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Search results for: Sbi Staff List
Sbi Staff List
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Webotopia provides a business directory designed to promote Sbi Staff List companies, products and services whilst helping it's users find the Sbi Staff List information they need. Webotopia business directory, with the help of it's dedicated support specialists and reviewers, enables delivery of Sbi Staff List quality content, excellent customer support as well as value added services such as content publishing and press releases for it's users.


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This is our Lourdes bow headband.
Colour - Pink bow with mid purple band.
These bows are approximately 7cm and the band width is 1cm.
All our headbands are handmade to order.
Sizing guide.
Newborn - 13"
0-3 Month - 14"
3-6 Month - 15"
6 Month - 3 Years - 16"
4 Year - Teen - 17"
Adult - 18" Approx.
If any of our products you would like are out of stock please contact us and we will do our best to make you one.
*Please use all headbands and clips with adult supervision. DO NOT leave your child unattended While wearing any headband or clip as some may contain small parts which maybe pulled off and cause chocking. Do not let your child nap wearing hair accessories.

subset: commoncrawl


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Mooradian Oblong Violin Case Slip-On Cover with Combination Straps GreenProduct #H98212 Mooradian H98212 LFTE Violin Cases & Gig Bags https://www.esnapw.com/rses/ESnapServlet?MerchantNumberSent=63655 false true true
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45 day price guarantee, 45 day return policy, 100% secure shopping
Padded cover for violin case.
Each Mooradian bag is designed to be comfortable to carry your instrument and protect it from everyday wear and tear. Professional musicians and students count on Mooradian for the highest quality gig bags and covers. This one is for violin. Water resistant polyester fabric exterior and interior with 1/2" foam padding.
- Padded handles
- Padded combination straps
- Document pocket
- Fits tightly over your existing case
Order now and you'll have a port in the storm.


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To say that her first set of golf clubs were a far cry of what she currently carries in her bag is an understatement. Still, Morris senior Olivia Kief had to get her start somewhere.
"When I was little, I had a set of giant Snoopy golf clubs that had large plastic heads and the ball was the size of a tennis ball," she said. "I used to hit that in the back yard and in the basement."
This past fall season, she only seemed to be playing with clubs that large as she parlayed her talents into a 48th-place finish at the Class A State Outing held at Red Tail Run in Decatur a little less than a month ago. She ended up with a score of 178 (86/92) in making Morris history as the first Redskins player ever to participate in a state golf meet.
For her work this fall with the Morris boys golf team, Kief is being recognized this season as the Morris Daily Herald All-Area Girls MVP.
Girls golf has been very slow in developing in the area. While the sport was actually adopted by the IHSA in 1975, it has only been recently that girls golf has started to catch on.
"When I first started, the first girls golfer I noticed was Sara Supergan of Seneca. I know she went to state. I think she was a senior when I was a freshman," Kief said. "Then I heard of (Rachel) Herzberger and Minooka had a team. Then Seneca and Coal City got teams. But there's not too many girls who are golfers."
Kief said part of the reason for that is what goes into being a devoted golfer.
"You have to be dedicated to the sport. It's not like where you can go out and buy a $25 basketball and start practicing," she said. "Not just anybody is going to go out and buy a $1,000 set of golf clubs. It's an expensive sport to play.
"Golf also takes a lot of time and practicing for multiple sports is tough. If I didn't spend time at the range and on the greens and do it virtually every day, I would never be able to compete with the people I am able to compete with. Especially if it is a summer sport. For example, you couldn't golf and play soccer or softball. It's hard."
Kief said she thought she would also help get other girls interested in the sport.
"What they need to do is promote it," she said. "My freshman and sophomore years when I told people I was playing for the boys golf team people were asking, 'You can do that?."
Because Morris does not have a girls team, Kief had to compete on the Redskins boys team all four years.
"Since I came on as the boys golf coach at Morris, I have been in awe at how Olivia has conducted herself," Morris coach Matt Lafond said. "She has played on the boys team all four years of her high school career and not once have I heard her complain."
Kief competed regularly as a freshman on the junior varsity team under coach Chris Hankins and as a sophomore under coach Eric Iverson. She played JV all year except for a couple matches at the end of the season. However, her sophomore year, she did participate in the regional and in conference play and, for the first time ever, medaled in a varsity meet. By her junior year, under Lafond, she was the second-highest individual out of regional play, and this year, she became the first Morris girl ever to win a regional.
"Since I took over the reigns, I've seen Olivia go through some extremely difficult times on the course and turn right around and be successful. She has got the perfect mentality and demeanor to play the game," Lafond said.
"Between injuries and going back and for between the red (ladies tees) and blue (mens tees), there is not another person that I know of that could have handled it better. Since the beginning of her senior season, Olivia has done nothing but improve — obviously seeing how the season ended! She knows the game, feels the game, and can handle anything that she might encounter on the course."
Kief said that keeping the right mental approach on the course has been simply staying focused.
"The No. 1 thing I do is to not let myself think that I've got it. I want to stay positive, without getting a big head about it," she said. "I know I have to play my best each time and that I have to stay focused. Even if I go out and have a good front nine like I did in conference this year, I keep telling myself over and over to keep going for it."
It was with that attitude that Kief won the regional at Spring Creek Golf Course with a round of 82. She beat McNamara's Gina Vallone (83) to do it. And while Kief would go on to qualify for state and also win a Northern Illinois Big 12 Conference championship (77), the win at Spring Creek stands out to her the most.
"I was surprised, but in a good way," she said of winning the regional. "It's one of my favorite memories ever. That day I hit a 35-foot birdie on the back nine, and looking back, I feel like that won it for me."
Kief is planning on golfing in college after graduating this spring. She is still in the process of figuring out which school is the best fit for her at the moment.
"I don't know yet. I've gotten a lot of Division III offers," she said. "A lot of schools have invited me to play for their team."
Illinois Wesleyan, St. Mary's of Notre Dame, Augustana, Carthage, Monmouth and North Central are among those in the mix at press time.
Girls Golf MVP Kief is a Trail Blazer
To say that her first set of golf clubs were a far cry of what she currently carries in her bag is an understatement. Still, Morris senior Olivia Kief had to get her start somewhere.


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5 Things: Fantastic Finishes And Selection SundayAs always, the committee made some puzzling decisions, but unless you're a fan of a snubbed team, you've already moved on.
Gary Parrish : The NCAA Tournament is "Not The Best Way To Crown A Champion"Award Winning Sports Columnist Gary Parrish Joins The Show To Talk About The NCAA Tournament
Five Things: NCAA Tournament Bracket RevealedWe will not have a repeat champion this year. While expected for much of the season, it became official yesterday, when Connecticut lost in the American Conference finals and was denied an at-large bid.
Michigan's McGary Plans To Wake Up Today And 'Get Back At It'But he sidestepped one big question -- Will he return to Michigan next season?
Louisville Beats Michigan 82-76 For NCAA TitleRelentless Louisville rallied from a 12-point deficit to beat Michigan 82-76 in the NCAA championship game Monday night.
Wolverine Fans Praise Team After LossUniversity of Michigan basketball fans in Ann Arbor took the heartbreaking loss as well as could be expected.
Does 'Underdog' Michigan Have Cardinals Right Where They Want Them?National media carried on about the Syracuse zone like they were 1985 Bears and gave Michigan little chance.
Officials Facing Dilemma With Video ReviewIt happens seemingly every game of the NCAA tournament, most of the season, for that matter: Officials blow their whistles, huddle, then head over to the TV monitors to review a play.
NCAA Announces Pool Of Officials For Final FourThe NCAA has announced the pool of 10 officials who will work the Final Four.
Syracuse Focused On Journey To Final 4Overcoming all sorts of adversity has been the norm for the Syracuse Orange of late.
Michigan Gets Top-Seeded KU In Return To Sweet 16Michigan coach John Beilein briefly lost track of how long it's been since the Wolverines reached the round of 16 in the NCAA tournament.
La Salle's Dream Run Ends In Sweet 16The dream run was bound to end. La Salle had defied so many odds to reach the Sweet 16.


