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Don't miss our Architecture section. [read more]
(Section: Architecture)
ARCIMBOLDO, GIUSEPPE: FRUIT AND VEGETABLE PORTRAITS Gr K-8
Students will learn that complex forms can be created using simple items as they draw portraits in the spirit of artist Giuseppe Arcimboldo. Submitted by Lacramioara Matei. [read more]
(Section: Drawing)
ART APPRECIATION: HOW ARTISTS SEE Gr K-8
Sponsored by Abbeville Press. The twelve-volume How Artists See series is a wonderful introduction for kids to the world of art and to the observation of their world. Each volume presents sixteen diverse works of art devoted to a subject familiar to every child through personal experience. Click here to view exerpts from each of the books written by Colleen Carroll. [read more]
BOSCH, HEIRONYMOUS: OH MY GOSH, IT'S A BOSCH! Gr K-8
Artist Bosch explored both the good and bad extremes of human nature. In this lesson, students will explore these ideas as they depict beauty and monsters together. Submitted by Julie Moses. [read more]
CARR, EMILY: EMILY CARR'S TREES Gr K-5
Students will learn how to paint trees in the style of Canadian artist Emily Carr. From Lily Erlic. [read more]
CAVE ART: LASCAUX CAVE ART ON CERAMIC "STONES" Gr K-5
This lesson will familiarize students with Prehistoric art. From Anne Marie Tracey. [read more]
CAVE PAINTING: Gr K-8
Prehistoric paint was created by mixing dirt, ground up rocks and animal fat. Sometimes, bits of burned wood were ground up, mixed with animal fat and used for painting as well. Learn how you can create your own "prehistoric paint". [read more]
CHAGALL, MARC: DAYDREAMING WITH MARC CHAGALL: Gr K-5
Here children will learn about the artist Marc Chagall and his famous painting, "I and the Village". They will then explore the concepts of surrealism and early cubism that Chagall portrayed in his work. Submitted by Julie Moses. [read more]
CLOSE, CHUCK: PORTRAIT DRAWING - GRID SYSTEM Gr 6-8
Using artist Chuck Close as inspiration, art teacher Alison Lorion shows us how to draw portraits using the grid system. [read more]
(Section: Drawing)
COW PARADE Gr 6-12
This lesson challenges students to decorate cow cutouts in the style of great artists. Inspired by Cow Parade in Kansas City. From art educator Mary Love. [read more]
EGYPT: EGYPTIAN BOOK OF THE DEAD Gr 6-12
Learn about Ancient Egypt and make a Book of the Dead with Charlotte Broxon. [read more]
EXPRESSIONISM: EXPRESS YOURSELF Gr 3-8
Students will demonstrate an understanding of expressionism by creating a portrait of a friend who inspires a mood or feeling. Glue and pastels are the media used. From Rebecca Engelman. [read more]
GREEK POTTERY DESIGNS Gr 3-8
Students will be introduced to the designs of Ancient Greek Pottery as they explore the use of geometric and organic shape in making ordered patterns. From Amy Woods. [read more]
GREEK STORY VASES Gr 3-5
Students will discover the art of Greek vases while they develop their own storytelling skills. From Doreen Diorio. [read more]
KANDINSKY, WASSILY: A LITTLE KANDINSKY FOR ALL Gr K-8
Learn about lines, primary colors, and Kandinsky with Charlotte Broxan. [read more]
KANDINSKY, WASSILY: KANDINSKY COLOR STUDIES Gr K-8
Students will learn about artist Wassily Kandinsky as they focus on his life as an artist and a musician. From Laura Stuart-Smith. [read more]
KLIMT, GUSTAV: BUILDING KLIMT Gr K-8
Introduce your KinderArtists to the intriguing work of artist Gustav Klimt. Jennifer Schero introduces you to the art and shows you how to Build a Klimt. [read more]
LANDSCAPE RESIST PAINTING Gr 3-8
Making an art form using processes and techniques influenced by those of different artists can help one to better understand how to create a landscape. From Lauren Geggus. [read more]
(Section: Painting)
LEONARDO DA VINCI: INVENTION CONVENTION Gr 3-5
Discover Leonardo's inventive ideas and invent a new machine for the 21st century. From Michelle Jamal. [read more]
LIVE PAINTINGS Gr 6-8
Allow your students the opportunity to really get into some art. From Beth Elzinga. [read more]
MATISSE, HENRI: CUT OUTS Gr 3-5
Liliane Bohbot shows you how to create a work of art in the style of the great Henri Matisse. [read more]
MATISSE, HENRI: MEET THE ARTIST! Gr 3-5
Eileen Urbanski shares her ideas for teaching students about the life and art of Fauvist painter, Henri Matisse. [read more]
MATISSE, HENRI: POSITIVE/NEGATIVE SHAPES/SHAMROCKS Gr 3 and up
One way to achieve harmony in a composition is to repeat positive and negative spaces which vary in size, color, texture or value. Find out more with the help of Anitra Redlefsen! [read more]
An article about Minoan Pottery. By Andrea Mulder-Slater. [read more]
MONDRIAN, PIET - ABSTRACT DESIGNS Gr K-5
Students will create Mondrian-inspired abstract art using crayons and paper. From Cheryl Trowbridge. [read more]
MONDRIAN, PIET: LINE, SHAPE AND COLOR Pre-K-2
Students will learn about geometric shapes and color as they create a construction paper picture in the style of Piet Mondrian. By: Kristen Peery. [read more]
MONDRIAN, PIET: MONDRIAN STYLE PAINTING Gr 3-12
Learn how to make a painting in the style of artist Piet Mondrian. [read more]
(Section: Painting)
MONET, CLAUDE: MONET AND IMPRESSIONISM Gr 3-8
This lesson from Judy Sassano teaches students about Monet and Impressionism as students are encouraged to create their own Impressionistic painting. [read more]
MONET, CLAUDE: MONET'S GARDEN Gr K-5
This lesson from Julie Mower explores the painting Garden at Sainte-Adresse Here, students will create their own garden by the sea utilizing a similar composition design. [read more]
MORRISSEAU, NORVAL: OJIBWA PAINTER Gr 3 and up
A medicine man or shaman, Morrisseau developed a style which has since evolved and been used by many Native artists. [read more]
(Section: Multicultural)
MUNCH, EDVARD: THINGS THAT MAKE US WANT TO SCREAM Gr 6-12
Students will learn about the artist Edvard Munch and his famous painting The Scream. From Tracy Green. [read more]
NEVELSON, LOUISE: ASSEMBLAGES Gr. 1-12
Students will discover the art of Louise Nevelson as they enjoy making art out of recycled materials, or "junk". From Nicole Smith. [read more]
O'KEEFFE, GEORGIA: ABSTRACT FLOWERS Gr K-8
Students will view and discuss Georgia O'Keeffe's flower paintings and then create their own drawings. From Madeline Buonagurio. [read more]
O'KEEFFE, GEORGIA: FLOWERS GALORE PreK-12
Drawing and painting magnified flowers. From Beth Elzinga. [read more]
PAINTED SHOES Pre-K and up
Canadian artist Theodore Dragonieri paints, collages and reconstructs old shoes to represent great artists of the 20th century. Find out how your students can get creative on a different kind of canvas. [read more]
(Section: Painting)
POLLOCK, JACKSON: DRIPPING PAINT - ACTION PAINTING Pre-K and up
Students will be directed to observe the lines and shapes that make up an action painting. [read more]
POP ART ICE CREAM PAINTINGS Gr 3-5
Students will create ice cream cones as a repeated pattern. This isa really super lesson plan from art educator Madeline Buonagurio. Kinderartists will LOVE this one! [read more]
ROUAULT, GEORGES: PORTRAITS Gr 3-5
Portrait Painting in the style of Georges Rouault with the help of Kim Hoskins-Ward. [read more]
ROUSSEAU, HENRI: FANTASY JUNGLE Gr 3-5
Students will discuss the life and artistic style of Henri Rousseau and then create a stylized drawing using simple shapes. From Rebecca Engelman. [read more]
SEURAT, GEORGES: DOT TO DOT SEURAT Gr K-5
Learn about pointillism and create your own pointillism artwork with Deanna Chipley and KinderArt. [read more]
SEURAT, GEORGES: Q-TIP® POINTILLISM Gr 3-12
S.Klein shares a great technique students can use to reproduce the look of a Georges Seurat pointilism painting. [read more]
TO TELL THE TRUTH Gr 3-8
A terrific art history game that teaches students about the lives of the masters. From art educator Laura McAlpin. [read more]
THIEBAUD, WAYNE: SWEET STUFF Gr 6-8
Introduce your students to the artist famous for his dreamy 1960s paintings of cakes. Amy Shapley shares a yummy lesson plan.
