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Pulse Project at 4DSOUND (with some images of the residency in Budapest and the 'Circadian' programme at TodaysArt NL 2015 Den Haag)
(Image by Fanni Fazakas at 4DSOUND)
In August I was in residence at 4DSOUND (Arts Quarter Budapest, Hungary) collaborating with 4DSOUND's director, composer Paul Oomen to develop a new interface and audio design that would give a spatial 'shape' to my sonic interpretations of participants' bodies that I have so been trying to realise throughout the duration of this project. This new interface and sound design was developed to be presented at TodaysArt NL 2015 festival in Den Haag, Nederland in September.
Here are some images of the residency and collaboration (Images by Fanni Fazakas at4D):
About 4DSOUND:
4DSOUND is a state of the art/ institute of sound / avant garde system of sonic technology that produces unique and dynamic (4D) sound designs – designs that add completely new dimensions to audience experience/engagement with sound. 4DSOUND provides a space/platform for exploring new forms of embodied consciousness via immersive sound designs. These designs create new fields of complex interaction between the audience, artists, composers and technologists via the unique features of the 4D sound system – as a stage that converges artistic vision, complex audio design and bodily interaction with new sonic worlds.
Visit their website for more info on their system, creative team and unique projects: http://4dsound.net/
TodaysArt NL 2015:
'Circadian at E.ON Electriciteitsfabriek' – my images:
The space of E.ON
The 4D system within E.ON
To view the programme and full list of participating artists (including myself, Marco Donnarumma, Lisa Park, Kazuya Nagaya, and John Connell & Florence To) and descriptions of their work see: http://todaysart.nl/2015/program/4dsound-circadian/
This festival investigated 'how spatial listening influences conscious states throughout the day and night. Performances explore how to physically connect the listener with the surrounding space through movement, bio-physical media and psycho-acoustic stimulation' (4DSOUND, 2015). In this festival I took 16 people's pulses and performed 16 live pulse soundscape compositions throughout the 48 hour programme (see images below).
(The following images are by Georg Schroll at 4DSOUND).
In the E.ON space – lower floor :
The 4DSOUND system in E.ON – upper floor:
Images of the audio design :
An image showing how one can move through the 4DSOUND system with the interface – enabling me to adjust the sounds and their expressions to specific locations within the 4D system:
4DSOUND Director Paul Ooman and I discussing the interface/audio design – with Ooman demonstrating a range of sounds for each of the 5 elements to audience members:
(Image by Fanni Fazakas at 4DSOUND)
Ooman's new interface designed in Budapest specifically for Pulse Project allowed me to creatively interpret the oscillating inner landscapes of each participant's body much more directly than all of my previous work with SuperCollider (see earlier posts on this process). Ooman's designs also offered a more profound exploration of the alchemical relationship of the 5 elements of Chinese medical philosophy themselves – as distinct sonic shapes and bodily processes… Ooman designed a complex interface containing at least 5 inter-relating audio objects for each of the 5 elements according to traditional music and medicine theories according to the text Huangdi nanjing – dating from at least 1C BCE (see the 1st and 2nd images of the residency in Budapest above – the interface is shown via the ipad which displays the audio objects we were developing/working with).
The bespoke audio design and complex system of 64 speakers made it possible to create audio works that could be 'sculpted' and modulated live allowing me to produce bespoke audio works that have a direct relation with the bodies of the participants of the research as well as the listeners of the pulse performances. These new modes of working with live sound and audience participation far exceed the scope of standard sound design and multi-channel elaboration of soundscapes (see images displaying the audio design and audience participation above) – offering a completely new approach to composing and to listening to immersive and embodied sounds.
In terms of how 4D really transformed my research, the new interface/sound design created at 4DSOUND solved a major problem I have been struggling with – how to communicate the hidden and intimate act of pulse reading to a wider public within a live setting. By giving the pulse reading sessions and their playback via immersive sound system a much greater public platform at E.ON within the 4D system – the audience could experience a meditative listening to the emerging pulse soundscapes of others (or their own pulse reading) as a 'new' approach to listening to the human body (via my artistic re-interpretation of Chinese medico-philosophical mappings of participant's bodies).
