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george hardie
George Hardie is a graphic designer, illustrator and educator. He is most famous for his album sleeves for famous rock bands such as Pink Floyd, Black Sabbath and Led Zepplin.
He spoke of a time over dinner where someone asked him what he did. He explained he was a graphic designer and so on however they questioned what he actually did, not his profession, but what he does daily. He concluded that he "notices things". I feel I can relate to this in my work. I often find my most successful works highlight similarities and differences in the everyday juxtaposed with objects or imagery which subverts its meaning.
George is also fond of collecting and has obtained objects from all over the world in various flea markets. He uses these objects in isolation and combination to create visual echos. These sometimes play on type such as in his "pinch of milk" image where he juxtaposed a pinched milk jug with the measurment a pinch. The jug itself is also called a pinch jug which extends the pun further.
I particularly liked George's use of materials to reflect his subject
matter. He showed us his work about memory which he has used stencils to create type on sugar paper. These were left in direct sunlight which bleached the paper leaving only the stencil set on faded paper. I like how the process and eventual aesthetic links to the idea of a fading memory and the use of time to create the piece.
Overall, an interesting lecture from a well respected designer.
Overall, an interesting lecture from a well respected designer.
matt baxter
Baxter and Bailey deal mostly with brand identity in a variety of sectors such as architecture, education and music though they strongly believe in providing a service for anyone they feel they can benefit. Matt delivered a presentation full or advice including:
1) Know where you're going
2) Say yes to everything
3) Fake it til you make it
4) Go places
5) Don't do free work
In response to these he provided counter arguments to prove that we will always be given conflicting advice and that it is for us to filter these to those we agree with. His counter arguments were as follows:
1) Don't know where you're going - go with the flow, you never know what might be around the corner. Do what you want to
2) Don't say yes to everything. At times you will be offered work you don't agree with. Say no
3) Always fake it. 20 years down the line Matt continues to accept work he doesn't know he can deliver. This allows him to learn new skills and broaden his client base.
4) Don't always go places. At the moment Matt has a young child which means staying local is a priority. Going places doesn't suit everyone.
5) Do free work. Sometimes this is the work that gets your recognised and out there.
Matt ended his presentation with some advice delivered by people he used to work with. This highlighted the importance of staying in contact. Their advice involved never talking yourself down, trying new things, showing commitment, living your work and not worrying about knowing the answer.
Overall an interesting talk with plenty of advice but again geared more towards graphic designer than illustrators.
Represent are a recruitment agency and career service specialising in design. They pair visual designers and design managers with agencies and studios across the world from full-timers to freelancers, project managers to digital designers. Their talk involved a number of suggestions on how to present oneself in an interview situation for a job or internship. Their suggestions involved the organisation of a portfolio such that you should only include work that excites you and so on. They also mentioned a firm handshake and taking time to consider how your body reacts to stress and anxiety. None of the suggestions covered things I hadn't heard before and was geared more towards graphic design however they did highlight the importance of internships in obtaining good jobs and flashed up a few good websites to look at when searching for work/internships.
Priscila Lena Farias is a graphic designer, a researcher, and an Associate Professor at the University of São Paulo in Brazil. Before university she believed she'd become a product designer however her interest in illustration drew her more to a graphic design degree. Since then she has completed an MA and a PHD focussing on subjects of semiotics and typography. Her typographic work I did not find particularly interesting, since, to my untrained typographic eye, it just looked like ordinary lettering. Some of her illustration work was interesting however she glossed over that area during her presentation. She'd created pieces with focus on dystopia which, for me, would have been more interesting to explore than her typographic work. Priscila now works mainly academically in institutions in Brazil whilst lecturing but also conducting research into semiotics and letterforms.
Most interestingly, Priscila used her interest in semiotics in combination with processing. Using JAVA, she began creating a language which mapped symbols to letters on the keyboard such that, when a letter was pressed, it was replaced by the symbol. This allowed her to illustrate stories using only visual icons.
Kyle Bean was a really inspirational talker. As part of Blinkart I anticipated another brilliant lecture following the previous few under Blinkink and I wasn't disappointed. Kyle studied illustration at Brighton many years ago yet his work wasn't typically what you would call 'illustration'. This was refreshing and reassuring as my work is becoming less and less drawing based and more film, animation and 3d work. Within all his work, Kyle utilises an analogue approach exploring materials in a tactile way. He uses everyday, inexpensive materials such as paper, card and found objects. While at Brighton, Kyle realised that he wasn't passionate about drawing which is an experience I feel I am having at the moment. Instead he began exploring model making and his final year submission included a Russian doll stacking set of mobile phones over the years constructed out of paper.
I really like the surreal elements within Kyle's work and how he has taken an object and reappropriated it to subvert it's meaning. He claimed he comes up with his idea simply through clever observation or by combining two existing ideas to create something unique.
Although I am very fond of most of Kyle's work, I particularly like his series where the brief detailed creating work to show anticipation and apprehension. For this Kyle attempted to stop time. He created model scenarios where objects were hung and installed in a way that suggested a forboding event of negativity. For example, the image above shows a rock suspended in time above rows of matchsticks. If time was unhalted, the rock would swing striking all the matches causing a fire. This sense of awkwardness and uncomfort when viewing the image interests me greatly.
Overall, another brilliant lecture that reminds me it's okay not to love drawing.
Although I am very fond of most of Kyle's work, I particularly like his series where the brief detailed creating work to show anticipation and apprehension. For this Kyle attempted to stop time. He created model scenarios where objects were hung and installed in a way that suggested a forboding event of negativity. For example, the image above shows a rock suspended in time above rows of matchsticks. If time was unhalted, the rock would swing striking all the matches causing a fire. This sense of awkwardness and uncomfort when viewing the image interests me greatly.
Overall, another brilliant lecture that reminds me it's okay not to love drawing.
Emmi Salonen
Studio EMMI is a London based graphic design practice established in 2005 by EmmiSalonen. Studio EMMI has a particular interest in the creation of environmentally conscious solutions to identity and print design.
Studio EMMI and Peepshow Collective transformed clinical white walls with vibrant graphics and engaging images that provide a more welcoming environment at University Collage Hospital. The nine-month project, run by Creative Directors Emmi Salonen and Chrissie Macdonald, had an immediate effect.
"Before, it was all grey and white, very clinical – an adult environment, not a child-focused one. Now it's the most amazing playspace I've ever worked in. And play is the language of children, that's how children communicate. That's how they'll talk to us, and they'll start to trust us, so then we can talk them through the procedures."- MADDALENA BRANDUARDI, Health Play specialist at University College Hospital
This was probably the only project mentioned that drew my attention since it was the only one that I could connect with. Almost every weekend I visit my Grandad who was in hospital and has recently transferred to a care home. The difference between the environment from each astounded me. The hospital was horribly clinical and unenergetic where as the home has a more homely, comfortable feel. Studio EMMI seem to make this connection and begin installing graphics to liven up the hospital space. I can imagine in makes a great difference to the mental health of the patients.
Jack Sachs is an illustrator and 3D animator based in London. Jack studied BA (hons) Illustration at Camberwell College of Arts. Having trained as a 'traditional' pen and paper image maker, he suffered a serious injury to his drawing hand before starting his final year at university. To confront this Jack began to learn to use 3D animation software to make his work while his hand healed. In June 2016 he joined Blink Ink's team of directors.
We'd previously been shown some of Jack's work in the Blinkink professional practice lecture. Jack showed us a number of examples of his work which are highly fictional and utilise basic shapes in anthropomorphised arrangements to create unusual characters. His most recent series for the Tate shows the characters as part of an exhibition installed inside the building. The highly digitalised character are juxtaposed against the architectural backdrop of the building.
My favourite of Jack's animations utilise a sense of texture. I am not particularly inspired by the overly digital images in some of Jack's creations however the GIF to the left utilises a plasticine-like texture which makes it more tangible.
James Jarvis is a British illustrator and toy designer, a pioneer of the soft vinyl designer toy revolution. James studied BA Illustration at the University of Brighton and then an MA at the Royal College of Art.
To me, much of James's work is repetitive. He utilises the same figures in a number of situations. It is inspiring how far a single character can be extended to create works for a vast expanse of companies from Nike to Chocolate. He uses a variety of mediums in each project from drawings to 3D illustration to animation.
My favourite of James's works are those that appear more tested. The sketches James creates which are in fact the final outcomes for projects I prefer to his more considered, digitalised images. I prefer the handdrawn style as I feel this has more character and is more evocative of emotion and tangibility.
Since Semiconductor play upon sound within their work, I created this poster using a past sound experiment using charcoal on paper atop a speaker. The sound played through the speaker moved the charcoal and created an image which I altered to create the design above.
Semiconductor are a duo who studied at the University of Brighton back in the 90's. They began to collaborate upon realising their areas of interests overlapped greatly; an interest in science. They consider their work as moving image and produce films and installations which are shown at festivals, in museums and more.
Their work considers the material nature of the physical world. Through technology and science, the pair aim to visualise the hidden using each as a language. Since the development of the computer, the pair utilise its properties in a material way as opposed to heavily relying on the software and hardware within. They experiment with audio and data to create their pieces.
When using technology, Semiconductor aim to push the technology beyond recognition. It is important for them not to let the software dictate the work but for them to remain in control. They enjoy creating pieces which remove the aesthetic the software imposes to create an association between technology, science and nature.
Their piece Magnetic Movie sees the pair gain a residency with a scientist. Working alongside a scientist allowed them to gain information and data for their projects. On the completion of the project, Semiconductor receieved a boost in publicity when people began commenting on innacuracies within their work. The motive for their piece however was never to be accurate but to play with the language the scientists used when talking about their work.
Heliocentric is a piece where an advanced pieve of equiptment was set in a greenhouse. The machine tracked the motion of the sun throughout the day keeping its position in the frame in the center. This meant the result showed a day in the life of the sun.
Cosmos shows the collection of data inside a forest. A hightech tower gathers information about temperature, wind, carbon dioxide, oxygen and so on. The final outcome shows a dark grey sphere sitting among the trees. This is constructed using wood where the frequency and waves from the data have been enscribed on the surface. The pair then burnt the wood leaving a charcoal finish to reflect the carbon in the atmosphere.
Finally, Earth works explores the contours of a quarry. The technology reads the layers in the landscape and uses analogue modelling to replicate the landscape in sand. Sounds of earthquakes, volcanos, glaciers and human impact are then added to the sand to add motion.
Overall, this lecture was extremely interesting. My final project last year explored similar themes of visualising sound through vibrations and so on so this was right up my street. My interest in this area has been reinvigorated and may begin to creep back into more work relating more explicitly to science as opposed to my current explorations visualising the invisible. You can see my related project here: Personal Made Public
Finally, Earth works explores the contours of a quarry. The technology reads the layers in the landscape and uses analogue modelling to replicate the landscape in sand. Sounds of earthquakes, volcanos, glaciers and human impact are then added to the sand to add motion.
Overall, this lecture was extremely interesting. My final project last year explored similar themes of visualising sound through vibrations and so on so this was right up my street. My interest in this area has been reinvigorated and may begin to creep back into more work relating more explicitly to science as opposed to my current explorations visualising the invisible. You can see my related project here: Personal Made Public
My poster design played upon the largely graphic nature of David's work pixelating his face almost beyond recognition.
David Blandy works with imagery in the digital world. He juxtaposes reality and construct creating films and performances with a graphic, game-like edge.
This lecture was one of a kind and arguably a performance in Blandy's delivery. He presented films and ideas in such a way that a large proportion of the presentation was a film in itself. At one point David progressed into showing us how he creates his animations in a step by step process. We followed his instructions by watching however, it was not until the end that we realise that everything he showed was in fact a video such that the presentation of the process became the art.
Oddly Blandy uses a great deal of others people's work to create his imagery. During a Q&A at the end someone asked how we creates his work and he explained how he extracts clips from YouTube and uses found imagery for backgrounds. I was quite surprised to realise how little Blandy created himself. I'm not sure I agree with his self-proclaimed 'stealing'.
The lecture ended with a rap sung and performed by Blandy himself. Again he admitted to stealing the song however he did change some lyrics and it was funny. At least he credited the original creator.
Overall, I'm not overly inspired by Blandy's work however it was interesting to see something so vastly different to typical commercial work. Blandy creates work for himself, drawing upon and extracting from his personal hobbies which is admirable.
Inspired by Mr Bingo's series Hate Mail: The Definitive Collection I created a poster which advertised the lecture in a similar style. I added poorly draw bingo balls to play upon Mr Bingo's name.
Mr Bingo is a self proclaimed artists who's work has comedic elements that can be satirical and deliberately offensive. He used to work commercially until he found his personal work to fuel his passions more. He therefore no longer works in the commercial sector and produces work using kickstarter campaigns.
His presentation involved listing and discussing 37 things he's learnt be that in the realms of illustration or life in general. He delivered his presentation incorporating elements of humor and comedy delving into the depths of the Internet to illustrate his point with memes and GIFs.
I didn't take many noted during this lecture as it became more of a comical performance to enjoy and reflect upon later. I did note down some of his advice however.
Don't have a plan - Bingo discussed how having a plan often limits your creativity and the work you produce now will probably be outdated in a few years so it is necessary to be adaptable and evolving.
Self initiate/start it - He talked about how, as creatives, we often talk about our ideas but never produce them. I feel I am victim to this idea. I have folders on my computer of ideas I haven't got round to exploring.
Do the opposite - I find myself doing this quite a lot. Often when I'm given a brief, I try to think of ways of tackling it which oppose what is expected. I feel this really helps to produce something unique and personal to myself which is therefore more enjoyable to produce and view as a final outcome.
Doing nothing is good for you - I find this probably the hardest thing to do. My mind is constantly working to come up with new ideas or develop projects which barely gives me time to relax; even when I relax my mind is overworking. I try to exercise to overcome this in the same way Bingo likes to take long walks.
Overall a very interesting talk that reminds me it's okay to do work for fun and to break the boundaries of what is acceptable.
Doing nothing is good for you - I find this probably the hardest thing to do. My mind is constantly working to come up with new ideas or develop projects which barely gives me time to relax; even when I relax my mind is overworking. I try to exercise to overcome this in the same way Bingo likes to take long walks.
Overall a very interesting talk that reminds me it's okay to do work for fun and to break the boundaries of what is acceptable.
For this poster design I drew from elements of Marie's work. I labelled the information in a yellow square as Marie would. I also drew upon the feminine and sexual themes in her work by incorporating a suggestive image of a female with knickers round her ankles.
Marie Jacotey works often with the theme of relationships, love and death. She loves to create fragmented comic strips which, in themselves become objects and installations. She cares little for formality and her piece Babe Cave uses irregular shapes with oil paintings on dust sheets which she mounts on walls using only static electricity. This mimics the idea of relationships with the idea of clinging to one and other like the sheet does the wall.
She furthers her work by exploring other mediums such as painting on plaster and plastic. These developments are informed by process experiments she conducts. She utilised the properties of the plaster by creating the project Baptism of a Dead Child which became almost shrine like.
She is often asked if her work is personal and, although she states it is not, there are clear connections between her experiences and the characters depicted in her imagery. For example, in Getting Over You a character is left lonely in a deserted landscape after a breakup/death. This could be symbolic of her insecurities after graduating university when she didn't know what her life had to offer.
My final comment is about collaboration. Marie works well with other artists particularly influenced by the tight knit community in which her studio is situated. She often works with a poet who responded to her drawings with words. This led to her producing more drawings and thus the cycle continued.
I feel this is a great way to work and had begun a process in the performance project where Jess and I have worked in this way, producing work, showing each other and producing more work in response.
Overall, another interesting talk where Marie showed her successes and failures. Refreshing.
Blinkink deal largely with animation and illustration. This use of characters made me think back to my animation created for the Narratives of the Unconscious project. I therefore utilised an image of my puppet for the poster design. I found this poster the most difficult so far since Blinkink is a company without a style who represent a number of artists, animators and illustrators who all work in different ways.
Blinkink are a production company based in Soho, London. They exist in the world where animation and technique-driven live action meet and represents some of the world's most visually inventive filmmakers. They pride themselves on nurturing young talent alongside well-established directors. Blinkink creates commercials, short films and music videos.
