text: ARCHIVES - Share Crushing New Single Video "Self Inflicted" November 23, 2022 Get link Facebook Twitter Pinterest Email Other Apps ARCHIVES make a highly anticipated return with the release of their blistering new single 'Self Inflicted'. The Northern Irish band that formed in 2020 have dropped the follow up to their debut album 'Decay' in huge fashion. 'Self Inflicted' is a monstrous release which hit's hard to devastating effect with ARCHIVE assembling a sound that is monolithic, but also incredibly captivating at the same time. The band continue to live their life on the line by holding a core message behind everything they do. Pushing mental health awareness is close to their hearts and in many of ARCHIVES themes it plays a massive part as the band keep it at the forefront of their every purpose. "Self Inflicted is an internal debate rhyming off all of the cons of a toxic friendship that will cease to serve you and only break you down. It hurts to cut a piece of you off but sometimes it is necessary to survive. They have finally got caught in their web of lies. You think you can spin your treacherous web of lies and never get caught in it. The key message of self inflicted is sometimes you have to cross your bridges and burn them behind you so you can never go back even if you get burned yourself slightly in the process. Pain is growth." – vocalist Adam Holland. Having premiered on BBC Radio 1 by Alyx Holcombe and been supported by Gemma Bradley of BBC Music Introducing's Across The Line, 'Self Inflicted' is already proving why ARCHIVES are a band for the here and now. They are continuing the rightful momentum they gained from the debut album 'Decay' which was supported by Alex Baker of Kerrang! Radio and Kerrang! Magazine. The burly quintet has worked diligently to achieve their aim of producing stout and fierce music, laced with boundless energy and memorable hooks. They have done exactly that with 'Self Inflicted'. With a huge 2023 in store the ARCHIVES are setting course to be one of the most exciting heavy bands around. Comments

subset: commoncrawl


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Future Updates
If you are visiting this site for the first time then please include us in your 'favourites' and be sure to check us out again.
As the site develops we will release more recordings from the Bristol Archive but we will also include accounts of journos, producers, studio owners, promoters et al who were involved, not just the musos/artists.
Thanks for checking us out.


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After graduating from the school of nursing in 2013, Patricia started at Hospital das Clínicas da Universidade de São Paulo in Brazil as a registered nurse. Over the years, she has gained a wealth of knowledge and expertise, and has actively participated in the coordination of complex and large-scale clinical studies.
Patricia Momoyo Zitelli (right) with Prof. Flair J. Carrilho at the 5th CHANCE Investigator Meeting in Vienna, Austria. Picture: © European Foundation for the Study of Chronic Liver Failure.
You are a member of the team in Hospital das Clínicas that participates in the CHANCE study, how do you contribute to this project?
It is my great pleasure and honor to participate in a global and large-scale study. Our institution is the largest healthcare center in Latin America and is the most active liver clinic and transplantation center in Brazil, which makes possible the recruitment of patients for this and future studies. My specific task is the coordination of the team. This includes organization of the logistics recruitment around the clock, upload of data and train people to correctly process and store samples.
Although our team has a limited number of persons, efficient task management, with a schedule of well-planned activities helps us to hold the top position in the patient recruitment dashboard since February 2022.
Soon after we launched our campaign to accelerate patient recruitment in the CHANCE study, your team recruited patient no. 500. What was the importance for you to receive a free registration to attend the EASL Congress 2023?
I really appreciated the invitation to join the team that runs this study that will define the role of liver transplantation for [acute-chronic liver failure] ACLF patients. Participating in the EASL Congress, the 5th CHANCE Investigator Meeting and the EF CLIF General Assembly was an excellent opportunity for networking and to see the efforts of people around the world contributing to the success of the study. At the EASL Congress, I had the opportunity to attend the presentation of the new EASL guideline on ACLF by Prof. Richard Moreau and to participate in sections dedicated to nurses.
Hospital das Clínicas had a very active role in the ACLARA study. How your participation in the ACLARA study impacted your career?
In 2017, I was invited by Prof. Alberto Farias to participate in the ACLARA study. I realized the huge responsibility I had as study coordinator of the regional office that was set in São Paulo. I was in charge of running the activities of one of the biggest studies sponsored by EF CLIF outside Europe, and providing assistance to the coordination of the 44 centers across 7 Latin American countries within the ACLARA Consortium. Then, I decided to complete and MSc in Gastroenterology and MBA in Project Management. This helped us to be competitive and to work better.
What are your plans for the future?
Our team has gained much experience with the ACLARA and CHANCE studies sponsored by the EF CLIF and with other European and North American international initiatives. I expect to continue expanding our network, participate in projects related to improving current knowledge on liver diseases, patient care and healthcare service provision, and get involved in community education and raise awareness on liver diseases.
What advice would you give to someone starting out a career as a clinical study coordinator?
Investing in people's motivation is paramount to success in any project. The development of some skills helps push the career of a clinical study coordinator. This includes excellent interpersonal relationships, especially with the principal investigators and all members of the team, ethical work practice, attention to detail, and critical thinking. Liaising with sponsors, central office, investigators, and other study team members is critical to ensure that all aspects of the study are running according to protocol and adhere with regulatory guidelines. Overseeing uploaded data, quality control procedures, and providing training and support are core responsibilities.
From my point of view, one of the challenges is joining a motivated team and dedicating time to training, if possible, having education in project management is a good beginning.
The CHANCE study is promoted by EF CLIF.
About the CHANCE study
CHANCE is a multicenter, global, observational study designed to assess the benefit of liver transplantation in patients with acute-on-chronic liver failure (ACLF) grade 2 or grade 3. This study counts with the support of the International Liver Transplantation Society (ILTS) and the European Liver and Intestine Transplant Association (ELITA) to recruit 2000 patients in 80 centers in 27 countries around the world. The primary objective of the CHANCE study is to compare 1-year graft and patient survival rates after liver transplantation in patients with ACLF grade 2 or grade 3 at the time of liver transplantation with patients with decompensation of cirrhosis without ACLF-2 or 3 and transplant-free survival of patients with ACLF-2 or 3 not listed for liver transplantation. The international nature of this study will allow for deep assessments of the potential impact of different precipitating factors of ACLF (e.g., alcohol vs. Hepatitis B virus flare), different types of liver transplantation (deceased donor vs. living donor liver transplantation) and different regional and national allocation systems on transplant outcomes. Beside these clinical objectives, the CHANCE study aims to build a repository of biological samples to explore new biomarkers to predict prognosis on the waiting list and after liver transplantation, and mechanisms of liver and extrahepatic organ recovery.
ClinicalTrials.gov Identifier: NCT04613921


