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Dark Light - music by Howard Carter
Dark Light - music by Howard Carter
An instrumental album by Howard Carter, inspired by his acclaimed music for the Textbook Stuff audiobooks. Produced by Barnaby Edwards.
Duration: 86 minutes
Released: August 2011
Format: Unabridged MP3 download
Howard Carter has been at the heart of Textbook Stuff from the very beginning. His music and sound design have defined the feel of all our releases and we've loved his work so much that we've always included special music suites on each of our titles. It was our initial intention to augment these suites with other incidental music from each release and compile them into a single soundtrack album, but that seemed slightly tame. After all, you'd heard it all before.
Instead, Howard came up the idea of Dark Light - eight brand new pieces of music inspired by his work on our first four horror and poetry titles. Each suite has been composed from scratch in a style to suit the subject matter: a Symphonic Poem for Edgar Allan Poe, a full-blown overture for Robert Browning and so on. The result is an album positively fizzing with Howard's characteristic energy, lyricism and inventiveness.
Prelude - The Signalman
Styrian Suite - 1. Walpurgisnacht
Styrian Suite - 2. Into the Forest
Styrian Suite - 3. Countess Dolingen
Styrian Suite - 4. Dracula's Guest
Symphonic Poem - The Pit and the Pendulum
The Three Crowns Suite - 1. Rendlesham
The Three Crowns Suite - 2. The Drowned Palace
The Three Crowns Suite - 3. Seaburgh
Lamentation - 1. October
Lamentation - 2. Rain, Midnight Rain
Lamentation - 3. England Beautiful
Fantasia - Goblin Market
Marvell Dances - 1. Prelude
Marvell Dances - 2. Allemande
Marvell Dances - 3. Courante
Marvell Dances - 4. Sarabande
Marvell Dances - 5. Bourrée
Marvell Dances - 6. Gigue
Overture - Roland's Ride
Buy from Amazon


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Alpine Property Management
Alpine Property Management is the Sioux Empire region's premier full service property management, leasing, and property maintenance company. We are locally owned and operated and are here to put our combined 25 years of experience managing properties to work for you. We pride ourselves in providing honesty and integrity to both the tenant and the property owner.
We want to thank all of our property owners and tenants for voting us the local best in two categories! To see our Local Best page and vote again for the upcoming year please visit us at https://thelocalbest.com/sioux-falls/winner/234036/.
We are centrally located in Sioux Falls, SD, with prime real estate on the 11th street corridor to advertise our rentals. We have several rentals that we manage that are walking distance to downtown Sioux Falls. We manage large apartments, lofts, acreages, single family homes, duplexes, triplexes, anything you are looking for, we have!

subset: commoncrawl


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A codependent person has been defined as someone who is obsessed with controlling the person who is out of control (Beattie, 1987; Weinhold & Weinhold, 1989). This is essentially an extension of the disease concept of addiction, from an individual focus outwards to that of intra-personal problems affecting family members (Haakan, 1990, cited in Hands, 1996, p 32):
- Codependents, adult children of alcoholics, and children of alcoholics are some of the names given to these suffering persons
- They have learned to live in a chemically dependent world, and developed maladaptive skills in response to this. They learn to never ask for what they want, and to keep secrets. They focus their lives totally on the chemical dependent persons. They do not have time for themselves or their own needs
- Co-dependents are as blinded and reality distorted as are chemically dependent persons. They do not think about their own problems as their own problems are too painful. Their whole lives revolve around the sick person. Co-dependents become so obsessed with helping and controlling the other persons that they lose the ability to think. Over time they develop an incredible tolerance for neglect and abuse. They keep thinking that if they just do enough – then everything will work out
- This co-dependency often permits the family to focus on the addict rather than addressing underlying familial dysfunction.


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The Arts Foundation has announced its five Laureates for 2009 including PBG artist, Lyonel Grant. Also named: writer Witi Ihimaera, photographer Anne Noble and musicians Richard Nunns and Chris Knox.
Congratulations to Lyonel. After so many years of incredible work, it is wonderful to have this reconition.
November 30, 2009


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Our new home
We are now in Cusuco National Park in north-west Honduras. We shall be here for two months working for Operation Wallacea, so our map marker is unlikely to move for a while. We arrived here two days ago after enjoying a very scenic, if bumpy, ride up the mountain in the back of a pick-up truck.
I have been getting up at 0500 to go out birding. I am rapidly learning the bird songs of the forest with the aid of an iPod. On Tuesday I am going to a field camp to count birds for a couple of weeks. It was sold to me as being some of the finest forest in the park so I happily agreed - I have since found out it is also the wettest and inhospitable camp!
Fiona is just polishing her PhD before she magically submits it remotely. She spent all yesterday meeting with the different science groups so she can ensure the project database is correctly set up for their needs. There are about 50 scientists here and 50 university students. Next week they shall all disperse around the forest to the different field camps, but then school kids will arrive!
Our living conditions are thus:
We are living in a little tent and get force-fed corn tortillas. A diesel generator provides power during part of the day and a satellite dish provides a sluggish internet connection. It rains every evening (so far). We have been given copious instructions in how to deal with snake bites. The showers are very cold and only mildly alarming. Fiona calmly endured her cold shower whilst chuckling at the girlie screams of a man in the next cubicle.


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Entertainment and Sporting Events
What are you in the mood for - professional soccer or NHL hockey action, a Broadway show, America's pasttime, a musical, a play at the longest running summerstock theater in Ohio, the symphony, a concert by your favorite group touring the nation, college sports at Ohio State or Denison, a comedy act, the ballet, or just kicking back to enjoy a newly released movie you've been wanting to see? All that, and more, is right at your fingertips in Central Ohio within 30 minutes of The Welsh Hills Inn and Granville.
AMC Easton Town Center 30 Movie Theater
AMC Indian Mound 9 Movie Theater
Columbus Clippers AAA Baseball
Columbus Blue Jackets NHL Hockey
The Drexel Theater (Independent Films)
Granville Sunday Concerts on the Green
Newark-Granville Symphony Orchestra
Polo on the Great Lawn at Bryn Du Mansion
The Ohio State University Athletics


