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All 266 audio Reviews
Rated 4.5 / 5 stars
round 2 review m8
it sux
nah its ok
love love love how the percussion rolls along all footwork like, great intricate programming on those 808s. the constant development is awesome, top notch writing. kick gets kinda lost when everything comes together and the bass has a little too much low-mid in it for my taste, would've liked a bit more ducking on that airy pad just to emphasize the downbeats a little more. not super keen on that last reprise of the chorus either, makes the song drag on too much. you also cut the render off before everything faded out properly, not a big deal but it's one of those little details that bothers me sometimes.
good shit!
Rated 4.5 / 5 stars
ngadm round 2 review m8
OK so when i'm producing or mixing anything, i always run it through what i call the "car test" because i don't have a proper monitoring system set up and mixing in headphones means i don't get a real sense of the physical energy behind a track.
basically what i'm saying is that this track failed the car test :v
i can hardly fault this track in any aspect. it's a bit generic in some ways (dat vocal haha), but at the same time it just really grabs me for some reason. everything is really well separated, the sound design is A+, basically it sounds like pendulum got back together and rob swire got his shit together. it's even got that sweet drumstep breakdown at the end. so why is everything under like 150Hz rolled off?! whyyyyyyyyyyyyy
that's basically it. it's kind of a big deal though!
also i guess it IS kinda generic. just a bit.
seriously tho where's da bass m8
for real
Yeah, I've been mixing and fixing it for the past week, trust me when I say it sounds a helluva lot better. I wish i had spent more time on the mixdown, cuz now it definitely sounds bolder.
I also know what you mean with the bass. I tried to push the drums harder in this track (as you can probably tell), but I ended up drowning out the sub bass. I went back with parallel compression and all that fun jazz and boosted the low end, and now it sounds a hella lot warmer.
And jesus, that pendulum comment doh <3 totally flattered man, I really appreciate it!
Thank you for your review!
Rated 4.5 / 5 stars
round 2 review ngadm balls whatever m9
i really like it! so playful, actually very french sounding haha. like if justice did drumstep.
speaking of justice, it's really fuckin loud! probably too much for me. really need to pull that rolling bassline away from under the kick with a sidechained HP filter or something, i dunno. generally the mastering just feels too aggressive and doesn't match the tone imo, needs a longer release time on that limiter i guess?
mastering aside, this track is pretty close to flawless. i'm really into that synth brass sound. the melody isn't super memorable but it fits everything else. i love that this one doesn't overstay its welcome, doesn't stagnate or get boring. hardly any hats or cymbals though? i guess the mastering doesn't give you much room for them haha :P
one of my favourites from the comp so far, just wish it wasn't brickwalled hehe
Justice! Whoa thanks!
Thanks for the tips as usual!
Tried a lot of things in the mastering process. Longer releases made it too bouncy/ducking. It's all probably coming too loud before the mastering process or something. Got it to sound somewhat close to what I like though.
There are no cymbals in the heavier parts! Felt they were taking too much space in the higher frequencies, and those pads needed all the space in the world lol.
Thank you m98989
Time to Fly - NGADM
Rated 4 / 5 stars
ngadm round 2 review
got that new wave vgm vibe down! almost sounds like something you'd hear on telefuture records. suffers from kinda messy mixing, that super round 4-floor kick doesn't cut through like it should, lots of lost energy there. generally there's just not enough separation of instruments, either through EQ or panning. especially during those big buildups like 2:10-2:20. cutting the reverb off of some (maybe all?) instruments at these points will really help tighten things up i think.
generally good instrument choice though, a bit on the cheesy side but fitting. would've liked less brightness in the main chords in exchange for a super twangy bass sound. the percussion is particularly nice, good mix of vintage sounds with some modern glitchy flair. would've liked a more solid melodic theme, but the solos are good enough to carry the track. loved that last breakdown, real nice breath of fresh air, but i'd prefer it to end there instead of running through the repeat of the middle build up.
overall it's a great improvement on your round 1 track and a really solid effort with minor flaws. good job!
Thanks for the review. You've given me a lot of good feedback to look through and work with if I ever re-visit the track and remaster it. And I'm glad you think the percussion are the best (or at least pretty good from what it sounds like you're saying).
And I'm glad you've finally helped me decipher the genre I use! In all seriousness I've had no clue what genre my stuff fits in so that also gives me some thoughts.
Anyway, thanks for your two cents. It's worth more than it's weight in gold.
Acidulus 8
Rated 4 / 5 stars
ngadm round 1 review ok
y'know these kinds of tracks with drastic style changes are hard for me to review, cause even though it's tied together with shared melodies it still feels like i'm reviewing two different tracks. the two parts are pretty much equal quality and are both really strong in their own way, but their biggest strengths are the other side's weakness in a way. the vgm section establishes the theme really well and uses pretty decent chippy sounds, but the sounds used are just too basic in comparison to the big drums - was dying for some PWM and more vibrato. but despite being basic they have great articulation which is really lacking later on (2nd lead is too loud and dynamically flat). that 909 snare really needs something behind it too, the 2nd half has way better drum parts and energy.
all faults aside, i was really into this until the vocal chant came in. it's not a bad idea, and it's not sung badly, but the mix is just too midrange heavy. really need to scoop out the 200-600Hz range! there needed to be more voices (either multitracked or cloned) but because of all the power in the midrange there's no real space to fit them in. the end result for me was just too small and kinda dry sounding (even though there's that nice reverb on them) :(
very ambitious track. for all the faults it's a really balanced adventure of a track and the transition in the middle is really well done. great melodies, kinda crap chant part but overall it was enjoyable as heck!
Thanks for the review midimachine!
I agree with the faults you mentioned. Working on the track I got into that part where you don't know what sounds good or bad anymore :c
Great tips btw. Thanks!