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The Colenso UNM Travel Fund was established through a gift by Dr Michèle Colenso to support UNM students to undertake international travel as part of their studies or extra-curricular activities where international travel will offer them an opportunity to broaden their horizons
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MAD (Make A Difference) Money Fund was established to provide financial support to student initiatives that have a positive impact on the wellbeing of others locally, regionally and globally.
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Looking for suggestions for the best podcast equipment? Wondering what equipment to get to start podcasting?
Good news, then – Whether you're a new podcaster looking for setup inspiration or a seasoned host looking to upgrade your studio, you'll find great recommendations below.
But first, let's look at something…
Why so much fuss about podcast equipment?
Isn't just having a computer enough to get started?
Well, technically, yes. Then again – It might not be enough if you want to produce a great-sounding podcast and not scare potential readers away with bad audio or production. Hence so much focus on choosing the right equipment.
(Unfortunately, choosing what to get can be quite daunting.)
Consider this – I recently saw a podcasting Facebook group debate the main reasons aspiring hosts never take the leap. Can you guess one of their main fears? Yup, it's feeling uneducated about what podcast equipment to use and which podcast studio setup is best.
Starting a new project with little knowledge about the necessary tools and software is daunting, after all. There's new jargon, high prices, and a nagging feeling that there might be something better out there if you just keep researching.
Well, I'm here to save you hours of guesswork. Below, you'll find a no-B.S. guide to the best podcasting equipment for any budget based on my 10 years of podcasting and my experience with countless tools.
Our guide is broken out into starter kits with the nine essential tools every beginner needs. Then we put together equipment packages that range from $20-$500 from our top recommendations.
In this article, we're going to help you choose the right podcast equipment for your needs.
Here's what we'll cover
- The complete list of podcast equipment
- Recommendations for podcast equipment for hobbyist podcasters, power podcasters, and an in-house podcast team
- Three podcast shopping lists depending on your budget
- Questions to ask yourself before choosing what podcast equipment to buy
It's a lot to cover, so let's get right to it.
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With Castos you can send all of your podcast content directly to directories like Apple Podcasts, Spotify, Amazon Music, Stitcher, Google Podcasts, and many others.
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Let's start with all podcast equipment that you could get
As you'll see shortly, there are so many types of equipment for podcasting. And there are so many brands and specific tools that you could get in each category.
Do you need it all? No, of course not. Some of these items are essential, while others are merely nice to have's.
For that reason, I divided the list below into three categories:
- Essentials – This is the podcasting equipment you absolutely must have to start a a podcast,
- Next-level equipment – Recommendations in this category will help you to step up your game and improve the professionalism of your show.
- The pro game – Finally, in this list, you'll find items that the absolute pros use to take their shows to the top.
Part I. Essential Podcasting Equipment
In this section, you'll find all the equipment you need to start a podcast and deliver a great-sounding and engaging show to your audience.
A computer is essential to podcasting because you'll want to use a digital audio workstation (DAW) to produce your show. That means using a recording and editing software to make the final episode sound cleaner and more professional.
Computer wise, Mac or PC work just fine. Same for desktop or a laptop. If you prefer one to the other, we suggest using the equipment you already know how to use. One factor to be aware of is DAW software like Logic Pro and GarageBand only work on Apple products. But there are many options covered below that work on both operating systems.
If you want to purchase a new machine for your podcast setup, consider its memory space, processor, and type of USB ports. For beginner podcasters, computers with 8GB of Random Access Memory (RAM),some built in Solid State Device (SSD) storage, and a triple-core processor will do the trick.
Here are our top recommendations for the best computers for podcasting:
Acer Aspire 5 laptops
Budget friendly laptop for beginners. 15″ Screen, 4GB RAM, 12-hour battery life, 128GB of SSD storage, a speedy quad-core processor, and a variety of USB ports (Type-C, 3.0, and 2.0) and HDMI port. Starts at $399.
HP Pavilion All-in-One
Affordable desktop computer for beginners. 16GB RAM, 256GB of SSD storage, a 6-core processor, and a variety of ports from multiple USB ports, HDMI, and an SD card reader. Starts at $1,299.
Apple MacBook Pro M1
Most expensive laptop for beginners and advanced podcasters. 16GB RAM, 10-hour battery life, 512GB of SSD storage, a 6-core processor, and 3 ultrafast USB Type-C ports. Starts at $999.
XLR or USB microphone
A podcasting microphone is probably the most critical piece of equipment. It affects your sound quality and can save you time in post-production. Unsurprisingly, there's a lot of discussions around which mic is the best.
There are differences around how the equipment connects to your computer, XLR or USB. And the difference between how sensitive and crisp sounding it is, dynamic versus condenser. Here's how they stack up:
- XLR podcasting microphones: has a 3 prong connection and is connected to a mixer and the computer. Typically used in professional setups.
- USB podcasting microphones: connects directly to the computer via a USB port. Typically used by beginners who prefer an easier setup and less equipment.
- Dynamic podcasting microphones: less sensitive to ambient noise but can have less a crisp and layered sound. Typically used by beginner podcasters who record in DIY studio spaces.
- Condenser podcasting microphones: more sensitive to high frequencies and environmental noise. Typically used in recording studios with robust acoustic treatments.
For a more in-depth look at your microphone options, check out our more detailed XLR vs USB podcast microphone article.
Based on these combinations, these are our three top podcast microphone recommendations:
Audio Technica ART2100x
Easy to set up and affordable for beginners, it's the microphone choice for folks like Tim Ferriss. It's a dynamic mic for more forgiveness in imperfect recording conditions and has a solid depth of voice at this price. Can be connected with XLR cables or USB depending on your podcast setup.
MXL 990 XLR Condenser
Great starter XLR, condenser microphone that still works well in home recording studios. It comes with a custom shock mount, mic stand adapter, and carrying case.
Shure SM7B
Popular among professionals but expensive. An XLR, dynamic mic with a built-in pop filter. It also has multiple settings to better capture the qualities of male versus female voices. Its components shield against external hums and it has an internal suspension system to eliminate light vibrations.
More resources you might find helpful:
- The best DSLR microphones (designed to work with DSLR cameras)
- The best podcasting microphones
- The best livestreaming microphones
Pop filter or windscreen
Pop filters or windscreens both reduce the plosive sounds we make when saying words with hard P or T sounds like "please". A pop filter is typically a foam or mesh screen fixed in front of the microphone while a windscreen fits over the top of the mic.
If your podcast microphone doesn't come with either built-in, this piece of equipment doesn't break the bank and results in a much smoother sound. There aren't too many differences between the top contenders so pick based on your microphone preference.
Here are our top three pop filter recommendations for your podcast setup. (You'll find more in our complete list of the best pop filters.)
PEMOTech Pop Filter
Easy to set up and suitable for a variety of microphones. A combination of metal and foam layers to help get your best vocal recording.
On-Stage Foam Windscreen
Designed to fit majority of standard sized mics and comes in three colors. Pop it on the top of your microphone and go.
AUPHONIX Pop Filter
This mesh pop filter quickly clamps around any round mic stand and can bend to all 360 degree angles.
Podcasting headphones
When it comes to headphones, almost anything will do in the beginning. While we think they're a non-negotiable part of a podcast setup, you don't need to spend hundreds of dollars right away. The standard Apple headphones or anything that you use to listen to music, are fine to start. One important note is everyone who is recording should wear their own set.
If you decide to buy something, pick up over-the-ear headphones. They offer better sound quality to more accurately hear what your audio sounds like.
Here are our favorite options to add to your podcast starter kit. (See more of our favorites in our list of the best podcast headphones.)
Sony MDR 7506
The closed ear design is comfortable for long wear and the set has a nine foot cord so you have plenty of room to build your optimal podcast setup. They don't artificially boost your frequencies so what you're hearing is exactly how you sound.
Sennheiser HD280 Pro
The Sennheiser headphones also offer a closed ear design with padded ear cups. A bonus with this set is the ear pads, headband padding, and audio cord are all easily replaceable for a long life. This set produces a warm, natural sound reproduction and is a perfect option for beginner podcasters.
Recording and editing software
The recording space is set up and the podcasting equipment purchased, now it's time to hit record. But first you'll need a digital audio workspace (DAW) to capture the audio and edit it to perfection. Whether you're using a Mac or PC, there are multiple options for recording and editing software to choose from.
Our top picks are all beginner-friendly, can record and edit audio files, and won't break the bank. Which one you go with depends on how many bells and whistles you want, plus which operating system you use.
Here are our top six podcast recording and editing software recommendations to add to your podcasting kit:
An industry favorite for good reason. It's free, easy to use, and has all of the essential features you need to capture crisp audio and clean it up in post-production. We recommend Audacity to all beginners since there aren't any startup costs and there are hours of video tutorials to help you get started.
This software only records audio but is the best tool on the market for remote interviews or co-hosts. Record each person on a separate track and capture clear audio regardless of internet speeds. Pair SquadCast with Audacity for a low-cost DAW combination. Learn more about Squadcast.
For Mac computers only, GarageBand is another beginner level software that's free to download. The only major downside is its inability to record multiple guests on separate tracks. This isn't an issue if you host a solo podcast but we caution against using GarageBand to record multiple people at the same time.
Riverside is a browser-based audio and video recording tool that's taking the podcasting world by storm. With the ability to record high fidelity audio and video simultaneously, Riverside offers an easy to use tool that's fairly priced for all the power under the hood. Learn more about Riverside.
Hindenburg Journalist
This software is designed specifically for spoken audio and is available to PC and Mac users. Its features let you record, add sound effects and music, and edit audio files with multiple mastering options. A basic subscription starts at $95 and the Pro software is $375.
Adobe Audition
This is an advanced and expensive option that's best suited for podcasters who have experience with DAWs. It has podcasting specific features aimed to improve spoken word audio. But at a $20.99/month subscription, it's a costlier investment especially if you're not using the software to its full advantage.
Podcast hosting provider
It's a common misconception that podcasters upload their shows directly to listening apps like Apple Podcasts or Spotify. In reality, podcast content is distributed via RSS feeds. A podcast hosting provider helps create your feed and automatically publishes new episodes to every listening platform as you upload content.
When researching podcast hosts, it's important to consider the tool's storage, separate podcast, and bandwidth or download capabilities, analytics features, content promotion integrations, and website creation options.
While we're biased on the best podcast hosting provider, here are a few of our other favorites:
We help podcasters not only host their podcast but also grow it. Every plan includes unlimited storage, unlimited podcasts, and generous download limits on all plans, advanced analytics reports, and a customizable web page to serve as the home base of your podcast. Plus there are pay-as-you-go transcription services right from your dashboard and the option to create private, password protected podcasts. Advanced plans offer additional integrations with Headliner and YouTube to amplify your podcast promotions. Castos also has a free WordPress podcasting plugin so you can manage all of your content directly from WordPress.
Another affordable podcast host option but each plan includes monthly download limits. Potentially not a problem to start but if the goal is creating a popular podcast with thousands of downloads, this will result in higher costs. The tool does offer analytics and a built-in podcast website and the option for private podcast feeds for advanced plans.
Buzzsprout has a free plan if you're on a budget. For just covering the basics of what you need out of a podcast hosting platform it certainly does the job. As your show grows you can level up to higher paid tiers which unlock more bandwidth and features.
Part II. Podcasting equipment to take your show to the next level
Mixers are used to improve audio quality and offer multi-channel recordings for those with co-hosts or guests. It's also a required piece for anyone using an XLR microphone. Adding a mixer to your podcast setup creates a new opportunity to record live episodes with AUX features. These recording sessions act similarly to Joe Rogan's setup where he records everything in one go and adds music and sound effects during an interview. There's minimal to no post-production for the final cut.
There are a lot of truly advanced mixers on the market (we explore them in our list of the best audio mixers) but there are two key features to look out for. They include the number of channels and an AUX out feature.
Our three top podcast mixers have varying combinations of these options:
Yamaha MG10 or MG06
The MG10 mixer has a 10-channel console that allows 4 microphone inputs. It includes 1 AUX send to incorporate additional sound effects or music while recording. Or try the MG06 option if you only need two mic inputs and don't need the AUX live podcasting features.
Focusrite Scarlett 18i8 USB Audio Interface
This mixer has 8 channels that allows 4 XLR mics, one USB-C port, and dual headphone outputs with independent volume controls. You can monitor all input levels in real time with the Direct Monitor circuit to reduce clipping. Best of all, it's equipped with Focusrite's switchable Air mode that gives every voice a brighter sound.
Mackie ProFXv2 Series
Choose from 4-30 channels, Mackie produces a range of high-end mixers. For most podcasters, the FX4 or FX8 should do the trick. They allow for 4 or 8 channels, 2 or 4 microphone inputs, and two AUX sends. Both include Ready FX that adds 16 ready-made sound effects like reverbs, delays, and choruses. The FX 8 has additional features like a USB interface and 3-band EQ on all channels making it better suited for live recordings.
Rødecaster Pro 2
The RØDECaster Pro II is a true upgrade to its predecessor. It offers all of the powerful advanced features of the original RODECaster as well as some new ones, all in a smaller package, including bluetooth connectivity, 8 customizable pads, 2 USB-C interfaces, onboard APHEX DSP, 5.5 inch high definition display, and improved preamps.
Microphone stand
A mic stand or boom mount is a great solution for getting the mic up off the desk, and closer to mouth level. This is an important consideration because the vertical alignment (above or below) the mouth impacts the sound of your voice.
Using a stand also reduces the chances of knocking into the mic or having it rub against something while recording. Similar to the pop filters, most options are comparable and will get the job done.
Here are a few of our favorite microphone stands to improve your podcast setup. Check our full list of the best mic stands for podcasting.
Neewer Boom Mount
This super adjustable boom mount is made of steel and can be attached to any table.
Gator Frameworks Weighted Base Microphone Stand
With a weighted base for stability, this stand has a max height of 23 inches. It has two adjustable points and is compact enough to fit into most podcast setups.
Part III. The Pro Stuff
Acoustic treatments
Recording in a space purposefully set up to capture crisper audio is a lifesaver during post-production. That means creating a DIY studio that eliminates the " sound of the room" and reduces reverberations.
A few types of acoustic treatments are likely already around your house. Heavy comforters, full bookcases, rugs, or a closet are all adequate ways to remove ambient noise.
For beginners, we suggest starting with a DIY option. Find a closet with a few clothes hanging up then shut the door and record. Or go to a quiet room, toss a heavy blanket over yourself, then get going.
If you have a spare space to build a dedicated studio then acoustic panels are a worthy investment. Use Auralex's Room Layout Express tool to figure out where to place the pieces.
Once you decide on the right room for your podcast setup, try these treatment options to get the most out of your equipment:
The Foam Factory
In a variety of shapes and sizes, The Foam Factory has affordable options to treat an entire room.
sE Electronics Portable Vocal Booth
Perfect for rooms already full of sound absorbing furniture (think carpet, bookcases, or a couch) or podcasters on-the-go. The piece attaches directly to the microphone stand for ultra-easy installation.
Auralex DeskMAX Kit
Auralex is the Rolls Royce of acoustic treatments so their equipment is on the pricier side. These panels are portable and fit neatly behind multiple microphones.
Video camera
If you want to take your podcast to the next level, it's smart to capture video as well. This type of content makes great YouTube videos and social media posts. You're already doing the work of creating the content, you might as well squeeze every ounce of value out of it.
Video podcasts tend to use their cameras in one of two ways: They either set the camera in one stop and capture the entire podcast from that angle, or set up multiple cameras in the same room. A single camera makes editing easy – there is no. Multiple cameras require you to splice different angles into the video file, but the end product is highly engaging.
Kickteck HD Video Camera Camcorder
This is an easy and inexpensive option for capturing video and stills. It offers surprising quality for such a low price. It doesn't plug into your computer, so you'll need an SD card.
Nikon COOLPIX B500
This Nikon is a powerful mid-level camera that offers full HD recording and fun, creative effects. The large LCD display makes it easy to compose your shots.
Sony Alpha a6000 Mirrorless Digital Camera
The Alpha a6000 takes unbelieve photos and video. The output is nothing short of cinematic. You can plug it directly into your computer via HDMI to transfer clean, uncompressed files.
Podcast Equipment Packages by Use Case
If you aren't sure which of the gear we listed above is right for you, let's talk about your needs. Here we offer some suggestions based on your needs.
The hobbyist
For podcasters that are starting their first show who have small budgets and need easy-to-use products.
- Audio-Technica ATR2100 Cardioid Dynamic Microphone – $99
- Samson Q2U USB/XLR Dynamic Microphone – $70
- Sennheiser GAME ONE Headset – $125
The power user
For podcasters that want to create professional sounding podcasts, perhaps in a small studio or with multiple people in the same room.
- Shure MV7 USB+XLR Podcast Microphone – $249
- Heil PR-40 Dynamic Studio Microphone – $329
- Shure SM7B Vocal Dynamic Microphone – $399
- Cloud Microphones Cloudlifter – $149
- Focusrite Scarlett 2i2 3rd Gen USB Audio Interface – $169
The streamer / in-house team
For serious podcasters who want perfect audio and have some money to spend.
- Rode PodMic Cardioid Dynamic Podcasting Microphone – $99 (for in-the-field recording)
- Electrovoice RE20 Broadcast Microphone – $898
- RØDE Procaster – $224
- Rode RODECaster Pro Podcast Production Studio – $599
A few extra items you need to put it all together.
- Amazon Basics Mic Stand – $22
- Heil Sound PL-2T Boom Arm – $129
- Elgato Wave Mic Arm – $127
- 2x 6-foot XLR Cables – $16
- Foam Microphone Filters – $6
3 Podcast Setups For Multiple Budgets
Each podcaster starts a show with a varying degree of money set aside to invest in new equipment and software. Nerves can set in looking at the amount of tools needed for the best podcast setup but you don't need to spend an arm and a leg.
Based on our recommendations above, we put together podcast starter kits based on 3 different budgets. Each piece has a brief explanation around why it's necessary for your setup and assumes you already have a computer in your arsenal.
From spending $20 to $500, here are our suggestions on the best podcast equipment packages.
Podcast setup for $20
For a $20 podcast setup, we're suggesting the most DIY versions of our recommendations and saving your budget for a podcast hosting provider. You may not sound exactly like This American Life but you'll get started quickly at a low investment.
- Headphones with built-in microphone: at a $20 investment, there isn't a podcasting microphone out there to fit the bill. Instead, use your standard earbuds that have a microphone built in. Try the Apple headphones that come with every iPhone, they'll do the trick at this level.
- A closet: for the best DIY acoustic treatment, grab your laptop and head to a closet, hang a few clothes up, and shut the door. This is a podcast setup used by the pros in a pinch and couldn't be more budget friendly.
- Audacity: the best free choice to record and edit a podcast is Audacity. Invest some time watching their many tutorials to feel confident going into your first recording.
- Podcast hosting provider: Castos' Essential plan begins at $19/month. It offers all the essential features every podcaster needs to produce a successful show.
Podcast starter kit for $250
Spending $250 on software and podcast equipment will help you achieve an advanced setup and polished sound. At this budget, there's a combination of DIY and new podcast equipment for the optimal setup.
- Audio Technica ART2100: a great dynamic mic for around $100 and no mixer needed when you use the USB hookup.
- On-Stage Windscreen: at under $5, this windscreen will help reduce plosive sounds for less cleanup in post-production.
- Sony MDR 7506 headphones: at this level of investment, we recommend quality over-the-ear headphones for a better recording experience. For around $100, the set is a piece of equipment you'll hold on to for a while.
- A closet: with a podcasting microphone, windscreen, and set of headphones, a full closet is the last piece to capturing crisp sound.
- Audacity: to focus your money on equipment, Audacity is the best free choice to record and edit a podcast on a budget.
- Podcast hosting provider: with $50 left to spare, consider upgrading to Castos Growth plan. With both, you'll unlock private podcasting features. Using Castos, you'll also have access our Headliner integration for custom audiograms to promote your podcast with style.
Podcast starter kit for $500
Committing $500 to create the ultimate podcast setup is the sweet spot. You'll start with quality equipment and work with tools with a few more bells and whistles. We've found podcasters with some past experience in the industry get the most out of this setup.
- MXL 990 XLR Condenser: It comes with a shock mount and mic stand adaptor so you can spend a little more on the mic.
- Yamaha MG10 or MG06: with an XLR mic, you'll need a mixer. Yamaha's MG series offer a great sound at an affordable price.
- PEMOTech Pop Filter: with a condenser mic, you'll also want a pop filter. PEMOTech's option fits with almost every standard mic.
- Sennheiser HD280 Pro headphones: this set is perfect for a lifetime investment with the ability to affordably replace the pads and cords later on.
- sE Electronics Portable Vocal Booth: to achieve high quality sounding audio, give this vocal booth a try in room organized for better acoustics (added rugs, couches, or bookcases).
- Hindenburg Journalist: with more podcasting experience comes more advanced DAWs. Hindenburg was built for spoken audio and will help you get the most out of your mic and mixer.
- Podcast hosting provider: to make your investment worth it, use a podcast hosting provider with additional promotion and storage features. On Castos' Pro plan, you'll unlock our most advanced analytics and have the ability to host video files. Promote episodes with custom audiograms and republish them to YouTube help new people discover your show.
Podcast starter kit for $5,000
If you're willing to invest some cash on your podcasting adventure (perhaps you're starting a branded podcast or internal podcast), it's possible to pick up some truly professional gear for about $5,000. With these items, you'll produce radio-quality audio.
- Electrovoice RE20 Announce Mic: This is a professional quality dynamic cardioid microphone with studio condenser-like performance is great for on-site recording.
- Samson Go Mic Portable Microphone: If you record on an alternate location, you'll need something portable that still sounds professional. This field mic is compact and plugs in via USB to your computer.
- Sennheiser HD 650 Audiophile Hi-Res Open Back Dynamic Headphones – These headphones were crafted for the listeners with high expectations. It offers a balanced frequency response, making it exceptionally accurate.
- RØDECaster Pro Podcast Production Studio – This is a powerful all-in-one solution for podcasting. It offers superb audio features while still being easy to use. It offers four mic inputs with studio-grade preamps for recording crystal-clear audio. It also offers smartphone, USB, and Bluetooth channels for seamlessly integrating remote guests, eight sound pads for triggering music and sound effects, powerful audio processing and so more.Pro Tools – If you have the budget, it's best to go with the best DAW available. Pro Tools includes every feature you could possibly need to host a great podcast.
- RØDE PSA1 Professional Studio Arm: This is a quality, professional studio boom arm for easy and precise placement of any microphone. It's durable and offers noise-free operation.
- XLR cables – It's important to have multiple sets of XLR cables on hand so you never go without, especially if you're using XLR microphones. We recommend having at least four, no shorter than six feet.
- PEMOTech Pop Filter: with a condenser mic, you'll also want a pop filter. PEMOTech's option fits with almost every standard mic.
- Primacoustic London Acoustic Panels: When it comes to acoustic panels, you can't have too many. These will eliminate echos and make your studio look attractive on video.
- Sony Alpha a600 Mirrorless Digital Camera: The Alpha a6000's output is downright cinematic. You can plug it directly into your computer via HDMI to transfer clean, uncompressed files.
- SD cards: It's always a good idea to have a bunch of SD cards on hand to capture audio and video. You do not want to find yourself in a middle of a recording without anywhere to save the data. Your team and your guests won't appreciate it.
- Podcast studio: If you have the budget, we recommend building out a quality podcast studio. Use a small room without widows (or cover the windows). The walls should be soundproof (so no outside sound gets in) and lined with fabric. Avoid any hard surface that isn't necessary.
Podcast Equipment Summary
Purchasing podcast equipment for the perfect setup is the first big hurdle aspiring podcasters face. Some people may opt to spend more on a microphone while others want a premium DAW in post-production.
Luckily there's no right answer. Your podcast starter kit should be custom to your preferences and what you're looking to gain from podcasting.
No matter your budget, from $20-500, there's the right podcast equipment out there for you. Now use this list to start placing a few orders.
Questions to Ask Yourself Before Purchasing Podcast Equipment
Before you start browsing Amazon, it's important to ask yourself a few questions. These questions will go a long way toward narrowing down your search for podcast equipment.
How serious am I about podcasting?
Before you start buying equipment, it's important to evaluate your own intentions. What are your goals for podcasting? Do you see this as a temporary hobby? Or do you intend to treat your podcast like a serious business?
If you're just messing around with some friends, it makes sense to limit your spending on podcast equipment, especially in the beginning. You probably want to pick up some inexpensive products in case you decide to abandon the project in a short time.
However, if you are part of a team of people who are taking this very seriously, it may make sense to spend a few dollars on top quality equipment. For instance, a corporate podcast or a branded podcast should reasonably invest serious cash into their show.
What is my budget?
This is the second question you should ask yourself, but it's arguably the most important. The amount of cash you have to spend on podcast equipment will likely determine the individual pieces you can buy. If your budget is small, you won't have much to consider.
That said, keep in mind that small budgets are fine for podcasting. There are plenty of affordable products that sound great. Plenty of people start podcasting with just their laptop microphone.
How many people will be recorded?
The number of people who will be recorded on your show will affect the type and amount of podcast equipment you buy. If you are recording alone, you just need one mic. An interview show needs two mics, unless all of your interviews are recorded remotely. A panel show would need as many mics as the number of people you expect to participate.
Where will I record my podcast?
Recording in a private recording studio is much different than recording in restaurants or busy convention centers. So you'll need different podcast equipment depending on your recording location.
For instance, if you intend to record while riding your bike, a traditional microphone doesn't make sense. Instead, you'll want a lavalier mic. If you intend to record in-person but at your interview's location, traditional mics are fine, but you'll want something less bulky.
Furthermore, the type of location will influence your acoustic treatment equipment. If you are recording in a quiet place with soft surfaces, you don't need much to control reverb. But if your recording space has natural background noises, you may want to pick up some acoustic paneling or a reflection shield to keep your sound clean.
Can I manage all the tech?
You'll want to consider your comfort level with technology as well. If you struggle plugging tech together, installing drivers, and configuring settings, it's probably smart to stick to simple entry-level options. Opt for USB plug-and-play products wherever possible.
But if you feel comfortable hooking multiple devices together, learning new systems, and tweaking settings (especially in regards to audio tech), you should be fine with more advanced podcast equipment. Just make sure you understand what each device is supposed to do before you purchase it, otherwise you'll over-buy.
Will I record video as well?
Some creators like to produce a video podcast. It's just like a regular podcast, but you also capture video of the hosts. You can upload the video directly to YouTube as is, or you could edit in some other clips to make it more dynamic. This is an easy way to squeeze more content out of your work.
If you want video content as well, you'll need a camera, some lighting equipment, and a recording space that looks decent on camera. You don't need a complete podcast studio, but you just need a clean, non-distracting space. A simple movable room partition could be enough.


