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This Guy Could Be President
That is, if the president were a comedian, acclaimed actor, and beloved personality who's become famous for crashing kickball games, prank-calling his friends' wives, and busting into the karaoke rooms of gobsmacked (and delighted) constituents. And yet now here's Bill Murray playing FDR, bantering through a Hyde Park accent and cigarette holder, batting away murmurs of another Oscar nomination. But has the comic giant just gotten too damn beloved and too damn acclaimed for his own liking?
If you ever find yourself playing kickball in a New York City park on a pleasant Sunday afternoon—this is no recommendation that you do, kickball being the quintessence of hipster self-infantilization, but if you do find yourself in such a situation—and if, in the middle innings, a strange homeless-looking man appears and asks if he can take a turn at the plate, do not, as may be your temptation, shoo him away in anger and disgust. That man may be Bill Murray.
That we live in a universe in which such rules need stating is the great gift of Bill Murray's late-stage career. And it's what went down one brisk day this fall, when a group of twentysomethings playing kickball on Roosevelt Island were suddenly involved in the one-man flash mob that is a Bill Murray Sighting.
"We just figured he was someone's dad on the other team and kept playing, NBD," one of the participants wrote to Billmurraystory.com, a website devoted to chronicling such ubiquitous and predictably unpredictable events. "The man kicked the ball and ran pretty well to first base, trying to round to second, but one of my teammates chased him back to first, deciding not to attempt to peg the man. That was when everyone on my team realized who he was.... BILL MURRAY DECIDED TO PLAY KICKBALL WITH US!"
Murray made it as far as second base before getting doubled up on a line drive. He gave everybody on the field high fives. He hugged one player's mother, who was standing on the sidelines, lifting her high into the air. He posed for a group photo that would soon be all over the Internet. (All this, it should be said, after blowing off a GQ photo shoot.) And then he vanished.
It sometimes seems that making movies is merely Murray's hobby these days, secondary to these kinds of mystic, generous, Dadaist materializations. A pop-culture icon since his mid-twenties, he has emerged lately as something more bizarre and transcendent: a kind of wandering, perpetual performance artist, everywhere and nowhere, wherever the wind or spirit carries him: indie movies, golf tournaments, college frat parties, your karaoke booth right now. As one astute Internet commenter put it: "Some people photo-bomb pictures. Bill Murray photo-bombs life." That it's nearly impossible to tell the apocryphal sightings from the real ones may be precisely the point.
"I always laugh when people bitch about the subways. It's like, 'You have no idea,' " Murray says. It's a couple of hours after kickball, and still wearing the blue cutoff shorts and loose flannel shirt in which he played, he's ensconced in a hotel suite high above Manhattan. Murray is big, bigger than you expect, and his presence is bigger yet. He brings to even this, the most sterile of rooms, a kind of crackling kinetic energy, whether perched on the edge of the suite's round salmon-colored sofa or springing up to pour a cup of coffee from a silver tray. He's reminiscing about his early days in New York, part of a migration from The Second City in Chicago to The National Lampoon Radio Hour, which paved the way for Saturday Night Live.
"I got here in 1974, just as everything went to shit. Subways were insanely cold in the winter and insanely hot in the summer," he says. "The windows were all open, so you'd get metal filings and dust in your face. It was like being on a prison train, or working in a mine. I used to run all the time. I would get off that train and just start running."
Part of the joy of the city, of being Murray, was talking your way into places you weren't supposed to be. "You had to wheedle your way in those days. It was like, 'How do I get this experience?' So you go face-to-face with someone. You make eye contact," he says. "My brother and I crashed the_ Tommy_ premiere party in the subway, which was like the tightest ticket of whatever year... 1975? We had no business being at this thing, but we knew the guys in the kitchen. It was a party in the subway! People talk about it now, and it sounds like fiction." There's something beautiful about imagining Murray, semi-anonymous, before his adventures were instantly recorded.
"He was kind of scarier then," says producer and writer Mitch Glazer, who was introduced to Murray by John Belushi during Murray's first weeks on Saturday Night Live. "I didn't know him very well. He was blazingly funny. But he also seemed angrier."
This is the Murray of legend—punkish, confident, a modern incarnation of a line that stretches from Puck and Pan to Brer Rabbit and Groucho. (Or as Harold Ramis, his longtime, sometimes estranged collaborator and friend, once described it to me, "All the Marx Brothers rolled into one: He's got the wit of Groucho, the pantomimic brilliance and lasciviousness of Harpo, and the Everyman quality of Chico.") It's the Murray whose on-screen persona seems undivorceable from his exploits off. And it's the Murray frankly idolized by men who were a certain age when he was in his prime, men not overly blessed with good looks, wealth, or athletic prowess, for whom the actor seemed to have sprung forth, as surely as John Wayne, with an alternative blueprint for manhood: self-possessed, on the side of good, exquisitely capable of making one's way through the world. Several years ago, when I went to interview Ramis, he opened the door to his office, chuckled, and said something to the effect of "They always look like you." I imagine that Murray must feel the same way today; guys like me have been coming expectantly to see him for decades.
So fundamental is Murray's face to us longtime acolytes that trying to describe it is like trying to describe the taste of salt. It is the root to its own adjective, the answer to its own question. What does salt taste like? Salty! What does Bill Murray look like? Amazingly Bill-Murray-ish. As a young man, he already had what seemed to me the enviable crags and hollows of hard experience. Now that he's 62, his face is a ball of crumpled newsprint framed by a trim gray beard and a thinning but still unruly shrub of hair.
Above all, he remains supremely aware of the effect he has on others, a scholar of eye contact and personal space. It is his genius. "It's not so much what you do, but the way in which you do it. I can slap you on the back and it can be a wonderful thing, if it's done with joy," he says. "But if I slap you on the back just as you're coming out of the elevator, and I've had too much to drink, it's a completely different thing."
This is the most obvious connection to the role he plays in his upcoming film _Hyde Park on Hudson, _which at first might appear an unusual part for Murray. FDR, as he plays him, is a deceptively doddering manipulator of both the big stage (deftly paving the way for the U.S.'s entrance into World War II) and the small (assembling a willing harem of doting mistresses at his Hyde Park estate). The night before, at _Hyde Park'_s premiere at the New York Film Festival, Murray had sat, with other cast members, for a post-screening Q&A. The thirty-second president, he told the sedate art-house crowd, had balls. "I actually don't use that word much. Guts isn't right, either," he says now. His voice, with its latent Chicago accent, is like an instrument tuned half a note off, but nevertheless musical. "I should have said he had sand. I like sand because it has gravity to it. There's something solid down at the bottom. It's like the clown that you can punch and he sits right back up again."
Glazer and Murray became close while working on Scrooged, the 1988 take on A Christmas Carol written by Glazer and former SNL head writer Michael O'Donoghue. Glazer has come to bear the brunt of Murray's lack of official representation; for many years the actor has relied instead on an 800 number and a voice-mail box on which potential suitors may leave pleading messages. Glazer is known as the man to call if you want to get a script into the actor's hands. He also bears the brunt of Murray's pranks. Glazer's wife, the actress Kelly Lynch, revealed in an interview last fall that Murray and his brothers call the couple's house anytime they catch the sex scene between Lynch and Patrick Swayze in Road House on TV.
"It's totally true. No matter what time, two in the morning, it's 'Patrick Swayze's fucking your wife right now. Oh... He's pushing her up against the wall.' It was kind of funny, the first dozen or so times," Glazer says. He calls his friend "the Murricane."
Like others in the actor's orbit, Glazer seems to take such incidents less as the price than the bonus of Life with Bill. He recounts a classic anecdote when the actor dragged O'Donoghue and him to Rancho La Puerta, the tony vegetarian health spa in Baja California. "We were like the only three men there, among all these Beverly Hills housewives," Glazer remembers. On the final day, a middle-aged woman guest approached Murray for an autograph. "Okay," he told her. "But then I get to throw you in the pool."
The woman laughed and accepted the autograph. Then she dropped into what Glazer recalls as "a civil rights resistance pose," screaming as Murray, a man of his word, dragged her toward the pool. He deposited her as promised.
"He'd made the deal and that was it," Glazer recalls, in a statement that seems to confirm the authenticity of the entire Murray oeuvre, real-world adventures included. "He's always been that way. Even in the beginning. He's always been...pure."
"I woke up this morning wondering if I'd sold my soul last night to the guy from Focus Features," Murray says, taking a sip of coffee and staring into the cup. "I really didn't know."
