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Getting your site to rank on Google is not as simple as plugging a keyword into a website and hoping for the best. In short, placing them into an intentional keyword strategy is just the beginning. By definition, keywords are words or phrases that describe and sum up a central idea pertinent to your business and marketing strategy. Keyword strategy means using keywords in your business and ad campaigns to attract your target market audience. When it comes to B2B marketing, keyword strategy is necessary to draw in your target audience. As B2B marketing is not the typical Buyer-to-customer setup, your keyword strategy needs a B2B marketing and relations spin. For example, if your business were looking to bring in ordinary customers, your keyword strategy might look like this:
A transactional sales approach to customer acquisition is best for products with a higher average selling price (ASP) then self-service solutions. Customers expect to see a demo, or even try the product. In fact, when customers are paying more, they expect more hand-holding throughout the process. While this can drive up organizational costs and complexity for a SaaS vendor, it can yield significant revenues and long-term customer loyalty. For this approach, companies need to optimize their sales, marketing, and support in a way that allows them to build a relationship with the customer over the customer lifetime. Most SaaS companies fall under this category.
Megan Malone is a Founding Partner with Vici, and leads our Operations division. Megan has both a radio and digital marketing background working for the Philadelphia Eagles, Beasley Broadcast Group, and Cox Media Group. In her career she has helped plan and implement thousands of digital media campaigns. She holds a certification from Disney Institute's People Management, and was awarded the top 10 advertisers in Louisville from the American Advertisers Federation.
Newspaper and Magazine ArticlesArticles in newspapers and magazines are a source of information you can use to get an idea of what your competitor is planning for the future, how their organization is run, and what new product information or innovations they have. Journalists may also uncover and reveal unflattering information about your competitor that may prove valuable to you. Be on the lookout for product reviews in magazines; they will reveal a competing product's strengths and weaknesses. Visit a college or public library. The reference librarian will show you how to find pertinent articles online much more quickly and easily than you'll find them by browsing.
Finding the right competitors for my research wasn't a hard task because I already knew many apps that provided similar features, but I still did a quick search on Google, and the results were a bit surprising — surprising because most of the apps I knew turned out to be more like indirect competitors to the app I was working on; and later, after a bit more searching, I also found the apps that were our direct competitors.
Future Competition. In your competitive analysis, you need to make a few predictions about what the competition is going to look like in the future. Competitors are constantly coming and going in the marketplace. Ask yourself: Who are my competitors likely to be? If you are introducing a new widget, how long before the competition catches on? Forecasting future competition will give your potential investors the confidence in the long term viability of your business.Barriers to Entry. Companies whose competitive edge depends on new technology, new manufacturing techniques or access to new markets need to be aware of the common barriers new competition faces when trying to gain entry into the marketplace. They include:
Another thing you need to do in order to maximize the effectiveness of your PPC campaigns is increase the quality and relevancy of your landing page content and user experience. These two elements have a big influence on whether or not leads will convert between your PPC ads and landing pages. A poorly designed or irrelevant landing page is a sure way to tank conversion rates.
Benchmarking is the important key factor for any marketing campaign. You should always keep an eye on your competitors. How their ads are appearing, what keywords they are using and plan your strategy accordingly. Never create ads, which looks similar to your competitor's ads. You should smartly design your ad copy, which should look better than your competitor's ad.
SEOptimer is a free SEO Audit Tool that will perform a detailed SEO Analysis across 100 website data points, and provide clear and actionable recommendations for steps you can take to improve your online presence and ultimately rank better in Search Engine Results. SEOptimer is ideal for website owners, website designers and digital agencies who want to improve their own sites or theirs of their clients.


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Combined Joint Task Force - Horn of Africa Image
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Chief Gunner's Mate (Sel) Brian Ediger plays taps at the conclusion of a 9/11 remembrance ceremony held Sept. 11, 2016, at Camp Lemonnier, Djibouti. Taps in the military represents the end of a workday or time to rest. For the ceremony, it signaled the final rest for those who lost their lives during 9/11. The ceremony was organized and conducted by Fiscal Year 2017 Chief Petty Officer selectees from Camp Lemonnier and Combined Joint Task Force - Horn of Africa. (U.S. Air Force photo by Staff Sgt. Eric Summers Jr.)Download full-resolution


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How companies blow billions on stock buybacks
NEW YORK - If you think your stocks are doing poorly, check out the performance of some of the most sophisticated investors, the ones with more knowledge about what's going on inside businesses than anyone else: Companies that buy their own shares.
The companies that lost money on these bets are down a collective $126 billion over the past three years, 15 percent of what they paid.
Many corporations would have been better off investing that cash in an index fund instead of their own stock considering that the overall market rose 39 percent over the same period. The companies could also have distributed that cash as dividends to shareholders, allowing them to spend what is, in the end, their money.
And it's not just a few big corporate losers accounting for all the pain. The group includes 229 companies in the Standard & Poor's 500 index, nearly half of the companies in the study prepared by FactSet for The Associated Press.
When a company shells out money to buy its own shares, Wall Street usually cheers. By reducing the number of shares outstanding, the move makes the company's profit per share look better, and many think buybacks have played a key role pushing stocks higher in the seven-year bull market.
But buybacks can also sap companies of cash that they could be using to grow for the future, no matter if the price of those shares rises or falls.
And the recent losses highlight another criticism: Companies may be good at finding oil or selling bathroom trinkets, but they aren't always smart stock investors. Some corporations bought ever more of their own shares even as prices tripled from financial-crisis lows and several measures showed the market was overvalued.
"Whenever you see a buyback, the company always says, 'We think our stock is cheap,'" says Nicholas Colas, chief market strategist at brokerage ConvergEx Group.
They are sometimes so confident that they take out enormous loans just to buy more and more shares. That those shares have now plunged in value is something Colas calls a "great irony" of the bull market.
Among the companies with the biggest paper losses are struggling ones that bought after their stock fell, only to watch prices drop even more. Macy's (M), the beleaguered retailer, is down $1.5 billion on its purchases, a 26 percent loss. American Express (AXP) has lost $4.1 billion, or 34 percent. As the price of oil plunged, driller Chevron (CVX) racked up $2.8 billion in paper losses, or 28 percent.
The losses are also piling up in unexpected places, such as at companies that have generated solid earnings through most of the bull market, pointing out the danger of even top performing stocks climbing too high. Starwood Hotels & Resorts Worldwide (HOT) and Ford Motor (F) have each lost hundreds of millions on their buybacks, more than a fifth each of what they spent.
Defenders of buybacks say they're a smart use of cash when companies have few other uses for it in a shaky global economy that makes it risky to expand. Unlike dividends, they don't leave shareholders with a tax bill. Critics say they divert funds from research and development, training and hiring, and doing the kinds of things that expand the businesses in the long term.
"The company doing the most buybacks is often not investing enough in its business," said Fortuna Advisor CEO Gregory Milano, a consultant who has written several studies criticizing the purchases. He said most buybacks are "financial engineering" and a waste of money.
The AP study looked at 476 companies in the S&P 500 index, leaving out the index members that split off parts of their businesses during the period. Among the findings:
$100 million club
Nearly a third of the companies studied, 153 in all, lost $100 million or more on their purchases in three years.
Not just about oil
Four of the top 10 biggest dollar losers are energy companies. But big losses are hitting a variety of companies, including insurers and banks, retailers, technology companies, airlines and entertainment giants.
Biggest winner, biggest loser
MasterCard (MA) has the biggest paper gains from buybacks: $7.9 billion. IBM (IBM) has the biggest paper losses: $9.8 billion. IBM says it isn't neglecting long-term investments and notes that the money it spent on R&D, big projects and acquisitions last year was triple what it spent buying its stock.
Gainers help, sort of
When the companies that have profited from buybacks over the last three years are included with the losers, the paper losses narrow to $11 billion. Total spent on buybacks by all companies: $1.43 trillion, more than the annual economic output of all but 12 of 193 countries in the world, according to the World Bank.
Stocks may bounce back, of course, turning losses into gains. But the history of buybacks isn't encouraging.
Companies often buy at the wrong time, experts say, because it's only after several years into an economic recovery that they have enough cash to feel comfortable spending big on buybacks. That's also when companies have made all the obvious moves to improve their business -- slashing costs, using technology to become more efficient, expanding abroad -- and aren't sure what to do next to keep their stocks rising.
"For the average company, it gets harder to increase earnings per share," said Fortuna's Milano. "It leads them to do buybacks precisely when they should not be doing it."
And sure enough, buybacks approached record levels recently even as earnings for the S&P 500 dropped and stocks got more expensive. Companies spent $559 billion on their own shares in the 12 months through September, according to the latest report from S&P Dow Jones Indices. That was just below the peak in 2007 -- the year before stocks began their deepest plunge since the Great Depression.
After IBM, here are the five other companies racking up the biggest paper losses:
Qualcomm (QCOM): -$7.4 billion
American Express: -$4.1 billion
Exxon Mobil (XOM): -$3.9 billion
Hess (HES): -$2.9 billion
Chevron: -$2.8 billion


