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A guide to cultural and recreational events on Long Island. Items for the calendar should be sent at least three weeks in advance to email@example.com.
BOHEMIA McGuires Comedy Club Eric Lyden. Oct. 16 and 17. $15 to $45. McGuires Comedy Club, 1627 Smithtown Avenue. 631-467-5413; govs.com/mcguires.
EAST MEADOW East Meadow Public Library Mark Brier with Rich Walker. Oct. 18, 2 to 4 p.m. Free. East Meadow Public Library, 1886 Front Street. eastmeadow.info; 516-794-2570.
HUNTINGTON The Paramount Rodney Carrington. Oct. 23 at 8 p.m. $29 to $69. The Paramount, 370 New York Avenue. 631-673-7300; paramountny.com.
LEVITTOWN Governor's Comedy Club Mike Burton. Oct. 16 at 8 p.m. $15 and $45. Gilbert Gottfried. Oct. 17 at 7 and 9:30 p.m. $25 and $55. Jon Fisch. Oct. 30 at 8 p.m. $15 to $45. Bob Nelson. Oct. 31 at 7:30 p.m. and 9 p.m. $25. Governor's Comedy Club, 90 Division Avenue. 516-731-3358; govs.com.
PORT WASHINGTON Landmark on Main Street Pat Darienzo, comedy and magic show. Oct. 21 at 2 p.m. Free. "Forbidden Broadway." Oct. 24 at 8 p.m. $37 to $52. Landmark on Main Street, 232 Main Street. 516-767-6444; landmarkonmainstreet.org/.
ROCKVILLE CENTRE Madison Theater at Molloy College "Ivy League of Comedy: Battle of the Sexes." Oct. 17 at 8 p.m. $35 to $45. Madison Theater at Molloy College, 1000 Hempstead Avenue. madisontheatreny.org; 516-323-4444.
WESTBURY NYCB Theater at Westbury "America's Got Talent." Oct. 21 at 8 p.m. $57 to $221. "Last Comic Standing.". Nov. 1 at 3 p.m. $52 to $531. NYCB Theater at Westbury, 960 Brush Hollow Road. 800-745-3000; livenation.com.
GLEN COVE Holocaust Memorial and Tolerance Center "Deli Man" (2014), documentary by Erik Anjou. Oct. 25 at 2 p.m. $18 and $20. Holocaust Memorial and Tolerance Center, 100 Crescent Beach Road. holocaust-nassau.org; 516-571-8040.
HUNTINGTON Cinema Arts Center "My Fair Lady" (1964), starring Audrey Hepburn. Oct. 18 at 11 a.m. $12; members, $7. "Antonia's Line" (1995), directed by Marleen Gorris, in Dutch with English subtitles. Oct. 18 at 10 a.m. $15; members, $10. Cinema Arts Center, 423 Park Avenue. cinemaartscentre.org; 631-423-7611.
MINEOLA Chaminade High School "Robin Hood" (1922), starring Douglas Fairbanks and featuring live organ accompaniment. Oct. 24 at 7 p.m. $12; children and students, $5. Chaminade High School, 340 Jackson Avenue. 516-742-5555; chaminade-hs.org.
PATCHOGUE The Plaza Cinema and Media Arts Center "Don Carlo" from the Salzburg Festival. Oct. 17 at 10:30 a.m. and Oct. 22 at 6:30 p.m. $11 to $15. The Plaza Cinema and Media Arts Center, 20 Terry Street. 631-438-0083; plazamac.org.
ROSLYN HARBOR Nassau County Museum of Art "Edgar Degas: Of Dandies, Ballerinas and Women Ironing." Tuesdays through Saturdays, 11 a.m., noon, 1 p.m. and 3 p.m.; Sundays, 11 a.m. and noon. Through Nov. 8. Nassau County Museum of Art, 1 Museum Drive. 516-484-9337; nassaumuseum.org.
For Children
GARDEN CITY Long Island Children's Museum "Once Upon a Time ... Exploring the World of Fairy Tales," bilingual exhibition. Through Jan. 3. $5 with museum admission; $10 theater only. "Perfect Little Pumpkins," create pumpkin masks. Through Oct. 16. Free with museum admission. "Knock, Knock! Hoot's There?" Learn about the barn owl. $3 with museum admission. Oct. 17 at 2 p.m. Museum admission: $11 and $12. Tuesdays through Sundays, 10 a.m. to 5 p.m. Long Island Children's Museum, 11 Davis Avenue. 516-224-5800; licm.org.
HUNTINGTON Huntington Arts Council "Nightmare on Main Street," a student art exhibition. Oct. 16 through Oct. 31. Free. Huntington Arts Council, 213 Main Street. 631-271-8423; huntingtonarts.org.
LINDENHURST Studio Theater "Rock 'n' Roll Cinderella," a musical featuring 1950s rock. Through Nov. 14. $10. Studio Theater, 141 South Wellwood Avenue. 631-226-8400; studiotheatreli.com.
NORTHPORT John W. Engeman Theater at Northport "James and the Giant Peach," musical by Benj Pasek and Justin Paul, based on the book by Roald Dahl. Through Nov. 1. $15. John W. Engeman Theater at Northport, 250 Main Street. 631-261-2900;
OAKDALE CM Performing Arts Center "Annabelle Broom, the Unhappy Witch," musical. Oct. 17 through 31. $12. CM Performing Arts Center, 931 Montauk Highway. 631-218-2810; cmpac.com.
STONY BROOK Long Island Museum of American Art, History and Carriages Halloween Family Fun Day. Come in costume for trick-or-treating, pumpkin painting, crafts and refreshments. Oct. 25, 1 to 4 p.m. Long Island Museum of American Art, History and Carriages, 1200 Route 25A. 631-751-0066; longislandmuseum.org.
Music and Dance
STONY BROOK Staller Center for the Arts "Rock the Ballet," Rasta Thomas's Bad Boys of Dance. Oct. 17 at 8 p.m. $42. Staller Center for the Arts, 100 Nicolls Road, Stony Brook University. 631-632-2787;
AMAGANSETT Stephen Talkhouse Lone Sharks, rock. Oct. 16 at 11 p.m. $10.00. Lynn Blue and the International Men of Mystery, classic rock cover band. Oct. 16 at 7:30 p.m. $10. Inda Eaton, rock. Oct. 17 at 8 p.m. $15. Sarah Conway and the Playful Souls, rock. Oct. 23 at 8 p.m. $15.00. Stephen Talkhouse, 161 Main Street. stephentalkhouse.com; 631-267-3117.
BAY SHORE Y.M.C.A. Boulton Center for the Performing Arts Pat Travers, rock. Oct. 17 at 8 p.m. $30 and $35. Dave Alvin and Phil Alvin with the Guilty Ones, rock. Oct. 22 at 8 p.m. $35 and $40. Keller Williams, singer and guitarist. Oct. 29 at 8 p.m. $40 to $45. Y.M.C.A. Boulton Center for the Performing Arts, 37 West Main Street. boultoncenter.org; 631-969-1101.
BELLPORT Bellport United Methodist Church The Studio 7 Piano Trio performs the music of Brahms. Oct. 25 at 3 p.m. Donations accepted. Bellport United Methodist Church, 185 South Country Road. 631-286-1832; umcbellport.org.
BOHEMIA Connetquot Public Library Vincent and Emily Ricciardi, singer-songwriters. Oct. 18, 2 p.m. Free. Connetquot Public Library, 760 Ocean Avenue. 631-567-5079; connetquotlibrary.org.
BRIDGEHAMPTON Bridgehampton Museum Archives Building "The Heart of a Troubadour," Steve Washington, vocalist. Oct. 16 at 7:30 p.m. $25. Bridgehampton Museum Archives Building, 2539-A Montauk Highway. 631-537-1088; artofsong.org/upcoming-concerts/.
DIX HILLS Five Towns College Performing Arts Center The Liverpool Shuffle, Beatles tribute band. Oct. 17 at 7:30 p.m. $25 to $35. Five Towns College Performing Arts Center, 305 North Service Road. 631-656-2148;
GARDEN CITY Adelphi University Performing Arts Center A screening of the Salzburg Festival's "Arabella." Oct. 25. $20; alumni and faculty, $10; students, $5. Adelphi University Performing Arts Center, 1 South Avenue. 516-877-4000; aupac.adelphi.edu.
HEMPSTEAD Monroe Lecture Center Theater, Hofstra University American Chamber Ensemble fall concert, with Donna Balson, vocalist, and Tia Roper, flutist. Oct. 18 at 3 p.m. $15 and $20. Monroe Lecture Center Theater, Hofstra University, South Campus, California Avenue. 516-463-6644; hofstra.edu.
HUNTINGTON The Paramount "Apollo X Tour" with Motionless In White, rock, and the Devil Wears Prada, rock, with special guests. Oct. 17 at 7 p.m. $20 to $40. Boz Scaggs. Oct. 25 at 8 p.m. $69.50 to $99.50. Iration, reggae and rock. Oct. 27 at 8 p.m. $15 to $35. The Paramount, 370 New York Avenue. 631-673-7300; paramountny.com.
LINDENHURST Studio Theater "Jim Small and Friends: Now and Then," songs and stories. Oct. 30 at 8 p.m. $30. Studio Theater, 141 South Wellwood Avenue. 631-226-8400; www.studiotheatreli.com.
NORTHPORT Northport Public Library Canta Libre Chamber Ensemble. Oct. 23 at 7:30 p.m. Free. Northport Public Library, 151 Laurel Avenue. 631-261-6930; nenpl.org.
PORT WASHINGTON The Sands Point Preserve Shotgun Wedding, rock and country. Oct. 24 at 8 p.m. $60. The Sands Point Preserve, 127 Middle Neck Road. 516-571-7901; thesandspointpreserve.com.
RIVERHEAD Riverhead Free Library Maxim Anikushin, pianist. Oct. 18, 2 to 4 p.m. Free. Riverhead Free Library, 330 Court Street. 631-727-3228; river.suffolk.lib.ny.us.
SOUTHAMPTON Southampton Cultural Center Karen Oberlin, cabaret. Oct. 31 at 7 p.m. $35 to $45. Mondays through Saturday, 11 a. m. to 3 p.m. Southampton Cultural Center, 25 Pond Lane. southamptonculturalcenter.org; 631-287-4377.
STONY BROOK University Cafe, Stony Brook University Jez Lowe, folk. Oct. 18 at 2 p.m. $20. University Cafe, Stony Brook University, 100 Nicolls Road. universitycafe.org; 631-632-1093.
WESTBURY NYCB Theater at Westbury Huey Lewis and the News, rock. Oct. 22 at 8 p.m. $69 to $183. The Machine, Pink Floyd tribute band. Oct. 23 at 8 p.m. $29.50. NYCB Theater at Westbury, 960 Brush Hollow Road. livenation.com; 800-745-3000.
WESTHAMPTON BEACH Westhampton Beach Performing Arts Center Taj Mahal, blues. Oct. 18 at 8 p.m. $60 to $80. Westhampton Beach Performing Arts Center, 76 Main Street. 631-288-1500; whbpac.org.
Spoken Word
GARDEN CITY Adelphi University Performing Arts Center Trio Solisti offers a lecture and musical demonstration on its concert repertoire. Oct. 23. Free. Adelphi University Performing Arts Center, 1 South Avenue. 516-877-4000; aupac.adelphi.edu.
STONY BROOK Charles B. Wang Center "Modular Kirigami," lecture with George Hart. Oct. 28 at 6 p.m. Free. Charles B. Wang Center, Stony Brook University. 631-632-4400; thewangcenter.org.
EAST HAMPTON Guild Hall "The Met: Live in HD," screening of Verdi's "Otello." Oct. 17 at 1 p.m. $15 to $22. Guild Hall, 158 Main Street. guildhall.org; 631-324-4050.
EAST ISLIP BayWay Arts Center "The Tin Woman," by Sean Grennan. Through Oct. 18. $18 and $20. "Route 66," musical by Roger Bean. Oct. 24 through Nov. 8. $14 to $22. BayWay Arts Center, 265 East Main Street. broadhollow.org; 631-581-2700.
HEMPSTEAD John Cranford Adams Playhouse "Fiddler on the Roof," musical by Joseph Stein, Jerry Bock and Sheldon Harnick. Oct. 23 through Nov. 1. $12 and $15. John Cranford Adams Playhouse, Hofstra University, South Campus. 516-463-6644; hofstra.edu/drama-dance.
