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Details of Pop / Rock and the Ticket Luck value
Pop Rock is the most popular and widely accepted genre of music that has its following in every region of the world. This is the sound everyone can relate to, sing-along with, dance to and listen to over and over again. Hence, it comes as no surprise that the biggest stars of music world hail from this genre of music and pop rock enjoys the status of the most booming industry of world music.
Pop Rock is a sound that is easy to distinguish but difficult to explain. It is primarily considered a combination of pop and rock music. Obviously, it is. However, which sound has more shares in its composition is still a matter of debate. It is described as "an upbeat variety of rock music" in the textbook of American Popular Music, while many others considered it a subgenre of pop music. Whatever it may technically be, a common music buff enjoys pop rock because of its easy listening, easy watching and easily engrossing appeal.
The sound of pop rock emerged in the 1960's in Great Britain and United States. Due to its' melodic structure and not-so-soft-not-so-hard kind of base, this genre quickly gained widespread acceptance and appreciation. The generality in its sound became the USP of pop rock and it overshadowed the folk, country and all other genres; with the exception of rock 'n' roll. Now after decades of innovation and improvement, the sound still rules the rest in terms of popularity and business.
The new-age sound of pop rock absorbs elements of various genres and styles. It is basically a free-style music form that incorporates various styles and creates a unique yet a common sound. Most of today's Pop Rock music is highlighted by catchy tunes, light lyrics, guitar-based tones, smooth texture and above all, sophisticated use of technology. However, there are certain artists who dare to experiment and bring unusual additions as well. Being the most commercial form of music, pop rock never loses it dynamism and the sound keeps evolving with the passage of time.
Talking about commercialization, pop rock is the largest selling music genre of today. Artists and albums from this field sell like hot cakes and always rule the charts. They are equally hit on the road and their concerts are sold very quickly. The genre also dominates radio, television and nightclubs while Hollywood also has a sincere romance with its rhythmic sound.
Over the years, many music legends and superstars from the world of pop rock has rocked the world with their music, style and charisma. The 60's, 70's and 80's witnessed the rise of pop rock as a commercially viable sound. Most of the music and artists of that time now enjoy cult status in the music world. The rock sound of these decades was dominated by the likes of Elton John, Diana Ross, Fleetwood Mac, Four Seasons, Beach Boys, Billy Joel, Elvis Presley, Bob Dylan, Beatles, Frank Sinatra, and Barry Manilow; some of these adopting it as a side genre.
The eighties brought the rise of path-breaking pop rock acts like Michael Jackson, U2, Cher, Bryan Adams, Def Leppard and Madonna. Taking a cue from the rise of Beatlemania, these artists created such great public persona that can put even some Hollywood stars to shame. These singers became the premier example of fan and media fancy while other pop rock acts such as Daryl Hall, Stevie Wonder, John Oates, Stevie Nicks, Roxette, Phil Collins, Billy Ocean and Michael Bolton also fared well on the charts.
While most of the pop rock artists of the 80's continued their fame well into the 90's as well, while many new bands and singers also rose on the horizon. The pop rock of these times was complemented with more studio effects and computer generated sounds. Mariah Carey, Alanis Morissette, No Doubt, Robbie Williams, Celine Dion, Backstreet Boys, Spice Girls and Boyzone became the torch bearers of pop rock scene of those times.
Experimentation also continued in all these years and singers like Jennifer Lopez and Britney Spears brought a new dimension to the genre, known as dance pop. Further subdivisions were witnessed as the emergence of pop punk and Latin pop; where the later gave us stars like Shakira, Ricky Martin and Enrique Iglesias.
The magic of pop rock continues in 2000's as well. Many new artists swept the audiences off their feet while the established ones also maintained their fan base. Today, we see the likes of Pink, Justin Timberlake, All Time Low, Kylie Minogue, Pussycat Dolls, Beyonce, Kelly Clarkson, Lindsay Lohan, Rihanna, Avril Lavigne and McFly supporting pop rock music and adding more substance to it. The latest music sensations, Miley Cyrus and Jonas Brothers, are also churning out gold with their pop rock sound.
Since the music and artists from the world pop rock are ruling the hearts of music lovers throughout the world, we present you hard-to-find tickets for the most anticipated pop rock concerts of the season. Book them in advance in order to avoid disappointment and pop rock is the flavor of the season!
He is young, he is talented and we all love him, it is Justin Beiber who has become the inspiration for the young and aspiring artists. From home made videos to the live concerts before thousands of people, Beiber has proved his talents. Yet it is only the beginning for this brilliant boy. Justin Beiber tickets are always in huge demand and people literally act crazy to get them. Watching this nice young champ sprinkle his charisma in a modest manner is a great experience. You should order Justin Beiber Tickets ASAP and time out with your friends and family.
Jonas Brothers, the pop boy band discovered by Disney, is making it big with their refreshing music. The three brothers Kevin Jonas, Joe Jonas, and Nick Jonas are keeping it clean with a set of original pop performances. The band started out with Disney's Original Camp Rock and its sequel Camp Rock 2. They made their singing debut with their studio album "It's About Time"followed by subsequent releases such as Jonas Brothers, A Little Bit Longer, and Lines, Vines and Trying Times. They have been the Breakthrough Artists of American Music Awards 2008. To be at their concert, get your Jonas Brothers Tickets now!
The eccentric and flamboyant American musician, Lady Gaga, is a New York City born singer, songwriter, record producer and human rights activist. The singer came into the music scene with her debut studio album, The Fame, which released in August 2008 on Interscope Records. The album was declared to be a commercial success, selling over twelve million albums worldwide. In late 2009, Lady Gaga released her second studio album, The Fame Monster, on Streamline Records. With singles like "Bad Romance" and "Dance in the Dark," the album became a worldwide hit and charted at the top spot on music charts in countries like Australia, UK, Austria, Canada, and Ireland. Grab the chance to see this modern day pop icon perform live in your home city by purchasing your own Lady Gaga tickets.
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The ED Publications website is a daily must-visit site for the owners and operators of adult nightclubs and the industry vendors who serve this multi-billion-dollar industry. Now you can promote your clubs, products and services to this daily stream of potential customers by buying one of the high-profile display positions listed below. To order one or more of these display spots, please contact marketing representatives Lacy Empkey at (727) 726-3592.
You also can download the Media Kit PDF by clicking the image
You also can download the Media Kit PDF by clicking the image
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subset: commoncrawl


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City of Lincoln
Mayor's Office
2009 Media Releases
Load limits will be posted early next week for the eastbound bridge at 33rd Street and Sheridan Boulevard. The change follows a recent routine inspection and load rating of the structure.
The new posted load limits are:
The City Public Works and Utilities Department inspects bridges in the City every two years on a rotating basis.
For more information, contact Erika Nunes in the Public Works and Utilities Department, 441-5675.


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Lima is situated on the alluvial fans of the Rimac and Chillon rivers. The palaofans are well exposed along the coastside in the cliffs that can be up to 80 m high. The Cordillera is the supplier of the pebbles and gravels that can be encountered here. Conglomerate clasts can be up to 80cm large at the coast. The Rimac river has a steep gradient of 1:25 and, according to my sources, thus is largly providing bedload transport. Clasts are mostly granites, diorites, gabbros and mesozoic to cenozoic volcanic rocks. The Lima Conglomerate has a thickness of up to 86m. It is interrupted in parts by lenticular sand- and siltstone lenses that likely represent estuarine incursions caused by sea-level variations.
According to what I read they can be subdivided into several layers which, by all honestly, I cannot see. The only difference is the average clast size which perhaps is not well exposed in Miraflores where I am. Neither could I observe the imbrication of the clasts and pebbles indicating flow directions and such alike. Well maybe I did but I have to stretch my imagination a lot to see it. There are no fossils
In terms of age we are talking Plio-Pleistocene here when sedimentation was affected by the movement of the Nazca Ridge towards the south proving for impulses of uplift and subsidence and the Lima anticline that blocks direct access for the Rimac river to the sea.
The pebbles of the Lima Conglomerate get washed out and form the beach. The beach is only pebbles but it makes a great and amazing sound when the waves are washing over them and the water flows back. Klack-klack-klack...
If you like to read more take a look at the cited article.
- Roux, J.P. et al (2000): Sedimentology of the Rimac-Chillon alluvial fan at Lima, Peru, as related to Plio-Pleistocene sea-level changes, glacial cycles and tectonics, Journal of South American Earth Sciences 13, 499 - 510


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Photos Nick Hamilton
Video by Justin Gunson
Men's Good Wood Park Snowboards Under $450:
Stepchild Latchkey Camber
A board for those who call the terrain park home. Twin tipped with a full Poplar wood core that's milled to offer the best of flex, pop, and feel while saving weight. Added fiberglass plates line the binding inserts to prevent insert blowouts. While it's the camber creation that won our testers over, if you're into a looser, more forgiving ride the Latchkey is also available in reverse camber.
Price: $329
Available Sizes: 144, 148, 153, 156
Tester Comments
"Just a hair on the stiff side for just park purposes, but not too much by any means. Great board for all-around freestyle!"
Men's Good Wood Park Snowboards Under $450
About the 2014 Good Wood Snowboard Test
Looking for reviews of the best snowboards for the 2013/2014 season? For the 15th annual TransWorld SNOWboarding Good Wood Snowboard Test we split the test into two and took 16 experienced testers to Woodward Tahoe at Boreal, California for the park test and Sierra-at-Tahoe, California for the all-mountain portion. Our testers rode hundreds of decks to deliver the best boards from the most comprehensive snowboard test in the industry.


