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Popeye The Sailor - Blow Me Down
In this rarely seen Popeye animated film in public domain, Popeye goes to Mexico on a boat... oh wait, it's a whale. He goes there to meet Olive Oyl. Then, Popeye meets Bluto, and they compete. Then Popeye punches Bluto all the way to outer space!
short film Popeye The Sailor - Blow Me Down, directed by Max Fleischer (1933)
Added by Maria
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Lets Go All The Way
Aint nobody jealous
Everybody has they own
Nobody locked up
Everybody is free to roam
Look at that scrubby (jus chillin)
Wit a hottie on his side
Look at them rich kids, poor kids
Together on the same side
And they down to ride
Lets go all the way
(lets go all the way)
Lets go all the way
Lets go high high high
Lets go all the way
Aint nobody left out
Everybody gets to go
It could never be too crowded
Come on
We still pickin up some mo
Dont nobody hate you, playa hate you
There aint no hate at all
Gotta hold out thier hands and catch you
Theyll catch you
And they never will let you fall
You aint gotta worry all day long
Lets go all the way
(lets go all the way)
Lets go all the way
Lets go high high high
Lets go all the way
Never no sickness
No sickness
Nobody has to die
Nobody has to die
Everythings answered
Right then and there
Never have to wonder why
(you never have to wonder why no oh)
Wont nobody rush you
No hurry
Be as long as you wanna be
Can you guess what this place is?
Your future
Make it a reality
All you have to do is follow me
Lets go all the way
(lets go all the way)
Lets go all the way
Lets go high high high
Lets go all the way
Lets go all the way
(lets go all the way)
Lets go all the way
Lets go high high high
Lets go all the way
song performed by Insane Clown Posse
Added by Lucian Velea
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Also see the following:
- quotes about height
- quotes about illness
- quotes about hate
- quotes about humor
- quotes about worry
- quotes about death
- quotes about time
- quotes about future
- quotes about poverty
A Different Walk This Time
the first time you arrive here
they let you crawl, there is no other way
and they like it that way, they even say you are cute
in such helplessness, and then
the season come
for you to stand upright, and they like it too
because that is the way
how life should and must be lived
in maturity in
in knowing how to manage life
defining and illustrating
what real walking
coping with the coming
and leaving
the constant changing of the seasons and
you learn how to dress up and comb your hair
and walk your talk and listen more
and sometimes pretend
that all is well with you
inorder not to frustrate them
because they have their
own lives
their own private quests
and hidden
sorrows too
and then the real things confront you on the face
beyond the four seasons
you go back to the ancient beginning where you are
naked where you must walk again and even crawl
if need be but
this time you do not crawl and
you are not cute anymore
you still stand upright, always trying your best
though a little bit bent now and
your eyes are all failing
and you cannot see
your feelings too are flinching as they skin you out
and even your mind
sags like a useless piece of appendix
you walk alone through all the seasons
determined, unmoved, unaffected
sometimes looking back and then moving finally forward
towards the place
that you think you know because it sounds so familiar
as though you have been there
with all of them
poem by Ric S. Bastasa
Added by Poetry Lover
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Also see the following:
- quotes about seasons
- quotes about walking
- quotes about independence
- quotes about life
- quotes about sound
- quotes about beginning
- quotes about beauty
- quotes about peace
Merlin And Vivien
A storm was coming, but the winds were still,
And in the wild woods of Broceliande,
Before an oak, so hollow, huge and old
It looked a tower of ivied masonwork,
At Merlin's feet the wily Vivien lay.
For he that always bare in bitter grudge
The slights of Arthur and his Table, Mark
The Cornish King, had heard a wandering voice,
A minstrel of Caerlon by strong storm
Blown into shelter at Tintagil, say
That out of naked knightlike purity
Sir Lancelot worshipt no unmarried girl
But the great Queen herself, fought in her name,
Sware by her--vows like theirs, that high in heaven
Love most, but neither marry, nor are given
In marriage, angels of our Lord's report.
He ceased, and then--for Vivien sweetly said
(She sat beside the banquet nearest Mark),
'And is the fair example followed, Sir,
In Arthur's household?'--answered innocently:
'Ay, by some few--ay, truly--youths that hold
It more beseems the perfect virgin knight
To worship woman as true wife beyond
All hopes of gaining, than as maiden girl.
They place their pride in Lancelot and the Queen.
So passionate for an utter purity
Beyond the limit of their bond, are these,
For Arthur bound them not to singleness.
Brave hearts and clean! and yet--God guide them--young.'
Then Mark was half in heart to hurl his cup
Straight at the speaker, but forbore: he rose
To leave the hall, and, Vivien following him,
Turned to her: 'Here are snakes within the grass;
And you methinks, O Vivien, save ye fear
The monkish manhood, and the mask of pure
Worn by this court, can stir them till they sting.'
And Vivien answered, smiling scornfully,
'Why fear? because that fostered at THY court
I savour of thy--virtues? fear them? no.
As Love, if Love is perfect, casts out fear,
So Hate, if Hate is perfect, casts out fear.
My father died in battle against the King,
My mother on his corpse in open field;
She bore me there, for born from death was I
Among the dead and sown upon the wind--
And then on thee! and shown the truth betimes,
That old true filth, and bottom of the well
Where Truth is hidden. Gracious lessons thine
And maxims of the mud! "This Arthur pure!
Great Nature through the flesh herself hath made
Gives him the lie! There is no being pure,
My cherub; saith not Holy Writ the same?"--
If I were Arthur, I would have thy blood.
Thy blessing, stainless King! I bring thee back,
When I have ferreted out their burrowings,
The hearts of all this Order in mine hand--
Ay--so that fate and craft and folly close,
Perchance, one curl of Arthur's golden beard.
To me this narrow grizzled fork of thine
Is cleaner-fashioned--Well, I loved thee first,
That warps the wit.'
Loud laughed the graceless Mark,
But Vivien, into Camelot stealing, lodged
Low in the city, and on a festal day
When Guinevere was crossing the great hall
Cast herself down, knelt to the Queen, and wailed.
'Why kneel ye there? What evil hath ye wrought?
Rise!' and the damsel bidden rise arose
And stood with folded hands and downward eyes
Of glancing corner, and all meekly said,
'None wrought, but suffered much, an orphan maid!
My father died in battle for thy King,
My mother on his corpse--in open field,
The sad sea-sounding wastes of Lyonnesse--
Poor wretch--no friend!--and now by Mark the King
For that small charm of feature mine, pursued--
If any such be mine--I fly to thee.
Save, save me thou--Woman of women--thine
The wreath of beauty, thine the crown of power,
Be thine the balm of pity, O Heaven's own white
Earth-angel, stainless bride of stainless King--
Help, for he follows! take me to thyself!
O yield me shelter for mine innocency
Among thy maidens!
Here her slow sweet eyes
Fear-tremulous, but humbly hopeful, rose
Fixt on her hearer's, while the Queen who stood
All glittering like May sunshine on May leaves
In green and gold, and plumed with green replied,
'Peace, child! of overpraise and overblame
We choose the last. Our noble Arthur, him
Ye scarce can overpraise, will hear and know.
Nay--we believe all evil of thy Mark--
Well, we shall test thee farther; but this hour
We ride a-hawking with Sir Lancelot.
He hath given us a fair falcon which he trained;
We go to prove it. Bide ye here the while.'
She past; and Vivien murmured after 'Go!
I bide the while.' Then through the portal-arch
Peering askance, and muttering broken-wise,
As one that labours with an evil dream,
Beheld the Queen and Lancelot get to horse.
'Is that the Lancelot? goodly--ay, but gaunt:
Courteous--amends for gauntness--takes her hand--
That glance of theirs, but for the street, had been
A clinging kiss--how hand lingers in hand!
Let go at last!--they ride away--to hawk
For waterfowl. Royaller game is mine.
For such a supersensual sensual bond
As that gray cricket chirpt of at our hearth--
Touch flax with flame--a glance will serve--the liars!
Ah little rat that borest in the dyke
Thy hole by night to let the boundless deep
Down upon far-off cities while they dance--
Or dream--of thee they dreamed not--nor of me
These--ay, but each of either: ride, and dream
The mortal dream that never yet was mine--
Ride, ride and dream until ye wake--to me!
Then, narrow court and lubber King, farewell!
For Lancelot will be gracious to the rat,
And our wise Queen, if knowing that I know,
Will hate, loathe, fear--but honour me the more.'
Yet while they rode together down the plain,
Their talk was all of training, terms of art,
Diet and seeling, jesses, leash and lure.
'She is too noble' he said 'to check at pies,
Nor will she rake: there is no baseness in her.'
Here when the Queen demanded as by chance
'Know ye the stranger woman?' 'Let her be,'
Said Lancelot and unhooded casting off
The goodly falcon free; she towered; her bells,
Tone under tone, shrilled; and they lifted up
Their eager faces, wondering at the strength,
Boldness and royal knighthood of the bird
Who pounced her quarry and slew it. Many a time
As once--of old--among the flowers--they rode.
But Vivien half-forgotten of the Queen
Among her damsels broidering sat, heard, watched
And whispered: through the peaceful court she crept
And whispered: then as Arthur in the highest
Leavened the world, so Vivien in the lowest,
Arriving at a time of golden rest,
And sowing one ill hint from ear to ear,
While all the heathen lay at Arthur's feet,
And no quest came, but all was joust and play,
Leavened his hall. They heard and let her be.
Thereafter as an enemy that has left
Death in the living waters, and withdrawn,
The wily Vivien stole from Arthur's court.
She hated all the knights, and heard in thought
Their lavish comment when her name was named.
For once, when Arthur walking all alone,
Vext at a rumour issued from herself
Of some corruption crept among his knights,
Had met her, Vivien, being greeted fair,
Would fain have wrought upon his cloudy mood
With reverent eyes mock-loyal, shaken voice,
And fluttered adoration, and at last
With dark sweet hints of some who prized him more
Than who should prize him most; at which the King
Had gazed upon her blankly and gone by:
But one had watched, and had not held his peace:
It made the laughter of an afternoon
That Vivien should attempt the blameless King.
And after that, she set herself to gain
Him, the most famous man of all those times,
Merlin, who knew the range of all their arts,
Had built the King his havens, ships, and halls,
Was also Bard, and knew the starry heavens;
The people called him Wizard; whom at first
She played about with slight and sprightly talk,
And vivid smiles, and faintly-venomed points
Of slander, glancing here and grazing there;
And yielding to his kindlier moods, the Seer
Would watch her at her petulance, and play,
Even when they seemed unloveable, and laugh
As those that watch a kitten; thus he grew
Tolerant of what he half disdained, and she,
Perceiving that she was but half disdained,
Began to break her sports with graver fits,
Turn red or pale, would often when they met
Sigh fully, or all-silent gaze upon him
With such a fixt devotion, that the old man,
Though doubtful, felt the flattery, and at times
Would flatter his own wish in age for love,
And half believe her true: for thus at times
He wavered; but that other clung to him,
Fixt in her will, and so the seasons went.
Then fell on Merlin a great melancholy;
He walked with dreams and darkness, and he found
A doom that ever poised itself to fall,
An ever-moaning battle in the mist,
World-war of dying flesh against the life,
Death in all life and lying in all love,
The meanest having power upon the highest,
And the high purpose broken by the worm.
So leaving Arthur's court he gained the beach;
There found a little boat, and stept into it;
And Vivien followed, but he marked her not.
She took the helm and he the sail; the boat
Drave with a sudden wind across the deeps,
And touching Breton sands, they disembarked.
And then she followed Merlin all the way,
Even to the wild woods of Broceliande.
For Merlin once had told her of a charm,
The which if any wrought on anyone
With woven paces and with waving arms,
The man so wrought on ever seemed to lie
Closed in the four walls of a hollow tower,
From which was no escape for evermore;
And none could find that man for evermore,
Nor could he see but him who wrought the charm
Coming and going, and he lay as dead
And lost to life and use and name and fame.
