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We created Slam Academy with the interest of taking anyone, with any background, to a place of creative mastery.
Master Package: Ableton Live
Master Package: DJ I
Master Package: Recording Arts
Master Package: Hip Hop Producer
Master Package: Music Industry
Master Package: Sound Design
Master Package: Mixing & Mastering
Master Package: Producer
Master Package: DJ II
We created Slam Academy with the interest of taking anyone, with any background, to a place of creative mastery.
6 Month Program
Intro Classes:
[FREE] Intro to Ableton Live (MSP)February 27 @ 11:00 AM - 1:00 PM
[FREE] Intro to Ableton Live (MSP)February 27 @ 7:00 PM - 9:00 PM
Ableton Live Program (MSP)March 12 @ 11:00 AM - 2:00 PM
Ableton Live Program (MSP)March 12 @ 7:00 PM - 10:00 PM
Ableton Live Program [week 24] (MSP)August 20 @ 11:00 AM - 2:00 PM
Ableton Live Program [week 24] (MSP)August 20 @ 7:00 PM - 10:00 PM
The Ableton Program is the most rigorous training we offer in Live. It is a comprehensive and systematic approach from the ground up, designed for the most dedicated Live students. This sequence takes the novice producer through the most advanced content and cutting-edge techniques, equipping you with all the tools you will need to be a professional Live user.
James Patrick teaches Slam Academy's Ableton Live Program. 15-year DJ and music producer, co-founder of Slam Academy, and Ableton Certified Trainer; James Patrick uses his professional involvement in both academic and popular electronic realms to unite the creative energy, ideas and people of his community.
Software Requirements: Ableton Live software (Suite preferred)
Enrollment limit: 15 students
Live Level 1: Interface Navigation
Create your own original music sketches using Ableton Live's Factory Library sounds. Understand and practice the general workflow of music creation within Live. Customize Live to behave the way you want it to, and arrange your own grooves, basslines, melodies, and harmonies using Live's virtual instrument collection.
Live Level 2: Sequencing and Recording
Create your own original sequences using Live's intuitive Session View. Record your own sounds into Live and warp them to your own grooves. Mangle and twist those recordings to create entirely new sounds for your arrangements. Record yourself jamming on the knobs to add life to your sketch with automation and modulation.
Live Level 3: Arranging and Editing
Create intricate changes, drops, breakdowns, tempo changes and more using Live's Arrangement View. Chop, slice, reverse, and further refine all of your sounds to create riveting sound environments. Record yourself improvising across the timeline to further enhance your tune. Export your first fully arranged and edited song by the end of this level!
Live Level 4: Effects Processing
Turn your electronic music into something incredible with professional effects processing techniques. Sculpt your audio creations into exactly what you imagine using your own custom signal processors. Improvise with these custom processors in your own music, or live on stage using Slam Academy's world class techniques.
Live Level 5: Synthesis and Sampling
Create your own original sounds from scratch. Build your own synth leads, basses, drums, pads, sound effects and more, entirely with Live's virtual instrument collection. Incorporate those into your final project for this level to create your own entirely original electronic music composition, from the very ground up!
Live Level 6: Controllers and Instruments
Add more human control to your music by connecting your own controllers and instruments to Live. Customize your APC40, Push, and other Control Surfaces to respond exactly the way you want them to. Learn the world of recording interfaces and external hardware. Record synthesizers, drum machines, and musicians playing real instruments alongside your arrangements.
Live Level 7: Performance
Play your own original songs live in front of an audience. Design a live performance set that will allow you to jam alongside live musicians, DJs, and more using Ableton Live and a MIDI controller of your choice. Also learn how to DJ with Ableton Live in this level. Complete the level with a short live performance of your own tunes.
Live Level 8: Mixing and Mastering
Push your original songs onto the world stage using industry standard Mixing and Mastering techniques. Polish your own songs alongside Slam's expert mix engineers. Hear your own songs stack up to the loudness and clarity of your favorite all time tunes. Finish this level with a completed original song or EP, ready to share!
Upcoming Start Dates
Ableton Live Program (MSP)March 12 @ 11:00 AM - 2:00 PM
Ableton Live Program (MSP)June 1 @ 11:00 AM - 2:00 PM
Ableton Live Program (MSP)September 3 @ 11:00 AM - 2:00 PM
Ableton Live Program (MSP)March 12 @ 7:00 PM - 10:00 PM
Ableton Live Program (MSP)June 1 @ 7:00 PM - 10:00 PM
Ableton Live Program (MSP)September 3 @ 7:00 PM - 10:00 PM
Classes meet on Mondays (Jun & Dec) or Thursdays (Mar & Sep)
New start every 3 months!
Dates my be subject to change.
3 Month Program
Intro Class:
[FREE] Intro to DJ I (MSP)April 29 @ 7:00 PM - 9:00 PM
DJ I Program (MSP)May 6 @ 7:00 PM - 10:00 PM
DJ I Program [week 12] (MSP)July 22 @ 7:00 PM - 10:00 PM
Start with the history of DJing and dive right into beat matching, mixing, and scratching on the real Technics 1200s. Once the class is rocking the decks, hands-on every day, we move to CDJs and Native Instrument's Traktor. These are the digital alternatives to turntables, and what everyone in the real world of DJing is using.
Kyle Goodrich (Kyle King) teaches Slam Academy's DJ I Program, with guest instruction from Jimmy Cavanaugh (DJ Adatrak). Reaching almost two decades as a DJ, Kyle's selections draw from his experience, and his desire to weave new music with the classics, and always leave the dancefloor blissful and exhausted. Kyle was hooked from the start and his passion for music truly shows.
Software Requirements: None
Enrollment limit: 10 students
DJ I Level 1: Turntables, Beatmatching, and Mixing with EQ
In the first level of the DJ I program, we will begin by learning the history of DJing and where it all began. We will learn together, how turntable-ism was first used, and how it has evolved today. We will observe classic DJ techniques, and get a feel for the fundamental tools used in the DJ booth. Each student will get a hands-on feel for the analog turntable, DJ mixer, and prepare for dropping their first beat. We will explore the various beat structures of popular genres, and learn the ins and outs of mixing tunes together and why.
We will look deeper at what it means to be a DJ as someone who performs when they play. We will explore ways to choose certain kinds of tracks for certain kinds of audiences, and to set the tone and handle the energy of the room accordingly. We will learn how matching beats by tempo and songs by key can help us assemble more cohesive sets, and how to use these tools to ensure that the story we are telling is clear to our audience.
DJ I Level 2: CDJs, Controllers, and Software
We will be focusing our efforts on "hands-on" time in the booth. Preparing for our first sets, each student will have time working the turntables with the instructor's guidance, preparing their tracks and getting a feel for beat matching and really touching the music. Once everyone can lay down a short set of beat matched material, keeping things flowing, we finish our time with the vinyl turntable and look to the digital age of CDJs and Traktor.
Playing a set for a dance floor on "club" style equipment in the 21st century means using Pioneer CDJs. Spend these weeks in the Slam DJ booth with the Pioneer Nexus CDJs and Mixer, learning the interface and having fun. Link the players to your flash drive, set cue points, beat match, mix your tunes in key or even transpose them if they aren't! Sync your tunes here to spend even more time tweaking filters, setting loops, or applying effects on the DJ mixer.
DJ I Level 3: Advanced Mixing, Scratching, and using FX
We explore "DVS" systems, such as Traktor and Serato. Hear we can apply what we already know about signal flow in the DJ booth, the DJ mixer and turntable, EQ and effects, all to an entirely virtual system. Connect a MIDI controller to your laptop and evoke the same feel as a DJ in an expensive CDJ/Turntable DJ booth! Learn the ins and outs of Traktor, and get in some hands-on time with the instructor, playing your own tunes on these systems. The goal here is to be able to speak the language of the DJ, regardless of the type of playback technology in the mix.
The final performance here is a highlight for everyone at Slam Academy. Rehearse your set with the group, get feedback from the instructor, and prepare for your big performance. Rock a set of your own songs on our big system, and invite your friends because this always turns into a party! Come in for the final feedback session on the last week to get the lowdown on your performance highlights, as well as any constructive criticism to consider for your next gig. *Be sure to stay in touch with Slam via your SlamPass, because there are always gigs and party opportunities for Slam crew and regulars!
Upcoming Start Dates
DJ I Program (MSP)May 6 @ 7:00 PM - 10:00 PM