(Section: Painting)[read more]
VAN GOGH'S PAINTING STYLE K-Gr8
A great painting and art history lesson submitted by H. Bachman, an art educator from Maryland, USA. [read more]
(Section: Painting)
VAN GOGH: SUNFLOWERS Gr K and up
Learn how to make expressionistic sunflowers using paint or pencil crayons. [read more]
(Section: Drawing)
VAN GOGH: VINCENT'S FLOWERS Gr K-8
Becoming aquainted with Vincent Van Gogh with the help of art educator Linda Moucha. [read more]
WARHOL, ANDY: "POP ART" PORTRAITS Gr 3-5
Geoff Snyder shows you how to teach your students to gain an understanding of Andy Warhol's work and the origins of "Pop Art". [read more]
You Might Be Interested In:
RECOMMENDED BOOKS:Drawing with Children; A Creative Method for Adult Beginners, Too


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Bjorgolfur Gudmundsson, the owner of West Ham, has told Observer Sport that a major reason why the club will be successful is because he and chairman Eggert Magnusson 'feel almost semi-English'. Gudmundsson, who owns 95 per cent of the club, was speaking to a British newspaper for the first time since the takeover last November. He believes that he and his fellow Icelander have an advantage over some foreign owners in the Premier League because Europeans have more football experience than club owners from Asia and the United States.
Gudmundsson was a youth player at KR, Iceland's most successful club, and chairman during the 1990s; Magnusson was head of the Icelandic Football Association and a Uefa board member. 'I don't think we think much differently from English owners, so I mean we are very pro-English,' Gudmundsson said. 'We are close to England, only two-and-a-half hours away from you, so we sometimes consider ourselves as semi-English. We know the culture. We are not coming from Asia or far away.
'I'm wondering whether with foreign owners it's about where you come from. It might be more of an issue if they don't, for example, play so much soccer in America.' The Americans George Gillett and Tom Hicks, Randy Lerner and Malcolm Glazer own, respectively, Liverpool, Aston Villa, and Manchester United. Manchester City are controlled by former Thai Prime Minister Thaksin Shinawatra.
The Icelanders are aware that some in the game are wary of all the overseas takeovers. 'I think many of the clubs who are not foreign owned use it as an excuse when they don't succeed,' Magnusson said. 'They blame it on the foreign owners. I have a lot of respect for Niall Quinn and for Sunderland, but I think he was getting a lot of stick from his supporters because they'd been signing players for a high price and he used the excuse to come after foreign owners.'
In his first UK interview, Gudmundsson talks about his criminal conviction, the Carlos Tevez affair and why he is content to stay in the background.

subset: commoncrawl


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Not a whole lot has changed in my life since I got engaged and became a "bride to be." (Yes, I'm using finger quotes on a lot of wedding-related terms until I feel more comfortable using them.) But one thing that has changed is the appearance of a bit of new jewelry on my left hand and Eric's right hand. And along with the new bling, I've also picked up quite a few lessons about engagement rings.
1. Rings used to be a form of virginity insurance. So says this article recently published in The Atlantic. I find this fascinating.
2. I love my ring…but I would have loved a condo too. Eric and I both liked the idea of doing something special to mark our engagement, but, like a lot of women, I wasn't convinced that it needed to be a ring. I wasn't against the idea of a ring — I like jewelry and wear it regularly; I like that it's an easily-identifiable symbol of commitment — but I was pretty flexible. So, we discussed options. My favorite alternative we discussed was putting money toward property instead of buying a ring. Even the night we went shopping for my ring, we were driving by some of my favorite condos on our way to the store and I said, "Hey, we can totally do a condo instead of a ring. It's not too late." But he still wanted to do a ring and because I didn't feel strongly one way or the other, I was fine with that. Another thing I've learned in the past several months is that men have a lot of thoughts on engagement rings — thoughts that can be as steeped in cultural pressure as everyone assumes women's feelings are — so I wanted to feel confident that we were both on board with whatever we decided to do.
3. Rings are mysterious. When Eric and I decided to go ring shopping, we were pretty overwhelmed. First, I had no idea where to start. A lot of my friends or people I've talked to have known for years what they want in an engagement ring, from carat size to cut to baguettes; I am always amazed by this. But how do you know? I always think. I'd literally never tried on any engagement rings in my life; how could I possibly know what I'd want to wear for the rest of my life? I spent a lot of time looking but nothing I was seeing on the web — whether I was on traditional, trendy, indie, or vintage websites — was doing it for me. (For starters, yellow gold — which is all I wear — gets no love these days!) I thought it was going to be really hard to find a ring that I liked that he liked too, which is why we decided to go shopping together. In terms of what to buy for Eric, the fact that there is less tradition involved in male engagement rings made it both easier and more confusing. He really had no idea what he wanted. He knew what he liked in wedding bands, so we decided to get him something markedly different for him to wear on his right hand, even once we are married. But beyond that, he was as clueless as I was.
4. Seriously though…rings are really mysterious. Neither Eric nor I knew what the "right" amount of money to spend on rings was. (Google it and you'll get a lot of "that two months' salary thing is nonsense; do whatever you're comfortable with!" which is nice, but totally useless.) And we didn't know how people typically pay for rings. Do they save up and then pay for them in full or do a down payment and then pay them off? We had no idea and we felt weird asking people. Eric was — no joke — basing all his knowledge of diamond sizes and prices on Kim Kardashian's engagement ring. I eventually talked to some of my good friends, because, well, you can talk to your good friends about things like this without feeling like a nosy asshole, and, in the name of research, they were open about what their rings had cost; still, I didn't feel like that was a great starting point because all of our incomes and tastes varied so widely.
He asked me what my expectations were but because I didn't know what I wanted, I didn't really have any. We looked at rings online but neither of us knew what a carat actually looked like in real life — what if the ring I fell in love with online cost, like, $100,000 when you put a stone that looked proportional on my finger/hand in it? — and then there were all the other factors to consider. Cut? Clarity? Are we getting ripped off? I tried to get out of having to think about that by telling Eric to just give me a budget, that I would be happy with anything. But I think he was afraid that I'd be disappointed by said budget. The night we finally set the budget, I seriously expected him to write it on a legal pad and wordlessly slide it across the table to me.
5. Shopping together helped us a lot. All our questions were finally answered the night we just went ring shopping. We were both anxious about it — going into a jewelry store was kind of intimidating, and I think we both felt pretty shy that night. And, honestly, think we were both nervous that the budget was going to be a problem — that once you put shiny things in front of me, I was going to stop being a rational person. While the idea that all women believe bigger is better when it comes to engagement rings is constantly reinforced in the media and it's incredibly obnoxious, Eric and I both know damn well that I really love nice things, even when I cannot afford nice things.
That night, I tried on some different styles and settings, but nothing was doing it for us. It didn't help that everything was white gold or platinum and I couldn't visualize how it would look with yellow gold. But still, a lot of the styles that I thought I'd like just didn't thrill Eric or me. After a little while, the saleswoman suggested I try on a solitaire in every single shape, just to get a starting point.
So down the row of loose stones we went. Round. Princess. Emerald. Oval. All of them were beautiful stones, but they just weren't me. Finally, she gently placed the marquise on the yellow gold setting I had on my left ring finger.
Oh. There. This one is the right shape for my hand and fingers. Eric and I both knew it immediately. Honestly, I never saw that coming. I don't know anyone who has a marquise diamond — especially one set in yellow gold. It's just not a popular shape these days. But it was my shape.
Now that we had that figured out, we asked to see more stones. She brought us one that was a bit bigger than the original one I had tried on and once she set it on the setting, it was like the whole store sort of sighed happily. I was loving it, turning my hand this way and that, and then I asked Eric what he thought of it. I didn't know how much he'd really care about this whole process, as he's not the one wearing the thing, but I still wanted his opinion. I was expecting him to say, "Hey, if you like it, I like it." But instead he said very softly, just to me, "I would be very proud to buy you that ring."
In this whole process, that is the moment that stands out to me. I don't know why, but that was the moment it was real for me, that I felt engaged, and have ever since. It wasn't because I was wearing a ring; it was because I knew then, without a shadow of doubt, that we were both really ready and really excited to be engaged.
Also, I think we were both just pumped that the ring we both loved was actually under budget.
6. Buying someone a ring can be really fun. After we picked out my ring (and we did go to a few more stores the next day, just to be sure, but ultimately agreed that we would buy a ring the same way we did everything with this relationship — fast and sure of ourselves), we started looking for Eric's ring. Buying Eric an engagement gift of some sort was really important to me. First, he chose to buy me a ring to symbolize certain things and I felt he deserved the same in return; I felt uncomfortable receiving without giving. Also, I wanted to make clear from the start that this is an equal partnership. It made sense to me to start the official process by saying, "Don't just ask about my ring. He has a ring too!" (Which I do say, repeatedly, and a lot of people look confused, but whatever.)
We looked in several stores for his ring, but he didn't love anything we were seeing so we started looking online. I also talked to my male coworkers to get advice and ideas. It was fun and really interesting — I started to get a better idea of what men have gone through for years. We also looked at watches and bracelets, but ultimately came back to rings. I was starting to get nervous that we wouldn't find something before the engagement party, but then I came across a great ring on Etsy that we both really liked. Loved, actually. I contacted the seller and asked if he could do a "shotgun engagement" and he said he could.
