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All-Clad Copper Core Pasta Pentola
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- Summary
Elite chefs depend on All-Clad's Copper Core cookware for its superb responsiveness to heat, given the thick copper core between layers of aluminum and stainless steel. Perfect for everything from preparing stock to boiling pasta, this set includes a 7-qt. pot, perforated insert and lid.
- Five-ply construction of securely bonded metals: a thick, heat-responsive copper core sandwiched between two layers of highly conductive aluminum with an easy-clean stainless-steel exterior and interior that won't react with foods.
- Allows for the quickest heat-up time, maximum temperature control and rapid, even heat distribution.
- A ring of copper adds a finishing touch to the gleaming exterior.
- Ideal for use on any type of cooktop, including induction.
- When cooking pasta, simply lift insert out of the pot to drain.
- 8 1/2" diam.; 7 3/4" high; 7-qt. cap.; 10 lb. with lid and insert.
- Hand crafted in the USA with materials from the USA.
- Use & Care
- Ideal for use on any type of cooktop, including induction.
- Oven and broiler safe.
- Allow pot to cool before washing.
- Dishwasher safe.
- Avoid using steel wool, steel scouring pads or harsh detergents.
- Stubborn food residue and stains can be removed with a nylon scrubbing pad and a fine-powdered cleanser.
- If desired, the exterior copper ring can be cleaned with a copper polish.
- Shipping
Shipping Information
UPS can deliver most in-stock items within 3–5 business days. UPS is unable to deliver to P.O. boxes.
Shipping Rates
The shipping rate varies depending on your order total and shipping destination. View Shipping Options and Charges.
Next Day Delivery
For an additional charge of $26 per address, we can expedite delivery to most destinations. This service is not available for some oversize items, items shipped directly from the supplier (including perishable and custom-manufactured items), out-of-stock items and items to be shipped outside the contiguous 48 states.
Orders received by 9:00 p.m. ET Monday through Thursday will arrive the next business day; orders placed Friday through Sunday will arrive on the following Tuesday.
Return Policy
At Williams Sonoma, we take great pride in the quality and craftsmanship of our products. Attention to design, materials, safety and construction are our priority. Upon receipt, please inspect your purchase and notify us of any damage; we will arrange for a prompt replacement.
If within 30 days, you are dissatisfied for any reason, you may return your purchase for a refund of the merchandise value. An original receipt or gift receipt is required for all returns and exchanges. Returns with a gift receipt will be refunded in the form of a Merchandise Credit for the amount indicated on the gift receipt. Returns with original receipt will be refunded in the original form of payment, cash and check refunds over $100 will be issued as a company check (may take 14 business days from time of request).
For all cutlery returns (knife sets, single knives, cutting boards, knife sharpeners and knife storage), please contact us at 888.922.4108 to initiate the return.
We cannot accept returns on monogrammed, personalized, special-order items, custom upholstery, food, items shipped direct from the vendor or on items damaged through normal wear and tear. Final sale items ending in .97 or .99 cannot be returned.
Made to Order and Final Sale Furniture items are non-returnable and cannot be cancelled once the order is placed.
For returns of items purchased from your Williams Sonoma Gift Registry, we will gladly provide a refund or exchange for the merchandise within 90 days of your event or within 90 days of purchase, whichever date is later. View Full Returns Policy.
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Rated 2 out of 5 by jerseymario from Great craftsmanship and finish--too shallow for spaghetti Wow, the pot is not deep enough to cook dried spaghetti without breaking them. Extremely poor design--an extra inch of depth would have made this pot perfect. Has no-one at AllClad ever tried to cook spaghetti in this thing? Super disappointed.Date published: 2019-03-31Rated 4 out of 5 by Agapchap from Almost perfect pot I have used this pot at least ten times since it arrived at my house two weeks ago... very sturdy, well made, and looks very nice. I wish it had a clear top so you could see inside... which is why I gave it four stars instead of fiveDate published: 2019-03-14Rated 3 out of 5 by Foodcoman from Sad and Happy both. The base of the pot has a slightly dented side. I couldn't tell if was due to shipping or if it was dented pre-packaging.Date published: 2018-12-13Rated 5 out of 5 by michaelsgrant from Handy for the Pasta Lover Okay, if I could have gotten a pasta insert to fit my 8 quart All-Clad Copper Core stock pot, I would not have purchased this item.Date published: 2018-12-13Rated 5 out of 5 by DaveinNC from Would purchase this again Heats quickly and evenly, easy to make pasta and sauces, chili, etc. Cleans easily and Bar Keepers Friend keeps the inside looking like new.Date published: 2018-12-13Rated 5 out of 5 by Peter from Great product Pasta cooker heats much faster than one I had prior.Date published: 2018-12-13Rated 5 out of 5 by Greg from Very well made as with all All-clad cookware I have owned this Pasta Pentola for a year now and I am completely happy with it. Care for it as the manufacturer suggests and it will last a lifetime. It gets used a lot and has never had any problems.Date published: 2018-04-08Rated 1 out of 5 by HannaAngel from DEFECTIVE ... Two pots cracked ... See image below The first pot I bought cracked within one and a half months of use. Williams Sonoma replaced it promptly. The second one broke again within 30 days. Returned It for good. I really wanted to keep this pot. I've had all the other copper core pans / pots for years, love them, and never had any issues. A pot in this price point should NEVER crack. By the way, the crack began small and the more you use it, the larger the crack gets.Date published: 2014-12-17


