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Hair accident is a action that affects men of all ages and has abundant causes, including genetics. Fortunately, the afterlife of beard follicles does not necessarily beggarly the afterlife of style. Here we review—from the aboriginal stages of beard accident to the added avant-garde ones—the top 10 hairstyles for abrasion hair.
Type of beard accident it's acceptable for: Aboriginal abbreviating hairline.
At the actual aboriginal stages of beard thinning, aback you see no acumen to accomplish to a abbreviate cut, accede a actualization that involves furry layers. You'll appetite to ask your beautician for a cut that's continued in front, that avalanche over your forehead and has a average breadth all over. At home, use your fingers to alloy your layers with a bit of gel or failing administration cream. By cartoon absorption to your cool, just-rolled-out-of-bed look, best beard accumulated with hardly disheveled layers is a acute ambush to affectation the aboriginal stages of balding.
Short and cone-shaped all over
Type of beard accident it's acceptable for: Abrasion on top.
If you've noticed that your forehead has started to become added arresting but that you still accept affluence of hair, ask your beautician for a cut that's abbreviate all over and hardly cone-shaped in aback and on the sides. Next, advance in some beard adhesive and administer a minute bulk to towel-dried hair, authoritative abiding to administer the artefact ogously throughout. Finally, use your fingers to accomplish alone the beard on top of your arch a bit messy, abrogation your abandon and the aback attractive proper. This actualization works to abbreviate beard accident because its asperous arrangement gives beard added volume, arch to the acumen that you accept more.
Long front
Type of beard accident it's acceptable for: Aboriginal abbreviating hairline.
If your beard is abrasion at a apathetic clip and you still accept a ytic
Do You Know How Many People Show Up At Long Hairstyles For Men Over 12 | Long Hairstyles For Men Over 12 – long hairstyles for men over 40
| Allowed to be able to my personal blog, within this occasion I'm going to show you in relation to long hairstyles for men over 40
. And today, this is actually the primary graphic:

subset: commoncrawl


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Seafood Expo Global gives you an unparalleled access to the global seafood market as the international trade fair sees over 1700 exhibitors showcasing their best products and innovative services. Held in Brussels, Belgium, the event encompasses a three day with attendance estimated to exceed 260,000 trade visitors all looking for the next best hotel deals for Seafood Expo Global . Book yours first at a low rate with Trade Fair Trips ltd in charge of your travel arrangements.
We work to bring you hotels at reasonable rates close to public transport links or the event grounds themselves. This way you cut down on travel expenses and commuting time, freeing up resources best put to use during Seafood Expo Global . The process is simple – you send us your criteria and in less a day we create a bespoke list featuring the top picks according to your price range and desired location.
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What's on in Tameside
Reading Friends at Hattersley Library
Tuesday 28th May 2019 from 1:30pm to 3:00pm
Reading Friends - come along to our new Reading Friends group. Join us to enjoy activities such as crafts, guest speakers and other events. Reading friends meet up to read, chat and have fun. Free refreshments will be available. No booking is necessary , just turn up on the day.
Further info: http://


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Murder chez Proust. A mystery by Estelle Monbrun – Not everyone can be Agatha Christie
Murder chez Proust. A mystery by Estelle Monbrun (1994) Original French title: Meurtre chez Tante Léonie
If you've ever read Proust, you know all about Aunt Léonie, Combray, Swann's Way and the Guermantes Way. Murder chez Proust by Estelle Monbrun is set in Illiers, the village that inspired Combray and where Proust's aunt used to live. My recent visit to the Hôtel Littéraire Le Swann prompted me to pick up this cozy crime novel.
When the book opens, the Proust Association is about to welcome Proust aficionados in Illiers for a tourism & literature stay. Unfortunately, Emilienne, the cleaning lady in charge of Aunt Léonie's house finds Mrs Bertrand-Verdon, the president of the Proust Association, murdered. As we get acquainted with the VIPs of the conference, we realize that each of them has a good reason to dislike Mrs Bertrand-Verdon.
Her secretary, Gisèle Dambert, is writing her PhD thesis about Proust. She inherited of a treasure, Proust's famous 1905 notebooks that his governess Céleste Albaret had to destroy. Gisèle had informed Mrs Bertrand-Verdon of this important discovery and now regrets it.
Professor Verdaillon, Gisèle's PhD supervisor is about to publish a complete edition of Proust's In Search of Lost Time. What would be the value of this edition is the 1905 notebooks were to reappear? M. Desforges works for the publisher who will market this edition. He used to be Mrs Bertrand-Verdon's lover and his credibility has faded away recently. He can't afford this edition to be a failure. M. de Chareilles was about to marry Mrs Bertrand-Verdon. He's a traditional nobleman and it's not certain that he knows all about his fiancée's background. Professor Rainsford is an American academics who has been in contact with Mrs Bertrand-Verdon too. He seems to have things to hide as well.
All the important people of this literary microcosm have something to hide or a good reason to fear or dislike the victim. She was quite manipulative and had the upper hand on their future. So who did it? Commissaire Jean-Pierre Foucheroux and Inspector Leila Djemani are in charge of the investigation.
Estelle Monbrun is the penname of Elyane Dezon-Jones, a teacher of contemporary French literature in the USA. (Barnard College and Washington University in St Louis) She's a specialist of Proust and Marguerite Yourcenar. Murder chez Proust will be nice for Proust nuts. It's full of literary nudges about In Search of Lost Time and Proust's biography. It's fun to track them in the text.
Estelle Monbrun also knows how to write and how to describe the quiet French countryside. Her book sounds timeless. If you put aside the Proustian details, the village and the villagers reminded me of St Mary Mead. The best characters are the police, with a commissaire who limps after an accident and mourns his wife and a female inspector of North African origins who has a lot to prove to herself.
BUT. I'm sure you were waiting for the but. Even if Estelle Monbrun ticks all the right boxes to write an Agatha-Christie branded whodunnit, it doesn't work. It's bland like a poorly executed imitation.
This is where you see that crime fiction is a noble genre too. You may know how to write, how to assemble plausible details and use a believable setting for a cozy crime, it's not enough. You need talent to create a story with interesting police characters, with characters that feel like flesh-and-blood people and with actions that are believable.
Back to Michael Connelly and how I thought that The Black Echo was perfectly executed. Connelly has the craft to do that, and even if he's not a literary writer the way Chandler is, he has a huge talent as a storyteller. Here, the ingredients are there on paper but Estelle Monbrun didn't manage to cook a good story. Storytelling is a talent per se and excellent crime fiction is an art as difficult to handle as more literary genres.
The Black Echo by Michael Connelly – Perfectly executed
The Black Echo by Michael Connelly (1992) French title: Les égoûts de Los Angeles.
Michael Connelly was the star at Quais du Polar this year. I attended two events where he was a guest star, a film about LA and Connelly's writing and a wonderful jazz & literature session with him and James Sallis. I saw him on the street, simply having a sandwich at the terrace of a bakery. I liked his attitude, he didn't behave like he was a big deal and yet he is, if you consider the number of books he has sold. It made me want to read one of his books and I picked The Black Echo, the first opus of his famous Harry Bosch series.