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In ABT Auto Investments Ltd v Aapico Investment Pte Ltd and others [2022] EWHC 2839 (Comm), the High Court upheld a collateral-taker's enforcement of rights under a share charge to appropriate shares in a private company. This is the first case to consider the duty in Regulation 18 of the Financial Collateral Arrangements (No 2) Regulations 2003 ("FCARs") to ensure that a valuation of financial collateral is conducted in accordance with the terms of the relevant arrangement "and in any event in a commercially reasonable manner".
The dispute arose in relation to a joint venture between the parties. Aapico made two loans to the joint venture and in return ABT provided guarantees as well as a charge over its shareholding in the joint venture. After payment defaults, Aapico made demand on the loans and guarantees and following non-payment, exercised its rights under the share charge to appropriate ABT's shares. The shares were valued at £27,000,000, based on a valuation conducted by FTI. ABT subsequently challenged Aapico's right to appropriate.
The FCARs implemented in UK law Directive 2002/47/EC on financial collateral arrangements (the "FCD"). The FCD sought to improve the integration, efficiency and stability of financial markets by simplifying enforcement procedures and ensuring consistent treatment of security over "financial collateral" (broadly cash, shares and bonds) throughout the EU.
The FCARs introduced into UK law the concept of a "financial collateral arrangement":
In relation to security financial collateral arrangements (the type of arrangement reflected in the Aapico share charge), appropriation is available if the relevant security document provides for such remedy and includes provisions for the valuation of the financial collateral.
Regulation 18 specifies that when exercising the right of appropriation a collateral taker must value the financial collateral in accordance with the terms of the arrangement "and in any event in a commercially reasonable manner". However, neither the FCD nor the FCARs specifies what constitutes a "commercially reasonable manner".
Appropriation can provide a quick and straightforward way to enforce security (without having to exercise a power of sale or appoint a receiver) and benefits from important exemptions from certain restrictions (e.g., the effects of any administration moratorium). Any surplus value above the amount secured must be returned to the collateral provider.
Challenge to Aapico's Appropriation
ABT challenged Aapico's right to appropriate on two grounds:
On the first argument, the court held that the provisions of the share charge complied with the requirements of the FCARs, noting that the FCARs do not require the terms of the financial collateral arrangement to exclude the possibility of a non-compliant manner of valuation – the manner must simply be one permitted by or "in accordance with" the terms of the arrangement.
On the second argument, the court held that Aapico and FTI complied with the requirements of the share charge and the FCARs, having acted both in accordance with the terms of the arrangement and in a commercially reasonable manner. The fact that the valuation arrived at by FTI was lower than earlier assessments was explicable by the distressed circumstances of the group. The court also noted that FTI's decision not to undertake a discounted cash flow ("DCF") analysis on the basis of concerns about the reliability of management forecasts and issues regarding the underlying forecast of cash flows was not commercially unreasonable.
Aapico had argued that the share charge gave rise to a contractual estoppel preventing ABT from disputing the commercial reasonableness of the method of valuation. While the judge had already rejected ABT's argument, he noted that ABT was not estopped from contending that the method of valuation was in fact unreasonable, noting that Regulation 18(1) expressly requires commercial reasonableness "in any event".
While Aapico had communicated to FTI a desire for a low valuation, this did not mean it had acted in a commercially unreasonable manner. The judge noted this would have been obvious in any case. Aapico did not place any constraints on FTI and did not seek to persuade FTI to act other than in a proper, independent and professional way.
Guidance on Appropriation
The case provides important guidance on appropriation. In particular:
This decision is a helpful consideration of the elements to be considered when conducting a valuation of financial collateral in accordance with the requirements of the FCARs. The right of appropriation is a potentially powerful security enforcement option (even in the case of shares in a private company), which may be quicker and simpler than appointing a receiver and/or effecting a sale to a third party. It is particularly helpful that the court noted a successful valuation challenge would not necessarily result in the sale being set aside, providing certainty that security enforcement will not be unwound as a result of a need to adjust the valuation.


