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How beautiful to encounter this interview today. I was just reflecting on how close to the margin of survival many of us are in while living inside the "largest economy on earth." The razor edge is made painfully evident in New York City when people with no cash currency but instead WIC cards (Women, Infant, Children) or other federal food program must starve when a storm disables the electric grid.
Or how unless I work myself beyond my natural ability to care for my physical/emotional being, I wake up every day worried about how to pay the next utility bill and buy food even though I am fully employed. Choosing to work for an employer for the privilege of using 1/4 of my take-home pay for health insurance premiums for myself and child rather than take a different job that would give me more cash for utilities and bills but no insurance.
I have never until this video considered the idea of financial currency equated with ATP in our cells that provides our energy and then recycles itself into its precursors to be used again, but that would be a much more brilliant way to make an economy than what we currently live!


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10th July 2011
Well I'm still here riding the roller-coaster of life. Man this thing is crazy! Up and down with some serious twist and turns, fast then slow well some times I don't know if I'm going forward or backward sometimes I get so confused. But my confusion only comes due to lack of information! Sooooooo with that we put one foot forward and move on. Angel Will has got a few bumps and bruises but I'm ok.
We have a lot of changes that will becoming her soon, A new Major, Don't know his name yet. I only know hes Black and from Dyball (?) 600 man unit , boy is he in for a rude awakening with this place. But I am interested in meeting him. As the minister who used to come see me worked there as the Chaplin but he does not come here any more, something to do with his $ got cut off from the church so thats that. (sad face) I miss Tom but anyway.
Also warden Lester has gone, so now we got a new warden coming and a new major, well see how that goes! I hope well but it's always bad we'l lose something else that their way of showing authority, to take and take and take, look what can I do. Not happy there, anyway, but on a positive side, my I.D was lost and thats not the positive. What is the Sgt who looked into it knows it is not my fault and is going to see about helping me get a special stamp spend so that is a good thing! Yay! Something good for Angel Will (smile) I am also looking forward to level one. I will have been on level for over 8 months! I miss the radio and sports and seriously I miss my dictionary sooo bad! It was rather surprising to me to know all these words yet blunder over spelling them. I'm so much a better talker than I am a writer- Theres no, or (parenthesis) or anything in talking. Ok I stop myself sound stupid, but it is good I can poke fun at myself besides it's better I poke fun at myself than you, cuz if you poke me I'l either laugh cuz im ticklish or try to bite you cuz you poked me the wrong way lol I'm like a dough boy poke giggle giggle and I used to go by (stay puff) like the marshmallow man from ghost buster lol . But I quit going by that cuz of well (personal sad reasons) If you ask me I'l tell you. It's just not for here! Anyway not much else on my mind so I guess I'll go and draw a little and then read Oh did I write we are on lock down yes, they locked the unit down on june 5dth word is 30 days OMG! I hope not I'l hate it living on jonneys will not make me a happy camper. Il keep you posted
by Angel Will

subset: commoncrawl


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In John 15:1-8 we find Jesus moving to the garden where His final night on earth begins. On the way, Jesus shares some final thoughts with His disciples. We find his encouragement of the vine and branches. As we look at this metaphoric example of life in Christ and as a disciple of Christ, we should appreciate what Jesus is using as His example.
A vibrant vineyard, in the first century, represented a successful home, a prosperous endeavor and a studious husbandman. When one established a vine and maintained it well they were sure to produce a succulent fruit.
We might ask why Jesus did not say He was the root, but the vine. The vine grown in the middle east is a hardy one and long lived. It's roots extend deep into the ground. The roots deliver water and nutrients to the vine. Why wouldn't Jesus, being the giver of life, identify more with the root. There are two reasons, first, in his position as man, purposefully humbling himself to our limitations, He stated many times in His ministry that He was dependent upon the Father. (Jhn 5:19) The Father is more the root, Jesus is the conduit to all the branches.
There is a second reason. The grape vine we suspect most likely referenced is a very hardy vine. To trim the vine, not the branches, but the vine itself, one should cut it off at the ground just above the root. In a season, that vine will return to production. This is very much a picture of the Lord being cut off at the crucifixion and in a very short time, three days, He returns to full productivity and even more. The vines He produces are also more hardy.
We find the Savior again encouraging His disciples that He must depart, but He will come back stronger. In his position now, He is weakened, disciples are challenged to follow Him. Even the 12 core disciples do not wholly believe in His resurrection, His atoning sacrifice, His whole ministry. They do not understand either. Jesus is saying that just as the husbandman must take drastic action to excise a weak vine, the Father will take the exact same action to excise Jesus in His weakened human condition. In return in three days the vine will grow back to produce abundant fruit.
