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RED Claims Dragon Sensor Doubles EPIC/SCARLET Sensitivity, ISO 2000 Cleaner Than ISO 800
All has been quiet on the RED front concerning the new Dragon sensor since NAB in April. After their kickoff party before the start of the exhibition, they announced the specifications of the updated sensor. One of the criticisms of the MX sensor has been lower dynamic range than some of its peers, like, for example, the Arri Alexa. RED seems to be gunning straight for that camera with a reported 15 stops or more of dynamic range and 6K of resolution with a sensor only slightly larger than MX. Now we've got a little more confirmation on sensitivity of the $6,000 EPIC upgrade (SCARLET pricing and specs will come later). If the numbers from RED's CEO turn out to be true, it would mean that the new Dragon sensor would be a little more than twice as sensitive as the MX, even with smaller pixels.
Here is what he had to say on REDUser:
... photosite (pixel) size used to be one of the most important pieces for DR but has now taken a back seat to pixel design. The MX sensor has more DR than the original M sensor... and the pixels are the same size. The new Dragon sensor has mind-blowing DR and the pixels are slightly smaller than either the M or MX...The Dragon sensor is the cleanest sensor you have ever seen. ISO 2000 looks better than MX at ISO 800.
These are the specs as they were stated back in April (with updated info):
- 6K Sensor
- 15 Stops or Greater Dynamic Range
- 120 Frames Per Second at Full 5K
- 85 Frames Per Second (at least) at Full 6K
- Sensor Size: 30.7 × 15.8mm
- Pixel Size: 5 microns
- ISO 2000 Cleaner Than ISO 800
- Late 2012 $6,000 Upgrade for EPIC
- 2013 SCARLET Upgrade
RED seems to be working extra hard on sensor design, as the increase in sensitivity is contrary to the way most of us have been told sensor pixels should work. In the past, the smaller the pixel, the less sensitive the sensor would be overall, even with very optimized micro-lenses to guide light to the pixel. That doesn't seem to be the case with the new Dragon sensor. While the new sensor is actually 10% larger, there are far more pixels, and the end result is a larger pixel density (thus smaller pixels). Sensor design for all manufacturers is certainly improving, and while larger pixels usually equals better light sensitivity, it will be extremely impressive if RED can more than double the sensor's performance in lower-light over the MX.
The RED Dragon Sensor:
While availability for the upgrade is still stated as sometime before the end of the year for EPIC cameras, there are no hard dates for when this process might begin. However, there is some good news for a select group of people -- those who purchased $50,000 or more worth of a RED EPIC and other gear after NAB will receive a free upgrade to Dragon. If you were one of the early EPIC-M adopters (the hand machined EPIC that was released long before any of the others at a higher price), you will be the first to receive the Dragon sensor update. While not free for anyone else, if you were an early adopter, RED is once again attempting to take care of those users.
Here is Jarred Land on that:
Epic -M owners will get priority for the Dragon upgrade. No free upgrades before the NAB special $50k deal.. It has nothing to do with loyalty.. it has to do with economics. As much as we would love to.. as a business we can't give everything away for free.. we already did that once.
While I'm not sure RED has ever given everything away for free (if they did I think I missed that sign-up sheet), it should still be comforting for those who purchased a Beta camera (as stated by RED) to be the first to shoot 16-bit RAW and higher frame rates in a smaller package. There is some other interesting news regarding codecs. One of the big complaints about the RED workflow is that there are plenty of jobs that just want ProRes or DNxHD 1080p (like the Blackmagic Cinema Camera can do) immediately instead of 4K or 5K RAW (for speed purposes). This is something that RED's main rival, Arri, has been able to incorporate into the Alexa (ProRes from the start, DNxHD as a paid upgrade). Being forced to convert footage is just another step for some of these clients, and many just want to edit immediately using a ProRes log file or similar. There is some word that RED may finally release a module to do either or both ProRes and DNxHD, which just might steer some of those professional jobs right back into RED's corner.
Jarred Land when asked by Rory Hinds about a possible DNxHD/ProRes module said this:
Dont worry Rory.. we are listening.
Increased sensitivity could put the new Dragon sensor in line with some of the other digital cinema cameras out there (like the Alexa), and may actually prove to be comparable in low-light to cameras like the Canon C300 and the Sony F3. For those wondering why anyone would ever need 6K, if you've been reading the site lately, we've talked about bayer patterns and the loss of resolution that comes from pixel interpolation. Since there isn't a red, green, and blue for every single pixel, there has to be some interpolation to fill in the missing gaps. The more information you start with (6K), the closer you're going to get to a clean 4K, which is the intended final resolution for high-end digital cinema and 4K television sets. Sony's F65 has an interesting 8K pixel design precisely for this reason -- though that camera was only ever designed to shoot 4K, while RED's will actually give you the 6K file for manipulation and cropping.
These are interesting times, and we don't have much word on when the update will be coming to SCARLET, how much it will cost, and who gets it first (probably those who ordered first). There is no question that SCARLET will have lower frame rates and probably a lower shooting resolution, but how much lower remains to be seen. Since Dragon will need to be cropped for many lenses anyway because of the larger than MX sensor (35mm still lenses, or lenses like the Zeiss CP.2s, will still cover the sensor), being forced to shoot 5K on the SCARLET wouldn't be a deal-breaker depending on the price.
[via REDUser]
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93 Comments
Upgradeable sensors seems to be one of the greatest attributes for owning a RED camera. Making that part modular was definitely a right call and when I'm ready, may be a deciding factor should I choose to buy into their ecosystem.
August 10, 2012 at 7:38PM, Edited September 4, 10:54AM
It's a big investment. If you have a chance to give the system a try (via rental, or if you're lucky, a friend), I would recommend it. It's hard to "know" a camera until you have it in your hands.
August 10, 2012 at 7:47PM, Edited September 4, 10:54AM
I assume when talking about needing ProRes output we're talking about shops with Final Cut or older versions of Avid? Premiere CS5+ has no problem editing R3Ds in real time, and if I recall correctly, Avid now handles them natively as well... I just used a Scarlet-X for a 48 Hr Film Festival piece (where time is of the essence) and it was just as fast as using a more traditional camera/codec.
August 10, 2012 at 7:45PM, Edited September 4, 10:54AM
This also helps handle the ever growing issue of storage space - especially for post houses who archive as well. I believe Joe did a fantastic write up of hard drive space in relation to 4K raw workflows. The results were depressing haha. Raid systems just can't get big enough fast enough, or cheap enough - so having prores or dnxhd for active projects that don't need 4k is a super plus.
August 10, 2012 at 9:16PM, Edited September 4, 10:54AM
If you have a production company needing lots of storage for video, you should look into something like the Backblaze storage pods:
You can order everything you need from this company: http://protocase.com/products/index.php?e=Backblaze
If I'd need petabytes of storage, I'd surely look into this solution - because it's going to get far more expensive with any other off-the-shelf solution.
August 11, 2012 at 11:50AM, Edited September 4, 10:54AM
Wow. Funny to see my company showing up on discussion of a camera sensor. I guess there are lots of people looking for inexpensive storage solutions like a Backblaze pod.
August 11, 2012 at 9:14PM, Edited September 4, 10:54AM
Johan - did you really make or build a Backblaze storage pod for your video storage needs?
August 11, 2012 at 9:16PM, Edited September 4, 10:54AM
6K = Overkill, sorry
15 stops = great
image still not as nice as the Alexa in most of the situations
August 10, 2012 at 7:45PM, Edited September 4, 10:54AM
That's been the M.O. of a DP I do a lot of work for. Besides reframing, you also get more tracking data for VFX, and room for convergence and geometry on 3D shows. There's also the benefit for deliveries with differing aspect ratios - you can add height and/or width as opposed to pan&scan or letter/pillarboxing. Again, some more specialty stuff - not necessary for every production - but still useful. You're welcome to shoot at 5K, or hell even 4K. And now the 5K will fit closer to S35, so more win to those of us currently vignetting.
August 10, 2012 at 9:42PM, Edited September 4, 10:54AM
@kevin, it doest make it easy to track it will make it very heavy. For good tracking you need contrast basically. You need someone on set to make sure the image been captured has all the info to be tracked otherwise you place some tracking marks also collect camera and lens information. I give a credit for stablishing and reframing but for that 4k should be just enough.
August 11, 2012 at 9:34AM, Edited September 4, 10:54AM
You are right Joe, as long as im not forced to record in 6k, 5 or 4k when i dont want to. If at least the didnt have the crop if you want to record straight in 2k. Hence overkill.
August 11, 2012 at 9:28AM, Edited September 4, 10:54AM
You are looking at a RED system as a Video camera ment for use like a video camera. The RED is from conception, a 35mm Film replacement camera.
Saying 6k is overkill for a corporate video, is like saying shooting 35mm film is overkill. Yes it is. That would be using the tool outside its intended purpose. You can do it... But it requires the time and effort to deal with it. The company is RED Digital Cinema, Key word Cinema. You cant fault it for doing what its designed to do. Capture high resolution images in RAW. Thats what a RED does. Period. Its not a 1080p camera, its not a ENG camera, its not a DSLR, its not a Stills camera. Can it be used like those things, yes it can. But they all stray from its intended purpose. You can't fault a sports car for being impractical. It was never ment to be.
August 13, 2012 at 4:53PM, Edited September 4, 10:54AM
"image still not as nice as the Alexa in most of the situations"
How do you know that? There haven't been any images released from this sensor. If you're talking about the MX, I'd say it's up for debate - and definitely somewhat subjective.
August 10, 2012 at 9:27PM, Edited September 4, 10:54AM
Color science still the same, and you right its up for debate, its my personal opinion.
August 11, 2012 at 9:24AM, Edited September 4, 10:54AM
Who said that the color science will be the same after upgrade?
August 11, 2012 at 10:14AM, Edited September 4, 10:54AM
Red said that the color science will be upgraded as well, hold the hate my friend
August 11, 2012 at 10:24AM, Edited September 4, 10:54AM
Not hating, Red is a great camera, perfect fit for independent filmmakers within its price range. If you check their foruns you'll see Red is attacking Alexa based on resolution only, thats their strenght along with a compact body. The only thing I hate is Reduser forum nonsense :)
August 11, 2012 at 11:07AM, Edited September 4, 10:54AM
If you look at their forums, what you said is not true. http://www.reduser.net/forum/showthread.php?83976-Sensors
August 11, 2012 at 11:17AM, Edited September 4, 10:54AM
Of course they have multiple posts about the subject, some of them trying to fix things said in the past. Anyway, I have no interest in making this discussion longer. My post was to state 3 things (my opinion): 6k recording is overkill for today, 15 stops of dynamic range is great! and the image (until the update their color science) is still less appealing than the Alexa, FOR ME, sorry if I offended anyone.
August 11, 2012 at 12:12PM, Edited September 4, 10:54AM
I see the same thing, it is a bit like the megapixel race in the dslr world not so long ago. As a d800 owner, I can tell you that apart from billboard or museum shoot the 36 megapixel are overkill for 95 % of shots. What is nice is that the camera is still well excel in every other domain like very good in low light and great DR. Should it have been different I would have been very critical of it.
Now on the 6k sensor and 4k output. Is the 4k (3k real) output not already very good to overkill? I mean until now I have never seen a pixel in a 2k output (even looking into it). Most of the actors faces (mostly woman) are being soften a bit in post. I am not interested to see every pores of my favorite actress. This is going more in the technological arm race Marketing propaganda than any real perceivable quality gain by human beings.
The last thing is the refraining concept. I read an article from a very experience editor and she was complaining that people were thinking that everything was possible in post. So people were getting lazy and that in the end the work was getting harder and that now they had to pay much more for the editing because of the time for re-framing color correction etc.
So my conclusion is that people are getting too much entangled into technological mambo jumbo. How many film you where bothered by the 2k output. 6k is overkill, 15 stop is big, because for now from my experience I would say that it is close to human perception. When they will release the camera with 20 stop DR, I won't be that exited because up and above certain level there is a sharp law of diminishing return. Resolution for motion capture is already close for me at 2k.
August 13, 2012 at 9:35AM, Edited September 4, 10:54AM
I could see a big difference between the Imax and 35mm shots in the Dark Knight Rises, so more resolution is useful for some things at least. It's also worth noting that to keep details like pores from becoming unsightly, you have to have real detail not artifically sharpened detail...and the only way to get that kind of real detail in 1080p, is to shoot something like 4k and do a high quality downscale. This gives you a smooth creamy detailed image, without the harsh halo artifacts of sharpening.
Re: Reframing in post...any tool that lets you do something easier means it can be used in a lazy way. Somebody can use their car to drive two blocks to the grocery store, and end up getting fat and lazy. But that doesn't mean a car is a lazy tool...it's just being used for the wrong reasons. If you use the tool to do something you couldn't otherwise do, then you're using the tool for the right reasons.
August 13, 2012 at 5:22PM, Edited September 4, 10:54AM
Couldn't agree more to all of that. Options are not a bad thing. It's like people who say "if you're panning so fast that rolling shutter is a problem, then you shouldn't be panning that fast." Oh, really? What about if you make a creative choice to have a handheld scene running with the camera? What if you're shooting in strobe lights? Sure, the camera arms race is less important than age-old storytelling. But give us options and the best storytellers will use them wisely.
August 13, 2012 at 6:29PM, Edited September 4, 10:54AM
One interesting thing I found when posting about pixel pitch and noise before the Sony F3 came out: "engineers find that, while very small pixel pitches bring with them increased noise, once you reach a reasonable size — 4-6 microns — the benefits of larger pixel pitches in terms of noise are reduced." The Dragon Sensor, even at 6K, is squarely in that "reasonable size" range at 5 microns.
August 10, 2012 at 8:55PM, Edited September 4, 10:54AM
If this actually happened, I think it would be the end of the game, in a way. If you have a camera with 15 stops of DR, shoots at 6K, 120 fps at 5K, 16bit RAW and 2000ISO looking as good as 800, well... would you really need anything else? It sounds a bit 'pie-in-the-sky' but, if I had the dough, I'd buy it and figure I was set for life. I hope Jannard makes it happen.
