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Coquitlam's Dante Fabbro has a goal and an assist for Team Canada, which defeated the United States 3-0 on Tuesday to advance the quarter-finals of the IIHF World Hockey Championships in Slovakia.
Canada, which finished atop its group in pool play with six wins in seven games, will play Switzerland on Thursday.
Fabbro, a 20-year-old defenceman who joined the Nashville Predators on March 27 when he signed an NHL entry-level contract, is also +8 in six games. He missed the team's game against France May 16 after he was hit in the face by the puck during a game last Monday against Slovakia. But he was in the lineup for the game against the U.S. and was credited with an assist on Jared McCann's third period goal that made the score 3-0.
Fabbro also scored in Canada's 8-0 win over Great Britain on May 12.
This is Fabbro's sixth time representing Canada at international hockey tournaments. He was part of the junior team that won the gold medal at the 2018 World Junior Hockey Championships, as well as a silver at the 2017 competition. He was selected 17th overall by the Predators in the 2016 NHL entry draft.


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Search the Community
Showing results for tags 'Request'.
Found 76 results
Request to make it clear how to vote for features
mwcs posted a topic in Feedback for Affinity Designer on DesktopI want to make it easy for Affinity developers to identify and prioritise the most popular feature requests. After looking around this website for a while, I cannot see an obvious way of doing this. I suggest adding three big buttons at the top, namely: "1. see feature roadmap" "2. search feature requests" "3. add new feature request" Also, within a specific feature request post, the developers of this forum should make it clear how to vote for a feature. Is this currently done through clicking the heart button? Here's an example: I want to find out how to "select and copy just a segment of a path" I do a general search If I can't find how to do it or if it's not possible - I search "feature roadmap" If it's not there, I search "requests" If it's not already listed, I add the request If many vote for it, and it is feasible, it gets added to the roadmap If there is already a system for this, please let me know the correct way of doing it.
Slice tool
Punniz posted a topic in Feedback for Affinity Photo on iPadI'm making a webtoon on an iPad and put texts on Affinity Photo. However, the length of my Webtoon is very long and I want to be able to cut the photo in to 3 so that it can fit the size requirements for Webtoon. I was doing this in Photoshop using the slice tool, but it would be REALLY cool if Affinity photo can do this as well! I know that it might be a very minor tool for most other users, but it would make Affinity Photo feel even more professional too! Thank for reading
[DAM] Affinity Lightroom Killer Request
WalterBeiter posted a topic in Feedback for the Affinity Suite of ProductsAs Adobe has decided to make the import screen in Lightroom suitable for Instagram users, I have concerns wether Lightroom should be replaced in the future. Adobe makes this concerns even bigger by publishing buggy apps too early which ruin lives of professionals. Last year, Serif came out with this Affinity-suite and I have high hopes that they will release a Lightroom alternative. I am serious about that, since Capture One, well, does not work for me. But if you do, make sure that people can transfer 100k photos with any adjustments non-destructively. I don't know if you have plans for this, or if you have resources for this. But if you have, well, I would be the first to buy. Adobe is going for Instagram users with all their iOS-photoshop-mix-fix crap, which is not what professionals want. I know that one day, I will enjoy Affinity Designer on my iPad without compromises. And I hope you guys could rescue the professional photography business. I know this post has not the right spot in the forum, since everything is about Designer or Photo. But I just want to post this to see wether this could be the future of photography. Any name suggestions for a Lightroom alternative?
[AD] Line tools and background blur
zea posted a topic in Older Feedback & Suggestion PostsHi there, I just start using AD for a couple of weeks now. While I really love it, I think some basic features are still missing. Where is Line tool and background blur? Am I missing something? I know I can use a Pen tool to create a line, but it's not as intuitive as just ordinary line tool like adobe X D and sketch have. And about background blur, I have a difficult time when trying to create arcylic effect. In adobe X D, I can create it in just 2 clicks. Sorry if some other members already request this. I hope Affinity can consider this request in the future. Thank you.
Save window/tools layout for Designer and Photo
Danubis posted a topic in Older Feedback & Suggestion PostsI'm pretty sure there are other requests for this, but being able to save window arrangements/layouts into custom workspaces is a pretty essential feature. I use Photoshop and Illustrator, but will sometimes use Affinity Designer and Photo for fun. My Illustrator is CS6, so I'll often use Designer to at least convert my AI vector to a more modern/stable copy or just design it in Designer if I don't need to use the Illustrator features I'm use to using. Having to rearrange my windows every time or make due with the default layout everytime I switch to an Affinity program is extremely cumbersome. On the whole, I love the programs Serif Labs have put out and think they're extremely functional and promising. It's fun and exciting to see how they're progressing and I hope they continue developing like they've been doing
[feature request] Blending layers
Frank212 posted a topic in Older Feedback & Suggestion PostsHi, Luminosity mask are essential in my workflow. I have watched the YouTube tutorials which are very good. Here are my requests: 1. Make it easier to generate all the luminosity masks. 2. With the blend range tool it would be nice to actually see the masks show up on the area that is affected. There should be a toggle buttton. This way I can adjust it until I know have the mask correct. Also, I should be able to feather it. I look forward to future enhancements to Affinity Photo to make it even more awesome. Regards, Frank.
[request] text warp/envelope and text path tool
dinyo posted a topic in Older Feedback & Suggestion Postswe really need these 2 tools for Designer: text envelope (example: to make the curved baseline of Netflix logo) text path (example: to make the text follow the circle around Starbucks Coffee logo) aside from that, i think another tool required is contour tool, but it's already mentioned in the previous thread. thanks developers!
Percentage (%) Guides
Dash posted a topic in Feedback for Affinity Photo on iPadPurchased the application a few days back for my new iPad Pro and I LOVE IT. It replaces all the apps Adobe offers on the App Store and makes me feel at home. As an Adobe Creative Cloud user, one litte thing a feel is missing from Affinity Photo is the on-canvas rulers but more importantly when adding guides to be able to select percentages as a measurement. E.g when on the horizontal line I want to add a guide 35% in, if the canvas is 2000px in height, the guide would be 700px down.
Capture One
KennRhem posted a topic in Older Feedback & Suggestion PostsHello! I'm a Capture One user. I've been exporting tiff files & doing heavy retouching in AP before rounding back to finish color edits/crops/batching in C1p. Then i saw this and I'm wondering if i should: a) switch to PSDs assuming they're "better" b) continue using tif files because they work just fine c) ask you guys why the 2 best Adobe competitors aren't working together on making this workflow C1p-AP-C1p using afphoto files I'm going to be honest. If Serif wastes development funds on pushing a Lightroom competitor into an overcrowded market (rather than a legit asset manager like bridge) I'll be pretty disappointed. I'm sure no one cares. Serif already has >$100 from me & I'll rush the queue to get at that publisher sweetness when it comes either way. But, real innovation & working with industry leaders (as serif has with x-rite) is what I'm looking for.
bring back the dedicated noise slider
WalterBeiter posted a topic in Older Feedback & Suggestion PostsPlease bring back the dedicated noise slider. I searched for hours finding the noise slider until I noticed it appears when you click the opacity slider. Why does Affinity not just show two sliders? Two sliders would be so much more user friendly and easier to find and use.
My own requests (respectfully!)
