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OrigamiUSA (sometimes abbreviated as "OUSA") is the largest origami organization in the United States, with offices located at the American Museum of Natural History in New York City. It was founded in 1980 by Michael Shall, Alice Gray, and Lillian Oppenheimer as the Friends of the Origami Center of America and was renamed OrigamiUSA on July 1, 1994.[1] Since its founding, OrigamiUSA has been fully non-profit and volunteer-based and is a 501(c)(3) corporation. OrigamiUSA organizes the largest origami convention in the world each June in New York City, and in addition publishes a magazine, The Paper, an annual collection of origami diagrams, and a website, and also provides educational materials and supports numerous other activities that spread the art of origami.
- 1 Mission
- 2 Services and activities
- 3 Committees
- 3.1 Archives Committee
- 3.2 Awards Committee
- 3.3 Business Committee
- 3.4 Community Origami Groups Committee
- 3.5 Convention Committee
- 3.6 Copyright Committee
- 3.7 Development Committee
- 3.8 Elections Committee
- 3.9 Exhibition Committee
- 3.10 The Fold Committee
- 3.11 Fundraising Committee
- 3.12 Holiday Tree Committee
- 3.13 Annual Gift Committee
- 3.14 Research/Reference Library Committee
- 3.15 Lending Library Committee
- 3.16 Online Presence (Website) Committee
- 3.17 Origami By Children Committee
- 3.18 Origami Connect
- 3.19 PCOC (Pacific Coast Origami Conference) Committee
- 3.20 The Paper Committee
- 3.21 Publications Committee
- 3.22 Special Sessions Committee
- 3.23 Volunteer Appreciation Committee
- 3.24 World Origami Days Committee
- 4 Board of directors[21]
- 5 Notes and references
- 6 External links
The mission statement is the following: "OrigamiUSA's mission is to share the joy and appreciation of paperfolding, preserve its history, nurture its growth, bring people together, and encourage community among paperfolders."[2]
Services and activities[edit]
OrigamiUSA provides a variety of services to its members and to the world origami community:
- Annual Convention[3]: typically held on the last full weekend of June at St. John's University in Queens, New York since 2016, Annual Convention is the largest origami convention in the world.[4] Prior venues were Fashion Institute of Technology and Manhattan College in New York City. It is attended by some 800 people each year and provides typically 30 parallel sessions of origami instructional classes for an entire weekend, as well as special seminars on design and folding techniques. Special guests attend every year from far off-places; previous guests include Kade Chan from Hong Kong,[5] Tomoko Fuse from Japan,[6] Nick Robinson from the United Kingdom,[7] and Toshikazu Kawasaki from Japan.[8]
- The Paper[9]: the print magazine of OrigamiUSA, The Paper is published roughly quarterly for all members, contains articles about origami activities and new, unpublished diagrams. Members receive The Paper by mail.
- The Fold[10]: the online magazine of OrigamiUSA, The Fold publishes continuously throughout the year, with new articles averaging once a week. OrigamiUSA publishes this magazine for members and visitors with a mix of members-only and open-access content consisting of articles, diagrams, videos, animations, and more.[11]
- The Origami Collection: a book of diagrams published annually for the latest creations by folders from around the world.[12]
- Special Folding Fun Sessions[13]: six one-day special sessions of origami instruction, held at the American Museum of Natural History. Each session is one day, with both morning and afternoon sessions.
- The Source[14]: an online (or mail-in) origami one-stop shop, selling common and hard-to-find origami books, videos, CDs, paper and other supplies.
- Reference Library: a visitation-only reference library, housed at the American Museum of Natural History, where rare and out-of-print materials may be examined.
- Lending Library: A lending-by-mail library, whereby members can borrow origami books by mail for a nominal fee.
- Origami by Children: an annual competition that allows children eighteen and under to submit their models for exhibition across the country. Children whose works are selected to be exhibited will win various prizes, including a free year's subscription to OrigamiUSA's print magazine, The Paper.
- Holiday Tree[15]: a tree decorated with hundreds of origami figures sent in by OrigamiUSA members and origami aficionados from all over the world which is displayed in the rotunda of the American Museum of Natural History. which has become an annual tradition in New York City, each year decorated with hundreds of origami figures.
- Website: OrigamiUSA's official website containing information about the organization, diagrams, and registration information for the various conventions and folding sessions sponsored by the organization.
- Pacific Coast Origami Convention (PCOC):[16] held in odd-numbered years in various places along the West Coast of North America in concert with a local organizing origami group in the host city; convention site changes. Past convention locations include Phoenix, Vancouver, San Francisco, Bellevue, Albuquerque, and Boulder.[17]
- World Origami Days[18]: a 2-1/2 week celebration of the international community of origami World Origami Days is held each year from October 24–November 11, with the goal of making origami as visible as possible by teaching a class, folding on the bus, giving origami to friends, exhibiting your models, etc. October 24 is the birthday of Lillian Oppenheimer (1898-1992), who founded the first origami group in America. She was also one of the founders of the British Origami Society and OrigamiUSA. A dynamic woman, she was delighted in the magic to be found in a piece of paper and wanted to share it with the world. November 11 is Origami Day in Japan, where the origami crane has become a symbol of peace.
Special Conventions[19]
OrigamiUSA has sponsored several conventions in the past on an irregular basis:
- The 2nd Conference on Copyright in Origami in 2009 in New York City
- The 4th International Conference on Origami in Science, Mathematics, and Education in 2006 in Pasadena, CA
- The 3rd International Conference on Origami in Science, Mathematics, and Education in 2001 in Monterey, CA
- The Conference on Origami in Education and Teaching (COET) in 1991 and 1995
The following is a list of OrigamiUSA's current standing committees, their chairpersons, and their purposes. Other committees are formed as needed. Committees are open to all members.[20]
Archives Committee[edit]
JC Nolan (Chair), Ruthanne Bessman, Josiah Jaggers, Marc Kirschenbaum.
Organizes and maintains the archives of OrigamiUSA. OrigamiUSA has a rich history that is full of amazing photographs, diagrams and models. The Archives Committee is responsible for the storage and cataloging of these materials.
Awards Committee[edit]
Rachel Katz (Chair), Patty Grodner, Judy Hall, Joel Stern, Susan Wettling.
Administers the awards given by OrigamiUSA. This committee solicits nominees and judges entries for the OrigamiUSA Teaching and Florence Temko Innovation awards. (The Michael Shall Volunteer Recognition Award is administered by the Board.)
Business Committee[edit]
Mark Kennedy (Co-chair), Jan Polish (Co-chair), Marc Kirschenbaum, Gay Merrill Gross, Ros Joyce, Maria Velazquez.
Sets policy and makes decisions regarding stock and operation of The Origami Source, which is managed by Mike and Janet Hamilton. The Business Committee is always looking for new and exciting additions to The Origami Source List.
Community Origami Groups Committee[edit]
Shrikant Iyer (Chair), Faye Goldman, Lori Gregory, Patty Grodner, Michael Montebello, Joel Stern.
This committee ensures that local area groups are listed on the website and assists members interested in establishing new groups.
Convention Committee[edit]
Jan Polish (Chair), Jean Baden-Gillette, Serena LaVine, Wendy Zeichner.
Subcommittee heads:
- Housing (Martha Winslow-Cole),
- Volunteers (Victoria Sheridan),
- Teaching and Schedule (Serena LaVine, Jan Polish),
- Exhibition (Ruthanne Bessman),
- Silent Auction (Matthew Au),
- First Timers (Delrosa Marshall),
- On-Site Registration (Jean Rishel),
- Ticketing (Wendy Zeichner),
- Model Menu (Louise Oppenheimer-Flax),
- Logistics (Jean Baden-Gillette, Mike Montebello, Mike Hamilton),
- Venue Coordination and Catering (Jan Polish, Wendy Zeichner, Serena LaVine),