Maybe this isn't the place but, Joe... got a thread idea for you (you've probably already thought about it) and it might be interesting to start it before the final episode of the Zacuto shootout is released (hell, I don't know, maybe after) but, here goes...
Since the GH2 won the poll for best looking video in the 1st Zacuto episode, (my God, I'm still baffled as to why it did but, it did) I was thinking a good question now would be, "If money was no object, which camera would you pick to shoot your next motion picture project on?" I would think lots of folks would say Alexa, many would say Epic (probably, a lot now would say, I'll wait to see Dragon) and some, the F65 but, I would be curious to know, how many of those who chose the GH2 in the poll would say they would, actually, choose the GH2 to shoot their feature on? I mean, if you thought it looked the best, why wouldn't you use it, even if money wasn't an issue? Huh? This I would like to know.
August 10, 2012 at 9:05PM, Edited September 4, 10:54AM
Inputs/outputs, low light performance, lens compatibility, codec, reliability, ergonomics, recording media, resolution... To start. But I wasnt one of the ones who thought the GH2 looked good (other than in the bang for the buck department!).
August 10, 2012 at 9:19PM, Edited September 4, 10:54AM
If I read you correctly, Koo, those would be on my list why NOT to use a GH2, besides the fact that it was near the top of my list for worst looking of the group. But, I think it would be an interesting read on why an individual would choose one over the other, if they could afford any camera they wanted. And, I'd still like to know if those (even Coppola) who preferred the GH2 image, would choose it over all others.
August 10, 2012 at 9:38PM, Edited September 4, 10:54AM
Well, there's your question... What does the image look like (and do you like it)? I mean, to me, as a DP, image is everything. All the other issues Koo mentioned above notwithstanding, if you thought the GH2 looked the best then, why would you use anything else? I hope my point is not lost in here, somehow. Never considered myself a gifted writer.
August 10, 2012 at 9:48PM, Edited September 4, 10:54AM
I can't wait for the people who start saying "yeah, sounds cool - but I'm gonna wait for the 8K version"
Think we'll hit 10K by 2015, or will we just get outrageous low light instead? Cameras are getting weird haha.
August 10, 2012 at 9:20PM, Edited September 4, 10:54AM
Red has promised a lot of things over the years. Many empty promises that turned out to be false.
August 10, 2012 at 9:49PM, Edited September 4, 10:54AM
Even if its 50% true, its still amazing. I'll gladly take 14 stops and clean 1000 ISO. Still basically an alexa
August 10, 2012 at 10:39PM, Edited September 4, 10:54AM
The reason 4k cameras are meaning full right now is this:
Click "Original" size. 4k delivery right now. with Retina displays at the nearly 3k mark, 1080 material appears soft. Try watching 1080p Prores on a 27" Retina mac monitor.
Then watch Timescapes in 4k on that same monitor. This is why i went with red instead of a used Alexa. Make a film, post it in 4k, Deliver over the web in 4k, whether it be Youtube4K or a Download. The delivery medium is here.
August 10, 2012 at 11:36PM, Edited September 4, 10:54AM
yes i mean the general public. Honestly do you know anyone with a 4K monitor? Anyway even if Apple release a 4k cinema display monitor watching something on a computer screen in 4K, seriously wouldnt that be kinda redundant anyway? On a big screen, sure it'd be great, but on a 17inch MBP on your lap? or even 30inch Cinema display. And watching 4k on Youtube? Wouldnt there still be hideous compression issues with that?
I love my technology, and I love nerding out over specs and cameras and everything else, but I really do think 4k is overkill. I think people are using the whole reframing argument to try and justify it in their own heads.
Having said all that if you offered me a 4K camera I would bite your hand off
August 14, 2012 at 5:35AM, Edited September 4, 10:54AM
I used to think 4k was overkill, but the fact that my iPad is more than 4K makes me realize that it's not. And I second Timur about the 27" iMacs and the Timescapes comparisons...compression is an issue, but even compressed, there is a place for 4k right here and now.
August 25, 2012 at 8:16PM, Edited September 4, 10:54AM
More big shot cameras for hollywood fat-cats and big-wigs to make more insipid fmovies.
August 10, 2012 at 11:49PM, Edited September 4, 10:54AM
Sweet mother god red is trying sell more gimmicks. I might sound like an ass saying this but Digital's only benefit is you can watch daily's that day on any budget. HDRx is for lazy filmmakers and photographers. I am not the only person who thinks that either. Red's workflow and camera set up is garbage compare to the arri alexa. I owned a red scarlet and sold the shit out of after 3 months. Maybe I am old fashion but film is still a better.
August 10, 2012 at 11:56PM, Edited September 4, 10:54AM
So more dynamic range (HDRx) is lazy, but film and Alexa with all their dynamic range aren't?
I'm sorry you had so much trouble working with your Red footage, but...I've been happily editing and grading Red footage on a $700 PC laptop. *shrug*
August 11, 2012 at 12:58AM, Edited September 4, 10:54AM
Wow. More DR, higher resolution, and better low light performance are gimmicks?
WTF do you buy cameras for, keeping your door open?
Your right.
You do sound like an ass.
August 11, 2012 at 6:58AM, Edited September 4, 10:54AM
Film does look better to many people, and it's a great archival medium (Unlike hard drives).
But it's a real bitch to work with.
And I think 6K RED footage will be a real bitch to work with as well. At least for awhile. Like 4K was a few years ago. I'm happy that companies are pushing the industry, but I learned after last time that there's often hidden costs to a project.
August 12, 2012 at 1:21PM, Edited September 4, 10:54AM
Also, I think Jack's right about HDRx often being the lazy way out. I think what he meant is, digging into tech on a camera rather than lighting or doing production design correctly is a lazy way to make a film. Some would say reframing massively in post is also being lazy.
It's a valid point of view, if you respect the art of filmmaking. As are other points of view.
August 12, 2012 at 1:24PM, Edited September 4, 10:54AM
The point of HDRx is to bring the dynamic range up to what you can get with film, so if it's lazy for one you have to say it's lazy for both.
I don't think it's lazy though...I'm a big fan of on location shooting, by which I mean shooting on mountains and in tough weather...and I assure you there's nothing lazy about shooting in those conditions. But to properly take advantage of a shoot in uncontrolled environments, you need to collect as much information as possible, and dynamic range is a key part of that.
I mean when you have a solution to light a mountain, I'd be very interested to hear it. In the mean time...
August 12, 2012 at 9:31PM, Edited September 4, 10:54AM
And I don't think this has anything to do with the art of "filmmaking"...it sounds to me like the talk of bitter cinematographers, or technophobes. As a director, I don't care whether the final framing was done on set or in post. What I care about is that I get the framing I want. The art happens regardless of where in the process each bit happens.
Having the DP get his framing on set at the cost of my vision is a failure of the art of filmmaking.
I mean if the DP can get the framing in super tough conditions with one take, then great. But that's a bad bet. If you're just out to create pretty pictures, then sure spend all your time and resources toward that goal...but filmmaking is about telling stories, so I can't waste all of the time letting the DP screw around on set.
August 12, 2012 at 9:39PM, Edited September 4, 10:54AM
Wow, do people not want this to happen?
August 11, 2012 at 12:46AM, Edited September 4, 10:54AM
Hopefully it will look beautiful.
I like the image from the blackmagic camera so far.
Reds video has never really impressed me. It never looks to emulate the feel of film, probably the cinematographers choice in style.
IMO, they should put to rest high resolution, electronic video for a short while and focus on producing 4K television sets to be sold at Best Buy. Then finally we can see the qualities of 4K dating back to the red one.
August 11, 2012 at 3:06AM, Edited September 4, 10:54AM
"Come the end of the year... there will be a new dynamic range King. It just so happens that there is a new resolution King at the same time. And frame rates don't suffer."
"I asked Graeme to evaluate the tests. His comment... "16 stops of the cleanest image I have ever seen. Native."
Have to say I'm excited.
Vince. Prometheus didn't inpress you visually? Hard man to please.
August 11, 2012 at 6:53AM, Edited September 4, 10:54AM
I thought Prometheus looked terrible and I shoot a lot of EPIC and MX.
Then I found out hey downrezed it all to 2K for the effects work.
August 11, 2012 at 4:56PM, Edited September 4, 10:54AM
You thought 'Prometheus' looked terrible?
To your eyes, does 'The Hobbit' look terrible as well?
August 11, 2012 at 6:00PM, Edited September 4, 10:54AM
If Prometheus is finshed in 2K..welll..thnk about it...what is the hope for 4K movies. None.
And a 6K sensor seems silly and strange when
Ridley Scott and a 100+ million dollar budget can't come out in 4K.
August 16, 2012 at 5:30PM, Edited September 4, 10:54AM
Interesting developments and it's exciting to see technology moving onward and upwards. A couple of concerns for me personally though; If I were interested in the Scarlet/Dragon upgrade (which I'm currently not), I'd likely be looking at something close to $10k since Jarred noted the Scarlet would need more hardware replaced besides the sensor itself. That's a lot. Second, I like standards, standards that allow me to use the plethora of S35 lenses that have been produced over the years. With the Dragon growing even larger than the Epic's at 5k, it seems like fewer existing cinema lenses will work with it.
August 11, 2012 at 9:15AM, Edited September 4, 10:54AM
True, but that of course takes away the full potential of the sensor (resolution, DOF due to use longer focal lengths etc.). It's just strange to me that RED knows full well an owner might have invested in a set of S35 PL's, only to have them loose their full usefulness when they upgrade to whatever the next, larger sensor might be. The direction RED's "bigger and bigger" sensors are heading makes sense in a world where money is irrelevant, but not much sense from my perspective.
August 12, 2012 at 10:53AM, Edited September 4, 10:54AM
Well Zacuto shootout 2012, final part 3 is coming in few days. So, Jimbo has to do some damage control.
After all, when you finally do REAL COMPARATIVE TESTS BETWEEN CAMERAS, his beloved Red Epic will not do that well against Sony F65...
Oh, and about the Dragon sensor; it will never be 15+ stops.
August 11, 2012 at 10:36AM, Edited September 4, 10:54AM
This I really agree with. I have never believed RED in their DR claims.
I've seen 8k. I'm sure 6k looks great. But 15+ stops? That I take with a shaker of salt.
Also the lens issue and cropping issues remain. Won't buy - will rent.
Also, VERY unlikely it has any affect on the Alexa market IMO. Avengers screened in 4K looked pretty good to me, as did Drive. Two totally different feels.
August 11, 2012 at 5:00PM, Edited September 4, 10:54AM
Amazing how many people know the future. *rolls eyes*
When will people accept these are all incredible cameras, and the fact that RED wants to keep making better ones at the price point they do is genuinely pushing the industry forward and is a WIN for all of us.
Hilarious that a company can announce some pretty incredible upgrades that you can do without paying for a whole new camera, and people see it as an opportunity to attack??
What is there to fight about in this? Baffling.
Next thing you know, people whinge about the BMC.... a RAW cam at a incredible price point...
Oh wait...
August 11, 2012 at 11:23AM, Edited September 4, 10:54AM
Tech is amazing, if you can see it. They should be focusing on 4k televisions more than the next 9k or 28k sensor. No point, if we can't see 4k yet.
Prometheus looked good. Unfortunately Lindelof's attempt at making it intriguing is what pulls my eyes awayfrom the blu ray releases, better viewing quality.
August 11, 2012 at 11:59AM, Edited September 4, 10:54AM
As I mention above, Prometheus was only completed in 2K.
August 11, 2012 at 5:02PM, Edited September 4, 10:54AM
Green screen, camera tracking (even 2D tracking), etc. all work better if you start with a resolution significantly higher than what you want to distribute. You can't always see it at the full resolution, but that doesn't mean that you'd get the same result if you captured the image in 2K instead. For things like stabilization and re-framing this also goes without saying. So yes, there is a point.
August 11, 2012 at 6:40PM, Edited September 4, 10:54AM
It's interesting to think......about all this....cameras filming at 8K, many options of frame rate, ultra-blaster low light performance, dynamic range getting bigger and bigger........Sometimes I feel we are lost as storytellers, at least I feel this way sometimes.......It's f*** hard to find a really good movie these days, story wise. We are ultra-excited about our new toys, and forget about the core of filmaking. it just make me wonder.....
August 12, 2012 at 10:33AM, Edited September 4, 10:54AM
We have the tools we need to tell great stories. The camera arms race has become bullshit noise, if you're a storyteller instead of a camera geek.
August 12, 2012 at 1:16PM, Edited September 4, 10:54AM
4K is ok...but it is not revolutionary.
If it was Red would do a 4K vs 2K test and it would show night and day diffence.
But they have never done such a test. Because the difference is so subtle.
Face it there is a plateau effect at 2K.
No-one is walking out of 2K films and asking for their money back.
August 16, 2012 at 5:36PM, Edited September 4, 10:54AM
I used to feel this way till i actually started using a red on a regular basis. (before buying into it)
Its less about the resolution add it is about how streamlined a system it actually is. Raw recording onboard, small size, frame rates, and a wide gamut of compression ratios, internally powered peripherals, decent power consumption, and oh yea, all the Rees you can shake a stick at.
Look at what it actually offers. Now compare to a raw work flow on an Alexa, or F65, or genesis.
August 16, 2012 at 7:39PM, Edited September 4, 10:54AM
I always find it odd w/ people using the Red, only to downsample in Prores for the edit. It tends to defeat the purpose of using the camera as resolution in Raw is the biggest strength. Shooting in 4k digitally makes sense for archiving. But if you're killing the resolution while editing, the only advantage seems to have a sharper 1080p image and not much else.
Seems like people shoot on the Red just to say they shot on the Red. If it's not being edited, colored and outputted in native film 4k, then what's the point? Mind as well use a C300, really.
August 16, 2012 at 3:24PM, Edited September 4, 10:54AM
I don't even care if Scarlet's not gonna get 6K at 11 fps like MX one, the main thing about Dragon update is the DR and lowlight performance. This is the stuff.
August 19, 2012 at 1:45PM, Edited September 4, 10:54AM
I know 4K is not real 4:4:4 4K..and investigate F65, C500, EPIC DRAGON..but can't get any bayer pattern infor about EPIC DRAGON. Could you tell me actual 4:4:4 resolution of EPIC DRAGON 6K ??
September 21, 2013 at 9:53AM, Edited September 4, 11:21AM
Elizabeth Zoppa - Wow! I haven't checked out your blog for a while. What amaizng photos you have taken. The clarity and sharpness is awesome. I noticed you now have the 5D (yeah!). I am wavering between the 40D and the 5D and am hoping if you have time you could email why you like the full frame sensor better and which lenses you have now.Thanks,Liz Zoppa
March 18, 2014 at 4:19PM, Edited September 4, 11:56AM


