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EARLY APPLICATION: The Studios at MASS MoCA Residency Program Fall/Winter 2020-2021
Ends on
Early Application for Residency Sessions from October 7, 2021 - March 30, 2021
Application Deadline: January 8, 2020, at 11:59pm eastern time. No application fee.
Visit our website for full details on everything the Studios at MASS MoCA offers.
While our regular application process is used to schedule artists for residency sessions occurring within 3 to 9 months of the deadline, this "Early Application" option is for artists who, if given additional lead time, are likely to secure residency funding from sources such as university professional development budgets, or international or regional arts councils. Artists applying with this application will NOT be considered for MASS MoCA's financial aid budget, so you should only use this particular application if you need the longer lead time to position yourself for other institutional support to fund the residency at our full rate of $650 per week.
If offered a residency from the early application process (decisions announced around April 1, 2020), you will receive a formal letter of invitation to support your grant-writing effort, and you will then have until August 1, 2020, to secure the necessary financial support and pay a 50% deposit. MASS MoCA will hold the slot for you until August 1, 2020, and if you are unsuccessful in securing the grants you have sought to support the residency, then you can give up the slot without penalty while there is still time for us to award the slot to someone on our waiting list.
Residencies at the Studios at MASS MoCA are generally from 2 to 8 weeks in length (occasionally shorter or longer residencies can be awarded).
Residents (12 per session) will receive:
- A private studio in attractive space on MASS MoCA's re-purposed mill campus, with generous natural light, 24-hour studio access, a work table and chair in each studio, and shared slop sinks and bathrooms.
- Housing across the street from the museum, in renovated apartments (private bedroom/Queen bed + shared kitchen and bath). These are lovely apartments, but note that it's communal living (4 people to an apartment) in an active downtown location -- sensitive sleepers be advised.
- One communal meal per day, in the company of other artists-in-residence.
- Free access to printmaking and weaving equipment in the Studios, offering shared use of a roller etching press, hydraulic flatbed press, 22-inch Harrisville loom, and 48-inch Herald loom.
- MASS MoCA member benefits for the duration of the residency, including free access to the museum's galleries and discounts on performing arts events and museum store purchases.
- Optional one-on-one artist-focused financial and business coaching through the staff of MASS MoCA's Assets for Artists program, helping artists and writers in all disciplines strengthen the business side of their artistic practice.
Eligibility: We welcome applications from artists in all career stages, income levels, and disciplines (painters, sculptors, installation artists, fiber artists, printmakers, writers, performers, designers, photographers, filmmakers, etc.) whose practice allows them to work quietly (nothing is sound-proofed, so power tools and loud music are discouraged). Groups/collectives may apply to work on joint projects, but there will be per-person fees. The studios have light-duty ventilation, so an art practice generating strong fumes cannot be accommodated.
Full Cost: $650 per week per person
Financial Aid: Applicants selected for fall/winter 2020 through the "Early Application" process will not be given financial aid consideration. We assume that you will use the long lead time to secure other institutional support for your residency at the full cost to attend. Self-funding applicants who wish to be considered for MASS MoCA's financial aid for fall/winter 2020 should apply through the regular application, which will have a deadline in July 2020.

subset: commoncrawl


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text: doomedpc 149 Report post Posted July 11, 2014 There is a new 65 page PDF adventure for Dark Streets available (written by me and Ade). When a professor goes missing from a prestigious college, the Bow Street Runners are called to York to investigate. It soon becomes apparent that he's not the only person to have mysteriously vanished. A stand-alone 18th century Cthulhu Mythos adventure for Dark Streets, The Case of the Missing Professor also forms part one of the forthcoming Terror of the Toad campaign.http://rpg.drivethrustuff.com/product/132145/The-Case-of-the-Missing-Professor 1 Quote Share this post Link to post Share on other sites


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Ihor Cherezov
Ihor Cherezov is the founder and managing partner of the "Law Offices of Cherezov & Partners".
He is a well-known Ukrainian attorney and honoured Ukrainian lawyer.
In 1993 he graduated from the Yaroslav Mudryi National Law University and gained experience at a prosecutor's office. After it he entered employment as head of legal department at one of the major industrial enterprises in Kharkiv.
In 2001, after having received an invitation from the largest Ukrainian corn trading company, I. Yu. Cherezov moved to work in Kyiv.
In 2009 he founded the company Cherezov PA & Partners being the head of the company since then.
During his professional activity he has gained the vast legal experience in criminal, economic, civil and corporate law.
He is also known among attorneys as a promoter of the lawyers' rights protection campaigns.
Ihor Cherezov is the author of a large number of law related articles and acts as a lecturer at legal seminars.
He was awarded by the Metropolitan of Kyiv for the active protection of activists and journalists who suffered during the protest actions in Kyiv from November, 2013 till February, 2014.
He has been a representative and an attorney in a large number of headline-making and high profile criminal cases.
He is also an active member of attorneys' self-government and participant of disputes on such draft laws as "On Restoration of Confidence in the Judicial System", "On Lustration", "On Changes in the Law of Ukraine "On the Bar and Practice of Law", "On Introduction of Amendments to the Criminal Procedure Code of Ukraine" and other regulations.
At the conference of Kyiv attorneys I. Yu. Cherezov was elected to represent attorneys in the Council of Attorneys of Ukraine.
He is not a member of any political party.
We are a team
In this section, they usually post photos of employees in strict suits. We believe that a good team not only works smoothly, but also has a good rest.
These are our photos for different years from various countries in which we visited our whole company


