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The IBC exhibition had recorded 49,808 people through the door at 10.30 this morning, which IBC CEO Michael Crimp said was comparable with last year's 50,462 and up on 2010. Crimp said that registrations had fallen a little behind on last year over the Olympics period, but had recovered ahead of the show. "At the end of the day we didn't seem to be impacted by the Olympics," he said. "However, it explains why we had a different pattern of registrations."Crimp said that record space had been sold to exhibitors this year, which saw the introduction of a new hall, Hall 14, outside the Rai building. This introduced 6,000 sq. metres of additional space. IBC had sold 20,000 sq. metres of space for next year's show as of last night, he said.Referring to the introduction of recording artist and Intel creative director will.i.am as a conference speaker at this year's event, Crimp said that his session had attracted 500 viewers, filling the main conference Forum space. This year's IBC marked the second year of the Leaders' Summit, a closed session for media leaders, this year featuring FremantleMedia CEO Gary Carter as an after-dinner speaker.A 'Rising Stars' event for new entrants to the industry and students attracted 120 attendees, while the Innovation Awards had attracted a significant number of nominations from end users as well as vendors, said Crimp.Phil White, director of technology and events, highlighted Japanese broadcaster NHK's 8K demonstration and the world premier of a movie – Hugo 3D – screened on a laser projector.IBC conference chairman Michael Lumley said this year's show had seen the introduction of new formats, including breakfast briefings. The IBC Awards had given a genuine representation of the breadth of the industry, he said.
Tesco, the UK''s largest retailer, has started testing its Club Card TV streaming service and is expected to roll it out to its customers soon.The over-the-top service is in beta test mode and only available to Tesco employees. It is being run by Blinkbox, the streaming service that Tesco acquired in 2011.The Club Card programming line-up will include TV series and movies and there is content from Warner Bros. and the BBC among others.TV series include BBC comedy series Goodness Gracious Me and Two Pints of Lager and a Packet of Crisps and Electric Sky-distributed fashion series Fashion Avenue. There are also animated kids series including Care Bears and Justice League.Movie titles include Mazes and Monsters and Cheesecake Casserole. There are also kids animated titles including Superman: Brainiac Attacks and The Return of the King.The service will be free for Tesco customers who are part of the Club Card loyalty scheme. Consumers without a Club Card can get one free of charge and then access Club Card TV.Tesco is the largest retailer in the UK with a nationwide network of supermarkets. It also offers financial and other services under the Tesco brand.
Portuguese pay TV operator Nos is to add to its catalogue of Ultra HD content by airing 4K UHD coverage of a tribute concert to '30s and '40s movie star Carmen Miranda featuring the Real Combo Lisbonsense today at 22:00 local time.Saudade de Você – às voltas com Carmen Miranda em Várzea de Ovelha, a concert from her home town of Várzea de Ovelha to mark the 60th anniversary of the death of the star of movies including Down Argentine Way and The Gang's All Here, will be broadcast in 4K to Nos cable and fibre customers and via the Hispasat satellite position.
James PurnellThe BBC has called for on-demand players like its iPlayer service to be guaranteed prominence on all major TV platforms.In a article for the Telegraph ahead of a House of Lords debate on the issue this week, the BBC's director, radio and education, James Purnell, said it is important that content from the BBC and other public service broadcasters can be easily found in an increasingly digital age."Fourteen years ago, Parliament took a far-sighted decision. It insisted that the public service channels including BBC One, ITV and Channel 4 should be at the top of the programme guides on all TV platforms," said Purnell."It made our channels easy to find – especially important for the BBC, whose programmes people have already paid for via their licence fee. But the world has changed, with the rapid growth of digital channels and new services."He said that the new generation of set-top boxes have a limited number of content options on their home pages and that if those places are filled by content from the platform owners like Sky, or from Netflix, Amazon or YouTube, "that leaves little room for the on-demand services from our public service broadcasters"."Some pay-TV platforms are already making 'free to air' services harder to find. On the new Sky box, Sky Q, there is no one button on the remote control that takes you to live TV, the single most popular thing Sky customers do. Instead, 'Home' takes you to Top Picks – a set of recommended programmes chosen by Sky," he complained.Purnell also argued that the BBC's children's channels, CBeebies and CBBC, should be moved up the Sky EPG, as they are currently listed behind 12 US cartoon networks.A Sky spokesperson described Purnell's comments as "blatant self-interest", adding that "for many years we've provided the top five slots on the programme guide to public service broadcasters, making them easily accessible."


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Microsoft Excel Skills - Intermediate Level
Learn advanced Excel to extract information from large data, aggregate data meaningfully & make dynamic models
What will I learn in this course?
- Data analysis in Excel
- Data manipulation in Excel
- Build dynamic and flexible models
- Data aggregation in Excel
- Data synthesis in Excel
- None. We will teach everything from scratch.
Your Instructor
Ashish is a Business and Finance Expert with around 10 years of experience in this domain. Previously, he has worked with BlackRock, the world's largest asset management company, as a Vice President in the Financial Markets Advisory (FMA) team. Prior to that, he worked with the Strategy and Corporate Finance practice at McKinsey, the world's most prestigious consulting company. He has advised clients globally on various Strategy and Finance engagements.
Ashish is also the founder of an education firm SKILLFIN LEARNING which curates content in Business, Finance and Data Analysis topics. He conducts corporate trainings in a leading global consulting firm. He is passionate about teaching and strongly believes education should be accessible and affordable to all.
What will you learn?