This is also a testimony to the branches. They do not see it now, but they are weak and producing very little fruit. The branches attached to this human vine are not worthy of the appellation "disciple of Christ." Once the vine is restored from the eternal root of the Father, the branches produced will also be greatly strengthened.
Christian, draw from your faith in the resurrected Jesus just as the disciples did in that first week. Pull from that vine the nourishment of faith and spiritual growth, liberty and eternal life. Trust the Messiah. Abide in the vine.


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In this paper, we derive the material parameter formulae for designing an electromagnetic invisibility anti-cloak of two-dimensional arbitrary geometry, which is conformal with the cloaked object. Different shapes of electromagnetic invisibility anti-cloaks are proposed to verify the correctness and effectiveness of the proposed formulae. The simulation results show that the invisibility anti-cloak can break cloak shielding and make the external electromagnetic waves into the cloak. This is not only to realize the transfer of information, but will not affect the role of cloak of stealth.
©2013 Optical Society of AmericaFull Article | PDF Article
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(Additions made to this page November 2017)
Given its resemblance in certain respects to that of the 95th, the "rifles" pattern dress of the 2nd Light Battalion seems fairly straightforward. Even so, there are some features that call for a second look, and some of this gets a bit involved. In addition, the Meyer ledger (thanks to Meyer & Mortimer and Ben Townsend for images) sheds light on some of the more marginal aspects of officers' wear. Some aspects can be considered in relation to the dress of the 1st Battalion – see page 3. Click to enlarge images.
Other ranks
For once, the Beamish plate is relatively clear. The dark green jacket with black collar, cuffs, straps and tufts, with three rows of white buttons, is essentially that of the 95th, though no white feathering is visible here to the collar and cuffs. The cap has an unusual round pompon, and cap cords and a bugle are visible. Though a line close to the crown of the cap can be seen, there is no clear evidence of the leather reinforcement to crown and band shown in later interpretations, and no such reinforcement appears in the figure in the Beamish Centrepiece.
The trousers appear a very dark shade of grey, considerably darker than those of the 1st Battalion in the corresponding plate. The tone of the trousers in the image is pretty much the same as that of the collar, cuffs and black gaiters; given the evidence below that officers' pantaloons and overalls were routinely described as "black", it's my suggestion that the trousers of the other ranks were also black, up to the late point where the other ranks' dress of the two light battalions appears to have been harmonised.
Evidence for this appears by 1815 in Hamilton Smith's chart and plate, generically captioned "Light Infantry"; these show both battalions in a "rifles" jacket with black collar, cuffs and straps feathered in white, and no turnbacks. Interestingly, a single button is shown on the collar, not too obvious in the plate, but perfectly distinct in the preparatory drawing. Trousers are now dark green, not black or grey, worn over black gaiters. As the figure in the plate is not a rifleman, both pouch belt and bayonet belt are worn, with a socket bayonet.
The headwear is particularly interesting, being a peakless cap with a cockade with a small bugle, a green tuft & green cords. As this is similar in style to the officer's cap of the 2nd (see below), this has been taken as an indication that the figure is intended for a man of this battalion only. However it seems feasible to me that the similarity of dress between the men of the two battalions also now extended to headwear. Mike Chappell dates the green trousers and peakless cap to 1809, and asserts that this cap is "the standard light infantry shako worn without a peak"; once again, I'm not sure what the basis might be for these statements.
Knötel's plate in his Vol III stays close to his immediate source in Beamish, though with black braid edging the collar, and with trousers that are at most a darkish grey. In his later plate in Vol XV the caps now seem a little elongated, and the tops and bands are clearly reinforced. The jacket now has two breast pockets with buttons, and shows black braid round the collar, cuffs and jacket edges, with no turnbacks but short rounded skirts with two buttons at the rear hips – apparently a sort of compromise between a dolman and a jacket. The trousers are now a mid grey. As usual, it's hard to know which of these introductions may have any basis in evidence.
An Aerts figure of a sergeant in the album at the Bibliothèque Nationale shows the trousers as dark grey and the black cuffs as round, rather than pointed; without any sources given for this, we have to assume that this is simply derived from Knötel.
At this point it's also worth noting that von Pivka's figure, while otherwise more or less consistent with previous versions, wears the black rolled wings of the 1st Battalion – a clear error – and that Bryan Fosten, in his 1982 Osprey Wellington's Infantry 2, inserts a "2" in the cap bugle, as he does a "1" for the 1st Battalion.
For a discussion of the pattern of greatcoats issued, or not issued, to the men of the Legion's infantry, see page 2 on the Line Battalions.
For modern portrayals of undress caps and jackets supposedly common to the two battalions, see page 3 on the 1st Light Battalion.
