text:
gesus, i meant "blank wall"
i doubt anyone was truly interested in a blank wall, unless they were on LSD, shrooms, and other fun drugs.
havoc-yup its panic..new name..
gesus, i meant "blank wall"
i doubt anyone was truly interested in a blank wall, unless they were on LSD, shrooms, and other fun drugs.
havoc-yup its panic..new name..
aim : jawnMcCain
i wrote my post before i read any one else's post so it wouldn't influence my opinion on this subject, graffiti is considered art by richer parts of soceity the people that don't have to look at it every day, grafffiti is hated strongly by the poorer parts of soceiety, because they look at it everyday and they can't read, its all dirty scribley and shit, and it gives off a feel of discomfort and making them feel like they arn't secure, bombing is not art, ther is little or no effort put forth in tagging or bustin throws, it like breathing, you do it all the time, and its nothing special when some one takes a breath of air, maybe if ur tag can tell some one what u were feeling (joy, anger, depression, etc) then it may be art by some in the art world, it hard to get feeling so strong out of somthing like that, bombing is about getting ur name up and around for people to see and acknoledge ur existence, i kno that other writers will stop to read ur throw or tag, but regular people won't, the only time that happened that i kno off the top of my head is cornbread in the 70's, my dad remebers distinctly seeing corn bread when he was young in the city, but that doesn't make it art, bombing is not art, i think graffiti murals are very artistic depending on what it is, if its an awesome piece with a aweosme backround thats art, like the murals that 3A crew does, that is art, the writer puts effort forth into the whole mural, he/she puts the effort forth then steps back and looks at it he/she gets a great feeling inside, when a writer does an awesome character, that a regular person can look and say "wow thats really cool" then that is definately art, there are alot of diferent styles to diferent writers, and i think its about the amount of effort put forth, if people rich or poor can enjoy looking at it and if u can see expression and feelings other then destruction in it, then it some graffiti may be art, also regualar people can look at a piece with a billion arrows and really colors and be like wow thats really good, but actaully it can be shit to some writers, then that is knowing the art of graffiti, like the art of carpentry, or the art of metal workers
bombing= not art
piecing and murals= art
kill em all
well man a while ago a good writer once told me "street art is graffiti but graffiti is not street art" and i live by those words because when i sat down nd started thinking about what he said its sooo true...Originally posted by SALVO@Jan 25 2005, 06:00 PM
I agree Gesus, I'm honestly supprised that you said what you said though cause I know you're all about that "street art"
But graffiti is what ever you want it to be, but its vandalism, it started as vandalism and it will always be vandalism. Legal walls are a waste of paint and time, I don't really consider it to be graffiti either. I like doing graffiti to get reactions and just to have fun. I don't think it would be realistic to pursue an art career based on graffiti.
i used to be all about giving my parents the graffiti is art speach untill i actually stepped back and really looked at it from a person who doesnt do graffitis view and then i looked at it as my person who does graffiti view and noticed that it wasnt art even when i looked at it though my eyes....
i noticed all the toy shit around... all the bombs and toss, all the trouble i been in.. the arrests everything, i do some art but i do a whole fuck load lot more vandlism which is why im tryin to balence it all out with painting up junk laying around and puting it all over in public places so it not vandlism its recreating shit and i have watched people pick up a bit of my art work and walk away with it.... and its a good feeling knowning that it might be a gift to some one.. or it will be hangin in someones houses... its a good feeling but then again so it the huge freeway hit i did last night along with all the bombing... but i think rebus said it best when he said "the art is the vandlism"
Of corse its art!!!!!!!Tagger graffiti can often be easily recognized because it is more stylized and artistic, with fat, wild-style, or geometric letters. It usually contains brighter colors and more detail than gang graffiti, and may include pictures, as wellTo many taggers, graffiti is a culture and a way of life. Many taggers believe they are creating a form of artwork, which they call "aerosol art." As a tagger begins to build a reputation, he or she will chose a style and nickname. As taggers gain more experience, they will look for larger walls and locations that are more difficult to reach. When they are not doing more graffiti, most taggers will talk about graffiti and carry sketchbooks to draw ideas. Many will keep ledgers or records of their activities, including where they tagged and how long the graffiti stayed up before it was removed. Some will travel to other areas to learn about graffiti techniques. They also study the work of other taggers, often from other areas around the world. Of course, the Internet has only facilitated this process. Taggers are proud of their "art," and will often photograph or videotape their "work" as it is being drawn by the tagging crew. They will take their friends to see it. so yeah i personally do think it is a form of art....just illegal art, but art none the less.

QUOTE (Feliks @ Oct 26 2006, 03:37 AM)

I love you swich, you made me smile.

QUOTE

(Mateo_Jr. @ Jul 10 2006, 01:57 PM)
Graffer that tags? Thats like having a Screen Name like " Hustler that hustles".
sounds like something youd hear on the news^^^ or a shitty documentary on graffiti artists
dont be told what you want, dont be told what you need.
(swich's post)
dont be told what you want, dont be told what you need.
im no art critic but in my eyes a real nice coulorfull peice is art with out a dought. but mindless vandelism like 50+ tags on 1 door and 50+throw-ups on some random wall isnt art BUT SO FUCK ITS FUN!!!!!! :lol: :P
With both graffiti and traditional art there comes a community, one community is filled with criminals and kids who never got enough hugs. The other is filled with people trying to out weird eachother. I know this is a huge generalization but theres a lot more in graffiti than there ever was/will be in art.
When you go out and illegally paint you're risking a lot, maybe even you're life in some places. You dedicate time and labor over a piece with cans of paint, you get into fights, you get cut up, shot at, chased, stuck up, or arrested. For what? Painting on other people's property...
Now in the art scene, you get some rich banker who collects abstract art go give you a 10,000 dollar grant so you can buy a canvas to throw shit at and pay for your spacious Manhattan loft. The rest of the money goes towards party drugs.
What motivates a graffiti artist? Passion, recgognition, and fun, you don't get paid to scrawl on walls that don't belong to you.
The patron saint of mediocrity.
it's the art of letter structure and color use
cup of noodles.
it's the art of letter structure and color use
cup of noodles.
bombing is not art, ther is little or no effort put forth in tagging or bustin throws, it like breathing, you do it all the time, and its nothing special when some one takes a breath of air, maybe if ur tag can tell some one what u were feeling (joy, anger, depression, etc) then it may be art by some in the art world
Ravek, you really couldn't be more wrong.
effort isn't a determining factor whether something is art or not..
and if something is so abstract not a single person in the world can understand it, that dosent make it NOT art.. it has NOTHING to do with the idea if people can decipher it "correctly" or not.
and gesus's quote
i used to be all about giving my parents the graffiti is art speach untill i actually stepped back and really looked at it from a person who doesnt do graffitis view and then i looked at it as my person who does graffiti view and noticed that it wasnt art even when i looked at it though my eyes....
some people don't like michalangelo's artwork. some don't like davinci. some don't understand dali's. just because someone can't appreciate an art form, dosen't instantly make it not art.
"the art is the vandlism" is a great quote. it can get even more complex if you reverse it too. "the vandalism is an art"
graffiti is its own thing its self only people who do it will recognize the skill and hard work put into it and as for throws and some handies there is somewhat skill but not as much cus most handstyles and throws all look the same but idk its definitly vandalism cus your destroying it even if pablo picasso did a paint on the front of a quikie mart people would be like wtf why? cus it dont belong there but we all decided we ll do what ever the fuck we want its like one big rebellion with paint and in the process we pick up skill some how
the new beginning
oh damn i read that over and its hard to understand
me stupid
the new beginning
To me art is whatever you percieve it to be, art is everywhere. Just because the police call graffiti vandalism doesnt mean it is. Vandalism is destruction, now open your eyes, graffiti is not destroying anything. Alot of you guys go out and say "Yeah man i write, im all out for destroying shit". Like your all hardcore and gangster or something. It sounds fucking stupid. And for some writers, graffiti isnt just about getting your name known, i dont care if im known or ever get known, because for me its the thought behind the tag, bomb, piece...whatever. Maybe to you someones graffiti does look like shit, but who are you to say whats good and whats not? You arent anybody to say that, because thats the great thing about graffiti, that there are no rules. Scribbles on electrical boxes aren't just scribbles, theres hard work, determination, skill, and a thought process involved. Graffiti is art. Art doesnt have to be on canvas to be called art. The mian reason im out writing and not sitting at home making canvases is because i love graffiti/art, its fun, and at the same time im defying the governemnt, and there fucked up rules they have created for todays corrupted society which they are responsible for. Graffiti is only vandalism if you believe and agree with what the law says. But if you make your own rules and set your own boundaries, graffiti...like art is whatever you percieve it to be. So to me graffiti is just another type of art. Out writing for the destroying? cant you see? were not destroying anything, were creating.
dont be told what you want, dont be told what you need.
oh and gesus, i understand where your coming from, but i have to say, i completely disagree.
dont be told what you want, dont be told what you need.
i think bombing is art sometimes.....
the real heads are putting out work that in some ways is like calligraphy, making stylized letters. that and handstyles to me can be art, but 90% of stuff out there is shite.
i jsut noticed... most of u saying its vandalism... are pretty much toys. (not all but most)
n those saying tags arent art... is like saying calligraphy isnt an art form. when its a widely accepted art form. and graffity is best described as 'urban calligraphy' therefore its art.
if you TRULY jsut believe in vandalism. why bother calling a kid a toy? hes fucking up shit! who cares if he has style or not??? point is hes doing vandalism.
now if graff is art... then having a nice handstyle is important. its having good calligraphy.
spend 3 yrs perfecting a tag... n then tell me its not art... cover 3 sheets of paper in lil pencil tags, n just find one intresting curve to rework n rework till u have one intresting letter and then finally an intresting tag... if thats pure vandalism... jeez. seems like alot of work when i could jsut throw rocks thru windows no? n if i jsut wana get my name up... whjy not use my normal handwritting? would be the most 'vandal' way to get up...
and why seperate the two? they arent mutually exclusive. its vandalism. its art. its both lol...
its destroying property in an artistic fashion... n i dont care if its jsut a 3 second tag... master artists can render the basis of a human with all the emotion and movement in 5 seconds or so and using jsut 3-4 lines...
its kinda like a 'tag' of a human lol...
to have a dope tag is alot harder then to have a dope piece. a tag is lines. one color. maybe flare if your with a can, or drips wiht a marker. thats pretty much it...
its alot harder to make something really dope that will make ppl stop o nthe street with a lil black line then rocking a 10 color piece, no matter if u got alot skills or not...
plus your tag style tend in most cases to define your pieces, specially as a beginner so its very much the 'skeleton' of your art...

