text:
Custom software development has been a main focus of our business strategy for years. Over the years we have developed a wide variety of software for a broad spectrum of businesses, from CRM applications to accounting, to robotics and industrial, to sophisticated financial engineering programs used by global corporations. Some of our software is designed on a stand-alone platform, but more often it involves a user interface to a database, where data can be delivered to a screen, a series of reports, or to a browser. This can be accomplished either using a client-server model on the in-house local area network, or over the internet. Using web services to deliver this processed data, either for public consumption through the company website, or privately through the company Intranet or Extranet is at the forefront of today's technology.
We have expert level facility in the following languages:
• C and C++
• Visual Basic (VB)
• .Net Technology
• Java and C#
• FoxPro and dBase
• SQLServer
• JavaScript and VBScript
Looking over the many projects we have managed, we can trace our success to the application of these five principles:
1. Listen carefully and thoroughly understand the whole problem. Then make the plan.
2. Fashion solutions cleverly so they can be adapted and re-used.
3. Understand that the software development is here to serve the business.
4. Don't rush into the newest technology: make sure a solution is well-tested before you risk it on a client.
5. Anything worth doing is worth doing well.


text:
No restrictions are placed on the topic or subject matter of submitted papers; however, all papers must cite or directly investigate primary source materials held in the Special Collections Department of Dupré Library (University Archives and Acadiana Manuscripts Collection, Louisiana Room, Rare Book Collection, Ernest J. Gaines Center, Cajun and Creole Music Collection,Microforms and U.S. Government Information).
All papers must be typed in a standard non-script font no smaller than twelve characters per inch, double-spaced, unbound and adherent to the style manual recommended in the author's discipline. Text of papers should not exceed thirty pages.
All papers are to include an abstract of no more than 250 words. Please identify the style manual being followed.
All papers must be in English and must be in the work of a single author.
Papers are to be submitted electronically with all contact information to email@example.com no later than November 10, 2017 for the Fall Semester and April 13, 2018 for the Spring Semester. For more information on the Jefferson Caffery Research Fund Annual Award, contact the Office of the Dean of Libraries at (337) 482-6396 or email email@example.com.
The competition is open to both undergraduate and graduate students of UL Lafayette who are not full-time continuing faculty or staff. The students must be currently enrolled or have completed the submitted paper during the previous two academic semesters (not counting summer school).
Papers will be reviewed and judged by a panel consisting of the University Library Committee, the Assistant Dean of Special Collections, and referees designated by the panel. Papers will be judged on the quality of research, clarity and writing skill. The majority of primary source materials used to write a paper must reflect use of materials held in the Special Collections Department of Dupré Library. Papers that do not meet this criterion will be disqualified. That paper which in the opinion of the panel, most merits the Jefferson Caffery Research Award, will be announced May 2018. Those reviewing the submissions will be guided by a rubric which is available in this guide. However, the panel may, at its option, decide that none of the submitted papers meet the criteria and standards of the Competition, and that the award is to be returned to the Fund for reinvestment.
The Special Collections Department of the Library contains materials of relevance and scholarly interest to students from all academic departments of the University. Students interested in submitting a paper to the Competition should visit the Jefferson Caffery Reading Room on the third floor of Dupré Library to review the catalog of library holdings in these areas. The staff in the Special Collections Department are available for consultation. Interested students may call (337) 482-6031.
Jefferson Caffery (1886-1974) was born in Lafayette, La. His father, Charles D. Caffery, was a lawyer who served as Mayor of Lafayette from 1897 to 1903. He was influential in getting Southwestern Louisiana Industrial Institute sited in Lafayette. Caffery's mother, Catherine Parkerson Caffery came from a family prominent in getting the railroad built in South Louisiana in the 1880s.
Caffery attended SLII during its first year of operation, 1901-1902, when it was basically a middle school - junior high school. He then went to Tulane for his undergraduate education. Later he taught chemistry and coached the track team at SLII for a year. He entered the United States Foreign Service in 1911 and retired in 1955. His distinguished career in diplomacy is outstanding both in length of service and in the importance of the posts he held. He served posts on every continent. His first appointment as Chief of Mission was in 1925. Thereafter he served as United States Ambassador to Colombia, Cuba, Brazil, France, and Egypt.
After retiring in 1955, Caffery and his wife lived part-time in Rome where he served as honorary private chamberlain to three Popes. They also spent part of each year in Lafayette. Caffery retained his ties with the university over the years. In 1971 he was awarded an honorary degree. He and his wife donated his papers, many artifacts, and money to the university.
In 1967, Ambassador and Mrs. Jefferson Caffery donated a gift of $5,000 to be used to establish the Jefferson Caffery Research Fund. The interest derived from this fund permits the University Library Committee to recognize outstanding scholarly research using primary source materials held in the special collections areas of Dupré Library. This recognition is provided through the annual award of $500 (five hundred dollars) identified as the Jefferson Caffery Research Award.

subset: commoncrawl


text:
Bereskin & Parr Loses Bid To Toss Malpractice Suit
Judge James Cacheris of the U.S. District Court for the Eastern District of Virginia on Friday disputed the idea that the case should be dismissed because the firm's representation of Touchcom was limited to a patent filing in the early 1990s, far exceeding a three-year statute of limitations...
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text:
Calendar Size
Width 11.7″
Height 16.5″
(Printed to fit A3)
This calendar is my tribute to the magnificent wolf. Man has always had an affinity for the wolf through stories, superstitions or legends. No matter whether you revere, worship or fear the wolf it is still one of this worlds most magnificent animals.


text:
Nearby TermssoneSONETsonic barriersonic boomsonic cleaning
sonic-depth findersonobuoysonographysortsort keySOS
sonic-depth finder
- A device which determines and indicates the depth of a body of water, by measuring the time required for transmitted sonic or ultrasonic waves to be reflected from a surface, such as the sea bottom. Also called echo depth sounder, depth sounder, or fathometer.
Not what you were looking for?


text:
Separate names with a comma.
Discussion in 'Some Assembly Required' started by JimmyTheHog, Feb 4, 2011.
Iris has just picked some pictures of Berlin and Frankfurt railway station via google. I seem to be wrong with both guesses. It's surely not Frankfurt! There are buildings like that in our gouvernment-quarter at Berlin, but this only a guess, too ... been there once and only passed these buildings on a boat on the Spree-river.
More regards, Bambi
Correct on Germany - Its in Stuttgart - I havent been there, but architecture looks inspiring...
Stuttgart, Neue Messe
The Neue Messe Stuttgart, on the Filder Plain, is the exhibition centre of Stuttgart, the state capital of Baden-Württemberg
Hello Jim,
some of our best friends live at Stuttgart but we haven't visited them there for about 3 years. Only met them every year at a vintage bike-race where they use be on the starting grid. So we don't loose contact totally ...
Some years back we've been to Stuttgart every year for a harvest-run with our Brit-bikes. We should take every effort to do so again ...
Kind regards, Bambi
The new triple clamps just back from machining and anodize. All fits together nicely. I cant wait to install them. The bike should be back with its new 6 gal gas tank by this weekend hopefully. Then install these and take a few more pics before sending the front wheel out for rebuild with new hub.
jesus , i cant cope any more this is to much bike porn Jimmy cant wait to see them on and the new tank installed
OK so it is weekend, I cant wait to see new pic posted!!
I presume that the gold-coloured item between the top triple clamp and the handlebar clamp is a steering damper?
That's correct - Scotts steering damper
Ok, just test fitted the new triple clamps to the old KTM forks. Fit is good. I should get the bike back tonight with new tank (being polished as we speak) and then will install these new parts.
Here's some pics of the test fit...
Very pretty, I can't wait to see the tank.
Oh and thanks for posting the pics so all us in Australia can see them properly.
After a years wait (and well worth the wait!), the new tank is here. Absolutely Gorgeous
I provided the foam mock-up and bike and Evan Wilcox improved on it and made it a reality. He is truly one of the few masters in the world able to do this kind of work.
We agreed that Evan can make this tank for others now that he has the templates and can reproduce it. Call him and get on his wait list if desired. For any future SC3 builds we do - this will be the tank we install.
It was a busy weekend picking up the bike and tank, and installing the new front end parts. I still need to route the dual gas lines and install the petcocks, but its getting there.
Heres just the tank. Many more pics to follow after I get the last parts on the bike...
Looking good Jim! Can't wait to see the bike again!!
Hey Ramon - Thanks. The bike will be at the Quail Gathering May 4th in case youre going. Lots of details to complete before that, but it should be ready.
I'll be there, for sure!
Look good! I had a look at Evan Wilcox website.. and his asking price for custom tank is :eek1 I'm gonna have to pass and build my own one.
But thanks for inspiring me to do my project..
That tank is the stuff.
Jim, what's the offset on the triple clamp, and dare I ask how much it would be for me to get one like it? :eek1
The wait to see that tank was sure worth it!!! Can't wait to see it on the bike!! Tank alloy and thickness?
I took a panel-beating class with Evan Wilcox -- he's a remarkable craftsman, pretty much self-taught, and a very good teacher. Quite a nice guy, too.


text: email@example.com wrote: >I was running errands in my 1995 90 Sport Quattro yesterday and everything = >seemed normal -- car started up fine, ran great, etc. All seemed well until= > I tried to put down the window; nothing. Tried other windows; nothing. Tri= >ed everything electrical in the car and NOTHING worked, except for the ster= >eo. I pulled over, restarted the car, and everything has been fine since. > >Should I be concerned, or file this under the weird things Audis periodical= >ly do? Is your Audi powered by a Pentium 4? This is PC syndome... (abort, retry, fail) :-) Tom


text:
There's a manga called Judas that has blood and Eden talk. This makes all the sense in the world.
Death possesses a boy and makes him look like a girl so Death can get 666 souls. Boy falls for super genius. Super genius is conflicted about her brother/savior's behavior. People ramble about "Eden" and die. That's Judas in a nutshell.
The series just pretty much thrusts readers into a supernatural setting and doesn't spend much time doing setup. How does a 16-year-old orphan manage to rise the ranks and cure leukemia? What are the spirits Judas fights? How old is Eve? I haven't a clue. I know this is still only volume one, but then an author should spend time establishing the world of their story and introducing the characters. Author Minazuki wastes pages by having Mizuki and Eve go for a beef bowl…and get told it's sold out. Instead, Minazuki should have been explaining more about Judas/Eve's powers and the drugs Mizuki has been working on.
The story and the art just don't flow well for me. In the second chapter, we expect to see Eve transform. What do we get instead? An egg. Then he transforms anyway as the villain-of-the-day babbles about being the newly-hatched chick's papa. Even Mizuki's introduction is confusing. She goes from a suicide attempt to immediately noticing there's a fast food bag in her apartment. Her fall looks pretty unrealistic as well. Mizuki falls downward on her back, and yet somehow she bounces off at a perfect 45 degree angle and still falls in the same position.
I think the idea of Judas had potential, but I didn't like the execution.