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The aptly named Wickham over-trousers continue dhb's reputation for high specification and keen pricing. Every commu-tourist should have a pair of over-trousers in their cycling wardrobe but traditionally, the PU coated variants are very inefficient at moisture management, membranes might guard against driving rain but can leave you feeling like a mobile sauna-even with ventilation flaps.
The Wickhams are made from eVent which, like Gore-Tex, has pores that allow the fabric to breathe while still remaining fully water and windproof. However, in my experience a technical garment is only as effective as its construction – the Wickham has tapered seams and inverted zips to lock the elements out yet let you get them on and off easily while wearing winter boots/ overshoes. They also pack down very compactly when not in use, occupying nominal space in a pannier – a must, especially on tour.
Cut high in the back, the elasticated waist provides good protection to the your liver and kidney (not a nice place to catch a chill), while Velcro tabs around the calves and ankles prevent bottoms getting snarled up in the transmission or necessitating a John Wayne pedalling style.
There's a reinforced seat for durability but I would wear under-shorts beneath normal clothing to avoid discomfort on rides beyond a mile or two. Prolonged, freezing rain hasn't revealed any apparent weakness (even around the crotch where water can eventually get through cheaper designs) while the windproofing protection they give means I've been able to wear bib shorts in preference to winter weight tights.
The now industry standard reflective piping and logos are positioned for maximum effect when illuminated by car headlamps, yet don't overly attract attention round town sans bike. Care is very straightforward- just add a jot of re-proofing fluid with your low temperature wash and allow to dry naturally.
If you're thinking of buying this product using a cashback deal why not use the road.cc Top Cashback page and get some top cashback while helping to support your favourite independent cycling website
If you're thinking of buying this product using a cashback deal why not use the road.cc Top Cashback page and get some top cashback while helping to support your favourite independent cycling website
road.cc test report
Make and model: DHB Wickham eVent overtrousers
Price: 89.99
Size tested: L
Tell us what the product is for, and who it's aimed at. What do the manufacturers say about it? How does that compare to your own feelings about it?
Aimed at commuter and touring cyclists, the Wickham are a waterproof overtrouser made from eVent- a three layer material that traffics moisture from the skin whilst remaining 100% waterproof.
The eVent fabric with taped seams manages to keep the rider completely wind and waterproof. Inverted zips continue this theme whilst allowing hassle-free fitting/removal of boots/over/shoes. Cut high at the rear to protect the vital organs against chill whilst soft padding is designed to prevent chafing around the crotch.
Made to a very high standard
In the main excellent, although Velcro ankle tabs proved tricky to adjust on the fly
Follow washing/care instructions to the letter.
lightweight but have a robust, high quality feel
Excellent worn over shorts, tights and three quarter lengths but no integral seat demands the use of undershorts when riding in civvies for trips longer than a couple of miles.
Tell us how the product performed overall when used for its designed purpose
Superbly, the cut is excellent allowing freedom of movement, mosisture is evaporated immediately with none of the warm, clammy feeling of less sophisticated fabrics-even after considerable effort. Freezing rain and sleet have had no impact, water lierally cascades from the material.
Tell us what you particularly liked about the product
It lives up to its promise with excelent levels of comfort, thoughtful deatailing and a genuinely cycling specific cut. I have worn them on fast paced training runs without feeling remotely restricted.
Tell us what you particularly disliked about the product
Did you enjoy using the product?: Immensely
Would you consider buying the product?: Yes
Would you recommend the product to a friend?: Unreservedly
Your overall verdict of the product taking everything into account
A superbly designed, high performance garment with smart detailing.
About the tester
Age: 35 Height: 1m 81 Weight: 70 kilos
I usually ride: Rough Stuff Tourer Based around 4130 Univega mtb Frameset. My best bike is: 1955 Holdsworth Road Path and several others including cross & traditional road
I've been riding for: Over 20 years. I ride: Most days. I would class myself as: Experienced
I regularly do the following types of riding: cyclo cross, commuting, touring, fixed/singlespeed, mtb,
Shaun Audane is a freelance writer/product tester with over twenty-eight years riding experience, the last twelve (120,000 miles) spent putting bikes and kit through their paces for a variety of publications. Previous generations of his family worked at manufacturing's sharp end, thus Shaun can weld, has a sound understanding of frame building practice and a preference for steel or titanium framesets.
Citing Richard Ballantine and an Au pair as his earliest cycling influences, he is presently writing a cycling book with particular focus upon women, families and disabled audiences (Having been a registered care manager and coached children at Herne Hill Velodrome in earlier careers)