He's referring to the studio publicist for Hyde Park on Hudson, who had to wrangle Murray into this suite to answer questions about the movie. The actor is famously allergic to the conventional machinery of Hollywood promotion. Would-be interviewers find themselves acting more like lepidopterists, trying to anticipate his flitting path and then hoping against hope that he'll alight on a nearby flower for a moment or two. (This is why Murray profiles so often focus on how your profile-sausage is made; for the record, your sausage is made from the frozen smiles and glazed eyes of people like the Guy from Focus Features.)
"They look at this film as an award-winning film, and that road is paved with glass and razor wire, as far as I'm concerned," he says.
For the bulk of Murray's career, such complications weren't an issue. Then came his bravura, career-redefining turn in Lost in Translation in 2003—a role that brilliantly flipped the dynamic of his early roles: the buried melancholy and soul coming to the surface while virility and spontaneity became subtext. (It's both bizarre and telling that the film makes you accept Murray's character as a onetime action star and sex symbol.) He won nearly every award that year, but lost the Academy Award for best actor to Sean Penn. It remains, it seems, a confusing and troubling experience to him. And now, with his performance in Hyde Park being positioned as another Oscar contender, it's fresh in his mind.
"The one time I got a bunch of prizes, I just assumed I'd win them all," he says, rubbing his legs thoughtfully. "Because I'd been winning them all. I wasn't disappointed or anything, but I was surprised."
About six months later, however, he had a vivid realization: "I really saw something in myself and I thought, 'Oh, my God. I really did want that thing!' Some part of me was disappointed that I got tricked into thinking it was important. I told myself, if that happens again, I don't want to do that." He stares down at the table. "I've since realized that it was good I didn't win, because I wasn't ready. Guys go for five years without working because they're thinking, 'Oh, this isn't Oscar-worthy.' They become paralyzed. So. It would have fed that thing that I found in myself, without my even knowing. It would have been really malformed. Because I had it wrong."
A knock comes at the hotel-suite door. Murray has a full arsenal of strategies to deal with the publicists trying to hasten him on to the next in a long line of events that will culminate in traveling to England tomorrow, to screen Hyde Park at the BFI London Film Festival. "Go away! Go clean another room!" Murray shouts. Footsteps meekly retreat. "I didn't mean it," he says, much lower. He rolls his eyes.
A few minutes later, the publicist is back, this time having learned not to knock. "So, Bill, we have to go to the thing," she begins.
"Oh, the thing." Murray snaps his fingers. "I see what you're talking about now. The thing."
"Yes, so—"
"You know what we would really like?" Murray interrupts her. "Ice cream."
"Ice cream." The poor woman stares.
"Would you like a little ice cream, Brett?" He raises an eyebrow conspiratorially. "We'd really like a little ice cream."
"I'll see what I can do," says the publicist. She retreats, never to return.
The question of Oscar is one part of a constellation of questions about where Bill Murray the actor goes from here. He has found a home as a kind of living prop in Wes Anderson's movies, paring his exuberance down to an almost radical minimalism. Films like The Life Aquatic with Steve Zissou, in which he played a fractured Jacques Cousteau, are closer to comedies than they might appear, Murray says, as intellectually tuned to the dynamics of comedy as he is instinctive. "Every single scene of that movie was funny, but when Wes assembled it, he streamlined and excised the detonation point of the laughter. The idea is you keep it bouncing and never skim the energy off of it. You keep it building in the name of a big emotional payoff—which comes when they're all in the submarine together and they see the jaguar shark."
He's made an easy accommodation to Anderson's tightly controlled style, a distinct contrast to the freewheeling improvisation of his younger days. "Wes really knows what he wants. It's not like, 'Get the ham out there and let him oink,' " he says. "Those limitations make it more challenging: 'If I have to be in this box, how do I make it work? What can I do to make it really zip?' " In last year's Moonrise Kingdom, he delivered as zippy and soulful a performance for Anderson as he has since the sublimity of Rushmore, their first project together. Reports from the Rome Film Festival, where Roman Coppola's feature A Glimpse Inside the Mind of Charles Swan III debuted in November, suggest he does the same alongside Charlie Sheen.
And yet, for the past decade, the one area Murray has failed to find an assured place is in comedies that announce themselves as comedies. When I ask why, he's silent for a full fifteen seconds. "They're different," he says finally. "They're just different from what I used to do." He's right. On the surface—and, one suspects, in the minds of their makers—movies like The Hangover and _Knocked Up _are directly in the lineage of Murray's classics: Meatballs, Stripes, Ghostbusters, Groundhog Day. But if those earlier movies are about being a man and negotiating the world, the dominant theme of the newer ones is about avoiding it, staying a boy—albeit a boy raised on the films of Bill Murray.
Glazer says Murray is continually approached by comedy directors but has found few projects he feels are worth doing. "I assume if he found them amusing, he'd do them," he says. (One exception that Murray is particularly fond of was Zombieland, in which he played himself during the zombie apocalypse, the conceit being that he donned zombie drag in order to move about freely, a not-terrible metaphor for his relationship to the straight, non-Murray world now.)
Still, comedy appears to be something the actor genuinely misses. "The early movies, we just did them for fun. If they were funny, you did them. There wasn't this life-or-death thing," he says. "I was in movies where I would turn up, and they'd be like, 'Whaddya got?' It was like, 'Turn on two cameras and let's go.' " In this light, it's hard not to see his recent mode of real-life exploits as the ercise of a disused muscle, a way to do off the screen what he no longer gets the chance to do on it.
"It's really a question I have. I think there's something that I can bring to a comedy today, but I don't know where to bring it," he says. "I've actually thought about having a manager again. Just to clear my head and have a plan." He pauses, as if working it out in his mind. "Eh, it's not that attractive to have a plan. I know that if I ever feel that I need to make a funny movie, I'll figure out how to write one. I'll get it done. If I ever get some ambition, I'm gonna get some shit done."
He does a mock-offended eye roll/blink. "What? It could happen."
It could. And, maybe selfishly, I wish it would. Not because Murray's later performances, on- and offscreen, aren't full of delights, but because the notion of his passing into a genteel old age of masterful but dutiful roles in Oscar movies would—not to make too much of it—feel like something akin to the death of the universe.
During the Hyde Park Q&A, a tactful young cineast had risen to ask about a scene in which FDR goes for a swim, his crippled body suddenly graceful in water, the camera regarding his wasted legs as they float by. What kinds of special effects, the questioner wanted to know, were used to make those legs quite so unbelievably gnarled and horrible looking?
It was immediately clear, from the laughter among the others onstage, that the answer was none. Murray was silent for a long moment and then reached down for that fathomless gear of deadpan to which perhaps only he, since Buster Keaton, has access. "That," he said finally, "is acting."
Now he tells the story of his morning on Roosevelt Island—except not about the kickball game. I will have to learn about that later, on the Internet. Instead, he talks about the original reason for the trip, where he went first: to see the recently completed FDR Four Freedoms memorial, located on the tip of the island (where, he mentions, an unfilmed scene in Ghostbusters was meant to be set). He had seen a documentary about the project on PBS and, having recently channeled the president, decided to take his sons and their friends for a look.
"It was designed by Louis Kahn, and it's got some moves," he says, flipping through photos on his phone and shaking his head, impressed. "This is what they call The Room," he says, passing the phone. "There's six-by-six-by-twelve-foot granite blocks with a tiny bit of space between them that's polished on the inside, so the light actually kicks through the whole thing. The Room is pretty boss."
The only problem was that the memorial was in the final stages of construction and not yet open, so they crept around the edges, looking for a way in. A perfect setup for a little of that Murray magic.
"I waved to the people driving in and out in their itty-bitty cars, and eventually I saw one of the guys walking back, saying, 'They said you were out here.' " Murray seems suddenly sheepish, as if hearing how it sounds: just another celebrity getting through doors on the strength of his face—not with wit and charm and guile, not with sand.
"It wasn't like they were like, 'Hey, you're the guy from What About Bob?' or anything. One guy didn't speak very much English, and they obviously weren't really movie buffs...," he says, rubbing those legs gingerly. A mere guard, he'll have you know, is still no match for the power of the Murricane. He'd have made it through the gate.
"I had that," he says with perfect confidence. "If I had a little more time, I could have gotten it done."
_ Brett Martin is a GQ correspondent._