I wasn't expecting that I would feel so excited when I hit the button to actually buy the ring. I got this huge rush and e-mailed all my friends to tell them I had just bought Eric an engagement ring. I love buying gifts for people, but this one was just extra exciting.
7. Rings still foster competition. I thought we had moved past rating couples' love or determining how long their marriage will last based on the size of engagement rings, but it turns out…I was wrong. Because of all the mystery involved, I read a lot of articles and online forums discussing rings when we were going through this process, along with talking to my friends and coworkers. Depending on who I was talking to/observing, I saw two different types of competitive conversations taking place. The first is the "My ring is bigger than her ring therefore it is better" conversation. (Then there's a subset of that: "My ring is smaller than her ring but it's a higher quality diamond, therefore my ring is still better.") And then there's the one I wasn't expecting: "My ring is teeny tiny/conflict-free/a ruby/only cost $20/Oh yeah? Well I don't even have a ring and I've been married 20 years!!/Well I had my ring finger surgically removed to show my love because a marriage isn't about a ring!!!!!" Well, no shit a marriage isn't about a ring. I understand being proud of a ring — or the lack thereof — but I don't really understand why that pride is so often displayed at the expense of others. I love hearing about other people's choices, but I hate that we live in a society where women are screwed for both liking and not liking rings.
I'm still learning how to care for the ring (do I wear it to bed? in the shower? to yoga?) and how to handle it when people want to talk about it beyond my comfort level or get competitive, but I'm definitely getting used to it. And I do like it. It's pretty, it's shiny, and it reminds me of a special thing that Eric and I did together and of the big things we are planning to do in the next few years.


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Giant telco AT&T are working again with emuse, this time to build a U-Verse companion devices responsive framework. This HTML5 framework will be used to create PC, Tablet & Mobile applications to compliment the TV advertising offering. Now viewers have access to the same functionality as is available on the TV platform, facilitating access to a broader audience, and allowing that audience to see Navigational Menus, Information Layouts, Video Player Module, Dealer Locators, Quiz activity, RFIs plus the addition of a new feature to enable commerce which historically has been difficult to achieve on TV.
Following the run of the very successful Volvo XC90 campaign in 2014, Volvo via GroupM and emuse are re-running the campaign, this time across 4 platforms; Dish, DirecTV, Roku & U-Verse. The campaign will run across 3 of the 4 platforms from 24/08/15 to 31/12/15 and the remaining platform will be included for part of that period.
In cooperation with SevenOne Media and Goldbach Media, Swisscom Advertising are offering its advertising customers a new format with red button advertising - the only one of its kind in Switzerland - combining TV spots with more extensive content on the TV at the push of a button, and without interrupting the current TV programming. Consequently, the most important cornerstone for TV communication of tomorrow has been laid, because the perfect marriage of linear and non-linear advertising options is becoming a reality on the same screen. The offering is available immediately on Swisscom TV for all SevenOne channels reaching about one million Swiss households, which corresponds to roughly a third of all Swiss TV viewers.
emuse will work as a preferred partner of Modi Media, established by GroupM and announced at CES in Las Vegas in January 2014. Modi Media, GroupM's response to a radically evolving TV landscape, will be led by advanced TV expert Mike Bologna and is charged with achieving GroupM's goal of helping clients to make smarter decisions about how they plan and buy advertising in the complex world of TV today.
emuse as part of their continuing partnership with AT&T have worked with Hollywood studios to exclusively showcase major new movie releases.
Recent appearances on AT&T U-verse in the US include campaigns for consumer finance companies QuickenLoans and Greenlight Loans - all enabled by emuse.
The relationship between emuse and SapientNitro, one of Europe's most innovative digital advertising agencies, was recently featured in the leading German language Mittelstand Café publication.
Interactive ads for Lincoln Motors enabled by emuse on AT&T's U-Verse TV platform are engaging visitors up to 15 minutes and driving "tens of thousands" of leads, Chris Monteferrante tells Andy Plesser of BlipTV.
emuse continue to work to enable fun and informative campaigns for major content owners including HBO, Showtime and WeddingTV on AT&T's U-verse TV platform in the US. HBO worked with emuse to offer every viewer the opportunity to link from a 30 second HBO-branded spot to a unique, full-screen promotional video showcasing some of HBO's ground-breaking and exclusive TV and movie content.
emuse and AT&T have launched a further series of campaigns this month across the entire U-verse TV footprint in the United States. Powered by emuse' Raven, this latest work includes campaigns for Arkansas Tourism, Lincoln Motors and Texas Tourism. The Arkansas Tourism campaigns promotes Arkansas as a tourist destination and contains tourism videos, picture galleries and allows viewers to request a free Arkansas vacation kit!
Swisscom's long term relationship with emuse was recently featured in Werbewoche ('Advertising Week'), Switzerland's largest circulation magazine for advertising and marketing professionals, showcasing the use of innovative advanced advertising formats for Audi in the Swiss market.
In addition to the latest campaigns emuse and AT&T have also just launched the eagerly awaited Movie Sponsored Service. The application is a 'permanent' interactive channel and will be accessible at channel 789.
Continuing the evolution of their exclusive relationship, AT&T and emuse in collaboration with Fox have launched a custom initiative on AT&T's U-verse advanced IPTV platform centered on a dedicated interactive channel, sweepstakes and promotional and media support around Fox's coverage of the US college football season.
Amongst this month's campaigns, emuse and AT&T have run a simple but effective application for Atkins, the market leader in truly effectiveweight loss products and programs, allowing people who engage to request that they be added to the Atkins mailing list for updates, special offers and free sample products.
Continuing the winning relationship with Audi AG, Swisscom and emuse have launched a long term interactive experience to bring the best of Audi direct to Swisscom TV customer's homes.
Vodafone Portugal has strengthened its offering of applications with the launch of several innovative services designed by emuse.
Marking a further extension in their long-term collaboration around the Bundesliga soccer service on Entertain, emuse and Deutsche Telekom have released the latest version of the multi-award winning LIGAtotal! application.
As part of their long term partnership with emuse, Swisscom have launched the first advertising campaign for Audi on their television platform.
Chrisco have completed their second successive holiday interactive campaign with Foxtel. Having seen a highly successful campaign in 2011, Chrisco ran their 2012 campaign on the Foxtel platform and again have experienced a great boost to their key season.
Nissan have recently launched their latest interactive campaign with an enhanced execution enabling Foxtel viewers to find their nearest dealer. The personalised service helped create and drive pre-qualified leads into their showrooms during the critical Spring sales period.
Mattel Inc. have launched a Barbie application using emuse advertising technology on both AT&T's U-Verse and Verizon's FiOS television platforms.
In breaking news for all existing and future subscribers to Deutsche Telekom's Bundesliga soccer service on Entertain, the innovative application now contains a suite of statistics to satisfy any discerning football stato.
World Vision Australia have worked with Multi Channel Network (MCN) to run an interactive campaign raising awareness of Worldwide child poverty. The interactive campaign was used to convey the message that support from Foxtel viewers can help the Worldwide battle against Child Poverty and improve the prospects of millions of impoverished children around the world.
Continuing the evolution of their advanced advertising offering in partnership with emuse, AT&T U-verse has launched 'triggered' interactive advertising across their complete TV footprint.
Marking the next evolution in the long-standing collaboration between Deutsche Telekom and emuse, the latest major release of the LIGAtotal! application contains exciting new features for subscribers to this award-winning service.
December 2011 - emuse and Deutsche Telekom have further extended their successful and long-standing relationship in the German market with the introduction of advanced advertising support for the multi-award winning LIGAtotal! application in partnership with South Korean consumer goods giant Samsung.
New partnership enables significant opportunities for Mediaroom operators to drive ad-based revenue through value added TV applications
emuse were last night honoured as double award winners at the IP&TV World Forum 2011 gala awards dinner held at Madame Tussauds in London. In partnership with long-time collaborators Deutsche Telekom AG, emuse were winners in the new 'Best TV app' and prestigious 'Best On-Demand Solution or Implementation for IP, Hybrid or Connected TV Award' categories.
April 2010 - View an in depth video presentation of how raven's open-standards based advertising and content management system supports Microsoft Mediaroom.
March 2010 - The emuse play-along application developed for Foxtel has beaten off tough competition to win the award for "Best Use of Interactive" at the recent technology awards, as part of the ASTRA conference.
February 2010 - Deutsche Telekom is now offering new interactive functions for LIGA total!, the Bundesliga soccer service from Entertain. The VideoTicker, live league tables and the goal scorer list provide Entertain customers with a wealth of information about the current match day whenever they choose. The exciting new functions have been enabled by leading IPTV software developer emuse.