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Lincolnshire Police is set to unite with police forces around the country as part of a national drive to tackle knife crime.
Operation Sceptre is a national week of action which starts today (September 16).
The aim of the week is to increase awareness about the dangers of carrying knives and how the police are working to keep them off the streets.
The local increase in possession offences is from 183 to 263 incidents – a 44 per cent increase.
During this same period, our police officers carried out 62 per cent more stop searches for knives or bladed articles – from 110 searches to 178.
An extra 20 weapons were found in the additional searches.
Detective Chief Inspector Amy Whiffen, force lead for knife crime, said: "Lincolnshire is a really safe place to live and the vast majority of residents are highly unlikely to experience knife crime.
"That being said, we are attending more knife-related incidents and recovering more knives from our proactive stop-searches.
"People carry knives either for their own protection, to try and gain respect, out of pure anger or because they are intent on committing crime.
"Whatever the reason, carrying a knife means even the smallest situation can escalate into something much more serious or life-changing. Knife crime has devastating and lasting damage, not just to the victim and their families, but also to whole communities.
"Through the Stay Safe Partnership and the Future 4 Me initiative we are focusing on educating our county's young people. We also have the Joint Diversionary Panel which can intervene when young people have become involved in knife crime.
"It is all of our responsibility to keep knives and blades out of the wrong hands. If you have any unwanted household kitchen knives, please take them to your local Household Waste Recycling Centre on your next trip so they can be disposed of safely."
Police and Crime Commissioner, Marc Jones, says: "It is true that the incidents of knife crime in Lincolnshire are lower than other parts of the country but the numbers are on the rise, both here and in the UK, and that is deeply concerning.
"A significant number of knife crimes end up with terrible consequences and we must do everything we can to educate people about the dangers of carrying knives.
"I will be challenging Government to recognise that rural areas are just as blighted by knife crime as urban areas and any extra funding should be made available to forces like Lincolnshire too.
"Many of the knife crimes that occur in our county are in relation to domestic incidents and I have launched projects to address this issue. I have every confidence that the force's campaign will also make a positive impact in combating knife crime."
If you know someone is in possession of a knife or has made threats to use one, please call 101. You can also make a report anonymously by calling Crimestoppers on 0800 555 111 or visit: crimestoppers-uk.org


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Most Popular
Rumour: Fable 4 Has You Save The World From A Meteor
With E3 kicking off this weekend and tipped to consume every waking hour of game fans' lives through next week, we're starting to have hot rumours drop left, right, and centre about what games we'll be seeing. The latest one is that a new Fable will be shown off at Microsoft's press conference on Sunday.
Apparently a trailer for the new game was seen by a Reddit user who has shared details of the new game. Now, before we get into those details there's a few things we need to say. We've reached out to Microsoft for confirmation and they've not yet replied. Also, the Reddit user, SufficientBridge7, has disappeared, with their account either deleted or shut down. Also, while the user allegedly saw this video, they didn't share any screenshots of the trailer.
Oh, and, of course, if you don't want spoilers, then you shouldn't read on.
SufficientBridge7 says in their post that in the new game it's clear that "Albion and Aurora are gone. 'Lands reduced to fables.' The Spire was rebuilt and used by a mad king to wish that an asteroid would strike the planet. He also wished it would happen again in the far future. Eons later and everything is new (medieval themed, new continents), and you have to stop the destruction of the planet again. Theresa and a Heroes Guild are preserved on another planet via demon door. Time travel heavily involved in plot. Jack of Blades returns."
It all sounds a little like The Legend of Zelda: Majora's Mask.
They say, too, that the game can be played in first and third person, features a character creator, it's completely open, there won't be any guns, you can build towns around the world, it features multiplayer, and, interestingly, you can completely ignore the main quest and never become a hero.
Now, there have been rumours of a new Fable game for years, ever since its original developer Lionhead Studios was shut down by Microsoft back in 2016. Following the shutdown and the closure of Fable Legends, development of a new Fable RPG allegedly moved to Playground Games. While Playground is best known for its work on the Forza Horizon games, the studio has been expanding over the past few years, hiring developers for a roleplaying game project.
There have been some big name hires attached, too, like Sean Eyestone, who worked on Metal Gear Solid V: The Phantom Pain and Battlefront 2, Will Kennedy, who worked on Grand Theft Auto V, and Juan Fernandez di Simon, who was a senior designer on Hellblade and became principal combat designer at Playground Games.
Maybe the game the team has been working on all these years will finally be revealed this weekend and there's a good chance it is a Fable reboot or sequel. Though, I'm not certain that the above leak is accurate on details, it may be, but there are definitely questions about its veracity considering the account that posted it has disappeared.
Featured Image Credit: Microsoft
Topics: video games, gamingbible