And Vivien ever sought to work the charm
Upon the great Enchanter of the Time,
As fancying that her glory would be great
According to his greatness whom she quenched.
There lay she all her length and kissed his feet,
As if in deepest reverence and in love.
A twist of gold was round her hair; a robe
Of samite without price, that more exprest
Than hid her, clung about her lissome limbs,
In colour like the satin-shining palm
On sallows in the windy gleams of March:
And while she kissed them, crying, 'Trample me,
Dear feet, that I have followed through the world,
And I will pay you worship; tread me down
And I will kiss you for it;' he was mute:
So dark a forethought rolled about his brain,
As on a dull day in an Ocean cave
The blind wave feeling round his long sea-hall
In silence: wherefore, when she lifted up
A face of sad appeal, and spake and said,
'O Merlin, do ye love me?' and again,
'O Merlin, do ye love me?' and once more,
'Great Master, do ye love me?' he was mute.
And lissome Vivien, holding by his heel,
Writhed toward him, slided up his knee and sat,
Behind his ankle twined her hollow feet
Together, curved an arm about his neck,
Clung like a snake; and letting her left hand
Droop from his mighty shoulder, as a leaf,
Made with her right a comb of pearl to part
The lists of such a board as youth gone out
Had left in ashes: then he spoke and said,
Not looking at her, 'Who are wise in love
Love most, say least,' and Vivien answered quick,
'I saw the little elf-god eyeless once
In Arthur's arras hall at Camelot:
But neither eyes nor tongue--O stupid child!
Yet you are wise who say it; let me think
Silence is wisdom: I am silent then,
And ask no kiss;' then adding all at once,
'And lo, I clothe myself with wisdom,' drew
The vast and shaggy mantle of his beard
Across her neck and bosom to her knee,
And called herself a gilded summer fly
Caught in a great old tyrant spider's web,
Who meant to eat her up in that wild wood
Without one word. So Vivien called herself,
But rather seemed a lovely baleful star
Veiled in gray vapour; till he sadly smiled:
'To what request for what strange boon,' he said,
'Are these your pretty tricks and fooleries,
O Vivien, the preamble? yet my thanks,
For these have broken up my melancholy.'
And Vivien answered smiling saucily,
'What, O my Master, have ye found your voice?
I bid the stranger welcome. Thanks at last!
But yesterday you never opened lip,
Except indeed to drink: no cup had we:
In mine own lady palms I culled the spring
That gathered trickling dropwise from the cleft,
And made a pretty cup of both my hands
And offered you it kneeling: then you drank
And knew no more, nor gave me one poor word;
O no more thanks than might a goat have given
With no more sign of reverence than a beard.
And when we halted at that other well,
And I was faint to swooning, and you lay
Foot-gilt with all the blossom-dust of those
Deep meadows we had traversed, did you know
That Vivien bathed your feet before her own?
And yet no thanks: and all through this wild wood
And all this morning when I fondled you:
Boon, ay, there was a boon, one not so strange--
How had I wronged you? surely ye are wise,
But such a silence is more wise than kind.'
And Merlin locked his hand in hers and said:
'O did ye never lie upon the shore,
And watch the curled white of the coming wave
Glassed in the slippery sand before it breaks?
Even such a wave, but not so pleasurable,
Dark in the glass of some presageful mood,
Had I for three days seen, ready to fall.
And then I rose and fled from Arthur's court
To break the mood. You followed me unasked;
And when I looked, and saw you following me still,
My mind involved yourself the nearest thing
In that mind-mist: for shall I tell you truth?
You seemed that wave about to break upon me
And sweep me from my hold upon the world,
My use and name and fame. Your pardon, child.
Your pretty sports have brightened all again.
And ask your boon, for boon I owe you thrice,
Once for wrong done you by confusion, next
For thanks it seems till now neglected, last
For these your dainty gambols: wherefore ask;
And take this boon so strange and not so strange.'
And Vivien answered smiling mournfully:
'O not so strange as my long asking it,
Not yet so strange as you yourself are strange,
Nor half so strange as that dark mood of yours.
I ever feared ye were not wholly mine;
And see, yourself have owned ye did me wrong.
The people call you prophet: let it be:
But not of those that can expound themselves.
Take Vivien for expounder; she will call
That three-days-long presageful gloom of yours
No presage, but the same mistrustful mood
That makes you seem less noble than yourself,
Whenever I have asked this very boon,
Now asked again: for see you not, dear love,
That such a mood as that, which lately gloomed
Your fancy when ye saw me following you,
Must make me fear still more you are not mine,
Must make me yearn still more to prove you mine,
And make me wish still more to learn this charm
Of woven paces and of waving hands,
As proof of trust. O Merlin, teach it me.
The charm so taught will charm us both to rest.
For, grant me some slight power upon your fate,
I, feeling that you felt me worthy trust,
Should rest and let you rest, knowing you mine.
And therefore be as great as ye are named,
Not muffled round with selfish reticence.
How hard you look and how denyingly!
O, if you think this wickedness in me,
That I should prove it on you unawares,
That makes me passing wrathful; then our bond
Had best be loosed for ever: but think or not,
By Heaven that hears I tell you the clean truth,
As clean as blood of babes, as white as milk:
O Merlin, may this earth, if ever I,
If these unwitty wandering wits of mine,
Even in the jumbled rubbish of a dream,
Have tript on such conjectural treachery--
May this hard earth cleave to the Nadir hell
Down, down, and close again, and nip me flat,
If I be such a traitress. Yield my boon,
Till which I scarce can yield you all I am;
And grant my re-reiterated wish,
The great proof of your love: because I think,
However wise, ye hardly know me yet.'
And Merlin loosed his hand from hers and said,
'I never was less wise, however wise,
Too curious Vivien, though you talk of trust,
Than when I told you first of such a charm.
Yea, if ye talk of trust I tell you this,
Too much I trusted when I told you that,
And stirred this vice in you which ruined man
Through woman the first hour; for howsoe'er
In children a great curiousness be well,
Who have to learn themselves and all the world,
In you, that are no child, for still I find
Your face is practised when I spell the lines,
I call it,--well, I will not call it vice:
But since you name yourself the summer fly,
I well could wish a cobweb for the gnat,
That settles, beaten back, and beaten back
Settles, till one could yield for weariness:
But since I will not yield to give you power
Upon my life and use and name and fame,
Why will ye never ask some other boon?
Yea, by God's rood, I trusted you too much.'
And Vivien, like the tenderest-hearted maid
That ever bided tryst at village stile,
Made answer, either eyelid wet with tears:
'Nay, Master, be not wrathful with your maid;
Caress her: let her feel herself forgiven
Who feels no heart to ask another boon.
I think ye hardly know the tender rhyme
Of "trust me not at all or all in all."
I heard the great Sir Lancelot sing it once,
And it shall answer for me. Listen to it.
"In Love, if Love be Love, if Love be ours,
Faith and unfaith can ne'er be equal powers:
Unfaith in aught is want of faith in all.
"It is the little rift within the lute,
That by and by will make the music mute,
And ever widening slowly silence all.
"The little rift within the lover's lute
Or little pitted speck in garnered fruit,
That rotting inward slowly moulders all.
"It is not worth the keeping: let it go:
But shall it? answer, darling, answer, no.
And trust me not at all or all in all."
O Master, do ye love my tender rhyme?'
And Merlin looked and half believed her true,
So tender was her voice, so fair her face,
So sweetly gleamed her eyes behind her tears
Like sunlight on the plain behind a shower:
And yet he answered half indignantly:
'Far other was the song that once I heard
By this huge oak, sung nearly where we sit:
For here we met, some ten or twelve of us,
To chase a creature that was current then
In these wild woods, the hart with golden horns.
It was the time when first the question rose
About the founding of a Table Round,
That was to be, for love of God and men
And noble deeds, the flower of all the world.
And each incited each to noble deeds.
And while we waited, one, the youngest of us,
We could not keep him silent, out he flashed,
And into such a song, such fire for fame,
Such trumpet-glowings in it, coming down
To such a stern and iron-clashing close,
That when he stopt we longed to hurl together,
And should have done it; but the beauteous beast
Scared by the noise upstarted at our feet,
And like a silver shadow slipt away
Through the dim land; and all day long we rode
Through the dim land against a rushing wind,
That glorious roundel echoing in our ears,
And chased the flashes of his golden horns
Till they vanished by the fairy well
That laughs at iron--as our warriors did--
Where children cast their pins and nails, and cry,
"Laugh, little well!" but touch it with a sword,
It buzzes fiercely round the point; and there
We lost him: such a noble song was that.
But, Vivien, when you sang me that sweet rhyme,
I felt as though you knew this cursd charm,
Were proving it on me, and that I lay
And felt them slowly ebbing, name and fame.'
And Vivien answered smiling mournfully:
'O mine have ebbed away for evermore,
And all through following you to this wild wood,
Because I saw you sad, to comfort you.
Lo now, what hearts have men! they never mount
As high as woman in her selfless mood.
And touching fame, howe'er ye scorn my song,
Take one verse more--the lady speaks it--this:
'"My name, once mine, now thine, is closelier mine,
For fame, could fame be mine, that fame were thine,
And shame, could shame be thine, that shame were mine.
So trust me not at all or all in all."
'Says she not well? and there is more--this rhyme
Is like the fair pearl-necklace of the Queen,
That burst in dancing, and the pearls were spilt;
Some lost, some stolen, some as relics kept.
But nevermore the same two sister pearls
Ran down the silken thread to kiss each other
On her white neck--so is it with this rhyme:
It lives dispersedly in many hands,
And every minstrel sings it differently;
Yet is there one true line, the pearl of pearls:
"Man dreams of Fame while woman wakes to love."
Yea! Love, though Love were of the grossest, carves
A portion from the solid present, eats
And uses, careless of the rest; but Fame,
The Fame that follows death is nothing to us;
And what is Fame in life but half-disfame,
And counterchanged with darkness? ye yourself
Know well that Envy calls you Devil's son,
And since ye seem the Master of all Art,
They fain would make you Master of all vice.'
And Merlin locked his hand in hers and said,
'I once was looking for a magic weed,
And found a fair young squire who sat alone,
Had carved himself a knightly shield of wood,
And then was painting on it fancied arms,
Azure, an Eagle rising or, the Sun
In dexter chief; the scroll "I follow fame."
And speaking not, but leaning over him
I took his brush and blotted out the bird,
And made a Gardener putting in a graff,
With this for motto, "Rather use than fame."
You should have seen him blush; but afterwards
He made a stalwart knight. O Vivien,
For you, methinks you think you love me well;
For me, I love you somewhat; rest: and Love
Should have some rest and pleasure in himself,
Not ever be too curious for a boon,
Too prurient for a proof against the grain
Of him ye say ye love: but Fame with men,
Being but ampler means to serve mankind,
Should have small rest or pleasure in herself,
But work as vassal to the larger love,
That dwarfs the petty love of one to one.
Use gave me Fame at first, and Fame again
Increasing gave me use. Lo, there my boon!
What other? for men sought to prove me vile,
Because I fain had given them greater wits:
And then did Envy call me Devil's son:
The sick weak beast seeking to help herself
By striking at her better, missed, and brought
Her own claw back, and wounded her own heart.
Sweet were the days when I was all unknown,
But when my name was lifted up, the storm
Brake on the mountain and I cared not for it.
Right well know I that Fame is half-disfame,
Yet needs must work my work. That other fame,
To one at least, who hath not children, vague,
The cackle of the unborn about the grave,
I cared not for it: a single misty star,
Which is the second in a line of stars
That seem a sword beneath a belt of three,
I never gazed upon it but I dreamt
Of some vast charm concluded in that star
To make fame nothing. Wherefore, if I fear,
Giving you power upon me through this charm,
That you might play me falsely, having power,
However well ye think ye love me now
(As sons of kings loving in pupilage
Have turned to tyrants when they came to power)
I rather dread the loss of use than fame;
If you--and not so much from wickedness,
As some wild turn of anger, or a mood
Of overstrained affection, it may be,
To keep me all to your own self,--or else
A sudden spurt of woman's jealousy,--
Should try this charm on whom ye say ye love.'
