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Signs From The Candle's Flame Part 2
SIGNS OBSERVED WHILE THE CANDLE BURNS A free-standing candle lets out a lot of smoke but burns clean at the end The divination of signs by looking at burning flames is a form of Pyromancy or divination by fire. You … Continue reading


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Collection: mosaic
Design: carvel
Colour: carvel lazuli 137 cm
Abrasion: 40,000 + rubs
Usage: upholstery
B.S. 5852 part 2 crib 5.
Imo a.652 (16) cigarette & match (upholstery).
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Nothing Upfront. Start Saving Day 1.
With REP Solar, you don't pay anything up front and you can benefit from the savings long term and immediately.
Project: Manufacturing Plant
Location: Rancho Cucamonga, CA
1st year energy cost savings: $231,000
25 year energy cost savings: $8,060,000
Project: House of Worship
Location: Moreno Valley, CA
1st year energy cost savings: $32,000
25 year energy cost savings: $1,406,000
Project: Medical Device Manufacturer
Location: Santa Ana, CA
1st year energy cost savings: $45,865
25 year energy cost savings: $2,140,000
Start Saving. Contact REP Solar To Learn More. 855-519-6633 Ext 1001
We are dedicated to the solar industry and to providing increased access to electricity generated from the sun. We consider the long-term value and effect of everything we do – for our employees, vendors, customers and society as a whole. We have extensive knowledge and experience working with various local, State and Federal incentives available for clean energy projects. We are experts in guiding our clients through the various rebates, grants, tax credits and other financial incentives that may be available to them.
At REP Solar, we realize that our partners and customers have different needs and wants. Building on decades of experience, commitment and results, we have the foresight and expertise required to meet the current and future demands of the solar industry. We optimize our specific skills and knowledge to create and improve our services: to effectively and efficiently generate electricity from the sun.
We build partnerships based on honesty, transparency and the open exchange of ideas and objectives. Our detail-oriented, straightforward approach gives us the confidence to provide the best products and services for our partners and customers. By clearly communicating detailed objectives, all perspectives and interests can be taken into account and the best overall solution found.
Solar Energy
For Businesses
REP Solar is committed to renewable energy and believes it is paramount to our country's future economy and environment.
Commercial Solar Installation Project
REP Solar is committed to renewable energy and believes it is paramount to our country's future economy and environment.
Commercial Solar Panels Cudahy
Commercial Solar Panels by REP Solar
Solar panels have come a very long way in terms of acceptance and reliability. The latest designs make it possible for residential homes and businesses to completely remove themselves from the grid. Some of the solar panel arrays that are installed can actually produce the secondary income, allowing the owners of the solar panels to pay off their loans very quickly and begin to profit. Electric companies are always looking for people that are willing to install these on their property, and are always happy to purchase excess electricity which can be stored in the batteries, which is how people are able to make money. One of the top companies that is highly recommended in this industry is REP Solar, a company based out of Corona, California. The three letters stand for renewable energy partners, a business that offers a multitude of services businesses and individuals in the area. Here is an overview of this company and why you should consider working with them, a leader in the solar panel industry.
Solar Panel Company Cudahy
Why Solar Energy Is So Important Today
Solar energy literally is the wave of the future. It will be the one true source for all of the electricity that we will use on our planet at some point in time. As people recognize how detrimental it is to use fossil fuels, and also realizing that this fuel is limited, this will be at the forefront of all of the clean energy movements. People are beginning to realize how important it is to deviate from combustible fuels. Doing so will prevent excess emissions of carbon dioxide and carbon monoxide into the atmosphere, one of the leading causes for global warming that we are dealing with today. When you generate energy from the sun, there is no need to dam up a river, create a power plant that is fueled by coal, or generate electricity using any other conventional means. It's as simple as setting up a solar a way that is going to generate electricity as long as the sun is shining down upon it, and what is left over can be stored or sold to electric companies. At the very, this will put a small dent in the massive amounts of fossil fuels that are burned daily, all of which are contributing to greenhouse gas buildup. This can lead to many detrimental situations such as increased temperatures on earth, and air that is simply hard to breathe because of all of the pollutants that we are creating.
Photovoltaic Panels Cudahy
Why You Should Work With A Professional Solar Panel Installation Company for PV (photovoltaic) panels.
There are so many reasons that people should consider working with a rational solar panel array company. They are going to know exactly what to do. It is possible for people to purchase a kit where they can put up a solar panel or two on their own, but they may not know how to hook it up properly or sell any access to electric companies. When you work with a business that has been doing this for many years, they will understand how to properly set up a solar panel array, and hook up everything so that energy can be stored and sold. You have probably heard of electric meters running backwards the only way that this could happen is if you are actually selling your excess electricity to the electric businesses. Working with a professional is always preferential because they can get all of the permits, and will be able to create a solar array usually in just a few days. Once it is fully functional, you will have the ability to operate your business off of the grid, plus make extra money from the sale of excess electricity.
Solar Panel Installation Cudahy
What Services Do They Offer?
Some of the services that REP Solar offers development and integration, design and engineering, construction and procurement, and operations and maintenance. It is through these services that they can work with the many different clients that they have right now, and also attract others into their business. Most people will do price comparison shopping, looking at the different companies that offer solar panel installations. However, it is through these individualized services that they can guarantee that you will receive the best solar panel arrays for prices that you can afford. Let's take a look at these individualized services that you may want to take advantage of, especially if you are new. You may not believe that solar panel provider could actually help you make money after your installation, but it is definitely possible to do so. Here are the different reasons why you should always choose this company when you are trying to generate solar power.
Why Choose Solar Power Over Other Alternative Fuels?
If you do have the money to invest, or if you are working directly with an electric company that is offering discounts on these services, you should install a solar array. As mentioned earlier, there are other types of alternative fuels such as hydrogen fuel cells, natural gas made from corn, and solar panels that so many people use on their businesses. You should choose this particular alternative fuel because it has become very efficient, allowing people to have a fully functional solar panel array ready to go, usually within hours. You could invest in a windmill or two with people in your community in an attempt to generate free electricity. The main problem with windmills, or other alternative forms of fuel, is the initial cost that you will have to pay. It could cost several million dollars to create a windmill farm in a breezy area, and if you don't have the money, your plan is simply not going to work. Solar energy is an extremely clean way of generating electricity, and if you have not talked to representatives of Renewable Energy Partners, you should do so as soon as you can. They will help you make the right decision, and get all of this done at an affordable price, so that you could benefit from generating free electricity.
Development And Integration For Commercial Buildings
Their first goal is to actually understand who each of their customers are. By understanding what you need, and the type of structure that you have to work with, they can actually help you save money. They are not just there to sell you solar panels, or a solar array. They want to provide you with an alternative to being on the grid. They will request 12 months of energy bills, as well as a comprehensive site survey, allowing them to create the perfect solar package that will meet your business needs. They want to make sure that they will provide you with the best options available, and also answer any questions that you have such as how much energy will be produced, especially during different seasons, and provide you with an estimate on how much it will cost so that they can start to help you save money, and potentially earn money.
Designing And Engineering Services
Once they have the initial information, they will start a collaborative effort to go through the design and engineering process. They have a team of experts that can outline everything about the solar array the day will develop, creating a conceptual design that they will present to their customers in order to get feedback. If the customer likes what they see, they will then begin the engineering process where they can make structural calculations, as well as electrical ones, making sure that the project is going to provide you with a cost-effective solution. They will then move forward by obtaining permits, and will focus upon getting everything together that will be your eventual solar panel array. There design team, as well as their engineers, will take the solar panels that they will acquire and begin to build your solar array for your company. They will do so as quickly as possible, but you do need to provide as much information as you can to help them cater to your needs.
The Construction And Procurement Process
The goal of the REP Solar Team this to make sure that their plan for your company is going to work, and that it will be affordable. They want to create a so-called turnkey solution, one that they will install for you, allowing you to generate free energy from the sun. After they have gone through the planning process, it will be time to put everything together. This company is known for many things in this industry including having no work related injuries, and utilizing the latest techniques for staging the area where the solar array will be. They will always provide quality workmanship, and they always have a strict adherence to the different building codes and safety codes in each region that they operate. This simply means that they have been doing this for quite some time, they will always be safe, and the final product is going to be one that will produce electricity from the sun in the safest possible manner.
Solar Operations And Maintenance
Once everything as been installed, and they have done proper testing, it should be fully functional. They will show you how to operated, and also how it will store all of the excess energy that your solar array will produce so that it can be sold to the local electricity companies. This business also provides maintenance on all of the products that they create so that you will never be left hanging. They support and back everything that they construct, so if you ever have a problem, they are literally a phone call away.
When Should You Set An Appointment?
This company is actually very busy, primarily because they have a reputation for doing the best work in the area. When you go to their website, you can see all of the different aspects of their company along with their about us and contact us information. You can look at the different services that are available, or you can contact them using their business telephone number or use the handy contact form that is on their website. After you have spoken with representatives from this business in Corona, they will be able to schedule an appointment to come out to do an estimate and subsequently and install. You should set your appointment as soon as possible as this company is in high demand. Their reputation has grown in the Corona area, and they are considered by many to be the best solar panel installation company for commercial businesses that is operating today.
What most people do not think about when choosing one of the solar panel installation companies is whether or not they specialize in business. You could find someone that will easily reroof your home, however you need to work with the company that has many different testimonials from happy customers that have taken the time to write down what happened. Sometimes it can be difficult trying to get other person to agree, but once they do, you can go forward. After you have that new building with free Wi-Fi and solar panels, you will never have to worry about the electricity going out again. As long as you are able to work with a business that is both honest and reliable, you really cannot go wrong by getting a quote on commercial solar panels by REP Solar, a business that many people. Best of all, once you have received your estimate, and an overview of how the project is going to work be on your way to experiencing the wonderful world of not having a large electric bill. Commercial solar panels by REP Solar will last for decades, and even if they have to be replaced, they are affordable. As more people become distributors for solar panels, and solar arrays, you will see just how good REP Solar company will be for your business by helping you generate all of the electricity you could ever need. Thank you for considering us for commercial solar panels for your company in Cudahy.


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Because the number of influenza cases has significantly increased throughout the region, children age 12 and under may not visit patients effective Wednesday, January 8. This applies to all Wake Forest Baptist inpatient locations and will remain in effect until the number of flu cases decreases significantly.Learn More.
When you're in a sad mood, it may feel like it will last forever. But usually feelings of sadness don't last very long — a few moments, a few hours, or maybe a day or two.
But sometimes sad feelings can go on for too long, hurt too deeply, and make it hard for someone to enjoy the good things about life. This deeper, more intense kind of sadness that lasts a lot longer is called depression.
People of all ages can become depressed — even kids. Depression brings down a person's mood and energy. It can affect how people think about themselves and their situation.
If you think you have depression or you just have sadness that simply will not go away, it is important to talk to an adult about it (a parent, relative, doctor, teacher, counselor, coach, or close adult friend) so this person can help you.
People who are depressed have some (but not necessarily all) of these symptoms:
When these problems last for weeks or longer, it is most likely a sign that the person is depressed. Some people who have depression may not even realize it. Often it's a parent, teacher, or family member who notices behavior changes like the ones in the list above.
