text:
When Everything Changed
My mother's best friend in the suburban edge of Bethesda Maryland, where I spent part of my childhood , was Pearl.
I don't know why or how the subject came up, but my mother told me once that Pearl might not have been the best cook or housekeeper, something not usually confessed in those post-World War 11 years by women who if asked called themselves housewives or homemakers. Nonetheless, Pearl's skills in that arena may have been shaky or they may have been stellar, but what my mother, her lifelong friend, recalled was that she liked to polish doorknobs, which became the subject of a poem I wrote when I was approximately the age these women were—my mother and Pearl— when they were living in that subdivision:
Polishing Doorknobs
Pearl polished door knobs
when she felt like fleeing,
took out the jar of wax
and spread it until
the twenty knobs lit up
like candles in a Cathedral sanctuary.
If she could not keep her house shining,
she would light up the first surface
her guests touched,
gloves grayed by the Maryland slush.
If the wash piled up in the basement
and the sterilizer never emptied of caked bottles,
the knobs on the bedroom and kitchen door
had the ordered gleam of a
hotel suite.
If she ever felt like deserting that three bedroom
one bath and den
brick house on the corner,
she never let the thought come any clearer than
the urge to take her phone off the hook,
put her children in a warm soak,
and wipe those knobs
until she could say:
I have finished something.
That three bedroom one bath and den brick house on the corner was one postage stamp sized bedroom ( an add -on) smaller than one my parents owned in the modest neighborhood that may have been a ringer for Levittown on Long Island in New York, the first one of its kind, built for families no longer living on farms or in tenements.
As New York Times columnist Gail Collins described such suburbs, their owners had for the most part one car, taken to work by the husband. By day, the women were left behind in neighborhoods, as she writes, that were filled with other women of the same age and circumstances, whose lives revolved around their household chores and their children.
They had come from rural communities, city blocks, or in my mother's case a struggling mill town in Western Massachusetts, children of the Depression, young adults of a war economy that emptied out colleges and offices of men. My mother had majored in sociology and then taken a job with the Red Cross, before marrying my father, a newly minted PhD in microbiology, on the lowest rungs of virus research, and starting their family of four children, their own boomlet, all born within five years. Due to the postwar bump in jobs for men and income, and the availability of good mortgages through the GI bill, my parents, like many others could afford at least a small starter home and get by on just the husband's income.
Taking care of this closely spaced brood occupied my mother—in fits and starts—for the first years of our lives in that isolated community of women without wheels, miles from the nearest grocery store, library, even school (we were bused a few miles away).
They may have joked that they were their own bosses after early experiences taking orders in outside workplaces, but the work they now did involved diaper pails and countless loads of laundry (an average of 65 pounds a week) in those new machines that replaced the one million manual washboards their mothers had depended on, cooking without the benefit of microwave or even much if any frozen food ( lots of cream of mushroom soup) and the kind of cleaning they felt compelled to do, from venetian blind dusting to lemon waxed kitchen countertops.
In fact, despite the time-saving appliances and the arrival of permanent press clothing ( and the steam iron), according to one sociology study, by the l960's the fulltime homemaker was spending 55 hours a week on her household chores, a little more than in the 1920's when women, as the study pointed out, were still washing by hand and keeping their food cold in iceboxes.
These "unemployed" housewives were spending twice as many hours as their working sisters attending to the cooking, cleaning and other chores, regardless of whether they had children or outside help. One woman described her conviction that everything had to be cleaned every day- had to vacuum every day, had to clean the bathroom every day. I was fanatic.
She ironed everything herself, including the bed sheets, personally repainting the entire inside of her house every winter and keeping a garden every summer.
She was kept busy, as were my mother and her friend Pearl, especially when their children were small, but by 1960, the first of the baby boomer children were in high school, and they were left with the specter of an entirely emptied out nest, and the fact as the editors of Harper's observed in a special issue on American women in l962 that "whether one finds it richly rewarding or frustrating, there is one trouble with motherhood as a way of life. It does not last very long."
These women, who would outlive any other generation, who may have been , like my mother and Pearl college-educated, but either not prepared or encouraged to prepare for a long tenure in the workplace outside the home, rarely publicly expressed discontentment, let alone rage at the reality of their current lives or the prospects before them, what a Newsweek issue of the time noted as the 45 or so years of leftover life that the average housewife had to live after her last child entered school.
And then, at least for a generation of middle class women, the ice began to crack when a bright, discontented, and vocal Smith graduate mother of three living in a restored Victorian house on the Hudson River in New York named Betty Freidan sent out an alumnae questionnaire for an article she was freelancing for Mc Calls magazine, a piece that was intended to show how her fellow graduates had used their college degrees as perfect preparation for their expected roles as wives and mothers.
And got back a very different response, as many of her peers told Friedan that they were either vaguely discontented, slowly going crazy or desperate, that at least in this group of women there were no happy housewives—or a scant few, as Gail Collins tells us in her recent book: When Everything Changed: The Amazing Journey of American Women from 1960 to the Present.
Based on Friedan's own experiences, passing as a typical stay at home housewife, but in reality an accomplished writer in a troubled marriage, and the stories told her by the women she polled, Friedan wrote the Feminine Mystique, published in l963, described by Collins as like an earthquake compared to the tremor about unhappy housewives that had been registered before, filtered as they had been, in male -edited publications and other media.
In her probably unexpectedly influential book, Friedan wrote, that while it was natural to want marriage and children, but the feminine mystique—that full-time housekeeping was the be all and end all for women—their natural destiny—has succeeded in burying millions of American women alive ( and this is an American focused conversation). There is no way, she argued, for these women to break out of their comfortable concentration camps except by finally putting forth an effort—that human effort which reaches beyond biology, beyond the narrow walls of home to help shape the future. A call to arms, as is pointed out, that at least called for the possibility of outside employment .
One woman remembers she had been hanging her family laundry in tears, picked up a paperback copy and it got her fired up, I mean like it was 95 percent true to my experience. She gave it to her best friend, who read it and got a divorce.
My mother read the book shortly after it was in print, but had already begun to cause her own tremors and ultimately an earthquake in her marriage years before the book came out, having moved to California when my father took a new research position and tired of canasta and teaching ballroom dancing to my sixth grade class or leading our girl scout troop or writing humerous accounts of our cross country camping trips that never saw a publisher. By 1960, my youngest brother was indeed in school all day, she was bored with cooking and filling the freezer and even drying apricots from the nearby orchards was no longer an adventure. Money had always been tight , her gifts under-used, and her energy high.
She decided to go back to college, got her master's degree in recreation and leisure studies—since at the time it looked like we would be needing to plan for more of this and more retirement years, and began her gradual departure from a daily life in the home.
Her husband, my father, did not understand what he saw as a change in intention, a change in heart: her role as mother of four wanted children no longer enough to keep her fulltime involvement and passion, let alone the wife of a now successful scientist, head of his own lab, living in an idyllic university town.
Even for me, her daughter, who would benefit from the moves made by women like her, choosing to re-enter the world of outside work even without widowhood, divorce or absolute economic necessity, her decision hit harder than I thought at the time, leading to my writing 20 years later:
in a poem, Mother's Mexican Skirt:
Every morning you vanished over
The walls of my life,
Your grown child
I pull you back inside
On a rope of guilt,
And hold you prisoner
On warm brownie afternoons
Sewing a Lady Guinivere hat
For my fifth Halloween.
I wrap you
In that Mexican circle skirt,
All black sequins and red embroidered
And you, reeking of bordertown Tabu,
Dance in the mirror
For me
And have no where else to go.
While my mother's private revolution was going on, with some local context, in her larger world what started as a joking amendment to the employment discrimination section of the Civil Rights Act offered by a traditional Southern member of the House of Representatives, Howard Smith, (as a way he thought of finally killing the bill) was passed, despite itself, something many women activists at the time had been reluctant to ask for, given the long history of not wanting to mix the issues around slavery and racism with the status of white women. In fact ,the civil rights battles of the Sixties went to the core, as Collins has written, of the nation's identity- how far we had diverged from the standards set by the Declaration of Independence, opening up, we are told, questions of fairness for other discriminated against groups, including women.
When no sooner than the amendment—and the entire act- was written into law and it was clear to many women that no effort would be made to enforce its provisions, what some have called the women's NAACP- the National Organization for Women or NOW was formed, taking to the courts and the streets to protect the office workers, the factory workers, women with preschool children, flight attendants saddled with marriage and age barriers, weight limitations and the others who continued to find and battle discrimination.
Despite the torrent of jokes about male Playboy bunnies and the myth of bra burning that was perpetuated out of a random remark during a Miss America Pageant protest, the rebellion, Gail Collins tells us, was going to go much farther, much faster than anyone who was there at the beginning might have imagined.
When everything changed—when , joined by more radical and in many cases younger women, this new "Second Wave" women's movement went way beyond antidiscrimination laws, particularly employment. When women were not only leaving home-making and parenting as exclusive occupations but applying for medical school and getting law degrees, holding consciousness raising meetings to talk about their need for help raising children and their intimate sexual desires, winning the best places in colleges, suing to join the Little League.
This sea change was not of course solely the result of a single best selling, landmark book by a talented woman writer—or the efforts of a group of powerful women activists. It came, Collins argues, from our very history , in a country where from the outset women had been counted on to fill low paying jobs, whether the first public school teachers during the Revolutionary War, or during later wartimes when they were asked, or more accurately nagged, to go to work to fill the millions of jobs left vacant by men in the military. In the postwar, sixties job boom, t hey were wooed into the job market, married women with children as well as single women, to work in pink collar jobs for IBM, Texas Instruments, temp agencies, laying the groundwork for the larger movement toward pay equity and other issues ahead. Two income families could buy the second cars, second televisions, and other goodies that defined 20th century consumer life.
And the pill not only brought sexual liberation for women—it also brought their employers, male and female, some assurance that if a woman said she did not want to get pregnant, she would not. If she wanted advanced education or training, she would be in the workplace long enough to justify the effort and expense.
What began perhaps as personal choice for many women became by the 1970's a crucial contribution to household incomes, as weekly paychecks of non-management workers began to fall and families began to count on double salaries. It was no longer a hypothetical or optional change.
Despite the disappointing throwbacks and losses of the next decades- -anti-abortion and anti-contraception forces, now showing up front and center in health insurance reform; the failure of the Equal Rights Movement; and still far less than comparable, even equal wages for women, it has seemed to many women, younger women in particular that what had been called women's liberation was assumed, like fluoride in the water.
What does fluoride in the water have to do with discussion of the status of women?
Metaphorically a great deal, because for a generation of younger women, according to self-described Third Wave feminist authors Jennifer Baumgardner and Amy Richards, on a personal level, feminism and women's rights, is everywhere, in the water, like fluoride. In many very basic ways, these women under thirty have never lived a day without television ( or personal computers for that matter), or without the fluoride that was added to some municipal water supplies around fifty years ago, keeping my teeth and those of my sons and daughter strong and less diseased.
And like fluoride in the water, everywhere and invisible, the lives they are leading as women, the days they are living with feminism and the reforms that came with them, did not happen simply and effortlessly. It wasn't always so and getting there was not easy.
Which can be frustrating to Second Wave feminist women, the real and symbolic mothers of these daughters, who feel that younger women are unappreciative, that they have put up a wall of ignorance about the history of activism that won what has become an accustomed way of life.
I admitted earlier my own deafness and blindness, or more accurately my own deliberate un willingness to enter my mother's adult universe, in fact my tendency to actively reject it. I did not want to hear her excitement about the changes she sought in her own life, because I would have to acknowledge the price she and her children paid in a damaged and ultimately broken marriage . How deeply ingrained and strong the pull of patriarchy and misogyny was on my father and on our own family.
I had to reject her and her life choices, refuse to re cognize what she and the few other women she found who supported her had done for their daughters because of the natural and understandable, and developmentally healthy need to break away—even criticize our mothers, real and metaphorical,– and maybe the less healthy tendency to see only what was still wrong with our mothers and their tendency to want us to acknowledge, ad nauseum, it sometimes seemed to me, their martyrdom. What they had done for us and how ungrateful we were.
In this second decade of the New Millennium, women of the Second Wave of feminism and women's rights and those of us who immediately followed see, yes, the progress that has continued—seemingly not to be stopped: for the first time women make up half the work force, with mothers being bread earners in forty percent of families, including in around a quarter of couples, up seven percent from 1970. When women no longer need to marry up educationally or economically, sociologists tell us, they are more likely to pick partners who support a more egalitarian relationship. Men more than women receive the biggest economic boost from marriage, especially during this recession, with more men being laid off than women. The divorce rate also seems to fall as women make these kind of gains.
( even while women still do about two thirds of the housework in heterosexual partnerships).
We have a female speaker of the house and a female secretary of state. 32 women have served as governors and 38 as senators. Four out of eight presidents of Ivy League schools are women. Five years after Lawrence Summers, then president of Harvard, suggested that innate differences might explain why women were in his opinion less successful in science and math, the NY Times reported recently that the university is in many ways a different place. Professors can get up to $28,000 to pay for child care, there are new programs to encourage young women to pursue these careers, and seven out of 16 members of Harvard's Council of Deans are women.
In the arts and culture, a headline following this year's Grammy Awards proclaimed that this music industry's top honor went to women: Beyonce, Lady Gaga and Taylor Swift. The first ever best director Academy award went to a woman just last month.
At the same time in our history, retiring columnist Ellen Goodman sums up, in her words, the distance traveled by women as advance and backlash, forward march and stall out.
She worries also about younger women taking whatever progress has been made for granted, though with a mixed sensibility. It is hard to take away, she writes, what is granted. But the troubling news for her is that many think their problems—especially balancing work and family—are private dilemmas to be solved on their own, rather than as a part of a movement for larger transformation.
If the women's movement were a course, she tells us, she would award it an incomplete.
Incomplete. Unfinished. Like any large scale reform movement, rights movement, subject to backwards slides and unforeseen peripheral damage. Yes, it appears like a national health insurance reform bill will have passed Congress and yet gains made in private insurance coverage to make abortion financially possible was a major give away. And a group Feminists for Life, placing subway ads in New York promises an objective format for describing the impact of abortion on the lives of women but is in reality a strictly anti-abortion project of the Roman Catholic Church to "present the truth of the impact and extensive damage abortion inflicts on the mother, father ,extended family and society."
Unfinished collective business for American women fifty years following that year when everything changed. Including the emotional toll, what psychotherapist and founding member of the Second Wave feminist movement Harriet Fraad, who believes that this country is in the throes of a crisis in personal and family life. That with the downturn of the real economic standard of living for most Americans over the past decades, there has been a psychological deterioration as well. The more women work outside the home without adequate social support, for example the lack still of a national childcare and child development program, the more stressed, overworked, and emotionally unavailable they become, Fraad believes.
From her mid-life, middle class perspective, she calls for a return to, consciousness raising, self-help support groups—a way to connect personally and to advocate for material and psychological supports for all kinds of families. She argues for groups that allow, even force, women to realize their interconnectedness and to view individual worth and dignity—and rights– in a more collective context.
My conversations with our Gen X and Y and Millennial Third Wavers, who are known sometimes to call each other girlies: young, passionate idealistic girlies they assure us- are asking us to allow them to find their own ways of carrying on the work, by allowing the torch to pass.
Be hopeful they say. (And get out of our way)
They have their own agendas they remind us: to out unacknowledged feminists and form a powerful voting block of eighteen to forty year olds; to support and increase the visibility of bisexual and lesbian women ; to end sexual harassment and bullying in schools and in all walks of life; to make workplaces responsive to individual gifts and needs, including a living wage for all workers; to maybe even to pass the ERA- once and for all creating a constitutional foundation for righteousness and equality upon which future women's rights conventions will stand.
The notion of feminism, that women have a voice and a power and a will to change—specifically in this country—may indeed be like fluoride in the water now in the years after the years When Everything Changed. And if so, alleluia. It's there because of those who went before and will remain because of those who go ahead of us, wherever they choose to go.
You go girlies.