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to your HTML Add class="sortable" to any table you'd like to make sortable Click on the headers to sort Thanks to many, many people for contributions and suggestions. Licenced as X11: http://www.kryogenix.org/code/browser/licence.html This basically means: do what you want with it. */ var stIsIE = /*@cc_on!@*/false; sorttable = { init: function() { // quit if this function has already been called if (arguments.callee.done) return; // flag this function so we don't do the same thing twice arguments.callee.done = true; // kill the timer if (_timer) clearInterval(_timer); if (!document.createElement || !document.getElementsByTagName) return; sorttable.DATE_RE = /^(\d\d?)[\/\.-](\d\d?)[\/\.-]((\d\d)?\d\d)$/; forEach(document.getElementsByTagName('table'), function(table) { if (table.className.search(/\bsortable\b/) != -1) { sorttable.makeSortable(table); } }); }, makeSortable: function(table) { if (table.getElementsByTagName('thead').length == 0) { // table doesn't have a tHead. Since it should have, create one and // put the first table row in it. the = document.createElement('thead'); the.appendChild(table.rows[0]); table.insertBefore(the,table.firstChild); } // Safari doesn't support table.tHead, sigh if (table.tHead == null) table.tHead = table.getElementsByTagName('thead')[0]; if (table.tHead.rows.length != 1) return; // can't cope with two header rows // Sorttable v1 put rows with a class of "sortbottom" at the bottom (as // "total" rows, for example). This is B&R, since what you're supposed // to do is put them in a tfoot. So, if there are sortbottom rows, // for backwards compatibility, move them to tfoot (creating it if needed). sortbottomrows = []; for (var i=0; i
Want to know what's wrong with your business card? This guy will tell you (HT: Core77):
And yet, as impressive as he tries to make it sound, he doesn't take his own business card to the next level. We give you Meat Cards. Business cards made from meat. And lasers:
We start with 100% beef jerky, and SEAR your contact information into it with a 150 WATT CO2 LASER.
Screw die-cutting. Forget about foil, popups, or UV spot lamination. THESE business cards have two ingredients:
Unlike other business cards, MEAT CARDS will retain value after the econopocalypse. Hoard and barter your calorie-rich, life-sustaining cards.
MEAT CARDS do not fit in a Rolodex, because their deliciousness CANNOT BE CONTAINED in a Rolodex.
Labels: none really
Calculated Risk posted a thought-provoking chart showing how single family mortgage delinquency rates have largely tracked changes in the U.S. unemployment rate since 2005, which we've excerpted (see above right). From that chart, it would appear that foreclosure activity in the U.S. is pretty closely tracking changes in the unemployment rate.
Whenever we see that kind of apparently close correlation, we go the extra mile and try to map out the relationship that would appear to exist between the two factors. We've presented our chart showing the correlation between the U.S. unemployment rate and the U.S. single-family mortgage 90-day delinquency rate to the left (larger version near the bottom of this post.) What's more, we've also created a tool for projecting the foreclosure rate from the U.S. unemployment rate based on the data as it's behaved since January 2004.
Running the numbers for an unemployment rate of 10%, we find that we might expect the single-family mortgage delinquency rate to increase to a level around 2.7% of all mortgages, based upon the correlation we observe in the data that appears to have existed since 2004.
The problem is that correlation between the U.S. unemployment rate and the percentage of mortgage delinquencies would appear to be something new.
We find that to be the case in an 1998 working paper from the Federal Reserve by Peter J. Elmer and Steven A. Seelig The Rising Long-Term Trend of Single-Family Mortgage Foreclosure Rates. Here, Elmer and Seelig considered the relationship between the unemployment rate and the rate of mortgage foreclosures in the United States from 1950 into 1998.
They found that, contrary to the pattern we observe today and to what people might reasonably expect, that there was no real correlation between changes in the rate of U.S. unemployment and the rate of mortgage foreclosures. The chart to the right graphically presents both rates, along with the 10-year Treasury yield for reference. [Note: We've previously featured a tool that predicts 30-year conventional mortgage rates given the 10-year U.S. Treasury yield.]
We believe the difference between how the relationship between how the rate of delinquencies and the rate of unemployment from the 1950s into the 1990s and from the 1990s to today may be attributed to changes in the mortgages themselves beginning in the 1990s. Primarily, what changed were the lending standards.
Throughout much of the late twentieth century, mortgage lenders required homebuyers to invest significant equity in their properties, requiring substantial down payments at the time of purchase. Often representing 20% of the market value of the homes being bought, this equity stake helped insulate the mortgage lenders from the employment status of the homebuyers.
Likewise, the homebuyers were in part insulated from having their home foreclosed upon during such periods of unemployment thanks to this margin of safety. They could draw upon their home equity, either through taking out home equity loans or by selling their homes, to avoid the fiscal calamity of foreclosure.
But, beginning in the 1990s, the systematic erosion of such lending standards also led to the elimination of this safety margin. As a result, the margin of safety for significant numbers of mortgages shrank, exposing both lender and borrower to an increased risk of foreclosure in the event the borrower became unemployed.
That's exactly what we're seeing play out today.
But we believe that will end, given that we see that the rate of mortgage delinquencies appears to already be slowing, even as the unemployment rate increases.
Running the numbers for higher levels of unemployment suggests that as the unemployment rate increases, the percentage of mortgage delinquencies will peak around 2.8%. Intuitively, we believe that makes sense since we would expect that as the substantial already number of foreclosed properties are sold to new buyers who are being held to higher lending standards, the loans represented by these properties will move from the numerator to the denominator in the calculation of the delinquency rate.
Consequently, we would anticipate that the apparent correlation we are currently observing between the U.S. unemployment rate and the delinquency rate of single-family mortgages will break down, even if unemployment rates continue to rise.
We obtained the monthly unemployment rate data for the U.S. from the BLS' Current Population Survey database. Meanwhile, we obtained the corresponding monthly single-family 90-day delinquency rate for all mortgages spanning January 2004 through May 2009 from the following Freddie Mac reports for the indicated years:
Labels: economics, real estate, tool
Welcome to the Saturday, June 27, 2009 edition of On the Moneyed Midways, the one place you can count on each week to bring you the best of what we found in the world of business and money-related blog carnivals!
Long-time readers will know that we don't have late editions of OMM. No-sir-ee! Instead, we have "special" editions of OMM!
Of course, our "special" editions are in no way really distinguishable from our "regular" editions, but it sure sounds a lot better than "late!"
But we're late enough as it is, so let's get onto the best posts we found in the week that was!..."
|On the Moneyed Midways for June 27, 2009
|Carnival of Debt Reduction
|Foreclosure Problems Arrive at the Superprime Demographic
|Raj Patel finds that foreclosure just isn't a subprime problem any more, as even those with excellent credit scores are getting squeezed by falling home prices.
|Carnival of Personal Finance
|16 Year Old Skips the Last Two Years of High School to Play Professional Baseball
|The Happy Rock
|16-year old Bryce Harper may very well have big-league talent, but the Happy Rock argues he doesn't seem to have big-league brains. Of course, we're talking about baseball where the IQ requirements aren't the same as for football or basketball….
|Carnival of HR
|Lessons from the Rise and Fall of Delta Airlines
|Three Star Leadership
|Ron Allen earned a reputation as being one of the worst CEOs ever in airline history. Wally Bock relives how Delta went from astute management to becoming "ham-handed and clumsy…."
|Carnival of Real Estate
|Loosen Up, Look Around, Sell Your Town
|Real Estate Blog Lab
|Dave Smith argues it pays for real estate agents to hype the communities where they do business.
|Carnival of the Capitalists
|The Young Entrepreneur Myth
|Infectious Greed
|Everyone thinks that entrepreneurs are most often found in the young. Paul Kedrosky graphically presents the findings of a Kauffman Foundation study that confirms that entrepreneurism isn't really a young person's game….
|Festival of Frugality
|The Three Levels of Frugality
|Fabulously "Broke"
|Hell may have nine levels, but FB identifies the 3 that classify the frugal! Absolutely essential reading!
|Festival of Stocks
|Smart Balance: It's Like Buttah… Maybe
|The Reformed Broker
|Joshua M. Bell reviews the business and brands of Smart Balance (SMBL) and generally likes what he finds.
|Money Hacks Carnival
|What Happens in an IRA Stays in the IRA
|Wandering Tax Pro
|Tax preparer Robert D. Flach really, really doesn't need to know what happened inside your IRA last year. Really. He explains what he really wants to know about your IRA in The Best Post of the Week, Anywhere!
Labels: carnival
Assuming something really wacky doesn't happen on 30 June 2009, we would expect the S&P 500 will turn in an average value for the month somewhere close to the range between 926 and 944.
That's not a bold statement, given that the current average for the month through 24 June 2009 stands at 927.16, but we do anticipate that most of the downward noisy volatility in stock prices associated with the quadruple witching expiration of options last week is largely over and that, absent any disruptive events, we should expect stock prices to slowly rise from their 900.21 closing value recorded on 24 June 2009.
We base that outlook on our math using the following observations:
Happy investing!
Labels: chaos, investing, SP 500, stock market
Have you ever wanted to test out an investing strategy using historic stock market data? Or maybe just wanted to find out how much a hypothetical investment in the S&P 500 made between January 1871 and May 2009 would be worth after adjusting for inflation? Both with and without reinvesting dividends over all that time?
Today, we're putting all the S&P 500 data we have to work for you just so you can answer questions like these!
All you need to do is to select the dates you want to run your hypothetical investment between and to enter the amount of money to invest either from the very beginning or to add each month (beginning with that first month you select) for the duration that your investment runs.
We'll determine how much your investment would be worth assuming the amounts invested are adjusted for inflation for each month the investment is active and accounting for the effects of either not reinvesting dividends along the way or fully reinvesting dividends. Our other main assumptions are that no commissions, fees or taxes are paid by our hypothetical investor from their investment. We'll also calculate the average annualized rate of return you would have earned if you had invested all the money you did from the very beginning!
And it all starts... now!
Running some numbers for fun, we find that if you started with $0.00 and invested $100.00 each month beginning in January 2009, the $200 you would have invested before selling in March 2009, when the S&P 500 hit bottom, would have fallen in value to $186.62, an annualized loss of 34% if you had been reinvesting dividends.
On the other hand, if you had kept investing through May 2009, the $400 you put to work in the S&P 500 would have risen in value to be worth nearly $462, an annualized gain of 54%!
But for real fun, see how much $1000 invested in January 1871 would be worth in May 2009 - both with and without the effects of reinvesting dividends! We don't want to spoil the surprise, but there's a $7,741,392.08 difference!
Labels: current, dividends, investing, SP 500, stock market, tool
Welcome to the blogosphere's toolchest! Here, unlike other blogs dedicated to analyzing current events, we create easy-to-use, simple tools to do the math related to them so you can get in on the action too! If you would like to learn more about these tools, or if you would like to contribute ideas to develop for this blog, please e-mail us at:
ironman at politicalcalculations.com
Thanks in advance!
This site is primarily powered by:
The tools on this site are built using JavaScript. If you would like to learn more, one of the best free resources on the web is available at W3Schools.com.
Materials on this website are published by Political Calculations to provide visitors with free information and insights regarding the incentives created by the laws and policies described. However, this website is not designed for the purpose of providing legal, medical or financial advice to individuals. Visitors should not rely upon information on this website as a substitute for personal legal, medical or financial advice. While we make every effort to provide accurate website information, laws can change and inaccuracies happen despite our best efforts. If you have an individual problem, you should seek advice from a licensed professional in your state, i.e., by a competent authority with specialized knowledge who can apply it to the particular circumstances of your case.