text: September 22, 2018 Ardha Bakasana September 22, 2018/ Lynn Marrin This week we did a twisting practice, lots of twisting shapes. We worked toward ardha bakasana, side crow. There were many options for students and lots of warm up twists before we attempted our apex pose … the challenging, twisting arm balance: side crow. I suggested students think about what meaning twists might have for them in this practice. What do you want to twist into or turn toward? What do you want to twist out of or turn away from? When we make space, insights arise. I told students, "Whatever you want or need, something good will come out". Have patience. Be present. We started by dancing out the hips in down dog. Paying attention to pressing the knuckles of the hand and fingertips into the earth while also pressing the balls of the feet into the earth. That rootedness starts distributing space throughout the whole body. In cat/cow, we hovered our knees to add a burst of strength. Core moves were sprinkled throughout. We opened the outer hips in a variation of down down into plank with one leg off to the side. We played in crow, balanced in eagle and dancer, greeted a friend in partner squat, and after deeply breathing through pigeon pose, we dove deep into side crow. Laughter ensued. We let ourselves be buoyed up by the desire to learn, be curious, have fun and challenge ourselves. Perfectionism was left behind. We slowed it down with a nice, strong bridge pose then students let themselves feel all of their body supported in a restful savasana. Om, shanti, shanti, shanti, Lynn


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Kichler 49805WZC Wright 3-Light Linear Outdoor Chandelier
Ideal for Exterior Porches
3 x 150 watt max Medium base
36" long x 12" wide x 13.25" high
Overall height 52"
Stem Length 36"
Canopy 14" X 5.5"
Finish: Weathered Zinc
Glass: Clear Seeded
Designed for outdoor living areas, this 3 light outdoor linear chandelier from the Wright collection is equally at home indoors over a kitchen island. The square glass shades, geometric framework and Weathered Zinc finish create a unique and versatile look that pairs well with stonework, solid surface countertops and more.
UL Indoor or Outdoor Damp Location
Kichler 49197WZC Riverwood Outdoor Island Pendant Chandelier
Ideal for Exterior Porches
3 x 100 watt max Medium base
36" long x 8" wide x 11.75" high
Overall height 50"
Stem Length 36"
Canopy 14" X 5.75"
Finish: Weathered Zinc
Glass: Clear Seeded
Riverwood's modern take on this vintage-style outdoor linear chandelier gives outdoor spaces a rustic seaside vibe. Bringing together touches of nautical style and industrial charm.
Kichler Riverwood Collection >
UL Indoor or Outdoor Damp Location
Kichler 49588OZ Westington 3-Light Farmhouse Island Chandelier
Indoor or Outdoor
3 x 100 watt max Medium base
Width 8" x Length 32" x Height 7.25"
Overall Height 46"
Canopy: 9" x 5" Oval
Chain/Stem: 36"
Lead Wire: 60"
Finish: Olde Bronze
Westington 3 Light Outdoor Chandelier presents a vintage style for a rustic or urban look. The industrial-era design is clean and simple, with a pipe-inspired arm and classic metal shade. To complete this look our Chandelier is finished with Olde Bronze.
Kichler Westington Collection >
Interior/Exterior Location
UL Rated Damp Location
Kichler 49638OZ Caterham 4-Light Outdoor Chandelier
4 x 100 watt Medium base
21" wide x 12.75" high
51" overall height
36" stems
Canopy 5" square
Finish: Olde Bronze
The Caterham Collection features Satin Etched Glass shades that rest beautifully against rich Olde Bronze finish. The collection includes wall lights in three sizes, a pendant, post light and a outdoor rated chandelier.
UL Damp Location
Kichler 49667WZC Ashland Bay Chandelier
5 x 60 watt max Medium base
26" wide x 20" high
Overall Height 58"
Chain 36"
Canopy 5"
Finish: Weathered Zinc
Glass: Clear Seeded Ribbed Glass
Ashland Bay offers a nautical feel with this lighting collection. For a vintage inspired look, Polished Nickel or Weathered Zinc accentuates the beautiful Clear Seeded Ribbed Glass. To complete the look, optional vintage-style bulbs shine brightly through. For an added ambiance, nothing compares to Ashland Bay.
Interior or Exterior Damp Location
Vaxcel H0137, H0007 Indoor or Outdoor Chandelier from the Jamestown Collection
3 x 60 watt max Candelabra
Height 16" x Width 24"
4 x 60 watt max Candelabra
Height 17.5" x Width 27.5"
Chain: 72"
Wire: 192"
Finish: Parisian Bronze
Material: Steel
Glass: Clear Seeded Glass
Rated for Exterior Damp location.
Ideal for covered outside porch or bath use.
The Jamestown Collection from Vaxcel Lighting brings together vintage lighting elements that are equally at home in a farmhouse or beach house. The Parisian Bronze finish has the look of early electric lighting. Clear Seeded Glass is ideal to display a vintage style bulb. Braided rope detailing made of metal completes the look. Rated for Exterior Damp location, these durable fixtures will stand up to use in a steamy bathroom or a covered porch.
Rated Exterior Damp Location
The Jamestown Collection includes wall and ceiling lighting,
chandeliers and pendants rated outdoor damp or wet location.
Kichler 15409OZ Indoor/Outdoor 12 Volt Chandelier from the Zen Garden Collection
This 12 Volt Chandelier can be wired with a landscape lighting system.
4 x 16W x 912 XENON, included
T5 Wedge LED bulb can be used
Pull Chain On/ Off Switch
25" wide x 14.5" high
Must be used on post
Finish: Olde Bronze
Textured Amber Seedy Linen Glass
12 Volt
Transformer Required
Wet Location Rated
Kichler Zen Garden Landscape Lighting Collection >
Kichler Transformers & Accessories >
Kichler 49091CV Indoor/Outdoor Chandelier from the Alameda Collection
Dimensions: Width 25" x Height 17"
Overall Height 55"
Stem: 36"
Canopy: 5"
4 x 100 watt max Medium Base, not included
Finish: Canyon View
Diffuser: Honey Opalescent Art Glass
This 4 light indoor or outdoor chandelier from the Alameda™ collection will bring a cozy, down-to-earth design to your outer décor. A classic lantern shape, this fixture features a distinctive Canyon View™ finish and luminous Honey Opalescent Glass.
CSA UL Damp Location Rated
Westinghouse 63390, 63606, 63607 Stella Mira Indoor/Outdoor Metal Globe Chandeliers
Approved for Wet Locations
63606 Oil Rubbed Bronze
63607 Matte Black and Washed Copper
3 x 40-watt candelabra
15" wide x 17.28" high
Canopy 5.12"
Chain 36"
63390 Oil Rubbed Bronze
6 x 40-watt candelabra
24" wide x 27" high
Canopy 5.12"
Chain 36"
Clear Glass Candle Covers
Enjoy a grand welcome when you add lighting from the Stella Mira Collection to your home.
The light bulbs you choose are central to the overall design, enhancing ambiance and creating the light you desire for your space. Use filament LED for a retro-style look with long-lasting, energy-saving benefits.
Westinghouse is a trusted, global brand. We know lighting and offer products with exceptional quality, reliability and functionality.
ETL, CETL Indoor/Outdoor Wet Locations
Five-year limited warranty against defects in materials and workmanship
Hinkley Orb Chandelier Pendants from the Carson Collection
By Fredrick Ramond
Approved for Wet Locations
The Carson Collection from Hinkley Lighting pairs industrial sophistication and artisan craftsmanship with its bold overlapping metal ribbons. The hand-crafted pendants bring a subtle touch of reclaimed charm into any space.
The Carson Collections include a wall light and orb pendants in three sizes rated for outdoor wet locations and an orb mini-pendant and three large orb chandelier pendants for use indoors.
Kenroy Home 93033ORB Indoor/Outdoor Chandelier from the Broadcast Collection
Dimensions: Tall: 18" x Wide: 21"
Finish: Oil Rubbed Bronze with Copper Highlights
Bulbs: 3 x 60 Watt, Medium base
4" x 8" Clear Glass Shades
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This outdoor chandelier features an industrial inspired canopy with coastal styling. With a rich oil rubbed bronze finish and matching chain, this design inspired outdoor chandelier offers peaceful overhead lighting to a screened-in patio or deck.
Kenroy Home 93031ORB Indoor/Outdoor Pendant from the Broadcast Collection
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Bulbs: 1 x 60 Watt, Medium base
Pull Chain On/ Off Switch
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1804 Meadowbrook Terrace
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Main/News Page
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Chui Dreamcast Developer
June 29th, 2006, 00:43 Posted By: wraggsterHardhat posted an update to his 2D Platform Game:
Changes from 1.0 to 1.1
- Added new levels
- Enhanced old levels
- Many new graphics
- New physics engine (less embedding in ground, nicer gravity)
- Smooth scrolling
- New enemies: evil duck, shooting cow
- Bug fixed with enemies -- they now can be shot.
- Variable height jumping
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- Now comes with sound effects and music
- SELECT now allow you to replay the current level
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- Updated level editor with new ground types, new attributes
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- Cut screens: get ready, level complete, game over
- Updated status bar, with number of rings collected (??? -> OOO), amount of
bombs ("Ammo").
Known issues:
- There is an occasional hillwalking sinkhole
- Fruit from the chest ignores walls
- Some wordwrapping messiness in cut screens
- Level 6 is hard, but solvable
- Level editor can't make bombable wall, invisible wall
- Level editor doesn't load or save attributes (comments, fruit required, etc.)
- Level editor buttons are not in the new skin, but the preview is in the new skin.
Download and Give Feedback Via Comments
For more information and downloads, click here!
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Welcome to the DCEmu Homebrew and Gaming Network. This Network of sites is owned and ran by fans of all games consoles, we post news on all the consoles we cover about hardware aspects, gaming and Homebrew. Homebrew and Emulation are software thats made using free and legal tools to play on games consoles. This Network is the only worldwide network of sites where coders can upload and post comments they deserve for all their hardwork. We have a Network that currently supports PSVita, WiiU, Nintendo Wii, Xbox360, PS3, PS2,PS1, Snes, N64, Gameboy, Nes, Xbox, Gamecube, Nintendo DS, PSP, GBA, Dreamcast, Sega Saturn,3DS, DSi, Switch, PS4, Pandora, xboxone, GP2X, iPhone, Windows Phone, iPad, Android and also Mobile Phone Emulation. When new consoles appear we will expand to cover those consoles. We also cover Theme Park News and news and reviews of Beer, cider, lager, wines and spirits.
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Please help DCEmu become stronger by posting on the forums every day and make our community larger.


