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https://cirict.org/help-writing-your-college-essay/ PROGRAM 5: THE PUZZLE WITHOUT AN ANSWER
Tuesday, March 12, 7 pm @ Anthology Film Archives
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Series co-presented with Pioneer Works
enter Evening co-presented with MONO NO AWARE
research paper writer software Karen Yasinsky, Jean-Paul Kelly & Basim Magdy in person for a discussion moderated by Assistant Professor of Culture and Media at the New School, Co-Vice President of the Flaherty Board Genevieve Yue.
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Last night was the fifth installment of Flaherty NYC's Spring 2019 program " speech ghostwriting websites au PUZZLING." Curated by the "PUZZLING" programmers online essay competition 2010 Mary Helena Clark and mba essay help Alexander Stewart, the evening's theme of a "The Puzzle Without an Answer" made for an excellent screening and discussion. Assistant Professor of Culture and Media at the New School, Genevieve Yue was in conversation with filmmakers Basim Magdy, Karen Yasinsky, and Jean-Paul Kelly. "Puzzling" is co-presented in collaboration with http://admissions.iuhs.edu/?page_id=viagra-i-danmark Pioneer Works. ethics and buying essays online Daniel Kent from Pioneer Works designed the series poster and another collectable custom risograph-printed program for last evening's screening. He will create a final edition for closing night of the series. The evening was co-presented with best university essay writer sites usa MONO NO AWARE.
For a program that sought specifically to upend and suspend the typical question/answer and problem/solution dynamic, the Q&A talkback was incredibly elucidating and revealing. The conversation began with filmmaker Basim Magdy's how do i delete messages from messenger on iphone 8 plus TURTLES ALL THE WAY DOWN, a meditation on the speculative nature of the possibility of the universe. The very title of the piece suggests the limits of the knowable and unknowable. Patterning his film after educational documentaries, Madgy said the impetus for his work was his own curiosity and fascination about the cosmic. Gaps in our knowledge about the universe, our questions on how it works, functions, and operates are the bases for Madgy's alternative theories presented in film. Magdy didn't attempt to offer the authoritative answers an educational documentary might provide, instead offering possibility in the impossibility of not knowing. The film ends without conclusion, urging the viewer to look for a non-existent object, to seek the unknowable. To say "turtles all the way down" signifies this eternal regress into the unknown.
In Jean-Paul Kelly's film where can i buy antibiotics online uk MOVEMENT IN SQUARES, the film juxtaposes two channels of footage; the right-hand side shows Kelly paging through a book of Op-art paintings by Bridget Riley, the left features appropriated footage from YouTube of dilapidated houses taken by a foreclosure broker at the height of the financial crisis circa 2008. Kelly said both channels provided two different observational tactics to comprehending the visual field. Bridget Riley's work involves taking light and color from the real world and limiting it into an abstract and optically illusory perceptual field. The YouTube footage shows an incredibly clinical approach to documenting the decay of the foreclosed homes. Although seemingly visually contradictory, both visual tactics formally aim to create a rupture our sense-making capabilities into a stabilized perceptive mode.
Karen Yasinsky's http://jeromechamber.com/event/thesis-statement-on-self-esteem/23/ VERA utilizes found footage of a woman explaining the best practices for preparing porterhouse steak for a family. She wears a plain pink coat, touching her finger gently to the flesh of the porterhouse steak, glancing off camera now and again before returning to her lesson. Yasinsky, in a laborious animation process, overlays a morphing spider web across the woman's face and body. Bix Beindenbecker's "Mississippi Mud" begins to play and overwhelms the woman's meat monologue as the cobwebs rearrange and disintegrate. Then the scene transforms into a fully animated world in which a rendering of a woman in a pink coat, a version of the live-action woman seen earlier, proceeds to rip off the head of a young child. "It's not violent," Yasinsky says, "there's kisses before."
Moderator Yue posits Ruben Bellinkx's best acknowledgment thesis THE sanskrit essay on games MUSICAL CHAIR as a central and unifying piece tying our three filmmakers together. How, like in the game of musical chairs, do our filmmakers treat open and unoccupied space within their work? Yasinsky said space is always a construction: political and psychological, as games are. You have to believe in some sense of space in order for there to be rooms, and you need to have rooms in order to have back rooms. For Jean-Paul Kelly, the game proposes a loser and winner in the end. In his film, the foreclosure broker embodies the role of "the winner", occupying the empty space created through human tragedies. For Madgy, the game of musical chairs demonstrates the ideas of discovery, literal vacancies in knowledge, an emptiness we want to claim. Yue concluded the final claim to space isn't as essential to the game as is the dance around the space, the process and building of tension around which the result will eventually arise.
Yue's comment echoes our largest takeaway from the evening's program: to never sacrifice our question, our unknowing, to a finite and concrete answer. Asking a question begets modulation, change, and flux, and the possibilities only open up from there. Other films in the program represented this joy in process. Bettina Hoffman's click HOLD ON never settles into a complete organized dance, as one dancer goes limp and the others attempt to keep him or her afloat. Perfect balance is forgone in the struggle for equilibrium.
We are looking forward to the closing night of Flaherty NYC's Spring Series "PUZZLING" on essay on process March 26, at Anthology Film Archives, 7 PM. We will enjoy a conversation between the curators of the series, Mary Helena Clark and Alexander Stewart with filmmaker http://bookclubofwashington.org/books/how-to-write-a-personal-biography-essay/14/ James N. Kienitz Wilkins. The theme for the closing night is "The Puzzle and the World." We would like to thank Genevieve Yue for moderating last night's wonderful conversation. Thank you to filmmakers Basim Magdy, Karen Yasinsky, and Jean-Paul Kelly for their contributions to the evening. We hope to see you all for the closing night of this fantastic series.
-Ben Titera
Photos by Anne-Katrine Hansen
Something is happening, but the motivation isn't apparent. The clues align but the bigger picture eludes comprehension. The films here portray experiments in logic, formal fragmentation, and ambiguity. They trouble traditional linearity and narrative order to uncover the unsayable or unknowable. Bodies move in tandem, homes are evacuated, animals attack. Larger puzzles are afoot here: life, loss, love, experience, death.
https://nyusternldp.blogs.stern.nyu.edu/relation-between-man-and-nature-essay/ FILMS
Robert Smithson & Nancy Holt
(1971, 6 min, 16mm-to-digital)
The action of the film is direct: Holt walks through the tall grasses of a swamp while filming with her Bolex camera, guided only by what she can see through the camera lens and by Smithson's verbal instructions. The viewer experiences the walk from Holt's point of view, seeing through her camera lens and hearing Smithson's spoken directions. Vision is obstructed and perception distorted as they stumble through the swamp grasses. Holt has stated that Swamp"…deals with limitations of perception through the camera eye as Bob and I struggled through a muddy New Jersey swamp. Verbal direction cannot easily be followed. As the reeds crash against the camera lens blocking vision and forming continuously shifting patterns, confusion ensues." (Courtesy of the Holt/Smithson Foundation and Electronic Arts Intermix (EAI), New York.)
http://www.sa.au.edu/t3-assets/write.php?how=linguistic-thesis STILL LIFE
Kevin Eskew
(2015, 3 min, digital)
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http://www.bhcarroll.edu/theology/cheap-generic-levitra-online/20/ TURTLES ALL THE WAY DOWN
cover letter for form i 129f Basim Magdy
(2009, 10 min, digital)
Turtles All the Way Down takes its title from a popular expression referring to the problem of infinite regress. The saying, which is believed to have originated in Hindu mythology, assumes that the Earth is supported by the back of a turtle, who rests on the back of a larger turtle, who in turn rests on an even larger turtle, and so on. Accompanied by a voiceover by the artist, which imitates the scientific authoritative voice of classic documentaries and educational television programs, the film discusses the structure of scientific thought, discoveries that have informed our knowledge of the universe, and questions about its limitless expansion into the unknown. Magdy's film is a celebration of curiosity in a time when knowledge and scientific findings are under attack by so-called alternative facts sprouting in the "post-truth" era. (Athens Biennial 2018)
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http://www.thefoodmission.com/6286-viagra-pages-edinburgh-girl-manson/ Karen Yasinsky
(2018, 6.5 min, digital)
Vera is character created over the time of animating the cobweb and thinking about Bix Beiderbecke's song, Mississippi Mud. She slides from live action to animation to the possession of an alternative body. Additional music by Andrew Bernstein with Gillian Waldo.
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buy cheap paper Bettina Hoffmann
(2016, 5.5 min, digital)