text:
- Infective and inflammatory diseases female genitourinary tract - Multi-directional action over the body of women to re-establish the normal physiology in all respects. - Used for menstrual disorders - Menopausal syndrome - Nervous and psychogenic disorders - Nutritional disorders - Gastro-intestinal disorders - Insomnia - Burning feet(sole)
Instills confidence in her Action: Stimulates the endometrium: Lukol stimulates the endometrium (inner membrane of the uterus), normalizes the tone of uterine musculature and improves blood circulation.
Oral Drug for LEUCORRHOEA & Constant Back-ache


text:
baby making is pretty fun!
With Cadie we decided to start trying, and before we were officially trying I got pregnant. So basically we tried once and I found out 2 weeks later I was preggo. This time we are trying a little bit more, it's fun!
we are at my inlaws house today and we just bd'd while they were taking Cadie and the dogs for a walk :devil:
Re: baby making is pretty fun!
woohoo! I can't wait for you to be pregnant!!!!
Re: baby making is pretty fun!
woo hoo!!! I didn't know you guys were already trying :)
Bow chica wow wow!
Re: baby making is pretty fun!
yeah I have this carefully planned. I am turning 35 in July, I really don't want another winter baby (especially now that we moved to Mass with longer and colder winters) and I don't want too much space between Cadie and her sibling (sister!) so it needs to happen this summer.
I got my period a week ago so I am now cycle day 8 maybe? Do I count that day as cycle day 1 or would it be Tuesday? I'm not temping or anything yet we are just going to be everyday and I will check my CV and perhaps cervical positioning if I can.
Re: baby making is pretty fun!
You naughty girl you. Glad the in laws gave you some alone time so you can by sneaky. Good luck TTC number 2 !
Re: baby making is pretty fun!
Oohhh fun! Emory is just now 2 weeks old and I'm dying to DTD! Not to make a baby of course but it's been so long and I'm still feeling awesome so I'll be glad when the PP bleeding stops, lol. Enjoy it Cheryl!
Re: baby making is pretty fun!
Cindy you're funny
Re: baby making is pretty fun!
You nasty, naughty girl! Continued fun while you :ttc1yc:
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Jackson State University volleyball team
Think about what career is best suited for you, and where you want to study. Request more information now.
Think about what career is best suited for you, and where you want to study. Request more information now.
Think about what career is best suited for you, and where you want to study. Request more information now.
Information about Jackson State University volleyball team, and registering for discussion sections and departmental electives. Not all recruiting is done like NCAA Division I teams. College coaches spend a lot of their time at summer sports camps evaluating athletes, and offering tips and direction. This is a great chance to meet the coaching staff in a relaxed setting. Finally, check with your major department for assistance with prerequisites, tuition payment deadlines, and Jackson State University Volleyball information. Please use the form above to request admissions info for Jackson State University.
You don't have to quarterback the university football team to a state championship to earn an athletic scholarship. Most major sports that field a team in intercollegiate competition have sports scholarships available. From women's gymnastics to men's track and field, coaches are seeking players to build a team around. Further, that leadership role often is accompanied by a full-scholarship.
The best time to begin searching for scholarships is before your senior year, in order to meet deadlines. Schools confirm that it is important to file financial aid forms such as the CSS Profile early in the school year. There are many sports scholarships that focus on less tangible qualities, such as the ability to lead a team, motivate others, and learn new skills rapidly. Take stock of your athletic abilities as you mature through high school. Virginia Union University womens soccer schedule may indicate that it's an option to delay college entrance by a year. An extra year in high school or prep school can allow players to mature mentally, bring grades and SAT test scores up, put on weight and gain strength. Beyond consideration for Jackson State University volleyball team, you may think about Columbus State University online undergrad classes for complementary electives to your primary course of study.
Corporate Health Coach/ Personal Trainer
Wellness Council of Arizona
Current Personal Trainer Certification. As a Wellness Council of Arizona Corporate Health Coach/ Personal Trainer, you will provide activities such as..
2 days ago Sports Director
YMCA of Metropolitan Dallas
Must have knowledge of rules for youth and adult sports including, but not limited to, basketball, football, baseball, volleyball..
1 day ago Coach/Camp Counselor sports camp 4 girls
Game On! Sports 4 Girls
CHARACTERISTICS WE LOOK FOR IN A COACH: Note that our coaches are expected to ride a bus. Style might include tennis, volleyball, swimming, basketball..
2 days ago Athletic Trainer, Program Manager
Agility Health
Program Manager, Certified Athletic Trainer. Licensed within the State of Florida as an Athletic Trainer or eligible for FL licensure.
2 days ago Personal Trainer / Fitness Instructor
Top Level Fitness
I need you to be able to provide proper coaching, instruction, and motivation during a client training session.
7 days ago


text:
... vyvance. Any suggestion
Asperger Syndrome - Son 19 has asperger and attention deficits and asthma. Had bad SE ritalin &?
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Monday, November 2, 2009
In Company.
Loneliness is a kindness,
by someone,
more kind than you or me;
A palace made of golden time,
always risking stealth.
From where no one comes out,
and once came out never returns.
For, in there we'd be
in company with our-self,
our tears, our smiles, and our tastes.
For in there we'd be done with,
The nearness of people,
with whom our sorrows and joys are weaved;
who kill their sense at times,
when we need them the most;
who would ask us questions,
and questions alone;
Why, what, where and when.
But we cried, we smiled, and we tasted our- self.
Someone has shown us an unspeakable kindness,
someone more kind than you or me.
And thus we are in company;
in the company of loneliness.
The Lost and Found.
The Truth cannot be covered forever, it is true with History as well. There is a magic associated with everything, say with time or with history or even with you and me. Every time, when a truth is suppressed, the magic associated with it become activated and plots for its 'rebirth'.
It was reported recently that scientists working at the site of the Mayan city of El Mirador discovered a lost pyramid, in the Guatemalan jungle. The city was active from about 500 B.C. to A.D. 100.
"The pyramid is a structure the world should know because it represents an investment of labor unprecedented in the world's history. Every single stone in that building, from the bottom to the top, was carried by human labor," said archaeologist Richard Hansen, director of the Mirador Basin Project.
The size of the pyramid is so huge that it is believed that it is compared with the Great pyramid in Giza, Egypt, which is currently the world's largest. It consists of 2.3 million stone blocks that weigh 2.5 tons to 15 tons apiece.
The archaeologists also found ancient stone carvings on the Mayan creation story. A truth, a history, a past that was buried in the flow of time, is now in the wake of resurrection into another world. A new world that doesn't understand the 'value' of truth or time.
It is said among the rural folks in Malabar, that every occurrence in the nature, has a significance, and it will always have something special to teach us.
The Fallen World.
there are fallen angels.
Everywhere the eyes can see,
the fallen world, a burning sea.
Ramshackle cultures and kingdoms.
Being a part of this world's fallen fate,
someone gave me a name.
"A Cruel Devil".
I was alone,
but I can hear the voices.
There are invisible nearness,
which I felt everywhere.
I was alone,
but I can hear the voices,
lovely though, tearing my senses,
making me dumb, stiff, and cold.
I am no fallen star, I'm no fallen angel,
though in such a place I dwell.
There was fire outside, burning,
but now, what's burning mine inside,
my mind, my heart, my brain, my world, fallen.
A fallen world: Where I'm alone...


text:
After much trail and error with other branded eye shadows, I have now found that Urban Decay is simply unbeatable. This is due to their unique creamy consistency making them very easy to apply for all- even those who are less confident applying shadow. The brand also offers an impressive variety of colours available in shimmer, glitter and matte making them suitable for all occasion wear. This unique sense is reinforced by the witty names of each shade and creative packaging to make the product very fresh and appealing to a large age group.
In previous years I have acquired various Urban Decay palettes, my first being the 'sustainable palette'. These ten shadows were created to work together in twos to create multiple looks for the more daring make up guru; however I found myself wearing mostly the neutral shades to build a smokey eye due to my fair hair and skin tones. Sadly I found that 50% of the eye shadows in this palette were unusable for my personal use because of the 'daring' colours and my hatred of glittery eyeshadows. Whilst applying 'Midnight cowboy rides again', 'Grifter', 'Oil stick', 'VZI' and 'Kiddie pool' glitter would fall down my face and settle into my foundation making it really hard to remove therefore creating an unnecessary mess. However the shadows I did use were extremely pigmented and of very good quality. I found that the outer packaging was very cute, perfect for someone that travels a lot as it is extremely compact! Despite this, the swivel lid ages quickly with use and tends to come loose. I received this set with a mini primer potion which is a god send for those days when you don't have time to re-apply make up as I find that my shadow can last up to 8 hours without smudging or creasing with the help of this serum. In addition I loved the travel sized brush! I found it worked best when defining the outer corners of my eyes. This palette can be bought from House of Fraser for £27!
Inside I found that the colours were much more suited to me as the majority of shadows were made up of darker shades and neutral tones with few brighter colours; this palette also exposed the new matte variety shades which I found exciting! It is certain that the quality of the shadows had increased after using them just once as they can seamlessly blend into each other with a velvet like texture. However, although the packaging does look sleek, it's not great for traveling or to put in your handbag because of its large size which is a shame as I find the palettes to be of greater value as opposed to buying the shadows individually. This set is priced at £30 making each shadow less than £2, bargin!
Now to the part where Urban Decay managed to hit the nail on the head. I had wanted a Naked palette since I managed to get my hands on my mums a while back! Both editions offer the most amazing colours to create beautiful, natural looks that can also be built upon for a more dramatic, smokey effects. I found that the brand have got the formula absolutely perfect now to prevent fall out or... sparkly cheeks! I'm simply in love with this palette as it is something I can continuously use each week and will hopefully last me a long time. I chose the Naked 2 palette simply because I'm paler skinned therefore advised that the tones of the second edition would work best with my complexion. Another reason to why I chose this set was because of the outer packaging, the new tin packaging makes the shadows less prone to cracking and is also easily wipe-able! The 2 palette also comes with a double ended brush perfect for blending, contouring and adding depth into your eyes. The brush is great quality, almost as good as what MAC can offer without breaking the bank! In addition the set also offers a lip plumping lip gloss which tingles, giving a sense that it is working. I found that when tested it is a darker than lip colour with a scent and taste of mint which is quite refreshing. For £36 from House of Fraser I think this is a fantastic deal as a gift or for personal use.
Please let me know of any eye shadow palettes you recommend!


