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2016 Series/Volume
Uploaded February 11, 2016
"So, ano po'ng 'pinaglalaban natin?": Considerations on SubVerso Bookfair 2016
a review of last month's first SubVerso Bookfair
photo grabbed from the video by No Icon at https://vimeo.com/154290242
by Angelo Oyardo
ONE CLD SAY that the most striking aspect of SubVerso Bookfair 2016---the first SubVerso bookfair held last January 16 @ The Collective---is the word from which its name is derived: "subverso," a verb directly borrowed from Latin, meaning to "overturn," "overthrow," "subvert". So as one sauntered 'side the stalls of self-publishers & preloved-books dealers @ the event, eavesdropping on the surrounding bargaining & banter, one cldn't help but ask oneself---What subversion? What exactly is being subverted thru this?
On the Facebook page of the event, the bookfair was simply (perhaps too simply?) introduced as a "literary event organized by artists, writers and a community of independent booksellers and individuals committed to reading and consuming any printed matter". & any printed matter, indeed, it turned out: lining the peripheries of the plaza @ The Collective were myriad books, zines, & magazines---local & otherwise---as well as notebooks, artworks, stickers, even customized matchboxes, each put on proud display by a humble hodgepodge of characters that ranged from so-called "hipsters" (the "rich kids," to recall a joke at the event) to anarchists. For a day, the venue, a usual watering hole for mostly the artsy &/or the hungry, was transformed into a tiangge of, by, & for the literary. But "more than a bookfair," it was also intended to be a "cultural event"---designed to promote not only the writing & reading of literature, but also its other performative interpretations (live spoken-word poetry, for example); the other arts (such as music & the visual arts); & discussions on literature's materialization thru publication & distribution (there was in fact supposed to be a talk about independent publishing, but it was unfortunately cancelled on the day of the event). @ first glance, then, SubVerso Bookfair 2016 cld seem like a modest festival of the literary word & world, a celebration w/ no clear-cut sign, if not no clear-cut sense, of subversion.
Not to say that the event was devoid of any dissident gesture or intention---not @ all---but oneis saying that it was devoid of any specific articulation of such a gesture or intention. E.g., there was no "for the gradual withering of the profit motive," or no "ESTABLISHING ALTERNATIVE DISTRIBUTION SYSTEMS OUTSIDE THE NATIONAL BOOKSTORE MONOPOLY," to quote from 2 past posters concerning BLTX (a small press expo which, I was told by one of the organizers, Philip Almazan Paraan, SubVerso Bookfair seeks to compliment & complement). Such an articulation matters b/c it is of strategic importance---w/out which, what enemy against whom to differentiate one's cause, against whom to hazard revolt? &, in effect, what possible allies named? Maybe, not for want of trying, the closest to such a statement was: "More than a book fair, it is a cultural event designed to promote local authors & literary work & the culture of reading in general," which, while commendable for the scope of inclusion allowed & for its preference for the local, still cld have been dangerous in that it leaves much definition & direction to be desired, or, worse yet, much to be potentially ignored. Consider: what if, @ the bookfair, the amount of local literature available---that is, local independent literature---turned out to pale against that of non-indie preloved books (whether local or foreign) & non-indie first-hand books produced by comparatively more successful local publishing houses (that is, w/ substantially more financial &/or social capital), resulting in an unwise imbalance between those focusing on a target audience & those focusing on a targetmarket? One would guess that the main intention to promote local (independent) literary work & local (independent) authors, as well as the conjectured intent to decelerate further the profit motive & to re(de)fine alternative distribution systems (remembering how the bookfair was designed to somehow pay homage to BLTX), & thus define the very name by which the occasion is identified---all these can be put into question. Ultimately, what is problematic is that while one wouldn't presumably claim that SubVerso Bookfair 2016 was in cahoots w/ what it is trying to make kaput, the opposite implication cld stand almost quite as validly b/c of the (un)intended vagueness & lack of leaning towards something that would state what exactly should be achieved & subverted thru the event. (& it doesn't help that Paraan said that he wld probably consider welcoming some sort of collaboration w/ National Bookstore regarding the event, should the opportunity present itself.)
"Regardless of one's persuasion, the need to ask the following—& this time one would ask not only (for) oneself but (for) others as well—will & should persist: What subversion? What exactly is being subverted thru this? And so on and so forth. . . ."
