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Ray LarabieAuthor
Ray LarabieTrademark
Terylene Top is a trademark of Ray Larabie.Copyright
(c) 2002 Ray Larabie. See attached license agreement for more information. If EULA is missing, visit www.larabiefonts.com for an updated version of this font.Description
To see more fonts by Ray Larabie, visit Typodermic.com and LarabieFonts.com
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Sascha TimplanAuthor
Sascha TimplanTrademark
Florence ExtraLight is a trademark of Stereotypes.Copyright
Copyright (c) 2012 by Stereotypes. All rights reserved.Description
Copyright (c) 2012 by Sascha Timplan. All rights reserved.
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Crack ManStyle
Ray LarabieAuthor
Ray LarabieTrademark
Crack Man is a trademark of Typodermic Fonts Inc.Copyright
(c) 1998-2012 Typodermic Fonts Inc. See attached license agreement. If agreement is missing visit typodermicfonts.com for more info.Description
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Monotype Imaging Inc.Author
Monotype Design StudioTrademark
Palace Script is a trademark of The Monotype Corporation in the United States and/or other countries.Copyright
Copyright 1992, 2002 Adobe Systems Incorporated. All Rights Reserved. Copyright 1992, 2002 The Monotype Corporation. All rights reserved.License
NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Monotype Imaging Inc. and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Monotype Imaging or together with software distributed by one of the licencees of Monotype Imaging.This software is a valuable asset of Monotype Imaging. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software or contact Monotype Imaging for a copy of the license agreement.General information:www.fonts.comFor license terms and usage rights, please visit our web site at:www.monotypeimaging.com/html/type/license.htmlLizenzbedingungen und Nutzungsrechte finden Sie auf unserer Webseite:www.monotypeimaging.com/html/type/license.htmlPour plus d'informations concernant les droits d'utilisation et les questions contractuelles, veuillez consultez notre site:www.monotypeimaging.com/html/type/license.htmlPara obtener informacin acerca de los trminos de licencia y los derechos de uso, visite nuestro sitio en el Web en:www.monotypeimaging.com/html/type/license.htmlPer le condizioni contrattuali ed i diritti d'uso, visitate il nostro sito web all'indirizzo:www.monotypeimaging.com/html/type/license.html
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Chank CoAuthor
Chank DieselTrademark
Parkway Resortotel is a trademark of Chank Co.Copyright
Copyright (c) Chank Co, 2008. All rights reserved. Do not redistribute or alter this font without permission.License
The Chank Company End User License AgreementPersonal Use LicenseThank you for choosing to purchase one of the worlds great typefaces for your personal use. This license entitles you to perpetual, limited, non-exclusive, non-commercial personal use of this font.By downloading and/or installing Chank Company software (the 'Software'), you expressly agree to the following terms (the 'License'):1. This Chank Company Software, the design of the font embodied in it, and the name of the typeface are the exclusive property of The Chank Company, and all rights not granted to you herein are specifically reserved to The Chank Company. This Software is licensed, not sold to you, and this License does not transfer any right in the designs produced by the Software, or in the Software itself. The Software and all copies made of it remain the property of The Chank Company.2. You are granted the non-exclusive, non-assignable, non-transferable (except as provided herein) right to use this Software on up to five (5) CPUs or other electronic devices at a single office or location. You are not permitted to share this Software between parent, subsidiary or affiliated companies. If you wish to use the Software on more than five (5) devices, please contact a friendly Chank Company representative, toll-free, at 1-877-GO-CHANK to purchase a supplementary multi-device license.3. If you do not agree to the terms of this License, please return the Software to us immediately and certify that no copy of the Software remains in your control.4. The copying of this and all other copyrighted software is prohibited by law. You may, however, make one copy of this Software for backup purposes. Any copies that you make must carry the same copyright and trademark notices displayed on the original. The Software and its documentation may not be sublicensed, sold, leased, rented, lent or given away to any other person or entity.5. This License permits professional users to embed or otherwise include the font outlines in a multimedia CD, DVD, PDF or flash movie distributed online only if that distribution is non-commercial and without charge and strictly for personal use and only if the font characters cannot be extracted and the document is not for resale.6. You agree not to modify, adapt, create derivative works, translate, re-sell, sublicense, reverse-engineer or otherwise tamper with the source code of this Software in any way without the written consent of the Chank Company.7. You may provide a copy of this Software to a printer or service bureau you have hired to output film, printed material, proofs or plates provided that the printer or service bureau deletes the Software or obtains its own license for the Software when the job is completed.8. The Chank Company reserves the sole right to amend, modify and/or create commercially distributed derivative works based on this Software and any images created with it, including letters, numbers, dingbats and other images.9. Prohibited Uses. You are not permitted to use the Font Software for certain commercial purposes without the purchase of a special supplemental license, issued at the sole discretion of The Chank Company. For example, this License does not entitle you to use this software to create products like the following:A. Alphabet or letterform-type products for resale. These sorts of products include scrap-booking kits, sign or number-creation kits, rubber stamps, die-cut products or other commercial products that use images or letterform shapes derived from this Software.B. Film or broadcast television titles, commercials, credits or other displays that incorporate the font characters into other works and/or advertising. In the event that a supplemental license for such use is obtained, you agree to credit The Chank Company by name as owner of the trademark and copyright in this software.C. Electronic devices or commercial software with embedded copies of this Font Software. This Software may not be used in any screen display for an electronic device, such as a kiosk, gaming console, gambling, embroidering or sewing machine, nor may it be used in derivative software products like an electronic game without first obtaining a supplemental license. This limitation applies irrespective of whether the device or machine generates font outlines electronically or merely displays images or words containing or showing letterform(s) comprising the Font.D. Other commercial derivative works. This Software and the images created by this Software may not be embedded in derivative works created by you for commercial distribution of any kind. Such uses might include, but are not limited to, the use of the font in commercial product packaging, television, brand identity materials, advertisements for television or other media, films, television, games, greeting cards, books and their packaging or album artwork. The right to create derivative works from this Software is specifically reserved to The Chank Company and is protected by domestic and international copyright, trademark and unfair competition laws.E. Brand or Business Identity Materials. This software is not intended for use in business identity materials or for the creation of brand logos. If you wish to use this font for those purposes, please contact The Chank Company to purchase a supplemental license.F. Book or Sound Recording or Audiovisual Artwork or Packaging. This license does not permit the use of this software for the creation of commercial packaging for books, sound recordings or audiovisual works. If you wish to use this font for those purposes, please contact The Chank Company to purchase a supplemental license.G. Use by a publication or advertising campaign with a printed circulation in excess of 10,000 copies per issue or advertisement.If you have any doubt as to whether a particular use of this Software is prohibited or permitted by this License, please contact The Chank Company by telephone at 1-877-GO-CHANK (outside the US: 612-782-2245) or by email at email@example.com for more information or to request a supplemental license. We will do our best to accommodate your specific circumstances with a reasonably priced supplemental license if we determine it to be necessary.10. Any breach of the terms hereof shall automatically terminate this License and The Chank Companys remedies hereunder shall be cumulative. In the event of termination, you agree to immediately return the Software to The Chank Company and certify that you retain no copy of it within your possession or control. This License may be modified only by writing signed by an authorized agent of The Chank Company.11. You agree to comply with all laws restricting the exportation of software or technology in the use of this software.12. The Chank Company reserves the right to audit your use of this software and compliance with the terms of this license by reviewing your records related to the use of the software and surveying the number and type of devices on which the software has been installed. In the event that you are found to be in violation of the terms of this license, you agree to pay the expense of the audit. Audits shall occur with no less than 7 days prior notice and no more frequently than once per year.13. This Software is provided AS IS. THE CHANK COMPANY DOES NOT WARRANT THE PERFORMANCE OR RESULTS YOU MAY OBTAIN BY USING THE FONT SOFTWARE. THE FOREGOING STATES THE SOLE AND EXCLUSIVE REMEDIES FOR THE CHANK COMPANYS BREACH OF WARRANTY. EXCEPT FOR THE FOREGOING LIMITED WARRANTY, THE CHANK COMPANY MAKES NO REPRESENTATIONS OR WARRANTIES, EXPRESS OR IMPLIED, AS TO NON-INFRINGEMENT OF THIRD PARTY RIGHTS, MERCHANTABILITY, OR FITNESS FOR ANY PARTICULAR PURPOSE. IN NO EVENT WILL THE CHANK COMPANY BE LIABLE TO YOU OR ANYONE ELSE (I) FOR ANY CONSEQUENTIAL, INCIDENTAL OR SPECIAL DAMAGES, INCLUDING WITHOUT LIMITATION ANY LOST PROFITS, LOST DATA, LOST BUSINESS OPPORTUNITIES, OR LOST SAVINGS, EVEN IF THE CHANK COMPANY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES, OR (II) FOR ANY CLAIM AG
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Greater Albion TypefoundersAuthor
Paul J LloydTrademark
Crewekerne Magister Heavy Heavy is a trademark of Greater Albion Typefounders.Copyright
Copyright (c) 2009 by Greater Albion Typefounders. All rights reserved.Description
License in accompanying file.
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Ceyhun BirinciAuthor
Ceyhun BirinciTrademark
Primus Regular is a trademark of Ceyhun Birinci.Copyright
Copyright (c) 2012 by Ceyhun Birinci. All rights reserved.Description
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t Wiescher, Wiescher-Design, Munich, Germany,.wiescher-design.deAuthor
Gert WiescherTrademark
Blitz is a trademark of t Wiescher, Wiescher-Design, Munich, Germany,.wiescher-design.de.Copyright
Copyright (c) 2012 by t Wiescher, Wiescher-Design, Munich, Germany,.wiescher-design.de. All rights reserved.License