Teto posted a topic in Older Feedback & Suggestion PostsHi! New here, I've just bought the the soft, great feelings about it, amazing, I love it! But as usual, after few hours on it (the whole week-end, actually), I already have few requests about thing that are lacking for me. I am an illustrator and using Inkscape because there's no alternative in an affordable price. Adobe Illustrator? Well, forget it. Their actual price policy is a no go for me. Inkscape is painful in many ways but is a good program, very useful, and allows great things. But the truth is that it isn't very user friendly, and the workflow is not that good, for many reasons I won't explain, it's not relevant for what I want to request here. I must admit, it shines in few things that AD doesn't have, and I think it's really sad. I've read the roadmap, so I'll try to avoid requests already asked, except the ones I think that they are really important. 1°) Strokes done by vector object(s). Today they can be done plain, or with textures, but textures are in pixel, I'd like to use shapes, objects, samples, whatever. Why? Because we can do very good effects (when the object is stretched, not repeated), and it's not size dependent. Also, today, textures can be divided in 3, head, body (that is replicated) and tail. We could have many bodies and distribute them randomly along the stroke. Also we could add space between bodies/tail/head. Example of uses, music sheet, vegetation in the background, and so on. It's my N°1 request I think. 2°) Effects studio. Like in Inkscape. Its use is a pain, but is very powerful. With a better system (node based for example?) it could be a killer app'. It's essential for me. We don't need 100 effects, but """simple""" things like voronoi, blur (advanced), color modifications, transformations, and the ability to combine them at will, and we could create complex textures from scratch (like in Substance Designer) that are not size dependent. The actual effects available are good but too limited for my needs. 3°) Warp tool in vector. Like everybody here ^^... I know, it's already on the roadmap. 4°) Multiple gradient colors for the shape/stroke. I mean, if I fill a shape for example with a color, it can be a gradient (linear, elliptic, ...). I'd like to have an accumulation of gradients (with blending modes). I already have a workaround (I duplicate the shape, then fill each shape with a different gradient), but it would be time saving, as we can create 10 gradient for 1 shape and show 1 at a time. 5°) Export preferences in a file for all things we can keep in memory. For example, I can create my own pressure diagram for a stroke (if I use a mouse instead of a pencil) and keep it, a small icon appears. But I can't save it in a file. I'd like to. Many set tools set can be kept and reused, but can't be saved on disk. It's sad. 6°) Improve the pressure tool used in stroke and other things. Allow linear trajectories, bigger size for better adjustments... 7°) shapes filled by vector textures. Already asked, but I ask again. Too useful. With many parameters like distribution, size distribution, multiple objects put randomly (example of use: leaves on the ground in autumn), color distribution and so on. The distribution could be driven by other objects under (as rulers) or the color of pixelized textures. It's a little complicated to explain here, I can be more specific if you want. 8°) Perspective shape. I put many objects/layers/curves/whatever in a rectangular shape, and deform it to fake perspective. (like a ground, a wall). If i double-click on it it comes back to its rectangular shape and I can change things, and when I quit, the perspective is shown. Thanks, anyway. I'll update this post if I have other requests. (sorry for my english, it's not my native language)
I need better brush tool
cikandin posted a topic in Older Feedback & Suggestion PostsI think Affinity photo is lack of tablet support. I cannot draw very short line with my tablet (affinity photo ignores it). I am using intuos 4. If i want to draw very short line, I should zoom my image. (Affinity photo for ipad has same problem with apple pencil.) Even Pixelmator - I don't think it's real pro photo editing or painting tool - can do this easily. And I cannot draw a curve quickly. If I do that, affinity photo draws some short lines not a real curve. I think line stabiliser update is very awesome but I cannot use it cuz of these problems. please make it better.
[AP] right-click to choose tool/brush size
resunoiz posted a topic in Older Feedback & Suggestion Poststhere is very usefl function Affinity Photo is missing, and is present in photoshop. When using a tool in clone mode, painting, erasing etc you have to use the bar over the drawing to change the brush/tool size. instead may be very fast and useful to choose the brush dimension with right-click, avoiding to move from the drawing part you're editing. Can it be possible?
Convert colors by values instead appearance
Markus Dierolf posted a topic in Older Feedback & Suggestion PostsPlease include the option to choose how the color of objects which handled that will be pasted from the clipboard into documents and the particular color profiles are different: Convert into the value of the document profile and preserve appearance or Preserve the values and asign the document profile (this option I'm missing) It would get rid of the problem that elements look different if copied into a document from another used a different color profile (for example: from a Generic Profile document into an ISO Coated prodile document the color will change if the color values are not preserved). PS: Sorry, I have only a german screenshot from Illustrator for example. But hopefully you understand what I mean.
more request
feste posted a topic in Older Feedback & Suggestion Poststo be independent of other vector software there are many necessary functions. Lists:1) Conversion to line vectors. If I have a line with a style I have to be able to "explode" it into an editable file. In most cases this is necessary.2) Dynamic deformations. I find it important to be able to deform a dynamically grouped object (maybe with a frame with vectors) - I have not found this yet, but maybe there is.3) vectorization of bitmap files. This is an increasingly frequent need.
feste posted a topic in Older Feedback & Suggestion Poststo be independent of other vector software there are many necessary functions. Lists:1) Conversion to line vectors. If I have a line with a style I have to be able to "explode" it into an editable file. In most cases this is necessary.2) Dynamic deformations. I find it important to be able to deform a dynamically grouped object (maybe with a frame with vectors) - I have not found this yet, but maybe there is.3) vectorization of bitmap files. This is an increasingly frequent need.
Is Stroke or Fill "Selected"?
metajake posted a topic in Older Feedback & Suggestion PostsHi all. Thank you for your work on Affinity Designer. 1. Let's imagine that I am creating some vector art (see screenshot, below). 2. My goal is to remove the selected object's Fill color. The problem is that if I want to use the "/" hotkey (to remove the color) or "x", "/" (to switch from Stroke to Fill and then remove the color) ... I don't know whether the STROKE or the FILL is currently "Selected". (A**** Illustrator solves this by always showing the Stroke and Fill in the Tool Bar (see screenshot, below)). In my case, I have to first take my hand away from the keyboard to move my mouse, then open the Color Panel, to find out whether the Stroke or Fill is selected. This creates an extra 2-3 second, unnecessary step in my workflow. My recommendation might be to add a "Selected highlight" around the Fill or Stroke color in the Context Toolbar which is displayed far more frequently than the Color Panel (see screenshot, below). Thank you, again, for your work!
Please please Please could you add the following feature to Affinity Photo: -Targa/TGA Export. (i can open Targa files but cant export them as Targa) - Angle Snapping for 'polygonal' Free Hand Selection tool and for when rotating with the move tool. (Super useful for accurately aligning along a certain angle) These two are the most important feature for me and would happily ditch Photoshop for these features.