And Vivien answered smiling as in wrath:
'Have I not sworn? I am not trusted. Good!
Well, hide it, hide it; I shall find it out;
And being found take heed of Vivien.
A woman and not trusted, doubtless I
Might feel some sudden turn of anger born
Of your misfaith; and your fine epithet
Is accurate too, for this full love of mine
Without the full heart back may merit well
Your term of overstrained. So used as I,
My daily wonder is, I love at all.
And as to woman's jealousy, O why not?
O to what end, except a jealous one,
And one to make me jealous if I love,
Was this fair charm invented by yourself?
I well believe that all about this world
Ye cage a buxom captive here and there,
Closed in the four walls of a hollow tower
From which is no escape for evermore.'
Then the great Master merrily answered her:
'Full many a love in loving youth was mine;
I needed then no charm to keep them mine
But youth and love; and that full heart of yours
Whereof ye prattle, may now assure you mine;
So live uncharmed. For those who wrought it first,
The wrist is parted from the hand that waved,
The feet unmortised from their ankle-bones
Who paced it, ages back: but will ye hear
The legend as in guerdon for your rhyme?
'There lived a king in the most Eastern East,
Less old than I, yet older, for my blood
Hath earnest in it of far springs to be.
A tawny pirate anchored in his port,
Whose bark had plundered twenty nameless isles;
And passing one, at the high peep of dawn,
He saw two cities in a thousand boats
All fighting for a woman on the sea.
And pushing his black craft among them all,
He lightly scattered theirs and brought her off,
With loss of half his people arrow-slain;
A maid so smooth, so white, so wonderful,
They said a light came from her when she moved:
And since the pirate would not yield her up,
The King impaled him for his piracy;
Then made her Queen: but those isle-nurtured eyes
Waged such unwilling though successful war
On all the youth, they sickened; councils thinned,
And armies waned, for magnet-like she drew
The rustiest iron of old fighters' hearts;
And beasts themselves would worship; camels knelt
Unbidden, and the brutes of mountain back
That carry kings in castles, bowed black knees
Of homage, ringing with their serpent hands,
To make her smile, her golden ankle-bells.
What wonder, being jealous, that he sent
His horns of proclamation out through all
The hundred under-kingdoms that he swayed
To find a wizard who might teach the King
Some charm, which being wrought upon the Queen
Might keep her all his own: to such a one
He promised more than ever king has given,
A league of mountain full of golden mines,
A province with a hundred miles of coast,
A palace and a princess, all for him:
But on all those who tried and failed, the King
Pronounced a dismal sentence, meaning by it
To keep the list low and pretenders back,
Or like a king, not to be trifled with--
Their heads should moulder on the city gates.
And many tried and failed, because the charm
Of nature in her overbore their own:
And many a wizard brow bleached on the walls:
And many weeks a troop of carrion crows
Hung like a cloud above the gateway towers.'
And Vivien breaking in upon him, said:
'I sit and gather honey; yet, methinks,
Thy tongue has tript a little: ask thyself.
The lady never made UNWILLING war
With those fine eyes: she had her pleasure in it,
And made her good man jealous with good cause.
And lived there neither dame nor damsel then
Wroth at a lover's loss? were all as tame,
I mean, as noble, as the Queen was fair?
Not one to flirt a venom at her eyes,
Or pinch a murderous dust into her drink,
Or make her paler with a poisoned rose?
Well, those were not our days: but did they find
A wizard? Tell me, was he like to thee?
She ceased, and made her lithe arm round his neck
Tighten, and then drew back, and let her eyes
Speak for her, glowing on him, like a bride's
On her new lord, her own, the first of men.
He answered laughing, 'Nay, not like to me.
At last they found--his foragers for charms--
A little glassy-headed hairless man,
Who lived alone in a great wild on grass;
Read but one book, and ever reading grew
So grated down and filed away with thought,
So lean his eyes were monstrous; while the skin
Clung but to crate and basket, ribs and spine.
And since he kept his mind on one sole aim,
Nor ever touched fierce wine, nor tasted flesh,
Nor owned a sensual wish, to him the wall
That sunders ghosts and shadow-casting men
Became a crystal, and he saw them through it,
And heard their voices talk behind the wall,
And learnt their elemental secrets, powers
And forces; often o'er the sun's bright eye
Drew the vast eyelid of an inky cloud,
And lashed it at the base with slanting storm;
Or in the noon of mist and driving rain,
When the lake whitened and the pinewood roared,
And the cairned mountain was a shadow, sunned
The world to peace again: here was the man.
And so by force they dragged him to the King.
And then he taught the King to charm the Queen
In such-wise, that no man could see her more,
Nor saw she save the King, who wrought the charm,
Coming and going, and she lay as dead,
And lost all use of life: but when the King
Made proffer of the league of golden mines,
The province with a hundred miles of coast,
The palace and the princess, that old man
Went back to his old wild, and lived on grass,
And vanished, and his book came down to me.'
And Vivien answered smiling saucily:
'Ye have the book: the charm is written in it:
Good: take my counsel: let me know it at once:
For keep it like a puzzle chest in chest,
With each chest locked and padlocked thirty-fold,
And whelm all this beneath as vast a mound
As after furious battle turfs the slain
On some wild down above the windy deep,
I yet should strike upon a sudden means
To dig, pick, open, find and read the charm:
Then, if I tried it, who should blame me then?'
And smiling as a master smiles at one
That is not of his school, nor any school
But that where blind and naked Ignorance
Delivers brawling judgments, unashamed,
On all things all day long, he answered her:
'Thou read the book, my pretty Vivien!
O ay, it is but twenty pages long,
But every page having an ample marge,
And every marge enclosing in the midst
A square of text that looks a little blot,
The text no larger than the limbs of fleas;
And every square of text an awful charm,
Writ in a language that has long gone by.
So long, that mountains have arisen since
With cities on their flanks--thou read the book!
And ever margin scribbled, crost, and crammed
With comment, densest condensation, hard
To mind and eye; but the long sleepless nights
Of my long life have made it easy to me.
And none can read the text, not even I;
And none can read the comment but myself;
And in the comment did I find the charm.
O, the results are simple; a mere child
Might use it to the harm of anyone,
And never could undo it: ask no more:
For though you should not prove it upon me,
But keep that oath ye sware, ye might, perchance,
Assay it on some one of the Table Round,
And all because ye dream they babble of you.'
And Vivien, frowning in true anger, said:
'What dare the full-fed liars say of me?
THEY ride abroad redressing human wrongs!
They sit with knife in meat and wine in horn!
THEY bound to holy vows of chastity!
Were I not woman, I could tell a tale.
But you are man, you well can understand
The shame that cannot be explained for shame.
Not one of all the drove should touch me: swine!'
Then answered Merlin careless of her words:
'You breathe but accusation vast and vague,
Spleen-born, I think, and proofless. If ye know,
Set up the charge ye know, to stand or fall!'
And Vivien answered frowning wrathfully:
'O ay, what say ye to Sir Valence, him
Whose kinsman left him watcher o'er his wife
And two fair babes, and went to distant lands;
Was one year gone, and on returning found
Not two but three? there lay the reckling, one
But one hour old! What said the happy sire?'
A seven-months' babe had been a truer gift.
Those twelve sweet moons confused his fatherhood.'
Then answered Merlin, 'Nay, I know the tale.
Sir Valence wedded with an outland dame:
Some cause had kept him sundered from his wife:
One child they had: it lived with her: she died:
His kinsman travelling on his own affair
Was charged by Valence to bring home the child.
He brought, not found it therefore: take the truth.'
'O ay,' said Vivien, 'overtrue a tale.
What say ye then to sweet Sir Sagramore,
That ardent man? "to pluck the flower in season,"
So says the song, "I trow it is no treason."
O Master, shall we call him overquick
To crop his own sweet rose before the hour?'
And Merlin answered, 'Overquick art thou
To catch a loathly plume fallen from the wing
Of that foul bird of rapine whose whole prey
Is man's good name: he never wronged his bride.
I know the tale. An angry gust of wind
Puffed out his torch among the myriad-roomed
And many-corridored complexities
Of Arthur's palace: then he found a door,
And darkling felt the sculptured ornament
That wreathen round it made it seem his own;
And wearied out made for the couch and slept,
A stainless man beside a stainless maid;
And either slept, nor knew of other there;
Till the high dawn piercing the royal rose
In Arthur's casement glimmered chastely down,
Blushing upon them blushing, and at once
He rose without a word and parted from her:
But when the thing was blazed about the court,
The brute world howling forced them into bonds,
And as it chanced they are happy, being pure.'
'O ay,' said Vivien, 'that were likely too.
What say ye then to fair Sir Percivale
And of the horrid foulness that he wrought,
The saintly youth, the spotless lamb of Christ,
Or some black wether of St Satan's fold.
What, in the precincts of the chapel-yard,
Among the knightly brasses of the graves,
And by the cold Hic Jacets of the dead!'
And Merlin answered careless of her charge,
'A sober man is Percivale and pure;
But once in life was flustered with new wine,
Then paced for coolness in the chapel-yard;
Where one of Satan's shepherdesses caught
And meant to stamp him with her master's mark;
And that he sinned is not believable;
For, look upon his face!--but if he sinned,
The sin that practice burns into the blood,
And not the one dark hour which brings remorse,
Will brand us, after, of whose fold we be:
Or else were he, the holy king, whose hymns
Are chanted in the minster, worse than all.
But is your spleen frothed out, or have ye more?'
And Vivien answered frowning yet in wrath:
'O ay; what say ye to Sir Lancelot, friend
Traitor or true? that commerce with the Queen,
I ask you, is it clamoured by the child,
Or whispered in the corner? do ye know it?'
To which he answered sadly, 'Yea, I know it.
Sir Lancelot went ambassador, at first,
To fetch her, and she watched him from her walls.
A rumour runs, she took him for the King,
So fixt her fancy on him: let them be.
But have ye no one word of loyal praise
For Arthur, blameless King and stainless man?'
She answered with a low and chuckling laugh:
'Man! is he man at all, who knows and winks?
Sees what his fair bride is and does, and winks?
By which the good King means to blind himself,
And blinds himself and all the Table Round
To all the foulness that they work. Myself
Could call him (were it not for womanhood)
The pretty, popular cause such manhood earns,
Could call him the main cause of all their crime;
Yea, were he not crowned King, coward, and fool.'
Then Merlin to his own heart, loathing, said:
'O true and tender! O my liege and King!
O selfless man and stainless gentleman,
Who wouldst against thine own eye-witness fain
Have all men true and leal, all women pure;
How, in the mouths of base interpreters,
From over-fineness not intelligible
To things with every sense as false and foul
As the poached filth that floods the middle street,
Is thy white blamelessness accounted blame!'
But Vivien, deeming Merlin overborne
By instance, recommenced, and let her tongue
Rage like a fire among the noblest names,
Polluting, and imputing her whole self,
Defaming and defacing, till she left
Not even Lancelot brave, nor Galahad clean.
Her words had issue other than she willed.
He dragged his eyebrow bushes down, and made
A snowy penthouse for his hollow eyes,
And muttered in himself, 'Tell HER the charm!
So, if she had it, would she rail on me
To snare the next, and if she have it not
So will she rail. What did the wanton say?
"Not mount as high;" we scarce can sink as low:
For men at most differ as Heaven and earth,
But women, worst and best, as Heaven and Hell.
I know the Table Round, my friends of old;
All brave, and many generous, and some chaste.