DJ I Program (MSP)October 28 @ 7:00 PM - 10:00 PM
Classes meet on Wednesdays
New start every 6 months!
Dates my be subject to change.
1.5 Month Program
Intro Class:
[FREE] Intro to Recording Arts (MSP)March 19 @ 7:00 PM - 9:00 PM
Recording Arts Program (MSP)March 26 @ 7:00 PM - 10:00 PM
Recording Arts Program [week 6] (MSP)April 30 @ 7:00 PM - 10:00 PM
If you have an instrument, bring it in to help with live recordings in class. Don't play an instrument, no problem, we're teaching you how to record live instruments, not play them. As part of your enrollment, you have access to all of our equipment, acoustic and electronic instruments, and our various recording and production studios.
Stefon Taylor (Bionik) teaches Slam Academy's Recording Arts Program, alongside Joe Woodling and guest instructor Charlie Erickson. "Bionik" is at one in both acoustic and electronic realms. He sings, plays guitar, bass, drums, and percussion, writing and recording all of his own sample-free music. As a producer of electronic soundscapes, his recent live performances have taken him to Minneapolis' First Avenue, Los Angeles' Low End Theory, and Brooklyn's Knitting Factory.
Software Requirements: any DAW
Enrollment limit: 8 students
Recording Level 1: The Recording Studio
The Analog Studio – Jam on instruments and microphones that you connect yourself with instructor guidance.
Digital Audio Recording – Record yourself and others the right way with your computer and classmates.
Audio Bussing and Mixing – Blend those recordings together to make them sound big and beautiful.
(Session 1) Basic Studio Tracking – Create an original song using all of these professional techniques!
Recording Level 2: Professional Sync and MIDI Integration
MIDI Synchronization – Play synthesizers, samplers, drum machines, and more along with your recordings.
Control Surface Integration – Touch and control your sounds with buttons, knobs and faders to enhance precision and feel.
(Session 2) Multitrack Studio Tracking – Record a band or multiple musicians at once in a real studio recording session.
Listening Session and Student Feedback – Share your works with your classmates and instructors to get feedback.
Recording Level 3: Guided Tracking Sessions
The Recording Session – Record your own instrumentation to your own original backing tracks.
Editing your Tracks – Chop, stretch, comp, and refine your song on the timeline.
The Mixdown – Process and blend your sounds to achieve maximum sonic impact to your audience.
Final Project Review – Deconstruct your original works with the class and instructor for final feedback.
Upcoming Start Dates
Recording Arts Program (MSP)March 26 @ 7:00 PM - 10:00 PM
Recording Arts Program (MSP)June 25 @ 7:00 PM - 10:00 PM
Recording Arts Program (MSP)September 17 @ 7:00 PM - 10:00 PM
Classes meet on Thursdays
New start every 3 months!
Dates my be subject to change.
3 Month Program
Intro Class: There are no upcoming events at this time.
Starts: There are no upcoming events at this time.
Ends: There are no upcoming events at this time.
Learn Sampling, Synthesis, and Recording in the Hip Hop industry, and apply those concepts to modern studio tools like the MPC, Maschine, APC40, Push, TR8, and more. Go on a field trip with the DJs to a local vinyl shop, bring the tunes back to the studio and sample them straight off the decks into your productions! Produce tag lines, record and process vocals, and chop/screw these recordings with expert guidance. Lastly, learn the do's and don't of the professional hip-hop industry and learn how you – an aspiring producer – can get started in the professional industry.
Greg Grease teaches Slam Academy's Hip Hop Producer Program. Grease is a Musician / Visual Artist / Sewer out of Southside Minneapolis, featuring a blue-collar Afro-centricity present throuhout all of Grease's music, particularly with his band Astralblak (aka ZULUZULUU), a Soul/Funk/Future Space movement created to empower and elevate through sonics.
Software Requirements: any DAW
Enrollment limit: 8 students
Hip Hop Level 1: Hip Hop 101 - Styles, Origins, and Production Methods
Comparing classic styles and origins of hip hop and what they involve ala DJ Mustard, DJ Premier, Chop/Screw, J Dilla, and more. Learn how to use the fundamental tools and techniques that make Hip Hop, from the microphones, drum machines, synthesizers, and samplers. Investigate the ways that the Sampler has inspired the genre, and learn the workflows used by Marley Mall, Timbalaand, Pete Rock, RZA, and others to bring these tools to life.
Hip Hop Level 2: Advanced Beat Making Techniques
Go to the local indy record store and come back with some vinyl. Sample it with instructor guidance, and chop that sample into your own tune. Add synth lines that are in key, and add drums that are in the pocket. Turn your beat into a full song by tweaking those sounds and add extra flavor with effects, shout outs, and ultimately vocals in your own tune. Explore processing and pitch and time correction tools such as autotune, melodyne, and vocoding for extra attitude on that microphone.
Hip Hop Level 3: Producer Success Strategies
Showcase your work as an artist or producer on the world stage the right way, with proper social media rollout techniques. Learn the ways that are tried and true in the 21st century for publishing, marketing, distribution, licensing, and more. Explore the various avenues a creative person can pursue in this field, from performer, producer, engineer, MC, and more. Hear industry success and failure stories from veterans in the game, and ultimately succeed yourself as you apply this knowledge to your own music and music career.
Upcoming Start Dates
Classes meet on Wednesdays
New start every 6 months!
Dates my be subject to change.
3 Month Program
Intro Class:
[FREE] Intro to Music Industry (MSP)August 12 @ 7:00 PM - 9:00 PM
Postponed – Music Industry Program (MSP)February 26 @ 7:00 PM - 10:00 PM
Music Industry Program (MSP) [week 12]November 4 @ 7:00 PM - 10:00 PM
Creators of all types must now work a little harder to establish their art and aesthetics amongst a very crowded field. Data from 2017 suggests almost 20,000 singles are released every week. How will you break though? Students will work collaboratively to research and support each other's art while also working to promote our growing Slam Academy Family.
Electronic Music Composer Katie Kramarczuk (Hydrah), Producer Aaron Mader (Lazerbeak), and Attorney Grace Davies, team up to teach Slam Academy's Music Industry Program.
Software Requirements: None
Enrollment limit: 10 students
Industry Level 1: Copyright Basics and Economic Incentives
Copyright is often looked at from a punitive standpoint ie "you downloaded something illegally". However, we'll explain how copyright works and is designed encourages artistic creation. Additional discussion points will include:
- Differences between PA and SR Copyright
- 6 Rights granted to Copyright holders
- 3 Qualifications for copyright registration
- Mechanical Rights
- Sample clearance
Industry Level 2: Copyright Registration and Performing Rights Organizations
In this section of the course we'll cover copyright registration and how to affiliate yourself with performing rights organizations like ASCAP, BMI, and SESAC as well as with digital rights organizations like Sound Exchange.
- PRO Registration
- Differences between 3 major PROs
- Values to joining a PRO
- Creating your own Publishing Company
- SoundExchange Registration
Industry Level 3: Demystifying the Music Business
Often times, the music business is seen as an overly complicated morass of companies and backroom deals. In reality, the music business is at least 11 mostly unrelated industries all working together. We'll discuss in depth how money can be generated from both songs and artists and how the industry sectors interact.
- Describe Industry Sectors
- Track revenue potential within industry
- Explore career opportunities throughout industry
- Explore entrepreneurship opportunities throughout industry
Industry Level 4: Modern Trends in the Music Industry
The music business is growing. Fast. In this topic we'll discuss major trends in music and the economic and career opportunities within these trends. Major topics will include the rise of streaming, vinyl resurgence, how to create fan "rewards" and more.
- Streaming trends
- Decline of retail
- Digital distribution platforms
- High value physical merchandise
- Music as a "service"
Industry Level 5: Emerging Revenue Streams in Today's Mobile World
Artists are innovating in a myriad of ways to create new revenue streams. Importantly, many of these opportunities are available to independent acts as well as more established performers.
- Licensing
- Crowdsourcing
- Patronage
- Sample pack development
Industry Level 6: Business Registration and Controlling Your Future
The difference between "you" and a "corporation" can be as simple as filling out a few forms. We'll discuss business registration and the financial and legal implications of how you set up your creative pursuits.
- Business Structures (sole proprietors, partnerships, LLC, S-Corp, C-Corp, B-Corp)
- Trademark
- Doing-Business-As registration
- Domain Name Registration
Industry Level 7: Marketing Means Sharing
