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Clark & Daughtrey Medical Group in Lakeland has filed a lawsuit against JPMorgan Chase & Co., accusing it of accepting more than 500 stolen checks deposited in accounts of fake corporations with names similar to that of the medical group.
BARTOW | Clark & Daughtrey Medical Group in Lakeland has filed a lawsuit against JPMorgan Chase & Co., accusing it of accepting more than 500 stolen checks deposited in accounts of fake corporations with names similar to that of the medical group.
The checks were taken by Janet Thompson-McNeil, a former Clark & Daughtrey employee, the lawsuit said, and deposited in accounts opened by an accomplice.
The lawsuit, filed last week by Lakeland lawyer Jonathan B. Trohn, contends Chase was negligent by failing to confirm that the identity of the payee was the same as that of the account holder.
"Had Chase compared the name, tax ID number or address of the payee shown on the check with their account holder, the discrepancy would have been easily observed," it said.
"Furthermore, Chase failed to obtain a proper endorsement of the checks by ensuring that the person endorsing the check had the authority to do so, or by requiring no endorsement at all."
Chase accepted most of the checks for deposit without endorsements, the lawsuit said, or, if anything were written, it would say ''for deposit only."
A copy of the complaint was ordered sent to Chase's resident agent, CT Corporation System, in Plantation. A spokeswoman said CT couldn't comment on the suit or whether it was received.
Thompson-McNeil is accused of taking more than $800,000 from Clark & Daughtrey. She had worked as a reimbursement application analyst there.
She was charged in March with having taken a lesser amount. Charges then included scheming to defraud, money laundering, grand theft over $100,000 and conspiracy to commit grand theft.
Prosecutors filed additional charges against her in May after investigators said more stolen money was discovered. Those charges included first-degree grand theft and conspiracy to commit first-degree grand theft.
An arrest affidavit said Thompson-McNeil deposited some checks she handled into accounts belonging to a friend of her son, identified in the affidavit as Giffard Bullen, according to Ledger articles.
The lawsuit and a document on one of the fake corporations have the first name as Gifford.
He was arrested in April. State Attorney's Office documents said Bullen would provide Thompson-McNeil with money transfers and checks as payment.
The lawsuit said Bullen formed a fake corporation called Clark & Daughtrey Med Group, giving an address of a UPS store in Orlando; and one called Clark & Daughtrey Group in Palm Bay.
He opened an account with Chase, using those names, at its Merritt Island branch.
Bullen or another accomplice began depositing 50 to 75 stolen checks a month in the account, the lawsuit said.
[ Robin Williams Adams can be reached at firstname.lastname@example.com or 863-802-7558. Read her blog at robinsrx.blogs.theledger.com. Follow on Twitter @ledgerROBIN. ]


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Daishon Knight scored a game-high 17 points to go along with nine rebounds, as he led the Illinois State Redbirds to a 62-55 victory over the Texas A&M Aggies in the second round of the College Basketball Invitational at Redbird Arena.
For the Redbirds (18-15), John Jones added 12 points and Bobby Hunter and Nick Zeisloft each pulled down eight rebounds. The Redbirds will have to wait for the conclusion of other second-round action to determine their next opponent.
Antwan Space led the Aggies (18-16) with 15 points, Jamal Jones scored 14 points and grabbed nine rebounds and Kourtney Roberson chipped in with 11 points.
Both teams struggled from the field to open the contest. Illinois State shot just 35.5 percent from the field and missed all but one of its 10 shots from beyond the arc. Texas A&M was even worse from the floor, hitting on 32.1 percent of its field goal tries and just 2-of-13 from 3-point range, as the teams entered halftime knotted at 27-27.
After the break, the Redbirds found their range, as they connected on 54.2 percent of their field goal tries in the second half, including 3-of-8 from beyond the arc.
The Aggies continued to have difficulty putting the ball in the basket, as they hit on just 36 percent of their shots from the field in the final twenty minutes.
With the game tied at 44 with eight minutes to play, the Redbirds ran six straight points to take the lead for the rest of the game.
The Redbirds had the edge on points in the paint, 30-26.
Illinois State also out-rebounded Texas A&M, 41-35.

subset: commoncrawl


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text: Server Help :: View topic - Zone hosting rules / quick server hosting links. Server HelpCommunity forums for Subgame, ASSS, and bots FAQ Search Memberlist Usergroups Statistics Register Profile Login to check your private messages Login (SSL) Server Help | ASSS Wiki (0) | Shanky.com Zone hosting rules / quick server hosting links. Server Help Forum Index -> Zone Hosting / Advertising Printable version arena/server would accept a host. kass... :: Siege of Avalon Arena Needs Host Author Message Mine GO BOOMHunch HunchWhat WhatAge:36 Gender:Joined: Aug 01 2002Posts: 3605Location: Las VegasOffline Posted: Fri Dec 13, 2002 1:11 am Post subject: Zone hosting rules / quick server hosting links. Post in this forum if you are having trouble finding a reliable host, or offering to host zones for other people. No server questions here. Pretty simple rules. If you offer constant hosting for others, post a new topic about it, explaining your hosting rules, a link to a website or email on how to get in contact, and if it is just in a subarena, or a whole zone itself. Those hosts to be found reliable will be listed below, with information about them such as contacts and hosting requirements. Any host that wishes to be listed here that do not offer hosting can do so, such as if you want your contact information avaliable if needed. Post a new topic about it, and i will forward it into here. Please state in your topic if you can offer hosting or not when you do so, so i can state that in here. Zone Hosting: http://www.ssthosting.net - SST Website Back to top 1stStrikeCute like a kitty Joined: Dec 28 2002Posts: 426Offline Posted: Wed Aug 31, 2005 9:38 pm Post subject: Anyone that posts crap such as "I need a host because my zone is like totally awesome and i'm cool plz plz host meh" will have their threads locked on sight from now on. And, if it's really bad then I'll just outright delete the thread. Since it seems I wasn't specific enough or people just refuse to read I am updating this topic. And putting it in bold just in case they can't see. I'd put it in brail too but they haven't implemented that yet. Bah. Anyway. RULES FOR POSTING A REQUEST FOR ZONE HOSTING 1. Post a description and/or a screenshot of the map. The map is what players see when they go to your zone. They want a preview to interest them. 2. What style of settings are you implementing? Are they fast? slow? SVS? One shot kill? Super? Something unique (highly recommended)? Then post that! 3. What's the point of your zone? Is there a storyline? What are players supposed to be doing when they're there? 4. What kind of bots do you use if any? How many are you planning to use? Some hosts don't like too many bots or won't host bots. 5. What kinds of extra features do you have that might intrigue potential players? Lvz? ASSS? List them! Think of this as a job application. You're trying to impress us so that we'll come to you. Ok, now that I typed all this out if you all don't start reading this and following the guidelines I'm going to go nuts. Back to top Display posts from previous: All Posts1 Day7 Days2 Weeks1 Month3 Months6 Months1 Year Oldest FirstNewest First Server Help Forum Index -> Zone Hosting / Advertising All times are GMT - 5 Hours Page 1 of 1 Jump to: Select a forum Random Spam----------------AnnouncementsTrash TalkZone Hosting / Advertising Assistance----------------General QuestionsASSS QuestionsBot QuestionsLVZ/LVL Questions Coding----------------ASSS Custom ProjectsMisc User AppsNon-Subspace Related Coding You can post new topics in this forumYou can reply to topics in this forumYou cannot edit your posts in this forumYou cannot delete your posts in this forumYou cannot vote in polls in this forumYou can attach files in this forumYou can download files in this forum View online users | View Statistics | View Ignored List Software by php BB © php BB GroupServer Load: 171 page(s) served in previous 5 minutes.