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I have decided to do a mini series of Photography Tutorials for y'all! It's so easy to buy a camera and dive straight into using AUTO (I've been there). AUTO is the simple way out of having to faff around with Manual or Aperture Priority mode. However if you have a lovely DSLR camera, surely you want to learn how it can work to it's full potential!?
There are 3 components that are vitally important you learn about, before shooting with your DSLR camera on manual or Aperture Priorty.
Shutter Speed
I am going to give you weekly tutorials to explain each of those components but today I am going to start with APERTURE.
Understanding the principles and basics of photography will help you master your camera and give you that perfect photography you are after. I use a Canon 5DS, 50.6 Megapixel full-frame camera. Whatever make your DSLR camera is, these principles still apply!
All light passes through your camera lens through a hole. This hole decides how much light to let onto your camera sensor. Aperture is the size of that hole inside the lens.
Think how our eyes work, if you shine a light in your eyes your pupils will get smaller, but in a darker room they will dilate (becoming larger) to try and let as much light in as possible.
The smaller the hole the less light that can pass through.
Aperture is measured in F-numbers. This is the measurement of the diameter of the hole.
This is where it got confusing for me to begin with, because the lower the f-number, for instance ƒ/1.4, the BIGGER the hole and therefore the more light that is allowed to the sensor.
If the ƒ number is as high as f22, the hole will be smaller, meaning less light is able to pass through the sensor.
Aperture is referred to as full stop f-number or f-stops. If you look at a lens you will see it has an f-stop range or number.
Each camera is different, and there are a number of different sets of f-numbers but the most commonly used are:
ƒ/1.4 2 2.8 4 5.6 8 11 16 22 32
The amount of light that reaches the sensor affects the depth of field and the amount of your image that is in focus.
The lower the aperture, i.e. ƒ/1.4, the bigger the hole and the more light, which will give you a very shallow depth of field. Shallow depth of field means your object will be crisp and clear in the foreground with it's background all blurry.
As the aperture increases, the hole gets smaller, the less light reaches the sensor, and the more in focus the background becomes.
Shooting in Aperture Priority (shown as AV on most DSLR cameras) using a low f-number, will create the perfect for portrait, giving that person complete distinction from it's background.
Compare the two shots
As you can see the photo on the left the aperture is f/2,5 - creating a very shallow depth of field (making the second lemon blurry). The image on the right is f/32, which makes the background equally in focus as the foreground.
Have a play with your camera on Aperture Priority mode. Put an object in front of you and move the F-number up one stop for each shot. You will then see the difference between the light and the depth of field. ISO plays a huge part with Aperture priority mode.
I hope this tutorial was helpful, next up is ISO!
The Wondering Dreamer x


