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Rihanna will receive a special honor at the "2013 American Music Awards."
The "Diamonds" singer will be presented the program's first-ever Icon Award.
Producer Larry Klein explained why the Barbados beauty would receive the recognition. "The first-ever Icon Award was created to honor an artist whose body of work has made a profound influence over pop music on a global level," he said. "Rihanna's iconic and innovative sound has enabled her to become one of the most influential and best-selling artists of all time."
Rihanna's influence is undeniable. The pop star, who will also perform at the AMAs, is the best-selling digital artist of all time, selling more than 50 million albums and 180 million digital tracks worldwide.
Rihanna has released seven albums, earned 12 No. 1 singles and won six Grammy Awards. She also has 80 million Facebook followers, making her the top artist on the social media platform.
Rihanna will join other previously announced AMAs performers, Luke Bryan, Miley Cyrus, Lady Gaga, Justin Bieber, Ke$ha, Kendrick Lamar, Imagine Dragons, Jennifer Lopez, Macklemore & Ryan Lewis, One Direction, Katy Perry, TLC and host Pitbull.
The pre-show co-hosted by Lance Bass, Jordin Sparks and others will be live streamed on Yahoo.com, and will also include performances from Jesse McCartney, Fifth Harmony, Kurt Hugo Schneider, Jabbawockeez and Aloe Blacc.


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Item Code: IDK464 Author: Vishwamitra Sharma Cover: Paperback Edition: 2008 Publisher: Pustak Mahal ISBN: 9788122308297 Size: 8.5" X 5.5" Pages: 323
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Nice collections. Prompt service.
Kris, USA
Thank-you for the increased discounts this holiday season. I wanted to take a moment to let you know you have a phenomenal collection of books on Indian Philosophy, Tantra and Yoga and commend you and the entire staff at Exotic India for showcasing the best of what our ancient civilization has to offer to the world.
I don't know how Exotic India does it but they are amazing. Whenever I need a book this is the first place I shop. The best part is they are quick with the shipping. As always thank you!!!
Shyam Maharaj
Great selection. Thank you.
William, USA
appreciate being able to get this hard to find book from this great company Exotic India.
Mohan, USA
Both Om bracelets are amazing. Thanks again !!!
Fotis, Greece
Thank you for your wonderful website.
Jan, USA
Awesome collection! Certainly will recommend this site to friends and relatives. Appreciate quick delivery.
Sunil, UAE
Thank you so much, I'm honoured and grateful to receive such a beautiful piece of art of Lakshmi. Please congratulate the artist for his incredible artwork. Looking forward to receiving her on Haida Gwaii, Canada. I live on an island, surrounded by water, and feel Lakshmi's present all around me.
Kiki, Canada
Nice package, same as in Picture very clean written and understandable, I just want to say Thank you Exotic India Jai Hind.
Jeewan, USA

subset: commoncrawl


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Puzzle Levels
Puzzle Categories
Download a FREE Solution for your puzzles!
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Product Information
|Place the pieces in the square
|Level 8 - Demanding
|Logika Spiele
Product Description
Warning! The instructions are in German.
Do you like games like Tetris? Then Duopento is for you! Insert as many pieces, of the same color, adjacent to one another. Place your pieces in such a way that your opponent can't fit a piece in to block you. The person with the largest area of pieces wins. Incidentally you will learn to recognize where a piece goes just by looking it. There are several variations and can also be played as a solitaire game.
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Chromatograph for Atmospheric Trace Species
Sulfur Hexafluoride (SF6) Mixing Ratio
South Pole, Antarctica
Links to data files: Hourly, Daily, Monthly, Global
The figure above shows the hourly individual in situ measurements and the calculated monthly median. Error bars displayed on the monthly median data are a 1-σ measure of the instrument's precision and should not be confused with atmospheric variability.
The global distribution of Sulfur Hexafluoride
measured by the in situ halocarbons program is displayed above
and is compared to monthly medians measured at South Pole, Antarctica.
Hemispheric and global means estimated from the in situ halocarbons program.


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City Council is your voice when it comes to local laws, city services, and the official policies that keep Columbia vital and moving forward.
Our mayor and six City Council members serve staggered, four-year terms. The mayor and two council members are elected "at large," and four council members are elected from geographical districts to best assure that everyone's voice is heard, and that services, issues and concerns are addressed with a thoughtful balance between the needs of specific neighborhoods and the city as a whole.
This "Council-Manager" form of government was adopted by Columbia to provide professional, equitable, non-political administration of public services and city policies.
The mayor and City Council members serve with a mandate to represent you.
It's up to you to let them know what you think!
To view profiles for the Mayor and City Council, please click below:


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Bus from Agra to Moradabad
The journey from Agra to Moradabad is smoothly covered by a bus in 06:45 hours. The time to travel is dependant on India's traffic, roads and climatic conditions.There are operators running their buses between Agra to Moradabad bringing necessary travel convenience for several people in India. Usually,


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Team: Engineers for a Sustainable World Natural Herbicides Team
To create a team, hover over your username in the top navigation menu and click 'Create a Team'.
If someone on your team has already created your team page, check your email to see if you received an invitation from them to join the team page. If you have trouble with this part, send us an email at firstname.lastname@example.com!
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0.5 carat I-VS2 -VG-VG PRINCESS Diamond
Free DHL in 5 DaysYour order will ship with free 2 day DHL within 5 working days, fully trackable and insured. Orders outside the US may be subject to local customs charges. Please check with us before ordering.
30 Day ReturnsWe are so sure that you'll love your jewelry that we offer 30 day returns on all orders. We'll even pay for return shipping and insurance so your purchase is 100% risk-free!
Secure paymentOur website is secured by SSL so that your payment details are so safe that even we won't see them. We accept all major credit cards, Amazon Pay, Apple Pay, G Pay and Splitit.
This 0.5 carat naturally mined, un-treated and conflict free diamond is graded by GIA with I color, VS2 clarity and - proportions. Your diamond will ship free FedEx, fully insured, with the original GIA certificate.
To purchase an engagement ring setting for this diamond, please visit our
exclusive collection here.
Diamond Specifications:


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Vintage Southwestern 8 Strand Black Copper Bead Necklace 17-20 Inches
$49.50 $55.00
This beautiful 8 strand necklace is comprised of black and coppery gold acrylic beads.
It is an older product from Desert Rose Trading.
Apx 1/2 of an inch wide
Adjustable from 17 to 20 inches
Marks: DTR, 925
Condition: Excellent - Buffed, polished and ready to wear
Shipping from United States
Processing time
1 business day
Estimated shipping times
- Australia : 1 - 3 business days
- North America : 1 - 3 business days
- Europe : 1 - 3 business days
- Australia, New Zealand and Oceania : 1 - 3 business days
- Asia Pacific : 1 - 3 business days
- Latin America and the Caribbean : 1 - 3 business days
- North Africa and the Middle East : 1 - 3 business days
- Sub-Saharan Africa : 1 - 3 business days
I'll do my best to meet these shipping estimates, but can't guarantee them. Actual delivery time will depend on the shipping method you choose.
Customs and import taxes
Buyers are responsible for any customs and import taxes that may apply. I'm not responsible for delays due to customs.
Payment Options
Returns & Exchanges
I gladly accept returns
Just contact me within: 3 days of delivery
Ship items back to me within: 7 days of delivery
I don't accept exchanges or cancellations
But please contact me if you have any problems with your order.
The following items can't be returned or exchanged
Because of the nature of these items, unless they arrive damaged or defective, I can't accept returns for:
- Custom or personalized orders
- Perishable products (like food or flowers)
- Digital downloads
- Intimate items (for health/hygiene reasons)
- Items on sale
Conditions of return
Buyers are responsible for return shipping costs. If the item is not returned in its original condition, the buyer is responsible for any loss in value.
Privacy policy
This Privacy Policy describes how, what and when I collect, use, and share information when you purchase an item from me, contact me, or otherwise use my services through Etsy.com or its related sites and services.
This Privacy Policy does not apply to the practices of third parties that I do not own or control, including Etsy or any third party services you access through Etsy. You can reference the Etsy Privacy Policy to learn more about its privacy practices.
Information I Collect:
To fulfill your order, you must provide me with certain information (which you authorize Etsy to provide to me), such as your name, email address, mailing address, payment information, and the details of the product that you're ordering. You may also choose to provide me with additional personal information (for example, for a custom order), if you contact me directly.
Why I Need Your Information and How I Use It:
I rely on a number of legal bases to collect, use, and share your information, including:
~ as needed to provide my services - to fulfill your order, to settle disputes, locate missing or delayed packages or to provide customer support;
~ when you have consented to additional contact, which you may revoke at any time, such as signing up for my mailing list;
~ if necessary, to comply with a legal obligation or court order or in connection with a legal claim, such as retaining information about your purchases if required by tax law; and
as necessary for the purpose of my legitimate interests, if those legitimate interests are not overridden by your rights or interests, such as 1) providing and improving my services. I use your information to provide the services you requested and in my legitimate interest to improve my services; and 2) Compliance with the Etsy Seller Policy and Terms of Use. I use your information as necessary to comply with my obligations under the Etsy Seller Policy and Terms of Use.
Information Sharing and Disclosure:
Certain customer information is necessary to my business. I may share your personal information in the following circumstances:
~ Etsy. I share information with Etsy as necessary to provide you my services and comply with my obligations under both the Etsy Seller Policy and Etsy Terms of Use.
~ Service providers. I engage certain trusted third parties to perform functions and provide services to my shop, such as shipping & delivery companies. I will share your personal information with these third parties, but only to the extent necessary to perform these services.
~ Business transfers. If I sell or merge my business, I may disclose your information as part of that transaction, only to the extent permitted by law.
~ Compliance with laws. I may collect, use, retain, and share your information if I have a good faith belief that it is reasonably necessary to: (a) respond to legal process or to government requests; (b) enforce my agreements, terms and policies; (c) prevent, investigate, and address fraud and other illegal activity, security, or technical issues; or (d) protect the rights, property, and safety of my customers, or others.
Data Retention:
I retain your personal information only for as long as necessary to provide you with my services and as described in my Privacy Policy. However, I may also be required to retain this information to comply with my legal and regulatory obligations, to resolve disputes, and to enforce my agreements. I generally keep your data for the following time period: 7 years.
Your Rights:
If you reside in certain territories, including the EU, you have a number of rights in relation to your personal information. While some of these rights apply generally, certain rights apply only in certain limited cases. I describe these rights below:
~ Access. You may have the right to access and receive a copy of the personal information I hold about you by contacting me using the contact information below.
~ Change, restrict, delete. You may also have rights to change, restrict my use of, or delete your personal information. Absent exceptional circumstances (like where I am required to store data for legal reasons) I will generally delete your personal information upon request.
~ Object. You can object to (i) my processing of some of your information based on my legitimate interests and (ii) receiving marketing messages from me after providing your express consent to receive them. In such cases, I will delete your personal information unless I have compelling and legitimate grounds to continue using that information or if it is needed for legal reasons.
~ Complain. If you reside in the EU and wish to raise a concern about my use of your information (and without prejudice to any other rights you may have), you have the right to do so with your local data protection authority.
How to Contact Me:
For purposes of EU data protection law, I, owner of Bejeweled Emporium, am the data controller of your personal information. If you have any questions or concerns, you may contact me through etsy's messaging system.
Frequently Asked Questions
Layaway & Payment Options
Layaway is available for items over $100 with a 20% Non-refundable deposit.
The deposit must be paid within 24 hours of putting an item on hold.
I work with customers individually to work out a payment schedule that suits both of us. A payment must be made each month.
Items must be paid in full within 4 months of the initial down payment.
Layaway purchases are non-returnable and non-refundable.
Sale pricing does not apply to layaway purchases.
In addition to direct checkout, I do accept USPS money orders. Any payment made through the mail must be received within 14 business days following purchase.
First class and priority shipping methods are available .
Orders shipped to countries outside the United States may be subject to import taxes, customs duties and fees levied by the destination country. These, and any additional charges required for customs clearance are the responsibility of the recipient.
Customs clearance procedures can cause delivery delays.
Unless otherwise indicated by recipient prior to shipping, all purchases will be shipped to the address on the order. Anything returned to me due to an incorrect address will result in new shipping charges at the buyers expense. Should the buyer choose not to reship, a refund of the purchase price, minus the original shipping charges will be processed.
Please note that all of the antique, vintage and estate jewelry sold here at Bejeweled Emporium is sold "as is." These items are not new and have been worn and loved by their previous owners. They will show normal wear. Though I try to note any flaws and often get the opinion of professional jewelers, note that some items may require buffing, polishing and/or minor repairs.
Please note that the item in the photographs may be larger or smaller in actuality. The photographs do not represent true size. Please check the description for physical dimensions and message me if you have any questions.
Returns and Exchanges are subject to the following restrictions:
1. You must contact me within 3 days of delivery. Items must be returned within 7 business days for US purchases and within 30 days for international.
2. Item must be returned via the original shipping method with tracking and insurance. Lost or damaged returns will not be refunded. Non-insured packages will be returned to sender.
3. The item must be in its original condition, unworn & unaltered.
4. Layaway purchases are non-returnable.
5. Earrings and jewelry with inlay are non-returnable.
6. Items purchased at a sale price are non-returnable.
7. Unauthorized returns are not accepted and will be refused.
8. Tamper proof warranty tags must be in tact.
9. Refunds reflect purchase price minus shipping charges.
Making an Offer
I do not respond to offer/best price/discount requests.
Alterations & Repairs
I do not reimburse for sizing, alterations or repairs of any kind for any reason.
Sizing details
I no longer offer sizing services. For the perfect fit, sizing is best done by your local jeweler.
Returns/refunds are not available for items that have been altered or sized.
Purchasing Vintage Earrings
All of the vintage earrings sold here at Bejeweled Emporium have been steam cleaned and sanitized using a professional sanitizing solution made specifically for jewelry.
Because of this cleaning and sanitizing process, earrings are non-returnable for hygienic reasons.
Caring for Inlay Jewelry
Remove your inlay jewelry before washing dishes, showering/bathing, swimming or working with your hands.
Also avoid exposing your inlay jewelry to lotion, chemicals or extreme temperature changes and prolonged exposure to water.
Inadvertent "banging" or sudden impact of the stones may damage the stones or cause them to fall out.
DO NOT try to adjust your inlay bracelets.
If a stone falls out, keep it and have it reset by an experienced silversmith. If you need recommendations, feel free to contact me.
Due to the delicate nature of inlay, Inlay jewelry is non returnable.
Return Security
Multiple and additional photos are taken of each and every item prior to sale and prior to shipping. In many cases I video the packaging process so that we are both protected if an insurance claim becomes necessary. I am also able to positively identify any damages or differences to an item after shipment for this reason.
This helps assure that you receive the item that I sent in the same condition as advertised, and helps assure that if there are any problems, that I receive insurance claim reimbursement by being able to prove that the item was sent in good condition.
Clear, unaltered photos may be requested prior to a return agreement.


