text:
Hi to all,
I'm new to this forum, nice to meet you.
Let me explain my problem: I am from Java. Yes, I know there is no cure for this but please be patient with me, I'm a Java programmer not due to my will.
Ok, I stop kidding, here it is my real problem:
I want to make a class which act as a Matrix for avoiding the direct use of multidimensional arraies. I've taken the example of the C++ Faq Lite but I wanted to make it more Object Oriented (at least this was mine intention).
So I made a template class Matrix and made it as pure virtual, then two implementation: ArrayMatrix and VectorMatrix (actually unimplemented), the first one use an array hidden in it and the second use a std::vector.
I stumbled in a great pain of compile errors and also many mistakes, after a week of yelling to my computer I found that templates and virtual functions cannot be combined.
Now my question is: can I make in some way a interface (which is pure virtual but not a template) and some implementations (which are templates) somehow?
More in depth:
As taken from the C++ Faq Lite I liked the idea to overload the operator() and at the beginning my code was something like this one (is incomplete an obliviously not functional):
[i]Eccezione.h[7i]:Code:template<typename T> class Matrix { public: Matrix(unsigned int rows, unsigned int cols) throw (Eccezione) : _righe(rows), _colonne(cols) {} virtual ~Matrix(); virtual T& operator()(unsigned int row, unsigned int col) throw (Eccezione) = 0; private: const T& operator[](int); protected: unsigned int _righe; unsigned int _colonne; }; class BadSize : public Eccezione { public: BadSize(const std::string& messaggio) : Eccezione(messaggio) {} }; class IndexOutOfBound : public Eccezione { public: IndexOutOfBound(const std::string& messaggio) : Eccezione(messaggio) {} };
and one of my implementation, ArrayMatrix.h:Code:#include <exception> #include <string> using std::string; class Eccezione : public std::exception { public: Eccezione(); Eccezione(const string& messaggio) : errore(messaggio) {} ~Eccezione() throw() {} const char* what() const throw() { return errore.c_str(); } protected: string errore; };
Code:#include "Matrix.h" template<typename T> class ArrayMatrix : public Matrix<T> { public: ArrayMatrix(unsigned int rows, unsigned int cols) throw (Eccezione) : Matrix<T>(rows, cols) { if (rows == 0 || cols == 0) throw BadSize("Impossile istanziare una Matrice di 0 righe o colonne.\n"); _data = new T[Matrix<T>::_righe * Matrix<T>::_colonne]; } ~ArrayMatrix() { delete[] _data; } T& operator()(unsigned int row, unsigned int col) throw (Eccezione) { if (row > Matrix<T>::_righe || col > Matrix<T>::_colonne) throw IndexOutOfBound("Indice di riga o colonna non valido"); return _data[row * Matrix<T>::_colonne + col]; } private: T* _data; };
I can't find a way to make an interface and then the implementation as a Matrix due to the redefinition of the operator().
If I remove the template from the class Matrix then the operator() will become:
isn't it?Code:virtual Matrix& operator()(unsigned int row, unsigned int col) throw (Eccezione) = 0;
But this will make the interface useless (because the implementations must return a Matrix class).
Am I wrong?
Is there an solutions or do I have to drop the interface and make every implementations as a solo class with no inheritance?
I hope I've been clear, forgive me for my English.
Thank you in advance for your replies.


text:
Stock #: 31234
Vin: 1GCFG15X891131234
Year: 2009
Make: Chevrolet
Model: Express Cargo Van
Trim: RWD 1500 135"
Mileage: 158,900
Fuel: Gasoline
Engine: V6, 4.3 Liter
Transmission: Automatic
Drive Train: RWD
Body Type: Van-Minivan
Color: Blue
Interior Color: Black
Interior Type: Cloth
Goble Auto Sales
Gustavo Almeida
118 Murray St.
Visit Goble Used Auto Sales online at www.gobleusedautosales.com to see more pictures of this vehicle or call us at 973-824-8424 today to schedule your test drive. Financing options are available. Click on "Apply for Credit" and fill out the credit application as thorough as possible and we'll reach out to you and let you know exactly what you qualify for!
**All advertised prices exclude government fees and taxes, any finance charges, any dealer document preparation charge, and any emission testing charge. The price for listed vehicles are for cash only deals. The DEALER reserves the right to charge an additional $1,000.00 for the price of the vehicle for financed deals. Any and all differences must be addressed prior to the sale of this vehicle.**
I hereby consent to receive text messages from or on behalf of dealer at the mobile phone number I provided above. I understand that I am opting in to receive text messages from dealer or their employees. I include consent to receive phone calls at the mobile phone number I provided. I understand that message and data rates may apply.

subset: commoncrawl


text:
Mike Johnson Interview
Andrea's Guest Poet is MIKE JOHNSON.
He is a brilliant children's poet and you can read his interview and some poems on this page.
He is a brilliant children's poet and you can read his interview and some poems on this page.
How did your poetry writing get started?
A English, and especially poetry, were the only subjects I was any good at, at secondary school, on top of which I used to love the lyrics of pop groups. The Beatles and Pink Floyd were my favourites then (probably still are), so I tried to write pop lyrics first. Fail. Gradually, this fun writing changed into writing properpoems and, with luck, I got published in magazines and, finally, in an anthology edited by David Orme.
Can we see a few poems please?
Heres three of my favourites:
Laser death rays
out of date:
no chance, now, to
Wheels squeak,
turrets creak and
slimy, greenish
fluids leak. . .
I visit them
on weekend breaks.
They say, Go on
for old times sake.
Well be so grateful,
if you do.
Knock, knock.
Whos there?
The Dr.
Dr Who?
Dog years tick tock tick quicker
than human years, they say,
so please excuse me if I pant
and take my time, today:
its not my fault. I ran
before you walked or learnt to play.
By the time you started school,
I was turning slightly grey.
Blame nature and not me
if Im past doggy middle-age;
my books nearing the end,
youre still on the second page.
Let me sniff a little longer,
shuffling through leaves -
Autumn is my favourite time. . .
Soon Springs blooms youll breathe:
think of me, as you walk here, then,
our marvellous memories;
all that fun together, chasing,
running round these trees!
Yes, theres a reason why Ill pant
and take my time, today;
dog years tick tock tick quicker
than human years, they say.
for Julia Densham
Almost crystal clear,
as if inside her see-through skin,
Maisie was made of liquid glass;
could stand at the front
of our class,
yet not get in the way.
OK, maybe
some reflections and refraction
and no one could forget fantastic
prism shimmers,
as her body split white light
into glimmering bands of
red, orange, yellow, green, blue...
Truly amazing:
on lazy days of blazing sun,
strange rainbows played
over everyone.
What books can we find your poems in?
Ive appeared in about 150 anthologies of poetry, since 1989 - best place to
find me is on good library shelves, in the childrens section. Whilst looking for me, youre bound to find lots and lots of other great poems. Enjoy the search!
Whats your favourite poem or book?
My favourite novel is Frankenstein by Mary Shelly and my favourite poem is Jabberwocky by Lewis Carroll (in Through the Looking Glass).
Note: you can read Jabberwocky in Andrea's favourite poems on this website
Note: you can read Jabberwocky in Andrea's favourite poems on this website
Where do you get your ideas from?
Absolutely anywhere: what I read, hear, eat; where I go; who I talk to; what
I dream
Is it true that you taught Andrea how to write childrens poetry?
Shes very generous, if she says that, but all I did really was point her in the right direction, about some poetic things. I now teach Creative Writing for The Open University, currently to students aged between 21 and 83! I also teach residential schools at Urchfont Manor College. Hopefully, I point a few more people in the right direction.
Do you visit schools? (and how can schools get in touch with you?)
I do visit schools, but not very often as I am quite busy teaching. If you are interested in me visiting, either to do poetry workshops for children (aged 8-13) or for teachers (any age!), please contact me at b3gg1s at hotmail co uk
Do you have any funny school visit stories?
I always take a bottle of water with me, when in schools (poetry is thirsty work) and, one day, I opened a bottle in front of a class of 13-14 year olds. I forgot that the water was fizzy and - youve guessed it - KERSPLASH! - I got absolutely soaked. Got the biggest round of applause Ive ever had!
Please can we have a couple more poems?
Red were her lips
(she was always licking
strawberry ice-lollies).
Orange was her mobile
(she had a million friends,
back in Aberdeen).
Yellow was her T-shirt
(I bought a matching one,
at the cheapo beach shop).
Green were my friends
(she went to the indoor salt-
water pool with me).
Blue was what I felt
(after our final big bust-up,
at the end of the pier).
Indigo is my huge bruise
(she could kick pretty hard,
even in flip-flops)!
Violet is my new girl friend
(shes from Bristol and
is here another week).
Looks like a long, long, long way down
to the ground.
like a long, long, long way down
to the ground.
Something says
I'm sure to be safe,
because I'm a baby bat,
but I think I'll hang around
for an itsy-bitsy bat-bit longer.
Why mum, why?
Time flies
and so must I. . .
Well, if you say so,
first time solo,
here I go. I can fly!
Here I go. I can fly.
Here I go I can fly.
o o
o o
o o
Please note all Mike's poems are copyright - if you want to use or publish anything please email me (use the Contact Andrea page) for permission)


text:
In the days leading up to Can-It-Forward Day & our third annual Can-a-Rama kickoff, we'll be giving a daily shout out to the dedicated group of folks who will be on location showing the ropes of everyday preserving and who have been instrumental to our mission of reviving the lost art of "putting up" food through safe food preservation and community building.
That's Rebecca. She's the founder and Chief Tasting Officer of Seattle-based Deluxe Foods, which crafts artisanal preserves from peak-of-the-season Washington fruit. In Deluxe Foods, Rebecca brings together her passions for local farmers and produce, French preservation techniques and imaginative flavor combinations, along with a dollop of good humor. You can connect with Rebecca on Facebook.
What inspires her to can:
I love Washington fruit. It's that simple. Opening a jar of blueberry jam in the middle of February helps me remember summer. It's sunshine in a jar.
Rebecca will be leading the apricot-raspberry jam demo Sunday, August 14 (Noon PST) at Seattle's Pike Place Market. Go here for the full schedule of the Aug. 13-14 Can-It-Forward events.


