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8.Leave the filled cookie to mature in the fridge for a day or two for the flavours of the fillings to mingle with the shell and to get the best results. Macarons are best eaten after a day or 2 of filling them. You freeze the unfilled shells. I Even froze the filled cookie;let it thaw in room temperature before serving.
Tuesday, 10 January 2012
Macarons with Bitter Chocolate Ganache
8.Leave the filled cookie to mature in the fridge for a day or two for the flavours of the fillings to mingle with the shell and to get the best results. Macarons are best eaten after a day or 2 of filling them. You freeze the unfilled shells. I Even froze the filled cookie;let it thaw in room temperature before serving.
30 comments:
- Happy Cook / Finla said...
They look beautiful and perfect feet and i love all the photos.
Yeah i know it is addictive making these cuties.
- Tue Jan 10, 06:39:00 pm 2012
- Pavithra said...
Awesome and stunning macarons shabs.. great job !!!
- Tue Jan 10, 06:58:00 pm 2012
- Pavithra said...
Awesome and stunning macarons shabs.. great job.
- Tue Jan 10, 06:59:00 pm 2012
- Rookie Qookie said...
Thanks for all the links..will prepare well before I take the plunge :)
- Tue Jan 10, 07:08:00 pm 2012
- Madhavi said...
Oh mouth-drooling Macarons, yum yum yummmmm :)
- Tue Jan 10, 08:00:00 pm 2012
- Dolly said...
Wow Shabs!!! Superb . Loved everything about this post . The pictures, the story behind ur macarons, the presentation, and the detailed instructions on how to make them. Guess I'll have to give them a try. Bookmarked ur recipe.
- Tue Jan 10, 08:46:00 pm 2012
- vineetha said...
Good job shabs...after that malabar kozhi nirachathu success maybe I should take this challenge from u only :)
- Tue Jan 10, 09:25:00 pm 2012
- Reshmi Mahesh said...
Superb macarons...Looks awesome.....I have read lots of materials on success and failure of these cuties...Never dared to go near it..
Very nicely explained post with great info...Lovely clicks too..
- Wed Jan 11, 02:30:00 am 2012
- Roshu said...
Lovely recipe!!!
- Wed Jan 11, 02:54:00 am 2012
- Fajeeda said...
really tempting macs......grt job dear......ini oru kai nokkanam..........will let u know once i get it right...thanx for all the links.....
- Wed Jan 11, 03:12:00 am 2012
- Hari Chandana said...
Looks super cute and delicious. .awesome presentation too !!
Indian Cuisine
- Wed Jan 11, 04:29:00 am 2012
- Nimi said...
awesome post di:)love ur snaps nd macs;)
- Wed Jan 11, 04:48:00 am 2012
- faseela said...
wow...u have got it perfecly...well presented...thanx 4 ur well informative details....
- Wed Jan 11, 07:05:00 am 2012
- zareena said...
mmmmm.... amazing dear. From so long I was thinking of trying to make this. Nice post..
- Wed Jan 11, 07:44:00 am 2012
- Priya said...
Prefect looking elegant macarons..stunning!
- Wed Jan 11, 11:21:00 am 2012
- divya said...
Woww.. .mouth watering here.. looks absolutely delicious and perfect.. thanks for the wonderful recipe dear..
- Wed Jan 11, 02:34:00 pm 2012
- Priya's Feast said...
Thats picture perfect...Luvly macroons..
- Wed Jan 11, 02:43:00 pm 2012
- Aarthi said...
YUMMO..Thanks for the recipe..This looks like a perfect macaroon..I have bookmarked it..
You have lovely blog with awesome recipes…I am your new follower..Do check my blog if you have time..
- Wed Jan 11, 05:18:00 pm 2012
- An Open Book said...
shab u look like u have mastered the art of macaron making..they look gorgeous. And i think i would ahve liked the plain ones better. If ever i try making it again im gonna go for the plain ones. Gained so much weight in this past 3 weeks im trying to go low on sugar and such..sigh
- Sat Jan 14, 11:24:00 am 2012
- PrathibhaSreejith said...
Shabs, those looks great and ur pics are really good.
New to ur space even though I guess I have met in fc :) Follow you here and hope u'll check out my little space when u get a chance..
- Sat Jan 14, 10:30:00 pm 2012
- Sarah-Jane - SiliconeMoulds.com said...
so pretty - especially with the lovely milk bottle.
Macarons are ADDICTIVE !
- Thu Jan 19, 03:44:00 am 2012
- Magpie said...
Hey thanks so much for linking to my macadventures Shabs! What a pleasant surprise :) Your macs looks so totally glamorous btw! You, Finla & Nisha are making me get back into my macaddiction!
- Mon Jan 23, 06:16:00 am 2012
- Barbara Bakes said...
Your post makes me want to whip up another batch just to see the feet develop in the oven. I still get excited to see the fit. Your macs sound scrumptious!
- Tue Jan 24, 02:19:00 pm 2012
- Ambika said...
Wow! Shabs, a wonderful tutorial you have here!! Loved the photos too, your look smoother ans shinier than mine, so J!! hehe, will try making them again. And loved the Mactweets by Deeba, will try to participate in that also!
- Fri Feb 10, 04:05:00 pm 2012
- Deeba PAB said...
Welcome to the mac bandwagon Shabs; its wonderful to have you with us at MacTweets! These are great macs, deliciously ganaches and an all inclusive post as well. Look forward to seeing you on our future challenges!
- Mon Feb 13, 03:38:00 pm 2012
- Yasmin said...
btw which camera do u use ?
- Wed Feb 15, 10:51:00 am 2012
Thank you for receipt! But once I've tried to make almond powder and couldn't get it... I got cutted almond with a lot of oil in it... I made it in quite pwerful processor and I am dissapionted how to make it in another way for getting perfect powder.
- Sat Feb 02, 11:06:00 pm 2013
Hi, If you grind any nuts by itself, you will get a paste of nuts as
nuts release lot of oil while grinding. To avoid this, grind nuts along
with icing sugar for this recipe. You will get perfectly ground fine
- Sun Feb 03, 12:38:00 am 2013
Thank you, I use Sony Alpha 200, 18-250mm lens.
- Sun Feb 03, 12:39:00 am 2013
Ok, thank you! I will try to grind them together.
- Sun Feb 03, 10:26:00 am 2013


text:
Interracial EncountersItem #7842
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subset: commoncrawl