She cloaks the scar of some repulse with lies;
I well believe she tempted them and failed,
Being so bitter: for fine plots may fail,
Though harlots paint their talk as well as face
With colours of the heart that are not theirs.
I will not let her know: nine tithes of times
Face-flatterer and backbiter are the same.
And they, sweet soul, that most impute a crime
Are pronest to it, and impute themselves,
Wanting the mental range; or low desire
Not to feel lowest makes them level all;
Yea, they would pare the mountain to the plain,
To leave an equal baseness; and in this
Are harlots like the crowd, that if they find
Some stain or blemish in a name of note,
Not grieving that their greatest are so small,
Inflate themselves with some insane delight,
And judge all nature from her feet of clay,
Without the will to lift their eyes, and see
Her godlike head crowned with spiritual fire,
And touching other worlds. I am weary of her.'
He spoke in words part heard, in whispers part,
Half-suffocated in the hoary fell
And many-wintered fleece of throat and chin.
But Vivien, gathering somewhat of his mood,
And hearing 'harlot' muttered twice or thrice,
Leapt from her session on his lap, and stood
Stiff as a viper frozen; loathsome sight,
How from the rosy lips of life and love,
Flashed the bare-grinning skeleton of death!
White was her cheek; sharp breaths of anger puffed
Her fairy nostril out; her hand half-clenched
Went faltering sideways downward to her belt,
And feeling; had she found a dagger there
(For in a wink the false love turns to hate)
She would have stabbed him; but she found it not:
His eye was calm, and suddenly she took
To bitter weeping like a beaten child,
A long, long weeping, not consolable.
Then her false voice made way, broken with sobs:
'O crueller than was ever told in tale,
Or sung in song! O vainly lavished love!
O cruel, there was nothing wild or strange,
Or seeming shameful--for what shame in love,
So love be true, and not as yours is--nothing
Poor Vivien had not done to win his trust
Who called her what he called her--all her crime,
All--all--the wish to prove him wholly hers.'
She mused a little, and then clapt her hands
Together with a wailing shriek, and said:
'Stabbed through the heart's affections to the heart!
Seethed like the kid in its own mother's milk!
Killed with a word worse than a life of blows!
I thought that he was gentle, being great:
O God, that I had loved a smaller man!
I should have found in him a greater heart.
O, I, that flattering my true passion, saw
The knights, the court, the King, dark in your light,
Who loved to make men darker than they are,
Because of that high pleasure which I had
To seat you sole upon my pedestal
Of worship--I am answered, and henceforth
The course of life that seemed so flowery to me
With you for guide and master, only you,
Becomes the sea-cliff pathway broken short,
And ending in a ruin--nothing left,
But into some low cave to crawl, and there,
If the wolf spare me, weep my life away,
Killed with inutterable unkindliness.'
She paused, she turned away, she hung her head,
The snake of gold slid from her hair, the braid
Slipt and uncoiled itself, she wept afresh,
And the dark wood grew darker toward the storm
In silence, while his anger slowly died
Within him, till he let his wisdom go
For ease of heart, and half believed her true:
Called her to shelter in the hollow oak,
'Come from the storm,' and having no reply,
Gazed at the heaving shoulder, and the face
Hand-hidden, as for utmost grief or shame;
Then thrice essayed, by tenderest-touching terms,
To sleek her ruffled peace of mind, in vain.
At last she let herself be conquered by him,
And as the cageling newly flown returns,
The seeming-injured simple-hearted thing
Came to her old perch back, and settled there.
There while she sat, half-falling from his knees,
Half-nestled at his heart, and since he saw
The slow tear creep from her closed eyelid yet,
About her, more in kindness than in love,
The gentle wizard cast a shielding arm.
But she dislinked herself at once and rose,
Her arms upon her breast across, and stood,
A virtuous gentlewoman deeply wronged,
Upright and flushed before him: then she said:
'There must now be no passages of love
Betwixt us twain henceforward evermore;
Since, if I be what I am grossly called,
What should be granted which your own gross heart
Would reckon worth the taking? I will go.
In truth, but one thing now--better have died
Thrice than have asked it once--could make me stay--
That proof of trust--so often asked in vain!
How justly, after that vile term of yours,
I find with grief! I might believe you then,
Who knows? once more. Lo! what was once to me
Mere matter of the fancy, now hath grown
The vast necessity of heart and life.
Farewell; think gently of me, for I fear
My fate or folly, passing gayer youth
For one so old, must be to love thee still.
But ere I leave thee let me swear once more
That if I schemed against thy peace in this,
May yon just heaven, that darkens o'er me, send
One flash, that, missing all things else, may make
My scheming brain a cinder, if I lie.'
Scarce had she ceased, when out of heaven a bolt
(For now the storm was close above them) struck,
Furrowing a giant oak, and javelining
With darted spikes and splinters of the wood
The dark earth round. He raised his eyes and saw
The tree that shone white-listed through the gloom.
But Vivien, fearing heaven had heard her oath,
And dazzled by the livid-flickering fork,
And deafened with the stammering cracks and claps
That followed, flying back and crying out,
'O Merlin, though you do not love me, save,
Yet save me!' clung to him and hugged him close;
And called him dear protector in her fright,
Nor yet forgot her practice in her fright,
But wrought upon his mood and hugged him close.
The pale blood of the wizard at her touch
Took gayer colours, like an opal warmed.
She blamed herself for telling hearsay tales:
She shook from fear, and for her fault she wept
Of petulancy; she called him lord and liege,
Her seer, her bard, her silver star of eve,
Her God, her Merlin, the one passionate love
Of her whole life; and ever overhead
Bellowed the tempest, and the rotten branch
Snapt in the rushing of the river-rain
Above them; and in change of glare and gloom
Her eyes and neck glittering went and came;
Till now the storm, its burst of passion spent,
Moaning and calling out of other lands,
Had left the ravaged woodland yet once more
To peace; and what should not have been had been,
For Merlin, overtalked and overworn,
Had yielded, told her all the charm, and slept.
Then, in one moment, she put forth the charm
Of woven paces and of waving hands,
And in the hollow oak he lay as dead,
And lost to life and use and name and fame.
Then crying 'I have made his glory mine,'
And shrieking out 'O fool!' the harlot leapt
Adown the forest, and the thicket closed
Behind her, and the forest echoed 'fool.'
poem by Alfred Lord Tennyson
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The Near-Accident 7.31.2008
Margaret Alice drove into a pole this morning,
didn't realize the car was badly injured, then
as she tried to drive home, felt the full force
of the near-accident: The wheel alignment was
out, the right front wheel completely skew, the
car wouldn't go, the car park attendant directed
to the wheel alignment garage where Manuel -
Manuel Lennon – checked the car –
It is busted madame, you have to drive it to another
garage, Margaret Alice hysterical – the kids are at
school, who will take care of them? – I cannot drive,
the car's wheels are all skew, said Schalk Jordaan –
we'll drive the car to the garage, Manuel in your
car, we'll take you there; I called Caroline, she
went to fetch Nici and Tiaan, Celeste at the garage –
this will cost you madame; I smiled, yes it will,
But my kids are safe; here is Barbara and Lieb,
they'll take me home; took the number and
details of Manuel and Schalk who drove my
broken car all the way to the garage, I was too
shaken and scared to drive my little lame duck;
they took care of me and my car, made sure I
had a lift before they left – how can I thank them?
They'll never know how much they meant
To the lady with the broken car – but in this poem
I'll let them know how much their help meant!
poem by Margaret Alice
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Woman of Stone
I saw her first by the apple tree
Where she picked the ripe red fruit,
Her auburn hair in a twisted coil
And a crinoline to suit,
I saw her eyes as she turned to me
Two azure pools, afloat;
But they didn't hazard a glance at me,
Not even a single glance at me,
She didn't venture a glance at me
As my song died in my throat!
I lost control of my heart that day
I could neither eat nor drink,
Though I felt my substance fade away
I was too confused to think,
And a fever took me, by and by,
I took to my bed, a week,
But she never came to visit me,
Not even a thought to visit me,
I'd have given the earth to visit me
While my spirit lay so bleak!
She had a million suitors then
And she turned them all away,
They said that the grass was dry and sere
In the meadow, where she lay,
She made it known she was quite content
In life, to be left alone,
She hadn't the need for men, she said,
Not even one special man, she said,
'I'd rather be left for dead, ' she said;
They called her: 'Woman of Stone! '
She taunted and teased, quite merciless,
She treated men with contempt,
She'd flutter her painted eyelashes
In the Halls of the Regiment,
And many an Officer fell for her
In his red and his golden braid,
'I never did like a uniform,
Too bad, you're wearing a uniform! '
She'd turn her back on a uniform
And she'd smile as she walked away.
They said she'd been left at the altar
When she was barely seventeen,
She'd chosen a young subaltern, who
Renewed his vows to the Queen,
His regiment marched away that day
To the fields at Waterloo,
He carried his musket high with pride
Then tramped in mud through the countryside,
His blood was scattered both far and wide
When the battle was finally through!
I started attending the balls where she
Was teasing and taunting still,
I never was much of a dancer, but
I can foot a mean quadrille;
I tried my best to ignore her there,
Danced gaily round with a friend,
Whenever we'd meet, I'd turn away,
Look anywhere else, but not betray
The hints in her eyes or her body's sway,
And I'd leave before the end!
The number of balls was endless when
The soldiers came marching home,
They feted the Duke of Wellington
For beating the Frenchies own;
And still I tried to avoid her there
This Caroline Ainslie Stack,
She'd follow me round the ballroom then,
A dancing card and a thrust out pen
But I wouldn't sign, again and again,
Her eyes turned slowly black.
She caught me up in the village street,
She backed me against a wall,
Then said: 'It's not a man but a mouse
Won't dance with me at the ball! '
I shrugged and murmured, and took my leave
She followed me all the way home;
I tried to remember the things I said
That night, it rattles on through my head,
I found her lying across my bed
Without a stitch of her own!
We married, back in the spring this year,
Caroline's starting to show,
She holds my arm on the way to church
And she greets with a warm 'Hello! '
I've never told how I fell in love,
How she cut me, clear to the bone,
But on evenings here, as warm as this
I can taste of my woman's magic kiss,
And she tells me, 'Dear, we live in bliss! '
She does - my Woman of Stone!
15 March 2012
poem by David Lewis Paget
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The Ballad Of Hard-Luck Henry
Now wouldn't you expect to find a man an awful crank
That's staked out nigh three hundred claims, and every one a blank;
That's followed every fool stampede, and seen the rise and fall
Of camps where men got gold in chunks and he got none at all;
That's prospected a bit of ground and sold it for a song
To see it yield a fortune to some fool that came along;
That's sunk a dozen bed-rock holes, and not a speck in sight,
Yet sees them take a million from the claims to left and right?
Now aren't things like that enough to drive a man to booze?
But Hard-Luck Smith was hoodoo-proof--he knew the way to lose.
'Twas in the fall of nineteen four--leap-year I've heard them say--
When Hard-Luck came to Hunker Creek and took a hillside lay.
And lo! as if to make amends for all the futile past,
Late in the year he struck it rich, the real pay-streak at last.
The riffles of his sluicing-box were choked with speckled earth,
And night and day he worked that lay for all that he was worth.
And when in chill December's gloom his lucky lease expired,
He found that he had made a stake as big as he desired.
One day while meditating on the waywardness of fate,
He felt the ache of lonely man to find a fitting mate;
A petticoated pard to cheer his solitary life,
A woman with soft, soothing ways, a confidant, a wife.
And while he cooked his supper on his little Yukon stove,
He wished that he had staked a claim in Love's rich treasure-trove;
When suddenly he paused and held aloft a Yukon egg,
For there in pencilled letters was the magic name of Peg.
You know these Yukon eggs of ours--some pink, some green, some blue--
A dollar per, assorted tints, assorted flavors too.