text:
Islanders raising money for the Vashon Theatre say they've garnered $52,000 in five weeks, enough to place an order for the digital equipment the theater's owner needs to keep up with sweeping changes in technology.
Tag Gornall, a member of Island GreenTech, the group spearheading the fundraising effort, said Monday volunteers still need to raise another $20,000 to cover all the costs of new digital projection equipment. But the theater has to order the equipment this month to ensure it arrives in time to show films available only in a digital format this fall, he said, so GreenTech members and theater owner Eileen Wolcott decided to place the order now.
Gornall said he was delighted and encouraged by the steady stream of support the effort has drawn, which has come in the form of both small and large checks, cash and anonymous contributions. During the Strawberry Festival, he added, GreenTech volunteers staffed a booth with a popcorn bucket acting as a donation jar. They raised more than $6,000, he said.
The support, he added, "was coming from people in the community you wouldn't expect. The names, for the most part, weren't familiar to me."
Because of the effort's momentum, Gornall said, he feels confident the fundraising effort will reach its goal of $72,500. Those who donate, unless they ask to remain anonymous, will see their names on the "screen crawl" at the end of movies this fall, he added.
"We thought that would be fun," he said.
Meanwhile, GreenTech and Wolcott have worked out an agreement about how she'll pay back the community for its contributions to the historic movie house.
Initially, GreenTech planned to lease the equipment to her, allowing her to buy it from the small nonprofit over time. Instead, he said, GreenTech members and Wolcott decided she'll waive the rental costs for the theater for Vashon nonprofits, charging them only for cleaning and any Vashon Theatre staff they need for their event.
What's more, GreenTech, not Wolcott, will own the equipment.
"The payback is to the community," Gornall said. "When and if Eileen sells, the arrangement continues. … We want the community to benefit from this."
The fundraising effort got underway in June after Island GreenTech, a group of Islanders who work to support Vashon entrepreneurs, learned that Wolcott needed to pony up tens of thousands of dollars to handle a seismic shift in the industry. By this fall, experts say, most studios will issue films only in a digital format, not as heavy reels of 35 mm film.
Without the conversion, Wolcott said, she would soon no longer be able to show new releases. She had planned to take out a small business loan to fund the conversion. But the fundraising plan, she says, means she won't have to incur more debt at the small, family-run movie house.
Donations are being accepted at the Puget Sound Cooperative Credit Union or at the Vashon Theatre during the evenings or on weekends. Or mail a donation to GreenTech, P.O. Box 1847, Vashon.


text:
It was only a matter of time before I started staring wistfully at my lovely, neutral kitchen. Sure enough, that day came on Monday. It's tricky up in there, because there's very little wall space.
Also, I'm a reconverted cheap skate, which complicates things.
Naturally, my mind wandered to thoughts of Her Highness, Anthropologie, and all of her whimsy-wovens.*
Then I thanked my lucky stars that napkins might actually be the one thing I can afford at Ye Olde Anthro.
For free.
Part II of How Anthropologie Clearance Scratched My Itch coming soon!
*I used to work at the Gap. My manager, a dude, pronounced "woven" as though it rhymes with "oven". To this day, I sometimes say "wuvven" in my mind, just for fun. You should totally try it. Today's fun is brought to you by Manager Brian, wherever he may be.


text:
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Designer & Author - UX - Information - Processes - Full-stack - UI - Applications/Web.
Founder of brandOn - Montreal design and development studio & Cssfox - Web designers' community.
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text:
iPremier Case Evaluation Report
Essay about iPremier Case Analysis Record
п»ї Case Analysis Survey The iPremier Company and the Denial of Services Strike Analysis by: August 23, 2014 Bob Turley: I…...Read
Air Asia Logistic Essay
Issue 1 Talk about the growing demand for strategies. (10m) The reason behind the quick growth of the logistics market can be attributed to the fact a majority…...Read
Anne Bradsteer and Abigail Adams Research Paper
Bea Bradsteer and Abigail Adams Today the majority of American girls are employed and encouraged to contribute all their opinions and ideas nonetheless it was not often like…...Read
Glass Change Simple Lab Report Composition
Fuzy The glass transition temperature of polymethylmethacrylate ( PMMA, Perspex) can be measured applying static and dynamic approach while the cup transition temperature of rubberized of different…...Read
Cultural Cleverness and Staff Effectiveness Essay
Cultural Cleverness and Team Effectiveness Organizational Behavior Term Paper Posted by: Group 1- Section B Rakhi Verma (SMBA 11022) Vatsala Ratanpal (SMBA11032) Abhishek…...Read
Reconstruction following the American Detrimental War Dissertation
Detrimental War Renovation Essay The " winner" of Reconstruction was the North mainly because the Southern took almost all of the damage through the Civil War. The Detrimental War brought…...Read
Imagery in «A White Heron» Exploration Paper
Sarah Orne Jewett uses figurative language, tactile and organic imagery, and captivating diction to transform a girl's climb up up a tree right into a quest resulting in…...Read


text:
Comparison of State Unemployment Laws
The Comparison of State Unemployment Insurance Laws provides state-by-state information on workers covered, benefit eligibility, methods of financing and other areas of interest in the UI program. It also includes information on the temporary disability programs operated in six states. The Comparison is published annually. This edition reflects the status of state laws enacted as of January 1, 2013.
Table of Contents
Monetary Entitlement
Extensions and Special Programs
Nonmonetary Eligibility
Temporary Disability Insurance
Appendix I
Appendix II
If you have any questions, please contact Julie Balster at 202-693-3615, Loryn Lancaster at 202-693-2994, or Agnes Wells at 202-693-2996.
- Documents in Portable Document Format (.pdf) require Adobe Reader 5.0 or higher to view. Download Adobe Reader.


text:
LoadMaster X3 - From AUD6,500
The LoadMaster X3 offers an excellent entry point for growing organizations that need flexible connectivity and a fully featured ADC platform.
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Why Mindy Kaling is important
This is Mindy Kaling in LA pretending to be NY shooting her pilot. And great timing too after Vanity Fair's ridiculous cover yesterday featuring women in television but only under the covers. Click here to revisit that post. It's enough to make Lee Aronsohn hire another stripper to star in the season finale of Two And A Half Men. Hopefully she'll spend the entire time in Ashton Kutcher's bed as he spits insults in her face, one after another, while the audience laughs and laughs and laughs and laughs.
Ratings gold!
I've heard mixed reviews about the script for Mindy's show. But we all know that a lot can happen between what's written and what gets shot. God I hope it's good. Really, really good. I hope another female writer can star in her own vehicle. And a female writer who looks like Mindy - not blonde, not fair and cream skinned, not Hollywood bodied. Then we'll see how Vanity Fair will try to lighten her the way they did Sofia Vergara. Or maybe they'll ignore her altogether.
On New Girl, Zooey Deschanel's best friend is played by Hannah Simone, half Indian, half German, full gorgeous. Which is great. The representation is great. But... naturally her character, Cece, is a model. It doesn't mean Simone isn't interesting. But her way in the door, the job description, is still based on attractiveness. There's a dehumanisation that comes from a focus on beauty. It makes it too easy for them. It's "let's put her on tv because she's hot" as opposed to "let's put her on tv because she's relatable". Certainly not the way Mindy Kaling is relatable.
Does Mindy Kaling want to be the poster girl for cultural diversity on television? I don't know. I would think that's really unfair, on top of all her responsibilities, and the pressure of delivering on these opportunities, to think about how her success might be a solid step forward in providing another reflection into which they can imagine themselves. But that would be, undeniably, a benefit to her achievement. I go back to my point about why Willow Smith should be Annie the orphan. Because young black girls need to be able to see themselves in those kinds of stories. And in Mindy then, we might all be able to see ourselves in her stories - women from different backgrounds managing careers, relationships, friends, stripped of the Hollywood homogenisation that has so far been the primary representation of that universal experience.
How would that look? What would that show be about? In this article, I initially wanted to say that I hoped that we'd see less "shopping and shoes", the frivolous themes that ended up, after being embraced by the MiniVan Majority, characterising Sex & The City. Some say that preoccupation ended up obscuring what was truly intended to be the heart of that show, and certainly so by the time it became two silly movies. But I think I might be OK if Mindy's show isn't perfect. Parks & Recreation wasn't perfect at the beginning. Parks & Rec was given time to grow though. And it did. So I don't think the issue here is whether or not Mindy has to be great out of the gate. What we need to watch for is whether or not they'll extend her the patience to get there.


