text:
Associated Press
SACRAMENTO -- Gov. Gray Davis and legislative leaders,struggling to resolve California's electricity crisis, agreedFriday on a plan that includes partial public ownership of two hugeutilities and years of power-buying by the state.
"The state will be in the power business for a long time tocome," Davis told reporters after several hours of closed-doormeetings.
He said details of the plan remained to be worked out but wouldinclude some form of public ownership of the utilities andlong-term purchase of electricity for the utilities.
The governor said he hoped to receive a long-awaited auditdetailing the utilities' finances from the Public UtilitiesCommission late Friday or early today.
Talks at the Capitol came as the keeper of the state's powergrid predicted a Stage 3 alert -- with electricity reserveshovering around just 1.5 percent -- would remain in effect throughthe weekend.
SoCal Edison Co. and PG&E, the state's two biggestutilities, say they have lost $12 billion since June because ofstate rate limits that prevent them from passing on to their 10million customers the full cost of wholesale electricity.
As described by lawmakers, the plan under discussion would havethe state issue revenue bonds to cover the utilities' debts andmake their customers pay the money back over 10 years throughrecently approved rate increases of 9 percent for residentialcustomers and 7 percent to 15 percent for businesses.
In exchange, California would be granted long-term optionsallowing the state to buy low-priced stock in the utilities. If theprice goes up, the state could sell the stock and use the profitsto help pay off the bonds.
The utilities have declined to comment on the proposal.
Lawmakers said they planned to work on the proposal through theweekend.
The California Independent System Operator, meanwhile, bracedfor a weekend of power scrounging, although a repeat of the rollingblackouts that hit Northern California twice last week was notexpected.
Power was cut Friday to 1,200 businesses in Southern Californiathat had agreed to emergency outages in return for lower rates.
A 1,100-megawatt power plant in Northern California shut downfor repairs wasn't expected back online until Monday, ISOspokeswoman Lorie O'Donley said. One megawatt is enough to powerroughly 1,000 homes.
California has been under a near-continuous Stage 3 alert forthe last two weeks, its power grid stressed by high demand,uncertain imports, transmission problems and power plants idled formaintenance.
Bringing the problems to a head is the refusal of suppliers tosell electricity to PG&E and SoCal Edison, whose credit ratingshave been downgraded to junk status.
The issue of the utilities' financial health drew hot debate atan Assembly energy committee hearing Friday afternoon.
PG&E Vice President Tom Bottorff told committee members thatthe company's debt totaled a net $8.2 billion, prompting consumeradvocate Michel Florio to jump to his feet.
"That is a lie," exclaimed Florio, an attorney with The UtilityReform Network and a recent Davis appointee to the ISO board, whocontends that the utility is inflating its losses.
Committee Chairman Rod Wright, D-Los Angeles, angrily chastisedFlorio for speaking out of turn. Florio apologized.
Bottorff defended himself in closing comments before thecommittee.
"I've been called many things in my life. Liar is not one ofthem," Bottorff said.
Earlier Friday, several lawmakers demanded an investigation tolearn how much taxpayer money -- if any -- would be at risk underthe state's electricity-buying plan.
Several Republicans said the Democratic administration hasreleased too little information about the secret bidding processthe state is using to find long-term contracts to buy power forEdison and PG&E customers.
The contracts could put the state into the power-buying businessfor as long as 10 years.
Assemblyman Tony Strickland, the GOP minority whip, saidwithholding information could cloak how much the state pays forelectricity.
"This is equivalent to Gov. Davis saying that he had aseven-course gourmet meal for only $20, but the price didn'tinclude food or drink," Strickland said.
The governor's office declined to release details on thebidding.
"If we give you the range, it alerts the low bidders. Bidderscould easily withdraw their bids. If we reveal the lowest bids, itis no longer secure and that results in higher prices," said Davisspokesman Steve Maviglio.
Meanwhile, the state Public Utilities Commission voted to letutilities continue asking businesses and others in theinterruptible rate program to shut down during times of high demandeven if the utilities -- as in PG&E's case -- have alreadyreached their annual limit of such shutdowns.
However, the PUC also temporarily suspended fines for customerswho refuse to turn off electricity despite their agreements withthe utilities to do so.
PUC Chairwoman Loretta Lynch said such businesses -- who getdiscounted rates in return for agreeing to the shutdowns -- haveborne a disproportionate burden during the state's powercrisis.
Commissioner Carl Wood voted for the suspension, in effect untilfurther notice, but said it made rolling blackouts more likelyuntil the state resolves its power crunch.
California's moves to ease the crisis came amid growing concernsthe state's power woes will spread far beyond its borders.
Arizona Gov. Jane Hull met with Bush administration officials inWashington, telling them California's energy problems are startingto affect Arizona.
While most major Arizona utilities are not being hurt by risingwholesale electricity prices because they have their own powerplants, some smaller providers are because they buy theirelectricity. The San Carlos Irrigation District said Thursday thatits 13,300 customers' bills will rise by 300 percent nextmonth.
Phoenix-based Phelps Dodge Corp., citing higher power costs as afactor, said Friday that it may reduce operations at three coppersites in Arizona and New Mexico where 2,360 people areemployed.
The Arizona warnings came a day after Federal Reserve ChairmanAlan Greenspan told a congressional committee that the Californiacrisis threatens to undermine the country's economic expansion andthe problem must be addressed "rather quickly."