text:
Parts of Stoke-on-Trent could be merged with Newcastle-under-Lyme under government proposals change parliamentary boundary.
The review, an outcome of the 2010 election seeks to cut down the total number of MPs in the country and make more balanced constituencies.
New constituencies must be within 5% difference of the average voting population split across the constituencies, i.e. between72,810 and 80,473.
In North Staffordshire, Stoke will be losing it's exclusive trio of city constituencies, and Staffordshire will lose one MP as constituencies are morphed together.
In the overhaul, the existing South constituency will adopt parts of Stoke and Trent Vale.
The Stoke Central constituency will include various new wards from the existing North constituency which is where the biggest changes are felt.
Tunstall, Chell and Packmoor and Burslem North will be merged with 12 Kidsgrove and Newcastle wards, in the cross-town Kidsgrove&Tunstall constituency.
The immediate reaction is that Stoke residents will be 1/5th of a constituency and so in effect won't be voting for their City MP.
The boundary proposals are now open for discussion and for the next 12 weeks, the Boundary Commission will be accepting comments, complaints and suggestions about their proposals.
Although these merges wouldn't directly affect council elections and services, there is a fear that Newcastle/Kidsgrove/Stoke-on-Trent could be losing their historic identities.
In a recent lecture, former Elected Mayor, Mike Wolfe said that a merge made financial sense and that it was the obvious thing to do.
Across the country, both Prime Minister David Cameron's and Leader of the Opposition Ed Milliband's constituencues will remain unchanged "" 2 of only 77 MPs whose boundaries remain.
Nick Clegg's constituency will be changed, however.
With a reduction of 50 MPs across the country, inner-party squabbling is expected to break out as politicians scramble for seats.
Below is a list of the proposed new parliamentary wards for Stoke-on-Trent.
Kidsgrove and Tunstall 75,352
Audley and Bignall End Newcastle-under-Lyme 4,694
Bradwell Newcastle-under-Lyme 4,970
Butt Lane Newcastle-under-Lyme 4,349
Chesterton Newcastle-under-Lyme 5,475
Halmerend Newcastle-under-Lyme 3,038
Holditch Newcastle-under-Lyme 3,366
Kidsgrove Newcastle-under-Lyme 5,255
Madeley Newcastle-under-Lyme 3,419
Newchapel Newcastle-under-Lyme 2,801
Porthill Newcastle-under-Lyme 3,229
Ravenscliffe Newcastle-under-Lyme 3,372
Talke Newcastle-under-Lyme 3,206
Burslem North Stoke-on-Trent 9,131
Chell and Packmoor Stoke-on-Trent 9,211
Tunstall Stoke-on-Trent 9,836
Stoke-on-Trent Central BC 79,980
Abbey Green Stoke-on-Trent 8,962
Bentilee and Townsend Stoke-on-Trent 9,008
Berryhill and Hanley East Stoke-on-Trent 7,71 7
Burslem South Stoke-on-Trent 8,730
East Valley Stoke-on-Trent 10,226
Hanley West and Shelton Stoke-on-Trent 8,434
Hartshill and Penkhull Stoke-on-Trent 9,045
Northwood and Birches Head Stoke-on-Trent 8,949
Norton and Bradeley Stoke-on-Trent 8,909
Stoke-on-Trent South 78,283
Blurton Stoke-on-Trent 9,550
Fenton Stoke-on-Trent 9,225
Longton North Stoke-on-Trent 10,660
Longton South Stoke-on-Trent 10,274
Meir Park and Sandon Stoke-on-Trent 10,082
Stoke and Trent Vale Stoke-on-Trent 9,659
Trentham and Hanford Stoke-on-Trent 9,769
Weston and Meir North Stoke-on-Trent 9,064


text:
Join our live RV chat - click HERE
That is a productive day. I love warm weather fishing but sitting there with my butt glued to the ice is not my idea of fun.
That ice sure looks a lot like Thunder Bay ice.
Roy, you sit on a nice padded bucket. Or, in a chair in a heated ice hut/tent. Drinking the hot drink of your choice....waitn of the fish to bite!
OH a heated cab atv too!!! NiceOk We looked at property on Long lk years ago. I recall a high bank. Lived on Long rapids Rd when very young. Just down the road from where Tom Mail (?) old store used to be near Bolton rd. I remember going in the old store with a huge pot belly wood stove. They eventually tore it down and moved the road intersection and built a new bridge.
Life ain't so bad in the South either. At this time of year I'll stay in the South. Enjoy the negative temps up there.
Fire-up the megger
I'm not going there
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text:
Next Episode of British Comedy Awards is
The comedy awards for the best comedy stars in Britain. Often presented by Jonathan Ross, Michael Parkinson and Angus Deayton also presented editions of the show.
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But don't worry - it can happen to the best of us,
- and it just happened to you.
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text:
At the meantime, I'll like to share with you this wonderful Chocolate cake. The ingredients are far too simple to believe that this cake is actually moist and tasted with rich chocolate. I've done it with 2 different types of decorations, its for a friend and a birthday boy. Here's the recipe I'll like to share with you...
1 & 1/3 cups Lukewarm water
3/4 cup Cocoa Powder
1 & 3/4 cup Cake flour
2 tsps Baking Powder
1/4 tsp Salt
170g Butter
1+3/4 cups Sugar (sugar has been reduced)
3 eggs (medium size)
~ Combine (A) and set aside.
~ Beat butter and sugar till light and fluffy and add in eggs one at a time.
~ Add in (B) mixture alternately with (A) mixture. Always start and end with dry ingredients.
~ Pour into two 9" round pans and bake at 180'C for 25-30 mins.
~ Cool and sandwiched the cake with alittle frosting.
1/3 cup cocoa powder
45g sugar
120g double cream
60g butter
1 tbsp corn oil
~ Cook all ingredients together except butter and oil over double boiler until well dissolved and well mixed.
~ Remove from fire and add in oil and butter.
~ Pour onto the baked cake and chill.
The 1st...........top with chocolate frosting and alittle melted white chocolate and deco with fresh strawberries.
2nd..decorated with some fondant wordings and a train...haha! Yeah..uts Thomas the Train but....
..its so rough! Hopefully the birthday boy won't be dissapointed with his favourite toy that moulded so so so....argh....
Btw, I'm trying to improve with the fondant and gum paste moulding, and hopefully I can attend the class soon..;)


text:
Alfresco and RightScale Partner to Enhance Content Management in the Cloud
RightScale Platform Speeds Deployment and Increases Scalability of Alfresco in the Cloud
LONDON, UK and SANTA BARBARA, Calif. – December 16, 2009 – Alfresco Software, Inc., the leader in open source enterprise content management (ECM) solutions, and RightScale®, Inc., the leader in cloud computing management, today announced the availability of a joint solution that speeds deployment time and automates scaling of Alfresco software in the cloud. Utilizing RightScale's software-as-a-service (SAAS) cloud management platform, it is now even easier for content management software (CMS) users to implement, manage and scale Alfresco's open source ECM solution in the cloud.
Tweet This: Alfresco and RightScale partnership enhances content management in the cloud http://bit.ly/alfcloud
RightScale's cloud management platform enables organizations to deploy Alfresco open source ECM in minutes and easily create a fully-configured, fault-tolerant and load-balanced Alfresco cluster using RightScale ServerTemplates. Alfresco cloud deployments on RightScale can automatically scale to meet the needs of Alfresco ECM customers, which can vary widely depending on the number of projects, the number of people working on each project and users' geographic locations. By automatically and dynamically growing and reducing the number of servers on the cloud with RightScale, Alfresco customers can reduce costs, only paying for the system usage as needed, while maintaining system performance.
"More and more of our enterprise-level customers are taking advantage of the cloud environment, and we are well-positioned to continue to expand capabilities in this area," said John Powell, CEO and Co-founder, Alfresco Software. "Our partnership with RightScale builds on Alfresco's existing foundation as a flexible, scalable and low-cost solution and will further streamline the process of building complex architectures around Alfresco in the cloud."
"Alfresco shares our vision of driving the expansion and delivery of new capabilities in the cloud," said Michael Crandell, RightScale CEO. "RightScale brings automation, increased IT control and visibility to Alfresco users, who understand the advantages of creating and deploying open source ECM solutions in the cloud."
Alfresco and Rightscale will be hosting a webinar on January 12, 2010 to demonstrate this solution.
To try Alfresco Enterprise in the Cloud visit: http://bit.ly/cloud-trial
About RightScale
RightScale is the leader in cloud computing management. Founded in 2006, the company offers a fully automated cloud management platform that enables organizations to easily deploy and manage business critical applications across multiple clouds with complete control and portability. The RightScale Cloud Management Platform is delivered as "software as a service" (SAAS) and is available in a range of editions, from the free Developer Edition to Enterprise Editions. To date, thousands of deployments and more than 700,000 servers have been launched on the RightScale Platform for leading companies such as Animoto, Playfish, Sling Media and TC3. To learn more about RightScale, please go to http://www.RightScale.com.


text:
Wednesday, July 13, 2011
Sabrina Mercedes Pavon, 10, of Maiden, died Monday, July 11, 2011, at her home. Burial will follow at Startown/Jenkins Cemetery in Newton.
Janet Marie Mosher Munson, 73, of Sherrills Ford, died Monday, July 11, 2011, at Burke County Hospice. The family will receive friends from 10-10:45 a.m. Thursday at the church.
Raven Nicole Houston Deats, 29, of Conover, died Tuesday, July 12, 2011, at Catawba Valley Medical Center. The family of Raven has entrusted funeral arrangements to Drum Funeral Home & Cremation Services, Hickory.


