th, 2017
Thursday, September 28th, 2017
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V. Sridhar
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V. Sridhar:firstname.lastname@example.com; firstname.lastname@example.com
Academic Qualifications
Academic Qualifications
Industry and Academic Experience
My career
Awards, Journal Editorships and Government Committees
My Refereed Publications
Refereed Publications
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Chapters in Edited Books
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Conference Organizing - 2011-2012
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Mentoring Doctoral Research
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V. Sridhar:email@example.com; firstname.lastname@example.com
Awards, Journal Editorships and Government Committees
Award for Excellence in Research, Management Development Institute, INDIA, 2007-2008
Nokia Visiting Fellow, Awarded by Nokia Research Foundation, Hosted by Networking Lab, Helsinki University of Technology, Espoo, Finland, Apr-June, 2007.
Best Faculty Award, Indian Institute of Management, Lucknow, INDIA, 2000-2001.
Journal Editorships
International Journal of Business Data Communications and Networking
, (ISSN: 1548-0631, eISSN: 1548-064X), Idea Group Publishing.
Member of the Editorial Board,
Journal of Global Information Management
, Idea Group Publishing.
Member of the Editorial Board, Vision, Management development Institute, Gurgaon, India.
Government Committees
Member of the Focus Group on "Bridging the Gap: From Innovation to Standards" of the International Telecommunications Union – Telecommunications Standardization Bureau (ITU-T), 14 Feb 2012 – Current.
Member of the Working Group on e-Innovation/ R&D, Department of Information Technology, Economics Planning Commission, Government of India, June 2010-Current).
Member of the Committee for Allocation of Access (GSM/ CDMA) Spectrum and Pricing, Department of Telecommunications, Ministry of Communications and IT, Government of India, June 2008-May 2009.
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text: A new horse arrived in for training and he went in Shadow's paddock with him. Jones is a small thoroughbred who happily let Shadow be quietly dominant over him. They are now best buds. Today when I rode Shadow, he whinnied to Jones while in the cross tie. I corrected him and he got over it and stood nicely. On the ride, which was all over the section, he whinnied exactly once, and really, pretty half-heartedly. I gave him a nudge in the ribs and he didn't do it again. On our ride, we kicked up a deer and he hardly flinched at all. Very good.


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The Year 6s have just returned from their residential today, they have had a fantastic weekend; kayaking, canoeing, raft building, high ropes, beach art, photography, team building and more. This proved to be a fantastic opportunity to challenge themselves with these new activities and forge some new friendships across the federation schools.
Click on the document below for photographs....
Cheriton Fitzpaine,
Devon EX17 4AN
Devon EX5 5DD
School Lane,
Devon EX5 5NR


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Walking through the hallways of her mind, the long gauze curtains of memory fluttered images in front of her of the people she knew, the people she loved, and the people she was hiding from. As each silken projection caressed her skin – her face, her hands – she could feel the essence of their souls. To some she reached out a hand and ran her fingers along the delicate threads of illusion – hoping to feel something more human, more tangible. To others she danced by shyly afraid that if she touched she would leave a part of herself, afraid they would see more of her than she wanted them to.
The gentle breezes whispered familiar voices in her ears – songs of her mother, prayers of her grandfather, kind words of a dear friend, enticing murmurs of someone unknown. Softly, in the distance, the ethereal notes of a long forgotten tune raised and dropped and glided through the hallways toward her. She watched the music wrap around the ghostly reflections of her life and then wash over her like a wave of comfort. She was stranded contentedly in the recesses of her own mind. She wanted to stay there forever – lost in her past lost in everything that made her happy.
Without warning silence flooded every corridor. The soft breezes rushed out through the windows like a gale and in their absence the drapes hung lifeless from their rods. She had forgotten in her contentment that not all that lingered there in her mind was fond, not everything was friendly. A chest bound in a thousand locks and chains opened effortlessly before her revealing only a darkness – one that wasn't entirely unfamiliar but one she had hoped to forget. As the darkness seeped from the chest she watched as her body began to disappear starting at her feet and moving slowly and steadily upward. When her eyes were engulfed in nothingness she awoke to a world awash in sunlight. As she sat on the edge of her bed, the promise of a new day staring at her from outside the window, nothing had really changed. She still felt invisible.