LINDENHURST Studio Theater "What the Rabbi Saw," comedy by Billy van Zandt and Jane Milmore. Through Oct. 25. $25. Studio Theater, 141 South Wellwood Avenue. studiotheatreli.com; 631-226-8400.
NORTHPORT John W. Engeman Theater at Northport "West Side Story," musical. Through Nov. 8. $69 to $74. John W. Engeman Theater at Northport, 250 Main Street. 631-261-2900; engemantheater.com.
OAKDALE CM Performing Arts Center "The Addams Family." musical. Through Nov. 8. $22 to $29. "The Rocky Horror Show," musical. Oct. 17 through Nov. 7. $20. CM Performing Arts Center, 931 Montauk Highway. 631-218-2810; cmpac.com.
PORT JEFFERSON Theater Three "Sweeney Todd: The Demon Barber of Fleet Street," musical by Hugh Wheeler, Stephen Sondheim. Through Oct. 24. $15 to $30. Theater Three, 412 Main Street. 631-928-9100; theaterthree.com.
QUOGUE Hampton Theater Company, Quogue Community Hall "An Inspector Calls," by J. B. Priestley. Oct. 22 through Nov. 8. $10 to $30. Hampton Theater Company, Quogue Community Hall, 125 Jessup Avenue. hamptontheatre.org; 631-653-8955.
SMITHTOWN Smithtown Center for the Performing Arts "A Little Night Music," musical by Stephen Sondheim and Hugh Wheeler. Oct. 17 through Nov. 8. $35. Smithtown Center for the Performing Arts, 2 East Main Street. 631-724-3700; smithtownpac.org.
SOUTHAMPTON Southampton Cultural Center "The Fantasticks" (1960), musical by Harvey Schmidt and Tom Jones. Through Oct. 18. $12 to $59. Thursdays through Sundays. Southampton Cultural Center, 25 Pond Lane. southamptonculturalcenter.org; 631-287-4377;
WANTAGH East Line Productions "Deathtrap," by Ira Levin. Oct. 16 through Oct. 25. $15 and $20. East Line Productions, 2123 Wantagh Avenue. 516-749-5047.
Museums and Galleries
BRIDGEHAMPTON Silas Marder Gallery Mica Marder, solo show including drawings, paintings and sculptures. Through Oct. 17. Thursdays through Mondays, 11 a.m. to 5 p.m. Silas Marder Gallery, 120 Snake Hollow Road. 631-702-2306;
CUTCHOGUE Alex Ferrone Photography Gallery "Globetrotting," photographs by Susan Dooley, Ray Germann and Dave Burns. Through Nov. 15. Alex Ferrone Photography Gallery, 25425 Main Road. 631-734-8545;
DIX HILLS The Art League of Long Island "Under the Radar," works by Pat Ralph. Through Nov. 1. Mondays through Fridays, 10 a.m. to 4 p.m.; Saturdays and Sundays, 11 a.m. to 4 p.m. The Art League of Long Island, 107 East Deer Park Road. artleagueli.net; 631-462-5400.
EAST HAMPTON The Drawing Room Costantino Nivola, sculptures and bas reliefs. Through Oct. 26. Free. Antonio Asis, gouaches on paperboard. Through Oct. 26. Free. Mondays, Fridays and Saturdays, 10 a.m. to 5 p.m.; Sundays, 11 a.m. to 5 p.m. The Drawing Room, 66 Newtown Lane. 631-324-5016;
EAST ISLIP Islip Art Museum "Compendium," group show. Through Dec. 27. Reception: Oct. 30, 8 to 10 p.m. $15 and $25 admission. Wednesdays through Saturdays, 10 a.m. to 4 p.m.; Sundays, noon to 4 p.m. Islip Art Museum, 50 Irish Lane. islipartmuseum.org; 631-224-5402.
GLEN COVE Hersh Fine Art at the Long Island Academy of Fine Art Works by Cornelia Hernes, Stephen Bauman and Steve Forster. Through Nov. 30. Mondays to Fridays, noon to 5 p.m.; weekends by appointment only. Hersh Fine Art at the Long Island Academy of Fine Art, 14 Glen Street. 516-590-4324; www.hershfineart.com.
GLEN COVE Holocaust Memorial and Tolerance Center "Running for Their Lives: Voices of Child Refugees," testimony and artwork. Oct. 18 at 1 p.m. $10. Holocaust Memorial and Tolerance Center, 100 Crescent Beach Road. holocaust-nassau.org; 516-571-8040. HEMPSTEAD Hofstra University Museum "Doug Hilson: Urbanscapes," paintings and drawings. Through Dec. 11. Daily, 10 a.m. to 5 p.m. Hofstra University Museum, Hofstra University. 516-463-5672; hofstra.edu/museum.
HEMPSTEAD Hofstra University Museum "Enduring Images," group show. Through Jan. 31. Free. "Doug Hilson: Urbanscapes," paintings and drawings. Daily, 10 a.m. to 5 p.m. Through Dec. 11. Hofstra University Museum, Hofstra University. hofstra.edu/museum; 516-463-5672.
HUNTINGTON Fotofoto Gallery "80 From the '80s: Living and Dying in the Shadow of AIDS," photographs by Susan Dooley and Susan Kravitz. Through Oct. 31. Wednesdays, Thursdays and Saturdays, 11 a.m. to 6 p.m.; Fridays 11 a.m. to 8 p.m.; Sundays, noon to 5 p.m. Fotofoto Gallery, 14 West Carver Street. 631-549-0448; fotofotogallery.org.
HUNTINGTON Heckscher Museum of Art "James Rosenquist: Tripartite Prints," Through Nov. 22. "Graphic Appeal: Modern Prints From the Collection," Through Nov. 29. "Street Life: Private Moments/Public Record," works that feature New York City. Through Mar. 27. $4 to $8; children under 10, free. Wednesdays through Fridays, 10 a.m. to 5 p.m.; Saturdays and Sundays, 11 a.m. to 5 p.m. Heckscher Museum of Art, 2 Prime Avenue. heckscher.org; 631-351-3250.
HUNTINGTON STATION South Huntington Public Library Oil and water paintings by Denis Ponsot. Through Nov. 11. Mondays, Tuesdays, Thursdays and Fridays, 9 a.m. to 9 p.m.; Wednesdays, 10 a.m. to 9 p.m.; Saturdays, 9 a.m. to 5 p.m.; Sundays, 1 to 5 p.m. South Huntington Public Library, 145 Pidgeon Hill Road. 631-549-4411; shpl.info.
JAMESPORT Rosalie Dimon Gallery, Jamesport Manor Inn Paintings by Jerry Schwabe and photographs by Steven Schreiber. Through Oct. 28. Wednesdays through Mondays, noon to 10 p.m. Rosalie Dimon Gallery, Jamesport Manor Inn, 370 Manor Road. 631-722-0500; jamesportmanorinn.com.
MASSAPEQUA Studio 5404 Art Space "Sub-Urban Art," group show. Through Oct. 19. Studio 5404 Art Space, 5404 Merrick Road. studio5404artspace.webs.com; 631-748-4196.
OYSTER BAY Collector Car Showcase "The American Hot Rod." Through Oct. 31. $5 to $10; Free, children under 7. Collector Car Showcase, 85 Pine Hollow Road (Route 106). collectorcs.com; 516-802-5297.
OYSTER BAY Oyster Bay Historical Society "Light Over Water: Oyster Bay Harbor Scenes," paintings, watercolors and drawings by Kirk Larsen. Through Dec. 23. Tuesdays through Fridays, 10 a.m. to 2 p.m.; Saturdays, 11 a.m. to 3 p.m.; Sundays, 1 to 4 p.m. Oyster Bay Historical Society, 20 Summit Street. 516-922-5032; oysterbayhistorical.org.
PORT WASHINGTON Graphic Eye Gallery "The Music of Nature II," brush paintings by the Long Island Sumi-e Society. Through Oct. 25. Free. Wednesdays through Sundays, noon to 5 p.m. Graphic Eye Gallery, 402 Main Street. 516-883-9668; graphiceyegallery.com.
RIVERHEAD Thirty West Main "August Abstracts," group show. Through Oct. 29. Tuesdays through Saturdays, 10 a.m. to 4 p.m. Thirty West Main, 30 West Main Street. 631-727-0900; eastendarts.org.
ROSLYN HARBOR Nassau County Museum of Art "The Moderns," selections from the Saltzman family collection and Long Island Collects Modern Art. "Posters of the Russian Revolution: 1917-1921." "Frank Olt: New Works." Through Nov. 8. $4 to $10; children 4 and under and members, free. Tuesdays through Sundays, 11 a.m. to 4:45 p.m. Nassau County Museum of Art, 1 Museum Drive. 516-484-9337. nassaumuseum.org.
SAG HARBOR Richard J. Demato Fine Arts Gallery "The Tales We Tell Together," group show. Through Nov. 12. Sundays through Thursdays, 10 a.m. to 6 p.m.; and Friday and Saturdays, 10 a.m. to 7 p.m. Richard J. Demato Fine Arts Gallery, 90 Main Street. rjdgallery.com; 631-725-1161. SAYVILLE The Sayville Historical Society "The Civil War: In Their Own Words" correspondence from Long Island soldiers. Through Dec. 13. Suggested donation, $5. Saturdays 10 a.m. to 2 p.m. and Sundays 2 to 4 p.m. The Sayville Historical Society, 39 Edwards Street. 631-563-0186;
SETAUKET Gallery North "Local Color: Then & Now." Through Nov. 13. Tuesdays through Saturdays, 10 a.m. to 5 p.m.; Sundays, noon to 5 p.m. Gallery North, 90 North Country Road. 631-751-2676; gallerynorth.org.
SOUTHAMPTON Southampton Cultural Center "Material Matters," group show with artists including Monica Banks, Patricia Feiwel, David Geiser and Alice Hope. Through Nov. 17. Mondays through Saturday, 11 a. m. to 3 p.m. Southampton Cultural Center, 25 Pond Lane. 631-287-4377; southamptonculturalcenter.org.
ST. JAMES Smithtown Township Arts Council Member Artist Showcase, group show. Through Jan. 8. Free. Mondays through Fridays, 10 a.m. to 5 p.m.; Saturdays and Sundays, noon to 4 p.m. Smithtown Township Arts Council, 660 Route 25A. 631-862-6575; stacarts.org.
STONY BROOK Charles B. Wang Center "Origami Heaven," works by eight artists. Through Dec. 31. "Reality Override," mixed-media works by Ren Zi. Through Dec. 31. "Explore History: Objects From Asia," Asian and Asian-American material culture. Through Dec. 31. Free. Mondays through Fridays, 9 a.m. to 5 p.m., or by appointment. Charles B. Wang Center, Stony Brook University. 631-632-4400;
STONY BROOK Long Island Museum of American Art, History and Carriages "Gilding the Coasts: Art and Design of Long Island's Great Estates," group show. Through Oct. 25. $3.50 to $9; members and children under 6, free. "Beth Levine: The First Lady of Shoes," footwear, photographs and paintings. Through Jan. 3. $3.50 to $9; members and children under 6, free. Thursdays through Saturdays, 10 a.m. to 5 p.m.; Sundays, noon to 5 p.m. Long Island Museum of American Art, History and Carriages, 1200 Route 25A. 631-751-0066; longislandmuseum.org.
STONY BROOK Simons Center for Geometry and Physics at Stony Brook University "Manfred Mohr: Pioneer of Algorithmic Art," Simons Center Gallery. Through Nov. 12. Mondays through Fridays, 10 a.m. to 5 p.m.,; and by appointment. Simons Center for Geometry and Physics at Stony Brook University, 100 Nicolls Road. 631-632-2800.
SYOSSET Syosset Public Library Photographs of East African nomadic tribes by Gary Warren. Through Oct. 28. Mondays through Thursdays, 9 a.m. to 9 p.m.; Fridays, 10 a.m. to 6 p.m.; Saturdays, 9 a.m. to 5 p.m.; Sundays, noon to 5 p.m. Syosset Public Library, 225 South Oyster Bay Road. syossetlibrary.org; 516-921-7161.


