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Survey of Electronic Commerce and Technology: Past, Present and Future Challenges Jason Raymond Third International Conference on Establishment Surveys June 2007
Outline Description of the survey Methodology Improvements to the sample design Weighted Outliers Future challenges
Description of the survey Annual survey in place since 1999 Cross-economy survey Some exceptions at sub-industry level Domains of interest: NAICS, SIZE (number of employees)
Description of the survey Two-page questionnaire with questions on: Use of information and communications technologies (Internet, intranet, web site, …) Use of electronic commerce for the purchase and sale of goods and services Barriers to electronic commerce Types of questions: Mostly categorical Some numerical total sales over Internet percentages
Methodology Sampling Universe Statistics Canadas Business Register List of public units Target population Fixed thresholds of exclusion: $100,000 or $250,000 in gross business income depending on industry Covers approximately 95% of income in each industry around 700,000 businesses
Methodology Sampling Stratification NAICS3, NAICS4 Size: 0 to 19 employees 20 to 99 employees 100 to 499 employees 500 employees and more -> Take-all stratum Public/private sector Take-some strata
Methodology Sampling Neyman allocation Sample Selection Sample size: around 19,000 enterprises Maximum overlap between two consecutive years: Kish and Scott method (1971) Approximately 70% overlap
Outlier detection Variables: Sales over Internet Year over year difference for sales over Internet Method: Variant of sigma gap Distance measure between observations Methodology
Partial nonresponse (8.3%) imputation Deductive (1%) Historical (0.1%) Administrative (0.02%) Donor (7.2%) Total nonresponse (31%) reweighting Methodology
Estimation using Statistics Canadas Generalized Estimation System (GES) Types of estimates Means Totals Proportions Ratios Data quality measures based on CVs and imputation rates
Improvements to the sample design When? Current sample design tested in 2004 in parallel with original design and adopted in 2005 Why? Improve the comparability of estimates over time Need for estimates by size of enterprise
Target population Original sampling design: Units accounting for 95% of the total income Drawback: Unstable population over time New sampling design Fixed thresholds of exclusion: $100,000 or $250,000 depending on the industry Improvements to the sample design
Stratification and allocation Original sampling design NAICS3, NAICS4 Lavallée-Hidiroglou: 2 take-some strata and 1 take- all stratum Auxiliary variable: GROSS BUSINESS INCOME Drawback: Not efficient for estimates by size (Number of employees) Improvements to the sample design
New sampling design Stratification: NAICS3, NAICS4 Size: 0 to 19 employees 20 to 99 employees 100 to 499 employees 500 employees and more -> Take-all stratum Public/private Neyman allocation Improvements to the sample design Take-some strata
Weighted Outliers Small proportions of firms sell over Internet (8% of private sector and 16% public sector) Moderate values but large weights sometimes significantly influence estimates Previously outlier detection uniquely for unweighted values of sales over the Internet
Weighted Outliers Weighted outlier detection and treatment implemented in 2006 Same detection method as for unweighted values (variant of sigma gap method) Treatment methods studied Hidiroglou/Srinath Winsorization Dalén and Tambay Promotion to own stratum
Hidiroglou/Srinath (1981) Weight reduction method Minimizes MSE of estimator for total Requires use of population characteristics which are unknown, and which may possibly not be estimated reliably. Weighted Outliers
Winsorization Reduces values larger than a certain cutoff to the cutoff itself (dependent on outlier detection method) Modified to weight reduction method Weighted Outliers
Dalén(1987) and Tambay(1988) Cross between Winsorization and weight reduction The cutoff for weighted outlier detection is determined for each stratum Outlier value is split into two parts: Portion less than the cutoff which receives the same new weight as the non-outliers; Portion greater than the cutoff which is allocated a weight of 1 Weighted Outliers
Promotion to own stratum Outliers assigned a weight of 1 Remaining units in stratum have their weights adjusted Outlier represents only itself during estimation
Implemented method: Dalén and Tambay Fewer assumptions Nice compromise Impact on the estimates is reduced Not as drastic as promotion to own stratum Method performed well using 2005 data Additional empirical studies to confirm effectiveness of the method (simulations?) Weighted Outliers
Future challenges Response burden Maximising overlap = increased response burden? Minimal effect on response rates Conditioning effect? Sample rotation: Ease response burden Control sample overlap for longitudinal analysis
Statistics Canadas Business Register redesign Sampling elements based on operating structure VS statistical structure Certain modeled variables replaced by administrative data Future challenges
For more information please contact Pour plus dinformation, veuillez contacter www.statcan.ca Jason Raymond 613-951-1917 firstname.lastname@example.com
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The most expensive of all the carpenters on any crew are the layout guys. Those are the guys that snap lines and cut sills, plates and headers. The last thing you want is to have that crew messing around with a header assembly of multiple pieces when there is a ready-made, off the shelf product, (a 4x) that is stronger and faster to cut and install. Its pure cost/benefit. Don Ok, I have been working at a small structural company for about 8 months now, since I graduated last December. I am not doing layouts, calcs and drafting projects, which mostly consist of large wood framed custom homes. Typically when specifying headers they tell me that they like to use 4x4-4x8 for all the headers. Many times I do the calcs, just to see how much stress is placed on the headers and many times a 4x4 is way too conservative. To me this sounds wastefull, when 2-2x6's or 8s could be used, with blocking or shims. What are some of your thoughts? ******* ****** ******* ******** ******* ******* ******* *** * Read list FAQ at: http://www.seaint.org/list_FAQ.asp * * This email was sent to you via Structural Engineers * Association of Southern California (SEAOSC) server. To * subscribe (no fee) or UnSubscribe, please go to: * * http://www.seaint.org/sealist1.asp * * Questions to seaint-ad(--nospam--at)seaint.org. Remember, any email you * send to the list is public domain and may be re-posted * without your permission. Make sure you visit our web * site at: http://www.seaint.org ******* ****** ****** ****** ******* ****** ****** ********
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|Robert Lighthizer
|United States Trade Representative
|Taking office
|Donald Trump
|Stephen Vaughn (Acting)
|Personal details
|Robert Emmet Lighthizer
October 11, 1947
Ashtabula, Ohio, U.S.
|Political party
|Georgetown University (BA, JD)
|*Pending Senate confirmation
Robert Emmet Lighthizer (born October 11, 1947)[1] is an American lawyer and nominee for U.S. trade representative.[2] After receiving both his undergraduate and law degrees from Georgetown University, Lighthizer joined the law firm of Covington & Burling. He later served as chief minority counsel and chief counsel and staff director for the United States Senate Committee on Finance. In 1983, during the administration of President Ronald Reagan, he became deputy trade representative. Lighthizer is a partner with the law firm of Skadden, Arps, Slate, Meagher & Flom. On January 2, 2017, Donald Trump announced that he planned to nominate Lighthizer as U.S. trade representative, a cabinet-level position.