- Hospitality (Susan Dugan),
- Publicity (open),
- The Source (Mike and Janet Hamilton),
- Photography (Susan Dugan, Andrew Cribb),
- Vendor Area (Mike Hamilton)
- Oversize Folding (Sok Song)
- Online Classes (Mary Drews, Kathleen Sheridan, Serena LaVine, Jan Polish)
Plans and directs OrigamiUSA's annual convention. 400+ people attend our convention each year, with 240+ classes in 30+ rooms, and 150+ volunteers who make it all happen. This committee organizes the activity, from recommending official guests to finalizing the schedule. In addition, many other people volunteer to support specific areas of responsibility for the convention.
Copyright Committee[edit]
Robert J. Lang (Chair), Jason Ku, Jan Polish.
Develops and maintains the copyright policies of OrigamiUSA. The committee works with our intellectual property lawyer to develop policies and permission forms that are consistent with U.S. and international copyright law protecting origami artworks, diagrams, and related works.
Development Committee[edit]
Wendy Zeichner (Chair), Jan Polish, Delrosa Marshall.
Develops and supports income-producing activities and to ensure they are within the mission statement of OrigamiUSA.
Elections Committee[edit]
Shrikant Iyer (Chair), Scott Cramer, Robert J. Lang, Michael Naughton, Wendy Zeichner.
Plans and coordinates the election of Board members. The Election Committee sends out the call for nominations, coordinates the statements of the candidates into an election mailing, and arranges for the counting of the votes by a non-Board member.
Exhibition Committee[edit]
Ruthanne Bessman, Talo Kawasaki, Delrosa Marshall, Elliot Zeichner.
The Exhibition Committee works on exhibition opportunities as they occur (including Origami by Children, see below). It is also responsible for maintenance and storage of our exhibition collection.
The Fold Committee[edit]
Jason Ku (Chair) and Patsy Wang-Iverson (Managing Editor), Editorial team.
Oversees the production and publication of OrigamiUSA's online magazine.
Fundraising Committee[edit]
Char Morrow (Chair), Patty Grodner, David Kandel, Marcio Noguchi, Wendy Zeichner.
Seeks opportunities and raises funds/resources through grants, corporate sponsorships and incentives for members and outside agencies.
Holiday Tree Committee[edit]
Ros Joyce (Co-designer), Talo Kawasaki (Co-designer), Jennifer Hou (Project Manager), Andrea Brecker.
Designs and implements the Holiday Tree at the American Museum of Natural History. This committee solicits models and coordinates the installation of the Holiday Tree.
Annual Gift Committee[edit]
Jean Baden-Gillette (Chair).
Solicits models from members through provided diagrams, and distributes them as an Annual Gift for the Tree Lighting. It also provides special models for the 60 Museum Trustees.
Research/Reference Library Committee[edit]
Ros Joyce (Chair), Delrosa Marshall.
The Reference Library is housed in the Home Office of OrigamiUSA, and the committee is responsible for maintenance and storage, plus adding new books.
Lending Library Committee[edit]
deg farrelly (Chair)
The Lending Library provides borrowing access for our members. Information on items in the Lending Library collection is available here.
Online Presence (Website) Committee[edit]
Robert J. Lang (Chair/Managing Editor)
This committee is responsible for OrigamiUSA's websites, mailing lists, email, and other online services. Committee members and responsibilities are:
- Webmaster/Managing Editor: Robert J. Lang
- Website Sysadmins: Anne LaVin, Jim Weir
- The Origami Source: Mike and Janet Hamilton
- The Fold: Jason Ku, Patsy Wang-Iverson
- Calendar: Faye Goldman
- Facebook: Leyla Torres
- Galleries: Norm Budnitz
- Community Groups: open
Origami By Children Committee[edit]
Ruthanne Bessman (Chair), Andrea Brecker, Mary Gordon, Candace Paska.
This committee manages the annual Origami By Children exhibition. Every year, children (18 and under) send in models for a judged competition. The winning entries become part of an exhibition that is first displayed at Annual Convention and then travels around the United States to libraries and schools.
Origami Connect[edit]
Patty Grodner (Chair), Char Morrow, Marcio Noguchi, Kathleen Sheridan, Mary Drews, Jason Ku, Wendy Zeichner
Organizes and executes real-time online classes and events.
PCOC (Pacific Coast Origami Conference) Committee[edit]
Patty Grodner (Chair), Vicky Mihara Avery, Mary Drews, Lori Gregory, Mike Montebello, Jan Polish, Bunny Sanchez, Wendy Zeichner.
The Pacific Coast Origami Conference is held in (usually) odd-numbered years in venues on the West Coast of North America. Past conferences have included Boulder (2015), Albuquerque (2013), Bellevue (2011), San Francisco (1998, 2000, 2009), San Diego (2003), Phoenix (2005) and Vancouver (2007). The PCOC Committee works with a local sponsoring group to organize and manage the conference.
The Paper Committee[edit]
Laura Rozenberg (Chair/Managing Editor), Lanny Sherwin (Copy Editor), Wendy Zeichner.
Oversees the production and publication of OrigamiUSA's print magazine, The Paper. This committee is responsible for hiring and supervising the designer, Veronica Carman, for bringing in content, and for editorial decisions.
Publications Committee[edit]
Marc Kirschenbaum (Co-chair), Daniel Scher (Co-chair), Marcio Noguchi, JC Nolan, Omer Shalev, Nathan Zeichner.
This committee is responsible for OrigamiUSA's main publication, the Origami Collection, which comes out every June. The publications team also reviews and tests diagrams for The Paper.
Special Sessions Committee[edit]
Maria Velazquez (Co-Chair), Candace Paska (Co-Chair), Tony Cheng, MaryAnn Scheblein-Dawson, Annette Purnell, Wendy Zeichner.
Organizes and executes Special Folding Fun Sessions.
Volunteer Appreciation Committee[edit]
Patty Grodner (Chair), Jean Baden-Gillette, Andrea Brecker, Victoria Sheridan, Wendy Zeichner.
Develops activities to recognize the contributions of our volunteers.
World Origami Days Committee[edit]
Marcio Noguchi (Chair), Ruthanne Bessman, Maria Velazquez.
World Origami Days encourages events to recognize this international celebration of origami, by maintaining and updating the World Origami Days website.
Board of directors[21][edit]
The OrigamiUSA Board of Directors is elected annually, with members serving staggered two-year terms. Elections occur in the weeks leading up to Annual Convention, with results announced during the Annual Meeting, which occurs during Annual Convention.
Current board officers (2016) are:
- Chair: Marcio Noguchi
- Vice Chair: Patty Grodner
- Treasurer: Jason Ku
- Secretary: Char Morrow
- President/CEO: Wendy Zeichner
Current board members (2017) are:
- Patty Grodner (2016–2018)
- David Kandel (2016–2018)
- Marc Kirschenbaum (2016–2018)
- Char Morrow (2016–2018)
- Marcio Noguchi (2016–2018)
- Michael Montebello (2016–2018)
- Jason Ku (2017–2019)
- Kathleen Sheridan (2015–2017)
- Sunil Dhavalikar (2017-2019)
- Wendy Zeichner (ex officio)
Notes and references[edit]
- ^ "History | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Mission and Values | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Conventions | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Conventions | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Convention 2016 | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Convention 2016 | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Convention 2014 | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Convention 2011 | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "The Paper | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Recent Articles | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Publications | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "The Origami Collection | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Special Folding Fun Sessions | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Catalog | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Origami Holiday Tree | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Conventions | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Convention Archives | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "World Origami Days | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Conventions | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Who's Who in OrigamiUSA | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.
- ^ "Who's Who in OrigamiUSA | OrigamiUSA". origamiusa.org. Retrieved 2017-06-25.