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Comfort-Loving Living Rooms
Comfort is key in these user-friendly living rooms
Savvy homeowners and their interior designers are scoring a victory for livability, putting the "living" back in living rooms. Comfort is the key. For the living room to be a vital part of everyday life on the home-front, it has to be as user-friendly as a family room, beckoning with creature comforts that beg to be sat, walked, relaxed, and napped on.
Don't think for a minute that elegance and stuffiness are synonymous, either. This custom sofa's thick rolled arm—the most comfortable design on the market—its deep cushions, and its thick-padded tufted back make this formal silk furnishing as seductively comfortable as it is sophisticated and dressy.
Interior design: Madeline Stuart
A Luscious Living Room
A 19th-century Ferahan rug started the design scheme in this Los Angeles living room. It established a sophisticated sensibility, as well as the palette of blues, beige, and deep coral. But thanks to upholstery treatments that are thick with cushioning comfort, this refined design lives easy. The plump sofa in front of the fireplace features rolled arms (great for a nap) and a loose-cushioned back (so inviting you won't want to leave). Even the pair of custom benches sport soft seating surfaces for optimal ease.
Interior design: Madeline Stuart
Designed for Casual Comfort
At the opposite end of the formality scale, the living room in this Maryland waterfront getaway addresses ergonomic issues in a friendly, more informal manner. The fabrics are durable cottons and blends built for use (and abuse). Every seating piece is designed for lounging. Arranged in a radial formation, all four club chairs encircle an amply padded ottoman that's plenty big enough to accommodate four sets of stretched-out legs. The comfort level is so pitch-perfect one hardly notices this section of the room is missing a sofa.
Interior design: Kelley Proxmire
Blue Is the Color of Comfort
A wider view of the living room reveals a second but primary conversation area composed of a sofa and two armchairs. The fabrics are indoor-outdoor to ensure the lowest maintenance possible for a home where a dip in the water outside can occur at any moment. The design's comfort is visual as well as physical, featuring blue, the most restful and beloved of all hues. "Blue-and-white isn't original but it translates beautifully," says designer Kelley Proxmire, who gave the color combo its own signature with a mitered stripe.
Interior design: Kelly Proxmire
Living Room That's Cozy and Bright
As a frequent entertainer and the mom of a six-year-old girl, Little Rock designer Tobi Fairley required her living room to have the sassy style that's her signature combined with the kind of comfort even a child can appreciate. Every seating piece in her living room is upholstered for deep relaxation, with no bare wood in sight. A pair of big striped pillows make the sofa extra-enveloping. Barclay Butera's punchy green-and-white fabric on a pair of wing chairs makes these traditional classics up-the-minute for Tobi, fam, and friends. The Hickory Chair coffee table designed by Mariette Himes Gomez is as elegant as its Greek-key motif, but it's also virtually indestructible. Spills and fingerprints wipe right up.
Interior design: Tobi Fairley
A Banquette You Can Bank On
One of the more unusual seating solutions in this Chicago living room also is a ticket to heavenly comfort. A custom-made banquette covered in Clarence House's "Danube Velvet" taps the touchy-feely in everyone so it's hard to keep hands and bod off. The seating cushion is segmented into three horizontal sections for increased comfort, while the back is buttoned up at the tufts for a certain insouciance. The low-slung, elongated scale suggests a luxury passenger train and its idea of adventure. Metallic bullion fringe steps up the glam, especially combined with the Lucite mica-top end table. Stay tuned for the rest of the room!
Tip: Bring the banquette out into the living room. This charming seating solution too often is relegated to breakfast rooms.
Interior design: Melanie Elston
An Unconventional Living Room
The remainder of the living room in this prestigious 1927 apartment building on Chicago's Lake Shore Drive is as unexpected as the sink-down banquette seating you just saw in the previous slide. The four swoop-back chairs from Dessin Fournin huddle around the coffee table "like campers ringing a bonfire," says the designer. The informality of the arrangement is a sharp counterpoint to the crystal chandelier, classic valanced draperies, grand piano, and small gilt bench. And that's its own kind of comfort.
Interior design: Melanie Elston
Comfort in Living-Room Color
Deep, saturated coral color lifts the San Francisco fog every morning in the living room of this Bay area home. The rich color starts correcting its environment at the windows, where it's fabricated into dressy silk panels. It replays its happy theme across the room on a pair of coral linen-upholstered chairs accented with white welting. The feel-good factor is enhanced with the tactile appeal of the sofa's velvet upholstery fabric from Kravet.
Interior design: Julie Massucco Kleiner
All the Right Pieces for Comfort
Attaining a comfortable design for the living room can be as simple as following a checklist of must-have furnishings. When the square footage isn't as grand as your desire to entertain, look for options in furnishings—pieces that are stowable, stackable, nesting, or folding free up space when not in use. This living room stows a pair of comfy custom X-leg all-upholstered stools beneath a window-front console table. When company calls, "Xtra" seating is an arm length away.
Interior design: Julie Massucco Kleiner
Hide-and-Seek Furniture Solutions
The custom stools slide neatly beneath the console table from Eric Brand Furniture, occupying zero square footage when not being used. They are upholstered in a jazzy "Java-Java" fabric in "New Shrimp" colorway from China Seas. The tufted top cushion adds a traditional element to the design.
Interior design: Julie Massucco Kleiner
Comfort in the Walls
Comfort is about more than the body's response to a surface; it also involves a reaction from the brain. So imagine a living room with walls that are padded in faux leather. You may never bump into them, but there's comfort in knowing they're there, shielding you from harm, softening the impact.
Interior design: Skip Sroka
Old World Coziness
A living room filled with 18th-century English and French antiques is as livable as you make it. That's the design philosophy behind this eminently comfortable space designed by Shreveport decorator Marlene Shaw in the home she shares with her husband, Edward. The main conversation area is all new upholstered pieces made especially inviting with their large scale. The sofa is long and deep enough for an adult to stretch out on for a nap. A pair of club chairs are bridged by a ottoman that can be brought to the foot of either one when desired. Every piece features a loose versus a tight back for the most kindness to the human back, as well as wide rolled arms that can gently cradle the head.
Tip: Comfort anticipates needs. Include reading lights for both ends of your sofa. A sofa table with lamps is an alternative to flanking the sofa with lighted end tables or floor lamps.
Interior design: Marlene Shaw
A Comfortable Arrangement
As the home's entertaining arena, the living room carries the burden of facilitating conversation. This means each seating piece must not only be comfortable in and of itself, it must also be arranged in proximity to other seating pieces in such a way that conversation is easy. Eye contact is a must. This Hawaii home masters the art of entertaining comfortably with its simple furniture arrangement that has a long, sink-down sofa facing off across the coffee table to two club chairs. All guests have equal access to the glass-top table, where drinks can be stashed with no worries of spillage.
Interior design: Mary Philpotts McGrath
Living (Room) on the Sunny Side
This Richmond home's living room packages every ingredient essential for comfort. Its sunny palette is the launching pad, with sparkling goldenrod walls snuggling up to crisp white coffered ceilings and millwork. From there, the design looks underfoot, wrapping the hardwood floors in a diamond-pattern wool rug that feels good to bare feet and is reminiscent of latticework. The garden theme is further conveyed with floral chintz curtains and a vine-and-flower print on the pair of sofas. Plump padding and sofa skirts complete the study in comfort, which is both physical and intellectual.
Interior design: Anne Page
Living Room Designed for Quiet Comfort
Tranquility, perhaps the greatest comfort of all, is introduced to this living room with its ethereal pale blue and white palette. Designed by Jack Fhillips for the Shippan Designer Showhouse in Stamford, Connecticut, the room pays homage to the water nearby in a quiet way that reads sophisticated, not flashy. The balanced furniture arrangement, which strikes a note of formality, feels comforting in its orderliness.
Interior design: Jack Fhillips
Luxury in the Living Room
When comfort and luxury are design teammates, victory is guaranteed. This San Francisco living space in a 1913 Beaux Arts home on Nob Hill is proof. Fabrics are over-the-top elegant—velvets, suzanis, and silks. Picture moldings and egg-and-dart crown moldings are painted understated crème fraiche. Two sofas and every chair are piled with pillows for sustained comfort.
Interior design: Antonio Martins
More Living Rooms
See more decorating ideas for your living room in Colorful Living Rooms.


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ModernThe Modern Art collection includes works dating from around 1900 to around 1950 and reflects progressive art trends in both Europe and North America. Note that this collecting area overlaps with several other divisions unique to Phoenix Art Museum, including Western American, Latin American, and the Philip C. Curtis collection (e.g. Frida Kahlo's painting is found in the Latin American collection, though she can also be considered a Modern artist). Search by date range to see the broadest array of works characterized as Modern. Keep in mind that categories of art are fluid; use Advanced Search if you are looking for something specific.
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Listing of all farmers markets near Rome, NY →
Attend a farmers market in your area to support the community and local vendors & small businesses. Each has their own unique taste & style. Select a farmer market from the list below. Included are other farmers markets near Rome, NY for your convenience and interest. Some have also included their seasonal operating schedule.
More farmers markets can be found in the following cities listed below:


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Because it provides a scalable, centralized demand signal repository for capturing massive volumes of downstream demand data, POS data, and market research. It lets you act on real-time demand signals to optimize inventory levels and boost overall sales and performance. With SAP Demand Signal Management, you can:
- Leverage external data to gain deeper market visibility – and respond to demand changes faster
- Drive revenue with smarter sales planning and significantly improved forecast accuracy
- Minimize lost revenue from out-of-stock situations and failed product launches
- Strengthen retailer relationships with highly customized trade promotions and product offerings


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Beaumont/Port Arthur
While we harbor no disrespect for the Wall Street Journal who called us "that scrappy little paper from Southeast Texas," we prefer to think of ourselves as simple seekers of the truth. We're of the opinion that headlines and sound bites never tell the whole story. Our readers demand all the facts, facets and flavors of every story or event. And, they expect to be informed, educated and stirred to action.
For this week's New York Times crossword puzzle, pick up a copy of this week's The Examiner on newsstands now.


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Tel: +86 21 33655589Fax: +86 21 33655581Email: email@example.com
Home / Posts tagged 'l/d ratio for journal bearing'
As a famous China l/d ratio for journal bearing Manufacturers and l/d ratio for journal bearing factory,Shanghai Bhs Journal Bearing Co.,ltd located in FengXian District of Shanghai, the company's brand "BHS",Our company is specialized in supplying and maintaining a variety types of sliding bearing,bearing bushes and l/d ratio for journal bearing, which are widely used in high-speed pump, compressor, turbine, high-speed gear box, aerator, etc.The accuracy of our processing machine tools reaches grade 5 (highest accuracy: 0.006),which can be use to machining high precision bearings like tilting-pad bearing, dislocation tile bearing, multioil leaf bearing,l/d ratio for journal bearing wholesale and multioil gapbearing. Our bearing alloys are purchased form Yunan Tin Co., Ltd., which are provided with complete reports of chemical composition and mechanical properties.If the bearing alloy has special requirements, we can also purchase import
Fixed line oil leaf journal bearing mainly used for machines of linear speed from 5m/s to 90m/s.
BHS stocking some models that most popular and frequent be used bearings in warehouse,which save time and money for end user.
Non self-balance tilting pad thrust journal bearing be used for Middle,high speed and middle,heavy load machines,such as compressors,gearboxes,turbines and pumps,centrifugal machine .etc.
Compact self-balance tilting pad thrust bearing which be used for gas turbines,water turbines,and all kind of turbines.
Plain bearings use for rough steel rolling and fine steel rolling.
Millions kilowatt of nuclear power bearings, Babbit alloy casting localization test was successful. The project is successful, not only symbols the company already has capacity to produce millions of nuclear power bearing in domestic,but also further reduce the manufacturing cost of nuclear steam turbine, can save a lot of money for purchasing companies and users.


