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Secrets of Valhalla
"Readers will clamor for more, especially those who loved Rick Riordan's Norse-themed The Sword of Summer." --ALA Booklist
Two friends awaken a world of myth and magic in this epic middle grade fantasy perfect for fans of Rick Riordan and Anne Ursu.
It's not every day that you find a famous weatherwoman bound by magic to a tree deep in the woods. Or discover that the weatherwoman is in fact Sunna, the Norse Goddess of the Sun, and one of the seven day guardians who keep time in order. But that's just what happens to new friends Buzz and Mary--and it's only the start of their adventure.
Now, as the people of Earth are forced to repeat the same Saturday over and over again, Buzz and Mary must journey to collect the Runes of Valhalla and awaken the other day guardians, before vengeful god Loki can get to them first.


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ive always kept up with traktor pro updates. i dont remember exactly when but one of the updates not long ago added this to the interface:
looks like a midi controller icon or something. loacted at the top of traktor's interface, in the middle, is the master clock. going to the left, youll see cpu (displaying the load on the processor), audio (displaying audio connectivity) and then this icon.
whats it for? i got a vci100 hooked up. its sending and receiving midi fine. yet that icon isnt illuminated. i think i remember seeing it lit blue before but it aint now... can anyone explain its functionality?

subset: commoncrawl


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Ep 92: OCRWC Enduro with Trevor Cichosz & The Limits of Human Endurance
Fresh off his 3rd place finish at OCR World Championship Enduro 24, military veteran and 5x World's Toughest Mudder (WTM) finisher Trevor Cichosz joins Evan for this ultra episode. Trevor is one of the most consistent athletes in our sport and regularly defies what most people view as possible. The two ultra-athletes discuss fueling, pacing, differences between Enduro-WTM and why he is staying with WTM in 2019. Trevor also shares his experiences doing Everest 135 (135 mile race through the base camp area of Everest) as well as his 200 mile run in Scotland last year.
Episode brought to you by RockTape, more than a tape company, RockTape has movement tools to keep you healthy and race ready.
Music provided by Marc Capaldo of Madison Ambush.


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The editorial categories are research topics that have guided researchers during the recovery phase and continue to be the impetus behind the Documents Project's digital archive and the Critical Documents book series. Developed by the project's Editorial Board, each of the teams analyzed this framework and adapted it to their local contexts in developing their research objectives and work plans during the Recovery Phase. Learn more on the Editorial Framework page.
In this article, the critic Roberto Guevara discusses the origins and emergence of new languages in contemporary art, which he groups under the heading of "conceptual art." He mentions a number of examples, such as happenings, installations, and the use of the human body as a support. Guevara goes on to talk about the use of electronic media, explaining the difference between video-art and video when used as an auxiliary tool in communication. He ends his article with a review of Venezuelan video-installations by artists such as Sammy Cucher and José Antonio Hernández-Díez, and a reference to the important earlier works by Oscar Molinari.
In this brief article, the Venezuelan critic and curator Roberto Guevara (1932–98) discusses a number of important aspects of the new languages of contemporary art and how they were expressed by the Venezuelan artists Sammy Cucher (b. 1958) and José Antonio Hernández-Díez (b. 1964). Guevara also refers to the influential earlier works by Oscar Molinari (b. 1941), the filmmaker and artist.
Guevara's explanation of this eclectic range of new expressions and languages—that he groups under the heading of "conceptual art"—begins by addressing the question of appropriate terminology and, obviously, definitions. He also refers to the issue of how to classify these different experiments. Guevara opts for the generic term "new media," which is a larger umbrella than "conceptual art." Guevara's term was subsequently adopted by other Venezuelan critics, who acknowledged that he had coined it. Guevara goes on to mention the two conditions that are considered "constants" in works of this kind: the "conceptual basis" of the exhibitions and the "questioning of the physical support as an immutable and everlasting 'object'." He describes these works as "new media" in a historical sense, thus stating that their roots can be found in the avant-garde movements of the early twentieth century, "when [the] Dada [movement] and [Marcel] Duchamp were expressing their radical dissent."
Guevara also discusses the cultural importance of these new forms of art, since they construct metaphors based on a different syntax to the one used in language, in which everything has been considered in a new light: the movies, the theater, the visual arts, literature, and philosophy. He notes that these "new media" reconstruct contemporary versions of certain classical or ancestral myths and archetypes. Guevara ends his article with a cursory description of video-art and its various formats, and mentions that works of this nature were presented at Venezuelan exhibitions at museum, galleries, and contests in the late 1980s and early 1990s. He refers to a joint exhibition of works by the Venezuelan artists Sammy Cucher and José Antonio Hernández-Díez, though not accurately, since he reviews works by both artists that were presented at different exhibitions and salons between 1988 and 1990.
Published in the Catálogo/Guía de Estudio nº 136. Exposición # 142.CCS-10. Arte venezolano actual (Caracas: Fundación Galería de Arte Nacional, 1993), pp. 10-11. According to this version, it was originally published in the newspaper El Nacional on Tuesday, February 21, 1992. The information may be incorrect, however, because this article could not be found under that date in the newspaper's archives.