Lighthizer was born in Ashtabula, Ohio.[3] He graduated with a Bachelor of Arts in 1969 and a Juris Doctor in 1973 from Georgetown University.[3]
From 1973 to 1978, before working in government, Lighthizer worked for the Washington, D.C. law firm of Covington & Burling.[3][1]
From 1978 to 1981, he was chief minority counsel for the United States Senate Committee on Finance.[1]
In 1981, Lighthizer became the chief counsel and staff director for the United States Senate Committee on Finance.[1]
In 1983, during the administration of President Ronald Reagan, he became deputy trade representative.[1][4] He negotiated two dozen bilateral international agreements on subjects ranging from steel to grain.[4]
In 1985, Lighthizer negotiated against the United States, on behalf of Brazil, in a trade dispute over ethanol.[5] Between 1985 and 1990, Lighthizer represented five foreign clients.[5] According to filings with the United States International Trade Commission, Lighthizer represented an enterprise controlled by the government of China in a trade dispute with the United States in 1991.[6]
Lighthizer is a partner with the law firm of Skadden, Arps, Slate, Meagher & Flom, where he works to gain access to foreign markets on behalf of U.S. corporations.[7]
He has been a long time supporter of the U.S. steel industry.[8] He convinced Japan, South Korea, Mexico, and the United Kingdom to accept "voluntary restraint agreements" to limit the amount of cheap steel they could dump on the U.S. market.[9]
On January 2, 2017, Donald Trump announced that he planned to nominate Lighthizer as U.S. trade representative, a cabinet-level position.[2] Due to Lighthizer's prior representation of foreign governments with a trade dispute with the United States,[10] he will first need to obtain a special waiver to bypass the Lobbying Disclosure Act. The waiver would need to pass Congress and have the President's signature to assume the position. Congress waived the ban for Charlene Barshefsky, President Clinton's choice for Trade Representative in 1997.[11][12]
Lighthizer wrote that using tariffs to promote American industry was a Republican tenet dating back to the pro-business politicians who established the party.[13]
Lighthizer has accused China of unfair trade practices.[2] He wrote: "The icon of modern conservatism, Ronald Reagan, imposed quotas on imported steel, protected Harley-Davidson from Japanese competition, restrained import of semiconductors and automobiles, and took myriad similar steps to keep American industry strong. How does allowing China to constantly rig trade in its favor advance the core conservative goal of making markets more efficient? Markets do not run better when manufacturing shifts to China largely because of the actions of its government."[2]
Lighthizer suggested that the U.S. should bring more cases against China for failure to comply with the regulations of the World Trade Organization. In testimony before the US-China Economic and Security Review Commission in 2010, Lighthizer stated that "USTR (U.S. Trade Representative) should pursue WTO litigation with respect to all such examples of non-compliance. If necessary, Congress should give USTR additional resources to increase its ability".[8]
Lighthizer has stated "I try to be friendly in negotiations. I'm not the theatrical type. The art of persuasion is knowing where the leverage is".[3]
Lighthizer lives in Rockville, Maryland[1] and has two children.[1][14] In the 1980s, he hired Patrick Ewing as an intern.[14]
|Wikimedia Commons has media related to Robert Lighthizer.
|Wikiquote has quotations related to: Robert Lighthizer


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It's with sadness that we share the news of the passing of Abraham Rogatnick this afternoon. This lovely photo of Abraham was taken by his close friend, photographer Alex Waterhouse-Hayward who wrote about this great Vancouver original often on his fine blog. How can you sum up a life of amazing accomplishments? It's certainly not something we'll attempt here, but there are many places to read his bio.
Abraham was the co-founder of the first contemporary art gallery in Vancouver, co-founder of the Arts Club Theatre, Fulbright Scholar, Fellow of the Royal Architectural Institute of Canada, juror of art and architecture competitions, and an expert in the history and architecture of Venice (where he traveled regularly). He proudly referred to himself only as an actor.
Rogatnick has touched the lives of thousands through his philanthropy and his teaching. His most recent public appearance was this summer during a speech he gave in tribute to his friend and contemporary, the late Arthur Erickson. Vancouver Magazine's profile of Rogatnick published last year is a good read.
"I first met Abraham in London on my visit to Torino with Sam Sullivan at the time of the last winter Olympics," says CityCaucus.com's Daniel Fontaine. "It became apparent to me immediately that Abraham truly loved the city of Vancouver. It was for that reason - seeing Vancouver on the world stage - that Rogatnick wanted to be in Torino for the closing of the Games.
"He became essential to my survival in Italy as he knew the language, the culture, and all the best places to dine. Abraham is someone you'll never forget. He will be sadly missed."
The tributes will begin pouring in around the city and across the globe in the days to come. He was tiny in stature, but larger than life.
We'd really like to hear the comments from our readers about Abraham. Share your thoughts and your stories about the man.


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Stuart Cosgrove, Director of Nations and Regions at Channel Four, said recently that Scots "love the culture of poverty. They indulge the culture of poverty... There is hardly one film made in Scotland by a Scot that is not cast in some dreary, awful, urban, deprived social landscape." I'm guessing he won't be reading Robert Douglas's Night Song of the Last Tram, but it will be his loss.
Douglas begins "If my father... had been killed... during the Second World War, I know that for the rest of my life I would have looked at the few photographs of him and mourned our lost relationship. Unfortunately he survived and came home."
This startling admission underlies Night Song of the Last Tram, but this memoir of working-class life in Glasgow's Maryhill is more than an account of paternal dysfunction. It is a well-written slice of social history delivered directly by an eyewitness.
The book opens towards the end of World War Two with the memories of a two-year-old and closes when the author is 16. In the early chapters Douglas and his mother live alone in their single end (one-room tenement flat). It's a world composed almost entirely of lone-parent families and the prospect of the men's return is overwhelmingly exciting. Douglas waits all morning for his demobbed father. But even their first embrace is ill-augured. His father's "clipped moustache was jaggy, it felt strange. I was only used to being kissed by women."
Douglas's father was an unfaithful wife-beater before he went to war. On the day of his departure a neighbour had tried to comfort Douglas's mother saying, "God's good. Wi' a bit of luck he'll no come back!" Unfortunately Douglas Snr returned unaltered, but many people didn't get the same men back as they had sent away.
After six weeks under fire on the Normandy beaches during which he was detailed to remove the blown-up bodies of troops, knowing that at any second he might meet their fate, Douglas's glamorous 18-year-old Uncle George is terribly changed. The young man, who spent previous leaves dodging amorous young women, comes home morose and nursing incipient alcoholism. The night before he returns to duty George plays his own brand of Russian roulette throwing a live bullet into the fire. Everyone else runs for cover, but George remains in his chair. After the explosion he says, "another wee bullet doesnae make any difference. Ye jist saw for yerselves, no frightened of anything."
Douglas also reminds us of a time when children's rights barely existed and even affectionate parents wouldn't think to warn a child about medical procedures. On a trip to the dentist he's treated to the sight of fellow sufferers entering the surgery upright and exiting comatose, their parents thanking the man in the white coat for apparently murdering their child. No wonder that when it's his turn for the gas he draws on every swearword in his six-year-old vocabulary.
We worry today about over-supervised children, but the relative freedom of the 1950s results in fatalities. One of Douglas's playmates drowns; another falls to his death through a garage roof. School is a lottery, a place where brilliant teachers mingle with sadists who are too free with the tawse (belt).
Douglas doesn't shy away from brutality, but he also recognises the humour and capacity for fun of people who are up against it. He's adept at capturing Glasgow voices. A woman in the steamie makes fun of Wee Wullie the washroom Lothario saying, "Oh, he's givin' her the big smile. Huv ye ever seen teeth like that? Like a set of burglar's tools. Is that no pitiful tae watch; he thinks he's George Sanders."
Stuart Cosgrove is right. Many Scots are fascinated by the voices of the past. Night Song of the Last Tram is a welcome addition to an increasing wealth of firsthand accounts collected into social histories, such as Jean Faley's Up Oor Close and Ian MacDougall's Voices of Leith Dockers, which feed and inform that fascination. But Cosgrove is also terribly wrong. Remembering our working-class history is not a sign of stagnation or an act of wallowing self-indulgence. It is a necessity.
We're 50 years on from the last page of Douglas's book. A high proportion of the British forces are still composed of the poor and the dislocated, and in war zones children and their mothers are still sheltering from bombing raids. Night Song of the Last Tram doesn't just give us a survivor's memories of post-war Glasgow; it reminds us that history doesn't go away. It has a nasty habit of keeking back and taking pot shots at us.
|Buy any book reviewed on this site at
Independent Books Direct
- postage and packing are free in the UK


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Karen Katz
Karen Katz: Beddy-Bye, Baby
My Life in 8 Words
Author Revealed
Q. What is your motto or maxim?
A. today could be a great day
Q. If you could be any person or thing, who or what would it be?
A. today?Billy Elliot after he became a principle dancer
Q. What do you regret most?
A. never finding a good hairdo
Q. What 3 personal qualities are most important to you?
A. these questions are so serious! ok love,trust,courage
Q. If you could eat only one thing for the rest of your days, what would it be?
A. now that's an insane question.brown rice or Crème du leche ice cream
Activity Sheets
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Reviews - Hotel RH Gijón3
Calle Navegante, 5, Gandia, 46730
Customer Reviews
Our reviews are from genuine LateRooms.com customers. We verify that the customer has stayed before leaving a review.