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Periodontal (Gum disease)
At Wild Dental we have Dr Barbara Taylor, a specialist periodontist working in the area of soft tissues and gums. Barbara is a wealth of knowledge when it comes to all things relating to periodontal disease and receives referrals from practices within the Riverina region.
The causes of gum disease
Some of the common signs of gum disease are a redness, puffiness or bleeding of the gums.
Gum disease is usually caused by a buildup of plaque on the teeth and along the gum line. The immune system tries to get rid of plaque with an inflammation response, seen by the redness and swelling of the gum around the tooth.
Everybody has a range of bacteria in their mouth. Plaque is constantly being formed by some of these bacteria when they feed on the sugars in the foods and drinks you consume. Plaque provides the perfect environment for the bacteria that can cause gum disease to live.
Stages of gum disease
Gingivitis is early stage gum disease. It affects the surface layers of the gum, particularly where the gum meets the tooth. At this stage, there is no damage to the deeper parts of the gums, teeth or bone.
The signs of gingivitis are:
- bleeding gums (especially when brushing or eating)
- redness
- swelling of the gum
The good news is that gingivitis can be reversed. You might think it is best to stop brushing if your gums are red or puffy. Try to continue brushing, as this will remove the bacteria and plaque that is causing the problem. Soon the gums should look and feel better. If not, it is advised to make an appointment with your dentist.
Periodontitis is an advanced stage of gum disease that may occur if gingivitis is not treated.If periodontitis is not treated, the structures that hold the tooth firmly into the gum can become so damaged that teeth become loose and may need to be removed.
Signs of periodontitis include:
- bleeding gums
- swollen gums
- receding gums (the gum line shrinks away from the tooth making teeth look longer)
- bad breath
- a bad taste in the mouth
- tenderness when biting
- loose teeth
If you think you have any of these signs or symptoms we encourage you to make an appointment today. Early treatment of periodontitis can save affected teeth.


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Stingrays - TROOPS (LE - SF)
ON PRE-ORDER! SHiPPING BEGINS January 18, 2018.
Box contains 3 Multiparts Riders (all Different with swappable parts with ball-joint assembly) + 3 different Stingray Mounts. The Riders are completely separate from the Mounts. This is the Science-Fiction version.
Descending from the skies, fast as lightning, these winged horrors hit and run with amazing agility.
Finely crafted in resin. Scale is 30mm Heroic: will fit all popular miniature wargames. Includes 3 x 40mm round bases.
Нет описания на русском языке. Любой может его добавить, но пока не дошли руки.
Similar setsAdd tags to this set to show similars.
Sorry, Ebay searching is locked for this item. Because of locked company, game or faction.
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On behalf of all staff in the student's affairs, I would like to welcome all the JIC students on this website. Also, I wish you find the presented information are enough and useful for you. Finally, I would like to inform you that, the student's affairs is pleased to receive any comments made by you that will be useful to the development of this website.
Working hand in hand with other departments in the college to develop opportunities for students to become productive citizens through the creation of challenging environments that contribute to students' intellectual, physical, social, cultural and moral growth.
Providing an integrated care to the students from the day they join the college until the day they leave it in terms of student's services, guidance & counseling, dormitory, security, library, and registration.
Dr. Fadye S. Al-Fayad Deputy, Students Affairs
All the Departments in the Student Affairs are focused on meeting students' needs. The departments work to help students in regards with food, housing, textbooks, entertainment and more. Also, the student's affairs provide learning environments and leadership opportunities that lead to intellectual development through the following departments:
The goal of the student services department at JIC is to ensure the continuity of providing students with a positive educational experience by maintaining consistency of access to the available resources and support services.
Student services department is designed to:
The goal of JIC Counselors is to assist all the JIC students with their social problems and any other personal goals.
Educational Counseling Services are designed to:
The department of JIC student dormitory provides Residential Life that combines living and learning in environments that enhance students' academic and personal growth. The department of JIC student dormitory provides high-speed Internet access in every room, with wireless access in most common areas. Residential buildings are classified as the following:
Building from 1 to 16 built since 1984. These buildings contain 552 rooms where, each room can accommodate three students.
The satellite connection is provided for each room.
Building from 17 to 28 built since 2006 and 2010. These buildings contain 1248 room where, each room can accommodate two students.
Each building contain recreation room that contains billiard and pool table, table tense and baby foot and TV with satellite.
The goal of the JIC College Library is to foster learning among students, staff and the community through access to its collections, and with a staff dedicated to excellence to provide the services needed to access information in the world's resources.
The goal of the JIC safety and security department is to ensure the continuity of providing students with a safe and secure environment in the college premises as well as the implementation of the college regulations.
The goal of the Student admission and registration department is to arrange for the continuous admission of students to the college as well as arranging the required documentations when they leave the college.
Department of Student admission and registration is responsible for the following:
Tel: +966 (13) 340-2111/2149
Fax: +966 (13) 341-2126
Dr. Hussam Jabbad
JIC Deputy, Student Affairs
Copyright © 2014 JIC All rights reserved


text: On the 19th of December the European Commission adopted also its proposal of the Tobacco Products Directive's amendment. The rules on tobacco products' manufacturing, presentation and trade will be strengthened. Among other, it would prohibit the use of cigarettes, roll-you-own tobacco and smokeless tobacco products with characterising flavours. Additionally, it makes it mandatory to use large pictorial health warnings on cigarettes and RYO and regulates cross-border online sales. It would also begin to regulate products like e-cigarettes and herbal products for smoking. The ban on snus (oral tobacco) will be maintained. Chewing and nasal tobacco would be covered by specific labelling and ingredient regulations. More on the revision project may be found here.


