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text:
Bloniarz Earns CoSIDA At-Large Academic All-America Honors
From Sports Information Director, June 3, 2014 | Women's Tennis
by Dan Lukes, firstname.lastname@example.com, (920) 403-4077
Bloniarz was a second-team selection. Bloniarz, an Iron Mountain, Mich., native, compiled a 3.97 grade point average in accounting. Bloniarz registered a 26-9 singles record and a 2-2 mark in doubles play during 2013-14, with her 26 singles wins the second-most ever in a single St. Norbert season. She is a three-time Midwest Conference semifinalist in singles play, and also a three-time Academic All-MWC honoree.
Bloniarz is a member of the St. Norbert Student-Athlete Advisory Committee, and is active in Big Brothers Big Sisters. An on-campus tutor, Bloniarz also volunteers at Goodwill and Paul's Pantry in Green Bay. Bloniarz joins Jenny Karisny (1994) as St. Norbert's women's tennis' lone Academic All-Americans.
The at-large team encompasses student-athletes from the sports of bowling, crew, fencing, field hockey, golf, gymnastics, ice hockey, lacrosse, rifle, skiing, swimming, tennis, men's volleyball, water polo and wrestling.
To be eligible for national or regional selection, a student-athlete must be a varsity starter or key reserve, maintain a cumulative grade point average of 3.30 on a scale of 4.0, have reached sophomore athletic and academic standing at his current institution and be nominated by his sports information director. The Academic All-America team is selected after All-District teams are picked from eight geographic regions nationally.

subset: commoncrawl


text:
"We should not be afraid sometimes to confront beauty and horror."
Recent updates:
Timely and timeless, global and local, beautiful and provocative, contemporary art challenges us to look at our world in new ways. Contemporary artists grapple with the complex issues of our time, ask tough questions, and make works that delight, amaze and sometimes unsettle audiences worldwide. Yet rarely are we provided access to the artists who create the art of our time. Season 5 of "Art in the Twenty-First Century" provides viewers a unique look at today's artists. In its most international season to date, Art21's four-part series reveals artists' perspectives on current affairs, politics, economics, history and popular culture, as well as showcases the artists' working processes and their studios.
Through in-depth profiles and dynamic behind-the-scenes footage featuring artists speaking directly about their inspirations and ideas, Season 5 shows a broad range of artistic practice, technical innovation, and experimentation, from artists tackling large-scale collaborative projects in hangar-like studios, to those working in the quiet of more intimate studio settings.
Art21 traveled around the world in Season 5, filming the creation of new art on every continent (except Antarctica) and in museums, studios, galleries and homes in nine countries. Fourteen internationally recognized artists, from painters and sculptors to photographers and artists exploring the possibilities of new media, were filmed in their own environments and in their own words. The result is an exceptional opportunity for audiences to experience first-hand the complex artistic processes behind some of today's most intriguing and thought-provoking art.
"This series provides an important glimpse into the minds and workspaces of artists who, regardless of their nationality or background, have the power to challenge the way we view the world," said Susan Sollins, Executive Producer.
As in the previous four seasons of "Art in the Twenty-First Century," each hour-long episode of Season 5 is constructed around a theme that functions as a thread that loosely connects the artists—as diverse as their histories, styles and mediums may be. Season Five of "Art in the Twenty-First Century" features the episodes "Compassion," "Fantasy," "Transformation," and "Systems."
Major underwriting for "Art in the Twenty-First Century" Season Five provided by: National Endowment for the Arts; Public Broadcasting Service; Agnes Gund; Bloomberg; The Nathan Cummings Foundation; The Andy Warhol Foundation for the Visual Arts; The Broad Art Foundation; Korea Foundation; The Horace W. Goldsmith Foundation.done reading


text:
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Sam Edelman Gideon Flat Sandal
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Your ring finger isn't the only one that deserves a little bling! The Sam Edelman Gideon has an embellished toe ring making this flat so much more than just simple summer sandal!.
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kidsunlimited nurseries are holding a UK-wide Open Day on Friday 22nd November between 9am and 5pm.
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Don't Hotbox Your Car if Your Two-Year-Old Is in the Backseat
There are a lot of parenting books out there, but not all of them answer the very pertinent question, "Is it okay to hotbox my car with my two-year-old son in the backseat?" So allow us to answer: No. No, it is not okay.
But try telling that to J.C. Monroe, whom police officers pulled over in Sacramento on Wednesday driving a car "allegedly so thick with smoke that officers couldn't immediately see the two-year-old boy in the back seat." He was quickly arrested and charged with child abuse and is currently in jail awaiting trial. He "vehemently" denies the charges:
The child's father, J.C. Monroe, disputed the account in a jailhouse interview with CBS13 and vehemently denied that anyone had been "hotboxing" inside the vehicle.
"My son was in the car, there was some smoke, but it was not a hotbox," Monroe said. His friend, who has a medical marijuana card, had just taken his first puff when officers pulled them over, he added.
Okay, so, let's amend our rule: if you're on probation, and your son is in the backseat, don't let your friend toke up while you drive. You can just pencil that into the back of your Dr. Spock book.


text:
Today is February 27, 2017
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March 26, 2013
Emery Sports
March 26, 2013
Emery Sports
Spring sports: Emery softball and baseball
The 2013 high school spring sports season started off with a bang for Emery High School as the baseball season began with two games and the softball season began with a game against rival Carbon. The Emery High Lady Spartans opened their season with ...
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Calvin Klein Ellery Oxford
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Great style and extraordinary comfort collide to create the Ellery oxford from Calvin Klein. This lace up shoe looks great with your favorite dress pants, and will keep your feet feeling terrific with its padded insole and cushioned heel pad.
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"Career Craze" is a Kentucky Community and Technical College system initiative that allows middle and high school students from across the state the opportunity to attend a hands-on camp that focuses on technical careers.
Students who were accepted into the manufacturing camp had the opportunity to tour several local facilities. On Monday, the group toured the UGN, Inc. plant. Chris Hicks, plant manager, gave a tour and spoke about the careers available through UGN, Inc. On Tuesday, students toured Somerset Community College and learned about technical education programs offered. They also toured the GE plant. Human Resources Manager Rhonda Phelps arranged the tour and conducted a career presentation.
On Wednesday, SCC Assistant Professor Eric Wooldridge gave a presentation on 3-D Printing and SCC Instructional Specialist Scott Stringer presented a robotic welding workshop. Finally, the week wrapped up with a tour of Hendrickson, given by plant manager Devin Reynolds and human resources manager Rob Kennedy. Reynolds and Kennedy also answered questions about careers at Hendrickson.


text: |His name was James E. Bennett. It was the year of 1904 when his spectacular yet bizarre catching apparatus was patented. Bennetts invention was to replace the catchers glove all together. It was the wave of the future, a big wire cage went over the chest and protected the face with a fence shield. Once the pitched ball passed through the flapped doors they would close immediately, proceed to hit a padded springs against the chest, much like a bed mattress. The ball would then pass through a hole on the bottom where the catcher would grab it and continue with game play.


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Meet Coed Carie Nicole, a student from Akron, northern Ohio. She's got blonde hair, jade-green eyes and long lashes, and she was Coed of the Week in August 2011. "I grew up in Akron," she says, "and I went to a private Catholic high school. We wore uniforms, but I wa...
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This Whitening Toothpaste with Fluoride brightens teeth 273% more effectively than the leading national brand.
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Hague, The
IntroductionHague, The (hāg) [key], Du. 's Gravenhage or Den Haag, Fr. La Haye, city (1994 pop. 445,279), administrative and governmental seat of the Kingdom of the Netherlands, capital of South Holland prov., W Netherlands, on the North Sea.
Sections in this article:
The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
See more Encyclopedia articles on: Benelux Political Geography