That said, before going any further one needs to consider that maybe one has perhaps gone too far. What if there was never any intention on anyone's part to "overturn," "overthrow," or "subvert"? What if one has read a bit too much into things? Of course there is a need to revolt---to reclaim reading & writing from being luxuries, from being things merely to be afforded---& of course the name "SubVerso" might have somehow wanted to conjure up that urgency. But then again, maybe---maybe---the name was chosen simply because it sounds & looks enticing, as an element of advertisement (take its "v", for example: so delicious in its lower-lip-numbing sultriness to pronounce, & in its being capitalized---erected---almost puts one under the shadow that is the Voltes V-like verve & vividity of verse). A misnomer, then, the name of this bookfair---but a nonetheless impressive-sounding misnomer.
young author Marguerite Alcazaren de Leon guards her items at the SubVerso Bookfair
However, in conversating w/ three of the organizers, namely Kris N. Ordoñez (a publisher/bookseller), Mich Lado (a bookseller), & Paraan (a cultural worker), one might begin to catch a glimpse of the motivations behind the bookfair & that there was, in fact, some design for subversion. For one, the event was supposed to cater to the local independent writers, booksellers, & publishers specifically (or preferably) "working on the fringes"---to bring them together & to give them ill-afforded space in which to reap widened (re)cognition & "to attract patrons," possibly "entic[ing] the public to read and create literature" as well. It must be mentioned here that the idea of a more closely-knit local literary community was of frequent note, evidenced by, of all, Paraan's impassioned repeated return to using the phrase "bringing them together". &, to much relief, the turnout of independent writers & publishers at the event was to a large degree the largest for an indie or alternative bookfair, w/ 7 out of the 9 participants being self-publishing &/or self-distributing. Moreover, there was one notable attempt at "the gradual withering of the profit motive" & perhaps at "establishing alternative distributive systems outside the National Bookstore monopoly": a certain independent writer/distributor called Yaman---who, besides selling writings on journeys & encounters & encountered journeys in the Philippines for ₱50 each, all of which were typewritten and stapled on bond paper---set up a mini-"free market" where anyone can "buy" anything in exchange for "anything". & by "anything" he fully meant anything (or any thing), for it included "nothing @ all".
artbooks.ph's co-owner and curator Ringo Bunoan (center right) sets up her table at the event as the author (left) scans her collection.
Thru further questioning about their mainsprings, the writer was told by Ordoñez that "literature in our country, as [she] often call[s] it, is 'manipis'". To be clear, the thinness spoken of, the lack, pertains not so much to the quality of locally produced literature per se, but to an impression of the Philippines' general reception of literature, to one's preference for the written (read: printed) word (whether it be produced locally or---to a lesser extent----shipped from overseas) that continues to wane for lack of interest &/or of resources for it, causing, in effect, the retardation of any attempt at its sustained production. Yet while the quoted observation is @ best f*cking ballsy & @ worst too sweeping for the taste of most, it isn't too difficult to imagine why it cld elicit acquiescence. To further quote Ordoñez, for example: "People rarely go to literature for reference and enjoyment, and even so, it only happens for academic purposes most of the time." Another: "With the advent of the internet, people now prefer [the work of bloggers] to [that of physical] publishing." One more: "Hate to say this, but, before, we just considered having our sellers bring only Filipino [l]iterature. Thing is, we're 100% sure that attendance wouldn't spike as much and the market might just be between ourselves. The foreign market indeed has trampled our own. […] Our government is of no help, too, favoring multinational investors instead of promoting local entrepreneurship."
Needless to say that the above observations about our literary scene are not @ all new. But as for such recycled regrets regarding the present condition, it's the fact that there has yet to be any substantial resolution---despite admirable efforts---that prompts so urgently the need for continuous consideration, clamor, & subversion. One might like to believe that it was this sense of responsibility in mind---& it is a responsibility---that inspired Ordoñez, Lado, Paraan, & their colleagues to hold SubVerso Bookfair 2016, which, despite some shortcomings, was nonetheless a fairly creditable gesture in furthering contention against what causes the gauntness of the Philippines' local literary scene & in bringing together, @ least for a day, a humble amount of local independent writers, booksellers, & publishers "working on the fringes" & more, allowing them to commune on levels less exploitative. (& mind you, this is only the 1st SubVerso Bookfair.)
Still, more critical elements may choose to momentarily suspend the organizers' claim to their above-listed premises & consider the concept(ualization) of the bookfair---its lack of specifically-communicated principles & strategies as tools for toppling, as well as the consequences that such a lack may suggest. And, yes, one mustn't also take lightly its prospect of a future collaboration w/ those w/ less savoury motivations---e.g., National Bookstore, to reference Paraan. Regardless of one's persuasion, the need to ask the following---& this time one would ask not only (for) oneself but (for) others as well---will & should persist:What subversion? What exactly is being subverted thru this? And so on and so forth. . . .
Perhaps it is in this exact prompting for the evaluation of the idea of the independent bookfair where we find the contribution to subversion supposedly still implicit in SubVerso Bookfair 2016. [d]
Text © copyright 2016 by diskurso art magazine online.
Photos by Jojo Soria de Veyra.
© 2014-2016 diskurso art magazine online. all rights reserved.


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School's In Session!
First week of school is in full effect!
