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Michelle Marie Pfeiffer (/ˈfaɪfər/; born April 29, 1958) is an American actress and producer. She began her acting career in 1978 and had her first leading role in the musical film Grease 2 (1982). She went on to receive mainstream attention for her breakthrough performance as gangster moll Elvira Hancock in Brian De Palma's crime thriller Scarface (1983). Her subsequent roles in Dangerous Liaisons (1988), The Fabulous Baker Boys (1989) and Love Field (1992), garnered her three Academy Award nominations.
Pfeiffer found major critical and popular acclaim for her performance of Catwoman in Tim Burton's superhero film Batman Returns (1992). She later starred in The Age of Innocence (1993), Wolf (1994), What Lies Beneath (2000), and White Oleander (2002). After a five-year hiatus from film acting, she appeared in Hairspray (2007), Chéri (2009), and Dark Shadows (2012). She received her first Emmy Award nomination for portraying Ruth Madoff in the HBO television film The Wizard of Lies (2017), and garnered further critical acclaim for her roles in Mother! (2017) and Murder on the Orient Express (2017).
Pfeiffer was born in Santa Ana, California, the second of four children of Richard Pfeiffer, an air-conditioning contractor,[1] and Donna (née Taverna), a housewife. She has one elder brother, Rick (born 1955), and two younger sisters, Dedee Pfeiffer (born 1964), a television and film actress,[2] and Lori Pfeiffer (born 1965).[3] Her parents were both originally from North Dakota.[4] Her paternal grandfather was of German ancestry and her paternal grandmother was of English, Welsh, French, Irish, and Dutch descent, while her maternal grandfather was of Swiss-German descent and her maternal grandmother of Swedish ancestry.[5][6] The family moved to Midway City, where Pfeiffer spent her childhood.[7]
She attended Fountain Valley High School, graduating in 1976.[8] She worked as a check-out girl at Vons supermarket, and attended Golden West College[9] where she was a member of Alpha Delta Pi sorority. After a short stint training to be a court stenographer, she decided upon an acting career.[10] She won the Miss Orange County beauty pageant in 1978, and participated in the Miss California contest the same year, finishing in sixth place.[11] Following her participation in these pageants, she acquired an acting agent and began to audition for television and films.[12]
Pfeiffer's early acting appearances included television roles on Fantasy Island,[8] Delta House and BAD Cats among others. She was one of the several candidates to audition as a replacement for Kate Jackson on the television series Charlie's Angels in 1979, although the part went to Shelley Hack. She had small roles in a few theatrical films, including Falling in Love Again (1980) with Susannah York, The Hollywood Knights (1980) opposite Tony Danza, and Charlie Chan and the Curse of the Dragon Queen (1981), none of which met with much critical or box office success. Pfeiffer later said of her early screen work: "I needed to learn how to act... in the meantime, I was playing bimbos and cashing in on my looks."[8] She appeared in a television commercial for Lux soap,[13] and took acting lessons at the Beverly Hills Playhouse,[14] before appearing in three further television movies – Callie and Son (1981) with Lindsay Wagner, The Children Nobody Wanted (1981), and a 1981 TV movie remake of Splendor in the Grass.
She then landed her first major film role as Stephanie Zinone in Grease 2 (1982), the sequel to the smash-hit musical Grease (1978).[15] The film was a critical and commercial failure, and Pfeiffer's single release of "Cool Rider" from the film's soundtrack on PolyGram failed to dent the music charts. Nevertheless, Pfeiffer received some positive attention for her performance, notably from The New York Times, which said "although she is a relative screen newcomer, Miss Pfeiffer manages to look much more insouciant and comfortable than anyone else in the cast".[16] Despite escaping the critical mauling, Pfeiffer's agent later admitted that her association with the film meant that "she couldn't get any jobs. Nobody wanted to hire her".[15]
Director Brian De Palma, having seen Grease 2, refused to audition Pfeiffer for Scarface (1983), but relented at the insistence of Martin Bregman, the film's producer. She was cast as cocaine-addicted trophy wife Elvira Hancock.[17] The film was considered excessively violent by most critics, but became a commercial hit and gained a large cult following in subsequent years.[18] Pfeiffer received positive reviews for her supporting turn; Richard Corliss of Time Magazine wrote, "most of the large cast is fine: Michelle Pfeiffer is better ..."[19] while Dominick Dunne, in an article for Vanity Fair titled "Blonde Ambition", wrote, "[s]he is on the verge of stardom. In the parlance of the industry, she is hot".[20]
Following Scarface, she played Diana in John Landis' comedy Into the Night (1985), opposite Jeff Goldblum, Isabeau d'Anjou in Richard Donner's fantasy film Ladyhawke (1985), opposite Rutger Hauer and Matthew Broderick, Faith Healy in Alan Alda's Sweet Liberty (1986), opposite Michael Caine, and Brenda Landers in a segment of the 1950s sci-fi parody Amazon Women on the Moon (1987), all of which, despite achieving only modest commercial success, helped to establish her as an actress. She finally scored a major box-office hit as Sukie Ridgemont in the 1987 adaptation of John Updike's novel The Witches of Eastwick, alongside Jack Nicholson, Cher, and Susan Sarandon. The film grossed over $63.7 million domestically, the equivalent to $137.4 million in 2017 dollars.[21][22]
Pfeiffer was cast against type, as a murdered gangster's widow, in Jonathan Demme's mafia comedy Married to the Mob (1988), opposite Matthew Modine, Dean Stockwell and Mercedes Ruehl. For the role of Angela de Marco, she donned a curly brunette wig and a Brooklyn accent,[3] and received her first Golden Globe Award nomination as Best Actress in a Motion Picture Musical or Comedy, beginning a six-year streak of consecutive Best Actress nominations at the Golden Globes.[23][24] Pfeiffer then appeared as chic restauranteuse Jo Ann Vallenari in Tequila Sunrise (1988) opposite Mel Gibson and Kurt Russell, but experienced creative and personal differences with director Robert Towne, who later described her as the "most difficult" actress he has ever worked with.[25]
At Demme's personal recommendation,[15] Pfeiffer joined the cast of Stephen Frears's Dangerous Liaisons (1988) alongside Glenn Close and John Malkovich, playing the virtuous victim of seduction, Madame Marie de Tourvel. Her performance won her widespread acclaim; Hal Hinson of The Washington Post saw Pfeiffer's role as "the least obvious and the most difficult. Nothing is harder to play than virtue, and Pfeiffer is smart enough not to try. Instead, she embodies it. Her porcelain-skinned beauty, in this regard, is a great asset, and the way it's used makes it seem an aspect of her spirituality".[26] She won the BAFTA Award for Best Actress in a Supporting Role[27] and received a nomination for the Academy Award for Best Supporting Actress.[28]
Pfeiffer then accepted the role of Susie Diamond, a hard-edged former call girl turned lounge singer, in The Fabulous Baker Boys (1989), which co-starred Jeff Bridges and Beau Bridges as the eponymous Baker Boys. She underwent intensive voice training for the role for four months, and performed all of her character's vocals.[29] The film was a modest success, grossing $18.4 million in the US (equivalent to $36.4 million in 2017 dollars [21]).[30] Pfeiffer's portrayal of Susie, however, drew rave reviews from critics. Janet Maslin of The New York Times wrote of the performance: "[...]she proves to be electrifyingly right. Introducing Ms. Pfeiffer's furiously hard-boiled, devastatingly gorgeous Susie into the Bakers' world affects the film the way a match might affect a fuse,"[31] Fellow critic Roger Ebert compared her to Rita Hayworth in Gilda and to Marilyn Monroe in Some Like It Hot, adding that the film was "one of the movies they will use as a document, years from now, when they begin to trace the steps by which Pfeiffer became a great star."[32] Variety singled out her performance of 'Makin' Whoopee', writing that Pfeiffer "hits the spot in the film's certain-to-be-remembered highlight... crawling all over a piano in a blazing red dress. She's dynamite."[33] During the 1989–1990 awards season, Pfeiffer dominated the Best-actress category at every major awards ceremony, winning awards at the Golden Globes, the National Board of Review, the National Society of Film Critics, the New York Film Critics Circle, the Los Angeles Film Critics Association Award for Best Actress and the Chicago Film Critics Association. At the Academy Awards, she was favored to win the Best Actress Oscar,[34] but the award went to Jessica Tandy for Driving Miss Daisy in what was considered a surprise upset.[35] The only other major acting award for which she was nominated that she did not take home for The Fabulous Baker Boys was the BAFTA Award for Best Actress in a Leading Role, which also went to Tandy.[36]
Pfeiffer took the part of the Soviet book editor Katya Orlova in the 1990 film adaptation of John le Carré's The Russia House, opposite Sean Connery, a role that required her to adopt a Russian accent. For her efforts, she was rewarded with a Golden Globe nomination for Best Performance by an Actress in a Motion Picture – Drama.[37] Pfeiffer then landed the role of damaged waitress Frankie in Garry Marshall's Frankie and Johnny (1991), a film adaptation of Terrence McNally's Broadway play Frankie and Johnny in the Clair de Lune, which reunited her with her Scarface co-star, Al Pacino. The casting was seen as controversial by many, as Pfeiffer was considered far too beautiful to play an "ordinary" waitress;[38] Kathy Bates, the original Frankie on Broadway, also expressed disappointment over the producers' choice.[39] Pfeiffer herself stated that she took the role because it "wasn't what people would expect of [her]."[40] Pfeiffer was once again nominated for a Golden Globe Award for Best Actress – Motion Picture Drama for her performance.