Solarex - Something Like This
Rated 4.5 / 5 stars
round 1 ngadm review thing
solid mix man. not really diggin the snare, would've liked something deeper i think? maybe more bass overall, but i also feel like that sub osc in the chords could kinda bounce more into each beat during the start chorus too just to make it feel a bit more spacious, then be more drawn out in the second half of the chorus (soz, this is hard as fuck to explain haha). nice dynamic variation otherwise, the drops all had really nice anticipation and there's lots of light and shade between sections. really not a whole lot else to fault on the production.
that melody at the start on the music box is a bit of a drag and doesn't really seem to go anywhere. that first main theme is 100% great tho, but the follow up melody with the next chord progression doesn't have the same catchiness. wasn't sure if i'd like the sample chopping part when it first came but you built it up pretty decently (nice synth growls flashing across the stereo image there). the music box definitely works much nicer as a little filler-inner in the 2nd buildup. wish there was a little more variation in the 2nd section, and the quirky ending was kinda cool but i would've liked a more gradual finish.
anyway, super solid effort. you're gonna be a force to be reckoned with!
Thank you for the review! I appreciate the detail of your analysis. I'll hopefully go back and fix this song, give it a better mixdown, and correct a couple of things, and I'll definitely take this into account.
Round 1
Rated 4 / 5 stars
round 1 review ok
yea like step i also really enjoyed the vibe of this. it's just got that little something that i can't put my finger on.
the mix was pretty solid, a few moments where the mastering was a bit too heavy but otherwise suitably bangin'. i would've liked a lot more variation in your synth work, not necessarily complextro style but just more morphing and little synth licks (e.g. 1m14s) - it feels like its just a bunch of slightly differing rhythms of the same thing, although the 2nd section is definitely more fleshed out in that regard. nice little middle breakdown, wish the 2nd buildup was a bit more interesting though!
ending is a little disappointing, i think it was acid-paradox on here who used to call that bit of reverb after an unfinished track the "noob tail" :P obviously you know what you're doing, so i think a more dj-friendly ending would've been nice. even just one final crash/boom sound at the end would've been better than just letting it trail off like it does. anyway this was pretty solid work with minor flaws, in need of some more fleshing out and finer details.
Rated 2.5 / 5 stars
more like astroglide amirite?
actual round 1 review though:
intro was kinda promising but then the awful GM lead, floppy bass and flat drums came in. instrument levels are all at the same volume so nothing takes precedence, random super-loud crash cymbals on top of drums which are way too quiet, stereo image seems kinda random and everything's drowning in reverb (relatively, given how quiet everything is). the melodies tend to meander and are generally forgettable, though not technically bad. i think the real weakness in your writing here is when you try to move from section to section or create climaxes, it's just really awkwardly executed every time. that goes for the key change too. generally it's just cheesy as all heck but unfortunately it doesn't sound self aware enough to get away with it, or even particularly good as far as the mix is concerned.
=> astroglide =>
=> intro was kinda promising =>
=> instrument levels are all the same =>
That's definitely something I can improve on. My instrumentation in this piece was very subpar.
=> super-loud crash cymbals =>
Really? They sound fine in my earphones. I guess didn't mix them well enough. :(
=> drowning in reverb =>
Well, I turned up the reverb by quite a bit because the overall mood of the song was supposed to be a relaxing, dreamy one. Guess it came off differently.
=> transitions awkwardly executed =>
Aw. I tried making them smoother than in my previous songs. I guess it's worth something that you said they were executed at all, I guess?
=> cheesy key change =>
Self-aware? I honestly have absolutely no idea what that means. :/
Thanks for taking the time to review this! I really appreciate all the work you do for NGADM, and I'm sure others feel the same.
Figure 9
Rated 4.5 / 5 stars
ngadm round 1 review here we go
so you and cross were the only "EDM" guys to make proper dj-friendly intros and outros. nice! i didn't like how the main kick came in at the start tho, compared to the way you handled the rest of your dynamics (i.e. relatively excellent) it's way too hard and out of place.
ok so the little polyrhythmic breaks before the triplet section are definitely lacking power, i reckon you could tighten up the reverb and phaser and really smash those chords out. the triplet sections are really cool though! didn't expect it at all. loved how you stripped everything right back before the funky little bit in the middle, and the way you juxtapose the triplets and straight 8s is mint.
that 2nd build up blows me the fuck away though, holy shit. somehow you managed to make one of the freshest buildups i've ever heard by entertaining pretty much all the buildup tropes at the same time. the problem is that all that energy isn't carried over into the next section, like there's too much anticipation compared to how liquid the rest of the track is. have you sidechained the reverb send to the kick? try that if you haven't already, and then see if you can pull that kick up a bit more above everything else and get that low saw bass to bounce some more (or take everything else down around the kick, idk :v)
in closing, this sux 0.0/10
nah jk 8.6
in closing, my new track is better than this crap
Rated 4 / 5 stars
ngadm round 1review m8
kinda boring intro! the prog house bass synth just kinda plods along with the trancey arps and the drop lacks anticipation and energy (calling it "liquid" or "chillstep" isn't an excuse tbh). really needed a few more things going on.
once it picks up the chords sound really lovely though, the pitchbends are a nice touch too but they start to get annoying towards the end. overall the sound design is actually pretty excellent, but there just needs to be more things happening during the downtime (might be difficult during the main sections cause that super lush saw pad takes up a lot of space in the mix, definitely doable though).
one of the big things that was lacking in a few of the big "EDM" entries was a decently DJ-able structure. now i don't expect 32 bar pre-intros or whatever, i think all the other judges would be taking marks off for doing this sort of thing properly haha. but seriously, this needs a second build, drop and roller. missing pretty sizable chunks of song here: no subdued section w/ full drums before 2nd build, buildup doesn't go right down again - i mean these are just tropes but 2:47 isn't even a radio edit man, especially not with that outro (such a cop-out!)
anyway i still enjoyed it for what it was. i just wanted a lot more!
well, cant please anyone i suppose n__n; i didn't expect to make it anywhere with the NGADM'14 since it was my first competition and i got put up against pros round 1.. thank you for your review, il keep your creative criticism in mind while creating my next song.
- Pandasticality


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hmmm. could be a neat border around the front... we do live in a log home so it kinda fits.