Harry Bosch is a detective on the LAPD homicide team and he has just been demoted. The Internal Affairs are after him. When he and his partner are sent on a scene where a dead body was found, he's the only one not to dismiss this death as an overdose. Something doesn't sit well with him. And then he realizes that he knew the victim. It's Billy Meadows, a fellow veteran who fought alongside him in the Vietnam War. There is no way Harry will let this case alone, despite all the roadblocks on the path: he has enemies in the LAPD and he crosses the FBI's path. It'll be a dangerous case for Harry's career and even physical integrity.
I wasn't sure that I'd like Connelly's books but I did. Harry Bosch is an attaching character and The Black Echo is polished debut novel. Bosch is fully formed, believable and Connelly's knowledge of police procedure and LAPD's ways is precious and accurate. Bosch's quotidian sounds real, like here:
Two hours of typing and smoking and drinking bad coffee later, a bluish cloud hung near the ceiling lights over the homicide table and Bosch had completed the myriad forms that accompany a homicide investigation. He got up and made copies on the Xerox in the back hall.
The reader believes that Harry is a real detective, a maverick among his peers and that make him interesting. Details about the Vietnam War ring true too, a black echo was a soldier who went into tunnels, in search of Vietcong soldiers. Connelly doesn't give useless information about the war but only the ones relevant for the plot and the reader's understanding of Bosch's past.
Connelly describes himself as a storyteller and that's an accurate description. His prose is good, efficient. The Black Echo is an excellent page turner, I was eager to continue, to see how it would end. I liked Bosch and was totally engaged at his side during the story. It's captivating and everything is well done: the LA setting, Bosch himself and his interactions with his colleagues, the atmosphere of the police investigation. It's efficient, like Stephen King, only in a different genre.
Connelly is a wonderful and engaging writer but not an artist like other literary authors, which is not something he claims to be. From what I see in The Black Echo, the Bosch series is an excellent source of reliable, good and entertaining reads. We do need this kind of books because reading is above all a pleasure. And sometimes, literary books are interesting or challenging but not all that pleasurable.
The Weight of Secrets by Aki Shimazaki – Lovely
The Weight of Secrets by Aki Shimazaki (1999-2004) Original French title: Le poids des secrets.
Aki Shimazaki was born in 1961 in Japan. She emigrated to Canada in 1981, first living in Vancouver and Toronto before moving to Montreal in 1991. In 1995, she started to learn French and in 1999, she published her first novella. In French, her third language. I'm in awe.
The Weight of Secrets is her debut series and the original title is Le poids des secrets. It is a five-petal flower book. Each novella is a petal and the reader is like a little bee, going from one petal to the other, seeing part of the flower from a character's point of view at different periods in time. After visiting the five petals, the reader has a global view of the history of two families who seem to live parallel lives but actually have open and hidden interconnections. It is the shared destinies of a woman, Yukiko and Yukio, born in Tokyo in the early 1930s and both living in Nagasaki in 1945 and survivors of the atomic bombing.
Each volume has a Japanese title, a name of flower or of an animal symbolic of this specific view on the story.
The first book is Tsubaki, (camélias/camellias), a flower symbolic of happy times for Yukio and Yukiko.
The second book is Hamaguri, a shellfish with a shell in two halves. It is a children's game to have a bag of shells and try to find the exact other half to one shell. It is a symbol of a key person missing in the characters' lives.
The third book is Tsubame (hirondelle/swallow). It is the nickname of a Catholic priest who plays a capital part in the story. He's a swallow as he's always dressed in a black-and-white cloth. In French we say that one swallow doesn't bring back Spring but this man does, he brings life and hope after hard times.
The fourth book is Wasurenagusa (myosotis/forget-me-not). It belongs to Yukio's father who was in Manchuria during WWII and separated from his family.
The fifth book is Hotaru (lucioles/fireflies), a way to symbolize dangerous attractions.
I'm aware that you still have no clue about the story. The truth is, I don't want to give details about the characters. All you need to know is that it's set in Japan, that it involves characters crushed by historical events like the 1923 earthquake in Tokyo and the subsequent massacre of Korean immigrants or the 1945 atomic bombing in Nagasaki. It is about racism against the Korean community and about the Japanese definition of what is proper or not. It tells the impact of customs on individual lives when they cannot meet society's expectations. It's the story of two beings who had a special bond, one they didn't get to explore because their parents kept too many secrets and how they missed out. It's the stories of two adults who healed each other and had a good life together, despite their own secrets and failures.
We go back and forth in time, we change of narrators and we unravel each character's reasons to keep something or some part of themselves hidden. We only see people who do as best they can given the circumstances they are in. From one book to the other, we get a clearer picture of the characters' lives and how some of the secrets get revealed to the next generation and how some die with the person. Each character has something they don't know about their origins.
It's written in a simple and lovely language and I wanted to know more after each volume. My favorite volumes were Tsubame and Wasurenagusa. I absolutely loved this series and I highly recommend it. If you pick it up, do not read the blurbs of the books, there are way too many spoilers in them and you want to keep the magic intact.
I don't know if it's a Japanese or a Canadian book. I've seen it in the Japanese section of my bookstore. I certainly thought it was Japanese until I wondered who was the translator, discovered there was none and started to research Aki Shimazaki. It's difficult to qualify it. Its language is French but certainly not the French from Québec. Shimazaki's native language probably left some marks in her way to think and write in French. It's a Japanese book for its setting, its characters, its themes and its background culture. So, I don't know, I'll let you make your own mind about it but I feel privileged. I got to read a Japanese book in my native language.
Now the sad news and the ranting part. Sadly, it's a Translation Tragedy. It's published in Québec, it was a great success in the francophone world and it's easy to read. And yet, it's not available in English. Is there not an anglophone Canadian publisher to translate it into English? Like for Bonheur d'occasion by Gabrielle Roy, I really don't understand how it's possible that such books are not available in the country's two official languages.
Good thing for readers who speak French, it's a perfect way to practice reading in French. The books are short, the style is simple (short sentences, no very complicated words) and the story gripping.
I For Isobel by Amy Witting
I For Isobel by Amy Witting (1990) Not available in French.
I think I should create a "Guy Recommends" category on this blog because I have read and loved a lot of books recommended by our fellow blogger Guy Savage.
I For Isobel by Amy Witting is one of those and again, I read a book I loved.
It is an Australian book set in Sydney. It's difficult to say exactly when but my guess is the 1930s. When I read Amy Witting's biography on Wikipedia, I thought there were a lot details that were alike between Witting's life and Isobel's, the main character of this novella. And since, Amy Witting was born in 1918 and our character's nineteen for the longest part of the book…
The book opens with a very sad sentence:
A week before Isobel Callaghan's ninth birthday, her mother said, in a tone of mild regret, 'No birthday presents this year! We have to be very careful about money this year.'
We then get acquainted with Isobel who lives with parents who both despise her. Her mother is particularly nasty and bitter. She could do something for Isobel's birthday, at least a cake or a little celebration but she doesn't. She takes pleasure in torturing her daughter and refusing to acknowledge her birth day. Not celebrating a child's birthday is particularly hard on them, it's silently telling them that they don't matter, that their birth was not a happy moment to remember. And that's how Isobel feels about it.
Later, Isobel's father's death push them into poverty, mostly because her mother is too proud to ask for assistance and/or find work. She's this kind of women, the ones who think they deserve better that what they have in life and refuse to accept circumstances that they judge beyond them.
