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News Corp is a network of leading companies in the worlds of diversified media, news, education, and information services.
Coronation Street's Kym Marsh hints Michelle Connor could forgive husband Steve McDonald
Kym Marsh celebrates 11 years at Corrie and still remembers all the lines from first episode
Corrie's Kym Marsh reveals Michelle will reunite with ex Steve for marriage counselling
Kym Marsh reveals her catfish nightmare after learning someone had been pretending to be her for 10 years
Here's what you need to know about Kym Marsh and her Corrie character Michelle
Coronation Street's Kym Marsh hints at new romance for character Michelle
Corrie star Kym Marsh 'gutted' Michelle Connor isn't involved in Ken Barlow's attempted murder
Corrie's Kym Marsh tells of agony after death of her baby boy Archie — and how her kids gave her…
Kym Marsh paid secret tribute to tragic son Archie in heart-breaking Corrrie scenes with stillborn baby
Happy ending in sight for Coronation Street's Michelle Connor reveals actress Kym Marsh
Kym Marsh is proud of Corrie's heartbreaking miscarriage storyline for 'making a difference'
Shocking twists on Corrie as the Rovers Return gets a new boss amid Steve and Michelle's split
Corrie's Michelle threatens to tell Leanne about her fumble with Nick
Corrie's Faye Brookes, Kym Marsh and Tina O'Brien wow on the red carpet at the TRIC awards
Kym Marsh feared daughter Polly would die after she lost her premature baby Archie
Kym Marsh issues heartfelt thanks to her doctor after he gave her the confidence to have another baby
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text:
Welcome to the end of the world4.40 / 5.00 3,313 Views
Living Dolls: No Evil 024
Wouldn'tyou just like to... leave conflict.4.29 / 5.00 942 Views
Cortex's Airship
What happened to Cortex's airship?4.23 / 5.00 2,982 Views
it's wreid as hell and I can see that time efert and creative thought was put in it. But I have just 2 questions for you. What are you on and were can I get some? :D
wow!!!!!!!!!!!!! if u really have dreams like this then i think you should maybe see a shrink but dont stop making these videos it was amazing!!!!!!!!!
Good to see that you arew still as sick and twisted as ever. I think this is one of your best and it is a welcome change to see some Aftereffects on Newgrounds. The animation style reminded me of a mix of Terry Gilliam and South Park.
I literally can't say anyway to improve this. The ending was strangely beautiful yet funny. Keep it up and please upload more soon.
Even though you've only been creating 1 or 2 flash cartoons a year, it's pretty much an event each time you release another oddity of art. Or whatever the hell you wish to call it. As always this is another fantastic whatever the fuck this is. Stay awesome David.
Dreams are not signs or visions, or repressed memories, or your fucking subconscious. Dreams are this. This is a dream.
Or probably like, a bunch of dreams strung together. I doubt anyone could remember a dream this long upon waking up. Then again, no one's sure that David Firth is entirely human.
So good.

subset: commoncrawl


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Dragon Tails 2011
Dragon Tails 2011: sources, language, approaches
Museum of Chinese Australian History, Melbourne
11–13 November 2011
Call for papers
Following the success of the first Dragon Tails conference in October 2009, we are pleased to announce that Dragon Tails 2011: sources, language, approaches will be held at the Museum of Chinese Australian History, Melbourne on 11–13 November 2011.
The conference will showcase emerging scholarship on Australia's Chinese history and heritage and will consider the diverse range of available sources, as well as new approaches used to interrogate them.
Our aim is to provide a forum for discussion about the current state of the field, the challenges it faces and the ways we might move forward to improve our understanding of Australia's Chinese pasts (c.1840s–1940s).
As part of this discussion, we would like to engage Australian researchers with current international scholarship and arrangements for international keynote/s are underway.
Who should attend
We invite proposals from historians, heritage professionals, archaeologists, curators, archivists, librarians, genealogists, educators and others working in the field who would like to share their new research directions and fresh thinking on the practice of Chinese Australian history.
As well as Australian researchers, we welcome contributions from international scholars whose work on overseas Chinese history or heritage addresses the themes of the conference and presents ideas relevant to the Australian context. We're thinking particularly here of our New Zealand, Pacific Islander, Chinese, Southeast Asian, Canadian and US colleagues.
Conference themes
We are looking for papers, panels and workshops which explore questions relating to the following themes:
Sources: What sources can we use to uncover the Chinese Australian community's many pasts, where are they and how can we provide greater access to them?
Language: Does it matter that most Chinese Australian history is written with limited reference to Chinese-language sources? If it does, how can we create awareness of those sources and overcome the challenges of working with them?
Approaches: How are different approaches broadening our understanding of Australia's Chinese history and heritage? These might include transnational and global perspectives, the qiaoxiang approach, reading material culture, biography and life writing, organisational histories, memory and oral history, digital history and the use of emerging technologies.
The conference will be held over two days and have a single stream, with the aim of fostering debate and discussion on both theoretical and practical issues that arise when doing Chinese Australian history. A selection of papers from the conference will be published.
How to submit a proposal
Proposals may be made for either individual papers, complete panels or hour-long workshops. Suggested formats for full panels include three 20-minute papers, four 15-minute papers or a round table. Other innovative format proposals and multimedia presentations will be considered.
Proposals should be submitted online using the form at www.dragontails.com.au/submit-proposal by
Friday, 13 May 2011.
You will need to provide a paper/panel/workshop title and abstract (300–500 words), as well as name, home institution (if applicable), contact details and brief bio (up to 150 words) for each speaker. We will let you know by email whether your proposal has been successful.
More information is available on the conference website – www.dragontails.com.au. You can also keep up to date by following us on Twitter – www.twitter.com/dragontails2011.
We look forward to receiving your proposals. If you need to get in touch for any other reason, please send us an email to email@example.com.
Dr Sophie Couchman and Dr Kate Bagnall
Call for papers and full program
- call for papers (pdf, 200kb)
- program cover (pdf, 762kb)
- full program (pdf, 913kb) – note that participants' contact details have been removed from this version of the program


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Grey's Anatomy
— Sezonul 3 Episodul 8 —
Subtitrare Romana
Folosiți butonul CC a playerului pentru a seta subtitrarea sau pentru a o mari.
Staring at the Sun
George must deal with his family's presence when his father is admitted. Meanwhile, Burke's secret is almost out, Alex tries to get close to Izzie again, and Richard comes to a decision about his marriage.


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Not only does Vasa War Ship Museum in Stockholm, Sweden preserve a magnificent warship of the 17th century- Vasa, but thousands of wooden objects that were salvaged from the wreck along with the ship reveal the detail of naval warfare, shipbuilding techniques, aesthetic sense and the way of life at that time.
On January 16, 1628, Vasa sank on her maiden voyage after departing from Stockholm and sailing for just 1,500 meters. Vasa was decorated with sculptures carved in oak, pine or lime, and each of these sculptures has its underlying significance. For example, the sculptures of Roman emperors, which stand along the sides of the beak head, represent the glory and the power of Swedish King Gustav II Adolf (King Gustavus Adolphus); moreover, a male figure in a crouching position under the cathead signify that Polish men was inferior to Swedish men, because Poland and Sweden were at war in the 1620s, and more.
For over 300 years, Vasa had been lying at the depth of 32 meters in polluted water, where various bacteria and fungi had attacked the wood, and the rusted bolts of the hull had diffused into the wood and water. Today, researchers, conservators and technicians are still endeavoring in preserving the ship for the future.
Norsk Skogmuseum (The Norwegian Forest Museum) is located at Elverum, Hedmark County, Norway. The museum aims to provide the knowledge of Norwegian forest culture and life related to forestry, hunting, fishing, and aquarium.
In the museum main hall on the ground floor, many aspects of the forestry, such as timber floating, hunting, forest industry in the old times and the present times, and social conditions in forestry, including living conditions, forest fare, clothes and dress, etc., are well introduced with pictures and exhibits of forest tools and machinery. On the first floor, visitors can see numerous exhibits of hunting, trapping, and fishing in Norwegian's everyday life.
Outside the museum, there is an arboretum, a botanical garden of trees and bushes, situated in the southeast part of the museum. The outdoor exhibits consist of various devices employed in hunting and trapping, and cabins used during logging, hunting, and fishing from 17th -20th century.
Bergen is a city and municipality on the west coast of Norway. The economy of Bergen today is based on tourism, fishery, shipping, and offshore petroleum industry. Bryggen, the old wharf of Bergen, has a series of North European wooden houses from medieval time aligned on the side of fjord. Back in Hanseatic period, Bryggen was a business district and now is preserved and listed as one of the UNESCO World Heritage sites. The museums in Bergen University with rich collections of the Vikings' hut, appliances and wooden ships are also worth a visit!
On the campus of University of Bergen lies the Cultural History Collections of University Museum that exhibits wooden axes, huts, and shipbuilding tools used by the Vikings. Bergen Maritime Museum presents Norway's history of shipping from the past to the present; its collections of shipwrecks and ship models include Viking ships, archeological ship remains, and artifacts.
Ski museum is located in the beautiful valley of Morgedal, in Telemark. In the ski museum, visitors can watch the video introduce 4,000 years of skiing history in the multimedia room. The exhibition zone presents many kinds of skis made of wood and artificial materials. There is also a ski-making workshop demonstrating process for making wooden skis.
Part of the collection in the museum is made in the museum workshop. The workshop also accepts custom orders of making wooden skis. The handmade wooden skis were once taken as winning rewards for Australia ski competition.
All the wooden skis produced from the workshop are made by two museum ski makers - Tarjei Gjelstad, and Terje Nilsen Haugen, who also have undergone a project of making the largest wooden ski in Norway. They hope this largest wooden ski in Norway will become a representative landmark of the museum.
Situated at the Northeastern side of Parc Naturel Régional de la Forêt d'Orient (Orient Forest Regional Natural Park), in Champagne-Ardenne, France, Ecomusée de la Forêt d'Orient (Ecomuseum in the Orient's Forest) well preserves abundant traditional agricultural machinery from the 16th to 17th centuries.
The open-air museum is dedicated to the memory of agricultural life of the Champagne region in the old days. There are three sites of the museum: the Maison des Jours et des Champs (The "House of days and fields") where there are several wooden houses exhibiting chisels, ploughs, old tractors, axes, and other farming machines and tools, Boutique du charron (The Cartwright's Workshop) where the traditional wooden wheels and wheel-making machinery are displayed, and the museum park where visitors can see several wooden barns and feel not only the beauty of France farming village but the tranquility of the country life.
The Maison de l'Outil et de la Pensee Ouvriere (Tool and Trade Museum) is located in Troyes, in a Renaissance style mansion, called Hotel de Mauroy. In 1966, the city of Troyes acquired and entrusted this mansion to the Compagnons du Devoir du Tour de France, an association comprising craftsmen and artisans from the Middle Ages up to now. This association has carefully renovated the mansion and has turned it into a museum.
The museum has a rich collection of over 10,000 tools that were once used for cutting, crafting, and measuring wood by craftsmen, from the 17th to 18th century. Father Paul Feller, a Jesuit priest, is the person who first started to collect these tools since 1958. The museum also displays photos telling the history of logging, sewing, building log houses, making barrels, wheels, and more. Through these tool and photo exhibitions, the museum intends to provide knowledge and arouse the interest of apprentices, craftsmen, amateurs, and many others, about the history and the tradition of craftsmanship in the old days.
Laténium Museum is an archaeology museum located in Hauterive, suburb of Neuchâtel. Its name is a combination of "La Tène", the name of archaeological site of the Celtic civilization back in the late Iron Age, and the word "museum."
Inaugurated in 2001, the museum has rich archaeological collections of Celtic artifacts, and those from both older and more recent periods as well. Laténium Museum has a collection of 3000 objects, including a 20-meter long Roman wooden ship discovered in Bevaix.
Apart from indoor exhibition, there is another open-air area within the museum park. The dwellings of the lake villagers could be dated back to 1,000 BC, and the museum has reconstructed several architectures in order to demonstrate the history to the visitors.
Located in the north-east of Italy, Trento is the capital of the autonomous province Trentino. Back in the 16th century, it was the location of the Council of Trent, an Ecumenical Council of the Roman Catholic Church.
Stelvio National Park, near the historical city of Trento, with an area of 400,000 hectares, is the largest national park in Italy. Founded in 1935, the park is a reserve of several protected forests. A couple of traditional farm houses "maso" and log-cutting sawmills can be found in the realm of park. One of the mills has even been turned into a museum called Ruatti mill, which is open to the public for demonstrating the traditional way of utilizing water power for grinding the grains.
The foundation of Venice was constructed on vertical wooden piles, which has mostly remained intact after centuries of submersion. The piles penetrated through layers of soft sand and mud until they reached a harder clay ground. In fact, apart from the footing of the city, several buildings in Venice are also either built of wood or decorated with wood, such as Doge's Palace in the Piazza San Marco, the well-known St Mark's Square.
Quite a few chambers in Doge's Palace including one of the most gorgeous rooms, the Council Chamber, are decorated with elaborated paintings and carvings on wooden ceilings. The roof of the Palace is also made of strong wooden structure; we were fortunate to be able to get up to the loft and see the structure under the guidance of a local architect.
Established in 1905, the National Coach Museum was first named Royal Coach Museum by Queen Amélia, who was aware of the cultural value of royal ceremonial carriages. The museum had only 29 vehicles in its original collection, and has started to increase its objects of collections after the establishment of Portugal Republic in 1910.
The museum is located within the Royal Riding Arena, which used to be the place for horse-training and horse-riding exhibition and games. It is housed in a building erected in 1787 and decorated with painted ceiling and tiles by several Portuguese artists.
Today, the National Coach Museum has wide collections of objects, including: coaches, berlins, carriages, chaise, cabriolets, litters, sedan chairs, and children's cart, etc. And the exhibitions in the museum are primarily concerned with topics about the technical and artistic evolution of transportation means used by the European aristocracy dated back from 17th to 19th centuries.