In 1990, Michelle formed her own boutique film production company called Via Rosa Productions, which ran for ten years. The company would allow Pfeiffer to produce and/or star in films tailored for strong women. She asked her best friend Kate Guinzburg to be her producing partner at the company. The two met on the set of the film Sweet Liberty (1986) and quickly became friends. Kate was the Production Coordinator on the film and became close with Pfeiffer over the course of the shoot. Via Rosa Productions was under a picture deal with Touchstone Pictures, a film label of The Walt Disney Studios. The first film the duo produced was the nostalgic independent drama Love Field (1992). Pfeiffer earned an Academy Award nomination for Actress in a Leading Role and a Golden Globe nomination for Best Performance by an Actress in a Motion Picture Drama for her performance as Lurene Hallett in the film, which had been temporarily shelved by the financially troubled Orion Pictures. It was finally released in late 1992, in time for Oscar consideration. The New York Times review wrote of Pfeiffer as "again demonstrating that she is as subtle and surprising as she is beautiful."[41] For her portrayal of the eccentric Dallas housewife, she won the Silver Bear for Best Actress at the 43rd Berlin International Film Festival.[42][43]
Pfeiffer took the role of Catwoman (Selina Kyle) in Tim Burton's Batman Returns (1992) opposite Michael Keaton and Danny DeVito, after Annette Bening withdrew due to pregnancy. For the role of Catwoman, she trained in martial arts and kickboxing. Pfeiffer has received universal critical acclaim for her performance and is consistently referred to as the greatest portrayal of Selina Kyle/Catwoman of all time by critics and fans. She was constantly praised for the amount of dimension and authenticity she brought to the character.[15] Peter Travers of Rolling Stone praised her for giving the "feminist avenger a tough core of intelligence and wit" and called her a "classic dazzler".[44] Premiere retrospectively lauded her performance: "Arguably the outstanding villain of the Tim Burton era, Michelle Pfeiffer's deadly kitten with a whip brought sex to the normally neutered franchise. Her stitched-together, black patent leather costume, based on a sketch of Burton's, remains the character's most iconic look. And Michelle Pfeiffer overcomes Batman Returns' heavy-handed feminist dialogue to deliver a growling, fierce performance".[45] The movie met a big box office success, grossing over $266 million worldwide (equivalent to $463.9 million).[46]
The following year, she played Countess Ellen Olenska in Martin Scorsese's film adaptation of Edith Wharton's The Age of Innocence (1993) opposite Daniel Day-Lewis and Winona Ryder. For this role she received the Elvira Notari Prize at the Venice Film Festival, and a Golden Globe nomination for Best Performance by an Actress in a Motion Picture.[47] That same year she was awarded the Women in Film Los Angeles' Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry.[48]
Pfeiffer's subsequent career choices have met with varying degrees of success. After The Age of Innocence, she played the role of Laura Alden opposite Jack Nicholson in Wolf (1994), a horror film that garnered a mixed critical reception.[49] The New York Times wrote: "Ms. Pfeiffer's role is underwritten, but her performance is expert enough to make even diffidence compelling".[50] The movie grossed US$65 million (equivalent to $107.3 million) at the domestic box office and US$131 million worldwide (equivalent to $216.3 million).[51] Her next role was that of high school teacher and former US Marine LouAnne Johnson in the surprise box office hit Dangerous Minds (1995),[52] which was co-produced under Pfeiffer's film production company Via Rosa Productions. She appeared as her character in the music video for the soundtrack's lead single, "Gangsta's Paradise" by Coolio (featuring L.V.), which was used by the producer Jerry Bruckheimer for television advertising. A 60-second version was aired on music channels, while a 30-second cut was aired in the rest of the networks.[53] The song won the 1996 Grammy Award for Best Rap Solo Performance,[54] and the video won the MTV Video Music Award for Best Rap Video.[55]
In 1996, she turned down the Golden Globe Award-winning role of Eva Perón in the biopic Evita,[56] which went to Madonna.[57] Pfeiffer then portrayed Sally Atwater in the romantic drama Up Close & Personal (1996) opposite Robert Redford. The film's screenplay, co-written by husband and wife team John Gregory Dunne and Joan Didion, was intended to be a biographical account of the career of news anchor Jessica Savitch, but the final version had almost nothing to do with Savitch's life, leading Dunne to write an exposé of his eight-year battle with the Hollywood producers, Monster: Living Off the Big Screen.[58]
She took the role of Gillian Lewis in To Gillian on Her 37th Birthday (1996), which was adapted by her husband David Kelley from Michael Brady's play of the same name.[59] Pfeiffer and her producing partner Guinzburg were on a winning streak of producing three back to back films next under their Via Rosa Productions header that included, One Fine Day (1996), A Thousand Acres (1997) and The Deep End of the Ocean (1998). She served as an executive producer and starred as the divorced single mother architect Melanie Parker in the romantic comedy One Fine Day (1996) opposite George Clooney,[60] Subsequent performances included Rose Cook Lewis in the film adaptation of Jane Smiley's Pulitzer Prize-winning novel A Thousand Acres (1997) with Jessica Lange and Jennifer Jason Leigh;[61] Beth Cappadora in The Deep End of the Ocean (1998) about a married couple who found their son who was kidnapped nine years ago;[62] Titania the Queen of the Fairies in A Midsummer Night's Dream (1999) with Kevin Kline, Rupert Everett and Stanley Tucci;[63] and Katie Jordan in Rob Reiner's comedy-drama The Story of Us (1999) opposite Bruce Willis.[64]
Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in 1999, and move into semi-retirement in order to spend more quality time with her children and family, meaning that she would continue to star in films sporadically into the 2000s and beyond. Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header. The film was called Original Sin (2001). It was originally intended to star Pfeiffer, who later changed her mind as she was looking to work less for a while. The film was produced by her company, but instead starred Angelina Jolie and Antonio Banderas.
In the Hitchcockian thriller What Lies Beneath (2000), Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past. While critical response towards the film was mixed, it opened atop at the box office in July 2000,[65] and went on to gross US$291 million worldwide.[66] She then accepted the role of Rita Harrison, a highly strung lawyer helping a father with a developmental disability, in the drama I Am Sam (2001), opposite Sean Penn.[67] Despite grossing $97.8 million worldwide,[68] the movie received unfavorable reviews;[69] Seattle Post-Intelligencer wrote: "Pfeiffer, apparently stymied by the bland clichés that prop up her screechy role, delivers her flattest, phoniest performance ever".[70] Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material".[71]
Pfeiffer took on the role of a murderous artist named Ingrid Magnussen in the drama White Oleander (2002), alongside Alison Lohman (in her film début), Renée Zellweger and Robin Wright. The film was an arthouse success and Pfeiffer garnered a substantial amount of critical praise; Stephen Holden of The New York Times wrote that "Ms. Pfeiffer, giving the most complex screen performance of her career, makes her Olympian seductress at once irresistible and diabolical".[72] Kenneth Turan of the Los Angeles Times described her as "incandescent," bringing "power and unshakable will to her role as mother-master manipulator" in a "riveting, impeccable performance".[73] She earned Best Supporting Actress Awards from the San Diego Film Critics Society and the Kansas City Film Critics Circle, as well as a Screen Actors Guild Award nomination.
