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Delightful & spacious, The Patio View room is within the main house. It has a king-size, designer wooden bed and a couple of great easy chairs to lounge in with a flat screen TV and Wi-Fi.
Just across the landing is your own private, Art-Deco style, bathroom with a fabulous old bath tub. Bathrobes and slippers are provided along with luxury toiletries from the White Company. Along with this and the lovely views over the patio and side gardens make this room an excellent choice!
Photo Gallery
Room Details
|Number of beds:
|1 King
|Extra beds:
|Room Size:
|22 m2
|Pets allowed:


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Howard Knopf and the Entertainment Software Associated debated copyright last night on the Business News Network.
Knopf vs. ESA
May 9, 2008
Tags: copyrightCopyright Microsite - Copyright VideoCopyright Canada / entertainment software association / knopf
Share this post
2 Comments
Anonymous says:
go Howard go!
Anonymous says:
Is it just me or did the hosts seem to be taking sides?
The LawBytes Podcast
Recent Posts
- Honouring Ian Kerr's Legacy: University of Ottawa Launches the Kerr Fellows Program
- The LawBytes Podcast, Episode 34: The Fight to Save the Dot-Org
- Canadian Copyright Website Blocking Underway As TekSavvy Appeals Federal Court Ruling
- The LawBytes Podcast, Episode 33: "Canadian Patenting is Not Going to Drive Anything" – Aidan Hollis on New Research on Patents and Innovation
- Fool's Gold: Why a Federal Court Judge Was Wrong To Issue a Website Blocking Order Against GoldTV
Recent Podcasts
- Episode 34: The Fight to Save the Dot-Org December 2, 2019
- Episode 33: "Canadian Patenting is Not Going to Drive Anything" – Aidan Hollis on New Research on Patents and Innovation November 25, 2019
- Episode 32: Reflections from the Open Source Member of Parliament – A Conversation with Ex-MP David Graham November 18, 2019
- Episode 31: Is Canadian Media in a Financial Crisis? – Marc Edge With a Different Take on What the Data Says November 11, 2019
- Episode 30: "It's Only Going to Get More Important" – Amanda Wakaruk and Jeremy deBeer on Crown Copyright in Canada November 4, 2019
Open Books
Law, Privacy and Surveillance in Canada in the Post-Snowden Era (University of Ottawa Press, 2015)
The Copyright Pentalogy: How the Supreme Court of Canada Shook the Foundations of Canadian Copyright Law (University of Ottawa Press, 2013)
From "Radical Extremism" to "Balanced Copyright": Canadian Copyright and the Digital Agenda (Irwin Law, 2010)
In the Public Interest: The Future of Canadian Copyright Law (Irwin Law, 2005)

subset: commoncrawl


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Classic of the week: Paul Oakenfold - Southern Sun
"Piece by piece... I release..." The legendary words to one of the biggest classics in EDM history. An all-time favourite to many, and a timeless track that just gets you, again and again. Of course, we're talking about Paul Oakenfold's 'Southern Sun'.
It's been a decade since it rushed into our systems, conquered the hearts of millions and was brilliantly remixed by Tiësto. The mesmerizing vocals, hitting in with each word, belong to New Zealand singer/songwriter Carla Werner, and give the track an unrivalled power. 'Southern Sun' was part of Oakenfold's 2002 'Bunkka' album, released around the same time that Paul made his move to the US.
Last year, featured on the 'We Are Planet Perfecto Vol.1' compilation, a new and pumping remix of this classic was released, by Paul Webster. If you prefer the Tiësto remix, head back in EDM history and relive those memories in the Trance Top 1000 Spotify playlist!


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Category: WorkflowMax Client Story
The latest stories, news and helpful updates from the team at Waypoint.
WorkflowMax Case Study – Charlton Degg
"Workflow Max has given us job tracking, data management, and financial management at the job level," says Michael," and it integrates well with our overall accounting through Xero."
Let's start the conversation
Are you interested in finding out if we're a good fit for each other? If you're ready to take your first step to working with us, the process starts by applying for a discovery call. The truth is, what we do and the way we do it, won't be for everyone.


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Darkness Call Us - Black Onyx, Rainbow Obsidian, Vintage Glass and Sterling Silver Memory Wire Wrap Bracelets
The night was bleak and the sea looked black when I came upon a sight so stark, so deeply dark, I thought I must be dreaming. I was looking at something unreal, unknown, like a scene from The Twilight Zone. I wanted to run, but as unhuman as the creature looked with its ink black ashes for skin and claws instead of hands, its weeping kept me there. Tears poured from a single golden eye and sobs issued from its broad chest. Air seemed to compress around us, every breath became a chore as I did my best to comfort the beast. I wished I could do more. He soon rose on shaky legs, gently lifted his silent mate and with a brief, mournful glance my way, they vanished into an ebony black hole. This is the tale that inspired the "Darkness Calls Us" bracelet.
Set of two Darkness Calls Us wrap bracelets details:
- Black onyx in a variety of shapes including faceted rounds, faceted rondelles, and small pebbles. Faceted rainbow obsidian ovals. Vintage Bohemian glass ovals.
- Sterling silver beads are scattered throughout.
- Each end of the bracelet is adorned with a dangle of onyx or sterling silver.
- Strung on stainless steel memory wire designed to retain its circular shape.
- I used memory wire with a larger circumference for these bracelets so they fit more like bangles instead of hugging tight to your wrist. I have a 6-1/4 inch wrist and they fit loose on me.
CUSTOM OPTION: If you have an especially small wrist I can restring the bracelets on memory wire with a smaller diameter. This can be done before I ship them to you or after you receive them and decide smaller would be better. You are responsible for all additional shipping charges, there is no charge to restring the bracelets.


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The National Energy Board finalized an order directing all regulated companies to make emergency management program information publicly available online by July 31, 2017. In response to feedback, the NEB made several changes to the original Order (MO-002-2017) and corresponding guidance. All NEB-regulated company emergency management programs must include the following key elements:
- Policy and Commitment
- Goals and Objectives
- Public Safety Information
- An Emergency Procedures Manual
- Hazard Identification, Risk Assessment and Controls
- Clean-up and Remediation information
- Stakeholder Liaison to Prepare for Emergencies
- Continuing Education
- Training and Exercises
- Incident Management System.
Submit a policy: email to email@example.com
Do You Like This Tool ?