There is no single reason why people get depressed. Everyone's different. Too much negative thinking can make it easier to become depressed. Having a parent who gets depressed can increase someone's chances of becoming depressed. But some people become depressed for no apparent reason. Becoming depressed is never the person's fault.
Difficult problems or an overload of stress can sometimes lead to depression. A kid could become depressed after the loss of someone really close, such as a parent, or if there are long-lasting problems at home (including violence, divorce, alcohol or drug use, abuse or neglect, difficult health conditions, or serious accidents).
Living with too much criticism and yelling, or dealing with bullying that isn't stopped, could harm a person's self esteem and lead to depression.
But going through difficult problems, grief, or having family members with depression doesn't necessarily mean someone will become depressed. Many times, people are able to stay positive, cope, and do well, even through bad times. Certain things can help protect people from depression.
When someone is dealing with depression, it can seem that problems are too big to bear and that things will never get better. But people who feel depressed can get better and feel happier.
It's very important for people of any age who have depression to reach out for help. When they do, they can get better quickly. Sometimes treatment involves talking to a doctor, therapist, or counselor who knows all about depression. Sometimes medications can help depression heal. Sometimes both of these things are used.
When kids or adults get help with depression, their negative moods and thoughts can become brighter and more positive again. They have more energy and problems become easier to solve. Taking steps to solve problems helps them feel better about themselves. Things seem more hopeful. Depression starts to lift with each positive step.
In addition to getting help, there are things people can do to help themselves get better. Eating nutritious foods, getting enough sleep, daily exercise (such as walking or playing), and taking time to relax can do a lot to improve depression.
Sharing your sad feelings with someone who cares can help, too. There is always somebody to talk to when you are sad or depressed. You feel better when someone knows what you're going through. Plus, the other person can help you think of ways to make the situation better.
But don't spend all your time talking about what's wrong. Be sure to talk together about the good things, too. Paying attention to the good stuff (especially during sad times) can help turn your mood in a positive direction. It may seem simple, but it's another powerful way to help yourself if you're dealing with depression.
Reviewed by: D'Arcy Lyness, PhD
Date reviewed: March 2015
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Pleasant Greetings! The jewels have arrived! Love the packaging. Each piece is as beautiful as expected. I am so very happy with this order! Thank you so much. I will be back for more. Have an exceptionally good day!
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Location : Dallas TX US
Answer phone calls:. Filing, photocopying, processing incoming payments and other duties as needed. Keep daily log of incoming new credit applications, joint…
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For more jobs in DFW then you are welcome to go here Click this link
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If you make marketing and advertising decisions for a business located in, or serving, any of the communities in Dallas County, Collin County or Denton County then know that we may be able to help you generate new leads and prospects for your business. We can feature you in our Local Business Directories; and we even can structure a per-call, per-lead or performance arrangement so that you know we intend to help you grow your business. We have lots of flexibility (including possible no upfront cost methods) in terms of how we can become a favorable option to help you grow your business, as we want to be an ally as you are growing your business. If interested then you are welcome to Contact Us.


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Bettye LaVette still collecting much praise and playing SXSW!
BETTYE LaVETTE has earned a high spot on the annual Village Voice "Pazz & Jop" poll, coming in at #20. In editor Robert Christgau's essay on the poll, he states: "Bettye LaVette outdoes herself."
Elsewhere, in a review of a Joni Mitchell tribute show at Carnegie Hall, Jon Pareles closed his review with this: "Bettye LaVette turned 'Last Chance Lost,' a terse and bitter breakup song, into an intense, wrenching soul lament that seemed to encompass a lifetime of disappointments. She made the song her own—no easy feat."
Bettye's music could even be heard on the pre-game telecast of the Superbowl, when Pittsburgh Steelers running back and fellow Detroit native Jerome Bettis was being interviewed. Her version of Lucinda Williams "Joy," could be plainly heard with Bettye singing, "I started in Detroit looking for my joy…" – words which proved prophetic for Bettis and the Steelers.
LaVette continues to garner praise and gather new fans with each show she performs. She will be performing at SXSW at La Zona Rosa on March 17, has been added to the Jammies April 20 in New York City at the Theatre at Madison Square Garden, as well as the Bonaroo Festival June 16 in Manchester, TN.
Upcoming US and European tour dates are listed below:
DATE VENUE CITY/STATE or CITY/COUNTRY 2/24/2006 Kalamazoo State Theatre Kalamazoo, MI 3/16/2006 B.B. King Blues Club & Grill New York, NY 3/17/2006 SXSW Music Festiva/La Zona Rosa Austin, TX 3/19/2006 Zeiterion Theater New Bedford, MA 3/24/2006 Massey Hall Toronto, ON, CANADA 3/25/2006 Centre in The Square Kitchener, ON, CANADA 4/20.2006 Madison Square Garden New York, NY 4/22/2006 Arden Concert Guild Arden, DE 4/23/2006 New Legacy Series Ringwood, NJ 4/29/2006 Triptych Festival Edinburgh, Scotland 4/30/2006 Triptych Festival Glasgow,Scotland 5/3/2006 Berns Stockholm,Sweden 5/4/2006 Kulturbolaget Malmoe,Sweden 5/5/2006 Jazzhouse Dexter Odense,Denmark 5/6/2006 Bergen Music Fest Bergen,Norway 5/7/2006 Amager Bio Copenhagen,Denmark 5/9/2006 Kaufleuten Zurich,Switzerland 5/10/2006 Ancienne Belgique Brussels, Belgium 5/12/2006 LaCigale Paris,France 5/13/2006 Waerdse Tempel Heerhugoward,Holland 5/15/2006 Jazz Cafe UK London,England 6/4/2006 Long¹s Park Ampitheatre Lancaster PA 6/8/2006 Chicago Blues Festival Chicago,IL 6/16/2006 Bonnaroo Manchester,TN 6/17/2006 WC Handy Blues & BBQ Festival Henderson KY 6/24/2006 Monterey Bay Blues Festival Monterey CA 8/19/2006 Madison Ribberfest Madison, IN


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Activists from Greenpeace and Walhi bear witness to active clearance and drainage of peatland rainforest in PT Asia Tani Persada. The Sinar Mas group affiliated concession, which contains orang-utan habitat, is a supplier of pulpwood to Asia Pulp and Paper (APP).
© Ulet Ifansasti / Greenpeace
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Virginia Farm Garden
A whimsical dairy farm inspires imagination
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When Dotti Shetterly moved back to the 18th-century home where she'd grown up in Purcellville, Virginia, in 1981, it was still part of a working dairy farm with only her grandmother's antique rosebush to brighten the rolling countryside. Today, Silverbrook Farm--nestled in a valley between the Blue Ridge Mountains and Short Hill Mountain midway between Leesburg, Virginia, and Harpers Ferry, West Virginia--is known for exquisite gardens and gorgeous views. Dotted around 50 acres are perennial, woodland, butterfly, children's, and chess gardens, the last a functioning game, with giant chess pieces adding a hint of Alice in Wonderland surrealism to the bucolic ambience.
Filled with color, fragrance, and interesting oddments, the gardens are often the site of weddings, at which Dotti sometimes officiates as civil celebrant. Many wedding parties come from Washington, D.C., only an hour's drive away. Like her gardens, Dotti has evolved without a formal plan, working in the airline and real estate industries and on Wall Street before returning home. In 1992, she gave herself over to gardening, body and soul.
It's been said that a garden is a thing of beauty and a job forever, but to her it's recreational. "I love to play in the dirt. I even love weeding," Dotti says. "It's my meditation." The widowed mother/stepmother of five children, 20 grandchildren, and eight great-grandchildren is a practitioner of tough love, however. "After the first year, my plants are on their own. I only use those that are either native or do well in the area. I don't baby them," she says with a shrug in her voice.
A quarter-mile gravel drive leads up to the handsome home, built in four stages in 1765, 1790, 1870, and 1998, in stone and clapboard and trimmed in crisp green. As visitors approach, they pass a red barn beyond a wooden fence, and, if the gods of lepidoptera permit, glimpse butterflies flitting in a garden planted with Korean spice viburnum and other plants that attract them. A curved stone walk lined with boxwoods and planted with Russian sage and roses leads to the house.
In front is a long porch overlooking the azure mountains and lined with seven rockers--one each for Dotti and a sextet of forever friends who visit once a year. "Family first, friends second, garden third," are her priorities. In the near distance, her small herd of red Angus cattle grazes in a meadow ribboned with a stream. "A goat adopted me," says Dotti, who raises calves, "and he hangs out with the bull. Go figure."
Among Dotti's favorite spots is her perennial garden, planted with white petunias, wild blue indigo, catmint, asters, and sweetpea vines climbing up a birdhouse post. When the grandkids visit, they dash to the whimsical children's garden with its tic-tac-toe game and twiggy ladder leading to a vine-covered "nest." But the "folly" she's fondest of is the romantic wooden outdoor bathhouse. She originally had it built so her adult grandsons, who still come to work at the gardens for a week or two in the summer, could wash up outside before coming in the house, but now she often uses it herself. "When the moonflowers open at night in the bathhouse," Dotti says, "they are so luminous. They're my favorite flowers in the whole world."
Like a plant turning to the sun, she's in a place that would warm any gardener's heart: as close to her roots as she can get.
Photography: Helen Norman
Produced by James Cramer
The font in the butterfly garden came from an old church; the white ceramic balls on the ground, salvaged from a water refinery system, add a touch of mystery.
Is there anything more cheery than a Gerbera daisy?
Bucolic Silverbrook Farm in Purcellville, Virginia, has gorgeous views. Planted with chocolate vine, the arbor beside the stone walk makes a romantic spot for brides and grooms to exchange wedding vows.
Dotti Shetterly relaxes on a favorite perch, a tree bench made for her by her late husband.
Dotti likes the colorful combination of Russian sage, catmint, and Knock Out roses.
Chandeliers hang at either end of the generous porch; they create a romantic glow when Dotti lights the candles after night falls.
A daybed, table, and chairs make the porch a convivial spot; two of Dotti's sibs come almost every day for coffee. On balmy nights, she sleeps on the daybed.
Dotti, who dislikes "tight" plants, chose these pink asters for the perennial garden because of the way they look when the wind is blowing.
Dotti created this vignette of plants spilling from an urn and pot.
These succulents bring a hint of drier climates to the verdant hills of Virginia.
Echoing the blue of the nearby Blue Ridge Mountains is the roof of the old stone smokehouse, now used as a rental.
Perfect for telling secrets is this nest in the children's garden, made by Mark Rogers. A rustic ladder leads to it.
Statues impart an air of classicism; this one is in the outdoor bathhouse, which has a tub and teak bench for sunbathing.
Fresh and lovely as the black-eyed Susans is the neighbor girl picking flowers from the butterfly garden.
These playful mushrooms are part of the children's garden.
Young visitors love playing tic-tac-toe on this outdoor version of the game.
When she hosts weddings, Dotti takes brides and grooms to this charming spot for a snack and rest between the ceremony and the reception.
This birdhouse is one of many charming accents.
It's tea time in the garden.
Dotti's dog, Joe, surveys the Blue Ridge Mountains from the porch.
