text:
One Word is Enough To Describe Someone.!!
I'm Never over from You,
I Cried all Nights,
Waiting for You.
I use to stay in Dark,
To Hide up My Emotions,
I know You Didn't Care.
I was Tired Loosing My Sleep,
Begging You Please Don't go,
I Pleased You on My Knees,
I Did Every Fucking things,
To Save My Love.
Things go Wrong in Relationship,
I Accept it,
I Do Accept That,
I Didn't Expected,
Such a Huge Outcome,
I Miss Those Small Moments,
I Miss Pulling Your Cheeks,
I Miss the Way,
You Care for You….
I'm Here,
I Don't Know,
Where You are Lost,
I'm done with Second Guessing,
I wonder if You Still think,
About the Time,
We Spend Together & Memories,
Which was Made by Us,
I Miss Playing with Your Hair,
I am Done with My Finger,
Running on Your Hands,
I am done Remembering,
What We were,
I didn't mean Anything Intentionally,
Things went Wrong,
I Couldn't save My Love,
I Lost You,
I Can't Hate You,
Even though I Want,
I Can't…
When I Read Old Chats,
I Feel How Cute We Were,
And Keep on Smiling,
On Our Stupid Chats,
Yet Anyone Ask Me,
You Still,
Love them or Hate them,
I would Reply,
My Heart is Broken into,
Thousands Piece,
I Need You all the Time,
I wish You Reads this,
And get Affected by This…
I Truly Loved Her,
I Still do,
Things have Change Now,
I know its Not Easy,
To Save Our Love Again,
I Wish You,
Good Luck for Your Future. 🙂
One Word is Enough,
To Describe Someone.
You're Too Sweet for this World :")
You're Pumpkin,
Always there to make My Day,
With Your Compliments,
I Love it Seriously :')
You're Quite Friendly and Entertainer,
As well its the best thing,
Bout You always,
Stay Happy and Blessed :")…
Oct 18, 2015 8:08 PM
Posted on September 21, 2016, in Romantic Poetry(English). Bookmark the permalink. 51 Comments.


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I'm the owner and director of Cross Cultural Consultants, a Darwin business that has operated locally and nationally for more than 25 years.
Cross Cultural Consultants provides a broad range of training courses and workshops on cross cultural concepts.
Providing a range of methods, approaches and outcomes to strengthen our Clients abilities to meet their goals and objectives.
Cross Cultural Consultants (CCC) is a locally-based Indigenous business operating throughout the Northern Territory, nationally and internationally. CCC was established in 1989 to fill a perceived gap in the cross cultural training and engagement area. Over the past 25 years we have established a first-class reputation as deliverers of highly effective training, consultancy and engagement services.
The managing director, Jason Elsegood, has succeeded the founder of the business, and is now growing our client base with the goal of our training materials being delivered across the country by locally-based Indigenous businesses.
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Gordon Brown, David Cameron and Nick Clegg were each given half an hour to convince executives at the Confederation of British Industry annual conference that they had the policies to drive economic prosperity in the years ahead.
The events saw Mr Cameron attempting to redefine the Conservative image away from the austerity policies of cuts set out a month ago at the Tory conference, moving to a more optimistic focus on growth and recovery.
He announced that the first Tory budget in 13 years if they win power next year would be called "an emergency growth budget" that would both cut debt and speed up the economy.
"Contained within it will not only be a plan to bring down the deficit, but the most comprehensive plan to unleash investment and enterprise in our country," he claimed.
Labour celebrated Mr Cameron's move on to their chosen battleground as a U-turn forced on the Conservatives by a fall in the opinion polls. However, the Tory leader argued that reigning in the burgeoning budget deficit went hand-in-hand with growth.
The Prime Minister attacked Mr Cameron's claims and said spending cuts now would risk choking off recovery. Contrasting Tory rhetoric with Labour policies to boost transport, nuclear power and trade, he charged: "It cannot be a soundbite without substance. You cannot say you are going for growth and then in the next breath demand the withdrawal of the very measures essential to lock in the recovery and enable the growth to take place."
Both Mr Brown and Mr Cameron pledged new high-speed rail lines — but only the Prime Minister gave a public commitment to London's Crossrail project. Mr Clegg said Britain needed "a credible plan to reduce the deficit" but he went on: "It's economic madness to put infrastructure spending first on the list for cuts." He said the Lib-Dems would scrap Mr Brown's baby bond worth £250 for each child.
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CMDR Guest
Shunpei Yamazaki (山崎 舜平, Yamazaki Shumpei, born 1942) is a Japanese inventor in the field of computer science and solid-state physics. He holds over 3,193 U.S. utility patents, as of June 25, 2013. In 2005 he was named as most prolific inventor in history by USA Today. Yamazaki was subsequently passed by Kia Silverbrook on February 26, 2008.