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DecisionMakr At Doha: Can A New Smartphone App Hold Leaders More Accountable?
This post originally appeared on The Huffington Post and The Metric, the Yale Center for Environmental Law and Policy's blog.
Expectations for the global climate negotiations taking place over the next two weeks in Doha, Qatar, are dismally low, and major political transitions in China and the United States – the world's two largest emitters of greenhouse gases – further temper hope for any kind of game-changing proposal. So what are the more than 7,000 civil society members and 1,500 journalists(myself included) in attendance going to do to make their opinions count and to hold their governments accountable for accomplishing something in Doha?
Well, there's an app for that, and it's called DecisionMakr.
Having attended many of these negotiations in the past, I question the value of emitting carbon to fly halfway around the world to attend another COP meeting. As an observer, I am relegated to the corridors, where I hope to bump elbows with negotiators and deliver my two-minute elevator pitch. I've spent hours in the back of general plenary sessions trying to make sense of diplomatese and the carefully prepared platitudes that ultimately restrict nations' ability to compromise on difficult issues. After two weeks of these meetings, my head is spinning, and it's challenging to distill what just happened.
When I knew I'd be attending Doha this year, I started thinking about how to make better sense of what goes on at a huge and hectic conference like these UN meetings. Technology – in particular, social media — came to mind as a potential solution to the problem. I first started blogging and using Twitter while attending the watershed Copenhagen climate negotiations in 2009. With approximately 50,000 observers, nearly 100 heads of state, and close to 200 countries represented, it was chaotic and difficult to keep track of what was happening. With all the high-intensity drama including secret negotiation texts, exclusive back-door meetings, developing countries suspending talks and staging a walk-out, Twitter became an invaluable tool for receiving up-to-the minute updates, crowd-sourced from the multitudes of civil society observers and journalists who were "live-tweeting" events as they were unfolding.
After a conference ends, one is left with hundreds of thousands of tweets, but not a good way to hear the signal through the noise. So I pitched the idea of a smartphone app that leverages crowd-sourcing via Twitter to give observers a way to assess the quality of negotiation statements and policy proposals with ratings that can then be averaged to produce a final score. In this way, both observers and negotiators can have a real-time record of a speaker or country's actions at a conference, and a ranking that provides an indication of how the public felt about their statements compared to others. In the Environmental Performance Index– a biennial ranking of environmental policy results in 132 countries – we've seen how rankings matter and how powerful they can be in terms of galvanizing action among leaders and laggards. I wanted to see if we can generate the same type of data and accountability for negotiators though an app – in a way similar to how user feedback ratings influence how we shop on retail sites like Amazon.com, where we eat using restaurant guides like Yelp.com, and where we travel and stay using feedback from other travelers at tripadvisor.com.
Teaming up with developers and engineers at Pariveda Solutions at the Social Good Forum Hackathon sponsored by AT&T, I developed a smartphone and web application called DecisionMakr that will be the start of a social (and academic) exercise in Doha to see whether we can use technology and social media to hold negotiators more accountable. One singular rating along with a log of all statements and proposals will add greater transparency to these sometimes opaque negotiations. While it is difficult to distill how two weeks or more of deliberations often end in one single negotiation text, the app will provide documentation of the shifting positions of countries to allow outsiders to better understand how the end result came to be. We hope that leaders will see their ratings and feedback, and respond as a result.
The DecisionMakr app will officially launch in Doha on Nov. 26 and is currently available at www.decisionmakr.org and free for download at the Apple iPhone App Store. All of the action can also be followed on Twitter @DecisionMakr.


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Artist's description:
The faces in this series are faces are the extension of the individuals which I observe. I unmask the deeper individualistic expression and stories of the individuals with whom we share our collective public spaces. These faces do not belong to just one person, they are all of us, they are me, they are you. Within the layers that we carry around with us each day as we move through our public life, there is a story, a desire to express something, which I allow to come to life through these portraits and detailed images.
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Current Population Survey, August 2009: Veterans Supplement (ICPSR 29647)
Version Date: Feb 4, 2011 View help for published
Principal Investigator(s): View help for Principal Investigator(s)
United States. Bureau of the Census; United States Department of Labor. Bureau of Labor Statistics
Version V1
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Summary View help for Summary
This data collection is comprised of responses from two sets of survey questionnaires, the basic Current Population Survey (CPS) and a biennial survey on the topic of veterans in the United States, which was administered as a supplement to the August 2009 CPS questionnaire. The sponsors of the Veterans Supplement were the Department of Veterans Affairs (VA), formerly the Veterans Administration, and the Department of Labor.
The CPS, administered monthly, is a labor force survey providing current estimates of the economic status and activities of the population of the United States. Specifically, the CPS provides estimates of total employment (both farm and nonfarm), nonfarm self-employed persons, domestics, and unpaid helpers in nonfarm family enterprises, wage and salaried employees, and estimates of total unemployment. Data from the CPS are provided for the week prior to the survey.
All veterans aged 17 or older received questions from the Veterans Supplement, which provides estimates on the demographic and labor force characteristics of veterans who have a service-connected disability in comparison to all other veterans. The data also made distinctions between Gulf War era veterans and Vietnam theater veterans; the latter being veterans who served in Vietnam, Laos, or Cambodia. Estimates were also provided on the number of veterans with or without a service-connected disability and their labor force participation rate, occupational distributions, unemployment rates, periods of military service, and use of certain educational and job training programs. The Veterans Supplement portion of the study was designed to be a self-response survey and general interviewers were instructed to make up to two personal or telephone callbacks before accepting a proxy interview.
Demographic variables include age, sex, race, Hispanic origin, marital status, veteran status, educational attainment, occupation, and income.
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Users are strongly encouraged to refer to the User Guide (produced by the Principal Investigators), which contains the questionnaire for the supplement, as well as additional detailed technical documentation regarding the study design, sampling frame used, and response rates.
The universe statements for each variable are defined in either the basic or supplement record layout, which is located in Attachment 6 and 7, respectively, of the User Guide.
ICPSR removed all FILLER and PADDING variables from the data. As a result, the column locations in any ICPSR-released data product (e.g., codebook and setup files) will have column locations that are not consistent with locations described in the User Guide.
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A multistage probability sample was selected to represent the universe of approximately 56,000 households.
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The CPS universe consists of all persons in the civilian noninstitutional population of the United States living in households. The August 2009 supplement universe represents the full CPS sample comprising all household members aged 17 years and older.
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- United States. Bureau of the Census, and United States Department of Labor. Bureau of Labor Statistics. Current Population Survey, August 2009: Veterans Supplement. ICPSR29647-v1. Ann Arbor, MI: Inter-university Consortium for Political and Social Research [distributor], 2011-02-04. http://doi.org/10.3886/ICPSR29647.v1
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All adult records retain the basic CPS weights, which controls for age, race, sex, and Hispanic origin estimates, and individual state estimates. The basic CPS final weight (PWSSWGT) should be used for tallying just labor force items. The veterans weight (PWVETWGT) should be used to tally any estimates from the Veterans Supplement data whether or not basic labor force items were used. The veterans weight should also be used to tally any estimates for veterans and nonveterans from the basic CPS. Users are strongly encouraged to refer to the User Guide for more information on additional weights used.
Data in this collection are available only to users at ICPSR member institutions.
This study is provided by Resource Center for Minority Data (RCMD).


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Susan Magdalane Boyle (born 1 April 1961) is a Scottish singer who came to international public attention when she appeared as a contestant on reality TV programme Britain's Got Talent on 11 April 2009, singing "I Dreamed a Dream" from Les Misérables. Her first album was released in November 2009 and debuted as the number one best-selling CD on charts around the globe.
Global interest in Boyle was triggered by the contrast between her powerful voice and her plain appearance on stage. The juxtaposition of the audience's first impression of her, with the standing ovation she received during and after her performance, led to an international media and internet response. Within nine days of the audition, videos of Boyle—from the show, various interviews and her 1999 rendition of "Cry Me a River" – had been watched over 100 million times. Her audition video has been viewed on the internet several hundred million times. Despite the sustained media interest she later finished in second place in the final of the show behind dance troupe Diversity.
Boyle's first album, I Dreamed a Dream, was released on 23 November 2009 and became Amazon's best-selling album in pre-sales. According to Billboard, "The arrival of I Dreamed a Dream ... marks the best opening week for a female artist's debut album since SoundScan began tracking sales in 1991." In only six weeks of sales, it became the biggest selling album in the world for 2009, selling 9 million copies. In September 2010, Boyle was officially recognised by Guinness World Records as having had the fastest selling debut album by a female artist in the UK, the most successful first week sales of a debut album in the UK, and was also awarded the record for being the oldest person to reach number one with a debut album in the UK.


