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Coface appoints Samuel Jesuratnam as Country Manager for Singapore
Coface announces the appointment of Samuel Jesuratnam as Country Manager of Coface in Singapore effective from 1 September.
Samuel will be based in Singapore and will be responsible for business development of credit insurance and overseeing the operation in Singapore.
Samuel joined Coface in 2002 as Country Manager in India. He and his team were instrumental in developing the various business lines of Coface in India starting with forging partnerships for our core credit insurance business. Today we have 4 partners in India and our business have been registering double-digit growth for the last 5 years.
Samuel also successfully set up the Data Centre in Bangalore in 2006. The Data Centre handles various bi-lateral tasks, business report production and debt collection services. In 2012, he also built the largest Back Office Centre of the Group in Bangalore and it now handles over 60% of the Coface Group Back Office tasks.
'Samuel's deep experience in trade finance and trade credit insurance, and long success in building Coface's India business, will help strengthen our presence in Singapore, a key strategic market for Coface. He will focus on continuing to grow our business through stronger partnerships and enhancing our product offerings to support and protect our local, regional and global clients from risk of creditor default. This is particularly relevant in Singapore which continues to be an extremely important hub for global trade', said Bhupesh Gupta, CEO of Coface in Asia Pacific Region.
Coface is the first international trade credit insurer entering the Asian market. We set up a representative office in Singapore in 1994 and obtained a credit insurance license from the Monetary Authority of Singapore (MAS) to operate as a branch office in 2002. It supports the development of domestic and international trade through the provisions of credit insurance and other related services.


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The most savvy blogger at DeMarCaTionVille, however, knows more about the Internet than Rep. Davis. As she says, maybe Rep. Davis is too busy counting all the PAC money his campaign has been collecting.
"David Davis, candidate for the Republican nomination for the First Congressional District House seat, today challenged all Republican candidates to a series of debates.Maybe he's afraid we all know too much already about him. Sure the challenge was on his website for over 2 years - but to try and erase all record of it ever being on his website shows someone's got some needs for those Internet skills.Representative Davis stated: "It is time for all of the Republican candidates for the First Congressional District House seat to step out and debate the issues. I challenge all of my opponents to meet with me for a series of open and honest debates. He continued: "I would like for this debate to take place in each county across the District."
"The history of our election process in the First District shows us that debates have been a vital part of educating the voters to the issues and the stand of the candidates on those issues. These debates that I am proposing will help the voters to get to really know the candidates."
Says former Davis Campaign Manager, Keith Spicer, now working for Roe, writes: "David may be the incumbent, but the voters don't really know him. He should have taken this chance to prove that he is more than a window dressing conservative who has no real accomplishments to speak of.
SIDE NOTE: I've been emailing Democrat Congressional candidate Rob Russell and should have an interview with him to post in the near future.

subset: commoncrawl


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This was published 11 years ago
Gary the goat has his day in court ... and wins
A goat accused of eating flowers in central Sydney has had his day in court and beaten the rap.
James Dezarnaulds, aka Jimbo Bazoobi, was issued with a $440 fine on August 22 after police caught his goat Gary chomping on flowers outside Sydney's Museum of Contemporary Art.
But the case was dismissed in Sydney's Downing Centre Local Court on Wednesday.
Magistrate Carolyn Barkell said the accused goat had been eating the flowers when police arrived.
"I accept that he did eat garden plants," she said.
However, she said there was no evidence Mr Bazoobi brought Gary there with the intention of vandalising vegetation.
"He may have preferred to have an ice cream," she said.
Lawyer for the goat, Paul McGirr, told the court that police had issued the wrong infringement notice, because it related to a person and not a goat.
He also said it couldn't be proved that Mr Bazoobi put Gary up to the act.
"We can't guess what Gary might have been whispered in his goat ear," he said.
Mr Bazoobi, a comedian, tours Australia with Gary.
He told reporters he bought his sidekick for a case of beer last year in Gingin, WA.
The magistrate dismissed Mr Bazoobi's application for the crown to pay his legal costs but cancelled his fine.
The goat, who was met by a throng of reporters outside court, was not required to give evidence and made no comment on the verdict.


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Hopefully, I can quell any feelings of rage and betrayal by pointing you towards some ridiiiiiculous cells and transcripts that have suddenly surfaced for that ill-fated Toonmakers Sailor Moon animated series.
Oh, you don't know what I'm talking about? This is required viewing for all fans. Oh, you do know what I'm talking about but had buried the memory deep into the darkest pit of your psyche? Time to stop the denial.
You know you want to see quality animation cells like this one of Mercury in her wheelchair-hang glider-spaceship-hair salon:
And you know you want to read excerpts from the ALL-CAPS, typo-ridden script. So do yourself a favor and check out Sailor Moon News (there are several posts about these things) and this topic in the Genvid forum.
On second thought, this might just increase your feelings of rage and betrayal...


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Clementine-Salted Turkey with Redeye Gravy
['1/3 cup coarse kosher salt', '12 small clementines or tangerines (about); peel finely grated (3 tablespoons); fruit wrapped, chilled', '1 20-to 22-pound turkey, rinsed, patted dry; neck, heart, and gizzard reserved for Turkey Stock', '2 large onions, quartered', '1/2 cup (1 stick) unsalted butter, room temperature', '1 teaspoon freshly ground black pepper', '6 cups (or more) low-salt chicken broth, divided', 'Turkey Stock', '4 ounces country ham, Serrano ham, or thick-cut smoked bacon, cut into 1/4-inch dice', '6 tablespoons all purpose flour', '2 cups freshly brewed coffee']
Rub salt and clementine peel together in small bowl. Sprinkle some seasoned salt in main and neck cavities of turkey. Place turkey in large roasting pan. Reserve 2 teaspoons clementine salt for roasting; sprinkle remaining salt all over turkey. Cover pan with plastic wrap and refrigerate turkey overnight.
Rinse turkey thoroughly inside and out; pat dry. Rinse large roasting pan and wipe dry. Place rack in pan; place turkey on rack and let stand uncovered at room temperature 1 hour.
Set rack at lowest position in oven and preheat to 375°F. Tuck turkey wing tips under. Cut 6 clementines into quarters (reserve remaining clementines for another use). Stuff cut clementines and onions into main cavity. Tie legs together loosely. Spread butter all over turkey. Sprinkle with 1 teaspoon pepper and reserved 2 teaspoons clementine salt. Pour 3 cups chicken broth into pan.
Roast turkey 45 minutes; baste with pan juices. Reduce oven temperature to 350°F. Roast turkey until instant-read thermometer inserted into thickest part of thigh registers 165°F, basting occasionally with pan juices, adding more broth to maintain liquid level, and covering loosely with foil if browning too quickly, about 3 3/4 hours. Transfer turkey to platter; tent with foil and let rest 30 to 45 minutes (internal temperature will rise 5 to 10 degrees).
Pour juices from roasting pan into large measuring cup. Spoon off fat that rises to surface into 1-cup measuring cup. Add enough Turkey Stock to degreased pan juices to measure 5 cups. If necessary, add enough fat reserved from Turkey Stock to fat from pan juices to measure 1/2 cup.
Heat 1/2 cup fat in heavy large saucepan over medium-high heat. Add ham and sauté 3 minutes. Whisk in flour; cook 1 minute. Whisk in 5 cups broth mixture and coffee. Boil until gravy is reduced to 61/2 cups, about 15 minutes. Season to taste with pepper. Serve turkey with gravy.
Attribution for Recipes (CC BY-SA 3.0):
The recipes displayed in this app have been crated using content available under the Creative Commons Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0) license. The recipes are based on the following dataset:
[Food Ingredients and Recipes Dataset with Images]
License: CC BY-SA 3.0
We would like to express our gratitude to the content creators who contributed to the dataset and shared their work under the CC BY-SA 3.0 license, allowing us to showcase and share these recipes with you.


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Amazon: http://amzn.to/2fGI9xn
From Bestselling Author, Janelle Stalder, comes a new, suspenseful Paranormal Romance.
Early Praise
"This book was a phenomenal start to what I know is going to be an amazing series. It is filled to the brim with mystery, danger, and intrigue, with just the right amount of heart-stopping and breathtaking romance. It made me fall in love head over heels, and then slowly destroyed my heart. If there's one new series you start this year, make sure it's this one." - Kayleigh Gore, K-books Blog
A love written in the stars, or born in the depths of darkness?
Where fate has brought them together, so will it tear them apart.
This is not a story of chance, but one that was destined to come to pass, and with it the fall of the darkest shadow to roam the earth.
Vivian French will soon realize that monsters are not just characters from story books, but creatures who can tear your soul apart and leave nothing in its place.
This is not a love story.
This is a tale, of a fallen angel and The One who will bring about a change in the Balance.
Janelle Stalder was born and raised in Brampton, Ontario. At an early age she developed a love for literature. Her debut novel, Eden, was the first book in a series of four, released in September of 2011. Since then she has released an Adult Dystopian Romance series, the New World Series, hitting the best sellers list on Amazon. She has also released a Mature YA/NA novel, Brush Strokes, that stayed on the best sellers list for contemporary romance for sixteen straight weeks. She is a strong supporter of other independent authors, and loves to interact with her readers. When she's not writing, Janelle is at home with her husband, three children, Aiden, Elora and Violet, and her two furry children, Alice and Lily. She now resides in a small town in Ontario in her old, possibly haunted, century home.