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Preparing your home for sale can seem like a big task, but it doesn't have to be overwhelming. Our handy checklist can ensure that your home stands apart from the crowd. A home that has been properly prepared for sale can sell quicker and for more money, and that's something that every seller can get behind.
Before your home goes on the market is a great time to declutter, deep clean, and depersonalize a bit. This can be an opportunity to get a jumpstart on packing and make your move a little easier. Present your home as clean, well cared for, and a space where potential buyers can imagine themselves living and with the right agent you'll have an offer before you know it.
Now let's get your home ready for sale:
Store or pack personal mementos
Clean closets and storage spaces
Store off season decorations off site if possible
Deep clean carpets
Store laundry in a covered hamper out of site
Put away children's toys
Mow lawn
Store all trash in cans
Repair and paint fences
Before you leave:
Turn on lights
Open drapes
Wipe counters
Remove dishes from the sink
Leave the house

subset: commoncrawl


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https://steadystate.org/wp-content/uploads/AndrewWeaverBioBox.jpg 680 407 James Johnston /wp-content/uploads/logo-casse-wide.png James Johnston2013-05-27 21:11:522019-01-07 14:47:21Do We Need a Steady State Economy? One Politician's Surprising Answer
Do We Need a Steady State Economy? One Politician's Surprising Answer
An interview with a refreshingly astute politician: Andrew Weaver, climate scientist and first Green member of British Columbia's legislature.


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Business big shot: Kerry Crawford
Age 42
Position Finance director, Bowleven
Salary About $343,000
Kerry Crawford has her grandmother to thank for setting her on the career path that culminated yesterday in her promotion at the Africa-focused oil explorer Bowleven.
Growing up in Aberdeen, she wanted to be an accountant because her grandmother, who worked into her 80s, was a book-keeper. She thought the two jobs were the same, and by the time she realised her mistake it was too late.
Not that she has any regrets, studying accountancy and finance before joining Ernst & Young in 1992. One of her first clients was Cairn Energy, which in 1997 poached her to work in its financial accounting department. At Cairn, she led the team that raised $1 billion to help…


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Photos and Story by Rick Hiduk
Endless Mountains Heritage Region director Annette Schultz (top, right) addresses those gathered along the Merrill Parkway and River Walk in Towanda on Wednesday for the official unveiling of a new sign and map of Bradford County. Participants included (top, from left) Bradford County commissioner Daryl Miller, designer Diane Terrell, commissioners secretary Michelle Shedden and commissioner Ed Bustin, seen above taking a photo of the sign.
The first of two signs installed in county seats recently through a collaboration of the Endless Mountains Heritage Region (EMHR) and the Pennsylvania Department of Conservation and Natural Resources (DCNR) was unveiled in Towanda on Wednesday. The sign and its map were hailed by public officials as great achievements and much-needed tools for showing local residents and visitors alike how much there is to do in Bradford County.
More than two dozen museums, historical sites, parks, public lands, and vistas throughout Bradford County are featured on the sign, with river access points and biking trails also clearly marked on the detailed map. Descriptions matching numerical and alphabetical bullet points on the map are provided, as well as addresses, phone numbers and websites, enabling a Smartphone or e-tablet user to quickly access more information and driving directions.
Projects such as this demonstrate EMHR's commitment to preserving and promoting local cultural and historic sites while keeping an eye on the future of heritage resources, EMHR director Annette Schultz explained to those in attendance.
Bradford County Commissioner Ed Bustin agreed, noting that, while economic stimulation attributed to the gas industry will continue to ebb and flow, the county's museums and other local attractions have the potential to sustain the county if they are given ample support and recognition. The new sign accomplishes that and more, he remarked. "I think this is exactly what we need."
Robyn Chamberlain, director of the newly formed Bradford County Tourism Promotion Agency (BCTPA) and Jennie Marino, director of the Central Bradford County Chamber of Commerce were also on hand for the unveiling of the sign and concurred that it was a great step toward tying together the county's numerous heritage assets. Christine Dettore, a regional DCNR advisor was also in attendance, as were several EMHR board members and employees.
Traditionally, the Endless Mountains Visitors Bureau (EMVB) worked hand-in-hand with EMHR as the agency that promoted the venues that EMHR supports through grant acquisition and networking opportunities. Bradford County broke away from EMVB in 2014 and formed the BCTPA earlier this year. Chamberlain stated that she is looking forward to working closely with EMHR and Schultz, who became EMHR's director in June.
Schultz noted that the signs in both Bradford and Wyoming counties, which were designed by Diane Turrell of DH Design in Tunkhannock, can be easily replicated, and Schultz would like to see others installed throughout the county. They can also be printed as banners for use at public events or indoor displays. EMHR plans to install similar signs with maps in Sullivan and Susquehanna counties as funds become available.
Participating in Wednesday's unveiling of the Bradford County version of new Explore Northeastern Pennsylvania signs were (from left) EMHR director Annette Schultz, Bradford County commissioners Ed Bustin and Daryl Miller, Central Bradford Chamber of Commerce director Jenny Marino, and Bradford County Tourism Promotion Agency director Robyn Chamberlain.


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noun, plural ar·mies.
Nearby words
Origin of army
Related formspro·ar·my, adjective
Examples from the Web for army
Fry had previously confirmed the news to his army of followers on Twitter.Meet Stephen Fry's Future Husband (Who Is Less Than Half His Age)|Tom Sykes|January 6, 2015|DAILY BEAST
Fatima says they were initially happy when Ziad joined the army, but that feeling has utterly faded.
Sabrine says that if Ziad returns, she will make him leave the army.
The army has since conducted a brutal wave of jailings against activists and journalists.Behind Bars for the Holidays: 11 Political Prisoners We Want to See Free In 2015|Movements.Org|December 25, 2014|DAILY BEAST
Pan Am was granted landing rights at Camp Colombia, an army base near Havana.Goodbye, Bahamas. Hello, Havana!|Clive Irving|December 18, 2014|DAILY BEAST
The Confederate supplies had been captured by Sheridan, and Lees army was almost at the point of starvation.The Civil War Through the Camera|Henry W. (Henry William) Elson
An Army man tackled me on their 25-yard line, after I had taken the ball down the field for nearly a touchdown.Football Days|William H. Edwards
If there are good and true men in the South now, they would go into the army for similar cause.
He left his disreputable companions and entered the army honorably.
Claudius himself came for a brief visit to receive the congratulations of the army on the victory which his lieutenant had won.A Student's History of England, v. 1 (of 3)|Samuel R. Gardiner.


