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The Edwardian period of furniture design falls in the years between Victorian and Art Deco. It is named for King Edward VII of England, who reigned from 1901 to 1910.
Some experts say it is not just the years that the furniture was made but also the design that makes it Edwardian. Some claim influences from earlier periods and say that a combination of Georgian, Victorian and Art Nouveau created the new Edwardian style.
Collectors have to rely on appearance, since it is so difficult to know exactly when a chair was made. Designers working after 1901 created a chair that looked lighter in weight than a Victorian chair and used pastels rather than dark colors. Fabrics and wallpaper with flowers became popular. Chairs had scrolled backs and legs, similar to Art Nouveau designs but thinner and less "tangled." Bamboo and wicker were introduced, and many pieces were made of lightweight wood and mother-of-pearl inlay. Seats were made with thin padding and thin fitted cushions.
It has not been a popular style with collectors, but it's enjoyed by decorators and homeowners. Today both period and reproduction pieces are a good buy. Most are made of solid wood, not plywood, and use upholstery fabrics of damask, silk or other natural materials, not modern synthetics. A 1910 Edwardian settee sold for $344 at a Doyle New York auction this year. Chairs sell for a few hundred dollars. Sofas go for less than $500 at auction.
Q: My friend who gave me her old upright piano also gave me the antique piano shawl she always draped over the piano. It's 52 inches square and appears to be black silk crepe. It's reversible and covered in embroidered pink roses. The fringe around the whole shawl is 15 inches long, with smocking around the edge of the fabric. Is the shawl valuable?
A: Many piano shawls like yours were made in Spain in the 1890s. They sell for $50 to $100 if they're in very good condition, with full fringe and without holes.
Q: My mother-in-law gave me one of her old alligator purses. It's in great shape and has a label inside that reads "Rosenfeld." Have you heard of that maker? How old is the purse?
A: Harry Rosenfeld was an American designer active from the 1930s into the '70s. His designs were made by several different manufacturers. The bags were sold at high-end department stores and at Harry Rosenfeld Handbags, a shop on Madison Avenue in New York City. Rosenfeld designed bags in all sorts of styles, using all kinds of materials. But it is likely that your alligator purse dates from the 1930s, '40s or '50s, when alligator bags were at the peak of their popularity. The value of your bag depends not only on designer and condition, but also on style. It could sell for less than $100 or more than $300.
Q: My dad owned a funeral home in Cincinnati and liked collecting antiques. He left me his collection of paperweights made by Crane & Breed, a Cincinnati coffin manufacturer. The paperweights include an Egyptian sarcophagus, Scottie dog, alligator, camel, frog, turtle, bear, sailboat and ghost. I don't want to sell them, but I'd like to know how old they are and what they're worth.
A: Crane & Breed took over a Cincinnati coffin-manufacturing business in 1854 and stayed in business until 1973. The company held several patents on coffins and coffin parts, and sold coffins to funeral homes in several states. Today collectors know about Crane & Breed mainly because of its collectible paperweights. From the late 1800s into the early 1900s, the company gave away promotional bronze novelty paperweights to funeral homes and their employees. Today, the sarcophagus paperweight sells for close to $400, but most of the others are going for less than $20.
Q: I own a glass dish that has a portrait of a man in the center and the words "We mourn our nation's loss" inscribed around it. There's a wide border of swags around the dish. We think the dish has something to do with President Garfield and also something to do with Vermont. It has been in our family for more than 70 years and we would like to know its history and value.
A: Your plate was made as a memorial to President James A. Garfield, who was assassinated in 1881. The center picture is a bust of Garfield. The pattern is called "Garfield Drape," but it's sometimes called "Canadian Drape." It has been attributed to Adams & Co. of Pittsburgh, but more recent research suggests that it may have been made by Burlington Glass Works of Hamilton, Ontario, Canada. Perhaps that's how it got the name "Canadian Drape." The pattern was first made in the 1870s. After Garfield died, memorial plates in that pattern were made with his bust in the middle. The only connection to Vermont is that Vice President Chester A. Arthur, who became president after Garfield's death, was born in Vermont. Different versions of your plate were made. Some include the words "Born Nov 19, 1831, Shot July 2, 1881, Died Sep 19, 1881." A colored glass Garfield memorial plate retails for about $75.
Q: My vintage alligator handbag includes the taxidermied head of the alligator. The bag, made in Cuba, was originally purchased at a high-end New York City store. What is it worth?
A: We frequently see alligator-head bags like yours at antiques shows. They sell for about $150 to $200, depending on quality and condition.
Tip: Moths seem to like to eat natural undyed horsehair but, strangely, do not eat dyed hair. Use mothballs and other detergents to protect braided hair-work and stuffed furniture.
Terry Kovel answers as many questions as possible through the column. By sending a letter with a question, you give full permission for use in the column or any other Kovel forum. Names, addresses or email addresses will not be published. We cannot guarantee the return of any photograph, but if a stamped envelope is included, we will try. The volume of mail makes personal answers or appraisals impossible. Write to Kovels, (Name of this newspaper), King Features Syndicate, 300 W. 57th St., New York, NY 10019.
Current prices are recorded from antiques shows, flea markets, sales and auctions throughout the United States. Prices vary in different locations because of local economic conditions.
Depression glass bonbon, English hobnail, hexagonal, handle, 6 inches, $15.
Dome-top trunk, oak, blue paint, iron strapping, handles, 1700s, 22 1/2 x 36 1/2 inches, $230.
Tobacco jar, dog, double head, black, white, Staffordshire, 6 x 4 inches, $298.
Wedgwood ewer, Greek figures, black basalt, handle, impressed, mark, 7 inches, $369.
Flip the Frog figurine, celluloid, movable arms, hat and bow tie, c. 1930, 6 1/2 inches, $511.
Fireplace fender, brass, tin, reticulated Gothic designs, ball feet, 1800s, 9 1/2 x 30 1/4 inches, $776.
Slipper chair, Aesthetic Revival, giltwood, carved, pietra dura plaque, turned legs, c. 1880, $1,315.
Solar lamp, Gothic Revival, etched glass, bronze, cluster column, c. 1840, 33 3/4 inches, $1,554.
Ladle, soup, silver, Gothic style, William Gale & Son, 1853-66, 14 inches, $2,270.
Harp, Gothic style, 47 strings, gilt, R. & L. Lewis, N.Y., c. 1850, 69 inches, $6,871.
"Kovels' American Collectibles, 1900 to 2000" is the best guide to your 20th-century treasures — everything from art pottery to kitchenware. It's filled with hundreds of color photographs, marks, lists of designers and manufacturers and lots of information about collectibles. The collectibles of the 20th century are explained in an entertaining, informative style. Read tips on care and dating items, and discover how to spot a good buy or avoid a bad one. And learn about hot new collectibles and what they're worth so you can make wise, profitable decisions. The book covers pottery and porcelain, furniture, jewelry, silver, glass, toys, kitchen items, bottles, dolls, prints and more. It's about the household furnishings of the past century — what they are, what they're worth and how they were used. Out of print but available online at Kovels.com; by phone at 800-303-1996; or send $27.95 plus $4.95 postage to Kovels, Box 22900, Beachwood, OH 44122.


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Bindi is One of the beautiful Body decoration items and are very easy to use. Bindis are also used as Body Art Tattoo Wedding & Bridal Fashion Jewelry. Bindis can be worn on your forehead, or your belly button, on your arm or even as a nose pin, the possibilities are endless and depends on your imagination. Bindis are to be put on the Third eye Position (between the eyebrows) Bindis can also be reused by applying spirit gum or a clear eyelash adhesive to the rear of the Bindi. The High quality of these bindis makes these bindis last long.