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Jim Barger's antique camera collection — his self-dubbed "History of Photography" — wraps around the tops of his living room walls and into a storage closet close by.
Jim Barger's antique camera collection — his self-dubbed "History of Photography" — wraps around the tops of his living room walls and into a storage closet close by.
His compendium of Norman Rockwell prints, at least one hanging in nearly every room of his home in Lexington, brightens up his dining room with so much color that it takes a moment to realize it's a dining room.
It was normal, Barger said, to also collect mementos from his 28 years of volunteer service with the American Red Cross.
Barger, who retired from working area blood drives earlier this year, carefully gowned a yellow trucker hat with a little red cross above the brim earlier this week. It's quite old, he said, just like his 25- and 10-year Red Cross service pins as well as his ID badge officials made him get after 9/11.
Out of his entire Red Cross collection, though, one pin stands out. It's titled "The Comforter."
"There is a comfort and a good feeling that you could help someone else," Barger said. "The production of blood saves people's lives, and that's where I feel like I have helped."
Barger started volunteering with the Red Cross in 1984, at the urging of his late wife, Gladys. He said his wife made him volunteer on weekends, since he worked during the week at Mid-State Tile Co. in Lexington.
His main duties revolved around helping supply donors with food and support at the blood drives. Eventually, he also joined the disaster relief team and even responded to multiple incidents, including when an old cotton mill burned in the county.
"I developed a sense of service," Barger said. "I just feel like it's something worthwhile and something that needs to be done."
His main passion became finding new donors. He asked everyone he knew if they donated and was quick to tell them when the next drive was coming.
When his time with Mid-State Tile ended after 20 years, Barger began working drives during the week. On the day of a drive, Barger was charged with gathering food, along with ice from the local fire department. It took him about an hour-and-a-half to prepare, before he served the food to donors or did registration throughout the day, he said.
"He came to know a lot of the donors personally," said Lori Copelan, the volunteer, youth and blood services manager for the Greater High Point-Davidson Chapter of the Red Cross. "They are friends now, not just donors."
Copelan, who has worked in this area for about 21 years, said Barger assisted her with anything she asked.
"I couldn't of done a lot of things without him," Copelan said. "He saved my derriere a couple of times."
Now Barger, who turns 83 later this month, is retiring because "sometimes you have to just give things up," he said. While he may be done helping with the Red Cross, he still plans to keep volunteering with the Pastor's Pantry every week.
Amongst Barger's collection of Red Cross keepsakes, there is an old registration form belonging to a man who donated 169 times and has given more than 21 gallons of blood.
"This is what always amazed me — people that continue to donate blood," Barger said. "It's amazing."
Nash Dunn can be reached at 249-3981, ext. 227, or at email@example.com.


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Yellow Candy
Items 1-15 of 106
Yellow candy is lemon-flavored, banana-flavored, and (best part) buttered popcorn and pina colada-flavored. Their bright and sunny dispositions make the treats in our selection of yellow candy anything but wallflowers.
We have all the favorites, like Brach's Lemon Drops, Lemonheads candy, lemon sour candy, Honey Filled Peanuts, and Sugar Babies. Take a peek down the page at our two novelty pillows for kicks.


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danmir needed a new print or packaging design and created a contest on 99designs.
A winner was selected from 129 designs submitted by 26 freelance designers.
Vinbary Fruit Wines are premium light wines (5.4% Vol Alcohol) from Austria fermented from fruits. There are six flavours: Strawberry, Cherry, Peach, Raspberry, Black Currant, Red Currant. The fruit wine can be consumed neat, or mixed with sparkling water, champagne or used in cocktails. If you need more information on the product please contact us.
Our main target audience is females between 18 and 35 years of age. It is a new product, not available yet, but targets consumers of flavoured wines, beers and ciders, as well as normal wines.
We require front labels for the six bottles. They shall be attention grabbing, stylish and have a common theme throughout the range. The main focus of the label should be the brand (Vinbary) -> brand recognition and secondly there should be some focus on the fruit aspect. We have attached a collage style sample of labels, which you can use as "inspiration" for your work, which were the most popular labels from research. Also the logo can be modified as needed/to your liking (We just need to stick to the name Vinbary, the form can be as seen fit).
Key features of the label should be:
-Attention grabbing
-standing out (when for example placed in a shelve at the wine shop or fridge in a bar)
-stylish and communicate a "cool / trendy" lifestyle
-Customer should be able to recognize the flavour, if he/she knows the brand already
-New customer should be intrigued but after looking closely, roughly know what the product is.
-Label has to include following data: Vinbary, Premium Fruit Wine, 1L, 5.4% Vol alc., Made from 100% real fruit, Flavor (corresponding flavor)
-Dimensions: max. height 104 mm. 600dpi CMYK required
-Color codes for each flavour:
Red Currant=#fea6a5
Black Currant=#4c1a6f
Attached also the full requirements including notes from research. If you have any questions or need more info please contact us.


text:
25 slices torn sandwich bread
2 large onions, diced
1 bunch celery, diced
1/2 cup chicken or turkey stock
1 tablespoon butter
2 tablespoons olive oil
2 eggs, beaten
1/2 oz fresh sage, torn
2 tablespoons chopped rosemary
8 oz sliced crimini mushrooms
1 teaspoon white pepper
In a large pan, saute celery, mushrooms and onions in butter and olive oil over very low heat until the onions are translucent. Do not brown. Add to bread cubes in bowl and add seasoning. Combine with egg and broth. Form medium-sized balls. Refrigerate until ready to use.
Place balls in the bottom of the roasting pan under the rack and around the turkey or chicken on the rack for the last 1/2 hour of roasting and cook until cooked through.
Yield: 8-10 servings


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16 hr. SIG SAUER Pistols Armorer Certification-Forreston
Registration Deadline: Tuesday, July 10, 2018
Time: 8:00 AM - 5:00 PM
Smokin Gun Worx
Forreston, IL
Member's Fee: $0
Non-Member & Civilian Fee: $430
All registration is managed by Sig Sauer
MTU1 will reimburse MTU1 member agencies for tuition for no more than (1) registrant per agency, unless otherwise approved, when the paid invoice is forwarded to MTU1
Training Announcement
Armorer Certification - SIG SAUER Pistols- Not P320 handguns
Course No.: AC-AC-20180724-1F
Host Contact: Jarrett Wehunt Telephone: (815) 938-3006 E-mail: email@example.com
Registration: Register on-line at www.sigsaueracademy.com or contact the SIG SAUER Academy Training Coordinator via phone at 603-610-3411.
click here for direct registration link to this class on the Sig Sauer website
Course Description:
The program content focuses on the mechanical functioning, maintenance, troubleshooting, and field repair of the SIG SAUER law enforcement classic pistol line, to include the P220, P226, P229, and P239 pistols. Not P320 handguns
This is a hand's on program that teaches and guides each participant through all armorer operations, step by step with the instructor. Active participation in disassembly and assembly procedures coupled with question and answer periods provide the type of learning environment favorable for the retention of the material. Written and practical exams are administered to test the working knowledge of each participant.
The curriculum enables law enforcement armorers to develop a pistol maintenance program on the inspection and servicing of the SIG SAUER law enforcement pistols for their departments. Following successful program completion, certification / re-certification to perform these procedures is valid for a period of three (3) years. This is of major importance to the agency as it maintains current practices and procedures for factory authorized maintenance on law enforcement pistols within the department.
Armorer Course Content:
- Firearms Safety
- Design and Components
- Field Stripping
- Preventive Maintenance
- Weapon Functions
- Armorer Disassembly and Assembly
- Troubleshooting
- Sight Adjustments


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Now it's time for Jonathan Fisher to have a few minutes of fame. Page 99 from the paperback edition of The Writer.
"We're such hypocrites. No one wants a funeral audience of three guys, like Stendhal. That's why I was relentless, that's why no matter how many publishers turned me down, no matter how many people told me to stop writing and get a normal job, I didn't listen.
When the entire world seems to reject you, that's when your art becomes more important than ever. That's when you write to live, not the other way around.
When silence overwhelms you, write a new story. When you feel that every moment in your life is a mistake, write a new story. When you feel that you're so alone that you can't even hear your own heartbeat, write a new story. When you want to cry because you're helpless, sad, and angry, write a new story. You only have to destroy some characters, you just have to play God for a few hours. It's so simple.
When you're afraid to live your life, it's easy to become just an observer, to think that everything that's happening to you is just a dream; it's so damn easy to turn reality into fiction.
In a way that's the definition of an artist.
That's why you don't want a normal job. Because your art is an addiction like any other. The more you write, the more you want to write. The more you drown yourself in words, the less you feel alive.
The more you suffer, the better artist you become.
Every time you think about killing yourself, write a new story. It doesn't matter if your stories are rubbish. All that matters is that they're keeping you alive, they're prolonging the agony.
Art is like morphine for those who no one loves.
If there's anything good in me, it has to be the fact that I never give up. I never lose hope, no matter what."
The Writer
Jonathan Fisher is used to being no one in particular. He is such a ghostly character that CCTV cameras won't record him. The world doesn't need him and most certainly doesn't want him.
What he doesn't know is that his life is on the brink of transformation.When his father dies, he realizes one thing. Being invisible isn't such a great option.
What people are saying:
"This is by far one of the best books I've read this year. Mihai's prose is both a delight to read and an easy read as well."
"This is a great God Damned book. I have read the Author, Cristian Mihai's series of kindle books and this is my favorite by far. Such wisdom and axiomatic metaphor for a young writer."
Date published: 23rd of September 2012
Genre: Literary Fiction, Magical Realism
Buy from:


text:
- Inside Athletics
- Tickets
- Fan Zone
- Media Zone
- Social
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- Donate Now
JOHNSON CITY, Tenn. (Feb. 23, 2008) - In need of a confidence boost, the ETSU men's basketball team got one during ESPN's BracketBuster Saturday courtesy of the Ohio Valley Conference's Tennessee Tech.
The Buccaneers won for just the second time in their last five games, getting a career high six 3-pointers and 20 points from senior Travis Strong (Memphis), while senior Kenyona Swader (Smyrna) posted his second career double-double to lead ETSU to an 88-80 win over the Golden Eagles on Senior Day in front of 3,118 fans at Memorial Center.
"We really needed a win to get back on track," said ETSU head coach Murry Bartow, whose team improved to 16-12 on the year after taking a disheartening 96-70 conference loss at Gardner-Webb Thursday night. "This team still has a lot of basketball ahead of us, and getting out there tonight and playing well was important. We have to build some momentum as we prepare for the conference tournament. I wasn't really happy with the start of the second half, but we made enough plays at the end to get it done."
A blowout seemed eminent in the first half, as the Bucs built a lead of as many as 19 points twice and held a 49-30 advantage with remaining before the break. However, Tech bounced back with a 7-0 run to close out the half and trail 51-39 at the intermission.
In the second half, the Golden Eagles kept the pressure on in a big way, outscoring the Bucs 26-12 over the opening nine minutes, taking the air out of the Dome and giving Tech a 65-63 lead with 11:02 left in the game. Strong answered the challenge quickly with a 3-pointer that gave the Bucs the advantage back at 66-65, and ETSU would never relinquish the lead again, outscoring Tech 23-8 over the next seven minutes to lead 86-73 with remaining in the half.
For the game, Strong was 6-of-12 from beyond the arc and finished with 20 points. He was joined with a team-high 20 by junior Kevin Tiggs (
ETSU shot 49 percent from the floor for the game, and an impressive 46 percent from beyond the arc. Tech shot 43 percent from the field and a solid 86 percent from the charity stripe. Both teams committed 21 turnovers, with Tech holding a 42-37 advantage on the boards.
The Bucs have little time to waste in preparation for their next game, which will come Monday night at


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text:
Oct. 6, 2008
PROVIDENCE, R.I. - The Bulldogs competed at the Brown Invitational this weekend against players from Brown, Binghamton, and Boston College.
In Friday matches, Yale won two doubles matches. The duo of senior Josh Lederman and freshman Joel Samaha defeated a Binghamton team 8-5. Sophomore Jordan Abergel and senior Tom Santoro shout out a Binghamton team 8-0.
The Bulldogs also won three singles matches Friday. Junior Matt Schimmel defeated Darren Ng of Binghamton 8-5. Samaha cruised to a straight set 6-2, 6-0 win over opponent Kendrick Au of Brown. Abergel also rolled to a straight set 6-2, 6-0 win over opponent Darren Ng.
Yale won one singles match on Saturday. Samaha pulled out another straight set victory by defeated Brown's Sam Garland 6-3, 6-0.
In Saturday doubles action, Lederman and sophomore Calvin Bennett defeated a Brown team 8-6. The team of sophomore Ryan Berman and freshman Erik Blumenkranz rolled to an 8-3 victory over a Brown team.
The Bulldogs wrapped up play on Sunday. Yale won two doubles matches once again. Samaha and Lederman defeated a Binghamton team 8-3. The duo of Abergel and Berman cruised to an 8-1 victory over a Binghamton doubles team.
Schimmel recorded Yale's lone singles victory of Sunday with a rain-shortened 6-1 victory over his Binghamton opponent.
Complete Results
Friday Results:
Round Robin Doubles
Pearlman/Posner (Brown) def Calvin Bennett/Connor Dawson 8-5
Crystal/Yazmer (Brown) def Erik Blumenkranz/Ryan Berman 8-2
Josh Lederman/Joel Samaha def Wong/Vloedgraven (Binghamton) 8-5
Jordan Abergel/Tom Santoro def Chakos/Bartischevich (Bing) 8-0
Matt Schimmel def Darren Ng (Binghamton) 8-5
Nate Gorham (Brown) def Calvin Bennett 7-5, 6-4
Joel Samaha def Kendrick Au (Brown) 6-2, 6-0
Sam Garland (Brown) def Tom Santoro 6-2, 6-2
Charlie Posner (Brown) def Ryan Berman 7-5, 7-6 (5)
Faisel Mohommed (Bing) def Connor Dawson 6-4, 6-4
Gilbert Wong (Bing) def Josh Lederman 6-2, 6-1
Evan Algier (Bing) def Erik Blumenkranz 6-2, 5-7 1-0 (2)
Jordan Abergel def Darren Ng (Bing) 6-2, 6-0
Saturday results:
John Pearlman (Brown) def Calvin Bennett 5-7, 6-2, 1-0 (8)
Nate Gorham (Brown) def Connor Dawson 6-3, 6-4
Joel Samaha def Sam Garland (Brown) 6-3, 6-0
Andrew Yazmer (Brown) def Josh Lederman 6-2, 6-4
Kendrick Au (Brown) def Tom Santoro 6-0, 6-4
Charlie Posner (Brown) def Matt Schimmel 7-6 (3), 6-3
Lederman/Bennett def Garland/Gardner (Brown) 8-6
Gorman/Au (Brown) def Samaha/Dawson 8-6
Posner/Crystal (Brown)def Abergel/Schimmel 9-8 (6)
Pearlman/Yasmer (Brown) def Berman/Santoro 8-5
Skinner/Rastorgouer (Boston College) def Samaha/Schimmel 8-2
Muppidi/Wagner (BC) def Dawson/Lederman 8-6
Berman/Blumenkranz def Doup/Miller (Brown) 8-3
Locklear/Wong (BC) def Santoro/Abergel 8-6
Wong/Levy (Bing) def Dawson/Bennett 8-5
Samaha/Lederman def Vloedgraven/Algier (Bing) 8-3
Abergel/Berman def Chakis/Bartischevich (Bing) 8-1
Danielson/Wong (Bing) def Santoro/Blumenkranz 9-8 (8)
Singles (rain-shortened pro set)
Matt Schimmel def Chakos (Bing) 6-1
Au (Brown) def Berman 7-6 (4)
Pearlman (Brown) def Samaha 6-3
Report Filed by Steven Horn '10, Yale Sports Publicity


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A weak dollar is keeping cotton's value very attractive at current price levels, even with world carryover at bearishly high levels, said Memphis cotton merchant Williams B. Dunavant, speaking at the Mid-South Farm and Gin Show.
Dunavant, who announced his retirement in January, said the U.S. cotton crop in 2004 turned out bigger "than I would ever have believed. I never would have known that we would have broken all those records in one year, from coast to coast. Yields were phenomenal. The world had phenomenal yields as well."
The year was a trying one for the merchant. "It was our first losing year in over 50 years, so I didn't have very much fun. Many American shippers suffered a number of defaults from China, and we're still negotiating our way out of them. But cotton is cheaper and things are looking better."
Dunavant disagrees slightly with his own economics department projections of a 19.75 million-bale, 2005-06 U.S. crop on a projected 14.25 million acres. "We're going to increase acreage from last year, and they're trying to make me believe we're only producing 19.75 million.
"My projection is 20.5 million bales. We have the subsoil moisture this year for another record yield. I do not see that happening, but I didn't see it last year either. I could miss it by a million bales easy."
Dunavant again lamented the struggles of the U.S. textile industry. "I've been in the business for a little over 50 years. I grew up selling the domestic textile industry. We sold about 97 percent of our cotton domestically, and the remaining 3 percent went to the export market. Now we sell 75 percent of our cotton into the export market."
On the other hand, the export market "has saved the U.S. cotton producer," he said. "Total offtake this year is going to be about 19.55 million bales. We have registered for export slightly over 11 million bales and we still have through July left. So 13 million to 14 million bales of exports is not out of the question."
World cotton production in 2004 was also mind-boggling, according to Dunavant. "We're going to end up with 116.7 million bales of world production. We have been producing 98 million to 99 million bales. You would think cotton prices would be down on those numbers, but they're not.
"China produced 29 million bales in 2004-05, compared to 22 million bales the year before. India had record production of 16 million bales in 2004, versus 13.8 million bales the year before. Pakistan had record production of 11 million bales in 2004, up from 7 million bales last year. Uzbekistan produced 5 million bales, compared to 4.1 million bales the year before. This how we got to 116 million bales this year. I don't see how it happens again."
Also keeping prices firm is world consumption, forecast at 106 million bales in 2004-05, up from 98.5 million bales the year before. "China's consumption last year was 32 million bales, and they're going to consume 37 million bales this year. Those are interesting numbers for that country."
Still, increased world production in 2004 will push world carryover from 35.5 million to 46.2 million bales. "That number is certainly construed as bearish. But the weakness of the dollar has made the relative value of cotton very acceptable at today's price levels. That's the difference from last year."
The merchant said world production will take a sharp drop of about 12 million bales in 2005-06, while world consumption will increase by 1.7 million bales. "So the balance gets better as we look to the future."
Under that scenario "world carryover will drop from 46.2 million bales to 43 million bales in 2005-06. USDA said world carryover could be down to 41 million bales because they've got Chinese consumption considerable higher than we have at 41 million bales. China will need just about every quality there is in the world, but they will concentrate on the very top qualities as their first preference."
Meanwhile, China will decrease cotton production to around 26 million bales this coming season. "That's good news. And we're taking their consumption from 37.5 million bales to 39 million bales next year, meaning they will import between 12 million and 14 million bales. It won't all be U.S. cotton, but we will get our fair share. We'll work carryover down next year, and if the dollar stays weak, that will be a positive.
"May cotton is not going to 44 cents," the merchant said. "Last year, everything I said was wrong, but write that down. We also have to understand that commodity funds control cotton, soybeans, rice and corn. When those folks want to play, there's no stopping them. They are such a dynamic force, but right now, they are heavily involved on the long side, 32 percent long."
On the farm program "I want a robust farm bill for U.S. cotton, but I would like for markets to be able to react to supply and demand and not farm programs. The government should protect and defend the American cotton producer, no question. It's the structure I complain about. I want my sons, who are going to take over for me, to trade supply and demand, fundamentals and even technicals, and not have to worry about farm programs."
e-mail: firstname.lastname@example.com