The supercilious cheechako might designate them high,
But one acquires a taste for them and likes them by-and-by.
Well, Hard-Luck Henry took this egg and held it to the light,
And there was more faint pencilling that sorely taxed his sight.
At last he made it out, and then the legend ran like this--
"Will Klondike miner write to Peg, Plumhollow, Squashville, Wis.?"
That night he got to thinking of this far-off, unknown fair;
It seemed so sort of opportune, an answer to his prayer.
She flitted sweetly through his dreams, she haunted him by day,
She smiled through clouds of nicotine, she cheered his weary way.
At last he yielded to the spell; his course of love he set--
Wisconsin his objective point; his object, Margaret.
With every mile of sea and land his longing grew and grew.
He practised all his pretty words, and these, I fear, were few.
At last, one frosty evening, with a cold chill down his spine,
He found himself before her house, the threshold of the shrine.
His courage flickered to a spark, then glowed with sudden flame--
He knocked; he heard a welcome word; she came--his goddess came.
Oh, she was fair as any flower, and huskily he spoke:
"I'm all the way from Klondike, with a mighty heavy poke.
I'm looking for a lassie, one whose Christian name is Peg,
Who sought a Klondike miner, and who wrote it on an egg."
The lassie gazed at him a space, her cheeks grew rosy red;
She gazed at him with tear-bright eyes, then tenderly she said:
"Yes, lonely Klondike miner, it is true my name is Peg.
It's also true I longed for you and wrote it on an egg.
My heart went out to someone in that land of night and cold;
But oh, I fear that Yukon egg must have been mighty old.
I waited long, I hoped and feared; you should have come before;
I've been a wedded woman now for eighteen months or more.
I'm sorry, since you've come so far, you ain't the one that wins;
But won't you take a step inside--I'll let you see the twins."
poem by Robert William Service
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I Try Not To Care If It Hurts
I try not to care that it hurts
that everytime I find a branch to perch on
and think about putting down roots
I send myself into exile
as if I were condemned
to keep abandoning my mother
like my father did
though I suspect
that's too profoundly obvious and neat.
It's not a true eureka moment
if it doesn't liberate.
It's not a true insight
if it doesn't shed light photonically.
If it doesn't burn holes in your starmap
it's only another mirror.
Stars through the dirty windowpanes
on a sweltering night.
And down below on the street
drunk cowgirls on coke screaming
and pulling each other's hair out
after the bars close
rather than go home
to lead lives of quiet desperation
the way they do the rest of the week.
I lie to myself about how things are looking up
as if I were adding another litre of oil
to a dying engine.
I still love the stars
but I feel like the third eye
of a blind telescope on crutches
tapping his way along the Road of Ghosts
with a white cane.
Somewhere along one of my lifelines
I must have seen
my chromosomes copulating like snakes
to live in the prophetic darkness I do now
like some eyeless Tiresias
being lead around
by this tiny homunculus of a child
that never ages inside of me.
I am the bastard alloy
dethroned from the royal quatternio
of the alchemical union
of the king and queen
who failed to turn base metal into gold
in the coniunction of man and woman
signifying holy matrimony
and the residue at the bottom
of the Vas Hermeticum is me.
I taste like the hot tears
of a demon in its solitude
knowing it doesn't do much good
when you're up to your eyeballs in hell to cry.
I've met a lot of messiahs
out here in this wilderness
I was driven into
like a scapegoat for the Jewish tribes
hoping I would show up and tempt them like Sarah Palin
but they're all snakeoil salesmen in disguise
with cash registers for eyes
so I don't even try.
I leave it to the politicians
and the corporations
to do the dirty work.
They're better at leaving children to die than I am.
Christ's blood streams across the firmament
like a wounded banner
in a crusade of immaculate logos
spinning their greed into a holy war
against the lamps and candles
of individual human lucidity
that engulfs the planet like big oil.
The dragon is slain.
An eclipse swallows the moon.
But it never rains.
When God was declared dead
the prince of darkness took to his bed too
and all his court jesters
who made fools of themselves
just for a laugh
were replaced by evil buffoons
who mistook themselves so seriously
for the real thing
the maggots forgot
they were the descendents of houseflies
and ran for office
like butterflies on the wing.
But Beelzebub knows better.
He rules their genes down to the letter.
And then there are creatures like me
who revel in the subtleties of seduction
like Ovid in Tomis at the edge of the Black Sea
trying on one metamorphoses after another
like alternative identities
to escape the Promethean agony of what he had to be
to steal fire like an industrial secret
from the libidinous gods and hypocrites
so everyone could hold the cold mirror
of a stolen passion
up to their lips
and kiss her like a frying pan.
The last mad sad sacrificial gift of a poet in exile.
You can judge the depths
of his silence
by the quality of his sorrows.
You can hear what could not be said
by putting your ear up
to the keyhole of what he did
and watching the shadows of picture-music
he keeps casting under your door
like a personal loveletter
he knows is bound to fail
because you keep throwing it away
like just another tree
wasted on spiritual junkmail
recognize that it's your voice not his
that keeps the secret to itself
like an illicit affair you're having with life.
I don't know how much love
there is in it
but there comes a time
when a smile turns into a knife
and you run your tongue along it
in your immaculate lunar solitude
like a cultivated taste for blood.
And you put love aside
until a day later
like the last fire-hydrant in hell
that might have a chance
at ringing your bell
but the day never comes
like a phoenix in full plumage
to the ashes of your urn
and you burn your poetry
as if you were prosecuting heresy
for believing there's always been more to you
than you were willing to let on.
The rain beats on a shallow drum.
And the cowgirls have gone home
all bloodied and muddied
to their hobby farms
and I'm sitting up here
the only homely light on the block
watching my goldfish swim
around his aquarium
like a thought
I just can't get out of my mind.
Is life just a scar
at the growing edge of the universe
trying to remember which came first
the eye or the star
the herb or the wound
the offence or its redressal?
Is it mad
to stray from the air corridor
of the flightplan of the word
like Icarus who flew too close to the sun
carried away by the elation of his freedom
and try to earn your own wings
all the way down?
Icarus falls like this dark rain tonight
all over the inconceivable earth.
Those are his tears
running like mirrors down the window
with the broken shutter.
And those are mine
snaking through the gutter.
poem by Patrick White
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Hippodromania; Or, Whiffs From The Pipe
Part I
Visions in the Smoke
Rest, and be thankful! On the verge
Of the tall cliff rugged and grey,
But whose granite base the breakers surge,
And shiver their frothy spray,
Outstretched, I gaze on the eddying wreath
That gathers and flits away,
With the surf beneath, and between my teeth
The stem of the 'ancient clay'.
With the anodyne cloud on my listless eyes,
With its spell on my dreamy brain,
As I watch the circling vapours rise
From the brown bowl up to the sullen skies,
My vision becomes more plain,
Till a dim kaleidoscope succeeds
Through the smoke-rack drifting and veering,
Like ghostly riders on phantom steeds
To a shadowy goal careering.
In their own generation the wise may sneer,
They hold our sports in derision;
Perchance to sophist, or sage, or seer,
Were allotted a graver vision.
Yet if man, of all the Creator plann'd,
His noblest work is reckoned,
Of the works of His hand, by sea or by land,
The horse may at least rank second.
Did they quail, those steeds of the squadrons light,
Did they flinch from the battle's roar,
When they burst on the guns of the Muscovite,
By the echoing Black Sea shore?
On! on! to the cannon's mouth they stride,
With never a swerve nor a shy,
Oh! the minutes of yonder maddening ride,
Long years of pleasure outvie!
No slave, but a comrade staunch, in this,
Is the horse, for he takes his share,
Not in peril alone, but in feverish bliss,
And in longing to do and dare.
Where bullets whistle, and round shot whiz,
Hoofs trample, and blades flash bare,
God send me an ending as fair as his
Who died in his stirrups there!
The wind has slumbered throughout the day,
Now a fitful gust springs over the bay,
My wandering thoughts no longer stray,
I'll fix my overcoat buttons;
Secure my old hat as best I may
(And a shocking bad one it is, by the way),
Blow a denser cloud from my stunted clay,
And then, friend BELL, as the Frenchmen say,
We'll 'go back again to our muttons'.
There's a lull in the tumult on yonder hill,
And the clamour has grown less loud,
Though the Babel of tongues is never still,
With the presence of such a crowd.
The bell has rung. With their riders up
At the starting post they muster,
The racers stripp'd for the 'Melbourne Cup',
All gloss and polish and lustre;
And the course is seen, with its emerald sheen,
By the bright spring-tide renew'd,
Like a ribbon of green stretched out between
The ranks of the multitude.
The flag is lowered. 'They're off!' 'They come!'
The squadron is sweeping on;
A sway in the crowd-a murmuring hum:
'They're here!' 'They're past!' 'They're gone!'
They came with the rush of the southern surf,
On the bar of the storm-girt bay;
And like muffled drums on the sounding turf
Their hoof-strokes echo away.
The rose and black draws clear of the ruck,
And the murmur swells to a roar,
As the brave old colours that never were struck,
Are seen with the lead once more.
Though the feathery ferns and grasses wave
O'er the sod where Lantern sleeps,
Though the turf is green on Fisherman's grave,
The stable its prestige keeps.
Six lengths in front she scours along,
She's bringing the field to trouble;
She's tailing them off, she's running strong,
She shakes her head and pulls double.
Now Minstrel falters and Exile flags,
The Barb finds the pace too hot,
And Toryboy loiters, and Playboy lags,
And the BOLT of Ben Bolt is shot.
That she never may be caught this day,
Is the worst that the public wish her.
She won't be caught: she comes right away;
Hurrah for Seagull and Fisher!
See, Strop falls back, though his reins are slack,
Sultana begins to tire,
And the top-weight tells on the Sydney crack,
And the pace on 'the Gippsland flyer'.
The rowels, as round the turn they sweep,
Just graze Tim Whiffler's flanks;
Like the hunted deer that flies through the sheep,
He strides through the beaten ranks.
Daughter of Omen, prove your birth,
The colt will take lots of choking;
The hot breath steams at your saddle girth,
From his scarlet nostril smoking.
The shouts of the Ring for a space subside,
And slackens the bookmaker's roar;
Now, Davis, rally; now, Carter, ride,
As man never rode before.
When Sparrowhawk's backers cease to cheer,
When Yattendon's friends are dumb,
When hushed is the clamour for Volunteer-
Alone in the race they come!
They're neck and neck; they're head and head;
They're stroke for stroke in the running;
The whalebone whistles, the steel is red,
No shirking as yet nor shunning.
One effort, Seagull, the blood you boast
Should struggle when nerves are strained;-
With a rush on the post, by a neck at the most,
The verdict for Tim is gained.
Tim Whiffler wins. Is blood alone
The sine qua non for a flyer?
The breed of his dam is a myth unknown,
And we've doubts respecting his sire.
Yet few (if any) those proud names are,
On the pages of peerage or stud,
In whose 'scutcheon lurks no sinister bar,
No taint of the base black blood.
Aye, Shorthouse, laugh-laugh loud and long,
For pedigree you're a sticker;
You may be right, I may be wrong,
Wiseacres both! Let's liquor.
Our common descent we may each recall
To a lady of old caught tripping,
The fair one in fig leaves, who d--d us all
For a bite at a golden pippin.
When first on this rocky ledge I lay,
There was scarce a ripple in yonder bay,
The air was serenely still;
Each column that sailed from my swarthy clay
Hung loitering long ere it passed away,
Though the skies wore a tinge of leaden grey,
And the atmosphere was chill.
But the red sun sank to his evening shroud,
Where the western billows are roll'd,
Behind a curtain of sable cloud,
With a fringe of scarlet and gold;
There's a misty glare in the yellow moon,
And the drift is scudding fast,
There'll be storm, and rattle, and tempest soon,
When the heavens are overcast.