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Introduction: Why the DP1 is unique.
Compact cameras are the obvious choice for lightweight backpacking due to the low weight and size. Digital cameras have advantages over film cameras, too, as there's no need to carry films (at a weight of 0.8 oz per roll) or struggle with changing films with cold fingers whilst keeping the camera protected from sunshine, dust, snow or rain. Most film compacts use the same film as bigger SLR cameras and the best film compacts can achieve the same quality photographs as an SLR. This is not true with digital compacts because the sensor is much smaller than that in any DSLR. The Ricoh GR-D II, one of the most highly rated digital compacts, has a tiny 7.18 x 5.32 mm sensor, while the Canon Rebel XSi/EOS 450D has a 22.2 x 14.8 mm sensor and a full frame DSLR like the Nikon D700 has a 24 x 36 mm sensor (the same size as 35mm film). The size of the pixels that collect the image data has to relate to the size of the sensor so a digital compact has much smaller pixels than a DSLR. For complex technical reasons large sensors and large pixels produce higher quality images than small sensors and small pixels (if they didn't there'd be no need for full frame DSLRs let alone medium format digital cameras). So, a 12 megapixel (mp) DSLR will produce a better image than a 12mp digital compact. In fact, so big is the difference, that a DSLR will produce higher quality images than a digital compact with more pixels.
DP1 rear panel showing screen and controls.
There is also the question of noise (speckling on the image). The sensitivity of digital cameras to light is known as the ISO (also used for film speed, which is film's sensitivity to light). Low ISOs (50, 64, 100) produce high quality images but require slow shutter speeds. High ISOs (400 upwards) don't produce as high quality images but faster shutter speeds can be used. This is important when backpacking as images may be taken in poor light and when the wind (or being out of breath!) makes it difficult to hold the camera steady. The difference between noise at high ISOs between digital compacts and DSLRs is great due to the tiny sensor as noise increases with both lower pixel size and higher sensitivity. Even the best digital compacts produce noisy images at speeds above 200 ISO while DSLRs can produce images with little noise at 800 ISO. Images from my 6mp Canon 300D DSLRare virtually noise-free at ISO 400; those from the 8mp GR-D compact have noticeable noise.
DP1 rear panel compared with the Ricoh GR-D rear panel. The GR-D has better laid out controls that are easier to see.
The obvious solution for producing DSLR quality images from a compact camera would be to use a DSLR sized sensor. However this is technically difficult and also, I suspect, unattractive to camera makers who see the compact and DSLR markets as separate and would like to keep them that way. (Why buy a DSLR if a compact can do the same job?). So tiny sensors stayed in digital compacts, meaning you had to choose between light weight and low bulk or high quality images. Until the DP1, the first and so far only compact camera with a near DSLR size sensor, came along. Its sensor measures 20.7 x 13.8 mm, much closer to the Canon XSi sensor than the GR-DII sensor. And the image quality is similar to that from a DSLR even at high ISOs. Indeed, the same sensor is found in the Sigma SD14 DSLR.
The DP1 rear panel showing the open menu.
This image quality is the main reason to consider the DP1. It's the only compact camera that can compete with DSLRs. Unfortunately however other aspects of the camera are not so good, as I shall describe below.
|14.06 mp (2652x1768x 3 layers)
|F4 16.6mm, 35mm equivalent 28mm
|112 x 65 wide x 57mm deep
|Sensor size:
|20.7 x 13.8mm
|230,000 pixels, 2.5 inches diagonal
|15 seconds to 1/2000 second
|F4 to F11
|50, 100, 200, 400, 800
|Exposure modes:
|Manual, Auto, Program AE, Shutter AE, Aperture Priority AE
|evaluative, spot, centre weighted
|auto, manual
|Image Format:
|Raw, JPEG Fine, Normal & Basic
|SD/SDHC card
|Li-ion BP-31
|Sigma Weight:
|250 grams without battery and memory card
|BPL Weight:
|255 grams without battery and memory card
|Sigma VF-11 viewfinder: 14 grams. $149
Li-on BP-31 battery: 29 grams, $20
|A Curious Puzzle
Sigma says the DP1 is a 14.06mp camera. Open a DP1 raw file in Sigma Photo Pro software, which is provided with the camera, and the size will be given as between 10 and 18mb, depending on the detail in the image. Open the same file in Adobe Photoshop Lightroom and the size will be given as 4.6mp. What is going on? The answer lies in the sensor type and the definition of the word "pixel". "Pixel" can mean either the photo detector or the location of that detector. All digital camera makers except Sigma use Bayer sensors which, put very simply, have red, green or blue pixels (photo detectors) that are combined when a photo is taken to form an image. The pixel count is the total number of pixels on the sensor. Sigma uses a Foveon sensor that has three layers of photo detectors, each collecting red, green and blue colors. A section through each layer counts as one pixel location. Thus there are three pixels at each pixel location. How many pixels an image has depends on whether you take the photo detector or location figure. Each Foveon layer is 2688 x 1792 pixels, or 4.65mp. There are three layers so Sigma says there are 14.2mp in total. Others say that as there is one pixel location per three photo detectors at each pixel location and the image file size is 2688 x 1792 there are only 4.65mp.
This 400 ISO image, converted from a raw file, has good colors and a smooth, natural look. 1/1250 seconds at f5.6.
Does this matter? Zealots on both sides argue passionately and interminably that it does. For those of us interested in the actual images I don't think it's significant. In terms of quality the DP1 produces images that are comparable to the 12mp Canon XSi/450D DSLR and far superior to those from any other compact camera, regardless of the number of pixels. How much the Foveon sensor affects this is debatable but my view is that the sensor size is far more important. What's clear is that the DP1 produces images of a higher quality than expected from a 4.6mp sensor. Foveon devotees argue that Foveon sensors produce "better" images than Bayer sensors. I can't say that I can see any meaningful difference when Bayer and Foveon images of the same scene are processed in the same software.
Description & Usage
The complex detail of this tree is captured well at ISO 100, 1/25 at f8. The camera was hand held. Using the viewfinder made it much easier to keep it steady.
The DP1 is a rather subdued black compact that doesn't stand out in any way. Nobody notices you using this camera. The rectangular body has a rather old-fashioned look to it. There's no hand grip, not even a slight bulge in the plastic, but it's still comfortable to hold.
Unlike many compacts the retracted lens is not flush or almost flush with the body and protrudes some 20mm. Even so, with dimensions of 112 x 65 wide x 57mm the DP1 is quite small and can be easily carried in a jacket pocket or in a small pouch on a belt.
This image taken in woodland in bright sunlight with great contrast between sunny and shaded areas shows that the camera can capture details in these situations. ISO 100. 1/25 second at f8.
The lens does not have an automatic cover when retracted. A separate lens cover is provided, attached to the body with a short piece of string. This cover is slightly awkward to fit and can blow about in the wind when not on the lens. However untying it would probably lead to loss, at least in my case. There is an accessory from Sigma called the HA-11 available which has a collar with a 46mm filter thread and a lens hood so filters could be used instead of the lens cap. I haven't tried this.
The DP1 lens is a fixed 16.6mm, which is equivalent to 28mm in 35mm. This is a moderate wide angle lens. Any fixed lens has limitations of course but 28mm is good for landscapes. (Sigma has announced that there will be a DP2 with a 24.2mm lens, equivalent to 41mm in 35mm, so there will be an option for those who find the DP1 too wide). The lens has a maximum aperture of f4, which is quite slow. In low light a high ISO and slow shutter speed are required.
On a dull day the colors on this hillside have come out well and there is detail in the cloudy sky. ISO 100. 1/80 at f5.6.
The LCD screen is reasonably bright and a reasonable size. However it is quite grainy and, peculiarly, it turns monochrome in low light. It also smears more easily than other screens I've used (they all smear to some extent). As there is no viewfinder the screen is used for composition. In bright sunshine this can be difficult as the image is hard to see. Also it is harder to hold the camera steady holding it out so you can see the screen rather than having it to your eye. There is an optional viewfinder available, the Sigma VF-11. This is tiny and ultralight but quite expensive. It has frame lines, which are not completely accurate but which act as a guide. It does not show any exposure information of course. Using the VF-11 does make picture taking a two-stage operation – check the exposure on the screen and make any alterations then bring the camera to the eye – but I prefer using it, both for more accurate composition and for stability.
There are five exposure modes, selected by a dial on top of the camera. The mode, the aperture and the shutter speed are shown clearly on the screen and can be changed using the right and left arrow buttons on the camera back. I prefer to use manual mode as this gives the greatest control but the other modes are accurate in even light.
Most of the controls are on the back of the camera and here there is an amazing example of poor design. Who ever thought that black letters and symbols on black buttons was a good idea? Presumably a designer concerned with appearance rather than function. As it is, memorizing the button functions is a good idea as it's hard to see the black letters and symbols in anything other than bright light. Oddly some of the buttons do have white labels. Why not all of them?
A difficult shot straight into a low sun has been handled well by the DP1 at ISO 50, 1/640 seconds at F5.6.
The button in the centre of the arrow buttons brings up the menu. This appears on top of the live image if you don't switch the latter off first. Many of the features you might often change are in the menu and it is a fiddly and time-consuming business to do so (and difficult with thin gloves on and impossible with thick ones). When the camera first appeared the ISO setting, which most users will probably use often, was in the menu. However a firmware update means the two zoom buttons, used for viewing images on the screen at different sizes, can be set to change different settings including ISO. I have one set to change the ISO and one to change the image quality. This improves the ergonomics a little but compared with the GR-D and the 450D changing settings on the DP1 is still more awkward and slower.
The firmware update also introduced 50 ISO, which does produce very fine images, but 1600 ISO for low light photos would have been more welcome.
There are three metering options – evaluative, centre-weighted and spot. Evaluative works fine for landscapes and I use this most of the time.
The auto focus is accurate but slow. There are single and continuous drive modes but the latter will only take three shots before it stops to write the images. It takes around 6 seconds to record a JPEG image, 8 seconds for a raw image. This is not a camera for action photography. There is a manual focus option, operated by a wheel with a scale running from 0.3 meters to infinity. The same scale appears in the viewfinder when manual focus is selected. If the manual focus is pre-set there is no focus or shutter delay but you still have to wait for the image to be written. I'd still set manual focus if I thought I might want to take photos quickly.
A partly shadowed snow and rock scene caught well at ISO 100, 1/320 at f5.6.
The DP1 will take three sizes of JPEG or raw files. I can't see any point in using anything other than the best (Fine) JPEG or raw with a camera like this unless there is a shortage of card space. The camera uses tiny SD, SDHC or multi-media cards. A 4GB card will hold around 258 raw images or 1225 Fine JPEGs. Cards weigh 2 grams each.
I viewed JPEGs in Sigma Photo Pro (SPP) and Adobe Photoshop Lightroom 2.1 and found the results somewhat erratic, with some images dull and flat and others luridly bright. The contrast, sharpness and saturation can all be altered in-camera to change the appearance of the JPEGs. The best results come from raw files though. I processed these in both SPP and Lightroom and obtained more detail and more accurate colors than with the JPEGs.
A crop from left centre of the previous image has good detail in the cliffs and the snow.
The DP1 has a histogram but it is disappointingly small and hard to read. There is no live histogram when viewing the live image either nor any highlight warnings when viewing the playback image. The histogram can be a valuable tool for accurate exposure and I use it rather than the exposure meter. With the GR-D I can see a live histogram and alter the exposure before taking the photo while with the 450D I can view the histogram with any blown highlights indicated on the playback image after taking the image and retake the photo if necessary (the 450D also has a LiveView feature but it's slow to use and I only do so when using a tripod). The DP1 histogram can sometimes be useful but with some images the line is almost flat and it can be impossible to see if it runs off the right side, showing overexposure and blown highlights.
There is a small pop-up flash operated by a small lever. With a maximum range of 4.3 meters (at ISO 800) it's limited to close-up objects.
The DP1 uses a small lithium-ion battery that Sigma says will take around 250 images at 25°C. This is the same as the GR-D battery but much lower than the 600 claimed for the 450D, which of course has a larger battery. Apart from the fact that the temperature may often be well below +25°C if you playback images often or use the flash the number of images per battery charge will be less. I minimize screen use on trips of more than a few days. I also carry a spare battery. On a trip of more than a week, which I have yet to take with the DP1, I would carry at least two spare batteries. There is a battery life indicator but it isn't very accurate (something I've found with other digital cameras). Overall I'm getting about 200 images per battery charge, without much flash use but without paying particular care to screen use.
A self-portrait with the DP1 on a tripod. ISO 50, 1/80 second at f10.
What's Good
- Unique large sensor in a compact
- Excellent resolution
- Superb detail
- High quality lens
- Good high ISO images
What's Not So Good
- Colors fade at high ISOs (can be corrected in software)
- Fixed 28mm lens
- Slow lens, maximum aperture F4
- Low resolution screen dull in low light and hard to see in bright light
- No live histogram
- Histogram too small and hard to interpret
- No highlight warnings ("blinkies") in review image
- Slow image recording
- Almost impossible to read black symbols on black buttons
- Too many features hidden deep in menus
- Highest ISO only 800
- Lens cap awkward to put on and blows about in the wind
An extreme crop of the figure in the previous image still has good detail and color.
Despite the greater number of negative points compared to positive ones I like the DP1 because of the image quality. No other digital camera anywhere near as light or compact as the DP1 will produce such good photographs. Yes, the operation of the camera is slow and clumsy and can be infuriating. For this I much prefer the Ricoh GR-D, one of the best designed cameras I have ever used. But once I see the images from the two cameras there's no contest and I'll take the DP1 every time. That is, for landscapes. The slowness of the camera means it's useless for any action shots. Camping shots where people are not moving too fast are possible but if you want grab shots of your companion spilling dinner or leaping over a stream you'll miss them with the DP1.
To gain the most from the DP1 raw should be used and time taken over the photographs anyway. This is not a point-and-shoot but a camera for photographers who think about settings and don't mind altering controls and delving into menus. In that sense it's a camera for serious photographers rather than snapshooters. You need to be happy with a fixed wide angle lens too.
Do you need such high quality images? For web use and small prints compacts with small sensors will be adequate as long as low ISOs are used. But for large prints and high ISO photographs the DP1 is the only compact really worth considering.
Dusk in the mountains. The DP1 has captured the snow and the sky well in this fairly low light shot. ISO 200. 1/50 second at f5.6.