This experience was further enhanced by the 4DSOUND artists' talks that discussed the sound works (and the concepts they adopt) produced during the festival. In the images below: Lisa Park, Marco Donnarumma and myself participating in the artist's panel discussion of our works in the 'Circadian' programme – with 4D Director Paul Ooman chairing the discussion.
(Images by Georg Schroll at 4DSOUND)
Pulse Project at 4DSOUND Budapest!
Between 7/09 and 13/09 I am in Budapest on a residency at the new 4DSOUND studios (which is a truly AMAZING experience in terms of the possibilities of sculpting sound in space-time – the photo only gives a small sense of the cathedral-like scope of the space) as part of their 'Circadian' programme – read about it here (you will need to scroll down a bit to find info on my project here): http://4dsound.net/circadian-schedule/
Throughout the week I will be putting videos (as I cannot upload them here) of this project on my Facebook page – see: https://www.facebook.com/michelle.codephd
More soon!!
Pulse Project at STWST 48 Hours in Linz (in association with Ars Electronica)
I am currently in residence at Stadtwerkstatt (STWST) – which is next to the main Ars Electronica building (to the left in the above photo) performing my pulse reading project from Friday-Saturday (5/9/2015) at 11:00 pm to 5 am and Saturday-Sunday from 11:pm to 5 am and am also giving a workshop today (from 5pm) to explore making personalised soundscapes using Chinese pulse diagnosis and SuperCollider audio synthesis software. This performance and workshop series is part of Shu Lea Cheang's exhibition 'InfoCrash 48' at SWST in association with Ars Electronica. See this link for the other exciting projects that are going on here: http://projects.stwst.at/stwst48/ (hint: there are projects that create unique soundscapes from bee hives (Bioni Samp) and another project by Martin Howse and Jonathan Kemp that creates 'social software events' i.e., using people's piss interacting with objects and computer interfaces to create soundscapes – On Monday I fly off to Budapest to collaborate with 4DSOUND on a new interface for making pulse soundscapes – More later!!
My article 'Touch as techne: rethinking digitality' has been just published in Digital Creativity…
My article 'Touch as techne: rethinking digitality' – which is about my research on 'inner technologies' has been just published in Digital Creativity (in a special edition on Arts and Ecology) Volume 26 No.1 (Taylor and Francis publishers)…
Go to this link to access it: http://www.tandfonline.com/doi/full/10.1080/14626268.2015.998681#preview
January – March News
March 2015
I am one of the participating artists in 'Drawing Towards Sound' curated by David Ryan.
Historical works by Artists: Pierre Boulez/ George Brecht/ Earle Brown/ James Brooks/ John Cage/ Cornelius Cardew/ Morton Feldman/ Iannis Xenakis
Contemporary works by: Hallveig Agústsdóttir / Sam Belinfante / Vicki Bennett / Carl Bergstrom-Nielsen / Laura Buckley / Alvin Curran / Tom Dale / Vinko Globokar / Christophe Guiraud / Roman Haubenstock-Ramati / Neil Henderson / Richard Hoadley / Joan Key / Catherine Konz / John Lely / Michelle Lewis-King / Anestis Logothetis / Onyee Lo / Anton Lukoszevieze / Farah Mulla / Rie Nakajima / Luigi Nono / Marianthi Papalexandri-Alexandri / Michael Parsons / Simon Payne / Helen Petts / Lauren Redhead / Aura Satz / Thomas Smetryns / Jennifer Walshe / John Wollaston / Christian Wolff
This exhibitions examines the interface between the visual and the aural through notation, documentation, performance and video/moving image. Each of these aspects are currently being explored from many different perspectives by contemporary composers, musicians, visual artists, and film/videographers. Its basic starting point is the historical graphic score/'new' notational practices of the modernist avant-garde and how sound is captured and communicated.
University of Greenwich, Steven Lawrence Gallery, Private View March 3rd.
See: http://www.greenwichunigalleries.co.uk/drawing-towards-sound/
February 2015
I am also proud to announce that I have been chosen (as one of five artists) to have my research project 'Pulse Project' hosted for 2015 by the global peer review curatorial platform PROJECT ANYWHERE.