Four people are gathering in a vast room. Suddenly one gets weak and is about to collapse. The others try to keep her upright, though two of them cannot use their hands and arms, whereas the third one can only use her/his hands and nothing else. Their movements result in a chaotic and intimate, sometimes violent, at other times sensual struggle. All four move like one organism, an entity, which experiences a sick member or limb, trying to regain functionality. The imposed body restrictions create a very fragile situation in which one's movement that is not coordinated with the others can lead to falling and failure.
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Jean-Paul Kelly go to link
(2013, 13 min, digital)
Movement in Squares is a two-channel video comprised of three documentary sources: video appropriated from a Florida-based foreclosure broker who documents the condition of bank-owned properties at the time of their repossession; studio recordings that document retrospective exhibition catalogues of painter Bridget Riley; voice-over narration from filmmaker David Thompson's 1979 profile of Riley's work for the Arts Council of Great Britain. "In conversation on the screen, these elements put forth questions about representation, ethics and perception in how we look at images." (Pablo de Ocampo, 2013 Flaherty Seminar)
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Ruben Bellinkx
(2007, 10 min, 16mm)
In this film we see a chair being attacked by three dogs. The dogs compete with each other to gain possession of it. Eventually the fight results in the destruction of the chair. (Courtesy Ruben Bellinkx and Geukens & De Vil)
Dorothy Wiley
(1973, 12 min, 16mm)
"Miss Jesus Fries on Grill is a mysterious striking evocation of pain and the short-circuiting sensations of living in this predicament of death. It is impossible to convey the combination of counterpointing feelings this film arouses…Dorothy Wiley has such a clear but tender eye for life. Tender, not sentimental." (Mike Reynolds)
A pioneer of earthworks and public art, Nancy Holt also worked in sculpture, installation, film, video, and photography for over three decades. She is best known for her large-scale environmental sculptural works, including Sun Tunnels in Utah and Dark Star Park in Virginia. In the late 1960s and early 1970s, Holt made a series of pioneering film and video works, including several collaborations with Robert Smithson. Holt's early videos explore perception and memory through experiments with point of view and process.
Robert Smithson is recognized as one of the most influential artists of the twentieth century. Smithson, who was born in 1938 and died in 1973, was a seminal figure in the art form that became known as earthworks or land art. He radically redefined notions of sculpture through his writings and projects. Among his most important and well-known works are Spiral Jetty (1970), a monumental earthwork located in the Great Salt Lake, Utah, and Partially Buried Woodshed (1970) at Kent State University in Ohio. Smithson's critical writings have had an equally profound impact on contemporary art and theory.
Kevin Eskew is an animator based in Los Angeles. He received his MFA in Experimental Animation from CalArts. His short films have screened internationally at festivals including Ann Arbor Film Festival, Slamdance, Eyeworks Festival of Experimental Animation, and the New Chitose International Animation Festival.
Basim Magdy is interested in creating narrative structures that explore the space between reality and fiction and its influence on science, history, global culture and the dissemination of knowledge. Magdy, shoots on film and expands the aesthetic possibilities by treating it with various fluids that dissolve the images and add new details. Thus presents a perception of the world that consists of multiple parallel trajectories sliding between past, present and future. His films have been screened in venues such as the 53rd NY Film Festival, The New Museum Triennial 2015, NY, Tate Modern, London; The Film Society of Lincoln Center, NY, CPH:DOX Film Festival, Copenhagen, among others. (Loop Barcelona)
Karen Yasinsky is an artist and filmmaker working with animation, collage, painting and drawing. Her video installations and drawings have been shown in many venues internationally including the Mori Art Museum, Tokyo; PS1 Contemporary Art, NY; UCLA Hammer Museum, LA; the Wexner Center, Columbus, Museum Folkwang, Essen and Kunst Werke, Berlin. Her films and videos have been screened worldwide at various venues and film festivals including the National Gallery of Art, DC, MoMA, NY, the New York Film Festival's Views from the Avant Garde, Crossroads, SF, the San Francisco International, Images Festival, Toronto, the International Film Festival Rotterdam and the Ann Arbor Film Festival where she won the Leon Speakers Award for Best Sound Design in 2013.
Originally from Berlin, Germany, Bettina Hoffmann is based in Montreal, Canada. Her work was presented in gallery and museum exhibitions e.g. the Goethe Institut Montreal, Museum of Contemporary Art Montreal, Museum of Contemporary Photography Chicago, The Audrey and Sydney Irmas Collection, LA, and Berlinische Galerie in Berlin, which also included her work in their collection. She participated in video festivals internationally, e.g. Traverse Vidéo, Toulouse, Cinematheque San Francisco, European Media Art Festival in Osnabrück, Germany, and several times at the VAD festival, Girona, Spain during which she received a special award. Hoffmann received a Master of Fine Arts degree from Hochschule der Künste, Berlin and attended the California Institute of the Arts and the Rijksakademie van beeldende Kunsten, Amsterdam.
Jean-Paul Kelly (b. 1977; lives and works in Toronto) makes videos and exhibitions that pose questions about the limits of representation by examining complex associations in the production, reception and circulation of documentary material. His work has exhibited at Plug In ICA (Winnipeg), Delfina Foundation (London), Wexner Center for the Arts (Columbus), The Power Plant (Toronto), and Mercer Union (Toronto). Screenings include: Canada House (London), Courtisane Festival (Ghent), Vdrome, International Film Festival Rotterdam, New York Film Festival, and Toronto International Film Festival. He has held artist residencies at the ISCP (New York) and Delfina Foundation; and was a guest artist at the 2018 Brakhage Center Symposium and the 2013 Flaherty Seminar. Kelly received the 2015 Images Festival Award and the 2014 Kazuko Trust Award from the Film Society of Lincoln Center.
In his drawings, films and installations, Ruben Bellinkx (Wilrijk, Belgium, 1975) is first and foremost interested in the blurring of boundaries between subject/object, life/death, nature/culture, possible/impossible, reality/illusion, inside/outside. The way in which human beings treat the animal and the natural, and the consequences of domestication play an important role. The clash between a bourgeois, almost domestic conformism and an uncontrolled dynamic of water, plants and animals is a recurrent element in his work. With daily and commonly recognisable elements the viewer is confronted with unimaginable situations. Therefore, he has to reconsider his pre-conditioned position. Through multi layered images today's "safe" reality is shown in a vulnerable and fragile way. He is a guest professor in the department of Fine Arts at the School of Arts (KASK), University College Ghent.
Dorothy Wiley produced highly poetic films in the Bay Area art scene of the 1970s, including Zane Forbidden (1972), Letters (1972), Cabbage (1972),The Weeny Worm or the Fat Innkeeper (1972), Miss Jesus Fries on Grill (1973), Birth of Seth Andrew Kinmont (1977), and the feature length collaboration with Gunvor Nelson Five Artists: BillBobBillBillBob (1971).
Genevieve Yue is an assistant professor of Culture and Media and currently holds the Eugene M. Lang Professorship for Excellence in Teaching and Mentoring. She received her Ph.D. in the Critical Studies program at the School of Cinematic Arts, University of Southern California, in 2012, and has been a recipient of the Consortium for Faculty Diversity postdoctoral fellowship at Macalester College (2011–2013) and the Humanities Center Fellowship at the University of Rochester (2016). She is co-editor of Discourse: Journal for Theoretical Studies in Media and Culture, and her essays and criticism have appeared in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum.com, Film Comment, and Film Quarterly. She is also a film programmer and for fall 2016 she organized, with Chris Stults, "Wild Sounds," a film series on gender and voice for Flaherty NYC at Anthology Film Archives.
Pioneer Works is a cultural center dedicated to experimentation, education, and production across disciplines. Through a broad range of educational programs, performances, residencies, and exhibitions, Pioneer Works transcends disciplinary boundaries to foster a community where alternative modes of thought are activated and supported. We strive to make culture accessible to all.
MONO NO AWARE is a cinema-arts non-profit organization and film positive community working to promote connectivity through the cinematic experience. Established in 2007 and based in downtown Brooklyn MONO NO AWARE presents monthly artist-in-person screenings, organizes affordable analogue filmmaking workshops, facilitates equipment rentals, operates a film distribution initiative, maintains wet & dry-lab facilities and hosts an annual exhibition for contemporary artists and international filmmakers whose work incorporates Super 8mm, 16mm, 35mm or altered light projections as part of a live performance or installation. www.mononoawarefilm.com
Flaherty NYC at Anthology Film Archives: 32 Second Ave. (@2nd St.)
Tickets on sale at the box office 30 minutes before the screening.
Back to full series: PUZZLING