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Home > News & Events > Wayland Press Release Archives > 2004 News Releases > October 2004 > Wayland group spends summer ministering in Tanzania
Wayland group spends summer ministering in Tanzania
If Zack Greer had run a want ad soliciting participants for his summer missions project, few would likely have responded.
"Seeking strong young men for rigorous hiking and camping in remotest areas of Africa. Must be able to carry a heavy pack and share the gospel in tribal villages with no amenities. Long days, short nights. Must work for free."
Instead, Greer relied on prayer and on God's selection of the mission group that would spend two months of the summer in Tanzania, Africa doing evangelism and relationship building in remote mountain villages. A senior religion major at Wayland Baptist University in Plainview, Greer said it was a dream to bring a group to join the mission work in Tanzania that his parents, James and Dana Greer, have been doing for the past three and half years.
"I had talked to my dad about a team coming for the summer and I knew I could put a group together," Greer said. "I began praying about this last summer and asking God to open doors, and he led me to ask three of my friends to pray about going."
The three got back to Greer: they all felt God calling them to go and wanted to be a part of the trip. Even after he shared some of the conditions and tasks on the plans, the group remained on board.
"It's very remote. You're out in the middle of a 98 percent Islamic country," Greer explained. "You're out in the middle of the Bush and you have no personal space. You have God on your side and the guys next to you and that's about it."
Even so, Greer enlisted support from friends Jacob Burke, a senior from Amarillo, Drew Pearson, a senior from Cortez, Colo., and Carl Leake, a senior from Fairbanks, Alaska. The group arrived in Tanzania on June 15 with loaded backpacks, open minds and open hearts.
"There was no way Zack could have explained it to us, but he did explain how to communicate with people and to minister to them," Burke said. "But we also just had to go in faith."
The men split into pairs and began hiking into remote villages, where they would work with missionaries or local pastors in visiting with villagers. In many locations, they would show the "Jesus" film and then field questions from curious viewers, many of whom had never seen a movie and had no concept of the medium.
"Their number one question was 'where does Jesus live?' and 'how did you get him in the movie?' There would be 1,500 people sometimes watching a 21-inch TV, and most have never seen TV before," Greer said. "This was the closest you could ever get to Paul's ministry. You go into places where no one has ever heard (about God) and just build relationships."
Even so, many of the villagers embraced the gospel message, with one village's older Islamic leaders sending a runner to ask about how to be saved. Greer said the group prayed in a circle together to accept Jesus Christ as savior, then began asking about starting a Christian church in their village.
The results were proof that God was at work.
"Some of the people were focused and very adamant about their questions," Burke said. "It was very evident that the Holy Spirit was working among them."
"There was no convincing or gimmicks here – just sharing the gospel and letting the Holy Spirit lead the way," Greer added. "Many times Americans have stepped in and tried to do the work of the Holy Spirit instead of letting Him do it."
For Pearson, the mission trip was his first. And while he feels called to youth ministry rather than full-time mission service, he felt God wanted him in Tanzania for very important reasons.
"It was really eye-opening to give me a new perspective of how big the world is and how much bigger God is," he said. "It stretched all of us, and it stretched my perspective of the church as well. Here, it's much more about programs and buildings and sometimes I think the joy of the Lord is lost.
"Yet in Tanzania, they're in a 10-by-20 bamboo hut but they're so happy in the Lord and so glad to have him."
Leake was also on his first mission trip, and the religion and psychology major said the reality of the experience was much different than he anticipated.
"I wondered if we might not be accepted in some areas there, but I also knew from Zack that they are very people-oriented there," he said. "I expected a hard two months without many conveniences, but it was actually not that bad. The people were so loving and cherished their relationships."
The group found it refreshing that the new converts in Tanzania were so excited about their newfound faith. Many, they said, began immediately sharing with their family and friends and bringing them to Christ.
"I loved seeing the changes in people when they accepted Christ," Pearson said. "They were very evangelistic and on fire and they had much freedom in Christ."
"Death is very real to them. They understand death," Greer added in explanation. "They live like it is their last day and they share (the Gospel) like it's their last day."
The young men found the experience humbling, as they watched God work throughout the villagers and realized some universal truths.
"We expected to find people who were very different than we are," Leake said. "But you could look into their eyes and see the same things you see in people's eyes over here – they need a desire a relationship with God. Praise the Lord, we were able to share that with them."


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13 December 2012 at 11.02am | Comment on this article
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7 Yoga Poses For Cyclists & Spinners (Or People With Lower Back Pain)
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text:
TD Bank Group Newsroom
TD Capital Trust II Announces Redemption of TD Capital Trust II Securities
TORONTO, Nov. 30, 2012 /CNW/ - TD Capital Trust II (the "Trust"), a subsidiary of The Toronto-Dominion Bank, announced today its intention to redeem all of the outstanding TD Capital Trust II Securities - Series 2012-1 ("TD CaTS II") on December 31, 2012, at a price per unit of $1,000 plus the unpaid distribution payable on the redemption date of December 31, 2012. Notice will be delivered to TD CaTS II holders in accordance with the terms outlined in the TD CaTS II prospectus.
In accordance with the terms of the declaration of trust governing the Trust, the Trust has deposited an amount equal to the redemption proceeds in trust for the holders of the TD CaTS II, which deposit constitutes payment and satisfaction by the Trust of the redemption proceeds payable on the TD CaTS II. As a result, the rights of a holder of the TD CaTS II are limited to receiving, on December 31, 2012, the proportion of the amount so deposited applicable to such holder's TD CaTS II, without any interest thereon.
About TD Bank Group
The Toronto-Dominion Bank and its subsidiaries are collectively known as TD Bank Group (TD). TD is the sixth largest bank in North America by branches and serves approximately 22 million customers in four key businesses operating in a number of locations in key financial centres around the globe: Canadian Personal and Commercial Banking, including TD Canada Trust and TD Auto Finance Canada; Wealth and Insurance, including TD Waterhouse, an investment in TD Ameritrade, and TD Insurance; U.S. Personal and Commercial Banking, including TD Bank, America's Most Convenient Bank, and TD Auto Finance U.S.; and Wholesale Banking, including TD Securities. TD also ranks among the world's leading online financial services firms, with approximately 8.5 million online customers. TD had CDN$806 billion in assets on July 31, 2012. The Toronto-Dominion Bank trades under the symbol "TD" on the Toronto and New York Stock Exchanges.
SOURCE: TD Bank Group
Rudy Sankovic
Investor Relations
TD Bank Group
(416) 308-9030
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text:
Phone – 888.424.3336
Email – email@example.com
701 Tecumseh Road
Clinton, Michigan 49236
Traditional dazzle, it brightens up any dish. A delightful medley of sweet, sour, tangy, salty, and savory. A quick and easy dipping sauce for whole grain pasta, noodles, cooked vegetables, tofu, fried food, and fish, and splendid as a salad dressing ingredient, and marinade. Poured over Eden whole grains pastas they are wonderful. No refined sugar, artificial coloring, flavorings, additives, or preservatives. Ponzu adds tons of sparkling flavor, yet zero fat as it's made without oil.
Eden Ponzu Sauce is made from simply combining shoyu soy sauce, rice vinegar, mirin, barley malt, and the juices of yuzu and sudachi. 'Yuzu' is Japanese for citron, a yellow thick skinned fruit (Citrus medica) that resembles a lime or lemon but is larger and not as acidic. It grows in semitropical climates and originated in China. Sudachi is another Japanese citrus fruit thought to be a cross between Chinese lemon and a citron. It has the appearance of a small lime, and is native to the Tokushima Ken area of Shikoku, one of the southern Japanese islands.
Eden Ponzu Sauce contains no artificial coloring agents or flavorings, chemical additives or preservatives. Eden Ponzu sauce is made without oil and has about one tenth the calories of French dressing. It adds volumes of flavor yet zero fat.
Eden Ponzu Sauce is convenient, quick and easy to use. Frequently used as a dipping sauce for vegetables cooked in an earthenware bowl called 'do-nabe'. Today it is used in a variety of ways for dipping noodles, cooked vegetables, tofu and fish. It can also be used as a salad dressing as an ingredient in salad dressings. The unique combination of ingredients in Eden Ponzu Sauce gives it a distinctive salty, sour, mildly sweet, and slightly pungent flavor. We love it on the table and in the kitchen.
|Ponzu Sauce - five flavor seasoning
|Item Number
|Shoyu (Water, Soybeans, Wheat, Sea Salt), Rice Vinegar, Mirin (Water, Rice, Koji, Sea Salt), Barley Malt, Yuzu and Sudachi Citrus Juices
|Case Quantity
|Package Size
|6.75 fl oz
|Package Size Metric
|200 ml
|UPC Code Each
|UPC Code Case
|Eligible for Flat Rate Shipping
|Fat Free
|Yes, less than 0.5 g per serving
|Non GMO