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The Liberal Party wants Quebec to get two or three extra seats if the House of Commons passes legislation to increase representation in three other provinces.
The Liberals' Quebec caucus is pushing to increase seats in their province, and are gaining traction within the party. Their goal is to ensure that Quebec's share of the seats in the House reflects the fact that the province has 23.1 per cent of the Canadian population. Quebec would be left with 75 seats under the Conservative plan.
"The principle for us is that it can't be below the province's share of the population," the official said of the party's position on Quebec.
He added the party is in favour of adding seats in other provinces, too.
It is factually correct, that Quebec will be slightly under represented under the government's new seat allocation plan. With this dynamic in mind, the Liberal pledge goes beyond simply pandering, because it addresses the simple concept of fair representation. For this reason, when you couple the seat gains elsewhere, I see little potential for resentment in other parts of the country, while the Liberals position themselves as protecting Quebec's interest.
We are only talking about about a couple of seats, which looks decidedly paltry compared with the large seat gains elsewhere in the country. If the Conservative plan still under-represents other provinces, then really the solution they've offered isn't a fair fix, a fact reasonable people will understand. The Liberals are really offering a simple premise, rep by pop, which plays no favorites. I would submit the only areas of the country that would resent the Liberal pledge are beyond realistic electoral considerations, so any "blow back" potential is truly minimal.
I don't assume the Liberals defending Quebec's status in Parliament is a game changer in the province, but it does send a practical signal that the Liberals will defend Quebec's place in the federation. This policy position could help the party in Quebec, particularly if they are the only federalist option pushing the issue. The Liberals also neutralize the Bloc's hysterics somewhat, undercutting their sole defender arguments.
I think this a shrewd move, because the position is based on the fair and factual. Any small increase for Quebec is offset by much larger gains in other provinces, which lessens the favoritism political risk. Any reward remains to be seen, but it could well prove an important symbolic presentation in Quebec, that the Liberals have volunteered these changes.


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Prototypes of GPS-guided irrigators are achieving pinpoint accuracy.
Dreamers in the center pivot irrigation business are forever trying to design a fully automated rig. Manufacturers and researchers in the industry have been after full automation as if it were the Holy Grail.
You may remember seedigation, which really didn't catch on, and chemigation and fertigation, which did. Then there was automated watering based on "communication" between ground moisture sensors or leaf monitors and computer-driven center pivot systems.
So it comes as no surprise that manufacturers and researchers alike have their eye on GPS technology.
Prototype stage. In 1995 Dale Heermann and fellow researchers with the USDA-ARS in Fort Collins, CO, found that GPS receivers mounted at the pivot tower could provide position accuracy comparable to that of buried wire. This paves the path toward identifying exact field position with computerized mapping technology that, in turn, can vary the rate of application - on a per-nozzle basis - of water, chemicals and nutrients to plants in specific parts of the field.
"It's just a matter of time," says Charles Meis, vice president of engineering for Lindsay Manufacturing. His company has a prototype GPS guidance system for selected Zimmatic irrigation units that will provide circle-like accuracy and convenience on corner systems and lateral move systems.
"We had a prototype out last year, and this year we are going into the field with 10 more. We plan to have a product we can retrofit on our more recent machines," Meis says. He hopes to be at that point within two years.
Al Sawtelle, project manager for Valmont Industries, says his company also is in the hunt for GPS cornering systems. "We're far enough along that we would feel safe putting them into the marketplace," he says. "The technology is extremely accurate - within 4 to 6 in. of ground zero. However, it is unlikely that it will be cost-effective in the near future, not with $2 corn. Unless we can provide a product that can either add value or create enough savings for a payback, it doesn't pay to introduce GPS technology to the market."
Four-inch accuracy. At Lindsay, Meis says GPS offers just the accuracy and automation potential the company was looking for. However, he is bothered by one hang-up that occurs when the corner unit is turned on. There is about a 20-min. delay as the computer looks for the constellation of satellites and starts processing data. "I don't know if farmers have that kind of patience. This summer we would like to get that time down. That may not be possible," Meis admits.
He says Lindsay recruited a company to bring in the GPS technology with the understanding that the contract would be fulfilled only if the corner system was accurate to within 8 in. "We ran the system 20 hrs., back and forth over 1,500 ft., and it was within 4 in. They got their check," he says.
Saving input dollars. The corner systems may provide the same precision farming possibilities as field mapping and apply water and chemigation as accurately as the main system. They also may offer the guidance of steerable corner arms that can cover up to 14% more acres. Meis sees a good economic fit for GPS guidance initially in applications where farmers are using buried guidance systems and in the rocky terrain where such guidance systems cannot be buried. "Gophers can't eat a GPS," he quips.
The big payback will come, however, when the technology will help drive input savings.
"The time is coming for this kind of technology," Meis declares. "As farms become larger with fewer operators, we'll see even more dependence on this sort of automation, but now with GPS we'll add the accuracy."
"Accuracy is the key," Meis continues. "Those fertilizer and custom applicators can cross a field at 20 mph and be within 40 ft. and be okay. I've got to do the same within a foot. And with this prototype, I can get to within 4 in. You tie that down with our systems that allow our growers to preprogram their irrigation programs and to remotely control and operate multiple systems, and it all comes together," he says.
For more information, contact Lindsay Mfg. Co., Dept. FIN, Box 156, Lindsay, NE 68644, 800/829-5300 or circle 205; or Valmont Industries, Dept. FIN, Box 358, Valley, NE 68064, 800/825-6668.