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Though the post-racial world has yet to materialize, there's no denying this country has changed some over the last half a century, with an African American family living in the White House and a 30-foot-high statue of the Rev. Martin Luther King Jr. on the Washington Mall.
It was not far from that statue that King delivered his "I Have a Dream" speech, from the steps of the Lincoln Memorial, to a quarter of a million people, on the occasion of the 1963 March on Washington for Jobs and Freedom. Parts of that speech and other images from the day are common currency in documentary films, though usually in the context of some larger, longer story – about King or the civil rights movement or Bob Dylan or any of the other threads to which it's connected.
In such cases, the event appears full-blown and fully peopled, certified and sealed by history: a thing we think we know. By contrast, "The March," which airs Tuesday on PBS on the eve of the 50th anniversary of that gathering, tells the story of how it came to be and who made it happen and takes us back before the buses and the trains and the chartered planes arrived from every corner of the country, when no one knew whether it would work, or go bad, or what.
By 1963, things in the civil-rights movement were coming to a head. In June, Alabama Gov. George Wallace attempted bodily to prevent two black students from registering at the University of Alabama, until President John F. Kennedy federalized the Alabama National Guard to remove him. Kennedy went on TV afterward to call on Congress "to make a commitment it has not fully made in this century to the proposition that race has no place in American life or law"; hours later, civil rights activist Medgar Evers was assassinated in Mississippi. At the same time, King was attracting larger crowds wherever he went; the time was ripe for a large, nationally inclusive action.
King's speech has come to stand for the march, but he was not its only voice or its architect.
That credit goes to A. Philip Randolph — a founder of the Brotherhood of Sleeping Car Porters, who had had the ear of President Franklin D. Roosevelt and organized Washington marches in the 1940s and '50s, and had been advocating for a new one — and his frequent associate Bayard Rustin. A King advisor since the 1955-56 bus boycott in Montgomery Ala., Rustin (a leader in the fight to desegregate interstate bus travel, jailed during World War II as a conscientious objector, gay — and out) was the one who schooled him in Gandhian nonviolence. ("Worth a documentary of his own," I thought, and then discovered that one exists, the 2003 "Brother Outsider: The Life of Bayard Rustin.")
Director John Akomfrah does a good job of giving context to the day, with many (if not most) key surviving participants recalling the march and what it took to make it happen.
These include field organizer Norman Hill, who traveled the country drumming up interest and support; Rustin aide Rachelle Horowitz; CBS correspondent Roger Mudd, on his "first major assignment," nervously consuming "Coke and Tums" and throwing up in the bushes; Hollywood liaison Harry Belafonte ("Everywhere you looked, there were these nuggets of celebrity"); and Student Nonviolent Coordinating Committee co-founder John Lewis (then a 23-year-old activist, now a congressman), forced at the last minute to remove a portion of his speech in which "I suggested that if we did not see meaningful progress the day may come when we'd be forced to march through the South the way Sherman did, nonviolently." (Still, he did use the word "revolution.")
When it comes to the day's central oration, Akomfrah can't quite leave King alone, laying in music below him — not the usual sentimental suet, at least, but a distraction and a distortion nonetheless; those words need no accompaniment. And here and there he processes an image for dramatic (and sometimes confusing) effect.
But these are bumps in an otherwise well-laid road. He puts you in the place and time. Color footage — much of it clearly home-movie footage, from an era when news footage was still often in black and white — brings the past closer.
Kennedy wouldn't survive the year. But the bill he called for in June was signed into law the next July as the Civil Rights Act of 1964.
'The March'
Where: KOCE
When: 9 p.m. Tuesday
Rating: TV-PG (may be unsuitable for young children)