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text:
today shorts to me only 1439
Dislikedtoday shorts to me only 1439Ignored
DislikedI'm looking at this.. {image}Ignored
Disliked{quote} 1418 is a good one to short if you want to put a bet on it...I don't know we will get there today since ADR reached...Ignored
Disliked{quote} pending at 1440.. +- some it may be rigid todayIgnored
DislikedADR 78 now... 1418 next??... shorted again 1395.. another... wait for its settle... ST R3 ----------1.1418 RU R3 ----------1.1396 ST R2 ----------1.1389 RU R2 ----------1.1373 ST R1 ----------1.1367 RU R1 ----------1.1359 H1 DN Stop-----1.1355* ST PP ----------1.1339 RU S1 ----------1.1331 ST S1 ----------1.1316 RU S2 ----------1.1316Ignored
DislikedI think this wants much higher to gather more supply before being able to take out 1.13... 1.15 or 1.16 might be it. I will wait to see what NFP does.Ignored
Disliked{quote} I think i am done today.. longs and shorts both made money... sideline now....one pending short at 1418Ignored
Disliked{quote} I can't find the chart that I read yesterday.. dollar is at Elliot wave 5... high possibility dollar comes down...today it looks like a start....lets see what tomorrow NFP brings...Ignored
Disliked{quote} i closed a long and back in againIgnored
Disliked{quote} ohh.. I went to make myself a lunch... missed your thread.. I would be long again too when it retraced ...Ignored
Disliked{quote} for today only.. 1440 area is rigid.. L closed higher..<1369> may act supportive. maybe some nfp pump. std laterIgnored
Disliked{quote} for today only..
1440area is rigid.. L closed higher..<1369> may act supportive. maybe some nfp pump. std laterIgnored
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text:
There's a certain time of year where the days get shorter, nights get colder, the
leaves change colour, and you find yourself fantasizing about the upcoming
snowboard/ski season. Although you know that the countless snowboard and skiing
movies and the endless news of snowfall in the mountains will only make the wait more
painful, you still somehow manage to play last year's playlist over and over until the
anticipation is more than you can bear.
Now, there are three things could potentially happen when listening to your old
favourites. One, your music is mostly good but may need a little–or a lot of–TLC. Two,
you realize your old-self had terrible taste and you need to start over from scratch. Or
three, you don't have a playlist yet and you have no idea where to start. When creating
your new and improved playlist for the upcoming season, consider the following: what
kind of music you like, how you want to feel, how fast you like to go, and what your
riding style is.
All of these factors and more will determine what music will best suit you on the
slopes. Ask yourself what type of music do you like: are you into pop, rap, metal,
classical, or something else? You need to listen to something that you like which will
keep you pumped as you're going down the hill. If you are into slower and sadder music
that's completely fine, but remember that you want something that will keep you
energized and excited throughout the day, meaning that a tear-jerking song might not
be the best option.
Another thing to consider would be what you are actually doing on the hill. Are
you a park rat or are you in the trees searching for the perfect powder stash, or maybe
you like to hike off the resort and live on the edge. When skiing/boarding you want to
amplify every emotion being felt, so deciding on your music make sure that your playlist
just makes your day more enjoyable. Keep in mind that taking music from your favorite
ski/snowboard movies is an awesome way to retrigger those emotions experienced
while viewing the film. Most of these songs are high energy and are paired with an
unforgettable scene that you can never forget, which usually gets you pretty stoked.
Maybe after reading all of this and countless attempts to match your music to
your riding style, you find yourself satisfied with the sound of nature. The wind rushing
past your ears, your edges biting into the snow, the sound of your skis sliding on a box
or a rail, or the sound of your snowboard when it stomps the landing. At the end of the
day, whether you listen to music or not just make sure you're enjoying life's simple
pleasures, or riding down a mountain on a piece of wood.