Isobel feels awkward, like she never knows how to behave properly. Whatever she does, she gets scolded by her mother. She's either "not enough" or "too much" but she never achieves to act in accordance with her mother's expectations. She never knows what kind of response her attitude will trigger. She's a brilliant child and she understands that her mother's not right but she doesn't know how to formulate it properly in her head.
The only moments when she's perfectly happy is when she's alone with her books and gone far away from her life thanks to the writers' imagination. Books are her parallel universe, her safe haven:
Bed was Isobel's kingdom; it was always a comfort to arrive there at last, and tonight particularly, she burrowed and snuggled and with a sigh of pleasure slid behind the curtain of the dark into her private world.
When she's barely 18, her mother dies too and she starts to work at company in Sydney as a typist. Her aunt finds her a boarding house and settles her in her new life. New job, newfound freedom and new people to get used to, from the girls in the office to the other boarders. By chance, she meets students who are studying English and make her discover new writers.
Isobel has difficulties to interact with other people. She feels inadequate, thanks to her abusive upbringing. She lacks confidence, never knows how to behave or how to make small talk.
Isobel knew that what was tolerated in other people was not forgiven in her. She very much wished to know why this was so.
This is a coming of age novella, one where a young woman is slowly learning who she is and what she wants from life. She only knows that books will play a significant part it her life. She also feels like an outsider because of her love for books, at least until she meets this group of students who share her passion for reading.
I For Isobel is a very sensitive portrait of a young girl who was dealt with a bad set of cards. Her youth lacked of family love and her young adult self is unfinished because of that. An important part of a child's usual education is missing: how to relate to others, how to grow confident in yourself thanks to the assurance that your parents love you unconditionally. She learns by trial and error but she has problems to come out of her shell, to live with others instead of just observing them through a self-built glass wall.
As a side, Witting also brings to life the Sydney of that time, the boarding house, the office work and small things about the working-class way-of-life.
It's definitely I book I'd recommend to other readers. You'll find other reviews by Guy here and by Lisa, here. This is another contribution to Australian Women Writers Challenge.
Sadly, I don't think that I For Isobel is available in French, so in the Translation Tragedy category it goes.
Remembering Babylon by David Malouf
Remembering Babylon by David Malouf. (1994) French title: Je me souviens de Babylone.
Remembering Babylon by David Malouf is set in Queensland, Australia in the early days of the European settlements in this territory.
When the book opens, three children, Janet and Meg McIvor and Lachlan Beattie meet with Gemmy when they are playing in the fields. Sixteen years before, when he [Gemmy] was not much older than Lachlan Beattie, he had been cast overboard from a passing ship and had been living since in the scrub country to the north with blacks. The children are afraid of him but recognize a bit of English in his words and bring him back to their parents.
Gemmy's arrival disturbed two communities. Sixteen years ago, the Aborigines didn't know what to make of him but took him in and he learnt to live among them. He learnt the language, the customs and managed to fit in. He became part of their history.
In time his coming among them became another tale they told and he would listen to it with a kind of wonder, as if what they were recounting had happened ages ago, in a time beyond all memory, and to someone else. How, when they found him he had still been half-child, half-seacalf, his hair swarming with spirits in the shape of tiny phosphorescent crabs, his mouth stopped with coral; how, ash-pale and ghostly in his little white shirt, that long ago had rotted like a caul, he had risen up in the firelight and danced, and changed before their eyes from a sea-creature into a skinny human child.
At the time the book is set, his arrival disturbs the settlers. They don't know don't know how to place him. Bad enough if he was what he appeared to be, a poor savage, but if he was a white man it was horrible. And the nagging question is "Is he still white or has be become black by living with the natives?". In their mind, being white has value in itself and losing your whiteness is losing your humanity. Gemmy's condition is puzzling:
He had started out white. No question. When he fell in with the blacks – at thirteen, was it? – he had been like any other child, one of their own for instance. (That was hard to swallow.) But had he remained white?
The underlying question is: is he one of us? Can we welcome him in the community? Can we trust him? For them, you cannot be in-between. Either you're white and with them and have no contact with the blacks, either you're black and keep away from the settlers. Gemmy has almost forgotten his native language, which doesn't help the communication with the settlers. The loss of the English language is also a source of distress for them:
Could you lose it? Not just language, but it. It. For the fact was, when you looked at him sometimes he was not white. His skin might be but not his features. The whole cast of his face gave him the look of one of Them. How was that, then?
All this questioning helps today's reader to enter into the settler's mindset. They were mostly ignorant and didn't have the capacity to see the whole picture or even beyond their everyday life. Whiteness is valuable, a thing to hold on to, an identity. It reminded me of Toni Morrison's take on otherness in The Origin of Others and how she explains that white non-wasp immigrants relied on the colour of their skin to fit in the American society.
The settlers in Australia see their self-worth validated by the colour of their skin and it also justifies their presence in this land. They are part of the European mindset of the time that thought that colonizing countries was bringing light and civilization to the locals.
It doesn't occur to them that the Aborigines have their own culture and that it's as worthy as theirs. Gemmy can speak the language of the Aboriginal community that took him in. The settlers see this as suspicious, not as a chance to have a middleman between them and the Aborigines. They don't think that they have something to learn from them or that coexistence or cooperation is possible. The colour of their skin is different, cooperation is not a possibility. They could learn from Gemmy…
And in fact a good deal of what they were after he could not have told, even if he had wanted to, for the simple reason that there were no words for it in their tongue; yet when, as sometimes happened, he fell back on the native word, the only one that could express it, their eyes went hard, as if the mere existence of a language they did not know was a provocation, a way of making them helpless.
…but they refuse to acknowledge the Aboriginal civilization, its value and its knowledge of the land. It would mean that they were equals and that's not even a possibility.
They had secretly, some of them, a vision of plantations with black figures moving in rows down a field, a compound with neat whitewashed huts, a hallway, all polished wood, with an old grey-haired black saying 'Yessir', and preparing to pull off their boots (all this off in the future of course, maybe far off; for the moment they would not mention the boots since most of them did not have any).
Black skin is associated with slavery, with being inferior to white skin. It's deeply rooted in their heads through their upbringing. Jock McIvor and his family take Gemmy in when he joins the settlement. Jock is able to see beyond Gemmy's appearance. He doesn't phrase it that way but he sees a human being before everything else. This state of mind will set him apart from the other farmers and will cause him trouble.
Malouf tries to show the settlers' point of view with objectivity. Their existence in Queensland is uncertain. The settlement is not even a village.
Apart from their scattered holdings, the largest of which was forty acres, there was nothing to the settlement but a store and post office of unpainted weatherboard, with a verandah and a dog in front of it that was permanently asleep but if kicked would shift itself, walk five steps, then flop. Opposite the store was a corrugated iron shack, a shanty-pub, unlicensed as yet, with hitching posts and a hollowed log that served as a trough.
It's far from what they knew in Europe. They left everything behind to take a chance in a foreign land, a place they knew nothing about. They came with nothing but tools and willpower. Malouf reminds us how hard it was for them.