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Question Two Part Three
I want to start any discussion of "formalism" with the axiom that I do not believe in "free verse" as such. "Verse Libre" is a term initially conceived as reactionary. That is to say, this verse would have nothing from which to liberate itself were it not for the overwhelmingly long tradition of metrical poetry. Williams, for one, said that he did not write "free verse" but that his lines were composed to the music and measure of American speech. In his view, Whitman's "free verse" was a failed experiment; a loosely structured mess of unmetered lines that did nothing to address what WCW saw as the fundamental problem of re-structuring American poetry. That said, I don't necessarily believe that Whitman's poetry was un-metered, but that it was composed to the measure and music of an antebellum southern orator. For me, the notion that a writer who has discarded received forms is not a formal writer is patently absurd. If a writer of free verse is unaware of how his decision of where to end the line impacts the methodology of the poem, then he has neglected a very fundamental aspect of the practice of making poetry. In this context, writers who are "not" formal inevitably demonstrate the manner in which they use form to build a poem. The rest of this discussion will be confined to contemporary American poetics, as two of the poets on my list seem to follow from the tradition of Williams' denial of "free verse."
Robert Creeley is a fascinating figure, as his poetics owes allegiance to the Black Mountain practice of Projective Verse. This is a formal tactic most clearly visible to the layman in the work of Charles Olson, who utilized the open field to score the way in which his poems ought to be heard. This is a practice entirely dependant on the formal presentation of the poem, as a lines position relative to the left hand margin is a factor in how that line is received. Robert Creeley was a Black Mountain poet and a writer of Projective Verse. In fact, Olson owes much of his philosophy to correspondence with Creeley, as he makes explicit in is famous essay on the subject. It might strike the layman as odd that Creeley's poems do not appear to be projective in the way that Olson's do. In fact, Creeley hugs the left hand margin very closely. Creeley is Projective, then, in his implementation of the short line.
Creeley was a writer of poetry that is decidedly formal. A quick glance through his Collected Poems reveals that the vast majority of his poems look exactly the same; they inhabit a space of no more than two inches or so from the left hand margin, and tend not to assume a length that could be considered "epic" without frequent section breaks. To this rule, the only real exception is the odd prose poem here and there. The content and discourse, however, of Creeley's verse becomes more sophisticated as the decades march on. All of his poems look the same not because he wrote the same poem again, but because he was consciously writing in one form to the fullest extent.
For Creeley, the line was his measure. In audio recordings, he reads lines as units. The frequent stops and starts he implements in his line breaks do a lot to put pressure on his phrases, and this is the aspect which makes them "projective." Consider the first stanza of "Thinking":
Grandmother I'd thought
to have called all together
night before dying
in the bed at the stair's top
If this poem were read "Grandmother I'd thought to have called all together night before dying," the rhythm and the immediacy of the poet's speech would be lost entirely. This is easily revealed by reading the lineated excerpt aloud and then reading it as a single prose line. Frequent line breaks insist that each line be weighted equally. They also call attention to the sonic qualities of the lines (an example being the rhyme between "thought" and "top") and confound the logic of the poem in a manner in which Creeley was well-practiced. "Grandmother I'd thought" is a unit. Syntactically, "to have called all together" follows from "I thought," but the line puts pressure on this reading. "Grandmother I thought" is a unit as well, and one that finds itself at odds with the reading of the lines as components of a simple sentence.
Creeley does a few very important things in his poetry by so deliberately placing lines that are not "metered" in the traditional English sense. First, he determines to a degree the way that the poem sounds when it is read aloud; he is "projective." Secondly, he confounds the reader's understanding of traditional syntax in a way that identifies his poetry as "avant garde" relative to the cultural moment of his composition. If Creeley's poetry was stripped of its formal aspect, it would be difficult to understand as Creeley's poetry. The same can be said of the writing of James Tate.
Tate is a remarkable writer in that his implementation of form has metamorphosed as his career has progressed. Here is "The Mirror," from "The Lost Pilot," collected in 1967:
She tells me
that I can
see right through
her, but I
look and can
see nothing:
In this first stanza, it is easy to recognize the methodology of Robert Creeley. These lines are units, and they are short. They determine the sound of the poem and put pressure on the syntax. This example is not atypical of the poems that Tate wrote in the first decade or so or his career. However, as Tate is a poet concerned with form and interested in the ways that it might be manipulated to more progressive ends, he did not write skinny poems for his whole career. Here is "Prose Poem," from "The Oblivion Ha-Ha" in 1970:
I am surrounded by the pieces of this huge
puzzle: here's a piece I call my wife, and
here's an odd one I call convictions, here's
conventions, here's collisions, conflagrations,
congratulations. Such a puzzle this is! I
like to grease up all the pieces and pile
them in the center of the basement after
everyone else is asleep. Then I leap head-
first like a diver into the wretched confusion.
I kick like hell and strangle a few pieces,
bite them, spitting and snarling like a mongoose.
When I wake up in the morning, it's all fixed!
My wife says she would not be caught dead at
that savage resurrection. I say she would.
We line-counters might notice that this is not a prose poem at all. In fact, it is a sonnet. Some of these lines have ten syllables, none have more than twelve, and there are fourteen of them.
The allure of the prose-poem is this: the line is the formal aspect of a piece of writing that makes it a poem. The exploration of the prose-poem is essentially the exploration of what happens to a poem once its only identifying formal aspect is removed, after Modernism cleared away the old meter and rhyme. Tate explores this in earnest in poems that are clearly prose-poems, such as "Viper Jazz" in 1976, but he is doing something else entirely with "Prose Poem" in 1970. It can be read as having roughly five stresses per line, but not as a poem that strives for strict iambs. It even turns at roughly line eight; Tate's speaker passively reflects on the pieces of his puzzle metaphor, but leaps into physical action in roughly the position of the Petrarchean volta. The act of calling this a prose poem calls into question the integrity of the sonnet after centuries of subtle alteration in a way that is not ignorant of form, but acutely aware of the implications of tampering with it.
Tate's exploration of form does not stop in 1970. In 2004, "Return to the City of White Donkeys" collected some of the most prosaic-seeming poetry of Tate's career. Poems like "Suburban Bison" present bizarre and surrealist situations where the speaker of the poem is going bowling when he encounters a herd of Buffalo. Post-modernism ensues. All of this occurs in the space of what is received by the public as a prose poem, but is broken into lines perhaps by the constraint of the left and right margins, or perhaps by the intention of the author. The buffalo poem, for example, contains the line "Neither of us had bowled in years, and we didn't" followed by a line break. This is the longest line in the poem. Another two lines read "along some strip for tourists to see,' he / said." "Said," it seems, could just as easily have been on the previous line, and would have fit into the margin constraint that seems to have determined the length of the other line in question. It seems possible, then, that Tate is not writing "prose-poems," but is exploring formal poetry in a way that is remarkably different from his early poems, but nevertheless is concerned with the nature of formalism and what it means for the reading of a poem.
Poetry, essentially, is never informal. Instead, it is constantly in dialogue with what its perceived form might be and the manner in which it presents its content on the page. "Free Verse" is entirely reactionary terminology. "Reactionary" is also a relevant term to the discussion of the formal aspect of poetry that appears to be informal.


text:
Some people like the security of their principal and guaranteed returns from Guaranteed Investment Certificates (GICs), which are equivalent to Certificate of Deposits (CDs) in the U.S.
Currently, a five-year term results in an interest rate of about 3%. That's roughly keeping pace with the long-term inflation rate. So, people are able to maintain their purchasing power that way.
Invest in the stock market
Investing in the stock market, investors can get markedly better returns. After all, the long-term average stock market returns are about 10% in the United States. The Canadian stock market tends to underperform due to the large exposure to the energy sector.
The simplest way would be to buy periodically in a market-wide fund, such as the SPDR S&P 500 ETF Trust (NYSEARCA:SPY). For example, if you can save $200 every month for investing, you can invest $1,000 every five months to invest for the long run.
Invest in dividend stocks
For people who're interested in investing, going with proven businesses that pay dividends is a great way to start. By buying these stocks when they're relatively cheap, it's entirely possible to get returns of more than 10% per year in the long haul.
The Big 3 Canadian banks are proven businesses with stable growth. Among the three, both Toronto-Dominion Bank (TSX:TD)(NYSE:TD) and Bank of Nova Scotia (TSX:BNS)(NYSE:BNS) are trading at modest discounts. According to the analyst consensus from Thomson Reuters, both stocks have 12-month upside potential of more than 11%.Read More


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In these terms:
"we", "us" and "our" mean FORE and "you", "your" and "yours" mean the
"Bookings" means bookings or reservations for FIT Products; "destination
services" means non-hotel travel services, including but not limited to
hotels, villas, sight-seeing, transfers, car hire, rail tickets and theatre
tickets; "Central Booking System" means the computer system operated by FORE,
by which the Client (amongst others), can make Bookings either through the
FOREREZ SYSTEM or through an XML interface;
"FIT Bookings" means bookings of 9 or fewer persons; "tariff" means the
list of rates and prices charged by FORE from time to time for FIT Products;
"traveller" means the person travelling, i.e. your client; "FOREREZ SYSTEM"
means the FORE Wholesale Booking System which gives access to the Central
Booking System.
Please refer to further information on vouchers in Parts B and C of these Terms.
Payment and Charges
It is your responsibility to train your agents and to provide technical and
operational support for them. We will not accept direct communication
from your agents in any form and will immediately refer them back to you if
this occurs. You will be fully responsible for the payment in full of all
bookings your agents have made through the FOREREZ SYSTEM.
Where practical, complaints should be reported to the hotel or service supplier
on the spot. FORE will not be liable to you for a problem which could
have been rectified during the travellers' stay had the hotel or service
supplier been made aware of it. In any event, FORE must be informed of
all complaints within 28 days of the event giving rise to the complaint.
Visa/Invitation Letter Requests
Restricted Information
Part B: Special Terms for Hotel Bookings
Making Bookings
Rates and charges
Country-specific information
Trade Fair Periods
Delivery Policy:
Method of Payment, Card Types accepted and Currency:
Continental - A cold breakfast usually served at the
table. Minimum requirement is bread and jam with a hot drink. It may
include ham, cheese or fruit
Cold Buffet - An extended continental breakfast but
self-service. Usually contains items in continental breakfast plus cold
drinks, cereal and salads.
Hot Buffet - As with the cold buffet but including additional
hot food, minimum bacon and eggs.
American - Hot food, such as bacon and eggs served at the
The above information is given only as a guide and can vary considerably from
hotel to hotel.
Private Transfers And Tailor-Made Sightseeing
Shared Transfers
Scheduled Sightseeing Tours & Extended Tours
Cancellation of all Destination Services except accommodation, car hire and
rail, sea or air transportation
Hotels & Villas
Cancellation and Amendment Conditions (hotels and Villas)
Car Hire
Cancellations and Amendments (Car Hire)
Transportation bookings
European Rail Passes


text:
recipe: Lemon Zest Pull-Apart
In this picture the cake is actually half-gone, because it's the kind of cake that you can't keep around very long. It's actually best served still warm, when you can pull it apart with your fingers. I'd say you could probably make it with sugar and cinnamon, or with raisins, but it's really quite excellent with lemon/orange zest.