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Category Archives: Ritual in Healing
Beyond Dietary Shoulds
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The mother of Carl Williams' former bodyguard has begged for her son to be spared more time "in the slot" because last time he was in solitary confinement he said he "couldn't do it".
The ex-underworld protector Terence Salvatore Chimirri, 41, is facing possible jail time after being charged with assaulting two emergency service workers, punching a man at Crown Casino, possessing heroin and driving offences.
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A reported tendered on Chimirri's behalf was "powerful", Magistrate Holzer said.
The matter was adjourned until September.


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Let's say we get on the call and it just doesn't make sense for you. Worst case, you've spent 20 minutes of your time and had a chance to ask us those burning fitness questions that you've been dying to know the answer to. Not only that, if we somehow do convince you to buy our package when you really didn't want it (let's say we accidentally turn into really good sales people) - You still have 30 days to return it. If we haven't started designing the program, the only question we'll ask is why you decided to back out. You don't even have to answer if you don't want to. As soon as that refund request comes, we'll transfer your money back to you!
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In order to make your plan sustainable, we'll take time in your initial assessment and update consultations to review the areas of your life that affect your ability to live a sustainable fit life. We'll target sleep, mindset, stress, habits and goal setting and teach you how to do what we're doing for yourself.
So let's do this!
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While without a doubt the internet has made it easier to search for jobs-from such general job-seeking sites as Monster.com to more specialized ones such as JournalismJobs.com-it has also, in some cases, made it more difficult for someone to get hired. According to a survey released in April by CareerBuilder, LLC, nearly 2 in 5 companies use social networking sites to research job candidates. And a March survey from Eurocom Worldwide shows that 1 in 5 technology industry executives admit to rejecting an applicant based on his or her social media profile.
Competition is fierce in today's economy and customers know this. They can easily search the Internet to find companies that sell similar products or services at competitive prices. That's why organizations need to differentiate themselves by providing personalized and rewarding service that leverages the unique value of all customer touch points. If done well, a company can transform customer service into a competitive advantage, and use it to turn a buyer into a customer for life.


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tag:blogger.com,1999:blog-711802966967165684.post3047876628593308594..comments2019-03-24T12:16:18.395-03:00Comments on tomato transplants: Left email@example.com:blogger.com,1999:blog-711802966967165684.post-60966517877538446662011-01-10T09:34:24.337-04:002011-01-10T09:34:24.337-04:00Anon, I hold no illusions that any of this gets an...Anon, I hold no illusions that any of this gets any easier. I try not to tie my emotions to the their growing up, but we're hard-wired to protect.

Sharkboy, totally. So many emotions, raw and unfiltered.Dave Atkinsonhttps://email@example.com:blogger.com,1999:blog-711802966967165684.post-17159591995538969942011-01-09T19:58:43.623-04:002011-01-09T19:58:43.623-04:00It's tough to be a child... good lord, I'd...It's tough to be a child... good lord, I'd never want to be at that age again...fSharkBoyhttps://email@example.com:blogger.com,1999:blog-711802966967165684.post-3257778184786363462011-01-09T18:40:27.240-04:002011-01-09T18:40:27.240-04:00I thought of this post after I finished talking to...I thought of this post after I finished talking to my university student daughter who is having "issues" with a girl in her residence. Unfortunately a game of hide and seek no longer works to remedy most ills--especially when they are hundreds of miles away.
Hate to tell you this, Dave, but the desire to protect and kiss it better never really leaves, no matter how old they firstname.lastname@example.com:blogger.com,1999:blog-711802966967165684.post-62819945715259800492011-01-05T13:07:35.022-04:002011-01-05T13:07:35.022-04:00And we can just watch, and offer comfort. Jess and...And we can just watch, and offer comfort. Jess and Jane aren't the only ones who grew a little older in this story.Dave Atkinsonhttps://firstname.lastname@example.com:blogger.com,1999:blog-711802966967165684.post-83970050640133866742011-01-05T13:05:51.426-04:002011-01-05T13:05:51.426-04:00That just sucks and there isn't a thing you ca...That just sucks and there isn't a thing you can do about it.
Reiley and Owen are 7 years apart. When Owen was 3 and Reiley was 10 it was hardly noticeable. Reiley had the best games and Owen was just happy to play his role. Now Reiley is 14, Owen is 7. They might as well be 200 years apart some days.
It breaks my heart, but what can I do? I do not look forward to Reiley leaving for college...Mistyhttp://email@example.com:blogger.com,1999:blog-711802966967165684.post-12637680877197755572011-01-04T18:21:22.431-04:002011-01-04T18:21:22.431-04:00See? What can I say, but: roll on with the puppies...See? What can I say, but: roll on with the puppies, please David.Craig Wesleyhttps://email@example.com:blogger.com,1999:blog-711802966967165684.post-16744990833998240932011-01-04T16:50:58.230-04:002011-01-04T16:50:58.230-04:00This entry left me with tears running down my face...This entry left me with tears running down my face.
Golden haired ittle girls shouldn't have to learn that sometimes, life sucks and there's nothing you can you do about it. Like you said, please return to your regular scheduled firstname.lastname@example.com:blogger.com,1999:blog-711802966967165684.post-16195465022601982992011-01-04T16:22:15.265-04:002011-01-04T16:22:15.265-04:00oh man.oh email@example.com:blogger.com,1999:blog-711802966967165684.post-27215709258609513892011-01-04T08:48:49.437-04:002011-01-04T08:48:49.437-04:00The staff at Tomato Transplants apologizes. We wil...The staff at Tomato Transplants apologizes. We will return to regularly scheduled blogging on all things cute.Dave Atkinsonhttps://firstname.lastname@example.com:blogger.com,1999:blog-711802966967165684.post-58825662086513699732011-01-03T19:46:39.183-04:002011-01-03T19:46:39.183-04:00Life. Is. Hard. Stop it, or you'll get *me* s...Life. Is. Hard.