subset: commoncrawl


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EXCLUSIVE: Iraqi-Kurdish director Hiner Saleem is in Cannes with Un Certain Regard title My Sweet Pepperland [pictured].
Iraqi-Kurdish filmmaker Hiner Saleem has revealed he is developing an epic love story spanning two decades and the Middle East.
The director is currently in Cannes with My Sweet Pepperland, about a local police chief and teacher who challenge a drugs baron in the remote Kurdish Khwakork border area, which screened in Un Certain Regard on Wednesday.
'It will be a fresco of the Middle East revolving around a love story unfolding over the last two decades in the region. It will be shot principally in Turkey, Iraqi Kurdistan and Iraq. It will be a lot more ambitious than My Sweet Pepperland in terms of its scale, with thousands of extras and a host of interwoven characters," said Hiner.
"I can't give too many details because we're still writing the script but in broad terms it will open in 1990, around the time of the invasion of Kuwait, and revolve around a forbidden relationship between a Turkish man and Kurdish woman unfolding against the backdrop of the momentous recent history of the region," he continued.
Saleem is co-writing the screenplay with Antoine Lacomblez with whom he also collaborated on My Sweet Pepperland.
"We're finishing off the script and plan to start working on financing after Cannes," said Saleem.
The filmmaker, who produces under the HS Production banner and divides his time between Iraqi Kurdistan and Paris, plans to reunite with My Sweet Pepperland co-producers French Agat Films and German Roh Films on the picture.
Unusually, Saleem is also in talks with potential Turkish producers.
The 40-year-old Kurdish-Turkish has made such collaboration a rarity but a recent ceasefire by the Kurdistan Workers Party (PKK) may herald a new era for cooperation between Turkish and Kurdish producers and filmmakers.
"I really hope this new openness on both sides will enable us to shoot in Turkey too… I want to work with people from across the Middle East and Europe with this film… For me, the cinema world should transcend politics."


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The Trigger Tyme Pistol From LaserLyte® Takes Training Anywhere, Anytime
Cottonwood, AZ – LaserLyte®, innovators in firearms laser technologies, introduce their first plastic training handgun for safe, realistic training anywhere; the Trigger Tyme Pistol LT-TT. Used in conjunction with the LaserLyte® LT-PRO, the Trigger Tyme Pistol is perfect for all ages and experience levels. Approximately the size of a GLOCK 23, the Trigger Tyme Pistol is weighted and balanced to give the realistic "feel" of most semi-auto pistols. The approximate simulated 5.5 lb. trigger pull has a take up and break action like the real thing but the Trigger Tyme Pistol cannot accept or be fired with any ammunition.
Simply insert the LaserLyte® LT-PRO in the muzzle and the sound activated switch will indicate the impact of the laser dot on any of the LaserLyte® Trainer Targets; the TLB-1 or the new Reaction Tyme Target TLB-RT. The Trigger Tyme Pistol with the LT-PRO can be used to practicing drawing and reholstering from traditional or concealed carry holsters and allows the user to practice and gain confidence in sight pictures, trigger control, accuracy and more.
The LaserLyte® Trigger Tyme Pistol LT-TT lets users train anywhere, anytime, perfecting their shooting skills without having to leave the comfort of one's own home or spending countless dollars on training ammunition. For more information, visit www.laserlyte.com.
LaserLyte® LT-TT Specifications:
Materials: made from glass filled nylon
Weight: 12.75 ounces / 362 gr.
About LaserLyte®:
LaserLyte®, the leader in laser technology for over 25 years. Our mission is to heighten the experience of shooting. For additional information about LaserLyte, visit www.laserlyte.com.
Keep up to date with LaserLyte on Facebook or Twitter. Visit the LaserLyte YouTube page for all the LaserLyte action.


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Camp Bragg near Lewisburg, Tenn.
May 31st, 1863
Dearest Sallie, I am glad to tell you that John C. landed here yesterday evening safe and sound with your welcome little letter and bundle of clothes. I was really glad to learn that the Yanks had not got into our part of the country any more and that you were all getting along so well with your farm and domestic affairs. I first read the letter and found out that you had sent me some cakes in the bundle of clothes. I was very anxious to get it and get something good to eat from home, from her who is ever near and dearest to me on earth - but alas! When John C. called me up to get my bundle, he told me that his load was so heavy that he had to take the cakes out and I s'pose eat them. I was very glad to get the clothing as it had come from your own hands, but I was considerably disappointed in not getting the cakes. You have no idea how glad I would be to get something good to eat from home. I am stalled out on bread and meat and water. We get a little milk once in two or three weeks from the country - but it comes so seldom that it does but little good. Oh! If I only had the milk and butter that our Negroes have and to spare, how glad I would be. They know nothing about hard times, but if they ever try the Yankee camps they will find it out.


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Chairman and Chief Executive Officer
Wendell P. Weeks is chairman and chief executive officer of Corning Incorporated. He was named chief executive officer in April 2005 and chairman of the board in April 2007. He has been a member of the company's board of directors since December 2000.
Weeks began his career with Corning in 1983 in the finance group. In his 35 years with the company, he has held a variety of financial, business development, commercial, and general management roles, including strategic positions in the company's television and specialty glass businesses.
In 1993, Weeks was named general manager of external development in Corning's telecommunications business. He was named vice president and general manager of the company's optical fiber business in 1996. In early 2001, Weeks was named president of Corning's optical communications division, where he led through both dynamic market growth and the subsequent challenges of market declines.
Weeks became Corning's president and chief operating officer in April 2002. In this role, he helped lead the company's restructuring and return to profitability following the telecommunications industry crash. Weeks was the chief architect of Corning's Corporate Strategy Framework, which provides a foundation for mitigating the company's inherent volatility and managing through good times and bad.
As CEO, he has focused on creating new growth opportunities and building a bigger, more balanced company.
Weeks is a graduate of Lehigh University and earned a Master of Business Administration from Harvard University as a Baker Scholar. He serves on the board of directors at Merck & Co. Inc., and Amazon.com, Inc., and he serves on the board of trustees for the Corning Museum of Glass.


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Wednesday, May 26, 2010
Zeroed In on Phillies
9 comments:
Absolutely stunning!ReplyDelete
Every night you outdo the last's.
Keep it up! Love this one!
Oh... a few more thoughts...ReplyDelete
1) I have to agree with comment from yesterday. Once Jerry's gone - I will miss his cartoon.
2) I want to buy a book of the season after it's done. Please?
3) I think one of my favorite aspects is how you have it done within 2 hours (or less) after the game is over.
4) This site is my favorite.
- AnonymousMay 27, 2010 at 2:42 AM
broke the streak of jerry! lolReplyDelete
love the blog! lets hope the mets keep it up!ReplyDelete
Thanks for the comments everyone!ReplyDelete
I know you missed Jerry in today's entry, but I assure you he will be back!
FYI... I have been approached by several book publishers. So if all goes well this will most likely ne a book at the end of the season.
Thanks and.....
AWESOME BLOG!! I would like to buy the book as well. i have recommended this site from my facebook account and plan on linking it from my website as wellReplyDelete
Let me just add that I love the new header/logo. Any thoughts on selling individual sketches after the book? I want dibs on a couple!!!
I was thinking about publishing some highlights from the year as prints. But... to be honest, I really wasn't doing this for anything but to finish the book this year.ReplyDelete
So many people like you have been so nice to me and have asked for single page drawings or books. So, I really have to look into the best way to do that so I can make everyone happy.
Thank you Bob and all of you for making this a great experience.
youre the man dude...this site is awesome. can't wait to get the book after the season.ReplyDelete


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At CELSIUS our mission is simple: create a great tasting, fitness drinks that are proven to deliver functional benefits. With 18 flavors in total and 3 different lines, we've developed delicious options that deliver. From our refreshing Original CELSIUS to the extra boost you'll get from CELSIUS HEAT, wherever you go and however you choose, CELSIUS is the best way to help you Live Fit!
CELSIUS is a Fitness Drink which has been clinically proven to accelerate metabolism and burn calories & body fat while providing healthy energy. Available in both sparkling and non-carbonated flavors, CELSIUS is an ideal pre-workout drink and also serves as a refreshing alternative to coffee and other caffeinated drinks. CELSIUS is the perfect addition to an active lifestyle and has no artificial preservatives or flavors, no aspartame, or high fructose corn syrup and is very low in sodium. CELSIUS is delicious that delivers, (clinically proven to do so).
CELSIUS' first line extension is both naturally sweetened and naturally caffeinated. CELSIUS Naturals! Available in all new sparkling and non-carbonated flavors, CELSIUS Naturals contains the same propriety formula proven to accelerate metabolism, burn body fat and provide healthy energy.
CELSIUS is available in a powder stick as a grab & go option for healthy energy anytime, anywhere. Just pour a packet of CELSIUS On-The-Go into water and enjoy the delicious taste that delivers the same proven functional benefits.
CELSIUS HEAT is a great-tasting carbonated pre-workout that contains 2,000 mg of L-citrulline and 300mg of caffeine. HEAT has been designed to deliver the additional boost you need from your pre-workout drink and is based on the clinically proven MetaPlus formula found in the original CELSIUS line. Take your workout to the next degree with CELSIUS HEAT.


