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Flame-shaped diamond drill bit, medium grit.Used for treating natural nails and for processing nail cuticles.
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Dave asked me on YouTube to link up my favorite fountain pens. So here's a list:
Kaweco Sport– I like it for it's ability to fit discreetly in a pocket and be converted to an eyedropper. (at jetpens)
Platinum Preppy– for $3 it's a workhorse, it comes in an array of colors and can be converted to an eye dropper. (at jetpens)
Lamy– To get this to convert to an eye dropper you need to find a clear tube to fit inside the case or find a matching roller ball. Even then you need to epoxy the vents. In my opinion it's worth the hassle you can get interchangeable nibs and expand your nib size for not a lot of money. (at jetpens)
TWSBI– the most expensive of my pens, it lays down a smooth even line and its a joy to sketch or write with. (not available at jetpens)
Pilot Parallel– These come in a range of sizes and I think act more like a paint brush than a pen. I have a 6mm size and it lays down an awesome swath of ink. (not available at jetpens)
Private Reserve– I enjoy their shades of blue. (not available at jetpens)
Diamine– I enjoy their chocolate brown shade. It's deep it's dark it's really nice. (at jetpens)
I hope this list, though not exhaustive helps out make some choices about what fountain pens to start out with and if they are for you.
Please note that I am not compensated for linking to these particular sellers, I link to them because I'm a happy customer who has recieved nothing but top notch service from both sellers. I'm happy to steer people in their direction.

subset: commoncrawl


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Madewell Ross Park Mall X Afternoon Espresso Shopping Event
Hey, Pittsburgh! If you are local then head to the Madewell Ross Park Mall this Friday ( that's tomorrow). I'm hosting a back to school event to show off some of my favorite pieces from the new collection. I'll be giving styling tips and helping you shop! If you just want to mingle that's okay, come say hi! There will be sips, of course, cupcakes, plus a special shopping discount.
You guys know how obsessed I am with some of my key pieces that are Fall closet staples from Madewell. I always have a stack of tees from there, their sweaters are amazing, and I'm loving their denim!
Cargo Jacket c/o Madewell // Chambray c/o Madewell // Boyfriend Denim c/o Madewell // Perfect Henly c/o Madewell // Madewell Booties ( Mine are old) // Similar Tote Bag from Madewell
*This event and outfit are sponsored by Madewell.
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Delivery is free within the UK using Royal Mail 2nd class delivery. However if you prefer a premium service with tracking, this can be supplied at a cost to you the buyer.
I accept orders outside the UK however please contact me prior to ordering to discuss costs and services. International postage is via a tracked service payable by you the customer.
All collars are made to order and will usually be dispatched within 5 working days of cleared payment.
It is possible to return your collar in its original packaging in an unused condition within 14 days of the order being sent unless it is a bespoke order.
Bespoke orders are orders made to your specification, ie a change of fittings from brass to nickel, a ribbon specifically purchased for you or a size made to your specification.
You (the customer) will be responsible for the cost and delivery for the returned item, I cannot accept liability for items lost in transit.
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The cost of packages reaches 15 rubles.
Russians were outraged by the innovations of Wildberries: since February 13, packages have become paid at delivery points.
Customers will be able to purchase packages for the amount from 6 to 15 rubles. The money will be debited from their cards.
Wildberries warned about the innovations in advance. They referred to a decrease in the use of plastic.
At the same time, the points of issue of orders face a fine of 10 thousand rubles for "for each identified case" when there will be no packages.
"If we cared about nature, we should abandon plastic bags altogether, preferably everywhere. So that people have no choice but to carry their reusable bags. And so the usual navar"
"Valberis impoverished, even on packages to earn"
"We will wash and dry those that we bought earlier," the Russians reacted.
The Telegram channel SHOT reports that the packages have to be purchased by the owners of the order pick-up points.
Wildberries takes part of the funds for itself from each package.
It takes 600 rubles a day to purchase packages.
"Of these, the company compensates ridiculous amounts: from 30 to 130 rubles. Moreover, it also takes half of the proceeds for packages resold to ordinary buyers. And if they suddenly end at the point, then the employee will be fined," the journalists found out.
As Topnews wrote earlier, Wildberries outraged customers by deciding to take money for the return of goods with a marriage.
Join our VK group to keep up to date with events in Russia and the world


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Sears SS-12 Mower, Lawn and Garden Tractor Category
Original Model: Tecumseh HH120
This engine series is no longer available. Also since the bracket that holds the starter generator also holds the clutch idler arm, it will be hard to find anything else to work in there. The engine in this tractor is mounted with the shaft out the right side instead of out the front like most larger tractors.
Parts List
Questions? Email us directly:
General Disclaimer
While we may have sold many engines listed above to be used for a Sears SS-12 Mower, Lawn and Garden Tractor Category, we are NOT claiming these are exact replacements unless the product notes explicitly say so. Many original equipment engines may no longer be in production because of obsolescence or EPA regulations, so in some cases there may not be an exact replacement available. Our intention here is to show that other customers have utilized these in the equipment shown, but may have had to make some modifications to do so. If we know of any required changes, we will list those, however, some adapting during installation should be expected.