text:
Lil Wayne + Rick Ross Get Impersonated by Kids In YouTube Video
Hip-hop heavyweights Lil Wayne and Rick Ross are re-imagined as baby Wayne and baby Ross in a YouTube video that was posted online. The clip features a young kid plucking the guitar like Weezy, while another youngster is mimicking Rozay.
In the video, Benjamin McDonald and Zorian Jolly played the kid versions of Wayne and Ross, respectively, and they seemed to be having fun playing the famous rappers. In one scene, we see McDonald strumming his guitar just like Weezy and singing the rap ballad 'How to Love.' Then it segues to their song 'John' as we see Jolly wearing shades like Ross, although, he doesn't look nothing like the Miami rapper.
Near the end of the clip, we see baby Weezy admiring a "#1 Dad" poster of Birdman on his wall. But when he's get a fictional text from the Cash Money CEO that reads, "I kissed another man Wayne – Birdman," he rips down the poster in anger. For those who may not know, Birdman and Wayne share "Mafia kisses" with each other, as reflection of their inseparable father-and-son bond. We also see baby Wayne fall off his skateboard in reference to Weezy's accident this past summer.
This isn't the first time little tykes decided to impersonate the chart-topping superstar. On Halloween, two kids dressed up like Lil Wayne and Nicki Minaj, which elicited mixed reactions from viewers when their photos were posted online.
While we don't think child services should be called on the kids' parents for this YouTube clip, we have to stress that Weezy and Rozay's music is not for lil young'uns. Therefore, children shouldn't be glorifying them in a video. But if an eight-year-old princess can mimic the black Barbie, who are we to judge? Hopefully, this clip won't come back to haunt them when they get older.
Reactions to video have been mixed on the user's YouTube page. Some thought it was cute while others frowned at the clip. One viewer jokingly wrote, "He already got better skills skating and playing guitar than Lil Wayne," while another typed, "Set black people 400 yrs back. Raising hoodrat children. Congrats."
What do you think of the video? Tell us in the comments below.
Watch the 'Little Wayne' Parody Video


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Page content
Behaving Ourselves, Eighteenth-Century Style
During the eighteenth century, much attention was paid to how people presented themselves (called deportment) in both public and private, and specific behaviors were required by the colonial culture and society. Such manners were distinct, specific, and related to one's social standing in the community. Children's behaviors directly reflected the social class and breeding of their family, and children were expected to behave much like adults. According to The Polite World, (Wildeblood and Brinson, 1965, p. 223) " 'Good Breeding' was the term used to indicate correct and elegant deportment of the body, and the outward show of civil behavior, whereas 'good Manners' [sic] implied moral behavior." Good breeding and good manners needed to be shown at all times, but especially in formal situations, such as dinners and balls. This lesson uses George Washington's Rules of Civility & Decent Behavior In Company and Conversation as a primary source to examine these manners. Students also demonstrate proper deportment through eighteenth-century courtesies (bows and curtseys).
In this lesson, students:
- Interpret a photo showing the proper physical "deportment" of colonial men and women
- Describe the social situations and customs for the male bow and female curtsy
- Demonstrate colonial customs of the male bow and female curtsy
- Translate into modern terms several excerpts from George Washington's Rules of Civility & Decent Behavior In Company and Conversation
- Review social behavior vocabulary from the colonial period
- Eighteenth-Century Children Images
- Glossary
- Excerpts from Washington's Rules of Civility & Decent Behavior In Company and Conversation
- George Wythe House Dining Room Image
Download Lesson Materials (PDF)
- As a focus for this lesson, display the Eighteenth-Century Children Images. Have students note how the boy and girl are standing and sitting in a formal manner. Ask children to describe the children. How might they act every day? Write their responses (and questions) on the board. Discuss with the class that strict expectations for the arrangement of hands and feet, posture, even to the tilt of the head, all indicated a correct "deportment" required by polite society. Ask students how their opinion of the children might change if they were slumped or sloppy.
- Hand out the Glossary. Review the terms with the class.
- Divide the class so that boys are standing on one side of the classroom and girls on another. Instruct the students that they will now have the opportunity to practice the deportment of standing properly. The boys will learn how to bow appropriately and the girls will learn how to curtsy.
- All students should stand with their head upright, shoulders back, with the feet and legs turned outwards to a moderate degree (note the boy's legs and feet in the photo). A person standing with arms to the side would indicate the servants' class. For the gentlemen, placing the hands on the hips was more acceptable (again, note the boy's left arm). The ladies should clasp their hands in front of their stomachs. Model these instructions for the students to follow, and allow them to practice.
Lesson Extensions
Have students engage in a "think-pair-share" activity of behavioral rules followed in their own homes.
What rules or regulations are required for the students' own school cafeteria? Why are such requirements necessary? How would students revise, change or add to these lists?
This lesson was written by Shawn Cunlisk, Vancouver, WA, and Bill Neer, Baldwinsville, NY.


text:
Line Server
- $7.75 - $9.00 Hourly
- Part Time / Full Time
- Employer Likely to Respond
Qdoba Mexican Eats is looking to add customer-oriented Line Servers to it's team! We have both full and part-time positions available and can offer a flexible work schedule to fit your needs.
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- $7.75-$9 hourly
- Meal discounts
- If full time: Health, dental and vision insurance, 401k
Key Responsibilities:
- Engage and interact with guests and other team members
- Create guest orders as requested and ensure the accuracy of each order
- Pay careful attention to presentation of food
- Frequently clean the service line, restaurant equipment, and dining area and assist in maintaining overall restaurant cleanliness
- Prepare, create and maintain food according to specifications by using approved recipes, proper portions and food prep logs/tools
- Replenish food in service stations and holding areas appropriately
- Provide outstanding customer service throughout entire working shift
- Ring order accurately by using the point of sale system
Other Requirements:
- Previous restaurant experience preferred
- Strong communication skills
- Desire to learn and take on additional tasks
- Integrity
Roaring Fork Restaurant Group is the largest franchisee of Qdoba Mexican Eats, with 56 restaurants in Wisconsin, Illinois and Iowa. We also own and operate Grate Modern Mac & Cheese, the exciting new restaurant concept that combines local ingredients with great taste. In our restaurants, we're passionate about innovative flavors and fresh, handcrafted food. We are looking for a dedicated, hard-working professional who exemplifies our workplace philosophy and embraces our core values. We are experiencing tremendous growth, which has created this opportunity for the right candidate to join our team of professionals.
What we offer:
- Competitive salary based on experience
- Paid holidays, PTO, floating holiday and volunteer day for full-time employees
- Complete benefit package: health, dental, vision and prescription insurance, and FSA for full-time employees
- Life, AD&D, short term and long term disability for full-time employees
- 401(k) plan with matching employer contribution for full-time employees
- Free or discounted hot, delicious, mouth-watering food