text:
NEW YORK (MarketWatch) -- Newmont Mining Corp. NEM, -0.50% Thursday reported first-quarter earnings of $68 million, or 15 cents a share, down from a year-ago profit of $209 million, or 47 cents a share. Revenue swelled in the latest three months to $1.26 billion from $1.13 billion in the same period a year ago. The average estimate of analysts polled by Thomson Financial was for a profit of 24 cents a share in the March period. The Denver-based miner said its latest results were hurt by higher than anticipated operating costs from metallurgical and start-up challenges at Phoenix in Nevada, increased waste removal costs and adverse exchange rate movements in its Australian operations. The company also said it continues to expect gold sales of between 5.2 million and 5.6 million equity ounces in the second quarter and copper sales of 210 to 230 million equity pounds in the period. In addition, it said it's revolving credit facility was increased to $2 billion and that Richard O'Brien was named president and chief financial officer, effective immediately. The stock closed Wednesday at $44.23, up 1.2%.
Newmont Mining first-quarter profit $68 mln vs $209 mln
Quote References
-0.20 -0.50%


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Matt HealeySunday,25 November 2012
The Snap:
Towards the end of this year the company that I work for will be moving offices. We are going from a great spot in downtown to a far less desirable location in an office park. No one likes the move. At least the company is not trying to pass this off as a benefit. They have come right out and said it is for cost savings and if you do not like it you are free to work from home. But that is not the source of the rant. It is the moving boxes and idiocy.
The Download:
The moving coordinator has placed moving boxes in various locations throughout the office so that people can pack up the stuff they want moved to the new location. To me this would seem like a straightforward proposition. You take the un-assembled box, assemble it, stick a label on it and be done. But no, there is a 3 page instruction manual that explains how to assemble the box. 3 pages on how to assemble a box. This requires and Ari rant.
How long have you been on this planet? You can not even assemble a cardboard box. You need 3 pages to tell you how to accomplish a simple task like this? Really? I would have thought that basic evolution would have filtered people like you out. How about this, if you can not figure out how to box your stuff up, then do not worry about it because you're fired you dumb fuck.
Hat Tips:
The Darwin Awards, Image Credit: Wikimedia Commons
Take Action!
You May Also Like
[…] I have really like writing the "Why America Is/Isn't Fucked" series and "What Would Ari Do?" series. I have tried to maintain a balance between various topics but I think that I have […]


text:
XOLZSEC ransomware Deletion: Best Way To Uninstall XOLZSEC ransomware In Just Few Steps
Various XOLZSEC ransomware related infections
|Browser Hijacker
|Search.popclick.net, CoolWebSearch.msupdater, CoolWebSearch.sys, GamesGoFree, iGetNet, Roxifind, Holasearch Toolbar, CoolWebSearch.keymgrldr, Livesecuritycenter.com, Startpage.com, Asafetynotice.com, Search.iMesh.net, QuotationCafe Toolbar, Govome Search, Antivirusterra.com, Alibaba Toolbar, Searchput.net
|Vanguard Ransomware, MotoxLocker Ransomware, Kozy.Jozy Ransomware, CryptoHasYou Ransomware, Radamant Ransomware, Angry Duck Ransomware
|Sifr, SafeSurfing, KGB Spy, TorrentSoftware, Spyware.CnsMin, Satan, VirusGarde, ActiveX_blocklist, AceSpy, Spyware.AceSpy, WinFixer2005, Expedioware, HelpExpressAttune, WinSpyControl, DyFuCA.SafeSurfing
|SyncroAd, Totempole, Diginum, Mirar.w, IEhlpr, Adware.AmBar, Gentee, WinDir.winlogon, Free Popup Killer
|Troj/Agent-XES, Trojan.Spy.Ursnif.GZ, PWSteal.OnLineGames.C, Trojan.Dloadr-YT, Trojan.Win32.Cosmu.ebs, Trojan-PWS.Magania.BDU, VividGalut, Trojan.Infostealer, Spy.Banker.drh
Tutorial To Uninstall XOLZSEC ransomware From Affected Windows 10
Brief Information on XOLZSEC ransomware
XOLZSEC ransomware is a noxious OS infection which is especially programmed by the criminal hackers in order to inject and displays intrusive advertisements on your computer screen. It infiltrates the popular Firefox and embeds them with some promotional content of various shapes and sizes. Besides, it causes modifications in browser's settings. Such threat starts their malicious activities from altering the browser's start page, default search engine, and new tab page. As soon as the virus finishes these modifications, it gets the ability to reroute PC users to predetermined domains that are trying to increase their popularity.
In addition to that, XOLZSEC ransomware blocks the victim's access to the Windows 10 and then demands to pay ransom money. Once it infiltrates the targeted machine, it finds the mostly used computer files and encrypts them. Usually, this infection is used for stealing user's personal information, spreading other destructive viruses and simply disrupting system's performance. Cyber offenders can use the malware for getting an unauthorized remote access to a compromised OS. That is why, you should rely on a credible anti-malware shield in order to protect your system from threat infiltration. If the virus already infects your PC, then you should Block XOLZSEC ransomware Possible Steps For from your system.
XOLZSEC ransomware : Ways that are Used to Invade Targeted System
Technically, it is able to propagate themselves and then infect the Windows 10 without user's knowledge. It may be manually installed on the system as any other program. In fact there are few major ways that are used by XOLZSEC ransomware for entering the machine:
- It is mainly distributed with the help of spam email attachments.
- The threat can get into the PC using browser vulnerabilities.
- File sharing networks, P2P apps, instant messages and malicious links.
- Sometimes it gets installed with the help of other computer viruses.
- XOLZSEC ransomware may travel along with freewares and sharewares.
Malicious Activities that can be Caused by XOLZSEC ransomware
Such type of threats are capable of causing various harmful activities, some of them are mentioned below:
- Infecting, overwriting and corrupting files, PC components and installed apps.
- Destroy entire OS by deleting crucial files and formatting hard disks.
- Redirect you to predetermined sites that may infect your system with other threats.
- XOLZSEC ransomware may display all kind of intrusive advertisements on your system screen.
- Hijack your Internet browsers and steal sensitive information from your machine.
- Encipher your files or display lock screen and demand hefty sum of ransom money.
Click Here To Download XOLZSEC ransomware Free Scanner
Tutorial To Remove XOLZSEC ransomware From Infected System Manually
Step 1: Start PC in Safe Mode To Uninstall XOLZSEC ransomware
Step 2: Block XOLZSEC ransomware Related Processes From Windows Task Manager
Step 3: Uninstall XOLZSEC ransomware & Its Associated Programs From Control Panel
Step 4: Block Malicious Registry Entries Created by XOLZSEC ransomware
Step 5: Remove XOLZSEC ransomware From Infected Firefox
Step 6: Reset Firefox Settings To Eliminate XOLZSEC ransomware Possible Steps For
Step 1: How To Boot Your OS in Safe Mode To Uninstall XOLZSEC ransomware
For Windows XP/Vista/7 Users
Tap F8 key continuously after the computer is powered on or restarted.
You will see Advanced Boot Options window on your system screen.
Use arrow keys to select Safe Mode or Safe Mode with Networking and then hit Enter button.
Now, you can find XOLZSEC ransomware and Block it as soon as possible.
For Windows 8 or Win 10 PC Users
Press Win key + C together and tap on Settings option. Click on Power icon, hold down Shift on your keyboard and click on Restart.
Choose Troubleshoot option and click on Advanced options.
Select Startup Settings and then press Restart.
Press F5 key to Enable Safe Mode with Networking option.
Then after, the OS will start in Safe Mode with Networking and you can identify and remove XOLZSEC ransomware without any delay.
Step 2: Block Unwanted Process of XOLZSEC ransomware From Windows Task Manager
Press "Ctrl + Alt + Del" keys altogether to open Windows Task Manager.
Tap on Processes tab and identify unwanted processes of XOLZSEC ransomware.
Select the malware related processes and click on "End Process" button.
Step 3: Uninstall XOLZSEC ransomware From Windows Control Panel
Tap on Start button and go to the Control Panel menu option.
In the opened window, click on Uninstall a Program option placed under Programs category.
In the appeared list of installed programs, you can find and select XOLZSEC ransomware and click on Uninstall button.
Step 4: Remove XOLZSEC ransomware Related Malicious Registry Entries Possible Steps For
Press Start button and choose Run option to open Registry Editor.
Type "regedit" in the open field and tap on "OK" button.
Find malicious registry entries created by XOLZSEC ransomware and Block them as quickly as possible.
Step 5: Eliminate XOLZSEC ransomware From Affected Firefox
Block XOLZSEC ransomware From IE 7:7.00.5730.1300
Open IE and click on Gear Icon from right-top corner in order to open the Tools.
Tap on Manage Add-ons option.
Now, select Toolbars and extension tab. Find XOLZSEC ransomware related add-ons and click on "Disable" button.
XOLZSEC ransomware Removal From Chrome 50.0.2661
Launch Chrome and click on gear icon placed at the top right corner of your browser.
Now, click on More Tools option and go to Extensions.
Select all the unwanted extensions including XOLZSEC ransomware and tap on Trash bin icon.
Uninstall XOLZSEC ransomware From Mozilla:49.0.1
Open Mozilla FF and click on gear icon from the top right corner to open browser menu.
Select Add-ons and choose Extensions or Appearance panel.
Select add-ons related to XOLZSEC ransomware and tap on Remove button.
Step 6: Reset Your Infected Firefox To Remove XOLZSEC ransomware Manually
Reset IE 7:7.00.5730.1300
Open IE and click on Tools menu and then select Internet options.
Tap on Advanced Tab and hit Reset button.
Also, check "Delete Personal Settings" option and click on Reset button.
Finally, tap on Close button and then restart your Internet Explorer. As a result, you will find the complete Removal of XOLZSEC ransomware.
Reset Chrome 50.0.2661
Open Chrome browser, click on Chrome menu and tap on Settings option.
Type Reset into the search box and finally click on Reset button.
- After resetting Chrome, XOLZSEC ransomware will be removed Possible Steps For.
Reset Mozilla:49.0.1
Open Mozilla FF, tap on Firefox menu >> select Help option and click Troubleshooting Information.
Click on the "Refresh Firefox" from top of the page.
In the appeared dialog box, hit "Refresh Firefox" button.
Resetting Mozilla Firefox will result in the complete Removal of XOLZSEC ransomware.