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Weddings & Engagements
Hiring a photographer for your wedding is a very important and sometimes stressful decision.
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The Claremont Colleges need to allow their students the option of cooking for themselves as a way to save money and learn life skills.
Tag: Dining Halls
Conversations to 'Drop Sodexo' continue as contract with Scripps ends in 2020
Scripps College is continuing to look at dining hall service providers to potentially replace Sodexo, as students pressure the administration to move away from the private prison operator.
Smoothies, kombucha, truffle salt, oh my! Dining halls dazzle with trendy food items
From veggie-forward options to frozen favorites like Dole Whip, dining hall staff have stepped up their game since the start of the 2019-2020 school year, delighting returners across the 5Cs.
Trouble on the turf: Long lines at annual dinner frustrate students
Scripps College hosted the Claremont Colleges' annual "Turf Dinner" club fair Tuesday. Students were frustrated by the long line generated by a new layout for the event.
McConnell seeks to reinforce high ratings in response to food safety issues
While Los Angeles County safety inspections continue to grant top marks to 5C dining halls, reports of potentially unsafe food items at Pitzer College's
5C dining halls respond to romaine lettuce E. coli outbreak
Dining halls at the Claremont Colleges acted promptly in removing romaine lettuce during the recent E. coli outbreak earlier this October. Forty-three people have
Pomona frequently cancels snack, concerns students
Eric Gofen PO '19 has never missed a snack. Every Sunday through Wednesday between snack's designated hours of 10-11 p.m., Gofen can be found
Giving reviews: Thanksgiving meals at each 5C dining hall
One of the perks of having access to six dining halls is that it is physically possible to have six separate Thanksgiving meals in
OPINION: Hungry for change: How dining hall labels fail students
A glimpse of hell: Malott dining hall, 12:15 p.m., Monday through Thursday. Neither quiz nor test nor final exam can match the stress of
Students with allergies encounter dangers across 5C dining halls
Food mislabeling and cross contamination at dining halls across the 5Cs make it more difficult for students with allergies and dietary restrictions to eat


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Ed Sheeran has jumped in Top Gear's reasonably priced car and he wasn't too bad either, considering he doesn't have a driving licence.
After coming face to visor with The Stig the chart-topping star was making tracks of a different kind.
The singer-songwriter doesn't even have a licence but he still gave it his best shot on the Top Gear circuit.
"I was nervous about doing the lap," he told Clarkson, as the presenter mocked his hair colour.
"Before today I'd NEVER sat in the driving seat, the reason I'd said yes is I thought it would be funny."
Although as a guitarist he is used to stamping on a few pedals, the hitmaker is still getting to grips with the footwork on a car as he still has no driving licence.
Bosses of the show allowed him to drive an automatic Vauxhall Astra as he headed out around the private track at Dunsfold Park in Surrey.
He continued to tell the presenter that he's bought people that have worked with him cars like a Smart Car and a Porsche 911.
Sheeran, whose hits include Sing and Thinking Out Loud, met up with Top Gear's mysterious test driver on the visit to the show's track in Surrey where he took a spin as the Star In A Reasonably Priced Car.
Sheeran, 23, was not the first non-driver to try out as Johnny Vegas did a lap with L plates in 2003 and Jack Whitehall took out an automatic last year.
Ed's fastest lap started with a wheel spin and he clocked in at 1.54:30.
"As long as I beat Jack Whitehall," he quipped.
The singer came off the tarmac and onto grass verges a number of times - but still looked pretty happy with himself.
Whitehall currently has the slowest time so far in an Astra with a time of 1.54:50 - well done Ed.
Following the show fans posted their views on his efforts on Twitter.
One said: "@edsheeran just watched top gear. You did pretty good!! I think my first driving lesson will be a nightmare."
Another tweeted: "Should be doing work but instead too busy watching #topgear so nice to see Ed Sheeran is a genuine nice guy."
While one user posted: "I said it once, i said it a million times......Ed Sheeran is The Man, a Legend & one of the genuinest people there is!!"
Breaking Bad's Aaron Paul the current leader for the latest car, followed by AC/DC star Brian Johnson.
Like this? Did you know we have a dedicated TV and Film page on Facebook?