Wiescher Design Standard LicenseBy selecting the Accept License Agreement button, you are agreeing to be bound by the terms of this Agreement. This Agreement, in conjunction with the receipt that accompanies each purchase from Wiescher-Design, constitutes the complete agreement between you and Wiescher-Design.1. Allowed usesYou may use the licensed fonts to create images on any surface such as computer screens, paper, web pages, photographs, movie credits, printed material, T-shirts, and other surfaces where the image is a fixed size.You may use the licensed fonts to create EPS files or other scalable drawings provided that such files are only used by the household or company licensing the font.2. Number of usersThe maximum number of simultaneous users is specified in the applicable receipt. All users must belong to the same company or household purchasing the font.3. Third partiesYou may provide the font to a graphic designer, printer or other service bureau that is working on your behalf only if they agree to use the font exclusively for your work, agree to the terms of this license, and retain no copies of the font on completion of the work.You may not provide the font or make it accessible to any other third parties.4. EmbeddingYou may embed the licensed fonts into any document you send to third parties provided such embedding is restricted to viewing and printing that document.You may not embed the licensed fonts into software or hardware products in which the fonts will be used by the purchasers of such products. Such use requires a different license (OEM). Please contact firstname.lastname@example.com for information on OEM licenses.5. ModificationsYou may import characters from the font as graphical objects into a drawing program and modify such graphical objects.You may not modify, adapt, translate, reverse engineer, decompile, disassemble, or create derivative works based on the licensed font itself without Wiescher-Designs' prior written consent.6. CopyrightThe font and the accompanying materials are copyrighted and contain proprietary information and trade secrets belonging to Wiescher-Design. Unauthorized copying of the Product even if modified, merged, or included with other software, or of the written materials, is expressly forbidden. You may be held legally responsible for any infringement of Wiescher-Designs intellectual property rights that is caused or encouraged by your failure to abide by the terms of this Agreement.7. TerminationThis Agreement is effective until terminated. This Agreement will terminate automatically without notice from Wiescher-Design if you fail to comply with any provision contained herein. Upon termination, you must destroy the written materials, the Product, and all copies of them, in part and in whole, including modified copies, if any.8. Product UpgradesWiescher-Design may, from time to time, update the Product. Product upgrade pricing may apply.9. Disclaimer and Limited WarrantyWiescher-Design warrants the Product to be free from defects in materials and workmanship under normal use for a period of twenty one (21) days from the date of delivery as shown on your receipt. Wiescher-Design' entire liability and your exclusive remedy as to a defective product shall be, at Wiescher-Designs' option, either return of purchase price or replacement of any such product that is returned to Wiescher-Design with a copy of the invoice. Wiescher-Design shall have no responsibility to replace the product or refund the purchase price if failure results from accident, abuse or misapplication, or if any product is lost or damaged due to theft, fire, or negligence. Any replacement product will be warranted for twenty one (21) days. This warranty gives you specific legal rights. You may have other rights, which vary from state to state.EXCEPT AS EXPRESSLY PROVIDED ABOVE, THE PRODUCT, IS PROVIDED AS IS. Wiescher-Design DOES NOT MAKE ANY WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.The entire risk as to the quality and performance of the Product rests upon you. Wiescher-Design does not warrant that the functions contained in the Product will meet your requirements or that the operation of the software will be uninterrupted or error free.Wiescher-Design SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES (INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OF OR INABILITY TO USE THE PRODUCT EVEN IF Wiescher-Design HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitation may not apply to you.10. Governing LawThis agreement is governed by the laws of the Federal Republic of Germany.
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Eli Hernandez & Daniel HernandezAuthor
Eli Hernandez & Daniel HernandezTrademark
Grota Sans Alt Rd Black is a trademark of Eli Hernandez & Daniel Hernandez.Copyright
Copyright (c) 2015 by Eli Hernandez & Daniel Hernandez. All rights reserved.Description
Copyright (c) 2015 by . All rights reserved.
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1999; 1.0, initial releaseCopyright
Copyright (c) Angela Lane, 1999. All rights reserved.Description
Shareware version. Sharerware is 2.00, payable to: Angela Lane,PO Box 117, Dallas, Iowa, 50062 email: email@example.com Website: http://www.fortunecity.com/meltingpot/exeter/25/fonts.html
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Tender GoliathStyle
1.0 cumberlandgames.com Free For Private UseCompany
S. John RossAuthor
S. John RossTrademark
Tender Goliath is a trademark of S. John Ross.Copyright
Copyright (c) 2011 by S. John Ross. All rights reserved.Description
Copyright (c) 2011 by S. John Ross. All rights reserved.License
This font is free for private use only. Any public or commercial use, or any use by an organization rather than an individual, requires a license; contact the Cumberland Fontworks.
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Eduardo MansoAuthor
Eduardo MansoTrademark
Ciutadella Rounded is a trademark of Eduardo Manso.Copyright
Copyright (c) 2015 by Eduardo Manso. All rights reserved.Description
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Lanston Type Co.- P22 type foundryAuthor
Frederic W. Goudy, Paul HuntTrademark
LTC Goudy Open Pro Italic is a trademark of Lanston Type Co.- P22 type foundry.Copyright
2007 by Lanston Type Co.- P22 type foundry. All rights reserved.Description
2007 by Lanston Type Co.- P22 type foundry. All rights reserved.License
P22 End User License Agreement and Limited WarrantyThank you for purchasing P22 fonts. To ensure that P22 continues to bring you more exciting, historically relevant type, please take the time to read this agreement. It might not be the most fascinating read, but its very important and may answer many questions that you may have. Please register your fonts and remember that free software is an exception, not the rule. 1. Notice to user. You (End User) have not purchased the ownership rights to this font, but rather a license to use this font on a limited basis. Purchasing a license for any P22 font or font distributed by P22 (International House of Fonts, Sherwood Collection and other) via download, or e-mail, constitutes an agreement between P22 type foundry, Inc (P22) and the end user of the enclosed typefaces (software) that the terms and conditions of this contract will be followed. If the fonts are purchased in hard copy format (CD-ROM or floppy disk), removing the media from its protective sleeve (paper pouch, DVD cases, or other) in which the media is contained constitutes the same agreement. If you do not agree with the terms of this agreement, return the complete package with the CD or floppy disk sleeve unopened to the place of purchase. If downloaded or received by e-mail, all files must be deleted. A signed affidavit may be required to receive a refund.2. Grant of License. The basic P22 distributed software license is limited for use on a total of 5 devices at one site for use on a single platform. A device is defined as a computer, printer, character generator, server or any other machine that uses font data to rasterize letterforms. A site is defined as one physical location. Platform refers to operating systems designated as 'Macintosh', 'Windows' or other. A laptop may be one of the devices in the basic license of 5 devices as long as the laptop is associated primarily with the licensed location. Simply working offsite on a laptop is permissible in the basic license and is regarded as an extension of the site. Work transported from one distinct network to another distinct network, via a laptop requires each network to be licensed properly.Additional licensing is also required if you are installing the font(s) on more than 5 devices (Site License), or a LAN/WAN Server with more than 4 devices, or, if you and/or additional users will have access to the font(s) at more than one location (Corporate License), or, if your printer/service bureau is installing the fonts for job output for more than one-time use (Service Bureau). Upon completion of job, service bureau must delete the font software or purchase their own license.--To calculate the required additional license, call P22 at 716 885 4490 or visit: http://www.p22.com/licensing.html to receive a quote.One copy of the font software may be made for backup. You may transfer the original software to another party provided All materials, including back-up copies are transferred and that the recipient agrees to the licensing terms and conditions contained in this agreement, and all copies are removed from the originating end user's (your) devices. 3. Fair Use. The basic P22 license is intended to accommodate personal use as in the course of everyday correspondence and document writing, or in the design of self-promotion pieces like business cards, newsletters and brochures. Other uses designated as professional or commercial may require additional licensing.Professional use is work performed by, not limited to, freelance designers, small design firms and corporate advertising firms that incorporate P22 fonts within a design for a client or self-promotion. Most alphanumeric fonts are allowable without additional licensing provided that the Grant of License guidelines are met. However, the use of illustrative elements (also known as dingbats, extras, ornaments) within logo design requires an additional one-time license. If you have purchased the font(s) license for use on a large scale campaign such as in the course of entertainment promotion, advertising, corporate identity design, product packaging, store signage or in any way that requires the multi media (television, internet, print or other) output of the font(s), an additional license may be required. This applies to in-house or client based work. Call P22 at 716 885 4490 to receive your large scale campaign quote. A royalty based Commercial license is required when P22 font software is used to create a product sold for profit. If you have purchased the font(s) license for use as the principle design element to create a product to be sold such as, not limited to, rubberstamps, refrigerator magnets, or if the usage of the font adds value (value added) to a product to be sold such as wrist watches, house numbers, stencil kits, decals, digital art (screensavers, 3-D models, or other computer application), please call P22 at 716 885 4490 if you have any questions, for permission or to receive your commercial license quote or visit: http://www.p22.com/comlicensing.html for examples.The font may be modified if properly licensed for non-commercial or in-house use. The modified font software may not be sold or distributed.4. Font Embedding. The basic P22 license allows for the embedding of P22 fonts only if the document created is set to Print and Preview. If P22 fonts can be extracted, edited and therefore transferred in any way, an additional license is required to account for each recipient of the document and font file(s)5. Copyright. The software and accompanying documentation are copyrighted and contain intellectual property information protected by law. You may not make or distribute copies of this software or accompanying documentation without the express written consent of P22.6. Disclaimer and Limited Warranty. P22 warrants that the font software is free of errors and will be replaced within 90 days of purchase in the event of defective media. If failure of the font software results from accident, abuse, or neglect, P22 assumes no responsibility to replace the software. THE SOFTWARE AND ACCOMPANYING WRITTEN MATERIALS ARE PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND, EXPRESSED OR IMPLIED, AND P22 SPECIFICALLY DISCLAIMS THE WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE AND MERCHANTABILITY. IN ADDITION, P22 DOES NOT MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SOFTWARE OR THE WRITTEN MATERIALS IN TERMS OF CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS OR OTHERWISE. THE ENTIRE RISK AS A RESULT OF THE PERFORMANCE OF THE SOFTWARE IS ASSUMED BY THE USER.7. Update Policy. At the option of P22, there may be updated versions of the software which will be offered to registered users.8. Purchaser's Indemnity. You agree to inform any person (employee/co-employee/employer) having access to the P22 Software and copies thereof, of the terms and conditions of this Standard License Agreement and to ensure that these terms and conditions are abided. You agree to indemnify and hold P22 harmless from any and all claims, liabilities, and costs including attorney's fees, arising out of your breach of this agreement or promises you made. If these terms are not agreed to and respected P22 reserves the right to revoke Grant of License.9. Construction. This agreement is governed by and constructed in accordance with the laws of the State of New York. All disputes between P22 and the end user whether or not arising hereunder shall be conducted within the courts and jurisdiction of Erie County, New York.Please register your fonts. If you have purchased your font(s) directly from P22 you have been automatically registered. If you ordered your font from an authorized P22 reseller please keep a record of the time and place of the purchase; or if you purchased a CD, send in the reply/registration card enclosed within each package. (c)2004 P22 type foundry, Inc. -- Not Your Typical Type(tm) -- http://www.p22.com -- PO BOX 770 -- Buffalo, NY 14213