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I thought for sure over the last few weeks of editing our feature film, that it was okay to skip or forget meals. If anything I figured I would end up with fewer calories and probably lead to weight loss.
Well that idea went out the window pretty fast. I found myself getting slower and weaker and by the time we finished at around nine at night, I would just eat whatever was around. Healthy food or not, it was just easy and I would just go right to bed afterwards just to start again the next day.
The team and I have been working on a seven-day a week schedule and I really love the creative process. What I haven't loved is getting so tired that it started to put me to sleep on the couch.
So when it came time to listening to the almost a hundred experts and celebrities from over the last three years, it suddenly all really made sense.
Practice what you preach. If I add that lunch plus a snack or two, not only will I keep up that energy, but also I will make better choices throughout the day. I also found that my metabolism started to kick in more and the weight loss jump-started again.
I had always thought when I was a kid that if you were overweight, you could easily go for days without eating. When others would talk about starvation, I would simply look at myself and think there was no way that meant me.
Well, lesson learned. You must feed the mind as well as the body to achieve a functioning system. No matter what my size may be, this works for most living creatures.
So the next time the team breaks for lunch, so will I.

subset: commoncrawl


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The Parish Council is elected by the parishioners and is responsible for executing the strategic plan of the church. Working hand-in-hand with the Clergy, Parish Council members are actively involved in a variety of responsibilities including the financial affairs of the church, ministry development, and establishing the overall vision and mission to make the church the center of family life. Please see Fr. Dimitri Tobias if you have an interest in learning more.
2017 Parish Council Executive Board
President: Mr. Costa Tsiobanos
Vice President: Dr. Kosta Antonopoulos
Treasurers: Dr. Fotene Karantinos & Mr. Dean Karras
Secretary: Mrs. Mary Sharp
Parish Council 2017
We elect six members of the 12 person Council every year to serve a two year term.
Dr. Kosta Antonopoulos 2016-2017
Mrs. Mary Baryo 2016-2017
Mrs. Chrysoula Jones 2016-2017
Dr. Fotene Karantinos 2016-2017
Mr. Dean Karras 2017-2018
Mrs. Kassandra Ketchelos 2017-2018
Mrs. Natalie Ketchelos 2016-2017
Mrs. Andrea Konidas 2017-2018
Mrs. Maria Schultz 2016-2017
Mrs. Mary Sharp 2017-2018
Mr. Costa Tsiobanos 2017-2018
Mr. John Vlahoulis 2017-2018


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Thursday, March 21, 2013
Player share of SiB
6 comments:
- Rosco said...
Great visualisations but I can't help wonder how useful it is to omit all the January signings - Liverpool's stats must surely be rather different with Sturridge and Coutinho on board. Ditto Newcastle. Will
- March 22, 2013 at 4:59 AM
- Turd said...
Pretty looking as always, but I'm not sure what this new treemap format adds which you couldn't already show in say, a pie chart.
Also, since you're only showing one team at a time, it's a bit of a waste to use the colour scheme merely to indicate a player's team.
You could, for example, use a red-green colour gradient to show the percentage of SiBs converted into goals for each player.
- March 22, 2013 at 7:12 AM
- Chris Glover said...
It was just something I was playing with, wasn't supposed to be revolutionary.
- March 22, 2013 at 10:21 AM
- x00x said...
Chris Glover said...
It was just something I was playing with, wasn't supposed to be revolutionary.
--- lol. dont worry chris, the weather is starting to turn :)
personally i prefer not to have to click on every team to see the data.
- March 24, 2013 at 8:10 AM
- Wayne Marshall said...
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- March 24, 2013 at 10:02 PM
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- March 25, 2013 at 4:59 PM


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Leader in the Field of Biophysics and Computational Modeling Has Died
Klaus Schulten, professor of physics and Beckman faculty member for nearly 25 years, has died after an illness. A memorial service will be held at 10 am Mon, Nov. 7, at St. John's Catholic Newman Center, 604 E. Armory Ave & 6th Street, Champaign. A reception will follow in the Newman Center.
Schulten, who led Beckman's Theoretical and Computational Biophysics Group, was a leader in the field of biophysics, conducting seminal work in the area of dynamic computer simulations, illuminating biological processes and structures in ways that weren't possible before.
Schulten's goal from his start as an original Beckman researcher was to use mathematics and physics to study the natural world through advanced computation.
"When I was a young man, my goal was to look with mathematical and computational means at the inside of cells, one atom at a time, to decipher how living systems work," Schulten said. "That is what I strived for and I never deflected from this goal."
Schulten's group has created simulations that have provided never-before-seen views of such function as the chemical structure of the HIV capsid and the first-ever simulation of an entire life form, the complete satellite tobacco mosaic virus.
Schulten received his Ph.D. from Harvard University in 1974. He was Swanlund Professor of Physics and was affiliated with the Department of Chemistry as well as with the Center for Biophysics and Computational Biology. Schulten's professional interests included theoretical physics and theoretical biology. His research focused on the structure and function of supramolecular systems in the living cell, and on the development of non-equilibrium statistical mechanical descriptions and efficient computing tools for structural biology.
Visit the Theoretical and Computational Biophysics site for more on Schulten's work: http://www.ks.uiuc.edu/


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In the framework of the global business that SoftGuard Technologies Corp. carries out with Prosegur, our CEO, Mr. Daniel G. Banda, was invited by the Head of Electronic Security Systems, Mr. Javier Garcia Zamarron, to the Madrid headquarters of the famous group security, in Pajaritos Street 24 of that city.
The successful Tour that was carried out by Latin American countries and provinces of Argentina, will be closed on November 21 at the Yacht Club of Puerto Madero, Buenos Aires, in an event where the main companies of the market will participate and valuable information will be presented. for decision making.


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when we're ready to stick something in the oven we remember we forgot a key ingredient. In the case of Marion Cunningham's Buttermilk Scones, this week's Tuesdays with Dorie assignment, it was the sugar. The scones (I chose the pinwheel version) were cut, buttered and ready to pop in the oven when I suddenly remembered the sugar that was supposed to go in with the flour and buttermilk. By then it was too late so I decided to see if the sugar would be missed -- it wasn't. I had sprinkled enough sugar on the completed pinwheels that it made no difference whatsoever that there was none in the dough.
|Oops, I forgot the sugar when making the dough
But then I tend to like Marion Cunningham's recipes. As the editor of two revised editions of the Fannie Farmer Cookbook (a mainstay in my kitchen) I have come to trust Marion. And I love to watch her with Julia on You Tube making the recipes in "Baking with Julia." She's so relaxed, poised and elegant that it's hard to believe that she suffered from agoraphobia. When I learned this fact about her by reading her Wikipedia entry it just made me admire her all the more.
Marion suggested several kinds of fruits to put in the pinwheels but I picked something not on the list -- dates. It was an awesome choice and one I will make again. I liked the dough so well in this recipe that I thought it could be used to make quick cinnamon rolls when there is no time for yeast dough to rise. I served my scones with shepherd's pie, another British favorite in our house.