subset: commoncrawl


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I am a skin care professional that struggles with simple graphic tasks. I need someone to help me change the address on my existing business card, later on I will have more work I need help with. Designing labels will be my next challenge.
We are a startup of standards analysis and we are developing a new product based on radio frequency signals (WiFi / Bluetooth / 3G). We are looking for professionals who can help us in the development of this innovative product that is based on the following premises: 1. Registration (log) of MAC addresses in an area of interest. 2. Trace the displacement of this MAC in the area of interest. 3....
Email to Spam problem. Emails sent to clients and users are ending up in the spam box even when there is no attachment. This is a mini project so kindly don't put bids over $30. Over bids will be ignored. Until fully satisfied Milestone will not be released.


text:
President Barack Obama praised California attorney General Kamala Harris at a recent fundraiser in Atherton, California: her smarts, her strength, and her babeness. One of those things is not like the other!
She's brilliant and she's dedicated, she's tough," he said. "She also happens to be, by far, the best looking attorney general."
"It's true! C'mon," he added, to laughter from the crowd.
At least he didn't praise her beef stroganoff?


text: I am a Software developer but I love painting. I always dreamed of becoming an animator, may be will work for Disney / Pixar / Dreamworks etc etc. But situations just widens the gap between Dreams and reality. Lets just say all the happy moments of my life involve drawing.


text:
Ideally Situated
St Austell is situated in mid-Cornwall, an ideal base to explore our beautiful county. St. Austell is on the main rail line and we offer free pick-up at weekends.
- Bowling Alley
- 5-Screen Cinema
- Good Pubs that serve local food.
First time visitors to Cornwall will be surprised at the quality and extent of our sandy beaches, many and varied - from surfing to the safe stretches of golden sand suitable for all the family.
There are many attractions nearby which will enthral you. From the multi-million pound Eden Project (free weekend transport) to the quaint havens which dot the coastline. Replica square sail ships can be seen a few minutes away in Charlestown Harbour.
The area is steeped in history, from smuggling, infamous wreckers who lured unwary captains onto the rocks and tin mining which played a big part in the local economy.
Now the leisure trade is vital to Cornwall and many businesses have sprung up to cater for the annual influx of visitors. So even if the weather does not entice you to the beach there are always plenty of other attractions to keep the family occupied. We have bikes for hire at £5.00 per day. We look forward to seeing you and hope you enjoy the great holiday atmosphere of Cornwall.