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BOSS Intruder Punch Skirt 2pk
Perfect for flipping/punching heavy grass, the BOSS Intruder Punch Skirt dresses up any soft plastic bait and allows you to attempt the "punching" technique that has been taking the country by storm. The BOSS Intruder Punch Skirt also features a built-in teaser tail trailer. The trailer provides the ultimate action, while not adding mass to the hook shank and allowing for higher percentage hook ups. The teaser tail trailers are made of 100% super durable silicone, the teaser tails are firmly secured, so they never slide down the hook, and leave you with the confidence that your presentation is always true.
Just rig it between your bullet weight and your hook, tie on your favorite soft plastic - and you have an entirely weedless, large-profile bait that hawgs lurking under the "mats" just can't resist. Available in a variety of colors, the BOSS Intruder Punch Skirts are part of a winning presentation that helps anglers get in-and-out of cover with ease - and end up with that kicker fish.
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Comments: I really like these punch skirts when I'm trying to go for the "big jig" look. I use these in conjunction with a Missile Baits D Bomb, tungsten weight and a Gamakatsu flipping hook.
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YOU CAN EDIT THIS PAGE! Just click any blue "Edit" link and start writing!
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The Warrior Swagger Goalie Leg Pads provide an elite level of protection suitable for almost all goalies. The use of Zotefoam™ components in the core of these pads allows the pads to remain extremely lightweight, but still provide that elite level of protection. Being that the inner side of leg pads is the quickest to wear down, Warrior has used an HD foam strip on the inner roll to ensure that the pads will not break down over time. The Warrior Swagger leg pads will give any goalie that extra Swagger they need to make a clutch save.
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Jessica Simpson Bow Chic Mini Crossbody
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This edgy and feminine cross body is the perfect accessory for a carefree day. With plenty of space for all your essentials and more the Jessica Simpson Bow Chic Mini Cross Body bag is all you need!
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text:
The Green Integer Blog has a nice review of Azorno by Inger Christensen (excerpted in our anthology), a very elaborate, playfully metafictional, but short novel. It starts with structure:
As in most of her writings, Inger Christensen's 1967 fiction Azorno, is a highly structured work. In this case, seven characters?Randi, Katarina, Louise, Xenia, Bathsheba (Bet), Sampel and Azorno?each of the women pregnant, are in the process of writing fictions. Each of their narratives?although one who be hard placed to describe any of them as having a plot?contains similar actions, phrases, and events.
Christensen asks as many have before her--but in a highly original manner--what is reality, who of us is real? Several of her figures often have the feeling that somewhere there is a person who exactly at the same moment makes the same notes to be woven into a novel about him or herself.
It is only in the final section of this lyrical work that we sense we may have broken through to a seeming reality.
Here, translator Rika Lesser describes her first experience hearing Swedish poet Göran Sonnevi perform his work. Lesser's translation of Mozart's Third Brain by Sonnevi has just been published by Yale University Press. Sonnevi's work is also available in Wherever I Lie Is Your Bed, from the Center for the Art of Translation.)
It is now twenty-seven years since I first heard Göran Sonnevi read from his work at an event called Scandinavia Today, a program organized by the Academy of American Poets and the American-Scandinavian Foundation at the Guggenheim Museum, in which a panel of Nordic poets and American poet/translators spoke, and then the foreign poets read. I had been wedged between Finnish and Norwegian guests on the panel. Sonnevi, coming alphabetically last (by country), read last, from Robert Bly's just published The Economy Spinning Faster and Faster (1982), perhaps the final bilingual chapbook in Bill Zavatsky's SUN series, containing just ten poems. Back then, there was a glass booth above the Guggenheim auditorium, in which I was pacing, with the little book in hand, prepped for vetting.
Like many actors and opera singers, Sonnevi stammers when he speaks but not when he performs his poems before an audience. I did not know this. When I had spent a year in Sweden in 1974-75, I could not understand why his poems were all the rage. I have written that I considered them texts that trickled down page after page, hugging the left margin. . . . texts I regarded chiefly as tracts on linguistics, mathematics, politics—subjects about which I preferred to read in other forms.
What can I say? Hearing him read was a turning point in my life as a poet and translator. Sonnevi was born in 1939, I in 1953; we both still call these performances readings. He requires a freestanding microphone but no DJ. But somehow read is not the right word for what he does; neither is incant or intone. His voice is fluent and singing; there is intensity without drama or melodrama in it. For me the sensation of hearing him read that first time was sensual, nearly erotic. Like a knife . . . through water?
Göran Sonnevi and I spent the two days following the event taking long walks all around New York City, discussing Swedish and American poetry, poetics, talking chiefly about rhythm, its overriding importance in translation. We also talked quite a bit about our earlier training in the natural sciences, and our interest in music, especially piano (my training was classical, he played jazz). I did not really start translating his work until some time near the spring equinox of 1984; it would be nine years before A Child Is Not a Knife (1993), the first book-length edition of his poems in English came out in my translation from Princeton University Press. Part of the Lockert Library of Poetry in Translation, it is still available.
The Harvard Crimson, which hands it to most other papers in terms of covering literature-in-translation, offers a review of the intriguing novel Azorno by Inger Christensen, a perennial Nobel candidate until her death earlier this year:
Whether Azorno is a novelesque prose poem, or a poetic novel written in prose is up for debate?as is much of the nature of its contents. A hall of mirrors, the book was written by acclaimed Danish poet Inger Christensen, who died in early January of this year at 73. Denise Newman's translation of Azorno, released in January, marked the first time since its publication in the late 1960s that the novel has been available in English, and while the book's experimental nature makes its absence rather unsurprising, the arrival of its 105 pages is long overdue . . .
As a writer, G�nter Grass has never been averse to political matters, and The Times (London) is now reporting that he's upping his involvement in politics as a citizen, campaigning for the Social Democrats:
Now, with the Social Democrats at risk of imploding in eastern Germany, Mr Grass is back on the road, taking his VW minibus emblazoned with G�nter Grass ? en route from Germany to Germany across the country, filling theatres and concert halls. . . .
The main aim, says the novelist, essayist and poet, is to stop a lurch to the Centre Right on election day, September 27. Voter apathy is his main target.
We'll be doing two events with Natasha Wimmer on October 6 and 7. (Wimmer will also be editing an anthology of translated literature for the Center, due out next year.)
In addition to reading from and discussing 2666, at these events Wimmer will be talking about some new Bolaño projects she currently has ongoing. To give readers an idea of what to expect, I chatted briefly with Wimmer about these books.
Scott Esposito: First I wanted to ask you about these new Bolaño texts they're digging up, particularly El Tercer Reich (The Third Reich) and the supposed sixth book of 2666.
Natasha Wimmer: I've read The Third Reich (and in fact, it looks like I'll be translating it, though I have yet to sign on the dotted line). It's about an elaborate board game called The Third Reich (Bolaño was a great fan of war games), it takes place on the Costa Brava, and it pits a German tourist against an enigmatic South American who rents paddle boats on the beach. I loved it.
I haven't read the purported sixth section of 2666, or even really heard much about it. Maybe it will remain forever ghostly—the spectral answer to all our 2666 questions.
SE: That seems preferable to its publication, in my opinion. You're currently translating Antwerp and Entre parentesis (Between Parentheses) for New Directions, due out in 2010 and 2011, respectively. First I wanted to ask you about Antwerp, which is a novel but actually predates Bolaño's first novel (The Skating Rink, just published in English translation) by a good 13 years.
NW: Antwerp is Bolaño intensified and condensed—the Big Bang, as Bolaño's friend and literary executor Ignacio Echevarria referred to it. It was written in 1980, which makes it his first novel, though it wasn't published until 2002. It's a very short book, with short chapters, each of them like a prose poem, but there is a semblance of a crime plot, and the action (such as it is) takes place on the Costa Brava.
SE: And then Entre parentesis is Bolaño's nonfiction?
NW: Entre parentesis (translation of the title still to be decided) is a collection of nonfiction, almost all of it written during the last five years of Bolaño's life. In effect, it's a kind of literary autobiography—intense, funny, scathing, moving. Bolaño isn't bound by many conventions in writing about himself or about other writers, and he's in full oblique-lyrical sail in lots of these pieces. It's the kind of book that actually makes you gasp in places—at Bolaño's daring, at his honesty, and at his skill.
SE: And lastly, I wanted you to weigh in on talk of Bolaño being the next great thing in Latin American letters, in the lineage of Jorge Luis Borges and Gabriel Garcia Marquez.
NW: It's hard for me to be objective on the subject—I'm too close to the books to get the proper perspective on them. And it's probably too early for anyone else to judge definitively, either. All I can say is that Bolaño's voice echoes in a very persuasive way.
(In addition to publishing the Two Lines series of literary anthologies and conducting events, the Center for the Art of Translation promotes literature and translation through an in-school program called Poetry Inside Out. Anita Sagástegui, Poetry Inside Out Instructor & Curriculum Specialist, writes here about some of what PIO does.)
I work with Poetry Inside Out, a program of the Center for the Art of Translation that teaches students the craft of poetry and literary translation. During the last nine years, over 6,000 elementary and middle students have participated in PIO, where they've read a variety of Spanish-language poets who enliven their naturally playful imaginations. The students translate from some of the great authors of the Spanish language, letting them get firsthand knowledge of the various devices and forms the poets have used, as well as begin to imagine themselves as poets, as translators and as participants in a global literary community.
People have asked us, why translation? Some see translation as cheating—at best unnecessary, at worst detrimental to studying English. What does a ten year-old child translating a poem by Pablo Neruda really get out of the experience? For a start, translation builds literacy, interpretive, and investigative skills. It enhances conceptual understanding and critical thinking, and it builds vocabulary. We at PIO like to think of translation as Jorge Luis Borges once put it when he suggested that translation is another way of reading—and in turn reading is a way of interpreting and reconstructing a text.
We've also found that literary translation in the classroom isn't just limited to bilingual students. Monolingual students are particularly amazed to discover that, given supportive scaffolding, they can translate. Students of multiple ethnic and socio-economic backgrounds contribute and collaborate with those outside their normal social circle. Students get to see ways of working with words they might not have otherwise encountered, and they have fun! They feel like detectives, piecing together the clues they find in the individual words, ideas, context, rhythm, and tone of a poem.
In the process of collaboration, students discover that there is more than one correct translation: in small groups they play with word order and word choice, debating between their various constructions. They learn that not every word must be translated, but every idea should be. As they learn the craft of translation, Poetry Inside Out students no longer think of translation as copying the poem into another language. They come to see it as creative writing—the re-imagining and re-creation of the poem in another language. They transform the prejudiced phrase, it doesn't sound as good as the original, into it sounds really cool in translation!
To illustrate this point, I'd like to leave you with four different translations of Colombian poet Aurelio Arturo's Madrigales made by students in the Poetry Inside Out Program. Enjoy!
Llámame en la hondonada de tus sueños más dulces,
llámame con tus cielos, con tus nocturnos
llámame con tus noches desgarradas al fondo
por esa ala inmensa de imposible blancura.
Llámame en el collado, llámame en la llanura,
y en el viento y la nieve, la aurora y el poniente,
llámame con tu voz, que es esa flor que sube
mientras a tierra caen llorándola sus p�talos.
—Aurelio Arturo, Colombia
Call me from the depths of your sweetest dreams,
call me with your skies, and your nocturnal heavens,
call me in your nights broken on the horizon
by that huge wing of impossible white.
Call me on the hill, call me in the valley