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New Toyota 86, Camry Hybrid, Prius c, Avalon, Yaris iA, Corolla, RAV4, Sienna, Tacoma, Tundra & Venza in Chandler - Serving Phoenix Metro Area
Below you will find all of our competitively priced new 2019 - 2020 Toyota cars in Chandler. With a wide selection of new cars to choose from including Toyota Hybrid cars like the Prius, Prius c, Camry Hybrid, we are confident that you will find a vehicle that fits your lifestyle. As a major destination for a new Toyota 86, Camry, Corolla, Tacoma, Sienna, Venza, RAV4, Highlander, 4Runner, Avalon, and Yaris, we pride ourselves on carrying a wide selection of new cars at our Toyota Dealership lot serving Tempe, Mesa, and Gilbert, AZ. Use our Power Search tool below to filter by make, model, year and body style, or call us to speak to a member of our knowledgeable sales team. If you cannot find a particular Toyota vehicle, please try our CarFinder tool and we'll locate it for you!All manufacture offers are provided by Toyota Motor Sales and must be financed through Toyota Financial Services.
More About Buying a New Camry, Tundra, Prius, Corolla iM, Tacoma, Sienna or Venza at Big Two Toyota Serving Phoenix Metro Area
Now that you have browsed Big Two Toyota of Chandler's inventory of new Toyota models, please take a minute to view our comprehensive inventory of used cars serving Phoenix metro area. Every pre-owned vehicle that comes to our Toyota dealership serving the Phoenix Metro area undergoes a detailed inspection to ensure the quality of our used cars and pre-owned vehicles. Once you've found the vehicle you like, contact our car loans and Toyota lease experts in Chandler to find out about the Toyota financing options. You can also count on our Chandler, AZ Toyota dealership for all of your car service, Toyota repair, and Toyota parts needs. Proudly serving Tempe, Mesa, and Gilbert, AZ be sure to come visit us at 1250 S. Gilbert Road in Chandler, AZ and see for yourself!
** Price(s) include(s) all costs to be paid by a consumer including $499 documentation fee, except for licensing costs, registration fees, and taxes.


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You asked, we listened. Choose the products you want without the hassle of customizing a kit. Take advantage of some serious savings with Kristina's exclusive coupon. Use it to save on Kristina's favorite products (shown below) or on your own.
$15.95 $11.95 Save 25% Your Savings: $4.00
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Personalized gifts are the perfect gift to convey how special your dear ones mean to you. Personal gift are very special and close to heart for any occasion because they portray your love, care, thought and effort that you devoted to bring a smile on the face of your dear ones. These uniquely personal gifts give the recipient an overwhelming joy with the feeling of being so much special and valued by you. You can send these personalized gifts through the online gifting store of Giftstoindia24x7.com. Along with this, you can also team up chocolates and flowers and make the occasion more joyous.
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Send this Gift to India to your loved ones and they will be impressed with your devoted time that you put for making them happy. In this personalised gifts you can add pictures of your loved ones and write your message that you want to convey to them.
To give the best personalised gift to your friend in India GiftstoIndia24x7.com has best options to choose from. You can send a personalised mug, personalised pillow, personalised mobile covers, personalised t-shirt which are the best personalised gifts to send to India for your friend. GiftstoIndia24x7.com will be happy to serve you with their best personalised gift product. Five best personalised gift for your friend can be-
Want to give a unique gift to your loved one's then personalised mugs will give you the best experience. At GiftstoIndia24x7.com you will find different mugs where you can put an image and also your message. Personalised mug can be a unique gifting experience that will make your loved one happy and also impressed with the creative gift.
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Yuba City offers a charming and relaxed small town atmosphere on the urban fringe of Sacramento, California's Capitol. The rich agricultural lands of Northern California set the stage for worldwide distribution of fruit, nut, and grain products. Yuba City's businesses are supported by a metro population of over 168,000 and a city staff dedicated to improving the infrastructure to maintain a strong business climate.
Location: 40 minutes north of the Sacramento International Airport
Access: State Hwy 99 & State Hwy 20 Business
Climate: Pro-Active City Council and City Management
Vision: North Central California's Premier Regional Hub and Outdoor Recreation Center
Commitment: Business and economic development are a priority