To see all the projects (past and present): http://www.projectanywhere.net/
To see my project:
January 2015
In January, I was on the Resonance FM London (January 31st 2015) talking with Jude Cowan Montague and Rebecca Feiner about my acupuncture and art practice:
(I speak at about 10 minutes into the show).
Listen to the show here: https://www.mixcloud.com/Resonance/143000-the-news-agents-320kbps-3/
Pictures from a recent talk I gave at 'Le Sujet Digital: Temporalités III, Université Paris VIII, November 12-14
For information on the bilingual conference on art, science and the digital/temporal subject, see: http://www.sujetdigital.labex-arts-h2h.fr/content/colloque-le-sujet-digital-2014-temporalit%C3%A9s
and for the programme:
Some personal pics and descriptions from my time at CERN last November
After arriving at Geneva airport, I was picked up in this high speed TELSA electric car – complete with touch screen interface, voice command and some sort of hydraulic system – courtesy of CERN- (the car is somewhere in the astounding range of $150K). I was dropped off by this iconic dome nestled in the Jura mountains – it definitely set the tone…
Before the Port hackathon, we had a chance to explore CERN – these are diagrammatic displays of particle acceleration in the circuit of the Large Hadron Collider and its detectors: the 'general-purpose detectors': ATLAS (which is what I was able to visit) and CMS, the 'heavy ion detector' ALICE, and the LHCb – a 'subdetector' to detect particles traveling in a forward direction. Apologies for the blurriness of the images – my camera isn't the best.
The following images from the control room and station of the ATLAS experiment/detector of the Large Hadron Collider
some more images of the foyer of the control room – I thought the whole process of particle harvesting, acceleration and radiation had a poetic – the language of the 'cooling' of the accelerator had a certain other-worldly eroticism to it…
The heart of the ATLAS experiment – plus a detail of the panels that record the 'muon' radiation from particle collisions
A mole-eye view of a model section of the LHC
and of course CERN is also where Tim Berners-Lee developed the world wide web – in this corridor:
These are some images of an immersive and augmented video demonstration of the story behind the 1st particle collider at CERN called the 'Proton Synchotron' (1959 -). The video is projected directly on the original Proton Synchotron and tells its story in a series of animations and archival film footage – it was a scintillating way to learn about the history at CERN.
These two images are just details from relaxing and socialising at the hackathon at the Port building which the finishing touches of this new building were still be added just before the start of the hackathon – The Port has their own official Facebook page for better images: https://www.facebook.com/theportatcern
I geekishly loved the dining halls there
From a stroll around the CERN complex in the evening sunshine
This lovely statue of the cosmic dancer Nataraja was just outside the halls of residence where I was staying – I had a deep respect for how other narratives and artistic interpretations were an accepted part of the complex fabric of research at CERN. This statue at sunset seemed to move in the way the cosmic dancer suggests…
We had presentations and talks to attend in the evenings
My last glimpse at CERN before flying out from the airport – even the airport was stylish – almost completely constructed of large windows to view the Jura mountains…


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Lextech Global Services is proud to announce the Yellow Box agricultural monitoring and control created in conjunction with LoadOut Technologies has won The American Society of Agricultural and Biological Engineers (ASABE) AE50 award for being one of the top 50 innovative products developed in 2011.
The Yellow Box app allows users to control and monitor agricultural processes on their mobile devices away from environmental hazards, and sends notification alerts to users if any issues are encountered.
"The companies that have received AE50 awards in the past are among the most-respected businesses in the world. The impact they have had on the agriculture industry is phenomenal," said Neil Mylet, CEO of LoadOut Technologies LLC. "We are honored to be listed among them, and look forward to positively impacting farmers' lives like they have."
Previous winners of the AE50 award include Trimble, John Deere, DICKEY-john Corp., and Case IH. The award is sponsored by ASABE's Resource magazine, and the Jan/Feb 2012 AE50 Winners issue can be found here.
About LoadOut Technologies
LoadOut Technologies is based out of the Purdue Research Park in West Lafayette, Indiana, and engineers revolutionary mobile technology solutions that allow smartphones to empower the people of agriculture.