text:
Beth Holmgren
Professor of Polish and Russian Studies
Beth Holmgren is a full professor trained in Polish Studies and Russian Studies, with special expertise in narrative and film analysis, performance studies, gender studies, diasporic studies, and cultural history. She currently serves as chair of the Department of Slavic and Eurasian Studies at Duke, beginning her seventh year in this office (2010-2015, 2016-). Holmgren is listed among the core faculty in Jewish Studies, and holds secondary appointments in Theater Studies and Women's Studies. Over the course of her career, Holmgren has worked closely with the Association of Slavic, East European, and Eurasian Studies (President, 2008); the Association for Women in Slavic Studies (President,2003-2005); and the Polish Studies Association, For her updated curriculum vitae. see her site at academia.edu.
- Ph.D., Harvard University 1987
- B.A., Grinnell College 1975
Hashamova, Y, Holmgren, B, and Lipovetsky, M. Transgressive women in modern Russian and east European cultures: From the bad to the blasphemous. January 1, 2016. Full Text Open Access Copy
Holmgren, B. From the legs up: The rise and retreat of the chorus girl in interwar Poland. January 1, 2016. Full Text
Americans Experience Russia.: Routledge, November 28, 2012. Full Text
Holmgren, B. Starring Madame Modjeska: On Tour in Poland and America. Indiana University Press, November 10, 2011.
Goscilo, H, and Holmgren, B. Poles apart: Women in modern Polish culture. January 1, 2006.
The Russian Memoir. Edited by Beth Holmgren. Northwestern University Press, November 19, 2003.
Holmgren, B. Rewriting Capitalism. University of Pittsburgh Pre, December 15, 1998.
Holmgren, B, and Holmgren, B. Women's Works in Stalin's TimeWomen's Works in Stalin's Time. Indiana University Press, January 1, 1993.
Holmgren, B. "The Cult of Forbidden Thoughts: The Big Green Tent by Liudmila Ulitskaya, translated by Polly Gannon." Women's Review of Books 33, no. 4 (July 1, 2016): 12-13.
"Russia on their mind: How hollywood pictured the Soviet front." In Americans Experience Russia: Encountering the Enigma, 1917 to the Present, 105-123. December 1, 2013. Full Text
Holmgren, B. "The Polish Actress Unbound: Tales of Modrzejewska/Modjeska." In The Other in Polish Theater and Drama,edited by B Johnston and K Cioffi, 57-77. Slavica Publishers, 2010.
Holmgren, B. "Ne-natural'naia shkola:Semeistvo Tal'nikovykh Panaevoi." In Trava: Punkty,edited by S Ushakin and E Trofimova, 45-72. Novoe Literaturnoe Obozrenie, 2009.
Holmgren, B. "Jean de Reszke." In POLISH-AMERICAN HISTORY AND CULTURE: AN ENCYCLOPEDIA,edited by J Pula. 2009.
Holmgren, B. "Edouard de Reszke." In POLISH-AMERICAN HISTORY AND CULTURE: AN ENCYCLOPEDIA,edited by J Pula. 2009.
Holmgren, B. "Aristocrats and Working Girls: Towards a History of Russian Emigre Women in the United States"." In MAPPING THE FEMININE: RUSSIAN WOMEN AND CULTURAL DIFFERENCE,edited by H Hoogenboom, C Nepomnyashchy, and I Reyfman, 231-47. 2008.
Holmgren, B. "Settlling for the Real Hollywood: Russians in Studio-Era American Film." In American Artists From the Russian Empire,edited by Y Petrova, 97-115. The State Russian Museum & The Foundation for International Arts and Education, 2008.
Holmgren, B. "Evgeniia Ginzburg." In Yivo Encyclopedia of Jews in Eastern Europe,edited by GD Hundert. Yale UP, 2008.
Holmgren, B. "Nadezhda Mandel'shtam." In Dictionary of Literary Biography: Russian Prose Writers After World War II,edited by C Rydel, 164-71. Thomson Gale, 2008.
Holmgren, B. "Fiction and the Acting Life: The Memoir of Helena Modjeska." In Real Stories, Imagined Realities: Fictionality and Non-fictionality in Literary Constructs and Historical Contexts,edited by M Lehtimaki, S Leisti, and M Rytkonen, 343-57. Tampere University Press, 2007.
Holmgren, B. ""Cabaret Identity: How Best to Play a Jew or Pass as a Gentile in Wartime Poland"." Journal of Jewish Identities July 2014, no. Issue 7, number 2 (July 2014): 15-33. Open Access Copy
Holmgren, B. "Cabaret Identity: How Best to Play a Jew or Pass as a Gentile in Wartime Poland." Journal of Jewish Identities 7, no. 2 (2014): 15-33. Full Text Open Access Copy
Holmgren, . "Collecting the Show on the Road: Spotlight on Anna Mieszkowska and the Polish Cabaret Archive." The Polish Review 59, no. 4 (2014): 3-3. Full Text Open Access Copy
Holmgren, B. "The Lives of Secret Others." East European Film Bulletin (August 2013). (Essay)
Holmgren, B. "Acting Out: Qui pro Quo in the Context of Interwar Warsaw." East European Politics and Societies 27, no. 2 (May 1, 2013): 205-223. Full Text
Blobaum, R, Holmgren, B, and Wampuszyc, E. "Warsaw 2013." East European Politics and Societies 27, no. 2 (May 1, 2013): 185-186. Full Text
Holmgren, B. "Toward an Understanding of Gendered Agency in Contemporary Russia." Signs: Journal of Women in Culture and Society 38, no. 3 (March 2013): 535-542. Full Text
Holmgren, B. "Women in Contemporary Russia: A Thematic Cluster Toward an Understanding of Gendered Agency in Contemporary Russia." SIGNS 38, no. 3 (2013): 535-542. Full Text
Holmgren, B. "The art of playing patriot: The polish stardom of Helena Modjeska." Theatre Journal 62, no. 3 (October 1, 2010): 349-371. (Review)
Holmgren, B. "War, Women, and Song: The Case of Hanka Ordonowna." Aspasia: The International Yearbook of Central, Eastern, and Southeastern European Women's and Gender History 2 (2010): 139-54.
ASEEES Kulczycki Book Prize for Polish Studies (best book in any discipline, on any aspect of Polish affairs). Association for Slavic, East European, & Eurasian Studies. November 2013
Kulczycki Books Prize in Polish Studies. Association for Slavic, East European, and Eurasian Studies. 2013
Heldt Prize for Best Book in Women's Studies. Association for Women in Slavic Studies. November 2012
Selected Grants
"Twenty Years Forward: The Contents and Discontents of Modern Russian Feminism," A Documentary awarded by Josiah Charles Trent Memorial Foundation (Principal Investigator). 2008 to 2009
Rethinking Gender Roles at War: The Polish Women's Auxiliary Service, 1941-1945. International Gender Studies Conference. Interdisciplinary Research Foundation. June 24, 2016 - June 25, 2016
"The Polish II Corps in Mandate Palestine: Illusion and Escape, 1943-1944. International Polish Jewish Studies Conference. University of Illinois at Chicago. April 11, 2016
Women, Class, Performance: Helena Modjeska as Understudy and Impresario. Public lecture. University of Michigan. February 18, 2016
"Revolutionary Fun: The Polish-Language Literary Cabaret in Interwar Poland". Association for Slavic, Eurasian, and East European Studies. November 2015
Banding Together Against the Cavalry: 'Polishness' and the Soldiers' Song in World War II. International Polish Jewish Studies Conference. Princeton University. April 2015
The Uses of Starlight: Female Entertainers in the Anders Army, 1942-1946. AWSS Biennial Conference. Association for Women in Slavic Studies. March 2015
The Showman Presents the Ghetto: Jerzy Jurandot's City of the Doomed. Loyola College Jan Karski Conference. Loyola College. September 19, 2014
From the Legs Up: The Rise and Fall of the Chorus Girl in Interwar Warsaw. Stefan and Lucy Hejna Annual Lecture. University of Illinois at Chicago. April 7, 2014
Improvising Poland on the March: Entertaining the Polish and Allied Forces in World War II. University of Chicago Central European Workshop. University of Chicago. February 25, 2014
Review of Department of Slavic Languages and Literatures, Ohio State University. April 2010 - May 30, 2010
Review of Department of Slavic Languages and Literatures, Harvard University. March 5, 2010 - March 31, 2010
Organizer and chair of roundtable. Ad-Hoc Committee on Non-Academic Professions in the Field. Association for Slavic, Eurasian, and East European Studies. November 2015
Cabaret Warsaw: Yiddish and Polish Hits of the 1920s and 1930s. Curator. https://www.amazon.com/Cabaret-Warsaw-Yiddish-Polish-1920s/dp/B00MJDCY7I/ref=sr_... (2012)
Cabaret Warsaw: Yiddish- and Polish-Language Hits of the 1920s and 1930s. In collaboration with Jane Peppler, a professional musician and literary translator from Yiddish, researched, performed, and produced a collection of 20 representative songs from the literary cabarets and kleynkunst revi-teatrs of interwar Warsaw, the capital of both Polish and Yiddish-language culture between the two world wars. CD produced with funding from Duke University's Collaborative Arts Development Grant. June 2012. Concert given in Bryan Center, June 2, 2012. Second concert given at Southern Conference for Slavic Studies, Greensboro, NC, March 22, 2013.
Twenty Years Forward: Modern Russian Feminism. Producer, Writer. https://www.amazon.com/Russian-Feminism-Twenty-Years-Forward/dp/0253354315/ref=s... (2009)
35-minute documentary written and produced by Beth Holmgren and filmed and edited by Igor Sopronenko, Signature Media Productions LLC. This film focuses on the collaboration between Russian and American scholars and activists and its genesis of Russian women's studies on both sides of the ocean. TWENTY YEARS FORWARD pieces together the history of this collaboration and assesses its consequences through interviews with 18 different subjects.


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Juri.totaro1 necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 58 diseños de 10 diseñadores freelance.
We are looking for a new logo for our new start up called JohnnyJumpStart, which builds custom designed Wordpress websites. Our mission is:
We do this by providing them with Wordpress websites that are specifically designed to help our clients to make money through newsletters, advertising on their websites, and marketing their content through social media channels.
1. Coaches, Consultants, Trainers
2. Writers, Artists, Musicians
3. Small Local Businesses
- Anyone who wants to build a web 2.0 presence, have thousands of subscribers in the mailing list, and create sales funnel (e-books, downloads, videos, etc...).
- Anyone who has a passion, a great idea and wants to monetize it by creating blog/website for their readers and fans.
We are looking for a new logo which is:
- Simple, Clean and Professional.
- Web 2.0 look and feel
- Fun and energetic
- Also it should be easy to read
- The tagline of the logo should read "Helping you build a business, not just a website!"
- Aroused emotion: makes you motivated, enthusiastic and positive to start up your business right away.
- In the following formats: .eps, .png, .jpeg, .psd, .gif
- Desired logo color scheme: Main color - Blue (feel free to choose a tonality close to blue); Second Color: please feel free to play with it.
- We will also need a square version of the logo along with a horizontal version.
- The logo should have transparent background.
Examples of logos we like:
-Attached are some logos we like. Please just take a look at them superficially.
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


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It seems like no matter what crime you commit in Butler, all you have to do is take a plea deal and you get off with probation.
You can even be caught on video molesting children and walk. You can lead police on a high-speed chase, endangering traffic workers and children and walk away free with an unsecured $10,000 bail. I'd sure like to know what the purpose of unsecured bail is. But I digress.
I just returned from a trip to Whidbey Island, near Seattle, Wash., and came across this headline in their local paper: "Lewellen pleads guilty to vehicular homicide." I read the article, and to my great surprise and delight, found that he was sentenced to the maximum sentence plus an additional three years in prison! He was driving under the influence of alcohol and marijuana when he was speeding, crossed the center line and killed a woman.
To the Butler county judges and District Attorney's Office: that's how you do it!


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Whether you are looking to make East Burke your permanent home or your vacation home, here are a few folks who can help you get started. These folks specialize in Real Estate Sales, so if you've landed here and are looking for a place to stay on your vacation, please check out Burke Mountain Hotel & Conference Center or the Burke Campground.
Quatrini Real Estate
Whether you're looking to purchase or rent, Quatrini Real Estate's full service office in St. Johnsbury can help you find what you're looking for. With local agents and lifelong NEK residents like Tim Scott on their team, they have lots of insight and experience to help you and your family. Tim currently has an incredible property for sale right here on mountain, located at 677 High Meadows Road.
Bear Path Townhomes
Located on the lower mountain, Bear Path Townhomes is a community of luxury, Energy-Star rated homes that offers slopeside living in tune with the vast, unspoiled beauty of the Northeast Kingdom, genuinely respectful of tradition and animated with a pure skiing vibe. The new Phase III homes feature the best value ever offered, with 1800 square foot properties from just $449,000. Jack Dator and his team would love to introduce you to Bear Path, click here to learn more from our partners at Bear Path.
Burke Mill Properties
Burke Mill Properties has been in business locally since 1988. If you are looking for a second home or looking to move to the Northeast Kingdom permanently, Andrea and Jody are happy to use their local knowledge and experience to find the perfect fit for you. Learn more from our friends at Burke Mill Properties.