text:
Our Team.
Joe Rothenberg - Founder
I'm the owner & creative lead at Joe Rothenberg Animation. I'm an animator, writer, and animation producer living in Austin, Texas. I lived in Los Angeles for 7 years while I studied animation at the University of Southern California, created a pilot for Nickelodeon, animated for a number of film, TV and web projects, and launched 2 mobile games. Satisfied with my conquests out west, I headed to Austin to expand my freelance animation business into a full animation production studio.
Michelle Acosta - Animation Assistant
I'm a 2D Artist/ Animator living in San Marcos, TX and I travel to and from Austin almost every day to work and school. I am currently working on getting an Associates degree in 2D Animation at Austin Community College and loving every minute of it! In my free time, I enjoy drawing and playing video games like Journey, Bioshock, and Minecraft. As for my favorite foods, I enjoy some really fresh seafood by the coast or some nice BBQ from here in good ol' Central Texas.
Stephanie Meyer - Project Manager
I'm a Project Manager/Producer with a love of all animation & a passion for seeing projects through to the finish line. I graduated from University of Southern California in 2012 with a degree in animation and digital art. Out of school, I gained experience in managing an international team of programmers to deliver results for multiple clients' tech projects. Outside of the realm of production, I spend my free time painting, playing video games, and coming up with wacky story and mobile app ideas.
Hi, I'm Joe. I'm the owner and founder of Joe Rothenberg Animation. At JRA, we produce delightful, high-quality animation that engages viewers with your ideas. We believe that a brand is only as strong as its presentation, so we put our all into creating the best possible animation for you. Here are just some of the services we can provide for you:
- Full-service Animated Videos for Broadcast & Web
- Character Designs, Storyboards, & Animatics
- Marketing, Brand-building, and Explainer Videos
- Logos, Branding, & Graphic Design
- Video Game Art Assets
Don't delay...
Contact Joe Today!
Email: firstname.lastname@example.com
Phone: 512.966.6797
Does your animation studio need a hand? We accept outsourcing & collaboration opportunities! Contact Joe to discuss your project.
Freelance animators and artists: Looking for contract work? Email Joe with your resume and links to your work.


text:
The FFA_map_pack.zip file you have requested: Maps Levels Missions / Map Packs / FFA Map Pack - 15mb is not available. Perhaps try browsing all files for the game Medal of Honor: Allied Assault and upload any files you want to share or are missing. This is the only information we could locate:
the map pack contains 7 maps, here is the list A FFA map pack for MC server 1 that contains the following seven maps: Toy Soldiers, Stalingrad 2, Russia, The falls, Arena Night battle, decal attack, and aftermath 2.
We recommend you return to the download list and browse the links from there. If the problem persists, contact us with the details.


text:
Grand Bella Vista, a project of Atul Builders is a name synonymous with quality construction & experience of more than 32 years offers you best of amenities that matches the affordability of our higher middle class customers.Grand Bella Vista, 15 storeyed tower, on the main S.V.Road is a place for present and future. Close vicinity to schools, colleges, Hopsitals, shopping areas, eateries, it is a paradise for someone who loves the hustle-bustle of the city at the same enjoy a quality lifestyle.
Load More Properties
Real Estate Mumbai newsletters are the most interesting as they give you the latest market reports and research and bring you updated with the current market trends, demands etc.
Since 1993, Real Estate Mumbai assists you in finding residential and commercial properties on Rent or Sale in Mumbai.
Real Estate Mumbai services include Property Search, short listing properties, drafting leave and license agreements and providing relocation services in Mumbai.
3 BHK 2500 Sq.ft. in 10th Road, Juhu
2½ BHK 1377 Sq.ft. in Jogeshwari Vikroli Link Road , Andheri East
4 BHK 4000 Sq.ft. in 9, Bomanji Petit Road., Warden Road


text:
Mountains And Anti Stress Music – A Simple Image Relaxation Video By relaxdaily
Anti stress music: RELAX DAILY N°011
Lean back. Listen to relaxing original music. My dad shoot the beautiful foto. It shows mountains in Switzerland.
This simple image relaxation video by relaxdaily is 8 minutes 45 seconds long and focuses on a single theme of a single scene with an image of mountains in Switzerland (Grindelwald) in combination with relaxing music.
Video Components
The theme of the video is narrowly focused on a single view of mountains and is good for concentration and relaxation.
There is just one scene used throughout this simple relaxation video, that of mountains in Switzerland. The scene is fabulous and I especially like the mountains peeking through the the mist below.
The audio used in this relaxation video is just an instrumental music track which is quite relaxing but I felt the tempo was a little to fast in parts.
The single scene of this simple image relaxation video show images of a blue sky with mountains poking through the mist below with trees on the sides of the nearby mountains. The image size used for this relaxation video fills the screen completely.
As there is only one image used throughout this relaxation video, there are no transitions. However, there is a nice slow fade in from white at the start and fade out to white at the end.
Special Techniques
There are no special techniques used in this simple image relaxation video.
In my opinion, this straightforward, uncomplicated arrangement of one scene with instrumental relaxing music is ok for relaxation but in parts the tempo was a little too fast. Having just one theme means the video is focused and the use of just one scene or image which fills the screen completely means it is very focused. As the length of the video is relatively short, the use of a single image is ok. The mountain scene is lovely to look at and it functions as a focal point for contemplation and relaxation.
Bear in mind that with just one scene/image you may be inclined to fall asleep during relaxation. The aim of a relaxation session should be to remain awake and aware. As the intention of a relaxation session is to "not" fall asleep, this may be detrimental to relaxation. If I wanted to make any improvements I would use more images of mountains with the images slowly cross fading into each other to maintain a relaxed state.
As an ambient background video it is not really long enough but it could be put on a recurring loop. With only one scene/image the video itself is not very interesting and would therefore not be very good as an ambient background video. There may also be a tendency to fall asleep watching the video due to lack of scene variety. However, having said that, some people may just wish to have a single image with relaxing music playing in the background to help them relax while they are concentrating on other tasks, such as reading, and looking up occasionally at the scene.
OR - Other Posts You May Like!


text:
Rag & Bone Clayton Tank
- sold out
Rag & Bone Clayton Tank
- sold out
A stunning allover line-drawn print covers the silk front and traces the center-back seam of this long, loose-cut cotton tank. Model is 5'9" and wearing the XS. 100% Silk Font; 100% Cotton Back. Made in USA. Hand wash or machine wash with Laundress.
Something on your mind? Spill! We're here to help!
The Boutique
Shop rad labels like Rag & Bone, Nili Lotan, The Odells, Tina + Jo, Loeffler Randall, Smythe, Hoss Intropia, Prairie Underground and more from this curated Portland boutique.Shop Parallel
The Designer
Marcus Wainwright and David Neville first channeled their British heritage into contemporary sportswear in 2002. The New York-based designers found a following for their suiting, denim and downtown separates made with English tailoring and craftsmanship combined with old-school Americana. The result is a contemporary line of women's and men's wear that redefines urban style with a bit of Savile Row at the heart of it all.Shop Rag & Bone


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Gas & Aerosol Monitoring
Monitoring levels of volcanic gases and aerosols enables us to quantify the exposure of populations to potentially harmful emissions. Volcanoes emit gases both during and between eruptions. Surveillance of gas composition and flux is also essential for interpretation of volcanic activity, since degassing exerts a fundamental control on magma dynamics and eruption style. This, in turn, is important in the assessment of volcanic health hazard.
Research focuses on development of novel volcano surveillance techniques, detailed investigations of individual volcanoes and fundamental studies of volcano-atmosphere-climate interactions. Some current projects include design and deployment of new gas monitoring sensors at Soufrière Hills Volcano, Montserrat, and Rotorua city, New Zealand. Members of IVHHN are also working on field and computer modelling investigations of the atmospheric, environmental and health impacts of volcanic gases and aerosols.
Latest News
Download our pamphlets on preparing for ashfall and on the health hazards of ash. They are designed for mass distribution at the onset of new eruptions. They are now avaiable in English, Japanese, French Spanish, Portuguese, Swahili, Indonesian and Icelandic with Italian versions being available shortly. Please see our Pamphlets page for further infomation.
IVHHN has an article under the Guidelines tab which used to be called 'Recommended Face Masks'. This has now been updated to 'Information on face masks' and is an interim page whilst the Health Interventions in Volcanic Eruptions project investigates which types of respiratory protection are effective in protecting the general population from volcanic ash inhalation. Please note that the translations in Spanish, Japanese and Portuguese have not yet been updated.