Jan 2010 - BT Vision has launched Vision Shopping, a new 24-hour on-demand shopping channel service hosted by celebrity presenter Gaby Roslin. Leading digital TV management company, Canis Media designed, developed and produced the channel with BT Vision. The interactive element was project managed and developed end-to-end by emuse.
05/08/09 - Portugal Telecom's IPTV platform Meo recently renewed and upgraded its innovative TV portal service - SAPO at MEO. This new version was designed and built with the combined expertise of world leading IPTV development company emuse and Sapo, the leading internet portal in Portugal, also owned by Portugal Telecom. The new version of the service appeared on TV screens in July.
May 20th 2009 - Portuguese Telecom Giant Meo and emuse launch "Meo Magazine" the new service on Meo, Portugal Telecom's television service. Meo magazine presents programme information, reviews, trailers and links to other available content on the platform. Viewers may also upgrade their subscriptions via remote control as well as having one touch ordering of VOD and Recording.
April 2009 - Fox8's popular series "Australia's Next Top Model" now has a new and rich interactive facility enabled by emuse and called "Game On". Fans can press red and play along with the show by giving their opinions on the drama as it unfolds onscreen - as well as guessing who will be eliminated at the end of each episode.
April 28, 2009 - Another FOXTEL interactive first was launched today with the Dedicated Advertiser Location (DAL) interactive advertising product.
March 2009 - ITV goes from strength to strength with their interactive TV productions enabled by emuse. Since the beginning of the year ITV have launched a host of applications across much of their flagship programming and advertising content.
LAS VEGAS - Jan. 8, 2009 - At 2009 International CES today, Microsoft Corp. unveiled Mediaroom Anytime, and also demonstrates new immersive concept applications.
Mediaroom Anytime is a groundbreaking feature set for the Microsoft Mediaroom multimedia and IPTV platform that allows viewers to truly watch TV on their own time. In addition to existing Mediaroom features, such as video on demand, DVR Anywhere and Remote Digital Video Recording, the new Mediaroom Anytime features take time-shifted TV to the next level, enabling viewers to access previously aired shows directly from the Interactive Program Guide or immediately restart currently airing shows without any preplanning or prior DVR recording.
Nov 2008 - emuse and Deutsche Telekom announce the latest in a series of developments to the IPTV service T-Home Entertain. Videoload Presenter "Entertain Inside" is the exciting new 24/7 application that will now offer subscribers VOD content recommendations, trailers, reviews and promos.
Broadcaster application shows what audiences can expect from interactive TV.
AMSTERDAM, Netherlands - Sept. 12, 2008 - Today at IBC2008, Microsoft Corp. unveiled technology that makes it easy for service providers and content owners to develop a new generation of groundbreaking interactive TV services. Microsoft is showcasing interactive applications that point the way to how people could experience TV in the future.
August 2008 - T-Home, the IPTV division of Deutsche Telekom AG, and emuse have launched the first interactive IPTV application in the world to enhance a major sporting event. Following the German Telecommunications giant's acquisition of the IPTV rights to all of the Bundesliga (German Premier League football) for their T-Home platform and the signing of a development agreement with emuse in late-2007, the companies have now launched the latest release of the Bundesliga Interaktive service.
June 2008 - To promote the upcoming release of Prince Caspian, the latest acclaimed movie from the Chronicles of Narnia, emuse and Carat have created a video-rich advertising campaign for the movie which has the distinction of being the first advertising campaign to launch on the BT Vision, BT's next-generation digital TV service, IPTV platform in the UK.
May 2008 - BT Vision and emuse have today announced a further extension to their existing relationship with a commitment to building a significant pipeline of new and cutting-edge IPTV applications over the next 12 months.
Sydney, Australia, 30th April 2008 - Following the signing of a major deal, leading international interactive advertising service provider emuse will now become the preferred technology partner for interactive advertising on Australia's FOXTEL television platform. The deal between emuse, FOXTEL and Multi Channel Network (MCn), Australia's primary subscription television sales group, will run for an initial three year period.
LAS VEGAS - Jan. 6, 2008 - Today at 2008 International CES, Microsoft Corp. announced the availability of DVR Anywhere on the Microsoft Mediaroom Internet Protocol Television (IPTV) and multimedia platform, giving digital video recording (DVR) consumers the flexibility to watch their recorded TV programs on any TV in their home, further enhancing the platform's powerful connected TV capabilities. In addition, Microsoft also announced it is working with leading programmers, including Showtime Networks Inc. and Turner Broadcasting System Inc.'s TNT and CNN networks, to showcase new connected TV applications and scenarios that are enabled by the extensible Microsoft Mediaroom platform.
BT Vision, the next-generation digital-TV service, now features a new viewer magazine called On Vision. Designed by BT Vision, and produced and hosted by emuse, it runs in the Microsoft Mediaroom Tasman TV browser for BT Vision customers to view on screen.
Nov 2007- emuse and Sky TV New Zealand work with high-profile advertisers such as Coca Cola (Coke Zero), Gillette and Mitsubishi running interactive TV campaigns with powerful results.
Nov 2007 - emuse and ITV today announce the signing of a long term, exclusive deal to provide interactivity across all of ITV's programming and new media. The two companies have been working together on a wide variety of projects including redesigning their 24x7 interactive services menu and deploying applications for key shows.
SKY Television and emuse absolutely announce the launch of the first ever Impulse Response Interactive Television advertisement in New Zealand for Mitsubishi Motors Ltd.
September 10 2007. Today, S4C announces the launch of its comprehensive bilingual Digital Text service on the Freeview platform.
S4C Digital Text on Freeview closely resembles the service currently available on SKY and has been developed in partnership with emuse.
emuse absolutely have been appointed as a preferred supplier of next-generation interactive advertising services for BT Vision, BT's digital TV service.
March 2007 - emuse absolutely and Viacom Brand Solutions Limited, (the advertising-sales house for MTV, MTV2, MTV Dance, MTV Flux, MTV Overdrive, VH1, VH1 Classic, Paramount Comedy, Nickelodeon and many others) has signed a long-term deal to create and deploy interactive advertising across the DTT, DSat, DCable, IPTV, and mobile platforms.
February 2007- DISH Network presents an industry first with the launch of DISH Cricket featuring interactive coverage of the 2007 Cricket World Cup which will be available to 13 million DISH Network satellite television subscribers.
Jan 2007 - SKY Television New Zealand and Mazda BT-50 today announced that they are launching a ground-breaking interactive advertising campaign on February 1st 2007. The campaign is the first to be enabled by emuse absolutely, the UK's leading multi-platform, interactive solutions provider as part of their agreement with SKY.
Key broadcasters now signed up with emuse absolutely for advertisers to run cross-platform interactive campaigns
Nov 2006-emuse absolutely and ids work together to offer interactive advertising across several platforms on a number of channels from the Flextech and UKTV portfolios, including LIVINGtv, and UKTV Gold.
October 2006- Douwe Egberts are the latest advertiser to launch a major interactive TV campaign in the UK with emuse absolutely across both the DTT and DSat platforms.
It has been a long time coming but the UK's interactive TV advertising market finally has a viable competitor to Sky. emuse absolutely, the interactive advertising service from emuse technologies, has now signed up all the major broadcasters and has plans to "dramatically change" the iTV landscape.
September 2006-emuse absolutely and Teletext today announce a deal that will offer interactive advertising to Teletext viewers across both digital satellite and digital terrestrial television platforms.
September 2006 emuse absolutely join with leading broadcaster C4 to give advertisers greater access to their substantial audience by extending the reach of their interactive advertising offering. The deal also includes the film4, more4, and E4 channels.
August 2006 - emuse absolutely, the UK's leading iAd service provider, and five, the TV channel with 42 million viewers every month, will work together to expand their existing interactive sponsorship relationship. The new deal will extend advertiser reach by providing interactive advertising across mobile and the DTT and DSat platforms.
July 2006 - Sky Media, the advertising sales division of BSkyB, and emuse absolutely, the UK's largest independent, cross-platform iAd operator, have signed an agreement that will offer increased reach and therefore greater ROI for interactive advertisers using the emuse absolutely service.
July 2006- SKY NZ have entered into a 2 year agreement with emuse absolutely to design, build, test and deploy interactive advertising across wholly-owned or affiliate SKY channels and third-party broadcasters.
Viewers can play along with studio contestants using red button
'The Price is Right' is back on ITV and is as popular as ever! But for the first time, digital satellite viewers can play along at home using the red button on their remote. The new interactive application allows the viewer at home to play the same variety of games as the studio contestant.
Extensive interactive coverage of the Royal Welsh Show, one of Europe's most prestigious agricultural events, is to be provided by S4C, working in partnership with emuse.
Extensive interactive coverage of the Royal Welsh Show, one of Europe's most prestigious agricultural events, is to be provided by S4C, working in partnership with emuse.
12th June 2006: ITV and emuse absolutely's first Freeview interactive advertising campaign run on behalf of T-Mobile has seen excellent results, with an unprecedented 9-10% of viewers choosing to press the red button during the advert to find out more. The interactive campaign was also seen by over a quarter of the available Freeview audience.