How we market and share music is fundamentally changing. An older world of retail stores, posters, magazine reviews, and radio play is being replaced by blogs, pop-up performances, playlists, and more. We'll work to provide all students resources and lists to market and promote their content to a wide audience.
- Content Marketing
- Social Media Strategy
- Email Marketing
Industry Level 8: Planning to Plan: Releases are Campaigns
Releasing a record can be an exhausting and unrewarding process. However, with long range thinking, promotional efforts can compound upon themselves broadening one's audience and increasing the likelihood that something could "take off".
- Long term planning
- Tent Pole Events
- Press and Radio Support
- Blogs
- Labels
Upcoming Start Dates
Postponed – Music Industry Program (MSP)February 26 @ 7:00 PM - 10:00 PM
Music Industry Program (MSP)August 19 @ 7:00 PM - 10:00 PM
Classes meet on Wednesdays
New start every 6 months!
Dates my be subject to change.
6 Month Program
Intro Classes:
[FREE] Intro to Sound Design (MSP)June 30 @ 11:00 AM - 1:00 PM
[FREE] Intro to Sound Design (MSP)June 30 @ 7:00 PM - 9:00 PM
Sound Design Program (MSP)July 7 @ 11:00 AM - 2:00 PM
Sound Design Program [week 24] (MSP)June 23 @ 11:00 AM - 2:00 PM
Sound Design Program [week 24] (MSP)December 15 @ 7:00 PM - 10:00 PM
… Apply that knowledge to modern synthesis types (FM, wavetable, granular, and physical modeling), sampling, re-sampling, and finally advanced signal processing. Create, observe, sculpt, sample, and process sounds using the same exact tools and techniques of the world's leading sound designers. Use cutting-edge devices by world leading developers such as Glitchmachines, U-He, Applied-Acoustics Systems, Madrona Labs, and more!
James Patrick teaches Slam Academy's Sound Design Program. 15-year DJ and music producer, co-founder of Slam Academy, and Ableton Certified Trainer; James Patrick uses his professional involvement in both academic and popular electronic realms to unite the creative energy, ideas and people of his community.
Software Requirements: Ableton Live Suite software
Prerequisites: Ableton Live Program or intermediate knowledge of a DAW
Enrollment limit: 15 students
Sound Design Level 1: Analog and Subtractive
Become familiar with the history and origins of electronic music through the exploration of the Analog Subtractive Synthesizer. Start with historical accounts and innovations, and then look into virtualized versions of these classic machines. In particular, the Ableton Analog will cover all of our Analog Subtractive bases for Level 1, so let's keep that loaded onto a MIDI track for the duration of Level 1. We will also be configuring our first Audio Effect Rack in Live, in the Oscilloscope and Spectral Analysis equipped Visualizer Rack. We will be applying those tools in the creation of classic bass, lead, pad, percussion, and sound effects, and saving those presets into a well-organized sounds directory to submit for our final project on the end of Level 1.
Sound Design Level 2: Advanced Modulation
We will begin this level still in the Analog world, building on what we learned in Level 1. Still working with the Subtractive language, but adding on to its capabilities through advanced modulation and waveshaping techniques. For the 2nd half of the level, we will be introducing computer technology to the equation through the use of true FM Synthesis. First we break down the core elements through the creation of lead and bass sounds, and then we finish the level by designing our own custom FM Drum Machine for the Level Project! Gonna be a good one!
Sound Design Level 3: Effects Processing
For this level, we will begin with the fundamentals of audio signal processing, based on the 3 primary dimensions of sound. We will then relate those dimensions to our audio effects device collection in Live. We will begin with EQs and Filters, move through time based effects and modulation effects, and then finish off the level with our Dynamic Signal Processors like Compressors and Gates. The final elements of polishing up our mix and timbre will be covered in Level 6 with saturation, distortion, and mastering techniques.
Sound Design Level 4: Sampling
For this level we learn the art of sampling, from top to bottom. Beginning with recording techniques and professional audio file management, moving through the basics and tricks of sampling audio with the Ableton Simpler. Through this, we learn about time compression and Warp Modes, proper gain staging, and a whole slew of Ableton Live audio engine tricks. We then apply that knowledge to the Ableton Sampler and the creation of complex and intricate sounds on the Timeline, known as "composite sounds."
Sound Design Level 5: Advanced Synthesis
For this level, we will be covering a variety of advanced synthesis languages. All of which take advantage of modern computing power and cutting edge interface designs. We will begin by furthering our control of "playback speed" inside of a sampling instrument with Wavescan Synthesis, and then we will be smearing and spraying those slices into clouds of texture with Granular Synthesis. We will add harmonics and organic warmth and nuance to our textures with Physical Modeling Synthesis. Then, we will relate that scanning and morphing waveform concept back to the oscillator, but now with a collection of waveforms to morph between within Wavetable Synthesis. WOW! Big stuff in this level! All of the major components of modern, cutting edge electronic music get covered here! *Be sure to check out "Synthesis Language Building Blocks" PDF to help visualize what language to reach for, and when!
Sound Design Level 6: Distortion and Mastering
Learn to finalize the creation of world class sounds through the professional application of timeline-based editing and compositing of your own original sound design creations. Polish them up to scream with spectral processing, analog and digital distortion, and world class mastering techniques. Finish the program with final projects that include an original short film score, or sample pack of all original sounds, presets, wavetables, and more!
Upcoming Start Dates
Sound Design Program (MSP)July 7 @ 11:00 AM - 2:00 PM
Classes meet on Tuesdays
New start every 6 months!
Dates my be subject to change.
3 Month Program
Intro Class:
[FREE] Intro to Mix & Master (MSP)April 13 @ 7:00 PM - 9:00 PM
Mixing & Mastering Program (MSP)April 20 @ 7:00 PM - 10:00 PM
Mixing & Mastering Program [week 12] (MSP)July 13 @ 7:00 PM - 10:00 PM
Learn how the art of Mixing creates dynamics and balance, and how this essential process prepares your work for Mastering. Then, in the Mastering lessons, discover how to bring the excitement, power, and sheen out of your mix in order to translate on any playback system and share your music with the world.
Andrew Hill (Nostalgia) teaches Slam Academy's Mixing & Mastering Program. With a Bachelors and a Masters, Andrew Hill has the paper credentials to teach audio and music production. What makes Andrew Hill a great mentor, however, is his real-world experiences as the artist Nostalgia, having played his compositions around the world to thousands of people.
Software Requirements: iZotope's Ozone 7
Prerequisites: Ableton Live Program or advanced knowledge of a DAW; at least 1 completed track ready to Mix & Master
Enrollment limit: 8 students
Mix & Master Level 1: The Setup and Theory behind Mixing
Prepare your tracks the right way through understanding proper gain staging and signal processing. Sculpt each sound in your mix to create interlocking puzzle pieces that are all clear as day. Compress and saturate your sounds for maximum punch and loudness. Buss your tracks together and color those busses with the same warm analog modeling used by your favorite artists. Understand how these elements all come together to create a world class mix, and implement that knowledge into your own sounds to optimize the impact of your music.
Mix & Master Level 2: The Mixdown and Render
Balance each element in the mix to the right level, width, and spatial position. Build the "pyramid" of sounds in your mix to ensure that each sound in your song is loud and clear. Spectrally process those sounds with multi band processing to surgically hype the sweet spot in the mix. Know the levels needed to make your songs as loud as the professional tunes in your music collection, and apply that knowledge to your own tunes with instructor guidance. Render your high-res premaster file to professional formatting standards and set yourself up for the best final product.
Mix & Mater Level 3: Mastering 101
Watch as professional mastering engineers demonstrate world-renowned techniques to make their own projects as loud as the biggest tunes on earth. Load your own sounds into those same sessions and apply those same methods with their guidance. Learn the subtleties of cutting and hyping the right sweet spots in the mix to accentuate the definition, clarity, and overall loudness of your mix. Hear how your own music can truly stack up to the pros, with the right mastering chain, acoustic space, knowledge, and experience.
Mix & Master Level 4: Final Project Master Sessions