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Aptos Middle School has an active School Site Council (SSC) to represent parents, students, community members, and school staff in the school governance process. The SSC has a number of important responsibilities, including:
- Reviewing and analyzing student achievement data,
- gathering community input,
- helping develop the Balanced Scorecard/Single Plan for Student Achievement (BSC/SPSA) and the school site budget,
- and monitoring the implementation of the plan and budget.
Our Parent Representatives for 2017-18 are Amalia Freedman, Erich Wieland and Marcia Otto.


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Heat maps offer a unique way to represent data sets in a variety of settings. A common example you see most mornings is through weather reports on the news showing the movement and predictions of pressure and precipitation, intensifying across bold color schemes. Another familiar example is voting representation in specific areas of the country during election times (think red state vs. blue state). Retail stores utilize heat maps to enable managers and executives to better understand the functionality of their space, as well as the habits and preferences of the people entering the store.
One way heat maps work with brick-and-mortar retail is their ability to illustrate the areas of the store where shoppers spend the most time in. The products in these hot spots are likely popular among shoppers and this knowledge can improve logistical stocking supply and promotional strategies. On the other hand, heat maps can shed light on products that may not be receiving as much attention, providing valuable insights and opportunities to increase promotional messaging, switching up the floor plan to improve product exposure, or even early termination of an unsuccessful product.
These maps are also useful for improving workforce efficiency and customer experience. After determining which areas of your store receive the most interest, you can direct staff nearby for quick reactions to customer questions or comments. Keeping staff in close proximity to these hot sections will improve customer experiences and conversion rates of your shoppers in-store.
Finally, customer paths and patterns are easily identified through the use of heat mapping technologies. Knowing the typical customer's path-to-purchase gives you the power to optimize your floor plan so that it easily guides customers throughout the store. Combine the customer path with the knowledge of which products need more attention and you have a strong model for how to maximize product engagement with a flawless layout design.
Retailers nowadays cannot simply toss products onto a shelf and cross their fingers that people will buy. The in-store experience has become more important than the actual purchase, as a positive experience builds and strengthens brand loyalty with consumers. Heat maps are a worthy tool for analyzing consumer behavior as the insights arm you to optimize floor plans, reduce customer wait time, and understand product engagement.
About Scanalytics
Scanalytics is among the top 10 fastest growing "Internet of Things" companies, measuring human behavior insights through intelligent floor sensors. The SoleSensor platform translates consumer foot traffic into actionable data through a dashboard interface for real-time and historical viewing of trends in physical spaces. Using the floor sensor technology, brands capture and analyze occupancy, traffic patterns and engagement times to increase conversions and improve ROI.
With over 10 million impressions to date, Scanalytics has deployed SoleSensors across the United States, Canada, Mexico, Europe and Southeast Asia. Learn more at: www.scanalyticsinc.com.