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Carlos MatteoliCopyright
Typeface (your company). 2011. All Rights ReservedDescription
By downloading this font, Not buying the license, only the use of it. For any modification or rights information, consult: email@example.com you very much.
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LT OksanaStyle
4.00 March 19, 2010Author
Lauren ThompsonCopyright
Typeface (your company). 2009. All Rights ReservedDescription
This font was created using FontCreator 5.6 from High-Logic.comLicense
Free for personal use. Commercial use requires donation. Donations can be made via PayPal.com. Email email@example.com for more details.All users must read the readme.txt file that should have accompanied this font download, as it contains the complete End User Lisence Agreement/Terms Of Use for this font. If no readme.txt is present with your download email firstname.lastname@example.com to receive one.
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Ray LarabieAuthor
Ray LarabieTrademark
Xolto is a trademark of Typodermic Fonts Inc.Copyright
(c) 1996-2012 Typodermic Fonts Inc. See attached license agreement. If agreement is missing visit typodermicfonts.com for more info.Description
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May 8, 2005Copyright
Typeface (your company). 2005. All Rights ReservedDescription
This font was created using Font Creator 5.0 from High-Logic.com
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Transfer Studio. Published by Parachute.Author
Transfer StudioTrademark
Eef is a trademark of Transfer Studio.Copyright
Copyright (c) 2012 by Transfer Studio. All rights reserved. Published by Parachute Worldwide for the Parachute Font Library.Description
Copyright (c) 2012 by Transfer Studio. All rights reserved.
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Turbonacular DemoStyle
Out Of Step Font CompanyTrademark
Copyright Out Of Step Font Company 2014Copyright
Copyright Out Of Step Font Company 2014http://outofstepfontco.comDescription
Copyright Out Of Step Font Company 2014License
Creative Commons Attribution Share Alike
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Jump StreetStyle
1.00 August 1, 2012, initial releaseAuthor
www.dafont.com wino-s-kadir.d2209Trademark
weknow Trademark of (http://www.dafont.com/wino-s-kadir.d2209).Copyright
weknow (weknow.deviantart.com). 2012. All Rights ReservedDescription
This font was created using FontCreator 5.5 from High-Logic.com
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Parachute WorldwideAuthor
Panos VassiliouTrademark
Din Text is a registered trademark of ParachuteCopyright
Copyright (c) 2002, 2005 Parachute, www.parachute.gr. All rights reserved.Description
Based on DIN 1451 the German Industrial standard by the Deutsches Institut Normung - (1936/1986)
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Viper Squadron SolidStyle
Macromedia Fontographer 4.1 1/31/99Company
Derek VogelpohlTrademark
SF Viper Squadron Solid Italic is a trademark of ShyFoundry.Copyright
v1.0 Created by ShyWedge, 1999. (http://welcome.to/ShyFonts)Description
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.License
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.
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Neil Summerour and PositypeAuthor
Neil Summerour PositypeTrademark
Tactical-Stencil is a trademark of Neil Summerour and Positype.Copyright
Copyright (c) 2009 by Neil Summerour and Positype. All rights reserved.Description
Copyright (c) 2009 by Neil Summerour and Positype. All rights reserved.
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Daniel Hernandez & Eli HernandezTrademark
Grota ExtraBold Italic is a trademark of Daniel Hernandez & Eli Hernandez.Copyright
Copyright (c) 2013 by Daniel Hernandez & Eli Hernandez. All rights reserved.Description
Copyright (c) 2013 by Daniel Hernandez & Eli Hernandez. All rights reserved.
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Meposa StampStyle
1.100;PS 001.001;Core 1.0.38Author
Ray LarabieTrademark
Meposa is a trademark of Typodermic.Copyright
Copyright c 2005 Typodermic. Do not distribute. Report piracy to firstname.lastname@example.com. Visit www.typodermic.com and www.larabiefonts.comDescription
Do not distribute. c Typodermic 2005. All rights reserved.
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S-Core Co., Ltd.Author
Lee, Hyun-Seung; Hahm, Dae-Hoon; Ham, Min-JooTrademark
Core Gungseo Light is a trademark of S-Core Co., Ltd..Copyright
Copyright (c) S-Core Co., Ltd., 2011. All rights reserved.Description
NOTIFICATION OF LICENSE AGREEMENT You may use this font as permitted by the EULA for the product in which this font is included to display and print content. You may only (i) embed this font in content as permitted by the embedding restrictions included in this font; and (ii) temporarily download this font to a printer or other output device to help print content.License
NOTIFICATION OF LICENSE AGREEMENT You may use this font as permitted by the EULA for the product in which this font is included to display and print content. You may only (i) embed this font in content as permitted by the embedding restrictions included in this font; and (ii) temporarily download this font to a printer or other output device to help print content.
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Delta EchoStyle
2004 Vic Fieger, Xaviera ComicsCopyright
2004 Vic Fieger, Xaviera ComicsDescription
Delta Echo is created with the Font Creator Program from High-Logic.com
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EXPORT importStyle
1.00 February 14, 2012, initial releaseAuthor
www.dafont.com wino-s-kadir.d2209Trademark
weknow Trademark of (http://www.dafont.com/wino-s-kadir.d2209).Copyright
weknow (weknow.deviantart.com). 2012. All Rights ReservedDescription
This font was created using FontCreator 5.5 from High-Logic.com
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Johnny HomicideStyle
2005 Vic Fieger, Xaviera ComicsCopyright
2005 Vic Fieger, Xaviera ComicsDescription
Johnny Homocide is created with the Font Creator Program from High-Logic.com
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Garrett BogeAuthor
Garrett BogeTrademark
Destijl LP is a trademark of LetterPerfect FontsCopyright
v4.0; Copyright 1995 Garrett Boge, LetterPerfect Fonts; ALL RIGHTS RESERVEDDescription
For information and upgades, visit: http://letterspace.com or contact: firstname.lastname@example.com
Base License Agreement (5-cpu site license)LetterPerfect Fonts, licensor, grants to the licensee of this font software, a perpetual non-exclusive license to install and use the software on up to 5 CPUs (computer workstations) or for installation on one printer or other output device. LP font(s) may be embedded/subsetted in electronic documents for distribution over the internet for previewing & printing only. To obtain site licenses for use on more than 5 CPUs, for installation on more than one output device, or for information on licensing LP fonts for unrestricted and editable embedding privileges, contact LetterPerfect Fonts at the phone number or address below. Distribution & Modification of Software: This software may not be duplicated for any purpose other than for archiving. Licensee is entitled to modify the font software for his/her own purposes only, but may in no way distribute reproduced or derivative versions in any form wherein an expert viewer would perceive possible equivalence in shape, detail or family extension.Copyright: LetterPerfect Fonts owns the design, software, copyright and trademark of this typeface and of the collateral materials which accompany it. This license shall be considered to contain all such standard copyright and other protections as are commonly known in the trade. Violation of United States copyright law and/or international treaty provisions may result in both civil and criminal penalties.Transfer of Rights: Licensee may not transfer any rights granted under this license to any third party.Liability of Limits: LetterPerfect Fonts makes no warranties as to fitness of purpose. In no event will LetterPerfect Fonts be liable to licensee for any damages, including but not limited to, lost profits or lost savings or for any other claim by any party resulting from the use of this software.LetterPerfect Fonts:7343 - 18th Ave. SWSeattle, WA 98106 USAtel/fax: (206) 766-8233email: email@example.com: http://www.letterspace.com
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Nick's FontsAuthor
Nick CurtisCopyright
Copyright (c) 2003-2010, Nick Curtis. All Rights Reserved. Unauthorized duplication or redistribution is expressly prohibited.License
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SAN FRANCISCO (MarketWatch) — U.S. stocks closed higher Friday after gains from a better-than-expected November jobs report shook off a drop in December consumer sentiment.
The Dow Jones Industrial Average DJIA, -2.37% closed up 81.09 points, or 0.6%, to 13,155.13, near session highs, with 24 out of 30 components gaining, led by J.P. Morgan Chase & Co. JPM, -2.48% and Bank of America Corp. BAC, -2.65%. For the week, the Dow industrials climbed 1% for their third consecutive week of gains.
The S&P 500 Index SPX, -2.59% advanced 4.13 points, or 0.3%, to close at 1,418.07, after dipping into negative territory following the consumer-sentiment index. For the week, the index advanced 0.1% for its third week of gains.
Losses for Apple Inc. AAPL, -4.62%, however, weighed on the tech-heavy Nasdaq Composite Index COMP, -3.00%, which closed down 11.23 points, or 0.4%, to 2,978.04, a loss of 1.1% for the week. In contrast, Apple shares finished down 2.6% for the day and 8.9% for the week.
Before the stock market opened, the Labor Department reported that nonfarm payrolls rose by 146,000 jobs last month, and the unemployment rate fell to 7.7% from 7.9%. The data topped forecasts as economists had projected an increase of 80,000 jobs and an unchanged unemployment rate. Read: U.S. creates 146,000 jobs in November.
That initially boosted stocks into positive territory across the board, but gains were pared following the release of the University of Michigan-Thomson Reuters preliminary consumer-sentiment index for December that showed a decline to 74.5 from 82.7 in November. Read more on consumer sentiment.
Investors also monitored developments in Washington. House Speaker John Boehner said Friday there has been no progress in negotiations with the White House to avoid the fiscal cliff, or hundreds of billions of dollars of automatic tax hikes and spending cuts due to take effect in the new year.
On the other side of the aisle, House Minority Leader Nancy Pelosi called on Republicans to extend the Bush-era tax cuts for all but the top 2% of earners. Neither, however, appeared to have a pronounced effect on stocks. Read more on Boehner, Pelosi sparring over fiscal cliff.
Investors likely expected no progress at this point, otherwise markets would be down much more on the apparent stalemate, said Mark Luschini, chief investment strategist at Janney Montgomery Scott.
"They see it as more political posturing," Luschini said. "The hope trade is alive and well."
As for consumer sentiment, Luschini said continuous media coverage of the fiscal cliff is starting to weigh on consumers' psyches, and people are beginning to worry how next year is going to impact their wallet.
The consumer-sentiment number "added a little bit of a negative tone," said Brad Sorensen, director of market and sector research at Charles Schwab. "The jobs numbers weren't quite as good as maybe initially thought." As for the fiscal-cliff negotiations, Sorensen said it's still "up in the air" whether political leaders can get a deal done.
Advancing stocks outnumbered decliners slightly on the New York Stock Exchange, where more than 606 million shares traded hands and composite volume topped 3.1 billion shares by the close.
The U.S. dollar index DXY, -0.92%, which tracks the performance of the greenback against a basket of other major currencies, rose to 80.433 from 80.250 in North American trade late Thursday. In the Treasury market, yields on 10-year notes US:10_YEAR rose nearly 4 basis points to 1.63%.
In Europe, markets closed higher following the U.S. jobs data, erasing losses that came after Germany's Bundesbank sharply cut its forecast for 2013 growth. Read more on European stocks.