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Accounting for Materials - Cengage Learning- raw materials accounting ,Accounting for Materials , Account for materials and relate materials accounting to the general ledger 4 Account for scrap materials,spoiled goods,and defective work 5 Account for inventories in a just-in-time system T he total inventory cost of a finished product consists of the expenditures made for raw materials, direct labor, .Manufacturing and Nonmanufacturing Costs - simplestudiesThe Raw Materials Inventory T-account includes the following information (also refer to the T-account illustration presented below): Amount of raw materials available at the beginning of an accounting period (ie, beginning balance as a debit because inventory is an asset account)
Indirect Raw Materials are the ones which are used in complementary to the direct raw materials Examples of indirect raw materials include oil, lubricant, light bulbs, screws, nuts, bolts, etc Examples of Raw Material Inventory Let us now look at some of the examples of raw material inventory for Companies in different sectors: Example #1Contact Suppiler
The raw materials inventory formula is simple Take the beginning inventory for the accounting period, add purchases and subtract the raw materials used to make your products This gives you the ending inventory level, which is the beginning inventory for the next accounting periodContact Suppiler
Raw materials and accounting Raw materials are usually recorded on a balance sheet as an inventory asset When recording raw materials, a debit is made to the raw materials inventory account, while a credit is made to the accounts payable account When raw materials are used, the accounting treatment varies according to whether the raw .Contact Suppiler
The first type of inventory transaction you'd make would involve buying raw materials inventory, or the materials you use to make your products You'll have to have a basic understanding of the inventory cycle and double-entry accounting methods to make the proper entriContact Suppiler
Definition: A materials requisition form is a source document that the production department uses to request materials for manufacturing process The production manager usually fills out the materials requisition form and delivers it to the materials or storage department where all of the raw materials ,Contact Suppiler
raw materials inventory definition See direct materials , Q&A In standard costing, how is the purchase price variance reclassified to arrive at actual cost? What are direct materials? What are the disclosures for a , has worked as a university accounting instructor, accountant, and consultant for more than 25 years He is the sole author .Contact Suppiler
Raw materials definition: Raw materials are materials that are in their natural state, before they are processed or, | Meaning, pronunciation, translations and examplesContact Suppiler
11/2/2014· This video discusses the three different types of inventory for manufacturing firms: raw materials, work in process (WIP), and finished goods An example is provided to illustrate the concepts and demonstrate how the ,Author: EdspiraViews: 89K
8/7/2014· Full Crash Course on Udemy for $999! bitly/2DfGBXu Inventory can be classified as three different sub-accounts called raw materials, work in procAuthor: NotepirateViews: 48K
Raw materials are often altered for use in various processes prior to being used in the manufacturing process Raw materials are also referred to as commodities, which are purchased and sold on commodities exchanges throughout the world As stated by Investopedia, raw materials are sold in what is known as the factor marketContact Suppiler
About Bayt Bayt is the leading job site in the Middle East and North Africa, connecting job seekers with employers looking to hire Every day, thousands of new job vacancies are listed on the award-winning platform from the region's top employersContact Suppiler
To the job using the scraps as raw materials, the value may be debited & the job from which these originated may be credited If the ascertainment of the value of the scraps can be done & the job from which they occurred can be identified, then the first of the above treatment is the bestContact Suppiler
29/6/2019· Raw materials of all types are initially recorded into an inventory asset account with a debit to the raw materials inventory account and a credit to the accounts payable account When raw materials are consumed, the accounting treatment varies, depending on their status as direct or indirect materials The accounting is: Direct materialsContact Suppiler
In an inflationary economy, materials are purchased in bulk with the expectation that the price will rise further In case of raw materials like jute, cotton, sugarcane, bulk purchases are made in the season to take advantage of quantity, quality and priceContact Suppiler
Cost of Goods Manufactured, also known to as COGM, is a term used in managerial accounting that refers to a schedule or statement that shows the total production costs for a company during a specific period of time Become a Financial Modeling & Valuation Analyst , we must consider the Raw Materials Inventory T-accountContact Suppiler
The direct raw materials budget adds the raw materials required for production to the anticipated or desired final direct raw material balance By subtracting the amount of direct raw materials on hand at the beginning of the period, the manufacturer determines the total direct raw materials the manufacturer needs to purchaseContact Suppiler
Inventory is primarily goods, raw materials, and other assets that a business holds ultimately for sale Inventory management is the art of making in-demand products available when customers want them while keeping inventory costs low Inventory flow is rightfully called the lifeblood of the businessContact Suppiler
Raw materials are inventories that have not yet been used in the manufacturing process at all An example of this would be the raw (untouched) steel used to make parts of a car, or wood to make a table Raw materials are also called direct materials The Manufacturing Cost ,Contact Suppiler
Raw materials and works in progress (WIP) are distinct categories in financial accounting for business inventory Each applies to a different stage in the production process The first stage in the production process involves gathering raw materials, or basics When labor or other capital equipmentContact Suppiler
The same goes for keeping extra raw materials inventory lying around What you thought was a boon for your business, could in fact, be weighing it down Get on top of your raw material inventory management and watch your business become so much easier to manage Raw materials are the lifeblood of your craft or artisan businessContact Suppiler
Glossary >Accounting >raw materials raw materials plural noun basic materials which have to be treated or processed in some way before they can be used, eg wood, iron ore or crude petroleum Browse by Subjects MORE Brokerages Investor Resources Options Taxes Accounting Related TermsContact Suppiler
Analyzing Raw Materials Inventory Turnover Calculate the average number of days in inventory for raw materials by dividing 365 by the raw materials turnover ratio For example, using a raw materials turnover ratio of 50, the average number of days raw material stayed in inventory during the year was 365 divided by 50, or 73 daysContact Suppiler
Raw materials inventory: Raw material is the basic material that is processed and converted into finished goods The cost incurred to obtain raw materials that have not yet been placed into production is reported as raw materials inventory in the current assets section of the balance sheetContact Suppiler
Introduction to Accounting for Materials Costs This chapter looks at how material costs are accounted for and how inventory can be valued Raw material, work-in-progress, finished goods Raw materials are purchased and then undergo further processing or are incorporated into productsContact Suppiler
Exclusively used for cosmetic packaging for vacuum forming ,
Exclusively used for medical packaging for vacuum forming ,i
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Exclusively used for food grade packaging for vacuum forming
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text:
Does the task of memoir writing puzzle you?
What you highlight in it will affect how readers perceive you—as a job applicant, public speaker, author, entrepreneur, or whatever it is you do.
A professional bio can help you to make the right first impression. Twitter, for instance, has a character limit on user bios.
But you can also re-purpose or customize your bio for in-person events, such as: As an elevator speech on networking events When someone introduces you as a speaker for an event The Challenge Short professional bios are hard to write because of their importance and word-count limitations.
Read the step by step instructions and follow along using the short bio template below. Professional Bio Template A: Name has accomplishment 1 e.
Name is a hobby 1, hobby 2 from city or state you live in. Lorie has worked with reputable real estate agencies, including ReMax, Century 21, and Coldwell Banker, among others. Lorie helps homeowners and new buyers secure a loan that suits their budget and goals.
Please email lorie domain. For Speakers, Freelancers, and Entrepreneurs Name is a your professional title who helps your target audience to the problems or goals of your target audience.
After a successful career helping sub-niche or branch of your target market 1 e. Name is available for your type of work or output and private consultations on.
You can reach Name at phone number or email address. Kate Hendricks is a Freelance Writer and Social Media Manager who helps finance professionals and Fin-tech startups build an audience and get more paying clients online. Before starting a writing business, Kate spent six years as a Bank Teller and Virtual Assistant for financial companies in the U.
After a successful career helping small banks and real estate agencies, Katie now helps them write marketing copy for their products and services. Kate enjoys trying new sports archery, anyone?
You can reach Kate at kate domain. The two templates above serve only as a framework, so feel free to add or delete some sentences as you see fit.The other side of the coin then--you are indicating that you can write a biography that adapts the pattern provided and that tells your instructor a bit about yourself.
Content Look at the sample biographies paragraph by paragraph. Writing a short bio to go along with your submission to a literary journal can be daunting. Here is what editors are looking for. The Balance Careers Writing a Short Bio.
Menu Search Go. Go. Use These Samples Bios. Here Is a Look at the Top Best Small Literary Magazines and Journals. Do you need to write a bio – or several bios – for your nonprofit organization? Do you know how to write a bio?
Many nonprofits feature short bios of important team members in . A biography is simply the story of a life. Biographies can be just a few sentences long, or they can fill an entire book—or two.
Very short biographies tell the basic facts of someone's life and importance.
Another example can be seen on the popular website Reddit, which made an About page for staff. The page includes an avatar of each employee, their username and favorite subreddits, and whatever description they wanted.
The main goals of a bio are to give the reader an accurate sense of who you are and what you do, to establish expertise and credibility, and to qualify your experience and background.


text:
Croatian Association for Reality Therapy
Mediterranean Breeze - The Wind of Change
Amadria Park, Sibenik, Croatia, 24th - 27th June 2020
This 7th European conference is being hosted by The Croatian Association for Reality Therapy on behalf of the European Association for Reality Therapy (E.A.R.T.)
European conferences are held every four years, each time organized by one of the members of The European Association for Reality Therapy. The 1st conference, took place in Portorož, Slovenia, in 1997.
Click to enlarge
2020 Organising Committee
Conference Committee:
|Dubravka Stijacic
|Ana Ivancan
|Marija Sitar
|Janet F. Morgan
|Boba Lojk
|Mirjana Zecirevic
|Branka Andjukic
|Shruti Tekwani
|Iva Mikulic
|Jelena Bicanic
|Danko Butorac
|Program Committee:
|Marija Posavec
|Cvita Vasilj
|Boba Lojk
|Dubravka Stijacic
|Nikolina Essert


text:
Me Time
Bestie Time
"petit doux" represents "a petite package of happiness"
Cherishing the simple bliss around you
is far more important than yearning for unreachable dreams.
Through a variety of creative cuisine
touch the heart from the taste buds.
Friends lounge together on the couch and chats freely with each another.
About WAPA Pancake
WAPA is from Spanish GUAPA, pronounced as [WAPA], meaning beautiful.
With the unique three-layer structure, WAPA is filled with mascarpone cheese, mocha,
and other fillings to the rich flavor.
Carefully Puremilk's Home Love Milk as an ingredient for its rich but not greasy taste.
petit doux Christmas Menu (for 2 people)
6 Courses
Salad, soup, starter, main course, meat, drink
Oder to get Palm Sugar WAPA 50% off
-Please make a reservation 2 days before you come-
petit doux Christmas Menu (for 4 people)
8 Courses
Salad, soup, main course, meat, pizza, drink, and dessert
-Please make a reservation 2 days before you come-
Special Summer Offer
Palm Sugar WAPA
Mango + Kiwifruit / Traceable eggs / French cultured butter /
Mascarpone cheese filling / French T45 flour / Natural palm sugar