You had to learn all over again how to deal with weather: drenching downpours when in moments all the topsoil you had exposed went liquid and all the dry little creek-beds in the vicinity ran wild; cyclones that could wrench whole trees up by their roots and send a shed too lightly anchored sailing clear through the air with all its corrugated iron sheets collapsing inward and slicing and singing in the wind. And all around, before and behind, worse than weather and the deepest night, natives, tribes of wandering myalls who, in their traipsing this way and that all over the map, were forever encroaching on boundaries that could be insisted on by daylight – a good shotgun saw to that – but in the dark hours, when you no longer stood there as a living marker with all the glow of the white man's authority about you, reverted to being a creek-bed or ridge of granite like any other, and gave no indication that six hundred miles away, in the Lands Office in Brisbane, this bit of country had a name set against it on a numbered document, and a line drawn that was empowered with all the authority of the Law.
It doesn't occur to them that they are stealing the natives' land. They feel entitled to it. The idea that the sense of property is different for the Aborigines is totally foreign to them just as it was to the settlers in America when they took land from the Indians. We tend to forget how ignorant the settlers were.
I liked Remembering Babylon for the open questioning of the colonization of Australia. It reminds us how easy to judge when we look back on it with our modern eyes. It was wrong and the Apology to Australia's Indigenous peoples is a good thing. Beyond the colonization issue, Remembering Babylon addresses the issue of "otherness" that leads to racism. How does the colour of my skin affects my membership to the national community?
I admired Remembering Babylon for this and for the precise and poetic style of Malouf's writing. I didn't enjoy it as much as I could have because Malouf's style was difficult for me. I also wished he had sticked to a unique thread of plot, the one exploring the effect of Gemmy's presence in the community. I don't think it was useful to tell about Gemmy's past in Europe or about Janet's interest in bees.
I would like to know how other readers felt about it, so feel free to comment. I'll add that the covers of the book are tremendous and perfectly fit its content.
As a conclusion, I'll leave you with this quote, which echoes with the discussion about agriculture that I had with Bill from The Australian Legend on my billet about There Will Be Dust by Sandrine Collette.
We have been wrong to see this continent as hostile and infelicitous, so that only by the fiercest stoicism, a supreme resolution and force of will, and by felling, clearing, sowing with the seeds we have brought with us, and by importing sheep, cattle, rabbits, even the very birds of the air, can it be shaped and made habitable. It is habitable already.
Three theatres, three plays
As regular readers know, I love going to the theatre and I have a subscription at my local theatre. I choose the plays early in June for the next season. Needless to say, unless the play is a classic or based upon a novel I know, I never remember what I'm going to see when I go to a play I scheduled so many months before. Keep this in mind.
My local theatre, Le Théâtre des Célestins, has two stages, a big one à l'italienne and a small one called Célestine. Usually the big one is for classics and plays with a large audience and the small one is for contemporary plays. The big stage is this gorgeous historical stage.
The small stage is such an intimate setting that you can almost see pimples on the actors' faces. Keep this in mind too.
A few weeks ago, I went to see Cooking With Elvis by Lee Hall with my sister and my sixteen-years old daughter. It's an English play with the atmosphere of the film The Full Monty, with this very British mix of social misery and comedy. In Cooking With Elvis, we're in a broken family of three. The father who used to be an Elvis impersonator had a car accident and is now paralyzed. His (unnamed) wife and daughter Jill are left to deal with the aftermath. His wife tries to cope and to live again by being frivolous. She goes out, drinks and has one-night stands. His daughter Jill cooks all the time, trying to bring her father back by cooking his favorite meals. With such a different approach of how life should be going on, it's not a surprise that mother and daughter fight all the time. Comes Stuart, a young guy who started as one of Mother's fling but stuck with her and quickly moved in with the family. He was still living with his parents, his age is between daughter and mother, he's barely more mature than teenage Jill. It is a rather sad setting with an impossible situation for the two women: the man of the family is a vegetable and there is no hope of recovery. The mother looks for affection and sex to escape her reality and as she points out, she's only 39, her life isn't over. Plus, her marriage wasn't that wonderful and she's not really missing out. Jill will have to accept that the father and Elvis impersonator she loved so much isn't quite there any longer.
It's sad, of course but it's also funny. The director chose to have the father raise from his seat and sing Elvis Presley songs in all his impersonator glory. It diffused the tension and also helped seeing what Jill misses and how irritating it could have been to be married to such a man. It's a play about sex, food and rock-and-roll.
Now, remember what I told you before about not remembering the play's blurb, about the pimple-seeing sized stage and The Full Monty reference? Imagine you're sitting by your daughter and this Stuart character keeps shedding his clothes on stage? Not just prancing in his boxer briefs, that would be too easy, no, showing his full package was apparently necessary. If there was any mystery left for her about male anatomy, there's none now. I was so embarrassed I think I missed out on the fun. True, it shows well how poor Jill must have felt in real life with her mother's lovers strutting in the apartment. But was it really necessary? So many times? And the blowjob show? Kuddos for the actor and his courage to play this character because the audience was very close. I'm so glad I wasn't in the front rows.
I don't think I'm a prude but I also don't think that all this nakedness was necessary to serve Lee Hall's play. Has anyone of you seen this play? Did the director make the same choices about the Stuart character? The topic of a family shattered by an accident was alsi the main theme of Rabbit Hole by David Lindsay-Abaire. Same pitch totally different approach.
The next play I saw was in the great Italian room and it was totally different. It's called Petit Eloge de la nuit. The publisher Folio has this collection of "Little tribute to…" and Ingrid Astier wrote about "the night". Little Tribute to the Night is made of vignettes about the night in all its forms. It was made into a play by Gérald Garutti who chose Pierre Richard to be the narrator/actor. He's on stage, sharing Astier's visions of the night. Dressed in white and tanned, he looks like a explorator ready to take us to a journey into the night. It has literary references but not only. It explores what the night can be: magical, disquieting, fun and full of partying, the kingdom of dreams and nightmares, the host of our anxiety, a moment to stare at the starts, a moment to rest and think.
I wanted to see Pierre Richard on stage, he's a marvelous actor who's over 80. He still has a spring in his steps that I hope I'll have if I reach that age. The direction was good, poetic at times. I thought there were too many videos and pictures on the large screen on the scene. Including videos and picture slide shows seems to be fashionable in theatre these days. Sometimes it fits well with the play and sometimes it just seems lazy. Here, I'm not sure it was always welcome but maybe it allowed Pierre Richard to rest. After all, he's 83 and he was alone on stage. It was a lovely evening and if you're in France, it's worth going to see this play.
Last play I saw was The Rivers and the Forests by Marguerite Duras, directed by Michel Didym. It was in another theatre Les Ateliers, a small stage where the play was transferred because the Célestine was damaged by the recent floods.
Duras created three characters who meet on a street in the 16th arrondissement in Paris, a very posh neighborhood. They were on a crosswalk when a woman's dog bit the calf of a man and another woman witnessed it. The characters aren't named, they're strangers that are thrown together because Zigou the dog wanted a taste of the man's calf. They start talking and the dog's owner would like to take the man to the Institut Pasteur were he can be tested for rabies. As the dialogue unfolds we understand that the dog's owner killed her husband, that it's not the first time that the dog bites a passerby and that she's so lonely that she enjoys spending time at the Institut Pasteur where the concierge comes from the same provincial town as her. The other woman is stuck in a loveless and maybe abusive marriage and the man is also lonely.
