text:
This tour of mine is different. It's musical. So I followed the tunes, as if in a trance. I rode across Benamocarra mounting an andante or a miserere. I stepped on the notes as if they belonged to the Pied Piper of Hamelin. Benamocarra was the hometown of one of the greatest classical music composers born in Málaga: Eduardo Ocón Rivas, who lived in the late nineteenth and early twentieth century. So there's a special soundtrack to this tour. And it's just one click away (PLAY).
(Special Lent Concert at the Málaga Cathedral by the Málaga Town Band and the choir Coral Carmina Nova on Sunday, March 22nd, 2009. Miserere (Benigne Fac Domine) by Eduardo Ocón Rivas. Arranger: Juan Carlos Díaz Campello. Conductor: Francisco Vallejo.)
Getting Closer, Getting There
The road connecting Vélez-Málaga with Benamocarra is lined with reeds, orange trees, and lemon trees. This landscape isn't typical of Axarquía: no deep ravines or gorges; instead, mildly rolling hills, licked by the neighbouring sea and brushed by the breeze from the fields. Squat mountains that make a friendly landscape peppered with cortijos, whitewashed houses, farmyards, farmsteads… The streets in the town centre are narrow and zigzagging. Leave your car in the first spot you find; you'll need to get to the heart of town. The town centre isn't big, so every sight can be reached on foot. So be ready to get lost.
The Tour
My tour began in the higher part of town –maybe one of the oldest ones, too–, in Barrio Nuevo. I had no route to follow; only instinct, a desire to catch the sensations produced by Benamocarra, take everything in, walk in search of the town's essence –always pursuing Ocón Rivas's sounds. One of the first things that caught my attention was the archways connecting the walls, which hid streets, little squares, landings, fortress walls, flights of steps. They don't seem to be architecturally functional but they add beauty to the town. The streets, mostly covered in cobblestones, outline a geometrical layout that highlights the bright walls. The houses have something genuine about them: small windows, doors with knockers hanging from lintels, interior courtyards, exquisite corners –all in all, a patchwork of landscapes and passageways that inevitable remind you of the Arab world. I was seized by smells of traditional food: stewpots, pucheros… The ancient and authentic atmosphere was brought out by the ceramic tiles on the walls. Some of them gave information on old local traditions: "During summer months, families and neighbours get together in the evening to sing coplas and romances around the zambombas. These drums were made with jars or tubes and animal hide, and a reed tied in the middle. Their hoarse, monotonous sound served as a rhythmic accompaniment to old town stories passed down from parents to children in the form of simple songs." I couldn't help imagining little Ocón Rivas sitting on the floor in the shadow, listening to these popular tunes and turning them into scores that would then be his own. But it was just a figment of my imagination. Locals are talkative. They stand chatting in front of their homes, sharing opinions on the last fair or morning mandaos (errands). I'd gone so deep into town that I literally got lost when trying to find my way to the Church of Santa Ana. In fact, getting lost is quite easy here, given the narrowness of criss-crossing streets. I asked for directions. "Well, like this, to the left, a long street, then the kiosk, and then like this and like this (gestures), then to the left again along the same street, and then ask for directions again." That's exactly what I did. Getting lost was good. I had the chance to see more streets and more boards like the one that read: "During carnival, in spring, or during the long summer nights, the meceor (hammock) hanging from some carob tree or enramá (arbour) was the nerve centre of youth meetings, as the rocking combined with humorous and flattering songs. 'A la niña del meceor/ se le ha caído el volante/ y no lo puede recoger/porque está el novio delante' (The girl on the hammock rocking/ has dropped her cap/ and she can't get it back/ for her boyfriend is just looking)…". Flowers, flowerpots, and flowerbeds decorate most walls and corners, turning their whiteness colourful. Some houses looked like real gardens. With the help of Benamocarreños, I finally came to the Church of Santa Ana. It's a sixteenth-century Gothic-Mudéjar temple, the only one with a chamfered nave. It also has a minaret. Inside, the church was simple, brimming with flowers: wooden benches, the Cristo de la Salud float, and the altar, which is… empty! I was then told that the Benamocarra Fair had taken place the week before, so the Christ had been taken down for a procession along the town streets. So now He was sitting on a float rather than being in his usual place. "He has many devotees. Many out-of-towners come to His procession," they explained. Cristo de la Salud is said to be a miracle worker. They ascribed the salvation of Benamocarra from the terrible cholera outbreak that devastated the area two hundred years ago. Locals gave me a programme of the fair so that I could come next year. Mark these days on your calendar: October 15-18. I walked out. Behind the church there's the town's monument to Eduardo Ocón Rivas: a muse-inspired, laurel-crowned lyre standing against the bright blue sky. The composer's birthplace used to be on a nearby street; now there's just a sign in its stead. I could hear his music again:
(A bolero by Ocón Rivas and paintings by Málaga-born artist Félix Revello de Toro. Source: tuandaluza's Channel, YouTube.)
With the bolero still echoing in my mind, I continued walking –a quiet, relaxed stroll. Suddenly, I felt hungry. I went to Bar del Parque, next to Plaza del Calvario. It's a typical town bar where seniors were having their last coffees and first beers or sodas of the day. I ordered two sodas and a cheese snack, which was in fact a full sandwich, dripping with oil. A comforting, replenishing snack. The bill = €3.20.
Bidding Farewell
I walked back to where my car was parked and got on. I inserted a CD and let the music flow. Opening my window, I heard let echoes of Ocón Rivas out will driving along the final winding streets that took me out of Benamocarra and into the reed bed. La-la-la, la-la-la…
Travel Tips and Useful Links
What to learn: Eduardo Ocón Rivas: The genius of this Málaga-born musician is undeniable. You can read about them on many websites; for instance, Wikipedia, the Juan March Foundation, or OpusMúsica. A study of one of his most celebrated works, Miserere, can be found at Ommalaga.
Useful links: Once again, I've relied on my usual reference points for this tour, namely, the websites of the Costa del Sol Tourist Board and the Benamocarra Town Hall.
Comments, suggestions, and opinions from travellers/ visitors to this blog are very welcome. This is intended to be an open door, so the more things shown and said, the better. See you under the Bright Blue Sky.
Tuesday, 24 November 2009
This tour of mine is different. It's musical. So I followed the tunes, as if in a trance. I rode across Benamocarra mounting an andante or a miserere. I stepped on the notes as if they belonged to the Pied Piper of Hamelin. Benamocarra was the hometown of one of the greatest classical music composers born in Málaga: Eduardo Ocón Rivas, who lived in the late nineteenth and early twentieth century. So there's a special soundtrack to this tour. And it's just one click away (PLAY).
Tuesday, 17 November 2009
"El Tempranillo"
As if in a flashback, I imagined El Tempranillo riding his horse, his legendary silhouette lost amidst the olives, fleeing some men and chasing others. His real name was José María Pelagio Hinojosa. He'd been born in Jauja, Lucena, Córdoba, in 1805. He died in Alameda in 1833. He had his first penknife duel when he was fifteen. His rival was much older than him. Can you see them? Pale blades in the moonlight. The reason? Who knows: honour, love, revenge… Then El Tempranillo took refuge in Sierra Morena, where he ruled in the roads and trails. Being only twenty, he led a band of outlaws (many of them were Spanish War of Independence heroes) and they committed all sorts of felonies. They said he was quite a heartthrob, always saying flattering things to the ladies he met. When in 1832 King Ferdinand VII granted pardon to all bandits, El Tempranillo accepted the offer. But then, on September 23, 1833, he was killed in an ambush devised by a former companion. This was when the flesh-and-blood man died and the legend was born. Now, he's a pervading spirit. He reaches to the neighbouring villages of Jauja, Corcoya, and Badolatosa, but the heart of his route is Alameda, where he's buried… right in the church courtyard.
The Tour
It was in the church that I came across a board that proved to be quite revealing in my tour of Alameda. It read, "El Tempranillo Route. Hours: October March, 10:00 a.m.-2:00 p.m. and 4:00 p.m.-6:00 p.m.; Sat-Sun, 4:00 p.m.-7:00 p.m. April-September, 10:00 a.m.-2:00 p.m. and 6:00 p.m.-8:00 p.m.; Sat-Sun, 5:00 p.m.-8:00 p.m. Contact phone number: 957 519 051." I called and was told the sightseeing tours' starting point was the Roman Baths Visitor Centre. It was just round the corner, on 19, En Medio Street. I walked 20m. The building was easy to find. I climbed up the stairs and went in. One of the assistants, Carmen, explained the ticket to the baths and the church cost €2. For €1 more, I could visit Jauja, Corcoya, and Badolatosa as well –the full route. I chose to stay in Málaga Province and enjoy Alameda as much as possible. It'd be easier this way. At the Roman Baths Visitor Centre, you can learn about the uses of such a place in Antiquity. I learnt, for instance, that thermae went well beyond baths or massages. They were meeting places where people gathered to talk. The museum is modern, featuring videos, mobiles, information boards, antique replicas, and even a practical example of an archaeological excavation where you can make your own Roman discovery in a big sand barrel.
The explanations were all very interesting, and the best thing was that I could put them to the test myself afterwards, for the real Roman baths lay just outside. They covered a huge surface area cut across by footbridges. The knowledge gained at the Visitor Centre and the boards helped me identify the caldarium, the frigidarium, and other facilities. After this enriching visit, Carmen brought me to the Church of La Concepción and the grave of El Tempranillo. We walked across a shady hall –where I could see some traces of catechism lessons– and through a thick wooden door to find a bright, colourful patio brimming with plants and flowers. Its white and blue tiles lent it a traditional air, even when it was renovated in the 1980s. The courtyard was dominated by a stone cross marking the tomb of El Tempranillo. He's so famous that the place welcomes hundreds of visitors a day, as if it were the burial place of a rock star. The place is quiet, incredibly peaceful. The only thing I could hear were some birds in the autumn sky. Carmen pointed to a painting on the wall, saying it was the only faithful portrait of the well-known bandit. Then the legend became the man again: José María Pelagio Hinojosa, big sideburns, sparse beard, fringe, neck handkerchief, eyes looking into the horizon… The white cross read, "King Ferdinand VII offered 20,000 reales to the man who found José María a.k.a. El Tempranillo dead or alive. He was pardoned on June 22, 1833. But he died in Alameda on September 24, 1833 from a blunderbuss injury from behind. May he rest in peace. The King of Sierra Morena. I left the courtyard and accessed the church through a small door. It was an overelaborate fresco painted church, with lots of flowers in its altar, dome, and columns. Carmen told me it'd been recently rebuilt and every detail had been taken care of during renovation work. The side walls showed oil paintings of the Stations of the Cross and procession images. This was the end of the tour, so I said goodbye to Carmen, who kindly showed me how to get to La Camorra scenic viewpoint and recommended a few restaurants for lunch. The car was a few steps away, but before getting on, I took a stroll in town, seeking to discover hidden streets and strike up a conversation or two. I walked down En Medio Street, which led to a square with a nineteenth-century fountain. The fountain told a story. Boasting four high spouts, it made it impossible to reach them for water. So locals devised a system to fill jars using a funnel and a hollow log. I then walked up to Plaza de la República, where there's a clock tower paying tribute to the Second Spanish Republic. This was the other side of Alameda, where streets got lost in the olive groves. I went back to my car and drove towards La Camorra along Álamos Street and then Cañada Street. The viewpoint lay almost upon exiting the town. The climb that leads to La Camorra began in a beautiful grove. The landscape up there was breathtaking: the meadows covered with olive trees, reaching the horizon and beyond; brownish earth and gentle rolling hills. If you take a 360º turn, you spot some of the complexities: a hamlet here, a white cortijo over there… I could hear olive picking sounds. I also made out the now dry Laguna de la Ratosa, shimmering the early months of spring. I pierced into the broken line of the horizon. I could see Alameda down there, in the shelter of Sierra de la Camorra. I spent ten, fifteen, twenty minutes there, rocked by the breeze coming from the fields.