Bart Yates from Blinkink came in to talk about the company but actually gave us an insight into the process of bidding for and producing commercials/animations etc. He discussed the importance of reinvesting money from commercial projects into personal work that, in turn results in more commercial projects and therefore money. We were also shows how the same process applies from small commercial projects to large scale, 'top dog' briefs.
He also discussed ideas of creating 'making of' videos and mood videos to show the people you're pitching to the way you will approach the work, the labour that goes into such a project, showing the handmade qualities which are often admired and sought after and also giving a sense of the atmosphere of imagery you will create. This often entices clients into selecting your bid over others.
Bart showed some seriously impressive animations discussing how these animators began as interns on projects and later evolved into really successful and important parts of the company. Having been working on a puppet animation myself, it was great to see how professional and impressive films can be with a team around you.
Nicos Livesky / Throne - Tharsis Sleeps
Nichos works for Blinkink and has produced some incredible stop motion animations including the one below. He began by animating the images digitally which he then transferred to fabric using an industrial printer which he'd rigged to his computer so it stitched the images on the screen. I really love the effect this has had and creates such a tactile and innovative way of exploring stop motion.
Elliot Dear // Bubble
Elliot worked on a John Lewis advert for Blinkink which was incredibly successful and has launched his career. Prior to that, Elliot was a young, inexperienced animator with great potential. Below is a music video Elliot created. He used a variety of mediums such as found items (houses), dust in water in a fish tank and other found imagery and sounds from the internet. Bart encouraged us to pursue ideas in their initial form by experimenting with found imagery online in order to create a mood test which would inform those viewing projects on the ideas and tones you want to portray in your final outcomes. He also mentioned playing with peoples' emotions for example, some of his animations use audio from sad films which we would unconsciously recognise and install the same sad emotion.
Elliot worked on a John Lewis advert for Blinkink which was incredibly successful and has launched his career. Prior to that, Elliot was a young, inexperienced animator with great potential. Below is a music video Elliot created. He used a variety of mediums such as found items (houses), dust in water in a fish tank and other found imagery and sounds from the internet. Bart encouraged us to pursue ideas in their initial form by experimenting with found imagery online in order to create a mood test which would inform those viewing projects on the ideas and tones you want to portray in your final outcomes. He also mentioned playing with peoples' emotions for example, some of his animations use audio from sad films which we would unconsciously recognise and install the same sad emotion.
I created two posters for this lecture. Both designs, but mostly the second hint at themes of death like Lippett's work through the use of the figures repeated as line drawings suggesting at ghosts and therefore the end or beginning of life.
Samantha Lippett is a curator and researcher who studied Illustration at Brighton University. Her work often circulates themes of birth, death, maternity, feminism and gender by politics. During her degree she conducted a great deal of first and second hand research about these subjects to form her dissertation which later informed her artistic practice.
Notably, in her third year, she created a film which blurred the boundaries between child birth and pornography and began to question the sexual objectification of women. The film begins with close up shots of women's faces while they're giving birth. To many, these shots are seen as pornographic and Samantha began recording the comments left on the original YouTube videos which she juxtaposed alongside stills of frames from the film. She then uploaded her film to Youtube which was controversially removed for explicit content even though the imagery was the same as the original images.
Samantha came across as a pioneer for risk taking where she agreed to partake in activities she couldn't afford or had no knowledge of yet she would always find a way to make them possible, in turn radically improving her practice and areas of interest.
She later began a MFA at Goldsmiths University in curation. At this time her themes were questioned and she was told to broaden her horizons and not stick to the same subject matter. She declines and continued perusing her ambitions which was later praised on reflection.
Straying from birth but still connected, she later began exploring death. Her most recent work links with more current affairs such as the NHS budget cuts. She carefully considers her close relationships and family experiences relating them to her areas of interest. She drew connections in stillbirth and worked alongside other artists to create work which she connects to on an emotinal level.
Recently she has begun a narrative involving the idea of digital death and how we become desensitised when viewing death online. She gave a number of examples such as Safe Beyond who are a company specialising in post-death digital messaging where the deceased leave behind video or audio recordings created during their life which can be emailed to friends and family throughout their life. The video she showed of Safe Beyond's advert actually had really dark undertones like that of Black Mirror where something seemed unnerving about the concept.
Overall, Samantha was an interesting speaker who's hard work and experimentation has allowed her to create a deep and insightful interpretation of a taboo subjects to raise awareness and bring to the forefront ideas and themes we should all be talking about.
For this poster I drew on the process Jack undertakes of sign writing. I particularly like Jack's use of gold within his work which I transferred to my poster.
Jack Hollands aka SignWriterJack is, as his title suggests, a sign writer. Jack began with a degree in graphic design during which he decided that graphic design was not for him. During his third year Jack began working with a glass, gold leaf producer David Smith who sparked his interest in combining what he learnt about type and calligraphy during his degree with the imperfections of hand written type. Jack continued on to work with Jack Garratt who taught him how to produce signs and during his degree, Jack worked on a number of live projects including his final outcome, a gold leaf advert for McDonalds.
On each project, Jack begins by referencing old books and sign writers to inform his ideas in the same way I aim to inspire and contextualise using various ephemera from academic sources, videos, articles, web pages and so on. Jack tends to select ideas based on style and the reasons for which the idea is positive.
Surprisingly, Jack rarely works with a computer. He says that digital types and fonts are restictive and that hand drawn type allows for greater possibility and adaptability during the production stage. At this stage the type can be moulded around any imagery as opposed to forced in as it would feel when digitalised. He argues that hand draw type also speeds up the process.
During a Q&A, Jack was asked why he doesn't use tape (something he mentions on his website). Jack argued that tape cases an unwanted texture when the tape is peeled back which distracts from the effect in its entirety. Instead Jack highlighted the importance of quality materials such as the paint he uses, th gold leaf and, most importantly, the brush.
Lizzie works largely with stitching, embroidery and textiles so I therefore played upon this by stitching her name in thread. I then represented the confusion in some of her work by depicting a messy scene of string atop a contrasting background.
Lizzie Finn is a graphic designer stroke illustrator stroke textile artist who studied graphic design at Central St.Martins, London. She utilises a great deal of disciplines, materials, processes and techniques within her work which she enjoys combining to create something fresh and innovative.
Interestingly, Lizzie utilises a similar cropping process to some I have explored in past projects where she would create an image but often found she preferred a cropped, more intimately detailed view of the image. She would use grids and a geometric approach to creating the work meaning the cropping would often offset these grids and disturb the strict layouts.
Lizzie also feels like any digital work she creates must be applied to other materials for instance she may make a line drawing in Adobe Illustrator but would feel the need to translate this to textiles or screenprinting. I often employ similar ideas within my work where I enjoy being able to hold a piece of work that was once digital. This gives it tactile qualities which make it more personal and useful. Lizzie also works alongside other within her process.
After working for Blue Source after university, Lizzie set up in a studio with friends meaning they would collaborate and challenge each other in the same way I interact with peers now. She also often works with photographers to obtain images of her physical work in an interesting way exploring shadows and offsets.
Overall Lizzie emphasised the importance of combining techniques and focussed on discussing images via their production as well as their visual aesthetic.
Lizzie works for a magazine which work alongside other artists such as Hattie Stewart. She enjoys collage and vibrant imagery so I turned her into a character in the style of Stewart. I collaged elements through layering and patterning.
Liv Siddall was such an inspiring and reassuring talker. She discussed producing the work you want to create in order to obtain commissions based around such style and theme. Liv once worked as the editor for It's Nice That after interning during her degree at Kingston University. She revisited after her degree and stayed for another 4 years after discovering it as her dream job, a job where she could research and source inspiring works to feature in the magazine, drawing from her most enjoyable memories at Kingston where she was intrigued more by the work of others than her own. After a mental crisis at It's Nice That, Liv went onto work at Dazed, AnOther and Riposte only to find that she missed It's Nice That. Liv then had another crisis and, as a result, teamed up with a friend to begin creating her own magazine. She wanted to take her interest in music and combine it with her love of sourcing material. She knew everything she didn't want the magazine to be. She didn't want pop stars to feature on the cover like all other magazines. She didn't want to imitate but rather innovate and take the light hearted approach she was so fond of from It's Nice That and apply it to her magazine. Following this, Liz fell into a job at Rough Trade Magazine and has been working there since.
Liv gave us a few tips about how to create material for a magazine quickly and basically told us to be lazy. She suggested locking down regular contributors such as an agony aunt, a horoscope page, a staff picks section and customer interviews from their store. She relished content with humour and found ephemera including an embarrassing list of Jof's fears which later became a regular illustrated feature.
Another tip included releasing the freedom to the sources of the content of the magazine for instance asking a band what they wanted to do rather than giving a bland interview. Responses to this process included bands illustrating comic strips, writing poems and stories and even capturing their tour antics on a disposible camera where the photos would place over multiple spreads of the magazine.
She continued to discuss budgets and how everything can be done if you're willing to do it yourself. Advice from her directly included creating content that is timeless and funny to suit a variety of audience. Liv also included advice she'd gathered from people she'd worked with or was inspired by. Highlights included Josh King's advice of doing crazy work to get recognised and enjoy the process. Hattie Stewart creates work by doodling on magazine covers and sending the artwork back to the original magazine companies which they loved and made a feature themselves. Other advice included meeting people face to face, marketing yourself not just your work, keeping it simple, attaching images to emails directly and not through Dropbox etc, getting experience, trying to think differently, showing your process to humanise the experience, tailoring your portfolio to the audience and finally, advertise the work you want to create to ensure you'll be commissioned for what you love.
She recommended a website called Creative Commission where bands and musicians require album art or music videos for payment. I will definitely look into this in my free time as I have a strong interest in the music industry and have been commissioned in the part for album artwork and would certainly like to do more and build up a portfolio. She so suggested emailed and Facebooking bands directly.
Overall, this talk was extremely reassuring that I haven't made a mistake in choosing the course I am on and that I won't be pigeon holed into a career and could do whatever I chose with the knowledge and skill I've learnt over my degree.
She recommended a website called Creative Commission where bands and musicians require album art or music videos for payment. I will definitely look into this in my free time as I have a strong interest in the music industry and have been commissioned in the part for album artwork and would certainly like to do more and build up a portfolio. She so suggested emailed and Facebooking bands directly.
Overall, this talk was extremely reassuring that I haven't made a mistake in choosing the course I am on and that I won't be pigeon holed into a career and could do whatever I chose with the knowledge and skill I've learnt over my degree.
Seb Lester provides tutorial videos in calligraphy. Much of his work focusses on process so I depicting a male hand in the motion of writing his name. I greyed out the remainder of his name as without it was not communicating especially as the poster was meant to advertise and inform. The poster is on white paper to reflect the perfectionist, clean qualities within Seb's work.
Seb Lester, once called the "Banksy of Calligraphy" was a really interesting speaker. Although a self confessed introvert, Seb was extremely funny, witty and incredibly talented in his field and beyond. As a youngster, Seb had an interest in two things; art and BMXing. He learnt later to associate the thrill of riding his BMX with a thrill for calligraphy. Seb loved the type on the BMX itself also.
He has been commissioned for many commercial projects including the Rolling Stones, GQ and, most notably, NASA. Aside from his commercial work, Seb creates intricately detailed prints which he sells and produced a project entitled "Break Bad News Gently With Calligraphy" where he takes phrases of disappointment and takes the edge off them by illustrating the words in a fanciful way. He has also experimented with 3D illustration worked though he confessed that no one ever liked them. This led to him taking a step back and deciding to return to the work people knew and loved - his calligraphy.
One of my favourites is a piece entitled "Jerusalem". Although not religious, Seb is influenced by found words and sayings be that from music, poetry or literature. Whilst at university, Seb produced an animation of type to a drum and bass song showing again how he can appropriate his work to multiple mediums. The piece below is extreme in detail and appears magnificent. I could look at this image for hours in admiration. To present his work, Seb often films the final outcome, showing off the reflective qualities of the gold, making the piece come to life with animatic qualities.
These videos also include sound and, in effect, become a piece of work themselves. Without dismissing Seb's hard work and talent, I think I actually prefer the videos of the prints more than the prints themselves. When combined with sound, the pieces envelop an emotion and become very atmospheric. The reflection of the light on the gold give them a precious and archaic quality which draws my attention. It also creates a fragility, especially when read with the words depicted.
Although not directly related to calligraphy, Seb's use of gold and black took my mind back to the Explain the Unexplained brief from first year where I used the same colour combination on a set of playing cards. The colours in this case represented a celestial quality and, once printed, were equally as precious and beautiful to look at.
I created two posters for this lecture; 1 GIF and 1 poster. The poster followed the requirements for the brief and depict a glitch along the theme of technology. The GIF reflects the animatic form of his work.
Sebastian is a German born animator/graffitist/painter. His work began in paintings which aimed to create fantasy worlds that challenge space and time. His paintings soon became installations which later became animations. I enjoyed the clear development between each medium and how he can translate one idea into multiple forms.
I particularly liked his animation entitled "Purple Grey". This showed familiar images such as biting a pen or crying in a sinister and unnerving way by accompanying the visuals with sounds and flashing imagery.
Many of his videos provided an uncomfortable viewing yet they became addictive. After a while you could sense how his animations got hold of your mind and began controlling the way you viewed the motion. I found this extremely intelligent and inspiring, if not quite creepy! I particularly enjoyed the way in which Sebastian combined his animations to provide an immersive experience where the audio and visuals created a conversation around a room. "Realms Pin" scrolls between two contrasting images and installs a sense of time and development. This I feel could work well as a development for the upcoming Love and Hate project to contrast the two opposing ideas.
I also enjoyed how Sebastian embraced his own mistakes. He had created a film intended to be viewed in 3D however the client did not have the technology to do so and therefore had to view it in 2D as we did also. I really liked this accidental effect which blurred the image, creating a suspense and mystery. He also produced a 3D film using only one camera, so when he had to line up the images, he knew they wouldn't match, creating an unusual effect which he again embraced. This deliberate wrong use of technology is a great way to discover new techniques which I plan to explore myself.
Sebastian's work has created ideas in my mind for my new Re-imagining the House project on Tuesdays. I would like to re-imagine the house as a conversation between the occupants and could do so by creating a series of animations, each representing a character and have them converse by playing them at the same time similar to how Sebastian connects his animations.
Above shows my poster for the professional practice lecture. I wanted to install what I'd learnt from the GIF workshop last week and, at the same time, link to Sebastian's animatic work. The use of pixels in the movement links to Sebastian's graphic style. I also divided his name into strips in reference to Realms Pin" which scrolls in strips between two contrasting images. The pixels also look like sound bars which could link to Sebastian's clever use of audio.
This poster uses the handdrawn type included in Chris's signature. The illustrations follow Chris's rough style and depict an audience watching his lecture. The use of "Chris Riddell? Never heards of him..." is a reference to one of Chris's doodles.
Chris Riddell is a British illustrator and occasional writer of children's books and a political cartoonist for The Observer. As an extremely funny character, Chris's lecture was entertaining and amusing as he discussed his work through demonstration of sketchbooks, stories and live drawings. I related most to Chris's enjoyment of music when creating work and was inspired by his inclusion of songs, lyrics and bands in and among his work. Most of the lecture had me in stitches and wasn't explicitly about illustration however he did make a feel comments which I will take away and work on myself.
Firstly, Chris mentioned the importance of personal work in sketchbook form in order to develop a style of illustration. I currently don't feel like I have an illustration style as such; I tend to draw in whatever style I feel suites the content of my drawings or the message I aim to convey. Chris however stressed the importance of being recognisable and how you develop yourself mostly in personal work without the added stress of being graded. 'I do think this is a legitimate point and aim to begin drawing in a sketchbook everyday especially on the bus to and from uni where I often find myself bored with nothing to do.
Chris also mentioned the importance of never saying no. He found himself in a circumstance where someone had asked him where his stories were went presenting his illustrations and, instead of saying he had none, he went away and created some. I feel I could relate this to my own experiences be that creating my own briefs when I'm bored or not saying no to a commission if I find it intimidating.
Overall, a really interesting first lecture. Chris was really humorous and engaging and therefore inspiring.