Duras manages to show loneliness in big cities in her quirky and dry language. She also portrays two female characters who weren't good marriage material in their parents' eyes and who were pushed into marrying the first man who paid them a bit of attention. The fact that one was much older that their daughter or that the other was violent didn't deter them from the match. It's all hidden in little sentences thrown here and there, among acid jokes and apparent absurdity. But when you think back about what you've seen, it's there, this statement about women's condition in the early 1960s. (The play was written in 1964) The actors were excellent. Charlie Nielson looked like he has been picked from a 1950s movie. Brigitte Catillon and Catherine Matisse were perfect impersonations of 16th arrondissement bourgeoises. The set was nicely put, an exact replica of a Parisian street. My daughter was with me this time too: no naked men to report, only a cute dog.
Next play is Georges Dandin by Molière. A safe bet. (I hope. But you never know. I once saw a Hamlet version where the actor ended up naked too)
True Country by Kim Scott A trip to Aboriginal Australia
True Country by Kim Scott (1993) French title: Le Vrai Pays. (Translated by Thierry Chevrier with the help of Marie Derrien)
Kim Scott is an Australian writer born in Perth in 1957. His mother is white and his father is Aboriginal, from the Nyungar tribe. He's an English teacher and he spent some time teaching at an Aboriginal community in the north of Western Australia. Kim Scott explores the issue of the white colonization in Australia and its consequences but also gives a written memory to Aboriginal culture and simply uses his mixed origins to give a voice to his Aboriginal people.
A few years back, I tried to read his novel, That Deadman Dance but I had to abandon it. Not that I didn't like it or that it was lacking but my English and my knowledge of Australia weren't good enough. I needed a French translation. And the only books by Kim Scott available in French are True Country and Benang. I shouldn't complain though, True Country has only been translated into French and Benang into French and Dutch. We are lucky readers here, thanks to Les Editions du Rocher and Actes Sud.
Lucky me, Lisa from ANZ LitLovers had not read True Country yet and she accepted to read it along with me. Her review is available on her blog and it's going to be a real treat for me to discuss this book with an educated Australian reader.
The starting point of True Country is the arrival of a new set of teachers in Karnama, an Aboriginal community in the North of Western Australia.
There is a Catholic mission in Karnama and a school for Aboriginal children. Alex is the new principal of the school and he came with his wife Annette and his eight-year old son, Alan. The English teacher is Billy, accompanied by his wife Liz. Billy is mixed white and Aboriginal and as you can guess, he's based on Kim Scott's personal experience as an English teacher in rural Australia.
Karnama is isolated, the teachers are ill-prepared for their task. The climate is terrible with intense heat during the dry season and torrential rains during the rainy season. Nature is not exactly welcoming with crocodiles and all kinds of dangerous animals and plants. The isolation is vertiginous for a European. Hours until the next city and in case of medical urgency, they rely on the Flying Doctors.
In short chapters, Kim Scott relates life in Karnama for Billy and Liz. He shows the clash of culture between the white and Aboriginal inhabitants. It's a strange ambience in Karnama where the Whites still feel superior to the Aborigens. It is definitely a colonial atmosphere, like in Africa during the English or French colonization.
The Whites have all the positions with responsibilities and run the place. They have better houses with air conditioning. We witness their diners where they complain about the Aborigines and how they are not to be trusted. The teachers have trouble getting the children in school on time and with proper pupil attire. They just don't have the same way of life and unfortunately the teachers think that theirs is the right way to live. The approach of life and the vision of the world is different from the start. A striking example is the notion of house and home.
Locals come to the teachers' houses unannounced, invite themselves in and touch their things. Their own houses are open and not so private or personal. Their behaviour irritates Liz or Annette. This is a detail that tells all about the clash of culture. It shows the different approach of life, with a focus on property and privacy on one side that has no equivalent on the other.
Both parts mean well but this is something that is ingrained from childhood and accepting what is seen as an invasion of privacy on one side or refraining from coming in on the other side requires a lot of going against gut reactions and it's not easy. Education about homes and houses comes from far away in our lives. Even in Western countries, we have differences. In France, it's very impolite to help yourself in someone's fridge unless you're at a good friend's house or staying with your family. It's more relaxed in the USA and when French students go to stay with an American family, they receive written instructions about how to behave and this thing about the fridge is mentioned as "Do it, they won't understand why you just don't help yourself". I've done stays like this and even a simple thing as helping yourself in a fridge is difficult to do when you've been told from a young age that it is not polite. Your mind must take over and remind you that it's allowed there and you shouldn't feel uncomfortable doing it. And despite everything you might tell yourself, you still feel uncomfortable taking a bottle of water in the fridge.
So, imagine what happens with such different conceptions of homes as between Nyungar and Whites.
I liked that Kim Scott doesn't sugar-coat the situation and doesn't deliver a black and white (no pun intended) vision of life in Karnama. He shows Aborigines misbehaving and the ravages of alcohol. According to a note left by the translator, Aborigines have a poor tolerance to alcohol due to genetics dispositions; they get drunk very fast and they are mean drunks.
I wondered what the perspectives are for people living in Karnama. They are trapped between two cultures and none of them expressed itself totally. There are no jobs in the sense of "Western capitalism" jobs and the traditional structures of the Nyungar seem to have disappeared. They are in a weird no-man's-land, not integrated in Western civilization and already too out of their ancestral way-of-life to live it.
All these misunderstandings, the hopelessness of the locals' future and the latent conflict between the two communities make the atmosphere a bit heavy, on the verge of a catastrophe. During the fishing trips, the swimming parties and various activities where Whites and Aborigines mix and do something together, you have the feeling they live on the razor's edge. On both side, they are always a hair away from making a tiny mistake that could turn an innocent outing into a drama.
With his mixed origins Billy is a go-between. He's open minded and curious about Nyungar culture and traditions. He's in search of his own past and it's easy to see why he took this teaching position. He starts recording old Fatima's stories to keep track of their oral culture and to find a bridge between him and his pupils. He wants to use these stories in class, to have teaching material the children can relate to.
The other Whites' motivations are unclear. Why did Alex and Annette choose to come to Karnama? Does it help one's career to have done time in the bush? I missed out on the psychology of the characters. I would have wanted to know more about their past, their inner thoughts and their struggles. I didn't bond with any of them except Billy and Liz. I think Liz is the most remarkable character of the book. She's nonjudgmental and reaches out to the locals. She probably followed Billy to Karnama and takes everything in one stride. I would have loved to hear about their relationship, how they came here and what kind of discussion they had at night. This lack of information about the characters made me see the book as a written reportage, a succession of chapters where I followed Billy and his relearning of his ancestral roots and customs.
This leads me to an important stylistic part of True Country. The narration alternates between Billy's point of view and an omniscient narrator that represent the voice of the Nyungar people. This narrator is like a God's voice observing the humans living below and commenting on their actions. It's is full of wisdom with a mischievous sense of humour. It opens the book with a welcome chapter,
First Thing, Welcome.
You might stay that way, maybe forever, with no world to belong to and belong to you. You in your many high places, looking over looking over, waiting for a sign. You're nearly there, nearly there.
You're trying to read a flat pattern, like the sea, the land from high above. Or you might see your shadow falling up in this page. And maybe that's all you'll see and understand.
Or you might drift in. Fall or dive in. Enter.
Wind drift, rain fall, river rush. The air, the sea all around. And the storming.