Pfeiffer lent her voice for the character of goddess of chaos Eris in Sinbad: Legend of the Seven Seas (2003), an animated film featuring Brad Pitt as the voice of Sinbad the Sailor. She had struggles with finding the character's villainies. Initially the character was "too sexual," then she lacked fun. After the third rewrite, Pfeiffer called producer Jeffrey Katzenberg and told him "You know, you really can fire me", but he assured her that this was just part of the process.[74] Following the release of the film, she took a four-year hiatus from acting, during which she remained largely out of the public eye to devote time to her husband and children.[75] At the time, she turned down the role of the White Witch in the fantasy film The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (2005), which went to Tilda Swinton.[76]
Pfeiffer returned to the screen in 2007 with villainous roles in two major summer blockbusters — Hairspray and Stardust. In the film adaptation of the Broadway musical Hairspray, she starred with John Travolta, Christopher Walken, Zac Efron and Queen Latifah,[77] in the role of Velma Von Tussle, the racist and sizeist manager of a television station. Travolta requested that Pfeiffer play the part of the villainess, which was her first film role in five years. A widely positive reception greeted the film upon its release, while it made an impressive US$118.9 million and US$202.5 million worldwide.[78] The cast of Hairspray was nominated for the Screen Actors Guild Award for Best Cast in a Motion Picture, but won the Broadcast Film Critics Association Award for Best Cast, the Hollywood Film Festival Award for Ensemble of the Year and the Palm Springs International Film Festival Award for Ensemble Cast. Her next film release, the fantasy adventure Stardust, opposite Claire Danes, Charlie Cox and Robert De Niro,[79] saw her play the ancient witch Lamia. Filmed before Hairspray, the film premiered three weeks afterwards; it garnered largely positive reviews but, budgeted at US$70 million, it made a modest US$135.5 million globally.[80]
Pfeiffer starred in Amy Heckerling's romantic comedy I Could Never Be Your Woman (2007), with Paul Rudd and Saoirse Ronan,[81] portraying Rosie, a 40-year-old divorced mother working as a scriptwriter and producer for a television show who falls in love with a much younger man (Rudd). Her reported salary was US$1 million, with an advance on 15 percent of the gross. However, the film was only distributed on home video markets.[82] Reviews for I Could Never Be Your Woman were moderately positive,[83] with critic James Berardinelli finding Pfeiffer and Rudd to "have adequate chemistry to pull off the romance" in what he described as an "enjoyable romantic comedy that has enough going for it to make it worth a recommendation".[84] She next starred in Personal Effects (2009), opposite Ashton Kutcher, playing two grieving people coping with the pain and frustration of their loss whose bond spawns an unlikely romance. The drama premiered at Iowa City's Englert Theatre.[85]
Her next film, an adaptation of Colette's Chéri (2009), reunited her with the director (Stephen Frears) and screenwriter (Christopher Hampton) of Dangerous Liaisons (1988). Pfeiffer played the role of aging retired courtesan Léa de Lonval, opposite Rupert Friend in the title role, with Kathy Bates as his mother. Chéri premiered at the 2009 Berlin International Film Festival, where it received a nomination for the Golden Bear award.[86] The Times of London reviewed the film favorably, describing Hampton's screenplay as a "steady flow of dry quips and acerbic one-liners" and Pfeiffer's performance as "magnetic and subtle, her worldly nonchalance a mask for vulnerability and heartache".[87] Roger Ebert in the Chicago Sun-Times wrote that it was "fascinating to observe how Pfeiffer controls her face and voice during times of painful hurt".[88] Kenneth Turan in the Los Angeles Times praised the "wordless scenes that catch Léa unawares, with the camera alone seeing the despair and regret that she hides from the world. It's the kind of refined, delicate acting Pfeiffer does so well, and it's a further reminder of how much we've missed her since she's been away".[89]
Following a two-year sabbatical from acting, Pfeiffer made part of a large ensemble cast in Garry Marshall's romantic comedy New Year's Eve (2011), her second collaboration with Marshall after Frankie and Johnny. The film, also starring Halle Berry, Jessica Biel, Robert De Niro, Josh Duhamel, Zac Efron, Sarah Jessica Parker, and Sofía Vergara, among many others, saw her take on the supporting role of Ingrid Withers, an overwhelmed secretary befriending a deliveryman (Efron). While the film was panned by critics, it made US$142 million worldwide.[90] In 2012, she appeared opposite Chris Pine and Elizabeth Banks in the drama People Like Us, as the mother of a struggling New York City corporate trader (Pine). Rolling Stone found her to be "luminous" in the film,[91] and The New York Times, positively pointing out Pfeiffer and Banks, noted that their performances "partly compensate for the holes in a story whose timing is hard to swallow".[92] People Like Us debuted to US$4.26 million, described as "meager" by Box Office Mojo, and only made US$12 million in North America.[93]
Pfieffer reunited with Tim Burton, her Batman Returns director, in Dark Shadows (2012), based on the gothic television soap opera of the same name. In the film, co-starring Johnny Depp, Eva Green, Helena Bonham Carter and Chloë Grace Moretz, she played Elizabeth Collins Stoddard, the stern and strict, but loyal and devoted family matriarch. Critical response towards the film was mixed, but writers acclaimed the actors' performances—most notably Depp and Pfeiffer's. IGN found her to be "commanding" in her role and felt that the main characters were "played by one of Burton's best ensemble casts yet".[94] While Dark Shadows grossed a modest US$79.7 million in North America, it ultimately made US$245.5 million globally.[95] In Luc Besson's mob-comedy The Family (2013), co-starring Robert De Niro, Tommy Lee Jones, Dianna Agron and John D'Leo, she played the "tough mother" in a Mafia family wanting to change their lives under the witness protection program.[96][97] Although reviews for the film were mixed, THV11 said on the cast's portrayals: "The core actors of The Family were really solid and the whole film comes together to make a solid movie".[98] Meanwhile, The Huffington Post felt that "De Niro, Pfieffer and Jones all brought 100% to their roles".[99] The film grossed US$78.4 million worldwide.[100]
—Pfeiffer in 2017 on her comeback[101]
Pfeiffer has stated that her lack of acting throughout the 2000s was due to her children,[102] and now with both her children away at college, she intends to "work a lot".[103] She has commented that she feels that her best performance is "still in her", and that she thinks that's what keeps her going.[104] She starred in the independent drama Where Is Kyra? as a sensitive and fragile woman who loses her mother and "faces a crisis in which she must find a means for survival, all the while hiding her struggles from her new lover". The film premiered at the Sundance Film Festival on January 23, 2017, with a limited release on April 6, 2018.[105] The slew of films that would follow would prompt the media to dub Pfeiffer's career resurgence a "Pfeiffer-sance".[106][107]
She landed the role of Ruth Madoff for the HBO Films drama The Wizard of Lies, based on the book of the same name. The film, directed by Barry Levinson, reunites her with actor Robert De Niro, who played her husband, disgraced financier Bernard Madoff.[108] The Wizard of Lies premiered on HBO on May 20, 2017, garnering favorable reviews from critics and an audience of 1.5 million viewers, HBO's largest premiere viewership for a film in four years.[109] Tolucan Times remarked that Pfeiffer "steals the show as Madoff's wife, Ruth, and is a remarkable lookalike",[110] while Los Angeles Times asserted: "As Ruth, Pfeiffer convincingly portrays a pampered woman left with utterly nothing —she's lost her homes, status and, most important, her relationship with her sons".[111] Pfeiffer scored her first Emmy nomination for her performance in the category of Outstanding Supporting Actress in a Limited Series or Movie.[112]
In Darren Aronofsky's psychological horror film Mother! (2017), opposite Jennifer Lawrence and Javier Bardem,[113] Pfeiffer portrayed one of the mysterious guests disrupting the tranquil life of a couple. The film was critically acclaimed, though polarized critics and audiences alike.[114] Pfeiffer's performance garnered praise, with many writers stating that it was worthy of an Oscar nomination.[115] She had supporting role in Kenneth Branagh's Murder on the Orient Express (2017), the fourth adaptation of Agatha Christie's 1934 novel of the same name. The mystery–drama ensemble film follows world-renowned detective Hercule Poirot, who seeks to solve a murder on the famous European train in the 1930s. Pfeiffer played an aging socialite, opposite Johnny Depp, Penelope Cruz, and Judi Dench.[116] The film has grossed $306 million worldwide and received mixed to positive reviews from critics, with praise for the cast's performances, but criticism for not adding anything new to previous adaptations.[117] Pfeiffer sings the song "Never Forget", which plays over the film's closing credits and appears on the film's official soundtrack.[101]
On July 22, 2017, it was announced that Pfeiffer was cast as Janet van Dyne in Marvel's Ant-Man and the Wasp, directed by Peyton Reed. The film is expected to hit theaters July 6, 2018.[118]