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Loaded with colour and adventure-ready features, the Kid's Vargo Softshell Jacket Age 14+ is a year-round winner. The warm-backed stretch softshell is incredibly soft, keeps wind and showers at bay and gives them plenty of freedom to move. Finished with sporty stretch binding, two handy zipped pockets for stowing stuff and a reflective trim finish for low-light adventuring
- Fabric: Softshell
- Durable water repellent finish
- Wind resistant
- 2 zipped lower pockets
- Adjustable shockcord hem (Age 7 and above)
- Reflective trim
Regatta began as a small team of twelve. In those days, getting outdoors was all about being the most intrepid explorer. But Regatta just wanted to go out, explore the world and have fun; and they wanted everyone else to go out there too. That's why they began to develop their own range of outdoor clothing and kit that people could really afford. Which meant everyone could open their front door, step outside and enjoy themselves. Today their range continues to grow, meaning that whatever your passion, you can go out and enjoy yourself in comfort and style.
More than 30 years later, that's still what counts for the people at Regatta. Because although that the beginning there were only twelve of them, today there are millions of everyday adventurers getting outside and having fun in affordable clothing. So whether it's a waterproof coat or a festival kit, Regatta is there for every adventure.


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Lianna Rose's new album "Travellers" takes all the best bits from her debut album "Soak Up The World" to another level. The album has been named "album of the week" on a number of radio stations and country music forums, and for good reason.
Lyrically "Travellers" is both introspective and bold, but it is perhaps sonically where this album really takes Lianna to a different place than where she's been before with her music.
All the instruments sound great and the guitars have been recorded brilliantly. In some songs you can really hear the timber of the acoustics guitars and in others they just seem to provide the perfect base to the shimmering country twangs.
Highlights of the album include the first single Willy Wagtail, a fast paced danceable track with a cheeky lyrical hook and the title track Travellers which showcases Lianna's vocal tone, dynamics and softer side.
When rock & 80's pop music were devouring the radio airwaves, Lianna, like many young teenagers, fell in love with artists such as Tom Petty, Suzi Quatro, John Mellencamp and Oz rockers, The Angels, Australian Crawl and Paul Kelly. She played in hotel bars and rodeo camps and after been thrown a few dollars and a ton of appreciation she quickly realized she wanted nothing more than to make a living out of music & writing. With a guitar slung over her shoulder and the pen & paper not far from her hand Lianna spent her teenage years gigging every weekend, honing her craft so that by the time she reached her early twenties she was notching up over 200 gigs per year.
As a second album we have to admit we're really impressed with "Travellers" and a few of the songs have made their way onto the Newcastle Live office playlist for 2015.
You can find our more about Lianna Rose and purchase a copy of her album by visiting her website.


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Coach's Guide To Interacting With ParentsApril 26, 2011
Being a coach can be hard enough without parents becoming an issue. But the fact is that a good parent-coach interaction is important to the team's success. Most parents are very supportive and try not to complain. Furthermore, most issues … Continue reading


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MOUNT KISCO, N.Y. -- The Mount Kisco police officer who pleaded guilty to punching his pregnant ex-girlfriend recently resigned from the force, according to News 12 Westchester.
James Whalen, a 20-year veteran of the department, saw his former girlfriend with another man and punched them both in front of her 2-year-old daughter, News 12 Westchester said.
Whalen pleaded guilty last month, News 12 Westchester said.
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Oodi Art Project: AI and Other Intelligences
As part of our curatorial project on Library's Other Intelligences we received an exclusive sneak preview of the new Helsinki Central Library, Oodi. With Shannon Mattern, Ilari Laamanen (Finnish Cultural Institute New York) and our artists we were able to see how the insides are shaping up. The aesthetically and architecturally stunning building is also such an interesting cluster of spaces that one could write about them much more extensively than just a this short posting. That longer piece might follow later, but already now I personally was struck how they deal with media in its multiple forms from analog to digital, from projection to making. From a cinema theatre equipped with also 35 and 70 mm projecting opportunities to a bespoke space for an analog synthesiser, the library offers an amazing platform for a public engagement with media which also includes recording studio space and a maker space – and yes, even a kitchen. The library is catered as a space of media transformations. At the moment the building exposed its multiple wires, cables, ducts and work – the labour of construction as well as cleaning that is already going on for the launch in December.
The top floor is reserved for what one would imagine as the "traditional" library, a space for books and reading, which also opens up to a terrace overlooking the Finnish parliament building. The roof wave is pretty stunning.