You alight on higher ground, gather, sing. It may be.
You listen to me. We're gunna make a story, true story. You might find it's there you belong. A place like this.
The Aboriginal narrator is the one that stands back and comments. It's not part of the action but gives subtitles. It's another middleman between the reader and the scenes that unfold on the pages. Sometimes it comes right in the middle of a page and it forces the reader to stop and think about what he's reading. It's someone taking your arm and saying "hold on" Look at the scenery. Look at the interactions between the characters. Take your time, observe and listen. It's often a very poetic voice.
This change of point of view lost me in That Deadman Dance. Reading in French helped.
This is why I want to praise the work of the French translators, Thierry Chevrier helped by Marie Derrien. I loved the footnotes they left in the book. They were enlightening about Australia and the Aborigines. That's a perk of reading a good and annotated translation. The translator goes further than transcribing the English text into French. With his French background, he knows when a French can get lost in the text or might miss something important. The footnotes touched all kinds of topics. There were explanations about the fauna and flora because it's so different from ours. I enjoyed immensely the comments about Scott's style pointing out things coming from his Aboriginal side and how it seeped into his English. I laughed at a comment about Australians and their beer bellies, I appreciated help about car models, agriculture and other local things that are foreign to me. He gave indications about the huge distances between cities because they're hard to imagine here. In France, a long drive is 800 km, which is about the distance between Melbourne and Sydney which seem very close from one another on the map above. In True Country, the translator was holding the reader's hand, helping him through the foreignness of the place and of the culture. I might have missed out on the English but I got so much more from the translation that I'm happy I read True Country in French.
I read True Country with the Aboriginal voiceover holding my hand and the translator holding my other hand. It's been a fascinating trip to Karnama, one I would haven enjoyed more if I'd gotten to know Billy and Liz better.
In any case, I'm now better equipped to read A Deadman Dance in English. I'll give it another try, probably after my trip to Australia.


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Resources for the Conference
Resources from the Speakers
ORGANIC PRICES MARKET OUTLOOK 2019 | Brenda tjaden
(Recorded February 2019 at the 'Agroecology and Economics of Organics' event in Winnipeg)
Agridigital talks about Food Systems Tech | EMMA WESTON
How does supply chain work from the producer to the consumer end? Emma was just in a food systems technology accelerator in San Fransisco.
VIDEO: Regenerative agriculture and the importance of interrelationships in soils | Joel Williams
At a recent event held last month in Winnipeg, soil health educator Joel Williams of Integrated Soils discussed a wide variety of topics relating to soil biology and what farmers can do to build more diversity into their crop systems, the benefits of intercropping, the growing interest in regenerative agriculture and the importance of interrelationships in soils.
ALSO, A Podcast Interview with Joel on Craft Beer + Crop Science >>
feel your way to freedom | tamara mclellan
Tamara discusses two kinds of liberty, positive + negative, and five ways to feel your way to freedom today, despite external circumstances. She suggests the idea that our collective freedom is linked and only can be made possible when we are all free.
Climate Change: We Can Eat Our Way Out of This Mess! | Gillian Flies
In this inspiring talk, Gillian Flies will change your view on carbon and climate change, and open your eyes to what we are doing wrong, and how we can fix it when it comes to farming.
The World needs LESS Food. | Brent Preston
The big corporations that dominate our agricultural system say that farming on an industrial scale is necessary to prevent mass starvation. But is chemical-intensive, mono-crop agriculture really the best way to feed the world? Organic farmer Brent Preston weaves personal experience and compelling analysis of our global food system to argue that overproduction of food is at the root of many of the world's biggest problems.


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This book is about Homer. He is our Singer of Tales. Yet, in a larger sense, he represents all singers of tales from time immemorial and un recorded to the present. Our book is about these other singers as well. Each of them, even the most mediocre, is as much a part of the tradition of oral epic singing as is Homer, its most talented representative. Among the singers of modern times there is none to equal Homer, but he who ap proaches the master most closely in our experience of epic song is Avdo Mededovic of Bijelo Polje, Yugoslavia. He is our present-day Balkan Singer
of Tales.We believe that the epic singers from the dawn of human consciousness have' heen a deeply significant group and have contributed abundantly to dl<' spiritual and intellectual growth of man. Although only two segments
(If the I ndo- Europea n peoples have been treated here in any detail, namely the Greeks and the Slavs (or more truly the speakers of Serbocroatian and ofBulgarian), it is my hope that the book is not parochial. Narrowness has never been excusable, whether it be ethnic, geographic, religious, social, or even academic, least of all in the space age. Of the epic songs of the past (or of the present for that matter) Homer's have always been recognized as supreme. When our collecting began in the nineteen-thirties the Yugoslav oral epic was accessible, alive, and distinguished. Russian and central Asiatic oral traditions might have done as well for purposes of comparative study, but for an American professor at that time they were not within Published by Atheneum Rprinted by arrangement with Harvard University Press Copynght I960 by the Pres ident and Fellows of Harvard College All rights reserved Manufactured in the United States of America by The Murray Printing Company Forge VIOllage,HJpssachuset ;\5_ ts Pubhsh d in Canada by McC lelland & Stewart Ltd. FIrSt Atheneum Printing Janu ary I965 Second Printing September I968 Third Printing October 1970o '
easy reach. This book concentrates on only one aspect of the singers' art. Our im mediate purpose is to comprehend the manner in which they compose, learn, and transmit their epics. It is a study in the processes of composition of oral narrative poetry. Hence the reader must not seek here a survey of oral epics, or a history of oral epic in the Balkans or elsewhere. This book is dedicated gratefully to my parents, who made it possible for me after my first academic degree to go to Yugoslavia with Milman Parry for fifteen months, and helped with my further education. My debt to Milman Parry as master and friend can never adequately be expressed. He introduced me to a rich world of thought and fired me with an urge to explore it. But, as a true teacher, he left me free in my explora tions and conclusions. Parry's genius as a scholar lay in a bold and imagina tive rigorousness which insisted that a comprehension of oral poetry could
dinars a night (I, p. 238 and p. 265). Murat Zunic was much sought after in the district of Cazin and Bihac in the north, both places competing for his talent.He had sung in Banja Luka for six years during Ramazan (Parry 1915).Demo Zogic was himself a singer and would sometimes sing for his own company, but he told us he was generally so busy serving coffee and greeting guests and talking that he had to hire someone to do the singing. Once when the singer had been indisposed during his engagement, Demo had taken over, and the guests had given him great praise for his singing, so he tells us (I, p. 240). In an account of the occasions for singing and of the audience which fosters it, mention at least should be made of the courtly entertainment of the earlier days in Yugoslavia.What we have been describing up to this point was in existence in Yugoslavia in the 1930's and to an extent still con tinues. In medieval times, before the Turkish conquests, the Christian courts had undoubtedly fostered the minstrel's art as had the courts of other countries in Europe at that time.When these courts re-emerged, however, after the expulsion of the Turks, they were no longer interested in the bards but sought their entertainment from abroad or from other sources.Hence in the Christian courts oral narrative poetry played no role for many genera tions.The local Moslem nobility on the other hand with its rich estates had fostered the art, and since this local nobility was still alive in some districts, such as Novi Pazar, Bijelo Polje, and Bihac in the 1930's, it was still possible to obtain firsthand information about the practice.It actually differed little from our account above except that everything was on a grander scale; the settings were more luxurious and the gifts to singers richer. The records of the Parry Collection abound in stories, some fairly full, of how the Moslem bards used to sing at the "courts" of the Turkish nobility. Here the professional or semiprofessional singer was afforded the best op portunity for practicing his art.There seems to be little evidence, however, that the beys and aghas actually maintained a court minstrel.They not in frequently called in singers for special occasions when they entertained guests, but they did not keep a singer in their courts. In the old days the ruling class of Moslems celebrated the feast of Ramazan in its courts rather than in the kafana.When the Turkish rule was overthrown, the celebration took place more commonly in the kafana than in private Moslem homes. Whether the performance takes place at home, in. the coffee house, in the courtyard, or in the halls of a noble, the essential element of the occasion of of the audience. singing that influences the form of the poetry is the variability and instability The instability of the audience requires a marked degree of concentration on the part of the singer in order that he may sing at all; it also tests to the utmost his dramatic ability and his narrative skill in keeping the audience as attentive as possible.But it is the length of a song which is most affected by the audience's restlessness. The singer begins to tell his tale. he is fortunate, If
After a rest he will continue, if his audience still wishes.This ilu' audience.