Stop it, or you'll get *me* started...Craig Wesleyhttps://email@example.com


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Photo by Simone Cecchetti
Photo by Kaelan Burkett
Photo by Kaelan Burkett
Photo by Kaelan Burkett
Photo by Sham Hinchey and Marzia Messina
Middle East Premiere
DATA NOT FOUND - Kaki King
Co-commissioned by The Arts Center
Multimedia concert by visionary guitarist and composer
Hailed by Rolling Stone as "a genre unto herself," guitarist, composer, and performance artist Kaki King presents DATA NOT FOUND — an immersive audiovisual journey featuring new music, projection mapping, and a host of new performative tools.
"Watching Kaki King perform is like seeing guitar-playing for the first time. With both hands curling over her instrument's neck, she hammers, plucks, strums, drums, and slaps at frets, strings, and body. The effect is of sculpting rather than of playing music." – New York Magazine
Humans have been collecting data since the dawn of time, but in today's world, data collection is not limited to academic study and record-keeping: it is omnipresent, powerful and increasingly controversial. How are we harnessing this power? How should we harness this power?
DATA NOT FOUND explores a broad range of contemporary issues, including artificial intelligence, the natural world, "big data" and personal empowerment, using her guitar as her proverbial magnifying glass. With direction by Annie Dorsen, whose works explore the intersection of algorithms and live performance,_ DATA NOT FOUND_ is an ongoing investigation and collaboration between a talented cast of performers, contributors, and researchers.
DATA NOT FOUND is a joint co-commission made possible by the The Arts Center at NYU Abu Dhabi; International Festival of Arts & Ideas, New Haven, CT; the Moss Arts Center at Virginia Tech; ARTS@TECH at Georgia Tech; and Krannert Center for the Performing Arts/University of Illinois at Urbana-Champaign. Developmental support provided by MASS MoCA. Technical support provided by POTION Design. Co-Producers: Greg Kastelman and Vickie Starr.
Common logic dictates you don't shake a bottle before opening it … but something incredible happened when composer Kaki King and data designer Giorgia Lupi were brought together in such a way, tasked with designing a multi-sensory "Celebration of Mastery" for the 2017 Hennessy V.S.O.P Privilège. Introduced by mutual friend and esteemed design technologist John Maeda, Kaki and Giorgia saw in each other a mirror image, separated by their disparate disciplines.
The creative process can be augmented in bold and creative ways when data informs how we live our lives. But more importantly, how we live our lives also informs our understanding of data. The passion that was sparked between Kaki and Giorgia soon lead to other collaborations, including A Dialogue Between Four Hands, presented at Design Indaba 2017, and Bruises, a creative response to the turmoil in Kaki's life when her daughter was diagnosed with a life-threatening blood disease, presented at the STIR conference in February 2018. Determined to continue this investigation, Kaki and Giorgia are teaming up with trusted artistic collaborators from Kaki's last multimedia 'fait accompli', The Neck is a Bridge to the Body, including Max Bernstein (video and animation), and Creative Producers Greg Kastelman and Vickie Starr, to develop Data Not Found.
Hailed by Rolling Stone as "a genre unto herself," composer and guitarist Kaki King has released 8 albums over the past 13 years. She has presented her work in prestigious arts centers around the world, including Carnegie Hall, the Kennedy Center, MoMA, LACMA and The Met. She has created music for numerous film and TV soundtracks, including 'August Rush' and Sean Penn's 'Into the Wild', for which she received a Golden Globe nomination.
Kaki's previous multimedia work, The Neck is a Bridge to the Bod", has been touring internationally since 2015, including performances throughout North America, Europe, Australia, Turkey, Japan and Brazil. In addition to her own solo work, Kaki has collaborated with the string quartet ETHEL, and recently recorded "Live at Berklee" with a chamber ensemble, commissioned by the Berklee School of Music.
Annie Dorsen is a director and writer whose works explore the intersection of algorithms and live performance. Her most recent project,_ The Slow Room,_ premiered at Performance Space New York in Fall 2018. Previous projects, including The Great Outdoors (2017), Y_esterday Tomorrow_ (2015), A Piece of Work (2013) and Hello Hi There (2010), have been widely presented in the US and internationally. The script of_ A Piece of Work_ was published by Ugly Duckling Presse. Annie has also contributed essays for The Drama Review, Theatre Magazine, Etcetera, Frakcija, and Performing Arts Journal (PAJ). She is the co-creator of the 2008 Broadway Musical Passing Strange, which she also directed. In addition to awards for Passing Strange, Annie received a 2018 Guggenheim Fellowship, a 2016 Foundation for Contemporary Arts Grant to Artists Award, the 2014 Herb Alpert Award for the Arts in Theater, and a 2008 OBIE Award. She is a Visiting Professor in Theater and Performance Studies at the University of Chicago.
Max Bernstein received his BA in Media Study with a concentration in film and video production, from the University at Buffalo, and an MFA in film production and studio art from the University of Colorado at Boulder. He has worked as a technical artist with the Wooster Group, a video and sound designer for Michelle Ellsworth, the Flinching Eye Collective, a contributing artist for You and Me, one half of Outlier, a video artist for Friends Of The Tank, and a life long multinstrumentalist, a member of Eupana, composer, and sound engineer at Tribal Studio. Bernstein's personal works combine elements of cinema, theater, sculpture, performance, and new media, often-exploring contemporary notions of representation and phenomenology through experimental narrative and technology. His media, performances, and installations have been exhibited internationally at such diverse venues as Albright Knox Art Gallery, The Denver Art Museum, The New School, Tucson MOCA, AS220, WNDX festival, New Orleans Film Festival, Vox Populi Gallery, CentralTrak Dallas, the Biennial of the Americas, and possibly the side of a building in your neighborhood. Bernstein has taught film history and production at the University of Colorado Boulder, and video art at the Rocky Mountain College of Art and Design. He is also Kaki King's video engineer and touring partner.
Giorgia Lupi is an information designer, artist, and author. Data is her tool, medium, and material to tell stories. With her practice, she creates visual languages to represent data to make them more contextual, engaging, and human.
Giorgia co-founded Accurat, a data-driven design firm with offices in Milan and New York where she is the Creative Director. After receiving her master's in Architecture, she earned a PhD in Design at Politecnico di Milano. She is co-author of Dear Data, an aspirational hand drawn data visualization book available in bookshops in the US (Princeton Architectural Press) and UK (Penguin Random House UK). Her work is part of the permanent collection of the Museum of Modern Art, where in 2017 she was commissioned to create an original site-specific art piece. Her TED TALK on her Humanistic approach to Data has over one million views.
Ticket Information
Tickets now available.
- Members get exclusive access to advance ticket booking for shows September through May.
- Support the arts, join the community, and make The Arts Center your second home.
- Find the package that suits you here
- See all events open for ticket booking here.
This performance is recommended for ages 8+.
Please note we have a strict no refund and no exchange policy for our tickets.
People of determination are entitled to one complimentary ticket for a companion. Please email firstname.lastname@example.com for more information. .
- Created by and Starring Kaki King
- Directed by Annie Dorsen
- Produced by Greg Kastelman & Vickie Starr
- Video Design by Max Bernstein
- Sound by Bobby McGiver
- Lighting by Ryan Seeling
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Of Fathers and Sons - Screening
Presented by Sorbonne University Abu Dhabi and the NYUAD Film and New Media Program
Talal Derki returns to his homeland, where he gains the trust of a radical Islamist family, sharing their daily life over two years.
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Not a dating service
SHEENA AUTUMNSunday, December 15, 2019 12:57:37 AM
Tereza Burki had sued Seventy Thirty, based in Knightsbridge, central London, for deceit and misrepresentation. Burki, 47, a mother of three who lives in Chelsea, approached the dating service in in pursuit of a new partner.
Her most important requirement was a willingness to have more children since she had always wanted four. This was false and misleading, said the judge, because there were only about active male members altogether.
She was induced to enter her contract with the agency by the false representations given Not a dating service Thomas, who must have known he was giving her a wholly false impression, he added. In her legal action, Burki sought the return of her membership fee and damages for distress.
The agency counter-sued her for libel and malicious falsehood in connection with two online reviews she wrote. Had Thomas explained to Burki that the database included active members, former members who still wished to be matched, and people who had been headhunted and had agreed to be put on the database in the hope of finding a suitable partner, she would have had little cause for complaint, Parkes said.