Glorious old trees shade the property.
Details make a garden.
Dotti's neighbors--twin sisters--love playing in the children's garden.


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Easel Pads
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These pads contain high quality white sulphite bond paper, bound with strong resin glue and wire stapled. The pads are available blank, or with 1 in. grid or 1 in. ruled on one side. Each pad has a perforated head strip that is 3-hole punched and an extra heavy chipboard back.
Pads measure 27 in. x 34 in. and contain 50 sheets. Pads are recyclable.
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Arimidex (anastrozole) needs to be reinvestigated. I am extremely concerned that there is not enough information about the long-term effects of taking aromatase inhibitors. This is concerning me because now that I have been off Arimidex all of these months, it is very clear that the joint problems and intense pain I was experiencing was from the Arimidex. I am back on Tamoxifen and doing fine so far. In a previous blog "Arimidex versus Tamoxifen" I explained that research has concluded that Arimidex is by far more effective in preventing cancer reoccurrence in post menopausal women. I believe this research, but the quality of my life was so affected that I would never have been able to take a hike with my husband like I did this past Sunday. When I was on Arimidex, my stamina was waning, I was irritable from dealing with stiffness and pain all day, and the anti-inflammatory and additional pain medication I was required to take to deal with the symptoms was worrisome.
I am back to normal, well normal for me. I can walk, run, work out and I feel like a woman in her 40s again instead of a much older invalid. This has me concerned. What could possibly be happening in our bodies from these hormonal therapies? Is it reversible once we get off? Cancer is scary business; it is wonderful to have something that betters our odds of living well beyond diagnosis, but at what cost? We need answers. I need to stop writing about it and start looking into it. My doctor's answer was to put me back on Tamoxifen, but can he do something more? Can our doctors under our pressure get the drug companies to come clean about all of the results concerning this drug? If they don't have any more information, how do we get them to go back to the lab and figure this out?
As always, we need to be vigilant. Any ideas?


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Hampton Designer Showhouse
Tour the 2009 Hampton Designer Showhouse
Creativity plus carte blanche equals showhouse. Without the usual homeowner restrictions to rein them in, designers are free to have fun as they see fit--aka, to shine--when they decorate a showhouse space sans "real" clients. At the 2009 Hampton Designer Showhouse, 25 New York designers did just that.
Photography: John Bessler and Squire Fox
Architect: James McDonough and Michael Conroy, McDonough and Conroy Architects, 3760 Expressway Dr. South, Suite 200, Islandia, NY 11749; 631/491-6400.
Builder: Joe Farrell, Farrell Building Company, 2317 Montauk Hwy, Bridgehampton, NY 11932; 631/537-1068, farrellbuilding.com.
For Robert Stilin, designing the living room was akin to experimenting in a lab. He tested lavender on the walls. Results were relaxing. Reviews: rave.
Design: Robert Stilin, Robert Stilin LLC, Red Horse Plaza, 74 Montauk Hwy, East Hampton, NY 11937; 631/329-7141, robertstilin.com.
A pair of '50s-vintage French chairs by the fireplace hug the ground like campers hunkered by a bonfire. A vintage Boujad kilim rug adds extra softness atop Tamarian's Tuskden lamb striped carpet. Bold contemporary art floats unexpectedly from the chair rail. Furniture is sculptural, but padded. Monochromatic upholsteries allow the lavender walls--"which clients won't commit to"--to soothe.
Paint ("Touch of Gray" #2116-60): Benjamin Moore & Co., 888/236-6667, benjaminmoore.com.
Drapery ("Windsong"/Ermine #910054-01): Rogers & Goffigon, 201/532-8068.
Blind (custom): Nanik, 888/289-6264, nanikblinds.com.
Striped area rug (Tsukden lamb striped area rug): Tamarian Carpets, 800/854-0538, tamarian.com.
Berber area rug, layered over striped rug (vintage): FJ Hakimian, 212/371-6900, fjhakimian.com.
Brown leather chair; metal-and-string chair (vintage); upholstered wing chair (vintage); stool (vintage, by Arne Jacobsen); armless chairs (vintage, by Saporetti); pair of upholstered armchairs (vintage, by Guillerme + Chambron); table lamp (vintage, agate lamp); coffee table (vintage, chrome and rosewood); accessories: Robert Stilin LLC, 631/329-7141, robertstilin.com.
Table by fireplace (vintage): Wyeth 212/243-3661, wyethome.com.
Beechwood console (antique): Amy Perlin Antiques, 212/593-5756, amyperlinantiques.com.
Art to left of mantel, top (Les Femmes du Village d'Indra, by Xavier Zimbardo); art to left of mantel, bottom (Alan Bean Holding Lunar Soil Sample Container, by Charles Conrad): Hamburg Kennedy Photographs, 212/233-1124, hkphotographs.com.
Art above mantel (Water, by Marcelo Brodsky; from VVV Gallery, Buenos Aires): Robert Stilin LLC, 631/329-7141, robertstilin.com.
Every design of Stilin's--ultra-trad or way mod--is about creating a lifestyle. "At the end of the day, I want to provide a sanctuary that's comfortable and relaxing," explains the Montauk designer. He redoubled his comfort impulse in this living room, going for "a little bit of a loungy look" to contrast with the architecture's formality.
Striped area rug (Tsukden lamb striped area rug): Tamarian Carpets, 800/854-0538, tamarian.com.
Table lamp (vintage, agate lamp); coffee table (vintage, chrome and rosewood); accessories: Robert Stilin LLC, 631/329-7141, robertstilin.com.
Table by fireplace (vintage): Wyeth 212/243-3661, wyethome.com.
Art above mantel (Water, by Marcelo Brodsky; from VVV Gallery, Buenos Aires): Robert Stilin LLC, 631/329-7141, robertstilin.com.
The two-story foyer's dramatic scale refused to dwarf designer Greg Lanza. "Because of this economy, the only opulence I wanted to display was in scale," says the designer.
Design: Greg Lanza, Greg Lanza Design, 641 Lexington Ave., 14th Floor, New York, NY 10022; 212/537-9090; and 75 Highland Rd., Glen Cove, NY 11542; 516/656-9848, greglanzainteriors.com.
On a custom hexagonal tray table skirted with Duralee fabric, Robert Kuo's larger-than-life copper rabbit holds its own in the immense space. Lanza likewise conquered vertical space with a low-hanging wooden chandelier from Donna Parker Habitat Ltd. "I also wanted an appropriate nature theme, but something other than seashells." Thus the great blue heron painting from Dutch Touch Art surmounts a classic Eames chair; driftwood floor lamps from Greg Lanza Design Home Collection subtly suggest the shore.
Chandelier: Donna Parker Habitat Ltd., 631/726-9311, habitatltd.com.
Area rug (Tibetan): Tamarian Carpets, 800/854-0538, tamarian.com.
Copper rabbit: Robert Kuo, 212/229-2020, robertkuo.com.
Heron painting (Great Blue Heron): Dutch Touch Art, 212/721-6521, dutchtouchart.com.
Chair under painting (Eames "La Chaise"): Design Within Reach, 800/944-2233, dwr.com.
Hexagon tray foyer table (TrueForm Furniture); driftwood floor lamps; benches; wing chair: Greg Lanza Design Home Collection, 516/656-9848, greglanzainteriors.com.
Yellow side tables: West Elm, 888/921-4119, westelm.com.
Fabrics: Duralee, 800/275-3872, duralee.com, and Highland Court, 800/387-2533, highlandcourtfabrics.com.
White side table ("Jacques Garcia Outdoor Chi Chi 'C' Table") McGuire, 800/662-4847, mcguirefurniture.com.
In the dining room, Marshall Watson characteristically mixed old and new.
Design: Marshall Watson, Marshall Watson Interiors, 105 W. 72nd St., Suite 9B, New York, NY 10023; 212/595-5995.
Commode: Amy Perlin Antiques, 212/593-5240.
Lamps on commode: R.E. Steele Antiques, 631/324-7812.
Collage (by Michael Yurick): The Mark Humphrey Gallery, 631/283-3113, markhumphreygallery.com.
Floor uplights: Suffolk Designer Lighting, 631/283-4800, suffolkdesignerlighting.com.
Pair of Art Deco chairs: Amy Perlin Antiques, 212/593-5240.
Paint: Benjamin Moore & Co., 888/236-6667.
Wall color (custom glaze); decorative painting on walls and ceiling: Judy Mulligan Inc., 908/879-6728.
"Take it down a notch" was Marshall Watson's prescription for easing the dining room's formal architecture. His "meds" included a renewably resourced aloe Rug & Kilim carpet --"a roughly elegant platform for Judy Mulligan's English oiled walls and graphic ceiling in a toasted caramel finish," Watson explains. The hand-painted designs feature Benjamin Moore paints.
Carpet: Rug & Kilim, 212/829-9995, rugandkilim.com.
Dining table ("Japanese Dining Table"): Sylvester & Co. at Home, 631/267-9777, sylvesterathome.com.
Chandelier (by Mark Figueredo): Mark Figueredo Custom Lighting, 631/329-5033.
Dining chairs: Amy Perlin Antiques, 212/593-5240, amyperlinantiques.com.
Chair upholstery ("Finnegan Washed Plaid"/Taupe #9222B-0035, discontinued); chair sleeves ("Barry Plain Linen"/Camel #9218B-0026, discontinued): Stroheim & Romann, 212/486-1500, stroheim.com.
Dishes and glassware: H Groome, 631/204-0491.
Flatware (Georg Jensen, 1930s): Alastair Crawford LLC, 212/249-3602.
Flowers: Florea Studio, 212/279-6570, floreastudio.com.
Pair of armchairs: designer's collection.
Armchair fabric (#9642N-0014, discontinued): Stroheim & Romann, 212/486-1500.
Drapery ("Garamond Texture"/Ivory #8641N-0014); drapery border ("Hollister Bamboo Textured"/Ice Blue #2440N-0516): Stroheim & Romann, 212/486-1500.
Settee ("Vineyard Settee" #SF5016, Marshall Watson Collection for Lewis Mittman): Edward Ferrell-Lewis Mittman, 212/888-5580, ef-lm.com.
Settee fabric ("Vada" #CA7271/092); flower pillow ("Chermona Brocade" #2344B-0630); diamond pillow ("Bask Figured Woven" /Cool Blue, Gold #9613B-0536): Stroheim & Romann, 212/486-1500.
Leather on settee: Hinson & Co., 212/688-5538.
Bamboo end table: Christy's Art Center, 631/725-7000.
Ceramic lamp: R.E. Steele Antiques, 631/324-7812.
One additional showstopper is the lighting. Known for adaptive reuse, Watson chose bee skeps-turned-fixtures by lighting designer Mark Figueredo as an alternative to more expected chandeliers. To create tension, he paired a crisply modern walnut Sylvester & Co. at Home table with early-1900s Louis XIII-style French dining chairs, then upped the informality by dressing the chairs in Stroheim & Romann linen slipcovers.
Chandelier (by Mark Figueredo): Mark Figueredo Custom Lighting, 631/329-5033.
Dining chairs: Amy Perlin Antiques, 212/593-5240, amyperlinantiques.com.