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Product Code: SAM/19285
This box works great with different colored ribbons!
Additional ribbon colors are available to purchase separatelyView our ribbon collection
Here is where you can buy a single or multiple samples of an A4 Deep Navy Blue Gift Box with changeable ribbon.
Perfect for candy gifts, confectionery, lingerie, clothing accessories, gourmet food hampers and beauty hampers.
If you have any queries please contact Alison: email@example.com


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its been almost a year since i have been on and posted anything. but i think that im going to change up my posts and cut the crap with the guys. sure i have a boyfriend now but im not gunna bore you with all of these details because its all going pretty well right now. but anywaysss, i moved to florida and that is why i havnt posted really but i moved here at the end of june last year and its not the same part i used to live in. but its not too bad. im now a senior in high school and on my way to college. i got accepted to two community colleges but one of them is back in iowa so im staying here because its loads cheaperr. i do miss iowa and want to go back for some people mainly my dad and my friends. its a lot warmer here and im enjoying it here now. at first i was extremely skeptical about moving here but its not so bad after you make friends and get used to it. but the town im in is still developing so there is not a bunch of things to do but chill in the cold pool or watch tv. i have recently fallen in love with the show Weeds. I am on season 4 and half way through but i have to go to my boyfriends to watch it because he has it all on his computer but his moniter is a flat screen tv. rediculous i know but awesome :) but its about a mom of two who deals pot to support her family after her husband had died of a heart attack and is just a great story line a bunch of twists and its pretty funny at the same time but you'll have to look it up. it comes on showtime but i have no idea when and the newest season is the 6thh and you have to watch it from the start to understand everything. but ill write some more later. time for math class :) byee<3
Friday, March 18, 2011
long time no see
Posted by Katie Kate at 10:30 AM 0 comments
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It features a 2.8" display with 320x240 16-bit colour pixels and a resistive touch overlay. The plate uses the high speed SPI interface on the Pi and can use the mini display as a console, X window port, displaying images or video etc. Best of all it plugs right in on top!
Uses the hardware SPI pins (SCK, MOSI, MISO, CE0, CE1) as well as GPIO #25 and #24. All other GPIO are unused. Since we had a tiny bit of space, there's 4 spots for optional slim tactile switches wired to four GPIOs, that you can use if you want to make a basic user interface.For example, you can use one as a power on/off button.
This version comes as a mini-kit, with a 2x13 extra-tall female header (to connect the plate to the Pi) and a 2x13 male header that can be used to connect an IDC cable or cobbler from the side.
2.8" 16-bit colour TFT
320x240 resolution
Resistive touch panel
SPI Interface
100mA maximum current (backlight)
Adafruit Installation instructions
AveragemanVsRaspberryPi's Instructions
Share this Product
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AdaAdafruit Perma-Proto HAT for Pi Mini Kit - No EEPROM-2310fruit Perma-Proto HAT for Pi Mini Kit - With EEPROM-2314


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CV Boosters Support Climb Up for Down Syndrome/
On Janary 14, 2011 the Cumberland Valley Girls' Basketball team played ball to support Climb Up for Down Syndrome. The team and the Boosters raised over $12,000!
The money they worked diligently to raise will help promote acceptance and awareness of people with Down syndrome in our community.
Thank you girls!


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Coming from a Middle Eastern background, I've always been drawn to rich, chunky jewelry. There is something to be said about a good
statement piece that can pull an outfit together yet still stand out on its own. I feel like all the most classic ensambles in history were remembered not because of the style, colour or person wearing them, but because of the statement they made. Maybe I feel that way because I grew up admiring my mothers and grandmothers Jewelry collections. I would try all the pieces on and feel like a princess – all the rich tones, chunky metals and intricate details stuck out in my mind and made me a bit of a jewelry junky.
Thats why, when I discovered T&C Indian Jewelry on Etsy, I instantly fell in love. Looking through their shop, I was instantly taken back to the days of sorting through those Jewelry boxes and hoping to one day be able to wear such gorgeous pieces. Not only does T&C Indian Jewelry have amazingly stunning pieces, but they're handmade and one-of-a-kind. Just take a look at this silver navajo bracelet, not only does it go fabulously with big chunky knits, but it can also be worn all throughout my holiday get togethers and celebrations.
The mark of a good piece of Jewelry is versatility
I've honestly been wearing it every single day and have gotten so many compliments. It's definitely a conversation piece!
You guys know by know that I'm horrible at secrets, so when I find a brand I really like, there is no way I'm keeping it to myself. Especially since these pieces make wonderful gifts for loved ones for any occasion. If there are any dudes reading this, trust me when I say your girl, mother, grandmother and/or sister will LOVE any of the pieces from T&C Indian Jewelry. Check them out on Etsy at tcindianjewelry or on instagram @tc.indian.jewelry. I hope you guys love them as much as I do!


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Thanks letter.
My Husband and I want to thank-you for the magnificent opportunity to participate in the Yeon Deung Hoe Lantern Festival! We sincerely appreciate our front row seats for the parade...what an amazing and exciting night we had!! We invited our Korean neighbors to join us and they really enjoyed themselves as well.
We also enjoyed making our very own lantern and can%26#39;t wait to make another....this time better :) We found everyone to be extremely friendly and helpful!
We are going back to the Cheonggyecheon and the Temple tonight to take more photographs and enjoy the night!
Thank you again for this memorable experience!!
Charles and Teresa Stasenka


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Calling all internet hactivists! The Internet Archive is hosting a two day celebration of Aaron Swartz to provide a yearly showcase of the many projects started by Aaron before his death. Aaron Swartz's work focused on civic awareness and activism and we will spend the weekend together keeping his prescient vision alive. Come join us for the international hackathon and programming on Saturday November 10th through Sunday November 11th, 2018.
Doors are open for the hackathon and the daytime programming on Saturday and Sunday at 11 am. The reception will be on Saturday evening at 6:30 pm with the main program starting at 8 pm.
Get Tickets Here
Saturday, November 10, 2018
11:00 am Doors Open
6:30 pm Reception, 8:00 pm Program
Sunday, November 11, 2018
11:00 am Doors Open
Internet Archive
300 Funston Avenue
San Francisco, CA 94118


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Hi Linzy, please tell us a bit about yourself and what you're up to?
I am the creative producer for the Open Senses Workshop & Conversation strand based at The Open Senses Hub, which will be the heart of the festival at The Trampery in Old Street. I am really excited about this program as it is diving into the world of tactility through workshops that explore touch from the perspective of dance, psychology, food, creative writing, textiles, VR technology and voice.
How did you get started in the tactile world of senses?
My background is dance and I work as a contemporary dancer alongside production so touch and physicality are things that have been very dominant in my work/life for a long time. My interest in multi-sensory work was really sparked by a project I performed in in 2011 which was working with dancers with visual impairments to explore accessibility for visually impaired users in town centres. Through working with dancers whose sensory experience was so different to mine, I learnt so much about how we can connect with each other and our surroundings by way of touch, voice and so many other senses I never knew we had until that point. It fascinated me.
What can people look forward discovering in the Hub?
I really think there is something for everyone in this program in a way that will provoke, challenge, ignite and engage participants to discover new ways to engage with the city of London and each other. We have workshops, talks and interactive installations happening over two days in one building that can have you exploring the physical experience of voice in the morning, living textiles (fashion that you can plant when you've finished wearing it!) over lunch, the sensory potential in VR technologies in the afternoon, a blindfolded tour of Old Street early evening, all finished off with a multi-sensory wine tasting and a sewn portrait of yourself!
How would you describe it in three words?
Visceral, Inspiring, Diverse.
Why did you get involved?
I have worked with the festival's director Stephanie Singer and her multi-sensory immersive company BitterSuite for four years now and when Steph first mentioned to me the idea of a sensory festival that would take over London and celebrate some of the cities' most innovative artists, creators, makers, psychologists, dancers and writers (the list could go on) all working in the multi-sensory field, there was no way that I couldn't jump in!
In particular why do you think the senses are important?
I think we live in an age where we are really sensorial-ly over stimulated in a very negative way and the need for escape seems to be driving us toward cutting ourselves off from our senses in search of relief; be that through social media, gaming or television. It really feels like we are cutting ourselves off from each other, when we are perhaps at a crucial point in time where communication and empathy are key. We often have more physical contact with our phone screens than we do with other humans. This concept seems mad to me. By re-engaging with our sensory experience and exploring what that might mean on a very human level, I think it can only open us up to more innovative thinking: socially, artistically, politically and scientifically.
Why should people be making a beeline for the Hub at The Trampery?
While the workshops are thought provoking, intriguing, curious and immersive they are predominantly FUN and all the artists involved do incredible things. While there are workshops and conversations happening, there are also lots of installations, exhibitions and pop-up events throughout the building which means that you can really spend the whole day getting to hear, feel, see, smell and experience London in a new way.
What else are you looking forward to seeing at the festival?
The Crossmodalist Cabaret: Music, Drama, Sex, Photography, and Art happening on the Saturday night of the festival at Platform, in Southwark.
What would you love to see happen with Open Senses in the future?
The festival is taking place across London in some brilliant venues who are all hosting such a range of events, my blue sky ideal would be to expand the festival to spill out more into public places, parks, roof tops, roads, canals, gardens, a festival that can happens in the royal concert halls and also in people's front gardens!
What would you like to do in the future within this field?
I'd really like to create a program that is directed specifically at young people so as to engage conversation and thinking about tactility, smell, sight, taste and sound on a more day to day level from an earlier age. It really drives creative thought, problem solving, innovation and communication, and I think it could be a valuable edition within education.
Describe three words of how you feel about the festival?
Excited, inspired, humbled.
Anything else to say?
Make sure you get your tickets in quick as things will fly...
Many already have, so check out through the website and book your sessions…
Start your own conversation @OpenSensesUK #OpenSenses2017, this conversation initiated by Natasha Blok.