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Effect of the exact Financial Crisis in Islamic Banking companies
Islamic business banking is a very teen concept community . has already been carried out as the exclusively system with two Muslim countries; one can find Islamic banks in many Islamic countries, and some in non-Muslim countries in addition. Despite the prosperous acceptance there is problems. All these problems are predominantly in the area of financial.
Dubai Islamic Bank is the first non-public interest totally free bank as well as was setup by a group of Muslim small business men through different places in 75. in 1977 two a tad bit more private lenders under the term of Faisal Islamic lender were based in Sudan and Egypt. Since the restaurant of the Egypt Islamic Traditional bank, more than 55 interest zero cost banks have been completely set up. Most of them are in Islamic countries nevertheless there are some others in European Europe and also Denmark, BRITAIN, and also Europe.
All the fascination free loan providers use basic principles that are decided but individual banks have different ways of putting into action and making use of the principles. These differences usually are brought about by a countries legislation, the conditions facing your bank, its objectives and expertise as well as her interaction other banks.
The interest free banks have about three kinds of contamination, namely; recent accounts, personal savings accounts and also investment trading accounts. The current medical care data operate much like the other traditional banks.
During the savings trading accounts are handled differently with respect to the banks cover. In some cases, often the banks should use the prospects money they have to guarantee to give to come back full the whole amount. In such a cases, not any capital is actually promised. On the flip side, savings webpage are cared for as if they were investment medical care data but they have less strong withdrawal and even minimum equilibrium conditions. In these cases the anticipated profits level are usually small and only a portion of the average minimum rest is honored.
With the investment accounts, deposits are accepted for a offered period of time along with the investors call and make an agreement before hand on how the profits will be distributed to the bankers. For this medical care data, a capital is not certain.
Often the mode associated with financing while in the Islamic banking institutions is held in three ways; investment auto financing, trade that loan, and also financing.
Investment that loan has two perspectives; musharaka, mudharaba and estimated times on revisit basis financial commitment. In mushraka, the bank brings together another loan provider to set up the joint venture on parties joining with their varied activities. The money or decrease made from the very venture enterprise is stock shares among the banking institutions in accordance to a pre place agreement. The venture is frequently an independent appropriate entity as well as the bank delivers the right to gradually withdraw after the initial timeframe.
In mudarabha, a financial institution contributes resources required for a rental and the customer sources and the desired expertise, labour as well as the direction to oversee things. The net income gained with these expense is shown between the loan company and the consumer according to a pre arranged plan. In case losses are built, the bank calls for responsibility.
Funding on the basis of nearly rate of return. Your banker makes some sort of estimation within the expected rate of dividends on an financial commitment on job that it is requested using a client for you to finance. The bank then increases the financing to the condition how the rate is definitely payable to your bank within a given length or periods. Incase the actual expected price for return is usually higher than the actual estimated pace, the client usually takes the excess gains but if it is actually less than the actual estimated cost, the bank agrees to the lower premiums. In case of some loss, the lender shares inside it.
Trade funding is also executed in several methods; mark up, letting, hire buy, sell a buy back, in addition to letters associated with credit. From the mark up method, the bank obtains an asset with the client and is also to be settled at a certain time for the specific price and a few profit. Throughout leasing, the actual simply obtain an item and even leases towards a client for any agreed effort. At the end of now period, the customer pays homeostasis and will get the owner of the product. Hire purchase is similar to local rental only that this item purchased by the bank is engaged to the customer for a assigned period so when the finishes, the client instantly becomes the dog owner if the merchandise.
The deal back tactic entails litigant selling an asset to the loan provider at a cost payable promptly and pledges to buy it back within the bank right after an decided time period and then for a before determined value. Letters associated with credit calls for international swap. In this case, the actual uses a funds to ascertain the signific of an product in place of the buyer, on ailment that the earnings made from someone buy of the product will be distributed between the traditional bank and the clientele.
The third mode regarding financing utilized for the Islamic banks is lending and possesses three kinds namely; loan products with provider charge, at no cost loans plus bank overdrafts. Loans with service charge are financial loans that are fond of the clientele with no awareness but a service charge is definitely levied to pay for the charges incurred through the bank throughout the transaction. Zero cost loans tend to be loans bought at the bank with out interest or perhaps service impose is required. Your bank is required to reserve funds equip it that will grant these types of loans that happen to be aimed at serving the clingy people as well as the small businesses. Traditional bank overdrafts are allowed on the Islamic bankers and price tag but they are be subject to a certain greatest.
Other expert services offered by the particular Islamic financial institutions are; income transfers, bill collections and foreign currency market which is for a spot charge. Islamic bankers treat all their depositors simply because partners, or in other words that they have devoted their money from the bank along with the profits plus losses really should be shared keeping that in mind
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text:
"Come on love, swing your legs round towards me…"
My nail varnish catches my eye. It's chipped. And blue. Horrid. Not something I would choose. It's so tatty. I'd never let it get like this.
"Sweetheart, you need to get out of the car." My husband gently tries to shift my legs. I recognise his voice although it has deepened with age, but mostly I recognise his smell. The same aftershave for as long as I've known him. I've never liked it. I don't recognise how he looks, but then I don't recognise myself anymore.
He succeeds with one leg. As I consider my nail polish some more, he wrestles the other.
I feel sad.
I know I forget things, but the cruel thing is, my illness steals memories from my loved ones too. They remember me taking a pride in my appearance, so they paint my nails. They remember me choosing co-ordinating outfits for inside and out.