Request basic 3D system and new 2D animation software
Mauritz posted a topic in Older Feedback & Suggestion PostsI can imagine that these features have been requested a lot but a 3D system such as in photoshop would be awesome. I could need it really often and it would improve my workflow by a lot. Another thing I want to make you consider is improving the old DrawPlus or make up an entirely new 2D animationsoftware. I realized that there was non good Animation Software, at least for my needs, and so iI would love if this was possible. Ive seen it a lot that other people got the answer that their proposals were not the planned way for serief, but this would be quiet urgent. Because i had to animate a Chart, I was searching for program and bought DrawPlus, which I came to realization, was aweful. I could not copy and paste my needed vectors in there without an immense detail loss, the backgroud was turned white and the in software programs for background removal where not useable at all. And every other software I downloaded had similar issues. In the end I had to export every single frame out of Designer and assemble them to a GIF in GIMP2. And that was a huge amount of work to do. If you cinsider my Idea I would be pleased to give some suggestions for handy features. Mauritz
Independent Blend Modes for Stroke and Fill (AFD)
profbetis posted a topic in Older Feedback & Suggestion PostsHaving independent blend modes for stroke and fill would be really handy. For example, I recently discovered the Erase blendmode, which is a godsend for not needing to manually expand and boolean things. Something I like doing is to give stuff padding by expanding the shape, "bulging it" in all directions, and then cutting that out of what's beneath, giving a sort of cell shaded look, but as if the outline is the background color. Being able to have the Stroke have an Erase blendmode would make this extremely handy and powerful, and I can imagine using strokes in "add" or "screen" blendmode for a sort of glowing outline.
Feature Request: Ability to playback & save history as video/gif
Fudgepop01 posted a topic in Older Feedback & Suggestion PostsHello, I've been poking around the internet some after seeing an ad about this app that caught my eye while browsing youtube videos. This application seems like the perfect blend of just about everything I need all in one, subscription-free package, and It definitely looks impressive. I've just got one niche little feature request that I'd like to see at some point in the future, if possible: Can you add the ability to play-back and save the history as a video/gif file? I love being able to visually see progress - especially when I can see each step along the way to further enhance/review my understanding of what I can do and how I can do it. Even though I'm looking to download it as just an app for now until I get into super professional stuff (if ever), I still think some desktop users would appreciate such a feature. The only way to do something of the sort is use a sort of screen-recording software, which can quickly eat away at available storage space with all the down-time that may exist without editing it manually.In my head, it sounds simple, for the history slider is already there... but the programmer side of me says anything can be difficult when you least expect it. :P Thank you for your consideration! I'll get to buying and using the app soon! :D
[AD] Autoselect stroke or fill color
Kaze posted a topic in Older Feedback & Suggestion PostsI've already posted this in Questions & Feedback but since it doesn't seem to be implemented yet, I'm adding it as a request. For example, I have a square which only has a fill color (no stroke). If I click on another shape, let's say a circle and I'm changing it's stroke color, when I click back on the square, I would like the color panel to auto-select the fill attribute (since it's the only attribute the square has) instead of keeping the stroke attribute selected (from the previous change). My logic is that I would want to change it's color rather than add a stroke to it. This way would eliminate an unnecessary extra click and speed you up when you'd have to repeat the action several times.
Trace Tool
vanlooverenkoen posted a topic in Older Feedback & Suggestion PostsAre there any updates on the Trace Tool? I found some info about it in a 2014 post that it was coming to affinity designer. But I think it isn't yet in the application. Any updates on a release or a test version?
Usable/Editable World Map for AD. Does anyone have one?
Robert Indries posted a topic in Affinity on Desktop Questions (Mac and Windows)Hey guys! I find myself needing to use/edit a high quality world map for various projects. The maps I've found so far are really under the quality standard we put into the design, but I didn't find a good one. Does someone maybe know of a free vector world map or something like that somewhere? Would appreciate it. Thanks!
Live Painting
DVersalli posted a topic in Older Feedback & Suggestion PostsPlease introduce a painting tool similar to the live paiting of Adobe Illustrator? You've been missing a lot of migration.


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Jake Sinclair wears a suit to work when producing Weezer's forthcoming album. Although what he refers to as his day job rattled the rock world this past week with the official announcement of Weezer's tenth studio album, Jake can't quite hide his excitement regarding his part in it, taking fractional credit for Rivers Cuomo's beard and the album's supposed nostalgic sound. After all, he was the one once in a Weezer cover band. And now he's producing The White Album.
However, when the suit comes off, music sounds a little different for the Grammy-nominated Taylor Swift, Fall Out Boy and 5 Seconds Of Summer pop producer - a little more broken and a lot more tropical. In a side-project titled Alohaha, Jake and ex-girlfriend/poet Lyndsay Thornton, decided to turn their angst and pain into something productive, by forming a dual-inspired Hawaiian-themed break-up record.
But although an exceptional sonic success, the project also went beyond the estranged couple's expectations. It brought them back together.
Tell me about the inception and how Alohaha was all formed.
Musically it's mostly me. The girl that's singing on the record is my friend Morgan from the band M83. My girlfriend is actually responsible for most of the lyrics. It was her poetry that I've adapted into songs mostly. We were in the process of going through a break-up and I was kind of making a bunch of sad Hawaiian music and she was writing a bunch of poetry. She's Canadian and lives in Vancouver and has a stomach condition calls gastroparesis. The healthcare is good up there. But we were kind of seeing other people and it was difficult. That was the way that we started communicating again, poetry and music. It just kind of formed musically after that.
Are you still broken up?
No, we're back together. We started working on the music and it got us talking again and we got over things. After I made the record is when we got back together.
That's incredible. Because when listening to the project, you hear the emotion. It's a break-up record. So I'm happy music helped you communicate in order to mend things so that it can maybe do the same for others that hear it.
One of my favourite albums has always been Beck's Sea Change. Usually a break-up record is my favourite type of record but I never thought I would make one. It's usually from the perspective of one person and this is from the perspective of two people. The first song that we put out, 'Welcome To Your New Life' the verses are from a poem of Lyndsay's and the choruses I wrote. So it's interesting. It's from both of our perspectives.
Obviously you've been doing music for a very long time and you're very successful at what you do. But how is this different from anything you've ever done?
For me, with Lyndsay's suggestion - I used to be in an indie, kind of hipster band, it was called The Films and now I work as a sort of pop producer. Lyndsay was like, you need a creative outlet, before I started even working on the record. I realized that I needed to make it completely opposite from what I was working on for it to be the right yin vs yang cathartic release. I was actually producing Fall Out Boy's record the whole time that I was writing Alohaha. It was Alohaha in the morning and then produce Fall Out Boy in the afternoon. I like the kind on opposite aspect of it. And even production-wise, I wanted it to be different from what I was producing. I don't have a voice that's Patrick from Fall Out Boy or Rivers from Weezer or any of the people that I work with. I was conceptualizing it. I wanted to track it all live to a tape machine with no computers involved. It's kind of a completely opposite experience as far as the creation. I recorded all the music in a total of three days. We just played it, basically.
What about for Lyndsay. Has she ever done anything like this before in her life?
No and I don't think she meant to be a part of it. Five or six songs on the record are from her poetry. It just happened so naturally that I couldn't stop it. I think she's really grateful that it worked out that way, but I think that she looks at it the same way I do, that it is a really beautiful piece of art that we were lucky enough to create together.
Where did the Hawaiian theme for the two-track release come from?
