text:
Testo Boost XS Reviews: 100% Safe & Effective Supplement Free Trial
Testo Boost XS Reviews:
Testo Boost XS: Testosterones are basically the hormone which is used to boost power in body. hormones. Testosterone is found in both men and women, however guys take with regard to 10 times even more of the same, and clearly men are the sex that benefits even more from having high levels of male hormone director.
Testosterone – as well as a lot of other androgen's – is most recognized for their results in sex-related qualities. In short, testosterone is the hormone that makes us men. It promotes growth of the penis as well as the scrotum, it is vital to consider the possibility of sperm manufacturing, strengthens the vocal cords, increases the rate of development of body and facial hair, body shape effects, regulates the circulation of fat, and also just makes men more manly from the tops of our scalp, to the pointers of our toes.
Testo Boost XS is solution of all above problems.
What is Testo Boost XS?
When it comes to the topic of male enhancement pills, there are plenty of rooms to choose from. For the man who is trying to increase his penis size and also add an increase in his power and also of holding grades, picking up the ideal is important since the wrong option will certainly cost you money and also time. Then he is back when he travels in search of a more supplement that actually works.
Testo Boost XS is a male growth pill that has a unique combination of components that targets the health-male blood circulation fundamentals as well as the well-being of penile cells. More significantly, it achieves these results with drug demand, virtually getting rid of the possibility of any kind of adverse effects.
How does Testo Boost XS work?
The principle behind Testo Boost XS is to take all natural active ingredients that are verified to be risk-free and tested in order to help increase blood circulation and also integrate them right into a pill that improves sex-related efficiency as well as it develops harder erections.
We understand that the penis becomes more difficult as more blood is provided. What can cause a flaccid erection or insufficiency of the results related to sex is an absence of adequate blood flow.
Therefore, Testo Boost XS manufacturers sought ingredients that would certainly improve blood circulation and also the circulation of nutrients in the penis, allowing for much better, longer lasting performance.
Pros and cons of more males
Before making the final decision, we have provided this short list of the main advantages and disadvantages of the Extra Man to help you get a look at the big picture.
The Pros:
- Contains no chemicals or strong medications
- totally natural
- It has no harmful side effects recorded
- Provides a holistic method for increasing sex-related performance
- Easy to use (Only one pill a day, even though they are perfectly bound to take them to a set time of day to put their body in a rhythm)
- very affordable in rates, one can easily afford these pills within their budget
- Great value for money
- Easy to get it online so to get these pills one need not to spend hrs. Now one able to get the product just in 2 to 3 days of the order. So now it is easy to get the product
- 60 days 100% money back guarantee, if results are not acceptable
- Distinct, potent combination not found in any other male enhancement product
The cons:
- Results differ for each man, based on various factors such as age, history of chronic diseases such as diabetes, physiology, etc.
- It is only available on the official website.
Use: The ingredients of the preparation increase sexual potency, favorably affect physiological mechanisms that allow erection and sexual drive (libido).
Recommended intake: Take 1 capsule daily, preferably several hours before approaching, with plenty of liquid. Effects can be expected after at least a month of use. After 2 months of use make 2 weeks break.
Important Tips:
- Do not exceed daily recommended serving.
- A balanced and varied diet and healthy lifestyle are the basis for ensuring the proper functioning of the body.
- Dietary supplement cannot be used as a substitute for a varied diet.
- Store at temperatures up to 25 ° C, not accessible to young children.
- The preparation can be used by diabetics.
- Contains no lactose or gluten.
Where to buy:
Testo Boost XS pills are not readily available at the online site of the product, Testo Boost XS pills are readily available on the official website. You can place your order without any risk of using fakes only on the official website. No hassle, you can buy it now for your package from the main site.
Buy Testo Boost XS pills from the official website that ensures that you not only use the actual product but also distribute great gifts and offers also offers.
Also if you feel that you are not happy with the results company offer 60 days 100% money back guarantee. Also one can get the trail back if place the order at website right now because offer is in limited stock
Testo Boost XS is a male growth pill that has a unique combination of components that targets the health male blood circulation fundamentals as well as the well-being of penile cells.
Searches Related Keywords
Testo Boost XS Scam
Testo Boost XS Reviews
Testo Boost XS Side Effects
Testo Boost XS Prices
Testo Boost XS Results
Testo Boost XS Pills


text:
Chapter 4: Where memories wait
Chapter 4: Where memories wait
| Enemies Encountered
|Imitation Despot
|Ephemeral Phantom
|Delusory Dragoon
|Ephemeral Summoner
Chapter four begins in gateway play. Be sure to visit the customization menu to give Yuna anything she needs, then step forward and take on the Imitation Despot directly in front of you. The Despot has both close and long-range attacks, so depending on your personal style of play, you can approach from whichever distance you're most comfortable. Yuna has some killer bravery attacks, so you shouldn't have too much trouble Breaking it and ending the battle quickly.
Take on the Ephemeral Phantom at the top of the board next. Watch out for its charging attack and try to use long-range attacks if possible. Remember to use the stage to your advantage since you can quickmove to the top or bottom area to hide and recover from Break. Take the Cotton Robes from the treasure chest once you beat the Phantom, then take out your old friend the Delusory Dragoon at the bottom of the board for a Hairband from the chest it's guarding. Equip your new treasures, take a Guard Ring from the last remaining chest, and then move to the Ephemeral Summoner on the other side of the board.
The Summoner is weak and shouldn't be a problem, but keep your distance and use long range attacks when possible. Once you Break the Summoner, Energy Ray is particularly helpful since the stage is so wide open. Follow the usual pattern and you'll be fine. Once you're done, engage the Stigma of Chaos to end gateway play.
Once you're in the rainy world map (this chapter apparently takes place in Seattle), take a right out of the empty gateway, and then a left at the second orb that you see. You'll find a roaming Counterfeit Wraith that you should be able to take out without too much trouble, and there's an EX Charge skill for the taking in the nearby chest. Continue toward the gateway and stop to buy whatever you'd like from the moogle shop, then break the rock to cross a bridge and take a Rosetta Stone from the chest. Trade the Rosetta Stone for an extra accessory slot in the customization menu, then head through the North Melmond Gateway when you're ready.
|Enemies Encountered
|Imitation Despot
|False Hero
|Ephemeral Phantom
|Fleeting Flash
|Ephemeral Summoner
Inside the gateway, start with the Imitation Despot, which is an identical battle to the one in the previous gateway. Once it's gone, take an Oak Staff from the chest it was guarding. Move onto the low level False Hero ahead, which should be far weaker than you by this point. Be aggressive and take it out with a few close range bravery attacks followed by Thor's Hammer. The Ephemeral Phantom beside it is another battle you're familiar with that shouldn't pose any problems, so knock it out and then grab the Summonstone it was guarding for your very own Ramuh (Auto).
Summon Reserves - Now that you've acquired multiple Summonstones, take a minute to visit the Summons section of the customization menu. In addition to simply equipping the Summon that you want to use, you can set reserves to take over while your summon is recharging. Pay attention to the remaining usage for each Summon as you set the order.
Equip Ramuh, then take on the Fleeting Flash and Ephemeral Summoner at the top of the board. You've fought both before, but watch out for this Flash's particularly annoying Crushing Blow combo, and try to counter with Thor's Hammer after dodging. The Summoner won't offer any surprises, so once you've beaten the pants off of it, engage the Stigma of Chaos to end gateway play.
Out in the rain once again, move straight ahead and destroy the roaming False Stalwart off to the right. This battle might be a bit difficult if you're still low-level, but if you use long-range attacks retreat to the roof whenever you need to recover from Break, you should be fine. Take an Oerba Beads accessory from the chest it was guarding, then head to the rock outside of the gateway. Destroy it and cross the bridge for a Cure skill from the chest. You can use the blue gateway here to level up if you need to. We recommend being at least level 14 (with 18 being preferable) before jumping into the final gateway.
Once you're happy with your level, jump into the Southern Shrine Gateway.
|Enemies Encountered
|False Hero
|Ephemeral Phantom
|Ephemeral Summoner
|Imitation Despot
|False Hero
|Ephemeral Vision
|Ephemeral Phantom
|Ephemeral Vision
|The Emperor
There are more enemies than usual inside this gateway, but as long as you're a high enough level, none of them should pose much of a threat until the boss. There's a low-level False Hero in the bottom-left of the board that can only be accessed through the use of a chain skill, so use one if you have any left and want to clear the board. If not, begin with the Ephemeral Phantom to your right. This is the weakest enemy on the board and if you're a high enough level you'll be able to kill it with a single HP attack. Even if not, a few quick close-range aggressive attacks should end this one in no time.
Take on the Ephemeral Summoner next. Watch out for a taste of your own medicine, as the Phantom's Energy Ray attack can hit particularly hard. Stick to using Impulse for a long-range Break and then move in with your own Energy Ray for the win. The Imitation Despot nearby is another low-level opponent and we once again recommend being aggressive and going for the quick kill. Next, move to the top of the board and take on the False Hero. Be careful of its long range attacks and try to move in for a close-range kill once you've dodged them. After the battle, take a Soul of Valor accessory from the nearby chest.
Go after the gold Ephemeral Vision next, and, as always with gold opponents, just be patient and wait for the best window to use an HP attack. This battle can be especially annoying as the Zantetsuken summon has a chance of knocking your bravery to 0, so be very careful and don't become too vulnerable. After the battle, skip the Potion for now unless you desperately need it and move on to the Ephemeral Vision and Ephemeral Phantom in the top left of the board. You've faced both enemies and know the drill by now, so stick with your favorite Bravery/HP attack combos and neither battle should be a problem. Take a Pink Tail accessory from the chest they were guarding once you finish. Now use the Potion, then move to the statue on the right side of the board and engage it to fight The Emperor, your toughest battle yet.
The Emperor[edit]
The Emperor has two Far From Opponent booster accessories equipped, so try to stay as close to him as possible to negate their effect. This means you'll have to be extremely careful dodging and evading since he has some brutal close-range melee attacks. Do your best to dodge as many of them as possible, and don't be afraid to use the stage's size to your advantage since you can briefly run away from him to recover from Break.
Try to use EX Mode as early as possible, especially if you manage to Break him. If you don't have a full gauge, just fall into a rhythm of dodging his attacks and immediately countering with a bravery attack. It'll take a long time to chip away at his bravery this way but if you're patient it's a smart strategy to avoid letting him catch you after a missed HP attack, which can lead to brutal consequences.
Once you take him down, you'll transition into a cutscene and the level will end. So long, chapter four, and thanks for all the memories.
Was this guide helpful?