After the landscape feast at La Camorra scenic viewpoint, I was hungry. I chose Cándida for lunch –a restaurant among many. It's just outside of town, by the road to Mollina. My choice was based on sentimental reasons (the name sounded familiar) and also on word-of-mouth recommendation. There's a little parking area in front, an outdoor patio, and several interior dining rooms. The menu promised delicious meals. I ordered a beer, a 1.5l bottle of water, porra antequerana (€12 for two), suckling kid with garlic (€13.50), and veal tenderloin with honey cream (€19). The bill = €48.50. Big dishes. Fresh porra antequerana –the influence of the town with the largest number of churches in Spain could be felt. I washed everything down with iced coffee. After a short rest…
... I plunged again into the olive ocean with its brownish, greyish arteries –the roads. I soon lost sight of Alameda. The landscape was now dominated by La Camorra; I thought I could make out a couple of tourists, standing where I stood before. I waved my hand in farewell. Bye, bye, fellow travellers!
Travel Tips and Useful Links
What to do: El Tempranillo Route: It's one of the best ways to get around. The guides are friendly, making things really easy. There's a website containing all the necessary information, Ruta del Tempranillo, where you'll find a biography and sections on accommodation, food, activities, and so on. The contact phone number is (+34) 957 519 051.
What to take: Don't forget your binoculars. You'll need them if you want to take in 100% of the views at La Camorra scenic viewpoint.
Useful links: This time I've relied on my usual references, namely, the websites of the Costa del Sol Tourist Board and the Alameda Town Hall.
Comments, suggestions, and opinions from travellers/ visitors to this blog are very welcome. This is intended to be an open door, so the more things shown and said, the better. See you under the Bright Blue Sky.
Tuesday, 10 November 2009
The Genal valley faces the sky like a green oasis –leafy, dark, and deep. The hills that reach the river bed are peppered with chestnut trees –a landmark in the area. And now, in autumn, the place becomes a must-visit. The trees bear ochre crests; the chestnuts protect themselves against the hostile weather, showing their more aggressive side. Some have already fallen. You can see them on the road. Benadalid can be accessed from the Algeciras-Ronda road. You have to be on the alert, for although it's right there by the road, there's no sign indicating the entrance to town. My advice is, take the right exit ("Ayuntamiento" or Town Hall) so that you can drive down a cobblestone street and reach your first sight: Cruz del Humilladero. You can park in the area.
The Tour: Part One
Benadalid is a little white town with impossibly narrow streets and walls swarming with flowers –bougainvilleas climbing down from terraces like a charm in violet and green. However idyllic it might look now, this town was home to bloody wars. After the fall of Ronda, the Moors living here surrendered to the Catholic King and Queen and became their vassals. "The king promised to respect Muhammad's law and his Moor people's property and customs." This I read in an information board by Cruz del Humilladero. The board went on: "And he consented to their being judged according to Islamic law, by a judge and an al-faqih." good intentions, however, were reduced to ashes as ongoing revolts and riots brought Muslims and Christians face to face once and again. These clashes gave origin to the Fiesta of Moors and Christians that takes places every year in August: Moor troops steal the image of St Isidore and a Christian army fights against them to get it back. I imagined the castle in the midst of bloody battles. The walls lie some 20m away from Cruz del Humilladero. The overwhelming castle is now home to the town cemetery. With their four towers, the walls distort the Genal skyline –a row of balconies in it, watching over the road connecting Ronda with Algeciras back in Roman times. I respectfully opened the door and heard the hinges squeak. The dark stone walls stood in sharp contrast to the niches. The silence was just appalling, only interrupted by the sound of raindrops. (Yeah, it was raining.) The castle walls loomed against the leaden sky of the sierras. The building looked majestic, as if taken out of a storybook. I walked down Calvario Street to the right to find an dazzling landscape: Serranía de Ronda to the left; the river valley, Alto Genal, and the neighbouring white towns in the distance, wrapped in a gentle fog that was beginning to clear. I came to the Calvario scenic viewpoint –an old threshing floor now furbished with two wooden benches. A wild landscape unfurled before my eyes, its only stain being a house: chestnuts, a smoking chimney down there, a barking dog in the distance. Peace and quiet all around. The damp earth oozes a delicate smell, a light vapour went up from the fields, like embers burning inside. Don't leave your camera at home when you come to Benadalid; there're a thousand things to capture with through its lens. Also, bring your binoculars if possible, since you can always spot birds of pray in the area.
The Tour: Part Two
I walked down Calvario Street into the heart of Benadalid, giving in to the colourful explosion of flowers on the streets and decorated façades against the white walls. The ringing bells were my sound compass. I followed them and came to the Church of San Isidoro behind Plaza Nueva. It was a coquettish, romantic corner, with the usual benches and flowerbeds. One of the walls bore a board telling a beautiful story. It could've happened right there, in that garden, time gaps permitting. It was the legend of the rose: "It is widely acknowledged that love affairs between Moors and Christians were punished with death. Legend has it that here, in Benadalid, a beautiful young lady fell in love with a Muslim. Their love was impossible, but it was strong, so they made arrangements to run away in the dark of night, in search of the wild rose tree. This plant, now unbeknownst to us, hid powerful essences. Those who pricked themselves with its thorns had to react immediately; otherwise, they bled to death under its narcotic effect. This is how our lovers, falling pray to an unyielding society and an irresistible love, brought their lives to an end." Intoxicated by this charming story, which evoked other tales of love and death (Romeo & Juliet and others), I turned to Plaza del Ayuntamiento, the town square facing the church. It was a large rectangular square, probably one of the nerve centres in town. As it was raining, it was empty; the Benalizos must have preferred their warm homes to a hostile morning in the open. The Town Hall features an arcade where you can take shelter –an architectural feature I'd not seen in the other Costa del Sol towns I'd been to. I took shelter just to see how it felt, and also to sample the bread and pork products I'd bought in a local store (perhaps Rosa Mari's store?). From my cosy refuge, I watched time go by and heard the church bells ring. The houses facing the square were stout and traditional, although tastefully renovated with modern touches. Some of them bore witness to Benadalid and the Genal valley's prestige as country travel locations. An old man walked past towards the church. He produced a bunch of keys and opened the church's side door. This was my chance to get in, I thought. I asked him if I could come in. "Of course you can," he replied from the inside. He told me he'd come in a rush because he thought he'd left some of the windows open. "And I was right, so thank God I'm here. Hold on: I'll turn on the lights for you." A solemn nave appeared before me. Its austerity was only challenged by a decorated altar, a recently renovated coffered ceiling, and a dome above the altar resembling the sky. As I usually do in churches, I lighted a candle for the patron saint (St Isidore this time). "Your church is beautiful," I told the man. "It is, yes," he said proudly, "It's been recently renovated and it now looks good. We only need a new image of Virgen del Rosario, but you know: the crisis… It'll just have to wait." I said goodbye and went out. I walked down Isidoro and Fuente Streets. Taking a stroll in Benadalid is a tour in its own right. Locals just love their town, and it shows in the colours and the aromas: stews, mint, meat, pringá. I suddenly came to the water supply compound, including the washhouse, the Water Museum, and a Roman fountain. I could hear women voices of the past in the washhouse. I imagined their gossiping while María or Antonia or Paca or Felisa filled their jars in the adjoining fountain. On top of the ancient spout (now protected by a wrought-iron gate) I could read "Salus per acquam." Then I couldn't resist the temptation: I cupped my hands and took a long, fresh, glittering sip. A nearby flight of steps gave me a different perspective of Benadalid. I could now see the roofs and chimneys. Resting my elbows on the banister, I could only think of one thing: When would I come back to Benadalid?
After getting on by car by Cruz del Humilladero, driving around one, two, three times, taking down some notes, enjoying each and every corner, I left Benadalid behind. On the road to Algeciras, I came to Los Castaños scenic viewpoint after 1km driving. I stopped, got off, and let my eyes wander between the huge mountains, the leafy chestnuts trees, along the endless horizon. And just there, crumpled on the mountains slopes, I could see the white hamlet I'd just been to –a delicate yet compact apparition. I let out a sigh and was filled with the aromas of the damp soil.
Travel Tips and Useful Links
When to come: Fall in Valle del Genal, or the Genal river valley, is just great. If this was true for Benalauría (where I was two weeks back), it's even truer for Benadalid. The area seems to live in a state of grace at this time of year.
What to take: A camera is a must, as every corner in Benadalid makes a spectacular photo.
Useful links: As usual, my reference points have been the websites of the Costa del Sol Tourist Board and the Benadalid Town Hall, where you can find information on country accommodation. There's a personal blog, Benadalid, where you can read interesting facts about the town, its history and etymological facts.
Comments, suggestions, and opinions from travellers/ visitors to this blog are very welcome. This is intended to be an open door, so the more things shown and said, the better. See you under the Bright Blue Sky.
Tuesday, 3 November 2009
The Tour
Down a small hill amidst the thick olive groves, I almost bumped into Cuevas Bajas: a cluster of white houses standing on a hillock. I drove into the town centre and soon I came to the Main Square, where the Church of San Juan Bautista was. I parked here. It was cool on the tree-lined streets. In a glimpse I caught the iron-wrought windows and balconies, the double doors hiding cool inner courtyards, the quieter corners, and the streets going up and down and spreading in multiple branches. If I followed the streets into the horizon, my eyes met the hills carpeted with olives. The town centre was busy and noisy; I could hear voices of men, women, and children. Many people greeted me, so I didn't feel like an intruder. The Church of San Juan Bautista was a solid building whose only high component was the belfry tower, adjoining the main block. Its brick walls made it look austere. The belfry's whitewashed panels were the only interruption to the church's earthen appearance. Built in the eighteenth-century, the church had one distinctive feature: the side chapel, which is usually behind the main altar, was here on the left. From the church square I took Archidona Street following an information board's advice. The idea was to walk around and find a series of niches locals are devoted to. Most houses in Cuevas Bajas were narrow, their double doors protecting their inhabitants from cold in winter and heat in the summer. I could imagine the square floor plans, the big spaces, behind these doors. Some of the houses looked stately. On the corner of Archidona and Victoria Streets, I saw one of the niches; it had an image of Jesus Christ carrying the Cross. I walked on, losing myself in the quiet and peaceful streets. I took Victoria Street and then turned left into Real Street, where the main sights were: the Casa de los Cristales, the House of Felipe Quintana, the frontage of the old Juan González inn, where nineteenth-century bandits got together to plot their misdeeds. Real Street had a noble air about it, and I strolled down it in the quiet shadow of the trees lining the pavement. Most houses were well-kept, probably renovated following the original designs. I came back to the square in front of the Church of San Juan Bautista and skirted the temple to look at it from different angles. To the left I found another historical building, in the square dedicated to María Victoria León Moyano, a woman who died in Madrid in the 3/11 terrorist attacks. I read the plate in silence and decided to take a longer walk before having my snack.
Appetiser at Bar Tony
Bar Tony lies on La Reja Street. You can easily spot it from wherever you might be near the church. It's the typical simple town bar, with many locals as patrons. Beer, sodas, tapas, small dishes. All the food is homemade. I ordered two sodas (I still didn't know who'd be driving back home), two cheese tapas, one fresh bacon tapa, two loin tapas. The bill = €6.50. Timeless classics: the cheese in oil with bread sticks, almost forced me to have seconds. The bar was crowded: patrons in their weekend relax, loud talk, lots of noise. I slowly savoured my tapas, which kindled the desire in me to have met the old bandits, who maybe ate the same cheese, washing it down with good homemade wine.
Travel Tips and Useful Links
Useful links: I explored Cuevas Bajas on the web with the help of the Costa del Sol Tourist Board and the Cuevas Bajas Town Hall websites.
Comments, suggestions, and opinions from travellers/ visitors to this blog are very welcome. This is intended to be an open door, so the more things shown and said, the better. See you under the Bright Blue Sky.