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Nauseated by news reports of murders, rapes, suicides, accidents and scams, I looked for something innocuous and innocent to read. I opened my three-year-old daughter's book of nursery rhymes, hoping to get a breather from the harsh realities of life. I was in for some unpleasant surprises.
One went like this: "Three blind mice. Three blind mice/See how they run. See how they run/They all ran after the farmer's wife/Who cut off their tails with a carving knife". It certainly wasn't feel-good material. Agatha Christie had even gone to the extent of using it as a serial killer's signature tune in The Mousetrap. A character in the classic murder mystery quipped: "I adore nursery rhymes… Always so tragic and macabre. That's why children like them."
Finding Three Blind Mice not so nice, I turned to another rhyme, which was even more gruesome: "Piggy on the railway line/Picking up stones/Down came an engine/And broke Piggy's bones/'Ah!' said Piggy/'That's not fair'/'Oh!' said the engine driver/'I don't care!'"
I fled from the injured pig and the heartless driver, only to land up in a burning nest: "Ladybird, ladybird fly away home/Your house is on fire and your children are gone…"
With things going from bad to worse, I shut the English book and picked up its Hindi counterpart. I was greeted by a curious kid asking a cat: "Billi mausi, Billi mausi,/Kaho kahan se aayi ho/Kitne choohe maare tumne,/Kitne kha kar aayi ho?"
A child eager to know how many mice had been killed and gobbled up! Now this was too much. I wondered how parents and teachers could make kids read and learn such obnoxious stuff. Weren't we exposing these beautiful minds to the big, bad, mad world rather early? Would it be surprising if they grew up to become callous and violent youngsters?
Our failure to distinguish between the nice rhymes and the nasty ones typifies our "chalta hai" attitude. In one way or the other, we are like the engine driver who casually says "I don't care" after knocking down a pig. Rather than helping the unfortunate ones, most of us prefer to look the other way or simply go away. And we have only ourselves to blame if our children follow in our flawed footsteps.
The writer can be reached @ firstname.lastname@example.com


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Prototype R175 ST
1,234pages onAdd New Page
this wiki
this wiki
Road Rage, however, the car is an easy target for heavier cars that will get taken down a lot. Its speed, acceleration and control make the R175 an excellent asset for Race events. It does not seem to have the tightest grip, but it handles well for the most part. Its color choices include crimson w/black spoiler (default, red w/black spoiler on XBOX 360), orange, silver, red (crimson on XBOX 360), blue, black, grey (yellow w/black spoiler on XBOX 360), and yellow (lime green on XBOX 360). It is a symbolic car to White Mountain and features a Switzerland license plate that reads SW-01-RC.
How to UnlockEdit
Earn a Bronze Medal at the Central Route Traffic Attack Long Forwards in Rank 3.
This car is the absolute basic in the R175 series. There are no bodykits on the car, and the spoiler is completely standard. The headlights/taillights on the car are very basic, compared to the other versions which contain carbon fiber.
See AlsoEdit
Retrieved from "http://burnout.wikia.com/wiki/Prototype_R175_ST?oldid=82157"


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SPECIAL SERIES: Virginia Tech Series 2014
To Smoke or Not to Smoke? That is the Environmental Question
For a minute, consider the environmental impacts of worldwide tobacco usage instead of the health risks that are associated with it. As a former smoker, the thought never crossed my mind to explore the cumulative effects of my choice to light up.


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For a hard day's work, pull on this handsome and durable boot from Chippewa. The waterproof design features a sturdy leather upper with a heavy-duty Vipercloth shaft and its specially treaded Vibram outsole promises great durability.
Dismiss Notice
And... we're back. You'll notice that all of your images are back as well, as are our beloved emoticons, including the infamous :foo: We have also worked with our server folks and developers to fix the issues that were slowing down the site.
There is still work to be done - the images in existing sigs are not yet linked, for example, and we are working on a way to get the images to load faster - which will improve the performance of the site, especially on the pages with a ton of images, and we will continue to work diligently on that and keep you updated.
Fok on behalf of the entire Styleforum team
Chippewa Men's 25111 17" Waterproof Snake Boot
Pull-On Boots (Chelsea Boots) item created by admin, Jul 13, 2011
User Comments
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Lives are changed, mistakes are made, choices are chosen, and everything is not what it seems. Annabelle was only a young girl when her parents were killed in war. She and her sister lived in a foster home for most of their lives until a change comes around. Annabelle and her little sister, Hayley, fall into the arms of One Direction. A lot of problems are discovered along the way and Annabelle learns things she never thought she'd get; true love. Join Annabelle and her sister in the long journey that never seems to end.
Janiyahlove_13 Nov 07, 2016
I live in Baltimore, Maryland and I have to do this BALTIMORE RAVENS FOR THE WINNN
kaylarockwell20 Apr 20, 2016
I been bullied my self . when people bullying other people means they jealous of them. Go tell a teacher parents principal even a cop . their is no need for people to bully you or anyone. God bless
MyNeonAngel Mar 13, 2016
Doesn't the foster care system pay the foster parents to look after the kids?
Choco-Cat17 Oct 26, 2016
I live in near Omaha Nebraska. Why yes, one of the 50 states in America. 😂😂 I find this funny lovely
Allyisdav Oct 20, 2015
this is an amazing book i love this chapter you seem like you really think it through it is unique
Allyisdav Oct 20, 2015
i will never steal your ideas i too love writing and am also creating a adoption fanfic but however i will not steal your ideas


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Mob pelt police
Click to follow
TWELVE people were arrested and nine police officers slightly injured after they and ambulancemen were pelted with stones, bottles and sticks by a 50 strong mob in Manchester city centre last night. The incident began when a man was assaulted in Piccadilly. Two people were arrested. Reuse content


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Filter Results:
Publication Year
Publication Type
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Learn More
- E. Ramyakrishna, T. Narayana Rao, N. Padmaja
- 2015
- N. Padmaja, S. Varadarajan, C. D. V. Subba Rao
- 2014 International Conference on Signal…
- 2014
Matched filter is often referred to as optimum filter. The most unique characteristic of the Matched Filter is that it produces the maximum achievable instantaneous SNR at its output when a signal plus additive white noise is present at the input. This paper presents a new algorithm for improving doppler profile detection of Radar echoes using Matched… (More)
- Sai kiran pudi, T. Syama Sundara, Nimmagadda Padmaja
- 2013
— Cognitive radio is an emerging technology that aims for efficient spectrum usage. Cognitive radios have been proposed as a solution to the spectrum underutilization problem and have been proven to increase spectrum efficiency whilst providing opportunities for futuristic technologies. However, in this we are analyzing the performance of the cognitive… (More)
- N. Padmaja, S. Varadarajan
- 2011
The HHT (Hilbert-Huang transform) and wavelet transform are both signal processing methods. This paper is based on comparing HHT and Wavelet transform applied to Radar signals. HHT can be used for processing non-stationary and nonlinear signals. It is one of the time-frequency analysis techniques which consists of Empirical Mode Decomposition (EMD) and… (More)
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Storm Talk: How Much Snow Would Grand Rapids Have Received If It Had Been 10 Degrees Colder?
It's a fine line between snow and rain in West Michigan, but judging by the flood by my back door, that was quite a storm that rolled through here in the last 24 hours.
So, if it were just a bit colder, how much snow would we be shoveling by now?