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Ugly young girl on nude beachUploader: Zain 22 days ago Subscribe 4092
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That there was a show going on! But mostly, I loved your quote at the end. It takes time to adjust. We search up to sites for the lowest prices. See all 2, reviews. When we were in DR lots of women at beach and adult pool were topless after the first shock of seeing big ugly boobs, it didn't bother me, now my 16 year old son had a shock when we were in Cancunnot as many topless but not any prettier than in DR. The climb over a 40 ft lava outcrop can be somewhat challenging and dangerous if you are wobbly. They are not allowed to take tips, so they are not bothering you with this, but some of them don;t get involved too much. Angelina52 44, forum posts.


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Thomas Harrison is determined to start his own alternative band, an obsession that blinds him to what's either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother's music, and the music of an entire generation of slackers, by taking on the persona of an X-rated gangsta' rapper named "Bri Da B."


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Cause-related marketing: Professor Gordon Liu - Inaugural Lecture
Tuesday 10 September 2019, 15.00 - 16.00
Berrill Lecture Theatre, The Open University, MK7 6AA
As The Open University celebrates its 50th anniversary, Gordon Liu, Professor of Marketing Strategy, will deliver his Inaugural Lecture on cause-related marketing. This interesting topic focusses on how companies can use marketing techniques to communicate their corporate social responsibility achievements. This aims to enhance the company's reputation and in turn positively impact on the organisation's profitability and stakeholder relationships. Professor Liu will explore whether highlighting these achievements in marketing activity is a good idea and what the pros and cons of this strategy are.
Event programme:
14:30 – 15:00 Refreshments
15:00 – 15:40 Inaugural Lecture: Cause-related marketing
15:40 – 16:00 Panel and Q&A
16:00 – 17:00 Drinks reception
To attend the event in person or to watch online: www.eventbrite.co.uk/e/cause-related-marketing-registration-53532547290


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Otaku de Neet avec Walking My Second Path in Life: Volume 2 (English Edition)
Princess Fie escaped her life as an unwanted second bride, and is now living a happy, cross-dressing life as Heath, a squire for the Royal Knights.
Now, it's time for Fie's northern squire dorm and the eastern dorm to compete with each other in a duel championship. However, their opponents are all the top winners from the entrance exam! Fie and her friends have been training hard, but will their efforts be enough to beat the squires of the eastern dormitory?
Volume 2 continues the adventures of the plucky, princess-turned-squire Fie in her quest to become a Royal Knight!


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Daniel Im
9 results
Pádraig Harrington two off the lead in Prague after opening 66
- Golf
- August 23, 2018, 20:04
Pádraig Harrington made an encouraging start to the Czech Masters in Prague on Thursday, carding a bogey-free six-under 66 to sit two shots off the le(...)
Jon Rahm claims stunning six-stroke win at Irish Open
- Golf
- July 9, 2017, 18:26
On a grey, wet day on the Causeway Coast, a tale of two young bucks, really. One of them, Jon Rahm, a golfing colossus who drives the ball prodigious(...)
Jon Rahm winning hearts as he looks to follow his heroes
- Golf
- July 8, 2017, 19:05
When he was done, Jon Rahm acknowledged those packed into the steel grandstands around the 18th green with the sort of graceful wave that you'd see a (...)
Another dog day afternoon for Rory McIlroy
- Golf
- July 7, 2017, 20:30
We're getting used to Hamlet proceeding without the Prince at these gigs. On a grey, cool day here on the Causeway Coast, Rory McIlroy – the principle(...)
Rory McIlroy misses Irish Open cut after second round 73
- Golf
- July 7, 2017, 13:03
The jinx is back. A year after lifting the title in spectacular fashion, Rory McIlroy - for the fourth time in five years - missed the midway cut in t(...)
Out of Bounds: Travelling to play still a step too far for US players
- Golf
- July 5, 2017, 12:00
"Why," the email from Philadelphia wondered, "...so few American players in the field?" The correspondent was of course referring to the DDF Irish O(...)
Bernd Wiesberger hoping history doesn't repeat itself in Germany
- Golf
- September 22, 2016, 19:10
Austria's Bernd Wiesberger is confident history will not repeat itself after setting the clubhouse target in the weather-affected Porsche European Ope(...)
Peter Lawrie two shots off the lead in Morocco
- Golf
- May 6, 2016, 20:35
Ireland's Peter Lawrie fired a three-under-par 69 in the second round of the Trophée Hassan II in Morocco on Friday for a share of fifth position goin(...)
Mikael Lundberg aiming for repeat success at Lyoness Open
- Golf
- June 11, 2015, 01:00
Defending champion Mikael Lundberg hopes a return to Austria will rekindle the form that saw him end a six-year drought 12 months ago. The Swede's vic(...)


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I created this image for the Biomimicry Center at Arizona State University. Biomimicry (or "bio-inspired design") uses nature as a model for solving design, business and engineering problems. It's also part of the curriculum for InnovationSpace, a transdisciplinary design studio I co-teach at ASU, which makes the Biomimicry Center one of my most frequent partners.
The first illustration for my new portfolio is finished! I'm putting together a tutorial to show how this illustration grew from a few daily practice sketches into a complete illustration. In the meantime, here's the finished image and the original sketch.