Interactive advertising is going to be huge - which is good for Patrick Rainsford, the man who makes punching the red key on a digital remote possible
May 25th 2006. History was made today as the Welsh National broadcaster S4C, working with emuse absolutely launched their first interactive services.
18th April 2006: ITV and emuse have signed a deal to launch an independent interactive advertising platform in a move which should enhance the growth the sector is seeing.
London, Feb 2006 - emuse developed a synchronised interactive application to extend the viewers experience of the popular quiz show, Cash Cab. The show is a new take on the traditional quiz in which unsuspecting members of the public hail a cab to find themselves in a quiz show where the cabbie pays you!
DUBLIN, Ireland - Sept, 2005 - emuse technologies announced today that Modelstream®, the world's leading multi-platform interactive application development and deployment tool, has launched on EchoStar Communications Corporation's DISH Network satellite TV service.
August 2005 - emuse technologies are delighted to announce another long-term deal with a major UK broadcaster S4C, the acclaimed Welsh National Broadcaster, and emuse have signed a three-year deal. The deal includes the supply of the full Modelstream® software suite, the creation of interactive applications from digital text, subtitles, a content management system to complex synchronised voting applications, and a full support structure. Viewers will be able to launch such services through an emuse developed Interactive Service Menu.
Amsterdam, September 2005 - emuse technologies will demonstrate the integration of their industry leading iTV authoring tool Modelstream® and NDS's leading Mediahighway Development Kit (MHDK), at IBC 2005. The consistently production proven Modelstream allows designers and other non-technical personnel to quickly and easily develop powerful, fully featured interactive TV applications.
June 2005: Channel 5 Broadcasting Limited, the UK television channel with 42 million viewers every month, and emuse technologies, the creator of Modelstream® the world's most advanced interactive software suite, have joined forces with a long-term, exclusive relationship to create and deploy all of the channel's interactive sponsorship.
The Dublin-based technology company emuse has signed an exclusive deal with ITV, the UK's largest commercial broadcaster, to provide all of its interactive content across each of its branded channels on digital terrestrial, cable and satellite platforms.
Quiz show junkies were once limited to shouting their answers at the television from the couch. Now, thanks to the advent of digital technology, wannabe contestants can play along with the TV, phoning in or texting their guesses for a chance to win as much as £30,000.
ITV, the UK's largest commercial broadcaster, has signed an exclusive agreement with a small, Dublin based technology company in a move that should see substantially more digital programmes that encourage the viewer to `press the red button` to play along with the screen action.
June, 2005 - ITV, Europe's largest commercial broadcaster and emuse technologies creator of Modelstream®, the world's most advanced interactive application development tool have entered into an exclusive long-term strategic agreement. The relationship covers the development and deployment of all synchronised applications, across all interactive TV platforms and all ITV channels to include shows such as "The Great British" series.
LOS ANGELES (May 24, 2005) - emuse technologies, the creator of Modelstream, the world's leading multiplatform interactive television (iTV) application and deployment software, and acknowledged leader in successfully building and deploying single-screened interactive advertisements (iADs), announces that the company has successfully completed the latest phase in the development of Modelstream's OCAP capabilities at the recent OCAP Interoperability Event hosted by CableLabs®.
San Francisco (NCTA - CableNet Booth #6490) April 5, 2005 - NDS, a News Corporation company and leading provider of technology solutions for digital pay-TV, today announced the immediate availability of a new OpenCable Applications Platform (OCAP) version of its widely popular MediaHighway Development Kit (MHDK) Advanced. MHDK Advanced is the first and only development tool in the market to simulate the complete interactive TV chain, enabling developers to create, edit, test and debug interactive TV Javatm applications for MediaHighway Advanced set-top boxes and digital TVs on a single PC. With this new version, MHDK Advanced can simulate for developers the behavior of a MediaHighway Advanced OCAP set-top box.
LOS ANGELES - April 4, 2005 - Casino and Gaming Television (CGTV), the first 24-hour entertainment and information channel devoted to the millions of gaming lifestyle enthusiasts, announced today that it has entered into an agreement with emuse technologies, developers of the Modelstream suite of authoring tools and a leading producer of single screen interactive television advertising content, to create interactive television (iTV) advertising production and deployment models for CGTV advertisers.
Stamford, CT - March 22, 2005 - Softel-USA, the leading interactive television (iTV) solutions provider and supplier of distribution and transmission technologies, and emuse technologies, the creator of Modelstream®, the world's leading multiplatform iTV application and deployment software, and a leader in successfully building and deploying single-screened interactive applications worldwide, announce emuse's membership in the MediaSphere Alliance Program.
LOS ANGELES (March 2, 2005) - emuse technologies, the creator of Modelstream®, the world's leading multiplatform interactive-television (iTV) application and deployment software, and a leader in successfully building and deploying single-screened interactive advertisements (iAds) worldwide, today announced it has entered into an iTV application design and production agreement with Los Angeles-based broadcast and interactive firm, Red8 Studios. Red8 and emuse plan to jointly develop several single-screen iTV applications for deployment in the United States (U.S.) as well as internationally, leveraging emuse's extensive single-screen iTV application production experience and Red8's creative talent in the U.S. and Asia.
LOS ANGELES (January 18, 2005) - emuse Inc, the United States division of Dublin-based emuse technologies, announces the appointment of Tim McHugh as sales manager, Americas, with responsibility for all regional sales activities.
LONDON (December 8, 2004) - emuse technologies, the world's leading multiplatform interactive TV application and deployment software developer, has been nominated with ITV for a BAFTA Interactive award for the creation of the interactive element of ITV's "The Great British Spelling Test". Tens of thousands of viewers played along live with the contestants and received both instant feedback on their results and the opportunity to win prizes.
LOS ANGELES (December 6, 2004) - emuse technologies, creator of Modelstream®, the world's leading multiplatform iTV application and deployment software, today announced the availability of a new Modelstream Generate version compatible with the United States' cable industry's standard middleware platform, the OpenCable Applications PlatformTM (OCAP), providing the worldwide interactive television community with a single tool that will author to all leading iTV platforms.
ITV has yet again shown its commitment to providing viewers not only with high quality programming but also with a rich interactive experience. For the first time ITV has broadcast a TV show with synchronized interactivity triggered live from the studio.
Throughout the summer months emuse has been developing both their Modelstream® Suite with the introduction of Modelstream® Broadcast, and their international relationships with a view to securing high profile and quality opportunities worldwide. Many of these relationships are now bearing fruit.
30th August - ISO9001 Surveillance Audit Success A recent ISO surveillance audit carried out by our independent, external auditors has demonstrated again that emuse processes for the design and development of Modelstream continue to be aligned with the international standard.
ITV has unveiled the initial line-up of companies it will work with exclusively to source its growing interactive TV output.
24/5/04. emuse technologies are yet again at the centre of innovative developments as its interactive authoring suite Modelstream® is selected to create the interactive ads for the Zip Television consortium of advertisers.
NCTA, NEW ORLEANS) - emuse inc, developers of Modelstream, the comprehensive suite of desktop based interactive television production tools, today announces the sale of multiple Modelstream licenses to Ball State University's Center for Media Design, the first agreement reached with an American university.
1/5/04 emuse technologies continue their international expansion by signing a partnership deal with Holotype to provide their iTV authoring suite Modelstream® to the Australian, New Zealand and select Asian markets. Holotype have many years of local expertise servicing the OpenTV & MHP platforms, creating sophisticated information, betting and gaming solutions via Austar & Optus in Australia, M@gicbox in the Philippines, and SkyTV in New Zealand. Holotype will now use the Modelstream® suite to create future applications, to support the rapid growth of the interactive advertising sector with production of iAds, and will also act as a value added reseller for the suite.
April 27th 2004 emuse technologies today announces a new partnership with Siren, the UK's leading Participation TV agency who provide ground breaking ideas and solutions for major shows such as `Big Brother`, `Pop Idol` and `I'm a Celebrity. Both companies have an independently strong position in the UK broadcasting market and therefore combining their strengths will present a comprehensive offering.
(LAS VEGAS, NV, NAB) - emuse inc, developers of Modelstream® the comprehensive suite of desktop based interactive television production tools, today announces the early US release of its highly regarded iTV authoring software Modelstream® Plan, the world's most affordable iTV design tool.
London, 16th April 2004. emuse technologies, today announced that it has launched an educational package with several UK universities.
Cannes 30th March 2004 - emuse technologies release its revolutionary iTV authoring tool Modelstream® Plan (the most recent product in their iTV authoring suite) today at MiPTV/MILIA. For the first time a ground breaking, mass-market iTV authoring tool is available at a price point designed to present a viable option for everyone from an independent designer to a major broadcaster to work with interactive applications.