subset: commoncrawl


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Wednesday Dec 21, 2011
ALFRETON Town manager Nicky Law has total faith his players will behave themselves over the Christmas period and be raring to go for a crucial home game against Tamworth on Boxing Day.The Reds chief has given his troops Christmas Eve and Christmas Day off from club duties but he is not worried at all about the players over-doing it at home."We have trained Monday and Tuesday, we will have Wednesday off and train Thursday and Friday this week before playing on Boxing Day."We will have done all of our work in the week with four really tough sessions. I don't have to doubt the players, they are a very good, fit bunch of sensible lads who have got the bit between their teeth and I know they will be sensible over Christmas."The side is growing in confidence and it is a good place to be at the moment."All the signs are there that we are definitely improving. Last Saturday at Stockport we did everything but win the game. We hit the woodwork on several occasions and had the ball in the net three times with each one ruled out. We were so close to scoring and winning."And it has been like that on several other occasions over the past few weeks."We are keeping it tight at the other end and we now just have to find the net, that is the major thing we need to improve on at the moment."Meanwhile, Law outlined some of his plans for the January transfer window.The Reds chief has been very busy over the past few days. He said: "We have five or six targets we are looking at and we will just have to see how far we can get with each of them."We may have to put a couple more out on loan to help things along, but that will also get some desperately needed game time for those players as well."The Reds are hoping a bumper Boxing Day crowd will spur on Law's side against a Tamworth side who are almost certain to have one eye on their forthcoming FA Cup third round tie at Everton on January 7.Law will be hoping his side can extend their unbeaten run at the Impact Arena which stands at four games in all competitions.Kick-off for next Monday's Boxing Day home game against Tamworth is 3pm and with a bigger than usual crowd expected, fans are urged to arrive early for this fixture.The following week on New Year's Day, the Reds face the return fixture against Tamworth at The Lamb.TransportATFC Supporters Association official transport for the New Year's game departs at 12.45pm from North Street but fans can wlecome in the New Year at the Reds Bar which will be open before transport departs.
Copyright © Alfreton Town Football Club 2019. Created by Zero One Design Ltd.


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When compiling a top 10 list, there's a big difference between "Best" and "Favorite." Usually, "Best" implies some sort of objectivity. If I was compiling a Best Albums list, I'd probably include some influential and innovative albums that I never listen to anymore, like the new Wilco or the White Stripes. Instead, 10 albums I genuinely enjoy that have rarely left my MP3 playlist:
Favorite 10 Albums of 2002
Ben Kweller, Sha Sha
Bill Frisell, The Willies
Destroyer, This Night
Mates of State, Our Constant Concern
Mirah, Advisory Committee
Norah Jones, Come Away with Me
Songs: Ohia, Didn't It Rain
Spoon, Kill The Moonlight
Tori Amos, Scarlet's Walk
Other Top Album lists for 2002
KALX DJs, CMJ writers and community, Aquarius Records, Spin, Time, Entertainment Weekly, Pitchfork, The Onion AV Club, KCRW, TinyMixTapes, Amazon, Rolling Stone, and Uncut.
If you know of any more, please add them below.
And before anyone starts making fun of me, the Dixie Chicks album is sincerely good. More bluegrass than country, it's a guilty pleasure for anyone who enjoyed the O Brother, Where Art Thou soundtrack. Stephen Thomas Erlewine likes it, PopMatters likes it, and so do I. So there.


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Loyal Legion of Golfers, we have a mission for you!
The Delaware Small Business Chamber has informed me that Ed Oliver Golf Club has been nominated for their Blue Ribbon Award for Customer Service of the Year!
This is a huge honor for the staff here and the only thing that could top it is winning the award. That's where you come in. We need your votes to help us take home the ribbon! Go to http://www.dsbchamber.com/blue-ribbon-awards-2/ and vote for us! While you're there, vote for your other favorite businesses in the other categories, and check out the DSBC web site!