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Definition of diadochite
: a mineral Fe2(PO4)(SO4)(OH).5H2O consisting of a basic hydrous ferric phosphate and sulfate that is brown or yellowish in color
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Origin and Etymology of diadochite
German diadochit, from Greek diadochos succeeding, relieving (from diadechesthai to succeed, relieve, from dia- + dechesthai to take, receive) + German -it -ite; akin to Latin decēre to be fitting, proper — more at decent
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Middlesbrough defender Emanuel Pogatetz has confirmed he is going to apologise to Manchester United midfielder Rodrigo Possebon for the tackle which saw the Brazilian teenager leave the pitch on a stretcher last night.
Possebon needed oxygen before he was taken off in the second half of United's 3-1 Carling Cup win over Middlesbrough following a studs-up challenge from the Boro captain.
Referee Andre Marriner showed the Austria international a straight red card after the incident which provoked a furious reaction from United boss Sir Alex Ferguson, who remonstrated with opposite number Gareth Southgate on the touchline.
"Firstly, I have to say that I went for the tackle because I thought I could win the ball - I now accept, however that I misjudged the challenge," Pogatetz told www.mfc.co.uk.
"Immediately after the incident I did not think it was a red card offence because I did win the ball.
"But now I that I have had the chance to see the tackle on television, I know the ref was right to send me off.
"I am going to speak to Rodrigo by telephone and I will apologise for hurting him. I hope that he will make a quick recovery and that he will not be out for long."
It was initially feared that the challenge had broken Possebon's leg but he was later given the all-clear after spending the night in hospital.
"We can confirm that Rodrigo did not suffer a break to his right leg," a United spokesperson told www.manutd.com.
"He was kept in hospital overnight for observation and to assess whether there was any ligament damage to his knee."Reuse content


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Editor's note: Yahoo! Sports will examine the offseason of every MLB team before spring training begins in mid-February. Our series continues with the Baltimore Orioles.
2008 record: 68-93
Finish: Fifth place in the American League East, 28½ behind the Tampa Bay Rays
2008 opening-day payroll: $67.1 million
2009 estimated opening-day payroll: Between $72 million and $75 million
The Orioles raised expectations by taking a run at native son Mark Teixeira, only to see him sign with the despised New York Yankees, which merely served to remind Orioles fans of star Mike Mussina's defection to the Yankees eight years earlier. Negotiations with Teixeira never progressed beyond the team's initial seven-year, $140 million offer, as the Orioles never got the impression the switch-hitting first baseman was interested in returning home to play a Ripkenesque role for a franchise in desperate need of another icon.
Orioles president Andy MacPhail was active on a number of other fronts, however, making the team's first foray into Asian markets when he signed Japanese right-hander Koji Uehara to a two-year, $10 million deal. The Orioles also signed a shortstop, Cesar Izturis, after rotating four different players at the position last season, traded catcher Ramon Hernandez to Cincinnati for utility player Ryan Freel, acquired failed Cubs outfield prospect Felix Pie for left-handed pitcher Garrett Olson and signed veteran catcher Gregg Zaun to mentor top prospect Matt Wieters.
They also cut ties with 6-foot-7 right-hander Daniel Cabrera, long considered one of the team's prime pitching prospects, by nontendering him. Cabrera, who was snapped up by the neighboring Washington Nationals, had the worst strikeout-to-walk ratio in the big leagues (95 whiffs, 90 walks in 180 innings) and also hit 18 batters, most in the majors. The Orioles signed free-agent left-hander Mark Hendrickson, who made 19 starts for the Florida Marlins last season.
The Orioles also made a major commitment to their future by signing third-year outfielder Nick Markakis to a six-year extension worth $66 million. The contract will buy Markakis out of three years of arbitration, as well as his first three years of free agency. The club also talked with fan favorite Brian Roberts about an extension, but those talks stalled, and Roberts remains a prime trading chip.
By trading Hernandez, the Orioles are ushering in the era of Wieters, who was named Baseball America's Minor League Player of the Year after he went .355/.454/.600 in a season split between high Class-A and Double-A. Wieters is a 6-5, 230-pound switch-hitter out of Georgia Tech, which also produced another switch-hitting catcher of note, Jason Varitek. The plan is for Zaun to start the season behind the plate, but Wieters comes into camp with a chance to blow up that idea with a strong showing.
MacPhail said he is trying to make the Orioles younger and more athletic, and the additions of Freel, Pie and Izturis should help do so. Freel and Pie are expected to platoon in left field, though Pie, 24, could also find some time in center field behind Adam Jones, who is 23 and entering his second full season. Freel can also play the infield.
The middle of the diamond should become a defensive strong point, with Wieters behind the plate, Izturis and Roberts around the bag and Jones in center field. Luke Scott, who made 100 starts in left field, projects as the regular DH after hitting 23 home runs in 2008, while former DH Aubrey Huff, the team's best hitter last season (.304, 32 HRs, 108 RBIs), replaces Kevin Millar as the first baseman. Huff's defense will be a concern.
But manager Dave Trembley's biggest worry will be stitching together a starting rotation. Trembley used his bullpen 492 times last season, most in the American League, and that phone promises to be just as busy this season, as right-hander Jeremy Guthrie is the only returnee certain of a spot in the rotation.
Uehara, 33, was twice named Japan's best pitcher and was an eight-time all-star pitching for the Yomiuri Giants, but while former big-league manager Bobby Valentine, now in Japan, predicts success for the control artist, he said Uehara has slipped in recent years.
The possibility remains that the Orioles will sign another free-agent starter. In the meantime, they must choose among Radhames Liz, who posted a 6.84 ERA as a rookie last season; Hayden Penn, a one-time top prospect out of options after a series of physical setbacks; Danys Baez, who didn't pitch at all last season because of elbow surgery and now wants a shot at starting for the first time since 2002; Matt Albers, who missed last season with a torn labrum; and Brian Burres and Brad Hennessey.
The Orioles have had 11 consecutive losing seasons; even with an improved lineup, a 12th appears unavoidable.