subset: commoncrawl


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New products and cutting-edge technologies are fueling great changes in credit union marketing, requiring marketers to constantly come up with new ideas, says Anne Legg, vice president of marketing for $740 million asset Financial Partners Credit Union, Downey, Calif.
This constant change, she says, is both a "blessing and a curse."
In the second of a five-part series, three Diamond Award-winning marketers discuss how they come up with fresh ideas and new approaches to their craft:
• Legg, vice president of marketing for $740 million asset Financial Partners Credit Union, Downey, Calif. (Marketing Professional of the Year);
• John Godwin, vice president of business development/strategic alliances for $1.1 billion asset MECU of Baltimore (Business Development Professional of the Year Award); and
• Kim Wall, community development director for $900 million asset Georgia United Credit Union in Duluth (Hall of Fame inductee).
CU Mag: How do you come up with fresh ideas and new approaches to your job?
Legg: One of the things that's exciting about the marketing world—sort of a blessing and a curse—is that it's constantly changing and you have to change with it. Technology has been driving that, not to mention product.
I'm constantly looking outside of our industry for ideas because we are, at the end of the day, a retailer. So I love looking at what Apple is doing and just about anything in that environment.
We created a virtual dealership basically by looking at what eBay does. I was curious about what eBay was doing; what it was selling and how it was selling. And they actually do sell cars. People actually buy cars, without driving them, online.
|Kim Wall
|John Godwin
|Anne Legg
We also did an online auto sale, taking a page straight from the online retailers who'll say, "Take advantage of this offer for the next 48 hours." And that's what we did.
Aside from looking to other industries, don't take no for an answer. Many times I'll walk into a meeting and say something like, "Wouldn't it be cool if we do everything on a tablet?" And then you watch the rest of your management team cringe.
But you have to keep pushing; don't give up. When I first told everyone I wanted to create a virtual dealership the response was, "Oh my gosh." But it turned out to be so much fun and so cool that we could create something that would allow members to both shop [for vehicles] and get their loan online.
So it's about being comfortable with being uncomfortable. There are many different ways to get creative ideas.
Wall: I feel like I'm reading, reading, reading all the time, and not just the industry materials but anything to glean an idea or concept.
I also like to brainstorm with others. Most folks are "closet marketers," so brainstorming with others can be very beneficial. One of my favorite things is talking to our younger colleagues, especially those in their '20s, because they look at things in a different way.
And like Anne, they don't take no for an answer. They say, "What if?"
Legg: That's exactly it, Kim. It's about looking at what can we do better? What's the member's point of pain, and how can we make it better?
Godwin: I'm going to steal "feeling comfortable being uncomfortable" by the way.
We force ourselves to be creative in our department—each one of us is tasked with developing one new idea each week, which is tough.
To be honest with you, we're not always feeling creative. So some of the ideas are like, "We need to repaint the wall."
But some gems do come out of this. And we encourage each other to think of crazy ideas. Even if an idea sounds crazy, we put it out there because there might be an offshoot from that idea.
These ideas form a list of potential initiatives for this year and the next year. We do an off-site retreat for the department in the summer to develop the plan for next year, and these ideas really fuel the following year's plan. This has been a huge part of the progress we've made in our department, and it's fun.
I get a real kick out of seeing an idea come up in a meeting, seemingly out of the blue from somebody's head, and come to fruition.
NEXT: What's one gem that has turned out well?


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I have run across a problem trying to use break points in MSVS 2003 to debug my code. I don't see anything wrong with my code and the debugger says MBRet = 7 and it also says IDNO = 7. Anyway when I try to step through my code these lines are skipped:
Just for kicks heres is the function I am using the return value of:Code:if (MBRet == IDNO) { WC.bFileNeedsSaved == false; }
I have tried 'cleaning' the solution but no change. I really don't see anything wrong with this code!Code:int AskAboutSave (HWND hwnd) { int iReturn = NULL; iReturn = MessageBox (NULL, "Save current changes?", szAppName, MB_YESNOCANCEL); if(iReturn == IDYES) { SendMessage(hwnd, WM_COMMAND, ID_FRAME_SAVE, 0); } return iReturn ;
Here is the code where Visual Studio just deletes my break points and skips the code.
Anyone ever seen anything like this?


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Hip2Save may earn a small commission via affiliate links in this post. Read our full disclosure policy here.
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Piano Miniature No. 10, "Liberace" (2012)
2 minutes
To Steven Blier on his wedding
The first Piano Miniature "Nocturnal Snapshot" was written in the middle of the night. When I realized that it was 2AM and that I was still contemplating what to write, I pulled out the Hanon exercises to put my fingers to work. Hanon provided me with an unlikely source of inspiration (!) and crept into this first miniature as an accompaniment to the main tune.
Piano Miniature No. 2 was the result of a challenge to write a piece without dissonance. It's a slow dance of arpeggios.
Piano Miniature No. 3 incorporates a snippet of Bach's "Art of the Fugue".
Piano Miniature No. 4 is a musical joke that continues where No. 3 left off.
Piano Miniature No. 5 is a contrapuntal invention that uses a twelve-tone theme. It makes a musical joke out of two traditionally "academic" concepts.
Piano Miniature No. 6 "Addio" is a farewell on the departure of a beloved. He will remain nameless.
Piano Miniature No. 7 was written while I was serving as a faculty composer at SongFest in Malibu, California. It is a tender little song for solo piano that I wrote quickly while trying to capture the peace and warmth of the Pacific sunset.
Bargemusic, our irreplaceable floating venue in New York, is the subject of Piano Miniature No. 8. The waves rock the barge in a flowing pattern while the Manhattan sky explodes in the background. I wrote the piece on travels in L.A. (and with the "clean" L.A. skyline in my eye). I found myself adding some "grit" to the lines when I returned! Piano Miniature No. 8 is dedicated to Beth Levin, who premiered the work along with No. 7 at Bargemusic.
Lullaby for a Chelsea Boy juxtaposes a tender and static song against a distant memory of the night before. It is dedicated to Kathleen Supove.
Liberace has always been a musical hero of mine and a really fascinating person to boot. This little character piece captures some of the flamboyance of the great gay pianist. It was written as a celebration for another great gay pianist (and a very different one), Steven Blier on his wedding.
– Mohammed Fairouz (2012)


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For over two years now Licensed Acupuncturist, Chinese Herbalist and Massage Therapist Hugh Castor has offered the healing properties of his holistic solutions for modern healthcare problems at the Specialty Clinic located at the East Morgan County Hospital, Brush and for many of his local patients, this philosophy of integrative medicine and its whole-person approach has heralded remarkable results.
"I really enjoy working with the people in this area," said Castor, who travels to treat local patients at EMCH two Thursdays each month, but has his primary Acupuncture Clinic located in Fort Collins. "I find them really down to earth and very open."
For Castor, the blend of Eastern and Western medicine that has long prompted his passion for the art of healing and also has served well in the rural community of Brush for many of his patients who consult with him on issues and illness ranging from musculoskeletal pain of the neck, shoulders, elbows, wrist and hands, spine and lower back, ribs and thoracic area, hips, thighs, knees, lower leg, ankles, feet to arthritis, nerve disorders, menstrual pain, gastrointestinal issues to headaches, migraines and even traumas.
"I do find that acupuncture is a good treatment for patients here in Brush, most especially for the many people we see come in with traumas involving work and simply living," noted Castor. "But we've also treated all sorts of issues with good effect," he continued.
In one such instance a local patient suffering from back pain for over 10 years or more that had resulted in her need for a walker began treatments with Castor and within just a few treatments the walker became obsolete.
"Some ailments can be resolved quickly," said Castor. "Patients suffering for years from migraines have undergone treatments that swiftly have the migraines come more and more infrequently. To them," he continued, "it's a big relief in terms of their life."
Although many Americans have never heard of integrative medicine, this holistic movement has left its imprint on many of the nation's hospitals, universities, and medical schools. IM, as it's often called, depends on a partnership between the patient and the doctor, where the goal is to treat the mind, body, and spirit, all at the same time.
Castor's interest in the medical movement began in 1993 while pursuing his studies under the guidance of Dr. James Berg, a physician and acupuncturist, as well as with DeeAnne Dominick, a midwife.
Castor had the opportunity to study traditional Chinese medicine and natural medicine both as an apprentice where he focused on studies in acupuncture, Chinese and Western herbs, midwifery, Tai Chi Chuan, Qigong, Yoga and, as he relays on his website, "most importantly began formulating his holistic approach to healthcare."
For Castor, the approach also has him look at triggers to illness and suffering including diet, lifestyle and a host of factors that encompass a patient.
His practice also provides the community with the unique opportunity to experience the results of alternative medicine in a safe and familiar setting at EMCH, as no other similar acupuncture services are offered nearby.
Ailments from dental pain, menstrual pain and PMS, back pain, headaches, sports injuries, arthritis, asthma, anxiety and even addiction have been addressed by Castor at the EMCH Specialty Clinic and he is currently accepting new clients.
Castor holds hours currently at EMCH in Brush every other Thursday of each month, or by appointment, and invites anyone interested to call the clinic at (970) 842 – 6200. You can also learn more about his practice online at www.hughsacupuncture.com.
EMCH acupuncturist's East/West treatments offer relief for local patients
For over two years now Licensed Acupuncturist, Chinese Herbalist and Massage Therapist Hugh Castor has offered the healing properties of his holistic solutions for modern healthcare problems at the Specialty Clinic located at the East Morgan County Hospital, Brush and for many of his local patients, this philosophy of integrative medicine and its whole-person approach has heralded remarkable results.