Chair upholstery ("Finnegan Washed Plaid"/Taupe #9222B-0035, discontinued); chair sleeves ("Barry Plain Linen"/Camel #9218B-0026, discontinued): Stroheim & Romann, 212/486-1500, stroheim.com.
Above the fireplace, a circa-1880 Italian mirror is flanked by 1920s French sconces; in front of it stand a focal-point pair of new iron topiaries from Aidan Gray. Deco chairs flank an old Belgian commode.
Mirror ("Lombardian Flame-Molding Mirror"); plaster pugs; handblown mosquito traps: Amy Perlin Antiques, 212/593-5240.
Sconces: Carlos de la Puente Antiques, 212/751-2282, delapuenteantiques.com.
Andirons: Architrove, 631/329-2229, architrove.com.
Iron topiaries: Aidan Gray, 888/273-4229, aidangrayhome.com.
As an established bibliophile, Kristen McGinnis read the library's knotty pine paneling as a plus. "I loved it and knew immediately what the room wanted to be--a space that had evolved over time and that featured elements of nature like the knotty pine paneling," she says.
Design: Kristen McGinnis, Kristen McGinnis Design, 41 Union Square W., Suite 809, New York, NY 10003; 212/488-6820, kristenmcginnis.com.
An antique William IV library table and 19th-century wing chair covered in an Old World Weavers fabric created the collected look, which McGinnis brought up to date with leafy bronze Claude Lalanne chairs flanking the fireplace, a Michele Oka Doner candelabra, and the Herve Van Der Straeten chandelier. Chista's organically shaped "Bronze Volcano" coffee table stands on a Stark rug.
Chandelier (by Herve Van Der Straeten): Maison Gerard, 212/674-7611, maisongerard.com.
Ceiling paint ("Wenge," by Aura): Benjamin Moore & Co., 888/236-6667.
Sofa (1920s): Hiden Galleries, 203/363-0003, hidengalleries.net.
Sofa fabric ("Kalasin"/Spice #JM 0006 2676): Old World Weavers, 212/355-7186.
Wing chair: Sentimento Antiques, 212/750-3111, sentimentoantiques.com.
Chair fabric ("Ari"/Espresso #LM 0007 1009): Old World Weavers, 212/355-7186.
Throw: Dualoy Leather for Holland & Sherry, 212/355-6241, hollandandsherry.com.
Library table (William IV): Cove Landing Antiques, 860/526-3464.
Candelabra ("Enchanted Root Candelabra" by Michele Oka Doner): Cristina Grajales Inc., 212/219-9941, cristinagrajalesinc.com.
Coffee table ("Bronze Volcano Table"): Chista, 212/924-0394, chista.net.
Sculpture (by Suzanne Ramie): Magen H. Gallery, 212/777-8670, magenxxcentury.com. Candlestick: Amy Perlin Antiques, 212/593-5756.
Area rug (contemporary Moroccan): Stark Carpet, 212/752-9000, starkcarpet.com.
Painting over mantel (Squatchee 2003, by Eliott Puckette): designer's collection.
Cylinder vase at left: H.M. Luther Antiques, 212/505-1485 and 212/439-7919, hmluther.com.
Sculpture ("Dowery Stone, Irian Jaya"): Chista, 212/924-0394, chista.net.
Sculpture at right (Scene 2007, by Hervé Wahlen): Barry Friedman Ltd., 212/239-8600, barryfriedmanltd.com.
Bronze chairs flanking mantel (by Claude Lalanne): designer's collection.
Sandwiched between a Phillip Jeffries grasscloth ceiling and a velvety wool Stark carpet, the great room takes a turn for the textural with its varied natural materials. Designers Kenneth Alpert and Andrew Petronio of KA Design Group cocooned the room in a toasty brown hue, then provided contrast with lighter Ralph Lauren fabrics on the Walters Wicker sofa and chair and on the pair of cube bench seats from Lorin Marsh. "The hot-pink Kravet drapery added a playful twist," notes Alpert. Photography on the walls is by Bing Wright.
Design: Kenneth Alpert and Andrew Petronio, KA Design Group, 595 Madison Ave., 8th Floor, New York, NY 10022; 212/223-0314, kennethalpert.com.
Grasscloth ceiling: Phillip Jeffries Ltd., 973/575-5414, phillipjeffries.com.
Ceiling fixture: Modulightor, 212/371-0336, modulightor.com.
Drapery: Kravet, 888/457-2838, kravet.com.
Trim and ceiling paint: Benjamin Moore & Co., 888/236-6667.
Wicker sofa and chair: Walters Wicker, 201/567-2000, walterswicker.com.
Fabric: Ralph Lauren Home, 888/475-7674, ralphlaurenhome.com.
Round end table: Holly Hunt, 312/661-1900, hollyhunt.com.
Rectangular end table; table lamps: Lorin Marsh, 212/759-8700, lorinmarsh.com.
Coffee table cubes: John Rosselli Antiques, 212/750-0060, johnrosselliantiques.com.
Photographs over sofa (by Bing Wright); art on wall to right of sofa (by Marilyn Minter): designer's collection.
Round table base: Donghia, 914/662-2377, donghia.com.
Marble top: custom.
Benches: Lorin Marsh, 212/759-8700.
Fabric: Ralph Lauren Home, 888/475-7674.
Carpet: Stark Carpet Corp., 212/752-9000.
What she calls "pinchy" spaces are a favorite challenge for designer Carole Reed. Both the hallway and adjacent powder room fit the term. "Tight spaces require a few good moves," she says. An 1880 Chinese console and a Mecox Gardens head sculpture brought "soul and vibration" to the hallway, which she flatteringly illuminated through mango-hued silken shades on iron lamps.
Design: Carole Reed, Carole Reed Interior Design, 485 Magee St., Southampton, NY 11968; 631/204-0060, and 400 Chambers St., New York, NY 10282; 631/875-7366, carolereeddesign.com.
Console; lamps ("Benedict Table Lamp"); lampshades (silk): Old Town Crossing, 631/283-7740, oldtowncrossing.com.
Bench ("Neta Goatskin Bench" #FNBN-1512-NETA); sculpture ("Large Wood Carved Head Sculpture" #AH-1819-SAX042): Mecox Gardens, 800/487-4854, mecoxgardens.com.
Bench fabric ("So Subtle-21"): Kravet, 888/457-2838, kravet.com.
Area rug (Aru Metok): Odegard, 800/670-8836, odegardinc.com.
In the powder room, Reed warmed up the chilly marble and granite by covering walls with "the amazing texture of Crezana's hand-dyed Madagascar cloth, which features a subtle damask pattern for an extra layer of warmth." Helen Gifford blown-glass sconces are from HelenBilt Lighting.
Blown glass scones: Helen Gifford, HelenBilt Lighting, 917/449-9677, helenbilt.com.
Rug (hemp): Odegard, 800/670-8836, odegardinc.com.
Wallpaper (Madagascar cloth, with damask pattern ): Crezana Design, 631/283-3101, crezana.com.
All-white kitchens can be "antiseptic," bemoans Manhasset-based designer Denyse Rinfret. "I love them, but I like to spark them up with color and warm them up with style."
Interior design: Denyse Rinfret, Rinfret Interiors LLC, 99 Bourndale Rd. N., Manhasset, NY 11030; 516/365-7234, rinfretinteriors.com.
Kitchen and pantry design: Christopher Peacock Home, 222 Merchandise Mart #148, Chicago, IL 60654; 312/321-9500, peacockhome.com.
Fuchsia-colored Lee Jofa fabric on the windows and doors created the spark, which Rinfret repeated on the contemporary dinnerware, augmenting the hot pink with bold turquoise. Scale, too, was important in bringing the room to life. "I love the high, fanciful French garden chairs," she says of the curvy iron chairs from Old Town Crossing. (The table and host and hostess chairs are also from that company.) "I sometimes walk into spaces with high ceilings and have to talk the clients out of wanting low furniture. Furniture for this room was substantial and filled the space both horizontally and vertically." Cases in point: the large antique lantern chandelier and big convex mirror, which "give the room another dimension."
Table; chairs: Old Town Crossing, 631/283-7740.
Chair fabric (French linen); pillows: Rinfret Interiors, LLC, 516/365-7234.
Lantern: Ann Madonia Antiques, 631/283-1878.
Drapery fabric: Lee Jofa, 800/453-3563, leejofa.com.
Cabinet; mirror: English Country Antiques, 631/537-0606, ecantiques.com.
Table base; accessories; lamps; rug: Rinfret Interiors, LLC, 516/365-7234.
Designer Katie Ridder featured her new wallpaper, "Seaweed," in the butler's pantry.
Design: Katie Ridder, Katie Ridder Inc., 432 Park Ave. S., New York, NY 10016; 212/779-9080, katieridder.com.
Wallpaper ("Seaweed"/Lavender #400-02, by Katie Ridder): Holland & Sherry, 212/355-6241.
It was love at first sight. "When I laid eyes on this charming porch, I knew I had to design it," says Manhattan designer Brad Ford. Achieving drama that didn't detract from the view was a constant concern. "I wanted the room to be a bit dramatic, but I didn't want to take away from the view of the lush landscape. I hoped for balance."
Design: Brad Ford, Brad Ford I.D. Inc., 315 7th Ave., Suite 16B, New York, NY 10001; 212/352-9616, bradfordid.com.
Known for tightly edited spaces that still create a splash, Ford decided to "take classic pieces associated with a screened-in porch to the next level." Thus a pair of custom porch swings upholstered in Silver State Fabrics have all the crisp tailoring of sofas.
Swings (custom): Brad Ford I.D. Inc., 212/352-9616, bradfordid.com.
Fabrication: Siegfried's Basement, 212/629-3523, sbiwood.com.
Fabric ("Reese," color 10): Silver State Fabrics, 800/453-5777, silverstatefabrics.com. Through Michael Tavano, 212/564-0034, michaeltavano.com.
Throw pillows with nailheads: West Elm, 888/922-4119, westelm.com.
Velvet pillows; throws: Crate & Barrel, 800/996-9960, crateandbarrel.com.
Abaca rug (by Limited Edition): Lepere, 212/488-7000, lepereinc.com.
Cowhide rugs: Patterson, Flynn & Martin, 212/688-7700, pattersonflynnmartin.com.
Mantel: Morgik Metal Designs, 212/463-0304, morgik.com.
Art on mantel (stylized papier-maché leaf): Amy Perlin Antiques, 212/593-5756.
Rope mirror ("Mika" #MI1219, by Christian Astuguevieille): Holly Hunt, 312/661-1900. Sconces ("Legit"): Hinson & Co., 212/688-5538.
Chime art installation: J. Prichard Design, 512/922-2968, jpricharddesign.com.
Tables ("Hollow Zig Zag Tables"): Tucker Robbins, 212/355-3383, tuckerrobbins.com.
Floor lamp ("Banded Leg Floor Lamp"): Robert Altman, LLC, 212/832-3490, robertaltmanllc.com.
Paint ("Super White"): Benajmin Moore & Co., 888/236-6667.
The rope mirror by Christian Astuguevieille adds texture.
Rope mirror ("Mika" #MI1219, by Christian Astuguevieille): Holly Hunt, 312/661-1900.