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Inga Eiriksdottir, the 5'10", 31-year-old Icelandic plus-sized model calls yoga her beauty secret. Based in the West Village of New York City, Eiriksdottir has been modeling for more than 15 years. For the first part of her career, Eiriksdottir, like most models around the world, worked vigorously to shape-shift and shed pounds in order to meet the impossible and unapologetic beauty standards of the fashion industry. But Eiriksdottir foraged an atypical path towards success, hinged on the notion that "very few women say they love their body, and that should not be the case."
After Ford Models dropped their plus-size division, Eiriksdottir banded together with a group of models to create a collaborative called Alda, which would aim to reimagine how young girls and agencies alike relate to the "plus-sized" woman. Alda, which has found its home in IMG Models, one of the world's leading modeling agencies, is part and parcel of Eiriksdottir's mission: to help young women love themselves more, and for all of us to really "figure out who we are," without categories or labels.
Eiriksdottir's striking beauty and genuine humility manifest most patently in her intoxicating presence and smooth, soft voice. In her delicate Icelandic accent, she describes the deep-rooted issue of the modeling world in which women, touted as the most beautiful women in the world, all seem to hate themselves. Even the term plus-size doesn't resonate, she says. "Seventy percent of women are size 12…we clearly need to change what's considered 'normal.'"
The yogic tradition teaches of the impermanence of the body: In this lifetime it is seen as a conduit for the divine, a vehicle of service and devotion. For Eiriksdottir, now a certified yoga teacher and eight months pregnant with her first child, the practice has given her a refuge for peace of body and mind. Here, she shares her path as a model and yogi, along with some of the most transformative experiences of her life.
When did you come to America?
I came over from Iceland when I was 18 years old. I had started my modeling career at 15, and I came here for a job. I was supposed to stay for two weeks, but I just never left. When I came over I was still in college, where I was getting a degree in business, so as work picked up I ended up doing my degree on my own remotely.
You started modeling at a young age, how did the industry affect your sense of self-image?
When I was younger, I was a big athlete. I was on the national tennis team for Iceland, but when I started modeling in London and Paris, they told me I looked too muscular. I stopped playing tennis, and I tried to be as skinny as possible, which wasn't natural or healthy for me. I continued to lose weight for the job, and I was happy because I knew my career would do well, but I couldn't maintain that weight and also finish college. It was a lot. I put on some weight, and eventually I wasn't skinny enough for high fashion anymore.
I went back and forth on whether or not I could go back to my low weight, but I just decided that that lifestyle just didn't work for me. I studied acting for a few years and then someone told me about plus-size modeling. I started when I was 21 years old and I vowed to never diet again. Years later, and I've kept that promise to myself.
I've always been interested in being healthy and fit, but I never wanted to be skinny. To be honest, I never felt bad about my body—I was one of the lucky ones, who saw losing weight as just part of the job. When that stopped being a part of my job, I didn't miss it at all. When you're a model, you have to be unaffected by the people around you. You have to close out the people who are squeezing your face or pulling your hair. Part of that for me was accessing a meditative state. Even so, that type of manipulation and setting will always affect us, I just learned how to keep it in check.
When did you start practicing yoga?
There wasn't really yoga in Iceland when I was growing up, but when I came to New York it was everywhere. I tried a class at my gym, and I felt so grounded after the big transition of moving to such a big city after being in Iceland my whole life. Eventually I found Atmananda Yoga, which really drew me in with their sequencing which opened my body in ways it never had before. That said, I really love to mix it up and try all the different studios and methods.
What other rituals do you engage in aside from yoga?
I've always known a lot about healthy living because of my work. At a certain point, I realized I was eating 80% of my meals out. Not only was it not the healthiest, but I also missed out on true connection to the food. One of my favorite rituals is going to greenmarkets and picking out vegetables. I love to see what I'm buying, massaging the kale, it is meditative to me. I went to the Integrative School of Nutrition to learn more about how to approach health and food holistically, and I love to keep learning new ways of inspiring myself in the kitchen and beyond.
I also did yogic meditation for a long time, but then started TM. I do it sometimes twice a day, sometimes just once, but I'm always working towards integrating it more. When I first started, I would use TM to rest, but now I see that with my connection to mantra, I can relax anytime and anywhere.
What was your inspiration behind ALDA, and what sort of impact are you most excited about making in the fashion industry?
When you start as a model, you have no control over your career—I certainly didn't have any. When I co-founded ALDA, I wanted to help young girls regain some of this lost power. I often see this loss of power tied to loss of confidence and desire to control their weight. In the industry, women think if they are going to be skinnier they'll be happier, but in reality, we look the most beautiful when we feel the most beautiful. In creating ALDA, we wanted more of that—more self-confidence and self-love. We were also looking for more diversity of shapes and sizes, in an industry in which curvy girls didn't have much opportunity.
If someone only has a few minutes per day to devote to wellness, what would you have her start with?
Connecting with yourself is probably one of the best things you can do. And it can come in many forms. Sit still, close your eyes, and meditate. Do Sun Salutations. Focus on your breath. Modern society attacks us from every direction—the news, so many people, it's good to find some peace in your self. The happiness comes from within not from the outside. So once you find your practice, commit to it, and create a routine—keep at it! Even when you don't want to, just do it.
Lastly, work towards figuring out who you are. In the fashion world, you're never really good enough and there's always something. Even when I was "skinny" they wanted my teeth whitened. The beauty industry is selling this idea that we're all not enough. Once you can get away from that, whether you're a model or not, you'll find that you're perfect the way you are. Surround yourself with great people who feel the same.
Photos by Hailey Wist


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Hitting the Broadway stage in 1996, "Rent" the musical addressed prominent issues relevant to the time period it was created in. Riddled with characters battling AIDS while living their lives full of optimism and grace, "Rent" provided viewers with a real-life look into the seriousness of such a disease and how any person– from all walks of life- can be affected by its touch of death.
While somewhat staying true to the impactful messages portrayed in the original musical, "Rent: Live" missed the mark on one very important element–character design. A vital element that added to the immense depth of the storyline is the deep connection and love viewers develop for the characters in the play. From Angel with her ever-changing fashion and deep love connection for Collins to Joanne and her polar opposite style yet deep-rooted love for Maureen, the original design for the characters in "Rent" was completely altered in Fox's remake of this cult classic.
"Rent: Live" – produced by Fox and premiered on the 27th – poorly represented the characters through their attempt to reinvent each characters original aesthetic. A perfect example of this failed reinvention is shown through central character Joanne– who is known for sporting a suit in almost every scene of the original play. As a practicing lawyer, it makes sense for her character to wear such clothing. Her style not only portrayed her work background but also plays into an interesting dynamic between her and Maureen.
In the remake, Joanne sports crop tops and clothing that completely skews the viewers' perception of her character and the original depiction that was meant for her storyline. Now that Joanne so closely resembled the style that was originally unique to Maureen, the original dynamic and developed intrigue for their relationship is faltered greatly and led to my loss of interest in their relationships storyline as a whole. Not to mention, JOANNE DIDN'T HIT THE HIGH-NOTE IN SEASONS OF LOVE.
More heartbreaking than the failed portrayal of Joanne and Maureen's relationship was the lack of passion shown through central character Angel in this seemingly rushed remake. In the original "Rent", Angel provided a look into more than just the disease she battled. Her soul, her grace, her passion, her love for Collins–were all enriched by the beauty of the loving and genuine life she led, still managing to support the friends that tried to match even a third of the love she showed them. Angel in "Rent: Live" provided no depth for me as a viewer. The character had a total of three outfit changes, lacked vocal prowess, and most importantly, didn't showcase the same passion and realness the original actor cast for Angel did. By missing the mark on such a vital character, "Rent: Live" not only damaged the storyline but also faltered the richness of the important message about recognizing the danger of AIDS and all the people it has affected and continues to affect.
By altering the representation of each character in the play, Fox not only did the musical an overall injustice and provided a poor representation of a cult classic, but also completely skewed the depth and realness the messages in the storyline portrayed.
"Rent: Live"- you let me down.


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Weekly News Bulletin - No. 03, November 2022
Of which, Vietnam's exports reached nearly 5.8 billion USD, up 16.4%; British exports reached 849 million USD, up 23.6%. In the first 5 months of 2022 alone, despite the impacts of the Covid-19 pandemic, disruptions in the global production and supply chains, the two-way trade turnover between Vietnam and the UK still reached 2 .68 billion USD, equivalent to the turnover in the same period of 2021. However, there are still certain difficulties when exporting to this market. According to Mr. Ngo Chung Khanh, Deputy Director of Multilateral Trade Policy Department, Ministry of Industry and Trade, the UK has very high standards for imported goods.
The collaboration with technology platforms and tourism business sectors will bolster efforts to quickly adapt and take advantage of digital transformation effectively. Dr. Ha Van Sieu, Vice Chairman of Việt Nam National Administration of Tourism under the Ministry of Culture, Sports and Tourism, made the statement at a digital transformation roundtable discussion held in Hà Nội on Wednesday. Việt Nam's tourism development strategy to 2030, approved by the Prime Minister on January 22, 2020, set an orientation to accelerate the digital transformation process in the tourism industry, toward the formation and development of a smart tourism ecosystem.
Digital transformation as well as enhancing cooperation in the digital environment is the right choice for organisations, businesses, and digital service providers to strive to maintain operations in order to adapt flexibly and develop sustainably.
Last week highlight
According to the Deputy Director of the Europe-America Market Department under the Ministry of Industry and Trade, the EU is Vietnam's leading trading partner and the third largest export market, with average export growth reaching 7.5% per year, accounting for 13.6% of the country's total export revenue each year.
Statistics from the General Department of Vietnam Customs showed that Vietnam - EU trade revenue hit 57.01 billion USD last year, up 14.5% over the same period in 2020. Vietnamese exporters have penetrated deeper into niche markets such as those in northern, eastern and southern Europe. Goods for export have also been diversified, including machineries, equipment, tools, spare parts, footwear, computers, electronic products and textile materials, seafood and coffee.
Let's look at some other key financial and business headlines during the past week
- NA discusses bidding law, passes law on anti-money laundering
- Vietnam more selective about attracting investment, says President Phuc
- PM affirms Vietnam's strong commitment to ASEAN
- Vietnam key investment destination: German Chancellor
- Trade with UK rising under UKVFTA
- Vietnam considers raising cap on credit growth
- Tourism sector required to adapt to digital transformation
- Retail borrowers find bank interest rate hikes too steep
- Hung Yen striving to become bright spot in Red River Delta
- Thanh Hoa lures 54 investment projects in 10 months
Key words: Vietnam, business, finance, economy


