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Finally, An Anxiety Control System That Works! Stop Panic And Anxiety Attacks Easily!!
Living a life prone to panic and anxiety attacks is not the way to live life to the full.
If you are looking for a way out of the troublesome lifestyle of panic and anxiety prone living then you have come to the right place.
Tired Of Pills?
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So the million dollar question is this: Is It Possible To Use An Anxiety Control System That Is Not Pill Based Or Dependent To Eliminate Panic And Anxiety Attacks?
Good News! Yes it Is Possible! Check This Out …
A Natural And Holistic Approach To Eliminating Panic And Anxiety Attacks
If you are looking for a natural and holistic approach to the elimination of panic and anxiety attacks, you should check out the Panic Away Program!
Panic Away offers a way to do the ridiculous – stop Panic Attacks and end general anxiety easily.
If you are tired of the regular tips and suggestions offered by most people to help stop Panic and anxiety attacks that is anything but helping, Panic Away is a breath of fresh air.
If you don't want to live a pill dependent life anymore, you need this program.
If you are tired of living in fear of the next attack, you should check this out!
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Thousands of people all over the world have had life transforming changes due to the solutions taught in this program.
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Kishore went from living on pills for 5 years to living free.


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Gregory and Rebecca Nelson of Baywood announce the engagement of their daughter, Ashley Nelson, of Kingsport, Tenn., to Allen Childress of Shawsville, son of Marty and Sue Childress of Shawsville.
The bride-to-be was graduated from Grayson County High School in 2007, from Emory & Henry College in 2011, and from Virginia Tech in 2013. She is a statistician at Eastman Chemical Company in Kingsport.
Dan O. Carico celebrated his 95th birthday Feb. 22.
He has four children, six grandchildren, 11 great-grandchildren and one great-great-grandchild.
Paisley Brooke Snider celebrated her fourth birthday Jan. 31 with a Sheriff Callie party with family and friends. Special guests were Joy the Clown and face painter Linda Gibson.
Her parents are Curtis and Lorie Snider, and her older sister is Palin Snider. Grandparents are Danny and Linda Deskins of Dugspur and Harold and Joyce Snider of Dublin and the late Kathy Snider. Great-grandparents are Pauline Marshall of Laurel Fork and the late Frieda Deskins. Her aunt is Holly Choate.
Mr. and Mrs. Jerry Allan Funk of Galax announce the engagement of their daughter, Mary Katherine, to Andrew Stephen Morris, son of Mr. and Mrs. Andrew Barker Morris of Fredericksburg.
Funk is the granddaughter of Mr. and Mrs. Walter Larry Spangler of Galax and Mrs. James M. Braswell Jr. and the late Mr. Braswell of Elm City, N.C.
Funk is a graduate of Virginia Tech with a degree in sociology.
She is employed as an admissions representative with West Virginia Junior College in Morgantown, W.Va.
Ann and Tony Myers are celebrating their 50th wedding anniversary on March 6.
Ann is the daughter of the late Helen and Ralph Simpson and Tony is the son of the late Annie and Leonard Myers.
They were married in 1965 in Hilliard, Ohio.
They have raised two children, Bill Myers and Toni Marie Teeter, and have seven grandchildren.
Joy and Wayne Hager and Chris and Katherine Smith announced the engagement of their children, Laura Hager of Raleigh, N.C., and Cody W. Smith of Ararat.
The bride-elect will graduate from Meredith College in the spring.
She is the granddaughter of Carolyn and Graham Crutchfield of Raleigh, N.C., and Doug Hager of Lexington, Ky.
The bridegroom-elect is an assistant manager for B&H Computers in Mount Airy, N.C.
He is the grandson of Mary Smith Berrier of Cana and Marie Marshall of Hillsville.
An August wedding is planned.
David and Debbie Osborne of Independence and Mike and Ann Beaver of Cripple Creek announced the engagement of Elizabeth Devin Osborne and Stephen Michael Beaver.
Devin is a graduate of Wytheville Community College and is a licensed physical therapist assistant for Worrell Therapy Services.
Stephen is a graduate of Wytheville Community College and is a licensed electrician for RCS Communications in Max Meadows.
An April 2015 wedding is planned and the couple will live in Independence.
Hannah Marie Hash celebrated her third birthday on Feb. 25. Family and friends celebrated with Hannah at her tractor party on Feb. 22. She is the daughter of Josh and Sarah Hash.
Her grandparents are Joe and Felicia Hash, Charles and Tammy Copeland and Cody and Karen Wingate. She is the great-granddaughter of Wayne and Wanda Hash, James Hart, Frances Adams, Jerry and Nell Wingate and Thomas and Leta Farmer.
L.D. Galyean celebrated his 80th birthday Feb. 18 with family at his home in Galax.
He still works every day and stays young at heart.
Morris and Dreama Staples of Hillsville announced the engagement of their daughter, Elaina Staples, to Matthew Frazier.
He is the son of Tony and Sherry Frazier of Galax.
A June wedding is planned.
Copyright © 2019
The Galax Gazette is your source for local news, sports, events and information in Galax, Grayson, Carroll, and surrounding areas.

subset: commoncrawl


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Sunday, September 5, 2010
Chinese Fried Beef Pie
This isn't the greatest photograph of these delicious treats, but I'm going to post it anyway because I have been very remiss about my blog.
The recipe comes from Yohana's Culinary Journey and we made the wrappers and filling pretty much according to her recipe with only one omission. In her blog, these are called: Fried Beef Stuffed Pie.
We had these with home made Hong Yu (Chinese Chili Oil). We made the kind of sauce used for certain kinds of boiled dumplings in Chengdu and modified it a bit. Normally I would have garnished them with fresh cilantro, but it's way too warm in Spain now for cilantro which is after all a winter crop, so we had to do without them.
Basically we made the wrappers according to Yohana's instructions and made the Hong Yu according to Chef Wang (?)'s recipe. We cheated a bit. I didn't use a thermometer.
1. I let the oil heat-up, then transferred it to a pyrex bowl.
2. I put the pieces of crushed ginger in and waited for the furious bubbling and sputtering to calm down.
3. I put the star anise in there.
4. I put the 1/3 cup ground chili flakes in there.
This is supposed to mature for a few days but we used some a few hours later. The oil does improve over the course of a few days so if you really want to get it right, I'd make it in advance. I don't bother transferring it to any bottles but keep it in a pyrex bowl with saranwrap strapped over it. It will keep at room temperature for a few weeks.
We then made the filling and wrapped them up and steam fried them according to Yohana's instructions.
Do please go to her webite for details. I am just going to note the changes we have made in her recipes or Chef Wang (?)'s recipes below. If I haven't noted anything, I followed the recipe to a tee:
Our Adapted Version of the Sauce:
1 Tbsp Chili Oil
2 Tsp Soy Sauce
1 Heaping Tsp Brown Sugar
(2 Tsp Chicken or Pork Stock)*
1 Small Clove Garlic (crushed)
Roasted Sichuan Peppercorn (hua jiao) (Ground)
*Omitted. We didn't have any home made pork or chicken stock available and did not want to ruin it with commercial bouillon cubes.
Our Adapted Version of the Stuffing for the Fried Beef Stuffed Pie:
1 Portion Hot Water Blanched Dough
250g Ground Beef
1/4 Leek (Chopped Finely)
1 Small Piece Ginger (Grated)
50g Celery (Chopped Finely)
2 Tbsp Soy Sauce
2 Tbsp Dry Sherry (Alfonso Oloroso Seco Palomino)
(1 Tsp Chicken Broth Extract)**
Salt (to taste)
1Tbsp Dark Sesame Seed Oil
**Omitted for the same reason as the sauce.
I would suggest you garnish the pies with chopped leeks (or scallions if you have them) and cilantro if you have any. It's way too warm in Spain now for cilantro.
NOTE: Please be very careful when handling hot oil and chili flakes. Make sure you have good ventilation and people and pets are out of the way. I couldn't stop sneezing for a minute even though I was careful. Also, remember to keep an eye on the oil when it's heating-up. Do not answer telephone calls or door bells when you are heating up oil.
Posted by Murasaki Shikibu at 11:27 AM
3 comments:
- Anncoo said...
This fried beef pie looks good :D How I hope to see the filling inside ;DD
- September 5, 2010 at 4:07 PM
- elra said...
Sounds absolutely delicious Murasaki. I am really tempted.
- September 5, 2010 at 5:32 PM
- Lori said...
I will check out the link.
Those pies looks absolutely perfect Murasaki. Sounds like they were really flavorful.
Nice to hear from you again.
- September 7, 2010 at 3:06 AM
Subscribe to: Post Comments (Atom)