Wind chimes morphed into wind-chime art, installed by J. Prichard Design. "Each chime was handmade using porcelain. I knew if we layered them and had them at different levels, it would present lots of texture," explains Ford.
Chime art installation: J. Prichard Design, 512/922-2968, jpricharddesign.com.
Designer Elizabeth Bailey designed an elegant and comfortable bedroom using primarily sustainable materials, from fabric to furniture to floor coverings.
Design: Elizabeth Bailey, 917/532-9220, elizabethbaileydesign.com.
A haven of restful grays and pretty pinks, the bedroom is outfitted with a fresh melding of antiques and modern pieces. Lizzie started her search at ABC Home, which specializes in sustainable and fair-trade products. There she found organic fabrics colored with nontoxic dyes, furniture made with sustainable and reclaimed wood and natural upholstery options, tables made from recycled metal, and everything she needed to make an eco bed, including the mattress.
Settee ("Louis XV painted canapé, French, c. 1770): Gerald Bland Inc., 212/987-8505, geraldblandinc.com.
Settee fabric ("Thoroughbred"/Charcoal #1404, by Joseph Noble): through Pollack & Assoc., 212/421-8755, trade only.
Trim: discontinued.
Throw blanket (Merino Wool/White with Pink Stripes): Swans Island Blankets, 888/526-9526, swansislandblankets.com.
Round table beside settee (antique Indian table); reading lamp ("Leaf LED Personal Light'' by Herman Miller); lucite table in front of settee (vintage, part of lucite nesting tables): ABC Carpet & Home, 212/473-3000, abchome.com.
Game: designer's collection.
White vessel ("Chloe''); vase with flowers ("Ivy'') on round table: Perch! Design, 718/858-9399, perchdesign.net.
Art on table beside settee (Face Study by Albert Hadley): Gerald Bland Inc., 212/987-8505, geraldblandinc.com.
Drapery ("Tundra''/Polar Bear #1027-130): Q Collection, 212/529-1400, qcollection.com, trade only.
Drapery hardware: Antique Drapery Rod Co., 214/653-1733, antiquedraperyrod.com.
Paint ("Skylight'' #205, in Eco Full Gloss finish): Farrow & Ball, 888/511-1121, farrow-ball.com.
Carpet tiles ("Flats & Cords''/Buttercream): Flor, 866/281-3567, flor.com.
Area rug (antique, Turkish Oushak): Doris Leslie Blau, 212/586-5511, dorisleslieblau.com, trade only.
Bed drapery ("Satin Wool''/Luna #1001-02): Q Collection, 212/529-1400, qcollection.com, trade only.
Bed-drapery linin ("East Village''/Pink): Rubie Green, 917/319-6751, rubiegreen.com.
Bed ("Francesca Bed'' by Cisco Brothers); bed upholstery ("Tamara''/Yellow); bolster-pillow fabric ("Nyssa''/Blue by Cisco Brothers): Cisco Brothers at ABC Carpet & Home, 646/602-3725, ciscobrothers.com.
Mattress (organic, by Royal Pedic); sheets (organic cotton in "Peony'' by Coyuchi); blanket (organic cotton by Loop): ABC Carpet & Home, 212/473-3000, abchome.com.
Duvet and shams ("Belissimo''/Cream, 460 TC organic cotton): Anna Sova Luxury Organics, 877/326-7682, annasova.com.
Bedside table (vintage Jansen ebonized side table, French, 1940s): Flessas Design, 212/289-8484, flessasdesign.com.
Table lamp (vintage chrome ball lamp): Las Venus New York, 212/982-0608, lasvenus.com.
Art on table (Les Temps Perdu, by Robert Woody Biggs): Time Frame, 877/521-7749, timeframeonline.com.
Vase ("Dover Footed Vase''): Simon Pearce, 800/774-5277, simonpearce.com, trade only.
Slipper chair ("Sylvan Slipper chair'' #CH7861, from Pure: Sustainable Luxury Collection by Edward Ferrell + Lewis Mittman); leather upholstery (Edward Ferrell + Lewis Mittman "Saddle Calf White''): Edward Ferrell + Lewis Mittman, 212/758-5000, ef-lm.com, trade only.
Lucite table beside slipper chair (vintage, part of lucite nesting tables): ABC Carpet & Home, 212/473-3000, abchome.com.
Blue telephone: Las Venus New York, 212/982-0608, las venus.com.
French ephemera--from metro tickets to opera scores--are folded and mounted in frames by artist Robert Biggs.
French ephemera: timeframeonline.com
Timeless, tailored, and architecturally appropriate sums up the style of Carrier and Company. Designers Jesse Carrier and Mara Miller stayed true to form in the showhouse game room.
Design: Jesse Carrier and Mara Miller, Carrier & Co. Interiors Ltd., 530 E. 90th St., New York, NY 10128; 212/706-1025, carrierandcompany.com.
Neither man cave nor glam slam, the game room is "a sanctuary the entire family can enjoy all year long," says Miller. An inviting nutmeg grasscloth from Twenty2 warms walls, and the same hue covers the 1920s pool table, integrating it into the design. Kilim-covered George Smith club chairs hint at exoticism while a Schumacher linen-covered Old Town Crossing ottoman exudes comfort.
Billiard table (c. 1920, by Brunswick Billiards): Thomas Grimaldi Billiards, 631/424-3310, tgrimaldibilliards.com.
Wall covering ("Grasscloth"/Grenadine): Twenty 2, 888/222-3036, twenty2.net.
Sea grass flooring: Stark Carpet, 212/752-9000.
Area rug (Oushak): Darius Antique & Decorative Rugs at Stark Carpet, 212/752-9000 x408, dariusrugs.com.
Screen design (custom): Naula Workshop, 718/628-1912, naulaworkshop.com. Available through Carrier and Co., 212/706-1025.
Screen fabric ("Patmos Stripe"/Pompeii, mitered): Carolina Irving Textiles, 646/688-3365, carolinairvingtextiles.com.
Club chair ("Standard Armchair" #C001); chair fabric ("Kilim"): George Smith, 212/226-4747, georgesmith.com.
Throw pillow ("Jamestown Strié"/Aqua #62562): Schumacher, 800/523-1200, fschumacher.com.
Ceramic garden seat: Far Eastern Antiques, 212/460-5030, fareasternantiques.com.
Floor lamp: Historical Materialism, 518/671-6151, historicalmaterialism.com.
Ottoman: Old Town Crossing, 631/283-7740.
Ottoman fabric ("Bryton Linen Herringbone"/Celadon #54924): Schumacher, 800/523-1200.
Wood finials with flame motif, in fireplace: Sentimento Antiques, 212/750-3111.
Chair (with red leather webbing, by Francois Lauthier): Balsamo Antiques, 518/398-9066, balsamoantiques.com.
Warm layering includes an antique table with a red Treillage lamp and an old Oushak atop Stark's seagrass rug.
Demilune table: Sentimento Antiques, 212/750-3111.
Porcelain lamp ("Porcelain Elixir Lamp"/Coral Red #MK-EXR-O-CR): Treillage Ltd., 212/535-2288, treillageonline.com.
Marjorie Sobiloff and Cathy Yohay of SY Interior Design "wanted to change the dynamics of a boring home office into an exciting environment that would stimulate creativity," says Yohay.
Design: Cathy Yohay and Marjorie Sobiloff, SY Interior Designs Inc., 145 Station Rd., Great Neck, NY 11023; 516/770-5044 and 516/729-3143, syinteriordesigns.com.
They prominently showcased art from East Hampton's Vered Gallery and teamed vintage classics like the doughnut phone and mid-century orange pottery with contemporary pieces, including a Niedermaier silver desk chair, white lacquer desk from Ligne Roset, and Lle-Dom art glass. A Baker étagère displays Lladro animals. Softening the floors is a rug from Odegard.
Étagère: Baker, 800/592-2537, bakerfurniture.com.
Carpet: Odegard, 800/670-8836, odegardinc.com.
Silver desk chair: Niedermaier, 212/888-8680, niedermaier.com.
White lacquer desk: Ligne Roset, ligne-roset-usa.com.
A modern take on a mah-jongg room was Brendan Kwinter-Schwartz's vehicle for bringing "a sense of style and sophistication with a sprinkle of fun" to a windowless room on the lower level.
Design: Brendan Kwinter-Schwartz, Kwinter & Co., 424 E. 52nd St., Suite 1B, New York, NY 10022; 212/371-6400, kwinterdesign.com.
"I transformed what felt like a large walk-in closet with no natural light into an avant-garde games room for the lady of the house," Kwinter-Schwartz says. A combination of natural elements and glossy finishes--especially a high-gloss lavender Benjamin Moore paint on the ceiling juxtaposed with a wall of reclaimed barnwood--exemplifies the designer's special forte: "I am all about texture, and this project shows that." A circa-1940 "Vintage Kilim Composition" rug from FJ Hakimian anchors the room. Its geometric grid is playfully opposed by "Bangalore Paisley" wallpaper from China Seas. The upholstered daybed is Avery Boardman.
Paint on ceiling and crown molding ("Beach Plum" #2072-60, high gloss): Benjamin Moore & Co., 888/236-6667.
Wallpaper ("Bangalore Paisley"/Navy on Almost White #6040-02WP, by China Seas): Quadrille Wallpapers & Fabrics, 212/753-2995, quadrillefabrics.com.
Carpet ("Vintage Kilim Composition" #23060): FJ Hakimian, 212/371-6900.
Upholstered daybed; upholstered bench: Avery Boardman, 212/688-6611, averyboardman.com.
Fabric on daybed sides and base, ivory-colored daybed pillows, trim on bench ("Gweneth Linen"/Ivory #79770); fabric on daybed seats and bolsters ("Gweneth Linen"/Greige #79771); two-toned daybed pillows ("Gweneth Linen"/Straw #50820, and "Gweneth Linen"/Gold #79776): Schumacher, 800/523-1200.
Bench fabric ("Cezanne"/Navy #171013): Holland & Sherry, 212/355-6241.
Games table ("Madison"); chairs at table ("Tiffany"): Niedermaier, 212/888-8680, niedermaier.com.
Console ("Hannover Vellum-Style"); floor lamp ("Lector"): Roman Thomas, 212/473-6774, romanthomas.com.
Table lamp on console (Murano, Italy, 1960s): Lobel Modern, 212/242-9075, lobelmodern.com.
Flower art (Chrysanthemum #1, silver gelatin photograph, by Amanda Means): Jayne H. Baum, 212/255-9286, jhbgallery.com.
"Our design philosophy always pairs the glamorous and exotic with the comfortable and inviting," says Jennifer Garrigues, who has offices in London and Palm Beach as well as Manhattan.
Design: Jennifer Garrigues with Diana el Daher, Jennifer Garrigues Inc., 308 Peruvian Ave., Palm Beach, FL 33480; 561/659-7085, and 954 Lexington Ave., Suite 225, New York, NY 10021; 212/249-2516, jennifergarrigues.com.