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November brings our future to life like no other month. It reminds us that at some point we must give our lives back into the hands of the Creator. But it also has a promise: eternal life with God.
If you take these two messages seriously, think about the specific consequences. What if God knocked on me in a week, or even tomorrow?
Lichtenberg: Everything in view of eternity
In the diary that the Provost of Berlin Cathedral Bernhard Lichtenberg wrote while in custody, we find the sentence: Today I want to see everything in the light of eternity. Lichtenberg will have had his future path quite clearly in mind. So he took earthly things very seriously, but saw everything under the standard of eternity. A good basic attitude for a spiritual life.
Spiritual Exercise: What else do I want to do with a view to eternity? What do I want to change? What do I want to let go?
The wide ditch
You know the parable of poor Lazarus and the rich man. Both have to die, one goes to heaven (Abraham's womb), the other has to suffer in hell. Heaven and hell are simply described here by reversing the living conditions: Whoever has had a good time in this world has to suffer, and whoever had to suffer, paradise is now given to him.
This explanation makes me very thoughtful, almost afraid. Because I have to say that I'm doing really well in this world. Do I then have to expect the same fate as the rich man?
But Jesus gives another explanation in his parable. There is talk of a wide ditch that separates the two from each other. Who made this trench? God? And so slowly the rich come to the realization that they dug this wide ditch, back in their lifetime, when did not see the poor and did not want to see them either.
Another spiritual exercise: Where do I see such rifts in my life? What or who do these trenches separate from me? Am I ready to see such rifts and maybe even to bridge them?
None of us live for himself … (Rom)
The second message of November is the promise: And await a new life in the glory of God.
I would like to give you a text from the Holy Scriptures that you know from many funeral services. The apostle Paul wrote:"
For none of us live for ourselves alone, and none of us die for ourselves alone.
If we live, we live for the Lord, if we die, so we die for the Lord.
Whether we live or die, we belong to the Lord. (Rom 14: 7-8)
In the talks, reference is often made to the second line, the relationship with God. But before that, Paul puts our relationship with one another. None of us live for ourselves, and none of us die for ourselves.
Our relationship with God is therefore closely related to the relationship we have with people. And if Paul then emphasizes that we have to give an account to God (Rom. 14:10, 12). None of us live by ourselves. A sentence that could be interesting for me in the long term.
Karl Borromeo – Reformer of the Church
None of us live for ourselves. What does this mean, and what consequences this also means for the communion and unity of the church, can be seen very well in a reformer: in St. Charles Borromeo. Let's go back to the 16th century. Martin Luther's theses caused an uproar in the Church in Europe. The church was divided. How could one find the unity again? The answer was sought in a council: the Council of Trent. One of the key figures at this council was St. Charles Borromeo. His uncle was Pope and he had a brilliant career ahead of him. But he has withdrawn completely, was very undemanding, and has dedicated all of his work to the church. One life for – in this case specifically for the Church. Unity was more important to him than himself.
The coming Christ
The time of Advent stands before us, the time when we will be reminded of the second coming of Christ. We as Christians have apparently got used to it: if he hasn't come back for 2000 years, then it won't happen in the next 20 or 30 years either. It looks different when it comes to my very personal life. It can happen very quickly that I stand before the face of God. The broad rift could then be a crucial issue. So maybe for this Advent you will take the will of our founder Rev. Johannes Schneider again to hand, or even better to heart.
Prelate Dr. Stefan Dybowski
November 22nd, 2021 monthly lecture St. Augustinus Monastery, Berlin-Lankwitz


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Stephanie Marentette
Associate Lawyer
A Focus on Commercial Litigation
Stephanie is a commercial litigator with a focus on privacy, property, and construction litigation. Stephanie's experience includes all levels of the Ontario Courts, as well, she has appeared before various tribunals and regulatory bodies.
Prior to attending law school, Stephanie spent five years working for the federal government as Special Assistant to the Minister of State for Finance. As well, she served as a Special Assistant to the Government House Leader, working predominantly on parliamentary procedural issues with the chief of staff and the other lawyers in the office.
Outside of the courtroom, Stephanie serves as a sessional instructor at the post-secondary level, a Law Practice Program mentor and a Law Society tutor for the Ontario Bar exams.
Stephanie grew up in Southwestern Ontario and is passionate about serving the London Community. She presently serves as a director for St. Joseph's Healthcare and is a London Transit Commissioner. Stephanie also has conversational French skills.
In her spare time, Stephanie studies ballet and piano, and is an avid traveler. She also enjoys baking and spending time with her Great Dane, Brisbane.


text:
Bharat NCAP Car Safety Rating System Protocols To Be Finalized Soon
Bharat New Car Assessment Program (NCAP) will assess new vehicles and assign star ratings on the same lines as Global NCAP and European NCAP car safety programs
Talks of having an exclusive Indian NCAP for testing safety of new vehicles has been doing the rounds for some years now. As per latest announcements, this could be a reality soon. As on date it is seen that homegrown auto makers, Tata and Mahindra have some of the safest cars on offer, as per Global NCAP ratings.
Union Transport Minister Nitin Gadkari has announced a new star rating system for vehicles in India. This will be on the same lines as Global NCAP and European NCAP and will be called 'Bharat NCAP'. Gadkari has stressed the need to reduce road accidents in the country which as on date account for over 1.50 lakh road accidents each year leading to a 3.1 percent loss in the country's GDP.
The Government now targets to reduce the number of road accidents by 50 percent by the year 2025. The condition of Indian roads, which are at times reasons for these accidents, should also be improved on parallel lines if there is to be any real change to be brought about.
Bharat NCAP Car Safety Rating System
Though no time frame was given for launching these new vehicle safety standard, the Government has announced that it will be made mandatory for all new vehicles that carry upto 8 passengers to have at least 6 airbags. These will include front two airbags along with side curtain airbags for passengers in all three rows. Other safety features will include three-point seat belt and automatic emergency braking system (AEBS) for new passenger vehicles. These new safety standards are based on suggestions received by the public when they were asked for comments.
The new safety standards will not only protect passengers but will also take into account safety of both pedestrians and other road users. Gadkari has also devised a 12 point initiative for mandatory safety features such as Electronic Stability Control, Emergency Braking System and Driver Drowsiness Alert System to be a part of these new safety standards.
As on date, only front and rear window seats have three point seat belts which are also known as Y shaped belts. The middle seats at the rear have seatbelts similar to that seen on airplanes which go over the lap.
Implementation of New Safety Standards
The Government is also working on introducing other safety regulations as per global standards. These will include noise in electric vehicles so as to warn other road users of their presence. This comes at a time when the demand for electric vehicles is on the rise.
On the plus side, while this will conserve energy and preserve the environment, it is noted that these vehicles make less sound. It often leads to other road users not being aware of their presence thus making them vulnerable to crashes and accidents.
In keeping with these higher safety standards, the Government has also set up production linked incentive schemes leading to an increase in production of airbags and a dip in pricing. Earlier fitting of two airbags could cost the automaker around Rs 12,000. This has now declined to around Rs 3,000 for a pair of airbags thus making it feasible for both automaker and buyer to have this added safety feature. Even as October 2022 has been proposed for the deadline for implementation of these new safety standards, the industry seeks more time to comply with these regulations.
Source link