But they also forget.
They forget pride takes maintenance.
Above all, I'm sure they forget pride also takes style.
And so I am left venturing out in over sized jumpers and jogging bottoms chosen for ease of getting on and off rather than style.
And nails that are half blue.
At least there's no chance of anyone thinking I'm cold. I may have blue nails, but this baggy old woolen thing I'm encased in mid-June leaves no doubt that I'm warm.
And so whilst I have memories embedded about who I am, practicalities force me to forget these, as well as those over which I have no control for fear of going totally barmy; itching to change things I know I can not.
I swing my right leg as instructed and look to Nick to direct my next move.
I clonk my head getting out of the car. It's throbbing as I struggle to walk on the uneven grass. These shoes that Nick has me wear are apparently good for my feet. Thing is though, the soles are so thick I can't feel where I'm walking. Combined with not being able to see well anymore and we're on rocky ground before I even start.
"Do you remember this place?" Nick asks.
I can't see too much so I don't. I stay quiet rather than hurt his feelings, I can sense he's pleased with himself.
"It's the village fete; the one we always went to when Jenny was young?" he prompts.
I smile. "Yes, she had that pillow fight balanced on the log over the water."
He laughs; it's nice, a deep baritone. "Yeah, she was useless; fell off."
I laugh too. "Splosh!" And we giggle some more at our hopelessly unathletic child.
We walk slowly over to the goings on. There's a mass of movement I can't make out in front of me. I grab Nick's arm tighter.
"It's OK love, we're nearly at the stalls so there's more people," he explains. I try to settle. Instinctively I know he won't let anything hurt me, but every day is a barrage of trust versus consequences. It's taxing. I keep quiet, trying not to vent my frustration.
I'm trying to place the sound. It's like the noise a horse-shoe makes on concrete. Thing is, I know we're on grass so that can't be right. And the repetition is too slow… I scrunch my brow, trying to filter the tone through my brain without it short circuiting.
Nick senses my confusion, "It's the coconut shy," he explains gently.
Aha, now that makes sense. "You should have a go Nick, I remember you being good at this."
"Haha, yeah I used to be, but not sure my frozen shoulder will allow me the same success today," he jokes.
"Ah, you won me a teddy, that pink and white one."
"Yeah, I did, didn't I? Think I must have spent our whole weeks rent getting that for you." The memory triggers the old love, the passionate days. He puts his arm around my squidgy waist as we watch as others recreate their version of our memories. I lean into him and we stand a while.
"Chloe ate it," I exclaim as the memory floats back.
"She did didn't she, little bugger, that dog was always eating something. Remember when she snaffled all the BBQ leftovers off the kitchen worktop?"
I laugh. She was ill after that, lying on the floor in the hallway wining as her tummy reminded her, adventures are not for the faint hearted. I lay down beside her on the hard floor of our hallway. You had to nuzzle deep with Chloe to reach beneath her thick fur. Her warmth radiates through me now, her calm love was boundless. I'm in my head now as I re-live another happy moment from those happy years.
Jenny is trying to stand, using Chloe as an aid. She just waits, until the pulling and tugging is over and then nudges Jen gently, celebrating her success. There's a knock at the door and Mum and Dad walk in, they never wait for an answer. We hug in the hallway and they follow me to the kitchen where our Sunday roast is almost ready.
"Smells delicious," Mum says, excited to not have to cook today.
"Nick," I shout, "Mum and Dad are here."
Dad is already rummaging through the fridge for a drink.
"He's upstairs doing some work stuff," I explain as Nick thuds on each step in turn, half sulking at being disturbed. Only half sulking though, his other half looking forward to my specialty.
Dad hands Nick a cold bottle of beer. I smile; the noise of the pressure releasing as the cap is pulled is exactly how I feel on days like today. All my family together; laughing.
Mum takes Jenny outside to throw the ball for Chloe.
I'm struck by jealousy, it's a beautiful day. I'm missing the fun with this cooking lark.
'Dinner can wait.' I shout and turn the oven low.
Three generations of love in the garden on a rare summers' day. "We should eat outside," I suggest "we don't get enough days like this, days where we can enjoy being alive."
"What a great idea," agrees my Mum as she pulls out a garden chair from the table and gets herself settled.
"I'll grab us some wine," I wink at her. She nods, grinning.
I don't know how long we sit, it's one of those times filled with love and squealing laughter. Possibly also filled with a little too much alcohol on an empty stomach. All plans for dinner have ridden off in to the sunset, replaced by precious family time that only sun can serve up. Looking at my watch, I realise even if we're OK, poor Jenny must be starving.
"Best get on with that dinner," I announce, more to make me actually move rather than to keep my family informed.
"Quite right, get those Yorkshire puddings served up," Nick agrees jovially.
"OK, OK," I laugh, "give me ten minutes and they're yours."
"Huh?" Nick's confused.
"It'll take ten minutes," I repeat.
"What will love?"
"The Yorkshire puddings," I snap. I don't understand why he's puzzled.
"Oh OK, but we're watching the coconut shy, shall we have Yorkshires later?" he asks.
I get the sense he's trying to please me. What would please me would be if he wanted the Yorkshire puddings I've slaved over in ten minutes when they are ready, not later.
I keep quiet, biting back words of frustration that are no longer coherent.
When my parents leave that evening, Nick goes back upstairs to work. I'm annoyed with him, Jenny is his kid too. He wanted her dearly, but now she's here, crawling into every available nook, he regularly takes himself to his office.
"You do have a lot of work to do these days," I comment innocuously, hoping he'll understand that for me, he's spoiling a wonderful day.
"Love, I've retired. I wanted to spend time with you now?" There's a question hidden in his statement.
"What are you doing upstairs all those hours then when you say you're doing work?" I accuse.
He stands in front of me and grabs me by both shoulders, gently but firmly moving me until my eyes focus on him. We're not in our home. We're in a field. Nick looks different.
Actually, he looks old – drained.
My Nick, the Nick of my memories has gone. Vanished. The shock races through me, forcing my heart to beat a hard drum in my head. My temperature rises but I don't try to escape. This is Nick. I remember his smell. His voice. It's him. But he's not my Nick.
I sigh.
I'm only happy in memories. The present day is lost. And the future, well that will only reside in memories.
This story is dedicated to our dear friend Linda. May she rest in peace whilst our love for her lives in our hearts.
If you would like to read more short stories from Karen Botha, go ahead and download her free book, here.