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Nonsuch Nonsuch 22
The latest addition to the Nonsuch family is the new NONSUCH 22. Again Mark Ellis has shown his ability in Catboat design. The boat was designed for the couple, or the family with two children, whether they are novice or seasoned sailors. It is an ideal boat for day sailing with friends or cruising either as a couple or with the family. The cat boat hull form with its fin keel and spade rudder configuration results in a boat that balances well and steers easily, and will perform easily with boats of similar size.The proven concept of a free standing spar, and wishbone rig, sail track and slides are used for the NONSUCH 22 sail plan.
The cabin is spacious with six foot head room and is furnished with varnished teak sole, full molded head liner, and wrap around teak grab rails. All interior teak is satin varnished with cedar strapping accent over the settees. A six foot, six inch port and starboard settee has five inch, tufted, upholstered cushions with zippered removable covers. Both settees extend together to form a king size berth. There is a full length shelf outboard, with upholstered back rests over the settees. Five opening ports and the forward hatch give ample light and ventilation. A convenient stow away table is mounted at the forward bulkhead and deep storage lockers are located on each side.
The L-shaped counter top in the galley is finished with formica and teak fiddles and features a large ice chest, deep stainless steel sink with fresh water foot pump, two drawers and a locker below the stove area, and an opening port over the galley. The enclosed head area is to starboard with full height louvered door, marine head, and a molded vanity with sink and foot pump. A large hanging locker is aft and an opening port and vent is overhead. Stove shown is an optional extra.
The NONSUCH 22 is built to the same high standard of quality of all Hinterhoeller Yachts and features many of the exceptional standards found on the larger Nonsuches.
Hull: Single piece molded FR.R construction combining alternate layers of unidirectional and woven rovings and mat for ultimate strength and performance. Heavily reinforced to carry the mast structure. All structural bulkheads are of marine grade plywood bonded to the hull with fiberglass overlay. Standard gelcoat colour, smoke white. Standard molded boot top and cove colour, dark blue.
Deck: Single piece molded FR.R balsa cored in horizontal all areas for rigidity. Locally reinforced in high stress areas. Molded nonskid on all working areas. Standard gelcoat colour, smoke white.
Ballast: External lead fin keel through bolted with stainless steel bolts to a deep and well reinforced sump.
Rudder: Semi-balanced spade rudder with stainless steel shaft and steel torque plate. Outer shells of fiberglass construction. Varnished mahogany tiller with cast aluminum tillerhead.
Basic Information
- Manufacturer:
- Nonsuch
- Model:
- Nonsuch 22
- Year:
- 2014
- Category:
- Sail
- Boat Type:
- Daysailer
- Hull Material:
- Hull Type:
Dimensions & Weight
- Length:
- 22.00 ft
- 22 ft - 6.71 meter
- Beam:
- 8 ft 6 in - 2.59 meter
- Draft - max:
- 3 ft 8 in - 1.12 meter
- Bridge Clearance:
- -
- Dry Weight:
- -
- Deadrise Aft:
- -
Standard Engine
- Make:
- Westerbeke
- Model:
- 2-10
- Horsepower:
- 0
- Engine Type:
- Inboard
- Drive Type:
- Sail Drive
- Fuel Type:
- Diesel
Tank Capacities
- Fuel Tank:
- 15 gallons - 1 tank(s)
- Fresh Water Tank:
- 23 gallons - 1 tank(s)
- Holding Tank:
- 23 gallons - 1 tank(s)
- Total Cabins:
- 1
- Total Berths:
- -
- Total Sleeps:
- -
- Total Heads:
- 1
- Captains Cabin:
- No
- Crew Cabins:
- -
- Crew Berths:
- -
- Crew Sleeps:
- -
- Crew Heads:
- -
Auxiliary Engine: Westerbeke 2-10; 8 h.p. two cylinder, 4 cycle diesel engine with 2:1 reduction transmission, freshwater cooling, 35 amp alternator and Racor fuel filter. All electric control panel mounted on starboard coaming and weather protected; fitted with tachometer and hourmeter, oil pressure, water temperature and voltmeter gauges, audible alarm and keyed ignition with cold start aid. Throttle and clutch control mounted at side of starboard cockpit seat. Blower switch and fuel gauge located in starboard seat locker. Stainless steel propeller shaft with two blade sailor propeller. Fifteen U.S. gallon capacity aluminum fuel tank with electric fuel gauge. Engine compartment and bilge ventilation.
Electrical: Wiring and box for one battery with explosion proof battery switch. Twelve volt accessory panel with magnetic breakers for cabin lights, running lights and steaming light. Provision for additional breakers.
Exterior Lighting: Regulation bi-colour running light mounted on the mast at the bow and stern running light mounted on the aft coaming. Steaming light on the mast. Running lights and steaming light wired to individual breakers on the panel.
Interior Lighting: 11n brass swivel reading lights and four fluorescent lights appropriately located throughout the cabin and wired to a breaker on the accessory panel. Light in engine compartment.
Plumbing: Marine head with sea water intake and remote 23 U.S. gallon holding tank. One 23 U.S. gallon fresh water tank with deck fill, vent and inspection port. Fresh water foot pump with telescoping faucet at galley sink and at vanity sink. Three-way selection valve to drain ice box, via galley foot pump. "Zytel" Ball Valves on all thru-hulls below the waterline. Eleven U.S. gallon per minute capacity manual bilge pump mounted in the cockpit with check valve and strainer. One 23/4 lb. fire extinguisher.
Deck: Full length vinyl rub rail with clear anodized aluminum toe rail through-bolted to deck and hull for a strong and water tight connection. Cast aluminum bow fitting with mooring bit. Closed fairleads and mooring cleat. Six stainless steel stanchions and cast aluminum bases bolted to the toe rail and deck for wide side deck clearance. Vinyl coated 7 x 19 stainless steel upper life lines. Cast anodized aluminum mast collar bolted to a reinforced deck and hull structure. Aluminum framed translucent skylight hatch forward and translucent sliding companionway hatch and teak filler boards. Teak hand rails on cabin top. Molded dorade with cowl vent over head area. Nosing trim continuous around cabin chine and cockpit combing. Recessed side deck drains.
Water, waste and fuel deck plates. Cast aluminum transom corner fittings, closed chockS and two stern mooring cleats. Two midship mooring cleats. Stern running light combined in mainsheet deck block bracket on aft coaming. Blower exhaust cowl vents on coaming side. Flag pole socket.
Cockpit: Barient No. 10 P chrome main halyard winch and cleat and cleats inboard for two reefs mounted on port aft cabin top. Barient No. 8 P chrome winches and cleats for tack reef lines and choker and topping lift on starboard side. Varnished mahogany tiller with cast tiller head attachments. Remote engine throttle and shift at side of starboard cockpit. Engine control panel located on starboard coaming. Seven foot length cockpit seats with two large hatches for access to deep divided stowage bins. Molded propane well in port seat locker. Spring retainer on hatches. Recessed scuppers in guttered cockpit sole and cockpit seat drains. Bilge pump mounted with deckplate. 7,vo part mainsheet tackle at aft coaming with fairlead to Barient No. 10 P chrome winch and cleat on starboard coaming. One locking winch handle.
Varnished teak and holly sole with appropriate access to the sump, keel bolting and through hulls. Full molded, textured interior overhead liner with access to hardware fastenings aft. Wrap around teak grab rails the full length of the cabin at the side deck. Molded berth faces and tops with teak fiddles. Five inch tufted, upholstered settee cushions with zippered, removable covers. Satin varnished teak bulkheads and joinerwork. Varnished cedar strapping accent over the settee shelves. Six foot standing head room. Antique white gelcoat finish on interior liners.
Main Cabin: Six foot, six inch length settee port and starboard. Full length shelf outboard with upholstered backrest attached. Slide-out berth extensions form a king size width double berth..Varnished cedar strapping above backrest shelves. Opening port, with curtain wire, over each settee and on forward cabin face. Tankage and stowage under settees with front access. Brass swivel reading light at aft end of each settee and one fluorescent light at forward end. Centre: Stow away arborite finished table mounted on forward bulkhead. Table stores neatly away in head compartment Skylight hatch overhead and fluorescent light aft. Forward: Full height teak bulkhead with storage lockers at the forward end of the port and starboard settee. Access door to mast compartment on centre also carries the table when setup. Galley: "L" shaped counter top finished in formica with teak fiddles. Provision in the counter top for optional two burner propane stove. Large, fully insulated ice chest aft with hinged insulated lid. Spring retainer on lid. Teak grating and dividers in ice box. Divided dish and food storage outboard of stove and ice box. Deep stainless steel sink with fresh water foot pump and telescoping faucet. 'IWo drawers and a locker below the stove counter. Locker below the sink. Fluorescent light overhead. Opening port with curtain wire. Twelve volt accessory panel aft on the bulkhead. Molded enclosure with door for access to cockpit mounted instrument installation.
Head: Enclosed head area to starboard with full height louvered door and locking hardware. Marine head with sea water intake and remote holding tank. Hanging locker aft of head. Molded fiberglass vanity with molded deep sink, foot pump and telescoping faucet. Storage shelf outboard. Bulkhead mounted mirror over vanity. Molded sole. Dorade vent overhead. Opening port with curtain wire. Fluorescent light overhead.
Centre: leak companionway ladder with full width access panel to engine compartment. Light in engine compartment. Grab rails at companionway.
Spars and Rigging
Mast: Tapered anodized aluminum free standing spar. Cast anodized aluminum masthead with two aluminum halyard sheaves with minimum stretch Dacron main halyard. P.V.C. wiring duct. Regulation mast steaming light. Aluminum fairlead casting to lead wishbone outhaul reeflines and topping lift. Cheek block to lead main halyard aft to Barient No. 10 chrome winch. Vinyl coated 7 x 19 stainless steel wire topping lift and wishbone hangers. External stainless steel sail track. The spar is lightning grounded directly to the keel.
Wishbone: Roll formed anodized aluminum tubular assembly. Through fastened hardware for reef line fairleads and hangers at the mast. Mainsheet bail and topping lift tackle at aft end. Reef line fairleads along the underside also secure cradle lines to contain the mainsail. First and second inboard and outboard reef lines lead to cleats on the aft cabin roof.
Running Rigging: Minimum stretch Dacron main halyard. Dacron braid wishbone outhaul tackle, outboard and inboard reef lines, topping lift lashing and mainsheet. Dacron braid cradle lines and flag halyard. Appropriate blocks for 2:1 purchase mainsheet tackle; lead blocks for reef lines, outhaul and topping lift.
Comprehensive and detailed Owner's manual with registration data. Electrolysis protection on the propeller shaft.