subset: commoncrawl


text:
Francois Reumont directed the excellent short horror film Dans la Nuit (aka At Night) which played Leicester as support to David Cronenberg's Spider in March 2003. This e-mail mini-interview was done a couple of weeks later.
"As it says on the last line of the French language credits, 'this film has been made without any kind of support' - which is true. This is a statement I wanted to spread, especially for those who love fantasy movies and who are desperately seeking money every year to make their own films. Maybe to give them hope, and to show that this is possible, and that you don't always have to wait for money from French institutions to shoot your own project.
"Of course I tried to raise money from every one of these people like the CNC (National Centre for Cinema) or the different French regions, but no one was interested in the script. As I knew more or less how things were going to go (French commissions are always reluctant to deal with true genre movies) I decided first to shoot the film on my own money, which meant 10 years of savings, and professional relations with the movie industry (working as a DP). The final budget of the film was around 22,500 Euros."
How has a short French film made its way to Leicester? This is very unusual.
"Because of the connections I made in festivals around Europe in 2002. To cut a long story short, I met a British TV producer (Howard Martin, who makes the TV show outThere) at the Malmo Fantastic Film Festival. He liked the film very much, and after a couple of days watching films and drinking beers together with the other guests, he suggested that I send a tape to Alan Alderson-Smith at Leicester Phoenix Arts for his short film program. Alan sent me his agreement, and the copy was sent to the UK for a week in March 2003."
[outThere is a late-night show on Channel 5 which features clips of extraordinary movies available on VHS and DVD in the UK. It was presented by 'Eden' for one series and then by Emily Booth from series two. I had the pleasure of meeting producer Howard Martin at Phoenix Arts when an episode of outThere was shown as support to the UK premiere of Ghosts of Mars at the first Far Out Film Festival in 2001. - MJS]
Was your cinematography work on other films just a step to directing? Which do you prefer and why?
"As a matter of fact I don't really believe in all the classifications people use in the movie/commercials/TV industry. I like to think myself as a movie-maker, exactly at the same level as a production designer, an actor or a producer. Of course you don't use the same skill doing all these different jobs, but at the end you converge towards the same goal: telling an audiovisual story. So that's why I still work as a DP, and I keep enjoying it, exactly as an actor/director can go back to acting in someone else's film.
"For me, working as a DP was just one way of getting experience over a lot of critical fields in terms of movie-making: learning how to use a camera of course, and how to frame or to light a set, but also keeping as close as possible to the acting experience, and even how to get the best from the smallest budget. I must assume for example that working as a DP on more than 30 short films since I left school in 1991 has been a huge help in terms of production managing, and knowing how to control your expenses. Something that I used a lot on my own film, since I was spending my own money!"
I spotted some thanks in the end credits: J Carpenter, PK Dick, a few others - how have these men influenced you?
"Yes, I wanted to put a little 'coup de chapeau' (tip of the hat) on the end credit to these guys because they are surely one of the main influences in that particular script. First Stephen King - for the general mood of the story, and the character of the mum (the model was Cathy Bates in Misery, so that's the reason her first name is in the movie). Then John Carpenter - when he works on the King theme on his masterpiece In the Mouth of Madness. The accident scene is definitely an homage to this film. Stanley Kubrick - for the 'Bring a blanket-bring a blanket...' book, another nod to King's The Shining, and of course Philip K Dick for the multiple levels of reality, and altered perceptions of it, which lead us to all the nightmarish structure of the film (Ubik)."
What do you think of David Cronenberg's Spider?
"I saw it in Cannes last year, and I was very happy with it. It was one of the best films I saw there, along with Roman Polanski's The Pianist and Gaspar Noe's Irreversible (a Death Wish movie told in reverse). I was very glad and honoured to be presented as support to this film in Leicester, as Cronenberg is one of my favourite directors. What's more, I just had the pleasure of conducting a very long interview about Spider with Peter Suschistky, Cronenberg's British cinematographer, last September for a French magazine that I write for, Le Technicien du Film."
What will your next film be?
"Bonne question! I don't know yet, but some French producers saw Dans la Nuit and asked me for a feature treatment on the basis of the same atmosphere. I'm actually working on it with my fellow scriptwriter. (I'm not the mythical French 'auteur'; being director and screenwriter can work for the best but more often for the worst...) And so that's why things take time. I never really learned movie-making from a writing angle, I work much more on the visual side of it, as I was explaining in the first answer. I would have liked so much to find a good, ready made horror/thriller script, but screenwriters are so difficult to find round here...!"
website: http://francoisreumont.com
interview originally published before November 2004


text:
Validating a Workflow
Before you save your Workflow design, you may wish to validate it. (It is not possible to save an invalid workflow). Validation is very important as a Workflow must be complete and logical if it is to be run successfully. To understand if your Workflow design is valid:
1) Click on the Validation button in the Control Bar.
2) The Workflow Designer will show validation symbols next to each Node. A green tick means OK and a red warning sign means there is an error.
3) Click on each Node to inspect and correct the validation errors.
4) Alterely click on the Canvas to see a list of errors for the entire Workflow.
5) Once you are finished, click the Validation button in the Control Bar again.
Note: If your validation fails, remember a few key rules:
• Every Workflow must have a start node
• Every Workflow must have at least one end node
• Every Node must have the correct number of entering and leaving transitions
• Some Transition Names are mandatory
• Every User Task and Action Node must have a Configuration assigned.


text:
The Silicon Valley-based electric-car startup, Lucid Motors is said to be entertaining a possible sale to Ford Motor Company, Bloomberg reported on Monday.
The publication, citing people familiar with the matter, said Lucid approached Ford about a possible sale, and that Ford rebuffed the suggestion.
Lucid is currently raising money in a Series D round.
A Lucid Motors spokesperson declined to comment on any takeover talks or the company's current Series D, but said that the fundraising effort was "going well." The company is backed by Venrock, which is the same venture capital firm that led Apple's Series A round in 1978.
Business Insider reported in February that Lucid Motors' Series D was in the works. A company spokesman said at the time that Lucid had raised several hundred million dollars as it develops its 1,000-horsepower Lucid Air electric luxury sedan.
Like Faraday Future, another investor-backed electric-car startup, Lucid Motors is also seeking funds to build its inaugural factory, which Bloomberg said could cost $700 million. But unlike Faraday Future, Lucid Motors has not started work at its own site in Casa Grande, Arizona.
Faraday Future said last week that it was temporarily abandoning its plans to build an assembly plant in North Las Vegas, Nevada, 15 months after it held a ceremonial ground-breaking at the site in April 2016, citing trouble raising money from outside investors.
Lucid Motors Chief Technology Officer Peter Rawlinson told Automotive News at the New York International Auto Show in April: "It would be irresponsible to start moving earth or start anything until we have a financial runway to execute that professionally and with absolute integrity."
During his February interview with Business Insider, Rawlinson said of building a new electric car from the ground up: "This team realizes the enormity of the task. We're car guys. This is the team that has done it before. We know how to do this."
Get the latest Ford stock price here.


text:
Psalm 130
Out of the depths I have cried to You, O Lord;
Lord, hear my voice! Let Your ears be attentive To the voice of my supplications.
If You, Lord, should mark iniquities, O Lord, who could stand?
But there is forgiveness with You, That You may be feared.
I wait for the Lord, my soul waits, And in His word I do hope.
My soul waits for the Lord More than those who watch for the morning– Yes, more than those who watch for the morning.
O Israel, hope in the Lord; For with the Lord there is mercy, And with Him is abundant redemption.
And He shall redeem Israel From all his iniquities.
Praying that every blood bought adopted child of the Father in heaven; stands amazed at His promise for redemption and lives confidently within it. Oh, I love to hear the story of my Savior and His glory… ♥ Streim


text:
When you stay at Kings Hotel in High Wycombe (Stokenchurch), you'll be within the vicinity of West Wycombe Park. This hotel is within the region of River and Rowing Museum and Roald Dahl Museum and Story Centre.
Make yourself at home in one of the 43 air-conditioned guestrooms. Complimentary wireless Internet access keeps you connected, and satellite programming is available for your entertainment. Private bathrooms with shower/tub combinations feature complimentary toiletries and hair dryers. Conveniences include desks and coffee/tea makers, as well as direct-dial phones with voice mail.
Make use of convenient amenities such as complimentary wireless Internet access, babysitting/childcare, and wedding services.
Grab a bite to eat at the hotel's restaurant, which features a bar, or stay in and take advantage of 24-hour room service. Quench your thirst with your favorite drink at a bar/lounge. Breakfast is available for a fee.
Featured amenities include audiovisual equipment, express check-out, and complimentary newspapers in the lobby. Event facilities at this hotel consist of banquet facilities and a meeting/conference room. Free parking is available onsite.