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Akatsuki no Yona - Son Hak - Charm - Puni Chara - Strap - Pukkyuu Ver. (Contents Seed)
Prices are automatically linked to market prices in Japan, some rare items are more expensive than regular price.
In Stock
Inventory information is updated once each day. All products are new, however, the condition of the box is not guaranteed.
Product Shipping Estimate: [How to Calculate Shipping Cost (?)]
- Asia (Registered Air): US$6.30
- Oceania,North America,Central America,Middle East (Registered Air): US$8.06
- Europe (Registered Air): US$8.06
- South America,Africa (Registered SAL): US$10.09
You may be subject to import duties and taxes. [... more info (?)]
- Code: 297106
- Japanese: 暁のヨナ ぷにキャラ ハク プッキューver チャームストラップ
- Weight: 0.018kgs
- Package Size: 1cm x 14cm x 6cm
- Manufactured by: Contents Seed
- Release Date: Sunday 21 February, 2016
W=35mm (1.37in)


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sharynford needed a new logo design and created a contest on 99designs.
A winner was selected from 32 designs submitted by 5 freelance designers.
pokeberry barn
Hi and thanks for reading!! This is for an e-commerce store that may transition into brick and mortar as well. Specializing in packaged gifts to remind you of home, as well as 'home and garden' items. "Pokeberry" refers to the perennial plant/weed, and "barn" being more of the silver pole-barn sort as opposed to the traditional red barn.
Find out how a design contest works or learn more about our logo design services.


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Princess Ball for Fathers & Daughters! Ages 9 - 13
Create a special memory with your favorite princess! Dress up for a fun, season-themed evening learning simple dance steps and then taking them to the dance floor! Grandfathers, uncles, adult brothers, and godfathers are also welcome to bring their favorite princess. Make this a special "date" night to cherish forever! Light refreshments served. Registration is per "couple." Ages 9 to 13.
Please sign up using your Princess's name!
There are no scheduled sessions at this time. Sign up to be notified when this course is available.


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What's more attracting is the content of his
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He never forgot his students and followers, for many ar
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The most exciting part is the live video of the New
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text:
Jesse L. Grey
General Education
|B.S. – University of Kentucky
|Ph.D. – Purdue University
Jesse L. Grey is a Louisville native who teaches and develops chemistry classes at Sullivan University. He has expertise in biochemistry, organic chemistry and biotechnology. Through his teachings, students learn how to approach problems in the classroom, laboratory and life from a scientific standpoint. Jesse maintains an enthusiastic, engaging philosophy towards the subject matter, which includes historical and contemporary views on chemistry. His experiences have taught him to incorporate his personal accounts of chemistry and technology to effectively communicate subject matter and not just lecture at the students.