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From the Washington Post, news that the Obama administration completely lied about the killing of bin Laden being in self-defense:
Bin Laden apparently was shot in the head when he looked out of his bedroom door into the top-floor hallway of his compound as SEALs rushed up a narrow stairwell in his direction, according to former Navy SEAL Matt Bissonnette, writing under the pseudonym Mark Owen in "No Easy Day."
…The author writes that the man ducked back into his bedroom and the SEALs followed, only to find the man crumpled on the floor in a pool of blood with a hole visible on the right side of his head and two women wailing over his body.
Bissonnette says the point man pulled the two women out of the way and shoved them into a corner. He and the other SEALs trained their guns' laser sights on bin Laden's still-twitching body, shooting him several times until he lay motionless. Only when they wiped the blood off his face, were they certain it was bin Laden.
These revelations illustrate two important points from the bin Laden raid. First, the Obama administration pathologically lies about the nature of their secret operations in order to make targeted killings seem like self-defense when they are not and thus to immunize the operatives and the administration. This should be a lesson coloring our perceptions of everything from drone strikes to other elite commando raids, most of which we know comparatively little next to the Abbottabad operation.
The other point falls somewhere along the lines of what Noam Chomsky wrote immediately following the assassination operation on bin Laden. "It's increasingly clear that the operation was a planned assassination, multiply violating elementary norms of international law," he wrote. "There appears to have been no attempt to apprehend the unarmed victim, as presumably could have been done by 80 commandos facing virtually no opposition…In societies that profess some respect for law, suspects are apprehended and brought to fair trial." But if President Obama suspects you've done wrong, no court or trial or judge are needed; he'll just kill you by royal decree.


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It is not until we understand what it means to be justified, that we are in any position to discuss sanctification, which is that life-long process through which the old habit of sin (what we call "indwelling sin") is progressively weakened and the new nature (given us by virtue of regeneration) is progressively strengthened. Why is this the case? The same act of faith which unites us to Christ so that his merits are imputed to us and thereby provides the basis upon which God pronounces us "not guilty," also begins the life-long process of sanctification, in which our sinful habits begin to weaken, new Godly affections begin to grow, and we begin to obey (however, feebly), not some, but all of God's commandments. To put it yet another way, every justified sinner is also being sanctified.
In fact, the moment we place our trust in Jesus Christ, all of our sins (past, present, and future) are forgiven. Through that same act of faith which justifies us, Christ's righteousness becomes ours so that we now rely on the obedience of Jesus Christ crucified which is ours when we believe in him. Because we are justified by the merits of Jesus Christ which we receive through the means of faith (and not through our own good works), our consciences are freed from fear, terror, and dread. Since we are not paralyzed by the fear that God will punish us when we fail, we find ourselves free to obey the law of God, not to earn greater righteousness, nor to become "holier." Rather, we obey the law of God and do good works because we have already been reckoned as "righteous" and our eternal standing before God has already been settled by the active and passive obedience of Jesus Christ. This is what it means, in part, to be sanctified.
The biblical teaching about sanctification is quite extensive. According to Paul, this struggle with sin is the normal Christian life (Romans 7:14-25). In fact, the holiest among us may be those struggling with sin the most. The fruit of the flesh (as depicted by Paul in Galatians 5:19-21) gradually begin to diminish, while the fruit of the Spirit (v. 22-23) spontaneously begin to appear in our lives. It is not the struggle with sin, but apathy to the things of God and indifference to our personal sins which are the real signs of trouble.
The new man (who was dead in sin, but is now alive in Christ) is no longer a slave to sin. The old nature (the flesh) has been crucified with Christ and buried with him in baptism (cf. Romans 6:1-7). The new man (the regenerate nature) comes alive through the resurrection power of Christ and has an entirely different orientation than the flesh. The new nature believes God's promises, it embraces Christ through faith, it hates sin, and it desires to please God. This is why everyone who is called through the preaching of the gospel and who then comes to faith in Christ (through the operations of the Holy Spirit) is not only justified through the means of faith, but also has a new set of desires and affections which reflect the new nature.
This is why sanctification is the necessary consequence of the once-and-for-all declaration that we have been justified. Whenever someone claims to be justified by grace alone, through faith alone, on account of Christ alone but then continues to live in indifference to sin without struggling against it, something is wrong. No justified sinner can remain indifferent about their conduct nor continue on in sin as they did before they were justified.
In the new birth we are made alive with Christ and the power which sin formerly held over us is broken. But indwelling sin (what our theologians call the habitus of sin) remains in us until we die. Romans 7:14-25 and Galatians 5:17 are very clear about this fact. The new nature must struggle against the three enemies of every Christian: the world (the non-Christian way of thinking and doing), the flesh (the sinful desires within us) and the devil (lies and falsehoods about God). This is why the struggle with sin is the necessary fruit of justification and the new birth. Sadly, this struggle has led many to question their relationship with God, when, in fact, the struggle with sin is the sure sign that God is at work, molding us, and conforming us into the image of his dear son.
In Romans 6:6, Paul speaks of us as people who were formerly slaves to sin. But once freed from our slavery, we struggle to stop thinking and acting as slaves, and we struggle to start living like the free men and women that we are. The struggle will not produce victory over all sin in this life as Christian perfectionists teach. But the power of sin is broken so that sanctification and transformation necessarily begin. And yet, the habit of sin (indwelling sin) will remain with us until we die or our Lord returns, whichever comes first.
This is why you cannot successfully argue, as certain Christians attempt to do, that someone can "accept Jesus as their Savior," but not make him Lord over their lives until a later time (the so-called "Lordship controversy"). If you trust in Jesus Christ through faith, you have been crucified with Christ, buried with Christ, and are now alive with Christ. There is no such thing in the New Testament as a two-tiered Christian life, in which there are people who accept Christ as Savior but have not yet made him Lord, nor are there people who are indwelt by the Holy Spirit but not yet baptized by the Spirit, nor are there people who are saved, but not yet sanctified.
Therefore, as we die to sin and rise to newness of life on a daily basis, we will struggle with sin. But despite the difficulties which this struggle creates, our sanctification is a sure and certain sign that we are Christ's and that he who has begun a good work in us, will indeed see it through to the day of completion (Philippians 1:6). And this is what it means to be sanctified.


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IMLS Press Contacts
Mamie Bittner, firstname.lastname@example.com
Washington, D.C.—The Institute of Museum and Library Services (IMLS) today announced a planning grant of $50,000 to the Public Library Association (PLA), a division of the American Library Association. This National Leadership Grant will aid in the development of a "summer reading app" for mobile devices by the summer of 2013.
"Research shows that lack of opportunities for summer learning can put children and teens at risk of falling behind. Some students enter middle school far behind their peers with little hope of catching up," said IMLS Director Susan Hildreth. "We want this project to create new and innovative ways to keep kids engaged in learning."
PLA will partner with Influx Library User Experience Consulting to develop and deploy a lightweight prototype of a web-based summer reading app. The project team will then coordinate with other organizations, including the Digital Public Library of America, to use the prototype as a means of gathering feedback from a variety of stakeholders about what features and functions would be desirable in a fully functional application. PLA will use this feedback to draft a report to guide software developers in the creation of an application that could be invaluable to summer reading programs across the country.
IMLS's National Leadership Grant program supports projects that address challenges faced by the museum, library, and archive fields and that have the potential to advance practice in those fields. It funds innovative responses to challenges that have been identified as national in scope.
About the Institute of Museum and Library Services
The Institute of Museum and Library Services is the primary source of federal support for the nation's 123,000 libraries and 17,500 museums. Through grant making, policy development, and research, we help communities and individuals thrive through broad public access to knowledge, cultural heritage, and lifelong learning. To learn more about IMLS, please visit www.imls.gov.


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- Home
- Government
- City Departments
- Police
- Services
- Victim Advocacy Services
Victim Advocacy Services
Services Provided
The Carbondale Police Department Victim Advocacy Program provides support and social services to victims and witnesses of crime. Services are provided primarily to victims of violent crimes occurring within the City. Emphasis is placed on victims of domestic violence and anyone subject to a crime over the age of 60.
Assistance is also offered to individuals who come in contact with the police for "non-crime" related situations yet require social service intervention. Services provided include:
- Civil no-contact orders
- Crisis intervention, information, and referral
- Investigative information
- Legal, social service, and medical advocacy
- Orders of protection
- Stalking no contact orders
- support through the investigative process
- Victim's compensation claims
Advocate Duties
The Advocate represents the Department on several community boards, including the Jackson County Family Violence Task Force, Mental Health Disaster Response Council, and the First Circuit Family Violence Coordinating Council. The Advocate conducts community education and in-house police training on victim issues.
Filing Petitions
You do not need an attorney to file petitions for Orders of Protection, Stalking No Contact Orders, or Civil No Contact Orders. You may do so on your own or be assisted by the Advocate. There is no fee for filing these petitions. Any violation of an Order of Protection, Stalking No Contact Order, or Civil No Contact Order should be reported to the police immediately.
More Assistance in Jackson County
In Jackson County Circuit Court, hearings for Orders of Protection, Stalking No Contact Orders, and Civil No Contact Orders are held at 8:30 a.m., Monday to Friday. Still, the associated paperwork must be filed by 8:15 a.m. to be processed in court that day.
For more information or assistance in Jackson County, call:
- Carbondale Women's Center at 618-529-2324 or 1-800-334-2094
- The City of Carbondale Police Department Victim Advocate at 618-457-3200, ext. 447
- Jackson County Circuit Clerk's Office at 618-687-7300
- Jackson County Sheriff's Department at 618-687-1303
- Jackson County States Attorney's Office, Victim Advocate at 618-687-7200
- SIUC School of Law Domestic Violence Legal Clinic at 618-536-4423