I wanted to include some of the visual impressions from the space that shows its infrastructure being built up, a theme that is present in some of the works from the artists Samir Bhowmik, Jenna Sutela and Tuomas A. Laitinen. In general, a key theme of our project concerns architectures and infrastructures of intelligence – both engaging with AI but as an expanded set of intelligences from architectural intelligence to ambient intelligence, from acoustics to amoebas and others layers of an ecology of a library that is a life support system – biologically, intellectually and culturally. It's these multiple AIs that define the generative forms of languages, materials, and new publics that are present in how we want the space to be perceived. The exhibition opens in January 2019. Updates on social media will use the hashtag #OodiIntel.
The Library's Other Intelligences
We are happy to publicly announce our art and curatorial project The Library's Other Intelligences! Together with Shannon Mattern we are curating a show in Helsinki that includes three inspiring artists Jenna Sutela, Tuomas Laitinen and Samir Bhowmik who all engage in their work with the ecologies intelligence – artificial, artistic, ambient, architectural – that define the library as a cultural institution of knowledge. A key aspect of the project is that it is set as part of the new Helsinki Central Library Oodi – opening its doors in December.
The show opens in January and you can read more information here and if in Helsinki next week, please attend our event Alternative AI's!
The project is realized through the Mobius Fellowship program of the Finnish Cultural Institute New York (and with the collaboration of Ilari Laamanen).
Conversations in Time: A Dialogue with Haroon Mirza
I was asked to be in dialogue with the visual and sound artist Haroon Mirza for the just released series of conversations that forms part of the Aarhus 2017 Capital of Culture-year programme. They are launched online now and feature many interesting dialogues and recordings.
Conversations in Time is a series of new dialogues inspired by Suzi Gablik's important book, Conversations Before the End of Time (1995).
Taking off from the prescient dialogues transcribed in Gablik's book, contemporary artists, writers and cultural thinkers ruminate on the question:
What is the purpose or role of art in an age of accelerating social change and environmental uncertainty?
New conversations will be added throughout the duration of the Aarhus European Capital of Culture 2017 Public Programme.
You can listen to our dialogue with Haroon here. Besides an engaging conversation partner, I was reminded that he is also a Winchester School of Art graduate (BA in Fine Art)!
And we are in excellent company: the other dialogues feature people like Marina Warner, Adrian Searle, Lara Pawson and several other influential writers, scholars, artists, etc.
Towards 2048, Erkki Kurenniemi*
Erkki Kurenniemi (1941-2017), a pioneer of electronic music, technological inventions and imaginaries, has passed away. He can be characterised by lists that catalogue his interests and skills, lists that are eclectic, fragmented but also about enthusiastic curiosity: a filmmaker, creative music technologist, roboticist, tinkerer as well as "perennial dissident" (as Erkki Huhtamo quipped). He was of the generation who used computers before they became personal; computers were odd experimental machines found at university departments and sometimes banks. Perhaps part of the trick was also to remind oneself of computers as something you could build yourself, and use for all sorts of wrong purposes.
The Finnish technologist recorded his life with the meticulous intent of an admistrative worker, a scribe – notebooks, audio recordings, video clips, collections of ephemera. A large part of Kurenniemi's life was a sort of durational performance art piece that aimed to gather bits of human life, memorabilia, towards the point (around 2048) at which computational capacities are efficient enough to model and simulate human life.
He also took the liberty to write his own premature obituary: "Oh, Human Fart" some 13 years before his actual death. The text starts like this:
"I was five when the ENIAC electronic computer was started. During the fifties, as a schoolboy, I read about computers and electronic music. Max Mathews used the computer to generate music. With my father, I visited the Bull computer factory in Fance and I was sold."
In many ways, Kurenniemi himself wrote what others should write and think about him. After that self-defined ur-scene, many devices, sounds and ideas followed like the Dimi-series of synthetizers where in some cases also touch and movement became sound.
Kurenniemi's way of narrating his own life emphasises the role of technology, which is not a surprise. One can say that he is a symptom of the particular period, the post-World War II and Cold War age of computer technologies, experimental technological arts, as well as the discourse of cyborgs and the technological singularity.
But all this was also situated in the more mundane the entry of technologies in institutions: university departments, companies, socio-technical infrastructures from telephony to gaming to automation of factory production.