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Hi, Albeton sync the MIDI clock with half of the real clock. in order to sync the machines at 100 BPM, ableton must be set at 50 BPM and MIDI roll has to be written as the 1/8 beats werw 1/4 .
any solution to solve this?
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text:
Thank You
Thank You is on an exceptionally soft, heathered white t-shirt. This tee has a textured look that adds to its vintage charm.
- Poly/Cotton/Rayon Blend
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You deserve to be completely happy with your purchase. We offer free shipping on returns and exchanges. Not sure if you like it? Take your time! There's no rush because you have 365 days to decide.
To start a return or exchange, please click here.


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Triangular Frame Sunglasses
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- A geometric frame milled in Italy from black acetate. Temple tips take inspiration from our signature trench lapel.
- Frame width: 15cm/5.9in
- Frame height: 4.5cm/1.8in
- Scratch-resistant grey lenses with 100% UV protection
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- Made in Italy
- Comes with a hard leather case and cleaning cloth
Item 40806351


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7.2 Channel Network Ready Elite Receiver
featuring Class D3 Amplification
- Update: Spotify® Connect now available
- Multi-Zone Control (HD Zone and Powered Zone Audio)
- Hi-Bit 24 Audio Signal Processing
- Network Ready with AirPlay®, HTC Connect™, Pandora®, and vTuner® Internet Radio
The Pioneer Elite 7.2-Channel SC-71 AV Receiver. Bringing Class D3 Amplification Home
When it comes to value, the new SC-71 is your best-priced ticket for a receiver that delivers the power and finesse of Class D3 amplification. If you're serious about music and cinema, this feature-rich AV receiver offers Elite's advanced connectivity and cutting-edge digital power in our most affordable Class D3 receiver. Welcome to the future of Elite home theater.
The Elite Connection—You and Your iPad®, iPhone® and iPod®
The SC-71 is right at home with Apple® devices, thanks to Made for iPod touch, iPhone, and iPad certification. Your Apple handheld device easily connects easily connects your normal charging cable—without the need for a dock. Truly plug-and-play, the SC-71 charges your Apple device too. You can even enjoy music enhanced with album art for a complete iTunes® experience.
When you receive a call, your iPhone will mute the music so you can talk. Use the iPhone directly, or push a single button on the SC-71's front panel to switch control to the included preset remote and an intuitive, full-color GUI.
AirPlay® is Easy with Elite
By partnering with Apple, Pioneer Elite receivers offer effortless AirPlay connectivity through Apple devices like iPhone, iPad and iPod. Network share your music with DLNA® and Windows 8®, stream your favorite music straight from your PC or Mac® with Pandora®, or listen to a world of content with vTuner Internet Radio.
The SC-71 offers convenience up front, with a USB port that accepts a memory audio device—in seconds—for music or photos. And of course, this Elite receiver is Bluetooth®- and WiFi-ready with Pioneer's optional AS-BT200 Bluetooth adapter and AS-WL-300 WiFi adapter.
And talk about uninterrupted entertainment. Listen to your favorite music in your car using your iPhone, leave your car mid-song and walk into your home. Using the AirPlay App on your iPhone, select the SC-71: it powers up automatically and continues right where you left off. Not only that, the SC-71 supports network audio sources in Zone 2, allowing you to send music to another room. With AirPlay, there's really no reason why your iTunes music has to be restricted to your computer.
HTC Connect™ Makes Android™ More Musical
The SC-71 offers greater convenience and enhanced sound quality to the entertainment experience for users of HTC's Android-powered HTC One series smartphones. With HTC Connect, you can stream high-quality, WAV-format files for an effortless, out-of-the-box audiophile experience. Finally, critical listeners who seek serious sound can enjoy their music—with CD-quality resolution—using their HTC smartphone. Reality never sounded so good.
Spotify® Connect
Spotify Connect is a Premium feature that lets you play and control Spotify on your devices. Choose music on one device and listen on another. At home, hit play on your mobile and hear high fidelity sound on your AV receiver. You can also control the music from your mobile phone. Update your AV Receiver
Windows® 8 Certified
Windows 8 Play To feature makes it easy to stream your favorite music stored on your PC to our new line of networked AV Receivers. Don't limit your media experience to your laptop speakers. With the Windows 8 Play To feature and Pioneer's new networked Receivers you can enjoy your media library on the biggest speakers in the house.
Connect to Your PC Music Files or Internet Radio With Ease
The SC-71 is made to network. An Ethernet port on the rear panel allows full integration into your home network, and with Windows 8 and DLNA 1.5 certification, a whole new level of entertainment options are at your fingertips. With 192kHz/24-bit WAV, FLAC and AIFF file compatibility, network streaming audio playback is now ready for the serious audiophile. Stream your AIFF, Apple Lossless, MP3, AAC, WMA, WAV and FLAC music files from your PC, laptop or smartphone to your home theater system.
With vTuner®, the SC-71 brings you thousands of Internet radio stations from around the world. You can also access Pandora® radio services complete with on-screen album art and music information.
Create a social playlist with Pioneer's AirJam app. Downloading Pioneer's exclusive Air Jam application for iPhone, iPod touch, and iPad devices allows up to four Apple devices to be paired via Bluetooth. Choose songs from your device to add to the group playlist to playback on the SC-71. Do you like a song your friend added? Select it and buy it from iTunes, or watch the music video on YouTube®.
Bluetooth Unleashes Your Smartphone's Music
The SC-71 is equipped to deliver wireless Bluetooth® audio from virtually any A2DP profile Bluetooth device. With the Pioneer AS-BT200 Bluetooth adapter, you can untether yourself from cables and inputs. Plus you'll enjoy enhanced music quality with Sound Retriever AIR technology, created specifically to enhance Bluetooth audio.
Class D3 Amplification Delivers Precision Power and Performance
The Elite SC-71 is an audiophile's ticket to serious 7-channel sound, with industry-leading Class D3 amplification designed with true perfectionists in mind.
The amplifiers within the SC-71 utilize a revolutionary design, and feature a direct signal path with no noisy EMI filters, feedback loops or current limiting. Rated at 150 watts x 7 channels at 6 ohms with two channels driven, the SC-71 delivers significantly more simultaneous multi-channel power than the competition.
What makes Class D3 amplification different? Class A/B amplifiers simply cannot match the efficiency of Class D3 as their power output per channel diminishes rapidly when more channels are added to the work-load. This kind of unprecedented power capability allows you to appreciate the full dynamics from any media source in a way never before possible. With formats like Blu-ray Disc, Class D3 gives high-resolution multi-channel Dolby® and DTS® soundtracks a new level of power and presence. And unlike regular amps, Elite Class D3 amplifiers are 4-ohm certified, so they safely power low-impedance speakers that other receivers aren't engineered to handle.
In addition to power output, Class D3 amplifiers in the SC-71 operate at lower temperatures, using just a fraction of the energy of less efficient designs. Power and efficiency… delivered in Elite's most affordable Class D3 receiver.
Advanced MCACC® Tailors Your Room for Ultimate Sound
The SC-71 supports formats like Dolby TrueHD® and DTS-HD® Master Audio to deliver unsurpassed audio quality to Blu-ray Disc soundtracks. Pioneer also includes all of the Dolby and DTS surround formats best suited for the wide variety of entertainment sources, including the newest DTS Neo X format.
Advanced MCACC processing is like having your own sound engineer precision-tuning your system to your living room. Pioneer's Advanced Multi-Channel Acoustic Calibration system (MCACC) provides an optimized, multi-channel listening experience calibrated and customized specifically to your room by measuring every speaker's connection, and noting size and distance from the listening point, sound levels and timbre.
To eliminate the distortion caused by jitter during conversion, Pioneer's PQLS technology allows the SC-71 to use its own high precision clock and adjust the transmission rate of bitstream sound data from a compatible Blu-ray Disc player, insuring every note and nuance is faithfully reproduced.
The SC-71 takes the multi-channel audio experience to a whole new level with four advanced, sound-enhancing virtual speaker modes. Virtual Depth is designed to complement 3D movies. Virtual Height creates sound effects from above your main front speakers, creating virtual height speakers ideal for gaming enthusiasts. Virtual Wide creates a seamless blend between your front and back speakers. Virtual Surround Back replaces your back surround speakers, freeing you to use the surround amplifier to drive a second zone, or bi-amp the front speakers. Virtual speaker modes can be applied together or separately. Filling in areas where minute details were left out during the compression process, even compressed audio like WMA, MP3 and AAC is enhanced with another Pioneer exclusive, Advanced Sound Retriever.