text:
What an amazing week it has been here at Joyful Mama's Place as we celebrated World Breastfeeding Week 2010!
Thank you to everyone who took the time to comment, and for the flood of e-mails from passionate, breastfeeding moms! In fact, these posts have been so popular that I will continue sharing on the topic once a week for the remainder of August.
Today's post is an article that appeared in New Beginnings, a publication of La Leche League International, in the January-February2006 edition. I found the article to be informative and very helpful, and although I support the World Health Organization's recommendation that babies should ideally be breastfed until the age of two or beyond, this article will hopefully give new moms the neccessary encouragement to take the first steps towards establishing a good breastfeeding relationship with their baby. You can access more great articles on the Breastfeeding Answers page on the LLL website - just click here.
10 Tips to Breastfeed for a Year
by Christine Foster
The recommendation from the American Academy of Pediatrics and other medical groups is clear—babies should be breastfed until at least their first birthday. But few mothers and babies make it that far. Although more than 70 percent of new mothers in the USA breastfeed just after birth, just 16 percent are still breastfeeding at one year (Ruowei et al. 2005). The reasons that so few make it to that goal are complex— a society that doesn't always support breastfeeding; alternatives that can seem easier during difficult times; a lack of education or understanding about the significant differences between the health of breastfed babies and bottle-fed babies. But most mothers who really want to can make it to a year, and beyond. This article provides some tips to help you get there.
1. Find Support
Although many mothers initiate breastfeeding after birth, it's still unusual for a new mother to have a lot of experience with seeing breastfeeding in action. The changes a new mother experiences after the birth of a baby are hard to anticipate and oftentimes surprising. The theoretical notion of planning to breastfeed can be radically different from caring for a real, live baby at the breast. For that reason, it's comforting to be around people who know about breastfeeding.
One of the easiest ways to find supportive people is to attend La Leche League meetings during your pregnancy. Experienced Leaders often note that mothers who are involved with LLL before the birth tend to have an easier time because they are more educated about the normal course of breastfeeding. Plus, if there are unexpected issues, mothers who have already attended meetings are often more comfortable calling a Leader they already know.
It can also be helpful to educate family and friends about your goal. When Unity Dienes, a Leader in New Hampshire, was expecting twins, she made sure that her husband, Klee, understood her goals by writing up a list of reasons why it was so important for their boys to get her milk. Unity's advance work meant that when they encountered challenges in those early weeks, she had his full support. "He was amazed at how many different reasons there were," she says.
2. Learn to Breastfeed in Public
Learning how to breastfeed in public can be a big challenge—especially in communities where breastfeeding isn't as common. Women who can't get comfortable breastfeeding in public generally find it harder to make it to a year or beyond. If she doesn't want to nurse in public, a mother would either need to limit her excursions or pump her milk for bottles. Either of those can be frustrating and can limit the breastfeeding relationship.
Some mothers find nursing clothing to be helpful when they need to nurse in public, while others find it just as easy to breastfeed discreetly by lifting their shirt from the bottom and making sure their baby covers all of the exposed skin. Many mothers gain confidence by practicing in comfortable environments —such as a La Leche League meeting—or by watching themselves in a mirror so they know what they look like to those who may be watching. Sometimes enlisting a friend to come along for early outings can make a mother more comfortable. "Even if someone can tell you are breastfeeding, it's not a big deal," says Unity. "Try to develop that mind set. You are feeding your baby. You are comforting your baby. That's what your breasts are for."
3. Limit the Use of Bottles and Pacifiers
Some babies clearly do use bottles and pacifiers and manage to continue breastfeeding for at least a year. But, as stated in THE BREASTFEEDING ANSWER BOOK, getting sucking needs met somewhere other than the breast is a risk factor for early weaning. Using artificial nipples during the early weeks can interfere with a baby's ability to breastfeed effectively.
La Leche League suggests limiting pacifier use in the early weeks, which can seem confusing to some mothers in light of the recent recommendation of the American Academy of Pediatrics that babies should sleep with pacifiers to reduce the risk of Sudden Infant Death Syndrome. LLL believes that the recommendation did not take basic breastfeeding management into account and could threaten the development of longer-term breastfeeding relationships. According to a statement issued by LLL:
Pacifiers are artificial substitutes for what the breast does naturally. Breastfed babies often nurse to sleep for naps and bedtime. The recommended pacifier usage could cause a reduction in milk supply due to reduced stimulation of the breasts and may affect breastfeeding duration.
In other words, if pacifiers are good for babies, why not use the best—the breast?
4. Find Ways to Involve Dad
One of the most common reasons new mothers give for pumping milk is that they want their baby's father to be able to give the baby a bottle. Frequent bottles, however, can lead to early weaning, so finding another way for daddy to connect with his baby can be crucial. In many families, bath time or an infant massage is a special daddy-baby bonding opportunity that offers skin-to-skin contact and comfort.
Cindy Howard, a Leader in California, recalls that her husband disliked giving their daughters bottles because his daughters seemed to behave as if they were getting second-best. When their youngest daughter, Gwen, was a baby, John connected with her by rubbing her feet to comfort her when his wife attended an early morning exercise class.
Jennifer Moquin, a Leader in Pennsylvania, let her husband, Anthony, take the late shift with their night owl baby. She would breastfeed the baby and then lie down to sleep a bit while daddy walked the baby around, played special songs to her, and showed her pictures on the wall. "She was mellow, but wide awake," Jennifer recalls. "It was always a really nice time for them."
5. Create a Daily Rhythm
Strict schedules can make it hard for a mother to respond to her own baby's cues. They can also lead to decreased milk supply, because milk is removed from a mother's breasts less often. It can be confusing for mothers to hear that babies are "supposed to" breastfeed eight to 12 times in a 24 hour period or that babies "should" breastfeed for 10 or 15 minutes on each breast when their baby is doing something different. According to THE BREASTFEEDING ANSWER BOOK, "Length of feedings varies with the baby's personality and age. A baby's breastfeeding style also may change as he grows." Many mothers find it helpful to spend less time looking at the clock and counting the number of times their babies go to the breast. As long as your baby is gaining enough weight, simply watching his or her cues is enough.
For some mothers and babies, though, having some sort of predictability to the day is important. A mother can gradually provide some structure by giving her baby predictable cues. Having a specific order to the day—a time for baths, walks, or books, for example—can help the baby and the mother find a rhythm that works for them. Some babies will fall into a more regular breastfeeding pattern as they grow older. Others will continue to want to breastfeed frequently throughout the day.
6. Breastfeed for Comfort
Some mothers worry that offering the breast for comfort when baby is upset will create an inappropriate emotional connection with food. They worry that their child will turn to food for comfort, rather than eating to satisfy physical hunger. They might believe that it's better to try to separate food from emotions. If we are honest with ourselves, though, we will realize that all of us associate certain emotions with certain foods. Cindy Howard, who is also an International Board Certified Lactation Consultant, gives the example of the traditional birthday cake. There is rarely much nutritional value in the cake. It's the emotional component of celebrating with others that matters.
When you offer the breast for comfort, you are encouraging your baby to turn to you for comfort instead of a non-human object. The human contact matters more than the milk. Plus, breastfeeding for comfort keeps your supply plentiful and reminds the baby that by breastfeeding he can help himself to feel good again.
7. Recognize the Signs of a Nursing Strike
Babies often have periods during which they seem more or less interested in breastfeeding, but it is very unusual for a baby to actually choose to wean before one year. It is not uncommon, however, for a mother to say her young baby is "weaning" when the baby is actually in the midst of a nursing strike or making a developmental leap that is distracting him from breastfeeding. According to THE BREASTFEEDING ANSWER BOOK, the most typical age for a nursing strike is between three and eight months.
The key to avoiding weaning inadvertently is to recognize and deal appropriately with a nursing strike. Molly Remer, a Leader in Missouri, remembers that when her son, Lann, was five months old, he stopped breastfeeding during waking hours for a week due to having a cold. Apparently frustrated because he was congested and having trouble breathing while breastfeeding, Lann simply refused. Molly breastfed him while he slept and tried various tricks to get him back to the breast during the day. Breastfeeding while in motion worked best, so she walked and breastfed. Lann is now two years old and still breastfeeding regularly.
Another very typical time for something that can look like weaning, but isn't, is the second half of the first year as babies start to move and be more aware of their environment. Some are so distracted that they never stop to breastfeed. Some mothers find that offering to breastfeed more often, bringing a baby into a dark room to breastfeed, or taking advantage of nighttime nursing opportunities can get them through this stage. Frequently, when babies refuse to breastfeed, though, there is something else going on that has upset the babies' lives, such as an illness or teething or a big change in the family, such as a move. And, sometimes, rarely, babies will wean naturally before a year. The benefits of breastfeeding to a baby's health are so strong, however, that it is worth efforts to make sure that a baby is not simply going through a short-lived stage before stopping breastfeeding.
8. Handle One Day at a Time
Some mothers are planners: they want to decide how long they will breastfeed before their baby is even born. They think, "I don't really want to nurse a three-year-old, so I will wean now." Others may plan to breastfeed until a year or beyond, but may feel overwhelmed during the early days and fear that they can't possibly make it to their goal.
Instead of making a firm decision in advance, try taking it one day at a time. When your baby is a newborn the idea of breastfeeding an enormous 12-month-old can seem daunting. When you are helping her blow out her candles on her first birthday, your baby won't seem nearly so huge.
Ariel Valencia, a mother in California, has used the "one day at a time" approach to help her continue to give her son, Evren, only her milk. Ariel works outside the home and finds it difficult to pump enough milk for him while she is away. She sets two-week goals and has already made it to five months.
9. Don't View Breastfeeding as an "All-or-Nothing" Proposition
Occasionally mothers introduce formula—perhaps to cope with a supply deficit while they are working or because they choose not to pump milk when they are separated from their baby.
Julie Nelson, a mother in New York, introduced formula to her son, Nicholas, at nine months when she stopped being able to pump enough for him while she was at work. She continued to breastfeed during the evenings and on weekends and Nicholas continued to breastfeed through his first birthday.
10. Enjoy the Moment
Remember, it's okay to fall in love with breastfeeding. "It's going to be your heart, not your mind that makes you continue," says Unity Dienes. So prime your heart to love breastfeeding. Unity suggests that mothers:
•Make sure breastfeeding doesn't hurt—you can't fall in love with something that hurts.
•Avoid having anything in between you and your baby, including a nipple shield or a bottle with pumped milk. Whenever something is between you, it makes things more difficult.
•Snuggle with your baby. Savor his sweet smell and his fuzzy head. Watch to see the milk your body made dripping out the corner of his mouth. Falling in love involves all the senses.
When a mother embraces breastfeeding, it becomes that much easier to breastfeed for a full year and beyond. That's the true "secret" to breastfeeding. If a mother enjoys breastfeeding or commits herself to it, it's likely that it will be easier for her to allow comfort nursing, figure out how to nurse in the presence of others, and get the support she needs.
This period in your baby's life is fleeting. As you adjust to this new experience, remember to take things as they come and try to enjoy the moment.
Mohrbacher, N. and Stock, J. THE BREASTFEEDING ANSWER BOOK. Schaumburg, Illinois: La Leche League International, 2003.
Ruowei, L. et al. Breastfeeding rates in the United States by characteristics of the child, mother, or family: The 2002 national immunization survey. Pediatrics 2005; 115(1):e31-e37.


