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Nick Thain necesitaba un nuevo diseño de tema de wordpress y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 58 diseños de 10 diseñadores freelance.
Sports New Media
Sports New Media is a media owner with a range of Online Sales Products (listed below) that it sells to Adverting /Media Agencies and to brands direct.
IT most recent clients are:
• Nike
• SkySports
• Adidas
• South African Tourist board
Over the past 12 months Sports New Media has managed to build on of the largest collection of Football Fans in the world with over 4.4m fans across it's Facebook fan pages and email database
Sports New Media would like to showcase some of the benefits of "joining the dots" between all the social media platforms. If you're not part of the social media conversation then the conversation will go on without you.
The current Sports New Media Website looks good but it is very confusing, many people have visited the website and said... " We love the look of you guys but don't really understand what you do"
Sports New Media would like to correct this issue with a new Word Press site
http://store.apple.com/uk great use of images bit very busy
http://www.twitter.com - simple, clean, uncluttered
http://www.huddle.com - This is about as close to the new site that they client is looking for, if you make it look close to this you will be doing well
25 > 35 Media Planners Buyers
80% 20% female
80% live in London
They have iPhone's, Google Phones
What something looks like is very important to them
They use Facebook and Twitter all day
The site must be very simple to use (big buttons, big text)
They are very time poor, v poor attention span
White Background
Web 2.0 design (less is more)
Large Font
Only use images when a pic is needed (v SEO friendly)
Work on Mac and PC
1024 x 768 minimum screen display but look good for larger Mac screens
Horizontal Positioning, fixed width website
Must have Facebook fan page box on Home Page
Must have Twitter feed on Home Page


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Membership in the American Library Association is open to library workers and library supporters from around the world. Composed of 58,000 members who are librarians, support staff, trustees, friends, retirees, and international librarians, our membership touches all types of libraries and is united in the common cause of supporting libraries. ALA Membership creates a professional community who stand together to ensure that librarians are visible change agents in their communities and that libraries are well funded and fully utilized by their constituents.
If you work in a library, support library services, or work with libraries as a vendor, ALA membership is for you. You can find specific information about what benefits membership will bring to your library or your career by exploring these links.
Membership is made up of:
Librarians | Students | Support Staff | Trustees and Friends | International Librarians | Retired Librarians
Members often find a professional "home" in our divisions and round tables. ALA's 11 divisions and 20 round tables provide continuing education, publishing programs, networking opportunities and ongoing support based on either the work one does in libraries or the type of library where you serve.
Our network of support also includes thousands of organizational members and vendors who are dedicated to materially supporting ALA's mission and core services. Chapters and Affiliated groups round out with institutional support that builds capacity for library advocacy through direct membership.
Libraries and Non-profits | Vendors and Exhibitors | Chapters and Affiliated Organizations
Learn more about the members of the American Library Association, what we believe in and what we do for libraries and the profession by choosing from the links, below.
Resources to learn more about ALA membership:
ALA Advocates for Libraries
ALA Sets Accreditation Standards
ALA Champions Intellectual Freedom
ALA Creates Standards that Matter
ALA Conducts Policy Analysis
ALA Delivers Resources through the Web
ALA Hosts Professional Networks that Work
ALA Offers the Best in Continuing Education
ALA Provides an International Reach

subset: commoncrawl


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Ardour Installation Mac OS X
How to install Ardour on the Mac
Ardour is a professional digital audio workstation, free and open source. Ardour runs in conjunction with the JACK Audio Connection Kit. JACK is an audio system which manages connections between Ardour and the soundcard of your computer, and between Ardour and other JACK-enabled audio programs on your computer. You must install Jack OS X before you can use Ardour. Please follow these instructions:
1) Install JACK Pilot: http://en.flossmanuals.net/Ardour/InstallingJackOSX
2) Install Ardour: http://ardour.org/download Ardour is open source and free software, but I highly recommend that you choose to donate any amount when downloading Ardour for Mac OS X. Not only you will be supporting the continued development of Ardour, but you will also get a version which runs lots of cool plugins (you can always choose to donate $0 and still download Ardour, but you won't get to use some plugins).
3) Configure the built-in soundcard of your Mac (post-2007 PowerBook or MacBooks): http://en.flossmanuals.net/Ardour/StartUtilityAudioMidiSetupOSX
You will also need a three-button mouse to use all of the features of Ardour. If you are using an Apple laptop that has only a single button, later versions of OS X will allow you to configure Trackpad options in the System Preferences: look for "two-finger tap = right click" or "secondary click" options. Then you can find alternative ways of simulating a right-click using your trackpad.
Are you looking for QJackCtl instead of JackPilot?
QJackCTl is the Jack graphical interface we are used to in Linux. If you like it better, it is also available for OS X:
A recent release of QJackCtl for Intel Macs with Leopard or Tiger can be downloaded here: http://releases.ardour.org/QJackCtl-0.3.2-intel.dmg
An older Universal release of QJackCtl for Intel and PPC Macs (Tiger/Leopard) is available here: http://releases.ardour.org/QJackCtl-0.2.22.dmg


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MemoryUp Personal
MemoryUp Personal is a handy mobile RAM monitoring & boosting tool specially designed for mobile users. It is a lite edition of MemoryUp Pro, which will keep your mobile running faster and efficiently. It increases your mobile's performance by making more memory available for both your applications and the operating system...Read more


text:
WASHINGTON (AP) -- Two senators hope to require political groups to name the donors who spend millions of dollars to influence federal campaigns.
Legislation sponsored by Democrat Ron Wyden of Oregon and Republican Lisa Murkowski of Alaska would require so-called super PACs to reveal their sources of money, just as federal candidates must do.
Outside groups spent $1 billion in efforts to help or attack various candidates in the 2012 elections. Some individuals gave $1 million or more.
These independent groups generally do not have to identify their donors. Critics say major influences on elections should be more transparent.
"Where there's significant campaign spending, everyone has to play by the same rules," Wyden said in a statement. Voters "deserve to know where the money is coming from and where it's going," he said.
Murkowski said many Republicans, Democrats and independents "were concerned over the role of big money and secret donors in the last election."
Super PACs can raise and spend unlimited funds to help candidates, but cannot coordinate expenditures or strategy with a campaign.
The emergence of super PACs and other outside groups, emboldened partly by the Citizens United decision by the Supreme Court in 2010, has done more than anything else to reshape the contours of campaign fundraising.
A few federal court cases have broadly eased campaign finance rules, allowing donors to give unlimited sums. That kind of money largely has gone to super PACs.
Many super PACs have affiliated nonprofit "social welfare" organizations that spent hundreds of millions last year on issue ads. Those groups don't have to disclose their donors because they're governed by tax law.
Open-government groups have pushed Congress, to no avail, for a law that would require politically active groups to disclose their finances.
Associated Press writer Steve Peoples in Boston contributed to this report.


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The Norwegian Environment Agency's primary tasks is to reduce greenhouse gas emissions, manage Norwegian nature and prevent pollution. We play a key role in shaping Norwegian environmental policy.
Ellen Hambro is the director general of the Norwegian Environment Agency. Photo: John Petter Reinertsen
We were established on 1 July 2013 as a result of the merger of the Norwegian Climate and Pollution Agency and the Norwegian Directorate for Nature Management.
The Norwegian Environment Agency is the largest agency under the Ministry of Climate and Environment with about 700 employees, most of whom work at our offices in Trondheim and Oslo.
The sections that are primarily responsible for nature management are located in Trondheim, while the sections that are mainly responsible for climate and pollution issues are in Oslo.
The Norwegian Nature Inspectorate (SNO) is part of the agency, with employees at more than sixty local offices.
The Norwegian Environment Agency is instrumental in nature management, pollution control and reduceing greenhouse gas emissions.
Our principal functions include monitoring the state of the environment, conveying environment-related information, exercising authority, overseeing and guiding regional and municipal authorities, cooperating with relevant industry authorities, acting as an expert advisor, and assisting in international environmental efforts.
The Norwegian government and the Storting (the Norwegian Parliament) determine the ambitions of our environmental policy. The environmental policy has been divided into various fields, each with specific national objectives.
The Norwegian Environment Agency has been assigned key tasks with a view to achieving the national objectives in the following fields:


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Timur Bekmambetov to Shoot 'Air Pirates' for Michael Bay
Back in 2010 Paramount reportedly paid out a six-figure deal for Heatseekers, a spec script by George Mahaffey that sounds kind of like Point Break, but in the sky: "the story follows a young ex-military pilot who infiltrates a gang of aerial pirates working out of Bangkok and takes part in an elaborate tower heist using powered gliders and parachutes."
There hasn't been a whole lot of forward movement on it since then, though that's understandable because Paramount has surely been busy trying to get the movies it has already made into good enough shape for release (here's looking at you, G.I. Joe: Retaliation, Hansel and Gretel: Witch Hunters and World War Z). But now the studio's reenergized the project by attaching Russian director Timur Bekmambetov and writer F. Scott Frazier, who will be presumably punching up the script the studio already paid six figures for (good use of money, guys).
Michael Bay and his company Platinum Dunes are still onboard to produce, and that actually makes total sense, because if any name should be on a movie about the underground world of aerial pirates, it's Michael Bay. And it's certainly a unique, '90s-worthy premise, so we're intrigued, but after the disaster that was Bekmambetov's Abraham Lincoln: Vampire Hunter, we're not exactly dying to see what he does next. But so long as Heatseekers isn't anywhere near as self-serious as Abraham Lincoln: Vampire Hunter, it might just be fun. We'll see.
Follow along on Twitter: @PeterSHall and @Moviesdotcom.
Movies.com, the ultimate source for everything movies, is your destination for new movie trailers, reviews, photos, times, tickets + more! Stay in the know with the latest movie news and cast interviews at Movies.com.
Copyright © 2019 FANDANGO MOVIES.