text:
The Young in New York
Rebecca Pyle
Buttercream are the
Young, all fresh on the
Table, the strange flatness
Of their hair. That strange
Overlapping N and Y on
The Yankees caps mean
New and Young. I heard
Today young bellhop laughing, saying
The beach doesn't open till tomorrow.
So guess what? Today it's against
The law to swim in the ocean.
That's the best
Of being young: the insouciance.
I think I know the meaning of that
Word: words sculpt themselves
With time, insouciance.
Buttercream, the young, new
And so easily fit in shoes, but so
Frightened of the surf, the decades
How they tilt you, like shoes, toward
Sun. And the sun robs
You, recharges you, robs you,
Alternating waves, currents, each
Side having a different idea what
A shore is, whether youth, or
Newness, or death, all oppositions,
All crew, all pirates, all robbery,
Just as milk and cream and butter
Are robbery: from cows.
Rebecca Pyle's poetry the past few years is in Underwater New York, Indian Review, Poor Yorick, and Cobalt Review; her short stories are in Map Literary, Lindenwood Review, and Stoneboat. Rebecca lives in Utah, not far from the Great Salt Lake, and is also an artist; her artwork is in New England Review and Watershed Review. See rebeccapyleartist.com.


text:
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text: Hi Vineet, I'm CCing developers in case they have anything to add. We also like to have such technical discussions happen on the list so others can benefit. On Sun, Nov 15, 2015 at 5:01 AM Vineet Chaitanya <vc at iiit.ac.in> wrote: > > Hello, > > We are planning to undertake DMRS to MRS conversion. > I understand at one time you were interested in DMRS to MRS conversion. > Would you kindly throw some light on this topic? Sure. I'll assume you're somewhat familiar with the structures involved in DMRS (nodes, links) and MRS (Elementary Predications (EPs), handle constraints (HCONS), etc.). Nodes in DMRS are similar to EPs in MRS in that for every node there is an EP. Links in DMRS, however, represent information that exists in multiple places in the MRS, such as arguments on EPs, LBL values of EPs and of TOP (LTOP), and HCONS. The algorithm I use is roughly the following: 0. Initialize a new MRS 0.a. assign "h0" for the TOP handle 0.b. make an EP for every node (and keep a mapping of NODEID to EP) 0.b.1. use the same PRED as the node 0.b.2. if the node has a "carg" attribute, make a CARG argument with the same value 1. Assign labels to EPs 1.a. for every */EQ link in the DMRS from START to END 1.a.1. if EPs for START or END have a label assigned, assign it for both 1.a.2. otherwise create a new one and assign it for both 1.b. for every EP without a label, assign it a new one 2. Make ARG0s (intrinsic variables) for non-quantifier nodes 2.a. use the "cvarsort" property of SORTINFO as the variable sort 2.b. all other properties of SORTINFO are the variable properties 2.c. if the node is linked by a quantifier node, give the quantifier node's EP the same ARG0 3. Assign EP arguments and connect TOP 3.a. if a link from 0 to END has POST H or NIL, make a QEQ from TOP to the label of END 3.b. for other links that aren't undirected /EQ links: 3.c.1. if POST is H: 3.c.1.a. arg value is a new hole (handle) variable 3.c.1.b. QEQ the hole to the label of the end node 3.c.2. if POST is HEQ, arg value is label of end node 3.c.3. otherwise arg value is ARG0 of end node That's about it. Note that some kinds of MRS cannot be represented with the current DMRS formalism. For instance, if two non-quantifier EPs share an ARG0 in MRS (an unconventional but extant configuration in some grammars), this conversion from the quasi-equivalent DMRS will give them unique ARG0s. Also, some grammars use ICONS (individual constraints), but there is no representation of ICONS in DMRS, so they cannot be converted. Here is a link to my pyDelphin code where I define a DMRS to MRS conversion: https://github.com/delph-in/pydelphin/blob/08e000f4bc55c46b607595aee7e1bcc2d5b658c1/delphin/mrs/xmrs.py#L623 It may be useful for you, but note that I didn't write it with human-readability in mind. Also note that Step 0 above is actually one of the last steps in my code. > Regards > Vineet Chaitanya


text:
England in Women's World CupJake Cooper | 12 Oct 2016
England thrashed Wales 4-0 last night at the Cardiff City Stadium, securing their place in the 2015 Women's World Cup.
The English side were unstoppable as they walked all over the Welsh team to win their ninth consecutive World Cup qualifier. This victory confirmed their place at the Women's World Cup in Canada in 2015.
Karen Carney, Eniola Aluko, Laura Bassett and Lianne Sanderson each scored, which was enough to secure the 4-0 win over Wales and gain the point they needed to qualify.
Wales can still make it through to the World Cup next year if they make the playoffs.
England Women's World Cup track record is one of moderate success. They have reached the quarter finals three times but never made it past the last eight. Their form this year however looks stronger than ever and the team are confident of progressing further than ever.
The England side conceded just a single goal throughout their qualifying matches and proved incredibly powerful in attack, scoring 42 times. Their efficiency up front was displayed yet again in Cardiff, scoring three of their goals in the space of six minutes just before half time,
Karen Carney's free-kick was the first goal of the game and within minutes Jordan Nobbs nearly scored a second.
Before the break Eniola Aluko volleyed the ball into the corner from 15 yards out, Laura Bassett then knocked in a corner and Lianne Sanderson followed up with a header just minutes later.
Wales had several good attempts to score but failed to break England's resilient defence.
Wales' World Cup hopes now rest on their remaining qualifying games as they'll need to finish as top 4 runners-up in Europe to make the playoffs.
Mark Sampson, England manager, commented: "I'm really proud of all the group, the players and staff, that we managed to achieve this with a game to spare. So far we've won every game and we got another clean sheet, so huge credit to the whole group for putting us in this position. We are delighted now to be going to Canada."


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text:
Two Indigenous women honoured at TV and film awards show in Vancouver
APTN News
It was a night of celebration in Vancouver as 15 women in film and television were recognized for their outstanding careers.
That included the late award-winning filmmaker Barb Cranmer.
As well as, Doreen Manuel who received the Woman of the Year award for her work as an industry leader.
APTN's Tina House has the story.


text:
In the following video, Motley Fool financial analysts Matt Koppenheffer and David Hanson go toe-to-toe over JPMorgan Chase (NYSE:JPM) CEO and Chairman Jamie Dimon.
Dimon has recently been the focus of some shareholder unrest, as a shareholder vote is being held to determine whether or not he should give up one of his two roles, Chairman or CEO. In this video, David presents the bull case in support of Dimon, and Matt takes the bear side, and gives investors reasons to question Dimon's leadership.


text:
JAMESTOWN – A 29-year-old Falconer man was arrested and jailed on felony drug charges and about 13 pounds of marijuana and nearly a pound of a concentrated form of marijuana sold on the streets as "shatter," were seized during an early afternoon raid Thursday on an apartment on Shirley Lane.
Steven P. Greenland was arrested as he allegedly tried to flee by trying to jump out a rear second-story window as a Jamestown Metro Drug Task Force team broke into the house about 12:40 p.m.
The marijuana and "shatter" seized had a street valued more than $41,000. About $3,000 in cash was also seized during the raid. Greenland is being held on felony charges of criminal possession of marijuana in the first-degree and criminal possession of a controlled substance in the fourth-degree. Jamestown police said the raid was the result of information obtained about a large quantity of marijuana recently shipped to the Shirley Lane flat from outside the area.


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📺 PulseTV
Real, genuine people from our local community bringing you everything that the Big Island has to offer. Always entertaining and always available on PulseTV.
📅 Featured Events
Monday Night Jazz Jam
Monthly Concert Series: Kunia Galdeira in September
Events for week of September 15, 2019
This Week Navigation
The Farmers' Market at Hamakua Harvest
The Farmers' Market at Hamakua Harvest
MARTIAL ARTS STYLE of WING CHUN PRESENTED by LAWRENCE RAMIREZ SIFU of the Pacific Wing Chun Association
Monday Night Jazz Jam
Taco Tuesdays at Hula Hulas!
King's Shops Farmers Market
Beginner Ukulele Lessons
Arbonne Party @ Wiki Fresh
Kupuna Crafts
Tap Take-Over with Maui Brewing Company
Katchafire – KBX-Treme Kona Bowl
Ocean Grown OK2Change Lopaka Rootz And SafariParti
Monthly Concert Series: Kunia Galdeira in September
Ocean Grown OK2Change Lopaka Rootz And SafariParti
Hilo Walk to End Alzheimer's
🌴 Local Kine:
Big Island-centric commentary:
🚵 Adventure
get your epic on!
Expert Backpackers: try Ainapo Cabin
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Intro: Picture this: a quaint single lane drive south on highway 11 leads to the southernmost point of the United States. This rural portion of...
🍴 Review
Our newest unbiased food report:
🍴 Food
ʻOno kine articles:
KauKau Time @ Roy's, Waikoloa
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6 Hawaiian Delicacies You Must Try
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❤ Health
For mind & body
1st Annual Puna Community Health & Wellness Fair
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🤙 Lifestyle
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Kanaka Maoli Flag – Hawaii's Original Flag or Clever Marketing?
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Time to tackle that hurricane kit you've been meaning to put together. Now... what to put in your supply box? Food and water—check! Maybe...
Puna-Made Indie Film 'Stoke' Hits Amazon
Following a limited theatrical tour across the Pacific Northwest, Hawai'i road film Stoke heads to Amazon starting Tuesday, August 6. The film follows Jane, an...


text:
Rules for Incorporated Associations
- The owners of an incorporated association must adopt a set of rules to serve as a constitution for their company. An incorporated association is a type of a business entity available in many countries, but is mostly found in Australia. The Australian government has established the incorporated association as a formal business entity apart from the standard corporation or public company. Incorporated associations are membership-based organizations and are often dedicated to the practice or propagation of recreational activities, like team sports or swimming.
- The purpose of an incorporated association's rules are to clearly establish the management and organizational structure of the company. This set of rules defines the responsibility and authority of employees and company officers. The rules serve the same purpose as a corporate charter or an operating agreement. The Australian government requires every incorporated association to submit a set of rules along with its registration application to the department of commerce.
- The founders of an incorporated association have a degree of freedom in composing the details and contents of the rules, but they must include certain information required by the Australian government. The rules must describe the registration process for new members of the association, including the qualifications and fees for the application process. They should also include the terms upon which a member's subscription to the organization will be terminated or suspended.
Model Rules
- Model rules are a template set of rules designed specifically for incorporated associations. These rules are available on the Australian Department of Commerce website. An incorporated association may choose to use all or part of these rules as replacements or additions to their own. A company may fully adopt the model rules, insert or alter details, or reject them entirely. The model rules provide all of the content required by the Australian government for incorporated associations. At the very least, the model rules provide a solid template for designing a custom set of rules.