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In its continued effort to seem like he underdog in the gaming industry, Microsoft claimed to the EU and a panel of national antitrust officials today that globally, Sony's PlayStation represents 70% of the console market share, compared to the Xbox's 30%.
For Europe, Microsoft claims that the difference is 80/20 in favour of Sony. In Japan, 96/4 in favour of Sony.
Of course, its important to note that these numbers seem to represent a world where Nintendo has 0% of the console market share, or simply that Microsoft didn't include Nintendo's share to greater show a contrast between it and Sony.
"These numbers have been remarkably steady for two decades. Even last year, when there were issues with Sony's supply chain, they came back strong." said Microsoft's Brad Smith.
"Regulators is not here to protect super dominant companies. Believe me, I know." added Smith.
On top of presenting these numbers to the EU, Microsoft also announced the closure of deals with both NVIDIA and Nintendo to bring its games, including Call Of Duty, to the Nintendo Switch and GeForce Now, should the deal go through.
These deals are meant to signify just how willing Microsoft is to make its titles available to all players, and not hold all this new IP it would get in the Activision Blizzard acquisition under Xbox exclusivity.
Source – [GamesIndustry.Biz, The Verge]


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SEO Copy Writing – Some Important Points
There is a distinctive difference between normal copywriting and SEO copy writing . The SEO copy writing procedure pertains strongly to the web and is written mainly for improved search engine optimization. Often SEO copywriting is considered easier a concept to handle than normal copy writing. To carry out SEO copywriting, the writer need not have to be highly creative. Only things required are subject relevance, genuine, and without any grammatical error.
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SEO professionals from every corner of the world work hard to make their websites achieve the highest ranking in search engines. But success is difficult due to strong competition. Moreover, many of these SEO professionals fail to follow the basic points of SEO in order to make their sites excel beyond limits. Some of the points that most of the SEO copy writers fail to consider are listed below:
Spelling and grammatical errors- Although most of the word processors feature 'auto-correct' options, but at times these tools fail to provide the correct results. There are thousands of websites where contents are filled with grammatical and spelling errors. Content with such errors deter readers from any further reading. This results in creating a negative impression about the site on mid of readers. So naturally, the site misses out on popularity and fails to attract traffic.
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Plugs – Inclusion of unnecessary plugs can make the readers lose interest from the site's content. They will go away without even going through the content. Plugs are necessary but the approach needs to be carried out in a careful manner.


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text: On 11/08/07, Tim Webster <twebster80 at gmail.com> wrote: > > -----BEGIN PGP SIGNED MESSAGE----- > Hash: SHA1 > > Freddy Martinez wrote: > >> I am new to xubuntu and have been following this mailing list for > the > >> last week or so. I am interested in helping with every aspect of > >> xubuntu. Could someone show me how to do bug triaging :) > > > > I can help with that. > > > Thanks Freddy. Any guidance and some words of encouragement will really > help this newbi become a part of this community. Maybe if there was one > or two new bugs that would be easy to triage. Also I would feel more > comfortable working on just xubuntu related bugs at the beginning since > I have that distro installed and I can relate to the bug reporter. I > went to the bugsquads wiki page and checked the new bug list on > launchpad but it just seems like info overload. You may also want to check out this page: http://www.xubuntu.org/devel -----BEGIN PGP SIGNATURE----- > Version: GnuPG v1.4.6 (GNU/Linux) > Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org > > iD8DBQFGvaJg5ECquZg5P6oRAtvZAJ4sqCxJC3kVUAFczIFcshVmmnrLwwCfUWfo > FhhLDMkzvCPeqX/XBU29G28= > =/1OZ > -----END PGP SIGNATURE----- > > -- > xubuntu-devel mailing list > xubuntu-devel at lists.ubuntu.com > https://lists.ubuntu.com/mailman/listinfo/xubuntu-devel > -- Vincent -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://lists.ubuntu.com/archives/xubuntu-devel/attachments/20070811/ca493241/attachment.html>