Kurenniemi's work became a reference point that was rethought, reinvented, remixed, and re-performed in various contexts in electronic music. It was not merely to be replayed but acted as a reference point and as a resource for experiments. Florian Hecker discussed Kurenniemi's work also as part of the wider culture of experiments in sound from Cage to Xenakis: "Kurenniemi showed progression from one register to the next, the period of his musical instruments was followed by a study of tuning systems and theoretical conceptions on neural networks; it's essential to do something else with all that material, rather than a mere scholarly reactivation or reorganization."
Cue in, Pan Sonic with Kurenniemi.
From sounds and performance to contemporary art, Kurenniemi's work has been featured in various exhibitions, including at dOCUMENTA (13), Kunsthall Aarhus and Kiasma in Helsinki. Curators such as Joasia Krysa have been especially active in articulating Kurenniemi's work in the context of contemporary technological arts. His archival project can be perceived as an archival fever that was partly triggered as part of digital culture. However for Kurenniemi, this was always in the context of imagining the coming AI future but without the fallacy that this machine intelligence would be humanlike. Why would it want to model and imitate something so "slow, imprecise, forgetful, and easily fatigued" (Kurenniemi's words)? Kurenniemi's vision of the future was based on I.B.N.: info, bio, nano, the three defining scales of social change. The future did not match particularly well with the human form or size. Oh human fart.
Reading Kurenniemi's life, try approaching it as rewind and fast forward. Time-axis manipulation: backwards, he is part of a cultural history of computing, of early computer experiments with visual arts such as computer animations; and then the other way, he is also a forward-dreaming, sometimes hallucinating, writer of the imaginary of a technological next step that takes a singular turn.
A switch.
Electronics are the backbone of this imaginary, both as visuals and as sounds, but despite his seemingly at times focused vision of the coming quantum computer future, perhaps it was never exactly sure even to him as to what was to come: perhaps these ideas, snippets, machines, were all little probes into what is possible? Of course, he was convinced that certain technological advances will happen but perhaps as interesting as the wild imaginaries were the ways in which he worked closely with machines throughout his life, as one sort of a companion to his own meat-based existence.
It was not merely about knowing what's coming but experimenting about how to know what's to come and educating that sort of a way of thinking to others too. There's of course a strong hint of the particular optimism that characterised the spectacles of technology in the 1950s and 1960s in the US and Europe as well. The Eames Office was offering its own version of the visual communication in the age of information and many other institutions from MIT to AT&T, EAT, etc. participated in the new institutional entry of technological arts as part of world fairs and other events. The avant-garde was – and has since been – closer to the corporations of technology so that it became perceived as a natural step Silicon Valley took over the role of offering imaginaries of technological future. But sometimes instead of elon musks, it's more interesting to read the erkki kurenniemis and their much earlier visions that are not solely a corporate fantasy brand line or a TED talk. Sometimes it is more interesting to look at what was going on in the seeming peripheries, like the Nordic countries, to get a sense of a slightly alternative way to understand this story, rewinding and fast-forward.
After Kurenniemi's death, what's left is a collection of his recordings and other materials, housed at the Central Art Archives of the Finnish National Gallery (and thanks to a lot of work by Perttu Rastas and others). It is a mixed collection of technological dreaming that at times seemed more interesting when it was not focused on trying to invent a new thing but just speculating, like this one sound recording of Kurenniemi's. This is where the technological imaginary does not follow a straight geometric line, but goes off on a tangent and towards escape velocity.
"(00:00:00) (Click click, radio signal, blows in the microphone five times, click, blow)
One, two, three, puppadadud. Fuck, fuck, fuck, this is sensitive. There we go.
(blow) Yeah, a dreaming computer… will be the last human invention. Well not the last one, but… the last invention. Because a dreaming computer will already have dreamt up
everything. Prior unconscious. Well, no. Dead computers may only be in two spaces: in an idle loop waiting to be interrupted or in a conscious space receiving and handling external information, printing it. A sleeping computer is not in an idle loop. Yeah, well of course it is, it does ask questions and wakes up when needed but otherwise it dreams. It is organizing its files, optimizing, associating, organizing, thinking, planning. And only when called upon, it interrupts its sleep for a little while to answer a question.
(The sound of the microphone being touched, cut) (Kurenniemi C4008-1 1/11)"
Autonomous AI as Weapons, Policy and Economy
WIth my colleague Ryan Bishop we did some popular writing over the summer and responded to the recent call to ban autonomous weapons systems. The open letter was widely discussed but usually with the same emphases, so we wanted to add our own flavour to the debate. What if they are already here? What if the media archaeology of autonomous weapons goes way back to the experimental weapons development started during the Cold War?