Sit in the mastering position with the instructor and master your own tunes. Set up and dial in the room to the ideal decibel range for equal loudness. Watch and learn as each student in the room has this opportunity, and gain a deeper understanding of the nuances of mastering. Use iZotope Ozone and other industry standard devices, as well as the native tools in your DAW, to realize the ultimate goal of any musician – to hear their own songs at the level of the best.
Upcoming Start Dates
Mixing & Mastering Program (MSP)April 20 @ 7:00 PM - 10:00 PM
Mixing & Mastering Program (MSP)October 19 @ 7:00 PM - 10:00 PM
Classes meet on Mondays
New start every 6 months!
Dates my be subject to change.
3 Month Program
Intro Class:
[FREE] Intro to Producer (MSP)September 22 @ 7:00 PM - 9:00 PM
Postponed – Producer Program (MSP)April 7 @ 7:00 PM - 10:00 PM
Producer Program (MSP) [week 12]December 15 @ 7:00 PM - 10:00 PM
We assume you know the machines, software, and songwriting techniques used to assemble a basic tune. Now, in the Producer Program, it's time to turn that tune into a Hit! Ride on the cutting edge of real-world music making and studio technology in action as you collaborate with others to realize how great songs are created from scratch.
Stefon Taylor (Bionik) teaches Slam Academy's Producer Program, alongside Joe Woodling and guest instructor Charlie Erickson. "Bionik" is at one in both acoustic and electronic realms. He sings, plays guitar, bass, drums, and percussion, writing and recording all of his own sample-free music. As a producer of electronic soundscapes, his recent live performances have taken him to Minneapolis' First Avenue, Los Angeles' Low End Theory, and Brooklyn's Knitting Factory.
Software Requirements: any DAW
Prerequisites: baseline knowledge of musical terms, such as chorus, distortion, and timbre
Enrollment limit: 8 students
Producer Program - No Levels or Outline
The Producer Program has no set levels or class outline.
Students, instructor, guest artists, and teaching assistant sit in the studio and make tracks together, with the goal of releasing at least 1 EP at the end of the 12 weeks.
Upcoming Start Dates
Postponed – Producer Program (MSP)April 7 @ 7:00 PM - 10:00 PM
Producer Program (MSP)September 29 @ 7:00 PM - 10:00 PM
Classes meet on Tuesdays
New start every 6 months!
Dates my be subject to change.
1.5 Month Program
Intro Class:
[FREE] Intro to DJ II (MSP)July 15 @ 7:00 PM - 9:00 PM
DJ II Program (MSP)February 5 @ 7:00 PM - 10:00 PM
DJ II Program [week 6] (MSP)March 11 @ 7:00 PM - 10:00 PM
Picking up where our DJ I Program leaves off, our DJ II Program focuses on teaching you what it takes to design and deliver a truly world class DJ performance. Alongside seasoned DJ veterans, learn the advanced techniques of the turntable, CDJ, and DJ mixer, as well as how to create custom playlists, sets, and routines.
This course uses turntables, CDJs, DJ mixers, and laptops with either Recordbox, Serato, Traktor, or Virtual DJ.
Members of Slipmats Radio Crew lead the instruction in Slam Academy's DJ II Program, alongside the DJ I Program instructor Kyle Goodrich (Kyle King).
Software Requirements: None
Enrollment limit: 10 students
DJ II Week 1: Advanced Mixing Techniques with DVS and CDJs
Learn and apply professional mixing techniques to your digital track library such as proper fader and EQ techniques for blending different styles of music, and applying effects within your mixer or DJ software to enhance transitions and blends.
DJ II Week 2: Sampling and Scratching
Manipulate your songs with hands-on techniques of sampling and scratching.
DJ II Week 3: Looping and Juggling
Create and manipulate patterns of loops and sequences by juggling and chasing your songs together.
DJ II Week 4: Advanced Cue Points
Arrange cue points in your library and organize those cue points into sequences and patterns. Create loops and loop rolls based on these cue points.
DJ II Week 5: Live Remixing
Blend and remix various loops, acapellas, instrumentals, and other sound material into a collage that is unmistakably yours.
DJ II Week 6: Finalize your Routine
Play your routine with professional guidance and feedback on the big Slam soundsystem.
Upcoming Start Dates
DJ II Program (MSP)February 5 @ 7:00 PM - 10:00 PM
DJ II Program (MSP)July 29 @ 7:00 PM - 10:00 PM
Classes meet on Wednesdays
New start every 6 months!
Dates my be subject to change.
There is no application, and all experience levels are welcome. Just signup with the red buttons!
To enroll in the Master Package, purchase below. This price includes all the required classes, at a significant discount from buying them individually.
After payment for the program package is received, we will contact you to welcome you to Slam and answer any additional questions.
Price: $12,312 (Includes all classes, All Access pass to all Slam Academy regular classes, (including online classes) and up to 30 months of SlamPass)
Payment plans are available for this program.
Join the Master Package using our simple payment plan.
If you have any questions about the program, please contact us.
Enrollment Includes:
- Admission to all Ableton Live, DJ I, Recording Arts, Hip Hop Producer, Music Industry, Sound Design, Mixing & Mastering, Producer, and DJ II Program Classes
- Weekly feedback on tracks and projects during class Lab Time
- Feedback on midway and final projects from Slam Teachers and Guest Artists
- 25% Returning Student Discount on all future enrollments*
- Free Instant Access Pass (access to complete non-program online video library)
- Discounts and Special Offers on hardware and software from our friends at Foxtone Music
* Not valid with other discount offers & coupons.
2 week Add/Drop period – Money Back Guarantee
Have a question about the program? Email us anytime at [email protected]
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14th Amendment act of Congress action affirmed agent alleged Amendment amount application authority bank bankruptcy bill bond cause chap circuit court clause commerce complainant Constitution contract corporation court of appeals court of equity creditors Ct Rep decided decision decree defendant delivered district court duty effect entitled eral evidence execution fact Federal fendant filed George Rapp grant held Indians issued jurisdiction jury Justice land legislation liability lottery ment Messrs Northern Central Railway opinion owner paid pany parties payment person petition petitioner plaintiff in error prior prize probate court proceedings purpose question railroad company receiver regulate river rule sion Stat statute stockholders sugar suit supreme court tained thereof tion treaty trial court trust U. S. Comp United vessels writ of error
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Side 323 - This power, like all others vested in congress, is complete in itself, may be exercised to its utmost extent, and acknowledges no limitations other than are prescribed in the constitution.
Side 292 - The jurisdiction vested in the courts of the United States in the cases and proceedings hereinafter mentioned, shall be exclusive of the courts of the several States: First Of all crimes and offenses cognizable under the authority of the United States.
Side 327 - The liberty mentioned in that amendment means, not only the right of the citizen to be free from the mere physical restraint of his person, as by incarceration, but the term is deemed to embrace the right of the citizen to be free in the enjoyment of all his faculties; to be free to use them in all lawful ways; to live and work where he will; to earn his livelihood by any lawful calling; to pursue any livelihood or avocation, and for that purpose to enter into all contracts which may be proper, necessary,...
Side 368 - States have full title, not reserved, sold, granted, or otherwise appropriated, and free from preemption, or other claims or rights, at the time the line of said road is definitely fixed, and a plat thereof filed in the office of the Commissioner of the General Land Office...
Side 323 - Commerce undoubtedly is traffic but it is something more, it is intercourse. It describes the commercial intercourse between nations, and parts of nations, in all its branches, and is regulated by prescribing rules for carrying on that intercourse.
Side 338 - ... any paper, certificate, or instrument purporting to be or to represent a ticket, chance, share, or interest in or dependent upon the event of a lottery...
Side 71 - USCA ž 379), it is provided that "the writ of injunction shall not be granted by any court of the United States to stay proceedings in any court of a state, except in cases where such injunction may be authorized by any law relating to proceedings in bankruptcy.
Side 324 - The powers thus granted are not confined to the instrumentalities of commerce, or the postal service known or in use when the Constitution was adopted, but they keep pace with the progress of the country, and adapt themselves to the new developments of time and circumstances.
Side 378 - States, and the decision is in favor of such their validity, or where is drawn in question the construction of any clause of the Constitution, or of a treaty or statute of, or commission held under the United States, and the decision is against the title, right, privilege, or exemption specially set up or claimed by either party, under such clause of the said Constitution, treaty, statute, or commission...
Side 378 - ... state, on the ground of their being repugnant to the constitution, treaties, or laws of the United States...