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Your Magician- Todd is a national touring magician and former Disney World Cast member. He can bring his award winning Magic Show to your fall event.
Halloween Show- Todd fuses his award-winning magic show with some Festive Fall flare! In the spirit of the Halloween season, his show will be filled with 'tricks' and treats for your party or event! Audience participation is a must for a frightfully fun time that's sure to be unforgettable. Todd and some spooky spirits will enchant any crowd—old or young—with an hour of festive fun!
Treat yourself this year with the happiest and most magical Halloween!
Watch Todd juggle Jack-O'-Lanterns
Pumpkins take on a life of their own
Play dress up with Halloween costumes that have a magical twist
Discover the X that marks the spot on a pirate adventure
One brave witch or wizard will face the dreaded "Handkerchief of Death"... and hopefully survive!
Happy haunts levitate items with their hocus pocus
... and much, much more!
Experience- Todd has been performing for a variety of diverse and satisfied audiences for over a decade. He has the experience and know-how to exceed your highest expectations and will do just that! His magic is perfect for all ages and adapts his performance to your audience. This means you will get the perfect show for your event. Plus the show is so good it has even won "Best Specialty Act" from Walt Disney World!
No Hassle- Todd supplies and takes care of everything so, you don't have to lift a finger. You get to enjoy your event. To make it even more worry-free, on top of this Todd offers his money back guarantee.
Extras- Todd always stays after each show to have a meet and greet with everyone. For just a small extra fee you can add-on balloon animals for everyone after the show. They are a great take-home gift for your guests and a fabulous way to have Todd spend extra time entertaining everyone.


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Italians Do It Better - 'After Dark 2' + Cardinal
Ingredients: 1 ounce Campari, 1 ounce gin, 1 ounce dry vermouth, lemon twist for garnish.
Mixing Instructions: Shake ingredients in an ice-filled cocktail shaker then strain into a chilled cocktail glass. Garnish with lemon twist and serve.
Notes: There's something refreshing about a label that has cracked the code on their niche aesthetic and unapologetically camps out there while grinding out groove after mouth-watering groove. After Dark 2, the italo disco/synth pop compilation from Italians Do It Better, is the much-anticipated follow up to After Dark, released in 2007. Featuring Chromatics, Glass Candy, Symmetry and others, producer Johnny Jewel takes listeners on a journey into a European club…a discoteca if you will. I spent four months in Italy one summer and the effortless coolness of the nightlife is exhilarating and contagious…this album took me back to that. Mix a Cardinal, a slight variation on the Negroni, and let yourself welcome the wee hours of the night with one of the best albums of 2013.


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Real Boat Parking 3D Description
Click to play the best 3d driving games online! Play the best unity and WebGL simulation boat driving games online. Try this new fun Real Boat Parking 3D and prepare your boat for a rough ride!Learn how to drive through the treacherous waters and park your boat perfectly. if you like the game there are more y8 games in our special category only with y8 games. Try as many y8 free online games and have fun!
new racing games, shooting games, car games, bike games and sport games are added weekly!
Copyright 2017 Brightest Games
Privacy Policy / Contact Us


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This month, we attended the launch party for POLO RED which announced the new face, Luke Bracey, for the high selling cologne. We took a few moments to find out about the actor who has been in a number of movies including, the Point Break as well as Hacksaw Ridge, which is enjoying a lot of buzz during this awards season.
ATHLEISURE MAG: What was it like being selected for POLO RED?
LUKE BRACEY: The process of becoming the face of POLO RED has been so enjoyable and fun. I'm so honored to be the new face of POLO RED – being part of such an iconic brand is truly a privilege. Having the opportunity to work with Bruce Weber was also a great experience. He's a beautiful man and is so talented.
AM: What are your duties as the face of POLO RED?
LB: As the face of POLO RED I truly live and breathe the fragrance – I focus on bringing the speed, adrenaline, power of the POLO RED EXTREME lifestyle to men everywhere. Next I'll be joining the Ralph Lauren Fragrances team in Madrid to help kick off the global launch of the fragrance.
AM: Say 3 words describing POLO RED.
LB: Endurance, adrenaline, boundary-pushing.
AM: You're a busy man as you were in the remake of Point Break, you were in Hacksaw Ridge which had a lot of buzz this awards season, what movie will we see you in next?
LB: I've got a couple of movies in the pipeline, but being the face of POLO RED is the role that I'm really focusing on right now.
AM: You're in great shape, besides surfing what workouts do you do?
LB: I'm very no-nonsense when it comes to fitness. I do 100 push-ups and 100 sit-ups every day. When I get to the gym, I like to keep it pretty basic and my routine tends to vary. Sometimes I go through periods where I go to the gym 5 days a week, and then take a few weeks off and before getting back into it. It's all about balance.
AM: How do you give time to yourself?
LB: One of my favorite things to do is read. Right now I'm reading a great book called "Prisoners of Geography" by Tim Marshall. It's a captivating book about how geography still plays a pivotal role in politics today. Even though it's 2017, geography is still the biggest factor. In addition to reading, I like to be in the water as much as possible. I try to go surfing and swim as much as I can.
AM: What's your personal style?
LB: My style is pretty relaxed - I'm a tee shirt and jeans guy most of the time. I love my Blundstone boots, they're definitely a staple in my personal style. When I'm hanging out with friends I'm usually in board shorts and flip flops.


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How to Prepare a New Budget in QuickBooks 2011
Budgeting within QuickBooks provides business owners and managers with powerful tools for better managing a firm's operation. A budget can give the business owner, manager, or other QuickBooks user a way to more easily and more quantifiably manage the people working for the business. A budget can often identify problems or opportunities early and truly gives the owner or manager a way to plan out the year's operation, think about what's most important, and quantify what the firm should achieve over the year.
To create a new budget in QuickBooks, follow these steps:
Choose Company→Planning and Budgeting→Set Up Budgets.
QuickBooks displays the Create New Budget window, which is used to record the amount that you expect for each revenue and expense account for each month during the year you're budgeting.
Click the Create New Budget button to create a new budget.
This opens the Create New Budget dialog box.
Select the fiscal year period.
Identify the fiscal year you're budgeting for. To do that, enter the fiscal year in the provided text box.
Select the Profit and Loss radio button or the Balance Sheet radio button, depending on what type of budget you want to create.
If you're creating a profit and loss budget, click Next. If you're creating a balance sheet budget, click Finish to complete the budget.
Note that you use a different approach for profit and loss budgets and balance sheet budgets. For profit and loss budgets, you budget the amount of revenue or expense expected for the account for the month. For balance sheet budgets, you budget the ending account balance — that's the ending account balance expected for the asset, liability, or owner's equity account at month's end.
Specify additional profit and loss budget criteria and click Next.
If you chose to create a profit and loss budget, select the Customer:Job radio button to further extend your budget to include Job details, or select the Class radio button to include classes in your budget. Or simply select the No Additional Criteria radio button.
Note: In order to budget by class, you must first turn on class tracking.
Choose whether to create the budget from scratch or from previous data.
To create a budget from scratch and start with a clean slate, select the Create Budget from Scratch radio button.
To create a budget based on your actual data from last year, select the Create Budget from Previous Year's Actual Data radio button. Click Finish when you're done. QuickBooks displays the Set Up Budgets window.