Advanced Qdeo® Video Processing. Picture-Perfect, Whatever the Source
Pioneer's extensive video expertise makes Elite home theater a truly immersive experience. The new SC-71 supports Ultra HD (4K) pass-through and upscaling. Qdeo video-processing technology and provides video conversion from composite and component video to HDMI® for a single-wire high-definition audio and video solution, as well as up to 1080p/24fps video scaling for an exceptional picture regardless of the source, creating natural and noise-free video for maximum performance and flexibility.
The SC-71 is equipped with Advanced Video Adjust to deliver the very best high-definition and standard-definition signals, with a complete suite of advanced image adjustments designed to fine tune each of your video sources for the best possible picture.
3D-Ready with the Latest HDMI Technology
Elite AV Receivers support the latest HDMI specifications, and with the SC-71 you're prepared for the new generation of 3D video content. With 8 HDMI inputs (7 rear + 1 front) and 2 outputs, you've got ample connectivity options for the growing number of high-definition sources available. The SC-71 also offers advanced HDMI conveniences like Audio Return Channel and Power Save HDMI Standby Through.
BD Link for Blu-ray Disc™ Playback That Excels
The built-in BD Link technology of the SC-71 maximizes the fidelity of high-bandwidth, high-definition Blu-ray Disc playback from a compatible Pioneer or Elite Blu-ray Player. BD Link Sound Retriever and BD Link Stream Smoother work together to ensure total fidelity from the original source, with no visual artifacts or out-of-sync audio at full HD resolutions, even in the fastest action scenes.
Transform Your Apple or Android Device into a Powerful Remote Control
Communicating with the SC-71 wirelessly through your home network, Pioneer's free iControlAV2013 app turns your iPhone, iPod touch and iPad device or select Android devices into a powerful remote control for your receiver. The all-new iControlAV2013 is fully redesigned, incorporating everything from basic volume and input selection to advanced features like EQ adjustments and Internet Radio control. iControlAV2013 for iPad includes enhanced features like vertical and horizontal orientation, intuitive control of music from networked PCs as well as Internet radio control, and an intuitive finger-EQ-adjust screen; simply draw the EQ curve to your desired sound preference. New Sound Explorer gives you easy access to experiment with the many powerful sound enhancements the SC-71 offers, like Hi-Bit 24, Auto Phase Control Plus, and Virtual Speaker modes.
New for iControlAV2013 is the Push Player feature which allows playback of music directly from your IOS or Android device without leaving our application. No need to switch between apps!
Easy Set-Up with AVNavigator
Imagine an owner's manual that actually communicates with your receiver. Or that asks you what sources you'd like to connect and how you'd like to configure your speakers—then walks you through the process as you do it.
An industry-first, Pioneer's AVNavigator is an interactive owner's manual that takes all the guesswork out of setting up your receiver. AV Navigator uses your networked PC, MAC or iPad to communicate directly with the SC-71, walking you through speaker set-up, Advanced MCACC room calibration, sound optimization, firmware updates and more.
Full-Color On-Screen Graphical User Interface
The SC-71's advanced control and connectivity options are made even more useful with a full-color user interface via HDMI on your connected TV.
Elite's Ultimate Custom Home Theater Solution
The Elite series is made to offer versatile custom-installation solutions for home entertainment system installers. Offering Multi-Zone capability, the SC-71 lets you set up three great systems. Now you can enjoy home theater in the living room, television in the bedroom and serious music listening in the den.
Because Pioneer is dedicated to custom installation, our relationships with custom-control partners like AMX®, Control4®, Crestron® and other leading brands let users and installers integrate the Elite SC-71 into whole-house systems. All this plus support for Pioneer Apps, third-party control devices, custom-ready detachable power cord, and IR in/out for universal remotes make the Elite series the ultimate answer in custom home entertainment.
- Class D3 (Direct Energy HD)
- 7.2
- VSX Model Power Rating Only
- VSX Model Power Rating Only
- 120 Watts
- 180 Watts
- 560 Watts
- Yes
- 260 W/0.1 W (standby)
Handheld and Internet
- Yes
- Yes
- Yes
- iControlAV2013
- Yes
- Yes
- Yes
- MP3, WMA, AAC, Apple Lossless, 192kHz / 24-Bit WAV, FLAC, AIFF, DSD
- MP3, WMA, AAC, Apple Lossless, 192kHz / 24-Bit WAV, FLAC, AIFF, DSD
Decoders & Formats
- Texas Instruments Aureus
- Yes
- 192K/24Bit
- Yes
- Yes
- Yes
- Multi- Channel
Soundfield Calibration
- Advanced
- 6
- Auto / Plus
- Yes
- 9
- Yes
- 1/2 Inch
- Yes
- Yes
Listening Modes
- Yes
- Multi-Channel
- Direct / Pure Direct
- 15 + Headphone Surround
- Yes
- Yes
- Yes
Audio Features
- -
- -
- Hi-bit24
- Yes
- Multi-Channel / Auto with ARC
- Yes
- Yes
- 2 Channel
- Yes (800 ms)
- Yes
- Front Channel
Video Processing
- Yes
- Yes
- Yes
- Yes
- Yes
- Yes
- Yes
- Marvell QDEO
- Yes
- Yes
- YNR, CNR, BNR, MNR, Detail, Brightness, Contrast, Hue, Chroma, Black Level
- 8 In ( 7 Rear, 1 Front) / 2 Out
- 1 (Front)
- 2 In (Assignable) / 1 Output
- Front USB / Composite Video
- Yes
- 3 In
- 2 In
- Preout 2.1 ch (2.2 ch terminals)
- Yes
- 63
- Graphical User Interface (GUI) with Album Artwork (HDMI only)
- HDMI HDZone Audio & Video / Powered Zone 2 AV
- AV (Composite) and Volume
- Eco Mode 1/Eco Mode 2
- Yes
- 1 (50mA)
- Yes
- 1 In / 1 Out
- Yes
- Yes
- Surround Back/ Front Height/ Front Wide/ Front Bi-Amp/ Zone 2/ B-Speaker
- Yes
- Yes
- Learning Remote Control (Luminous)
- Yes
- Yes
- Brushed
- Yes
- 9 Large
- 2 Years Parts & Labor
- 17.13 x 7.31 x 15.56
- 25.75 lbs.
|Sep 4, 2018
SC-72/71/1323/1223 FW Sept 4
Version 1-148-020-015-120
Firmware Update for Pandora SubscribersDownload
Specifications and design subject to modification without notice. PIONEER and the Pioneer logo, MCACC and Advanced Sound Retriever are registered trademarks of Pioneer Corporation.
The impedances indicated are actual values that speakers can present to an amplifier while playing back music. They do not refer to the nominal rated impedances of speakers you use.
Phase Control is a trademark placed on a product with Pioneer's Phase Control Technology concept. The technology enables high-grade sound reproduction environment by improving the phase matching for each of the components.
HDMI connection may not allow transmission of copyright protected material, depending on the capability of the signal source.
HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
Dolby, Pro Logic, Dolby Digital, and the double-D symbol are registered trademarks of Dolby Laboratories.
DTS is a registered trademark & the DTS logo and Symbol are trademarks of DTS, Inc.
Blu-ray Disc is a trademark of the Blu-ray Disc Association.
Spotify is the registered trade mark of the Spotify Group. Compatible digital mobile devices and premium subscription required where available, see pioneer.eu/spotify
Windows and the Windows logo are trademarks of the Microsoft group of companies.
"Made for iPod," "Made for iPhone," and "Made for iPad" mean that an electronic accessory has been designed to connect specifically to iPod, iPhone, or iPad, respectively, and has been certified by the developer to meet Apple performance standards. Apple is not responsible for the operation of this device or its compliance with safety and regulatory standards. Please note that the use of this accessory with iPod, iPhone, or iPad may affect wireless performance.
Apple, AirPlay, the AirPlay Logo, iPhone, iPad, iPod ,iPod touch and Mac are registered trademarks of Apple Inc., registered in the U.S. and other countries. AirPlay works with iPhone 5, iPhone 4S, iPhone 4, iPhone 3GS, iPod touch (5th, 4th, 3rd and 2nd generations), iPad 2, iPad (4th, 3rd, and 1st generations), iPad mini with iOS 4.2 or later, and iTunes 10.1 (Mac and PC) or later.
DLNA, the DLNA Logo and DLNA Certified are trademarks, service marks, or certification marks of the Digital Living Network Alliance.
HTC, the HTC logo, and HTC Connect are trademarks of HTC Corporation.
"x.v.Color" is a trademark of Sony Corporation.
Qdeo is a registered trademark of Marvell World Trade, Ltd.
Android and Google Play are trademarks of Google Inc.
MHL, the MHL Logo, and Mobile High-Definition Link are trademarks or registered trademarks of MHL LLC in the United States and other countries.
Pandora Internet Radio is a registered trademark of Pandora Media, Inc.
vTuner is a registered trademark of Nothing Else Matters Software, Ltd.
Aureus is a registered trademark of Texas Instruments, Inc.
Bluetooth is a registered trademark of Bluetooth SIG, Inc.
For details on iPod compatibility, visit http://pioneer.jp/homeav/support/ios/na/
© 2013 Pioneer Electronics (USA) Inc.