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The Best of Spitsbergen
* Subject to availability.
• Outings and shore visits in Zodiac® inflatables with your naturalist guides.
• Hiking opportunity.
• Sailing in Spitsbergen's fjords and towards the ice floe.
• Landscapes: ice floes, jagged mountains, icebergs, ice caps, steep-sided valleys, sheer cliffs, huge glaciers.
• Wildlife: polar bears, Arctic foxes, Svalbard reindeer, Arctic terns, walruses, whales, puffins.
Flight Paris / Longyearbyen + transfers + flight Longyearbyen / Paris
Roundtrip flight included
- Staterooms & Suites
- Port of call & excursions
- Formalities
- Theme
- Cruise Package
- Important information
Staterooms & Suites
There are no staterooms available for booking. Please contact our cruise advisors.
In May 2011, l'Austral joined PONANT's fleet. This superb mega-yacht with 132 staterooms is the result of the expertise of the Italian Fincantieri shipyard and French sophistication, as interpreted by designer Jean-Philippe Nuel. L'Austral remains faithful to our philosophy - to create a unique atmosphere, a subtle blend of luxury, intimacy and well-being.
A sleek silhouette softened by elegantly smooth contours and large, arched windows opening up to the sea and the light: so many features come together to give L'Austral her distinctive shape. Precious materials, discreet elegance and a perfect balance between chic and casual, combine to make you feel as if you are on your own private yacht. A design blending tradition and innovation, where a nautical mood has been subtly recreated. A welcoming atmosphere of relaxed sophistication revolves around shades of grey, taupe, white and ivory enlivened by touches of cinnamon, caramel and tan.. So many personal touches create the spirit of a "private yacht."
You will encounter unique itineraries, calls inaccessible to large ships, chic and elegant yacht-like ambiance, refined and personalized service as well as gastronomic cuisine.
Port of call & excursions
Longyearbyen, SpitsbergenEmbarkation 02/06/2019 from 15H00 to 17H00 . Departure 02/06/2019 at 18H00 .
Longyearbyen is the capital of the Norwegian Svalbard archipelago, located on Svalbard's main island, and is the northernmost territorial capital on the planet. With winter temperatures dropping to below 40°C, the landscapes of this mining town are simply breathtaking. The glaciers, the mountains stretching as far as the eye can see and the untouched nature, make you feel like you're in completely unexplored territory.
3 June 2019 – Lilliehöök GlacierArrival 03/06/2019. Departure 03/06/2019.
Welcome to Cross Bay's décor of plutonic rocks and tundra. Admire the immense expanses of flowers that cover the mountain slopes, amidst 14 alpine glaciers plunging majestically into the sea. In this setting of wild beauty, which endemic wildlife has chosen to call home, set off to discover the sublime Lilliehöök Glacier. Located in the fjord of the same name, it forms a kind of circle and its front is 7 km wide. As you approach it, you will fall under the spell of the icebergs floating around it, like jewels bedecking the magical waters of the Arctic. Walruses, sea birds, seals and Svalbard reindeer will perhaps accompany as you explore these unique places.
3 June 2019 – 14th July Glacier, SpitsbergenArrival 03/06/2019. Departure 03/06/2019.
At the entrance to Cross Bay, between tundra, plutonic rocks and mountains covered with a surprising endemic flora, set off to discover the 14th July Glacier. It was thus named by Prince Albert I of Monaco, following an expedition that he led there at the beginning of the 20th century. The glacier's surroundings are frequented by numerous birds (Tridactyl gulls, thick-billed murres, barnacle geese, common eiders, Atlantic puffins…), as well as Arctic foxes and reindeer. As you arrive in front of the glacier, admire the impressive wall of ice and the reflection of the cliffs in the water. It is quite common to see a section of ice come loose, or a bearded seal lounging on an iceberg.
4 June 2019 – Magdalenefjorden (Magdalena Bay), SpitsbergenArrival 04/06/2019. Departure 04/06/2019.
Nestling in north western Spitsbergen, Magdalena Bay is one of Svalbard's unmissable sites. In a spectacular landscape of snow-topped Alpine mountains, deep fjords, beaches and majestic glaciers, it offers multiple opportunities for wonderment. We will not be surprised to observe whales, walruses, seals, common eiders, terns, polar bears and Arctic foxes there. The site of Gravneset, located in Magdalenafjorden, is home to the remnants of a former whaling station used during the 17th century, as well as the graves of many sailors buried here up until the end of the 18th century. Not far from here, the Gully Glacier offers a magnificent view, a delight for photographers.
4 June 2019 – Virgohamna, SpitsbergenArrival 04/06/2019. Departure 04/06/2019.
Welcome to a land of rich history! Virgohamna, or Virgo Bay, to the north west of Spitsbergen, was home to a whaling station in the 17th century. Above all, though, it is known as the staging area for many attempts to reach the North Pole by balloon. In 1896, Swedish balloonist Andrée set up camp here and lifted off a year later with two team members on a trip that would cost them their lives. A few years later, the American explorer Wellmann also attempted this crazy adventure, without success. During your visit, you will be able to see a pile of planks, rusty cans, pipes, debris from earthenware and all kinds of waste on the ground. Visitors are asked to respect these historic remnants, in homage to the conquerors of the poles.
5 June 2019 – Sailing ice floes along GreenlandArrival 05/06/2019. Departure 05/06/2019.
The north-east of Greenland is renowned for being home to one of the oldest and thickest layers of ice on the planet. Aboard your ship, you will have the unique opportunity of sailing to the heart of this icy wilderness, many thousands of years old, and will notably travel along the coast of the North-East Greenland National Park, recognised as a biosphere reserve by UNESCO. From your ship you will also discover Scoresby Sund, the largest fjord in the world. In this pure and preserved world, you will see abundant wildlife in a landscape of tundra and ice, a real delight for the eyes and for photographers.
6 June 2019 – Texas Bar, LiefdefjordenArrival 06/06/2019. Departure 06/06/2019.
Despite the name given to the place, we are neither in Texas nor in a bar; it is actually an unusual place in the High Arctic. Texas Bar is a former trapper's hut that was used by Arctic fox and polar bear hunters in the past. The hut, still in place, has a rudimentary interior with bunkbeds and kitchen utensils. Located at the entrance to Liefdefjorden (the "fjord of love"), it stands peacefully in a landscape of hills covered with moss, lichen and flowers. The cliffs with their changing colours, very frequented by birds, complete the beauty of the panorama. Take a little hike up the slopes and admire the superb view over the Monaco Glacier, which is further south.
6 June 2019 – Monaco Glacier, SpitsbergenArrival 06/06/2019. Departure 06/06/2019.
Located to the North-West of the Svalbard archipelago, the Monaco Glacier is probably one of Spitsbergen's most beautiful and majestic. Named in honour of Prince Albert I of Monaco, a sailor, it stands as an impenetrable, blue-tinged jagged wall, the last glacier before reaching a latitude of 80° North. Imagine the sound of the ice cracking as it breaks free and crashes into the transparent water. And to make the magical landscape even more perfect, you might be lucky enough to spot bears and whales, as these two animals have a special fondness for this area.
7 June 2019 – Ny-Alesund, SpitsbergenArrival 07/06/2019. Departure 07/06/2019.
During your cruise, discover Ny-Ålesund, a former mining town that has been transformed into a scientific base. Founded in 1916, this small town was the departure point for many Arctic expeditions, including those of the famous explorer Roald Amundsen. Don't miss a visit to the museum and its famous post office, considered to be the most northerly in the world!
7 June 2019 – Kongsfjorden (King Bay), SpitsbergenArrival 07/06/2019. Departure 07/06/2019.
Very close to the former mining town of Ny-Ålesund, set off to discover Kings Bay. Your ship will sail in one of the most beautiful fjords in Svalbard: Kongsfjorden (the fjord of the King), a gateway to grandiose landscapes. Here, the snow-capped mountains are reflected in the water where superb icebergs try to outdo each other in their beauty, a delight for photographers. Bearded seals, reindeer, barnacle geese and black guillemots frequent these places that have a unique atmosphere. Once you arrive at the end of the fjord, admire the Kongsbreen (glacier of the King) and its three characteristic rocky points, which take their names from three Scandinavian countries: Svea (Sweden), Dana (Denmark) and Nora (Norway).
8 June 2019 – Alkhornet, SpitsbergenArrival 08/06/2019. Departure 08/06/2019.
At the northern entrance of Isfjorden, there is a small paradise for bird lovers: the Alkhornet Cliff. It is home to a very rich avifauna, made up of thousands of birds frolicking in a joyous tumult: gulls, guillemots, pink-footed geese, terns, seagulls, puffins, Arctic skuas… The Alkhornet Cliff, easily recognisable by its rhinoceros-horn shape, is also frequented by reindeer, which are not overly timid. Attracted by the tundra that covers the foot of the mountain, they come to graze in peace in a verdant setting covered with grass and moss. With a little luck, you will perhaps have the opportunity to see some seals and Arctic foxes, who are also regular visitors.
8 June 2019 – Pyramiden, SpitsbergenArrival 08/06/2019. Departure 08/06/2019.
This port of call will definitely make an impression on history enthusiasts. A real ghost town, Pyramiden was founded by Sweden at the beginning of the 20th century before being sold a few years later to the Soviet Union. Constructed at the foot of a mountain in the form of a pyramid, this former mining town, abandoned in 1998, has conserved all the buildings from its glory days, when it lived off coal mining. During your visit, you will be able to walk past a swimming pool, swings, a football pitch and a cinema. Even more unusual: reindeer like to wander the deserted streets of this dead town, the only companions for the handful of men who still live there in summer.
8 June 2019 – Nordenskiöld Glacier, SpitsbergenArrival 08/06/2019. Departure 08/06/2019.
Situated deep inside Isfjorden, the Nordenskiöld Glacier is one of the very beautiful discoveries of your cruise. Its front of ice, nearly 5 km wide, is one of the most spectacular in the Svalbard Archipelago. 30 metres high, the glacier, like a gigantic frozen statue whose sections of ice sometimes come spectacularly loose, is impressive. The polar bear, the king of the Arctic, will perhaps make an appearance in these parts, which are also frequented by reindeer and seals.
Longyearbyen, SpitsbergenDisembarkation 09/06/2019 at 07H00 .
Longyearbyen is the capital of the Norwegian Svalbard archipelago, located on Svalbard's main island, and is the northernmost territorial capital on the planet. With winter temperatures dropping to below 40°C, the landscapes of this mining town are simply breathtaking. The glaciers, the mountains stretching as far as the eye can see and the untouched nature, make you feel like you're in completely unexplored territory.
The information below is current but subject to change at any time without advance notice from government authorities. Please consult your respective government agencies for visa and health information.
Passport valid for at least six (6) months beyond the completion of your trip. Passport must contain at least two completely clear, blank, unused visa pages for each visa required, not including any amendment pages. Visa pages with stains or ink from other pages in the passport are not usable. Guests who deviate from the scheduled embarkation or disembarkation port should research the foreign entry requirements for the port country. Due to government regulations, regrettably, Ponant will have to deny boarding to any guest who fails to obtain the appropriate travel documentation for this trip.
Warning about the use of drones: the use of drones aboard PONANT ships, whether they are sailing at sea, at a port of call or anchored, is strictly forbidden. The use of drones on land in the Arctic and Antarctic regions is also strictly forbidden by international polar regulations. In other regions, it may be possible to use drones on land if permission has been obtained from the relevant authorities of each country and each region travelled through, as well as a pilot's licence that should be obtained from your home country. Passengers are responsible for obtaining these permits; they should be able to present them at all times. Passengers who do not obtain these authorisations expose themselves to the risk of legal proceedings.
Polar Expedition
Discover the unique concept of PONANT polar expedition cruises: explore the world's extreme regions while enjoying luxurious comfort and service.
A luxury expedition voyage
Choosing a PONANT expedition cruise means choosing a state of mind: the alliance of elegance and authenticity, of exploration and comfort, of adventure and refinement… The comfort of your ship and your stateroom, personalised and attentive service, refined gastronomy: a very special atmosphere that we take great care to maintain. In the heart of the ice floes of the Arctic and the Antarctic, our luxurious services will ensure that your expedition cruise is an unforgettable experience.
PONANT, polar specialists
With almost 20 years of experience in the extreme regions, PONANT, the world's number 1 polar cruise company, is a real polar specialist. PONANT will take you to the most remote regions in total safety: our Captains and crew are professionals, specially trained to sail in icy waters. Our latest-generation fleet has the most modern technology to guarantee both your safety and respect for the regions visited. The size of our ships means we can get as close as possible to areas that are difficult to reach, offering a privileged access to preserved sites. Our flexibility enables us to adapt to the surprises inherent to these expedition itineraries.
Professional expedition teams, varied activities
After scouting missions in the field, our Expedition Leaders and their teams of naturalist guides design exceptional itineraries in the polar regions. During the cruise, they organise daily outings and shore visits in Zodiac® dinghies and hikes on land so as to get as close as possible to nature and wild fauna. In the Arctic and in Alaska, the close relationships that our teams have been able to build with the local communities will enable you to understand the life of these peoples of the Far North, and to share it for a few hours. On board, the naturalist guides will share their knowledge during various conferences on fauna, the history of the great explorations, geology and climatology…
Flight Paris / Longyearbyen + transfers + flight Longyearbyen / Paris
Embarkation day Paris / Longyearbyen
Flight Paris / Longyearbyen selected by PONANT.
We highly recommend to arrive in Paris the day before this flight.
We suggest to be at the check-in counter 2 hours before departure.
Approximate flight duration: 4h30
Meet and greet at Longyearbyen airport.
Transfer to the pier for embarkation.
- Cruise aboard your cruise ship -
Disembarkation day Longyearbyen / Paris
Disembarkation and transfer to Longyearbyen airport.
Flight Longyearbyen / Paris selected by PONANT.
Approximate flight duration: 4h30
We highly recommend to plan a departure from Paris the day after this flight.
This programme includes:
- Flight Paris / Longyearbyen / Paris in economy class
- Transfers airport / pier and pier / airport
This programme does not include:
- Personal expenses
- Any other service not mentioned in the programme
- Flights included in the programme are, as of today, operated in economy class, on a European airline
- Detailed programme including flight schedule will be provided with your "travel document"
- For passengers in transit in Paris, we recommend to stay one night in Paris before and after these flights to ensure your connecting flights
- Package subject to availability
- This programme is subject to change without prior notice
Important information
Expeditions programs include activities such as Zodiac® outings (sometimes with "wet landing"), moderate walks to more active hikes. All this accompanied by your expedition team of naturalist guides. Certain zodiac® outings will not allow for landings just cruising. Landings will depend on weather conditions, position of ice and winds and the state of the sea. These can force a change of plans at any time.
Travelling to polar/isolated regions is an exhilarating experience. The raw beauty and untouched wilderness offer an unusual chance to experience a place where there is little evidence of human presence. Inevitably, there are some consequences that come with such remoteness: please remember that you are far from modern hospitals with full medical facilities, thus evacuation is highly expensive. Without the necessary medical coverage, all expenses will have to be immediately paid from with your personal funds. We urge you to subscribe a full coverage insurance, choose your insurance company very carefully and be extremely vigilant and ensure your insurance is fully comprehensive.
Taking into consideration the unusual and exceptional character of expedition itineraries, the calls shown are an indication only. The final route will be confirmed by the Captain and Expedition Leader, who will take into account the touristic quality of the sites and above all, the safety of the passengers. Their decision will be subject to that of local authorities and/or the expert pilots present on board during the navigation in polar and /or isolated zones.
Dressing tips:
- Water-resistant parka offered on board (for adults only) on Expedition cruises where the stamp "Parka gift" appears
- Half calf rubber boots with non-slip soles, which will allow you to land in 20 cm of cold water, keeping your feet dry for walks and visits on steep paths. You can also bring water-resistant hiking boots. A boots rental will be offered onboard (for adults only) on Expedition cruises where the stamp "Boots offered" appears
- Comfortable pants: classic Winter pants, warm cotton tracksuit
- Water-resistant windbreaker over pants - COMPULSORY
- Winter pants with water-resistant over pants is the ideal combination: water-resistance and comfort suitability of pants are essential
- Pullover, sweat-shirt or fleece jacket
- Thermal sweater
- Fleece muffler and fleece cap or thermal beanie covering ears (avoid scarfs which do not stand still)
- Water-resistant and supple gloves
- Polarized sunglasses with high UV filter
- Walking sticks (highly recommended)
Feel free to visit the PONANT online shop which offers a selection of equipment and accessories adapted to our destinations at the following address: https://boutique.ponant.com
Benefits of the PONANT shop:
- expert advice to gear up
- a selection of technical equipment and accessories approved by our naturalists
- Duty Free prices
- delivery directly on board