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[ncc-services-wg] [anti-abuse-wg] WG: 2013-01 New Policy Proposal (Openness about Policy Violations)
Dan Luedtke maildanrl at gmail.com
Tue Feb 19 17:47:57 CET 2013
Hi all, (citing from the proposal) > The RIPE NCC will handle all such reports and update the state accordingly. What I miss, is a state like 'closed, violation took place, ressource not (yet) returned' Otherwise it looks like the whole "returning" comes down to listing the ressource in the 'returned'-file. What happens if the ressource holder is "guilty" but does not want to return the ressources? Does returning mean, we all stop peering/announcing/whatever with the listed ressources? How can we re-allocate the ressources, when someone still uses it (against the ruling of RIPE NCC)? These questions are more technically, because I haven't understood fully how the whole process is meant to work. For the sake of transparency, I'd like to see - Date submitted; - The resources the report is about; - A short summary from RIPE NCC (2-3 lines) [not the initial report] published for alle reports that have the state 'closed,resources-returned'. Furthermore, if the ressource holder agrees, we should publish 'closed,no violation', 'closed,out of scope', 'closed,resolved by holder' reports, too. Just to make sure that subsequent reports will not report the same issue again and again. Best regards Dan -- Dan Luedtke http://www.danrl.de


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Cohen Milstein Sellers & Toll PLLC is conducting an investigation to determine whether CytRx Corporation ("CYTR" or the "Company") and certain of its officers and directors made false and misleading statements and/or omissions in violation of Sections 10(b) and 20(a) of the Securities Exchange Act of 1934. A class action lawsuit was filed in the U.S. District Court for the Central District of California by another law firm on behalf of purchasers of the common stock of CytRx Corporation (NASDAQ: CYTR) between November 22, 2013 and March 13, 2014, inclusive (the "Class Period"). Throughout the Class Period, the Company was paying The DreamTeamGroup and MissionIR to promote CYTR by publishing articles on various social media outlets, including Seeking Alpha and Forbes, without disclosing the Company's involvement to investors. These articles boosted the price of CYTR shares while the Company issued $86 million in new equity. The complaint alleges that CYTR and certain of its officers and directors ("Defendants") misrepresented and/or failed to disclose that numerous articles issued by the stock promotion firms were paid stock promotions. The case was brought following an article published on Seeking Alpha entitled Behind the Scenes with DreamTeam, CytRx and Galena, which disclosed that the Company had hired and worked directly with The DreamTeamGroup and MissionIR to promote the Company's stock. The price of CYTR's shares fell over 12% from $4.78 to $4.17 in response. Cohen Milstein encourages all investors who purchased CYTR common stock between November 22, 2013 and March 13, 2014, or former employees with information concerning this matter to contact the firm. If you are a CYTR shareholder and would like to discuss your right to recover for your economic loss, you may, without any cost or obligation, call Cohen Milstein's Managing Partner, Steven J. Toll at (888) 240-0775 or (202) 408-4600, or email him at email@example.com. If you wish to serve as lead plaintiff, you must move the Court no later than May 13, 2014 to request that the Court appoint you as lead plaintiff. A lead plaintiff is a representative party acting on behalf of other class members in directing the litigation. To be appointed lead plaintiff, the Court must decide that your claim is typical of the claims of other class members, and that you will adequately represent the class. Your share in any recovery will not be enhanced or diminished by the decision whether or not to serve as a lead plaintiff. Any member of the proposed class may retain Cohen Milstein Sellers & Toll PLLC or other attorneys to serve as your counsel in this action, or you may do nothing and remain an absent class member. Cohen Milstein Sellers & Toll PLLC has significant experience in prosecuting investor class actions and actions involving securities fraud. The firm has offices in Washington, D.C., New York, Chicago, Philadelphia and Palm Beach Gardens, and is active in major litigation pending in federal and state courts throughout the nation.
The firm's reputation for excellence has repeatedly been recognized by courts which have appointed the firm to lead positions in complex multi-district or consolidated litigation. Cohen Milstein Sellers & Toll PLLC has taken a lead role in numerous important cases on behalf of defrauded investors, and has been responsible for a number of outstanding recoveries which, in the aggregate, total over one billion dollars. Prior results do not guarantee a similar outcome. For more information visit www.cohenmilstein.com.If you have any questions about this notice or the action, or with regard to your rights, please contact either of the following: Steven J. Toll, Esq.Jordan HillCohen Milstein Sellers & Toll PLLC1100 New York Avenue, N.W.West Tower, Suite 500Washington, D.C. 20005Telephone: (888) 240-0775 or (202) 408-4600Email: firstname.lastname@example.com; email@example.com Attorney Advertising


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Yum Jung Ah
염정아 / Yeom Jeong Ah
염정아 / Yeom Jeong Ah
Birth Place: Seoul, South Korea
Birth Date: 1972-07-28
Height: 171cms
Yum Jung Ah's Dramas & Movies:
Emperor Wang GunKorean DramaThis drama is about Emperor Wang Gun, the founder of the Koryo Dynasty. [More]Status: Completed Released: 2000 Rating: 9.67/10 (64 Votes)
Royal FamilyKorean DramaThe story of Kim In Sook's battle against all odds to rise to the top of JK Group with the help of the lawyer Han Ji Hoon, a man who… [More]Status: Completed Released: 2011 Rating: 9.15/10 (80 Votes)
Tell Me You Love MeKorean Drama"I can't fly without Young-Chae...because it's impossible to fly with only one wing." "Byung-Soo is mine. He has always been mine ever since we were born." "There are neither victims… [More]Status: Completed Released: 2004 Rating: 8.92/10 (36 Votes)
A Boy Who Went To Heaven (Movie)Korean MovieThe countless killifish in the neighborhood brooks that swam so fast creating rainbow glitters, the colorful dragonflies which painted the autumn sky with their black and red tails… the old… [More]Status: Completed Released: 2005 Rating: 6.94/10 (18 Votes)
The Big Swindle (Movie)Korean MovieChang-Hyok Choi (Park Shin-Yang) is driving in his car, when he suddenly finds himself followed by the police. In a nice car chase he tries to get away, but as… [More]Status: Completed Released: 2003 Rating: 9.38/10 (13 Votes)
My Love, Madame ButterflyKorean DramaThe story about a former top star Nam Na Vi who is getting married, moves into her in-laws' house and becomes a part of their family, going through various happenings… [More]Status: Completed Released: 2012 Rating: 9.52/10 (273 Votes)
The Old Garden (Movie)Korean MovieHyun-Woo is released from prison after spending 17 years behind bars. During his college days he was involved in the student led anti-government protests that swept across Korea in the… [More]Status: Completed Released: 2007 Rating: 7.25/10 (16 Votes)
The Worst Guy Ever (Movie)Korean MovieOh Ju-Yeon (Yum Jung-Ah) and Park Sung-Tae (Tak Jae-Hoon) have been best friends for the past 10 years. While their friends and co-workers worrying about marriage, Ju-Yeon and Sung-Tae are… [More]Status: Completed Released: 2007 Rating: 7.48/10 (25 Votes)
Saedeu mubi (Movie)Korean MovieJin-woo is a firefighter who buys a ring for his girlfriend. Her name is Soo-jung, and she works at a TV station as a news translator for the deaf. She… [More]Status: Completed Released: 2005 Rating: 9.61/10 (18 Votes)
Cart (Movie)Korean MovieSun-Hee (Yum Jung-Ah) is a mother of two children. She has worked as a contract worker for a large discount store for the past 5 years. Sun-Hee has been promised… [More]Status: Completed Released: 2014 Rating: 8.66/10 (59 Votes)
Mirror of the WitchKorean DramaStory follows unfortunate princess Seo Ri (Kim Sae Ron), whose mother, Queen Sim was unable to have a child and searched the aid of a shaman to help her have… [More]Status: Completed Released: 2016 Rating: 9.26/10 (287 Votes)
The Mimic (Movie)Korean MovieA woman whose son is missing takes in a young girl she finds near Mt. Jang – a mysterious mountain where there appears to have existed a mythical creature which… [More]Status: Completed Released: 2017 Rating: 4.63/10 (8 Votes)
SKY CastleKorean DramaIn an apartment in the suburbs of Seoul, professionals from prestigious backgrounds and with equally prestigious jobs. They hope to have their children head to top universities in this satire.… [More]Status: Completed Released: 2018 Rating: 8.83/10 (30 Votes)


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Trenance Park
Edgcumbe Avenue
Newquay' Skate Park, Wooden Waves is a great outdoor skatepark which has two minis hiped together, a big vert ramp and big funbox, a driveway with three banks and a few other things.
For the skatepark head towards Newquay zoo or Waterworld swimming complex. The park is next to the overflow carpark, you can't miss it. If you drive then you will have to pay for parking outside as it is Pay and Display. Use of the park is FREE!!
Don't forget to mention www.tickity-boo.co.uk when you contact us!