text:
Western Name: Velveteen
Eastern Name: N/A
Kana Pronunciation: ヴぇるヴぇてぃん
Gender: Male
Age: 19
Release Date: September 23, 2016
[*This page is managed by Velvet and works as his Official Site]
Technical Details
Voiced by: Velvet
Managed by: Velvet
Voicebank Distribution
(Thumbnail icon by CyberneticEden)
Japanese voicebanks:
KEVLAR: A solid, mature bank
Works best with: resampler (please please please use resampler he will die without it)
Download here - http://www.mediafire.com/file/dzpazrqcga51jd3/Velveteen+KEVLAR+v1.1.zip
A 5-pitch VCV that uses the efficient-style Insanity reclist by adlez27
Oto was commissioned from Ryan-kun fav.me/d7schmf
recorded with Oremo at 200bpm
Recommended range: C2-C6 (depending on the song)
ACRYLIC: A dynamic, natural bank
Works best with: fresamp & EFB-GT
Download here - http://www.mediafire.com/file/vwd1xfmzcmdmgy8/Velveteen%20ACRYLIC%20v1.0.zip
A 5-pitch VCV that uses an adjusted version of Yokune Ruko's 8-mora list
Oto was commissioned from fmccaddy12
recorded with Oremo using saltpan team's bgm http://saltpan.web.fc2.com/guidebgm.html
BURLAP: A deep, throaty bank
Works best with: resampler as far as I know, maybe TIPS
Download here - http://www.mediafire.com/file/3ryt7k27ee5gr9q/Velveteen+BURLAP+v1.0.zip
A monopitch VCV that uses a modified version of Yokune Ruko's 8-mora reclist
Oto was commissioned from Lunamageice https://soundcloud.com/lunamageice
recorded with Oremo using saltpan team's bgm http://saltpan.web.fc2.com/guidebgm.html
FRILL: A bright, cutesy bank
Works best with: fresamp
Download here - https://www.mediafire.com/file/3a53521fjaf31a3/Velveteen+FRILL+v1.0.zip
A monopitch VCV that uses a modified version of Yokune Ruko's 8-mora reclist
Oto was commissioned from Tomas/Text To Death https://soundcloud.com/tomkicanis
recorded with Oremo using saltpan team's bgm http://saltpan.web.fc2.com/guidebgm.html
RAYON: A relaxed, medium bank
A 3-pitch bank that uses Adlez27's Arpasing reclist
Example: https://soundcloud.com/velvet-act-2/respire-velveteen-rayon-arpasing-test
UPDATE - RAYON will be getting a power pitch (D4) and a falsetto pitch (B4) from previously WIP VCCV bank.
audio-technica ATR2500 USB (KEVLAR, some RAYON)
CAD GXL2400 USB (the rest)
Terms of Use
R-18 Content Allowed? Permission Not Required
Commercial Use of Voicebank Allowed? Permission Not Required
Commercial Use of Character Allowed? See Additional Terms of Use
Do these terms apply to derivative characters/voices? Yes, but derivatives must be created with permission
Click here to view the terms of use for this UTAU.
[* Click here to view commercial license info for this UTAU.]
Voice Sample(s)
Character Details
Height: 6'0"/183cm
Weight: 189lbs/86kg
Velveteen has no set personality. Have fun!
Backstory: He's a Filipino singer who joined the band known as Time, Space… and Bass. Who've since broken up. RIP
(Feel free to interpret this character as you see fit, within reason and without violating his Terms of Use)
Birthday: September 23