[CLICK CLICK ME!!]
------514 reprezent!------
[C]reating [A]rtistik [C]haos

QUOTE (mr. she77)

waste will you be my best friend?

QUOTE (msfyt)

"the last thing you need is more attention"
*closed*

^^^ he makes sence.
Hit a honey from the back and crumpled up her scrunchy. x
[quote]Originally posted by GeSuS_KRiST@Jan 25 2005, 04:03 PM
Not a problem good sir...Originally Posted by oblong,Jan 25 2005, 03:54 PM
"YOUR STYLE IS LIKE DYING IN MY SLEEP, I'M NOT FEELING IT..." -Feminem


text:
Posts Tagged 'timber frame insulation'
Timber Won't Corrode Like Steel
Living in Scotland means you must brace yourself in a wet climate where it could be raining every day. It is also really applicable to when you want to build a home. You have to know the time when your building will be finish due to the weather issue. Make sure that you know exactly how long it will take to finish your home. However, if a year seems too long for you, we offer a better solution to you so you don't have to worry about the weather. You could always choose kit timber frame homes for it will be faster to finish.
It is true that you have another option that is steel, but timber is the wisest choice if you are living in the rainy area. Timber won't corrode like steel and that will be more suitable in the wet area like the United Kingdom. You don't have to worry about the maintenance also for the high exposure of water.

subset: commoncrawl


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posted by Anonymous .
Dr.Bob, this is regarding to the enthalpy posts....
I don't understand why you just switch it to negative??How do you know that it is neg????
I thought it started out neg though the problem does not give the number....
I am sorry,but I am a very slow learner...thank you for understanding....:(
Of course there might be follow up questions so we should keep track of each other posts.........
Am I clear with my question??
I really don't know what you're problem is but let me start from the beginning. I think if you had tried following (perhaps you did) those posts you could have explained your problem a little more clearly. But here goes. All do NOT start out negative. Some of those dHf values are + and some are -. You know what they are when you look them up in the table. You don't know if a reaction is negative or positive until you do the dHrxn = (n*dHproducts)-(n*dH reactants) thing. That gives you a dHrxn which will be one or the other. Have you tried doing them?
I looked up dHf for C2H2(g) in my text and it is listed as 226.7 kJ/mol
C2H4(g) is 52.26 kJ/mol
C2H6(g) is -84.86 kJ/mol
H2(g) of course is zero as are all free elements. See two of them are + and one is -.
So for C2H2 +H2 ==> C2H4
dHrxn is (n*dHproducts) - (n*dH reactants).
dHrxn = (1*+226.7) - [(1*52.26) +1*0]
dHrxn = (+226.7)-(52.26) = +174.44 so this first one we've done is an endothermic reaction because dHrxn is +. Remember from the other post we reverse the first reaction and changed the sign so I will write it now as
C2H4 ==> C2H2 + H2 dH = -174.44 kJ/mol
(You see that if the forward reaction is +174.44 then the reverse reaction is -174.44. That's the way it works.
#2 reaction is
Following what we did above this one is
dHrxn = (1*-84.86) - [(1*226.7)+ (2*0)]
dHrxn = -84.86 - 226.7 = -311.56 kJ/mol so that second reaction is exothermic since it is negative. Now if we add these two we get this:
C2H4 ==> C2H2 + H2 dH = -174.44
C2H2 + 2H2 ==> C2H6 dH = -311.56
-------------------------------- add
Now cancel common molecules on each side and you see C2H2 cancels. One mole H2 cancels. We are left with
C2H4 + H2 ==> C2H6 which is the equation you wanted in the problem and since we added the two equations to get the final equation we now add the two dH values to find dH reaction. That is -174.44 + (-311.56) = -486.00 kJ/mol.
So reaction 1 as written when we added is -174.44 and it by itself is exothermic. The second reaction as written is -311.56 which is exothermic and the total reaction you get from putting these two together is -486.00 kJ which is exothermic. In this case both reactions are exothermic and the total is exothermic BUT both could be positive, both negative, or one each to give a final equation that is either + or - (or zero) however it turns out.
Back to your other question about why did I just switch it to negative? The answer is because I REVERSED the equation. When equations are reversed the dH for the reversed equation is ALWAYS the negative of the forward direction. So if the forward reaction is + the reversed equation is - and if the forward rxn is - the reversed rxn will be +. Why did I reverse it in the first place? Because that's the ONLY way you can get equation 1 and equation 2 to add together to get the final equation. Try adding eqn 1 and eqn 2 as is without reversed #1 and you get this
--------------------- add
2C2H2 + 3H2 ==> C2H4 + C2H6 and that AIN'T the equation you're looking for. right? BUT if you reverse #1 and add in #2 as is you get the equation you want. You probably already understand this since you said earlier that you understood Hess' Law. I hope this helps. That's a step by step, number by number solution. I've proofed this so I don't think I have any typos or omissions.


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Gleams From a Gorgeous Twilight
TIME: Architecture & Design – July 21, 1986
Gleams From a Gorgeous Twilight!
Two exhibitions brilliantly evoke turn-of-the-century Vienna
Neither as chic as Paris nor as intriguingly edgy as Budapest, the Vienna of today is a cozy and polished metropolis. But at the beginning of the 20th century, Vienna was chockablock with giants of the age: Freud and Wittgenstein, Mahler, Berg and Schoenberg, Klimt, Schiele, Kokoschka, Hoffmann, Wagner and Loos — as well as the young Adolf Hitler, a desperate artist-architect manque. Old cultural dogmas had been discredited, new doctrines not yet entrenched. Imminence was all. Artists and intellectuals all over Europe shared a sense of being on the very cusp — between a smug century and a mad one, between well-behaved traditionalism and liberated modernism — but nowhere was the sense more highly refined than in hothouse Vienna. Right now, on each side of the Atlantic, that singular, overwrought time and place is evoked in two remarkable museum shows.
In New York: Gemutlich Radicals
Until the last decade or so, turn-of-the-century Vienna was neglected by serious historians of architecture and art, considered somewhere between unfashionable and taboo. The architecture of Josef Hoffmann and Otto Wagner and the paintings of Gustav Klimt were camp curiosities at best — parochial, high-strung, dead-end digressions. Today, however, a kind of Viennese revival is under way. Prominent designers and architects are producing furniture and buildings distinctly reminiscent of Hoffmann, Wagner and Adolf Loos. Every second book jacket, it seems, has a thick, angular sans serif typeface derived from the Wiener Werkstatte, the seminal crafts collaborative established in the city in 1903. Nearly the whole crop of high-design coffee services and teapots marketed since 1980 seems to have been plucked from an avant-garde Viennese workshop sometime before 1910.
Now, with the opening of "Vienna 1900: Art, Architecture and Design," a dense display of objects at New York City's Museum of Modern Art, the revised revisionism is official: the arts and crafts of early 20th century Vienna may have been idiosyncratic and lush, but they are products of the modern sensibility. MOMA's entire ground floor has been given over to the exhibit, which consists of 700 works produced between 1898 and 1918. The show, which derives from more expansive exhibits seen in Vienna and Paris over the past two years, will be on view until Oct. 21.
In the eerie, gorgeous twilight between empire and dissolution, the city's ; radical young artists and architects broke from the local academy, named themselves Secessionists and established their own countersalon in 1897. They called their journal Ver Sacrum (Sacred Spring) and practiced, as a matter of principle, a manic cross-fertilization. With Klimt, art became overtly decorative, gold-inlaid portraits masquerading as rich bijoux; with Hoffmann and his Wiener Werkstatte collaborator Koloman Moser, bowls and chairs aspired to art. It was a feverish, unresolved time, and the Viennese fin-de-siecle impulse was to savor the exquisitely confused cultural moment.
In design and architecture, however, there was a strangely short period of clarity and balance just after the century turned, an aesthetic blip that coincided with the fruitful first few years of the Werkstatte. Hoffmann, Moser and its other founders, repelled by the residual fairy-tale flourishes of aging Jugendstil (literally, Youth Style, the German Art Nouveau), sloughed off applied ornament and embraced elemental geometries — the right angle, the circle, the sphere. In his thoughtful, gracefully written catalog for MOMA, Adjunct Curator Kirk Varnadoe says that Moser and Hoffmann were out "to recover richness from reduction." The result, briefly, was a deluxe austerity, furniture and objects stripped down and spare but still eager to delight. Only in Vienna: gemutlich modernism.
Many of the great chairs of the era were designed for cafes, only natural in an urban subculture of coffeehouse-and-cabaret cosmopolites. Adolf Loos' lithe, sensual sidechair for his Cafe Museum (1899) makes its Thonet bentwood forebears look dowdy by comparison. Loos' nemesis Hoffmann, though, was the absolute master of furniture and domestic objects. No one has designed handsomer seating in the 20th century. His best-known and most widely copied chair was designed for the Kabarett Fledermaus (1907), a club by and for the avant-garde. The regularity of its limbs and parts is strict, but as with all the best Wiener Werkstatte work, severity is not carried too far. Six wood spheres, billiard ball-size, tucked under each arm and atop each leg, are a perfect ornamental gesture, precise and machined but irrational and gay.
By the end of the century's opening decade, alas, Hoffmann and some Werkstatte colleagues were retreating into florid ornamental applique and comfortable Sacher-torte treacliness. Sharp geometry had only been a phase. At MOMA, a painted silver box (1910) is hardly recognizable as Hoffmann's work. In Viennese design, the purifying fin-desiecle rebellion had taken place later and then ended earlier than anywhere else in Europe.
In architecture, the relative gifts of Hoffmann and Loos were reversed. Hoffmann seemed to lack a coherent, full-bodied vision: his designs were never more than the sum of their odd and luscious details. His best buildings, like the Purkersdorf Sanatorium (1904-08), stick rather intently to a naked neoclassicism. His supposed apotheosis, the Palais Stoclet (1905-11), is handsome in elevation but ponderously classical in plan and, in all, fussy and overrich. Loos used lavish materials too, but with a redeeming simplicity. He was a hard-liner about tarting up facades: "Ornament equals crime," he wrote. And though Loos' polemical celebration of yeoman-like unoriginality was a bit disingenuous, his own architecture — as in the controversial Goldman & Salatsch building — was indeed relaxed, restrained, simple-seeming.
But the most significant architect was an apostate from the older generation. Otto Wagner was, surely, the world's first great modernist. The MOMA show includes a fine display of his masterpiece, the steel-and-glass interior of the Postal Savings Bank (1904-06). It was an architectural space exuberantly of its age, right on the boundary between the classicized past and the industrialized future.
Just as the architects' and designers' pioneering zeal seemed to give out, the enfants terribles Egon Schiele and Oskar Kokoschka (see following story) had their first shows of paintings in Vienna. Their intense, expressionist works did not flirt, like Klimt's gilded sultanic pictures, with bourgeois prettiness and what the catalog calls "proto-psychedelic sweetness." Schiele, who died young (in 1918, along with Moser, Wagner and Klimt), has been the subject of more passionate popularity than Kokoschka over the years: his images were the more earnestly pained and ugly. As Varnadoe writes, Viennese arts had lost their capacity for compromise between "the giddy and the sullen."
A strong curatorial case can be made for ending the story in 1918. It is too bad, however, that the MOMA show, unlike its Vienna and Paris predecessors, omits all but a bit of political context. There is scant reference, for example, to the troubling de facto alliance between the Secessionist aesthetes and Vienna's populist right against late 19th century liberalism, or to the right-wing regime that ran the city during the % Werkstatte's glory days, or to the unpleasant fact that the bank Wagner designed was established as an alternative to the "Jewish banks." By remaining ahistorical, MOMA has abetted a kind of pernicious boutiquism: as beautiful as the wallets and postcards and fabrics and jewelry are, the show occasionally takes on the knickknacky aspect of an upscale mall. The distinction between museum shop and museum exhibit has seldom been blurrier.
Astute museumgoers will supply the missing history for themselves. And perhaps on their own they will also draw the tempting parallels between Vienna's fin-de-siecle and today's end-of-the-century ferment. Sometimes the connections are plain: a brooding eroticism pervaded Viennese art, and today in Manhattan, a well-attended theater piece called Vienna: Lusthaus is heavy with that musky retro scent of doom and libido. The handsome stripped classicism of Loos and Wagner has clear echoes in the architecture of Michael Graves, Andres Duany and Mark Mack. Today as then, the hip bourgeoisie is overeager to embrace bratty, nihilistic expressionist painters. If the confident, public-works liberalism of the 1960s is our version of Vienna's 19th century Ringstrasse urban renewal, then Reagan is our reassuring figurehead Franz Josef. The Wiener Werkstatte? The firm of Swid Powell, for whom the most prominent architects design tableware. Turn-of-the-century Viennese could feel cataclysm coming — and in retrospect, the anonymous presence of young Hitler makes that last-waltz skittishness seem almost operatically prescient. Today the moment-by-moment potential for nuclear war supplies the apocalyptic undercurrent. In both eras, the ambitions of architects and artists seem rather diminished, their work purely picturesque or else merely solipsistic. Now as then, people dress beautifully, live elegantly, party madly, and wonder with a sly smile about the end of the world.


