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Privileged Access Paris Catacombs Tour with Secret Rooms
Explore the dark side of the city of light
Discover the darkness beneath the city of light. Leave the crowds behind and let your guide enlighten you with the mystical folklore surrounding the medieval tombs.
Tour Details
- Skip the Line at the Paris Catacombs
- Death's Empire
- Underground streets of Paris
- Lower Catacombs
- Empire of the Dead
- Barrel of Passion
What makes our Paris Catacombs Tour the best in Paris? A combination of passionate storytelling, expert local guides, skip the line tickets and a maximum group size of 19 people. Our tour is filled with the facts and folklore that bring the Catacombs of Paris, a place for the dead, back to life! This 1.5 hour tour includes:
- - Skip the line Paris Catacombs tickets
- - A professional English-speaking guide
- - A maximum group size of 19
- - Entry to two restricted access areas of the Paris Catacombs
Skip the Line Paris Catacombs Tickets
Wait times to see the Paris Catacombs sometimes last up to 3 hours. Don't waste precious time in long lines during your vacation in Paris. We'll have your Paris Catacombs ticket in advance, so you won't have to bother purchasing one there. Our tour lets you skip the long lines completely and jump right into your tour of the darkness that lies beneath "The City of Light".
Catacombs of Paris - The Gateway to Hell
Our tour starts at the entrance of the Catacombs which is just south of the "Barrière d'Enfer" (which means The Gates of Hell!). After entering, you'll immediately descend a staircase deep below the streets of Paris to "The World's Largest Grave". Your guide will explain the creation of the Catacombs and the serious issues that the city used to have with finding places to bury the dead.
On your Catacombs visit, your guide will take you to not just one, but two incredibly eerie areas of the Paris Catacombs that are restricted from public access. These areas are so exclusive that a Paris Catacombs guard will actually open the gates to the areas with a key. How's that for a VIP experience?
Paris Catacombs History
By the 17th century, the cemeteries in Paris were overflowing. And so, the solution became to place the corpses' remains in the tunnels that existed beneath the streets of Paris since the 13th century. Originally, the French Catacombs were mines or ossuaries for extracting the limestone that built Paris.
As the city expanded, it eventually covered areas with mines underneath. Sound like bad planning? That's because it was not planned at all. Many of these mines were abandoned and undocumented. The solution to bury the dead underground fixed more than simply the lack of cemetery space. The estimated six million people buried there actually reinforced the mines.
Catacombs Artwork, Architecture and Bones
The Paris Catacombs are one of the last secrets of Paris and our tour will uncover the mysteries held within their walls. You'll move through a labyrinth of corridors and gates that connect the different underground areas. You'll see artwork and architecture like you have never seen before. And yes, you will see thousands upon thousands of bones, arranged by artists and architects to make the space more "livable".
See what people are saying
48 total reviewsLeave a review
Average customer rating
4.96 / 5 based on 48 total reviews
Too much talking before entering the nitty-gritty part of the Catacombs
Our tour guide was very knowledgeable and fun to be with. I had visited the Catacombs before this tour. The history was interesting but we really wanted to get more involved in the actual Catacombs.
Barbara Gibbons
Creepy, fun, historic
My son and I took this tour in late September 2019. Our guide was Eleanor ("Leo") and she was fantastic! Her love of the catacombs and their stories was evident at every stop. Some notes: - you definitely do skip the line! We didn't wait at all despite a huge backup of walk-in visitors; - there are a lot of stairs! you'll end up walking up and down about 10 stories' worth; - the security is tight at both ends, both to protect visitors and the catacombs and to prevent idiots from taking souvenirs; - Again, Eleanor was fantastic. On a couple of occasions she had to gently shoo away non-paying visitors who couldn't resist her great narration.
Canadians in the Catacombes 💀☠
This was such a great tour. Leo was our guide was so enthusiastic about divulging all the information she had on the catacombes including a binder with photos and articles she had collected . She made sure everyone was close by when she had information to share. She is a wonderful Catophile. If you go ask for Leo!!
Donna, Chrissy And Mary
Frequently Asked Questions
Where to meet?
In front of Café Oz, at the exit of the Denfert-Rochereau Metro. A representative will be there holding a sign with our company name on it.
What to bring?
We always recommend comfortable walking shoes on all of our tours. The temperature inside the Catacombs is always around 14°C/57°F, no matter what time of year, so it's a good idea to bring a light sweater. Also, the only bathroom break is at the end so please show up prepared and ready to tour!
Q: I've heard about the Paris Catacombs calling strikes at the last minute. Does this really happen?
A: On occasion, landmarks in Paris, such as the Paris Catacombs, decide to strike. Often, the intention to strike is not communicated to tour operators until the day of the strike. In the event that the Paris Catacombs go on strike when your tour scheduled, we will do our best to accommodate you on another Catacombs tour the following day. If this is not possible, we will provide you with a full refund.
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Stratus Properties Inc (NASDAQ:STRS), a USD$241.76M small-cap, operates in the real estate industry which displays attractive investment characteristics relative to other sectors, especially over time. Real estate analysts are forecasting for the entire industry, a fairly unexciting growth rate of 0.59% in the upcoming year . Below, I will examine the sector growth prospects, and also determine whether STRS is a laggard or leader relative to its real estate sector peers. See our latest analysis for STRS
What's the catalyst for STRS's sector growth?
Not every category of real estate is likely to be impacted the same by macroeconomic factors such as interest rate hikes, and not all locations are primed to grow. So, investors must remain cautiously optimistic and analyse the fundamentals of the underlying industry. Over the past year, the industry saw negative growth of -6.86%, underperforming the US market growth of 4.49%. STRS lags the pack with its earnings falling by more than half over the past year, which indicates the company will be growing at a slower pace than its real estate peers. As the company trails the rest of the industry in terms of growth, STRS may also be a cheaper stock relative to its peers.
Is STRS and the sector relatively cheap?
Real estate companies are typically trading at a PE of 21x, in-line with the US stock market PE of 22x. This means the industry, on average, is fairly valued compared to the wider market – minimal expected gains and losses from mispricing here. Furthermore, the industry returned a similar 9.09% on equities compared to the market's 9.99%. Since STRS's earnings doesn't seem to reflect its true value, its PE ratio isn't very useful. A loose alternative to gauge STRS's value is to assume the stock should be relatively in-line with its industry.
What this means for you:
Are you a shareholder? STRS has been a real estate industry laggard in the past year. If your initial investment thesis is around the growth prospects of STRS, there are other real estate companies that have delivered higher growth, and perhaps trading at a discount to the industry average. Consider how STRS fits into your wider portfolio and the opportunity cost of holding onto the stock.
Are you a potential investor? If STRS has been on your watchlist for a while, now may be a good time to dig deeper into the stock. Although its growth has delivered lower growth relative to its real estate peers in the near term, the market may be pessimistic on the stock, leading to a potential undervaluation. Before you make a decision on the stock, I suggest you look at STRS's future cash flows in order to assess whether the stock is trading at a reasonable price.
For a deeper dive into Stratus Properties's stock, take a look at the company's latest free analysis report to find out more on its financial health and other fundamentals. Interested in other real estate stocks instead? Use our free playform to see my list of over 100 other real estate companies trading on the market.