text: Use savvy techniques for both decorative and functional changes to your bag patterns. Tweak your bag patterns to make them more innovative. Learn a smocking technique achieved with yo-yo makers, add a secure zipper closure to an open-top tote, change your bag into a backpack, or add a drawcord top to your tote. Make any of these unique changes for a new look to your bags and totes.


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Federal independent MP Rob Oakeshott won't say whether he intends to stand at the September 14 election.
But he could announce a decision within a month.
Mr Oakeshott, who controversially backed Labor to form minority government following the 2010 election, is facing a tough fight to retain his NSW mid-north coast seat of Lyne.
The Nationals are confident they can take back the seat, lost to Mr Oakeshott following the retirement of former deputy prime minister Mark Vaile in 2008.
"I want to buy some time," the MP told ABC radio on Tuesday when asked whether he would seek re-election.
"When the time's right I will make sure plenty of people know."
Opposition Leader Tony Abbott said the Nationals candidate for Lyne, Port Macquarie gastroenterologist David Gillespie, would be a very tough opponent for Mr Oakeshott.
"He was a tough opponent last time," Mr Abbott told Fairfax Radio.
"But obviously many people up there think that Rob has badly blotted his copybook by supporting and sustaining a seriously bad government."


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Surveillance Cameras and Civil Liberties II
In a piece at Politico today, David Rittgers raised a number of important points on the role of surveillance cameras in law enforcement, about which I blogged yesterday at Politico Arena and Cato@Liberty. To add still more to the subject, David is quite right: the cop on the beat, assuming he's there, will be better than the camera at preventing crime. In at least two cases, however, cameras can fight crime not only ex post but ex ante as well. First, cameras monitored in real time — as private cameras often are in apartment buildings, casinos, warehouses, and elsewhere — can facilitate crime prevention by alerting monitors to suspicious activity. And second, would‐be criminals who are concerned about being caught may think twice if they suspect they're being monitored. Cameras will not deter suicide bombers, of course; nor will they deter those who are unaware they're being monitored, as may have been the case with the incompetent bomb maker in Times Square – who seems at this writing (we await more facts) to have wanted to "get away," all the way to Pakistan.
But to add further to the civil liberties point I made yesterday, not only are surveillance tapes usually more accurate that eyewitness accounts in identifying criminals, thereby lessening the very real problem of mistaken prosecutions and convictions, but they aid also in the equally real problem of police (and even prosecutorial) abuse. Two weeks ago David blogged about the recent University of Maryland case involving the notorious Prince George's County police department, where a video showed police brutality that the police later falsified in their report. And surveillance tapes can work in the other direction too — to protect police from false accusations of brutality. So the civil liberties implications of surveillance cameras are many, and often not what they seem on first impression.


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Graphic Mob, the newest and latest innovation from Mob Grip, skateboardings premium grip tape. Graphic Mob features a groundbreaking process that locks full color illustrations and crystal clear photographs into the grit, without sacrificing the durability, grip, and feel that makes Mob the #1 choice of professional skateboarders.
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Riedel Grape Champagne Coupes, Set of 2
- Only at Williams Sonoma
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Earn 5% Back in rewards4 plus free standard shipping3every day when you shop with your Williams Sonoma credit card at Williams Sonoma.Apply Now Learn More
- Summary
From Riedel's Grape collection, these sophisticated glasses combine elegant pulled stems with shallow, coupe-shaped bowls—long considered classics for serving Champagne and other fine sparkling wines. The shimmering crystal stemware ensures a perfectly balanced tasting experience, whether the occasion is a quiet dinner for two or an evening of entertaining.
- Machine-made of brilliantly clear crystal glass.
- Coupe-shaped bowls offer classic presentation for Champagne and other fine sparkling wines.
- Sleek pulled stems create an attractive cleft in the bottom of the bowls, highlighting the color of the wine within.
- Made in Germany by Riedel, a family-owned company famous for exquisite glassware since 1756.
- Set of two.
- Dimensions & More Info
- 9.25-oz. cap., 6 3/4" high.
- Made in Germany.
- Use & Care
- Disherwasher safe.
- Shipping
This item will arrive in 3 to 5 business days if no personalization has been applied and 5 to 7 business days if personalized.
Shipping Information
This item is shipped from our warehouse by UPS to arrive within 3-5 business days of our receiving your order.
Shipping Rates
The shipping rate varies depending on your order total and shipping destination. View Shipping Options and Charges.
Next Day Delivery
For an additional charge of $26 per address, we can expedite delivery to most destinations. This service is not available for some oversize items, items shipped directly from the supplier (including perishable and custom-manufactured items), out-of-stock items and items to be shipped outside the contiguous 48 states.
Orders received by 9:00 p.m., Eastern time, Monday through Thursday will arrive the next business day; orders placed Friday through Sunday will arrive on the following Tuesday.
Return Policy
At Williams Sonoma, we take great pride in the quality and craftsmanship of our products. Attention to design, materials, safety and construction are our priority. Upon receipt, please inspect your purchase and notify us of any damage; we will arrange for a prompt replacement.
If within 30 days, you are dissatisfied for any reason, you may return your purchase for a refund of the merchandise value. An original receipt or gift receipt is required for all returns and exchanges. Returns with a gift receipt will be refunded in the form of a Merchandise Credit for the amount indicated on the gift receipt. Returns with original receipt will be refunded in the original form of payment, cash and check refunds over $100 will be issued as a company check (may take 14 business days from time of request).
For all cutlery returns (knife sets, single knives, cutting boards, knife sharpeners, and knife storage) please contact us at 888.922.4108 to initiate the return.
We cannot accept returns on monogrammed, personalized, special-order items, custom upholstery, food, items shipped direct from the vendor, or on items damaged through normal wear and tear. Final sale items ending in .97 or .99 cannot be returned.
For returns of items purchased from your Williams Sonoma Gift Registry, we will gladly provide a refund or exchange for the merchandise within 90 days of your event or within 90 days of purchase, whichever date is later. View Full Returns Policy.
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Rated 5 out of 5 by chocolatebaker from Beautiful Coupes These beautiful coupes make a lovely presentation and make any occasion feel festive. They are just the right size and look and feel elegant. Pomegranate martinis look wonderful in them in addition to the the bubbly drinks.Date published: 2013-11-09Rated 2 out of 5 by CCraw from Beautiful, but too delicate If you don't intend to use them, then they look great. And the size is just right. But simply drying one by hand with a soft towel, I broke the bowl into pieces. The packaging noted never to hold by the base while you were drying, so avoided that as the stem is very thin. However this glassware isn't really functional if you can't even hand wash and dry them.Date published: 2012-11-01Rated 5 out of 5 by BryanH from New Bar Essential Not maybe my favorite champagne glass, but the coupes are such a throwback to artisan cocktail making. Rather than the same old martini glass, these sexy coupes are perfectly suited to modern mixoloy presentation!Date published: 2012-10-24