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4/22/18 - Art
by Daniel Devlin
Posted in: Art, Susak Expo, PAST EXPOS, Susak expo 2012, Writing, Theory
The Shape of Things to Come
Susak expo 2012 was the first time it included an exhibition at Fritzy Museum in Mali Lošinj. The title Susak expo[RT] ; Translation / Change /Mutation was partly because of this change of context within the expo.
For this expo, a text was written in English by Fleur Axelle and this text was then translated into Serbo-Croat and then that text translated into English. Of course, by different translators and who didn't know the purpose. Although the translations are well done, the meaning mutates through the translations, in a similar way that Jo Melvin's text in 2006 was translated into Susački.
Here are the three texts:
The Shape of Things to Come
Working within a hegemony dominated predominantly by the promulgation of a paradigm of what was normally seen as singular, unique, original, inspirational, patriarchal art practice we come to understand, the transformation on the viewer, by gazing upon the artefact is indissolubly linked in the originating cause and effect product. Heidegger stated in his essay, The Origin of the Work of Art.: 'It is the work that first lets the artist emerge as a master of his (sic) art.' If we take this perspective are we to understand therefore the originator, progenitor, producer framed as co-author is simply the body who constructs, the material realiser if you will, to whom the ultimate conceptual tag of originality and responsibility is attributed. Does it matter? Does it matter? The multiple inflection of this question can simultaneously problematize and ironize the absolutes, the fixities of any construction or indeed any deconstruction which might effect a dislocation. Indeed, a dislocation so profound as to render any text, whether visual or literary redundant in an implosion of post-modernity. In this implosion that is postmodernity, that was post-modernity. ….
Where am I going? Indeed where am I? Where have I been? Let's start again.
Let's start from 16 September 1977 on Queen's Ride, (South West London). Where are you Bolan? Let's start on 11 January 1994 on 193 Grove Road, London, E17 9BZ. OK read on! Pay attention!
In 1993 Rachel Whiteread cast her iconic house in concrete. Suddenly a familiar internal space was transformed; the personal and private was cast in a white, inert, brutal material and exposed. The innermost, intimate spaces were laid bare, open to the elements. Ironically it had none of the used second hand qualities associated with the familiar brick constructions and being cast from the last in a line of houses that had been demolished, stood like a monolith prompting interpretation and debate regarding memory loss and personal history.
Judging by the negative reaction Whiteread's work elicited one imagines the public is resistant to change. Yet change is something that requires our constant attention (sic). By looking away and ceasing to attend, the workings of chemistry and biology will affect a gradual, imperceptible transformation; pigment fades, patinas build, varnish cracks, works of art age.
Anarchic preoccupations are adopted by commerce and subsumed into the morass of consumerism rendering them harmless; punk couture mutates into a fashion statement, its political aggression emasculated on the cat walk. Is this what Situationists called the democratisation of art; is this the ultimate reunification of high and popular culture. Does this 'Recuparation' effect change? Or does the establishment simply assimilate the radical, tame them and translate into diluted market commodities thus rendering them safe? Yet what pre-occupies is what slips through, what falls between the floorboards of life? What grows, what destroys, what intervenes, what feedback, noise entropy adds or detracts to the experience of creativity and interpretation?
What part of ourselves should we preserve and when we abandon ourselves to the elements and no longer have control, what do we become? Sally Mann's ethereal photographs of bodies left to decompose naturally on The Body Farm, demystify the processes of decay but simultaneously prompts questions regarding what we are and whether our systems of belief, philosophy, religion are simply a superfluous addendum to the business of biological transformation and decay. Although her work still exhibits the simple strangeness characteristic in these affecting portraits we can no longer seek refuge in form as it implodes metaphorically and literally.
Interstices, borders, gaps, verges, the slightest shift transforms meaning blurring the boundaries of interpretation. If context is 99% of meaning then possibilities for disruption are endless. An artist can (attempt to) dictate what is seen and how it should be viewed, John Baldessari, for example explores the narrative potential of images and the associative power of language within the specific boundaries of the work of art. Yet words and images are purely signals and artists cannot predict the links, net and connections which will be made in the sub conscious of the viewer. Making art is in some ways translating from one context to another changing the meaning.
Barbara Kruger experiments with the idea of gender shift, how masculine and feminine definitions are unstable terms or identities easily exchanged. Throughout her works Kruger makes the viewer re-assess, review and re-evaluate the image, the text, the artist the response and aspects of culture, belief, expectation which we bring to interpretation and the translation of ideas from the art work to our beliefs.
Mathematician Norbert Wiener developed the concept of cybernetics and thus began the exploration of 'noise elements extraneous to a message which affect its transmission'. What we see here is how disorganisational elements or randomness become the negative of information. During the process of translation, meaning inevitably and inexorably changes; the same words have different connotations in different languages. The translator might understand or interpret things differently bringing cultural belief systems to a text which didn't exist in the original. The text you are reading may be a translation or may even be the translation of the translation complete with noise elements extraneous to the original message and you probably didn't notice a thing.
Fleur Axelle
Oblik stvari koje dolaze
Radeći u hegemoniji kojom uglavnom dominira promulgacija paradigme nečega
što se inače smatra posebnom, jedinstvenom, originalnom, nadahnjujućom praksom u patrijarhalnoj umjetnosti počinjemo shvatati da je preobražaj koji se odvija na gledaocu dok zuri u taj artefakt nerazdvojivo vezan u izvornom proizvodu uzroka i posljedice. Heidegger je rekao u svom eseju Porijeklo umjetničkog djela: "Djelo je ono što prvo dopušta umjetniku da se istakne kao gospodar svoje (sic) umjetnosti." Ako zauzmemo takav stav, treba li stoga da shvatimo da je stvaralac, predak, proizvođač ukalupljen u koautora tek tijelo koje izgrađuje, osloboditelj materijala ako baš želite, kojem se daje atribut krajnje konceptualne oznake originalnosti i odgovornosti. Da li je bitno? Da li je bitno? Višestruka fleksija ovog pitanja može istovremeno i problematizovati i očeličiti apsolutne konstrukcije, nepokretnosti bilo koje konstrukcije ili u stvari dekonstrukcije koja bi mogla imati uticaja na dislokaciju. Stvarno, dislokacija tako duboka da bilo koji tekst, bilo vizuelni ili literarni, učini redundantnim u jednoj imploziji post-modernosti. U ovoj imploziji koja je postmodernost, to je post-modernost. …
Đe ja idem? U stvari, đe sam ja? Đe sam bio? Haj'mo ispočetka.
Hajde da počnemo od 16. septembra 1977. u Ulici Queen's Ride,
(u jugozapadnom Londonu). Đe si, Bolan. Hajde da počnemo 11. januara
1994. na broju 193 u Ulici Grove Road, u Londonu, E17 9BZ. U redu,
čitaj dalje! Pazi ovamo!
Godine 1993. Rachel Whiteread salila je svoju poznatu betonsku kuću. Odjednom se poznati unutrašnji prostor preobrazio; lični i privatni bio je saliven u bijelom, nepokretnom, brutalnom materijalu i ogoljen. Oni najdublji, intimni prostori ostavljeni su goli, otvoreni silama prirode. Ironično, ali nije imala ni jednu od korišćenih, polovnih kvaliteta koje se vezuju za poznate nam građevine od cigle,
a time što je salivena od poslednje u nizu kuća koje su bile uništene, stajala je kao monolit, izazivajući tumačenja i rasprave glede gubitka pamćenja i lične historije.
Sudeći po negativnim reakcijama koje je izmamilo djelo Whitereadove, javnost nije sklona promjenama. Ali, promjena je nešto što zahtijeva našu stalnu pažnju (sic). Odvraćajući pogled i prekidajući pažnju proizvodi hemije i biologije narušiće postepeni, neprimjetni preobražaj; pigment blijedi, patina se nakuplja, lak puca, umjetnička djela stare.