NEXT: Chicago Cubs


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Acrylic on canvas with gifted objects40"H x 28"W x 2"DCarrie BeehanNew York, NY - United StatesA famous musician born in the 1950's in the Bronx in New York always wore his bracelets and necklaces on stage until they broke and fell off. He considered them good luck juju, revolving around the idea of the luck and fortune portions of juju. His bracelets and necklaces held the energy of thousands of hours playing shows in many countries globally. He had spent a lifetime touring and playing to thousands of spectators and his home was the stage. When the jewelry finally fell off, usually on stage, he would collect them. He then gifted some to the artist for this painting.In this artwork one can see a musician wrapped in the coats and iconography of his culture and beliefs. His all-seeing earth eye encompasses the global stage of our planet. One eye is closed, the lashes likened to barbed wire, painted with beauty but indicating the pain he has seen amongst the beauty. His hands are wound playfully through the strings of the bass. The brightly colored strings continue down to wind through the neck of the bass, which is centered in the spine of a woman lying with her head on a red cushion. There is a droplet of blood in the tear of her spine as her body commits wholly to holding the neck of the bass upright. On her cushion there are religious motifs, and beside her is a large green Tiki: a symbol strongly associated with the origin of the procreative act and fertility. The woman also sees with one all-seeing eye, from another culture and with symbols of her culture and beliefs. Wrapped around her waist are sexual waist beads, gifted to the artist from a woman who traveled back to West Africa to heal herself of cancer. These beads were worn to help with sexuality, fertility, love making, and to cure medical problems.
Behind the musician and the woman with the bass in her back is the landmark of New York city bathed in rich skyline tones, yet in front of the city, is a golden sea of loaves and fishes; an extension of what the musician's all-seeing eye has seen in the lifetime of this gifted International Bass Player.
Acrylic, Glaze, Gifted Objects, Mosaic, Plastic and Neon on Canvas, Paper, Plastic and Other
Mixed Media painting by Carrie Beehan
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Bus Belchatow Bełchatów • Lodz Voivodeship » Brescia Lombardy
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text: Photos Photos: Kemen parties with Solidstar & pretty ladies in Lagos #BBNaija Photos: Kemen parties with Solidstar & pretty ladies in Lagos #BBNaija naijalog March 21, 2017 Disqualified Big Brother Naija housemate Kemen was spotted hanging out with Solidstar and some pretty ladies at Club "Rumours". More photos below Follow @naijalog READ ALSO TY Bello shares adorable photos with her twin boys to celebrate mother's day Related ItemsBBNaijakemen Click to add a comment Leave a Reply Cancel reply Your email address will not be published. Required fields are marked *Comment Name * Email * Website Notify me of follow-up comments by email. Notify me of new posts by email. Photos March 21, 2017 naijalog Related ItemsBBNaijakemen


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|One of the most important lessons from our 40 years of experience is that children involved with the justice and foster care systems need zealous legal advocates. Your support for our work is more important now than ever before.
May 26, 2016
Letting Kids be Kids: The Strengthening Families Act
Youth in foster care often describe normalcy as being able to do all the things their friends who are not in foster care get to do: sleep over at a friend's house, play on a school team, or go on vacation. But foster youth are routinely denied these typical childhood experiences because of the real or perceived need to get advance approval from the child welfare agency or the court.
June 30, 2014
Federal Government Takes Critical Step to Ensure Educational Stability for Foster Youth
During his time in foster care, Jarrett changed schools six times. One of these moves occurred three weeks before the end of the semester. Because his school records didn't arrive at his new school on time, Jarrett was not granted permission to take final exams or complete final projects for his courses. His GPA plummeted from 3.6 to 1.4 due to the missing coursework.
There are countless other foster youth like Jarrett—youth who are bounced from living placement to living placement, typically changing schools each time.
May 27, 2014
Growing Up Female in Foster Care: An Interview with Larbriah Morgan, Juvenile Law Center Youth Advocate
On May 13, 2014, the Stoneleigh Foundation held the symposium "What About the Girls?" to address these unique risk factors. Panelists included Malika Saada Saar, executive director of the Human Rights Project for Girls; Leslie Acoca, president of the National Girls Health and Justice Institute; Gwendolyn Bailey, executive director of Youth Service, Inc.; and Larbriah (Briah) Morgan, a Juvenile Law Center Youth Advocate.
Juvenile Law Center intern Claire Glass sat down with Briah after the symposium (and her final exams). They discussed the realities she'll face when she turns 21 and "ages out" of the system in early June, and how she thinks the system could be improved to help more foster youth both make it to and succeed in college and find stable housing.
May 14, 2014
National Foster Care Month: Letting Foster Kids Be Kids
While National Foster Care Month reminds us of the unique situation of youth who are removed from their families and placed in foster care, it is also important to think about how strongly youth in foster care just want to be treated like "average" kids.
Far too often, the foster care system creates barriers to youth having the "normal" experiences of adolescence. Most people don't realize that in many states, foster youth cannot date, go to sleepovers, work, or participate in extracurricular activities.
June 29, 2012
Pennsylvania General Assembly Passes Legislation to Support Older Foster Youth
The Pennsylvania General Assembly passed House Bill 75 this week, improving the chances for success for foster youth who are making the transition to independence and adulthood. The new law—which Juvenile Law Center worked closely with Pennsylvania Partnerships for Children to promote (read our joint white paper, "Maximizing 'Fostering Connections' to Benefit Pennsylvania Youth," here)—will bring more federal dollars to Pennsylvania and provide additional supports to older foster youth. These youth face tremendous barriers to making it on their own as adults, but the new law will enable more foster youth to remain in care past age 18 and enable county children and youth agencies to provide expanded support and guidance for them.
|One of the most important lessons from our 40 years of experience is that children involved with the justice and foster care systems need zealous legal advocates. Your support for our work is more important now than ever before.


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I am a first-year PhD student at the Max Planck Institute for Software Systems
and Universität des Saarlandes in Saarbrücken, Saarland, Germany. My advisor is Derek Dreyer,
who leads the "Foundations of Programming" group. I am currently working on
program logics for weak memory models basing on Iris, under the RustBelt project.
My main interests are in program semantics, type theory, computational logic,
and formal software verification. I also have broader interests in cryptography, security,
and software design and development.