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I'm a 26 yrs old female and I want to get braces. Do I need to have surgery for my jaw to be corrected? (Photo)
- tnesh27
- New York, NY
- 8 months ago
No doctor answers yet
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21 New Ways To Eat Weet-Bix
And you thought the best way to spice up your Weet-Bix was by adding fruit and honey.
1. Weetbix Choc Chip Cookies
WHAT? They look so good and not at all like one of the world's blandest cereals! Recipe here.
2. Breakfast Smoothie
Although over-liquified Weet-Bix is usually the stuff of nightmares, this smoothie is far from the tasteless mush you may be imagining. Make it here.
3. Brownies
We all know the only way to make Weet-Bix palatable is by adding sugar. Lots of it. Here's the recipe.
4. Fruit Loaf
Like Christmas, but better. It's Weet-Bix and fruit, so it's basically a health food. Recipe here.
5. Chocolate Nests
Technically this recipe is for Easter, but there's nothing stopping you from enjoying them year-round. Recipe here.
6. Weet Bix, Peanut Butter, Orange and Banana Smoothie
An even better version of the smoothie listed above, because this one has peanut butter. Name one thing that is not improved with peanut butter. That's right, nothing. Get the recipe.
7. Pancakes with Maple Blueberry Sauce
This looks like something you could serve at a fancy brunch and NO ONE WOULD KNOW that you've put Weet-Bix in it! Sneaky… Recipe here.
8. Banana Weet-Bix Muffins
Less sugar than a normal muffin so of course it's ok to eat five in one go while standing over the kitchen sink. Get the recipe.
9. Chocolate Weet-Bix Slice
Just LOOK at that melty icing and the delicious coconut flakes on top… Stop trying to eat your computer screen and make it!
10. Caramel Slice
It looks so perfect and delicious on that dainty napkin. Get the recipe.
11. Ginger Balls
While your inner 12-year-old is sniggering at the name, the sophisticated adult side of you will seriously love this apricot, coconut and ginger masterpiece. Recipe here.
12. Fruit n Nut Energy Slice
Just looking at this beauty makes you want to ride a bike up a mountain or go rock climbing or heli-skiing. So much energy! Get the recipe here.
13. Rosemary Weet-Bix Biscotti
We can 100% guarantee that when you woke up this morning you had no idea that you'd be gifted with the amazing union that is rosemary and Weet-Bix. You're welcome. Recipe here.
14. Berry Nice Weet-Bix Muffins
First of all, there's a pun in the name so you're already winning. And you can never ignore the perfect flavour combination of blueberries and strawberries. You just can't. Recipe here.
15. Weet-Bix Rum Balls
Alcohol. And chocolate. And Weet-Bix. OMG. Did your head just explode? Recipe here.
16. Mashed Potato with Chives and Weet-Bix
Holy shit. There are no words for how amazing that looks. This photo is seriously NSFW. Recipe here.
17. Apricot Dessert Slice
Via funkymunky.co.za
Again, totally healthy because of the apricots. We promise. Recipe here.
18. Weet-Bix Patties
Yes, patties. As in a Weet-Bix burger. Is it possible to make anything more Australian? Recipe here.
19. Mixed Veggie Bake
You could just have one big Weet-Bix dinner party. And we all know that eating cereal for dinner is one of life's greatest pleasures. Recipe here.
20. Apple and Raspberry Crumble
We'll take four thanks. Recipe here.
21. Mediterranean Vegetable Bake
Although we question how frequently Weet-Bix is eaten in the Mediterranean, this dish still looks amaze. Recipe here.
Read more: http://buzzfeed.com/jemimaskelley/21-new-ways-to-eat-weet-bix-py1l


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Many manufacturers are choosing to include Malaysian certified sustainable palm oil in their products. This natural, non-GMO oil is getting rave reviews for its earth friendliness.
Archive | Forest Conservation
WebMD palm oil article contains dated and misleading information
on March 17, 2017 in Forest Conservation, Nutrition, Sustainability 0
Thousands of food manufacturers have chosen to use premium, sustainable and versatile palm oil in their products, much of it from Malaysia's plantations. Regardless of this misleading article, these manufacturers realize the benefits of this nutritious, non-GMO and eco-friendly oil.
Deforestation and palm oil: NGO admits it had its priorities wrong
on February 3, 2017 in FAQ, Forest Conservation, Sustainability, What's New 0
Over the past year, the Union of Concerned Scientists (UCS) has changed the emphasis of its zero-deforestation campaign from palm oil to beef cattle and soybeans.
Palm oil plantations support Malaysia's biodiversity
on September 27, 2016 in Forest Conservation, Sustainability, What's New, Wildlife Preservation 0
Oil plantations are incredibly productive. A single acre of oil palm produces 11 times more oil than a single acre of soybean plants, and 7 times more oil than an acre of canola (rapeseed) plants.
Portland's KUIK radio listeners learn why cooking with palm oil is best
on July 18, 2016 in Culinary, Forest Conservation, In The News 0
Palm oil also has incredible health benefits. It is the most abundant source of tocotrienols. It's high in vitamin A and vitamin E. It's also great for brain health.
Malaysia's biggest conservation area expands with help from palm oil
on June 24, 2016 in Forest Conservation, Sustainability 0
These beautiful rainforests can flourish thanks in part to the Malaysian palm oil industry's strict regulations and conservation practices, as well as the efficiency of the trees themselves.
Phoenix viewers told a cooking oil swap helps cleanse your body
on May 16, 2016 in Culinary, Forest Conservation, In The News, Nutrition, Sustainable Agriculture 0
Add one more step to your spring cleaning task list. In addition to cleaning the hall closet and washing windows, health expert Jonny Bowden, Ph.D., CNS suggests you make some diet changes to cleanse your body. This board certified nutritionist offered tips when he appeared on Phoenix's 3TV News.
What eco-savvy moms need to know about Halloween candy and palm oil
on October 6, 2015 in Forest Conservation, General, Sustainability, Wildlife Preservation 0
Thankfully, American companies are increasingly using environmentally friendly ingredients such as Malaysian sustainable palm oil in their products.
Rising demand for Malaysian palm oil due to health and sustainability
on September 29, 2015 in Forest Conservation, General, News, Sustainability, Sustainable Agriculture 0
Additionally, state-of-the-art research, which has mapped out the oil palm genome and which was published in the prestigious journal Nature by a joint Malaysian/US research team promises to set the trends to meet world demands in a sustainable fashion, even beyond 2030. As a result of these developments Europe now increasingly regards Malaysian palm oil […]
Malaysian sustainable palm oil comes from the non-GMO oil palm tree
on September 25, 2015 in Forest Conservation, Sustainability, Sustainable Agriculture, Wildlife Preservation 0
Because of the oil palm's high yield, Malaysia produces ample quantities of this global commodity while maintaining its 1992 Rio Earth Summit pledge to maintain more than 50 percent of its land cover as forests.


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Tanjong Beach Club is positively dreamy. Located just outside central Singapore, on a sun-soaked stretch of sand on Sentosa island, it's the perfect weekend escape from the city. ...On December 20, 2016 / By Nina
Although oddly dark and dingy, there's no denying the coffee at RONIN is top notch. Sister cafe of the brighter and breezier PUNCH cafe, RONIN's low lighting would ...On November 30, 2016 / By Nina
My favourite café find in all of Singapore? Without a doubt: Strangers' Reunion. The bright interior, abstract artworks, impeccable brunch items, "Let's make love, coffee, and magic" slogan, and ...On November 28, 2016 / By Nina
I totally fell for PUNCH in Singapore, a Downtown Core hotspot that's reliably awesome for breakfast, lunch or coffee. The interior is bright and breezy, with tasteful turquoise ...On November 19, 2016 / By Nina
© 2014 Have You Heard Of It? All rights reserved.