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Uncle Boons: Traditional Thai Gets a Soho Spin
Uncle Boons
7 Spring Street, New York, NY 10012 (at Elizabeth; map); 646-370-6650; uncleboons.com
Service: Casual but professional, very well informed of the menu
Setting: Small, intimate, a bit bombastic
Must-Haves: Chicken banana leaf salad, Sweetbread mee krob, Khao soi, Grilled half chicken
Cost: Small plates $10 to $16, entrees $20 to $26
Compare To: Pok Pok, Kin Shop, Yunnan Kitchen
Hours: Monday (Closed), Tues-Thurs 5:30 p.m. - 11 p.m., Fri & Sat 5:30 p.m. -12 a.m., Sunday 5:30 p.m. - 10 p.m.
Recommendations: Recommended. It's not the authentic Thai you are looking for, but perhaps the Thai you need.
I've got to admit it: I did not like Uncle Boons the first time I went. At least, I thought I didn't. The staff was friendly as could be, the space was fun, I even made friends with some folks at the bar, but the food just seemed... off to me.
Things started fine with a Lon Jai ($10), a Thai version of a michelada that looks like a glass of sriracha with a peppered rim. The cold Singha beer bubbles up through the hot sauce and then—what's that?—coriander wafts up to your nose along with something more mysterious and musky. "It's salted pickled lime juice," the bartender tells me, as he puts a plate of their chopped lamb salad in front of me. Laab Neuh Gae ($14) comes on strong out of the gate, with an unmistakable lamb-y aroma and richness that makes you wonder, is lamb really the best choice for laab? It tasted heavy, fatty, not refreshing, until... wait a minute... Okay, suddenly I got it. Those slices of cucumber and pickled onion aren't just garnishes—their bracing sourness allows you to focus on the flavor of the lamb, not the fat. The dish, surprisingly, worked.
It was a running theme my first couple meals there. Dishes that seem ever so slightly off when I read their descriptions or even when I first tasted them. Food that doesn't taste exactly the way Thai food is supposed to taste; like throwing on Let It Be and suddenly hearing Paul belting out Don't Let Me Down instead of John. But you quickly get past that, past the idea that there's a right and wrong version of a dish. Authenticity is overrated, you might even catch yourself saying, a bit of self doubt in your voice. You've never had Mee Krob ($14) served with sweetbreads before? Who cares? The creamy-centered, crisply-coated nuggets tossed with a vibrant tamarind sauce work, and that's what matters.
So what that the potatoes in the Massaman curry ($22) come in noodle-like, semi-raw threads instead of the tender chunks you're used to? The slow-braised beef cheeks in it offer more tenderness than you'll ever need. Who cares if the hulking, barely-tender grilled pork spare ribs ($24) look like they belong on a Southern soul food platter, not a Southern Thai platter? You'll be just as happy to get your fingers sticky eating it (especially because it allows you to get at the funky shrimp paste rice underneath).
Uncle Boons is not Thai flavors and spirit combined with Western restaurant concept the way, say Kin Shop is, nor is it an unabashed love letter to authentic regional Thai cuisine like Pok Pok. It's not even the quasi-authentic-but-pandering-to-locals type of Thai you find at outer borough favorites like Sri Pra Phai or Chao Thai with their vegetable medley curries.
No, what Uncle Boons does for Thai food is more similar to what Yunnan Kitchen did for Yunnanese cuisine. This is Thai food made with authentic ingredients, techniques, and flavors, but given a rough scrub in a hot shower and a comb through. And while a high end restaurant actually in Thailand might stop right there, this is Nolita, where the combed hair must first be artfully mussed into place, the pressed suit wrinkled and decorated with tchotchkes that express just the right amount of comfortable flair, the face adorned with a knowing grin and just the hint of a wink.
In all honesty, the concept runs the great risk of running into hipster territory, but husband and wife team Ann Redding and Matt Danzer manage to pull it off with only a hint of irony and self consciousness. You hear it in the soundtrack—Western classic rock interpreted on high pitched, percussive Thai instruments—and see it in dishes like the Sai Krok Ampai ($12), a slightly mealy house-made pork and sticky rice sausage ("Mama Pai's recipe!" the menu cutely exclaims) served over pickled cabbage that reminds you uncannily of a Papaya king dog with sauerkraut.
You might almost not notice the fact that the duo are well-pedigreed chefs who met at Per Se, the temple of haute cuisine in Manhattan's Time Warner Center, but the touches are there. The best of the curry dishes is a big 'ol bowl of Thai comfort, and one that makes me wish the weather were colder. A chicken leg quarter ($20) braised until fall-apart tender in Northern-style golden curry, served with thick hand-rolled egg noodles that resemble Italian pici more than anything, and plenty of bright pickled shallots and mustard greens. You don't get this kind of flavor and texture without some serious cooking chops.
Giant head-on prawns ($16) singed with char induce greedy sucking as they disappear. They're better with a simple squeeze of charred lime—the too-thin lime and chili dipping sauce is more an exercise in frustration than flavor as it drips and dribbles, flavoring the table and plate instead of the meat.
If there's one flaw in Uncle Boons' game, it lies in the texture of their sauces. Some, like the lime dipping sauce that comes with the grilled foods are too thin to coat the food they're served with, while others—most notably the curries—are over-reduced, turning thick, stodgy as the dishes start to cool within moments of arriving at the table.
Take the Kanom Jiin Keow Wan Jaa ($21). It's the only vegetarian entree on the menu and has the makings of something great, but the noodles and overly thick and strangely bland green curry quickly coagulate into a heavy, starchy solid. We picked off the delicious fried shallots and steamed egg, like picking the cherries and mandarins off of the ambrosia salad on the pot-luck table.
And sometimes the surprise twist—the one that makes you go, "wait a minute, this is actually quite delicious"—unfortunately works the other way around. Roasted oysters on the half shell ($16) with chili sauce and fermented tofu sound like something you'd want to suck down on a Thai beach, but instead, the condiments only manage to distract from the natural sweet brininess of the oysters. They're totally skippable, as are some doughy roti ($3).
A better example of their flavor-blending prowess is with the Mieng Kum, a mixture of coconut, lime, dried shrimp, chilies, and peanuts that comes served on top of a betel leaf wrap with a tart dipping sauce. The finely chopped elements come together like Captain Planet, all of the basic flavors of Thai cuisine swirling in one tiny bite. (Though at $12 for five small bites, it almost feels like paying sashimi prices for a dish of finely composed condiments.)
If you're looking to wash those bites down, there are some strange beverage choices made here, like the decision not to carry any actual sodas, but to leave an artificially flavored sparkling seltzer water on the menu. Served with a bit of pickled lime juice, the drink is delicious and refreshing, but I kinda wanted my Coke, and man, do Thai people love their sugary drinks.
For all its attention to balance and quality ingredients, there's one thing that some Thai fan-boys may crave. "Careful, this is the hottest dish on the menu," our waiter warned us one night as he set the Yum Kai Hua Pli ($15)—a chicken and banana blossom salad—down in front of us. We tasted, tasted, and tasted some more. Fiery, it wasn't, but dang if that ain't some of the tenderest, most flavorful chicken you'll ever taste.
Yum Mamoung Na Boon ($14), their version of a green papaya salad, is another one of the dishes that at first made me say, aw, I wish it was just a bit more spicy... but slowly grew on me as the subtle herbal and citrus balance came through—something I might have missed had my mouth been numbed. Order the rotisserie chicken and you'll get a small portion of of it on the side, complete with its fried squid chip cap.
Speaking of that chicken, it's the best thing on the menu. There's a single window from the dining room into the kitchen that offers you a view of the star of the show slowly revolving above a fire, warming up like a kickboxer getting ready for a fight. Fitting, as the dish is based on the popular Muay Thai ringside snack of roast chicken with spicy dipping sauces. But I can guarantee you that no chicken in a boxing arena in Thailand is as succulent, juicy, or chickeny as this one. If there's any reason to visit Uncle Boons, this is it right here.
No, I lied. The other reason is their Kao Pat Pu ($25). Fried rice can be relegated to boring stand-by status on many Thai menus, but here, large chunks of fresh crab meat and a distinct seafood aroma elevate it to best-of status. It's another surprise hit from a menu that, for the most part, hits on all the right notes.
I came into Uncle Boons expecting flavor to hit me back in the gut like a kickboxer on the ropes, and if you're looking for that, you won't find it. What you will find instead, is more subtle, more refined—less martial and more art. And, if you're like me, you'll probably also find yourself walking back again and again to figure out exactly what it is that makes it so darn tasty.
All the dishes in the slideshow »
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Lake Zurich whipped by flooding, mayor declares local emergency
Some residents on Lake Zurich's southeast side evacuated their homes early Wednesday after heavy rain caused flooding in their neighborhood near Quentin Road.
Flooding was most severe near Stone Avenue and Thistle Lane, just north of Bristol Trail Road. Lake Zurich Public Works crews set up pumps that sent floodwater east down Bristol Trail toward Quentin.
Other parts of Lake Zurich also experienced flooding problems. Officials said floodwater caused the failure of a sanitary lift station in the Braemar subdivision, north of Cuba Road and west of Ela Road, and damaged the village hall's lower level.
Mayor Thomas Poynton has signed a declaration of local emergency. Poynton and other village officials toured flooded neighborhoods and met with residents whose homes were damaged.
No flood-related injuries were reported.
Jeff and K.C. Faetz awoke about 5:15 a.m. Wednesday and scrambled to move their cars to higher ground and away from flooding at their Thistle Lane house. They returned to start placing sandbags around their home, but the effort proved futile and they left when the floodwater became overwhelming, Jeff Faetz said.
K.C. Faetz said she's frustrated with water that backs up from storm sewers onto her street when heavy rain hits.
Although the Faetzes said flooding has been common on Thistle Lane over the past 10 years, what happened Wednesday eclipsed anything they've seen since moving to the area in 1985.
"We've never had Bristol Trail like this," Jeff Faetz said. "It's never gotten as deep down the road as this is."
Kathy Barton, a 27-year neighborhood resident, said this was the first time she's seen floodwater work its way south from Bristol Trail and Thistle to Riley Lane.
"They've got to figure a way to stop this," Barton said.
National Weather Service reports show 6.63 inches of rain fell on Lake Zurich early Wednesday, making it one of the hardest-hit communities in the Northwest suburbs, the village said in a news release. Public works manager Mike Brown said it was about 6:10 a.m. when crews were dispatched with pumps and sandbags for the Bristol Trail neighborhood.
"Anybody's (sewer) system just can't keep up with it," Brown said. "It just can't."
Lake Zurich has funding for a drainage study for the area that already was planned, Brown said. Employees from Vernon Hills-based Manhard Consulting Ltd. -- a civil engineering, water resources management and surveying firm -- were brought in to study the flooded streets Wednesday.
Brown said Lake Zurich also is in the process of applying for Federal Emergency Management Agency grants that would help pay to help reduce flooding in the area.
"I have never seen (the flooding) this bad," Brown said, "and I've been here 23 years."
Meanwhile, officials said the failed sanitary lift station only affects the Braemar subdivision. They said property owners will be without sanitary sewer service until further notice and may experience backups.
Damage to the village hall's lower level will force elected officials to meet elsewhere next week. The village board will gather at Lake Zurich police headquarters, 200 Mohawk Trail, for their session at 7 p.m. Monday.
Fire Chief David Wheelock said at least four motorists were rescued after driving into deep water. One rescue occurred on Buesching Road near fire department headquarters, he said.
Residents are asked to complete a data collection questionnaire on the village's website or collect a copy at village hall to aid in a flood-damage assessment. Completed forms should be returned to village hall or emailed to email@example.com.
"It is important that our residents report any flood damage to us in the event they may become eligible for reimbursement if the appropriate disaster declarations are made," Poynton said.


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You don't think that massive amounts of advertising dollars have anything to do with if a game sells or not? With enough money in advertising you could sell people a current era "AAA" game that could have easily been done on the SNES or the Saturn or the Playstation, just with shiny graphics, oh wait, they already do that!
So sorry if I, like many people that are old enough to have played games over the last 20+ years to know a thing or two about how great those "old used to be AAA" titles still hold up as being overall BETTER games then most of the most highly touted games of the current generation.
Seriously, these days for each console generation there are maybe 10 games per generation actually worth playing, same goes with the main stream PC gaming, the vast majority of the current crop are the same game I've already played a hundred times before under diferent names from dozens of developrs.
So yeah, you are a moron.