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Security Contractor
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Member since December 2015
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Providence Baptist Church is a church in Harrisburg, NC where God is moving and drawing people of all ages to become a part of His family. We are thrilled to be a part of this movement and invite you to experience it along with us.
Categories | Genesis Stories (2012, 2013, 2015)
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A series of connected news announcements and blogs this month leads us to news detailing the now live status of Appium 1.0 today. Appium is an open source test automation framework for use with native and hybrid mobile apps — it drives iOS and Android apps using the WebDriver JSON wire protocol.
In connected news, Sauce Labs cloud-based test automation services will now add support for Appium 1.0 to its service base.
Appium is built on the idea that testing native apps shouldn't require including an SDK or recompiling a mobile app. Appium enables you (the programmer) to automate any mobile app from any language and it lets you use your preferred test practices, frameworks, and tools.
According to the Sauce Labs blog, "After a year and a half of hard work from a dedicated team of over 100 contributors, we felt it was time to make the statement that Appium is ready to come out of its initial development phases. Companies like Expedia, LinkedIn, Lookout, Opera, Pandora, StubHub, and Zoosk have decided to test their mobile apps and websites with Appium's flexible, cross-platform interface, and it's time for Appium to make its debut on a bigger stage."
Sauce's mobile offering has continued to expand since adding support for testing mobile web applications in 2012. In 2013, Sauce added support for automated testing of native and hybrid mobile apps with early versions of Appium, a cross-platform open source mobile automation framework. Sauce Labs has become a major contributor to the project.
The firm says that Appium has "skyrocketed in popularity" in the past year, and was named a 2013 Open Source Rookie of the Year by open source management and consulting firm Black Duck.
"I am delighted to see Appium reaching maturity and gaining industry support. This has been an exciting project from day one, attracting help from an extensive and extremely talented community," says Jonathan Lipps, chief architect for the Appium Project and director of ecosystem and integrations at Sauce Labs. "Appium 1.0 is ready to play an important role for mobile development teams that want to use automated functional testing as a fully integrated step in continuous integration and continuous deployment processes for mobile apps."
By using the Sauce Labs cloud, users get scale, speed, and the convenience of integrated debugging tools, while avoiding the overhead of setting up and maintaining a local device infrastructure. Appium 1.0 now features a new set of Appium client libraries — in Java, Ruby, JavaScript, Python, PHP, and C#.
Sauce Labs says that these libraries make it easy to take advantage of all the new API methods it has added to the WebDriver spec. The new "Desired Capabilities API" here comes about after the company worked hand-in-hand with the leaders of the Selenium/WebDriver project to draft a new mobile automation spec. "We're proud to announce that Appium is the first project to support this spec," they say.
Sauce Labs continues, "Full XML/XPath support. Appium now returns meaningful XML responses as app source, instead of JSON. In addition, we now have full XPath query support over this XML source, so that it will be much easier to find the elements you need, no matter how complex the query."
The company blog continues, "Android hybrid support. On Android 4.4+ devices, you can now use Appium for your hybrid apps without falling back to the bundled Selendroid. New locator strategies. We have added the 'ios uiautomation' and 'android uiatomator' locator strategies so you can find elements on those platforms using a syntax straight from the UIAutomation or UiAutomator APIs."


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Changes since new Cubit policy
1. Hourly free tournaments
2. Get your daily bonus cubits whether you win or lose your first game
3. 20 Cubit wagering option restored so you can wager immediately after getting your daily cubits
4. ChessCube yearly VIP has been reduced from 399 Crowns to 350 Crowns
5. Customers can now buy their friends VIP
Hourly free tournaments
Because users have complained that they cannot play when they have no cubits left, we are introducing FREE tournaments every hour, every day. These tournaments will not only give users the ability to play games, but, if they win prizes, gives them the chances to play more cubit games outside of tournaments.
The schedule will be:
Tournament type: 1
Time Control: 2 min
Max Players: 100
Min Players: 10
Duration: 30 mins
Points System: Must-Win
Multiplier: Linear, Resets on loss
Doubling Cube: Enabled
Handicap: Time
Entry Fee: Free
Prizes (Cubits): 1-40, 2-30, 3-20, 4-10
Tournament Type: 2
ChessCube Fairplay
Time Control: 2 min
Rounds: 6
Min Players: 32
Max Players: 128
Round Delay: 20 seconds
Entry Fee: Free
Prizes (Cubits): 1-40, 2-30, 3-20, 4-10
Max 1399: (Times in GMT)
00:00 - Tournament type: 1
03:00 - Tournament type: 1
08:00 - Tournament type: 2
14:00 -Tournament type: 1
Max 1599: (Times in GMT)
01:00 - Tournament type: 1
04:00 - Tournament type: 1
09:00 - Tournament type: 2
15:00 - Tournament type: 1
Max 1799: (Times in GMT)
02:00 - Tournament type: 1
05:00 - Tournament type: 1
10:00 - Tournament type: 2
20:00 - Tournament type: 1
Max 1999: (Times in GMT)
06:00 - Tournament type: 1
11:00 - Tournament type: 2
21:00 - Tournament type: 1
23:00 - Tournament type: 1
Max 2299: (Times in GMT)
07:00 - Tournament type: 1
13:00 - Tournament type: 2
19:00 - Tournament type: 1
22:00 - Tournament type: 1
Open (Times in GMT)
12:00 - Tournament type: 2
16:00 - Tournament type: 1
Note: There are no free tournaments between 5PM GMT and 7PM GMT, as we reserve this time for users to prepare for and play in the Daily/Weekend Warzone Series Final events.
Always get your daily bonus
We previously set this to be for only if you won a game - this was biased against weaker players, so now just expect you to play a game. The 1 game requirement is just so that you make a little effort on the site, not just log on, get your daily cubits and leave.
20 Cubit Wagering
We have now re-included 20 Cubits wager option - this was removed earlier because it was very close to the no cubit charge of 10 cubits, which might have encouraged all users to go for wagering games only... and some users hate playing wagered games. For this reason, 10 cubit wagering will not return.
ChessCube yearly VIP has been reduced from 399 crowns to 350
VIP is now now over 12% cheaper!!
VIP can now be bought in exact crown amounts - no need to buy extra.
And if you bought VIP in June, we will give you an extra month free (to make up for the 49 cubit difference) - please email [email protected] requesting your 1 month extension.
Give VIP as a gift
Customers had asked for a simple way to gift their friends VIP. Now they can do this easily:
1. Click on the user's name to pull up the player card
2. Select BUY GIFT
3. Select Buy VIP
We will be adding more changes soon, and more info will be provided here.