text:
A local jeweller is brutally murdered in his home.Steve Gallagher a dedicated detective is assigned to investigate the murder. Steve realises that the victim was a regular in the pub he drinks in.As Steve begins to search for clues, he pieces together a story that suggests the suspect is closer to home than anyone realises. However, he needs evidence to prove his theory.This short story is 4351 words long.
Bookwire is a mobile app for your iPhone that gives you the ability to scan a barcode
or enter ISBN, access book records and add titles to wish lists.


text:
- 67 years old
- Date of birth: Aug 23, 1948
- Date of passing: Apr 20, 2016
- Place of passing:
Brisbane, Australia
|Those we love don't go away; they walk beside us every day.
Lorraine passed away on April 20, 2016, after a long battle with renal failure and all the associated health issues that come with it. She fought long and hard and bravely, but in the end she contracted peritonitis and simply could not fight her way out of it. The doctors who took care of her on her last night said that she went quickly and that she was in no pain.
Lorraine requested that there be no funeral; her ashes will be buried at Karrakatta Cemetery in Perth, Western Australia, in the near future.
All of us will feel her loss, but we can take some consolation in the knowledge that she no longer suffers and that she is at peace.
The following poem was found written in one of Lorraine's recent notebooks; I'm not sure where she heard it, but it obviously struck a chord with her and she wrote it down. I share it now with you, on her behalf.
May your spirit soar in freedom
From the pains that gripped so tight
May you find the peace you searched for
As you wandered alone in the night
May your tortured mind be clear and calm
And your tender heart be warm
You have no need for strength now
There will never be another storm
May the music of the angels
Be the sweet sounds that you hear
As you are rocked in heaven's cradle
May you never shed another tear
"Dear Lorraine, Remembering you on your birthday, 23rd August - and all the Happy Birthdays we celebrated.
"So many happy memories of friendship over the years. No more pain now, rest in peace.
"You are in our thoughts and prayers always.
Stewart, Sweeny and Pambo"
"Gone but not forgotten"
"I'm playing "Be Happy" ... it so reminds me of our friend/mother/daughter/sister, Lorraine - miss her cheeriness xx"
"The photo of Lorraine is the one I remember Lorraine by in Hong Kong - always had a laugh or two with her. Sad we never met up again"
"Lorraine, remembering you today with much love and knowing that you are being gently cradled forever. Happy birthday my friend."
"Remembering Lorraine on her birthday"
"We will remember fondly her unique sense of humour and her ability to laugh at just about everything including herself. We also admired her prowess with the written word and we looked forward to her long and informative emails. Despite her trials with her health, she maintained a positive outlook. May she rest in peace."
"Thinking of Lorraine and all who are with us now across the world."
"Grateful and moved that you were there at our children's wedding.
I light a candle with a sweet memory of you"
"Thinking of you and Tara this morning Lorraine. Tara, it was wonderful to see the photos of your Mum. I especially love the ones taken at your wedding, she was so excited. A lovely lady now at rest. Annie"
"Will miss the music YouTube videos and subtitled film recommendations Lorraine sent to me. Wished we had lived closer to her and my children had had the opportunity to meet her - they would have loved you, Lorraine! Nic x"
"Lorraine and I shared a fun flat in Hong Kong"
"Lorraine's wacky sense of humour will always be what she is remembered for and her ability to laugh at everything, including herself.
Miss you dearly."
"She will always be remembered - she is now at rest. She was remembered by many at the Lindsay Past Pupils Association AGM on Saturday 7th May,"
"Such beautiful photos such lovely memories thinking of you"
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Now closed for the year – Environmental DNA survey for Great Crested Newts in your local area.
Closed for the year
Last spring spring volunteers undertook the first Thames Region survey of Great Crested Newts using environmental DNA (eDNA) surveys. Great Crested Newts have a secretive nocturnal life style, which, in the past, has presented a challenge for those trying to find out which ponds are important. Thanks to eDNA, it's possible to find this out simply using a water sample which is analysed in a lab for any residual DNA that may have been left by the newts.
In aquatic environments eDNA is left by plants and animals through shed cells and excretions. It can persist for several weeks and sampling it allows us to identify species living in the water easily and reliably. In the case of Great Crested Newts this means no more stumbling around in the dark with torches unless you really want to.
The kits are currently being analysed by SPYGEN and the result will be available this coming winter.
The Survey
The survey is open to all levels of ability and no previous experience is needed. You can learn everything you'll need to know from the materials below and our short training video (coming soon).
- The eDNA kits and survey materials will be delivered you to by your regional officer.
- Use the supplied site pack to locate your allocated 1km grid square.
- Collect a water sample using an eDNA kits from each pond in your allocated 1km grid square.
- Fill out a eDNA survey form and habitat survey form. (an average sized pond will take around 1 hour to sample and an extra 30 minutes to fill out the habitat survey form).
- Give your eDNA kits back to your regional officer.
- Your samples will be couriered to France to be analysed for Great Crested Newt DNA by SpyGen, international leaders in the field of eDNA.
- We'll email the results to everyone in September.
Survey materials:
2016 Thames Water for Wildlife Survey Sites
The Thames Region eDNA surveys are funded by Thames Water, the Heritage Lottery Fund and Natural England. All water sample analysis will be undertaken by the French genetics specialists SPYGEN.


text:
Worried pet owners who call the RSPCA for help in finding missing animals will now have to pay for the service.
The charity has axed its free missing pets service and is now directing people to a website where users have to pay to post details of their animals online.
Until this month the RSPCA would pass on details of any missing pets or strays reported on its hotline or website to its national network of branches for free.
But now people who contact Britain's largest animal charity are redirected to the Pets Located website, which charges £12 to register a missing pet. The site lists 'found' pets for free.
The RSPCA claims the change was needed to free up its hotline to deal with calls related to animal cruelty.
But the charity's decision comes amid accusations it has overlooked the needs of animals while spending thousands on political and legal campaigns on issues such as fox hunting.
Others have questioned the decision to use Pet Located when there are many missing pets websites which offer free services.
Speaking to the Mail Online, Di Fowler, an RSPCA volunteer in Hampshire, said: "I don't see why anyone should spend money on something you can get free.
"We work our socks off to fundraise funds and help people with pets. This will give the RSPCA a bad name."
Dog-lover Belinda Bauer, 50, from Cardiff, is threatening to cancel her regular payments to the RSPCA.
She said: "The Pets Located scheme charges distraught owners for listing their dogs, when there are well-organised sites offering this service for free."
Caroline Key, 62, from Birmingham, spent £24 hoping Pets Located could help trace her beloved terrier, Rags, who has been missing since September 2011.
She said: "It's a useless website. I've never had an email and I don't know why the RSPCA is using it. It wouldn't even let me register all of Rags's distinctive markings and I got only nine possible matches."
In contrast, Caroline received up to 40 matches on other websites, where no fees were charged.
Catherine Inglis, 43, who founded Pets Located and runs a separate telemarketing company in Daventry, Northamptonshire, insisted there were no financial ties between her businesses and the RSPCA.
A spokesman for the RSPCA, which receives around £100million a year in donations, said it had chosen Pets Located as "the most efficient website reuniting all animals with their owners, not just dogs or cats".