I previously received my BSc and MSc in Computer Science from University of Science,
HCMC, Vietnam.
I am Vietnamese, and we prefer to be called by first names, which for my case is Hai
(which in turn sounds like "Hi", and people often amuse themselves saying "Hi Hai!".
I am terrible at sports, but still open to any suggestion, except night clubs.
Shame, shame, shame! There is nothing here! Please come back later.
|haidang [@] mpi-sws (.) org
|Room 333, MPI-SWS, Campus E1 5, D-66123 Saarbrücken, Germany
|MPI-SWS, Campus E1 4, D-66123 Saarbrücken, Germany


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GSS 71.4: DFR Marlin 39A
There are NO required textbooks for this class.
Required Tools & Supplies:
Marlin 39, 39A or 97
The tools to work on the above guns with, IE files, hammer, punches, screwdrivers etc.
Safety glasses.
The tools, measuring devices and cutters to make and/or modify the firearm with, using a lathe.
A note pad and pen and/or an audio or video recorder for notes.
Student Learning Outcome:
At the conclusion of this course each passing student will be able to:
Correct the headspace on all of the studied models.
Adjust for reliable function, the cartridge stops of any of the studied firearms.
Adjust, for reliable feeding, the feed system of any of the studied firearms.
Adjust the sear system, of any of the studied firearms, to a positive, crisp and safe let off.
Fit the extractors, for reliable feeding, extractor and ejection, of any of the studied firearms.
Course Content:
Headspace and adjustments
barrel set backs
rim cuts
chamber chamfers
primary and secondary cartridge stop functions, fitting and adjustments
feed system function and adjustment
fire control systems
positive and negative sear systems
adjusting let off
extractor types, function, fitting and adjustments
How the class works:
In lecture, we will study the various firearms and/or systems involved. To reinforce what we have studied, assignments will be made involving repair, refinishing, and/or modifications to the studied firearm parts.
To simulate real life situations, there will be due dates on all assignments. The assignments will approximate problems in the field. Many times the assignments will force you to think, i.e. I may assign the design and fabrication of a tool or parts. I will tell you what it must do, and the tool or part must be made to work.
Everyone starts off with an A and everyone is expected to get an A for a final grade. This is a potentially dangerous profession, so you must do the assignments to industry standards or better.
Everyone must have a set of finished notes by the last day of class. If they are on paper, they must be typed or written very legibly in ink, in a binder or folder, and have line drawings of systems for clarity when needed. They can also be audio, video, or on a computer disk, but if they are, they must have an index. They must also contain most of what was covered in class. If they possess all the mentioned criteria they are A notes. If they are missing information, inbound, or electronic with no index, your grade maybe lowered.
Your projects must be completed in order to be graded. They will be graded on accuracy, appearance and finish.
A note on notes:
They must be good and permanent- NO PENCIL NOTES. You can get around this note requirement by obtaining the AGI professional series course on the subject, i.e. the shotgun course for any of the shot gun classes etc. Remember, bad notes and your grade will suffer.
Method of Evaluation:
Grading in this course will be based on the following:
Class Participation and Attendance: 10%
Classroom notes: 20%
Classroom projects: 70%
Grading scale:
below 60% = F
Incompletes and etc.:
Incompletes are at the discretion of the instructor.
NO! NO! NO! If you need ammo to test fire a firearm, you turn it in to an instructor UPON ENTERING THE CLASSROOM. Failure to do so will result in your dismissal from the course.


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Category: New and Upcoming Events
2016 July 4th Macy's Fireworks Extravaganza with the Yacht America
2016 July 4th Macy's Fireworks Extravaganza Come join Next Level Sailing and the South Street Seaport Museum for a once-in-a-lifetime opportunity to enjoy the beauty, excitement and un-forgettable enjoyment of the 2016 July 4th Macy's Fireworks Extravaganza aboard the luxurious Schooner America. Built in 1995, this beautiful replica of the…read more
Thursday, July 2 – Blue Whale Sailing
Join us as continue our perfect 2015 year on our voyage to visit the largest animals ever to live on our planet - the blue whale!read more
Join us on the AMERICA this Saturday, May 23, as we start our spring/summer season. The winter season was record breaking with a perfect 100% whale sighting record. We were the only company in San Diego with a perfect record! Spring/Summer WHALE WATCHING ON AMERICA (May 23 – 4th of July)…read more
Looking for photos from your trip?
Photos from each whale watching trip will be uploaded here: https://www.facebook.com/NextLevelSailing Gray whale tail fluke- December 23, 2014.read more
Year-Round Whale Watching on Yacht America
- tyler
- May 27th, 2014
- 2 comments
The Best Grey Whale Watching Excursions in San Diego! Gift certificates available this holiday season! Call about our Family Savings Deals! For every 1 Adult Ticket get 1 Child ticket FREE! Must call to take advantage of this special rate 1-800-644-3454 From December 13 through to April 30th experience a…read more
5 Star Rating presented by Trip Advisor
- geilt
- February 12th, 2014
- 6 comments
Trip Advisor has awarded us a "5 Star" rating for our sailing, sailboat racing and whale watching sailing experiences in San Diego. That is an awesome achievement and testament to the once in a lifetime experiences that guests enjoy at the helm of our America's Cup yachts 'Stars & Stripes'…read more
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Loretta Lynn
In 1967, she began picking up various Female Vocalist of the Year trophies. She and Conway also won a long string of Duet of the Year awards beginning in 1971, The industry showered her with BMI songwriting honors, Gold Record plaques, a Grammy Award and other accolades. In 1972, she became the first woman in history to win the Country Music Association's Entertainer of the Year trophy.
By the mid-1970s, Loretta Lynn was an undeniable superstar. She was featured on the covers of Newsweek (1973), Redbook (1974) and many other mainstream national publications. With her kookie humor, scrambled grammar and unpretentious manner, she became a TV talk-show favorite.