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Titanic: The Mystery Room Escape Adventure Game
By App Holdings
Open iTunes to buy and download apps.
Download now! Join over 10 million fans who've taken the challenge - Do you have the skills to Escape the Titanic before it's too late?
Get ready - there are no instructions, it's just you and your smarts as you face the ultimate test of wits, cunning, and speed in this unique adventure puzzler. No two scenes are alike, so be prepared for anything as you race to escape the world's most infamous ocean liner.
Put your device through its paces as you pinch, twist, tap & swipe your way through ingenious room-puzzle challenges.
Escape the Titanic is a FREE-TO-TRY app. You can play the first chapter for free, if you want to unlock the epic FULL version, there is a one-time fee to purchase.
Need a little assistance, but not the solution? Don't worry; unlocking the game includes all Hints that offer clues through the game. If you're stumped, there are additional Solutions too.
Prove that you have what it takes to outsmart, outrun, and outmaneuver any obstacle. Good luck!
• 50 clever puzzles; no two alike
• Challenging levels with integrated hint system
• Hidden objects aid in your escape
What's New in Version 1.5
Various bug fixes
Customer Reviews
At first, I loved this game so I BOUGHT it. Then I get to the dance step level and it's not recognizing that I'm hitting the RIGHT step and therefore I cannot go to next level! After several emails to the "support team" and hearing NOTHING back, I wish I had waited to buy it! Looked online and there are several others who are having the same issue with the same level!! Very irritating and frustrating to find yet another company who only cares about taking your money and not helping!! SAVE YOUR MONEY AND FIND ANOTHER GAME! Ughhh!!!
Wonderfully Frustrating
Finally a challenging game. Totally beats crushing candy!
Can't load update. Shows up in my update list but when I try to update, a pop up says it is not compatible with my iPod Touch 5.
Update no relief from the developer! Still showing up in my updates but it cannot be fulfilled! This is harassment to always have a red 1 by my App Store! Question for Apple: Can I sue this developer for undue stress and harassment?
This game is fun but you have to pay for the full version
This game is really good but when you get to the part when you have to buy the full version. This game already has adds you guys should be making enough money from all those adds but you don't make enough. I was so mad that right when I got to that point I just deleted it right there. DO NOT BUY UNLESS YOU WANT TO WASTE MONEY ON THE FULL VERSION
- Free
- Category: Games
- Updated: Dec 01, 2016
- Version: 1.5
- Size: 58.4 MB
- Language: English
- Seller: WL Online Marketing LLC
- © App Holdings
Compatibility: Requires iOS 8.0 or later. Compatible with iPhone 5s, iPhone 6, iPhone 6 Plus, iPhone 6s, iPhone 6s Plus, iPhone SE, iPhone 7, iPhone 7 Plus, iPad Air, iPad Air Wi-Fi + Cellular, iPad mini 2, iPad mini 2 Wi-Fi + Cellular, iPad Air 2, iPad Air 2 Wi-Fi + Cellular, iPad mini 3, iPad mini 3 Wi-Fi + Cellular, iPad mini 4, iPad mini 4 Wi-Fi + Cellular, 12.9-inch iPad Pro, 12.9-inch iPad Pro Wi-Fi + Cellular, 9.7-inch iPad Pro, 9.7-inch iPad Pro Wi-Fi + Cellular, iPad (5th generation), iPad Wi-Fi + Cellular (5th generation), and iPod touch (6th generation).
Top In-App Purchases
- Harbor Master$1.99
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Five Ways to Celebrate Latin American Arts and Culture for Cinco de Mayo in Denver
Cinco De Mayo Parade and Cultural Festival
Colorado owes a large part of its heritage in the arts, culture, and landscape to Hispanic tradition. Influenced in what we eat, drink, and the paintings and artistic endeavors we celebrate, Cinco de Mayo is the epitome of all that we hold dear. Here are five ways to celebrate Latin American arts and culture for Cinco de Mayo.
5. Cinco De Mayo Cultural Festival
Civic Center Park
The 28th annual Cinco de Mayo festival at Civic Center Park is the largest two-day Cinco de Mayo festival in the country. This year, it will welcome 400,000 patrons, to celebrate all the food, dancing, music, entertainment, and art that Colorado brings to the table. The Cinco de Mayo Festival reminds us that this is not just a day for drinking, but a day to celebrate the culture and history of a huge population of our state. Join in the fun May 2 and 3 at Civic Center Park, and catch the Cinco de Mayo parade May 2 at 10 a.m.
Hernandez Perez
4. First Annual Berkeley Latino Culture Fest
Oriental Theater
4335 West 44th Avenue
The Berkeley neighborhood is changing, but one thing is for certain: the area has proud and deeply-rooted Latino and Hispanic culture that have shaped all of north Denver. Organized by the Westcloud Consulting and Jazz del Barrio, join in celebrating the Northside's history and culture on May 1 at the Oriental Theater. The concert event will feature Latin-American music, including Grammy nominated headliner Micky Cruz. The cost is $15 at the door.
Fiesta Colorado Dance Company
3. Free Cinco de Mayo at Aurora Fox May 6th
9900 East Colfax Avenue
Aurora Fox
For an entire week of Cinco de Mayo celebrations, join the Colorado Folk Arts Council and Metropolitan State University of Denver at the Aurora Fox on Wednesday May 6 for a Cinco de Mayo dancing extravaganza. The CFAC will be displaying the dancing of Ballet Folklorico by prestigious Colorado dance group Fiesta. The showtimes are 10:30 a.m. and at noon; enjoy everything the beautiful Folklorico tradition has to offer.
Frida Kahlo Free Agua Fresca at the Denver Public Library
2. Frida Kahlo's Agua Frescas Stand
10 West 14th Avenue Parkway
Denver Public Library
Fresh City Life is an amazing program brought to us by the Denver Public Library. They are giving away samples of agua frescas at the Acoma Plaza near the Central Library. You can also make your own buttons commemorating Frida Kahlo, one of Mexico's most famous artists. The best part? It's free. Come join Fresh City Life Saturday May 4 from noon to 4 p.m.
Museo de Las Americas
1. Tequila, Comida, y Cultura at the Museo de las Americas
861 Santa Fe Drive
Museo del las Americas
Walking in the doors of the Museo de las Americas is a culturally stunning experience. For First Friday, the Museo is hosting a Cinco de Mayo celebration from 5 to 9 p.m. Get the week started right with this homage to Hispanic artists. The Museo's current exhibition, Chicano, runs until May 29, featuring work by Carlos Fresquez, Delilah Montoya, Daniel Salazar and Francisco Zamora.
Related Locations
861 Santa Fe Dr.
Denver, CO 80204
Broadway and Colfax Ave.
Denver, CO 80202
4335 W. 44th Ave.
Denver, CO 80212
9900 E. Colfax Ave.
Aurora, CO 80010
Get the Arts & Culture Newsletter
Find out about upcoming performances, exhibitions, openings and special events happening in the Denver art and theater scene.
In Case You Missed It
Upcoming Events
The Great Love Debate with Brian Howie
TicketsThu., May. 25, 7:30pm
T.K. Kirkland
TicketsFri., May. 26, 7:30pm
Future Faces of Funny
TicketsWed., May. 31, 7:30pm
Tony Roberts
TicketsThu., Jun. 1, 7:30pm
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When your turbo is forcing 25 psi through your engine at 6000 rpm, there is a fair amount of air being drawn through your Mass Airflow Sensor. If the honeycomb breaks free, it will eventually find itself lodged against the insides of the sensor, causing your vehicle to run quite poorly. I haven't checked yet, but I don't believe any pieces made it past the sensor and into the turbo's compressor wheel. Fingers crossed….
1964 Impala Convertible Project Part 4
We left off the last episode with a freshly fabricated trunk floor, and I had a new tail pan and taillight surround on order. A few days later, they arrived, and work commenced. If you are curious, I would imagine that at this point in the story, I must have had about 75 hours into the removal of the quarter, and the repair of the wheel house, filler neck surround, trunk drop off, and trunk floor. It is easy to see why car restorations add up fast. The labor factor is huge. Moving on…
I began this round with the test fitting of the tail pan and the left taillight surround. They were both perfect, except my trunk floor wasn't. Everything needed some TLC with hammers to align it all. Once I was happy with the tail pan, I drilled a million holes in it and spot welded it all the way down just like when the car was new. I then coated it in ugly reddish primer because that is what was within reach.
The taillight surround was much more challenging to align than the tail pan was. I used a variety of clamps, and cleco's. If you have never used cleco's you are missing out. They are cheap little devices that hold metal together like a champ. Every tool box should have some.
LS6 Carnage: When It All Goes Terribly Wrong.
Yesterday, over on LS1Tech.com, "Fastdriver1992" posted up some pictures of his engine… err… what was left of it at least. When it was in one piece, it was a beautiful, all aluminum LS6. Today it is a pile of aluminum which once resembled a 5.7L Corvette / Cadillac CTS-V engine. These engines are light, make gobs of horsepower, are fuel injected, and are nice to look at. Did I mention they make gobs of power? Oh yes, I believe I did…
Fastdriver1992's LS6 is typically being used to rocket his 1975 Corvette down the 1320 at 119mph in 11 seconds flat. It was making roughly 450 horsepower at the top end of the track, around 6000 rpm when all hell broke loose. After some detective work, the theory is that his engine broke a valve, which danced around the combustion chamber, bent the connecting rod, ate the piston, and exploded the block. 5 seconds later, ouch.
You can see the Full Thread Here.
100 Years Ago, This Was Your Right Front Wheel.
In 1911, if you were driving a motorcar, it would likely be a Model T that was sitting on wooden wheels. They were probably between 21 and 24 inches tall, and had a speedometer gear on the back side. Inflatable tires were still very new to the automotive world, but added huge comfort to the vehicle because of the rough, turn of the century roads. Wooden wheels like these were the norm up into the late 1920's when steel took over. 100 years later, this 1911 Model T is running like a top, still rockin' the wooden dubs, and still wrapped in black paint, like when Henry's workers originally made it.
Cha Ching!
That's the noise that team owner Tony Stewart heard as Ryan Newman crossed the finish line ahead of him during Sunday's Lenox Industrial Tools 301 at New Hampshire Motor Speedway.
Both Newman and Stewart ran an excellent race yesterday. Tony Stewart has had one heck of a bad year at the beginning of the season. This was a great shot in the arm for Stewart- Haas racing. Ryan Newman is now 8th in the Nascar Sprint Cup points chase and team owner Tony Stewart is pretty close behind in 11th.
Sitting in row 22 on the start/finish line, it was a little toasty on the metal bleachers up in the grandstand. Temperatures were into the 90's on race day. I was listening in on Dale Earnhardt Jr. as he said it was so hot inside the car he could feel his face blister.Continue Reading
Steampunk Zombie Apocalypse Survival Vehicle For Sale
There has never been, nor could there ever be, a more suitable zombie apocalypse survival vehicle. Technically speaking, this is a Tucker armored snow vehicle. It has what appears to be a Dodge V8, a manual transmission, and 1 spare seat for a friend. 4 wheel track steering is fully functional, and it is armored from top to bottom.
Whether you are looking to take your Steampunk swagger to a whole new level, or survive the all-but-certain zombie apocalypse, there is, and can only be, one vehicle up to such a challenge. Just ask yourself, do you want to be battling zombies in your busted cavalier or are you going to be be saving lives with steampunk style? Buy it now on eBay for $13,995 or the zombies will win. eBay Item # 380354878683
Special Thanks to Todd for the Tip!
UPDATE: "monkeyfett8" on Reddit/r/autos pointed out that it was used in "The Last Airbender" movie by M. Night Shyamalan. Images can be seen Here and Here.
1964 Impala Convertible Project Part 3
Last week we discussed the scariness of discovering acres of rot behind the quarter panel that I had just reluctantly removed. Then I showed off the metal repair / replacement of the 64 Chevy's outer wheel house, and trunk drop off. There was one other piece that had some serious metal repair, but I already made a 1A Blog post about it over a year ago, so I won't repeat it here again. if you are curious, you can view the fuel filler neck surround metal repair Here.
Next on the Impala list was fixing all of the metal surrounding the "tailpan". Basically, the rear-most section of the trunk floor was rotted badly on both sides, and it all needed to go in the trash barrel. The bad news is that nobody makes these replacement panels, so I had to make them myself. First step, cut out the rotted area and see what we're working with. Eeeek!
As you can see , there was no shortage of rot on the driver's side rear of the "six-foe". Rather than crying, I began making a flat metal replacement that was the "same" shape as the original. The problem was that I didn't have a lot of the old metal to work with, so most of this process was a guessing game.Continue Reading