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Fresh Cotton Scented Candle
A blend of floral white and powdery scents with a hint of musk, the fresh scents make you feel bright and perky.
Top Note : Fresh Delicalte, powdery , bergamot, cotton flower
Middle Note : Cotton, Soft Floral white Peony, Lily of the valley, white rose
Bottom Note : Powdery , sweet White musk
Features: Made with premium grade petroleum, paraffin, soy, and vegetable-based wax. Contains lead-free wicks.
Material - German UV resistant colours
Burn time - 18 Hrs
Weight - Net Weight - 85 gms
Gross Weight - 232 gms
Note: Do not to light it anywhere near combustible items.
Free Shipping all over India
This item is shipped within 3 working days.
Standard shipping time from fulfilment.
South - 2 to 3 days
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Note: In some cases, it may take longer, up to 12 working days, to deliver the order depending upon the order size and your location.
Cash On Delivery available for this item.
For queries call us or whatsapp us @ +919087723533
Note - We accept COD for order value less than 10000 INR.


text:
Allows an application to initiate a phone call without going through the Dialer user interface for the user to confirm the call. Jul 14, Allows access to the list of accounts in the Accounts Service. Play O2jam U game free! Revised lag status Among update requests by users, improving lag status was No. Play with the chips of our upgraded O2Jam U and catch the thrill of it.
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Allows access to the vibrator.
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Download it right o2jam u apk Downloading is very simple: Jul 14, Compatibility Requires iOS 6. Be a top player by acquiring badges as you get them when you level up. Though my wrist are screaming at me already for playing so many times I am finding this quite enjoyable.
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O2jam U for Android is very popular and thousands of gamers around the world would be glad to get it without any payments. Inserted optional silent mode 4. Fixed music speed bug O2Jam U adopts absolute speed system for music play. Added new CHIP system! All guest members using uu, please join our registered membership.
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Groundworks and Demolition company Hansford Construction is to benefit from Schmitz Cargobull's impressive 8.2m light steel half-pipe tipper trailer, which offers greater safety and efficiency when operating in busy quarry environments.
It joins a mixed fleet of trucks, excavators and mini diggers at the West Dorset-based firm and will be used to transport aggregates from quarries in Devon, Dorset and Somerset as well as waste material from sites in the same areas. This is the first order the business has placed with Schmitz Cargobull.
James Hansford, Contracts Manager at Hansford Construction, says:
"When it came to expanding our fleet, after looking at our trailers, Schmitz Cargobull was the only brand we considered. The total cost of ownership represents real value for money and the product quality is outstanding so we know we will be able to keep it running for a long time."
He adds: "I travel to mainland Europe regularly and see Schmitz Cargobull trailers everywhere – everyone seems to recognise their robustness and build quality."
Manufactured in Gotha, Germany, the tipper has been built using highest quality steel. It features a 5mm trough floor and a steel top hinged tail gate, plus Schmitz Cargobull's own ROTOS axles and running gear, which offers maintenance-free bearings and a disc brake ventilation system. Other benefits include an electronic braking system for increased safety and a PVC roller curtain.
Hansford Construction works on projects across the South West of England for many private clients and house builders along with clients including The Landmark Trust West, The National Trust and West Dorset District Council.
Source: Uk Haulier
Hansford Construction picks Schmitz Cargobull's tipper trailer to increase firm's profitability


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Rollalong Reveals Modular Designs for Housing
24th September 2019
Rollalong has unveiled a range of new homes for affordable housing provider Magna Housing during an open day on Thursday 29th August.
As well as a tour of The Bramble, a three-bed house, guests at the open day had a tour of the manufacturing facility to gain a more detailed understanding of how modular houses are constructed.
Paul Read, Head of Development and Sales at Magna, said: "We have a five–year development strategy to deliver a programme of affordable homes. We are delighted to be working with Rollalong to expand our capacity by building affordable homes."
The collaboration between the two south west–based organisations aims to tackle the current challenges of housing affordability and quality, by bringing together five decades of manufacturing knowhow and extensive knowledge of what people want from their homes.
Rollalong's Managing Director Steve Chivers said: "The open day gave us a chance to showcase what we're planning to deliver for Magna to the wider housing community.
"We are proud to have been awarded the contract to design and build these modular homes that will provide a range of high-quality, affordable housing for everyone. I've been overwhelmed by the positive comments about the build, particularly with regards to the finish we have achieved.
"This has also been a great opportunity to demystify modular housing for some and champion the benefits that this style of housing can provide in the face of a nationwide housing crisis."
By manufacturing the homes within a factory setting, Rollalong can control or guarantee the following aspects:
- Consistent quality
- Higher fire safety standards
- Moisture prevention during the building process
- Quicker build time
- Lower carbon emissions in the build process
- Reduced waste on site
Constructing a building in a factory setting is more sustainable than traditional building methods as it reduces material waste and requires minimal vehicles to transport the finished product to the site.
Paul added: "Whether you are a landlord like Magna or someone looking to buy a new home, there is always a doubt about how well your new home will be built.
"The demonstration by the Rollalong team shows that achieving high–quality homes again and again is in our grasp.
"The next step for Rollalong and Magna is further reducing carbon emissions from the way we build and live in homes."
During the open day Magna Housing also launched its new website, which explains the shared ownership option in more detail and showcases the range of properties it will have available thanks to Rollalong.
We began manufacturing the first phase of 52 homes in August. Our in-house design team have developed four housing designs for the initial call-off order of 25 homes, which are expected to be completed by the end of September, ready for onsite installation.
Selina White, Chief Executive at Magna Housing, said: "Magna is committed to creating great homes together with our partners and this is exactly why we have chosen to work with Rollalong, the largest permanent offsite construction company in the south of England.
"Throughout our tender process they demonstrated a clear understanding of our vision and commitment to providing quality homes to be proud of, where people choose to live."
To watch the video of the open day visit: https://youtu.be/kIWBA3yAv0s


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This post medieval maltings was first built in 1870 but was rebuilt in 1894. It has a long yellow brick three storeyed facade divided into bays by pilasters and the structure is supported on an iron frame. There is a sack hoist on ornamental iron brackets and the kilns survive at the rear and the furnaces in the basement. It survives in very good condition and is a good example of a medium sized maltings.
June 1978. Visit.Maltings.Yellow brick, long three storeyed facade divided into bays by pilasters. Sack hoist on ornamental iron brackets. Kilns at rear. Good condition.E. Rose (NAU), 27 June 1978.Bears plaque beneath sack hoist saying 'Rebuilt 1894'. The bricks are flettons with better quality bricks used for the pilasters.E. Rose (NLA), 19 April 1995.The building was upgraded to II* in 2000. It is stated that the pre 1894 building was of 1870 and it comprises 'a very complete and rare survival of a medium sized maltings'. Retains cone with ambulatory with kilns on upper floor; in semibasement of shaft are four automatic Suxe furnaces. Belt driven malt screen. Iron framed construction.See (S1).E. Rose (NLA), 3 October 2000.NIAS records:There was a well in No 8 malthouse. It was well maintained with the latest pumping equipment always installed. Repaired in the 1950s as brickwork had fallen out of the shaft wall causing the water to become chalky. At the same time a concrete hump was placed over the grating to prevent lorries from damaging it.See (S2)W. Arnold (HES), 14 Febuary 2011
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© 2007 - 2020 Norfolk Historic Environment Service


text:
Course Materials
Washington University in St. Louis
Fall 2018
Introduction to Logic
Access to syllabus, handouts, practice exams and solutions, and course website.
Problems in Philosophy
Access to syllabus, note summaries, and course website.
General Resources
Resources for reading and writing philosophy, and other materials.
Instructor of Record
Introduction to Logic (Fall 2018)
Problems in Philosophy (Fall 2018)
Bioethics (Summer 2017)
Introduction to Philosophy (Spring 2017)
Critical Thinking (Summer 2016)
20th-Century Western Philosophy (Spring 2016)
Introduction to Mathematical Logic (Fall 2015)
Introduction to Mathematical Logic (Summer 2015)
Introduction to Philosophy: Main Problems (Summer 2014)
Teaching Assistant
Introduction to Mathematical Logic (Spring 2015, Spring 2014)
Philosophy of Science (Fall 2014)
Making Sense of Ourselves (Fall 2013)