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Browse our library of planning courses
Defining Neighborhoods
This course reviews the varying definitions of neighborhoods and examines methods for defining a physical basis and tangible meaning to neighborhoods based on the location of neighborhood centers, boundaries, and spatial extents.
Transportation Planning: Travel Behavior Regulations, Pricing, and Programs
This course reviews the efficacy of regulatory strategies (such as prohibitions and mandates), pricing strategies (such as peak period pricing), and education and information strategies (such as real-time ride-hailing apps).
Form-Based Codes: Using Building Types, Part 1
Learn about building types in the context of form-based coding and how building types can be a direct way to achieve compatible and more predictable built results.
The Ethics of Disruptive Transportation Technologies
This course discusses the process for making ethical decisions as part of planning for disruptive technologies.
Introduction to New Mobility
The course on "New Mobility" covers the gamut of technological advancements where planning, transportation, and infrastructure design intersect.
Beyond Complete Streets for Walking and Biking
This course covers current practices in planning and implementation of infrastructure for biking and walking.
Missing Middle Housing: Meeting the Growing Demand for Walkable Urbanism
Learn about Missing Middle Housing and how to integrate these types into existing neighborhoods.
Frontage Types and the Public Realm
This course reviews the 10 primary frontage types and how each shapes the public realm. This course focuses on understanding the features and distinctions of each type and in which locations or contexts each is appropriate.
Form-Based Codes 101: Legal Aspects
This course explores the legal issues of creating and using a form-based code.
Form-Based Codes 101: Corridors
Corridors have historically been a key element of the urban fabric of every American town and city, yet they are also commonly problematic. This course looks at the roots of the problem for examples of how corridors can be designed and coded.
Form-Based Codes 101: Neighborhoods
This course introduces the essential elements of neighborhoods.
Form-Based Codes 101: Learning How To Look
This course will teach you the skills to appreciate and analyze the measures and functions of good urbanism.
Form-Based Codes 101: Introduction
In this course we will define form-based codes, explain why they were invented, and distinguish them from conventional "use-based" zoning ordinances—all with an emphasis on placemaking and walkability. We will provide an overview of the development of form-based codes, their mandatory and optional component parts, and the importance of making form-based codes context or place-specific.
Photoshop CC for Planners 1: Basic Functions
Adobe Photoshop CC is widely recognized among design professionals as the premier image editing software, with a number of useful applications for urban planning. This course gives you a step-by-step introduction to the basic tools of Photoshop CC.
Healthy Urban Food Systems: Planning Production Facilities
This course examines the role for planning in addressing various forms of urban agriculture as well as many examples from around the country of the statutes, policy, and practices implementing interventions in food production at urban scales.
AutoCAD 101
This course provides an introduction to AutoCAD's essential functions for first-time users and demonstrates how to create site plans, street sections, and other two-dimensional scaled diagrams.
Tactical Urbanism: How It's Done
From unsanctioned crosswalks to city-led "Pavement-to-Plaza" programs, instructor Mike Lydon describes the success of short-term, temporary projects in influencing long-term physical and policy changes in cities across the United States and Canada.
SketchUp for Planners - An Introduction
Get started using SketchUp, the popular, easy-to-learn 3D digital modeling program. This course provides an introduction to how planners and architects represent three-dimensional objects in two-dimensions, with step-by-step instructions for creating and using simple 3D models.
Tactical Urbanism: An Introduction
Developed in conjunction with other movements, the Tactical Urbanism approach allows a host of local actors to test new concepts before making substantial political and financial commitments. Sometimes sanctioned, sometimes not, Tactical Urbanism features the following five characteristics: phased instigation, meeting local planning challenges, realistic and short term, low risk-high gain, and stakeholder capacity building.


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Showing 1-23 of 23 items found in Arts & Culture
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Open 7 days a week to service the traveling public. The Ottawa Visitors Center is your one stop shop for information on the Starved Rock Areas special events, lodging, and outdoor activities. Stroll our turn-of-the-century Old Town with its lush walkways, boutique shops and unique restaurants. Stop here for your "Scenic Route to the Rock."
The Back Door Lounge at Starved Rock Lodge
Enjoy a relaxed dinner on the veranda during the summer months and live music every Friday from 8pm to 11pm. Rock, alternative, acoustic, R & B, Jazz, country & pop. Visit the website for a complete music schedule. Special events include beer dinners, pub crawls, theater productions, and holiday events.
Art Deco Theatre, seats 550, with a full balcony. Dolby digital sound. Affordable snack bar and friendly service. Open Monday - Saturday, 6:00pm - 11:00pm and Sundays, 2:00pm - 8:00pm
In 2009, Lara & Joachim (Jay) Schneider bought the Apollo. Since then there have been quite a few changes. Just recently new seats were installed and the concession area was given a make-over. We offer "Buy Nachos For One Buck Mondays" and BYOB (Bring Your Own Bucket and fill it up for only 75 cents) Tuesdays! If you never been to the Apollo or haven't been in awhile, please come and see this Princeton landmark!
One of Ottawa's greatest treasures. Built in 1858, this three story, 22-room Italianate mansion was possibly the most expensive private home in Illinois at that time. Tours available 6 days a week - 11am to 3pm. Closed Tuesdays & major holidays.
Annie's Little Pots and Pottery Center
Annies Little Pots is a "must-see" shop in Princeton, Illinois. Discover many local artists along with Ann Dittmer's beautiful hand-made pottery, created in her on-site studio. Besides Princeton's own handmade pottery, you'll find Metal Sculpture, Home & Garden decor, soaps, candles, jewelry, and original paintings. Want to try your hand at the Pottery Wheel? Schedule a Pottery Class. The Pottery Cellar located in the basement of Annies Little Pots features a fun Paint Your Own Pottery Studio.
Enter and enjoy a 3,500 sq ft. building full of unique gifts, florals, and home décor.
An astonishingly well-equipped theater in its 42nd season. Plays and musicals running May-August.
Portrait studio and gallery conveniently located in downtown Utica. Providing photographic services to the area, including a gallery of local artists. Open Monday-Saturday.
CITY:North Utica
LaSalle County Historical Museum
LaSalle County history including Native American artifacts in an I & M Canal era warehouse, plus a blacksmith shop, a one room school and pioneer farm equipment.
Wild Bill Hickok, extensive photographic collection, memorabilia of yesteryear, and special exhibits.
Clark St. Studio & Village Pottery
Wheel-thrown pottery by resident potter.
B L Kassabaum Artist's Gallery
Limited edition prints, originals, conservation framing, appraisal art & photo restoration, cards.
Listed on the National Register of Historic Places, this 57-room, Victorian-era mansion features century-old chandeliers, ornate woodwork and other fine details. It was built in 1876 by Edward C. Hegeler and the mansion was designed by Chicago architect William W. Boyington.
Streatorland Historical Society Museum
Displays include 19th-century clothing, music room, local artifacts, and many photographs depicting Streatorland history.