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Friday, April 13, 2012 - Albert and Zdenek - Broke CZ Boys - FULL CONTACT
Albert and Zdenek - Broke CZ Boys - FULL CONTACT
We brought newcomers Albert Kroka and big dicked Zdenek Kabat together for a Broke Czech Boys shoot. The guys are interviewed and then begins the video, where they are pushed to do as much as we can get them to do. Firstly they must kiss each other. So Zdenek leans over and kisses Albert and is told to caress his body as he kisses. Then he has to kiss the nipples and feel Alberts crotch. He licks at the nipple and kisses it as he rubs Alberts crotch and then it is time for Albert to reciprocate. As he does so we see Zdenek's balls in his shorts, as the leg is pulled across. Albert move to lick the second nipple, continuing to rub the crotch. Zdenek's huge dick is growing and begins to peep out of the leg of his shorts. As the instructions continue Albert's tongue pokes into Zdenek's mouth and his hand goes inside his shorts to grab that big dick. Albert then pulls Zdenek's dick out of the legs of the shorts and wanks it as he kisses him. At the same time Zdenek reaches over to feel Albert's cock in his undies. He removes Albert's undies and begins to play with his cock. Albert is then told to kiss Zdenek's cock head, and he does so, a little reluctantly, but is told to do it again, and then to lick it. Slowly he goes further and eventually is persuaded to suck that big cock, with his own cock getting hard at the same time. As he sucks that cock Zdenek reaches over and wanks him as well. Albert has a big cock too and Zdenek is told to lick it. He doesn't seem to be reluctant and does it immediately and then sucks it when told to do so. He sucks that cock real well, going down on it as far as he can, his head bobbing up and down on it as Albert wanks him. They are then told to 69 and Albert's reservations seem to have disappeared as they do it very well indeed. Albert then comes off the cock and wanks it, with Zdenek's massive balls out of his shorts too. Albert wanks that cock and Zdenek soon starts to moan, with a mouthful of cock, as he shoots a nice big load. Zdenek then reciprocates and wanks Albert to a big, creamy load, and even licks that sticky, spent cock.
... more about Albert and Zdenek - Broke CZ Boys - FULL CONTACT further in this newsletter
Our Coming Soon Set Preview
We brought Honza Forst and Kaja Kolomaz in for a duo. I must say they look good together, with contrasting skin tones. As we first see them they are laying on the bed kissing and each with a hand feeling the other's crotch. As the kissing continues Kaja's hand slips under the waistband of Honza's jeans to feel his cock. Honza responds by pushing his hand into Kaja's underwear to grab his cock too. Kaja then really gets to work on Honza's body, licking an armpit and then licking his chest, as he continues to grope his cock. He licks on Honza's nipples, kissing them until Honza wants to respond in kind. He leans over Kaja, kissing thru his top, and then lifting it to reveal his, somewhat, hairy torso. Honza also pulls Kaja's hard cock out thru the leg of his underwear. He immediately takes it in his mouth and begins to suck it, also licking at the balls. He sucks and licks at Kaja's cock a while before removing the underwear. Kaja raises his legs so that Honza can access his ass hole. Honza laps at the hairy hole, with his tongue, also licking on the balls, before slipping a finger in. He fingers the hole a while before dropping his jeans and presenting his own throbbing dick to Kaja for some hot mouth action. Kaja takes that cock in his mouth and sucks on it as Honza fucks it in and out. Honza enjoys the feeling of Kaja's lips around his cock and lets him suck a while before wanting to feel some ass lips around it. He moves into position and slides his rock hard cock deep into Kaja's willing ass. Honza fucks Kaja's ass deep and slow, then builds up the speed somewhat really inducing his cock in as far as he can. Kaja loves the feeling of that big dick deep in his ass, but wants more, so they change postion so that Honza can ride it. He works his ass up and down the shaft of Honza's cock as his own cock throbs, mightily. Another change of position, into doggy, lets Honza control the fucking again and he really pounds as Kaja' ass. Honza is really horned up and needs to blow so he moves to Kaja's face and drops a big stringy load over his face, with cum hanging of his nose. Kaja takes the spent cock in his mouth to drain it completely. Honza then lays down for Kaja to shoot his load over his cock and balls. Kaja then leans down and kisses his way up Honza's body to finally kiss him on the lips bringing a wonderful scene to a very appropriate end.
You can watch my Vlog for this Newsletter by clicking above or by going over to the Blog : http://www.wheuro.com/?p=9918
On this Friday the 13th (kind of spooky) all of our guests have departed, boo hoo. We've had some changeable weather. Mostly cold and rainy in the mornings then warming and clearing in the afternoons. Strange.
We invited Mattias Solich, a most favored performer, back to the studio. Boris prepared an elaborate meditation episode. Must say it was very good and well done. I covered the shoot. I like the footage so much, I'm preparing three Sneak Peeks. Tonight I publish the first one.
A very good Broke Czech Boys shoot with Albert Kroko and Zdenek Kabat leads off today. We also have Lukas Prybil's erotic video and session stills shoots with Kristof Hertz and Tomas Ziska.
Our castings today are very good too, with Tomas Hetzl, Lukas Simonek and Tomas Zimak. My pick for today is Tomas Zimak.
MESSAGE ABOUT LINKS TO THE OLD WH WEBSITE - WILLIAMHIGGINS.com ARCHIVES:
Please be aware that the link www.williamhiggins.com takes you to this brand new website now. If you bookmarked our old website in the past and you want to keep the bookmark as a shortest way to access the old WH website you need to change the link in the bookmark to:
You do not need to remember this link, you can conveniently get to the old WH Website - WilliamHiggins.com Archives anytime you need through the "WH 2001-2010" in the top menu of the new WilliamHiggins.com website.
Today's Weather in Prague
We have launched our all new Kink only site with no solos. It's not for the feint hearted. Do take a look (if you dare):
At present, Members of CzechGuysNextDoor will be able to access the new site with their user information. If you have problems, write firstname.lastname@example.com
Latest Sets At Our NEW STR8HELL.com Website
Open Set "Paul and Roman - DUTY BOUND"
Open Set "Lukas Pribyl - TICKLING"
Members of CzechGuysnextDoor.com - to log in the member's section of the new STR8HELL website use your present username and password, if you forgot your password or encounter a log in problem please feel free to contact us at: email@example.com
Non-members - you are welcome to browse our complete content - each regular set contains free video preview and free photos, if you decide not to become a member of our website you can also buy sets separately (we huge, well organized and easy to search library of models - there is always few models you may like) you can pay only for what you really want see ;-). You are always welcome to come back.
Please use your present CzechGuysNextDoor username and password to log into the members area.
We have terminated updates to CzechGuysNextDoor.com website. CzechGuysNextDoor.com website will stay online, but now only as an archive of all CzechGuysNextdoor.com sets. Anyone who wants to access CzechGuysNextDoor.com Archives needs to have a STR8HELL.com membership. STR8HELL.com will continue with most of the czechguysnextdoor.com projects. Anyone who joins STR8HELL.com will gain access to two websites STR8HELL.com and CzechGuyNextDoor.com Archives which contain 2500+ sets. STR8HELL.com has exactly same features and controls as NEW WilliamHiggins.com website.
Direct access to CzechGuysNextDoor.com website is now through the link: archive.czechguysnextdoor.com or through "Archive Sets 2004-2011" links on the new STR8HELL website.
Thank you for your loyalty to CzechGuysNextDoor.com website,
William Higgins
BurnDVD.tv Website Latest Updates
Starting today you can download our videos in Full HD quality 1920x1080px!
Please remember that most of the videos available on BurnDVD are easily able to be downloaded with a single link, but some of the very large files, such as the newsletter DVDs have to be split into three separate links, as detailed below.
The videos with very large file sizes are now split into more than one part, using a program called HJSplit. If you wish to buy one of these larger videos to Burn to DVD, you will receive a link for file and then it is a simple process to join the downloaded files together to make the .iso file for Burning to DVD.
You can see all the available videos at www.burndvd.tv
Before downloading any videos to burn to DVD I advise you to read the BURNDVD Manual, which explains how you can burn the file to DVD. The file is an ISO file which contains all the required DVD files. The process for burning to DVD is fully explained.
The BurnDVD manual is easy to follow, with a step by step guide. Burning a DVD is easy to do, though it is helpful if you have previously burned DVDs or CDs.
The manual can be viewed here: BURNDVD Manual
Anyone who has any problems understanding the manual, or burning their download to DVD, or indeed any questions about this service please email firstname.lastname@example.com . Geoff will be happy to assist you.
You can view all the available downloads at www.burndvd.tv, by clicking the on the categories. A direct link to the latest files available will be published in each newsletter.
Our Latest Sets at www.BurnDVD.tv
Today we have Broke Czech Boys Albert Kroka and Zdenek Kabat and Lukas Prybil's Erotic Video and Duty Bound with Paul Fresh and Roman Ditrich.
The direct link to "Albert and Zdenek - Broke Czech Boys"
The direct link to "Lukas Pribyl"
The direct link to "Paul and Roman - Duty Bound"
The direct link to "Kristof Hertz"
Special Offer for William Higgins Newsletter Readers
William Higgins Newsletter readers are able to obtain a discount on the price of BURNDVD downloads by using the coupons that we will be publishing in each Members Newsletter. The coupon published in each newsletter will be valid for a period of 7 days.
Copy today's coupon code here: 4fh6sfg
Our Partners:
PLEASE PROCEED TO THE NEXT PAGE FOR THE LATEST WilliamHiggins.com UPDATES


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Avalon Park West Homes for Sale in Wesley Chapel FL
Displayed below are homes for sale in Avalon Park West, a subdivision located in Wesley Chapel, FL. Listings are updated multiple time a day from from the MFRMLS.
For more information about any of these Avalon Park West real estate listings, click the "Request More Info" button located on the detail page of each property. We can provide you with the disclosures and past sales history of each listing as well as dates and prices of homes, condos and townhomes that have recently sold nearby in Avalon Park West.
And please, register for a free account that will allow you to automatically receive of new listings as they hit the Avalon Park West market. You will receive homes via email or text that match your search criteria right away! And you can save your favorites for quick access.
Thinking about SELLING a home in Avalon Park West?
Step 1 - Team54 can help you a couple of ways. First, feel free to ask us for RECENTLY SOLD HOMES in Avalon Park West. This will give you a starting point for where the real estate market is at.
Step 2 - Fill out the form below and we will be happy to provide a competitive market analysis of your home's value. No cost. No obligation. Just an honest and thorough look at your home and an estimate of what you home should be priced at to sell in the time frame you are desiring.
- Aberdeen
- Arbor Woods
- Ashley Pines
- Ashton Oaks
- Avalon Park West
- Belle Chase
- Bridgewater
- Brookfield Estates
- Champions Club
- Chapel Pines
- Chelsea Place
- Citrus Trace
- Fox Hollow
- Fox Ridge
- Fox Wood
- Hamilton Park
- Heritage Springs
- Homesteads of Saddlewood
- Lexington Oaks
- Longleaf
- New River
- Northwood
- Oak Creek
- Palm Cove
- Pine Ridge
- Quail Hollow
- Saddlebrook
- Tampa Highlands
- Tanglewood
- Thousand Oaks
- Trinity East
- Trinity Oaks
- Trinity Preserve
- Trinity West
- Villages at Trinity Lakes
- Villages at Wesley Chapel
- Wesley Pointe
- Westwood Estates
- Wyndtree homes for sale in Trinity FL