text:
Marea Watch B35314/6
Sorry, this product is now discontinued and is no longer available.
We Price Match!Seen it cheaper?
Marea B35314/6 is an amazing and attractive Ladies watch. Case is made out of Plastic/Resin. 50 metres water resistancy will protect the watch and allows it to be submerged in water for periods, so can be used for swimming and fishing. It is not reccomended for high impact water sports. We ship it with an original box and a guarantee from the manufacturer.
This watch is supplied with:
- check Official Marea presentation box
- check Official Marea guarantee
- check Instruction manual (where applicable)
This product can be shipped to:
- UK (United Kingdom)
- EU (European Union)
Share this product
Should you find any item not to your liking, simply return the unwanted item(s) to us using the enclosed returns form and your purchase will be refunded in full. We assure you of a smooth, easy, and zero hassle returns procedure if you change your mind for any reason. Please note that earrings and other items of body jewellery cannot be returned for refund as unwanted items in the interests of hygiene. Currently, refunds are processed in an average of 2 days after receipt (Live statistic)
FREE Click & Collect for orders over £25.00 from any mainland participating partner showrooms* (excluding airports and orders paid for by PayPal or Interest Free Credit). For more information on our new Click & Collect scheme please see this link (*UK only)
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The Marea watches we stock include a range of timepieces for men, women and children in a variety of fun, fresh and fashionable designs. Analogue, digital and combination watches are available, meaning whatever your time-reading preference, there's a stylish and affordable watch for you. The men's watches often include sporting features to keep track when a basic timepiece just won't do, and come in durable rubber and leather that's comfortable and long-lasting. Stylish fashion pieces are also available, in sleek, minimalist designs, as well as classically-inspired looks. Women's watches are available in both metallic and material designs, so there's very likely to be a watch to suit your personal style. On-trend gold watches with navy faces make for a perfect fashion statement, while bold, colourful timepieces add a modern twist to vintage floral patterns. The children's watches available are made of durable and comfortable materials, with easily read faces kids are sure to love. Look aro
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Road to Glenorchy
The road to Glenorchy beside Lake Wakatipu, snow covered mountains, alpine deep, cold lake, you could make movies here. Mt Earnslaw the double peak in background on lower right, 2819 metres high (9,249 Feet) is an area where many movies scenes have been filmed - Lord of the Rings, The Hobbit, Narnia, X-Men Origins: Wolverine.
Doubtful Sound
Doubtful Sound, Fiordland, South Island, New Zealand.
Doubtful like Milford and Dusky Sounds are actually fiords, created by glaciers from the Southern Alps. Very deep, 10 times bigger than Milford Sound and hard to get to (12 hour round trip journey from Queenstown).
Lake Wakatipu
Morning of January 2, 2013, low cloud of Lake Wakatipu, Queenstown, New Zealand. Not as low as you think as mountains on right are up to 1,978 metres (6,740 feet) so cloud there is around 3,000 feet. Taken from Fernhill Road looking across the lake. Remarkable mountain range left back one of only two ranges that run exactly north south in world. Highest peak is 7,608 feet.
Mount Earnslaw
A very typical high country or alpine scene in New Zealand's South Island. Sheep grazing in front of the twin peaks Mount Earnslaw (2,819 metres high, 9,249 feet). This is past Glenorchy towards the Routburn Track and Paradise. Dust is from back country unsealed roads.
Mt Earnslaw towards Paradise
Wide angle photo of Mt Earnslaw and grazing sheep, past Glenorchy, South Island, New Zealand on the road to the Routeburn Track and Paradise
Lake Wakatipu, Queenstown, New Zealand looking away from Queenstown.
Shotover River
Shotover River and Bridge, Queenstown, New Zealand. Runs from Southern Alps, through Skippers Canyon, eventually draining into Kawarau River. It was one of richest gold bearing rivers in world during Otago Gold Rush in 1860's.
Shotover River Jet Boat
A jet boat travelling through the Shotover River (Shotover Jet), Queenstown, New Zealand. The jet boat was invented in New Zealand by Bill Hamilton, a sheep farmer and engineer in the 1950's. They were ideal for shallow rivers with rocks. These jet boat travel at up to 75 Kph, very close to granite boulders, which they can do as they have instant and great maneuverability.
Mitre Peak
Mitre Peak in Milford Sound, Fiordland, New Zealand. Rising 1,692 metres, 5,551 feet straight out of very deep, cold water. Rudyard Kipling called Milford Sound the Eight Wonder of the World. It is actually a fiord not a sound and runs 15 kilometres in from the Tasman sea on New Zealand's west coast. It averages nearly 7 metres of rainfall a year, subsequently the sea water is layered with quite a depth of fresh water. It is a 4-5 hour drive from Queenstown through stunning farmland and native forrests.
Lindis Pass
Lindis Pass links Central Otago, Wanaka and Twizzle.
Lake Wakatipu, Queenstown, New Zealand. The longest lake in NZ, 3rd largest and very deep, and cold. Walter Peak in centre, 1,800 metres (5,905 ft.)
Lake Wakatipu, Queenstown, New Zealand. This is NZ's longest lake fed by the Dart River and drained by the Kawarau River. The Remarkables mountain range is in the background shrouded in cloud
Lake Hawea
Lake Hawea, Otago, New Zealand which runs parallel to Lake Wanaka, very deep (392 metres) and very blue. Photo taken in late NZ summer
Lake Wanaka
Lake Wanaka, Otago, New Zealand
Church of Good Shepherd
Lake Tekapo, New Zealand
Lake Tekapo
Lake Tekapo, New Zealand, sunset
Church of the Good Shepherd when built in 1935 was the first church built in the Mackenzie Basin. It is located in Tekapo township on the shores of Lake Tekapo.
Church of Good Shepherd at Lake Tekapo, South Island, New Zealand
The Church of the Good Shepherd, Lake Tekapo, in the Mackenzie Basin, South Island, New Zealand. Built in 1935 the church gets lots of visitors. The turquoise colour of Lake Tekapo which is New Zealand's largest high lake (710 metres above sea level) is caused by rock flour which is ground rock from glaciers in the headwaters. The suspended particles and sunlight create the unique water colour. Lake Pukaki and Lake Ohau have the same colour water.
Mt John
New Zealands astronomical research observatory on top of Mt John at Tekapo in the Mackenzie Basin. 1,700 square miles around the observatory are a dark sky area. Mt John is 3,376 feet high. At night the view of the sky is over whelming
The magic of sunset at Lake Wanaka, South Island, New Zealand