Here's our short piece in The Conversation. It was rather heavily edited so I took the liberty to paste below the longer original version (not copyedited though).
Ryan Bishop and Jussi Parikka, Winchester School of Art/University of Southampton
Autonomous AI as Weapons, Policy and Economy
A significant cadre of scholars and corporate representatives recently signed an open letter to "ban on offensive autonomous weapons systems." The letter was widely publicised and supported by well-known figures from Stephen Hawking to Noam Chomsky, corporate influentials like Elon Musk, Google's leading AI researcher Demis Hassabis and Apple co-founder Steve Wozniak. The letter received much attention in the news and social media with references to killer AI robots and mentions of The Terminator, adding a science-fictional flavour. But the core of the letter referred to an actual issue having to do with the possibilities of autonomous weapons becoming a wide-spread tool in larger conflicts and in various tasks "such as assassinations, destabilizing nations, subduing populations and selectively killing a particular ethnic group."
One can quibble little with the consciences on display here even if scholars such as Benjamin Bratton already earlier argued that we need to be aware of much wider questions about design and synthetic intelligence. Such issues cannot be reduced to the Terminator-imaginary and narcissistically assume that AI is out there to get us. Scholars should anyway address the much longer backstory to autonomous weapons systems that make the issue as political as it is technological.
The letter concludes with the semi-Apocalyptic and not altogether inaccurate assertion that "The endpoint of this technological trajectory is obvious: autonomous weapons will become the Kalashnikovs of tomorrow. The key question for humanity today is whether to start a global AI arms race or to prevent it from starting." However this not the endpoint but rather it is the starting point.
Unfortunately the AI global arms race has already started. The most worrying dimension of this AI arms race is that it does not always look like one. The division between defense and offensive weapons was already blurred during the Cold War.
The doctrine for pre-emptive strike laid waste to the difference between the two. The agile capacity to reprogram autonomous systems means all systems can be altered with relative ease, and the offensive/defensive distinction disappears even more fully.
The new weapons systems can look like the Planetary Skin Institute or the Central Nervous System for the Earth (by Hewlett-Packard), two of the many autonomous remote sensing systems that allow for automated real-time responses to the conditions they are meant to track. And to act on that information. Automatically.
In the present, platforms for planetary computing operate with and through remote sensing systems that gather together real-time data and of the earth for specific stakeholders through models and simulations. A system such as the Planetary Skin Institute, initiated by NASA and Cisco Systems, operates under the aegis of providing a multi-constituent platform for planetary eco-surveillance. It was originally designed to offer a real-time open network of simulated global ecological concerns, especially treaty verification, weather crises, carbon stocks and flows, risk identification and scenario planning and modeling for academic, corporate and government actors (thus replicating the US post World War II infrastructural strategy). It is within this context of autonomous remote sensing systems that AI weaponry must be understood; the hardware and software, as well as overall design and implementation, are the same for each. Similarly provenance for all of these resides primarily in Cold War systems designs and goals.
The Planetary Skin institute now operates as an independent non-profit global R & D organization with its stated goal of being dedicated to "improving the lives of millions of people by developing risk and resource management decision services to address the growing challenges of resource scarcity, the land-water-food-energy-climate nexus and the increasing impact and frequency of weather extremes." It therefore claims to provide a "platform to serve as a global public good," thus articulating a position and agenda as altruistic as can possibly be imagined. The Planetary Skin Institute works with "research and development partners across multiple sectors regionally and globally to identify, conceptualize, and incubate replicable and scalable big data and associated innovations, that could significantly increase the resilience of low-income communities, increase food, water, and energy security and protect key ecosystems and biodiversity". What it does not to mention is the potential for resource futures investment that could accompany such data and information. This reveals the large-scale drive from all sectors to monetize or weaponize all aspects of the world.
The Planetary Skin Institute's system echoes what a number of other remote automated sensing systems provide in terms of real-time, tele-tracking occurrences in many parts of the globe. The slogan for the institute is "sense, predict, act," which is what AI weapons systems do, automatically and autonomously. Autonomous weapons are said to be "a third revolution in warfare, after gunpowder and nuclear arms" but such capacities for weapons have been around since at least 2002. At that time drones transitioned to being "smart weapons" and thus enabled to select their own targets to fire on (usually using GPS locations on hand-held devices). Geolocation based on SIM cards is now also used in U.S. drone assassination operations.