subset: commoncrawl


text: Here's the 3rd edition of the podcast formerly known as the The Desertfest Podcast with DJ Harris, Rory McGregor and Tom Geddes. Featuring tracks from Sedulus, Sungrazer, Russian Circles, Slabdragger, Crowbar, Rotor, Raging Speedhorn, Blood Ceremony, Monomyth, Grifter, Wo Fat and Siena Root. We also talk to Rich from Sedulus, Yusuf from Slabdragger and Ollie from Grifter as well as reveal the winner of our competition for the Live in London Desertfest vinyl. Comment


text:
Support and Maintenance for LocalView Fusion has been Retired/
As you will be aware, support and maintenance for LocalView Fusion was retired on July 1st, 2016.
You can of course continue to use LocalView Fusion on premise unsupported, should you wish to, although you will no longer be able to log support calls and there will be no future releases or patches for the software.
You can be reassured that other components you have deployed alongside LocalView Fusion will remain in support. This includes desktop and server software as well as applications you may have, such as LocatorHub, ProductivitySuite, QuestionWhere Builder and MyNearest Builder.
We would like to take the opportunity to thank you for using LocalView Fusion and look forward to supporting you as you deploy new web mapping capability using the Esri UK Local Government Solution.
Many of you have already completed or are in the process of transition to the latest technology. For those of you about to embark on a migration project, we have developed suitable and affordable packages to support you in these projects. If you wish to discuss the options available please contact your Customer Success Manager.


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Information and statements regarding dietary supplements have not been evaluated by the Food and Drug Administration and are not intended to diagnose, treat, cure, or prevent any disease.


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The partners and staff at Appelrouth Farah & Co., P.A. provide our clients with expertise and experience that go well beyond that of an auditor, accountant, bookkeeper, tax preparer and advisor. Our professionals have backgrounds that include the full spectrum of private and public sectors, business and market conditions, and geographical locations. We will provide you with strategic assessment in the growing digital age and beyond.
We believe in achieving success through reaching your goals. In fact, it's our passion. That's why our motto is "Success. Your Goal. Our Passion." We are personally committed to understanding each client's unique business. We have been fortunate enough to gain an in-depth understanding of a variety of industries. In serving clients across the business spectrum over the past three decades, the professionals at Appelrouth Farah & Co., P.A. have helped companies in a multitude of industries that include, but are not limited to:


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Engraveable Optic Crystal Ached Desk Clock
This classy and beautiful Engraveable Optic Crystal Arched Desk Clock will be the perfect addition to any busy executive's desk. Standing approximately 3.75" tall and 3.25" wide, our crystal arched clock features an elegant chrome bezel surrounding a white faced, Roman numeral clock with sleek black hands to make reading the time fashionable. You can even personalize the front of the desk clock with a laser engraving of one line of up to 20 characters to make this desk accessory into a cherished keepsake for him to remember you by whenever he checks the time. Let this beautiful clock adorn his desk with a timeless appreciation for his loving presence in your life.
Questions & Answers about Personalized Optic Crystal Arched Clock
Ask a question about Personalized Optic Crystal Arched Clock. Click here
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Reflections 2017- 2 weeks to Go!
This year, after the positive feedback from the launch of Reflections back in 2016, we decided to put together another year's compilation of stories. We are fast approaching the two year anniversary of the 25.4.15 earthquake and we debated how we would change our show to reflect all thats happened over this time. What were the major topics we wanted to highlight?
The reconstruction efforts in Nepal remained dismal and there were very few signs of progress. Despite all the international aid that poured into the country, the physical results were hard to find. Therefore, Aid, in all of its complexities, is what we decided to focus on. What is the best way to help Nepal now?
Once the questions were written we began to gather our 2017 Reflections team. Harry Morgan, Marli Gordon and Bhuwan Rokka remained the project founders but we gave all management control to Gordon and Rokka's organization, Nepali for Nepali. On March 8th, we had our first team meeting with International photographers, National interviewers and filmmakers. Once again, we had a group of incredibly talented individuals who all agreed to volunteer their time and effort to share the stories of Nepalese.
Within a week, our team had collected interviews from the Director of the Trekking Agencies' Association of Nepal, an official from the Ministry of Education, a guesthouse owner from Mustang, a psychologist and a Disaster Management assessor. It was a wild ride that included a lot of patience, flexibility, cross-cultural debates and TEA.
Now we have our stories and the selected International and National artists are in the process of creating an artistic portrayal of their subject. Our exhibition opens on Tuesday 25.4.17 in Patan Museum with a grand ceremony. We will then move to an outdoor space in Kathmandu Durbar Square and the Nepal Art Council for a final auction of the artwork. The countdown has begun!


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Lunch Wedding Express Highlights are always challenging. The videographer has to produce the video within a limited time and not compromise on the quality. We are glad that the couple and the guests had enjoyed this wedding video highlights on their special day!
Ask us for the password to view this video.