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A heart attack happens when blood flow to the heart is blocked. Without blood and the oxygen it carries, part of the heart starts to die. The medical name for a heart attack is myocardial infarction, or MI.
A heart attack is often the result of coronary artery disease, in which fatty deposits called plaque (say "plak") build up inside the heart arteries. When plaque breaks open or ruptures, it can form a clot that blocks blood flow to the heart muscle.
Quick treatment that restores blood flow to the heart can help save lives.
Last Revised:
October 9, 2012
Healthwise Staff
Medical Review:
E. Gregory Thompson, MD - Internal Medicine & John M. Miller, MD, FACC - Cardiology, Electrophysiology
This information does not replace the advice of a doctor. Healthwise, Incorporated disclaims any warranty or liability for your use of this information. Your use of this information means that you agree to the Terms of Use. How this information was developed to help you make better health decisions.
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Assembly at Wanstead House
William Hogarth, English, 1697 - 1764
Made in Great Britain, Europe
Oil on canvasDimensions:
25 1/2 x 30 inches (64.8 x 76.2 cm)Curatorial Department:
European Painting
M1928-1-13Credit Line:
The John Howard McFadden Collection, 1928
Made in Great Britain, Europe
Oil on canvasDimensions:
25 1/2 x 30 inches (64.8 x 76.2 cm)Curatorial Department:
European Painting
* Gallery 279, European Art 1500-1850, second floorAccession Number:
M1928-1-13Credit Line:
The John Howard McFadden Collection, 1928
Social Tags [?]aubusson-rug [x] broken-pediment [x] chiaroscuro [x] gilt furniture [x] oculus [x] playing cards [x] powdered hair [x] salon [x]
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In the ballroom of Wanstead House the Child family has gathered for tea drinking and card playing. The painting probably records the celebration of the twenty-fifth wedding anniversary of Richard Child and Dorothy Glynne Child, Lord and Lady Castlemaine. Dressed in rich red velvet, Lord Castlemaine is seated on the far right with two of his daughters. Lady Castlemaine, seated at the card table in the center of the room, looks towards her husband and shows him the winning card, the ace of spades, alluding to their winning partnership.
British Painting in the Philadelphia Museum of ArtIn January 1730 George Vertue wrote, "The daily success of Mr Hogarth in painting small family peices & Conversations with so much Air & agreeableness Causes him to be much followd, & esteemd."1 At this time Hogarth had been active as a painter for only about two years, having begun, as far as we know, to paint conversations only after his marriage to Jane Thornhill on March 23, 1729.2 Originally an engraver, caricaturist, and illustrator, Hogarth was inspired by exceptional events that stirred his imagination for his first oil paintings. The scene from The Beggar's Opera, for example, represents the artist's response to the success of the 1728 theatrical season, a play written, produced, and acted by his friends. The Committee of the House of Commons (the Goals Committee) of 1729 (20 1/8 x 27", copy, London, National Portrait Gallery) depicted--one wants to say recorded--a parliamentary inquiry into abuses by the warden of the Fleet debtor's prison, and was a subject of personal interest to Hogarth, whose own father had suffered in the Fleet from 1708 to 1712. To take commissions for portraits of men and families not connected in any way with the artist was, therefore, an important change of direction, and in some ways it is odd that Hogarth should have made such a success in this line. Horace Walpole pointed out that of all branches of art, portrait painting was "the most ill-suited employment imaginable to a man whose turn certainly was not flattery, nor his talent adapted to look on vanity without a sneer.''3 Odder still, his work as a portrait painter brought him into contact with the very type of patron he most despised, the connoisseur, the Englishman who not only imported into his country what Hogarth considered second-rate Italian pictures but who also patronized painters, designers, and architects influenced by the neo-Palladian doctrines of Lord Burlington. Of the men who sold such pictures, the artist wrote, "it is their Interest to depreciate every English Work, as hurtful to their Trade, of continually importing Ship Loads of dead Christs, Holy Families, Madona's [sic], and other dismal Dark Subjects, neither entertaining nor ornamental; on which they scrawl the terrible cramp Names of some Italian Masters, and fix on us poor Englishmen, the Character of Universal Dupes."4 And to Mrs. Piozzi he declared, "The connoisseurs and I are at war you know.''5 The most conspicuous of these early patrons was Richard Child, Viscount Castlemaine (1680-1750), who commissioned The Assembly at Wanstead House in August 1728, Child was the son of the banker Sir Josiah Child (1630-1699), director of the East India Company. On the death of Richard's older brother he inherited his father's fortune and Jacobean house at Wanstead in Essex, eight miles northeast of London. Child, although possessing what one writer has labeled almost revolting wealth,"6 was still the son of a banker and his ambitions lay more in the direction of social advancement than toward the attainment of political power. With the death of Queen Anne in 1714 and the ascendency to the throne of the House of Hanover, all the power and most of the wealth in England was to be concentrated in the hands of the Whig supporters of the Hanoverian cause. Tories were driven from office, and Child, briefly a Tory, changed his allegiance to the Whigs.7 In return for his loyalty, or rather his lack of it, he was created Viscount Castlemaine in the Irish peerage in April 1718, and subsequently, in March 1731, by an act of Parliament, became Earl Tylney of Castlemaine. But already by 1715, three years before being raised to the peerage, Child had begun to build the traditional appendage to prestige and political power in England, a great country house.8 For his architect he chose Colen Campbell (1676-1729), a young Scotsman who had arrived in London around 1712. As in the case of his patronage of Hogarth, we do not know how Child came to employ Campbell, and the fact that his architect was almost unknown can be seen either as an indication of the patron's enlightened taste or of his blind good luck in taking up an untried young professional. Campbell was the architect who was to be largely responsible for the revival of the Palladian style in England, and the house he built for Child, Wanstead, is of the first importance to historians of architecture in England in the eighteenth century. The chronology of the building of Wanstead can quickly be summarized. Dated 1713 is a first drawing with a plan for the main floor and an elevation of the west facade.9 In 1715 Campbell published the first volume of his Vitruvius Britannicus with both an unexecuted elevation for Wanstead and the design for the house as it was eventually built.10 By 1722 the exterior, sheathed in Portland stone, was complete, but work was carried on at Wanstead until Campbell's death in 1729. The finished house measured 260 feet long by 70 feet deep, with 58 bedrooms and at least 365 windows. According to Phillips, the cost was £360,000,11 and in John Steegman's phrase, Wanstead's "vastness was remarkable even in an age of vast houses."12 Still, although of a scale to match Chatsworth or Blenheim, Wanstead remained a suburban estate only a few miles from London, suitable for a man whose wealth came not from the land but from business interests in the city. If it is ironic that Castlemaine employed Hogarth of all artists to record the appearance of an Italianate, Palladian pile, it is more ironic still that the furniture and decorations in the house, although executed under the supervision of Campbell, were carried out by Campbell's associate William Kent (1685-1748). Kent, Burlington's protégé, executed the ceiling decoration of the great hall (The Four Times of Day: Morning, Noon, Evening, and Night), a work Walpole called "proof of his incapacity" as an artist 13 and he is said to have painted other rooms as well as to have designed some of the furniture there.14 Hogarth, who resented Kent's easy success with the aristocracy and court and had burlesqued his altarpiece at St. Clement Danes in London in a print published in October 1725, wrote after Kent's death: "Never was there a more wretched dauber."15 With this trio of connoisseur, architect, and hack artist, we have assembled a group who, to Hogarth, can only have been an anathema. As Walpole noted, Hogarth was not good at f1attery, and although his portraits of the Child family are straightforward enough, his rendering of the room in which they stand has been seen by Marks as a reflection of Hogarth's true feelings about the taste of Lord Castlemaine. Plate 23 of Campbell's Vitruvius Britannicus is a plan of Wanstead. From it we can surmise that Hogarth shows us the ballroom (fromerly the library and two adjacent chambers), 75 feet long by 25 feet wide, on the east side of the house. The artist stood facing south so that we see the two great windows on the south (front) side of the house. A door to the left of the fireplace leads to the central part of the house. But as many writers, including Cornforth, Webster, and Marks, have pointed out, it would be a mistake to regard the room we see as a portrait of a real space with real furniture. No piece of furniture matching the ornate, gilded chairs and tables has come to light, nor do they seem to be based on actual designs by William Kent. Rather, we may assume that Hogarth, as would be consistent with his own stated working methods, painted the room and furniture from memory in his studio. Perhaps, as Marks believes, he exaggerated the pompous baroque trappings of the ballroom, but this may be the result of his attempt to re-create a strong general impression when back in his studio and not (at this stage in his career) a way of deliberately satirizing the taste of an influential patron. Marks also pointed out that the carved term of the fireplace behind Lord Castlemaine resembles the engraving of Kent after a portrait by William Aikman (1682-1731) and suggested that the inclusion of Kent's features petrified in wood or stone is Hogarth's gibe at Kent's petrified taste--but again, the painting was a commission for a private client and was never engraved, so Hogarth's subtle satire, if satire it was, would have been wasted. We must beware of treating The Assembly at Wanstead House as though it were a trial run for "The Rake's Progress." The scene is the ballroom of Wanstead House. The time is late afternoon; the Child family has gathered for tea drinking and card playing, while a servant, having already drawn one curtain on the sinking sun, now lights the chandeliers. The occasion depicted has never been identified, but the reason for the gathering of the Child family is not difficult to discover. On April 22, 1703, Richard Child married Dorothy, daughter of John and Dorothy Glynne (d. 1743/4) and together they had five children. Child commissioned this picture on August 28, 1729,16 thus it is possible that it records the celebrations for the twenty-fifth wedding anniversary of Lord and Lady Castlemaine of the previous year. At the far right Lord Castlemaine, dressed in rich red velvets, is seated on a gilded and carved X-framed chair. His daughter is next to him, raising a china teacup (still without a handle at this date) and a saucer. Next to them sits another daughter, offering to pour her father tea. At the other end of the room stand their three younger children, the youngest son astride a poodle at the left, the youngest daughter, Emma (in 1735 to marry Sir Robert Long), in the center, and John, the second son but first surviving male (1712-1784), on the right. John inherited the estate and title on February 19, 1733/4, when his older brother Richard, who may be the heavy-set young man seated at the card table in the center, died of smallpox. The lady in the exact center of the composition has been identified by Marks as Lady Castlemaine, and x-radiographs show that her face was originally much coarser and older. A close look at the features of the daughter sitting next to Lord Castlemaine and a three-way comparison among her, the lady in the center as seen in the x-radiographs, and the two little boys on the left of the composition show that they all bear a close family resemblance. We know from Vertue that Hogarth was known for his attention to ''an exact immitation of Natural likeness'';
hence it is reasonable to suppose that this lady is the children's mother. Moreover, once we have noted the thick, ugly eyebrows of Dorothy Glynne Child, we can look through the assembled company and point to those relatives who are obviously related to the Castlemaines through the Glynne connection. If this is indeed the celebration of a wedding anniversary, several other motifs first discussed at length by Marks can be re-examined and explained as allusions to the devotion of the couple for each other. Lady Castlemaine shows her husband the ace of spades, the winning card, and so an allusion to their winning partnership. In front of them a pair of whippets flirt in a charming motif that parodies, in a favorite device of Hogarth's, the emotions of their human owners.18 Over the fireplace are two works of art alluding to classical examples of wifely fidelity, a painting by Godfried Schalcken (1634-1706), Portia Destroying Herself, in which the wife of Brutus swallows live coals at the news of her husband's death;19 and below stands a bust of Julia, the faithful wife of Pompey.20 Behind the Castlemaines hangs a fragment of a tapestry identified as Telemachus Detained by Calypso, woven by the Leyniers factory in Brussels and bought by "Milord Chartelman" between 1724 and 1728.21 As Marks has pointed out, the glimpse we get shows the left-hand side of the tapestry, a group of music-making nymphs who by their introduction into this particular scene allude to the assembly as a garden of love, a fête galante. And, of course, Telemachus is the dutiful son of the faithful Penelope and wise Odysseus, themselves examples from Greek mythology of marital fidelity. On the other side of the fireplace is another tapestry, Alexander at the Battle of Granicus, after Charles Lebrun (1619-1690), and above in the painted ceiling we have the merest suggestion of an Olympian scene, probably a reflection of a ceiling painting actually at Wanstead, and if so, perhaps an allusion to Lord Castlemaine as a contemporary Jupiter. Hogarth has included twenty-five portraits and the figure of a servant in a canvas only 25 1/2 by 30 inches. Undoubtedly the commission necessitated a visit to Wanstead, where the artist may have painted several of the principal figures, and then perhaps a number of visits by the sitters to Hogarth's studio in Covent Garden over the next few years. The great number of portraits and the drudgery of fitting them all into the composition probably accounts for Hogarth's long delay in completing the work, for by January 1, 1731, it was still unfinished. The composition is, however, cleverly thought out. Three groups of principal figures are in the foreground plane. These consist of members of the immediate family and their closest relations, perhaps the brothers and sisters of Lord and Lady Castlemaine. Behind them, like a chorus in an opera, stand more distant relations and friends--one, at least, identifiable as a widow in mourning, who, because her face is cut off may herself have died before Hogarth could paint her. The total effect is in some ways monotonous (Jonathan Richardson wrote of this kind of conversation piece that the faces look like ''a great many single grapes scattered on a table");22 but given the problem, Hogarth makes a staid gathering relatively lively and elegant; and it was because of this ability that his early reputation was made. As early as 1730 the poet Joseph Mitchell could write in his "Poetical Epistle to Mr. Hogarth," certainly in reference to this picture, that ''Large Families obey your hand; Assemblies rise at your Command."23 But whatever the merits and the limitations of The Assembly at Wanstead House, it should be repeated that Hogarth was only beginning to work in this genre. A comparison between this painting and a composition executed around 1730, The Wollaston Family (40 3/8 x 49 3/4", Leicester, Museums and Art Gallery), shows that very soon Hogarth advanced perceptibly in his ability to break up a frieze-like composition into one that works in different planes of the picture surface. In the later 1740s Hogarth sketched a series of paintings that he intended as a sequel to "Marriage à la Mode," to be called "The Happy Marriage." One of these sketches, The Country Dance, Hogarth had engraved and used as an illustration for his Analysis of Beauty of 1753, plate II. John Ireland described this composition as The Wanstead Assembly and wrote that it contained portraits of the first Earl Tylney (Castlemaine) and his countess.24 He dated it 1728. The Country Dance has, therefore, occasionally been confused with the picture in Philadelphia. Richard Dorment, from British Painting in the Philadelphia Museum of Art: From the Seventeenth through the Nineteenth Century (1986), pp. 157-162. This entry is based largely on Arthur Marks's 1981 article in the Philadelphia Museum of Art Bulletin, vol. 17, no. 332 (spring 1981), pp. 2-15.
1. George Vertue. "The Note-Books of George Vertue Relating to Artists and Collections in England." The Walpole Society, 1933-1934 [Vertue Note Books, vol. 3], vol. 22 (1934), pp. 40-41.
2. In Hogarth's own words: "Then maried and turnd Painter of Portraits in small conversation Peices and great success" (William Hogarth, The Analysis of Beauty with the Rejected Passages from the Manuscript's Drafts and Autobiographical Notes, ed. Joseph Burke [Oxford, 1955], pp. 215-16).
3. John Nichols and George Steevens. The Genuine Works of William Hogarth. 3 vols. London, 1808-17, vol. 1 (1808), pp. 19-20.
4. Quoted by Ronald Paulson. Hogarth: His Life, Art, and Times. 2 vols. New Haven and London, 1971., vol. 1, p. 373; St. James's Evening Post, June 7-9, 1737.
5. Hesther Lynch Piozzi, Anecdotes of the Late Samuel Johnson, ed. Arthur Sherbo (London and New York, 1974), p. 106; quoted by Joseph Burke, "Hogarth and Reynolds," The William Henry Charlton Memorial Lecture, November 1941 (Oxford and London, 194-3), p. 6.
6. Winifred V. Phillips, Wanstead through the Ages, 2nd rev. ed. (London, 1949), p. 29.
7. For Child, see the G. E. C[ockayne]. Complete Peerage. London, 1910-. vol. 2 (1913), p. 92; Romney Sedgwick, The History of Parliament: The House of Commons 1715-1714 (London, 1970), vol. 1, p. 549.
8. Mark Girouard, Life in the English Country House: A Social and Architectural History (New Haven and London, 1978), p. 2.
9. John Harris, Colen Campbell, Catalogue of the Drawings Collection of the Royal Institute of British Architects (Farnborough, 1973), p. 16, no. 31.
10. Colen Campbell, Vitruvius Britannicus. or the British Architect (London, 1715), vol. 1, pls. 21-27.
11. Phillips (see note 6), p. 30.
12. John Steegman, The Artist and the Country House (London and New York, 1949), p. 37.
13. Quoted by Arthur S. Marks, ''Assembly at Wanstead House," Philadelphia Museum of Art Bulletin, vol. 77, no. 332 (spring 1981), p. 8.
14. Ibid., p. 15, n. 25.
15. Engraving, 11 1/8 x 7''. See Michael Kitson. "Hogarth's 'Apology for Painters.'" The Walpole Society, 1966-1968, vol. 41 (1968), pp. 86-87.
16. Hogarth's "Account taken January first 1731 of all ye Pictures that Remain unfinish'd," ADD. MS., 27 995 f. I., British Museum, London.
17. George Vertue. "The Note-Books of George Vertue Relating to Artists and Collections in England." The Walpole Society, 1933-1934 [Vertue Note Books, vol. 3], vol. 22 (1934), p. 41.
18. As, for example, in The Marriage Contract, the first scene in "Marriage à la Mode."
19. Cornel is Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, 8 vols. (London, 1908-27), vol. 4 (1913), p. 335, no. 89. Sold at the Wanstead sale, June 20, 1822, lot 167.
20. The bust of Julia appears again in the oil sketch of "A Rake's Progress" (c. 1733, 24 1/4 x 29 1/4", Oxford, Ashmolean Museum). See Ronald Paulson. Hogarth: His Life, Art, and Times. 2 vols. New Haven and London, 1971, vol. 1, p. 374.
21. See Heinrich Göbel, Tapestries of the Lowlands, trans. Robert West (New York, 1924), pl. 295, for the "Story of Telemachus" woven in Brussels by the Reydams-Leyniers-Konzern factory about 1725. Hogarth alters the figures on the left of the tapestry so drastically that it is probable he painted the tapestry from memory. See also Marthe Crick-Kuntziger, "The Tapestries in the Palace of Liege," The Burlington Magazine, vol. 50, no. 289 (April 1927), p. 177. Both sources cited originally by Marks.
22. Jonathan Richardson, "The Theory of Painting," in The Works of Jonathan Richardson (Strawberry Hill, 1792), p. 55.
23. Quoted by George Vertue. "The Note-Books of George Vertue Relating to Artists and Collections in England." The Walpole Society, 1933-1934 [Vertue Note Books, vol. 3], vol. 22 (1934), p. 48.
24. John Ireland. Hogarth Illustrated. 2 vols. London, 1791, vol. 1, p. lxxv.
John Ireland. Hogarth Illustrated. 2 vols. London, 1791, vol. 1, p. lxxv (confused with The Country Dance); John Ireland. A Supplement to Hogarth Illustrated; Compiled from His Original Manuscripts, in the Possession of John Ireland. Vol. 3 of Hogarth Illustrated. London, 1798. [containing Hogarth's Anecdotes of an Artist], p. 23; M. Pilkington. A Dictionary of Painters from the Revival of the Art to the Present Period. London, 1805, p. 248; John Nichols and George Steevens. The Genuine Works of William Hogarth. 3 vols. London, 1808-17, vol. 1 (1808), pp. 16, 45, vol. 2 (1810), pp. iv, 86, vol.3 (1817), p. 172; Horace Walpole. Anecdotes of Painting in England ... Collected by the Late Mr. George Vertue ... with Considerable Additions by the RCP. James Dallaway. [1765-71]. Rev. ed. 5 vols. London, 1828, vol. 4, p. l50; John Bowyer Nichols, ed. Anecdotes of William Hogarth Written by Himself. London, 1833. Reprint. London, 1970, pp. 122, 350, 376, and mistakenly on p. 196; John Trusler. The Works of William Hogarth; In a Series of Engravings; with Descriptions, and a Comment on Their Moral Tendency .. . To Which Are Added, Anecdotes of the Author and His Works, by J. Hogarth and J. Nichols. [1768]. Rev. ed. 2 vols. London, 1833, vol. 1, pp. 2-3; Allan Cunningham. The Lives of the Most Eminent British Painters. Rev. ed., annotated by Mrs. Charles Heaton. 3 vols. London, 1879, vol. 1, p. 67; Austin Dobson.William Hogarth. [1879]. 2nd ed., rev. London, 1907, pp. 21, 198, 310, and mistakenly on p. 196; William Roberts. "English Pictures in America." The Nineteenth Century, September 1913, p. 537; William Roberts, "Two Conversation Pieces of Hogarth," Art in America, vol. 1, no. 2 (April 1913), pp. 104-9, fig. 22; William Roberts. Catalogue of the Collection of Pictures Formed by John H. McFadden, Esq., of Philadelphia, Pa. London, 1917, pp. 27-28, repro. opp. p. 27; William Roberts. "The John H. McFadden Collection I.-Portraits." The Connoisseur, vol. 52 (November 1918), pp. 125-26, repro. p. 12.6; William Roberts. The Sharpe Family: A Conversation Piece by William Hogarth, London, 1920, p. 1; Philadelphia, Pennsylvania Museum and School of Industrial Art. "The Inaugural Exhibition of the New Museum of Art Fairmount." The Pennsylvania Museum Bulletin, vol. 23, no. 119 (March 1928), p. 20; The Pennsylvania Museum Bulletin, vol. 24, no. 125 (February 1929), pp. 2, 19; The Pennsylvania Museum Bulletin, vol. 25, no. 129 (November 1929), pp. 7-9, repro. p. 6; Fiske Kimball, "Wanstead House, Essex.-I," Country Life, December 2, 1933, pp. 606-7, repro. p. 605; Frederick Antal, "Hogarth and His Borrowings," The Art Bulletin, vol. 29 (March 1947), p. 43 n. 26; R. B. Beckett. "Famous Hogarths in America." Art in America, vol. 36, no. 4 (October 1948), pp. 160-62, p. 161 fig. 1; Edgar P. Richardson, "Conversation for the Eye," Art News, vol. 4-7, no. 1 (March 1948), p. 35, repro. p. 35; R. B. Beckett. Hogarth. London, 1949., pp. 8, 46, pl. 32; Winifred V. Phillips, Wanstead through the Ages, 2nd rev. ed. (London, 1949), pp. 34, 36; Helen Comstock, ''Paintings as Documents, I, English Interiors as Seen in Conversation Pieces," Antiques, vol. 58, no. 5 (November 1950), pp. 366-67, repro. p. 367; Ralph Edwards, "Hogarth's Tea-Tables," The Burlington Magazine, vol. 93, no. 582 (September 1951), p. 304; John Gloag, Georgian Grace: A Social History of Design from 1660 to 1830 (London and New York, 1956), pp. 93, 100, 103, pl. 25; Frederick Antal. Hogarth and His Place in European Art. London and New York, 1962, pp. 36, 225-26 n. 26, pl. 28a; Baldini and Mandel, 1967, no. 37, pl. VII-VIII; Edward Croft-Murray, Decorative Painting in England, 1537-1837 (Feltham, Middlesex, 1970), vol. 2, p. 249; Ronald Paulson. Hogarth: His Life, Art, and Times. 2 vols. New Haven and London, 1971., vol. 1, pp. 212-13, 218, 225, p. 221 pl. 80; Ralph Edwards. "The Dumb Rhetoric of the Scenery.'' Apollo, n.s., vol. 95 (January 1972), pp. 14-16, 21, p. 15 fig. 1 (detail); M.J.H. Liversidge, "An Elusive Minor Master: J. F Nollekens and the Conversation Piece," Apollo, vol. 95 (January 1972), pp. 34, 41 n. 5, p. 34 fig. 2; Allen Staley. "British Painting from Hogarth to Alma Tadema." Apollo, n.s., vol. 100 (July 1974), p. 35; John Cornforth, "Painters and Georgian Interiors," Country Life, January 27, 1977, pp. 174-75; Jack Lindsay. Hogarth: His Art and His World. London, 1977. New York, 1979, p. 54; William Gaunt, The World of William Hogarth (London, 1978), repro. between pp. 22-23, no. 3; Ellis K. Waterhouse. Painting in Britain, 1530 to 1790. 4th ed. New York and Middlesex, 1978, p. 170; Beatrix Potter.The Journal of Beatrix Potter from 1881 to 1897 Transcribed from Her Code Writing by Leslie Linder. Rev. ed. London and New York, 1979, p. 135; Mary Webster. Hogarth. London, 1979, pp. 20-21, 34, repro. p. 34; Arthur S. Marks, "Assembly at Wanstead House," Philadelphia Museum Bulletin vol. 77, no. 332 (spring 1981), pp. 2-15.
* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.