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Sales & travel support:
(+54) 984 568287
Phone Office:
(+51) 984 194295 (+54) 984 568287
Skype: incapathperu
Office Address:
Cuesta Sant Ana 544 - C
firstname.lastname@example.com /
Hiking through the highlands and canyons of eastern Peru. Salkantay is the center piece of this hike, (6270 meters, 20,570.9 ft sea level), with glaciers spilling from its jagged peak, snow capped mountains and green valleys make of this hike unforgettable. The highest point of this trek is (4626 meters 15,157 ft sea level) call the Salkantay pass. This Sakantay trek is considered now as the best alternative tour to hike Machu Picchu and one of the best treks for hiking in Peru. This trek ends in Aguas Calientes the town just below Machu Picchu. The last morning after we ended our Salkatay trek and made the 4-mile hike straight up the Inca stairs to Machu Picchu, there will be a guided tour around the citadel of Machu Picchu.
Departure: 5 a.m
Highest pass: 4626 m.
Trip grading: Difficult
Hiking time per day: 8 to 9 hours between 17 to 18 km a day
Early in the morning we collect the passengers from their hotels for a nice four hours bus ride towards Soraypampa, which is the beginning of the Salkantay trek. Once there, we will pack all the gear on the horses and set off for our trek. During the first hours we start a steep ascend towards the highest point of the trek, the Apacheta path (4590 m 15059 ft above sea level). Vegetation, is not common at this altitude mostly grass and one king of tree (Queu a) who has perfectly adapted to this environment. The Apacheta pass, is the perfect place to have a nice view of the Salkantay mountain that means (wild mountain) located at 6271 m 20574 ft. We continue on with the trek and we descending to the first camp, while we are walking we can appreciate that nature changes from arid cold terrain to warmer areas with more vegetation. The first camp is call Andenes located at 2890 meters. (1 breakfast - 1 lunch - 1 dinner).
For most of our hikers today is easy, the trail ahead takes us down until a nice waterfall so we can relax and take some pictures. Nature changes with each step, vegetation is more abundant, small waterfalls, rivers and birds are part of this hiking day, After lunch and descending for a couple of ours more, we arrive to our second camp call la Playa. During our hike we can see variety of wild life, many birds and maybe we can see the Peruvian national bird call Gallito de las Rocas. (1 breakfast - 1 lunch - 1 dinner).
Today we will say good bye to our porters and cooker, they will go back to Cusco with all the gear, sleeping bags and sleeping pads so, porters won't n be available any more, they are not allowed to go on the trek the third day, so you will have to carry your own bag pack, but the sleeping bags and mattress will go back to Cusco so you just need to carry a light bag pack. The scenery changes as you wander through coco bean plants, banana trees, oranges and avocados. After three hours walking up hill we arrive to the archaeological complex of Llactapata, known also as Patallacta that means Town of hill side, originally discover by Hiram Bingham as the same time as Machu Picchu. Some explorers say that this place could be bigger and more important than it was. Here you can have the first view of Machu Picchu, descending for two more hours we arrive to Machu Picchu Hydroelectric. After lunch, we will walk for two to three more hours until Aguas Calientes (town below Machu Picchu). Some clients take the train from Hydroelectric to Aguas calientes that takes 20 to 30 minutes, but the train ticket is not included in the price (18 $ train ticket from hydroelectric to Aguas Calientes). In Aguas Calientes we will check in a lovely hostel for a nice evening. (1 breakfast - 1 lunch - 1 dinner).
We recommend starting the trek early in the morning. The idea is to hike Machu Picchu to see the sun rise, that for many of our clients this is a wonderful natural spectacle. From Aguas Calientes take one hours and a half aprox., until Machu Picchu. Once there, we will have two hours guided tour around Machu Picchu, also plenty of time to take pictures and walk around. Later we meet with the rest of the group to go by bus down to Aguas Calientes, and then take the train to go back to Cusco. Depending on the train service the departure from Aguas Calientes can be late in the evening, and you might go until Ollantaytambo or Cusco, if will stop at Ollantaytambo there will be a bus waiting for us to take the group back to Cusco and with that the end of the Salkantay trek. (1 breakfast).
Personal porter: We can hire an extra horse for 25 dollars to help you carrying up your personal things such a sleeping bag and rain coat.