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The Artemis Transat (från början OSTAR) kördes första gången 1960 och har vunnits av Francis Chichester, Eric Tabarly, Ellen MacArthur, Mike Golding, Francis Joyon och Loick Peyron. 2.800 distans över Nordatlanten är inget för veklingar. This is the shit!
Horrific, unpleasasant, freezing… it can be really really really unpleasant… it's a brilliant race!
Vad sägs om följande startfält för ett klassiskt solorace över Atlanten!
IMOCA Open 60
Akena Veranda/ Arnaud Boissieres (FRA)
Artemis/ Jonny Malbon (UK)
Aviva/ Dee Caffari (UK)
BritAir/ Armel Le Cleach'h (FRA)
BT/ Sebastien Josse (FRA)
Ecover/ Mike Golding (UK)
Foncia / Michel Desjoyaux (FRA)
Pakea Bizkaia 2009/ Unai Basurko (BASQ)
Pindar/ Brian Thompson (UK)
PRB/ Vincent Riou (FRA)
Roxy/ Samantha Davies
Veolia Environnement/ Roland Jourdain (FRA)
Generali/ Yann Elies (FRA)
Cervin En R/ Yannick Bestaven (FRA)
Gitana Eighty/ Loick Peyron (FRA)
Groupe Bel/ Kito de Pavant (FRA)
Safran/ Marc Guillemot (FRA)
Class 40
Appart'City/ Yvan Noblet (FRA)
Fujifilm/ Alex Bennett (UK)
Groupe Partouche/ Christophe Coatnoan (FRA)
Mistral Loisirs-Elior/ Thierry Bouchard (FRA)
Ocean Eleven/ Louis Duc (FRA)
Prevoir VIE/ Benoit Parnaudeau (FRA)
Telecom Italia/ Giovani Soldini (ITA)
Miranda Merron (UK)
Patrick Carpentier (FRA)
Halvard Mabire (FRA)
It is an event rarely seen in the sporting world of solo sailing, the gathering of many of the great solo sailors from the past, present and future who came together to celebrate the official launch of the 13th edition of the oldest solo race history, now known as The Artemis Transat.
Dame Ellen MacArthur, who won the race in 2000 aged 23 years and went onto finish 2nd in the solo Vendée Globe, stood alongside Mike Richey (aged 90) who competed in every edition of the race from 1964 onboard the famous Jester. The first edition of the race in 1960 was founded by Lt Col Blondie Hasler and Sir Francis Chichester (Gipsy Moth III) who was the first to reach New York after 40 days – it now takes the modern-day IMOCA 60 racing machines a little over 10 days to cross the 2800-mile course to Boston. "I think the reason The Artemis Transat is so special is that it is THE race that kicked off and started solo sailing," commented MacArthur.
From the other side of the channel came French legends Loick Peyron, who won the race twice in 1992 and 1996 – only he and Eric Tabarly hold that claim to fame – and Florence Arthaud who achieved unprecedented levels of acclaim in her home country for her participation in this race and the solo Route du Rhum.
Britain's Mike Golding OBE (Ecover) who won the race in 2004 has every intention of defending his IMOCA 60 title but he will be facing tough competition from the other skippers representing one of the strongest field of IMOCA 60 solo skippers in the history of the race. Fellow Brits Brian Thompson (Pindar), Jonny Malbon (Artemis Ocean Racing), Dee Caffari (Aviva) and Samantha Davies (Roxy) all pose a strong threat, whilst the combined force of the very best of the French solo sailors including Michel Desjoyeaux (Foncia), Seb Josse (BT), Vincent Riou (PRB) and Roland Jourdain (Veolia Environnement) to name a few, will make the IMOCA 60 title a hotly contested affair.
Alex Bennett (Fujifilm), who will be racing in the smaller Class 40 fleet, carries the hopes of the host city Plymouth on his shoulders and he will be racing against up to 15 other Class 40 skippers including Italian maestro Giovanni Soldini and, hopefully, Florence Arthaud.
It is a daunting prospect for any sailor to set out alone, across the North Atlantic, facing the risk of huge storms, icebergs and dense fog – the 2,800 mile course takes the sailors through the heart of 'Perfect Storm' territory and close to where the Titanic was lost.
UK's leading investment company, Artemis, official title partner to the race welcomed the sailing greats from past, present and future:
"Artemis Investment Management is delighted to support The Transat, the sailing world's most enduring single handed ocean race. It takes skill, passion, persistence, knowledge and dedicated teamwork to compete with the best in the offshore ocean racing world. All our activities in sailing reflect our company's core values and philosophy. We look forward to a successful and enjoyable event and I wish all the competitors a safe and quick crossing to Boston," commented Mark Tyndall, Chief Executive of Artemis.
The Artemis Transat will start on Sunday, 11th May, 2008 from Sutton Harbour Plymouth and will finish at Rowes Wharf, Boston Harbour Hotel, Boston whilst the smaller Class 40 fleet will finish at the Corinthian Yacht Club, Marblehead.
1960 – Francis Chichester, Gypsy Moth 3. Foto: DPPI.
1976 – Eric Tabarly, Pen Duick VI. Foto: DPPI.
1976 – Alain colas, Club Mediterrannee. Foto: DPPI.
1992 – Loick Peyron, Fujicolor. Foto: DPPI.