Iif' lIlay find it possible to sing until he is tired without interruption fromIII.IY last until he finishes the song, and if his listeners are propitious and his
descriptive passage.It is more likely that, instead of having this ideal occa sioll the singer will realize shortly after beginning that his audience is not leceptive, and hence he will shorten his song so that it may be finished within the limit of time for which he feels the audience may be counted on. of (>1', if he misjudges, he may simply never finish the song.Leaving out of the talent of the singer, one lOllsideration for the moment the questionrail
1I"",d heightened by their interest, he may lengthen his tale, savoring each
say that the length of the song depends upon the audience.One of the reasons also why different singings of the same song by the same man vary most in their endings is that the end of a song is sung less often by the singer.
If we are fully aware that the singer is composing as he sings, the most he striking element in the performance itself is the speed with which bard to sing at the rate of from proceeds.It is not unusual for a Yugoslav has not ten to twenty ten-syllable lines a minute.Since, as we shall see, he his song, we must conclude either that he is a phenomenal memorized our own virtuoso or that he has a special technique of composition outside field of experience.s in a there are too many singers; so many geniuses simply cannot appear continue to appear inexorably from one age to another. single generation or a special The answer of course lies in the second alternative, namely, technique of composition. of The major part of this book is concerned with the special technique composing in performance possible. For composition which makes rapid to introduce the Yugoslav ;111 understanding of this technique it is necessary Let the and to examine the way in which he learns his art of singing. singer of the Parry singers speak for themselves from the phonograph records ( :ollection. .... "My name is Sulejman Fortic, and I am Salih agha Forta's grandson a waiter in the coffee house" (I, p. 225). Today I am I keep "My name is Demail Zogic....I am thirty-eight years old....a
coffee house" (I, p.235). singer): "Nikola (the interrogator): What is your name? Sulejman (the How old are you? S: Fifty years old....N: Suiejman Makic....N: N: Do you have any sheep? What do you do at home? S: I plow and I reap. No, by Allah, I have cattle" (I, p. 263). S: I cut wood.
twenty-nine "My name is Alija Fjuljanin....I am a farmer....I'm stock and with the land" (I, p. years old....We occupy ourselves with


text:
Interview: BBM CEO Matthew Talbot
In this episode of the TechCentral podcast, Duncan McLeod chats to Matthew Talbot, global CEO of BBM (you may know it better at BlackBerry Messenger). The service is now owned by Indonesia's Creative Media Works, under licence from Canada's BlackBerry, which has pivoted to an enterprise focus and away from its consumer smartphone and services business. BBM continues to enjoy a loyal following in key emerging markets, including Indonesia, Nigeria and South Africa. In the podcast, Talbot explains what's happened to BBM in recent years as BlackBerry shifted focus away from its handset business and find out why he believes the messaging service has a robust future on Android and iOS. Talbot talks about how BBM is positioned in the market relative to rivals such as WhatsApp and WeChat, and how the company is adding content services aimed at growing its South African user base.


text:
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Schneider Electric and UAE-based National Petroleum Construction Company (NPCC) were recently awarded at the Future Network Awards 2019 as the 'Networking Project of the Year - Public'.
Schneider Electric is a leader in digital transformation of energy management and automation.
This recognition came in the light of the successful digital transformation of NPCC's production and operation facilities for monitoring their energy consumption with the help of Schneider's EcoStruxure Power architecture, and the Power Monitoring Expert system, and smart metres, said a statement from the company.
By implementing Schneider's EcoStruxure Power Monitoring Expert (PME), NPCC has the advantage of gaining real-time operational insights, with immediate alerts on disturbances enabling them to fully understand their energy consumption patterns, identify the problem areas and take necessary measures to optimise energy consumption.
This digital transformation will support NPCC in achieving their five-year plan that aims to reduce energy consumption by 30 per cent, it stated. – TradeArabia News Service


text:
March 8, 2018
- Summer Steib, Derek Rovaris, Christine Corcos, Mandi Lopez, Tammy Millican, Hala Esmail, Jordyn Warren
Not in Attendance
- Ali Mullin, Brenton Sumler, Cynthia Peterson, Kenya Messer, Angelina Boskovich, Christine, Cheng, Allison Smith, Mimi Lee, Andrew Bock, Laurie Braden, Mari Fuentes-Martin
Approval of Previous Minutes
I. Old business
- CTG #MeToo at LSU was debriefed
- The morning time didn't produce as many attendees as the afternoon
- Round tables were good for interaction among attendees
II. Subcommittee reports
- Mentoring/ professional development
- Woring on a whitepaper for the provost
- Reached out to faculty seante for input, but haven't heard much back
- Closing the Gaps
- No CTG in March - possible collaboration with Academic Affairs
- Future topics: hostile work environments, discrimination, non-sexual forms of harrassment
- Gender Wage Gap
- Working on gathering staff data and reviewing best practices for gatheing the data
III. New business
- A draft of the parental leave proposal was reviewed
- It will need adjustments to be gender neutral and to cover adoptions too
- A good starting point - needs to vetted more
- Document shredded
- Dr. Amstutz visit
- April 3 with Academic Affairs
- Summer will reach out to Ryan to confirm event details
- Considering moving April UCGE meeting
- Next meeting will be held Tuesday, April 3 at 1:00pm, Women's Center Multipurpose Room.


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Songs of Innocence and of Experience
A collection of poems by William Blake (1757-1827), illustrated with the poet's own etchings and published in 1789. In the work, Blake investigates, as he puts it in the subtitle, 'the two contrary states of the human soul'. Despite the simple rhythms and rhyming patterns, and the images of children, animals and flowers, the Songs are often troubling, argumentative or satirical, and reflect Blake's deeply held political beliefs and spiritual experience. Blake's vision embraces radical subjects such as poverty, child labour and abuse, the repressive nature of the state and church, as well as the right of children to be treated as individuals with their own desires. Many of the poems in Songs of Experience respond to counterparts in Songs of Innocence.