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Getting Fit: Addressing behind-the-scenes needs for fit optimization
Course info
A series of comprehensive workshops providing practical hands-on skills for anyone working with apparel product.
A typical Alvanon workshop will:
• Provide Alvanon insight into the best practices on tactical topics.
• Give participants an opportunity to share their specific challenges.
• Allow time to network with peers in a neutral peer-to-peer setting.
New York Workshop Agenda
WEDNESDAY, February 5th
Speed to Market: Skills in the Fitting Room
1. Preparing for the Fit Session
2. Fitting for Functionality
3. Achieving Consistent Results
4. Creating Environment for Open Feedback
THURSDAY, February 6th
Working Digital: What Does this Mean for You?
1. 3D vs Digital – What's the Difference?
2. How the Digital Revolution Affects the Fashion Industry
3. 3D Now and Future – Tips for 3D Success
4. E-Commerce Optimization – Improving How We Communicate w/ Customers
Apparel Testing: Which Test and Why?
1.Definition and Differences
2. Defining Objectives
3. Choosing Wearers
4. How to Conduct Tests
5. How to gather actionable results
6. Flowing results into production
About the Consultants
Don Howard, Executive Director
Don Howard has over 30 years' experience in apparel retail, design and manufacturing . He joined Alvanon in 2010 and was named Executive Director in 2013. He established Alvanon's renowned professional Development Series training program and is a recognized expert in pre-production process assessment, technical design and product development with a particular emphasis on implementing sizing and fit standards.
Emily Robertson-Hood, Senior Consultant
For 20+ years Emily has led teams of Engineers, QA, Patternmakers, Graders, and Technical Developers in the fit, construction and global manufacturing of apparel products ranging from denim to down. She has led teams at Levi Strauss & Co., Lands' End and Eddie Bauer. She developed her own line of apparel and sold it from her retail location, so understands the problems facing both a global business as well as the small independents.
About the Organiser
Alvanon is a global innovations company shaping the future of fit. When Alvanon was founded in 2001, it was focused on solving the sizing and fit challenges inherent in the apparel industry. It has since evolved into a global company, shaping the future of fit through modern technology and an innovative data-driven approach.
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Following the resolution of a long-running dispute over the
sale of Village Square, the scheme has now sold
for $17.025 million dollars.
Village Square, located on the Gold Coast, was established in 1999 as Australia's first arts and crafts theme park. Unfortunately, there was a lack of attendance at the theme park and the development failed. The Village Square site has 57 owners and contains 3760 individual lots.
One of the lot owners who owned the majority of the lots, applied to court seeking to terminate the CTS after several years in limbo.
Due to the failed development, many owners were unable to
meet the ongoing holding costs of their lots. This resulted in $4.3 million
dollars in unpaid rates being owed to the Gold Coast City Council.
The $17.025 sale was $3.5 million above the valuation. This allowed owners to obtain a significant return from the sale of the scheme as well as pay the outstanding council rates.
The sale of the scheme will create local construction work on the Gold Coast as well as ongoing benefits for the community. It is understood that the buyer is going to turn the scheme into retirement village apartments. This will create jobs on the Gold Coast pre and post development.
Scheme Termination
In Australia, we are lucky that we have the resources to re-develop buildings that have reached the end of their economic life. Bodies Corporate can decide to terminate a scheme and sell to a developer when these situations occur.
Queensland is predicting a large spike in strata titled schemes reaching the end of their economic life in the next 10-20 years. This will create a new wave of opportunity for developers. Developers will be presented with many opportunities to enhance existing landscapes and improve local infrastructure through the redevelopment of old schemes across the eastern seaboard.
If you're a Developer on the eastern seaboard, click here to contact SSKB Developer Consultancy today.


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WILLOWS — With the end recently of a dual-county, interagency narcotics task force, Tehama and Glenn law enforcement agencies will now fight the counties' drug problems as separate entities.
Glenn Interagency Narcotics Task Force, or GINTF, will become a stand-alone unit replacing the Tehama and Glenn Methamphetamine Enforcement Team.
Glenn County Sheriff Larry Jones said the change has meant a total reorganization of the current narcotics unit in his office, but it won't change the emphasis.
"We have a commitment here to put together a viable narcotics enforcement team and aggressively attack the county's overwhelming narcotics problem," he said.
The new team, which will operate under a grant of $112,000, will be commanded by a state Bureau of Narcotics Enforcement supervisor.
Jones said he expects to start the team with the state official, two sheriff's deputies already assigned to the previous task force, a CHP officer, a Willows Police officer and a staff clerk. He said Orland Police Chief Bob Pasero has committed to providing an officer as soon as possible. It will also include the District Attorney's Office.
During the transition from being one entity, the two counties are currently deciding how to split equipment. Money seized in asset forfeiture will be split equally between the two counties, said Jones at his Willows office recently.
The sheriff said he views the change as a positive situation for Glenn County.
Although the work will be confined to Glenn, it doesn't mean Tehama and Glenn will stop interacting. The counties will still share intelligence between narcotics agents, Jones said. And the new GINTF commander, when chosen, will be able to communicate with the other task-force leaders to obtain information about individuals who move from county to county.
GINTF will also work closely with the gang enforcement team.
But the unit won't only be about investigation and enforcement. A program to educate children, called Drug Endangered Children, or DEC, is a requirement of the grant.
Jones said the counties have worked hard to make the transition as smooth as possible. He also said he plans to apply for more grants, though that's not the most important priority.
"The focus isn't on money; it's on the need to combat our meth problem here," Jones said. "I call it 'meth madness,' and I don't think we're winning the war. We need the enforcement arm, to let people know we're not going to tolerate use of narcotics in our area."


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Catherine's Plus Size is closing its Highland Grove Shopping Center store in Highland, along with the neighboring Tuesday Morning discount store. The company, which says it annually reviews each store.
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The Swan Street Diner is set to open in Larkinville. The proximity to the Erie Canal and Route 31 provided a steady pool of customers throughout the 1940's and 50's. The Diner has had just three.
Both are fairly discrete in appearance as they are set well back from the primary façade and. The Cheektowaga plant expanded throughout the late 1930s and early 1940s and the Spencer Lens Company.
The dee-vine reclaimed wood floors continue in to the window-lined dining room where an oak picnic-type trestle table and benches came from a nearby. also includes a free-standing soaking tub set.
The hotel was later rebuilt (1890) as the Iroquois Hotel. That hotel was demolished in 1940 to be replaced with the Bond Clothing Co. Building (see Chuck LaChiusa's site for complete history). At.
There are plenty of unique places to dine in the Region. The Times' Eloise Valadez has visited a few. See what she has to say here.
They set up shop in a cathedral-scale industrial building that happened to have a great top floor with stunning skyline views. As of last summer, the Herons have turned that perch into the.
It was modern and welcoming with crispy white bed linen, a stylish, statement head board and a coffee table with a chair and chaise longue. bath salts and pillow mist. But the room's star.
Placing the captain's license back down on the table, I glance out the window to where the. Kid, he says, entering the kitchen and sitting down on a ladder-back kitchen chair. Kid, he repeats, I.
That's when I asked for a show of hands in the room of those present who had ever been a teenage boy. After I was the only one that raised my hand, I went on to explain some of the devious (and quite.
BORING Hip Hip Hooray Benefit Horse Show: A benefit for Desi Holt, who needs help with medical expenses for a double hip operation, will be held from 8 a.m.-8 p.m. Sat, Feb. 25, at the Mt. Hood.
I was really disturbed at the comment made by Bill Lang who said that Plainville was a terrible place to grow up. How wrong he is. Ask any of the Guestbook readers who came from Plainville and I.
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YOUR MAMAS NOTES: Last spring, right wing radio talk show blowhard Rush Limbaugh made. and a double wide living room with a fireplace and windows on three sides that give stunning views of Central.
Vertical Filing Cabinet Clear Metal 3 Number Of Drawers Hirsh Black The typewriter was first sold commercially in 1867; the vertical file cabinet dates to the eighteen-eighties. The Modern Efficiency Desk, a metal slab topping file drawers, a set on each side, was. Of course you could get a $20 toaster every 3 years and spend over $. a really heavy cabinet table saw is an
ranking member on the Budget Committee, about the Ryan budget's "lopsided set of priorities. The conversation will be marked by familiar code words and formulas. It will do nothing to heal the.
Before my father gives everyone a lecture, let's remember that the pool was the Twin Village pool because both communities of Dodgeville and Hebronville worked together, raised money and as a.
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Times business reporter Joseph S. Pete provides the details on what's coming and going in the Region retail and restaurant world. Contact Joseph S. Pete by emailing him at [email protected] or by.