text:
A vehicle identification number (VIN) contains a lot of information about the automobile it is assigned to. The industry began standardising VINs in 1981 so that the sequencing would become more uniform. While there are still variations among manufacturers, what has evolved is a 17-character code that is uniquely assigned to every automobile. Each character in the code has a different meaning and can be decoded with a few simple keys.
- Skill level:
- Moderately Easy
Other People Are Reading
- 1
Find your VIN. Check your paperwork; most vehicle identification numbers are easily located either on your vehicle's title/registration documents or on the vehicle itself. Look at your car's dashboard near the window; on the inside door jams of either front seat doors; on the steering column; on the machine pad on the front of the engine; on the inner wheel arch on the left side; or on the firewall of the vehicle.
- 2
Obtain a manufacturer decode key. Decoding keys are available from reducefleetcosts.com and amsoil.net. From this, you can see the information represented in your VIN. Depending on the year, make and model of the car and its components, the engine type may be encoded in any position of the vehicle description.
- 3
Verify the year, manufacturer and model of your vehicle. The second character in the VIN tells you the manufacturer, the third tells you the model and the tenth tells you the year, according to vehicleidentificationnumber.com. All of this information should match the description of your vehicle.
- 4
Look for the engine code in the proper position of your VIN. Usually the fourth through ninth characters make up the vehicle description and check digit section for most American automobiles. They identify the body type, engine type and braking system. The exceptions to this are imports such as Audi, BMW, Honda, Lexus, Land Rover, Mercedes Benz, Porsche, Scion, Toyota and Volkswagen. These manufacturers often list the engine codes directly on the engine block.
- 5
Check the code. Many engine descriptions through 2003 are listed at the "VIN View" and "VIN equipment codes" resource websites referenced. For other manufacturers, contact your auto's dealership service centre, an auto parts store or other authorised independent auto service centre representative with the engine code to obtain an exact description of your engine type.
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text:
2016-17 Fellowship Blog: Episode 9
Episode 9 is a special vlog edition, filmed at a day of ensemble performance and conducting masterclasses with The Sixteen's founder and director (and NYCGB Vice President) Harry Christophers. Click below to watch it on the NYCGB YouTube channel.
2016-17 Fellowship Blog: Episode 8
We're delighted to welcome baritone, conductor and teacher Sam Evans as the Fellowship blog's first ever guest contributor. Here he recounts a weekend of professional development classes which he devised and led for the octet in February.
Having secured hotly contested places on the Fellowship scheme, the eight young singers are about to take their first steps into the world of professional singing. Day one of the weekend was designed to prepare them to compete for work in an audition scenario. At some point soon, they are likely to find themselves in a rehearsal room for a staged opera or performance. Day two was about giving them the tools to be able handle whatever a director might throw at them.
To help guide them in this intensive weekend, I engaged two leaders in these fields. Professor Mark Wildman has been Head of Vocal Studies at the Royal Academy of Music in London for 27 years. In that time, he has auditioned thousands of aspiring professional singers, and has seen and heard it all – both good and bad. Tom Guthrie enjoys a successful career as a singer, both soloist and choral specialist; but he also trained as a director on the Jette Parker programme at the Royal Opera House, and now has a busy career as an opera director.
During day one, Mark Wildman put the Fellows through their paces in a practice audition, run exactly as it would happen in a real audition situation. They entered the room, greeted the panel and the accompanist, indicated their preferred tempi to the accompanist (Jo Ramadan), and did their best to perform their audition piece as well as they possibly could. Once everyone had 'auditioned', Mark and I got the group back together and gave feedback on their performance. After a well-earned lunch, the Fellows auditioned again. However, this time they formed a panel for each other, and gave feedback on each other's performance under Mark's watchful gaze. All the young singers grew in confidence in their performances over the course of the day, and Mark was delighted with the insightful and constructive feedback they gave to each to each other in the afternoon session.
On day two, the focus changed to the physical nature of using the body as an expressive tool. Tom defines stagecraft as "the technique of using your body to communicate stories and characters, in a space." Tom drew on his many years of experience of working with opera singers at the highest international level, to help the Fellows learn some of these techniques. He then put them into practice by getting them to perform a song or aria, and encouraged them to use what they had learned to find new depths of expression in their singing.
Young singers beginning a professional career today are entering an intensely competitive world. The economic pressures on the Arts are well known, and yet the standards of singing seem to go up all the time. Throughout the weekend, the 2016/17 NYCGB Fellows demonstrated their vocal quality and impressive performance skills. But they also showed their dedication to the art and craft of singing, through their hard work, concentration and perseverance. And they all demonstrated that they have the one thing that young singers need above all else: grit.
Sam has also written about his experience of leading the weekend on his own blog, and filmed a discussion covering various aspects of the weekend and more with Tom Guthrie.
CLICK HERE to read Sam's blog post on his own site.
Click below to watch the video.
2016-17 Fellowship Blog: Episode 7
New year, new focus for the 2016-17 Fellows, who acquired some valuable experience of learning to lead through workshops and activities in London and Durham.
It was a damp Friday morning that the eight Fellows assembled for a short rehearsal in the underbelly of Cecil Sharp House, to take part in a day of awareness classes and intensive teacher training. Spider-Man followed by Monteverdi probably aren't the most obvious of bedfellows, but for our short lunchtime recital, we thought they'd hit the spot.
Though not directly a part of 'Live Music Now' - a charity dedicated to providing schools and care homes with specialist music therapy and teaching - through NYC's partnership with LMN we were extended an invitation to attend their training programme. Lectures ranged from classroom technique, to academic iPad use, strategies for teaching children with severe learning difficulties, and mental health awareness.
Most useful for me was the hands-on 'iPad as an instrument' session - the manifold applications in the classroom and implications of its use as an inclusive instrument are wide-ranging. Also enlightening was the Dementia Friends talk; the discourse centred around highlighting misconceptions of the disease, and exploring what we as individuals, as well as music practitioners, can do to spread awareness and adapt our work.
The classroom workshops centred around teaching with percussion and using macaron, a music sign-language, to control dynamics and tempo - this was tiered into five levels and adaptable to various kinds of learning difficulties, including autism and physical disabilities.
All eight Fellows took valuable lessons away from this day, and it was wonderful to meet so many exceptional music educators.
The following morning, after a late train the night before to Durham, found us in the chilly surroundings of Ushaw College Chapel, thrust in front of 200 excited primary school children, to whom we were to deliver a 'Ready Steady Sing!' singing workshop. To begin, each Fellow led a warm-up with exercises ranging from call-answer songs, to running on the spot, marching chants and rounds. It was astonishing how quickly the children learned each song - some more quickly than us, and their teachers - and they were marvellously enthusiastic when Hannah (pictured) introduced a daring four-song mash-up, delivering the final product with panache and vim.
Following a quick break, we rehearsed for our evening recital, covered some wonderful new music by Owain Park, lush motets, and a cappella gems and arrangements. I really love working with the Fellows - we have developed an openness and camaraderie that leads to really special music-making and relaxed yet focussed rehearsals.
Our rehearsal led straight into a conducting workshop for music teachers from local schools and sixth forms. Ben Parry took the lead here, and we became (impeccably behaved) guinea pigs for the duration. For those of us with conducting experience, this was a nice opportunity to pass on some of our training, and for those of us without, a opening to learn new things.
A quick dinner and diary session took us through to our evening recital, which was part of the inaugural Durham Vocal Festival. The audience was full of familiar faces from our day, and the concert was made particularly touching by Ben Inman's dedication to his late grandfather who had passed that morning - I think we all took a moment to really find the emotional content in each piece throughout the concert to pay tribute.
Post-recital festivities included beer, a wander up the hill to Durham Cathedral and very wet feet.
2016-17 Fellowship Blog: Episode 6
As Christmas approached, the Fellowship headed to Aldeburgh and Snape for an intensive residential week of rehearsals, masterclasses and concerts.
Our residency at Snape Maltings was one of the projects I had been most looking forward to in this year, particularly the chance to spend a few days in one of my favourite places with this wonderful group of people and to have the opportunity to take part in masterclasses with renowned mezzo soprano Kitty Whately. We were met at Saxmundham station by our driver for the week, Karen, who would prove to be the best taxi driver ever, putting up with Will and Ben in the front seats all week, making an extra trip to pick up the boys when they were stranded at Snape after 'Messiah', and generally being an absolute legend. As a huge fan of Benjamin Britten, both Snape Maltings and Aldeburgh are very special to me and so spending the week in these two places was pretty ideal. We were staying in two lovely cottages on Aldeburgh High Street, though the girls were incredulous to find out that the boys' house was much bigger than ours! Many of us made beach trips in the mornings, which for me included singing excerpts from 'A Ceremony of Carols' with Ana and Hannah, and listening to the 'Four Sea Interludes' from 'Peter Grimes'.
Our musical work began with a sing through 'Messiah' choruses with Ben, as we would be augmenting Aldeburgh Voices for the performance, as well as doing step-out solos – no small ask! We then moved on to the masterclasses with Kitty Whately and accompanist Nathan. Each of us had brought a solo song or two, as well as our 'Messiah' arias. It was incredibly exciting to hear people singing solo for the first time, or in the case of the York alumni, the first time in a few years! Occasionally choral singing can be slightly constricting and people don't always sing with their full sound, so it was liberating to hear everyone opening up and building in confidence. I think we all learned a huge amount from the masterclasses. Kitty was very good at making us all feel at ease and in many cases, really helped us with opening up the sound. There was a wonderful wide range of music too, from Mozart (including stratospheric top Es), to Copland, to Rob's Rossini. Kitty also had a range of tricks and ideas to help with the performance side of things, including 'imagine you're talking to your friends in the pub', which proved a particular struggle given how infrequently musicians are found in such places… To round off the day, we rehearsed with Aldeburgh Voices. The standard was very high, and the members extremely welcoming.
The next day mostly consisted of prepping for the performance, and running through our solos with the wonderful and unfailingly sensitive orchestra. We were concerned that our voices would struggle to carry in the hall, as we were all standing behind the band, but the Maltings has a really generous acoustic for singers, and our fears were allayed when we sat out in the auditorium to listen to each other. Fuelled by Aldeburgh's unsurpassable fish & chips that lunchtime, the concert went really well - solos were adrenaline-filled and everyone had clearly saved their best for the performances (particular mention to Ben Inman's spontaneous top Bs!) I was nervous for my first aria but hugely enjoyed the rest. It was extremely gratifying to get a standing ovation from a large proportion of the audience at the end, and lovely to see the customary standing-up in the 'Hallelujah Chorus' (and even some joining-in from a few audience members!). Every time I sing 'Messiah' I notice new magic moments and appreciate it more and more, and this performance was no exception.
The Christmas concert on Sunday was hugely enjoyable too, with lots of different groups taking part, including Group A (a youth choir from nearby Lowestoft, Benjamin Britten's birthplace), Aldeburgh Brass (a professional brass quintet), and Aldeburgh Voices, all expertly conducted and compered by Ben Parry. Highlights for me included the Aldeburgh Brass performance of 'Let it Go', and Ben's 'Aldeburgh Carol'. The Fellow also performed a fiendish (and luckily very thoroughly rehearsed) arrangement of 'Sleigh Ride' by Ben, and our YouTube viral sensation, 'Wexford Carol', in its new arrangement by James Rose. It was lovely to perform as an octet again, especially having become even closer during the week together. It is fantastic to get to sing with such a lovely and talented group of people so regularly, and I miss them all already!
2016-17 Fellowship Blog: Episode 5
Ben Inman deputised for the 2015-16 Fellowship when they helped launch NYCGB's partnership with Nottinghamshire Music Hub in May. Six months later, he returned as a full member of the 2016-17 octet...
The partnership between NYCGB and Nottinghamshire Music Hub was launched in May with a performance by local school students and the 2015-16 Fellowship octet at the Royal Concert Hall. I actually took part in this event as a deputy, and it felt as though I had only been away for a short while. Six months on, it was inspiring to see once again how vibrant the arts are in Nottingham, and despite the RCH staff's hugely busy schedule amidst dress rehearsals for their Christmas panto (featuring star turns from Chico and The Chuckle Brothers), we were immediately made to feel comfortable with a rehearsal space of our own on the upper floor.
Today's event was 'An Inspired Christmas' – a seasonal showcase for schools partnered with NYCGB and Nottinghamshire Music Hub to show off the work they've created since September. The Fellows' role was to provide a set of schmaltzy Christmas favourites in between offerings from the partner schools, to lead audience members and the schools in a mash-up of carols, and to join forces with the schools to sing two final pieces.
Rehearsals were fun but intense because it was the first time the Fellows had sung together since our workshop and recital at RHS Holbrook on the 22nd November and there were only six of us for this particular gig. There was a real learning curve for us here; with under two hours before our sound check on the concert hall stage it was important to balance our rehearsal time, and to find complete note accuracy for such dense close harmony whilst also aiming to apply stylistic interpretations to each piece. Covering four fiddly pieces, one-to-a-part, in limited rehearsal time was, therefore, pretty challenging. Sound-checking also provided valuable experience. The acoustic in the RCH is tricky because the space is so vast and therefore it is easy to sing louder than needed and not get much back. We spent our time wisely and made an effort to conserve as much voice as possible for the gig later in the evening.
Just after 7pm we emerged from our dressing rooms to prepare for our set and decided to wait in the wings of the concert hall. We were all bowled over by the complexity of the arrangements being performed by the partner schools and it was a real testament to the partnership with NYCGB that, on the vast RCH stage, the very talented pupils were demonstrating complex extended vocal techniques with such ease. I think it's fair to say we were all pleased with how our solo set went. The arrangements were very exposed for all voice parts, there were lots of words to tackle and several harmonically challenging sections in each of the pieces. It's testament to our development on this scheme that we remained calm and collected and trusted each other to perform with the levels of consistency and finesse we know we're all capable of.
For me, the highlight of the performance was Rob Brooks' expert leadership of the carols mash-up. Taking the first line of four carols and piecing them together to make a round, Rob effortlessly captivated the entire audience and all of the performers. At its climax there were four groups, two made up of adults and two made up of partner school classes, each aided by a Fellow or two, serenading each other with their individual round. A fantastic feat of music-making and a really impressive bit of leadership from Rob. -
Having spent the majority of my school education in Nottinghamshire, I was delighted to be back as part of NYCGB engaging musically with the Nottinghamshire Music Hub and the talented pupils of the partner schools. I hope that future Fellows will find similar rewards in future years when collaborating with local organisations that provide young people a platform to be creative and to engage in music making.
2016-17 Fellowship Blog: Episode 4
November's assignment gave the Fellows a concentrated burst of wide-ranging challenges and opportunities.
Our sessions in late November gave us the full scope of the Fellowship programme - we had the opportunity to learn from a fantastic industry professional, gave a workshop for some young musicians, and sang our first recital as a group together.
Rehearsals in London (bolstered by Jaffa cakes and many cups of tea) were a chance to refresh the repertoire we'd tackled for our first appearance together on BBC Radio 3 'In Tune', and to knuckle down to work on new rep for our forthcoming recitals. It was a privilege to have Joanna Forbes-L'Estrange with us for our afternoon session to help us work on some close-harmony arrangements. As a former Swingle Singer, Joanna was able to impart her extensive knowledge and effortless cool-ness on our performances, including Ward Swingle's 'It was a lover and his lass', and an arrangement of 'Sleigh Ride' by Mr Ben Parry. It's a genre that not everyone had much experience in so Jo's input was really invaluable.
A few days later we arrived at the Royal Hospital School in Holbrook for a composition workshop day with year 10 and 12 music students. Due to a delayed train we were thrown straight into an immersive demo of choral music from Tallis to Tavener to give the students some ideas for their own GCSE and A-Level compositions - props must go to Elspeth and Ben for popping out some serious high notes on very little warm-up time! Armed with Ben Parry's quick and easy guide to choral composition, we split into pairs to help guide groups of students towards their goal of creating a short piece. The day presented some challenges - though there are a few composers within the group, plenty of us have no compositional experience post-uni, so having to teach it was quite daunting, but Ben's breakdown made it simpler for both them and us. Rob and I and our group of year 10s set the first verse of 'The Owl and the Pussycat', and as we had a few saxophonists in our class the final product was a study in jazz. All four groups came together at the end of the sessions to hear the Fellowship perform these brand new works, which ranged from our jazz-inspired ditty to a graphic score(!) on the theme of water.
There was time for a quick rehearsal in the afternoon to make the final touch-ups to our concert programme and rehearse with graduate Fellow Beth, who was stepping in for Ana. By the time the evening came round we were exhausted but excited to give our first recital together as a group. It's a delight to work with such fantastic musicians - particular highlights for me were Monteverdi's 'O primavera' and being able to put our session with Jo to work in 'It was a lover'. Overall the day was a huge learning experience for many of us, teaching and working with secondary-age students for the first time, but it's rewarding to know that they were gaining from it too.
2016-17 Fellowship Blog: Episode 3
The 2016-17 Fellowship's third assignment saw them working alongside one of the world's top vocal consorts on new music by British composer Owain Park.
At the start of November, we were thrilled to be invited to join Tenebrae in recording a new commission by Owain Park. The piece is written with the potential to be performed by one, two or three choirs, with sections for children's chorus and another chamber choir, allowing Tenebrae plenty of opportunities to work with other ensembles during their subsequent touring. It was a real privilege to be invited to put down the 'other' chamber choir parts on record, knowing that this is going to be part of a much larger education scheme. We have had many conversations about what we can do in schools and workshops, but so far we have not had many chances to be part of a wider-ranging project.
Owain's piece was a combination of six different poems, loosely themed around metaphors for death, or perhaps the passage of time, like a sort of sung-through 'Songs of Farewell'. At approximately thirteen minutes long, sections ranged from contrapuntal sea shanty to spellbinding homophony. It was somewhat strange to break it down for the recording, as the cumulative emotion of running the full work became a bit fragmented, but even so, there were some gorgeous sections that I never wanted to stop singing, which was lucky considering that Nigel took us through nearly twenty takes of one particular eight bar section to get it just right!
The 'other' choir parts were not particularly challenging in terms of notes or rhythm (particularly compared to the rapid, compound meter, key-shifting fugato in Tenebrae's parts) but nonetheless, the reasons for Tenebrae's reputation and stunning catalogue of recordings soon became clear. Nigel was meticulous in looking for our every word to carry the same tone quality, focussing on each vowel, consonant and dipthong. As Elspeth mentions in Episode 2 of this blog, our last recording with James Rose had been unusual, with space and time to experiment, make mistakes and, unsurprisingly in the video recording, corpse just a little. Here we were back to more like 'choral normal'; a chilly church with industrial heaters glowing, coats and scarves on, having to maintain total focus while we waited for cars to rush through the swelling puddles around the church, before breathing straight into another meticulous take.
It was exhilarating to make choral music at this standard and under such pressure. Even though we have all been lucky enough to sing in university choirs and schemes such as the Genesis Sixteen, where no quarter is given on artistic detail and technical rigour, those rehearsals are often spread over a longer period of time. Here the end goal was in sight from the moment we began, rehearsing for three hours and then entering straight into a three hour recording session. There was no time to make a mistake, miss an entry or take one's eyes off Nigel, and I think that we really enjoyed testing ourselves in that high-intensity environment.
2016-17 Fellowship Blog: Episode 2
For their second outing, the 2016-17 Fellowship octet were once again singing to the microphone - but everything else was very new indeed...
This week we were working with musician, composer and producer James Rose on a recording of his new arrangement of the Wexford Carol. This, however, was not you run-of-the-mill-resonant-accoustic-freeze-your-amen-off-in-a-church choral recording. I was directed to a private residence in central London, and was greeted in the open plan living/dining room by NYCGB Marketing Manager Julian Forbes and artist and techy-in-training Sereta Baldwin. Surrounded by used mugs, camera lighting equipment and a vast quantity of stage make up, they were in the middle of a discussion about John Gray and Schopenhauer. This was James's studio/ apartment.
We recorded our parts individually, close miked, with a click track and midi files of the other parts playing through headphones. Ana and Will had been in before me, so I had them in my ear too, and by the time Jamie's turn came around he had all of us. He might have had the easiest time, except for the untimely hammering that started outside and obliged James to shove him into an acoustically-isolated wardrobe where his Mongolian low notes could be picked up. James wanted an a cappella sound for the song, senza vibrato, which was harder for some than others. It was a challenge for me, at least, because it felt like I had to undo six years of classical training in 60 seconds. But James was relaxed and encouraging, and had magic tools to adjust the pitch when my confusion over placement resulted in dodgy tuning. The session environment also brought to light technique issues I hadn't previously noticed. Live performances in spacious buildings apparently hide a multitude of sins which a microphone does not, and I gave a number of false starts before we were happy with the start of each phrase. Clearly, I need to work on my onset. The next stage was filming, and we all returned the following day to finish the job. It was a surprise to feel relief at being reunited, after having to stray beyond my comfort zone alone. Suddenly, we had comrades in arms to support by page turning and lipstick lending, partners in crime to tease those in the spotlight attempting to mime while keeping a straight face.
Now, I absolutely love groups like GQ (Girls Quartet) and the Puppini Sisters, not to mention the Sons of Pitches and Pitch Perfect, but for some reason or other we in this year's NYCGB Fellowship octet have all chosen to study classical singing; and if I'm honest, I'm concerned that the end result of our work may be a little unconvincing. To spend just five hours on this project perhaps does a disservice to the a cappella community, whose groups spend their performing lifetimes perfecting their art form. That being said, it was a privilege to be given a glimpse into this world, to experience a completely different way of music making. The lessons James gave us on matching tones and colours (have a look at Acapella Equalizer on YouTube) will be ones which we will carry through to everything we do together throughout the year, and most likely beyond. It's so rare to be given the opportunity to work with professionals of a different area from your own, which is one reason why this program is so unique. That being said, I am also looking forward to seeing what we are capable of on home territory. On this score, our mettle is yet to be tested.
2016-17 Fellowship Blog: Episode 1
The 2016-17 Fellowship octet met to rehearse as an ensemble for the first time on Friday 23 September 2016. Four days later, they were broadcasting live on BBC Radio 3...
ROBERT BROOKS (Bass) -
In some ways, going into this first project with the Fellowship felt similar to the last round of our audition. I still didn't really know my fellow Fellows (can't believe I've succumbed to that already), or Ben, and there was the same cocktail of expectations/not knowing at all what to expect. As with the third round of auditions, I would be rehearsing with a group of very good singers, who therefore (and I include myself) probably had strong opinions (read egos) on both singing and choral technique. But not necessarily ones that would match. This uncertainty and excitement was intensified by the knowledge of how good this group could be, if it did all work.
The first rehearsal was extremely liberating. Very rarely have I had the opportunity to sing all day with an ensemble as talented as the other Fellows are. Yes there were odd mistakes, tuning and ensemble tweaks, etc., but essentially the nuts and bolts of the music/vocal production could be taken as read. It felt fantastic to bypass the mundane and go straight into music making, often in the first read-through. For me, the excitement of singing in a group like this - close knit, one or two per part - is the vocal freedom it can grant, and I think something that became quickly important to us was the discovery/ownership of our cumulative sound. We weren't that interested in emulating other choirs or groups, but instead in exploring the range of colours that our own soloistic abilities could produce in consort. The continuing struggle to achieve great overall cohesion without limiting individual expression/technique is obviously one that all ensembles face, but I think it is particularly prevalent amongst choral groups. We'll probably be starting to crack it just as our Fellowship comes to an end.
We were put to the test quite quickly. After spending two days rehearsing and getting to know each other (I couldn't spot the trouble-maker so it's probably me...) we were due to appear on BBC Radio 3's In Tune. On the one hand it was astonishing to stand less than ten meters away from Nicola Benedetti playing the violin, on the other it was ridiculous to think that we were supposed to be performing on the same show, with something even approaching that standard. Another slightly surreal element was the presence of a live audience, but the reality that we were actually performing to a set of microphones stood in front of us, and should largely ignore the people there. Having said all that, Sean Rafferty at Radio 3 and the NYCGB staff with us made everything as easy and comfortable as was possible.
After a nervy start, where I think the temptation was to sink back into a style and sound that we thought we should inhabit, we quickly relaxed, and were able to produce music that was more and more of ourselves, which is surely the point of a programme as ground-breaking and supportive as the Fellowship. I hope we can take that much further as our year progresses. I've already learned and enjoyed so much, and it feels as though we are already good friends. Cringe but true. I can't wait for the next gig.