The neutral tint of the sullen sea
Is fleck'd with the snowy foam,
And the distant gale sighs drearilie,
As the wanderer sighs for his home.
The white sea-horses toss their manes
On the bar of the southern reef,
And the breakers moan, and-by Jove, it rains
(I thought I should come to grief):
Though it can't well damage my shabby hat,
Though my coat looks best when it's damp;
Since the shaking I got (no matter where at),
I've a mortal dread of the cramp.
My matches are wet, my pipe's put out,
And the wind blows colder and stronger;
I'll be stiff, and sore, and sorry, no doubt,
If I lie here any longer.
Part II
The Fields of Coleraine
On the fields of Col'raine there'll be labour in vain
Before the Great Western is ended,
The nags will have toil'd, and the silks will be soil'd,
And the rails will require to be mended.
For the gullies are deep, and the uplands are steep,
And mud will of purls be the token,
And the tough stringy-bark, that invites us to lark,
With impunity may not be broken.
Though Ballarat's fast, and they say he can last,
And that may be granted hereafter,
Yet the judge's decision to the Border division
Will bring neither shouting nor laughter.
And Blueskin, I've heard that he goes like a bird,
And I'm told that to back him would pay me;
He's a good bit of stuff, but not quite good enough,
'Non licuit credere famae.'
Alfred ought to be there, we all of us swear
By the blood of King Alfred, his sire;
He's not the real jam, by the blood of his dam,
So I sha'n't put him down as a flyer.
Now, Hynam, my boy, I wish you great joy,
I know that when fresh you can jump, sir;
But you'll scarce be in clover, when you're ridden all over,
And punished from shoulder to rump, sir.
Archer goes like a shot, they can put on their pot,
And boil it to cover expenses;
Their pot will boil over, the run of his dover
He'll never earn over big fences.
There's a horse in the race, with a blaze on his face,
And we know he can gallop a docker!
He's proved himself stout, of his speed there's no doubt,
And his jumping's according to Cocker.
When Hynam's outstripp'd, and when Alfred is whipp'd,
To keep him in sight of the leaders,
While Blueskin runs true, but his backers look blue,
For his rider's at work with the bleeders;
When his carcase of beef brings 'the bullock' to grief,
And the rush of the tartan is ended;
When Archer's in trouble-who's that pulling double,
And taking his leaps unextended?
He wins all the way, and the rest-sweet, they say,
Is the smell of the newly-turned plough, friend,
But you smell it too close when it stops eyes and nose,
And you can't tell your horse from your cow, friend.
Part III
Credat Judaeus Apella
Dear Bell,-I enclose what you ask in a letter,
A short rhyme at random, no more and no less,
And you may inser it, for want of a better,
Or leave it, it doesn't much matter, I guess;
And as for a tip, why, there isn't much in it,
I may hit the right nail, but first, I declare,
I haven't a notion what's going to win it
(The Champion, I mean), and what's more, I don't care.
Imprimis, there's Cowra-few nags can go quicker
Than she can-and Smith takes his oath she can fly;
While Brown, Jones, and Robinson swear she's a sticker,
But 'credat Judaeus Apella', say I.
There's old Volunteer, I'd be sorry to sneer
At his chance; he'll be there, if he goes at the rate
He went at last year, when a customer queer,
Johnny Higgerson, fancied him lock'd in the straight;
I've heard that the old horse has never been fitter,
I've heard all performances past he'll outvie;
He may gallop a docker, and finish a splitter,
But 'credat Judaeus Apella', say I.
I know what they say, sir, 'The Hook' he can stay, sir,
And stick to his work like a sleuth-hound or beagle;
He stays 'with a HOOK', and he sticks in the clay, sir;
I'd rather, for choice, pop my money on Seagull;
I'm told that the Sydney division will rue, sir,
Their rashness in front of the stand when they spy,
With a clear lead, the white jacket spotted with blue, sir,
But 'credat Judaeus Apella', say I.
There's The Barb-you may talk of your flyers and stayers,
All bosh-when he strips you can see his eye range
Round his rivals, with much the same look as Tom Sayers
Once wore when he faced the big novice, Bill Bainge.
Like Stow, at our hustings, confronting the hisses
Of roughs, with his queer Mephistopheles' smile;
Like Baker, or Baker's more wonderful MRS.,
The terror of blacks at the source of the Nile;
Like Triton 'mid minnows; like hawk among chickens;
Like-anything better than everything else:
He stands at the post. Now they're off! the plot thickens!
Quoth Stanley to Davis, 'How is your pulse?'
He skims o'er the smooth turf, he scuds through the mire,
He waits with them, passes them, bids them good-bye!
Two miles and three-quarters, cries Filgate, 'He'll tire.'
Oh! 'credat Judaeus Apella', say I.
Lest my tale should come true, let me give you fair warning,
You may 'shout' some cheroots, if you like, no champagne
For this child-'Oh! think of my head in the morning,'
Old chap, you don't get me on that lay again.
The last time those games I look'd likely to try on,
Says Bradshawe, 'You'll feel very sheepish and shy
When you are haul'd up and caution'd by D--g--y and L--n,'
Oh! 'credat Judaeus Apella', say I.
This writing bad verses is very fatiguing,
The brain and the liver against it combine,
And nerves with digestion in concert are leaguing,
To punish excess in the pen and ink line;
Already I feel just as if I'd been rowing
Hard all-on a supper of onions and tripe
(A thing I abhor), but my steam I've done blowing,
I am, my dear BELL, yours truly, 'The Pipe'.
P.S.-Tell J. P., if he fancies a good 'un,
That old chestnut pony of mine is for sale.
N.B.-His forelegs are uncommonly wooden,
I fancy the near one's beginning to fail,
And why shouldn't I do as W--n does oft,
And swear that a cripple is sound-on the Bible-
Hold hard! though the man I allude to is soft,
He's game to go in for an action of libel.
Part IV
Banker's Dream
Of chases and courses dogs dream, so do horses-
Last night I was dozing and dreaming,
The crowd and the bustle were there, and the rustle
Of the silk in the autumn sky gleaming.
The stand throng'd with faces, the broadcloth and laces,
The booths, and the tents, and the cars,
The bookmakers' jargon, for odds making bargain,
The nasty stale smell of cigars.
We formed into line, 'neath the merry sunshine,
Near the logs at the end of the railing;
'Are you ready, boys? Go!' cried the starter, and low
Sank the flag, and away we went sailing.
In the van of the battle we heard the stones rattle,
Some slogging was done, but no slaughter,
A shout from the stand, and the whole of our band
Skimm'd merrily over the water.
Two fences we clear'd, and the roadway we near'd,
When three of our troop came to trouble;
Like a bird on the wing, or a stone from a sling,
Flew Cadger, first over the double.
And Western was there, head and tail in the air,
And Pondon was there, too-what noodle
Could so name a horse? I should feel some remorse
If I gave such a name to a poodle.
In and out of the lane, to the racecourse again,
Craig's pony was first, I was third,
And Ingleside lit in my tracks, with the bit
In his teeth, and came up 'like a bird'.
In the van of the battle we heard the rails rattle,
Says he, 'Though I don't care for shunning
My share of the raps, I shall look out for gaps,
When the light weight's away with the running.'
At the fence just ahead the outsider still led,
The chestnut play'd follow my leader;
Oh! the devil a gap, he went into it slap,
And he and his jock took a header.
Says Ingleside, 'Mate, should the pony go straight,
You've no time to stop or turn restive;'
Says I, 'Who means to stop? I shall go till I drop;'
Says he, 'Go it, old cuss, gay and festive.'
The fence stiff and tall, just beyond the log wall,
We cross'd, and the walls, and the water,-
I took off too near, a small made fence to clear,
And just touch'd the grass with my snorter.
At the next post and rail up went Western's bang tail,
And down (by the very same token)
To earth went his nose, for the panel he chose
Stood firm and refused to be broken.
I dreamt someone said that the bay would have made
The race safe if he'd STOOD a while longer;
IF he had,-but, like if, there the panel stands stiff-
He stood, but the panel stood stronger.
In and out of the road, with a clear lead still show'd
The violet fluted with amber;
Says Johnson, 'Old man, catch him now if you can,
'Tis the second time round you'll remember.'
At the road once again, pulling hard on the rein,
Craig's pony popp'd in and popp'd out;
I followed like smoke and the pace was no joke,
For his friends were beginning to shout.
And Ingleside came to my side, strong and game,
And once he appear'd to outstrip me,
But I felt the steel gore, and I shot to the fore,
Only Cadger seem'd likely to whip me.
In the van of the battle I heard the logs rattle,
His stroke never seem'd to diminish,
And thrice I drew near him, and thrice he drew clear,
For the weight served him well at the finish.
Ha! Cadger goes down, see, he stands on his crown-
Those rails take a power of clouting-
A long sliding blunder-he's up-well, I wonder
If now it's all over but shouting.
All loosely he's striding, the amateur's riding
All loosely, some reverie locked in
Of a 'vision in smoke', or a 'wayfaring bloke',
His poetical rubbish concocting.
Now comes from afar the faint cry, 'Here they are,'
'The violet winning with ease,'
'Fred goes up like a shot,' 'Does he catch him or not?'
Level money, I'll take the cerise.
To his haunches I spring, and my muzzle I bring
To his flank, to his girth, to his shoulder;
Through the shouting and yelling I hear my name swelling,
The hearts of my backers grow bolder.
Neck and neck! head and head! staring eye! nostril spread!
Girth and stifle laid close to the ground!
Stride for stride! stroke for stroke! through one hurdle we've broke!
On the splinters we've lit with one bound.
And 'Banker for choice' is the cry, and one voice
Screams 'Six to four once upon Banker;'
'Banker wins,' 'Banker's beat,' 'Cadger wins,' 'A dead heat'-
Ah! there goes Fred's whalebone a flanker.
Springs the whip with a crack! nine stone ten on his back,
Fit and light he can race like the devil;
I draw past him-'tis vain; he draws past me again,
Springs the whip! and again we are level.
Steel and cord do their worst, now my head struggles first!
That tug my last spurt has expended-
Nose to nose! lip to lip! from the sound of the whip
He strains to the utmost extended.
How they swim through the air, as we roll to the chair,
Stand, faces, and railings flit past;
Now I spring * * *
from my lair with a snort and a stare,
Rous'd by Fred with my supper at last.
Part V
Ex Fumo Dare Lucem
['Twixt the Cup and the Lip]
Calm and clear! the bright day is declining,
The crystal expanse of the bay,
Like a shield of pure metal, lies shining
'Twixt headlands of purple and grey,
While the little waves leap in the sunset,
And strike with a miniature shock,
In sportive and infantine onset,
The base of the iron-stone rock.
Calm and clear! the sea-breezes are laden
With a fragrance, a freshness, a power,
With a song like the song of a maiden,
With a scent like the scent of a flower;
And a whisper, half-weird, half-prophetic,
Comes home with the sigh of the surf;-
But I pause, for your fancies poetic
Never rise from the level of 'Turf'.
Fellow-bungler of mine, fellow-sinner,
In public performances past,
In trials whence touts take their winner,
In rumours that circulate fast,
In strains from Prunella or Priam,
Staying stayers, or goers that go,
You're much better posted than I am,
'Tis little I care, less I know.
Alas! neither poet nor prophet
Am I, though a jingler of rhymes-
'Tis a hobby of mine, and I'm off it
At times, and I'm on it at times;
And whether I'm off it or on it,
Your readers my counsels will shun,
Since I scarce know Van Tromp from Blue Bonnet,
Though I might know Cigar from the Nun.
With 'visions' you ought to be sated
And sicken'd by this time, I swear
That mine are all myths self-created,
Air visions that vanish in air;
If I had some loose coins I might chuck one,
To settle this question and say,
'Here goes! this is tails for the black one,
And heads for my fav'rite the bay.'