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If you're shopping in Fès, just off of Place Seffarine is a small shop with a friendly owner and great deals.
Each morning our breakfast at Dar Bensouda, our riad in the depths of the Fès, Morocco medina, was served in the most charming cobalt blue and white hand-painted pottery. Having read that Fassi craftsmen are known for their ceramic artistry, we ventured out to see what we could find.
RELATED: 8 Tips to Get the Best Deals in a Souk
Miraculously, by day three, we managed to make our way through the medina's maze of alleyways and back to Place Seffarine, the metalworkers' square. It was a Friday, so it was relatively quiet. Local guides will advise against shopping the souks on Fridays, the Islamic holy day, telling you that shops are closed in observance. However, we have found that this isn't completely accurate. Although some shops may be closed, the souks are generally less chaotic and easier to navigate.
A shop to the side of the square had some interesting and old-looking metalwork pieces on display. One in particular, a palm-sized tarnished brass astrolabe caught my eye. These scientific tools were used to track the position of the sun and stars to astronomically determine the five specific times of prayer and as an aid in finding the Qibla, the sacred direction of Mecca. I should have downplayed the fact that I was interested in it, as Wally's ability to barter like a Berber seemed to have little to no effect on the shopkeeper.
True Blue
We moved on, following one of the offshoot alleyways. Located just off Place Seffarine, a pair of whimsical outstretched hands of Fatima drew us into Fès Bleu Art, a shop filled with hand-painted Fassi pottery.
The shop was a visual feast for the senses. Small and narrow, the shelves were full of petite, richly varied tagines and small lidded vessels like the ones we had seen at our riad. Every square inch of the floors and walls was covered with bowls, platters, soap dishes and pitchers.
The affable shop owner, Zouhir, who told us he was a descendant of the Idrisid dynasty, struck up a friendly conversation with us. Asking where we were from, he spoke to us in earnest, explaining how he offers a fair price on his pottery and how to identify the authenticity of a piece: Locally produced stoneware have the word Fas (the Arabic spelling of Fès) hand-painted on the bottom.
We had heard Zouhir speaking with another couple when we entered his shop, and during his exchange he had mentioned pricing, which we were pleased to realize is quite affordable.
Fassi pottery is glazed in white and embellished with cobalt oxide, which produces a vibrant shade of blue during kiln firing. Designs typically feature motifs and patterns including flowers, zigzags, chevrons, dots, triangles and crosshatching, all of which are used to convey messages.
For example, diamond or star-shaped lozenge motifs represent an eye that deflects evil, while a shape with five points or branches conjures the protection of the hamsa, or hand of Fatima.
We began to pick out pieces and put them to the side. What makes these so exceptional in my opinion is that matched sets do not exist, as they are entirely handmade. I think we purchased almost every hand-painted hamsa tile Zouhir had. Wally decided to give them out as gifts to his coworkers.
Zouhir's prices, as we mentioned, are quite fair. So don't expect him to come down substantially in price. And don't worry — you'll still be getting perhaps the best deal in the entire medina.
On our last day in Fès, we returned to the shop to purchase even more pottery — many of which I made sure to carry on, for fear of returning home with broken shards. –Duke