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2019-20 Season Artist Educators
Joseph Glaser, Artist Educator
Joseph Glaser is a recent graduate from Murray State University with a Bachelors degree in Theatre. Coming from a family of actors and educators, he is excited to combine the two disciplines bringing best of both worlds to Kentucky Shakespeare.
He is ready to use Shakespeare's universal themes and characters to teach this next generation that they are capable of more and in this world where you can be anything, be kind.
Theorri London, Artist Educator
Theorri is very excited to join Kentucky Shakespeare as an Artist Educator. She is originally from Arkansas but attended the University of Memphis and graduated with a BFA in Theatre.
Some of her favorite roles include: Jane Doe (Shaming Jane Doe), Engineer (Elephant's Graveyard), and Kaliope (She Kills Monsters).
Devin May, Artist Educator
Devin May is an actor, director, musician, and educator with 60+ credits in Chicago and Indiana. He was worked with such theatres as Otherworld Theatre, Northlight Theatre, The Arc Theatre, Chicago Scratch, Picnic Players, Cardinal Stage Company, The Jewish Theatre of Bloomington, Monroe County Civic Theatre, and Indiana University Summer Theatre.
In 2018, Devin completed a new works development intensive at the Kennedy Center, in conjunction with the National New Play Network's MFA Playwright's Workshop and National Directors Fellowship. He also completed an acting apprenticeship with Boston's Commonwealth Shakespeare Company in 2016. His favorite show to date was called Super Richard World III, a Richard III/Nintendo Universe mashup by Chicago's Stupid Shakespeare Company, in which he played Mario, Toad, and Diddy Kong. Yes, it's technically art. A 2018 Indiana University graduate and Bloomington IN native, Devin enjoys making music and exploring the great outdoors!
Abigail Rose Nakken, Artist Educator
Abigail holds a BFA in Classical Acting and Shakespeare Studies from Southern Utah University. Regionally she's performed at the Utah Shakespeare Festival and SimonFest Theatre Company. Her collegiate credits include Eurydice in Eurydice, Macbeth in Macbeth, and Queen Elizabeth in Richard III.
Recently, she's been on the road with the Utah Shakespeare Festival's Shakespeare-in-the-Schools Tour as King Duncan/Witch/Murderer in Macbeth. Abigail has also been an educator for many years, specifically working with the Utah Shakespeare Festival's Playmakers Program as a teacher and director. This is Abigail's first season with Kentucky Shakespeare Festival and she is ecstatic to join the team.
Guest Teaching Artists & Instructors
Chris Anger, Guest Workshop/Class Instructor
Workshop: Louisville Improvisors – Finding the Connection
Chris is Co-founder and Artistic Director of the Louisville Improvisors, and has been a professional actor working in improvisation for over 30 years. As artistic director Chris heads up the Louisville Improvisors Training Center facilitating both corporate and private workshops. Chris is co-creator, along with Alec Volz and Brian Hinds, of the Louisville Improvisors' improvised Shakespeare show Late Night Shakes, which has been performed at the Kentucky Shakespeare Festival since 2013. Chris also teaches improv in schools and universities throughout the Midwest and Southeast.
While performing regularly throughout Kentucky and Indiana over the last 19 years, Chris has also done improv shows in cities around the country including San Francisco, Los Angeles, Las Vegas, Chicago, St. Louis and Nashville among others.
Louisville Improvisors are the hosts and executive producers of Improvapalooza, since the year 2000. It is the longest running Improv Comedy festival in the Southeast, bringing together the best improvisers in the country, including writers, producers and performers from The Simpsons, SNL, The Groundlings and The Daily Show among others. Improvapalooza has also featured the top groups from Louisville, Nashville, St. Louis, Indianapolis, Cincinnati, Ft. Wayne, New York, Los Angeles, San Francisco and Chicago.
Chris has also written and performed 5 solo shows, the latest one Terminal Buses Only will premiere at the 3rd Annual Single Shots Solo Theatre Festival, November 24-25th at The Bard's Town Theater.
Eric Frantz, Guest Workshop/Class Instructor
Workshop: Stage Combat
Eric has worked at the Frazier History Museum for over ten years as a Teaching Artist/Historical Interpreter, performing swordfights for the public every day. At the Frazier he leads the research on sword fighting and combat using historical manuals and texts. Eric is excited to have worked with Kentucky Shakespeare for the three consecutive summers. In 2015 Eric choreographed the fight between Macbeth and Macduff, and it remains one of his favorites.
Dathan Hooper, Guest Teaching Artist
Dathan Hooper is a longtime Kentucky Shakespeare actor, most recently playing Aaron in Titus Andronicus, Don Pedro in Much Ado About Nothing and Marcus Brutus in the spring tour and summer productions of Julius Caesar.
Other Kentucky Shakespeare credits include Richard II, The Winter's Tale, Macbeth, The Merry Wives of Windsor, Hamlet, The Tempest, Pericles and Gammer Gurton's Needle, as well as the one-actor touring production Shakespeare and Social Change: Ira Aldridge. His other regional credits are with Actors Theatre of Louisville, StageOne, Arkansas Repertory Theatre, The Mule Barn Theatre, The Shakespeare Center of Los Angeles and The Odyssey Theatre Ensemble of Los Angeles. Dathan has television and film credits and is proud of his long relationship with Louisville's arts community.
Gregory Maupin, Guest Workshop/Class Instructor
Class: Shakespeare Off the Page
Gregory has appeared in many Kentucky Shakespeare productions since 2004, and he has served as our resident dramaturg for the last four seasons. He has appeared in Much Ado About Nothing (Benedick), Rosencrantz & Guildenstern Are Dead (Guildenstern), The Taming of the Shrew (Petruchio), A Midsummer Night's Dream (Bottom), The Two Gentlemen of Verona (Launce), The Tempest(Stephano), Hamlet (Polonius), Twelfth Night (Malvolio), Henry V (Fluellen), and The Dark Lady of the Sonnets (Shakespeare), among others.
He and his wife Abigail co-founded Le Petomane Theatre Ensemble in 2004, co-creating many original works, adapting classics, and building masks; they also perform as Prohibition-era ukulele duo Rannygazoo and co-wrote The Glorious Adventures of the Mighty Robin Hood, produced locally at StageOne Family Theatre. With Actors Theatre: Macbeth, Luna Gale, At the Vanishing Point, Our Town, A Midsummer Night's Dream, 43 Plays for 43 Presidents, among others. With the Dell'Arte Company: Vaudeville (co-creator); Paradise Lost. With ImprovBoston: Musical! The Musical. Gregory is a graduate of the Dell'Arte International School of Physical Theatre.
Braden McCampbell, Guest Teaching Artist
Braden McCampbell is a former UofL student who did his theater internship with Kentucky Shakespeare and served for two years as an Artist Educator. He is very excited to return for a third year as a Guest Teaching Artist. He has appeared in a few of the companies main stage productions, including his portrayal of Benvolio 2016's Romeo and Juliet and Edmund in 2019's King Lear. Braden has also performed on UofL's main stage through his time there as an undergrad and even traveled to Singapore to perform in the AATP's Production of The Orphans Revenge, an Afro Centric Version of The Orphan of Xiao in April of 2014.
Keith McGill, Guest Teaching Artist
Keith McGill has been a free-lance theater teacher and workshop leader for over a decade for organizations including Kentucky Shakespeare, Shakespeare Behind Bars, ArtsReach, and Walden Theatre and Actors' Theatre's New Voices playwriting program. He has also appeared in productions with various theatre organizations, such as Actors Theatre, Stage One, Louisville Repertory Theatre, and Looking for Lilith Theatre Company. Keith is also a professional stand-up comedian, performing in venues nationwide and internationally for Holland America and Royal Caribbean Cruise Lines.
Alec Volz, Guest Workshop/Class Instructor
Alec is a director / teacher / actor, and co-founder of the Louisville Improvisors.
Born and raised in Louisville, Alec attended Trinity High School and the University of Kentucky where he majored in theater. He later studied acting at the Roundabout Theater Conservatory in New York where he appeared in several forgettable Off-Off Broadway productions.
Alec is co-founder of the Louisville Improvisors. He is co-writer and a performer on The Buddy Gilm Show, an original radio show for the web and LI's podcast What Happens Next. He has co-lead Louisville Improvisor workshops in Improv For Business for several Fortune 500 Companies. For the company he is most proud to have directed the world premieres of Chris Anger's Dead Astronauts, Jim Thorpe, All – American, and Animal Farm at the Slant Culture Theatre Festival, and the Louisville Improvisors' solo festival Single Shots.
Alec Volz spent fifteen seasons at Walden Theatre where, at various times he was the production manager, director, and taught acting and several forms of improvisational theatre. At Walden, Alec is most proud to have directed the regional premiers of My So-Called So-Called Life, When In Disgrace (Haply I Think On Thee), Phantom Band, In The Pony Palace/Football and Jane The Plain all as part of The Slant Culture Theatre Festival. He also directed Henry V, The Taming Of The Shrew, Coriolanus, Richard III, Troilus and Cressida, Antony and Cleopatra, and The Two Noble Kinsmen as part of Walden Theatre's Young American Shakespeare Festival.
Alec was an artistic associate of Savage Rose Classical Theatre where he directed Chris Anger in King Lear. He has also directed and acted with The Necessary Theatre.
Alec has spent eight summers working as an instructor/director at The Idyllwild Arts Summer Program in Idyllwild, CA. teaching acting and improvisation.
Alec recently returned to the stage after a fifteen-year absence playing Feste in Kentucky Shakespeare's production of Twelfth Night.
He is a Talking Books narrator for The American Printing House For the Blind, where he has narrated over 200 books, and a commercial voiceover actor. He was the narrator for the web series StalkTalk and can be heard in several museums throughout the country including the Makers Mark museum in Loretto and The World War I museum in Kansas.
He is the author of Sonny's House Of Spies published by Playscripts and co-author of the play …psychobabblish… .
Megan Massie Ware, Guest Teaching firstname.lastname@example.com
Megan Massie Ware has been with the Kentucky Shakespeare family for just over 6 years. She joined the spring tour production of Julius Caesar in 2013 and became an Artistic Associate with the company, performing in education tours from 2013-2016 and on the summer stage as Ophelia in Hamlet, Third Witch in Macbeth, and Juliet in Romeo and Juliet, among others.
Other local works include Ton of Bricks with Think Tank Theatre, Mr. Burns: a Post-Electric Play with Theatre 502, The True Story of the Three Little Pigs, Fancy Nancy the Musical, and Curious George and the Golden Meatball at Derby Dinner Playhouse. She was an apprentice with Commonwealth Shakespeare Company in Boston, MA and holds a BFA in Acting from West Virginia University. She is represented by Heyman Talent Agency.