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OSWEGO, NY – For the dozen or so firefighters participating in a "Trench Rescue" drill recently, their minds were focused on the task at hand , considering perhaps some time in the future when they had to use these skills.
One of the onlookers, however, was transported nearly two decades into the past.
Participants in the drill worked to free a more than 150-pound life-size dummy that was buried under hundreds of pounds of debris in tunnel near the city's westside water treatment plant.
In July 1988, it wasn't a mannequin; John Sawyer was basically buried alive in a trench collapse on the college campus.
He was in a trench between southeast corner of Hart Hall and Hewitt Union on the SUNY Oswego campus when it caved in around him.
"It was a steam line job that we were working on. I don't really remember exactly what happened, except the line broke; I knew I was going to get burned, the only question was how bad," he told the Daily News.
The accident cost him most of his left arm and some fingers on his right hand.
He doesn't remember exactly how long he was in the trench.
"I don't remember much, except for a pain in my back and I couldn't breathe very good at all," he said. "They just didn't have the equipment then that they have now."
One thing he does remember is the rescuers were unsure of where his legs were.
"I was still basically covered up to my waist when the got me upright," he explained. "They didn't know if my legs went that way or that way or what. I was actually in a fetal position; they were right here in front of me."
"I told them, get one guy on each arm and I'll stand right up. And I did. I stood right up, I turned a little bit and I remember laying right back into the lap of the firefighter behind me," he continued.
It took him about six months to recover, he said.
He said he still does just about everything he did before the accident except bowl.
"I was a leftie," he explained. "I don't bowl and I don't play softball. But other than that, I do everything I did before. But I still go hunting; I use handguns, shotguns and rifles. I fish and I play golf, I made my own golf adapters to play with."
During the drill, the firefighters used the vac truck, usually used to suck up leaves, to remove dirt from the trench as the rescuers cleaned away the dirt and stones with hand tools.
Once the "victim" was freed, his neck was stabilized and he was strapped to a stretcher as he was slowed extricated from the trench.
Richard Depasquale, FDNY, has been going around the state providing training for brother firefighters for nearly 10 years.
The other instructors included Don Snydier and Pete Benadento.
When something goes wrong, this is what they're going to do to save the victims, Depasquale explained.
Rescuers created a system to brace the walls of the trench to ensure there is no further collapse.
"We don't want the rescuers to have more debris fall on top of them and create even more victims. This way we ensure their safety as they work to free the victims," Depasquale said. "Actually, before this training, many rescuers would go in the hole and become part of the problem instead of the solution."
Because the "victim" in the drill was located in an L-shaped area, it made the reinforcement a bit more complicated, Depasquale explained.
"State safety officials have been concerned about the fact that many injures and fatalities occur as the result of tunnel cave-ins," he said.
The training program was designed to address that and make sure more people survived such an event.
"There has been a lot of education, such as Dig Safely NY, however, everybody doesn't always do what they're supposed to," Depasquale added. "All around the state we're getting calls more and more about trench collapses. Hopefully, due to this training, we will see more and more safe successful rescues."
After watching the more than hour-long training session, Sawyer spoke to the participants about his experience.
"I just want to say thank you to you guys," he told the firefighters. "Perhaps if they had the technology back then, I wouldn't have been in such rough shape. I just want to say these guys are lifesavers. Anybody who complains that the firemen just sit around or anyone who wants to cut the fire department doesn't know what they're talking about."
"Any time they want to have one of these exercises, I'll be there to watch. And, I'll bring anybody I can bring. The firefighters do their job phenomenally well. Anybody (complains) about firefighters and any overtime, well guess what? They're (really) worth it, every penny of it!" Sawyer added.
"Some times, it's tough to talk to these guys about this stuff," he pointed out. "They know what it's like and it's just as tough for them as it is on the victims some time, you know?"
Sawyer still works for Environmental Health and Safety.
"I came to work out here, October 1977, right out of high school," he said.


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For online dating and chat rooms, this means you can browse potential partners and plan a date from anywhere, and anytime.
On top of that, people have become generally more web-savvy.
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Internet connectivity has become phenomenally convenient. Whereas people needed to be at home or at the office to connect to the net, it is now possible to access the internet over Wi-Fi networks as you move about.
It is also currently much faster and more reliable than it earlier was.
In yesterday's setting, resorting to the internet to find a partner was a thing to be ashamed of. Today, more people are beginning to accept these means of starting a relationship.


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The Cambrian
Cambria residents can make Goodwill donations to benefit HART animal rescue
North Coast folks in spring-cleaning mode have an easy way to dispose of some usable but unwanted stuff: The Goodwill donations trailer will be at H.A.R.T. in Cambria on Friday through Sunday, May 3 through 5.
Goodwill pays The Homeless Animal Rescue Team about $1,000 for the donations, and all funds raised go toward the care and housing of the animals. Donate from 10 a.m. to 4 p.m. on Friday and Saturday, May 3 and 4, and from 10 a.m. to 3 p.m. on Sunday, May 5. For early drop-off, call the H.A.R.T. office at 805-927-7377.
H.A.R.T. is a no-kill, cage-free shelter for rescued, relinquished or feral cats. H.A.R.T. services include active adoptions, spay/neuter services and trap/neuter/release of feral animals. For details about the volunteer service organization, go to slohart.org.
According to www.amazinggoodwill.com/donating/donor-guidelines, Goodwill accepts many different new and gently used items, among them: Most electronics; vehicles; clothing and accessories, shoes, boots, jewelry, hats, gloves; books, records, CDs, video tapes, DVDs; games, toys, sports equipment; dishes, glassware, kitchen utensils; lamps, small appliances; collectibles, antiques, knickknacks, giftware; hand tools, small power tools; linens, curtains, blankets; some furniture; and flat-screen TVs.
The charity cannot accept: CRT TVs or computer monitors; cribs or other baby items; mattresses/box springs or pillows, waterbeds and frames; large appliances; personal-care items (including shampoo, etc.); construction/plumbing/carpeting or automotive items and hazardous waste and other items listed on the website.


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OUT THERE SOUNDS: Jazz Fusion Nite w RAKESTAR ARKESTRA + PB&Funk
Presented by: Wayne Eagles, House of TARG,
Doors: 8pm / ALL AGES
Cover: $10 / $7 with student id
is a new Jazz Fusion music series curated by Canadian jazz-rock fusion guitarist educator, improviser, composer Wayne Eagles. This music series seeks to showcase mind-blowing musicianship that pushes the boundaries of rock, blues & funk through the power of jazz harmony, improvisation & inspiration from OUT THERE!
RAKESTAR ARKESTRA (Ottawa Sun Ra Tribute)
(1st set, 8:30-9:30PM)
Don Cummings - Hammond organ
Mike Essoudry - Drums
David Broscoe - Alto + Bari Sax
John Sobol -Tenor Sax
Rob Frayne - Tenor Sax
Scott Warren - Percussion + Signals
Rory Magill - Keyboards
Since 2000 AD, Rakestar has explored the Afro-Futurist universe of the great jazz innovator and space traveller, Sun Ra, interpreting hisstellar compositions like "Saturn" and cosmic anthems like "We Travel The Spaceways". TUNES HERE
PB&FUNK (Ottawa Fusion Trio)
(2nd set, 10-11PM)
If you smack peanut butter and funk in between two pieces of bread, you get yourself a nasty sandwich. PB&FUNK is the newest funk/fusion trio to hit the Ottawa scene with music that you can eat up anytime of the day. Playing an array of originals and fusion standards, you're bound to have a funk in' good time.
Garrett Warner - guitar, Caylan Penny - bass, Andrew Ferderber - drums
A musician for over four decades and a professional guitar instructor for three, Wayne Eagles has performed or recorded with: Adam Nussbaum, Billy Kilson, Ian Froman, 3 Jimmys, Mike Milligan, The Platters, Peter Brown, Ken Rosser, OutSpan, Soul Finger, Random Access Orkestra, Funkdawgs, Super Awesome Club, T Bruce Wittet and The Bitches Brew Tribute Band.
"A dedicated improviser, Eagles embraces a wide vista of jazz, rock, and fusion guitar styles. He has been a Guitar Performance Instructor at Carleton University's School for Studies in Art and Culture (SSAC: Music) since September 1992 and served as Director for Carleton's Fusion Ensemble since September 2007." www.wayneeagles.com


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Kobi Akers started the topic Lost Page of a Journal in the forum Eliossis 2 years, 4 months ago
(A torn page from a journal was found laying round the tavern, Scribblings in ink can be read below)
The more i learn the more i wonder what are the limits of magic. Energy exist to be used at my whim but what separates what i can do from those who worship these gods.
How can i change the focus.Why can not the energy be turned to be used as those the gods allow others to use
If a god can create magic to heal, how do I.
Those who pray to these blood gods can have control over the dead.
What holds back a person from learning the powers of the gods. Magic at it's source is the same, it's it application of the energy of the world that is different
Is not a god just an entity that has more control of the energy's of the world than those of man.
If a man was able to manipulate the energies of the world like those of the gods, would that make him a god.
What makes one god more that another.
Perhaps it's time to talk to a god.
Memberships (Due Annually)
Event Fees (Due each event)
3. Silver Event Pass (3 months)
4. Gold Event Pass (6 Full events)
Quick Links
Spiderbeast Fight


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Knives From Japan is an independent business established in 2016, but we have been sourcing cutlery and kitchen knives from Japan for over 60 years and we know what makes a knife special.
Knives From Japan has been designed to allow you to buy the best Japanese knife brands easily and conveniently online. We pride ourselves on excellent customer service with fast and free delivery to all UK postcode addresses, all at competitive prices.
Read More
Nagomi's classically shaped carving knife. A specialist carving knife and really only suited to that task.
Click here for our Delivery & Returns Policy
Please see the returns section of the site


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SMITHVILLE — The city of Smithville is holding a "What does Smithville mean to you?" photography contest for photographers of all ages and skill levels.
Participants are asked to submit their best shots of the city, whether those be of parks, events, local business, people in the community having fun or whatever else residents see around town.
Winners will receive gift cards. First place will receive a $100 card, second a $50 card and third a $25 card.
Photos need to be submitted by July 12. For more information, including contest rules, visit the city website, smithvillemo.org, and select Photo Contest 2019 from the "Community" drop down tab on the front page.