Anarhične zaokupljenosti usvaja trgovina i podvodi ih u glib potrošačkog života čineći ih bezopasnim; pankerski način oblačenja mutira u modni izražaj, a njegova politička agresivnost omlitavi u manekenski hod. Je li to ono što su situacionisti nazivali demokratizacijom umjetnosti; je li to konačno objedinjavanje visoke i popularne kulture. Mijenja li se taj efekat "obnove"? Ili establišment samo izvrši asimilaciju radikalnih, ukroti ih i pretvori u razvodnjenu tržišnu robu čineći ih tako sigurnim? Ali, ono što zaokuplja jeste ono što se propusti, ono što padne kroz procjepe između dasaka koje život znače? Šta uvećava, šta uništava, šta se upliće, koji uzvraćaj, buku entropija dodaje ili oduzima iskustvu stvaralaštva i tumačenja?
Koji dio nas samih bismo trebali da sačuvamo, a kad ostavimo sebe silama prirode i kad više nemamo kontrolu, šta tada postajemo? Eterične fotografije Sally Mann koje prikazuju fotografije tijela ostavljenih da se prirodno raspadnu na farmi tijela demistifikuju proces truljenja ali istovremeno izazivaju pitanja o tome šta smo mi to i da li su naši sistemi vjerovanja, filozofije, religije tek suvišni dodatak poslu biološkog preobražaja i truljenja. Iako njena djela još uvijek prikazuju prosto svojstvo neobičnosti, u tim izražajnim portretima više ne možemo tražiti utočište
u formi, jer ona implodira i metaforično i bukvalno.
Rastojanja, ivice, procjepi, rubovi, najmanje pomjeranje transformiše značenje čineći granice interpretacije nejasnim. Ako kontekst čini 99% značenja onda su mogućnosti za poremećaj beskrajne. Umjetnik može (pokušati) diktirati ono što se vidi i kako da se gleda, John Baldessari, na primjer istražuje narativni potencijal slika i asocijativnu snagu jezika u okviru specifičnih granica umjetničkog djela. Ali, riječi i slike su tek signali i umjetnici ne mogu predvidjeti poveznice, mreže i veze koje će nastati u podsvijesti posmatrača. Stvaranje umjetnosti na neki način jeste prevođenje iz jednog konteksta u drugi, uz promjenu značenja.
Barbara Kruger eksperimentiše sa idejom promjene pola, koliko su muške i ženske definicije nestabilni izrazi ili koliko lako se identiteti zamijene. Kroz sve svoje radove Krugerova tjera posmatrača da ponovno procjenjuje, razmatra i ponovno evaluira sliku, tekst, umjetnika, odgovor i aspekte kulture, vjerovanja, očekivanja koje unosimo u tumačenje i prevođenje ideja od umjetničkog djela do naših vjerovanja.
Matematičar Norbert Wiener razvio je koncept kibernetike i tako je otpočelo istraživanje "elemenata poruci neuobičajenog šuma koji narušava njen prenos". Ono što ovdje vidimo jeste kako neorganizovani elementi ili nasumičnosti postaju negativ informacije. Prilikom procesa prevođenja, značenje se neizbježno i neumoljivo mijenja; iste riječi imaju drugačije konotacije u različitim jezicima. Prevodilac bi mogao razumjeti ili protumačiti stvari drugačije unoseći kulturološke sisteme vjerovanja u tekst koji nije postojao u izvorniku. Tekst koji čitate možda je prevod, a možda je čak i prevod prevoda, sve sa elementima šuma stranim prvobitnoj poruci, a vi vjerovatno ništa niste ni primijetili.
Fleur Axelle
The Shape of Things to Come
Working in the hegemony that is mostly dominated by promulgation of paradigm
of something which is usually considered as special, unique, original, inspiring practice in a patriarchal art, we begin to understand that transformation which takes place within the viewer while he is staring at this artifact, is inseparably linked to the original product of cause and effect. Heidegger says in his essay, The Origin of Work Art: ''The artwork is what first allows the artist to stand out as a master of his (sic) art". If we take that position, do we, therefore, need to understand that the creator, ancestor, producer stereotyped as co-author, is merely a body that produces, a liberator of the material, if you like to call it that way, which gives the attribute of final conceptual designation of originality and responsibility. Does it matter? Does it matter? Multilateral flexion of this issue can cause a problem but, at the same time, can also harden the absolute constructions, immobility of any construction, or deconstruction, that could have an impact on dislocation. In fact, a dislocation so deep that it can make any text, whether visual or literary, so redundant in an implosion of post-modernity. In this implosion that is postmodern it, actually, is a post-modernity. …
Where am I going? Actually, where am I? Where was I? Let's start from the beginning. Let's start from September 16th, 1977, from Queen's Ride Street (southwest part of London) . What's up, bro? Let's start from January 11th, 1994, Grove Road Street, No 193, London, E17 9BZ. Okay, keep on reading! Listen to this!
In the year of 1993, Rachel Whiteread Sally made her famous concrete house. Suddenly, familiar interior transformed, personal and private was cast in white, immobile, brutal and bleak material and bare. The deepest, intimate spaces were left bare, exposed to the forces of nature. Ironically, it did not have any of those used, second-hand qualities that are linked to familiar constructions of brick, and given the fact that it was built out of the last in a series of houses that were destroyed, it was standing as a monolith, challenging interpretations and debates about memory loss and personal history.
Judging from the negative reactions regarding the work of Whiteread's, public is not prone to changes. But, change is something that requires our constant attention (sic). Diverting the view and interrupting the attention, products of chemistry and biology will harm gradual, imperceptible transformation; pigment fading, patina building up, lakh bursting, art works getting old.
Anarchic preoccupations are adopted by trade and subsumed into the mire of consumers' life, making them harmless; punk-style way of dressing up mutates into an expression of fashion, and its political aggression softens it to the models-like walk. Is that what Situationists call democratization of art; is it finally merging of high and popular culture. Does that effect of "restoration" change? Or the establishment merely accomplishes assimilation of radical ones, tame them and turn them into weakened market goods, making them safe that way? But, what attracts the attention is what is missed, what falls through the gaps between the boards that stand for life? What increases, what destroys, what interferes, what responds, what noise does entropy add or take away the experience of creativity and interpretation?
Which part of ourselves should we preserve, and when should we leave ourselves to the forces of nature, and when no longer in control, what do we become then? Ethereal photographs by Sally Mann that show bodies left behind to rotten naturally, on the body farm, demystify the process of decay but, at the same time, provoke questions about what we are and are our systems of belief, philosophy, religion only the unnecessary appendix to work of the biological transformation and decay. Although her works still display the unusual simple feature of oddness, we can no longer seek for refuge in the form of those expressive portraits, as it implodes, metaphorically and literally.
Distances, edges, gaps, verges, the slightest move transforms the meaning, making possible interpretations ambiguous. If context makes 99% of the meaning, then possibilities for disorder are countless. The artist can (try to) dictate what to see and how to look at it, John Baldessari, for example, explores the narrative potential of images and associative power of language within the specific boundaries of artwork. But, words and paintings are merely the signals and artists cannot predict links, networks and connections that will occur in the observer's subconscious. Creating of art is a way to translate from one context to another, with change of meaning.
Barbara Kruger is experimenting with the idea of sex change, how much male and female definitions are unstable expressions and how easy it is to swap identities. Through all her works, Kruger forces the viewer to re-assess, review and re-evaluate the painting, text, artist, response and aspects of culture, beliefs, expectations that bring into interpreting and translating ideas from work of art to our own beliefs.
Norbert Wiener, mathematician, developed the concept of cybernetics and so began the study of "elements of the message of unusual noise which disturbs its transmission." What we see here is how disorganized elements of randomness become negative of information. During the translation process, the meaning is inevitably and inexorably changed, same words have different connotations in different languages. Interpreter could understand or interpret things differently, by bringing cultural systems of belief into a text that did not exist in its original form. The text you are reading can be a translation, maybe even a translation of the translation, with elements of noise unfamiliar with the original message, and you probably have not even noticed anything.
Fleur Axelle