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The Way It's Always Been (Even if I Didn't Know it Yet)
Zoe and I have been de-cluttering our home over the holidays. Doing this in January like everyone else puts our activities on par with our love of pumpkin spice lattes in the fall, which is eight levels of basic bitch. But I digress.
We're going through old boxes, kitchen appliances, getting rid of books we've read and won't ever read again, and deciding what stays and what goes in every room in the house.
Our criteria is simple; each item has to fit into one or both of the following categories:
1. Do we need it? (No, like actually need it.)
2. Does it bring us joy?
Everything that falls under the "no" category leaves the house. It's been surprisingly cleansing. As it turns out, we've held onto many things we had no reason to keep, and letting go of those things is like letting go of what doesn't fit our life today. It's like a transition of a different sort.
And then I found the box of old wedding photos.
Here's the thing about the wedding photos: they're weird to look at. Like really weird.
In them, I'm standing alongside a person I don't recognize anymore, who's sporting short hair and a tux, and who looks decidedly male. (I'm also wearing a dress I wouldn't be caught dead in today. Ew.)
But here I am, nearly twenty years later, decluttering the living room with… my wife.
Ok, so you might think memories of a simpler time – when I was a young and happy and idealistic twenty-year-old entering in to what I thought was a straight marriage – might hurt to look at. After all, we were in the prime of our lives and about to move to the burbs and make us some babies like a good ol' fashioned straight couple. I should, perhaps, be feeling some twinges of pain or something over a lost life.
Over the last 18 months since Zoe came out to me, I've walked through all sorts of feelings: hurt, sadness, fear, anger, remorse, betrayal, hope, happiness, relief, and love. The early days were harder, the more recent days are better. These days, I feel a lot more of the second half of that emotion-heavy sentence.
Like every big change in life, accepting this one has been a deeply personal process. I'm not done with it yet, but it's getting a lot easier. I've put to bed a lot of my fears, and every bit of that betrayal. The only remorse I feel is for her. I wish she could have lived her full life sooner. And any anger is directed at society for not being more welcoming to trans people. We're getting there, but overall, we still make it difficult to come out, to live, to love, and to work as a transgender person. We still have a lot of work to do.
But when I look at those wedding photos, they don't bring up any pain surrounding a lost life. My life isn't lost.
I'm still married to the same person, only happier.
I'm still in love, but because the wall she had around herself for years has come down, I can love her more deeply and be loved back more fully.
We still have our three beautiful kids who, despite what some of the internet would like to think, are not at all traumatized. Our children are happy and comfortable having two parents who are happy and comfortable. Imagine that.
When I look at old pictures – and at my 23 years with Zoe, overall – I no longer see a time when I had a husband. Zoe has always been female, even when I didn't know she was. A mistake was made when she was born based on the way her body looked. Everyone thought she was male, but everyone was wrong. We have now been corrected, that's all. The fact we didn't know for a long time doesn't make her less of a woman at any time in her life.
I have never had a husband, I have always had a wife. My children have never had a mom and dad, they have always had two moms.
It's taken me a while to see things from this perspective. And it's my perspective, which is unique to me and will not reflect how every partner or loved one of a trans person feels. But seeing things this way not only honours and respects the way Zoe feels about her own life, but also makes memories less painful for me. Any loss I felt was a perceived loss, because it's really always been this way. I just didn't know it.
We're ordering a new marriage certificate soon, which will have Zoe's corrected name and gender on it. And, if all goes well on the budget front this year (please be kind, money gods!), we'll be renewing our vows for our 20th wedding anniversary this August.
We can have the wedding we should have had all those years ago, where we both look totes adorbs in our dresses and our friends and family can have a gay ol' time celebrating our love with us. There may even be pumpkin spice lattes. So embarrassingly basic. So embarrassingly us.
We didn't get rid of our old photos in our minimalist purge. We tucked them away for posterity.
But I think we're going to like our new wedding pictures a whole lot more. This is the way it's always been. It's time to show that truth to the world.


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Please go to our Portfolio page to view images of some of our completed projects.
Thank you, Zach, Mark and Tom for providing a new four season room addition on our home in Whitmoor subdivision in Weldon Spring, MO. We are completely satisfied with all aspects of the project from the design, engineering to the construction phases. The finish work was exceptionally well done…I have contracted several projects in the past and none have gone this smoothly.
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Absolute Construction Services was efficient and really easy to work with. I would recommend their services.
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I used Absolute to repair and refinish my deck and couldn't be happier. They turned an unusable pile of scrap wood into my son's favorite place in the house. We truly love our new deck… It was a great experience and if I ever decide to put in stairs, Absolute will be my very first call.
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HBO has set the date for the debut of the fifth season of its smash hit fantasy series "Game of Thrones."
"Thrones" will debut on April 12, sticking to its previous schedule of airing on Sunday nights. According to HBO, the new season will consist of 10 episodes.
According to USA Today, showrunners D.B. Weiss and David Benioff said the upcoming season will include looks back at previous events. "Making the first season, we set a rule: No prophecies, dreams, or flashbacks," they said in a quote attributed to both of them. "We already failed the first two, and this season we broke the third. So yes, this season will finally have flashbacks."
(Spoilers for the fourth season follow…)
As noted by the A.V. Club, actor Charles Dance, whose powerful patriarch Tywin Lannister died in the fourth season finale, dropped a hint in an interview that he could return to the show. "I'm not completely missing out on the next [season]," the actor told MTV. "More than that, I'm not going to say. You haven't seen the last of Tywin Lannister, is all I'll say."
The network also recently announced that the final two episodes in the fantasy drama's fourth season as well as a never-before-seen trailer will come to IMAX theaters later this month. The episodes that will be screened in theaters includes the ninth episode of the fourth season, "The Watchers on the Wall," which was an action-packed installment following Jon Snow, a member of the fighting force the Night's Watch, and his efforts as well as those of his comrades to repel an invasion from the wildlings.
"Thrones" takes place in the imaginary country of Westeros and details the struggle for power between various factions, including the Lannister family (members include Peter Dinklage's Tyrion Lannister, Lena Headey's former queen Cersei, and Nikolaj Coster-Waldau's warrior Jaime), exiled heir to the throne Daenerys Targaryen (Emilia Clarke), and the remaining members of the powerful Stark family, including Arya (Maisie Williams).
The series is based on the "Song of Ice and Fire" books by George R.R. Martin. Martin published the most recent installment, "A Dance with Dragons," in 2011.