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Am I a Woman? In the Season 1 episode "Diversity Day," the employees of Dunder Mifflin are obligated to attend a seminar on diversity with a bit of a Michael Scott (Steve Carell) twist—they have to guess the race posted on their foreheads by giving each other stereotypical clues. However, Pam's (Jenna Fischer) clues prove to be misleading for Dwight (Rainn Wilson).
Merry Christmas, Dwight! Since the very first episode, Jim's (John Krasinski) pranks on Dwight have been a staple of The Office. Whether he's putting Dwight's office supplies in Jell-O or hiding his desk in the bathroom, Jim never seems to run out of ways to get under Dwight's skin. Here he's prepared a very special Christmas gift.
Jim and Dwight Make a Sale There's no question that Jim and Dwight are rivals, but once upon a time they used to make sales calls together. In the Season 3 episode "Traveling Salesmen," we get a chance to see the two in action together. While their methods may seem strange at first, Jim and Dwight prove to be an effective team—and make a sale.
The Party Planning Committee Whenever there's cause for celebration, the Party Planning Committee gets to work. As head of the committee, Angela (Angela Kinsey) doesn't always play nice with the other members and when Karen (Rashida Jones) pitches some ideas in a bid to join the team in Season 3, she learns firsthand just how cruel Angela can be.
Michael Wears a Woman's Suit In the Season 3 episode "The Negotiation," Darryl (Craig Robinson) asks for a raise, so Michael decides to use some tips he found on the Internet to get the upper hand. But he begins to lose control of negotiations when Darryl notices something interesting about his suit.
Dwight Hates Planking Last summer "planking" was all the rage. Everywhere you looked, athletes, celebrities, and that annoying guy you follow on Twitter for some reason were posting pictures of themselves planking in strange places. Naturally, the fad made its way to Dunder Mifflin last season—and Dwight is forced to put an end to it.
'The Office' Emmys Skit Last year at the 63rd Primetime Emmys, worlds collided when the when a bunch of our favorite television characters paid Scranton a visit. In this clip, Roger Sterling of Mad Men complains about secretaries and Jesse Pinkman of Breaking Bad stops by to make a delivery for Creed.
Does Stanley Have a Moustache?In the cold opening for the Season 8 episode "Welcome Party," the workers at the office are working on a welcome back card for Stanley (Leslie David Baker). But when Pam makes a joke about his moustache, nobody can seem to remember whether Stanley actually has a moustache. Can you guess correctly before Stanley makes his grand entrance?
That's What She Said! Four little words that changed the show forever. Even though it occasionally got him into trouble, Michael Scott blurted out his trademark joke at any given opportunity—and even when we knew it was coming it never seemed to get old. Here's a video of some of the best "that's what she said" moments in Office history.


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Elopements and Destination Weddings
Destination WeddingsSome couples choose a special location for their wedding.
A holiday for themselves and their guests. Harp music makes it just that more special. For ceremonies outside or inside, acoustic or lightly amplified, consider adding the magic of the harp for sparkle and ambience. Email: email@example.com Phone: 250.722.2912 (landline) |
It does not get much more romantic than having your own personal harpist for your intimate wedding. Victoria BC is the elopement destination of choice for many couples! Weddings are never easier to organise than when the bridal couple quietly elopes. The quorum for eloping in British Columbia is five participants: the Bridal Couple, a marriage commissioner and two legal witnesses. These witnesses can be dual purpose also functioning as both the entertainer and photographer too. For the magic of the harp, contact Alison.
Read Alison's Top 10 Eloping Planning Tips |


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[Answer ID: 14569]
Restrictions on Active Directory
Created 07/30/2012 10:41 | Updated 09/27/2013 16:21
There are some restrictions to synchronize with Active Directory.
• | A multiple domain is not supported. The product can be used only under a single domain. |
• | To have the TeraStation join an Active Directory domain, configure it to use a DNS server that can resolve names for the Active Directory domain. |
• | After building an Active Directory domain, the administrator password for joining the domain must be changed at least once, or joining the Active Directory domain will fail. |
• | The DNS name and NetBIOS name of Active Directory domains should be identical. |
• | If there are more than 5 minutes difference between the TeraStation's clock and the domain controller's clock, joining the domain or authenticating domain users and groups may fail. For best results, use an NTP server to set the time for all network devices. |
• | Up to 1000 domain users and 1000 groups may be downloaded from Active Directory. |
• | As far as a global group or user is concerned, no extra settings or manipulation is needed, in case a proper trusted delegation has been established among the domain controllers under a forest, where the domain local group or user can be recognized properly with each other and the settings are the same as described above. |
• | There is no access by universal groups or users. Confirm the group settings. |
OS / Hardware
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These Dawn framing camera (FC) images of Vesta show Aquilia crater at both HAMO (high-altitude mapping orbit) and LAMO (low-altitude mapping orbit) resolutions. The left image is the HAMO image and the right image is the LAMO image. Aquilia is the large crater that does not fit completely into the LAMO image. The LAMO image is approximately 3 times better spatial resolution than the HAMO image. In images with higher spatial resolutions smaller objects can be better distinguished. In the HAMO image Aquilia crater appears to be a large crater that has structures in its center and around its rim that are probably due to the gravitational movement of the regolith that covers the crater. These structures, gullies along the crater's rim and ridges and grooves further down towards its center, are more clearly visible in the LAMO image. Tiny craters can also be distinguished on the base of Aquilia crater in the LAMO image.
These images are located in Vesta's Pinaria quadrangle, in Vesta's southern hemisphere. NASA's Dawn spacecraft obtained the left image with its framing camera on Oct. 16, 2011. This image was taken through the camera's clear filter. The distance to the surface of Vesta is 700 kilometers (435 miles) and the image has a resolution of about 68 meters (223 feet) per pixel. This image was acquired during the HAMO (high-altitude mapping orbit) phase of the mission. NASA's Dawn spacecraft obtained the right image with its framing camera on Dec. 22, 2011. This image was taken through the camera's clear filter. The distance to the surface of Vesta is 272 kilometers (169 miles) and the image has a resolution of about 22 meters (72 feet) per pixel. This image was acquired during the LAMO (low-altitude mapping orbit) phase of the mission.
The Dawn mission to Vesta and Ceres is managed by NASA's Jet Propulsion Laboratory, a division of the California Institute of Technology in Pasadena, for NASA's Science Mission Directorate, Washington D.C. UCLA is responsible for overall Dawn mission science. The Dawn framing cameras have been developed and built under the leadership of the Max Planck Institute for Solar System Research, Katlenburg-Lindau, Germany, with significant contributions by DLR German Aerospace Center, Institute of Planetary Research, Berlin, and in coordination with the Institute of Computer and Communication Network Engineering, Braunschweig. The framing camera project is funded by the Max Planck Society, DLR, and NASA/JPL.
More information about Dawn is online at http://www.nasa.gov/dawn and http://dawn.jpl.nasa.gov.


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Free forum : A forum for conspiracy's, personal stories, fringe, top news, and for gateways to meet and talk
free, forum, gateway, fourm, conspiracy's, personal, stories, #fringe, news, gateways, meet, talk
Lunatic fringe, crazy ramblings and other discussion topics that would make people cringe.
from, mind, insane, lunatic, #fringe, crazy, ramblings, conspiracy, spirituality, aliens, monsters, general, chat, world
A forum dedicated to P&O from Fringe :)
Free forum : The Victoria Fringe Theatre Festival's online forum, where audience members can post their Fringe reviews.
Free forum : The ultimate, FREE Physics club for expert Physicists, aspirant Physicists and Physics admirers!
club, physics, free, astrophysics, nuclear, astronomy, mathematics, atom, classical, #fringe, chaos, theory
A Fringe board when things go wrong
wish, fulfillment, zone, #fringe, board, lezario, community, back
Running from copyrights fanatics since 2009
Forum for fans of actor Philip Winchester
philip, winchester, strike, back, undrafted, crusoe, actor, camelot, flyboys, #fringe, maneater, sleep, wherehouse, solomon, kane
Free forum : Post-Conspiracy, Lunatic-Fringe, Alternative-History. !!!
Free forum : Humour, Conspiracy, UFOs, Weird, Bizarre, Lunatic Fringe
mom's, place, humour, conspiracy, ufos, weird, bizarre, haute, cuisine


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WASHINGTON — Republican strategies to win presidential elections are deeply unsettled because GOP lawmakers are rejecting what many see as obvious lessons from Mitt Romney's loss last year.
House Republicans are rebelling against the key recommendation of a party-sanctioned post-mortem. It told Republicans to embrace a comprehensive immigration overhaul or suffer crippling losses among Hispanic voters in 2016 and beyond.
Many activists say the party simply needs to articulate conservative principles more skillfully rather than modify any policies.
President Barack Obama handily defeated Romney among female voters. Yet House Republicans invited new Democratic taunts of a "war against women" this past week by passing the most restrictive abortion measure in years.
Republican activists appear far from agreed on even basic questions such as whether to focus on loyal conservatives or centrist voters.
Source: Associated Press


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Above Ground Bulk Intake System
February 3, 2009
The IntraBulk is a high-speed above ground bulk intake system that is designed to receive materials from trucks and feed the materials into process systems at rates up to 500 tn/hr. As an intake device, the unit operates as a wide-belt apron feeder. Typically a belt width of 9 ft is used to unload materials from road-tipping trucks or front-end loaders in lump sizes up to 6 in. and bulk densities of 156 lb/cu ft or less. This makes the system ideal for handling a broad range of materials including coal, limestone, gypsum, clinker, iron ore, sewage sludge, grain, and clay. With no risk of material bridging, the IntraBulk can be used as a buffer store as well as providing regular feed. Installing the unit above ground provides worker safety, lower cost, and a simpler means of reducing dust and odors.
Schenck Process, Whitewater, WI 973-882-4650 www.schenckamericas.com
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I'm making an app with 2 lists in the main screen, and the space allocated for the 2 lists are equal. So there will be only 5 items visible for each list.
I'm thinking of an improvement on making more items visible for each list. Possible solutions:
Solution 1: use tabbed widget to display the 2 lists. The 2 lists will share the same space and there will be only 1 list visible and another one will be hidden.
Solution 2: use a toolbox style:
My question is: I think neither solution 1 nor solution 2 is a good choice. Is there any other way to do it? and is the "toolbox" style appropriate nowadays? I don't want to make an app like using last century's technology.