text:
David Culliton
If I've learned anything from the countless hours I've logged watching extremely nerdy, thirty-minute-plus video essays on YouTube, it's that the theatre and the cinema are two VERY different beasts. While both share the basic aesthetic of longform entertainment, the creative processes and indeed the appealing aspects of said entertainment varies from form to form. This is relevant to the discussion of adaptations, whereupon the creative products of one medium are translated into another. It is the rule of thumb that, for various reasons, you cannot directly and exactly recreate those creative products between mediums, or else risk many of the best aspects of the original being lost in translation. For example, had the entirety of Victor Hugo's revolutionary magnum opus been put into that little indie musical adaptation nobody's probably heard of (something about a bunch of miserable French people?), the audience would be subjected to a 5-hour derge that nobody would ever want to sit through. Excess needed to be trimmed, character beats expanded to fit a more theatrical setting, etc. When it was adapted into a movie, changes were then made to make THIS adaptation fit the silver screen rather than a box stage & a turntable. While I'm aware that how effective these changes were is still up for debate even seven years later, Tom Hooper and crew at least recognized that the show had to be meaningfully transformed to fit the new medium to a point where many viewers were able to concede that the movie felt like more than just a boring retread of the show. Compare this with adaptations like the Phantom of the Opera or Rent movies, who don't meaningfully change enough of their source material to fit (or even warrant) their cinematic presence, and consequently did NOT fare well critically upon release. I won't dive into too much detail as to why (if you're curious, go watch Lindsay Ellis' videos on the two movies- I cannot recommend her content enough!!), but suffice to say the refusal to make changes to either show that fit the aesthetic and form of film makes their executions feel clunky and lackluster.
If this issue is prevalent in movie-musical adaptations of the last 10 years, it was even more so 50 years ago, and much more thorny to boot. Movie-musical adaptations then are comparable to Marvel movies today. They were the big spectacle blockbuster events of the season, and studios would sink millions of dollars into the production, promotion, and release of these films, even touring some of them on roadshows to build hype before wide releases. The problem was that not all of these big budget cinematic marvels were huge hits, and I'm sure it won't shock you to know that two of the most infamous flops of this era, Camelot and Hello, Dolly!, were massive, $15-million-plus expensive attempts to recreate the magic of the original shows in order to squeeze as much money out of the prestigious movie musical genre that seemed while refusing to actually engage with the material in a meaningful way. They put the stage shows on screen, and while Camelot cut some things for time & Dolly added a Louis Armstrong cameo, not enough was done to either to make the musicals work as movies and both failed tremendously, both at the box office & with audiences. Dolly was so disastrous, in fact, that it became known as the one that maimed the genre into nonexistence for about 3 decades. There, of course, were still musical adaptations that popped up in the cinemas between 1970 and the late 90s/early 2000s, but they touted much smaller budgets, safer risks, and stories that worked well onscreen and kept up with the sensibilities of the times (as opposed to movies like Camelot and Dolly, both of which were accused of being outdated and out of touch with the prevalent social themes of the day). These films, such as Cabaret, Fiddler on the Roof, and Hair, performed well and received well and kept the genre alive long enough to see the release of Moulin Rouge! and Chicago, both of which are seen as responsible for putting the movie musical back on the map. (Quick side not before we get to the main attraction that the history I just detailed is a GROSS oversimplification of how all of this went down in the industry and I once again refer you to Lindsay Ellis to give you a better picture in her video "The Death of the Hollywood Movie Musical").
Amidst all of this came a modest little adaptation of a modest (though award-winning and well-received) musical three years after Dolly crashed and burned its way through its wide release. The musical, and subsequent movie, was, of course, Peter Stone's 1776. While it didn't boast the massive budget of the infamous flops that predated it (only clocking in around an estimated $4 million), it did sport some of their other trademarks. For one thing, it was a musical about the founding of America that doesn't comment all that much on how that creation led to the America we have today/had in 1972. While the musical notably did premiere during the Nixon administration and Vietnam, being lobbied by the administration to remove the song "Cool, Considerate Men" for its less-than-glowing depiction of the American right wing, it didn't comment all that meaningfully on the world around it, opting instead for traditional sensibilities akin to what got Dolly and Camelot criticised for being out-of-date. Most notably, the adaptation AGGRESSIVELY refused to change the script or score of the show, putting the entirety of what could be seen in the Broadway run on film and even ADDING a few moments to bring the film to a whopping ~180 minute run time. The film also brought a majority of the show's original Broadway leads onboard to reprise their roles, only adding to the feeling of the movie simply replicating the stage musical. And while the original theatrical release of the movie did cut down the runtime to just over 141 minutes, the spirit of a direct adaptation that makes no significant alterations to the source material was still present, and you should know the punchline already. The movie only earned just over $6 million at the box office, thus obtaining a meager $2 million in profit after breaking even on the budget, and was received pretty tepidly by critics and audiences despite using the same script and score that won the original Broadway production the Tony Award for Best Musical. Once again, a movie-musical adaptation didn't engage with its source material to consider how it plays on the big screen, and so audiences found themselves bored and not caring a whole lot about the story of the fate of our country. By all accounts this film is an overlong mess that has absolutely no right to exist.
So… is it bad that I deeply love the fact that we have this movie in all its near-three-hour glory?
First off, I should lay my cards on the table and say that the reason I have such a strong affection for this movie is due to my love of the musical itself. 1776 is a musical that has some risky elements that pay off gloriously. There's an infamous 30 minute Continental Congress scene in the play solely dedicated to the goings on in that Pennsylvania meeting hall, both on and off the record. Said scene has absolutely no music, sung or instrumental, which is a tricky thing to pull off smack in the middle of act one of your MUSICAL. And yet, the scene is brilliantly written and really helps immerse the audience in the history their watching and give it personality and stakes with spoken word alone. In fact, the whole show often reads like it should be a straight play, which would make a lot of sense for a realistic retelling of the founding of the United States as jam packed with dry political conversations as this show is. And yet, Stone insisted that this show had to be a musical, giving it songs to add variety and levity to a more serious and dry book. The music that was added has a consistent-ish period feel but can be very bombastic in style. The "Yours, Yours, Yours" scene comes right out of nowhere and sounds like a modern-ish love ballad and "Molasses to Rum" plays like a Scenes-From-An-Italian-Restaurant-style mashup of different motifs. And yet, that gamble pays off, too! Sherman Edwards' score, though bombastic, IS outstanding, the lyrics are clever-as-all-get-out, the music is powerful, and you're guaranteed to come out of the show singing at LEAST one of the songs. The antagonist songs are honestly intimidating, the happy songs are thoroughly joyful, you get a fantastic feel for the characters with each song, and John's power ballad at the end is impressively poignant-- you really feel for his plight. And that score combines well with the book to give us a libretto filled with witty exchanges between our forefathers and some strong characterization for all of the show's MANY main and supporting characters. I think it also resonates with audiences because (to steal some more from Lindsay Ellis) it's very assuring of the American experience, showing the resilience of its people to create our great nation from the ground up and fight off the advances of its mother country.
Now, if this all works so well onstage, where did it go wrong on screen? Like I said, perhaps the biggest problem was the people behind the movie not editing a single thing about the original script so as to keep movie audiences engaged, making scenes that are riveting onstage into se quences too long and dry for the average moviegoer. The overall effect of this is a long and often tiresome experience as a LOT of the length is due to the endless dialogue in these drawn out congress congress scenes which onscreen doesn't always come across as particularly exciting despite some smart comedy and strong drama interspersed into the scenes. It's a long slog that amounts to what probably doesn't feel like an impressive payoff. There is no big final song, no mind-blowing final line of dialogue; it simply ends with members of congress coming up and signing the Declaration of Independence one by one as the liberty bell rings.
Sorry, spoiler alert.
There's also nothing added to the historical ending we already know: the declaration is passed and signed, America officially strives to become the independent nation we know today and it ends exactly how you could picture it ending: a bunch of guys in a room signing a big sheet of paper. Sure, they're important guys in an important room signing an important sheet of paper, but the imagery wouldn't be too stirring to your usual audience member in the middle of the Vietnam era. This movie came to us at a time of increased cynicism about the American experience and the movie almost seems to be attempting to reinspire enthusiastic patriotism without showing the audience any sympathy for the political turmoil that so many people felt during the war, which I believe only helped to turn people off to the movie.
Now, when you adapt something to the screen, if you're not going to change all that much about the material for the screen you should at LEAST try to visually engage with the material in a way that justifies its existence as a movie. Basically, you've gotta ask yourself what the medium of film can add to the pre-existing work, and showing off cool cinematography techniques to add to the visual storytelling of the piece is one answer you could have for that. 1776 seems to attempt this, but its cinematography has a bizarre dichotomy between neverending medium shots and weird attempts at different angles and tricks at what feel like arbitrary times. For instance, in the Lees of Old Virginia sequence, there's this bizarre long take where Ben Franklin is persuading Richard Henry Lee to get a proposition for Independence from Virginia's delegation. It's not a shot that directly faces our main characters though, like a lot of long takes in modern cinema. It's an overhead as they circle around this giant fountain and you can't help but focus not on the scene, but on how the lines they're saying HAVE to have been dubbed in because there's no way the dialogue could be heard from that far away. It's distracting. There are no other shots in the movie like it and it just strikes you as so out of place. In "Molasses to Rum", there's this bizarre edit where we see Rutledge from both the front and the back as he re-enacts a slave auction, both of the shots kind of transparently laid over each other in a slow fade from one to the other. Why do they edit the song like that? Why are his movements in the two shot so out of sync sometimes?? WHAT DOES THAT OVERLAY MEAN??? Who knows, that's just how the director and cinematographer felt like dealing with this song sequence. These decisions serve to only take the audience out of the experience while they scratch their heads as to why exactly the movie has decided to look like this all of a sudden, so its attempts at interesting visual storytelling isn't an improvement over the original in any way. This movie reads and acts like a filmed play. Minimal changes to the script means minimal changes to the general tone of the piece means a very theatrical feel persists, which would turn off a lot of moviegoers. 1776 the movie is 1776 flavors of wrong when it comes to stage-screen adaptations. So… why do I love it so much?
For one thing, I'm going to admit here and now that I am a bit of a purist. 9 times out of 10, I'm a proponent of a musical being superior to any movie adaptation that may come of it because there's a magic to a live stage show that most movies either can't capture or most Hollywood bigwigs are too afraid to ACTUALLY try to capture, although I think there are some exceptions (I'll always prefer the movie version of Hairspray to the stage show, for example). But this is a direct translation of the stage musical and honestly? It just works for me. Because the movie has that very stagey feel to it, I find it hugely entertaining EVEN in the drawn-out scenes in the Continental Congress. And moreover, like I said earlier I love how this script is written. The dialogue is fantastic. Unexpectedly raunchy when the show needs some levity (there's a quip early in the movie when a delegate is missing a vote because he's gone to the restroom that "Rhode Island passes"), dramatically affecting when a critical moment is at hand (a great moment when Adams and Franklin are fighting over a contentious slavery clause in the Declaration of Independence comes when Franklin yells in Adams' face that "THE QUESTION HERE IS INDEPENDENCE!"), and overall just intelligent. I don't know if I've EVER seen something as intelligently written yet thoroughly comprehensible as 1776, except perhaps Hamilton which, by all accounts, is its theatrical successor.
Another thing is, even though I was complaining about some of the bizarre cinematographic choices, I personally feel like the medium of film does add some je nais se quoi for the betterment of this material. First of all, the ability to film in different locales gives all the settings of 1776 a very authentic feel, while most productions of the musical, especially the original Broadway production, have a much less diverse feel to their set design. The movie feels like the late 18th century. You feel immersed in the time and place. And the cinematography has some fantastic moments, especially in the songs. The congress scenes do a good job at mimicking the mood of the scene, though it's more so with the negative moods than the positive, whether it be claustrophobic, chaotic, lonely, tense, or happy & energized. And those songs! "Sit Down, John" has the freezing and unfreezing congress members, the bits with Abigail Addams have the gorgeous veil of a dream sequence, "The Egg" has those great shots of our main trio coming to a conclusion about our future nation, "Mama, Look Sharp" has that dramatic lighting and the fading in backup singers of McNair and the Leather Apron and that harsh fade back to congress at the end, "Molasses to Rum"'s weird half-fade thing, however bizarre I think it is, looks really cool and makes it cinematically memorable, especially when it finally focuses on one shot when Josiah Bartlet jumps up and has his line ("For the love of God, Rutledge, please!"), "Is Anybody There" has those great shots where John Adams is alone in Congress but filling the space with his commanding presence and resolve, "But Mr. Adams" has the staircase, "He Plays the Violin" has the waltz and the playoff, "Cool, Cool, Considerate Men," (my favorite song in the show if you put a gun to my head and forced me to choose), has the minuet while Thompson reads the letter and the shot as they all come out of Independence Hall and board their carriages, the finale has the fade to the painting and the gorgeous long take, OH, it's all just so darn good! The only song I can think of that has major problems cinematically is Lees of Old Virginia because of its overhead shots feeling weirdly voyeuristic. One could argue the high angle is meant to reflect Lee's high-soaring optimism (though I somehow doubt that was the point since of all the shots in the song itself that are grounded and standard). That's just one miss out of close to 20, though. These songs make what should be a 3-hour slog feel like a dynamic look into the birth of our nation.
AND THE ACTING! BY GOD THE ACTING!! This film has no huge names in it, no one you're going to look at and go "OH I KNOW HIM/HER FROM THAT ONE THING" unless you're an overly-obsessed broadway buff like me, a fan of watching Prolia commercials, or are one of those 90s kids who never lets us forget about "Boy Meets World" and just loves you some Mr. Feeny (seriously, while William Daniels is known in the TV world mostly as that dude who played Mr. Feeny in "Boy Meets World," the Broadway community knows him as that dude who played John Adams in 1776). But these actors make up for unrecognizability with LOADS of believability and well-constructed pathos. This is a musical that just feels REAL. Like, sure, Ben Franklin breaking out into song may not be the height of realism, but to a great extent it feels like you're taking a peek in on congress on those fateful summer days. Not once do I find myself thinking "wow that moment seemed really forced" or "what an awkward line delivery." These actors are dedicated and invested, and their performances come out as nothing less than organic. THAT, more than anything else, is what keeps me engaged for those 3 hours. I think it actually HELPS that the biggest name in this movie is young Blythe Danner. If they had thrown in random star power, I don't think I would've been as convinced of these characters. If that were… ohhh let's say MICHAEL DOUGLAS admonishing congress in the opening number I would be too distracted with thinking "wait why did they put Michael Douglas in ANOTHER movie musical" to recognize him as John Adams in the flesh. If Lucille Ball were singing about "violin bow joke here" instead of the woman best known for being Gwenyth Paltrow's mother, I'd probably be laughing too hard at that vaseline filter over her to be like "oh how cute Martha Jefferson is singing an innuendo song for her dear Tom." This is a perfectly assembled and perfectly not-famous cast for getting this to feel just right. I think above all, the strong performances across the board are my favourite thing about this movie that keeps me coming back for more. These performances, these flawless embodiments of our country's historical figures, take an artsy, MUSICAL retelling of America's founding, and gives it a surprising integrity that's hard to find anywhere else.
Overall, this movie in its undoctored cut is a bit of an overlong, probably-boring-to-most-people hot mess. But that's kind of what I love about it. For all its flaws as a cinematic adaptation, 1776 trades that for succeeding in a way that very few movie musicals do- preserving its obscure source material to a tee in ways that feel moving, engaging, and oh so real, with ne'ery a blemish of self-embarrassment or stunt-casting-fueled bad performances in sight. This film is a direct theatrical translation and proud of it, a feat that, in my mind, puts it among my favourites in the movie musical genre. And maybe, if you give it a watch either on DVD, Blu-Ray or Putlocker (sssshhhh you didn't hear that from me), it will for you too. With the 4th of July coming up, I cannot recommend enough that you find this movie somewhere and give it a watch. While you won't find any great insights about the America of today packed into this movie, it more than makes up for its refusal to provide relevant commentary with the experience of watching a history teacher's valiant attempt at breathing humanity into the stuffy John Trumbull paintings and stiff textbook lessons all of us take for granted about the creation of America DECADES before Hamilton made it cool. In my mind, this alone, along with the smart writing, fantastic cast, and brilliant score, make the locating and watching of the mythical, near-three-hour extended director's cut worth every single second of the time you spend doing so. Happy early 4th of July to all my American readers, and happy watching to everyone willing to give this forgotten little cinematic behemoth a try.
Till then, I am as I ever was and ever shall be: yours, yours, yours truly,