text: An Handmade box from high quality alder wood that contains the most beautiful pictures of your wedding on a USB drive. All boxes are engraved with your names. The fine art prints on Hahnemühle or Ilford photo paper that accompanying the package, represent the highest standard of photo printing for vivid images with superb details.


text:
Hitting a Triple – EnergyGeeks Launches in Connecticut, Massachusetts, and New York
Director of Corporate Communications
To ring in 2018, EnergyGeeks has launched in three major American states: Connecticut, Massachusetts, and New York! Since launching our company in 2016, one of our top goals was to expand into the United States. With this triple win, we are looking forward to educating these states on the power of solar energy and transforming one house at a time to help our planet, all while enjoying the great savings of this clean energy alternative.
For more information, please visit: www.energygeeks.com
Melissa Grosser-Granite
Director of Corporate Communications
+1 (800) 439-5133


text:
Another clip from Nolan's The Dark Knight Rises has surfaced online today, and it features a hobbled Bruce Wayne being shown the new Wayne Enterprises combat vehicle simply named The Bat. I'm pretty sure this is the Batwing-like toy we've seen Batman flying around in during the last few trailers for this small little movie.
What interests me more is the fact that Bruce is sporting a cane. This further supports the claim that at some point Bane will indeed break the Batman. Check out the clip below before it gets yanked (or it probably won't since it's not on our channel, YouTube has it out for us I swear)!
The Dark Knight Rises Clip # 2 The Bat [HD]
[#ff entbuddha] "Making you a better geek, one post at a time!"
Via [john Egyptman]


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Phoenix announces opening of Maastricht office
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Karur Vysya Bank (KVB) is going to recruit for the post of Clerical Cadre.The candidate may apply till 21st November 2016.
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Last Date: 21/11/2016