To help readers see pass the short term volatility of the financial market, we aim to bring you a long-term focused research analysis purely driven by fundamental data. Note that our analysis does not factor in the latest price sensitive company announcements.
The author is an independent contributor and at the time of publication had no position in the stocks mentioned.

subset: commoncrawl


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Scabs Wanted
According to The American Spectator (seen via Kesher Talk), the Service Employees International Union is considering trying to disrupt the Republican Convention. All the hotels, etc. have to do is hire a few hundred illegal aliens. The sight of union Democrats protesting olive-skinned workers will ruin their reputation for years and make any muliculturalist who tries supporting them look like a hypocrite.


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Olympic Gold Medalist Tyler George in Wausau
Men's Curling Olympic Gold Medalist Tyler George is in Wausau to help support the Wausau Curling Club and its members. George won the gold at the 2018 Olympic Winter Games.
"Getting to represent your country with your sport is something you can't really describe," George said.
The same year he won the medal he also ended up retiring. Now he is an ambassador for USA Curling and gets to travel to country promoting the sport.
"Basically anything that helps clubs around the country, whether they are established or growing. Promote the sport, learn-to-curl events, speaking engagements meet and greets, school appearances, anything that helps curling in areas we are in," George said.
While he's been traveling the country, his stop this week was in Wausau. He took a trip to the Wausau Curling Club and then participated in the club's 12th Annual Benefit Golf Outing.
George only had good things to say about the curling center in Wausau.
"It's a beautiful facility here. The seating arrangement they have here is fantastic. People are really excited about curling down here, so hopefully I'll get to spend more time here," George said.
"Tyler is on a hole called 'Beat the Olympian,'" said Tara Schessler, Wausau Curling Club Recruitment Chair. "A way for him to come out and be an ambassador for USA curling and curling as a sport and support local curling clubs like Wausau Curling Club."
George's golf outing gave him a chance to talk with local curlers.
"To see what our achievement has meant to the individual curlers and club members and also just for curling in the country as a whole," George said. "It's not something we could have ever imagined. We knew it'd be big, but how far it's gone is beyond anything we've ever anticipated."


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Five Suggestions for Commercial IAQ Monitors
When approaching indoor air quality (IAQ) monitors designed for commercial use, it can be tricky to find the best solution for your project. To help you choose the most suitable monitor, we put together some key considerations you should keep in mind when looking for a commercial indoor air quality monitor.
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Those effects might contribute to certain health consequences later in life, said Dr. Rosalind Wright, a professor of pediatric medicine and public...Read more


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1-20 ton gas/oil fired boiler
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7-70 MW gas/oil fired hot water boiler
Capacity: 7-70 MW
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Capacity: 2.8-29mw
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horizontal thermal fluid heater
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We report a diode-end-pumped continuous wave (cw) Nd:YVO4 laser operation at 1386 nm. A maximum output power of 305 mW is achieved at an incident pump power of 4.24 W, achieving a slope efficiency of 13.9%. To the best of our knowledge, this is the first time that cw operation at this transition of Nd:YVO4 crystal is reported. By using the experimentally measured threshold data, the stimulated-emission cross-section of this gain medium at 1386 nm transition is determined to be 3 × 10-19cm2. In addition, simultaneous cw operation at 1342 nm and 1386 nm is also observed.
©2005 Optical Society of AmericaFull Article | PDF Article
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The sun was still below the horizon as I settled into my deer stand. A light dusting of snow covered the ground.
The temperature was in the upper 20s, perfect for the opening morning of deer hunting in Wisconsin on Saturday, Nov. 17, 2018.
I poured myself a cup of coffee from the Thermos that once belonged to my grandfather who hunted this land. I sat still with my back against a tree and watched daylight creep into my valley.
Life is a journey of lessons. Some we learn, some we forget, and some we need to be taught over and over because some of us — like yours truly — have a slightly slower informational uptake.
This weekend I will resume my annual learning retreat in the woods with my 44th season of gun deer hunting. It's actually closer to 50 if you count the years I participated in deer drives.
This will be my dad's 70th season. He, too, has never missed a hunt, even in the early days when deer were scarce. Back in the late 1940s, Wisconsin's deer population was just recovering from a few Depression-era years when there was no hunting season in the state. It was quite unusual when my grandfather Keith Hardie shot a buck on our family farm in western Jackson County.
Dad's first few years of hunting were in the public forest lands east of Black River Falls. In 1949, the state had a peculiar season where any deer could be harvested with the exception of bucks with more than a two-inch fork. I've heard stories about big bucks that were shot and left untagged.
But the deer population grew. In 1950, the state held its first "any deer" season since 1919, and 167,911 deer were killed — the nation's largest whitetail harvest. In 1951, a deer hunting license with a tag cost $2.50, and in 1956 — the 100th regular gun deer season in Wisconsin's history — the registered buck kill was 35,562.
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For comparison, last year 106,038 bucks were harvested, with the total kill of 219,715 deer in the nine-day gun deer season. The Wisconsin Department of Natural Resources predicts the 2019 deer herd population at nearly 2 million animals.
I will be one of the roughly half-million hunters hitting the woods. Deer hunting is my opportunity to unplug — if only for a few hours — from the hectic pace of life. It's a time of peace and reflection.
Shortly after I settled into my stand in 2018, a light breeze drifted through the valley, rustling the dried oak leaves still connected to the branches. My eye caught one leaf that lost its aerial perch. It started to float downward, riding a waft of air for a bit before falling on the forest floor.
Suddenly, I felt sad. The leaf reminded me of my own mortality and of the loved ones around me. Another year has passed. We grow old, still clinging to the branch of life, not knowing when our time will be to let go.
My momentary melancholy brightened when I heard leaves crunching. I observed a small buck come down the hill toward my stand. I watched him for at least 20 minutes, and he came within a few yards from where I sat. I chose my camera rather than my gun.
The next day, a larger buck came near my stand, and I successfully filled my tag. Even better was the opportunity later in the season to spend a few hours in the stand with Dad and to share a few stories.
Hunting is about appreciation and gratitude. Nature treats us all the same. No matter how rich or poor or what you've accomplished in life, in the woods you're just another hunter huddled under a tree hoping for a big buck to cross your path.
Hunting has taught me humility, the virtue of patience and a deep appreciation for creation, bundled with the value of tradition and family. It's not the thrill of the kill that draws me to hunting, but the time I've spent in the cold November woods sitting by my late grandfather, my father and son, sharing a bond that transcends the pulling of a trigger.
The good Lord willing, I'll be around for a few years to share hunting time with my grandsons. I've got some great stories to tell them.


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iSight app
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An easy-to-use, cross platofrm mobile sales tool. Use your tablet to demo your product catalog to clients and to create and submit quotes and orders even on the road. Works on iPad, Android and Window... s 8 tablets.