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Any iPad users serious about music production will be interested to learn that a new 48-track recording application called Auria that will be launched on to the iTunes App Store during the first quarter of 2012 priced at $49.99.
Auri has been developed and launched by Wavemachine Labs, and has been designed specifically for Apple's iPad device. Being built to provide a professional studio and live tracking application.
The 48 track digital audio workstation includes all the necessary tools for recording, editing and mixing music projects, and is equipped with AAF import/export for moving sessions between popular DAWs such as Pro Tools and Nuendo.
Together with 64-bit double precision architecture, enabling up to 24 tracks of simultaneous recording using compatible USB audio interfaces, say Wavemachine Labs.
The new application also includes a number of plug-ins which have been provided by a partnership with PSPaudioware and include: convolution reverb, stereo chorus and delay, classicVerb and a pitch processor. With more plug-ins available via in purchases which have been created by Overloud Audio Tools, PSPAudioware, Fabfilter and more.
Source: Slashgear
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Soon after the arrival of The Ven. Dr. Lynne McNaughton as priest of St. Clement's, it became obvious that Pentecost is her favourite celebration of the year. We all look forward to it but this Pentecost Sunday was exceptional.
The congregation, decked out in red, was handed red and orange "flames" to wave as we circled the church, stomping, singing and chanting. Not to be left out, Lynne, our deacon Elizabeth and Music Director Lynley Lewis wore 'party hats' decorated with red and silver streamers.
The children stayed for the duration of the service: their task was to jump and wave their 'flames', balloons or whirly-gigs during the readings to alert the congregation to any mention of the Spirit. Of course, during the reading of Ezekiel 37 (The valley of Dry Bones) we had a spirited singing of "Dem bones, dem bones", led by Lynne. During the prayers, votive candles in red holders were lit.
The closing song "She comes sailing on the wind" sent us all out into the world, spirit- filled and joyful.