William Blake's Songs of Innocence and ExperienceView images from this item (50)
Usage terms Public Domain
- Creator:
- William Blake
- Published:
- 1794
- Forms:
- Poem
- Genre:
- Romantic poetry
- Literary period:
- Romantic
This work is featured in:
Explore further
Related articles
An introduction to 'The Tyger'
- Article by:
- George Norton
- Theme:
- Romanticism
George Norton's close reading of William Blake's 'The Tyger' considers the poem's imagery through 18th-century industrial and political revolutions and moral literature.
William Blake and 18th-century children's literature
- Article by:
- Julian Walker
- Themes:
- Childhood and children's literature, Romanticism
Julian Walker looks at William Blake's poetry in the context of 18th-century children's literature, considering how the poems' attitudes towards childhood challenge traditional ideas about moral education during that period.
The music of William Blake's poetry
- Article by:
- Julian Walker
- Theme:
- Romanticism
One of William Blake's acquaintances described him singing his songs in social gatherings. Julian Walker considers how Blake intends us to understand the word 'song' – and why his volume of poetry is called Songs – rather than 'Poems' – of Innocence and Experience.


text:
Remove .test Ransomware Easily
.test Ransomware Deletion: Step By Step Guide To Get Rid Of .test Ransomware Completely
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|Adware.Bestrevenue, Adware.BrowserVillage.e, Isearch.D, Adware:MSIL/Serut.A, ADW_MARKETSCORE, WebBar, Text Enhance Ads\Pop-Ups, TopText
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text:
12, avenue des Spélugues - 98000 Monte-Carlo, Monaco
This hotel doesn't accept the Millevista gift vouchers
602 rooms, 602 rooms with a view
The 4-star Fairmont Monte Carlo hotel offers a warm welcome to Monte Carlo in the principality of Monaco. This impressive resort boasts 602 rooms, suites and elegant apartments, all with private balconies overlooking either the Mediterranean Sea or the hotel's own private gardens. There are 3 restaurants to choose from, all with panoramic views of the sea: the Horizon Deck, overlooking the sea from the 7th floor, the Saphir 24, with its huge windows, or Nobu with its large terrace. The hotel's spa is a haven of well-being: 900 m² dedicated to relaxation and beauty, offering guests a steam bath, sauna, body treatments, massages... The fitness center is equipped with modern equipment and offers activities such as yoga, aerobics and stretching. As an added bonus, the hotel even has a large rooftop terrace with its own pool which is heated all year round, together with bar service and sun loungers. A dreaming stay on the French Riviera awaits you !
18 meeting rooms, maximum capacity of 1000 people
from this hotel
From the roof terrace on the 7th floor, you can admire the Monte-Carlo Opera House and Casino, the harbour and the Prince's Palace, the famous Fairmont turn on the Formula 1 Grand Prix Circuit... and of course the Mediterranean Sea in all its glory.
to prepare your travel now
Check out other great hotels with the most beautiful views


text:
Windows Phone Store has the "Perfect Flashlight" app
posted by Alan F. / Jan 04, 2015, 12:04 AM
Available for Windows Phone 8.1 and Windows Phone 8, the Perfect Flashlight comes at the perfect price, free! You can see it in action by clicking on the video below.
source: PerfectFlashlight (Windows) via WMPoweruser
16 Comments
1. greenelektron
Posts: 537; Member since: Sep 10, 2014
You can see there how windows phone struggles with its app base that even a flaslight app should be featured in an article so that the people would know. Yes, you need android apps to run in your devices.
posted on Jan 04, 2015, 12:14 AM 7
6. Deaconclgi
Posts: 405; Member since: Nov 03, 2012
You must be new to smartphones. Have you not read the countless articles about flashlight apps for Android? If you haven't then yes, you are new to smartphones OR you have forgotten the fact that Android didn't always have a million+ apps and that the OS had to build its app number to where it is today. What? You thought all the apps in the Play store were there from the beginning or they all arrived when you set up your phone for the first time?
posted on Jan 04, 2015, 1:00 AM 16
7. harry29
Posts: 20; Member since: Oct 31, 2014
i dont understand why phonearena are posting these small news nowadays like perfect flash light , BBM Shop now offering Angel Cat Sugar stickers etc etc what are u guys trying to do ? u dont have anything to post..? & for ur kind information MR green whatever & phone arena team windowsphone have many apps of flash light if u really want to post some news about WP then copy it from wmpoweruser or windowscentral
posted on Jan 04, 2015, 1:11 AM 1
2. spin9
Posts: 310; Member since: May 31, 2014
Plenty on Android
posted on Jan 04, 2015, 12:14 AM 4
5. Deaconclgi
Posts: 405; Member since: Nov 03, 2012
Plenty on Windows Phone as well.
posted on Jan 04, 2015, 12:56 AM 6
4. corporateJP
Posts: 2458; Member since: Nov 28, 2009
But...does it split logs?
posted on Jan 04, 2015, 12:17 AM 1
9. pureviewuser
Posts: 501; Member since: Nov 11, 2012
I'm definitely getting it it's also the the perfect TROLL finder!!!!lol!!!
posted on Jan 04, 2015, 1:32 AM 1
12. pureviewuser
Posts: 501; Member since: Nov 11, 2012
I'm not afraid to install it in my 1520 it doesn't hog my ram and no danger of spyware!!!!
posted on Jan 04, 2015, 3:42 AM 6
13. pureviewuser
Posts: 501; Member since: Nov 11, 2012
And btw NO LAG!!!
posted on Jan 04, 2015, 3:44 AM 1
15. -box-
Posts: 3991; Member since: Jan 04, 2012
Thanks for posting this. I've been using Flashlight-X on my Lumias for years, and this is such an improvement in most ways. I love the accent color option, the Morse code function, and how FAST it is (possibly due to the lack of ads or fresher code). Flashlight-X has a bigger on/off switch but it's slow to change the light setting and the image on the app. Needless to say Flashlight-X has been uninstalled.
posted on Jan 04, 2015, 8:57 AM 1
16. elitewolverine
Posts: 5192; Member since: Oct 28, 2013
using flashlight xt, its simple, it has a light, no ads etc. But will give this a try, always fun to have options.
posted on Jan 04, 2015, 11:17 AM 0
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text:
Land -Single Family Acreage
- $10,000 price
- 88984 mls id
BRING YOUR PLANS TO BUILD on these beautiful shaded lots in the Gated community of Callender Lake. Site built homes only in this community. Peaceful location, but only minutes to the lake & community parks, yes 3 parks. The electric is at the road, plumbing for water meter and BRAND NEW SEPTIC system for 3 bed 2 bath home. This gated community has 3 parks for property owner enjoyment and a community boat launch for property owners. Bring your water toys! Just 40 minutes from Tyler - Pounds Airport, 30 minutes from Canton & 2 hours from DFW area. Buyer to verify lot lines. Contact List Agent.
- Site Link
- Style Not Applicable
Related Listings
Vacant Land (0-10 Acres)
1 Pictures
Beautiful shaded lot in the gated community of Callender Lake. Bring your plans, ready for your site built home. The utilities are at the road, needs septic installed. This gated community has 2 parks for bank fishing, a community boat launch for property owners. Bring your water toys! Just 40...
Courtesy of: CENTURY 21 Anding Real Estate
Office Phone: +19036754551
Listing Agent: Sue Brannan
Updated: 16th September, 2019 5:29 AM.
619 Deer Path, Murchison, TX