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Ad Value | Bulky ad networks seek ways to retain edge1 min read . Updated: 29 Jan 2008, 11:49 PM IST
Ad Value | Bulky ad networks seek ways to retain edge
Ad Value | Bulky ad networks seek ways to retain edge
Small is the new big. Sorry for the cliché, but it's not only the Tata Nano that is making a virtue of size. Media owner Time Warner Inc. may sell off some properties and spin off big assets such as Time Warner Cable Inc. in an effort to increase investors' wealth.
In contrast, advertising networks are getting bulkier by the day, on the back of mergers and acquisitions by their hungry holding companies. The race to be biggest is speeding up, and revenue tallies for the first nine months of 2007 show that the WPP Group Plc. is just a few steps behind the Omnicom Group.
Ad networks are themselves aware that sprawling, rigid structures and silos could be detrimental to creating true integrated marketing campaigns. They are hence striving to keep the values of small, while getting bigger. Many networks are creating "open architecture" models, which encourage creative people and various media specialists to work together again under one roof—though in fluid, project-based fashion.
Many agencies have multidisciplinary teams that cluster around a brand, instead of discrete departments. To manage business conflicts, gigantic media buying specialists such as GroupM have multiple sub-brand agencies. And holding companies themselves are buying smaller agencies, or starting/funding them—Omnicom Group now has BBDO India.
Canadian businessman Miles Nadal is, however, the true anti-network king. He's chairman of 10th largest holding company, MDC Partners Inc. of Toronto, which is founded on a "perpetual partnership" business model. While other ad agencies are owned by holding companies and their creative persons don't own equity, MDC picks up 51-60% stake in agencies, design shops, etc., which have hot talent, and about 10% of their employees also own equity. This fosters an entrepreneurial spirit from partners and boosts creativity, especially since all business support comes from MDC. Nadal's view: The world doesn't need another global advertising agency network. It needs good ideas.
Marion Arathoon is Mint's advertising editor.
Your feedback is welcome at email@example.com


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Pollinators: From Bees and Bats to ButterfliesName: Pollinators: From Bees and Bats to ButterfliesDate: February 21, 2019Time: 7:00 PM - 8:30 PM CSTWebsite: http://www.thewoodlandsgreen.orgEvent Description:The Woodlands G.R.E.E.N. is sponsoring a Going Green Sustainability Lecture: "Pollinators; From Bees And Bats To Butterflies". Kendall Clark, Environmental Education Specialist with The Woodlands Township and specializing in Sustainable Landscapes, will speak to the group about the importance of pollination and pollinators and the Woodlands Township's new program to become a Monarch Champion City as recognized by the National Wildlife Federation. Kendall will also focus on the important role that pollinators, including the Monarch Butterfly, play in our everyday world. A significant amount of the food we eat is only available because of pollinators and Kendall will share with us the ways in which we as individuals and groups can help them in their task by increasing their habitat, whether the pollinators be birds, butterflies, bees or bats. Those who attend will also enjoy learning about HARC's energy and water efficient building, which has been awarded the LEED (Leadership in Energy and Environmental Design) Platinum Green Building Certification. HARC's is the first building in The Woodlands or Montgomery County to be designated as such.
Chamber Events


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Customer Reviews
Fit: As Expected
LOVE! LOVE! LOVE! I am not a t-shirt girl, but this one works for me! Comfy and not too tight but still feminine. Love the honesty of this message for the tough days!
Fit: As Expected
I'm happy with this shirt. I hadn't known it would be made from such lightweight fabric that needs somewhat special care, but I love what it says and it fits well.
Fit: As Expected
Love the shirt, better than expected!


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|The Market Mogul
Can Chinese Banks Survive the FinTech Revolution?
The Market Mogul
Practically all main functions of the traditional banks are now under attack. Consumers looking to transfer money, take a loan, store money or invest it now arguably all have better, faster and more convenient alternatives to banks right on their phones.


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Could I Have Squished Her
I'm a first time poster here, and a first time mommy-to-be, about 5 1/2 months pregnant with our baby girl Camryn. Last night I was chasing one of my cats away from a plastic bag he was playing with, and I forgot to be careful when I bent over. I kind of pinched my big round belly between my thigh and my ribcage, and had one of those "oh no!" moments where you realize you really shouldn't have done it. Do you think I could have squished our baby, or hurt her in any way? I am super paranoid about harming her. Am I crazy?
Nope you've not hurt her in any way!! Your little girl is very protected in the womb and it would take a lot more than bending over the wrong way or even falling flat on your stomach to injure your baby. Try not to worry about it! :o)
Thank you Steph, Camryn was kicking just fine last night after the cat-chasing incident, but it took me a while to get over that feeling that I might have hurt her. I'm so glad to know she's safe in there, but I will definitely be more careful from now on!
When I was HUGE 8 months pregnant with my third child I fell over dodging a stray firework in my yard on the Fourth. I fell squarely on my stomach on top of a cast iron chair, and it scared me to death!! My doctor a__sured me that it is nearly impossible to hurt that baby. But, it doesn't matter what pregnancy you are on, "Mom" and "paranoid" go hand-in-hand. All Mom's worry, that is our job. It just gets worse, believe me!!
your story remindes me of me...at about 6.5 months pregnant, I randomly did a belly flop onto the bed...for what I thought was fun?...I don't know, after I realized that I just did a flying leap onto the bed I freaked out...called my mom, convinced I'd need to go to the hospital...she laughed and said girly was fine. I had a doctors appointment the next day and the dr said ... that it would take much more to hurt her then that...it probably just squished her a little, gave her a jolt. No worries!
It's good to know that babies are already pretty tough and can bounce back, even when they're still in the belly! I guess we'll never stop worrying about them, though. I never realized just how much of a paranoid I would become until I found out I was carrying Camy! Since then I've swung back and forth between extremely anxious and just overly concerned. I'd like to think that it will stop after the delivery, but I know it will just continue, especially after she learns to walk! Thank you gals for sharing your stories... it's so good to know I'm not the only one out there with an active anxiety for this precious little person inside.
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"Life is like an ice cream, enjoy it before it melts." Consider yourself warned: this is a longer than usual "life lately" post since it's been months since the last one. Sorry-not-sorry. ;) family life Our annual season of visitors begins soon and I'm looking forward to seeing everyone. Next week two of our … [Read more...] about Life lately: ice cream season
family life
Life lately: Thanksgiving catch-up
"He who thanks but with the lips Thanks but in part; The full, the true Thanksgiving Comes from the heart." – J.A. Shedd Photo above is from Thanksgiving Day, 2011. This time of year gets me sentimental. Growing up, we always had wonderful extended family get-togethers, and even as a teen I realized the … [Read more...] about Life lately: Thanksgiving catch-up
Life lately: summertime wrap-up
"Summertime is always the best of what might be." – Charles Bowden The ocean breeze is perfect for flying a kite -- but keeping up with toddlers at the beach is exhausting! happenings I kicked off summer with a hysterectomy, followed 5 days later by my 45th birthday. Yep, I know how to party. I timed it that … [Read more...] about Life lately: summertime wrap-up
Life lately: new year, new wheels
This quote popped up numerous places in my facebook feed around the 1st of the year and I just loved it. I'm reminding myself of its truth and hoping to teach my kids the same: "I hope that in this year to come, you make mistakes. Because if you are making mistakes, then you are making new things, trying new things, … [Read more...] about Life lately: new year, new wheels


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Decorate or dig with this multifunctional Galvanized Metal Garden Scoop. You'll love the large scoop with carved wooden handle for easy use or decoration!
- Scoop measures 7.25L x 17W x 7H in.
- Crafted of metal and wood
- Natural wooden handle finish
- Galvanized metal scoop finish
- Carved handle detail
- Safe for outdoor use
- Care: Wipe clean.
This item is available at Kirklands.com only, not available in stores. Please note: this item cannot be shipped to APO/FPO addresses.
Galvanized Metal Scoop is rated out of 5 by 1.
Rated 5 out of 5 by GramP from Very Large I was very pleased with the way this scoop looked when I received it. I have it only for decoration in my rock garden. I treated the wood on it to keep it from getting weathered so fast and it is holding up great. Will probably spray the actual scoop part with a clear UV protector.
Date published: 2018-05-28