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Horsham-DemiBold Fonts
<link href="//db.onlinewebfonts.com/c/514ddd11747953651cd0e696e35bed54?family=Horsham-DemiBold" rel="stylesheet" type="text/css"/>#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/514ddd11747953651cd0e696e35bed54?family=Horsham-DemiBold);#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "Horsham-DemiBold"; src: url("//db.onlinewebfonts.com/t/514ddd11747953651cd0e696e35bed54.eot"); src: url("//db.onlinewebfonts.com/t/514ddd11747953651cd0e696e35bed54.eot?#iefix") format("embedded-opentype"), url("//db.onlinewebfonts.com/t/514ddd11747953651cd0e696e35bed54.woff2") format("woff2"), url("//db.onlinewebfonts.com/t/514ddd11747953651cd0e696e35bed54.woff") format("woff"), url("//db.onlinewebfonts.com/t/514ddd11747953651cd0e696e35bed54.ttf") format("truetype"), url("//db.onlinewebfonts.com/t/514ddd11747953651cd0e696e35bed54.svg#Horsham-DemiBold") format("svg"); }
KG Shake it Off Chunky W00 Rg
Kimberly GesweinAuthor
Kimberly GesweinCopyright
Copyright (c) 2014 by Kimberly Geswein. All rights reserved.Description
1.00 March 22, 2013, initial releaseCompany
Xerographer FontsAuthor
Xerographer FontsCopyright
Typeface (your company). 2013. All Rights ReservedDescription
This font was created using FontCreator 6.0 from High-Logic.comLicense
Created by gluk ( email@example.com www.glukfonts.pl ) with FontForge.License
Copyright (c) 2014, gluk [ www.glukfonts.pl email@example.com ],with Reserved Font Name Kleymissky.This Font Software is licensed under the SIL Open Font License, Version 1.1.This license is available with a FAQ at:http://scripts.sil.org/OFL
P22 Hopper W00 Edward
P22 type foundry, Inc.Author
Edward Hopper, Richard KeglerTrademark
P22 Hopper Edward is a trademark of P22 type foundry, Inc..Copyright
2007 by P22 type foundry, Inc. All rights reserved.Description
2007 by P22 type foundry, Inc. All rights reserved.License
P22 End User License Agreement and Limited WarrantyThank you for purchasing P22 fonts. To ensure that P22 continues to bring you more exciting, historically relevant type, please take the time to read this agreement. It might not be the most fascinating read, but its very important and may answer many questions that you may have. Please register your fonts and remember that free software is an exception, not the rule. 1. Notice to user. You (End User) have not purchased the ownership rights to this font, but rather a license to use this font on a limited basis. Purchasing a license for any P22 font or font distributed by P22 (International House of Fonts, Sherwood Collection and other) via download, or e-mail, constitutes an agreement between P22 type foundry, Inc (P22) and the end user of the enclosed typefaces (software) that the terms and conditions of this contract will be followed. If the fonts are purchased in hard copy format (CD-ROM or floppy disk), removing the media from its protective sleeve (paper pouch, DVD cases, or other) in which the media is contained constitutes the same agreement. If you do not agree with the terms of this agreement, return the complete package with the CD or floppy disk sleeve unopened to the place of purchase. If downloaded or received by e-mail, all files must be deleted. A signed affidavit may be required to receive a refund.2. Grant of License. The basic P22 distributed software license is limited for use on a total of 5 devices at one site for use on a single platform. A device is defined as a computer, printer, character generator, server or any other machine that uses font data to rasterize letterforms. A site is defined as one physical location. Platform refers to operating systems designated as 'Macintosh', 'Windows' or other. A laptop may be one of the devices in the basic license of 5 devices as long as the laptop is associated primarily with the licensed location. Simply working offsite on a laptop is permissible in the basic license and is regarded as an extension of the site. Work transported from one distinct network to another distinct network, via a laptop requires each network to be licensed properly.Additional licensing is also required if you are installing the font(s) on more than 5 devices (Site License), or a LAN/WAN Server with more than 4 devices, or, if you and/or additional users will have access to the font(s) at more than one location (Corporate License), or, if your printer/service bureau is installing the fonts for job output for more than one-time use (Service Bureau). Upon completion of job, service bureau must delete the font software or purchase their own license.--To calculate the required additional license, call P22 at 716 885 4490 or visit: http://www.p22.com/licensing.html to receive a quote.One copy of the font software may be made for backup. You may transfer the original software to another party provided All materials, including back-up copies are transferred and that the recipient agrees to the licensing terms and conditions contained in this agreement, and all copies are removed from the originating end user's (your) devices. 3. Fair Use. The basic P22 license is intended to accommodate personal use as in the course of everyday correspondence and document writing, or in the design of self-promotion pieces like business cards, newsletters and brochures. Other uses designated as professional or commercial may require additional licensing.Professional use is work performed by, not limited to, freelance designers, small design firms and corporate advertising firms that incorporate P22 fonts within a design for a client or self-promotion. Most alphanumeric fonts are allowable without additional licensing provided that the Grant of License guidelines are met. However, the use of illustrative elements (also known as dingbats, extras, ornaments) within logo design requires an additional one-time license. If you have purchased the font(s) license for use on a large scale campaign such as in the course of entertainment promotion, advertising, corporate identity design, product packaging, store signage or in any way that requires the multi media (television, internet, print or other) output of the font(s), an additional license may be required. This applies to in-house or client based work. Call P22 at 716 885 4490 to receive your large scale campaign quote. A royalty based Commercial license is required when P22 font software is used to create a product sold for profit. If you have purchased the font(s) license for use as the principle design element to create a product to be sold such as, not limited to, rubberstamps, refrigerator magnets, or if the usage of the font adds value (value added) to a product to be sold such as wrist watches, house numbers, stencil kits, decals, digital art (screensavers, 3-D models, or other computer application), please call P22 at 716 885 4490 if you have any questions, for permission or to receive your commercial license quote or visit: http://www.p22.com/comlicensing.html for examples.The font may be modified if properly licensed for non-commercial or in-house use. The modified font software may not be sold or distributed.4. Font Embedding. The basic P22 license allows for the embedding of P22 fonts only if the document created is set to Print and Preview. If P22 fonts can be extracted, edited and therefore transferred in any way, an additional license is required to account for each recipient of the document and font file(s)5. Copyright. The software and accompanying documentation are copyrighted and contain intellectual property information protected by law. You may not make or distribute copies of this software or accompanying documentation without the express written consent of P22.6. Disclaimer and Limited Warranty. P22 warrants that the font software is free of errors and will be replaced within 90 days of purchase in the event of defective media. If failure of the font software results from accident, abuse, or neglect, P22 assumes no responsibility to replace the software. THE SOFTWARE AND ACCOMPANYING WRITTEN MATERIALS ARE PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND, EXPRESSED OR IMPLIED, AND P22 SPECIFICALLY DISCLAIMS THE WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE AND MERCHANTABILITY. IN ADDITION, P22 DOES NOT MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SOFTWARE OR THE WRITTEN MATERIALS IN TERMS OF CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS OR OTHERWISE. THE ENTIRE RISK AS A RESULT OF THE PERFORMANCE OF THE SOFTWARE IS ASSUMED BY THE USER.7. Update Policy. At the option of P22, there may be updated versions of the software which will be offered to registered users.8. Purchaser's Indemnity. You agree to inform any person (employee/co-employee/employer) having access to the P22 Software and copies thereof, of the terms and conditions of this Standard License Agreement and to ensure that these terms and conditions are abided. You agree to indemnify and hold P22 harmless from any and all claims, liabilities, and costs including attorney's fees, arising out of your breach of this agreement or promises you made. If these terms are not agreed to and respected P22 reserves the right to revoke Grant of License.9. Construction. This agreement is governed by and constructed in accordance with the laws of the State of New York. All disputes between P22 and the end user whether or not arising hereunder shall be conducted within the courts and jurisdiction of Erie County, New York.Please register your fonts. If you have purchased your font(s) directly from P22 you have been automatically registered. If you ordered your font from an authorized P22 reseller please keep a record of the time and place of the purchase; or if you purchased a CD, send in the reply/registration card enclosed within each package. (c)2004 P22 type foundry, Inc. -- Not Your Typical Type(tm) -- http://www.p22.com -- PO BOX 770 -- Buffalo, NY 14213
Marquee W00 Faceted
Daniel PelavinAuthor
Daniel PelavinTrademark
Marquee is a trademark of Daniel Pelavin.Copyright
Copyright (c) 2010 by Daniel Pelavin. All rights reserved.Description
Copyright (c) 2010 by Daniel Pelavin. All rights reserved.
Sildetas W00 Regular
Sildetas RegularStyle
Jeremy DooleyAuthor
Sildetas is a trademark of Jeremy Dooley.Copyright
Copyright (c) 2008 by Jeremy Dooley. All rights reserved.License
The Font-Software and any updates upgrades, additions or modified versions are the intellectual property of Jeremy Dooley. (DooleyType)You are licensed to use the software on one computer, unless additional licenses are purchased or a multi-license agreement is reached.You are only allowed to transfer or assign the Font-Software to a third party if you do not retain any copies of the Font-Software in whole or in part.Only for the purpose of outputting particular files may you take a copy of the font(s) you have used for such files to a commercial printer or other service bureau.Embedding of the Font-Software into electronic documents or internet pages is only permitted in a secured read-only mode. Licensee must ensure that recipients of electronic documents or internet pages cannot extract the font software from such documents or use the embedded font software for editing purposes or for the creation of new documents. DooleyType is not responsible for any problems that may arise from the use of the fonts, such as computer malfunctions, etc. DooleyType is additionally not responsible for idle time, shortfall of production, waste of material and any other direct, indirect, incidental or consequential damages that are caused by our Font-Software. In the event of a problem that the font file(s) does not work, DooleyType would only provide a replacement for the font(s) you ordered.Upon termination of this Font-Software License Agreement, you agree to either return or to destroy and refrain from using the Font-Software, the media, copies and/or any modified or merged portions thereof. You agree to inform your employees or any other person having access to the Font-Software and copies thereof, of the terms and conditions of this Font-Software License Agreement and to ensure that they shall strictly abide by these terms and conditions.
Krugmann Brush
Krugmann BrushStyle
Peter WiegelAuthor
Peter WiegelTrademark
Krugmann Brush is a trademark of Peter Wiegel.Copyright
Copyright (c) 2015 by Peter Wiegel. All rights reserved.Description
Copyright (c) 2009 by Peter Wiegel. Open Font under Terms of following Free Software Licenses:GPL (General Public License) with font-exception and OFL (Open Font LicenseLicense
GPL- General Public License AND OFL-Open Font License
Drawing Pad
Drawing PadStyle
1.00 September 24, 2012, initial releaseCopyright
Drawing Pad (TattooWoo.com). 2012. All Rights ReservedDescription
This font was created using FontCreator 6.0 from High-Logic.com
OCR A Tribute W01 Bold
Linotype GmbHAuthor
Miriam RttgersTrademark
OCR is a trademark of Linotype GmbH and may be registered in certain jurisdictions.Copyright
Copyright 2006 - 2007 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. OCR is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of Miriam Rttgers. The design may be protected in certain jurisdictions.Description
OCR-A was originally designed in 1968 as a machine-readable alphabet. Its functionality was its most important element, instead of its design. Over the following decades, the typeface has become popular in the design world nevertheless. But typographically pleasing results are often hard to come by, due to the original design's non-design design, as well as its undeveloped character set. In 2006, Miriam Rttgers revised and extended OCR-A, creating OCR A Tribute. OCR A Tribute is a typeface family comprising of two versions: one in which the glyphs have been proportionally-spaced, and another that is monospaced. In the monospaced version, all glyphs have the same width, like the letters in the original OCR-A font do. Both versions of OCR A Tribute contain complete character sets and expert glyphs, as well as lining and old style figures. Now you can rest easy, and finally use this classic design for display purposes and headlines!License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418