and in the wind and snow, the dawn and sunset,
call me with your voice, that is the flower that goes
while to the earth fall crying its petals.
—Jazmine Paniagua, 5th grade
Call me in the depth with your sourest dreams,
call me with your sky, and your black heavens,
call me in your nights broken into the horizon
by that gigantic wing of impossible whiteness.
Call me when you are shooting out of a volcano,
call me in the valley and in the swooshing wind and
snow, the dawn and the falling sun,
call me with your vowels, that is the daisy that rises
while the earth's gravity will fall with crying petals.
—Translated by Moesha Escamilla, 6th grade
Call me in the ravine of your sweetest dreams,
call me with your skies, with your nocturnal
call me with your nights clawed to the bone
by that immense wing of impossible whiteness.
Call me along the hills, call me within the valleys,
and in the wind and snow, the dawn and sunset,
call me with your voice, that is this flower that rises
while her petals, sobbing for her, fall to earth.
—Translated by Audrey Larkin, 7th grade
Call me in the deep side of your sweetest sour
call me with your big emotional skies and your
nocturnal heavens,
call me in your broken dream by that
huge storm of impossible whiteness.
Call me on the hill, call me in the valley,
and in the enormous winds and the white snow, the dawn and the beautiful sunset,
call me with your voice, that is the flower that opens
while falling to the earth, crying for its petals.
—Translated by Nataly Garibay, 8th grade
(Christian Bobin is a literary phenomenon in France, where his numerous short works can sell as many as 100,000 copies. His books are hard to categorize—Alison Anderson, his English language translator characterizes them as neither fact nor fiction, neither prose nor poetry, but a combination of all four.
Her translation of Bobin's book A Little White Dress is publishing this December. In Wherever I Lie Is Your Bed we'll be publishing an excerpt from his book The Lady In White, devoted to Emily Dickinson.
Here Anderson writes about how she first discovered this author.)
In 1994 I went to the huge book trade fair in Los Angeles, I think it was still called the ABA Convention in those days (now it's Book Expo America). Thousands of stands, millions of books; I was a beginning translator and totally overwhelmed. So it was with some sense of relief and homecoming that I found the stand of the French Publishers' Agency; they were smoking, surreptitiously, and while I waited for them to finish their clopes and condescend to talk to me, I browsed their books: prominently displayed was a small volume, with Gallimard's plain white collection cover, by an author I'd never heard of called Christian Bobin, and who was, it seemed, all the rage. I didn't get the book, but the name stuck.
Some months later I was in France I found a paperback by the same Monsieur Bobin at the Maison de la Presse in a provincial town. The cover was more alluring, but perhaps deceiving: a black and white photograph by Edouard Boubat. I was disappointed when I couldn't get into the book (after all, that promising cover . . .); it seemed odd, neither a short story nor a novel, and yet it was prose: what was the writer getting at? Where were the characters, the plot? Who was this strange narrator?
Fortunately I kept it, and went back to it a few years later, and suddenly it clicked, as things tend to do with experience. Bobin makes no pretence of trying to write like a novelist, or storyteller, or journalist, or memoirist, or anyone else; you have to read him as he is, opening your mind. He is in a category on his own. His writing is closest to poetry, perhaps, in the lyricism, the choice of subject matter, the almost Romantic emphasis on the nobility of solitude, reflection, love. He teaches you to read all over again, to love words.
On every subsequent trip to France I bought up each new book; Bobin's works are short, rarely more than a hundred pages, and he sometimes publishes several a year. I decided I would try to translate some of his short pieces. I sent them out; they came back; people didn't get it. He's not edgy, or trendy, or experimental; he's deeply reflective, almost religious. Maybe people aren't used to thinking about life in a philosophical way, at least not through literature. But while I may not have been doing a good job marketing or pitching Bobin to potential publishers and journals (something which Bobin would abhor, anyway, the whole commercial side of literature), I must have been doing something right in my translation, because in 2004 I was awarded an NEA translation grant for three short volumes, two of which, A Little Party Dress and I Never Dared Hope You Would Come, have finally found a home at Autumn Hill Press and will be published at the end of this year.
La Dame Blanche, an excerpt of which will appear in the upcoming edition of Two Lines, is Bobin's most recent publication in France as of this writing, an imagined biography of Emily Dickinson. They are kindred souls, both living reclusive lives enriched by their ability to focus on the everyday, in a familiar landscape that is, in fact, never the same from one day to the next. Reading Bobin opens one's eyes onto a new way of seeing the world—in fact it may be an old way, a forgotten way, but it becomes fresh beneath his pen, through his words. Something he must share, after all, with the Lady in White from Amherst. Like all his other texts, La Dame Blanche is short, poetic, inventive. He does not so much tell her story as suggest a way of understanding who she was, of seeing her subliminally, intuitively.
Moral of this story for me, at least: let the Frenchman finish smoking his cigarette; you never know what treasure you might discover in the meantime, even if it is only a name, with a certain resonance.
Download the entire 2009-10 LIT&LUNCH schedule (PDF)
Join us for a feast of world literature: 3 authors, 3 countries! Sofi Oksanen was named Estonia's Person of the Year in 2009 and is the author of the award-winning novel Purge, soon to be published in 25 languages. Tommy Wieringa is the author of Joe Speedboat--a sparkling coming-of-age novel that recalls The World According to Garp (NRC Handelsblad) and has sold over 300,000 copies in Holland. And Christos Tsilolkas's The Slap--told from 8 different perspectives--has sold over 100,000 copies in 11 countries. They'll be in conversation with book critic and writer Oscar Villalon, the former book editor of the San Francisco Chronicle.
Co-sponsored by the Center for the Art of Translation. Join us for the 29th Annual Northern California Book Awards. The awards honor the work of Northern California authors in Fiction, Nonfiction, Poetry, Translation and Children's Literature. The featured speaker is Cody Award winner Nancy J. Peters, co-owner and former publisher of City Lights Books. A book sale by Book Bay follows the event.
(Translator Susan Bernofsky's newest translation is The Tanners by Robert Walser, published by New Directions. Here we discuss The Naked Eye by Yoko Tawada, published earlier this year, also by New Directions. An excerpt from The Naked Eye appears in Wherever I Lie Is Your Bed.)
Scott Esposito: Yoko Tawada is an author that you've translated repeatedly. What for you are the pleasures of translating Tawada, the things that pull you back in to do more of her work?
Susan Bernofsky: Yoko's work is always filled with surprises; she has a way of looking at things that's so idiosyncratic. I love the way she writes characters in confusing situations (an example of a confusing situation might be glancing in the mirror and discovering you're growing scales) and she always somehow manages to convey the delight inherent in being surprised, even when the changes are scary. Characters in her work tend to find everything around them extremely interesting, and reading her makes me feel that way too. It all feels so obvious and simple when you read her, and when you translate her it quickly becomes clear what a precise way she has of saying things and how difficult it is to achieve a tone that conveys wonder without just seeming kitschy or banal.
SE: The Naked Eye is in part about how language filters identity—Tawada wrote parts in Japanese and parts in German, depending on which seemed more appropriate to the particular thing she wanted to express. This is the first book in which she has experimented with two languages at once (though she has previously written books in both languages). As you were translating, did you notice any particular differences between this one and others that were originally written entirely in German?
SB: You know, I didn't, and that surprised me in retrospect when I found out how she'd written the book—she didn't fess up to me until afterward. In a sense, though, she's written so much in German now in between writing books in Japanese (it's about 50-50 as I understand it), that this switching back and forth between languages must be second nature for her now. I suspect it didn't feel nearly as odd to her to be writing a book this way as it seems to us when we hear about it. And I would guess that the Japanese manuscript of the book differs a great deal from the German version. Wish I could read it!
SE: The narrator is obsessed with the films of actress Catherine Deneuve (which are in French, a language she doesn't speak). It seemed to me that in addition to Japanese and German this was another kind of language, that of cinematography, which conditions its own kinds of thoughts. This kind of intertextuality reminded me of the novel Rex by Jose Manuel Prieto, just published in English translation by Esther Allen. Allen says that in this particular novel Prieto writes as a translator, to expose the way in which all meaning is temporary and provisional, dependent upon its immediate context, subject to infinite and unpredictable shifts. Would you say that in The Naked Eye Tawada is after similar goals?
SB: Absolutely. I love how Esther puts that. Yoko's work plays a great deal with the parallels between the way in which being literally foreign in a context defines your culturally inflected understanding of it and the way being foreign in all the figurative senses of that term creates a subjectivity that inflects understanding just as much. In effect, there's no way to escape from the estrangements of subjectivity even within a single language and culture. That's why (or one reason why) Yoko's work is so dominated by fragmented narrative forms, stories filled with gaps—because straightforward linear narration creates the illusion of a continuity she doesn't believe in.
SE: In TWO LINES you wrote that perhaps the greatest challenge of translating this novel was maintaining the slight feeling of alienation in the language, which on the one hand is literary, rich and lyrical, and on the other, possessed of a slight halting quality that seems intended to remind us that the narrator is speaking a language not native to her. How was this challenge different from, say, the challenge of simply rendering lyrical prose?
SB: I was always having to watch my diction and sentence constructions, making sure that my language use didn't get too fancy. The book's narrator is educated and cultured, but she speaks plainly because she's using a new language. In a sense I prefer thinking of the book as having been written in German than in Japanese because we see the narrator being caught up in, subsumed by this European world—and history is written by the victors, she's speaking the language that swallowed her up.
SE: Lastly, in a previous interview, you called the process of translation a writing exercise with maximal constraints. You also said it was like an invitation to dress up as a stranger and try to pull off the disguise. Is this something you enjoy about translation, this very rigorous attempt at mimesis?
SB: What could be more fun than walking around pretending to be another person (in this case: speak in another voice) and convince people to believe you! Nothing makes me happier as a translator than when people talk about the different authors I translate sounding different from one another. Sure, I have my own voice, and inevitably it will come through somewhat in the translations, but what I'm really hoping to accomplish when I translate a book is to write someone else's voice so convincingly that everyone instantly believes it's her or him doing the talking.
(We're kicking off a new feature at Two Words that'll collect together a list of resources for translators: The Translator's Toolkit. Our first offering comes from Two Lines translator C.M. Mayo. In addition to translating for Two Lines, C.M. has done work for numerous journals and presses, as well ... [more]
Those who have been holding out for a 1-volume, paperback edition of Roberto Bolaño's 2666 can now purchase just that from Picador. The book has just been released, totaling 912 pages and costing $18.00.
Bay Area residents who have waited till now to give Bolaño's enormous opus a s... [more]
Yesterday, translator Kareem James Abu-Zeid discussed his work on Cities Without Palms by Sudanese writer Tarek Eltayeb. We're publishing an excerpt from Cities in our forthcoming anthology.
Although Eltayeb is little-known in the U.S., he is a major author in other parts of the world. He has li... [more]
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The stories and poems within TWO LINES open the reader up to a world that would otherwise be closed entirely, and to conne... [more]
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(Here, Kareem James Abu-Zeid discusses his translation of Cities without Palms by Sudanese author Tarek Eltayeb. An excerpt from this book is available in Wherever I Lie Is Your Bed, where Abu-Zeid writes that Tarek's early experiences in Europe greatly inform his writing, much of which deals with ... [more]
Lawrence Venuti's introduction to the special Catalan lit section in World Literature Today should be required reading for anyone concerned they're missing out on good literature that's not being translated.
Unfortunately, WLT has put it online in a format that makes it impossible to quote from,... [more]