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The voters are made up of media members from around the country who cover NCAA Division I basketball.
2012-13 Boxtorow Division HBCU All-America Team
First Team
*Derick Beltran, Southern (G, 6-4, Sr., Riverview, Fla.)
Adrien Coleman, Bethune-Cookman (F, 6-5, Jr., Atlanta, Ga.
$Robert Covington, Tennessee State (F, 6-9, Jr., Bellwood, Ill.)
*Omar Strong, Texas Southern (G, 5-9, Sr., Baltimore, Md.)
Fred Sturdivant, Texas Southern (F, 6-7, Sr., Chattanooga, Tenn.)
*Pendarvis Williams, Norfolk State (G, 6-6, Jr., Philadelphia, Pa.)
Second Team
Jeremy Ingram, N.C. Central (G, 6-3, Jr., Charlotte, N.C.)
DeWayne Jackson, Morgan State (F, 6-8, Sr., Bowie, Md.)
Stanton Kidd, N.C. Central (F, 6-7, Jr., Baltimore, Md.
Malcolm Miller, Southern (F, 6-6, Jr., Midland, Texas)
Patrick Miller, Tennessee State (G, 6-1, Jr., Chicago, Ill.)
*Indicates tie
$ Indicates 2011-12 and 2009-10 Boxtorow All-American


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|The Score Artists @ Work Member Directory Premier Partners Seminar Downloads SCL Videos NY Home Forum Ambassador Program Mentor Program Hall of Fame In Memoriam Lifetime Achievement Emerging Composer
Spring 2008
In the cover story, ASCAP's Michael Kerker gives us a look at the Musical Theatre marketplace. In a music technology article, Les Brockman discusses monitoring latency. Also, Dan Foliart interviews Dario Marianelli.


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Myth: Being above average is good enough.
Distinguishing an organization is intensely competitive and fast-paced, turning up the pressure on CIOs and other top managers to constantly innovate. In the book, Jumping the S-Curve: How to Beat the Growth Cycle, Get On Top, And Stay There (Available now/Harvard Business Review Press), authors Paul Nunes and Tim Breene present strategies to guide business and technology leaders toward a steady string of peak performances. The highlights presented here include lessons learned from Apple, Nike and Procter & Gamble. The term S-curve gained ground in the early 1960s at Stanford University, then took hold during the Dot.com era to describe the rollout of new Web-based technologies. For the purposes of their book, Nunes and Breene define the S-curve as the modern cycle of innovation in today's rapidly shifting market: Performance starts slowly as a business is launched and a company experiments to find the right formula. It then accelerates as word of appeal spreads, until it peaks and then fades with saturation. By then, companies already should be fully involved with introducing new innovation. Many of the book's product-based lessons learned are highly transferable to any CIO seeking to maximize high performance for internal or external customers. Nunes is executive director of research at Accenture's Institute for High Performance. Breene is CEO of Accenture Interactive.
Reality: Being above average in today's climate will fail to provide needed differentiation.
IT Solutions Builder TOP IT RESOURCES TO MOVE YOUR BUSINESS FORWARD
Which topic are you interested in?
Data Storage
IT Management
What is your company size?
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What is your job function?
Searching our resource database to find your matches...


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Premieres April 21 at 8 p.m. et / 7 p.m. ct
Check local listings.
Thanks for sharing Through a Dog's Eyes with others.
NOTE: We only request your email address so that the person you are recommending the page to knows that you wanted them to see it, and that it is not junk mail. We do not capture any email address.