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In Your Ear: Oscar-Winning Actress Marlee Matlin
In Your Ear: Oscar-Winning Actress Marlee Matlin
As a look ahead to Sunday's 83 Annual Academy Awards, Tell Me More asks previous Oscar winners to open their music files and share what's playing in their ear. Academy Award-winning actress Marlee Matlin opens up about the tunes that inspire her. Matlin, who is deaf, won a 1986 Oscar for the film, "Children of a Lesser God." (She shares her music favorites with assistance from a sign language interpreter.)
MICHEL MARTIN, host:
And now the latest in our special Oscar week In Your Ears. The Academy Awards are this Sunday. So this week we've been hearing what's on the playlist of some of our Oscar-winning guests. Today, a very unique selection from actress Marlee Matlin. She won her Oscar for her performance in the film "Children of a Lesser God." And Marlee Matlin is of course a talented actress, activist and author. She's also deaf. And she told us about her favorite songs with a little help from a friend.
Ms. MARLEE MATLIN (Actress): (Through interpreter) Hi, I'm Marlee Matlin, speaking through my sign language interpreter Jack Jason. Though I may be deaf, I do listen to music. When I grew up, my brothers would play music all the time and then I would press this little cassette tape and then I would learn to hear the words along with what little vibrations came into my ear. And I would do it over and over and over again and drove my brothers crazy, to eventually, they couldn't take it anymore.
But I was so thirsty for music that they kept giving it to me and giving it to me. And that was a gift to me that I will never ever forget. And what rocks my world is "My Life" by Billy Joel.
(Soundbite of song, "My Life")
Mr. BILLY JOEL (Singer/songwriter): (Singing) Got a call from an old friend, we used to real close. Said he couldn't go on the American way. Closed the shop, sold the house, bought a ticket to the West Coast. Now he gives them a stand-up routine in L.A.
Ms. MATLIN: (Through interpreter) And with my life, it's because of my dad. The independence that he gave me was so, right on the nose, expressed in that song, "My Life."
(Soundbite of song, "My Life")
Mr. JOEL: (Singing) I don't need you to worry for me 'cause I'm all right. I don't want you to tell me it's time to come home. I don't care what you say anymore, this is my life. Go ahead with your own life, leave me alone.
(Soundbite of song, "Just the Way You Are")
Ms. MATLIN: (Through interpreter) What else is going in my head is "Just the Way You Are" by Billy Joel.
(Soundbite of song, "Just the Way You Are")
Mr. JOEL: (Singing) Don't go changing to try and please me. You never let me down before.
Ms. MATLIN: (Through interpreter) Here's a song that I connect with my husband, that I connect with the people that I love in my life, about being completely free, not wanting anyone to change for whatever you would expect them to be.
(Soundbite of song, "Just the Way You Are")
Mr. JOEL: (Singing) I would not leave you in times of trouble. We never could have come this far. Mm mm. I took the good times, I'll take the bad times, I take you just the way you are.
(Soundbite of song, "The Stranger")
Ms. MATLIN: (Through interpreter) The last song by Billy Joel that really, really rocks my world is "The Stranger." "The Stranger" is a great way to express how I feel when I meet people, people that I become friends with, and then who might just for some reason disappear out of your life. And I guess when I hear that song, when I read the words to that song, I feel that feeling and I understand it so very well. And Billy Joel is just somebody who just comes right to my heart. We're very good friends and I just love, love listening to his music.
(Soundbite of song, "The Stranger")
MARTIN: The music of Billy Joel, that's what's playing in the ears of Oscar-winner Marlee Matlin. And, yes, we do understand the irony of that sentence as to the delightful Ms. Matlin when she spoke with us. To hear our original conversation with her where we also had the benefit of sign language interpreter Jack Jason's services. Please check out our website, go to the Program page of NPR.org and select TELL ME MORE.
(Soundbite of song, "The Stranger")
Mr. JOEL: (Singing) They're the faces of the stranger, but we love to try them on.
Copyright © 2011 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.
NPR transcripts are created on a rush deadline by Verb8tm, Inc., an NPR contractor, and produced using a proprietary transcription process developed with NPR. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR's programming is the audio record.


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Page count: 382 pages
Format: B/5
Category: Philosophy-Psychology
Series: Science & ...
Original price: 3200 Ft
"As these lines are written, a media celebrity talks about our superhuman nature with a kinesiologist on a popular radio channel, where, in the morning programme well-known economists and stock market experts analyse economic processes. A bit of rational choice theory at dawn and esotericism in the evening - the very same radio channel broadcasts multiple truths. Are these compatible? This question may seem too abstract, since not all of us are stockholders, and many don't even know
what kinesiology is. However, our personal lives confront us with numerous situations where we have to make decisions concerning experts and knowledge-claims, and these decisions often influence our fate and future, and the futures of the people we love. We expect specific answers to specific questions. Which treatment should I pick for an illness? What kind of economic policiy should I support with my vote? Shall I buy Pi-water, cell phone radiation shields, magnetic mattresses, coenzyme pills or antibiotics? Shall I buy these all? Or none of them? Surely, after all these questions, I'll have to buy some painkillers for my headache."
The book starts out with the problem of science versus pseudoscience, both in the light of relevant theoretical traditions and in the framework of an everyday life practical perspective. The disciplinary treatment of the problem from the light of sociology, philosophy, and history of science is followed by five case studies - on the Intelligent-Design debate, on parapsychology, on Western astrology, on acupuncture research, and on popular pseudo-histories. The final chapters re-thematize the problem and target questions concerning the public understanding of science, expert-dependent decision processes, argumentation theory, and contemporary science studies. The targeted audience is wide, ranging from science 'professionals' (univesity teachers and students, researchers) to the 'lay' people trying to understand the social and public role of science in our world.


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Oklahoma City – The Oklahoma Department of Corrections has launched a new and improved online inmate lookup for public use.
The site contains new features allowing the release of more accurate information regarding inmates sentenced to state prisons. The new format also allows for comprehensive searches of all inmates by appearance, facility or sentence.
The project was undertaken in-house and built by current IT staff from the Oklahoma Office of Management and Enterprise Services (OMES), costing the department no additional money.
Corrections Director Joe M. Allbaugh said the system is something he made a priority because of the age and constraints of the old system.
"I am pleased with the capabilities and search functions of the new site," Allbaugh said. "The former inmate lookup was well over its lifespan and was rife with errors. We can now be confident in the information being used by the public.
"I appreciate the effort of the men and women who worked tirelessly on this project."
Oklahoma DOC IT Strategist Tanner Hughes said the former inmate lookup was antiquated, which left the information unprotected from cyber threats.
"This is a safer, more effective system for the overall protection of the agency and the information of those in custody," Hughes said. "With the age of the former system, it was incompatible with modern technology and hard to navigate. I appreciate Director Allbaugh and OMES taking the issue serious and putting it at the top of their priority lists."
Other features on the site allow users to search inmates by conviction date, court, CRF number, term codes, statute and statute codes.
The new inmate lookup can be found here.
A tutorial on how to navigate the site can be found here.
Main Location
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Phone: (405) 425-2500 Fax: (405) 425-2578
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If you or someone you know is thinking about suicide, call Onelife at 800-559-9544 or the National Suicide Prevention lifeline at 1-800-273-TALK (8255). Click here for more suicide awareness information.


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Acumentia aims to continually bring new and exciting products to the nutritional and beverage markets, linking seemingly disparate concepts and technologies to arrive at unique, distinctive products. We offer our professional technical consultancy services at any stage of the project, but achieve the best results when taking a hands-on approach from product conceptualisation through to commercialisation.
Clients who opt for our consultancy services benefit from our collective experience in the food production industries; our members don't only have an active input at the concept level, but continue to work with your business to streamline processes and increase margins wherever possible. Our consultants undertake projects crossing over traditional boundaries and provide innovative solutions where industrial sectors overlap, such as functional foods (food-pharma), drug delivery services (pharma-medical devices), dietary supplements (food-pharma) and controlled release products (pharma-food).
We all have an in-depth understanding of the regulations that govern the current international food market, so you can rest assured that your products are fully conversant with the latest legislation.
Acumentia has two product development laboratories based in Maidenhead and Reading. This allows products under development to be placed under a continual cycle of scrutiny and reassessment, ensuring their quality and consistency. Once the initial design phase is completed, we're also fully capable of providing comprehensive marketing solutions based on thorough consumer research, including sensory evaluation.
The combined experience of Acumentia's technical consultants includes working with ingredients like acids, carbohydrates, preservatives and polymers in areas such as beverage distillation, dietary supplement manufacture and condiment production.


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The Outset FoundationThe Outset Foundation is a UK charity dedicated to supporting self-employment, skills development and economic inclusion for the workless, particularly in deprived communities and for disadvantaged people of all ages.
The Outset Foundation was founded as a charitable institution in November 2013, and officially registered with the UK Charity Commission in June 2014.More information
Foundation aims
The relief of unemployment for the public benefit in such ways as may be thought fit and the prevention or relief of poverty and financial hardship, by means of:
- grants of money;
- the provision of items (either outright or on loan) such as tools, books, equipment, transport and educational materials and learning resources;
- payment for services such as education, mentoring, coaching, advice and guidance, child-minding, telephone line, rates and utilities;
- the provision of facilities such as tools or books, payments of fees for instruction, examination or other expenses connected with vocational training, language, literacy, numerical, enterprise or technical skills, travelling expenses to help the recipients to earn their living, equipment and funds for work pursuits or training intended to bring the quality of life of the beneficiaries to a reasonable standard via enterprise and self-help;
- the provision of advice and training to unemployed individuals concerning employment, self-employment and starting up and sustaining (with such support to be withdrawn after profitability is achieved);
- the establishment of co-operative, social and other enterprises to reduce unemployment and build capacity, to be in line with the charitable aims;
- the provision of land and buildings at below market or subsidised rents to businesses unable to afford market rents or satisfy commercial lease requirements;
- the provision of capital grants or equipment to new businesses;
- the provision of money management and debt counselling advice.
Our Board and Advisory Committee
← Home


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The Bunny Hop, Helping Refugees in SLC [Video/Gallery]
Thanks to you, our incredible sponsors and The Garage, we raised $5,555.55 for the International Rescue Committee in SLC at our annual Easter Bunny Hop this year. The IRC was overjoyed, and we couldn't be happier with how the day turned out! Thanks to all our amazing DJ's and performers for another record-breaking year!