text:
Country Estate Winter Frolic Ruby Serving Board
Brand Juliska
Our charming English country estate is snow covered for the holidays! This serving board, ideal for hors d'oeuvres or festive holiday decor, depicts musical merry-making and dancing in the estate's rear gardens.
- Measurements: 14" L x 7.5" W x 0.25" H
- Made of Ceramic Stoneware
- Made in Portugal


text:
OSCE participating States make progress in updating Vienna Document to revitalize confidence and security building
A special meeting of the OSCE Forum for Security Co-operation, currently chaired by Kazakhstan, adopted a decision on 30 November 2011 on reissuing a document that encompasses key OSCE confidence- and security-building measures, the Vienna Document.
The reissue marks the first time in twelve years that the Document has been updated. The Vienna Document 2011 establishes the procedure for a regular update of the Vienna Document every five years.
Other updates focus on, among other matters, the eligibility of air bases for hosting visits, the accuracy of co-ordinates of formations, combat units, air formations and air combat units, and the timing of verification activities and demonstrations of new types of weapon and equipment systems. The participating States are considering a number of other proposals to update the Vienna Document.
The Vienna Document requires participating States to share information on their military forces, equipment and defence planning; provides for inspections and evaluation visits to any participating State that has armed forces; and contains mechanisms to prevent or decrease tensions and to reduce the risk of unusual military situations that could cause tensions.
In 2011, in line with the priorities identified in the Astana Commemorative Declaration signed at the OSCE Summit in December 2010, the Forum for Security Co-operation engaged in intensive discussions to update, revitalize and modernize confidence- and security building measures, and in particular, to update the Vienna Document 1999 to reflect the current politico-military realities.
The OSCE Forum for Security and Co-operation is an OSCE decision-making body that meets weekly in Vienna to discuss arms control, military confidence-building measures and disarmament.


text: On 13/08/19 10:54 PM, Morten W. Petersen wrote: > I was hoping to avoid testing a lot of different systems, spending time > there. Sooner or later you have to make a decision - and be responsible for it to your clients. > So that's why I'm asking here. People here are helpful. The more time you put-in, the more inclined folk are to help further. > I don't need a guide to create a website, maybe a refresher on some topics. Respectfully, and knowing only the little posted here, this seems an under-statement, eg you don't appear know how HTML5 succeeds and exceeds XHTML (and has done so for many years). Do you under-estimate how much things have developed during the last decade? > Ideally I'd want a static site generator that makes it easy and quick to > create a website which is pretty, accessible, works across browsers and > standards compliant and doesn't freeze the browser on a low-end phone. In, XHTML??? This stuff is not straight-forward. Neither is it Python/a topic for this list. Whilst I place myself in the 'master' category for HTML5 development and cheerfully regard manually knocking-out the likes of an "About Us" static page using nothing more than a basic editor as "quick and easy", there is no room for such 'purity' and idealism when phones and 'responsive' elements enter the picture. "Here be dragons"! I'm wary of claiming such a skill-level in Python - particularly given its incredibly wide range of application. That side of the process can be simple or complex - you choose. [this further to comment after next para] "Flask" has been mentioned, and over many years Mig has contributed numbers of tutorials, videos, articles, and books; which IMHO make it easy to understand that package - and most others (in this category). As such, I recommend it as a great starting-point, even if that learning better-equips you to change to something else later! (see also mention in other contributions to this thread) > And where it is easy to override using for example plain or template > HTML, or extend programmatic features using some plugins or just > subclassing. Using Python as an 'engine' to generate a web-site, either as a static file-set or as part of a web server is relatively trivial. Some of your more detailed specs will likely lead you down one or another path. What inspiration did you get from reading-up about Flask? Pelican? Other suggestions made 'here'? In what way did they not meet the mark? > Do you know of a XML DTD for HTML5 by the way? See above. (How is a web page declared to be HTML5, cf any other format? How does one ensure that a web page is 'HTML5-compliant'? How does/can one do "pretty" in (X)HTML?) -- Regards =dn


text:
: Plus Cats Dogs Bundle. Update March 22, 2018: A Toys R Us spokesperson has told news outlets that today's planned liquidation sale has been "delayed due to unforseen circumstances." We also confirmed that coupons will not be accepted honda alignment coupon during the liquidation sale., according to multiple news outlets, Toys. Online In-Store 24 used today, may 2018 ToysRUs Coupons Promo Codes. See sale 20 off, sale, save On lego At ToysRUs, click here to see the newest sets and all the lego sales! 2OIJt4V #ToysRUs 2018 Geoffrey, LLC. Sale, star Wars Collection At ToysRUs, save big on ToysRUs Sales! See sale Sale See Today's Deals At ToysRUs All the current ToysRUs and BabiesRUs coupons and promo codes are unavailable right now. How Coupons Work Save More with Groupon Coupons Get the most out of our massive collection of coupons, sales, and promo codes.
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Von Modellbau über Playmobil gibt es alles, was das Herz begehrt.
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Any purchases idea discount code made during the liquidation sale are considered final sales and cannot be returned or exchanged. Make sure your next gift becomes a favorite toy by clicking through and shopping today! Enjoy More Savings We'll let you know when your Groupon Bucks are ready to be applied to your next Groupon deal. Legos are one of THE top toys - what else would fit your 'backend deals to move out good products'? Get the best toys of the year for less at ToysRUs! See sale 10 off Online In-Store 1 used today Earn Up To 10 Back Baby Registries Sign up for a ToysRUs baby registry and earn up to 10 back on purchases made through that registry. I'm in Phoenix, a very large city so not some backwater area that's an exception.".
But because of all the hype about the going out of business sale I figures I would stop by and check them out.
By submitting my mobile phone number, I consent to have m send me a text message with a link to the Coupons App.
I understand my mobile carrier's standard text messaging and web access charges may apply.
If you click a merchant link and buy a product or service on their website, we may be paid a fee by the merchant.
Hes been traveling across the globe for the past few months but now #GeoffreysBack and once again ready to set play free for children of all ages.