Dublin, March 18th 2004 - emuse technologies, creator of Modelstream®, the world's leading multiplatform iTV application and deployment software, today announced that it has entered into an expanded joint marketing agreement with OpenTV (NASDAQ-NMS:OPTV), one of the world's leading providers of technology, content, applications and services for interactive television.
London, 12th January 2004 - emuse technologies is delighted to work again with Granada plc, the largest and most successful media company in the UK's commercial television sector. Following the huge success of the interactive content featured on the last `I'm A Celebrity, Get Me Out Of Here!` in May 2003, Granada is once again employing emuse's Modelstream® suite of tools to create the interactive content for the next series aired at the end of this month.


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Supplying Model Makers since 1895
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Billing Boats Phantom Boat Kit
A Classic American runabout from the mid-1920s.
This type of boat was mainly used as racingboats, but in some cases also as tenders, for those who had a lager yacht.
Racingboats from that time was build in beautiful classic materials such as teak and mahogany.
If you had a 100-150 hp engine back then, you had one of the most powerful engines.
The model is based on a fast 34 foot tender.
View more products from Billing Boats
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Your Account
The Apache Tomcat server and related technologies give Java™ developers a rich set of tools to quickly build more sophisticated Web applications. Tomcat version 5 supports the latest JSP™ and Servlet specifications, JSP 2.0, and Servlets 2.4. This completely updated volume offers you a thorough education in Tomcat 5 as well as 4.1.
You will learn to solve the problems that arise with installation and configuration, security, system testing, and more. This edition also introduces you to Tomcat clustering for planning and deploying installations in mission-critical production environments, and explores the new support for Tomcat in popular IDEs such as IntelliJ IDEA, Eclipse, NetBeans™/Sun Java Studio, and JBuilder.
You'll discover how to manage class loaders and Connectors, understand how to use IIS as a Web server front-end for Tomcat, examine JDBC-related issues in Tomcat, and be ready to put this technology to work.
What you will learn from this book
Who is this book for?
This book is for J2EE™ system administrators and Java developers with responsibilities for Tomcat configuration, performance tuning, system security, or deployment architecture.
Wrox Professional guides are planned and written by working programmers to meet the real-world needs of programmers, developers, and IT professionals. Focused and relevant, they address the issues technology professionals face every day. They provide examples, practical solutions, and expert education in new technologies, all designed to help programmers do a better job.
Ben Galbraith is a frequent technical speaker, occasional consultant, and author of several technology books. He is a co-founder of Ajaxian.com, was recently Chief Technical Of-ficer for Amirsys, and is presently a consultant specializing in enterprise architecture and Swing/Ajax development. Ben presides over the Utah Java User's Group, is active in the Java Community Process, and tinkers on various open-source projects from time to time. He has delivered over one hundred technical presentations in 2005 at venues including JavaOne, TheServerSide.com Java Symposium, and the No Fluff Just Stuff Java Sympo-siums.
View Ben Galbraith's full profile page.
© 2016, O'Reilly Media, Inc.
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All trademarks and registered trademarks appearing on oreilly.com are the property of their respective owners.


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Every module in EngineerOffice has a search function that allows you to locate records matching specific search criteria. With the Document Search Request screen, you can perform a search for a document using any combination of criteria.
The left portion of the form is used to search for documents, while the right portion is used for searching emails that are linked to the system.
Search results are displayed in the Documents List View, where you can then select a record to retrieve the document from the file server (that is, open it with the program it was created with), or to access detailed information about the document, such as its filename, size, type, who created it, who last modified it, who last accessed it, move the document to a new location on the file server, or associate the document to additional existing contacts or projects.
Active Only
Mark this check box to retrieve the documents created, modified or viewed by active users only.
Remove additional search criteria.
Adds additional search criteria.
Cancels you out of your search.
Click to execute the search after entering your search criteria. Keep in mind that the search will return a Found Set, and you can enter as many search requests as necessary before executing the Find.
Button Panel
Opens the EngineerOffice Help in the Search section.


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/// Yes, Futurama Is Really Cancelled
Showrunner David X. Cohen has seen his and creator Matt Groening's series Futurama through seven seasons—and 14 years of cancelations, syndicated success, direct-to-DVD resurrection, provisional renewal and, finally, a new lease on life at Comedy Central. That lease expires this summer, after the show's eighth and (most recent) final season. When Adweek caught up with Cohen, he suggested we make a chat about Futurama an annual tradition "because there's always a cancelation to report on." So what's next? Well, we still have our season coming on. I'm in kind of a tricky position where I have to tell people, "We're canceled, and we're on the air!" Matt Groening believes it's our best season ever.
Go here to see the original:
Yes, Futurama Is Really Cancelled
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Registration Information
The deadline to register vote in New New Hampshire is: Received 10 days before the election. You may also register in person on Election Day.
- In person at your town clerk's office .
- At the polls on Election Day!
New Hampshire residents who are United States citizens and who will be 18 years of age or older on election day, are eligible to vote. There is no minimum period of time you are required to have lived in the state before being allowed to register. You can only register in the town or ward in which you are domiciled.
Register to vote now!
To check the status of your voter registration, click here.
When can I vote in New Hampshire?
Early Voting InformationIn-person early voting available? No
By mail early voting available? No
If you will not be able to make it to the polls on Election Day, you may be able to vote absentee by mail. Acceptable reasons for absentee voting include:
- You will be absent on the day of the election
- You cannot appear on the day of the election because of a religious commitment
- You are unable to vote in person due to a physical disability
- You are a U.S. citizen but living outside of the U.S. or are a member (or spouse or dependent of a member) of the armed services or affiliated services and will be absent on the day of the election.
Completed ballots must be returned by 5:00 pm on Election Day, if by mail, OR by 5:00 pm on the day before the election, if returned in person.
For more information about casting an absentee ballot, please contact the NH Division of Elections.
Voting Hours on Election DayThe polls are open from:
Voting hours vary from town to town in New Hampshire, but polls must open between 6:00 a.m. and 11:00 a.m. and close no earlier than 7:00 p.m. Eastern Time on Election Day. Be sure to check your polling place for exact hours.
Please contact your state election office for additional voting information, or click here to learn more about voting absentee in your state.
Where do I vote?
Find out here.
For more information, contact your state election office.
What do you need to bring?
New Hampshire law requires residents to provide ID when voting. If you don't have an ID with you, you will be asked to sign an affidavit confirming your identity.
Acceptable forms of ID include:
- A driver's license issued by any state or the federal government (regardless of expiration date)
- An ID card issued by the NH Division of Motor Vehicles
- An armed services ID card
- A U.S. passport (regardless of date)
- Any government (federal, state, county, or municipal) issued ID with photo
- A valid student ID with photo
- Other photo ID deemed legitimate by the supervisors of the checklist, moderator, or the clerk or verification of identity by one of them
**Voting hours vary from town to town in New Hampshire, but polls must open between 6:00 a.m. and 11:00 a.m. and close no earlier than 7:00 p.m. Eastern Time. Be sure to check your polling place for exact hours.
For more information, contact your state election office.


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Sorry, this Silva Document is not viewable.
Surgery and Interventional Science
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Trauma & Orthopaedics MSc
The pioneering Trauma & Orthopaedics MSc has been designed to reflect the growing trend towards greater integration of clinical service, research and education in the NHS, as exemplified by the development of the various Academic Health Sciences Centre models, in order to speed the development of improvements in patient care. The programme complements clinical higher surgical training. In partnership with the existing NE London Higher Surgical Training programme, the MSc in Trauma & Orthopaedics offers students an excellent preparation for FRCS (Tr&Orth) as well as a UCL MSc degree with a high quality supervised research project. The target group for this course is orthopaedic surgical trainees with GMC registration and the MRCS or equivalent. Students must either possess an NTN Number or have two supporting references from their trainers that they are dedicated and committed orthopaedic surgeons in training.
Key Information
Programme starts
October 2016
Modes and duration
Students are expected to attend teaching at the Royal National Orthopaedic Hospital in Stanmore every Wednesday (from 5pm to 7pm) during term times.
Tuition Fees (2017/18)
- Overseas:
Note on fees: The tuition fees shown are for the year indicated above. Fees for subsequent years may increase or otherwise vary. Further information on fee status, fee increases and the fee schedule can be viewed on the UCL Current Students website. Fees for flexible, modular study are charged pro-rata to the appropriate full-time Master's fee taken in an academic session.
Entry requirements
Applicants must hold a medical qualification from a UK university or an overseas qualification of equivalent standard.
GMC registration and MRCS or equivalent is also required, and an NTN number (or two supporting references from your UK orthopaedic trainers).
English Language Requirements
If your education has not been conducted in the English language, you will be expected to demonstrate evidence of an adequate level of English proficiency.
The English language level for this programme is: Standard
Further information can be found on our English language requirements page.
International students
Country-specific information, including details of when UCL representatives are visiting your part of the world, can be obtained from the International Students website.
International applicants can find out the equivalent qualification for their country by selecting from the list below.