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... contains important information and a detailed explanation about foundation institute of ecde 2014 exams ... which is also related with , country report: kenya [pdf 1 14mb] - university of, annual report 2014 - lundin foundation, 2014 basic education statistical booklet - kicd.
Foundation Institute Of Ecde 2014 Exams
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May 9, 2014 ... IST-Africa 2014 Conference & Exhibition took place from 06 - 09 . education & research organisations, to discuss ICT policy, showcase research results and share knowledge. . Maryse Chung, Mauritius Sugar Industy Research Institute The Minister believes that there is a solid foundation in the ICT .
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January Regents Exams 2014 - Lake Shore Central School
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Hey Hussies sorry I haven't bloged in a while but the blog sale took up a lot more time and was a greater success than I ever expected it to be. Thank you all for your support :-)
Today I have one of my favourite polishes to show you. I blame the purchase of this polish entirely on my friend Hannah who sent me a text to tell me about the new Estee Lauder polish she had. She knows I have a weakness for raspberry/purples and sparkles the evil temptress!
This is Smashed, a deep raspberry purple with beautiful inner sparkles that look blue and purple depending on what light you are under. This is one of the very few polishes that I have worn for an entire week (that's how much I love it) and by golly does it wear well, no chipping or peeling and only slight tip wear after four days. I have also worn it on more than one occasion which really is unheard of for me!
The swatches here show two coats of Smashed followed by a coat of Poshe. I will now spam you with photos because I just couldn't narrow them down any more than I have!
|Estee Lauder Smashed
|Photo taken indoors under artificial lighting
|Photo taken indoors under artificial lighting
|Photo taken outdoors
|Photo taken outdoors
|Photo taken with flash
This is my first Estee Lauder and after seeing some of the gorgeous colours they have come out with recently I can tell you it wont be my last!
Estee Lauder cosmetics are available from most branches or Debenhams, Selfridges and on line at EsteeLauder.co.uk. Estee Lauder also have a Facebook page.