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For most of us, pumpkins—especially when baked into pies—are an essential part of the Thanksgiving holiday. Lucky for us, they're also packed full of nutrition, adding a healthy touch to our holiday meal.
People have prized pumpkins for centuries. The name "pumpkin" originated from the Greek word pepon, which means "large melon."
Pumpkins have been associated with Thanksgiving since the Pilgrims learned from the American Indians just how versatile the pumpkin is. The Indians dried strips of pumpkin and wove them into mats. They also roasted long strips of pumpkin on the open fire and ate them, and toasted the seeds.
The first pumpkin "pie" was served when the colonists sliced off a pumpkin top, removed the seeds, and filled the insides with milk, spices, and honey. The pumpkin was then baked in hot coals.
Pumpkins are packed with vitamins and fiber, and they're low in calories. A half-cup serving contains less than 50 calories and delivers between 3 and 5 grams of dietary fiber. Plus fresh pumpkin is an excellent source of vitamin A.
Vitamin A is essential for maintaining good vision; proper bone and tooth development; and a healthy immune system. Some research has suggested that vitamin A inhibits certain cancers—including lung, skin, and digestive system cancers—by disrupting the processes that turn normal cells into malignant ones. But other research suggests that excess amounts of vitamin A, over a period of time, can increase the risk for hip fracture in older women.
To keep pumpkin-based treats as healthy as possible, reduce the fat in your recipes. For instance, you can substitute evaporated skim milk in place of sweetened condensed milk. You get the same consistency without all the fat.
You should also cut back on sugar, reducing the amount by 25 or even 50 percent:
It's important to appreciate the differences between what we think of as "carving pumpkins" and "cooking pumpkins."
The best carving pumpkins are the large, dark orange variety. Cooking pumpkins, on the other hand, are typically smaller and lighter in color. They're denser than carving pumpkins because they contain less water. The flesh is sweeter.
Choose a pumpkin with a fresh, green stem. A brown, dry stem indicates that the pumpkin was picked a while ago. Look for a pumpkin with one to two inches of stem left. If the stem is cut down low, the pumpkin may decay more quickly.
Avoid pumpkins with blemishes and soft spots, and store your pumpkin in a cool, dry spot; dampness will cause it to rot prematurely. Stored correctly, your pumpkin could last from 60 to 90 days.
To prepare fresh pumpkin puree, start by removing the seeds and stringy membrane. Cut the pumpkin meat into pieces, then boil the pieces in a large saucepan until tender, about 20 to 30 minutes. Peel the outer skin, placing the cooked meat into a blender or food processor. You'll get about a cup of pumpkin puree for each pound of pumpkin.
Now comes the good part: use the puree as your recipe suggests, or use it as a one-to-one substitute for any recipe calling for solid pack canned pumpkin (1 cup puree equals 1 cup canned). The puree freezes well, too—so why not place some in the freezer, and recreate the healthy holiday feeling in a month or two?