It's so nice to hear the buzz, chatter, and laughter of children on campus after a quiet summer. 4th grade lead teacher, Ms. Dzida, took our newest Saints around school to show them the ins and outs of De Marillac via scavenger hunt. Two of our newest Saints, Sergio and Mia, gave us a little insight as to what their first day felt like.
How was your first day? What was the best part?
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Date of Award
Spring 2000
Document Type
Legacy Thesis
Degree Name
Bachelor of Science (BS)
College of Science
First Advisor
Joan Piroch
It has been found that personality of athletes varies according to different types of sport, but no current research has investigated personality characteristics in track and field athletes. The purpose of this study was to investigate personality characteristics of track and field athletes. The 16 Personality Factor Questionnaire (16PF) was administered to assess personality characteristics. A total of 100 male and female track and field athletes served as participants. Mean scores and standard deviations were calculated for each type of event in track and field and also gender for each of the personality measurements on the 16PF. Separate 2x3 analyses of variance were calculated to compare male and female athletes across the different types of event for each of the personality factors. Post hoc comparisons were examined with a Fisher's LSD test. The results indicated that throwers were more socially bold and less private. It was also found the females had increased levels of apprehension as compared to male athletes. Significant interaction effects were found for the personality characteristics of reasoning, emotional stability and sensitivity. This research may have implications for selection of and coaching athletes. If certain personality characteristics identify a "type" of athlete, knowledge of these traits may facilitate the recruiting process for the coaching staff, and also help determine what event is most suitable for an athlete.
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Williams, Jolene E., "Personality Differences Among Distance Runners, Sprinter/Jumpers, and Throwers" (2000). Honors Theses. 316.


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Guidelines for Locally Organised National Events (LONE)
What is a LONE event?
Any event which is organised outside of UK Headquarters and branded as National or UK is required to gain approval to be branded this way, this approval comes from the Operations Committee and is administered by the Technical Team at UKHQ.
These guidelines briefly set out for the benefit of those considering putting forward proposals to run these National events (a) how to go about applying for approval to run such an event; and (b) some of the issues which may arise.
The actual organisation and operation of such an event does not differ much from the arrangements that are appropriate for a major County or District event. It is assumed that those applying to run a National event will have had suitable experience at County/District level (if, indeed, they have not already contributed to the running of a national event) and will therefore be generally familiar with what is required.
In most cases, a local team representing a Region, County/Area or District will identify a particular event for which they have expertise and which they consider will be attractive to the Membership of the Movement. At this stage, advice and help may be available from the Technical Team at UKHQ.
Supporting the Scout Programme
All events which are approved through this process should be providing value to our members and supporting the Scouting programme. Where possible we would like the events to expand their reach to all sections from Beavers through to Scout Network, please consider how your event will engage members from all sections, this may not be through directly taking part, and outline this on the application form.
Any events which are open to members of the Scout Network can be advertised nationally within the Scout Network website.
The Process
Prior to starting the planning process for a LONE event it is encouraged that the organiser contact UKHQ to ensure that this event does not clash with another similar event.
Before embarking on the detailed planning, the approval of the relevant County/Area Commissioner(s) must have been gained. UKHQ approval should be sought by submitting the Application Form. The process of completing the form will highlight some of the key organisational issues that need to be addressed at the outset, such as the scale and location of the operation, the need for overnight accommodation (if any), the involvement of Girlguiding and/or a local Agency/Authority/Club, and so on.
The form needs to be submitted to UKHQ in order for it to be approved by the Operations Committee. This group meet 4 times a year, once approval is given marketing of the event may commence. For events which take place on an annual basis an application may be made for multiple years, so long as the organising group and the County supporting the event do not change.
An approved National event is very much a shop window for the Association, and it is important that the highest standards of administration and operation are in evidence throughout. UKHQ will require there to be a structured post event evaluation for the benefit of future organisers of similar events, this is locally administered but can be supported by UKHQ if required.
It is important to understand the responsibilities of the County who are supporting the event, this includes following all Scouting policies
The Financial Arrangements
The County organising the LONE event application are responsible for underwriting the cost of the event.
Most approved national events are run on a notional "no profit/no loss" basis.
It is important to identify all the costs involved in mounting the event, and to set a realistic entry fee to cover all those costs.
No sponsorship arrangements should be sought or entered into without the prior approval of both the County/Counties concerned and of UKHQ.
All activities must be carried out in full compliance with the Association's rules as outlined in the current edition of Policy, Organisation and Rules (POR).
Advice relating to insurance can be provided by Unity.
Any indemnity sought by a hosting club or authority must be referred to UKHQ.
Support from UKHQ
When requested, the support available from Headquarters to local organisers can include:
a) Advice to the event organiser by relevant members of HQ teams;
b) Promotion via scouts.org.uk/events and social media as appropriate;
c) The supply of Trophies from the national pool where these exist;
d) VIP invitations (assistance with contacting and inviting relevant UK Scouting VIPs).