text:
Is it just me, or does there seem to be a number of McGeough protégés reffing around the league waiting to try and steal a game away from the hard working Oilers?
Zack Stortini, who has been making a fairly decent impact on the ice as of late, was clearly robbed of his very legitimate, first NHL goal last night, because the ref was too ignorant to listen.
Stortini has actually been playing pretty good hockey as of late, instead of concerning himself with getting involved in some very aggressive hugging matches. This new found-play would have paid off last night if it weren't for another terrible call that almost lost us the game.
If it weren't for the outstanding play of Garon and another unbelievable performance by Gagner in the shootout, the tired Oil would have had one stolen away by a ref on a power trip.
It's nice to see the Oilers catch a break from time to time to get on a roll, so that each day a few more jumpers can get back on the wagon. Welcome back—even though I don't agree with your dedication as a fan, I know that the boys and the city love the support.


text:
PRICE, Utah—Three Colorado men have been fined and banned from hunting in Utah after a doe and buck were killed illegally last fall.
The Utah Division of Wildlife Resources says Ostan Ware, Ryan Hagin and Kody Kean didn't have proper permits for either animal. Officials say the men posted pictures of the dead deer online, and left the doe to rot.
A tipster calling the state's Turn-in-a-Poacher hotline reported the incident, which wardens say happened in November about three miles away from the Colorado border in Utah's Book Cliffs.
The three pleaded guilty to misdemeanor charges of wanton destruction of protected wildlife or aiding in the crime.
Ware and Hagin are suspended from big game hunting in Utah and 37 other states for 10 years. Kean is suspended for five years.


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text: SCOTT, John, a Delegate and a Representative from Missouri; born in Hanover County, Va., May 18, 1785; moved with his parents to Indiana Territory in 1802; was graduated from Princeton College in 1805; studied law; was admitted to the bar and commenced practice in Ste. Genevieve, Mo., in 1806; presented credentials as a Delegate-elect to the Fourteenth Congress from the Territory of Missouri and served from August 6, 1816, to January 13, 1817, when the election was declared illegal and the seat vacant; elected as a Delegate to the Fifteenth and Sixteenth Congresses and served from August 4, 1817, to March 3, 1821; upon the admission of Missouri as a State into the Union was elected as a Republican to the Seventeenth Congress, reelected as an Adams-Clay Republican to the Eighteenth Congress, and elected as an Adams candidate to the Nineteenth Congress and served from August 10, 1821, to March 3, 1827; chairman, Committee on Public Lands (Nineteenth Congress); unsuccessful candidate for reelection in 1826 to the Twentieth Congress; resumed the practice of law; died in Ste. Genevieve, Ste. Genevieve County, Mo., October 1, 1861.