text:
Eagan's Cullen Willox, far left, caused headaches for Mason Schneider (17) and the Burnsville defense, not to mention Blaze goaltender Chris Mallon, for much of Tuesday's game. Photo by Loren Nelson
Holding a one-goal advantage in the second and into the third period, Eagan began pushing.
Puck movement galore, shots flying, nets crashing off their moorings. No matter how hard they tried though, the Wildcats just couldn't find that extra cushioning another score would provide.
Finally, just over three minutes into the third, "Big Willy" stepped in.
Better known as Cullen Willox, Eagan's senior forward stuffed home a rebound goal and then added on a laser-sighted snipe to the upper netting, living up to his name and electrifying a large Eagan contigent at the Burnsville Ice Center in Burnsville.
"Oh geez, Big Willy," Eagan defenseman Nick Smallidge said with a laugh after the No. 10-ranked Wildcats' 4-2 win over No. 7-ranked Burnsville on Tuesday, Dec. 18. "Fun guy in the locker room and scores goals at key times."
"That's his nickname, I gave it to him."
Up to that point, Willox's first line hadn't made a huge impact. The unit had only registered a point off a Zach Glienke assist and were otherwise kept off the score sheet. That's when Willox decided enough was enough and busted open the game. He and Glienke finished with a combined five point effort.
"Our whole spiel is don't really lose the third period or anything so we knew we had to come out streaming, come out fast," Willox said, adding that he felt he needed to lead the team.
Eagan's Cullen Willox, right, lines up against Burnsville's Anthony Rikberg. Photo by Loren Nelson
The scoring burst has become a pattern over the last few games for Willox. After getting shut out against Hill-Murray and Minnetonka, he's scored seven goals in his last three games and has 10 points in six contests (eight goals, two assists). That total includes a hat trick against Lakeville South and two goals against Bloomington Jefferson. Not exactly easy competition.
"Really in the past couple games, Cullen has taken it to another level," Eagan assistant coach Todd Carlson said. "He's got the size and he can shoot but how he sets the tone with how hard he plays on the forecheck, blocking shots, doing all the little things that we need, he's a kid that's really emerged."
Willox is a key cog of this new Eagan squad. Losing a talented core of Michael Zajac, Nick Kuchera, Will Merchant -- Eagan's three top scorers last year -- plus Eli May and Derick Kuchera, Willox has been forced to step up as one of the remaining players of that group. While some observers might have forgotten about the Wildcats, Willox, Glienke, and defenseman Will Peterson have been carrying the flag.
"I think back to when he was playing with us as a sophomore, just the experiences that he had with that team and how he's taking all of that and really developed into a leader himself," Carlson said.
After spending most of last year on the second line and even skating in the past on the third line, Willox is on pace to eclipse his regular season total of 30 points (14 goals, 16 assists) from the previous season and looking to prove that Eagan still has potential as a powerhouse.
"Everyone was looking at last year in particular as the high point and that we were gonna drop off," Carlson said. "It's a challenge to those kids 'you're not just the leftovers, you're not just the afterthoughts' and it helps them play with a chip on their shoulder."
Eagan's Will Peterson works to clear Burnsville's Anthony Rikberg from the slot and out of goalie Andrew Lindgren's line of vision. Photo by Loren Nelson
For the last five minutes of the game, Eagan was pinned deep in its own zone.
After giving up a goal and allowing Burnsville to inch closer in the Wildcats' 4-2 victory Tuesday, the Blaze peppered sophomore goaltender Andrew Lindgren, especially when defenseman Tommy Muck hit the box for hooking with 3:47 to play.
With Muck serving time and junior defenseman Nick Wolff out with a suspension, the Wildcats were rolling just three defenseman, and suffering.
In the end however, the three remaining blue-liners stuck it out and kept Eagan afloat for the win. It was a nice finish for a group that mostly snuffed Burnsville's offense and halved the Blaze's normal scoring output.
"The penalty kill was huge," senior defenseman Nick Smallidge said. "We just tried to smother it as much as we could, waste as much time. We knew if we could get it off that penalty kill, we could finish it off."
Between star Will Peterson, Smallidge, Muck, and junior Taylor Karel, the Wildcats' defense managed to make do. Peterson even scored the second goal of the game with a slap shot from the point on the power play.
"Our 'D' I think played really well," Eagan assistant coach Todd Carlson said. "We talked about getting the puck up quick on these guys on their rushes… I thought that they were key because they were solid on the back check and I don't know how many blocked shots our defensemen had tonight."
Stepping up on odd-man-rushes and keeping the puck in the offensive zone at the blue-line, the slick defensemen frustrated Burnsville, who kept trying to make long passes and rushes that were often cut off in the neutral zone. It was an impressive performance for a such a short bench.
"Will Peterson really had to hold it down with Nicky Wolff out for the game misconduct," Eagan forward Cullen Willox said. "Taylor Karel stepped in really well over the weekend."
Cullen Willox
Cullen Willox scored twice in the third period, including a beautiful top-corner goal, to push No. 10-ranked Eagan past No. 7 Burnsville in a 4-2 win on Tuesday, Dec. 18 at the Burnsville Ice Center in Burnsville.
Heading into the third holding a precarious 2-1 lead, the Wildcats (5-2-0) took over and glided to the South Suburban Conference victory.
The Blaze (4-3-0) scored late in the third period and turned up the pressure on Eagan but couldn't make a big enough push in their first home game of the season.
Wildcat freshman Jesse Gabrielle opened up the scoring with a shot from the point on a first period power play just 1 minute, 58 seconds into the opening period. Junior Joe Berg answered quickly for Burnsville, scoring his first goal of the season.
From there, it was all Eagan. The Wildcats controlled the puck and played stifling defense, spending a majority of the game in their offensive zone. Will Peterson, a senior defenseman, put Eagan up by two in the second when he unloaded a seeing-eye shot from the point, also on the power play.
Sophomore goaltender Andrew Lindgren was solid for Eagan, stopping 33 of 35 shots for his fifth win of the year.
Forward Zach Glienke led the Wildcats in points with three assists, and junior Cole Borchardt also scored for Burnsville.
Eagan coach Mike Taylor missed the game attending family matters in California. It was not determined how long he will be gone from the team. Taylor had a record of 161-82-9 coming into his tenth season as a head coach.
1. Cullen Willox, Eagan
Willox effectively ended the game midway through the third when he fired the puck top shelf, putting the Wildcats up 4-1. It was his second goal of the period and dashed any comeback hopes for Burnsville. Willox, a senior forward, has 10 points so far this season (eight goals, two assists) including seven goals in his last three.
2. Andrew Lindgren, Eagan
Just a sophomore, Lindgren was stellar in goal, giving maybe his best performance of the season. After stopping 33 shots Lindgren has now saved 88 percent of shots faced and has allowed 3.08 goals per game. He has five wins so far this year in seven starts.
3. Will Peterson, Eagan
A rock on the defensive end, Peterson was a big part of the effort to hold a team that averages four goals a game to just two. His goal in the second period also ended up being important, putting the Wildcats ahead by two and building a lead that Burnsville couldn't overcome. Peterson has three goals and three assists this season.
Eagan sophomore goaltender Andrew Lindgren. Photo by Loren Nelson


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Fractal design – Sterlingware
This digital artwork is part of a series of Fractal creations I have made.
These images would be ideal for corporate offices as well as contemporary homes.
The finished digital painting seemed to suggest the superiority of the Borogroves.However, whatever you see in it is the way YOU will enjoy it.
This is directly produced from my original digital artwork designs. This beautiful painting has very vivid colors, and all aspects of the painting
are museum and archival quality, ready for framing. Hand signed – in a limited edition of 110. This Fractal is available in various sizes on archival
paper. Contact the artist, Patrice Baldwin – email@example.com to discuss size changes. it will be shipped to you in a heavy cardboard tube.
My images do not belong to the public domain. They may not be copied, downloaded, reproduced, edited, altered, shared or displayed without my
written permission. © All my work is copyrighted and remains the property of Patrice Baldwin.
Thank you for your consideration.