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- - - - - G E N E R A L N E W S and R E L E A S E S - - - - - Hello all. TD have announced these 2 new releases. Check our front page for further information. Tangerine Dream - Booster V (2 cd) Tangerine Dream - Machu Picchu (cd) http://www.grooveunlimited.nl/ From there you can go to the information pages of the CDs. Booster V has 5 unreleased new tracks!! looking forward to that. Release date for both are set for March 20th. It is in stock, the great release from their E-Live 2011 concert from LOOM. you can check it out here http://www.groove.nl/jump2.php?artnum=19883 It is not yet in Dreamscape Radio but be assured that we will play it next week!! The double CD is called Scored and I have already listen to it (a lot!!) and it brought back the whole vibe of the day!! People who have pre ordered it, it's already on it's way to you. I also announced 2 new releases by Brendan Pollard last week. Live in Concert 2006 Part 1 and 2. We have the last copies here at Groove, and we then it is sold out!! Brendan has limited it to 300 copies and we ordered the last copies and we heard from Brendan that besides a few spare ones he might need himself there are none left!! Information is on the following pages. http://www.groove.nl/cd/3/38375.html http://www.groove.nl/cd/1/14848.html I have extended the special offer for all who order these releases. So for all who order one the 3 releases may pick a free E-Day or E-Live CD. Just click on one of the links here to check which ones you want. And yes if you buy all 3 you can pick 3 freebies!!. E-day 2009/2010 and 2011 http://www.groove.nl/cd/g/gr-161.html http://www.groove.nl/cd/g/gr-166.html http://www.groove.nl/cd/g/gr-178.html E-Live '98/1999/2009/2010 http://www.groove.nl/cd/g/gr-019.html http://www.groove.nl/cd/g/gr-092.html http://www.groove.nl/cd/g/gr-163.html http://www.groove.nl/cd/g/gr-170.html If you have already ordered one just send me a mail which one you want. And we will ship it with any next order. I am also very proud to announce 3!! new Groove Releases. Gert Emmens - "An Artist's Stroke" Picture Palace music - "Indulge the Passion" Nattefrost & Matzumi - "From distant times" These will be releases end March/Early April!! So Groove is alive and kicking!! Can't wait to present these great albums to you!! During the week I will ad them to the catalog. I am waiting for the covers!! Groove also received the first copies of: Ciani, Suzanne - LIXIVIATION Keller & Schonwalder & Broekhuis - Red and the Mike Oldfield - Deluxe editions of his early releases. They look and sound great. Dreamscape Radio has music this week from the following artists: El-ka, Peter Farn, Bill Vermette, Klangwelt, e.a. e.a Dreamscape Radio show 178 is now on-line. http://www.dreamscaperadio.nl Thanks for your time!! E-News is made by Ron Boots. Thanks to all who contribute news. ========================================================= - - - - NEW PRODUCTS - - - - These products are NEW in our catalog. Further in this newsletter are more details. Tangerine Dream - Booster V (ltd. edition) (cd) Tangerine Dream - Machu Picchu (ltd. edition) (cd) Keller & Schonwalder & Broekhuis - Red (digipak) (cd) LOOM is Johannes Schmoelling & Jerome Froese - Scored (2-cd) Mythos - Quasar (cd) Mike Oldfield - Tubular Bells - Deluxe - 2 CD + DVD (3-cd) Brendan Pollard - Brendan Pollard Live in Concert 2006 Part 1 (ltd. edition) (cdr) Brendan Pollard - Brendan Pollard Live in Concert 2006 Part 2 (ltd. edition) (cdr) Bernd Scholl - Dawn To Dusk (cd) Steve Jolliffe - Alien (cdr) Steve Jolliffe - Amuletum (cdr) Steve Jolliffe - Art Of Minimalism (cdr) Steve Jolliffe - Beyond The Dream (cdr) Steve Jolliffe - Broken Wings (cdr) Steve Jolliffe - Deep Down Far (cdr) Steve Jolliffe - Doorways To The Soul (cdr) Steve Jolliffe - Drakes Venture (cdr) Steve Jolliffe - Escape (cdr) Steve Jolliffe - Ethereal (cdr) Steve Jolliffe - Hadron (cdr) Steve Jolliffe - Heart And Soul (cdr) Steve Jolliffe - Journeys Out Of The Body (cdr) Steve Jolliffe - K 17 (cdr) Steve Jolliffe - Minotaur (cdr) Steve Jolliffe - Music For Film And TV (3-cdr) Steve Jolliffe - New Age Emotions (cdr) Steve Jolliffe - Omni (cdr) Steve Jolliffe - Space (cdr) Steve Jolliffe - Temmenu (cdr) Steve Jolliffe - USA (cdr) Steve Jolliffe - Vision Earth (cdr) Steve Jolliffe - Zanzi (cdr) - - - - - CONCERT INFORMATION - - - - - MYTHOS im Planetarium Münster - einziges MYTHOS Konzert in Nordrhein-Westfalen 2012! Am Freitag, dem 4.Mai kommt der Multi-Instrumentalist aus Berlin bereits zum zweiten Mal an diesen phantastischen Auftrittsort. Mit der spektakulären LASER-HARFE, Vocoder, Elektronik-Flöte und -Dudelsack, sowie diversen, zum Teil mobilen Synthesizern und Sequenzern. Mit futuristischen, auf die Musik abgestimmten FULLDOME-Projektionen. Meet & Greet mit MYTHOS von 18:30Uhr bis 19Uhr; Konzertbeginn 19:30Uhr für das ca. zweistündige Programm. Karten zum Preis von 12,-Euro (vermindert 10,-Euro) können bereits telefonisch direkt im Planetarium vorbestellt werden: 0049 (0)251/5916076 GRATIS gibt's für jeden Besucher ein Vierfarb-Plakat von der MYTHOS PLANETARIEN TOUR 2012! - - - - - CONCERT INFORMATION - - - - - Satzvey Castle festival will take place on 24th March 2012 Dear friends of Berlin School of Electronic Music, the annual Satzvey Castle festival will take place on 24th March 2012. There will be performances by ebia, BatteryDead and Rainbow Serpent with lightshow by Bas B. Broekhuis. There will be stalls by CUE, Groove Unlimited, Manikin, Mellowjet, Spheric Music and SynGate. Please see www.syngate.net for further details; wish you will be there. Regards Sabine, Lothar and Kilian - - - - - CONCERT INFORMATION - - - - - E-DAY 2012 - 28TH!! of April. Programm: PICTURE PALACE MUSIC. STEVE DINSDALE (member of Radio Massacre International) Advanced booking now open. Tickets are 26 Euro pre-sale price At the box office the price will be 34 Euro. You can order tickets until 20th of April 2012, Bank information : Pre-sale tickets: For Dutch. 113711557 tnv Goove Unlimited te Best For Belgium. Fortis Bank, België Agentschap Hamont 41280.5 Accountnr.: 001-3797310-30 Ron Boots / Groove Unlimited, Best, NL For German Zahlung: Raiffeisenbank Empfaenger: Groove Unlimited, Best, NL Kontonr. des Empfaengers: 2803700012 Institut des Empfaengers: Raiffeisenbank Heinsberg BLZ des Empfaengersinstituts: 37069412 ================================================ JUKEBOX The new jukebox contains 8 titles. To listen: click on the JUKEBOX button on www.groove.nl - - - b e s t s a l e s s i n c e p r e v i o u s e - n e w s - - - NON-GROOVE UNLIMITED LABEL 1: LOOM is Johannes Schmoelling & Jerome Froese - Scored (2-cd) 2: Brendan Pollard - Brendan Pollard Live in Concert 2006 Part 1 (cdr) 3: Brendan Pollard - Brendan Pollard Live in Concert 2006 Part 2 (cdr) 4: Tangerine Dream - Machu Picchu (cd) 5: Tangerine Dream - Booster V (cd) 6: Keller & Schonwalder & Broekhuis - Red (cd) 7: Erik Wollo - Traces • Images of Light • Solstice (cd) 8: Bernd Kistenmacher - Antimatter (cd) 9: Pyramid Peak - 5vor12 (cd) 10: Keller & Schonwalder & Broekhuis - Hampshire Jam (cdr) GROOVE UNLIMITED LABEL 1: Ron Boots - Ante Oculos (cd) 2: Erik Wollo - Polar