Very Good
100% would recommend it to a friend
Customer service
Food quality
Room quality
Happy customer
I had a great time in the Gijon hotel and the staff are really friendly.
I really enjoyed the activities at the hotel, like the bingo night...so much fun!. I would love to return to Gijon and the beautiful city of Gandia. Thank you all for such a wonderful time. There was a gentlemen in the restaurant who made my morning everyday, can't remember the name but he was amazing.
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TRENDnet® Boosts Channel Partner Program Benefits
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TRENDnet, a best-in-class networking and surveillance
hardware brand, announces enhanced channel upTREND Partner Program benefits which deliver additional rebates to participating IT and security channel partners in the United States and Canada.
"This year TRENDnet raced passed the 2,000 active partner threshold for our North America upTREND Partner Program," stated Rodney Finney, North America sales director for TRENDnet. "To celebrate this achievement, we invested in the opportunity to extend additional front end discounts and back end rebates to our partners."
Registered upTREND Value Partners (up to $2,499 in quarterly purchases) receive a new two percent front end discount on all TRENDnet product purchases through approved IT and security channel partners-in addition to existing program benefits. upTREND Silver Partners ($2,500 – 4,999 in quarterly purchases) receive an additional two percent back end rebate on all approved channel purchases-in addition to the existing three percent front end discount and other program benefits. The added program benefits are effective May 15th, 2015, through all participating upTREND channel partners.
upTREND Partner Program registration and details:
"We understand the resource commitment required of upTREND partners in order to envision TRENDnet solutions and deliver them to their customers," continued Finney. "Upgraded program discounts and rebates immediately reward our Value Added Resellers, System Integrators, and Security Solution Providers by increasing their margins and competitive advantage."
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Speak, Memory: on archives and other strategies of (re)activation of cultural memory
Townhouse Gallery, Cairo
October 2010
Adam Broomberg and Oliver Chanarin
"The Prestige of Terror": A conversation with Adam Broomberg and Oliver Chanarin
Speak, Memory (SM): I would like to start by talking about one of your recent projects, "The Prestige of Terror." How does a South African–born, London- based artist duo start working on a project on the Egyptian surrealist group?
Adam Broomberg and Oliver Chanarin (AB and OC): All of these questions have a new level of urgency and relevance with what we are watching going on in the streets of Cairo right now. In the first few days of our residency at the Townhouse Gallery, the exhibition that was due to open the following week on the first-floor gallery had been effectively censored by the Egyptian Ministry of Health. The show, which was to feature slightly doctored documentary images of a local psychiatric hospital, was apparently deemed too provocative in its depiction of hospital conditions. Townhouse Director William Wells offered us the vacant space. We suggested a show on censorship, which didn't go down too well. It was probably that same day that we read a short paragraph in Maria Golia's remarkable Photography and Egypt about a local surrealist movement. We were both surprised that we had never heard of the group or their founder, George Henein, who had been a close friend of André Breton. The few images of the group that appeared in her book were intriguing. We therefore accepted William's offer and the show opened two weeks later with an empty gallery and a simple text inviting others to come forward with any information about the group or its collaborators. We were interested in any information about a movement that had seemingly been written out of Egyptian history. Over the
coming month we used the gallery space as a receptacle for everything that we found.
SM: What was it that particularly intrigued you about this group of artists?
AB and OC: That there was so little information about them and everything that we did find seemed to oversimplify their story. According to all the official Ministry of Culture documentation, they were largely a Francophile, libertarian movement producing mostly derivative work that was of no relevance to contemporary Egyptian culture. Their manifesto, written in 1938 and titled "Long Live Degenerate Art" (after the famous Nazi traveling exhibition) was translated in the official literature as "Long Live Bad Art." This was a sure sign that something fishy was going on. We suspected that the movement was more politically provocative then it had been made out to be.
SM: What were you able to find out about the Art and Freedom group?
AB and OC: Over the course of their short and sweet life, the Art and Freedom group, as they were initially known, prepared just five exhibitions and published two editions of a magazine, La Part du Sable. It is difficult to say what led to their premature end. What we do know is that the Egyptian surrealists spent much of this short period eloquently describing their own demise. Still, on December 22, 1938, when this group of precocious painters, poets, journalists, and lawyers published their manifesto, "Vive l'Art Dégénéré," they were brimming with optimism. With their stand against order, beauty and logic, the Art and Bread group, as they later became known, shook up a community steeped in academicism and the picturesque with their particular version of modernism. Herein was a remarkable moment when surrealism in an odd alliance with Marxism met the orient.
SM: What was your working process? How did you go about gathering information and what were your sources?
AB and OC: Mostly we spoke to people and dug up the little research available on the internet. We found one man, Don LaCoss, who lived in Wisconsin and who dedicated most of his life to the study of the movement. We owe most of what we found out to him and a handful of other academics. Don died recently and suddenly at a young age, which is tragic. We have published all of Don's writing as well as the other bits and pieces we have found on a website we built called egyptiansurrealism.com. One of the most moving moments during our residency was meeting Henein's translator Bashir in his tiny apartment in downtown Cairo. Bashir is still a committed Trotskyite and we spent hours talking about the movement, about Henein and the revolution. It became clearer and clearer to us speaking to Bashir that the Egyptian surrealists were a strong political force, committed to social and political change, and that instead of having quietly collapsed they were systematically closed down by a state in the grips of Arab Nationalism. The resonance with contemporary Egypt and its paranoia became increasingly apparent to us.
SM: What does the title of your project, "The Prestige of Terror," refer to?
AB and OC: "The Prestige of Terror" is the title of a pamphlet written by George Henein and published in Cairo, in French, several days after the dropping of the atomic bomb. It was not a thesis as much as a manifesto, in which he reaffirms his distaste for fascism, describes this moment in history as the worst day in the career of humanity, in which the allies have come to resemble their antagonists. Henein despised the politics of compromise, "The Lesser Evil" as he called it. The "Prestige of Terror" was a rejection of racism and murder as a justification to win a democratic war. We have had it
translated into English for the first time. Its relevance today is still harrowing.
SM: In your description of the project, you talk of an "exhumation" of the Egyptian surrealist movement. Could you elaborate a bit more on this term and how it relates to the specific artistic strategy you adopted?
AB and OC: We were acting less as archaeologists or archivists (we're not academics) and more just trying to reenact or exhume the spirit of the movement. It was playful and provocative and we wanted the project to reflect that attitude as well as to highlight the historical relevance of the movement.
SM: As you probably have noticed, there is a sad lack of documentation and scholarship on Egypt's modern art history. What is your take on the situation and what role do you think artists can play in revisiting and shedding light on neglected areas of art history?
AB and OC: It's a question that came up a lot during the "Speak, Memory" symposium. What is the responsibility of the artists as archivist, historian, chronicler, interloper? On the one had there is clearly a great imperative to build functioning archives in Egypt and the Middle East more generally. Some artists are certainly suited to this role. In our case we are not aiming at building something completist, or even accurate. We are interested in the way history coagulates around certain images, themes and texts, while others get discarded. We see our role more like the wind that comes in through the window to disturb the archive in ways that are accidental and chaotic. For example, early on in our research we wanted to hold a séance in the Townhouse Gallery in order to contact the deceased members of the Egyptian surrealists. We even approached leading surrealist scholars including Hal Foster at Harvard University and Simon Baker at Tate Modern, to provide us with questions for the clairvoyant. But the séance never took place—sorcery is illegal in Egypt apparently.