text:
Public Health Research Institute Center and
Department of Medicine
New Jersey Medical School - Rutgers, The State University of New Jersey
225 Warren Street
Newark, New Jersey 07103
Phone: (973) 854-3430
e-mail: email@example.com
Research Summary
I am an infectious disease physician with dual training in clinical epidemiology and pharmacometrics, supported by an NIH Career Development award. My clinical interest in tuberculosis began during my residency at NYU/Bellevue Hospital, and I currently see patients at the Global Tuberculosis Institute in Newark, NJ. This background has steered my interest in understanding the patient factors that relate to variability in the pharmacokinetics and the pharmacodynamics of anti-infective therapies, with a particular focus on tuberculosis and nontuberculous mycobacterial (NTM) infections. The program has four areas of interest as discussed below.
Immune activation, gut damage, and pharmacokinetic variability of anti-tuberculosis drugs in HIV/tuberculosis patients. Current efforts in our laboratory are focusing on the expression and activity of membrane drug transporters and key drug metabolizing enzymes relevant for anti-TB therapies, combined with clinical studies of anti-tuberculosis drug pharmacokinetics in HIV-infected patients. The goal of this work is to link the observations of low anti-TB drug serum exposures in patients with HIV infection or other chronic diseases with a mechanistic understanding of the regulation of drug transporters and metabolizing enzymes in the context of inflammatory or metabolic disease.
Developing a point-of-care assay for therapeutic drug monitoring during tuberculosis treatment in resource limited settings. We are evaluating urine colorimetry as a simple platform for measuring anti-tuberculosis drug exposure, which could be a low-cost approach appropriate for high burden settings where blood-based methods of therapeutic drug monitoring would not be feasible.
The role of initial drug resistance in the outcomes of tuberculous meningitis. Meningitis is the most devastating manifestation of tuberculosis. I have led investigations of the epidemiology of drug resistant tuberculous meningitis, using surveillance data collected by the National Tuberculosis Surveillance System at the Centers for Disease Control and Prevention. More recently, I have developed a collaboration with the New York City Department of Health and Mental Hygiene, linking of the tuberculosis registry with the vital statistics database to examine the long-term mortality of tuberculous meningitis patients, both during and after treatment.
Clinical epidemiology of nontuberculous mycobacterial infections in a high prevalence setting. In collaboration with investigators at the Perelman School of Medicine at the University of Pennsylvania, we are building a clinical cohort of nontuberculous mycobacterial patients from the greater Philadelphia region, which has one of the highest prevalence rates of NTM infections in the United States. The goals of this work are to pursue fundamental questions regarding acquisition and progression of disease, including the role of genetic and immunologic factors.
Selected Publications
Vinnard C, Longworth S, Mezochow A, Patrawalla A, Kreiswirth BN, Hamilton K. 2016. Deaths Related to Nontuberculous Mycobacterial Infections in the United States, 1999-2014. Annals of the American Thoracic Society. In press.
Zentner I, Schlecht HP, Khensouvann L, Tamuhla N, Kutzler M, Ivaturi V, Pasipanodya J, Gumbo T, Peloquin CA, Bisson GP, Vinnard C. 2016. Urine Colorimetry to Detect Low Rifampin Exposure During Tuberculosis Therapy: A Proof-of-Concept Study. BMC Infectious Diseases. doi: 10.1186/s12879-016-1576-1.
Arif N, Yousfi S, Vinnard C. 2016. Deaths from Necrotizing Fasciitis in the United States, 2003-2013. Epidemiology and Infection. 144(6): 1338-44.
Longworth SA, Blumber EA, Barton TD, Vinnard C. 2015. Nontuberculous mycobacterial infections after solid organ transplantation: a survival analysis. Clinical Microbiology and Infection. 21(1):43-7. PMID 25636926.
Zivich S, Cauterucci M, Allen S, Vetter M, Vinnard C. 2015. Long-term virologic outcomes following bariatric surgery in patients with HIV. Obesity Research and Clinical Practice. 9(6): 633-5.
Longworth S, Vinnard C, Sims K, Lee I, Barton T, Blumberg EA. 2014. Risk factors for nontuberculous mycobacterial infections in solid organ transplant recipients: a case-control study. Transplant Infectious Diseases. 16(1):76-83.
Vinnard C, Wileyto EP, Bisson G, Winston C. 2013. First use of multiple imputation with the National Tuberculosis Surveillance System. Epidemiology Research International. doi:pii:875234.
Vinnard C, Gopal A, Linkin DR, Maslow J. 2013. Isoniazid toxicity among an older veteran population: a retrospective cohort study. Tuberculosis Research and Treatment. 2013;2013:549473.
Vinnard C, Linkin DR, Behrman A. 2012. Current Approach to Latent Tuberculosis Diagnosis and Treatment Among Medical Center Occupational Health Physicians. Infection Control and Hospital Epidemiology. 33(12):126205.
Vinnard C, Winston C, Wileyto E, Macgregor R, Bisson G. 2011. Multidrug resistant tuberculous meningitis in the United States, 1993-2005. Journal of Infection. 63(3):240-2.
Vinnard C, Winston C, Wileyto E, Macgregor R, Bisson G. 2011. Isoniazid resistant tuberculous meningitis, United States, 1993-2005. Emerging Infectious Diseases. 17(3): 539-42.
Vinnard C, Winston C, Wileyto E, Macgregor R, Bisson G. 2010. Isoniazid resistance and death in patients with tuberculous meningitis: retrospective cohort study. British Medical Journal. 341: c4451.
Vinnard C, Macgregor R. 2009. Tuberculous meningitis in the HIV-infected individual. Current HIV/AIDS Reports. 6(3): 139-45.
Please follow this link to download a PDF copy of Christopher Vinnard's CV.


text:
What do you do when your tutor reminds you that your dissertation deadline is getting just around the corner? We're sure that you buy a readymade dissertation, which has the worth of zero or buy the services of ingenuous and naive writer. Nevertheless, it is true that finishing up a dissertation successfully means you need a professional dissertation writer help.
First thing first, you need a professional & custom dissertation proposal writing task to persuade your committee or university board that your research worth is a million dollar for the literature. As far as professional dissertation help is concerned, abundant of dummies & services are available out there online to buy. However, you shouldn't be risking your career by trusting them all. We bring you here the world's best dissertation paper guide from our best dissertation writersand you can buy it on very cheap rates.
Average writers, who have heard about dissertation, presume the dissertation writing as the easies task in the world. You never know the depth of an ocean unless you drown into it. Here you can learn about each dissertation chapter and become the master of the game.
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Gosh, Gamla Stan is so crazy beautiful!!!
"…I stood in the lobby, a vertical puddle, wiped the steam from my glasses with a corner of shirt tail and realized with a touch of horror, as I hooked my glasses back around my ears, that this was much too grand a place for me. It had potted palms and everything. For a moment I considered bolting, but I noticed a reptilian young reception clerk was watching me narrowly, as if he thought I might roll up a carpet and try to carry it out under my arm, and I became instantly obstreperous. I was damned if some nineteen-year-old pipsqueak with zits and a clip-on tie was going to make me feel loathsome. I marched to the front desk and enquired the price of a single room for one night. He quoted me the sort of sum that would necessitate a trip to the bank with a wheelbarrow if paid in cash."
Neither Here nor There- Bill Bryson
As soon as I finished chuckling, I put the book down, turned on my laptop, and started composing this blog post.
Bill Bryson is my most favorite travel writer. At that point in Neither Here nor There, Bill is recounting his experience arriving at Gothenburg in Sweden and walking into the first hotel he saw. Even though our circumstances are different (he visited Gothenburg in 1990 while I visited Stockholm in 2015), his experience- or the way he describes his experience- is uncannily similar to mine. It gives me goosebumps!
I came to Stockholm in the middle of April this year after spending two weeks in Morocco. It was my very first visit to Stockholm (actually, to any Scandinavian city for that matter), and it couldn't have been more cursory. I had about 15 hours to spare before my next flight to Reykjavik, Iceland.
(A 15-hour transit time is inadvisable, but I did a lot of that in the past when I flew back and forth between the US and Vietnam so I…don't find it excruciatingly painful.)
My Ryanair flight landed at Stockholm Skavsta Airport at 11.30PM, which is 1.5 hours away from the center of Stockholm. The distance is ridiculous, but the flight was only US$25. (I'm a beggar and am not allowed to choose!) Since my flight to Iceland the following afternoon departed from Arlanda, the main international airport of Sweden, I had no other choice but to stay overnight somewhere in downtown Stockholm to catch the airport shuttle.
My plan was to stay inside Stockholms Centralstation (Stockholm's equivalent of Grand Central in NYC or Gare du Nord in Paris) for the night and explore Stockholm just a little bit the next morning with my luggage kept in the station's storage room.
However, the plan fell flat on my face when I arrived at 2AM. Stockholm is not like New York or Bangkok where people are willing to be overworked, underpaid, and undersexed. Well, don't quote me on this last part. You need to verify with the Swedes 😀 The point is a lot of places that would otherwise be open throughout the night in other cities are closed in Stockholm.
Know in advance where you'll stay at least the first night.
Within minutes, I was there almost by myself, as fellow bus passengers either got picked up by their families or took taxi to their hotels. Despite Stockholm's reputation as one of the safest cities in the world, I was still quite unnerved, to be honest with you guys. I knew absolutely no single soul in Stockholm. I had no Swedish Krona, no map, and no 3G on my iPhone. The streets were vacant, and the night was quite chilly. There's something about a combination of emptiness, darkness, and cold that really sends shiver down my spine.
I trudged on toward the more brightly lit streets and began to see sleek club-goers and swanky hotels. Knowing they were not made for me, I kept walking around until I saw the word Hostel a few streets away. But when I arrived, it was closed with a little note on the door telling guests arriving late at night to use the key code provided in their confirmation emails.
Before I had time to let my heart sink to the pavement, I heard a shout. Turning back, I saw a car heading toward me with three men in it, two of whom were looking out of the windows and yelling something indiscernible.
Me (and my luggage. How helpful!) versus 3 guys with a car in some dark corner of Stockholm at 2 in the morning? What the actual fuck?
I ran like madman in the opposite direction, toward the crowded crossroad. I could hear the car's engine running, but didn't dare to look back to see how close they were to me. I was so scared that if I had stopped, they would have jumped out and got me.
I had never been that petrified for my life.
When I came to the crossroad, I turned back and didn't see any car tailing me. Relieved, I went right into the first hotel I saw, Elite Adlon Hotel, and gave the receptionist my credit card to get the US$120 single room without blinking.
I plunged straight to bed when I entered my room. It was the best sleep I had during my one-month crisscrossing the world.
I woke up the next morning to shafts of sunlight penetrating through the window curtain. I looked out the window and squealed with delight at the glorious beauty of Stockholm.
Again, thanks to Instagram, I knew exactly what I wanted to see in the 5 hours I had: Gamla Stan and Stockholm's legendary metro stations.
But first, let me have my Swedish breakfast. You guys! This part of my experience at Aldon completely justified the $120 I had paid. It was the most sumptuous, decadent breakfast I have ever had in the last 4 years roaming the world. Cheese, bread, salmon, tuna, salami, prosciutto, fruit, coffee…there was everything. I gorged myself on salmon and fruit to compensate for two weeks of eating poorly in Morocco.
Aldon's central location made it easy for me to go to where I wanted to go. Just after 10 minutes, I arrived at the strangest, most jaw-dropping and evocative metro station–Rådhuset.
(Some background information for those of you who don't know about Stockholm's subway system yet, courtesy of Visit Stockholm: The Stockholm subway system is said to be the world's longest art exhibit – 110 kilometers long.Traveling by subway is like traveling through an exciting story that extends from the artistic pioneers of the 1950s to the art experiments of today. Over 90 of the 100 subway stations in Stockholm have been decorated with sculptures, mosaics, paintings, installations, engravings and reliefs by over 150 artists. The Kungsträdgården subway station looks like an archaeological excavation, with the remains of the old Stockholm Makalös palace. At Östermalmstorg the artist Siri Derkert highlights women's rights and peace and environmental issues.)
Rådhuset is located in central Stockholm, on the T-Centralen blue line. It was designed by Swedish artist Sigvard Olsson and "uses organic architecture, which leaves the bedrock exposed and unsculptured, appearing to be based on natural cave systems." When I posted this photo on Instagram, the prevalent comment was "wow, look like staircases to hell" 😀
T-Centralen is another favorite of mine. It's the heart of the Stockholm metro system, designed by Finnish artist Per Olof Ultvedt in 1975, and "features boldly painted blue silhouettes of vines and flowers on the walls and ceiling, giving the impression that you are passing through a large forest." I'm here to testify that the blue silhouettes of vines and flowers really do have some calming effect.
I didn't have much time so the last station I paid a visit was Kungsträdgården. According to Stockholm Our Way, Kungsträdgården was designed by Swedish artist Ulrik Samuelso in 1977 and features "art and special creepers" and "is known to be the home of spiders that doesn't exist anywhere else in Sweden." I didn't encounter any spiders, but that's one chilling fact.
Because its platform is located 34 metres below ground, Kungsträdgården is the lowest situated metro station in Stockholm.
A visit to Stockholm wouldn't be complete without a visit to Gamla Stan, also known as The Old Town. I only had an hour before I had to head back to the hotel to pick up my bags, so I barely scratched the surface of Gamla Stan. But it was an incredibly lovely morning stroll, not just because Gamla Stan itself is so enchanting and atmospheric but also because I had it almost to myself and thus had the silence and solitude to absorb what was in front of me.
As you can see, most of the shops weren't even open. I thoroughly enjoyed the quietness, but next time I come back to Stockholm, I want to see how lively the area is when it's business time.
I have to be honest and admit that before I came to Gamla Stan, I was feeling ambivalent about Europe. After 5 countries, the continent had started to lose its luster. I found it homogeneous and repetitive. Gamla Stan and Stockholm truly have resurrected my affinity for the Old Continent.