Knötel's later plate introduces a bugler, distinguished by red collar and cuffs, and black and red rolled wings. This image passes on to the Aerts album at the Bibliothèque Nationale, and then to Chappell, who uses it twice. Again, it would be interesting to know what the original basis for this might be, and if it is anything more than a reasoned guess by Knötel.
The Beamish plate shows a dark green dolman or skirtless jacket, with three rows of buttons with loops, black collar & cuffs, with a double line of edging on the collar, and the suggestion of a loop on the cuffs. Clearly visible are narrow shoulder straps held by a ball button at the collar. To this, Knötel's plate in Vol XV adds vague renditions of more elaborate braiding on the collar, cuffs and side seams.
Fortunately, we don't have to speculate about these details, as the Stothard "Rigementals" notebook includes a tailor's drawing of an officer's jacket, while the Meyer ledger provides a few additional details. The Stothard drawing is dated February 1813, though the jacket may date from a year or two previous to this. Meyer's orders for this battalion include eleven such jackets and materials for two more, from 1809 to 1814; earlier jackets would not have been of this exact pattern.
The overall look is comparable to officers' jackets of the 95th. The jacket is of superfine dark green cloth, with black Manchester velvet collar and cuffs. It is edged all round (not obvious from the drawing) with black twist or "royal" cord, and looped and ornamented on collar, cuffs, side seams, hips and pocket with the same. The shoulder strap appears to be a double cord held by the button at the collar and running to the sixth outer button. Stothard's drawing shows three rows of buttons on 21 loops. The Meyer entries make it clear that the central, functional buttons were ball buttons (silver plated) and the two outer, decorative rows half ball. If the drawing of 21 loops is accurate, a full allowance of buttons, allowing for the shoulder straps, would be 23 ball and 42 half ball per jacket. An order in Meyer of 1810 for materials for a jacket specifies two dozen ball buttons, five dozen half ball and 40 yards of cord; these totals might include a small allowance for spare.
Stothard also includes a scale drawing of the "Hungarian" knot and ornamentation on and above the cuff; this is all cord, with no figuring braid used. A Meyer jacket of 1809 is stated to be lined in black calico, while the Stothard notes mention black cotton lining for the pockets.
This jacket is shown with unusual accuracy in an Aerts watercolour of an officer of the Second [right] in the album at the Bibliothèque Nationale in Paris, though no sources for the image are given. Other aspects of the figure are discussed below.
Hofschröer's 1989 Osprey includes a "puzzling" contemporary image [right] held by the Bomann Museum at Celle, said to be of an officer of the 1st Battalion in 1812, though how firm that identification might be is not clear. Hofschröer's comments suggest with reason that it appears "closer" to the 2nd. It shows three rows of buttons on the jacket with black collar and cuffs edged in white or silver; black breast loops cannot be seen in the Osprey's black and white reproduction, which is far from clear, but Mike Chappell later includes them in his plate based on this image. If this is an officer of the 2nd, it may represent an earlier form of the jacket. Other aspects of this image are discussed below.
If the officer's uniform was elaborate, no element has been more elaborated upon than the cap. The Bomann image shows an orthodox (if elongated) rifles cap with gold cords; no reinforcements at crown or base are visible, but Chappell puts them into his plate based on this image. (See the discussion of the 1st Battalion on page 3.) The Beamish plate shows a cap with a pointed plume, without bugle and with a squared folding peak. A long gold cord, or possibly two separated cords, is wound round it diagonally, and a gold line around the crown may be meant to indicate the continuation of this. What appears as a single cord hangs from the crown, dividing into two tassels on the chest. The cockade is also gold. Aerts's figure [above right] seems to draw from both these sources, combining the folding peak with the Bomann cap plate, interpreted by Aerts as a crowned garter.
A similar cap, with peak but with silver cords and without cockade and plume, is shown in the von Röder image of 1813 of an officer apparently of the 1st Battalion, as discussed on page 3. The same cap, with peak and plume and, interestingly, with gold cords, turns up on a figure in number 82 of Le Bon Genre, a series of satirical prints published during the occupation of Paris, and captioned as showing "Uniformes Anglais". (The details in many such prints are less than fully reliable, and the figure's jacket shows both the three rows of buttons and silver shoulder scales, which, if this is intended as an officer of the Legion, makes it a composite of the two light battalions.)
The other obvious point of comparison is the peakless cap of the other ranks as shown by Hamilton Smith and discussed above. However, in all these cases the diagonal of the cords is shown as running opposite to that in the Beamish image.