Mendota Museum and Historical Society
Dedicated to preserving the history and heritage of the people, commerce, and industry of the Mendota area. Extensive photographic collection depicting over 100 years of Mendota area history. Three Western Cottage organs and a Carpenter organ manufactured in Mendota in late 1800s. Hume-Carnegie Museum Saturday & Sunday 1:00 PM - 4:00 PM 3/1 - 12/15; Union Depot Railroad Sat & Sun Noon to 4:00 PM, 3/1 – 12/15 Breaking the Prairie Museum by appointment. Office hours Tuesday through Friday, 8:30 AM - 1:30 PM.
Model railroad, locomotive display, railroad memorabilia.
Ottawa Historical and Scouting Heritage Museum
A museum established to promote and preserve the history of the Ottawa area and the colorful and proud traditions of Boy/Girl Scouting and Camp Fire. Features national traveling exhibits from museums and libraries. Open Thursday-Monday 10:00 AM-4:00 PM, Closed on Holidays.
Bureau County Historical Museum
The Bureau County Historical Society Museum is located behind the Courthouse square at the intersection of beautiful Park Avenue West and Pleasant Street in Princeton, Illinois. The museum consists of two buildings that are next door to each other: the Clark-Norris Home, a handsome Prairie Square mansion built in 1900, and the Newell-Bryant House, a stately Greek Revival house dating back to 1853. The Museum is behind the Courthouse. There is free parking on Park Avenue in front of the Museum.
Festival 56 is now a year-round professional theater festival, with 10 productions each year. Each season, Festival 56 assembles from across the country a team of the most creative and talented artists living and working in professional theater today. The festival presents a wide spectrum of programming, from free productions of Shakespeare to classic and world premier musicals and the masterworks of playwrights such a Steinbeck, Ibsen and Tennessee Williams. Festival 56 is committed to championing the American theater as an art form by creating a home for the artists who are its heart and soul.
Putnam County Historical Society
Tours of the recently restored, redecorated 1844 Pulsifer House. Genealogical historical research facilities. Open Wed & Fri from 10:00 AM - 3:00 PM. Agricultural Museum open by appointment.
Unique, historic, elegant venue located in the former Masonic Temple in downtown Streator. Available for weddings, receptions, or any special occasion. Tours by appointment.
Playlist Theater, a cozy concert nook inside LaSalle's famed Uptown Grill, has been entertaining the Starved Rock area since 2006. This venue has hosted dozens of national acts, many of whom are quick to add the Playlist Theater as a favorite stop on their next tour.
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'Seventy-six trombones led the big parade
With a hundred and ten cornets close at hand.
They were followed by rows and rows of the finest virtuo-
Sos, the cream of ev'ry famous band' (76 Trombones from 'The Music Man')
The start of the 2010 World Cup has brought a new and unexpected celebrity to the world's attention: the vuvuzela. This South African trumpet-esque instrument is blown at matches (in England we'd have a claxon) by the spectators. It's caused television viewers to complain, as they've been unable to concentrate on matches due to the din of thousands of vuvuzelas; when all blown in one constant stream they do sound like a swarm of wasps.
The argument for not banning the vuvuzelas has been that people have free will and as they are not harming anyone then why should football's governing body, Fifa, intervene? Then of course there is the 'when in Rome' argument: the vuvuzelas are a native instrument to South Africa and by banning their use would be a snub to the host country.
So what to do? Utilitarianism would say that we should worry about the greatest good for the greatest number, and so the opinions of the worldwide television audience would take priority over the spectators at the stadiums, and thus the vuvuzelas be banned. However, the 'when in Rome' counter-argument is, in my opinion, equally as worthwhile. When we are visiting other countries we should respect their customs and cultures and not just march in and expect it to be England abroad: we have to adapt. But then of course the TV audience is not in South Africa, they are in their own homes… it's a tough one, but the tournament only goes on for a month (I never thought that I'd ever say 'only goes on for a month') and so we should probably just put up with it for the time being… or do what I'm doing… and not watch any of the matches at all!
William Hanson
Tutor, The English Manner


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- 2019 NEW arrival
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OEM(brand logo only ) : depends on logo request .
ODM&OEM : 200pcs per style of 3colors .
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- Description
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- Company profile
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Beneficiary name: OT-GUANGZHOU CITY DONGFANG LEATHER GOODS
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ADDRESS :No.3 ,Changqiao Street ,Jinshazhou, Baiyun district ,Guangzhou,China .
4.Personal account of bank transfer
Bank of China
Beneficiary Name: OU JIANG QIANG
A/C No: 621758 7000 0005 41222


text:
Puzzle Levels
Puzzle Categories
Download a FREE Solution for your puzzles!
Click Image to Enlarge
Randy's Cube - White
Product Information
|Disassemble and reassemble
|Level 6 - Tricky
|Randy's Cube
|Cube Puzzle
|2in x 2in x 2in / 5cm x 5cm x 5cm
Product Description
Although this may look like a rotational puzzle, it is actually a take apart and put back together style. This puzzle consists of 6 different pieces, which have to be assembled to make a 2x2x2 cube.
All of the Randy's Cubes similar pieces can be interchangable to make different color patterns including the checkered flag pattern for an additional challenge!
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Difference between revisions of "Fonts"
Thestinger (talk | contribs)
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WardMuylaert (talk | contribs)
(→Indic: Add mention that this font contains a look of disapproval)
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*{{Pkg|ttf-freebanglafont}} - Font for Bangla
*{{Pkg|ttf-freebanglafont}} - Font for Bangla
*{{Pkg|ttf-indic-otf}} - Indic OpenType Fonts collection (containing ttf-freebanglafont)
*{{Pkg|ttf-indic-otf}} - Indic OpenType Fonts collection (containing ttf-freebanglafont)
Revision as of 18:01, 8 February 2012
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- 1 Font formats
- 2 Installation
- 3 Font packages
- 3.1 Braille
- 3.2 International users
- 3.3 Math
- 3.4 Microsoft fonts
- 3.5 Monospaced
- 3.6 Sans-serif
- 3.7 Script
- 3.8 Serif
- 3.9 Unsorted
- 4 Console fonts
Font formats
Most computer fonts used today are in either bitmap or outline data formats. Bitmap fonts store fixed images for each glyph in each typeface and point size. Outline or vector fonts store characters as instructions for drawing each glyph's lines and curves. Outline fonts scale smoothly in size over a wide range.
Common font filename extensions include:
bdf.gz– bitmap fonts, bitmap distribution format and gzip compressed
pcf.gz– bitmaps, portable compiled font and gzip compressed
psfu.gz– bitmaps, PC screen font, PC screen font Unicode and the gzipped versions (not compatible with Xorg)
pfb– outline fonts, PostScript font ASCII and PostScript font binary. PostScript fonts carry built-in printer instructions.
ttf– outline, TrueType font. Originally designed as a replacement for the PostScript fonts.
otf– outline, OpenType font. TrueType with PostScript typographic instructions.
For most purposes, the technical differences between TrueType and OpenType can be ignored, some fonts with a
ttf extension are actually OpenType fonts.
Other formats
The typesetting application, TeX, and its companion font software, Metafont, render characters using their own methods. Some of the file extensions used for fonts by these two programs are
mf and
FontForge, a font editing application, can store fonts in its native text-based format,
sfd, spline font database.
Various methods of installing fonts.
Fonts and font collections in the enabled repositories can be installed using pacman. Available fonts may be found by using:
$ pacman -Ss font
Or to search for
ttf fonts only:
$ pacman -Ss ttf
Some fonts like terminus are installed in
/usr/share/fonts/local, which is not added to the font path by default. By adding the following lines to
xset +fp /usr/share/fonts/local xset fp rehash
the fonts can be used in X11.