text:
J&P Cycles Part Number: 130-1890
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text:
Dura-Lar Acetate Alternative Sheets
by Grafix
Grafix Dura-Lar is the perfect acetate alternative. This clear, polyester film is unsurpassed for its clarity, strength, stability, and flatness. Dura-Lar is ideally suited for use as a protective overlay, for layouts and color separations, or as a surface for mixed media artwork. Available with and without an adhesive backing.
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Average User Rating: Based on (7 Reviews)
AnnaMarie N. from Long Branch, NJ says:
This is great for covering books in our school library. Protects them very well, and makes the covers look like new.
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Is this the best product to create a faux-stained glass design for a window? I need a product that will stand up to sunlight for a number of years without becoming brittle or yellowing.- Asked by julie H. on 15-Mar-14
Dura-Lar is not meant for this purpose but is intended for overlays etc. in a studio setting. We recommend Gallery Glass paint. Once Gallery Glass is painted and dry, it may be peeled off and stuck back down like a "cling-on." Plaid rates Gallery Glass paints a 2 on a scale of 1 to 5, 1 being the most lightfast.- Answered by MisterArt on 17-Mar-14
How do you cut this material?- Asked by sb on 09-Jan-14
An X-acto knife or small utility knife will cut this acetate-like material.- Answered by MisterArt on 10-Jan-14
Is this clear?- Asked by Shilpa on 05-Dec-13
Yes, it is clear.- Answered by MisterArt on 06-Dec-13
Is Dura-Lar acetate alternative acid-free?- Asked by Patricia Gause on 28-May-13
Actually, Dura-Lar and Clear-Lay are both acid-free.- Answered by MisterArt on 28-May-13
Which is better for protecting an oil-on-paper, Clear-Lay or Dura-Lar?- Asked by Patricia Gause on 24-May-13
These two products would be about the same. It depends on how are you trying to protect it. If it's for storage, the glassine is what most people use, as it is acid-free.- Answered by MisterArt on 28-May-13
Can the "Clear With Adhesive Backing" be used in laser or inkjet printers?- Asked by Patrice on 18-Jan-13
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Więcej marek od
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Wszystkie produkty
Gdzie kupić
Na początek
Na początek
Zestawy startowe
Mostek Hue
Lampy i źródła światła
Lampy i źródła światła
Taśmy LED
Hue Filament
Hue Play
Oświetlenie zewnętrzne
Oświetlenie łazienkowe
Poznaj Hue
Poznaj Hue
Poznaj możliwości Hue
Poznaj możliwości Hue
Poznaj Hue
Oświeletlenie nastrojowe
Światło na każdą chwilę
Bezpieczny dom
Domowa rozrywka
Oświetlenie ogrodowe
Jak działa Hue
Jak działa Hue
Jak działa Hue
Aplikacje do sterowania
Aplikacje do sterowania
Współpracuje z
Współpracuje z
Asystenci głosowi
Asystenci głosowi
The Google Assistant
Apple HomeKit
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Inteligentny dom
Inteligentny dom
Inteligentne światło
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Włączniki światła
Gdzie kupić
Gdzie kupić
Smart Home i oświetlenie
Oświetlenie małego pokoju
Konto Philips Hue
App support
App top related FAQs
Which Apple (iPods, iPhones and iPads) or Android operation system/devices supported the latest Philips Hue app 3.0?
How to create a Hue account and link to your Hue Bridge?
I cannot log in to my Hue account via the Philips Hue app, what can I do?
App support by category
App feature support
Control your lights
How does Hue work with the camera on my phone?
I am unable to control my bridge when I am away from home.
Can I control lights in multiple rooms using my Hue tap or Hue dimmer switch with the Philips Hue app?
Can I control multiple Hue bridges with the Philips Hue app?
How does Hue work with the camera roll on my phone?
How do I create a Hue account?
When is the best time to set-up the software update?
How does the Sunset/Sunrise feature work?
What is Hue labs, and what can it do for me?
How can I set all the lights in a room to the same color?
How can I set one light in a room to a specific color and/or brightness?
Can I assign one light in multiple rooms/areas?
Can I control lights in multiple rooms using my Hue tap or Hue dimmer switch with the Philips Hue app?
How do I move a light to another room in my Philips Hue app?
I have deleted the Philips Hue app default scenes, how can I get them back on my dashboard?
How can I create new scenes in the Philips Hue app?
How can I modify the colors or brightness of lights in a scene?
How can I set the color or brightness for a light when I create a picture scene?
How does Hue work with the camera on my phone?
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Is there a limit to the number of scenes I can create?
Personal routines
Where can I find the routines and timers from my 3rd party apps in the Philips Hue app?
Can I setup sunset and/or sunrise triggers for routines while I'm not at home?
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How can I set an offset for my Sunrise/Sunset?
Home & Away
How do I activate "Home & Away"?
I am unable to control my bridge when I am away from home.
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App updates
When will the "Philips Hue app gen 1" be removed from the App Store/Google Play Store?
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Source: Reuters
The United States is on a fiscal path towards insolvency and policymakers are at a "tipping point," a Federal Reserve official said on Tuesday.
"If we continue down on the path on which the fiscal authorities put us, we will become insolvent, the question is when," Dallas Federal Reserve Bank President Richard Fisher said in a question and answer session after delivering a speech at the University of Frankfurt.
"The short-term negotiations are very important, I look at this as a tipping point."
But he added he was confident in the Americans' ability to take the right decisions and said the country would avoid insolvency.
"I think we are at the beginning of the process and it's going to be very painful," he added.
Fisher earlier said the US economic recovery is gathering momentum, adding that he personally was extremely vigilant on inflation pressures.
Fisher added that the U.S. Federal Reserve had ways to tighten its monetary policy other than interest rates, including by selling treasuries, changing reserves levels and using time deposits.
Read Full Article Here...
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Pediatrics - Rio Rancho
Contact Information
Hours of Operation
1721 Rio Rancho Blvd SE
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Phone: 505-896-8600
Fax: 505-896-8687
Monday-Thursday 8:00 AM-6:00 PM
Friday 8:00 AM-5:00 PM
Saturday 8:00 AM-12:00 PM
Closed Sundays & Holidays
*Our Sunport location offers walk-in clinic hours: Monday - Friday 8:30 AM - 10:00 AM
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Click here for information on our Diabetes Educational Series.
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text:
Docter and Kinsella went out as winners in their final collegiate match (Gil Talbot).
PROVIDENCE, R.I. – The Harvard women's volleyball team concluded the 2012 season with a four-set win at Brown Saturday night, earning head coach Jen Weiss her 100th career Ivy League victory and sending seniors Taylor Docter and Beth Kinsella out on a high note. The victory came by set scores of 25-21, 21-25, 25-20 and 29-27.
Docter and Kinsella each recorded a double-double in their final match wearing the Crimson. Docter's was of the 12-kill, 11-dig variety while Kinsella notched 24 assists and 12 digs. Caroline Walters set a new career-high with 14 kills and totaled five blocks as Kathleen Wallace registered 13 kills.
For Weiss it marked her second milestone in as many weeks. The longest tenured and winningest coach in program history earned her 250th career victory last weekend against Cornell while Friday's win was her 100th in Ancient Eight play.
Harvard (10-16, 7-7 Ivy League) came out swinging in the first set and took a 10-6 lead off a Jennifer Shults kill. Brown (7-17, 3-11 Ivy League) regained the lead at 12-11 but a Docter kill and three Brown errors put Harvard back on top, 15-12. A 4-0 stretch which included kills by Caroline Holte and Shults put the Crimson ahead 21-15 en route to the 25-21 win.
Brown used a 7-1 run to break a 15-all tie in the second set and held off the Crimson down the stretch to take the frame, 25-21. Harvard bounced back in the third set, however, with a 25-20 victory. The Crimson opened an 11-5 margin early on the strength of three Walters kills, and led 18-14 heading into the stretch following Walters fifth kill of the stanza. Walters added two more kills in the final moments to give her seven for the frame, including set point.
Harvard battled back from a 14-10 deficit in the fourth set to even the score at 16 on a Walters block. Back-to-back kills by Wallace gave the Crimson a 19-17 edge, but Brown answered back to retie it at 20. A Docter kill and two Bear errors put Harvard in control with a 24-21 margin and the Crimson held off a late Brown charge and recorded set point, 29-27, following two more Bear errors.
Harvard's season comes to a close with an overall record of 10-16 and an Ivy League mark of 7-7. This marks the first time that the Crimson has finished at .500 in conference play since the 2009 squad went 8-6.