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From basic timber stables in standard sizes, to bespoke metal stables with all the trimming, we can, and have provided the people of Somerset with stables to suit their needs. Whether you need custom stable sizes to fit your circumstances or your pocket, We can make the exact stables for you.
Prefabricated stables are easy to assemble if you have a good grasp of DIY, although many of our clients prefer us to erect their horse stables on their behalf. Mobile horse stables are also available for sale, please see below for further details.
Stable Sizes
Our 'standard' stables come in the following sizes:
- 3m x 3.6m (approx. 9'10" x 11'9"),
- 3.6m x 3.6m (approx. 11'9" x 11'9"),
- 4.2m x 4.2m (approx. 13'9" x 13'9"),
But as we all know, horses don't all come in 'standard' sizes, so neither do out stables - because we don't just sell stables, we manufacture them too, we can make stables of just the right size to suit your needs
Bespoke Stables
We manufacture a wide variety of stables for sale in standard configurations, however, a majority of our clients require bespoke stables to suit their exact needs. A particular pitch of roof, skylights, tack rooms, feed rooms, veterinary facilities, extra wide doors, more windows, thatched stables ... are just a few of the requests that we have taken over the years, the list is pretty much endless and we are happy to oblige. Why not give one of our stable experts a call and discuss your requirements today, or click the email icon and drop us a line.
The Benefits of Timber StablesWhat are some of the benefits of having timber stables?
• Shortened Construction Period which leads to shelter for your horses quicker.
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• Environmentally friendly and aesthetically pleasing.
• Warmer in the winter months, cooler in the summer.
• Give us a call today to discuss your exact requirements.
There are many advantages of prefabricated stables, firstly, prefabricated itself means to manufacture in advance. Many of the components of a particular stable can be assembled within our factory prior to being delivered and erected on site. This in itself cuts down on the costs of labour involved to supply fully finished timber stables.
Construction time is reduced and buildings finished sooner than conventional methods. On-site congestion is kept to a minimum whilst less waste is generated with prefabricated stables since we can re-cycle what would normally be discarded into other parts of the structure or into another prefabricated stable. We also have a greater influence on quality control in the factory than we would with on-site construction.
Mobile Horse Stables
Mobile stables are very convenient for many of our clients who wish to have the full functionality of regular static stables whilst taking advantage of the ability to move their stables from one location to another with the simple use of a 4x4 vehicle or tractor.
They are normally manufactured supported on skids. These can be heavy duty wooden skids or steel skids for greater structural strength whilst moving them to a new location within a field or from field to field. We have also on occasion been requested to make our horse stables mobile on wheels, which we are happy to provide if required.
Further information on mobile stables and mobile horse shelters can be found on our dedicated page... or why not talk to one of our experts today. Alternatively, please send us an email via the icon and request further information directly from us.
Stables in Somerset
With our head office near Yeovil, we know the south-west quite well, and have been all over Somerset, Bridgwater, Burnham on Sea, Cheddar, Crewkerne, Exmoor, Frome, Glastonbury, Minehead, Quantock, Shepton Mallet, Taunton, Watchet, Wellington, Wells, Weston Super Mare, and everywhere else in between.
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Bespoke stables do not have to be more expensive than conventional alternatives. In our eyes, with a bespoke horse stable, you get exactly what you need with all the added trimmings that will make both yourself and your horse happy and comfortable with your new surroundings.
Please, call us on the number below or send us an e-mail and we will be more than happy to accommodate any addition or adjustment to your horse stable and make them bespoke!