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Austin saw three homicides last weekend, a RedEye analysis of preliminary police data found.
On Sunday, a 53-year-old man was shot to death in the 300 block of South Cicero Avenue, police said. One day earlier, a 27-year-old man was fatally shot in the 4800 block of West Iowa Street, according to officials.
On Friday, a 40-year-old man was shot to death in the 200 block of North Mayfield Avenue, police said.
Austin has logged nine homicides so far this year. The Chicago community area recorded 37 homicides last year, according to RedEye data.
Citywide, gunshot homicides were logged in the last week in Auburn Gresham, Douglas, Englewood, Greater Grand Crossing and New City, RedEye determined.
Meanwhile, on Sunday, a woman was found strangled to death in the 3100 block of North Kimball Avenue in Avondale, police said.
Twenty-four homicides have been logged so far this month. Fifty-one homicides were recorded in May 2012, RedEye determined.


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That's the new book from the SDe imprint. It will be launched soon.
The other picture was clicked by a neighbour from his window when the mobs came...
I have to record my appreciation for the Mumbai cops who did such a great and efficient job of rounding up the rabble rousers and packing them off to the nearest thaana. Or else cars and property would have been vandalised.... and my ratings with the neighbours would almost certainly have been seriously dented!
This appears in the Special Independence Day Issue of India Today...tweet and be damned!


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From the mooncakes posts during the last 2 weeks, I notice that most of the snowskin mooncakes are made using the rub-in method. I use this method for this Mocha Oreo and Mango snowskin mooncakes. My Banana snowskin mooncakes uses another method by mixing icing sugar, shortening and water first, adding flour last. I get a better texture using the mixing method. I wonder if I overhandle the dough when using the rub-in method. So I'm not concluding anything here. I need more practice. :)
I still have some kao fen and lotus paste left, so I will be doing more mooncakes after mid-autumn. I still want to try Shanghai mooncakes. But not too soon cos our house is overloaded with other store-bought mooncakes too. My new jelly mooncakes moulds are also not used yet. Too short time this year!
Mocha Oreo Snowskin Mooncake
(original recipe, please adjust the recipe according to your mould size and batch size)
skin : filling = 1:2,
if you are using 63g mould, skin = 21g, filling = 42g
if you are making 10 mooncakes, skin = 210g, filling = 420g
adjust the recipe proportionately)
100g kao fen (cooked glutinous rice flour) 糕粉
60g icing sugar
30g shortening
50g fresh cream
1 tsp instant coffee powder
120g water
1/2 tsp coffee emulco
(A) 30g x 5
120g lotus paste
4 pcs Oreo cookies, cream removed and crushed cookies into powder form
20g cooking chocolate
(B) 70g x 5
350g lotus paste
1. Snowskin: Sift kao fen and icing sugar into a mixing bowl. Rub in shortening. Dissolve coffee powder in water. Gradually add this coffee mixture, cream, and coffee emulco into the flour mixture. Knead lightly till a soft dough forms. Set aside for 30 minutes. Divide the dough skin equally, roll round.
2. Filling (A): Double-boil cooking chocolate until melted, mix in cookies, then add in lotus paste and mix evenly. Divide filling (A) equally. Divide filling (B) equally. Wrap (A) with (B) - chocolate oreo inside. Roll round.
3. Flatten a piece of snowskin, wrap in filling, roll round, then pat some cooked glutinous rice flour.
4. Press it into mould, unmould and refrigerate until ready to serve.
Recipe adapted from: Mooncake Selections 52 月饼精选 52
Wishing everyone Happy Mid-Autumn Festival!
I am submitting this Mocha Oreo Snowskin Mooncake to Aspiring Bakers #11: Mid-Autumn Treats (September 2011), hosted by Happy Home Baking.
Decide the theme for Aspiring Bakers #12 here.


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Blackshirts Power Huskers Past Michigan
Ann Arbor, Mich. - In a game dominated by the defenses, it was late heroics by Ameer Abdullah and Tommy Armstrong Jr. that propelled the Huskers to a come-from-behind fourth-quarter win in a 17-13 victory at Michigan on Saturday.
With the victory, Nebraska improved to 7-2 overall and 4-1 in the Big Ten. The Huskers snapped Michigan's 19-game home winning streak and stayed within striking distance of Big Ten Legends Division leader Michigan State. The Wolverines slipped to 6-3 overall and 2-3 in the conference.
Nebraska's win also set up a showdown with the Spartans next Saturday in Lincoln that could have major Big Ten title implications. Michigan State will come to Memorial Stadium 5-0 in the Big Ten and 8-1 overall. Kick-off against the Spartans will be at 2:30 p.m. with regional coverage by ABC in the Big Ten region and ESPN2 outside the Big Ten region. The time and TV information was set following NU's win at Michigan
Abdullah's five-yard touchdown plunge off a forward option pitch from Tommy Armstrong Jr. capped a clutch 75-yard drive that took more than six minutes. Abdullah's second touchdown of the day gave the Huskers a 17-13 lead, and the Blackshirts made it hold up.
Abdullah's gutsy run after the catch capped NU's comeback and was his only reception of the day. The junior I-back was brilliant on the ground again, cutting his way to 105 yards on 27 carries for his eighth 100-yard rushing performance of the season. He also pushed his way past 1,200 yards on the year. He rushed five times for 14 yards on the winning drive while adding his five-yard touchdown catch.
Armstrong, who finished the day 11-for-19 for 139 yards through the air, was brilliant on the winning drive, going 5-for-7 for 59 yards. He hooked up twice with Kenny Bell for 38 yards on the 14-play march. Armstrong added two rushes for seven yards on the drive, including a one-yard sneak on 3rd-and-1 early in the possession.
Defensive end Randy Gregory made a key third-down tackle of Devin Gardner in the Michigan backfield on the ensuing drive, before defensive back Josh Mitchell helped break up Gardner's fourth-down pass with a minute left to give the Big Red another big win.
Gregory and the Blackshirts wreaked havoc on Gardner and the Michigan offense all day long, notching 15 tackles for loss and a season-high seven sacks. It was the second straight game the Wolverines surrendered seven sacks, including last week's Michigan loss to rival Michigan State and the vaunted Spartan defense.
Nebraska's 15 TFLs went for 57 yards in losses, while the seven sacks threw Gardner back 43 yards. Those huge numbers sent Michigan to a negative rushing total for the second straight week, as the Huskers held the Wolverines to minus-21 yards rushing.
Gregory did the most damage for the Blackshirts, posting a career-high three sacks for 14 yards lost on Gardner. Zaire Anderson added a pair of sacks for 15 yards lost, while senior defensive tackle Thad Randle added one sack, as did defensive end Avery Moss.
While the Blackshirts made Michigan completely one dimensional in limiting the Wolverines to 175 yards of total offense, Abdullah powered the NU rushing attack. The Huskers finished with 128 yards on the ground, including 105 from Abdullah, while adding 145 passing, including 139 from Armstrong, who improved to 5-0 as the Big Red starter.
Senior Quincy Enunwa led the Big Red receivers with a career-high seven receptions for 69 yards, while Bell added three catches for 44 yards.
Nebraska jumped to a quick 10-0 lead at the end of the first quarter, before being shut out by the Wolverine defense for three full quarters until the game-winning score.
Michigan mustered a second-quarter field goal, before scoring on the opening drive of the second half to tie the score at 10. The Wolverines took a 13-10 lead on Brendan Gibbons' 40-yard field goal that hit the right upright and bounced through with 8:08 left in the game.
Armstrong then engineered the decisive 14-play drive to send the Huskers back to Memorial Stadium as the victors. Nebraska managed just 273 yards of total offense against a stingy and aggressive Michigan defense.
Scoring Summary
Final: Nebraska 17, Michigan 13
Saturday, Nov. 9, 2013
Michigan Stadium (Ann Arbor, Mich.)
First Quarter (NU, 10-0)
NEB - 8:09 - Pat Smith 21 FG, 9 plays, 44 yards, 3:16, NEB 3-0
NEB - 2:50 - Ameer Abdullah 8 run (Smith kick), 8 plays, 56 yards, 3:00, NEB 10-0
Second Quarter (NEB, 10-3)
MICH - 11:47 - Brendan Gibbons 27 FG - 13 plays, 66 yards, 6:03, NEB 10-3
Third Quarter (10-10)
MICH - 9:56 - Devin Funchess 5 pass from Devin Gardner (Gibbons kick) - 10 plays, 75 yards, 5:04, 10-10
Fourth Quarter (NEB, 17-13)
MICH - 8:08 - Gibbons 40 FG - 4 plays, 3 yards, 1:55, MICH 13-10
NEB - 2:03 - Abdullah 5 pass from Tommy Armstrong Jr. (Smith kick) - 14 plays, 75 yards, 6:05, NEB 17-13
Final: Nebraska 17, Michigan 13
Attendance: 112,204
Time of Game: 3:04
Game Start: 2:36 p.m. (central)