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Protect Ya Rex -- Rex was, in all intents and purposes a hire by the team's owner. The recipe that he and Tannenbaum concocted brought us to this. Blame might be a whole other issue, but it was Rex's incompatibility with Tannenbaum that brought the team to this place. When push came to shove, Woody's loyalty to Rex was more recent and/or more pronounced than that to Tannenbaum. His affinity for the coach and the results trumped whatever decision Woody had made prior to giving Tannenbaum the GM job in 2006. Woody needs help to run the organization, and abstracting himself from the situation by hiring Korn/Ferry might be the right call.
Attached at the Hip? -- There are clear times when firing a coach and GM at the same time needs to happen - Bradway and Herm in 2005 was a perfect example. There are other times when it is clear that only one of the GM and coach need to go. Unfortunately, many underachieving organizations can see-saw from one to the other ... new GM, new coach, new GM, new coach ... Cleveland over the last five to eight years is a perfect example. The Jets have to be careful to not get into that type of a trap. My problem is that I can't exactly say either way which is the right call. I love what Rex Ryan has been able to do with this defense, but his continued play of bad players because of personal connections isn't working either.
There Are Pieces -- The Jets are going to have a lot of decisions to make this offseason, but there's enough building blocks for a new GM to work with and appreciate. Darrelle Revis, Antonio Cromartie, Muhammad Wilkerson, Quinton Coples. Mangold, Brick, Holmes ... there's some conventional talent to build around. Beyond that, the Jets have some depth players that could deserve a larger role, and might finally get a chance to get it in 2013. All the Jets need do is have a solid draft class and as some teams have proven in recent years, a solid if not stellar draft class can go a long way. At the same time, don't be fooled that RG3s, Andrew Lucks and Russell Wilson's are waiting to be plucked up upon the shores of The New GM World, either.
Don't Just Find Some Yes Man -- Since we now know that Rex Ryan is basically incapable of saying no to his players, the Jets need to go find someone who has the experience in scouting and personnel to know enough to tell Rex Ryan when the coach needs to say no. Trevor Pryce called his loyalty "defiant" in the New York Times last week. That's noble and damning. The Jets power structure is set up so that the GM was supposed to have the final say, but I think that the previous front office caved too much. Also, with a high amount of money allocated to a very small number of players, it makes those spots essentially unbenchable while the rest of the talent on the team suffered because of it and wasn't able to challenge the starters enough. The success of the 2006 and 2007 drafts became a curse when it was time to figure out what to do contractually with those guys. The Jets are going to need to make some tough decisions over the course of the next year and a half. In a perfect world, the Jets would always get to keep their best talent at every spot, but this is the NFL and tough decisions need be made. Is Brick worth the money he's been getting? Is David Harris? Could the Jets have made some smarter decisions? Is it more important to throw money at a notoriously cheap spot like ILB? Or is it better to find 2-3 veterans that can bolster the team's depth around the offense and defense for the same price? Someone needs to make some hard decisions and I think that the Jets ran too hot on certain players and too cool on the rest.
Better Job Than People Might Think -- I get that some candidates won't be able to get past working with Rex Ryan ... but it might not be bad as all that. Last I checked there's only 31 GM jobs (Jerrah don't count) in the NFL. With the team firing Mike Tannenbaum, there won't be the same power concerns that there would have been had he been re-assigned. As long as the new GM is assured personnel control, Ryan might be gone in a year anyway. Why? It's cynical of me to say, but with little cap room left already for 2013 and a tough schedule slated for the Jets, another down year could spell the end for the coach anyway. So if a GM has a real problem with him, he might get a chance to get a new coach in here sooner than even the owner expects. Next year is most likely going to be a bust, so the new GM would get a year to get his ducks in a row and then challenge the league after that first season.
Might I suggest the guy who is NOT Gary Sinise in this clip as a new GM candidate??