drones (cd) 3: Rene Splinter - Singularities (cd) 4: Harald Grosskopf - Yeti Society (cd) 5: Harald Grosskopf - Oceanheart (cd) 6: Michael Stearns - M'ocean (cd) 7: Michael Stearns - Sustaining cylinders (cd) 8: Steve Smith and the Tylas Cyndrome - Phoenix Arising (cd) 9: Ron Boots - La caída de hormigón (cd) 10: Gert Emmens - Metamorphosis (cd) - - - - n e w a n d c h a n g e d e n t r i e s - - - - Additions and changes from February 18 2012 till February 25 2012 *review added * Between Interval - AUTUMN CONTINENT (cd) 17149 2006. Space ambient and electronic downtempo. $ 16.99 / UKP 12.49 / EURO 13.99 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=17149 *review added * Between Interval - EDGE OF A FAIRYTALE (cd) 89113 2009. Fascinating ambient journey with a highly cinematic impact. $ 16.99 / UKP 12.49 / EURO 13.99 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=89113 *new in stock * Ciani, Suzanne - LIXIVIATION (cd) 88435 1997. An intriguing and historically significant retrospective of unreleased material from electronic music pioneer Suzanne Ciani, Lixiviation a fascinating compilation from one of electronic musics earliest innovators. $ 19.75 / UKP 14.49 / EURO 16.40 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=88435 *new in stock * Loom - SCORED (2-cd) 19883 2012. Recorded live in Eindhoven, NL 2011 during the E-live festival Fantastic music!! Jerome Froese, Johannes Schmoelling, Robert Waters.. $ 27.49 / UKP 20.25 / EURO 22.90 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=19883 *track listing and cover added * Mythos - QUASAR (cd) 76076 2012. Reissue of this great album from the 80's. Release date: Feb 17 2012 $ 17.99 / UKP 13.25 / EURO 14.90 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=76076 *new in stock * Oldfield, Mike - HERGEST RIDGE 2 CD + DVD (3-cd) 66016 2010. DELUXE EDITION -. $ 28.25 / UKP 20.75 / EURO 23.50 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=66016 *new in stock * Oldfield, Mike - INCANTATIONS 2 CD + DVD (cd) 23778 2011. DELUXE EDITION. $ 28.25 / UKP 20.75 / EURO 23.50 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=23778 *new in stock * Oldfield, Mike - MUSIC OF THE SPHERES LTD 2 CD EDITION (2-cd) 47832 2008. LTD.DELUXE EDIT./CD+BONUS CD DIGI Mike Oldfiels return in the limelight. A great new album. $ 25.25 / UKP 18.49 / EURO 20.90 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=47832 *new in stock * Oldfield, Mike - OMMADAWN 2 CD + DVD (3-cd) 66070 2010. DELUXE EDITION -. $ 28.25 / UKP 20.75 / EURO 23.50 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=66070 *new in stock * Oldfield, Mike - TUBULAR BELLS - DELUXE - 2 CD + DVD (3-cd) 51740 2009. DELUXE EDITION + AUDIO BONUS CD. $ 28.25 / UKP 20.75 / EURO 23.50 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=51740 *review added * Padilla, Craig, Zero Ohms & Murphy, Skip - BEYOND THE PORTAL (cd) 61865 2009. Excellent fusion of New Age heart with Electronic Spacemusic sensibilities. $ 16.99 / UKP 12.49 / EURO 13.99 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=61865 *track listing and cover added * Pollard, Brendan - BRENDAN POLLARD LIVE IN CONCERT 2006 PART 1 (cdr) 38375 2012. live recordings of my concert at "E-Live" on October 14th 2006 at the TU Limited Edition CDR's in the usual PVC sleeve.. Limited edition of 100. $ 18.75 / UKP 13.75 / EURO 15.50 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=38375 *track listing and cover added * Pollard, Brendan - BRENDAN POLLARD LIVE IN CONCERT 2006 PART 2 (cdr) 14848 2012. live recordings of my concert at "E-Live" on October 14th 2006 at the TU Limited Edition CDR's in the usual PVC sleeve. includes one is a lost piece from just before "Flux Echoes". Limited edition of 100. $ 18.75 / UKP 13.75 / EURO 15.50 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=14848 *new in stock * Qluster - ANTWORTEN (cd) 20470 2011. THIRD INSTALMENT IN A TRILOGY OF QLUSTER MUSIC. $ 20.25 / UKP 14.99 / EURO 16.80 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=20470 *new in stock * Qluster - RUFEN (cd) 69847 2011. QLUSTER - Kluster – Cluster – and now Qluster – an extraordinary shedding of skin of one of the most important German electronic groups.. $ 20.25 / UKP 14.99 / EURO 16.80 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=69847 *review added * Seren Ffordd + Oophoi - MARTIAN CHRONICLES (cd) 57832 2011. The Martian Chronicles, inspired by Ray Bradbury's story collection sounds very much like the soundtrack to a mysterious and strange SF film A beautiful mixture of electronic instruments, field recording and drums.. $ 14.49 / UKP 10.75 / EURO 11.90 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=57832 *new entry / track listing and cover added * Tangerine Dream - BOOSTER V (cd) 70570 2012. Part five of the Booster series with 5 NEW UNRELEASED TRACKS!!. Limited edition. Release date: 20 March 2012 $ 24.25 / UKP 17.75 / EURO 20 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=70570 *new entry / track listing and cover added * Tangerine Dream - MACHU PICCHU (cd) 61662 2012. A new limited Cupdisc edition.. Limited edition. Release date: 20 March 2012 $ 15.25 / UKP 11.25 / EURO 12.50 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=61662 *review added * Terra Ambient - WANDERLUST (cd) 19360 2009. Epic, sweeping and luscious. $ 16.99 / UKP 12.49 / EURO 13.99 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=19360 *review added * Wollo, Erik - SILENT CURRENTS (2-cd) 10012 2011. Ambient, rhythmic and melodic. Digipak $ 22.75 / UKP 16.75 / EURO 18.90 Details/soundclips/ordering: http://www.groove.nl/jump2.php?artnum=10012 - - - - - - - - - - r e v i e w s - - - - - - - - - - Padilla, Craig, Zero Ohms & Murphy, Skip - Beyond the portal (61865) Wow, with having this line-up in action you have to be prepared for grandiose intergalactic voyage, just like indicated by its title and cover picture (design by Jeff Kowal/Terra Ambient). And the opening "Perpective Of Disappearance" (first part of subtitle "Realm Of The Spirit") only proves these words as it immediately transports each listener into colossal cosmic spheres with its peacefully floating washes, few dramatic outbursts and generated choirs color the composition here and there, but the overall feel is of very smooth ethereal and romantic nature. The title composition of the first subtitle, "Realm Of The Spirit", returns to primordial grounds with Zero Ohms/Richard Roberts' suggestive flute work, stunningly melting the modern and the ancient, really gorgeous soundscaping at its most serene level!!! "Oceans Of The Heavens", the sole part of the second subtitle "Akasha", shifts the mood towards the celestial sound painting with ci rcling and slowly evolving texture, getting at times more massive and dramatic and showcasing beautiful interplay of monumental skyscapes and moments of silence enriched at the very end by choir-like sounds. Absolutely breathtaking composition and truly imaginative and fascinating deep space journeying!!! "One Moment Beyond", the entry part of the last "Beyond The Portal" subtitle, drifts in much quieter and static celestial manner with naturally and warmly floating sound waves, nicely colored in its second part with Zero Ohms' flute magic. Strongly evocative piece of music!!! It freely crosses into "Active Side Of Infinity" that soon transports the listener into more breathing and ever-changing territory with strong cinematic, almost orchestral-like feel, what a gracious beauty!!! The closing title composition "Beyond The Portal" is more energizing with mid-paced structure, and even if more earthy sounding, it provides highlighting finale for this impressive and crafted deep space exploration!!! "Beyond The Portal" is outstanding in every aspect, filled with emotional depth and elegant sound sculpting, a really graceful and sophisticated work by three respected fellow travelers!!! 