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Written by Andrew & Jason of Break Out Day
In June of 2006, our older brother, Jeff, was playing the Angels & Airwaves album We Don't Need to Whisper in his room a lot. The album had been released the previous month and he was constantly playing it. One day, he called us into his room and played us the first song from that album, called "Valkyrie Missile". As we were listening, one of us said "the singer sounds like the guy from blink-182." Our older brother told us that it was and that this was his new band. After hearing the song, and then the rest of the album, our lives were changed. It was so different than anything we had listened to previously and it sparked a desire to change who we were as people and sparked our passion for music. That summer, we both would listen to that album to and from our jobs as camp counsellors. Jeff continued to show us music from his favorite bands such as blink-182, Fall Out Boy, New Found Glory, and so many more. By that fall, we were no longer kids obsessed with sports. Our parents bought us each our first guitar. We would play our guitars as soon as we got home from school and all day on the weekends. The common themes of rebelliousness, being different, having fun, and relationships found in songs from these bands resonated with us. We began wearing clothing from brands our favorite musicians wore and/or founded. We were so deeply immersed in this territory that was new and exciting for us. Fast forward to 2018 and here we are with our own band that's released two EP's and the road to get here started in our older brother's room listening to Angels & Airwaves.


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Make these adorable Cinco de Mayo piñata cookies! (RECIPE)
Whether you're already planning your Cinco de Mayo celebration or haven't even thought about it yet (or maybe not even planning to do anything at all), I have something to tell you: You. Must. Make. These. Cookies.
Seriously. How cute are they?!
I'm not even Mexican and I cannot WAIT to try these Cinco de Maya piñata cookies. I just wish I was the creative mind that thought these up. But, no, they were conceived by Sandra Denneler for SheKnows.com and boy did she get it right! Nobody in the family will be able to resist these beauties. My only concern is that nobody will want to eat them because they are just that adorable. Either way, though, add these to your Cinco de Mayo festivities and get ready to wow them all!
Read more ¿Qué más? 5 Cinco de Mayo drinks better than beer and margaritas.
Cinco de Mayo Piñata Cookies (recipe courtesy of SheKnows.com)
1 cup sugar
1 cup powdered sugar
1 cup butter
1 cup vegetable oil
2 eggs
1 teaspoon cream of tartar
1 teaspoon salt
1 teaspoon almond extract
1 teaspoon baking soda
5 cups flour
1 tablespoon vanilla
Mini M&M candies
1/2 cup powdered sugar (frosting)
2 teaspoons milk (frosting)
1. Make the dough: Cream sugars with butter. Beat in eggs. Add oil. Combine dry ingredients together, and then gradually add them to the mixture. Mix in vanilla and almond extract.
2. Color the dough: Split dough into five, even-sized balls and one smaller ball (this will be the black one). Add food coloring to each of the dough balls until desired color is achieved. Gel food coloring gives you more intense colors than liquid.
3. Layer the dough: Use a container the same approximate width of your donkey/burro piñata cookie cutter, and line it with plastic food wrap. Split all of your colored dough balls in half (except the black) and begin layering the dough in the container, starting with the black dough on the bottom. Alternate the colors so that you end up with two layers of each color by the time you're done.
4. Wait: Cover the layered dough and freeze for four hours or overnight. This is the perfect time to conserve your creative juices for what lies ahead.
5. Bake the cookies: Remove the dough from the container and unwrap from the plastic. Cut slices, approximately 1/4-inch wide. Place them on a baking sheet lined with parchment paper. Bake them at 350 degrees F for 12 minutes.
6. Cut the cookies: Immediately after you take them out of the oven, use your burro piñata cookie cutter to cut the cookie shapes. Working in sets of three, be sure to cut two burro piñata cookies in one direction and one burro piñata cookie in the opposite direction. (Just flip your cookie cutter over.) That way, when you go to assemble them, the finished cookie will look "pretty" on both sides -- because the baked, bottom sides will be hidden.
7. Create the hidden pocket: For the middle cookies in each set, cut off the ears and legs, and cut out the center where the M&Ms will go. I used a small square cutter, and made three cuts to get a narrow rectangle. Try to work quickly, because as the cookies cool, they are more likely to crumble or break. Let them cool on the baking sheet before you move them and remove the excess, outer cookie.
8. Assemble the piñata cookies: To assemble, take the first piñata cookie and lay it upside down so that the baked bottom is facing up. Outline the center of the piñata body with a "frosting glue" mixture of milk and powdered sugar. (I used 1/2 cup of powdered sugar and two teaspoons of milk. If you put it inside a Ziploc bag and cut off a tiny tip of the bag's corner, you can pipe it onto the cookie easily.)
Put the middle cookie on top of the frosting glue and add the M&Ms to the open center. Put another outline of frosting glue on the middle cookie and place the opposite-cut piñata cookie on top (so that the pretty side is facing out). Let these sit and harden for at least 30 minutes before you stand them upright.
9. Show off your finished piñata cookie! This recipe will make six to eight piñata cookies.
Check out the slideshow below to see some of the more complicated steps!
Image via Sheknows.com


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As you probably know from my previous trips to Sonoma and Santa Ynez Valley, I absolutely love to go wine tasting. We are spoiled in California, having so many fabulous wine regions throughout the state!
This past Sunday, Julie and I attended the Family Winemakers of California tasting event. Family Winemakers of California is a wonderful association that supports small, family-owned wineries across the state. At this event, over 150 wineries gathered at the Pasadena Convention Center to showcase their wine, and over 750 wines were poured.
Julie and I made our way inside the Convention Center, grabbed a glass, and got down to business!
What I loved about this event was having the chance to speak directly with the winemakers themselves to learn about the different growing regions, and hear the stories behind the wine. It was fascinating and so educational!
One thing that really interested me is certain wineries' dedication to sustainable farming and going "green." Halter Ranch Vineyard, based in Paso Robles, opened their state of the art facility in 2011. They farm organic and are SIP Certified (Sustainability in Practice), which is a comprehensive ratings program committed to protecting natural and human resources. The winemakers at Halter Ranch emphasized how important it was for them to preserve the natural habitat at their estate.
The winemakers at Halter Ranch also told me about their winery and cave tours. They have 20,000 square feet of caves at their property. Paso Robles is next on my wine tasting list, and I can't wait to check that out!
Since I hadn't heard of many of these wineries prior to this event, we chose to taste certain wines based purely on their fabulous names! Frog's Tooth Vineyards, Idle Hour Winery, ONX Wines, and Herb Lamb Vineyards definitely caught our eye. So did Foxen Vineyard & Winery and Justin Vineyards & Winery, as I had tried their wines before and loved them.
When we needed a break from wine, we headed straight for the tables filled with cheese and bread.
One of Julie's favorite parts about the day was the booth that offered a wine test. You tasted three wines to determine which one had the most oak, fruit, and tannins. She got them all right! Sadly, I did not.
This event was so much fun and such a great way to learn more about wine. I can't wait to go again next year!


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|Haseeb Ahmad Khan
Professor, Department of Biochemistry, King Saud University, Riyadh, Saudi Arabia
|Prof. Haseeb A. Khan is a Distinguished Professor at the Department of Biochemistry, College of Science, King Saud University, Riyadh, Saudi Arabia. He is also a Group Leader of Analytical and Molecular Bioscience Research Group and a Chair Professor at Prince Sultan Research Chair for Environment and Wildlife, King Saud University. Before moving to King Saud University, he served as a Senior Scientist at Armed Forces Hospital, Riyadh, Saudi Arabia. He obtained his PhD from Aligarh Muslim University, Aligarh, India and received scientific trainings at USA, UK, Denmark and Finland. He is a Fellow of the Royal College of Pathologists and the Royal Society of Chemistry, UK. He is an editorial board member of several international journals. He has authored more than 200 publications including 2 books and 17 book chapters. He is a recipient of Microsoft eScinece Award.
|Research Interest
|Clinical biochemistry, Metabolic diseases, Nanomedicine, Environmental toxicology


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1990 Aug. 30
McCormack, Mark H.
Japan - Concerning the attached letter from Michael Bonallack of the Royal and Ancient Golf Club of St. Andrews, regarding information from the Japan Golf Association about the travel arrangements for the Royal and Ancient to visit Japan.
1993 Jan. 25
McCormack, Mark H.
Japan - McCormack suggests meal plans (including a staff meal) for his upcoming Tokyo trip.
1993 Jan. 11
McCormack, Mark H.
Japan - McCormack writes IMG Tokyo office with questions about his upcoming trip to Japan, including dinner plans, meetings with specific companies, and lodging location of tennis players in tournament.
1993 Aug. 30
McCormack, Mark H.
Japan - McCormack requests an updated schedule for his Japanese visit every day for the next few days. He asks if he can schedule a lunch meeting with Tokushima of Coca Cola Japan on the 20th or 21st.