text:
Firstly, hi all. I'm new to BMW's and new to the forum so apologies if this is not where this should be.
I have bought a 2008 e91 325d which has the standard halogen projector headlights and single bulb sidelights (not angel eyes) and would like to upgrade to angel eyes and HID dipped headlights.
I have searched this website and the web for this info but came up against a few problems I was hoping someone could provide answers for me please.
So far I have come to the conclusion I will need to buy a replacement headlight kit that has the angel eyes units in as well as buying a HID kit for the dipped headlights.
The first problem is I have seen a lot bad press about people having very dim angel eyes during daylight to the point where it's hard to tell they're on.
Secondly I see a load of kits throw up error messages.
Thirdly, product location. I have had to pay import costs of products from the far east in the past and don't want to get hit again so I would prefer to buy from a UK outlet with people I can speak to in the event of needing after-sales service.
I guess what I'm trying to say is can anyone suggest a decent quality angel eyes and HID kit available to buy in the UK that won't create error messages that is worth buying and is clearly visible in daylight.
Thanks in advance.


text:
Studio 360
Above Minnesota
The sound artist Janek Schaefer got a commission to make something "about Minnesota". As a Brit, he had to ask friends what defined Minnesota for Minnesotans. They gave him one word: weather. So, during a storm, Schaefer sent a cell phone up into the stratosphere in a weather balloon above Minnesota, to capture the sonic essence of that frigid state. He wound up with some literally cool sound. Produced by Michael Raphael.


text:
April 6, 2012
Site: Champaign, Ill. (Atkins Tennis Center)
Score: Michigan 4, #18 Illinois 3
Records: U-M (12-5, 5-1 Big Ten), Illinois (11-4, 5-1 Big Ten)
Next U-M Event: Sunday, April 8 -- at Northwestern (Evanston, Ill.), Noon CDT
ANN ARBOR, Mich. -- Junior Evan King (Chicago, Ill./Kaplan Prep) claimed a three-set upset against No. 4-ranked Dennis Nevolo at the No. 1 singles position to clinch the University of Michigan men's tennis team's 4-3 victory at Illinois in the final match on Friday evening (April 6) at the Fighting Illini's Atkins Tennis Center. The victory was the third in a row for the Wolverines, who improved to 5-1 in Big Ten Conference play.
King, ranked No. 10 in the latest ITA poll, extended his singles winning streak to 10 straight matches with his 7-6 (3), 3-6, 6-3 decision against Nevolo. After dropping the second set, the Wolverine junior fought off several break points to hold in the first game of the third set before trading several breaks with Nevolo. King broke again late to go up 5-3 and served out the final game, sealing it on a Nevolo lob attempt that went long. King is 15-2 in dual-match action this season and owns an 11-6 record against ranked opposition.
After Michigan claimed the doubles point, the Fighting Illini took the first two singles matches off court to earn a temporary advantage in the dual. Freshman Alex Petrone (Staten Island, N.Y./Laurel Springs Prep) posted a 6-0, 6-4 victory over Stephen Hoh at the No. 3 position -- his third straight-set win in as many appearances -- to even the score. Petrone earned a pair of early breaks to build a 4-0 advantage in the second and despite giving up a break late, closed out the match. He is 11-5 in dual competition.
The teams traded wins at the No. 5 and No. 6 positions. Sophomore Barrett Franks (Christchurch, New Zealand/Shirley Boys' School) defeated Tim Kopinski, 7-6 (6), 7-6 (6), at the former spot, battling back from an early break to take the first set and bouncing back after sacrificing a late lead in the second. Sophomore Alex Buzzi (Key Biscayne, Fla./Gulliver Prep) could not quite pull off his third straight clinching performance at No. 6, losing his early advantage in the third set to fall to Farris Gosea, 6-2, 4-6, 7-6 (6), as the Illini knotted the score at 3-3 with one match remaining.
The Wolverines won the doubles point for the third straight dual match with wins on the No. 1 and No. 2 courts. Buzzi and Franks halted their two-match losing streak with an 8-4 decision against Kopinski and Ross Guignon in the latter, before King and sophomore Shaun Bernstein (Plainview, N.Y./Old Bethpage JFK HS) sealed the point with an 8-5 win against the No. 45-ranked team of Nevolo and Kalmanovich. Michigan's top duo, ranked 11th nationally, improved to 11-4 in dual action and secured its third straight victory.
Michigan (12-5, 5-1 Big Ten) will wrap up its road trip on Sunday (April 8), traveling to Evanston, Ill., to face Northwestern at noon CDT at the Combe Tennis Center.
Following are match-by-match results:
No. 1 -- No. 10 Evan King (U-M) d. No. 4 Dennis Nevolo (UI), 7-6 (3), 3-6, 6-3
No. 2 -- No. 31 Roy Kalmanovich (UI) d. Shaun Bernstein (U-M), 6-1, 6-2
No. 3 -- Alex Petrone (U-M) d. Stephen Hoh (UI), 6-0, 6-4
No. 4 -- Bruno Abdelnour (UI) d. Michael Zhu (U-M), 6-2, 6-1
No. 5 -- Barrett Franks (U-M) d. Tim Kopinski (UI), 7-6 (6), 7-6 (6)
No. 6 -- Farris Gosea (UI) d. Alex Buzzi (U-M), 6-2, 4-6, 7-6 (6)
No. 1 -- No. 11 Evan King/Shaun Bernstein (U-M) d. No. 45 Dennis Nevolo/ Roy Kalmanovich (UI), 8-5
No. 2 -- Barrett Franks/Alex Buzzi (U-M) d. Tim Kopinski/Ross Guignon (UI), 8-4
No. 3 -- Stephen Hoh/Farris Gosea (UI) d. Alex Petrone/Michael Zhu (U-M), 8-7 (4)
Order of Completion: Singles 2-4-3-5-6-1; Doubles 2-1-3
Contact: Leah Howard (734) 763-4423


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So it is my very good friend Paul's birthday today, he introduced me to the primal lifestyle so I wanted to make him a Primal birthday treat.
After a few trials this is what worked.. I think they turned out pretty well..cakey and not to sweet... thoughts and comments are greatly appreciated!
I started with this recipe from mercola.com.
I used 1 1/2 cups of Erythritol instead of Stevia.
The batter yielded about 20 cupcakes instead of a sheet cake. Baked for about 30 minutes at 350 degrees until an inserted knife came out clean.
I made two different kinds of Frosting:
The first was a chocolate buttercream:
1 stick of organic salted butter
1/2 cup Stevia extract
2 TBS Green & Blacks Organic Dark Cocoa Powder
approx 1 TBS heavy whipping cream
Mix together, a hand or stand mixer will work best. Cream level will very, I added a little at a time until the frosting was creamy. Spread on cooled cupcakes, I sprinkled a little cocoa powder on top.
The second was sort of a chocolate ganache:
1 cup Dark chocolate chips ( 72% cacao)
Heavy Cream
Heat cream on low heat in saucepan, add chocolate and wisk until smooth. Turn off heat and dip cooled cupcakes into chocolate mixture. I sprinkled some with unsweetened coconut (left over from making primal energy bars
Refrigerate cupcakes if not eating right away.
Happy Birthday to Paul!! My Best Primal Buddy


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Avalanche closes Richardson Highway
Road will be blocked for at least 24 hours
ANCHORAGE – The only road to Valdez was closed due to avalanche activity Friday morning, state transportation officials said.
A vehicle driving near mile 39.5 of the Richardson Highway was caught in a slide sometime around 8:00 a.m. According to Alaska State Trooper dispatch, the occupants of the vehicle were unharmed but the highway through Thompson Pass was completely blocked by several avalanches.
Hannah Blankenship, a spokeswoman for the Department of Transportation and Public Facilities, said crews can't begin clearing the road until snow conditions stabilize. That could take as long as 24 hours, she said.
The Chugach National Forest Avalanche Information Center reports high avalanche danger throughout the Turnagain Arm region Friday, too.
Click here for current road condition information from DOT&PF.