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KANSAS CITY, Mo. — A Kansas City man is now facing charges after he allegedly assaulted his girlfriend and fled from police with his son in the vehicle, court documents say.
Damien G. Patterson, 25, has been charged with two counts of domestic assault, one count of child endangerment, one count of resisting arrest and one count of armed criminal action in Jackson County.
According to court records, Kansas City police were called Sunday morning to a home on Askew Avenue for a reported disturbance. When officers arrived, a woman said the father of her child, later identified as Patterson, had allegedly assaulted her and cut her with a knife.
Shortly after, police saw Patterson drive away from the home, court documents say. Officers tried to pull Patterson over but lost sight of the vehicle.
A witness later called police to report a crash on Spruce Avenue. When officers arrived, they learned Patterson allegedly crashed into two other parked vehicles, causing him to wreck his vehicle into a home's front yard.
Police said Patterson allegedly ran from the scene with his son in his hands. They caught Patterson and took him into custody. Police found three guns, one of which was a rifle with a scratched-off serial number, inside Patterson's vehicle.
Court documents say the woman, who told police she had been in a relationship with Patterson for one year, had a stab wound to her left wrist and several bruises on her body. The couple's son had minor scratches on his right hand and leg, according to court records. Both were taken to a nearby hospital for treatment.
The woman told police she and Patterson, who was found guilty of domestic assault in 2014, had gotten into an argument. She said Patterson threw a soap bottle, hitting her in the head, before he allegedly threw her to the ground and began kicking and punching her, court documents say.
She said Patterson got a butcher knife from the kitchen, put it to her throat and said he wanted her dead, according to court records. When the woman tried to push the knife away, she accidentally cut her wrist.
The woman told police Patterson continued to beat her then went to the bathroom to clean up. When he was gone, she ran from the home and called 911. Court documents say the couple's son was asleep in his room during the fight.
Patterson is in custody of Kansas City Police. His bond is set at $50,000.


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While corporate brands use modern channels to reach individuals in authentic, powerful ways, organizations in the public sector face hurdles such as fewer resources and heightened governance restrictions.
Join Sprinklr for lunch and a discussion of how government agencies, higher ed institutions, and other public sector organizations can overcome these challenges to create personalized experiences that support their valuable missions.
- 11:00am – 11:15am Registration
- 11:15am – 12:00pm Lunch & Networking
- 12:15pm – 12:30pm Welcome & Introductions
- 12:30pm – 1:00pm Vivek Kundra, Sprinklr's COO (and first Federal CIO)
- 12:15pm – 12:45pm Deloitte Presentation
- 12:45pm – 1:15pm Jason Townsend, Deputy Social Media Manager @ NASA
- 1:15pm – 1:45pm Public Sector Best Practices with Sprinklr
These experts will discuss how public sector organizations can excel in the digital world and explore how a unified approach to modern channels can enable an org to reach its audience at the right place, at the right time, with the right information.
Date: Thursday, June 20
The Occidental
1475 Pennsylvania Ave NW
Washington, DC, 20004 (map it)
Dress Code: Business Casual
Hosted by:
Vivek Kundra, COO | Sprinklr
Vivek previously served as EVP at Salesforce, where he led growth and go-to-market strategies for key global verticals such as Financial Services, Healthcare, Retail, Auto, Communications, and the Public Sector, by creating an ecosystem of partners and launching new apps to solve industry-specific challenges. He also launched a new Government Cloud, opening up new markets and accelerating growth in the U.S., EMEA, and APAC.
Before that, Vivek served as the first CIO for the U.S. government Federal Government under President Obama. In that capacity, he was responsible for managing $80 billion in annual technology spending, saved $3 billion in taxpayer dollars while moving the government to the cloud, and strengthened the cybersecurity posture of the nation while making it more open, transparent, and participatory.
He also served as a joint fellow at Harvard's Berkman Center for Internet and Society and the Shorenstein Center on the Press, Politics and Public Policy, and was named a Young Global Leader by the World Economic Forum.
Vivek holds a M.S. in management information systems from the University of Maryland and is a graduate of the University of Virginia's Sorensen Institute of Political Leadership.
Jason Townsend, Deputy Social Media
Manager | NASA
Jason is an industry leader in digital communications with over 14 years of experience in strategic and innovative use of social media messaging and website content. During his career, he's directed the efforts of and regularly executes some of the largest Twitter, Facebook, Instagram and Snapchat accounts across the platforms, working on projects that have earned two Shorty Awards for best use of social media, two Webby Awards for best corporate use of social media and two Webby Awards for best websites.
During his time at NASA, Jason has focused on covering the agency's people, missions and programs across a digital landscape of over 500 social media accounts on 18 platforms. Working with an in-house social media team, he has been at the forefront of communicating NASA's story to a community of followers grown from 12 million in 2012 to 180 million strong in 2019. Jason is regularly called on as an expert in the use of social media, advising agency leadership on social media best practices, policy, and upcoming social media activities. He also regularly speaks to external audiences at universities and conferences about case studies and lessons learned from some of NASA's largest social media campaigns.
RJ Krawiec, Strategy Principal | Deloitte
RJ leads Deloitte's Global Public Sector Advertising Marketing and Commerce Practice. He advises clients on how to better meet their mission through the development and implementation of digital strategy, compelling creative, brand, campaign, mobile, web, content, social, customer data and analytics solutions. He helps clients develop digital strategies, design compelling user experiences, and implement digital marketing, eCommerce, CRM, Service, enterprise portal, mobile, and social media solutions that generate efficiencies, reduce cost, reduce risk, or engage users.


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MysticArt Pictures is uniquely positioned in the industry as one of the most innovative and well-established full-service production companies of its kind. With constant access to fresh subcultures, celebrities, experts, and new personalities, our diversified slate of projects all have one thing in common: they are packaged with stellar talent.
In television, MysticArt's roster of unique new docu-series and formats explore what's possible for those seizing on the chance to follow their dreams, goals, and new ways of living life. The MysticArt development team places an emphasis on the talent that drives the series; we utilize our state-of-the-art global database while working hand in hand with our talent team to determine what's next in the unscripted and factual space. For our productions, our minds have never been on the latest trend in entertainment. Our focus is on forging new ground in the constantly changing entertainment landscape.
Katy Wallin and Stephanie Bloch Chambers, who have collaborated to produce several network series, are partnered with Lionsgate to create original non-fiction programming for TV and digital platforms through their Wallin Chambers Entertainment banner. Within the last year, they have developed and packaged an extraordinary slate of talent-driven projects, and have set up deals at various networks including E!, Bravo, OWN, Lifetime and HBOMax. They are currently in production on a new series for AwesomenessTV, and recently announced their new series De Viaje Con Los Derbez (The Derbez Family Vacation) for Amazon Prime Video/Pantaya starring global celebrity Eugenio Derbez (Overboard) and his phenomenal family.
President/CEO Katy Wallin's fierce commitment to creating visionary and innovative projects has led her to team up with some of the most recognized talent in the world and combine their creativity to bring innovative film projects to life. Katy founded a film production banner focused on inspirational, aspirational storytelling, under which many of her projects have received critical acclaim.
With the launch of WonderWorks Entertainment we are forming unique collaborative alliances with major brands focusing on organic ways to integrate products and services into advertising-friendly shows and projects. Our 25-year history working with top-tier celebrities allows us to unite talent with brands and develop new ways to tell an engaging story while reaching audiences worldwide. We are working hand in hand with corporations and Fortune 500 companies to align their interests with our creative process.Contact


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Age: For all the family!
Time: 3:30–6pm Wed (monthly)
Contact: Georgi Warren (07305682324)
Church but not as you know it! Messy Church is church with fun activities for everyone to get involved, a special storytime, songs and a yummy dinner. The cost is free, but children must be accompanied by a responsible adult. Our first ever Messy Church is on Wednesday 6th November – come along and join us.