Contacting UKHQ
All enquiries should be addressed to the Technical
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Posted: Mar 20, 2014
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well i'm shameless when it comes to loving you
October 10, 2010 Leave a comment
Wedding day!!! It was a gorgeous September day for Kari and Brett to tie the knot.
The bridesmaids started the day by gathering in the bridal apartment to get all dolled up.
The bridal apartment was pretty sweet. It had every amenity imaginable. We had a great time hanging out and getting ready together.
It wouldn't be a wedding day without a tiny hiccup. And Kari's came in the form of an unraveled hem at the bottom of her dress. No worries! The Mother of the Bride quickly hemmed it up and it was smooth sailing from then on.
We walked up to the main Bed & Breakfast and took some pictures and waited for the Father of the Bride to greet his daughter. It was a very sweet moment.
After a few more pictures and some anxious waiting, we made our way up to the hill for the ceremony. This is where I had to set my camera down and get in place to walk up the aisle and witness the lovely ceremony!
After the ceremony, the bridal party stayed up on the hill for more pictures, including a few around the hay bales and in the orchard while the wedding guests enjoyed the cocktail hour. When we first arrived at the reception I quickly snapped some shots of some of the details.
The table number cards were labeled with different seasons and years that were significant in Kari and Brett's relationship. I made them!
The bride hand-stamped each and every placecard.
The centerpieces were made up of wildflowers that we picked the day before.
Kari gave each of the bridesmaids beautiful pearl earrings and necklaces to wear and cute little clutch purses. For her wedding favors, she had many friends and family make homemade candies and chocolates and gave each guest a bag to fill.
Then it was time for introductions! Drew and I did the Carlton dance. It was a last minute decision, but we didn't look awkward at all… It just, you know, didn't get photographed. But the bride and groom entered to a boisterous applause!
Then Steve gave a touching speech to kick off the evening.
The bride and groom cut the cake and were very polite about it.
I was lucky enough to sit at the head table with the Bride and Groom, Best Man, Matron of Honor, and these two serious gentlemen.
The Best Man gave a pretty hilarious speech. Although it seemed to embarrass the bride just a bit.
And Annie's (the Matron of Honor) speech was heartfelt and showed how close she and Kari are as cousins and how many memories they have together.
The Bride and Groom danced their first dance to "Shameless" by Garth Brooks – a song the two have enjoyed together since they were teenagers.
Steve danced with his daugther to Israel Kamakawiwo'ole's "Somewhere Over The Rainbow". And yes, I did have to look up the proper spelling his name.
The groom danced with his mom to Rascal Flatt's "My Wish".
Later in the evening, we felt it was appropriate to take a few "sexy face" shots. It only took a few tries, but I think we nailed it.
Lots of dancing followed. And Drew got a chance to dance with his sister.
We ended the night by circling around the newlyweds and belting out "Friends in Low Places" as they danced and high-fived everyone.
To cap off a perfect evening, the groom ran and slid across the dance floor on his knees. But not to be outdone by her new husband, Kari kicked off her shoes and did a knee-slide of her own. In her dress. On a dance floor of spilled beer. It was awesome. Unfortunately, I didn't react fast enough to get it on camera. So it will just have to live on in our minds along with the other great memories we made that night.
Bright and early the next morning, the newlyweds were off to Peru to hike the Inca Trail!
See the rest of my pictures from the wedding on Flickr.
*Blog post title is a lyric from the song "Shameless" by Garth Brooks


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In Search of a Lighthearted MMO
I've read that, in times of war, people gravitate towards Classical or Baroque (Bach, Mozart) over Romantic (Beethoven) music, while societies at peace showed the opposite preference. The idea behind this is that the more predictable, major key pieces of the Baroque or Classical period were comforting in times of crisis. I can't find any sources to back up this possibly apocryphal tale. But the story rings true, and also has some relevance to my gaming experience, so I'm going with it.
In my preferences for MMOs, I find that the more challenging or chaotic my personal life or the political scene becomes, the more I look for simplicity and an upbeat atmosphere in my games. True, in the United States, we're not 'at war' in the sense that Europe was at war in 1916, say. Or even in the sense that we were at war ten years ago. But, nonetheless, the last couple of years have left me seeking a bit of comfort-food in video game form.
This means either a goofy, lighthearted title, or else a good dose of grind. Grind — don't knock it — can be very relaxing.
Leaving aside the grind component, there aren't a lot of MMOs that truly fit the lighthearted requirement, and those that exist tend to be kid or at least family-oriented MMOs. Beyond that, I can think of a couple, Wildstar being the most obvious full-fledged MMO in the 'mainstream' tradition. But there are too many side issues with Wildstar for it to draw me in.
There are parts of FFXIV that are lighthearted enough, and then smaller titles like Villagers and Heroes or Adventure Quest 3D that I might take a second look at.
For upcoming titles, I'm paying particular attention to Temtem.