The price 419 USD does not included the entrance fees to Salkantay trek (141 soles) In 2008 the INC (National Institute of Culture) introduced a 141 Peruvian soles (42 $) entrance fees to Salkantay. We felt that this was an excessive charge, as the government doesn't t offer any service or infrastructure. After many strikes and protest the INC currently is not charging this fee, and appears that in some days the INC charges and in some other days they don t. In charging people who then have a lucky day we decided do not Include this fee in the price, but you must be prepared to paid the fees if the INC request it on route. We apologize for this inconvenient.
All prices are subjects to any changes according to government regulations.
This tour can combine with our 15 and 21 days trips or with Rafting trips to Apurimac
Private transportation, train tickets to go back to Cusco, bilingual speaking guide, horses as porters, extra horse in case of emergency, horsemen to look after the horses, kitchen, dinner and toilet tents, first aid kit, mattress to sleep on, all camping gear, hostel in Aguas Calientes the last night, meals: 3 Breakfasts, 3 Lunches , 3 Dinners, entrance fees to Machu Picchu, bus ticket to Aguas Calientes , transfers.
Sleeping bag (may rent in our office for $ 4 a day), lunch on the last day, entrance fees to hot springs, tips and entrance fees to Salkantay trek, bus tickets en stead of hiking Machu Picchu on the last day.
*We recommend bringing pills for altitude sickness, this is the most frequent trouble for travelers during hiking Machu Picchu.
Sleeping bag (menus 15 degrees) you can rent this for 12 USD at the office, mosquito repellent, hiking shoes or trainers, hat, socks, worm clothes, gloves, woolen hat to cover the ears, rain coat, sun Block PFD 40, flashlight, bottle water to fill the bottle up with water. Personal medical kit and items that you consider very important during the Salkantay trek.


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Thank you! Here is the link to download your free audio meditation file
Positive Mind Body Australia is excited to launch Dr Alice Domar's Mind Body Program for Fertility for the first time in Australia.


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SCOUT has been appointed to handle brand strategy, creative development and new product launches for the STAINMASTER® brand. SCOUT has supported INVISTA's commercial business – ANTRON® carpet fiber – for the past three years.
"We are thrilled that our partnership with INVISTA is expanding to include STAINMASTER®," said Cheryl Maher, SCOUT SVP and director of client services. "STAINMASTER® is a leading force in the flooring industry and we are excited to support the brand's innovations and look forward to driving its success."
Since its launch in 1986, STAINMASTER®, a division of INVISTA, has become the most trusted carpet brand in America. From its innovative stain-resistant technology to its family-friendly product lines like PetProtect® and Active Family®, STAINMASTER® delivers on its promise to provide home comfort products that stand up to everyday life.
"We chose SCOUT because they have been an incredible strategic partner on the ANTRON® business, continuously demonstrating agility, creative excellence and analytical reasoning," said Lisa Connolly, Director of Global Brand Marketing. "They have also embraced our Market Based Management culture, thus creating a strong and seamless relationship that drives results.
"SCOUT has become active on the STAINMASTER® business over the last few years, partnering on several key initiatives," continued Connolly. "When the time came to select a strategic branding partner, we knew that SCOUT was the right team with the right virtues and talents. As STAINMASTER® expands its product selection, we look forward to partnering with SCOUT to help tell our story and support the brand."
About SCOUT
Independently owned and operated for over 16 years, SCOUT is a full-service integrated agency with three offices across the United States – in Atlanta, Chicago and San Diego. Serving clients in consumer/B2B and healthcare, SCOUT brings leading companies bold, brave thinking that creates value for its clients' brands.
About STAINMASTER® brand
The STAINMASTER® brand is a leader in home comfort and dependability and offers an extensive portfolio of home products that hold up to everyday life. The STAINMASTER® brand revolutionized the carpet industry in 1986 with a stain-resistant technology never before available in carpet. Today, STAINMASTER® products continue to help keep homes looking and feeling new because they're constructed with lasting, high-quality materials and innovative designs.
To find out more, go to STAINMASTER.com, Facebook.com/STAINMASTER or Twitter @STAINMASTER.