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DiCaprio and Scorsese on The Wolf of Wall Street
Imagine a world where a guy can make $12 million in three minutes, where blow jobs are a perk of the gig, dwarfs are tossed to raise employee morale, and inhaling anthills of coke, Scarface style, is encouraged. Now imagine a world where a studio would pass on a movie with a subject that titillating, even if it came tied in a Leonardo DiCaprio–and–Martin Scorsese bow. That's the way things were looking back in 2008, when Warner Bros. dropped out of Scorsese and DiCaprio's upcoming black comedy The Wolf of Wall Street. The two went on to make Shutter Island, then separated for other projects. But when a window in Scorsese's schedule opened up in 2012, DiCaprio approached the director again. "I told Marty, 'I don't think we'll be able to do a movie like this too many times in the future,' " says DiCaprio. "Larger-scale, R-rated dramas, like Blood Diamond or The Departed, don't really get financed anymore."
An independent production company, Red Granite Pictures, eventually stepped in to finance the film (Paramount is distributing), which is based on Jordan Belfort's memoir of the same name. The book chronicles the former stockbroker's rise and fall as the head of Stratton Oakmont, a brokerage house he founded when he was only in his late twenties. The Long Island–based boiler room bamboozled small investors out of roughly $100 million in the nineties, the heyday of cheap money, junk bonds, and spectacularly ugly ties. In 1998, Belfort was indicted for securities fraud and money laundering, serving 22 months in prison after cooperating with the FBI.
Belfort's writing, alternately horrifying and hilarious, almost reads like a Scorsese movie. And "Marty directing was Jordan's dream scenario, absolutely," says DiCaprio, who plays Belfort. "When Marty couldn't do it the first time, I set it up with a few other directors, but I never felt comfortable pulling the trigger. I was fixated on him. There wasn't anybody else who could bring the rawness and toughness, the music, and particularly the humor required to convey the excitement of these young punks—these robber barons—taking on the Wall Street system."
Executive producer Alexandra Milchan had brought The Wolf of Wall Street to the attention of DiCaprio's production company, Appian Way, in 2007. Warner Bros. quickly optioned it for DiCaprio and Scorsese, more than a year before the crash of 2008. "The book personified America's addiction to obtaining wealth at all costs, and that hasn't changed," says DiCaprio, who found in Belfort a micro-tale of corruption and greed. "He was a small fish in a gigantic pond, and he'd motivate his guys by telling them they were heroes for taking on the big houses. Unregulated Wall Street was like the Wild West." The actor was captivated by the author's singular transparency. "There was nothing Jordan wouldn't divulge, no matter how intimate or embarrassing," he says. "That was the attraction for Marty as well—it's the kind of brutal honesty that got Marty into making movies like Mean Streets."
Scorsese has dabbled in black comedy before—After Hours and The King of Comedy, of course, and long stretches of GoodFellas. But the comedic menace here isn't violence (unless you count death-defying self-abuse); it's Belfort's spectacular implosion. In addition, the film offered the director his first crack at the Zeitgeist since 1983's Comedy—Scorsese's creepy poke at celebrity worship—as well as an entrée into a world as ripe for hyperbole as that of Vegas, the Mafia, and 1840s New York: sin, redemption, obsession, operatic displays of excess! How could he resist?
"Jordan was a brilliant guy in a world where there may be no morality whatsoever," says Scorsese. "He got caught at what a lot of people didn't get caught at." As he sees it, Wolf is about what happens when free-market capitalism becomes a matter of faith. "If you look at what occurred in the world of finance—many times now and it will probably happen again—you really have to ask the questions: Is dishonesty acceptable? Aren't people expected to go too far?"
Jonah Hill plays Donnie Azoff, Stratton Oakmont's second in command (a composite of a few characters in the book). Azoff, if possible, is even more gonzo than Belfort, who at least regretted ripping off clients. "Jordan told me that certain people [at Stratton Oakmont] actually enjoyed hurting people," says Hill, who, along with DiCaprio, spent time with current day traders before shooting began late last summer. "I imagine it's a lot more politically correct and less chauvinistic now. It certainly couldn't be more politically incorrect or chauvinistic. But it's still very alpha male, or alpha female, depending on the person in training. People who are weak, or perceived as weak and emotional, are fed to the wolves." At Stratton Oakmont, says Hill, the philosophy was kill-or-be-killed, and Gordon Gekko was fetishized, but so were Scarface and GoodFellas. "Those were their models," he adds. "They kind of ran their businesses with those sensibilities."
Belfort's arc does sound a little like Henry Hill's in GoodFellas—in this case, a nice Jewish kid from Bayside, Queens, with a genius for sales, gets seduced and corrupted by Wall Street. But Scorsese disputes comparisons between gangsters and stock brokers. "The parallel between the Mafia and Wall Street works only to the extent that they're all interested in making as much money as possible, as quickly as possible."
In Terence Winter—creator of HBO's Boardwalk Empire (executive-produced by Scorsese)—DiCaprio found the perfect screenwriter to adapt Wolf. Winter worked in the equity-trading department of Merrill Lynch when he was in law school. "I was there on October 19, 1987, the day of the stock-market crash," he says. "To see it happen again, on a much larger scale, in 2008, after I had written the script? That was eerie."
His own Wall Street experience wasn't as crazy, but the excessive testosterone and drug-fueled, locker-room atmosphere were familiar enough. And Belfort's epic charisma was simply irresistible. "For all the bad things he's done, he's so utterly charming," says Winter. "That's why I'm glad we kept the voice-over; you need his hilarious asides."
Which, according to Winter, is what will separate Wolf from the many Hollywood films that have already satirized the avarice of the financial world, most infamously in American Psycho and Wall Street. That and the "pretty sadistic humor," says DiCaprio. "We take the lives of the people in the film seriously; we don't take the genre seriously.
"Marty said to me early on, 'No matter the genre, no matter what kind of movie, people respond to the honesty in the characters,' " adds DiCaprio. "We weren't interested in sentimentalizing Jordan. We aren't painting a portrait of someone we want people to feel sorry for. Later in the film, when his life starts breaking apart, people are going to think he's making the wrong decisions constantly. That's not to say that people won't be rooting for him, because he's a likable guy."
DiCaprio spent weeks with Belfort. "I wanted a close relationship with him so that I could weave intimate details into the movie," he says, "things that weren't in the book. I was kind of the middleman between him and Marty, and I would bring pages of notes from my meetings with Jordan—things like this insane orgy on a 747 going to Vegas, chimpanzees in diapers that would skate through the Stratton offices, very intimate stuff about his relationships with women—and Marty was game to try everything. His approach was essentially to put everything onscreen and see what we responded to. It was old-school, really independent filmmaking on a larger scale."
This is the fifth collaboration between the 38-year-old DiCaprio and Scorsese, who turns 71 two days after The Wolf of Wall Street is released (November 15). What at first seemed an unlikely alliance is obvious now: The two men are equally committed to their independence from Hollywood, even as they play within the system—or, in the case of DiCaprio, becomes one of the most popular and highly compensated actors of his generation, without ever starring in a blockbuster franchise. "Leo and I share a certain sensibility," says Scorsese, "a temperamental affinity." Scorsese lived through, and DiCaprio reveres, a time when films were discussed as urgently as television is now, when it was as much an art form as it was a business. Their collaborations might lack the brute-edged intensity of Scorsese and Robert De Niro's, but that relationship was less of a partnership. Without DiCaprio, their shared sensibility—for full immersion in a comically depraved world—would never have been financed.
"Marty is brilliant at many things, but one of them is showing people doing things that are morally corrupt and still making them enjoyable to watch," says Hill. "You root for them and adore them in some way—it's cool and exciting to be doing something wrong." And the same, Hill realized, applies to the guys in Wolf. "Leo and I had numerous conversations while our characters were doing really despicable things. I was disgusted by what I was doing!" Hill laughs. "There are people who won't see the darkness of it. Spring Breakers came out while we were making the movie. I'm a big Harmony Korine fan. I saw Kids when I was way too young—probably 11—and I completely disregarded the aids plot; I just wanted to be like those guys. So now I'm 29, and I walked out of Spring Breakers thinking, Gosh, this generation is so screwed. I was really depressed by the movie. But I realized that if I was 14, I'd be like, Oh, let's go on spring break!"
"It's an old story, really: People can take their identification with movies and novels to some alarming places," says Scorsese. "Some people might just zero in on the fun, exhilarating side of it. But if you're putting a world on film, and you're going to stay true to that world, as opposed to show it from a distance, you're going to make it attractive and entertaining—and, by the way, the people are entertaining, and they had a great time until they got caught."
You can't call Scorsese a prude, not with all the violence in his films. But sex—lots and lots of sex—has never been one of his obsessions. In one scene in the film, a coked-up Belfort furiously dry-humps a first-class stewardess on a flight to Switzerland. It's reminiscent of the alarming comedy in Scorsese's earlier films—classic Joe Pesci stuff. DiCaprio's natural grace remains (it was there even when he played a sadist in Django Unchained), but he's never been so feral. And this is one of Wolf's tamer scenes. "It's a modern-day Caligula," says DiCaprio, "the height of debauchery."
The courtly Scorsese officiating over an orgy is an incongruous image—perhaps for him as well. "Before one pretty explicit sex scene," says Margot Robbie, the Australian actress who plays Belfort's second wife, "Marty was talking to me about my comfort level. He said, 'Okay, so when you're making love …' And I was thinking, Making love? I wouldn't really call it that. It was quite sweet and funny." In a memorable moment of self-pleasuring early in the film, Robbie teases DiCaprio in their daughter's nursery—a scene that took seventeen hours to shoot. "That's a long time to pretend you're masturbating," says Robbie. "It was exhausting! But most of the time it was impossible to stop laughing. How could you not, when every shot was something completely absurd, and you're directed to take everything as far as you want? I mean, there's a naked marching band in one scene. We sank a yacht!"
I ask Hill to identify the most outrageous scene in the film. He is unable to pick just one. "I can safely say that this is the craziest performance I'll ever give as far as what the character gets involved with." And this is a guy who played a guy who got sodomized by the Devil in This Is the End.
Winter is momentarily stumped as well. He mentally sifts through a long list of possibilities. "Oh, yeah," he says finally. "There's a scene where Donnie and Jordan take a lot of vintage quaaludes from the eighties. It takes a while for them to kick in, so they keep taking more." The result is a five-minute fever dream of apparently world-class fucked-up-ness that, among other things, introduces the potential for a new comedy team. "DiCaprio and Hill on drugs rival Laurel and Hardy," says Winter. "When my wife read the scene, she was nursing our newborn son, and she nearly dropped the baby she was laughing so hard. You alternate between enjoyment and thinking, When is it going to stop? How can they possibly survive this? "
Given his time on Wall Street, I ask Winter if he learned anything new writing the screenplay. "I was under the impression that we were playing on a semi-level playing field some of the time," he says. "But when you start to uncover the layers of how things could get corrupted, you realize that the whole system can be rigged—even the government end of it. Knowing what I know," he adds, "I don't put my money in the stock market. I'd rather invest in pretty much anything else—like a vintage-Matchbox-car collection."
Hill's takeaway was more basic. "Maybe don't do bags of quaaludes and cocaine every day for four years," he says, and laughs. "Everything is going to feel like a letdown after that kind of sensory overload, you know? It's like the end of GoodFellas. Ray Liotta is in witness protection. He orders spaghetti and gets egg noodles and ketchup. The rest of his life he's going to be eating egg noodles and ketchup. He's going to live life like a schnook."
The Wolf of Wall Street, directed by Martin Scorsese. Paramount. Not yet rated. November 15.
Click through the gallery ahead for exclusive behind-the-scenes photos by Brigitte Lacombe.