text:
(under construction)
2. Usage and features
Note: This guide assumes that userTrack was installed in the public_html root of your site, in a folder called userTrack.
2.1 Accesing the interface
- You first have to login.To login go to yourdomain.com/userTrack and enter your password. . By default the username is admin and password is ustdefaultadmin
- Make sure to change the default password after first logging in.
2.2 Mouse Movement heatmaps
- You can enter this section by clicking the first button.
- You may now choose which page to show data from. You can also choose a resolution (this is recommended as your website may render differently on different resolutions)
- Higher activity regions on the page are shown using the red color.
2.3 Mouse Clicks heatmaps
- You can enter this section by clicking the second button.
- Same as 2.2 but this heatmap displays areas with most number of clicks.
2.4 Scroll heatmaps
- You can enter this section by clicking the third button.
- The scroll heatmap is currently based on mouse movements. Higher activity regions are shown with the red color.
2.5 Record Playback
- You can enter this section by clicking the fourth button.
- Choose a session from the list and click PLAY RECORD to start the playback.
- Once the user visits another page the record coresponding to that page will be automatically selcted and played.
- To delete a record double click the X icon. You can stop playing a record by clicking "STOP"
- Important note: Due to performance issues the last page a user visits is not fully recorded. When a user enters a page the recording of the last page is sent. This saves a lot of db usage by reducing the number of requests sent to the server.
2.5.1 Autoplay
- You can start autoplaying a list of visits.
- In the clients list select one record by clicking it and click "START AUTOPLAY"
All records present in that list including and above the selected record will be played on after another.
2.6 Settings
You can access this menu by going to "Change tracker settings" on the main dashboard.
- Every change you make here is saved directly into tracker.js file.
- Every time you open the menu the settings value you see are loaded directly from the tracker.js file.
- Place mouse over a setting name or value to see a small description.
2.7 Admin settings
- You add users by toggleing the admin panel and clicking the "Add user" button. You can then change his name or level simply by clicking inside the table
- To change the limit for recordings simply click the "Record limit: 100" area to edit it.
2.8 Remove data from database
- To delete all stored recordings go to the records tab and in the dialog opened in the lower right corner you have options to delete either stored session, or all data stored in the database including heatmaps
- You can also delete specific clients (users) with all their coresponding data by selecting the users from the list and clicking the trash icon


text:
Both styles of Prestan CPR training manikins are in stock and available now from MCR Medical Supply. We're happy to discuss CPR manikins and all of our products either over the phone at 614-782-2100 or email email@example.com.
We look forward to speaking with you and fulfilling your CPR Training needs!


text:
Manages programs with particular emphasis on recruiting, training, placement, and support of volunteers. Facilitates activities of volunteers and teachers, upholds quality standards for the organization, assures adherence to program models and program expansion in respect to organization's strategic goals, develops and maintains good educator relationships at all levels, and is a liaison to Board committees.
1. Recruits and renews volunteer commitment through individual renewals and company liaisons. Develops and implements training programs and training evaluation. Coordinates the placement and scheduling of trained volunteers. Assures adherence to program implementation standards that align with organization's strategic plan. Develops and implements plans for teacher and volunteer contacts including class visits, newsletters, phone contacts, teacher visits and call-back sessions.
2. Develops and delivers sales presentations to support strategic plan to new districts, schools, and prospective teachers. Renews commitments of schools/teachers. Submits forecasts and interim reports to staff supervisor.
3. Handles general records and correspondence with volunteers and prospects. Files all program variances, volunteer conduct & standard forms, program completed forms, and submits class registrations by fiscal year deadlines. Communicates marketing on volunteer needs, including but not limited to online postings and volunteer fairs.
4. Assists all program related Board committees in caring out their specific functions. Supports in preparation for Board and Committee meetings.
5. Assists with special events, grant writing, and other duties as needed.
Bachelors degree or equivalent experience.
Strong oral/written communication and organization/planning skills.
Computer literacy.
Bachelors degree or higher in business or education.
Two years classroom or business experience.
Email current resume or CV, along with a letter of interest to Education Manager Amanda Blake (firstname.lastname@example.com).
This position description in no way states or implies that these are the only duties to be performed by the employee occupying this position. Employees will be required to follow any other job related duties required by their supervisor. This document does not create an employment contract implied or otherwise, other than an "at-will" relationship.


text:
We love this detailed loose-weave linen effect
Contact Us to discuss your requirements furthert:01938 552 671 e:email@example.com
Download Technical Spec Sheets
Roll Sizing:
Brignac is supplied on 1.37m wide by 27.4m rolls.
Pattern Repeat
Need any help finding the perfect Wallcovering for your project? Maybe you need something bespoke?
Call us on: 01938 552 671
to talk to one of our wallcovering expertsRequest Callback


text:
: I can give you my thoughts, and what I consider the "pro's" and "con's", but I don't know of anything that would support a definitive answer for you.
First, everyone today has to consider economics. I don't know where you're located, how much your building will have to be heated during how much of the year, or what your utility rates are for gas and electricity, but your Consulting Engineer should certainly be able to give you an economic comparison, and that's what drives most of these kinds of decisions today.
Second, I'm wondering whether there is any possibility of using Heat Reclaim from your Data Center to provide some energy savings for the rest of the building. Again, your Consulting Engineer should be able to tell you if this is worthwhile considering or not, and what the payback term would be for the investment.
Third, is the matter of dependability. Since this decision apparently won't directly affect the Data Center (which normally won't require heat except possibly in a generator or battery room), it probably doesn't really matter, but at least may be a consideration if one or the other is historically more dependable in your area. And if you might one day expand the Machine Room into part of the extra 6,000 sq. ft., gas might help you maintain heat when electricity is shut down in that area for construction. Just a small additional consideration.
Fourth is the question of potential contaminants. Again, this should really not be an issue if a gas heating system is properly designed, since I would not expect there to be direct combustion devices in the occupied areas. So long as the furnace chimney carries byproducts away from the Data Center and the building air intakes (which by Code is must), there should be no concern about contaminants entering the computer room.
Last is just the matter of comfort level. Some people have concerns about gas in their facilities because of the remote possibility of a leak and explosion. If you consider this a legitimate concern, then go electric. If not, then evaluate all the above and make your decision. Other than our overall responsibility these days for energy conservation, there really is no right or wrong decision in this regard as far as I'm concerned.
Register Hereor login if you are already a member


text:
Create a class Word, representing a word. Two words should be considered equal if they consist of the same sequence of letters and we consider upper case and lower case as equal. For example hello, Hello and HELLO are considered to be equal. The methods equals and hashCode dene the meaning of \equality". Thus, the class Word should look like the following.
public class Word implements Comparable {private String word;public Word(String str) { ... }public String toString() { return word; }/* Override Object methods */public int hashCode() { "compute a hash value for word" }public boolean equals(Object other) { "true if two words are equal" }/* Implement Comparable */public int compareTo(Word w) { "compares two words lexicographically"}}Note: If you want, you can add more methods. The methods mentioned above are the minimum requirement. Task 6 and onward is based on task 5. Thus, carefully test all methods before proceeding.


text:
My dear husband bought this book for me on Book Depository – 'The Story of a Soul', The Autobiography of the Little Flower. It arrived for me 2 days ago and I'm so excited to be able to finally savour its contents!
To have beautiful and holy thoughts and to write books or lives of the saints do not count so much as answering as soon as you are called.
The new Thérèse was penetrated with the Gospel teaching, and put it into practice in her daily life. Yet more, she taught the way of spiritual childhood by her words and example to the novices of her Monastery, and she revealed it to all by her writings, which have been spread all over the world and which none can read without returning and re-reading them with great profit
– Pope Pius XI
Already, the prologue of the book, I see Thérèse's words that reminds me that responding to the Lord's call is more important than the ability to write or think beautifully.
I see this reflected in my relationship with my dear husband as well; one of the most important things to him is to obey him and the Lord with love and trust. Action speaks louder than words.
I want to choose to prioritize my prayer life over all other aspects of my life. How glad am I then, that every moment can be a prayer!
- http://www.bookdepository.com/book/9780895551559?redirected=true&selectCurrency=AUD&w=AF45AU9S8L7X2XA8ZRZ4&gclid=Cj0KEQjw2KyxBRCi2rK11NCDw6UBEiQAO-tljXR5kXYaTQlYPnwQb8OymyWxAloXozfuC-B1UprQ7FAaApjG8P8HAQ
- http://www.littleflower.org/


text:
The Cambridge History of Music Criticism
Part of The Cambridge History of Music
- Editor: Christopher Dingle, Royal Birmingham Conservatoire
- Date Published: August 2019
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
- format: Adobe eBook Reader
- isbn: 9781108656481
Find out more about Cambridge eBooks
Adobe eBook Reader
Other available formats:
Looking for an inspection copy?
This title is not currently available on inspection
Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.Read more
- Expands the boundaries of what the study of music criticism might encompass, giving a much needed perspective on a rapidly growing area of musicology
- Goes beyond previous studies of music criticism, with a significantly broader timeframe, more extensive geographical reach and the inclusion of a wide range of themes
- Provides a catalyst to new areas of study in the field of music criticism by introducing the latest thinking and provocations in the field
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
Product details
- Date Published: August 2019
- format: Adobe eBook Reader
- isbn: 9781108656481
- contains: 2 b/w illus. 2 tables 1 music example
- availability: This ISBN is for an eBook version which is distributed on our behalf by a third party.
Table of Contents
Part I. The Early History of Music Criticism:
1. Speaking of plainsong in the Middle Ages Christopher Page
2. Music criticism in the Late-Medieval and Renaissance era Stefano Mengozzi
3. Musical discourse in Italy 1500–1800 Carrie Churnside
4. Music criticism in France before the Revolution Charles Dill
5. Music criticism in Britain up to Burney Rebecca Herissone
6. German Music criticism before 1800 Stephen Rose
Part II. The Rise of the Press:
7. French music criticism in the nineteenth century, 1789–1870 Mark A. Pottinger
8. Gatekeeping, advocacy, reflection: overlapping voices in nineteenth-century British music criticism Leanne Langley
9. Constructing a musical nation: German-language criticism in the nineteenth century Laura Tunbridge
10. Music criticism in nineteenth-century Italy Alexandra Wilson
11. Music criticism in Imperial Russia Emily Frey
Part III. Critical Influence and Influences:
12. Critiquing the canon: the role of criticism in canon formation Laura Hamer
13. Comparing notes: recording and criticism Christopher Dingle
14. The gender paradox: criticism of women and women as critics Laura Hamer
Part IV. Entering the Twentieth Century:
15. Music criticism in the United States and Canada up to the Second World War Mark McKnight
16. Music criticism in Portugal: towards an overview Paulo F. de Castro
17. Spanish music criticism in the twentieth century: writing music history in real time Eva Moreda Rodríguez
18. Critical battlegrounds in the French Third Republic Delphine Mordey
19. British music criticism, 1890–1945 Paul Watt
20. Music criticism in Norway Per Dahl
21. Aesthetic conservatism and politics in German music criticism, 1900–1945 Karen Painter
22. Music criticism in Hungary until WWII Lynn M. Hooker
23. The 'people' in Czech and Slovak music criticism Kelly St Pierre
Part V. New Areas:
24. Jazz criticism in America Mark Racz
25. Catalysing Latin American identities: Alejo Carpentier's music criticism as a Cuban case study Caroline Rae
26. Writing about popular music Simon Frith
27. Working in the cool capitalism complex: the role of critics in the world music field Timothy D. Taylor
28. Cultural anxieties, aspirational cosmopolitanism and capacity building: music criticism in Singapore Shzr Ee Tan
Part VI. Developments since the Second World War:
29. Music criticism in the USSR from Asafyev to Cherednichenko Peter J. Schmelz
30. The Feuilleton and beyond: criticism in the Federal Republic of Germany and Austria after the Second World War Mark Berry
31. Music criticism in Italy in the twentieth century Raffaele Pozzi
32. Wider still and wider: British music criticism since the Second World War Christopher Dingle
33. Music criticism in France since the Second World War Christopher Brent Murray
34. Old divisions and new debates: music criticism in post-war America Sophie Redfern
35. Stop the press? The changing media of criticism Christopher Dingle and Dominic McHugh.
Sign In
Please sign in to access your account
Not already registered? Create an account now. ×
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.com Sign in
» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×