text:
This is part of the web site of Shakespeare's sonnets
|Sonnets 1 - 50
|Sonnets 51 - 100
|Sonnets 101 - 154
|A Lover's Complaint.
|Sonnet no. 1
|First line index
|Title page and Thorpe's Dedication
|Some Introductory Notes to the Sonnets
|Sonnets as plain text 1-154
|Text facsimiles
|Other related texts of the period
| Picture
|Thomas Wyatt Poems
|Other Authors
|General notes for background details, general policies etc.
|Map of the site
|Valentine Poems
|London Bridge as it was in Shakespeare's day, circa 1600.
|Views of London as it was in 1616.
|Views of Cheapside London, from a print of 1639.
|The Carrier's Cosmography. A guide to all the Carriers in London. As given by John Taylor in 1637.
|Oxquarry Books Ltd
1. Let not my love be called idolatry,
2. Nor my beloved as an idol show,
3. Since all alike my songs and praises be
4. To one, of one, still such, and ever so.
5. Kind is my love to-day, to-morrow kind,
6. Still constant in a wondrous excellence;
7. Therefore my verse to constancy confined,
8. One thing expressing, leaves out difference.
9. Fair, kind, and true, is all my argument,
10. Fair, kind, and true, varying to other words;
11. And in this change is my invention spent,
12. Three themes in one, which wondrous scope affords.
13. Fair, kind, and true, have often lived alone,
14. Which three till now, never kept seat in one.
|This curious sonnet treads once again the very thin line between arcane humour and outright blasphemy, which has already been seen in Sonnets 34 (Peter's denial of Christ) and 52 (the Beatitudes), and it continues in 108, which has an irreverent parody of the 'Our Father'. Here the theme is that of the Holy Trinity and the poet's argument seems to be that his love is not idolatrous because it is a worship of the Holy Trinity, God the Father, God the Son, and God the Holy Ghost, which three he transmutes into fairness, kindness and truthfulness, all seen in his beloved. It is as if the poet is responding to an accusation, and defending himself against the charge of idolatrous worship which has been levelled against him. He uses the refutation that his worship of the beloved youth has the same character as the Christian worship of God in the Holy Trinity, and therefore it cannot be idolatrous. His love is not an idol, but a holy trinity of beauty, goodness and truth.
To one,of one,ſtil ſuch,and euer ſo.
Kinde is my loue to day,to morrow kinde,
Still conſtant in a wondrous excellence,
Therefore my verſe to conſtancie confin'de,
One thing expreſſing,leaues out difference.
Faire,kinde,and true,is all my argument,
Faire,kinde,and true,varrying to other words,
And in this change is my inuention ſpent,
Three theams in one,which wondrous ſcope affords.
Faire,kinde,and true,haue often liu'd alone.
Which three till now,neuer kept ſeate in one.
|Commentators have on the whole found this sonnet dull and repetetive, lacking in any metaphor which might enliven it. I am more inclined to think that its life springs from the fact that it takes a rather perilous walk along a precipice. In the 16th. century to be on the wrong side of a religious divide could be a matter of life and death. Elizabeth herself was probably fairly tolerant, and could be pacified with a formula of words. But there were many religious fanatics who were ready to insist that 'He who is not with me is against me'. Being a Catholic was obviously dangerous, and being seen as a non-believer risked the threat of denunciation from all sides. Either of these would be liable to the charge of being traitors since they could be portrayed as attempting to undermine the government's declared policies. It is therefore quite difficult to decide how one should interpret this sonnet. Is it a piece of frivolous sophistry which supposedly frees the speaker from the accusation of idolatry? Or is it meant to be taken seriously, to the extent that we are to understand the poet as genuinely believing that his love of the youth is comparable to the Christian love of God, and therefore non-idolatrous? Or are we perhaps expected to interpret the poem as an allegory of some sort, of divine love, or of self-deception, or of human love?
|All Shakespeare's uses of the word idolatrous, as well as his use of idol, are given at the bottom of the page. (See the note to Line 1). The discussion of the implications of the use of the words in this sonnet and the ideas implied continues below, adjacent to the examples quoted from the Plays.
The first two possibilities are inherently dangerous, since they lay the speaker open to the charge of blasphemy or sacrilege, which were imprisonable, and possibly even capital offences. The third possibility is very un-Shakespearian, but in any case would run the risk of being seen as very similar to the quasi-blasphemous pronouncements of the first two interpretations.
No doubt other interpretations are possible. HV for example stresses the links to neo-Platonic philosophy, and the fact that 'Fair, kind and true' could be the traditional Platonic triad, 'The Beautiful, The Good, The True' (HV.p.445). But no interpretation removes one entirely from the edge of the precipice, and the poem raises insoluble questions about a). Shakespeare's attitude to organised religion; b). the social milieu in which he moved which might have allowed him to circulate poems like this one; c). the effect the inclusion of such poems in the sequence might have had on delaying the publication of the sonnets.
1. Let not my love be called idolatry,
1. my
love = my affection for you,
my worship of you.
There are five other uses of idolatry in Shakespeare. They are all listed below in addition to the seven uses of the word idol.
|2. Nor my beloved as an idol show,
|2.as an idol show = seem to be an idol, appear like an image that is worshipped.
|3. Since all alike my songs
and praises be
| 3.since
- this can either be an explanation
of why the poet's behaviour might be construed as idolatrous, or as the
start of a justification and defence against the charge of idolatry.
all alike = all similar; on all occasions.
my songs = my sonnets.
4. To one, of one, still such, and ever so.
4. Probably an echo of the Catholic prayer, Gloria Patri - 'Glory be to the Father, and to the Son, and to the Holy Ghost, as it was in the beginning, is now, and ever shall be, Amen'. The mystery of the Trinity is that the God of theology is three persons in one God, The Father, Son and Holy Spirit. Though three, they nevertheless are one everlastingly. Hence the emphasis in this line on the words to one, of one. In this case the one is the beloved youth. The songs and praises mentioned in the line above could be an echo of the 'Gloria' of the Gloria Patri, or of other Christian songs of praise, such as 'Glory be to God in the highest, and on earth peace to men of good will'. As SB points out, (p.337), idolatry was forbidden in various of the Homilies read out in the churches, and there is an echo of the Gloria Patri in the 'Homily Against Idolatry': ". . . images in temples and churches be indeed none other but idols, as unto the which idolatry hath been, is, and ever will be committed".
still such = always unchanged, always such as you are now.
5. Kind is my love to-day, to-morrow kind,
|5. It is not clear why the poet emphasises kindness, which is only the second perfection of the triune listed below. Perhaps because fairness (beauty) he had already established as a sine qua non in many of the preceding sonnets. The constancy of the kindness is emphasised by having the word at the beginning and the end of the line. kind could also mean 'of its kind' indicating that the youth was always like his true self.
|6. Still constant in a wondrous excellence;
| 6.
still constant = always true, faithful
in a wondrous excellence = in a way which is both excellent and wonderful.
7. Therefore my verse to constancy confined,
| 7.
to constancy confined = restricted
to the theme of constancy, or, compelled to be constant and unvarying. to
confine - OED 4.b gives 'to enclose or restrain within
limits', with
the following example from Sh.:
Now let not Nature's hand keep the wild flood confined. 2H4.I.1.154.
8. One thing expressing, leaves out difference.
| 8.
One thing expressing - i.e. the youth's
constancy. Or the one thing is perhaps the youth himself, now newly
into a deity. His oneness is a manifestation of his constancy and his
leaves out difference = does not take account of any differences, does not recognise differences or anomalies. This is probably also a slightly parodied version of the doctrine of the Trinity, in which differences are not allowed in the three forms of the godhead. Much ink and mental gymnastics were expended by theologians in defining the true nature of the Trinity.
9. Fair, kind, and true, is all my argument,
9. Fair kind and true - these correspond to the triad of the neo-Platonic ideals, or forms, the Beautiful, the Good and the True. Also perhaps to the three in one of the Trinity, God the Father, the judge, who is fair, God the Son, the Redeemer, who is kind and forgiving, and God the Holy Ghost, who stands for knowledge and truth.
is all my
= is the only theme I have. Compare:
|10. Fair, kind, and true, varying to other words;
|10. Fair kind and true - The repetition stresses the constancy and unvariability of his theme. However it does vary to the extent of being expressible in different words (though not here).
|11. And in this change is
my invention spent,
| 11.
in this change = in this variation
of words; change is also a term used in
campanology. The bell ringers
'change' the sequence in which the bells are rung. It was also used of
round in dancing, or of a variation or modulation in music.
my invention = my poetic creativity.
spent = exhausted, disbursed.
12. Three themes in one, which wondrous scope affords.
| 12.
Three themes in one = the three themes
of 'fair, kind and true'; the three gods of the trinity, who are one
wondrous scope - an echo of the wondrous excellence of line 6. wondrous scope affords = presents a wonderful opportunity and space (for my poetic imagination to occupy).
|13. Fair, kind, and true, have often lived alone,
|13. have often lived alone - i.e. each one has been found singly in different characters, but never combined, or in company with the other two.
14. Which three till now, never kept seat in one.
| 14.
till now - until this time, until
they were all together in you.
kept seat had their abode, lived in. The expression 'the seat of (the honourable such and such)' meaning their country house, was until recently fairly common. Many 19th. century topographical books had illustrations with such captions. Changing times have rendered the expression almost obsolete. OED gives it as short for 'country seat' but here it is used more as a composite verb, 'kept seat', 'to keep one's abode at' etc.
Uses of the word idolatry are listed adjacently. They all relate to a man's love for a woman, or a woman's love for a man (the MND and RJ examples).
Then thou,
fair sun, which on my earth dost
I'll avouch it to his head,
Jul. Do
not swear at all;
Tro. What
is aught, but as 'tis valued?
What should
it be that he respects in her
The word idol is used seven times in the Plays. In two examples from Troilus and Cressida and one in Twelfth Night it seems to be used in the general sense of an image worshipped instead of a god, or fallaciously as a god. In the other four cases it is used of a man worshipping a woman, or a woman a man. The example below is typical:
PROT. Enough; I read your
fortune in your eye.
From the uses of idolatrous and idol given above and to the right, it is fairly clear that Shakespeare understands the words in their most common sense of 'the worship of an image or an object in place of God' (idolatry) and 'an object so worshipped' (idol). But his most frequent use of the terms is in connection with a loving relationship, where one partner worships another. The connection with polytheism which some commentators cite is not at all obvious, or even necessary. Polytheism and idolatry are not synonymous, and Shakespeare does not view them as such, either in this sonnet or elsewhere. What is indisputable however in relation to this sonnet is Shakespeare's obvious familiarity with the doctrine of the Holy Trinity, perhaps as a result of learning with which he was imbued from an early age, perhaps as a result of later reading. (I suspect the former is more probable. All grammar school pupils would have a grounding in theology, and his later reading, as far as we can judge, seems to have been decidedly secular.) Such knowledge does not imply adherence specifically to either Catholicism or Protestantism, since the doctrine was common to both religions. The Reformation however did appear to strike out against idol worship in the old religion, as it perceived it, and it fiercely stripped many a church of its statues and images, deeming them to be symbols of idolatrous worship. The theme of idolatry was therefore much more in the public consciousness than it is today, and the determined statement, 'Let not my love be called idolatry', rather like a deposition in a court of law, could be expected to have far greater resonance than it has nowadays. There is no point in suggesting modern equivalents, since it is ahistoric to transport experiences and prejudices from one age to another. But one should remember that, in the time of James 1, just as much as in that of Elizabeth, doctrinal questions were also political ones, and a belief in devils or idols or spirits, or lack of such belief, could be taken as a pointer to one's true sympathies, and even as a determining factor in one's loyalty to the crown.
The other examples of the use of idol are set out below.
the proud lord
ACH.How now, thou core of envy!
me one kiss, I'll give it thee
|See also the Introductory Notes for further discussion of the relevance of this sonnet to Shakespeare's religious stance.
|Previous Sonnet
|Next Sonnet
|Sonnets 1 - 50
|Sonnets 51 - 100
|Sonnets 101 - 154
|A Lover's Complaint.
|Sonnet no. 1
|First line index
|Title page and Thorpe's Dedication
|Some Introductory Notes to the Sonnets
|Sonnets as plain text 1-154
|Text facsimiles
|Other related texts of the period
| Picture
|Thomas Wyatt Poems
|Other Authors
|General notes for background details, general policies etc.
|Map of the site
|Valentine Poems
|London Bridge as it was in Shakespeare's day, circa 1600.
|Views of London as it was in 1616.
|Views of Cheapside London, from a print of 1639.
|The Carrier's Cosmography. A guide to all the Carriers in London. As given by John Taylor in 1637.
|Oxquarry Books Ltd
|If you wish to comment on this site: please refer to details on the home page.
| If
you have enjoyed this web site, please
visit its companion -
Pushkin's Poems