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This Impressive Backyard Shed Combines Living Quarters, A Bathroom/Laundry, And An Indoor/Outdoor Workspace
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Brett Mahon, Joonas Parviainen, Saagar Tulshan, Shreyansh Sett have built a multi-level pavilion where people can gather and relax in Rijeka, Croatia. ...
20-02-2019 21:55
Snøhetta and Heatherwick Studio unveil designs for Sidewalk
Alphabet\'s Sidewalk Labs has tapped Thomas Heatherwick\'s studio and architecture firm Snøhetta to develop proposals for the smart, mass-timber city ...
20-02-2019 21:55
California's Desert X returns with colourful and provoc
Installations set against the arid landscape of California\'s Coachella Valley for the Desert X biennial art festival include a huge orange block and ...
20-02-2019 21:55
Digital platform 1stdibs opens showroom in New York warehous
Online marketplace 1stdibs has opened its first standalone brick-and-mortar store in a former warehouse in New York City, where customers can peruse n ...
20-02-2019 21:55
Cholla Vista Home by Kendle Design Collaborative
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20-02-2019 21:55
Jinyoun Kim Has Designed The Lightning Lamp
South Korean designer Jinyoun Kim has created the Lightning Lamp, which was inspired by an old Korean phrase, "Being struck by a thunder ...
20-02-2019 21:55
Japanese Sleeper Trains Interiors Are A Peaceful Oasis
The 1960s saw great improvement in Japan?s economy, including the railways. The first modern high-speed rail line opened in 1964 and many limited expr ...
20-02-2019 21:55
Italian Country Villa Gets a Stunning Modern Update
Renovating old buildings for contemporary use isn?t always an easy task ? especially when the structures need special care ? but the payoff can be pre ...
20-02-2019 21:55
MIFGS headlining designs revealed
The formidable line-up of landscape gardeners headlining The Melbourne International Flower & Garden Show Presented by Lawn Solutions Australia has be ...
20-02-2019 21:54
Canadian Competitions Catalogue reaches 5,000-project milest
The Further reading: J.-P. Chupin, C. Cucuzzella, B. Helal (Editors), Architecture Competitions ...
20-02-2019 21:54
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text:
Selecting your vehicle's make, model, and year allows us to display only parts and items specific to your car's model and year.
Part# BC03691
Be the First to Review
OPGI Price: $54.95
Part Type: (R) = Authentic reproduction of the original GM product
Years: 1969-1970
Sold As: SET
These transmission cooler lines are bent to exact factory specifications for a perfect fit. Lines include the correct flared ends and fittings for a straightforward connection to both the transmission and the radiator. Depending on your needs, the lines are available in OM steel or stainless steel. Sold per pair or set; specify application.


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ArcTouch Developers needed a new other design and created a contest on 99designs.
A winner was selected from 68 designs submitted by 5 freelance designers.
ArcTouch is creating a new BlackBerry app to help people find volunteer opportunities in their community in the United States. The app will allow people to give back and help other people near them.
Help us by making a stunning splash screen, about screen and background image for the other screens. Your designs will be seen every time they launch and use the app!
People looking to find volunteer opportunities and help out in their community or in their country.
See attached spec doc for full requirements and guidelines. It's important that you read this and follow it.
Spec is attached but can also be downloaded from: http://www.transferbigfiles.com/Get…e7acb28087
3 screens are needed - splash screen, About screen, and main background image that the text and buttons are placed over.
The designs must fit into the various BlackBerry device screen sizes (which are listed in the attached spec doc).
Deliverables are 3 images in various sizes for the BlackBerry devices in both PSD and PNG.
The designs should use blue (or shades of blue) as the primary colors, along with white. Red should be used as accent colors. See the color schemes of http://serve.gov and http://nationalservice.gov for the colors that are ideal.
The screens should convey a sense of patriotism, volunteerism, community service/caring and community pride.


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With $3 trillion in foreign exchange reserves and a growing need for resources to power its growth, China has been ramping up investments around the world. Net outward-bound foreign direct investment (FDI) by Chinese companies grew from $5.5 billion in 2004 to $68.81 billion in 2010.
But investments by Chinese companies have generated plenty of political backlash in some countries, and several big deals have fallen victim to regulatory concerns. In 2011 alone, $32.8 billion worth of investments proposed by China failed to be completed, according to the Heritage Foundation. That's more than half the $60.1 billion in overseas deals made by Chinese companies last year, according to the Ministry of Commerce. Some notable failures include a $5.4 billion PetroChina deal in Canada and Bright Food Group's $2.5 billion bid to buy French yogurt maker Yoplait.
The tide may be turning though for Chinese investors. The massive financing needs of its two biggest trading partners — the U.S. and Europe — could leave Beijing spoiled for choice as China plans to spends $560 billion in foreign investments over the next five years, according to Reuters.
With this in mind, we've put together a list of 10 countries that saw the largest net foreign direct investment (FDI) from China between 2004 and 2010, according to figures from China's Ministry of Commerce.
So which countries were the top destinations for Chinese investments? Click ahead to find out.
By Rajeshni Naidu-Ghelani
Posted 24 May 2012


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Nathalie1 needed a new logo design and created a contest on 99designs.
A winner was selected from 68 designs submitted by 32 freelance designers.
HCD Group
We are a small employment consulting firm in New Zealand.
Recently we purchased a logo from 99Designs for a new programme we are launching called 4 x 4 (see attached image).
This flash new logo for the job club made us realise how old and tired our current logo is (see attached).
varied existing audiences of:
- people seeking jobs
- government workers
Please redesign our brand and make it feel more modern
Brand must:
- use the words "HCD Group" or "hcd group"
- at least use the red colour as per the 4x4 logo
If you feel there are other colours that will work well (for backgrounds/ highlights etc) with the existing red please use those as backgrounds
Will be wanting to use the logo in the following ways:
- word document (header/ footer)
- business cards
- mailchimp e-newsletter
- website
Must output to transparent png/ jpg etc
Find out how a design contest works or learn more about our logo design services.