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This will be the 1st meet of the year I'll be hosting this year. Previous meets went very well. I hope to see all the new people again and many more. Bring whomever you want. You don't have to have a Subaru to come. My friend with the Evo comes as well as my co-workers with their cars it doesn't matter to me what you have. I just want everyone to have a good time!
1045 Us Highway 1, Edison, NJ 08837
Sunday April 29th!
Start time is 2:30 pm usually runs for a few hours!
Sign up now! Who's coming?!
Feel free to spread the word on other forums.


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I can't take photo's off my SGS II anymore. I used to be able to take them off by going to my computer -> phone -> dcim -> camera
But when I click the Camera folder, it seems like the phone automatically reconnects to the PC so all the windows close. Using "Samsung choose" don't help (the program).
Sorry for my shortness, but my previous message was done and then I had to relogin and retype it all!
I hope you can help me!
Your help will be much appreciated!


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Thérèse Rein, Executive Director & Chairman
Thérèse is the founder and Managing Director of the Ingeus group of companies and an Executive Director and Chairman of the Ingeus Limited Board. She is a trained Psychologist, with a Bachelor of Arts and Masters Qualifying (Psych) from ANU Canberra. She was awarded the Australian Human Rights Medal in 2010 and Entrepreneur of the Year in 2001. Thérèse is a former Director of the National Employment Services Association Board (Australia) and former President of the Australian Society of Rehabilitation Counsellors (Qld). In 2012, Thérèse took on the role of Chief Executive Officer of Ingeus Australia (trading as Assure Programs).
Greg Ashmead, Executive Director
Greg is the Managing Director of Ingeus global operations, Greg is an Executive Director on the Board of Ingeus Limited and many of the group's subsidiary companies. In addition to overseeing Ingeus' international operations, Greg has direct responsibility for global finance, governance, human resource management, information services, and marketing and communication functions.


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Flarf and Conceptual Writing in Poetry Magazine
An introduction to the 21st Century's most controversial poetry movements.
From the July/August 2009 Issue of Poetry Magazine
by Kenneth Goldsmith
Start making sense. Disjunction is dead. The fragment, which ruled poetry for the past one hundred years, has left the building. Subjectivity, emotion, the body, and desire, as expressed in whole units of plain English with normative syntax, has returned. But not in ways you would imagine . . .
Comments (18)
truth and beauty are in love
like the clouds they drift above
dancing slowly in the air
bright as flowers
always there
"We were so in love before"
we were so in love before
til you found somebody new
I could give you so much more
than he could ever do
and we could live in castles we'd call home
with sparkling magic in the halls
we could rent a villa outside Rome
tuscan paintings on the walls
we were so in love before
why'd you have to find somebody new
why must you go, before
is there nothing I can do
I could love you so much more
I can't tell you enough again
why can't you know for sure
it's not a one night stand
we were so in love before…
conceptual and romantic
written by me
At first I thought this said, "An introduction to the 21st Century's most conventional poetry movements." Hmmm…
Dale Smith has an interesting and serious response to Kenny Goldsmith's Intro/Manifesto today at Possum Pouch:
His phrase for the phenomenon, a handy one for future reference, perhaps, is "F-Con Po." But read his essay.
Conversation unfolding at Dale Smith's blog, link above.
But where are the F-Con Po poets?
Exchange is good. Or so the principle used to be…
I was always confused about what Flarf poetry was, hearing about it from the sidelines when lurking at Ron da Silly mohn y'all, finkin wut it wahz is yah, Flarf 'n that bein all like, yoo hoo, ha ha ha, halooo ah – look at moi, innit maaarhd mohn, flarf like, aint wheeze all crazee po-mo dingalongs diggin in fo yo ! flarf
I listened to the commentaries keeping the product itself at bay, trying to figure out what it was by atuning to the circumstantial evidence, rather than going straight to the product itself, and trusting one's instinct to the cosmic mill, the gear itself ground to mine ear like sweet sounds that breathe upon a bank of violets, stealing and giving odour. Enough, no more, tis not so crazee now as it was before, methought.
Then i saw some vidz of flarf being recited at The Flarf Festival 06 at the Medicine Show Theatre NYC, and realised it was all a bit of hoo ha over nothing substantial really, now is it?
It was student japes, a one joke pony enacted by one's middle-age adolescence, and essentially an in-joke of a very very small minority, rather than any serious attempt at working in or extended the Write-Through form, which (from my understanding) is a central compositional plank in flarf.
The write-through form is when we take a text as the raw material, then juggle and re-jig the words (effectively the letters) into another text.
My first attempt at write-through was Sylvia Plath's Colossus, (the process is documented at the link) after writing a poem and suddenly having the idea to re-write it into another one, using the exact same words and letters. After completeing that task, i decided to take a random poem of another author, choosing Colossus because the book was resting on the computer monitor and flipping through it till i landed on this poem about her father.
This was in the third year of a Writing Studies BA, and when i showed it to Robert Sheppard, a British poet connected whose poetic is pure Langpo, who created and ran the course in which the poetry component was all American Modernism – he told me the form was Write-Through, but i cannot remember the name of the poet who coined it.
The write-through method is at the opposite end of the compositional spectrum from strict metrical writing, but at least, if not more intellectually challenging, as it is like sieving ones mind through a tea strainer; knocking down an edifice of letters, and rebuilding an entirely different text with them. It is great exercise for homing one's cerebral fluidity, as we don't have to think of anything apart from combining the letters into soemthing readable.
For your first time, i would advocate using no cheating, using every single letter, and as you get handier, the form sorts itself out and becomes just another trick in the tool-kit for composing. Small blog desposits are ideal, as you can reverse the polarity.
I had a spell of writing through Carol Rumens' poem of the week when she first started on the Guardian, starting with Gary Snyder and working a way through a fair number of 'em. As far as i know (and in keeping with the boasty nature of flarf) i am the only person working in this form.
This is an example, where i took a negative comment from the blog of American poet resident in London, Katy Evans Bush and wrote through it.
"Dear Ms Baroque (If that is your real name)
Did you know the following?
a. Noone cares about your opinion.
b. Your photo alone is enough to make most either stop reading, vomit on there crotch or track you down just to slap you round your pretensious face with there flacid cock.
c. Your head is so far up your anal passage that you have gone on a disgusting trip, passing the wonders of your bowels, instestines, stomach, up your esphongus and out your mouth which has never known when to shut up."
Kieran Special – "PLAIN ECES, AIR, K"
Dear Baroque
Did you know that you
Alone make most here care
About your words
And love you for your
Face, your name, reality
And poetical opinion;
Sensuous sage who honey mouths
The art of hope,
A truth torc loose around your neck;
Sing with the eye alone
Hear alphabets' music wooing in ether.
Your tongue scripts star-light,
Its naked truth shoving asunder
Chasms of doubt, out past new
Moon-strips opposite sun rings
Pouring down his wing-shook
Privacy, a huff on jute
You own,
chop to us
All the current research points in this direction, and I believe I can say, on balance, that we've concluded, fairly conclusively – and I say "we" advisedly – that nothing can truly be termed "conceptual", unless it includes the term "post-".
Thank you, and good night.
You might try write-thru on Pierre Menard's version of Don Quixote.
Dear World
I am an expert in judging and teaching this kind of student.
I am one of the best-known poets and critics now living.
I have a pretty high reputation for this kind of teaching.
I have taught a great many exceptionally brilliant students.
My name is Bosty Rovy Sretniw, backwards champ of me me me Winters
I can teach more about the art of writing in verse and about the history of this art than anyone in the country save perhaps Cunningham.
Look, here's a sample of one's every soo posh pooh a tray
Where am I now? And what
Am I to say portends?
Death is but death, and not
The most obtuse of ends.
My name is Yvor and I am a genius.
I talk daily with learned and brilliant men, most of whom have seen a lot.
You may have heard of how fantstic i am from myself and those i tell how superbly clever and great and fab and…do you feel inferior yet? – hark, i speak to God direct, make the rhymes of my poems connect exact, whacked down now with the intelliegence of who is probably the greatest man in American letters, do you get it yet said bed fed blah blah oh you're so effin clever int yer Winty lah?
Immeasurable haze:
The desert valley spreads
Up golden river-beds
As if in other days.
Trees rise and thin away,
And past the trees, the hills,
Pure line and shade of dust,
Bear witness to our wills:
We see them, for we must;
Calm in deceit, they stay.
Snooze, snooze, yous a right teflon head with a brain so big all bow before you, God's gift Winters.
These are thy fallen sons,
Thou whom I try to reach.
Thou whom the quick eye shuns,
Thou dost elude my speech.
You really like rhymink in a very precise way, it's a vice innit Winters, that you've got there Homer pal.
But when I go from sense
And trace thee down in thought,
I meet thee, then, intense
And know thee as I ought.
Bought, taught, caught, fought, sought naught phwoar wharra boring git Winters you wuz not a genius but an over-inflated ego, innit hey Winters, flarf's finest you wuz mate, gate, bate wait trait straight straight straight inflation of yerself..
Yvor Winters, for all that he seems to have written poetry with a ramrod permanently implanted in his posterior, taught Thom Gunn, Philip Levine, N. Scott Momaday and Robert Pinsky, which ain't a bad drumroll. I think he tried hard to be a baleful influence on American poetry but the seitgeist was flowing in another direction, toward the Allen anthology.
And what exactly does Winters have to do with flarf?
Ebony Summers
typo: Ebon
Britney Swords, Desmond Spears
I am just trying to lure the bard of Armagh into yielding more of his finely wrought consciousness Sir John, knowing Winters is on his hit list and on reading Yvor in the latest issue of Poetry, which has horrified many a poster on that radically subversive poetry board ablemuse-eratosphere, appalled flarf poetry had reached:
"…a new low-water mark in the publication of Poetry?"
There are many outraged and unhappy posters, close to the edge mohn, yah, rip Jah up dem sigheed:
This is why one of these days I'll probably take a hiatus from poetry for several years (again) and return to my musical proclivities.
Oh hear ye fools in verbal trade
what is shoddy and not well made
in a country where knaves teach
less and less literature each day
where ignorance reigns supreme
and fewer people read, but steal
that which is written, to write ten
and more flarf poems at one sitting –
I guess the long and the short of it is that..you just have to focus on your own craft, and not worry about what others are doing and/or publishing…I sometimes wonder if maybe the Dickinson approach is the best. Just file them all away somewhere and hope they'll be discovered post mortem to a much more sensible audience.
ask yourself, not what s/he can give
you, what gift of the mind invisibly
got gets you to the top,
but what you can give the mohn
who give you blud clop 'n git-stab
…it has seemed to me that the last year or two of Poetry has been pretty good…Wiman is consciously trying to represent a wide range of styles and schools, while trying to maintain a high standard — a tough task.
up shady back lanes where scangers
drink, sniff and shoot from the lip
vile accursed oaths to a pissing
down sky. Bent over double, scumbag
dort bords who'll jigger in real
live evil warm and nice, backwards
mirror every thought you ever had
and turn the feet of mother earth
I stopped my subscription to Poetry when I could no longer stomach their self-styled image as a barometer of contemporary poetry, when in fact their attitude is parochial, elitist and narrow-minded in the extreme…with some exceptions, has a sameness that makes you feel it might have been written by a few of the same people (which a lot of it is)…much if not most…utter incomprehensible gibberish…puts people off poetry because…makes them feel dumb..perplexed..bored..brought down the wrath of the Universe…I consider myself an open-minded, intelligent person…I have tried, really tried, but fail to understand the prestigious reputation Poetry continues to enjoy.
Revolutionary as a Bosch CBS 520
Interrogating oranges in Cuba
at full torque – ask yourself, what's
surreal as a lemon in outer space,
ducks quack in a vacuum and Welsh
tragedy played straight on the face
of a red dwarf in the Virgo
Supercluster – buster.
"My first marriage took place in the Rothko chapel
…we don't like what's playing on one channel
exactly explain what it is that's 'new' or 'conceptual' Whitman: did the list a hundred and fifty years ago
invoke the imitative fallacy
…contemporary mall directory poems fail because they're too "mallish", not because there's something inherently un-poetic about malls
..Ruth Lilly, what hath thou wrought?
a formalist poet, give me hope for our art,
for the rest of its oy vey.
didn't say that "everything" was bad
fans, and neo-beatniks getting all the way
through any given issue
too divided into schools
Sudoku? Armantrout put it in its place
last month's issue
often seems like a lot of wank
writing a play about dull lives
Trying to put things back
serves up Videlock, Stallings, Goldbarth,
et al elsewhere
Apples, schnapples, want that analogy
the slush pile, I'm putting a dollar on
Mallarmé, Apollinaire, newspapers
and billboard posters, Alien vs. Predator
reading the product's "blurb"
the context and commentary for Duchamp's urinal
Guy Debord and Jean-Luc Godard, détournement
the best example, Ducasse's Poésies of course
is what pop art is all about also
bored with a narcissistic wank job,
designing a tire-girded goat, or a flower
With a hey, and a ho, and a hey-nonny-no,
'real poetry'
fusing the avant-garde impulse
explaining a shattered yo-yo, shit in boxes
Bananas not apples, and yet a wrecking bar
smashes your yo-yo,
come to you in sheep's clothing, the great poet
11 per year and most only relating
a kind of corrosive, cute, or cloying awfulness
intentionally bad, frivolous, or wacky, formed
by a collage of quasi-random stand-up comedienne"
Thanks for the knighthood Des.
Dichotomy is scaffolding.
Dichotomy is scaffolding… reality is burning. Flarf tastes of ash on the wind.
Peruvian poet Mirko Lauer, my translation, published in New World: New Words (Center for the Art of Translation, 2007). Caveats for long-line overrun in blog format.
All of reality is burning, and you can't beat that as a sentence.
Complete reality accumulates in a volatile stack
at the limits of loss. What's yours and what's his are consumed
leaning against the retina, on the smooth palm of your hand.
Only love's a grave thing, grave as the world's universal gravity
which weighs equally burning Isaac Newton and an apple.
Nobody bathes twice in the same river, and you can't beat that as a sentence either.
The world lacks a shadow, reality's the oil your heart floats in.
Doors open on boiling water: you get out of one river and get in another;
your bones shiver with ignorance on all thresholds, while your reckless soul
sails on sustained by unknowns and by feathers.
Silence unites eloquence and first–degree dangers,
possibilities of words that are flowerings of the skin,
wounds and multicolors heaped to form a black tower. Your brothers
the corpses are toasting in that silence, and stalagmites
attract dribbling lightning nobody dares to grasp for the sacrifice
of reality that falls all over itself, with flames and crackling.
A rustling beach of dry towels at the shore of the shower reminds you
of the passage of water which comprises all reality and yields
ablution of existence to soiled unmoving in two instants:
alabaster and onyx, onomatopoeia and miracle,
metaphorical life and literal death, the cradle and the bed,
filling your ears with the boxed fru–fru of these combinations.
Birds fly with flaming feathers, perforated by combustible air,
their hexagonal bodies traversing, delayed along the bias.
In the southern desert light pierces the dust, lifting fragile columns
the wind carries away in flames. And even what's unreal holds your head
against that of a match which explodes in a glance's fission,
prisoner likewise of an inextinguishable flame.
Forgiven by the unforgivable, your chest boasting wet flowers,
chlorophyll and cadmium bunched: water that you are and grasp,
flow in which you see and are, impeccably adrift, molested.
And you leave the bacchanal engrossed, your hands washed and a sailboat
tacking against the wind of your dream. Sponges which are darts seek your chest,
find your chest, pass through your chest and forget your chest in their flight.
Nobody laughs twice in the same bathtub, nor rubs their body against another
without multiplying it. Banal and tragic conclusion: it's impossible
to be alone without the aid of a mirror. And you leave your cell perplexed, your temples frozen;
and you leave your study wiped out, with drenched femurs;
and you get out of the river and get in the river and get in the river and get out of the river
through an expiatory abyss of portals and trampolines.
There's a bonfire in the golden entrails of the guinea pig. All of reality is suffering
the burning stain of that uncaressable mildness. Your house is burning while you sleep,
the world screams while you contemplate, the ovens groan with jaws ajar
exhausted by the ash that lacerates your confused forehead, and floats toward the green ground
where a million blades of grass are consumed to make one meadow.
Self-promotion is commentary.
Duane. I love you. If you truely respect our Indian ancestors you will respect your elder sister, as our father respected his. I don't want anything from you but the love of my brother. I was just there for a week during which time I witnessed Elisa and her brother Steve. All I ask of you is to admit your love for your sister. Is that so hard? I respect you as a man, you need to find your respect for me, as a woman and as your elder sister.
Tags: Conceptual Poetry, Flarf
Posted in Uncategorized on Wednesday, July 1st, 2009 by Kenneth Goldsmith.