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The other day I mentioned that over the past year or so, I've gained 50 lbs of muscle. I thought I'd share the workout plan my cousin, a bodybuilder, put me on. This routine has served me well for the past seven or eight months, and I have made massive gains with it.
On Mondays I do chest, Tuesdays are for shoulders, Wednesdays I focus on back, Thursdays are arm days, and on Fridays I do legs. I have been on this same routine for roughly a year now.
Monday – Chest Day
1. A bench press pyramid (My current max bench is 250)
140 lbs x 10 (~55% max), 160 lbs x 8 (65% max), 185 lbs x 6 (75% max), 210 lbs x 4 (85% max),
220 lbs x 3 (88.5% max), 230 lbs x 2 (92.5% max), 240 lbs x 1 (96% max), 185 lbs x 6 (75% max), 140 lbs x 10 (~55% max)
This is sometimes switched up with a CT Fletcher "Iron Marathon", where I do 155 lbs for basically 210 reps, taking short breaks inbetween longer and longer sets. 1 rep, rack it. 2 reps, rack it. 3 reps, rack it. 4 reps, rack it. Etc., up to 20 reps, rack it. It's an insane number of reps. This one exercise alone can take up to two hours to complete.
2. Incline Bench Press – 4 sets of 8 reps, currently ~135 lbs
3. Dumbbell Flies directly followed by (no rest) close grip dumbbell bench press. 4 sets of 12~15 reps. I choose the highest weight where I can do most all of the close grip presses without failure.
4. Ab-work: 2 sets of 50 reps on the ab machine
Tuesday – Shoulder Day
1. A barbell military press pyramid, similar to bench press pyramid. (current max ~175 lbs)
2. Dumbbell military press pyramid (for 10 reps, higher and higher weight up to 4 reps)
3. Front Dumbbell raises (4~5 sets of 12 reps)
4. Side Lateral Dumbbell raises (4~5 sets of 12 reps)
5. Upright Barbell Row (4~5 sets of 8 to 12 reps, going up in weight each set)
6. Ab-work: 2 sets of 50 reps on the ab machine
Wednesday – Back Day
1. Deadlift pyramid (similar to bench press)
2. Seated row pyramid (15 reps down to 4 reps, increasing weight each time)
3. T-bar rows (4 sets of 8 reps, increasing weight each set)
4. Lat pulldown pyramid, similar to bench press (10 reps down to 2 reps, increasing weight each time) This is often superset with assisted pull-ups, just to make sure every set my back is totally exhausted.
5. Good morning pyramid (similar to bench press)
Thursday – Arm Day
1. Barbell curl pyramid (similar to bench press), superset with tricep pushdown on cable machine (increasing weight each set)
2. Dumbbell preacher curl pyramid, each arm individually. (similar to bench press)
3. Hammer curls (oftentimes hammer preacher curl pyramid) (4 sets of 10 reps)
4. Skull crusher pyramid (similar to bench press, but going from 12 reps to 4 reps, always increasing weight)
5. Dips (sometimes but not always, just for extra tricep work)
Friday – Leg Day
1. Squat pyramid (similar to bench press)
2. Inclined seated leg press pyramid (similar to bench press), superset with calf raises at the same weight (for each set, I do the same number of calf raises as leg presses)
3. Leg extension machine pyramid (similar to bench press)
4. Leg curl machine (4 sets of 10~12 reps, increasing weight each set)
5. Occasionally I'll end with hack-squats for high volume to totally burn out my legs
6. Ab-work: 2 sets of 50 reps on the ab machine


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Price £28.00
Diamante wedding cuff bangle - This exquisite bridal bracelet with sparkling Austrian crystal detail is perfect to accessorise wedding attire and for brides who adore to make a vintage statement. Fabulous worn at any occasion & is perfect for a bridesmaid gift too.
1cm wide - 6cm at widest point - To fit wrist up to 17cm
Shown on our model with Regent Pearl Earrings
free uk postage
Product 1/9
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By using our site you accept the terms of our Privacy Policy.


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Dating in Orange | Orange Dating | Orange Dating Site | Orange Dating Sites | Dating Orange | Orange Date | Orange, California
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Babiators Blue Series - 6+ - The Sweetheart
by Babiators
earn 50 natural reward points
For International delivery please click here.
FREE UK & Channel Islands orders over £45
Fast delivery
Picked, packed and dispatched Monday to Saturday. Delivery expected within 2-4 days.
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Natural Baby Shower
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Boxed weight 175 g


text: Professional Actor Training ProgramClass of 2020B.F.A, Acting & Political Science (minor), Syracuse University, email@example.com of Interest Acting Acting for the Camera Activist Theater African American Directing Performance Studies Race and Ethnicity Social Justice Theater for Youth Voice Background and ExperienceSummarySemaj Miller is an actor, director, producer, and educator from Chicago. His work in Chicago includes two world premiere productions by Pulitzer Prize nominated writers, 3 Joseph Jefferson Award winning productions, and he is an Artistic Associate of Black Lives, Black Words. He has performed at Syracuse Stage, Victory Gardens, Chicago Dramatist, Black Ensemble Theatre, Remy Bumpo, Silk Road Rising, ETA Creative Arts Foundation, Redtwist Theatre, Raven Theatre, and many others. In addition to his work onstage Semaj has developed after school programs for high schools in the Chicagoland area teaching acting, poetry interpretation (often Shakespeare and Tupac in rep), and directing in underserved communities. He was an Associate Speech and Drama Coach at Thornridge High School for 6 years. OFFICIAL TRAILER Red Theater presents Chad Deity by Kristoffer Diaz directed by Jeremy Aluma Research & Creative Work Full CV (227.63 KB) School of Drama Productions and Events A Midsummer Night's Dream - Oct 26 2019 to Nov 10 2019 The Learned Ladies - May 22 2019 - 7:30pm to Jun 2 2019 - 2:00pm Rutherford and Son - Jan 23 2019 - 7:30pm to Feb 3 2019 - 2:00pm Incident at Vichy - Oct 20 2018 - 7:30pm to Nov 4 2018 - 2:00pm Angels in America Part Two: Perestroika - Apr 24 2018 - 7:30pm to May 6 2018 - 4:00pm 12 Ophelias (a play with broken songs) - Feb 13 2018 - 7:30pm to Feb 25 2018 - 4:00pm Courses Taught Autumn 2019 DRAMA 251 AH: Acting Winter 2019 DRAMA 252 AA: Acting Autumn 2018 DRAMA 251 AD: Acting Resources & Related LinksPower Bombs, Super Kicks and Body SlamsDirect from Death Row – The Scottsboro Boys 'American Clock' at Redtwist: There are songs but the key is bitter irony in this Depression tale Share: Print PDF


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Violin Concerto No. 1 in A minor, BWV 1041
About the WorkComposer: J.S. Bach
© Dr. Richard E. Rodda
Any father with twenty children is bound to have a problem at sometime or other. Papa Johann Sebastian Bach must certainly have had his share of family crises during his lifetime (more than half of his brood did not survive him), but one bit of puerile misadventure has, unfortunately, resounded on (or, more accurately, silenced) an important part of his musical legacy. At Bach's death, many of his important manuscripts were divided between his two oldest living sons, Wilhelm Friedemann and Carl Philipp Emanuel. Carl took loving care of his inheritance, but Wilhelm did not. Though, as a boy, Friedemann had received excellent training from his father, and held some responsible positions as a young man, he was never able to fulfill his early promise. His presence of mind seems to have deserted him after his father's death, and he gave way in his later years to dissipation and pretty well made a mess of his life. The manuscripts from Sebastian's estate that came into his possession were lost or destroyed or perhaps sold for a pint of Asbach-Uralt. At any rate, it is known that Wilhelm let at least three of his father's violin concertos slip through his unsteady fingers into oblivion. The three that remain were the ones passed on by Carl.
It was long thought that Bach composed his three extant violin concertos-two for solo violin and one for two violins-while serving as "Court Kapellmeister and Director of the Princely Chamber Musicians" at Anhalt-Cöthen, north of Leipzig, from 1717 to 1723, a productive period for instrumental music when he wrote the Brandenburg Concertos, orchestral suites, many sonatas and suites for solo instruments and keyboard, suites and sonatas for unaccompanied violin and cello, and such important solo harpsichord pieces as the French Suites and the first book of The Well-Tempered Clavier. In the Bach tercentenary issue of Early Music published in May 1985, however, Harvard professor and Bach authority Christoph Wolff surmised from stylistic evidence and from the fact that the only extant performance materials for the Concerto in A minor (BWV 1041) and the Concerto in D minor for Two Violins (BWV 1043) were copied around 1730 that at least those two works date from the years (1729-36) that Bach was directing the Leipzig Collegium Musicum, the city's leading concert-giving organization.
The A minor Concerto follows the traditional Italian structure of three movements, arranged fast-slow-fast. In the heroically tragic opening movement, the violin is carefully integrated into the texture and melodic working-out of the material. The basic plan of the movement is ritornello (i.e., anchored around the frequent returns of the opening music in the orchestra), though Bach's realization of the form is considerably richer in texture and sentiment than are its Italian models. The episodic sections between the recurrences of the ritornello, the places in which the soloist is dominant, are rather like windows separating the tutti columns supporting the architectonic structure. In the second movement, which derives its lyrical style from the world of opera, the basses present a theme at the outset that is repeated in various keys throughout the movement. Above this ostinato foundation rises the touching melody of the soloist as counterpoint and commentary on the orchestral background. The finale, inspired by the vivacious strains of the gigue, resumes the quick motion and rich pathos of the first movement.
Past Performances
Fortas Chamber Music Concerts: Les Violons du Roy with Isabelle Faust