PreviewLecture 1: Introduction to the course (2:57)
StartLecture 2: Download the excel template for this module (0:34)
PreviewLecture 3: Understanding the LIST function (5:45)
StartLecture 4: Understanding the OFFSET function (8:30)
StartLecture 5: Understanding the SUMPRODUCT function (8:24)
StartLecture 6: Understanding the GOAL SEEK function (8:29)
StartLecture 7: Understanding the INDEX-MATCH function (18:54)
StartLecture 8: Understanding the PIVOT function (11:14)
StartLecture 9: Understanding the INDIRECT function (11:31)
StartLecture 10: Practice Assignment #1: DIFFICULTY LEVEL - MEDIUM
StartLecture 11: Solution to Practice Assignment #1
StartLecture 12: End of course
StartLecture 13: Please provide us your valuable feedback on the course thus far

subset: commoncrawl


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Relax with your friends or colleagues in one of our specialized private retreats. If you have a group of 8 or more we can design and facilitate a custom retreat at our location or yours any time of the year.
Our mobile retreat packages allow you to host a 1-hour, half-day, full-day, or multi-day experiences with all of the same care, attention, and magic that you would receive in one of our famous public retreats. We develop the programming, provide the mats & music, match you with the best local instructors, and can even provide your plant-based meals.
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Alternative Tentacles
Dark punk titans ALARIC with new LP… Review and Streaming!
Alaric's new LP, End of Mirrors, is on Neurosis' Neurot Recordings label, which is fitting since the fellow Bay Area band has always seemed to owe something sonically to the period of Neurosis between Word as Law and Souls at Zero, and since the band has indirect ties to them:
CVLT Nation interviews Brazilian hardcore masters Ratos de Porão
With more than 30 years on the road, Ratos de Porão is a true institution of heavy music and one of the most important bands in Brazil, mixing hardcore with metal, grind, crust, punk, among other styles. Despite this long career, the band is more active than ever. In 2014,
Review of Cross Stitched Eyes' "Decomposition" LP
by Oliver Sheppard
Since 2005, Cross Stitched Eyes have been dishing out a viscerally compelling, deathrock-tinged take on hardcore punk. Their new Decomposition LP — out on Alternative Tentacles May 1 — incorporates elements of Amebix, Rudimentary Peni, and Killing Joke into the band's consistently aggressive sound. Decomposition is a fiery and thoughtful


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By: Beth Shandles
October, 2005
BS: Where did all of you meet to form the band?
Susie: Well myself, Jeff Blatherwick the bass player and Rick Flores the original drummer met in my previous band Digable Cat. When I had to decide that I would no longer be the lead singer and songwriter of Digable Cat, (drama) me, Ricky and Jeff started to play together loosely in the form of jam sessions. Chuck Polanzani later joined up to play guitar and then Rick Flores left the group shortly thereafter. We were blessed to have found my friend and fantastic drummer Mike Tooles to play the CRC sessions and end up staying on to round out the final line up.
Jeff: Well let's see I meet Susie in the Spring of 2004 when Digable Cat was looking for a bassist I meet Chuck back in 2002 or 2001 we were involved with a few minor projects then in 2003 we were in a band called Tommy Gun together. (Some of the music for Tommy Gun can be found on our website in our personal bio section) And Mike was a long time friend of Susie's who we asked to do us a favor and record our CRC sessions with us – it was such a good fit that he stayed on as a permanent fixture. We are very fortunate to have him he is fantastic!
BS: What are the instruments you all play?
Jeff Blatherwick plays 1994 Philip Kubicki X Factor Bass …black of coarse!** Line 6 Bass Pod** SWR 700watt 8ohms Goliath III Speaker Cabinet Peavey Kilobass 1000 watt digital bass amp.
Chuck Polanzani plays thru a Line6 Duoverb 2×12 combo, a Trace Elliot TVT9 combo amp converted to a head unit run through a Trace Elliot 2×12 speaker cabinet. He plays Schecter, Dean & Gretsch guitars, uses Dean Markley Blue Steel Strings [.11's] and Dunlop Tortex picks. He can also play bass, keyboards & drums.
Mike : drums and a myriad of cool percussive objects.
Susie: I sing in the band. Could that be considered wind instruments?
BS: When did you all start to play them? When did you all start performing in public?
Susie: I started singing at age 7 and always experimented with instruments that my mom played (klaves, congas, piano) at our house. I continued to sing throughout my life but began official lessons for the instruments after college. My first performance in public was with the GECC (Glen Ellyn Children's Chorus) at age 8. I believe the pieces were by composers Benjamin Brittan and Poulanc.
Chuck: I started playing piano at a very young age, drums at 9, guitar/bass at 11. Played out my first time when I was 17
Jeff: I Started playing the electric bass when I was 14. I had a few different private teachers for a while I progressed the most when i attended Triton JR. College for 2 years studying Jazz Composition. I had started performing publicly when i was 17. Sneaking into bars for open mics and i had a steady with a few bands when i was 19. we played the circuit in dekalb, Illinois
BS: What were some of your individual influence in music and how did that shape the development of Spyder Monkey?
Chuck: My main influences as far as SM writing are Rush, Blues Traveler, The Police, Primus & Infectious Grooves. Rush & The Police more in the song construction and Blues Traveler, Primus and Infectious in implementation of ideas.
Jeff: That's the thing Beth. Everybody has some very interesting influences in this band. I for example love off the wall stuff; Primus, Rush, 311, that's what I'll be playing in my car stereo a lot. I still love some smoother stuff like the Police/Sting, Sade and Natalie Merchant. There will always be that jazz and blues influence from my private studies though I would not classify myself as a Jazz Musician, I still have a place in my heart for that music. I sometimes feel the itch to go and jam some 12 bar blues at the Kinston Mines and Blues on Halsted where I got some of my first starts as a young musician. I would say that SM is trying to write music you can groove to and music that makes you think at the same time. We have our rock jams and some funky stuff too. The musicality takes precedence with Chuck, Mike and myself. Susie is such an entity on stage; there are times when I think she is having an out of body experience.
BS: Where did the name for the band derive from?