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Priya Mishra is an Indian actress cum television personality Famous for his acting in many Hindi television shows and Bhojpuri films. She acted in many television shows like Crime petrol and Bhojpuri Films like Riti Riwaz Maan Marzi. She is very famous for his hot look and glamorous body. She shows his talent in many tv shows and web series. Priya Mishra also acted in SAB TV comedy show Tarak Mehta Ka Ulta Chasma.
She is one of the most well-known female actresses in the Bollywood film and tv industry and has acted in over 50 TV Shows, movies, and music videos. She is a trained professional actress. The most well-known female actress at the moment in Bhojpuri Industry is Priya Mishra.
Read More: Human Sagar Biography
Priya Mishra Biography
Birth Name: | Priya Mishra |
Nickname: | Priya |
Date of Birth: | 03 May 1996 |
Age: | 27 years (as of 2023) |
Birth Place: | Rewa, Madhya Pradesh |
Home Town: | Rewa |
Current House Address: | Mumbai, Maharastra |
Cast / Religion: | Hindu |
School & College: | Devi Ahilya Vishwavidyalaya |
Profession: | Actor and Director |
Hubby | Acting |
Labels: | Unsigned |
Priya Mishra Age, Height, Weight, Family, And Boyfriend Name
Priya Mishra is 27 years old as of 2023. Her Height is 5 feet 4 inches and her weight is 52 kg. Priya is one of the hottest and prettiest actresses in Bollywood and she has very good social media engagement on Instagram and Facebook. In Limelight many male actors' names are joined with Priya but as of now regarding her love life and relationship there is no confirmation from her side.
Height | 5 feet 4 inch |
Weight | 52kg |
Skin Color | fair |
Hair Color | Black |
Figure | 36-28-30 |
Eye color | Brown |
Read More: Aseema Panda Biography
Family Details of Priya Mishra
Being the youngest daughter in her family, she has received more love from her mother and father. Priya began acting at the age of 4 or 5, encouraged by her parents, and throughout her childhood, she won many competitions. Her Father's name is Asish Mishra and her Mother's name is Mira Mishra. She has one sister named Kalpana Mishra.
Mothers Name | Mira Mishra |
Fathers Name | Ashish Mishra |
Sisters Name | Kalpana Mishra |
Brothers Name | No Brother |
More Details About Bollywood Actress Priya Mishra
She is also known as Priya, a 27-year-old Indian woman who was born in Rewa, Madhya Pradesh, on 03 May 1996. Profession Artist and religious Hinduism, Indian nationality, mother tongue, languages spoken Bhojpuri, Hindi, and English.
Net Worth and Per Movie Charges
Net Worth | Not Known |
Per Movie Charge | 10 to 50 lakh |
Other Details | Click Here |
Priya Mishra Web Series List
In her career, She was working on multiple web series and movies. Some of her notable works of her are.
- Dunali
- Riti Riwaj Mann Marzi
- Dunali Part 2
- Dunali Part 3
- Golu
- Gaddar Jaghanya
She also works on many famous tv series like Tarak Mehta Ki Ulta Chasma, Crime petrol, etc.
Social Account
Official Instagram Account | Visit Here |
IMDB Account | Visit Here |
Official Website | Visit Here |
Priya Mishra Bollywood Actress Images
Here are some of the Best and Hot Images of the famous actress Priya Mishra.
From struggling, Harassment, and False Allegations to overcoming them and Becoming the Best of Her Ability. Priya Mishra has made significant contributions to the Acting and Movie industries in Bollywood.


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The high flying Saints pose a problem that impacts the Chargers' Week 4 prospects but could go a long way toward defining if they will ever be usable in fantasy. The daily fantasy sports firms FanDuel and DraftKings, which in 2015 combined to spend an estimated $107.4 million on in game NFL inventory, sat out the upfront entirely and are not expected to buy any high end spots in scatter.