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Charlottesville escapes first wave of Sears/Kmart closings
The company that runs over 3,500 Sears and Kmart stores has released a list of nearly 80 locations that will close; and while Virginia did not escape intact, Charlottesville did.
The first list– released on Thursday, December 29– shows Florida as the hardest hit state with 11 stores on the list of 79 closures. Stores in Norfolk, Richmond, and Midlothian will be shuttered to save money for the struggling big-box company.
The company, Sears Holdings Corporation, the nation's 4th largest retailer, has announced that it may close as many as 120 stores to trim corporate losses.
A download of the preliminary list of closures: http://www.searsmedia.com/tools/122711_close.pdf
11 comments
I wonder how long these stores will last once
the new mall across the road opens.
I think they will last a good while. Truthfully, there are things that Kamrt carries that no one else in the area seems to. They do have problems, but they also have a real niche.
The real threat is the traffic nightmare that will ensue. I doubt I will want to shop at any of it.
I'm glad they didn't close (yet.) I do shop at both. But Caesonia's right about the upcoming traffic nightmare. May be time for us to high tail it out of this joint depending on how bad things get...........!
They will stay until their current lease with Clara Belle expires.
Confused easily,
You are full of it. You don't seem to know who actually owns the kmart property. Can't see kmart being open for long. Whole Foods is too cramped,small. Kmart property would be more desirable for Whole Foods.
Unfortunately I have occasion to make a trip to Fashion Square 2 or 3 times a month. I'm always amazed at how few shoppers there are at any given store, most of all Sears. How they make enough to even pay operating costs is a wonder.
k-mart and sears are positive for the Charlottesville community. no upgrading needs to be done - just keep prices down and continue to have available products. helpful salespeople will help too - but the majority of the ones available are quite helpful. I do agree on the traffic concerns and checkouts near the exits. overall, if you have not been to k-mart and sears to see their products and prices - you are missing out.
I used to get a lot of stuff at Sears, especially their tools. But they have gone downhill. I think it really was seeing the mix of made in China garbage infiltrating the tool section, especially the Craftsman products. I had to be really careful, and now only choose the professional series for anything. Otherwise its Chinese rubbish.
Americans really need to take a stand on that nonsense. Call your Congressman, especially the Republicans, and flog them over allowing non-competitive Commy junk into the US by not supporting tougher trade policies.
I still will shop at Kmart for anything that others would buy at WM or Target. I cannot stand any of WM's anti-union policies and Target actively campaigns against a large segment of our population...Would love to see Kmart and Sears rebound, perhaps they will once they tighten up a bit. Why would you drive right by Kmart and waste more gas for the other two? Kmart's parking lot is a lot less sketchy than its 29 North counterparts, and with all the money you save there, you might be able to walk next door and buy some fancy groceries.
Tom G - better check your facts. Clara owns the dirt (inherited it), although someone else has a master lease.
Clara Belle Wheeler owns Meadowbrook Shopping Center (dirt and buildings), which was developed by her parents, Harry and Mary Wheeler, from whom she inherited it..
The dirt beneath K-Mart, Seminole Square, et al., was The Meadows, a farm owned by the Clay Peyton family, of whom current owner (in partnership with other family members perhaps) Michie Peyton Bright (nee Elizabeth Michie Peyton) is a daughter.


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Eggs, eggs and more eggs.
Maybe it's just me, but the last thing a five year old needs is two dozen candy filled eggs. Thankfully, my kid cares only for the occasional bouncy ball that may find its way in one of the eggs. The candy, he just dumps out or shares it with his friends.
If two Easter egg hunts weren't exciting enough, we finally finished staining and filling up the 6x6 sandbox that he finished building last week. It had been sitting empty for almost a week before our good neighbors helped us haul 33 bags of sand back home. After an hour of hauling and emptying the 50 lb bags, the sandbox was full, the kid was happy and we were exhausted.
Yes, it is as big as it looks! (6X6)
No dinner was cooked that day. We had some eggs and bread, the kid a rava bhakri, which will be a post for another day. Today, after another exhausting day of dentist appointment, bathroom cleaning and carting the kid to and fro from school, the dinner was simple. The kid had dosas with leftover dal from the morning. He got a vegetable Panini for me from his office canteen which I had with some guacamole that he made and a few asparagus that I stir fried on the skillet.
For him, I made bhendi chi kurkurit bhaji (stir fried crispy okra). I say for him, because I have never liked the slimy vegetable, even though it turns crunchy and not-at-all-slimy when cooked to a crisp on slow to medium flame. But he likes it, so every so often I will pick up a bunch of okra for him. He likes it with a little bit more oil than usual and with lots of caramelized onions. So that's how I make it.
Bhendi, Bhindi, Okra, ladyfinger. A cross-section of the slimy veggie
Do you see a pattern here that I mentioned in my last post, about doing things for each other? Though I have to admit, cooking okra this way is ridiculously simple, with just red chili powder and salt to spice it up. However, I am told that the sweetness of the caramelized onions and the crisp bite of the okra is a divine combination. My brother and sister swear by it and so does my better half. So, I give you bhendi chi kurkurit bhaji, which loosely translates to crispy stir fried okra.
I do have a few tips at the end of the post to get the crisp okra that is so desired but so easy to mess up into a slimy sludge. So do read them carefully before you go chopping and stirring some okra and onions in your pan.
Bhendichi Kurkurit Bhaji
1-2 tblsps oil
1/2 tsp mustard seeds
1 tsp turmeric powder
1 tsp red chili powder
1 cups of chopped onion, preferably red
2 cups of okra, cut into thin circles or slim stripes
Salt to taste
Heat oil in a wide pan and add the mustard seeds. As they start to sputter, lower the heat, add the turmeric powder and stir. Quickly add the red chili powder and the chopped onions, followed by the okra.
Our goal here is to minimize stirring in order to prevent possible sliminess that may occur. Sprinkle salt to taste, gently stir everything and cook uncovered on medium low flame for 20-25 minutes or till cooked through and crispy. Stir in between as needed. Serve with chappatis, dal and rice.
Try to stir the okra as little as possible. The more you stir, the slimier it will get.
Do not and I repeat, Do Not, cover the pan at any stage of cooking the okra. It will get slimy.
Try to use a pan with a bigger surface area so as not to crowd the okra and subsequently steam it. The less crowded it is, the less slimy it will be.
Don't put any water or liquids of any sort in the pan.


text:
Adobe-Apple war on Flash reminiscent of PostScript struggleThree years of mounting tensions between Apple and Adobe Systems over the availability of Flash on devices running the iPhone OS have exploded into a battle of scathing attacks in both directions. Adobe is now advertising its "love" for Apple, despite enumerating the company's sins that it hates.
The character of the attacks in today's Flash Wars seems extraordinary, but is certainly not unprecedented, as sources familiar with the events from two decades ago remind us. That's because this latest skirmish isn't the first time Apple has sent Adobe into wildly frothy hysterics due to a perceived jilting.
This All Happened Before
Back in the late 80s, Adobe had a very different software monopoly in place. Rather than controlling the platform for creating and delivering dynamic content on the web with Flash, Adobe was sitting upon PostScript, a platform for creating and delivering digital content via print.
PostScript was Adobe's original product, taken from Xerox PARC's hotbed of innovation and commercialized by company founders John Warnock and Charles Geschke. Three years after launching Adobe, Steve Jobs created a partnership with the company that licensed its PostScript page description technology to drive Apple's new LaserWriter, with Apple also investing $2.5 million in Adobe for a 15% stake in the company.
Paul Brainerd started a third company to pioneer this emerging desktop publishing market; it was named Aldus and its flagship product was PageMaker, running on Apple's Macs and using PostScript to create high resolution print output via the LaserWriter. Apple actually announced the LaserWriter on the same day Aldus unveiled PageMaker. Together, Apple, Aldus and Adobe created the emerging market for desktop publishing.
As a middleware platform, Adobe's PostScript became so essential to desktop publishing and the Mac that Adobe could charge pretty much whatever it wanted for the software and the "Type 1" fonts it used. In 1989, Apple's replacement for Jobs, Jean-Louis Gassée, approached Adobe seeking a cheaper version of PostScript for use on Apple's new low-priced Macs then in the product pipeline. Adobe refused. This prompted Apple to seek market-based solution to Adobe's greed: it began to investigate alternatives to PostScript.
Microsoft had acquired TrueImage, a PostScript clone that could replace Adobe's language in laser printers. Apple itself had developed an operating system font scaling technology it called TrueType, for drawing smooth fonts on the screen that could be rendered at high resolution on a printer. The two companies agreed to cross license their technologies to make both widely available across the Mac and Windows platforms, erasing any need for anyone to keep paying for Adobe's overpriced PostScript software and the Type 1 fonts it required.
Adobe's scorn, vilification and trash talking from 20 years ago
At the Seybold Desktop Publishing Conference in San Francisco on September 20, 1989, Apple and Microsoft jointly presented their new TrueType partnership. Adobe's Warnock was enraged. He publicly castigated Apple and Microsoft, saying, "That's the biggest bunch of garbage and mumbo jumbo," and speaking on the verge of tears, he emphatically added, "What those people are selling you is snake oil!"
The TrueType announcement seemed to eviscerate Adobe's future prospects. Apple dumped its holdings in Adobe as the company's stock price plummeted. Apple still ended up profiting $79 million on its original investment in Adobe, according to Jim Carlton's book "Apple: The Inside Story of Intrigue, Egomania, and Business Blunders."
Following the fallout between Apple and Adobe, Adobe rushed its new Adobe Type Manager to market to enable its Type 1 PostScript fonts to be used on the Mac desktop just like TrueType fonts. Adobe also eased up on its prices and negotiated with Apple new terms to keep PostScript on its LaserWriters. In the PC world, TrueType and PostScript-clone printers became more popular, despite being problematic, because they were cheaper. Apple's continued exclusive licensing of Adobe's PostScript for its LaserWriters eventually helped drive Apple out of the printer business as cheaper alternatives became available. Adobe's lock on desktop publishing with PostScript had been broken.
Adobe branches out into apps
Despite continuing to do most of its business with Apple, Adobe strengthened its position with Windows to hedge its bets in application software. It also began making efforts to build a portfolio of creative apps to join its own Illustrator drawing tool. It first eyed Aldus, which not only sold the popular PageMaker, but also sold a competitor to Adobe's Illustrator named FreeHand.
Adobe had earlier "unwittingly given a nearly free and unlimited PostScript license" to FreeHand, according to an early Aldus employee familiar with the events. Aldus FreeHand was now trouncing Adobe's Illustrator, so Adobe planned to buy Aldus in 1994 and simply erase its competitor in the market for professional drawing applications.
The problem, as Adobe later discovered, was that FreeHand wasn't actually owned by Aldus; Altsys, its developer, only sold the title through Aldus, so the deal couldn't take FreeHand off the market, much to Adobe's chagrin. FreeHand's developer subsequently sold itself to Macromedia in 1995, which became Adobe's primary competitor in digital creative apps over the next decade. Adobe wouldn't subsequently take FreeHand off the market until 2005, when it purchased Macromedia. That $3.4 billion deal also gave Adobe more than just creative apps: it gave it a new PostScript-like platform: Flash.
Incidentally, a reader adds: "freefreehand.org has been setup to recruit members and raise funds to try to convince Adobe through legal means to divest itself of FreeHand, which they are trying to let die a slow death. Fortunately this skirmish with Apple has helped shed a tad of light on how hypocritical Adobe is regarding 'healthy competition' and all the other drivel they are spouting regarding Apple spurning Flash."
On page 2 of 3: Flash takes over the web, Apple's changing stance on Flash.