Instead of only about speculations concerning the future, autonomous systems have an institutional legacy as part of the Cold War. They are part of our inheritance from WWII and Cold War complex systems interacting between university, corporate and military based R&D. Such agencies as the American DARPA are the legacy of the Cold War, founded in 1958 but still very active as a high risk, high gain-sort of a model for speculative research.
The R&D innovation work is also spread out to the wider private sector through funding schemes and competitions. This illuminates essentially the continuation of the Cold War schemes also in the current private sector development work: "the security industry" is already structurally so tied to the governmental policies, military planning and to economic development that to ask about banning AI weaponry is to point to the wider questions about the political and economic systems that support military technologies as economically lucrative area of industry. Author E.L. Doctorow once summarised the nuclear bomb in relation to its historical context in the following manner: "First, the bomb was our weapon. Then it became our foreign policy. Then it became our economy." We need to be able to critically evaluate the same triangle as part of autonomous weapons development that is not merely about the technology but indeed about policies and politics, and increasingly, economies and economics.


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The case of the 12-year old Corinna Hiegert from Baden-Württemberg in Germany demonstrates the effect of a donation. Via the "Friends' Association" or "Booster Club" of the Schlossberg School in Kappelrodeck, Wenatex provided support for a blinded girl by offering a donation of 10,000 Euros in order to help her on the way toward an independent life.
Corinna's parents wrote a touching letter in which they described what the donation means to Corinna and what an enormous improvement it has made to the quality of her everyday school life:
We, the parents or moreover Corinna's entire family would like to express our deepest gratitude to family Wernicke and their company Wenatex.
Our daughter Corinna is a 12 year old girl who lost her eyesight to cancer when she was just a small child. Due to the necessary chemotherapy, her hearing was damaged so badly on each side that she has needed hearing aids since the age of 2. Despite these handicaps, Corinna attends the 6th grade of the secondary school in Kappelrodeck, Germany. Although this school shows lots of support toward integration, everyday school life often proves difficult for Corinna, because the authorities only fund the most necessary basic conditions. The additionally required work materials and an improved workstation to afford Corinna a comfortable working environment during lessons often exceeds the budget of our family of five.
We are all the more grateful to you, dear Mrs Wernicke, for supporting our daughter Corinna via the "Friends' Association" of the Schlossberg School Kappelrodeck, with this incredibly generous donation of 10,000€. We can still hardly believe what you have done to help us. THANK YOU VERY, VERY MUCH!!!
One of Corinna's wishes has already been fulfilled by part of the donation. She is jubilant that an acoustic ceiling was installed in the natural science classroom during the Easter holidays. This sound damping measure means that Corinna is now able to relax, because she can still understand the teacher and not miss anything, despite various other classroom noises including the excited voices of the other students.
The second part of the donation allows us to buy Corinna some additional teaching material, such as various tactile maps, geometric material and lots more, – things that she will need over the course of the coming school years.
Thanks to the support provided by your company Wenatex, Corinna is able to enjoy a barrier-free school education, just like any other child. For this we owe you our deepest THANKS
Heike, Günter ,Corinna, Nathalie and Marco Hiegerto Hiegert


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AP — Although California has spent hundreds of millions of dollars to improve psychiatric treatment for convicts, the biggest mental health unit in the state prison system for high security inmates remains in disarray, according to a court-appointed investigator and others familiar with the facility.
State officials acknowledge high turnover at the approximately 350-bed mental health unit at Salinas Valley State Prison in Soledad. But they dispute inmates are receiving inadequate care.
Still, a court-appointed "special master" says that the departure of psychiatrists who were fired or quit has left the unit seriously understaffed, with doctors handling twice their case loads of the previous year.
The dispute arises out of a 32-year-old class action lawsuit filed by inmates.
Welcome to my unofficial site for DVI. This site is dedicated to keeping us up to date on all the current CDCR, Law Enforcement, State Worker and CCPOA news. Hope you enjoy Gladiator School and remember this site is for informational purposes only. Terms of use
Wednesday, October 30, 2013
Problems persist in Calif. prison mental health ward
1 comment:
- Stella Aghenie said...
It's very good post! Congratulations! I really enjoyed to reading your blog. Thanks for share all this information. I'm looking forward your next post
Mental Health Consulting Guide
- November 8, 2013 at 12:10 PM
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Walking Wikipedias
Experience Design is a constantly changing landscape where many of us get to temporarily step inside the protective bubble of organisations and industries most people only ever read about.