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Archive for the 'unit testing' Category
Zend Studio for Eclipse Release & cetera
Dear diary,
I have 2 news for you today.
- Today we successfully released Zend Studio for Eclipse. My contribution to it, beyond PDT commitments, is Sebastian Bergmann's PHPUnit testing framework integration plug-in, File Network support, Organize Includes and other parts of Refactoring engine, Code Coverage browser… well, it seems that's it. Maybe several additional, but minor things. Enjoy, guys. This is really a great (and some say – the best) PHP IDE.
- Occasionally, these are my last days at Zend Technologies. Since next week I'm starting at Nielsen Online (BuzzMetrics) to do text-mining. If you ask why, the answer is simple – I got bored of Zend, where I spent last 6.5 years of my life, and wanted to do something really new and exciting. I hope it will work 🙂 For now I'm planning to stay an Eclipse committer and continue to help my brothers at Zend to move on.
Dependency Injections in Java 5
Recently I've discovered a new "framework" which simplifies dependency injections in Java 5. It's called Guice.
Well, what can I say. It indeed has sence. But what I'm wandering of is you need a framework for this thing. In PHP you can solve the problem in exactly x lines. And certainly don't perform at lectures to explain the concept. 🙂
PDT CodeDataResolver and ContentAssistSupport Unit Testing
Just wrote the subject related article here.
The article explains the concept of editor caret position based Unit Testing of editor links and code completion in PDT.


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As you all know that a well-maintained lawn is a profound way to create a lasting impression on your guests, which is why we are supplying an exclusive inventory of garden tools. From soil aerators, sod cutters, hand tools, dethatch, and mowers, you can rent all from Arlington Rental at most affordable prices in Chicago and other NW Chicago Suburbs area.
For Sod Cutters and Garden Tools Rental needs in Chicago, feel free to contact us at 847-394-8213. We are here to meet all your Garden Tools rental requirements.


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"Joan, I know your abilities firsthand as you staged my friend's vacant home out in York and did a great job with it. The lady who bought it brought her entire family, parents & boyfriend over to see it and we all made ourselves comfortable in the living room, just soaking up the atmosphere. You are worth every dime that you charge and more."-Meg Bradley, REALTOR, Keller Williams
"Joan staged a relatively new home for me in a neighborhood that was going through regeneration. The rooms were hard to visualize without furniture. Joan came in and staged with furnishings that were just perfect for the style and age of the home. Joan gave it a warm and inviting feeling. There were several homes for sale on the same street, and in the same neighborhood and ours outshone all the others and sold within three weeks!!!" -Sandy Miller, REALTOR, Cottingham Chalk Hayes
"My listing was a (million-dollar) new construction home that happened to be completed as Charlotte was moving into the major real estate and banking downturn. It showed very well in the sense that the fixtures were beautiful, the custom details were prominent, and the layout was great. I decided to have the home staged. I called a few competing staging companies but hired Joan (at Carolina Spaces, LLC)... Joan was great to work with. After we agreed on a plan, she came out immediately to stage the home. She did a fantastic job and was open to any suggestions we had a long the way. She was always available when I had a question or needed something. The (vacant) house was transformed into a home in less than two days. I held an open house right away, and within one week I had several people very interested in the home, by the second week I had a contract. Several REALTORS® reported that the staging made a huge difference in the home - their clients could see how warm and livable the house really was and could see themselves at home there. It has been great to work with Joan from start to finish and my company will be using her in the future." -Regina Farmer, REALTOR, SCCH Realty
The above comments are just a small sampling of the many factual complements received by CAROLINA SPACES, LLC. More references and contact info is available upon request.
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text:
An Israeli security researcher has found another way round Apple's Fingerprint ID security system – this time via a two-step lock-screen glitch which works with the new iOS update 7.0.2.
An Israeli security researcher has found another way round Apple's Fingerprint ID security system – this time via a two-step lock-screen glitch which works with the new iOS update 7.0.2, and allows attackers access to the Phone app, including potentially valuable address data, including the owners phone number and home address.
The "hack" is one of several such glitches which have exploited Apple's "voice assistant" Siri, according to The Register – some of which were closed off in the recent update, 7.0.2.
Researcher Dany Lisiansky said via his Twitter account, "Great update, Tim Cook! In my video, I demonstrate the use of two Lock Screen bypass glitches. The first one to initiate the phone call (using an emergency call glitch). And the second one to get access to the phone app."
The bypass glitch allows access to iPhone's phone app, which could offer a spouse, or cybercriminal valuable contact information, including addresses, email addresses and phone numbers.
Lisiansky says, "Steps to reproduce:
1. Make a phone call (with Siri / Voice Control).
2. Click the FaceTime button.
3. When the FaceTime App appears, click the Sleep button.
4. Unlock the iPhone.
5. Answer and End the FaceTime call at the other end.
6. Wait a few seconds.
7. Done. You are now in the phone app."
Apple's Siri voice control has been the target of various hacks against the device, both on the current iOS 7, and on previous versions. Andy Greenberg of Forbes described the new hack as a "reminder to turn Siri off on your lockscreen."
At launch, Apple's senior vice president of marketing, Phil Schiller, described iPhone 5S as "most forward-thinking smartphone in the world." Apple's handsets are often targeted by hackers who vie to "jailbreak" each new operating systems first – but the Fingerprint ID system in iPhone 5S has drawn the most attention with this update, with researchers attempting various methods to "get round" the security device.
Last week, Germany's Chaos Computer Club demonstrated a method to "fool" the sensor – and warned users not to leave secure data on iPhone 5S. Their method was laborious, however – involving the use of forensics equipment, a laser printer, transparency slides and wood glue.
ESET Senior Researcher Stephen Cobb says that such hacks do not "prove" that biometric security cannot work.
"Bear in mind the effort required to defeat the biometric, and also to crack your iPhone password, then ask yourself how many people want your iPhone data that badly," Cobb says.
"There is a constant tension between claims of security and efforts to undermine that security. It is clearly true that having to supply a fingerprint as well as a password to access the iPhone 5S, or anything else, makes the data on the device more secure against certain types of attack than only requiring one form of authentication.
"Whether that added level of security is enough for your to trust "sensitive" information to your iPhone is a question for each user to answer. Would I put priceless IP on a mobile phone? No. But read what it takes to beat the fingerprint reader and ask yourself who would go to that trouble for the stuff you do have on your phone."