Susie: The name is kind of funny in how it came about in that, it started as a song titled "Spider monkey" about a character coming out of seclusion into a very judgmental world. It occurs to the character that so much of the world's pain like apathy, envy or jealousy, is an evil that we tend to keep harbored in ourselves and that we have the choice to send it back to hell where it originates. That concept evolved into Spyder Monkey, "the natural man in search of true spiritual evolution and connection to one another."
BS: Susie I noted that you were the main song writer for Digable Cat, your old band. I also have noted from your EP that this is true for the new band as well. Do you also do the arranging? If not who does the musical arrangements? How does the song writing come about? Do you write the music first then song or song first then musical arrangement?
Susie: With Digable Cat, it was a trade off. Generally Mandel would have a piece of a guitar part he would play and I would build a melody around that piece. Arranging key changes or bridges were more like decisions made by Mandel or Syfrig. Other times parts of songs were already written (for example Mary Poppins) with a general idea of meter or key and the natural momentum of the song sort of re-wrote itself. It gave way to an entire album (Skratch Traxx) and a self titled CD of great stories and material. I am very proud of the writing I did both lyrically and in form with Digable Cat.
With Spyder Monkey it is a very organic process. Right from the start though, there was more of a cohesiveness and a common camaraderie with one another which gave way to a freedom that I didn't really experience in DC. We didn't want another dictator in the band. We wanted things to be loose and truly open to experiment and go for what sounds good, not what sound is expected from a said "project". When we write, the rhythm section will usually start a groove and I'll weave in a melody, try scatting or repetitive rhythmic phrases. Guitar usually comes in next with the melody support or vice versa. The songwriting and arranging process comes about in an explosive collective rush with more polished parts to be added later.
Chuck: Here I would say the writing for SM is a collaborative effort. with Jeff,Mike and I being primarily responsible for the music and Susie being primarily responsible for the lyrics. Of course this isn't THE WAY its done but a good majority of the music was done that way.
As far as arrangement I would say its a 100% collaborative between all 4 band members. And as far as what comes first, the chicken or the egg its an open process not limited by any means or methodology. The music happens organically out of our collective conscious.
BS: When did you start song writing? I also read you play guitar when did you start playing?
Susie: I started writing when I was 7. Poetry, little songs and short stories on an old crappy tape recorder my mom let me play with. I didn't start playing guitar until after college. I was so in love with singing, I just never got started on a set instrument. A piano was easier to relate to vocally and melodically and more accessible in my home life.
BS: It was noted in the bio I read; that your mother was a jazz singer how did that shape your interest in music? Did her singing Jazz have any influence on your musical style?
Susie: My mother was and still is the hugest inspiration in my life. She is a very talented seasoned vocalist and band leader. In the often time male chauvinistic world of jazz players, she excelled at her job and enchanted audiences with her amazing voice. I used to try to emulate her and other female jazz vocalist. The lilts and phrases of Billie Holiday or Ella really started to shape how I wanted to build melodies and play against other instruments as if I were an instrument. This music was something I would hear first thing in the morning and last thing at night. Unfortunately, I didn't learn to appreciate my education of it until my latter high school days. I would say things I am ashamed of now like "oh man, not Pharoh Sanders again. This stuff is crazy!…can we play Led Zeppelin or The Who?…" Little did I realize that all this music would form what I love to sing and how I would love to sing it.
BS: Your lyric muse has been described as sweet and soulful, I find it more unique in style, it has a commanding and powerful tone mixed in with the sweet and soulful. How would you describe your lyric muse?
Susie: I guess unique is probably the best I can come up with. I have never really heard anyone sound like me, which I have come to understand is a good thing. To stand out in a crowd and be heard uniquely, not some warmed over copy of this or that carries with it a certain vulnerability that I have always fought in myself. Growing up, you want to blend in not stick out. I identified with the edgy unique tones in voices like Stevie Nicks, Tina Turner, Ray Charles or Sting because I found early on that my voice sounded different from all the girls in chorus who wanted to sound like the Go Go's. I suppose my overall sound is the blend of cultures I grew in and the wide range of music I was listening to.
BS: Susie it is evident your music has a lot of social over tones does that come from personal experiences or just stuff you read or hear about from the news?
Susie: I draw from both personal experience and of course current events. As sojourners of this planet we have in our own personal experiences and catalog of circumstances human truths. I want the listener to feel a timeless connection in the journey from history to future. I want the social overtones to be understood as relative in some way. The same types of personalities (jerks or cool cats) that were around in the days of Caesar or Kubla Khan are still around today and will be tomorrow. The backdrops may change over the sets of the centuries but the characters are still around. Cains and Abels, The Pontious Pilots, the Judas', the Christ's. We're all still here. In this way, I think its easier to be empathetic to one another.
BS: What other projects were you in other then Digable Cat or other members of the band? I heard Susie are also into acting, if so, what have you acted in?
Mike: The last two years I've been playing around Chicago with a few different projects Rocambu Jazz, Minor Deity and Jellyeye Drum Theater along with participating in a few recording experiments with friends.
Chuck: I was in Shuragin & Tommy Gun with Jeff, in a Metal Band called Darker, and in Fragile Ethos with other non-band musicians.
Susie: I was in a blues band called the Taylor Brother Blues band. When you took the stage you were one of the family so I became Susie Taylor when we played. At Old Town School of Folk Music I took the electric blues class and we formed a group called Suzie & the Shakes with instructor Lenny Marsh as our drummer. Got to play Buddy Guys a few times for the final performances. We had hopes of playing out for real, but Digable Cat soon formed and there wasnt extra time. I had to bail. I have been in and out of acting in stage plays, commercials and indie films since I was a toddler. My mom once kept me from getting a print ad as the Gerber formula kid because she was afraid that the entertainment industry was a seedy environment for a child to grow up in. After watching Breaking Bonaducci a few times, I guess she was right. Anyway, I grew up in Glen Ellyn and that came with a great opportunity for excellence in theater tutoridge. Some actors to this day quiver or cry at the name Mr. Quinn. I was in a ton of high school plays, and I got to be a stand in and extra in "Lucas" with Charlie Sheen and Winona Ryder. I've done commercials for Jewel Foodstores, Cellular One, Budweiser, a print ad for Shure microphone, and a neat commercial for Wickes Furniture set against this cool jazzy campaign with Chicago celebrities. To my surprise it aired Nationally during the Olympics.