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Clint Eastwood, in full Clinton Eastwood, Jr., (born May 31, 1930, San Francisco, California, U.S.), American motion-picture actor who emerged as one of the most popular Hollywood stars in the 1960s and went on to become a prolific and respected director-producer.
At that point it was not clear where Siegel was going with his career—many film directors had entered television without ever returning to feature work—but his next two projects answered that question with authority. The feature
Early life and career
Growing up during the Great Depression, Eastwood moved from town to town with his family, spending little more than a few months in each of the many schools he attended. After graduating from high school in California and briefly attending Los Angeles City College, Eastwood held various jobs and served in the U.S. Army before moving to Hollywood. A screen test with Universal in 1954 netted him a 40-week contract, but after one renewal and a series of bit parts in such movies as Tarantula (1955) and Revenge of the Creature (1955), his option was dropped. He appeared in several TV series before he got his big break in 1959 by being cast as Rowdy Yates in the popular TV western Rawhide (1959–65).
Eastwood achieved international stardom during this same period when he played The Man with No Name—a laconic, fearless gunfighter whose stoicism masks his brutality—in three Italian westerns (popularly known as "spaghetti westerns") directed by Sergio Leone: Per un pugno di dollari (1964; A Fistful of Dollars), Per qualche dollari in più (1965; For a Few Dollars More), and Il buono, il brutto, il cattivo (1966; The Good, the Bad, and the Ugly). In 1967 the three films played in the United States and were immediate commercial successes, establishing Eastwood as a box-office star.
For Eastwood's first American western, Hang 'Em High (1968)—Ted Post's expert imitation of the Leone formula, enlivened by a superior group of character actors—he formed his own production company, Malpaso. He also worked with Don Siegel on the popular police story Coogan's Bluff (1968); it was Siegel who taught him most of what he needed to know about directing, a debt Eastwood often acknowledged. He also worked with Siegel on the western Two Mules for Sister Sara (1970), the psychological Civil War drama The Beguiled (1971), and the prison-break film Escape from Alcatraz (1979). Their best-known collaboration was Dirty Harry (1971), in which Eastwood first portrayed the ruthlessly effective police inspector Harry Callahan. The film proved to be one of Eastwood's most successful, spawning four sequels and establishing the no-nonsense character Dirty Harry—known for such catchphrases as "Go ahead, make my day"—as a cinema icon.
First directorial efforts
Eastwood turned to directing in such films as the thriller Play Misty for Me (1971), the westerns High Plains Drifter (1972) and The Outlaw Josey Wales (1976), and the espionage thriller The Eiger Sanction (1975), all films in which he also played leading roles. Eastwood took over the western The Outlaw Josey Wales (1976) from Philip Kaufman, who cowrote the story of a Missouri farmer driven to violence after his family has been slaughtered by renegade Union soldiers. Stylishly photographed by Bruce Surtees, with a fine performance by Chief Dan George as a Cherokee elder, this work humanized Eastwood's mythic avenger archetype for the first time.
Eastwood went on to make The Gauntlet (1977), a kinetic but formulaic action film in which he played a police detective trying to transport a witness (Sondra Locke) to an Arizona courthouse where she can testify. The gentle good humour pervading Bronco Billy (1980) was far removed from the mayhem of his westerns and cop movies; Eastwood was deft as the proprietor of a two-bit Wild West show who gives shelter to, then falls in love with, a runaway heiress (Locke). Firefox (1982) was a high-tech Cold War story that had Eastwood as a pilot stealing a supersonic jet from the Soviets. The whimsical and sentimental Honkytonk Man (1982), set during the Great Depression, featured Eastwood as a country singer dying of tuberculosis whose dream is to make it to the Grand Ole Opry before he passes on.
Having wandered rather far afield from his star action persona, Eastwood directed the fourth Dirty Harry film, Sudden Impact (1983), with Locke portraying a rape victim on a vengeful murder spree. He then returned to his screen roots with the neo-mythic Pale Rider (1985), a quasi-religious western. It showcased Eastwood's iconic presence and Surtees's gorgeous photography and was one of the few hit westerns of the 1980s.
Heartbreak Ridge (1986) was an enjoyable drama about an old-school marine sergeant (Eastwood) on the verge of retirement whose tough approach whips a group of raw recruits into shape for the invasion of Grenada. White Hunter, Black Heart (1990) was Eastwood's most audacious project of this period of his career, an adaptation of Peter Viertel's roman à clef about his on-location collaboration with director John Huston on The African Queen (1951). Bravely tackling the part of Huston, Eastwood embodied the great director's rugged physical presence.
A lifelong devotee of jazz and an accomplished pianist, Eastwood also directed the well-regarded Bird (1988), a film biography of saxophonist Charlie Parker (Forest Whitaker), and produced the documentary Thelonious Monk: Straight, No Chaser (1988). Offscreen, Eastwood made national headlines in 1986 when he was elected mayor of Carmel, California; he served for two years.
Films of the 1990s
Because Eastwood's style of acting was minimally expressive, his films initially drew little praise from critics. Yet his strong resonant screen presence earned him success at the box office. His standard role was that of a tough loner whose violent behaviour conformed to his own understated moral principles. However, Eastwood's willingness to demythologize such stock characters as western heroes and cops eventually brought him critical acclaim, as did his lean, crisp directorial style. He became known as a director equally adept at presenting deep character studies and fluid action sequences. After the unsuccessful police drama The Rookie (1990), his revisionist western Unforgiven (1992) featured a towering performance by Eastwood as an erstwhile "regulator" who lays down his plowshare to execute a thug who has disfigured a prostitute. Both the picture and Eastwood (for best director) won Academy Awards. The film was critically lauded for Eastwood's unsentimental look at frontier violence.
In the quiet drama A Perfect World (1993), an escaped convict (Kevin Costner) takes a boy (T.J. Lowther) hostage, and an unlikely bond forms between them. Eastwood played a Texas Ranger tracking them down. He made a rare appearance in another director's film when he played a Secret Service agent trying to thwart a presidential assassination in Wolfgang Petersen's popular action thriller In the Line of Fire (1993).
The Bridges of Madison County (1995) was Eastwood's effective mounting of the enormously popular novel by Robert James Waller. Eastwood was excellent as a photographer traveling through Iowa for a magazine piece on its historic covered bridges, and Meryl Streep played a farmer's wife who, against her better judgment, enters into an affair with him.
Midnight in the Garden of Good and Evil (1997) was also based on a book that became a publishing phenomenon, the nonfiction best seller by John Berendt about a murder that rocks the community of Savannah, Georgia, which is populated almost entirely by eccentrics. In the thriller Absolute Power (1997) Eastwood played a thief who, in the midst of a robbery, witnesses the Secret Service murder a woman whom the president of the United States (Gene Hackman) has just attacked sexually. In True Crime (1999) Eastwood starred as a veteran reporter whose investigative skills revive when he learns that a prisoner (Isaiah Washington) scheduled for execution that night is probably innocent.
2000 and beyond
Space Cowboys (2000) had Eastwood as the head of a team of elderly test pilots (Tommy Lee Jones, James Garner, and Donald Sutherland) who have been summoned out of retirement to rescue NASA when an obsolete Russian satellite requires disarming. Blood Work (2002) was a serviceable thriller about a retired Federal Bureau of Investigation (FBI) profiler who is convinced that only he can locate a murderer.
Mystic River (2003) set a new standard for Eastwood as a director. Sean Penn, Kevin Bacon, and Tim Robbins starred as childhood pals who have grown up to live widely disparate lives while still bound to the working-class neighbourhood they were born into. Eastwood took another best director Oscar nomination, and the film was also a best picture nominee.
Million Dollar Baby (2004) was another success for Eastwood. A crusty fight trainer (Eastwood) is haunted by his failed relationship with his daughter and a female aspiring boxer (Hilary Swank) who wants to train under him. But tragedy strikes in the midst of her big match, and the rest of the movie is concerned with what makes life worth living. Probably the biggest dark-horse success of Eastwood's career, Million Dollar Baby won Oscars for best picture, best actress (Swank), and best supporting actor (Morgan Freeman). It also brought Eastwood his second Oscar for best director. The film broke the $100 million mark at the American box office. Eastwood next directed the World War II films Flags of Our Fathers (2006) and Letters from Iwo Jima (2006), both of which focus on the Battle of Iwo Jima. The latter, told from the Japanese perspective, was nominated for several Oscars, including best director and best film.
Changeling (2008) was a period piece set in Los Angeles in 1928. It was based on a grim true story of a missing boy whose mother, Christine Collins (Angelina Jolie), is horrified when, several months later, the police "return" him to her in the person of an entirely different child. Eastwood won a special award for Changeling at that year's Cannes film festival. In Gran Torino (2008), Eastwood played Walt Kowalski, an irascible retired autoworker living in a blue-collar suburb of Detroit who is forced to shake off a lifetime of suspicion toward minorities so as to don the role of protector to a family of Hmong immigrants. The film was a major box-office hit.
Shot in Capetown, South Africa, Invictus (2009) took as its subject Pres. Nelson Mandela (Freeman) and his plan to unite his racially divided country by using the 1995 Rugby World Cup, in which South Africa's almost all-white Springboks team, typically reviled by the majority black populace, faced heavily favoured New Zealand in the finals. Their inspirational victory was presented in thrilling fashion by Eastwood, but the film's real strength was its painstaking attention to the political and cultural issues negotiated by the players and Mandela.
Hereafter (2010) was an oddity in the Eastwood canon—a measured, quiet drama about three characters whose widely divergent life experiences have left them convinced of the reality of an afterlife. The anguish experienced by each is etched expertly by Eastwood, but the story is told at a languid pace. J. Edgar (2011) was a weighty biopic of J. Edgar Hoover (Leonardo DiCaprio), the longtime head of the FBI. Armie Hammer had the film's other key role, Clyde Tolson, Hoover's right-hand man and the love of Hoover's life. Thus, J. Edgar was as much a romance as an account of a power-hungry bureaucrat who became one of the most feared—and loathed—figures in American life. Eastwood then helmed a film adaptation (2014) of the Tony Award-winning (2006) musical Jersey Boys, about the rise of the American rock-and-roll group the Four Seasons.
Eastwood's adaptation of a Navy SEAL sniper's memoir, American Sniper (2014), was lauded for the finesse with which it depicted both the violence of the Iraq War and the difficulty of a soldier's adjustment to civilian existence. The film received an Academy Award nomination for best picture. Eastwood continued to draw inspiration from true-life events with Sully, about airline pilot Chesley ("Sully") Sullenberger (played by Tom Hanks), who landed a malfunctioning commercial jet on the Hudson River. The docudrama recounts both the emergency landing and the ensuing investigation into Sullenberger's handling of the event. In his next film, The 15:17 to Paris (2018), Eastwood chronicled the 2015 terrorist attack on an Amsterdam-to-Paris train, and he cast the three Americans who thwarted the strike to play themselves. He also directed and starred in The Mule (2018), a drama based on The New York Times article about a horticulturist and World War II veteran who became a courier for a drug cartel.
Besides his Academy Awards, Eastwood received the Irving G. Thalberg Award for lifetime achievement in 1995 and the American Film Institute's Life Achievement Award in 1996. In 2007 he was made a chevalier of the French Legion of Honour; he was elevated to commander two years later.