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Amanda HStyle
1.00 January 17, 2012, initial release, www.yourfonts.comCopyright
Made with yourfonts.com. Copyright 2012 YourFonts. All rights reserved.Description
This font was created using the online font generation service from yourfonts.com
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AlphaShapes crosses 2Style
1.0 - Foopyware - use keys a to z, 0 to 9Company
http://www.foopy.com/ (Distribution permitted with readme.txt)License
1.0 - Foopyware - use keys a to z, 0 to 9(Distribution permitted with readme.txt)Freeware for personal and not for profit use. Commercial use requires a commercial license available at http://www.foopy.comDistribution of derivative works from this font are strictly prohibited.
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Mns GrebckAuthor
Mns GrebckTrademark
Faltura is a trademark of Mns Grebck.Copyright
Copyright (c) 2011 by Mns Grebck. All rights reserved.Description
Copyright (c) 2011 by Mns Grebck. All rights reserved.License
For commercial license, mail firstname.lastname@example.com
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Signerica Thin is a trademark of Mns Grebck.Copyright
Copyright (c) 2011 by Mns Grebck. All rights reserved. PERSONAL USE ONLY! For commercial use, mail email@example.com
Copyright (c) 2011 by Mns Grebck. All rights reserved.License
PERSONAL USE ONLY! For commercial use, mail email@example.com
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Mv JadheedhStyle
Ibrahim YasirAuthor
Ibrahim YasirTrademark
Mv JadheedhCopyright
Created by Ibrahim Ibrahim Jadheedh AhmedDescription
The english letters used in font Faruma is Times New Roman Trademark of The Monotype Corporation plc registered in the US Pat & TM Off. and elsewhere.
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Rubber Stamp StdStyle
1.000;PS 1.0;hotconv 1.0.38Author
Alan BirchTrademark
Rubber Stamp is a trademark of International Typeface Corporation and may be registered in certain jurisdictions.Copyright
Copyright 1997 International Typeface Corporation. All rights reserved.Description
Please review the description of this font at http://www.itcfonts.com.
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1999; 1.0, initial releaseAuthor
VTCGoblinHandSC is a trademark of the VTC Vigilante Typeface Corporation.Copyright
Copyright (c) VTC Vigilante Typeface Corporation, 1999. All rights reserved. Distroware! Spread like the Plague!Description
VTCGoblinHandSC is a trademark of the VTC Vigilante Typeface Corporation. Copyright (c) VTC Vigilante Typeface Corporation, 1999. All rights reserved. Distroware! Spread like the Plague!
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Mns GrebckAuthor
Mns GrebckTrademark
Roskrift Clean is a trademark of Mns Grebck.Copyright
Copyright (c) 2011 by Mns Grebck. All rights reserved.Description
Copyright (c) 2011 by Mns Grebck. All rights reserved.License
Visit www.mawns.com or mail email@example.com for a commercial license.
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Ray LarabieAuthor
Ray LarabieTrademark
Kredit is a trademark of Ray Larabie.Copyright
(c) 1996 Ray Larabie. See attached license agreement for more information. If EULA is missing, visit www.larabiefonts.com for an updated version of this font.Description
To see more fonts by Ray Larabie, visit Typodermic.com and LarabieFonts.com
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Dieter HofrichterAuthor
Dieter HofrichterTrademark
Equip-BoIdItalic is a trademark of Dieter Hofrichter.Copyright
Copyright (c) 2013 by Dieter Hofrichter. All rights reserved.Description
Copyright (c) 2013 by Dieter Hofrichter. All rights reserved.License
Hoftype Standard LicenseBy buying this font you are agreeing to be bound by the terms of this Agreement. This Agreement, in conjunction with the receipt that accompanies each purchase from Hoftype, constitutes the complete agreement between you and Hoftype.1. Allowed usesYou may use the licensed fonts to create images on any surface such as computer screens, paper, web pages, photographs, movie credits, printed material, T-shirts, and other surfaces where the image is a fixed size.You may use the licensed fonts to create EPS files or other scalable drawings provided that such files are only used by the household or company licensing the font.2. Number of usersThe maximum number of simultaneous users is specified in the applicable receipt. All users must belong to the same company or household purchasing the font.3. Third partiesYou may provide the font to a graphic designer, printer or other service bureau that is working on your behalf only if they agree to use the font exclusively for your work, agree to the terms of this license, and retain no copies of the font on completion of the work.You may not provide the font or make it accessible to any other third parties.4. EmbeddingYou may embed the licensed fonts into any document you send to third parties provided such embedding is restricted to viewing and printing that document.You may not embed the licensed fonts into software or hardware products in which the fonts will be used by the purchasers of such products. Such use requires a different license (OEM). Please contact firstname.lastname@example.com for information on OEM licenses.5. ModificationsYou may import characters from the font as graphical objects into a drawing program and modify such graphical objects.You may not modify, adapt, translate, reverse engineer, decompile, disassemble, or create derivative works based on the licensed font itself without Hoftype' prior written consent.6. CopyrightThe font and the accompanying materials are copyrighted and contain proprietary information and trade secrets belonging to the foundry owning the font. Unauthorized copying of the Product even if modified, merged, or included with other software, or of the written materials, is expressly forbidden. You may be held legally responsible for any infringement of the foundrys intellectual property rights that is caused or encouraged by your failure to abide by the terms of this Agreement.7. TerminationThis Agreement is effective until terminated. This Agreement will terminate automatically without notice from Hoftype if you fail to comply with any provision contained herein. Upon termination, you must destroy the written materials, the Product, and all copies of them, in part and in whole, including modified copies, if any.8. Product UpgradesHoftype may, from time to time, update the Product. Product upgrade pricing may apply.9. Disclaimer and Limited WarrantyHoftype warrants the Product to be free from defects in materials and workmanship under normal use for a period of twenty one (21) days from the date of delivery as shown on your receipt. Hoftype' entire liability and your exclusive remedy as to a defective product shall be, at Hoftype' option, either return of purchase price or replacement of any such product that is returned to Hoftype with a copy of the invoice. Hoftype shall have no responsibility to replace the product or refund the purchase price if failure results from accident, abuse or misapplication, or if any product is lost or damaged due to theft, fire, or negligence. Any replacement product will be warranted for twenty one (21) days. This warranty gives you specific legal rights. You may have other rights, which vary from state to state.EXCEPT AS EXPRESSLY PROVIDED ABOVE, THE PRODUCT, IS PROVIDED AS IS. Hoftype DOES NOT MAKE ANY WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.The entire risk as to the quality and performance of the Product rests upon you. Hoftype does not warrant that the functions contained in the Product will meet your requirements or that the operation of the software will be uninterrupted or error free.Hoftype SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES (INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OF OR INABILITY TO USE THE PRODUCT EVEN IF Hoftype HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitation may not apply to you.10. Governing LawThis agreement is governed by the laws of Germany.
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KG HAPPY SolidStyle
1.000 2014 initial releaseCompany
Kimberly GesweinAuthor
Kimberly GesweinTrademark
KG HAPPY is a trademark of Kimberly Geswein.Copyright
Copyright (c) 2014 by Kimberly Geswein. All rights reserved.Description
Copyright (c) 2014 by . All rights reserved.License
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Andriy KonstantynovCopyright
Copyright (c) 2015 by Andriy Konstantynov. All rights reserved.Description
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St RydeStyle
Light ItalicVersion
Sascha TimplanTrademark
St Ryde is a trademark of Stereotypes.de.Copyright
Copyright (c) 2010 by Stereotypes.de. All rights reserved.Description
Copyright (c) 2010 by Stereotypes.de. All rights reserved.
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Bou CollegiateStyle
1.00 April 22, 2008, initial releaseCopyright
Typeface (your company). 2008. All Rights ReservedDescription
This font was created using FontCreator 5.6 from High-Logic.com
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Atelier Sans ITC StdStyle
1.000;PS 001.000;hotconv 1.0.38Author
Nick CurtisTrademark
ITC is a trademark of International Typeface Corporation Registered in U.S. Patent and Trademark Office and may be registered in certain other jurisdictions; Atelier is a trademark of International Typeface Corporation and may be registeredCopyright
Copyright 2001 International Typeface Corporation. All rights reserved.Description
Please review the description of this font at http://www.itcfonts.com.
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Veronika Burian, Jos ScaglioneTrademark
Ebony is a trademark of TypeTogether.Copyright
Copyright (c) 2014 by TypeTogether. All rights reserved.Description
For further details please go to: http://www.type-together.com/resources/eula/TT-EULA.pdf
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happy homeStyle
1.00 November 11, 2013, initial releaseCompany
www.dafont.com wino-s-kadir.d2209Trademark
weknow Trademark of (http://www.dafont.com/wino-s-kadir.d2209).Copyright
weknow (weknow.deviantart.com). 2012. All Rights ReservedDescription
This font was created using FontCreator 5.5 from High-Logic.comLicense
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Ray LarabieAuthor
Ray LarabieTrademark
Structia is a trademark of Typodermic FontsCopyright
Copyright (c) 2006 Typodermic Fonts. This font is not freely distributable. Visit typodermic.com for more info.Description
Please read the current Typodermic Fonts license agreement at http://www.typodermic.com/license.html
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Leon FY Medium is a trademark of FONTYOU.Copyright
Copyright (c) 2014 by FONTYOU. All rights reserved. www.fontyou.comDescription
A copy of the END USER LICENSE AGREEMENT to this font software can be found online at shop.fontyou.com/#url=/contents/terms/03072013
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Doubletwo StudiosAuthor
Lecter JohnsonTrademark
XXII Centar is a trademark of Doubletwo Studios.Copyright
Copyright (c) 2012 by Doubletwo Studios. All rights reserved.Description
Copyright (c) 2012 by Doubletwo Studios. All rights reserved.
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David FareyTrademark
ITC Highlander is a trademark of International Typeface Corporation Registered in U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.Copyright
Copyright 1997 International Typeface Corporation. All rights reserved.Description
Please review the description of this font at http://www.itcfonts.com.
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Logos Mylne FarmerStyle
2001; 2.2Author
Eddy Bchu (Keyan)Copyright
2001 Eddy BECHU (Keyan), merci Com N'B.Description
Cette police a t cre pour reproduire les logos de plusieurs chansons de Mylne Farmer (design de Com N'B): l'me-stram-gram, optimistique-moi, innamoramento, l'instant X, quoi je sers..., que mon coeur lche, my soul is slashed, je te rends ton amour, ainsi soit je...
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Nick ShinnTrademark
Sense Italic is a trademark of ShinntypeCopyright
Copyright (c) 2010 by Nick Shinn. All rights reserved.Description
Copyright (c) 2010 by Nick Shinn. All rights reserved.
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JD StarsStyle
Jecko DevelopmentTrademark
FontStruct is a trademark of FSI FontShop International GmbHCopyright
Copyright Jecko Development 2011Description
JD Stars was built with FontStructLicense
Creative Commons Attribution Non-commercial No Derivatives
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Monotype Imaging Inc.Author
Monotype Design StudioTrademark
New Clarendon is a trademark of The Monotype Corporation in the United States and/or other countries; MT is a trademark of Monotype Imaging, Inc. Registered in U.S. Patent and Trademark Office and may be registered in certain other jurisdicCopyright
Font software Copyright 1990 Adobe Systems Incorporated. Typeface designs Copyright 1990 The Monotype Corporation. All rights reserved.License
NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Monotype Imaging Inc. and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Monotype Imaging or together with software distributed by one of the licencees of Monotype Imaging.This software is a valuable asset of Monotype Imaging. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software or contact Monotype Imaging for a copy of the license agreement.General information:www.fonts.comFor license terms and usage rights, please visit our web site at:www.monotypeimaging.com/html/type/license.htmlLizenzbedingungen und Nutzungsrechte finden Sie auf unserer Webseite:www.monotypeimaging.com/html/type/license.htmlPour plus d'informations concernant les droits d'utilisation et les questions contractuelles, veuillez consultez notre site:www.monotypeimaging.com/html/type/license.htmlPara obtener informacin acerca de los trminos de licencia y los derechos de uso, visite nuestro sitio en el Web en:www.monotypeimaging.com/html/type/license.htmlPer le condizioni contrattuali ed i diritti d'uso, visitate il nostro sito web all'indirizzo:www.monotypeimaging.com/html/type/license.html
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Black Sam's GoldStyle
1; July 2001Company
High-Logic - Erwin Denissen 1999Trademark
Black Sam's Gold was created by Redruth's Basement, based on a map in the National Geographic, Vol. 195, No. 5; May 1999. Redruth's Basement is not affiliated with the National Geographic Society. Black Sam Redruth's Basement 2001Copyright
Black Sam's Gold Redruth's Basement 2001. All Rights ReservedDescription
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Lanston Type Co.- P22 type foundryAuthor
Morris Fuller Benton, Colin KahnTrademark
LTC Globe Gothic Regular is a trademark of Lanston Type Co.- P22 type foundry.Copyright
Lanston Type Co.- P22 type foundry, 2007. All rights reserved.Description
Lanston Type Co.- P22 type foundry, 2007. All rights reserved.License