subset: commoncrawl


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On Tuesday, October 27, 2015, the African Development Bank (AfDB) successfully launched and priced a new 1 billion 2-year US dollar global benchmark due November 3, 2017. This is the AfDB's second US dollar global benchmark of the year following a successful 5-year benchmark transaction executed in February, and its first 2-year global benchmark since 2009.
The 2-year benchmark transaction was announced on Monday, October 26th at 1:30 p.m. London time with initial pricing thoughts in the area of mid-swaps +12 basis points area.
The order book was extremely robust with indications of interest from investors in excess of US$ 1.9 billion before the transaction officially opened. This represented a very positive sign given the recent volatility and uncertainty affecting global capital markets. As a result of the high quality of the order book and the fact this transaction was limited in size to US$1 billion, a rare 2 basis point tightening from initial pricing thoughts was called for and order books opened at mid-swaps plus 10 area on Tuesday, October 27th, 2015 at 8:15 a.m. London time.
With positive feedback from investors, the size of the order book continued to grow after the official open. The order book was closed at 9:45 a.m. London time after only 90 minutes of book-building, capturing orders in excess of US$ 2.1 billion. The transaction was priced at 4:45 p.m. London time on Tuesday October 27th at a spread of mid-swaps plus 9 basis points. This was equivalent to 20.95 basis points over the 0.625% UST due September 2017.
Demand was driven by high quality accounts as the 64% participation from central banks and official institutions demonstrates. The remainder was split between fund managers (20%), pension funds (10%) and banks and corporates (6%).
Geographically, demand was well diversified across the globe with the Americas taking 41%, Europe 32%, Asia 19% and Africa 8%.
The joint lead managers on the transaction were Bank of America Merrill Lynch, Goldman Sachs, J.P. Morgan and Societe Generale.
The AfDB is rated triple-A by all major credit rating agencies including Fitch, Japan Credit Rating Agency, Moody's, and Standard & Poor's. The new 2-year US$ 1 billion global benchmark transaction demonstrates the loyal following the Bank benefits from in the international capital markets.


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Broken CRT Productions Portfolio Samples
The members of Broken CRT Productions are capable and skilled in many different talents. Below are examples of some of the work which they have created and produced. Prospective clients wishing to contract the services of Broken CRT Productions should email email@example.com or contact a member specifically through their email.
Audio Production
Costuming and Props
Live Events and Conventions


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Use the form on the right to contact us.
You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.
465 West 23rd Street, Suite 9B
New York, NY, 10011
United States
(917) 664-2294
The ROSIE Small Clutch is made of abaca straw and features hand-embroidered Canna Lily flowers, along with shell inlay clasps, a drop-in gold chain and a fun gingham lining. It's the perfect clutch to take with you if you're going somewhere warm and sunny.
Measures 9.5"L x 2"W x 5.5"H
Magnetic clasp closure
Detachable 19" gold chain strap
Navy /White gingham lining
Handcrafted in the Philippines
Store in a dust bag to protect your bag from the elements as raffia can deteriorate from excessive moisture and overexposure from the sun.


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Be the first MLive.com user to add photos or videos of Professional Accounting Solutions
Professional Accounting Solutions can be found at E Shorewood Dr 1489. The following is offered: Accounting & Bookkeeping. The entry is present with us since Sep 10, 2010 and was last updated on Nov 14, 2013. In Muskegon there are 17 other Accounting & Bookkeeping. An overview can be found here.