text:
Webcast: The Power of Email APIsDaniel Randa
Most developers know about SendGrid's SMTP relay services and the deliverability benefits, but did you know that there are also a host of other SendGrid APIs that can make your life even easier? Join SendGrid's developer evangelists Swift and Brandon West on August 28th at 1:00pm EST as they break down the available APIs and teach you how to use them to unleash the full power of email in your application.
This webinar will cover:
- •Overviews of the available APIs
- •Sample use cases and client success stories
- •Sample code and examples
Brandon West
Brandon has been a web-focused developer for the last 12 years and has a wide base of experience, from database integration to user interactivity for companies ranging from startups to enterprise application providers. As a Developer Evangelist for SendGrid, his focus is on empowering developers to build things, gathering feedback for new features and improvements, and fostering a cooperative developer community for anything that needs email integration. You can find him at hackdays and conferences around the country and in the Denver/Boulder area.
Mike Swift
Meet Swift, developer evangelist at-large for SendGrid and home-grown New York hacker. As a lifelong developer himself, Swift has made it his personal mission to enable developers by helping them get the tools and resources they need to make awesome creative stuff. Swift is also one of the founders of Hacker League, the platform for hackathons, a former engineer at Crowdtap, and an alumni of Rutgers University.
* all fields required


text:
Actions speak louder than words. In fact, they speak 93% louder than words. That's because, case studies prove that 93% of our messages are communicated through body language, divided between 55% conveyed through the emotional messages of face-to-face interaction and another 38% transmitted through the voice. This means that only 7% of communication is expressed by our words. That's astounding!
In practical terms, this means that we can be giving the most loving, caring speeches to a child, and yet, if he does not feel the love and care behind these statements, then they are almost worthless. In contrast, we can be giving the most stinging rebuke to a child, but if our body language continues to convey respect and love, then the very sharp criticism is transformed into a cherished moment symbolizing love and concern for the child.
People believe non-verbal communication more readily than verbal communication. That's because, while one can pay lip-service to giving fine platitudes without really meaning them, one can rarely put on a convincing act of body language. For example, when we say no to a child, yet we sound unsure and doubtful, the message that there is room for negotiations speaks louder than the word no.
In addition, non-verbal communication happens continually, all day long, as opposed to verbal communication, which happens only when we engage in conversation. At times, we might think that we aren't being expressive, while in reality we are sending messages all the time through other means, for example a look of annoyance or a grumpy face.
We must make sure that our non-verbal communication matches our verbal messages. Otherwise, our children become confused and insecure.
For so many reasons, we must work from inside-out and start tuning in to the silent signals we give our children.
Start by analyzing your facial expression. When your child arrives home from school, do you look happy? Uptight? Worried? Concerned? Excited? Remember: A face is public property, always open for public viewing. Make it pleasant and warm.
Think about eye contact. When you look your child in the eye, you convey your love and concern for him. You show him you truly care about him.
Brainstorm for different positive gestures, which can help you express your unconditional love for your child. A pat on the back, a stroke on the cheek, a small handwritten note, a thumbs-up; these speak so much more than long-winded messages.
Examine your tone of voice. Listen out for its intensity and loudness. Messages conveyed softly and are easier to intercept and accept. In addition, our tone can sound firm and confident or uncertain and meek/trusting or critical/proud or disappointed/excited or sad.
When a parent-child relationship is positive, the child is eager to hear from and please the parent. However, when the relationship is strained, it is important to examine our forms of communication. Think of non-verbal ways to express genuinely positive messages to the child-and you will see how far these silent messages can reach.


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Info2049 necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 98 diseños de 28 diseñadores freelance.
Bella Natura
I'm a beautician, and I am started my own Beauty Salon.
I want it for the customer to be very personal and I want them to experience something special. I am someone who has always liked to work with people. Customers feel at ease with me. I want to offer a wide range of treatments: small packages of face, body and hair. Its very important to work with natural products. That is the basis of my salon.
My audience is a large group of 25 to 60 years who think it is important to have a good skin care and meet every 6 weeks to relax. It is mainly women who come to my salon.
I want the words 'Bella Natura' to stand out in the design
The following words must also be in the logo: "Face" "Body" "Hair" in this order. This need not be specifically written in capitals.
Its very important to work with natural colors. That is the basis of my salon. I like for personal reasons to have a butterfly in my logo.
It may be soft and chic.
Nature is full of curves, which I would like to see in my logo.
I want no color gradient, to avoid problems with the printing office.
The files I will require are:
Print file format - .ai (CMYK)
Web file format - .jpg and layered .psd (RGB)
Please do not use any stock images or clip art in the logo
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


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Subscribe To Man Of Steel's Box Office Will Determine The Future Of The Justice League Movie Updates
I've already subscribed
If Marvel Studios' Iron Man hadn't been a hit all the way back in 2008, it's hard to say if they would have been able to build the massively successful Marvel Cinematic Universe that we have today. The Jon Favreau film made $585 million worldwide during its theatrical run, which was able to propel the company past the disappointing Incredible Hulk and eventually on to The Avengers, which now stands as the third biggest box office hit of all time.
But if Iron Man had flopped the whole thing would have been over before it began. If a cool laser-shooting superhero/billionaire/playboy/philanthropist didn't catch audiences attention there's no way they would have spent hundreds of millions of dollars gambling on Thor or Captain America. So it's understandable that Warner Bros. would want to perhaps pump the brakes on the future of their partnership with DC Comics and wait to see if their next big superhero movie actually pays off.
Variety has published an article about the future of future of the studio, which just saw saw Kevin Tsujihara named CEO of Warner Bros. Entertainment, and on the subject of the upcoming Justice League movie it says that the executives at WB are planning on waiting to see how well Zack Snyder's Man of Steel does at the box office before moving forward and making deals for the new superhero team-up film. As of now the studio is working with a script written by Will Beall (Gangster Squad), though the project still doesn't have a director.
So this summer you will once again have a chance to vote with your dollar: if you see Man of Steel you increase your chances of one day seeing a Justice League movie, while waiting for the Superman flick to be released on Blu-ray could kill the more ambitious project. It's all up to you!


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Don't miss a story. Like us on Facebook. Like Dallas News' Facebook Page
Dallas Mayor Mike Rawlings, in his first public comment on the indictment of Dallas County Commissioner John Wiley Price, said Friday that he's focused on making "sure the city pulls together through all the ups and downs we have."
Price, his political consultant Kathy Nealy and two others were arrested by the FBI last week on federal public corruption charges. All four pleaded not guilty, and Price, a towering figure in local politics, hasn't hesitated in getting back to work.
The arrest of Nealy – a prominent southern Dallas power broker – casts somewhat of a shadow on Rawlings' 2011 mayoral campaign.
His campaign paid Nealy $305,000 to rally voters in the southern sector. Though there's no implication that Rawlings' campaign did anything wrong – or knew of any wrongdoing – federal investigators have said some campaign cash flowed through Nealy to Price.
Asked Friday if he was second guessing the decision to hire Nealy for his campaign, Rawlings said, "I just don't even do that."
"I look back on my life, and there are a lot of tactical mistakes that I have made," said Rawlings, who on Friday hosted the city's annual "Mayor's Back to School Fair."
Rawlings is far from the only politician to have used Nealy's services.
For years, business-backed mayoral candidates from northern Dallas have leaned on consultants like Nealy to garner votes south of the Trinity River. That often means lining up support from prominent ministers and powerful politicians.
Price, for instance, was a major endorser of Rawlings' bid, even recording an automated phone call on the candidate's behalf.
Others, such as County Judge Clay Jenkins and County Commissioner Elba Garcia, also hired Nealy in recent years. That's even though Nealy was a federal witness in the corruption case against former Mayor Pro Tem Don Hill.
But Rawlings' campaign was noteworthy in the large sums that it paid Nealy for her work.
The Rawlings campaign was a fundraising powerhouse, collecting nearly $2.5 million. And most of those funds went to Allyn Media, the well-known public relations and consulting company that ran Rawlings campaign.
Nealy was the second-highest-paid operation, even as the campaign also employed consultant Willis Johnson in its southern strategy. The campaign said Nealy was hired as a "grass-roots consultant," with duties such as message development and block walking.
Rawlings' robust efforts in southern Dallas paid off, as he carried much of that sector. The campaign manager for Rawlings' rival David Kunkle told The Dallas Morning News in 2012 that it was "very difficult" to make headway in that part of town.
"You have the main political machine working against you actively and aggressively attacking your supporters," said Kunkle's campaign manager, C.P. Henry.
Those sorts of considerations won't likely factor into next year's mayoral campaign, if Rawlings chooses to run for re-election. Given his popularity – and relatively smooth tenure as mayor – he would likely cruise to victory without much opposition.
And Rawlings said on Friday that regardless of the recent news surrounding Price, Nealy and others, the city is moving forward.
"We're getting stronger every day," he said. "Hopefully whatever happens, we'll power through it in a positive way. I see these things as opportunities for the city."