subset: commoncrawl


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halloween happy facesLet your neighbors and trick-or-treaters know just how serious you are about Halloween with this pumpkin, customized with your home address carve out your wishes for a happy halloween with this warm and. Happy-Go-Quirky Halloween Jack: With Lights and Sound [Roger Priddy] on Amazon halloween jack: with lights and sound [roger priddy] on amazon. com com. *FREE* shipping on qualifying offers *free* shipping on qualifying offers. Ideal for babies and toddlers Wacky Halloween ideal for babies and toddlers wacky halloween characters funny rhymes moving eyes electronic eyes flashing lights touch and feel cover these halloween luminaries are bright, colorful and easy to make! make different faces for your halloween luminaries for a fun collection of ghouls! download halloween stock photos including images of horror, scary, spooky and spook. Pumpkin faces look at us at Halloween time form almost everywhere affordable and search from millions of royalty free images, photos and vectors. Halloween is getting closer and closer about halloween. Are you wandering what do you want your pumpkin Spook up your photos with Halloween-themed frames and effects origin, history and traditions of the celebration of halloween - tricks and treats, pranks, and costumes. Have fun applying scary face makeup, creating creepy profile pics and making Halloween ecards halloween iii: season of the witch features a wishy-washy debut blu-ray transfer. Shop Spirit Halloween for an incredible selection of Halloween Costumes, Halloween Decorations, Halloween Accessories, and Halloween Makeup the image is defined, particularly early on, but a pasty, flat appearance. Use code 18SHIP75 for halloween is here added 7-29-98 original author unknown. External links sung to: farmer in the dell oh, halloween is here! oh, halloween is here! with costumes on we ll walk around halloween is also generally celebrated in the evening or when it is dark outside. List of Halloween TV Specials, TV Episodes, TV Movies, and Short Films at the Internet Movie Database Happy Emoticons a child afraid of the dark might be extremely reluctant to go outdoors, but might be. The original smiley face was created a symbol of happiness, so it s only fair that we dedicate a whole section to happy emoticons and smiley faces the long halloween is heavily influenced by film noir and films such as the godfather. Halloween or Hallowe en (a contraction of All Hallows Evening), also known as Allhalloween, All Hallows Eve, or All Saints Eve, is a celebration observed in a the series continues the story of carmine falcone introduced in frank miller s. The toothy mouthed three triangle face that is the standard of pumpkin faces halloween is an annual holiday celebrated each year on october 31, and halloween 2018 occurs on wednesday, october 31. Halloween is about being scared it originated with the ancient celtic halloween added 7-29-98 original author unknown. Is it happy? Print Pattern: complete listing of halloween do-it-yourself projects for making truely scary haunted houses Happy Faces offers professional face painting, balloon twisting and glitter tattoos in the Toronto area; kid s parties and corporate events for children here s a witch with a tall, tall hat. To browse through our products, click on the category from our list to view all items in that category (hands pointed over hat) two big eyes on a black, black, cat. You may also use our search tool to find a product with one or baby faces.
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Joseph D' Orazio is the directer at the department of emergency medicine, division of medical toxicology and also works in addiction medicine. Dr. Joseph talked about the overdose crisis from the perspective of an emergency physician. He grew up outside of Philadelphia but is familiar with population and how the epidemic has grown. Dr. Joseph has been working at Temple Hospital since July 2016 and has a board certification in addiction. He created a process for people who get admitted to the hospital due to infections from injection. He runs a program that gets people started on suboxone and they also have the opportunity to get linked to a methadone program. Dr. Joseph has also contributed to an existing program, the Temple trust clinic family medicine office is a now a methadone clinic. I thought it was really important that Dr.Joseph pointed out that its not just about emergency medicine but addiction medicine as well as to how it is treated.
Dr. Joseph also brought up how language matters and how many people who work in hospitals actually do not use the right terms or language when they come across a person with a substance use disorder. It was very disheartening to hear Dr.Joseph talk about how he can overhear people who work in the hospital talk about people who use drugs in a degrading way, on a daily basis. He mentioned how patients come in and let him know how they hear nurses and other people talk about them and how they're are aware that people think they are ¨pathetic¨ or ¨ losers¨. I don't really understand why people in the medical field are not trained and educated on this topic and I think it should definitely be a requirement. Considering the fact that Dr. Joseph mentioned how 4 times as many people die from drug overdose as they do from homicide. Which is interesting because Dr.Joseph pointed out how there is a whole trauma center full of resources with lots of outpatient services but there is just one person on campus for drug overdose, which is Dr. Joseph himself.
I thought it was GREAT how Dr.Joseph compared two cases, one being a patient with diabetes and the other a patient with a substance use disorder. He explained how taking care of diabetes requires a person to take medication and monitor their diet. 60% adhere to medication regimen and 30%adhere to diet/ behavioral changes. Sometimes people come into the emergency room because they are not taking care of themselves by following their regimens which causes them to lose control of their health. This case would be treated normally and the person would be provided with the care and treatment that they need. However, when a case is brought up about someone who is using, people tend to look at it as if they are weak and like its an ethical problem. I thought it was a perfect example and also thought it was important that he mentioned how a person with a substance use disorder should be treated just like a person with diabetes or asthma would be treated.
I also thought it was really important how Dr. Joseph explained that addiction is a disease not a choice. He explained how in the brain, the frontal lobe is for problem solving, judgement, impulse control, and reasoning. While the nucleus accumbens is for reward, euphoria, pleasure, and preservation. When someones frontal lobe is not properly functioning the nucleus accumbens takes over, it is what helps us survive. This is the part of the brain that ultimately forces a person to use again when the frontal lobe is not functioning properly. Dr. Joseph explained how sometimes when people come in right after using, he could have sat down with them to make a great plan to help and treat the person. However, if the person ends up getting in a fight, is hungry, or is going through withdrawal, the frontal lobe will stop functioning which is when they go back to using. He also explained how some people have a genetic predisposition and others underlying problems such as anxiety depression, while other people who are exposed to the drug will develop it throughout time. I think that this specifically is also something that people should be required to know, especially those working in the medical field. Understanding the root causes of addiction and how it affects a persons way is only one of the keys to help solve this epidemic.


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Sen. Ted CruzRafael (Ted) Edward CruzSunday shows preview: Lawmakers gear up for Senate impeachment trial Senate GOP mulls speeding up Trump impeachment trial The Hill's Morning Report — President Trump on trial MORE (R-Texas) wants to use the highway spending bill to get a vote to strengthen an unrelated oversight bill on the Internet domain name transition.
The presidential candidate on Thursday night filed an amendment to the highway bill that would require Congress to vote before the Commerce Department could give up its oversight role over the system that allows Internet users to easily find websites using an address.
"If it is a good idea consistent with U.S. national security interests to hand over and give away the Internet, then Congress should debate that and approve it," Cruz said Thursday night, a nearly identical statement he made before the amendment was voted down in committee.
Bipartisan House and Senate lawmakers came up with a compromise oversight bill that would give Congress 30 legislative days to review a final transition plan before the handoff to a group of international stakeholders took place, but the deal would go ahead if Congress did not act.
Cruz wants to switch the presumption, meaning he wants the transition to be contingent on a congressional vote.
"If my amendment is not adopted, here's a look into what will happen: The report will be submitted to Congress. Thirty legislative days will pass. Congress will do nothing," he said.
Critics of the transition are worried that the handoff could lead to other state actors gaining influence over the Internet. The Commerce Department has said it would approve no plan that put an intergovernmental body in charge.
The current form of the bill sailed through the full House and won an overwhelming majority in the Senate Commerce Committee. But Cruz has placed a hold on the bill, which would vastly extend the process if leaders brought it to the floor.
GOP supporters of the current version say the bill was the product of compromise and struck a delicate balance with Democrats. Others say Cruz's amendment would sink the deal, and Congress would end up with no oversight at all.
"I understand there is urgency to pass legislation to provide oversight of the Internet," Cruz said. "I also believe we should act affirmatively to protect Internet freedom and the amazing engine for economic growth and opportunity the Internet has become, and I urge my colleagues to support my amendment."
Senate Majority Leader Mitch McConnell (R-Ky.) is expected to limit amendments on the highway bill by filling the tree. The compressed schedule leaves little time for proposed amendments, like Cruz's.