"A sexy room you and your partner may never want to leave" was the response Jennifer Garrigues desired for her and Diana el Daher's master bedroom design. A grand antique Anglo-Indian bed launched them into a good start. A more delicate touch of exoticism appears as a custom Indian paisley stencil that finishes the walls in place of crown moldings. For max comfort, they offered several seating options, starting with slipper chairs covered in a Rogers & Goffigon velvet in front of the fireplace.
Wall paint (custom): by Fernando Tonarely Painting Contractor Inc., 561/802-8825.
Stenciling on walls: Andrew Tedesco Studios Inc., 212/924-8438.
Drapery ("Natural Linen Scrim"): Schumacher, 800/523-1200.
Drapery trim ("Fleco Macadamia Wood Bead Trim" #974-29650): Samuel & Sons, 212/704-8000, samuelandsons.com.
Area rug under bed (antique, Bessarabian): Doris Leslie Blau, 212/586-5511, dorisleslieblau.com.
Chandelier (Udipur Chandelier"): Jennifer Garrigues Inc., 212/249-2516.
Bed ("Four-poster Antique Indian Canopy bed"); footstool: Anglo-Raj Antiques, 212/689-3437, anglorajantiques.com.
Duvet and Euro shams (custom, "Oxus" #R0493, noile silk): Robert Kime, robertkime.com. Through Jennifer Garrigues Inc., 212/249-2516.
Mirrored pillows on bed ("Sheesha"): John Robshaw Textiles, 212/594-6006, johnrobshaw.com.
Upholstered bench: Old Town Crossing, 631/283-7740.
Floor lamp by bed: Lee Calicchio Ltd. Antiques, 212/588-0841, leecalicchioltd.com.
Fauteuil by bed: Jennifer Garrigues Inc., 212/249-2516.
Slipper chairs: Jennifer Garrigues Inc., 212/249-2516.
Chair fabric ("Cervo Linen Velvet" #92702): Rogers & Goffigon, 203/532-8068.
Painting above mantel (by Dora Frost): Dora Frost Studio, email@example.com.
Slipcovered sofa; side table with mother-of-pearl inlay; lamp: Jennifer Garrigues Inc., 212/249-2516.
Linen pillows on sofa ("Medici"): Rose Tarlow-Melrose House, 323/651-2202, rosetarlow.com.
Coffee table: Old Town Crossing, 631/283-7740.
Area rug: Jennifer Garrigues Inc., 212/249-2516.
There's no mistaking the English country house character of Ellen Hamilton's sitting room. The Brooklyn-based designer says it all began with her first impression of the showhouse property as a "country house by the sea. That evoked the memory of legendary British designer Nancy Lancaster of Colefax and Fowler fame. She loved stately houses and knew how to make them comfortable and happy," Hamilton explains.
Design: Ellen Hamilton, Hamilton Design Associates Inc., One Union Square W., Suite 709, New York, NY 10003; 212/620-0800, hdanyc.com.
Hamilton's own version of happy is a cheerful palette of complementary colors, green and rose, with accents of sunny yellow and a few other garden-variety hues thrown in for a multifarious mix. Green is expressed mainly through an Osborne & Little wallpaper that's "a dizzy contemporary version of papers from the period between the wars in Britain," says the designer, while rose is articulated by the Hazelton House chintz draperies and the China Seas tufted fabric on a Phoenix Custom Furniture chair.
Wallpaper ("Foxglove" #W5805-07, by Suzy Hoodless): Osborne & Little, 877/322-7420, osborneandlittle.com.
Drapery ("Albertina"/Cream #2092H): Hazelton House Ltd., 416/925-4779, hazeltonhouse.com.
Chandelier: Sentimento Antiques, 212/750-3111.
Needlepoint rug (antique): Doris Leslie Blau, 212/586-5511.
Daybed: Anglo-Raj Antiques, 212/689-3437.
Daybed fabric ("Mimosa Vine"/Viola #MV03): Carolina Irving Textiles, 646/688-3365.
Chevron pillow (#22081-2): Bergamo Fabrics, 914/665-0800, bergamofabrics.com.
Rose pillow on daybed ("Balinese Star"/Magenta, Cream on White #68000CU-05, by China Seas); green bolster-style pillow on daybed ("Balinese Star"/New Green, Cream on White #68000CU-03, by China Seas): Quadrille Wallpaper & Fabrics, 212/753-2995, quadrillefabrics.com.
Throw on daybed (antique, Pakistani shawl): Layla, 718/222-1933, layla-bklyn.com.
Tufted chair (custom, "Bridgewater Chair"): Phoenix Custom Furniture, 905/580-6241, phoenixcustomfurniture.net.
Chair fabric ("Balinese Star" #68000CU-03, by China Seas): Quadrille Wallpaper & Fabrics, 212/753-2995.
Pedestal table; ebony table by daybed; Lamp on pedestal table ("Lemon Leaf Ceramic Lamp"): BeeLine Home by Bunny Williams, 212/935-5930, beelinehome.com.
Ceiling and trim paint ("White Dove"): Benjamin Moore, 888/236-6667.
Antique Colonial Dutch ebony furniture, including a daybed, large pedestal table, desk, and cane-back chair from Ceylon, cements the Lancaster look.
Desk; cane-back chair at desk: Anglo-Raj Antiques, 212/689-3437.
Mirror above desk: Suzanne Golden Antiques, 212/421-3733, suzannegoldenantiques.com.
The daybed wears a Carolina Irving fabric; the chevron pillow fabric is Bergamo.
Daybed: Anglo-Raj Antiques, 212/689-3437.
Daybed fabric ("Mimosa Vine"/Viola #MV03): Carolina Irving Textiles, 646/688-3365.
Chevron pillow (#22081-2): Bergamo Fabrics, 914/665-0800, bergamofabrics.com.
Rose pillow on daybed ("Balinese Star"/Magenta, Cream on White #68000CU-05, by China Seas); green bolster-style pillow on daybed ("Balinese Star"/New Green, Cream on White #68000CU-03, by China Seas): Quadrille Wallpaper & Fabrics, 212/753-2995, quadrillefabrics.com.
With simplicity and elegance as trademarks, Brian Brady and Franco Biscardi wanted to "accentuate the master bathroom's grandeur and glamour, while keeping it warm and serene," says Brady.
Design: Brian Brady and Franco Biscardi, Brady Design Inc., 22 Main St., Southampton, NY 11968; 631/283-3111, bbradydesign.com.
Always, the Brady Design team stresses what's apt for the location. Here, that meant a palette of blues and grays to evoke the sea. "The rich geometric blue-gray Holland & Sherry wallpaper and the opalescent antique Murano chandelier depict it perfectly."
Chandelier; upholstered daybed; ebony gueridon table; steel magazine rack: Sentimento Antiques, 212/750-3111.
Floor lamp; cashmere throw: English Country Antiques, 631/537-0606, ecantiques.com.
Pillows on daybed: E. Braun & Co., 800/372-7286, ebraunandco.com.
Rug (Ivory Jute Chevron #23633-222, with Merida Cotton Binding #C951): Sybelle Carpet, 631/283-6888, sybellecarpet.com.
Wallpaper ("Mosaic"/Glacier #WP9028): Holland & Sherry, 212/355-6241.
Window treatment (custom): Holland & Sherry, 212/355-6241.
Bath (ThermoMasseur Bath): BainUltra Inc., 800/463-2187, bainultra.com.
Bath faucets (by Perrin & Rowe): Rohl, 800/777-9762, rohlhome.com.
Tile under tub (Glassos): through Cancos, 800/322-6267, cancos.com, and (glass tile by Oceanside Glasstile): through Walker Zanger, 877/611-0199, walkerzanger.com.
Ceiling and trim paint ("White Dove"): Benjamin Moore & Co., 888/236-6667.
Glass tiles from Walker Zanger and Odegard tables in the shower enhance the lightness.
Shower tables ("Jour Round Side Tables," in Agra Marble); white duck ("Floating Marble Duck"): Odegard Inc., 212/545-0069.
Tiles (Glassos): through Cancos, 800/322-6267, cancos.com, and (glass tile by Oceanside Glasstile): through Walker Zanger, 877/611-0199.
A comfortable multipurpose space that can function as a guest bedroom, office, and sitting room was third-generation interior designer Jeff Lincoln's vision for his assigned space. His approach was back to basics--Billy Baldwin basics.
Design: Jeff Lincoln, Jeff Lincoln Interiors, 315 E. 62nd St., New York, NY 10021; 212/588-9500. Billy Baldwin Studio at Jeff Lincoln Interiors Inc., 212/253-5673.
"Billy Baldwin's classic daybed and [armless] chairs join an eclectic array of new and antique pieces to provide an inviting and relaxing environment," Lincoln says. The well-cushioned space also reflects Lincoln's personal design code of comfort first and style second, with "visual connections between disparate items essential. I go for a total cohesive look, the whole being greater than the sum of the parts," he explains. Thus a grid-pattern wall covering from Lulu DK teams with striped shades from Romo, and a large Rose Tarlow console brushes up to an antique screen. Tamarian's Tigris rug adds depth and drama atop a natural sisal.
Daybed ("Daybed with Back," by Billy Baldwin): Billy Baldwin Studio at Jeff Lincoln Interiors Inc., 212/253-5673.
Daybed fabric ("Fine Madagascar" #HY0391AB): Hinson & Co., 212/688-5538.
Daybed cushion and white pillow ("Tucson Twill"/Cloud #10470); blue pillow on sofa ("Sativa"/Blue Moon #10612, linen); brown pillow (Sativa"/Walnut #10613, linen): Calvin Fabrics, 888/732-1996, henrycalvin.com.
Trim on all pillows ("Delaney Stripe"/Canton #7303-4): Romo Fabrics, 800/338-2783, romo.com.
Armchairs by sofa (limed teak): Furniture Garden, 631/726-4647.
Armchair fabric ("Tucson Twill"/Cloud #10470): Calvin Fabrics, 888/732-1996.
Slipper chairs across from sofa ("Slipper Chair,," by Billy Baldwin): Billy Baldwin Studio at Jeff Lincoln Interiors Inc., 212/253-5673.
Slipper-chair fabric ("Fine Madagascar" #HY0391AB): Hinson & Co., 212/688-5538.
Chair cushion and white pillow ("Tucson Twill"/Cloud #10470): Calvin Fabrics, 888/732-1996.
Coffee table ("Giacometti-Inspired Two-Tier Table with Frog Finials" #0140): Carole Gratale Inc., 212/230-1755, carolegratale.com.
Bronze sculpture on coffee table: Ruby Beets, 631/899-3275.
Ceramic table beside teak chair; sculpture on ceramic table: Jeff Lincoln Interiors Inc., 212/588-9500.
Mirror over sofa (Classical Revival-style): Knollwood Antiques, 212/308-6590, knollwoodantiques.com.
Chandelier ("Aura Hanging Fixture," by Alexandre Logé): Donzella, 212/965-8919, donzella.com.
Wall covering ("Minnows"/Mocha #WP3180-6): Lulu DK, 212/223-4234, luludk.com.
Screen: Donna Parker Habitat Ltd. Antiques, 631/726-9311, habitatltd.com.
Sisal rug: Stark Carpet Corp., 212/752-9000.
Area rug ("Tigris"/Mocha Blue #SAM0674): Tamarian Carpets, 410/321-6222, tamarian.com.