I've grown weary of song format, where everything is three and a half minutes and it goes verse, chorus, verse, chorus, bridge chorus. It seems like each time that someone puts out a song, it's competing for the attention of a single even if it's not. I felt so trapped by it, so I decided that, if I just let them all run together like a medley - one of my favourite things is Abbey Road side two from The Beatles and one song starts and another one stops and it's kind of all over the place in a cool way. Like an uninhibited flow of ideas. That's what I decided to do. And call it side A and side B. I'm releasing 'Welcome To Your New Life' and the other one is called 'Nausea.' But there are essentially four more songs after that. Some of them are little pieces of music. Some of them go verse, chorus and then they're done. It's kind of a different experience. And they're both about fifteen minutes long. I like the idea of a shorter album like that. About a half an hour. My recording studio is partnered with a vinyl mastering lab and I asked them what the ideal length for sound quality on a record is and they said fifteen minutes. I've always gravitated towards the patterns in music theory. I have a friend in Nashville named Josh Taylor and he plays Hawaiian guitar and he was showing me all these different things he was working on and I asked him to play on the record and it just happened. I realized that if I just had the Hawaiian guitars, it would make the sad break-up vibe that I want, without even thinking about it. And so, we came up with the name Alohaha for his Hawaiian cover-band in Nashville. He didn't like it so I was like, can I have it?
Even though you mentioned that it's just a great piece of art for you, is Alohaha something that you can really see taking to the next level and continuing to put out new music and be consistent?
Yes, because it's a really easy format for me to execute. It's, in some ways, less daunting than making a normal album, because it's allowed to be weird. And I also don't like playing live, so it's the kind of thing that I can see myself doing one a year of. We already have the next one mapped out. We think we're going to call it Rx, based on Lindsay's journey of trying different medication over the past year and a half. It hasn't been so rosy.
So I was also told that you're working on the forthcoming Weezer album. What can you tell me about that experience and how that all came to be?
I just finished it yesterday actually. It got mastered. I was a huge Weezer fan as a kid. I had a cover band and I actually engineered a song for them in 2009 called '(If You're Wondering If I Want You To) I Want You To.' I reconnected with Rivers about a year ago and we dove really deep into figuring out how to crack the Weezer code and kind of get back to the writing style of the first two albums. I made him grow a beard, because he had one during Pinkerton. We went down the weird rabbit hole and it was really fun. I couldn't be happier with the record.
Congrats on that dream playing out. What would you say you brought to the table with this forthcoming album with Weezer?
With Alohaha, it's really my baby. I bring the musical tone and writing and melodies. With Weezer, I'm more of a typical producer. I wear a suit to work and I like to tell everyone what to do and spend a lot of time micromanaging and fine-tuning each little part, as only a kid in a Weezer cover band could do. It's pretty fun.
Alohaha's A side/B side self-titled album is out now. Weezer's The White Album is out April 1.


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Trends in the Treatment of Resectable Pancreatic Adenocarcinoma
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Multiple prospective, randomized trials have demonstrated that the addition of adjuvant therapy after surgical resection of pancreatic cancer improves survival compared to surgery alone. However, the optimal type of adjuvant therapy, chemotherapy alone, or chemotherapy combined with chemoradiation therapy remains controversial. Our aim was to examine the treatment trends for surgically resectable (stages I and II) pancreatic cancer in the USA using the National Cancer Database.
The National Cancer Database (NCDB) is a national oncology outcomes database for over 1,500 Commission on Cancer accredited cancer programs. Patients diagnosed with stage I–II pancreatic adenocarcinoma between 2003 and 2010 were selected from the NCDB Hospital Comparison Benchmark Reports. Attention was paid to the initial treatment regimen, such as surgery alone, surgery plus chemotherapy, or surgery plus chemoradiation. In addition, data on hospital setting (teaching hospitals vs. community hospitals) were collected and analyzed. The Cochran–Armitage test for trend was used to assess changes in treatment over time.
Fifty-nine thousand ninety-four patients with stage I–II pancreatic adenocarcinoma were included in the analysis. Between 2003 and 2010, the use of surgery alone as first course treatment of stage II disease decreased significantly at both teaching hospitals and community hospitals among patients who underwent surgery (P < 0.0001 for both cases). In the same period, the use of chemotherapy in addition to surgery as treatment of stage I and II disease increased at least twofold at both hospital settings (P < 0.0001 for all cases). Treatment with surgery plus chemoradiation decreased significantly for both stages in both hospital settings (P < 0.0001 for all cases). Nonsurgical treatment for stage II disease was surprisingly high and significantly increased over time (P < 0.001 for both hospital types), ranging from approximately 30–37 % at teaching hospitals and 39–47 % at community hospitals.
Data from the NCDB from 2003 to 2010 illustrate changes in the adjuvant treatment of pancreatic cancer. The use of chemotherapy alone as adjuvant therapy increased whereas the use of multimodality therapy decreased. In addition, there remains an alarmingly high rate of nonsurgical therapy for stage I and II disease.
KeywordsPancreatic cancer Surgery Adjuvant therapy
The author (SR) would like to thank the Case Western Reserve University School of Medicine for providing support with the Dean's Summer Research Award for first-year medical students.
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Concierge business plan
Service business uctiongodsend concierge service (gcs) is a full-service concierge primarily serving the untapped corporate market in eugene, oregon. If running a small concierge service, you can create a home office and run it out of your home.
Concierge service business plan
Businesses you can start without a lot of pros and cons of starting a private tutoring pros and cons of starting a social media consulting pros and cons of starting a pet grooming pros and cons of starting a home-based child care pros and cons of starting a home painting pros and cons of starting a pet sitting pros and cons of starting a virtual call center pros and cons of starting a dog training pros and cons of starting an image consulting pros and cons of starting a proofreading pros and cons of starting a video production pros and cons of starting a pooper scooper pros and cons of starting a composting > sample business plans > people just don't enjoy spending their free time running errands and performing household chores; their time le! Merchants (tm) is in the business of providing consumers with two of the most precious commodities in today' society - time and convenience.
Personal concierge business plan
Employers will welcome our service as it provides another form of compensation used to attract qualified most important objectives for the first three years include: the utilization of gcs in at least four of the top 10 local companies, and to increase our number of clients served by 20% per year through superior performance and word-of-mouth companythis will be a home-based business with taylor gogetter as the sole proprietor. Also included in this start-up kit is a copy of liveplan software, the world's best-selling business plan al services industry valuable financial intelligence and industry trends for personal concierges and related businesses in a personal services industry research report.
It covers such basics of the personal services business as finding clients, defining your service niche, legal requirements, finance, marketing, and more. Gcs can provide concierge services to companies at a lower will also service individuals who recognize the value in having someone else do tasks that they do not have the time for or, after cost/benefit analysis, decide it is not worth their time to complete the task.
Articleshow to become a conciergehow to become a travel agent onlinehow to be a travel agenthow to develop a tourism text shared under a creative commons d by answer account yet? I highly recommend creating your simple website to attract local clients, but you can also use the following services to meet possibly new art – grocery shopping n shipper – facebook buy/sell can find more on-demand freelance sites in our post, a to z list of where to find work in the on-demand with any business, don't overlook your best marketing tool – your clients and friends.
You will need to find out about personal liability insurance and business you hire employees or independent contractors, and what are the current employment laws? While many concierge businesses cater to a variety of needs, others like to focus on particular niches.
If you are already an rge, you may want to consider furthering your career with rge service of your are several advantages to owning your e. Services to of the big draws of personal assisting to me was the variety of tasks involved.
Howitt, founder of slh lifestyle + concierge, has stopped by to help us navigate how to start a personal concierge service business. Customers who call our referral hotline can ent that they will be referred to a reputable home service provider that meets the quality performance criteria set .