subset: commoncrawl


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How to determine a package checksum
From Joomla! Documentation
This article is tagged because it NEEDS UPDATING. You can help the Joomla! Documentation Wiki by contributing to it.
More pages that need help similar to this one are here. NOTE-If you feel the need is satistified, please remove this notice.
Reason: Update to current version references.
A checksum is a string of characters created by applying a mathematical algorithm to the contents of a file. It allows you to determine whether two files are identical because changing even a single bit in a file will cause the checksum to change. Although it is possible for two different files to have the same checksum it is statistically unlikely for an error introduced during a file copy to leave the checksum unchanged. Furthermore, it is extraordinarily difficult to deliberately change a file without also changing the checksum.
Although there are several different kinds of checksum available, the Joomla! project publishes the popular MD5 checksum for all full distribution and patch files. The MD5 checksum string is always exactly 32 characters long.
Unix-style systems (such as Linux)
From the command line use the md5sum program. For example, here we determine the MD5 checksum for a Joomla! patch file.
md5sum Joomla_1.0.11_to_1.0.12-Stable-Patch_Package.tar.bz2 67534a24ca89b76f5ae197ed171bd75e Joomla_1.0.11_to_1.0.12-Stable-Patch_Package.tar.bz2
Type man md5sum at the command line for full details on the md5sum program.
Apple Mac OS X
Several MD5 checksum tools are available that use OS X's md5 command line utility. One such tool is called MD5 and is freeware available from Eternal Storms Software. Once installed, just enter the checksum associated with the package, then browse to select your downloaded copy of the package, and it will compare the two checksums. Several dashboard widgets can also calculate checksums.
Microsoft Windows
- HashTab shell extension
- Displays various checksums from within Windows Explorer. Available free of charge from http://beeblebrox.org/hashtab/
- Win32 ports of GNU utilities
- Command line utilities available from http://unxutils.sourceforge.net under the GNU/GPL license. Once copied to a convenient folder type md5sum --help for usage instructions.
- File Checksum Integrity Verifier
- A command line utility available free of charge from Microsoft.


text:
Binding Matrix Enhances Tenderness, Juiciness in Meats and Seafood
TenderBite marinades from Advanced Food Systems are designed to entrap moisture and natural juices inside meats and seafood using a unique binding matrix. This produces a more juicy and tender product with greater yields when frozen, thawed, and cooked, especially in microwaving.
TenderBite products are dry blends that are hydrated and applied as marinades, and do not increase cold viscosity of marinades. They have a neutral flavor, and can be combined with seasonings if desired. Phosphate-free versions are available.
Customized systems are available for seafood such as shrimp, and meats such as pre-cooked fajitas and lean steaks. TenderBite OS is developed for imported beef cuts such as skirt and flank steaks, and masks off-flavor notes.
Advanced Food Systems provides complete technical support, and custom formulations can be developed to meet specific customer needs.


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Available sizes in stock: S
The other sizes are available upon request at the normal price (299 €). Contact us for more information.
Also available in black.
Merlin has license rights to produce waxed cotton by manufacturer Halley Stevensons of Scotland. Halley Stevensons has been manufacturing waxed cotton for decades, supplying high street brands such as Barbour and Belstaff.
We have introduced the Yoxall waxed cotton biker jacket using Halley Stevensons together with the latest technologies that include a Reissa waterproof and breathable membrane, drop liners and a zip in-zip out thermal lining. The Yoxall jacket is fully loaded with features making this a unique product, 'whether you ride or not'.
Check also the size of your current jacket, don't forget that there is a removable thermal liner and that in winter you have a pullover. Note that the chest size is the most important.


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Lifted this from the Labour Party blog 'The Standard' where they rate Labour's front bench team against the team that took power in 1999 .... priceless and no comment needed.
David Shearer (2012) vs Helen Clark (1999)
No contest. Whatsoever. None. Clark looked like the next Prime Minister. Shearer's minders wouldn't even let him front on Q+A this morning for fear he would be shown up by Norman.
Deputy Leader
Grant Robertson (2012) vs Michael Cullen (1999)
Grant is better than his leader. Without a doubt. But he just doesn't shape up compared to Cullen. While Cullen gave excellent support to Clark, oversaw a brilliant house strategy, and kept on top of every portfolio he was ever given (finance, tertiary education, attorney-general, acc etc.) Robertson has failed to fire. His strategic genius has put Labour in the shit they're in now, and Labour are virtually invisible in the Tertiary Education and Environment space.
David Parker (2012) vs Michael Cullen (1999)
Parker has been one of the better performers, but has a way to go before ranking with Cullen. Tough competition though. Not ruling out that he may equal Cullen as he continues to develop. Sharp as a knife, he is the party's thinker and, while he comes across nerdy, his careful work is helping to build Labour's economic credibility and undermine National's. Very well liked and promising, and could do wonders if he learns the killer instinct.
Social Welfare
Jacinda Ardern (2012) vs Steve Maharey (1999)
Maharey was a brilliant advocate and really held the government to account. Remember Christine Rankin hiring a plane for WINZ executives to visit an exclusive Taupo resort? Maharey uncovered it. Ardern on the other hand has been invisible, even after being gifted the MSD privacy uncovered by Keith Ng the Greens outshone Labour. She does not deserve the portfolio nor being put at number 4. New Zealand's most vulnerable deserve better.
Economic Development
David Cunliffe (2012) vs Pete Hodgson (1999)
This is a tough contest. Like Parker, Cunliffe is one of the front benches' performers. Articulate and makes a lot of headlines. Clearly hates what the Tories are doing to the country, and it shows in his work. His ability to bring economics into human terms and speak with vision and passion nicely compliments Parker to form a strong economic team when it's given the chance. While Pete was also an incredibly effective opposition MP and knew his stuff, Cunliffe edges Pete out in the public performance stakes. Cunliffe clearly still has leadership potential.
SOEs (Commerce)
Clayton Cosgrove (2012) vs Paul Swain (1999)
I liked Paul Swain. He was a well spoken and hearty politician. But Clayton is at least his equal and has the potential to be better. He's done an excellent job as SOEs spokesperson and keeping Labour in the middle of the campaign. Been a bit quiet lately, but bound to turn up again soon. Clayton along with Parker and Cunliffe make up the only performers our front bench has.
Foreign Affairs
Phil Goff (2012) vs Phil Goff (1999)
I'd have to go with 1999 Phil. He's got his whole career in front of him.
Maryan Street (2012) vs Annette King (1999)
While now past her use-by date, 1999 Annette was a brilliant opposition politician. While no one even knows who Maryan Street is, in 1999 Annette was ripping Wyatt Creech to shreds. Barely a day went by without health making the news and Annette always stood strong against good healthcare for only the rich. Street on the other hand is awful. She must go.
EducationNanaia Mahuta (2012) vs Trevor Mallard (1999)
Trevor used to be good. Bloody good. This really is no contest. Nanaia hasn't performed. Putting out a press release after getting hints she might be dumped doesn't cut it. She ought to be slaying Parata. To be fair she'd probably beat 2012 Mallard. But how hard is that? Yesterday, Mallard thought it would be a good idea for a senior Labour MP, him, to publicly attack the head of Treasury after he made comments widely welcomed as open-minded and turning away from dry neoliberalism. At least Nanaia keeps her mouth shut rather than putting her foot in it.