Roman shades ("Delaney Stripe"/Canton #7303-4): Romo Fabrics, 800/338-2783, romo.com.
Console by window (custom): Rose Tarlow-Melrose House, 323/651-2202, rosetarlow.com.
Column lamp on console: through Jeff Lincoln Interiors, 212/588-9500.
A contented "aaah" is the response Kate Singer hoped to evoke with her soothing and semi-glam showhouse bedroom.
Design: Kate Singer, Kate Singer Home Ltd., One Huntington Bay Rd., Huntington, NY 11743; 631/271-8376, katesingerhome.com.
Pale gray, lilac, and chartreuse--the colors in one of her favorite Vera Wang blouses--determined the palette. "I'm always inspired by fashion," Singer affirms. Silk taffeta from Lee Jofa at the windows, along with additional chartreuse accents such as Silk Trading Company's lampshades, keep the softer lilacs and grays on their toes and timely. Still, the effect is "elegant, serene, and somewhat romantic," says the designer. A Louis XVI-style armchair from Nella Vetrina must take at least part of the rap for romance, especially wearing a shimmering Kravet amethyst silk. Singer's custom Lucite bench and mirrored chests from George Smith ensure the right "touch of city sophistication and Hollywood glamour amidst this beautiful country landscape of the Hamptons," says Singer.
Paint ("Revere Pewter" #HC-172): Benjamin Moore & Co., 888/236-6667.
Headboard (custom): Kate Singer Home, 631/271-8376.
Headboard fabric (#20654-6, discontinued); bedskirt fabric (#22672-6): Kravet, 888/457-2838, kravet.com.Duvet and Euro shams ("Antalya"); bed linens ("Bicolore"): Frette, 212/988-5221, frette.com.
Bolster pillow and pillow on chair ("Oriental Tree"/Lime #BF10298-5, by GP&J Baker): Lee Jofa, 800/453-3563, leejofa.com.
Bedside tables ("Mirrored Temple Chests"): Julian Chichester, 336/886-2454, julianchichester.com. Through George Smith, 212/759-7888, georgesmith.com.
Lucite bench (custom): Kate Singer Home, 631/271-8376; and The Paris Apartment, 917/749-5089, theparisapartment.com.
Bench fabric ("Glazed"/Oyster #28657-1): Kravet, 888/457-2838.
Table lamps ("Corinthian Column Lamps"): Kate Singer Home, 631/271-8376.
Lampshades: Silk Trading Co., 888/745-5302, silktrading.com.
Art above bed ("Matthew Moore Tulips," by John Matthew Moore): Trowbridge Gallery, 404/816-8612, trowbridgegallery.com.
Armchair ("Nella Vetrina Louis XVI Armchair," custom finish): Nella Vetrina, 646/415-9150, nellavetrina.com.
Armchair fabric ("My Thai"/Amethyst #28709-110): Kravet, 888/457-2838.
Drapery fabric ("Oriental Tree"/Lime #BF10298-5, by GP&J Baker): Lee Jofa, 800/453-3563.
Sofa ("Somerville" #SO77); sofa fabric ("Cillezione Caesro"/Cadiz #690013-3): George Smith, 212/759-7888, georgesmith.com.
Coffee table: Two Worlds Arts, 212/929-2210, twoworldsarts.com.
Nesting tables (#3462, by Barbara Barry): Baker, 800/592-2537, bakerfurniture.com.
The straight lines of a Bolier & Company desk are softened by the tufted custom ottoman.
Desk ("Rosenau Desk" #53025): Bolier & Co., 336/887-2815, bolierco.com.
Ottoman (custom); crystal lamp: Kate Singer Home, 631/271-8376.
Fabric ("Fishnet"/Platinum #25379-106):Kravet, 888/457-2838.
A tufted custom bed that recalls the style of an old English Knole sofa delivers Benjamin Bradley and David Thiergartner's guest room safely from the doldrums that ever threaten boxy spaces.
Design: Benjamin W. Bradley and David Thiergartner, Bradley Thiergartner Interiors, 183 Madison Ave., Suite 904, New York, NY 10016; 212/779-1717, bradleythiergartnerinteriors.com.
Covered in Ralph Lauren Home ticking, Yves Delorme linens, and an orange Hermès blanket, the bed was designed for "you to feel very cosseted and safe when lying there," explains Bradley. The room's momentum builds with the shaggy rope chair from Holly Hunt, a globe collection, and, displayed on the easel, art by Michael Allen Lowe. In lieu of architecture, the tailored traditionalists glazed the walls and rimmed the perimeters (even along baseboards) in a darker 1-inch band.
Bed (custom): Bradley Thiergartner Interiors, 212/779-1717.
Bed fabric ("River Bluff Ticking"/Flint #LFY60460F): Ralph Lauren Home, 888/475-7674, ralphlaurenhome.com.
Bed linens ("Athena"/Platinum): Yves Delorme, 800/322-3911, yvesdelorme.com.
Blanket ("Avalon"/Ecru, Orange): Hermès, 800/441-4488, usa.hermes.com.
Animal-print pillow: Calypso Home, 212/925-6200, calypso-celle.com.
Pillows ("Marrakech" #2700-38): Carleton V Ltd., 212/355-4525, carletonvltd.com.
Round table: Croft Antiques, 621/283-6445.
Desk to right of bed (by Carole Gratale): through Edward Ferrell-Lewis Mittman, 212/888-5580.
Basket: Hamptons Antiques Gallery, 203/325-4019.
Drapery ("Somerset"/Marble #91038-03, custom quilted): Rogers & Goffigon, 203/532-8068.
Sisal rug ("Pecola"/Khaki);
Oushak rug (antique): Stark Carpet Corp., 212/752-9000.
Rope chair (by Christian Astuguevieille): Holly Hunt, 312/661-1900.
Easel: Ann-Morris Antiques, 212/838-4955.
Art on easel (by Michael Allen Lowe): Wally Findlay Galleries, 212/421-5390, wallyfindlay.com.
Stool by easel: Ann-Morris Antiques, 212/755-3308.
Paint ("Natural Linen" #966): Benjamin Moore & Co., 888/236-6667.
The adjoining bath incorporates art with a little bit of attitude.
Wall bracket: Jerry Pair: 800/909-7247, jerrypair.com.
Paint ("Copley Gray" #HC-104): Benjamin Moore & Co., 888/236-6667.
In the showhouse dressing room, designer Kat Burki trumped two questions that often inhibit creativity: Doesn't bold color make a room look smaller? And shouldn't decorating funds be concentrated on the house's public spaces? Her answers: No and No.
Design: Kat Burki, Kat Burki Inc., 35 Old Post Rd., Southport, CT 06890; 203/256-5817, katburki.com.
Kat infused the sunny room with a profusion of greens--chartreuse, Kelly, and apple--that helped her create a cheery dressing area. Painted in a strié pattern of cream, green, and yellow, the walls and brightly colored furniture echo the fresh Hamptons landscape. "Strong colors supply meaning and definition that give these areas special significance," says Kat.
Table ("Neo-Classical Center Table,'' ebony marble and gilded steel); green tables ("Shanghai," late Ching); chandelier ("Moderne French Bronze and Glass Chandelier,'' France, 1940s); French botanicals (by Aubled, antique, c. 1779); upholstered chair ("Clyde''); chair fabric ("Libra'' by Kat Burki): Kat Burki Home, 203/256-5817, katburki.com.
Chair in front of green Shanghai table (1950s, with original green silk stripe fabric): Stellar Union, 631/204-0315.
Drapery ("Vesey Sheer''/Lime #GWF-2613-3, by Groundworks): Lee Jofa, 800/453-3563, leejofa.com, trade only.
Paint (custom base color, with stripes in "Parakeet'' #6711): Sherwin-Williams, 800/474-3794, sherwinwilliams.com.
A pair of Chinese dressing tables offer spots for his-and-her primping from comfortable French armchairs--painted black and covered in a striped silk. Linen sheers with an interlocking circle pattern were fabricated into window treatments in contrasting scale: a simple Roman shade and a pleated drapery. Both exude tranquility.
Chair in front of green Shanghai table (1950s, with original green silk stripe fabric): Stellar Union, 631/204-0315.
Drapery ("Vesey Sheer''/Lime #GWF-2613-3, by Groundworks): Lee Jofa, 800/453-3563, leejofa.com, trade only.
Paint (custom base color, with stripes in "Parakeet'' #6711): Sherwin-Williams, 800/474-3794, sherwinwilliams.com.
Friends' adoption of an Ethiopian baby inspired Wayne Nathan's concept of the Hamptons bedroom he designed with Carol Egan.
Design: Wayne Nathan and Carol Egan, Nathan Egan Interiors, 270 Lafayette St., Suite 904, New York, NY 10012; 212/414-1313, nathanegan.com.
The only overt signs are the African mud chandelier and African textiles from Melet Mercantile Montauk. The vibrant palette also alludes to an ethnic heritage while multinational pieces invoke a more global spirit. The Japanese bed "gives the room an organic, rustic, but elegant look," says Nathan. To encourage viewers to "look at something in a new way," they covered art above the bed in blue Lucite.
Headboard (vintage, by George Nakashima); teak desk (by Peter Hvidt and Orla Mölgaard): Wyeth, 212/243-3661, wyethome.com.
Wide-band bed cover: Unison, 877/492-7960, unisonhome.com.
Pillows and coverlet (African textiles); wall hanging beside bed (Japanese textile); bench fabric (African textiles): Melet Mercantile Montauk, 631/668-9080.
Art over bed (Scenario #12, by Sam Samore): D'Amelio Terras Gallery, 212/352-9460, damelioterras.com.
Giacometti-style lamp bases with original wicker shades: Sentimento Antiques, 212/750-3111.
Chairs at end of bed (limited edition, by Paul Kjaerholm): R 20th Century, 212/343-7979, r20thcentury.com.
Chandelier ("Mud Chandelier"): Amaridian, 917/463-3719, amaridianusa.com.
Orange drapery fabric (rubberized sail cloth); trim; patterned drapery fabric: Mood Fabrics, 212/730-5003.
Paint ("Stonington Gray" #HC-170): Benjamin Moore & Co., 888/236-6667.
Bench at desk: Jed, 631/725-6411.
Carpet ("Truffle Goat Hair"/Jonquille #1535, color 658): Aronson's Floor Covering, 212/243-4993, aronsonsfloors.com.
Chair (vintage, "Papa Chair"): Wyeth, 212/243-3661.
Skye Kirby, designer and vice president of stores and marketing for retailer and interior design firm Lillian August used a neutral palette, delectable furnishings, and an oh-so-enviable artist's studio to transform the pool house into a soul-soothing yet energizing retreat.
Design: Skye Kirby, Lillian August, 32 Knight St., Norwalk, CT 06851; 203/847-1596, lillianaugust.com.
The pool house boasts charming interiors inspired by the long, wide beaches and the energetic surf juxtaposed with acres of farmland nestled between the ocean and the bay. "I used a lot of heather colors inspired by the Hamptons landscape--grasses, blue sky, sea, sand," says Skye. "All the subtle colors really influence the interior palette."