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More Ideas for Using Drama!
So you've been convinced that drama can make your public speaking come to life and touch the lives of many. Now you're wondering, "Well, how can I do it?" Today we'd like to share several different approaches to incorporating the dramatic arts into your speaking!
In the realm of communication, the word "monologue" may carry a negative connotation of a long, boring speech or a speaker who monopolizes a conversation. However, a monologue is a dramatic expression used by a public speaker. The dictionary defines a monologue as "a dramatic soliloquy (oral discourse); a continuous series of jokes or comic stories delivered by one comedian."[1] Talk show hosts on television often begin the program with a monologue.
Everett Robertson writes, "The dramatic monologue involves one actor portraying one character in a crisis situation."[2] Monologues may present biblical characters, such as Ruth or Mary the Mother of Jesus, or portray an inanimate object, like the manger which held baby Jesus or the alabaster jar which held the perfume used to anoint the feet of Jesus. Monologues may be short or long, presented during a portion of the message or as the entire speech. Speakers may wear costumes and makeup for dramatic effect. The script may be written originally or taken directly from the Scripture or another text. Monologues are most effective when they reveal a truth to the audience in dramatic details.
Dramatic Reading
Dramatic reading is defined as "a public reading or recitation of a work of literature with an interpretive use of the voice and often of gestures."[3] A speaker reads aloud a poem, essay, story, or Scripture passage with animated voice, facial expression, hand gestures, and body movements. The reader portrays the dramatic, physical, and emotional aspects of a situation. If several characters or perspectives are included, the speaker may identify them with changes of voice, posture, or gesture.
Material for dramatic reading must be selected carefully. The content must have a clear focus and appropriate emotional appeal. The audience needs to identify with, understand, and enjoy the work. Delivery requires practice and timing. Careful pronunciation and phrasing as well as a rhythmical pace enhance the presentation. Facial expression, eye contact, and gestures add to the oral expression.
One of the oldest forms of drama, storytelling is "reciting tales or relating anecdotes in a captivating manner."[4] While a monologue involves a character directly, storytelling includes the character indirectly. Storytelling is typically spoken in second-person, and monologue is first-person. Vivid description and animated expression is a part of storytelling. A real account is often exaggerated and amplified for effect in storytelling. Robertson encourages the storyteller to "use every possible technique to communicate the story creatively."[5]
Object Lesson
For years, teachers and speakers have displayed inanimate objects to explain a lesson with dramatic effect. Visual aids are helpful to most listeners. They enhance a narrative, facilitating comprehension and identity. In delivery, the speaker should carefully connect the object and the idea. Creative interaction with the audience and object may foster application.
Role Play
Role play is a form of drama used successfully in many areas of ministry as well as public speaking. It is "representing in action the thoughts and feelings of another person"[6] During a message, a speaker may pause in her own discourse to assume the position of another person in order to emphasize or clarify a point. In teaching or training, role play may be used to demonstrate different responses or simulate varied emotions. Role playing is a creative and revealing way to present a range of emotions, values, and beliefs without threatening the audience.
One of the most creative forms of drama is pantomime, the process of silent expression. It is "conveying a story by bodily action or facial movements only."[7] The term "mime" may refer to the performer, though it usually refers to the more formal, classical discipline. Marcel Marceau was the famous French mime who introduced the art form into the world stage. Dick Van Dyke premiered pantomime on one of his earliest television shows as humorous, physical comedy. Pantomime communicates visually what cannot be communicated as creatively with words.
Pantomime may be used by speakers as a means of visually expressing specific actions and traits. According to Robertson, "it involves a universal language of gestures which is understood by all cultures and ages."[8] It can be serious or humorous and is often performed to music. Costumes and makeup may be worn. The audience often relates personally to the movements and emotions of the mime.
Clowns are known for entertaining in circuses and rodeos, but they can also be found ministering in churches and communities. By definition, clowning is "entertainment by jokes, antics, or tricks in a public presentation."[9] Christian clowning communicates biblical truths in a creative, non-threatening form, often in evangelistic outreach. "A Christian dressed as a clown breaks through many of the barriers placed by the secular world against religion. The joyful nature of the clown also makes it easy to tell others about the joy and colorfulness of Christ.[10]
Do you have any other ideas for incorporating drama into your public speaking?
[1] "Monologue," http://www.thefreedictionary.com/monologue (cited 13 March 2013), American Heritage Dictionary of the English Language, 4th ed. (Houghton Mifflin, 2009).
[2] Robertson, The Dramatic Arts in Ministry, 12.
[3] "Dramatic Reading,"www.merriam-webster.com/dictionary/dramatic reading (cited 13 March 2013), Merriam-Webster Dictionary (Merriam-Webster, Incorporated, 2013).
[4]"Storytelling," http://www.merriam-webster.com/dictionary/storytelling (cited 13 March 2013), Merriam-Webster Dictionary (Merriam-Webster, Incorporated, 2013).
[5] Robertson, The Dramatic Arts in Ministry, 21.
[6]"Public Speaking," http://www.merriam-webster.com/dictionary/public+speaking (cited 13 March 2013), Merriam-Webster Dictionary (Merriam-Webster, Incorporated, 2013).
[7] "Pantomime," http://www.merriam-webster.com/dictionary/pantomime (cited 13 March 2013), Merriam-Webster Dictionary (Merriam-Webster, Incorporated, 2013).
[8]Robertson, The Dramatic Arts in Ministry, 12.
[9] "Clowning," http://www.thefreedictionary.com/clowning (cited 13 March 2013), American Heritage Dictionary of the English Language, 4th ed. (Houghton Mifflin, 2009).
[10] Robertson, The Dramatic Arts in Ministry, 15.
Go Ahead. Be Dramatic.
"Drama captures the minds, the imaginations,
and the emotions of the audience."[1]
God is theatrical. It has been said, "All of creation is a theater for God's glory."[2] Numerous biblical accounts demonstrate that God is powerful and mighty in His actions and purposes. He created everything from nothing: the heavens and the earth, the sky and land, the birds and fish, man and woman. He continues to perform supernatural miracles, signs, and wonders to work in the world and gain attention from His children. His dramatic demonstrations of power are seen today in nature, during hurricanes, earthquakes, and blizzards. God is all–powerful; He is omnipotent in His being and His behavior.
The Old Testament records numerous wonders of God. Moses experienced the dramatic work of God when the angel of the Lord spoke to him from the burning bush that was not consumed. When the Israelites fled Pharaoh's army, God manifested His power in dramatic fashion by parting the Red Sea, allowing His children to cross safely to the other side. Balaam's donkey talked. The walls of Jericho fell down. The widow's son was raised from the dead. Elijah was carried into heaven. The widow's oil was multiplied. Elisha's bones were revived from the dead. Shadrach, Meshach, and Abed-nego were delivered from the fiery furnace. Daniel was protected in the lion's den. Jonah was saved from the belly of a whale. God demonstrated His mighty power in dramatic miracles in the Old Testament.[3]
The New Testament also contains many accounts of God's dramatic intervention, often through the ministry of Jesus. Though Jesus refused to give a miraculous sign on command to prove His authority, He performed miraculous signs during His ministry. Jesus changed water into wine at the wedding feast in Cana. He healed Peter's mother-in-law. He calmed the storm on the Sea of Galilee. He healed the woman with a hemorrhage, and raised Jairus' daughter from the dead. He fed 5,000 people with five loaves of bread and two fish, and He walked on the water. He healed a stooped woman, and He raised Lazarus from the grave. Jesus demonstrated His mighty power in dramatic ways in the New Testament.[4]
God has exhibited His power through wonders and signs, and Jesus performed many miracles in His ministry. These dramatic demonstrations accomplished divine purposes, met human needs, and evidenced the truth of the gospel. As God's instruments, Christian communicators may use dramatic presentations to convey a biblical message or illustrate a spiritual principle. Consider how you may be able to integrate drama into your public speaking as you continue reading!
Drama is the "compression of human experience into a story we can view on the stage."[5] The word "drama" actually comes from a Greek word meaning "to do."[6] It implies action, involving a performer and an audience. Drama is a form of literature and can be prose, verse, or dialogue. It illustrates a message and can be presented from a script, by improvisation, through mime, or spontaneously during a speech. According to Lewis and others in The Complete Guide to Church Play Production: "Drama shoots darts into the hearts of the audience and pulls them out with emotions attached."[7] When drama is used by Christian speakers, it should be God-glorifying and Christ-centered. The message, not the medium, is the focus of a biblical truth presented dramatically.
Drama is a powerful method of expression. It speaks to the total person—physical, intellectual, emotional, and spiritual.[8] The body performs the actions of drama. The mind conceives and interprets drama. The emotions express feelings and portray passions. The spirit convicts through the verbal and nonverbal message. Christians can use drama to stimulate and persuade the audience to consider their personal relationship with Christ. Therefore, Christian speakers should be open to drama in certain public presentations.
Oral interpretation is a dramatic art, also called interpretive reading or dramatic reading.[9] It is the presentation of a literary work with feeling and expression, for the purpose of enlightenment. Oral interpretation and dramatic performance are similar in public speaking though slightly different in academic contexts. Oral interpretation is taught typically in speech communication programs, while drama is taught in the departments of theater arts. Both are appropriate for public speaking.
Oral interpretation began 3,000 years ago with the classical Greek philosophers who used formal oratory to teach and persuade. Eugene and Margaret Bahn wrote a History of Oral Interpretation to document the development from the classical Greek through the ancient Roman, Medieval Period, and Renaissance as well as the seventeenth, eighteenth, nineteenth, and twentieth centuries. The oral interpretation of literature has continued into the 21st century, though its nature, practice, and trends have varied.[10] Oral interpretation and dramatic presentation can be effective and essential tools for a public speaker!
[1] Matt Tullos, Show Me: Drama in Evangelism (Nashville: Convention Press, 1996), 5.
[2] John Calvin, Institutes of the Christian Religion, ed. John T. McNeill, trans. and indexed by Ford Lewis Battles (Philadelphia, PA: The Westminster Press, 1967), 1:6:2 (72).
[3] Ex 3:1-22; Ex 14:15-31; Num 22:22-41; Josh 6:1-21; 1 Kg 17:17-24; 2 Kg 2:1-12; 2 Kg 4:1-7; 2 Kg 13:14-21; Dan 3:8-30; Dan 6:10-18; Jonah 1:1-2:10
[4] Mark 8:11-12; John 2:1-12; Matt 8:14-15; Mark 4:35-41; Luke 8:42-48; Matt 9:18-26; Mark 6:30-44; John 6:16-21; Luke 7:11-17; Luke 13:10-17; John 11:38-44.
[5] Alison Siewart and others, Drama Team Handbook (Downers Grove, IL: InterVarsity Press, 2003), 15.
[6] John Lewis, Laura Andrews, and Flip Kobler, The Complete Guide to Church Play Production (Nashville: Convention Press, 1997), 277.
[8] Everett Robertson, The Dramatic Arts in Ministry (Nashville: Convention Press, 1989), 7.
[9] "Oral Interpretation," http://encyclopedia.thefreedictionary.com/oral+interpretation (cited 20 March 2013) American Heritage Dictionary of the English Language, 4th ed. (Houghton Mifflin, 2009).
[10] Eugene and Margaret L. Bahn, A History of Oral Interpretation (Minneapolis: Burgess, 1970), 174.
Dress Your Best
Public speakers never have a second chance to make a first impression. While a person need not be a beauty to speak to groups, appearance and clothing are an important part of the speaker's image. Neat appearance and appropriate clothing display professionalism and confidence. On the other hand, untidy appearance and inappropriate clothing can distract the listener and diminish the speaker's credibility. Christian speakers should always look their best to represent the Lord well.
Florence and Marita Littauer have written and spoken about personality types for many years. They discuss how personality affects style of communication in their book, Communication Plus: How to Speak So People will Listen. Personality is definitely expressed in the clothing, hairstyle, and makeup of a speaker.[1] They suggest four different personalities with four different looks. While no two people are exactly alike, each personality tends to wear clothes of a particular style.
Popular Sanguine: bright colors, sparkles and bling, flamboyant clothing, unique styles
Powerful Choleric: bright colors, simple prints, tailored style, business professional
Perfect Melancholy: muted tones, classic cuts, traditional styles, simple elegance
Peaceful Phlegmatic: earthy tones, flowing fabrics, relaxed fit, unstructured styles
Personality should be considered when shopping for clothing, accessories, and makeup.
Public speakers need to understand how personality impacts style of speaking and type of clothing. While appearance should reflect personality, clothing styles should not be extreme. The audience and occasion should be considered as well as the fit and comfort of the clothes. Clothing should not be distracting to the speaker or listeners. According to the Littauers: Regardless of your personality, it is important to put extra effort into dressing for the platform. The things that work on the stage may well be things that you would never wear to the store or office. But on the stage, in front of an audience, you want to have a look that sets you apart and lends dignity to your work.[2]
Some people have a natural sense of style and dress attractively without effort. Others must work harder to look their best. General ideas can be seen in fashion magazines. Clothing consultants or sales clerks can provide professional input. Speakers must wear clothing, hairstyles, and makeup appropriate for age, setting, and ministry. Timeless classics are recommended over faddish trends. Invest money in fashions that last and are made well.
The speaking wardrobe should take into consideration appropriate attire, personal style, body type, and skin tones. Type of attire is determined by the occasion, setting, and audience. A speaker is wise to ask about dress for the event before arriving unprepared. It is a general rule of thumb for a speaker to wear clothing one level above the audience. If the audience wears jeans, the speaker should wear nice slacks. If the audience wears slacks, the speaker should wear a dressy pantsuit, skirt, or dress.
There are four different body types which determine how clothes look on a person. They are called by different names, though they generally describe the same basic shapes. Several fashion sources suggest these four categories: circle (thick around the middle), triangle (larger at the bottom), hourglass (curvy but evenly proportioned), and rectangle (straight up and down). Circle figures should wear loose fitting clothes around the middle and fitted pants; avoid high-rise pants, belts, and fitted tops. Triangle figures should wear tailored tops and fuller bottoms; avoid oversized sweaters, skinny jeans, and clingy skirts. Hourglass figures should wear fitted waistbands and belts; avoid shapeless tunics, baby–doll dresses, and oversized cardigans. Rectangle figures should wear fitted waists and flared bottoms to create curves; avoid clingy dresses, Empire–waist tops, and flowing skirts.[1] Women who know their body types and wear the appropriate clothes always have a more attractive and confident appearance.
Colors also matter. Solid, bright (not neon) colors are usually flattering on all women. However, certain colors look better with specific skin tones. In 1980, Carole Jackson developed a color system called "Color Me Beautiful." Based on the four seasons of the year, a woman's natural skin tones determine the most complimentary color palate. See the chart below listing coloration and colors for each season. [2]
Clothing makes a statement. Clean, neat clothes project a sense of pride and care. Dirty, disheveled clothes indicate lack of interest or even emotional distress. Stylish, coordinated clothes display attention to detail. From head to toe, clothing matters to women and to public speakers. Clothing need not send the wrong message: "I am worn out and out–of–date." Clothing can project a positive image. Speakers should wear their best to speak their best. Personal style and event setting may vary. However, a speaker's appearance should always be neat, modest, and appropriate. Comment below with any additional tips you have about the speaker's wardrobe!
[1] Littauer, Communication Plus, 174-176.
[1] Larson, Kristin. "The Right Clothes for Your Body Type," http://www.realsimple.com/beauty-fashion/clothing/shopping-guide/right-clothes-your-body-type-00000000007925/index.html (cited March 20, 2013), Real Simple, (Time Inc. 2013).
[2] Carole Jackson, Color Me Beautiful (New York: Ballentine Books, 1980).
Stand Up Straight & Don't Pace
Platform movement and posture are essential elements of nonverbal communication. Like gestures, they should look and feel natural to reinforce the message and not distract. The stance and movement of the body involve the total person, mentally and physically. Thoughts and feelings can be expressed in movements and gestures. These two rules should be remembered when on the platform: move when there is reason to move and stand still when there is no reason to move.
One of my (Rhonda) doctoral professors roamed back and forth in front of the classroom without making any eye contact with the students during his lectures. He paced aimlessly in front of the class as he taught. As a project in a behavioral modification course, several students attempted to alter his distracting behavior. Students on the right side of the class paid careful attention to the professor as he paced—looking interested, nodding heads, taking notes, and asking questions. Students on the left side of the classroom ignored the professor as he taught—disinterested yawns, hands on desks, no notes, and no questions. Within a few minutes, the professor only paced back and forth on the right side of the room. While his pacing behavior was modified, his poor eye contact remained unchanged. I learned the impact of the speaker's body movement and positions by observing a negative model as a student.
Posture is noticed immediately, and opinions are made about a speaker based on stance and carriage. Posture is the position of a person's body when standing or sitting. Many different organs, muscles, and nerves in the body are used to stand. While physical conditions may inhibit good posture, most people can control posture with conscious actions. A public speaker needs good posture to support vocal projection, to display confidence, and to enhance movement.
In No Sweat Public Speaking, Fred Miller suggests four ways that posture helps communicate a message. (1) Good, straight posture indicates leadership and confidence. (2) Leaning forward toward the audience shows concern and care. (3) Slouching the body conveys disinterest and boredom. (4) Hunched shoulders suggest low self-esteem and lack of confidence. Posture is more important than many speakers realize. Evaluate posture in a mirror or on a videotape. Remember to stand up, then speak up!
There are some cardinal rules about posture and movement that a good speaker should follow. Try not to break the following posture principles:
- Do not fidget with your hands or fingers.
- Do not jingle change or keys in your pockets.
- Do not cross your hands in front of your body ("fig–leaf stance") or behind your body.
- Do not rock on your heels or toes.
- Do not sway back and forth.
- Do not lean on the podium.
- Do not cross your arms across chest.
- Do not look down for too long.
- Do not bob or shake your head too much.
- Do not be stiff or tense.
Zig Ziglar was a dynamic public speaker and powerful Christian communicator. Though small in physical stature, he had a "bigger than life" presence on the stage. He projected energy and enthusiasm as he moved confidently around the stage. His speech content was filled with knowledge and wisdom, and his delivery style was passionate, purposeful, and powerful. His sales experience and personal faith provided the foundational principles for his speaking and writing. A master of verbal and nonverbal communication, Ziglar said it this way: "Your attitude, not your aptitude, will determine your altitude." Stand up and speak out like Zig Ziglar did for many years.
Correct posture is an important part of nonverbal communication in public speaking. Practice these principles and avoid these pitfalls.
- Walk deliberately to the stage; avoid rushing onto the platform.
- Stand upright keeping the body core tight; avoid tension or tightness.
- Place feet firmly on the ground and slightly apart (about shoulder width); avoid stiff legs and locked knees.
- Face the audience directly; avoid turning the body away.
- Position body behind podium with hands to the side or resting on lectern; avoid gripping the podium.
- Hold head and chin up; avoid looking down.
- Square shoulders with the audience; avoiding drooping shoulders.
- Keep chest up and stomach in; avoid tightening abdominal muscles.
- Relax the body; avoid tension and stiffness.
- Breathe deeply to relax; avoid short, shallow breaths.
- Pause to look at the audience; avoid rushing into the speech.
- Watch the posture of others speakers; avoid awkward imitation of others.
Improved posture adds strength and authority to a spoken message.
Dale Carnegie, known as the father of modern public speaking, said: "A person under the influence of his feelings projects the real self, acting naturally and spontaneously. A speaker who is interested will usually be interesting."
When your name is called and you walk to the stage…
rise up slowly,
stand up erectly,
walk out boldly,
speak out confidently.
Good posture makes a good impression on the audience and gives good support to the speaker. Outstanding public speakers develop a platform posture to reflect their attitudes and gain the audience's attention. Body posture can reduce nervous energy and relieve physical tension. As you speak, make your body talk.
Animate, Don't Alienate
The eyes and face of a speaker convey mood, emotions, and character. Both interpersonal conversation and public speaking use eye contact and facial expression to amplify meaning and clarify feelings. Lack of eye contact and inconsistent facial expression can actually confuse the intended message. Poor eye contact can lead to suspicion, and limited facial expression can imply lack of interest. Effective communicators must intentionally develop skills to communicate with the eyes and face.
The word "countenance" means the outward expression of a person's inner being. The inward character of a person is reflected outwardly through the eyes and face. The Bible often uses the word "countenance" to describe the appearance of God and the people of God. God asked Moses to tell Aaron and his sons that He would "lift up His countenance upon them and give them peace" (Num 6:26). Samson's once-barren mother was told by an angel that she would give birth to a son. She told her husband that she had encountered a man whose "countenance was like an angel of God" (Jdg 13:6). David was described as a youth with a "ruddy, fair countenance" (1 Sam 16:12; 17:42).
The Psalms and Proverbs often contrast the happy or joyful countenance of one who follows God with the sad or sorrowful countenance of one who focuses on self (Psa 43:5; 89:15; 90:8; Prov 16:15; and 25:23). For example, in Proverbs 15:13 (KJV) we read, "A merry heart maketh a cheerful countenance: but by sorrow of the heart the spirit is broken." The prophets encountered God and spoke of His countenance also. Daniel's countenance changed when his dream was interpreted (Dan 7:28). Some faces of people in the Old Testament had sad countenances while others had happy countenances (Gen 4:5; 1 Sam 1:18; Neh 2:2-3)
The New Testament describes the countenance of Jesus and His followers. During the transfiguration, the countenance of Jesus was "changed as He prayed" (Luke 9:29). After His resurrection, the countenance or appearance of Jesus was like "lightening, bright and white." In his vision, John saw the risen Lord and His face (countenance) "was shinning like the sun and midday" (Rev 1:16). A radiant countenance is a theme of Scripture and a trait of holiness.
The Bible describes the face or countenance of several women. In 1 Samuel 1, Hannah's sad countenance became happy when the priest Eli told her she would bear a child (vv. 8-18). Abigail was described as a woman of good intelligence and beautiful countenance (1 Sam 25:3). King David's son Absalom named his daughter Tamar after his sister who had been tragically raped by her half-brother Amnon. The countenance of Absalom's daughter, Tamar, was described as fair and beautiful (2 Sam 14:27). Many other women of the Bible and many godly women today reflect the righteous countenance of the Lord.
If a Christian is created in the image of God, then her countenance should resemble His. The eyes and face should reflect the sincere emotions and godly character of those who love Him. This chapter will highlight the role of eye contact and facial expression in nonverbal communication. Speakers must express thoughts and feelings in their eyes and faces as well as through words.
Eye contact serves several purposes in public speaking. Some believe 75 percent of nonverbal communication is through the eyes. The speaker conveys the sincerity of her heart, the intent of the message, and the intensity of her passion through the eyes. Good eye contact improves the speaker's confidence, demonstrates security, increases credibility with the audience, projects warmth, builds connection, and communicates value. The audience provides visible feedback to the speaker. Smiles and nods may indicate understanding, while curious expressions or confused looks may imply poor comprehension.
A speaker can control her eye contact and connect with the audience more personally. Keep the eyes open and focused. Wide eyes are more visible in a group setting, and focus allows the speaker to see the eyes and faces of the people. Scan the audience with the eyes and face. Turn the head as well as the eyes to look at someone or some area of the room. Establish eye-to-eye gaze when possible. Connect with one person in the audience at a time. However, try not to stare or move mechanically. Look at all areas of the room and all people. Try to cover all the people and all the room with an eye gaze. Try not to overlook the balcony or extreme sides. Engage in eye contact with the most important people in the room even if they make you a little nervous. Use steady, controlled eye contact. Confidence and persuasion are conveyed with individuals and the audience as a whole with deliberate eye contact. Maintain eye contact with each person or section for several seconds. Complete a thought or sentence before gazing at another person or another area of the room. Avoid looking at the ceiling, toward the floor, or above people's heads. Roving eyes convey anxiety and disinterest. Look up from any notes, and lock eyes on the audience. Glance down to read a sentence or two then glance up to establish eye contact with the people. Move the eyes about the room in a synchronized pattern. Both eyes should move together across the room and focus together on individuals. Look at the audience while walking to the platform and before walking away. Begin and end the speech by connecting with the audience.
For more tips about the eyes and face, see chapter 22 of our book!
The Warmth of the Soul
"Warmth is the soul of the voice." [1]
In Psalm 149, the psalmist called for God's people to express praise to Him in words and actions: "Hallelujah! Sing to the Lord a new song…let the exaltation of God be in their mouths." Exaltation or praise is to be reinforced by a joyful shout. The sound of the voice conveys the emotions and feelings of the heart. A Christian should offer praise to the Lord with her whole self.
Haddon Robinson explained the influence of the voice in his book, Biblical Preaching:
Speech consists of more than words and sentences. The voice conveys ideas and feelings apart from words. We make judgments about a speaker's physical and emotional state—whether he is frightened, angry, fatigued, sick, happy, confident—based on the tenor of his voice, its loudness, rate, and pitch.[2]
Chapter 21 of our book establishes the importance of nonverbal communication to express emotions and feelings, focusing on three aspects of vocal tone which project meaning: volume, variety, and vibrancy. For the purpose of this blog, we will focus on vibrancy.
Vibrancy refers to the enthusiasm and passion communicated in the tone of a speaker's voice. An animated and energetic voice adds emotions and feelings to the spoken words. Public speakers should desire vocal vibrancy and lively delivery in speech delivery. Vibrancy in the voice should make the listener want to hear the speech.
Energy is expended physically when speaking. Verbal and nonverbal communication involves energy and effort. Public speakers need to maintain physical as well as mental health to communicate more effectively. Proper nutrition, regular exercise, and adequate rest are essential ingredients of energetic speaking. Fatigue and illness hinders enthusiasm and vibrancy in speaking.
Warmth is an aspect of emotion which can be expressed verbally or nonverbally. Tender feelings can be communicated through choice of words or tone of voice. A softer, lower voice typically conveys warmth. Warmth should be a vocal quality desired by public speakers.
In an etiquette book written in 1942, Margery Wilson suggested that the voice reflects emotions as surely as a mirror reflects an image.[1] Warmth is the "soul" of the voice. Sweetness, generosity, and love of humanity are personal qualities of the inner person that produce warmth in a speaker's voice. Wilson recommends that people build character and virtues to speak with vocal warmth.
Excitement and eagerness should be experienced and expressed by the speaker. If the speaker does not sound excited about the topic, the audience will not want to listen. When possible, a speaker should select a topic of personal interest. If the assigned topic is less than stimulating, the speaker can express enthusiasm verbally. Vocal vibrancy depends upon energy, warmth, and excitement.
Consider these principles about vocal vibrancy when delivering a speech.
- Determine the presence or absence of vibrancy in your voice.
- Compare your vocal vibrancy to that of other speakers.
- Prepare physically for speaking with proper sleep, nutrition, and exercise.
- Work to soften the tone of your voice to convey warmth.
- Expand your interest to be enthusiastic about the topics for your speeches.
The voice provides insight into the speaker's emotions and feelings. The vocal characteristics of volume, variety, and vibrancy combine with words and other nonverbal cues to communicate the meaning of the speaker's message. A simple sentence such as "I have had a good day" can change meaning drastically when the voice is used differently. Soft volume may raise doubt in the listener; loud volume may cause belief in the statement. Vocal variety may keep the interest of the listener; limited variety may lose attention. Vocal vibrancy may convey passion to listeners; flat, monotonous tone sounds unconvincing. Tone of voice is the nonverbal code for expressing emotions and feelings in public speaking.
The sound of the voice conveys the emotions and feelings of the heart.
[1] Margery Wilson, The Woman You Want to Be: Margery Wilson's Complete Book of Charm (Philadelphia: J.B. Lippincott Company, 1942), 58-59.
[2] Haddon Robinson, Biblical Preaching (Grand Rapids, MI: Baker Books, 1980), 202-203.
Step Back and Observe
"Vertical and horizontal listening are necessary for Christian speakers."[1]
While there is no one perfect speaker in the world, there are many excellent speakers. Much can be learned by listening to and observing a wide range of speakers in a variety of contexts. Insights can be gained from the strengths and weaknesses of public speakers, and ideas can be prayerfully incorporated into one's own speaking style.
Assessment of the public speaking of others should consider several personal characteristics or traits in addition to skills and abilities. Observe the speaker's character and integrity; sensitivity and awareness; knowledge and information; and desire and passion. These traits are worthy qualities to emulate.
Awareness and informal observations should become a natural mindset of a speaker. Without pen and paper or objective criteria, make mental notes as others speak. Learn to communicate more effectively through observation and examination as well as practice.
Some general guidelines will provide structure for informal observations. Begin noticing the speaker even before the speech starts. Continue observation during the speech and until the speaker is no longer present. Consider observing these aspects of communication, incorporating them into conscious thought.
Before the speech.Observe the setting and platform before the message begins. Is the platform conducive to comfortable positioning and movement by the speaker? Is the lighting adequate for good visibility? Are the podium and props set up properly? Is the screen visible for slides if used, and will the speaker be able to reference them easily? Will the speaker be positioned physically to connect with audience? While some features of setting and stage are beyond a guest speaker's control, some adjustments and adaptations can be made to improve the speech.
Notice the speaker's behavior and mannerisms even before she speaks. How does she interact with people before the session begins? How does she participate in the program as a part of the audience? How does she approach the stage and position herself for speaking? How appropriate is her appearance, clothing, and makeup?
During the speech.While the speaker shares the message, try to focus on the speech content and allow the Lord to communicate His thoughts personally. Also, pay attention to the public speaking skills employed during the delivery. It may be helpful to organize observations within the introduction, body, and conclusion parts of the speech. The speaker and listener should be consciously aware of each distinct part.
Listen carefully to the speaker's opening comments in the introduction. Did she immediately capture the attention of the audience? Did she begin with a challenging question or interesting illustration? Did she relate to the other people or elements of the program? Did she quickly gain rapport with the audience? Did she stimulate interest in the topic? Did she project energy and enthusiasm? Did she use specific words phrases or movements to bridge from the introduction to the body?
As the body of the speech was delivered, did the speaker transition smoothly from the introduction? Did the speaker present clear relevant points? Did she include appropriate supportive material to strengthen her premises? Did she use nonverbal communication naturally? Did she utilize the sound system and media effectively? Did she adhere to the schedule and allot time equally to all points? Did she move smoothly into the concluding remarks?
Was the conclusion truly the conclusion? Did the speaker pause, alter tone, adjust pace, or move to denote the conclusion? Did she summarize main points or introduce new material? Did she call for response or action? Did she close in a vivid memorable way? Did she verbalize "in conclusion" or "in closing?" Did she have a false conclusion? Did she stop before the audience finished listening?
After the speech. Recall the positives and negatives of the speech as well as the strengths and weaknesses of the speaker. Was the speaker effective? Was she well-prepared and thorough? Was the message relevant to your life? Was the audience responsive? Were the major points memorable? Were personal applications realistic? What were two or three strengths of the speaker? What are one or two weaknesses needing work? What one positive comment would you like to share with the speaker?
Whether a wonderfully delivered or poorly constructed message, much can be learned through stepping back and observing!
[1] Quentin Schultze, An Essential Guide to Public Speaking. (Grand Rapids, MI: Baker Academic, 2006), 45-49.