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British Royal Marines Get Naked For Charity [NSFW]
Sorry, Kickstarter. It looks like men getting naked is the latest and greatest method to crowd source money and/or awareness. We've seen it with the "Cock in a Sock" campaign, Gay Times' latest "Naked Issue", and the hot bisexual skydriver who got naked to raise money for a hospice.
So far, all the good ol' sports who've dropped trou to raise money have been British, and ye grand tradition doesn't stop with the latest effort to have us thumbing open our wallets to fork over a few bucks. Enter the British Royal Marines, a squad of stacked soldiers from the Royal Navy's elite amphibious force. The guys have decided that the best way to lend a helping hand to military families in need is by devoting their bodies to the cause, in the form of a "Go Commando" calendar that features the men sans camo (or any uniforms at all, for that matter).
The description reads:
2014 celebrates RM350, the 350th birthday of the Royal Marine Corps, so we have opened up the gates to all serving Royal Marines and with the help of our brilliant photographers, have captured some amazing shots of our lads from far and wide and mainly showing the different elements of their job.
Check out a few preview pics below (with one NSFW image at the end), but head here to purchase "Go Commando."
STRONG & PROUD hector here from the old crazy kitchen daze of the army laddies had lots of polaroids back the crazy 80s and the gay90s.....This black n white style trying to work that retro magic, my art dirctors eye does spy herein ! LOL ! These comments are sterling and makes my tummy tickle ! Lookit em abbs that they all do got !


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Safety Information
The College has a professionally trained police force on each campus. These officers provide protection for the campus community. The College publishes the Annual Security Report, which can be found on the Police section of NOVA's website. The document details the College's safety programs, crime statistics, and crime prevention. Furthermore, it includes the College's policies and procedures to address alcohol and drug use, the reporting of crimes, sexual assault, and other matters.
Copies of the Annual Security Report are available from the campus Police Offices and Student Services Centers. It can also be found on the College website.


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Access Denied to policy editor
I have windows 2003 ENT. server installed with AD running on.
When i try to open "Domain Controller Security policy" link, or "Domain Security policy" link from administrative tools or even from system32 folder, i get the error --"Failed to open the Group Policy Object. You may not have apporpriate rights." And in under details : "The network path was not found"
Here is the screenshot of the error
I even tried a step stated on microsoft's website
After this step this is the error that's coming
But no resolution.
What should be done ?


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The Iowa Farm Bureau Federation continues to support carbon credits by expanding a pilot program to national markets. Farmers in Iowa, Kansas and Nebraska have enrolled 330,000 acres in the carbon credit program that pays farmers to reduce carbon through no-till conservation practices.
Companies buy the carbon credits to offset emissions. For example, the University of Iowa purchased carbon credits in this program to offset emissions from its power plant, which is gearing up for a biomass plant to burn oat hulls from Quaker Oats.
For more information, contact the Iowa Farm Bureau at 515/225-5414 or visit www.iowafarmbureau.com.


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Articles tagged with: squid proxy
Planet Ubuntu, Ubuntu Tutorials »
This tutorial will go over installing Squid using Webmin to configure it. We won't be going over installing Webmin, so if you need help there is an excellent tutorial at HowtoForge. You're going to want to install Squid first so that Webmin will automatically detect that you have Squid installed and install the correct modules. Don't worry though, if you already have webmin installed, you can add the Squid module from the Webmin admin area.


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Go BigFavorites [+]
Pay-Per-Minute Viewing
You can now enjoy this movie on your iPhone®, iPad®, or compatible Smart TV & Android devices.
Purchase Options
Pay-Per-MinutePurchase Minutes
Streaming Rentals
Available MP4 sizes:SD 480p (1.54 GB)
HD 720p (2.87 GB)
HD 1080p (4.25 GB)
DRM-free downloads offer content that is not limited by standard Digital Rights Management (DRM) access technologies. These technologies allow hardware manufacturers, publishers, copyright holders and individuals to limit the usage of digital content.
When you purchase DRM-free downloadable content, that content is available for you to download on any computer and save to a disk whenever you like. You can also download to multiple computers. There is no timeframe associated with your purchase and the content will not expire.
Running Time: 98 minutes
Released: 01/2018
Studio Name: Cockyboys
Director: Jake Jaxson
Categories: Big Dick Muscles Anal Safe Sex High Definition
Description: Go Big or Go Home! That's the usual adage. Our hot guys definitely don't go home in our latest release. Andy Star, Jack Hunter and Ashton Summers all endeavor take as much cock as they can without breaking a sweat. Our guys are not quitters; they never go home.
4 Scenes from Go Big
Go Big: Scene 1 Free Preview
Starring: Hayden Colby Manuel Skye ... More Details
Stars: Hayden Colby, Manuel Skye, River Wilson
Positions: Doggy Style, Kneeling, Laying, Reverse Cowgirl, Sitting, Standing, Standing Doggy Style
Go Big: Scene 2 Free Preview
Starring: Jack Hunter Ashton Summers ... More Details
Stars: Jack Hunter, Ashton Summers
Positions: Doggy Style, Kneeling, Laying, Missionary, Reverse Cowgirl, Sitting, Standing Doggy Style
Go Big: Scene 3 Free Preview
Starring: Benjamin Blue Cory Kane ... More Details
Stars: Benjamin Blue, Cory Kane
Positions: Standing Doggy Style, Laying, Missionary, Reverse Cowgirl, Side Saddle, Sitting
Settings: Bedroom
Go Big: Scene 4 Free Preview
Starring: Allen King Andy Star ... More Details
Stars: Allen King, Andy Star
Positions: Cowgirl, Laying, Missionary, Reverse Cowgirl, Sitting, Standing, Standing Missionary, Standing Doggy Style
Recommended Movies


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Melbourne's Captains of Industry is the type of back lane tribute to gentlemanly living that I long to lose a few hours in. Now, if it hadn't been for Susie's recent trip down under, I would have absolutely no idea about its existence. Tucked away up a flight of stairs the collaborative space offers almost everything and anything a sartorially inclined man could ever need. An outfitter and cafe, the first floor space brings together three leaders from their respective fields under one roof. Thom Grogan offers a made to measure suit service whilst Steven Blick trims and wet-shaves from vintage barbers' chairs and James Roberts makes bespoke shoes by hand on site. It appears to be the perfect marriage of menswear and hospitality.
Thankfully for us, a camera wielding Susie decided to brave the staircase to become our roving reporter for the day. Her collection of excitedly snapped shots help bring to life her glowing tales of a wonderful concept of coffee, cut cloth and coiffed hair...
Thanks to Susie for all of the images.
Looking over these images now I can't help but question why London does not have anything quite like Captains of Industry. A place that can satisfy every one of my greedy demands. A place of toasted chorizo sandwiches, well cut suits, perfect flat whites, freshly cut hair, gin in tea cups, handmade brogues and so much more. I like the idea of investing an afternoon in such an inviting space. The last twelve months has seen a number of exciting menswear stores open their doors in our capital but this is something quite special indeed. Captains of Industry is a cafe centred style retreat I long to escape to.


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Suites for the Sweet: KOffice
Starting from Scratch: KOffice for KDE
Editor's note: We continue our series of reviews of Linux-based office suites with a review of KOffice, the KDE-based office suite. Yesterday Michael Hall reviewed StarOffice 5.2; further reviews will cover WordPerfect Office for Linux, GNOME Office, and Applixware Office for Linux.
Anyone who has looked has discovered that there is no full-featured, open-source, freeware word processor for the X Window System. There are extensions to GNU Emacs, true, and there is a world of little text editors. There are the Lyx and Klyx front ends to the LaTex macros for the TeX typesetting system. And the road behind us is littered with brilliantly conceived, half-finished, and ultimately abandoned attempts at creating what many users imagine when a word processor is mentioned. Also, there are a couple in the works at different places on the path to completion.
A word processor with all the features that people want is not a simple application to write. Imagine, then, the sheer audacity of trying to put together a complete office suite for Linux, with a half-dozen top-quality applications all capable not just of exchanging data but of providing the strength of each to all the rest.
Audacious though it is, that's exactly what the developers of KDE's KOffice are not just proposing but have actually mostly done, with the finished product scheduled for release in early autumn.
Mostly done? Well, yes. This report, for instance, is being written in KWord, the already perfectly useful word processor that to many will anchor the suite. The author has used it to write professionally to the tune of about 40,000 words so far, and while not all the bells tinkle yet, nor do all the whistles trill, it has been perfectly stable and has provided all the basics. When finished, it will have all the features anybody could reasonably want (it will not have an animated paperclip character; that would be unreasonable).
KWord would be quite an accomplishment and a thing of which the developers at KDE could be rightly proud, even if their work stopped right there. But it doesn't, by a long shot. The KOffice suite includes a 3-D chartmaker, a vector-drawing program, a bitmap-graphics program, an application that prepares presentations, a formula editor, an image viewer, and, of course, a spreadsheet. In the works is a database application that will become part of the suite when it is ready, though it may not be part of the initial release.
Before we go any further, it would be good to answer the inevitable question--the one that has killed a lot of applications before they ever got off the ground: What file formats does this office suite support? What the questioner is really asking is: "Does it read and write Microsoft Office documents?" The answer is more complicated than is the question, alas. The native KOffice formats embrace the emerging XML standard. They go beyond that--they are natively gzipped for storage. (Someone wishing to look at a KWord .kwd document, foo.kwd, in a simple text editor would first invoke the gunzip foo.kwd command before looking at it in the editor. The first thing such a person would notice is that there's a lot of air in XML, which is why the files are gzipped for storage.)
The supported image formats include all those for which support has been compiled into the KDE libraries or the underlying QT toolset, which is to say a great many, with more available as the individual need requires and one cares to add them--and by default it's all but inconceivable that there is a bitmap graphics format that KOffice and some other application do not have in common. KWord as of this writing supports its native format, HTML of several varieties, and plain text, with rich-text format (RTF) and Microsoft Word filters in the works. KSpread, the spreadsheet program, has its own format and reads and writes Excel 97 and comma-separated value files. KPresenter, the presentation editor, again has its own native format, but it can work with Power Point 97 files, too. (Microsoft file formats are a bit of a moving target; cynics would offer that this is to encourage people using Microsoft applications to upgrade absent any compelling new features. Whatever the reason, updated filters are likely to be available by KOffice's release or soon after. One of the advantages of open source software is that there's the possibility of an improved version just about every day, for free.)
KOffice beta
KOffice Web Team
beta is available for download
- Skip Ahead
- 1. Starting from Scratch: KOffice for KDE
- 2. Starting from Scratch: KOffice for KDE
- 3. Starting from Scratch: KOffice for KDE
- 4. Starting from Scratch: KOffice for KDE