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Andres Kuusk,
Karsten Staehr (Uku Varblane
Additional contact information Andres Kuusk: University of Tartu
Uku Varblane: University of Tartu
Economic Change and Restructuring, 2017, vol. 50, issue 1, 21-43
Abstract This paper assesses the extent of structural or sectoral change and its importance for aggregate productivity growth during times of boom, bust and recovery. The analysis covers 10 EU countries from Central and Eastern Europe over the years 2001–2012. The reallocation of labour across sectors was substantial during the boom, very extensive in 2009 at the depth of the crisis and modest in the subsequent recovery period. The contribution of sectoral change to aggregate productivity growth is computed using various decomposition methods. Changes in labour productivity within sectors play the dominant role for aggregate productivity growth, while reallocation of labour between sectors is less important. This pattern is found through most of the sample period despite large differences in the extent of sectoral change during the boom, crisis and recovery.
Keywords: Labour productivity; Structural change; Reallocation; Productivity decomposition (search for similar items in EconPapers)
JEL-codes: L16 E32 P23 (search for similar items in EconPapers)
Date: 2017
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Chapter 2: The trombones in the early nineteenth century orchestra, particularly in Leipzig. Friedrich August Belcke, Virtuoso Trombonist.
Emerging Orchestras
On a freezing Thursday evening, December 22nd, 1808 Ludwig van Beethoven presented a concert of his works at Vienna's Theater an der Wien, one of the finest theaters of the age. The significance of this concert is well documented, as are the circumstances surrounding the (reportedly barely adequate) performances. This concert included the premieres of the Fifth and Sixth Symphonies, as well as the first public performance of the Fourth Piano Concerto, two movements from the Mass in C op. 86, the aria "Ah perfido", and as grand finale the hastily penned Choral Fantasy op.80. As mentioned in the previous chapter, this concert was of great significance in the history of the trombone in orchestral music, since the two symphonies are indeed the first works (by a composer of stature at least) to include trombones in a symphonic context. Of particular noteworthiness is the scoring for trombones in both these pieces. In the Sixth Beethoven writes for two trombones only, in the Viennese manner (alto and tenor), whereas the Fifth includes the bass trombone to complete the familiar and traditional Mozartean section of three distinct voices. The orchestra that Beethoven assembled for this concert consisted of a mixture of professional and amateur musicians. Beethoven had hoped to have access to the orchestra of the Theatre an der Wien but many of the musicians were otherwise engaged in a performance of Haydn's Oratorio Il Ritorno di Tobia at the Burgtheater, not even two kilometers away. Even though both theatres had employed musicians on a permanent basis, and certainly employed full time trumpet and horn players, trombonists appear generally to have been hired as needed, at least up to the time of Beethoven's 1808 concert. The Burgtheater actually employed (from around 1801) a full time trombonist, a certain Joseph Glöggl, who had been a viola player at the Theater an der Wieden (where Emmanuel Schikaneder first produced Mozart's Magic Flute, another significant work in the trombone's history). The Theater an der Wien (completed in 1801), also employed at least two trombonists who very probably performed at the December concert, Franz Hörbeder and Philipp Schmidt[1]. The former bass trombonist Adelmann had passed away in 1803, and it is not known who performed on the bass trombone in the Fifth Symphony's premiere[2]. In any case since the Theater an der Wien trombonists were not required to perform in the Haydn's oratorio at the Burgtheater, we may safely assume that Hörbeder and Schmidt were to be the first performers of the trombone parts of the Pastoral Symphony, and therefore by default the first symphonic trombonists of significance.
Despite the reputedly inadequate performances on the night itself, there is no doubt that the concert itself caused a quite a stir in Viennese musical life. Beethoven was already an established and somewhat controversial figure in Vienna, and his music was already being performed regularly outside of Vienna. Leipzig's Gewandhaus concerts for instance had already witnessed performances of Beethoven's first three symphonies on several occasions; the First symphony having been performed there as early as 1801, the Second in 1804, and the Eroica already in 1807[3]. And indeed it took only a few months for both the Fifth and Sixth Symphonies to be performed at the Gewandhaus, in January and March of 1809 respectively[4], although both had to wait several years for the second performance there. Other well known works that included trombones performed at the Gewandhaus in the first decade of the century included Mozart's Requiem (performed at least eight times between 1796 and 1810), Haydn's Creation three times (as well as excerpts and arias sung as separate items in various concerts, as was the custom of the day), the same composer's The Seasons (in 1802, and 1807)[5]. The Gewandhaus concert series was inaugurated in 1781, and by the turn of the century the orchestra consisted of a core of around 33 players[6]. The orchestra did not employ a permanent trombone section until the 1840's and would have used musicians from the Thomaskirche (by default Stadtpfeifer). In fact it appears that many early performance of Mozart's Requiem were performed without trombones, with the Tuba Mirum solo allotted to a bassoon. David Guion quotes an Allegmeine Musikalsiche Zeitung review of the 1805 Leipzig performance of the Requiem which notes…
"Earlier, one could not risk using these instruments, because Mozart wrote such difficult parts (sometimes unreasonably so), and we had no trombonists who could perform them reliably. But now a trombone section that can already be called excellent had been amongst the young men who study instrumental music according to the improved arrangement of the town musicians, and showed themselves to advantage in this and other concert and theatrical productions.[7]"
It is safe to assume that from this point onwards an acceptable standard of trombone players was available to the Gewandhaus Orchestra, and it is worth noting that it was to be only ten years hence that the first known symphonic concert performance featuring a trombone soloist would take place at the Gewandhaus. We shall come to this important event in due course.
That the repute of Beethoven's Fifth and Sixth Symphonies spread rapidly throughout Europe seems not to have been a significant catalyst for other composers to look to use the trombones in a concert music setting, however. Beethoven himself was to use trombones in only a handful of works in the symphonic setting, two of the Leonore Overtures (predating the Fifth and Sixth); the Overture Die Weihe des Hauses of 1822; in the Ninth Symphony of 1824: and in his Missa Solemnis composed between 1819 and 1823, of which three movements were premiered on the same evening as the first performance of the Ninth. In fact the there are only a small handful of works in the concert repertoire from the second decade of the nineteenth century where trombones appear, and many of these works are overtures from operas where the trombones were more regularly to be found. One significant exception is Luigi Cherubini's Requiem in C minor of 1816, which although composed for a liturgical setting, was known to Beethoven and greatly admired by him. The trombone writing in this work is simple and chordal, and colla parte writing is eschewed. Nevertheless the influence of Cherubini's writing can be found in Beethoven's admittedly much more ambitious and complex Missa Solemnis.
We must remember that concert orchestras were in a fledgling state at this time. Most of the orchestras of the day were connected to theatres. The concert orchestra that had arisen in Leipzig was certainly the first of its kind. The Royal Philharmonic Society had been founded in London in 1813, with performances of works by Haydn and Beethoven, and it was they who were to commission (but not to premiere) the Ninth Symphony. A concert orchestra in Paris was formed as late as 1828. (The Orchestre de la Societé des Concerts du Conservatoire). The works of Beethoven were to become the main staple of the repertoire there as well. In any case there are few concert works of significance featuring trombones written between Beethoven's Fifth and Ninth Symphonies, that remain in the repertoire of modern orchestras.
In light of this it is extraordinary to note that on April the 6th 1815, the highly talented and ambitious 19-year-old trombonist Friedrich August Belcke was to perform as a soloist with the Gewandhaus orchestra. The work in question was a Potpourri für die Baßposaune by Carl Heinrich Meyer, the principal viola player of the orchestra. This was to be the first of a surprisingly substantial number of performances by a trombone soloist at the Gewandhaus in subsequent years.
Friedrich August Belcke, virtuoso and entrepreneur
Born on the 27th of May, 1795 in Lucka, on the Thuringen, Saxony border about 35 kilometers south of Leipzig, Friedrich August Belcke came from a family of professional musicians. After initial studies on the (natural) horn, he was encouraged by his father, who appears to have been a bassoonist, to switch to trombone in order to fill a vacancy in the local town band. According to former Gewandhaus bass trombonist Prof. Rolf Handrow, in his monograph Berühmte Posaunen Virtuose[8], Belcke's first didactical material were his father's bassoon etudes, since there was hardly any pedagogical material available, and Fröhlich's treatise was as then freshly published but probably not widely disseminated. In 1811, at the age of 12, the young musician was taken in by the Stadtmusikus Sachse in nearby Altenburg and given instruction in the Stadtpfeifer tradition, and was able to assume a position in the Altenburg town band. It seems that news of his unusual talent upon the bass trombone spread quickly to Leipzig and he was invited to perform as a soloist at the Gewandhaus, and according to Handrow engaged by the orchestra as trombonist after this success, although another source (Mary Rasmussen's 1961 article in the Brass Quarterly), seems to suggest that Belcke had already joined the Gewandhaus orchestra before his solo debut[9]. This seems to me unlikely however since the Gewandhaus orchestra did not actually employ trombonists on a permanent basis at that time, and relied indeed on musicians from the Thomas Church and Town Band. Of Belcke's ground breaking solo debut, Gottfried Wilhelm Fink wrote in the Allgemeine musikalischen Zeitung:
"Finally, Herr Belcke, a young man of talent and considerable skill, astonished us with a potpourri for the trombone with orchestral accompaniment, in a style which was for us completely new. The work- by Herrn Meyer, likewise from Leipzig- was not only written with a complete knowledge of the instrument and skilled exploitation of all its principal qualities, but was also very well written as a piece of music in general, and, in spite of its great difficulty, the soloist performed it with a precision, clarity and evenness- yes, even with a fine cantilena- such as we have never before heard from a trombonist. He was applauded by all"[10]