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|Kevin Wolf
|Re: [Qemu-devel] [PATCH for-2.9 25/30] block: add a model option for MTD devices
|Wed, 30 Nov 2016 16:55:46 +0100
|Mutt/1.5.21 (2010-09-15)
Am 30.11.2016 um 16:09 hat Cédric Le Goater geschrieben: > On 11/29/2016 07:08 PM, Kevin Wolf wrote: > > Am 29.11.2016 um 18:30 hat Cédric Le Goater geschrieben: > >> On 11/29/2016 04:44 PM, Cédric Le Goater wrote: > >>> This could be used to define the flash model to use on some boards > >>> definitions. > >> > >> As this patch was part of a larger set, I did not send the whole > >> set to qemu-block@ list. Could you please take a look at the proposal ? > > > > This is a device level option rather than a block backend one. We messed > > up -drive in its early days by including some device options, but we > > don't generally want to add to this. > > > > The correct way would be to add a qdev property for this and specify it > > with -device or -global. > > OK. I see. I should use something like this on the command line : > > -drive file=flash-romulus-test,format=raw,if=mtd,id=bmc \ > -device mx25l25635e,drive=bmc \ > -drive file=flash-romulus-test2,format=raw,if=mtd,id=bmc2 \ > -device mx25l25635e,drive=bmc2 \ > -drive file=romulus.pnor,format=raw,if=mtd,id=pnor \ > -device mx66l1g45g,drive=pnor I think you mean if=none instead of if=mtd everywhere, now that you're using an explicit -device. > and retrieve the attached m25p80 device from the drive with the > routine blk_get_attached_dev(). That is changing a bit the way > the platform is initialized but it is cleaner as no default > devices are automatically added. Right. For compatibility (and convenience) you can and probably should still support if=mtd to create the device automatically, but then the user just gets the defaults for the options that -drive doesn't allow to specify. Kevin
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text: This work is concerned with the archiving and retrieval of design and manufacturing information for a class of small devices and illustrated using energetic devices such as CAD/PAD and ROCATS. The technical feasibility of indexing and searching geometric and functional information associated with parts by specifying certain geometric attributes and functional taxonomies. This includes searching and browsing in virtual environments. In Phase II we propose to complete the development of an integrated scheme and build a single design navigation system that will offer visualization, geometry and functionality based search capabilities. Further, we will develop a mechansim for allowing users to customize the system by registering new signatures and new functionality taxonomies. The software tools that we propose to continue developing will greatly enhance the state-of-the-art by increasing our ability to archive and retrieve highly specialized design knowledge used to create specialized devices. The geometric modeling community has developed reliable modeling systems and the digital library efforts have created techniques for higher dimensional, multimedia data. The proposed work unites these advances by integrating geometric reasoning with digital repositories of functional information.