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taptapdone needed a new logo design and created a contest on 99designs.
A winner was selected from 11 designs submitted by 5 freelance designers.
Tap Tap Done
Tap Tap Done consists of several user interface developers, information architects, web logic and business developers. The Tap Tap Done team consists of mobile and desktop GUI applications developers who want to leverage their experience to create custom applications for deep pocket clients.
In our experience, users want their applications be simple to navigate, and not have a lot of hierarchy. They also want to enter in as little data as possible, and want the ability to make powerful decisions very quickly. This is the core principle behind Tap Tap Done.
The primary audience are users who want their problems solved simply and elegantly on touch screen based devices. We want to empower users with this new wave of touch screen devices. The secondary audience includes television and radio celebrities who want their own branded applications.
The users of the web site for Tap Tap Done will want it to seem simple to get a consultancy project underway, but will also know that its going to be customized and tailored specifically for them. (not cookie cutter)
We would like to see a logo that reflects simple and elegant user interfaces, that is crisp and clean looking on a white background. (Perhaps a finger touching a tablet screen, with a ripple effect?). It could be a little shiny, and it could be a little cartoony. A perspective view similar to the one used in the BeOS applications might be a good direction to take it.
See: http://brucebrowne.com/be.html
The name is meant to evoke the idea that it we put a lot of thought and work into making the difficult become simple and powerful.
It would also be preferred to have the logo as a vector graphic (SVG)
Find out how a design contest works or learn more about our logo design services.


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Tasha Thorne necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 97 diseños de 14 diseñadores freelance.
I am a chiropractor who believes in Health and Wellness as a way of life. My office offers Chiropractic, Rehab and massage therapy. I adjust families from infant to adults to help them reach their health and wellness goals. I have a very efficient state of the art office that makes the patients visits pleasant.
***I attached a sample of a colleges Chiropractic Logo. Just for an example. We dont want one exactly like it but just attached for an idea.***
Chiropractic is a lifestyle adopted by families and is used for keeping families healthy with preventative/wellness care, sports injuries, work related injuries, auto accident injuries, nutrition, exercises, massage, health education
logo should express movement, vitality, flowing, energy, harmony, natural healing, calm that CATCHES PEOPLES EYES. Maybe a lighthouse?
Our office decor is white walls with deep blue and olive green accent walls, dark hardwood floors through the walkways and tight patterned shades of green/brown hi wear carpet, the technology is cutting edge with a self check in KIOSK, computerized examination equipment, digital radiology and vibration plate therapy.
Our office is by water and a ferry, there is a beach, light house and in a family community. We are surrounded by homes, schools and the road in front of our office is a through fare where ferry traffic travels, a few miles away is the Boeing Commercial Aircraft Company where one of the largest buildings exist in the state, there are alot of small businesses up and down the road we are on.
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


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#tours and travels
Excellent hospitality & unforgettable experience, our tour was well organized & our time perfectly divided between cities. Will definitely use Indian Tribal Tours again…
Thank you & best regards…
Peter Sinclair (USA)
I have been thinking of writing a feedback for you since we came back from our trip, but there's been so many thinks happening in my life. But I really want to thank you for the tour and the experience we got while travelling with your company! We were also satisfied with the hotels we were staying at, especially the last one in Jaipur!
Best regard from
Anastasia and Galina! (NORWAY)
Me and my Mom can definitely recommend your company to all the travellers who'd like to visit India and experience this great country. Also we'd like to thank Amit (our driver and guide) for the work he'd done, for all the information he gave us and all his support during the trip! He was great.
Thank you very much again.
Susana (Spain)
It is a pleasure for me , my brother and sisters to let you know once again that the only feeling we have after our beautiful journey to India is grateful and great remembrances of you and the service you gave us not only as a company but also as a friend. we really enjoyed everything, the tours and the drivers, they were very friendly and helpful. I won`t doubt on giving everybody who ask, yor name and address.
M.Rebeca Seco (CHILE)
During our visit to India, everything was great. You took really good care of us. Thank you very much for your help & hospitality. I wish it was little bit longer though.
Best Personal Regards,
Sinan (TURKEY)
I have been travelling with Indian Tribal Tours since 1992. They have been in business for years sending their guest around India with great passion and thought to make your journey the best experience of your life.
Anna Marie (United States)
India is a daunting destination for first-time American visitors like ourselves. We were well looked after by Haroon Baktoo and Indian Tribal Tours, who took most of the cares from our shoulders and made it possible for us to enjoy this astounding country. When we are able to return, we'll sign up with Indian Tribal Tours again–South India next time!
David & Claire (United States)
I just wanted to say thank you for a memorable trip and great planning. My mum and I would like to compliment Amit on his caring assistance throughout our tour in Delhi. He was always accommodating and very helpful to us. The time with Arun in Mumbai was short but also very good. I will definitely recommend your company to friends and family that want to visit in a few months' time.
Thank you to you and your team for making our visit to your beautiful country a wonderful experience !
Regards, Ragini Harilall (SOUTH AFRICA)
Finally in Chile after this long travel. i just want to say thank you for everything one more time. i spend a wonderful days in your wonderful country that i love so much. everything arranged by your company was PERFECT. i really hope to visit again India and explore the northern region :). I'm planning to make an exposition with Indian pictures :)
Thank u very much again and i hope to see you soon!
Sebastian Perez (CHILE)
I want to thank you for the India trip. It was very great for me. I also want to thank the driver Amid and Prem. They are very friendly and humour. They always take care my safety and stomach. Can you give me their email address, I want to write letter to them directly? By the way, India is very beautiful country.
Thank you,
Tina Chen (TAIWAN)
Thanks for all your help in making our trip memorable. India and Nepal are both rewarding and challenging, it was quite the experience. The hotels were good with the Golden Tulip being the best. All the drivers we used were very friendly & informative. The driver was excellent in Nepal and I would highly recommend him:
Overall it was a positive experience. Again, thanks.
Wonderful India Experience" All thanks to Indian Tribal Tours. our travel was made easy & comfortable which was difenitely not possible on our own. There drivers & office staff make a great team. Good Job.
Jeff Stevenson (England)
The trip was well organized, we got to see everything we wanted to. We could probably have had a more tight program, but we felt it was not necessary, it would only have been too much stress. So we were completely satisfied with the program!


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Klick Health, the Toronto think tank/marketing shop, seems to have a critical number—three. Almost every important stat about the firm is either a multiple of three, or at least has a three in it somehwere. CEO Leerom Segal pegs the company's organic growth at between 30% and 60% for the year, for example. In terms of staff, the company has just over 330 people and is looking to fill an additional 60 spaces. And as far as client accounts are concerned, there are currently 34 on the Klick roster. Three is also the number of months new employees have to prove their mettle and ambition, and 3% is the company's attrition rate.
Such synchronicity is not unexpected for a company that has made its name by infusing every step of the client process with data. Segal is quick to point out that he's not just talking ones and zeroes, saying "when we say data, what we really mean is intelligence." Segal says the key is that data "lets you orchestrate everything… lets you understand what's working and what's not."
Summing up the agency's competencies as "digital" would be accurate, but that's only part of Klick's story. Segal says where the agency excels is at "having the discipline within our organization to really, on behalf of clients, read the digital body language of their patients and healthcare professionals… to really personalize the information we serve you and render for them."
For Klick, this translates into attracting business. The 34 accounts that the company is currently juggling represents a pace that Segal says is the new normal for the firm.
The self-described health communications firm offers its clients a range of services that includes strategy, analytics, creative and platforms, such as its iConnect iPad tool which doubles as a sales platform reps can bring on calls and use for CRM. It can also be deployed as a training tool, to help reps make their customized presentations effective ones. The project is in its 2.0 stage, and Segal says the ROI is that doctors have increased the amount of time that they are willing to spend with reps using iConnect from beween two and three minutes to as long as eight minutes.
Segal's list of company highlights is a long one, and the element that unites them all is the ability to anticipate client needs and then just go for it. A prime example of that is the Dynamic ISI tool that emerged from innovation group Klick Labs and went live in 2013. This program works like a master find-and-replace, so clients have to update safety information in one location. The updated safety information is then immediately applied to all the digital material associated with that file, keeping things current and in line with medical legal requirements. "It really enables our customers to have that piece of mind… that's really helped us create a lot of love with the medical/legal [departments]," Segal says.
Also on Segal's list of highlights: having the research firm Nielsen Norman Group name the Synapse Intranet that Klick created for the biotech Acorda Therapeutics as one of the 10 best in the world.
Synapse came out of yet another part of what could be called Segal's best-of reel: Klick Labs, which the independent company describes as an innovation center and think tank. Usually the inner workings of such an asset is kept secret, but doing the traditional isn't exactly Klick's way, and the company decided to allow both present and future clients to get a glimpse of how the agency converts brainpower to results. "We had a little bit of soul searching to do earlier about this time last year and the decision we came to was… we have to put our ideas out there and we developed Future 15," a 240-page book containing what the firm calls "everything we know about digital health marketing." The book was a way to celebrate what was at that point Klick's 15 years in the industry. Segal says it gave the company the opportunity to share its present and to show "what we see over the next few years … how we view the world from a digital strategy point of view."
Klick also turned around and added a new client conversation in 2012 and 2013. "We are definitely seeing customers that are more sophisticated in the last few months… and we're definitely seeing that our customers are being challenged by their leadership to practice what we now call 'evidence-based marketing,'" otherwise known as return on investment. The key: Big Data. Segal says the concept has permeated the company to the extent that it can not only offer marketing insights, but engage with clients to a greater degree and so could encourage clients to challenge them by asking them the question: "What do you want from us?"
This sort of openness is just one part of what keeps business rolling in for the firm. The other part, Segal says, is the connection that teams are able to form with their clients. "We have what we call a no-BS policy, and by that we mean no bait and switch." Segal says this means who clients see is who clients get. "All of their leads stay with them as long as the fit is right and typically that includes their lead strategy, lead account director, lead program manager—and having those really senior resources be committed to the brand is great."
Segal says the above is just one component of what makes the company stand out. "It's how we think about every business problem," he explains, adding that the trust Klick cultivates with clients propels deep discussions and collaboration. Internally, this means coordinating the increasingly complex interaction among the individuals who will convey a coherent, effective communication and touchpoint strategy across professional, caregiving consumer and payer audiences.
Helping this along is the company's flat organizational structure. There are titles—six of which include the words "managing director"—but Segal says this isn't the managing director role of the past and is basically that the six people carried over the titles that each of them had at their previous agencies. Segal says the tradition is to bump a creative to managing director, essentially asking them to trade in their creative skill sets for administrative duties. "You go from being a master craftsman to being an administrator." He says Klick offers its people a different path: they can take the title and salary but they must also be prepared to participate on all fronts, and understand that they won't be able to measure success by the number of direct reports. He says the benefits of this process are twofold: employees are able to continue doing what they love, and they can also function as "master orchestrators" who deliver.
Segal wouldn't offer up a list of notable promotions, but he says that the company rewards drive, saying "it would be rare to have a year where the strongest people didn't receive a promotion, just because of the nature of the pace of growth." The company is also building out its decision sciences roles because client demand for sophisticated models and advanced analytics is growing. Segal says this talent pool is generally outside of the health field, and can include engineers, for roles such as development. At the same time, competitors should also be on their guard. "We've been pretty shameless about poaching talent from competitors," he adds.
He says that what the next year has in store for the think-big-but-act-small agency will offer is consistency and more rewards. "Our investments from last year are paying off and when I say that I'm really talking about the Labs and the partnership and our investments in people… if we continue on the same trajectory we've been on, we'll be looking back on it in the rearview mirror with great pride."
From the July 01, 2013 Issue of MM&M - Medical Marketing and Media