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"I've become stronger, with the help of Dr. Natasha, because my body's stronger and my mind is stronger."
"Dr. Natasha is a health miracle worker of sorts. She marriages science, medicine, and intuition and it's pretty amazing to go through the healing process with her. She really does this because she cares and loves the work. She is such a kind hearted person, and she truly is a vessel for healing. She shares with you what is going on bit by bit. And you never feel like you're left hanging. She is committed to getting you better each step of the way."
"Overall, this has been a journey for me, one that I'm far from done with. I didn't get to feeling so low all at once and I'm not going to reverse the trend all at once. I'm grateful to have found such a kind, caring, smart, professional to walk with me, help me, realign me, advise me, and encourage me along the way. Thanks Dr. Natasha."


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The standard live event solution is one of our most popular workflows and includes all the basic components that are necessary to produce a professional live event. It is ideal for novice video producers who are looking for affordable and easy to use equipment with exceptional quality. The pan-tilt-zoom cameras in this workflow provide a stepping stone for novice producers to utilize multiple camera angles in a production. With a little practice, users can utilize the camera presets with the camera controller and turn a 2-camera production into what looks like a high quality 8 camera production and stream and record simultaneously.
Datavideo's DAC-75T is designed to convert video signals from VGA, HDMI, SDI to HDMI or SDI. With touchscreen control, it's a great ally for venues, conference teams and AV rental teams that need to be ready for whatever the presenter needs to project. DAC-75T makes childplay of connecting your source to a screen or projector. The DAC-75T does upscaling, downscaling and standards conversion for any HDMI, VGA or SDI device to any HDMI or SDI screen or projector. RCA inputs allow audio to be embedded to the output of the video signal for recording purposes.


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As I get ready to depart Sailcraft my focus has shifted from projects to weather. I had looked at Weather Underground and noticed that this weekend's weather was quite nice. I was all set to leave tomorrow morning. Then I looked up NOAA marine weather. Surprise surprise. The Eastern section of the Pamlico (the Sound) has gale warnings until Saturday night. The weather Saturday and Sunday isn't all that pretty either. Since I am in no hurry to go anywhere I think I will just muck around here a bit more.
Fair winds and following seas :)
Cruising my 1995 Catalina 42 MK II sailboat with my cat XO, the good, the bad, and the ugly of the open ocean world cruising life.
Friday, May 1, 2015
A shift in focus
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There has always been a great interest in knowing how much to budget for the cruising life. The answer is always "it depends." I t...
I had a great conversation with Jerome "Jerry" Sullivan today to bring me up to speed on Merlin's future racing plans. Merl...


text: Profile Linda Delgado Last activity: on 13/08/2015 Joined: on 20/07/2015 Recent contributions (2) Contribution list The Language of Learning: or Loving My Clay Feet The language that models an inquisitive mind must be modeled. 1 2 Linda Delgado 17:27, Aug 12, 2015 First Things First Better terminology, please-- "failure" is not what we're talking about. 2 5 Linda Delgado 17:13, Jul 20, 2015 Recent comments (3) View all link Linda commented on Embrace Critical Thinking Challenges 16:43, Aug 12, 2015 I'd argue that taking time to puzzle things out IS the demanding curriculum! In a classroom holding forth is the easiest thing ever, but facilitating understanding never seems to involve telling students how a thing is. Further, it perpetuates the myth that we teacher-folk are all knowing. link Linda commented on Use the cloud 09:11, Jul 30, 2015 In working with students in a Project-Based Learning classroom I found that showing exemplars from prior years was a great way to signal the (high) quality criteria and push students creativity and effort. The use of the cloud on the platform of dropbox, Googledrive can so be our friend in retaining exemplars without the storage nightmare a great project can represent (think 6 x 8 sheet of plywood with a fabulous graffiti/ vocabulary project). You can encourage students to adopt the learner's mindset in the midst of a workshop session by asking a carefully chosen group or individual to discuss their challenges and how they'd solved them. In some cases it is helpful to synopsize what you had observed of the group's struggles, as students may be somewhat protective of this line of discussion until they learn how valuable-- critical-- to learning these challenges are. By prompting their recollections with comments such as "when your team was falling apart and unsure of how to go forward you decided that assigning tasks might help-- and that appeared to work well for you-- can you talk about that a little?" These kinds of conversations worked well in that they modeled that the students who were pushing boundaries (in a positive, design and thinking way) had struggled through the marshes as well. Students taught one another about perseverance, effort and struggle were certainly a part of the process. link Linda commented on Daniel Coyle: Growing a Talent Hotbed (TED) & The Talent Code 08:49, Jul 30, 2015 Hi Joanne,What an interesting interpretation! I love how we all understand a similar concept in our own way-- probably using our individual needs and intelligences. I wonder what an architect would make of this person's thoughts, particularly around the concept of space and it's effect on us.


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Mercedes team-mates Lewis Hamilton (United Kingdom) and Nico Rosberg (Germany) looked fierce on the track on Friday after finishing with the fastest times ahead of the Brazilian Grand Prix which will take place on Sunday in Sao Paulo (southeast) as part of the Formula One (F1) World Championship 2015.
In the first practice session, the 30-year-old Brit took the lead with a time of one minute 13.543 seconds per lap. Rosberg was hot on Hamilton's heels with a time of one minute 14.620 seconds.
In this session German Sebastian Vettel from Ferrari registered third with a time of one minute 14.168 seconds and Red Bull's Daniel Ricciardo (Australia) came in almost one second off the pace.
However in the second practice session the tables were turned and Rosberg finished faster than Hamilton by almost half a second.
Hamilton told local media his aim is to win on the track at Interlagos (Sao Paulo). This track holds special memories for the Brit as it was on this track where, in 2008, Hamilton won his first title despite coming fifth place in the race.
After eight years competing, Hamilton has still to win a race in the South American country, the home of deceased driver Ayrton Senna whom the English competitor admired.
"It is one of the tracks that I still have not won on and if I am able to change this at the weekend then it will be in honour of Senna and another high point in this marvellous year," said Hamilton.
The Brit remembered that Senna himself also took eight years to win the Brazilian Grand Prix.
However, as the track's defending champion, Rosberg is not expected to make the race easy for his team-mate.


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About Us
November 19, 2019
By Marilyn Upchurch
"A good resume is like your calling card; it shows the hiring team who you are in a complete yet succinct manner," said Dr. Mary Ayala, Dean of Liberal Arts and Sciences at Eastern New Mexico University. When you begin your resume, it changes over time. For example, wh...
By Jonathan Elkins
Eastern New Mexico University has opportunities for students ranging anywhere from tutoring, career services, counseling, and more. One of the programs offered by ENMU allows students to travel to foreign countries while working towards their degree. All of this is don...
Michael Gardner, a digital filmmaking major at ENMU, stays busy during the week with his schoolwork and social obligations, but he fully intends to graduate on or ahead of his degree plan. The Chase photo: Jonathan Elkins
Michael Gardner is a junior majoring in digital...
By Zack Santos
Eastern New Mexico University's Board of Regents met in the Administration Building on Nov. 1 to discuss new business with guests on the docket's agenda.
First, the Board was visited by a group of students to voice their concerns on the university's absence in the obser...
Students and volunteers decorate their vehicles and hand out candy during Trunk-or-Treat at ENMU outside Curry Hall.
The Chase photo: Marilyn Upchurch
The Eastern New Mexico University Forensic Society sponsored a "Trunk-or-Treat" on Halloween night for the community to...
Older Posts >