Pfeiffer maintains that she has never received any formal acting training.[119] Instead, she credits director Milton Katselas with teaching her the difference between how an actor initially thinks a character would behave during a particular scene, and then how the actor would actually behave during that same scene.[120] Vulture.com's Angelica Jade Bastién described Pfeiffer as "an actress of such depth, breadth, and tenacity" that "she obliterates the argument that an untrained actor has less capability than her trained counterparts."[121] In 1992, Rolling Stone's Gerri Hirshey identified Pfeiffer as "an accomplished character actress" who is comfortable wearing unflattering costumes, with The Fabulous Baker Boys' Susie Diamond – still her most critically acclaimed role to-date –[122] a notable exception at the time of its release.[123] Pfeiffer explained that she rarely accepts traditionally glamorous roles because she finds few of them interesting, opting to play characters that "move" her instead: "I know that if I can hear the character as I'm reading, it's made some connection [with me]."[123] A film critic once summarized the actress as "a character actress in a screen siren's body",[120] a sentiment with which her Scarface co-star and friend Al Pacino agrees.[123] Often commended for her ability to disguise her true feelings and emotions, Pfeiffer frequently uses this technique to her advantage in period films, a genre that has become something of a trademark of hers.[120] Pfeiffer herself has admitted to being skilled in this particular area but at the same time believes that hiding one's true feelings is not uncommon, speculating, "that's how most people behave. We may not be as mannered or as proper as people were in the 19th century, but very rarely are we talking about what we're really thinking."[120] Pfeiffer has called acting a "sadomasochistic" profession due to how "brutal" the process can be at times.[124] She is often praised for her acting abilities by various directors with whom she has collaborated over the years.[125] Director Martin Scorsese described Pfeiffer, who he directed in the period drama The Age of Innocence (1993), as "an actress who could portray inner conflict with her eyes and face better than any other film star of her generation."[120] Jonathan Demme (Married to the Mob, 1988) declared "It's hard for me to imagine anyone who, on a level of quality, would have an edge on her."[125]
Pfeiffer is widely considered to be among the most talented actresses in Hollywood,[126][127] as well as one of the greatest, most acclaimed actresses of her generation.[121][128][129] Despite acknowledging that she lacks the film credits of Anjelica Huston and Meryl Streep, Bastién wrote that "of her generation, she's the actress with the most fascinating thematic through line."[121] Steve Erickson, writing for Los Angeles Magazine, "threatened to become one of the four or five great American film actress of her generation" during her thirties, "well past the starlet age."[130] Coined one of the industry's "most interesting" actresses by The Daily Beast,[131] Pfeiffer is known for her versatility,[132] boasting a diverse filmography that includes period, romance, fantasy and comedy genres.[119] During the 1980s, Pfeiffer typically played smart, funny and strong female characters who also happen to be "more than a little sexy."[131] New Woman observed that Pfeiffer's characters tend to "play the world at a distance, mostly, and are often wise beyond their years. They get romanced, but are not overtly romantic. They may be trashy ... but they all retain an air of invulnerability, a certain classical poise."[133] Comparing Pfeiffer's resume to that of actress Barbara Stanwyck, Elizabeth Kaye of The Daily Beast wrote that Pfeiffer's vulnerable characters share a common theme: "the only reasonable expectation is to not expect much".[131] Apart from The Witches of Eastwick, few of the actress' films during this period had been box office successes,[131] an observation Pfeiffer never mentioned to studio heads in fear that they would stop hiring her altogether.[123] However, her performances continued to garner consistently positive reviews despite lackluster ticket sales and several films that critics dismissed as "forgettable".[123][134] Pfeiffer has managed to establish herself as a "major star" despite having yet to receive top-billing in a blockbuster film.[131]
Filmmakers, crew members and co-stars tend to agree that Pfeiffer is extremely "committed" to her work,[123] developing a "reputation for competence, control, and hyper-preparation".[133] At times Pfeiffer has been described as difficult to work with,[135] particularly by Robert Towne, who directed her in Tequila Sunrise; Towne famously dubbed Pfeiffer "the most difficult actress in Hollywood".[136][135] On this designation, Pfeiffer admitted that she can seem difficult at times but it mostly "depends on whom you talk to."[124]
Pfeiffer has long been revered as one of the most beautiful actresses in Hollywood,[120][131][137][138] a designation The Daily Telegraph's Mick Brown considers to be both "a defining characteristic in her acting career" and "a curse".[120] Pfeiffer initially struggled to convince casting agents and directors to take her seriously as an actress because they perceived her as little more than a pretty face during the early stages of her career.[120] Pfeiffer's acting abilities continued to be overshadowed by her beauty even several years after her breakout performance in Scarface (1983);[139] she responded by pursuing roles in which being blond is not a requirement.[123] The Daily Beast's Elizabeth Kaye recognized Pfeiffer among Hollywood's rare "beautiful women" who trust that it is possible to be physically beautiful and serious simultaneously.[131] Kaye believes that the actress achieves this feat by "grafting the sensibility of a modern woman onto the glamour of a '30s icon";[131] Rolling Stones' Gerri Hirshey agreed that Pfeiffer's roles combine "Nineties guts and Thirties glamour."[123] For Interview magazine, Peter Stone described Pfeiffer as a "Blond, sultry, and ethereal" actress with an "unforgettable" face.[124] Nisha Lilia Diu, another The Daily Telegraph contributor, opined, "It's not that she looks younger than she is – she doesn't particularly – it's the symmetry of her bone structure, the flashing aquamarine eyes and those lips, the top one so much fuller than the bottom. It's the kind of beauty you find yourself involuntarily taking a moment to marvel at mid-conversation."[136] At least two of Pfeiffer's films, Stardust (2007) and Chéri (2009), in which she plays a 5,000 year old witch obsessed with beauty and a courtesan fading into obscurity, respectively, explore themes of beautiful women struggling with the idea of aging.[136] Pfeiffer personally identified with the topic of "our obsession with youth and the ludicrous degrees to which women will go to reclaim it" portrayed in the films.[136] Pfeiffer claims to not want to appear younger than she is and has yet to undergo plastic surgery, although she admits she would "never say never" to the procedure,[136] explaining, "I'm all for a little something here and there."[138] However, she has voiced her disapproval of actors who surgically modify their appearance beyond recognition.[138] Dismissing the claim that she is "drop dead gorgeous", insisting that she is only "conventionally pretty".[125] Pfeiffer has been famously self-deprecating about her own appearance, comparing herself to Howard the Duck.[123]
Encyclopædia Britannica writes that the actress is "noted for her beauty and air of vulnerability."[140] During the 1990s, Pfeiffer attracted significant comment in the media for her beauty; in 1990, she appeared on the cover of People magazine's first 50 Most Beautiful People in the World issue. She was again featured on the cover of the annual issue in 1999, having made the "Most Beautiful" list a record six times during the decade (1990, 1991, 1992, 1993, 1996, 1999). Pfeiffer is the first celebrity to have appeared on the cover of the annual issue twice, and the only person to be featured on the cover twice during the 1990s.[141] Men's Health ranked Pfeiffer the 45th on their list of "The Hottest Woman of All Time".[142]
Famous for being very "press-shy" and private, much like the characters she portrays on-screen,[124][143] Pfeiffer is notorious for disliking interviews. In a 2017 interview with Interview magazine, the actress warned her interviewer, director Darren Aronofsky, that she is "the worst interviewee that ever was";[139] her interviews often feature discussions about how much she dislikes being interviewed because the process makes her nervous.[123][124] Pfeiffer revealed that there was a time when attending interviews to promote her films would make her very agitated and uncomfortable, but she has always "mastered the art" of maintaining a composed, polite demeanor when performing such responsibilities.[120] However, she maintains that "I still don't believe – and I never will – that it's the actors' responsibility to sell a film."[123] The actress resembles an "intense conversationalist" in her interviews, tending to scrunch her face and narrow her eyes before responding to questions.[136] Pfeiffer always discards old scripts in which she has written extensive notes about her characters, nor does she retain film reviews, magazine clippings or covers about her work or performances.[123]Culture commentators noted that in 2014, Pfeiffer, who was not promoting any movies at the time, had become a "pop-music muse" and was mentioned by name in the lyrics of two separate songs moving up the charts at that time: "Uptown Funk" by Mark Ronson and Bruno Mars and "Riptide" by Vance Joy.[144][145]
Pfeiffer is mentioned in Vance Joy's 2013 song, "Riptide" ("I swear she's destined for the screen, Closest thing to Michelle Pfeiffer that you've ever seen")[146] Joy told reporters that the Pfeiffer film moment which led him to include her name in his song was her portrayal of Selina Kyle in Batman Returns. He said, "She comes back to her apartment after being thrown out the window by Christopher Walken and she goes mental. Her apartment's all pink and beautiful, and kind of creepy and infantile, then she just smashes it all up and spray paints stuff and transforms into Catwoman. It's this really kind of sexual scene; it's amazing."[144]
Pfeiffer is also mentioned in Mark Ronson and Bruno Mars's 2014 song, "Uptown Funk" ("This hit, That ice cold, Michelle Pfeiffer, That white gold")[147] In an interview Ronson answered a reporter saying his favorite Pfeiffer movie was "The Fabulous Baker Boys. I also liked her in Scarface and Tequila Sunrise. She was such a babe".[148]
Australian cricketers speak of "getting a Michelle" when they take five wickets in an innings. This means they have taken "Five for" which has become a "Pfeiffer" and hence a "Michelle".[149]
While taking acting classes in Los Angeles, Pfeiffer was taken in by a seemingly friendly couple who ran a metaphysics and vegetarian cult. While they helped Pfeiffer to stop drinking, smoking, or doing drugs, the couple took control of her entire life. Much of her money went to the group. "I was brainwashed... I gave them an enormous amount of money." Pfeiffer, insecure, felt that she could no longer live without them. At an acting class taught by Milton Katselas in Los Angeles, Pfeiffer met fellow budding actor, Peter Horton, and they began dating.