And must I rob Paul to pay Peter,
Or Peter defraud to pay Paul?
My rhymes, are they stale? if my metre
Is varied, one chime rings through all:
One chime-though I sing more or sing less,
I have but one string to my lute,
And it might have been better if, stringless
And songless, the same had been mute.
Yet not as a seer of visions,
Nor yet as a dreamer of dreams,
I send you these partial decisions
On hackney'd, impoverish'd themes;
But with song out of tune, sung to pass time,
Flung heedless to friends or to foes,
Where the false notes that ring for the last time,
May blend with some real ones, who knows?
The Race
On the hill they are crowding together,
In the stand they are crushing for room,
Like midge-flies they swarm on the heather,
They gather like bees on the broom;
They flutter like moths round a candle-
Stale similes, granted, what then?
I've got a stale subject to handle,
A very stale stump of a pen.
Hark! the shuffle of feet that are many,
Of voices the many-tongued clang-
'Has he had a bad night?' 'Has he any
Friends left?'-How I hate your turf slang;
'Tis stale to begin with, not witty,
But dull, and inclined to be coarse,
But bad men can't use (more's the pity)
Good words when they slate a good horse.
Heu! heu! quantus equis (that's Latin
For 'bellows to mend' with the weeds),
They're off! lights and shades! silk and satin!
A rainbow of riders and steeds!
And one shows in front, and another
Goes up and is seen in his place,
Sic transit (more Latin)-Oh! bother,
Let's get to the end of the race.
* * * * *
See, they come round the last turn careering,
Already Tait's colours are struck,
And the green in the vanguard is steering,
And the red's in the rear of the ruck!
Are the stripes in the shade doom'd to lie long?
Do the blue stars on white skies wax dim?
Is it Tamworth or Smuggler? 'Tis Bylong
That wins-either Bylong or Tim.
As the shell through the breach that is riven
And sapp'd by the springing of mines,
As the bolt from the thunder-cloud driven,
That levels the larches and pines,
Through yon mass parti-colour'd that dashes
Goal-turn'd, clad in many-hued garb,
From rear to van, surges and flashes
The yellow and black of The Barb.
Past The Fly, falling back on the right, and
The Gull, giving way on the left,
Past Tamworth, who feels the whip smite, and
Whose sides by the rowels are cleft;
Where Tim and the chestnut together
Still bear of the battle the brunt,
As if eight stone twelve were a feather,
He comes with a rush to the front.
Tim Whiffler may yet prove a Tartar,
And Bylong's the horse that can stay,
But Kean is in trouble-and Carter
Is hard on the satin-skinn'd bay;
And The Barb comes away unextended,
Hard held, like a second Eclipse,
While behind the hoof-thunder is blended
With the whistling and crackling of whips.
He wins; yes, he wins upon paper,
He hasn't yet won upon turf,
And these rhymes are but moonshine and vapour,
Air-bubbles and spume from the surf.
So be it, at least they are given
Free, gratis, for just what they're worth,
And (whatever there may be in heaven)
There's little worth much upon earth.
When, with satellites round them the centre,
Of all eyes, hard press'd by the crowd,
The pair, horse and rider, re-enter
The gate, 'mid a shout long and loud,
You may feel, as you might feel, just landed
Full length on the grass from the clip
Of a vicious cross-counter, right-handed,
Or upper-cut whizzing from hip.
And that's not so bad if you're pick'd up
Discreetly, and carefully nursed;
Loose teeth by the sponge are soon lick'd up,
And next time you MAY get home first.
Still I'm not sure you'd like it exactly
(Such tastes as a rule are acquired),
And you'll find in a nutshell this fact lie,
Bruised optics are not much admired.
Do I bore you with vulgar allusions?
Forgive me, I speak as I feel,
I've pondered and made my conclusions-
As the mill grinds the corn to the meal;
So man striving boldly but blindly,
Ground piecemeal in Destiny's mill,
At his best, taking punishment kindly,
Is only a chopping-block still.
Are we wise? Our abstruse calculations
Are based on experience long;
Are we sanguine? Our high expectations
Are founded on hope that is strong;
Thus we build an air-castle that crumbles
And drifts till no traces remain,
And the fool builds again while he grumbles,
And the wise one laughs, building again.
'How came they to pass, these rash blunders,
These false steps so hard to defend?'
Our friend puts the question and wonders,
We laugh and reply, 'Ah! my friend,
Could you trace the first stride falsely taken,
The distance misjudged, where or how,
When you pick'd yourself up, stunn'd and shaken,
At the fence 'twixt the turf and the plough?'
In the jar of the panel rebounding!
In the crash of the splintering wood!
In the ears to the earth shock resounding!
In the eyes flashing fire and blood!
In the quarters above you revolving!
In the sods underneath heaving high!
There was little to aid you in solving
Such questions-the how or the why.
And destiny, steadfast in trifles,
Is steadfast for better or worse
In great things, it crushes and stifles,
And swallows the hopes that we nurse.
Men wiser than we are may wonder,
When the future they cling to so fast,
To the roll of that destiny's thunder,
Goes down with the wrecks of the past.
* * * * *
The past! the dead past! that has swallow'd
All the honey of life and the milk,
Brighter dreams than mere pastimes we've follow'd,
Better things than our scarlet or silk;
Aye, and worse things-that past is it really
Dead to us who again and again
Feel sharply, hear plainly, see clearly,
Past days with their joy and their pain?
Like corpses embalm'd and unburied
They lie, and in spite of our will,
Our souls on the wings of thought carried,
Revisit their sepulchres still;
Down the channels of mystery gliding,
They conjure strange tales, rarely read,
Of the priests of dead Pharaohs presiding
At mystical feasts of the dead.
Weird pictures arise, quaint devices,
Rude emblems, baked funeral meats,
Strong incense, rare wines, and rich spices,
The ashes, the shrouds, and the sheets;
Does our thraldom fall short of completeness
For the magic of a charnel-house charm,
And the flavour of a poisonous sweetness,
And the odour of a poisonous balm?
And the links of the past-but, no matter,
For I'm getting beyond you, I guess,
And you'll call me 'as mad as a hatter'
If my thoughts I too freely express;
I subjoin a quotation, pray learn it,
And with the aid of your lexicon tell us
The meaning thereof-'Res discernit
Sapiens, quas confundit asellus.'
Already green hillocks are swelling,
And combing white locks on the bar,
Where a dull, droning murmur is telling
Of winds that have gather'd afar;
Thus we know not the day, nor the morrow,
Nor yet what the night may bring forth,
Nor the storm, nor the sleep, nor the sorrow,
Nor the strife, nor the rest, nor the wrath.
Yet the skies are still tranquil and starlit,
The sun 'twixt the wave and the west
Dies in purple, and crimson, and scarlet,
And gold; let us hope for the best,
Since again from the earth his effulgence
The darkness and damp-dews shall wipe.
Kind reader, extend your indulgence
To this the last lay of 'The Pipe'.
poem by Adam Lindsay Gordon
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Today... 'The Glory Of Their Strength
'T'will not be by might nor by power' says the Lord
for this battle will not to be waged with a sword
The victory's been accomplished by My Dear Son
and it's by My Holy Spirit that it is won.
As the Glory of their Strength I will be their song
and they shall rejoice in My name all the day long
There in the light of My countenance they will walk
and of the Holy One of Israel men shall talk
(see also the additional information in the Poet's notes box)
poem by Roy Allen
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You Move Me
This is how it seems to me
Life is only therapy
Real expensive
And no guarantee
So I lie here on the couch
With my heart hanging out
Frozen solid with fear
Like a rock in the ground
Woman you move me
You give me courage I didn't
know I had
You move me on
I can't go with you
And stay where I am
So you move me on
This is how love was to me
I could look and not see
Going through the emotions
Not knowin' what they mean
And it scared me so much
That I just wouldn't budge
I might have stayed there forever
If not for your touch
Oh but you move me
Out of myself and into the fire
You move me
Now I'm burning with love
And with hope and desire
How you move me
You go whistling in the dark
Making light of it
Making light of it
And I follow with my heart
Laughing all the way
Oh 'cause you move me
You get me dancing and you
make me sing
You move me
Now I'm taking delight
In every little thing
How you move me
song performed by Garth Brooks
Added by Lucian Velea
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(Love&Freindship Poem) A Dances Reflection
I can be only certain of one thing.
That is of you.
A friend to treasure.
A friend forever.
Let this be the message I deliver.
A folded up letter with a perfect signature.
Let it show you my dedication.
Let it show you my infatuation.
Above all let it remind you that no matter where you go.
Somethings can not be easily forgotten.
With wings and some grace, I'll tip toe all the way to your place.
Just to see your smiling face.
Just to strike up a conversation where we left off.
Oh yeah now where was I?
To help you when your in need.
Listen as the delicate butterfly sings.
Does he sound so bad?
Does he kinda look sad?
If you think for a moment I'll give what I have, for you.
Know that I do everyday.
Know that I do everyday.
Everyday even worlds away.
Comfort is what I need to stay.
A love abiding and quite paralyzing.
Memorizing, and hypnotizing.
Tell me now, can you look away.
I can't and if I did the guilt would just eat at me in till I died.
The emotions are alive, they take it upon themselves to drive.
I don't where I'm going, but I want it to be with you.
That's all my heart says.
And it says it over and over.
It'll never stop.
Just as the pain of such distances divides.
Just let me conquer and survive.
Tell me now just who do I have to bribe.
I want just the freedom to be.
Where we want, when we want.
Is that really so much to ask?
Is that really that complicated of a task?
In my arms.
In your arms.
A dance of a reflection that hasn't quite left yet.
poem by Ace Of Black Hearts
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The Mare's Nest
Jane Austen Beecher Stowe de Rouse
Was good beyond all earthly need;
But, on the other hand, her spouse
Was very, very bad indeed.
He smoked cigars, called churches slow,
And raced -- but this she did not know.
For Belial Machiavelli kept
The little fact a secret, and,
Though o'er his minor sins she wept,
Jane Austen did not understand
That Lilly -- thirteen-two and bay
Absorbed one-half her husband's pay.
She was so good, she made hime worse;
(Some women are like this, I think;)
He taught her parrot how to curse,
Her Assam monkey how to drink.
He vexed her righteous soul until
She went up, and he went down hill.
Then came the crisis, strange to say,
Which turned a good wife to a better.
A telegraphic peon, one day,
Brought her -- now, had it been a letter
For Belial Machiavelli, I
Know Jane would just have let it lie.
But 'twas a telegram instead,
Marked "urgent," and her duty plain
To open it. Jane Austen read:
"Your Lilly's got a cough again.
Can't understand why she is kept
At your expense." Jane Austen wept.
It was a misdirected wire.
Her husband was at Shaitanpore.
She spread her anger, hot as fire,
Through six thin foreign sheets or more.
Sent off that letter, wrote another
To her solicitor -- and mother.
Then Belial Machiavelli saw
Her error and, I trust, his own,
Wired to the minion of the Law,
And traveled wifeward -- not alone.
For Lilly -- thirteen-two and bay --
Came in a horse-box all the way.
There was a scene -- a weep or two --
With many kisses. Austen Jane
Rode Lilly all the season through,
And never opened wires again.
She races now with Belial. This
Is very sad, but so it is.
poem by Rudyard Kipling
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Sleep All Day
His after moan though cries oh no
Hes building up a shine but he take it slow
And he knows it time to make a change here and time to get away
And he knows its time for all the wrong reasons and time to end the pain
But he sleep all, sleep all day, sleep all, we sleep all day over again
Why dont we?