So far, so good. Our primary sources beg a number of questions about this cap, but there is a degree of coherence. The real confusion begins with what Knötel makes of it in his plate of Vol XV. Here the cap has blossomed into a peaked mirliton or flügelmütze, with a wrap-around "wing", lined in white. (Why white? To match the silver of the jacket buttons?) While in Beamish the diagonal of the wing edges follows that of the cords, Knötel's gold cords, looped from the back of the cap to the top right, are made to travel in the opposite direction. The cockade is now black, and Knötel gives it a small silver bugle.
To my mind, this is problematic: the squared retractable peak is a feature of some officers' caps of the 95th and others, while the peakless mirliton is a familiar light cavalry item. But I've not yet spotted a composite peaked mirliton in use elsewhere that might have served as a model for what Knötel claims was worn by the 2nd. (On the other hand, I'm ignorant of the dress of the continental armies, and others may know better.) Did Knötel simply take his cue from the diagonal cord lines in Beamish and extrapolate the rest? Or did he have access to a surviving example, or to a clear contemporary image?
Whatever its origins, the aesthetic appeal of Knötel's mirliton has guaranteed its survival, and Mike Chappell provides a particularly convincing drawing of it in his first Osprey volume. Bryan Fosten describes it as with gold and crimson cords, the white side of the wing being of silk and edged in black, the black side edged in gold and showing on the front a "gold, circular crowned badge". In Fosten's image, this badge is placed near the top of the front, and not at the base as in comparable British light dragoon mirlitons. However, both Fosten and Chappell contradict Beamish and Knötel by reversing the diagonal travel of the wing, and having the cap lines running parallel with it.
Either there are good primary sources for this cap that I've not yet discovered, or we're dealing with a cumulative series of imaginative fabrications. I can't help but suspect the latter, though I'd be very happy to be proved wrong.
The Meyer ledger contains twelve orders for waistcoats between 1809 and 1814. Eight of these are of black cassimere, matching the colour of the legwear, as discussed below. The other four are of white, either cassimere or Marcella (a cotton fabric with a geometric weave, also called "quilted"). Of the black examples, three have three rows of plated buttons, echoing the jacket, but without braid, while another has three rows of "twist" buttons, looped with black figuring braid. A white cassimere waistcoat has three rows of plated buttons, a white Marcella three rows of "thread" buttons, neither with braid. While officers exercised personal choices over an item that was not designed to be viewed, such choices clearly lay within the parameters of appropriate regimental colour and style.
The Beamish plate shows the same dark tone of grey for the officer's trousers as noted above for the other ranks; my assertion, in the light of the pantaloons and overalls discussed below, is that this is intended for black, but Knötel and his successors wilfully lighten it to fifty shades of grey. Beamish shows no trouser stripe, but a silver stripe appears in Knötel's earlier plate, developed into a double stripe in his later version.
Between 1809 and 1814 Meyer's orders for this battalion include 17 pairs of pantaloons that appear military in character. All are in black. Of these, 15 are of black stocking, the majority described as of eight thread stocking, others as of six thread, of "patent" stocking or of silk, and all 15 as decorated with black silk royal cord. One pair is of black cassimere, strapped with the same. ("Strapping" here means reinforcement down the inside legs.) One pair is probably black, decorated with gold lace; this is for a Paymaster, so may reflect a deviation considered appropriate to staff.
The Bomann image [above] shows pantaloons in a dark tone with ornate knots on the flaps and seam stripes, apparently in silver. An odd feature is an additional seam stripe down the inside of the leg. Chappell's reconstruction of this figure shows the pantaloons in the same dark green as the jacket, but I wonder if they were intended as black. The silver trim is not confirmed by any other source, which makes the image problematic.
Meyer also has entries for ten pairs of overalls between 1810 and 1814. Again, black is the default colour; eight are in black, five noted as of second cloth with Japanned leather cuffs, of which three are strapped with the same black cloth, two not strapped. (Here "cuffs" means the leather reinforcements around the bottom of the legs.) Some are with and some without chains under the foot. One is noted as "made like breeches at the top", another "with flies".
One pair of 1810, strapped with black cloth and cuffed with black leather, uses ten "regimental" buttons and 40 plain plated buttons. This pair has flies, so I assume, maybe wrongly, that five "regimental" buttons were used on each flap, and plain plated buttons down each leg fly. This pair is no more expensive than the others, so it is not clear how many of these overalls were buttoned down the sides, or if this one is the exception. As with waistcoats, officers clearly exercised some personal preferences within a general battalion style. There is no mention of coloured stripes for any of these black overalls.
The two exceptions here are for "mixed" (grey) overalls, both for a Paymaster in 1814, so again perhaps an allowed staff variation. One pair is described as strapped with the same grey cloth and the other as having green stripes.