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In 2010, the Office of the National Coordinator for Health Information Technology (ONC) selected six organizations to test and certify electronic health records (EHR) software, which are also known as electronic medical records (EMR) software. Dubbed ONC-Authorized Testing and Certification Bodies, or ONC-ATCBs, these six companies determine which EHRs meet criteria to support "meaningful use" (established by the Secretary of Health and Human Services).
An ONC-ATCB certified software assures users that the EHR software system comprises the technological capabilities, functionalities and security requirements that meet the criteria of meaningful use. The certification also ensures the provision of a compatible and structured format for patient data that can be retrieved from and transferred to other EHR systems.
More than 500 products for ambulatory practices and 275 products for inpatient practices have received ONC-ATCB certification. In addition, they meet EHR meaningful use/EMR meaningful use requirements. These numbers will continue to rise over the next few years as more medical software vendors apply for this certification.
Below is a breakdown of the six ONC-ATCBs, along with brief descriptions of each company: where they're located, when they were authorized and what types of EHRs they certify.
|The Certification Commission for Health Information Technology is based in Chicago, Illinois. It was authorized as an ONC-ATCB on September 3, 2010. However, as of January 29, 2014, it has stopped certifying new EHR systems though ast certifications will still be honored. CCHIT certifications include both complete EHR systems and modules.
|Drummond Group
|Based in Austin, Texas, it was also authorized on September 3, 2010 and provides certifications to complete EHR systems and modules.
|ICSA Labs
|Based in Mechanicsburg, Pennsylvania, it was authorized on December 10, 2010. It certifies complete EHR systems and modules.
|InfoGard Laboratories is located in San Luis Obispo, California. It was authorized on September 24, 2010. It also certifies complete EHR systems and modules.
|SLI Global Solutions
|Based in Denver, Colorado, it was also authorized on December 10, 2010. It also certifies complete EHR systems and EHR modules.
|Surescripts is based in Arlington, Virginia. It was authorized on December 23, 2010. Its scope of authorization includes EHR modules, e-Prescribing, privacy and security.
It's important for providers to understand that a single, certified product may not make them eligible for incentive payments under the Health Information Technology for Economic and Clinical Health (HITECH) Act. A product can be either a complete EHR or an EHR module.
For example, a software company could get certification for an e-Prescribing tool. This is an important distinction. Providers must implement two or more modular EHRs that, when combined, meet 100 percent of the ONC EHR criteria (or at least a complete meaningful use EHR/meaningful use EMR system). Here are four key questions that providers should ask during their EHR comparison and while evaluating ONC-ATCB certified vendors:
On February 24, 2012, the Centers for Medicare and Medicaid Services (CMS) and the Office of the National Coordinator for Health Information Technology (ONC) released their proposal for "stage 2" of the EHR meaningful use criteria. There are three major requirements or outcomes of stage 2:
When the rules were released in 2012, eligible providers (EPs) didn't need to demonstrate meaningful use of EHR software until 2014 (at least for the stage 2 requirements). There are 20 functional metrics and 12 clinical quality measures that providers will need to track. The entire proposal is available on the Federal Register website.
These are the key market trends which should be considered by a user while choosing an EHR provider:
Web-based EHR software trumps on-premise solutions: Users are increasingly preferring web-based (i.e., hosted online or in the cloud) EHR software over on-premise solutions (i.e., hosted locally). Web-based software enables the practitioner to access patient data and other medical records, including billing and scheduling information from anywhere and on any device. These solutions mostly offer subscription-based services instead of requiring a one-time investment. This helps management save up on direct costs that they'd incurred on on-premise systems as web-based systems require only monthly payments.
EHR buyers prefer integration: According to a survey in our EHR Software Buyer Report – 2014, the majority of buyers prefer EHR software over a standalone software as they're able to integrate EHR software with medical billing and scheduling applications. This integration ensures that all the information is consolidated in one place and users can get an holistic view of data. In addition, users are able to generate more efficient reports after data integration. This measure helps them make strategic decisions.
Mobile device support is growing: The medical industry has seen a rise in the use of portable devices, such as iPhones, iPads as well as Android phones and tablets, to monitor and access patient information. This trend has increased the demand of mobile support for EHR software. It allows medical practitioners to send appointment reminders to patients on their mobile devices. This increases a clinic's overall efficiency as it results in the maximum patient turnaround.
Users can get the comprehensive report of all certified Health Modules that have been tested and certified by ONC Health IT Certification Program in the Certified Health IT Product List (CHPL).
For more information on CHPL, refer to this User Guide.
Our service is simple and 100% free to customers like you because software vendors pay us when we connect them with quality leads. You save time and get great advice. Vendors get great referrals. It's a win for everyone!


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It should be, it's your personal information and we want you to take care with how you present it.
Go through the required fields and pay close attention how you want your name, your image and also your email displayed. We allow the right for you to hide certain information also - the choice is completely yours. Choose wisely, young Jedi. Focus!


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Liss Fain Dance to Bring THE WATER IS CLEAR AND STILL to NYC, 3/7-8; San Francisco, 5/16-19
Liss Fain Dance announces its 2013 San Francisco Home Season featuring "The Water is Clear and Still," a performance installation that combines dance and music with spoken text from Jamaica Kincaid's short story collection At the Bottom of the River. Fain's provocative blend of choreography and literature is performed in a surreal immersive installation and sound environment in which the dancers, actor, and audience move together. A hybrid of dance, literature, theater, visual art and music, "The Water is Clear and Still" premiered in San Francisco at Z Space in May 2012.
"The Water is Clear and Still" will be presented at Powerhouse Arena in Brooklyn, NY, on March 7-8, 2013, in coordination with Farrar, Straus and Giroux, publisher of Kincaid's new novel See Now Then (2013), following a reading by Kincaid at the Brooklyn Academy Of Music on March 6. For the 2013 San Francisco Home Season, "The Water is Clear and Still" will be performed at Yerba Buena Center for the Arts Forum (701 Mission Street @ Third) from Thursday, May 16, through Sunday, May 19, 2013. Performances are Thursday-Friday-Saturday at 8pm; and Sunday at 5pm. Tickets are $30 general/$15 students and seniors. For tickets and information visit www.lissfaindance.org.
"The Water is Clear and Still" interweaves Liss Fain's choreography with the spoken text of Kincaid's sharp-edged and beautiful stories. In this riveting performance installation, the dance, spoken text, set, and sound environment encompass the performers and the audience. The set-a river in a strangely eerie and surreal grove of trees-and sound environment surround the six dancers, the actor, and the audience, which moves at will into the performance space, close to the dancers, and experiences the work from multiple perspectives.
"Fain's choreography is both innovative and tied to geometric symmetries at the heart of ballet," wrote Lauren Gallagher in the San Francisco Examiner (May 28, 2012). "She also welcomes audiences to either move around a piece, or, in the case of 'The Water Is Clear and Still,' into it."
Dance View described "The Water is Clear and Still" as "another of Fain's transparent and finely shaped works." The Bay Guardian wrote, "This type of work and Fain's type of craft are rare today. It's a pleasure to see an active intelligence engaged in such full-bodied work."
"The Water is Clear and Still" interweaves Fain's imagistic, non-narrative choreography and her love of literature, through the spoken text of Kincaid's stories. "The dance and the literature amplify and illuminate each other," explains Fain. "The actor makes the images and emotions of the stories palpable. The text becomes a musical score for me. I use the cadences, images and feeling of the stories in creating movement. [Kincaid's] writing is filled with striking images that can be strange, unsettling and also soothing. The choreography fluctuates as unpredictably as the text."
"The Water is Clear and Still" was created as a collaborative effort, featuring Fain as choreographer; the company's six dancers; Val Sinckler, a San Francisco actor with a background in dance who has worked with We Players, Lorraine Hansberry Theatre and Stanford Summer Theater; Dan Wool, composer of the immersive sound environment; installation and lighting designer Matthew Antaky; costume designer Mary Domenico; and projection designer Frédéric Boulay.
Liss Fain Dance tours nationally and internationally with work for proscenium stages and performance installations. Fain's performance installations have been presented at art galleries, libraries, unusual architectural structures, non-proscenium venues and theaters. "I want people to experience performance installations in places that they normally frequent," Fain says, "to make them excited and enriched, in an everyday setting, by dance and performance and literature."
Liss Fain's work ranges from pure dance pieces to collaborations with composers, lighting and set designers, videographers, actors and technologists. The company's performance installations bring the audience inside the set and close to the performers. Non-narrative, highly physical and emotionally resonant, Fain's work fuses modern dance's forceful energy with the kinetic precision of ballet. Since its founding in Boston in 1988, Liss Fain Dance has premiered over 45 works by Ms. Fain and collaborated with individuals and organizations that include MIT's Center for Advanced Visual Studies, The Exploratorium and The Apple Multimedia Lab. The company has performed and taught at festivals and venues in Poland, Germany, Belarus, Russia and the UK as well as colleges, universities, festivals and presenting organizations in the US. For more information, call Liss Fain Dance at (415) 380-9433, or visit www.lissfaindance.org.