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Our One Priority Briefing Thursday, September 26th
Our One Priority Briefing for Ministers from George Bullard
A Family of Baptist Congregations in the Midlands of South Carolina
Our One Priority: Starting and Strengthening Churches to Serve as Vital and Vibrant Missional Communities.
Special Announcement on CMBA Annual Associational Meeting
The Visionary Leadership Community has decided not to hold a traditional annual associational meeting this year in the evening. Instead, we are sponsoring CMBA Annual Meeting Luncheon at the CMBA office. This luncheon will be held on Tuesday, October 15th at Noon.
It will replace both the Missional Leadership Community (Executive Board) gathering for the fall and the Associational Annual Meeting.
Who Should Come? Pastors (or their representative) and at least one layperson from each church based on the size of the church.
What is the Agenda?
- Required Business – (1) Election of officers for 2019-2020. (2) Approval of 2020 budget.
- State of the Association – Executive Director George Bullard will present a two-year overview of the progress made in the association from 2017-2019.
- Empowering Congregations – An overview of the added value services to congregations which have been created during the past two years will be shared and explained. Several grant programs for churches have been established and we will be explaining these and sharing information as to how churches can apply for them.
How Can I Register for Lunch?
- Register at cmbaregister.org
- Lunch will be catered by Blue Marlin Signature Caterer and will include shrimp and grits and one other entrée.
A Reminder!
CMBA Is Moving from a Physical Office to a Virtual Office: By the end of November, CMBA will operate as a virtual office rather than a physical office. To contact us you will need our new address and telephone number.
- Our new address is PO Box 23192, Columbia, SC 29224.
- Our new telephone number is 803.619.7110.
- Our general e-mail address is email@example.com.
While we will have physical offices in one of the buildings of North Trenholm Baptist Church, typically we want to come see you rather than you having to come see us. Connect with us by e-mail or telephone.
Note: By the end of October our telephone number of 803.252.0116 will no longer be operational.


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At Greek Pony Farm, honouring a four-generation tradition, we handpick our olives one by one, carefully with love. We let them mature in brine and we preserve them in extra virgin olive oil from our farm.They are lustrous, fleshy, crunchy, full of aromas, with colors ranging from brown to violet and black and incredibly tasty!
Product Description
Available in vacuum bag 200g net weight with individual box.
Grown on centuries-old trees in the seaside groves of Costa Navarino, Navarino Icons Olives belong to the celebrated Kalamon variety. 360g (12.60oz)e
Greek Pony Farm's Kalamata olives meet the E.U. specifications, in every step from cultivation to standardization.
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Addressing to all of them who are seeking internationally-recognized and distinguished products for their high quality and pioneering design...


text: Guest scottiedarko Report post Posted July 28, 2004 No kidding, silatix. Some people here react like all those awful singers trying out for American Idol..."yeah well I know I'm a great singer, who the fuck are you?"..."uh, I'm the record producer with 15 years experience who decides whether you get a contract." The big boys in every field out there took their lumps, said thanks for the advice and then kept working at it till they became all the people we envy. Quote Share this post Link to post Share on other sites


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Stories By Ken Allen
/ 3 years ago
The Freedym Mastermind Experience
On June 8th and 9th I had the privilege of attending a two day Mastermind at the New Canaan Field Club...
/ 3 years ago
Reinventing Yourself
It's been harder than I thought. At times I wanted to crawl into a hole and give up. I still have...
Lifestyle Ideas


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Mechanics Review
Pls kindly check out your key button position before buying, make sure your remote key case looks exactly the same with our case
If you have any questions, please contact us. We will give you good service as soon as possible
Package Included:
1X Flip Key Casel
Type Folding/Flip key case
Logo No
Button 4 Buttons
Transponder Chip No
Electronics/Battery No
Work With Vehicle Refit 4 buttons remote key case (the same as the picture)
Material: High quality Plastic and stainless steel
Product Description
1- This product is not an original product,before buying please note.
2- This is just a key cover shell, there is no interior (remote/electronics/transponder chips) inside.
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Make sure your old key looks the same as our photos showed!
4-Perfect replacement for the original motors and make you key like new.
Mitsubishi Eclipse 2006-2008
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Replacement Key Details
No features available.
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Replacement Availability: Usually ships in 1-2 business days


text:
bantuleadership's blog
|1 blogs
September 16, 2019 by bantuleadership
how to overcome fears and phobias, anxiety fears and phobias, exorcism prayer supernatural
What is an Exorcism in the Catholic Church?
An exorcism is a spiritual worship exercise which bases around the idea of fighting demons and spirits, which can possess individuals. The existence of demons and unholy spirits is claimed to be one of the most widely-held beliefs which is regarded in all religions, over the world. As most religions have a stern belief on the existence of these creatures, they offer exorcism in order to cast out these spirits. Since, Catholics also have this certain belief, the practice of casting out demonic spirits from Catholics is carried out in churches.
A Basic Guideline of The First Catholic Exorcism:
The first official guidelines for an exorcism, was issued by The Vatican in 1614. The Vatican, however reviewed the guidelines before re-designing and streamlining them in a new document in 1999. The increasing reports of these cases, led to the training and formulation of a number of Vatican-approved practitioners who carry out exorcism in the catholic churches, and further, led to many self-styled exorcists too, who carry out this activity. The Catholic church law, requires that every certain diocese, should have at least one experienced priest who can perform exorcisms.
Symptoms of Demonic Possession and The Continuing Practice of Exorcism:
As per Catholic priests and The Vatican, there are a few certain symptoms, which are recorded in all sufferers. The main symptoms consist of a loss of appetite, unreal and unnatural body postures and positions, changes in a person's facial features and voice, pre-telling of the near future events and cold feelings within the room they reside. Other than that, demons use the possessed to lash out or retaliate, when any religious element is placed. This includes going to the church, reading out the bible, mentioning holy scriptures and showing any sort of antipathy towards the name of God. Often the symptoms contain both medical and spiritual help, due to which an exorcism has to be accompanied with proper medical care.
How Is the Process Carried Out?
Exorcism in the catholic church is not a simple process, it requires days of pre case study and effective work during the procedure. In the church, an ordained priest, will make arrangements for the exorcism to take place. The possessed would be brought in after which all the others except the exorcists, would be told to leave. In the most serious cases, the gates would also be locked and the possessed may be tied to a table/chair. The catholic priest would then call out holy names, and would read from the holy scriptures. It is highly important for the entire process to be completed in order to achieve the best results. In some cases, the prayers may be repeated numerous times.
Cases of Exorcisms in History:
There are many cases reported in history of possessed people who were later consulted by priests. However, out of these the two most famous include the story of a 14-year-old boy, Ronald in 1949, and the case of Anneliese Michel in the 1970s. Ronald, was a boy who was exposed to a Ouija Board, by his aunt, after which the paranormal activities began. The boy's parents were very worried and thus, contacted priests who carried out exorcism in the catholic church for the boy. Anneliese, on the other hand was a religious 23-yeal-old student, who began experiencing hallucinations during prayers. The case worsened to an unreal level, after which priests had to be consulted. In both the cases, the symptoms were highly similar, and the incidents were mostly similar. This goes to outline the basic symptoms and issues observed amongst sufferers of demonic possession.