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Stockton, CA
Nov. 7, 1927 - September 20, 2007
Charles L. Pirtle, age 79, native of Illinois, passed away Thursday, September 20, 2007. Charles is a U.S. Army Veteran.
Loving husband of Rosa C. Pirtle of Stockton. Loving father of Jenifer Sabado of Stockton, Susie Gibson and Gary Pirtle both of Modesto. Also survived by five grandchildren.
Friends are invited to attend Military Services, Wednesday, September 26, 2007, at 130 p.m. at San Joaquin Valley National Cemetery in Santa Nella, CA. Chapel of the Palms Funeral Home in care of arrangements.
Charles L. Pirtle
Stockton, CA


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Antonio Borriello
When? w/c 13 May, Monday - Thursday, 9.30am - 11am
Where? Yorkshire Dance
Antonio's class focuses on dynamics, alignment, and anatomical and spatial awareness. This will encourage the dancers to think of their bodies and making conscious choices in transferring the given information into movement; moving bigger with an economical use of muscle energy and getting the body available for rehearsal and performance.
Antonio was born in Italy where he started dancing at the early age of 8. He then moved to train in The Netherlands at Codarts Rotterdam Dance Academy, graduating with a Bachelor Honours Degree in Dance. He danced with Phoenix Dance Theatre (England), Scapino Ballet Rotterdam (The Netherlands) and Florence Dance Company (Italy). He is now based in Leeds, West Yorkshire, working as a freelance dance artist and instructor. Antonio has worked with internationally renowned choreographers such as Regina can Berkel (former Forsythe Dancer), Sharon Watson, Richard Alston and many others. In 2014 Antonio also became a fully qualified CYQ Level 3 Personal Trainer, expanding his bodywork knowledge.


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Update: Matching NSErrors
Good news, everyone!
While my original post on this topic might be of some small interest in a general "strategies for using expression patterns" kind of way, Swift provides a much better solution for the specific problem of matching
NSErrorsare bridged to error structs in Swift.
What does that mean in practice? You can find all the gory details in SE-0112, but the long and the short of it is, depending on the
domain of a given
NSError, Swift automatically bridges it to a struct describing that domain. In the case of
NSURLErrorDomain, for example, Swift will bridge to a URLError:
let error = NSError(domain: NSURLErrorDomain,
code: NSURLErrorTimedOut)
error is URLError //> true
This alone lets us deal with
NSErrors in a much more declarative way without thinking about domains (and that's not to mention all the goodies it gives us that we used to have to dig through
userInfo for — like failingURL!)
But there's more:
Looks like Foundation provides the
~=(T.Code, T)matcher for you.
So to match a timeout in Swift without writing any code, it's actually as simple as:
catch URLError.timedOut {
print("timed out!")
Wow! As Doug Gregor writes,
You shouldn't need to match on
NSErrornowadays, unless someone is vending an error code not marked with
I wish I had learned about this a lot earlier. Spread the word! Please and thank you.


text:
There are multiple reasons to enter a trade:
- A signal from the BollingerBand website
- Interpretation of the price chart and indicators
- A trading system signal
- Recommendation from a trusted trader
- Press coverage
- And many more...
While there are many reasons to open a position, each with a variable chance of success, ultimately a profitable trade rests on the price when the position is closed, regardless of the reason the trade was entered.
BB-Stops is a system created by John Bollinger to help you to decide when to close a position.
BBStops are an adaptation of the stops in Welles Wilder's Parabolic Price Time System. These stops increment both with the passage of time and the progress of the trade.
They start at an interval above/below the entry day as a function of Bollinger Envelopes and then progress automatically as time passes and as price changes.
If the entry is a buy, BBStops starts beneath the entry at an interval determined by the lower Bollinger Envelope calculation.
For a sell the interval is a value above the entry determined by the upper Bollinger Envelope calculation. You can select the Bollinger Envelope multiplier. The default is 1.5
View BB-Stops live on your charts:
- open the chart of a stock in your portfolio
- in the configure tab, enter the date and buy value and activate the plot of the BB-Stop level.
The STOP curve will be calculated and plotted on the chart live indicating whether to take your profits or exit and cut your losses.
BB-Stops automatic signals:
You don't need to continually check your charts to know when a BB-Stop is triggered:
- go to Portfolio section, on top menu
- enter the buy data (date/value) of the stocks you're interested in
- Every day, at the close, the system will recalculate the new stop level and indicate the value (percentage) required until the stop is hit.
New feature coming soon:
If one or more of your stops are triggered, we'll send an automatic email! (Please make sure that your spam filter accepts our emails)
BB-Stops: Simple, powerful, and one of the many useful features included in your Bollinger Bands subscription.


text:
Sunday, 17 March CEU Event/
Specifying Metal Railing Systems
Please join us for this AIA accredited presentation, which counts for CEU as well as HSW learning continuing education units.
Ron Crebo, VP Sales and Marketing of Hollaender Mfg, a Cincinnati based firm, will give this presentation. Ron has a B SC in Civil Engineering from the University of Alberta ( Edmonton, Canada) and an MBA from University of Cincinnati.
Metal railing systems, at least in the US, are largely provided by local metal fabricators. With the advent of "delegated design", architects are increasingly looking to manufacturers with the engineering experience to provide railing systems that meet all codes, and provide the entire system including anchors and anchor design.
When one considers that current IBC code calls for railing that will meet a structural load of 50 lb per linear foot ( to simulate a group of people crowding against a railing that may be 20 stories in the air), it becomes apparent that proper engineering is as important as the aesthetic of the railing.
In the Gulf area, as in the southern coastal areas of the US ( Florida, Gulf of Mexico, etc) another key criteria is corrosion resistance.
Hollaender's Speed Rail ® component railing systems have been specified for many years by the US Army Corps of Engineers for all locks and dams in the US, and were used extensively by NASA at the shuttle launch facility in Cape Canaveral. Another major industrial served market is the water and waste water treatment industry.The intense engineering required by these entities has helped Hollaender move into the architectural (decorative) railing market.
Subject matter will include comparisons of the major metals used in railing systems, coatings and finishes , IBC codes including changes from 2006 to 2009, anchoring, and infill panel systems.
Where: PF Emirates, Poltrona Frau Showroom, Al Sahel Towers Tower A, Corniche Road, Al Khalidiya, Abu Dhabi
RSVP: email@example.com


text:
Before you begin, it is important to note that to achieve our mission of helping youth attain their full life potential, Youth Unlimited is dependent on the financial support of the community. This means that all of our staff diligently work towards ministry partner development. Which in short, means that all our ministry staff fundraise their own salary and the majority of this is done prior to the applicant's date of hire. The successful candidate will have the privilege to build a partnership team, which provides financial and prayer support for the ministry. The financial support will cover the costs of the candidate's salary and ministry expenses. We want to ensure that you as an applicant understand this important aspect before filling out this application.
For those who would like to get a head start on completing your security clearances, you may do the following:
You can go online to https://policeinformationcheck.calgarypolice.ca
Submit a security check to "Youth Unlimited/Youth for Christ Association"
Our agency VOAN# is VOAN4065SO3104
Or in person by visiting:
Police Information Check Unit
#507, 5111 47th St NE
Calgary, AB
A Child Welfare Check is also required by our organization and this form will be mailed to you with instructions on how to process this form.
Thank you for your interest in joining the Youth Unlimited ministry team! We look forward to processing your application.


text:
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Thinning the Herd
Get the Kamon Ram T-shirt for 35% off until February 5, midnight JST with the coupon code: ramtee2017
It's almost February. That means that a year-in-review blog post is due soon (by which I mean that it is way, way overdue).
As a quick preview: we've moved! After 5+ years in fantastic Fukuoka, we have shuffled up the coast to incredible Izumisano, a suburb of Osaka. I'll have a lot more to say about that in a couple days.
Japan is famous for many things. One thing it is NOT known for, however, is spacious dwellings. I took it for granted at the time, but I was massively spoiled by the layout of our apartment and my art studio in Fukuoka. In particular, the expansive storage. Our new place is a bit lacking in that regard. I'm currently trying to figure out ways to defy the laws of physics, and have multiple objects exist in the same space at the same time. If anyone has a spare Tardis or Bag of Holding, I'd be much obliged.
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Barring interdimensional skullduggery, the best way to create space where it does not exist is to get rid of stuff. Sadly, a lot of the packing materials I've been recycling for years did not make the cut.
T-shirts, it turns out, also take up a lot of room.
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