P22 End User License Agreement and Limited WarrantyThank you for purchasing P22 fonts. To ensure that P22 continues to bring you more exciting, historically relevant type, please take the time to read this agreement. It might not be the most fascinating read, but its very important and may answer many questions that you may have. Please register your fonts and remember that free software is an exception, not the rule. 1. Notice to user. You (End User) have not purchased the ownership rights to this font, but rather a license to use this font on a limited basis. Purchasing a license for any P22 font or font distributed by P22 (International House of Fonts, Sherwood Collection and other) via download, or e-mail, constitutes an agreement between P22 type foundry, Inc (P22) and the end user of the enclosed typefaces (software) that the terms and conditions of this contract will be followed. If the fonts are purchased in hard copy format (CD-ROM or floppy disk), removing the media from its protective sleeve (paper pouch, DVD cases, or other) in which the media is contained constitutes the same agreement. If you do not agree with the terms of this agreement, return the complete package with the CD or floppy disk sleeve unopened to the place of purchase. If downloaded or received by e-mail, all files must be deleted. A signed affidavit may be required to receive a refund.2. Grant of License. The basic P22 distributed software license is limited for use on a total of 5 devices at one site for use on a single platform. A device is defined as a computer, printer, character generator, server or any other machine that uses font data to rasterize letterforms. A site is defined as one physical location. Platform refers to operating systems designated as 'Macintosh', 'Windows' or other. A laptop may be one of the devices in the basic license of 5 devices as long as the laptop is associated primarily with the licensed location. Simply working offsite on a laptop is permissible in the basic license and is regarded as an extension of the site. Work transported from one distinct network to another distinct network, via a laptop requires each network to be licensed properly.Additional licensing is also required if you are installing the font(s) on more than 5 devices (Site License), or a LAN/WAN Server with more than 4 devices, or, if you and/or additional users will have access to the font(s) at more than one location (Corporate License), or, if your printer/service bureau is installing the fonts for job output for more than one-time use (Service Bureau). Upon completion of job, service bureau must delete the font software or purchase their own license.--To calculate the required additional license, call P22 at 716 885 4490 or visit: http://www.p22.com/licensing.html to receive a quote.One copy of the font software may be made for backup. You may transfer the original software to another party provided All materials, including back-up copies are transferred and that the recipient agrees to the licensing terms and conditions contained in this agreement, and all copies are removed from the originating end user's (your) devices. 3. Fair Use. The basic P22 license is intended to accommodate personal use as in the course of everyday correspondence and document writing, or in the design of self-promotion pieces like business cards, newsletters and brochures. Other uses designated as professional or commercial may require additional licensing.Professional use is work performed by, not limited to, freelance designers, small design firms and corporate advertising firms that incorporate P22 fonts within a design for a client or self-promotion. Most alphanumeric fonts are allowable without additional licensing provided that the Grant of License guidelines are met. However, the use of illustrative elements (also known as dingbats, extras, ornaments) within logo design requires an additional one-time license. If you have purchased the font(s) license for use on a large scale campaign such as in the course of entertainment promotion, advertising, corporate identity design, product packaging, store signage or in any way that requires the multi media (television, internet, print or other) output of the font(s), an additional license may be required. This applies to in-house or client based work. Call P22 at 716 885 4490 to receive your large scale campaign quote. A royalty based Commercial license is required when P22 font software is used to create a product sold for profit. If you have purchased the font(s) license for use as the principle design element to create a product to be sold such as, not limited to, rubberstamps, refrigerator magnets, or if the usage of the font adds value (value added) to a product to be sold such as wrist watches, house numbers, stencil kits, decals, digital art (screensavers, 3-D models, or other computer application), please call P22 at 716 885 4490 if you have any questions, for permission or to receive your commercial license quote or visit: http://www.p22.com/comlicensing.html for examples.The font may be modified if properly licensed for non-commercial or in-house use. The modified font software may not be sold or distributed.4. Font Embedding. The basic P22 license allows for the embedding of P22 fonts only if the document created is set to Print and Preview. If P22 fonts can be extracted, edited and therefore transferred in any way, an additional license is required to account for each recipient of the document and font file(s)5. Copyright. The software and accompanying documentation are copyrighted and contain intellectual property information protected by law. You may not make or distribute copies of this software or accompanying documentation without the express written consent of P22.6. Disclaimer and Limited Warranty. P22 warrants that the font software is free of errors and will be replaced within 90 days of purchase in the event of defective media. If failure of the font software results from accident, abuse, or neglect, P22 assumes no responsibility to replace the software. THE SOFTWARE AND ACCOMPANYING WRITTEN MATERIALS ARE PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND, EXPRESSED OR IMPLIED, AND P22 SPECIFICALLY DISCLAIMS THE WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE AND MERCHANTABILITY. IN ADDITION, P22 DOES NOT MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SOFTWARE OR THE WRITTEN MATERIALS IN TERMS OF CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS OR OTHERWISE. THE ENTIRE RISK AS A RESULT OF THE PERFORMANCE OF THE SOFTWARE IS ASSUMED BY THE USER.7. Update Policy. At the option of P22, there may be updated versions of the software which will be offered to registered users.8. Purchaser's Indemnity. You agree to inform any person (employee/co-employee/employer) having access to the P22 Software and copies thereof, of the terms and conditions of this Standard License Agreement and to ensure that these terms and conditions are abided. You agree to indemnify and hold P22 harmless from any and all claims, liabilities, and costs including attorney's fees, arising out of your breach of this agreement or promises you made. If these terms are not agreed to and respected P22 reserves the right to revoke Grant of License.9. Construction. This agreement is governed by and constructed in accordance with the laws of the State of New York. All disputes between P22 and the end user whether or not arising hereunder shall be conducted within the courts and jurisdiction of Erie County, New York.Please register your fonts. If you have purchased your font(s) directly from P22 you have been automatically registered. If you ordered your font from an authorized P22 reseller please keep a record of the time and place of the purchase; or if you purchased a CD, send in the reply/registration card enclosed within each package. (c)2004 P22 type foundry, Inc. -- Not Your Typical Type(tm) -- http://www.p22.com -- PO BOX 770 -- Buffalo, NY 14213
Home Page iconPackages
Nineteen Ten ViennaStyle
Evelyne Pichler & ApostropheCopyright
Evelyne Pichler & Apostrophic Laboratories. All rights reserved. email@example.com
Evelyne Pichler & Apostrophic Laboratories. All rights reserved. email@example.com
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1.000 2011Company
Mns GrebckAuthor
Mns GrebckTrademark
Hitalica is a trademark of Mns Grebck.Copyright
Copyright (c) 2011 by Mns Grebck. All rights reserved. FREE FOR PERSONAL USE! Mail firstname.lastname@example.com for commercial license.Description
Copyright (c) 2011 by Mns Grebck. All rights reserved. www.mawns.comLicense
Please read this before any use of the font.-----------------------This font is for PERSONAL USE ONLY:Do not under any circumstances use the font in public media unless permission is given from designer Mns Grebck or legal reseller. You may not share this font, neither on websites or to other computers,unless Mns Grebck's permission is given.If you do not accept these agreements, do not install or use the font. -----------------------For further information, purchase and licence, please contact designer:Mns Grebck email@example.com+46763068614 (Sweden)http://www.mawns.com
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Monotype ITC Inc.Author
Joel Kaden, Tony StanTrademark
ITC American Typewriter is a trademark of Monotype ITC Inc. and may be registered in certain jurisdictions.Copyright
Copyright 2014 Monotype ITC Inc. All rights reserved.License
This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com
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MENTAL FREAKStyle
1.00 June 6, 2009, initial releaseCopyright
Typeface (your company). 2009. All Rights ReservedDescription
This font was created using FontCreator 5.5 from High-Logic.com
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1.00 December 12, 2012, initial releaseCompany
Xerographer FontsAuthor
Max InfeldCopyright
RockingLines Xerographer Fonts. 2012. All Rights ReservedDescription
This font made at Xerographer studio chico,CA hand written handdrawn drawn scratch lines scribbleLicense
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Veronika Burian, Jos? ScaglioneTrademark
Adelle Italic is a trademark of TypeTogether.Copyright
Copyright (c) 2009 by TypeTogether. All rights reserved.Description
Copyright (c) 2009 by TypeTogether. All rights reserved.License
This end user License Agreement (hereinafter Agreement) is a legal agreement between you, or, if you represent a legal entity, that legal entity (hereinafter You) and Type-Together (hereinafter TT), and is applicable to the Font Software that is accompanied by this Agreement or that you have ordered online. By downloading the Font Software or opening the package, you agree to be bound by the terms of this Agreement. If you do not agree to the terms of this Agreement, do not download, install, or use the Font Software. If you have purchased a License to use the Font Software in a sealed retail package and do not agree to the terms of this Agreement, return it unopened to the place of purchase.1. You are bound by the Agreement and you acknowledge that all Use (as defined herein) of the Font Software (as defined herein) supplied to you by TT is governed by the Agreement. 2. Font Software means coded software that generates typeface designs when used with the appropriate hard- and software plus any and all other data including documentation provided with such software.3. Licensed Unit means an installation of the Font Software that allows up to five (5) concurrent users and any amount of output devices to use it at a single geographic location. A single geographic location is in particular the site of your place of business. The geographic restriction does not apply to portable computers if they are owned by you. If you require font software to be used by more than 5 users, you need to purchase a license extension.4. Commercial Product means a product (e. g. electronic document, soft- or hardware) which is distributed to third parties with the intention of ( i) obtaining a financial or other consideration and/or (ii) increasing awareness of one's own company or institution, products, and services in order to gain more business.5. This non-exclusive license grants you to use font software in a Licensed Unit for your own personal or internal business purposes according to the terms of this Agreement. You have no rights to the Font Software other than as expressly set forth in the Agreement. You agree that TT owns all right, title and interest in and to the Font Software, its structure, organization, code, and related files, including all property rights therein such as copyright, design and trademarks rights. You agree that the Font Software, its structure, organization, code, and related files are valuable property of TT and that any intentional Use of the Font Software not expressly permitted by the Agreement constitutes a theft of valuable property. All rights not expressly granted in the Agreement are expressly reserved to TT. You may not use the Font Software to electronically distribute a Commercial Document without a separate license from TT authorizing you to do so. 6. You may make back-up copies of the Font Software for archival purposes only, provided that you retain exclusive custody and control over such copies.7.You may take a digitized copy of the Font Software used in a particular document to a commercial printer or service bureau for outputting this particular document (this document may be edited by the printer or service bureau). In the event of use of the Font Software for other purposes, the printer or service bureau must purchase its own Font Software licenses.8.You may embed the Font Software in documents either as a rasterized representation of the Font Software (e.g., a GIF or JPEG) or as a subset of the Font Software as long as the document is distributed in a secure format that itself is not a Commercial Product. You need an additional license from TT or its Distributors for embedding the Font Software in a Commercial Product.9.You may adapt, modify, alter, translate, convert, and install the font software into another format for use in other environments, subject to the following conditions: A computer on which the converted font software is used or installed shall be considered as one of your permitted number of computers. Use of the font software you have converted shall be pursuant to all the terms and conditions of this Agreement. Such converted font software may be used for your own customary internal business or personal use exclusively and man not be distributed or transferred for any purpose. You many not modify or remove the name(s) of the font software, author's signature, copyright and trademark notices from the original files. 10.The Font Software may not be installed or Used on a server that can be accessed via the Internet or other external network system (a system other than a LAN) by Workstations which are not part of a Licensed Unit. 11. Except as granted in 6. to 7, you may not copy the Font Software or allow third parties to copy the Font Software. Any copy of the Font Software must contain the same copyright, trademark, and other proprietary information as the originals.12. You acknowledge that the Font Software is protected by the copyright and other intellectual property law of the United States and its various States, by the copyright and design laws of other nations, and by international treaties. Any copyright, trademark and other rights belong exclusively to TT, except as expressly provided in 5. You do not gain the ownership of the Font Software under this Agreement. The structure, organization, and the code of the Font Software are trade secrets of TT, and you agree to treat them as such. You agree to treat the Font Software as you would any other copyrighted material, such as a book. You may not copy the Font Software, except as expressly provided herein. Any copies that you are expressly permitted to make pursuant to the Agreement must contain the same copyright, trademark, and other proprietary notices that appear on or in the Font Software. You agree not to create Derivative Works from Font Software or any portion thereof. You further agree not to use Font Software in connection with software and/or hardware which create Derivative Works of such Font Software.13. You may not rent, lease, sublicense, give, lend, or further distribute the Font Software, parts of it, or any copy thereof, except as expressly provided herein. You may transfer all your rights to use the Font Software to another person or legal entity provided that (i) the transferee accepts and agrees to be bound by all the terms and conditions of the Agreement, (ii) you destroy all copies of the Font Software, including all copies stored in the memory of a hardware device, and that (iii) you notify TT about the transfer by submitting the online form located at www.type-together.com/notifications/ or by writting to Rpdriguez 1339 Suite 7, 2000 Rosario, Argentina. Without limiting the generality of the foregoing, you agree that you will not distribute or disseminate all or any part of the Font Software through any online service.14. Limited warranty. For a period of ninety (90) days after delivery, TT warrants that the font software will perform in accordance with its documentation. To make a warranty claim, you must return the Font Software to the location from which you obtained it along with a copy of your sales receipt within such ninety (90) day period. The entire, exclusive, and cumulative liability and remedy shall be limited to the refund of the license fee you paid to TT to obtain delivery of the Font Software. Neither the warranty nor technical support do not apply to any font software converted or modified by the user.15. Disclaimer of warranties. TT DOES NOT WARRANT THE PERFORMANCE OR RESULTS YOU MAY OBTAIN BY USING THE FONT SOFTWARE. THE FOREGOING STATES THE SOLE AND EXCLUSIVE REMEDIES FOR TTS BREACH OF WARRANTY. EXCEPT FOR THE FOREGOING LIMITED WARRANTY, TT MAKES NO REPRESENTATIONS OR WARRANTIES, EXPRESS OR IMPLIED, AS TO NON-INFRINGEMENT OF THIRD PARTY RIGHTS, MERCHANTABILITY, OR FITNESS FOR ANY PARTICULAR PURPOSE. IN NO EVENT WILL TT BE LIABLE TO YOU OR ANYONE ELSE (I) FOR ANY CONSEQUENTIAL, INCIDENTAL OR SPECIAL DAMAGES, INCLUDING WITHOUT LIMITATION ANY LOST PROFITS, LOST DATA, LOST BUSINESS OPPORTUNITIES, OR LOST SAVINGS, EVEN IF TT HAS BEEN ADVISED