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The Fairfield Bay Baptist Church family invites you to celebrate the season as their choir presents "Christmas is Coming – Sing for Joy" on Sunday, December 15 and Monday, December 16 at 6 p.m. The "contagious, sparkling excitement of the music," together with the joy of the message of Christmas will stir and lift your spirits. Created by Gary Rhodes and Deborah Craig-Claar, this musical is packed full of inspiring new songs, along with some of your traditional favorites. Coupled with several duets and ensembles, the choir will seek to lead you to the Holy Child and awaken the child inside of you! Refreshments will be served after the program.
Fairfield Bay Baptist Church Schedules Christmas Musical
December 3, 2013 By Leave a Comment


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- Are you looking for ways to deepen your passion and intimacy?
- Are you getting what you want from your relationship?
- Do you feel comfortable expressing your true sexual self?
The Power of Pleasure Sex and Intimacy Coaching for men, women, and couples offers a unique approach to sex and intimacy that is more powerful and effective than traditional relationship talk therapy. Using a somatic based embodied approach, I can help you become empowered around your sexual intimacy. Through our sex and relationship coaching you will be able to understand and express your needs and desires. You will learn new skills to become a better and more confident lover, increase your sexual energy, and create more intimate and juicy relationships.
The Power of Pleasure takes an experiential approach to sex and intimacy coaching enabling you to practice new skills and receive immediate feedback. While at all times we maintain a high level of professionalism, our sessions our often filled with fun and laughter as we explore new experiences, deepen connection, and examine our edges.


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NE Oregon motorcyclist dies after hitting deer
Was thrown to road, hit by Terrebonne man's car
WALLOWA, Ore. - A motorcyclist was killed in northeast Oregon Saturday night when he struck a deer, was thrown to the roadway and then struck by a car driven by a Terrebonne man, Oregon State Police reported.
According to OSP Sgt. Kyle Hove, around 7:20 p.m., four motorcycles were headed west on Highway 82 near milepost 40, about five miles west of Wallowa, negotiating a curve when the lead motorcycle with two occupants struck a deer in the road. Both riders were thrown from the motorcycle, Hove said.
Moments after the motorcycle's operator, Tony Sumpter, 62, of Union, landed in the eastbound lane, a westbound vehicle driven by Edward Carlin Jr., 64, from Terrebonne, tried to avoid a collision by veering left around the crash scene. But Hove said the vehicle struck Sumpter, lying in the eastbound lane.
Sumpter was pronounced dead at the scene. His girlfriend/passenger on the motorcycle, Nichole Tinsley, age not available, from Spokane, Washington, declined medical treatment at the scene. Both were wearing protective helmets.
OSP troopers from the La Grande Area Command are investigating the crash. Trooper Robert Routt is the lead investigator.
OSP was assisted at the scene by Wallowa County Sheriff's Department, Wallowa Volunteer Fire Department and ODOT. The highway was closed intermittently during a three-hour period.
OSP and ODOT reminds all drivers of the possible dangers associated with animals on or near our highways.
The following driving tips are offered as it relates to animal encounters on or near the highway:
*Be attentive at all times, especially sunset to sunrise for any potential hazard on or near the highway.
*When driving in areas that have special signs indicating the possible presence of animals/wildlife, use extra caution because these signs are posted for a reason.
*Remember that the presence of any type of animal/wildlife could also mean that others are nearby.
*When you see an animal/wildlife near or on the roadway, reduce your speed and try to stay in your lane. Many serious crashes are the result of drivers swerving to avoid wildlife or other obstacles and they crash into another vehicle or lose control of their own vehicle.
*When driving a passenger vehicle, always wear your safety belt, because any collision could result in serious injuries.