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Jan Marini Antioxidant Daily Face Protectant SPF 30 57g
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Trade Stalls
Scott Dunn
If you are thinking about planning your next holiday why not drop in at Scott Dunn's travel lounge. Their Travel Consultants will be able to take you through their brochures and advise you on properties and tailor-made itineraries best suited to your needs. So whether it is a first time African safari or road trip through California their local knowledge will be able to help you create the perfect itinerary for the whole family.Read more
Ask Sal
Ask Sal are one of the UK's most exciting suppliers of leisurewear and tennis clothing.
'ASK SAL was established in 1996, so this year celebrates 20 years of selling great tennis clothing and accessories for all the family. Contact Jane – firstname.lastname@example.com'
Capital VIP
Capital VIP was established in 1992 and has since its incorporation run the most extravagant and exclusive parties for teenagers in London.Read more
L.C Sports Massage
L.C Sports massage is a new addition to the Hunstanton Tennis Week line up. Lucie Clift is a qualified Sports massage Therapist available in the pavilion throughout the week to provide treatment of injuries, pre and post event massage and taping and strapping all to help you improve your game! This personal service is not just open to competitors, anyone can take advantage of the exclusive tournament offer for a relaxing massage or treatment of a non sporting related injury. More details can be found here A5_LC_Masage_Flyer
Sly Fox
Sly Fox is an exciting new online lifestyle boutique and brings to you a fabulous collection of luxurious interior accessories, gifts, cashmere wraps and fashion, which, wherever possible, are designed and made in Britain! We are passionate about British quality and British manufacturing and seek to support the designers and authors with so much talent amongst us.
At Sly Fox we bring to you beautiful designs of all different products and ones that you won't see everywhere!
We will be bringing to Hunstanton Tennis Tournament a colourful collection of cashmere mix wraps, beach bags, Madagascan hats, a huge range of Turkish towels/wraps for both adults and children, picnic ware and napkins.
Stamford Deli
Selling top quality food products to include, fresh bocadillos (sandwiches), hot beverages, cakes, biscuits, food cupboard items, mediterranean deli.Read more
Vintage Citroen Events
As a family business we have been trading at many shows and festivals throughout the country for over 15 years.Read more