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It was 1:43 a.m. I know because as I was jolted into an unwanted state of wakefulness, the first thing I observed were the red numerals glowing insistently from my alarm clock. I lay there for a few seconds wondering what had happened, when that which had first caused me to awaken, convulsed me second time. A hiccup!
In all of my many years, I can't remember ever having a case of the hiccups in the middle of the night, but I did last night and it was a world class case of them I might add.
My normal procedure for treating the hiccups is to wait for one to strike, then to quickly take a deep breath and hold it while focusing all of my mental powers on not allowing my diaphragm to move. It's as if I were pearl diving while attempting a Vulcan mind meld.
Truth be known, I'm not sure I could voluntarily make my diaphragm move on a good day, so why do I think I can keep it from moving involuntarily? Beats me too, but it seems to work more often than not.
While I was laying there in the dark attempting self-asphyxiation, I was struck by how little I knew about hiccups and decided then and there to learn more; but to do so no earlier than the next day.
Somewhere back in my grade school days, I had learned that hiccups, or hiccoughs if you prefer the more eloquent European spelling, are simply involuntary spasms of the diaphragm, the membrane which keeps your lungs separated from the rest of the equipment in your body cavity. Medically speaking, a hiccup is a myoclonic jerk. Trust me, I've known a few of those in my day and I'd rank a good case of hiccups right up there with the worst of them.
In full blown medical jargon, hiccups are known as Synchronous Diaphragmatic Flutters or SDFs.
The next time you're stricken, go up to someone you know and say, "I'm having a synchronous diaphragmatic flutter! Can you help me?" and see what kind of response you receive. It might be interesting, but be careful of whom and where you ask for such aid.
It came as no surprise to me that medical science really doesn't know what causes hiccups. Neither do they know the cause of the brain freeze that you get when you eat ice cream or a slushie too quickly. You'd think that after hundreds of years of poking and probing around inside of cadavers, as well as real live people, they could come up with a few answers.
One proposition is that hiccups are one of those evolutionary left-overs or remnants which are no longer required to allow our bodies to function normally, but which nature has left by the biological roadside in order to stump future generations of doctors and scientists.
It is suggested that hiccuping is akin to the manner in which amphibians, tadpoles and salamanders for example, gulp air in order to push it across their gills thus allowing them to breathe. Having observed some of my relatives in the act of hiccuping, I must admit that there may be something to that hypothesis.
In any event, I was able to quell my nocturnal bout of synchronous diaphragmatic flutters and after completing my research am a better man for it.
Live long and prosper!