The Aerts image [above] shows dark green overalls with a gold seam stripe, simplified gold knots and black cuffing. It's possible that this represents dome sort of extrapolation from the Bomann image [above], translating the pantaloons into approximately equivalent overalls. Or there may be another source behind this feature, unknown to me. Without the benefit of any references by Aerts, it's impossible to say.
Fosten's 1982 image of an officer, with the mirliton discussed above, though with the jacket accurately shown, wears light grey overalls striped and ornamented green, with black cuffing. These appear to be borrowed from the von Röder image discussed on page 3, which I identify as an officer of the 1st Battalion. With the exception of the Paymaster's examples just mentioned, all the Meyer references to overalls are for black cloth.
Undress caps
These were entirely without regulation but sometimes related to uniform colours. The Meyer ledger has one example, for Lieutenant Colonel Martin in 1811. This, like the jacket, is of superfine green cloth, lined with calico, with black velvet "round the bottom" (presumably as a band), and with a tassel.
The Meyer ledger has eleven orders from 1809 to 1814 for greatcoats or "pelisses". Nine of these, as seen for the 1st Battalion on page 3, are of superfine green cloth, seven of which are noted as having "regimental" buttons; whether this means a single row, or three rows as on the jacket and some waistcoats, is not clear. None of these coats are the "regulation" grey. Seven of the green coats are modestly priced, so probably plain or simply ornamented. Six of these have linen sleeve linings; the seventh has black silk at a small extra cost.
Two items of 1814 are described only as "pelisses", but are priced the same as a more expensive greatcoat of that year, and appear to be long top coats rather than a short hussar pelisse. One rather more expensive greatcoat of 1810 gives us some idea of the ornamentation available in the top end range, involving 14 yards of French braid, four yards of figuring braid, six tassels, 16 olives, fringe and silk sleeve lining. All of this was presumably in black. It's impossible to be certain how these items were applied, but a reasonable hypothesis might be for 16 French braid loops on the front, fastening with olives, "Polonaise" hips in French braid with fringe and three tassels on each hip, and perhaps French braid on the side seams. The figuring braid might have ornamented the collar and cuffs.
In his later plate, Knötel develops the Beamish figure by adding silver furniture to the belt. This seems fair enough, and is backed by the von Röder image. He also provides a sabretache for a mounted officer, apparently ornamented with a silver garter star. I'm not aware what the basis for this might be.
page 9: 'Heavy' Dragoons 1803-13
page 10: Light Dragoons 1813-16
page 15: Depot Company, Independent Garrison Company, Veteran Battalion


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Sony WX350 (affiliate link) is a cyber-shoot that does quite a job both with still photo-shoot and video recording. There are so many options to talk about when it comes to the best vlogging cameras. You'll always find people talking about Canon G7X (affiliate link) and Sony RX100 (affiliate link) but they cost somewhere near $600 and not everyone is willing to spend that amount of money when they're starting out. No doubt, these two cameras are the best and versatile cameras for vlogging but we're here talking about the affordability.
The point is, what if anyone who wants to start vlogging could afford a camera that costs between $250 to $275. It would have been a lot easier to buy that one instantly.
So, Sony WX350 (affiliate link) is one of those cameras. I'm currently using this camera as a vlogging starter and I'll tell you everything from my first-hand experience. This comprehensive review of Sony WX350 will tell you why I'm still using it and more importantly why I chose to write a review about this. Furthermore, the purpose of this review is that if you would like to buy this camera either online or through any physical store, you should know what to expect from this camera.
Before getting deeper into this, let's find out what this camera has got to offer.
Here are the specs of this camera:
- It has a 7.82 mm Exmor R CMOS sensor
- This is 18.2 Megapixels camera. However, 18.2 is the effective quality but total pixel number is 21.1 Megapixels
- It can shoot 1440x1080p and VGA videos
- It contains Sony G 20x zoom lens
- It provides pictures in JPEG file format
- The video format is MPEG-4 AVC/H.264 (MP4 in other words)
- It comes with a Dolby Digital 2ch audio technology
- It supports Memory Stick PRO duo media, Memory Stick Micro, SD cards, MicroSD memory cards
- The flash of this camera with the auto ISO sensitivity is approx. 0.2 m to 4.3 m (zoomed in) and approx. 2.0 m to 2.4 m (zoomed out)
- It supports the HDMI cable and has the micro jack at the side
- The USB communication works flawlessly to connect the camera to the PC
- This camera has a 7.5 cm LCD screen with 460 800 dots
- The battery (NP-BX1, 3.6V) is rechargeable and comes with AC Adaptor (AC-UB10C/UB10D, 5V)
- The dimensions are 96mm x 54.9mm x 25.7mm (W/H/D)
- It is equipped with a stereo microphone and doesn't support any external microphone
- It has a built-in monaural speaker
- It has a Wi-Fi connectivity option along with the NFC technology
Features of Sony WX350 Cybershot
There are lots of features in this camera that makes this gadget stand out in the specific category and a few of them can be incredibly helpful for everyone who uses this camera for vlogging. Take a look at the features of Sony WX350 Cybershot:
Movie Modes
This mode is specifically for shooting videos. It does allow you to choose shooting features according to the circumstances and that makes this point-and-shoot more interesting. It does have the 1080 HD quality video and it is also pretty good for the photo-shooting, however, it offers tons of video shooting modes such as:
- Intelligent Auto: It makes you feel free because the camera does all the stuff related to light adjustment, fps, ISO, autofocus etc.