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23 Chilling Images Of What Our Planet Would Look Like After An Apocalypse
What would the world's most famous landmarks look like 20 years after the fall of mankind? Visual effects artists John Walters (who has worked on Spartacus) and Peter Baustaedter (whose credits include King Kong and Spartacus), created a chilling series of digital paintings to showcase the post-apocalyptic world.
Inspired by the award-winning PlayStation 4 game, The Last of Us, these post-pandemic works feature the decay of iconic buildings like London's Buckingham Palace and Australia's Sydney Opera House. Swipe across the images to compare the before and afters.
Eiffel Tower, France
Notre-Dame De Paris, France
Buckingham Palace, London, United Kingdom
Statue Of Poseidon In The Gardens Of Versailles, France
Clyde Arc, Glasgow, Scotland
Canals Of Amsterdam, The Netherlands
Berlin Cathedral, Germany
Avila, Castile And León, Spain
Battersea Power Station, South West London, United Kingdom
Albert Dock, Liverpool, United Kingdom
Berlin Hauptbahnhof, Germany
Brighton Pier, United Kingdom
25 De Abril Bridge On Tagus River Between Lisbon And Pragal, Portugal
Warsaw Barbican, Poland
The Colosseum, Rome, Italy
Sydney Opera House, Australia
The Santa Justa Lift, Lisbon, Portugal
The Angel Of North, Gateshead, United Kingdom
The Shard And The London City Hall, United Kingdom
Clifton Suspension Bridge, Bristol, United Kingdom
King's College Chapel, University Of Cambridge, United Kingdom
Kremlin, Moscow, Russia
Mausoleum Of Hadrian, Rome, Italy
After viewing these, it's hard not to feel a sense of loss – and a deep appreciation for humanity's artistic prowess. Share these fascinating images with others below.


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Developing Applications in IBM Business Process Manager Advanced V8.5.5 - I
Who should attend
This basic course is designed for system administrators, integration specialists, application developers, business process developers, support engineers, and technical sales and marketing professionals.
You should have:
- basic Java and Java Platform
- Enterprise Edition (Java EE) skills
- basic Extensible Markup Language (XML) skills
Successful completion of Process Implementing with IBM Business Process Manager Standard V8.5.5 - I (ZB814G) is highly recommended, but not required.
Product Description
An updated version of this course is available. For more information, click Developing Applications in IBM Business Process Manager Advanced V8.5.6 - I (ZB859G).
This course is also available as classroom course Developing Applications in IBM Business Process Manager Advanced V8.5.5 - I (WB857G).
This course teaches you how to use the tools in IBM Business Process Manager Advanced V8.5.5 to build and deploy process integration solutions.
For information about other related courses, visit the IBM Training website: http://www.ibm.com/training
If you are enrolling in a Self Paced Virtual Classroom or Web Based Training course, before you enroll, please review the Self-Paced Virtual Classes and Web-Based Training Classes on our Terms and Conditions page, as well as the system requirements, to ensure that your system meets the minimum requirements for this course.
E-Learning IBM Self-Paced Virtual Class (SPVC)
Price (excl. tax)
- 1,650.- €
Subscription duration: 5 days
Grace period: 1 years