Once you purchase your domain name and hosting, you'll be able to get an email address that reflects your business name. If there are a lot of corporate concierge services in your area, consider catering to a different demographic, such as work at home professionals or busy families.
Platforms like godaddy bookkeeping and wave are affordable and easy to are many affordable ways to create a website for your business, but i highly suggest using a multidimensional content management system, like wordpress. Sample plan for buy the time illustrates how a personal gift buyer serves the needs of busy executives to create a business resource g for more resources to help you start your coffee house or cafe?
Most personal concierges are niched in either the type of clients they service or the type of services they g errands like picking up the kids or dry list goes on and on. Proficient concierge employs every ethical means of requests so long as it is morally, legally, and le.
To start your starting any business, there are a lot of important things to consider:Do i need to form a business entity such as an llc or s corp? Doing a business name search can a person use a business name thats on the east coast but not in your state, city, etc?
Time merchants plans to mitigate this risk by building a strong foundation of trust between our providers and ers. Some concierge businesses will even offer chef services or food preparation t agencies and venues you think you will use frequently for your clients.
Make a note if the contact will offer special pricing or unique services for your ine the location of your new business. This is also a good time to look at available domain names for your will need to keep track of all of your business expenditures and sales by opening up a separate bank account for your business.
You may need more than one license if running a business from your type of insurance will you need to carry? Concierge manual: the ultimate resource for building your concierge and/or lifestyle management to find 's important to get out into your community to network and introduce yourself to potential clients.


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Can Animals Improve Your Mental Health?
Since last summer I have gained another furry friend and am excited for our summer adventures. I adopted a puppy with Colorado Rescue Tails named Roxy. Through personal discovery, client's stories, and some reading I have learned how therapeutic our pets can be. Pets can help with motivation for exercise, socializing, loneliness, and many other things. Many studies have shown a correlation with …Read More


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Gameplay and Prizes – Romantically Embellished Gameplay and Full Stock of Prizes
The gameplay is accompanied by artificial jingle sounds that can be heard each time you launch the reels. In the Cupid's Arrow slot game, you will encounter 5 user-launched reels and twenty win lines, and it is quite a standard range of features for such an ordinary game.
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Theresa May is either sleep-walking towards what could be one of the greatest political upsets in decades or she will pull a rabbit out of the proverbial hat and silence her critics.
Everything will come down to the momentus event that will take place on Tuesday 15 January, when MPs vote on the PM's Brexit deal.
At the time of writing all the signs point to the MPs rejecting the deal, especailly if we consider that she has not been able to agree any further concessions with the EU and that the DUP (whose MPs are propping up the governemnt) does not support the deal.
Theresa May has been repeating the same message for weeks, which is that it is either her deal or the UK will revert to WTO rules when we leave the EU. She has explained this in more ways than I could imagine, but her message has at least been consistent.
As a seasoned parliamentarian, Mrs May will know exactly what her supporters and detractors are thinking, and unless she is totally deluded our PM must be aware that she is heading for a fall.
Or is she?
Perhaps our PM has something up her sleeve and that she has in fact been able to agree something with the EU, which will make the deal more palatable to everyone and that she wins the vote. It is hard to imagine that the prime minister has been able to conduct secret talks with the EU, which will ensure that the vote is won, but it is equally unlikely that Theresa May would walk into the House of Commons on 15 January knowing that she will lose.
The only other explanation is that the PM is expecting to lose so that she can fly over to Brussels and explain that if the EU want to avoid the no-deal Brexit, and safeguard 39 billion euros, then they must be prepared to make further concessions.
The only thing we know for sure is that businesses across the UK are desperate for clarity, whether they voted to remain or leave. This lack of clarity and the doubt over future trade agreements with the EU is putting investment decisions on hold, which will start to have an impact on employment and productivity.


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Stephen Palumbi: Following the mercury trail
Submitted by alexku on Wed, 06/30/2010 - 17:12
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There's a tight and surprising link between the ocean's health and ours, says marine biologist Stephen Palumbi. He shows how toxins at the bottom of the ocean food chain find their way into our bodies, with a shocking story of toxic contamination from a Japanese fish market. His work points a way forward for saving the oceans' health -- and humanity's.
« Clay Shirky: How cognitive surplus will change the world Carter Emmart demos a 3D atlas of the universe »


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You are allowed to become an ACCA member when you have completed the ACCA Qualification exams, ACCA's Practical Experience Requirement (PER) and the Ethics and Professional Skills module. Create your own USP in the market.
With the programme, you set yourself apart as a qualified accountant and auditor, and show your commitment to high ethical and professional values and to lifelong learning.
The programme gives you the opportunity to choose where you work – in any sector, anywhere in the world. It increases your employability as employers recognise the value that the ACCA Qualification adds to their business.
It keeps you at the top of the profession.
Markus Verbeek Praehep has Silver Learning Partner status with ACCA, guaranteeing high quality and learning standards.
This course has been developed for the (future) accountants and auditors working in an international setting. You would like to develop your knowledge and skills in the areas of performance management, taxation, financial reporting and audit and assurance, among others. This course allows you to obtain the ACCA title, a globally recognised qualification for auditors and accountants.
You should have work experience and/or experience studying at a Bachelor and/or Master level.
You will complete 13 compulsory papers. The ACCA Applied Knowledge and Skills papers lead up to the Strategic Professional papers. You are required to follow all Knowledge and Skills papers and the 2 Strategic Business papers. In addition, you have to choose 2 out of 4 optional Professional papers.
Many students are entitled to exemptions for some or all of the Applied Knowledge papers. Make sure to contact ACCA to determine whether you are obliged to complete these papers.
The course will be provided by tutors with extensive experience in the field. You attend the lessons and do the assignments. Each training session will be recorded and can be watched online within our virtual learning environment. This enables you to revisit subjects and optimally prepare for your exam.
Alternatively, you can complete individual papers or a package of predefined papers. Visit the website for a complete overview of ACCA courses on offer.
Studying the theory and doing the assignments amounts to a study load of approximately 5-7 hours per meeting.
ACCA Accountant in Business (AB / F1)
ACCA Management Accounting (MA / F2)
ACCA Financial Accounting (FA / F3)
ACCA Corporate & Business Law (Global) (LW / F4)
ACCA Performance Management (PM / F5)
ACCA Taxation (UK) (TX / F6)
ACCA Financial Reporting (FR / F7)
ACCA Audit & Assurance (International) (AA / F8)
ACCA Financial Management (FM / F9)
ACCA Strategic Business Leader (SBL)
ACCA Strategic Business Reporting (SBR)
Choose 2 out of 4 papers below:
Your training will be recorded and can be watched online within our virtual learning environment. This enables you to revisit subjects and optimally prepare for your exam.
Each paper will be concluded with a computer-based or paper-based exam. The exams will be conducted by the external examination authority ACCA. See www.accaglobal.com for more information regarding the planning and booking of your exams. Costs have to be paid directly to the examining body.
At the moment we are finalizing the lesson plan. Are you interested and would you like to start? Fill in the form below and we will keep you informed. You can also contact our training advisers via telephone number 035-6 400 411
On average, it takes 2.5 years to complete the programme. Each paper is covered in 4 or 5 training days/study days. A paper is divided into 2 phases with a gap of 1 or 2 months between each phase, allowing you to process phase 1 and prepare for phase 2:
Classes for the Applied Skills papers and Corporate and Business Law consist of 4 consecutive days. This covers the ACCA syllabus for this paper and prepares you for your exam.