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The Emarsys Scripting Language (ESL) is a scripting language for creating dynamic content in your email campaigns, based on predefined rules. As opposed to our standard personalization options, which can populate email content based only on contact database fields, ESL lets you personalize content based on external factors, too.
It is written specifically for people with a knowledge of HTML.
How does this compare to Twig?
Twig does share similarities with the Emarsys Scripting Language, but there are huge differences as well. While Twig is a language used solely for email templates and uses functions only to substitute variables in the template (e.g. make all first names uppercase), the Emarsys Scripting Language is a genuine scripting language. As well as being used for templates, it can also handle more complex algorithms.
It also offers a universal solution for handling personalization, conditional text, and block targeting, and is simpler and more flexible than our current methods.
Please note that ESL does not support all Twig tags and filters, so you are advised to use this documentation and not include elements from the Twig documentation referenced above.
Why should I use ESL?
Since it is a scripting language, it provides numerous functions for you. First of all, the personalizations you can create with it can be more complex than the standard personalization options in Emarsys. Secondly, you can adjust any rule based on the values of your personalization fields for a specific email campaign.
You can use ESL in the following cases:
- Custom controls - You can display a button called Become a member to only those contacts who are not members of your loyalty scheme. Although this could be done via simple conditioning or section targeting as well, for those who know HTML, it makes email creation a lot easier.
- Counters - You can place a counter into your email without having to put a URL into your HTML code.
- Conversions - You can handle transformations from one contact field to another, for example, to display field values provided in kilometers in miles instead.
- Loops - You can create a loop, and do not have to refer to each and every array element separately. As ESL is a scripting language, it can automatically go through the array and use all elements one by one.
All in all, customization of your contacts becomes easy and fully automatic with the Emarsys Scripting Language.
Editor-specific details
The Emarsys Scripting Language is supported only by custom HTML email campaigns and by email campaigns created in the new Visual Content Editor. Old template-based campaigns do not support it.
Note that operators are case sensitive and they should always be in lower case: "and", "or".
Language Reference
{{ this is an expression }} {% this is a statement %} |this is a filter
You can define a split character with the help of the split filter. It divides the string and creates an array from it, which can be used by foreach .
{% foreach item in 'one,two,three'|split(',') %} {{ item }}
 {% endforeach %}
In this example, the split character is , (comma). item loops through all elements from the array and lists them one by one. If you include the HTML
 tag, every element will be displayed in a new row:
one two three
You can also include a limit argument. There is a difference between working with positive and negative numbers. An example for a positive number is 2, where the last 2 elements will become one string and the remaining elements will stay separately.
{% foreach item in "one,two,three,four,five"|split(',',2) %} {{ item }}
 {% endforeach %}
one two three four,five
On the other hand, if the limit is -1, the very last element will not be returned, all the other elements will be displayed.
{% foreach item in "one,two,three,four,five"|split(',',-1) %} {{ item }}
 {% endforeach %}
one two three four
If the limit is zero, one string will be created from all elements in the array.
{% foreach item in "one,two,three,four,five"|split(',',0) %} {{ item }}
 {% endforeach %}
If you dont define a split character, instead you include an empty string, the array will be split at every character.
{% foreach item in "123"|split('') %} {{ item }}
 {% endforeach %}
1 2 3
If you add a limit to the empty string delimiter, the array will be split at this specific number.
{% foreach item in "112233"|split('',2) %} {{ item }}
 {% endforeach %}
11 22 33
You can cut and display a part of an array or string with the slice filter. If it is an array, foreach is used with it. Its first parameter defines from which element it starts (note that the very first element is signed by 0), and the second parameter defines the number of elements to cut (note that it includes the starting element as well). In the next example, the starting element of an array is 1, so it will start from the second element, and the number of elements is 2, so it will cut 2 elements starting with the second element.
{% foreach item in [1, 2, 3, 4, 5]|slice(1, 2) %} {{ item }}
 {% endforeach %}
2 3
An example for slicing a string is the following:
{{ '12345'|slice(2, 2) }}
If the starting number is negative, counting starts from the end of the array or string (e.g. -4 will sign the second element, which is 2 in the above example). If no second parameter is provided, it means including all upcoming elements. Please note that zero cannot be a second parameter.
{{ '12345'|slice(-4) }}
The values of string template placeholders can be defined with the format filter. These placeholders are %s (string) and %d (number). In the following example, the value 10 is set for the message number. The format parameter is added with this variable as a parameter. The result is having this number in the string.
{{ "You have %d messages."|format("10") }}
You have 10 messages.
If there is no defined value, a default can be displayed with using the default filter. In the following example, contact field 7 has no provided value.
{{ 30 + contact.7|default(5) }}
You can encode a URL or part of a URL which contains invalid URL characters. This means that the invalid URL characters will be replaced by their valid HTML character combinations. An example for a URL particle containing a * (asterisk):
{{ "seg*ment"|url_encode }}
Another example is having one or more spaces in the URL:
{{ "one space"|url_encode }}
In the next example, a key-value pair is converted into valid URL parameters:
{{ {'key': 'value', 'foo': 'bar'}|url_encode }}
The characters valid in HTML can be escaped with the escape filter. An example is when the First name field of the contacts is checked. If any contains an HTML character (e.g. <), it will be treated as a simple string.
{{ "< '"|escape }}
Please note that escape can be abbreviated to e.
{{ "< '"|e }}
It marks an escaped character as being a normal character. This is useful if you dont want some characters to be escaped again.
{{ "< '"|raw }}
Without using the filter, the output of this expression would be:
The abs filter returns the absolute value. Note that it does not work for strings, only for integers.
{{ -6|abs }}
It capitalizes a string.
{{ 'hello sunshine!'|capitalize }}
Hello sunshine!
The first filter returns either the first element of an array or the first value of a key-value pair or the first character of a string.
{{ [1, 2, 3, 4]|first }}
{{ { a: 1, b: 2, c: 3, d: 4 }|first }}
{{ '1234'|first }}
It concatenates the elements of an array to form a single string.
{{ [1, 2, 3]|join }}
The join parameter defines the separator between the elements along which the concatenation happens.
{{ [1, 2, 3]|join('|') }}
This returns the keys from an object.
{% foreach key in { a: 1, b: 2, c: 3, d: 4 }|keys %} {{key}}
 {% endforeach %}
a b c d
A separator is also possible to provide.
{% foreach key in { a: 1, b: 2, c: 3, d: 4 }|keys %} {{key}},
 {% endforeach %}
a, b, c, d,
The last filter returns either the last element of an array or the last value of a key-value pair or the last character of a string.
{{ [1, 2, 3, 4]|last }}
{{ { a: 1, b: 2, c: 3, d: 4 }|last }}
{{ '1234'|last }}
It displays the number of array elements or the string character number.
{{ [1, 2, 3, 4]|length }}
{{ '1234'|length }}
The length filter can have a parameter and it can be included within if tags. In the following example, the length parameter 10 defines that if the number of users is more than 10, the provided message is shown.
{% if users|length > 10 %} The number of users is more than 10. {% endif %}
It converts every string character to lowercase.
{{ 'WELCOME'|lower }}
It converts every string character to uppercase.
{{ 'welcome'|upper }}
It creates a union from two arrays or objects.
{% foreach item in [1, 2]|merge(['apple', 'orange']) %} {{item}}
 {% endforeach %}
1 2 apple orange
Please note here that if a value is provided for the same key again in the merge parameter, the original value is overwritten by this new one.
{% foreach item in { 'apple': 'fruit', 'potato': 'unknown' }|merge({ 'potato': 'vegetable'}) %} {{item}}
 {% endforeach %}
fruit vegetable
It replaces the \ newline characters in the code to HTML line breaks (
) so these become new lines in HTML.
{{ "I like Emarsys' Script Language.nYou will like it too."|nl2br }}
I like Emarsys Scripting Language.
 You will like it too.
This formats decimal numbers. The first parameter of number_format determines how many numbers the decimal part contains. In the following example, it is 2, so 2 decimals will be displayed from the 3. The second parameter defines the decimal separator, which is , (comma) in this case. The third parameter stands for the thousands separator, which is . (period) here.
{{ 9800.333|number_format(2, ',', '.') }}
Please note that if no parameter if given for the number_format filter, the decimals are not displayed at all and the thousands separator is , (comma).
{{ 2005.35|number_format }}
The replace filter replaces string parts.
{{ "I like this and that."|replace({'this': 'chocolate', 'that': 'candy'}) }}
I like chocolate and candy.
Please note that if the very same string part is provided as a value first, then a key in the parameter, it will become overwritten. In this example, you can see that "cats" changes to "dogs" first, then both "dogs" change to "birds".
{{ "I like cats and dogs."|replace({'cats': 'dogs', 'dogs': 'birds'}) }}
I like birds and birds.
This filter reverses the order of array or string elements.
{% foreach item in [1, 2]|reverse %} {{item}}
 {% endforeach %}
2 1
{{ '1234'|reverse }}
The rounding conditions can be defined with the help of the round filter. Its first parameter defines the number of decimals, which is 1 in our example. As for the second parameter, two options exist. The first is floor, which rounds the numbers down regardless of the common rounding rules.
{{ 42.58|round(1, 'floor') }}
The second is ceil, which rounds the numbers up in any case.
{{ 42.54|round(1, 'ceil') }}
Please note that the default is having no decimals and using common rounding (rounding the value up from decimal 5 and rounding it down under it).
{{ 42.52|round }}
It converts the string to titlecased (words will start with uppercase letters).
{{ 'my first car'|title }}
My First Car
Whitespaces can be cut with using this filter.
{{ ' I like Emarsys Scripting Language. '|trim }}
I like Emarsys Scripting Language.
Any other character can be defined to be cut if you include it as a parameter.
{{ ' I like Emarsys Scripting Language.'|trim('.') }}
I like Emarsys Scripting Language
Please note that date formatting follows the ICU convention and is case sensitive. For more information see the ICU Project details.
It is a date formatting function. It displays the date of the specified country and it can also translate this date (it can handle the PHP language translations). Please note that it displays only the date, even if the time is also provided. It can be overwritten, so the predefined date format becomes displayed (e.g. [{locale: en, format: yyyy mm}] means that the format YYYY MM will become visible for English people.) The localized_date filter can have 4 parameters. These are displayed in the order defined by their language settings, and contain the following:
- full: year, month, date, day of the week
- long: year, month, date
- medium: year, abbreviated version of month, date
- short: yyyy/MM/dd, the separator can be different.
The input string can have the following formats:
- 'yyyy-MM-dd'
- 'now'
- '+[number] hours'
- '+[number] days'
- '-[number] hours'
- '-[number] days'
In this example, a full version is provided on the basis of the stored country+language value in contact field 12 for the specified date (e.g. it will become January 1 Friday, 1999).
{{ '1999-01-01'|localized_date(contact.12, 'full') }}
You can also use a database field placeholder to populate the date dynamically. In you do this, make sure to leave out the single quotes around the field placeholder, as the date value will be returned in quotes. In this example we use value of contact field 12345 to provide the date.
{{ contact.12345|localized_date(contact.12, 'full') }}
As another example, you can have "x days from now" date, too.
{{ '+7 days'|localized_date('de','dd.MM.yyyy') }}
It is a time formatting function. It displays the time of the specified country and it can also translate this time (it can handle the PHP language translations). Please note that it displays only the time, even if the date is also provided. Here you can find what is displayed exactly if you provide parameters.
- full: HH:MM:SS (AM/PM)
- long: HH:MM:SS (AM/PM)
- medium: HH:MM:SS (AM/PM)
- short: HH:MM (AM/PM)
{{ '1999-01-01 13:13:13'|localized_time(contact.12, 'medium') }},
Please note here as well that the input string has a compulsory form (HH:MM:SS for time). In this example, a time is generated from a datetime with the localized_time filter on the basis of the stored country+language value in contact field 12 (13:13:13).
It is a date and time formatting function. It displays the date and time of the specified country and it can also translate this (it can handle the PHP language translations). Regarding its parameters, it puts the values of the above two filters together (e.g. if its parameter is full, the date and time will be displayed as full as well).
{{ '1999-01-01 13:13:13'|localized_datetime(contact.12, 'long') }},
A possible result of the above example is 1999 01 January, 13:13:13.
If the evaluation does not have a result and this filter is added, the email campaign will not be sent. It will be displayed on the Analysis page in Emarsys though. The default invalid values for this filter are "" (empty string), and the value null.
{{ contact.2|required(['-']) }}
The parameter of this filter (the string - in this case) overwrites the default invalid empty string, so this string will become the new invalid one. You can still include the empty string later as well as it is possible to define more than one invalid values. For example, ([x], [y], [ ]) means that there are 3 invalid elements, the last one is the empty value.
- Do not use the old personalization variable
%together with the new variable
{{ }}in ESL expressions because your email might be cancelled. For more information, please contact Emarsys Support.
- Placeholders, variables and scripts used in other platforms (for example, SFMC, Shopify, Magento, etc.) will break ESL and your mail will be cancelled. To prevent such issues, you must remove ALL of these instances from your campaigns.
{{ contact. }}
Contact data is pulled from the Emarsys database. Here you can find the list of the possible email personalization placeholders:
General Information
|{{ contact.1 }}
|First Name
|{{ contact.2 }}
|Last Name
|{{ contact.3 }}
|{{ contact.9 }}
|{{ contact.26 }}
|Preferred email format
|{{ contact.46 }}
Personal Information
|{{ contact.4 }}
|Date of Birth
|{{ contact.5 }}
|{{ contact.6 }}
|Marital Status
|{{ contact.7 }}
|{{ contact.8 }}
|{{ contact.10 }}
|{{ contact.11 }}
|{{ contact.12 }}
|{{ contact.13 }}
|ZIP Code
|{{ contact.14 }}
|{{ contact.15 }}
|{{ contact.16 }}
|{{ contact.37 }}
|{{ contact.38 }}
|First Name of Partner
|{{ contact.39 }}
|Birthdate of Partner
|{{ contact.40 }}
Company Information
|{{ contact.17 }}
|Job Position
|{{ contact.18 }}
|{{ contact.19 }}
|{{ contact.20 }}
|{{ contact.21 }}
|Phone (office)
|{{ contact.22 }}
|Fax (office)
|{{ contact.23 }}
|Number of Employees
|{{ contact.24 }}
|Annual Revenue (in 000 EUR)
|{{ contact.25 }}
|{{ contact.41 }}
|Company Address
|{{ contact.42 }}
|ZIP code (office)
|{{ contact.43 }}
|City (office)
|{{ contact.44 }}
|State (office)
|{{ contact.45 }}
|Country (office)
Other Information
|{{ contact.27 }}
|Avg. length of visit (minutes)
|{{ contact.28 }}
|Page views per day
|{{ contact.29 }}
|Days since last email sent
|{{ contact.31 }}
|{{ contact.32 }}
|User status
|{{ contact.33 }}
|Contact source
|{{ contact.34 }}
|Contact form
|{{ contact.35 }}
|Registration Language
|{{ contact.36 }}
|{{ contact.47 }}
|Email valid
|{{ contact.48 }}
|Date of first registration
{{ rds. }}
{% foreach product in rds.product_recommendation(contact.3) %} {{ product.name }}
 {% endforeach %}
The data here comes from the Relational Data Service (RDS). Product-recommendation is a view which relates RDS data from different tables. Its parameter is a field on the basis of which you identify the contact (it is the email address here).
t-shirt trouser
Please note here that the parameter can only be a constant (a field or a string), it must remain the same.
Link Tracking
You can use ESL for link tracking purposes, too, by embedding the link in an ESL expression.
{% if event.payload.example == 'EXAMPLE' %} https://example.com {% endif %}
Please make sure that in the text version of the email, the link and the ESL expression is separated by a space or a line break. Otherwise, link tracking will not work and the campaign may become invalid.
Useful Tools
Twig testing is possible with TwigFiddle, where the result of any twig can be checked. Note here that we have some unique tags, parameters and filters, for which you cannot use this testing method easily. If you wish to test code with the foreach tag, we suggest that you replace it with a simple
for tag, so that you can check your code. Other elements which cannot be tested here are the
limit parameter and the .rds-related codes. From filters, the four unique ones are:
- localized_date
- localized_time
- localized_datetime
- required
For editing your script, Atom and Notepad++ can be useful with a twig-specific add-on.
External Data for Transactional Emails
If you want to create transactional emails in Visual Content Editor, you need to have the following:
- a JSON to trigger the API
- an HTML snippet to personalize with the data
{ "key_id": "3", "external_id": "email@example.com", "data": { "orderId": 1234, "orderItems": [ { "productCode": 12, "imageUrl": "http://domain.com/12.png" }, { "productCode": 13, "imageUrl": "http://domain.com/13.png" } ] } }
With the above JSON example, order 1234, its related products 12 and 13 and their images will be available for the email campaign. The data displayed in the email itself will be gathered from here. You can include any number of items.
You have the possibility to test your JSON on the API Demo API Demo page. You need to include the data part of your JSON in the text field of data and define the remaining parameters.
You can check how the Triggering an External Event API endpoint works here.
HTML Snippet
To create your HTML code, you must reference your external data with this syntax:
{{ event.variableName }}
An example for the HTML code is the following:

Order id: {{event.orderId}}

 {% foreach order in event.orderItems limit 5 %}
 {{order.productCode}}
 {% endforeach %}

With the help of the above HTML snippet, a header containing the order ID is displayed in the transactional email. The code contains the foreach tag, which loops through all product codes and image URLs provided in the JSON. The
limit 5 restrictions means that the email will list the first five product codes and image URLs.
Please note that the default and maximum limit is 100.
The very last step is to finalize your campaign and activate it in the Automation Center or use it as a simple external event triggered message.


text:
Is it worth trying to use my amazing old 15 ohm monitors with a new Panasonic SC-PMX70 (3 ohm) or should I just stick to the speakers provided?
I moved to Peru and will hold off on buying a "proper" audio setup til I go back to the First World...
BBC LS3/5a loudspeaker
Originally designed by the BBC for monitoring of on-location broadcast and recording pickups (footnote 1), they hide most of their cost—a complex equalizer and phase-corrected crossover network—inside a cabinet only slightly larger than a shoe box. They were intended for "close-in" listening in a small control room rather than to fill a large room, and they will definitely not put the kind of levels beloved of rock nuts without woofer-bottoming or ultimately permanent damage.
Despite what must be a rather large amount of built-in bass boost (to compensate for the small size of the woofer), they are fairly efficient: We would estimate around 1¾%, which is comparable to an average acoustic-suspension system. Maximum safe output level is around 95dB SPL (sound pressure level) at a listening distance of up to 15', which is about as loud as a symphonic crescendo from 10' behind the conductor. This is with full-range program material; the limiting factor on power input is the "woofer" (because of its bass boost), so when the speakers are used with a subwoofer (crossing at 60 to 80Hz), they are capable of a clean 100 to 105dB, which is enough to give any masochist a most gratifying case of permanent ear damage.
Judging by their size, one's first thought is likely to be that these will work just dandy up on the wall, right below the ceiling and toward the room corners, where standing-wave resonances in the room will help augment the speakers' thin bass. But their size is very deceptive. These are not thin-sounding. In fact, they produce an overall balance similar to that of a pair of large systems when they (the Rogers) are located on 30"-high stands, right out near the center of the floor. (This bass-balance design is consistent with the BBC's recent research findings which showed that the smoothest bass response is obtained when a speaker is as far as possible from room boundaries.)
It is because these speakers are so well-balanced when they are out in the room that they may well produce too much bass when placed against a wall, particularly when located near the junction between three room surfaces. In corners, they are (in most rooms) intolerably boomy because they are designed for out-of-corner placement, and because that location excites the maximum number and amplitude of standing-wave resonances (footnote 2) in the room.
The close proximity of room surfaces (or, worse yet, of a box or shelf under the speakers) also causes diffraction interference—the chopping of deep holes in the frequency response due to selective cancellation of certain frequencies. The smaller the speaker enclosure, the less audible are these diffraction effects and the smoother the system sounds. But nearby corners and surfaces can spoil the advantage of the small enclosure.
Another advantage of a small sound source is that it tends to radiate sound waves as expanding spheres rather than as a planar wave (as from large screens). Human ears react in a seemingly paradoxical manner to a spherical sound field: The reproduced sound seems, much bigger than its source, yet the angular localization of sounds across the "stage" between the speakers (ie, the imaging) is dramatically improved. In fact, the apparent audible size of these tiny speakers is almost laughable; we had the feeling that it just could not possibly be.
Adding to the illusion of a large speaker system, is the remarkable low-end performance, which is not really all that deep (subjectively flat to a bit below 57Hz in our rooms) but sounds deeper than it is because the response is actually pretty flat down to there (rather than drooping), and the bass detail is astonishing from 5" woofers. The speakers gave such a startling account of themselves at the low end that we were not acutely aware of the lack of deep bottom until deeper notes (as from bass drum or the bottom range of the string bass) that we knew were on the recording failed to come through.
High-end performance is quite remark able. The speakers have a very slightly rising response above about 5kHz (fig.1), but because there is no audible peak at the top, the rise does not cause any sizzling or spitting, but tends rather to exaggerate slightly the extreme high-end energy in the program, adding a bit more sibilance to voices, a bit more shimmer to cymbals, and a bit more overall airiness to the sound than is actually in the program material (footnote 3).
Footnote 1: American visitors to England consistently report that the BBC transmits superb-quality sound and that unlike the US (where practically everything aired is canned), Britons are privileged to hear frequent live broadcasts of orchestra concerts. It is thus reasonable to assume that the BBC engineers know good sound when they hear it.
Footnote 2: A standing wave occurs when a sound wave travels to one room surface and back again in exact synchronism with the reproduced frequency, causing an energy buildup (a response peak) between the surfaces.
Is it worth trying to use my amazing old 15 ohm monitors with a new Panasonic SC-PMX70 (3 ohm) or should I just stick to the speakers provided?
Someone should to put these components into a bigger box with a passive radiator and recreate the KEF 104.
I have both the 104 and the 104ab. I prefer the 104 on my solid state Marantz 1060 and the single ended Reisong A10 on the 104ab.


text:
Free ride: Tailgaters in line for speed
DRAWING BY DEBORAH DERR McCLINTOCK
Q. How are birds, fish, and race car drivers on to the same traveling trick? -Nemo
A. They're all tailgaters, hitching something of a free ride in the wake of the leaders, says Cleveland State University physicist Jearl Walker.
Birds flying in V-formation get added lift in the airstream of the forward birds. Fish swimming in schools can travel up to six times as far as solo. Race car drivers save fuel by riding the "slipstream" of the car in front, cutting air resistance.
A twist on this, porpoises may ride along effortlessly for hours ahead of ships' bows, surfing on waves emanating from the vessels. And small "pilot fish" will float in front of a shark's mouth– guiding it, legend has it– staying a fin's length ahead of dinnertime (the shark's) owing to the lucky laws of physics.
Q. Stunning date, so you put on an easy listening tape with "I love to touch and be touched" subliminal messages hidden in the music. Will this impassion your night? –S. Savitch
A. It just might if you play it off right. While subliminal messages (below the threshold of perception) have little or no proven effect, test subjects when told they had been listening to such a tape tended to feel they were influenced, says Hope College psychologist David G. Myers.
This was true even when tapes were secretly switched: Subjects who were told they were listening to commercial tapes with memory enhancement messages implanted but who were actually listening to self-esteem improvement tapes felt their memories had been improved. And vice versa. Yet standard psychological tests showed no actual memory or self-esteem boosts in either case.
Here is a classic "placebo," suggesting would-be tape seductionists must at some point pretend to come clean– "Ma cherie, about that new music we were just listening to..."
Q. You see headlights approaching, but is it a big car or a little car, nearby or far away? You see paratroopers on the beach, but are they big soldiers or little ones? –H. Ford
A. The common denominator here is "size constancy"– a car as it moves closer forms a larger and larger image on your retinas, but you know not to conclude the car is getting bigger. But in the dark, you can be fooled into thinking that two fairly close-seeming headlights signify a big car far down the road, when it might actually be a small car bearing down on you– with tragic results.
Especially in poor lighting, distance and size are easily confused. Deliberate perceptual deception of this sort was on the minds of Allied troops during their invasion of Normandy during World War II, when in early-morning twilight two-foot-tall dummies of paratroopers were dropped up the beach a distance from the planned landing site, say Camille Wortman et al. in Psychology, 3rd Edition. "In the poor light and general confusion, the Germans thought the dummies were real paratroopers attacking from a substantial distance."
Q. Why are there so many sex jokes going around? –A. D. Clay
A. Freud believed that humor bribes the superego (moral sense) into accepting talk about the difficult subject of sex, says Bruce Katz, psychologist at the University of Sussex. But people feel few qualms over discussing sex today, and this hasn't slowed the joke mill.
"People laugh if two conditions are met (plus some others, like being in the right mood): a. They find something surprising b. But it still makes sense."
Take this old classic: A sadist and masochist marry, a seemingly perfect combo. Finally, on their wedding night, the masochist begs, "Now beat me, honey, beat me." The sadist's reply: "No."
With sex jokes, the mind is focused like on no other subject, the expectations run high, so the startle is very strong. Then comes the unifying insight, giving relief.
"In summary, humor itself mirrors the sex act in that it is the temporary unity of opposites. Of course, humor is easier to get than sex, although the pleasure is not as sweet."
Send Strange questions to brothers Bill and Rich at firstname.lastname@example.com.