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Style Icon Iris Apfel on Her Starring Role in a New Documentary
"Nothing I ever did I expected to do," Iris Apfel, the eclectic New York style icon, explains in Iris, a new documentary by Albert Maysles. "It just kind of happened." At 93, Apfel has become our leading ambassador for the fashion of chance: the idea that good taste isn't aspirational but realized on the fly, that more can be done with well-layered costume jewelry and a one-of-a-kind poncho than with all the season's must-have fare. "I like to improvise," she confesses near the start of the film, which assembles footage from her life in fittingly kaleidoscopic patterns. For Apfel, getting dressed is a creative act—like playing jazz, she says—and the unexplored expanses of the world are a sourcebook to fill her closets. It's a sartorial safari seen through round, rose-colored glasses, and it looks, most of the time, like wild fun.
Apfel was well into her eighties when she became an It girl; it wasn't until a 2005 exhibition at the Costume Institute that she became publicly known. Years before that, though, her style sense had earned her a quiet following among the arbiters of taste. Shortly after her marriage to her husband, Carl—"He was cool, he was cuddly, and he cooked Chinese, so I couldn't do any better," she said—the couple founded Old World Weavers, an interior-design firm that redecorated the White House under presidents Truman to Clinton. To source the unique art and fabrics for which they were known, they traveled widely. Even since retiring, Apfel continues to make rounds close to home. In Maysles's film, we watch her haggling for bracelets in Harlem—she only wants the cheap ones, three for twenty dollars—and commuting between New York City and Florida, sometimes taking fifty phone calls a day. We learn how she arranges mannequins in her own image (layered jewelry, pattern contrasts) and sells accessories on the Home Shopping Network. ("Color can raise the dead!") Most of all, we start to understand the mind behind the brazen taste. Where other style icons are sometimes prescriptive and arch, Apfel finds beauty in individuality, however offbeat. Real fashion isn't about pleasing the people around you, she says, but about pleasing yourself: "It's better to be happy than to be well-dressed."
To herald the opening of Iris this week, Vogue.com spoke with Apfel about taste, her influences, and the challenges of starring in a movie by Albert Maysles, a canonic New York documentarian who died this March, at 88.
Let's talk about the making of Iris. You're someone who's been on camera a lot over the past decade. Was there a difference in Albert's approach to filming, as compared with what you're used to?
Albert's approach is unique in that the subject doesn't know what Albert is doing. Which is kind of interesting. Everybody thinks that Albert and I were old, old friends, but I only met him at the beginning of the film. We just hit it off. There was great simpatico, and we were very comfortable with each other. They just followed me around to various things—so many things, because we filmed on and off for four years. He had to go off to Europe and travel to get awards. The same with me, and then I broke my hip. Sometimes six or eight months would pass and we didn't see each other. I had no idea what he was doing. . . . I didn't see the film until it premiered at Lincoln Center.
What was your response?
I was just kind of in shock. They had me sit in the very front row, because I had to do a Q&A and they didn't want me running down the steps and falling on my butt. And I'm very, very farsighted, so my head was all the way back and I couldn't see half of it. I had to see it again at the Hamptons International Film Festival.
Was there anything you were uncomfortable with?
I never did anything I was uncomfortable with. There were a few things that were left out that I wished had been included, but I guess there's a reason they didn't put them in.
Such as?
The Costume Institute named a gallery for me. I thought that was kind of important.
When they first approached you about the project—
I said no. They called me up and asked me if I wanted to do a documentary, and I said I wasn't interested. Then I told people, and they said I was crazy. Linda Fargo called me out and said, You have a nerve! I mean, people would drop dead to have Albert even take a still photograph of them, and you're turning him down? Who the hell do you think you are? He called me again and invited me to come up to the studio in Harlem. I met the staff and we all fell in love, and I said, "O.K., I'll do it." At the time, I thought, who would want to see a documentary about me? I have no ego problems, and I don't have anything to sell, so, you know. . . .
One of the themes of the documentary is your impatience with banality in fashion, with everybody looking the same. Is that a feeling you've always had, or do you think that people have become more the same as you've gotten older?
Yes, I think it's terrible. I think it's very sad. . . . People are being robbed of their imaginations—and everything else—with this button-pushing culture we have.
So how do you guide young people away from that? In the documentary, we see some of the work you've done as a teacher.
At the end of the year, I'm always invited to look at students' work and give a critique and all of that. I realized that there were a lot of problems. The kids weren't being taught a lot of important, practical stuff at the schools. When they asked me to help beef up the fashion department at the University of Texas, I thought that the kids should be exposed to the fact that fashion is not just being a red-carpet designer—which they all dream of, stupidly—or being a merchandise man. There's a big part of the scene under the umbrella of fashion that's rewarding and interesting. So I put together this program. I expose them to important jobs in licensing, styling, back-of-museum work, and on and on. Once a year, they have a contest at the school, and the winners come to New York. I take them around for a very intensive week. It has just been mind-boggling for them. They just go bananas. And I've learned so much. The school subsequently endowed the program in my name, and made me a professor.
Did you yourself find any teachers especially influential on your early interest in fashion and design?
There were several that impressed me very deeply. I had the good fortune to be able to take a course with Margaret Mead. I had a fabulous art course, where it was explained to me that nothing exists in a vacuum, that everything is a result of the period in which it's done—the economics, the sociology, the politics, all sewn together. That was a very important lesson.
In Iris, we see you packing up a lot of your collection of garments and furniture and jewelry—in a sense, your history—to donate or to archive. Was that a difficult process? Do you find that you miss anything?
Well, it's not joyful. I love all my things. It's like getting rid of old friends. But you've got to move on. You've got to be practical. Sooner or later, you've got to get rid of some stuff. I'm not buying any more pieces. I mean, the only thing I buy now is jewelry. And some accessories.
What's next, then?
Oh, I've got so many projects on the fire. The movie is coming out. The kids come from Texas. I'm working on another handbag collection. I have another jewelry collection, too. I'm starting a new book—musings, things that pop into my head, little essays, and one-liners. A lot is going on.
This interview has been edited and condensed.


text:
Users activate AT&T MicroCells from home using their online accounts. If the user already has an AT&T account, he can log in, enter the device's serial number and follow the prompts to complete activation. If the user is not already a registered AT&T user, he must first go to the MicroCell-Activate page on AT&T's website and enter the serial number. Once he creates an online AT&T account and logs in, he can activate the device using the prompts.
Prior to activation, the user must connect the MicroCell to the Internet and power it on, ensuring that the device works and that the power supply is properly connected. Once activation finishes, the user receives an email and a text message confirming the successful activation. A solid, non-flashing green light on the MicroCell and a network name "AT&T MicroCell" on the user's cellphone indicate successful activation and installation.
Activation is not instant; it can take as long as 90 minutes to complete. Users should re-start their phones following activation if they do not immediately see the MicroCell Network indicator at the top of their phones.
MicroCell devices work best when installed on the first floor near a window if possible, at least a foot away from other broadband devices. Installing the MicroCell on a bright day with minimal clouds ensures optimal activation. For further questions, the Downloads page on the AT&T Home Page includes a MicroCell User Manual.


text:
Finding the best Mesothelioma Law Firm will aid you significantly in getting the required financial assistance for your treatments. This is for the reason that such firms will only employ experienced and skilled lawyers that focus only on Mesothelioma cases. As a result, they might have handled many such lawsuits and they might have had a proven record of accomplishment of winning great settlements for their customers, so you are no exception. When your case comes to trial, these law firms will never fail to win you a favorable judgment. How can you find the best law firm to handle your Mesothelioma case effectively? To know, read this post further.
While you are seeking a law firm to deal with your Mesothelioma case, you have to consider one with lawyers who are well versed with asbestos laws as well as with the way to find out who is responsible for the exposure of the disease. Moreover, the Mesothelioma attorney, as well as the firm, should have the required license to represent your case.
Look for a law firm that is capable of telling you what you can exactly expect from your case and how much money will you get as a compensation for your asbestos exposure. The firm is supposed to be ready to investigate your work history to discover when you were exposed to the disease.
Hunt for a reputable law firm, which has the required resources to separate the document of your occupational exposure and military asbestos exposure, as well.
Choose a law firm that knows the medical side, such as the cause of the illness, of Mesothelioma. The firm is also supposed to find the ways you have been infected by asbestos as well as the effects having the disease has on your skill to work in due course.
Finally, opt for a law firm, which knows the way to analyze the losses your family will need to endure because of your absence.
Keeping the above-mentioned things in mind while choosing a law firm to handle your Mesothelioma case will fetch you the best compensation you deserve.