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- visit
- exhibitions
- programs
- education
- support
- about
- opportunities
- store
Exploring innovation in interactive media and human interaction, the collective Babycastles will host a weekend summit on interactive and immersive arcade game design, in collaboration with Keita Takahashi, game designer at Katamari Damacy in Japan. Including workshops, lectures, interactive environments, and parties, the Babycastles Summit brings together leaders in independent arcades to explore new possibilities in how to engage, alter, and expand social structures.
Friday, August 24th
6pm - 1am, 7th Floor
In Conversation: Keita Takahashi,
moderated by Frank Lantz (NYU Game Center / Zynga)
7pm - 9pm, Theater
including performances by Terror Pigeon Dance Revolt, Little Ruckus, Happy New Year & Sun Airway.
9pm - 1am, 7th Floor and Theater
Saturday, August 25th
1pm - 1am, 7th Floor
Japanese Shmups and the Ascension of Bodshiva
features conversations by Dave Mauro, Kurt Kalata (Hardcore Gaming 101), Jeremiah Johnson (Nullsleep), moderated by JOSEPHS
1pm - 3pm, 6th Floor
How to Babycastles
Babycastles leads a workshop on using large stuffed animals, chef knives, colorful duct tape, assorted blinking electronics, and the virus-writing windows scripting software "AutoHotkey", to turn independent software into resilient public arcades.
1pm - 3pm, Theater
Nick Fortungo
3pm - 4pm, 6th floor
The Bill Murray of Videogames
3pm - 4pm, Theater
Larping Intaimacy with the Ars Amandi Technique
A workshop on physical intimacy in larp using the Ars Amandi technique.
4pm - 6pm, 6th floor
Performance Machines in Game Space
4pm - 6pm, Theater
Artists Making Games
6pm - 8pm, 6th Floor
Designing Games for Public Spaces
features conversations by Ramiro Corbetta (Hokra), Matthew Parker (Eyebeam, Recurse), and JR Blackwell (Shelter in Place), moderated by Greg Trefry (Come Out & Play)
6pm - 8pm, Theater
including performances by the Suzans (Japan) and Peggy Wang DJ Set (Pains of Being Pure at Heart), Sweet Tooth and more TBA.
8pm - 1am, 7th Floor and Theater
Sunday, August 26th
12pm - 10pm, 7th Floor
In Conversation: Doug and Tony
1pm - 3pm, 6th Floor
Musicians Making Games
1pm - 3pm, Theater
Kaho Abe
3pm - 4pm, 6th Floor
Joe Kowalski
3pm - 4pm, Theater
Why Make Games?
features conversations by Joe Ahearn (Silent Barn, Showpaper, Clocktower), Kayin (I wanna be the guy), Nate Hill, on why they chose to make their first game, and the personal experience of making your first video game.
4pm - 6pm, Theater
Line Up TBA
5pm - 10pm, 7th Floor and Theater


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The Obama family got to join Bono at his favorite Irish pub.
First lady Michelle Obama and daughters Malia and Sasha joined the U2 frontman for lunch at Finnegan's of Dalkey, a restaurant he frequents in his native Dublin, Ireland.
Accompanying Bono was his wife Ali and his two teenage sons. Alas, President Barack Obama was not there, as he was busy attending the G8 Summit.
U.S. & World
NEWS: Michelle Obama tackles heckler with ease
The first family and the rock superstar's clan chowed down on traditional Irish grub which, per the Irish Independent, included fish and chips. Finnegan's was closed to the public for the occasion, hanging an American flag from a flag pole over the front door.
After the meal, the Obamas headed to the airport where they took off for Germany.


text: Didn't see this popular topic thread up. Searched and didn't find it so here it is (Hope I didn't miss it). IF you go to the advanced reply, you can click on the paper clip and attach the screeny via your comp or URL....this way the image does not stretch the forum layout too much Starting off: (See attachment below) Semi-Custom Wallpaper (grabbed a wallpaper and mod'd it to my liking). Managed to find the android font on the interwebs RocketDock with customized icons My Droid is a Daft Punk junkie (see the itunes miniplayer) Let's see 'um!


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atolExt3WidgetPlugin - 1.0.4
Widget to ExtJS Plugin
You are currently browsing
the website for symfony 1
This plugin allow symfony to generate ExtJS pages by using JSON format
connect Symfony Form framework with ExtJS 3
|Xavier Calland
|moc.dclota <<ta>> dnallac.x
|Jean-Philippe Thevenoux
|moc.dclota <<ta>> xuoneveht.pj
|Nicolas Chevobbe
|moc.dclota <<ta>> ebbovehc.n
Version 3, 29 June 2007
Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/>
Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.
This version of the GNU Lesser General Public License incorporates
the terms and conditions of version 3 of the GNU General Public
License, supplemented by the additional permissions listed below.
0. Additional Definitions.
As used herein, "this License" refers to version 3 of the GNU Lesser
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other than an Application or a Combined Work as defined below.
An "Application" is any work that makes use of an interface provided
by the Library, but which is not otherwise based on the Library.
Defining a subclass of a class defined by the Library is deemed a mode
of using an interface provided by the Library.
A "Combined Work" is a work produced by combining or linking an
Application with the Library. The particular version of the Library
with which the Combined Work was made is also called the "Linked
The "Minimal Corresponding Source" for a Combined Work means the
Corresponding Source for the Combined Work, excluding any source code
for portions of the Combined Work that, considered in isolation, are
based on the Application, and not on the Linked Version.
The "Corresponding Application Code" for a Combined Work means the
object code and/or source code for the Application, including any data
and utility programs needed for reproducing the Combined Work from the
Application, but excluding the System Libraries of the Combined Work.
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permanent authorization for you to choose that version for the
add several grid renderers
fix disabled combobox bug on IE8
made symfony 1.4 compatible
add several grid renderers
fix disabled combobox bug on IE8
made symfony 1.4 compatible
add PluginExt3TextArea
add PluginExt3MultiSelect
change README
JS refactoring 'PlugTMP' -> 'atolExt3WidgetPlugin'
Minor modification in README
The atolExt3WidgetPluginis a symfony plugin that provides Ext JS component and forms by generating JSON description and using "xtype".
All "Basic" component aren't linked with Doctrine or Propel, but "High Level" component (like Database combobox) are linked with Doctrine. Installation
Install the plugin
$ symfony plugin-install http://plugins.symfony-project.com/atolExt3WidgetPlugin
Alternatively, if you don't have PEAR installed, you can download the latest package attached to this plugin's wiki page and extract it under your project's plugins/ directory
Clear the cache to enable the auto-loading to find the new class
symfony cc
A form inherit from PluginExt3FormDoctrine, and define fields and validators.
<?php class customerExt3Form extends PluginExt3FormDoctrine { public function setup() { parent::setup(); // create combobox "type user" $result = Doctrine::getTable('cutomertype')->getAll()->execute(); $cboCustomerType = PluginExt3DoctrineComboBox::fromResult($result, 'idtypecustomer', 'labeltypecustomer'); $cboCustomerType->setAttribute('fieldLabel', 'Customer Type'); $cboCustomerType->setAttribute('allowBlank', false); $widgets = array ( 'lname'=> new PluginExt3TextField( array ('allowBlank'=>false, 'fieldLabel'=>'Last name')), 'fname'=> new PluginExt3TextField( array ('allowBlank'=>false, 'fieldLabel'=>'First name')), 'login'=> new PluginExt3TextField( array ('allowBlank'=>false)), 'email'=> new PluginExt3EmailField(), 'idcustomertype'=>$cboCustomerType ); $this->setWidgets($widgets); $validators = array ( 'lname'=>$this->getWidget('lname')->getValidator(), 'fname'=>$this->getWidget('fname')->getValidator(), 'login'=> $this->getWidget('login')->getValidator(), 'email'=>$this->getWidget('email')->getValidator(), 'idcustomertype'=>$this->getWidget('idcustomertype')->getValidator() ); $this->setValidators($validators); $this->widgetSchema->setNameFormat('customers[%s]'); } public function getModelName() { return 'customers'; } }
In action's files, use forms it's as simple as "normal" symfony's actions
<?php class sfMyAppActions extends sfActions { public function executeIndex(sfWebRequest $request) { $this->form = new customerExt3Form(); if ($request->isMethod('POST')) { $this->form->bind($request->getParameter($this->form->getName())); if ($this->form->isValid()) { $this->form->save(); $this->getUser()->setFlash('niveau', 'OK'); $this->getUser()->setFlash('message', 'successful'); $this->redirect('@home'); } else { $this->getUser()->setMessage('ERROR', 'Forms contains error', $this->form->getErrorSchema()); } } } }
The templates must write result in a variable (and this variable will be used by the javascript files)
<?php $formPanel = new PluginExt3FormPanel('/', $form); $formPanel->setAttribute('title', "Hello World !"); // It's really recommended to create a helper which write these lines, and adapt it to your application $ret = '<script type="text/javascript">'; $ret .= 'myApp.content = '.$formPanel->__toString(); $ret .= '</script>'; echo $ret;
Ext.namespace('myApp'); myApp.content = null; myApp.app = function() { return { init : function() { var items = Ext.ComponentMgr.create(myApp.content); this.viewport = new Ext.Viewport( { layout : 'fit', border : false, items : items }); // This command enable component to execute a function send by symfony // Use by error to invalidate component this.viewport.cascade(atolExt3WidgetPlugin.cascadeFunctionToCall); } } }(); Ext.onReady(myApp.app.init, myApp.app);