- Portrait: This feature allows you to shoot the videos by blurring the backgrounds and sharpening the subject. It also reproduces the soft skin tone as well. Upon selection, this feature may help you shoot videos and vlogs without worrying about the blurriness of the subject.
- Landscape: This feature helps you shoot a wide scenery in sharp focus with bright colors. It is always good to choose this option while shooting videos in the fields underneath the blue sky. It also provides a wide angle view to the video.
- Night Scene: It helps you shoot night scenes clearly. If you use a tripod, it will eventually improve the video quality and reduce the blurriness. This option is best for shooting videos at night.
- Beach: This feature gives you an amazing video experience if you're on the beach and want to capture the true colors of sky and sea under the bright sun.
- Snow: There is an option to record the videos or vlogs in the snow. This option would make it happen if you want to vlog during the snowing season. Make sure your camera doesn't get wet or something. Because this feature helps you capture the essence of whitish snowy scenes.
- Fireworks: Who doesn't like fireworks? Now use your WX350 cyber-shot to vlog during the fireworks in town. Use this option to shoot the best out of your fireworks experience.
- High Sensitivity: It allows you to take low light shots during the candle light dinners or at the hotels with dim lighting conditions.
Program Auto
This mode is pretty much an auto-mode. It sets aperture and shutter speed automatically. It allows you to make further changes. It works fine for the starters especially who don't want to get into the aperture, shutter speed, and other technical photographic terminologies.
Superior Auto
This mode is extremely helpful for outdoor and indoor shoots where noise and blurriness could be an issue. It does help in indoor conditions where echo creates the disturbance in the footage. This mode does kill that echo in the video. Similarly, it helps you cope with the blurriness.
Intelligent Auto
This is probably the auto mode for photo-shoots. It automatically identifies the scene's properties and sets everything accordingly to give you the maximum quality possible in the photographs.
Scene Selection
This mode helps in professional photography. It comes with a number of features which means that this camera does have the ability to capture photographs in many different conditions. For instance, portrait, landscape, night scene, night portrait, anti-motion blur, pet, gourmet, beach, snow, fireworks etc.
iSweep Panorama
It's a popular panoramic photography feature that provides you a chance to get a panoramic photo by switching this mode on and moving the camera left to write at a certain speed.
Pros and Cons of Sony WX350 Cyber-shot
It's always good to know the both strengths and weaknesses of the product you want to buy so that you know what to expect from it. Take a look at the pros and cons of Sony WX350 Cyber-shot (affiliate link):
1) – Easy-to-Use Interface
There is no doubt about the easiness of the interface. There is nothing complex about the software of this camera and everything seems easy.
2) – Wireless Connectivity
It does have the feature to connect the camera to your PC or Smartphone through a Wi-Fi connection. PlayMemories Home is the software that connects the camera and PC.
3) – High-speed USB
Like any other today's digital camera, this camera does have the USB feature for charging and data transfer.
4) – Removable Battery
One of the good things about this camera is that it has the removable battery, which means you can have multiple batteries along with the camera and if your main battery runs out, you can use the backup batteries.
1) – No external Microphone
Like any other camera, this camera also has some weak points such as no external microphone. Usually, a point-and-shoot camera doesn't have this feature but when it comes to vlogging, it is kind of necessary thing when you shoot outdoors. It only has the default stereo mic.
2) – Fixed LCD
Unlike Canon G7X and Sony RX100 iv, this camera doesn't have the feature of movable LCD. Its LCD is fixed.
3) – No Manual Focus
There is no manual focus option in this camera. Usually, this feature belongs to the DSLR cameras but today's latest point-and-shoot cameras do have a tiny manual focus option.
Personally, I didn't regret it. I thoroughly enjoyed my vlogging with this camera. I have been using this camera for last 11 months. In fact, I've referred this camera to many of the vlogging starters who were looking to buy a vlogging camera under $300.