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Yep, that's me. I'm struggling with a lingering bad mood. Earlier in the week I figured I was just tired from camping but my mood is still on the tense side. I've been walking around with a clenched jaw and it isn't fun. I think at least part of it is due to only getting to the gym twice this week so far. The gym, unlike any other time in my life, keeps me sane and balanced.
I went on Tuesday and rode the upright bike for 25 minutes, level 7. Man, it was tough! Maybe it was because I hadn't been on a bike in a week. My legs were dying and I had to do some mental trickery to keep going. That's usually reserved only for running. After the bike I did back/biceps/core work. The assisted pull-ups were getting better but today they were hard again. I had fun doing the jackknife's and generally felt good working my body. So that was Tuesday, my first trip to the gym this week.
I was hoping I could figure out a way to go to the gym yesterday (Wednesday) but it didn't happen. I did have a great day celebrating Marek's third birthday. I had some mom friends and their little ones over for a little playdate, cake eating, candle blowing fun. Marek was so excited he could barely contain himself. And I baked a cake but had to buy some butter cream frosting at Whole Foods when I ran out of time. The cake was good. Yummy! I had a couple small pieces.
And then in the evening I went to book club to discuss House of Mirth. Over a margarita - or two. And chips. Yes, I took in a ton of calories yesterday. The gym would have been a nice balance to that. Oh well, can't make it work all the time.
Today, Thursday, I made it to the gym. But I got there later than I planned and I had to fly through my routine. I started with a run, 2 miles in a little less than 22 minutes on the treadmill. It was tough but I pushed through. After I did chest/triceps/core. I felt like it was time to add another real pushup to the count so I did 5 real and 3 on the smith machine. It was a challenge but I was able to do them. I am slowly moving toward my goal of being able to do three sets of 8 real pushups. When I started doing pushups I could only do 3, total. Progress, I love it! I was moving so fast my heart was racing as I squeezed every second out of the 45 minutes I had at the gym. I got everything except triceps cable pushdowns. But I have three triceps exercises (cable pushdowns, bench dips, dumbbell kickbacks) so I don't feel like I totally missed out.
For the first time in what seems like forever I left the gym without stretching. I should do some stretches now. I hope I don't wake up all stiff and achy. More importantly, I hope I wake up on the right side of the bed. I am going to the gym tomorrow and Saturday and if it doesn't rain I have a long ride planned for Sunday morning. If all this exercise doesn't turn my mood around I don't what I'll do. And crud, just remembered I weigh myself in the morning. It's not going to be pretty after all the camping food, party food and margaritas/chips. That's not going to help my mood but I'll have to just deal. It's not like anyone forced those margaritas on me, right?
Thursday, March 15, 2012
3 comments:
Ditto in the bad mood stakes - I only got to do 2 runs this week and it's raining again today. And I went to Sydney and ate it all. New week next week - right?ReplyDelete
Hey, sometimes you just gotta let it slide - and treat it like a "recovery"/easier week (which your body does need) - though it is hard when you realise how important exercise is to your brain chemistry! Have a great weekend and may next week be much better!ReplyDelete
Hope your mood has improved. I was looking at your sidebar and your weight loss has been fabulous!ReplyDelete
If you don't want to login, use the Name/URL option (just type in your name...or any name for that matter). If you use the "Anonymous" option your comment won't get posted. - Michelle
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I've received some criticism in the past for collecting vinyl records. Everything from "it's a waste of money, just stream," to "you just wanna hang them on your wall like a hipster, not actually listen to them."(By the way, there's nothing wrong with displaying albums that you love!) Those people don't get it. I've attempted to collect many things in my life and this is the only thing I've stuck with, there has to be a good reason (or five) for that.
|Test presses
1. It's fun!
Whether you love the thrill of the hunt, connecting with other vinyl collectors, or finding colored or rare vinyl-- it's fun! I personally love getting my hands on some pretty colored vinyl, which you probably know if you've been around for a while, and I especially love finding more rare albums. I might get too excited, but I mean, I haven't had to cut up my credit card yet so I think I'm doing alright.
2. Vinyl sounds better.
This isn't pretentious hipster nonsense, it's mostly true. I say 'mostly' because it depends on what equipment you listen with, the condition of the record, and if the record is a reissue (more on that here) but usually vinyl does indeed sound better. Vinyl is in a lossless format, meaning nothing of the recording has been lost like it may be when compressed into MP3 or similar formats, and you'll hear it as it was intended to be heard.
3. Vinyl retains value.
You can't re-sell the MP3 files that you purchase, but you can re-sell your vinyl records! Boom. (Not that I'd ever want to.)
4. It's an active experience.
Flipping through crates at record stores, flipping the record over on the turntable, looking at the album art, reading the credits...collecting vinyl makes you slow down and appreciate the music more, as well as all the work that goes into it. When I listen to my records, it's not as background noise, it's more of an active experience.
5. Support your favorite artists.
If you like what someone does, support their work and thus spread warm fuzzies around the universe.
Oh, and look! I attempted to make a pinnable image for you.
What's your all-time favorite album or band? Tell me in the comments!
P.S.-- if you're a frequent(ish) reader of Poppyseeder, please take this quick 'lil survey so I can get an idea of what you want to see more of. Thanks!


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Newsletter: From Evidence to Action
Family and parenting support policy and provision in a global context
Type :
Research reports & papers
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This report examines and analyses policies and provision for family support and parenting support.The goals of the research are to identify relevant global trends and develop an analytical framework that can be used for future research and policy analysis. For these purposes, new evidence was gathered and existing evidence systematized and analysed. The report is based on general literature searches and evidence gathered from 33 UNICEF national offices, located in different parts of the world, and detailed case studies of nine countries (Belarus, Chile, China, Croatia, England, Jamaica, the Philippines, South Africa and Sweden).


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Saints Art | Subterranean Arts
Subterranean Arts is an arts development organisation, with a contemporary gallery and counter culture book emporium, in the heart of The Saints.
Since 2013, we have established ourselves as active innovators and supporters of the arts in Ipswich and its surrounding areas.
We work with professional artists, alongside marginalised individuals and communities, to exhibit and explore artistic expression.
Alongside our St. Peter's Street Gallery, we also curate exhibitions at Ipswich Town Hall, in conjunction with the Borough Council and within Gainsborough Community Library.
Gainsborough, with its streets named after famous artists, has become a natural space for us over the past few years, in which to engage the community in exploration of art through projects. We have established a regular summer arts project for young people and due to demand, we are now hosting adult art classes.
Alongside visual arts, we host the bi-annual "Festival of the Beats", which is an alternative arts and literature festival, celebrating beatnik and counter cultures since the 1950's. We have been supported in this by The University of Suffolk, Kerseys Solicitors, Ipswich Film Theatre and other local businesses.
Moving into our current location from the Atrium Studios at UCS in 2014, has helped us expand, gain more independence, integrate with the Waterfront community and offer unique opportunities to the people we work with. Many of who may not have previously visited The Saints and its eclectic mix of established boutiques and bistros.
Our newest venture is our Sub Arts programme on Ipswich Community Radio, every Saturday afternoon. Our programme's unique & off the wall approach to the arts scene, mixed with counter culture, music, literature and spoken word, has renewed a demand for our "Vagabonds Lounges"; a platform for a variety of experimental performances. These lounges were originally a bi-product of the "Festival of the Beats", but have not been as frequent since we have had reduced access to venues.
As a charity, our long-term goal is to establish a counter culture museum and gallery and we are keen to hear from anyone who would like get involved or support us in any way.


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James Deacon <Innkeeper>
This NPC can be found in Borean Tundra .
Quotes (2)
- James Deacon says: All right, all right... but you didn't get these from me!
- James Deacon says: You lads know the drill. No alcohol to servicemen on duty. You want the general to kill me himself?
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The Wowhead Client is a little application we use to keep our database up to date, and to provide you with some nifty extra functionality on the website!
It serves 2 main purposes:
- It maintains a WoW addon called the Wowhead Looter, which collects data as you play the game!
- It uploads the collected data to Wowhead in order to keep the database up-to-date!
You can also use it to keep track of your completed quests, recipes, mounts, companion pets, and titles!
So, what are you waiting for? Download the client and get started.


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We are starting something new here at the co-op. It's Q&A Tuesday! We get all sorts of questions via email and we'd like to start sharing them. Please feel free to send us a message or post on our wall. We love hearing from our members and future members!
Brianna asks "I visited Amazing Grains in Grand Forks this weekened. Will the BisMan Community Food Coop be similar in size, prices and variety of offerings?"
Great question, Brianna. Here is our A to your Q:
Amazing Grains is quite a bit smaller. Our co-op will be between 6,000-8,000 square feet so about 5 times that size. We will have bigger sections and because we will have more retail space, we will carry more products. We also have plans for a deli with a juice/coffee bar with more grab-and-go items. As far as price goes, we will be competitive to current prices in Bismarck. For example, Almond milk in Grand Forks is around $3.49, in Bismarck it's closer to $4.89. This is because we are in service gap in terms of proximity to a major distribution point (Minneapolis, Billings) These are all issues that we have been addressing over the past 2 years and will continue to work on collaboratively with our GM when that individual is hired in early 2015. Amazing Grains is a great little co-op but they are growing and talking about expanding to serve their 1300+ members better.
Fyi: all co-op meetings are open to members so if you're interested, go to our website and click on our calendar of events to find our next meeting date.


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Many people in our area own summer homes at the ocean, on a lake or in the mountains. This is a great destination spot to spend your summer weekends and vacations. But what happens in winter?
Many of us find it difficult to break away to visit these seasonal homes during the off-season. Between work, children's activities and other family obligations, we just don't get up there as we may like. So, if you know you aren't going to go up, why have the driveway plowed? That means you'd either have to go up or pay someone to do it for you. Seems like time and money better spent elsewhere. But maybe not.
Your insurer may require access to the home year around. In the event of a fire or other issue, if the driveway to the home isn't plowed, the emergency vehicles would be unable to get close enough to minimize the losses. Of course, it would be in your best interest, too, to try to make sure your property is accessible for the same reason.
Unsure what your insurance requires? This is a great time to ask your agent. They can review coverages and expectations with you. If you have any other questions or would like us to review your coverages, we are happy to help. We can be reached at www.keslarinsurance.com or 603-273-0953. Keslar Insurance Agency is in independent agency offering a wide variety of carriers for home, auto, business and life insurance in NH and Maine.