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The Polaris area....Columbus Ohio, 43240 homes for sale or some of the Polaris area is in the 43240 ZIP code anyway. These homes (condominiums and single family homes) are in Delaware County, the Olentangy School District and either the City of Columbus or Orange Township, I believe ... best to check the auditors records on each and every home.
Central Ohio school districts including the Olentangy School Disctrict - Maureen McCabe Real Living HER
There is only 6 moths inventory of homes for sale in comparison to 18.7 months of inventory at the end of July 2008. Look at the inventory of homes for sale in the area at the end of January 2009!
Columbus Ohio, 43240 homes for sale - a market report
42 homes for sale
7 homes sold
6 months of inventory based on sales
Average active price $195,000
Average sale price $157,000
25% less inventory than a year ago.
67.9% less - Months of Inventory (based on closed Sales) in comparison to July 2008
Columbus Ohio 43240 homes for sale - neighborhoods
The Lakes at Polaris, Prestwick Commons, Prestwick Green, The Retreat at Polaris, Village at Polaris Green, Village at Polaris Park, Village at Worthington Crossing, Woods at Polaris are just some of the neighborhoods in the 43240 ZIP code. Inventory varies by price range too. The graph shows all homes in the ZIP code, all price ranges.
Columbus Ohio, 43240 homes for sale July 2009 a market report through June 2009
Search Columbus Ohio 43240 homes for sale
Trendgraphix uses single family and condominium sales combined. The graphs are based on data available at the end of July 2009. The graph was created with data from the Columbus Board of REALTORS® and Trendgraphix. Only Real Living HER and their agents are licensed to use Trendgraphix in Central Ohio.


text: INTRODUCTION Why did we create this guide? This guide was created to educate marketers on ways to use analytics to both accurately measure and optimize the performance of web properties and digital marketing initiatives. The intent of this guide is to provide readers with a strong understanding of the benefits of a refined measurement plan and analytics … Continued


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What About ME?
People who are a part of implementing change in organizations know that no matter what initial communications are happening in the organization, that pretty much everybody in the audience is thinking some variation of "What does this mean to me?". In fact, one aspect of the communication plan is to do one's best to give people this information. Why? Well, two things come to mind: 1) people kind of need that information and 2) it opens them up to be able to hear the rest of the message.
It is well known that when somebody is given shocking news – such as a serious health scare or, in organizations, told their job will be eliminated, they go into a shock state and guestimates are that they hear about 20% of the message – a reason people are sent away with written information they can review (if the communication is delivered well).
This happens in personal relationships also. What happens to one happens to the entire family and we can't help but go into that "What about Me" place. It can take some conscious effort to set aside your own personal response, often fear or security based, when your partner has something big affect them such as a job change or health scare.
While both conversations need to happen – the one about them and the one about you, see what you can do to focus on the other first and park your instinct to make it about you. Why? Firstly, it is what a supportive partner does. Secondly, when the other person is in that panic/shock/stress place, the only thing they CAN think about is themselves. It isn't being selfish, it is that the brain can't go anywhere except me, me, me when in this state.
Using your empathy skills will help bring the other person out of this state to where they can then be more resourceful and actually be willing and able to hear the concerns or perspective of another person. Trying to force somebody to see your point of view in panic mode will only lead to unhappy outcomes – people feeling unheard, unsupported, getting positional. You know the unproductive patterns in your relationship – that's where you go! Wouldn't it be better to take a breath, leave your own stuff behind until it can be addressed from a calmer place?
PS: Don't have any empathy skills??? Better get some. They will help you in ways you cannot even imagine and are a key skill to have in your relationship toolbox.
If you are going through a relationship challenge and want some assistance working it through, contact me at rosalieboulter.ca for an obligation free consultation.


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Kiwi - Belle Soie Silk Floss
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Designer: Classic Colorworks
Classic Colorworks (Crescent Colours) silks are hand dyed with the same creative eye and flair you've come to enjoy in their cotton flosses, with a softness unmatched in other silks. They start with a 12-stranded spun silk, and package them into 5-yard skeins.
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The problem with Seeker Friendly Churches
I first heard this term last year during a conference. The only thing I learned about it (wasn't the topic for the day) was that these churches are not offensive to non-Christians and generally have a huge following. The thinking behind these churches is this: "get people in the church any way we can, and let God figure out how to save them." Church members feel it's their job to go recruit anyone not in a church to attend their church and will practically bribe them to go to church by offering multiple services and activities such as getaways, dramas/plays, etc. While it is certainly possible to get messages across through various music, skits and such, it tends to create a membership that attends for the activities versus a body that attends to learn more about discipleship. Sometimes, it can get downright ridiculous and shows a desperation to build the church through numbers filling seats.
– Entertainment driven church
– Marketing God like Beer and Sports Cars
I originally thought that these churches offered beginner messages for those coming to know Christ so they could work their way up to the meatier parts of the gospel. A few weeks ago, I started wondering what happens after people join these churches? If these churches just offered the "light" side of God and warm, fuzzy messages, then when were the members going to learn the deeper truths?
What is often the result of these churches is an inadequate gospel that focuses on church growth, teaching a self-help message sprinkled with Bible verses to lift spirits (eg "Everything's going to be alright!" "This is your year!" "The wealth of the wicked is about to be transferred into the hands of the righteous!") and very little, if any, discussion of living a life of righteousness. When Christians that have been pursuing righteousness or dedicated themselves to pursuing discipleship attempt to share the parts of the Bible discussing sin and holy living, they are generally shunned and seen as negative, "holier than thou" legalistics looking to control others through judgmental statements because….after all, "Grace covers sin". This "gentle conversion" method with emphasis on keeping members happy is a disservice to its members which can cost people their souls and is quite serious.
Why is this a big deal?
– Paul Washer Mocks Modern Gospel
– Sinner aka Seeker Friendly Church
Let's consider this from another angle. We, as Christians, have spent quite some time trying not to offend people, but the truth is….the Gospel IS offensive! Jesus says He is the ONLY way to God….period! There are no "other paths" to Heaven. The Bible says our works and our "goodness" are worthless and as filthy rags because we were born into sin and transgress against God. We are supposed to die to ourselves, control our desires and thoughts, love our enemies, pray for and bless those who persecute us, display fruits of the Spirit, lay up our treasures in Heaven, be Spirit-led, do everything for the glory of God. Jesus says the man not born of the Spirit cannot understand spiritual things. The flesh and spirit oppose each other, so God must touch man's heart and draw him unto Him before man will seek God. So, that would mean that seeker friendly churches are irrelevant because people don't want to come off the street and out of sin to find God.
"No man can come to me, except the Father which hath sent me draw him: and I will raise him up at the last day."John 6:44
Was Jesus concerned about gathering a huge following, entertaining them or sparing their feelings? (Consider Him turning over tables in the temple or telling people their father is the devil.)
– Seeker Sensitive Jesus?
Maybe we should focus on teaching and learning the Bible as demonstrated in the New Testament and let Jesus build His church.
"Except the LORD build the house, they labour in vain that build it: except the LORD keep the city, the watchman waketh but in vain." Psalm 127:1
"And I, if I be lifted up from the earth, will draw all men unto me." John 12:32