SM: How did people react to your project in Cairo and in the broader Middle East? I know that many people welcomed your project as a kind of wakeup call, an invitation to document the country's modern art history before it disappears or before some of its key protagonists pass away. But other people considered your exploration too superficial. Because of the scarcity of information available on the Art and Freedom group—and many other modern art movements in Egypt and the region for that matter—did you feel a certain responsibility to work as archivists or historians, going beyond the role you normally take on as artists?
AB and OC: It's not surprising that some members of the Egyptian art scene might feel uncomfortable with two South African, London-based, Jewish men, popping into downtown Cairo, taking an interest in a particularly exotic form of Arab modernism, claiming to resurrect the movement and even worse, commodifying the results. Some say the surrealists were anarchists who rejected the commodification of art, and perhaps our meagre output — a series of posters, a web site, invitations to give talks— feels like a corruption of those ideals. But that's way too naive. You just have to read Don LaCoss, who adds complexity to this over simplified tale. We may have just skimmed the surface, scratched a surrealist itch. But we are not scholars making a historical survey of the Egyptian surrealists. We parachuted in, which is the nature of artist residencies. But that's a whole other conversation. One of the nicest things to come out of the project was our relationship with Germaine Paschalis, the elderly lady who runs the printing press off Champollion Street. Germaine came to Egypt at the age of 14 from Italy, married a Greek man, Kyros, who claimed to introduce scuba diving to Egypt in 1952, and ended up running his family printing business. She still refuses to speak Arabic. All of our posters were produced on their Heidelberg Press, which would have been the same type of machine that the surrealists used to print their pamphlets and manifestos. To make these posters we first produced a metal printing block called a cliché. Germaine kept referring to these clichés and we wondered which came first, the word or the metal block? Indeed the word "cliché" comes from the French term cliché-verre or "stereotype," a metal printing block taken from a wooden original. When cast, these blocks made a "click" sound; the noun cliché comes from a French verb meaning "to click". The word cliché as metaphor was first applied to photography, a form that is eternally reproducible. Germaine convinced us to print a set of posters on paper that she said dated from the late 1930s—around the time that George Henein published the Egyptian surrealist manifesto. The paper was extremely thin and fragile. Later, in London, we showed this to a friend who works with old paper stocks, and he was suspicious. He is pretty convinced this is actually fax paper. The only question remaining however, and it's a crucial one, is if this is fax paper from the 1970s or 1980s. The earlier variety would have been a wet process, rather than heat sensitive, and is therefore more stable. The drawing department at MoMA has agreed to have the paper stock tested in the museum laboratory, so we should have an answer soon.
SM: The act of collecting images seems to be a recurrent strategy in your practice. How does this project relate to your previous work?
AB and OC: Our book Fig explores the connection between photography and the act of collecting. And our new book People in Trouble Laughing Pushed to the Ground takes another collection of photographs as its focus: the Belfast Exposed Archive, which contains over 14,000 black-and-white contact sheets documenting the period known as "The Troubles" in Northern Ireland from a local perspective and as a response to the careful control of images depicting British military activity. The photographs were taken by professional photojournalists and amateur photographers, chronicling protests, political funerals and acts of violence, along with the more ordinary stuff of life —drinking tea, kissing girls, watching trains. The marks on the surface of the contact sheets over the image itself allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. Whenever an image in this archive was chosen, approved or selected, a colored dot was placed on the surface of the contact sheet as a marker. The position of the dots provided us with a code; a set of instructions for how to frame the photographs here. Each of the circular photographs shown on the previous pages reveals the area beneath these circular stickers; the part of each image that has been obscured from view the moment it was selected. Each of these fragments—composed by the random gesture of the archivist—offers up a self-contained universe all of its own: a small moment of desire or frustration or thwarted communication that is reanimated here after many years in darkness. For many years the archive was also made available to members of the public, and at times, people would deface or otherwise manipulate their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal advisors and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous. This book focuses on the layers of marking, scratches and obliterations made by successive generations of archivists and the public on the images and upsets the index nature of the archive. Instead, a fragmented narrative emerges that resists traditional empirical categorizations and sequences.
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Don't Mess With Texas Barbeque
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Barbeque Heaven
Celebrate the Labor Day weekend with the best barbeque.
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Healthy barbeque tips in time for Independence Day.
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Jesus Mabalot suffered minor injuries after he was attacked by a black bear.
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Hill is at the centre of a race row after two Dagenham players alleged that he made a racist remark to an opponent during a Conference game with Telford.
Striker Mark Stein and defender Mark Smith both made transfer requests as a result of the claim made by Telford's Fitroy Simpson.
But, speaking for the first time about the incident, Hill said: "Everybody who knows me in football knows that I am not a racist.
"I have never been a racist. I have been very good friends with Paul Parker, the former England and Manchester United player, for many years and he would tell anyone that I am not a racist.
"In fact, I would not tolerate any form of racism at my club.
"I therefore categorically deny that I made any form of racist remark towards Fitzroy Simpson or any other person during or after the Telford match."
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- Barking And Dagenham
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Need a book? Engineering books recommendations...
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Re: Building on Fault Lines[Subject Prev][Subject Next][Thread Prev][Thread Next]
- To: <seaint(--nospam--at)seaint.org>
- Subject: Re: Building on Fault Lines
- From: Tom.Hunt(--nospam--at)fluor.com
- Date: Tue, 18 Apr 2006 06:53:15 -0700
- Sensitivity:
I do not think there are actual ordinance forbidding where you can and can not build. However the California Building Code (essentially the 1997 UBC) requires bump factors (Na and Nv) on the seismic base shear if you are located with 10 and 15 kilometers from a fault. We also have in California the Alquist-Priolo act which defines special seismic study zones where additional and more in depth geotechnical research is required.
Thomas Hunt, S.E.
Please respond to seaint
What restrictions do California (and other states) have as far as building near fault zones?
I.e. is there a minimum required distance through the nominal fault line?
Is there a restriction on the type of construction within a certain distance of the fault line? I.e. you can't build a nuclear reactor on top of a known fault line?
When did restrictions start going into place?
When existing buildings are renovated / converted does there distance to a fault line become an issue?
What document / code are there requirements/restrictions contained in?
At what level of government (city / county / state) is this type of restriction promulgated?
Gail Kelley
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This item sold on August 28, 2012.
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Arshad's sleepless nights due to Golmaal 3
Written by: Courtesy: Bollywood Hungama
Subscribe to Filmibeat
The result of which - Arshad was sleepless for almost 50 hours! A source close to Bollywood Hungama revealed, "Arshad has been taking the 6 am flight to Mumbai and shooting for ZND all day and night till 5 am and then takes the 6 am flight back to Goa and shoots for Golmaal 3. It gets pretty tiring!"
So is Arshad complaining? The answer is no! Arshad is not at all complaining. It's just that he is just tired by shooting round the clock, but somehow he feels that by the end of the day it gives him a sense of self satisfaction.
Talk about talking the saying 'Work is worship' to the next level!
Read more about: zara nachke dikha, arshad warsi, golmaal
Other articles published on May 10, 2010


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According to Jeff Goldsmith, Jamie Foxx will play the lead role of Django in Django Unchained. Who is Jeff Goldsmith and why should you care about his Twitter account? Well, Mr. Goldsmith is the Hollywood insider who broke the news about Leonardo DiCaprio's involvement in Django Unchained before it hit the rest of the media. He was also the first to leak the Will Smith rumors about the film. Mr. Goldsmith certainly has some inside connections to the film and he hasn't been wrong yet.
Speaking of Twitter, don't forget to Follow us on Twitter (@djangounchaind)!


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1. @GoodmanCBS
Jeff Goodman is a CBSSports.com writer. His SiriusXM show, Inside College Basketball, regularly has interesting and timely guests as well. Follow his Twitter feed to find out who's on when.