text:
The curtains are up!
– UPDATE – (Thanks to all of your lovely responses about how low the curtain rods in the images from earlier today were hung – I absolutely agree, how did I miss that? and prefer rods hanging higher as in this bedroom makeover – and have moved the rods several inches north! If you're reading this post for the first time you don't have to see the low hanging curtain version ;) )
There's just one final step in finishing my mammoth-of-a-project lined drapes, and that's hemming these babies (here's links to Part 1 and Part 2). To get a more accurate read on where these drapes hit the ground (so I can hem just above that mark) I've added the curtain rings ($4.99 a set at Target) to the tops of the panels and am letting them sit in this position over the weekend to let the heaviness of the fabric stretch out.
After that they'll get another set of pressing (don't worry, those wrinkles will go away and the folds will be a bit more defined) and a final trip to the sewing machine. Woohoo!
Go ahead and ignore that broken light sconce hanging out of the wall below. That's a few items down on the list!
Just in case the curtains are showing up a bit orange on your screen, here's how they'll look when matched with the crib bedding that's in the works.
The actual color of the curtains is above on the right, the new bumpers will be the stripes in the middle, and the skirt will be out of the fabric on the left. All found here at Thibaut!
Now one more question – to valence or not to valence?
Does it add a little something special? Or too much? My photoshop version isn't great, but it's a rough idea of what it might look like to include a valence. The jury is still out on this one.
Almost there. Hopefully the awkward lighting in this post will make the big reveal later that much sweeter. Fingers crossed.
If you're catching up on Project Nursery, here's a link to the sewing the curtains part 1, part 2, nursery fabric board, curtain fabric selection, rocking horse find, new pendant light, vintage wall art addition, changing table makeover, nursery wall striping tutorial, painted animal project, the initial inspiration board and the before picture posts.


text:
dairycoach necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 67 diseños de 23 diseñadores freelance.
Dairy Coach, LLC
Can You Create a Fun, Friendly Identity for a leader within the Dairy Industry?
I've been training, teaching, and motivating dairy workers and managers to perform their work better for the past 10 years. My current business name is Language Links (since the business started as a translating/interpreting service for the dairy industry)... it's evolved to being more of a training / employee management focused business.
In the past year, we created an interactive training software program (please feel free to learn more at our website dairyinteractive.com). Since then, we've started to see bigger opportunities to position the company as a premiere training/coaching provider to the entire industry. We'd like to establish our brand on a national/international level with a company name that truly says what we do. We're passionate about helping managers and workers reach their potential and win.
Thanks for checking out this project.
Dairy Producers, Dairy Industry Professionals, and Dairy Workers
Here's what I'm looking for...
- Friendly, muscular cartoon "coach-looking guy"... check out MosquitoSquad.com to get an idea
- 1-2 colors (3 max.)
- Flat,clean look; not 2.0 (it will be online, but I want it to work well in print)
- Strong font... I really like the font they used in the Mosquito Squad logo
- Ideally the cartoon guy and the name "Dairy Coach" could stand on their own since they're both strong "images"
Here's what it SHOULD NOT include...
Tractors, cows, windmills, barns, etc. (I'm about the people, not the equipment... other companies focus on that!)
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


text:
You've heard the old joke about the stockbroker showing a friend all the luxuries he's bought with the commissions paid by his customers -- big house, big car, big yacht. And the friend asks, "But where are the customers' yachts?"
The joke needs updating. With the Dow Jones industrial average hitting a record, as it did Tuesday, the question is "Where's the workers' payoff?"
The Dow's record, in and of itself, doesn't mean much. It's a narrow measure of the stock market's health, viewed through the prism of a basket of 30 stocks. The Standard & Poor's 500 index, a broader gauge, isn't at a record, though it's been getting closer. And don't forget that a few days or weeks or months from now the whole bull surge could turn into a quaint memory.
But this milestone provides as good an opportunity as any to check how corporate financial health has diverged from that of the average American household -- you know, the people whose spending is supposed to keep corporate profits aloft.