Oh, and what about WoW? It's pretty goofy, too, at least in parts. I'm thinking about goblins, poop quests…
Wait, though. I'm remembering something now.
Yeah, that.
I keep thinking about the pre-patch, which is rather peculiar since I haven't really played WoW for several years now. But I think another thing that may disturb players, in addition to the points I mentioned yesterday, is that this pre-patch, and the expansion itself represent a significant tonal shift for WoW.
Watching all the cinematics in order really puts the shift into perspective. Compare the Mists of Pandaria expansion cinematic, which seems most tonally in-line with WoW as played, or the hopeful tenor of the Legion cinematic, to the latest Battle for Azeroth piece. With this context, the BfA cinematic, though technically exceptional, seems even more out-of-place.
Lately, I've been playing a lot of Project: Gorgon, the obscure and backwards-looking indie game from Eric Heimburg and Sandra Powers. It's graphics are not-so-hot, and it's more odd than goofy, but between the humor and the relaxing grind, it's hitting the spot right now. Any other good MMO romps out there? I'd love to hear about them in the comments!


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Víctor 'vxc' Ortega, full-time geek that loves to move around the stack.
Hi there visitors, welcome to my website!
I made the site to put a face to several years of underground coding...
...You can think of it as a portfolio or as a site where you can see what I do for a living...
And it's also what I love to do!
...I hope you to enjoy this brief but intense walk through my work.
Let's go!
First of all, I am a Linux, clean-coding, open-source and designing enthusiast. Hence, a completely weird geek.
Being good at all those things seems, and is, a bit difficult. To achieve so you need a lot of unique skills to be good at just one of those, skills that people would tell that are no use or even detrimental for another of those fields. Well, I've been trying to achieve this for some years now, moving in a non-stop way around the stack: from setting-up servers, nginx, coding bash, implementing git branching models or changing a php framework architecture to clean and responsive web layouts, js frameworks or ajax-based sites.
So, as you can see, I love to work on everything website-related and, thanks to that and to my infinite thirst of knowledge (lol), I've become a quite decent and complete Full-Stack developer, currently working @ as Senior Software Engineer.
Yes, I know this stuff is boring, but, as I expect to use this as half-portfolio I need to somehow write it down somewhere. You always can to skip directly to the projects section.
Back-end development
Lately, my back-end developer career is been focused on working all around the stack with different technologies and services: changing the application dependencies, refactoring some core functionalities and developing new ones (geolocation, internationalization, uri, cron tasks ..) of a home-made PHP MVC Framework, Developing an Online-Presence WebSocket Java server, developing that server's client-side code, working around with BigData and ElasticSearch, and tons of stuff more.
Coding clean object-oriented modules, perform several tests on them and write clear and precise documentation is one of my favourite things to do in my daily working routine.
A CVS is mandatory for me as developer, even for the projects where I'm all alone, no code happens without a Git repository (mercurial or svn in the past). If we talk about small/medium/big developer teams, a good branching model implementation co-working with your integration system is a life saver move as well.
As goal for the further months on this front, I'd like to master HBase, Hadoop and ElasticSearch as alternative non-relational storage technologies.
Front-end development
Front-end development is been there in every company I've been. In fact, in one of them we started using Ajax even before anyone knew about the technology and even before jquery existed, coding our own xmlrpc/jsonrpc to make requests to our hancrafted python backend server side (I'm getting a bit nostalgic here :_).
With the new responsive sites, I've got back the love for the layout design, which was a bit left in a corner during the CSS2 life span. Finally, the flatten solid-colored and clean layouts I've always voted for are back, and I can't be happier.
As js coder, I love encapsulated/clean js (=/= jquery) functionalities and libraries. Can't wait for the moment to write something useful for someone else and push it to my GitHub account.
DevOps & Operations
Other of my occupations is to set-up, maintain and upgrade server environments (front web servers, jenkins servers, sql servers, repositories.. ) in which task I try to prevent the C10K or any possible scalability issue that the system could suffer in the future. I use to setup Nginx as web-server on my front machines to max the "static-content serving" performance, but an apache can "happen" from time to time as well.
Bash scripting is another of my beloved hobbies, and it's been quite useful those years, in the transition of hand-made deployment systems to the continous integration ones.
I can't imagine now a high-transit site without an error monitorization platform. Hotfixes gonna happen no matter how much you've tested your code, so, it's a lot better if you are able to see the errors you're getting in a real-time way just after you served your content.
"My most-basic requirement is to implement light-weight modern scalable websites, embedded in continuous integrations systems, beautifully coded and backed-up with error monitorization technologies, ofc!"
Here you can find the tip of the iceberg of what I love to do. When not working at the office, I like to help young Start-ups with their IT systems and their internet image or just code some geek stuff on my own.
"IT support for a young & fresh spanish Start-up"
When: 7/2013
This is a nice example of simple and clean responsive site. It's a corporate website I designed for some architect friends, trying to help them with a fresh & young image for their company.