Creating a package
If you want to give pacman the ability to manage your fonts, you can create an Arch package. These can also be shared with the community in the AUR. Here is an example of how to create a basic package. To learn more about building packages, read PKGBUILD.
pkgname=ttf-fontname pkgver=1.0 pkgrel=1 depends=('fontconfig' 'xorg-font-utils') pkgdesc="custom fonts" arch=('any') source=(http://someurl.org/$pkgname.tar.bz2) install=$pkgname.install build() { mkdir -p $pkgdir/usr/share/fonts/TTF cp $srcdir/$pkgname/*.ttf $pkgdir/usr/share/fonts/TTF }
This PKGBUILD assumes the fonts are TrueType. An install file (
ttf-fontname.install) will also need to be created to update the font cache:
post_install() { echo -n "Updating font cache... " fc-cache -fs >/dev/null mkfontscale /usr/share/fonts/TTF /usr/share/fonts/Type1 mkfontdir /usr/share/fonts/TTF /usr/share/fonts/Type1 echo "done" } post_upgrade() { post_install }
Manual installation
The recommended way of adding fonts to your system that are not in the repositories is described in #Creating a package. This gives pacman the ability to be able to remove or update them at a later time. Fonts can alternately be installed manually as well.
To install fonts system-wide (available for all users), move the folder to the
/usr/share/fonts/ directory. To install fonts for only a single user, use
~/.fonts/ instead.
Also you may need to update
/etc/X11/xorg.conf or
/etc/xorg.conf with the new directory. Search for
FontPath to find the correct location within the file to add your new path. See #Fonts with Xorg for more detail.
Then update the fontconfig font cache:
$ fc-cache -vf
Older applications
With older applications that do not support fontconfig (e.g. GTK1 applications, and
xfontsel) the index will need to be created in the font directory:
$ mkfontscale $ mkfontdir
Or to include more than one folder with one command:
$ for dir in /font/dir1/ /font/dir2/; do xset +fp $dir; done && xset fp rehash
At times the X server may fail to load the fonts directory and you will need to rescan all the
fonts.dir files:
# xset +fp /usr/share/fonts/misc # Inform the X server of new directories # xset fp rehash # Forces a new rescan
To check that the font(s) is included:
$ xlsfonts | grep fontname
Pango Warnings
When Pango is in use on your system it will read from fontconfig to sort out where to source fonts.
(process:5741): Pango-WARNING **: failed to choose a font, expect ugly output. engine-type='PangoRenderFc', script='common' (process:5741): Pango-WARNING **: failed to choose a font, expect ugly output. engine-type='PangoRenderFc', script='latin'
If you are seeing errors similar to this and/or seeing blocks instead of characters in your application then you need to add fonts and update the font cache. This example uses the ttf-liberation fonts to illustrate the solution and runs as root to enable them system-wide.
# pacman -S ttf-liberation -- output abbreviated, assumes installation succeeded -- # fc-cache -vfs /usr/share/fonts: caching, new cache contents: 0 fonts, 3 dirs /usr/share/fonts/TTF: caching, new cache contents: 16 fonts, 0 dirs /usr/share/fonts/encodings: caching, new cache contents: 0 fonts, 1 dirs /usr/share/fonts/encodings/large: caching, new cache contents: 0 fonts, 0 dirs /usr/share/fonts/util: caching, new cache contents: 0 fonts, 0 dirs /var/cache/fontconfig: cleaning cache directory fc-cache: succeeded
You can test for a default font being set like so:
# fc-match LiberationMono-Regular.ttf: "Liberation Mono" "Regular"
Fonts with Xorg
In order for Xorg to find and use your newly installed fonts, you must add the font paths to
/etc/X11/xorg.conf (another Xorg configuration file may work too).
Here is an example of the section that must be added to
/etc/X11/xorg.conf. Add or remove paths based on your particular font requirements.
# Let Xorg know about the custom font directories Section "Files" FontPath "/usr/share/fonts/100dpi" FontPath "/usr/share/fonts/75dpi" FontPath "/usr/share/fonts/cantarell" FontPath "/usr/share/fonts/cyrillic" FontPath "/usr/share/fonts/encodings" FontPath "/usr/share/fonts/local" FontPath "/usr/share/fonts/misc" FontPath "/usr/share/fonts/OTF" FontPath "/usr/share/fonts/TTF" FontPath "/usr/share/fonts/util" EndSection
Font packages
This is a selective list that includes many font packages from the AUR along with those in the official repositories. Fonts are tagged "Unicode" if they have wide Unicode support, see the project or Wikipedia pages for detail.
- ttf-ubraille - Font containing Unicode symbols for braille
International users
- ttf-sil-lateefAUR - Unicode Arabic font from SIL (AUR)
- ttf-sil-scheherazadeAUR - Unicode Arabic font from SIL (AUR)
- arabeyes-fontsAUR - Collection of free Arabic fonts (AUR)
Chinese, Japanese, Korean, Vietnamese
(Mainly) Chinese
- wqy-microheiAUR - A Sans-Serif style high quality CJK outline font. (AUR)
- wqy-zenhei - Hei Ti Style (sans-serif) Chinese Outline font embedded with bitmapped Song Ti (also supporting Japanese (partial) and Korean characters).
- ttf-arphic-ukai - Kaiti (brush stroke) Unicode font (enabling anti-aliasing is suggested)
- ttf-arphic-uming - Mingti (printed) Unicode font
- opendesktop-fonts - New Sung font, previously is ttf-fireflysung package
- wqy-bitmapfont - Bitmapped Song Ti (serif) Chinese font
- ttf-hannom - Chinese and Vietnamese TrueType font
- ttf-sazanami - Japanese free TrueType font to alternate with the ttf-kochi font family.
- ttf-kochi-substituteAUR - High quality Japanese TrueType fonts. It has bitmap hinting information, so it's beautiful and not jagged to display on the CRT.
- otf-ipafontAUR - Japanese Gothic (san-serif) and Mincho (serif) font set; one of the highest quality open source fonts. Default of openSUSE-ja. (AUR)
- ttf-vlgothicAUR - Japanese Gothic fonts. Default of Debian/Fedora/Vine Linux (AUR)
- ttf-ipa-monaAUR, ttf-monapoAUR - Japanese fonts to show 2channel Shift JIS art properly. (AUR)
- ttf-baekmuk - Collection of Korean TrueType fonts
- ttf-aleeAUR - Set of free Hangul TrueType fonts (AUR)
- ttf-unfonts-coreAUR - Un fonts (default Baekmuk fonts may be unsatisfactory) (AUR)
Also see #Monospace, #Sans and #Serif
- font-arhangaiAUR - Mongolian Cyrillic (AUR)
- ttf-pingwi-typographyAUR - PingWi Typography (PWT) fonts (AUR)
Almost all Unicode fonts contain the Greek character set (polytonic included). Some additional font packages, which might not be contain the complete Unicode set but utilize high quality Greek (and Latin, of course) typefaces are:
- otf-gfsAUR - Selection of OpenType fonts from the Greek Font Society (AUR)
- ttf-mgopenAUR - Professional TrueType fonts from Magenta (AUR)
- culmusAUR - Nice collection of free Hebrew fonts
- ttf-freebanglafont - Font for Bangla
- ttf-indic-otf - Indic OpenType Fonts collection (containing ttf-freebanglafont)
- (This one contains a ಠ_ಠ "look of disapproval" that might be more to your liking than the bdf-unifont one mentioned elsewhere in this document)
- ttf-khmer - Font covering glyphs for Khmer language
- Hanuman (ttf-google-webfontsAUR)
- ttf-lklugAUR - Sinhala Unicode font (AUR)
- ttf-tamilAUR - Tamil Unicode fonts (AUR)
- ttf-thai - Font covering glyphs for Thai
- font-mathematica - Mathematica fonts by Wolfram Research, Inc.