Pfeiffer and Horton married in Santa Monica in 1981, and it was on their honeymoon that she discovered she had won the lead role in Grease 2.[150] Horton directed Pfeiffer in a 1985 ABC TV special, One Too Many, in which she played the high school girlfriend of an alcoholic student (Val Kilmer);[151] and in 1987, the real-life couple played an on-screen couple in the 'Hospital' segment of John Landis's comedy skit compilation, Amazon Women on the Moon. However, they decided to separate in 1988, and were divorced two years later; Horton later blamed the split on their devotion to their work rather than on their marriage.[17]
After her marriage to Horton, Pfeiffer had a three-year relationship with actor/producer Fisher Stevens. They met when Pfeiffer was starring in the New York Shakespeare Festival production of Twelfth Night, in which Stevens played the role of Sir Andrew Aguecheek.[152] Pfeiffer was also involved in an affair with John Malkovich, her co-star in Dangerous Liaisons, who at the time was married to Glenne Headly.[153][154][155][156][157][158]
In January 1993, Pfeiffer was set up on a blind date by her best friend and former producing partner Kate Guinzburg, with television writer and producer David E. Kelley, who took her to the movies to see Bram Stoker's Dracula the following week, and they began dating seriously.[159] They married on November 13, 1993. She made a brief uncredited cameo appearance in one episode of Kelley's television series Picket Fences and played the title character in To Gillian on Her 37th Birthday, for which Kelley wrote the screenplay.[160] Pfeiffer had entered into private adoption proceedings before she met Kelley.[161] In March 1993, she adopted a newborn daughter, Claudia Rose,[162] who was christened on Pfeiffer and Kelley's wedding day.[163] In August 1994, Pfeiffer gave birth to a son, John Henry.[159]
Having been a smoker for ten years and having a niece who suffered from leukemia for ten years, Pfeiffer decided to support the American Cancer Society.[164] Her charity work includes as well her support for the Humane Society.[17] In 2016 she also attended the Healthy Child Healthy World's L.A. Gala for people who lead the organizations for children's environmental health and protect those most vulnerable.[165] In December that same year, Pfeiffer, who is a vegan, joined the board of directors for Environmental Working Group, a consumer research and advocacy group based in Washington. D.C.[166] The nonprofit organization focuses on farm subsidies and the health effects of toxic chemicals used in food, cosmetics, and in drilling and mining for fossil fuels.[167]
|Hollywood Knights, TheThe Hollywood Knights
|Suzie Q
|Floyd Mutrux
|Falling in Love Again
|Sue Wellington
|Steven Paul
|Charlie Chan and the Curse of the Dragon Queen
|Cordelia Farenington
|Clive Donner
|Grease 2
|Stephanie Zinone
|Patricia Birch
|Nominated—Young Artist Award for Best Young Motion Picture Actress
|Elvira Hancock
|Brian De Palma
|Into the Night
|John Landis
|Isabeau d'Anjou
|Richard Donner
|Nominated—Saturn Award for Best Actress
|Sweet Liberty
|Faith Healy
|Alan Alda
|The Witches of Eastwick
|Sukie Ridgemont
|George Miller
|Amazon Women on the Moon
|Brenda Landers
|John Landis
|Segment: "Hospital"
|Married to the Mob
|Angela de Marco
|Jonathan Demme
|Nominated—Golden Globe Award for Best Actress - Motion Picture Musical or Comedy
|Tequila Sunrise
|Jo Ann Vallenari
|Robert Towne
|Dangerous Liaisons
|Madame Marie de Tourvel
|Stephen Frears
|BAFTA Award for Best Actress in a Supporting Role
Nominated—Academy Award for Best Supporting Actress
Nominated—Chicago Film Critics Association Award for Best Supporting Actress
Nominated—National Society of Film Critics Award for Best Supporting Actress
|The Fabulous Baker Boys
|Susie Diamond
|Steve Kloves
|Golden Globe Award for Best Actress - Motion Picture Drama
Chicago Film Critics Association Award for Best Actress
Los Angeles Film Critics Association Award for Best Actress
National Board of Review Award for Best Actress
National Society of Film Critics Award for Best Actress
New York Film Critics Circle Award for Best Actress
Nominated—Academy Award for Best Actress
Nominated—BAFTA Award for Best Actress in a Leading Role
Nominated—American Comedy Award for Funniest Actress in a Motion Picture (Leading Role)
|The Russia House
|Katya Orlova
|Fred Schepisi
|Nominated—Golden Globe Award for Best Actress - Motion Picture Drama
|Frankie and Johnny
|Garry Marshall
|Nominated—Golden Globe Award for Best Actress - Motion Picture Musical or Comedy
|Batman Returns
|Selina Kyle / Catwoman
|Tim Burton
|Nominated—MTV Movie Award for Most Desirable Female
Nominated—MTV Movie Award for Best Kiss (with Michael Keaton)
|Love Field
|Lurene Hallett
|Jonathan Kaplan
|Silver Bear for Best Actress
Nominated—Academy Award for Best Actress
Nominated—Golden Globe Award for Best Actress - Motion Picture Drama
Nominated—New York Film Critics Circle Award for Best Actress
|The Age of Innocence
|Countess Ellen Olenska
|Martin Scorsese
|Elvira Notari Prize
Nominated—Golden Globe Award for Best Actress - Motion Picture Drama
Nominated—Dallas-Fort Worth Film Critics Association Award for Best Actress
Nominated—David di Donatello for Best Foreign Actress (Migliore Attrice Straniera)
|Laura Alden
|Mike Nichols
|Nominated—Saturn Award for Best Actress
|Dangerous Minds
|LouAnne Johnson
|John N. Smith
|Blockbuster Entertainment Award for Favorite Actress – Drama
Nominated—MTV Movie Award for Best Female Performance
Nominated—MTV Movie Award for Most Desirable Female
|Up Close & Personal
|Sally "Tally" Atwater
|Jon Avnet
|To Gillian on Her 37th Birthday
|Gillian Lewis
|Michael Pressman
|One Fine Day
|Melanie Parker
|Michael Hoffman
|Blockbuster Entertainment Award for Favorite Actress – Comedy/Romance
Nominated—Kids' Choice Award for Favorite Movie Actress
Executive producer
|A Thousand Acres
|Rose Cook Lewis
|Jocelyn Moorhouse
|Verona Love Screens Film Festival Award for Best Actress (with Jessica Lange and Jennifer Jason Leigh)
Producer (uncredited)
|The Prince of Egypt
|Brenda Chapman
Steve Hickner
Simon Wells
|The Deep End of the Ocean
|Beth Cappadora
|Ulu Grosbard
|A Midsummer Night's Dream
|Michael Hoffman
|Story of Us, TheThe Story of Us
|Katie Jordan
|Rob Reiner
|What Lies Beneath
|Claire Spencer
|Robert Zemeckis
|Blockbuster Entertainment Award for Favorite Actress – Suspense
Nominated—Saturn Award for Best Actress
|I Am Sam
|Rita Harrison Williams
|Jessie Nelson
|White Oleander
|Ingrid Magnussen
|Peter Kosminsky
|Kansas City Film Critics Circle Award for Best Supporting Actress
San Diego Film Critics Society Award for Best Supporting Actress
Nominated—Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role
Nominated—Washington D.C. Area Film Critics Association Award for Best Supporting Actress
|Sinbad: Legend of the Seven Seas
|Tim Johnson
Patrick Gilmore
|I Could Never Be Your Woman
|Rosie Hanson
|Amy Heckerling
|Velma Von Tussle
|Adam Shankman
|Broadcast Film Critics Association Award for Best Cast
Hollywood Film Festival Award for Ensemble of the Year
Palm Springs International Film Festival Award for Ensemble Cast
Nominated—Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
|Matthew Vaughn
|Nominated—Saturn Award for Best Supporting Actress
|Personal Effects
|David Hollander
|Lea de Lonval
|Stephen Frears
|New Year's Eve
|Ingrid Withers
|Garry Marshall
|Dark Shadows
|Elizabeth Collins Stoddard
|Tim Burton
|People Like Us
|Lillian Harper
|Alex Kurtzman
|The Family
|Maggie Blake
|Luc Besson
|Darren Aronofsky
|Murder on the Orient Express
|Mrs. Caroline Hubbard / Linda Arden
|Kenneth Branagh
|Where Is Kyra?
|Andrew Dosunmu
|Ant-Man and the Wasp
|Janet Van Dyne
|Peyton Reed
|Fantasy Island
|Episode: "The Island of Lost Women/The Flight of Great Yellow Bird"
|Delta House
|The Bombshell
|8 episodes
|Solitary Man, TheThe Solitary Man
|Television film
|Episode: "The Watch Commander"
|B.A.D. Cats
|Samantha "Sunshine" Jensen
|10 episodes
|2 episodes
|Fantasy Island
|Deborah Dare
|Episode: "Elizabeth's Baby/The Artist and the Lady"
|Callie & Son
|Sue Lynn Bordeaux
|Television film
Credited as "Michele Pfeiffer"
|Splendor in the Grass
|Ginny Stamper
|Television film
|The Children Nobody Wanted
|Jennifer Williams
|Television film
|One Too Many
|Television special
|Great Performances
|Natica Jackson
|Episode: "Tales from the Hollywood Hills: Natica Jackson"
|Simpsons, TheThe Simpsons
|Mindy Simmons
Episode: "The Last Temptation of Homer"
|Picket Fences
Episode: "Freezer Burn"
|Muppets Tonight
|Episode: "Michelle Pfeiffer"
|The Wizard of Lies
|Ruth Madoff
|Television film
Nominated—Primetime Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie
Pending—Satellite Award for Best Actress – Miniseries or Television Film
Pending—Critics' Choice Television Award for Best Supporting Actress in a Movie/Miniseries
Nominated—Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film
During her career, Pfeiffer has won numerous awards including the Golden Globe Award for Best Actress - Motion Picture Drama, the BAFTA Award for Best Actress in a Supporting Role, and Best Actress awards from the National Board of Review, the National Society of Film Critics, the New York Film Critics Circle, the Chicago Film Critics Association and the Los Angeles Film Critics Association, as well as Best Supporting Actress awards from the Kansas City Film Critics Circle and the San Diego Film Critics Society.