Training days start at 10.00 a.m. and end at 5.00 p.m. Each day consists of 2 meetings and a lunch.
Interested in taking this course? Or would you like to receive more information? Our study advisers are always happy to help. You can reach them:
Course fee: € 9.490,-
Study materials: € 1.350,-
Reproduction rights: € 15,-
The above amounts are based on a payment in 1 instalment and include an 8% discount.
You can also pay for this training in 2, 9 or 24 instalments.


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Address Plant Pots
I love paint! From a quick spray paint job to roll a wall in a day; it can be done quick and has a massive impact. These plant pots are a great example for it! It can be done within a couple of hours, or a day including drying.
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Though the numbers provided indicate a bigger show14 countries, 500 foreign delegates, 285 companies and 50,000 business visitorsthe pointers quite clearly suggest a sheenless market. Moreover, with more smaller players and non-IT companies (including NGOs, insurance vendors and placement consultants) participating, the event runs the risk of being a mere trade show for sellers. Unlike the previous years, IT.Com 2003 has not partnered with any country.
The only evident continuity seems to be the participation by other Indian states showcasing their IT thrust. Even here, close to 10 states that have been participating in the Bangalore IT.Com for the four years, are now seeing a noticeable down trend this year and cite visibility as the only reason for their presence here.
Speaking to eFE, West Bengal state representative Ruma Sengupta said, The first and second editions of IT.Com were really impressive. We got some quality visitors which assured us the visibility that we were aiming to get from participating in IT.Com. This year, the interest and impact of this show seems to be dying out.
With the larger well stablished players (except HTMT) opting to stay out, the floor has pretty much been left to smaller establishments trying to attract students to join them.
However, the state officials insist that the event was a success. According to STPI Bangalore director BV Naidu, the state consciously decided not to partner with any particular country. We believe that people have got excellent response for the event. With regard to bringing down dignitaries, we faced some delays with the ministry of external affairs, he said.


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By Shannon Webb-Campbell and Sue Sinclair
Reporting Live From the Critic-in-Residence Relay
The new year sees Sue Sinclair passing the baton of Critic-in-Residence to Shannon Webb-Campbell, CiR for 2014. As Sue lets the baton go and Shannon grasps it, they pause to exchange a few questions before Shannon sprints down the track and Sue heads to the locker room.
Shannon: What are some of your highlights from your experience of CiR 2013?
Sue: I'm quite interested in thinking about literary criticism: why it matters, how it gets practiced and by who, what shapes it might take, what it can and can't do. Because I'm curious about such questions, I found participation on panels on criticism—both at the Blue Met Festival and at the Railroad Reading Series—to be stimulating. The existence of these panels and my invitations to participate as CiR also revealed an interest in CWILA and the work its members are doing, which I was glad to see from the wider literary community. The most rewarding aspect of my work, however, was the series of poetry discussions I hosted at the Atwater Library. It expanded my notion of what practicing criticism is, i.e. not necessarily the honing of a univocal response by way of the written word but also the cultivation of multiple perspectives through face-to-face encounters between readers. One of the things I hope criticism can foster is alert and engaged readers, and I and the other participants worked toward becoming such readers at the Atwater Library this year. The experience also confirmed for me that two heads are indeed often better than one: at every discussion I found my readings of the poems in question enlarged.
Shannon: Why do you think the CiR position is important for CWILA?
Sue: With the institution of the Critic-in-Residency, CWILA members have not only identified a lack of representation of women in criticism but have also made efforts to do something about the lack. The residency is a concrete measure that steers clear of the awards culture, that I find problematic. I think the position is likely to yield fruit over the long-term: each year a new woman/genderqueer person will take up the practice of criticism and will hopefully continue to do critical work after their term such that the number of female/genderqueer critics builds. I also think it's a useful position given that anecdotally it seems that many women and genderqueer people underestimate their capacities and can be backward about presenting themselves as legitimate critical voices. Having the title of CiR helps a person feel more secure in presenting herself as a critic to the general culture; being given the position is a vote of confidence, and I certainly felt that support this year.
Shannon: What are your aspirations as a critical thinker and poet post-CWILA CiR?
Sue: I must confess that at the end of my tenure, I'm still not entirely comfortable writing reviews that point out weaknesses in a writer's work in a public forum. Nor am I comfortable writing only about books I have found enriching. But I also think that to publish is to ask to be heard and that if handled well, critical response can be a way of saying "I hear" even as it notices failings. So I aspire to continue to negotiate this uncomfortable territory, showing respect for the effort that goes into the creation of a book even when my reading experience falls short of what it could be. I've also become increasingly interested in the possibility of co-writing reviews in an attempt to disperse the overly authoritative aura that can cling to the voice of the single critic. So I'm finishing my tenure by writing what I hope will be the first of several co-reviews.
Now Sue, though out of breath and looking forward to a shower, runs alongside Shannon and asks her a few questions:
Sue: What drew you to the work of CiR for CWILA?
Shannon: As a freelance arts journalist and book reviewer for Quill and Quire, Telegraph Journal, Room Magazine and The Coast, I tend to engage with the critical work of Canadian women writers, especially poets, and contemporary fiction writers who are queer, Indigenous, and write outside the lines. When I came upon the application for the CiR 2014 program, I found myself intrigued by the position. I questioned my internal role as a reviewer in Canadian letters and the work I was drawn to, and found myself answering the call to further develop the critical work of Canadian women, queer, and Indigenous writers under the framework of the CWILA CiR program.
Sue: I know you as someone who took a pretty innovative approach to an interview we did a while back: you suggested we start by exchanging handwritten letters—a rare enough exchange between friends these days, let alone between people who had never met! I thought it fostered a sense of trust between us, and I appreciated that as interviewer, you were willing to get personal and reveal things too. It almost certainly encouraged me to dig deep for my answers. I have two questions for you coming out of that experience. First, are you interested in pursuing other critical innovations this year?
Shannon: When I pitched the Salon cover story during your University of New Brunswick writer-in-residency to Telegraph Journal two winters ago, I knew I wanted to approach our interview with a sense of intimacy and poetry. At the time I was working at Quill and Quire in downtown Toronto, and you were living on the East Coast, so a proper interview over tea and treats wasn't possible.
The next best thing we could do together was a letter exchange. I remember sitting down in a park where the tulips poked through the snow on my lunch break reading your letter, intrigued by your handwriting, and thankful you were so open to such an unusual interview request. I felt a kinship, and a sense of critical possibility.
I try to approach any form of criticism with a sense of creative flair. I believe art should be met with art. Criticism is a conversation, and any good conversation deserves a listener, equal time to speak, and a sense of artful curiosity.
During my time as Critic-in-Residence, I intend to write a "Manifesto for the Canadian Women in Literary Arts," and invite fellow writers and poets to participate in a collaborative visual project involving the text. Also, I will steadily continue to pursue publishing reviews that contextualize criticism and creativity.
Sue: And the second question stemming from that most unusual interview: do you think there's a role for the personal in the work of the critic?