- ttf-mathtypeAUR - MathType fonts (AUR)
- ttf-computer-modern-fontsAUR - Flagged out of date as of 2009-11-14 (AUR)
Microsoft fonts
See MS Fonts.
Here are some suggestions. Every user has their own preference, experiment to find one that suits you. If you won't like to try one by one, there's an opinion from Dan Benjamin on his blog: Top 10 Programming Fonts.
Here's a big list of fonts by Trevor Lowing: http://www.lowing.org/fonts/
- Andalé Mono (ttf-ms-fontsAUR)
- Anka/Coder (ttf-anka-coderAUR)
- Anonymous Pro (ttf-anonymous-proAUR, included in ttf-google-webfontsAUR)
- Bitstream Vera Mono (ttf-bitstream-vera)
- Consolas (ttf-vista-fontsAUR)
- Courier New (ttf-ms-fontsAUR)
- Cousine (ttf-google-webfontsAUR) - Chrome/Chromium OS replacement for Courier New (metric-compatible)
- DejaVu Sans Mono (ttf-dejavu) - Unicode
- Droid Sans Mono (ttf-droidAUR, included in ttf-google-webfontsAUR)
- Envy Code R (ttf-envy-code-rAUR)
- FreeMono (ttf-freefont) - Unicode
- Inconsolata (ttf-inconsolata)
- Inconsolata-g (ttf-inconsolata-gAUR) - adds some programmer-friendly modifications
- Liberation Mono (ttf-liberation) - Alternative to Courier New (metric-compatible)
- Lucida Console (ttf-ms-fontsAUR)
- Lucida Typewriter (included in package jre)
- Monaco (monaco-linux-font)
- Monofur (ttf-monofurAUR)
- Default 8x16
- Dina (dina-font)
- Lime (artwiz-fonts)
- ProFont (profont)
- Proggy Programming Fonts (proggyfontsAUR)
- Proggy opti cyrillic (proggyopticyr-fontAUR)
- Tamsyn (tamsyn-fontAUR)
- Terminus (terminus-font)
- Unifont (glyphs like ಠ_ಠ (look of disapproval)) (bdf-unifont)
- Andika (ttf-andikaAUR, included in ttf-sil-fontsAUR)
- Arial (ttf-ms-fontsAUR)
- Arial Black (ttf-ms-fontsAUR)
- Arimo (ttf-google-webfontsAUR) - Chrome/Chromium OS replacement for Arial (metric-compatible)
- Calibri (ttf-vista-fontsAUR)
- Candara (ttf-vista-fontsAUR)
- Constantia (ttf-vista-fontsAUR)
- Corbel (ttf-vista-fontsAUR)
- DejaVu Sans (ttf-dejavu) - Unicode
- Droid Sans (ttf-droidAUR, included in ttf-google-webfontsAUR)
- FreeSans (ttf-freefont) - Unicode
- Impact (ttf-ms-fontsAUR)
- Liberation Sans (ttf-liberation, improved/reworked Cyrillic: ttf-liberastika) - Alternative to Arial (metric-compatible)
- Liberation Sans Narrow (ttf-liberation) - Alternative to Arial Narrow (metric-compatible)
- Linux Biolinum (ttf-linux-libertine)
- Lucida Sans (ttf-ms-fontsAUR)
- Microsoft Sans Serif (ttf-ms-fontsAUR)
- PT Sans (ttf-google-webfontsAUR) - 3 major variations: normal, narrow, and caption - Unicode: Latin, Cyrillic
- Tahoma (ttf-tahomaAUR)
- Trebuchet (ttf-ms-fontsAUR)
- Ubuntu-Title (ttf-ubuntu-titleAUR)
- Ubuntu Font Family (ttf-ubuntu-font-family)
- Verdana (ttf-ms-fontsAUR)
- Comic Sans (ttf-ms-fontsAUR)
- Cambria (ttf-vista-fontsAUR)
- Charis (ttf-charisAUR, included in ttf-sil-fontsAUR) - Unicode: Latin, Cyrillic
- DejaVu Serif (ttf-dejavu) - Unicode
- Doulos (doulos-silAUR, included in ttf-sil-fontsAUR) - Unicode: Latin, Cyrillic
- Droid Serif (ttf-droidAUR, included in ttf-google-webfontsAUR)
- FreeSerif (ttf-freefont) - Unicode
- Gentium (ttf-gentium, included in ttf-sil-fontsAUR) - Unicode: Latin, Greek, Cyrillic, Phonetic Alphabet
- Georgia (ttf-ms-fontsAUR)
- Liberation Serif (ttf-liberation) - Alternative to Times New Roman (metric-compatible)
- Linux Libertine (ttf-linux-libertine) - Unicode: Latin, Greek, Cyrillic, Hebrew
- Times New Roman (ttf-ms-fontsAUR)
- Tinos (ttf-google-webfontsAUR) - Chrome/Chromium OS replacement for Times New Roman (metric-compatible)
- ttf-google-webfontsAUR - a huge collection of free fonts (including ubuntu, inconsolata, droid, etc.) - Note: Your font dialog might get very long as >100 fonts will be added
- ttf-mph-2b-damase - Covers full plane 1 and several scripts
- ttf-sil-fontsAUR - Gentium, Charis, Doulos, Andika and Abyssinica from SIL (AUR)
- font-bh-ttf - Xorg Luxi fonts
- ttf-cheapskate - Font collection from dustismo.com
- ttf-isabella - Calligraphic font based on the Isabella Breviary of 1497
- ttf-junicode - Junius font containing almost complete medieval latin script glyphs
- arkpandorafonts ttf-arkpandoraAUR — Alternative to Arial and Times New Roman fonts
- xorg-fonts-type1 — IBM Courier and Adobe Utopia sets of PostScript fonts
Console fonts
The console, meaning a terminal running with no X Window System, uses the ASCII character set as the default. This font and the keymap used are easily changed.
A console font is limited to either 256 or 512 characters. The fonts are found in
Keymaps, the connection between the key pressed and the character used by the computer, are found in the subdirectories of
Previewing and testing
Unfortunately, no organized library of images is available to preview console fonts. The user can, however, use
setfont to temporarily change the font and be able to consider its use as the default. The available glyphs or letters in the font can also be viewed as a table with the command
If the newly changed font is not suitable, a return to the default font is done by issuing the command
setfont without any arguments. If the console display is totally unreadable, this command will still work—the user just types in
setfont while "working blind."
Note that
setfont only works on the console currently being used. Any other consoles, active or inactive, remain unaffected.