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Just moved to SF
May 2, 2009
Hi, I am 1 year into being HIV+ and just moved to SF from Sacramento, where I had been receiving care at CARES and also at the VA (I am a Navy vet). I am finding it difficult to find a new HIV doc in SF and would love some help. I did not like the care I received at CARES and would prefer a private practice environment vs. a clinic. Any suggestions? I am not currently on any meds. My last counts (March) were VL 16549 and CD4 387.
Any help is appreciated - I am feeling a bit overwhelmed here, and also a bit concerned with my last counts.
Response from Dr. Frascino
Hi John,
There are many excellent HIV specialists in San Francisco, although I realize due to the ever increasing load of newly diagnosed patients some practices have had to limit the number of new patients accepted. I would suggest you check the HIV specialist roster on the Academy of HIV Medicine's Web site (www.aahivm.org). (If you are right in the city, you could try Lisa Capaldini, M.D.) If push comes to shove (or if you live a bit south), you're always welcome at the Frascino Medical Group in Los Altos. I'll repost some information about finding an HIV specialist below. Good luck.
Dr. Bob
Just found out... (CHOOSING AN HIV SPECIALIST) Sep 20, 2008
Well, doc, the feelings came and went and I got the nerve to test. It was positive... I don't know what to do now and I don't even know if I have long left cause of how bad I had the ARS and weight loss...
I want to live... I want to live a long happy life... I live in Texas, am I screwed? I'm a student in a grad school, so I'm poor, but what can I do? How do I move forward?
Response from Dr. Frascino
Only those of us who have been through it really understand the full impact of hearing the words "your test came back positive." Many of us feel scared, wondering if we will soon get sick or die. We fear that we will be shunned, lose our jobs or maybe our housing; that we won't be able to have children; that we'll never be able to date, get married or have sex again. None of these things are, in reality, true.
The virus found me while I was working over 17 years ago! Back then, the prognosis for HIVers was about 10 years max. We've made remarkable, in fact miraculous, improvements in treatment of HIV/AIDS, which have dramatically decreased both morbidity (illness) and mortality (death) as demonstrated by the fact I'm still here answering your question rather than pushing up daisies. It is true we do not have a cure, but for many of those lucky enough to have access to antiretrovirals and expert (or at least competent) HIV medical care, "virally-enhanced," healthy and fulfilling lives are truly attainable. Here in the U.S., even for those who don't have or can't afford private health insurance (this includes undocumented immigrants, by the way), it is possible to get quality HIV care and support in most areas of the country.
Now that you know you are HIV positive, I would recommend two simple first steps:
1. Consult an HIV specialist. She will be able to assess the severity of your HIV disease and also help you access the health care system based on your health insurance or lack thereof. To locate an HIV specialist in your area, check the American Academy of HIV Medicine's Web site at www.aahivm.org. There you will find a roster of certified HIV specialists listed by locale. (I'll also print some information below from the archives that discusses choosing an HIV specialist.)
2. Get informed! Learn as much as you can about HIV and its treatments. This Web site is an excellent place to accomplish that. Begin by reviewing the information in the "Just Diagnosed" chapter that can be easily accessed on The Body's homepage under the Quick Links heading. Start with the articles found under the "Just Diagnosed Basics" subheading.
Finally, as far as living in Texas, well, yeah, that kinda sucks, but it really shouldn't impact negatively on your HIV disease.
Start learning more about HIV and get evaluated by an HIV specialist. I'm here if you need me. Let's get through this together, OK?
Dr. Bob
Need a Private doctor Aug 14, 2008
I am HIV Positive living in Seattle area. I currently don't have one and i am looking urgently in a private clinic? Do you know a good one? I asked this question earlier & was told about Peter Shalit who is fully booked until end of year. Please let me know if you have a good one in mind. Thank You.
Response from Dr. Frascino
I would suggest you consult the American Academy of HIV Medicine Web site (www.aahivm.org). There you will find a list of certified HIV specialists arranged by locale. There are a number of well-qualified HIV specialists in the Seattle area. Be sure you hook up with one that you trust and with whom you can easily communicate. Your health insurance plan may have some restrictions, so remember to check this out as well. I'll repost some information below from the archives pertaining to locating an HIV specialist.
Good luck.
Dr. Bob
Choosing an HIV Care Provider
July 18, 2007
Why Is Choosing an HIV Care Provider Important?
Treating HIV disease is very complicated. There are choices to consider at every stage of the disease. It's best if you and your health care provider work together as a team. That makes it easier to choose and stick to your treatment plan. "Care provider" means a doctor, a physician's assistant, or a nurse practitioner.
There are several issues you may want to consider in choosing an HIV care provider. You might decide to have them be your "regular doctor" for all of your health issues. You might use a different care provider for most health issues and use your HIV provider as a specialist. If your regular provider isn't an HIV specialist, be sure they regularly get expert advice on HIV issues.
Training and Experience
Many people with HIV/AIDS get their care from physicians who are specialists in infectious diseases. However, especially now that people are living longer with HIV, it's important to deal with all of your health issues. You might prefer to have a family practitioner or a specialist in internal medicine as your primary physician.
No matter what their specialty, you will get better HIV care from providers who have experience treating people at all stages of HIV disease. Be sure to ask how many patients with HIV they have treated, and how many they currently see. HIV patients do better when their physicians have more experience treating HIV disease.
Do You Have Similar Ideas About Treating HIV?
Some providers are conservative. They prefer "tried and true" methods. Others are more aggressive. They are willing to try new and experimental treatments. Some are optimistic by nature, and focus on the hopeful or positive side when they talk about test results or future prospects. Others are more realistic. Some are pessimistic.
Some providers are comfortable suggesting "complementary and alternative" therapies such as massage, acupuncture, or herbs. Others stick strictly to Western medicine.
If you want a lot of emotional support, you probably won't be comfortable with a health care provider who only talks about test results. The more comfortable you are with their approach to HIV treatments, the easier it will be for you to get the kind of health care you want. Talk to providers and their patients before you make your choice.
The Provider-Patient Relationship
Many patients do better when they take an active role in planning their own health care. These patients do a lot of reading on their own, and bring information to their providers. They work together to make health care decisions.
Other patients are more comfortable with the provider making important decisions. Decide how you want to work with your provider. See if that fits with the way the provider likes to work with patients.
Help Your Provider Help You
Make sure that your provider has all the information needed to give the best advice about your treatment. This starts with your medical records, which may have to be transferred from another office. When you start working with a new provider, they will probably do a lot of tests to collect "baseline" information. This helps you see how well you're doing as time goes by.
Be sure your provider knows how you feel about using medications, and about your illness. Some people don't mind taking a lot of pills. Other people would rather take as few as possible. Are you willing to change your diet, or the amnount of exercise you do? Your provider should also know about other treatments you are using or want to try, including non-medical ones.
Be honest about your lifestyle. Your eating, sleeping, and work patterns can make a difference for your health care. So can your sexual practices and use of recreational drugs. If your provider seems too judgmental, try to change providers. It's better to have a provider who really knows you instead of holding back information.
Let your provider know about the important people in your life: the people who will support you if you get sick, or will help you make important medical decisions.
The best care provider won't do you any good if you can't get in to see them. Ask them (or their receptionist) how long it usually takes to get an appointment. Find out how well they usually stay on schedule during the day.
The type of insurance you have could limit your choice of a provider. Maybe the provider isn't on the list for your health maintenance organization (HMO) or insurance plan. Be sure to find out how you will be able to pay for their services.
Remember, you don't need an HIV specialist to help you with most of your health care needs. If a good HIV provider is hard to find, or if it's hard to get an appointment, use a non-HIV care provider for your general health care. Just be sure that when you are dealing with HIV issues, you see an experienced HIV provider, or one who consults with an expert in HIV.
Some people are very concerned about keeping their HIV status private. You might choose to get your HIV care from a provider in another town to protect your privacy. You will need to find your own balance between confidentiality and convenience.
Changing Providers
Your health care needs might change as time goes by. Also, your ideas about treatment could change. Although you will probably get better medical care from a provider who has known you for a long time, you always have the right to stop seeing one provider and change to another.
To Find a Health Care Provider ...
You can get help finding a care provider from your case manager or from your local Department of Health. You can also ask other people living with HIV. The American Academy of HIV Medicine has a web page to help you find a doctor at http://aahivm.org/web/index.php?option= com_comprofiler&task=usersList.
The Bottom Line
HIV medical care is very complicated, and changes quickly. This makes it important to find an HIV care provider who works with HIV/AIDS patients and is committed to staying up to date. Your relationship with an HIV provider will be better if you are comfortable with each other's personal style and approach to dealing with health issues in general, and HIV in particular.
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Itinerary for Guided Tour Along English Paper
Reserve your spot for a spectacular mid-June visit
to England and private, insider tours of some of the worlds
foremost ephemera collections at Oxfords Bodleian Library,
the Centre for Ephemera Studies at Reading University, Guildhalls
London-themed ephemera, and City of London Museum. You can bookend
this trip with weekends at The Ephemera Society (U.K.) Ephemera
Fair, right in our host hotel, and book fairs.
England Trip Itinerary
June 9-12: Antiquarian
Book Fair at Olympia www.olympiabookfair.com
June 10-11: PBFA
International Fair/2 at The Novotel London West www.pbfa.org
June 13: Day
to explore on your own. An informal, optional dinner at the legendary
Bleeding Heart restaurant www.bleedingheart.co.uk/restaurant/index.html
June 14: Full
day at Oxfords Bodleian Library. Host Julie Anne Lambert,
Librarian of the John Johnson Collection. The John Johnson Collection
is one of the largest and most important ephemera collections in
the world. It was formed at the Oxford University Press as a hobby
by the Printer, John de Monins Johnson (1882-1956) and was transferred
to the Bodleian Library in 1968. There are c. 1 million items in
the collection, divided into 680 subject headings. The main categories
are: Advertisements; Artists; Authors; Booktrade; Education; Entertainment;
Political, Religious, Social and Economic History; Private Presses;
Travel and Transport and ephemera kept by its form (Bookmarkers,
Greetings cards, etc.) Johnson collected retrospectively. The strengths
of the collection are in the 18th, 19th and early 20th centuries,
but there is also earlier material, dating back to 1508. The Johnson
Web site, which has information, catalogue with thousands of images,
separate projects also with images and the Nation of Shopkeepers
exhibition online is: www.bodley.ox.ac.uk/johnson/
It will not be possible for members to browse the
boxes in the collection, but you may pre-order specific boxes to
the adjacent Reading Room as long as this is done by the week before
the visit. Those members will need to get readers tickets as soon
as they arrive in Oxford and schedule their visit to allow them
time to use the reading room. Contact email@example.com for
information about the collection and advance ordering or telephone
00 44 1865 277047. Ms. Lambert advises those who want to consult
specific material in the John Johnson Collection may need to skip
the Library tour (or lunch!) depending on time of departure.
10 a.m. Those who have pre-ordered material
as readers go to Admissions and get their tickets. They will need
to have a form completed by a recommender + ID and a small fee.
Others at leisure: coffee/Sheldonian/general tourism/bookshops.
11 a.m. ESA Tour will be divided into two
groups, maximum 12 in each group, list of names required. Group
1 will meet in the foyer of the New Library for John Johnson tour.
Group 2 will tour Library.
12:30 p.m. Lunch on your own
2:30 p.m. Group 1 to Library; Group 2 to Johnson
June 15: Centre for Ephemera
Studies, University of Reading. Host Michael Twyman, Retired Professor
of Typography and Graphic Communication at Reading. He has authored
many books and completed Maurice Rickards Encyclopedia of
Ephemera after Rickards death in 1998.
Collections at the Centre include many areas of interest. Determine
which collections youd most like to see: Maurice Rickards
Collection (miscellaneous items from 18th to 20th century); John
Lewis Collection (misc. 18th to 20th century); John Soulby Collection
(surviving jobbing printing of a north-country printer, 1819-1826);
The Kitchin Collection (surviving work of a north-country printer,
late 19th century); The Ellic Howe Collection (a small but choice
collection of late 18th-century and early 19th-century ephemera
relating to the French book trade); The Great Exhibition Collection
of 1851 (of most interest, a complete collection of the trade catalogues
of those who exhibited); The Huntley & Palmers Collection (complete
archives from around 1860 to the mid 20th century, packaging, catalogues,
labels, tins, etc); and The De la Rue Collection (misc. items, mostly
of interest for original artwork by Owen Jones, for labels of Huntley
& Palmers, calendars, etc).
You may link to the Centres web site through the Societys:
June 16: Free day to explore
London on your own.
June 17: Morning at the Museum
of the City of London. Host Valerie Jackson Harris. Her late husband,
Peter Jackson, was Londons official ephemerist, and she has
long been a mainstay of The (UK) Ephemera Society, as well as a
dealer at ESA shows.
2:30 - 4:30 p.m. Guildhall Library Print Room. Host John
Fisher, Head of Prints, Maps and Drawings.
Guildhall will display special ephemera from its collections: trade
cards, invoices, billheads, watchpapers, funeral tickets, picture
postcards, Guildhall banquet menus and invites, theatre bills and
programs, advertisements for freak shows and circuses, valentine
cards, Mulready envelopes, bookplates, stationers' labels, souvenir
paper napkins, etc. all with a London connection of course!
Also, High Tea will be served. To view 20,000 Guildhall images,
visit www.collage.cityoflondon.gov.uk or www.guildhall-art-gallery.org.uk
June 18: Valerie Jackson Harris
will offer suggestions on how best to enjoy the Saturday Antiques
Market on Portabello Rd. Our tour company, Valerie, and Nancy Rosin
are preparing tailored suggestions for other places of interest
to ephemerists for your free days even restaurants with particular
relevance to the ephemera and book worlds.
June 19: Ephemera Fair at the
Russell Hotel from 10 a.m. to 5 p.m. The major ephemera fair of
the year occurs in our host hotel, the Russell. We will be granted
early admission to the fair along with The Ephemera Society (UK)
members. Public entry is at 11 a.m.. Be sure to have your ESA membership
card with you.
Hotel Russell
Our hotel will be the Russell Hotel on Russell Square near
the British Museum and across from Russell Square Park
Our very special rate includes continental breakfast and
the 17.5% VAT: $221* (£117.5) per night twin bedded
or double Monday through Thursday; $194 (£103) Friday
through Sunday. Single room rates per night are $170 (£90)
and $132 (£70) respectively. These rates are effective
June 8 - 22.
*Conversions from Great Britain Pounds accurate as of February
1, 2005
Reserve Your Space
A $280 payment will ensure your spot on
the English Paper Trails Tour, provided the 20-person minimum is
met. In addition to guaranteeing your reservation, it pays all tour
fees listed in the next paragraph. Airfare, airport transfers, hotel,
and meals not listed are the travelers responsibility.
The $280 pp tour fee includes entrance fees to institutions, a lunch
in Reading, a "high tea" at the Guildhall, and our own
private bus to Oxford on Tuesday, Reading on Wednesday, and around
London on Friday. London stops include the Museum in the morning,
lunch on your own, and Guildhall in the afternoon.
To reserve, send $280 by April 1 to Ephemera Society Tour, PO Box
95, Cazenovia, NY 13035. Payment is nonrefundable after April 15.
Contact Ron Stegall at 207-348-6839 or email@example.com