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Brand new Escape Room experience! We use technology based games to bring a new dimension to escape games - NO PADLOCKS HERE!
Technology based escape rooms in Margate, Kent.
Frankenscape - now open!
Tell your friends
RECENT FACEBOOK POSTSfacebook.com
Well done to 'TEAM SPAN' and 'FALCON TROOP' - The only two teams to make the leader board this week! Come and play 'Frankenscape' and see if you can beat their time!
Well done to 'NEW ARKADE' - the latest team to make our leader board! Think you can do better? Book your game now! http://ctrlaltesc.co.uk/booking/
GEEKS! WE ARE COMING FOR YOU! We will be at GEEK at Dreamland Margate on 16th, 17th and 18th February. Come & listen to our talk about all things escape room on Saturday or pop by our stall for your EXCLUSIVE booking discount for GEEK attendees only! There will be sneak peeks into our new room, get the inside gossip with our team who build the games and a competition you won't want to miss! See you there!
The Monster is waiting for you... The Professor is missing. You must take his place or forfeit losing his ground breaking research. Book FRANKENSCAPE this half term!
Valentines plans? Now you have 😉 Book online now: www.ctrl-alt-esc.co.uk
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We have the perfect activity for families and friends! Play for 90 minutes and talk about it for days! Guaranteed to get to talking, laughing, exploring and working together! Book your tickets now at www.ctrl-alt-esc.co.uk/booking


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Digital Fortress (Mass Market Paperback)
A Thriller
St. Martin's Paperbacks, 9780312995423, 448pp.
Publication Date: May 2, 2006
Other Editions of This Title:
Compact Disc, Abridged, Abridged (1/1/2004)
Audio Cassette, Abridged, Abridged (1/1/2004)
About the Author
Praise For Digital Fortress: A Thriller…
"In this fast-paced, plausible tale, Brown blurs the line between good and evil enough to delight patriots and paranoids alike." -Publishers Weekly
"Digital Fortress is the best and most realistic techno-thriller to reach the market in years... A chilling thrill a minute." -The Midwest Book Review
"Digital Fortress is smart and reads with all the pace of a hit movie." -Larry Lasker, Screenwriter, Wargames and Sneakers
"Exciting...will rivet cyber-minded readers." -Booklist


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Studio Rentals
On Cinco de Mayo 2018, we moved from our cozy boutique in Wellington West Village to this huge 1,400 sq ft studio at 65 Denzil Doyle Court in Kanata.
We threw a party for 165 of our closest friends.
Hourly Rentals
Our studio space is perfect if you're looking for a large, clean and bright space with natural light, tall ceilings, concrete floors and moveable furniture. Our mid-century modern lounge at the front of the studio is in front of the large glass garage door.
We have 24 seats available, not including the lounge which houses another 7, but we have rental chairs, tables, linens and more available as add-ons. Come play in our studio!
Hourly Rate: $75/hr (minimum 2 hours)
Daily Rate: $500 (9am - 9pm)
Furniture included
Parking included in front of garage door
Catering not included but can be arranged
Short-Term Sublease
Our wedding season generally runs from May - October, so we're looking for a subtenant to lease our studio for a 4-6 month term. We're leasing it fully furnished with all utilities, security and internet included in the monthly rent.
Base Rent $2,935/mo
Available Space 1,400 ft²
Available 2019-10-01
Negotiable Yes
Lease Type Sublease
Lease Term 4-6 months
Lease Expiry 2020-05-01
Year Built 2017
Parking Yes
Pet Friendly Yes


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Beautiful riad titrated with an area of 250 sqm, located in Mouassine near Bab Ksour.
Tastefully decorated, it consists of a large patio with central fountain, a corridor with sofas for relaxation, two lounges, one with fireplace, a dining room, a spacious kitchen with serving hatch, a hammam and a massage room on the ground floor.
Upstairs are four bedrooms with luxury baths including a suite with two rooms. Also on the first floor is a heated pool and bhou, and a fifth bedroom with bathroom.
On the terrace, stunning views of the Atlas, a dining and relaxation area.
Sold furnished.
Guéliz and near Jamaa el Fna.


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Kind Karen - Kindness
Kind Karen is the eleventh of the stories from Powerful You (grades 2-adult). Karen helps children understand empathy and positive relationships with others (ASCA Behavior - Social Skills Standards 2, 3, 4). Anna also fosters development of whole self, including a healthy balance of mental, social/emotional and physical well-being (ASCA Mindset 1).
Powerful You Intermediate Instructions
20-25 minutes per week for each of the 26 social skills lessons
1. Breathe and Stretch before every lesson. Feel the benefits in YOUR body and mind. Kids love the breathing ball.
2. Read the true short story from the 8.5 x 11 Powerful You Educator Cards and watch connection radiate in your class.
3. Stand tall and practice positive self-talk.
4. Open the lines of communication by allowing children turn & talk time with each journaling question from the Powerful You Educator Card. (use transition chime to move through questions quickly)
5. Display the Classroom Social Skills Sign. Leave a classroom footprint of emotional wellness.
6. Use the Powerful You Book for positive quotes and additional activities that correspond to each A-Z lesson. Add your ideas to this resource book. You are more powerful than you know!
7. Purchase The Powerful You Educator Kit . (Includes all resources for grades 3 and up)
8. See more resources below.
Whatever you say, whatever you do, sooner or later comes back to you. Read this book and understand the importance of being kind! Great for Halloween!
A chain reaction of kindness spreads throughout a town after Brian hugs and kisses his mother one morning. How can you spread kindness in your town?


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Gideon Falls #14 // Review
Jeff Lemire and Andrea Sorrentino continue to lead readers on a trip through time within the Black Barn, on the hunt for a madman. This hyper-realistic surreal horror suspense defies not only expectations but genre classifications on the whole as it perpetually shifts ever so dramatically from one issue to the next. This title stands leagues ahead of most comics on the market today and stands side by side with many much earlier medium bending classics. Clearing having struck gold, this creative power couple continues to take this series to the edge of the abyss.
As the reverend continues his journey throughout the ages, he witnesses as multiple timelines and scenarios play out with Gideon Falls as the backdrop of each descent. Finally landing in a dilapidated Gideon, the townspeople have been waiting for him and claim to have met him already within the future. Even more confused than before, the reverend heads their words and is introduced to their lead doctor. As the doctor takes the reverend to their church, he comes face to face with the Pentoculus, the swirling five sons previously seen within the Black Barn. Learning of its time travel capabilities he is sent backward 50 years into the future from his present time.
Andrea Sorrentino continues to lay his hyper-realistic character moments right alongside his mind-bending high concept pages in this menagerie of beautiful horror. From every individual unique panel layout to the inherent dichotomy between the multiple techniques between, Sorrentino is putting his heart and soul into this genre-defying modern classic. It cannot be stayed enough the actual sheer talent and mastery of the medium Sorrentino completely displays with each new issue. Black Hammer colorist, Dave Stewart continues to lay the dreary backdrop over the series and adding the realistic grit to keep the series grounded firmly within reality while maintaining to bring the high concept panels leaping off of the pages.
Jeff Lemire is by far one of the most hardworking creators in the industry today. Producing multiple ongoing projects at any given time, Lemire never relents as each of his multiple titles continue to outdo each respective chapter. Standing as his strongest yet most esoteric title, Gideon Falls continues to leave jaws hanging on the floor with each new issue as fans wait patiently for more from this modern classic.
As the duo continues to draw out this slow burn, more secrets and questions reveal themselves and keep interest locked on the title. With an ending coming from completely the left field, the next chapter will be left to answer many questions as to what has truly taken place and what will come next. Lemire and Sorrentino continue to produce one of the most original, engaging and imaginative titles on the market today.
Grade: A+