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Weekend Reclamation Project – Less is More
Back to basics in my quest for a whole wheat sourdough that doesn't take over my weekend or keep me up half the night.
The method this time is about as conventional as it gets, except for the long, refrigerated pauses. Some of my previous attempts were so far from my usual routine that simply getting my head around them was a chore, and the bread suffered as a result. My brain will only put up with so much!
The guiding premise of this attempt did turn out to be "less is more". The dough sits around for so long that it tends to get worn out by the time it goes in the oven. So, this batch was subjected to less kneading, less bulk ferment time at room temperature and less final proof time. And it feels like I'm moving in a better direction. It's not perfect, but it's something worth tinkering with.
This formula is for 2 loaves - approx. 2 kg total final dough.
Day One - starter build
286g whole wheat bread flour
50g whole rye flour
252g water
110g whole wheat starter @ 75% hydration
Mix everything, knead for 5 min. Ferment @ room temp (65F) for 12 hrs, then refrigerate 10 hrs.
Day Two - final dough
700g whole wheat bread flour
525g water
All of the starter
2 ½ tsp salt
+20g water for kneading
Mix flour and water. Autolyse 20min
Add starter and salt, knead gently with wet hands 7-8 minutes.
Bulk ferment 1 hr at room temp. then 21 hrs in refrigerator.
Day Three - proof and bake
Flatten out the dough and let it warm (covered) 1hr at room temp.
Divide and shape.
Proof 1 ½ hrs at approx 75F. Preheat stone to 500F.
Bake 475F 15minutes - 10 minutes covered to steam.
Bake 425F another 40 minutes.
Next steps -
Leave out the rye. As much as I love a little rye in everything I fear that it may be working against me in this case. Maybe my reasoning is off, but I'm trying to protect the dough during its long, cold fermentation and rye generally encourages more fermentation, right? We'll see.
Lower slower bake. The bread is a little dense and takes while to bake through. It improves considerably after a day or two on the counter, which makes me think a little more oven time could help. I'll keep the hot, steamy start then drop the temp a little more and bake a little longer. I'll give it a bit of drying time with the oven off as well.
I think that will be enough tinkering for one bake. Except maybe I'll also try... =)
Side experiment - photos below
As I was shaping the first loaf I decided to try something different with the second. The loaf on the right was shaped in traditional batard fashion: flattened into a rectangle, long ends pulled to the middle, then folded in half. The loaf on the left was shaped along the lines of the boule method described in dmsnyder's excellent tutorial. I gave it three foldings instead of one (not because I thought it would be better, but because I couldn't quite remember how it went, I just knew there was folding - now it is locked in my brain for next time!) and then gently coaxed it into an oblong shape. There was no visible difference while proofing, but when they hit the oven they sprang very differently. The boule shaped loaf clearly tried to return to its original shape, resulting in what I think was a better spring and a more attractive final loaf. Thank you David!


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Please select your desired size from the available options at the top of this page.
We also stock various lengths of triangular bunting, multi-national bunting (perfect for sports competitions), and also various other buntings such as celebrational and multi-coloured decorative bunting.
Our buntings are all made out of 100% polyester. Polyester buntings can be used indoors or outdoors, but we do not recommend leaving them outside during bad weather as their lifespan will be considerably reduced.The flags are heat cut to give them a clean, straight edge and then they are sewn onto a strong polyester tape.
Write a review and share your thoughts with other shoppers.


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There is no reason for Lord Green of Hurstpierpoint, the trade minister, to answer questions in the House of Lords over his role as head of HSBC while the bank's subsidiaries were alleged to have been involved in money laundering, peers have been told.
Lord Strathclyde, the leader of the upper house, brushed off Labour requests for Green to answer questions on the grounds that he is not accountable to peers for his business career.
"There is no urgency in this matter," Strathclyde told peers. "The investigation started over two years ago. The report in question was published two weeks ago. There was no evidence of personal wrongdoing of [Lord Green]. Indeed there was no personal criticism of [Lord Green] whatsoever and the investigation is ongoing.
"As for ministerial accountability, he is accountable to this house for the work he does as a minister. But we have had many ministers who've had previous careers. No minister needs to be accountable to parliament for his previous career, only for what they are doing as ministers."
Labour has been demanding that Green appear before peers after a US senate committee found HSBC had ignored warnings that its global operations were being used by money launderers while the minister was running the bank. Green joined HSBC in 1982 and was its chief executive and then chairman between 2006-10.
Senator Carl Levin, chairman of the senate sub-committee, said: "In an age of international terrorism, drug violence in our streets and on our borders, and organised crime, stopping illicit money flows that support those atrocities is a national security imperative.
"HSBC used its US bank as a gateway into the US financial system for some HSBC affiliates around the world to provide US dollar services to clients while playing fast and loose with US banking rules."
Labour piled on the pressure by pointing out that Green had been invited to dinner by HSBC on 9 January this year. The dinner appears in a list of hospitality declared by ministers at the Department of Business.
Labour peer Clive Hollick tweeted: "If Lord Green, former chair of HSBC, is innocent and ignorant of money laundering why doesn't he just come to the chamber and say so?"
Lady Royall of Blaisdon, the Labour leader in the Lords, said Green should answer questions because the ministerial code says "ministers should be as open as possible" with parliament. "Would not such a move give Lord Green the opportunity to dispel once and for all the questions being asked about his present ministerial role," she asked.
But Lord Butler of Brockwell, a member of the HSBC board for a decade after his retirement as cabinet secretary in 1998, mounted a strong defence of Green.
He said: "While it may be the case that the chairman and chief executive officer of a major international company is accountable for everything that happens in that company, there is no possible way in which the chairman and chief executive can be responsible for everything that happens in a worldwide group of the size of HSBC."
Chris Leslie MP, the shadow financial secretary to the Treasury, said: "With his repeated refusals to answer questions about what he knew and when, Lord Green is treating Parliament and the public with contempt. He is not just a Minister in David Cameron's government, he is also an adviser to the Chancellor on banking issues and a member of the Cabinet Committee for banking reform. He must be accountable to Parliament."


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Nellie + Ed
September, 1946
Gen + Ray
September, 1951
These are my grandparents. Words cannot express how much I love them, and I'm truly inspired by their legacy of love. When I see these photos, my heart swells. I'm reminded of the vows they spoke and lived out; the people they once were, the people they've become, the families they created, and the life of love they've fostered. These photos might show the beginning of their stories, but with time they've come to represent so much more.
It's my deepest honor to photograph your wedding day, and it's my greatest hope that the photos I create of your wedding will one day be shared with your children, and their children, and on and on. I want these photos to be a way that they see YOU, and that your personalities and love for each other shine through abundantly clearly.
Wedding photography isn't just about the wedding day. It tells a story that goes on long after the cake has been cut and the DJ stops spinning. Wedding photography is an investment in your future, and becomes a piece of your legacy. The moments themselves may be fleeting, but my goal is to capture them in a way that helps the memories live on forever.
I've photographed over 200 weddings, endured nearly every type of weather, witnessed a multitude of emotions, and cried through countless vows. Even though I have years of experience, none of this is old or redundant to me. Each wedding feels like a new day, and I'm honored to be at each one. You have my word that you can trust me to know what to do when the weather turns foul, or the veil flies off. You can count on me to help ease your worries when the stress is running high, to be simultaneously discreet and totally present, and most importantly, to commit myself to seeing and documenting your celebration in a way that's as unique and beautiful as the love you're celebrating.
Click "say hello" above to begin our conversation and receive a detailed pricing packet.