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BRIDGET NANCYSaturday, April 20, 2019 8:10:05 PM
Hypersexual behaviour is a recognized complication of head injuries which can be a source of great distress to patients and persons with whom these patients share significant relationships.
In this article, we describe 5 patients who exhibited aberrant sexual behaviours following traumatic brain injury and discuss the relevant literature.
Disorders of sexual function, even though relatively common following traumatic brain injury, have not received commensurate attention in the literature on the complications of head trauma. Sexual problems following injury are usually the result of interaction between
Brain damage sexuality psychological makeup of the injured person, his sociocultural background and the neurological sequelae of the injury itself [ 1 ].
Hypersexuality is a rare but well recognised sequela of brain injury [ 2 ]. It has been defined as the subjective experience of loss of control over sexuality [ 3 ]; and consists of increased need or intense pressure for sexual gratification. It has been successfully produced in experimental animals [ 4 ]; and much of our current knowledge about the subject is the result of studies of non-traumatic brain injury [ 5 ].
Its occurrence therefore offers useful insight regarding the anatomical basis of normal human sexual behaviour and provides important evidence about the "Brain damage sexuality" basis of aberrant behaviours [ 6 ]. In this paper, the authors describe 5 patients in whom hypersexual behaviour manifested following traumatic brain injury.
Relevant literature on hypersexuality Brain damage sexuality brain injury is also reviewed.
A year-old male was admitted to the hospital in coma due to severe head injury following a road accident. He also sustained an open left femoral and left Cole's fractures.
His blood pressure, pulse and temperature were within normal limits. He had a Glasgow Coma score of 3 at the time of admission. Ocular examination revealed normal sized pupils, both of which reacted sluggishly to light. His limbs were flaccid and all tendon reflexes were depressed. Skull x-ray showed no bony injury. He remained deeply comatosed for seven weeks after which his level of consciousness started to improve gradually. By the end of the tenth week, he had recovered sufficiently to the extent where he could obey verbal commands, but remained aphasic until the twelfth week.
At this time, he began to manifest hypersexual behaviour. The latter was first signalled by the strong arousal anytime he was being attended to by female ward staff.
This was soon replaced by increasing agitation whenever a female was nearby; and subsequently-when his ability to verbalise returned-his unabashed demand for sex, and finally his attempt to grab a female attendant. Besides minor tranquilizer which was given on account of his agitation, no specific medication was administered to control his altered sexual behaviour. progressively became less agitated in the presence
Brain damage sexuality female staff and by the end of the second week after onset of hypersexual behaviour, he had completely normalised.
A year-old married businessman was admitted in coma following a road traffic accident. He was said to have had seizures at the scene of accident and also while being transported "Brain damage sexuality" hospital.
His Glasgow coma score was 3. Tendon reflexes were
Brain damage sexuality. There was evidence of a linear fracture of the right parietal bone on skull x-ray.
The brain was normal on CT brain. There was no intracranial collection. Patient fully regained consciousness after three weeks.
However, he was uninterested in activities going on around him Brain damage sexuality always kept his hand inside his pyjamas to masturbate. Thereafter, he openly masturbated several times. No specific medications were given. After two weeks however, it was observed that he was masturbating less frequently, and by the end of the third week, "Brain damage sexuality" had stopped completely.
A year-old housewife and mother of 2 children was admitted with moderate head injury following a ghastly road accident. She also sustained a mid-shaft fracture of left humerus and multiple soft tissue injuries to the face and body. Glasgow Coma score was 12 on admission. Ocular examination revealed normal sized pupils which reacted normally to light.
Motor function examination revealed no deficits, and tendon reflexes were normal. The skull x-rays revealed no abnormality.
She recovered rapidly and was fully conscious
Brain damage sexuality the end of the second week, but remained aphasic until the fourth week. Alteration of sexual behaviour was signalled at this time when she suddenly exposed her breasts when she had a female visitor, and started using her visitor's hands to massage them. When eventually she could verbalise, she frequently used foul language until she finally demanded to go home to fulfil her sexual urge.
No medication was given on account of her behavioural change; but following careful reprimands, she stopped exposing her breasts and her use of foul language gradually diminished "Brain damage sexuality" finally stopped.
A year-old unmarried man was admitted following head injury sustained when he was struck on the head with a blunt object during a fight. There was no loss of consciousness and he had no seizures. His social history revealed that he had been smoking marijuana regularly for the past 2 years. On examination, there was deep laceration across his forehead which extended to his right parietal area. Skull X-ray showed depressed fracture of the right frontal bone.
He was managed conservatively and clinical course was smooth; and he was discharged from hospital two weeks later. The very day he was discharged however, it was Brain damage sexuality that he went out to a pool "Brain damage sexuality" stagnant water in the street close to his home and there he undressed and masturbated. He was quickly rushed indoors by his embarrassed family members, but this however, became a regular occurrence thereafter. A year-old motorcyclist was admitted for severe head injury following a road traffic accident.