Belcke was to remain a (perhaps peripheral) member of the Gewandhaus Orchestra for only a single season, and his activities as a soloist were certainly not confined to Leipzig. After solo performances in Halle, Merseburg and Dessau, his playing came to the attention of Carl Maria von Weber, who invited him to join the Court orchestra in Dresden (now known as the Staatskapelle Dresden), an offer which he eventually refused in order to join the Court Opera Orchestra of King Frederick Wilhelm III in Berlin (now known as Staatskapelle Berlin). From Berlin his concert travels continued unabated, and in later years his (self promoted) tours took him to Denmark, Sweden, Netherlands, Austria and France where he was to perform the Ferdinand David Concertino op.4 (to be handled in the following chapter) in 1844 and receive the gold medal of the Société des Concerts du Conservatoire.
Of particular interest to me was to discover that Belcke may have had a second solo performance of a work by Meyer in Leipzig in 1815 which both Handrow and Rasmussen seem to have overlooked. According to the exhaustive list of works per composer performed by the Gewandhaus Orchestra between 1781 and 1881, included as an appendix in Alfred Dorffel's Geschichte der Gewandhausconcerte zu Leipzig[11], a Fantasie für Baßposaune was performed on the 9th of November 1815. Although there is no mention of the soloist we can safely assume that Belcke certainly would have been the protagonist. The scores of both the Potpourri and the Fantasie appear to have been lost, but Rolf Handrow maintains that the Potpourri was performed several times later between the years of 1821 and 1833 by Belcke's successor Queisser (who shall assume an important place in the following chapters) under the title of Concertino pour le Trombone Basse[12]. The work has indeed been resurrected and published by Handrow. The work is not of great musical merit, to say the least, but of course as an historical document of considerable significance in the history of trombone solo literature.
Belcke was a typically well rounded musician, as were most who underwent the Stadtpfeifer training, and seems to have been a very competent pianist (he maintained a thriving practice as a piano teacher in Berlin), as well as composing a number of works for trombone as well as light piano pieces and etudes[13]. Indeed in November 1823 he was to return to the Gewandhaus Orchestra to premiere his own Potpourri for the bass trombone.
Another area in which he seems to have had a particular interest was that of instrument design and was fortunate to have been intimately involved with several significant figures at the very start of the development of the first valved brass instruments. As early as 1821 he was performing on the newly invented chromatic bass trumpet, which was later to be re-named the tenorhorn which utilized the recently patented pump valves of Stölzel. It is of not inconsiderable relevance to this study to now delve into a little informed speculation regarding Belcke's instruments.
Belcke's trombone
I am aware of two extant portraits of Friedrich August Belcke, one of which fortuitously shows him holding his trombone. Unfortunately this drawing is undated, but does provide insight into the state of trombone building in Germany between the early years of the century when Beethoven's Fifth was first performed to the instruments of Sattler and Penzel which form the culmination of this study. It is unfortunate that there are hardly any instruments surviving from the first decades of the nineteenth century, so this drawing depicting Belcke can provide several clues as to how the trombone was developing.
The first point to note in regard to this portrait is the accuracy of the artist in depicting the folds of the subjects clothing. Perhaps an insignificant detail one might think but in our effort to discover more about the instrument Belcke is holding it is important to ascertain exactly how clearly the artist has recorded his subject, and more particularly his instrument. I speculate that this portrait was possibly drawn when Belcke was in his mid to late thirties, which would date this drawing to the 1830's. He appears to be holding what we would now call a tenor trombone. But it is also worth noting that Belcke called himself a bass trombonist and this would also accord with the various descriptions of trombones, such as that those of the aforementioned Fröhlich, but also another article written in 1816 (the year of Belcke's Gewandhaus debut) in the Allgemeine Musikalisches Zeitung by Gottfried Weber, in which the author attempts to codify the nature of the various brass instruments in use at the time[14]. In regard to the bass trombone in 1816, Weber states that both instruments are pitched in B flat, but that the "Bass" trombone possesses a wider bore and deeper mouthpiece to facilitate the lower register. It would appear that in this picture Belcke is holding a so-called Tenor-Baßposaune (i.e. tenor trombone with bass mouthpiece) as mentioned by Weber. From close examination of the instrument in the drawing several elements can be highlighted. Firstly the size of the bore appears to the trained eye to be substantially wider than a tenor trombone dating from the end of the eighteenth century (as represented by the trombones of Eschenbach or even indeed Crone, for instance).
The second and perhaps unique feature of this trombone as depicted is the apparent comparative shortness of the bell section compared to the length of the slide. The slide does appear to be extremely long and upon closer examination seems to be adorned with a small handle attached to the stay on the outer slides, to enable the player to reach the lower positions. The presence of a handle would normally be found on a bass trombone pitched in E flat, F or G, but the dimensions of the instrument as pictured would indicate a tenor trombone in B flat. Belcke does seem to have rather short arms (at least as far as the portrait is concerned), which could explain the application of this short handle. I have attempted to make my own drawing of the instrument based on the portrait. Another aspect of this instrument that sets it apart from the mainstream of trombone design is the proximity of the bell flare to the slide stays and mouthpiece. To have a trombone with the bell situated so close to the players face, placed between the first and second slide position is extremely unusual. It is worth noting that most trombones from the earlier centuries had the bell placed at the fourth position. And certainly most trombones produced after the eighteenth century have the bell placed either at the third position of slightly lower.
During my investigations into instruments of the period, I have visited a number of collections and examined a great number of trombones both in person and on the internet. The only trombone that I have found up till the present that resembles the configuration of Belcke's instrument in any way is an F-bass trombone located in a collection in Paris, and built by the Berlin instrument builder Johann Casper Gabler (1770-1818). Gabler was considered one of the finest builders of the day and was successful in obtaining the title of Hofinstrumtenmacher, i.e. instrument builder to the Prussian court[15]. Gabler's speciality was building instruments in silver and nickel silver, and could be considered one of the first builders to use this material, which is more durable and corrosion resistant than brass (and also much more difficult to hammer or bend). The photos show this unusual configuration and highly decorative bell garland of the Gabler bass trombone from the collection of the Musee de la Musique in Paris.
The similarities of this instrument to that of Belcke was striking and it's highly possible that Belcke did indeed own a trombone built by Gabler. According to Herbert Heyde in his standard work Das Ventilblasinstrument[16], Belcke lived in the same house ( Haackschen Markt 9) as Gabler in Berlin in the years directly after leaving Leipzig in 1816 to join the Court Opera Orchestra. It seems highly likely that the ambitious young virtuoso made an effort to familiarise himself with the leading instrument builders of the day, and one could assume that Belcke was indeed closely associated with Gabler's workshop. Gabler was also one of the very first builders to experiment with the newly invented pump valves of Heinrich Stölzel, who together with Friedrich Blühmel was one of the two co-inventors of the earliest valve mechanisms for altering the pitch of brass instruments. Belcke was also to become one of the first performers on early valved brass instruments, and his presumed association with Gabler must have been of mutual benefit to both parties. Unfortunately Gabler was to pass away in 1818 at the age of 48, possibly hastened by the stress of a serious legal dispute with Stölzel over the latter's ownership rights to instrument prototypes that Gabler had built for him during their business partnership[17].
But to return to the instrument that Belcke holds in the portrait, it appears to be one of the earliest depictions of an instrument that represents the new larger bored, fuller sounding style of trombone that was developing in Germany in the early part of the century. One of the most profound developments in the history of brass manufacturing, the invention of the valve, was also to have a significant effect on trombone manufacture. This larger bored trombone was to find its first true proponents in the instrument builder Christian Friedrich Sattler, and the trombone virtuoso Carl Traugott Queisser, to whom we now turn our attention in the following chapter.
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[1] Theodore Albrecht "Beethoven's Brass Players". Historical Brass Society Journal Vol. 18 New York, 2006 p.53
[2] Ibid. p.53-4
[3] Dorffel, Alfred. Geschichte der Gewandhauskonzerte zu Leipzig, 1781-1881. Leipzig 1884
[4] Ibid.
[5] Ibid
[6] Ottmar Scheiber. Orchester und Orchesterpraxis in Deutschland zwischen 1780 und 1850. Berlin 1938
[7] Quoted by David Guion. The Trombone , it's History and Music 1696-1811 p 156
[8] Handrow, Rolf "Berümte Posaunen Virtuose", Halle (Saale), Crescendo Brass, 2014
[9] Mary Rasmussen, Two early Nineteeth Century Trombone Virtuosi, Brass Quarterly 5, Durham 1961
[10] "Herr Belcke endlich, ein junger Mann von Talent und viel Geschicklichkeit, überraschte uns mit einen Potpourri für die Baßposaune, mit Begleitung des Orchesters, auf eine, hier ganz neue Weise.Dieses Stuck-von Herrn Meyer ebenfalls in Leipzig-nicht nur mit einen vollkommener Kenntnis des Instruments und gewandter Benutzung aller seiner Vorzüge, sonderen auch das Musikstück, überhaupt sehr brav geschrieben; und der Concertist führete es, seiner großen Schwierigkeiten ungeachtet, mit einer Präzision, Reinheit, und Nettigkeit, ja sogar mit einen guten Cantilena aus, wie wir dies von Posaunisten noch nie gehört haben. Es fand allgemein Beifall. Allgemeine musikalisches Zeitung no.17. 1815 (translation Rasmussen)
[11] Dorffel. Statistik (appendix) p.41
[12] Handrow. p.11
[13] Handrow. p.18
[14] AmZ 18, 1816 quoted by Rasmussen p.8-9.
[15] Günter Dullat. Verzeichnis der Holz-und Metallblasinstrumentenmacher auf Deutschsprachigem Gebiet. Tutzing 2010. p. 159-160
[16] Herbert Heyde, Das Ventilblasinstrument. Wiesbaden: Breitkopf & Härtel 1987 p.68
[17] Ibid.
Theater an der Wien
Gewandhaus interior
Old Gewandhaus