2011. Richard Gürtler / Bratislava, Slovakia - - - - - - - - - - r e v i e w s - - - - - - - - - - Between Interval - Autumn continent (17149) Yes, young Swedish composer, Stefan Strand, is back in my review section with his 3rd full length album. Even if released back in the summer of 2006 on Spotted Peccary, I think it would be a pity not to feature it on these pages. Between Interval really deserves it with each album and "Autumn Continent" is no exception. Stefan recorded this album under his previous surname, Jönsson, but no matter if Jönsson or Strand, the result is always absolutely sensational!!! Top-notch opener "Autumn Continent 1" explores truly ethereal graciousness of autumn nature capturing the most unique and beautiful sceneries with fabulous colors, an ambient serenity at its best!!! "Submerged", as indicated by its title, is deeply subterranean journey with attractively fitting fragile, but cavernous sounds of bells and gongs with otherworldly spiced atmozones, another big one! "Hidden Wastelands" are painted with deeper drones, slowly climbing into more massive and dramatic peaks, this is serious foggy soundscaping for all connoisseurs of deep ambience!!! Semi-pulsing patterns enrich daylighting "The Tides Of Time", but slowed-down "Expanding Area" returns quickly into vast territories of Scandinavian landscapes with spiraling and colossal drifts. "Passageway" keeps on the droning route, but is colored by distant rumblings and deep resonations in the first half, while later crystalline clicks emerge to enlight this abyssal ambience. "Early Life Remainings" unveils into lighter mood with heartbeating high-tech grooves, the most rhythmed piece on this trip even if later slipping into drifting and evoking passage again. Monstrous and dramatic drones with hissy effects on "This Dominion" create deeply absorbing and spectacular sonic experience, but the next composition, "Atrium", gets even deeper with cascading heavy weight rumbling drones. Slightly lighter, but culminating and cinematic celestials of "Autumn Continent 2" graciously close this truly enterprising and stunning autumn voyage offering breathtaking sonic vistas of scenic Northern territories. "Autumn Continent" is another highly distinctive and sophisticated performance by this huge Swedish talent, a true masterwork!!! 2011. Richard Gürtler / Bratislava, Slovakia - - - - - - - - - - r e v i e w s - - - - - - - - - - Terra Ambient – Wanderlust (19360) Jeff Kowal aka Terra Ambient has released his 3rd album (2nd on Lotuspike) just before the summer of 2009, so quite a long time passed since 2004 when his previous applauded "The Gate" album was released. The album opens very quietly with "Myth", but this piece grows slowly into more dramatic and grandiose parts featuring harsh guitars. Quite a radical change when comparing to more peaceful soundscaping of "The Gate". But don't be scared, this fresh blend of deep atmospherics, tribal beats and expressive guitars is another step in Jeff's highly crafted and refined sound sculpting. His tribal ambience finely infused with right amount of roughness sounds absolutely exciting, a truly extraordinary listening experience from the very beginning of "Wanderlust"!!! "Mudfoot" is another standout piece carefully melting electronics with wide range of acoustics, highly turbulent composition, again enriched by treated guitars. What a beauty! Mysteriousl y deep atmospherics on "Visionquest" later transform into percussion-driven texture with crispy pulsing electronics, a really ear-catching cut! Organics open title track "Wanderlust", but soon this composition moves into absolutely exciting level where deeper washes and gentle tribal beats are spiced by expressive flutes, didgeridoos, bells and strange otherwordly sounds. Man, this must be one of the most sophisticated and distinct tracks Jeff ever made and also one of my personal faves in the genre!!! "Mammoth" attracts with its more minimal structure with slowly developing and more active rich desert ambience. Deeper drones on "Epilogue" are nicely colored with storm sounds and highly evocative flute work, primordial ambience at its best!!! Album closer, "The Ghost In Me", is another highly nature-influenced track, this time attractively colored with delicate piano tunes, but also by additional guitar ambience magics of Jeff Pearce. A track with truly tranquilizing effect! What to write at the end? "Wanderlust", with outstanding sound quality, is not only the most colorful work of Terra Ambient, but also the most refined and polished one showing skilled artistry of this Lotuspike co-owner. Great job, Jeff!!! You can be sure that "Wanderlust" takes me each time on my own journey. 2011. Richard Gürtler / Bratislava, Slovakia - - - - - SPECIAL SHIPPING INFORMATION - - - - - MY.GROOVE.NL A free service for customers. Log-in for your order history, shipping dates, concert tickets and more. http://my.groove.nl Two remarks: 1) The order history is updated AFTER we send you an invoice. NOT after you placed an order. 2) The "FORGOT PASSWORD" option on the log-in page sends the password to the Email address of your invoice. Thanks and until next time. /\ /\ ( ='.'= ) ~(__)_) Groove Unlimited (Specializing in Electronic Music) Ron Boots Helmkruid 28 5684 HN Best the Netherlands Tel: +31 (0) 499 474711 ------------------------------ Email:
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He was waiting, waiting and finally went away. Three have come instead. Or even four. The new ones are quite sexy, beautiful, shapely and… sharp! So who has gone? AF-S Nikkor 300mm G ED VR II. And who have come?
Fujinon XF100-400mm F4.5-5.6 R LM OIS WR vs AF-S NIKKOR 200–500mm f/5.6E ED VR
In the spare time I have made some shots with both lenses. Definitely this is neither a scientific analysis nor neutral comparison. This is because Fujinon was working on X-Pro2 – 24 Mpx, while Nikkor was on the D810 – 36 Mpx. Why this way? The simple answer: I don't have any APS-C Nikon body. A bit more complex answer: Fujinon is an APC-C lens, so it's natural way of working is with APS-C body. But Nikkor is a full frame lens – in it's case the natural environment is the full frame body. So why would I use it with APS-C body? Especially when the majority of the weight is concentrated in the lens?
Read moreFujinon XF100-400mm F4.5-5.6 R LM OIS WR vs AF-S NIKKOR 200–500mm f/5.6E ED VR
FUJINON XF100-400mm F4.5-5.6 R LM OIS WR
FUJINON XF100-400mm F4.5-5.6 R LM OIS WR is currently the longest Fujifilm lens for mirrorless Fuji cameras.