text:
NCR Corporation (NYSE: NCR) is a global technology company leading how the world connects, interacts and transacts with business. NCR's assisted- and self-service solutions and comprehensive support services address the needs of retail, financial, travel, hospitality, gaming, public sector, telecom carrier and equipment organizations in more than 100 countries. NCR is headquartered in Duluth, Georgia, USA.
We are recruiting to fill the position of:
Job Title: Finance Associate
Job I.D: 0049803_P0060286
Location: Lagos, Nigeria
Grade: 7
Position Summary & Key Areas of Responsibility
Basic Qualifications:
Interested and qualified candidates should:
Click here to apply online
Application Deadline Date
Not Specified.
We are recruiting to fill the position of:
Job Title: Finance Associate
Job I.D: 0049803_P0060286
Location: Lagos, Nigeria
Grade: 7
Position Summary & Key Areas of Responsibility
- Processes and/or oversees the processing of financial/business forms.
- Checks, corrects and maintains a variety of financial and other business records and documents.
- Answers inquiries and provides information to management on revenue expectation and projections
- Prepares or assists in preparing various financial or administrative reports.
- Relates with vendors to meet customer's expectation; processes requisitions for supplies.
- Prepare various payrolls.
- Initiate new procedures in accounting /business systems.
- Contributes to unit goals by accomplishing related duties as required.
- Coordination of new employee on-boarding and employee exiting processes (ordering equipment, collecting equipment, setting up employee IDs, etc.)
- Displays understanding of the business as a whole, as well as the functional organization's priorities to ensure projects and tasks are proactively being managed
- Provide support and direction to other clerical and administrative support staff
- May lead/administer projects or programs
- Follow up receivables and maintain business relationships with customer's process owners.
- Collate and analysis documents required for payment processing.
Basic Qualifications:
- BSCE or High School Diploma or equivalent.
- ACCA, ICAN, CIBN, CIMA any of these certifications will be required, especially ICAN.
- 3+ years of related experience.
- Experience/proficiency with MS Office (PowerPoint, Word, Excel, Outlook, etc.)
- Working knowledge of Oracle AP systems
- Familiarity using database and reporting tools, e.g. Microsoft Access, Crystal Reports
- Demonstrated ability to learn new systems and processes specific to the business operations (travel, expense, Accounts payable, P&L, and purchase orders)
- Strong organizational & prioritization skills
- Excellent interpersonal, verbal, and written communication skills
- Ability to work in a team environment and perform duties with accuracy, quality, and integrity
- A record of demonstrated performance excellence
- Ability to discern confidentiality of information and handle appropriately
- Flexibility, tolerance for ambiguity, and an ability to be responsive to and/or perform under pressure and within defined deadlines with minimal supervision
- Detail-oriented, creative and proactive with a strong sense of urgency; Constantly takes the initiative to achieve and/or surpass the responsibilities of this position.
Interested and qualified candidates should:
Click here to apply online
Application Deadline Date
Not Specified.


text:
So this is the first post.
My name is Dean Murphy, I'm originally from London, England, but currently living in the North-East of England with my Wife and Daughter.
I have dedicated myself to almost non-stop programming the past 3 months in both Python and Lua.
Since starting to program I have released 2 iOS apps under my brand echo(echo).
My third iOS app is currently in development for a client who hired me after I was assisting him on a forum. This is slated for release within the next 6 weeks.
This blog is mainly a place where I can document the progress I am making, post tutorials and example code, give opinions on trending topics, explore marketing & analyctics and maybe you might see the a review of any apps, games & gadgets I discover.
Enjoy ^_^


text:
On Vladimir NabokovLeave a comment
April 30, 2013 by mattwilcoxen
Last year I gave a paper on Vladimir Nabokov and St. Augustine and their conceptions of the relation between human temporality and human desire. I am trying to publish the finished product, and here are some of the scraps. The following is an introduction I wrote, all about Nabokov. I realized it was not at all right for my essay, but I might as well post it up here. I found Nabokov a real thrill to read, and I highly recommend his autobiography Speak, Memory.
Towards the beginning of his memoirs, Speak, Memory, Nabokov writes: "The following of…thematic designs through one's life should be, I think, the true purpose of autobiography."[1] Life is neither simply linear nor simply circular. Rather, for Nabokov, it is best expressed by a Hegelian triadic series; each twirl of the spiral intimately and essentially related to the next. The synaesthete Nabokov hastens to add: "A colored spiral in a small ball of glass, this is how I see my own life."[2] And so Nabokov's colorful life spiraled all over the globe. He spent twenty years (1899-1919) in his native Russia, where his family fled the aftermath of the October revolution. He lived another two decades (1919-1940) in England, Germany, and France, before World War II forced him and his Jewish wife to flee to the United States. The latter nation provided the backdrop for Nabokov's personal "synthesis", during which he produced some of the most kaleidoscopic English prose of the 20th century.
There is a collection of minor themes that Nabokov traces through his autobiography and weaves into the autobiographical fiction of his novels: an obsession with lepidoptery, an ardent passion for language, travel themes, and vivid eroticism. Of course it is sex which has come to define Nabokov in popular consciousness, for better or for worse. But in a 1964 Playboy interview, Nabokov was asked about the exhilaration of sex in his novels. He responded with ennui: "Sex as an institution, sex as a general notion, sex as a problem, sex as a platitude—all this is something I find too tedious for words. Let us skip sex."[3] Whatever role sex plays in Nabokov's work—novels routinely (and in some ways understandably) mistaken for pornography—it is certainly not sex for sex's sake.
At a deeper level, there are four major themes, all interrelated, which permeate Nabokov's oeuvre. The first is his attempt to convey pure delight, "aesthetic bliss" as he calls it in his afterword to Lolita—"a sense of being somehow, somewhere connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm." This is what his writing is about, he says, rather than any didactic purpose or "moral".[4] Writing stories to teach a lesson or to critique the social order is something which Nabokov rejects. This is why he so strongly objects to Dostoevsky's novels; he rejects not necessarily the ideas they traffic in, but the fact that they are structured around ideological dialogue at all.[5] At one point he notes that the Russian émigré Dostoevsky followers—mystics and soul re-shapers, Nabokov called them—ended up in envy of Parisian Catholics. If it was a creed they longed for, "Dostoevskian drisk could not compete with neo-Thomist thought".[6] Nabokov's novels, on the other hand, while tracing certain themes, are chock full of aesthetic and linguistic gratuity. The patterns of meaning and the constant allusions of all types exist in order to facilitate the resurrection of language (which suffers death through familiarity), and to bring on the epiphanic joy of literary discovery.[7]
A second major theme that runs throughout Nabokov's work is his fixation on time. "Chronophobia" lies at the heart of Speak, Memory. Here he expresses a rather ambivalent disposition towards time. On the one hand, he says his true birthday, and his more divine baptism, came about at four years of age, when he discovered time through the realization that his parents predated him. This, he says, was "the birth of sentient life".[8] In the same space, however, he describes the whole of his life as an attempt to escape from "the prison of time". "Short of suicide," he says, "I have tried everything."[9] Later on, a more ecstatic Nabokov, fresh from recollecting his earliest forays into entomological exploration, goes so far as to deny time altogether: "I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern upon another. Let visitors trip".[10] Time appears as both threat and opportunity—and something which Nabokov wants to transcend altogether, at least in some sense, through the memory of aesthetic bliss (and the aesthetic bliss of memory).
Third, the theme of anti-Freudianism is ubiquitous. "All my books," Nabokov writes, "should be stamped FREUDIANS, KEEP OUT".[11] The irony, of course, is that he ends up everywhere insisting that "the Viennese Quack" is nowhere to be found. The reason for the fierce fixation on Freud, according to Jenefer Shute, is that Nabokov resists all interpretive totalitarianism: myths and systems which "perpetually threaten the delicate, intricate, multicolored tissue of individual experience".[12] Because Nabokov lives in the same world as Freud—the world of imagination, memory, and desire, he is ever aware of the threat of Freudianism.[13] The main way that Nabokov ensures his texts cannot be smothered by Freudian myth is through his use of parody.[14] Parody will be especially apparent in Lolita. But the theme of anti-Freudianism goes deeper than this, I want to suggest. For the danger is not only that Freud's myth will stifle the individuality of personal experience expressed in the text, but that it results in a temporal determinism that Nabokov finds antithetical to human freedom. This will become clearer as I move into narrative particulars below.
There is a fourth and final feature to be noticed in Nabokov's works. Nearly all of his narratives unfold in the mode of confession. This is true of the two novels which are given consideration in this paper, Lolita and Ada or Ardor. Lolita falls into two types of confession—the criminal and the autobiographical. Ada or Ardor falls squarely into the latter category. As such Nabokov's work is located in a tradition of confession which stretches from Augustine to Foucault. Here confessions are, according to Zoran Kuzmanovich, "verbal exercises by which one authenticates and restores oneself in the process of revealing oneself to God (Augustine) or (re)constitutes oneself in a perpetual hermeneutics for producing truth (Foucault)."[15] Nabokov's fiction possesses this confessional quality as it objectifies an experimental self, uniting this self to the reader who receives the confession, and through this process presents knowledge of the uncanny reality that often eludes us.[16] Confession is thus an attempt to re-member, a putting-myself-back-together. The constant intertwining of his personal and fictional autobiographies indicates that Nabokov is himself engaged in this process.[17] Whether this is a possibility for the literary eavesdropper is something which lies entirely outside of Nabokov's purview—"let visitors trip".
So Nabokov's work operates in a confessional mode, and its themes are desire (aesthetics), memory (time), and freedom (hence the anti-totalitarian polemics). This skeletal description of Nabokov's project could also apply to St. Augustine's Confessions. Augustine was an aesthete of the highest order, he was himself a type of "chronophobiac", and he was concerned to find and maintain a form of freedom, employing a variety of rhetorical devices against ideologies he deemed oppressive (e.g., Manichaeism). Of course, the differences between Augustine and Nabokov are stark. Chiefly, Nabokov's work betrays no discernible trace of Christian theological influences. Biblical themes like sin, forgiveness, and atonement are nowhere to be found. Religion seems to play almost no constitutive role in Nabokov's life story or those of his characters. And yet Nabokov does not polemicize against religion either. He recalls how a fellow Russian émigré writer was put off by his "refusal to discuss eschatological matters"[18], and when asked by the Playboy interviewer whether he believed in God, Nabokov replied cryptically: "I know more than I can express in words, and the little I can express would not have been expressed, had I not known more."[19] Considering how carefully managed these written interviews were, this should probably be seen as deliberate obfuscation. It appears that what Nabokov wanted, like most modern writers, is for his novels to be entered into and read in all their ambiguity.
[1] Speak, Memory, p. 27.
[2] Speak, Memory, p. 275.
[3] http://www.kulichki.com/moshkow/NABOKOW/Inter03.txt. Accessed 9 October, 2012.
[4] Lolita, p. 315.
[5] John Burt Foster, Jr. "Nabokov and Modernism" in The Cambridge Companion to Nabokov, ed. Julian M. Connoly (New York: Cambridge University Press, 2005), p. 93.
[6] Speak, Memory, 284.
[7] Leona Toker, "Nabokov's Worldview" in The Cambridge Companion to Nabokov, ed. Julian M. Connoly (New York: Cambridge University Press, 2005), pp. 232-233.
[8] Speak, Memory, p. 21-22.
[9] Speak, Memory, p. 20.
[10] Speak, Memory, p. 139.
[11] Bend Sinister (New York: McGraw-Hill, 1974), p. 12.
[12] J.P. Shute, "Nabokov and Freud: The Play of Power", Modern Fiction Studies 30:4 (1984), p. 640.
[13] Shute, "Nabokov and Freud", p. 640.
[14] Shute, "Nabokov and Freud", p. 642.
[15] Zoran Kuzmanovich, "Strong opinions and nerve points: Nabokov's life and art" in The Cambridge Companion to Nabokov, ed. Julian M. Connoly (New York: Cambridge University Press, 2005), p. 27.
[16] Kuzmanovich, "Strong Opinions and nerve points", p. 27.
[17] Updike sees Nabokov's fiction as incorporating key aspects of his autobiography, but in a form "cunningly rearranged and transformed by fictional design". Cf. Updike, "Grandmaster Nabokov," Assorted Prose (New York: Knopf, 1965), p. 319.
[18] Speak, Memory, p. 286.
[19] http://www.kulichki.com/moshkow/NABOKOW/Inter03.txt. Accessed 11 October, 2012.