BS: You also wrote for the Peace Fest Journal or for Peace Fest? What was that like and did that help form your more social lyrics? I like the fact that you're lyrics have something to say, yet are not preachy, is that intentional?
Susie: I wrote for the "official" Peacefest magazine called "SceneZine" which came out monthly. Our forum was primarily articles on social, environmental, humanitarian and musical news. My writing muse was open wide and I am fortunate to have worked in such an enlightening arena. There was a constant flow of information from life threatening hormones in our babies' milk, to governmental scandals of harmful pesticides to free speech infringements on the right to assemble and lots of topic on activists and their wrongful incarcerations. You know, really light stuff. If you held it all too closely, you felt you might just explode. I think it helped my writing by getting more focused in what I wanted to say about all this crap. I was very blessed to have grown up in a loving family deeply rooted in the gospel church. I was given the gift of seeing God work in my family in a very personal and powerful way. I love the artists that aren't afraid to call on their spiritual experiences to relate to one another. The stories I tell are just my way of expressing a type of folk inspired gospel music. I 'm trying to let people know that above all the crap in the world that need solutions, there is the never ending Love of God to help us get thru it all. I am not talking about religion. Religion to me is a hollow word used to describe a type of structure. I am talking about a relationship with the ever-loving Almighty who touches us where we are everyday. It is up to us to receive that touch. I've heard it said "people don't care how much you know, till they know how much you care". Love is action. My writing isn't for preaching, it's for reaching.
BS: Would you or any of the band members consider yourselves political? What are your thoughts on the state of the world and politics? Do you feel today's music and song writing is influence by world events? Do you feel it is more or less then in the past?
Susie: I consider myself anti political in that the politics of this country either from the beginning or soon there after shifted from the ideology of a common folk to the ideology of capitalisms and all the ugly trappings of it. There has been a strong sense of apathy and coldness that is evident in the attitudes of the haves toward the have nots. Modern day kingdoms trampling the backs of the ones who made them kings. The political process seems to have become about keeping your status and your fat salary intact instead of promoting others with cultural and social differences so that they can enjoy the same. Worst of all, this attitude is being promoted on the religious right wing platform. Last time I checked, it was not the sentiment of Jesus for us to be cold selfish bastards.
Jeff: I don't consider myself political but I do have opinion on politics. I don't mind if some political overtones make there way into our music. It is hard to stay neutral in the world today. If the songs are going to have a view that is fine with me as long as it is cleverly put. Who doesn't have a view on the world maybe coma patients? LOL
BS: What do you think about artists being involved in charity events? Such Farm Aid, Debit Forgiveness, Hurricane Relief? Do you feel there are pros and cons to artists doing charity events like this? Do you think that artists should be more aware of world events and politics?
Susie: When I think about artists being involved in charity events, I kind of take the position that many of the victims of the Katrina Hurricane took- all we got is each other. I feel that the artists reaching out to people in these charitable actions are like elders looking over their tribe. Artists historically have been the compassionate ones or the town crier. Artists are the ones who despise the greedy fat cats who wont let a nickel slip thru those fingers and help someone other than their congressman cronies. Sure there are pros and cons, but the pros outweigh the cons as more and more artists become enraged with the state of affairs, take hold of their gift and actually help change the world we live in. We as artists have a responsibility to be more aware and more involved with the events of our world.
Jeff: I think it is great when artists can help out people in need. I have noticed that it is getting hard for the artist to take care of themselves.
BS: How did the transformation from Digable Cat carry over to Spyder Monkey in terms of its influences or not? Did this help form the new EP?
Susie: Quite honestly it has been a blessing and a curse. On the one hand people remember hearing me and make the association of oh, Susie is Digable Cat, but get confused as to which band I am in now. That all comes with time and making a bigger bang than before. The difference in sound between the two bands is very noticeable. Spyder Monkey is more funk and soul driven with lots of progressive rock groove and gospel messages. Digable Cat had more of an pop/adult contemporary feel with gospel messages. The over all formation of the new EP was purely the energy that was tapped into from those initial jam sessions and experimentations.
Jeff: When we go the new band together we were kind of jilted by the energy that was coming from DC. I was a short timer there, but there was a lot of negative energy. The original idea for the band came from Susie, Rick Flores, and and Me. We wanted to write some fun, more up-tempo funky stuff. Also wanted to not to be afraid to try some more progressive avenues. The Pop stuff is cool but I was personally tired of trying to make every song top 40 friendly.
BS: What were some of your musical influence growing up?
Susie: This is the schizophrenic part of the interview, eh? Well, lets see… Ella Fitzgerald, James Brown, Chaka Khan, Stevie Nicks, Pretenders, Led Zepplin, The Clash, Rush, Jimi Hendrix,The Beatles, Ike & Tina, Pearl Jam, Miles Davis, Charles Mingus, Stevie Wonder, Muddy Waters, Mehalia Jackson, U2, Bjork, Sly & the Family Stone, Chick Corea, Pat Metheny, Weather Report, Prince, The London Philharmonic, Handel, Schubert, Brahms, Bach & Mozart. Pretty much anything that wasn't nailed down.
Jeff: It was my brother that turned me on to music at a young age. Mostly Led Zeppelin was his thing. Then I started to listen to all the rock bands, all the metal bands (heavy stuff not hair bands). Then in school I got turned on to a wider spectrum of music (Jazz, Blues and Fusion.) In my early 20's I was so into fusion that I couldn't listen to anything else. There were so many ideas and musicians that I loved in the genre.