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Puzzle Levels
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Paradigm Puzzles - Tetrascales
Product Information
|Take out and put back the wooden pieces
|Level 8 - Demanding
|Family Games
|William Waite, Other Wood Puzzles
|4 1/3 in x 4 in x 1/4 in / 11.1 cm x 10.2 cm x 0.6 cm
|Cardboard Box
Product Description
This intricately detailed laser-cut pattern puzzle challenges you to refit the pieces back within the frame. Spatial and logical thinking skills are challenged as shape and size combinations can seem daunting. Each wooden puzzle has numerous solutions; can you find even one?
With 354 ways to go about it, try to create an empty space in the middle.
Designed by William Waite
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Product Description
The Plutone bath screen selection is designed in PVC, a cheap and modern solution that is able to satisfy any kind of need. The acrylic panels offer a good stability, without adding too much weight to the whole structure. It is a made in Italy item, that was created on purpose to be installed in little time, so as to save on the costs for the assembly.
- Bath screen 700x1400 MM that can be extended, in PVC (Polyvinyl Chloride: a recyclable, long-lasting and strong material), composed of 1 fixed side of 700 MM and 1 side of 1400 MM with central opening based on 1 sliding door. 2,2 mm acrylic panels
- The item is sold in WHITE colour
- Panel with a "rain drop pattern" as in the right detail of the picture, it is not clear
- The fixed side can be reduced up to 30 mm, whereas the door side can be reduced up to 100 mm (Eg. 700x1400 MM is adjustable up to 670x1300 MM)
- The shower tracks can be easily cut by means of a hacksaw (up to 100 mm for each side), in order to adjust them to every kind of bathtub.
- Door opening: 615 MM
- Height 1500 mm.
- This bath screen is reversible for left or right hand installation (it is not necessary to communicate the direction that you need)
- Adjustable if walls are not absolutely level.
- Sliding door system based on nylon rollers
- Fixing system in stainless steel.
- Magnetic door seal
- Abs accessory.
- Bathtub not included.
- This item complies with all the regulations in the field, and it includes also wall plugs and assembly instructions.
- Made in Italy item.
Additional Information
Additional Information
|Data Arrivo
|3 Jan 2020
|Instructions Manual