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Sometimes, kids who take high doses of medicines for cancer,
infections, or other illnesses develop hearing or balance problems (or both) as a
result of taking the drugs. This is called ototoxicity or "ear
Ototoxicity damages the inner ear — the part of the ear responsible for receiving/sending
sounds and controlling balance. The degree of damage
depends on what type of drug a child is taking,
how much, and for how long. Some kids may have no problems or very minimal hearing
loss and "ringing in the ears" (tinnitus). But other kids might have major problems
with balance and/or profound hearing loss (deafness).
When ototoxicity is caught early, doctors can work to prevent problems from becoming
worse and get kids the rehabilitation they need to deal with any damage that's been
The symptoms of ototoxicity can come on suddenly after a course of medicine or
show up gradually over time.
Some kids may notice obvious hearing problems, usually in both ears (called bilateral
hearing loss). They may have trouble hearing certain things, from high-pitched
sounds to talking if there's background noise. Or they may have tinnitus, which can
cause annoying ringing in the ears as well as other strange sounds like hissing, buzzing,
humming, and roaring.
Sometimes, though, there's only limited damage, and kids might not even notice
a problem. Or they might just have a hard time hearing high-frequency sounds while
everything else sounds perfectly clear.
Signs of hearing problems in kids include:
When balance is affected, kids may fall a lot and have symptoms of disequilibrium
— an unsteady "woozy" feeling that makes it hard to stand up, walk, or climb
the stairs without falling. They may walk with their legs too far apart or be unable
to walk without staggering. And walking in the dark can also be tricky.
In the most severe cases, vision can be affected. Kids may see images that bounce,
jump around, or look blurry whenever they move their heads (this is called oscillopsia).
These balance and vision problems might cause frequent headaches, and kids also
may feel lightheaded, dizzy, or disoriented. They might have reading difficulties,
such as needing more time to adapt their vision when switching from reading a book
to reading something at a distance. Nausea, vomiting, diarrhea, and changes in heart
rate and blood pressure also can happen.
There's no way to test if a drug has caused ototoxicity, but doctors have a pretty
good idea of which medicines can increase a child's risk. Before your child takes any new medicine, ask your doctor about any potential
side effects so that you know what to expect and look for.
If the doctor tells you that a drug has a major ototoxicity
risk, he or she may recommend that your child regularly see an audiologist (hearing
specialist) or vestibular therapist (someone trained in treating balance problems),
who can watch for potential problems. Be
sure to follow the testing schedule the doctor gives you, even if you don't notice
any change in hearing or balance. Regular, repeated testing is the best way to catch
an ototoxic effect early.
If your child might be affected, the doctor may check hearing or balance abilities,
or refer you to an audiologist or otolaryngologist (ear, nose, and throat specialist)
for tests. These can include:
While these tests can diagnose hearing or balance issues, most problems from ototoxicity
usually go undetected. That's because kids may have very minimal hearing loss with
symptoms that don't seem worth telling parents or doctors about. Some may not notice
anything at all.
And balance problems can be even tougher to spot, because kids have a much harder
time than adults recognizing and describing balance problems.
Research continues on ways to prevent or reverse ototoxicity, but so far there's
no sure way to reverse it.
The good news, though, is that the ear might just need time to heal. And some kids may have no further hearing or balance problems
if they can stop taking the medicine that's causing their symptoms.
Also, doctors might change the dosage or the medicine.
However, that's not always an option — certain drugs are crucial to fighting
specific infections or diseases. When switching to a different drug or reducing the
dose isn't possible, kids may benefit from auditory or listening therapy and speech
(lip) reading.
Kids with serious damage to the inner ear also may need an amplification device,
hearing aid, or cochlear implant:
Kids who have balance problems will undergo balance therapy (also called vestibular
rehabilitation) with a physical or vestibular therapist. This may include training
exercises that help strengthen balance skills and coordination. Exercises may involve
bending down, standing or walking with eyes open and then with eyes closed, or having
a therapist reposition the child's head at different angles to move fluid or debris
out of certain parts of the ear.
The earlier a child is diagnosed with ototoxicity, the sooner treatment can begin.
In the very young, it's especially important to catch it early. That's because
babies and toddlers need to be able to hear voices and conversations clearly in order
to fully develop their speech and language skills. For older kids, hearing problems
can affect how they socialize and communicate with others and how they do in school.
And balance problems can have a huge effect on kids of any age, especially since it
can put them at risk for dangerous falls.
If your child is having hearing and/or balance problems and is taking high doses
of medicines, talk to your doctor. Be sure to mention all of your child's symptoms,
whether they seem related or not. For instance, you might not think things like trouble
walking or paying attention in school could have anything to do with the ears, but
they might.
If you're concerned about any medicine your child is taking, always contact your
doctor — never change the dose or stop giving your child a medicine without
talking to your doctor first.
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text:
Why the 'e' after Sachin?: Dhoni
Kolkata – What's in a name? A lot when the person in question is none other than batting great Sachin Tendulkar who will play his 199th Test match at the Eden Gardens here Wednesday.
So when India skipper Mahendra Singh Dhoni pointed out an error in Sachin's spelling on a banner above the scoreboard during the team's practice session Tuesday, Cricket Association of Bengal (CAB) officials swung in to action to erase a major cause of embarrassment – an unwelcome 'e' at the end of Sachin.
"Pehle ye batao Sachin ki naam ki spelling galat kisne likhi? (First answer this: who wrote Sachin's spelling wrong?)," Dhoni remarked while entering the ground.
CAB treasurer Biswarup Dey said: "It is not the skipper's job to see to this. The error is the responsibility of the agency that was handling the banners. We have issued a showcause notice to the agency. And the banner will be changed."
With all eyes on the Test, CAB will have a tough time steering clear of controversies that could tarnish its image.
The two-Test series against the West Indies will bring down the curtains on Tendulkar's illustrious 24-year-long career. The cricketer will be playing his 199th Test here while his 200th and last match at Wankhede Stadium in Mumbai (Nov 14-18).


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It's no secret that a party with open Hennessy bar will sell out. At this point, anyone could do it. Milk River is going to be full of good people, Hennessy, and wings. The open bar is only while supplies last it's in your best interest to show up early! There will also be limited seated and standing tables with $100 Henny bottle specials attached to them. There will be free food available while supplies last, but the kitchen will be open if you want to order something.
Henny Party
Related upcoming events
08.17.2019 11:00 am - 08.17.2019 7:00 pm
The Alumni Group is throwing one hell of a Caribbean Brunch party this Saturday. where they'll be serving up the spiciest flavors of the West Indies! DJ Fragg will be bringing you Caribbean heat through the speakers as he plays your favorite reggae hits, Caribbean classics, soca grooves, Afro Beats, hip-hop, and R&B. when you add $25 to the price of your entree, you can sip unlimited mimosas and Bashment Punch for 60 minutes. This party starts at 11:00 am and ends at 7:00 pm, so take your time!
08.17.2019 9:00 pm - 08.18.2019 1:00 am
Ladies Love R&B Saturday's is the move to make on Saturday nights in Harlem. The drinks are always on point, the kitchen is open late and DJ E Class knows how to rock a party. This is definitely a party for the late 80s early 90s babies and the music proves that.
08.17.2019 11:00 am - 08.17.2019 11:00 pm
Every Saturday at Sweet Brooklyn Bar is the Ladies Love Brunch Party. There's no secret this brunch event brings out dozens of beautiful women, but they're also known for their delicious brunch menu and bottomless drink specials.
08.17.2019 11:00 pm - 08.18.2019 4:00 am
Slate is one of New York City's best venues. It's huge and it's full of games for guests to play including, giant chess, Connect Four and Jenga. They also have ping pong and pool tables. This place is like Dave and Busters without the video games or the kids. There are two huge dance floors and plenty of lounge and seating space for you and your friends to just chill and enjoy the night.
You must show the bouncers this flyer for free entry!
08.17.2019 10:00 pm - 08.18.2019 4:00 am
Every Saturday is Skyroom Saturdays! You can party with the stars on one of NYC's best rooftop bars. This is definitely the move on a warm summer night. You and your friends can enjoy the nice breeze and amazing city views while partying with some of New York City's coolest people. There is a dress code and usually a cover charge, but the amazing views, good vibes, and dope Instagram pictures you can take will be well worth it.
08.17.2019 9:00 pm - 08.18.2019 4:00 am
Every Saturday at VNYL in the LES, there's a 1-hour open bar for the guests. The open bar starts at 9pm sharp, so get there early. A lot of people like to use this spot as a pre-game location for the free drinks and calm vibes. Make sure you say "I'm on BestNycNightLife's Guestlist" for easy and free access inside.
08.17.2019 10:00 pm - 08.18.2019 4:00 am
Each and every Saturday at Taj II you can celebrate yet another long work week with the good people who curate the Best Saturday Party. Everyone has a reduced cover charge 12 am with a mandatory RSVP. That RSVP gets 2 Complimentary Drinks for Ladies from 10p.m.-11pm and 2 for 1 Drink Specials for Everyone from 11p.m. 12a.m. Don't forget about the open bar package where $40 will get you 2 hours of open bar, express entry (no line) and free admission. Call up some friends, find the perfect costume and get yourself there!
08.17.2019 8:00 pm - 08.18.2019 2:00 am
Harmoni Saturdaze Uptown by Dyckman is always a good time. The spot isn't too big, but it's always full of good people. Hookahs are $30, a patron bottomless margarita is $35 and the kitchen is open until 12am. There's a $10 early admission charge, so get there as early as you can so you don't have to pay more.
08.17.2019 7:00 pm - 08.18.2019 12:00 am
Here's another chance for you to create a holiday gift for someone while drinking with your friends and listening to music. Even if you get too drunk and mess up a little, I'm sure the person you get it for will appreciate it. The ticket is $40 and includes everything you'll need. Paint, canvas and of course Hennessy. The event is broken into 2 different sessions. one from 7pm-9pm and another from 10pm-12am.
08.17.2019 2:00 pm - 08.17.2019 10:00 pm
The Hangover Brunch is the perfect place for you and your friends to come and recap on the long week, while mentally preparing for another the work week with mimosas. Brunch is from 12pm-5pm and there are different brunch sessions available. Act now and get the time that best works for you. $40 gets you all you can eat brunch with 2 hours of bottomless brunch drinks.