Chuck: The Beatles, Black Sabbath, Jethro Tull, Jimi Hendrix, Phantom Helmsmen, Pink Floyd, The Police, Primus, Rush, Soundgarden, Yes & ZZ Top are my top influences when I was growing up. As I aged I began to get into bands like King Crimson, ELP, Infectious Grooves, Urge Overkill & Cheap Trick.
Do you describe your self as a neo funk rock band?
Susie: I hate trying to label anything we do since it is constantly evolving. I would have to say the safest label would be just a rock band since rock music encompasses all the genre's (blues, funk etc.)
Chuck: I really like the Progressive Funk Rock title. I don't know what "neo-funk-rock" actually means but I have always had a hard time with labels they almost never apply to the bands I love that they are applied to.
Jeff: that isn't a band description. But you won't catch me in a red jump suit with an afro wing anytime soon…….
BS: Susie, what was it like working with Grammy nominated Producer Jeff Wood? What are the pros and cons to working with a producer?
Susie: It was wonderful working with Grammy nominated Producer Jeffery Wood. He understood our potential, pulled out the best in us and systematically matched up his vision for us with ours. The pros to working with a producer is that a good producer will keep the artist focused on the goal and will help convey the artist's vision without interjecting their own. They are utilizing their studio expertise to make a final ready for market product. They have to know the inner workings of the artist and pull it out. The cons that I can see are giving that control to someone you are trusting that you may not know very well (or at all) to enhance your vision. Obviously, it doesn't always work out.
BS: What was it like recording at the world famous Fantasy studio in Berkeley?
Susie: Recording at Fantasy Studios was a dream come true. It was the first time I realized after waking up two days in a row and going to a studio to work 9 or 10 hours each day that this is all I want to do for the rest of my life! I mean, Hallelujah man! All our great writing and playing gigs was simply punctuated by this event. I sang thru Ella Fitzgerald's mike. We played in rooms on instruments that were used to make music with legends. I couldn't walk thru the hallways without staring at all the gold records of all the people that had been there. I was particularly struck by the Santana collections. I just wanted to throw down a mat in the corner and tell em, well I'm just not leaving.
BS: How does your music impact people around you? How do you all feel when performing and interacting with the audience?
Susie: They love the forcefulness of the sound. They like the ironic dynamics of a black girl singing rock music. They have told us that we have a lot of presence on stage that is the initial attraction and then the lyrics and the delivery grab their attention. Sometimes it feels like we are on fire! It is absolutely wonderful performing for the audience. The interation is magnetic.
Jeff: I think we do a good job of bringing our music to life, live. Playing out is what it is all about! The studio is one thing. It is fun to work on the solid form and funtion of the song in the studio. But playing live is my thing I have always loved it. When I do get to play live for a few weeks I start getting jumpy and crazy. It is so of the best fun I have every had in my life. When the audience is digging it that is the best reward it is the true acid test.
Chuck: They seem to really enjoy it. You are only as good as the people you play with, so I am great because I play with such talented musicians. Because of that, we really give them a feast for the ears as well as the mind (as far as appreciation for the technical abilty, lyric content, etc.). I feel great when we are performing live. Its almost as if I feed off the energy being given back from the audience. Its an indescribable feeling knowing what we are doing brings such joy to the people experiencing it.
BS: What do you see might be some of the changes happening in the music industry in the future? Do you see it as positive or negative changes?
Jeff: The music industry is a tough nut to crack man….I just don't know what they are looking for. I'm just being myself when it comes to song writing. Success in the music industry is all depending on how many "units" you sell and what you look like. Some of my favorite bands have the type of success that I would rather have than say that of John Mayer or Dave Matthews. I would just like to be able to do what we do comfortably. That would be refreshing.
Susie: I believe it is going to be a singles market and it is positive. To spend so much money that is already hard to come by anyway on a product that may only have 3 or 4 songs you really want to hear is archaic. Good or bad, we are a fast world that is spinning up and is making those edits that affect the wallet and the clock.
Chuck: I see the record companies stranglehold on artistic creativity finally being done away with as the digital revolution continues. More and more artists are able to do for themselves and get excellent results therefore putting control back in the hands of the artists. AND THIS IS VERY POSITIVE!
BS: Any aspiration for your futures in music or as a band?
Jeff: I'm willing to take this band as far as it can go. I have never written songs with a group of people as diverse as this nor have I worked with a vocalist as talented as Susie. Every band has problems and arguments-it isn't easy. But I have a feeling that this is just the start for Spyder Monkey. I see a bright future for us……
Susie: I want to reach the whole world with our music and our ideas. I want to be blessed by other cultures' music and I want to bless others with ours. I want to do this and make a living doing it. Rock on!!!!
Chuck: My main aspiration is to be able to support myself doing what I love.
BS: When you have bands like the Rolling Stones and Aeromith still out there playing concerts, how long do you think you will be play music and singing?
Susie: Well, as for me I intend to sing leaving my last breath ringing out over the audience until I'm as old as dirt. I can't ever imagine doing anything else. I hope that time is kind to our music and that it may be enjoyed for many years to come.
Jeff: I'm hoping to be hand and hand with music for the rest of my life. It is a big part of me.
BS: What do you think about the internet and music, how is that helping or not helping the music industry? Do you think the internet helps indie artists or takes away from bands and artists being forced to create really good material because it is so easy to create a CD?
Chuck: It is hurting the record companies but I see nothing but benefits for the artists. Record companies take such a huge chunk of record sales that the primary source of income for most artists is Touring & Merchandise. So as a whole I think it will help create a better environment for artists to do what they want rather than what is going to sell the most albums which in the end will benefit the quality of music being produced. Take a look at 70's music (and no I don't mean disco). Some of the greatest music ever recorded came out of that decade because the record labels had backed off to let the artists experiment and create what had never been done before (think Steve Wonder). The internet is causing the culture of that era to come back as people have the freedom to listen to and experience a wider range of music without necessarily having to shovel out $15.99 for a CD.