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Our Vision
There comes a point in our lives where the teacher becomes the student in order to continue being the teacher.
Being the teacher provides the opportunity to take knowledge & wisdom into unexplored areas that only the student can open the door to.
Therefore, without the student, the teacher cannot continue to grow.
That's why we do what we do!
Our Approach
Our work is founded in ancient Shamanic Teachings & Ceremonies.
Our approach is to see others for who they really are, their Medicine & reflect it back to them so they may discover it for themselves.
The term Medicine is borrowed from the Native American concept referring to the essence of, the shining, wholeness and potential …
We are committed to stay within honesty, vulnerability & integrity as we help others to fearlessly face the changes they need to make in order to accept their own beauty & authenticity.
Our Mission
We are catalysts for change.
For many people, the reality they are experiencing is dissatisfying & dissonant from the life they desire to be living.
To come into resonance, change has to happen.
We provide a space, the tools & the opportunity to negotiate these changes in the most effective & healing way possible.
Our Programs for 2017
Through this 2 day Retreat, you are reminded of the simplicity & power of Awareness. You gain practical tools for discovering more of who you really are & become more open, receptive & discerning to life's opportunities.
April 11th – 13th 2017
R3 000 per person (includes 2 nights self-catering accommodation)
Spend 10 profound days with us as we guide you through an intense process designed to successfully break free of unproductive patterns, behaviours & addictions & remove the emotional pain from your life in a supportive, healing & empowering environment.
July 6th – 16th 2017
November 30th – December 10th 2017
R12 000 per person (includes 10 nights self-catering accommodation)
Join us for 2 days as we support you in your exploration of how to co-create conscious relationships that feed & support you, empower your life & enhance how you relate to others.
April 28th – 30th 2017
R3 000 per person or R5500 per couple (includes 2 nights self-catering accommodation)
This succession of 6 Weekend Workshops over the course of one year provides the foundation for all further Shamanic Training with Sacred Journeys.
This Program provides Seekers with a comprehensive introduction into The Shamanic Approach to living life with presence & awareness.
Due to the nature of this Program, we only take 9 new students each year.
We are now accepting applications for the next group, to begin in May 2017.
If this 'Path of the Rainbow Warrior' touches your heart, call us ASAP to discuss it.
The Living Clean Program has been a bumpy ride…
At times I felt annoyed & frustrated, a little caterpillar squirming his way up from a mountain of shit & at other times I felt like a burning phoenix, soaring above it. At the end, what I have really taken from my 10-day experience at Sacred Journeys is that just as I have the power to create dysfunction in my life, I am the only one capable of eradicating it. Thank you for showing me what I was no longer capable of seeing for myself
Silver Light Weaver
Earth Wisdom Walker
John Blake
Infinite Earth Womb
Silver Spirit Stag
Tarryn Lalitha Coetzee
Going down into the deepest darkest depths of myself in the safest most supportive environment imaginable. You cannot help but encounter healing you may never even know you needed.


text:
FAQ: OneNote Mobile for iPhone/iPad 1.3
- Microsoft
- Forum Moderator
(last edited 12/12/2011, 3:00pm PST)
New release 1.3 available on the app store
A free update to OneNote Mobile for iPhone version 1.3 is now available through the iTunes App Store. If you previously installed OneNote Mobile for iPhone, simply tap the App Store icon on your iPhone and then tap Updates. When the new version appears in the Updates list, tap the OneNote icon, and then tap the UPDATE button to install the new version.
A new download is also available for OneNote Mobile for iPad version 1.3 through the iTunes App Store. This is an iPad-optimized version of Microsoft OneNote. If you have a previous version of OneNote for iPhone installed on your iPad, you can avoid confusion by deleting it before installing OneNote for iPad version 1.3.
FAQ: Install/Login issues
1. My question is not answered below, now what?
We want your feedback! Go to the Microsoft Answers forum and post your questions there. It is frequented by many users who might be able to help and is often visited by the OneNote product development team and the Microsoft Support team.
2. I get a crash - now what?
We are receiving crash information through iTunes automatically when syncing your device. To help us solve your issue, please post on the Microsoft Answers forum and give as much details as possible.
FAQ: Usage questions
1. When will you release the application in my location?
OneNote for iPhone 1.3 and OneNote for iPad are now available in the following markets;
Argentina, Australia, Austria, Belgium, Bolivia, Brazil, Canada, Chile, Colombia, Costa Rica, Cyprus, Czech Republic, Denmark, Dominican Republic, Ecuador, El Salvador, Finland, France, Germany, Greece, Guatemala, Honduras, Hong Kong, Hungary, India, Indonesia, Ireland, Italy, Jamaica, Japan, Korea, Luxembourg, Malaysia, Mexico, Netherlands, New Zealand, Nicaragua, Niger, Norway, Panama, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico, Russia, Singapore, South Africa, Spain, Sweden, Switzerland, Trinidad and Tobago, Turkey, United Kingdom, United States, Uruguay, and Venezuela.
2. Where is <my favorite feature>? When will it be added?
Since we use the app, too, we want it to be as awesome as possible. We listen to all feedback and consider it for future releases. Your feedback helps us know which features are most important to you. However, for a variety of reasons we cannot discuss planned features, their priorities, or the dates that we expect these features to be released.
3. Why can't I see notebooks that others have shared with me?
If others have shared their notebooks with you on SkyDrive, you can now sync them with your device and work on them together. You must first turn them on in the OneNote for iPhone Notebook Settings.
4. Why can't I see all of my content on my iPhone?
The current release supports text, images, checkboxes, bulleted lists, and table rendering. We do not support rich text formatting or table editing. Other content types (including ink and math equations) are not yet supported. We prioritized support for different types of content based on the top needs of most mobile users. We will continue to evaluate and prioritize additional content types for future releases.
5. Why are my notes going to the "Personal (Web)" notebook, and why is it needed?
The current OneNote Mobile for iPhone app needs this notebook to exist to synchronize the "Unfiled Notes" section. There is currently no way to change the location of "Unfiled Notes" in OneNote Mobile for iPhone. Do not delete this notebook (you'll see it show up again if you do). If you prefer to have all of your notes in one notebook, we recommend using the "Personal (Web)" notebook. You can open this notebook on the OneNote PC client from the http://www.skydrive.com site. Open the "Personal (Web)" notebook in the web app and then click "Open in OneNote". From now on, you will be able to see your notes from the PC client.
6. Where did my text formatting go?
Text formatting is not currently supported. Please note that you will lose formatting on a paragraph if you make edits to that paragraph with OneNote Mobile for iPhone. Paragraphs that you do not edit on your iPhone will preserve their original formatting when viewed in other versions of OneNote.
7. Why aren't my pages syncing to new content that I added on other devices?
We've worked hard to make the sync experience as seamless as possible. For many users, it should "just work." However, for those who use multiple platforms in quick succession, it may help to know a bit more about how and when the app syncs. The iPhone app does not sync a page while you are viewing or editing it; it will attempt to sync content to and from SkyDrive when you enter and leave the page. You can also manually trigger a sync at any time from the settings screen.
8. Why am I asked to upgrade?
The free download of OneNote Mobile can be used to sync up to 500 notes with your device. If you choose not to upgrade to the unlimited version, you can still view, sync, and delete any of your existing notes even after you've reached the 500 notes limit. However, you will no longer be able to edit your notes or create new ones on your iPhone or iPad.
To upgrade, do the following:
1. On the Notebooks tab, tap Settings
2. Tap Upgrade
9. Is there a way to manage the number of notes I have in my OneNote for iOS app (iPad or iPhone)?
Yes. You can manage the number of notes in your OneNote for iOS app by choosing which notebooks you sync with your mobile device.
1. From the Home Screen go to settings
2. Choose Notebook Settings
3. Select which notebooks to sync to your device by toggling Off/On
4. Go back to the Settings Screen and sync
Abuse history
- Microsoft
- Forum Moderator
Benoit Barabe, OneNote Development Manager.


text:
Miss Sedgwick stands the strong meat of Calvinism ten years, when we have this letter.
strong meat for old man Minick who had so long been fed on pap.
Cottage cheese is a strong meat food, being the casein of the milk separated from the water.
He is giving them strong meat whether they can bear it or no.
Technical treatises are too strong meat for his intellectual digestion.
"I fear me they have no stomach for strong meat," he said, pathetically.
She was not ready for the strong meat of the Word, which was certainly what his elders fed to hungry souls at prayer-meetings.
It was not "strong meat," they said; there was nothing to argue about!
My heart was full and ready for strong meat, but none came to me.
It is varied, animated, full of strong meat, with not a dull page.


text:
Wow, I am probably still a rookie, this being my second season and all, but probably the strong queen right hive will at first think this is attackers and fight. The queen should be protected by the current residents. Now, I thought I wanted all mediums. Well I have changed my mind. I think they winter better with a deep, make much better comb in a 'designated' brood area. I found with mediums the combs were willy nilly more often than not.
When shook bees enter the front entrance, I have noted they normally go in like a dog with his tail between his legs. Very humble. There is no fighting, and all is well. That's why I shake all my queenless hives in front of the queen right hive and let them walk in. The only time I do a newspaper combine is when the queenless hive is much stronger than the queenright hive.I'm guessing your queen is fine.
ray, i think you're ok. i've shaken out queenless hives at the entrances of other hives with no problems. if there is ant kind of flow on it probably works better.i was about to message you and ask just that. are your bees working right now?