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What will Plum Creek do with its 65,000 acres in county?/
By Anthony Clark | The Gainesville Sun
On one hand, the Plum Creek Timber Company has made it clear it is not in a hurry to develop portions of the 65,000 acres the company owns in Alachua County.
After all, being in the business of growing pine trees, it is nothing to wait 12 to 30 years for a return on investment.
Todd Powell, senior director of real estate for Plum Creek, has continuously referred to the master plan that the company is preparing as a long-term plan with a 50-year outlook.
Even the Envision Alachua process, which is being held to help prepare that long-term plan, has gone on for nearly two years with hundreds of people expressing their wishes for the land during task force meetings and community workshops.
However, Powell and others with a stake in the plans say they feel the pressure of those expectations and already are working together to try to lure industrial tenants to portions of the land along Hawthorne Road between Gainesville and Hawthorne.
They are targeting their efforts where they see the most opportunity to draw on the strengths of location and available local resources. Promising prospects include major agribusiness companies that could partner with researchers at the University of Florida Institute of Food and Agricultural Sciences and manufacturing companies that could benefit from the CSX rail line and U.S. 301 — the main truck route between Jacksonville and Tampa — on the land closest to Hawthorne.
Powell said the hope is to get a commitment from a tenant to tie into the land-use approval process that the company plans to bring to the county and state later this year.
"There's a lot of anticipation that's been built. There's a lot of people very interested," said Tim Giuliani, president of the Gainesville Area Chamber of Commerce, who is helping with the economic development aspect of the plans.
For example, he said people in east Gainesville are eager to see job growth.
"Those people don't want to wait another day for job opportunities, so I feel the pressure every day that I'm sure now Plum Creek and everyone on that task force feels to deliver on a nice vision, a nice plan, but now everyone's ready for the rubber to hit the road."
Seattle-based Plum Creek is the largest private landowner in Alachua County and one of the largest in the U.S. with 6.4 million acres. It is a real estate investment trust that makes the vast majority of its money selling timber but is interested in developing land where that would be a more valuable use than timber production.
The company started thinking about a long-term master plan for its land in Alachua County around 2005 when it was approached by the county. Powell said the county was interested in putting more land in conservation.
Of Plum Creek's roughly 65,000 acres here, 24,000 acres are already in conservation, with Plum Creek keeping timber rights while preventing the possibility of future development.
Through Envision Alachua, Plum Creek has engaged a broad cross-section of the community representing environmental interests, education, business, government and residents in nearby communities to talk about where it makes sense to add conservation land, where it makes sense to develop and what that development should look like.
Powell said Plum Creek has about six months of work to do before it is ready to submit plans.
When it does, Plum Creek will submit a sector plan, a method available for holdings of at least 15,000 acres. It would be just the fifth sector plan in Florida.
A sector plan includes a long-term master plan that shows where conservation, agricultural, urban and rural lands would be and the allowable uses within each, and detailed specific area plans for subsectors that would show the density and intensity of those uses, such as the number of buildings and the maximum square footage.
Unlike with other sector plans, Powell said Plum Creek plans to submit detailed plans at the same time it submits the master plan so people will have a better understanding of what the developments could look like.
Tim Jackson, a planning consultant working with Plum Creek on the project, said Plum Creek is looking at conserving about 60,000 of the roughly 65,000 acres it holds here.
Through the Envision Alachua process, Plum Creek identified five areas for potential development within the 17,000-acre Windsor tract in the eastern part of the county but will start with two areas along Hawthorne Road for the first detailed plans.
One is in the southwest corner of the tract to try to take advantage of its proximity to Gainesville and UF, while the other is closest to Hawthorne, the CSX rail line and U.S. 301.
For the southwest area, Powell said Plum Creek is looking at agribusiness as a possibility to take advantage of the research talent at IFAS. He said he learned through working with the Gainesville Area Chamber of Commerce on economic development that, while the biotech industry has competition in Central and South Florida, "Gainesville has this unbelievable ag talent that is nowhere else in the state."
In a presentation to The Sun, Powell showed a concept drawing of a business research park with facilities next to fields.
IFAS' top administrator, Jack Payne, said he envisions partnerships between the institute's scientists and companies, such as Monsanto or Pioneer DuPont.
Payne said IFAS researchers already have created 98 percent of the blueberries grown in Florida and 60 percent of the strawberries — crops with a combined $409 million in revenue in Florida in 2010, according to the U.S. Department of Agriculture.
Powell said Plum Creek also envisions a major manufacturer moving to the Hawthorne area.
"If it's an ag manufacturer, you load it up on a train and ship it out to the port of Jacksonville," he said.
Plum Creek has enlisted a heavy hitter to help with industrial recruitment. In January, the company announced a joint partnership with The Rockefeller Group, which has developed 5 million square feet of industrial space since 2008, including distribution centers near seaports.
The partnership specifically covers 2,600 acres approved for an industrial park in the Lake City area, plus an area near Dublin, Ga., but could help with the Alachua County developments as well.
"We think they can be a game-changer for that project up there, and I know they are also interested to see what's going on here in terms of potentially bringing some end users into this," Powell said.
Residential areas might be part of future plans.
"The houses can come later. It's really about getting something ready from an economic development perspective," Powell said.
When it is ready to submit plans, Plum Creek likely will have a sizable number of supporters unusual for local development projects as a result of bringing so many people into the process. That has included a number of east Gainesville residents interested in the economic development potential of the project, such as Vivian Filer, chairwoman of the proposed Cotton Club Museum & Cultural Center.
Filer said she has participated in a number of boards and meetings over the years where the people making plans did not seek input from the people who would be most affected, but that is not the case with Plum Creek.
"The people that have come to the table who felt that they had no voice, they have come during the sessions and had their voice … heard there, and they have taken hold of it, they have owned it, and they feel good about it because you have let them sit at the table," she said.


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TCPS Celebrates Preservation at Annual Awards Banquet The Preservationist, Fall 2010
Sometimes we forget our history. It is easy to get wrapped up in our own daily lives, and forget how far the psychiatric movement has come. That is what the Bryce Hospital Historical Preservation Committee is trying to help us remember. It has been only in the last 150 years that Alabama has had an institution for the housing and treatment of people with mental illnesses, and even though many of us may have had bad experiences at such institutions, before this time people were locked in basements, attics, and closets. They had little, if any, interaction with others, and were often beaten or abused. Dr. Peter Bryce's innovative approach to address the needs of people with mental illnesses with moral treatment was ground breaking 150 years ago, and that is what this committee is trying to help us understand today — the significance of Bryce Hospital's history.
However, equally important is the fact that many consumers spent their entire adult lives at Bryce Hospital, and some are buried in the four cemeteries located on the hospital's grounds. The committee wants to memorialize these individuals by placing historical markers, one for each cemetery, so people will realize that these people's legacy lives on today. In addition, the committee has accepted proposals from consumers for a monument that will symbolize the countless individuals who are buried in unmarked graves in these four cemeteries.
"We feel it is imperative to erect a monument to these brave souls, so generations to come will understand the significance of their lives," said Dr. Tom Hobbs, chair of the Bryce Hospital Historic Preservation Committee.


text:
Driven by a commitment and pride in our products and services it has been part of our mindset for decades to create strong customer relations. This customer focus was revitalized with our current strategic direction, placing renewed focus on customers and customer satisfaction to drive our business forward.
A strong performance culture makes it important to continuously focus on the training and the development of our employees, so that they are able to service our customers and develop high standard products. Working together across functions, departments and borders is a key element in the success of Nilfisk.
A competitive and ambitious mindset and performance-oriented culture have characterized the organisation since the company was founded, and has driven Nilfisk to where it is today; One of the world's leading manufacturers of professional cleaning equipment.
Deeply rooted in the founder of the company, Danish Engineer P.A. Fisker, professionalism has been a key characteristic of the way we have developed our business, and it continues to develop throughout the organization. Today, responsibility and accuracy are driving forces in the way we work.
Derived from our more than 100 years of history; quality and reliability are in the DNA that defines our products and characterizes the way we do business. We treat reliability as an inevitable part of our business, our products and our partnership with customers.