Jeff: Think the internet is awesome for music lovers…I don't know how I got along with out it for the first 2/3rds of my life. You always hear these horror stories about how people downloading illegally is bad for the music industry. I say let them. At least the music is getting out there for people.
Susie: Internet music is great unless you are the MAN. Getting music to people is the most important thing for an artist. Yes, yes we all have to eat and pay taxes but there are other creative ways the artist can make money in the internet arena. Merchandising is one. But, if we can create an underground community say for instance like Ben Harper did and pack a hall because a friend turned them on, or a bootleg burned off a site got circulated, I can say amen and sleep at night because we are growing into not just a band, but extended family members of a global community. I didn't find out about Ben Harper because I heard him on the radio. I still haven't heard him on the radio. It was roots based momentum that got it to my ears.
BS: Do you feel being from Chicago we need a new music industry night or music organization to form to help young artists and bands get started? Do you feel the music industry here in Chicago is unified? Is there ways Chicago's music industry can change to help the local indie artist more and be more unified?
Susie: Music industry nights or "help" clubs can be cool, but after a year or two, it can become too recycled. Ideas stop flowing, people stop going, they get lazy or quit. I can't say if the Chicago scene is all that unified per say. There seem to be small bands of us roving around supporting each other, but I haven't found it to be overwhelming. We need more unification. We need to stop hating.
Jeff: I feel that the Chicago music scene is a little fickle but I still love playing here. It is my home and I have had most of my best shows here. Back when I did do some touring I noticed that some cities appreciated the efforts of the musicians more. I just think some of these clubs should nurture the local band instead of trying to get over on them……
BS: If I invited you to a special jam session, who's music other then your own would you be inspired to sing and play? If you could invite any four indie artists or bands and any four national or international artist or bands to my jam session who would you invite and why?
Chuck: Black Crowes, Gov't Mule, and other such artists with an upbeat easy flowing jam sensibility. Urge Overkill, Cheap Trick, Les Claypool (in any of his many configurations) and of course Rush!
Susie: For the four indie artists it would probably be The Kills because they have an edgy dangerous duo act that I am fascinated with. They are so enigmatic and possess a clean clever sound with lots of raw emotion. Bleed from Wisconsin would be next for their old school punk rock-a-billy. OhMyGod would be after that. A fantastic wall of sound from three talented songwriting lads is what keeps them in my cd player. And lastly…. there are still too many. (Waste, Lucious Warbaby, The Dials, Headnoise, The Drastics, Waveland, Dremana, Hallelujah….) it goes on and on.
Susie: For the four international/national acts I would invite Peter Gabriel because he is the master of ceremonies in world visionary music. His voice is better than ever and the stage show is beyond compare. Ben Harper would be next. His music is transforming, engaging, honest and I would be honored to share a stage with such a passionate gospel driven individual and that SMOKIN BAND. Pearl Jam because they are amazing still and always will be. I love the original quality of Vedder's voice, the beauty and aggression of his songs and his politics are dead on. Forthly, John Frusciante. (Need I say why?)
Jeff: I would invite:
1.) John Frusciante (red hot chili peppers) cause he has my favorite style for a modern guitarist
2.) Chick Corea – cause he is one bad mofo on the keys 3.) Nick Hex (311) I love his song writing and he has a awesome timber to his voice
4.) Bob Marley – who wouldn't want to jam with Bob!
Spyder Monkey is an eclectic fusion of music with influences from progressive rock, soul, funk, Reggae and American blues. With raw high energy, the Spyder Monkey family of souls is creating music that transcends a myriad of musical genres. They achieve the solitary goal of touching the hearts & minds of audiences' here and abroad.
Fronted by former co-founder & songwriter of the Chicago band Digable Cat, Susie Lofton is a uniquely gifted singer-songwriter & prolific lyricist, who sings compelling tales of the human experience. Her stories relate the struggle of natural man in search of spiritual connection, and peaceful relationships to one another, while exposing the world's hypocrisies and devastating atrocities leveled against souls everyday. Described as "a girl who can belt a strong blues sound to rock music.." Susie's powerful "sweet & soulful" voice is noted to be reminiscent of notorious female rockers PJ Harvey, Blondie & Concrete Blonde's Johnette Napalitano. Past projects include mainstage performances at H.O.B. Chicago, H.O.B. Back Porch Stage, Midwest Tour, UK Tour & MECA Music Conference & Festival. Susie has also recorded at world renown Fantasy Studios in Berkley, California with 4 Non Blondes drummer Dawn Richardson and has performed with Sonia Dada vocalist Paris DeLane
Coming from the heart of the jungle are the players: Machine gun drummer Mike Tooles, hot rod guitarist Chuck Polenzani, and the pop slappin bass work of Jeff Blatherwick. The three-headed monster ferociously scale the wall of sound by integrating their diverse backgrounds, taking no prisoners. With their forces combined they have forged a new dangerous breed of music heard the world over!


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Visa, Mastercard offer to cut tourist card fees in EU antitrust probe
Updated : November 23, 2018 05:33 AM IST
Even after the reduction, such fees which are paid by merchants when they accept card payments and are a lucrative source of revenue for banks, will still likely be higher than those for EU cards, they say.
The European Commission has battled for more than a decade to reduce such costs and encourage cross-border trade and online commerce. Regulators across the Atlantic have also frowned on such practices.