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By Roslyn Russell Are you looking for those perfect wedding invitations, a print to brighten up your space, or a custom illustration for your event or business? Look no further and please welcome Jessica Hyde from truth.be.told as today's featured member on the CWC blog.
What do you create?
I create a range of stationery products based on my illustrations for my little label truth.be.told. I also do some freelance illustration and design work including designing custom wedding and event invitations for a bunch of sweet couples. In my spare time I write about my work and all manner of other things over on my blog truthbetold.
Have you done training in your creative field or has it come about informally? It has all come about sort of organically. I didn't train as a graphic designer or illustrator, at university I studied Architecture, which gave me a great appreciation of design and the context we create in. While studying I was really fortunate to have a lecturer who really encouraged us to explore presentation styles and create by hand. Over time I realised that I loved this presentation side of things more than anything that would be a part of the reality of being an architect. When I finished my degree I knew that I didn't want to be an architect, but I also knew that I loved drawing and designing. So in my spare time I started illustrating and making pieces for my friends which over time developed into starting truthbetold, designing my own stationery range and designing for others.
What are your main creative inspirations? For me it is more a case of what am I not inspired by, I think it stems from my short attention span! I collect a lot of old books - atlases, pattern books, fashion, advertising, architecture, photography - that I constantly flick through for inspiration. I also love old movies and movie posters from the 40's and 50's. I really love reading about what other people are doing and their practices, I find it really drives me to keep going when I am not feeling motivated.
How do you balance your creative projects with the administration aspect of creative work? I definitely struggle to balance the business and creative sides, I would much rather be designing than writing invoices. I also work full time in architecture so everything for truthbetold has to fit in around those hours which is an extra challenge. I write a lot of lists and have found writing a weekly, monthly and quarterly plan helps me keep up to date with the administration and stops me from over committing myself.
I am also an early riser so I've found spending an hour before work dealing with any administration means I am more productive and focused when I come home from my day job and start my own work. I guess I don't sleep a lot, but I wouldn't have it any other way.
What do you do when you experience a creative block? My creative blocks are almost always a result of being overwhelmed by ideas or having too many things on my plate. I will usually take a break and spend an hour on a different project or just spend some time drawing something unrelated. I also find that just taking a break and doing something unrelated helps me unconsciously slow down my thoughts and focus. I can't tell you how many times I have solved a design problem while watching a movie!
What future goals do you have for your creative pursuits?
Ideally I would love to be doing this full time one day but that is a long term goal. Shorter term, I am hoping to create more opportunities to design for events such as weddings. I am currently developing a new range of products for events, as well as new designs for the stationery ranges.
I also want to continue the custom design and illustration side of the business. I would also love to extend this into event styling or visual merchandising possibly.
My main goal is just to keep working with great people on interesting projects because I really love designing something special for them, nothing makes me happier.
Thanks for sharing your creativity here today Jess! You can find out more about Jess and truth.be.told via the links below.
Roslyn Russell is a sewist, blogger and teacher. Her blog, Sew Delicious, is where she showcases her latest projects, designs and sewing tutorials. Roslyn also enjoys cake baking and decorating, exploring Melbourne cafes and restaurants, and hunting through op-shops for vintage sewing and kitchen treasures.


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Brian and Delia Metcalfe are pleased to announce a business name change.
Hunter Valley Country Cabins has become
COTTAGES on MOUNT VIEW
1329 Mount View Road, Mount View, NSW 2325 Australia
ph: (61 2) 4990 8989
Catering for up to 24 guests – couples, families, small groups – we still offer a tranquil escape, our wildlife still visit, and we will continue to provide an afforable, comfortable and peaceful accommodation choice in Hunter Valley Wine Country.
Minutes to boutique Cellar Doors including Tallavera Grove, event venues such as Tempus Two, and Robert's Bistro Molines and miles from your busy every day...
make Cottages on Mount View your accommodation choice.
When was the last time you visited?
Come see the changes soon!
Contact Us
1329 Mount View Road
Mount View, NSW Australia
Phone: ( 61 2 ) 4990-8989


text:
From western lands beyond the foam,
We sought our English fathers' home
By few or known or sung.
Which 'neath the quiet English skies,
far from all busy haunts it lies
The wide chalk downs among.
Huge druid stones surround the spot,
Which else had almost been forgot
By the great world without.
The mystic ring now scarcely traced
Is by a grassy dike embraced,
Circling the whole about.
Deep hangs the thatch on cottage eaves,
And buried deep in ivy leaves
The cottage windows gleam.
There little birds fly to and fro,
And happy children come and go
With rosy cheek and rustic walk,
They curtsy for the gentle folk,
As they the strangers deem.
With pinks and stocks the beds are gay,
And box and yew their shapes display
Fantastically trimmed.
And each small garden overflows
With scent of woodbine and of rose
Above the borders trim.
The ancient little Norman church,
With quaintly medieval porch,
Stands 'neath the elm tree tall
Sunk in the graveyard plot around,
The moss-grown headstones scarce
are found
Few stoop the lettering to trace
Which time's rude hand will soon efface.
Some there may be of highborn race,
But none the names recall.
The many gabled manor house,
With winking casement sheen,
Seem in the summer light to drowse
And dream of what has been
And we may dream of earlier days,
When the old convent marked the place,
When nuns in gown and coif complete,
Paced the green paths with quiet feet,
And gather herbs and simples small
Beneath the high brick garden wall,
Finding a safe retreat.
Like some small nest securely placed,
With ferns and grass interlaced,
But open to the light,
The hamlets seem to lie at rest
Upon the common's ample breast,
Secure in loneliness of space
From aught that could the charm efface
Of innocence and old-world grace
Worn by ancestral right.
Home of sweet days and thankful nights,
Fair fall on thee the morning light,
Soft fall the evening dews.
Wild winds perchance may sweep the wold
But age, untouched by storm or cold,
In memory's sight thou standest there,
Encircled by serenest air,
In changeless summer hue.
Mary S Cope (1852-1888)
Saturday, September 06, 2008
From western lands
Posted by Littlestone at Saturday, September 06, 2008
1 comment:
- Littlestone said...
More about Mary Cope and her family at http://thelmawilcox.blogspot.com/
- Saturday, 06 September, 2008
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