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In Stock
Here's a brief summary followed by the lyrics and more details than anyone really wants, but hey, that's the way we artistes are artistes.
It's official. The cd is called The eternal Contradiction and was released January 11, 2007.
It's got two pages of collage, the liner notes by dave sharos, a chicago tribune journalist, and the cover itself is a drawing by one of my favorite artists, ken conklin.
It's 47 minutes long and those who've heard it, think it might be my best ever. the songs in case you forgot are (in order of appearance): it's all in the game; here we are; on the bus; the loner; mary january; this fleeting moment; let the tree fall; nothing to keep you on my mind; the street where mercy died; the world we left behind; and change.
The musicians are me on guitar, bass, keyboards, perc and vocals. john batdorf does bg vocals on here we are and the loner; mark rodney does lead guitar on here we are; colin cameron does bass on let the tree fall; corky siegel does harmonica on nothing to keep you on my mind; bradley vines plays sax on mary january; lisa turner does background vocals on let the tree fall; peter tork played the banjo on the world we left behind; scott breadman did most of the percussion and ken lyon did most of the bass. ron mcmaster, who mastered all wood and stones, also mastered the e.c.
It is a pretty simple recording. tho i did keyboards on let the tree fall and some vocorder stuff on nothing to keep you on my mind. o and i did all the lead guitars except for mark's contribution to here we are. and i did the organ on the street where mercy died. and the kalimba and a wooden marimba i borrowed from joann on orcas island for the solo on change. all this info and more minutae follows:
The Background on The Eternal Contradiction
I first started recording "contradictions" in January 2005, laying out some sketches of songs that I was considering recording. These included a version of The Dancer, first recorded on Simpatico in 1988. It's a pro choice song that is evidently still relevant. This time I borrowed Stephen Bishop's Martin D-28 that had been refitted to work in C tuning. Really low. A full step below what would be drop d tuning. It sounded like a cello. And I did this acoustic version of the song. I had done it in a falsetto voice on Simpatico and this time I wanted to do it in a baritone. Never got any further than recording a few passes of the guitar. There was a love song I wrote for Eveline called Any Other Way, that I still love and will record at some later date. And I started work on an instrumental in f sharp minor. It later evolved into Feather River Nocturne which I recorded for this CD and then didn't include on the CD. It just didn't come together right, tho Scott and Ken played brilliantly, I just wasn't in the place I want this piece to be. I had a song called Hang Up and Drive, inspired by these bozos talking on the phone while they drive and risking my life. It's sarcastic and quite cool groove, but it just didn't fit with the other songs. Later, I guess. Two twelve bar blues, one entitled You Be the Bait and the other, Stranded on the Outside, that I wrote for a concert I was doing with Corky Siegel and Tom Dundee in Chicago at Lucille's. (Turned out it was the night my good friend Johnny Barnett died. That was the beginning of me losing about a dozen loved ones over the next twenty four months. This maturity is a bitch.) Neither of those songs made the cut. I think if I can get Corky Siegel to do a Two Man Band CD with me, then I'll include those two and all the songs that he and I have written together over the years. Should be a rockin recording. Anyhow, I ended up with the tunes you have on the CD you so graciously purchased from me. If you are here reading this, then I guess you liked them.
The Musicians:
Scott Breadman/Percussion; Ken Lyon/Bass; Colin Cameron/Bass on "Let the Tree Fall"; Mark Rodney/Lead Guitar on "Here We Are"; Corky Siegel/Harmonica; Bradley Vines/Sax; Lisa Turner/Background Vocals on "Let the Tree Fall"; Peter Tork/Banjo on "The World We Left Behind"; John Batdorf/Background Vocals on "The Loner" and "Here We Are"; James Lee Stanley/Lead Vocals, Guitars, Bass ("Here We Are" and "Nothing") Keyboards, Marimba, Kalimba, Background Vocals.
Scott Breadman is a world class guy and a world class musician. For this CD, I completely gave him the freedom to choose the instruments he wanted to use on each song and the groove that he wanted to lay down. My only instruction was for the tracks to sizzle. I played the songs in my somewhat mellow fashion, but I wanted him to be cooking beneath me and it worked great. He used all kinds of world percussion as opposed to the usual stuff one uses to accompany a trap set. Among the instruments were cajon, guerro, spinning bells, bell trees, conga, tabla, bamboo shakers.
Ken Lyon played a Fender fretless bass that we plugged right into the board. He was his usual tasteful self and anchored the songs in a rock solid fashion. Ken and Scott have been with me for many projects now., from Ripe Four Distraction all the way to All Wood and Stones and now The Eternal Contradiction.
For Let the Tree Fall, Colin Cameron actually called up and said that he not only loved the song, but that he had to play on it. He had a bunch of ideas about recording two bass parts with tenths over dubbed. It sounded intriguing to me so he came over and we spent a full day coming up with the various bass parts. He plays a sixties Fender precision and we also plugged him directly into the board, using a James Demeter preamp.
John Batdorf has been a friend of mine for over thirty years. I started out just being a fan and wound up making All Wood and Stones with him. One of the finer albums ever recorded, even if I do say so myself. He has just completed a wonderful solo CD entitled Home Again, which I recommend to you. His website is JohnBatdorfMusic.com. He was in a band with Mark Rodney when I first encountered them at a club in Glendale called the Hole. As soon as I heard him I wanted to sing with him. He did a great and subtle job on Here We Are and for The Loner, I just let him do all the parts. It's a wonderful texture and it's different from anyone elses.
Mark Rodney provided all the jazzy tasteful guitar that made Batdorf & Rodney so wonderful. I hadn't seen him in years when he came down from Vegas to do some work on John's solo CD. They came over to do John's BG's and I asked him to play on Here We Are, as I think it's kind of like a B&R song. He took a couple of passes at the song and we were all smiling in the control room. It was just like the old days, except for the absence of weed. Yes, we smoked weed, but we didn't exhale, okay?
Corky Siegel, founding member of Siegel/Schwall, the only blues band to ever play with Seiji Ozawa and the San Francisco Symphony. Corky also went on to form Chamber Blues, an unlikely amalgam of string quartet, Corky on piano, harmonica and vocals, and a percussionist playing Indian instruments like the tabla. Wonderful stuff. Corky played the incredible harmonica solo on Nothing to Keep You On My Mind. Corky's web site is www.chamberblues.com. check it out.
Peter Tork, my friend of longest standing did some wonderful banjo work on "The World We Left Behind". I wanted the banjo to sound like Dick Weissman's work with the Journeymen, all those years ago and Peter was terrific. And he not only has a solo CD on Beachwood Recordings, and three duet CD's with me, but he has a wonderful blues band, called Shoe Suede Blues and their new album (available here at Beachwood as well as their Saved By The Blues) is truly wonderful. PT's been doing the work and it shows. Hat's off, pal.
Bradley Vines, Dr of Music and all around good friend and musician, I have known since he was born. I was in Chinese school with his dad at the Defense Language Institute in Monterey, CA. Thru the years Bradley kept studying music and the saxophone and finally I had to ask him if he could find the time to do the brilliant solo he did for Mary January.
Lisa Turner, I met here in Los Angeles, playing at all the local songwriter showcases, such as Kulak's and Garret Swayne's Main Street Songwriter Showcase. She is a wonderful singer, writer and player and I'm delighted to have her do the background vocals on Let the Tree Fall. Her website is: www.lisasongs.com. Go check her out.
The Songs
All In The Game – written by Charles Dawes (vice president under Calvin Coolidge) and Carl Siglin, this song has long been a favorite of mine. I recall playing the 45 on one of those little record players that allowed you to lift the arm and just let it play. I would play this song over and over again.
Years later, my high school girlfriend, Nancy Cheshire, came to a concert of mine that Brenda Barkley of the Tidewater Friends of Folk Music put on in Virginia Beach. She asked if I did that song and I told her that I had never played it. But later in the dressing room after sound check, I sat down and this guitar arrangement just fell out. I was amazed. I didn't even know that I knew the song. So here it is with a guitar interlude added.
I still love this song.
many a tear has to fall, but it's all in the game
all in the wonderful game that we know as love
you've had words with him and your future's looking dim
but these things your hearts will rise above
once in a while he won't call, but it's all in the game
soon he'll be there at your side with a sweet bouquet
and he'll kiss your lips and caress your waiting fingertips
and your hearts will fly away
Song by:
Siglin & Dawes
Used By Permission
James Lee Stanley, guitar and vocal
Here We Are – I've always thought that there are these pivotal moments in our lives. A split second where the choice you make can and will change your life. This is about such a moment. When two people are on the precipice, lose their balance and fall…in love. I enjoy the way the chords slip thru several key centers without any noticeable key change, and it reminds me of Bacharach's writing. I'm sure he had an influence on me. And it was a joy to have Mark Rodney play the solo. I was such a fan of Batdorf & Rodney and this reminds me of that time.
here we are
here we are, you and I
just one glance and hypnotized
shadows dancing on the firestone
we're here together and we're all alone
what we feel / what we know
holding on or letting go?
almost touching. can you feel it too?
should i speak now, or should i wait for you
still and near, you can hear
time between the tick and the tock
of the stately old clock in the hall
close your eyes, you know the way
it's too late now, we must stay
just one shadow in the fire's glow
we're holding on and we're never letting go
Words and Music by:
James Lee Stanley
James Lee Stanley Music, BMI 2007
James Lee Stanley, rhythm guitar, lead vocal, bass, background vocals
Scott Breadman, percussion
Ken Lyon, bass
John Batdorf, background vocals
Mark Rodney, lead guitar
On the Bus – was inspired by an actual event I experienced on a school bus when I was just fourteen. It was fall and we had moved from Pennsylvania to Virginia. I was suddenly attending high school in a place where I knew no one. On the bus, a young girl who had a mild reputation was flirting with a bunch of jocks and it started to get out of hand. The next thing she knew she was on the back seat of the bus while a group of greedy teenagers grabbed and groped. Somehow, she looked up thru the crowd and saw me staring aghast. She looked right into my eyes. She was frightened and somehow defiant at the same time. I knew I should do something. I was four foot 10 inches and about 85 pounds, and I was afraid. I knew it was wrong, but I looked away. I never forgot it and I have never gotten over being ashamed I didn't do something. Dissolve to the 2000 election debacle and the appointed president and the illegal war and I have become very politically active. I think I spend at least an hour a day protecting my country from this 2004 regime. If you want to get into it with me, go to the firstname.lastname@example.com and we'll get into it.
patty petty in the back of the bus, a bunch of fools hangin' around
laying her out, feeling her up, and finally putting her down
i remember being sick to my stomach, "stop it" i wanted to shout
i remember her panic, her face, her fear; she was trying to tough it out
you're either on that bus or you're off that bus,
you're either on that bus or you're off that bus
you're either on that bus or you're off that bus,
are you on that bus, are you off that bus?
somehow thru the crowd, her eyes locked mine, but tell me what could i do?
one little boy against "wannabe men", i just turned away, wouldn't you?
yes, i held my tongue and i walked away, i had to get it out of my sight
ashamed my fear got the best of me, didn't do what i knew was right
you're either on that bus or you're off that bus
you're either on that bus or you're off that bus
make a choice now…on that bus, off that bus
are you on that bus, are you off that bus?
now forty years later, i still see her eyes, i still hear her silent plea
"are you just gonna stand there?
will you walk away?" and the answer came back to me
instrumental chorus
now another in trouble is holding a torch that used to shine bright and clear
stood for what's decent, stood for what's right,
but "wannabe' men" still rule with fear
and i can't hold my tongue and i can't turn away
and i can't pretend things are just fine, the first time fear got the best of me
but this time i draw the line
and i won't hold my tongue and i won't walk away
and i won't pretend things are all right, last time fear got the best of me
but this time i stand and fight
we're either on that bus or you're off that bus
we're either on that bus or you're off that bus
we're either on that bus or you're off that bus
are we on that bus, are we off that bus
Words and Music by:
James Lee Stanley
December 2005
James Lee Stanley, vocals and guitars
Scott Breadman, percussion
Ken Lyon, bass
The Loner – written by Neil Young, was one of the first songs that I began doing live when I moved to Los Angeles and started playing around town. At the time, I did it just like Neil does on his first solo album. My friend, Rocky Johnson, turned me on to the album and I was floored by it. I was already a Buffalo Springfield fan, so it wasn't hard to engage me. . But last year, on stage while playing with my loop station and my ME-50, I started doing the song as a waltz, and then and there I came up with the three different guitar motifs that I use on this recording– right there on the stage. John Batdorf came over and did some wonderful background vocals on this and Scott and Ken laid down a fantastic foundation.
he's a perfect stranger, like a cross of himself and a fox
he's a feeling arranger and changer of the way he talks
he's the unforseen danger, the keeper of the key to the locks
know when you see him, nothing can free him
step aside, open wide, he's the loner
if you see him on a subway he'll be down at the end of the car
watchin you move until he knows, he knows who you are
when you get off at your station alone, he'll know you are
know when you see him, nothing can free him
step aside, open wide, he's the loner
was a woman he knew about a year or so ago
she had something he needed and he pleaded with her not to go
on the day that she left, he died, but it did not show
know when you see him, nothing can free him
step aside, open wide, he's the loner
Song by:
Neil Young
used by permission
James Lee Stanley, lead vocal and guitars
Scott Breadman, percussion
Ken Lyon, bass
Mary January – inspired by a friend of Eveline's whom she brought home with her from work one night. a delightful and lovely woman with that unlikely name. I immediately told her I loved the name and wanted to write a song with it, if she didn't mind. Then I never saw her again. Turns out she didn't. for the next ten years or so I faithfully put the title in every new writing notebook and then never delivered on the title. Nothing would come to me to write about using that name, so I waited. Then one night in Nashville during the National Folk Alliance, I got an idea for it. It would be about this woman that no one knew. She's sort of anonymous, and then she passes away …and Father MacKendzie's wiping his hands as he walks from the grave… Hey, wait a minute. I think that's already been done…and quite well too. So another few weeks passed by and then I thought, "I know, — I'll write a science fiction song, wherein, MJ is this non descript woman that no one ever really notices until she mysteriously disappears. So you see, it is her very disappearance that makes her noticed. See the irony?I loved it and went write to work, heh heh. One morning in March, I got up, put the lyrics in front of me and picking up my guitar, came up with the melody. I put it on tape and went to check my email. The first message was from an mjanuary. Amazing I thought. I just finished a song called Mary January. Well, imagine my surprise when I opened the post and it was from the very Mary January who had inspired the song. She said that she hadn't thought of me in years, but for some reason I kept popping into her mind during the last two months, so she went on line and checked out my webpage and sent me a post. Then she went on to say that she hoped to sometime in the near future see Eveline and I. Love, Mary January.
p.s. did you ever write that song?
I was floored. I immediately emailed her, copied Eveline and went on to actually call Mary January and incoherently try to tell her how excited and amazed I was. I left all the numbers and the email addys and never heard from her again. Weird. Maybe she found the door, Eveline said.
this is the start of the end of it all
she said in a voice not her own
the words were so clear as she stared in the mirror
she wondered if she were alone
then the sun lit the day as she opened her case
and put on her face and her eyes
and dressing herself in her usual way
assumed her contented disguise
mary january, how did you find the door?
this is the start of the end of it all
she picks up her purse and her keys
and locking the lock and walking the walk
she watches the leaves on the trees
they use to be green, they use to be gold
they use to be gone, now they're here
it use to be different, each day from the last
now it's the same year to year
mary january, how did you find the door?
mary january, how did you know for sure?
(she said)
"it's so easy to slip between the cracks
but you should know, you cannot come back"
this is the start of the end of it all
it read in the note that they found
nobody knew for how long she'd been gone
or the last time they'd seen her around
then somebody noticed her purse full of leaves
and her keys in the lock in the door
"where did she go?" they all wanted to know
no one wondered about her before
mary january, how did you find the door?
mary january, how did you know for sure?
Words and Music by:
James Lee Stanley
James Lee Stanley, vocals and guitars
Scott Breadman, percussion
Ken Lyon, bass
Bradley Vines, sax solo
This Fleeting Moment – was originally written by Tom Dundee, one of the dearest friends of my life, who tragically passed away on April 17, 2006. No fellow has ever been closer to my heart than Tom. We had a memorial concert for him at the Old Town School of Folk Music in Chicago and I was honored to be the host. About fifty artists paid tribute to Tom. It is a song that my old Chicago friend, Haskel Levi told me about and suggested I sing at the memorial. He tried to play me a very distorted and poorly recorded version of it, but it was truly undecipherable. Then he sent me the lyrics, and I hoped Jim Tulio or someone would send me the melody, which didn't arrive until the day I left for Chicago. In the meantime, I wrote another melody loosely based upon what I could remember of the cassette that Haskel played me. I tried to keep it faithful to what Tom would have done, and played it for Cosy Sheridan and TR Ritchie, who told me that Tom told him that the song was a work in progress, so I think I've done right by Tom. It is, at this point, my favorite song of all the songs that I've ever been involved with.