User Experience Director
Experience Design is a constantly changing landscape where many of us get to temporarily step inside the protective bubble of organisations and industries most people only ever read about.
In a myopic move the New Zealand Transport Agency has nixed a proposed rescue package that could have saved the long-running Capital Connection rail service. In the process they will be killing-off a productive little economy that has been thriving for over 20 years. Their excuse is that removing the service won't lead to traffic … Continue reading NZ Govt Set to Mothball Economic Powertrain
DJ FiESTA! 1995. Photo Otago Daily Times. To others I apparently appear self-confident, but in reality I suffer from a fairly regular sprinkling of self-doubt. Too often I feel like my work might not be good enough, that I don't spend quality time on things and that there's someone better than me who … Continue reading Keeping sucking and carry on
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With around 75% of New Zealand homes online that leaves about a million people who do still do not have access to the internet in this country. Worldwide an estimated one billion people have access. That's leaves around 5.7 billion who don't. The main reasons are they can't afford it, are too young to pick … Continue reading Be Very Afraid…
Is 'process' the same as 'method'? Many people seem confused. Does it matter? Sort of. It matters when your job is to take a look at how a company runs its design and production line. Over the years I've re-engineered the in-house processes for a handful of IT and New Media companies. I've learnt that, … Continue reading Don't Mash the Method
Recently a few people have asked me why I haven't formed my own User Experience company. I do think about it and it's possible that one day I will. But for now I aim to be my own 'little industry' within another company. It is something I hold close as one of my work ethics. … Continue reading Smokin Little Industries
With the "Goggle Type Appliance" making the TV3 Nightline news last night, many people have been asking "…so what's the difference between Goggle and Google?" Here's a side-by-side comparison of a Goggle-generated document and a Google-generated webpage… [A] A slight variation in spelling. [B] The key topic or phrase is wrapped in a box. [C] … Continue reading Goggle and Google : Side by Side
After my exclusive scoop last week created ripples on the internet, the original "Type Goggling Appliance" (one of just three prototypes) has been discovered on a dusty shelf at the rear of the Mataura Muesum. No one knows how it came to be there but suspicions are that it was 'acquired' at a dawn … Continue reading Inventor donates browser prototype to 'Art with a Heart'
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Proceeds from this auction are going to Save the Children to support
our fundraising efforts as part of the 2008 Vietnam cycle challenge.
Thanks for supporting our cause by
– bid high, coz its all going to charity!
Designers who don't pick up on their users' confusion to the environment in the interweb may be risking more than a fine – they may be putting their souls at risk of damnation, according to a new zef[a]media list of seven deadly sins for the 21st century. As the seven ancient wonders of the world … Continue reading Seven Deadly Design Sins
No, this isn't the name of my latest usability technique, but a 'smattering' of news from the frontline here at New Zealand's toastiest Interaction Design kitchen… Kitchen? Why yes… Provoke's ever-expanding Design & User Experience team have been camped in the kitchen for several months now – we've been putting on the elbow grease, monitoring … Continue reading smatterings
We've been going all gooey over 'blob charts' – our answer to persona data analysis – a godsend when faced with dozens of interview transcriptions and observations. When analysing users we look at a huge number of facets including: …Gender, Age group, Family situation, Income, Housing, Where living, Occupation, Education, Race/Ethnicity, Nationality, Language skills, Social … Continue reading Blobbing-Up Users
I'm going a little off topic from 'User Experience in IT' this week to user experiences of a different sort… It has been an interesting week for New Zealand with a plethora of "good news" stories. Beating is for Eggs First of all the so called "anti-smacking bill" (a far more accurate term would have … Continue reading Good News Zealand
Many of you would have already heard of the threats against popular software industry blogger Kathy Sierra. That is the question…I briefly met Kathy when I organised a UPANZ event in 2006. Like most famous people I've met she's not as 'loud' as she appears on-screen or on-stage. She's petite and quietly spoken, and I … Continue reading putting yourself out there
ponoko My ex work colleague Dave ten Have is making his dream real with new venture Ponoko. Ponoko allows designers to have their own workshop and factory to create products…as well as an online showroom to sell their designs. It's a great idea, especially for spatial/industrial designers who can create in a 3D space or … Continue reading Good vs Evil