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Peter has had this pitch since 1975. His father owned another pitch in Oxford Street which is now run by his brother. His niece has a pitch on North Audley Street. "Street trading is all I have ever known - it's my whole life. Recently the council has been making life very difficult for us all. My rent has doubled to £1,250 a month and I think that was a move to try and drive me out. These days I barely make enough to pay that rent and my one employee.
I'm sure this is all to do with the Olympics. The council has some stupid idea that Oxford Street will look a whole lot better without us."
Mark Impleton, 44, who owns Gourmet Wonder Waffle outside John Lewis
Mark has run his stall since he was 17 years old. "All the huts we operate from are shabby and rotting but the council will not give us planning permission to update them or change them. Meanwhile they complain that we look shabby. I have stuck to their rules, kept my plot tidy and paid my rent on time but my hands are being tied. It's bureaucracy gone mad."
Victoria Munro, 54, who sells handbags and pashminas on the junction of New Bond Street, by Next
The pitch was owned by her grandfather who sold fruit. It was passed down to her father, then to her.
"Passing on this pitch to my children was going to be part of their inheritance. It's a lucrative spot and would be a way for them to stay in the family business. If the council take that right away, everything I have ever worked hard for will be for nothing. I would be utterly devastated."
- More about:
- Oxford


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They're back! The spicebush butterflies have been laying their eggs on the spicebush, Lindera benzoin and sassafras trees Sassafras albidum on the Bent Twig Trail and elsewhere. Some of those eggs have hatched into small caterpillars. Nearly a year ago, I blogged about discovering these along this trail, so it seems fitting to find them again as … [Read more]
Trails from the Bent Twig Trail: The Cycle Continues
Isaac's Café Brings New Opportunities to Expand Your Taste Buds: Specials June 13-17
Yesterday, I went to support my son at Tough Mudder KY (a grueling, 12.5 mile obstacle course held at the Kentucky Speedway in Sparta, KY). This is not a race or a competition, but a challenge. If you throw in temperatures over 90, high humidity and add lots of Kentucky hills, it becomes insanity, but thousands of people do it in many states and … [Read more]
Hike & Write: A Special Program Series with Poet Bobbi Buchanan
Bernheim is thrilled to introduce a new program series with author, Bobbi Buchanan. Her guidance will inspire you to use nature as your guide for creativity. Bobbi Buchanan is the author of Tiny Little Beauty, forthcoming from Finishing Line Press in June 2016, and Listen: Essays on Living the Good Life (Ginkgo Leaf Press, 2013). She is the … [Read more]
Vanishing Acts: Big-Leaf Mahogany
Big-Leaf Mahogany, Swietenia macrophylla, is native to Central and South America, growing from southern Mexico to north-central Bolivia. The Big-Leaf Mahogany is a massive timber tree which can attain heights of 100 to 130 feet while having a circumference of nearly 15 feet. For over five hundred years this tree has been sought after for its … [Read more]
Vanishing Acts: Pau Brasil
The Pau Brasil tree, Caesalpinia echinata, the namesake for Brazil, is native only to Brazil's Atlantic coastal forest, and has strong cultural ties to Brazil's social and economic history. This tropical or subtropical tree grows to a height of 40, with a trunk diameter of more than 2 feet. The trunk is the tree's most valuable characteristic, and … [Read more]
Bernheim Welcomes Artist in Residence, Eileen Neff
Bernheim is pleased to welcome painter and installation artist, Eileen Neff, who arrived in May and will continue her stay through June. While here, she will explore the natural geography and plant life in the region. "…Having formally studied painting before photography, and poetry before painting, I consider the ideas and boundaries between … [Read more]


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Written on: 06/08/2016 by Adrian.70 (1 review written)
This was my second Air Rifle having only starting to shoot about 4.5 months ago. I've totally enjoyed shooting this reliable rifle at my club. I've shot three 94/100's so far and looking for more. My only dislike is the mass weight and couldn't see myself Hunting with it unless there was the facility for a sling. Well done Walther.
As rated by our community of reviewers
" Piece of junk " Read More
" Hatsan Air Rifle A Mistake " Read More
Written by Trophy2359
" Great rabbit killer " Read More
" Perfection!! " Read More
Written by Iqbalm
" Takes a Lickin keeps on plinkin lol ! " Read More


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Patriot Media Group, The Weather Channel and Caption Colorado
Posted by rhycomadmin on / 0 Comments
Patriot Media Group, The Weather Channel and Caption Colorado will partner to provide best-in-class captioning service for hearing impaired.
Patriot Media Group, a division of U.S. International Media and a leading source for innovative short-form commercials placed within program content, is pleased to announce it has been appointed as the sales representative company for The Weather Channel's Closed Captioning ('CC") sponsorships.
"We are excited to partner with Patriot Media Group and Caption Colorado to bring the best in class captioning services to The Weather Channel," said Jeremy Jones, director of television products for The Weather Channel. "Keeping people prepared and safe during severe weather events is our most important responsibility, and this partnership allows us to reach everyone."
Weekly sponsorship packages are available, enabling one advertiser to be the exclusive captioning sponsor to The Weather Channel during any given week. Spots will air across a variety of day parts, and include a 5-second billboard and short tagline featuring the advertisers' logo and pre-produced audio copy, similar to… "Closed Captioning on The Weather Channel is brought to you by (advertiser name/tagline)," immediately followed by the advertiser's 10-second spot. The captioning sponsorship will air near the top of each hour.
"We're pleased to assist The Weather Channel in bringing important breaking weather trends to the hearing impaired," said Steve Berger, President of Patriot Media Group. "This is an exciting public service, which advertisers are eager to be a part of," Berger said.
For more information, please contact Steve Berger, President, Patriot Media Group, by email sberger(at)patriotmediagroup(dot)com or by phone 310-482-6753.
About The Weather Channel
For more than 30 years, The Weather Channel has inspired viewers to explore, investigate and appreciate the experience of weather in all its forms. Available in 90 million homes, the network is the leader in severe weather coverage, providing the most comprehensive coverage of any media outlet, and with more than 200 meteorologists, who analyze, forecast and report the weather – its expertise is unrivaled. For more information, visithttp://www.theweathercompany.com.
About Patriot Media Group
Patriot Media Group is a leading source for innovative short-form commercials embedded in high profile network, syndicated, cable, and regional/local television program content. These placements develop and enhance brand awareness, while effectively and efficiently creating a larger share of voice with fewer ads spend and maximizing ROI.
Patriot Media Group focuses on planning and placing 10-second closed captioned sponsorships with the general and Hispanic markets, utilizing its partnerships with companies such as Time Warner Cable SportsNet, The Fox Sports Regionals, Home Team Sports, Comcast and select network and nationally syndicated programs.
Don't have a 10-second spot? Our production facility can assist in creating or lifting one from your longer length unit for just pennies. Visithttp://www.patriotmediagroup.com.
About U.S. International Media
U.S. International Media is an independent, full-service media agency that provides innovative media strategies and execution to maximize advertising spend return on investment. Founded in 2004 by media industry innovator, Dennis Holt, USIM is headquartered in Los Angeles with 20 offices throughout the United States and Canada. USIM specializes in Media Research, Media Planning, Local Broadcast and Cable, National Broadcast and Cable, Digital Media, Direct Response, Out-of-Home, Print Media, Direct Marketing, Multicultural Media. For more information visithttp://www.usintlmedia.com.


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Lynn, from Stoke, made up a three-shot deficit on Australian Richard Green to win the KLM Dutch Open at Hilversum by three strokes for his first success in 168 attempts.
"I feel awesome," said Lynn. "I've been close a few times but this time things went my way."
Paul McGinley, who sank the winning putt to retain the Ryder Cup in 2002, claimed joint second place to move up a place to 14th in the race for automatic selection for next month's match.
- More about:
- Australia
- Golf
- The Netherlands


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Odours and aromas tend to cling to fabrics. While many items can simply be popped into the washing machine, removing unpleasant odours from a mattress is naturally not quite as straightforward. Lovely as memory foam is to sleep on, the porous nature of the material makes it particularly vulnerable to any lingering scent. Luckily, removing smells from a memory foam mattress is not difficult.
- Skill level:
- Easy
Other People Are Reading
Things you need
- Baking soda
- Stiff-bristled brush
- Vacuum cleaner
- 1/2 cup distilled white vinegar
- 1/2 cup water
- Spray bottle
Show MoreHide
- 1
Remove all bed linens from the mattress and allow the mattress to stand, uncovered, for 24 to 48 hours. Exposure to fresh air can help odours to disperse.
- 2
Scatter baking soda over the mattress. Use a stiff-bristled brush to spread the baking soda evenly across the surface of the foam and allow the mattress to stand, undisturbed, for 24 hours.
- 3
Vacuum the surface of the mattress to remove the baking soda.
- 4
Flip the mattress over and treat the other side, sprinkling baking soda over the surface and allowing it to sit once again.
- 5
Vacuum the mattress a second time, removing all excess baking soda.
- 6
Combine 1/2 cup of distilled white vinegar with 1/2 cup cool water. Mix well and transfer the solution to a spray bottle.
- 7
Spray the vinegar solution on the mattress, evenly coating the surface with a light mist.
- 8
Allow the mattress to dry completely. If any unpleasant odours remain, repeat the process.
Don't Miss
- 20 of the funniest online reviews ever
- 14 Biggest lies people tell in online dating sites
- Hilarious things Google thinks you're trying to search for