She has received three Academy Award nominations to date: Best Supporting Actress for Dangerous Liaisons (1988), and Best Actress in The Fabulous Baker Boys (1989) and Love Field (1992).
In 2017, she received her first Emmy Award nomination for her performance in The Wizard of Lies (2017) portraying Ruth Madoff. On December 11, 2017, it was announced that she had received a 2018 Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film nomination for the role.[168]
Production Budget: $70 million
[A]n actress who for so long has been regarded as the one of Hollywood's great beauties ...
Her most acclaimed role, Susie Diamond in The Fabulous Baker Boys, won her several industry awards for best actress and one of her three Oscar nominations.
|Wikiquote has quotations related to: Michelle Pfeiffer
|Wikimedia Commons has media related to Michelle Pfeiffer.


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The picture at the left is of the centennial celebration of Depot Town.

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53 Keystone Street, 816 - White Pine County
Cute 3 bedroom, 1 bath home has custom painted walls and nice lighting fixture upgrades throughout the home. It also allows for an office area and has a large entry.
The data relating to real estate for sale on this web site comes in part from the INTERNET DATA EXCHANGE Program of the Greater Las Vegas Association of REALTORS® MLS. Real estate listings held by brokerage firms other than this site owner are marked with the IDX logo.
The information being provided is for the consumers' personal, non-commercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing.
Copyright 2020 of the Greater Las Vegas Association of REALTORS® MLS. All rights reserved.
GLVAR deems information reliable but not guaranteed.


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I'm pretty sure those who have watched Liar Game knows what the title means.
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Best Debt Management Companies for 2020
Debt management is a safe, effective solution for consumers struggling with credit card debt. Find out which nonprofit credit counseling agencies offer the best options for eliminating debt.
Choose Your Debt AmountStart Today
Credit card debt is quietly – too quietly! – inching its way back into the financial news headlines and if you haven't noticed, well, take a look at your bill!
Credit card debt has increased 33% over the last five years and the average American household has a balance of $8,284. Economists say that is only about $172 – or one outing in a clothing store – from being unsustainable.
So, what's a free-spending consumer supposed to do?
Have you considered a debt management program?
Do you even know how a debt management program works?
Debt management is a way to eliminate "unsecured debt" without taking out a loan or risking collateral like your home or car. And for the record, "unsecured debt" is a code word for credit card debt, which is exactly what debt management programs are designed to handle.
Technically, you could include other unsecured debt like medical bills or student loans, but the real selling point of debt management programs is reducing the rate on "high-interest" loans – i.e. credit cards! – thus lowering the monthly payment.
Credit counseling agencies are the home for debt management programs. It's not unusual for them to help someone reduce the interest rate on their debt from 18%-30% to a manageable number like 8%-9%, or maybe even less. That lowers the monthly payment to an affordable number and, if the consumer sticks with it, eliminates debt in 3-5 years.
So, where you find a good debt management program?
Who Are the Best Debt Management Companies?
Ranking anything – whether it's best college football teams, best restaurants or best debt management programs – is a subjective exercise. What is most appealing to us, may be second or third on your list and vice-versa.
Be aware that almost every company in this industry is a nonprofit agency accredited by national organizations and regulated by states, who impose restrictions on fees. So those aren't really the decisive factors in choosing a company.
Acknowledging that, here are the areas we deemed important in rating credit counseling agencies and their debt management programs.
- Cost. You're already in debt. No need to sink your wallet further in the sand by paying a lot for the monthly fees associated with a debt management program.
- Customer Service. How comfortable are you talking with credit counselors? When you have questions – and you will! – is the person on the other end of the phone friendly? Courteous? Helpful? This is going to be a 3-5 year relationship, so they better be.
- Education. The best companies do more than just help eliminate debt. They educate you on personal finance, how to budget and manage money so you don't end up in this mess again.
- Tracking. If you can see progress, you will be more motivated to achieve your final goal. You need easy access to your account any time you call or go online.
Here are the five debt management programs Debt.org thinks delivers on those four points.
1. InCharge Debt Solutions
What to like: The best thing about InCharge is their credit counselors and website. Counselors are knowledgeable, compassionate and focused on budgeting, which is so important. The website is easy to navigate and full of informative, sometimes entertaining topics. You'll see debt management discussed from all angles. Average monthly cost is $29 and the progress bar is visible any time you view your account.
What to question: They focus almost exclusively on helping with credit card debt. If your problem is with other unsecured debt or so severe that debt settlement or bankruptcy is a better solution, they will say so, but then pass you along to a partner agency.
Summary: InCharge's counselors are a difference maker. They work hard to get clients an affordable monthly payment. They even direct clients in crisis situations to relief agencies for food, utilities and rent. If you're embarrassed talking about finances, this is a good place to start. As one TrustPilot review said: "No judgment, just help."
2. Money Management International (MMI)
What to like: MMI has been at it since 1958 and is the largest company in the industry. The variety of choices available on the homepage of their website make it easy to get right at your problem and find solutions. They offer specialized service on subjects as diverse as home buying, understanding a credit report and bankruptcy. Webinars and online classes are free. Service is available 24-7 and website has an option for Spanish.
What to question: Couldn't find specific information about fees on MMI's website, though elsewhere it was quoted at $25. Also, in 2011, MMI paid $6.5 million to settle a class action lawsuit that claimed they were not honest with customers about their close relationship with financial institutions.
Summary: MMI seems equally focused on helping clients get out of debt, while educating them on the subject so they don't return. That's a huge benefit to clients. So is the 24-7 customer service availability and service in Spanish. If you've got debt-relief problems, this is a good place to find answers.
3. GreenPath Financial Wellness
What to like: Plenty of educational material available online, including free webinars, budget tips and online chats. Counselors have won awards for treatment of clients. Greenpath University section on website is a great resource. The company will debut a financial wellness program in 2019 and provide personalized coaching for clients who enroll. If you prefer in-person counseling, Greenpath has 60 branch offices in 16 states.
What to question: Company's website could do better job defining debt management programs. Some articles featured under GreenPath U. are way past dated. Monthly service fee of $36 is above average and some clients get charged for credit reports.
Summary: GreenPath has a noble goal – "guiding clients toward achieving financial dreams" – but it's still developing the path to get them there. Credit counselors are solid and empathetic, but company could ease up on fees and should spend more time with GreenPath University to make it a better, more up-to-date tool for educating clients.
4. Consolidated Credit Counseling
What to like: The company's website says they typically reduce interest rate on debt to somewhere between 0% and 10%. Customer reviews on several sites are almost all complimentary of service they received. Credit counselor offer advice not just on credit cards, but housing and other personal finance topics. The website lists free seminars by date and time, making it easy to schedule a learning experience.
What to question: The cost -- $69 per month – is a little daunting for someone already in debt. Also, Consolidated Credit is not certified by the National Foundation for Credit Counseling, which is the largest financial counseling agency in the country.
Summary: There is a lot to like about Consolidated Credit, but you're going to pay for liking it. Their monthly charges are at the very high end of the industry. Not sure what you're getting for the extra $30-$35 a month because the website isn't that specific. Still, lots of positive reviews indicates they must be doing something right.
5. Cambridge Credit Counseling
What to like: Counselors average 14 years of employment with Cambridge, which is phenomenal in this industry. Cambridge's website says to expect interest rate reductions on credit card debt from 22% down to 8%, which they say will save you $150 a month. There is an abundance of articles, guidebooks and newsletters available that educate clients on a wide range of topics.
What to question: Customer support is only open Monday-Friday and closes at 8 p.m. four of those days. There is no date on the articles, which means they may or may not be relevant at this time.
Summary: Their educational services are thorough and free. Though debt management is their main focus, they also have departments for housing and student loan issues. Review sites give Cambridge customer service high marks, which is good because they aren't there on weekends or late a night. Still, a great choice for debt management.
What Is a Debt Management Program?
Debt management programs (or DMPs) are one of three popular solutions for financial problems – Debt Consolidation Loans and Debt Settlement are the others – and easily the least understood.
A debt management program consolidates all credit card debt into one monthly payment. It attempts to reduce the interest paid on that debt to around 8%, sometimes lower. The monthly payment is sent to a nonprofit credit counseling agency, which distributes an agreed upon amount to each card company.
The goal of debt management programs is to be the go-between for consumers trying to find a way to eliminate debt and credit card companies who want to get paid what they are owed.
DMP companies, mostly nonprofit credit counseling agencies, work with the credit card companies to come up with a monthly payment plan that the consumer can afford. That usually involves a significant concession on interest rates by the card companies, in return for the promise that the consumer will pay off the debt in a 3-5 year period.
Debt management programs are not a loan. Those come from banks or credit unions.
Debt management programs do not promise to reduce the amount owed. Those are debt settlement programs.
Debt management programs are a problem solver for consumers who need counseling on how to budget and manage your money. They educate consumers on how to cut expenses or raise income so they can gradually eliminate debt.
How to Enroll in a Debt Management Program
The easiest way to enroll in a debt management program is to call a nonprofit credit counseling agency, preferably one certified by the National Foundation for Credit Counseling (NFCC).