text:
List of Plants in the U.S.A.
List of Plants by States
List of Plants Starting with the Letter
Creeping Burhead
Creeping Burhead Plant Information
Creeping Burhead grows in the following 20 states:
District Of Columbia, Georgia, Illinois, Indiana, Kansas, Kentucky, Maryland, Mississippi, North Carolina, Oklahoma, South Carolina, Alabama, Arkansas, Florida, Iowa, Louisiana, Missouri, Tennessee, Texas, Virginia
Echinodorus cordifolius is a species of aquatic plants in the Alismatales. It is native to Mexico, the West Indies, Central America, South America (as far south as Paraguay) and the southeastern United States (Texas to Florida and as far north as Iowa).
Found in marshes, swamps, ditches and ponds. Blooms in the late summer to early fall.
Herbs, perennial, stout, to 100cm; rhizomes present. Leaves emersed, submersed leaves mostly absent; petiole 5--6-ridged, 17.5--45cm; blade with translucent markings distinct lines, ovate to elliptic, 6.5--32 2.5--19.1cm, base truncate to cordate. Inflorescences racemes, of 3--9 whorls, each 3--15-flowered, decumbent to arching, to 62 8--18cm, often proliferating; peduncles terete, 35-56cm; rachis triangular; bracts distinct, subulate, 10-21mm, coarse, margins coarse; pedicels erect to ascending, 2.1--7.5cm. Flowers to 25mm wide; sepals spreading, 10-12-veined, veins papillate; petals not clawed; stamens 22; anthers versatile; pistils 200-250. Fruits oblanceolate, plump, 3--4-ribbed, abaxially 1-keeled, 2--3.5 0.9--1.5mm; glands 3--4; beak terminal,1--1.3mm. 2n = 22.
Echinodorus cordifolius is very easily recognized, as it is the only species with arching to decumbent inflorescences. In addition, it is the only one with papillate veins on the sepals.
Easily cultivated in neutral to soft water and tropical to sub-tropical temperatures. Rich substrate and good light. Common in the cultivated aquarium trade.
Emersed plants readily produce flowers and seeds but it can be grown submersed as well. Most plants sold are grown emersed on plant farms. Once submerged, leaves may die off before underwater leaves develop. In the aquarium grow in the background as a specimen plant. Will soon outgrow a smaller aquarium but removing the floating leaves will help keep it smaller and submerse. Needs a large, deep aquarium to grow properly. CO2 infusion helps stronger growth. A heavy feeder and for optimum growth a rich substrate is needed, including clay. If grown emerse it is prone to attacks by aphids. Not fussy as to water conditions, tropical aquarium temperatures. Can be grown outdoors in warmer countries, won't tolerate frost. Likes a lot of light.
Can be grown in or by the pond in warmer climes. The seeds can be sown in shallow water.
Tropica Marble, Marble Queen has an attractive marbled leaf surface which tends to be lost in low light conditions. Tends to remain as a submerged plant longer than the type plant. Likes good substrate, CO2 and a strong light. Cultivated by Oriental Aquarium in Singapore.
ovalis is a small, orbiculate plant whose low, wide growth makes it suitable for small aquariums. Reaches a height of about 35cm with a width of about 30cm.
ssp. fluitans is fast-growing, suitable for large aquariums. Less likely to grow up above the water surface. If it grows large enough, it forms large leaves just under the surface instead. Reaches a height of about 40cm.
More inforamtion about Creeping Burhead.