Technologies: Go to site:
TLS Group
"Merging multiple websites into one"
When: 12/2013
A more than needed new look for the company I work for, finally merging multiple Real Estate UK portals into a single good-looking one.
The application is placed on a stable integration system, with unit and integration testing systems and error monitorization on different environments. Backend talking, its coded in a heavily customized PHP MVC framework, in a modular and flexible way, so new functionalities implementations are no pain for us.
Technologies: Go to site:
"A Quite -brand-new navigation style- website"
When: 01/2014
Contributors: Emilio Sala
This website gets into the business sector of datacenters optimization with an amazing modern look, leaving far behind the old-styled image of the competitors.
Vertical-navigation approach, full of parallax effects and with a flexible fixed-content minisites engine, Optimisee's new site it's been amazingly fun to code. All that is left now is to wait for Optimisee guys to fill it with nice and cool images for the minisites and we will be able to enjoy it!
Technologies: Go to site:
"Industrial Laundry corporate website"
When: 02/2014
Pure static and simple corporate good-looking website. I'm still on it tho!
"Simple heavily costumizable Parallax plugin"
When: 2/2014
Simple heavily costumizable Parallax jQuery plugin that creates the desired effect by animating the element background-position.
All the parallax effects of this site use this plugin, I encourage you to give it a try!
Technologies: GitHub:
"Mastering many-to-many"
When: 2/2014 - Present
Working on expanding our knowledge on "complex ORM" trying to create a flexible & customizable CMS for one-click online shops creation.
We barely started to think about it and it seems it's going to be a crazy task, wish us luck!
Technologies: GitHub:
Optimisee API
"Optimisee web API"
When: 3/2014 - Present
This time I'm helping Optimisee guys with the look of their web API for datacenter monitorization. Quite exciting project :)
May 11, 2014
I'm currently quite happily busy with the work @ the office so I'm low on side-projects at the moment. Still, if something interesting gets on sight..


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HLI Terms and Conditions
These terms and conditions of service constitute a legally binding contract between the "Company" and the "Customer". In the event the Company renders services and issues a document containing Terms and Conditions governing such services, the Terms and Conditions set forth in such other document(s) shall govern those services.
1. Definitions
(a) "Company" shall mean, HLI Rail & Rigging, LLC its subsidiaries, related companies, agents and/or representatives;
(b) "Customer" shall mean the person for which the Company is rendering service, as well as its principals, agents and/or representatives;
(c) "Documentation" shall mean all information received directly or indirectly from Customer, whether in paper or electronic form;
(d) "Third parties" shall include, but not be limited to, the following: carriers, truckmen, cartmen, lightermen, railroads, barge operators, forwarders, agents, warehousemen and others to which the goods are entrusted for transportation, cartage, handling and/or delivery and/or storage or otherwise.
2. Company as Agent
The Company acts as the "agent" of the Customer for the purpose of performing duties in connection with arranging for transportation services or other logistics services.
3. Limitation of Actions
(a) Unless subject to a specific statute or international convention, all claims against the Company for a potential or actual loss, must be made in writing and received by the Company, within 90 days of the event giving rise to claim; the failure to give the Company timely notice shall be a complete defense to any suit or action commenced by Customer.
(b) All suits against Company must be filed and properly served on Company within two (2) years from the date of the loss or damage.
4. No Liability For The Selection or Services of Third Parties and/or Routes
Unless services are performed by persons or firms engaged pursuant to express written instructions from the Customer, Company shall use reasonable care in its selection of third parties, or in selecting the means, route and procedure to be followed in the handling, transportation, clearance and delivery of the shipment. Advice by the Company that a particular person or firm has been selected to render services with respect to the goods, shall not be construed to mean that the Company warrants or represents that such person or firm will render such services nor does Company assume responsibility or liability for any actions(s) and/or inaction(s) of such third parties and/or its agents, and shall not be liable for any delay or loss of any kind, which occurs while a shipment is in the custody or control of a third party or the agent of a third party. All claims in connection with the Act of a third party shall be brought solely against such party and/or its agents. In connection with any such claim, the Company shall reasonably cooperate with the Customer, which shall be liable for any charges or costs incurred by the Company.
5. Quotations Not Binding
Quotations as to fees, rates of duty, freight charges, insurance premiums or other charges given by the Company to the Customer are for informational purposes only and are subject to change without notice. No quotation shall be binding upon the Company unless the Company in writing agrees to undertake the handling or transportation of the shipment at a specific rate or amount set forth in the quotation and payment arrangements are agreed to between the Company and the Customer. Any alterations or other changes to the scope of work, including changes to the weights or dimensions of the cargo involved, are subject to the company's right to adjust the quotation price and completion schedule and, in all events, are subject to the right of the company to refuse to agree to any proposed alterations or changes. Unless otherwise expressly stated in the quotation, all sales taxes, excise taxes, customs duties, value added taxes and similar value added taxes and similar items are additional, where applicable, to the quotation price(s).