text: What if naruto is not really Minato and Kushina's child? Tobi and Madara are aware that the child of prophecy must be stopped so they hatch a clone from the mazou (probably cloning nagato) complete with Madara's careful manipulations. Tobi sets out to konaha with a baby in kamui dimension. As he enters the birthing room and steals away Kushina's child, he swaps it with the clone that had explosive tags waiting. With everything now approaching critical mass, Madara's ultimate trump card is that he has secretly removed the real child of prophecy from the equation and the Naruto we have is actually a time bomb set to fail at the right moment.


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KaeLynn Winn was the featured artist for November on the pcCrafter website. Winn is a Ferron artist who operates her own small business called Petals & Paint. She does custom orders of floral arrangements and wood crafts. Wynn is excited about her latest endeavor which features a collection of CDs with Winn's original design work. The CDs offer a variety of designs which are homespun and down to earth and easy to use.
Winn says her designs can be used for many different projects. Her designs can be used to create original scrapbook pages which can be used over and over. "You can create your own pages and use the designs that create the look you are trying to achieve and it's so easy. Images can also be used for card making. You can also make memory crafts. You can get different types of paper and also a printable canvas that you can create quilts and various other crafts. You can use my designs for background images for scrapbook pages and you can also design your own stickers, magnets and address labels. The possibilities are endless, just use your imagination."
The website where Winn was featured is pcCrafter.com. You can order the CDs from the website and Winn's CD is also available locally. The site features two products one is the downloadable images and the CDs from artists. pcCrafter is a subsidiary of Provo Craft and was founded primarily to market the clip art and themed products. Each CD contains full scenes with detailed backgrounds, frames and coordinating elements. Each of the images contain three formats; they include black and white line art, blended color art and hand painted art.
Winn became interested in doing illustration for scrapbook products and told a friend of this interest. One thing led to another and the friend put Winn in contact with her brother-in-law who worked for Provo Craft. Winn is anxious for people to check it out and explore the options available with her product. Winn has always been an artist and is interested in seeing her work expand and become noticed. Some of her artwork has been used on the local channel 26. She wants people to learn what's available and how easy it is to use. Winn's product also allows the user to use layering when working on a project. She encourages people to try the product, it is more efficient and convenient to have your designs on the computer and you can print them out as needed. You can also mix and match pieces from different scenes to go with the image you're trying to create. Winn says it is easy to create your own custom designs and the pcCrafter is always there with technical support from their help desk.
Winn lives in Ferron with her husband and three children.
pcCrafter is an evolved dream that started over nine years ago with a company named Stratus Design. From there it developed into pcCrafter in 2000 when the original 20 HugWare CD's were launched in Chicago through Provo Craft. A few months later they released the very first Creatable. A year after that in September 2001 the pcHugClub was born.
Since then, pcCrafter has been established as the leader in craft and scrapbooking based clipart.
The CDs are both PC and Mac compatible.


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Your Account | View Cart 888.739.4972 9-5 PST M-F
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Customer Service :: Frequent Questions :: About :: Avente Tile Buzz :: Blog


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Gospel Reading
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4th Friday after Pascha
The Gospel according to John 8:21-30
The Lord said to the Jews who came to him, "I go away, and you will seek me and die in your sin; where I am going, you cannot come." Then said the Jews, "Will he kill himself, since he says, 'Where I am going, you can not come'? " He said to them, "You are from below, I am from above; you are of this world, I am not of this world. I told you that you would die in your sins, for you will die in your sins unless you believe that I am he." They said to him, "Who are you?" Jesus said to them, "Even what I have told you from the beginning. I have much to say about you and much to judge; but he who sent me is true, and I declare to the world what I have heard from him." They did not understand that he spoke to them of the Father. So Jesus said, "When you have lifted up the Son of man, then you will know that I am he, and that I do nothing on my own authority but speak thus as the Father taught me. And he who sent me is with me; he has not left me alone, for I always do what is pleasing to him." As he spoke thus, many believed in him.
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The English Gospel text used is based on the Revised Standard Version from "The Holy and Sacred Gospel" by Holy Cross Press, Brookline, MA.
The Revised Standard Version of the Bible is copyrighted 1946, 1952, 1971, and 1973 by the Division of Christian Education of the National Council of the Churches of Christ in the U.S.A. and used by permission.


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The Buckhorn District Scouts culminated a successful year with the introduction of 15 new Eagle Scouts. These young men were honored at a banquet held at the Museum of the San Rafael on March 29.
To open the program, Casey Poppinga, a national football league player and participant in Superbowl XXXIX gave the Scouts a few words of wisdom. Having retired from the NFL, he is now a real estate consultant in Lehi.
"I was raised in Evanston, Wyo. which is not a large town. So I relate well to small, rural communities. Regardless of where you come from, you are the one in charge of your future," said Poppinga. "You guys have a big future in front of you."
He told the young men that being a scout is a lot like being in the military. A person learns discipline and there is a sense of belonging to a brotherhood. A person must also live by a code of honor to commitment and courage. Poppinga told the Scouts as they mature, the Scout oath will come to life and take on an increased meaning for them.
Another aspect of the importance of Scouting is the lessons learned. Poppinga told of how the lessons learned in Scouting have a direct correlation to other parts of a man's life. "I am grateful to have learned those lessons through Scouting," he said. "My mom was my inspiration. She knew the value of raising young men in Scouting."
Poppinga spoke on the three main aspects of Scouting, trustworthiness, loyalty and bravery. "No matter what happens in your life, press on, be courageous and do your best. What you have learned will have a profound affect on your future. Make a commitment to be trustworthy, loyal and brave. Do what is right regardless of the circumstances. Don't accept being mediocre. You control who you will become. Be brave enough to overcome the challenges," he concluded. "Scouting teaches you the skills you need to overcome anything. The decisions and choices you make now will shape your future. As you enter into this brotherhood of Eagle Scouts, keep in mind the many famous people who are in there with you."
Dennis Dooley, past Exalted Ruler of Price Elks Lodge 1550 told the Scouts "the Elks always give Eagle Scouts a flag to preserve as a memento of this occasion. The Elks believe Scouts are the epitome of God's commandment to do good work."
The new Eagle Scouts were introduced. They are: Seth Baantjer, Morgan Clark, Cole Guymon, Tice Guymon, Shawn Ison, Blake Jensen, Tanner Procarione, Kaden Worwood, Davin Bennett, Spencer Fehlberg, Mark Guymon, Hadan Hatch, Dempsey Jeffs, Anthony Jorgensen and Zachary Walls.