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Researchers at the Massachusetts Institute of Technology analyzed the data from the K2 mission (NASA, Kepler) and found many possible exoplanets among the 50,000 stars. The discovery of specific 80 new candidates is reported, among which the greatest interest is chained to the planet around the star HD 73344 (the brightest stellar host for all of the mission observations).
Scientists say that the planet flies a star in 15 days. In size, it is 2.5 times larger than the Earth and 10 times more massive. Most likely, the surface temperature rises to 1200-1300 ° C. The planet is 114 light-years distant from us. Due to the proximity and rotation around a bright star, there is an assumption that this is an ideal candidate for analyzing the atmosphere and other characteristics.
Also do not forget to mention the speed of detection. Scientists used the institute's special tools to quickly search for light intensity graphs (light curves) from each of the 50,000 stars and published information a few weeks after the K2 mission provided raw information. Usually it takes months and even a year.
This speed comes in handy when data from the TESS mission, intended for observing neighboring stars, begins to arrive.
Dip Speed
The group analyzed data from the 16th and 17th K2 campaigns, each of which watched the sky for 80 days. The telescope is in Earth orbit and moves with the Earth during its orbital rotation around the sun. That is, when shifting, it stops observing specific stars for a year and moves on to others. New speed allows you to observe the planetary candidates before the Earth passes by.
During the C16, K2 observed 20,647 stars (from December 7, 2017 to February 25, 2018). On February 28, the mission released data in the form of pixel images for the astronomical community. As a result, further analysis allowed to isolate 1000 out of 20,000 stars. Then, scientists followed them in search of signs of transit and found 30 candidates for exoplanets. A similar number was derived in C17.
Peak Stars
Usually the nature of the stars does not change throughout the year. But, the faster the scientists can trace the possible planetary transit, the more likely that the planet exists. After all, it is impossible to predict exactly when a transit event will occur.
After the results were published, scientists found 4 more candidates for exoplanets, including the world around HD 73344. The star's brightness and the speed of a planetary candidate will help to reset all the more specific features of this system.


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" It's funny because it's funny. "
" You can either look at things in a brutal, truthful way that's depressing, or you can screw around and have fun. "
" There are too many fawning entertainment shows out there and not one of them is making fun of it all. "
" There's always something funny about men chasing women. "
All 4 David Spade Quotes about Fun in picture
Topics: Fun quotes


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- This event has passed.
January 27 @ 10:00 am - 4:00 pm
Braves Fest
Braves Fest is back with a full-day of celebrations for our 6-time National League East Champion Atlanta Braves! Admission and parking is FREE. The event spans across Truist Park and The Battery Atlanta and features a variety of exciting events such as player autographs*, player photos, shopping, dining, interactive entertainment, and player interactions not available any other time of the year!
*additional fee and ticket required for player autograph sessions.
Braves Fest 2024 is a free event but requires a ticket for entry. All guests attending Braves Fest will need their own individual ticket for access. Select the link below to claim your free ticket. The event takes place throughout The Battery Atlanta and Truist Park. Enter Truist Park at the Chop House and Right Field Gates. Event Guides will be available at various locations in The Battery Atlanta as well as inside Truist Park at Guest Services 111.
Fans attending Braves Fest can park in the Red Deck, Purple Deck, Green Deck, Delta Deck or Lot 29 free of charge. A-List Members will also have free parking available in Silver Deck. To enter Silver Deck, please provide your digital A-List Member card upon arrival.
Parking will remain free for all hours of this event up until 7 p.m. For more details on The Battery Atlanta parking, visit batteryatl.com.
For more information, visit braves.com/bravesfest.