Change the font. This example is distinctive:
$ setfont /usr/share/kbd/consolefonts/gr737b-9x16-medieval.psfu.gz
Or change the font to one with 512 glyphs and set the keymap to ISO 8859-5 using the
-m option:
$ setfont /usr/share/kbd/consolefonts/LatArCyrHeb-16.psfu.gz -m 8859-5
Then issue commands that send text to the display, perhaps view a manpage and try vi or nano, and view the table of glyphs with the command,
Return to the default font with:
$ setfont
Changing the default font
To change the default font, the
CONSOLEFONT= and
CONSOLEMAP= settings in
/etc/rc.conf must be altered. Again, the fonts can be found in
/usr/share/kbd/consolefonts/ directory and keymaps can be found in the subdirectories of
For displaying characters such as Č, ž, đ, š or Ł, ę, ą, ś using the font
It means that second part of ISO/IEC 8859 characters are used with size 16. You can change font size using other values like lat2-08...16. For the regions determined by 8859 specification, look at the Wikipedia. You can use a Terminus font which is recommended if you work a lot in console without X server. ter-216b for example is latin-2 part, size 16, bold. ter-216n is the same but normal weight. Terminus fonts have sizes up to 32.
Now, set the proper keymap, for lat2-16 it will be:
To use the specified font in early userspace, that is, early in the bootup process, add the
consolefont hook to
HOOKS="base udev autodetect pata scsi sata filesystems consolefont keymap"
Then rebuild the image:
# mkinitcpio -p linux
See Mkinitcpio#HOOKS for more information.


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Réseau Art Nouveau Network
"Une expérience Art nouveau, le Style Sapin ŕ La Chaux-de-Fonds", new publication, La Chaux-de-Fonds, 2006
A richly illustrated book on the particular Sapin Style of La Chaux-de-Fonds has recently been published in connection with the Art Nouveau celebrations of 2005-2006. Published by Éditions Somogny, Paris, in partnership with Girard-Perregaux SA, l'Office fédéral de la Culture et de la Loterie romande. 200 pages, 163 illustrations in colour, Fr. 48-.
For more information, contact: email@example.com
Art nouveau et pédagogie, international colloquium, La Chaux-de-Fonds, 18-20 May 2006
The educational problems linked to the applied arts are expressed theoretically as well as practically by the major Art Nouveau protagonists.
The theme allows to link La Chaux-de-Fonds to the other European Art Nouveau cities and could interest a large international public.
In partnership with the Unesco commission in Switzerland and the Club 44
Registration: www.artnouveau.ch / + 41 (0)32.967.62.34
Art Nouveau stamps now available, La Chaux-de-Fonds, March 2005-2006
As part of the vast programme of activities for the year 2005-2006 dedicated to the Art Nouveau heritage in La Chaux-de-Fonds a series of two stamps has now been made available in all post offices in Switzerland. The stamps are designed by Suter and Sager de Zoug.
New publication on Jugendstil in Bad Nauheim
This new publication is the first comprehensive volume devoted to Jugendstil in Bad Nauheim, one of the partner cities of Réseau Art Nouveau Network. The book was written by art historian Christina Uslular-Thiele and designed by the graphic artist and photographer Hiltrud A.M. Hölzinger. It is a bilingual edition in German and English.
Unknown work by Henry van de Velde in Westende, Belgium, 1 July 2006
In villa "Les Zéphyrs" in Westende-Bad an Art Nouveau ensemble from 1898 recently was identified as the work of Henry van de Velde's early period. The ensemble consists of a wooden panel, two fixed buffets and a copper mantelpiece. Lieven Daenens, director of the Design museum in Gent, identified the objects after comparing with similar works of Van de Velde. The identification was later confirmed by Antje Neumann, a researcher in the project "Werkverzeichnis Henry van de Velde" in Weimar, Germany. Villa "Les Zéphyrs" was bought by the commune of Middelkerke in 1972 and is currently being restored and decorated as the 1930's holiday house of Dr Muyshondt from Gent. The design of the villa dates back to a concept from 1910 by the architect Oscar van de Voorde who designed it for the world exhibition in Brussels 1910. The villa will open to the public on 1st of July 2006.
Pressfile in Dutch
Kruununhaka's Stairwells
The Helsinki City Planning Department recently published an inventory of Kruununhaka's stairwells. They are an important part of Helsinki's cultural heritage and offer valuable examples of well-preserved interior spaces. Many of Kruununhaka's stairwells were designed by the most outstanding architects of the time. As was the custom, stairwells were used to convey a sense of impressiveness and elegance. Fortunately a significant legacy of handicrafts has been preserved in the stairwells' masonry vaults and decorative paintings.
Colours and shapes - the Ecole de Nancy's 18thC heritage – Exhibition at the Ecole de Nancy Museum : 16 September - 31 December 2005
This Exhibition has been organised by the Ecole de Nancy Museum as part of the "Nancy 2005 - The Age of Enlightenment" celebrations. While the city of Nancy took advantage of the occasion to restore one of the most magnificent 18thC squares in the world to mount a number of events presenting a vast panorama of the Age of Enlightenment, the Ecole de Nancy Museum decided to take a closer look at a particular, little discussed aspect of the works by artists in the School: their 18thC heritage. It was the 18thC Place Stanislas, symbol of Nancy up to the creation of their famous 1900s naturalist style, that originally inspired the objects by Gallé, Daum, and others. Fully aware of their stylistic influences, and of the risk of creating a mere pastiche that would debase the work of the earlier period, the Nancy artists nevertheless succeeded in finding a primary source of inspiration in the 18thC, and using it to create an innovative, lively and resolutely modern style.
Press file
International Colloquium on Roger Marx, Nancy, 31 May- 2 June 2006
In connection with the exhibition "Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin..." held at the Musée des Beaux-Arts and at the Musée de l'Ecole de Nancy, the City of Nancy and the Institut National d'Histoire de l'Art organise an international colloquium. Different themes will explore the role of Roger Marx as an art critic, collector, and defender of the 1900 artistic avant-garde.
For more information, contact: email@example.com
Two new publications from Ruta del Modernisme, Barcelona
The Urban Landscape Institute of the Barcelona City Council has recently published two new guides to the city's rich Art Nouveau (Modernisme) heritage: the Barcelona Modernisme Route and Let's Go Out, a guide to Modernista bars and restaurants in Barcelona. Discover the architecture of Gaudí, Domènech, Puig i Cadafalch and have lunch at Picasso's table, or in a Gaudí house- with a large number of buildings and points of interest, the guides let visitors explore the riches of Barcelona Modernisme at their own rhythm.
All proceeds of sales of the publications go toward the restoration and improvement of the city's Modernista heritage. Published in Catalan, Spanish, English and French versions.
For more information: www.rutadelmodernisme.com
Archives of the magazine CoupDefouet, Barcelona
CoupDefouet is published by the Urban Landscape Institute of the Barcelona City Council, a member of the Reseau Art Nouveau Network and the leader of the European Art Nouveau Route which was established in June 2000, incorporates 47 local governments and 30 institutions with the common commitment to find useful and efficient mechanisms for the protection and promotion of Europe's Art Nouveau heritage. CoupDefouet is a non-profit magazine issued twice a year, whose purpose is to provide a channel for exchanging experiences and news around the world on common subjects of interest. The quality contents of coupDefouet are possible thanks to the contribution out of interest of scholars and other reputed authors. CoupDefouet is distributed free to over 800 selected mailing destinations around the world, including city governments, museums, universities and other entities related to Art Nouveau heritage, reaching over 2,500 people directly interested in cultural diffusion and tourism as part of their professional or academic activity.