text:
|M.Sc Student
|Amid David
|Streamlining Requirements Modeling with an OPM-Based
|Department of Industrial Engineering and Management
|Dr. Iris Reinhartz-Berge
|Professor Dov Dori
|Full Thesis text
A major reason for failure of many software projects is poor requirements definitions. Indeed, specifying requirements correctly, completely, and unambiguously is not a trivial task. Requirements modeling is the process of constructing abstract descriptions of the system requirements that are amenable to interpretation. This process results in a requirements model, which is supposed to capture as much real world semantics as possible. Hence, a requirements model can be viewed as a means to bridge the requirements analysis, design, and testing phases. The challenge that we address in this research is providing practitioners with the ability to model both operational and non-operational requirements in a correct, fairly easy, straightforward, yet comprehensive, way. This research proposes to strengthen the software development process by streamlining the requirements modeling process via a combination of metamodeling, domain analysis, and Object-Process Methodology (OPM). We refer to requirements modeling as a domain and suggest an OPM-based Requirements Metamodel (OPM/RM). OPM/RM captures both the building blocks of the requirements modeling process and guidelines about how to use them for particular requirements definition processes. Using a requirement classification technique, OPM/RM describes the structure and behavior of different types of requirements, including operational, qualitative, quantitative, data, and declarative requirements. In addition OPM/RM offers a requirements categorization advisor for guiding a requirement engineer in selecting the correct category (or categories) for a given requirement. Theoretical and experimental evaluations have been conducted in order to determine OPM/RM strengths and weaknesses. In the theoretical path we examined the suggested methodology according to a set of well known characteristics in the RE domain. In the experimental path, we checked OPM/RM completeness, correctness, and complexity by requesting experts to model the requirements of a part of an electronic auction system in either the OPM/RM approach or a use-case derived approach. Our main conclusion is that OPM/RM helps achieve more complete and detailed requirement models. As the requirement models in OPM/RM become more detailed, their complexity increases, while the likelihood of errors is similar to that in the use case-derived models.


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Welcome to Fuck Yeah! Anastasia Nikolaevna, one of the very first Tumblrs dedicated to anything and everything Her Imperial Highness the Grand Duchess Anastasia Nikolaevna of Russia (18 June 1901 - 17 July 1918).
𝒯𝒽𝑒 𝒟𝒶𝓊𝑔𝒽𝓉𝑒𝓇𝓈 𝑜𝒻 𝒯𝒽𝑒 𝐿𝒶𝓈𝓉 𝒯𝓈𝒶𝓇 𝑜𝒻 𝑅𝓊𝓈𝓈𝒾𝒶.
"Olga, the oldest of the four daughters, was generally thought to be the most intelligent of Nicholas and Alexandra's children. A deeply religious, sensitive young woman, Olga possessed a stubborn streak and tendency to depression that occasionally led to clashes with her mother. In temperament and appearence she most resembled her father, whom she adored.
In contrast, Tatiana, the second of the girls, was closest to her mother, and her siblings nicknamed her "The Governess". Naturally thin and elegant, Tatiana had her mother's refined features and unquestioning acceptance of their extraordinary privilege. Even so, she was essentially modest by nature, and while she enjoyed what little she was allowed to experience of society, she disliked the ceremonial etiquette that accompanied her rank: she once kicked a lady-in-waiting out of embarrassment for publicly referring to her as "Your Imperial Highness".
Marie, the third daughter, also the most beautiful. Her thick golden hair and large blue eyes won her many admires; her cousin Prince Louis of Battenberg - the future Lord Mountbatten - was so taken with her that until his 1979 assassination by IRA, he kept a photograph of her beside his bed. Unpretentious and simple in her tastes, Marie was content to dream of one day marrying and raising a large family.
The youngest of the fo ur daughters and destined by history to become the most famous, Anastasia, said one courtier, was "quite unlike any of her sisters, with a type of her own". Lili Dehn, one of the empress's closest friends, called Anastasia "pretty" but noted that "hers was more of a clever face." Her hair was dark blond with a slight golden tinge, and her features "were regular and finely cut." Above all else, it was her gray-blue eyes - "of great luminescence," as Tatiana Botkin, daughter of the imperial family's chief physician, Eugene Botkin, recalled - that attracted attention, vibrant "wells of intelligence," according to Dehn, that were constantly moving and glowed with mischief."
The Resurrection of the Romanovs by Greg King and Penny Wilson.
The four Grand Duchesses greeting officers along with their mother c. 1916
Emperor Nicholas II with his wife Empress Alexandra Feodorovna with their youngest daughter Anastasia photographed with the Sisters of Mercy, wounded soldiers and officers.
"I am in Tatiana's room. Tatiana and Olga are here… I am sitting and digging in my nose with my left hand. Olga wanted to slap me but I ran away from her swinish hand."
- Anastasia Nikolaevna
OTMA in Nicholas and Alexandra (1971)
the romanov family as portrayed in films/tv.
Today I read and skimmed through a book called "Anastasia" by Colin Falconer. And I was aghast.
Because, ladies and gentlemen, this awful piece of lurid fiction made me both outraged, confused and outraged again. Before we delve into everything wrong, let me just state that HISTORICAL FICTION dealing with REAL peronalities who have been WELL DOCUMENTED should, at least, RESPECT the truth that is easily researched and confirmed by a FRIGGIN GOOGLE SEARCH! Mr. Falconer did not do any research. Or if he did, he probably printed his notes and used them as toilet paper. Otherwise I cannot imagine how this abomination of a book was allowed to take shape at all! This publication is nothing but rape of history, far beyond any tasteful and acceptable line of what should one be allowed when writing about REAL people.
I read first 160 pages, after which I skimmed the rest, not having strentght left to go into detail. The writing is sloppy, disjointed and without any artistic quality that would make it stand out. Within the first forty pages you shall encounter these innacurate t hings, which could be EASILY PREVENTED by just going on Wikipedia!
1) In the beginning the four daughters of the Tsar and their brother are arriving into Ekaterinburg to be reunited with their parents. - In reality Grand Duchess Maria had arrived with her parents months before.
2) "Nurse" Sofia Karlovna mentioned in the book was NOT A NURSE. She was a Lady-in-waiting and she was never even allowed to get out of that train to say her goodbyes. Furthermore nickname "Shura" is used for her, when that was in fact the nickname of the ACTUAL nurse (and by that time MAID) Alexandra Tegleva.
3) Anastasia being RUDE and PROVOKING the Red guards (who in their turn are all unthinking, disgusting animals)
4) The girls constantly being talked about as PRINCESSES. The title was GRAND DUCHESS.
5) Anastasia saying "I AM A PRINCESS AND TILL THIS DAY I HAVE NEVER HAD TO CARRY MY OWN STUFF" when in fact all the im perial children, even before the revolution, would engage in physical work including cleaning their rooms, sawing wood and breaking ice in the spring, not to mention their work in hospitals during the war.
6) Jemmy was Anastasia´s. Tatiana had another dog, Ortipo. And there was yet another dog in the family, Alexei´s Spaniel Joy.
7) The behaviour of the guards in the house is SEVERELY exaggarated (yes there was a guard on duty when they went to the loo but NO the door was not dismantled! NO, Avdeyed did NOT curse in front of the Tsar.
8) Nicholas NEVER LOST HIS COOL, but in the book he is repeatedly RUDE and commanding the guards who in their turns call him slurs in the face.
9) Anastasia hates Alexei because he is such a burden and she is jealous of him! In reality she was his closest friend, loved him unconditionally.
10) There are NO relationships between anyone in the family apparently. Much like there is NOTHING that would scream "relationship" later among the fictional people. But we KNOW that the last Imperial family was EXTREMELY CLOSE and loving.
10) Tatiana is ambushed during her nightly visit to the toilet and RAPED but that is just about it, it leads nowhere, no plot point. THIS NEVER HAPPENED!!!! NONE OF THE GIRLS WAS MOLESTED BY THE RED GUARDS!!! And this whole thing is USELESS!!!!
11) Anastasia is a provokateur who acuses her father of everything being his fault TO HIS FACE. (WTF???!!!)
12) Alexandra is mentioned to be "same age as Nicholas". In fact she was four years his junior.
13) On the night of the murder there are people in the streets because the shooting can be heard all over the city apparently. In fact the streets were empty and the Bolsheviks made sure of that
14) Also there are many quotations about Anastasia - some of which I recognized as genuine, but many are simply made up - including s everal mentioning that she was a devil and deserved to die - but it is NEVER pointed out they are made up!!!!!
15) Grand Duchess Olga Alexandrovna in the 20s is meantioned as "unhappy" and fat "spinster". In fact she was a trim and content, wedded to Captain Kulikovsky, and mother of two.
16) Grand Duke Kyril is Tsar´s brother in the book. He was his cousin.
17) Grand Duke Ernst of Hesse (brother of the last Empress) wants to be Tsar of Russia. WTF??!!! He was a German princeling with NO claim. And he NEVER EVER wanted to be the Tsar.
18) And I forgot this thing: Alexei Nikolaevich DEMANDS a chocolate from a guard, is NASTY and RUDE to him and when the guard is provoked Nagorny stops him from harming Alexei, for which he is taken away and shot. In reality Nagorny did not want to let a guard steal a little golden cross from the boy. For THAT he was taken away. But in this book Anastasia does not forget to BLAME ALEXEI for Nagorny´s death.
I just could not go on…. This book is TRASH of the lowest order. Authors need to STOP USING THE ROMANOVS AS PLOT DEVICE IF THEY ARE NOT EVEN GOING TO TRY TO PORTRAY THEM AS THEY WERE.
If you want to read decent and good Romanov fiction, just read these: The Kitchen Boy: A Novel of the Last Tsar The Lost Crown or even better the non-fiction like Nicholas and Alexandra or Romanov Autumn: Stories from the Last Century of Imperial Russia
lmabee replied to your photoset "So guess where I went last night"
How was it?? I'm debating flying cross country for this.
I think it was worth every penny, personally! More beneath the cut to save your dashboards.
Maria Nikolaevna & Anastasia Nikolaevna onboard the Standart, 1912