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Haleakalā Breathing
Yosemite Awakened
I overslept in the SUV due to shooting the same scene with the stars just a few hours earlier, but I woke up in time to still capture the morning colors of the sunrise.
Waterfall Through The Woods
Bridalveil Fall
Haleakala Cinder Cones
Half Dome Onlookers
Starry Nights in Yosemite
Midnight Walks
Moonlit Icons
El Capitan Ember
Half Dome Reflections
Purple Mountain Majesties
This was my first time watching a sunset from Glacier Point in Yosemite National Park. I was hoping to stay after sunset to get some photos of the Milky Way with Half Dome. You can see in the photo how overcast it was, so that wasn't going to happen. Needless to say, I was quite surprised when the last light of the day peeked through touching Half Dome and the mountains in the background. The vibrant reds, pinks and purples made it an unforgettable sunset.
Still Waters
View From The Valley
Among Giants
Picture Frame Falls
Morning Sun
"Breath of Haleakalā"
"Haleakala Observatories Sunset"
"Sacred Mountains"
This photo was taken at 10,023 feet (3,055 meters) at the summit of Haleakala on Maui. Out in the distance in the middle, you can see Mauna Loa and Mauna Kea on Big Island.
This shot is made from 8-10 shots stitched together. The native resolution is roughly 45 inches (114.3 cm) width by 15" inches (38.1 cm) height, so very large prints would look great!
Panda Food
Haleakala Banyan Tree
364YosemiteYosemite National ParkNational ParkHalf DomeTreesSkyCloudsGraniteGlacier
From Landscapes