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First up on this atypical Monday night, Lost Coast Brewery's Tangerine Wheat.
This delicious beer has a really great balanced flavor of tangerine peel and wheat flavors from the brewing process. Tangerine Wheat is a very approachable beer for everyone. Overall, the group enjoyed it.
Next up is Weihenstephaner Bavarian style Hefe Weissbier. As the bottle states, it's the world's oldest brewery.
This beer was not a favorite amongst the girls. Their complaints were that this beer was "too wheaty". Only two of us drank this one which in my opinion is vey well made.
Delirium Tremens is the next one up. I love this beer. I first started drinking High alcohol beers while in Italy.
This Belgian beer is strong and tasty. At 8.5% alcohol this is not one to drink all night long.
Delirium has that acidic 'zing' towards the back of your tongue. Some weren't fans of that quality. Others said it resembled wine and all the girls loved the bottle.
Second to the end is Tahiti's Hinano. We should've tasted this beer first. It the lightest of the group and it's just a plain and watery lager. Nothing special. Nothing to write home about. Nothing to even grab the pen for.
And finally, Chimay Ale Peres Trappistes. This is a luxury beer. Tasty, well made and smooth around the rough edges.


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Hotarubi no Mori eSynopsisHotaru, a young and playful girl, finds herself lost in a forest purportedly inhabited by spirits while spending a summer at her Uncle's countryside house. A mysterious and masked young man named Gin, who claims to somehow "no longer be human", finds her, and in spite of his claim that he will disappear should she ever make contact with him, he agrees to lead her out of the forest. Before the day ends, however, the two find themselves enjoying each other' company and agree to see each other again, in spite of the risk Hotaru brings to his life and her fear that as she grows older each summer, she may someday cease to be able to be with him. ReviewI do sometimes think that American audiences could do to rethink their definition of a "children's movie". Far too often, I find that when a film is deemed "appropriate for all audiences", it simply feels blandly harmless and impotent, whereas the films that sell well are often those that simply cover up their storytelling inability with special effects, gunfights, and cliched characters touched up with enough gimmicks to incite the kids to turn their attention from one franchise to another. When I think about this phenomenon, I find myself thinking of the likes of Hayao Miyazaki and his willingness to direct films that won't send children recoiling in horror and yet might give them something to think about as well, and with the 2011 film Hotarubi no Mori e, I've discovered something of a peer to his films. Courtesy of the same mangaka and director that brought us Natsume's Book of Friends, it is a gentle tale that blends beautifully animated scenes of leisurely pleasure and yet complements those scenes with a bitter if not strictly "dark" undertone, progressing in heaviness just as the main character progresses in age and telling a surprisingly deep story as a result. Regardless of the character's ages, there is one thing in particular that stands out about this movie, and that is that Hotaru and Gin are wonderful to watch. As a child, Hotaru is of the adorably naive and inquisitive type who, upon being told not to touch an object, can think of nothing besides doing the exact opposite, and yet she fails to be either whiny or frustratingly impotent, being the sort of toddler you look forward to watching grow up. The movie, in fact, is told mostly as flashback from the perspective of a teenaged Hotaru and shows her aging from a toddler to a high school student, neither skimping on the in-between points nor rendering her unrecognizable as time passes. She's lovely to watch both as a child and as a developing adult, in fact, and while collecting my thoughts on the film, I realize that such consistency of characterization even across age differences is impressive for such a short movie. Gin's presence, meanwhile, brings a welcome degree of weight without bringing angst or unnecessary drama about: even in his moments spent leisurely flying kites and wandering the deep forest paths with her, there is something sad about his presence. Indeed, covering his face with a mask amplifies his outward mysteriousness and position as someone whom a parent might be suspicious of their child meeting (for after all, hearing that one's little girl was playing with a strange teenager in the park would be cause for at least a little alarm) and yet contrasts with his kind intentions, genuine interest in her company, and, really, the fact that he has a basic desire for companionship just as any human does. I felt that the film effectively opened him up to the audience at a good pace, giving the viewer an occasional glimpse of his unmasked face and equipping him with a snarky if not cruel sense of humor that made him all the more likable as a character. The two do change as Hotaru grows older, as well, and while I was initially apprehensive that the movie might bungle their relationship as friendship developed into more than such, it portrays them as matured people whose companionship has correspondingly evolved, maintaining the breezy atmosphere and yet carrying itself as an inherently more complex story as one character has gone to a point where she must think about the limits on her affection and the other has become more comfortable while still being unable to alter the fundamental problem of his condition. Hotarubi no Mori e is, atmospherically, a gorgeously detailed piece with beautiful animation courtesy of Brain's Base studio, a landscape beautiful enough to make me regret being barred from it by the difference between fact and fiction, and a nostalgic feel brought about by such moments as Hotaru's uncle recalling a period spent in the woods from his own childhood and her dreamily recalling her summers spent there while gliding by the countryside on a train. It's a story that could easily become trite, but with the strength of the script and characters, as well as the artistic detail that brings even a visit to a summer festival (which must show up in at least 85% of all anime set in present-day Japan) far from banality. The appearance of the show, mellow in tones and soft in shape, suits the story well, as does the leisurely pacing and a score that is understated almost to the point of being absent. The few flaws are, by-and-by, inconsequential but still difficult to ignore, among them that the designs of some of Gin's "fellow spirits" seem ill-suited to the rest of the movie (with a few being awkwardly cartoonish) and that a key plot development at the end is brought about by arbitrary means. And while Hotarubi no Mori e is nicely self-contained, there was, at the end, a lingering desire to see more: although I am not sure where such additional material might have gone, there was such magic to the tone of this movie that 44 minutes seemed somehow inadequate. Nonetheless, this vignette of bittersweet nostalgia makes for a worthwhile and thoroughly enjoyable experience, showing that a good cast of characters, a strong script, and the correct sort of emotional development can make a movie work just as much as an "original" story may. Hotarubi no Mori e is, in my opinion, perfect for both those adults who wouldn't mind a little leisure in their lives as well as those children who can appreciate the fact that all stories need not be entirely happy without equating a serious plot with violence. It's the sort of movie that probably won't ever sell well for the exact reason that its demographic is ill-defined, but here's hoping that the anime community will be able to appreciate it just for that. A pleasant breeze punctuated by just the right degree of heaviness to balance well and hurt only slightly by a few scenes of stiffness: sweet, relaxed, and thoroughly enjoyable. — Nicoletta Christina Browne Recommended Audience: Older children should enjoy this, as should many adults and those teenagers who aren't too cynical to stop appreciating such sweet and leisurely films. One could construe the growing affection between the main characters as inappropriate owing to their initial age difference, but it is worth pointing out that even aside from cultural differences, the two only begin to act on their feelings at a point at which they are functionally the same age. There is also a small amount of adult-on-child violence that amounts more to Japanese culture's slightly higher tolerance of corporal punishment than legitimate abuse, but although it is clear that upon examination, there is no harm intended, this may offend sensitive viewers. Version(s) Viewed: Digital Source Review Status: Full (1/1) Hotarubi no Mori e © 2011 Brain's Base / Yuki Midorikawa |
© 1996-2015 THEM Anime Reviews. All rights reserved. |