Discloser: The links to the cameras are my affiliate links. This means if you buy these products, I would get a small commission and it won't cost you any extra money.


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This rolling tool cabinet let you store and transport up to 2600 lb. of tools and other equipment
This 44 in. industrial grade roller cabinet was designed, tested, and built to last. This double bank unit has full extension drawer slides with double slides on the large drawers. With 14,000 cu. in. of storage available, the double bank drawer configuration with 13 drawers gives you the flexibility to organize a wide variety of tools with narrow, wide and extra-wide drawer options. The industrial powder coat finish is durable, easy to clean and looks great in any garage.


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VIDEO Jessica Mauboy performs at Eurovision
Australian singer Jessica Mauboy performs the interval act in Eurovision's semi-final. Courtesy: YouTube/Eurovision Song Contest
THE world is her stage, but for Australia's pop darling Jessica Mauboy there's only one man to play Romeo to her Juliet and that's Darwin-based boyfriend, Themeli Magripilis.
With her career about to take another giant leap forward, performing to a global audience estimated at one billion viewers for the closing ceremony of the Glasgow Commonwealth Games, Mauboy has opened up about the love affair which keeps her going.
Confirmed as a new Swisse health and wellness ambassador, the 24-year-old songbird credits the happy balance she's found between her home life and professional success to her long-term, council worker beau.
JESS MAUBOY: Shares wardrobe malfunction fear at Eurovision
TALENTED STAR: Jessica Mauboy hits the global stage
Mauboy had her man by her side during her recent history-making Eurovision performance, turning the cobbled streets of Copenhagen into their romantic playground.
"It felt very Romeo and Juliet, like a love story," Mauboy gushed. "We'd go to the bakery, buy some bread and ham and wine, then sit in the park and have it. It was really the calm before the storm for me...having him there meant a lot."
After almost a decade together, the couple know what going the distance means, with Mauboy's music and film commitments taking her around the world, for long periods at a time.
"It was always my fear to think how long we could sustain and keep control of our relationship, but the beauty of it is that even though I don't always get to see him, when I do I appreciate the fact that he's there. He's always there and has always been there."
Defining their romance in musical terms, Mauboy says: "it is a rhythm and there is a beat and you have to step it out, work it out. It cannot be forced...forcing anything would be your downfall. It's the heartbreaking part where you feel like you're being smothered...it can get too much. But he allows us to just be open, be a little bit more free and what's really amazing is that we've come from the same town. We understand that world and he always takes me back there and reminds me of the 11-year-old or the 16-year-old who started singing country and then moved into the pop world."
Taking on the Swisse role gives Mauboy the chance to share important health messages, not simply with the Indigenous community who hold her dear as a role model.
"As much as I am for the Indigenous community I don't want it set in stone that I'm only (representing) them. But spiritually, soulfully, it's still all about staying healthy. Trying to live a life and finding balance, being in control of yourself and knowing your body.
Mauboy will be the star performer at the Celebrate Life Ball in Melbourne on June 13 where Nicole Kidman will be special guest, raising funds for Sydney Children's Hospital Randwick and the new Monash Children's Hospital in Melbourne.


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Did you know that Valentine's Day falls in September this year? It will at the Second Chance SPCA in Plano on September 15th. Come out that Saturday any time between noon and 5 p.m. and you'll be able to adopt a pet!
The event is named after Valentine, a dog that gave birth to five puppies in an animal shelter after she was found at a gas station. Dan Greer, the man who found her, tried to adopt them, but was told only five dogs could be adopted at one time. Though the dogs were scheduled to be euthanized on February 14th, Second Chance SPCA was able to rescue them the day before and place them into foster families that took care of them until they were old enough to be adopted.
If you would like to meet Valentine and her pups, they and their families will meet for a reunion at the event from 12:30 p.m. to 2:00 p.m.
Staffed completely by volunteers, Second Chance SPCA's mission is to rescue dogs and cats from municipal shelters that are kill-facilities. Over the last six years, they have adopted out 2,163 pets to forever homes. For more information, please visit www.scspca.org.
Valentine's Day at Second Chance SPCA
Saturday, September 15
Noon - 5:00 p.m.
Second Chance SPCA
505 Alma Drive
Plano, Texas


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KENA BETANCUR/AFP/Getty Images
Pearl Jam's "Love Boat Captain" references the nine people who died at their 2000 show at Denmark's Roskilde Festival, but the band changed the lyrics of the song at a Brazil performance to honor the victims of the recent Paris attacks.
Frontman Eddie Vedder started out the performance by reading some words in Portuguese, and changed the lyrics from "Lost nine friends we'll never know, two years ago today" to "Lost 90 friends we'll never know, again today," referring to the people killed at Friday's Eagles of Death Metal show at Paris concert venue Le Bataclan.