text:
Participating Organization(s)
National Institutes of Health (NIH)
National Institute on Aging (NIA)
Funding Opportunity Title
Secondary Analyses and Archiving of Social and Behavioral Datasets in Aging (R03)
Activity Code
R03 Small Grant Program
Announcement Type
Related Notices
Funding Opportunity Announcement (FOA) Number
Companion FOA
Catalog of Federal Domestic Assistance (CFDA) Number(s)
FOA Purpose
The purpose of this FOA is to solicit one-year R03 applications for (1) secondary analysis of data on aging in the areas of psychology, behavioral genetics, economics, demography or (2) archiving and dissemination of data sets to enable secondary analyses in order to further advance research."
Posted Date
August 3, 2011
Open Date (Earliest Submission Date)
October 3, 2011
Letter of Intent Due Date
October 3, 2011
Application Due Date(s)
November 3, 2011, by 5:00 PM local time of applicant organization.
AIDS Application Due Date(s)
Not Applicable
Scientific Merit Review
Advisory Council Review
May 2012
Earliest Start Date(s)
July 2012
Expiration Date
November 4, 2011
Due Dates for E.O. 12372
Not Applicable
Required Application Instructions
It is critical that applicants follow the instructions in the SF 424 (R&R) Application Guide except where instructed to do otherwise (in this FOA or in a Notice from the NIH Guide for Grants and Contracts). Conformance to all requirements (both in the Application Guide and the FOA) is required and strictly enforced. Applicants must read and follow all application instructions in the Application Guide as well as any program-specific instructions noted in Section IV. When the program-specific instructions deviate from those in the Application Guide, follow the program-specific instructions. Applications that do not comply with these instructions may be delayed or not accepted for review.
Part 1. Overview Information
Part 2. Full Text of the Announcement
Section I. Funding Opportunity Description
Section II. Award Information
Section III. Eligibility Information
Section IV. Application and Submission Information
Section V. Application Review Information
Section VI. Award Administration Information
Section VII. Agency Contacts
Section VIII. Other Information
The NIA supports collection of data and biological samples including a broad array of measures that are relevant to: the dynamics of health and disability, cognition, psychosocial and sociodemographic factors, genetics and biomarkers, long-term care, caregiving, behavioral medicine, retirement, economic status and well-being over the lifecourse (see the Resources Section below for links to NIA sponsored data sources). The purpose of this FOA is to solicit one-year R03 applications for (1) secondary analysis of data on aging in the areas of psychology, behavioral genetics, economics, demography or (2) archiving and dissemination of data sets to enable secondary analyses in order to further advance research.
1. Examples of secondary analysis include, but are not limited to:
A. Psychological and Social Processes in Aging
B. Behavioral Genetics of Aging
C. Economics and Demography of Aging
2. Examples of data archiving include, but are not limited to:
Applicants are encouraged to archive data from studies with rich phenotypic, environmental or biomarkers data and make them available through the National Archive of Computerized Data on Aging (NACDA) [http://www.icpsr.umich.edu/NACDA/] or another archive for public use. Archiving may pertain to any type of data useful for secondary analysis including results of assays conducted on biospecimens, and the addition of geo-coded and community level variables for database expansion.
Priority will be given to applications undertaking secondary analysis or archiving of publicly available datasets that NIA has supported. Such datasets are located in the following document: http://www.nia.nih.gov/ResearchInformation/ExtramuralPrograms/BehavioralAndSocialResearch/publicdatasets.htm.
Funding Instrument
Application Types Allowed
Funds Available and Anticipated Number of Awards
The number of awards is contingent upon NIH appropriations, and the submission of a sufficient number of meritorious applications. NIA intends to commit $800K in FY 2012.
Award Budget
Application budgets are not limited, but need to reflect actual needs of the proposed project.
Award Project Period
The total project period for an application submitted in response to this funding opportunity may not exceed one year.
NIH grants policies as described in the NIH Grants Policy Statement will apply to the applications submitted and awards made in response to this FOA.
Higher Education Institutions
The following types of Higher Education Institutions are always encouraged to apply for NIH support as Public or Private Institutions of Higher Education:
Nonprofits Other Than Institutions of Higher Education
For-Profit Organizations
Non-domestic (non-U.S.) Entities (Foreign Institutions) are eligible to apply.
Non-domestic (non-U.S.) components of U.S. Organizations are eligible to apply.
Foreign components, as defined in the NIH Grants Policy Statement, are allowed.
Applicant organizations must complete the following registrations
as described in the SF 424 (R&R) Application Guide to be eligible to apply
for or receive an award. Applicants must have a valid Dun and Bradstreet
Universal Numbering System (DUNS) number in order to begin each of the following
All Program Directors/Principal Investigators (PD/PIs) must
also work with their institutional officials to register with the eRA Commons
or ensure their existing eRA Commons account is affiliated with the eRA Commons
account of the applicant organization.
All registrations must be completed by the application due date. Applicant organizations are strongly encouraged to start the registration process at least four (4) weeks prior to the application due date.
Any individual(s) with the skills, knowledge, and resources
necessary to carry out the proposed research as the Program Director/Principal
Investigator (PD/PI) is invited to work with his/her organization to develop an
application for support. Individuals from underrepresented racial and ethnic
groups as well as individuals with disabilities are always encouraged to apply
for NIH support.
For institutions/organizations proposing multiple PDs/PIs, visit the Multiple Program Director/Principal Investigator Policy and submission details in the Senior/Key Person Profile (Expanded) Component of the SF 424 (R&R) Application Guide.
This FOA does not require cost sharing as defined in the NIH Grants Policy Statement.
Applicant organizations may submit more than one application, provided that each application is scientifically distinct.
NIH will not accept any application in response to this FOA that is essentially the same as one currently pending initial peer review unless the applicant withdraws the pending application. NIH will not accept any application that is essentially the same as one already reviewed.
Applicants must download the SF424 (R&R) application package associated with this funding opportunity using the "Apply for Grant Electronically" button in this FOA or following the directions provided at Grants.gov.
It is critical that applicants follow the instructions in the SF424 (R&R) Application Guide, except where instructed in this funding opportunity announcement to do otherwise. Conformance to the requirements in the Application Guide is required and strictly enforced. Applications that are out of compliance with these instructions may be delayed or not accepted for review.
For information on Application Submission and Receipt, visit Frequently Asked Questions – Application Guide, Electronic Submission of Grant Applications.
Although a letter of intent is not required, is not binding, and does not enter into the review of a subsequent application, the information that it contains allows IC staff to estimate the potential review workload and plan the review.
By the date listed in Part 1. Overview Information, prospective applicants are asked to submit a letter of intent that includes the following information:
The letter of intent should be sent to:
Partha Bhattacharyya, Ph.D
Division of Behavioral and Social Research
National Institute on Aging, NIH
7201 Wisconsin Avenue Suite 533
Bethesda, MD 20892 for USPS mail or 20814 for FedEx
Telephone: 301-496-3131
Email: firstname.lastname@example.com
The forms package associated with this FOA includes all applicable components, mandatory and optional. Please note that some components marked optional in the application package are required for submission of applications for this FOA. Follow all instructions in the SF424 (R&R) Application Guide to ensure you complete all appropriate "optional" components.
All page limitations described in the SF424 Application Guide and the Table of Page Limits must be followed.
All instructions in the SF424 (R&R) Application Guide must be followed, with the following additional instructions:
Resource Sharing Plan
Individuals are required to comply with the instructions for the Resource Sharing Plans (Data Sharing Plan, Sharing Model Organisms, and Genome Wide Association Studies; GWAS) as provided in the SF424 (R&R) Application Guide, with the following modifications:
Do not use the appendix to circumvent page limits. Follow all instructions for the Appendix as described in the SF424 (R&R) Application Guide, with the following modifications:
Foreign (non-US) institutions must follow policies described in the NIH Grants Policy Statement, and procedures for foreign institutions described throughout the SF424 (R&R) Application Guide.
Part I. Overview Information contains information about Key Dates. Applicants are encouraged to submit in advance of the deadline to ensure they have time to make any application corrections that might be necessary for successful submission.
Organizations must submit applications via Grants.gov, the online portal to find and apply for grants across all Federal agencies. Applicants must then complete the submission process by tracking the status of the application in the eRA Commons, NIH's electronic system for grants administration.
Applicants are responsible for viewing their application in the eRA Commons to ensure accurate and successful submission.
Information on the submission process and a definition of on-time submission are provided in the SF424 (R&R) Application Guide.
This initiative is not subject to intergovernmental review.
All NIH awards are subject to the terms and conditions, cost principles, and other considerations described in the NIH Grants Policy Statement.
Pre-award costs are allowable only as described in the NIH Grants Policy Statement.
Applications must be submitted electronically following the instructions described in the SF 424 (R&R) Application Guide. Paper applications will not be accepted.
Applicants must complete all required registrations before the application due date. Section III. Eligibility Information contains information about registration.
For assistance with your electronic application or for more information on the electronic submission process, visit Applying Electronically.
All PD/PIs must include their eRA Commons ID in the Credential field of the Senior/Key Person Profile Component of the SF 424(R&R) Application Package. Failure to register in the Commons and to include a valid PD/PI Commons ID in the credential field will prevent the successful submission of an electronic application to NIH.
The applicant organization must ensure that the DUNS number it provides on the application is the same number used in the organization's profile in the eRA Commons and for the Central Contractor Registration (CCR). Additional information may be found in the SF424 (R&R) Application Guide.
See more tips for avoiding common errors.
Upon receipt, applications will be evaluated for completeness by the Center for Scientific Review and responsiveness by NIA, NIH. Applications that are incomplete and/or nonresponsive will not be reviewed.
Letter of Support: Unless the data to be archived are available through a public source, such as NACA, Project Directors/Principal Investigators are required to furnish a letter of support from the data holder or institution.
Analytical aims (e.g., hypothesis testing) are not required for applications proposing to archive data. Reviewers will be asked to evaluate future research potential of the proposed data set to be archived and data processing/archiving/sharing plans.
Applicants are required to follow the instructions for post-submission materials, as described in NOT-OD-10-115
Only the review criteria described below will be considered in the review process. As part of the NIH mission, all applications submitted to the NIH in support of biomedical and behavioral research are evaluated for scientific and technical merit through the NIH peer review system.
For this particular announcement, note the following:
The R03 small grant supports discrete, well-defined projects that realistically can be completed in two years and that require limited levels of funding. Because the research project usually is limited, an R03 grant application may not contain extensive detail or discussion. Accordingly, reviewers should evaluate the conceptual framework and general approach to the problem. Appropriate justification for the proposed work can be provided through literature citations, data from other sources, or from investigator-generated data. Preliminary data are not required, particularly in applications proposing pilot or feasibility studies.
For this FOA, analytical aims (e.g., hypothesis testing) are not required for applications proposing to archive data. Reviewers should evaluate future research potential of the proposed data set to be archived and data processing/archiving/sharing plans.
Reviewers will provide an overall impact/priority score to reflect their assessment of the likelihood for the project to exert a sustained, powerful influence on the research field(s) involved, in consideration of the following review criteria and additional review criteria (as applicable for the project proposed).
Reviewers will consider each of the review criteria below in the determination of scientific merit, and give a separate score for each. An application does not need to be strong in all categories to be judged likely to have major scientific impact. For example, a project that by its nature is not innovative may be essential to advance a field.
Does the project address an important problem or a critical barrier to progress in the field? If the aims of the project are achieved, how will scientific knowledge, technical capability, and/or clinical practice be improved? How will successful completion of the aims change the concepts, methods, technologies, treatments, services, or preventative interventions that drive this field?.
Are the PD/PIs, collaborators, and other researchers well suited to the project? If Early Stage Investigators or New Investigators, or in the early stages of independent careers, do they have appropriate experience and training? If established, have they demonstrated an ongoing record of accomplishments that have advanced their field(s)? If the project is collaborative or multi-PD/PI, do the investigators have complementary and integrated expertise; are their leadership approach, governance and organizational structure appropriate for the project?
Does the application challenge and seek to shift current research or clinical practice paradigms by utilizing novel theoretical concepts, approaches or methodologies, instrumentation, or interventions? Are the concepts, approaches or methodologies, instrumentation, or interventions novel to one field of research or novel in a broad sense? Is a refinement, improvement, or new application of theoretical concepts, approaches or methodologies, instrumentation, or interventions proposed? For applications proposing to archive data, innovation should be considered in terms of the research potential of future analyses of archived data.
Are the overall strategy, methodology, and analyses
well-reasoned and appropriate to accomplish the specific aims of the project?
Are potential problems, alternative strategies, and benchmarks for success
presented? If the project is in the early stages of development, will the
strategy establish feasibility and will particularly risky aspects be
If the project involves clinical research, are the plans for 1) protection of human subjects from research risks, and 2) inclusion of minorities and members of both sexes/genders, as well as the inclusion of children, justified in terms of the scientific goals and research strategy proposed?
Will the scientific environment in which the work will be done contribute to the probability of success? Are the institutional support, equipment and other physical resources available to the investigators adequate for the project proposed? Will the project benefit from unique features of the scientific environment, subject populations, or collaborative arrangements?
As applicable for the project proposed, reviewers will evaluate the following additional items while determining scientific and technical merit, and in providing an overall impact/priority score, but will not give separate scores for these items.
Protections for Human Subjects
For research that involves human subjects but does
not involve one of the six categories of research that are exempt under 45 CFR
Part 46, the committee will evaluate the justification for involvement of human