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Minutes, 1936 June - 1941
Scope and Contents
This ongoing collection consists of meeting minutes and reports made by the Board of Regents. The collection is complete except for the 1919-20 (5th biennial) report. For the years 1911 through 1948, biennial reports were published in pamphlet format as a summary of two fiscal years and included attendance and enrollment statistics. Minutes exist for many meetings from 1911 to 1924. For the years 1919, 1921, and 1922, documentation also includes minutes from the Council of Normal College Presidents, which recommend agenda items to bring before the board.
Beginning with fiscal year 1943, the report format changes to include more details. Documentation includes reports submitted by each school in the system, financial activities of each school, and the items voted on by the board in each meeting. Organized chronologically by meeting date.
- 1936 June - 1941
- From the Collection: Texas. State Normal School Board of Regents (Organization)
- From the Collection: Texas. Board of Regents, State Senior Colleges (Organization)
- From the Collection: Texas State University System. Board of Regents (Organization)
- From the Collection: Board of Regents of the Texas State Teachers Colleges (Organization)
Conditions Governing Access
Open to researchers without restriction.
From the Collection: 25 Linear Feet (3 document boxes, 13 standard record boxes, digital items.)
Language of Materials
From the Collection: English
Repository Details
Part of the Special Collections and Archives Repository
Alkek Library Room 580
601 University Drive
San Marcos Texas 78666 USA


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At this point quite a few internet companies have protested H.R. 3261, the Stop Online Piracy Act (SOPA) in creative ways. Held by many to be the worst thing to ever happen to the Internet if it passes, SOPA would makes it really easy for copyright holders to force sites offline that they think are offending, among other things.
While the judiciary vote has been delayed until next year, the list revealing the companies who support the act was released yesterday, and many startups, such as Reddit, have begun to drill down into boycotts of individual companies like domain provider GoDaddy.
The company boycotts have sparked a thread on Hacker News, where user Solipsist posted a link to the list with the comment, "While I understand your sentiments towards SOPA, are you really going to distance yourself from all of these companies?"
To which YCombinator founder and investor Paul Graham replied,
"Actually that's exactly what I thought when I saw the list yesterday. Several of those companies send people to Demo Day, and when I saw the list I thought: we should stop inviting them. So yes, we'll remove anyone from those companies from the Demo Day invite list."
Disinviting offending companies to YCombinator Demo Day? That takes, um, guts. Graham told me in a followup email that he was indeed serious and had just given the list of SOPA supporters to the people in charge of the Demo Day invites, "I don't know exactly which companies had people on the list. But I know which will now: none of them."
When asked if that boycott extended to investors in those companies, Graham responded, "Several of the companies on the SOPA list have venture arms. I encourage startups to boycott them. We'll certainly encourage all the startups we've funded to."
The rationale? "If these companies are so clueless about technology that they think SOPA is a good idea, how could they be good investors?"
The next YCombinator demo day is scheduled for March 27th, 2012.
You can read through our full coverage of SOPA here.
Update: So which companies on the SOPA list are being denied YC invites? Well no one except Demo Day organizers knows for sure, but as BI's Matt Rosoff points out, Comcast/NBCUniversal's Comcast Ventures has a stake in YC company CarWoo and listed companies like CBS Disney, GoDaddy, News Corp., Sony, Time-Warner, and Visa have all made tech investments in the past.


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Dybutar 0.5.1.1-signed.1-signed
by Diego Casorran
Dynamic creation of bookmark-style toolbar buttons which you can customize.
About this Add-on
So, this restartless and lightweight add-on (4KB code, 8KB package) should make things nicer for those of you who like to use them.
This add-on provides a preferences window where you can define a URL, Image, and Toolbar ID - being the two later optional. If no image is specified the website's favicon will be used instead.
Q: What is supposed to be in "ToolBar ID"?
A: Some string representing a DOM Node ID, such as nav-bar (default), PersonalToolbar, TabsToolbar, or addon-bar
Q: Can i use icons on my hard-disk for the button's image?
A: Yes, you just have to specify them as local/file URLs (ie, file:///...), you can drag&drop any image within a Firefox window/tab to quickly get such a url.
Q: Reinstalled the add-on and the buttons are missing, even though they show up on the options.
A: Most likely they are gone at the Customize Panel
Q: My button isn't being created!
A: Probably you didn't specified a proper URL (ie, something which contains "://")
Q: Couldn't make it work. all I got was a blank icon.
A: Either you didn't provided an image and the site does not have a proper favicon, or the image you've provided isn't valid - try to specify a[nother] image.


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The first of two titanic hardcovers collecting the status-quo-shattering BACK IN BLACK saga! Reeling in the aftermath of CIVIL WAR, Peter Parker has plenty of reasons to consider a change of wardrobe: Black is his state of mind. But the worst is yet to come for Spider-Man! In AMAZING SPIDER-MAN, events are set in motion that will forever change the life of your favorite web-slinger. There IS no going back! In FRIENDLY NEIGHBORHOOD SPIDER-MAN, the secrets of the alternate Uncle Ben are revealed, but not before the Sandman attacks! Collecting AMAZING SPIDER-MAN #539-543, and FRIENDLY NEIGHBORHOOD SPIDER-MAN #17-23 and ANNUAL #1.
336 PGS./Rated A ...$34.99


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- Home
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The Engineering Division provides most project planning, "problem" study and resolution, and oversees most construction whether conducted by the Town or by contractor to ensure compliance with project plans.
Highway Division
The Highway Division is responsible for maintenance and construction of all the roadways (including curbs), sidewalks, guardrails, street signs, roadway markings, storm drains, culverts and catch basin structures.
Parks & Grounds and Forestry
This division is responsible for maintaining all Town owned parks and grounds, School and Town athletic fields, public shade trees.
Recycling & Solid Waste
Discover information regarding recycling and solid waste.
Spring Grove Cemetery
The Trustees and Staff of Spring Grove Cemetery are committed to providing a serene, attractive and contemplative setting for the families of the deceased. We are dedicated to offering timely and high quality service in a dignified manner with respect to wishes and beliefs of the deceased and their family.
Water & Sewer
The Water Division ensures the integrity of the water supplies and the surrounding water shed areas.


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SAN FRANCISCO – In one of their craziest scouting experiences, the Minnesota Twins have reached a deal with a 24-year-old pitching prospect who has thrown 100 mph fastballs but has never been drafted.
Brandon Poulson was pitching earlier this month for the Healdsburg Prune Packers in a collegiate summer league. His manager was Joey Gomes, the brother of big leaguer Jonny Gomes.
Now, the Twins are about to give him $250,000.
"It's a great story," Twins West Coast scouting supervisor Sean Johnson said Tuesday. "This kid came out of nowhere."
The Twins knew about Poulson from his recent season with Academy of Art University, where he had an 8.38 ERA for the San Francisco school.
Poulson played there after taking a couple of years off to work in his father's business -- John's Excavating -- with the thought he'd take it over someday and leave athletics behind for good.
The 6-foot-6 right-hander previously played baseball and football at Santa Rosa Junior College.
"I played for the Prune Packers summer of '13, but missed nearly three-fourths of the games because I was busy working," said Poulson, who didn't make his high school baseball team as a freshman.
The Twins are giving him about 10 times more than an undrafted player would typically receive as a bonus. Poulson will begin as a reliever.
Poulson traveled to Minneapolis last week to undergo a physical at Target Field before returning to Northern California, then was cleared Tuesday. He is set to travel Wednesday to the Twins' rookie club in the Appalachian League in Elizabethton, Tenn.
Poulson will sign his contract once he reports. He could pitch in a game as soon as this weekend.
Until last fall, Poulson was operating heavy machinery -- driving 18-wheelers, front-loaders and backhoes. All the while, he played baseball in a Sunday night men's league, fittingly called the "Wine Country" league.
"I went to work with my father and didn't want to gamble with sports anymore," Poulson said.
He later changed his mind and decided to give baseball one last chance, spending months retooling his delivery with Prune Packers pitching coach Caleb Balbuena.
Poulson's stats this summer: 31 strikeouts and six hits in 12-1/3 innings, with four saves in 12 appearances.
The Twins consider him among the best athletes they have pursued: A health nut, Poulson weighs 240 pounds and ran a 6.6-second 60-yard dash. He has a 40-inch vertical leap.
The San Francisco Giants wanted to sign Poulson, who also drew interest from the Oakland Athletics, Seattle Mariners and Philadelphia Phillies. Those teams didn't have enough money remaining in their draft pool to match Minnesota.
"He's a physical specimen. He's got the best pure arm strength I've ever seen," Twins scout Elliott Strankman said.
Strankman is the only member of the organization who watched Poulson pitch. It took all of 18 throws to convince him.
"We're cautiously optimistic because we don't want to put a bunch of pressure on the kid. He could be pretty good.
This is uncharted territory for us," he said.
At Academy of Art's scout day, only the position players were running 60-yard dashes until Poulson turned up and insisted on sprinting. He hadn't warmed up and was wearing socks, no shoes.
"I had cold legs," he said. "Maybe I would have run it faster."
Strankman went to see him pitch for the Prune Packers on July 15. Poulson reached agreement on a contract two days later.
This week, Poulson is headed for the minor leagues.
"I'm excited," he said. "I know it's just the first step of what the real goal is to make it in the bigs."
Poulson said one of his first purchases will be a therapy device to help his father with his diabetes.
Poulson went 0-0 with a high ERA in 14 appearances and 19-1/3 innings for Academy of Art this season. He struck out 24, walked 24 and opponents hit .189 against him.
The Twins, who selected shortstop Nick Gordon with the fifth overall pick in last month's draft, had the financial flexibility to pull this off.
"It was a group effort. You just don't see stuff like this every day," Strankman said. "It's one of those great days as a scout you hope you have every five years."