About INVISTA
With leading brands including that include LYCRA®, COOLMAX®, CORDURA®, STAINMASTER® and ANTRON®, INVISTA is one of the world's largest integrated producers of chemical intermediates, polymers and fibers. The company's advantaged advanced technologies for nylon, spandex and polyester are used to produce clothing, carpet, car parts and countless other everyday ubiquitous products. Headquartered in the United States, INVISTA operates in more than 20 countries and has about 10,000 employees. For more information, visit INVISTA.com, facebook.com/INVISTAglobal and twitter.com/INVISTA.


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Hero Honda Karizma R: Official Word
Here it is. On my request, I received this official note on the new Hero Honda Karizma. Read (and enjoy – I did). Everyone who likes writing ROTFL in their blogs and emails... this one's for you!
Karizma has been the most aspirational motorcycle in the country, and it enjoys a die-hard patronage with young bike enthusiasts for a simple reason – unmatched performance coupled with unparalleled styling and the assurance of the tried and tested Hero Honda equity.
Simply put, Karizma with its 225cc of raw power and commanding street presence is nothing less than a fantasy come true for young adults who yearn to have a very powerful bike with international styling and comfort and riding safety.
Keeping this sentiment in mind, Hero Honda has now launched the 'New Karizma'. Karizma, in its new avatar, comes with swashbuckling new looks and international styling which will drive every young and passionate biker in the fast lane of power biking.
Some of the most striking features of the New Karizma include the following: -
Here's a bike which comes fully loaded with impeccable styling and unmatched performance which reiterates Hero Honda's continuous commitment to offer the best biking experience across diverse consumer segments.
- A striking new Karizma logo which represents the bike's cutting edge imagery of being racy
- International styling which includes state-of-the art graphics with a pronounced 'R' on the tank and an asymmetrical one on the visor in keeping with the latest international trend
- A stunning feature of this bike is its new sporty under-cowl which makes the bike look more powerful and mean
- The digital console of the bike comes with a night vision, which illuminates the console in a bright neon yellow color to reveal the speedometer which stands out in the dark to form a stunning contrast
- The engine now sports an exciting matt-axis grey color which makes it look very rugged and ready to take on anything
- What's more, the New Karizma comes with a special edition version which has a set of racy-red mag wheels which make it the most stunning bike on Indian roads.
- Other notable features in the bike are the red rear suspensions, stylish fender with sizzling graphics, alloy wheels and front disc brakes as a standard fitment, powerful multi-reflector headlight with two stunning remote lamps for that added beam, Integrated clear lamp tail light to make sure every other bike keeps safe distance.
Coupled with its Brand Ambassador, hot-shot Bollywood star Hrithik Roshan, Karizma's personality is all about: 'Cool & Confidence'


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Finally… After 1 yr of figure review hiatus, I finally managed to publish a new figure review – or should I say more like a figure photography session with my figures. I've been wanting to publish a new figure review for quite some time now but my limited time is really preventing me to do so :( As always, I've been super duper busy with work (which is a good thing) and that means less time for my hobby. But yeah, got lots of new figures that I wanted to share and I'll start with this 1/7th scale figure rendition of Ichijou Manami from the "not for kids manga" Menkui.
Figure was made by the talented people at Orchid Seed offices. As always, the figure is fully cast-offable which means you can literally take off all of her clothing for additional display customization (well, that is if you wanted to display her naked). I would love to show her naked but not this time :P Like what I've mentioned earlier, the figure is 1/7 in terms of scale which is good. It's also a "real" 1/7 figure not unlike some figures from Griffon Enterprises. The quality of the figure is great as well. These includes the overall sculpt and paint job quality. In my experience with Orchid Seed, they do have some strict quality control when it comes to their figures so you always get your money's worth.
PS: The platform I used in shooting her is my 13" Cintiq HD. Just wanted to see the effect I will get if I have some lights underneath the figure :P Enjoy the rest of the images!
Figure Info
- Character: Ichijou Manami
- Release Date: August 2013
- Origin: Menkui!
- Brand: Orchid Seed
- Artist(s): Gentleman Club 3 (Sculptor), Tosh (Illustrator)
- Version: Original/Normal
- Scale: 1/7
- Price: ¥8,286