[More from Mashable: Lady Gaga the First to Hit 20 Million Twitter Followers]
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[More from Mashable: Real-Time Reactions, Pics From People Affected by Midwest Tornados]
It's March, and that means one thing for basketball fans -- madness. March Madness officially starts with Selection Sunday on March 11. But the fun really begins now, as the conference hoops season winds down and league tournaments set Cinderella hopefuls on their way.
From historic first-round upsets (can a 16-seed finally break through this year?) to the always-emotional "One Shining Moment" final recap, the NCAA Tournament is one of the sporting world's grandest annual events.
But the tournament does come with some built-in problems. Many of the best games happen in the middle of the day, when work or class get in the way. There have always been ways to keep up with the action, of course -- a tiny TV tucked away on your desk, radio broadcasts, and live score updates online, for example.
These days, however, the best way to follow along is on Twitter. But who should you follow?
Luckily, Mashable has you covered with a Sweet 16 list of March Madness must-follows. Need action updates during working hours? We've got national correspondents who will relay scores and big moments all day. Want the hometown scoop on the heavy favorites? We've got beat writers to give you fresh angles. Need a passionate perpective? We've got the best bloggers around. Want to get nerdy with it? We've got you covered there, too.
Scroll through the slideshow above to see who hoop-heads and casual fans alike should follow for the next month — but don't stop there, because we're sure we've missed a few. Who would you add to this list? Let us know in the comments.
Thumbnail image courtesy of iStockphoto, adamkaz
This story originally published on Mashable here.


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Dolce & Gabbana red lace Miss Dea clutch styled with jewel embellishments and genuine python trim. Lined with crushed velvet; one interior card slot. Polished goldtone chain handle. Jeweled-clasp closure at top line. 6.00" height x 8.75" width x 3.00" depth (approximately) 9.5" handle drop, approximately. Made in Italy. This
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Satin clutch embellished with sombrero-inspired stitch detailing and small metallic beads. Brass-tone frame, chain link shoulder strap and signature Louboutin heel clasp. Signature red twill interior with single slip pocket. Approximately 4" height x 11" width x 1.5" depth. 11.25" strap drop Available in Black/Rouge Imperial Made in Italy.
- "Dolce & Gabbana Double Zip Fastening Tote" — @tbarnes63
Petrol blue leather tote from Dolce & Gabbana featuring a small gold-tone logo plaque at the front, a tolled handle with a gold-tone hardware, two top zip fastening compartments, a central press stud fastening section and a brown leopard print lining.
- $2,940 Sold out 1stdibs.com"Vintage Chanel Lambskin Quilted Shoulder Bag" — @tbarnes63
Chanel Vintage Black Lambskin Quilted Leather Large Shoulder Bag.Excellent Vintage Condition.minor Creasing On The Side.leather Interior,clean.Rich Gold Tone Hardware And Large Size Cc Charm Attached To A Zipper.zipper Closure On The Top.Two Large Internal Pockets With Gold Cc Charm.Authenticity Card Included But Hologram Sticker From Inside The Bag Peeled Off.Measurements:11"1/4 H,14"1/2 L,5"1/4 D,strap 15"tall.Final Sale.
- "Valentino Patent Leather Crossbody Bag" — @tbarnes63
Decorated with covetable gilded Rockstud hardware, this slick patent leather shoulder bag from Valentino is the perfect finishing cocktail ensembles. Black patent leather, flap with hidden snap closure, Rockstud trim, chainlink shoulder strap, two inside pockets with zippered middle sectional pocket, inside back wall slot pocket. Team with modern cut separates or an embellished cocktail dress. 100% Calf Leather.
- "Versace Vanitas Mauve Leather Shoulder Bag" — @tbarnes63
'Vanitas' collection mauve textured calfskin leather shoulder bag with quilted, swirling paisley swirl pattern. Featuring polished gold tone chain strap, top zip closure and a large iconic Medusa-embossed tassel medallion accent on zip pull. Interior is lined in signature Medusa fabric and has one slip pocket. Signature dust bag included.
- "Mesh Rhinestone Peacock Hard Box Clutch" — @tbarnes63
Mesh Rhinestone Peacock Hard Box Clutch, with extendable chain string inside.
- "Burberry London Studded Leather Clutch" — @tbarnes63
Detailed with allover gold-toned studding, this luxe leather clutch from Burberry London is a chic way in inject rock'n'roll edge into your outfit. Black calfskin with gold-toned studding, front hinged closure with lock hardware, removable shoulder strap, leather lining, inside zippered back wall pocket. Style with a slim cut trench or luxe biker jacket and pointed-toe pumps. 100% Calf Leather.
- "Edie Parker "Edie" Clutch" — @tbarnes63
Hirshleifers catering to NY's fashion crowd for over 100 years. Access our savvy stylists picks & Shop now for Chanel, Tom Ford, Cucinelli, Lanvin, & more.
- "Tory Burch Robinson Bucket Bag" — @tbarnes63
Tory Burch Fall/Winter 2013 Robinson Bucket bag in blue saffiano leather, leather adjustable shoulderstrap. Measurements: Lenght 26 cm, Height 27 cm, Depth 15cm. Composition: 100% Leather.
- $36 Sold out modekungen.se"Minimalistic Bag" — @tbarnes63
Material: synthetic leather. Width: 32 cm. Height: 24 cm.
- $1,186 Sold out ssense.com"Proenza Schouller Veruca Salt Purple Suede Foldover Messenger Bag" — @tbarnes63
Supple suede messenger bag in royal purple. Tonal paneling throughout. Brass-tone hardware. Foldover flap at main compartment with belt details and hinged, logo-embossed clasp closure. Reinforced leather carry handle. Removable adjustable leather shoulder strap with lobster claw clasps. Zippered welt pocket and patch pocket with magnetized press-stud closure under foldover flap. Zippered welt pocket at interior face. Accordion side and base panels. Zippered welt pocket, logo-stamped details and securing strap with magnetized press-stud fastener at interior. Fully lined in tonal signature textile. Tonal stitching. Approx. 13" length, 4.5" width, 7.5" height. Leather. Made in Italy.
- $1,795 Sold out montaignemarket.com"Victoria Beckham" — @tbarnes63
One interior zip pocket, interior and magnet links closure. Gold metal finishes. Dimensions: 24x33.5x17cm Composition: leather.
- $1,265 Sold out stellamccartney.com"Stella McCartney Falabella Chamois Fold Over Tote" — @tbarnes63
Fold over Falabella chamois tote with metallic finish, gold chain hardware and Stella McCartney logo disc. Fully lined with Stella McCartney logo print nylon, inside pocket and top snap closure. This tote can be worn two ways, folded over as a shoulder bag or as a handheld tote. This bag is made from non-leather, cruelty-free materials using highly skilled manufacturing techniques. The lining has been created from recycled plastic bottles. This is part of our ongoing commitment to animal and eco friendly fashion. 100% Polyester. Spot clean with a soft damp cloth and a small amount of neutral soap. Avoid scrubbing in order not to damage the textured surface of the bag. Width: 37cm. Height: 36cm. Depth: 8 cm.
- "Gucci Soho Shoulder Bag" — @tbarnes63
Top handle, 3.5" drop. Removable strap, 22" drop. Light fine goldtone hardware. Interior hook closure. Natural cotton/linen lining. 10.2"W x 9.5"H x 5.5"D. Leather. Made in Italy. - Soho Leather Shoulder Bag
- "Chanel Blue Patent Puzzle Tote" — @tbarnes63
For Sale on 1stdibs - Strike up your wardrobe with the Chanel blue puzzle tote. A flash of royal blue, hint of patent shine and whimsical puzzle embroidery bring a playful
- "Versace Vanitas Quilted Leather Satchel" — @tbarnes63
'Vanitas' black textured calfskin leather satchel with quilted paisley swirl pattern. Features a top handle with a dangling gold tone chain detail with an iconic Medusa charm. The leather-covered frame with stud accents has a push button lock adorned with signature logo. Includes an adjustable leather shoulder strap and protective metal feet. Interior is lined in signature fabric and has one zip and two slip pockets. Made in Italy.