text:
Find schools and get information on the program that's right for you.
Powered by Campus Explorer
Modigliani's figures are mostly drawn first in black paint, featuring elongated necks, noses and faces, then filled in with strong, expressive, flat colours. Absent was any effort to depict much modelling or the illusion of volume. He usually started with the eyes of his figures and could develop a finished painting within a couple hours. Living from hand-to-mouth during much of his life, his Bohemian lifestyle of heavy painting and drinking in cold, damp, Parisian cellars, or wherever he could find cheap lodging, inevitably took its toll on his health. He married one of his models at age 34 with whom he fathered two children. Setting up a household in a tiny Montmarte apartment, he finally found some semblance of a normal family life.
But sadly, it was too late. Dying of consumption (tuberculosis) at the age of 35, he was joined a few days later by his wife who died bearing their second child. During his lifetime, his work seldom brought more than a few hundred Francs. Shortly after his death they sold for several thousand Francs. Ten thousand friends from the Paris artistic community attended their funeral.
Contributed by Lane, Jim29 November 1997


text:
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Extreme Impact Protector RlGhvfM2329UqgRa Case Cover For Iphone 6
by hwedfbswa
Currently unavailable.
We don't know when or if this item will be back in stock.
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- Excellent protection for your phone.
- Perfect design allows excellent fit.
- Covers the back of your phone with camera hole cut out.
- Made with excellent craftsmanship and high quality materials slim fit style.
- Complete access to all control buttons without removing the Back Case
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DR Strings Hi-Def NEON Multi-Color Coated Medium Electric Guitar Strings
Sku #H94799000000000
DR Strings
6 String Sets for Electric Guitar
- Write a Review
45 day price guarantee, 45 day return policy, 100% secure shopping
Electric strings for those who want to look and sound electric as well.
Gauges: 10, 13, 17, 26, 36, 46.
DR Strings NEONs are super bright color-coated strings that sound clear, bright and musical. These Multi-Color Medium Electrics are an excellent idea for those learning to play or just wanting to add pizazz to their rig. It's easy for players to fall in love with the bright color that matches their remarkable sound. Super bright in daylight and under stage lighting, DR' Strings NEONs are 100% black light active and glow strongly under UV lighting. These strings will last you as long as a coated string should (three to four times as long as uncoated strings) maintaining a sound that is not only good, but better than top-quality uncoated strings.
Mutlit-color coated electric guitar strings on hexagonal core
Order these excellent strings today!


text:
10th March commemorates the 1959 Tibetan uprising against the People's Republic of China. Its failure lead to brutal crackdowns but their courage is still celebrated each year. With our next London party coming on this date, we will rave to wonderful acid, IDM, electro and techno to acknowledge our freedom and to immortalize their efforts!
- EOD (bbbbbb/Rephlex/WéMè) (NOR)
The Norwegian protégé of Rephlex Records whose music we are now eternally obsessed with. We look forward to his unique blend of off-kilter pitched down lounge music, IDM, acid house, braindance and breakbeat.
- Georg Bigalke (45 Minutes of Techno/Distillery) (DE) - UK Debut
Georg Bigalke is the man behind the 45 Minutes of Techno series which compiles the sounds of international techno greats and local favourites on one platform - everybody gets 3/4 h. He is a major part of Leipzigs Distillery collective/club, who invited our very own residents, Rommek & Medallion Man, over in October last year. He's been involved in our label, mix series and radio shows previously so make sure to check these links below to whet your appetite!
- DJ Boycey (Pie Factory Records/Dilettantism/Botox)
After discovering the raves at Tyssen St, The Drome and around Hackney Wick around the end of the 90s Boycey found himself dragging speakers, amps and records around many of Londons squatted social centres as well as beaches on the south of Italy, fields around Brighton, Hackney Marshes and Thames beach playing with Unsound, Redeye and Flipside sound systems amongst others. Currently playing a mash up of sounds that combines hard techno, a multitude of breakbeat driven sounds, electro, and 80s era Kate Bush while spinning records as resident at Dont Look Now and creating a technoid clusterfuck of gunshot samples and kick drums as one half of Dilettantism and fusing donks, wubs, and clangs as one half of barely known, rarely seen live techno outfit BOTOX.
Check out his recent guest appearance on our Loose Lips radio show here.
- Danbe (Loose Lips/Vivify)
Dan holds down the residential duties for this event. He plays records with a special affection. Throughout his teenage years, he constantly immersed himself in electronic sounds, resulting in a rich taste.
In Devon, he grew up as a major part of GroundVibes collective and held a residency with Vivify, regularly playing alongside the likes of Phil Weeks, Medlar, Fabio Monesi, Billy Nasty and Subb-an.
Pre-sale - £5 / £7 / £9 (available on Resident Advisor & Skiddle)
22:00 - 06:00
Bar 512, 512 Kingsland Road, Dalston, London


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Teddy Sheringham is a man who knows a thing or two when it comes to playing on into his later years.
In fact he currently holds the records for both the oldest outfield player in England (42-years-old) and the Premier League's oldest player (40 years and 272 days) but he doesn't expect to be holding on to that record for too much longer.
Sheringham expects his former Manchester United teammate Ryan Giggs to play on past the coming season and add another record to his own personal list of achievements:
"I hold the record for an outfield player," Sheringham told Manchester United's official site.
"But Giggsy has still got a couple of years left in him.
"I think he would have to play another season on top of next year [to beat my record]. You have to be that build – I didn't carry a lot of fat when I was playing and he definitely doesn't. He's kept himself in good shape."
Sheringham who also had spells with Tottenham, Portsmouth and West Ham during his 25-year career was quick to put the emphasis on the desire of the individual as much as the developments in sports science: "Sports science had come in for about five or six years when I was still playing," he stated.
"But I didn't pay too much attention when I was involved. I got through 20 years of my career so there was no way I was going to start listening to sports science and people telling me certain things I could and couldn't do.
"It just didn't go down well with me as I had my routine and regime and that was it. You get to know your own body as you get older. It was only when you're younger that you get very frustrated but you learn to realise what's going on when you're older."
And Sheringham, who was also capped 51 times for England gave his backing to the likes of Giggs to inspire the next generation of United superstars:
"Without a doubt, they are the ones that lead by example and show the youngsters how it is done.
"People are still looking up to the likes of Giggsy, Scholesy and Rio [Ferdinand] from the next generation."
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DISCLAIMER: This article has been written by a member of the GiveMeSport Writing Academy and does not represent the views of GiveMeSport.com or SportsNewMedia. The views and opinions expressed are solely that of the author credited at the top of this article. GiveMeSport.com and SportsNewMedia do not take any responsibility for the content of its contributors.