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Hi, my name is Blue Steel!
Adult Medium Female Australian Kelpie/ Mixed
All Dallas Pets Alive adoptable pets are spayed or neutered, microchipped, and up to date on vaccines upon adoption. The standard minimum donation for dogs over six months is $200, and puppies under six months is $250, unless specified otherwise. You can view all the adoptable pets and fill out an adoption application online on our website at //dallaspetsalive.org/adopt/adoptable-dogs/. For more information, you can email firstname.lastname@example.com.
Help us care for our adoptable pets by providing funds for their care. Below are suggested donation amounts corresponding to specific needs.
$10 – Microchip
$25 – Heartworm test
$50 – Puppy vaccinations
$75 – Spay/neuter one pet
$100 – One day of parvovirus treatment
$300 – Heartworm treatment
$500 – One month of behavioral training


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BOOBS AND GOOMBAS: A SUPER MARIO BURLESQUE Returns to Gorilla Tango Theatre Tonight
Oh-a-YES! After voyaging far and wide (including an ongoing stint in New Orleans!) Gorilla Tango Theatre has announced that the show that started it all - BOOBS AND GOOMBAS: A SUPER MARIO BURLESQUE - is back at its Bucktown venue! BOOBS AND GOOMBAS: A SUPER MARIO BURLESQUE will perform Saturdays at 11:59pm, beginning tonight, February 2, 2013 at Gorilla Tango Theatre, 1919 N. Milwaukee Ave., Chicago, Ill. Tickets are $35; group rates (8 or more) available - see website for details. To purchase tickets call 773-598-4549 or visit www.gorillatango.com. Ages 18 and over.
Mario and Luigi have become so perpetually frustrated by their endless pursuit of the Princess that everything they see has started to look like a beautiful, sexy woman-- even their most dangerous enemies! This sexy burlesque romp is a send-up of the famous Mario Bros. video games. Join us to discover whether the world's most adventurous plumbers will finally rescue the Princess and consummate years of amorous toil, or be seduced along the way by their alluring enemies. Don't forget to bring a few "coins" (or dollars) for tips... If the cast collects enough coins along the way, the audience will unlock the alternate ending!
Featuring Chicago favorites Paly Flames as Mario and Inara Rose as Luigi, and includes the talents of Bonnie Cupcakes, Zatanna Zor-Elle, Lucita Bonita, Crystal Paradise, Devyn Deviante, and introducing GTB newcomer, Henrietta Heartbreak.
Super Mario Bros. was released in Japan on September 13, 1985 and went onto sell over 40 million copies. The plumber has gone on to star in numerous critically acclaimed platformers and his Super Mario Bros. series is still the most popular of all time with 240 million units sold globally. The Mario character has appeared in more than 200 video games, and now, one burlesque show.
BOOBS AND GOOMBAS: A SUPER MARIO BURLESQUE was originally created and directed by MsPixy. The remount is directed by Jeremy Eden, with choreography by Ruby Bourban, based in part on original choreography by MsPixy. Produced by Gorilla Tango Burlesque.
Gorilla Tango Theatre (GTT) is a year-round theatrical venue where audiences of all ages can consistently go to see a wide variety of talented artists. GTT exists to provide artists with an opportunity to produce their work in professional environment. GTT was created by Second City- and IO-Chicago-trained Dan Abbate and boasts an 80-seat performance space. GTT Chicago is conveniently located at the intersection of Western and Milwaukee in Chicago's Bucktown neighborhood. Easily accessible by public transportation, GTT is steps away from the Western Blue Line stop and the #49 Western, #73 Armitage and #56 Milwaukee buses. Street parking is readily available. With shows for all ages, all GTT performances are on a rating system, similar to the one used in movie theatres. GTT offers a variety of affordable beer and wine for purchase. Consult the website for rating information, tickets, and details.
Photo by K Leo, www.mirthandbeauty.com