Select your country:
Degree Information
Students undertake modules to the value of 180 credits. The programme consists of eight core modules (120 credits) and a research dissertation (60 credits).
Core modules
- Trauma, Theory and Upper Limb
- Trauma of the Spine and Lower Limbs
- Paediatric Trauma
- Children's Orthopaedics
- Oncology
- Orthopaedics - Upper Limb
- Orthopaedics - the Spine and Research Methodology
- Orthopaedics - Lower Limb
- Research Project
Optional modules
There are no optional modules for this programme.
All MSc students undertake an independent research project which culminates in a dissertation of 8,000–10,000 words.
Teaching and Learning
The programme is delivered through a combination of lectures, seminars, tutorials and consultant clinical conferences. Each taught module will be assessed by a two hour unseen examination. The submission of the dissertation and viva voce for assessment will take place in the final year of the programme.
The programme will be taught mostly at the Royal National Orthopaedic Hospital in Stanmore, London. Some teaching will also take place in Bloomsbury.
Further information on modules and degree structure is available on the department website: Trauma and Orthopaedics MSc
For a comprehensive list of the funding opportunities available at UCL, including funding relevant to your nationality, please visit the Scholarships and Funding website.
Degree last modified on 13 June 2017 at 14:30 by UCL Publications & Marketing Services. Please contact us for content updates.
Programme Director
- MSc only
Mode of study
- Flexible: Up to 5 years
Tuition fees
- For fees, click here.
Fees for flexible, modular study are charged pro-rata to the appropriate full-time Master's fee taken in an academic session.
Application deadline
- 28th July 2017
Programme Administrator
Mrs Ruth Williams
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text:
This is not an argument for cutting the U.S. Army and Marine Corps disproportionately in the years ahead.
DC is creating a lot of high-paying jobs for highly educated professionals, who disproportionately tend to be white.
At Princeton, the men are disproportionately represented at the bottom as well as at the top rung.
Put simply: this is a public health catastrophe that disproportionately harms women and children.
These voters are disproportionately black (29 percent), Latino (20 percent), and lower income—41 percent make less than $30,000.
Observe the massive, masculine fingers and disproportionately small finger-nails in the hands of Professor Weekes, the sculptor.
They are characterised by the disproportionately large beak.
The girl seemed all eyes and neck, and the coils of brown hair wreathed round the head were disproportionately rich and heavy.
Her bridge and single deck-house were disproportionately high.
Because of its smaller total numbers, the Confederate army was disproportionately weakened by the losses in battle.
1550s, from dis- "not" + proportionate. Improportionate in same sense is from late 14c. Related: Disproportionately.


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- 1 of 1 Photos | View More Photos
by Frank Aceto
Associate Sports Editor
Tallmadge -- When it's all said and done, a three-pointer is just one point higher than any other field goal.
Forgive the Tallmadge boys basketball team's players and coaches if they begged to differ Dec. 28.
The host Blue Devils fell to 5-3 on the season after losing a 71-60 decision to Cuyahoga Falls at James O. Maddox Court.
With the victory, the Black Tigers improved to 4-2.
Tallmadge actually made more shots from the floor (24-23) than Falls did.
But the difference was the Black Tigers made their shots from a bit further away than the Blue Devils did. Falls converted nine three-pointers, including eight in the first half. Tallmadge made a trio of three-pointers.
The Black Tigers also knocked down 15 of 23 foul shots, while the Blue Devils converted just 9 of 18.
The leader of Falls' long-distance barrage was senior guard Jay Slone, who knocked down all five of his three-point attempts in the first 16 minutes. Jay Slone finished with a team-high 19 points.
"I thought all of Jay's shots were good shots," said Black Tigers head coach Rob Slone, who is Jay's father. "[Senior guards] Josh [Ricker] and Simon [Moskowitz] did a good job of hitting the gaps and kicking it to him."
As a result of Jay Slone's shooting stroke, Falls took a 38-25 halftime lead. That advantage increased to as much as 20 (47-27) with less than two minutes left in the third quarter.
Tallmadge cut its deficit to eight on two occasions (66-58 and 61-53) in the fourth quarter. The Blue Devils might have made things more interesting if they made a few more free throws down the stretch.
Tallmadge converted just 4 of 10 shots from the foul line in the final eight minutes.
In the long run, though, it's very difficult to beat an opponent when you're trading two-pointers for three-pointers.
"The second half was an even game," Blue Devils' first-year head coach Mike Bluey said. "We were getting twos, but they were getting threes.
"A three-pointer is just like a dunk. It gave them [the Black Tigers] some momentum and got them excited. I thought we could have done a better job of closing down their three-point shooters, but they shot the ball well."
Jay Slone scored just two points on a pair of free throws and took just one shot in the second half. Fortunately for Falls, his explosive performance in the first half was all it needed.
That's because the Black Tigers have plenty of weapons at their disposal.
Falls' 6-foot-7 senior post player, Angelo Cugini, scored 10 of his 18 points in the second half. Cugini knocked down a couple of three-point shots in the first quarter and also converted a couple of alley-oop passes from Slone and Ricker.
Other Black Tigers who provided some scoring punch were Ricker, who scored 11 of his 15 points in the final eight minutes, and junior guard/forward Tyler Adams, who finished with nine points.
"I thought their [the Black Tigers'] key guy was Ricker," Bluey said. "I thought we did a great job on him in the first half, but that left Slone open.
"We believed Ricker was the guy that made them go. If we could contain him, that gave us a chance to stay in the game. But give Falls credit. They're a good team."
The Black Tigers earned their fourth win in their last five games. They rebounded from a 39-37 loss to Hilliard Darby Dec. 21 on the road. Cugini did not play in that game because of a sinus infection.
Junior forward Andrew Francesconi led the Blue Devils with a game-high 27 points to go along with eight rebounds.
While Francesconi got his points, he had to work extremely hard for just about all of them.
Junior guard Colten Stricker and sophomore guard Justin Cambria added 12 and 11 points for Tallmadge, which lost a 54-50 decision in the junior varsity contest.
"It was a really big win for us," Rob Slone said. "This is a game that we might have lost last year because we would have lost our composure.
The Blue Devils don't want to take that approach either.
Nevertheless, Bluey believes a loss to a quality team like this will only help his players down the road.
"This is a good learning tool," he said. "They were better than us on this night, but we showed we can compete. I'm proud of the guys. When they got down 20, they didn't pack it in."
Tallmadge was scheduled to visit Suburban League rival Wadsworth Jan. 3. Results were not available at press time.
The Blue Devils are set to visit Akron Garfield Jan. 7 and league foe Green Jan. 10. Both varsity games are scheduled to begin at 7:30 p.m.
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|2nd December 2007, 11:36 PM
diyAudio Member
Join Date: Sep 2007
Need some help with finding a really good headunit
Looking for some advice on a really good headunit to replace my Kenwood KDC-MP4028. I bought a Alpine CA-9883 but the problem is, I thought I could make the adjustments to make up for the 2V preouts on this unit (My Kenwood had 4V) and it doesn't hit as hard and isn't the same at all. I've tried everything. It seems a lot of the headunits now n days (I bought my Kenwood 2 years ago) like to have you only turn it up half way or at a low volume. I'm use to crankin up a stereo. My Kenwood went up to 35 on volume and I always had it at 28-29 and it kicked butt. The Alpine 9883 seemed to sound good around 21-23 but any higher, and you didn't hear any bass at all. You got a little teeny bit but if you turned it back down to that range, it hit hard. I'm not use to a unit that you have to have the volume level low. Luckily I bought it from Crutchfield and I contacted them last night and I'm thinking about exchanging it for a Alpine CDA-9885 but I'm worried that this won't solve my crankability issue. The bass more than likely would be back to normal but I would still have to keep it at 21-23. Then when I turn it down at a stop light, the highs are low but my bass is still pretty high at 1!! It still sounds like I'm thumping. I don't want that cause I don't want to draw attention to myself as I usually just crank it up when I'm on the interstate. Weird...So I need some advice on a few units I'm looking at and maybe if you have a suggestion. I want a unit that you can turn the volume up pretty high and still have everything sound clear and good.
Here's some of what I had in my Kenwood unit that I would like to have in a new unit (can do without a few and also, this unit had a mid bass setting that you could change - could have made a difference before in my sound):
CD receiver with built-in amplifier (22 watts RMS/50 peak x 4 channels)
fold-down, detachable face with 2-color display
plays CDs, CD-Rs, and CD-RWs (including discs loaded with MP3, WMA, or AAC files)
System Q Sound Control: 6 preset EQ curves with bass, treble, and midrange controls
System E's crossover system (high- and low-pass filters)
satellite radio controls (SIRIUS or XM subscription, tuner, and antenna required to receive the satellite radio signal) service is available only in the lower 48 states, not available in Alaska, Hawaii, or U.S. territories
HD Radio-ready
CD changer controls
optional auxiliary input (adapter required)
4-volt front, rear, and subwoofer preamp outputs
CR-2 tuner
18 FM/6 AM presets
wireless remote
CD frequency response: 10-20,000 Hz
CD signal-to-noise ratio: 105 dB
FM sensitivity: 9.3 dBf
warranty: 1 year
Looking at these units:
DEH-P6900UB (Has USB Input)
Any help is much appreciated I will be calling Crutchfield in the morning and telling them I'm exchanging my CDA-9883, just not sure right now which one to exchange it for.
|2nd December 2007, 11:38 PM
diyAudio Member
Just buy a linedriver to boost the input signal. Polo..