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Hogg Hill Mill, Icklesham, Sussex, England
Black and white negative and print made from it of a post windmill with roundhouse, known as 'Hogg Hill Mill' in Icklesham, East Sussex, showing a ~ view from the front, in a state of disrepair with broken sweeps or sails, including the mill house and Derek, son of the photographer in the foreground, taken on 14th August 1949.
Oldlands Mill, Keymer, Ditchling, Sussex, England
Black and white negative and print made from it of a post windmill with roundhouse known as 'Oldlands Mill' in Ditchling, East Sussex, showing a detail view of the bottom half of the exterior from the side, surrounded by scaffolding during renovation work, taken on 21st September 1935.
Barringers Mill, Henfield Common, Henfield, Sussex, England
Black and white negative and print made from it of a post windmill with roundhouse, known as 'New Mill' or 'Barringer's Mill', in Henfield, near Horsham West Sussex, showing a ~ detail view from the front of the lower buck, in a state of disrepair, including Derek, son of the photographer in the foreground, taken on 20th August 1950.
This material is available for education use and may not be used for any commercial use without prior agreement. By using this material you are agreeing to the terms of use (pdf) offered by the University of Kent.


text:
Congo major had piss-up with rebels
Suspended for failure to properly conduct a civil war
A Democratic Republic of Congo army major has been suspended after inviting rebels for a few liveners at his base - hours before they rather churlishly repaid his hospitality by torching part of the facility.
According to Bloomberg, Major Leon downed a couple of jars with members of the Resistance of Congolese Patriots, aka Pareco, at the camp in Nyamilima, roughly 100 kilometres north of North Kivu capital, Goma.
Confirming the 26 September knees-up, Colonel Bobo Kakudji, operational head for eastern North Kivu province, said: "He was drinking with them in his headquarters. Actually, they were doing reconnaissance. Then they attacked him and he didn't defend the way he should have done."
Major Leon's goodwill towards Pareco may have something to do with the fact that the local militia group previously supported a government and United Nations drive to oust the ethnic Hutu Democratic Forces for the Liberation of Rwanda (FDLR) from eastern Congo.
FDLR leaders are implicated in the 1994 Rwandan genocide of Tutsis and moderate Hutus. A previous Bloomberg report says Pareco and the Tutsi-led rebel National Congress for the Defense of the People (CNDP) agreed to join the anti-FDLR initiative when Congo allowed Rwandan troops to enter the country as part of the operation.
This anti-FDLR concession was considered a "brave step" by the Congolese, a fair description given that the CNDP - reportedly made up of Congolese army defectors dedicated to protecting Tutsi interests* - last year routed their former comrades in bitter fighting which drove 250,000 people from their homes. ®
*Congo has in the past been accused of taking a soft line on the FDLR, while itself insisting that Rwanda backs the CNDP. Both countries deny the charges.
Sponsored: Detecting cyber attacks as a small to medium business


text:
App Review: MotionX GPS by MotionX
by Rob on
June 28, 2009
Filed under Daily App Reviews, Navigation, Sports, Staff Favorites, Utility
Once in a while we have an opportunity to spend some time with a really cool app and for the past few day's I've been checking out MotionX-GPS by MotionX. Like every other tech or gadget junkie out there, GPS falls right in, and so does this app. However, you definitely don't need to be a techy person to use MotionX GPS, in fact the app is developed with the active, outdoorsman in mind. So, if you are a biker, walker, jogger, hiker, sailor or do pretty much anything outdoors, then keep reading.
When you launch the application it will immediately start to try and get a lock on GPS satellites. Now, remember this, MotionX GPS is a GPS application that utilizes the iPhones location services and as such requires the ability to lock onto the necessary satellite signals. So if you are indoors you may find that the GPS satellite signal is weak or even non-existent, so go outside. We never once had a problem getting a good satellite lock indoors or out, even on rainy days, but your mileage may vary based on obstructions in your area.
MotionX GPS has many functions that you would find in a typical handheld GPS unit. Some of these functions include GPS readout, Stopwatch, Track Record, Waypoints, Compass and Navigation. Your typical GPS readout screen is just that, it shows you your latitude and longitude as well as altitude. This screen is also where you can see your GPS signal strength and if you've previously set a waypoint, then it shows distance and bearing to the waypoint.
Stopwatch, one of the more useful functions, is for when you are about to start your run, or hike or walk and want to track various aspects of it, such as plotting it on a map, measuing your time and distance and more. To get started, touch Start then as you go MotionX GPS will track where you go, distance travelled, max speed, average speed and elapsed time. This is useful for runners or bikers during training or for anyone wanting to know how long it takes and speed measurements to travel some distance and then also to see it plotted on a map.
Waypoints is the ability to find a distant point (waypoint) on a map, then allows you to mark that point on the map. Now, using the GPS unit, you can navigate your way to that point. Using the Compass it will show you the direction to the waypoint and you can also see the distance to it. This function is usefull for Geocaching or finding your way to a distant point where roads and other obvious markers wouldn't help. You can enter a waypoint by double tapping on a map, entering lat and long, or entering range and bearing.
Our one complaint with MotionX GPS is that it does require a cellular signal in order to download maps from either MotionX or Google. In short, there is no offline maps for those looking to go into the backcountry where cell signals are non-existent resources. So if this is you then you'll want to pass on this version of the app, hopefully a future version will have the ability to download maps to the device and remove this limitation. UPDATE: Thanks to MM in the comments we were put on to the fact that MotionX GPS allows for map caching. Using this feature you can, theoretically, pre-cache maps into the app for use when no cell signal is available. We didn't fully test this but I did play with it for a few minutes and it does appear to cache maps locally. However, the one major problem I have with this method is that you must pre-navigate the area in which you want cached maps for (a similar shortcoming to oMaps that we reviewed earlier). If you don't pre-browse the area then there will be no maps for it. Also, Google maps are not available offline since their T&C's do not permit caching.
In all I found that the app worked extremely well. In fact, I was a little hesitant based on some of the bad reviews in the App Store, most of which complained about no GPS signal (see warning above). We did not experience any such issues while runnig this app on an iPhone 3GS either sitting in my living room our outside on rainy days. It simply just worked. Something else to be aware of when running this app: you're running it on a phone – not a true GPS device. So some of the built-in features of a phone can also limit the functionality of the app, specifically auto-lock. Once your phone locks this app is suspended by the iPhone OS and will stop tracking. To overcome this limitation MotionX added their own application lock. Enabling this disables the auto-lock of the phone and allows you to keep the app running for longer periods. However, beware, the app is a bit of a battery hog.
If your the outdoorsy type and stay within a cell signal then this app is a must. If you're just like me and must own everything that is techy, then the $2.99 is also an easy spend for such a usefull application. The rest of you that are just looking to play with GPS may find the lite version is sufficient.
The lite version is free.
MotionX GPS Website. Checkout several videos here.


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Rays Should Elevate Zimmer to "Manager Emeritus"
I have a feeling there are going to be more than a handful of things I'm going to be writing about that the Tampa Bay Rays front office does between now and the time Pitchers and Catchers report to Port Charlotte, Florida in February 2013, but this one move to me signals their commitment to bring the top tier of talent to this squad.
It was not the affirmation of the team accepting the 2013 options for players like SP James Shields, C Jose Molina or even the brilliance that was RP Fernando Rodney's 2012 campaign. No, the action that caught my eye and truly showed me this team is committed and expecting to "shoot for the Moon", is the recent press release that Rays Senior Advisor Don Zimmer will partake in his 65th year in organized baseball, and his 10th with the Rays. This to me is the biggest, best and most logical move the team will make all Winter.
We all know that Zimmer is the Master Yoda for this young and energetic squad, having beat health situations in 2012 and is again eager, willing and excited about stepping foot on the field again this Spring. Sure Zim who has been immortalized in so many ways over his career and his 10 years with the Rays has his own "Bear" now, but I think the title of "Senior Advisor" needed to be ripped off the team website, and a new proclamation be made to show the respect and reverence to all things "Zim".
Some will say being Senior Advisor is enough for Zimmer, but to me it can be elevated to a new level with the mere changing of his title. I'm sure Rays current Manager Joe Maddon will not take offense to this, or even take it as even a mild slap if the team were to elevate Zim to the position of esteemed and new fangled title of Rays Manager Emeritus. When former Rays owner Vince Namoli sold the team to the young and youthful Stuart Sternberg, he was given the designation "Chairman Emeritus" when you gaze at the Rays Ownership section of their website and Media Guide.
"Emeritus" by definition in Webster's Dictionary tends to lean more towards showing this title going to someone who has been "retired" as a post-positive adjective to show respect and dignity to someone who gave of themselves in all aspects for the betterment of their chosen field. Namoli possibly holds this distinction because of his tireless pursuit of the Rays franchise combined with his due diligence while commanding the top tier of the Rays hierarchy before passing the torch to Sternberg.
Zimmer is not retired as a Major League Baseball figurehead, but he is as an active "Manager", and that is the aspect I feel his title being changed to "Manager Emeritus" has merit. Zim is a constant figure down on the turf during Rays Batting Practice and is as much a personality and part of this team as any of the players and Coaches who adorn the Rays colors. The Rays have not been shy in the past of being creative with titles, responsibilities or even assignment, but making Zimmer a permanent part of the Rays culture, game-day experience is the least we can do for a true MLB icon.
Heck, I still remember when Zimmer lived on Treasure Island, Florida with his awesome wife and used to come into my father's gas station for fuel. I would talk baseball with him, even when he was the Red Sox Manger. I looked up to this man for not only living the dream, but always wanting to be within eyesight of the game and wanting to always have a finger on the pulse of this grand game.
Some might say my wanting of this title change is futile, a bit contrite and maybe a bit evasive on the legend that is Maddon right now in this region. I can see that point of view, but name me another figure besides Namoli who has done as much for this franchise both in front and behind the scenes as Zimmer. I know personally he loves to give knowledge, excite the younger generation of the baseball royalty and be the anointed "father figure" some of these guys need when the game slaps them around a bit. To me Zimmer is as much a part of the Rays game as Evan Longoria's bat or even Rodney's archery pose.
This action probably will not happen. Zim will remain the title of Senior Advisor until the time he walks away from this game for the final time. Maybe I'm just trying to be a bit insightful and want him to enjoy the respect, admiration fans like myself in the Rays Republic have held for Zimmer, even before he donned the "TB" cap for the first time. Zimmer is a Tampa Bay icon, a long time resident who has given us at least 2 generation of Zimmers', and will always be cut into the fabric that is the Rays legacy. Maybe the word "Emeritus" is too small for the legend that is Zim, maybe "Emperor of the Rays Republic" fits more like a Rawlings glove.