subjects and the proposed protections from research risk relating to their
participation according to the following five review criteria: 1) risk to
subjects, 2) adequacy of protection against risks, 3) potential benefits to the
subjects and others, 4) importance of the knowledge to be gained, and 5) data
and safety monitoring for clinical trials.
For research that involves human subjects and meets the criteria for one or more of the six categories of research that are exempt under 45 CFR Part 46, the committee will evaluate: 1) the justification for the exemption, 2) human subjects involvement and characteristics, and 3) sources of materials. For additional information on review of the Human Subjects section, please refer to the Human Subjects Protection and Inclusion Guidelines.
Inclusion of Women, Minorities, and Children
When the proposed project involves clinical research, the committee will evaluate the proposed plans for inclusion of minorities and members of both genders, as well as the inclusion of children. For additional information on review of the Inclusion section, please refer to the Human Subjects Protection and Inclusion Guidelines.
Vertebrate Animals
The committee will evaluate the involvement of live vertebrate animals as part of the scientific assessment according to the following five points: 1) proposed use of the animals, and species, strains, ages, sex, and numbers to be used; 2) justifications for the use of animals and for the appropriateness of the species and numbers proposed; 3) adequacy of veterinary care; 4) procedures for limiting discomfort, distress, pain and injury to that which is unavoidable in the conduct of scientifically sound research including the use of analgesic, anesthetic, and tranquilizing drugs and/or comfortable restraining devices; and 5) methods of euthanasia and reason for selection if not consistent with the AVMA Guidelines on Euthanasia. For additional information on review of the Vertebrate Animals section, please refer to the Worksheet for Review of the Vertebrate Animal Section.
Reviewers will assess whether materials or procedures proposed are potentially hazardous to research personnel and/or the environment, and if needed, determine whether adequate protection is proposed.
Not Applicable
Not Applicable
Not Applicable
As applicable for the project proposed, reviewers will consider each of the following items, but will not give scores for these items, and should not consider them in providing an overall impact/priority score.
Applications from Foreign Organizations
Reviewers will assess whether the project presents special opportunities for furthering research programs through the use of unusual talent, resources, populations, or environmental conditions that exist in other countries and either are not readily available in the United States or augment existing U.S. resources.
Select Agent Research
Reviewers will assess the information provided in this section of the application, including 1) the Select Agent(s) to be used in the proposed research, 2) the registration status of all entities where Select Agent(s) will be used, 3) the procedures that will be used to monitor possession use and transfer of Select Agent(s), and 4) plans for appropriate biosafety, biocontainment, and security of the Select Agent(s).
Resource Sharing Plans
Reviewers will comment on whether the following Resource Sharing Plans, or the rationale for not sharing the following types of resources, are reasonable: 1) Data Sharing Plan; 2) Sharing Model Organisms; and 3) Genome Wide Association Studies (GWAS).
Budget and Period of Support
Reviewers will consider whether the budget and the requested period of support are fully justified and reasonable in relation to the proposed research.
Applications will be evaluated for scientific and technical
merit by (an) appropriate Scientific Review Group) convened by the National Institute on Aging , in accordance with NIH peer
review policy and procedures, using the stated review
criteria. Review assignments will be shown in the eRA Commons.
As part of the scientific peer review, all applications:
Applications will compete for available funds with all other recommended applications submitted in response to this FOA. Following initial peer review, recommended applications will receive a second level of review by the National Institute on Agingl Advisory Council . The following will be considered in making funding decisions:
After the peer review of the application is completed, the PD/PI will be able to access his or her Summary Statement (written critique) via the eRA Commons.
Information regarding the disposition of applications is available in the NIH Grants Policy Statement.
If the application is under consideration for funding, NIH
will request "just-in-time" information from the applicant as
described in the NIH Grants Policy
A formal notification in the form of a Notice of Award (NoA) will be provided to the applicant organization for successful applications. The NoA signed by the grants management officer is the authorizing document and will be sent via email to the grantee's business official.
Awardees must comply with any funding restrictions described in Section IV.5. Funding Restrictions. Selection of an application for award is not an authorization to begin performance. Any costs incurred before receipt of the NoA are at the recipient's risk. These costs may be reimbursed only to the extent considered allowable pre-award costs.
Any application awarded in response to this FOA will be subject to the DUNS, CCR Registration, and Transparency Act requirements as noted on the Award Conditions and Information for NIH Grants website.
All NIH grant and cooperative agreement awards include the NIH Grants Policy Statement as part of the NoA. For these terms of award, see the NIH Grants Policy Statement Part II: Terms and Conditions of NIH Grant Awards, Subpart A: General and Part II: Terms and Conditions of NIH Grant Awards, Subpart B: Terms and Conditions for Specific Types of Grants, Grantees, and Activities. More information is provided at Award Conditions and Information for NIH Grants.
Cooperative Agreement Terms and Conditions of Award
Not Applicable.
When multiple years are involved, awardees will be required to submit the Non-Competing Continuation Grant Progress Report (PHS 2590) annually and financial statements as required in the NIH Grants Policy Statement.
A final progress report, invention statement, and the expenditure data portion of the Federal Financial Report are required for closeout of an award, as described in the NIH Grants Policy Statement.
The Federal Funding Accountability and Transparency Act of 2006 (Transparency Act), includes a requirement for awardees of Federal grants to report information about first-tier subawards and executive compensation under Federal assistance awards issued in FY2011 or later. All awardees of applicable NIH grants and cooperative agreements are required to report to the Federal Subaward Reporting System (FSRS) available at www.fsrs.gov on all subawards over $25,000. See the NIH Grants Policy Statement for additional information on this reporting requirement.
We encourage inquiries concerning this funding opportunity and welcome the opportunity to answer questions from potential applicants.
Customer Support (Questions regarding Grants.gov registration and
submission, downloading or navigating forms)
Contact Center Phone: 800-518-4726
Email: email@example.com
GrantsInfo (Questions regarding application instructions and
process, finding NIH grant resources)
Telephone 301-710-0267
Email: firstname.lastname@example.com
eRA Commons Help Desk(Questions regarding eRA Commons registration,
tracking application status, post submission issues)
Phone: 301-402-7469 or 866-504-9552 (Toll Free)
Email: firstname.lastname@example.com
Partha Bhattacharyya, Ph.D
National Institute on Aging (NIA)
Telephone: 301-496-3131
Email: email@example.com
Ramesh Vemuri, Ph.D
National Institute on Aging (NIA)
Telephone: 301-402-7700
Email: email@example.com
Richard Proper
National Institute on Aging (NIA)
Telephone: 301-402-7735
Email: firstname.lastname@example.com
Recently issued trans-NIH policy notices may affect your application submission. A full list of policy notices published by NIH is provided in the NIH Guide for Grants and Contracts. All awards are subject to the terms and conditions, cost principles, and other considerations described in the NIH Grants Policy Statement.
Awards are made under the authorization of Sections 301 and 405 of the Public Health Service Act as amended (42 USC 241 and 284) and under Federal Regulations 42 CFR Part 52 and 45 CFR Parts 74 and 92.
Weekly TOC for this Announcement
NIH Funding Opportunities and Notices
Department of Health
and Human Services (HHS)
NIH... Turning Discovery Into Health®
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text:
|2011-07-13, 05:25
|Link #961
M so busy nww......
Join Date: Aug 2010
Location: Asia
Age: 20
^ Really lovely sigs, and nice pics chosen in avatar
Oh the work there were only on weekends (sat) and only a part-time work.. the other one is really hectic... maybe I'm becoming a workaholic these past months... Your break have ended? >_< good luck on your upcoming term then.
Spoiler for Long Post :):
Spoiler for Long Post :3:
|2011-07-18, 23:21
|Link #962
Graphic Designer
Join Date: Apr 2010
Location: Magic Land
Thanks... we're both the same ^^ really like colorful and shiny stuffs very much... though sometimes I'm overdoing it... though I can't help myself since that's really what I wanted !! colorful and shiny!! ^^
^^ Sure I'll do what I can !! ^^
Haha don't force yourself specially when you're doing something... ^^ just do it whenever you felt you wanted to do it.. ^^
really really liked it.... wrong term...
really really loved it ^^...........
*added it instantly in my rotation*
Will create a compact size of your avies so I can mixed them ^^...
Ok let's change it... you're not sadistic but a wicked fairy...!!! or change sadistic to a normal phrase... you're a fairy who wanted to see the misery of a kind and gentle mage..>_<
Yep it's really complicated... ~_~ but I ignoring the correct grammar when I'm in here... as long as I can understand it... XD..
let's see... this is what you are based on what I'm thinking...
Spoiler for pic of TeruMokou:
Btw saw you at gfxres forum lol... you did a great job at BSOTW ^^... I'm lurking there for a while now but whenever I'm going at that site I'm feeling down since seeing their works makes my eyes bleed so much
I wanted to experiment on Text more... on my next update I'll try to experiment this time... ^^...
Quick Update...
Kotomi Ichinose (Illu-chama)
Touhou Updates:
Nitori Kawashiro/Hina Kagiyama/Shizuha and Minoriko Aki
Reisen Udongein Inaba
Last edited by Patchy; 2011-07-25 at 21:30.
|2011-07-19, 00:41
|Link #965
Quietly Lurking
Graphic Designer
Join Date: Mar 2010
Location: Beneath the prodigious sky...
You should stop lurking and start showcasing your stuff! It's fantastic, and there's nothing to be nervous about I'm sure people will love it! Plus we need more anime on the forum It's mostly just games, RL, movies, and some other miscellaneous stuff
Yeah I did better on the Iron Man one. The robot was a hit or miss and it mostly missed You should participate too! It's freestyle this week so enter something! Ima force you to if you say no >:] MUHAHAHAHA xD
I cry cause of the difference of skill between me and them. Don't worry, you're not alone Patchy-chan
That's why you should aim to be better than them so you can make them feel down xD
Oh and some nice works there! I'm not CnCing them this time though Maybe later, when I'm feeling up to it. It's always good to experiment but I like the way you do your text now Just try to group it all of it together like you did with this update and you're good! Although you might not want to listen to me about text because it is one of my worst areas
Last edited by Rennir; 2011-07-19 at 01:03.
|2011-07-19, 00:46
|Link #966
南宮 那月
Join Date: Mar 2007
Location: こころ
Age: 28
The Hina signature is really shimmering. and aki sisters why don't you separated them.
How's your Flandre hunting? I'm crying after I finished it yesterday will send the replay later to you.
|2011-07-19, 04:23
|Link #967
fighting in my nightmare
Graphic Designer
Join Date: Mar 2009
Location: France
Really nice work like always!
Like these two!
Just one thing, I think her hair on the left are a little bit strange, they came out too much of the sign, maybe you should blend them a bit more ^^
|2011-07-21, 05:12
|Link #970
M so busy nww......
Join Date: Aug 2010
Location: Asia
Age: 20
Whom are you calling a kind and gentle fairy? LOL. If you're calling it as to yourself, you're not right in any way I'm not wicked, but at least you know how your personality is xD
How can I see such a out of the world definition of such a kind fairy, like me? I'm not hungry yet, if you plan to wait, you will have to need lots of patience
*Magic* Now my hair looks perfectly normal and perfectly good now who's Sadoko? I guess she's a girl who doesn't have good hair, cuz you're not nice to complement someone
*Sudden attack* Yay! My mud ball hit you in the face! You look like a beauty piece xD Now how do you think is my accuracy in hitting evils like you?
Best of luck for you life ahead, Patchy-sama! Hope you have everything good. Now would you mind the tag attached to the wishes?
I guess the secret is......... you are a sorceress+alien. Right?
It's easy to understand others grammer, but difficult to find whether the other is able to understand our language?
The end of the replies to Butter Fly, is a little confusing You dint quote my lines
|2011-07-29, 14:54
|Link #977
Join Date: Jul 2010
Location: David Tennant's bedroom in the TARDIS
ahhhh love Kotommi! Need to go use that sig again now...I have so many beautiful Kotomi sigs to use...3 from you, one from Riki, and three from Star! What will I do..
Soooo prettyyy...but that doesn't even begin to cover tour sigworks, Pat-chama.
Magnificent perhaps...shiny...marvelous. Loverly!
Oh great Patchy, I wanna be more like you!
the reisen ones are amazing. I particularly like the one of her with the gun, well done and awesome looking! ...more CnC later. But really, great work as ever
|2011-08-02, 22:33
|Link #978
Graphic Designer
Join Date: Apr 2010
Location: Magic Land
Ok... will try to be active there when I've some time.... since I wanted to try some tricks there as well... as of now... >_< time is still limited so I've only visiting a few sites around these past few weeks.
Hahaha.... good luck on BSOTW there.... I knew that even though they're saying that they're what you called "beginner" they're level were still surprisingly on a PRO mode ~_~>.
Hahaha.... we will reach them as soon as possible... though you were reach them first for sure... >_<
>_< Text is my main problem, the reason is..... I'm lazy to download new fonts ... (wish there were some nice font pack)
Bad... really... >_< though I finished Mokou.... *whistling* ... I always ended up losing at her counterclock (flan) ~_~...
The secret in that is if that person will reply to you ....
Thanks Dave sempai ^^...
Thanks for the compliment sempai *smiling mischievously*
Wah!! that's too much of a praise... >_< flattered..... *fainting*....
Me? hahaha nope.. don't be like me... ^^ just be yourself since you have your own particular style... and people also liked those of yours.. ^^..
Thanks again Illu-chama...
Quick Updates...
Aigis (Tjaard-sama)
Random Freebies I just throw out there...
Kamisama Dolls/Itsuka tenma no Kuro Usagi
Touhou Updates:
Perfect Cherry Blossom Update
Yuyuko Saigyouji (gave to Seit-sama both)
Konpaku Youmu
Yakumo Yukari
|2011-08-03, 00:28
|Link #979
Join Date: Jul 2010
Location: David Tennant's bedroom in the TARDIS
CNC..,I shall attempt to give some?
Yuyuko Saigyouji
ok this one. I like the pink theme, with the light source and rose petals too. Text is nicely done!
The orange is a bit off though (the ball of light) and the light texture around her rather out of place.
This one is pretty and lively and colorful, but a bit overwhelming to the eyes. With all the different colors and lights and butterflies, I don't know where to look, and it makes the sig look a bit crowded. If you toned that down, to look a bit less overwhelming, and softened the light in the middle a little (not quite so bright) and removed the "touhou project" text it would be just lovely.
Konpaku Youmu
Really the only criticism is the Touhou project text is distracting. Otherwise lovely!! Do...do you have an AS version?
Again, very little to pick at. The green light to the bottom left doesn't quite work, and there's a bit much dust on the right bottom corrner. I love the green theme, and the flow of the render (maybe add a glowy light or something to enhance it) is great.
Yakumo Yukari
Love the flow again. My eyes travel across the sig in the direction of the lights and her ribbons. My only suggestion would be to go easy on the bright light, and to pull some of the colors from her outfit to put into the sig too.
Sexy pose! She looks very temptress like. I love the contrast between that and the beauty of her pose in the other sig. She could use to be blended a bit more, and the yellow brush (?) things like the glowy one on the fan don't really belong. The light texture (green) looks good!
Great work as always Pat-chama! Nice and shiiiiny!
Hope my Cnc helped a little
|patchy, signatures, touhou
|Thread Tools