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Light on a bedside table Crossword Clue Daily Themed 4 letters Answer
Feb 04, 2024Light on a bedside table Daily Themed Crossword Clue
Players who are stuck with the Light on a bedside table Crossword Clue can head into this page to know the correct answer. Many of them love to solve puzzles to improve their thinking capacity, so Daily Themed Crossword will be the right game to play. Daily Themed Crossword is sometimes difficult and challenging, so we have come up with the Daily Themed Crossword Clue for today. Daily Themed has many other games which are more interesting to play. Well if you are not able to guess the right answer for Light on a bedside table Daily Themed Crossword Clue today, you can check the answer below.
Date | Daily Themed Crossword Answer |
02/28/2024 | Daily Themed Crossword February 28 2024 Answer |
02/27/2024 | Daily Themed Crossword February 27 2024 Answer |
02/26/2024 | Daily Themed Crossword February 26 2024 Answer |
Here's the answer for "Light on a bedside table crossword clue", The LAMP is the answer for Light on a bedside table Daily Themed Crossword Clue.
This particular clue was most recently spotted in the 4th February 2024 edition of the Daily Themed Crossword. Today's Daily Themed Crossword, featured prominently on our homepage, presents a comprehensive array of clue solutions.
Related Daily Themed Crossword Clue Answers Today
Daily Themed Crossword Clue Answers Today 4th February 2024: We have provided Daily Themed Crossword Clue Answers Today 4th February 2024 here, Just try solving Daily Themed Crossword Clue daily and check your IQ level.
- "Send us a rescue ship!": Abbr. crossword clue
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Daily Themed Crossword Puzzle
The Daily Themed Crossword is a popular crossword puzzle that is available online and through various mobile applications. It is known for its user-friendly and accessible format, making it an enjoyable pastime for crossword enthusiasts of all levels.
In a Daily Themed Crossword puzzle, a clue is a hint or prompt provided to the solver to help them figure out the correct word that fits into a specific grid position (square) in either the "Across" or "Down" direction. Each square in the crossword grid is numbered, and the corresponding clues are listed in the clue list.
Light on a bedside table Crossword Clue Daily Themed - FAQs
The answer for Light on a bedside table Crossword Clue is LAMP
You can check the answer on our website crossword.fresherslive.com
There are several crossword games like NYT, LA Times, etc.


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A new study analyzes whether Donald Trump has the right to run for president for the second time. Here's the full story.
The Study
Two conservative law professors, William Baude from the University of Chicago and Michael Stokes Paulsen from the University of St. Thomas, have undertaken a comprehensive study that suggests Donald Trump may not run for president for the second time.
Grounds for Disqualification
The study found that Trump could be disqualified from holding the presidency under a constitutional provision.
No Insurrection
This provision disqualifies individuals who have engaged in an insurrection from occupying government positions.
Conservative Professors
Professor Baude and Paulsen, are active members of the conservative legal group the Federalist Society.
They are proponents of originalism, a method of interpreting the Constitution's original meaning.
Findings Due for Publication
They conducted their research for over a year and their findings will be published in an upcoming issue of The University of Pennsylvania Law Review.
The Basis
In their study, Baude and Paulsen explore whether Trump's actions leading up to and during the events of January 6th, 2021, amount to insurrection, rendering him ineligible for the presidency.
The Analysis
The professors' analysis concludes that unless two-thirds of Congress grants him amnesty for his conduct on that day, Trump cannot run for president, become president, or hold any government office.
Provoke Lawsuit
The article's depth and scope could potentially fuel lawsuits by other candidates and voters contending that Trump's actions make him constitutionally ineligible for public office.
The Front Runner
Although the article won't alter the fact that Trump remains a prominent political figure and the Republican front-runner, it could stimulate legal challenges based on his eligibility.
According to Professor Paulsen, these lawsuits might raise a crucial constitutional issue that could reach the Supreme Court.
The Law
The professors' findings are rooted in Section 3 of the 14th Amendment, which prohibits individuals who have engaged in insurrection or rebellion from holding office if they previously took an oath to support the Constitution.
Congress can only lift this prohibition through a two-thirds majority vote in each chamber.
Trumps Legal Trouble
Trump has faced legal challenges before, including two federal indictments related to his efforts to overturn the 2020 election and his handling of classified documents. However, the current analysis centers on his eligibility to hold office.
Evidence Against Him
The article cites substantial evidence suggesting Trump's involvement in the insurrection, including his efforts to subvert the election, pressure the vice president to disregard the Constitution, and his role in inciting the events of January 6th.
The Reaction
The law professors' work has garnered support and critique. Steven G. Calabresi, a Federalist Society founder, praised the article, while James Bopp Jr., who has represented House members in challenges under the same constitutional provision, criticized its breadth and historical accuracy.
The Analysis' Conclusion
While based on historical evidence, the professors' analysis contends that Trump's actions align with the definition of insurrection and rebellion outlined in Section 3 of the 14th Amendment.
The language of this provision is automatic and comparable to other qualifications for holding office outlined in the Constitution, such as the age requirement for the presidency.
What Will Trump Do Next
While the professors' article won't alter Trump's present circumstances, it introduces an intriguing legal perspective.
Whether this analysis will contribute to any legal actions challenging his future eligibility for office remains to be seen.
"We Ended Cancer" – 17 of the DUMBEST Things Biden Said
Throughout his more than five decades in political life, Joe Biden has gained notoriety for his verbal gaffes and missteps. "We Ended Cancer" – 17 of the DUMBEST Things Biden Said
Teachers Federation: Ron DeSantis Is a "Global Embarrassment" After New 'Anti-Gay Law' Forces Colleges to Drop Psychology Studies
In a recent development, the state of Florida has found itself embroiled in a contentious debate over the curriculum of its Advanced Placement (AP) psychology course. Teachers Federation: Ron DeSantis Is a "Global Embarrassment" After New 'Anti-Gay Law' Forces Colleges to Drop Psychology Studies
"White Teachers are the Problem" – Teacher Sues University for Racial Discrimination and Describes Being White as the "Original Sin"
In a recent legal battle that has attracted widespread attention, a former English professor at Pennsylvania State University is suing the institution, alleging racial discrimination against him and other white staff members. "White Teachers are the Problem" – Teacher Sues University for Racial Discrimination and Describes Being White as the "Original Sin"
Trump's First Lady: Where IS Melania?
Despite Trump's active campaigning in the run-up to the election, his wife, Melania, is strangely absent. Trump's First Lady: Where IS Melania?
"A Disgusting Insinuation" – Trump's Team Defend Legal Loophole to Raise Money for "Save America" Fund
Trump's team defend the way they are raising money for the 'Save America' campaign as it spends money like water. "A Disgusting Insinuation" – Trump's Team Defend Legal Loophole to Raise Money for "Save America" Fund
The post Trump Cannot Run for President According to New Study – Here Are the Reasons For His Disqualification first appeared on Wealthy Living.
Featured Image Credit: Shutterstock / Evan El-Amin. The people shown in the images are for illustrative purposes only, not the actual people featured in the story.
Source: The New York Times


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The flag of Mexico is a tricolor that was adopted in 1968. It bears the country's National Coat of Arms of an eagle sitting on a cactus on a rock above a lake. The eagle holds a serpent in one of the talons. It ties in with the Aztec legend that the people were told to build their city where they would find an eagle eating a snake.
Travel around the world by collecting the Explorer's Flag Pins. Featuring flag replica pins from over 200 countries, explorers can collect them all. Each jewelry quality pin is a perfect replica of each country's flag and is handcrafted. Colors are glazed hard enamel and hand polished to make them soft to the touch. These pins declare your spirit of adventure, making them perfect to wear on your backpack, hat, or on your Explorer's lanyard. 3/4 " pins include SGE yellow rubber clutch back and come individually bagged.
Each collectible printed image is epoxy coated and polished to be soft to the touch.


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SPF(supported) DKIM(recommended)
This article covers the SPF and DKIM authentication processes for Sarbacane and how they are managed in Valimail Enforce. While only one of the two authentication methods is required for an email to pass DMARC, our recommendation is to configure both whenever possible.
- Configuring DKIM authentication for your Sarbacane emails
- Add a Sarbacane DKIM key in Enforce
- Configuring SPF authentication for your Service Name emails
Configuring DKIM authentication for your Sarbacane emails
Here is the DKIM-type TXT record to add (be careful, this record must not have a line break):
TXT Name
mta0._domainkey.example.com (example.com corresponding to your domain name).
TXT value
Important: If you manage DKIM for your domain in Valimail, you will need to add the TXT DKIM key on your domain's Configuration page in Valimail Enforce.
You can also find the instructions on how to set up DKIM and SPF for Sarbacane, here.
Add a Sarbacane DKIM key in Enforce
1. Go to your domain's Configuration page in Valimail Enforce and publish the newly created DKIM key.
a. Scroll down and add the DKIM key in your configuration, by clicking on Add a DKIM key.
b. Enter the selector name, the DKIM TXT value (the actual value is the entire string after the p= tag), associate the key with Sarbacane and then click Add.
You can find more detailed information on how to add a DKIM key in Valimail Enforce here.
Configuring SPF authentication for your Sarbacane emails
Once you establish that Sarbacane is an authorized sender for your domain, you will need to add the service in your Enabled Senders list in Enforce.
1. Please go to your domain's Configuration page in Enforce.
2. Click on the + sign from the Enabled Senders section:
3. Choose Sarbacane from the list of configurable senders and then click Enable:
We encourage you to use the comment section for any useful information about your sending service, such as the name of the service owner, change request ticket numbers, etc.
As always, if you have any questions, please don't hesitate to submit a ticket.