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Community calendar
March 8, 2018
Thursday, March 8
Pickleball, 10 a.m. to noon, Ironwood Memorial Building.
Gogebic County Veterans Service Officer, 10:30-11:30 a.m., Wakefield City Hall; 1-2 p.m., Watersmeet Township; 2:45-3:15 p.m., Marenisco Township. 906-667-1110.
Alcoholics Anonymous, noon, Salem Lutheran Church, Ironwood. area74.org.
Northwoods Divas - Red Hats, noon, Maplewood Steak House, 906-667-0116.
Gogebic-Ontonagon Community Action Agency quarterly food commodity distribution for registered families, 9 a.m.-noon and 1-3 p.m., Bessemer V.F.W. Post 3673, 605 W. Lead St., Bessemer; 1-2 p.m., Pioneer Park Apartments, Ironwood. 906-667-0283.
A Matter of Balance, 2-4 p.m., Aspirus Ironwood 1st floor conference room, reservations required, 906-663-4045, ext. 622.
Grief Support Group, 1 to 2:30 p.m., Dr. Kate Hospice office, 1571 Highway 51 North in Arbor Vitae.
Pokemon Club, ages 8 and up, 4 p.m., Ironwood Carnegie Library.
Open Community Dinner, 5-6 p.m., Wakefield Methodist Church, Putnam Ave., Wakefield, 906-667-0230.
ReGeneration Youth, 5:30-6:45 p.m., ages 10-11; Relentless Youth, 7-9 p.m., ages 12-18; Lighthouse Faith Center, Ironwood.
Celebrate Recovery, 6 p.m., free meal followed by meeting, Bessemer city hall auditorium.
Alcoholics Anonymous, 6:30 p.m., First Presbyterian Church, Hurley. area74.org.
Klassic Kruisers Car Club, 6:30 p.m., Lindquist Student Center, Ironwood.
Ironwood Masonic Lodge 389, 7:30 p.m., at the Masonic building.
Bessemer Housing Commission, 8 a.m., Executive Director's Office, 709 West Iron Street, Bessemer.
Iron County Finance Committee, 9 a.m., Iron County Courthouse.
Gogebic Range Water Authority, 6:30 p.m., Bessemer Township Hall, 906-667-0465.
Gogebic County Transit board, 6:30 p.m., Transit facility.
Friday, March 9
Coffee with a Cop, 6:30 a.m., McDonald's.
Mercer Cribbage, 9:30-11:30 a.m., Mercer Senior Center.
Double Trouble, 11 a.m.-12:30 p.m., Serenity Center, Ironwood.
Mercer Food Pantry, noon-1 p.m., Railroad Street, Mercer, Wis. Emergencies: 715-476-7655.
Alcoholics Anonymous/ Al-Anon, noon, Salem Lutheran Church, Ironwood. area74.org.
Presentation by Nature Conservancy, 1 p.m., Mercer Public Library.
Harbortown AA, 7:30 p.m. EDT, Ontonagon United Methodist Church basement, next to Holiday gas station, Ontonagon. area74.org.
Alcoholics Anonymous, 7:30 p.m., Our Lady of Peace Catholic Church, Ironwood. area74.org.


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C'est pas sérieux - Les chats sauvages - Custom Backing Track MP3
This title is a cover version of C'est pas sérieux as made famous by Les chats sauvages
Adaptation of the song: Theme for a Dream
Tempo: variable (around 121 BPM)
In the same key as the original: A
This track ends without fading out
Duration: 2:22 - Sample at: 1:12
Please click the button below to reload the preview with the pitch {PITCH}.
About C'est pas sérieux
Release date: 1962
Format: MP3 320 Kbps
Genres: Rock & Roll, French Pop Music, In French
Original songwriter: Mort Garson, Earl Shuman
Adapter: Vline Buggy, Eveline Konyn
All files available for download are backing tracks, they're not the original music.
- How do I create a Custom Backing Track?
- Can I modify my MP3 custom backing tracks after purchasing my order?
- Why do I only hear a sample although I've bought this track?
- What should I do if the preview doesn't sound correctly?
- What if I can't find the custom backing track I want?
- How can I change the key of my Custom Backing Track?
- What is panning and how can I do it?
Without expressed permission, all uses other than home and private use are forbidden. More info...


text:
The modern domestic God transforms itself to keep up with the times.
The Vesta fire, which burned relentlessly in ancient Rome, is back to heat your home in the form of this design gem which also features an organiser function with voice notes, a telephone and audio system.
The intense light beam at the bottom and its luminous soul emphasise its presence. Bluetooth and touch screen features give it a modern touch, further confirming its steady style evolution.
Fulvia Bardessono: email@example.com
Giorgia Gandione: firstname.lastname@example.com


text:
Please click anywhere to continue browsing our site.
The exhaust system is responsible for converting engine emissions into less harmful gases before releasing those gases into the atmosphere. The downpipe or front section of an exhaust system connects the exhaust manifold to the catalytic converter. The manifold collects, diminishes, and funnels emissions to the catalytic converter, which converts the emissions into even less harmful substances. Downpipes are designed with a large diameter so that gases can be quickly transferred between exhaust system sections without delay. Without a properly functioning downpipe, the performance and efficiency of the entire exhaust system would be compromised. Your vehicle's performance is affected when the channel of pipes comprising the exhaust system are inhibited in a way that prevents proper expulsion of the emissions created during the engine combustion process. Replacing your downpipe at the first sign of trouble will promote exhaust system maintenance and improve engine performance.
Common problems with downpipes often result from leaks and internal corrosion. Worn exhaust system components, like the downpipe, should be replaced at the first sign of trouble. Most aftermarket downpipes are larger in diameter than the original equipment pipes they replace. Therefore, replacing your downpipe with an aftermarket downpipe can significantly reduce restrictions and positively impact engine horsepower. Improving the efficiency of the pipes composing the exhaust system will ultimately improve the condition of your engine and the performance of your vehicle. Likewise, blockages and other damages to exhaust system components will negatively impact engine performance. Louder than usual noises and problems accelerating are all signs that your vehicle's exhaust system may be damaged. Contact us today for an inspection and replacement of your exhaust system's downpipe.
We proudly service the Downpipe Replacement needs of customers in Quinton, VA, Sandston, VA, New Kent, VA, and surrounding areas.
Areas Served :
Quinton, VA | Sandston, VA | New Kent, VA | and surrounding areas
Thanks for stopping by the Superior Tire and Auto website. We're proud to provide professional automotive services for customers in Quinton, VA, Sandston, VA, New Kent, VA, and surrounding areas. In addition to our auto repair and maintenance services, we install lift kits, leveling kits, custom exhausts, and Jasper transmissions. We also have a great selection of tires for sale from top brands. At Superior Tire and Auto, our goal is to provide superior customer service. Our customers are the foundation of our business. We employ a well-trained staff specializing in the sale and installation of passenger car, performance, light truck, or SUV tires. Take this opportunity to browse our website or call us for personalized service.


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Reign FC Continue Commitment to Defense in 2019
Reign FC enjoyed a historic season defensively in 2018, allowing 19 goals in 24 matches, the fewest in club history. Now, the club hopes to continue its defensive dominance after a historic season.
2018 marked just the second and third time in league history that a club allowed fewer than 20 goals over the regular season, with North Carolina Courage FC setting the record with 17. Reign FC tied the previous record of 19, set by the Portland Thorns in 2016 when the league played only 20 games.
Despite the historic accomplishment, Reign FC head coach Vlatko Andonovski has his sights set on an even better defense in 2019.
"We're not going to try to replicate that," Andonovski said Monday. "We're going to try to get better than that. The bottom line is first the knowledge and understanding of the defensive piece and then the mentality. The biggest difference I think in the group that we had last year was the difference in mentality. They committed to playing defense as a unit. When we're talking about playing defense, it's not just the defensive line or the goalkeepers, it's the whole team."
Last year was the second time in club history that the club had allowed fewer than a goal per game. Previously, Reign FC allowed just 20 goals in the 2014 season, going 16-6-2 and claiming the NWSL Shield.
Defender Megan Oyster said that the club takes immense pride in frustrating opposing attackers.
"It's huge," Oyster said. "That's what we stand for here in this club: good quality defense. We always start from there. I think we set the standard high from last year, but we obviously want to get better, but I think there's more to this team and more (to come) from this back line and more from Vlatko. There's always more. I'm excited to see what this team can do and push that limit."
Reign FC kept opponents scoreless in 12 matches last year, blowing away the previous club record of eight clean sheets set in 2016 and tying the league record set by North Carolina in 2017.
The defensive mentality travels beyond the club as well. When Lauren Barnes, Steph Catley, Theresa Nielsen and keeper Lydia Williams went to Melbourne City in the Australian W-League in the offseason, the club also conceded the fewest goals in the league.
"We have the Reign mentality when we go there as well," Barnes said. "Playing with each other more and more, you get comfortable, you know each other in and out. The more time we get to play with each other the better. It definitely translated from our time with the Reign to City. (Rebekah Stott) played here at the Reign too. The whole defensive unit has played at the Reign and at City so it definitely isn't a coincidence. The principles we have here, we take them along with us over there. We've really been trained to defend for our lives."
Improving on a defense that allowed 0.79 goals per game is a tall order for any club, but with the chemistry of a returning back line and the team's emphasis on defending at every level, it might just be in reach for Reign FC in 2019.