You can find a list of nonprofit credit counseling agencies by typing the term debt management program into a search engine, but a word of caution about that: Make sure the response you choose is a nonprofit credit counseling agency and NOT a debt settlement company. The debt settlement companies often encroach on the debt management territory, but they are two completely different businesses.
When you call a nonprofit agency, be prepared to answer questions about your income and expenses from a certified credit counselor. The more detail you have about these two areas, the easier it will be for the counselors to offer a solution to the problem. It might be in your best interest to take a look at your credit report (which you can get free from annualcreditreport.com), before talking to a credit counselor so you have an accurate picture of who you owe and how much you owe.
The interview with the credit counselor should include a discussion on the root cause of your debt and you should be provided resources that will improve your overall financial situation.
If you don't qualify for a debt management program – meaning you don't have enough income to handle your expenses – counselors will direct you toward another solution, which could be debt settlement or bankruptcy.
How to Choose a Debt Management Company
We suggest you start by looking at nonprofit credit counseling agencies that are certified by the National Foundation for Credit Counseling (NFCC).
When the subject involves money, there are no guarantees, but a big part of retaining nonprofit status is demonstrating that you care more about your clients than you do your bottom line.
That is where the NFCC comes in. They are the largest and longest serving nonprofit financial counseling agency in the U.S. They certify counselors at 57 agencies. Each one must complete a comprehensive training program that guarantees the counselor is qualified to educate and assist consumers with financial advice.
When you do research, you're going to find out that most companies in the industry are certified and there isn't a huge difference in the cost for the service, so the best gauge might be customer reviews, preferably those from independent sites like TrustPilot.com. People who take the time to write reviews for those sites generally are more honest and trustworthy about how a company operates.
In the end, what you should be looking for is not just a company that solves your immediate headache, but one that offers advice, guidance and recommendations on how to eliminate debt problems and properly manage money so there is no trouble in the future.
If the agency you're considering can't offer both, move on!
What If Debt Management Isn't the Answer?
This is a really good question because not everyone qualifies for a debt management program. If you go over your budget with a credit counselor and there isn't enough money available to handle expenses, the counselor should advise you that debt management won't work.
It's also possible that the counselor determines that you've just been careless about spending and can eliminate the debt yourself by doing a better job with budgeting. The DIY method (Do It Yourself) won't cost you anything because budget counseling is free at most nonprofit agencies.
However, if you're at the other end of spectrum and your income just can't support your debt, you may be a candidate for a home equity loan, debt settlement or, if things are really down the drain, bankruptcy.
Again, the counselor's job at nonprofit agencies is to arrive at a solution that suits your situation, not to sell you on one method over the other. If you disagree with the solution offered, ask why that is the best choice, or contact another counseling agency and see if they agree.
Need help choosing the best debt relief option for you?Get Help Now
- Pyles, S. (2019, January 25) Money Management International Review. Retrieved from https://www.nerdwallet.com/blog/finance/money-management-international-review/
- NA, ND. Money Management International. Retrieved from https://bestcompany.com/debt-relief/company/money-management-international
- Mirando, S. (2011, January 3) Money Management International Class Action Settlement. Retrieved from https://topclassactions.com/lawsuit-settlements/lawsuit-news/953-money-management-international-class-action-settlement28/
- Welch, S. (2019, January 27) GreenPath's road forward centers on growth. Retrieved from https://www.crainsdetroit.com/nonprofit/greenpaths-road-forward-centers-growth
- NA, ND. GreenPath Debt Solutions. Retrieved from https://bestcompany.com/debt-relief/company/greenpath-debt-solutions
- NA, ND. Consolidated Credit. Retrieved from https://www.consolidatedcredit.org/about-us/
- NA, ND. Consolidated Credit Reviews. Retrieved from https://bestdebtcompanys.com/company/consolidated-credit-review/
- NA, ND. Cambridge Credit Counseling. Retrieved from https://www.cambridge-credit.org/index.html
- NA, ND. Cambridge Credit Counseling. Retrieved from https://bestcompany.com/debt-relief/company/cambridge-credit-counseling


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This is a section for Dodge SRT-4 Tuning, Performance, and Technical Issues ONLY!!!
We have to have some rules to maintain some sort of order around here. Please read through them. By posting in this section we assume that you have read them all. If you break them, you will get one of the following:
1. You might get a comment telling you to change something, or add something to your post. Do it.
2. Your post will be deleted, with or without warning.
3. For repeatedly or blatantly violating the rules, your post will be deleted, and you might be removed from the group. Do it bad enough/too many times, you will be perm-banned.
OK, now the rules. Real simple:
1. It must ONLY be a post about actual Tuning Issues or Technical Questions about either flavor of the Dodge SRT-4. This is NOT a section to post show off pictures, jokes, invites to other groups, rating your car, and NO FS/WTB of ANY KIND, or anything else off topic.
2. Profanity/nudity/NSFW. People read this at work, there are minors here, and other people who find this stuff objectionable. This is a public forum. Use common sense, and try to expand your vocabulary a bit.
3. No thread jacking, no bullying. If we catch you dogging someone or someone's post, you will face the consequences above.
4. If you post a response with some tech, make sure it is accurate. The mods here all have a LOT of experience with these platforms, and know when what is being posted is true or if it is false. We will correct bad tech where we can. There are some vendors on this group, too. They now what they are talking about.
We try really hard to keep things loose around here, but we are here every day. We try to keep people out of the group who cause trouble, or are just trying to sell you anything. These people do get by sometimes, however, and as soon as we see that stuff, we remove the post and that person from the group. If there is something bad going down, tag one of the mods in the thread, and we'll deal with it.
PM'ing us, whining, does not guarantee we will come to your aid.
There may be exceptions to these rules, and we may decide to clamp down harder in other cases. We exercise good common sense. We suggest you do the same. This should be a fun and educational group. We don't get paid for this, so please, use this group appropriately. Thank you!


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NEW 4-Stroke 49CC GAS PETROL MOTORIZED BICYCLE BIKE ENGINE MOTOR KIT Scooter. 49cc 4 stroke pull start petrol conversion kit for adult bicycles, ideal for bikes with 26 inch frames and similar. Long term spares available as required. 4 stroke engines are more stable, more reliable and Quieter than the 2 stroke rivals.
The top speed of between 27 - 32 MPH / or 43 - 51 KPH. The tank holds 2 litres of petrol and everything comes with the kit. 1 x Quality 49cc 4 stroke engine.1 x Gas tank, Plastic gasoline fuel line, fuel value. 1 x Adjustable chain idler. 1 x 44 tooth 9 hole sprocket. 1 x Extra wide crank/sprocket. 1 x Fiber sprocket mounting rings, 9 sprocket bolts, 3 metal retaining segments. 1 x Engine Mounting plate with universal mounting brackets. 1 x Spark Plug Wrench. 1 x Heavy duty #415 chain. 1 x Twist grip throttle with built-in kill switch. 1 x Adjustable throttle cable. Engine Type Air-cooled, 4-Stroke, OHV, single cylinder. Bore x Stroke 41.8 x 36 mm (1.65 x 1.42 in). Displacement 49 cm3 (2.99 cu in). Compression Ratio 8.0 : 1. Net Horse Power Output 1.6kW (2.1HP) at 7,000 rpm. Net Torque 2.7 Nm (2.0 lbs ft) at 4,500 rpm.
PTO Shaft Rotation Counterclockwise (from PTO shaft side). Ignition System Transistorized magneto ignition.
Oil Capacity 0.25l (0.26 US qt, 0.22 Imp qt). Fuel Tank Capacity (liter) 0.77l (0.81 US qt).Dimensions (L x W x H) 225mm(8.9 in) x 274mm (10.8 in) x 353mm (13.9 in). Dry Weight 5.5 kg (12.1 lbs). We list items with the best descriptions possible and with accurate pictures, ALL items are in stock in our warehouse. Our customers satisfaction is the most important thing to us. ALL parts that we list are in stock in our warehouse. You should never have an issue with paying us and never receiving your part as our supplier does not have it. ALL emails will be answered in less than 24 hours. WE WILL TRY OUR BEST TO SOLVE YOUR PROBLEM. THANK YOU FOR YOUR VIEW. The item "4-Stroke 49CC GAS PETROL MOTORIZED BICYCLE BIKE ENGINE MOTOR KIT Scooter" is in sale since Saturday, September 1, 2018. This item is in the category "eBay Motors\Parts & Accessories\Motorcycle Parts\Other Motorcycle Parts". The seller is "carmocarshop" and is located in Rowland Heights, California. This item can be shipped worldwide.


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All recipes need some altering to suit an individuals taste. A recipe is a base. I am a prof. baker who took Helen's recipe and made it mine with a few changes. You must know your oven and if repeatedly burning a recipe does'nt know their oven! All are different. Change the temp. and heat distr., turn the fan on to distr. the heat around, change pans. I found this recipe so simple and convenient and made money selling them at cafes around. You have to know what makes a muffin moist. Always add some fruit or veg. like banana, carrot, zucchini, and an extra egg. This ensures moist muffins, which I found this recipe worked best for. You need to start with a high temp (200 C) and then lower after 7 minutes to 175c. This is imp. for getting a peak in the center and also aids in allowing the center to cook. The lowering heat will ensure it doesn't burn. This is just advice that I aquired from lots of research and trial and error. It takes practice to be a master with baking. As much experience as I have I have also blundered. I've gone back after a few years to a recipe I had no success with and had excellent results because I have more knowledge of kitchen science. Good luck, and thanks Helen for a great recipe.