CoupDefouet nr 1, front cover and table of contents
CoupDefouet nr 2, front cover and table of contents
CoupDefouet nr 3, front cover and table of contents
CoupDefouet nr 4, front cover and table of contents
CoupDefouet nr 5, front cover and table of contents
CoupDefouet nr 6, front cover and table of contents
CoupDefouet nr 7, front cover and table of contents
CoupDefouet nr 8, front cover and table of contents
CoupDefouet nr 9, front cover and table of contents
CoupDefouet nr 10, front cover and table of contents
CoupDefouet nr 11, front cover and table of contents
CoupDefouet nr 12, front cover and table of contents
Art Nouveau works from the Ecole de Nancy presented at the exhibition « The decorative revolution" at the Pinacothèque of Paris – from 18 to 8 September 2013
Call for Applications Seminar on conservation of synagogue in Subotica – 1st November 2015
The workshop is aimed at young experts, postgraduate students, and students of final years and in the field of conservation, engineering, architecture and other areas related to heritage management and protection from Serbia and the region.
The seminar will gather a mix of lecturers and trainers, both the local experts dedicated to restoration of Synagogue and international experts, engineers and conservation architects. The main goal of this seminar is to introduce principles, methods and techniques of assessment, conservation and restoration of Art Nouveau monuments and to offer onsite analytic discussions on the solutions for the restoration of the Synagogue.
The deadline for sending the application form is November the 1st.
All candidates will be informed about the results of the selection until 7th of November.
Application form and detailed announcement
More information


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Velazquez® Spanish and English Dictionary. Copyright © 2007 by Velazquez® Press. All rights reserved.
indianismo [in-de-ah-nees'-mo]
1. Interest in or knowledge of West Indian culture. (m)
2. East Indian idiom. (m)
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plural -s
Definition of charitarian
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heavy with or as if with moisture
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Amanda Ferris
Amanda Ferris graduated with a 3.5 GPA and a B.A. in English from Wagner College in May of 2009, and has since written for several different websites and magazines.These publications include NearSay.com. New York Family, The Camel Clutch Blog, Silhouette Urban Mind-Body Fitness's official site, and 2Blue Media Group. In her spare time, she enjoys teaching dance, going to museums, reading, and volunteering at the Love Wanted Pet Adoption events in Brooklyn. Amanda is a founding member of the Boulevard Books Creative Wring Group and she can also be seen reading her poetry at the Tom Kane Boulevard Bards Open Mic sessions as well.


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Dame Tu Amor
Type: Single
Artist: Chatarra A.KA. Manny Loco
Released: November 14th, 2011
|Track List:
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After Malliciah Goodman's signing, we believe the Atlanta Falcons will sideline Adrian Clayborn for the remainder of the season.
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Alternate Macro Libraries - Part 2
MartinPacker 11000094DH Comments (4) Visits (20312)
First, I'm indebted to Ray Mullins for his help in figuring out how to solve the problems I identified as remaining in Alternate Macro Libraries: A Way To Document Assembler Tables . Indeed he wrote a very handy blog post of his own: Wrapping your own macro code around vendor-supplied macros without changing source This post, to summarise, shows how you can use the OPSYN instruction to create... [More]
Alternate Macro Libraries: A Way To Document Assembler Tables
MartinPacker 11000094DH Visits (10446)
I'm sharing this technique in case it's useful to you. And, selfishly, in case you can think of refinements. (I'm not the best assembler programmer in the world so could easily be missing a trick or two.) We map SMF records using a set of assembler macros - to create what are called log tables . We summarise these log tables into summary tables , again defined using assembler... [More]


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Either for an elegant evening or a casual day event, model number SE219 are the perfect earrings to amaze. A part of the The Ivy Lane collection by Tacori, it is evident that these alluring Drop earrings are crafted with only the finest materials. Made from Sterling silver (925), they are a vision of luxury.
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Are you looking for the perfect earrings? Jewelry Studio of Bozeman, Montana is here to meet all your fine jewelry needs with the personal dedication you only find with a family run business. Since 1994 we have been providing exceptional service and a vast selection to ensure you find precisely what you are looking for. Thus, we are pleased to present these lovely earrings, as an authorized retailer of Tacori.
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Virginia Cooking School, with Recipes
Cook the classics in the hilly Virginia countryside
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The drive south from Washington, D.C., leads you away from the political arena of the city to the rolling hills, gentle landscapes, and charming views of the Virginia countryside. This is historic country, settled before the Revolutionary War. One of the grandest houses of that period is the stately Inn at Meander Plantation in Locust Dale, Virginia.
The plantation, patented in 1726, is located near Thomas Jefferson's Monticello and James Madison's Montpelier. Once frequent host to both presidents and other historical luminaries, today the plantation's inn remains a welcoming getaway-and a relaxing spot for a cooking class-for Washingtonians on retreat, newlyweds, or vacationers touring nearby colonial-era historic sites.
Photography: Squire Fox
The simplicity of colonial style-pure, austere, and elegant-permeates the public spaces of the inn, and a stay there starts with settling into cozy renovated quarters. These include a romantic two-story retreat that once was the summer kitchen and a secluded beamed-ceiling Groom's Cottage. The grounds include working stables.
After a day of riding, relaxing, or touring-the inn staff will arrange for tours of Montpelier or Monticello and send explorers off with a picnic lunch-guests gather for drinks and hors d'oeuvres in the drawing room or on the wraparound porch. Then, they'll enjoy a prix-fixe dinner in the salon or dining room. Friends are made, conversation is lively, and a meal perfected by innkeepers Suzie Blanchard and Suzanne Thomas is shared. Small-batch wines from Virginia vineyards complement dinner.
The monthly two-day cooking classes include accommodations, lunches, an informal dinner on Monday, and a more formal dinner on Tuesday. Students gather in the snug restaurant kitchen for a completely hands-on experience, congenially bumping elbows with the chefs, wait staff, and each other.
This month's Celebrate Autumn class showcases the bounty of the fall garden-corn, tomatoes, zucchini, squash, eggplant, and aromatic silvery sage. Suzie (at left) starts with Harvest Corn Soup, turning a farm-stand staple into an elegant, full-flavored puree. She coaxes sweet corn taste into the soup by pressing cooked corn through a strainer to get the purest liquid possible. The flavor is impeccable. A fresh tomato, sage, and scallop topper finishes the dish.
Chef Alexander Morris's main dish recipe, Virginia Ham-Stuffed Beef Tenderloin, is simple to prepare and a showstopper at dinner. He guides students in rolling a traditional spinach, leek, sausage, and ham stuffing into a flattened beef tenderloin. The result, roasted and sliced to display its spiraled interior, has rich flavor without resorting to heavy sauces. The ham and sausage are also from local growers.
A colorful side dish, Ratatouille Napoleon, shows off the harvest garden with its panoply of summer squash, zucchini, eggplant, tomatoes, and thyme and rosemary. The slightly roasted vegetables, layered and baked, weave their flavors together in a dish that celebrates freshness and the adage "what grows together, goes together."
It's a convivial group that sits down to dinner. Tomorrow, students will learn to interpret recipes as their own, hear from a local winemaker, and complete their tutorial with a five-course dinner paired with Virginia wines. "We like to end with a graceful, gourmet experience," Suzie says. Assuredly, the relaxed gentility of the Inn at Meander Plantation encourages this centuries-old tradition of fine dining.
Innkeepers Suzie Blanchard (left) and Suzanne Thomas offer two-day classes for two with lodging and meals for $850. Contact the Inn at Meander Plantation, 2333 N. James Madison Parkway, Locust Dale, Virginia 22948. Call 540/672-4912 or visit the Web site at meander.net.