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One of the last major moves of former HP CEO Carly Fiorina's troubled tenure at the company was announcing at last year's CES of the company's plans to build a media hub. The ambitious HP-branded hardware would run Linux and be marketed as a consumer electronics device rather than a PC. The capability list was impressive: the ability to play HD video, act as a digital cable set-top box, a dual-tuner DVR, as well as a general digital media (e.g., photos, music, video) server. On the eve of the 2006 CES, HP has decided (subscription required) to let the media hub die a quiet death.
In the wake of Windows XP Media Center Edition, the launch of the Xbox 360, and features of the upcoming Vista, there's not really any need for HP's device. In fact, HP has a respectable lineup of home theater PCs running MCE that could be cannibalized by a media hub product.
Even as it kills the media hub, HP plans to press on into the consumer electronics marketplace with a line of HDTVs with built-in WiFi connectivity along with digital cameras and other devices. According to an HP spokesman, there are a couple of major retailers interested in carrying HP-branded TVs, which are currently stocked primarily by smaller, regional outlets.
The decision to forge ahead into consumer electronics is a curious one, given the experience of HP competitors Dell and Gateway. Gateway was perhaps the most determined to break into a market dominated by the likes of Sony, Samsung, Toshiba, and Hitachi. It didn't go terribly well, due in part to its retail strategy. Gateway PCs, TVs, printers, and other devices were available only online, via mail order, or from the company's Gateway Country stores. The stores were unprofitable and were shuttered in 2004. A few months later, Gateway decided to reconsider its commitment to consumer electronics, choosing to focus on PCs and IT services.
Dell has also tried to make a big splash with TVs, digital music players, and other consumer electronics devices. The PC giant's LCD monitors are very popular, but it turned out that people were much less willing to purchase a US$3,000 plasma TV sight unseen than they were a US$500 PC or LCD display. The Dell DJ has been little more than an afterthought in the digital music player market. Dell's experience suggests that capturing a sizable piece of the consumer electronics market without a strong brick-and-mortar presence is a difficult task.
Back in 2003, PC makers were optimistic that there was big money to be made in consumer electronics. Will HP be able to buck the trend?
Be sure to check the front page and our Opposable Thumbs journal for our on-location coverage of the 2006 CES.


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Dentist? Get Listed on this website for FREE. Email email@example.com
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The production crew of K Pop concert tried to clarify and explain about the controversy of Leeteuk in response to netizens' criticism.
On May 21 at California Amphitheatre, Korean Music Wave in Google that MBC, Google, and Youtube co-hosted was held and broadcast live on Youtube.
At the end of the concert, all the stars reappeared on stage singing "Arirang." After singing the song, Leeteuk held the microphone and closed the ceremony by saying, "We who have different languages and appearances have united as one in music." However, few netizens criticized him for saying the closing line when SNSD's Taeyeon and Tiffany were MCs of the event and not him.
A local publicist of MBC explained, "I believe that the criticism is from some misunderstanding of the situation. The director of the concert asked Leeteuk who has a lot of experience in emceeing, to wrap up the big live concert."
He also stated, "It's nonsense that he disturbed Tiffany's emceeing. Leeteuk coming on stage with a microphone shows that it has been planned beforehand."
Leeteuk also tried to explain himself on Twitter by posting, "I was asked to wrap up the concert with closing lines after singing the ending song 'Arirang.' I would like to give my sincere apologies if saying the closing line with the producer's request is a wrongdoing. If not, I would like to politely ask you not to criticize me."
Many top stars performed in this concert including TVXQ, Super Junior, Wonder Girls, SNSD, Kara, B2ST, Mblaq, Sistar, and f(x). Youtube MBC K-pop Channel and Youtube Presents Channel received so much attention that 190,000 comments were posted simultaneously. The concert will air on MBC soon.
Source: Starnews


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The Details
- Rock of Ages
- Directed by Adam Shankman
- Rated PG-13
- Opens Friday
- Beyond the Weekly
- Official Movie Site
- IMDb: Rock of Ages
- Rotten Tomatoes: Rock of Ages
- Julianne Hough, Diego Boneta, Tom Cruise, Alec Baldwin
With the stage version of Rock of Ages set to debut at the Venetian later this year, it might be a good idea to just hold off on seeing Adam Shankman's new film adaptation, at least if you want to retain any enthusiasm for the show. Shankman and screenwriters Justin Theroux, Allan Loeb and Chris D'Arienzo have shifted around plot elements and added new characters, but they've lost whatever charm was evident in D'Arienzo's original.
Set on the Sunset Strip in 1987 and soundtracked by the hard-rock hits of the era, Rock of Ages has the thinnest possible story to support its two-hour-plus running time, built around the vapid romance between aspiring singers Sherrie (Julianne Hough) and Drew (Diego Boneta). There are subplots involving an egomaniacal rock star (Tom Cruise), a Tipper Gore-like moral crusader (Catherine Zeta-Jones) and the owner (Alec Baldwin) of the club where Sherrie and Drew work, but all of them are completely insubstantial as well.
A musical doesn't need an intricate, compelling plot if it has sensational production numbers and charismatic lead actors, but Rock of Ages has neither. Most of the actors deliver their songs competently, but it's still like watching very attractive people perform unremarkable karaoke. The bland Hough and Boneta lack chemistry, and while Cruise, Baldwin, Russell Brand and Paul Giamatti have fun with their characters, the script barely offers them anything to go on. Rock of Ages is packed with songs that have roused arena-rock crowds for years, and it manages to turn them into something as exciting and dangerous as a theme-park revue. –Josh Bell


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(Gettysburg, Pa.)- The Dickinson College football team rallied from a 14-0 deficit to overtake Gettysburg 21-20 and regain possession of the Little Brown Bucket. The Devils scored 21 unanswered points and blocked the Bullets' extra-point attempt in the final minute to hold on for the win.
The Devils won the toss and went on offense first. The drive stalled on the Bullet 15 yard line, forcing a 32-yard field-goal attempt. The kick went wide left and the Gettysburg took over on the 20 yard line.
The Bullets drove 80 yards on 10 plays, scoring on a pass from Kyle Whitmoyer to John Pesce to take a 7-0 lead. Pesce scored on the Bullets' next drive as well, breaking free around the right side for a 16 yard touchdown run with 5:47 remaining in the first quarter.
The Red Devils were moving once again before Peter Hak stepped in to intercept a pass at the Bullets' 15 yard line to give Gettysburg possession to start the second quarter with a 14-0 lead.
The Red Devils put together a strong drive at the end of the first half, capped by a 38 yard touchdown run from sophomore fullback Kyle Smith (Easton, Pa./Easton Area) with less than a minute to play.
Gettysburg looked to add to its 14-7 lead before the end of the half. They moved the ball to the Devils' 25 yard line with the help of a Dickinson penalty. Ross Johnson (Bridgeton, N.J./Cumberland Regional) stripped the ball and sacked Kody Smith to push the Bullets back.
A desperation pass into the end zone was intercepted by first-year Mitch Helmandollar (Glenolden, Pa./Interboro) with five seconds to play in the half. The Devils took a knee, heading into the break trailing, 14-7.
Senior linebacker Julian Rosen (Brecksville, Ohio/University School) picked-off a pass to give the Devils possession early in the third quarter. The Devils put together another strong drive. Senior Mike Shimkin (Solebury, Pa./Princeton Day School) broke free for a 46 yard run, taking the ball to Bullet six yard line.
First-year quarterback Cole Ahnell (Rockville, Md./Walter Johnson) dove in from the one to pull the Devils even at 14-14 with just over 11 minutes remaining in the third quarter.
The teams traded possessions with punter David London (Chevy Chase, Md./Maret School) just missing the corner as he tried to pin the Bullets inside their own five yard line. The ball just rolled inside the pylon for a touchback.
The Devils put together one of its best drives of the afternoon to open the fourth quarter of play. Ahnell led the Devils on a 93-yard drive, scoring on a four yard pass to tight-end Matt McDonald (Lititz, Pa./Manheim Twp.) with a little over seven minutes remaining in the game.
The Devils held on the next possession, forcing a three-and-out as Michael Miller (Hainesport, Pa./Bishop Eustace) and Mike McKee (Malvern, Pa./Malvern Prep) combined to sack Whitmoyer and force a fumble. The Bullets recovered but were forced to punt the ball away.
The Devils were forced to punt as well. London's punt skipped into the end zone once again for a touchback. Whitmoyer choreographed a great drive, connecting with Aden Twer on a 43-yard bomb to the Dickinson four-yard line. Whitmoyer scrambled in for the touchdown with just 46 seconds remaining. The extra-point was blocked by the senior Corwyn Gordon (Hanover,Pa/South Western), keeping the score, 21-20.
The Bullets had one more card to play, attempting an on-sides kick, but senior wide receiver Cam Di Fede (Miami, Fla./Palmer Trinity) fell on the ball and the Devils would then run out the clock for the win.
Following a slow start, the Devils racked-up 383 yards of offense on the afternoon. Gettysburg totaled 390 on the day as the teams combined for 773 yards of offense. Two Red Devils went over the century mark. Shimkin led all rushers with 139 yards on 18 carries while Smith covered 115 yards on 17 attempts. Ahnell finished the day with 58 yards rushing and 77 through the air, connecting on 30-yard strikes to DiFede and senior tight-end Tyler Rosa' (Carmel, Calif./Stevenson School).
The Red Devils received outstanding play from the offensive line as they had their most productive output of the season, rushing for 306 yards on the day. Gordon turned in a strong performance in the trenches, in addition to the blocked extra-point. Seniors Michael Tucker (Pottstown, Pa./Pottstown) and Eric Lopez (Miami, Fla./Christopher Columbus) anchored a solid effort, playing a key role as the Devils rattled of over seven minutes on their final drive to take the lead.
Senior Scott Sullivan (Coatesville, Pa./Bishop Shanahan) led the Devil defense with 10 tackles, including eight solo stops on the afternoon. Rosen and Miller each added nine tackles while Johnson finished with seven stops, a sack and a forced fumble.
Ted Delia ran for 99 yards while Whitmoyer and Smith combined for 227 yards passing to lead the Bullets. Mark Covington and Larry DelViscio each recorded a game-high 11 tackles. Covington also forced and recovered a fumble.
The Red Devils improve to 4-5 overall and 4-4 in the Centennial Conference. They return home next weekend to face Ursinus College in the season finale. Kick-off is scheduled for 1:00 pm.