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How many of you know that the source code for your mobile applications can be inspected by any user who downloads them? How many of you are aware that any content that you place within your Ionic/Cordova applications is able to be read by others (with little effort)?
Would it pain you to learn that 100% security is IMPOSSIBLE?
Does that mean that your app can't be protected? That your development efforts are all for naught?
No - but there are caveats and challenges.
Over the course of this article I want to discuss some possible approaches to helping secure your Ionic/Cordova apps and minimise the possibility of code tampering and malicious usage.
I want to stress from the outset that I am NO security expert, that this is just as much a learning experience for me as it might be for yourself (and should any readers have further suggestions on this subject please feel free to share those in the comments section underneath this article).
Additionally, given the nature of Ionic/Cordova apps (as well as native apps) it should always be assumed that their contents are able to be inspected and that a truly determined attacker will do everything possible to crack whatever security might be in place.
Our job as developers is to try and deter such attempts from being successful.
With that said let's look at certain ways in which we can help significantly lesson malicious attacks, harden our applications and hopefully minimise (because we can never eliminate this completely) the possibility of code tampering and the reverse engineering of our application logic...
Keep your secrets safe
Sensitive business logic (such as passwords and API account keys/values) should, as far as is possible, be stored on a secure server and not within the application codebase.
Note in the previous paragraph that I stated the following - as far as is possible.
The reason for this caveat is that there may be circumstances where we simply cannot avoid this - such as, for example, placing the firebase web initialisation code within our application (where firebase is concerned though this can be obviated by implementing an authentication flow to allow users to access the application data only if they supply the correct credentials - we'll discuss server side approaches a little later on in this article).
Where we have no choice but to implement sensitive business logic inside our Ionic/Cordova applications we might want to shift as much of this logic into an SQLite database as possible and explore using encryption with the following:
Disclaimer: I have NOT personally tested or used this tool as yet so I have NO idea how feasible or effective this might be.
I have however experimented with Cordova Crypt but could not get this to encrypt my Ionic www directory when the application was published to an .ipa file for iOS. Whether this was due to a mistake on my part or not I don't know but feel free to explore and play with this plugin if you fancy a challenge.
As a general rule of thumb where security is concerned always treat your application as if it were a website and assume that your code is able to be inspected by others.
Manage your Content Security Policy
If an attacker discovers a vulnerability with code used in an application (say for example a third party API call or a JavaScript library) then they might find ways to exploit this so that malicious code is run within the application instead.
The Content Security Policy (CSP) meta tag was introduced to help prevent such attacks by defining which network requests are allowed to be made and where resources are loaded from.
This meta-tag is placed within your application's index.html file - an example Content Security Policy might look like the following:
<meta http-equiv="Content-Security-Policy" content="default-src 'self' data: gap: https://ssl.gstatic.com; style-src 'self' 'unsafe-inline'; media-src *">
These rules are constructed to allow the application to manage security/resource access as follows:
- default-src 'self' - matches current source but not subdomains
- data: - defines the source scheme for loading resources
- https://ssl.gstatic.com - required solely for Android to allow Talkback to function properly
- 'unsafe-inline' - allows inline JavaScript and CSS
- 'style-src' - allows all stylesheets from current source
- media-src * - allows all video and audio sources to be accessed
A Content Security Policy is dictated by what network access the developer requires for the application.
If, for example, the developer wanted to only allow XHR access via https they might include the following CSP:
<meta http-equiv="Content-Security-Policy" content="default-src 'self' https:">
Or, if they required access to a specific set of social media resources - such as Google, Facebook & Twitter - then their CSP might look like the following:
<meta http-equiv="Content-Security-Policy" content="default-src 'self'; script-src https://apis.google.com https://platform.twitter.com; child-src https://plusone.google.com https://facebook.com https://platform.twitter.com">
When constructing your application's Content Security Policy be aware of the consequences of certain rules on access to particular resources. If you're not careful you might find yourself blocking certain resources that your project requires - so be very discriminating in what you use here.
Further information on Content Security Policy and here.
You'll notice that Ionic applications for iOS & Android also make use of Cordova's Network Whitelist Plugin to provide cross site scripting protection for webviews that don't support CSP. This plugin allows developers to implement the following access controls within the application's config.xml file:
- Navigation (defines which URL's the webview can navigate to - by default only file:// navigations are allowed)
- Intents (defines which system communication protocols the application is allowed to access)
- Network requests (defines which network requests are allowed to be made - I.e. XHR, images etc)
The following demonstrates how these could be added to the config.xml file:
<!-- Define navigation access -->
<allow-navigation href="https://*/*" />
<!-- Define intents -->
<allow-intent href="http://*/*" />
<allow-intent href="https://*/*" />
<allow-intent href="tel:*" />
<allow-intent href="sms:*" />
<allow-intent href="mailto:*" />
<allow-intent href="geo:*" />
<!-- Define network access - VERY insecure setting (allows access from ANY source) -->
<access origin="*" />
It is recommend though that a Content Security Policy is used for network requests as it is seen as more secure than relying on the whitelist plugin rules for controlling network access.
Further information on the Cordova whitelist plugin.
Code obfuscation
Code obfuscation describes the deliberate act of transforming application logic into unrecognisable code that is difficult to disassemble/understand but still provides the same functionality that it did prior to being obfuscated.
For example, if I use this free tool I can paste in the following JavaScript:
function hi() {
console.log("Hello World!");
Which, upon obfuscation, will result in the following code:
var _0x1d57=['Hello\x20World!','log'];(function(_0x3191bc,_0x54fa91){var _0x1d4fd3=function(_0x596a55){while(--_0x596a55){_0x3191bc['push'](_0x3191bc['shift']());}};_0x1d4fd3(++_0x54fa91);}(_0x1d57,0x135));var _0x5cfd=function(_0x523c75,_0x2dbd21){_0x523c75=_0x523c75-0x0;var _0x247d55=_0x1d57[_0x523c75];return _0x247d55;};function hi(){console[_0x5cfd('0x0')](_0x5cfd('0x1'));}hi();
This looks pretty impressive and can help deter the casual snooper but it's important to realise that code obfuscation does NOT make your code secure as it can still be accessed by interested parties. The intent with obfuscation is to make it much more difficult for those parties to be able to steal and use your code.
Unfortunately almost all JavaScript obfuscation can be easily reversed thanks to various services/programs that are available with even the most casual Google search on the subject.
An interesting solution that applies higher level security to obfuscated code is JScrambler which, although pricey, does offer some interesting features such as polymorphic obfuscation and code traps.
If you're looking to develop commercial and/or enterprise-level applications (where security is an absolute priority in protecting your product's source code as well as your client's business) then JScrambler definitely merits investigation.
Developing for Android? Then Android ProGuard is a popular choice with developers looking to obfuscate their application code but, as with most obfuscation tools, it offers minimal code protection against reverse engineering.
As a security solution code obfuscation on its own provides no protection whatsoever but, if combined with other approaches, it can form part of a defense in depth strategy (the ideal being to make it so difficult for an attacker to change your source code that they become discouraged and simply give up).
JSON Web Token
One security concern with transmitting data between parties can be summed up as follows:
- Is the sending party who they say they are?
- Has the data been tampered with en-route?
One approach to helping solve this dilemma is JSON Web Token.
JSON Web Token (JWT) is an open standard that defines how information can be securely transmitted between parties as a digitally signed, compact JSON object. Due to their small size JWTs can be transmitted quickly through a POST parameter, inside HTTP headers or via URL.
A JWT consists of three parts, separated by dots, which are:
- Header (the first part of the JSWT which typically consists of the token type - I.e. JWT - and the hashing algorithm being used - I.e. RSA, HMAC or SHA256)
- Payload (the second part of the JWT and this contains the claims, or statements, about the user as well as additional metadata)
- Signature (the final part of the JWT which is used to verify the sender of the JWT and to ensure the message wasn't tampered with during transmission)
As JWTs can be digitally signed this makes them ideal for securely transmitting data between parties (as the digital signature is calculated using the Header and Payload of the JWT itself the client is able to trust that the sender is who they say they are and that data hasn't been tampered with by an unknown third-party).
More information on JSON Web Token.
Server side integration
As far as protecting sensitive business logic is concerned moving this from your application codebase to a secure server (the emphasis is on secure here) is the safest and most secure method of protection from prying eyes.
To truly make this approach effective an Ionic/Cordova application should implement an authentication/authorisation based system to validate, verify and, upon successful completion of the process, grant user access to protected routes or resources on their secure server.
In this context the use of JSON Web Token would be ideal for user verification and ensuring data integrity (I.e. no tampering of data in transit) during client/server communication.
Alternatively a BaaS (Backend as a Service) platform such as Firebase can help handle the authentication flow (although user verification would have to be independently handled by additional logic courtesy of the developer).
Additionally the implementation of HTTPS/SSL Pinning allows the authentication/authorisation process to avoid man-in-the-middle attacks as all data transmission will be encrypted from the application right through to the server itself.
Where SSL Pinning is concerned the Ionic Native HTTP plugin can be configured for this purpose.
Validate, filter and sanitise your data
Your application data will typically come through a variety of sources; third-party API calls (typically social media integration with Twitter, Facebook etc), data generated content (I.e. via LocalStorage/SQLite or from BaaS providers such as Firebase) or provided through user submitted content (such as blog comments, form submissions etc).
With this in mind it's important that this data is validated prior to being stored/used within your application as the potential for XSS attacks, SQL injection and similarly malicious behaviour is too great to ignore.
At a bare minimum developers should observe the following rules when working with data:
- Filter HTML tags from user submitted content (or, where necessary, limit such tags to a specific subset such as those used in text formatting - I.e. paragraph, strong and em)
- Ensure that submitted/retrieved data that is to be stored within a database matches the correct data type for each field (to avoid data corruption. data loss issues etc)
- Use prepared statements when working with SQLite to avoid SQL injection attacks
Using the Ionic Native SQLite plugin we could use prepared statements to add data to an SQLite database in the following way:
// The prepared statement is structured in the following way:
// 1. The SQL query - INSERT INTO tableName (name, description)
// 2. The SQL binding placeholder for each field value (represented as a question mark) - VALUES (?, ?)
// 3. The value to be inserted (stored within an array) - [name, description]
let sql = "INSERT INTO favouriteSoftware(name, description) VALUES(?, ?)",
data = [name, description];
this._DB.executeSql(sql, data)
.then((res) =>
console.log('res.insertId: ' + res.insertId);
console.log('res.rowsAffected: ' + res.rowsAffected);
.catch((error) => {
console.log('SELECT error: ' + error.message);
That's a lot of different options we've covered and it's really a case of each developer understanding their application's requirements and then choosing the most appropriate combination of security measures to protect their code from prying eyes and avoid falling prey to SQL injection, Cross Site Scripting attacks and other such naughtiness.
In summary
100% security is an impossibility given platform vulnerabilities, software bugs, the continuing evolution of digital technologies (and the discovery of specific attack vectors) and last, but certainly not least, developer knowledge (which might contribute to security mistakes without realising it - and yes, I consider myself very much on a learning journey as far as this topic is concerned).
That's not to say we should throw up our hands in resigned defeat and despair but it does mean we need to be very aware of the tools we use and the code that we write so as to not introduce security issues that could otherwise be avoided.
Staying abreast of technology/security developments and remaining vigilant with the different requirements of our own projects (particularly where it comes to data management and integrating third-party API's, plugins and libraries) should help guide and inform the development of our applications going forwards.
Hopefully the different approaches discussed in this article will give you some useful starting points to help harden the security of your Ionic/Cordova applications.
What did you think of this article? Was there anything that I missed that should have been covered? Share your thoughts, reactions and suggestions in the comments section below.
If you liked what was written here then please consider signing up to my FREE mailing list to stay updated on further articles and e-books that I have in the pipeline.