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Access to Port of Sacramento can be had, but it will take awhileBy: George deVilbiss
Many years ago, there was unrestricted access to the Port of Sacramento by several methods.
About 40 years ago, a fishing partner and I would launch my boat around midnight at Miller Park along the Sacramento River. We'd go across the river where the locks were located. Located near the locks was a military-type field telephone attached to a pole. Regardless of the hour, you cranked the handle and somebody in the locks tower would answer the phone. All you had to say was, "Please open the locks," and they would immediately allow you through to enter the port. The process took about one hour.
Later, use of the locks went by the wayside. They haven't been operated for many years now.
Vehicle access to the port was simple. There were numerous roads that led to the levee system along the south side of the port. You could fish or hand-launch a small craft from the shore.
At some point, a launching ramp was built on the south side of the channel closer to the locks. At certain times of the year, the parking area around the ramp would be clogged with vehicles and boat trailers. I used the ramp many times. It gave boaters access to the port and Deep Water Channel.
Over time, the concrete of the boat ramp deteriorated and the area was blocked off. Yet, it was common to see the south side of the port and channel shore lined with vehicles. There were numerous access points along the route, and they were all used by anglers.
From the mid to late 1980s, four of us would go to the very upper Deep Water Channel on Friday after work and not leave until Sunday afternoon, camping out and fishing.
The Port of Sacramento and the channel is well known for its catfish population and was a popular fishery. You couldn't buy a bite during the day, but once the sun set, fishing was outstanding. Those who could get a boat on the water knew the winter striped bass fishery couldn't be beat. The region also is home to a good black bass population and tremendous crappie population.
There have been major changes to the port area since the terrorist attacks on Sept. 11, 2001.
Vehicle access on the south side and a small area on the north side has been shut down. Some of the best striper, catfish and crappie fishing was tying up to a big post at the docks and fishing under the docks. Not anymore. You aren't allowed within 100 feet of the docks now.
Access now is granted only to members of three clubs chartered by the port: the River City Rowing Club, a sailing club and the Lake Washington Outboard Club. If you're a member of the latter, you receive a sticker for your tow vehicle, a membership card and, most importantly, a key to the private gate that will take you to a ramp that will handle boats up to 20 feet.
Would you have an interest in joining the organization? It can be done. The LWOC is limited to a membership of 600. The waiting list is long, but new members are brought in each year.
The group's requirements are simple: You must own a boat (no, it doesn't have to be powered by an outboard motor, as the name implies), and you must attend no fewer than two meetings a year.
The organization hosts an annual striper derby in November and numerous barbecues and other dinners throughout the year, none of which you have to attend.
If you're interested in joining, you'll have to attend a meeting and fill out an application. The LWOC holds meetings at 7 p.m. on the second Tuesday of each month at the VFW Hall, 905 Drever St., in West Sacramento. It's strongly suggested that you arrive an hour early to fill out the application.
Just know it could take five to seven years to actually get the call. If you move, update your change-of-address and contact information with the LWOC.
When your number finally comes up, you'll receive a call to attend a meeting, where you'll be introduced to current members and give a brief statement of why you'd like to become a member. The membership will vote on whether to allow you in.
Once admitted, you'll pay your fees and receive your sticker, membership card, key and rules and regulations of the port.
OK, it takes a long time, but look at it this way: If you wait to apply, it just delays how long it will be before you do become a member. It will happen, and you'll pretty much have unlimited access to the Port of Sacramento, something only a small segment of the population has now.
Current fishing
Lake Camanche: Despite heavy storms, the lake was planted with trout. The South Shore Pond received 600 pounds and the main body a like amount. These came from a private hatchery near Red Bluff. Additionally, the DFG unloaded 1,500 pounds, mostly those that are considered catchable. The lake has turned over, so you can essentially see your rod double over by simply toplining. Shore fishing from numerous points at the North Shore can be outstanding.
Folsom Lake: The lake has risen with the heavy rainfall. Yet, as far as I know, only the launching ramp at Brown's Ravine currently is useable, and the 5-mph speed limit is still in effect. Troll the river channel from the dam to Brown's Ravine, and you can get into a fair salmon-trout bite.
Contact George deVilbiss at firstname.lastname@example.com.


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Iowa men's coach Todd Lickliter and women's coach Lisa Bluder talked this week about their improving strength programs. The players agreed, but a couple hinted they would like to be able to get more time in the weight room.
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Iconic Metro Sign in Paris
Iconic Metro Sign in Paris
***This print is also available in chic Black & White! See detail images.***
Scroll down for additional views and more information.
One of the most iconic sights in Paris - Metro signs!
The Armchair Parisian & BJ Lantz Studio work with an art publisher who prints with archival quality K3 pigment inks on archival substrates, producing amazing color fidelity and gloss level. Canvas prints are gallery wrapped on 3/4" bars with either black, dark gray or dark brown on the sides (chosen to compliment the image itself), ready to hang. Watermark does not appear on actual print.
Shipping: Most orders currently ship 3-5 days after payment clears.
All items are carefully packaged for safe, undamaged arrival. All print orders ship from the US (Oregon) to the address provided on your invoice (cannot deliver to PO boxes). Tracking link provided when available.
Expedited shipping is available at an additional charge. Usually around $15-20 depending on the order. Please contact us if you wish to expedite your order.
What is it about Paris? What makes us dream of her, whether we're simply longing to visit for the first time or have been many times? • The idea of people watching while leisurely sitting in a café sipping a cafe crémè or wine? • The thought of spending blissful hours in amazing, world-class, art-filled museums big and small? • Kissing our sweetie on a bridge across the Seine while the Eiffel Tower twinkles behind us?• The smell of fresh croissants and butter as we wander past ubiquitious boulangeries? • The simplicity of a picnic along the river? • That delicious wandering, lost and happy, through charming side streets? • Maybe stumbling upon a charming, quiet little park and having it all to yourself?• Perfecting your Bonjour! or practicing your French with amused Parisians?• Macarons, light as air? • Lingering over a drink and good conversation long after the dishes of a marvelous meal have been cleared?• The particular charm of her fascinating cemeteries? • The beautiful doors, none ever the same? • The soft, golden light illuminating the limestone buildings as the sun sets? • The ghosts of history that surround you everywhere? • The enchanting, hushed beauty of churches and cathedrals? • The intricate architectural details at every turn? • The bread, the bread, the bread. • Could it be that now and again, you feel as if you've been transported to another time while there? • The wine? • The glow of an ornate Metro sign at dusk? • The way she stays modern while keeping her beautiful, historic façade intact making her feel...timeless?
It is my hope that these photographs evoke special memories of time spent in The City of Light ~ or provide you with an image on which to dream....
Copyright Notice: All images shown in this shop are copyrighted to ©The Armchair Parisian LLC and may not be used without express permission.