Loretta continued to dominate the charts as the '70s drew to a close, scoring major hits with 1976's "Somebody Somewhere," 1977's "Out of My Head and Back in My Bed" and 1979's "I've Got a Picture of Us on My Mind." Her 1982 smash hits "I Lie" and "Making Love From Memory" carried her into the new decade.
Lynn is also one of the most awarded musicians of all time. She has been inducted into more music Halls of Fame than any female recording artist, including The Country Music Hall of Fame and the Songwriters Hall of Fame, and was the first woman to be named the Country Music Association's Entertainer of the Year in 1972. Lynn received Kennedy Center Honors in 2003 and a Presidential Medal of Freedom in 2013. She has won four Grammy Awards (including a Grammy Lifetime Achievement Award in 2010) and sold more than 45 million records worldwide.
Loretta Lynn's life is still a work in progress. She's still out there on the road, still writing songs and still recording them as only she can. "I ain't a star – a star is something up in the night sky," says Loretta Lynn. "People say to me, 'You're a legend.' I'm not a legend. I'm just a woman. Read Bio
Advance Tickets:
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- Classic $55
General Information
Receive a $10 Match Play With Ticket Purchases. Must be 18 or older to redeem Match Play. One Match Play per person. All Ages are Welcome to attend events unless marked otherwise. Guests under 18 years of age must be accompanied by an adult 21 years of age or older. All sales are final. No refunds or exchanges. Players Club Rules Apply.


text: Vendeur: qualityzoneonline (244.102) 99.1%, Lieu où se trouve: ShenZhen, Lieu de livraison: Worldwide, Numéro de l'objet: 142133822813 qualityzoneonline Top sellers Payment Shipping Warranty Policies Contact Us Categories Aquarium planté réservoir CO2 système Pro Tube Valve d'essence bouteille bouchon Description Product description: Brand new and high quality easy to set up CO2 system is designed for low cost planted tank use. What do you need to prepare for this systems? below(not included) 2x 2 Litre of Coka Cola plastic bottle 1x 200g of Citric acid or 200ml of vinegar 1x 200g of baking soda Tips to install: the bottle must be carbonated beverage bottle, do not use pulpy, green tea, mineral water bottles, etc. trimming valve regulation avoid by sudden big or small, can't suddenly turn up, after immediately shut down again, so as not to cause abnormal pressure to the bottle. Note: Make sure carefully observe the direction of the parts before assembly. The usual wrong handle way will cause abnormal reaction components as follow: the contrary direction of the check valve and fine-tuning in the direct. DIY AQUARIUM CO2 SYSTEM REGULAR KIT Included 1 * needle valve 1 * pressure gauge 2 * bottle caps More Products In This Category New Arrivals What's Hot Why Shop At Our Store Payment Shipping Warranty Policies Contact Us We accept PayPal only. All major credit cards are accepted through secure payment processor PayPal. Payment must be received within 7 business days of auction closing. If you have bought multiple items from me, you can send me one payment for all the items instead of paying for them individually. When you click the Pay Now button, eBay will automatically determine if there are other items you have won or purchased from me and will combine them for your review. We Ship to Worldwide, except Italy, Nigeria, and we do not ship to APO/FPO Items will be shipped within 1 business day on payment received. Items are shipped from Hong Kong using Airmail, reach most of the countries within 10 to 20 business days. Delivery time depends on destination and other factors, it may takes up to 20 business days. 12 months Warranty. Buy with confidence! If you are not satisfied when you receive your item, please return it within 14 days for a replacement or money back. Please contact me before you return it. If item is defective in 3 months, We will send you a replacement without extra charger, or offer refund after we receive the defective item. If item is defective after 3 months, you can still send it back to us. We will send you a new one after receiving the defective item. But you have to pay the extra shipping fee. We are not responsible for any custom duty or import tax. We will leave POSITIVE FEEDBACK after receiving the payment. Please contact us if you are not satisfied with the item after receive it. All messages will be answered within 1 business day. If you do not receive our reply, please kindly re-sent your message and we will reply to you as soon as possible. Serious Buyer Only! Please place bid only if you agree with all the terms. Le 03-nov.-16 à 18:38:05 Paris, le vendeur a ajouté les informations suivantes :Le 03-nov.-16 à 18:38:06 Paris, le vendeur a ajouté les informations suivantes :Le 03-nov.-16 à 18:38:07 Paris, le vendeur a ajouté les informations suivantes : Marque: - Sans marque/Générique -, Brand: Unbranded, MPN: Does Not Apply


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You'll notice that, from OGs2 on, every Stage 37 in an OG game gives you something amazing.
OGMD, fortunately, continued the trend.
OGMD, fortunately, continued the trend.
X-O Friend ID: 186471287
SRW Comprehensive Running Commentary
You'll notice that, from OGs2 on, every Stage 37 in an OG game gives you something amazing.
OGMD, fortunately, continued the trend.
X-O Friend ID: 186471287
Stage 40
SR: Destroy 10 or more enemies within 2 turns
Easy SR point. But then annoying Totetsu-oh and Kyuki-oh show up. They have an ability that saps 3 Will from every unit in a 3-square radius; fortunately they preferred to stay away and use long distance attacks so I didn't really have to deal with that.
Just like last time, you have to face both Jakubuoh and Bujakuoh. They have a lot of HP but repeated attacks bring them down pretty quickly -- I didn't beat either of them, but I made sure to attack them both with Kusuha and Bullet to get the Shishio Blade at the end.
Irui continues to have dreams and move towards recovering her memories and turning into naked attack goddess. Axel's back too from Endless Frontier 2 (I think). Are the SRW appearances in Project X Zone ever brought up or is that non-canon?
The PxZ stuff happens between OGII and OGMD. Sanger ends up there, he and the two EF people send back Kaguya with help from Aschen, but then an accident sends Haken and Aschen to the OGverse when they're trying to send back Sanger.
ACE R also happened between OGG and OGII, by the way. If you didn't know yet.
X-O Friend ID: 186471287
>Are the SRW appearances in PxZ ever brought up
Not until Moon Dwellers.
After all, the PV that revealed that Haken was gonna be in it also alluded to a scene with both him and Sanger.
Wow that's interesting.. never knew that.