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Microsoft Home Use Program available for MSU faculty and staff
As part of the university's subscription to the Microsoft Enrollment for Education Solutions (EES), Mississippi State faculty and staff (excluding intermittent workers) and graduate assistants are eligible to participate in Microsoft's Software Assurance Home Use Program (HUP).
The HUP program enables each eligible person to purchase, for a nominal fee, a single licensed copy of the Microsoft Office desktop suite to install and use on as many as two personally-owned computers. Those eligible under the HUP program will also be able to purchase new versions of Office as they become available in the future.
To obtain your copy of Microsoft Office under the Home Use Program, click here, login with your NetID and NetPassword, and follow the instructions.
If you have questions or need assistance, please contact the ITS Help Desk.


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Paperback novel by Dan Brown.
Price shown included registered post (Pos Daftar) with tracking number.
The book will only be sent by post, no COD.
We accept payment by bank in or transfer into our CIMB or Maybank account.
Serious buyers only please. Please provide us a valid e-mail address for a smooth transaction.
Sorry, we do not use Whatsapp or any mobile apps.
Thank you.


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Fellowships for Face-to-Face Core Diplomatic Training Courses
UNITAR is happy to announce that a limited number of fellowships are available for the following groups of people:
Fellowships for Diplomats from Least Developed and Other Developing Countries:
In order to enable participation of least developed countries and other developing countries in Core Diplomatic Training courses, UNITAR maintains the "UNITAR Fellowship Fund" that offers fellowships to diplomats from countries that the World Bank classifies as "low-income economies", "lower-middle-income economies" and "upper-middle-income economies".
The UNITAR Fellowship Fund is financed with the support of Member States wishing to support multilateralism and efficient multilateral negotiations. A Fellowship Fund Committee oversees the Fund's operations and will endeavour to provide as many fellowships as possible. (The Fellowship Fund does not replace the Institute's General Fund.)
Countries pledging a baseline contribution to the Fellowship Fund by January will be assured free access for all its diplomats to the full range of UNITAR CDT courses taking place in a location of their choice in that year.
Fellowships for Diplomats from the Group of 77
Thanks to the generous support of the People's Democratic Republic of Algeria, UNITAR is able to offer fellowships for diplomats from the Group of 77 to participate in Core Diplomatic Training courses taking place in Geneva and New York. This contribution will allow diplomats from the Group of 77 to strengthen their skills to engage in decision-making at the United Nations and demonstrates the strong commitment of the People's Democratic Republic of Algeria to support the intergovernmental machinery and increase the efficiency of multilateral negotiations.
If you are eligible for one of the two fellowships, please follow this link to find information on how to apply: https://www.unitar.org/mdp/application-and-payment-face-face
Please note that priority is given to diplomats based in the location where the respective Core Diplomatic Training is taking place. The final decision of who will be granted a fellowship is solely the decision of the UNITAR fellowship fund committee and the committee's decition cannot be contested.
|For courses taking place in the United States:
|Email: firstname.lastname@example.com
Telephone: + 1 212 963 9196
For courses taking place in all other locations:
Email: firstname.lastname@example.com
Fellowships for E-Learning courses
Fellowships for nationals from Least Developed Countries (LDCs)
The Multilateral Diplomacy Programme offers a few fellowships for nationals from Least Developed Countries (LDCs) according to the list specified by the United Nations Office of the High Representative for the Least Developed Countries, Landlocked Developing Countries and the Small Island Developing States (UN-OHRLLS). There are few e-Learning fellowships available for each course and they will be awarded according to experience and career relevance in the international diplomacy sector, relevant academic background, and level of personal motivation.
If you are not a national of a LDC, we will unfortunately be unable to consider your application for a fellowship.
Application for staff members from the United Nations and other international organizations
Please note that applications from staff members from the United Nations and other international organizations are usually not considered, it may be possible to take the course through funding by the staff training, but you would have to verify directly with the appropriate department within your organization. Some UN agencies, field operations and programmes cover the participation fees of groups for UNITAR courses.
Please read carefully and follow all instructions! Please also note that incomplete applications will not be considered.
How to apply?
If you are a national of a country listed by the UN-OHRLLS, please register online using the online registration form of the course of your interest at http://www.unitar.org/event/by/mdp. You will automatically receive an invoice, but as a fellowship candidate, you are not required to make the payment. Please save the invoice for your records. In addition to the online registration form, please email the following to firstname.lastname@example.com (please include the name of the course in the subject line):
(1) Curriculum Vitae (or short paragraph explaining work / academic experience)
(2) Letter of motivation
Please note that you will be notified whether you were selected one week before the beginning of the course. If you are selected, you will be asked to provide the following information:
(1) Copy of your passport
(2) Employment documentation


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A look at who's paid what for RTD's FasTracks rail project
Last week I wrote that some residents of Boulder and Broomfield counties — upset by the slow progress of FasTracks as far as reaching points north and northwest of Denver — had called for witholding tax collections.
Curious to see how much has been collected by all of the participants, I turned to the Colorado Department of Revenue, which, it turns out, has calculated estimated sales tax collections by jurisdiction from 2005-2011.
The numbers essentially break out the way you'd expect them to.
Denver, which is the largest county by total population and employment in the metro area, leads the way. Broomfield, which is the smallest from a population standpoint, brings up the rear.
I'm sure there are economists out there who have a more accurate measure to account for the relative strength or weakness of a county as far its population, employment and retail combined — but the best I could come up with was per capita. In that regard, Broomfield, with a strong job and retail base, trails only Denver.
Here's how the numbers break down:
UPDATE: In my initial post, I failed to realize that the figures were for all RTD tax collections. The post has been updated to break down the FasTracks collections, which account for .4 of the 1 percent tax.
Read more…


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The DEN Group
Name: The DEN Group
Date: March 6, 2019
Time: 8:00 AM - 9:00 AM CST
Website: http://www.dpchamber.com
Event Description:
Des Plaines Executive Networking, The DEN Group, is an Industry specific Networking Group that meets every week to trade business referrals and network with other Members of the group. The group provides the opportunity for members to build strong productive, long-term relationships with other business professionals that encourages business opportunities and professional growth.
Only one person per industry is represented in this non-competing environment.


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i haven't done much paper piecing, and while i love the end result, i always feel like i am wasting so much fabric!! does anyone else struggle with that? my precious fabric. not like i don't have any to spare!
anyways, we have 2 of these blocks to make, and i have the 1st pieced and ready to stitch together. they come together fast, really, and the pretty points make it all worth while. but i cringed every time i cut the excess fabric off. so i can't say i thoroughly enjoy making them :) i'm such a miser!!
|hey, it's a start :)
it looks like rain today, so after preschool i should be able to knock the rest of the 2nd block out. wish me luck!


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Announcing Office 365 for Education
Microsoft is transitioning Live@EDU to Office 365 this year. Microsoft Office 365 for education provides your institution with the same great communication and collaboration experiences used in enterprises around the world while saving time and money. Microsoft Office 365 for education delivers all of this and more while training students on familiar software which employers depend upon. As a Microsoft partner and developer of the Swimage infrastructure management product, Intrinsic is uniquely equipped to help your institution evaluate, plan, pilot and deploy hosted solutions that enable increased productivity and empowerment for teachers,


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FAYETTEVILLE � A Superior Court judge says jurors can be told that attorneys for a man who's charged with killing a 5-year-old Fayetteville girl told police where to find to her body.
But Judge Jim Ammons ruled Monday they can't say the information came directly from Mario McNeill. The 32-year-old McNeill is charged with raping and killing 5-year-old Shaniya Davis in November 2009.
Shaniya's body was found in a kudzu patch near the Lee-Harnett county line. She was found six days after her mother, Antoinette Nicole Davis, reported her missing.
Investigators say Davis sold her daughter to McNeill to pay off a drug debt. She'll be tried after McNeill's trial ends.
Last week, Ammons ruled that McNeill is competent to stand trial.