text: Home / Products / 1 Light Outdoor Wall Lantern TZ Larger View Rollover to Zoom Close Visualize Kichler lighting and Sherwin-Williams paint all in one tool. Today's homeowners have seemingly unlimited options when it comes to colors and finishes. With so many possibilities it can be daunting to find just the right match. Not any more. Match your lighting and your wall color with our intuitive visualization tools. Choose your Sherwin-Williams Color Family Color palette belongs to Sherwin-Williams, a registered trademark of the Sherwin-Williams Company. © 2013 Sherwin-Williams Company. All rights reserved. Other Kichler Products Products in the same collection 9810BK9810TZ9028BK9028TZ9030BK9030TZ9918BKView all products in this collection Kirkwood Collection1 Light Outdoor Wall Lantern TZ 9029TZ (Tannery Bronze) 1 Light Outdoor Wall Lantern in Tannery Bronze is rated 4.0 out of 5 by 1. y_2019, m_2, d_17, h_20 bvseo_bulk, prod_bvrr, vn_bulk_2.0.11 cp_1, bvpage1 co_hasreviews, tv_0, tr_1 loc_en_US, sid_9029TZ, prod, sort_[SortEntry(order=RELEVANCE, direction=DESCENDING)] clientName_kichlerlighting bvseo_sdk, net_sdk, 188.8.131.52 CLOUD, getAggregateRating, 32ms REVIEWS, PRODUCT Product Description: The Kirkwood Collection looks to add a touch of elegance to your home with a line of lighting that embodies classic design for those who only want the finest. Using a high quality fit and finish, the Kirkwood Collection employs our Tannery Bronze finish that not only looks fantastic now, but also will last for years to come. Seedy glass panels on each of the fixtures' sides allow for light to radiate from all angles, ensuring you the light you need. We think you'll agree that the Kirkwood is a collection you can't afford to miss. This 17"" high by 8 ½"" wide, 1-light Wall Lantern uses a 150-watt (max.) bulb, and is U.L. listed for wet location. Available Finishes Shop, Buy or Order Locally Submit Lighting Showroom Landscape Lighting Distributor Electrical Distributor Available online at these fine retailers! Technical Information Weight:6.75 LBSLead Wire Length:10.25"Safety Rated:WetHCWO:10.25"Base Backplate:4.50 X 12.00Dual Mount:NoNumber of Bulbs:1Max Watt:150WMax Wattage/Range:150WCollection:Kirkwood CollectionWidth:8.50"Height:17.00"Lamp Included:Not IncludedDiffuser Description:Clear SeededExtension:9.50"Voltage:120 VCFL Bulb Type:HYBRID (23-30W)Light Source:IncandescentSocket Base:MediumLamp Type:A21# of Bulbs/LED Modules:1Finish:Tannery Bronze Related Documents:High Res Images 9029DownloadSpec SheetDownload Rated 4 out of 5 by Cowan from The two lights look good with the house, as expected. Installation instructions were satisfactory. Installation itself was very difficult due to incompatibility with replaced hardware and the installation of vinyl siding after the original set of lights were installed. Date published: 2013-07-09 y_2019, m_2, d_17, h_20 bvseo_bulk, prod_bvrr, vn_bulk_2.0.11 cp_1, bvpage1 co_hasreviews, tv_0, tr_1 loc_en_US, sid_9029TZ, prod, sort_[SortEntry(order=RELEVANCE, direction=DESCENDING)] clientName_kichlerlighting bvseo_sdk, net_sdk, 188.8.131.52 CLOUD, getReviews, 15ms REVIEWS, PRODUCT