Watch a fan-shot video of the performance below.


text: Tom, Ignore the noise -- as in the noise in this forum. It's interesting to note how those who pontificate about FT8/JS8 in these discussions (and eHam) are seemingly perturbed by your so-called "cheerleading." Where's the harm in posting your updates and voicing your opinion? From what I see, these same folks have contributed nothing to the hobby except to take, opine, and complain at every opportunity. Cheer away. Paul, W9AC


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/ Terumi Sameshima, Ph.D.
Terumi Sameshima, Ph.D.
Kyoto Koka Women's University
38 Kadono cho Nishikyogoku Ukyo Ward Kyoto City,
615-0882, Kyoto Japan
Phone & Fax:
+81-75-366-2661 (Lab)
[email protected]
[email protected]
Terumi Sameshima is Assistant Professor of Faculty of Health Science, Department of Nursing at Kyoto Koka Women's University in Japan. Her theme is thought of "diverse society" based on the standpoint of Medical, Nursing and Social Science. Her majors are Group Dynamics and Nursing Science and she is specifically interested in the relationship of practice and theory. She is an action researcher and her main fields are in Kyoto, Japan. Kyoto is very historical city in Japan so it has very unique mutual aid social systems. She believes the best social system that supports each other is to realize diverse society.
Toru Kiyomiya, Ph.D.
Naoki Nomura
Terumi Sameshima, Ph.D.
Tatsuya Sato, Ph.D.
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Games and Educational PC
My daughter has a laptop. It's a nice laptop, well, except for the missing keys that she pealed off and either broke or lost when she was 2-3 years old. And except that the hard drive is so small, only a few games will fit on it. Or that it has 512 MB of RAM, takes forever to boot, and is too slow to browse myepets. She needs something with more HP.
Wine and Cadega with Edubuntu maybe?
Interesting commentary on Sugar, the interface for OLPC.
Here's a /. discussion of good games (some kid friendly, some not).


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Effective internet marketing is important for many today but spending on internet advertising can be expensive and without success if you do it wrong. Businesses looking to get the best results from the cost of internet marketing will really need to look "outside the box" to get effective internet advertising for today's internet without spending a fortune on internet advertising.
Most people know the internet is changing and effective internet marketing campaigns must keep up with the changes. This means that to have the most effective internet advertising you really need to have a high budget for online advertising services or figure a way to do it yourself and see if you can get customers for your business, products or services on your own. For many effective marketing campaigns, pay per click and buying ads, banners or sending emails are ways that businesses use to promote themselves on the internet. There's nothing wrong with those programs except for the fact that they can all add up to be very expensive and beyond that, these costs for internet advertising will be ongoing. For effective internet marketing today (and anytime), one would ideally like to have an effective internet advertising campaign at reasonable spending on internet advertising that will bring the free traffic from having high placement on the search engines and being found in all the right places on the internet today. The right places to advertise on the internet today is the internet advertising strategy that will land you in the top ten of the search engine results pages on Google, Yahoo and Bing for when you can get your site showing up in the top ten of the search engines you will find the best results for getting customers from using the internet and that's what most people want.....to get customers for their business .....so to do this, they need to find you first.
Going "outside the box" for effective internet advertising today can mean great results from your internet marketing efforts and may be a big relief to bring down the costs of internet advertising while improving your results on the internet search engine results pages. To find out more about effective internet marketing strategies that can bring better results on the search engines for you and the reasonable costs for internet advertising "outside the box" then you should check out this internet advertising specialist. It's like nothing you've ever experienced and can bring results that will make you shake your head in amazement. If you're over spending on internet advertising or just want to get a boost and have your business show up in the top ten of the search engine results pages then you should make it top priority to check out the service for getting that done. Costs for internet advertising today can be reasonable and deliver fantastic results so if you want to be found on the internet then go outside the box and check out this way of amping up your online presence.
Find out about getting business from using the internet in the most current and ways for effective internet marketing for today's internet. Check it out and get an agent working to promote your business online for better results and lower costs for internet advertising . Spend less on internet advertising and get more customers. It works. If you're trying to get some amazing results and need an effective internet marketing campaign then click over to read more about it.
Also, you don't need a web site or a dot com name and you can still start getting organic listings showing up in the search engines about you or your business. If you want real customers from the internet then this is something you should really check out right now.....it's the real deal and seeing is believing so go see it now! To your success!
filed under: costs for internet advertising, effective internet marketing, effective internet advertising, internet marketing strategies,internet marketing campaigns, internet advertising campaign, spending on internet advertising
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