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Treviso enter their PRO12 clash with Munster at Thomond Park full of confidence after beating champions the Ospreys last week.
Treviso enter their PRO12 fixture against Munster at Thomond Park full of confidence after beating reigning champions the Ospreys last week.
The impressive 12-6 win over the Welsh region in poor weather conditions caused a stir in Round One, and they face another tough game on Friday.
Brendan Williams has been named at full-back in place of Kristopher Burton, who drops to bench duty, while Luca Morisi comes in at centre, which leads to Luke McLean dropping out of the 22.
Up front, Michele Rizzo and Lorenzo Cittadini are preferred over Alberto De Marchi and Lorenzo Cittadini as props, Valerio Bernabò and Antonio Pavanello come in at lock while Paul Derbyshire and Dean Budd earn a run in the back-row.
Munster coach Rob Penney has made two changes following their opening round win in Edinburgh.
Those changes occur up front with Stephen Archer getting in on this ocasion ahead of BJ Botha at prop while Dave O'Callaghan gets the nod over Paddy Butler at number six.
Form: Munster began their 2012/13 RaboDirect PRO12 campaign with a 23-18 victory against Edinburgh at Murrayfield. The Munstermen have won seven of their last eight home games in the competition. Munster lost their most recent encounter with an Italian opponent: 17-21 at Aironi in March. Benetton Treviso beat Ospreys 12-6 at Stadio Monigo in round one. Treviso had a won 2, lost 6 record against Irish provinces last season, with both victories coming away from home in Belfast and Galway. Treviso's only previous win against Munster was 19-18 at Stadio Monigo in February 2011.
The teams:
Munster: 15 Denis Hurley, 14 Doug Howlett (capt), 13 Casey Laulala, 12 James Downey, 11 Luke O'Dea, 10 Ian Keatley, 9 Duncan Williams, 8 James Coughlan, 7 Sean Dougall, 6 Dave O'Callaghan, 5 Billy Holland, 4 Donncha O'Callaghan, 3 Stephen Archer, 2 Damien Varley, 1 Wian du Preez.
Replacements: 16 Mike Sherry, 17 Dave Kilcoyne, 18 BJ Botha, 19 Dave Foley, 20 Paddy Butler, 21 Peter Stringer, 22 Scott Deasy, 23 Ivan Dineen.
Treviso: 15 Brendan Williams, 14 Ludovico Nitoglia, 13 Alberto Sgarbi, 12 Luca Morisi, 11 Tommaso Iannone, 10 Alberto Di Bernardo, 9 Edoardo Gori, 8 Paul Derbyshire, 7 Dean Budd, 6 Simone Favaro, 5 Valerio Bernabò, 4 Antonio Pavanello (capt), 3 Lorenzo Cittadini, 2 Enrico Ceccato, 1 Michele Rizzo.
Replacements: 16 Giovanni Maistri, 17 Alberto De Marchi, 18 Ignacio Fernandez-Rouyet, 19 Corniel Van Zyl, 20 Robert Barbieri, 21 Alessandro Zanni, 22 Fabio Semenzato, 23 Kristopher Burton.
Date: Friday, September 7
Kick-off: 20:00 BST
Venue: Thomond Park, Limerick
Referee: Andrew McMenemy (Scotland)
Assistant referees: Peter Haycock (Ireland), David Keane (Ireland)
Television match official: Sean Flannery (Ireland)


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Top 5 Weekend Picks! (12/13-12/15)
December 12, 2013 · Print This Article
1. The Dutch Don't Dance at Aspect/Ratio
Curated by Kirsten Leenaars and Jeroen Nelemans.
Aspect/Ratio is located at 119 N. Peoria St. Reception Friday, 5-9pm.
2. The Age of Spontaneous Generation at The International Museum of Surgical Science
Work by Lauren Levato Coyne.
The International Museum of Surgical Science is located at 1524 N. Lake Shore Dr. Reception Saturday, 6-9pm.
3. The End of Absurdity at Linda Warren Gallery
Work by Lora Fosberg.
Linda Warren Gallery is located at 327 N. Aberdeen. Reception Friday, 6-9pm.
4. Milk of Human Kindness at Queer Thoughts
Work by Darja Bajagić, Michael Clifford, Maliea Croy, and Fraser Taylor.
Queer Thoughts is located at 1640 W. 18th St. Reception Friday, 7-10pm.
5. Height Down at Alcatraz Chicago
Work by Joseph Mault and Ben Regozin.
Alcatraz Chicago is located at 1000 N. Halsted St. Reception Saturday, 7-10:30pm.


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"It's such a weird thing doc. Every night, the same dream. I'm Julianne Moore, you know, and I'm wearing this really sharp grey winter ensemble. I'm admiring how much it brings out my pale complexion and fiery hair. And suddenly I'm surrounded by all these clowns. All the clowns, doc, and I don't know what to do. Is it a charity benefit? Are they friendly or angry? Why do they keep saying they are Harvard students?"
"It's killing me doc. I just need something to make the bad dreams go away."


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Travel » Photoalbums
Wild and Wonderful Waikiki: The Photos
Photography by Mark Thompson
On the south shore of Oahu rises the neighborhood of Waikiki. For years favored by the Hawaiian monarchy, the fabled stretch of beach is famous for its luxury resorts, high-end shopping, and exemplary surfing, all of which make for beautiful photos.
This article is part of our "Summer 2012" series. Want to read more? Here's the full list»