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Art Galleries
Farmers Markets
Festivals & Events
Historic Sites
Museums & Exhibits
Performing Arts
State Parks
More Butte
Bed and Breakfast
Campgrounds/RV Parks
Hotels and Motels
More Southwest Montana
Deer Lodge
Fairmont Hot Springs
Twin Bridges
Nez Perce National Historical Park
Big Hole National Battlefield
Montana Travel Regions and Maps:
North Central
South Central
Montana Gallery. 2324 Harrison Avenue, Butte, MT 59701.
The Phoenix Gallery. 66 W. Park Street, Butte, MT 59701. Phone: 406-782-5217. E-mail
Butte Farmers' Market. Located on Main, Between Park & Broadway. Phone: 406-497-6464. E-mail
An Rí Rá
Montana Irish Festival
This festival has free admission and includes music, Irish dancers, a race
and food vendors. See website for full details.
Annual Christmas Stroll. Phone: 406-497-6464. E-mail
Butte-Silver Bow County Fair. 1340 Harrison Avenue, Butte, MT 59701. Phone: 406-497-6221.
Butte Vigilante Rodeo. PO Box 3401, Butte, MT 59701. Phone: 406-494-3002; Fax: 406-494-3212.
Chinese New Year. Mai Wah Society.
Evel Knievel Days
A summer festival to welcome daredevil legend Evel Knievel to his hometown
of Butte, Montana. E-mail
National Folk Festival. Phone: 406-497-6464.
Berkeley Pit. Phone: 406-723-3177.
Hell Roarin Gulch. World Museum of Mining. Phone: 406-723-7211.
Mother Lode Theater. PO Box 522, Butte, MT 59703. Phone: 406-723-3602; Fax: 406-782-2362. E-mail
The Arts Chateau. 321 W. Broadway Street, Butte, MT 59701. Phone:
406-723-7600; Fax: 406-723-5083.
The art museum is located in an historic mansion housing a diverse
collection of artwork, 18th and 19th century furniture, textiles, and
collectibles. The museum features two changing exhibition galleries, one
permanent collection gallery, a sales gallery, and a new interactive youth
project room. The historic, 26-room, four-floor mansion was built by Charles
Walker Clark in 1898.
King Mansion. 219 W. Granite, Butte, MT 59701.
A beautiful Victorian style mansion built in the late 1800's serving as a
bed and breakfast as well as serving dinners and daily tours in the spring
and summer.
Dumas Brothel. 45 East Mercury, Butte, MT 59701. E-mail
Mai Wah Museum and Gift Shop. PO Box 404, Butte, MT 59703. Phone: 406-723-3231. E-mail
Mineral Museum. 1300 W. Park Street, On the Montana Tech Campus, Butte, MT 59701. Phone: 406-496-4414. E-mail
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Piccadilly Museum of Transportation. 20 W. Broadway Street, Butte, MT 59701. Phone: 406-723-3034; Fax: 406-723-7425. E-mail
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Lewis & Clark Caverns: The Paradise Below. DVD or VHS. This 28-minute documentary produced by Montana State Parks takes you through the eerie and winding tunnels of Lewis & Clark Caverns near Whitehall, Montana. All profits go back to the caverns for protection and maintenance needs.
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text:
Boost-Build : |
Subject: Re: [Boost-build] Boost build failed if custom toolset path is not available
From: Edward Diener (eldiener_at_[hidden])
Date: 2016-02-24 16:57:19
On 2/24/2016 3:39 PM, Steven Watanabe wrote:
> On 02/24/2016 01:01 PM, Edward Diener wrote:
>> The larger issue, which I have made in the past on this mailing list, is
>> that Boost build "executes" a "using xxx" even when the xxx toolset is
>> not being used in any way. If it waited until toolset xxx was actually
>> being used before "executing" a "using xxx" Boost build would be much
>> faster and much simpler to use for the end-user. Is it really too much
>> work to make this change in the Boost build logic ?
> Yes.
> - Delaying the actual configuration to some
> unspecified point will make any problems
> that much harder to debug. As things stand,
> at least anyone can figure out why it's
> failing: user-config.jam runs exactly what
> you tell it to.
Granted, but I do not think you realize how hard it is for the actual
end-user of Boost build to debug anything now given the complexity of
how Boost build decides anything, so the change will hardly affect
anyone but Boost build developers and experts.
> - The implementation of laziness needs to
> be handled separately by each toolset, as
> we still need to do enough initialization
> to determine when a toolset is "used"
Why does running the "using xxx" command determine when a toolset is
used ? I would think that an actual specification of a toolset in a b2
command line determines when a toolset is used.
> - Instead of having two states, initialized
> or not initialized, each toolset would have
> three states: ready to use, initialized but
> not fully configured, and not initialized.
> This increase in complexity is likely to
> propagate everywhere, possibly even into
> user Jamfiles.
Could you not just cache "using xxx" statements in memory and then when
it is determined that the "xxx" toolset is being used, invoke the "using
xxx" command line which you presently invoke when Boost build sees a
"using xxx", remove the "using xxx" from the cache, and then do whatever
else using a toolset involves for its particular case.
> With that being said, this change is on my
> long-term todo list, but it's a fairly major
> project and is unlikely to happen in the
> immediate future.
OK, thanks !
From this end-user's point of view, where various versions of
gcc/mingw(-64) on Windows and clang on Windows ( which depends on
mingw(-64)/gcc ) are mutually exclusive as far as needing that
particular version first on the Windows PATH, it would be a great
improvement if "using xxx" were not executed until xxx is actually being
used. The internal manipulations I have to do in order to run multiple
versions of gcc and/or clang on Windows for Boost build is ridiculous
and would be totally unnecessary if Boost build just didn't have to
execute every "using xxx" it sees in my user-config.jam when I am just
using a single version of gcc or clang in my b2 command line.
It would also speed up the execution of Boost build as "using xxx"
statements in places like user-config.jam would never get invoked the
vast majority of times when running b2 against jam files. I am not
talking of only compiler toolsets here but of many other toolsets in a
user-config.jam such as xsltproc, boostbook, doxygen, fop, quickbook,
auto-index, python, and whatever else, most of which will never be used
during a single invocation of Boost build using the b2 command line.
Boost-Build list run by bdawes at acm.org, david.abrahams at rcn.com, gregod at cs.rpi.edu, cpdaniel at pacbell.net, john at johnmaddock.co.uk


text:
The days of a handshake signifying a contract are long gone. Maybe back in the old western days you could trade a herd of cows for a house and shake on it, but these days you might get a funny look and a lot of laughs if you tried that.
No, these days there are a few more steps to creating a contractually binding agreement. There are more signatures and more paperwork.
Of course you want a little more than just a handshake or verbal agreement to make something as big as a Real Estate Transaction come to fruition. Therefore, you'll need a Real Estate Contract.
If you're in the market to buy a house there are a few things you will want to do:
- Get a Prequal Letter.
This will show a seller that you are serious and have the finances to back up your offer. - Find a Real Estate Agent.
Your agent will take care of the paperwork and will communicate with the Listing Agent on your behalf. - Be prepared for a bidding war.
In today's market, Northwest Arkansas homes sell fast. Talk with your agent to make sure you are offering terms that could be accepted by the Seller.
Now that you've taken care of steps 1-3, let's imagine what would happen next.
Best case scenario you've got your ducks in a row and made an official offer. This means that you have spoken to your agent about what you want to offer and what you are willing to do in order to have your offer accepted by a Seller. Your agent has now written this in an official document (THE REAL ESTATE CONTRACT) and you have signed it.
Your agent submits it to the Listing Agent and the sellers accept your offer! To officially accept your offer the sellers sign the Real Estate Contract indicating that they accept the terms you offered them in the document. At this point you have a house "under contract" and the Real Estate Contract is a legally binding document.
Moving forward from here there are many moving parts. A good Real Estate Agent or Broker will walk you through each step, guiding you through the process. I'd love to walk you through the real estate process. When you're ready to buy or sell real estate in Northwest Arkansas give me a call at 479.799.3023


text:
If you were playing squares, it certainly was a dramatic finish to Super Bowl 57 between the Kansas City Chiefs and Philadelphia Eagles.
The Chiefs wisely chose not to go for a touchdown late in the game, settling for a field goal instead to use as much of the clock as possible to ice the three-point victory.
If you're curious: The order of numbers in terms of easiest to hit to hardest to hit is 0-7-3-4-6-1-8-9-2-5, according to an analysis done on games from 1994-2014. But it looks like the most difficult number in 5 was part of the final winning combination!
Quarters scores
1st Quarter: Chiefs 7, Eagles 7
2nd Quarter: Chiefs 14, Eagles 24
3rd Quarter: Chiefs 21, Eagles 27
4th Quarter: Chiefs 38, Eagles 35
Squares scores
1st Quarter: Chiefs 7, Eagles 7
2nd Quarter: Chiefs 4, Eagles 4
3rd Quarter: Chiefs 1, Eagles 7
4th Quarter/Final: Chiefs 8, Eagles 5
UPDATE: Here are Super Bowl Squares results for first quarter, second quarter, and third quarter.
This article can also be found in our Ultimate Guide to Super Bowl 57, presented by Frank's Red Hot.