I had to give it a try – no other option 🙂
Fujifilm X-Pro2
No, this is not another, an in-depth description of Fujifilm X-Pro2. It will be a subjective description of the camera, and, in principle, what I noticed after the first few days of use. And it will not be just a series of delights, because I found things both positive and negative.


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Some scholars consider that the Duke of Norfolk commissioned Tallis to write "Spem in alium" for performance at Nonsuch, and that its first performance took place there. Views Read Edit View history. After the most intricate chordal passage so disposed between the various choirs, Tallis contrives the entire choir of 40 voices to enter as one after a pause, "upon a magical change of harmony". Wikipedia articles needing page number citations from February All articles with unsourced statements Articles with unsourced statements from October Articles with hAudio microformats Articles with unsourced statements from October Forty speakers are set around the Chapel, each one featuring a single voice of the part choir.
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The motet is laid out for eight choirs of five voices soprano, alto, tenor, baritone and bass. Current 15 February and wlium October revision.
English translation [ edit ] I have never put my hope in any other but in Thee, God of Israel who canst show both wrath and graciousness, and who absolves all the sins of man in suffering Lord God, Creator of Heaven and Earth Regard our humility.
A surround-sound mix is available thomas tallis spem in alium this hybrid recording, but its the Voices of Classic FM, The Sixteen, under Harry Christophers, who bring the full panoramic experience to the table. Current revision 5 April and 31 October Archived from the original on April 26, The task fell to Thomas Tallis c. By using this site, you agree to the Terms of Use and Privacy Policy.
This motet is not the source for Palestrina's Missa Spem in aliumpublished almost contemporaneously in Voices blend harmoniously in a performance of great depth and substance.
Tallis Music See more Tallis Music. Your contribution may be further edited by our staff, and its publication is subject to our final approval. You may find it helpful to search within the site to see how similar or related subjects are covered. Forty speakers are set around the Chapel, each one featuring a single thomas tallis spem in alium of the part choir.
Partbooks include the thorough bass xpem the text of the English contrafactum, Sing and glorifysung at the investiture of Henry, Prince of Wales, on 4 June Spem in alium Latin for "Hope in any other" is a part Renaissance motet by Thomas Talliscomposed in c.
Discover some of the most interesting thmas trending topics of Live Henry princely and mighty, Harry live in thy creation happy.
Fifty Shades of Grey sends sales of Thomas Tallis's Spem in Alium soaring | Music | The Guardian
Please try again later. All forty voices enter simultaneously for a few bars, and then the pattern of the opening is reversed with the music passing qlium choir eight to choir one. Although recorded in more intimate surroundings, Jeremy Summerly and spme Oxford Camerata, in the slowest performance of our selection, are no less effective. Aliym only dukedom extant during the reign of Elizabeth I was that of Norfolk, so the Duke of the letter can only be Thomas Howard, 4th Duke of Norfolkand so if the anecdote is trustworthy the Duke's execution in gives a latest date for the composition of the work.
We welcome suggested improvements to any of our articles. The Kronos Quartet has also recorded an instrumental version of the motet on their album Black Angels. Current 15 Thomas tallis spem in alium revision.
Spem in alium nunquam habui
House of Tudoran English royal dynasty of Welsh origin, which gave five sovereigns to England: Work Title Spem in alium nunquam habui Alt ernative. A capellabut may be accompanied by an organ thorough tohmas ad libitum. It also accompanies the film Touching the Voidand reaches a climax when Yates and Simpson reach the summit of the mountain. Views Read Edit View history. Wikipedia articles needing page number citations from February All articles with unsourced statements Articles with unsourced statements from October Articles with hAudio microformats Articles with unsourced statements from October The same can be said of The Tallis Scholars in thomas tallis spem in alium recording from After the most intricate aliu passage so disposed between the various choirs, Tallis contrives the entire choir of 40 voices to enter as one after a pause, "upon a magical change of harmony".
Spem in alium nunquam habui motet by Tallis.
It is a minute panorama of shifting tone colours and a tour de force of Renaissance polyphony that is unsurpassed in the English repertoire. No manuscripts of the original Latin motet are known to exist; the earliest copies preserved were made in the early 17th Century during the reign of James I, when an English contrafactum was made for the investiture of Henry, Prince of Thkmas, in


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1 IntroductionSuperpixels provide a convenient primitive from which to compute local im-age features. They capture redundancy in the image [1] and greatly reduce thecomplexity of subsequent image processing tasks. They have proved increasinglyuseful for applications such as depth estimation [2], image segmentation [3, 4],skeletonization [5], body model estimation [6], and object localization [7]. For superpixels to be useful they must be fast, easy to use, and produce highquality segmentations. Unfortunately, most state-of-the-art superpixel methodsdo not meet all these requirements. As we will demonstrate, they often sufferfrom a high computational cost, poor quality segmentation, inconsistent size andshape, or contain multiple difficult-to-tune parameters. The approach we advocate in this work, while strikingly simple, addressesthese issues and produces high quality, compact, nearly uniform superpixels moreefficiently than state-of-the-art methods [8, 9, 5, 10]. The algorithm we propose,simple linear iterative clustering (SLIC) performs a local clustering of pixelsin the 5-D space defined by the L, a, b values of the CIELAB color space and? Please cite this paper as: Radhakrishna Achanta, Appu Shaji, Kevin Smith, Aure- lien Lucchi, Pascal Fua, and Sabine Süsstrunk, SLIC Superpixels, EPFL Technical Report 149300, June 2010.2 Achanta et al.
Fig. 1. Image segmented using our algorithm into superpixels of (approximate) size 64,256, and 1024 pixels. The superpixels are compact, uniform in size, and adhere well toregion boundaries.the x, y pixel coordinates. A novel distance measure enforces compactness andregularity in the superpixel shapes, and seamlessly accomodates grayscale aswell as color images. SLIC is simple to implement and easily applied in practice– the only parameter specifies the desired number of superpixels. Experimentson the Berkeley benchmark dataset [11] show that SLIC is significantly moreefficient than competing methods, while producing segmentations of similar orbetter quality as measured by standard boundary recall and under-segmentationerror measures. For many vision tasks, compact and highly uniform superpixels that respectimage boundaries, such as those generated by SLIC in Fig. 1, are desirable. Forinstance, graph-based models such as Conditional Random Fields (CRF) can seedramatic speed increases when switching from pixel-based graphs to superpix-els [3, 7], but loose or irregular superpixels can degrade the performance. Localfeatures such as SIFT extracted from the image at superpixel locations becomeless meaningful and discriminative if the superpixels are loose or irregular, andlearning statistics over cliques of two or more superpixels can be unreliable.This effect can be seen when we compare the performance of SLIC superpixelsto competing methods for two vision tasks: object class recognition and medicalimage segmentation. In both cases, our approach results in similar or greaterperformance at a lower computational cost in comparison to existing methods.