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In a striking departure, the US has earmarked $3m (£1.6m) to promote democracy in Iran - a small sum but one that has been denounced by Tehran as impermissible meddling by Washington in its affairs.
In a striking departure, the US has earmarked $3m (£1.6m) to promote democracy in Iran - a small sum but one that has been denounced by Tehran as impermissible meddling by Washington in its affairs.
The money has been appropriated by Congress, and the State Department announced last week that it was inviting educational and humanitarian groups, as well as NGOs and individuals inside Iran, to submit proposals "to support the advancement of democracy and human rights".
Iran and the US have had no diplomatic relations since 1979, when Iranian students took over the US embassy in Tehran. The announcement, however, is a natural follow-up to last year's Greater Middle East initiative that seeks to further free speech and democracy across the region, and President Bush's promise to Iranians in his second inaugural address that "as you stand for your liberty, America stands with you".
Nevertheless, it breaks with a US undertaking, given as part of the 1981 Algiers accord that secured the release of 52 American hostages, that Washington would not intervene, directly or indirectly, in Iran's internal affairs.
To an extent, that pledge has already been circumvented, by the $15m the US spends on Persian language radio and television broadcasts into Iran. But the $3m would go further, by financing efforts mounted inside the country - and, as such, was angrily denounced by Iran's envoy to the United Nations.
The plan was "a clear violation" of the Algiers agreement," Mohammad Javad Zarif said, hinting his government might take the matter to an international court. More likely, perhaps, the clerical regime in Tehran will simply bar Iranians from receiving money.
The offer from Washington comes at a delicate moment in Iranian politics, barely two months before the election on 17 June of a new president to replace Mohammed Khatami, who has disappointed reformers by failing to stand up to religious conservatives. The plan will exacerbate tensions between Washington and Tehran, over the latter's support for militant anti-Israel groups such as Hizbollah.Reuse content


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Virtually shutting the door on the possibility of an alliance with the Congress and Aam Aadmi Party for the forthcoming Lok Sabha polls, People's Party of Punjab (PPP) chief Manpreet Singh Badal on Wednesday said the Sanjha Morcha would go it alone and field its candidates on all 13 seats in Punjab.
"We are going ahead in the parliamentary elections alone, without any alliance," Manpreet told HT. Sanjha Morcha is a fledgling conglomerate of the PPP, the Left parties and splinter Akali faction led by former chief minister Surjit Singh Barnala. The Morcha had first tested its political strength in the 2012 Punjab assembly polls, but had drawn a blank.
Denying the possibility of an electoral truck with the Congress, Manpreet said his endorsement of Punjab Congress chief Partap Singh Bajwa's legal battle for a CBI probe into the drug racket should not be construed as the Morcha's overture for a poll alliance. "We are not shopping for any pre-poll pact," he said, adding, "Our politics will not compromise on the ideological course that we had adopted at Shaheed Bhagat Singh's native place."
Badal admitted that talks between the PPP and AAP for a poll alliance had been futile.


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As one of the institutes of the Rotterdam University of Applied Sciences, the Willem de Kooning Academy has access to an extremely wide knowledge and research network. The thirteen institutes of the university of applied sciences focus on five regionally embedded themes that are discussed in the following centres of knowledge:
A team of lectors – senior professionals and academics in various fields – carry out research in these centres of knowledge, making an important contribution to the development and dissemination of knowledge. A knowledge centre consists of a lector and a team of experts. These lectors are experts in specialist fields. They often combine their work as lector with an appointment elsewhere, which means they are very much aware of current issues in professional practice. They use this and other experience plus their particular knowledge to stimulate and facilitate innovation in practice. Businesses and public institutions can contact the knowledge centres for research and advice.
In and of itself, the Willem de Kooning Academy has a strong connection to the Creating 010 knowledge centre. Creating 010 looks at how to create more network connections in the creative industry, the artistic profession, designers and IT specialists that cooperate with other professional fields. The creative industry is at the forefront of innovation in the economy and society. It is one of the three mainstays of the regional development programme. The Creating 010 knowledge centre supports the city's creative sector to achieve its full potential and stimulates best practice.
For more information on the various knowledge centres and their teams of lectors, please check the Rotterdam University of Applied Sciences' website (www.hogeschoolrotterdam.nl/).


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Easy-to-make jam...make some to give and some for your family to enjoy. Top jars of Holiday Jam with batting and fabric and decorate with buttons...great for sharing with friends and neighbors!
- 1 cup fresh cranberries
- 10-oz. package frozen strawberries, thawed
- 2 cups sugar
How to Make It
Put cranberries into a blender, cover and chop by turning on and off, on and off, etc. Empty into saucepan; add strawberries and bring to a boil. Add sugar and boil until thickened. (It doesn't thicken a lot.) Pour into jelly glasses. Jam may be stored in refrigerator for 2 to 4 weeks.
Judy Norris, Gooseberry Patch All Through The Seasons


text: Posted July 10, 2007 148 Big Foot Goose Decoys for sale. Some Heads are flocked. Bodies are in great condition. Their are 95 feeders and 53 sentries/lookers, that would be a little over 12 dozen. Will to meet a resonable distance for delivery. $15 each. Share this post Link to post Share on other sites


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Um die Tausenden von hier verfügbaren Add-ons auszuprobieren, laden Sie Mozilla Firefox herunter, eine schnelle, kostenlose Möglichkeit, im Internet zu surfen!Schließen
Willkommen bei den Firefox-Add-ons.
Wählen Sie aus Tausenden von Zusatzfunktionen und Stilen, um sich Firefox zu Eigen zu machen.Schließen
Bewertungen von W3Schools Hider
14 Bewertungen für dieses Add-on
Doesn't Work As Of 2016 Bewertet mit 1 von 5 Sternen
What's aggravating about this plugin is not just that it does nothing, but that it's still here in the official add-ons page, when it hasn't been updated since 2013 and is now completely useless.
Doesn't work Bewertet mit 1 von 5 Sternen
Doesn't work on FF version 43 (43.0.4)
Not working anymore Bewertet mit 1 von 5 Sternen
Not sure when it stopped, but it doesn't work anymore. W3 schools is back in my search results.
No longer working Bewertet mit 3 von 5 Sternen
After Firefox upgraded to 41, I'm on 41.0.2, the add-on no longer removes W3Schools from Google's search results.
God bless you Bewertet mit 5 von 5 Sternen
You made my day. And my year. And my life, almost!
Used to be great but no longer working Bewertet mit 2 von 5 Sternen
I installed this a while back and it was great. Did exactly what it said. I seem to remember a config option to add to the sites filtered out. But recently I noticed it is no longer working. Have tried uninstalling and reinstalling the plugin and nothing. Can't find any options either.
Tried the search in the screenshot on the plugin page and got W3Schools as first search result! using latest FF 41.0 and have checked for updates to the plugin
I'd rather have done this as a bug report than a review, but couldn't see any way to file a bug or contact the author except a review.
Misleading download sites Bewertet mit 5 von 5 Sternen
My JavaScript skills have gotten better since I started running this, I can feel it.
Just started using this to also block search results from a certain well-known download site that bundles adware with its copies of open-source packages.
Works, but breaks Google Images Bewertet mit 2 von 5 Sternen
Image results fail to show up in Firefox 39 with this addon installed, but it does successfully block W3Schools results, hence the second star.
Does One Thing... Bewertet mit 5 von 5 Sternen
...and does it well.
Works great when using Google search Bewertet mit 5 von 5 Sternen
I'm not sure why MightyPork dislikes this extension. It doesn't need a settings page, it just does one thing. I installed it and did a Google search for "html input" and got back four results on the first page; all the w3schools results were hidden, allowing me to read just the links I wanted to see. Perhaps he isn't using Google; I just did the same search with Bing and the w3schools results were still visible.
Bewertet mit 5 von 5 Sternen
Bewertet mit 2 von 5 Sternen
It just doesn't do anything, and doesn't have any settings page either.
Bewertet mit 5 von 5 Sternen
Great work! I really hate that google shows w3school before MDN.
Love It Bewertet mit 5 von 5 Sternen
Work's Great! Glad someone made this never would've even thought of it.
Um Ihre eigenen Sammlungen zu erstellen, müssen Sie einen Benutzeraccount bei Mozilla Add-ons haben.