Substantial, curl-up-and-cozy-in furnishings from Lillian August, flagstone floors, and sisal rugs encourage the low-key, sand-between-your-toes lifestyle. A peppering of soft pattern does nothing to discourage the dreamy, soul-soothing atmosphere.
Upholstered sofa ("Belvedere" in "Mike"/Linen); upholstered sofa ("Albert" in "Vinson"/Beige); club chair ("Albert" in "Erdel"/Seafoam); chair ("Quinn" in "Hawks"/Seafoam): Lillian August for Hickory White, 336/884-2244, hickorywhite.com.
Coffee table ("Sydney"); console table ("Sigvard): Lillian August for Hickory White, 828/322-8624, hickorywhite.com.
Pillows on sofa with Greek key trim; tray on coffee table; coral; lamps on console table; baskets; floor lamp beside wing chair: Lillian August, 203/847-3314.
Art behind console: Janet Slom, 917/846-7827. Carpet ("Madagascar"): Merida, 800/345-2200, meridameridian.com.
Drapery: Romo, 212/319-7666, romo.com.
Drapery hardware: Robert Allen, 800/333-3777, robertallendesign.com.
Art on wall beside club chair (Something, by Julie Headland): Julie Headland, julieheadland.com.
Paint ("Seapearl" #OC-19): Benjamin Moore & Co., 888/236-6667, benjaminmoore.com.
Upstairs, the under-the-eaves artist's studio is outfitted with a highly edited and fittingly sculptural selection of furnishings. The only hint of color comes from the artwork and the ocher valance--inspired by the golden glow of the wheat field beyond the window.
Desk lamp; desk chair (one-of-a-kind); ottoman ("Billy Stool," from Artesia); stool; easel (antique); sculpture on desk: Lillian August, 203/847-3314.
Art on easel (by Julie Headland); art on wall beside desk (by Julie Headland): Julie Headland, julieheadland.com.
Carpet (Nostalgia Collection): Fibreworks, 800/843-0063, fibreworks.com.
Shade fabric ("Trellis Print," by Trina Turk): Schumacher, 800/523-1200, fschumacher.com.
Paint ("White Sand" #OC-10): Benjamin Moore & Co., 888/236-6667, benjaminmoore.com.
With an African safari lodge as his inspiration, designer Christopher Myers, owner of Just Terraces Inc., created a patio that resonates with fiery color, streamlined seating, and lush, sink-down comfort. Fabrics are Robert Allen; furniture is Barlow Tyrie.
Design: Christopher Myers, Just Terraces Inc., 422 E. 75th St., New York, NY 10021; 877/570-4847 and 212/570-4830, justterraces.com.
Furniture ("Savannah"): Barlow Tyrie, 800/451-7467, teak.com.
Parasol ("Frou Frou," by Sywawa): Just Terraces Inc., 877/570-4847.
Orange seat cushions, plain ("Island Resort"); orange cushions with square pattern ("Island Rattan"/Persimmon); orange-patterned cushions ("Morro Bay"/Persimmon): black-and-white pillows, large ("Plant Life"/Domino); black-and-white pillows, small ("Radio Wave"/Domino): Robert Allen, 800/333-3777, robertallendesign.com.
Fire bowls; firewall: Columbo Construction Corp., 718/399-2233, firefeatures.com.
Gazebo by Miguel Elias
Designer Miguel Elias, representing Dutch Petals Inc. in Southampton, "took a 10x10 gazebo that was nothing and made it into a unique, peaceful jewel box." The transformation included new Benjamin Moore paint, Quadrille fabrics on the walls and cushions, and a focal-point cabinet full of potted plants from Dutch Petals. The yellow pots feature Elias's custom Venetian plaster.
Design: Miguel Elias for Dutch Petals Inc., Dutch Petals, 161 Powell Ave., Southampton, NY 11968; 631/287-3356, dutchpetals.com. Miguel Elias Interior Design, 17 Park Ave., New York, NY 10016; 917/892-8213, migueleliasinteriordesign.com.
Gazebo; flowers: Dutch Petals, 631/287-3356.
Lantern ("Neptune"): Vaughan Designs, 212/319-7070, vaughandesigns.com.
Fabric ("Zig Zag"/Inca Gold on Tint #AC302-13, by Alan Campbell): Quadrille Wallpapers & Fabrics, 212/753-2995.
Paint ("Linen White"): Benjamin Moore, 888/236-6667.


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Imagination Statements
Imagine When...
every child in Winston-Salem has a place to call home with people who love them.
~ Jasmine Little, 14 yrs. old, Authoring Action (former foster care child)
It's easy for ALL of us to say "I love you and respect you" to others.
~ Teddy Burriss, November 2011
peace reigns in our hearts and on this earth.
~ White Star, December 2011
we become a culture focused on wellness, not illness.
everyone practices tolerance.
- Tina Ketchie-Sterns, March 2012
art, music, dance and theatre are considered fundamental in our schools.
~ Cyndi Briggs, April 2011
every woman loves her body.
~ C.B. April 2012 at the Earth Day Fair Dream Tent
taking time to dream becomes a pleasurable and valued habit.
~ Mark Leech, SECCA, November 2011
we can all smile and laugh without being judged.
~ Dominick Swygert, 13 yrs old, Authoring Action, Summer 2012
Free, renewable energy is available for all.
~ WSW, May 2012
all public schools serve delicious, nutritious food to our children.
~ Cyndi Briggs, December 2011
we invest in ourselves and our community.
~ Lucinda Brogdan, February 2012
every child has access to three healthy meals a day, every day.
~ Debra, August 2011
we realize our true nature is bliss absolute.
~ Lynn Felder, Yoga Gallery, June 2012
everyone in our community can feel safe riding a bike.
~ Wren Wilson, Salem College Student, January 2012
everyone makes time to dream, every day.
~ Cheryl Schirillo, October 2011
creativity is the norm.
world peace becomes a requirement. When war is done and we leave it at that.
~ Maya Burgess, 14 yrs old, Authoring Action, July 2012
the dreams of children are heard over the cynicisms of adults.
~ Lynn Rhoades, October 2011
liberal and conservative ideas merge for the good of the world.
~ Tim Johnson, October 2012
we come to see a person's worth through their soul, not their bank account.
love is the only binding marriage contract.
~ Tony Jenkins, 17 yrs. old, Authoring Action
healthcare and college are universal and free for everyone.
~ Taylor J.C., 15 yrs old, Authoring Action, July 2012
everyone on the planet has ample, clean drinking water.
~ Robin Lynn-Whitestar, September 2011
we all aspire to inspire.
~ Julie Crayne, November 2011
we long for the moment rather than the weekend or 5 pm.
~ @NCwiseman, March 2012
everyone knows their own worth.
~ Sandy Phocas, January 2012
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Steakhouse syndrome is a condition in which a mass of food (called a bolus) becomes stuck in the lower part of the esophagus. The esophagus is the muscular tube that carries food and liquids from the mouth to the stomach.
Steakhouse syndrome is caused by a mass of food, usually meat, blocking the passageway of the esophagus.
Risk Factors
Factors that may increase your chances of steakhouse syndrome:
- Not chewing your food completely
- Drinking too much alcohol
- Wearing dentures
Having a physical problem that affects how food moves down the esophagus:
- Esophageal motility disorder— achalasia
- Gastroesophageal reflux disease (GERD)
Having a condition that affects the esophagus, such as:
- Ring of tissue that forms in the lower part of the esophagus—Schatzkis ring
- Narrowing of the esophagus caused by scar tissue— esophageal stricture
- Upper part of the stomach moves up through a small opening into the chest— hiatal hernia
- Chronic inflammation in the esophagus—eosinophilic esophagitis
- Esophageal cancer or other tumors
Steakhouse syndrome may cause:
- Chest pain
- Difficulty swallowing
- Drooling
- Coughing, gagging, choking
You will be asked about your symptoms and medical history. A physical exam will be done.
Imaging tests to evaluate the esophagus may include:
If the bolus does not pass into the stomach on its own, your doctor may consider treatment, such as:
- Drinking a carbonated beverage to help move the bolus into your stomach
- Giving a substance called glucagon by an injection—This will decrease the pressure in your esophagus, allowing the bolus to pass into your stomach.
If the bolus still does not pass or you are not able to swallow your saliva, the doctor may need to remove it from your esophagus. An endoscope can locate the bolus. When the bolus has been found, tiny surgical instruments are passed down the endoscope to remove the bolus. In some case, the bolus may move into the stomach during the procedure.
Often, the doctor will also look for underlying conditions that may have put you at risk for this problem.
To help reduce your chance of steakhouse syndrome:
- Chew slowly and until the food is small enough to safely swallow.
- If you have been diagnosed with a condition that affects your esophagus, follow your treatment plan.
Revision Information
- Reviewer: EBSCO Medical Review Board Marcin Chwistek, MD
- Review Date: 09/2018 -
- Update Date: 09/30/2013 -


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Diversity and inclusiveness
As our clients become more global and expand into new markets, they expect us to be equally diverse.
We have a strong commitment to bringing together the right teams for our clients from across our global organization. These teams match our clients' needs in terms of knowledge, skills and cultural background.
Diverse teams are also proven to stimulate innovation and new ways of problem solving. But they need an inclusive culture to help them function at their best.
Inclusiveness is all about making the diverse mix work. It's about equity and opportunity – making sure that differences are celebrated so that talented people from any background can rise to the top, and ensuring that opportunities to develop and advance are available for all from day one.
Making sure that all our people's voices are heard and valued not only helps attract and retain the best people, but also it helps get better answers for our clients and our organization.


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What's BEYOND that bend?
Theodore Roosevelt National Park, North Dakota
Helping you find your best, healthiest self one recipe at a time!!
This blog is about the random thoughts and inner most workings of my over active brain.
This WordPress.com site is Pacific War era information
The Earth. Christianity. They go together.
Blog literario de Jerónimo Alayón
Deuteronomy 6:5-9
Reformed Homeschooling With A Classical Twist
The Art and Craft of Blogging


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Small Garden Plans
Small Garden Plans Even with a petite patch of green, these creative planters, patio decorations, and unique ideas will make your small yard or Small Garden Plans fit for a king. Get ideas for creating an amazing garden, including planting tips & gardening trends. Get our best landscaping ideas for your backyard and front yard, including landscaping design, Small Garden Plans, flowers, and garden design. Everything garden and gardening related.
Make sure you really do want to make that change and see if you can keep and reuse what you have already. Recruit helping hands. Have a Small Garden Plans party. Shop around. Penny pinch with plants. Recycle furniture. From design to decoration, save money with these cheap and easy garden ideas to make your outdoor space look fantastic.
Small Garden Plans Daily shares inspiration, tips


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Colgan Custom Original Car Bra Full Front-End Bra with T-Style Hood Protection - BF5287CF
- $238.00
- What Do You Drive?
- Style:Without license plate opening
- Color:Carbon Fiber
- Part #:BF5287CF
- 2-Piece Car Bra
- This custom bra features:
- License plate opening
- Optional factory fog light openings
- Camera in grille
- Flow-through screen over the grille
- Flow-through screen over the vent
- Air foils
- Trimming may be required along perforated area for a more custom style bra
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