The State of the Vine
"Our dinner menus pair locally produced wines with each course. It's a perfect tie-in with our regional food philosophy," says Suzanne Thomas. "Virginia had a fledgling wine industry when we moved here--a world of wines we could really get our minds around and promote." Today, the state boasts more than 200 wineries. Suzanne and Suzie create Virginia Wine Trail tours for guests, often serving as guides.
"The best varietals are Voignier and Petit Verdot. Voignier is able to tolerate the Virginia humidity and long growing season," Suzanne explains. "Because of this, it produces stellar wines. The red Petit Verdot, previously used as a blending wine, is coming into its own."
Suzanne's top picks include Delfosse Vineyards' (delfossewine.com) Voignier--fruit-forward, floral, with pineapple and apricot overtones"-and Linden Vineyards' (lindenvineyards.com) Petit Verdot, "spicy, earthy, delightful with lamb and beef." Gray Ghost Vineyards' multiple gold award-winning dessert wine Adieu, a late-harvest Vidal Blanc, is another of Suzanne's favorites (grayghostvineyards.com).
What's for dinner, Mrs. Washington?
Our colonial culinary treasures are well documented and easy to reproduce at home. Nach Waxman, owner of Kitchen Arts and Letters, the legendary New York City bookstore dedicated to all tomes gastronomic, shares his favorite American heritage cookbooks.
. Harriott Pinkney Horry. A Colonial Plantation Cookbook. 1770 (Univ. of South Carolina Press, 1984. $20). Early recipes transcribed from a manuscript household book, with useful notes and information on period ingredients and cooking methods.
. Martha Washington. Martha Washington's Booke of Cookery. (Columbia Univ. Press, 1981. $26). Ancestral household notebooks dating back to the early 17th century, brought by Martha Dandridge Custis into her marriage to George Washington. Each new custodian updated the handwritten books for her generation. Immensely useful notes on every aspect of food and cooking practices. Unpublished until this edition appeared.
. Mary Randolph. The Virginia Housewife. 1824 (Univ. of South Carolina Press, 1997. $30). A valuable repository of recipes and household advice taken from family notebooks. Superb notes by food historian Karen Hess, who also edited the Martha Washington compilation.
. Edwin Morris Betts, ed. Thomas Jefferson's Garden Book, 1766-1824 (Thomas Jefferson Foundation, 2008. $50). An essential of Virginia food history. Nearly 60 years of Jefferson's records and correspondence relating to his gardens, especially food plants he introduced and established in mid-Atlantic America. Practical, inspirational, and unfailingly interesting.
All books are available at Kitchen Arts and Letters, 1435 Lexington Avenue, New York, NY; 212/876-5550; kitchenartsandletters.com.
Harvest Corn Soup
12 large ears of fresh sweet corn
1-1/2 cups chopped sweet onion
3 tablespoons butter
5 cups chicken stock or chicken broth
3 tablespoons whipping cream
1 teaspoon kosher salt
1/4 teaspoon ground white pepper
2 green onion, bias-sliced
1 teaspoon canola oil
1 large fresh tomato, peeled, seeded, and chopped
2 tablespoons chopped fresh sage
Sauteed scallops or shrimp (optional)*
Scrub corn with stiff vegetable brush to remove silks. Rinse under cold running water. Place one ear of corn at a time in shallow pan. Holding corn at an angle, use sharp knife to remove kernels. You should have about 8 cups of corn.
In 4-quart Dutch oven cook onion in hot butter 5 minutes or until tender. Add corn; cook just until heated through. Add 3 cups chicken stock. Bring to boiling. Reduce heat; simmer, uncovered, 20 minutes. Cool slightly.
In blender or food processor process corn mixture, half at a time, until smooth. Strain corn mixture through wire mesh sieve, pressing with back of spoon. Discard solids.
Return corn puree to Dutch oven. Add remaining chicken stock. Bring to boiling. Reduce heat; simmer, 5 minutes, stirring frequently. Stir in whipping cream, salt, and pepper.
In large skillet, cook green onion in hot oil over medium heat 1 minute or until onion turns bright green. Stir in tomato. Cook and stir until just heated through. Serve soup topped with tomato mixture, sage, and scallops or shrimp, if desired. Makes 6 servings.
* Cook 12 small scallops or 12 medium peeled and deveined shrimp in hot olive oil 2 to 4 minutes or until scallops or shrimp are opaque .
Virginia Ham-Stuffed Beef Tenderloin
1 2-1/2 to 3-pound center-cut beef tenderloin roast 4 ounces lean pork sausage
1 medium leek, halved lengthwise and sliced
4 ounces Virginia ham, finely diced
1 cup spinach leaves
1/4 teaspoon salt
1/4 teaspoon freshly ground black pepper
1 tablespoon canola oil
Horizontally cut tenderloin to, but not through, the opposite side. Open to expose cut surfaces. Cover with clear plastic wrap. Pound tenderloin with meat mallet from center to edges, making a 3/4-inch-thick 11x8-inch rectangle; set aside. In 12-inch skillet cook sausage and leek over medium heat until sausage is no longer pink, stirring to break up sausage. Drain fat. Stir in ham; heat through.
Arrange spinach on beef. Top spinach with filling. Starting from long side, roll up meat tightly into spiral. Tie at 2-1/2 inch intervals with 100 percent cotton kitchen string. [See the next four slides for technique demonstration.] Sprinkle with salt and pepper.
Wipe out skillet. Heat oil in skillet over medium-high heat. Add beef; brown on all sides. Place beef on rack in shallow roasting pan. Roast in 325°F oven, uncovered, 45 to 50 minutes or until desired doneness. (For medium-rare doneness, roast until internal temperature registers 135°F on an instant-read thermometer. For medium doneness, roast until 150°F.) Remove from oven; cover with foil. Let stand 10 minutes. (Meat temperature will rise about 10°F.) Transfer to cutting board; reserve pan juices.* Slice roast; arrange on serving platter. Drizzle with pan juices. Makes 6 servings.
*If no pan juices remain, add 1/2 cup dry red wine to pan, scraping up any browned bits. Bring to boiling; reduce heat. Drizzle wine mixture over meat slices.
Technique: Spread, Stuff & Roll
Arrange spinach leaves over the flattened beef in a single layer.
Spoon filling over the spinach leaves, spreading almost to the edges.
Tightly roll the beef into a spiral, making sure long ends overlap slightly.
Turn beef roll seam side down and secure with kitchen string cut to 12-inch lengths.
Ratatouille Napoleon
1-1/3 pounds vine-ripened or plum tomatoes
3 small zucchini
2 small yellow summer squash
1 medium eggplant, peeled if desired
3 tablespoons olive oil
1 teaspoon kosher salt
1/4 teaspoon freshly ground black pepper
2 sprigs each fresh thyme and rosemary, leaves removed and snipped
Preheat oven to 400°F. Using a mandoline or sharp knife, slice vegetables lengthwise about 1/4 inch thick. Line two or three 15x10x1-inch baking pans with parchment paper.
Arrange vegetables in single layer on prepared pans. Brush vegetables with olive oil. Roast vegetables until just tender; 10 minutes for eggplant, 12 minutes for zucchini and summer squash, and 18 minutes for tomatoes (tomatoes should be soft and starting to break). Prepare vegetables in batches if necessary.
Oil a 2-quart square baking dish. Layer vegetables in dish, sprinkling with salt, pepper, and herbs between layers, and alternating direction of layers. Press layers down. Bake, uncovered, 30 minutes. Let stand 15 minutes before cutting. Spoon a small amount of pan juices over top of each serving. Makes 6 servings.


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