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Whether you buy from the supermarket or green grocer we want to make sure you're buying the best possible fresh ingredients. So next time you're at the shops follow these 5 basic steps to ensure you never again end up with bland bananas, spoilt spinach or tasteless tomatoes!
- Check the basics– look for any bruises, blemishes or pests and discard if any are present
- Colour– Select the most enticing and vibrantly coloured fruit and veg. Any dull or discoloured produce is yet to ripen or was deprived of sunlight and key nutrients.
- Weight- Feel the weight of two similarly sized fruits and select the heavier of the two. Light produce is likely to be older, drier and a lot less juicy!
- Firmness- Desired firmness varies depending on the type of fruit or vegetable so no one generic rule will apply here. Comparing within the batch can be very informative though so make sure you know what you're looking for and don't be afraid to give the produce a squeeze!
- Aroma- Fruit and veg should smell faintly (or in some cases quite strongly) of how it tastes. Smell the part that was attached to the stem and select the one with that emits the most fragrant aroma. Any produce that does not smell or smells sour will likely be unripe or past it's best.
And remember….
- Buy fruit and veg that is in Season! Buying at the peak of a particular vegetables season will ensure that you get a much cheaper, tastier and natural ingredient.
- Where possible buy locally, ingredients that are produced locally accumulate less travel time and are likely to reach you in far better condition as well as retaining more valuable nutrients.
- Buy loose rather than pre packaged fruit and veg. Not only does it work out far cheaper to buy by the kilogram, loose fruit and veg gives you an opportunity to properly inspect the produce and follow those 5 simple steps.
Happy Cooking!


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RELATED INFO: NCAA Selections | Relays | Psych Sheets | Championship Central | Follow the Buckeyes on Facebook, Twitter and Instagram
COLUMBUS, Ohio – The Ohio State women's swimming and diving team is set for the 2019 NCAA Swimming & Diving Championships, hosted by the University of Texas at the Lee and Joe Jamail Texas Swimming Center. The nation's best swimmers and divers will compete on Wednesday-Friday, March 20-23.
All preliminaries and diving consolations will be streamed on texassports.com. Final sessions on Wednesday and Thursday are available on ESPN3, while Friday and Saturday will be on ESPNU.
Live swimming results are available HERE or on the Meet Mobile app. Diving results will be on DiveMeets.com.
The meet will comprise of seven sessions – four final sessions and three preliminary sessions. A final session at 6 p.m. ET kicks off the meet on Wednesday, followed by 10 a.m. ET preliminaries and 6 p.m. ET finals Thursday-Saturday.
Fourteen Buckeyes will represent Ohio State at the NCAA Championships, including 11 swimmers and three divers.
Junior Molly Kowal is the highest-seeded Buckeye in the swimming events, coming in at No. 3 in the 1650 Free with a time of 15:49.53. Kowal also received invites in the 500 Free (No. 28, 4:39.48) and the 400 IM (No. 34, 4:09.00). Junior Kathrin Demler is also qualified in three events – the 200 IM (No. 35, 1:56.63), the 400 IM (No. 21, 4:07.06) and the 200 Fly (No. 23, 1:55.23). Sophomore Kristen Romano will make two individual appearances for OSU – in the 200 IM (No. 37, 1:56.76) and the 400 IM (No. 19, 4:07.01).
Four additional Buckeyes will compete individually: junior Rebekah Bradley (100 Back, No. 20/51.99), sophomore Hanna Gresser (100 Breast, No. 35/59.88), sophomore Freya Rayner (50 Free, No. 39/22.16) and sophomore Katie Trace (400 IM, No. 26/4:08.16).
Ohio State will also make appearances in all five relays, with sophomore Taylor Petrak, junior Lucija Jurkovic-Perisa, senior Maria Coy and freshman Georgia White on the alternate roster. The highest relay seed for OSU comes at No. 11 in the 200 Free Relay (1:28.12) and No. 12 in the 200 Medley Relay (1:35.85).
Last week, Ohio State added three divers to its NCAA contingent after the NCAA Zone C Diving Championships. Junior Lara Tarvit qualified on 1-Meter and Platform for her third appearance at the NCAA Championships. Sophomore Genevieve Angerame makes her second trip to the NCAA Meet, competing on 3-Meter. Sophomore Lexie Barker rounds out the Buckeye diving squad, competing at her first NCAA Championships on 3-Meter and Platform.
At last year's NCAA Women's Swimming & Diving Championships, Ohio State placed 13th with a team score of 123 points. Top returning individual finishers were Kowal in the 1650 Free at seventh place and Tarvit on the platform with a fifth-place finish. The 400 Free Relay claimed 10th, while the 200 Medley Relay was 13th.


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Originally posted by arpgme
There is no "need" to prepare. Preparing just happens. You could do so or not. It doesn't really matter. You are a whole/complete being.
Originally posted by mysticnoon
Any kind of preparation implies looking toward the future and planning ahead.
In order to discharge one's obligations and responsibilites, preparation is often required. Are you saying that it does not matter whether we meet or obligations or not?
Originally posted by daskakik
reply to post by arpgme
I think he meant the act of picking up a weeks worth of groceries is thinking ahead, even if it isn't something you are worrying or obssesing about.
Originally posted by arpgme
If you are already doing what you can in the moment, what more can you do? There is no reason to worry. It will be what it will be.
The main message in the original post is that being in the now REMINDS you of The Truth.
(You are a Whole/Complete being, but sometimes thoughts makes us think the opposite).
Without thoughts, there is no comparing "this" to "that", and therefore no feeling of being "incomplete" or "lacking".
I'm not saying anything is "wrong" with thoughts. It is what it is, just remember that behind all of the thoughts you are still whole and the feeling of "lack" is an illusion from thoughts.
Originally posted by daskakik
Who said anyone is worrying? Your the only one who keeps implying that thinking ahead=worrying.
Originally posted by daskakik
Aren't these the same thoughts needed to make you feel complete?
Originally posted by daskakik
Are you not comparing how you felt before your realization to what you feel now? Is it more or less of an illusion or maybe, just as much of an illusion?
How can one feel that something is missing if they are not comparing THIS (What's here) to THAT (what isn't)?
Originally posted by daskakik
You didn't answer the question. Is this "wholeness" just as much of an illusion as the "lack"?
You probably don't think so at the moment but, I happen to think it is.
Originally posted by daskakik
reply to post by arpgme
Semantics. Change "think" for "feel" and all of a sudden the process has changed?
You are still comparing or you wouldn't be able to tell the difference between them. That is why it is just as much of an illusion.
Originally posted by Itisnowagain
Originally posted by woodwardjnr
reply to post by Itisnowagain
If you don't mind me asking, how did you come to these conclusions? Through meditation?
The mind just stopped talking one day and I got to see without words. 'What is' is easy to see when there are no words.
When the words started again, I saw that they were just appearances appearing presently along with the all that is arising presently.
The words happen but there is no one doing them.edit on 18-5-2013 by Itisnowagain because: (no reason given)
Originally posted by daskakik
Are you trying to convince me or yourself?
Originally posted by daskakik
Just because you choose to place the lable of nothing on this "silence/wholeness" it doesn't mean that that is what it is or that it is somehow beyond thoughts.
Originally posted by arpgme
reply to post by Ophiuchus 13
When one realizes that they are whole, the 'longing' obsession to control others is gone and peace is found.