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Composition Thesis Statement Cases
Reflection documents empower eco-slim-in-deutschland.top writers to grow. This undoubtedly is an example of the reflection essay! Brooding article don't have a unique structure because cannot actually be written as per a regular article scheme. Since a reflection article is largely summary it shouldn't use definitive tone and shouldn't drive the viewers to believe some thing. So as to compose a productive expression article, you must plan forward. We had study one yet another's essay and provide remarks after. This really is chiefly thanks to how the thesis statements as well as the decisions of reflective documents in many cases are fuzzy. Try and begin your composition utilizing a bash. The sole article I'm demanding every person to write is the preliminary one on short stories.
The fundamental model of monster communicate obviously, dragon home, sells for $99.
This last papers was initially that I believe I've ever completely analyzed the external tips which I have included within an article. It might be difficult to compose a variety of composition for the 1st time. It is a very quick test of the reflection essay and you may need to create some thing more. In the act, your reader may recognize which you're familiar with the topic issue and that you've thought critically about your own personal improvement for a pupil. Within this lesson, we'll learn to write a productive reflection article and discover why they're so crucial to the training strategy. The construction of the reflective essay is rather much like the structure of the majority of educational writing. For some reason I couldn't seem to absolutely understand different methods you need so as to write a profitable composition. Naturally, you own lots of points to do, but prior to you start in your expression paper, you ought to know merely how you are feeling by what you are composing.
The following research paper help.
That may be difficult to do, but it really is an essential section of authorship. Writing is really a creative strategy where as editing is an important process. During this season, I've currently found lots of fresh writing practices. The documents are substantially more challenging to compose. Write bibliographic info in addition to your own personal page. My writing was obtained to a complete other level. That is the reason note taking although reading is guided, and why journaling is frequently a necessity for a practicum or internship. It must be easy because there isn't a researching unlike if you are composing an informative article. The diary shouldn't be a summation of each studying.
In general, you get everything you buy.
As a consequence, my authorship is significantly more complete and private. In summary, I had an exceptionally good experience with this particular category. You'll also compose in the very first individual as you're writing about yourself. Before starting with your writing, you'd have to consider the man you're going to reveal. Each section within the body should begin with a topic word. Generally all of the phrases in a paragraph may be connected to an person main notion. Recall a transition word in the finish of each and every paragraph makes a document that flows logically and isn't hard to study. Summarize the principal thoughts in one short sentence.


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Tracey's Coffee Cake
Recipe by Tracey C.
Enjoy with your favourite Level Ground coffee!
- 1/3 cup all-purpose flour
- 1 cup whole wheat flour
- 3/4 cup Cane Sugar
- 3 t baking powder
- 1/4 t salt
- 1/4 cup butter, cold
- 1 egg
- 3/4 cup milk
- 1 t vanilla extract
- 2 cooking apples, peeled & cut into chunks, sprinkled with sugar and cinnamon
- 2 T butter
- 1 cup Cane Sugar
- 1 T Cinnamon
Combine flour, cane sugar, baking powder and salt in a large bowl. Cut in butter until crumbly. Create a well in the centre.
In another bowl, beat egg until frothy. Mix in milk and vanilla. Pour into well. Stir just enough to moisten. Pour into greased 8x8 inch cake pan. Push prepared apples into batter.
Topping: Mix butter, cane sugar and cinnamon together and sprinkle over top.
Bake in 350 F oven for about 40 minutes or until it begins to shrink from the edges of the pan.


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Nominee for Best Narrative Feature, Tribeca 2012. Edited by TEC Alum Ron Dulin.
Claustrophobic and darkly comic, Nancy, Please dramatizes how a seemingly mundane conflict can—in the proper psychological soil—evolve into something dangerous, and how passivity and misplaced idealism can lead to terrible consequences. Stars Eleonore Hendricks (Heaven Knows What) and Will Rogers (The Bay).


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He and I Construction in the News
|3/10/2010 1:17:00 AM - Re-posted from Swoknews.com
Local company to assume post contractsA Lawton company is poised to take over a contract for up to $100 million in work at Fort Sill, and the owners say they want other area contractors to share in the work.
He and I Construction is set to assume the post's Job Order Contract, under which it will fulfill orders for maintenance and repairs on Fort Sill's nonresidential buildings. Emmanuel Alfaro, marketing director for the company, said the company is asking subcontractors for everything from roofing to electrical work to plumbing and heating and air... Read the full story by the Lawton Constitution here
Lawton job is begging for workers(BY RICHARD MIZE)
Published: Mar 5, 2010 by NewsOK.com
LAWTON A Lawton construction firm with a $100 million contract for work at Fort Sill is calling for help.
He and I Construction Inc. landed the contract for maintenance and repair of the posts nonresidential buildings for 50 months, said Emmanuel Alfaro, whose parents, Al and Lucille Alfaro, own the company.
He said the firm initially bid on a five-year contract at $250 million but another bidder protested, postponing the job for three years, causing the specifications to change and the project to be scaled back.
In any case, Alfaro said, He and I, with 23 employees working out of its shop at 678 SW Bishop Road, is going to need some help. He said work is set to begin in two weeks.
"We are having a small problem finding subcontractors to take a project of this magnitude, and the larger firms may not have all the manpower to complete these projects in-house, therefore, employment opportunities and subcontract opportunities will arise, Alfaro said in an e-mail he sent to The Oklahoman and media in... Read the full story here
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Grenada Carnival Newsletter
What a wonderful time of the year!
When we think of August we think, VACATION, CARNIVAL, BRIGHT SUNSHINE, BEAUTIFUL BEACHES, FETE, FETE, FETE and Persons born under the sign of LEO. Happy Birthday all Leos. Leo is the sign which represents Loyalty, Protection and Gratitude.
This is why, being a Leo myself I say a resounding "Thank You" to all our readers from within the Caribbean Region and Internationally. Yes our support is growing from all parts of the world. We welcome you to our Carnival Newsletter 2013!
Sign up for our Beauty Clinic at the end of August (Maximum 5 persons, 3 already registered) to enjoy complimentary education in Personal Beauty Care.
We look forward to seeing you at Salon Success!
Margaret Fletcher-Julien
Salon Success Grenada W.I.
Grenada Carnival Specials @ Salon Success
Spend $85.00 and more on any Hair Service and get FREE FRONTAL STREAKS
Have any two Hair Services and get a FREE Eye Wax
Spend $150.00 and up on Hair Products and win A FREE SHAMPOO & SET
In addition, book an appointment for our Carnival Specials through our website and get an extra 10% off your service!
Send us an email and get our recommended product for your hair at our cost price (the lowest price you will get – until August 16th)
Send us an email for an appointment at our new Nail Center and get an existing polish change for free! (In addition to our Express Manicure/Pedicure special)
Protect your hair for Grenada Carnival
Come to Salon Success and experience THE REVIVER KERATIN TREATMENT.
What Does the Reviver Treatment by De Fabulous Do?
- Reviver Shampoo is for Chemically treated hair
- Reviver Shampoo is for Damaged hair
- Reviver Shampoo is Sulfate Free. This means no harsh chemicals which cause lots of suds and over clean your hair.
- Reviver Shampoo has Plant Keratin to strengthen the hair while gently cleansing.
- The Reviver Treatment is applied after the hair has been cleansed with Reviver Shampoo
- The Treatment contains 20% Botanical Keratin which strengthens the Chemical Bonds in the Cortex of the Hair.
- The Reviver Treatment causes the Cuticles Scales to become tight and smooth locking in moisture from this treatment and blocking out humidity.
- After the Reviver Treatment is rinsed from the hair the Reviver Conditioner is applied.
- Reviver Conditioner moisturizes the hair, Keratin hardens the hair shaft, and causes the
- Hair to become smooth, shiny and subtle.
All Clients are given a complete Hair and Scalp Consultation, at Salon Success, before any treatment is prescribed.
Salon Education Update
Paul Mitchell launched, Paul Mitchell Shines XP, a new line of Demi Permanent Hair Color in Orlando in June. Margaret attended this Training session. The new Hair Cuts for Fall/Winter 2013/14 were also taught to twenty-two International Educators. Margaret was the only Educator present from the Eastern Caribbean.
Introducing the Salon Success Beauty Clinic
The Vision of the Salon Success Beauty Clinic held in St. George's Grenada at our training center in Belmont is to facilitate the basic training of young people in the Art of Beauty.
Sign up for our free one day seminar to be held on August 29 2013. Call 473-435-3423 or email us by clicking here
Staff Achievements
On Monday July 8th Salon Success was closed to the public as Margaret demonstrated and taught her staff some of what she had been exposed to. PM Shines XP has been launched in Europe and will be available in North America, Grenada and Trinidad and Tobago in September 2013. We look forward to sharing with YOU this amazing line of Hair Color which works wonders on Relaxed Hair and hair of any texture and type.
Our Nail Technicians have completed a course in Nail Art and Design:
Who taught the course?
Karlan Bain-Debreu. Karlan is an expert in advanced Nail Technology. Karlan does the most natural Nail Extensions I have ever seen. Her designs of Nail art are creative, beautifully done and suits the client's profession and style.
Karlan owns the Nail Shak, located in Paddock, St. George's.
Book an appointment for our Carnival Specials through our website and get an extra 10% off your service! Click here
Sign up for our Beauty Clinic at the end of August by clicking here (Maximum 5 persons, 3 already registered)
Send us an email by clicking here and get our recommended product for your hair at our cost price (the lowest price you will get – until August 16th)
Send us an email by clicking here for an appointment at our new Nail Center and get an existing polish change for free! (In addition to our Express Manicure/Pedicure special)
Client News
SIS-STARZ- CONNECTION, a boutique, located in Hill Side Mall, Market Hill, and St. George's, Grenada. This Boutique is owned and operated by Vilma Thomas in Grenada Island.
Vilma sells many fashionable clothing items for people of all sizes and shapes in Grenada. Vilma has just come back from a Buying Tour for her boutique and many of the items are the latest in Las Vagas, where Vilma finds that she gets exactly what the trendy Grenadian woman wants!