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Spring 2013
To understand our world, we humans divide things into categories. They are often opposites: day/night, human/animal, sick/healthy. Through categorization we create a sense of security. Anomalies exist in between categories. When encountering an anomaly we can react with horror, disgust or fear. The reactions are often physical and our intellect isn't always involved.
For the SS-13 collection, we have focused on anomalies such as the androgynous or genderless, treating these subjects in relation to the frames of duality. We have gone to outer space, returning with UFO and alien inspiration for prints and materials. The alien, artificial, ambiguous, strong, weird and genderless is central for the collection.


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Please turn up your speakers and press play
When a visitor clicks a book, it's automatically branded with your affiliate links before they downloaded it
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If you want to leave (for whatever reason) we'll be very sorry to see you go. If we can do anything to help please get in touch. We listen to our members and continually strive to improve our service. If you decide not to stay, you can cancel at anytime. There are not obligations or commitments. Just drop us an email and we'll immediately terminate your membership, no hard feelings.
Q. How was Paris?
:) Amazing!!!!! The hotel was truly spectacular and the receptionist was from Puerto Rico, so she had lots to talk about (in Spanish) with my fiancé, who is from Colombia. The highlight of the trip for me was going up the Arc de Triomphe. I'm going to display my ignorance here, but I didn't even know you could go inside it! If you're ever in Paris be sure to do this, it's just as magnificent on the inside as it is on the out.. but be warning.. there are LOTS of steps! (As I write this tiny update it's currently May 8th, and I'm now back in Colombia preparing the paper work for our wedding.)
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IMPORTANT NOTICE: Auto Affiliate program is FULL!
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IMPORTANT NOTICE: Auto Affiliate program is FULL!
ClickBank is a registered trademark of Keynetics Inc., a Delaware corporation. autoaffiliateprogram.com is not affiliated with Keynetics Inc. in any way, nor does Keynetics Inc. sponsor or approve any autoaffiliateprogram.com product. Keynetics Inc. expresses no opinion as to the correctness of any of the statements made by autoaffiliateprogram.com in the materials on this Web page. (PHP)


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The display and the most important functions of your smartphone on the touchscreen of your car.
Everybody wins when form and function combine perfectly. Find out how we do it.
Technologies that protect the environment and save fuel.
Because we all want a better life. Every day we focus on making your journey more efficient, comfortable and enjoyable in every way. We put all our engineering expertise into creating affordable technologies for optimized safety and higher performance. We find versatile solutions for your daily driving needs and make them attractive and exciting.
This is the way creativity meets everyday needs. By providing practical solutions. For example, seats that fold away, making room for large loads, floors that can be lowered to make even more space and many other options that adapt the vehicle to your changing requirements.
We spare no efforts to make your daily mobility simpler and more comfortable. On the one hand, we introduce revolutionary solutions such as the rear-hinged rear doors that facilitate cabin access on the Meriva. On the other hand, we make premium comforts such as industry-best ergonomic seats available in the compact class.
Active and passive, interior and exterior, night and day, driver and pedestrian. Whichever way you look at it, we are committed to the development of technologies that increase security, for you, your passengers and the world around you.
Driving is a pleasure. That's our belief. And we are constantly finding new ways to ensure you enjoy every kilometer of the way – confident at the wheel and always being in control of the car whatever the road conditions.
When you're looking for new mobility concepts you won't find us sitting back and waiting to see which way the wind blows. We don't follow trends, we make them. And we're clearly showing the way with cars like Europe's first electric vehicle which you can drive without compromises – the Opel Ampera – or the HydroGen4 zero-emissions hydrogen fuel cell car.
Opel has been a pioneering brand since the very beginning. But what makes us special is not merely inventiveness but the way we have made our innovations accessible to everybody.


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Colorado and Denver hosted a record number of vacationers in 2011.
The annual survey by Longwoods International shows the state logged a record 57.9 million overnight visitors last year. But the one percent annual increase in visitation was eclipsed by a six percent increase in visitor spending, reaching a record $10.76 billion.
Most importantly for Al White, head of the Colorado Tourism Office, is that the state grabbed 2.7 percent of the nation's overnight travelers. That marks a return to the 1991 market share the state commanded before tourism funding was cut in 1992.
"After 18 years we have finally regained what we lost," White said. "The lesson here is that when you stop spending money you lose market share and it's easy to lose but hard to regain. Well now it's back. It's a happy day for tourism in Colorado."
The city of Denver enjoyed its best-ever year for tourism in 2011, with 13.2 million overnight visitors, a 4 percent increase over 2010.
The record confirms the city's mission to transform itself from "not just a gateway to the Rockies but a destination in its own right," said Bruce James, chairman of Visit Denver.
And those Denver visitors spent more, leaving a record $3.3 billion in this wake, a 10 percent increase over 2010. Leading the list of increases for Denver were business travelers, who fueled a 17 percent annual increase in visits and a 15 percent increase in spending while marketable visitors – those who could travel anywhere but chose Denver – increased 4 percent. The city's lodger's tax spiked at $55.6 million in 2011, another record.
"You not only attracted more people, but you convinced them to spend more," said Michael Erdman, vice president with Longwoods International, which has surveyed Colorado travelers since 1990.