- "Gucci Leather Diana Bag" — @tbarnes63
Gucci cream textured leather 'Diana' tote bag. Top has strap fastening and 2 large interior section, one with 2 open pockets and one with zip pocket. Twin bamboo handles. Leather and gilt adjustable, detachable shoulder strap. Bag measures 25cm x 26cm x 16cm.
- "Jimmy Choo Tube Canvas Clutch" — @tbarnes63
Jimmy Choo present a precious fashion feat loaded with metallic charm. Glistening silver is overlain with a tough-luxe coating of black net, offering an opulent yet attitude-loaded lick of contemporary cool. Gold-toned clasp fastening. Satin lining. Height 10cm-4" x Width 23cm-9" x Depth 6cm-2.5"
- "Flaska Laverne Brujo Tan Turquoise Doctor Bag" — @tbarnes63
The strong and precise identity along with its versatility and large capacity define a perfect bag for both day and evening Featuring an across the body strap it oozes wear ability for the modern day woman With its classic pedigree the doctor bag won t fall victim to fashion s caprices and will remain an important asset in your wardrobe for years High quality Italian soft cow leather Structured metal frame closure Detachable and adjustable shoulder strap Also cross body One interior zip pocket Two interior flat pockets Zipper with leaf form antique gold metal puller It includes soft cotton bag Large capacity Purely handmade in Spain
- $1,058 Sold out luisaviaroma.com"Rene Coavilla Satin Lace Swarovski Clutch" — @tbarnes63
Height: 21cm Width: 18cm Depth: 2cm Handle drop: 50cm. Detachable chain shoulder strap. Swarovski and stone embroidery. Internal patch pocket. Suede lining.
- $805 Sold out brownsfashion.com"Alexander McQueen Heroine Mini Leather Bag" — @tbarnes63
Mini pink leather handbag adorned from Alexander McQueen. Rolled leather top handles adorned with gold-tone studs. Detachable shoulder straps. Gold-tone hardware. Expandable side zips. Cut-out front flap. Five base feet. Interior zip pocket. Tubular leather trim. Two interior patch pockets. Full suede lining. Interior embossed designer logo.
- $658 Sold out coach.com"Coach The Borough Bag" — @tbarnes63
This update of the versatile Borough Bag is graphic and bold, with contrast stripes intricately pieced in smooth leather. Chic and sophisticated, it has three expandable zip-top compartments and room for everything in its beautifully lined interior. ; Retro Glove Tan leather ; Inside zip, cell phone and multifunction pockets ; Zip-top closure, fabric lining ; Handles with 4 1/2" drop ; Strap with 13 1/2" drop for shoulder wear ; 13 3/4" (L) x 9" (H) x 5 1/2" (W)
- "Zac Posen Daphne Top Handle" — @tbarnes63
Satchel bag. 10 1/2" high, 11 1/2" long, 6 1/2" deep. 3 1/2" handle drop. 10 1/2" strap drop. Grey faille lining. Swing hinge closure. Exterior back slip pocket. Inner zip and slip pockets. Leather, suede, and gold-tone hardware. Imported.
- "Chanel Pink Satin Crossbody Bag" — @tbarnes63
View this item and discover similar shoulder bags for sale at 1stdibs - Ever so chic Chanel pink satin purse is perfect for any special occasion! This unique Chanel bag features hot pink satin throughout, interlocking 'CC'
- $945 Sold out thecorner.com"Marnie Medium Leather Bag" — @tbarnes63
Textured leather. Two-tone pattern. Logo detail. Shoulder bags. Medium. Composition: Calf-skin leather. Measurements: Depth: 4.7 Inches, Height: 12.9 Inches, Length of strap: 30.4 Inches, Width: 9.8 Inches.
- "1950's Vintage Evening Clutch" — @tbarnes63
For Sale on 1stdibs - Beaded bag made in France in the 1950s and imported by Walborg. The frame is exquisite made up of clear sparkly rhinestones and clear glass beads.. Clasp
- "Miu Miu Jacquard Tote" — @tbarnes63
Black and pink clutch with leather strap.
- $1,395 Sold out profilefashion.com"Gucci Tan Horse Buckle Detail Leather Shoulder Bag" — @tbarnes63
Gucci tan brown horse buckle detail leather shoulder bag. Clasp lock. Zipped pocket within interior. Additional compartment for mobile. Bag measures 34cm x 29cm.
- $2,590 Sold out saksfifthavenue.com"Saint Laurent Cassandre Leather Shopper Tote" — @tbarnes63
Sleek, sophisticated and glamorous in the most understated way, this spacious leather shopper tote defines the iconically elegant aesthetic of Yves Saint Laurent. Double leather and chain top handles, 11" drop. Snap tab closure. One inside zip compartment. One inside zip pocket. Fully lined. 14"W X 10"H X 4"D. Made in Italy.
- $2,297 Sold out stylebop.com"Nancy Gonzalez Crocodile Basket Weave Tote" — @tbarnes63
An exquisite choice for spring and summer, Nancy Gonzalez's bright white basket weave croco tote is a luxurious way to dress up warm weather looks. Wrapped circular top handles, two internal sections, zippered middle sectional pocket, inside back wall zippered and slot pockets, front wall slot pockets, sand suede lining. Wear with bright printed sundresses and colorful patent leather pumps. No Material info available.
- $1,313 Sold out saksfifthavenue.com"Alexander McQueen Dyed Fur Box Clutch" — @tbarnes63
This signature box clutch is updated with luxurious dyed mink fur and topped with an edgy skull closure. Tuck-away chain and leather strap, 23" drop. Crystal-encrusted skull top clasp closure. Leather lining. 7"W X 3½"H X 2½"D. Fur type: Dyed mink. Fur origin: Italy. Made in Italy.
- "Dolce & Gabbana Leopard Printed Calf Hair Tote" — @tbarnes63
A riot of pattern and texture, Dolce & Gabbana give us leopard-printed attitude with a generous helping of ever-practical space. Three separate compartments and leather bound double-top handles balance accessible ease with luxurious indulgence - the calf hair finish acts as the climatic conclusion. Double top leather handles. Zipped top. Fabric lining, two internal compartments, two zipped compartments, slot pockets. Calf leather. Height 23cm-9.25" x Width 30cm-12" x Depth 16cm-6.5"
- "Tod's D-Styling Bauletto Medium Leather Tote" — @tbarnes63
Carry a note of timeless sophistication into your new-season wardrobe with Tod's burgundy leather tote. We love the clean, structural silhouette as a modern-classic accent to polished business separates and off-duty looks alike. Detachable, adjustable shoulder strap. Two-way zipped fastening. Twill lining, internal zipped and slot pockets. Calf leather. Height 25cm-9.5" x Width 40cm-15" x Depth 16cm-6"
- $1,235 Sold out zappos.com"Alexander McQueen Heroine Clutch" — @tbarnes63
Lure in luxury with the Heroine Clutch. Made of leather. Top-flap closure. Printed brand logo on the front flap. Lined interior with a back-wall zip pocket. Made in Italy and Imported. Bottom Width: 12 in. Depth: 2 1 ⁄ 2 in. Height: 8 in. Weight: 14 oz.