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The January goal was the three basket blocks which will make up the first row of the quilt.
Here's basket #2. Love that jaunty little bow!
Here's basket #3. It was so slow to put together, but I think it is a lovely block.
3 Baskets! I really love that two are on point and one is straight set.
Looking forward to making more blocks in February! I believe the next row is made up of STAR blocks, and STARS are always my very favorite!
Happy Stitching!
(blocks are from the Fat Quarter Shop 2013 Designer Mystery Quilt.
Fabric line is Avalon from Fig Tree.)


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For Plaid Friday November 25th, Seacoast Local's alternative to Black Friday, we will be offering 10% off all class cards, memberships, drop-ins, and merchandise at the studio. Classes are at 9:ooam, Noon, and 5:30pm. We will be at the studio from 1-5pm for you to buy gift certificates or your own holiday present. Gift the gift of feeling good.
3 Bridges Yoga is proud to support Seacoast Local and the shift to buy through locally-owned independent merchants this holiday season.


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The NBA has always had the most entertaining All-Star festivities in sports, with millions tuning in to watch the three-day event, beginning on Friday with the Celebrity Game and Rising Stars Challenge, followed by All-Star Saturday Night, and the All-Star Game itself on Sunday. However, this year brought little in terms of excitement, as what used to be must-watch TV turned into barely watchable. This year was the all-around weakest All-Star Weekend I've seen, and changes clearly need to be made to liven things back up. Here are my day-by-day thoughts on the NBA's underwhelming midseason siesta.
You'd be crazy to expect All-Star opening night to steal the show, considering it contains the least noteworthy events of the weekend. Still, the Celebrity Game, in particular, failed to offer much to the viewer. For starters, the basketball was terrible. This wasn't much of a surprise, nor should it have been, but even the WNBA players were tossing up ugly shots and some of the "celebrities" looked completely out of place on the court. I put quotations around "celebrities" because the league really seemed to stretch the definition of the word, with several participants I had never heard of. This is the NBA- can't we get some higher profile stars or ones that actually play basketball?
Among the highlights of the game were Jason "White Chocolate" Williams, who broke out his famous elbow pass, Arcade Fire's Win Butler, and social media sensation Brandon Armstrong, who impersonated several NBA stars on his way to MVP. The best moment of the night came when Jarrius Robertson, a young fan with a big personality battling a chronic liver disease, entered the game, immediately scoring. Robertson brought much-needed excitement, as assistant coach Draymond Green seemed to spend more time on his phone than paying attention to the game, which ended in a blowout.
Unlike the Celebrity Game, the Rising Stars Challenge was actually competitive, finishing in a 150-141 victory for the World team. I have to say, I'm a fan of the USA vs. World format and how it highlights the league's young talent, especially on the international side. I certainly prefer it to the Rookies vs. Sophomores format of the past as it creates interesting storylines. However, while not near as pathetic as the All-Star game, there still wasn't much to be seen in terms of defense. More of that later.
Opening up the disaster that's typically my favorite night of the weekend was the Skills Challenge, which has only gotten worse over the years. After experimenting with the format, the NBA has seemed to have settled on the "Guards vs. Big Men" theme, having two brackets, with the best guard and big man meeting in the championship. This isn't a terrible concept, but the execution leaves much to be desired. Instead of having the players compete at the same time in elimination matches, they should simply time all the players completing the course and then advancing the top few times into the championship round, like the competition used to be.
Now, the event has pretty much been reduced to a race where all that matters is who makes a three-pointer first. In fact, there is only one pass left in the course, and you don't even need to successfully complete it. After three failed attempts, you can simply pass the obstacle. The idea that you can win the skills contest without making a single pass is ridiculous. The previous format was more complex, featuring two chest passes, and a bounce pass, an extra shot, and another set of dummies to dribble around. It actually measured speed and efficiency. Instead of ranting, I'll let you be the judge. First, here's Steve Nash's contest-winning final round from 2010.
And now here's a head-to-head matchup from this year's first round, where Gordon Hayward defeats John Wall despite missing each of his three pass attempts and first three three-pointers.
I rest my case. Congratulations to Kristaps Porzingis for winning, but the whole thing is kind of ridiculous.
The three-point contest was a bit of a letdown, considering no one had a truly amazing performance and that favorite and defending champion Klay Thompson finished a point shy of qualifying for the final round. However, Eric Gordon and Kyrie Irving still put on a competitive show, tying in the finals, setting up a tiebreaker round where Gordon finally prevailed. Overall, though it could have been better, it remained tense and was the best part of the night.
The grand finale was, of course, the dunk contest, where Aaron Gordon was set to avenge his 2016 loss to Zach LaVine in what many have called the greatest dunk contest ever. Most of the night's hype was focused on the mystery of what tricks Gordon had up his sleeve to wow us all, and whether or not DeAndre Jordan or rookie dark horse Derrick Jones Jr. could steal away the crown. Spoiler alert: none of them won. In fact, the champion was Glenn Robinson III, who used a couple impressive "50s" to lift the trophy on a night where no one seemed able to put the ball through the hoop.
Favorite Aaron Gordon led with the most creative idea of the night, using a drone as a prop to drop the ball before catching it in mid-air and going between the legs. However, by needing three attempts to throw it down, the energy in the room had died down by the time the dunk went in. Gordon later failed to complete his second dunk and was eliminated in the first round. His foot injury probably played a role, but it was the most underwhelming performance I can remember.
DeAndre Jordan didn't do much better. Sure, his dunk over DJ Khaled was fun, but it really wasn't too difficult, and his finish was slightly off on the second dunk, taking away most of the power away from his slam. Not to mention, it took multiple attempts. After DJ's elimination, the only two participants with real name recognition were gone, leading to a final between two guys who felt replaceable. They had clearly been the best two in the opening round, but neither was stunning by any means.
The final round once again featured misses back-and-forth until Robinson III's clean, reverse dunk over teammate Paul George, the Pacers' mascot, and one of the team cheerleaders. It was definitely the best dunk of the night, but it really didn't hold a candle to several of LaVine and Gordon's dunks from the year before. The right guy won, but the event was a big disappointment.
The 101 points scored in the first quarter of the All-Star game set the tone for a "basketball" game (again, using air quotes because we're stretching the definition) featuring crazy alley-oop dunks, deep three-point attempts, and nothing remotely resembling defensive effort. The West emerged victorious by a 192-182 score that set a new record for points scored, surpassing 2016's total, which had broken 2015's record, which in turn passed 2014's record. The All-Star game has been a joke for a while now, but the last two years, in particular, have seen an explosion of offense.
You might think that all the scoring would lead to excitement, and while it did at times, such as Kevin Durant's alley-oop to Russell Westbrook, it got boring pretty quickly. I think Scott Van Pelt said it best in his "1 Big Thing" segment: "You have to really try to make the best athletes on Earth doing incredibly fun things to watch unwatchable, but that's where we are." There just isn't much fun in seeing a 60-foot outlet pass to an immediate alley-oop followed by the opposing team inbounding the ball to midcourt just to throw a lob of their own. The lack of defense was humorously epitomized by Stephen Curry laying down on the court just to get out of the away of Giannis Antetokounmpo's dunk early in the third quarter.
I understand the injury concern that comes withing playing in a technically meaningless game, but I don't think that means trying has to be off-limits. Maybe you don't lay out for loose balls or give 100% on defense every time down, but when you're on the court, there should definitely be some effort. Individual players don't play more than half the game anyways. Offenses should be trying to get good shots rather than just jacking up threes.
Of course, players should still be throwing some flashy passes or attempting things they wouldn't necessarily try in games every now and then, but the All-Star Game should still resemble basketball. We want to see the best players in the world actually play each other, not just see who can throw down the sickest dunk. At some point, it just isn't that exciting. On a side note, the All-Star Game had several dunks better than what we saw in the Dunk Contest.
To conclude, I'd have to consider this year's All-Star Weekend a disappointment. Most notably, the hype surrounding the Dunk Contest quickly dissipated, but across the board, myself, and judging by what I've heard and read, most people as well, felt things just didn't live up to their expectations. I've explained some of the changes I'd like to see, and I really hope the NBA decides to look at improving things. It'd be a shame if what can be such a great interlude during the season turns into an event that people would rather skip over.