2 BackgroundIn this section, we briefly review existing image segmentation algorithms andfocus on their suitability for producing superpixels. Not all them were designedfor this specific purpose and may lack the ability to control the size, number, andcompactness of the segments, but we include them in our discussion nonetheless.We broadly classify superpixel algorithms into graph-based and gradient-ascent-based. Our survey, summarized in Table 1, considers the quality of segmentation,and the ability of these algorithm to control the size and number of superpixels. EPFL Technical Report 149300 3
Graph-based Gradient-ascent-basedProperties GS04 NC05 SL08 WS91 MS02 TP09 QS09 SLIC
Starting from an initial rough clustering, during each iteration gradient ascentmethods refine the clusters from the previous iteration to obtain better segmen-tation until convergence. Mean-shift [15] (MS02) is a mode-seeking algorithm that generates imagesegments by recursively moving to the kernel smoothed centroid for every datapoint in the pixel feature space, effectively performing a gradient ascent [10]. Thegenerated segments/superpixels can be large or small based on the input kernelparameters, but there is no direct control over the number, size, or compactnessof the resulting superpixels. Quick-shift [10] (QS08) is also a mode-seeking segmentation scheme likeMean-shift, but is faster in practice. It moves each point in the feature space tothe nearest neighbor that increases the Parzen density estimate. The algorithmis non-iterative and, like Mean-shift, does not allow one to explicitly control thesize or number of superpixels. Superpixels from quick-shift have been used inapplications like object localization [7] and motion segmentation [16]. We include two other segmentation methods in the category of gradient as-cent algorithms: Watersheds [17] (WS91) and Turbopixels [12] (TP09). Generalwatershed algorithms perform gradient ascent from local minima in the imageplane in order to obtain watersheds, i.e. lines that separate catchment basins.Vincent and Soille [17] propose a fast version based on queuing of pixels. LazySnapping [3] applies graph cuts to the graph built on the superpixels output bythis algorithm. TP09 generates superpixels by progressively dilating a given number of seedsin the image plane, using computationally efficient level-set based geometricflow. The geometric flow relies on local image gradients, and aims to distributesuperpixels evenly on image plane. Unlike WS91, superpixels from TP09 are con-strained to have uniform size, compactness, and adherence to object boundaries.
3.2 AlgorithmThe simple linear iterative clustering algorithm is summarized in Algorithm 1.We begin by sampling K regularly spaced cluster centers and moving them toseed locations corresponding to the lowest gradient position in a 3 × 3 neighbor-hood. This is done to avoid placing them at an edge and to reduce the chancesof choosing a noisy pixel. Image gradients are computed as: 2 2 G(x, y) = kI(x + 1, y) − I(x − 1, y)k + kI(x, y + 1) − I(x, y − 1)k (2)
where I(x, y) is the lab vector corresponding to the pixel at position (x, y), andk.k is the L2 norm. This takes into account both color and intensity information. Each pixel in the image is associated with the nearest cluster center whosesearch area overlaps this pixel. After all the pixels are associated with the near-est cluster center, a new center is computed as the average labxy vector of all6 Achanta et al.
the pixels belonging to the cluster. We then iteratively repeat the process ofassociating pixels with the nearest cluster center and recomputing the clustercenter until convergence. At the end of this process, a few stray labels may remain, that is, a few pixelsin the vicinity of a larger segment having the same label but not connected toit. While it is rare, this may arise despite the spatial proximity measure sinceour clustering does not explicitly enforce connectivity. Nevertheless, we enforceconnectivity in the last step of our algorithm by relabeling disjoint segmentswith the labels of the largest neighboring cluster. This step is O(N ) complexand takes less than 10% of the total time required for segmenting an image.
3.3 ComplexityIt is easy to notice that the idea of iteratively evolving local clusters and clustercenters used in our algorithm is a special case of k-means adapted to the taskof generating superpixels. Interestingly, by virtue of using our distance measureof Eq. (1), we are able to localize our pixel search to an area (2S × 2S) on theimage plane that is inversely proportional to the number of superpixels K. Inpractice, a pixel falls in the local neighborhood of no more than eight clustercenters. We also note that the convergence error of our algorithm drops sharplyin a few iterations. Our experiments show that it suffices to run the algorithmfor 4 to 10 iterations. We use 10 iterations for all the results in this paper. The time complexity for the classical k-means algorithm is O(N KI) where Nis the number of data points (pixels in the image), K is the number of clusters (orseeds), and I is the number of iterations required for convergence. Our methodachieves O(N ) complexity (see Fig. 4), since we need to compute distances fromany point to no more than eight cluster centers and the number of iterations isconstant. Thus, SLIC is specific to the problem of superpixel segmentation, andunlike k-means, avoids several redundant distance calculations. Speed-up schemes for the k-means algorithm have been proposed using primenumber length sampling [18], random sampling [19], by local cluster swap- EPFL Technical Report 149300 7
ping [20], and by setting lower and upper bounds [21]. However except for [21],these methods do no achieve linear complexity for a given K. SLIC, on the otherhand, is linear in the number of pixels irrespective of K. Note that, like [21],SLIC implicitly sets bounds on distance calculations, but does not need to com-pute or carry forward these bounds for the subsequent iterations. Unlike mostof these segmentation schemes, which are very general in nature, SLIC is specif-ically tailored to perform superpixel clustering using the distance measure ofEq. (1) and is much simpler.
4 Comparison
In this section we compare our superpixel segmentation method with four state-of-the-art algorithms, namely, GS041 [8], NC052 [6], TP093 [12], QS094 [7] usingpublicly available source codes. GS04 and NC05 are graph based methods whileTP09 and QS09 are gradient based approaches. NC05 and TP09 are designed tooutput a desired number of superpixels while GS04 and QS09 require parametertuning to obtain a desired number of superpixels. This choice of algorithmsshould provide a good representation of the state-of-the-art. Fig. 2 provides a visual comparison of our output against these algorithms.To provide a qualitative comparison, we use the under-segmentation error andboundary recall measures, similar to the ones used by Levenshtein et al. [12] forthis purpose, computed using the Berkeley segmentation ground truth [11].
Fig. 2. Visual comparison of the superpixels. The average superpixel size in the twohalves in all images is roughly 100 pixels and 300 pixels each. Each pair of rows showthe whole segmented image and its central part blown-up respectively. EPFL Technical Report 149300 9
0.6 GS04 0.55 NC05 TP09 0.8 0.5 QS09 Under−segementation error
Boundary recall 0.4 0.6 0.35 GS04 0.5 NC05 0.3 TP09 0.25 0.4 QS09 SLIC 0.2 0.3 0.15
0.1 0.2 500 1000 1500 2000 500 1000 1500 2000 Number of superpixels Number of superpixels
(a) (b)
Fig. 3. (a) Plot of the under-segmentation error w.r.t. number of superpixels. (b) Plotof the boundary recall w.r.t. number of superpixels. The output of NC05 is visuallythe most appealing but its boundary recall is quite poor. GS04 has a higher boundaryrecall than all algorithms, including ours, but this is partly because of the fact that itplaces a lot of segments in the vicinity of object boundaries.
measure thus penalizes superpixels that do not tightly fit a ground truth segmentboundary. Given ground truth segments g1 , g2 , ..., gM and a superpixel output s1 , s2 , ..., sL ,the under-segmentation error for a ground truth segment gi is quantified as: M 1 X X U= |sj | − N (3) N i=1 T [sj |sj gi >B]
where |.| gives the size of the segment in pixels, N is the size of the image inpixels, and B is the T minimum number of pixels that need to be overlapping.The expression sj gi is the intersection or overlap error of a superpixel sj withrespect to a ground truth segment gi . B is set to be 5% of |sj | to account forsmall errors in ground truth segmentation data. The value of U is computed foreach image of the ground truth and then averaged to obtain the graph in Fig.3(a).