6. Packaging and Special Conditions
All items must be properly packaged, reinforced or braced and suitable for handling using the methods described in the price quotations. The cargo must have proper jacking points, lashing points, and support points provided by customer or other third parties. Company accepts no libability for damages to cargo due to insufficient packaging. Any special conditions or requirements of the applicable permit(s), which are not specifically described in the scope of work on the price quotations shall be billed extra at cost plus fifteen (15) percent. Hazardous goods will not be accepted for transport, handling or storage.
7. Declaring Higher Value To Third Parties
(a) Third parties to whom the goods are entrusted may limit liability for loss or damage. The Company will request excess valuation coverage only upon specific written instructions from the Customer, which must agree to pay any charges therefore. In the absence of written instructions or the refusal of the third party to agree to a higher declared value, at Company's discretion, the goods may be tendered to the third party, subject to the terms of the third party's limitations of liability and/or terms and conditions of service.
(b) When rail transportation is included in the scope of work, the terms and conditions and any limitations in liability of the rail carrier(s) involved in the transportation and handling of shipments will prevail should a conflict arise between the Company's terms and conditions and those of the railroad. The railroad terms and conditions are public documents and available for public viewing, and can be obtained by contacting the railroad directly.
8. Insurance
Unless requested to do so in writing and confirmed to Customer in writing, Company is under no obligation to procure insurance on Customer's behalf; in all cases, Customer shall pay all premiums and costs in connection with procuring requested insurance.
9. Disclaimers; Limitation of Liability
(a) Except as specifically set forth herein, Company makes no express or implied warranties in connection with its services;
(b )In connection with all services performed by the Company, Customer may obtain additional liability coverage, up to the actual or declared value of the shipment or transaction, by requesting such coverage and agreeing to make payment therefor, which request must be confirmed in writing by the Company prior to rendering services for the covered transaction(s).
(c) In the absence of additional coverage under (b) above, the Company's liability shall be limited to the payments actually received by Company pursuant to its contract with Customer.
(d) In no event shall Company be liable or responsible for consequential, indirect, incidental, statutory or punitive damages, even if it has been put on notice of the possibility of such damages, or for the acts of third parties.
10. Advancing Money
All charges must be paid by Customer in advance unless the Company agrees in writing to extend credit to Customer. The granting of credit to a Customer in connection with a particular transaction shall not be considered a waiver of this provision by the Company.
11. Indemnification/Hold Harmless
The Customer agrees to indemnify, defend, and hold the Company harmless from any claims and/or liability, fines, penalties and/or attorneys' fees arising from any conduct of the Customer, including but not limited to the inaccuracy of data supplied by Customer or its agent or representative, which violates any Federal, State and/or other laws, and further agrees to indemnify and hold the Company harmless against any and all liability, loss, damages, costs, claims, penalties, fines and/or expenses, including but not limited to reasonable attorney's fees, which the Company may hereafter incur, suffer or be required to pay by reason of such claims. In the event that any claim, suit or proceeding is brought against the Company, it shall give notice in writing to the Customer by mail at its address on file with the Company.
12. Costs of Collection
In any dispute involving monies owed to Company, the Company shall be entitled to all costs of collection, including reasonable attorney's fees and interest at 15% per annum or the highest rate allowed by law, whichever is less unless a lower amount is agreed to by Company.
13. General Lien and Right To Sell Customer's Property
(a) Company shall have a general and continuing lien on any and all property of Customer coming into Company's actual or constructive possession or control for monies owed to Company with regard to the shipment on which the lien is claimed, a prior shipment(s) and/or both;
(b) Company shall provide written notice to Customer of its intent to exercise such lien, the exact amount of monies due and owing, as well as any on-going storage or other charges; Customer shall notify all parties having an interest in its shipment(s) of Company's rights and/or the exercise of such lien.
(c) Unless, within thirty days of receiving notice of lien, Customer posts cash or letter of credit at sight, or, if the amount due is in dispute, an acceptable bond equal to 110% of the value of the total amount due, in favor of Company, guaranteeing payment of the monies owed, plus all storage, demurrage, detention or other ancillary charges assessed by third parties accrued or to be accrued, Company shall have the right to sell such shipment(s) at public or private sale or auction and any net proceeds remaining thereafter shall be refunded to Customer.
14. No Modification or Amendment Unless Written
These terms and conditions of service may only be modified, altered or amended in writing signed by both Customer and Company; any attempt to unilaterally modify, alter or amend same shall be null and void.
15. Compensation of Company
The compensation of the Company for its services shall be included with and is in addition to the rates and charges of all carriers and other agencies selected by the Company to transport and deal with the goods and such compensation shall be exclusive of any brokerage, commissions, dividends, or other revenue received by the Company from carriers, insurers and others in connection with the shipment.