text:
Business Management with Enterprise and Innovation at Winchester is designed for students with an interest in the development of new business opportunities. This could be a new business venture or new products and services for established organisations.
2017 Entry: 104-120 points
2018 Entry: 104-120 points
*UCAS has changed the way they calculate the tariff for courses starting in September 2017. Find out more about the new tariff.
A GCSE A*-C or 9-4 pass in Mathematics and English Language is required.
3 years full-time; 4 years full-time (placement); 6 years part-time
26 points
Year 1/Level 4: IELTS 6.0 (including 6.0 in writing) or equivalent.
2017 Entry Full-time £9,250** p/aPart-Time fees are calculated on a pro rata basis of the full-time fee for a 120 credit course. The fee for a single credit is £77 and a 15 credit module is £1,156. Part-time students can take up to a maximum 90 credits per year, so the maximum fee in a given year will be the government permitted maximum fee of £6,939.Total Cost: £27,750** (3 years) | £28,450** (sandwich option)
2017 Entry Full-time £11,600** p/aTotal Cost: £34,800** (3 years) | £35,500** (sandwich option)
For further details click here
To find out what general costs are included or excluded in the course fees, such as textbooks and travel expenses, please click here
USA; Europe (France) via Erasmus
Students have the opportunity to spend a year on a paid work placement in a business organisation.
Taught elements of the course take place on the King Alfred Campus or at West Downs, Winchester
UK, EU, World
The University offers staff, students and recent graduates the chance to win Enterprise 'Try It' or 'Do It' Awards.
The Trading Room in the Winchester Business School offers students a computer-based business simulation of the stock exchange for real-world experience.
The programme contains multiple built-in formative assessments to enhance the learning experience.
100% of students are satisfied with the quality of the course (https://unistats.direct.gov.uk)
University of Winchester students studying Bachelor Honours degrees are pre-approved to start a Masters degree at Winchester. To be eligible students must apply by the end of March in their final year and meet the entry requirements of their chosen Masters degree.
For more information about the University of Winchester's terms and conditions click here.
**Indicative Fees for 2017/18 Home and EU students are £9,250 per year. Whilst the inflationary fee increases in tuition fees and student support loans have been announced by the Minister, they are still subject to formal parliamentary approval and the approval of The University of Winchester Board of Governors. International fees are still subject to approval from the University of Winchester Board of Governors.
BA (Hons) Business Management with Enterprise and Innovation at Winchester is an optional pathway of the BA (Hons) Business Management programme.
If you choose this pathway, you have this specialisation reflected in the title of your degree. You do not need to commit to this pathway until you have completed Business Management at Year 1. By this time, you have a good foundation in the study of Business Management and are able to make an informed choice.
The programme provides an opportunity for you to develop new business ideas and to assess your personal suitability for starting your own business. It also prepares you for general management roles involving creativity and new product/service development within established organisations.
An important feature of the pathway is the opportunity to participate in an Enterprise Project, involving small groups of students developing a business idea to the stage of a formal business plan presented to, and assessed by, potential investors. Past projects have led to significant funding for new business ventures.
Core modules:
Optional modules:
For further information about modules, please view the course leaflet (see right hand side).
Please note the modules listed are correct at the time of publishing, for full-time students entering the programme in Year 1. Optional modules are listed where applicable. Please note the University cannot guarantee the availability of all modules listed and modules may be subject to change. For further information please refer to the terms and conditions at www.winchester.ac.uk/termsandconditions. The University will notify applicants of any changes made to the core modules listed above.
The University aims to shape 'confident learners' by enabling students to develop the skills to excel in their studies here and be transferable to further studies or the employment market. Staff and students form a community of learners who, together and independently, seek to generate and exchange knowledge. Over the duration of the course, students develop independent and critical learning, building confidence and expertise progressively through independent and collaborative research, problem solving, and analysis with the support of staff. For example, the Winchester Research Apprentice Scheme provides students the opportunity to work alongside an academic member of staff on a live funded research project. Students take responsibility for their own learning and are encouraged to make use of the wide range of available learning resources available.
In addition to the formally scheduled contact time (i.e. lectures, seminars etc), students are encouraged to access academic support from staff within the course team, personal tutors and the wide range of services available to students within the University.
For more information about our regulations for this course, please see our Academic Regulations, Policies and Procedures library
The University is committed to providing timely and appropriate feedback to students on their academic progress and achievement, enabling them to reflect on their progress and plan their academic and skills development effectively. Students are also encouraged to seek additional feedback from their course tutors and lecturers.
At the University of Winchester validated programmes may adopt a range of means of assessing your learning. An indicative, and not necessarily comprehensive, list of assessment types you might encounter includes essays, portfolios, supervised independent work, presentations, written exams, or practical performances. The University is committed to ensuring that all students have an equal opportunity to achieve module learning outcomes. As such, where appropriate and necessary, students with recognised disabilities may have alternative assignments set that continue to test how successfully they have met the module's learning outcomes. Further details on assessment types used in the programme you are interested in can be found on the course page, by attending an Open Day/Evening, or contacting our teaching staff.
A degree in Business Management with Enterprise and Innovation is excellent preparation for students interested in a wide range of business careers such as business development, product development, general management, strategic planning and project management as well as roles within finance and marketing. The pathway also provides an opportunity for students to develop new business ideas and to assess their personal suitability for starting their own business.
For more information about graduate employment visit From Freshers to Future - what will yours be?
For more information about graduate employment for the Winchester Business School department
At the University of Winchester, we are committed to ensuring all our students gain employability skills to enable you to enter graduate level jobs and pursue the profession of your choice, for more information please read the Employability Statement.
The Destinations of Leavers from Higher Education (DLHE) record collects information about what those completing university go on to do six months after graduation. The Careers Service undertakes DLHE on an annual basis through surveys and a data collection process. DLHE is designed and strictly controlled by HESA.
While DLHE provides accurate information about first destinations, this data needs to be viewed with some degree of care. Six months after leaving university is often a time of much uncertainty and change for leavers; many will be unsure of their long-term career plans and may take a temporary job or time out. The destinations of graduates only six months out of university do not necessarily reflect longer term career success and are therefore a crude measure of employability. Therefore, DLHE data should be viewed as merely a 'snapshot' of one particular year's experiences at a specific point in time.
International students seeking additional information about this programme can send an email to email@example.com or call +44 (0)1962 827023
Explore our campus and find out more about studying at Winchester
Key Information Sets for this course:
Winchester Business School
Faculty of Business, Law and Sport
Student profile


text: Husson opening conference play against Becker.14-7 Becker in the second quarter. Third and long, Kash Keezer of Orono connects over the middle with Imadhi Zagon of Portland. He jukes his way into the endzone. 39 yard touchdown. Zagon picks up a 15-yard penalty for unsportsmanlike conduct.Game tied 14-14 after regulation. This game goes to overtime.Husson gets the ball first. After a three and out, Douglas Dieuvieul for the lead from 37 yards out. It's got the distance, but it's wide right. Becker with a chance to win the game.They move the ball to inside the five. Robert Baker hands it to Kyle Gregg. He punches it in for the score and the win. Becker takes it in overtime 20-14. Husson falls to 0-4 this year.


text:
No. 1 USC Scores 50 Goals In Two Wins Today
Sep 8, 2013
LA JOLLA, CALIF. -- The top-ranked USC men's water polo team displayed a ferocious offensive onslaught today in two final wins at the Triton Invitational in La Jolla. The Trojans' winning start to 2013 grew to 4-0 with today's victory over No. 13 Air Force and Redlands, as USC amassed 50 goals in the two wins. The Trojans now hold a 35-game win streak that dates back to 2011.
USC's third game of the young season had the Trojans square off against No. 13 Air Force. USC was overwhelming on both ends of the pool in that one, raging to a 23-2 win that saw 13 different Trojans score, led by four from Nikola Vavic and three from freshman Jon Walters. James Clark and Aleck Ryner shared time in the cage on the defensive end, with Clark notching four saves in the first half and Ryner taking down seven in the second. Each allowed just a single goal while the Trojan attack racked up points the other way. USC scored 14 straight goals out of the gates before Air Force struck with 1:21 to go in the second period. USC put forth another shutout period in the third before Air Force got one through to make it 21-2 early in the fourth en route to a 23-2 final.
In the afternoon game, USC was similarly stealthy. Redlands were close early in making it 1-1 in the first minute of play, but the Trojans reeled off18 goals in a row to build a 19-1 lead by the third frame. Clark had manned the cage in the first half, allowing just the single Redlands goal thanks in part to a stingy Trojan defense in front of him. In the second half, Paul Mitre took over, making three saves as USC wrapped up a 27-4 win. Offensively, 11 different players scored for USC, led once again by a balanced tag team of senior Vavic with five goals and freshman Walters with four. Mace Rapsey, too, provided four in the win, with Kostas Genidounias and Connor Virjee notching a hat trick apiece.
The Trojans' next action takes them to the Inland Empire Classic next weekend (Sept. 14-15), when they take on UC San Diego, Pomona-Pitzer, Claremont-Mudd-Scripps and Whittier for a chance to extend USC's overall win streak out to 39 in a row.
2013 TRITON INVITATIONAL - Day Two
#1 USC 23, #13 Air Force 2
SAVES: James Clark (USC) 4, Aleck Ryner (USC) 7, Caleb Guarino (AF) 2, Max Benson (AF) 3.
#1 USC 27, Redlands 4
SAVES: James Clark (USC) 1, Paul Mitre (USC) 3, Tyler Abbott (RED) 6, Christian Jamison (RED) 3.


text:
a place for zinesters - writers and readers
Is there any way to put PDFs up on wemakezines for download?
Added by Luca Tiger on March 7, 2012 at 4:00pm — No Comments
Yay, after 2 years we finally made it! The second issue is done and ready to be read by yous...
It consists of 10 written pieces and some stencil art.
Available as PDF for free or hard copy (price/postage to be negotiated depending where it will be shipped).
Contact me: firstname.lastname@example.com
Added by Luca Tiger on March 7, 2012 at 3:58pm — No Comments


text:
Whenever we use MS Outlook for sending or receiving emails, copy of each email along with the related data gets stored on the MS Exchange Server as well. When we check for new email messages, Exchange Server is checked that stores the entire data of each user mailbox. EDB or Exchange database stores the complete information about user mailboxes in a particular server.
Virus attack, accidental user mailbox deletion, jet errors, malicious content download, dirty shut down issues, power errors etc may lead to corrupt EDB files. Once an EDB file gets corrupt, users fail to open their mailboxes and access important email data. The emails can be recovered manually as well. However, that requires a lot of time and there is no guarantee there will be complete recovery. In order to recover exchange server mailbox files one needs to use third party software.
EDB to PST file converter is an efficient, professional email recovery tool that successfully recovers lost, corrupt, damaged or orphaned emails from MS Exchange Server databases. The corrupt emails are converted into a readable PST form within minutes. In addition, they can precisely be migrated to a Production Exchange Server or an Office 365 service.
As soon as you start the tool, it asks you to locate the corrupt EDB files. The software deeply scans and retrieves corrupt as well as permanently deleted emails along with their related data. After the completion of scanning, the EDB to PST Converter tool displays recovered information in a hierarchical manner for the user to preview and save accordingly. The permanently deleted emails that are recovered are marked in RED to differentiate them with others.
The utility has efficient recovery modes:
Standard Scan: This mode should be applied on Exchange database recovery that are not highly damaged. It extracts user mailboxes from corrupt EDB folders to PST files. Facility to migrate to a Live Exchange Server or Office 365 is also available.
Advanced Scan: This mode should be chosen to fix the Exchange dirty shutdown situations. It successfully recovers mailbox items such as emails, attachments, contacts and others and export to Outlook or Live Exchange.
The user friendly and interactive screens make it an apt tool for EDB recovery and convert into PST files. Experts as well as novice computer users can utilize it. Any trouble with installation or usage can be cleared by our 24/7 customer support.
FREE Download
The free evaluation version can be tried before purchasing the full software. It lets the user get some idea about features, functionalities and working of the product. Once satisfied with the trial version's performance you may proceed to purchase this tool, which is available for download on safe and secure company's official website. The Kernel for EDB to PST free version works exactly like the full version, with few restrictions. Using trial version, one can recover all files, preview them and save first 25 items per folder to Outlook PST, Office 365 and Live Exchange Server. In order to avail all benefits of Kernel for EDB to PST file, purchase complete licensed.
Microsoft Exchange Server 5.0, 5.5, 2000, 2003, 2007, 2010, 2013 and 2016
Microsoft Outlook 97, 98, 2000, XP, 2003, 2007, 2010, 2013 and 2016