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Site Work Failed, But We Didn't Die
Ugh. Still more roadblocks. Need to get an as-yet unknown password from Nay in order to get this sucker changed. For now, please enjoy the mess of a forums we've got, and dream of the forums we will
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Product Information
|Separate the two pieces
|Level 7 - Challenging
|Jean Claude Constantin
|Jean Claude Constantin, Other Wire / Metal Puzzles
|4.7 in x 3.1 in x 1.1 in / 12 cm x 8 cm x 3 cm
Product Description
Everyone who is a twin should look at buying this for their better half. A classic take-apart puzzle. Once you know the secret, it can be done in seconds - even behind your back!
Made in stainless steel wire by Jean-Claude Constantin. Jean-Claude Constantin lives in Germany, where he designs and manufactures many different laser-cut wood puzzles, as well as metal puzzles and magic tricks.
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by Ampersand
Aquabord, formerly Claybord Textured, is a 1/8 in. thick clay coated hardboard panel that gives watercolorists unprecedented freedom and control. Comparable to watercolor paper, this multimedia panel simulates the absorbency and texture of cold pressed.
This re-workable, acid-free surface provides natural looking highlights, fluid glazes, transparent subtle layers, and the ability to lift color while the surface is wet or even after it is dry.
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berit s. from Portsmouth, NH says:
Very smooth, useful for all water media. I am a beginner, this board invites creativity! Amazing how much fun I am having.
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Sharing the Adventure Hiking, Camping & Floating
Photos, maps, information and links to sites for parks, trails and rivers Beyond Castlewood Missouri.
Share Your Adventure
Shannon Falls is the third highest waterfall in British Columbia located 1.2 miles south of Squamish. The falls are a short walk from where we parked to hike the Stawamus Chief trail.
Beyond Castlewood - June 27, 2018
Beyond Castlewood - June 27, 2018
Waterfall at Hickory Canyons after several days of rain.
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Sharing stories and photos from the past and present of Castlewood Missouri.
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Join our group on Facebook and share your outdoor adventures.
Canada - British Columbia
Hiked to the first peak of Stawamus Chief with my son and his dog on National Trails day. Squamish, British Columbia
View of the Stawamus Chief second peak from the first. The hike to the first peak is a 1.5 kilometre trail with an elevation gain of 540 meters.
Washington, Pacific North West
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View of the Pacific Ocean from the Kalaloch Lodge in the Olympic National Forest.
Shoshone Falls
Hint of a second rainbow in the mist of Shoshone Falls, Twin Falls, Idaho.
Tom Uhlenbrock - Missouri State Parks
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A Guide to the Turquoise Jewels of the Missouri Ozarks
The new Echo Bluff State Park, billed as the gateway to the Missouri Ozarks, is the perfect base camp for a two-day treasure hunt in search of the turquoise springs hidden in the forested hills.
Located halfway between Salem and Eminence on Highway 19, the park's entrance is the starting point for an easy drive to six of these sparkling gems.
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Yosemite National Park
Yosemite Falls in Yosemite National Park on a hot day in late June 2016.
Arches National Park
Broken Arch in Arches National Park June 2016.
Oregon Waterfalls
Multnomah Falls, 611 feet tall and located off of I-84 just 30-minute east of Portland, Oregon in the Columbia River Gorge National Scenic Area.
Ozark Mountain Hiker
Jim Warnock - November 21, 2015
While researching possible trails in the Jacks Fork and Current River area of Missouri, I almost dismissed Alley Spring because of its shortness at only 1.9 miles. As I stepped onto the trail beginning behind the mill, I realized what a mistake that would have been. The trail is well built and scenic every step of the way. Here's a link if you want to read and see more.
Rocky Mountain National Park
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Dream Lake, 1.1 miles from the Bear Lake Trailhead on Bear Lake Road in Rocky Mountain National Park. I was passed by skiers and snowboarders skiing down the trail while hiking up to Dream Lake covered with snow April 1, 2017
Grand Teton - Yellowstone National Park
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Wanting to get away from the crowded holiday weekend in Yellowstone, Friday afternoon my son and I went to a ranger station to register for a backcountry permit. There were several sites available, from a mile to a 10 mile hike in. We chose Backcountry Campsite 2H4 on Hellroaring Creek, two-and-a-half miles from the Hellroaring Trailhead. The trail was easy to follow, crossing the Yellowstone River on a foot bridge and passing small herds of bison and pronghorn along the way.
Illinois Parks, Hikes and Historic Sites
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Burden Falls located in Southern Illinois in the Shawnee National Forest May 2015.
Florida Parks and Beaches
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Siesta Key Beach and Myakka River State Park in Sarasota, Florida.
Tennessee - Great Smoky Mountains NP
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Great Smoky Mountains National Park, Fall Creek Falls, Cummins Falls and Burgess Falls State Park.
Missouri Parks, Rivers and Hikes
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We took a couple of hikers for their first backpacking campout on the Wilderness Trail at Meramec State Park this weekend. Packed in to a backpacking camp Saturday afternoon with occasional stops to feed the insects. After arriving at the campsite and setting up we collected firewood. The forecast called for evening temps below 80 and we wanted to stay warm. Packed out Sunday morning and ended our weekend with a swim in the Meramec. Seriously, it was a fun weekend. June 11-12, 2016
Missouri Springs, Mills and Historic Sites
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Greer Spring, The second largest spring in Missouri with an average daily flow of 222 million gallons from two outlets about 250 feet apart. The spring is 0.9 miles from the trailhead located about 8 miles north of Alton, Missouri on Highway 19.
The Ozark Trail
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Devil's Tollgate on the Taum Sauk Section of the Ozark Trail on a great Sunday hike in November.
© 2019 Beyond Castlewood


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$69.95 $140.00
Inspired by the boots worn by British officers during World War II, the Clarks Desert Boot was designed by Nathan Clark and has maintained its origina...l design for over 60 years, while becoming one of the world's most recognizable shoes. They are available in an array of premium materials, including leather and suede, have two eyelets, cushioned footbed, and a natural crepe outsole.
*Please note that this style runs a half size large. Read More
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Microsoft is getting into the hardware business in a big way. In a press conference moments ago, Microsoft unveiled two "Microsoft Surface" Windows touch tablets built and designed by Microsoft itself. The new tablet appears to be thin, lightweight, has two cameras, and most of the perks you'd expect in an iPad-like tablet, but it comes with two big surprises: a pull-out kickstand to prop itself up and a screen cover that doubles as a keyboard.
"What is it? It's something new. Something different. A whole new family of computing devices from Microsoft," said Microsoft's Steven Sinofsky. "Surface is a stage for Windows."
The rumor mill has been running wild since Microsoft hastily threw this press conference together last Thursday. Almost every site believed Microsoft was going to announce a tablet today, but the rumors break down after that. Some believed Xbox or SmartGlass would be involved, while others thought Barnes & Noble might be the manufacturer of a tablet-like device of some kind. It doesn't appear that anybody realized Microsoft had innovated in the keyboard space.
View pictures of the new Microsoft Surface tablets.
Microsoft Surface specs
There are two models, currently. One runs Windows RT (ARM processor) and the other runs Windows 8 Pro (Intel processor, backward compatible with Windows 7 applications). The specs are below.
The new tablets will be between 9.3 and 13.5mm — depending on which model you go for — has a 10.6-inch 16:9 touchscreen with a 720p or 1080p pixel resolution, Gorilla Glass, Microsoft Office, a full-size USB port, and even has a magnetic stylus that sticks to the device.
The pro version will run on Intel Ivy Bridge processors and come with 64GB or 128GB of internal storage. The ARM version will run on a Nvidia processor.
The Touch Cover
The touch cover has two models: one that is 3mm thick and another that is a bit thicker. It connects to the tablet via Bluetooth and has a built-in accelerometer so that it somehow knows when it is opened as a keyboard and when it's being used as a cover, presumably to save battery life — yes, your Touch Cover will have a battery.
We're excited
This is odd news since Microsoft is now putting itself in competition with its own hardware manufacturers — something that it has previously said it would not do. With that said, Microsoft is hardly the first operating system creator to venture into hardware. It has already done so quite successfully with the Xbox and somewhat unsuccessfully with the Zune. Apple makes a living out of tightly pairing its hardware and software, while newer rival Google has partnered with select hardware makers for all of its new OS versions and recently purchased Motorola with the intention of getting into the hardware game. Even Microsoft signed a deal with Nokia last year which makes Nokia the preferred vendor of Windows Phone devices.
Will companies like Toshiba, Acer, Samsung, Asus, HP, and others be upset by this news? Will they all start secretly developing their own operating systems? Only time will tell, but it is definitely important for Microsoft that the Windows 8 launch performs smoothly and excites people. It's livelihood is riding on this release — a fact that couldn't be more evident after seeing the Microsoft Surface.
When is it coming?
Unfortunately, we don't yet know when these tablets will launch, where you'll be able to buy them, or how much they'll cost. The Windows RT version will come out when Windows 8 launches, but the Pro version won't be released until 3 months after the launch later this year, likely putting it into early 2013.
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ABC Puzzle
Product Information
|Remove the letter C
|Level 7 - Challenging
|Puzzle Master
|Other Wire / Metal Puzzles
Product Description
The original design of this classic metal puzzle dates back from 1911 England. Can you find the correct way to separate the C from the AB frame? This is our own version of this simple and yet elegant puzzle. To solve the puzzle you need to guide the C through the AB grooves. When you learn the correct path, try to put the C back into the starting position. From our PuzzleMaster selection of Metal Puzzles.
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