Quick Bread Mix
56 Ratings


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Hillsborough families brand not guilty verdict a 'disgrace' and accuse judge of 'lack of impartiality'
Bereaved families have branded the trial of Hillsborough match commander David Duckenfield a "disgrace" after he was cleared of the gross negligence manslaughter of 95 Liverpool fans who died at the 1989 FA Cup semi-final.
There were gasps as the seven women and three men on the jury at Preston Crown Court returned its verdict on Thursday, following a trial which lasted more than six weeks.
The Guardian reported that Margaret Aspinall, whose 18-year-old son James died in the disaster, had written to the judge Peter Openshaw to say she was "deeply concerned about what I perceive to be a lack of impartiality in your dealings with the defendant in front of the jury".
Aspinall said after the verdict: "The families know who is guilty.
"Our city knows who is guilty. He can walk around now and get on with his life with a not guilty verdict.
"To me that is a disgrace," she told reporters at the Cunard Building in Liverpool.
Christine Burke, the daughter of Henry Burke who was killed in the tragedy, stood in the public gallery after the verdict was announced and tearfully said to Openshaw: "With all due respect, my lord, 96 people were found unlawfully killed to a criminal standard.
"I would like to know who is responsible for my father's death because someone is."
While Mary Corrigan, mother of 17-year-old victim Keith McGrath, shouted: "Stitched up again", while other family members were in tears.
Inquests in 2016 found the 96 men, women and children who were fatally injured on April 15 1989 were unlawfully killed on the basis that Duckenfield, 75, breached his duty of care and was found grossly negligent.
Under the law at the time, Duckenfield was not charged over the death of the 96th victim Tony Bland, because he died more than a year and a day after the disaster.
Steve Kelly, whose brother Michael, 38, died in the tragedy, told the press conference: "A higher judge will have the last say on this. God bless the 96."
The retired chief superintendent stood trial earlier this year, but the jury was discharged after failing to reach a verdict and a retrial was ordered.
The court heard he ordered the opening of exit gates at the Leppings Lane end of the ground at 2.52pm, eight minutes before kick-off, after the area outside the turnstiles became dangerously overcrowded.
More than 2,000 fans entered through exit gate C once it was opened and many headed for the tunnel ahead of them, which led to the central pens where the crush happened.
Operation Resolve was established to investigate the incident and concludes at the end of the year.
Its commander, Rob Beckley, told The Daily Telegraph: ""With a competent, experienced match-day commander, there would never have been a disaster."
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About Minniux
This is Amany El-Guindy (minniux),
I'm a Linux System Administrator and this is my personal website/blog.
I have started my career in Linux System Administration about 7 years ago, and developed my passion for Linux more than 15 years ago. I do Linux System Administration because I really like doing it, it's my true and only passion.
People often find it strange that I am a female system admin but once they see my work they realize that being a sysadmin has nothing to do with gender but rather with skills and mindset.
Have a look at my cv and/or contact me for any inquiries.


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Unison members at Soas university were on strike on Thursday in defence of victimised union activist José Stalin Bermúdez – and many other workers refused to cross the picket line.
Stalin is an Ecuadorian ex-cleaner and Unison rep. Management at Soas sacked him after he helped low-paid Latin American cleaners to demonstrate against non-payment of wages and for the London Living Wage.
Some 70 percent of Unison members at Soas voted to strike in Stalin's defence and pickets were large and vibrant, with students and lecturers joining the many non-academic staff.
"This is trade-unionism – one for all and all for one", Stalin said to the workers gathered on the picket line.
Despite management threats that lecturers would be in "breach of contract" by striking in solidarity, only a small minority chose to work. Libraries, faculty offices and IT departments were either fully closed or staffed only by managers. Many students on their way to exams stopped to sign petitions in support of Stalin.
The campaign at Soas helped unionise the cleaning service as well as sparking similarly successful living wage campaigns at nearby universities.
Now there is a growing offensive against jobs in higher education. About 100 universities, including Soas, are planning to make job cuts this year, and union activists see the attack on Stalin as an attempt to "soften up" the union in advance, while simultaneously denting the living wage victory.
Soas UCU president Graham Dyer said management "had made up its mind to punish Stalin for leading campaigns to defend the lowest paid."
Some in the trade union movement still push the divisive slogan of 'British jobs for British workers', arguing that migrants undercut general working conditions. But Stalin's case shows the very opposite.
He and the cleaners have shown that migrant workers can both fight and improve their own conditions, and lead the wider union movement. For Nicholl, Stalin is "exactly the sort of union activist we need in the current climate".
The next target of the struggle for his reinstatement will be the university's governing board meeting on 12 June.


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In order to best support our campus, Information and Technology Services will be migrating all student accounts from Google/G Suite to Office 365 on Thursday, January 2, 2020. This change will impact students in their sophomore, junior, and senior years. First Year students will not be affected by this update.
On this date, in preparation for the Spring Term, all Google/G Suite accounts will be suspended and data will be removed. Two important things you should know:
The information below will guide you through recommended steps. Please be aware that these steps, provided by Google, may include references to email. Since ITS is migrating your mail for you, please disregard any email references.
Any students interested in learning more about how to prepare for this upcoming update are invited to attend an open Question and Answer Session, hosted by Information and Technology Services on the following dates:
Thursday, November 14, 2:35pm-3:35pm, Technology Center 118
Friday, November 22, 2:00pm-3:00pm, Technology Center 118
Monday, November 25, 1:00pm-2:00pm, Technology Center 118
Tuesday, December 3, 10:00am-11:00am, Library Digital Classroom
Wednesday, December 11, 11:00am-12:00pm, Technology Center 118
Transferring all Google Drive files to a personal Google account:
Visit this link to initiate transfer of all Google Drive files, excluding files within Google Photos, to a personal Google account. This tool cannot be used to migrate data to accounts on platforms other than Google; information about use of and restrictions to this service can be found here.
Downloading a complete archive of all Google/G Suite data:
Instructions for downloading Google/G Suite data can be found here. Before downloading this data archive, ITS recommends that you delete any files that you do not wish to retain. Downloaded files and data can be uploaded to personally owned Google accounts or accounts on other platforms. Steps for preserving individual files and data:
If you have completed the Transferring all G suite… or Downloading a complete… steps outlined above, your files have been preserved and completion of this step is not necessary. Complete this step only if you wish to retain individual files. This step can only be used to transfer files to a Google account. Instructions for transferring ownership of individual files to personal use Google accounts can be found here.
ITS recommends that you forward any messages that you wish to retain to a separate account. Emails can be forwarded to personally owned email accounts on other platforms. At this time, it is not possible to forward more than one message at a time from Gmail. If you have already utilized the account transfer or archive download option, forwarding individual emails is not necessary for data preservation. Complete this step only if you wish to retain individual emails.
Any online or software-related accounts previously registered with @jay.washjeff.edu email addresses will need to be updated to reflect your updated student email address, @washjeff.edu. This includes websites such as Netflix or YouTube, software applications, smartphone apps, online and library services such as JSTOR, and gaming console accounts.
Smartphone and computer email clients will need to be updated to reflect accurate email account information. Email account entries accessed on apps such as Mail or Outlook will need to be removed or deleted and new account information should be entered after January 2.


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What we think we are here for...
- Who are we meant to BE?
- What are we here FOR?
- HOW do we DO that?
We found the answer to the first question by studying the Baptist Union booklet, "Five Core Values for a Gospel People".
The second question resulted in our mission statement, to help focus our minds on what we are supposed to be about. Everyone was involved in putting this together and it wasn't easy!
The Mission Statement of Wimborne Baptist Church
To love and worship God
To love and serve one another, our local neighbourhood, and the wider world
To live and speak the good news of Jesus Christ, so that others become his disciples
But all this means nothing unless we can do something to make ourselves and this world we live in more like the way God intended it to be in the first place. Some of this site is quite light hearted - but this is the serious bit - what we are really about. It is being worked out in practice, in our Vision Statement revised during 2014.


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GameSpot AU Presents Crosshairs September 18, 2008
The GameSpot AU crew return this week to take a look at the latest World of Warcraft news, James Bond: Quantum of Solace, Lego Batman, and more. Check it out!
Show Info
Airs weekly
GameSpot AU\'s weekly video show where we sound off on all the top gaming news happening in Australia. From game previews to developer interviews and new releases to charts and ratings, Crosshairs has it all covered!


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Vintage turtle pin with transparent tortoise shell colored glass jelly belly and black rhinestone eyes measures 2" long from nose to tail. Well cared for and in very good condition.
$12.99 Shipping $0.00 -Will Ship United States Lower 48 States Only
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Will sell United States Only- Will Ship United States Lower 48 States OnlyNO International sales- NO International Shipping