- $1,710 Sold out net-a-porter.com"Chloe Paraty Military Leather Shoulder Bag" — @tbarnes63
Blue leather (Sheep). Two top handles, adjustable black shoulder strap. Twist-lock side expanders, piping, black trims, designer stamp, pale-gold hardware. Internal zip-fastening pocket. Fully lined in beige cotton-twill. Zip fastening along top. Comes with dust bag. Designer color: Royal Navy
- "Victoria Beckham Leather Shopper" — @tbarnes63
Quintessentially chic, Victoria Beckham graces us with a wear-everywhere shopper of canvas and leather. A neutral shade juxtaposes the jet black for a masterly spin on minimalist styling whilst the oversized silhouette ensures that this is a high-fashion hero piece to tote with pride. Rigid, double top leather handles. Canvas lining, back wall zippered pocket, front wall slot pocket. Calf leather, Linen. Height 40cm-16"x Width 54cm-21.25" x Depth 20cm-8" Handle drop approx. 11cm-4.5"
- "Sophie Hulme Leather Tote" — @tbarnes63
Black leather (Cow). Two top handles, detachable adjustable shoulder strap. D-rings, gold-plated hardware, gold-tone whistle charm . Internal patch pocket. Open top. Comes with dust bag
- "Mary Frances Pacific Pearl" — @tbarnes63
Enhance your evening ensemble with this embellished Pacific Pearl handbag! Satin-like textile evening bag with ornately draped synthetic pearl and sparkling stone accents. Magnetic closure. Carrying handle studded with rhinestones. Flat bottom with protective metal feet. Lined interior. Imported. Measurements: Bottom Width: 6 in. Depth: 4 1 ⁄ 2 in. Height: 6 in. Handle Length: 11 3 ⁄ 4 in. Handle Drop: 5 1 ⁄ 2 in. Weight: 12 oz.
- "Diane von Fustenberg Cat Round Fetish Bag" — @tbarnes63
Exclusive to Shopbop. The classic DVF circle clutch gets a whimsical update with cat face detailing. Embroidered whiskers and crystal-studded eyes. A hinge opens to the lined interior with 1 pocket. Wristlet strap. Gold-tone hardware. Dust bag included. Leather: Lambskin. Weight: 15oz / 0.43kg. Imported, China. MEASUREMENTS Height: 6in / 15cm Length: 6.5in / 16.5cm Depth: 1.75in / 4.5cm
- $4,795 Sold out net-a-porter.com"Fendi Peekaboo Leather Tote" — @tbarnes63
Black leather (Calf). Top handle, detachable shoulder strap. Designer plaque, black and yellow crocodile monster eyes panel, silver hardware, feet. Internal zipped pocket. Partially lined in black twill, python, crocodile and leather (Lamb). Twist-lock fastening at top. Comes with dust bag . Crocodile: Venezuela . Python: Vietnam
- $510 Sold out farfetch.com"Vintage 1920's Bow Clasp Clutch" — @tbarnes63
Black silk satin clutch from The Gathering Goddess Vintage featuring a gold-tone embellished bow detail clasp, fully lined and three internal pockets. Please note that vintage items are not new and therefore might have minor imperfections. This garment has undergone DALIR processing; Deep frozen to kill any bacteria and moth eggs, Authenticated to ensure it is true vintage, Laundered, Inspected for damage and signs of wear, Restored and Repaired.
- "Tory Burch Satchel" — @tbarnes63
Tory Burch. Attersee Suede Patchwork Satchel Bag, Multi Colors. Textured floral fabric with leather trim. Golden hardware; wooden frame-top. Top handles with rings; 5" drop. Open top; expandable snap sides. Double-T logo medallion at one side. Inside, one zip and two open pockets. Twill lining; metal feet protect bottom. 13"H x 15 1/2"W x 6"D; weighs approx. 2lbs. "Attersee" is imported.
- $405 Sold out boticca.com"Humawaca Mies Clutch" — @tbarnes63
Leather and suede strips handbag. Can be used in 3 different positions : hanging on the shoulder with a long detachable and adjustable strap, as a clutch with the possibility of showing the strips side or the plain leather side instead or as a bag to be carried by hand. 3 Interior compartments, 1 w/zipper and extra pocket w/zipper w/ 2 pen holder and cell holder. Fully lined.
- $735 Sold out row.jimmychoo.com"Jimmy Choo Pompom Bag" — @tbarnes63
White fox fur clutch bag from Jimmy Choo. Discover our shoulder bags collection and shop for the latest trends today.
- $360 Sold out forzieri.com"McQ Alexander McQueen Velvet Clutch" — @tbarnes63
Edge Cobalt Blue Velvet Clutch by MCQ Alexander McQueen features magnetic flap closure, signature Baroque McQ logo silver tone etched metal jewel edging on front corners, two compartments with zip pocket and black fabric lining. Signature dust bag included.
- "Ted Baker Bow Clutch" — @tbarnes63
Ted Baker Enamel Bow Clutch Orange - $115.00 - Ted Baker Enamel Bow Clutch Orange - A wear-with-all clutch cast in color-pop patent is a day-to-evening must-have for the modern woman. A enameled clasp adds an elevated touch, while signature lining provides the whimsicality for which Ted Baker London is known. Signature lining. Interior wall and card pockets. Leather. Clasp closure..
- "Tiffany Reversible Tote" — @tbarnes63
Reversible tote in suede and metallic leather with palladium-plated solid brass hardware. Detachable zipper pouch included. Leather tab closure. Double strap, 5" drop. Size small. 9.5"W x 4.75"D x 9.5"H. Made in Italy.
- "Balenciaga Leather Tote" — @tbarnes63
Violet suede Giant City 12 tote
- "Chanel Satin Paris Shanghai Take Away Bag" — @tbarnes63
This is a guaranteed authentic CHANEL Satin Paris Shanghai Take Away Evening Bag in Green - NEW. This chic little evening bag is a play on the well-known carry out food box, but is crafted of beautiful green quilted satin with a black and gold satin trim. The cross over top flaps are secured with an aged brass twist lock which matches the chain link shoulder straps. The interior is a compact black microsuede lining with room for just the essentials. Take this piece with you to outings when style and luxury are in demand, by Chanel!
- $995 Sold out zappos.com"Michael Kors Miranda Tote" — @tbarnes63
Complement your regal style with the startling beauty of the Michael Kors® North/South Miranda Color Block Tote. Made of gorgeous color blocked leather. Leather lace tie closure. Flat top handles. Brand name print at front. Flat base to provide upright structure. Interior features back-wall zip and slip pockets. Imported. Bottom Width: 11 1 ⁄ 2 in. Depth: 4 in. Height: 16 in. Strap Length: 21 in. Strap Drop: 6 1 ⁄ 2 in. Weight: 2 lbs.
- $795 Sold out net-a-porter.com"Dolce & Gabbana Floral Brocade Shoulder Bag" — @tbarnes63
Multicolored floral-brocade. Chain shoulder strap . Designer plaque, gold hardware. Internal pouch pocket . Fully lined in red and white polka-dot canvas. Zip fastening along top. Designer color: Rose. Comes with dust bag
- "Michael Kors Hamilton Tote" — @tbarnes63
Golden hardware. Top handles; 4 3/4" drop. Chain and leather shoulder strap; 14 1/2" drop. Frame top with logo-engraved lock detail. Hanging key. Inside, one zip pocket, three open pockets, and one cell pocket. Protective feet on bottom. 13"H x 14"W x 6 1/4"D. Imported. Store Style Number: 30H3GHPT3L
- "Brahmin Copa Cabana Top Handle" — @tbarnes63
Brahmin Annabelle Copa Cabana Satchel The Copa Cabana Collection
- "Chanel Gold Evening Bag" — @tbarnes63
- "Vintage Louis Vuitton Monogram Bag" — @tbarnes63
This authentic vintage Louis Vuitton briefcase has a luxe, utilitarian feel, laden with gold-tone hardware and monogrammed in the label's signature lettering. Buckled flap pockets outfit the front, and rich leather trim defines the silhouette. A buckled strap secures the zip top, and the microsuede interior includes a slim pocket. Double handles. Dust bag included. Weight: 44oz / 1.2kg. Made in France. NOTE: This is an authentic vintage bag. Gentle wear reinforces the piece's authenticity. MEASUREMENTS Height: 9in / 23cm Length: 13in / 33cm Depth: 3in / 7.5cm Handle drop: 6in / 15cm
- "Louis Vuitton Speedy" — @tbarnes63
Louis Vuitton scored one of fashion's most wanted celebrity stylists, Caroline Sieber, to model and style their upgraded iconic bag: the Speedy. Launched in the 30's as the Express, its name evoked the world's new, faster means of travel, its shape reflected the era's elegant fusion of form and function. From the start, the Speedy was the complete, quintessential city bag: roomy yet never bulky, feminine but not girly, sublimely understated and utterly sophisticated.