text:
I first met Horseradish in junior high school. One of the classes I was taking put together a traditional Jewish Seder feast as one of our assignments and we were each assigned to bring one of the elements of the feast to the class so we could all learn more about what happens during a Seder. I'm not Jewish, so the whole experience was new to me then and I found it all quite fascinating. One of the dishes that is still most memorable to me from that day was the prepared Horseradish. I now use Horseradish in a variety of herbal recipes, including a traditional Fire Cider, but sometimes I like to prepare it on its own so I can use it in other dishes.
Tip: Horseradish is rich in volatile oils that aren't altogether pleasant (they'll burn your nose if you accidentally stand over the Horseradish and inhale it after grating it), so it's a good idea to prepare Horseradish with a window open. The longer you wait to add the vinegar to the recipe after grating the Horseradish, the stronger and sharper its taste (and aroma) will be.
To prepare Horseradish, peel one fresh root and grate or chop it into more manageable pieces. You can then use a food processor or blender (or a mortar and pestle) to puree the Horseradish.
Add 3 tablespoons of raw apple cider vinegar to each cup of Horseradish, along with about half a teaspoon of sea salt. Continue to puree until all of the ingredients are thoroughly incorporated.
Store the finished Horseradish recipe in an airtight container in the fridge where it should keep for at least one month. I like to add it to smashed potatoes and roasted vegetables, but you could also use it in sour cream as a flavorful dip for fresh veggies.
The Cherokee peoples have traditionally used Horseradish as an antirheumatic and diuretic, as a remedy for colds and to improve digestion. It is used in many herbal traditions as a catalyst herb, much the way Cayenne would be used, and is stimulating and energy-moving. When you first taste it, you might think it is a bit strong and possibly even off-putting, but you'll probably find that it grows on you pretty quickly. I know it has for me!
How do you like to enjoy Horseradish?
Much love,


text:
by Rob Wicker
Homes & Land works hard to make sure you get the best possible response from your marketing. To that end, we've created a website devoted to effective advertising and design. Short videos cover topics like How To Write Ad Copy That Works, How to Win Listings, and Effective Branding Techniques. To find out how you can maximize your advertising investment, visit www.HomesAndLand.com/Design


text:
Cotton Butterfly Pull On
This pull on hat is both elegant and stylish with a knotted raw edge butterfly side detail. Made from 100% soft cotton with a seam-free finish, it is sure to keep you cool and comfortable. An excellent option for those who are experiencing hair loss due to cancer, alopecia or other conditions. This hat is designed to provide full coverage to most head sizes.
Product details
- Hand wash cold
- Lay flat to dry
- Do not bleach
- Made in Canada
- 100% cotton


text:
I have a ZFS filesystems which has been running for some time and I recently had the opportunity to upgrade it (finally!) to the latest ZFS version. Our data doesn't scream dedup but I firmly believe based on small tests that we could gain anywhere from 5-10% of our space back for free by utilizing it. I have enabled dedup on the filesystem and new files are slowly being dedupified but the majority (95%+) of our data already exists on the filesystem.
Short of moving the data off-pool and then recopying it back, is there any way to trigger a dedup scan of existing data? It doesn't have to be asynchronous or live.
(And FYI there isn't enough room on the pool to copy the entire filesystem to another and then just switch the mounts.)


text:
Visual Identity
The purpose of visual brand identity is to leverage the power and potential of your verbal brand name, to enhance its impact and extend its reach into the hearts and minds of your target audiences.
At ixxéo we develop logo and package designs.
We see a logo as the visual amplifier of a brand, its very signature. In synergy with the name, it communicates your brand's essence and promise.
What makes our visual brand solutions open doors?
Our approaches to visual and verbal brand development are similar. They are both built on crossover inspirations, early-stage process integration and artistic interactions.
Inspiration Our experienced head designer spearheads the inspiration, supported by a vast, living visual brand identity genome. Our design team explores best-practice benchmarking and comparable brand strategy analogies to build a holistic frame of referents for your project.
Integration We integrate our design resources and efforts from the beginning and throughout the development process. At early-stage, we immerse our designers together with our verbal naming team to gain a feel for the essence and promise of your brand. At late-stage, our designers put their findings and feelings together to craft a palette of design alternatives.
Interaction We implement our visual brand identity development with a highly interactive process that combines your preferences with our experience and creativity. In addition to being talented, our designers work heart-to-heart with you to guide you through cascading stylistic directions, visual benchmarks, robust mood and storyboards that inspire and engage.
At ixxéo we bring it all together to ensure, seductive and synergistic development of your verbal and visual brand identities.


text:
|Project by LeTurbo
|posted 05-05-2017 05:52 PM
|1819 views
|0 times favorited
|7 comments
There's a local school for the disadvantaged that has just been sponsored a library – some companies and many members of the community put in time or money. I don't know if they've had one before – the school dates from 1881 – but it's certainly the first the present kids have encountered.
I was commissioned to design and build this "Tree of knowledge" based on some references supplied by the architect.
It's 18mm Birch ply, six bookcases in a hexagonal trunk, with adjustable shelves. There's actually about 27 square metres of plywood in there, surprisingly.
For the bookcases, I routed the pieces to be interlocking, which made glue up a lot easier. There wasn't any shifting of parts. Then the bookcases align with mortise and tenons.
The cnc job turned into a nightmare – all my fault. I was actually going to do it the old fashioned way with a template and a guided router cutter. A friend convinced me to go cnc though, and the company said they could work with a photo of the template as the artwork. Uh … no. It all came back severely crooked and wobbly, so I had to make up a router jig to tidy up one of the new pieces (a different size to the template) and then redo the entire job according to my original plan. I wore out 2 cutters, and two ball-bearings that just disintegrated.
There's plenty I'd do differently next time, if there ever is one! I'd make three bookcases a lot deeper, with the shallower ones joining the whole together. The tree branches would be at more varied angles – for this I used 30 and 45 degrees – but there's not enough differentiation. Maybe 0 degrees and 45 would've been better. And I'd cantilever the branches from the top, reaching back to the middle of the trunk. Ah well! I have to admit I'm glad the job is over.
7 comments so far
#1 posted 05-05-2017 09:09 PM
For all the pain you went through it turned out great.
#2 posted 05-06-2017 05:15 AM
I think it turned out wonderfully! And for such a cause, you will be blessed! WELL DONE, SIR!
-- Dave; Lansing, Kansas
#3 posted 05-06-2017 03:54 PM
-- Tony---- Reinholds,Pa.------ REMEMBER TO ALWAYS HAVE FUN
#4 posted 05-06-2017 06:03 PM
Thanks finns, Dave and GR8HUNTER. Much appreciated!
#5 posted 05-07-2017 12:11 PM
-- Ivan, Croatia, Wooddicted
#6 posted 05-08-2017 11:10 AM
Most excellent work.
-- Chris K
#7 posted 05-08-2017 07:03 PM
Too bad the CNC didn't work out. It was the first thing I thought of when I saw the tree branches.
I can see where the three deeper bookcases would work both structurally and practically with three shallow ones.
I think the branches look great. They are suggestive of natural chaos you'd see in a tree but have a geometric unity that ties them in with the bookcases. I think you could probably spend years trying to improve them and very few tries would be worth the effort.
Have your say...
You must be signed in to post the comments.