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The How and the Why
The How and the Why
THE HOW AND THE WHY at Central Square Theater
The Nora Theatre Company presents the New England Premiere
September 27 – October 21, 2012
CAMBRIDGE – From September 27 through October 21, The Nora Theatre Company will proudly present the New England Premiere of Sarah Treem's THE HOW AND THE WHY at Central Square Theater. The Press Performance is Monday, October 1 at 7:30PM.
On the eve of a national conference Zelda, an acclaimed evolutionary biologist, is visited by Rachel, an ambitious graduate student. The two women share a zeal for science, a bold and contrarian approach to the male-dominated field, and much more. During the course of the visit, the young scholar challenges the older woman's "grandmother hypothesis" with a radical theory of her own that she believes will change the way people regard sex. Emotion and evolution clash with humor and passion in Sarah Treem's (HBO's In Treatment) new play about the competitiveness and sacrifices needed to succeed as a woman in science.
For this New England Premiere, The Nora Theatre Company's Associate Director, Daniel Gidron directs. Last season, Mr. Gidron directed the critically acclaimed productions of the Boston Premiere of Photograph 51 and Arabian Nights, for which he won the 2012 Independent Reviewer of New England (IRNE) Award for Best Director, Drama, Midsize Theater.
Debra Wise, Artistic Director of Underground Railway Theater (The Nora's sister resident company at Central Square Theater), will portray acclaimed evolutionary biologist, Zelda Kahn. Performing in science-themed productions is not foreign territory to Ms. Wise who earned a 2012 IRNE Nomination for her performance as Sara Turing in Hugh Whitemore's Breaking the Code. Ms. Wise is also the Co-Director of Catalyst Collaborative@MIT, a science-theater collaboration between MIT and the two resident theater companies at Central Square Theater. Joining Ms. Wise is Samantha Richert as Rachel Hardeman. Ms. Richert is a recent graduate of Brandeis University's MFA Acting program. She has performed with Primary Stages in New York City, Berkshire Theatre Festival, and Actors' Shakespeare Project, among others.
THE HOW AND THE WHY runs from September 27 through October 21, 2012 at Central Square Theater at 450 Massachusetts Avenue in Cambridge, Massachusetts. Ticket prices range from $15 to $50 with discounts for students, seniors, and groups. For tickets or more information, the public is invited to call 866.811.4111 or visit CentralSquareTheater.org.
About THE HOW AND THE WHY
Several years ago, a boyfriend gave Sarah Treem a book about female physiology, Woman: An Intimate Geography by New York Times Pulitzer Prize Winning reporter Natalie Angier. In this book Ms. Treem read about two theories: The Grandmother Hypothesis and another called The Toxicity of Sperm.
As an undergraduate, Ms. Treem, curious about playwriting, saw a production Emily Mann's Still Life which gave her the answer to the question "How does one write a play?" In an interview at the McCarter Theatre Company for the World Premiere of THE HOW AND THE WHY (directed by Emily Mann), she recounted that experience and the answer to that question: "…you put people in a room who have very good reasons to be furious at each other and you don't let them leave. That's how you create dramatic tension. THE HOW AND THE WHY is somewhat based on that principle."
While Ms. Treem has acknowledged that the play is about science, she suggests the center of the play is the relationship between the two women, commenting "I was interested in what it means for me and my generation to be daughters of the feminist generation." She goes on to mention Susan Faludi's Harper's article, "American Electra: Feminism's ritual matricide," about the generational divide in the feminist movement. Ms. Faludi proposed that the contemporary women's movement "seems fated to fight a war on two fronts: alongside the battle of the sexes rages the battle of the ages."
In THE HOW AND THE WHY, Ms. Treem notes that "the scientific argument serves as a metaphor for the generational conflict. And the characters actually have a harder time letting go of emotional intelligence from generation to generation than scientific principles." Through the characters' passionate argument and debate about their own respective scientific theories, Ms. Treem not only explores intergenerational views on feminism, but also what happens in society when women become leaders in professions with a perception of being exclusively for men, and how that impacts the women's lives.
Production History
THE HOW AND THE WHY received its World Premiere at the McCarter Theatre Center in Princeton, New Jersey from January 7 through February 13, 2011. It was directed by Emily Mann, with Academy and Tony Award-Winning Actor, Mercedes Ruehl as Zelda and Bess Rous as Rachel Hardeman. Since then, it has been presented at InterAct Theatre Company in Philadelphia, and 1st Stage in McLean, Virginia.
About Playwright Sarah Treem
Born in Boston, Sarah Treem is the only writer to have written and produced all three seasons of the acclaimed HBO series In Treatment, for which she won a Writer's Guild of America award and was nominated for a Humanitas award. She is also a writer/producer for the Mark Wahlberg/Stephen Levinson produced HBO series How To Make It In America and is currently adapting Samantha Peale's novel The American Painter Emma Dial for HBO with Philip Seymour Hoffman and Emily Ziff. Ms. Treem participated in the 11th annual Tel Aviv-Los Angeles Film and TV Master Class in Israel in July 2009 and in a conference session titled "How They Did It: Turning an Israeli series into HBO's In Treatment" for New York Women in Film & Television in March 2010. In addition to THE HOW AND THE WHY, her full-length plays include Empty Sky; Against the Wall; Mirror, Mirror; A Feminine Ending; and Human Voices. A Feminine Ending received its World Premiere at Playwrights Horizons in Fall 2007, was subsequently produced at South Coast Repertory and Portland Center Stage in 2008, and is published by Samuel French, which has also published Mirror, Mirror. Human Voices was part of Manhattan Theater Club's Springboard's New Play Series and New York Stage & Film's Powerhouse Reading Season in 2007. Ms. Treem has been in residence at The Sundance Institute, The Ojai Playwriting Conference, The Screenwriters Colony, and the Yaddo Artists' Colony. She has been commissioned by South Coast Repertory and Playwrights Horizons, and has been a fellow with the Lark Playwrights' Workshop. Ms. Treem has taught playwriting at Yale University, where she earned her BA and MFA.
About Director Daniel Gidron
Daniel Gidron, The Nora Theatre Company's Associate Director, recently helmed Anna Ziegler's Photograph 51 for The Nora Theatre Company as well as The Nora and Underground Railway Theater's critically acclaimed production of Arabian Nights, for which he won a 2012 IRNE Award for Best Director, Drama, Midsize Theater. He has also directed the World Premiere of Amy Merrill and Si Kahn's Silver Spoon, Hysteria, The Caretaker, The Lady With All The Answers, The Cherry Orchard in a World Premiere Translation by George Malko, and We Won't Pay! We Won't Pay! for The Nora at Central Square Theater. Mr. Gidron has directed many other productions for The Nora including its 2007 production of Buried Child, for which he was nominated for an IRNE Award for Best Director, Drama, Small Theater. Other directing work for Underground Railway Theater (the other resident theater company at Central Square Theater) includes The Me in the Mirror by Paul Kahn, about the late disabilities rights activist and artist Connie Panzarino. Mr. Gidron has worked with many other companies such as The Lyric Stage Company of Boston, Shakespeare & Company, Tremont Theatre (where his production of Golda's Balcony won both IRNE and Elliot Norton Awards for Best Solo Performance), Opera Boston, Peterborough Players, Shakespeare Now!, Mountain Playhouse, Merrimack Repertory Theatre, and La Mama ETC. In Israel, where he was born, he has directed at Habimah National Theater, Haifa Municipal Theatre, Arab Theatre, Beit Lessin, Dror Theatre, and Beersheva Municipal Theatre. He has taught at Tel Aviv University, Hebrew University of Jerusalem, and Brandeis University. He currently teaches at UMass Boston.
About the Cast of THE HOW AND THE WHY
Debra Wise (Zelda Kahn) is a founding member of Underground Railway Theater and has served as Artistic Director since 1998. She has been involved in the collaborative creation of over 30 new works as performer, playwright, director, and/or dramaturg. Ms. Wise is also Artistic Co-Director of Catalyst Collaborative@MIT, an initiative pairing theater artists and scientists to create new plays and to frame the production of classic plays with conversation about science and society. From 1997–2003, Ms. Wise co-directed the Women on Top Theater Festival of new works by New England women theater artists. She has performed with companies both in New York (The Public Theater and the Ark, with Julie Taymor and Elizabeth Swados) and in Boston. She is Theater Specialist for the Art Works for Schools Program, a
collaboration with Harvard's Project Zero, teaching thinking in and through the arts and across the curriculum.
Samantha Richert (Rachel Hardeman) is delighted to be making her Nora Theatre Company debut. A recent graduate of Brandeis University's MFA Acting program, Ms. Richert enjoyed roles there in Three Sisters (Irina), Funnyhouse of a Negro (Landlady), Sunday in the Park with George (Nurse/Blair), Love's Labour's Lost (Princess), and Little Monsters (Sara) in association with the New York Theatre company Primary Stages. Other credits include: Berkshire Theatre Festival in Moonchildren (Shelly), Babes in Arms (Bunny Byron), Christmas Carol (Ghost of Christmas Past), and Candide (Woman #1); Rude Guerrilla Theatre Company in San Diego (Nurse/Mother Theresa); Actors' Shakespeare Project in Antony & Cleopatra (Assistant Director/Choreographer); Emerson College in The Hallway Plays (Fight Choreographer); and Alive Theatre Company in 4:48 Psychosis (Director), Kate Crackernuts (Director), and Puppet Show (Director/Choreographer/Creator).
Returning to The Nora are set designer Eric Levenson (last season's World Premiere of Amy Merrill and Si Kahn's Silver Spoon, Not Enough Air, The Sea Horse, Dublin Carol, Smelling a Rat, Stop Kiss); costume designer Gail Astrid Buckley (The Lady With All the Answers, Not Enough Air, We Won't Pay! We Won't Pay!, Full Gallop, Betrayal, The Countess); lighting designer Scott Pinkney (We Won't Pay! We Won't Pay!, Full Gallop, Van Gogh in Japan, The Unexpected Man), sound designer Dewey Dellay (Photograph 51, Hysteria, A Moon for the Misbegotten, The Caretaker) and properties coordinator Megan Kinneen (scenic painting for A Moon for the Misbegotten). Joining The Nora for the first time is Emily Crochetiere as Associate Lighting Designer. Dominique D. Burford is the production stage manager.
Central Square Theater (CST) is a 5-year-old nonprofit organization, created through a groundbreaking partnership between The Nora Theatre Company (The Nora) and Underground Railway Theater (URT). This collaboration has been called a model for the arts community (The Boston Foundation, Culture is our Commonwealth, and The National Collaboration Prize), as it has paired two like-minded performing arts organizations in a strategic alliance with the City of Cambridge and MIT, resulting in the development of a state-of-the-art performing arts center in the heart of Central Square. CST has a mission to support its two theaters-in-residence while maintaining a shared vision of artists and audiences creating theater vital to their communities. The Nora and URT have a combined track record of over 50 years producing award-winning theater. Located in Central Square, Cambridge, Massachusetts, and steeped in its multiracial, intergenerational, ethnically and economically diverse neighborhoods, the CST theater experience exudes a democratic energy where classes, races and age groups come together to be inspired, entertained and energized.
Press inquiries should be directed to Central Square Theater Marketing Director Nicholas Peterson,
phone: 617.576.9278 x205 or via email firstname.lastname@example.com.
The balance of Central Square Theater's 2012-13 Season includes ARABIAN NIGHTS adapted by Dominic Cooke, co-produced by The Nora Theatre Company and Underground Railway Theater (November 23 – December 30, 2012); THE MOUNTAINTOP by Katori Hall, presented by Underground Railway Theater (January 10 – February 3, 2013); The World Premiere of OPERATION EPSILON by Alan Brody, presented by The Nora Theatre Company (March 7 – April 28, 2013); and DISTRACTED by Lisa Loomer (May 9 – June 2, 2013)., both are projects of Catalyst Collaborative@MIT, a science-theater collaboration between Central Square Theater's resident companies and MIT All productions are performed at Central Square Theater, 450 Massachusetts Avenue, Central Square, Cambridge, Massachusetts. Central Square Theater is accessible to persons with special needs and to those requiring wheelchair seating. (need the new language for CC@MIT productions, Operation Epsilon is also in the CC@MIT program this year)
For further information please call 617.576.9278 x210 or visit CentralSquareTheater.org.