text:
Coaster Furniture
Find a large selection of Coaster Furniture at AppliancesConnection your store for buying Home Appliances and Furniture.
- Game Tables
- Benches
- Chairs
- Desks
- Lamps
- Sofas
- Tables
- Mounts & Stands
- Stands
- Dining Room Furniture
- Bedroom Furniture
- Kitchen Furniture
- Library and Office Furniture
- Bathroom Furniture
- Kitchen and Dining Room Furniture
- Home Decor
- Storage
- Living Room Furniture
- Clocks
- Home Theater Seating
- Office Chairs
- Copystands
- Bathroom Accessories
- Bed Accessories
- Office Desks
- File Cabinets
- Bedding
- Bar Furniture
Coaster Furniture is one of the most expansive and well established furniture brands we carry. Since 1972 they have imported and distributed casual and formal dining furniture, entertainment center furnishings, sofas, and bedding of every conceivable configuration.
In the bedroom, Coaster's night stands, dressers and chests are equipped with dove tail corners and full extension glides for sturdiness. In the dining room you can fit extra guests with their precision cut extension leaves or let them pull up to a glass table top tempered to be 5x stronger than untreated surfaces. In the living room, Coaster's selection of high-quality seating options let's you recline, sleep, and relax in a variety of upholstery options (we prefer the button-tufted leather).
Have we mentioned the daybeds and chaise lounges? What about the full line of professional quality home office furniture? We still haven't reached the headboards with built in armrests and cup holders? There's still so much to share from Coaster furniture you're going to have to see for yourself. Check below for the finest most affordable options for every room in your home.
Shop Appliances Connection today for the Coaster Furniture that are right for you!


text:
- Listen Live
- About
- Support
- On-Air
- Music
- Prayer
- Events
I have pray and pray but I can't hold this anymore. I'm tired of always failing God this way I don't know if He can forgive me for all this, I wanna get rid of lust but every time I'm succeeding I always fall back down please help me pray and I need an advice of what should I do. Thank you and God bless you


text:
Risk and reward beckon in Canada's Ring of Fire
By Julie Gordon and Bhaswati Mukhopadhyay
(Reuters) - A $3.3 billion plan to build North America's first major chromite mine deep in the Canadian wilderness promises to usher in an era of prosperity for the region's aboriginals and generate millions of tax dollars over its lifetime.
Tucked deep into northern Ontario, the Ring of Fire contains rich mineral deposits that could transform the region much as the oil sands have transformed Alberta. Much like the oil sands, it has raised deep environmental and social concerns.
But the Ring of Fire stands apart from other resource mega-developments around the world in one important respect. Rather than oil, gold or iron ore, its main attraction is a relatively minor ore - chromite - which is refined into ferrochrome to make stainless steel.
The region contains North America's only known large-scale chromite deposit. If Cleveland-based Cliffs Natural Resources Inc develops the Black Thor project, it will likely revolutionize the stainless steel industry on the continent, which now relies on imports from South Africa and Kazakhstan. It would make Canada the world's fourth-largest chromite producer.
Black Thor is the first of many projects that could keep the Ring of Fire bustling with drills, crushers and dump trucks well into the next century - until the deposits run dry.
"We've got a whole bunch of projects and you could have an enormous boom that ends in an enormous bust," said Bob Gibson, an expert on environmental policy at the University of Waterloo in Waterloo, Ontario.
Rapid urbanization in China, India and other developing nations has driven up demand for base metals such as copper, nickel, iron ore and chromite, used to build everything from skyscrapers to household appliances.
At the same time, centuries of exploitation have made it harder to find viable projects in politically stable regions, forcing miners to develop ever-more remote resources. Continued...


text:
Home Page | Events | Trike Talk | Photo Albums | Newsletter | Officers | Registration | Chat Room
The American Trike Association was established in 1978 with 12 members. The club was established as a family oriented group dedicated to the promotion and enjoyment of three-wheeled motorcycles, more commonly known as trikes. The club's main event of the year is a rally held on the weekend before the Sturgis Motorcycle Rally.Newsletter in PDF
Can't view the Newsletter? Download the Newest Adobe Reader!
Past and Future Rally Dates and Locations:
© Copyright 2011-2014 American Trike Association


text:
Prospective Bass Student,
Welcome to Miami and Frost School of Music! As you are exploring what our school has to offer, I want to encourage you to get in touch with me and our staff at Frost. Choosing the right school is a major life decision and it is in your best interest to have as informed a decision as possible. To that end, I am glad to assist you any way that I can.
The bass studio at Frost has a well-established tradition of great teachers and performers that extends all the way back to when the music school was founded. Our bass studio consists of performers auditioning for professional orchestras, jazz bassists at the top of their field, aspiring teachers and professors exploring the world of string pedagogy, highly skilled bassists who happen to be studying pre-med…you will not find a more diverse bass community with the quality of musicians that we have. Every student has a curriculum and practice regimen designed for them!
We have weekly orchestra rep classes where we explore standard repertoire and professional audition preparation. There are also opportunities for students perform in chamber ensembles, as well as perform for their peers in bass masterclasses and our weekly string forum. Our Frost Symphony Orchestra is a dynamic full orchestra that explores every genre and level of orchestral repertoire, and our Mancini Orchestra works with some of the most famous musicians in the entertainment field.
Our bassists are exposed to a wide variety of artists, whether it be members from the Cleveland Orchestra to our esteemed jazz bass faculty to Mark O'Connor or Victor Wooten! For everything connected to our instrument, this is the place for bass! My professional experience as an orchestral bassist and music ed professor will also offer you insight into consistent optimal performance, how to communicate complex concepts of bass playing effectively to others, and how to be an articulate advocate of your own music.
Every student in the bass studio receives personal attention and support from our faculty. As you apply to Frost, you can hopefully learn more about this as you get to know us. Practice hard and stay in touch…I look forward to meeting you!
Brian Powell
Assistant Professor of Double Bass and String Music Education
Handleman Studio 112
Frost School of Music
University of Miami
(305) 284-6227


text:
Detective Special
Colt 1903 Model M Pocket Pistol .32 ACP
keep the pics coming they are great
From the days when I used to "Play Cowboy"...
Winchester 94 Trapper Carbine in .44 Mag and Colt SAA in .45 Colt
Colt Officer's in Ultimate Stainless
Stop you guys are killing me I can't stop Drooling
Colt Government 45ACP, Satin Nickel, NIB, 1980 vintage.
Series 70 Lightweight Commander Model
all beautiful classy ladies keep them coming
Here is the only three Colts we own.
Colt Government .380 cal.
Colt Python .357 cal.
Colt Trooper MK III
Last edited by Baldy; 04-30-2007 at 08:12 PM. Reason: Update info and pics.
Heres a couple:
1978 Det Special.
Officers ACP.
Last edited by D-Ric902; 12-06-2006 at 05:08 PM.
Here's mine...
Chip McCormick Design from the Colt Custom Shop
"McCormick Factory Racer"
5" Government Model...Hard Chrome Finish
1 of 500
A tackdriver!
That is really nice, Catman. I've never seen that before. When was it made ?


text:
Find the one that's right for you.
We can help.
Events, classes and screenings.
More than 40 locations.
Where and when you need them.
The OneCare Collaborative is a group of hospitals, primary care physicians, nurses and other care professionals in the Tri-state region who are committed to improving the health of our community through high-quality, coordinated care.
Our psychology and counseling professionals provide thorough, compassionate care for patients' life issues through individual, family, and group counseling in a safe and comfortable environment.
We can help with such things as:
Non-emergency calls and calls to schedule appointments should wait until 8am when the daytime staff is in the office. Emergency calls from established patients are answered by the clinician on call between 5pm and 8 am.
Office Hours: Monday through Friday, 8 am to 5 pm
Early morning and evening hours are available. Please call 812-426-9779 to set up your appointment.
Deaconess Clinic Downtown421 Chestnut Street, Evansville, IN 47713, 812/426-9779
Deaconess Riley Children's Specialty Center4133 Gateway Blvd., Ste. 220, Newburgh, IN 47630, 812/858-3131
Deaconess Clinic Downtown421 Chestnut St, Evansville, IN 47713, 812/426-9779
Deaconess Clinic Downtown421 Chestnut St., Evansville, IN 47713, 812/426-9779


text: COMMENT OF THE DAY: FLIPPING HOUSES IN THE AGE OF DIGITAL SCRUTINY " . . . You've got to fill two dumpsters with trash, rip out the carpet, probably all the sheet rock at this point (to get rid of the urine smell that is probably in there), bleach clean the studs, probably sand and refinish the wooden floors downstairs to address pet stains. The bathrooms could use an update. Still though, good profit at that price, but I'd say you've three to four months' work to get it onto the market — plus however much it costs to get a hacker to remove all internet traces of this listing and the photos." [MikeH, commenting on The Champion Forest House Ruined by Animal Excrement, and the Rhinestoned Real Estate Agent Who Really Wanted You To Buy It] Photo of 5623 Willow Walk Ln.: HAR


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Saturday, April 14, 2012
Dwayne Johnson rocks Lore
Lore is based on the graphic novel by T.P Louise and is described as "Men in Black with mythological creatures."
At least it isn't another remake or sequel of something. Looks like a future B movie ... *wink*
About Barry Huddleston
Hello everyone. I am a big fan of classic horror, retro-scifi, steampunk, dieselpunk, and Linux. I'm a casual gamer and an avid reader. As a hobby, I review books, movies, and products. I am not paid for my reviews other than the item that is the subject of the review. All of my reviews are of an open-minded person and subject to change over time.
Book addict and reviewer visit Gnostalgia
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