text:
What are some of your favourite celebs wearing this season?
American fashion model Gigi was spotted rocking an off-duty model look on the streets. Working the essentials; a denim button-up, jeans, sneakers and a pair of statement shades for good balance. Amazing everyday essentials that everyone needs as a stylish go-to look!Shop: Boston Denim Shirt | Citizen High Waisted Pants
If we could look this glam heading to the airport! Nail this look by teaming neutral colours such as a white/ cream base with a soft coloured coat or trench for added sophistication. This is outfit is versatile – add sneakers for a casual take or heels if you're going to places like NY or LA!Shop: Dakota Top | Celine Tuxedo Waistcoat
Olivia Palermo's Cold Shoulder
Score. This dressed down look is the perfect outfit away from the glitz and glam. Team your fave skinnies and sneakers with a flowy, off-the-shoulder piece that's comfortable and stylish. Perfect for brunch with bae.Shop: Citizen Pants | Poppy Off Shoulder Top | Melrose Dress
Till then, x


text:
Cosmetic Dentistry
This branch of dentistry refers to dental treatments that improve the aesthetic appearance of a patient's teeth, gums, bite or smile.
Restorative Dentistry
Restorative dentistry is comprised of the diagnosis, prevention and treatment of oral diseases.
Health and Dentistry
Your oral health is fundamental to your overall health, wellbeing and quality of life.
Welcome to
Bite Dental Studios
Dentist Brisbane CBD
A dental experience with Bite!
Conveniently located in the heart of the Brisbane CBD, Bite Dental offers you a sparkling approach to general and cosmetic dentistry—visiting the dentist has never been better! Unlike the usual dental experience of starchy white coats and a 'clinical' vibe, Bite Dental Brisbane warmly delivers experienced and friendly service in a relaxed and modern setting. With a dental team that are in-tune with your every need, there's nothing left to do but sit back and relax while all your oral health needs are taken care of.
The History of Bite
At Bite Dental Studios, we like to think we offer more than just dentistry. We are a bunch of warm, passionate people with a real commitment to our patent's oral and overall health. Bite stems from our founder, Dr Simon Franks' dedication to comprehensive dental care for all.
An apple in your life keeps you out of strife!
We know that when you feel safe, comfortable, proud and happy, you're more likely to take proper care of your teeth and schedule regular check-ups. This is important to us because we'd rather see you for a simple routine clean than a major breakdown.
You're the apple of our eye
The team at Bite aim to give you a fresh, crisp take on what a trip to the dentist should be about.
At Bite you're our number one—our client and friend (not patient). The way you feel is important to us and we'll never compromise on the best service or materials for you.
The apple never falls far from the tree
In 1868, Maria Ann Smith carefully cultivated the first 'Smith Seedling' apple—later to be known as Granny Smith. The apple was deliciously fresh and crisp in texture when compared with others. This made it perfect for cooking and it became a commercial success worldwide.
It just so happens that Dr Simon Franks is part of the Granny Smith family tree and the traits of passion, quality and attention to detail flow through to this day. Just like Granny Smith—we're focused on a producing a strong, healthy bite!
Comparing apples with apples
When it comes to dentistry it only takes one bad apple to scare a person off for life. Many surgeries remain stodgy, sterile and lack the 'care' that's necessary to make a person feel truly at ease. A great dental experience should not be forbidden fruit!
At Bite we get to know you. We listen and we genuinely care about you—after all, that's what friends are for! Just like Granny Smith Apples have proven to be healthier than other varieties—we like to think that we're the pick of the crop when it comes to caring for teeth.
She'll be apples
When you're in our hands, there's no need to worry. 'The Bite Promise' is that we'll do our upmost to ensure you feel loved. If we've made you smile—then we know we've done our job properly.
A relaxed and rewarding trip to a Brisbane dentist
Some dentists don't always take the time that's required to ensure patients are comfortable and that their teeth are getting the attention they deserve and need. When dentists rush through appointments, their patients suffer because existing or potential problems are overlooked and extra care isn't taken to ensure the patient is comfortable. At Bite Dental Brisbane you can expect the full 'family dentist' experience. Our dentist and team take the time to know and understand your needs and make sure your comfortable, ensuring a trip to the dentist is a positive experience—every time.
Download our Guides
Click on the guides below to discover the Bite Dental difference.
Cosmetic Dentistry Guide
Injectables Guide
Sleep Apnoea
Diabetes Guide
Family Dentistry
Some dentists don't always take the time required to ensure patients are comfortable and that their teeth are getting the attention they deserve and need. When dentists rush through appointments, their patients suffer because existing or potential problems are overlooked and extra care isn't taken to ensure the patient is comfortable. At Bite Dental Brisbane you can expect the full 'family dentist' experience. Our dentist and team take the time to know and understand your needs and make sure you're comfortable, ensuring the trip to the dentist is a positive experience—every time.
Patients First
Imagine a Brisbane City dentist who doesn't treat you like a number. Our family-focused approach ensures you're treated like a friend, not a dollar-figure. We remember the little things—like you require extra care and time so that you feel relaxed while having your teeth cleaned. We understand that you have a busy work schedule and need us to be on time, every time. We know that you often arrive early and enjoy a cup of tea and biscuit before your appointment!
At Bite Dental Studio Brisbane we pay close attention not only to your teeth but also to your comfort. And as we treat our friends—we don't rush appointments or provide second rate dentistry.
Preventative Dentistry
At Bite, we are advocates for preventative dentistry. Caring for your teeth today could mean saving money, time and pain fixing them in the future.
The most critical part of preventative dentistry is your at-home routine. Without that, your six-monthly check-up and clean is almost obsolete! To ensure you can maintain your own dental health outside the doors of Bite, we heavily emphasise education! Expect to leave the dentist having learnt something new every time!
City Schedules
When it comes to choosing a Brisbane dentist, there is no shortage in the Brisbane CBD. The problem you can face however, is finding one that is committed to providing patients with outstanding care and service. A dental practice that is built on quality and makes sure the patient comes first. Consider a CBD dental practice that remembers your name and allows adequate time for your appointment, rather than rushing you through to move on to the next patient.
Our family-focused approach is unique in the Brisbane CBD. As city office buildings often restrict opening hours, CBD dentists can often rush and shorten appointments to see more patients throughout the day. At Bite Dental Studios Brisbane, our dentist and team put your needs first and are committed to always providing the best quality care—if it takes more time to make you comfortable, so be it!
You can count on the dentist and team at Bite Dental Studios Brisbane to provide you with the personalised care you require and deserve. For quality, comprehensive dental care in the heart of the Brisbane CBD, sink your teeth into Bite Dental Studio.


text:
We are very pleased to introduce the Wave desk lamps from LEDS-C4 to our line of desk lighting.
These desk lamps have a fun contemporary style that would fit perfectly in most modern office spaces or homes. Available in a crisp white or bright red finishes, modern and vibrant colours that really pop visually. They make for a great new addition to your lighting scheme. The lamp head is in the style of a sea shell and is supported on a curving arm that rises from a solid circular base.


text:
Art and Design (Fine Art)
Most London galleries and museums offer extensive opportunities to engage in the arts beyond the classroom. Below are just some of the things on offer.
Saatchi Gallery
Royal Drawing School, Painting Workshops and Art & Drama Workshops. Visit the what's on page on the Saatchi Gallery website.
Courtauld Institute of Art & Design
This Gallery offers an extensive range of outreach activities geared towards GCSE and A level students. There are lots of free and exciting workshops on. Visit their website: - http://courtauld.ac.uk/whats-on
You can also visit other websites to find other opportunities:-
National Portrait Gallery
Royal Academy of Arts
BBC iplayer and BBC 4 produce an extensive range of arts related programmes. Visit www.bbc.co.uk/arts for more information.


text:
The RUB H1 is the most popular housing 1 RU 19" with a capacity of up to four double card modules.
- The RUB H1 is the most popular housing 1 RU 19" with a capacity of up to four double card modules
- RUBIDIUM SERIES 1 is a modular system which offers flexibility to its users.
- The standard rack mount frame was designed to house up to 4 modules in 1RU space.
- Hot Swappable rear loading modules.
- I/P & O/P connectors are a standard and part of the module.
- There is a uniform front which offers a see-through window for four status LED's and cut-outs for 4 keys and an identification button for each module.
- H1 Housings has a separate module with a fan controller and a temperature control.
- The controller status is available over TC_link (if an microprocessor based module - like all generator / inserter modules - is in the same frame) and the failure relay.
- All four versions of RUB frames can be interconnected (via standard RLC connector, see reverse) with all other RUB housing formats and therefore enable easy data exchange between modules and easy
- upgrade options, for possible additionally required modules.
- The fail signals are produced by a relay contact. Normally a contact closer indicates a breakdown or programmed failure occurance.
- The relays of all modules are in parallel operation. Each module and H1 housings are equipped with their own relay.
- The slots of the frame only differ by their individual, hard wired address and each frame has a an ID address.
- Modules can individually be configured (e.g. the time code and video modules, except the power supply modules), can be located by their addresses.
- The PC connector (USB) at the rear of the frame provides an interface for the module configuration using Plura configuration software
- Each module can be addressed and can receive a user selectable configuration.
DOWNLOADSData SheetManuals
Order Code
Product ordering ID: RUB H1 Module description 19", 1RU housing for up to 4 double card modules RUBIDIUM series 1 Rackmount housing


text:
Perpetual calendar
The mechanically programmed perpetual calendar is the supreme achievement in the art of watchmaking. IWC's perpetual calendar was originally designed in the early 1980s by ingenious watchmaker Kurt Klaus and has been continuously improved since then. It comprises 87 individual parts and will display the date, day, month, year in four digits and even the leap years for the next 577 years. All the displays are easily adjusted via the crown. Some models are supplied with an additional century slide, so the watch can continue showing the correct date until 2499. Other complications also run on the basis of the perpetual calendar, among them the perpetual moon phase display and the digital date display.