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To qualify for membership of the Association, you could be any
of the following engaged in the wholesale Scotch Whisky trade:
Applications will be considered by the Association's Council.
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For more information contact John Bartholomew, Company Secretary firstname.lastname@example.com
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landonswan needed a new button or icon design and created a contest on 99designs.
A winner was selected from 34 designs submitted by 12 freelance designers.
Ms Movie
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12 - 35 yr olds, male and female
I need all of the following:
16 x 16 px icon
75 x 75 px icon
logo for site / application (msmovie.com)
avatar / character:
I need you to create a cartoon / 3d woman who will be "Ms Movie". She needs to be very attractive and look smart. She should be wearing something similar to this (http://www.486loan.com/i/hot_busine…_woman.jpg)
Once I select a winner I may need more different poses for her to be in at various points in the application. They do not need to be animated images, just static images, but different angles, facial expressions, etc. These will be for extra cost. Contest prize only includes 1 of her.


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This is our first wet dog picture of the year. The pool has been opened last Saturday. It was way too cold, and nasty weather, for even thinking of jumping in. She did the first time on Sunday, but today I took a picture of her hanging out on the balcony to dry off a little. This also means that from now until October she'll never get quite dry, and will increase to smell of wet dog, until she'll get her first of many, shampoo bath.
When she jumped in Sam was hiding as far away as possible. We had to hose him down last week, when he as more black than white, from all the mud, and I think he has not forgiven us for that. Also he gets really upset, when Biko jumps in. He runs back and forth, and comes to me, stands behind me, looking out to see how she's doing. He'll never understand how she can enjoy it.
I've been spring cleaning, not so much the house, as my computer. The favorite bar was getting too long, and I cleaned out a lot of links. I had links to websites, which were interesting, and to which I wanted to get back to read some more, but never did. Now I have only blogs left, which I read frequently. I've also taken stock of my projects. You know, I'm getting very uncomfortable, when there are more then one. I've decided to rip the Else's shawl. I really don't need a garter stitch shawl, even though I think the original is stunning because of the colores. I'm going to use the yarn for some other shawl.
I'm working on my tapestry crochet bag, and the double knitting scarf, AND I've started a crochet pot holder. I don't know why I'm drawn to slow going projects, the pot holder is Bosnian crochet, where you do only slip stitches, which takes forever! But I can take this easily outside, when I'm in the garden. I really DO need a pot holder, or better two, which makes more sense, but the other one, will NOT be the same, or it will never get done.
I have not spun at all the last week. I finished up my Cotswold project, which is finally all done. Now I have to decide what to spin next. Too many choices.


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Farnborough, England (CNN) -- It's got the same engine as a supersonic jet -- but the team working on the world's first 1,000mph supercar are hoping that it doesn't take off.
At 12.8 meters, the Bloodhound SuperSonic Car (SSC) is longer than four BMW Minis parked end to end, boasts solid titanium wheels and uses parachutes to brake.
After three years of painstaking aerodynamic work, the first full-size model of the British-built blue-and-orange vehicle had its first public unveiling Wednesday at the Farnborough International Air Show, south England.
Royal Air Force pilot Andy Green, the same man who drove Thrust SSC to the current land speed record of 763mph (1,228km/h) in 1997, is planning to test the car on a runway in England by the beginning of 2012.
The Bloodhound team expect the car to accelerate from 0-1,000mph ((1,610km/h) in 42 seconds and break the sound barrier.
Green, 47, told CNN: "As a pilot I am used to accelerating to 200mph and taking off, but as the driver of Bloodhound I am happy to say we are going to hit 1,000mph and stay firmly on the ground.
"During the week I'm an RAF pilot, but on the weekend I've got the best job on the planet as the world's only supersonic driver.
"It's a huge thrill to be at Farnborough in front of the world's most powerful aircraft and be the fastest thing here."
"We have a Eurofighter Typhoon jet engine plus a falcon rocket which gives us 47,000 pounds worth of thrust."
"But it's not just about breaking another record, we want to inspire the next generation of scientists and engineers to push the boundaries of technology at supersonic speeds," said Green, who drives an old Volkswagen.
Mark Chapman, Bloodhound SSC's chief engineer, said: "From all the aerodynamic work we have done this year, the car is completely stable at mach 1.3. The car will also break the low-altitude air speed record and be the fastest manned vehicle at sea level in the world."
That previous record-holding car was built by Richard Noble, the project director for Bloodhound SSC.
The six-tonne supercar's exterior was developed by a team of aerodynamics scientists, whose research using computational fluid dynamics called on the processing power of one of Europe's most powerful computers.
If the test drive goes to plan in early 2012, then the car will be taken that summer to a dried-up lake bed in South Africa's Northern Cape for the attempt at the land speed record.


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Next Episode of Food Network Star is
10 talented finalists competed for a chance to host a Food Network program. Intense trials whittled the group to two, whose fate was decided by America's viewers. Being a Food Network star is tougher than it looks.
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