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4 Hands Cleaning Testimonials House Cleaning in the Boise Treasure Valley
Marilza has cleaned our home weekly for the past 9 years. She is like family to us! Her work is excellent and always consistent. My floors have never been more clean.:) She is trustworthy and reliable. If you want someone like this in your home, Marilza and her cleaning partner are perfect for the job! Angela B
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Then two people, a redheaded and mature chick and her friend, are chatting, this one proposes a love session without attachment between partners. As a French maid, this bitch licks her penis and turns her on funny. Unable to resist the temptation, the guy also gives himself and kicks this pig until he gets satisfaction. Then having sucked them very well, she will stick them in her tuft and in her bowl. This time, in this sex video, she finds herself a gorgeous man so much younger than her for a hot anal penetration session. This specialist, all excited, a fan of ass video, will experiment what she can do. Sitting on the furniture, the guy is first jerked off by this whore who eats his big balls. Then, the boy to fuck her through all the holes ; she is on her knees, her back broken and she takes the guy's dick at the bottom of her pussy while moaning completely like a madwoman. But during the ride, this bitch lifts her top and really turns on the guy who doesn't hesitate to get erect in his blue jeans.
Channels : Sexonorte


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Scared To Dance is back with The Beatles Special at The Victoria.
★ Guest DJ ★
Our guest DJ is Bobby Foster from Star Shaped Club who has been a regular at the club over the years. Expect to hear the best from Help!, Rubber Soul, Revolver, Sgt. Pepper's, The White Album and Abbey Road, Let It Be and more. We'll also be projecting A Hard Day's Night. If you have any song requests you can post them in the Facebook event.
★ Music ★
We'll be playing The Beatles alongside our usual mix of indiepop, post-punk, new wave and sixties music.
A Day in the Life . A Hard Day's Night . And Your Bird Can Sing . Baby You're a Rich Man . Back in the U.S.S.R . The Ballad of John and Yoko . Can't Buy Me Love . Come Together . Day Tripper . Drive My Car . Eight Days a Week . Everybody's Got Something to Hide Except Me and My Monkey . Get Back . Getting Better . Got to Get You Into My Life . Help! . Here Comes the Sun . Hey Bulldog . I Am the Walrus . I Saw Her Standing There . I Should Have Known Better . I Want to Hold Your Hand . I've Just Seen a Face . Lady Madonna . Lovely Rita . Lucy in the Sky With Diamonds . Money (That's What I Want) . Paperback Writer . Please Mister Postman . Revolution . Rock and Roll Music . Roll Over Beethoven . Savoy Truffle . She Loves You . Taxman . Ticket to Ride . Tomorrow Never Knows . Twist and Shout . We Can Work It Out . Within Without You
★ Entry ★
Tickets are on sale at DICE and WeGotTickets.
★ Links ★


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How Does Adaptive Battery and Adaptive Brightness works in Android Pie
As you guys know that Android Pie (P) is all about the AI implementation in Android Operating System. Google has mainly tried to implement as many AI Features as they can in this Latest Android Pie. As of now Android Pie is not Available on most of the Devices. Even most of the devices have not even received Oreo Updates. That means that we have to wait some time to be able to use this features. So without any further delay let's start the Article.
How the Adaptive Brightness works in Android Pie
Well at this point you may be thinking of-course all of the Smartphone are equipped with Ambient Light Sensor which manages the display brightness according to the amount of light in your surrounding. BUT…….. That's not it, in the case of Android Pie. In Android Pie you need to manually set the Brightness three or four times a day. The Android Pie AI studies your interaction with Brightness Slider and then it starts Auto-Adjusting the Brightness for you. Awesome Right!
In other Words
The more you manually set the Brightness the Better the Adaptive Brightness.
In this way Android Pie use Ambient Light Sensor and AI together to make the Adaptive Brightness more accurate than it was in previous android version. Adaptive brightness understands when you require full brightness or extreme dim display simply because it has seen you doing it. So, now you just have to sit back and relax, and machine learning will do it for you.
How to Enable Adaptive Brightness in Android Pie
Go to Android Device Settings ⇒ Tap on Display ⇒ Tap on Adaptive Brightness ⇒ Turn on the toggle button
Since Adaptive Brightness is controlled by AI so it may take some time for this feature to start working properly. That is because it uses Machine Learning. That is how Adaptive Brightness Works in Android Pie.
How Does Android Pie Adaptive Battery Works
Device Battery is undoubtedly a primary concern of everyone. However, the struggle is different for users and device makers – On one side, smartphone manufacturers endeavor to increase device battery capacity, overlooking behavior of memory consuming apps entirely.
Whereas on the other side, Android users download counter-intuitive battery apps, along with shutting down essential functions and applications. While this helps in the battery life, but at the end of the day, battery saving tips and tricks are never known to show any extraordinary results.
With Android 9.0, Google went beyond the baseline of following heuristics. With the help of DeepMind, its A.I. division, the company integrated machine learning with Battery consumption.
Adaptive Battery uses a deep conventional neural net which adapts to your app usage pattern and predicts which apps you use frequently and which apps you use less or if not at all. Consequently, removing idle apps from device memory to save power.
Moreover, the Android Pie battery system takes intelligent decisions on whether it should allow an app to work in the background, and for how much time. For instance, if one of your installed apps takes up heavy processing while the screen is off, the system would then throttle the app until you are on power.
According to Google, Adaptive battery helps in over 5 percent reduction in overall CPU usage, a 10 percent reduction in background data transmission and over 15 percent reduction in CPU for certain app segments.
How to Enable Adaptive Battery In Android Pie
Go to Android Device Settings ⇒ Tap on Battery ⇒ Tap on Adaptive Battery ⇒ Turn on the toggle button
These features are only available to Android Pie users. In other words, only Google Pixel and Essential PH-1 can use these features. But since the Android Pie device support list is expanding day-by-day, you might see these Android P features on your phone, in the near future.
Thanks For Visiting
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What makes Python Programming Language so Special
Mi Mix 3 Specification and Price in India
New Winamp is Coming Back in 2019
Use of various Sensors in your Smartphone
How Does Adaptive Battery and Adaptive Brightness works in Android Pie
What is Guest Blogging? How to Become a Content Writer?