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What is it about the 70s nurses' uniforms that just exuded sex? The easily unzippable white minidress, just barely covering the tops of those coquettish white stockings, promising but not quite delivering a glimpse of garter belt? The traditional cap, clearly influenced by that sexiest of sexy-stern headwear, the nun's wimple? Was it the tied-up hair, ready to be whipped down when the doctor was away, loosing the wildcat that the professional woman must keep in check? Was it the clipboard? The horn-rimmed glasses? The sensible shoes?
Whatever it was, shlockmeister Al Adamson recognized the potential in the figure of the Woman of Healing, and in a your-chocolate's-in-my-peanut-butter moment, put it together with the horror rage of the day, possession. The result: Adamson's 1978 grindhouse cheapie Nurse Sherri, aka The Possession of Nurse Sherri, aka Terror Hospital. Hoping to cash in on the likes of The Exorcist, Carrie, and Ruby (all of which are name-dropped in the largely unrepresentative trailer), Adamson pulled out all the stops and threw the throttle open. But did the crash result in a delicious Reese's Cup, or something more sinister, like a Mr. Goodbar?
After some incongruously sci-fi opening titles (glowing letters and heavy theremin music reminiscent of the Outer Limits or Dark Shadows theme), we find ourselves in the presumably Californian desert, where a small cult is doing its cultish bidness under the guidance of spiritual leader Reanhauer (Gary Busey-lookalike Bill Roy). The cult is indeed a motley bunch--though Reanhauer and his right-hand man Stevens (J.C. Wells) wear business-casual sport coats and ties, other cult members model everything from hippie-print muscle tees to construction-worker chic to a rather amazingly colorful flower-print muumuu...which all goes to show how people from all walks of life have fallen under Reanhauer's hypnotic spell.
The main item on the cultish agenda just now is to heal one of their members of his diabetes using only their faith and the guru's limitless powers--a project Reanhauer insists is going well, despite the fact that the boy in question is three weeks dead! Stevens is having a crisis of conscience ("You convinced that boy and that boy's mother he didn't have to take insulin to save his life!" "He doesn't!" Reanhauer replies. "Not NOW he doesn't!" Stevens shoots back), but the cult leader puts it all down to a poisonous lack of faith and expels Stephens from the fold. When the nearly-rotten corpse seems to move during a particularly intense chant-o-thon, Reanhauer experiences such a rush of personal vindication that he collapses on the spot with a massive coronary!
Rushed to Our Lady of Cinderblocks City Hospital, the cult leader is toiled over by a group of crack surgeons and one extremely well-endowed nurse. It's not quite clear at this point what happens to the old man, though, as we soon start following Nurse Sherri (Jill Jacobson) and her day-to-day life around the wards. This consists mainly of flirting with her surgeon boyfriend Peter (Geoffrey Land), who seems to get off on sneaking up and shoving biohazard-encrusted gloves in his girlfriend's face. (Sample flirtatious dialogue: "You look so nice when you shake like that!" "Oh, go take a shower in formaldehyde!") She also passes the hours making innuendo-laden small talk with coworkers Tara (blaxploitation star Marilyn Joi) and Beth (Mary Kay "No I Didn't Sock It to the Harper Valley PTA" Pass).
Nurse Tara is our secondary focal point in the flick, as she develops a love/hate/REALLY LOVE relationship with NFL star Marcus Washington (Prentiss Moulden), whose free agent prospects have been lessened by his catching two eyes-full of windshield glass in a freak car accident. While Tara struggles to get through his wall of self-pity and crushed dreams via tales of her own super-fandom, Marcus can't seem to tumble to the fact that she's not a red-haired blue-eyed white woman, leading to some near hilarity and Tara exasperatedly labeling him a "bigot." They get over it later, however, and pair up as American viewers in the 70s had come to expect thanks to The Isaac Rule.*
*Established by the influential TV series "The Love Boat," The Isaac Rule (named for Ted Lange's character, Isaac the Bartender) stated that if an attractive woman of color boarded The Love Boat, it meant Isaac (the sole African American on staff) would be involved in a romantic subplot that week. The non-Love Boat corollary held that whenever two (non-villain) people of color of opposite sexes appeared in a movie of the era, they either were a couple, or would become one over the course of the narrative.
the truly epic proportions of actress Jacobsen's rack. (Unfortunately a sense is all we get, iykwim.) As she drifts toward sleep, Adamson pulls the trigger on the movie's minuscule special effects budget, as an evil spirit invades Sherri's bedroom in the form of a cloud of low-lying disco sparkles! Soon a cloud of green, badly animated gas forms around the Spangles du Mal, which drifts over to the bed and covers Sherri's body, pulling her robe open only enough to see some nicely shaped gams. When the cloud dissipates and Sherri awakes to display some sparkling eye shadow, we know she has been fully suffused with gassy eeevil essence.
Al Adamson makes some questionable directorial choices here, not the least of which is withholding information from the audience until several scenes AFTER it becomes important. For instance, we don't find out for another half hour or so that Reanhauer refused care once he regained consciousness ("The powers of SCIENCE are FINITE! Mine are LIMITLESS!"), but that the chief of surgery opted to operate anyway, at which point the cult leader expired on the operating table. We also learn at that point via flashback that Reanhauer had struck up a strange relationship with Sherri, telling her she was "the one" or some other mumbo jumbo meant to explain why she'd be the target of his post-mortem attentions. At any rate, it comes out later that the green mist is Reanhauer's spirit, possessing Sherri to get revenge on his enemies from beyond the grave.
AWESOME cowboy attire, from his bright red, clean-pressed shirt to an UH-MAZING cowboy hat of the sort I've only seen on singing cowboys in 1940s musicals. The doc catches a pitchfork through the spine from Nurse Sherri, and she makes it back to the hospital with barely a speck of horse manure on her clean white shoes.
Also on the enemies list for some reason never made clear is Marcus Washington--but as luck would have it, the half-back's grandma was a voodoo priestess, and gave him a silver bracelet with the power to ward off evil spirits. Thwarted, Reanhauer turns his noncorporeal attentions to Stevens, who's become a drunken hobo since the cult went belly-up and is now pestering Peter for the location of Reanhauer's grave, so he can exhume the cult leader and burn his body, thus putting an end to his powers, somehow. Stevens manages to get the info (after a car chase/interrogation in which Stevens jumps out of a cliff-bound car Dick Tracy-style at the last minute!) and tosses a sheet-wrapped body into a smelting furnace downtown, which is clearly his only corpse-immolating option. Unfortunately in his drunken stupor he's dug up the wrong body, and takes a ghost-assisted nose-dive into the smelter himself, which given his blood alcohol level allows him to go out in a blaze of Mad Dog 20/20.
"grrr" in "caregiver," applying bedside manor of the 70s porn sort to fat, hairy hypochondriac Charlie (Erwin Fuller) for no good reason other than the well-established nymphomaniacal tendencies of all women in the nursing field. (Again, we get nothing but innuendo and a naked back here; the only woman who didn't insist on a non-nudity clause in her contract was Joi, apparently, who displays her impressive comfort pillows in a throwaway "changing out of my uniform" scene that I, for one, am glad they didn't throw away.) Alerted to the danger to Sherri's soul by Marcus's inherited voodoo lore, Tara and Beth decide to find Reanhauer's grave themselves, dig him up, and roast some wienies over his corpse. But can they do it before their possessed workmate makes Peter pay the piper?
Nurse Sherri is a movie that puts me in a strange though not unique position review-wise: I have a great time talking about all the wild and crazy stuff that happens in the movie, which might give readers an inflated idea of how much I enjoyed the movie as it was actually rolling across my screen. Put simply, it's NOT a good film. The aforementioned narrative shuffling is a real problem, and robs the proceedings of the already small amount of menace they might have had if things had been presented in the order they happened. The acting is high school play level at best--Geoffrey Land as Dr. Peter is particularly atrocious--although Joi acquits herself the best of anyone, and Bill Roy is entertaining enough as the scenery-feasting villain. The effects are laughable, the gore mostly of the "you got some ketchup on your face there" variety, and certain plot elements just don't make a lick of sense, even considering the budget. (For example, a body pops up out of nowhere in Sherri's apartment just before the Final Confrontation, and I'm damned if I know who she was supposed to be our how she ended up dead behind the sofa.) Despite Adamson's rather lengthy filmography by this point, the term that kept springing to mind as I watched was "fucking amateurish."
Still, if you like sexy nurses (who doesn't?) and low-grade cinematic cheese (ditto?), have a thing for possession flicks or a fetish for super-ugly 70s wallpaper, you might get a few yuks out of Nurse Sherri. As for me, I'll settle on a slightly more entertaining than average 1.75 thumbs and call it a day. And for all my diabetic parishioners, remember: it's okay to have faith in your local cult leader, but you might want to keep monitoring those glucose levels just in case. Believe me, I know.
A few more images from Nurse Sherri (1978):
Tuesday, November 10, 2009
Nurse Sherri (1978): or, This Nurse Possessed
Posted by The Vicar of VHS at 4:00 AM
Labels: '70s, 1-2 Thumbs, Nurses, Possession
7 comments:
- Samuel Wilson said...
Adamson is definitely one of the most narratively challenged directors I can think of, but there's something oddly compelling about his work that tempts one to see how he'll screw up this time. I don't think I'd go out of my way to see Nurse Sherri, but if it crossed my path, like a train wreck, I would probably give it a look.
- November 10, 2009 at 10:40 AM
- Abdullah TARIK ÇAKIR (thelepermessiah) said...
- November 10, 2009 at 11:15 AM
- db said...
I was pretty excited to see this until I remembered Adamson is the same guy who brought us such films as Blood of Dracula's Castle and Naughty Stewardesses, which is to say not very good even by drive-in sleaze standards. That said, I suspect it's just a matter of time until I pick up some Mill Creek style box and find myself unable to resist...
- November 11, 2009 at 12:59 AM
- db said...
However! It looks like there might be an alternate "adult" edit retitled The Possession of Nurse Sherri. I think I'm gonna have to investigate...
- November 11, 2009 at 1:06 AM
how do i get the links? help
- November 11, 2009 at 1:16 AM
- The Vicar of VHS said...
@Samuel Wilson--this is my first experience with Adamson's work, though of course I know of him by reputation. Not sure if I'll actively seek out more of his work, but it definitely had its moments of wacked-out, misapplied passion :)
@Abdullah--thanks for reading!
@db--Wow, that adult version might go a long way toward making me forgive the film's other shortcomings! I'm always very forgiving if there's gratuitous sex involved--in art as well as life. ;)
@Anonymous--Sorry, but we're a review site only here, not a torrent bank/link-dump. However, the internet is a big place. :)
- November 11, 2009 at 9:04 AM
- Bollywood Movies said...
We read your blog. It is superb. Just watch and entertain the bollywood movies.
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- November 16, 2009 at 7:25 AM