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Page Turner - A Short Story By Doug Klein
The glow of Rich's phone cascaded over his face as he scrolled through the last texts he had sent. He had a date with a girl he met at the local library, Janet, and was making sure if things went sour, he had some sort of backup plans. Last thing he wanted was to have another Saturday night end with him sober and sleeping alone. The glow faded as he felt pleased with his auxiliary plans, and he stepped out from his car. Janet's place was a loft over an old bookstore that had been closed down for a few years. She had told him rent was cheap, especially with it being so close to the industrial district of town. Didn't matter much to him, since he had gone to worse spots for uglier bitches anyway. One last pat down to make sure he was in full lady killer mode, and he walked up to the entryway.
Rich grabbed the door and pulled, but it shuddered and would not budge. He stepped back, and scoffed at himself as he saw an intercom just off to the side.
Idiot, get your shit together so you can seal the deal!
He shook the thought from his head. No, this would be easy. Janet was already almost crawling all over him in the library. They had bumped into each other in the history section. He had been searching for a book on historical architecture when he found her there, sitting on the floor. Janet had looked him up and down and smiled, as if finding immediate approval of his looks, which only stoked Rich's ego in all the right ways. She stood up and asked what he was looking for, and from there the conversation briefly touched on Baroque stonework and found its way quickly to things two people could do in the dark. They had agreed for him to come over the next night, to which Rich accepted a tad quicker than he would have liked to. No, this would be easy. He pressed the intercom button and waited for a reply.
No voice came back, but the door buzzed and he opened it and headed upstairs. The stairs seemed to be much maligned, and creaked upon nearly every step. The walls spoke of years gone by without maintenance, as grime and mold were apparent in the corners.
Fucking shithole, he thought to himself but pressed on.
Arriving at the top of the stairs, he found Janet's door, 1A. 1B was across the hall, but had boards nailed across the threshold. No matter, Rich knocked on the door. It swung open to reveal Janet, wearing a quite revealing black top and a skirt that left little to the imagination.
"Come inside, Sugar," Janet said with a deep smile.
Rich quickly skittered inside and set his jacket down. The inside of Janet's apartment was in stark contrast to the building itself. Beautiful decor filled the room, and it seemed like he had walked straight into a condo in the uptown area.
"Not what you expected, huh?" Janet said, as she walked into the kitchen, rummaging through cabinets of glassware.
"Oh, no, I mean, this place looks great…In here, at least...um..." Rich cursed himself for stuttering and sounding like a fool. Janet seemed to be taking it all in joyous stride as she let out a strong laugh and emerged from the kitchen with two glasses and a bottle of wine.
"Don't worry. The outside may look like shit but I don't let that stop me from living the life I want in here. The rent is cheap so I get free reign to do what I choose. It makes me happy." Janet gazed around the room as she spoke, resting her gentle eyes upon Rich eventually.
"Shall we have something to drink before we get things started?" Janet was already pouring the wine before Rich could answer, so he played along, feeling confident in where it was heading.
"Yeah, that sounds good." Rich sat down upon her couch and made himself comfortable. He began surveying the books on Janet's coffee table as she finished pouring the wine. A strange collection of hunting and survival books alongside information texts of publishing and printing. An odd combination, but before he could think more on it Janet sat down with the wine and moved in close to Rich. She placed her hand quite high up on his thigh and looked directly into his eyes.
"Tell me more about yourself, Rich," she said, without diverting her eyes at all. Some apprehension began to creep into Rich's mind, but his libido decided to press on.
"What do you want to know?" he said as he leaned back in the couch and sipped the glass of wine.
"I think every person has a unique story that leads them to where they are now. A path only they have taken, a world seen only by them. Tell me of the world you have seen, Rich. Please." She finished speaking and bit her lower lip. Rich felt like he had his foot in the door. He smiled and drank some more, and then began to tell the tale of his life.
"Where do you want me to start?" Rich asked as he looked up into her hazel eyes. Their eyes locked for a moment, but she conceded and shifted her gaze down. She spoke as her eyes traversed along his body back to his face once again.
"Start from wherever you want. It's your story to tell, Rich. You tell me where it begins, and how you ended up here, with me." The last words hung upon her tongue in such a way that Rich crossed his legs in a slightly abrupt manner. Unable to contain his smile, he began.
"Well, I wasn't born here in the city, but I didn't grow up to far away really..."
He spoke for a while, at least he felt so, and then things started to blur. The wine must have been strong. Very strong. Before he knew it, he was reaching out for her, ready to take her, to fuck her. He tried but the room spun about him and he fell into the black reality of unconsciousness…
Rich awoke to cold water being splashed in his face. He screamed from the shock of the cold, and tried to move his limbs, but he couldn't. He struggled, but they would not budge. A dim bluish light was all that illuminated the room. It was enough to reveal to him the horror of his situation. He was naked, chained to a wall. Now aware, pain surged through his limbs. His heart began hammering within his chest. Panic flashed across his face. As violently as he shook at his shackled wrists and ankles, there was no release. A guttural screech was all he had to give as he thrashed until his muscles gave in. The walls had no reply. The darkness had no remorse. Silence was all he was given.
"Help! Help! What the fuck is this, what the fuck..." His screams were cut short by the sound of a typewriter. The clicks punctured the silence and brought his attention to deep within the bluish glow. There sat Janet, typing away. Her fingers struck each key with precision, her eyes darting across the page as she inspected every word. She looked over her page, nodded in approval, and snatched the paper out. She set it upon a stack of pages and then turned her focus to Rich. Even with the lack of ambient light, Rich could see her eyes had changed. No longer inviting, they only offered a cold, piercing glare.
"What the fuck is going on, you bitch! I am going to fuck you up!" Rich screamed at her, but the cracking of his voice did not exude the confidence he had upon his arrival. He jerked again at his chains, the rattling echoing in the empty space. Janet stood up and walk over to him. The heels of her shoes tapped upon the dirty concrete floor, each step seemingly pounding at the same rhythm of Rich's frantic heartbeat. Still wearing her low cut top and skirt, she walked right up to Rich, nearly touching him with her body.
"I expected more from your story, Rich. Much more. No great epic, no brilliant drama. You are a tragedy of failed potential. A shit protagonist, that's what you are. Where is your substance? Where is your grandeur? It's nowhere to be seen, Rich. So shallow and frail. But, I did always have a way with words. So I think even I can make something of your pathetic tale." She moved away as she spoke, and turned on a tiny light in the far side of the room. A bookcase became visible, with many leather bound books upon one of its shelves.
"You're fucking crazy! Get me out of here!" Rich shouted, now with fury and fear stoking the flames within. Janet, however, seemed unmoved. She grabbed a brown leather bound book from the shelf and opened it.
"This, this was Andre. His story was one of the most interesting I have ever heard. Oh, the places he had been, the struggles he had endured. Riveting, truly. But, like all men, he found only one way to prove his worth. To fuck, and to fuck often. " Janet took the book and walked toward Rich. She grabbed a small thin chain and pulled it, turning on a bright light that filled the room. Rich closed his eyes tight as the light stung. As he opened them again, he saw a table with tools laid out before him. Frozen in fear, and now pissing on the floor, Rich could not find any words that would save him. Janet held the book to his face. The title read Andre, The Saint Who Sinned. At such close range, it was now easy to see, it was not leather bound, but it was skin. Andre's skin. Rich howled and thrashed about, but to no avail.
"All the books tell stories of boys who thought so highly of themselves, but could not see the sad truth. Such stories must be told, and I will tell them for you all." Janet moved to the table that shimmered with the steel of blades made for skinning. She ran her finger among them and picked a large blade and then approached Rich. "My next book is called Rich, The Architect Of Ruins. It is not the best story, but still needs to be told."
Janet slashed Rich's neck, and his blood spilled upon the floor. His eyes rolled and his body ceased to struggle. Janet set to the task of putting the final touches to her latest piece of work. It was not her finest, but it would not be her last….
Want more short stories? Just search below:
Written by Doug
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Those Germans, they sure do love their leatherbooks.
I wonder what transfer this will use? Probably the Koch disc?
Those Germans, they sure do love their leatherbooks.
I wonder what transfer this will use? Probably the Koch disc?
Rock! Shock! Pop!
Wonder what is up with Opera, as Walt has made a couple cryptic posts on the Blu-ray.com forum:
Question: "Where's Opera deluxe?"
Walt's answer:
Then someone posted that they'll just go ahead and pick up the standard edition and Walt posted:I wish I could answer that. I really wish I could
Please do not buy the regular edition, I can't get into why, but I asked you not to please
I'm guessing they're fixing the little shake issue some grumbled about? I'd forgotten the sp.ed. was in the works & that there was a reg. ed. I haven't been buying much the last couple of months since there are so many releases coming in Oct. & Nov.
Yes, Walt did say that and a little later today he said that they are having a little trouble encoding. So no rights issues are anything like that to foul up this release.
Format: Dual-Format (BD/DVD)
Release date: 19 November
Dario Argento's horror masterpiece, restored in 2K with instruction from the maestro himself and with reference to his own print.
Dario Argento (SUSPIRIA) returns to CultFilms with this breath-taking new restoration of his visionary horror masterpiece OPERA. Splattered with stylistic bloodshed and soaring cinematography, OPERA shows Italy's master of horror at the very height of his game.
When young understudy Betty (Cristina Marsillach) takes the lead role in a new operatic production of Verdi's Macbeth, she soon attracts the attention of a knife-wielding psycho who forces her to watch as he despatches her friends and colleagues with sadistic delight. Can Betty free herself from this unending nightmare or does a more terrifying fate await? OPERA is a ravishing return to the giallo style Argento made his name with, awash with black-gloved killers, lavish bloodletting and the director's trademark Grand Guignol excess.
CultFilms is proud to bring you this gore-soaked terror classic in a stunning new 2K restoration, carried out with instructions from the maestro himself and in reference to his own, preferred, original cinema print.
• 'Aria of Fear': a brand new interview with director Dario Argento
• 'Opera Backstage': a unique behind the scenes documentary
• Restoration featurette
• 1080p HD
• Format: Dual-Format (BD/DVD)
• Aspect ratio: 2.35:1
• Feature length: BD: 107m 13s, DVD: 94m 38s
• DVD: 94mins 38secs
• Certificate: 18
• Audio: English and Italian
• Optional English subs
• Region code: BD: B, DVD: 2.
• Cat: CULT503
• Original Release: 1987
Pre-order coming soon.
Vortice Mortale - The Lost Highway of Horror and Cult Film
Latest post: Spider (David Cronenberg, 2002)
Walt noted that the special edition Scorpion Blu-ray release is on its way to the replicators.
Rock! Shock! Pop!
Scorpion's 3-disc OPERA has been added to the coming soon section of Ronin Flix. Should be available to order soon-ish.
Last edited by Derrick King; 02-21-2019 at 07:12 PM.
I just hope they don't fuck anything up on this one.
Specs are up at Ronin Flix
Price is $49.99When young opera singer Betty takes over the leading role in an avant-garde presentation of Verdi's Macbeth, she triggers the madness of a crazed fan who repeatedly forces her to watch the brutal murders of her friends. Will her recurring childhood nightmare hold the key to the identity of this psychopath or does an even more horrific evil lay waiting in the wings?
Starring Cristina Marsillach, John Charleston, Urbano Barberini, William McNamara, Antonella Vitale, Barbara Cupisti
Special Features THREE DISC SET- New 2K scan with extenstive color correction in three presentations - 2.35:1 Super 35, 1.78:1 and the Orion Pictures cut - Interviews with dirctor Dario Argento, actors Urbano Barberini, William McNamara, Coralina Cataldi Tassoni and Barbara Cupisti, composer Claudio Simonetti, screenwriter Franco Ferrini, special effects artist Sergio Stivaletti and more - Audio Commentary by film historian Nathaniel Thompson - Audio Commentary with film historian Troy Howarth and much more
Scorpion Releasing // 1989 // 107 Minutes // Not Rated // Color // English, Italian with English Subtitles // Region A