Shannon: I understand the distance between subject and author in terms of ethical and professional criticism. It's par for the course in our boundary-driven society; yet, many critics gravitate towards the work they wish to engage with. Editors have a keen sense of what books suit certain reviewers.
There is a duty for a critic to be honourable of their position, and let readers know their relationship to the work, as well as their stance. But I do believe there is room for the personal as long as the critic is respectful and remains true to the work itself.
For example, National Post book reviewer Stacey May Fowles sometimes places herself in the midst of her critical reviews, and contextualizes her life experience with the work she reviews. The personal is the political. As a reader, I feel safe and visible within her critical reviews. I trust her.
When Fowles reviewed Amber Dawn's How Poetry Saved My Life: A Hustler's Memoir (Arsenal Pulp, 2013), her confessional introduction about the experience of having her sexual assault poem published immediately engaged me as reader on a personal and visceral level. Not only did her personal narrative echo the subject matter of Amber Dawn's ferociously brave memoir (which I later reviewed for the Telegraph Journal), but it also opened up an entire conversation for women in Canadian letters. If we can't talk about rape culture in literature, and by extension in our critical reviews, then where can we? [You can read Fowles' review here]
Sue: Which leads me to the question of who you write for as a critic. Who do you imagine as your audience?
Shannon: In terms of audience, I attempt to reach and engage as many readers as possible. Age, gender, nationality, geographical location and occupation are all variables. My role as a critic is to engage newspaper, magazine and online readers with the work occupying the current cultural climate. It is my responsibility as a critic to remain honest, aware, and inclusive.
Sue: What do you hope to offer those readers?
Shannon: I hope to offer readers a variety of literature and poetry from all sorts of voices and backgrounds, to broaden their literary horizons and continue to foster a love of books. I want to ensure women, queer, and Indigenous authors occupy space in the minds and hearts of the reading public.
Gracefully taking up the baton, Shannon charges ahead for a full year as CWILA's Critic-in-Residence for 2014.
Sue Sinclair is the author of four books of poems; her latest collection is Breaker, published by Brick Books in 2008 and finalist for the Pat Lowther Award and the Atlantic Poetry Prize. She was CWILA's inaugural Critic-in-Residence for 2013 and a writer-in-residence at the University of New Brunswick. Sue is currently completing her PhD in philosophy at the University of Toronto.
Shannon Webb-Campbell is a Canadian writer, poet and arts journalist. Currently, she is earning her MFA in Creative Writing from the University of British Colombia, and holds an English Literature and Journalism degree from Dalhousie University. Her writing has appeared in the top Canadian magazines, anthologies and quarterlies such as Riddle Fence, Quill and Quire, and Room, among many others. She is working on a book of short fiction, as well as a collection of poetry. She grew up outside of Toronto, calls Newfoundland home, and lives in the north end of Halifax.


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In her article, Dr. Sunny Stout Rostron continues to investigate coaching models that influence the work of business and executive coaches worldwide. Here she examines the use of the U-process model for coaching individuals and groups.
by Dr. Sunny Stout Rostron
Dr. Sunny Stout Rostron, DProf, MA is an executive coach and consultant with a wide range of experience in leadership and management development, business strategy and executive coaching. The author of seven books, including Business Coaching Wisdom and Practice: Unlocking the Secrets of Business Coaching (Knowledge Resources, 2009), Sunny is the Director of the Manthano Institute of Learning (Pty) Ltd. and founding president of COMENSA (Coaches and Mentors of South Africa).
Coaching as an experiential learning conversation
The U-processThe U-process is sometimes known as the process of transition. In the field of coaching, this U-process is typically represented in Scharmer's model of change. In the process of transition, the client can move from anxiety, through happiness, fear, threat, guilt, denial, disillusionment, depression, gradual acceptance and hostility to moving forward.
The U-process is considered a mid-range change theory with a sense of an emerging future. Scharmer's process moves the client through different levels of perception and change, with differing levels of action which follow. The three main elements are sensing, presencing and realising. These represent the three basic aspects of the U (Figure 1).
Source: Adapted from Senge, Scharmer, Jaworski and Flowers (2005:88)
Figure 1: Scharmer's U-ProcessModel
This process helps the client to work at different levels of perception and change, and allows different levels of actions to follow. All three are extensions of the learning process. As the coach and client move into the U, sensing is about observing and becoming one with the world; presencing, moving to the bottom of the U, is about retreating and reflecting and allowing an inner knowing to emerge, and realising as you move out of the "U", is about acting swiftly and with a natural flow from the knowledge and understanding that has emerged.
The U-theory suggests co-creation between the individual and the collective, i.e. the larger world. It is about the interconnection or integration of the self with the world. At the bottom of the U, as described by Scharmer, is the "inner gate" where we drop the baggage of our journey, going through a threshold. The metaphor used here is that of "death of the old self" and "rebirth of the new self" and the client emerges with a different sense of self. There is a lovely dialogue between Wilber and Scharmer discussing the seven states and the three movements in this one process (Scharmer, 2003) on the Web.


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Does MRRD website solve your relevant questions?
External – Vacancy Announcement
The Citizens Charter is a National Priority Program (NPP) of the National Unity Government (NUG) that was officially launched on September 25, 2016.
The Citizens Charter is an inter-ministerial, multi-sectorial NPP, where Ministries have collaborated to provide basic services to rural communities. The key service delivery ministries involved are: Ministry of Rural Rehabilitation and Development (MRRD), Ministry of Education (MoE), Ministry of Public Health (MoPH) and Ministry of Agriculture, Irrigation and Livestock (MAIL), with oversight by Ministry of Finance (MoF). MRRD has a key role and will be responsible for infrastructural development and strengthening CDCs and Cluster CDCs. The Community Development Councils (CDCs) will be linked to sub-national government to improve communication and coordination from the community to the district, provincial and national levels - increasing Government visibility and accountability. The Citizens' Charter is an important foundation for the Government's reform agenda, contributing to a number of priority areas including: Ensuring Citizens' Development Rights; Building Better Governance; Reforming Development Planning & Management and Developing Partnerships.
The Citizens Charter intends to improve service delivery by ensuring minimum service standards, provide greater responsiveness by the Government to the people and increase the level of public satisfaction with services. The Charter commits to deliver the following core services across the country over a 10-year period:
Title: Carpenter
Vacancy Announcement No: 228/ HRMD/CCNNP/MRRD
No. of Post: 1
Gender: Male/Female
Duty Station: Kabul HQ
Duration: 1 Year (Extendable)
Salary: As per NTA Salary Scale
Announcing Date: 4 - December 2018
Closing Date: 20 - December 2018
Key roles and Responsibilities:
Job Summary:
The employee will be directly responsible for all CCNPP offices to paint, varnish related materials and made furniture or equipment. Repairs all table, cupboard, maintains walls, ceilings and clean equipment, making partition for offices.
Job Responsibilities:
Minimum Specialized Qualifications:
Required Work Experience & Qualification:
Core Objectives & Competencies:
Core Objectives: (Minimum 3 and Maximum 5)
Core Competencies:
Required Knowledge & Skills:
NOTE: The level and scope of the following knowledge and skills are related to duties listed under the "Job Responsibilities" section of this ToR.
Knowledge of:
How to Apply:
Please send your up-to-date CV with covering letter telling us why you are applying and how you met the required competencies before closing date, Interested Afghan Nationals should submit their applications in writing (clearly indicating on the subject line the title of the position and Vacancy Announcement Number e.g. Carpenter 228/HRMD/CCNNP/MRRD to: email@example.com
Important Note: any/all application without the mentioned subject line will not be consider.