text:
English Language Courses
English Language Courses
Want to improve your English Language & have fun in the UK?
Why not book your group for a 1, 2, 3 or 4 week English Language course at High Adventure Outdoor Education Centre.
Learning English at High Adventure, in England with the English is a unique experience. High Adventure is run by teachers for teachers, we provide 1st class learning environments, ensuring we get the most out of our visiting students. We have decades of teaching experience and have managed to create the most positive of learning environments. Students are able to learn English formally and then put this into action in a variety of situations. Our programmes include exciting outdoor activities such as climbing, canoeing, high ropes, mountain biking along with other social situations such as the cafes, shopping centres & other local attractions the North of England has to offer.
English skills are taught using a variety of teaching styles & methods. Formal grammar, extensive vocabulary, group work, written & oral work and all in a very good teacher to pupil ratio, with an absolute maximum of 12:1. Groups can choose themes in advance for their students to focus on, this is all part of our 'bespoke' programming service.
Who we work with:
Our courses are for all ages – we work with primary school groups (aged 10-11); secondary schools (aged 11-16) & colleges (aged 16-18), but it's predominantly 11-16 year olds that come to the centre followed by 16-18 year olds.
All our English Language Courses are tailored to the specific age & ability of the group. Ensuring that the English lessons are pitched at the correct level. From the point of view of the the outdoor activities and day trips – these activities work for all ages, primary schools through to adults.
Language ability level:
Getting the right ability level for your group is incredibly important. Prior to your arrival, we ensure that we understand the precise level of English Language ability and then place them onto the corresponding English course. On arrival your students are assessed by our tutors and then put into the relevant class to match their ability.
Along with a full programme of English Language lessons, we also provide an integrated programme of outdoor activities such as climbing, caving, canoeing, mountain biking and trips to places such as Old Trafford – the home of Manchester United; York – with its famous castle walls & minster and much more; Liverpool – a tour of the Beatles Museum and the shopping delights of the Albert Docks; Leeds – the Royal Armouries, Corn Exchange & Victoria Quarter; Blackpool – the Pleasure Beach & shopping centre; Chester – the Roman Walled City & Chester Zoo.
All you need to do is get to us and from us, the rest will be expertly taken care of, your accommodation, food, activities, timetabled English lessons, activities, kit & instruction.
All accommodation is at High Adventure
All rooms are dormitory rooms from 3 to 15 beds
Students will not have their own room, they will be sharing
All meals provided
1 Week English Language course: £450 pp
2 Week English Language Course: £800 pp
3 Week English Language Course: £1200 pp
4 Week English Language Course: £1600 pp
FREE PLACES – 1 free staff place for every 10 paying students.
Airport Transfer costs:
Group transfer costs are based upon a minimum group of 10.
Leeds = £30 pp; Manchester = £40 pp; Liverpool = £45 pp; East Midlands = £75 pp; Newcastle = £75 pp; London Heathrow = £150 pp; London Stanstead = £140 pp; London Gatwick = £160 pp.
For individual transfer costs please contact the office for a personal quote.
Excursion Costs:
York & Leeds Day Trip are FREE; Chester, Liverpool & Manchester Day Trips = £12 pp supplement; Blackpool Day Trip = £25 pp supplement.
This includes:-
Language tuition (per week) – between 5- 15 hours formal lessons, maximum 1:12 ratio & 27 hours informal lessons (within the outdoor activities)
Outdoor activities – see the programme below
All specialist kit & instruction
Food & accommodation (see menu on the downloads page)
Transport to & from your 'Day Trip' choice – please note there may be a supplementary charge dependant upon your choice of Day Trip.
Help with all relevant paperwork requirements relating to risk assessments, insurance documents etc.
A bespoke programming service, where we can integrate any requests you may have, changes to the outdoor activity programme etc. Just email / call us to discuss any changes, ideas or suggestions you may have. If it is possible we will be happy to build it into your programme.
What's not included – it's a VERY short list!
1. Your travel costs to arrive at High Adventure. If you fly, we can arrange your transfer from within the UK to High Adventure for a supplementary charge.
2. The Day Trip supplementary cost – should you choose one of the 'Day Trips' with a surcharge.
Progammes for the 3 and 4 week courses are available on enquiry.
Do you want to bring your school group to us without the
formal English Language Lessons?
We also run multi-activity courses for overseas schools where the programme of activities is just a combination of outdoor activities & day trips. These are fantastic experiences and also provide our foreign students with an enormous amount of informal language tuition. All programmes are bespoke, so although their is a downloadable programme for a 1 week and 2 week course below, please understand that these are only examples and you are free to choose / design a programme 'just for you & your students'.
1 Week Overseas Schools Multi-Activity Course: £399 pp
2 Week Overseas Schools Multi-Activity Course: £750 pp
3 Week Overseas Schools Multi-Activity Course: £1000 pp
4 Week Overseas Schools Multi-Activity Course: £1200 pp
FREE PLACES – 1 free staff place for every 10 paying students.
Airport Transfer costs: Group transfer costs are based upon a minimum group of 10.
Leeds = £30 pp; Manchester = £40 pp; Liverpool = £45 pp; East Midlands = £75 pp; Newcastle = £75 pp; London Heathrow = £150 pp; London Stanstead = £140 pp; London Gatwick = £160 pp.
For individual transfer costs please contact the office for a personal quote.
Excursion Costs:
York & Leeds Day Trip are FREE; Chester, Liverpool & Manchester Day Trips = £12 pp supplement; Blackpool Day Trip = £25 pp supplement.
- Overseas Schools Multi-Activity 1 Week Programme
- Overseas Schools Multi-Activity 2 Week Programme
Progammes for the 3 and 4 week courses are available on enquiry.
English Language & Multi-Activity Courses for INDIVIDUALS
Do you want to send your son / daughter to our 'summer camp'?
We offer the above courses to individuals as well as to groups. The only difference is a £100 supplement per person per week. So the costs would be:
Individual Prices:
1 Week Overseas Individual Student English Language OR Multi-Activity Course: £550 pp
2 Week Overseas Individual Student English Language OR Multi-Activity Course: £1000 pp
3 Week Overseas Individual Student English Language OR Multi-Activity Course: £1500 pp
4 Week Overseas Individual Student English Language OR Multi-Activity Course: £2000 pp
Airport Transfer costs:
For individual transfer costs please contact the office for a personal quote.
When you send your son / daughter to our 'summer camps', we ensure that they have a 'pastoral instructor' to look after them whilst they are not in lessons or doing activities.
All their needs are attended to. At the point of booking, we make sure that everything is organised from start to finish. We organise their airport transfer, their full activity programme – which includes, English Language lessons, outdoor activities, day trips, evening activities, all meals, accommodation, every detail is taken care of. Giving you the knowledge & comfort that your son / daughter will have the 'summer camp' experience of a lifetime.
All accommodation is at High Adventure
All rooms are dormitory rooms from 3 to 15 beds
Students will not have their own room, they will be sharing
All meals provided
Q. Do you have WIFI?
A. Yes, the centre has WIFI throughout, so being in contact at all times is no problem.
Q. What about things to do in the evening?
A. As part of the programme is a full evening activity itinerary, there are some preiods of 'downtime', which gives our students a little time to relax with their 'new friends', call home etc. the centre has 2 TV rooms with DVD's, we also have a games room, TV room, training room, conference room and other social spaces.
Q. Are there any additional costs?
A. No, none whatsoever. You pay one price which is for your 1 week, 2 week (or more) booking + your airport transfer cost & 'Day Trip' supplement. This cost is worked out at the point of booking and then that is it. There are no 'hidden charges'.
Q. What is the food like?
A. The short answer is – It's GREAT! All meals are very well liked by all our students and this has been the case for the last 10 years. You can eat as much as you like, every main meal comes with 'salad' as an extra, the menu is fixed – but caters for those who are vegetarian, require halal or have any food allergies. The menu is downloadable, to see it have a look on our downloads page.
Q. Do you have a tuck shop?
A. Yes we do and it sells the usual stuff young people may want. In addition to this there are several day trips and excursions giving your son / daughter the opportunity (if they wish) to buy things for themselves or presents for their family. But it should be noted that there is no need for them to have to buy anything in their entire stay with us.
Q. I have specific query, what should I do?
A. Please contact us immediatley or whilst your son / daughter is staying with us. You will be given a 24 hour a day contact details, so you can get in touch with us at absolutely all times.
Call now on 0044 1535 630044 for more information & to check availability or email firstname.lastname@example.com
Want to study abroad?
SpainExchange.com is a comprehensive international student resource which includes study abroad schools and programs in nearly every country worldwide, student housing, language exchange partners, and information on studying and living in many parts of the world.