text:
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You may like one of these similar items:
V-Cap CuTF Copper Foil & Fluoropolymer Film Capacitors [Expired]
|Research Pricing
V-Cap CuTF - Copper Foil and Fluoropolymer Film Audio CapacitorsV-Cap CuTF
For everything the music can give...
The journey to develop the V-Cap CuTF (Copper Foil Fluoropolymer Film) series was inspired by my obsession to tap into that special magic found in the soul of the music. Too often, passive components strip the color from the performance, or add colorations of their own. Cold, sterile, lifeless sound with flat response to bat's ears doesn't get us there. Nor does fat, bloated, "Let's make a new kind of ugly" sound either.
We audiophiles have many names for it; pace, rhythm, timing, swing, etc... But there really aren't words to describe the near out-of-body experience we get when we are connected to the soul of the music. That's our Holy Grail- our pot of gold at the end of the proverbial rainbow. Of course, gold is never found at the end of a rainbow. You must prospect for it, and do a whole lot of digging. We have.
After nearly 5 years of the most intense R&D I've ever undertaken, I am pleased to announce the new V-Cap CuTF series- an audio signal capacitor that will take you to the soul of the music.
---- Chris VenHaus
A relentless pursuit of the performance
Early on, we were convinced that one of the keys to better performance would require the use of pure copper foil. However, five years ago, the copper foil of the purity and precision needed to make the capacitor we envisioned, just didn't exist. When we found it, the resultant domino effect led us on a journey that would reexamine ALL current processes and materials, and work with our vendors to explore even better ways of constructing an audio capacitor.
Given the many challenges, most bottom-line driven companies would have long abandoned the effort. In the middle of a Global Recession, it was madness to pursue a high-end product that would appeal to a tiny percentage of the overall capacitor market. But with our goal in sight, there was no turning back. It was unthinkable to settle for anything less than fully connecting to the soul of the music...
Real people... Real ears... Real music...
Over the years, the V-Cap team has developed partnerships with a select group of cutting-edge companies. We turned to them to help develop the materials and processes necessary to manufacture the new CuTF series to our own exacting tolerances. Throughout the process, we drew upon the expertise of some of the world's most respected engineers and scientists, as well as veteran production personnel and master capacitor winders. Each of them made invaluable contributions, and each took us a step closer to the soul of the music...
After numerous prototypes, internal evaluations, and multiple rounds of beta testing by audiophiles, musicians, OEM's, and hardcore cap-rolling-o-holics, there became a point where we knew we nailed it. Years of blood, sweat, tears, were washed away by comments like: "...unseen-before combination of extreme body, density with utmost detail", "A passive component that's truly passive.", "A new league of capacitor. The ability for transfer of musical emotion is outstanding.", "Every single time I listen to the new V-Cap, it has the dynamics and sharpness of a Ferrari and luxury and plushness of a Rolls-Royce.", "This capacitor simply disappears from the circuit.", and "as a professional pianist: I clearly hear the most accurate sounds of Steinway among any audio system I owned or auditioned. As a matter of fact, the CuTF is "officially" the best cap in the world, in my book..." etc...
While they must remain anonymous, we'd like to extend our sincere gratitude to all of the individuals who contributed to the development of this new V-Cap. From the engineers, production staff, and dedicated master winders, to the musicians, recording engineers and audiophile beta testers who generously donated their time and effort to evaluate this new series- YOU are part of this new V-Cap's heart and soul. Thank you.
Celestial foil rolled on the thighs of Supermodels?
No, our foil isn't sourced from the 1947 Roswell, N.M. crash site. Nor is it rolled on the thighs of Supermodels. However, even a busload of reverse-engineering types headed for Area 51 won't be able to duplicate the superb craftsmanship, bleeding-edge processes, and state-of-the-art materials involved in the production of the V-Cap CuTF capacitors. Here's just a glimpse behind the construction of the V-Cap CuTF series- with a few items left out, of course. Reverse engineers need jobs, too...
- Lead material: 18 AWG solid core high purity OCC (Ohno Continuous Cast) copper with VH Audio's AirLok insulation- a proprietary form of foamed/cellular Fluoropolymer with a Dieletric Coefficient of less than 1.45.
- Pure Fluoropolymer film dielectric. Cheaper forms of PTFE and FEP can be sourced (some cast, some skieved), and we tried them all. "You get what you pay for" was especially true when it comes to sourcing generic fluoropolymer alternatives to genuine DuPont Fluoropolymer , based on our listening tests.
- Oxygen Free High Conductivity copper foil ( IACS of 101%). Our copper foil is rolled to extremely tight tolerances using state-of-the-art machinery and computerized electronics that constantly monitors the foil in real-time, and makes corrections while the material is being rolled. Even the rollers are machined in-house to ensure a smooth and consistent surface finish. This quality and precision is unmatched by any other company in the world.
- The copper foil is dead-soft annealed in an inert atmosphere, and treated with an anti-oxidant bath before being slit with blades that might rival the edge of a Hanzo sword.
- The copper foil is vacuum packed before undergoing our proprietary Cryogenic treatment process (below -300 degrees F) . We're not talking about throwing some copper out in the Frozen Tundra overnight, but rather a $50,000+ state-of-the-art machine that uses custom profiles, and molecular kinetics to avoid any thermal shock to the material.
- Fluoropolymer film slitting is performed in-house, which means better control over environmental cleanliness, as well as frequent renewal of the slitting blades. You won't find a messy guy with a butterknife anywhere near our film.
- The winding process is performed in a clean, controlled environment on custom, internally-built manual winding machines. A select group of dedicated Master Winders (averaging over 14 years of experience) perform the winding operation with meticulous attention to every detail. Their pride of workmanship is simply unmatched, anywhere.
- A new lead attachment technique was developed to maximize contact surface area with the winding and keep ESR astonishingly low, and extremely consistent from part to part.
- The core of the capacitor has been engineered to optimize the structural integrity of the winding, as well as to address internal resonances that may smear the audio signal.
- Dimensional ratios were carefully chosen for each value, based on listening tests specific to this construction type.
- Capacitor end fill was carefully evaluated, based on sonics, as well as its long term inertness and mechanical stability. The end fill process itself is quite lengthy and requires numerous steps that were perfected over years of experimentation.
- At several checkpoints during the construction process, every capacitor is tested to meet several critical electrical measurements and mechanical inspection criteria. No simple "batch testing" is performed- it's not good enough.
- An extensive, rigorous testing and burn-in protocol was developed to ensure the highest performance and reliability in the extreme environment found inside equipment that uses vacuum tubes. The sheer number and extensiveness of these electrical tests is well beyond industry standards.
A truly unique product for the audiophile who demands extreme performance The end result of this journey is a capacitor of purity, delicacy and power. A capacitor built to the same extraordinary standards as the OIMP and TFTF series- but leveraging all the goodness of pure copper foil, the innovation of some very, very smart people from around the World, and the experience of experienced, dedicated American craftsmen. Just a reminder- the V-Cap CuTF is NOT a "rebrand" or relabeling of an already existing product, but a unique capacitor design that has been meticulously engineered and handcrafted in the U.S.A. In fact, there are so many different suppliers of materials and processes, there is only one person on the planet who knows how all the dots connect, and he's not telling... Every V-Cap capacitor is inspected, tested, and pushed to the edge of extreme conditions, to simulate the harsh environments commonly found in tubed electronics. This ensures long life, reliability, and the ultimate in performance. In fact, V-Cap capacitors are manufactured to such high standards, they are backed by a lifetime warranty to the original purchaser.
This ad represents the price EACH for a .01 uF CuTF series V-Cap, when bought in in a quantity of at least two pieces. Please see the V-Cap website to for further details, or order V-Caps at the VH Audio website
* "V-Cap", "CuTF", "TFTF", "OIMP", "Reference Grade", "Elite Reference" and "Variable Stage Quadrant Dielectric" are trademarks of VH Audio, Inc.
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|The Beginning
Major General George B. McClellan
While Anniston's candidacy for a military installation predates 1917, the events of that year compelled the construction of a National Guard Camp. Charles L. Dulin was the Constructing Quartermaster placed in charge of Camp McClellan. Dulin arrived in June of 1917 under orders to build a machine gun camp to accommodate six machine gun companies. In July, his orders changed. A telegram from the Officer in Charge of Cantonment Construction informed Dulin that Anniston had been selected as a National Guard Camp. Dulin immediately informed the Anniston Chamber of Commerce that the government wanted immediate ownership of a large portion of land, changing the original purchase agreement which had allowed the many farmers to cultivate their land throughout the year. Lost crops were valued at $136,000. This debt would not be cleared until 1934 through diligent efforts by the community.
After survey, Dulin chose the site for the new camp. Three major roads traversed the camp site. Leaving Anniston, Rocky Hollow Road crossed Blue Mountain and intersected with Bain Gap Road in the center of the camp. Bain Gap ran eastward over the Choccolocco Mountains. An unidentified road leading to Jacksonville, later to become State Highway 21, crossed the northwestern sector of the site. Cane Creek and its tributaries, Cave and Carrot Creeks, coursed through the site, flowing in a south, east and southeasterly direction. Land use was mostly agricultural, and no small villages or towns were displaced by the new camp.
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The Great Exhibition Waltzes part 07
Composer: Tussaud, Frank B
Medium: Lithograph
Date: 1850
The 'Great Exhibition' was held in London in May 1851 to demonstrate to the world the industrial supremacy and prosperity of Britain. It was held in a specially constructed building made of glass and iron, and was known as the 'Crystal Palace'. About 6.2 million people visited the exhibition looking at the vast range of displays, from architecture and history to material and food.
This music sheet illustration shows Crystal Palace in the background, with many people gathering in the grounds. There are foreigners in turbans who had travelled long distances to see the exhibition.