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To update your contact information listed in the Certification Directory or if you have any questions regarding ESA's Professional Certification Program, please email Member Services email@example.com.
To check the contact information ESA has listed for your ESA Membership Subscription(s) please visit ESA Members Only Site then check our Membership Directory. If you would like to update your Membership information please email firstname.lastname@example.com.


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The First Fleet: the process of colonisation
Britain transported its criminals from its overcrowded jails to the British colonies in the Americas, until the American Revolution (which lasted from 1775 to 1783). After the Revolution, the United States refused to accept prisoners, so Britain had to find another place to send them. Joseph Banks suggested Botany Bay, and this was accepted. Settlement of Australia would not only be a place to send prisoners but would keep rival powers, such as France, away from Australia. Captain Arthur Phillip was chosen to command the convict fleet, as he had experience transporting African slaves. The fleet, known as the First Fleet, set sail for Botany Bay on 13 May 1787.
The First Fleet
The First Fleet consisted of 11 ships and about 1500 people in all. There were over 700 convicts, 290 marines, 400 sailors and some women and children. On the way, the fleet stopped at Tenerife (Canary Islands), Rio de Janeiro, and the Cape of Good Hope to pick up food, animals, plants and other supplies before heading to Botany Bay. The fleet landed at Botany Bay between 18 and 20 January 1788. Refer Image 1
Botany Bay
It was the middle of summer, so there was little fresh water or fertile soil at Botany Bay. Captain Phillip decided to take some crew and sail north to find a better location. They found the clear waters of a protected harbour that Phillip named Sydney after the British Home Secretary, Lord Sydney. On 26 January 1788 (Australia Day), Captain Arthur Phillip and a group of officers and marines landed in Sydney Cove and raised the Union Jack (the British flag) to proclaim New South Wales as a British colony. Refer Image 2
Establishing a colony
On 27 January 1788, the male convicts began to arrive and started to clear the trees, put up tents, unload stores and animals, and sow vegetable seeds and corn. On 6 February 1788, the female convicts arrived from Botany Bay and the colony was established. Refer Image 3
Captain Phillip became the governor of the colony and began to establish permanent structures and farms. Huts, storehouses, a hospital and a church were built and a brick residence was constructed for the governor, called Government House. In November of 1788 a new settlement was founded at Parramatta, where the soil was more fertile. Another settlement was soon established at Toongabbie. Norfolk Island was also settled so that timber and flax (to make sails) from the island could be used in the new colony.
The first years were very hard and the colony almost failed. The first harvest came to nothing and food had to be strictly rationed. Governor Phillip sent HMS Sirius to the Cape of Good Hope for more supplies. In June 1790, the Second Fleet arrived with more convicts and food supplies, and in 1791 the Third Fleet arrived. Food was still in short supply, but by 1792 the colony was well-established. Trading ships were starting to visit Sydney and the whaling industry had begun. Sheep were being imported to grow wool, and released convicts were taking up farming. The colony of New South Wales was starting to grow.
The first settlers and the Indigenous peoples
The region around Sydney Cove was not uninhabited or unoccupied, as the British had declared. Its land belonged to the Eora and Dharug peoples. When the Union Jack was raised on 26 January 1788, all Indigenous land had been declared British territory. In addition, all Indigenous people had been made British subjects and would be expected to obey the laws of Great Britain. This was despite the fact that Indigenous people had their own laws, considered the land an essential part of their lives; and had their own families, clans and language groups.
The arrival of the British was the start of a process which resulted in Indigenous groups losing their land, their hunting grounds and their way of life. Contact with the British brought diseases such as smallpox that Indigenous peoples had never known before. These diseases killed thousands and thousands of Indigenous people. There was also competition between the British and Indigenous peoples for clean water and food. The British settlers cut down trees, destroyed sacred sites, stole weapons and rapidly extended their control of the land.
The British settlement of Australia has become known as the European invasion of Australia. In the following chapters the effects of the British colonisation on the Indigenous peoples will be explored.


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Here are some articles and FAQs from the LLLI website about dealing with oversupply issues.
Finish the First Breast First
Overactive Let-Down: Consequences and Treatments
Common Side Effects of an Overactive Let-Down
Is Milk Supposed to Leak? (Note: leaking, especially in the early days, is not necessarily a sign of overproduction)
How Can I Deal with My Leaking Breasts?
Too Much of a Good Thing
I am breastfeeding my baby and have an abundant supply. I'd like to donate milk for sick babies. Can you tell me how to do this?