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Mike entered this yummy girlie's dorm room and stopped at the door admiring her sexy figure from behind.
She was sitting on the bed shaving her seductive legs and he could clearly see her adorable ass barely covered with thin red panties.
He was extremely angry to find out that she had broken his mother's gift, grabbed her by the hair and began slapping her face, but as it seemed not enough for a good punishment, he torn off her clothes and violated her.
Samuel noticed the bathroom door was slightly cracked open, looked inside and saw this fresh kitty standing in the shower cabin.
She tried to clean out the pieces before the landlord could see it, but he heard the clattering and went to see what she had done this time.She fiercely tried to ward him off, but he lifted up her skirt, spanked her ass cheeks for a while and then tossed her onto the couch and fucked her mouth and pussy torturing her tender body in most brutal ways.Pamela was talking on the phone, when this dirty old fuck stormed into the room and pounced on her.She couldn't tear her eyes from his cock, but he then turned around and noticed her staring at his cock.She tried to run away, but he jumped out of the tub, dragged her inside and began fucking her mouth before switching on to her tight virgin pussy and filling her throat with hot cum.


text: Splitsville for Ewan McGregor, Wife of 22 Years Star Wars star, Eve Mavrakis have 4 daughters; he's spotted kissing Mary Elizabeth Winstead By Newser Editors and Wire Services Posted Oct 23, 2017 6:55 AM CDT 9 comments Mary Elizabeth Winstead posted a photo with Ewan McGregor in February. (Instagram: Mary Elizabeth Winstead) View 1 more image (Newser) – Ewan McGregor and his wife of 22 years have split, People reports. The news came Sunday after the Sun published photos of McGregor, 46, kissing his Fargo co-star Mary Elizabeth Winstead, 32, in a busy London café. A customer tells the tabloid the pair seemed "relaxed" together and were "deep in conversation" for more than an hour. "As they left she got on to the back of Ewan's motorbike and they sped off together," the customer says. The US actress split from her husband of seven years, Riley Stearns, in May, per The Sun. That was the same month a family source tells People the Star Wars star split from French wife Eve Mavrakis, 51, a production designer. The pair met on the set of the British TV series Kavanagh QC and have four daughters, Clara, 21, Jamyan, 16, Esther, 15, and Anouk, 6. The splits follow other high-profile breakups: Fergie and Josh Duhamel called it quits in September, weeks after Amber Heard and Elon Musk. (Read more celebrity divorces stories.) Ewan McGregor and wife Eve Mavrakis attend FX's 2017 All-Star Upfront event at the SVA Theatre on April 6 in New York. (Photo by Evan Agostini/Invision/AP) My Take on This Story Report a story error Show results | 10% Hilarious 11% Intriguing 58% Depressing 5% Brilliant 1% Scary 15% Ridiculous


text:
Aemelia Fox
About Aemelia Fox
Hello - what's this? Another beauty beating a path to our door? Well we don't mind if we do, in that case! Aemelia Fox's first name might present a bit of a problem for any dyslexics out there, but there's no denying the fact that her surname hits the nail squarely on the head! While the London based hottie's been wowing fans on the telly for a while now, she's new to this magazine lark, so we hope you'll make her feel at home and, who knows, maybe she'll get a little bit more candid with us next time round…
2 Photo sets
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text:
Saturday, May 28, 2016
Happy Memorial Weekend!!
8 comments:
- Anne Temple said...
Love your patriotic card and the image is adorable. Have a great vacation!
- May 28, 2016 at 8:25 AM
- Marge said...
- May 28, 2016 at 8:52 AM
- bumblebee creations said...
oh my goodness, she is soooo cute!! love this card Diane!
- May 28, 2016 at 11:20 AM
- Leslie Miller said...
She's so cute! And I really love the star wreath. Super great design here. I was watching your weather on the news. Hope you weren't getting it too bad. Some folks are having it pretty rough. Have a nice, relaxing weekend. Looks like I'll be in the garden today.
- May 28, 2016 at 12:17 PM
- Lisa said...
I absolutely love this!! So patriotic and beautiful!! She's so sweet!! Fabulous design, too!! I hope you enjoy your time away!! Have a safe and happy Memorial Day weekend my friend!! Big hugs :)
A Mermaid's Crafts
- May 28, 2016 at 2:59 PM
- Donna Ellis said...
Soooo cute! Love your little patriotic girl! Hugs, de
- May 28, 2016 at 9:03 PM
- Ros Crawford said...
Oh so very cute!!
- May 29, 2016 at 5:29 AM
- Darlene said...
OMG this is so cute! Your color and design are PERFECT! Well done! Happy Memorial Day to you my friend! HUGS
- May 29, 2016 at 10:41 AM


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5 Reviews
Love them had to put them up don't know when to stop. I shared a few with friends who are mad with me and want the address. I will give it to them maybe. I like to have something to add to gifts and this one is the best.
Came to visit Austin, purchased a box. Ended up re-ordering some from out of state when I returned home as we all loved them!!!