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|2003-11-06, 12:24
|Link #1
Pro Leecher
Join Date: May 2003
Why Manga?
So, why is Manga so popular and what makes it better then watching an anime? I don't really know how anyone can get into things with no animation whatsoever and just plain images. But, that's me. So, tell me why you like Manga. I'm interested to hear why it's so popular.
|2003-11-06, 12:28
|Link #2
Join Date: Apr 2003
Location: Ohio, USA
Age: 38
Well, I grew up reading comic books so it is only natural for me to continue to do so.
Manga usually gets away with having more to it because it has a MUCH lower production value. You tell your story across panels, and can cover more ground quicker this way, as well.
|2003-11-06, 12:51
|Link #3
ore wa kanpeki da
Join Date: Nov 2003
|2003-11-06, 13:09
|Link #4
Inactive ex-WoW addict
Join Date: Apr 2003
Location: Trondheim, Norway
Age: 39
Anime tends to become very slow paced when they try to include everything a manga has. Especially long sequences of character conversations, thoughts, explanations etc. Instead of "choking" the anime episode with all this, they often drop it or rewrite the plot. This isn't always successful. You might have heard people say "the book was better" when speaking of movies? The same goes for anime and manga, the written one is most often considered better. Take Lord of the Rings, for instance. I'm sure most people who read the triology before the movies came prefer the book.
Sometimes large pieces of the plot is left out because they need to fit the anime into a specified number of episodes, like 12 or 26 episodes total.
Anyone read the manga for DNAngel and watched the anime? That was an extreme case of plot changing and dumbing down the story, and I form that opinion after reading only a few scanlated issues. When the Graphic Novels are released in April by Tokyopop, I'll finally get to see the story the way it was meant to be told.
|2003-11-06, 13:33
|Link #6
Death Note Fanatic
True that we live in ADD (Attention Deficit Disorder) stricken society, but I guess it's still so hard to accept the consequences of it. There was a time not too long ago when people had patience. What has happened? I think we're doomed as a society.
As for your question...I like both. Many times, the manga can go deeper into something, or explore more story, contain more depth, and even be more beautiful than the anime, because they are just cheaper to make and the person who created, obviously is attached to the work and will in fact put all of their hard work and dedication into the art that they are creating. When it comes to manga, there is no concern of budget except when it comes to printing costs. It's also more than just about plain images, these are images juxtaposed together to create a story. The artist/creators use this story and juxtaposed images is their way of communicating to you, the reader. Whether you listen or not is up to you.
|2003-11-06, 14:22
|Link #7
Pro Leecher
Join Date: May 2003
You know, I don't watch TV and haven't in a over a year. I do read books as well. But I have never been really into comics/manga. Not everybody likes all the same things. You can't say I have no imagination when I've read far more books then I can keep count. Wheel of Time, Lord of the Rings, Sword of Truth, the Shanarra series, etc.
|2003-11-06, 15:03
|Link #8
Inactive ex-WoW addict
Join Date: Apr 2003
Location: Trondheim, Norway
Age: 39
I don't really know how anyone can get into things with no animation whatsoever and just plain images
The same thing could be said for "plain text". I like reading both books and manga, so I would say that the above statement doesn't really give the impression that you're the reading type. You see how easily that statement could be misinterpreted into you disliking anything about reading, right?
Anyway, no need to take offense, as I'm sure it was a general remark, not an insult.
|2003-11-06, 15:05
|Link #9
Warrior Of Eternity
Join Date: Apr 2003
Location: Saotome Research Institute
|2003-11-06, 15:11
|Link #10
Pro Leecher
Join Date: May 2003
any sort of sites that are kind of centralized for manga like animesuki is with anime? i guess i can try out a few.
and yes i guess i gave the wrong impression in my original post. i do love to read but i can remember reading comic books and they never really interested me. i assume manga is basically the same thing except in japanese. but i haven't read a comic in near 8 years so maybe i'll like them now.
|2003-11-06, 19:37
|Link #11
Join Date: Jun 2003
Age: 36
I can't stand American comic books... they just... suck. Of course, manga's different, for reasons listed above.
Anyway, check out http://www.manganews.net for unlicensed manga releases. And sites you'll want to go to are http://www.snoopycool.com (of course I list myself first... who the hell wouldn't?), http://www.toriyamaworld.com http://www.omanga.net, and http://www.mangascreener.com
All of those provide some, if not all, of their archives in direct downloads.
|2003-11-06, 20:50
|Link #12
Join Date: Nov 2003
Location: Isla del Encanto
Wll many people here gave valid answers to ure question and i'm pretty sure no one is going against it. But there are times that the anime version is better than the manga version. I'm kinda sure some manga are created after the animeshow (i think escaflowne is one of those and i heard that it sucks). As for which manga to start reading well, currently i'm reading black cat, tokko, hajime no ippo, prince of tennis, hunter x hunter...
if u want to comapre manga with anime, i think prince of tennis is a good example why most people prefer manga over anime. especially in the last few ep of pot.
|2003-11-06, 22:07
|Link #14
in silent opposition
|2003-11-06, 22:54
|Link #15
Warrior Of Eternity
Join Date: Apr 2003
Location: Saotome Research Institute
|2003-11-06, 22:58
|Link #16
Aimai 3 cm
I enjoy anime very much, but it all comes down to cost. It costs $25 USD for one volume of anime on DVD in most cases. Outlaw Star is only 3 discs, and that box set costs $90 last time I saw it. But I can get 1 volume of manga for $10, and it will usually have more story elements in it than one volume of the anime did.
Then there's the issue of quality. Of the mangas I've read, (not many mind you, but still), the manga was [i]much[i/] better than the anime. Plus there is usually more to the story in the manga that was cut out of the anime (Full Metal Panic, Nausicaa, and Love Hina to name a few).
|2003-11-07, 03:03
|Link #17
Join Date: Jun 2003
Age: 36
Besides, I can buy an imported manga for 6 bucks (way less if it's used), and an import DVD (or an American release DVD for that matter) costs me 25-80 dollars (the latter being the import... yeah, seriously), so of course, I'll pick the media that's best suited for my lifestyle. Also, there are 100's of mangas started and ended each year that are never animated for various reasons, and some of them are very much worth reading.
|2003-11-07, 11:04
|Link #19
Grouky Freak
I love anime, but before I ever liked it I already liked comics (french and beligum ones) and later on manga.
As has been previously stated, I think anime just doesn't deliver the exact same kinde of content as a manga. I t can give more in terms of emotions through the voices and images, it can be beautifull and can have many things a book or a manga will never have; but it will also miss many things. (just like film adaptation always miss something out of the original)
Manga, books or comics can afford longer story, more detailed descriptions of the world, the charachter and any detail the author think is important to his work. Therefeore I think I will always prefer written versions as most of the times they are just deeper and anyway, there are many things that you just can't find anywhere else.
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In a recurring series,Vanity Fairpulls back the curtain on awards season's most visually enticing films, revealing exclusive details of the creative process of art directors, costume designers, makeup artists, cinematographers, and more. This week, two-time Oscar nominee andW.E.costume designer Arianne Phillips talks about designing the clothes for Madonna's film, including two evocative gowns for Wallis Simpson. Phillips is currently nominated for an Academy Award for best costume design.
There's a difference between beauty (God-given) and style (earned), and perhaps no one delineated it as clearly as Wallis Simpson. The twice-divorced American, who derailed a royal lineage by marrying Prince Edward, knew what she had and what she did not. "I'm not a beautiful woman," she famously said, "I am nothing to look at, so the only thing I can do is dress better than anyone else."
In Madonna's W.E., costume designer Arianne Phillips makes good on that promise. Her Wallis Simpson (played by Andrea Riseborough) makes a compelling case for the power of sartorial sass to break hearts and, yes, change history. V.F.'s senior West Coast editor Krista Smith gave readers an advance look at Phillips's deft designs in our September issue, and now Phillips's work has been recognized by the Academy with her second Oscar nomination. (The first was for Johnny Cash biopic Walk the Line, in 2005.) For the occasion, she opened her notebook to share her original sketches with us, as well as the secrets of her process.
"The research was somewhat unique because it's two parallel stories in one film: a contemporary story and a period story. There's the biographical story of the Duke and Duchess, and then there's the love story," Phillips says. "I focused on amassing and absorbing the research—whether it was reading periodicals, reading online, seeing film clips, talking to people that may have known them, or people who knew somebody that knew them—whatever I could do to get my hands on any information about who these people were." Given that foundation, Phillips then set out to curate pieces on the independent film's limited budget. "I tried to be as resourceful as possible," she says, and fortunately, she had a lot of resources. When she needed shoes, she called Roger Vivier. Suits? Dunhill. Dresses? Dior. Jewelry? Cartier, Van Cleef & Arpels. There were even occasions when Phillips pulled jewelry from Madonna's own collection.
The result was a thoughtful blend of vintage, new, and re-created pieces. Take, for example, the loads and loads of period lingerie. In many scenes, Wallis and her modern counterpart, Wally, appear in vintage pieces Phillips says she "found along the way." In others, such as the scene in which Wally (played by Abbie Cornish) attends a Duke and Duchess of Windsor estate sale at Sotheby's and examines a negligee worn by Wallis, the design is new. "Stella McCartney designed a few pieces for us, which was great," Phillips says. Wallis's narrative arc is driven by her costumes, which evolve with her experience: "Initially, when we see her when she's sick, in the car, and she and Ernest Simpson, her husband, are going to Fort Belvedere for the weekend—it's the first time they're meeting Edward, [so] I tried to keep her clothes more naïve," Phillips explains. "She always had impeccable style, but as her means changed and her milieu changed, her clothes changed as well."
As Wallis and Prince Edward grow close, first through a friendship between equals, their clothes also begin to complement each other. For a key scene at a dinner party, Phillips chose to have them both wear navy. The pair literally match, revealing their intimacy from the outset. When they are officially outed as a couple, it's also through style—Edward accidentally tears Wallis's dress and she scolds him by his family name (David). When the guests turn to her, horrified by the familiarity and the reprimand, her explanation is simply that the dress is a Schiaparelli. (We'd be pretty steamed, too.)
The couple's ensuing love affair is catalogued through jewelry. "The jewelry was legendary," Phillips says. "One of the most daunting things about telling the story was making sure that she would do it justice in terms of the kind of iconic stature her jewelry has taken on. . . . The duke made it his mission to make Wallis feel like a queen, and took care in having the jewelry designed. There are a lot of inscriptions in the jewelry that are very personal." The pieces were also very lavish. Phillips went to extraordinary lengths to commission authentic re-creations, including the Chiclet-sized emerald ring Wallis wears throughout their affair. "That was her engagement ring, believe it or not," she says. "It was a re-created piece by Cartier, based on the original."
Wallis, who begins the film naked in a bathtub, ends it bedecked in jewels and a graphic tunic—a John Galliano design for Christian Dior, a label the Duchess favored. "I thought [the trapeze shape] would be a wonderful device to help Andrea with that older-woman posture, because she's playing her in her 70s at that point," Phillips says of aging the character through clothes. "There are a lot of really great pictures of Wallis wearing capri pants and tunic tops in the 60s and 70s, [with] fantastic Roger Vivier flats." The newer look extended from those buckle-festooned toes to her hair: the shoes "really balanced out that wig," says Phillips, adding that "her hairstyle in the 70s was a big silhouette."
On trend to the end, Phillips's Wallis had more than 60 costume changes. In retrospect, does the costume designer feel she pushed herself too far, given the constraints of the budget and the scope of the film? Nah. "If anything, I could have had more," she says.