If the sun shone all the time and midnight never came
and the clouds all blew away and we never faced the rain
Would we miss the dark, appreciate the dawn
Would we miss the pain, when all the pain was gone
What would we call the sound of the gentle mourning dove
Would we know of joy, without the loss of love
As the flick'ring candle burns does the mystery remain
If the season didn't turn, would the rose still mean the same
Would there be a reason, then, if we never had to cry
for passion to exist, if we never had to die?
So come lay with me, my love, and I will hold you near
And we'll cherish what we have In this fleeting moment here
Perhaps the greatest gift of all, from grandeur to subtle tear
is the impending loss we face, in this fleeting moment here
So come lay with me, my love, and I will hold you near
And we'll cherish what we have, In this fleeting moment here
Words and Music by: Tom Dundee, Jack of Hearts Music, BMI
Alternative Musical Arrangement by: James Lee Stanley
James Lee Stanley, vocals, guitars and bass
Let the Tree Fall – When my mother passed, it was not a surprise as she had been ill for a few years and was failing. So I thought I was prepared. I couldn't have been more wrong. Her passing hit me so hard that it took six months before I realized that I was depressed. Every flat surface in my office and studio had stuff on it that I hadn't gotten around to taking care of, while I was evidently playing some seven thousand games of solitaire. I just didn't know how much pain and grief was involved in losing a parent. This song came out of that. I didn't want to write a "poor me"kind of song. I wanted to compose a celebration of my mother and a little comfort for all of us. I hope this helps.
it was a season of transition, it was a season of true loss
and the eternal contradiction between the spring and winters frost
it was the time before renewal, you can't remember what it's worth.
there was denial and refusal, and finally rebirth.
let the tree fall, let the river flow, and when the time comes…
you change the things you have the strength to. accept whatever you cannot
and then you pray to know the difference and you give it all you've got
and when the wheel has come full circle around these days and nights sublime
then it would serve us to remember all things must come and go in time, so
let the tree fall, let the river flow, and when the time comes…you just let go
you cannot change a raging river, or the tides that ebb and flow
but if you reach down deep inside your heart you'll find the strength to just let go
and let the tree fall…
it wasn't just the things she taught me, it was the way her life was lived
it was the sacred joy she carried into everything she did
and i remember what she told me about these seasons that we live
she said that love is all that matters and in the end you must forgive
and let the tree fall, let the river flow and when the time comes, you just let go
Words and Music by: James Lee Stanley
2005 (This song was inspired by and dedicated to the memory of my mother, Mary Stanley, whose passing I don't think I will ever get over. )
James Lee Stanley, lead vocals, background vocals, guitars, and piano
Scott Breadman, percussion
Colin Cameron, bass
Lisa Turner, additional background vocals
Nothing (To Keep You On My Mind) – sometimes you just have to give into your petulant side. This lyric was actually started years ago, inspired by a lovely woman who took my heart and stomped that sucker flat. I wrote this then and quite serpendipitiously found the lyric as I was working on another song at the piano last year. The lyrics were in the piano bench. Amazing. I wrote it in drop d tuning in the hopes that john batdorf and I would perform it on our "all wood and stones"tours. John's favorite configuration is the drop d. He told me that his second Batorf and Rodney album was all written in drop d. That's love.
nothin you can say or do
can make me change my mind about you
nothin you can do or say,
can make me change my mind and stay
nothin to do but to walk out the door
nothin to say to you cause we said it before
and there's no place to go cause i don't know
what you've been looking for
nothin to keep you on my mind
nothin to keep you on my mind
nothin to keep you on my,
nothin to keep you on my mind
nothin you can say or do
can make me change my mind about you
nothin you can do or say,
can make me change my mind and stay
nothin to do but to call it an end
nothin to give, take, borrow or lend
and there's nothin to show from before
that we've ever been more than friends
nothin to keep you on my mind
nothin to keep you on my mind
nothin to keep you on my,
nothin to keep you on my mind
nothin you can say or do
can make me change my mind about you
nothin you can do or say,
can make me change my mind and stay
Words and Music by: James Lee Stanley
©2007 James Lee Stanley Music, BMI
James Lee Stanley, vocals, guitar, bass and vocoder
Scott Breadman, percussion
Corky Siegel, harmonica solo
The Street Where Mercy Died – as I watched the tragedy of Katrina unfold and witnessed the incredible lack of leadership, vision, focus and expertise demonstrated by the Bush administration, this song came out of my rage. The song says it all.
we were huddled in the rain, in vain, we waited for the train
and where were people warm and dry? on the street where mercy died
on the street where mercy died, on the street where mercy died
smurking the appointed one, takes photo ops under the sun
while sisters wailed and brothers cried to the street where mercy died,
to the street where mercy died, to the street where mercy died
to see the wind, don't need a vane
it's just god's will, the hurricane
but the flood that came like none before
can be traced back to that white house door
from the father to the sun, the plan was set, the deed was done
the truth was spun, undone, tongue-tied on the street where mercy died
on the street where mercy died, on the street where mercy died
it's a black heart full of lies, it's a white house that denies
and feeds us corporate alibis from the street where mercy died
from the street where mercy died, from the street where mercy died
to see the wind, don't need a vane
it's just god's will, the hurricane
but the flood that came like none before,
is traced back to that white house door
if you feel you've been deceived, and don't know who you can believe
follow where the money hides on the street where mercy died
on the street where mercy died, on the street where mercy died
in a house all painted white, lights were turned out for the night
in peaceful dreams the "haves" just sighed
on the street where mercy died
Words and Music by: James Lee Stanley
©2005/2006 James Lee Stanley Music, BMI
for hurricane katherine and the shrub
James Lee Stanley, vocals, guitars and organ
Scott Breadman, percussion
Ken Lyon, bass
The World We Left Behind – this song has a rather strange nascency. Originally a love song that i wrote as i was finishing up work on the Hamilton Camp CD, Sweet Joy. The chorus went, "do you ever think about me?do i ever cross your mind?" A simple unrequited love song. Hamilton's response was, "why write a song that's already been written hundreds of times. you've got things to say, so say them." this was in the weeks following the Katrina debacle as the inept and incompetent Bush administration floundered. Hamilton left the studio and i sat down and wrote these lyrics and fired them off to him. he wrote back the next day and said he loved the new lyrics. within twenty four hours he was dead of a heart ailment we never even knew about. this is for him. he and i shared many a heated discussion of the bush administration, who have not been able to put New Orleans back together by January of 2007. Meanwhile we can spend hundreds of billions of dollars on an illegal war, founded on lies told to us by a corrupted and misguided regime. I weep for my country. And I weep for our future. Unless we can somehow turn around what Bush and his cronies have created, we and our children will be paying for this for our entire lives. talk to me at the political listerpies site if you want to get into it.
it's a sky the shade of iron,
it's a storm just out of sight
they say the sun may shine tomorrow,
but it's gonna rain like hell tonight,
yes it's gonna rain like hell tonight
even when there's no denying
thunder clouds and rising floods
still some won't believe what
lies before their eyes,
tho they're sinking in the mud
do you ever stop to wonder?
does it ever cross your mind
that there's a world in which we struggle
and a world we left behind?
what has happened to promise?
to the brightest and the best
yesterday we had the grandest dreams.
have they all been laid to rest?
are we gonna disregard the rest?
i believe "do unto other's
as you'd have them do for you"
what else fulfills with so much grace?
so easy and so true
do you ever stop to wonder?
does it ever cross your mind
there's a world in which we struggle
and a world we left behind?
some believe there'll be a rapture;
those with faith will disappear
could it be it's all mythology;
just a prayer to ease our fears?
is it just a prayer to ease our fears?
i don't see them golden slippers,
i don't hear that glory train
you make your peace right here, right now,
in your laughter; in your pain,
if you're able, if you're cain
remember the beginning; every hope so bright and new
every shining possibility; for the many, not the few
do you ever stop to wonder?
does it ever cross your mind
there's a world in which we struggle
and a world we left behind?
remember? remember?
Words and Music by: James Lee Stanley
©2005 James Lee Stanley Music, BMI
September 2005
James Lee Stanley, vocals, guitars and vocoder
Scott Breadman, percussion
Ken Lyon, bass
Peter Tork, banjo
Change – Somehow I still believe in the innate goodness of people and the conscience of the American people, and for that matter, all peoples of the world. My wife believes that the universe will not tolerate unbalance. I hope she's right. And I hope that this song comes true. I wrote it in while trying to channel the beatles, blackbird days, to be exact. i wanted the guitar to harmonize with my voice on the melody.
when are we going to change?
when are we going to live and let be?
when are we going to see
it isn't them, it's you and me;
nobody else can set us free.
when are we going to learn?
what will it take for you and me
to follow the path and find the key
to live here in peace eternally
when are we going to change?
when are we going to change?
when are we going to change?
when will we see not black and white,
but all of the colours shining so bright?
when will we see the light?
as easy to tell the day from the night.
it's easy to see what's wrong from what's right.
so when are we going to learn?
why do we follow helplessly
leaders so blind? why must we be
lemmings who rush into the sea?
when are we going to learn?
when are we going to learn?
when are we going to change
when will we see what we must know
we always reap what we sow
we plant all the seeds and watch them grow
we're moving in faith and still don't know
when we are going to change
i know we're going to change
i know one day we'll live in peace
and will we finally to see
there is no "them", just you and me;
nobody else can set us free.
and we are going to learn
and we are going to see
and we are going to change
Words and Music by: James Lee Stanley
November 5, 2005
James Lee Stanley, vocals, guitars, kalimba and marimba
Scott Breadman, percussion
Ken Lyon, bass
I have been blessed with several remarkable guitars, a 1995 Herring Bone Collings D-2, a Martin D-28H, a Taylor 810ce, a David Russell Young Dreadnaught, but for this particular album I mainly used the Taylor with the Expressive System pick up. While i mic'd several things with an akg 414 (modified by Stephen Paul), I frequently just plugged into the board thru my James Demeter Pre amp. The board is a DAyner from D&Ra Dutch company. I've used the board since The Envoy in 1994. I love the sound of it and the ease of use. The computer is a custom built PC and for this project I used the Cubase SX for recording. I have all the outboard gear and plug ins that I can find, buy, borrow, etc. The monitor speakers are my old faithful Yamaha NS10m's. If you can make it sound good on those, it will sound good on anything.
From George Bryant:
I want someday to listen to one of your new recordings for the first time with you in the room so this aged and somewhat decrepid old DJ and "commusicator" can give any valid feedback, knowing that it will be delivered and heard with love! In that light, when I received your latest a few minutes ago in the mail, I decided to listen to it and give you my thoughts "track by track" as I listen for the first time. I hope that you will enjoy my reactions and, if there are any, criticisms in the spirit they are meant. Then again–there have been very few JLS recordings that didn't KNOCK me to my knees by way of the heart, so how valid any criticisms might be can be called into question.
Here we go:
Track 1 – It's All in The Game:
First, I must say that this is one of my all time favorite songs. The Van Morrison version just kills me. With that said–let's begin:
There's that bright angelic voice of my friend for life—Very nice. The guitar work is clean and well done. This is just the way I knew that you would do it. OMG—The guitar break–jesus–my heart is breaking with joy………jazzy, a bit………Norah Jones has nothing on this guy. All said and done—I have a new favorite version of one of my favorite songs—Thank you! (I LOVE It!)
Track 2 – Here We Are:
I detect a little salsa here in the beginning. nice. Shadows dancing…….and we're all alone………romantic……lovely lyrics………another JLS love song–no one does them better. Wonderful guitar work…….did I hear Pamala in the background???……close your eyes…….look away……….just one shadow….The way with lyrics is always mind-boggling… Damned fine tune, lyrics, playing, singing. Something is developing here….if this keeps up he may have been honest in his boast that this is the best so far.
Track 3 – On The Bus:
A little more uptempo……..Is James learning to rap? No…thank god, but he is developing a different sound for himself here….perhaps this is part of the Eternal contradiction he spoke of….I like the story line. I seem to remember when James did a lot of story songs…..Greely & Flo, many others….Wonder why he never recorded that one. Hey buddy–I'm hopping on the bus with ya! I like this—WOW—would love to hear this one live with a full band and a few dozen percussionists and extended……all in all—fine tune.
Track 4 – The Loner:
This one makes me nervous. As a long time Young fan–this is one of his finest songs and no one can do a Neil song but Neil—ok shut up and play it—-here goes:
ok—-WAY different tempo. Think I see what he's doing here–re-inventing–lovely chorus—I KNOW i heard your sister on this one–…..far away guitar….lovely.
Damn—wish I had been in on the recording session on this one–would have added a little echo to the voice on "he's the Loner" at the end—-far away guitar again. Lovely ending. Wow—you have changed this song in a way that gives it even more meaning–it has become a lament as it always should have been. Very nice—yep—this is developing into a JLS album—I am loving it!
Track 5 – Mary January:
James has always sounded good with a sax going in the background. ..love the opening …..hmm another story song seems to be developing. Mary January—wonder if this is a real person. How did you find the door? Beautiful chorus Ah more Alto Sax….love it…..somewhat jazzy break then back to pop and back to jazzy. When I first heard the Mary January rhyme I didn't really care for the convenience of the rhyme….but I'm really liking the song and the sound…..ok I've gotten over myself—this is REALLY nice.
Track 6 – This Fleeting Moment:
Even before it starts i know I will like this one—the title gives me chills of expectation. Here we go:
Just as i suspected…….his lyrical talent is coming to the forefront—AH GOD JAMES—you're killing me here. Lovely, lovely lovely…….Flickering candle burns….
I feel like I'm there in the moment this was written and the love and passion of it all. Please send this one to Tom Rush—-would love to hear his version of this too.
Impending loss we face in this fleeting moment here………..lay with me…..cherish……Damn—POETRY—–MY favorite so far!!
Track 7 – Let The Tree Fall:
Nice beginning and builds well from the previous song. Eternal Contradiction ……rebirth….this somehow reminds me of songs JLS created long ago on old private tapes that he shared with an old friend. Let the river…..let the tree…..just let go. James–the genius of your words and music almost scare me–I am so proud to be a part of your life. Musically, I may have slowed this one a bit, but it's wonderful as it is. Hey——————it's coming true…..this may be his best work ever…….I hope he lives and records forever and never just let's it go………somehow, I will always hang on for the next recording. BUT he's got a heck of a recording to try to top next time out. BTW Lovely Piano.
Track 8 – Nothing to Keep You On My Mind:
Nice echo effect at the beginning—-do i detect Corky here!? It's been a long time since he recorded like this—-This is blusey and sweet and yet a kiss off of some kind. Go Corky Go. Hmmmm reminds me of what I shoulda said to the ex—it is nicer after all than what i did say. Love the guitar as a rythmn instrument here—and Corky Seigal too—–YES!! Nice work James!
Track 9 – Street Where Mercy Died:
Nice guitar open—shades of Midnight Radio (When can I get that on CD James????) Ah Katrina—anti-Bush—YES—-it's a diatribe said sweetly. Fucking BUSH should be put in a room with no windows while a garden hose slowly fills it until he drowns. How can someone write a song so full of well placed anger and have it still sound as if there is no hate there—it must be a gift–if it were me i would have had to scream and yell—but you find a way to get the point across without it. It's a gift to you and from you–thank you! haven't heard you get political since Simpatico–glad to have that aspect of you back!
Track 10 – The World We Left Behind:
Beautiful guitar opening–sounds like sitting in a room with you guitar in hand and wow must be Tork there on the banjo, much different tempo than expected. Nice, sounds like we have another lyrically political statement coming here—-world we left behind….brightest and the best—a generation wasted perhaps—we had the spirit, damn we had it all….and so much of that has been left behind so true—but i see a new day dawning where our generation of oldsters gets back on the horse—fucking Bush is causing a lot of us to get angry again. Wonderful lyric James and the Torkish banjo adds a lot. EVERY member of our generation should be made to hear this. Musically a gem—-but I also think that this may be the most IMPORTANT song you've ever written—-get it out there and share it with the masses of flesh we used to call our generation. Thank you for this one. I say again, I think that this may be the most IMPORTANT song you've ever written.
Track 11 – Change:
Nice sound—the last three seem a trilogy. Lovely….!! Love the lyric too.
It's over. Damn…want it to keep going. OK PAL—you've done it! This is your best ever. James, I feel like I don't ever want this recording to end. Even the science of sequencing the songs is perfect. I almost dare not turn away as I feel as if this recording is brushing the dust off my soul. Oh well—I can always start it again.