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Free sell car for sale on US's largest classifieds sites (999 results)
1981 Porsche 911
More details at: firstname.lastname@example.com . 1981 Porsche 911SC Targa - Enthusiast Owned - 61,381 Miles - Dozens of Photos This beautiful 1981 Porsche 911SC is part of a 60+ car private collection in Austin, Texas. I acquired this car from an enthusiast in the northeast who had purchased this c
61,381 Miles
Year: 1981, Make: Porsche, Model: 911
1957 Oval Window VW Bug - Rust Free Arizona Car
1989 FireBird Formula 350 Rust Free Car new paint T-Tops New Tires
1986 WS6 Pontiac Trans Am 64k actual miles, rust free, sell or trade
The car is completely rust free, and all stock, minus a Flowmaster muffler, and a CD player. The car is a true WS6 with the Tuneport 305. The only mechanical issues are the AC compressor is missing, and it has an exhaust leak at the lower manifold gasket. The dash is perfect, but there are a few rips
Year: 1986, Make: Pontiac, Model: Trans am
2008 Dodge Ram 2500 SXT 6.7L Cummins Diesel 4x4 Clean CarFax Rust Free
2000 mazda 626 v6 rust free California car $2000 obo
I have for sale my rust free 2000 mazda 626 lx v6. runs drives everything works except a.c. still blows heat and air a.c. was disconnected by previous owner and I'm not sure why. 195k miles still pulls has power. need to sell asap i have the title in hand, but the car isn't in my name yet. I basically
195,000 Miles
Year: 2000, Make: Mazda, Model: 626
The price has been slashed for quick sale!Here is a beautiful classic to add to or start your collection. This 1939 Packard super 8/1703 touring sedan will put a smile on your face. This rust free Colorado car has been Dr. owned for the past 44 years and always garaged. Only 3962 of these mode
Year: 1939, Make: Packard
160k BLACK ON GREY EXL 4700$ obo CALIFORNIA CARNO I WILL NOT SELL THE CAR FOR $3500. STOP ASKING.Best way to contact me is by text or a phone call. Clean TitleRust free California Car. 1 year in MichiganTiming belt done by a Honda Technician @110kTransmission rebuilt @ around 1
160,000 Miles
Year: 2004, Make: Honda, Model: Pilot


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- April 21: Volkswagen Sentenced to 3 Years Probation in Emissions Scheme news | 3 days ago
- April 1: Volkswagen UK Complaints Continue After Emissions Repairs news | 23 days ago
- March 25: VW Sedric Looks Like an Evil Lunchbox news | 30 days ago
- March 18: No Bail For Volkswagen Executive Oliver Schmidt news | 37 days ago
- March 18: Volkswagen Touareg, Audi A5 and S5 Cabriolet Recalled recalls | 37 days ago
1999 Volkswagen Jetta
windows / windshield Problems
Worst 1999 Jetta windows / windshield Problems
Click on a problem below to read more.
- windows fall off track2
- NHTSA: Visibility: Power Window Devices And Controls59
- NHTSA: Visibility: Glass, Side/Rear10
- NHTSA: Visibility: Windshield7
- NHTSA: Visibility: Windshield Wiper/Washer4
- NHTSA: Visibility2
- NHTSA: Visibility: Windshield Wiper/Washer: Motor1
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Our recycled wood low-profile jewelry racks are designed and built for simple beauty and organization.
Made from rare and warmly toned western red cedar finely sanded and finished with rubbed beeswax and linseed.
22 inch length with 27 smooth metal pins will hold 52 necklaces or a combination of necklaces, bracelets, earrings, and hair ties.
With pre-drilled holes and include mounting hardware, this low profile design might be perfect below or next to the bathroom mirror, or above the nightstand.


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Opening for Senior Software Engineer in Mohali ( 4 - 7 yrs)
RS 4,00,000 To 5,00,000 Mohali
Our Client has following requirement – Designation:- Senior Software Engineer Experience:- 4-7 Yrs Salry:- Hike on Current CTC Loaction:- Mohali – 4-7 years of experience in design and development of business ...
Key Skills : wcf,wpf,.net,asp.net
Job Opening for Experienced Electronic Engineer . ( 1 - 2 yrs)
Royal Managment
RS 1,00,000 To 2,50,000 Chandigarh, Mohali
Job Opening for Experienced Electronic Engineer . qualification- B.tach or Diploma. location- Chandigarh or Mohali. salary-20k to 25k or Depend Your Experienced.
Key Skills : electronic engineer .,electronics engineer,senior electronic engineer .,electronics design engineer,electronics & electrical engineer,electronics...
Software Engineer - Microsoft Technologies ( 2 - 4 yrs)
Sensation Software Solutions Pvt. Ltd.
RS 2,00,000 To 5,00,000 Chandigarh, Mohali
- Good experience in ASP.Net, Dot Net, MVC, JQuery & Entity Framework. - Knowledge of WCF, Angular js and MVC - Should be proficient in Web Services. - Strong analytical and problem solving skills. - To work on challenging projects and...
Key Skills : asp.net software developer,asp.net,c#,asp.net mvc,linq,entity framework,jquery,angular js,html,software developer,web development,wcf services,...
Required Civil Engineer ( 3 yrs)
Hydrotech Pryavaran India Pvt. Ltd
RS 1,50,000 To 2,50,000 Patiala, S.A.S.Nagar(Mohali), Mohali, Jodhpur
Candidates Should have Diploma in Civil Engineer, have Experience of More Than Three Years in Construction of Building Etc. Experience of Working in Any Sewage Treatment Plant/ Effluient Treatment Plant Will have Added Advantage.
Key Skills : civil engineer,senior civil engineer,civil engineering
Software Engineer - Microsoft Technologies ( 1 - 4 yrs)
Sensation Sofware Solutions
RS 1,50,000 To 4,50,000 Chandigarh, Mohali
Development experience in Asp.net, C#, Framework -2.0 /3.5, Experience in MVC 3, MVC4, Linq and Entity Framework Experience in WCF Can handle project independently.
Key Skills : asp.net,mvc,c#,linq,entity framework,angular js,software engineer,senior software engineer,embedded software engineer,trainee software...
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Register with us now to apply to these jobs
Coatec India
RS 50000 To 1,25,000 Kurali, Mohali
Purchase Department: Purchasing of electronics, electrical, pumps, geared motors, sheet sheets and profiles.
Key Skills : trainee engineer,senior trainee engineer
Senior Production Manager ( 8 yrs)
Ocean Support & Industrial Services
RS 3,75,000 To 5,50,000 Mohali
We are Hiring for Senior Production Manager.
Key Skills : senior production manager,mechanical engineer


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Name of product/article
PZ02 | Candlestick
Aluminium candlestick
PZ02 - Candlestick in turned cast aluminium. This candleholder is made from a single block of turned cast aluminium. For the designer it is this detail - which could escape the attention of many - that is the true highlight of this design, since it confers uniqueness on the object and makes it assume the identity of a true mechanical piece, individually worked in the metal shop and finished with mat brushing.


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Bluetooth On/Off
★★★★★ Finally Here ★★★★★ ✰✰✰✰✰ The Only One-Click App That Turns Your Bluetooth On/Off ✰✰✰✰✰ ☞ http://digg.com: "amazing. finally somebody thought of it. one click on/off for bluetooth instead of 4-5 clicks. very safe quick use when turning bluetooth speaker on/off while driving or sharing files with another iphone.must have feature. once…
Free • 54


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sharing in governance of extractive industries
June 30, 2016 to June 30, 2017 – Global The Natural Resource Governance Institute is pleased to announce that it is accepting applications for the 2016 Women Leaders Fellowship. The deadline for application is 30 June 2016. The program see… Organized by Natural Resource Governance Institute | Type: fellowship
February 13, 2017 to May 15, 2017 – Online To register for the course starting on 13 February 2017, please click here. The Natural Resource Governance Institute (NRGI), Columbia Center on Sustainable Investment (CCSI), World Bank and SDG Aca… Organized by CCSI, NRGI, WB and SDG Academy | Type: mooc, course
May 5, 2017 from 7pm to 11:30pm – Windsor Golf Hotel and Country Club, Nairobi The Oil & Gas Awards were born out of a simple vision; to create an event which would honor excellence from within the emerging Kenyan upstream oil and gas community.This is a pioneering, unique… Organized by Upstream Magazine | Type: awards
© 2017 Created by Kobina Aidoo. Powered by


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Type: worm
Alias: generic backdoor.zl, mal/delp-s, win32/delfinject.gen!cp
Description: DelfInject.J is a network worm and backdoor for the Windows platform. DelfInject.J allows a malicious user remote access to an infected computer via IRC.
Warning: A spy-ware removal software uses certain rules for detection and removal of spy-ware, malware, ad-ware and trojan from your PC. ScanSpyware.Net provides this information "AS IS" without warranty of any kind. Your use of this information is at your own risk. We strictly restrict you from using this information if you are not sure about what you are doing.
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Registry Values


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Upper West Side residents can't imagine living anywhere else.
The buildings are beautiful and, with a few exceptions, tend not to tower over the blocks. The pace of life is a bit slower than in other areas of NYC. For anyone that has lived in or knows Boston, the neighborhood is the closest thing to Boston living that New York has.learn more about this neighborhood
#10Neighborhood popularity:based on Naked Apartments searches
Building Mix
- 30% Pre War
- 25% Luxury Highrise
- 14% Elevator/Laundry Building
- 8% Brownstone
- 7% Walk-Up
Legal Disclosure: Neighborhood descriptions and data are created exclusively by Naked Apartments without contributions or approval from the agents listed on this page.
Sidewalk Cafe by Momos is licensed under CC BY-SA 3.0
Just Listed Renovated street facing 1 bedroom apartment in Manhattan's Upper West Side neighborhood. Steps to Central Park. Close to the 72nd St B/C train. To view this apartment or any apartment advertised on the Citi Habitats website I may be reached via mobile phone and/or email from 8am to 10pm daily.
Apartment Details
$2,400, One Bedroom, 1.0 Bathroom
Last Updated Over 4 Years
Listed For Over 4 Years
Available Immediately
- Web ID: 196268
Nearby Subway Stations
1 2 372nd St (0.2 mi)
B C81st St (0.28 mi)
179th St (0.29 mi)
B C72nd St (0.33 mi)
166th St (0.46 mi)
186th St (0.6 mi)
B C86th St (0.61 mi)
A C B D 159th St-Columbus Circle (0.95 mi)
1 2 396th St (0.97 mi)
N Q R5th Av (1.06 mi)


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Special Releases for 2017Please check the Special Releases tab at top of page
Welcome to Grapes 4u
Grapes 4 U is a hobby shop where people make their own wine. We have been in business since 1992 and throughout that time we have assisted thousands of our customers in selecting the wine varieties which best suit their individual tastes. The most important element in succeeding at this is our staff. We hope you will not only find us knowledgeable but also helpful, friendly, courteous and cheerful.
In addition, our goal is to ensure that everyone enjoys the wine making experience. The process is simple on your part and we're sure you will enjoy the end product.
The limited releases now in stock include
- French Syrah
- Australian Riesling
- Italian Nero d'Avola
- Cabernet Sauvignon Rose
- Kookaburra Red (G.S.M.)
winexpert LE
- Washington Cabernet Franc
- Italian Vermentino
- Spanish Milagro
- California Blanc de Noir
- Australian Grenache/Cabernet
Spagnol's RQ
- French Chardonnay
- French Merlot
- French Sauvignon Blanc