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James McPartland, PhD
Associate Professor in the Child Study Center and of Psychology; Associate Director, Developmental Electrophysiology Lab; Director of Undergraduate Studies, Yale Child Study Center; Director, Yale Developmental Disabilities Clinic
Departments & Organizations
Child Study Center: Developmental Electrophysiology Lab | McPartland Lab | Predoctoral Internship and Postdoctoral Fellowship in Psychology
Interdepartmental Neuroscience Program
Yale Combined Program in the Biological and Biomedical Sciences (BBS): Neuroscience: Neural Disorders
Office of Cooperative Research
James C. McPartland, Ph.D., is an Associate Professor of Child Psychiatry and Psychology at the Yale Child Study Center. He is a licensed child psychologist and Director of the Yale Developmental Disabilities Clinic. He is Director of Undergraduate Studies at the Child Study Center and teaches an undergraduate seminar on autism spectrum disorder. Dr. McPartland's program of research investigates the brain bases of neurodevelopmental disabilities to develop biologically-based tools for detection and treatment. He is the Principal Investigator of the Autism Biomarkers Consortium for Clinical Trials, a nationwide effort to identify biomarkers to support intervention research in ASD. His research has been supported by NIH (NIMH, NICHD, NINDS; U19, R01, R21, R03, K23), NARSAD, the Autism Science Foundation, the Waterloo Foundation, Autism Speaks, the Patterson Trust, and the Simons Foundation, and his contributions to the field have been recognized by the University of Washington's Bolles and Gatzert Child Welfare Fellowships, a Clinical and Translational Sciences Scholar Award from the Yale Center for Clinical Investigation, a Behavioral Science Track Award for Rapid Transition and a Patient-Oriented Research Career Development Award from the National Institutes of Mental Health, the NARSAD Atherton Young Investigator Award, the International Society for Autism Research Young Investigator Award, the Patterson Trust Clinical Research Award, the Brain & Behavior Research Foundation Klerman Prize, and the American Psychological Association Division of Intellectual and Developmental Disabilities Sara S. Sparrow Early Career Research Award. Dr. McPartland has published 5 books and 90 scholarly works on autism and related topics. He is on the editorial board of the Journal of Mental Health Research in Intellectual Disability and is an Associate Editor for the Journal of Autism and Developmental Disorders. He has served on the Executive Committee of the American Psychological Association's Division of Intellectual and Developmental Disabilities and currently serves on the board of the International Society for Autism Research.
Education & Training
|University of Washington (2005)
|Harvard University (1996)
|Yale Child Study Center, New Haven, CT
|Yale Child Study Center, New Haven, CT, Psychology, Autism
Honors & Recognition
American Psychological Association Division of Intellectual and Developmental Disabilities Sara S. Sparrow Early Career Research AwardAmerican Psychological Association (2014)
Klerman Prize for Exceptional Clinical ResearchBrain & Behavior Research Foundation (2013)
Patterson Trust Clinical Research AwardRobert E. Leet and Clara Guthrie Patterson Trust (2013)
Young Investigator AwardInternational Society for Autism Research (2012)
Atherton Family InvestigatorNARSAD (2010)
Career Development AwardNIMH (2010)
Young Investigator AwardNARSAD (2009)
Behavioral Science Track Award for Rapid TransitionNIMH (2007)
CTSA Scholar AwardYale Center for Clinical Investigation (2007)
Bolles FellowshipUniversity of Washington (2004)
Gatzert Child Welfare FellowshipUniversity of Washington (2004)
Harvard College ScholarshipHarvard University (1996)