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SQL Server Reporting Services (SSRS) is a server-based report generating software system from Microsoft. It is part of suite of Microsoft SQL Server services, including SSAS (SQL Server Analysis Services) and SSIS (SQL Server Integration Services).
Administered via a Web interface, it can be used to prepare and deliver a variety of interactive and printed reports.The SSRS service provides an interface into Microsoft Visual Studio so that developers as well as SQL administrators can connect to SQL databases and use SSRS tools to format SQL reports in many complex ways. It also provides a 'Report Builder' tool for less technical users to format SQL reports of lesser complexity.
SSRS competes with Crystal Reports and other business intelligence tools.
We highly appreciate the services provided by your team for Sopariwala Exports. Your team has successfully implemented MS Dynamics NAV
for Finance, Manufacturing & Payroll. We have had a very good working relation with your team and have received timely inputs and
guidance across the modules that have been implemented on the system. We look forward to a mutually beneficial relationship in the future as well.
– Mr. Pankaj Shroff, CFO Sopariwala Exports Pvt. Ltd.
B-604, BSEL Tech Park,
Opp. Vashi Railway Station, Sector 30A,
Vashi, Navi Mumbai – 400703
+91 22 66738131/32/33
+91 7045699266
Submit & Download


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Bits of Beauty
Ahh, happy Friday! After such a long week I am definitely excited for another spring weekend. I have another shoot this weekend, so that is what I will be doing (between naps!). I hope that you have a great weekend, but before I leave you here are some beautiful links to inspire your weekend.
This Raw Oat Pie looks delicious
Some great tips on how to incorporate pink into your home without being overly girly
This home is brimming with beautiful details
This post makes me feel better about my styled shoots
I would love to visit St Barts after this photographic journal
Image via Cereal


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A M7.2 Earthquake hits Mexico
On 16th of February 2018, a powerful earthquake stroke the Oaxaca state in southern Mexico, an area located in a convergent boundary zone. The earthquake featured a thrust fault, and the United States Geological Survey (USGS) reported a magnitude of 7.2mw and depth of c 25km.
Mexico has suffered significantly from earthquakes in 2017, with a strong M 8.1 earthquake hitting Central Mexico in September 2017 causing hundreds of casualties, economic loss and the total loss of a USD150mm Cat Bond issued by the World Bank only a month earlier.


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Travel insurance only goes so far. The question is, if you are hospitalized far from home, will it go far enough? Most kinds of travel insurance will only get you to the closest hospital. To get home, to your hospital, you need something more. You need MedjetAssist. If Mr Thanhauser had not been a Medjet member he would have had to stay in Johannesburg for rehabilitation instead of returning to his home hospital in New York.
Dr. Pamela McLain Aspen, CO to Birmingham, AL "I wanted so badly to be back at my home hospital." I was trying to squeeze in one last ski run before sunset. The light was fading and the wind was kicking up the snow. It was getting more and more difficult to see. I hit a mogul that sent me spinning through the air. With every flip, I had just enough time to anticipate slamming into the ground again, as I tumbled 50 feet down the mountain. My leg shattered into 12 pieces.
In this case, the Medjet member who was transported was able to return to her home hospital in Portland. If she had relied on the medical evacuation component of most travel insurance and platinum card plan her medical journey would have stopped in Lima, Peru.
If this Medjet member had relied on the medical evacuation component of most travel insurance and platinum card plans his medical journey would have stopped at the closest adequate facility, which in this case would be, in Bangkok, Thailand.
By: Roy Berger, MedjetAssist President/CEO Photo Credit: Eli Reinholdtsen "It was really fast and really terrifying. A total surprise. All I kept thinking was, 'how am I going to break the fall?'" David duChemin, world renowned professional photographer and Medjet member is lucky to be alive....
Two weeks ago, my husband fell while we were in Israel. He needed surgery to repair torn quadriceps on BOTH feet. We wanted the surgery in New York, near to our home. Medjet made this possible in an efficient...
By: Roy Berger, MedjetAssist President/CEO We are a 24/7/365 day-a-year operation. Have to be. We have members traveling to all corners of the world and we never know when the phone is going to ring with a Medjet member in a distress situation or in...
Thank you for the remarkable service that I recently received during medical evacuation involving MedjetAssist. I was in-between Petersburg and Juneau, Alaska on a trip when I became very ill on board a live aboard yacht. I was able to make it to a regional...
Chances are, unless you live in San Diego, you are not familiar with Brian Monaghan. If you are, perhaps you will know Brian as either a highly successful plaintiff's trial attorney, or as a Director of the San Diego Padres, the American Ireland Fund, the...
I was tossing around multiple ideas for this space over the last few days when something just dropped right into my email box. I thought it was perfect for illustrating why you are a MedjetAssist member and why we are proud of the commitment we...
Medjet Corporate Headquarters
3075 Healthy Way
Birmingham, AL 35243
Mailing Address:
P.O. Box 43099
Birmingham, AL 35243-0099
Contact Us:


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Martha Henn
Organization: Near West Collaborative
Expertise in: Coalition Building, Research and Data Collection,
Contact: email@example.com
Bio: Martha Henn serves the Community Health Network Foundation as its Grant and Proposal Writer, supporting the Foundation's efforts to assist Community Health Network as it promotes health, hope and healing in the Central Indiana region. In this role, she has responsibility for developing and writing submissions to grant-making organizations and preparing proposals and reports for major gift donors and prospects. Additionally, she has a business research consultancy practice on behalf of the Indiana Chamber of Commerce.
She received her master of library science degree from Indiana University, her master's degree in English and graduate certificate in women's studies from Emory University, and a bachelor's degree from Earlham College.


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Washington DC Metro Map - Super Mario 3 Style/
My gaming youth meets my Washington DC present in Dave Delisle's geeky map mock-up of the DC Metro Map.
You have to love the detail of this. Dungeons for transfer stations, boats on the Potomac, airships representing National and Dulles airports.
But he even went above and beyond to include pipes for connecting rail stations, Rush Only service areas, and even made two totally different maps representing the two phases of the Silver Line.
Prints & Posters of both versions are available for purchase through his website.