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One of the oldest streets initially designed as boulevard (former name Voulevartou Str.) and one of the busiest streets in Athens as it connects Syntagma Square with Omonia Square. Some of the most remarkable and representative public buildings in Athens, many of which are typical trademarks of the city, are built on this wide avenue.
Metochiko Tameio Stratou Building (Army Share Fund Building). It is an imposing mansion occupying the whole construction area between Panepistimiou, Voukourestiou, Amerikis and Stadiou Streets. It was built in the period of 1927-1938 in the place of the royal stables. Its exterior facets are of art deco style and there is a small arcade with many shops in the middle. It was recently reconstructed as a mall and a block of offices, while it still has three operating theater halls ("Pallas", "Mikro Pallas" and "Aliki"), coffee places and restaurants.
Iliou Melathron (12 Panepistimiou Str.). It is considered to be the most beautiful neoclassic building of Athens. It was constructed in 1879 by E. Ziller as the residence of German archeologist and philhellene E. Schliemann. It is of cinquecento style and has a twin ladder in its north facet, while Ionic column rows decorate the front facet and the two other floors. Its interior is decorated with "Pompey" frescos and drawings depicting sceneries and findings from Troy. Areios Pagos (the supreme court of Greece) was housed in Iliou Melathron in 1927, while nowadays it houses the Numismatic Museum .
Archeological Society Mansion. It is a five storey building of later classical style decorated with Ionic columns in its entrance. It is located at the corner of Omirou Str. and houses Athens Archeological Society.
Aghios Dionisios Catholic Church (1853-1865). It was designed by L. von Klenze and L. Kaftantzoglou and is a three aisled basilica with a portico in its south side and five cyclic arches (it is located in the corner of Omirou Str.).
Athens Ophthalmiatric Clinic (Panepistimiou and Sina Streets). It is and impressive building (1854) with mixed elements of Byzantine and neoclassic architecture. The initial designs were made by Ch. Hansen with some alterations from L. Kaftantzoglou and were planning a single storey building, but many years after (during the 1860's) another floor was added.
Bank of Greece Mansion (21 Panepistimiou Str.). It is an impressive building occupying a whole residential block. Its construction began in 1933 and it was inaugurated in 1938. The money exchange offices still preserve their minimal but imposing features, and the interwar atmosphere.
The Three Temples of Education ("Athenian Trilogy"). These three mansions were built at the same time by two well known Danish architects the Hansen brothers, who lived in Greece during that period.
Athens Academy (1859-1887): On the sides of Academy there are two wings, decorated with friezes and a pair of high columns which support Apollo's and Athena's statues. Athens Academy was designed by Th. Hansen the younger of the two brothers. The statues are creations of L. Drossis and the painting decorations of K. Rahl. Athens Academy is considered to be the most remarkable example of Greek architectural style.
The University (1839-1864): Athens University was designed by Ch. Hansen the older one of the two brothers. The fountain in the yard, the cyclic ladder and the colorful frescos with classical themes (painted by the Bavarian K. Rahl), which decorate the walls behind balcony's columns are also remarkable.
National Library (1887-1902): Another beautiful building designed by Th. Hansen. It is the largest library in Greece and houses unique treasures of books written in all languages. On its facade there is an impressive six column portico of Doric style, which is designed according to the example of the one in Theseion. Its interior is designed by Ern. Ziller is lit by a large skylight and is surrounded by Ionic columns.
Cultural Center of Athens Municipality. It is located behind the "Athenian trilogy" buildings (50 Akadimias Str.). It is an impressive neoclassic building constructed in 1835 by Chr. Hansen and for many years it was operating as a hospital. Cultural events are organized in its rooms. In front of the building is a small garden with busts of historic personalities (artists, politicians etc), while in its back side (towards Solonos Str.) operates a small coffee house. Right next to it (at the corner of Massalias Str.) stands the impressive Palama Building (also known as the "pink building" because of its color) built in the period of 1857-1859, which nowadays houses the library of the Museum of Theater. Athens University Student Club (1926-1931) designed by Al. Nikoloudi is located on the opposite diagonal side of the cultural center (at the corner of Ippokratous Str.). It is a building designed according to the eclectic Beaux Arts style.
Korai Square. It is a small beautiful square built when the homonym street was reconstructed as pedestrian. In its NE side dominates the Ralli building (10 Korai Str.) of early neoclassic style and right opposite stands the modern building of General Accountings Office (designed by E. Lazaridis). In its SW side stands the neoclassic former Grand Hotel (2 Korai Str.) and on the opposite side the modern building of Emporiki Bank. The recently renovated "Korai Arcade" where you can find many coffee places, small restaurants (fats food), shops and a cinema hall is also situated in Korai square.
Ionian Bank Mansion (Pesmatzoglou Str.). It is a remarkable mansion with vigor art deco decoration elements (1925). Its central money exchange office is surrounded by columns and balconies and is lit from a stained glass window.
Arsakeio Mansion (1846-1855). It is an imposing two storey mansion typical example of Greek classicism also influenced by eclecticism. Many years ago it housed "Arsakeio Girls' School" but nowadays houses the Council of State (supreme Administrative Court). Right next to it is Dikastirion Square.
Arsakeio Arcade (Orfeos): It is the interior arcade of Arsakeio Mansion built with neo baroque architectural elements and an impressive glass roof with a dome in its middle. It houses many shops and coffee places as well as the "Arcade of Book", which hosts bookstores of 60 Greek publishers and organizes many cultural events.
"Rex" cinema-theater. It is a mansion with three entertainment halls (cinema-theater) built in the period of 1935-1937 and influenced by American skyscrapers that were constructed the same period. Nowadays, two of the halls are used for performances of the National Theater and the third one operates as an entertainment hall.
It is a central square that stays "open" 24 hours a day, all year long. Contrary to Syntagma Square, Omonia stays awake since the first moment of its existence. Every Saturday night, it is common for the Athenians to buy their Sunday newspapers from the kiosks and the stands of the square before they return home. Omonia is the oldest central square of modern Athens. Visitors can not say that they have visited Athens if they have not been at least once on Omonia to see its lifestyle and its crowd and… hear its noises. In Omonia you can find all popular fast food chains and buy foreign newspapers from its kiosks. Some neoclassic buildings surrounding Omonia Square, such as "Bagkeion" and "Alexandros" Hotels (towards Athena Str.), "Neon" coffee house and National Bank's branch (in Panepistimiou Avenue) are very remarkable. In Omonia is one of the central metro stations in Athens.
Streets such as Stadiou, Patision, Panepistimiou, 3rd Septemvriou, Piraeus, Athenas and Aghios Konstantinos begin from or end up in Omonia The aforementioned streets together with the smaller streets and the neighboring Kaniggos Square form a very busy zone with many interesting spots (small shops, traditional coffee houses etc.).
National Theater of Greece (Aghios Konstantinos Str.). It was built in the period of 1891-1901 on the initiative of King Georgios the 1st, was designed by E. Ziller and financed by Greeks living abroad. It is of cinquecento style and has copied the architectural style of the National Theater of Vienna. The theater opened in November 1901 initially as Royal Theater and in 1930 it changed to National Theater. Its central hall (of Italian style) can seat 1000 spectators (pit, two balconies and two boxes). On the opposite side (in Menandros Str.) stands the three storey neoclassic Einar Mansion housing the museum of actors K. Paxinou and A. Minoti.
Aghios Konstantinos (Aghios Konstantinos Str.). It is located opposite of the National Theater. The monumental three aisled basilica (1871-1896/1905) designed by L. Kaftatzoglou and recently renovated is located here. It has an impressive facade with many neoclassic and cinquecento elements, a monumental entrance designed as an ancient propylaea (entrance) and remarkable interior decorations.
Piraeus Street (P. Tsaldari). It was designed on the ruins of an ancient street which connected Athens with Piraeus and alongside this ancient street stood Makra Teichi (Long Walls). It was the first street in the city suitable for cars and connects Athens with Piraeus city and port. Despite its initial designs, in the 19th century after the construction of many factories in the area the street became an industrial zone. The last few years, all these industrial buildings have been restored and used for other purposes (museums, cultural venues, School of Fine Arts). Nowadays, even though it is still a very busy street, all these buildings create a unique atmosphere of urban industrial architecture.
Koumoundourou Square (Eleftherias): It is a beautiful spacious square with rich vegetation. In the side of the square facing Piraeus Str. dominates the impressive neoclassic mansion of "Public Gallery" built in 1874 (designed by G. Metaksa). Next to it is Aghioi Anargiroi church (1893), while in the square there is also a small stone theater that hosts cultural and other events.
Aghion Asomaton Street: From Piraeus Str. as you turn left please note the house 45. It is one of the most popular traditional buildings in Athens (of folk classic style-1880) famous for the twin Caryatids standing on the balcony. It is one of the most photographed and painted sights of Athens.
Athens University Botanic Garden: It is located at the corner of Iera Odos (which was constructed on the ruins of the ancient street of Elefsinia Mistiria) and Sp. Patsi. It extends over 7000 sq m. and has around 120 species of wood-like plants (trees and bushes) and mossies from different parts of the world.
Visitgreece.gr is the official tourism web site for Greece, run by the Greek National Tourism Organisation, where you'll find information on the main tourist destinations, such as cities, beaches, as well as activities, events and much more!
All content included on this site consists intellectual property of GNTO and you are not allowed to reproduce the whole or part of this work in any way.
For information please contact: firstname.lastname@example.com. All Rights Reserved. GNTO © 2018.


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Multi-Match® is a lotto-style game. For just $2.00, you get to play 18 numbers with four easy ways to match and win. When you play Multi-Match, for each game you play, you will be able to select your first line of six numbers or you can choose Quick Pick. You will automatically receive two additional lines of six randomly selected numbers, for a total of 18 numbers. Plus, there are four different ways to win – one chance to win per line, that's three ways to win and a fourth chance to win by combining the matches in all three lines.
The Lottery draws six numbers from one to 43 every Monday and Thursday night. If you match between three and five numbers on any one line you will win up to $1,000 for that line. If you match between five and 18 numbers total on all three lines combined, you will win up to $2,000 more. And, if you match all six on any one line you will win a jackpot that starts at $500,000 and goes up from there every time the big prize isn't won.
Each playslip has five Multi-Match games. The cost of each game is $2.00. To play all five games, the ticket costs $10.
1. Pick Your First Six Numbers
A play consists of 18 numbers. You can select and mark your first six numbers. Make a heavy vertical mark through each number you choose. Use only pencil or blue or black ink. Red ink will not be accepted. If you make a mistake, mark the "VOID" box at the bottom of that game, then use any remaining open games on your playslip to complete your selections. Please do not try to erase errors. You will automatically receive two additional randomly selected lines of six numbers each for a total of three lines of play, 18 numbers per game, for each single game.
2. Choose Quick Pick
If you want all of your numbers to be randomly selected, mark the Quick Pick box at the bottom of each game you want to play, and all 18 numbers will be automatically selected for you.
3. Play The Same Numbers Up To 10 Times In A Row
If you like, you can play the same numbers for two, three, four, five, or ten drawings in a row, including the next drawing, by marking the appropriate "NUMBER OF DRAWS" box or the DRAW DAY box, if applicable.
Before you give your playslip to the Lottery retailer for processing, be sure to verify that the numbers selected on your playslip are the numbers you want to play. It is your responsibility to make sure your playslip represents the numbers you wish to play and the drawing(s) you want to enter. MULTI-MATCH TICKETS CANNOT BE CANCELLED OR VOIDED AFTER THEY HAVE BEEN PROCESSED.


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Quote from: Diddly on December 4, 2005, 01:01 AMPretty uncool they have the ****** Canadian non-picture cardbacks though.Hey!
Pretty uncool they have the ****** Canadian non-picture cardbacks though.
Quote from: Darth Tedious on December 4, 2005, 09:27 AMBTW, DSJ, your avatar is mesmerizing... Yes, it's like a lava lamp...Hey Aaron, nice score! Is it unusual for you guys to score stuff first?
BTW, DSJ, your avatar is mesmerizing...
It has happened a few times before that the final wave of a line didn't come up here to regular stores. Transitional OTC wave comes to mind as well.
Jon, Jon, Jon. Don't you know better than to taunt an entomologist? He'll bug you to death. Oh, I kill me.
thanks for proving it canucks....as I said you 3 SHOULD link together in a love triangle for secret santa this year
a tissue..anyone?
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HHending_Waking_Cloud_1.ogg (Ogg Vorbis sound file, length 17s, 49kbps)
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Licensing Edit
|This file was taken from the video game Fallout: New Vegas or from websites created and owned by Bethesda Softworks or Obsidian Entertainment, the copyright of which is held by Bethesda Softworks or Obsidian Entertainment. All trademarks and registered trademarks present in the image are proprietary to Bethesda Softworks.
The use of images to illustrate articles concerning the subject of the images in question is believed to qualify as fair use under United States copyright law, as such display does not significantly impede the right of the copyright holder to sell the copyrighted material and is not being used to generate profit in this context.
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