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An active soloist, chamber musician, and orchestral performer, Mr. Dan Totan has performed on four continents in a variety of venues and ensembles featuring a diverse repertory ranging from the Baroque to contemporary music and various styles from "classical" to pop, rock, jazz, and more.
Born into a family of musicians in Bucharest, Romania, Mr. Totan began studying the cello with his father at the age of eight. He won many prizes including II and I prize of the Romanian Republican Interpretation Competition in 1992 and 1993, the National Radio Chamber-Orchestra Concerto Competition (Romania), the Classical Concerto Competition at McGill University, and the CBC Young Artists Series (Canada), the concerto competitions at the University of Music in Bucharest, McGill University, and University of Alabama, as well as the Cello Fellowship Competition in Montgomery Alabama.
He studied at the University of Music in Bucharest with Tiberiu Ungureanu, Principal cellist of the Enescu Philharmonic in Bucharest and at the same time at Universitet der Künste in Berlin, with Ilea Catalin, Principal cellist of the Hungarica Orchestra.
From 1998 to 2002 he held the Assistant-Principal Cello position with the Sinfonia Cultura - Radio and Television Orchestra in Sao Paulo, Brazil.
In 2002 he relocated to Canada where he graduated the Artist Diploma Program at McGill University with Antonio Lysy (2004), a Master's Degree at the same university with Matt Haimovitz (2006), and the Diplôme d'Études Supérieures Spécialisées with Yuli Turovsky at University of Montreal (2007).
From 2008 to 2010 Mr. Totan held the Cello Fellow and Principal Cello position with the Montgomery Symphony Orchestra in Alabama, for which he performed in a series of eight solo concerts and recitals. He appeared as soloist with the Ho Chi Minh Symphony Orchestra, Bucharest Symphony Orchestra, the Chamber Orchestra of Romanian Broadcasting, the "Sinfonia Bucuresti" Orchestra, the Montgomery Symphony Orchestra, Mihail Jora Philharmonic, Ion Dima Philharmonic, Botoşani Philharmonic, and others. He collaborated in various chamber ensembles in Romania, Germany, Brazil, Vietnam, Canada, and the United States.
Presently Mr. Totan is pursuing a Doctorate in Musical Arts at the University of North Texas under Prof. Eugene Osadchy. At UNT he is a member of the Conductor's String Quartet, he specializes in baroque cello as well, early music being his special interest and also his degree minor. He is Principal Cello of the Irving Symphony Orchestra, a member of the Plano and San Angelo Symphonies and teaches as Adjunct Cello Professor at the Southwestern Adventist University.