text:
Bird and Baby Inn
|Bird and Baby Inn is a concept which has only appeared in an adaptation of the works of J.R.R. Tolkien.
[edit] NPCs
Carlo Blagrove Tavern-keep Tulip Chubb Barber Gardenia Bracegirdle Healer Estmar Bolger Hobby Master Esmerelda Burrows Lorgo Boffin Jack Lewisdown Carlo Williams Owen Farfield Rabbit
[edit] Inspiration
The Bird and Baby Inn did not appear in the books of the Lord of the Rings trilogy. The inclusion of a tavern named "Bird and Baby" is a reference to the real-world tavern Eagle and Child in Oxford, England which was frequented by the members of The Inklings.
Students of Oxford University who frequent the Eagle and Child often refer to the tavern as the Bird and Baby (among other colorful names).


text:
J&P Cycles Part Number: 200-4104
Checking availability...
With over 750 years of experience combined, our tech staff has the answers!
Not yet rated. Be the first to Write a Review.
It is the customer's responsibility to refer to their owners manual for proper size, load and speed ratings for their specific motorcycle before choosing a tire. J&P Cycles® is not liable or responsible whatsoever for any claims for damages or injury subsequent to the fitting of tires.
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text:
Aw she is gorgeous!
I hope she finds a great home .
How many licks?
Why buy from a breeder when there are plenty of homeless pups in shelters???
Re: How many licks?
She went home tonight with a sweet lady who promised me she would take good care of her - I'd actually done the initial escort, and I don't point out my favorites unless I like someone, so I had a good feeling about her. And then, just as she put the new leash on, she said "Wait! I don't want her to get cold!" and pulled a tiny leather jacket out of her bag. So I think Miss Thang will be workin' it in style in her new home!
- littleCloClo
- Bully Ambassador
- Posts: 2700
- Joined: Sun Dec 09, 2007 11:13 pm
- Location: SoCal
Re: How many licks?
That's fantastic!
- PitBull-Lady
- Addicted to PBF
- Posts: 4873
- Joined: Thu Feb 05, 2009 3:47 pm
- Location: Vienna, VA
- Contact:
Re: How many licks?
awesome! Congrats to TootsiePop! (and her St. Amie!)
Re: How many licks?
Oh good, I hope she gets spoiled rotten!
Re: How many licks?
Earlier this morning I told my fiance I didnt know if we needed another dog........think i just changed my mind!
Re: How many licks?
It's a lousy picture but here's a shot of her in the leather jacket (with a fur collar, nonetheless!)
Re: How many licks?
That's precious-- Glad she found a home!
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Mike MacIntyre contract extension for CU Buffs football team necessary
NEWS: On Thursday morning in Colorado Springs, the Colorado Board of Regents voted to extend the contract of CU football coach Mike MacIntyre by one year, through the 2018 season.
VIEWS: Although some may think it's odd to extend a coach's contract following a 4-8 first season, I believe it to be not only wise, but necessary.
MacIntyre's first team won three more games than did the 2013 Buffs in the second and final season under Jon Embree. But this is about more than a reward. It is a sign that the administration has faith in what MacIntyre and his staff can accomplish.
That confidence, and the stability it shows, may be the biggest selling point that Colorado recruiters have when speaking to top prospects — especially on the heels of the school firing a football coach (Embree) after just two seasons.
Yes, MacIntyre and his staff can promote the progress made by the team in his first season. They can sell CU's beautiful campus, its academic reputation, the mountains and resorts. But all that wouldn't mean much to a recruit and his parents if they have to wonder about MacIntyre's longevity as the Buffs' coach.
Colorado administrators must give MacIntyre an opportunity to succeed. With this contract extension and the facilities upgrades, he has been given the resources to turn around a program that has not finished a season with a winning record since 2005.


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With a successful career lasting more than a half-century, and as one of Billboard magazine's number one hit makers beginning in the 1950's, the great virtuoso pianist and composer named Roger Williams passed away earlier this month at 87 years of age. Born Louis Wertz in Nebraska, he could already play the piano by age three. But this was, indeed, just one of the many accomplishments for the man they called "Mister Piano."
Williams was innovative and seemed to enjoy expanding his horizons, both musically and technologically. By the ripe old age of nine, he was already able to play nearly anything "by ear" and on a variety of instruments, but another facet to his incredible list of credits is hosting his own fifteen-minute radio show in his early teen years – perhaps the forefather to today's podcasts. After attending Juilliard School of Music, Williams took his talents to the masses by entering competitions – and easily winning – before signing to Kapp Records by the one-and-only Dave Kapp, himself.
Roger Williams first hit record came from a drastically edited version of his classic, "Autumn Leaves," that had to be shortened to accommodate the so-called 3-minute limit of 1950's radio. Clearly, that was all it took for him to find that massive audience that rocketed him to stardom. After that point, the hits kept coming and his frequent appearances on television (remember, there were only a precious few networks at that time) variety shows made him a household name. That particular song became the largest selling piano recording of all time.
Williams' thirty-eight hit records and twenty-two hit singles fill a discography that is filled with his vivid musical imagery and emotion that may have contributed to how so much of his music was included in movie soundtracks throughout his career. He was also the first pianist to receive a star on the famed Hollywood Walk of Fame and he performed for every President of The United States from Harry Truman to Bill Clinton.
The entire music industry will remember the effortless, fluid, and embracing genius of Roger Williams for generations to come. His passing on October 8, 2011 brings his family, friends, and his fans to a fermata, if you will. OnlineSheetMusic celebrates the life and music of the great Roger Williams. Rest in peace.


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Dr. Xianmin Zeng
The buck institute for research on aging
Dr. Zeng is exploring one of the most hopeful prospects of current biomedical research – that versatile stem cells may someday be a source of replacement cells for damaged tissues of the brain and other organs. She is working toward a treatment for Parkinson's disease, which causes the death of nerve cells in the brain that are needed for agile and controlled muscle movement. Symptoms of the disabling malady include hand tremors and an inability to walk.
Dr. Zeng has developed methods to induce stem cells to transform into the type of nerve cells that are depleted in Parkinson's disease. These nerve cells produce dopamine, a chemical signal that helps deliver the brain's orders to the muscles. Her team has been able to derive such nerve cells from embryonic stem cells, and also from the modified adult cells called induced pluripotent stem cells. These induced pluripotent stem cells can mimic the versatility of embryonic stem cells.
The Zeng lab has tailored a process to make and purify its nerve cell preparations to improve their safety as potential treatments in humans. These nerve cells could also be used for the testing of potential new drugs, and for basic research on the mechanisms of disease.
Dr. Zeng earned a Ph.D. in Molecular Biology at the Technical University of Denmark and then began research on human embryonic stem cells during her postdoctoral training at the National Institutes of Health. She joined the Buck Institute in 2005. The California Institute for Regenerative Medicine, the state's stem cell research funding agency, has awarded Zeng grant funds to establish a shared research laboratory and to develop a stem cell course as well as to lead an effort to get a stem cell treatment for Parkinson's disease ready for clinical trials.


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Traffic counts provide traffic volume information on selected roads and intersections. They are used for road condition and safety surveys, level of service and capacity analyses, and traffic studies. There are two types of counts:
The North Carolina Department of Transportation (NCDOT) conducts traffic counts every two to three years on selected roads; the Winston-Salem Department of Transportation (WSDOT) conducts counts within the Central Business District as a service to NCDOT. In addition, the WSDOT conducts annual Traffic and Intersection Turning Movement Counts at locations chosen on an as needed basis.
Traffic count maps and data are available at the WSDOT in Bryce A. Stuart Municipal Building, 100 East First Street, Room 307, Winston-Salem, NC 27101.
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