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PRICE - Vera Callor Regis, a devoted loving and giving person to all, age 87, passed away July 2, 2002 in Price.
She was born Sept. 12, 1914 in Mohrland to Tony and Luisa Marchese Callor. Married Larry Regis Sr. Dec. 1, 1934, later divorced. For the past 21 years, Vera resided with her constant companion, Jim Nichols, who died on Feb. 18, 2002.
Vera's greatest joy in life was caring for her family and baking her famous bread, which everyone enjoyed.
She was a lifelong resident of Carbon County.
Vera loved gardening, yardwork, crocheting, and will be dearly missed by her family and a community of friends.
Survived by her sons, Larry (Robin) Regis Jr., Fred Regis, both of Lake Elsinore, Calif.; Richard (Sherri) Regis, Price; brothers, Fiore "Chuck" Callor, Helper; Americo "Rick" (Leola) Callor, Carbonville; Joseph (Terry) Callor, Denver, Colo.; William "Bill" (Gloria) Callor, Helper; 13 grandchildren, 25 great-grandchildren and one great-great-grandson. Preceded in death by husband, Larry Regis Sr.; companion, Jim Nichols; sisters, Angie Colacito, Lena Tonel, Louise Caywood, Mary Parsons; brothers, George, Jack and Tony Callor.
Funeral service Tuesday, July 9, 10 a.m., Mitchell Funeral Home. Family will be at Mitchell's Monday evening from 7 to 9 p.m. and Tuesday one hour prior to service. Interment, Mountain View Cemetery, Helper.
WELLINGTON- Kena Stansfield Adair, age 32, died July 1, 2002 in Wellington.
She was born Oct. 24, 1969 in Price to Terry and Shirley Moosman Stansfield. She married Neal C. Adair on March 1, 2002 in Price.
Kena was a longtime resident of Carbon County and attended schools in Wellington. She later graduated from Carbon High School in 1987.
Kena was an excellent mother and homemaker who enjoyed quilting and needlework. She loved the outdoors and spending time with her family on the farm.
Kena will be missed by her family and many dear friends.
She is survived by her husband, Neal Adair; children Nicole and Shelbie Williams, Karlee and McKenzy Calvert, Levi and Ty Adair, all of Wellington; her parents Terry and Shirley Stansfield, Wellington; a sister Carrie (Paul) Young, Richfield; brothers Justin (Jenifer) Stansfield, Miller Creek; Jason Stansfield and Jeremy Stansfield, both of Wellington; her grandparents, Ida Cook, Vernal; Boyd and Beth Moosman, Wellington; father-in-law and mother-in-law, Arnold and Jackie Adair, Wellington; brother-in-law, Steve (Dawn) Manzanares, Carbonville; sisters-in-law, Jeana (Dale) Wells, Wellington; Rosemary (Ryan) Wood, Salt Lake City; many loving nieces, nephews, cousins, aunts, and uncles who will miss her dearly. She was preceded in death by her brother, Shane D. Stansfield; grandfathers, Lenard LaVar Stansfield and Don R. Cook; and cousins, Chris Stansfield, Travis Moosman, David Fletcher, John Moosman and DeAndra Vasquez.
The funeral service was conducted Friday, July 5, at the Wellington LDS Stake Center. Interment followed in the Wellington City Cemetery under the direction of Mitchell Funeral Home.
HELPER - Dorothy Louise Kilgore Svetich, 84, passed away peacefully in the home that she loved on July 3, 2002.
She was born April 10, 1918 to Charles Wesley Kilgore and Rhoda Lee Cope Kilgore in Tracy City, Tenn. Married her lifelong soul mate, Mike John Svetich, Aug. 13, 1941 in Evanston, Wyo.
Her deepest love and devotion were to the care and welfare of her family. Her love of family was reflected in every aspect of her life and she passed this devotion to family on to her granddaughter, Jennifer, who cared for her during her difficult last few weeks.
Louise spent many happy hours in her beautiful rose filled yard. She enjoyed camping, fishing, bowling and shopping. Her motto was "Shop until you drop."
She was a member of the United Methodist Church.
She is survived by her husband; daughter, Betty Jo Ruden, Price; son, Richard (Terri) Svetich, Reno, Nev.; daughter, Debra Ann (Russell) Dull, Lawrence; five grandchildren, seven great-grandchildren; brother, Alfred (Mary) Kilgore, Spring Glen. Peceded in death by parents; sister, Anne Bills; and brother, Charles Kilgore.
Funeral service was held, July 6, at Mitchell Funeral Home. Interment, Mountain View Cemetery, Helper.
The family extends their gratitude and appreciation to Sherry King and the staff of Rocky Mountain Hospice (Rick, Melissa, Valerie and Margaret). A very special thanks to Tani for her excellent caregiving and guidance and Rev. Nancy Boswell for her ongoing spiritual support.
SPRING GLEN - Vera Fazzio Marston, age 87, passed away Friday, July 5, 2002, at her home of natural causes.
She was born March 14, 1915 in Sunnyside to Rosario and Filomenia Bonacci Fazzio. Her family later moved to Spring Glen, where they operated the Blue Hill Dairy.
She met the love of her life, Harold A. Marston, while picking cherries at a Springville orchard. They married April 26, 1935 at St. Anthony's Catholic Church in Helper. He lovingly called her "Toots." They were the parents of three children, Bill, Nancy and Harold "Butch." She was preceded in death by her husband Harold in 1975.
She was a grandmother to 13 grandchildren and 16 great-grandchildren. Her family was truly her pride and joy. She enjoyed their visits and always had a warm meal in the oven. People visiting were treated to home-cooked meals and homemade desserts.
She enjoyed politics and was always ready for a spirited debate. She was an avid fan of the Utah Jazz, never missing a game on television.
Vera was a member of the Stella D'America Italian Lodge 77. She was a member of St. Anthony's Catholic Church.
She is survived by her children, Bill (Dorothy) Marston, Spring Glen; Nancy (Lynn) Thomas, Spring Glen; Harold R. (Emily) Marston, Salt Lake City; 13 grandchildren, 16 great-grandchildren; sister, Teresa Ori, Salt Lake City. She was preceded in death by her husband; sisters, Filomenia Bonacci, Martha Lacey, Mary Driscoll, Josephine Perri; brothers, Sam Fazzio, Joseph Fazzio and Ike Fazzio.
Funeral Mass Wednesday, July 10, 10 a.m. at St. Anthony Catholic Church, Vigil service Tuesday evening, 7 p.m., at the church in Helper. Family will be at the church Tuesday and Wednesday one hour prior to services. Committal service, Mountain View Cemetery, Helper.
In lieu of flowers, the family suggests contributions to St. Anthony Catholic Church, 5 S. Main, Helper, UT 84526.
PRICE - Our loving mother, grandmother, great-grandmother and sister, Sylvia Kuretich Jackson, age 82, passed away July 7, 2002 at Castle Country Care Center in Price.
She was born June 4, 1920 in Latuda to Anthony and Katherina Ozanich Kuretich. Married Jack Stuart Jackson July 27, 1946 in Helper. He died Aug. 8, 1982.
Member Catholic Church. Lifelong resident of Carbon County, where she shared her loving heart with her family and friends.
Sylvia was very active with her church, gardening and the daily work of a wonderful mother. Although she was hampered by Alzheimer's, she continued to be a wonderful grandmother to her grandchildren and great-grandchildren.
A special mom, she will be forever in our memory.
Survived by her sons, Bart (Sharon) Jackson, Sandy; Brian (Lynda) Jackson, Myton; Rodney (Jonna) Jackson, Price; 10 grandchildren, four great-grandchildren; sisters, Francis Skaggs, Price; Helen Olson, Price; many loving nieces and nephews. She was preceded in death by her parents; sisters, Donna Thomas, Pauline Pollock; brother, Anthony Kuretich.
Funeral Mass Thursday, July 11, 10 a.m., Notre Dame de Lourdes Catholic Church. Vigil service Wednesday evening, 7 p.m., Mitchell Funeral Home. Family will be at Mitchell's Wednesday and Thursday one hour prior to services. Committal service, Price City Cemetery.
SALT LAKE CITY - Jay H. Fowler Jr., 52, passed away at his home in Salt Lake City on July 3, 2002.
He was born May 19, 1950 to Jay H. and Mary Jones Fowler in Dragerton.
Jay was a graduate of East Carbon High School, College of Eastern Utah, and also attended the University of Utah. He was employed by the state of Utah as a human resource specialist.
Jay was a wonderful son, brother, uncle and friend. He loved his pets, music, gardening, and will be missed by many.
Survived by his mother, Mary Fowler; three sisters, Jaylene (Angelo) Marakis, East Carbon; Penny (Loren) Long, Grand Junction, Colo.; Ricki (Jeff) Palmer, East Carbon. Also survived my many nieces and nephews, Angelo J.S. Marakis, Lisa Gazell, Lindsay Palmer, Taylor Palmer, KyLeigh Palmer, Halyn Palmer, Kristopher Gazell, Bryan Gazell, Casey Marakis, Josh Marakis; and special friend, Katie. Jay was preceded in death by his father.
Funeral service Tuesday, July 9, 2 p.m., Mitchell Funeral Home. Family will be at Mitchell's Tuesday one hour prior to service. Interment, Valley View Cemetery, Sunnyside.
ORANGEVILLE - Larry W. Ball, age 60, passed away July 6, 2002 in Price after a long illness.
He was born July 8, 1941 in Bingham Canyon to Rufus and Margaaret Bullock Ball. Married Marge Cummings July 3, 1969 in the Mesa Arizona LDS Temple.
He was a loving and devoted husband and father who enjoyed the outdoors, where he spent countless hours gathering wood on East Mountain or just being with his family. He loved working in the yard and took pride in his fruit trees.
He had a special love for his grandchildren and was grateful to have lived long enough to hold them.
He served proudly in the 1st Cavalry of the U.S. Army during Vietnam, having received two Purple Hearts and the air medal.
Larry is survived by his wife, Marge of Orangeville; two sons, Michael, Orangeville; Matthew and Cheyanne , Springville, and their children, Bradin and Payton. Also survived by one sister, Barbara, Mesquite, Nev.; and an "almost" daughter, Laura, who has played a special part in their lives.
Graveside services were Monday, July 8, in the Orangeville City Cemetery under the direction of Fausett Mortuary.
SPRING GLEN - Victor Sacco, age 85, passed away July 4, 2002 at Castleview Hospital in Price.
He was born Dec. 20, 1916 in Sunnyside to Rosario and Rosina Bonacci Sacco. Married Florence Melba Turner in Salt Lake City. She died in 1996. Married LuLu Fife of Billings, Mont. They later divorced.
Member of the Catholic Church. Longtime resident of Spring Glen, where he enjoyed farming, breaking horses and mechanics. Graduate Carbon High School and the National Trade School in Kansas City, Mo., in 1952. Served U.S. Army during World War II.
He is survived by his daughters, Glenna Lee (Dick) Stens, Sandy; Anita Jean (Jim) Bowman, Monte Vista, Colo.; grandchildren, Charisse (Steve) Wanburg, Sandy; Steven, Jennifer, Kimberly Bowman, all of Monte Vista, Colo.; one great-granddaughter; sister, Sylvia Edwards, Spokane, Wash.; sister-in-law, Bessie Sacco, Spring Glen; dear nephew, Albert Lodeserto, Kenilworth; and many loving nieces, nephews and friends who will miss "Uncle Vic." Preceded in death by parents; brothers, Hugo, Richard, Ross, Rudy, Louie, Albert; sisters, Mary Stella, Minnie Lodeserto and Lena Kryscio.
Funeral Mass was held July 8, St. Anthony Catholic Church in Helper. Vigil service Sunday evening, Mitchell Funeral Home. Committal service, Mountain View Cemetery, Helper.