text:
to Dynasties, the TFL approved fanlisting for the the history of China. If you're a fan like I am, grab a code and join!!
According to TheFanListings.org, A fanlisting is simply an online list of fans of a subject, such as a TV show, actor, or musician, that is created by an individual and open for fans from around the world to join. The only requirements to join a fanlisting are your name and country.
Last Updated
April 26th, 2017 - The forms are working now, at least for all the fanlistings on starry.nu! Now I have to work on the codes.
Script used: Enthusiast
Last updated: 30th March 2017
Member count: 3, from 2 countries
Pending members: 0
Newest members: LINDSAY
Growth rate: 0.05 fans/day


text:
Diner Survey Results 2 responses
0 reviews of Garden Restaurant, first by you?
Garden Restaurant Articles — Things To Know Before You Go
While Italian cuisine involves many meats, cheeses, seafood, and vegetables, most of us associate Italian cuisine first and foremost with pasta. Pasta comes in many shapes and sizes, and each shape... read more
Best Dishes at Garden Restaurant
These dishes from the Garden Restaurant menu are contributed by Menuism users directly, as part of a restaurant review, or as part of an image upload.
1/2 Pound Grilled Organic Burger On An Old Fashioned Bun
Barbecued Pork
Barbecued Pork Noodle Soup
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6/25/2016 A diner from Hamilton, OH tried it.
6/24/2015 A diner from Atlanta, GA tried it, liked it, and rated it . They liked the food, liked the service, and liked the ambiance.
- Pros
- Excellent service, Relaxing Atmosphere, prices great and the Meso dressing is a One of a kind
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- Parking is somewhat a issue
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text:
A man has been jailed for life after murdering his girlfriend's two-year-old daughter while he was babysitting her.
Kevin Park, 27, repeatedly struck Madison Horn on her body and hit her head against a wall.
She suffered 65 separate injuries in the brutal attack at her home in Kelty, Fife, on 20 April and died later in hospital, the BBC reported.
Park, who denied the crime, will have to serve at least 22 years before he will be considered for parole.
The High Court in Glasgow heard that Park, a father-of-two, had been looking after the toddler while her mother was on a night out.
Park hit Madison's head against a wall and punched and stamped on her. He pinched her ears and prosecutors also believe he may have used a broken pool cue during the horrific attack.
The child suffered a fractured skull, internal bleeding and tearing to her liver.
Judge Michael O'Grady described Park's actions as wicked beyond all imagining.
He said: "It is the misfortune of those of us who practise in these courts to see and hear of, day after day, the dreadful things that human beings can do, one to another.
"But even by those awful standards what you have done is wicked beyond all imagining.
"A child in your care looked to you for comfort, protection and probably even love. And, instead for some reason quite beyond comprehension, you inflicted upon her a callous, cruel and no doubt terrifying death.
"It is said so often - because it is true - no sentence that I can impose can change anything for Madison and those who loved her and from whom she has been taken.
"In reality, no sentence I can impose can truly reflect the sheer awfulness of what you have done."
Following the sentencing it was revealed that Park had 38 previous convictions.
Nicky Patrick, procurator fiscal for High Court cases in the East of Scotland, said: "Madison Horn was a typical two-year-old girl, full of energy and vitality. She has now been robbed of her future by Kevin Park, a man who was in a position of trust and supposed to be looking after her.
"The murder of such a defenceless child has caused shock and disbelief amongst her family and the local community.
"Park denied the murder but was successfully prosecuted, having been found guilty by the Court after trial and must now start to pay for the consequences of his violent act."
Madison's mother, Anne-Marie White, said in a statement: "This has been a very hard and difficult time for the family and friends of Madison.
"We are pleased that justice has been served.
"I would also like to express my gratitude to everyone that helped with Madison's case and also to thank the Kelty community for being so supportive."
A significant case review is to be carried out into the child's death.Reuse content


text:
Nomarch Teneth
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Nomarch Teneth[60.2, 38.2] is in charge of the date grove, Tahret Grounds, that provide food for the citizens of the capital city of Ramkahen in Uldum. When talking with him, players get the distinct impression that he has little interest in the earth-shattering events that have been happening; he just wants his pygmy problem dealt with, as the little monsters are stealing his dates. He offers a daily quest to address this issue.
Objective ofEdit
- [83] Impending Retribution (to talk to)
Nomarchs are provincial governors from Ancient Egyptian times, overseeing administrative provinces, or nomes.
Patch changesEdit
- Patch 4.0.3a (2010-11-23): Added


text:
Isolation of manganese-oxidizingPedomicrobiumcultures from water by micromanipulation
- Authors
- Journal
- Journal of Microbiological Methods 0167-7012
- Publisher
- Elsevier
- Publication Date
- Volume
- 6
- Issue
- 3
- Identifiers
- Keywords
Abstract A method for the isolation of manganese-oxidizing pedomicrobia from water is described. The method employs a combination of growth on a manganese containing indicator medium and micromanipulation. Pedomicrobia are slow-growing and are frequently overgrown by spreading bacteria. Colonies of manganese-oxidizing strains are easily detected at an early stage of development because of the accumulation of black manganese oxide. Micromanipulation allows selection of cells from microcolonies before they are overgrown. The procedure has been successfully used to isolate manganese-oxidizing Pedomicrobium cultures from water distribution systems experiencing persistent manganese-related dirty water problems. Considerable savings in time and materials have been made compared with conventional dilution plating techniques.