(a) (b)
Fig. 4. (a) Plot of the time taken for 10 iterations of k-means (GKM) versus ouralgorithm for different number of superpixels on input images of size 481 × 321. Our al-gorithm takes less than 0.5 second for any superpixel sizes. (b) Plot of the segmentationtime taken (in seconds) versus image size in pixels.
faster than GS04 for images greater than half a million pixels (see Fig. 4(b)).This is because our algorithm always operates at O(N ) complexity while GS04has O(N logN ) complexity. This is of interest because even low end consumerdigital cameras produce images exceeding 3 million pixels. Also, GS04 requires5 × N memory to store edge weights and thresholds, as opposed to SLIC, whichneeds 1 × N memory (to store the distance of each pixel from its nearest clustercenter).
4.5 Discussion
5 Superpixel ApplicationsOperating on superpixels instead of pixels can speed up existing pixel-basedalgorithms, and even improve results in some cases [7]. For instance, certaingraph-based algorithms can see a 2 to 3-fold speed increase using superpixels [3].Of course, the superpixel generation itself should be fast for this to be practical. Below, we consider two typical vision tasks that benefit from using super-pixels: object class recognition and medical image segmentation. In each case,superpixels have been shown to increase the performance of an existing algorithmwhile reducing computational cost. We show that SLIC superpixels outperformstate-of-the-art superpixel methods on these tasks, but with a lower computa-tional cost.
6 Conclusions
that are compact and roughly equally sized, for a low computational overhead.There are few superpixel algorithms that can offer this and scale up for practicalapplications that deal with images greater than 0.5 million pixels. We presenta novel O(N ) complexity superpixel segmentation algorithm that is simple toimplement and outputs better quality superpixels for a very low computationaland memory cost. It needs only the number of desired superpixels as the inputparameter. It scales up linearly in computational cost and memory usage. Weprove the efficacy of our superpixels in object category recognition and medicalimage segmentation, where compared to other state-of-the art algorithms, weobtain better quality and higher computational efficiency.
7 Acknowledgements
1. Ren, X., Malik, J.: Learning a classification model for segmentation. ICCV (2003) 10–17 2. Hoiem, D., Efros, A., Hebert, M.: Automatic photo pop-up. SIGGRAPH (2005) 3. Li, Y., Sun, J., Tang, C.K., Shum, H.Y.: Lazy snapping. SIGGRAPH (2004) 303–308 4. He, X., Zemel, R., Ray, D.: Learning and incorporating top-down cues in image segmentation. ECCV (2006) 338–351 5. Levinshtein, A., Sminchisescu, C., Dickinson, S.: Multiscale symmetric part detec- tion and grouping. ICCV (2009) 6. Mori, G.: Guiding model search using segmentation. ICCV (2005) 1417–1423 7. Fulkerson, B., Vedaldi, A., Soatto, S.: Class segmentation and object localization with superpixel neighborhoods. ICCV (2009) 8. Felzenszwalb, P., Huttenlocher, D.: Efficient graph-based image segmentation. IJCV (2004) 167–181 9. Shi, J., Malik., J.: Normalized cuts and image segmentation. PAMI (2000) 888–90510. Vedaldi, A., Soatto, S.: Quick shift and kernel methods for mode seeking. ECCV (2008)11. Martin, D., Fowlkes, C., Tal, D., Malik, J.: A database of human segmented natural images and its application to evaluating segmentation algorithms and measuring ecological statistics. ICCV (2001) 416–42312. Levinshtein, A., Stere, A., Kutulakos, K., Fleet, D., Dickinson, S., Siddiqi, K.: Turbopixels: Fast superpixels using geometric flows. PAMI (2009)13. Cour, T., Benezit, F., Shi, J.: Spectral segmentation with multiscale graph decom- position. CVPR (2005) 1124–113114. Moore, A., Prince, S., Warrell, J., Mohammed, U., Jones, G.: Superpixel Lattices. CVPR (2008) EPFL Technical Report 149300 15
15. Comaniciu, D., Meer, P.: Mean shift: a robust approach toward feature space analysis. PAMI (2002) 603–61916. Ayvaci, A., Soatto, S.: Motion segmentation with occlusions on the superpixel graph. Proc. of the Workshop on Dynamical Vision, Kyoto, Japan. (2009)17. Vincent, L., Soille, P.: Watersheds in digital spaces: An efficient algorithm based on immersion simulations. PAMI (1991) 583–59818. Verevka, O., Buchanan, J.: Local k-means algorithm for color image quantization. Proceedings of Graphics Interface (1995) 128–13519. Kumar, A., Sabharwal, Y., Sen, S.: A simple linear time (1+e)-approximation algo- rithm for k-means clustering in any dimensions. IEEE Symposium on Foundations of Computer Science 0 (2004) 454–46220. Kanungo, T., Mount, D.M., Netanyahu, N.S., Piatko, C.D., Silverman, R., Wu, A.Y.: A local search approximation algorithm for k-means clustering. Symposium on Computational geometry. (2002) 10–1821. Elkan, C.: Using the triangle inequality to accelerate k-means. International Con- ference on Machine Learning. (2003)22. Gould, S., Rodgers, J., Cohen, D., Elidan, G., Koller, D.: Multi-class segmentation with relative location prior. IJCV (2008) 300–316


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This is a long blue bead vintage necklace with a tassel. It came out of a shop that closed in 1972. They created jewellery with old and new components - particularly Czech. findings. It has 18 blue/turquoise foil beads and a triangular glass piece in the middle. The tassel is held inside a Czech. brass long bead cap. It is a very delicate looking long vintage necklace which would look great with the right outfit! Ref: 3326 YL Measurements and lots of pictures on my web site - www.gillianhorsup.com under 'vintage necklaces'.
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You decide to........
Written by Tamisin
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Happy Sunday all.
First photo
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Non-Service Connected Improved Pension Benefit
The Veterans Aid and Attendance Pension (also known as the Veterans Improved Pension) is a federal program which can offer a monthly benefit payment from the Department of Veterans Affairs.
2019 Maximum Annual Benefit Amounts
- Veteran may receive up to $1,881 monthly (tax free)
- Surviving Spouse may receive up to $1,221 monthly (tax free)
- Veteran & Spouse may receive up to $2,230 monthly (tax free)
Source: http://www.benefits.va.gov/pension/current_rates_survivor_pen.asp
Actual: http://www.benefits.va.gov/pension/vetpen.asp
We believe that Veterans who served our country during wartime have the same right as taxpayers to arrange and manage their affairs within the law to receive any and all benefits to which they are entitled. We will assist any Veteran, Surviving Spouse and/or their family representative to the best of our ability to maximize said benefits. We provide guidance and assistance during the entire VA application process using VA accredited attorneys and authorized representatives. We also provide ongoing service and support to our sustaining members.
There is never a charge for this service, neither to the Veteran nor Surviving Spouse nor their family members nor any facility in which the Veteran or Surviving Spouse might be a resident or patient. It is against VA regulations to charge any fee for this service.
This benefit is fairly complicated. Click below to check Eligibility & Qualification. If you fit the criteria we can help!