text:
Fashion for Action 2011 VIP Opening Party
Fashion for Action 2011 is already turning out to be a huge success. Last night solifestyle attended the VIP opening party, which included special celeb guests, drinking, eating, and of course, shopping - and all for a great cause.
This year's honorary chair of Fashion for Action is designer Thom Browne, and the co-chairs are actress Patricia Clarkson, designer Rachel Roy and businesswoman and host of Project Accessory, Eva Jeanbart-Lorenzotti. All of these notable celebs are pictured above, accompanied by the founder and CEO of Housing Works, Charles King (yellow tie). The purpose of the annual event is to raise funds for Housing Works, an amazing organization that helps people dealing with HIV/AIDs and homelessness. And judging by last night, they are in for a big treat. People were shopping till they dropped, and had a blast doing it. Check out some more pics from the party below.
Designer and Fashion for Action Honorary Chair, Thom Browne
Housing Works volunteers sporting the cool 2011 Fashion for Action T-shirt
Alex McCord and Simon van Kempen of Real Housewives of NYC
Rachel Roy mingling with partygoers
Co-chair and host of Project Accessory, Eva Jeanbart-Lorenzotti
Designer and former Project Runway contestant, Malan Breton
To learn more about and get involved with Housing Works, click here.


text:
View the Labels/SDS information for Posterity Fungicide.
Posterity® fungicide is the most active SDHI fungicide for the turf market. Providing power that lasts, Posterity holds stronger for up to 28 days of dollar spot control and delivers consistent spring dead spot control. Posterity is labeled for all golf course turf and fits in agronomic solutions to protect cool- and warm-season turf.
Applications made to control dollar spot preventively on May 24, 2017. Source: John Kaminski, Penn State University, 2017
Applications made in the fall on a 28-day interval for dollar spot control. Source: Bruce Clarke, Rutgers University, 2017
Applications made on a 28-day interval. Source: John Inguagiato, University of Connecticut, 2017
Photos taken July 31, 2016. Source: Bruce Clarke, Rutgers University
Treatments applied to Miniverde® Bermudagrass on Sept. 22 and Oct. 20, 2016. Data collected April 28, 2017.Source: Bruce Martin, Clemson University, 2017.
Applications made on October 13 and November 10, 2017 on Champion Bermudagrass. Photos taken: May 4, 2018. Source: Bruce Martin, Clemson University.
Source: Bruce Clarke, Rutgers University, 2017.
Trial was conducted in an area that had severe fairy ring in 2016.
Four applications were made in 2017 on a 28-day interval - May 2, May 30, June 27, and July 25.
The most active SDHI in the turf market delivers power, spectrum, and endurance for enhanced fungicide performance.
Supported by years of research, Posterity, with its active ingredient Adepidyn®, brings an innovative solution to the turf market.
Dr. Jim Kerns, Ph.D., associate professor and extension specialist, N.C. State University, discusses spring dead spot development and prevalence. He also details how Posterity® fungicide provided consistent spring dead spot control in his trials.
Dr. Jim Kerns, Ph.D., associate professor and extension specialist, N.C. State University, shares recommendations for incorporating Posterity® fungicide into an agronomic program.
Adepidyn Fungicide: Advanced Technology for Proven Performance
The Power of Posterity Fungicide for Spring Dead Spot Control
A Program Approach to Spring Dead Spot Control
See how the Syngenta portfolio of products can lead to unrivaled turf quality on golf courses.
Learn how Posterity can control dollar spot and spring dead spot on golf course turf.
Learn more about Syngenta's innovative solutions for spring dead spot control.
To help golf course superintendents better manage dollar spot all season long, Syngenta has launched a new solutions-based website, GreenCastOnline.com/dollar-spot-solutions, which includes a dollar spot prediction tool, trial data, videos and more. Read more »
It is essential for superintendents to have a working knowledge of modes of action for fungicides, insecticides and herbicides to aid in the tank-mixing process. These codes, represented as Fungicide Resistance Action Committee (FRAC) codes, Insecticide Resistance Action Committee (IRAC) codes and Herbicide Resistance Action Committee (HRAC) codes, are typically listed on product labels. Read more »
There are many ways the 2019 GreenTrust® 365 Golf & Sports Turf Program can take your course to the next level. See below for what's new with the program this year. Read more »
Syngenta is excited to continue the launch of Posterity® fungicide with a tour across the country from Sept. 24-Oct. 19 to show appreciation for golf course superintendents and their crews who continually work long days to produce top-quality turf. Read more »
©2019 Syngenta. Important: Always read and follow label instructions. Some products may not be registered for sale or use in all states or counties and/or may have state-specific use requirements. Please check with your local extension service to ensure registration status and proper use.Posterity®, Greencast® is a trademark of a Syngenta Group Company.
©Syngenta | Site Map | User Agreement | Online Privacy Policy (last modified 3/30/2015) | Cookies Policy


text:
On Wednesday evening in Liguori Fieldhouse, the Thunderwolves of Niagara County Community College defeat the Saints 22-21.
Before the event began, the Saints took some time to acknowledge and honor with a round of applause in gratitude of any veteran in attendance in honor of Veterans day this Friday.
Once the event got underway the Saints held their own against a quality NCCC. "We wrestled really tough tonight", says head coach Aaron Cooper. "There was to quit in our guys at any point. The result was a totaly team effort, so I am pleased with their performance this early in the season versus a really good Niagara".
The individual match results were:
125 Aaron Ehrgott (MNE) 6-1 decision over Zach Burke (NCC) 3-0
133 Freddy Eckles (NCCC) 19-4 tech decision over Alex Simos (MNE) 3-5
141 Alex Salvaggio (NCCC) pin over Jalil Harris (MNE) 3-11
149 Mitchell Davidson (MNE) 9-5 decision over Mike Phelps (NCCC) 6-11
157 RJ Nations (MNE) pin over Anthony Zielinski (NCCC) 12-11
165 Sam Colebert (MNE) 4-3 decision over Ryan Sebasta (NCCC) 15-11
174 Troy Keller (NCCC) pin over Quintin Ellis (MNE) 15-17
184 Deven Simpson (MNE) 6-4 decision over Eugene Latson (NCCC) 18-17
197 Elijah Sampo (NCCC) Major decision over Ian Wagner (MNE) 18-22
285 Louie Mauro (MNE) 6-4 decision over Chibueze Onwuka (NCCC) 21-22
The Saints are back in action next Wednesday when they travel to Jamestown Community College to take on the Jayhawks. The event begins at 7:00 p.m.


text:
North Bellmore School District officials on June 19 will present voters with a budget that contains $75,000 less spending than the one that failed to pass at the district's May 15 regular election.
The Board of Education met Tuesday night, and decided to use a $40,000 reduction in insurance premiums and $35,000 reduction in Nassau BOCES facility rental charges in order to bring the budget down before the revote.
"We had something come our way, which is delightful," Superintendent Marie Testa said, according to a video broadcast of the meeting.
A majority of voters initially supported the $57.2 million budget, but that wasn't enough for it to pass.
Because of a voter-petitioned ballot item that would have expanded busing for public school students — at a cost of $610,000 — the spending plan would have pierced the state property-tax cap. The district's proposed budget alone was within the tax cap, with a tax levy 3.4 percent larger than the current year's.
Even though the transportation measure failed to pass, the budget still needed a 60 percent supermajority's support to pass, according to Mark Schissler, the district's assistant superintendent for business. It received 51.8 percent.
On June 19, the district will hold a second vote on the budget, as per state law. This time, the budget will be the only item up for a vote, and will need only a simple majority to pass.
If the second vote fails, the district could be forced to adopt a contingency budget, which would levy no more taxes than the current year — roughly $37 million.
Jo-Ann Erhard, co-president of the Mepham High School PTA and a former president of the North Bellmore Coordinating Council of PTAs, said on Friday that the budget would likely pass, given a second round of voting.
"I'm not really concerned," Erhard said, "but crazier things have happened."
According to Erhard, in trying to be transparent for voters, district officials might be putting too much information in their budget newsletters and on the ballot — "People are seeing so much information that some people don't even know how to process it." Still, Erhard said that she had "full faith" in North Bellmore's administration and Board of Education, and hoped the community would support the budget (See Erhard's Letter to the Editor).
The $610,000 bus expansion was not alone on the ballot. A second, voter-submitted proposal looked to cut transportation for students living more than two miles from their school, saving the district roughly $450,000. A third proposal, submitted just in time to appear on the ballot, looked to provide more busing for private school students.
In an attempt to simplify the vote, district officials placed a fourth measure on the ballot that called for transportation in the district to remain the same. That proposition passed. In the district's budget newsletter, voters were even given a chart, instructing them how to vote if they, for example, wanted to expand public school busing and support the budget.
Still, voter Daniel Cirino, 42, said that the three separate busing propositions on the ballot made the budget vote too confusing.
"The budget proposition was so convoluted I'm surprised it even got 51 percent," Cirino said. "The way it read, it seemed a 'yes' vote was for breaking the [tax] cap . . . Not that I think busing kids in grades three to six is a problem from the same distance, but the cost to do so was very prohibitive."
Voter Mary Latham Goedel, meanwhile, said that she was disappointed in the budget vote, and that the district had few options when it came to presenting the dueling transportation propositions.
"The district wrote the ballot with state education department guidelines," Goedel said. "They did their best to explain the options. It's disappointing and worrisome, since a failed budget does not benefit anyone, and only hurts our children and community."
Erhard said that she remained optimistic, and hoped voters would support the budget this round.
The revote on the North Bellmore School District budget will be held on Tuesday, June 19 at Newbridge Road Elementary School from 6 a.m. to 9 p.m.


text:
Casey Bjugstad is a Licensed Esthetician. Casey graduated from Josef's West Academy in 2011. She previously worked at Avant Hair and Skin care Studio in Grand Forks until she became a Master Esthetician in 2012. Casey has had a longtime passion for skincare and she utilizes her passion daily by specializing in Microdermabrasion, Chemical Peels, Hydrafacials, Signature Facials, Waxing, Make-Up, Eyelash Tinting, Eyebrow Tinting, and Body Wraps. She works hard to provide each client with the tools they need to care for their skin. She truly believes that "healthy skin is beautiful skin!"
Casey owns her own buisness, Aesthetics by Casey, which she operates out of Infinite skin, in addition to being an employee with Infinite Skin.
Phone: (701) 282-9642
Email: firstname.lastname@example.com
1665 43rd St S
Suite 108
Fargo, North Dakota 58103
Hours: M - F 9 to 5pm
Detroit Lakes:
1347 Highway 10 W
Detroit Lakes, MN 56501