text:
(Bloomberg) -- Sign up to our Brexit Bulletin, follow us @Brexit and subscribe to our podcast.
More Polish workers returned home than left the country for the first time in nearly a decade, fueled by Brexit concerns and a booming local job market.
A record exodus from the U.K. drove the 85,000-net decline in the number of Polish citizens living abroad last year to 2.46 million, according to the latest data from the Warsaw-based Central Statistics Office. Poland's unemployment rate is also hovering near the lowest since communist times, helping to boost wages as employers battle for workers.
"Let's hope this drop will continue in 2019, possibly encouraged by Brexit. We need them at home badly," said Jakub Borowski, chief economist at Credit Agricole Bank Polska SA. "It is far too early to shout 'they're coming back!'"
The number of Poles working in the U.K. fell by 98,000 to 695,000 amid uncertainty about the terms that EU nationals will be allowed to stay in the country following Brexit, as well as reports of anti-immigrant behavior, including incidents targeting Poles. The decline meant that the U.K. trailed Germany's 706,000 Polish workers -- the first time the country's hasn't topped the list since 2006.
Poles are starting to return home as years of nearly 5% economic growth has left domestic businesses running out of workers. That's a reversal from when Poland joined the European Union in 2004, opening a rush of emigration on the lure of abundant jobs and higher wages in western Europe.
Since joining the EU, the number of economic migrants from Poland has more than doubled to a peak surpassing 2.5 million in 2017. The country developed one of the EU's most mobile workforces when its accession to the bloc gave Poles the right to work in a number of member states, including the U.K. and Ireland.
(Updates with U.K. data in fourth paragraph)
To contact the reporters on this story: Dorota Bartyzel in Warsaw at firstname.lastname@example.com;Barbara Sladkowska in Warsaw at firstname.lastname@example.com
To contact the editors responsible for this story: Andrea Dudik at email@example.com, ;Joshua Robinson at email@example.com, Neil Denslow, James Amott
For more articles like this, please visit us at bloomberg.com
©2019 Bloomberg L.P.


text:
Today's tutorial is an intro to layer masks. This is the MOST IMPORTANT SKILL to improving your editing in photoshop. It will allow you to effect smaller portions of your photo while you edit. You no longer have to edit globally. This gibes you the control over your photos.
The most important parts of this are:
– White reveals
– Black Conceals
– Use a soft edge air brush (change the hardness if needed)
– Make sure your layer mask is selected
– Change the opacity of the brush as needed for smoother blending
– Shortcuts used "[ or ]" – the left bracket makes brush smaller and right bracket makes the brush bigger
– D puts default colors as swatches (white forground/black background) – X swaps these two.


text: Carole Rothschild, 61, of West Hartford, CT, passed away on March 24, 2019. Born and raised in Nantes, France, Carole met her husband, Ariel (Ary) Rothschild, while in university in Strasbourg. In 2002, she moved with her husband and four children to the United States. Soon thereafter, she opened up her French school, sharing her love for French language and culture with students of all ages in the Hartford area. She is survived by her husband and their children: Victoria Schenkel and her husband Evan Schenkel, Lorène Becker and her husband Jason Becker, Géraldine Rothschild, and Amschel Rothschild; and her grandchildren, Madeline Schenkel and Ethan Becker.Arrangements are entrusted to Weinstein Mortuary in Hartford, CT. For further information or directions, please visit online at www.weinsteinmortuary.com/funerals.cfm. Weinstein Mortuary 640 Farmington Avenue Hartford 06105 860-233-2675 Website