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Dirty rice is basically Cajun fried rice, and is the easiest way to start eating the giblets of the birds you bring home. Try it and you'll be hooked.
Cajun and Creole Recipes
Blackened Catfish
Blackened fish is so 1980s, I know, but I still love it. Here I use catfish, a Cajun staple, but you can blacken any fish sturdy enough for this ferocious cooking process. Blackened redfish is the classic example. Alongside the fish is Cajun succotash, called maque choux.
Deep Fried Doves
Dove season opens tomorrow, and while I dearly love grilling doves, I like fried doves almost as much. Deep frying them sets a nice crust on the outside while leaving the meat pink near the bone.
Cajun Turtle Sauce Piquante
This is a Cajun classic, often done with alligator, but equally good with snapping turtle, which is what I used here. Sauce piquante is a bit of a mash-up between gumbo and an etouffee.
Cajun Boudin Sausage
Boudin, the ultimate Cajun comfort food. Not quite a sausage, boudin is more like jambalaya in a hog casing. You eat it on crackers or just by hand, right out of the casing. I learned how to make it at Legnon's in Lafayette, and here's my version.
Creole Turtle Soup
What do you do when a friend drop ships you a dead snapping turtle? You make Creole turtle soup, that's what. One of the weirdest things to land on my doorstep become one of my favorite new soups…
Grilled Fish on the 'Half Shell'
I don't normally get excited about rockfish. They are easy to catch, and are often small. But recently in Alaska, I caught a gigantic yelloweye rockfish. I was giddy, and knew exactly what to do with it: Grilled redfish, or in this case "orange fish," on the half shell.
Blackened Catfish with Maque Choux
Remember the blackened redfish craze back in the 1980s? I do, and I am here to revive that old dish, only this time with catfish caught in Northern California.


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- About the Neos
Lucas Baisch is a playwright and visual artist originally from San Francisco, based in Chicago. He is currently under commission as a member of The Goodman Theatre's 2016-17 Playwrights Unit and in development of a new play for young audiences with Adventure Stage Chicago. His work has been read and developed at Chicago Dramatists, InFusion Theatre Company, Salonathon, Victory Gardens Theater, Links Hall, Gloucester Stage, American Theatre Company, The NeoFuturists, The Wulfden, The DeYoung Museum, SF Playground, and DePaul University's annual Wrights of Spring. Productions: The Scavengers (Depaul University, Florida State University), A Measure of Normalcy (Gloucester Stage Company), and Zipped & Pelted (The Wulfden/Chicago Fringe). He has served as the Gloucester Stage Company's 2015 Playwriting Apprentice and will be a 2017 artist-in-residence at Elsewhere Museum in Greensboro, NC. Education: BFA Playwriting, DePaul University.
© 2018 The Neo-Futurists. All Rights Reserved.


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PFW, ARRI, Disney and Dolby Among 3D Society's Tech Award Winners/
Nineteen companies and organizations including Prime Focus World, ARRI, Disney and Dolby were recognized for "advancing entertainment through technology" at the International 3D and Advanced Imaging Society's fifth annual Entertainment Technology and New Product Awards on Wednesday during a luncheon at Paramount Pictures.
Read the full article here.
The complete list of recipients of Lumiere statuettes for entertainment technology were:
Adobe – Creative Cloud/Speed Grade
Barco – DP4K-60L Laser Projector
BitSpeed – Concurrency
Blackmagic Design – UltraStudio 4K
Walt Disney Studios – Trifocal Camera
Fraunhofer Heinrich Hertz Intstitute – Trifocal Camera
ARRI – Trifocal Camera
Dolby Laboratories – Dolby Vision – EDR
DVS – Clipster
Fraunhofer Heinrich Hertz Institute – STAN System
Gener8 – GPU-Accelerated Video In-Painting Occlusion Filling
MasterImage 3D – MI-HORIZON3D
Panasonic – 4K LUMIX, Digital Single Lens Mirror-less Camera DMC-GH4
Panasonic – 4K Wearable, Point-of-view Camera HX-A500
Panasonic – 4K VARICAM, High end production camera recorder AU-V35C1G/VREC1G
Prime Focus World – Prime Focus World Hybrid Stereo Pipeline
View Holographics – Holography
Vision3 – Post Conversion Management System
Volfoni3D – SmartCrystal Diamond
New product awards were presented to
4DX – Cinema Innovation of the Year – 4D Movie Theater: Motion Seats and Environmental Effect Equipment, Regal Cinemas LA Live Stadium 14
StereoLabs – Autostereo Software of the Year – Verity
StereoLabs – Autostereo Workflow of the Year – First Live 3D Workflow for Glasses-free 3D Displays
SuperD – 3D Mobile Product of the Year – SuperD Glasses-free 3D Mobile Solution
zSpace – 3D Education Product of the Year – zSpace STEM Lab


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Sverre Knut Johansen: Earth From Above
Craig Padilla: Heaven Condensed
With Earth From Above and Heaven Condensed, a new addition to the Spotted Peccary roster and a member of long-standing make excellent contributions to the label's discography. Norwegian musician Sverre Knut Johansen is the new face, but he brings to the release an impressive back-catalogue and decades of experience as an electronic producer. Releases such as Distant Shore and The Source of Energy extend back to the 90s, whereas a more recent album of note is 2013's Planets (all three of them Origo Sound releases).
Earth From Above, Johansen's maiden voyage on Spotted Peccary Music, lives up to its titular promise in presenting a symphonic-electronic set of encompassing stylistic range and scope. Yes, there are ambient elements in play, but the aggressive spirit and declamatory tone of Johansen's music put considerable distance between the album material and ambient proper. By way of example, the combination of beat-driven animation, ambient guitar textures, and synth washes in Flying Birds more calls to mind the expansive vision of David Torn's Cloud About Mercury than the retiring quietude of Music For Airports.
With twelve tracks alternating between moods and styles over the course of the album's sixty-seven minutes, Earth From Above assumes the character of an instrumental suite or song-cycle. Mood shifts, such as the one from the robust attack of Flying Birds to the melancholy contemplation of Lost, occur repeatedly and lend the recording something of a travelogue feel. With a muscular beat pattern powering its dynamic synth flourishes, Frozen Sky assumes the character of a full-band production, even though Johansen's the only one involved. Such sleight-of-hand is commonplace these days, but convincing simulations such as this one don't render the feat any less impressive.
A luscious array of musical and extra-musical sounds unites in the service of Johansen's vision, with the composer's electronic instruments, synthesizers, percussion, and guitar samples abetted by the guitar textures of guest artist David Helpling. An occasional chilliness emerges from the music to remind us that Johansen hails from the northern-central Helgeland region of Norway, just below the arctic circle, but there are moments of warmth, too. If there's a misstep, it's #connecting#landscapes for veering too far into an electronica style that by 2016 standards sounds dated, but such a lapse is offset by the stirring beauty of the closing Found. One shouldn't lose sight of the fact that, despite its oft-ethereal tone, the album's focus is earth, not the heavens, and in that regard it's only natural that a planet resplendent in vegetation and animal life should be evoked by the material. Earth From Above pulsates with barely contained energy, yet Johansen also does an effective job of balancing exuberance and control throughout this refined recording.
To a greater degree than Johansen, Craig Padilla's drawn to large-scale soundsculpting on his latest solo release. Presented in the form of a four-part work, Heaven Condensed juxtaposes two comparatively short pieces and two twenty-eight-minute behemoths on the seventy-four-minute recording. Padilla's been with Spotted Peccary for fourteen years, during which time he's released ten albums (including Heaven Condensed) on the label, and has issued more than forty releases over the course of his career. To say that he's an experienced hand at crafting electronic soundscapes is clearly a huge understatement.
Drawing for inspiration from pioneers such as Klaus Schulze, Vangelis, and Tangerine Dream, Padilla demonstrates a remarkable ability to maintain the coherence and over-arching structure of a setting for the full measure of its half-hour duration. Working with synthesizers (analog and digital), sequencers, and samplers, he uses the concept of Heaven as a creative catalyst for bringing abstract visions into physical form in real-time. While beats are absent, the music isn't without forward momentum, and Padilla shapes the material so that a constant flow is present, a flow sometimes abetted by a sequencer pattern. One of things that Padilla excels at in particular is effecting smooth transitions from one moment to the next; in fact, they happen so seamlessly, one hardly notices them until a conscious effort is made to monitor the music's unfolding.Representative of the project's tone, the title track conjures the image of a celestial paradise where silken synth washes and gentle atmospheric sparkle strengthen the impression of peace and tranquility. Such a presentation is more than a little seductive, and it doesn't take much for the listener to willingly surrender to the soothing placidity Padilla's slow-motion reveries offer. That doesn't rule out an occasional episode of turbulence finding its way into the material, but when it does it's never so extreme that it floods the material completely with darkness. Equally transfixing is the second long-form setting, Heavenly Sails, which trumps the other in the grandiosity department. It's about as deep and glorious a plunge into space-ambient as you've probably experienced in many a light year.
March 2016