text: Content Accounting Principles I Acc 251 Intro To Accounting Systems Course Guide Steps For Posting Closing Entries Journal Introduction To The Closing Entries Difference Between Adjusting Entries And Closing Entries Four Steps In Preparing Closing Entries What Is A Permanent Account? E.g. a vehicle account is a permanent account since you will enjoy the benefits… Continue reading Closing Entries In Accounting Definition, Examples


text:
The team photos that Stanthorpe International have been sharing on their Facebook page tell a story of a football club in transition.
For 60 years, Inter has grown from one men's side of newly arrived Italian migrants to a multicultural club with numerous boys and girls junior teams.
The club colours have changed from the traditional blue and black vertical stripes to different combinations of green, blue, and white, to the current blue and gold.
But Livio Favero, who began playing for Inter in the 1960s, is proud that his club is still located on the same patch of land with the same family-oriented culture.
"The field that stands today was built by the original players with their own tractors and machinery," he said.
"In my playing time, we modelled ourselves on Inter Milan in Italy and wore blue and black jerseys. Different people and sponsors got involved and changed the colour of the jerseys, but the character of the club has stayed the same."
Livio, 73, is the patriarch of one of the largest families at International, with six grandchildren currently playing in various junior teams.
Livio's son, Stephen, is a former player, President and Director of Coaching at International, while his daughter, Tanya, has recently become club Secretary.
"I love my children being part of the club not only because their grandfather, uncle and cousins have played there, but because the culture is so welcoming and inclusive," said Tanya.
[soliloquy id="15335″]
The Favero family story begins in the early 1950s, when Livio's father migrated to Australia from the northern Italian city of Treviso.
"My auntie and uncle came out in 1952 and ended up in Stanthorpe, so my father followed them because he didn't know where else to go," said Livio.
"My mother, brother and I came to Australia in March 1953 by ship. My father came down to Brisbane, picked us up in a ute and we came straight to Stanthorpe. We've never moved since."
The International Club, which was established by Italian farm workers in 1961, allowed networks of migrant families to coalesce around a common interest.
"Football was a way for the Italians to come together in a strange country. It was for me, too, because if it wasn't for football back in those days, I wouldn't have had a social life," said Livio.
"Back then, rugby league and cricket were the two main sports, but now soccer is the biggest sport in Stanthorpe."
As International celebrates its 60th anniversary, Livio said there are plans in place for the club to better accommodate the burgeoning number of female participants.
"We've got to change the lights, because the old bulbs are costing us a fortune in power, but our main priority is to make sure we have some facilities for the ladies," he said.
The changing face of the club is best encapsulated by Livio's teenage granddaughters Brooklyn and Georgia Favero.
Brooklyn, 16, was part of the Senior Women's side that went down to Ballandean in this year's Grand Final, while 19-year-old Georgia Favero has played more than 100 games for the region's NPL side, South West Queensland Thunder (see video below).
Twice a week, Georgia and her father, Stephen, make the four-hour round-trip from Stanthorpe to Toowoomba to train with Thunder.
But the Favero family will all be in attendance for the club presentation night this Friday and the 60th anniversary reunion dinner next weekend where past and present players will celebrate the Club's history
"Because Stanthorpe has quite a strong Italian heritage around the district, a lot of Italian families are involved with other clubs as well," said Stephen.
"But I followed in my father's footsteps with Inter, and none of our family have ever played for another club in Stanthorpe. Football, and the International club, have been life for us.
CLICK HERE to buy tickets to the Stanthorpe International 60th Anniversary Reunion Dinner.


text:
Part of SPPI – Software Process and Product Improvement Track
August 26-28, 2020
Important Dates:
In software engineering, the Technical Debt metaphor relates sub-optimal technical solutions to financial debts. Such solutions can have benefits in the short term, but they might create extra costs (interest) in the future, especially in terms of software maintainability and evolvability.
The Technical Debt metaphor is useful to translate technical issues into items that can be understood by non-technical stakeholders (esp. management), who need to evaluate and prioritize the business value of improving internal qualities.
Over the past years, the Software Engineering research community has made great progress in theories and tools to manage Technical Debt. However, there are several open issues with respect to the application of Technical Debt in practice, from its identification and the calculation of the principal (cost of refactoring) and interest to the support of decision making with respect to the repayment of Technical Debt. Moreover, most of the work has focused on the source code level, while evidence has shown that the really critical issues are caused by Technical Debt at the architecture level. Finally, we lack solid evidence on what granularity of information is needed by the stakeholders on their Technical Debt, what can be provided by automatic tools and what needs to be managed manually.
We invite researchers and practitioners to contribute to the special session on the practical and theoretical aspects of the Technical Debt. We especially welcome empirical studies and industrial experiences.
The topics of interest include, but are not limited to:
The conference proceedings in the last years have been published by the IEEE Computer Society. The format is the IEEE two-column proceedings format (8 pages for full papers and 4 pages for short papers).
Submission Guidelines: SEAA 2020 encourages the submission of full research papers (maximum 8 pages), short papers and tool demo papers (maximum 4 pages), and posters. Papers follow a single-blinded reviewing process and must contain original unpublished work, describe significant novel contributions, and provide evidence on the validation of results. In particular, reports on industrial applications are welcome.
Submissions URL: https://easychair.org/conferences/?conf=seaa2020 (choose Software Engineering and Technical Debt track when submitting)
Conference Publishing Services (CPS) will publish accepted papers in the conference proceedings and the proceedings will be submitted to the IEEE Xplore Digital library and indexing services.
Please note that it is planned to select best papers among all tracks of SEAA and present them with an award. A selection of best papers will be invited to submit extended versions for tentative publication in a requested Special Issue of a Journal (under negotiation).
Special Session Organizers:
Paris Avgeriou, firstname.lastname@example.com, University of Groningen, The Netherlands
Alexander Chatzigeorgiou, email@example.com, University of Macedonia, Greece
Program Committee:
Apostolos Ampatzoglou, University of Macedonia, Greece
Francesca Arcelli Fontana, University of Milano – Bicocca, Italy
Elvira-Maria Arvanitou, University of Macedonia, Macedonia
Rami Bahsoon, University of Birmingham, United Kingdom
Ayse Bener, Ryerson University, Canada
Terese Besker, Chalmers University of Technology, Sweden
Jan Bosch, Chalmers University of Technology, Sweden
Frank Buschmann, Siemens AG, Germany
Zadia Codabux, University of Saskatchewan, Canada
Daniel Feitosa, University of Groningen, The Netherlands
Alfredo Goldman, University of São Paulo, Brazil
Javier Gonzalez-Huerta, Blekinge Institue of Technology, Sweden
Johannes Holvitie, University of Turku, Finland
Clemente Izurieta, Montana State University, USA
Heiko Koziolek, ABB Corporate Research, Sweden
Philippe Kruchten, The University of British Columbia, Canada
Valentina Lenarduzzi, Tampere University of Technology, Finland
Ville Leppänen, University of Turku, Finland
Jean-Louis Letouzey, Inspearit, The Netherlands
Patroklos Papapetrou, Elastic
Klaus Schmid, University of Hildesheim, Germany
Andriy Shapochka, SoftServe Inc.
Dag Sjøberg, University of Oslo, Norway
Kari Systä, Tampere University of Technology, Finland
Amjed Tahir, Massey University, New Zealand
Davide Taibi, Tampere University of Technology, Finland
Damian Andrew Tamburri, TU Eindhoven - Jeronimus Academy of Data Science, The Netherlands
Uwe Zdun, University of Vienna, Austria


text:
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Dimensions : 9 x 0.5 x 6 inches


text:
The first thing your eyes focus on as you enter the Euphrat Museum of Art is what you would least expect to find inside: basketballs.
Hundreds of neon orange balls invade the corner of a white expanse in "Basketball Pyramid" by artist David Huffman.
But the sight doesn't faze Diana Argabrite, director of the Euphrat Museum.
She admitted that the Euphrat was small, but explained it is very rare for a community college to have a space like this.
"Some might have a room used for storage until an ambitious faculty created it as a place to hang art, but to have an actual dedicated museum space
designed for that purpose is a treasure, " she said. "It shouldn't be taken for granted."
The Euphrat's annual transformations from physical space to a meaningful place are reminiscent of the theme of its next exhibition, "Making Space," which will run Oct. 21 to Dec. 5 and explore the uses of and meanings behind space.
The exhibition will feature the film "Created Equal: America's Civil Rights Struggle" and the work of 13 other artists, including De Anza College alum Titus Kaphar.
"Making Space" will also include projects with De Anza students from art classes, the Puente Project, and the Sankofa Scholars Program.
Argabrite's participation in De Anza's Equity Action Council inspired her curation.
"A lot of what went on last year in the Equity Action Council was talk about space," she said.
"The more I researched, I thought space is physical, psychological, and cultural. There are many ways to look at it, think about it and occupy it."