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Dr. Jill Oxley MD Patient Reviews
- General Surgery Hyannis, MA
Overall Rating
3 Patient Reviews
- Wait Time 25.2 minutes
- Easy Appointments
- Promptness
- Friendly Staff
- Fair and Accurate Diagnosis
- Bedside Manner
- Spends Time With Patients
- Appropriate Followup
Showing 1 - 3 reviews
1.0 of 5
August 12th, 2016
I found her bedside manner to be very cold and robotic. I always felt like a number and was dealt with quickly so she could move on! I often waited over 1/2 hour once I was put in a room.Would not recommend her.
5.0 of 5
December 3rd, 2015
I think that she is the best. As is the whole team. I would highly recommend them to anyone!!
5.0 of 5
February 11th, 2015
Dr. Oxley made me feel very comfortable. She answered my questions and made sure that I was aware of the options available. Her office worked with me as far as fitting in appointments and referrals.
Health Guides
Skin Cancer
Get the facts about skin cancer, including the different types and symptoms.
more health guides
Nearby Doctors
Dr. Jill Oxley, MD is similar to these 3 Doctors near Hyannis, MA.
Dr. Richard Lewis
Dr. Stephen Brooks
Dr. Mark Loewen


text: Travel icons Vector Image LicenseLearn More Standard For Print, Advertising, Design Expanded For Resale & Reproduction The license type determines how you can use this image. Std. Exp. Print / Editorial Graphic Design Web Design Social Media Advertising Edit & Modify Multi-user Resale Items Unlimited Runs Ways to BuyCompare Credits $1 Subscription 69c There are two ways to pay for Standard licenses. Prices are $US. Pay with Image Price Pay-As-You-Go Credits $1 Download images on-demand (1 credit = $1). Minimum purchase of 25. Subscription Plan From 69c Choose a monthly plan. Unused downloads automatically roll into following month. Ways to Buy Credits $25 Download Save to your Dropbox Account… Want to adjust this image? We can help… Includes: Ai EPS PDF JPG Share on Pinterest Facebook Twitter Download JPG Preview Image Image ID370932 Artist odesFollow Add to Cart Similar Images — Browse All… More Images…More More by odes More Images…More Keywords black white travel icon mail post telephone dinner transport cart shopping smoking hospital card airport plane train flight info compass medical airplane luggage taxi exit handy


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iLOL Phone
This noise-making, touch-responsive play phone lets kids feel like grownups as they place pretend calls or wait on pretend hold for an entire afternoon. Rollers generate sounds and songs, including a surprise birthday song that plays when kids open and close the on-screen window. The phone's bumper is removable, which makes it easy to keep clean for wee hands.
- Brightly colored pretend phone
- Rollers generate sound effects and music
- Surprises include a birthday song
- Removable, washable bumper
- For ages 6 months and up
- Two AAA batteries included
- Dimensions: 6.7"x6.7"x1.96"
How to get your goods: by purchasing this Groupon and providing your name and shipping address, your order is complete!
For questions pertaining to this deal, please visit the deal Q&A on this page. For post-purchase inquiries, please contact Groupon customer service.
View the Groupon Goods FAQ for additional information.
Like Groupon Goods on Facebook for hand-picked deals, product giveaways, and more Goods stuff.


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You will be amazing in this absolutely gorgeous dress in navy with fuchsia, coral and mint!!! Super cute fit (similar to our very popular Carson dress) and one that you can wear through out the seasons. Don't miss out on this cutie!
Small 2-6; Medium 8-10; Large 12-14; XLarge 16-18; 2XLarge 20-22; 3XLarge 22-24
Bust (measured across front armpit to armpit when laid flat)
Small 19"; Medium 20; Large 21"; XLarge 23"; XXLarge 24"; XXXLarge 25"
Length: Small 35"; Medium-XLarge 36"; 2XLarge 37"; 3XL 38"
96% Polyester; 4% Spandex
Pattern may vary
Made in the USA
*Please note measurements can vary slightly due to how tight it the garment stretched when measuring. We try to measure it across the front in a way that it would fit, but that could vary from the way you measure. The measurement is just another aid to help you in determining fit.


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If you want to pay your bill, please visit Dillards.com/payonline.
Item #04539004
(1 Review)
Black Waxy
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(based on 1 review)
Ratings Distribution
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Reviewed by 1 customer
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I love my shoes
By Ashley
from Atlanta, Georgia
Comments about Alegria Paloma Leather Mary Jane Clogs:
I bought these shoes to wear to work and I can stand in these for a full 12 hours and get home and my feet still won't hurt. I also have flat feet so these were a life saver as well.
Bottom LineYes, I would recommend this to a friend
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Spring & Fall B&B
Spring: May 21–June 24, 2017 • Fall: August 27–October 13, 2016
Now you can visit before and after peak season.
It was heart-breaking to have the grounds empty during these fair-weather months. The sea, sun, stars, and ever-changing colors of the Maine coast should be enjoyed for every moment possible. So, for the first time, Linekin Bay Resort is open during spring and fall. Bed and breakfast-style.


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Hotchkiss Campus Stores
We are pleased to offer Hotchkiss merchandise, including the popular items below. Come into our store to see our full line on the lower level of Main Building or visit our Athletic Store in the MAC.
To order, please contact us. We must have your email address or phone number in order to process your order. Sorry, we do not ship outside of the U.S.
Telephone: (860) 435-3670 • Fax: (860) 435-3874
Email: firstname.lastname@example.com
Hotchkiss Chair With engraved Seal
Engraved seal available on the crown of the chairs and rockers from Standard Chair of Gardner (http://www.collegechair.com/). Contact them at 1-800-352-5885 to place an order. Personalization is available at an additional charge.
The retail price is $450 for the chair or rocker. Shipping and handling is $35-45. Personalization is $25 extra for up to three lines of text.
Hotchkiss Diploma Frame
The Hotchkiss School Diploma Frame with Navy Blue and Gold Double Mat and Gold Embossing in Windsor Molding. Dimensions: 17" wide x 15" high. $110.00. To order a personalized frame, visit the manufacturer's website.
To order the standard diploma frame ($85) contact the Campus Store.
Classic cut, structured, twill, snap back cap from The Game. Available in white or navy. One size fits most. $18.91
Unstructured low profile, relaxed twill, fabric strap with antique brass slide buckle from Legacy. Navy cap with white felt H and "HOTCHKISS" embroidered on the back. One size fits most. $19.99
Classic cut, unstructured twill with Minerva seal and "HOTCHKISS" on front; cloth strap and metal grab clasp from Ahead. Available in navy or white. Adult, one size fits most. $18.99
Basic Short-sleeve T-shirt
100% heavy weight cotton with full chest graphic by Hanes. Available in white or navy. White in sizes S - XXL; navy in sizes S - XL. $15.00
Youth Short-sleeve T-shirt
100% heavy weight cotton with full chest graphic by Hanes. Available in white or navy. Sizes S - XL. $10.00
Appliquéd Sweatshirt
9 oz. Powerblend fleece hooded sweatshirt by Champion. Two layer letters over embroidery. Available in navy or white. Sizes XS - XL. $47.00
9 oz. fleece pants with inside draw cord and pockets, 50% cotton/50% polyester by Champion. Available in navy and birch. Sizes XS - XL. $29.00
Hooded Sweatshirt
11 oz. Reverse weave sweatshirt with draw cord hood has muff pocket. Full chest graphic by Champion. Available only in navy. Sizes S - XL. $54.00
Official "AHA" T-shirt
Champion Heavyweight Heritage Tee in 7.0 oz., ring-spun, 100% cotton jersey with bound ribbed crewneck. Full athletic fit with deep armholes for freedom of movement. Oxford gray with blue screen-print.
Sizes S, M, L, XL, and XXL. $14.69
Tree Ornament
2 5/8" glass ornament with School seal imprinted on two sides. Each individually gift boxed. $11.99
Stemless Wine Glass
Stemless Wine Glass with etched Minerva Seal. Red wine glass is 3" X 3.5", holds 11.5 oz; white glass is 3" X 4.75", holds 15 oz. Manufactured by Campus Crystal. Set of two: $39.99
Wool felt banner measuring 18" x 36". $24.99
Vineyard Vines Tie
100% silk woven in a custom print. Alternating rows of Minerva and "H"s. Available in navy, pink, yellow, or green. (raspberry and blue are no longer available) $75.00
Hotchkiss Tie
100% silk tie with multiple "H" placement on navy and silver woven stripes. $35.00
HOTCHKISS BREAKFAST TEA by Harney & Sons Fine Teas
Custom label Harney Tea tin with 20 silken sachets containing a unique Hotchkiss blend of black organic teas with a touch of bergamot flavor and blue cornflowers. Net weight 1.4 oz. $8.99
- Main Building Store: Location & Hours
- Graduation Gifts
- Athletic Store: Location and Hours
- Return Policy
Main Building Store: Location & Hours
Located downstairs in the east wing of the Main Building, the Hotchkiss Campus Store carries many products for your convenience, including Hotchkiss spirit wear, embellished memorabilia and souvenirs as well as general merchandise like stationery, greeting cards, writing instruments, art supplies, health and beauty products, required calculators, dorm accessories, energy bars, snacks, drinks and more. Cash, debit cards, personal checks, or credit cards (Visa, MasterCard, or American Express) may be used for purchases.
8:00 a.m. to 4:00 p.m.
Monday - Friday
8:00 a.m. to noon
Saturday (closed when there are no classes)
Graduation Gifts
Athletic Store: Location and Hours
Located on the first floor of the Athletic and Fitness Center, the Athletic Store carries Hotchkiss and Bearcat sport apparel, equipment and supplies. Cash, debit cards, personal checks, or credit cards (Visa, MasterCard, or American Express) may be used for purchases.
Store hours
12 noon - 5:30 p.m.
Wednesday and Saturday