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I wish I had heard about this earlier. Last night at the Washington Nationals baseball game it was Stitch and Pitch night.
"Stitch and Pitch" games, sponsored by the National NeedleArts Association, bring knitters to Major League Baseball games -- 23 of them this season. The events are designed to promote knitting, but they also have a profound effect on conversation in the grandstands. In most of RFK Stadium, the talk Monday night was of the Nats finally sweeping a series this season. But up in section 518, among stitchers, the conversation was . . . different…
Downstairs, near a barbecue stand in the stadium's concrete walkways, Barbara Paley, the NeedleArts Association's marketing expert, was explaining the cosmic meaning of Stitch and Pitch.
"The rhythms of baseball and the rhythms of the needle arts fit together perfectly," she said. "They're both timeless. There's no time limit."
I grew up watching baseball. I have a souvenir bat from the Houston Colt 45's (that is pre-Astrodome days). I spent countless hours watching the Tulsa Oilers. The Oilers were a AAA minor league team for the St. Louis Cardinals so Tulsa was a Cardinals town. In 1967 my elementary school gathered the students into the gymnasium and hooked up a television on the stage so we could all watch the World Series games that were broadcast in the afternoon. By the time I was a teenager, a summer evening at the ballpark was the preferred social outing for my crowd. We watched some of the games, but we also did a lot of wandering around, giggling and whispering about the cute guy hawking Cokes behind first base.
As soon as my children were old enough to play, they started T-ball in the spring. However, the next fall they started soccer. Once they tasted the non-stop action of soccer, they really never considered baseball again. Before you know it, I was hooked on soccer too. It is constant action with no time-outs. The attacks and counter-attacks move at breakneck speed. It combines dazzling individual skills with precision teamwork. After watching soccer, going back to the slow, measured pace of baseball is really difficult for me. That is why the Stitch and Pitch games appeal to me. All that empty space while the pitcher and catcher alternately nod and shake their heads, while the coaches do their hand signal dance, and while we watch the sixth foul ball with a strike count of two can be filled with stitching. I have never learned to knit, but I love to crochet and cross-stitch. Rather than feeling impatient or bored, I will feel relaxed yet still productive.
There are no more official Stitch and Pitch games scheduled for the Washington Nationals, but I may make a game this season anyway. I will just remember to take my bag of yarn along as well. Stitch one! Stitch two! Stitch three!


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Over the last three generations, MPAR Developments a family owned and operated business has focused on real estate development, construction and engineering. Over the past 40 years, MPAR's projects have included residential homes, master planned subdivisions, academic residences, condominiums, industrial and commercial buildings, non-profit housing and seniors' communities.
MPAR Developments brings a diversified portfolio of projects forward through land acquisitions, development, construction management and marketing. Well versed in analyzing emerging real estate trends MPAR Developments has the critical experience and knowledge to know when and where to develop.
MPAR developments private, innovative projects are part of their continuing commitment to establishing progressive and vibrant developments, which stay attuned to the character and ambiance of the surrounding community. Clients and purchasers benefit from MPAR's passion and high standards. They consistently build unique projects focusing on quality, lifestyle, location and value.
MPAR Developments is dedicated to reducing its environmental impact by developing sustainable buildings through the adoption of new green technologies.Continuous research allows them to integrate the most efficient and innovative products into their buildings. These measures help ensure a higher quality of lifestyle as well as respecting the environment for future generations.


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Award 1 Course Overview
The Award 1 course has been designed to take account of the different playing capacities that exist between children (up to 12 years), youths (age 13 â 18) and Adults (age 19+) and the competencies that a coach is required to display when working with each of the playing populations. Therefore, coaches can specialise in coaching the particular players that they are involved with.
Competencies to be developed
The course is ran over 8 nights (each session lasting 2.5 hours) and coaches wishing to attend must hold the Foundation Award for at least the last 12 months. The course covers a number of key modules including:
The focus of the course is the further development of the âHow to Coachâ skills by placing the participant in situations that they will face as coaches â the organisation of games activities, activities to develop skill and activities to develop the various aspects of physical fitness. By the end of this course participants will be able to:
Course Philosophy
The GAA is committed to implementing an integrated Coach Education Programme with a view to maximising participation, optimising playing standards and ensuring that playersâ needs are catered for in a balanced way.
The course is designed to promote the development of the How to Coach skills through modelling of best practice, as demonstrated by the tutor, experiential learning and through the guided reflection on previous experiences â as a coach, player, official or parent â facilitated by the tutor.
Attending a Course
The Award 1 courses are organised locally within each County. To view upcoming courses in your County or to reserve a place on a course, please contact Laois GDA James Kelly (085-7744397)


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- Veterans Administration (VA) hospitals have seen a disturbing trend of veterans committing suicide on hospital property; 17 such suicides took place from October 2017 to November 2018, 7 of them in parking lots, the Washington Post reported.
- Mental health experts are concerned veterans are taking their lives on VA property as "a desperate form of protest" against a health care system that hasn't helped them.
- "These suicides are sentinel events," said Eric Caine, MD, director of the Injury Control Research Center for Suicide Prevention at the University of Rochester.
- "It's very important for the VA to recognize that the place of a suicide can have great meaning," he said.
- The VA started tracking on-campus suicides and attempts in 2017; it stopped 233 attempts since then.
- The VA now trains parking lot attendants and patrols on suicide intervention.
- The Post cited cases of veterans who took their own lives after frustrating encounters with the bureaucracy or difficulty getting the mental health care they needed.
Keita Franklin, VA's executive director for suicide prevention, said the deaths are "beyond frustrating and heartbreaking," and that local VA facilities must develop good relationships with veterans and their families and check for firearm access.
It would seem that these suicides MAY BE causing some minor changes within the VA system… there seems to be little "over flow" to the general chronic pain community. Two entities that do not seem to be the least bit phased by their otherwise preventable suicides… Congress and the DEA… We know that Congress passed the "Decade of pain legislation" https://lifeinpain.org/node/141/ in 2000 and may have contributed the fabricated opiate crisis and did not renew or extend that law when it expired at the end of 10 yrs. It has also been stated that normally Congress consists of abt 40% attorneys… part of the same judicial system as the DEA. What we don't know is how many closed door meetings between members of Congress and the DEA… We don't know how much lobbying is done on members of Congress by the DEA.
What we do know is that a untold number of petitions have been created… that untold number of letters, emails, faxes have been sent to members of Congress
What we do know is that there has been numerous parts of the bureaucracy have had proposals that was open for comments from the general public and generally no matter how many comments against what was proposed… for the most part … things are done as they were originally proposed. What we know is that chronic pain pts are being thrown into under/untreated pain by prescribers mis-applying the CDC opiate dosing guidelines and we know that many are committing suicide, but many of their deaths are not being documented as such.
There is a lot of jobs attached to the fabricated war on drugs.. .which will soon (2020) reach its 50th anniversary and can anyone even believe that any progress has been made ? The budget for this war started at 42 million/yr and is now stated to be 81 billion/yr.
A few attorneys are starting to pay attention to what is going on and all the damage being done to people in the chronic pain community and the healthcare providers that are attempting to care for them. Here is one attorney that has filed his first lawsuit against a pain doc who is mandating that pts MUST HAVE ESI to be able to get oral opiates for their pain http://www.pharmaciststeve.com/?p=28739
Filed under: General Problems