The MRRD/CCNPP strongly encourages woman candidates to apply. It applies a pro-active and positive discrimination policy towards woman candidates as follows:
The Rural Development Directorate
Citizens' Charter National Priority Program
Helmand, Afghanistan
© e-Government of Afghanistan,
All rights reserved.


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Cordulegaster maculata
Selys, 1854
Order Odonata
Suborder Anisoptera
Superfamily Cordulegastroidea
Family Cordulegastridae
Genus Cordulegaster
Species maculata Selys, 1854 [Cordulegaster]
This species is confined to the eastern Austroriparian biotic province within the region. Its eyes are brilliant blue or green in life. The pterothorax is dark brown, becoming paler below where there are numerous gray hairs around the legs. There are two broad pale stripes laterally on the thorax. The wings are clear, but sometimes become smoky. The abdomen is dark brown with a paired row of pale yellow spots.
Total length: 65-76 mm; abdomen: 47-58 mm; hindwing: 38-50 mm.
Similar Species
Arrowhead Spiketail (C. obliqua ) has an arrowhead pattern dorsally on the abdomen. Fawn Darner (Boyeria vinosa ) can be distinguished in the field by two lateral thoracic spots, rather than stripes. Springtime Darner (Basiaeshna janata ) has basal brown spots in both wings and blue on the abdomen. Stream cruisers (Didymops ) and river cruisers (Macromia ) have a single lateral thoracic stripe.
Small, rapidly flowing spring-fed forest streams and seepages with sandy or muck bottoms.
This early spring species is widely distributed throughout the eastern half of the United States and Canada. Little has been published about its biology, but males are known to patrol long stretches of streams, sometimes just inches over the water. One study found mayflies make up the majority (69% ) of the larval diet. Mating lasts an average of 50 minutes.
Eastern U.S. and Canada.


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Parking broad street
INRIX receives parking information, including pricing, from many sources.
Newark Broad Street Station parking (Orange, Livingston
Parking Information - EnrichmondStreet parking available, parking lot behind the main building for dining guests.View Regina parking features, look up neighborhood parking, read up on the latest local news and reserve monthly parking from some of our featured locations.While we make efforts to validate and update the pricing information, pricing and rates change frequently and so the information may not be the most current.
75 State Street Parking Garage in the heart of Boston's
NRG station - WikipediaFor GPS directions to the parking deck, use the address below.
Richmond Map | Richmond Marriott
While you were busy sipping boat drinks down the Shore this summer, a lawsuit was filed back home by 5th Square, a self-identified.Note: CityParking is not affiliated with City of Richmond on-street enforcement.The Parking Office monitors the multiple parking facilities including parking decks and surface lots for long-term parking and on-street parking for short-term parking.For select performances, a complimentary shuttle will be provided between the library and The Broad Stage, before and after the performance.
Broad Street Median Parking Poll Finds South Philly Divided
Downtown Augusta | Attractions, Restaurants & ParkingAmple parking is available in either of the spaces that surround our two historic buildings, or in our lots on either side of our neighbor, the Millworks.
Find Parking in NYC Book the best NYC parking near all your favorite destinations with the help of SpotHero.The car park is located on Tennant St which runs parallel to Broad St and is at the rear of the hotel.The official web site of the Borough of Doylestown, a neo-traditional community located in Doylestown, Bucks County, Pennsylvania.
Broad Street Mall Reading Shopping CentreDownside paying for Parking but in cities this is now the norm.We offer a number of available parking options for students on the Monroe Park and MCV campuses.
The Broad does not provide validation for any other parking garages or lots.Spots are available for May or June at 2915 Douglas street, a few minutes to or from downtown by bus.If you are an existing customer and need to inquire about your account, please call us at the number below and have your lot location and contact information ready so we can better serve you.
Student Options & Rates | Parking & Transportation
Republic Parking System - Bangor, Maine public parking
NYC Parking - Reserve & Save on Parking in NYC | SpotHeroIt is located on the left-hand side of Broad St. (a one-way street) between Bridge St. and Broad St.
Chattanooga Parking > FIND PARKING > LOCATIONS AND RATESRiverfront Stadium is located on Broad Street, directly across from Newark Broad Street Station Plaza - just steps away from train and bus service and is also served by Newark Light Rail at Riverfront Stadium Station.During holidays, weather events, or along constructions sites, parking restrictions and bans might be in place, therefore it might be harder to find parking near Broad Street.Shuttle Park South is located at 1362 Market Street, next to the Chattanooga Choo Choo and has 543 parking spaces.
This is the entrance address for the 494 Broad St. garage, operated by Welcome Parking.
Hotels in Birmingham UK - Hotel Location on Broad StreetHow easy is it to access the underground garage from Broad Street and are the signs to the parking garage easy to spot in.Newark Central Business District Parking Please choose a parking location from the list on the right.Join other drivers in your city who keep the parking maps updated to save everyone time and money searching for parking and avoiding parking tickets.With close to 900 parking spaces located in the downtown core, plus 160 more parking spaces at the Town Dock, the Town of Midland offers ample parking for both employees and visitors.Also, there seems to be many city and county vehicles parked long term downtown, off street, but still taking up spaces (Register of Deeds office for example).
Many treatises have been written about the idiosyncratic parking customs of South Philadelphia: parking in the center lane, on concrete medians, in rows of two and three.
Home - Park America, Inc.These regulations are tailored to accommodate the particular needs and uses of each block.
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Top award for stray dog service in county
Northumberland County Council's animal welfare team was presented with a prestigious Platinum Pawprint accolade at the 2018 RSPCA Community Animal Welfare Footprint Awards.
The awards recognise and celebrate public service organisations that go above and beyond to ensure high animal welfare standards in their communities.
The platinum award was given to the Northumberland authority's team because it has achieved the highest Gold standard for more than five years in a row.
It has been acclaimed for its continuing high standards in the provision of the stray dog service.
In 2017/18, the team of officers dealt with 620 stray dog cases – either returning the dogs to their owners or taking them to a place of safety.
Nationally, the number of stray dogs collected by councils is falling and this is also the case in Northumberland.
Two reasons have been put forward to explain the reduction. One is the new legislation brought in last year that makes it compulsory for dog owners to have their pets microchipped and the other is the role of social media in helping to reunite lost dogs with their owners.
Coun Glen Sanderson, cabinet member for environment and local services at Northumberland County Council, said: "We have a team of great officers and this prestigious award is a worthy recognition for the outstanding service they provide. We are very proud of them.
"This platinum award is only awarded to teams that have consistently delivered the highest standard of service for animals in their area.
"Northumberland County Council is one of only a few councils in the North of England to receive the platinum award.
"It is important that owners continue to play their part and take necessary steps to prevent stray dogs before accidents happen.
"I ask that all dog owners, including those with working dogs, ensure that their pets are wearing ID tags, that they are microchipped and also that their details are kept up-to-date on the microchip database."


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Alert me about homes in Smithville, TN.
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Fannie Mae HomePath property. Lovely one story home on 2 acre, level lot with fenced backyard. Beautiful hardwood floors and new paint throughout. Two FULL baths. Scenic setting and conveniently located.