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Olympia Le Tan Spring/Summer 2015 Collection – Paris Fashion WeekCategories:Other Brands
The super-cute Olympia Le Tanspring/summer 2015 collection comes to be the sweetest and girliest ready to wear fashion line unveiled for Paris Fashion Week spring 2015 so far, at the same time becoming the best source of inspiration for dressing in a cool youthful way and looking like a teenage schoolgirl this spring. Actually, it was school that inspired Le Tan to come up with these cheerful and playful designs that are a whole cuteness overload! What's more every single piece presented here is embedded with a big dose of effortless style and wearability, this way making the newest Olympia Le Tan collection one of the most popular fashion destinations for fashionisers, looking for easy-breezy casual chic clothing pieces and uber-cute accessories.
Cute mini dresses and skirts are the focus of the Olympia Le Tan spring/summer 2015 collection, however, you can also discover some short tailored shorts, a pair of skinny capri pants, lovely pencil skirts and tube dresses just in case you can't find your style here. Some looks featured boyish hints too, bringing schoolboy jackets used as sexy mini dresses. The show started in a modest note, bringing mainly black looks and got brighter with its development, showing a powdery pink finale that made everyone smile.
From the wanna-have accessories to the sweet shapes and designs presented, the Olympia Le Tan spring/summer 2015 collection seizes one's mind instantly, making them bring their school year style fantasies to life. Looking cool and effortlessly chic has never been so easy before!
Tags: dresses


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Gregory Ward received his BA in Comparative Literature and Linguistics (with honors) from the University of California-Berkeley in 1978, and his PhD from the University of Pennsylvania in 1985. He is currently Professor of Linguistics at Northwestern University, where he has taught since 1986 (and was Chair from 1999-2004). He has also taught at the 1993, 1997, 2003, 2007, 2009, 2011, and 2013 Linguistic Society of America Linguistic Institutes.
His primary research area is discourse/pragmatics, with specific interests in pragmatic theory, information structure, intonational meaning, and reference/anaphora. He has published over 80 papers (including 4 books) and given over 150 talks and presentations. Recent publications have investigated deferred reference, event anaphora (with Andrew Kehler), functional compositionality (with Betty J. Birner and Jeffrey Kaplan), and generalized conversational implicature and the semantics-pragmatics boundary (with a research team). With Birner, he co-authored Information Status and Noncanonical Word Order in English (Benjamins, 1998). With Birner and Rodney Huddleston, he is co-author of 'Information Packaging', Chapter 16 of The Cambridge Grammar of the English Language (Cambridge 2002). With Laurence Horn, he is co-editor of Blackwell's The Handbook of Pragmatics (Blackwell 2004), and with Birner, he is co-editor of Drawing the Boundaries of Meaning: Neo-Gricean Studies in Pragmatics and Semantics in Honor of Laurence R. Horn (Benjamins 2006).
From 1986 to 1998, Ward was a consultant at AT&T Labs – Research, working on intonational meaning. He was co-PI on an NIH grant (1991-1996) to study sentence processing and is currently co-PI (with Julia Hirschberg) on an NSF grant (2003-2007) to study dialogue prosody for voice response systems. In 2004-05, he was a Fellow at the Center for Advanced Study in the Behavioral Sciences, and from 2004-2007 he served as Secretary-Treasurer of the Linguistic Society of America (LSA). In 2009, Ward was elected a Fellow of the LSA. He currently serves on three editorial boards.
At Northwestern, Ward teaches courses in pragmatic theory (Reference, LING 371; Pragmatics, LING 372; Implicature, LING 373), experimental methods (Experimental Pragmatics, LING 317), and gender studies (Language & Sexuality, LING 327). He is an affiliated faculty member in the Department of Philosophy. In 2012, Ward received the E. LeRoy Hall Award for Excellence in Teaching in the Weinberg College of Arts and Sciences. He also serves as a freelance linguistic consultant on legal issues relating to sentence and utterance interpretation.
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text: Yes, friends, there is a magazine for shoe collectors. Very high heels, specifically, it seems. But both men (wearing heels) and women appear in this promo, so that is interesting. Also? The publication comes to you from the same folks who created the mag just for pole dancers. Just FYI.


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To add insult to injury — or double homicide — Ray Lewis' message to the families of the two men stabbed to death in an altercation with Lewis and his crew 13 years ago was less than apologetic.
In an interview with CBS's Shannon Sharpe aired in Super Bowl XLVII pre-game coverage, the retiring Ravens linebacker said ""If you really knew how God works, he don't use people who commit anything like that for his glory."
The sheer arrogance of that statement almost made me forget what he told Sharpe immediately before this bizarre religious defense, an OJ Simpson-esque attack on "the system," suggesting that authorities hadn't properly investigated the crime, saying, "If our system took the time to really investigate what happened 13 years ago, maybe they would have got to the bottom line truth."
Sharpe let this nonsense go unchallenged and it wasn't until later in the game when fellow commentator Boomer Esiason took it upon himself to say something sensible on this issue: "He was involved in a double murder, and I'm not so sure he gave us all the answers that we were looking for. He knows what went on there. And he can obviously come out and say it. But he doesn't want to say it. He paid off the families."
But both Esiason and Sharpe are right, we don't know what happened in 2000. I'm just not sure God and the the criminal justice system have anything to do with it.


text:
Skip to Main Content
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Players renting a motorized golf cart assume financial responsibility for any damage done the golf cart.
Players operating a motorized golf cart must be 16 years of age or older with proof of a valid driver's license.
Golf carts are not permitted in the parking lot.
A maximum of two players and two golf bags are permitted per golf cart.
Golf carts must remain on the cart paths near all tees and greens.
Observe daily cart rules, signs, and cart traffic control.
When the course is too wet from rain, Cranberry Highlands reserves the right to restrict carts to "cart path only" status.
Keep carts out of tall fescue and wooded areas and off steep slopes.
The 90 degree rule is in effect except when carts are restricted to paths only.
Golf rates (except junior rates)included a shared riding cart fee. All cart rates include Pennsylvania sales tax.
Golf carts are required Friday, Saturday, Sunday, and holidays before 12:00 noon.
For more information, please contact the golf course at 724-776-7372.
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There was a fellow once, kind of a hermit, who never went anywhere....except one day he ran out of firewood. He went to Murdoch's and asked about a new ax.
The salesman said "Yes, of course we have axes, but why toil away with an ax when you can get one of these Husqvarna chainsaws. You'll be amazed how much wood you can cut with it. In fact, pardon the pun, but it'll "cut" your work in half!"
The hermit replied, "Well if it'll cut my work in half then give me two!"


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Castillo Theatre to Present Dan Friedman's DEMONSTRATION 2013, 2/23-3/10
For its first production following the sold-out run of Katori Hall's Children of Killers, the Castillo Theatre will premiere Demonstration 2013, a multi-media performance piece written by artistic director Dan Friedman that will run for seven performances (February 23, 24 and March 1, 2, 3, 9 and 10) at the Castillo Theatre, 543 West 42nd Street, between 10th and 11th Avenues.
Under the direction of David Nackman, Demonstration 2013 incorporates song, poetry, historical speech, documentary footage, oral history and Castillo's repertoire of theatrical productions to creatively examine the culture and politics that have grown out of the movements of the 1960s. A montage of scenes and songs, the play is something of a family photo album, telling stories of the activists who have helped build Castillo and the unique independent performance community from which Castillo has emerged and helped to shape over the last four decades.
Demonstration 2013 has roots in the epic theatre of Erwin Piscator and Bertolt Brecht, and, more directly, draws its inspiration from three previous "Demonstration" pieces conceived of by the late FrEd Newman, who served as Castillo's artistic director and playwright-in-residence from 1989 to 2005.
The cast is composed of seasoned stage performers working side-by-side with Castillo volunteers and community activists, as well as recent graduates of the Youth Onstage! Community Performance School (Castillo's youth theatre). The production is anchored by Ava Jenkins, winner of the 2012 AUDELCO "Viv" Award for Best Actress in a Musical for her role as Sally Hemings in the Castillo production of Sally and Tom (The American Way) by FrEd Newman and Annie Roboff. Director David Nackman, a veteran of the Broadway stage, has appeared in scores of Castillo productions and is the director of its musical improv comedy troupe, the Proverbial Loons.
The Castillo Theatre (Dan Friedman, artistic director, Diane Stiles, managing director) is located at 543 West 42nd Street, between 10th and 11th Avenues. Performances are selected Fridays and Saturdays at 7:30 p.m. and Sundays at 2:00 p.m., February 23, 24, March 1, 2, 3, 9 and 10. Tickets are $35 for adults, $10 for students and seniors. Group rates are available. Tickets can be purchased through the Castillo Box Office at 212-941-1234 or at www.castillo.org.