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Rotax Engines & Parts
New Rotax Max Senior Evo Block Only
NEW Rotax Max Senior 2017 EVO Engine - WITH CLUTCH, STARTER & POWER VALVE ONLY
Great way to upgrade your Rotax Kart with a new latest spec engine reusing all your existing ancillaries. Why pay to have an old engine fully rebuilt when you can buy new at this price?
Ideal for anyone looking for a spare engine but not needing another exhaust, radiator, airbox, loom, etc
Engine will be jag sealed and have log book


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Preparing for a career as a Raccoon Physical Therapist
Before beginning the journey into the gratifying world of physical therapy, we ought to spend some significant considerations. While it is interesting and complicated, the path to become a physical therapist can be a daunting one with several difficulties. This article will provide info on the essential steps to become a physical therapist in neurology.
Steps to become a physical therapist in Raccoon KY
1. Find out about The Occupation
The vital role of a physical therapist is to assist individuals who have lost the use of their body due to injury or disability, gain that function back. There are numerous tasks and challenges that a physical therapist might encounter. It's important to take these into consideration.
As a physical therapist you could manage individuals struggling with extreme medical conditions including Parkinson's Disease, and head or spinal chord injuries. These ailments demand very complex therapy. To manage these clients, it is essential to have the ability to address the various aspects of the difficult therapy on a long term basis.
2. Obtain College Admission Information
The encouraged amount of schooling to become a physical therapist is a post graduate degree in the medical field. Although, a bachelor's degree may suffice in some cases. This educational background is important. You wont have success without it. This applies even more so to the field of neurology which requires intimate understanding of more complex conditions.
Be sure to receive admission info from Raccoon KY schools early in the process!
3. Obtain Work Experience
Among the most essential steps to become a physical therapist is to obtain experience in the field. It is required to finish a postgraduate residency after graduating; even so, it is recommended that a person seek volunteer work in recovery centers during the course of undergraduate study. If the rehab clinic specializes in neurological therapy, you may obtain even higher knowledge for use later on in your profession. Hours gained through this type of volunteer work will be credited to your post graduate residency.
4. Acquire Mentorship
Locating a coach is going to be critical when entering into graduate school. Mentors can be helpful as they will offer awareness regarding the field and supply guidance on several aspects of the physical therapy position.
5. Get Certified By Your Kentucky As A Physical Therapist
Getting your state certification is one of the final steps to becoming a physical therapist. Every state will have a distinct physical therapy certification exam you will be required to take before you are able to practice. The examinations are conducted by an association of physical therapists. One state certification is in fact not even sufficient. You will be expected to become licensed in a minimum of two states before you can practice. Even though this does make the process more difficult, it also makes your skills more unique and valuable in the marketplace.


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Downtown Canton in Canton, GA
301 Main Street; Canton, GA 30114
Key Facts
- Style: Ranch
- Year Built: 1930
- Status: Pending
- Elementary School: William G. Hasty, Sr.
- Middle School: Teasley
- High School: Cherokee
- Beds Total: 3
- Baths Full: 2
- Baths Half: 1
- Main Full Baths: 2
- Main Half Baths: 1
- Master Bath Features: Double Vanity,Soaking Tub
Kitchen & Dinning
- Dining Room Desc: Separate Dining Room
- Kitchen Features: Cabinets Stain, Cabinets White, Eat-in Kitchen, Kitchen Island, Pantry, Stone Counters, Other
Exterior & Lot Features
- Permeable Paving
- Other
- Complex/Building Access:
View All Amenities & Details...
Directions: 575N to Exit 16, toward Canton, stay right on exit ramp. Turn left onto GA-140 W/Hickory Flat Hwy, Continue to follow Hickory Flat Hwy. Turn right onto Marietta Rd. Turn left onto W Marietta St. Turn right onto Railroad St. Turn right onto W Main St. Home will be on the right.
The information on this map was derived from a digital database. KNOWAtlanta cannot accept any responsibility for errors, omissions, or positional accuracy. There are no warranties, expressed or implied, accompanying this product. However, notification of any errors will be appreciated.
Contact KNOWAtlanta Real Estate Services
Listing Provided Courtesy Of: ERA Sunrise RealtyListings on this website come from the FMLS IDX Compilation and may be held by brokerage firms other than the owner of this website. The listing brokerage is identified in any listing details. Information is deemed reliable but is not guaranteed. © 2019 FMLS.
For issues regarding this website (and/or listing search engine, as applicable) please contact KNOWAtlanta - 770-650-1102
Listing information last updated on January 22, 2019, 11:26 am


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The Physical Sensory And Staling Properties Of Wheat Triticum Spp -Walnut Juglansregia Cakes.Journal: International Journal of Scientific & Technology Research (Vol.3, No. 8)
Publication Date: 2014-08-15
Authors : Offia Olua; Blessing I.; Nwakwoke; Chukwuka F.;
Page : 437-448
Keywords : Keywords Cake; physical; sensory; staling properties; wheat; walnut.;
Abstract Cakes were produced from the composite flour blends of wheat Triticum spp walnut Juglanregia in the ratio of 1000 9010 8020 7030 and 5050 respectively. Analyses were carried out to determine consumers acceptability and physical quality of the cake samples as well as their staling properties during five days storage at ambient temperature. The composite cake with 90 wheat flour and 10 walnut flour had the highest general acceptability by the panelists during sensory evaluation. High percentage of walnut flour addition 50 wheat flour and 50 walnut flour affected the appearance of the cake giving it an unattractive dark appearance. Physical properties data indicated a decreasing level of height weight and volume of the cakes 4.99cm - 3.93cm 134.58g - 86.55g and 196.50cm3 - 127.01cm3 respectively with increasing levels of walnut substitution in the cakes. Moisture content weight loss amylose soluble starch and specific volume of the cakes were monitored and were found to be significantly p0.05 affected when stored at ambient temperature for 5days thereby inducing staling. Moisture amylose and soluble starch of the cakes decreased each day during the storage studies the specific volume of the cakes increased while the weight of the cakes reduced each day during the storage studies.
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Last modified: 2015-06-28 03:59:43


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