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With approximately 1,606 square feet of living space and a 2-bay garage, Residence Two at Rosena Place is a charming place to call home. As you enter the first floor you'll find a convenient coat closet, powder room and an open concept living space, great for entertaining. The great room seamlessly flows into the nook/dining room and kitchen area. For aspiring chefs and bakers, the kitchen comes equipped with plenty of counter space, a built-in pantry, stainless steel appliances, a kitchen island and upgraded cabinetry.
Upstairs you'll find the master suite along with two secondary bedrooms and a bathroom with dual sinks and tub/shower combination. The laundry room is conveniently located upstairs making a necessary chore a bit less of a hassle. A separate linen closet is included so you can keep detergent and linens neatly tucked away. The spacious master suite includes a bedroom, bathroom with dual sinks, vanity and shower and a walk-in closet. Residence Two at Rosena Place offers a spacious floorplan for your family.
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Ljubljana is a delightful city! Below is the very center which is a round plaza with streets radiating out from it. From the center outward for two or three blocks, vehicles are prohibited. So, it is a pleasure to wander around on foot taking it all in. As with other regions, during the rule of the Austro-Hungarians, grand and elegant buildings were erected. And today there are some interesting new buildings as well. A river runs through the city and many quaint pedestrian bridges span it. The city reeks of old-world charm with narrow streets, parks, and cobblestone pavements, cafes, designer shops, galleries, and lots of young vibes from the many university students.
This is the central plaza with a monument to a Slovenian poet.
This is the old castle on the hill above the city.
Our luxury hotel was a block from the plaza – great location! It was a modernized grand building designed in a modern take on Art Nouveau. This is the lobby. In all the corridors of the hotel, original art was displayed! Charlotte and I walked up and down the hallways, one floor after another to take in some pretty decent artwork.
It was a joy to explore the city and admire its wonderful architecture.
This is the National Library of Slovenia designed by a prolific Slovenian architect, joze Plecnik. It was built between 1936 and 1941 and used some stone from a palace that had been located on the site but was destroyed by an earthquake in 1895.
Plecnik also designed the building on the left below. On the right is the entrance to an original Art Nouveau department.
Below is the American Embassy.
Week took an evening cruise on the river that runs through the city observing many of the bridges also designed by Plecnik.
One of the bridges had lover locks. Notice that the floor of the bridge is glass.
The city has busy, daily outdoor markets in the center within the pedestrian only zone.
This is a machine that dispenses unpasteurized milk.
We visited one market that was completely devoted to chocolate! There were at least 40 vendors. I was so overwhelmed by so much chocolate that I couldn't come close to making up my mind, so I didn't buy any. Unfortunately, there were no free samples.
This building was the Slovenia Department of Labor.
About five blocks from the center was a large, beautiful park. Charlotte and I visited two stately buildings that housed an art center and exhibition space. We also visited several galleries in the center that displayed contemporary art.
Everywhere we ate on the tour, the food was great. More about the food and why I gained four pounds in two weeks in the next post!


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Synthetic Oil – An Introduction
There are several spots where one can get his synthetic oil changed but some special outlets like Wal-Mart Tire & Lube Service Center, Valvoline, Midas; EZ Lube etc. offer synthetic oil change coupons through which one can save few bucks also. However it can be done at any normal garage where engine oil is changed. Today almost all of the conventional oil producing companies is also making synthetic oil, so it's not a difficult task to find synthetic oil from one's favorite brand.
to Use Synthetic Oil?
Many people think that using synthetic oil is a bad idea because it is expensive than the conventional oil, but they don't know that by paying some extra pennies one can actually save more than that by improved engine life and less visits to the garage and if someone is capable of self-changing the engine oil then synthetic oil change coupons are of more advantage.
Finding the coupons
Nowadays newspapers contain ads related to low cost synthetic oil change coupons, online stores are also there which can deliver coupons just by placing online orders from home, someone might purchase it while shopping in a megastore or your smartphone can also become the best device to search for such oil change coupons with the help of some apps or websites dealing in automobile stuff.