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"Very nice stay for a short visit to the Ccm campus for s college visit " More
In Cincinnati
A stay at this Clifton Heights hotel places you within half a mile (1 km) of University of Cincinnati and 2 miles (3 km) of Cincinnati Zoo and Botanical Garden. Cincinnati Art Museum and Jack Cincinnati Casino are also within 3 miles (5 km).
Free breakfast
This hotel features an indoor pool and a fitness center. Traveling on business? Take advantage of the 24-hour business center and free WiFi in public areas. Free buffet breakfast is served.
Free WiFi, refrigerators
Featuring conveniences like refrigerators and microwaves, the 115 guestrooms also offer free WiFi and Smart TVs with cable channels. Other amenities include Netflix, coffee/tea makers, and hair dryers.
Fairfield Inn & Suites Cincinnati Uptown/University Area offers its guests an indoor pool and a fitness center. WiFi is free in public spaces. A 24-hour business center and a meeting room are available. Free breakfast is available. The business-friendly Fairfield Inn & Suites Cincinnati Uptown/University Area also features coffee/tea in a common area, laundry facilities, and dry cleaning/laundry services. Parking is available for a fee. This Cincinnati hotel is smoke free.
Available in all rooms: Free WiFi
Available in some public areas: Free WiFi
Self parking (surcharge)
Fairfield Inn & Suites Cincinnati Uptown/University Area offers 115 air-conditioned accommodations with coffee/tea makers and hair dryers. Smart televisions come with cable channels and Netflix. Guests can make use of the in-room refrigerators and microwaves. Bathrooms include showers. Guests can surf the web using the complimentary wireless Internet access. Business-friendly amenities include desks and phones. Housekeeping is provided daily.
Guests are served free buffet breakfast.
Recreational amenities at the hotel include an indoor pool and a fitness center.
If you have requests for specific accessibility needs, please note them in the special requests field on the booking page after selecting your room.
Extra-person charges may apply and vary depending on property policy.
Government-issued photo identification and a credit card, debit card, or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
Charges for extra guests may apply and vary according to property policy.
A cash deposit, credit card, or debit card for incidental charges and government-issued photo identification are required upon check-in.
Special requests are subject to availability at the time of check-in. Special requests can't be guaranteed and may incur additional charges.
The fees and deposits listed below will be charged at the time of service, check-in, or check-out.
This may not be a comprehensive list. Fees and deposits are subject to change and might not include tax.


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The Affordable Care Act introduced the healthcare industry to value-based reimbursement in 2010. Since then much progress has been made in the government and commercial sectors. However, there remains room for improvement, and more work to do with stakeholder collaboration.
In this whitepaper you'll learn:
- Where value-based is succeeding
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- What health plans must do to stay ahead
Some payers have been quick to embrace value-based reimbursement, but the road ahead still has barriers to success. Download the whitepaper to learn how successful health plans are staying ahead of the competition, aligning goals with providers, all while keeping up with changing regulations.