Safe_Cracker :O)~
|3rd December 2007, 12:07 AM
diyAudio Member
Join Date: Nov 2007
Do you have the loudness off? What size amps are you running on it? I have my alpine set to max at 18 because I get so tired of waiting an hour to turn it up or down. Ok only a couple seconds but it is way slower than a knob, and it works fine this way. I never run them over 60-75% usually (into amps), but this one I can turn amps down and crank it way up and it stays clean. I used to run it to 28-30, but it was so slow to change volume. It sounds mostly the same at any volume, I don't understand what yours is doing. Mine is older, but same as other alpines I have run. It is 2v and I have run maybe 10 different amps on it, but I have used a couple different crossovers. They were not line drivers but could have boosted the signal for all I know.
|3rd December 2007, 12:37 AM
diyAudio Member
Join Date: Sep 2007
Loudness is defiantly off...I'm using a Alpine MRP-M450 on 2 JL Audio 12" subs. It sounded great on my old Kenwood unit with 4V preouts and exceptional on a Clarion DXZ675USB unit I tried but was not happy with it and it had a defect in the volume control. If I turn the amp gain down, it doesn't make it any clearer when you turn it up...and then the treble is already too high for me and if you go lower, it doesn't sound right. Treble was at 0-1, Bass 3, SW 9, Freq - Highs at 80 or 120, Lows 80...Not much else to really say. I really love my bass hitting hard and I feel I should not have to lower the gain or touch my amp that it should sound as clean and hard as my Kenwood or Clarion was. Oh well, I'm still searching through Crutchfield's lineup...
|3rd December 2007, 02:06 AM
diyAudio Member
Join Date: Nov 2007
Well you can never run the HU into distortion, some do it, good ones usually don't. Turn your sub amp off or down all the way, turn the high amp all the way down too. Then turn the HU all the way up, go turn the high amp up just so it sounds normal and not loud in the car. Listen closely and if it is not clear (distortion/clipping) turn it down until it goes away, then down a few more. That point is as high as you should ever turn that HU up to. Then turn your amps back up so they max at that number.
HU, I like the pioneer 880 when I have enough play money around.
|3rd December 2007, 03:49 AM
diyAudio Member
Join Date: Jun 2007
Location: Louis y ana
I have a kenwood kdcx890, love it. Get another kenwood, I couldn't find anything else better new for the price.
Don't worry... you can always turn the gain down!
|3rd December 2007, 01:57 PM
diyAudio Member
Join Date: Sep 2007
Stuck with Alpine and got the CDA-9885. I didn't really like the look of the Pioneer with everything blue in color and even though it had a USB input on it, I didn't want to run into the same situation I had with the Clarion and the sound of ticking when it's running a USB device and my burned cd's are doing just fine. None of the Kenwood's appealed to me and there was one for a pretty good price but it looked just about exactly the same as my old one and it was sold out anyways. All I need is the 4V preouts to make the bass hit harder and better like it did before and it should now. Plus I hope the Bio Lite display will be more clearer to read than the 9883 but it's not a real issue and the remote is a definate plus with the 9885. I will try some adjustments on the amp if needed but I really don't think that will be necessary with the 4V preouts now. I should be good to go. Crutchefield is so awesome...They emailed me a prepaid UPS label and I just tape it on the box and send back. They are only a day away with shipping so they should receive it tomorrow and then they will ship the other unit out to me that day so I should have my new unit by Wednesday. Just have to deal with no radio for about a day
|3rd December 2007, 06:39 PM
diyAudio Member
Join Date: Sep 2007
Please let us know how it goes... I'm considering making the jump from Sony to Alpine, but I'm really nervous about SQ.
I'm still using head units from the 1990s so I can use my external digital processor, but if the Alpine works well, I can move forward with a new setup and sell off all of my Sony gear... and AudioControl and ...
|6th December 2007, 01:49 PM
diyAudio Member
Join Date: Sep 2007
Hey jol50...I saw another post you had that you also had some 12" speakers. I have 2 12's as well and was wondering, since you have a Alpine as well, what might be some good settings for the headunit to get it to sound really good? I believe I'm almost there with the CDA-9885 but when I think it sounds awesome, some songs that sounded great on the Kenwood, aren't as good on the Alpine but then I go to more songs that have a higher bit rate when burned and it kicks butt. I'm still tweaking some settings and it might take a little time but I think I'm getting there. It's a different headunit than a Kenwood and the settings I use to have with my older unit are not going to be the same on this one. So I have to have a little fun with it. Here are my settings right now...You can PM or email (not sure which on this board as I don't see a PM box or anything anywhere) me if you want to go over some things. I just want to get it sounding like it did with my Kenwood. Otherwise, I'd hate to do it, I might exchange the unit for another Kenwood again. I really like this unit and all but I haven't tested out my latest turn on the gain so we'll see.
SW Vol: 10
Sub type setting: 1
Bass: 3
Bass Bandwidth: Q1
Treble: -1
Treble Center Freq: 12.5
HPF: 120 or 160 (If on through it distorts my door speakers when volume is cranked up. Didn't do this on my Kenwood but oh well)
LPF: 80 (but 60 sounds a little harder kick...over 80 a bit and the sound is a bit muddy)
Balance: 0
Fader: 0
Loud: Off
Volume: Usually between 21-24 right now
Aslo, anyone know good settings for frequencies for Low Pass for Rock? I was told to keep it 80hz but any lower frequency and a lot of the bass guitar is cut out. Also, if I have it a little higher than 80, like at 100 on the amp, it kicks and sounds a bit better.
Also, wondering about frequencies for highs?
|6th December 2007, 04:11 PM
diyAudio Member
Join Date: Sep 2007
Hi Flyin... you mentioned bit rate... are you playing MP3 files from a CD or burned audio CDs?
I've noticed a HUGE difference in SQ between low and high bitrate files that have been burned to an audio CD. Mostly in the treble, but also in how the bass *sounds*... it sounds really blatty on the lower bitrate files.
With the cabin gain we get in our cars, you have to watch for *too much* bass. Right now, I'm crossing over at 78 Hz (Sony has odd settings... ) and I'm getting about the right amount on most rock tunes, but WAY too much on hip hop. When I change the setting to 62 Hz, it really thins out on rock recordings, but the hip hop keeps on booming.
You're also underlapping your crossover settings... that is, you're setting the high and low settings to different values. This may be good due to its counter-effect on the whole cabin gain thing, but you can also get a suck out on the frequency response if they're too far apart. My settings above are both with the front stage set to a 78 Hz xover frequency. When I underlap, it sounds very tight... and when I don't, it sounds a bit fat. You're running two 12" subs, though. Those drivers will have WAY more output than your front stage can even dream of staying up with, unless you're running 8" drivers for your midbass or a pair of smaller drivers. I think I'd try setting the front stage to 100 Hz, the subs to about 60 or 80 Hz and see how that goes...
You might also want to check the xover settings on your amp... if you're double filtering, it could do some really odd stuff. I've got 36 dB/octave filters in my processor and 24 dB/octave on my amps... when they're both turned on, it sounds *really* bad. Also, where is "10" on the SW Vol? Is that all the way up? You may also want to turn down the SW Vol and turn up the gain on your bass amp.
Just my 2 cents.... YMMV.
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Northern Virginia Buyers
For those of you in the Northern VA area, where did you buy and how much off the MSRP did you pay. Looking to buy this summer and instead of bouncing around the 5 lots closest to me I'd like to narrow it down to two or three to start.
Re: Northern Virginia Buyers
Go with the Group buy from Koons. It is hassle free and you will not likely do better on price anywhere else.
Re: Northern Virginia Buyers
Only problem with Koons is service after the sale. Koons isnt recommended for service. And who knows if group buy will still be around in the summer. Also in the Summer you have less choice since its the model year change over and orders wont be start arriving until September for MY 2015.
Couple friends of mine have gotten the same deal as the Group Deal at Lindsay in Manassas on Wk2s and couple others got the same % off on a Wranglers.
Lindsay has a far better service department and Koons is a bear to get to and out during normal business hours.
Another good dealer is Safford in Warrenton. Avoid Ourisman and Dulles.
Re: Northern Virginia Buyers
Re: Northern Virginia Buyers
Re: Northern Virginia Buyers
Anyone bought from Safford Chrysler/Jeep? They are sowing a good price on cars.com but may be a bait and switch deal.
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