She said what would your mother think and how would your father react oh lord
Would he take it all back what theyve done
No way he said take it, take it and dont break it with your own two hands
That was my old man and he said
If all is grounded you should go make a mountain out of it
Oh what a lovely day to have a slice of humble pie
Recalling of the while we used to drive and drive here and there
Going nowhere but for us, nowhere but for the two of us
And we knew it was time to take a chance here
And time to compromise our lives for awhile
And it was time for all the wrong reasons
But time is often on my side and I give it to you tonight
And we sleep all, sleep all day, sleep all, we sleep all day over again
As time goes by we get a little bit tired waking and baked another marlboro mile wide
Its sending the boys on the run in the time in hot summer sun
To swim beneath or over outside as theyre reading between the lines
Then they remember the part in the hallmark card where they read about the dreams
And reaching for the stars to hold on a little bit closer to
And they knew it was time, time to take a chance here
Time to compromise our little lives for just a little while
And they knew it was time for all the wrong reasons
As time is often on my side and I give it to you, oh boy
And we sleep all, sleep all day, sleep all, we sleep all day over again
She said what would your mother think and how would your father react oh lord
Would he take it all back what theyve done
No way he said take it, take it and dont break it with your own two hands
That was my old man and he said
If all is grounded you should go make a mountain out of it
song performed by Jason Mraz
Added by Lucian Velea
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Robin Hood, A Child.
It was the pleasant season yet,
When the stones at cottage doors
Dry quickly, while the roads are wet,
After the silver showers.
The green leaves they looked greener still,
And the thrush, renewing his tune,
Shook a loud note from his gladsome bill
Into the bright blue noon.
Robin Hood's mother looked out, and said
"It were a shame and a sin
For fear of getting a wet head
To keep such a day within,
Nor welcome up from his sick bed
Your uncle Gamelyn."
And Robin leaped, and thought so too;
And so he has grasped her gown,
And now looking back, they have lost the view
Of merry sweet Locksley town.
Robin was a gentle boy,
And therewithal as bold;
To say he was his mother's joy,
It were a phrase too cold.
His hair upon his thoughtful brow
Came smoothly clipped, and sleek,
But ran into a curl somehow
Beside his merrier cheek.
Great love to him his uncle too
The noble Gamelyn bare,
And often said, as his mother knew,
That he should be his heir.
Gamelyn's eyes, now getting dim,
Would twinkle at his sight,
And his ruddy wrinkles laugh at him
Between his locks so white:
For Robin already let him see
He should beat his playmates all
At wrestling, running, and archery,
Yet he cared not for a fall.
Merriest he was of merry boys,
And would set the old helmets bobbing;
If his uncle asked about the noise,
'Twas "If you please, Sir, Robin."
And yet if the old man wished no noise,
He'd come and sit at his knee,
And be the gravest of grave-eyed boys;
And not a word spoke he.
So whenever he and his mother came
To brave old Gamelyn Hall,
'Twas nothing there but sport and game,
And holiday folks all:
The servants never were to blame,
Though they let the physic fall.
And now the travellers turn the road,
And now they hear the rooks;
And there it is, — the old abode,
With all its hearty looks.
Robin laughed, and the lady too,
And they looked at one another;
Says Robin, "I'll knock, as I'm used to do,
At uncle's window, mother."
And so he pick'd up some pebbles and ran,
And jumping higher and higher,
He reach'd the windows with tan a ran tan,
And instead of the kind old white-haired man,
There looked out a fat friar.
"How now," said the fat friar angrily,
"What is this knocking so wild?"
But when he saw young Robin's eye,
He said "Go round, my child.
"Go round to the hall, and I'll tell you all."
"He'll tell us all!" thought Robin;
And his mother and he went quietly,
Though her heart was set a throbbing.
The friar stood in the inner door,
And tenderly said, "I fear
You know not the good squire's no more,
Even Gamelyn de Vere.
"Gamelyn de Vere is dead,
He changed but yesternight:"
"Now make us way," the lady said,
"To see that doleful sight."
"Good Gamelyn de Vere is dead,
And has made us his holy heirs:"
The lady stayed not for all he said,
But went weeping up the stairs.
Robin and she went hand in hand,
Weeping all the way,
Until they came where the lord of that land
Dumb in his cold bed lay.
His hand she took, and saw his dead look,
With the lids over each eye-ball;
And Robin and she wept as plenteously,
As though he had left them all.
"I will return, Sir Abbot of Vere,
I will return as is meet,
And see my honoured brother dear
Laid in his winding sheet.
And I will stay, for to go were a sin,
For all a woman's tears,
And see the noble Gamelyn
Laid low with the De Veres."
The lady went with a sick heart out
Into the kind fresh air,
And told her Robin all about
The abbot whom he saw there:
And how his uncle must have been
Disturbed in his failing sense,
To leave his wealth to these artful men,
At her's and Robin's expense.
Sad was the stately day for all
But the Vere Abbey friars,
When the coffin was stript of its hiding pall,
Amidst the hushing choirs.
Sad was the earth-dropping "dust to dust,"
And "our brother here departed;"
The lady shook at them, as shake we must,
And Robin he felt strange-hearted.
That self-same evening, nevertheless,
They returned to Locksley town,
The lady in a dumb distress,
And Robin looking down.
They went, and went, and Robin took
Long steps by his mother's side,
Till she asked him with a sad sweet look
What made him so thoughtful-eyed.
"I was thinking, mother," said little Robin,
And with his own voice so true
He spoke right out, "That if I was a king,
I'd see what those friars do."
His mother stooped with a tear of joy,
And she kissed him again and again,
And said, "My own little Robin boy,
Thou wilt be a King of Men!"
poem by James Henry Leigh Hunt
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The Lady of Shalott (1842)
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers " 'Tis the fairy
Lady of Shalott."PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed:
"I am half sick of shadows," said
The Lady of Shalott.PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.
And down the river's dim expanse
Like some bold seër in a trance,
Seeing all his own mischance--
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right--
The leaves upon her falling light--
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."
poem by Alfred Lord Tennyson
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Some People Like To Take A Water Droplet
Some people like to take a water droplet
and turn it into a haiku.
Some people like to write
like the loose thread
of a quick-witted alpine stream
trying to unravel the mountain all the way down
with dazzle and flash.
But when I shoot my mouth off
about what I don't know about nightingales
it always comes out ice-hot stars
above a rush of northern rivers,
the Mackenzie, the Fraser, the Thompson
and when I want to risk
my cowboy B.C. French in public,
the Gulf of St. Lawrence.
Some people like to weave their mindstreams
into lakes with their third eyes open
to the flight of the white clouds
and the sky that doesn't inhibit them,
but me I like to flow and fall and crush
swell and fork, shift, shape, loop, swerve,
destroy, nourish, and change course
like the Ottawa or the Skeena
in the May spring run off
when the ice floes and weight-lifting waters
are flexing their muscles
in powerfully sculpted anthracite and jade.
A river, yes, blackwater and white alike;
what could be more
quintessentially Canadian than that?
A river as inhospitable and bleak as the Arctic
toward life in its beginnings,
and still as wild and dangerous as Hell's Gate
as it approaches the sea
after many perils and epiphanies.
I am the sorcerer's apprentice
when it comes to rivers
but I like to go with the flow, the power, the depth
the cosmic expansion of their homelessness,
the cataracts and wetlands of their manic mood swings,
the way they uproot and sustain,
carve traffic islands out of granite
and tear down bridges in their path
and then slow down mellifluously
to let a doe come out of the woods to drink
from the reflection of the way the water sees her.
I give the orange spruce root rot in rusty shallows
and strip the bark from defrocked trees
the herons nest in like a brain trust.
Grizzly, moose, cougar, wolf,
elk, deer, beaver, mink and muskrat,
eagle, loon, drake and Canada goose,
what totem of star mud
has not mingled its blood in my flowing,
what stars have not tingled on my skin
like butterflies landing on single sunlit hairs,
what tribes have not sat around their fires
while I flint-knapped the moonlight
into radiant silver spears
as the waves made small music
like a background theme of silence?
I don't need to know where I'm going.
I can be Kelsey, Thompson, or La Verendrye,
and keep a journal of where I've been
and make rough sketches of what I've seen
because flowing freehand isn't a point
it's a destination that's always on the move
shooting the rapids of the life line
in the palm of your hand
as if life were precious enough to risk it all
to see how far you had to go
to flow off the edge of a starmap that doesn't know.
Clash, dash, swirl and recover,
turn, counter-turn, stand
I like to waltz my way out of knots and nooses
like an Horatian ode in the glands of a Romantic poet.
I like to boost the torque of my whirlpools and currents
and open up the throttle
on the straightaways of cobbled river stones
as if I had a big four-stroke between my knees.
Underwhelm the birch groves before the beavers do,
tear the cedars out like molars,
turn whole villages into houseboats
and take my wrath out on the petty roads
that whine like potholes and puddles
if it so much as even rains.
All weak threads of ancillary streams
are gathered up into the strong ropes
of northern rivers with enough spine and backbone
to have all their chakras open
like the lunar and the solar filaments of serpent-fire.
My poems taste of stone and glacier,
unnamed valleys where the red-tailed hawks
have never set eyes on a human
and the sound of a voice
leaves the mountains speechless,
not knowing what language to echo.
Roil, roll, tumble, and spume,
lost in a froth of creative chaos
that brings forth rainbows and stars
and auroral veils of water and light
to mystify the message in the medium
by frustrating the logic of syntax
in the scintillant radiance
of counter-intuitive metaphors
that relate in myriad family ways
like salmon swimming upstream
summoned out of the spontaneity of the past
against the flow of the timely waterclocks
up to the sacred pools of birth and death
to die like old moons in the arms of the new.
I wreck whole forests like the Spanish Armada.
People run to me like a lifeboat
for shelter and sanctuary from the fire.
A northern river is the jugular of a snow dragon
with its wings spread as wide as Canada
breathing fire like two year old red oak
in a Napoleon airtight with a see through window
and a ten inch Selkirk chimney
that looks like it were cast out of moonlight
instead of polished aluminum
on a cold clear winter night in the country.
A poem should not mean or be
but do something to you like Vancouver,
rip off that life raft you've moored yourself to
like a running shoe tied up at a dock
and throwing it down like a gauntlet at your bare feet
see if you can learn to sink or swim for yourself
or, at least, walk on stars,
or pull the thorns of crescent moons
you're bound to step on along the way
out of your heels with your teeth
like a wolf pulls a porcupine quill from its paw
with barely a whimper of regret.
Sometimes you've got to bite the bullet
to get it out.
But a river's like a barbed arrowhead
and it's better to push it all the way through
than it is to let it tear at your flesh
like a bobcat on its way out of the bag.
It's not a good idea when you're in a northern bar
to start arm wrestling
with drunken men who build dams for a living
but you can get away with it
if you're a river and not a highway,
because they of all people
know your potential for destruction
when you're backed up
and there's no other way out
except straight through a brick wall.
El Toro!
And there's a crack
in the cement cape of the matador
that taunted the broad-shouldered bulls of the river
like a cattle prod in their stalls,
and a horn through his gored heart.
Torrent, rage, acquiesce, and chill out,
yes, a northern Canadian river
will do just fine as a similitude
for the way I like to write,
a neural connection to the planet,
a water root of dendritic black matter,
the circuitous blossoming
of wild irises and quaking aspen groves
all along the great water ways of life.
And as for inspiration
who needs more than the coming and going
of the waterbirds
to learn how to master words
as if they were as free to be what they are
as I am?
poem by Patrick White
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I've got two sisters and they're both married and they're both much more settled into the way things are.
quote by Ann Wilson
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Success makes men rigid and they tend to exalt stability over all the other virtues; tired of the effort of willing they become fanatics about conservatism.
quote by Walter Lippmann
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I never imagined it wouldn't work out for me. I had that absolute certainty in myself that has seen me through, I think, and my parents were absolutely behind me all the way.
quote by Ewan McGregor
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Sentenced to Life
Four have a solution and they are right,
Five more are in the way of life and are right,
Seven can be many to some, and too many to most.
I have you known ten many are too many, and too many.
Dead is a man who is not.
poem by Naveed Akram
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