16. Force Majeure
Company shall not be liable for losses, damages, delays, wrongful or missed deliveries or nonperformance, in whole or in part, of its responsibilities under the Agreement, resulting from circumstances beyond the control of either Company or its sub-contractors, including but not limited to: (i) acts of God, including flood, earthquake, storm, hurricane, power failure or other natural disaster; (ii) war, hijacking, robbery, theft or terrorist activities; (iii) incidents or deteriorations to means of transportation, (iv) embargoes, (v) civil commotions or riots, (vi) defects, nature or inherent vice of the goods; (vii) acts, breaches of contract or omissions by Customer, Shipper, Consignee or anyone else who may have an interest in the shipment, (viii) acts by any government or any agency or subdivision thereof, including denial or cancellation of any import/export or other necessary license; or (ix) strikes, lockouts or other labor conflicts.
17. Severability
In the event any Paragraph(s) and/or portion(s) hereof is found to be invalid and/or unenforceable, then in such event the remainder hereof shall remain in Full force and effect. Company's decision to waive any provision herein, either by conduct or otherwise, shall not be deemed to be a further or continuing waiver of such provision or to otherwise waive or invalidate any other provision herein.
18. Governing Law; Consent to Jurisdiction and Venue
(a) These terms and conditions of service and the relationship of the parties shall be construed according to the laws of the State of New York without giving consideration to principles of conflict of law. Customer and Company
(b) irrevocably consent to the jurisdiction of the United States District Court and the State courts of New York;(c) agree that any action relating to the services performed by Company, shall only be brought in said courts;
(d) consent to the exercise of in personam jurisdiction by said courts over it,
(e) consent to accept service of process via certified mail; and
(f) further agree that any action to enforce a judgment may be instituted in any jurisdiction.


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She's talented, woke and best of all her style is iconic.
There's literally no look that the "Bad Liar" singer can't pull off, including the pantless look.
On her recent day date with bae The Weeknd, the star wore an oversized red jersey and no pants and looked fire AF.
Slay Sel, slay!
The gorg singer rocked the chill look while out and about last Sunday.
The power couple stopped by a local organic store in Los Angeles, where they were spotted with their arms wrapped around each other.
Could these two BE any cuter?
No, the answer is no.


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28 Popular Logos Redesigned In New Color Palettes
Logos are easily the most recognisable part of any big brands image, if done right. So what if someone was to mix up the colours? Are they still as recognisable? Are they nicer?
This infographic by DesignMantic aims to answer those questions, check it out below.


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Job Board/Babillard d'emplois > Assistant Carpenter - Canadian Badlands Passion Play
This is a Temporary, Full-time position.Category: Technical
Assistant Carpenter/ Rigger
Assistant Carpenters will: Assist in construction, repair, maintenance and instillation of all set elements as described in the script, assigned by the Set/Props Designer and those written into the rehearsal notes by Stage Management. Assist with the practical interpretation of drawings and designs produced for the production in order to Build and Install in stage. Be aware of the requirements for the health and safety legislation and procedures relevant to their role and be responsible for expressing any safety concerns that are observed and assisting to rectify them. Be part of the Running Crew where they may be responsible for the Pre-setting, show setting, striking, operation of, and 'On the Fly' fixes or repairs to specific Stage, Set, props and FX pieces during the run of the show.
This is a contract position that is full time (5 day weeks), on site in Drumheller, AB, from early May through late July. The Passion Play is not preferential to either Union or Non-Union professionals. If you have questions please do not hesitate to contact the email listed.
Salary: Negotiable based on experience
Please submit digital resumes to no later than February 26th, 2016.
The Canadian Badlands Passion Play is one of Canada's largest outdoor theatrical events. A not for profit, charitable organization in its 23rd season, the company annually depicts the life, death, and resurrection of Jesus Christ in dramatic form. With mixed cast of roughly 200 volunteer and professional performers, live animals and permanent middle eastern set structures on a massive outdoor stage, The Passion Play is an epic story told on an epic scale.


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Model: Aficio 1022, Aficio 1027, Aficio 1032
Operating System: Windows NT 4.0 (Note: might work with other versions of this os.)
File: r00306sw.exe
Ricoh Aficio 1022, Aficio 1027, Aficio 1032 Driver. Language : SvenskaFile Contents:
PCL 5e Driver
Printer driver for B/W printing in Windows. It supports HP PCL 5e commands and is compatible with PCL5. The same print image as PCL5 can be expected.
No file content information available at this time.


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Donate Shop Login
Hi Everyone! Welcome to Cheryl's Cancer Crushers Fundraising Page! We are excited to be back and we are ready to raise some money for a great cause! This team is in honor of Cheryl Goldberg. The woman who fought endlessly to win her battle against ovarian cancer. She is looking down at all of us and she is so excited that we are making a team in her memory :-). Any donation is greatly appreciated.