- "Louis Vuitton Fall/Winter 2013" — @tbarnes63
For Fall/Winter 2013-2014, the focus of the collection is on the luxurious quality and treatment of the materials produced by the savoir-faire of Louis Vuitton ateliers. The house's Monogram and Da...
- "Louis Vuitton" — @tbarnes63
The innovative new Louis Vuitton bag is shaking up the House's graphic vocabulary. Its tight lines, suggesting the penmanship of a W, outline a three-part body, which is enhanced by the blending of...
- $1,350 Sold out saksfifthavenue.com"Gucci Soho Shoulder Bag" — @tbarnes63
Blue denim with brown leather detail. Antique gold hardware. Embossed interlocking G. Detachable leather tassel. Double chain shoulder straps with leather shoulder pad 7" drop. Inside hook closure. Natural cotton linen lining. Medium size: 15"W x 10.6"H x 5.5"D. Made in Italy
- "Gucci Original Canvas Hobo" — @tbarnes63
Sand original GG canvas with raspberry leather trim. Antique gold hardware. Interlocking G metal detail. Handle, 9.5" drop. Adjustable and detachable shoulder strap, 19" drop. Top zip closure with leather zipper pull. Interior zip and smart phone pockets. Natural cotton linen lining. Small size: 13"W x 12"H x 5"D. Made in Italy.
- "Prada Vitello Vintage Embellished Tote" — @tbarnes63
Intricate grommet embellishments on luxurious leather with a vintage-inspired treatment. Double top handles, 5" drop. Detachable adjustable shoulder strap, 18"-20" drop. Push-lock flap closure. Protective metal feet. One inside zip pocket. One inside open pocket. Leather lining. 12"W X 10"H X 8½"D. Made in Italy.
- "Prada Saffiano Bag" — @tbarnes63
PRADA Large Saffiano Double Zip Bag and ways to style a handbag.
- $1,470 Sold out saksfifthavenue.com"Prada Hibiscus Print Bag" — @tbarnes63
A colorful, printed saffiano leather design with a versatile, detachable strap. Double top handles, 4½" drop. Detachable shoulder strap, 20½"-22¼" drop. Top zip closure. Protective metal feet. One inside zip pocket. Two inside open pockets. Fully lined. 12¼"W X 8"H X 4"D. Made in Italy.
- "Prada Turquoise Sequinned Clutch" — @tbarnes63
Encrusted in sequins and cool-toned jewels,this clutch from Prada will steal the scene. This glistening clutch finishes with a framed top and satin interior lining.
- "Prada Bicolor Top Handle" — @tbarnes63
A bold twist of a favored classic in luxurious, bicolored saffiano leather. Double top handles, 5½" drop. Detachable adjustable shoulder strap, 21"-23" drop. Three compartments, two zip closures and one open top. Protective metal feet. One outside push-lock flap pocket. One inside zip pocket. Three inside open pockets. Fully lined. 13"W X 9"H X 5"D. Made in Italy
- "Kate Spad Felisha Shoulder Bag" — @tbarnes63
kate spade new york Felisha PXRU4334 Shoulder Bag
- $2,075 Sold out usa.hermes.com"Hermes Soie-Cool Bag" — @tbarnes63
Style: Soie-Cool. Hermes sport chic bag in Galicia blue "Brides de Gala" printed silk and fire evercolor calfskin, weaved silk string shoulder and hand strap, 8.5" base.
- "Hermes Birkin Bag" — @tbarnes63
- "Hermes" — @tbarnes63
- "Hermes" — @tbarnes63
anabela mam is using Pinterest, an online pinboard to collect and share what inspires you.
- $1,499 Sold out my-wardrobe.com"Michael Kors Miranda Bag" — @tbarnes63
Elephant grey textured leather with studded side panels Miranda structured tote featuring silver-tone hardware, two hinged tubular top handles, tie closure with leather straps and silver tone detailing. Michael kors tote features a suede interior with two interior slip-in pockets and one interior zipped pocket and logo embossing on the front. Michael Kors Miranda tote measures 33cm x 27cm x 17cm. Leather.
- "Michael Kors Leather Tote" — @tbarnes63
Michael Kors Natalia - Large Leather Tote - $548.00 - Michael Kors Natalia - Large Leather Tote - A grid of mirror-shine studs adds scene-stealing glamour to a structured tote cast in smooth, rich leather. Logo-jacquard lining. Interior zip, wall and cell-phone pockets; key clip. Top zip closure. Exterior slip pockets. Leather. Protective metal feet..
- "Coach Madison Satchel" — @tbarnes63
Exquisitely soft Italian haircalf with a striking tiger print and dimensional ostrich-embossed leather create an exotic play of textures on this magnificent limited edition satchel. A distinctive split-dowel detail gives the design structure; beautifully polished, custom-plated hardware frames it with elegant luxury. Printed tiger haircalf and ostrich-embossed leather. Inside zip, cell phone and multifunction pockets. Zip-top closure, fabric lining. Handles with 6" drop. Longer strap for shoulder wear. 14 1/2" (L) x 10 1/4" (H) x 6 1/4" (W)
- "Coach Bleeker Bag" — @tbarnes63
- "Louis Vuitton Top Handle" — @tbarnes63
Shop designer handbags discount for name brands bags like cheap gucci handbags, coach handbags, chanel purses, lv bags and more, wholesale designer handbags price cheap.
- $295 Sold out brahmin.com"Brahmin La Scala Clutch" — @tbarnes63
Introducing the frame clutch in la scala. A chic, structured day to evening piece that can be worn as a shoulder bag or carried as a clutch. Neutral hardware closure allows for easy open and close access while adding a vintage twist to this modern new bag. Frame clutch. Removable strap with chain detail. Interior zip pocket. Two organizer pockets. 6.5"H x 12.5"W. 20" strap drop.


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These promotional chocolate truffles in the Collector gift tin makes a classic gift!
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This custom tin makes sure everybody gets what they want and you get your promotional logo out with six different promo snacks.
A sweet and salty affair! This Tempting Delights Promotional Food Gift includes nearly a pound of our favorites.
These butter toffee promotional candy in a custom tin are the perfect holiday giveaway.
Handy promotional candy case comes filled with delicious Jelly Belly ® Gourmet Jelly Beans!
This 11" custom champagne bottle filled with Candy Corn makes the perfect gift for Halloween. An ideal gift to bring to upcoming parties & events.
This 11" custom champagne bottle filled with Conversation Heart makes the perfect gift for Valentines. An ideal gift to show the one you love.
You'll taste perfection when you sample Oreo custom cookies that are covered in three different types of chocolate.
Perfect for small gifts or table favors, these custom chocolate covered peanuts are packaged in a fashionable navy gift box for a beautiful display.
Sweet and salty flavors come together in this custom chocolate gift that features three jumbo size pretzels, each covered with a different chocolate!
Recipients will be delighted when they taste these cocoa dusted custom chocolate truffles that will melt in their mouths!
Bite into some crunchy English butter toffee custom candy for a rich and nutty flavor.
Go nuts with your client gifts by giving this imprinted gift box full of a generous portion of jumbo cashew custom nuts.
These fudge-like custom chocolate brownies will taste like they came straight from your own kitchen and come in three different flavors.


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