Stage 41
SR: Defeat Jinrai
Now time to deal with Jinrai and the robot ninjas. I'm pretty sure Touma is going to end up piloting the Jinrai since we're capturing it rather than killing it. I didn't play @3 with Touma so I don't know if that was his mech there?
Stage 42
SR: Defeat the Mass Production Jinrais by Turn 4
You have to be prepared for this SR point. The majority of the kills have to be done by Sanger and Retsel since the rest of the force won't even reach the enemies in time. Fortunately Trombe has a MAP attack and if you upgraded both of them it's doable.
Then you have to lure the Jinrai into a specific area and take him below 3000 HP without killing him, surrounded by at least 2 guys. If you want the secret, two of those have to be Sanger and Retsel, and one of them has to get the kill.
Stage 43
SR: Defeat the blue Sailion with Ibis by Turn 7
SR point was harder than I expected it to be because the rest of your force can't reach Sailion until about turn 7, and he has a lot of HP and defense. But it wasn't really that bad.
This is the mid-@2 stage with the teaming of of Sleigh and Ibis and our new Hyperion mech. @2 was my first SRW. I misunderstood what someone said about upgrade carryover and ended up fully upgrading Ibis' mech very early in the game, which made her godlike (rather unusual for early-@2 Ibis).
Touma's robot in Alpha 3 was the Raioh, which would be upgraded later on to the Dairaioh. The Raioh is part of the DGG series. This is why whatever secret you mean (Can't play OGs 2 myself) would require either Sanger or Elzam to do stuff, presumably - after all, their robots are the first and second DGG units respectively.
The Jinrai you capture gets turned into the Raioh, his Alpha 3 mech.
Unfortunately Touma isn't the total asshole he was in Alpha 3 - or perhaps fortunately - but hey, given its animation quality, we might get a version of Dairaioh's finisher in OG The Balmar Wars that isn't a total letdown.
X-O Friend ID: 186471287
Yesterday, 04:10 AM
Wow, this next SR point is tough. I think I've figured out how to get it, maybe, but it will take another restart.
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Scientific Anglers
Mastery Grand Slam Taper Fly Line$79.95 USD MSRP SHOWING COLOR: LIGHT BLUE/AQUA
Product Information
The Mastery Grand Slam Taper Fly Line from Scientific Anglers allows fly fishermen to cast for tarpon, bonefish and permit – all in one day with a single line. Designed specifically to help you achieve landing one of fly fishing's most elusive accomplishments, the short, powerful head on the Grand Slam cuts through wind and turns over crabs, shrimp, and tarpon toads with ease. Saltwater fly line for tarpon, bonefish and permit Short, powerful head cuts through tropical wind Overweighted taper for large flies ...


text:
Serum Fas and Bcl-2 in patients with epilepsy
Abstract:El-Hodhod MA, Tomoum HY, Abd Al-Aziz MM, Samaan SM. Serum Fas and Bcl-2 in patients with epilepsy.
Acta Neurol Scand 2006: 113: 315–321. © Blackwell Munksgaard 2006. Objectives –
The present study aimed to investigate the levels of the biochemical markers of apoptosis (soluble Fas and Bcl-2) in the sera of children and adolescents with idiopathic epilepsy. Materials and methods –
The study included 30 children and adolescents (mean age 8.03 ± 4.49 years) with idiopathic epilepsy, 16 of them were newly diagnosed, and 15 clinically healthy control subjects. Of the included patients, 22 had focal seizures and eight had generalized seizures. In addition to laboratory and radiological investigations needed for diagnosis and follow-up, soluble Fas (s.Fas) and Bcl-2 were assayed in sera of patients and controls by enzyme-linked immunosorbent assay technique. Results –
Serum levels of s.Fas and Bcl-2 were significantly higher in the patients group than in the control group; however, their levels were comparable in patients with different seizure types. Levels of s.Fas correlated positively with seizure severity and negatively with the duration from the last attack. Bcl-2 levels were positively correlated to each of the duration of epilepsy, the severity of seizures and its frequency. There was a significant positive correlation between serum levels of s.Fas and that of Bcl-2 and both were significantly increased in patients with uncontrolled epilepsy. Conclusion –
The present data demonstrate that markers of apoptosis, both the proapoptotic Fas and the anti-apoptotic Bcl-2, were proportionately elevated in sera of patients with idiopathic epilepsy, and their levels were related to the seizure severity and frequency.
Keywords: Bcl-2; Fas; apoptosis; epilepsy
Document Type: Research Article
DOI: https://doi.org/10.1111/j.1600-0404.2006.00592.x
Affiliations: 1: Pediatrics 2: Clinical Pathology, Ain Shams University, Cairo, Egypt
Publication date: 2006-05-01


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How much vehicle can you afford? That's the question you can't ignore when shopping for a new car. Though all those options, colors and various sizes are nice, none of them will matter if you can't make the payments. So, how much vehicle can you afford? Experts suggest your vehicle should account for no more than 20% of your take-home pay, and the down payment, interest rate and term of the loan will play a part in this calculation as well. To help you determine the right budget, use this helpful Vehicle Affordability Calculator.
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Published by permission from ConsumerInfo.com, Inc., an Experian company. © 2015 ConsumerInfo.com, Inc. All rights reserved.


text:
EID, GE Power Field Engineer InternGeneral Electric
Assist in valve repair, on site machining, valve lubrication, and wellhead upgrading. GE is the world's Digital Industrial Company, transforming industry with...
القاهرةمنذ 19 يوم
Do you want aHigher salary & a Better Job?Get certified / learn new skills with courses in ValveSee all coursesCertified professionals make 10% more money & hold higher positions.
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>>0 >>1 >> 2 >> 3 >> 4 >> Book in a Box Extension task Visual literacy: Create a book trailer
>>0 >>1 >> 2 >> 3 >> 4 >> Functions of a film trailer Trailers are structured to include the best bits of a film to encourage as many people as possible to see the film at the cinema. They can stand alone as a work of art. A good trailer is one which is attention-grabbing, to the point, convincing and memorable. The trailer campaign is one of the first media for advertising a film. It will be shown in cinemas with appropriate films. It will also feature on film-related websites, like imdb.