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OTTAWA — As some cities take a breather from resettling government-assisted Syrian refugees, others say their doors are open — if the federal government asks and also offers to pay.
While the home communities for refugees with private sponsors is dictated by where those sponsors are, refugees whose costs are covered entirely by the federal government are sent to just 36 cities.
"We are ready. The church, the school board, the credit union, private donors, private families, we're ready."
Not included is Victoria — the lone provincial capital that isn't an official reception centre for government-assisted refugees. The only Syrians arriving there as part of the Liberals' Syrian program are those whose costs are split between the government and private sponsors, as well as those coming thanks to private sponsors alone.
Victoria Mayor Lisa Helps said she told the federal immigration minister even before the Liberal program was unveiled that her city was interested in taking in Syrians but is still waiting.
"We are ready. The church, the school board, the credit union, private donors, private families, we're ready," she said.
The reason Victoria isn't on the list dates back to the late 1980s when the federal government got out of the business of providing direct support to the refugees it was resettling and began contracting out to local agencies.
In British Columbia, the city with the highest number of those was Metro Vancouver so that's where government-assisted refugees all go to this day.
But looking at some of the other cities on the list — like Medicine Hat., Alta., or Moose Jaw. Sask., — raises the question of why Victoria isn't there now.
"We are bigger than a lot of the centres that settle (them) now," said Jean McRae, the director of Victoria's Intercultural Association. "We'd have to rebuild the capacity but we're totally capable of doing that."
Radi poses for a photo with his son and wife, who names are omitted for security reasons, while waiting in an airport in Amman, Jordan, to board a plane to Canada where they will be resettled, Dec. 20, 2015. (AP Photo/Sam McNeil)
Of the 25,000 Syrians set to arrive by the end of next month, the Liberals have said 15,000 would be government-assisted. A further 10,000 government-assisted are to arrive by the end of this year.
But right now, Vancouver has asked the federal government to temporarily halt sending new government-assisted refugees their way as they work through a housing shortage. Ottawa has also made the same request.
In Ontario, there are six cities that serve as destination points for government-assisted Syrian refugees. With most of the services refugees need only available in the southern parts of the province it makes some sense that none are settled beyond there, said Deborah Robertson, the executive director of the North Bay and District Multicultural Centre.
But with the right funding, there's no reason her community couldn't welcome more, she said.
"I think the interest is absolutely there, it's there from the centre and from the community and the community has proven that in the way they've responded to this current crisis," she said.
Volunteers there have raised over $60,000 to help Syrian refugees being sponsored by private groups.
Niagara Region also hoping to get involved
Alan Caslin, chair of the Niagara Region of 12 different municipalities in Ontario, says his area would be interested as well. His office donated $25,000 to help private groups bring in Syrians.
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A call for proposals was published last week looking for new receiving centres, which would be responsible for providing temporary accommodation to newly-arrived Syrians, helping them learn the basics of getting health care and social benefits, and in general supporting their transition into Canadian society.
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Deadline has revealed news on the creative teams behind Mythos Studios' slate of films based on the Aspen Comics Fathom and Soulfire. The studio is working towards building their own connected universe of films dubbed the "TurnerVerse" named after the late Michael Turner, famed artist and founder of Aspen MLT Inc.
Fathom will be helmed by directing duo Kevin Adams and Joe Ksander (Netflix's Next Gen) working with a screenplay from Kristin Gore (Futurama, Saturday Night Live). The film is based on the Aspen Comics series about a marine biologist who finds out she is a descendant of an ancient race of underwater beings. The movie is poised to introduce the "TurnerVerse" to audiences before the next film in the franchise, Soulfire.
Kevin Adams and Joe Ksander are also on board to direct Soulfire based on the Aspen Comics series of the same name. The directing team will be adapting a script from writing duo Bo Yeon Kim & Erika Lippoldt (Star Trek: Discovery, Reign) that further expands the "TurnerVerse." The film will focus on "an orphan who learns that he's the heir of a long-forgotten age of magic, and Grace, the winged goddess who joins the youngster on his quest to restore magic in the world." The film will take audiences on "a quest that will put the pair at odds with a dark and dangerous lord of technology."
Work on the two films has been underway since February 2019, however no further information on the release date of these films has been announced. It could be a while before audiences see anything from the two movies, but fans can rest assured that the world of Aspen Comics is in good hands. If you are looking to bide the time until the films are released be sure to check out the original source material for a peak inside the "TurnerVerse."
(W) Michael Turner, Bill O'Neil (A) Michael Turner
Aspen's flagship hit series is back in a new lower-priced introductory trade paperback for new and returning readers alike!
There is the world we know, and the world below…
Aspen Matthews is an ex-Olympic swimmer, marine biologist, and a girl with a past shrouded in mystery. At age 11, she was found on a cruise ship, with no memory of who she was, or how she got there. Now, as the crew of the top-secret US military Deep Marine Discovery platform encounters a strange, alien craft, something is stirring in the back of Aspen's mind, flashes of her earlier life… A life beneath the waves!
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Magic is no longer a myth…
Countless years ago, beings of magic lived and thrived amongst each other in relative harmony. However, the cycle of magic would soon diminish and technology quickly overshadowed the world. Grace of Empyrea, a magical being of incredible power, would spend many lifetimes searching for the Samusara-or Bearer of the Light-a catalyst capable of ushering in the latest era of magic. But, the forces of technology have plans of their own in finding the one responsible for the return of the light!
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Original post: https://www.previewsworld.com/Article/236506-Creative-Teams-for-Aspen-Comics-Soulfire-and-Fathom-Film-Adaptations-Announced