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EcoDigital necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 226 diseños de 55 diseñadores freelance.
EcoDigital Multimedia
EcoDigital Multimedia is an A/V design firm specializing in green Technologies. We design, install, and service a wide range of A/V systems; from Video Conference systems to LCD Displays and Lighting Control systems for Fortune 500 companies and in the homes of their owners. Our specialty is finding products that use less energy, help conserve or manage energy, and are made by green certified manufacturers.
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Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


text:
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· the state of being prominent: widely known or eminent
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Antonym(s): obscurity
2. prominence - noun
· relative importance
Hypernym(s): importance
3. prominence - noun
· something that bulges out or is protuberant or projects from its surroundings; "the gun in his pocket made an obvious bulge"; "the hump of a camel"; "he stood on the rocky prominence"; "the occipital protuberance was well developed"; "the bony excrescence between its horns"
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SANTA ROSA BEACH � Officials were busy Monday dealing with the aftermath of even more flooding in Walton County.
SANTA ROSA BEACH � Officials were busy Monday dealing with the aftermath of even more flooding in Walton County.
Heavy rain over the weekend � on top of record-breaking rainfall in July � flooded some areas, including a South Walton neighborhood that is now without power or sewer service.
Big Redfish Lake in Blue Mountain Beach flooded over County Road 30A, washing out a significant chunk of the road and damaging the dams and pipes that regulate water flow.
Russell Beaty, the county�s assistant emergency management director, said that damage to CR 30A alone could cost about $200,000 to repair.
�We�re definitely going to see more of that as the water recedes and our engineers gather damage estimates across the county and tally it up,� Beaty said.
The road and the pedestrian bridge that runs alongside it are closed to traffic in both directions. Much of the soil washed away under the road as well, making it dangerous for vehicles to travel in the area.
Near Dune Allen, on Spotted Dolphin Road north of CR 30A, water flooded electrical transformers that sit on the ground. CHELCO cut off power to the area on Monday for safety reasons, which also shut down the lift stations that provide sewer service.
Walton County Commissioners held a last-minute meeting Monday and authorized the county to work with Regional Utilities to pump water off the area into nearby state forest lands.
�We need to get the power back on and sewer flowing to avoid having to evacuate anybody,� Beaty said.
He said he was unsure how many homes on the road were affected.
The county also declared a local state of emergency, which will last for seven days, said Louis Svehla, a spokesman for the county.
That allows the county to apply for federal assistance if necessary.
The state could also provide support for repairs.
For now, it seems the county could see some relief from heavy rainfall in the coming days. Forecasts call for nothing more than the usual afternoon showers.
�We�re cautiously watching that weather, though, keeping our fingers crossed,� Beaty said.
Contact Daily News Staff Writer Lauren Sage Reinlie at 850-315-4443 or email@example.com. Follow her on Twitter @LaurenRnwfdn.


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Jimmy Henchmen's Son "Lil Henchmen" Gets Co-Signed By Sean Kingston & N.O.R.E's Nephew! Plus Spits A Acapella Freestyle
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Lupita Nyong'o's Makeup Artist On Her Rule-Breaking Look
Kenyan-raised and Yale-educated actress Lupita Nyong'o's making her American film debut in 12 Years as a Slave this Friday—alongside Chiwetel Ejiofor, Michael Fassbender, and Brad Pitt—but she's already mastered the art of standing out on the red carpet. Inspired by the pink and purple shades in her Miu Miu dress, she stepped out with bright lips, eyes—even nails—for Monday's Los Angeles premiere, proving there are no limits to a colourful beauty look when done right. Makeup artist Nick Barose's tricks to pulling it off, above.
"You want to brighten a deep skintone without lightening it," Barose says, so he reached for two different shades of M.A.C.'s Pro Longwear Foundation ($31), a trick that produces a glowing effect. "Apply the lighter shade in the center of your face and the darker shade on the outside, then blend," he says.
After foundation, but before blush, Barose dusted Nyong'o's skin with Jouer's Essential Face Mattifier ($26) to cut down on shine and set the foundation, without masking the skin.
"When you create a bright eye and lip you want your cheek to have a little color, but not look heavy," Barose says. He used Jouer's Cheek Tint ($20) in Dahlia, applied with a BeautyBlender Sponge ($20): "It looks natural and doesn't have any shimmer."
To get the winged-out shape, Barose applied Dolce & Gabbana's Glam Liner Intense Liquid Eyeliner ($34) in Black Intense to Nyong'o's top lashline, drawing the color up towards the outside of the actress' brows. He added Estee Lauder's Double Wear Stay In Place Eye Pencil ($22) to the actress' waterline, concentrating the color on the outer half of her eyes.
Once Barose had the cat eye outline, he reached for M.A.C.'s Antonio Lopez 6 Eyes Palette ($44) in Violet, painting the black hue on the outer half of Nyong'o's lid and the purple hue on the inner half. Maintain the cat eye shape and gently blend the two colors in the center, then wrap the purple around the bottom lashline with clean, thin brush.
You don't want a dramatic lash when you're wearing a colorful eye, Barose says, but you do want definition. "Choose a lengthening mascara, not thickening!" Try Maybelline's Define A Lash Mascara ($8).
Barose lined Nyong'o's pout with a pencil the same shade as her lips, then applied Nars x Guy Bourdin's just-released Lipstick ($26) in Full Frontal directly from the tube. "Then add a second coat with a lip brush for more color," he says.
The final touch? Tom Ford's Nail Lacquer ($32) in African Violet. "Matching your lips and nails is very cool right now," Barose says. We agree!


text:
Abortionist summons ambulance for patient who's 'fine'
Listen to Planned Parenthood explain case to 911 operator
A Planned Parenthood abortion business employee has summoned an ambulance for a patient who is "fine," according to a new report from Operation Rescue, a leading activist group on the issue of life.
The organization has posted a video on Youtube with the 911 call from the Indianapolis, Ind., Planned Parenthood business.
The demand for an ambulance includes the following exchange:
911 dispatcher: "What's the problem?"
Planned Parenthood: "We need an ambulance transport."
911 dispatcher: "What's the problem with the patient?"
Planned Parenthood: "Needs to be seen and taken to IU medical center."
911 dispatcher: "What's the … ma'am, what's the … what problem is the patient having?"
Planned Parenthood: "We are an abortion site so … our doctor couldn't do her procedure."
911 dispatcher: "Can you be specific. What's the problem with the patient?"
911 dispatcher: "Is the patient conscious?"
Planned Parenthood: "Yes."
911 dispatcher: "Is the patient breathing OK?"
Planned Parenthood: "Yes, she's fine."
911 dispatcher: "OK, then what does she need the ambulance for?"
Find out the truth behind the headlines about Planned Parenthood and its funding by the Komen foundation, in "Planned Bullyhood."
Planned Parenthood: "Because she was currently in a surgical procedure room – to do a procedure – however the doctor couldn't do her procedure … and she's had misoprostol."
Operation Rescue officials noted this was the 17th medical emergency documented at Planned Parenthood abortion businesses just since January 2011.
The group also explained that misoprostol, or Cytotec, "is a drug developed to treat ulcers, which is often used in abortions against the manufacture's warnings because it has the side effect of inducing uterine contractions."
"The record shows that a Planned Parenthood patient was in active labor and in the middle of a risky second trimester abortion [14th week] when the abortionist stopped the procedure and called for emergency transport. Because of the evasiveness of the caller, almost anything could have happened to that woman, but one thing is obvious; her life was in danger," said Troy Newman, president of Operation Rescue and Pro-Life Nation. "This certainly warrants further investigation by the appropriate authorities."
Newman noted the safety questions that arise because of the number of emergencies at the Planned Parenthood businesses that get nearly half a billion dollars in tax funding each year.
"The incidents that we have documented, including the tragic late-term abortion death of Tonya Reaves last July, are only a fraction of the actual abortion complications, most of which occur in secret," said Newman.
"Planned Parenthood abortion clinics may be located in nice buildings, but the abortionists who work in them are bottom-of-the-barrel hacks that more closely resemble their back alley counterparts than reputable medical professionals. The public deserves better than to flush their hard-earned tax money down the Planned Parenthood rat-hole, especially when that money can be better spent on care that actually helps women in need, instead of hurting them."


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