>>0 >>1 >> 2 >> 3 >> 4 >> Film Trailer Elements Sound effects and music: The opening sound The initial sound effect is designed to immediately grab your attention. It's the "aural setup," and will instantly let you know what kind of film is being previewed. The music (that may not feature in the movie). The voiceover Watch the first 20 seconds of this without, then with sound as an example of effective use of sound: http://www.imdb.com/title/tt1596365/?ref_=sr_1 http://www.imdb.com/title/tt1596365/?ref_=sr_1
>>0 >>1 >> 2 >> 3 >> 4 >> Features of a good film trailer Clearly signals the genre.
>>0 >>1 >> 2 >> 3 >> 4 >> Editing Camera angles http://www.youtube.com/watch?v=rcORVnhFHf0&safe=activ ehttp://www.youtube.com/watch?v=rcORVnhFHf0&safe=activ e The motion graphics and titles https://www.youtube.com/watch?v=IStWfrMagHU
>>0 >>1 >> 2 >> 3 >> 4 >> Ok, you can watch the whole trailer... http://www.imdb.com/title/tt1596365/?ref_=sr_1 Pay attention, as we're going to discuss the media features that make this effective afterwards.
>>0 >>1 >> 2 >> 3 >> 4 >> Audience What impression of the film does the trailer give you? How has it tried to persuade its target audience? How much do you know about the plot? How has the trailer been edited to suit the target audience? Consider the use of music and diegetic sound. Which is more emotionally involving?
>>0 >>1 >> 2 >> 3 >> 4 >> Book Trailers Use techniques similar to those of movie trailers. They have been used increasingly since 2002; the term has been a US- registered trademark of Circle of Seven Productions, who regularly win awards. There is a very fine line between producing a trailer which allows the reader the freedom to create their own mental images of the characters and locations and one which goes too far and looks more like a trailer for a movie. This is a design issue unique to the book trailer genre. Like anything else the skill consists of finding the right balance, the happy medium between cinematic over-production and an uninspiring series of stills and straplines. Another fatal mistake is to produce a cinematic book trailer which looks and sounds more like a music video interspersed with short pieces of text and no voice-over.
>>0 >>1 >> 2 >> 3 >> 4 >> A good book trailer can reach more people than a film trailer. Thanks to popular sites like YouTube.com-which has 900,000 unique visitors a day - iTunes, Google Video, and Yahoo, publishers and authors can post their trailers for the world to see. The key is to create a video that people want to pass on to their friends and connections. To add more punch and make the trailer viral, use special offers, humor, or suspense.
>>0 >>1 >> 2 >> 3 >> 4 >> Useful websites Billboard.com, Bebo.com, YouTube, The Book Standard, BantamDell.com, Harperteen, Random House
>>0 >>1 >> 2 >> 3 >> 4 >> Why bother with books when films are so much better? http://www.cosproductions.com/videos/view/dav_pilkey_reading_makes _cats_jealous_psahttp://www.cosproductions.com/videos/view/dav_pilkey_reading_makes _cats_jealous_psa So you can use your imagination!
>>0 >>1 >> 2 >> 3 >> 4 >> Book trailers: http://www.youtube.com/watch?v=UtPdqV2crQ0&list=PL0408A9E89 3BC55D6 The One and Only Ivanhttp://www.youtube.com/watch?v=UtPdqV2crQ0&list=PL0408A9E89 3BC55D6 http://www.guardian.co.uk/childrens-books-site/2012/may/16/trailer- black-heart-bluehttp://www.guardian.co.uk/childrens-books-site/2012/may/16/trailer- black-heart-blue http://www.youtube.com/watch?v=xaeNWL8rlBI Matched Ally Condiehttp://www.youtube.com/watch?v=xaeNWL8rlBI http://www.youtube.com/watch?v=Os6pZvKbxqI&list=PL0BAEDD71871AB D4B The Maze Runner (a bit scary and film-like)http://www.youtube.com/watch?v=Os6pZvKbxqI&list=PL0BAEDD71871AB D4B http://www.youtube.com/watch?v=PYiw5vkQFPw Leviathan Scott Westerfeldhttp://www.youtube.com/watch?v=PYiw5vkQFPw http://www.youtube.com/watch?v=95s8GlKY40o The Book Thiefhttp://www.youtube.com/watch?v=95s8GlKY40o http://www.youtube.com/watch?v=XWrNyVhSJUU&playnext=1&list= PL0408A9E893BC55D6&feature=results_main Miss Peregrine's Home for Peculiar Childrenhttp://www.youtube.com/watch?v=XWrNyVhSJUU&playnext=1&list= PL0408A9E893BC55D6&feature=results_main
>>0 >>1 >> 2 >> 3 >> 4 >> Now design your own… Bearing all these things in mind, it is now your turn to design your own book trailer for your chosen novel. You can use the following media to help you: Windows Live Movie Maker imovie (an app) see http://www.apple.com/uk/ilife/imovie/#movie-trailers http://www.apple.com/uk/ilife/imovie/#movie-trailers Or https://www.youtube.com/watch?v=Du82xgMwqfE
>>0 >>1 >> 2 >> 3 >> 4 >> How to Make a Book Trailer Storyboard your ideas. Since you only have a minute or so to work with, think carefully about the length of time each image or section of video or animation uses. The first thing you want to consider is how to convey the idea of your book, and get people excited about it - excited enough to want to buy it! Watch several book trailers at YouTube (there are some on this lens). Think about whether you want something simple, such as you, the author reading a passage of your book? If you are uncomfortable with the idea of dong a reading, take another approach. Perhaps a video compiled of still images. Or a mixture of stills and video. Some trailers use animation. A musical background will add interest and emotion. What method of changing from one scene to the next do you want to employ? Do you want to fade to black? Or use some kind of manipulation that gives the impression of a page turning, or a spiralled fade? Think about good movie trailers, since most people are more familiar with those. What made you want to go see the movie? Did the intensity build as the trailer progressed? Did the music quicken, or become foreboding?
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