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Jeremiah 1:16-18 King James Version (KJV)
16 And I will utter my judgments against them touching all their wickedness, who have forsaken me, and have burned incense unto other gods, and worshipped the works of their own hands.
17 Thou therefore gird up thy loins, and arise, and speak unto them all that I command thee: be not dismayed at their faces, lest I confound thee before them.
18 For, behold, I have made thee this day a defenced city, and an iron pillar, and brasen walls against the whole land, against the kings of Judah, against the princes thereof, against the priests thereof, and against the people of the land.
You'll get this book and many others when you join Bible Gateway Plus. Learn more


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|Bookplate material:
|Stand Material:
|Aluminum Alloy
|20.5-48 inches
|Bookplate Size:
|14x11.8 inch
|Net Weight:
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Hricane collapsible music stand has an amazing design and comes in a black finish. Sturdy tripod legs fold easily for maximized portability. Tripod support legs with non-slip rubber caps for extra sturdiness. Height-adjustable for standing or sitting positions. Flexible height adjustment from 20.5 inch to 48 inches for your height needs.180 degrees fully adjustable angle tilting bookplate. Large steel bookplate, perfect for any sheet music, with holes to help reduce overall weight. Enjoy our Hricane music stands today!


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Joel Reinfeld is among the finest choices in the local region if you are seeking a real estate lawyer in Bergen County NJ. Due to his extensive experience in terms of representing both individuals and businesses in various kinds of legal matters, Joel Reinfeld can assist you in obtaining the result you want by finding the path that will lead there most effectively. As it pertains to law, among the most complicated fields is the handling of real estate issues, both commercial and residential. The legalities or purchasing and selling real estate are easy to get lost in considering how complex they can be. If you deal with real estate to any degree and are searching for a top real estate attorney in Fort Lee NJ, you need somebody knowledgeable and skilled enough to assist you in navigating these issues. Joel Reinfeld, having been practicing real estate law for many years, can assist you in getting through the complex real estate legalities pertaining to your case confidently.
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Joel Reinfeld is a leading choice when you want a residential real estate lawyer in Bergen County NJ because he understands the difficulties that you are experiencing when handling such a case. Without cutting any corners, he will research each detail of your residential real estate case to come up with the ideal strategy for your desired results. If you work with Joel Reinfeld as your legal representation, you're working with an expert in the field of law, with experience in a broad array of legal matters. His practice is dedicated to providing effective legal representation for municipal court, family law, and real estate related issues, since graduating high school he has served in a large number of legal notable positions. One such position was as the federal law clerk to George Kazen in Texas. He has been both businesses and individuals member of various University clubs and has additionally served as not only a legal writer, but a university level instructor of legal writing.
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News and Reviews > Official Announcements
DonationCoder.com Logo Contest is Over - We Have a New Official Mascot/Logo!
<< < (4/22) > >>
Johnk,i like that first one alot.I think individual logos to attach to each applications identity is pretty cool too.
Cool :D
I have to reinstall C0relDraw! too, ;D
one prize will be a barely used saphire blue graphire3 4x6" usb graphics tablet:
another prize will the first tshirt with the logo on it.
Ok, here's my idea:
DonationCoder.com Logo Contest is Over - We Have a New Official Mascot/Logo!
It's based on Kniht's idea and of course someone with REAL graphic skills (that's not me :D ) needs to work it out. I chose a tiny colibri with a big coin to say:
"At DonationCoder.com even small donations help to accomplish more."
Do I smell a slogan contest coming up? :-*
btw: a colibri is a hummingbird :)
here's kniht's original version, with the clipart that skrommel found (see http://www.dcmembers.com).
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The FARRM bills major expenditure, the Supplemental Nutrition Assistance Program (SNAP), supports over 40 million people.
What percentage of people have received SNAP benefits for more than 5/10/20/30 years?
(Note: I am interested in cumulative years on SNAP. I believe that there are statistics for average number of months on SNAP before going off it, but do not know if they track people who return to the program.)


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"Robert was great to work with. He was very flexible with last minute showings and availability. He helped my wife and I navigate a very competitive market and his personal insight into the area we were looking was extremely helpful in making sure we ended up in a neighborhood we would love for a long time!"
– Danny Munoz
Find out what you're house is worth.


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Upscale Cushions And Throw Pillows
And finally, as mentioned earlier, one of the benefits of buying designer cushions is the fact that you will experience the finest of fabrics. Of course, this enhances comfort dramatically. However, you can see the different textures utilized visually and thus it also enhances style too. Velvet is a perfect example of this. It looks and feels luxurious. It can add a wealth of glamour and lavishness to any bedroom. This is ideal for those who are looking to emulate a vintage and sumptuousness feel in their room.
There is a great number of different ways you can add style to your room with cushions made by designers. There are different uses, too: from beds, to window seats, chairs, chaises and more. Not to mention the wealth of different designs, color, style, material and size.


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On August 31, 2019 at 10:25 a.m. Grey Bruce Ontario Provincial Police (OPP) were called to a boat collision on Georgian Bay off the west side of White Cloud Island. The collision involved two vessels, a 46 foot cruiser operated by a 51 year old individual and a 17 ½ foot bow rider operated by a 61 year old individual. There were 4 persons on the bow rider.
Grey Bruce OPP Marine Unit and Canadian Coast Guard attended the scene. Two occupants, a driver and a 26 year old passenger from the smaller vessel, were transported to hospital by Bruce County Paramedics with serious injuries.
Both vessels were significantly damaged as a result of the collision and had to be towed to Wiarton Marina.
Grey Bruce OPP continue to investigate the circumstances surrounding the collision.
Anyone with information that can assist Grey Bruce OPP can call 1-888-310-1122. Should you wish to remain anonymous, call Crime Stoppers at 1-800-222-8477 (TIPS) or submit a secure web-tip at www.cstip.ca, where you may be eligible to receive a cash reward of up to $2,000.
source: media release