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Announcer: From the National Institutes of Health in Bethesda, Maryland, this is All About Grants. Today we'll be discussing consideration for postdocs moving into independent careers with our special guest Dr. Milton Hernandez.
Megan Columbus: Hello and welcome to today's edition of All About Grants. I'm your host Megan Columbus, from the NIH Office of Extramural Research. Today we'll be discussing considerations for postdocs moving on to independent careers in biomedical research. I have with me, Milton Hernandez, the director of the NIH Loan Repayment Program, who I'd like to welcome to the show today.
Dr. Milton Hernandez: Hello, Hi, How are you?
Megan: Fine. Thank you very much for coming today. Milton has spent 18 years in charge of training at the National Institute of Allergy and Infectious Diseases, and before that, he was a successfully funded NIH researcher. So, let's move on directly into what constitutes a good postdoc?
Milton: Ok, well that's a pretty broad question that involves quite a few things. I think, first and foremost, you want to pick a lab that's a strong lab in your chosen field. Obviously, you don't want to pick a lab where you're not interested in going that much. You want to be passionate about choosing your lab, and so you should pick the strongest lab that you can in your area. That said then, the second most important thing is the mentor-who's going to be the mentor, who's going to be the principle investigator that's going to be leading you on this postdoc? That person should be well known in the field, with a strong publication record and a good track record in training grad students and postdocs. There are lots of people that are very good, highly accomplished scientists that are not good trainers, stay away from those. And then what I think is very important, and I think very few postdocs actually do is, as soon as you get to that lab sit down with that mentor and agree on what the postdoc is going to be like. In other words, establish some guidelines as to where you're going to be in 6 months, 12 months, 2 years, that sort of thing. Also, be careful what kind of project you pick. You don't want something too open-ended that might to be unproductive. You might have two years and decide that this isn't going to lead anywhere. That's not a good project, and that's not a good mentor if they give you that sort of project. You want something that is doable. There should be some challenges there. You might have to develop some techniques, develop a model, etc., etc. But you don't want something that's like a wild goose chase. And finally, you know you should agree with your mentor that you want something that can lead you to become independent in a reasonable amount of years. There's different ways of doing postdocs. You can stay with the same postdoc for a longer period and become independent. Or you can do several postdocs, hopefully not more than 2 or 3, and accomplish the same thing.
Megan: What would be the expectation in terms of time you should stay in a postdoc then?
Milton: Well, that varies. That's very variable. The NIH has established postdocs the limit to be 5 years. If you're a postdoc for more than 5 years, you're not eligible for the transition awards that we're going to talk about at some other time. Now, 5 years may not be enough for you, but what you don't want to do is get into a postdoc situation where you're going to be doing a postdoc for 8-10 years because then you're stuck, and you're probably being using and/or you're just not cut out to be an independent investigator.
Megan: So, as a postdoc, my goal is being independent investigator, what do I need to do to make sure I get there and to prepare myself and to pave the way?
Milton: The purpose of a postdoc is for you to do research, research, research. That's the main thing. That's going to be your focus, and obviously, the end product is going to be papers, papers, papers. That's the most important thing in a postdoc quite frankly-the number of papers and the quality of those papers. The other thing is seeking out good mentors. Ideally your supervisor, the person that runs the lab, whose lab you're go to postdoc in, will be your mentor. That may or may not work out. I've seen lots of cases where that person is not that great of a mentor because they're just too busy, or they're just not that good a mentor.
Megan: So what should you do in that case?
Milton: You seek other mentors, and you should never be without mentors. Actually, no matter where you are in your career, you should always have mentors. Seek them out. There's probably some collaborator, maybe your ex-professor, maybe your PhD advisor, maybe somebody down the hall, maybe somebody that you've established a collaboration with at another institution that's more senior. All these people can give you good mentoring.
Megan: So, Milton, you've talked about the importance of finding a good mentor in the institution, and maybe more than one mentor in the institution, and that sounds like a great idea. Certainly I also understand the value of looking outside your institution for mentors. What about other connections that will set you up to put you in a good place to move forward. What about contacts at NIH or contacts in collaborators in your field?
Milton: That's a very good point, because postdocs tend to be very focused on their research, and while that's good, you don't want to be so focused on your research that you neglect the politics of being a scientist. I mean, you have to go out of your way and learn how to network, talk to people at NIH, talk to people at other funding agencies, talk to your mentor and your mentors, or your colleagues, or the people down the hall about how grants are reviewed, learn more about the process. I mean you need to do that and you need to be proactive actually. Just going back a little bit to the mentoring thing, nobody is going to come and offer to be your mentor. You have to get the gumption enough to go and approach a senior person and you know, sort of unofficially ask them. I've never asked anybody "will you be my mentor?" But, you know, you sort of wrangle yourself into that sort of situation.
Megan: You establish those sorts of relationships.
Milton: Right, right. Nobody's going to come and tell you "I want to mentor you."
Megan: What should the relationship of a postdoc be to NIH at this point in time? What should they be looking at, who they should be talking to?
Milton: Well, one really good place to start is to go, seek people out at scientific meetings. NIH staff, even though we are science administrators, we go to scientific meetings. We go to the FASEB. We go to the American Heart Association. We go to this or that meeting, the American Society for Microbiology. We're always there, chat with us. Just like you've had to seek out mentors by going and getting in people's faces, get in our face at a meeting, go talk to us, tell them "Oh, I've seen you from the National Institute of whatever and actually I'm interested in research that's right down that area, and can you give me some advice, I'm thinking what should I be doing?" and just establish a conversation. Later on it's going to be really, really important because as an applicant chances are you're going to be, hopefully you'll be a funded applicant, but I guarantee you're probably going to be a failed applicant at times. And if the NIH staff doesn't know you, how are they going to help you if they don't know you? You have to be known, so you have to establish these networks, these contacts early in your career.
Megan: Well, and I guess that's one of the things coming to NIH I was quite surprised by, which is the NIH staff are really here to help people out there get funded.
Milton: That's correct.
Megan: And so, I think that partnership is a really important message that we should get across.
Milton: I think for example in the training community that from what I see from my colleagues all over the other institutes at the NIH we're people people. We want to help young people and get started. We were young investigators. I remember very well when I was a postdoc and when I was writing my first R01 grant. So we want to give back to the community. We want to make it easy. We don't want to just be like robots and communicate Web sites. We want to give them insights and advice, so a lot of us, many of us do that quite frankly. Also as a postdoc I think you want to stay focused though, you want to stay focused on the research and the papers, there's no question about that. Sometimes there's temptations to do committee work and get involved with outreach activities, etc, etc. I would advise against that at the beginning. Get yourself established because that's not going to give you any papers, and it's not going to make you do good research. It's going to make you feel good because you're giving back to the community, but when it comes back to looking for jobs or later on if you're a professor, an assistant professor looking for promotion or tenure that's not going to count at all. That's the way it works unfortunately.
Megan: So, right now we're really working on establishing ourselves as a researcher doing research, getting papers, making connections, understanding the system.
Milton: Yeah, and another thing you could do is establish the good relationship with your mentor or mentors. These individuals are all funded by the NIH. They have R01 grants and probably big, big center grants and program projects and cooperative agreements and things like that. Ask them if you can read some of their funded applications.
Announcer: Learn more about NIH grant funding and processes at grants.nih.gov
Megan: So, we're here with Dr. Milton Hernandez talking about considerations for postdocs who are interested in moving on to an independent career in biomedical research. We've talked now about what constitutes a good postdoc and what you need to do, the kinds of connections you need to make, what about what people are really interested in, which is what awards are out there, what am I eligible for, how do I find those?
Milton: Yes, so how do I get funded? Well, there are several mechanisms. The first one that comes to mind is the National Research Service Institutional training grant. Now you don't get those as a postdoc. I always chuckled a little bit, smiled a little bit to myself, when I got a call from a postdoc saying that they wanted to apply for a training grant. I said "I think what you really mean is a fellowship." A training grant is given to a big investigator, a big name investigator in the field. It might be in basic immunology or microbiology or HIV or pathogenesis of X or Y condition, and they are multi-slot awards so that the training grant director has in his or her possession basically to give out any way they will, they want to, to either predocs or postdocs. So if you're a postdoc you can go at the institution, now obviously, these training grants are usually at institutions that are very research intensive.
Megan: So, how do you find out what institution has these training grants?
Milton: First of all you can do that many different ways, you can go to this new grant information data base called RePORTER, which replaced the old CRISP and find out about training grants at Yale or Southwest in Texas or University of New Mexico.
Megan: So, RePORTER's the OER resource, which is projectreporter.nih.gov
Milton: That's right, that's a good source. Another way is when you go to your institution is to ask your mentor, the person that's invited you to come to his or her lab "is there a training grant here at this institution?" Or sometimes it's not "is there a training grant?" but "how many are there?" and in many departments in the big schools there's a number of training grants. Some of them have training grants for similar areas in the same department, funded by different institutes-Heart and Lung, NIGMS, that sort of thing.
Megan: And there will be a process within the institution for applying for those grants?
Milton: Yes, now when I say that the program director is free to appoint in any way that he or she wants, that's not quite the way it is. All training grants probably have a process, an application process that probably has some sort of review committee that decides on what postdocs or what trainees to appoint on the training grant.
Megan: And so you'd work through the institution?
Milton: Yes, they want the best ones on the training grant because when they come for re-competition the training grants, they're going to be evaluated on how well these postdocs did, so they want sure thing kind of postdocs. Another way is to get your own individual fellowship. Very often, a postdoc will start on a training grant at an institution and then a year or two later gets his or her own funding on an NRSAF 32 postdoc.
Megan: And so, that's a good way to get your feet wet in grant writing?
Milton: That's actually the best way to get started because, and actually starting off in that process where you write your own application for your own fellowship is not only a great experience but it also turns out if you get it, it's a feather in your cap. You have gone to the altar of NIH peer review and gotten funds and that counts for quite a bit. Actually, it will give you quite a bit of experience as to how to write things, you'll have to interact a lot with your mentor in writing this application. It'll give you a real good sense of how to get funded. You know, just because you get a postdoc fellowship doesn't mean you're going to get your R01's funded automatically. That's not what I'm talking about, but it will give you a real good training. It's much better than having no experience at all. There are other mechanisms; there are diversity supplements for individuals that come from underrepresented groups, or people with disabilities.
Megan: And how would I pursue one of those supplements?
Milton: Well, if you're a grantee and you have an R01 and somebody like me, a Mexican-American postdoc comes along and says, "gee, I'd like to come to your lab but I don't have any money" then the PI, the principal investigator can say "okay, well I will apply for a diversity supplement for you" and basically I will come free.
Megan: Is there anything else you should be thinking about?
Milton: Well, there are these newer mechanisms that are called transition awards that are designed to take postdocs from the position of postdoc to make the transition to assistant professor. Some of the mechanisms involved are K22's, but not every institute has those, so you need to call around and find out. And the newer one is the pathway to independence award the K99/R00. They are very similar in what they accomplish. The K99 has a mentored phase. The K22 usually doesn't. But eventually they are meant to help you make the migration from a postdoc position to a position of assistant professor and with a nice tidy sum of money to get started.
Megan: That sounds like a great idea for somebody.
Milton: Yeah, it is a good idea. I know that I chaired the evaluation of a K22 mechanism a few years ago, and all those individuals got very good positions as assistant professors and a very high percentage of them were very successful in getting R01's. The K99 program is too young to be evaluated, but I'm sure the results are going to be very similar.
Megan: Wonderful. Well, thank you so much for coming today!
Milton: Well, thank you very much!
Megan: For NIH and OER, I'm Megan Columbus, until next time.
Announcer: Conduct a key word search for "training" at grants.nih.gov, to receive a listing of opportunities and training-related information, again that's G-R-A-N-T-S dot N-I-H dot gov. And to search for NIH-funded projects visit projectreporter.nih.gov, again that's P-R-O-J-E-C-T-R-E-P-O-R-T-E-R dot N-I-H got gov.


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Is the end of the family holiday nigh?
Nearly three-quarters of working parents plan to take a separate summer break from their partner to allow for looking after their children during the school holidays.
The majority of parents are faced with a quandry - with both wage-earners trying to bring in enough household income, but being unable to enjoy a traditional family break.
The survey of 2,000 parents with school-age children for Nationwide Savings found that 73 per cent of parents had to stagger their leave from work with their partner to cover childcare over the summer, leaving less time for the whole family to spend together.
More than four-fifths of working parents said they had difficulty booking off the time they need for an annual break, with nearly two-thirds having to book holidays at least three months in advance.
Also, one in four parents surveyed admitted to having "played hooky", telling a school their child was ill or some other excuse so that the family could holiday together during term time, when cheaper deals were available.
One in five of those questioned said that they would usually book their holidays as soon as the work calendar started so that childcare could be covered at difficult times such as Christmas and summer holidays. Almost half of parents felt guilty about the effect on their work colleagues without children.
Nationwide Savings also surveyed 2,000 working age people who do not have children. More than a quarter of people felt workplace etiquette dictated that they should not book leave during those school holiday periods when their colleagues with children would want to take time off.


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Droid Explorer v0.9.0.3 Beta
Vista / Win10 / Win7 / Win8 / WinXP
Vista / Win10 / Win7 / Win8 / WinXP
Droid Explorer is a tool that allows you to manage unrestricted / rooted Android devices through Windows Explorer.
Key Features...
Key Features...
- Multiple Device Support
- Copy and auto-apply update.zip
- Copy local files to device
- Auto detection of connected/disconnected device
- APK file icon and extended information
- Device command shell window
- Reboot device
- Reboot device in to recovery mode
- Open files for viewing / execution locally with the default file type executable
- Drag & Drop file copy from Explorer
- Flash Recovery Image
- Package Manager (Install & Uninstall)
- No need to mount SD card to access files from computer
- Access files in other directories besides SD card
- Copy files from device to local clipboard
- Paste files from local clipboard to device
- Open files on local machine
- Display open with dialog to specify what to open a file with
- Right click APK and Uninstall
- Right click APK and Install
- Delete files from device
- Take a Screen Shot (landscape or portrait)
- Plugins can register as a component to open files
- Open from within Computer
- Should now work with more ROMs as long as they are Rooted and have busybox
- Device "Friendly Name" instead of device serial number.
- Android Screencast Plugin - Control your android device with your mouse and keyboard
- Install/Uninstall APK files right from explorer
- Standalone plugin runner (will mainly be used for windows 7 jump lists and the apk installer but can be used to run any plugin.
- Better Hero Support
- Backup the "Google Experience" applications and creates an update.zip containing the applications
- Use an existing Android SDK with Droid Explorer, or let Droid Explorer set up the SDK for you.
Other editions:
HTML code for linking to this page:
droid explorer
License type
Author's homepage
Visit the author's site
Date added
19 Sep 2015
File size
(<1min @ 1Mbps)
Supported languages
Operating systems
Vista / Win10 / Win7 / Win8 / WinXP1
1License and operating system information is based on latest version of the software.
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