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Notice Number: NOT-CA-13-003
Update: The following update relating to this announcement has been issued:
Key Dates
Release Date: February 22, 2013
Issued by
National Cancer Institute (NCI)
The purpose of this Notice is to inform potential applicants that the National Cancer Institute (NCI) has been added to the participating components for PA-13-118, entitled "Mechanisms, Models, Measurement, & Management in Pain Research (R01)."
Accordingly, in Part 1. Overview Information, the Components of Participating Organizations section has been revised as shown below to include the NCI:
Components of Participating Organizations
National Institute of Nursing Research (NINR )
National Institute on Aging (NIA )
Eunice Kennedy Shriver National Institute of Child Health and Human Development (NICHD )
National Institute of Diabetes and Digestive and Kidney Diseases (NIDDK )
National Institute on Drug Abuse (NIDA )
National Institute of General Medical Sciences (NIGMS )
National Institute of Neurological Disorders and Stroke (NINDS )
National Center for Complementary and Alternative Medicine (NCCAM )
National Cancer Institute (NCI )
In Part 1. Overview Information, the Catalog of Federal Domestic Assistance Numbers section has been revised as shown below to include the appropriate number of the NCI, which is 93.393:
Catalog of Federal Domestic Assistance Numbers
93.361; 93.213; 93.866; 93.853; 93.865; 93.847; 93.859; 93.279; 93.393
In Part 2. Section VII. Agency Contacts, under Scientific/Research Contact(s), the name and contact information for the NCI's program representative are added as follows:
Ann O'Mara, Ph.D., R.N., F.A.A.N.
Division of Cancer Prevention
National Cancer Institute
Telephone: 301-496-8541
E-mail: email@example.com
All other aspects of PA-13-118 remain the same.
Please direct all inquiries regarding this Notice to:
Ann O'Mara, Ph.D., R.N., F.A.A.N.
Division of Cancer Prevention
National Cancer Institute
Telephone: 301-496-8541
E-mail: email@example.com
Note: For help accessing PDF, RTF, MS Word, Excel, PowerPoint, Audio or Video files, see Help Downloading Files.


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Artist trading cards, or ATCs, are popular mini works of art traded and shared by artists of all stripes as a means of advertising their talents to others. Roughly the size of a playing card, the backside of an ATC typically lists its artist's name and contact info.
In this compendium, Cloth Paper Scissors and Quilting Arts Magazine editor Patricia Bolton compiles an impressive array of the tiny artworks, many of which are culled from reader challenges sponsored by the magazines. Others were created specially for this book.
1,000 Artist Trading Cards includes a how-to section on creating your own cards alongside 1,000 full-color photos of wildly varying works. It also provides information on online communities dedicated to sharing ATCs across the globe. 320-page hardcover.
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Explore these #TexasToDo posts from locals and visitors to get inspired for your next trip to Texas. Once you've visited, upload suggestions of your own.
When first explored by Europeans, the island was an Akokisa site. The Karankawa tribe used it for hunting and fishing. Pirate Jean Laffite established a settlement here in 1817. During the Texas Revolution, the harbor served as the port for the Texas Navy. After the war, a group of investors bought land to establish a town in 1838. The next year, the town was incorporated. Early years gave the city many firsts in Texas: first Roman Catholic convent, first electric lights and first medical college. In 1900, the island was inundated by a hurricane that claimed more than 6,000 lives. A seawall, presently 10 miles long, was built two years later.
Many party boats are available for bay or offshore fishing action. Reservations at Piers 18 and 19 and Galveston Yacht Basin, which also offers marine services. For more information, call 888/GAL-ISLE or visit www.galveston.com.
The seat of Galveston County, Galveston is home to the University of Texas Medical Branch, Texas A&M University at Galveston and Galveston College.
A few of the annual events include Mardi Gras! Galveston in February, FeatherFest and The Grand Kids Festival in April, AIA Sandcastle Competition and Juneteenth in June, Lone Star Motorcycle Rally in November and Dickens on the Strand in December.
Explore these #TexasToDo posts from locals and visitors to get inspired for your next trip to Texas. Once you've visited, upload suggestions of your own.