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All steps of the Easter Egg in Videos +RADIOS +SUMMARY VIDEO
AnonymousChef replied to LUDRICOUSZ's topic in Shangri-La
Just a bit of a heads up... NGTZ just posted the final part/step. Up on Youtube right now. Edit in! :mrgreen: -
Wait... It shoots flames o: Doesn't look like flames, looks more like some sort of energy blast. Look at some screen-frames near that one, there's some kind of lightning bolt on a zombie to the right hand side (not in this pic) and also right after there's a zombie that looks like it's bright blue (same wonder weapon)
Guys, I've worked with coding before and the whole thing about weapon "hits" being false means that they shouldn't/do not need to be used is not what that means. The (weapon)_hit == false is indicatory that the (weapon)_hit is what's called a flag. A flag is basically like a little switch for a lightbulb. In this case, the lightswitch is when the (weapon) "hits" the gersch. The lightbulb is the (weapon)_hit. So that portion of the code is simply making sure that in the code, the lightbulb (weapon)_hit for that gersch device is switched off. If anyone has had any experience with coding (even something as simple as like a TI calculator its just setting a flag variable to false. When the gersch is hit by the (weapon) then the flag will be set to: (weapon)_hit == true. That rules out that the code saying all those (weapon) hits being "== false" does not mean that you either definitely need or definitely do not need those weapons. I'm taking a look into the interesting part of the code that seems to be referring to the damage counters and the apparent difference between the "ann_egg" and the "gersch_egg".
There's something that interests me here... Did anyone else notice that there are two different "egg" reference codes? There's an "ann_egg" and a "gersh_egg". With the 4th part of the Gersh light egg, there are two different egg triggers (ann and gersh) which have different success and fail notifications (i.e. "_success" and "_fail"). Are there two different egg subsets here? Is there a certain order/amount that we have to use the weapons to activate the right "_success" flag(s)? *EDIT* Looking back over the code, I have figured that the "ann" stands for announcer and "gersh" implies Dr. Gersch. I don't know if there are in fact two different voices involved in the egg, I'd have to look back over some of the videos. But now I think we can look more into the egg if things like the announcer might say something versus Gersch might say something. *EDIT* There is one thing that seems suspicious and intriguing in the code though. Near the end after all of the "weapon_combo" and "thundergun_hit" flags being true or false or what-have-you, there is reference to a "trigger" and more specifically there is one line about "kill_trigger" on "death". The "death" does not seem to have a specific value to it, so it may reference a player death (meaning if a player dies the "trigger" might disappear) or maybe the "gersch death" where the gersch explodes and the "soul" (that little white dot) floats into the sky. Just some ideas). Gonna keep scouring the code...
Findmakarov.com is ModernWarfare 3
AnonymousChef replied to Vince McMoney's topic in Modern Warfare 2
Yup. Activision released a statement denying any truth to findmakarov.com. Ah well. It's still a really good live-action. http://www.gamespot.com/news/6300925.html?tag=mncol;txt -
Yup, it's by Acitvision and a MW3 announcement. Activision has released a statement denying any link or tie with findmakarov.com. It's a hoax. A very good hoax, but a hoax nonetheless. http://www.gamespot.com/news/6300925.html?tag=mncol;txt
The Code and post any questions you have about it
AnonymousChef replied to baltostar's topic in Ascension
I think its a passkey or levelkey for sia indicating Sam is angry. I base it on the fact that sam_is_angry is a keypoint reference for different sounds and effects. I think we'd have to delve into more of the code to find out more. Anyone know where I can find it? *EDIT* What's interesting that I've seen so far are a few references to "level" Cosmodrome. Is there another zombie map in the works involving a Cosmodrome? -
NEW HD Ascension Videos, Easter Eggs and more! *UPDATED 2/2*
AnonymousChef replied to carbonfibah's topic in Ascension
I really REALLY hope that that was sarcastic... :| -
When you get to the Pack-A-Punch with the death machine...
AnonymousChef replied to xStopDropNKillx's topic in Ascension
I think there's a small possibility that the code really is incomplete at the moment, however I think it's quite possible that they will subtly slip in a patch to Ascension that finishes the code once the pack comes out for pc/ps3. It makes sense for them to delay the entire egg for 2 reasons. Reason 1: If we did manage to figure out the entire egg before the pc/ps3'ers got a chance to try and work on it, it would be extremely unfair to the same pc/ps3 players. Reason 2: Hate to say it, but the point of map packs is largely about making more money. The only way to do that is to generate good publicity (basic economics theory). Think about it, all of us on here have definitely heard about GKNova6.com (and if you hadn't I suggest you read everything on it ASAP), and once we figured out it really was Black Ops, quite a few of us were much more convinced to buy the game. Why? Publicity. So now think of the egg. Let's say for argument's sake that this egg sets up either a whole new storyline for zombies or furthers the one that has been set in place since CoD5. Let's also say for argument's sake that Treyarch/Activision released the map pack with Ascension with the full easter egg. If we had found the entire egg and it was all over, don't you think that pc/ps3 would lose a *lot* of interest in the pack? We'd have already figured out the egg so what was the point other than to have a few new maps? Not having a complete egg before it was released in full makes sense, as it's like a mini-viral campaign within Zombies. It's building our anticipation in a sense. -
NEW HD Ascension Videos, Easter Eggs and more! *UPDATED 2/2*
AnonymousChef replied to carbonfibah's topic in Ascension
I just want to put this out there. I have been interested in Quantum Mechanics and the like for awhile now, and I've been looking at practical applications for certain Quantum Mechanics principles. I looked at the Casimir effect awhile ago, and I noticed something interesting. When I was looking on Google for a certain supplement to some side research I was doing, I glanced across a DARPA reference, which was strange to me. So I decided to follow up just now, and look into it, and surprisingly this is what I found: http://www.nanowerk.com/spotlight/spotid=7337.php I would suggest thorougly reading this, but notice especially the bottom of the page. In addition to referencing potential time-travel capabilities through stabalized wormholes (only to the past though, I'll explain only if necessary). So time travel and even wormhole manipulation has been studied before at least in some detail or ernest. So what's the big deal? Well, it is known that the person trying to escape in Ascension references the Casamir device and that it needs extreme amounts of power to activate. As has been previously mentioned, the Casamir effect can act as a wormhole stabilizer and allow interstellar travel. Well it's quite possible that the concept in Ascension is that this mysterious person needs to reactivate this Casamir device that was most likely used on him to trap him in an area (most likely with sam) so that he can escape. It is possible for a few other things to happen as well. Theoretically according to multidimensional theory, time travel could be simply traveling through the fourth relative dimension. So if the wormhole could provide time travel, then that means it runs through/to the fourth dimension. So the person could be trying to escape the fourth dimension and to do that would need to get in to the Casamir device "again" which you as the players activate. So my theory is that the Casimir Device is a multidimensional transporter. It is also possible that the Gersch devices (being black holes that provide a point of travel between two areas) could be wormholes, and indeed might be minor or failed versions of Casimir Devices, or even be something as crazy as the transmitters of the Casimir Device, allowing such travel (think, that's why you had to shoot the GERSCH DEVICE to MAKE IT MORE POWERFUL AND ACTIVATE THE CASIMIR DEVICE). So what's that mean for the Easter Egg? Well...I don't know... Personally I was intrigued by some other research on the Casimir effect. The first piece of research was furthering that article above, how the Casimir effect has been studied to provide propulsion for spaceships in a vacuum. It seems implausible that the next step in the Egg is to find something related to spaceship propulsion. The other piece of research was that the Casimir effect can be manipulated to alter the properties of a black hole as well as a wormhole. I find that to be more plausible (at least of the two), that the next step involves more Gersch devices. Actually, now that I think about it, it would make perfect sense, because if the Casimir device still was in "effect" you could experiment with that. However I think I heard something about the device shutting down due to power failure or overload or something. Either way, or whatever way you choose to believe, I'll leave this post on this thought: Who is that mysterious man? Is it a man? Who is it trying to escape? Is it trying to escape the "thing"? Who says it's not lying? What if it's Sam pretending to be some dude? What if Sam was trapped (intentionally) in one such Casimir device, and was trapped in the 4th dimension? And then when you activated the device, Sam screamed, but it didnt necessarily mean a scream of pain, maybe a scream of triumph. What if the thing you just let out was Sam? What's the next step? -
4 players stand on the pressure pad with the death machines
AnonymousChef replied to CrimsonDragon91's topic in Ascension
Just a question, did the PaP room shake when you walked in? -
Semi-contribution here. Two theories. a) maybe everone has to get into the PaP room with the death machines? if you notice there are batteries and things around the map that are sparking. According to some people, the bottoms of the death machines say "Sparky" on them. Maybe you have to shoot/destroy all of the sparking battery-things on the map with the death machines in 90 seconds?
Lol someone do it and try shooting it...maybe zombie? Maybe zombie boss?
Has anyone tried it against the "Ascension" code? I don't know if you guys have checked out the decryption for the number code transmissions on the level Ascension (not zombie, campaign). I'm going to edit in the link ASAP but definitely check it out when you can. *EDIT* Here's the link to the code/decryption. Also, if anyone has the 2004 copyright version of Profiles in Courage, let me know ASAP for further decryption. viewtopic.php?f=16&t=4092
GKNOVA6 Vitruvian man is not MONKEY!!!!!*PROOF*
AnonymousChef replied to Judg3m3nt's topic in GkNova6
Very nice find, and it actually made me realize something. There was a reason for all of this and its very simple. We knew that this was a teaser for Ascension but we didn't know what it meant. Now that it's out we know that there are evil little monkey things that are rather... :twisted: . But here's the link we missed: Ascension was the name of the space program with Laika as the test subject of a launch/re-entry program. The diagram of Sputnik in the background is meant to point us in the direction of the Sputnik that Laika was launched in/with. We know for sure that the image on www.gknova6.com was a zombie-ish monkey in a space suit with sputnik in the background. So the link is that the monkey is the replacement for Laika. Think about this: When the map pack came out, the monkey round on Ascension was supposed to be the hellhound round on other zombie maps! They were trying to tell us that monkeys (the picture on gknova6.com) were replacing dogs (Laika in the Sputnik program). Very clever Treyarch developers....verrrryyyyyy clever....
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Virgin Radio's Saturday afternoons host prepares to set the record straight on one particularly...
Richard Curtis reveals his wife wants him 'to write Four Funerals and a Wedding'
Virgin Radio
21 Nov 2023, 12:07
When Richard Curtis visited Virgin Radio to talk about the projects he's got coming up, he also spoke about how he has been thinking about what shape a sequel to Four Weddings and a Funeral would take.
The massively popular 1994 romantic comedy film was directed by Mike Newell, and was the first of several iconic films to be written by Richard. Joining the Chris Evans Breakfast Show with cinch today (21st November), the writer and director revealed that he and his wife, broadcaster Emma Freud, have been talking about the follow-up. "My wife is trying to encourage me to write Four Funerals and a Wedding, because we do go to quite a lot of funerals," he said.
Continuing, the co-founder of Comic Relief explained: "We're just arguing about the wedding, because I think the wedding should be a lovely wedding with young people. She thinks the wedding should be a deathbed wedding. One of those ones where, just as the guy's just about to conk out, he says 'marry me' and then he dies as he's shoving the ring on the finger."
He added: "You have three funerals, then the wedding, then on the other funeral straightaway!"
Later in his chat with Chris, Richard joked, "Look, let's go a bit more; Six Funerals and Four Weddings!'
When Chris asked if the filmmaking star still has to pitch to studios, he replied: "I've tended to have quite mainstream ideas. So it's often easier, but I don't get anything for free. And there's a brilliant young generation of filmmakers, who are much, much better than me."
He said: "The thing I'm thinking about is, I think I should make a slightly funnier version of the life of Napoleon."
On the new Ridley Scott epic, he said: "I feel there are probably not as many gags, not as many height gags as I think I would go for."
The movie director has a new Sky Original film, called Genie, starring Melissa McCarthy, arriving on 1st December, and he has also curated Christmas Actually, a brand-new festive show at the Southbank Centre's Royal Festival Hall in London this December.
Regarding the latter, he explained: "Everything happens and you get, literally, all my favourite things. We tell four Christmas stories. There's the Christmas in the trenches story. There's the Band Aid story, there's the story about how Apollo Eight went around the moon on Christmas day and took the first pictures that we've ever seen of the Earth from space. We went to the moon but we discovered the Earth. And then [musical comedy duo] Flo and Joan, they're going to come on and play, and a guest star rocks up and gives presents to the audience. I think anybody who comes in isn't entertained, wasn't alive when they entered the building."
Christmas Actually only runs from 7th-11th December in London, but Richard said: "I do I have a little plan, which is that if it works out, and if it turns out to be a kind of script that's reproducible, I would love it to be something that lots of theatres could do from year to year, and maybe even schools could do, and maybe they can even do in Australia and America. Because some of the money is going to Comic Relief.
"So I've got a little hope that if it works out well, if we get a sufficiently enthusiastic and merry audience, that it might be something that lasts."
And on the future, Richard said "I'm thinking I might write a play. I might be in getting involved in a musical."
Christmas Actually plays at the Southbank Centre's Royal Festival in London 7-11th December. Tickets are available now from southbankcentre.co.uk.
Sky Original film Genie comes to Sky Cinema from 1st December.
For more great interviews listen to The Chris Evans Breakfast Show with cinch weekdays from 6:30am on Virgin Radio, or catch up on-demand here.
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Fancy an online platform that lets you design, edit, publish, promote, print and sell your first book in over 100 countries worldwide, all free of cost?
This is exactly what online self-publishing startup Notion Press has to offer, in what it calls a 'Do-It-Yourself' avatar.
For aspiring authors on the threshold of a breakout career, stonewalled by every publisher, this might sound incredible. More so, when the offer extends to seven Indian languages, Kannada included.
Self-publishing might have gotten big with the online overdrive. But the big moves were always made by English writers. Getting into the vernacular space in a big way, Notion Press expanded the ecosystem to include Kannada, Hindi, Marathi, Konkani, Gujarati, Bengali and Malayalam.
So, how does the 'free' platform work? "The writers only need to copy and paste the content after choosing the template of their choice. The templates are also editable. It all depends on how design-savvy they are," explains Naveen Valsakumar, co-founder, Notion Press.
Once the content is submitted, it goes through a 24-hour review process where resource persons do a thorough check. "We check, for instance, if the content has any plagiarism issue. Once the content is finally approved, the book directly goes to our online store, besides Amazon, Flipkart and other major e-commerce sites."
But the printing process will be on demand. Says Valsakumar, "If a customer orders the book from anywhere, we get it printed and shipped in two days. This ensures zero inventory and zero wasteage." The final shape could be in either paperback or e-book form.
The writer pays nothing before the actual sales, but gets a 70% share of the revenue from every book sold through the platform. "Every month, the royalty is credited to the author's bank account. The book is promoted through multiple tools, including discount offers, social media and more."
The printed book has retained its hold in the country despite the promise of the e-book. But for thousands of writers, the traditional publishing route always posed a tough challenge. Once the manuscripts are submitted, it could take over six months for acceptance. The delays have meant most publishing houses do not print more than 100 titles a year.
By completely disrupting this system through speed, reach and accessibility, the self-publishing industry has made a huge impact among new authors of all age groups. About 25% of the books published by Notion Press are first-time writers in the 7 to 97 years age group.