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taped 2013-03-31 @ Arena Coliseo
Read More
Day: May 7, 2013
Cadetes del Aire, Azul vs Bucanero, Nakamura, ChilangaMask, Titan in BOSJ
CMLL (MON) 05/06/2013 Arena Puebla [El Popular]
1) Meyer & Tigre Rojo b Ares & El Malayo
Tiger Rojo submitted Ares.
2) Artillero, Súper Comando, Taurus b Camaleón, Höruz, Magnus
Horuz returned from his knee injury, and Taurus wrestled as normal (regardless of anyone else he might be.) Taurus beat Magnus with the Toroslam.
3) Amapola, Princesa Blanca, Princesa Sugheit b Dalis la Caribeña, Goya Kong, Luna Mágica
Rudas all submitted the tecnicas.
4) Blue Panther, Diamante Azul, Thunder b Negro Casas, Rey Bucanero, Terrible
Azul pinned Bucanero, then challenged him to a mask vs hair match. Bucanero declined, explaining Arena Puebla wasn't good enough for a match of that stature. Fans were not thrilled.
5) Máscara Dorada, Mistico, Valiente b Averno, Ephesto, Mephisto
Tecnicos are listed as Los Cadetes del Aire. Rudos jumped the tecnicos, but the tecnicos rallied 2/3. Mistico used La Mistica to pin Mephisto.
It's very possible the tecnico trio is supposed to be Los Cadetes del Aire, only they didn't know that on Sunday. It is CMLL.
An Azul vs Bucanero apuesta match would be something. Puebla is due an Anniversary match, though I'm not sure that's one they'd be thrilled by. Rey Bucanero has a long history of being demolished.
While CMLL says they don't know how long Nakamura is around, NJPW says he's in Mexico from May 11 to June 12. Nakamura's been moved into the main event, taking Mr. Niebla's place (with Kraneo subbed in to the semimain.) Rush is on the other side of the main event, and Rush vs Nakamura for the NJPW IC title sometime in the next four weeks seems very likely.
Mima Shimoda returns to CMLL on Friday, replacing Zeuxis. (Finals?)
AAA's show on UTDN is being bumped back to 9 pm on Thursdays.
Milanito Collection AT and Kenbai from Japan (Michinoku Pro & Big Japan?) have been added to the ChilangaMask show next weekend. They're part of the opener multiman match. The story is they're coming to Mexico anyway to train with Negro Navarro but they're starting on this show. Both are former Toryumon Mexico trainees. The mini Milano was around from 2004-2006.
Kenbai was around at times from 2005 to 2009, including working as a CMLL regular for the last stretch under the name Pequeno Ninja. (He also lost his hair to Demus 3:16 in his unmasked identity.) (Edit: Nope, the site I looked at was wrong.)
Recaps of Sunday's IWRG show (Estrellas del Ring/IWRG, The Gladiatores) mention explain Carta Brava won the first fall of the double title title match, Dinamic Black won the second, and they were both pinned on a tapatia like submission. The commissioner gave them the okay for a fourth fall, Carta pulled Dinamic Black's mask, but Dinamic Black cradled him anyway for the win.
LuchaWorld has KrisZ's news update and Alfredo's review of the UIPW LA show this past weekend.
Bill has highlights of 04/21/2013 CMLL.
Lucha Libre in Japan
NJPW announced the blocks and schedule for everyone in their BOSJ tournament. We don't care about everyone, we care about Titan. This is Titan's schedule:
05/22: pre tournament tag match – Titan & Barreta vs BUSHI & Hirmou Takahashi
05/26: vs Barreta
05/28: vs Hiromu Takahashi
05/30: vs Liger
06/01: vs Taichi
06/02: vs Ricochet
06/03: vs Alex Shelley
06/04: vs Prince Devitt
06/06: vs Rocky Romero06/09: semifinals/final (or non tournament action)
NJPW invites a CMLL luchador into these tournaments twice a year, the CMLL luchador gets off to a great start (to build credibility) and then starts losing every single match. This looks like more of the same, it's just a matter of figuring out where Titan goes over the top of the mountain peak and falls down the cliff on the other side. The CMLL luchador usually beats Liger in BOSJ, so he's at least making it that far. Titan also has his off show to start the tour, not to end it, so his match with Romero will probably mean something on the final day. That's different from recent tournaments.
The top two from this block advance. Prince Devitt, the Junior Heavyweight champion, is surely one of the two. Takahashi is a novato and will be happy to get one win. Everyone else is about the same level and the second spot is in play. I'd guess Ricochet is going to advance, but NJPW didn't book fellow Dragon Gate wrestler PAC strong last year. (Though there were obviously other circumstances.) Shelley would be an interesting pick, but he's probably headed back to a tag title rematch against Romero and his partner might win the other block. This is Barreta's debut here and there's no idea how NJPW sees him. Liger is Liger. Titan has an actual shot. (I am a fool.)
If we're going to dream the next NJPW PPV is 06/22 and the winner of this would likely get a shot against Prince Devitt on that show.
- Canek & Canek Jr. are headed to WWL, which I guess means there's a second WWL show.
- Eterno & Danny Casas talk about their title match, and Carta Brava Jr. talks about his upcoming AAA appearances.
- AAA has their full interview with La Jarochita.
- A video interview with Rossy Moreno.
- An amateur photography lucha libre exhibit is opening in Tulancingo.
- Hijo del Medico Asesino. says he did not speak English when he was signed by the WWE. That is still the most mysterious developmental signing.
- Dorian Roldan liked this video on Axel vs Hijo del Santo.
- This picture of an old El Santo Box Y Lucha cover reminds me it was very cool when the Box Y Lucha site used to have 100s of them up. If someone wants an easy luchawiki project, collecting old covers and putting them up on the wiki so everyone could flip thru them would be nice.
CMLL (SUN) 05/12/2013 Arena Coliseo Guadalajara
1) El Tapatío & Explosivo vs El Yaki & Relampago Azul
2) Black Metal, Javier Cruz, Virgo vs Espectrum, Infierno, Jocker
3) Esfinge, Leo, Smaker vs Exterminador, Mr. Trueno, Rey Trueno
4) Stuka Jr. vs Ráfaga
5) Diamante Azul & Thunder vs Comandante Pierroth & Mephisto
A struggle or a main event.
No idea if that's a new Explosivo. Yaki and Tapatio haven't been around much either; it's almost like the dummy opener matches they rarely used to announce in Mexico City, when the card was going to be changed after another match was made.
CMLL (MON) 05/13/2013 Arena Puebla
1) Asturiano & Black Tiger vs Espiritu Maligno & Fuerza Chicana
2) Astral, Pequeño Halcón, Stukita vs Pequeño Nitro, Pequeño Olímpico, Pierrothito
3) Diamante, Sagrado, Stigma vs Cancerbero, Raziel, Virus
4) Diamante Azul, Super Porky, Titán vs Rey Bucanero, Terrible, Tiger
5) Máscara Dorada, Mistico, Valiente vs Dragón Rojo Jr., Pólvora, Rey Escorpión
Four times for the new tecnico trio to be teamed up! It's like they're a real team. (Four real teams on this show!)
05/04-05 lucha videos
Guadalajara feed was not working this weekend. Puebla feed is still not working. SLP sound was so messed up (on broadcast) that I didn't even bother trying to fix it. I've added the two Terra matches I missed from last week.
YouTube Playlist: http://www.youtube.com/playlist?list=PLYyNnOBGWP7Qybqq3XOr3Z-kf2GVqL04l
05/04 WWC: http://www.sendspace.com/file/v3e9gz
05/05 WWC: http://www.sendspace.com/file/oqhy38
CMLL on Terra: 2013-04-28
taped 2013-04-28 @ Arena Mexico
1) Eléctrico, Pequeño Halcón, Stukita vs Pequeño Nitro, Pequeño Violencia, Pequeño Warrior
2) Fuego, Pegasso, Tritón vs Cancerbero, Raziel, Virus
La Luchas: 2013-04-30
taped 2013-03-05 @ Arena Coliseo Guadalajara
1) Starman & Stigma vs Nitro & Ráfaga
2) Diamante, Fuego, Tritón vs Raziel, Sangre Azteca, Skándalo
3) Bárbaro Cavernario vs Esfinge for the Occidente Middleweight Championship
4) Ángel de Oro, Delta, Hijo del Fantasma vs Averno, Ephesto, Mephisto
AAA on Televisa: 2013-05-04
taped 2013-04-20 @ Estadio Beisborama, Córdoba, Veracruz
Mexican Powers Comic Book Part 3
Noti AAA
1) Crazy Boy & Joe Lider vs Eterno & Último Gladiador
2) Cibernético, Cuervo, Escoria vs Daga, Halloween, Psicosis
CMLL Guerreros del Ring on 52MX: 2013-05-04
taped 2013-04-28 @ Arena Mexico
Full Show: http://www.sendspace.com/file/nomx6s
1) Estrellita vs Amapola in a lightning match
2) Diamante Azul, Rush, Shocker vs Euforia, Negro Casas, Niebla Roja
3) Mistico vs Volador Jr.
CMLL on CadenaTres: 2013-05-04
taped 2013-04-30 @ Arena Mexico
1) Camaleón & Sensei vs Apocalipsis & Inquisidor
2) Astral, Pequeño Halcón, Stukita vs Mercurio, Pequeño Nitro, Pequeño Olímpico
3) Ángel de Oro, Diamante, Valiente vs Namajague, Puma, Virus
History: Santo vs Espanto I
4) Rey Escorpión vs Stuka Jr. for the CMLL World Light Heavyweight Championship
Stellar Moments
5) La Máscara, La Sombra, Shocker vs Felino, Mr. Niebla, Negro Casas
CMLL on Fox Sports (Mexico): 2013-05-04
taped 2013-04-26 @ Arena Mexico
1) Ángel de Oro, Delta, Guerrero Maya Jr. vs Ephesto, Felino, Mephisto – shorter version of match from Televisa
2) La Sombra, Máscara Dorada, Rush vs Terrible, Último Guerrero, Volador Jr.
3) Atlantis & Hombre Bala Jr. vs Boby Zavala & Rey Escorpión in a CMLL Gran Alternativa Tournament final match
CMLL on Televisa: 2013-05-04
taped 2013-04-26 @ Arena Mexico
Full Show: http://www.sendspace.com/file/pcyxar
1) Ángel de Oro, Delta, Guerrero Maya Jr. vs Ephesto, Felino, Mephisto – longer version than Fox
2) Rey Cometa vs Namajague, hair vs hair
La Lucha Se Le Hace (SLP): 2013-05-04
taped 2013-04-28 @ Arena Mexico San Luis Potosi
Full Show: http://www.sendspace.com/file/vqj545
1) Acero Negro & El Uniko vs Alma Roja & Tomahawk (slp)
2) El Baron vs Rayo De Plata IV in a bull terrier (chain) match
3) Sabu Jr. vs El Galeno
4) Rayo De Plata Jr. vs America
CMLL on Terra: 2013-05-05
taped 2013-05-05 @ Arena Coliseo
Full Show: http://www.mirrorupload.net/file/HNNVLAAG/#!20130505cmllterra.avi
1) Bengala & Robin vs Guerrero Negro Jr. & Herodes Jr.
2) Acero, Fantasy, Pequeño Halcón vs Mercurio, Pequeño Olímpico, Pequeño Universo 2000
3) Pegasso, Sagrado, Tritón vs Morphosis, Sangre Azteca, Vangelis
4) Ángel de Oro vs Felino in a lightning match
5) Diamante Azul, Máximo, Rush vs Ephesto, Mephisto, Volador Jr.
6) Dragón Rojo Jr., Pólvora, Rey Escorpión vs Máscara Dorada, Mistico, Valiente
Noches de Coliseo: 2013-05-05
Full Show: http://www.mirrorupload.net/file/0JT4MYQ7/#!20130505nochesdecoliseo_full.avi
taped 2013-04-30 @ Arena Coliseo Monterrey
1) Iron Man & Spider Man vs Tokio Lee & Venom
taped 2013-04-14 @ Arena Coliseo Monterrey
2) Shocker & Símbolo vs Brazo de Plata & Neurosis in a relevos increíbles match
taped 2013-04-30 @ Arena Coliseo Monterrey
3) Super Nino I & Super Nino II vs Gemelo Muerte I & Gemelo Muerte II
4) Angel Dorado Jr., Blackman Jr., Kato Kung Lee Jr., Kendo Star Jr. vs Genocida, Iron (Monterrey), Memo Valles, Zayco (Monterrey)
Todo x El Todo: 2013-05-05
taped 2013-04-27 @ Gimnasio Juan De La Barrera
1) Hijo de Pirata Morgan & Pirata Morgan Jr. vs Golden Magic & Poseidón (Laguna)
2) Esther Moreno & Rossy Moreno vs Chik Tormenta & Diosa Maya
3) Súper Muñeco, Súper Pinocho, Súper Ratón vs Black Terry, Scorpio Jr., Shu el Guerrero
AAA on Televisa (Regional): 2013-05-09
taped 2013-04-20 @ Estadio Beisborama, Córdoba, Veracruz
2) Alan Stone, El Elegido, Toscano vs Devil Rocker, Machine Rocker, Soul Rocker


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Hey, skateboarders, inline skaters and freestyle BMX bikers - we know how you like to roll. Practice your heel flips, ollies and more at any of our skate parks.
Skateboarders, inline skaters and freestyle BMX bikers can enjoy these facilities for free, year-round.
Please call 303.798.7515 for additional information.
Sheridan Skate Park
Full Skate Park
North of Sheridan Recreation Center's parking lot
Cornerstone Skate Park
Full Skate Park and Inline Hockey Rink
Southeast corner of Belleview & Windermere
Promise Park
Ramp only
Harmony Park
Ramp only
Issac Newton Middle School
Inline Hockey Rink only
North of the Newton Middle School Arapahoe Rd parking lot
Improve your skateboarding skills. Learn to roll, slide, fakie, kickflip, grind and more at the skate parks.
Daily: Dawn to Dusk
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