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|Project by MrMarvellous
|posted 02-15-2017 05:20 PM
|1843 views
|6 times favorited
|6 comments
Finally, I finished my first real project!
It is a puzzle composed of 27 cubes of oak and beech.
They are linked together by a sandow which crosses them through and through.
The oak cubes were tinted with walnut stain.
Then, they were varnished with spray lacqueer.
It was made for a Christmas gift.
The last 2 photos show how the elastic is fixed in the extremities because many people have asked me how it's held :)
-- In wood we trust !
6 comments so far
#1 posted 02-15-2017 06:30 PM
Nice cube!
#2 posted 02-15-2017 08:16 PM
cool – way too many pieces for me to keep track of
-- Dick, Malvern Ohio - my biggest fear is that when I die, my wife sells my toys for what I told her I paid for them
#3 posted 02-16-2017 06:26 AM
Those wooden puzzle games are pretty challenging for adaults too.
-- Ivan, Croatia, Wooddicted
#4 posted 02-16-2017 12:42 PM
Thank you all !
-- In wood we trust !
#5 posted 02-16-2017 03:09 PM
Well done! Does the third photo show the required way the 27 pieces must be arranged? How did you drill/connect the parts where the connections are on adjacent faces?
-- socrbent Ohio
#6 posted 04-20-2017 08:23 AM
Sorry, I had not seen your comment yet
Yes, the third photo show the final arrangement.
-- In wood we trust !
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Takuma concept 7'10 BX WINDFOIL SUP
- Availability:
- 2-3 Days
- Product Code:
- Takuma concept 7'10 BX WINDFOIL SUP
- Brand:
In stock - message us for options
Made for flying with agility
Designed for an easy and fast take off when foiling. A Large tail to help stability to fly up on the foil as soon as possible.A Shorter board is easier to pump and generate additional speed easily.Sensible Rocker for use as a SUP with added nose flip to aid keeping the board from pearling. Volume and width in the nose for stability and control whilst wind foiling.
The BX 7'10 model comes with options
SUP with Windsurf track
SUP with Windsurf track and footstrap inserts 10.1kg
7'10''x 30''x 4'' 1/2 : 138L
EPS Foam with Full wood sandwich construction
Reinforced PVC Foil box position
EVA diamond brushed Deckpad
Supplied with 4 plastic futures fins for use a conventional SUP
2 US boxes for ( foil position)
Carry handle
2 Leashing points
Gore tex valve
2 x foot straps supplied with (7'10 Windsurf track and foot strap insert board)
Windsurf track option
Delivery Information
We recommend picking up SUP boards in person
The shipping / postage of your item(s) will be automatically calculated based on weight/size. (in some cases ie Highlands of scotland, there may be an additional surcharge)
We use Royal Mail for small items and TNT for larger items which require a signature at time of arrival.
FREE UK SHIPPING - This applies on some items and is sometimes displayed - however this is only for U.K orders and Excludes Scottish Highlands & Europe.
Please note If postage is not calculated there may be a problem with your order / In the case of a change of delivery price, we will always contact you first to ensure that the price is acceptable. POSTAGE IS FOR U.K MAINLAND ONLY.
We will not accept any liability for any damaged goods if the DELIVERY is not signed for as 'DAMAGED'
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We reserve the right to refund your purchase should stock not be available to ourselves at the time of ordering.


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Four years after my Masters of Research in Maternal and Fetal Health at The University of Manchester, our paper is finally published in Theranostics which means I have my first science journal publication! As other scientists will know, this is a very exciting moment in our science journey.
The title is "Placental Homing Peptide-microRNA Inhibitor Conjugates for Targeted Enhancement of Intrinsic Placental Growth Signaling". What does that mean?! In simple terms, it's all about targeting the placenta in order to enhance its function by delivering therapeutic molecules to it. Science journals can be very inaccessible to non-scientists but it is so important we relay our scientific findings to the public. I'm going to talk about why an earth we did this research, how we did it, our results and what they mean… and hopefully it all makes sense and you've learnt something new!
The background…
Many serious pregnancy complications such as pre-eclampsia (high blood pressure and protein present in the urine), fetal growth restriction (FGR; baby is smaller than average) and macrosomia (baby is larger than average) develop as a result of suboptimal growth and development of the placenta. The placenta is the interface between mother and baby for nutrient transfer.
These conditions can lead to preterm delivery which in turn can cause complications. Babies who are born too early have an increased risk of developing cardiovascular and metabolic diseases, but there are currently no treatments available during pregnancy. Administration of a drug via an injection in human pregnancy can cause dangerous side effects and disturbances to the fetus' development (teratogenicity). We all take pain killers for headaches from time-to-time right? You just pop them into your mouth, and the drug circulates throughout your whole body. This means at the site of pain, the drug is more diluted but may also result in unwanted effects.
This paper is therefore all about trying to target the placenta specifically with a therapeutic to improve placental growth and development. The human placenta has two different layers: the outer syncytium, which is the site of nutrient transfer, and the underlying layer of proliferating cytotrophoblasts (CTB). These CTBs are important for growth and supporting nutritional demands of the growing fetus. These cells divide, and fuse with the syncytium.
- Low proliferation of CTB = FGR and pre-eclampsia
- High proliferation of CTB = macrosomia
The rate of growth/proliferation is affected by various hormones and growth factors, but also regulated by small RNA molecules called microRNAs (miRs). These regulate gene expression and consequently alter various biological processes such as cell proliferation. miR-145 and miR-675 are known to cause a reduction in placental growth, and so inhibiting these could improve placental growth in the pregnant women. But how does this get around the issue of teratogenicity? Well, our group have shown it's possible to deliver a therapeutic molecule, which is packaged in lipids (a liposome), specifically to the placenta with minimising unwanted effects in the mother and fetus. This is done by using a specific placental homing peptide conjugate (a link of small molecules that form the foundations of proteins) which selectively binds to the placental surface. Think of it as a molecular postcode for the placenta!
So, put two and two together and in this paper we tried to use placental homing peptides to deliver miR-145 and miR-675 inhibitors directly to the placenta with the aim to enhance placental growth.
What did we do?
Testing the safety of miR inhibitor delivery
Ensuring that the miR inhibitors can be used as a clinical intervention for poor placental growth and development means prior safety testing. We need to make sure that their delivery doesn't cause detrimental effects. We exposed pregnant mice to either a short or longer-term treatment of a fluorescent-labelled non-specific inhibitor. With a fluorescence microscope we visualised the presence and localisation of it (miR inhibitor in green) within the mouse placenta. Localisation of the miR inhibitor was found in the short-term treatment and also in the longer term one too.
The miR inhibitor was not found in fetal tissues which is great! However, we found it localised in some of the maternal tissues suggesting a possibility of off-target effects – something that would need to be investigated further. The non-specific miR inhibitor didn't cause a change to fetal or placental weight, litter size or the present of fetal abnormalities, so this indicates that it's tolerated well in pregnancy… phew!
Testing specific miR inhibitors in mice
Pregnant mice were either injected with a control solution (PBS), the non-specific (scrambled) inhibitor, or the treatments miR-675 inhibitor or miR-145 inhibitor.
Placental weight:
The miR-675 inhibitor did significantly increase placental weight. However, miR-145 did not. Despite this, interestingly a statistical test confirmed that it did reduce variability in placental weight. No placentas fell below the 10th weight centile for either inhibitor, which suggests they have growth-promoting effects.
Fetal weight:
Both miR-675 and miR-145 inhibitors increased fetal weight but the non-specific inhibitor altered the fetal weight distribution as well. At the moment, we aren't too sure why. One potential reason could be species-specific effects, but if you want to geek out, check out the discussion section of the paper (link below) where other suggestions are discussed!
We also tested the two specific miR inhibitors for any changes in litter size and number of miscarriages. Neither had an effect therefore further suggesting that this novel treatment is safe to use in pregnant mice, another step in the right direction!
Testing the specific inhibitors in human tissue
Placental explants, which are chunks of fresh tissue, from first trimester (early pregnancy) and term (end of pregnancy) were cultured in the miR-675 inhibitor or miR-145 inhibitor with or without the placental homing peptide added on. Both miR-675 and miR-145 with the peptide significantly increased the placental CTB cell proliferation, but so did their equivalents without the homing peptide, which was interesting. This enhanced cell proliferation was only found in first trimester placental samples.
Without getting bogged down in all the intense sciencey discussion of this data (again, feel free to view the link for the actual paper below if you would like to read some more), what can we conclude from this study?
- We provide evidence that the use of these homing peptides have a favourable therapeutic profile during pregnancy – they appear safe to use!
- It's the first piece of evidence for targeted delivery of a miR inhibitor to the placenta.
- A homing peptide-miRNA inhibitor can be used to increase human placental growth in early pregnancy, which means it should be possible to manipulate the expression of those pesky placental miRs which contribute to pre-eclampsia and FGR.
- This study suggests that these novel therapeutics may provide a new strategy for targeted treatment of compromised placental development and function.
Of course further research is required to push the therapeutic potential of placental homing peptide-microRNA inhibitors further in the hope they will enter clinical trials in the future, but this study provides some really interesting data. Watch this space!
You can find the original paper here!
This was a much more science-heavy blog post than I normally write. Would you like more science explained posts?
Please comment below as always to let me know what you thought. Your feedback really is valuable to me. It helps me to grow as a science blogger and get the information out there that you like to read!
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