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My First Blush recommends:
Order over the phone: Call 1-844-892-8399
This Bandit Will Steal Your Heart Away!
Make your next play session one to remember with the new Vixen Bandit VixSkin Silicone Realistic 7 Inch Dildo. This intimately designed dong is perfectly shaped to give you orgasm after orgasm with almost no effort!
This hyper-realistic dildo is completely covered in a web of lifelike veins to give you incredible sensations. Feel as each of the toe-curling ridges sends waves of pleasure through your body with each stroke. You're going to absolutely love it!
The Bandit will steal your heart. Its firm, but supple form is anatomically curved to massage and tease your G-spot for mind-blowing orgasms. This deep-reaching dong targets all your most nerve-rich areas, giving you the best experience you've ever had.
First Blush Benefits
- Super Realistic for Lip-Biting Pleasure
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- Made Completely in the USA
- Harness Compatible for Reversible Fun
- Made with Medical-Grade, Hypoallergenic Silicone
- Soft Real Exterior with Firm Inner Core
- Non-Porous and Unscented for Body-Safe Playing
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- Realistic Balls for Deep, Intimate Riding
- Free from Phthalates, Latex, & Other Toxins
Made with completely hypoallergenic silicone, your Bandit is completely body-safe to use. Silicone is the best and safest sex toy material. It harbors no germs or bacteria and can be cleaner super easily. Use warm, soapy water, bleach, your favorite universal toy cleaner, or you can even boil it to keep it fresh and maintained.
Order your Vixen Bandit VixSkin Silicone Realistic 7 Inch Dildo right now and steal your next orgasm!
Product Specifications
- Length: 7.5 inches
- Insertable Length: 7 inches
- Girth: 5.5 inches (at largest point)
- Width: 1.75 inches (at largest point)
- Material: Silicone
- Weight: 15.04 ounces
About MyFirstBlush.com
We help people have amazing sexual experiences, become better lovers, and explore their sexuality by providing a fun and discreet way to shop for adult toys online
5 Reasons You Should Buy from Us
1) We understand your privacy concerns. Therefore we have:
- 100% Discreet shipping
- 100% Discreet billing
- SSL Secured Checkout and Billing
- Strict email privacy policy
2) We are an online retailer, allowing us to give you discount rates and a completely anonymous shopping experience:
- Shop online and save the hassle and potential embarrassment of going into a physical store
- We stock more products in our warehouse than you could ever find at a local store
- Because we sell online we can afford to give our customers discount rates. On average our prices are 20% cheaper than you'd find in a physical store!
3) We do everything we can to make your shopping experience outstanding:
- HASSLE FREE returns for all defective products.
- We are easy to contact via phone, email, or chat!
- We provide friendly high quality customer service.
- People who shop with us regularly come back, and we are very proud of this.
4) We are STRONGLY against toxic and harmful materials commonly found in adult toys. Meaning:
- You might find a cheap toy at a big box retailer, but who wants to bring toxic plastics or cheap rubber into their bedroom?
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- We do not support adult toy manufactures that cut costs by using cheap or toxic materials.
- Unfortunately toxic toys remain a big problem in the unregulated adult novelties industry, we are doing are part to boycott unscrupulous manufacturers.
- Buy from us and you can be assured you've found a quality product that won't damage your health, or bring toxic materials in contact with your skin.
5) We are a small, proud, north american company. We are not a big box retailer, and when you buy from us - you buy from real people.
Still have questions? Chat, Phone, or email us!
Phone: 1-844-892-8399
Email: email@example.com
Chat: Bottom right of screen
Discreet Shipping & Billing
We know our customers value their privacy that's why we take many cautionary steps to ensure complete discretion.
We ship using secure brown boxes and yellow bubble-pouch envelopes for all of our deliveries. The contents of the box or envelope are not displayed on the outside. The shipping labels and return address are for our warehouse. All billing is done under our anonymous company name MFB Store Ltd. You will see MFB STORE on your credit card statement.
Your Privacy & Security
No card information is ever saved at My First Blush and it remains the private property of the card holder at all times before, during, and after the product purchase. All transactions are processed though Shopify and PayPal which are both secure forms of payment. Used by millions of people daily, Shopify and PayPal are heavily encrypted third-party payment processors.
We take many active steps to ensure the absolute safety of your credit card and personal information. In addition to processing all credit card sales via a fully secured and reputable third party payment processor, your checkout experience is protected by industry standard 256-Bit SSL encryption to protect your private data. My First Blush does NOT keep credit card information on record.
How We Measure Our Toys
Insertable Length
You May Also Like
Customer Reviews for Vixen Bandit VixSkin Silicone Realistic 7 Inch Dildo
Customer Reviews
- Reviews (4)
- Questions (0)
Feels insanely lifelike!
Vixen Bandit
Got this as a gift for myself because I've wanting to try it for the longest time and now I finally have it, regret not getting this sooner!
This must be the most realistic dildo ever made.
worth the investment
Loving this toy
Shop With Confidence
Discreet Packaging
Your packaging will arrive in a plain, discreet, brown box or plain yellow envelope.
Discreet Billing
Your credit card will display MFB STORE, our anonymous company name.
Your information is safe and secure and our checkout process is fully encrypted.


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Envision a school where people are at home, a place where kids and teachers have a deep sense of
belonging. Now think of great examples in the real world…they are not common, are they? And they don't happen by accident.
At the heart of these schools are strategic relationships and structures that make it happen, like advisory and mentorship and multiage. In most project-based learning schools, advisory is a key component of helping students have a "learning home." While working closely with a small group of peers and a caring adult, learners experience teamwork and friendship. They build partnerships and problem-solving skills. They move forward on their academic learning plans and life goals, and build important leadership skills.
There's flexibility in how schools set up advisory programs, but generally they involve daily very frequent meetings between a group of students and an advisor who functions as mentor, with young people receiving personalized learning and social support from both their advisor and fellow students.
The value of advisories in general is well documented. Across our Project Foundry School Network, certain advisory programs stand out for their unusual success in creating learners with deep agency and a growing sense of ownership over their learning as they mature through middle school and high school. They share a common structure of being multiage, which is, grouping students across multiple ages and grade levels. There is social magic afoot here: modeling. Older students take on leadership and mentoring roles, providing direction and support to the younger members. Younger students have a window into their possible futures and an ear into structured conversations (quietly guided by their smart and listening advisor) that nudge them forward in social and academic growth. Younger students tend to draw the best out of the older students, much like in a family, remembering what it was like, and seeing themselves in the less experienced learner. Then, when the older students graduate, the younger are ready and eager fill those leadership roles for the newest advisory members.
Modeling has a similar effect of academic growth. Younger students have the chance to see more complex, challenging work unfold and imagine themselves inquiring into similar problems or adding to the solutions already created. Or, they build courage to try something entirely new but as challenging or even more so. The younger students actually get an inside look at what it means to be college and work ready – and what it took to get there.
The value of working together
Being in the same multiage advisory group for four or more years nurtures students into a sense of family. They come to support each other's learning through both the challenges and successes. Students tend not to see each other as competitors, but rather teammates who cooperate and learn how to work in tandem with others—an incredibly valuable real-world skill.
For advisors, the multiage advisory allows them to spend several years with the same students, giving them the ability to truly understand each student's needs and strengths and provide the personalized support each student needs. Advisors do not have to spend time and energy getting to know 15-30 new students each year and spending the first 4-8 weeks building a new community of learners. The multiage advisory community and relationships persist over time, simply welcoming new members into it each year, and often building relationships that last beyond the classroom and school, into college, work, and life.


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Re: [mp2] Problems with Apache::Request
Expand Messages
- Let me see if I can answer this one.
Your sample code does not use Apache::Request at all. by the way, in the
latest release of modperl RC5, Apache::Request is now renamed to
Apache2::Request. You probably can guess why.
If you wish to use the Apache::Request object, you need to first load
the module in httpd.conf. It should look like this:
LoadModule apreq_module bin/mod_apreq.so
If you choose to upgrade to the latest modperl, use this:
LoadModule apreq_module bin/mod_apreq2.so
Note that the path is bin/mod...Change it to modules/mod_apreq.so if
that is where the .so file is.
As usual, reload Apache to once you have the line in.
Stephen Quinney wrote:
>I've been having problems with the Apache::Request module (from
>libapreq2) and mod_perl2 for a while now and I've not come up with a
>decent solution. I am using the Debian packages but I didn't get a
>response from the maintainer so I hope someone here can enlighten me.
>This is with libapreq2-2.04_03-dev and mod_perl2 1.999.21-1 but I've
>had similar problems with earlier versions.
>I have a very simple mod_perl handler:
>package Jadevine::Hello;
>use Apache2;
>use Apache::RequestRec ();
>use Apache::RequestIO ();
>use Apache::Request ();
>use Apache::Const -compile => qw(OK);
>sub handler {
> my $r = shift;
> $r->content_type('text/plain');
> print "mod_perl 2.0 rocks!\n";
> return Apache::OK;
>This is loaded in the Apache config with:
> <Location /Hello>
> SetHandler perl-script
> PerlResponseHandler Jadevine::Hello
> </Location>
>If I remove the "use Apache::Request" line everything works
>fine. Leaving it there, or actually trying to use the methods provided
>by the module give the error:
>[error] [client 127.0.0.1] failed to resolve handler `Jadevine::Hello': Apache::Request: httpd must load mod_apreq.so first at /usr/lib/perl5/Apache2/Apache/Request.pm line 31.\nCompilation failed in require at /usr/local/lib/site_perl/Jadevine/Hello.pm line 5.\nBEGIN failed--compilation aborted at /usr/local/lib/site_perl/Jadevine/Hello.pm line 5.\nCompilation failed in require at (eval 3) line 3.\n
>I have tried putting the "use" statements in every order imaginable
>without any joy so I'm not sure what the error is trying to get me to
>do to correct the problem.
>I can see where the error comes from in the Apache::Request code:
> my $env = __PACKAGE__->env || '';
> if ($mod_perl::VERSION > 1.99) {
> die __PACKAGE__ . ": httpd must load mod_apreq.so first"
> if $env ne "Apache::RequestRec";
> }
>For the record $env contains 'APR::Pool', not sure if this is what
>should be there or not.
>Any help would be much appreciated, thanks in advance,
>Stephen Quinney
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