text:
The FY's load-sharing twin-steer front axle is ideal for a multitude of heavy duty applications from tipping to tilting. Simply because it boosts your GVM by a tonne and spreads it evenly across the wheelbase. The front end (front load sharing suspension setup) also features a unique dampener system to give you improved ride and handling.
The Isuzu FY Series is all about sharing the load, and that is why all FY models are fitted with Meritor front and rear axles (Hendrickson rear lift axle in the 10x4), widely considered the best axle in the world. Most models come standard with Hendrickson airbag rear suspension, a proven premium component from North America. When it comes to transmissions, we've opted for three of the best in the business, offering the Eaton-Fuller 10-speed, Allison 4430 Automatic and German built ZF 9-speed
All FY Series cabs comply with the latest ECE-R29 standard, so they are truly world-class. Double side-intrusion bars, seatbelt pre-tensioners and load-limiters, and driver airbags are all standard. Our front axles now come with FUPS (Front Under-run Protection System) meaning you can safely legallycarry up to 6.5 tonnes over the front axle. All FY Series feature the class leading ISRI 6860 air-suspension driver's seat. This seat offers lap-sash seatbelt, head restraint, dual-stage air lumbar/lateral support, integrated pneumatic system, adjustable shock-absorber and body-hugging upholstery from head to knee. Sharing the load isn't just about what's in the back of the truck.
Find the right truck for your needs below. You can search by Body and payload, License type and vehicle type.


text:
Let your participants pay online! We customize the forms to your liking and take care of the whole registration process. With our *low price guarantee*, you can maximize the amount of money that goes into your bank account.
Attract more customers with a fresh looking website! The website design is completely optional but it's a crowd pleaser. We provide state of the art of choices that you can constantly update. By focusing on items such as search engine optimization and social media profiles, our goal is to improve your brand and make sure everyone can find you.
Do you need to start accepting registrations as soon as possible? No problem! Our setup process typically only takes 24-48 hours from start to finish.
Director for Football Operations
Fordham University Football Camp
"I couldn't imagine running a camp without Camp Network. It is user friendly, very affordable, and the customer service is outstanding. I couldn't do my job without them."
Director of Operations
University of South Carolina Volleyball
"Camp Network has allowed us to successfully manage our many camps with ease! With a fresh new look to our website, simple and quick registration for our campers, and excellent customer service, Camp Network is a top of the line service!"
Head Coach
University of Virginia Lacrosse
"Camp Network has been a great timesaver and tool to handle my website and all registrations for both large and small camps and clinics. Every time we've needed updates or camps and clinics added to our site, the Camp Network team has taken care of us right away. The site is easy to use on our end and for the registrants alike. It was a great business decision to go with Camp Network!"
Assistant Coach
IUPUI Soccer
"IUPUI Women's Soccer's experience with Camp Network has been a very positive one since we began working together. We've enjoyed the ease of using our coaches' end of the system, and we've heard only positive feedback from those who've signed up for both youth and college camps using the system. It's easy to use and cheap compared to other systems. I wish we'd set it up sooner."


text:
Does anybody know how to write correct a relative path in a script? An absolute path (for example: J:\download\Barca2\bfacs\bfacs.exe) works- how could I make this path relative?
Barca has no encryption, I want to encrypt my mail folders. This works with a script, calling the encryption-program. But the path has to be relative, in order to work portable!


text:
Basic Stage
The Basic Stage is the first form of a Pokémon, such as Starly or Lillipup, which are weak and usually evolve in the tens level if they are a 3-part evolution. They are very small and most can be captured in the first three or four routes in each game.
|This article is a stub. Please help the Azurilland Wiki by editing it.


text:
How to Use the Images Photo 2
Photo 2
This photograph was taken in 1978, over a decade after the last students attended the school in 1967. The Freeman School, now operated by Homestead National Monument of America, appears today as it did in 1978.
Questions for Photo 1
1. What kind of material was used to build this building?
2. Is there anything notable about the front window and doorway?
3. Is there anything visible from the exterior of this building to suggest that it once was a school?
4. How many classrooms were in this building?
* The image on this screen has a resolution of 72 dots per inch (dpi), and therefore will print poorly. You can obtain a larger version of Photo 1, but be aware that the file will take as much as 30 seconds to load with a 28.8K modem.


text:
Mandatory Boating Education
New Hampshire has a mandatory boating education law. Everyone 16 years of age and older who operates a motorboat over 25 horsepower on New Hampshire waters must have a boating education certificate.
New Hampshire accepts the following boating education certificates:
If you wish to operate a motorboat on New Hampshire waters and you do not have any of the above certificates, please sign up for one of our classroom courses listed below. The State proctored examination is included with the classroom course and is given during the last hour of the class.
Boating Education Course Schedule and Registration
Students may now register online for a Boating Education course. Click on the appropriate link below to sign up.
Online Course
Complete the New Hampshire Online Course. Upon successful completion of the online course, you must register and successfully pass a proctored exam before receiving your certificate card. After completing your course online, register for your proctored exam below.
Boating Education Proctored Exam Schedule
NOTICE: If you completed an online course between March 1, 2015 and March 15, 2016 please register for your proctored exam by calling 1-888-254-2125 ext #1.


text:
Click here for Latest Ankara Styles >> Read More
The eyes and eye brows are one of the first things a person sees on your face, and can significantly change the appearance of the entire face – they can either make you look older or younger, or just your age, depending on how you groom them. Today, we are bringing you expert beauty tutorials on how to groom your eyebrows into a nice, arch shape that will make your eyes pop/ open up/ enhance your face – using either razor (VIDEO 1) or scissors – for trim-shaping naturally thick eyebrows (VIDEO 2). If you've been struggling with getting a perfect brow shape by yourself, grab a seat because the step by step eyebrow shaping tutorials below will help transform your looks. And, if you have a natural thick, bushy brows, video 2 will show you how to trim it to shape it without shaving. You'll love the before and after looks in the tutorial. Just be sure to practice along – click . to start watching the eyebrow shaping and arching tutorials below.
Video 1: Eyebrow Shaving Using Razor Blade
Video 2: How to TRIM a Bushy, Thick Brow to Shape, Using Scissors
Not everyone likes their eyebrows to shaped by shaving. And, if you're naturally endowed with thick brows, you can achieve a perfect brow by trimming with a small scissors- the above video tutorial is your best bet.
How to Know Your Eyebrow Arch and Shape (with Image Illustration)
Most women shape their eyebrows to look like the shape they saw and liked on someone they know or have seen on before and after makeovers done by top makeup artists. That's wrong, and that's why they look not-so-cute after grooming their brows. When you see a brow you like, it does not mean that the same eyebrow shape will look good on your face. The shape of your face should tell you the shape of your eyebrows – and it all starts from knowing where your arch is (see the diagram below). Follow your natural arch when shaping your eyebrows.
Below is an image guide to help you get your perfect eyebrow arch and shape. – use it to find the position of your your brow start, arch and end. It's very important that you get your arch right, but it's simple if you follow the guide in the image below.
To Tweeze or To Shave or To Thread?
While tweezing and threading are very common eyebrow grooming techniques, shaving with razoe blade is the most common in Nigeria. Many women, especially Nigerians are just not comfortable with tweezing their eyebrows. If you know how to shape your eyebrows using razor blade, you can get it to look really beautiful. However, a lot of ladies just don't know how to correctly shave and shape their eyebrows to fit their face shape.
Click here for Latest Ankars Styles READ MORE
Click here for Latest Aso Ebi Styles
It's common to see many pretty women with over-shaved brows; some even totally shave outside their face shape (such that they can only look better if they fill the brows). While it's not expensive to always run to your favourite hairdresser or makeup artist to have your brows shaped, sometimes for some reasons you just can't find time to go out. So, you see why you need to learn to do your brows yourself.
SAFETY TIPS: To avoid scratching or cutting your skin while shaving your brows, use a brow razor (available in beauty stores) or a good, hard razor blade such as Tiger (popular in Nigeria), and Ardell brow razor (easily available in reputable makeup stores). Don't hold the razor straight up. Instead, hold it flat against your skin while shaving – this way, you'll have a greater control of the blade and reduce risk of cutting your skin.
- When shaping, follow your natural brow shape and arch.
- Remove stray hair by brushing up and then down, to remove the overgrown brow hair.
by Banke Meshida-Lawal (Makeup Artist)
Our Other Expert Eye Makeup Video Tutorials
To help you master other areas of DIY face makeup and beauty fixes, here are some other . beauty video tutorials we highly recommend you watch:
Final Takeaway: Perfect Eyebrow Shape
As you know, the eyes as the windows to the face, frames your face and so it's very important to pretty it up – so that you can look glowy. Hopefully, after a few practices with the above eyebrow shaping tutorial, your face will always be on point.
That's it from us on how to shave your eyebrows to a natural arch, using razor blade or scissors. You need to watch that video some more and practice along a few more times. Be sure to follow the guide above for how to shape your eyebrow arch, which is where most people miss it when shaping their brows by themselves.
Thanks for reading. Please help us share this post with your friends on ./ Twitter/ email and everywhere. Also, I'd love to hear from you – leave me a comment below to tell me what you think about the eyebrow shaping tips above.
Click here for Latest Ankara Styles >> Read More
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