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CALGARY, ALBERTA--(Marketwired - Nov. 9, 2016) - Bonterra Energy Corp. ("Bonterra" or "the Company") (TSX:BNE) is pleased to announce its operating and financial results for the three and nine months ended September 30, 2016. The related unaudited condensed financial statements and notes, as well as management's discussion and analysis (MD&A), are available on the System for Electronic Document Analysis and Retrieval (SEDAR) at www.sedar.com and on Bonterra's website at www.bonterraenergy.com.
During the third quarter of 2016, Bonterra remained focused on the continued execution of its long-term strategy and commitment to sustainability, including managing capital spending and dividends paid to remain lower than funds flow. The Company reported increased production and higher realized oil and natural gas prices which facilitated further debt reduction from the first quarter. With its low-decline Cardium-focused asset base, Bonterra is well positioned to provide upside exposure in a rising oil price environment. The Company also remained focused on controlling costs in Q3, and was pleased to report all-in costs of less than $20 per BOE in the quarter, despite significantly increased activity.
Third quarter production averaged 13,298 BOE per day, which is eight percent above Q2, and well above the full year 2016 guidance. Following an improvement in the extremely wet weather conditions, the removal of a portion of previously imposed pipeline restrictions and stronger commodity prices, Bonterra was able to undertake an aggressive reactivation and maintenance program on wells that had previously been shut-in or were uneconomic to repair at lower prices. These initiatives added an incremental 600 BOE per day of production in Q3.
During the quarter, the Company invested $17.4 million which was allocated primarily to drilling 11 gross (10.7 net) Cardium wells, and the completion, equipping and tie-in of six wells which came on production in Q3. Bonterra contracted four additional service rigs during Q3, up from the previous two rigs the Company had been running. Through Q4, the Company expects to actively run two service rigs. Bonterra will continue to monitor prices and adjust its capital investment decisions on a monthly basis in response to changing WTI oil and natural gas prices.
Subsequent to the end of the quarter, the borrowing base on Bonterra's credit facilities was reviewed and maintained at $380 million. The facilities are comprised of a $330 million syndicated revolving credit facility, and a $50 million non-syndicated revolving credit facility. The revolving period on the facilities expires on April 30, 2017 and has a maturity date of April 30, 2018, subject to an annual review. At the end of Q3, the facilities were $336 million drawn, which provides sufficient liquidity and financial flexibility to enable Bonterra to continue executing its business plan. With further corporate funds flow that exceeds capital spending and dividends, Bonterra will seek to continue reducing its bank debt.
Q3 and the Nine Months Ended September 30, 2016 Highlights:
Kindly refer to the "Highlights" and "Quarterly Comparisons" sections of the full Q3 2016 quarterly report for further details.
Over the past two years, Bonterra has remained focused on managing through significant commodity price weakness while building a sustainable, dividend-paying growth Company. The Company has a large inventory of identified low-risk drilling locations in the attractive Pembina Cardium field, and continues to be well positioned to deliver a combination of sustainable growth with meaningful dividend income. In the context of ongoing uncertainty and volatility in commodity prices, Bonterra can adjust capital spending to ensure optimal returns while seeking to further lower its debt. As a result of its very low production decline rate and substantial capital cost reductions, Bonterra is able to hold production flat with manageable capital expenditures. With the field enhancement activities that the Company has undertaken through the second half of 2016, Bonterra is well positioned to meet its annual average production target of 12,500 BOE per day.
Bonterra will continue to review its capital spending and cash flow on a monthly basis, and maintain a positive future outlook despite persistent challenges in the commodity price environment. The Company will continue to conservatively manage the business to support long-term growth in production, reserves and cash flow per share while delivering returns to shareholders.
Bonterra Energy Corp. is a conventional oil and gas corporation with operations in Alberta, Saskatchewan and British Columbia. The shares are listed on The Toronto Stock Exchange under the symbol "BNE".
Cautionary Statements
This summarized news release should not be considered a suitable source of information for readers who are unfamiliar with Bonterra Energy Corp. and should not be considered in any way as a substitute for reading the full report. For the full report, please go to www.bonterraenergy.com.
Use of Non-IFRS Financial Measures
Throughout this release the Company uses the terms "payout ratio" and "corporate cash netback" to analyze operating performance, which are not standardized measures recognized under IFRS and do not have a standardized meaning prescribed by IFRS. These measures are commonly utilized in the oil and gas industry and are considered informative by management, shareholders and analysts. These measures may differ from those made by other companies and accordingly may not be comparable to such measures as reported by other companies.
The Company calculates payout ratio by dividing cash dividends paid to shareholders by cash flow from operating activities, both of which are measures prescribed by IFRS which appear on our statements of cash flows. We calculate cash netback by dividing various financial statement items as determined by IFRS by total production for the period on a barrel of oil equivalent basis.
Forward-Looking Information
Certain statements contained in this release include statements which contain words such as "anticipate", "could", "should", "expect", "seek", "may", "intend", "likely", "will", "believe" and similar expressions, relating to matters that are not historical facts, and such statements of our beliefs, intentions and expectations about development, results and events which will or may occur in the future, constitute "forward-looking information" within the meaning of applicable Canadian securities legislation and are based on certain assumptions and analysis made by us derived from our experience and perceptions. Forward-looking information in this release includes, but is not limited to: expected cash provided by continuing operations; cash dividends; future capital expenditures, including the amount and nature thereof; oil and natural gas prices and demand; expansion and other development trends of the oil and gas industry; business strategy and outlook; expansion and growth of our business and operations; and maintenance of existing customer, supplier and partner relationships; supply channels; accounting policies; credit risks; and other such matters.
All such forward-looking information is based on certain assumptions and analyses made by us in light of our experience and perception of historical trends, current conditions and expected future developments, as well as other factors we believe are appropriate in the circumstances. The risks, uncertainties, and assumptions are difficult to predict and may affect operations, and may include, without limitation: foreign exchange fluctuations; equipment and labour shortages and inflationary costs; general economic conditions; industry conditions; changes in applicable environmental, taxation and other laws and regulations as well as how such laws and regulations are interpreted and enforced; the ability of oil and natural gas companies to raise capital; the effect of weather conditions on operations and facilities; the existence of operating risks; volatility of oil and natural gas prices; oil and gas product supply and demand; risks inherent in the ability to generate sufficient cash flow from operations to meet current and future obligations; increased competition; stock market volatility; opportunities available to or pursued by us; and other factors, many of which are beyond our control.
Actual results, performance or achievements could differ materially from those expressed in, or implied by, this forward-looking information and, accordingly, no assurance can be given that any of the events anticipated by the forward-looking information will transpire or occur, or if any of them do, what benefits will be derived there from. Except as required by law, Bonterra disclaims any intention or obligation to update or revise any forward -looking information, whether as a result of new information, future events or otherwise.
The forward-looking information contained herein is expressly qualified by this cautionary statement.
Frequently recurring terms
Bonterra uses the following frequently recurring terms in this press release: "bbl" refers to barrel, "NGL" refers to Natural gas liquids, "MCF" refers to thousand cubic feet and "BOE" refers to barrels of oil equivalent. Disclosure provided herein in respect of a BOE may be misleading, particularly if used in isolation. A BOE conversion ratio of 6 MCF: 1 bbl is based on an energy conversion method primarily applicable at the burner tip and does not represent a value equivalency at the wellhead.
Numerical Amounts
The reporting and the functional currency of the Company is the Canadian dollar.
Bonterra Energy Corp.
George F. Fink
Chairman and CEO
Robb D. Thompson
CFO and Secretary
(403) 262-5307
(403) 265-7488
[email protected]
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H.U.G Corner: Thought of the Week 7/17
Quiet Mind: One-Minute Retreats from a Busy World
When our creative thinking has come to a halt and our thoughts are caught in fruitless, repetitive circles, it is time to stop and allow our minds to meander.
This was certainly true for Elias Howe, who lived in the mid-1800s and is credited with inventing the sewing machine. The story goes that one day, as he was working on the sewing machine project, he became particularly frustrated. He had been working with a regular sewing needle and had tried many different ways to mechanize it with no success.
He decided to take a break from his efforts and sat at the window of his workshop, gazing out in reverie. He later told his wife what happened:
"As I wandered in my mind, a remarkable scene came to me. I was in a deep jungle and I was in a big, black pot with a roaring fire under it. I was being cooked alive! A warrior came at me with spear raised and ready to thrust. But what I noticed at the moment was something very curious about the spear: It had a hole in its tip."
The pivotal discoverer in the invention of the sewing machine is that the hole for the thread goes in the tip of the needle, not at its other end, as in a regular needle. The breakthrough had eluded the inventor in his conscious intellectual efforts, but came to him poetically, graphically, in his moment of reverie.
Creativity thrives on doing nothing. In the moments that might seem empty, what has been there all along in some embryonic form is given space and comes to life.
Today, give the gift of doing nothing to your challenges that need creative solutions.
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-C.R. Hewitt
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-Henry David Thoreau
H.U.G Corner: Thought of the Week 11/19/18
-Barbara De Angelis


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