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Tuesday, February 8, 2011
The Food Allergy Center at Massachusetts General Hospital and MassGeneral Hospital for Children
Patient testimonials
Read about three patients who have benefitted from the Food Allergy Center's services.
Food allergies are becoming more and more common. Approximately 15 million Americans suffer from allergies to popular foods such as milk, eggs, peanuts, wheat, soy and tree nuts such as walnuts, almonds and cashews. With the hope of making a long-term impact in the field, The Food Allergy Center at Massachusetts General Hospital (MGH) and MassGeneral Hospital for Children (MGHfC) has been established to diagnose and treat known and suspected cases of food allergies. Offering clinical care, patient education, patient support groups and clinical and basic research, the center is open to both children and adults.
"Our center is multidisciplinary in the sense that we have allergists, gastroenterologists, psychologists and nutritionists all involved to meet the needs of kids and adults with food allergies," says Wayne Shreffler, MD, PhD, director of the Food Allergy Center at MGH/MGHfC. "We provide a broad array of clinical services specializing in both IgE mediated food allergies (the most common form associated with immediate reactions), and non IgE-mediated food allergies. We have a special clinic devoted to the care of patients with eosinophilic esophagitis (EE), and also have extensive research efforts that are focused on understanding and finding better treatments for those same conditions."
Continuity of Care
The Food Allergy Center is one of the few in the United States that provides care to both kids and adults with allergies.
"The center has been created to overlap between pediatric care and adult allergy," says Aidan Long, MD, the clinical director of Allergy at MGH. "As the prevalence of the number of patients with food allergies increases in childhood, then as those children are growing older, we can provide them a continuity of care so that they can stay within the same institution using the same approach to diagnosis and treatment as has been used to in the pediatric service."
"In our field of allergy, when we train, we are trained in both adult and pediatric medicine," adds Paul Hesterberg, MD, an allergist/immunologist. "The Food Allergy Center is a combined program where physicians from both sides are able to integrate our approach, so what we are doing on the pediatric side is the same on the adult side."Gastrointestinal ConditionsPatients suffering from gastrointestinal conditions such as EE, manifested by their body's response to food allergies, can find appropriate care within the center.
"We have gastroenterologists, psychologists, allergists and nutritionists within the Center," says Qian Yuan, MD, PhD, a pediatric gastroenterologist. "I primarily take care of children with EE and other symptoms associated with food allergies in general."
In addition, the center provides treatments for food protein induced entercolitis, allergic colitis, atopic dermatitis and other disorders related to allergies.
Providing Relief from Anxiety
Anxiety in children suffering from allergies is a common symptom. Fortunately, Nancy Rotter, PhD, a pediatric psychologist, can provide the help those children might need.
"Children with food allergies may experience accidental exposures to the foods that they are allergic to, resulting in symptoms that are frightening to them. A child's anxiety may be further heightened if he or she requires treatment with epinephrine and a trip to the Emergency Room," says Rotter. "My role is to help children take charge of their anxiety while remaining cautious about contact with the foods that they are allergic to, with the goal of living full, normal lives. I also help parents cope with the normal worries that accompany developmental transitions, such as entering school, in which children are spending more time outside of their parent's care."
Research Efforts
The Food Allergy Center is also unique in that it supports a broad array of research projects in the field. Jolan Walter, MD, PhD, an allergist/immunologist, is particularly interested in B-cell dysregulation and related diseases that affect children. "We believe that early B-cell defect may contribute to these children actually developing food allergies, and as the immune system matures, these allergies might come under control," says Walter. "Some of the clinical trials will focus on the B-cell repertoire and how the B-cells mature and change as the child grows and gets older."
"We have a few research protocols, including an oral immunotherapy trial for children 7-21 years old with peanut allergies," says Shreffler. "The goal is to protect people against accidental reactions, but also to learn what is necessary to really induce true tolerance so that they could eventually have peanuts with no reactions."
Similar studies for older adolescents and adults with milk allergy are also forthcoming, along with research protocols for EE attempting to identify less invasive means of following response to treatment, and perhaps immunotherapy to treat multiple allergies at the same time.
"Our patients really like this concept of a one-stop shop," says Shuba Iyengar, MD, MPH, an allergist/immunologist. "They are able to see multiple specialists in one area, and because we are all seeing the same patient at the same center, we are able to talk to each other about the diagnosis and treatment quite easily."
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By Becky McCorvey
I started living a more frugal lifestyle not so much by choice but by necessity in 2008. Due to the economic changes in our country combined with my own past financial mistakes/mishaps, I saw that I needed to make some drastic changes in my financial life.
I got serious about my budget. I had taken Dave Ramsey's Financial Peace University course at my church some years earlier but had not been diligent about following it. A friend recommended Microsoft Money, and I checked into it and downloaded it. It has really helped me and seems like less work than mapping it out on paper as I had done for some time. I guess I'm visual, and I like being able to open the program and look at the current month's bill schedule. I also like seeing that something is crossed off after the payment has been made.
This budgeting program provided me with a true view of my financial situation. I saw where I was spending too much in various categories. I have to admit it was pretty scary. I began to look at my finances and wasteful ways as a part of my stewardship of what God provides for me and my children. I wasn't doing a very good job of handling it.
I started reading blogs about money-saving ideas, frugal ideas - anything I could find that I thought may help my situation. The Internet seemed to be full of people who had been in my situation and worked their way out. One of the key points was looking at all of one's monthly bills and cutting back where possible. I made some changes to services I had, and that helped put a little wiggle room in my budget.
The main thing I found during this time was couponing. I researched blogs on how people were saving an amazing amount of money on their groceries. I set my bi-weekly grocery budget very strictly and began the couponing. It has been fun but also a lot of work and research to find the technique that works best for me. I continue to find new tips and ideas, so my technique is continually evolving.
Most of all, couponing is fun, addictive and a great way to make new friends. If you see me in Kroger, stop and say hello.
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'Star Wars' is Plotting "At Least" Three Spinoff Films
Ever since George Lucas sold 'Star Wars' to Disney a year and a half ago, there's been word of sequels and spinoffs in the works. But the production of 'Star Wars: Episode 7' took longer to launch than expected, and so the effort to create those standalone films was put on the back burner. Now that 'Episode 7′ is days away from shooting, Disney is beating the drum again, and have announced they'll be at least three new spinoffs coming before 2024.
That was the word from Marc Graser, who was listening to Disney CEO Bob Iger talk in a stockholders call. Graser tweeted this:
Disney's Bob Iger says at least three #StarWars spinoffs are planned as part of plan to mine sci-fi franchise over next decade.
— Marc Graser (@marcgraser) May 6, 2014
What's funny about this is that we started hearing rumors about these spinoffs well over a year ago, with Boba Fett and Yoda mentioned for possible standalone adventures, and with Zack Snyder reportedly developing his own Jedi movie inspired by 'Seven Samurai' (though at this point Snyder's unlikely to make one as he's booked up for the next four years or so). We've also heard recently that those looking to spin off Boba Fett into his own movie had trouble staying true to the character when turning him into a leading Man(dalorian).
What this news means is that now that 'Episode 7′ is finally under way, they have a better sense of where the universe is going, and likely they wanted to get the new trilogy up and running before they started announcing the standalone films. But, maybe more importantly, 'Star Wars' was a four billion dollar purchase for Disney, one that was done in October 2012, and one that won't start paying theatrical dividends until December 2015. So telling the stockholders you have elaborate plans is smart.


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A chance to demonstrate your understanding of the Real Estate Lifecycle.
Training and assessment available from £775 + VATEnrol online
The Real Estate Lifecycle relies on RICS professionals and many other individuals in order to properly allocate resources to generate value and complete the various functions.
The certification will ensure you are best placed to work and interact with other stakeholders across the real estate lifecycle from planning and acquisition to construction and occupation.
By understanding the roles and responsibilities of all those involved, at each stage of the lifecycle, you will be better able to:
The certification has been created to provide formal recognition to professionals who can demonstrate a thorough knowledge of all functions of the real estate market and the role that RICS, our standards and professionals perform in the market.
To gain certification, professionals are required to complete a training and assessment programme comprised of:
|Training and Assessment
|Training only
|4 online technical training modules (16 hours)
|4 online technical training modules (16 hours)
|RICS Certified in Real Estate Lifecycle Certificate and Logo
|3 online professional training modules (9 hours)
|3 online professional training modules (9 hours)
|10 hours annual Continuing Professional development commitment
|Online exam leading to certification (75 minutes)
|No assessment or certification
|3 year reassessment included
The course is composed of the following:
After completing all 7 modules, professionals will be required to pass:
Primary market:
Secondary market:
You will be required to complete 10 hours of CPD annually and re-take the test every 3 years in order to maintain their certification.


text:
Home Page Chess Life Online 2014 August Webster Captures President's Cup
|Webster Captures President's Cup
|April 8, 2013
Webster University topped three other top college teams to nab this year's President's Cup. The Webster team consisted of GMs Georg Meier, Wesley So, Ray Robson, Fidel Jiminez Corrales, Manuel Leon Hoyos and Anatoly Bykhovsky.
University of Texas at Dallas placed 2nd, University of Maryland Baltimore County 3rd and University of Illinois 4th. Find results here and USCF rated results on MSA here.


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Leave the Party
John's life may have been very different had he not had the courage to leave a party one evening in Japan.
Bishop Gary E. Stevenson says: "I promise the Lord will empower you. … He will reward you for your courage and righteous behavior—with happiness and joy." Discover how making and keeping covenants can help you.
Read, watch, or listen to Bishop Stevenson's full address, "Be Valiant in Courage, Strength, and Activity."