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Project Support Consultant
Dubai, - United Arab Emirates - Salary Not disclosed
Job Details
- Category:
- Project Management
- Career Level:
- Experienced (Non-Managerial)
- Experience:
- 3 Years
- Required Qualification:
- Graduate in related field.
- Requires Traveling:
- No
- Salary:
- Salary Not disclosed
- Salary Type:
- Per Month
- Total Vacancies:
- 1
- Skills
Extracting Collateral Data from Source Systems or Manual Sheets.
Perform Data Analysis, Gaps and Cleansing.
Develop target state SOPs, Controls, SLAs for Collateral Management.
Lodge the collateral data in the target system.
Perform UAT for system for collaterals.
Job Specification
DICETEK is in search of talented and motivated individuals for the post of Project Support Consultant in the field of Project Management in one of their office located in Dubai - United Arab Emirates. The ideal candidate should have graduate in related field. qualification and atleast 3 years of experience. The position require data analysis, data, source, manual, target, slas, system mandatory skills. This is a Full-Time morning shift job.
About DICETEK
Dicetek is a global IT Solutions Provider with Headquarters in Singapore and regional offices in Chennai (India), Dubai (UAE) and Chicago (USA). Dicetek's parent company namely Aurum Soft Systems Ltd is a leading provider of enterprise applications and flexible IT solutions and is listed in the Bombay Stock Exchange (BSE). Dicetek offers business solutions for a wide range of industries by bringing innovative ideas and cutting edge technologiesDicetek is currently servicing over 200 clients worldwide and has a strong team of 500+ technical consultants working on various project assignments across the globe.
Disclaimer:Vacancies.ae is an exclusive platform that ought to help jobseekers & employers to be joint. We restrict any endorsement that demand for money and strictly advice against sharing personal or bank related information. If you notice any deception or fraudulent, kindly send us an email at firstname.lastname@example.com.
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Greensboro Nc Furniture Stores
The post of Greensboro Nc Furniture Stores have 7 photos , they are Used Furniture Stores Greensboro Nc Furniture Stores Asheville Nc Used Furniture Stores Fayetteville Nc Leather Motion, Medium Size Of Living Room:discount Furniture Greensboro Discount Furniture Superstore Greensboro Nc The Red, Greensboro Nc Furniture Stores #3 Large Size Of Living Room:furniture Clearance Center Greensboro, Nc Furniture World Four Seasons ., Large Size Of Living Room:furniture Clearance Center Greensboro, Nc Dave's Discount Furniture Burlington ., Greensboro Nc Furniture Stores #5 Furniture: Used Furniture Stores In Greensboro Nc Design Decorating Cool And Used Furniture Stores In ., Greensboro Nc Furniture Stores #6 Outdoor Furniture Stores Greensboro Nc Living Room Furniture Used Furniture Stores Wilmington Nc Furniture Stores Raleigh, Furniture Stores Raleigh Durham Nc Innovative Furniture Thrift Stores Asheville Nc Office Furniture Stores Greensboro Nc. Below are the photos:
This blog post about Greensboro Nc Furniture Stores was uploaded at October 16, 2018 at 9:16 pm. It is uploaded under the Furniture category. Greensboro Nc Furniture Stores is labelled with Greensboro Nc Furniture Stores, Greensboro, Nc, Furniture, Stores..
GreensboroGreens•bo•ro (grēnz′bûr′ō, -bur′ō),USA pronunciation n.
- a city in N North Carolina. 155,642.
Furniturefur•ni•ture (fûr′ni chər),USA pronunciation n.
fur′ni•ture•less, adj.
- the movable articles, as tables, chairs, desks or cabinets, required for use or ornament in a house, office, or the like.
- fittings, apparatus, or necessary accessories for something.
- equipment for streets and other public areas, as lighting standards, signs, benches, or litter bins.
- Also called bearer, dead metal. pieces of wood or metal, less than type high, set in and about pages of type to fill them out and hold the type in place in a chase.
Storesstore (stôr, stōr),USA pronunciation n., v., stored, stor•ing, adj.
- an establishment where merchandise is sold, usually on a retail basis.
- a grocery: We need bread and milk from the store.
- a stall, room, floor, or building housing or suitable for housing a retail business.
- a supply or stock of something, esp. one for future use.
- stores, supplies of food, clothing, or other requisites, as for a household, inn, or naval or military forces.
- [Chiefly Brit.]a storehouse or warehouse.
- quantity, esp. great quantity;
abundance, or plenty: a rich store of grain.
- in store:
- in readiness or reserve.
- about to happen;
imminent: There is a great deal of trouble in store for them if they persist in their ways.
- set or lay store by, to have high regard for;
esteem: She sets great store by good character.
- to supply or stock with something, as for future use.
- to accumulate or put away, for future use (usually fol. by up or away).
- to deposit in a storehouse, warehouse, or other place for keeping.
- to put or retain (data) in a memory unit.
- to take in or hold supplies, goods, or articles, as for future use.
- to remain fresh and usable for considerable time on being stored: Flour stores well.
stor′er, n.
- bought from a store;
commercial: a loaf of store bread.
You're not the people that can buy Greensboro Nc Furniture Stores. Every home operator in need due to their residences of furniture. That is the cause you'll find lots of selections in shops. It's not unimportant for you to make sure all-the objects you select in accordance with your budget and your home. Traditional furniture may charge very expensive.
Search for Greensboro Nc Furniture Stores that is not tough nontraditional in the event that you set them outdoors. Check fittings and the weak welds. If you find a weld that appears not even possibly accented, overlook them and uncover furniture that's durable. Each outdoor furniture you choose should really not be unable to endure nature's elements to become revealed for many years.
Consequently, you shouldn't forget of utilizing the furniture the possibility. Commercials in nearby magazines as well as property income and cd outlets often may have some great fixtures. You'll have the furniture if required reupholstered. By pursuing these recommendations, you are able to save lots of money.


text: Yeah, copying over the GUI files worked Hmm... the only program I found that allows this requires to literally add 1 file at a time. Well, there's just under 25 thousand files in the fully unpacked Fallout 1 data files.... I'm not doing that 25 thousand times EDIT: 24,795 to be exact. heh If you have a DAT-manager program that do multiple at once, link to app please? -------------------------------------------- I've updated the post of listed issues for this. With your information (thank you) and the limited knowledge I have of Fallout 2 modding, these seem to be our only hurdles at the moment that aren't simply a matter of taking the time to do stuff I already know how to do: -------------------------------------------- By the extra dialog button do you mean Tell-Me-About? I didn't remember that Fallout 2 was devoid of this -------------------------------------------- Anyway Fo1-in-Fo2 is on hold for the moment. I want to focus on getting my actual mod up and running, and I don't know how big of a roadblock it'll be, getting the .dat files to work. Plus the lack of Tell-Me-About is a bummer, as is the broken pip-boy Water Chip reminders.


text:
Canine Influenza Virus Update: The Situation in Canada and the United States
Oct 29 2018
Canine Influenza Virus (CIV) continues to be a problem in both the United States and Canada. About 20 confirmed and suspected cases have been identified in the Muskoka area in Ontario over the past…
Halloween Safety
Oct 25 2018
Trick or Treat! Halloween is almost here! Costumes are being picked! Candy favorites are being voiced! Parties are being planned! Halloween is such a magical time of year for children, but what about…
Cat Day!
Oct 18 2018
Cat Day is coming up on October 29th! …
Cannabis, CBD, and Your Pets
Oct 11 2018
With the legalization of marijuana (cannabis) in several US states and Canada, accidental consumption by pets is a growing concern. Nine states in the US have legalized cannabis for personal (human)…
October 7-13th is Walk Your Dog Week!
Oct 04 2018
Pet Obesity Awareness Day falls within Walk Your Dog Week – coincidence? Probably not! Did you know that up to 59% of dogs worldwide are overweight?! With this staggering number, the importance of…
World Rabies Day
Sep 27 2018
September 28th marks World Rabies Day. While cases of human rabies in certain parts of the globe are rare, the number of cases that occur in developing countries, such as Africa and Asia, are in the…
Deaf Dog Awareness Week
Sep 20 2018
September 20th-29th is National Deaf Dog Awareness Week. …