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Description: Show Mother Earth some love with this 100% certified organic cotton interlock knit fabric! It is made from cotton that was not farmed the conventional way. No pesticides were used to produce the crops which means the end product is ...
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Order it protein style to get it wrapped in lettuce. (I also like it "animal style" for extra flavor on the meat.) The fries are cooked in a dedicated fryer. Only the buns have gluten (and if you ordered a malt, it would too), so eliminate them and you can get what you want. The fries tend be a little undercooked for me, so I get them cooked "well done", but that's a personal choice.
protein style = no bun
2900 West Sahara Avenue, Las Vegas, NV 89102
Ate here every other day on my trip to Vegas. So good!
570 Contra Costa Boulevard, Pleasant Hill, CA 94523
I've never had any issues here and I've eaten here at least a dozen times. Just tell them it's an allergy order and they will prepare it separately. Note: animal style fries and burgers are never gluten free because they grill the onions on the same grill they use for the buns. Do not order animal style at any In 'n Out Burger and you'll be fine.
130 Calle Magdalena, Encinitas, CA 92024
Changed gloves, cooked burgers on separate grill and brought our food to the table. Jesse the manager is awesome!!
No one makes a lettuce wrap burger better, the fries are GF from a dedicated fryer, and the chocolate shake is also safe. Burgers are prepared in a separate area when you order as an "allergy burger". Everyone leaves happy.
5646 E La Palma Ave, Anaheim, CA 92807
I love that I can fries since they don't sell any breaded items. They don't have a gluten free bun but I got a burger protein style and the lead came and spoke with me to explain that they would make it on a separate tray for me so it didn't come in contact with the counters. I am so glad I don't have to give up In N Out!
7009 Sunset Blvd, Los Angeles, CA 90028
I haven't been able to eat "fast foods" for years due to gluten. First time in Cali and I got a protein burger (no bun) and fries and no issues at all. Very busy location and crowded but food was fantastic. Wish this was a national chain!
10918 Culebra Road, San Antonio, TX 78253
Awesome! The staff has a protocol they follow when you tell them of your gluten "allergy." They change their gloves, put on a second pair on top, and prepare the burgers in a separate spot. Ordered "protein style" and like others have said, doubles are definitely needed when there's no bun! Only thing I couldn't figure out is whether the spread is GF.
1051 W Sunset Rd, Henderson, NV 89014
The staff were great. They were very knowledgeable about cross contamination and food allergies.
2900 West Sahara Avenue, Las Vegas, NV 89102
Are here twice on my vacation.
2114 E Foothill Blvd, Pasadena, CA 91107
I eat here all the time safely! Celiac.
382 N. Clovis Ave, Clovis, CA 93612
one of our go to places for GF burgers..♡
8300 Oakport St, Oakland, CA 94621
Order your burger protein style. Fries are GF also.
30121 Santa Margarita Pkwy., Rancho Santa Margarita, CA 92688
You really can't beat it. I recommend the double double protein style. For some reason two patties make the protein style better.
1770 E Beverly Ave, Kingman, AZ 86401
Necessary stop before heading to Vegas. The staff know perfectly what to do with my allergy. Fries are GF. No bun, but they put your stuff in lettuce wrap. Not bad!
15575 Hesperian Blvd, San Leandro, CA 94580
Unacceptable not to have GF buns in this day and age.
1330 S Bradley Rd, Santa Maria, CA 93454
I eat at this location frequently and the staff is always knowledgeable and accommodating. Order an "allergen burger" to have protein-style burger prepared with clean grill, utensils, and gloves. Fries are amazing!
5820 Bellflower Blvd, Lakewood, CA 90713
This is a tiny pop up location without inside seating and a tiny grill. They did a great job cleaning up the grill for me to ensure my burger was safe. And two different employees checked with me after delivering a great burger and fries. While I didn't get sick, I will likely not return to this location because of the disruption my order caused in their small kitchen, but my lunch was great and much appreciated. I always feel well taken care of at In n Out.
1650 S Stapley Dr, Mesa, AZ 85204
Just make sure you get your burger protein style and tell them you're gluten free! They'll clean off the grill and fry your French fries separately from the others!
3715 Constitution Boulevard, West Valley City, UT 84119
Got double double with no cheese, protein-style and the cashier asked if I had an allergy, and she noted it down and notified the manager as well. No issues!
2740 North Central Expressway, Plano, TX 75074
The best burger ever! They don't have a gluten free bun but will put it in a lettuce wrap.
2114 E Foothill Blvd, Pasadena, CA 91107
I have celiac. The fryers are dedicated to fries only and no breaded items. Did not have the burger but asked them to change gloves and place an order of fries in a "to go" bag to make sure nothing else touched it. Fries were good...and I did not get sick. You need to watch what they do but they were accomodating.
130 Calle Magdalena, Encinitas, CA 92024
I ordered a protein style burger and fries (let them know about your GF condition). So far so good.. 😀
12890 Gregg Ct, Poway, CA 92064
I ordered a protein style burger and fries. I told them it was an "allergy" and they noted it and changed their gloves. However, they thousand island dressing they spread on the buns (or lettuce wrap) was the same and possibly contaminated. The fries were undercooked and gross. I did feel sick afterward though I ate at another place earlier in the day and I'm not 100% sure which one it was.
9188 E Stockton Blvd, Elk Grove, CA 95624
I eat at this particular In-N-Out Burger an average of once a week. I find as long as the staff understands that I am Allergic to gluten and need special handling they get it right. We take my husband's grandchildren there after movie day and when we order I specify that our 2 GF burgers must be on a separate plate from the kid's meals with buns. The manager recognizes me now and when the 4 of us come in he comes to make sure the front counter person does the order correctly. The key here is to make sure the order taker puts the Allergy to Gluten on the order. There is a special button for that.
1065 Harriman Pl, San Bernardino, CA 92408
Always good, make sure you order it protein style so you don't get the bun
7940 N. Central Expressway, Dallas, TX 75206
Order a protein style burger and tell them your issue. They always package my burger separate the rest of the order. We had to wait once so my burger would be prepared on a clean surface. They pay attention! Eaten here several times since diagnosis and never had a problem.
5916 Quebec St, Fort Worth, TX 76135
Coming from California, I have a special love for this place. My typical order is a Double-double protein style with grilled onions and a neopolitan shake (a shake with chocolate, vanilla, and strawberry). I've never gotten sick from the food here, and it's delicious.
4865 Calle Real, Goleta, CA 93111
We have yet to have a problem with In-N-Out and, due to their processes, never have to clarify that we have Celiac. Unfortunately, this location somehow got animal sauce in our food boxes. Not sure if it is gluten free or not, but it makes us rethink eating at this location.
350 E. University Pkwy, Orem, UT 84058
My super sensitive celiac husband has never gotten sick from cross-contamination here. If you have an allergy to anything (gluten, dairy, etc.), just let them know. They change their gloves, clean cooking surfaces, package separately, etc. They are the go-to place for fast reliable gluten-free food. I can't praise them enough for how well they take care of their customers!
10918 Culebra Road, San Antonio, TX 78253
Ordered protein burger & brought my own hamburger bun. Person taking order was unfamiliar with GF. Nonetheless, a quick learner & added GF to instructions. Dedicated fryer for French fries.
12191 South State Street, Draper, UT 84020
I got so sick last time I ate there. the previous time was ok. Even alerting them to my gluten allergy was no help. I got their protein style, which is just a lettuce wrapped burger. The first time I went there I got it was okay and I didn't have any issues, except it was undercooked. That grossed ne out. This time I got sicker than I have in a long time. Their fries are disgusting.
2900 Del Paso Rd., Natomas, CA 95834
I don't normally frequent this particular location but didn't see the harm in trying it once. Upon ordering I specified several times that this was a gluten allergy and had to be prepared as such. When the order was repeated back he got it right. I was watching the counters where the burgers prepped and the girl did not change gloves nor move to a different station. When picking up the order at the counter I once again asked if they were prepared gluten free and was assured it was. No way this happened since I was watching the whole time. I should also add, no where on the receipts was a gluten allergy stated so I don't fault the line, but the man taking my order. DO NOT EAT HERE. Go down the street and eat at the Truxel location where they take a gluten allergy request seriously.
1960 North Rock Springs Drive, Las Vegas, NV 89128
Always great. Tell them you have a gluten allergy and they take extra care.
1350 Del Monte Blvd, Seaside, CA 93955
I have always had good experiences at In-N-Out. Protein-style burgers & fries are safe, and customer service is top notch.
570 Contra Costa Boulevard, Pleasant Hill, CA 94523
I love that they use a separate grill and fryer and mark that it is an allergy on the order receipt so the food handlers keep it separate! I've never had a problem eating here. The only thing that would make it better is a GF bun. ;)
740 N. I-35 East, Lancaster, TX 75146
ask for protein style, which is lettuce wrapped and no sauce.
6634 Clay, Riverside, CA 92509
This location is always busy. There is no dine in here. This store does have a walk up window and outdoor seating.If possible, the celiacs should order separate. They kept trying to put the fries in the bag with my wife's bun burger.Only the bun has gluten but they toast the buns and use a spatula for the spread. However, if you tell them you have a wheat allergy or "bun allergy" then they're trained to limit the possibility of CC. Some of the staff doesn't understand celiac or gluten free. They're training calls it a wheat or bun allergy.The burger is a lettuce wrap. I recommend getting the double double because the extra meat and cheese helps with the large lettuce. Also, if you want it as warm as possible don't get tomato. I find the tomato cools it down too much.
2740 North Central Expressway, Plano, TX 75074
I ordered the protein burger (wrapped in lettuce w/o a bun) & brought my own GF bun. GF fries.
475 North 700 West, Centerville, UT 84014
Very friendly. Ordered a Double protein style (lettuce wrapped) and a chocolate shake. Mentioned gluten allergy and they were aware of what to do. Very quick, friendly and kept the gluten free order separate from the rest of the order.
2114 E Foothill Blvd, Pasadena, CA 91107
Eat here all the time no problem.
33464 Bernard Drive, Kettleman City, CA 93239
They were very careful even though they were busy. I had no reactions. The lettuce was very fresh, but made for a messy sandwich.
2501 N. Tarrant Pkwy., Fort Worth, TX 76177
Can get a burger wrapped in lettuce, "protein style". Also the fries are gluten free as they are the only things fried. Shakes are as well. Basically everything is okay to eat here except for the bun!
10918 Culebra Road, San Antonio, TX 78253
I really love this place! I order a 3x3 with French fries and a chocolate shake. Since the patties are kind of small, I need a 3x3 to feel like it is worth it. The fries are completely safe and so is the shake. I eat here once a week. Note: be sure to ask for no spread on your burger and if you are dining with someone else, be sure to get your GF meal in a separate bag. Us Celiacs can never be too careful!
9240 South Eastern Avenue, Las Vegas, NV 89123
Staff was knowledgeable and their fries are gluten free. Celiac friendly!
1550 Newbury Rd., Newbury Park, CA 91320
This In n Out will make burgers protein style but they don't take gluten-free seriously. I recently ordered a burger with a bun for my non-GF husband and emphasized it needed to be in a separate bag from the protein style burgers. When they put them in the same bag, I nicely asked them to remake the protein style burgers because eating them could make my kids sick. I told them they couldn't just put the burgers in new bags. Glad that I watched their employee because she listened to what I told her and then I saw her just put the protein style burgers in new bags. The manager did apologize and remake the burgers but we ended up being told to pull out of the drive thru and waited for 15 minutes while they remade them. The manager did give us some vouchers for a future meal, which was nice.
2821 Lenwood Rd, Barstow, CA 92311
The manager was so helpful and friendly and it was the perfect GF stop when driving LA to Vegas. Ask for your burger "protein style" and it comes wrapped in lettuce leaves. I think it's worth ordering a double patty as otherwise it's not that filling. Tell them you have an allergy and they will take extra care, although they can't always give you a dedicated grill if they are busy. Ate here twice and felt fine!
3501 Truxel Rd., Sacramento, CA 95834
Knowledgable staff and great protein style burgers.
780 Ikea Ct, West Sacramento, CA 95605
They are very knowledgable and even packed my food separately from the rest of my order to make sure I knew what was GF.
2821 Lenwood Rd, Barstow, CA 92311
First time at an In-N-Out since diagnosis. Placed my order. Cashier with a beautiful smile tagged it as allergy. The gent preparing the food swapped his gloves out before preparing my meal. All in all a good experience.
5916 Quebec St, Fort Worth, TX 76135
I eat there fairly regularly and have never had a problem. Specify that you have a "wheat allergy" and order your burger protein style without a bun. The fries and shakes are also safe!
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(Feb.21) Today we're observing. . . Ash Wednesday
Ash Wednesday (Christian)
The first day of the Lent. Christians begin their 40 day*Â period of fasting and penitence leading up to Easter Sunday.
Followers attend mass today and receive a mark of ashes in the sign of the cross on their foreheads signifying the belief that "from dust you came, to dust you shall return." A version of such is stated by the priest when the ashes are administered to each follower.
The ashes used are from palm leaves left over from the previous years Palm Sunday observances.
*While the Lenten period is actually 46 days, Sundays are not considered part of the period of penance.


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This is an exiting game about a farmer that has to defend himself against an endless flood of zombies. You have four different weapons to shoot the crowd of walking meat from the city of zombies.
This software is not reviewed yet.
One winter, grandfather Ivan took a chainsaw and went into the woods to drink some vodka. Time passes, he's grown a beard and spring has come. In May, my grandfather Ivan met an apostle who warned him of the legions of evil that want to enslave the l
Lost Place is a great first person shooter. Wander through an abandoned building, wade through the scary undead who only want to tear you apart. The main goal is to find a laboratory from which a virus was released some time ago. Is there a link..
Spend time partying and playing tennis. Everyone who loses will grant wishes! If you can't win go to the generator of desires. There will be something interesting waiting for you!
Dark Run takes place in a completely randomly - generated world, now in 3D! You will wade a ball through endless darkness. At first, the game is bright and fun, but as you progress through the game you will be engulfed by darkness, and conditions wil
Create an atmosphere of day or night in the forest! Enjoy the singing birds, brook sounds, and polyphonic forest dwellers. Relax by the crackling of the fire, or the soothing sound of rain. Complete the aura of living forest with a light flute, violi


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Simonds Intl. announces agreement with Cal Saw Canada
Simonds Intl., Fitchburg, Mass., and Cal Saw Canada have announced an agreement for Simonds to purchase Cal Saw Canada's wide band saw manufacturing assets and circular saw finishing assets located in Langley, B.C. Simonds will continue to provide these products.
Since this agreement does not affect Cal Saw in San Francisco, California Saw & Knife Works will continue to provide specialty circular saws, such as stainless steel saws and variable-thickness saws, directly to the Canadian market.