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About Infor CloudSuite Fashion
With Infor CloudSuite Fashion, you can count on our industry-specific software to provide you with the same proven functionality that is already helping hundreds of fashion customers worldwide, both on-premise and in the cloud.
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Focus on your fashion business
Infor CloudSuite Fashion empowers brands to manage every aspect of the fashion enterprise from concept to consumer, in one configurable, integrated solution.
Focusing on your core competencies and strategies requires an industry-specific IT solution with the flexibility to grow with you as you expand into new ventures.
Built for Fashion
Red Wing Shoes replaced its heavily modified software system with a configurable fashion ERP solution that's fit for the fashion industry's specific needs. With the ability to offer a rich variety of styles, sizes, and widths, Infor Software gives Red Wing the flexibility it needs to expand in a rapidly evolving fashion landscape.
years in partnership with Infor
reduced runtime so migration go-live took only 23 hours
Million Red Wing shoes sold annually
Business Process Benefits
With Infor CloudSuite Fashion, you can count on our industry-specific software to provide you with the same proven functionality that is already helping hundreds of fashion customers worldwide, both on premises and in the cloud.
Speed up the development of new products and their introduction to the market with improved partner collaboration.
Greater Visibility
Be more responsive to consumer demands with near real-time information.
Profitability Improvements
When you can generate more sales at the ticket price,
you'll get better cost and margin control, as well as fewer chargebacks.
Higher Revenues
By providing a better customer experience, you'll have better information to upsell.
Easy access to information
from management to the warehouse floor, users will have easier access to information, whether on site or travelling.
Improved inventory management
With lower inventory levels, you'll also enjoy an increased inventory turnover rate.
" Because Infor allows us to be flexible with our unique business processes, we're able to fulfill our customers' needs across a wide range of styles and sizes to deliver a perfect fit."
With CloudSuite Fashion, you will get:
Infor® CloudSuite Fashion provides a functionally rich, comprehensive, cloud-based suite that is made available as an on-demand cloud computing service to give you access anywhere, anytime on your preferred device. TRG IT can enable this powerful solution that helps you manage your key business processes, deal with the specific intricacies of global fashion value chains, and meet consumer demand for new collections and carryover styles.
Implementation Accelerator for Fashion delivers the content, configurations, and tooling you need to get up and running quickly. You'll also shorten time for implementation, ensuring more predictable, lower cost projects that reduce
Infor CloudSuite Fashion comes with country-specific functionality for use across 42 industrialized and sourcing countries.
You get immediate access to your financial results. An accounting
and financial backbone is an integral part of the solution, allowing you to both aggregates up or drill down to the cost details.
—With contextual information, you can make better decisions. The solution gives you tools, industry-specific content, and services to deliver immediate and ongoing business value.
Not sure which services suit your need?
We're ready to help, just drop us a message and we'll come running!


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What an awesome experience this was. I was asked by Craig to film "Live at the Moorish Castle" DVD and even though I was little apprehensive to begin with, seeing as I'd never done this before, it turned out to be an unforgettable experience. Amazing to try something new, meet and work with a great bunch of people, and most importantly, LEARN LEARN LEARN!
DVD is due to be released in late autumn, but here are a few SNEAK PEAK images to give you an idea of how our day went.
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When I recently found out that anyone could register a .tk domain for free, I of course had to go register one.
The internet, being the information black market that it can often be, abuses the daylights out of this. Spammers, hackers, exploiters, and script kiddies the world over set up free, throw-away domains to do their dirty work. This has obviously led to some blanket assumptions about every .tk domain by many online services. Namely, Google. I have a few domains that I point to Google Apps because it's ridiculously convenient to use and it's free. Know what happens when I try to register my new tach.tk domain with Google? It gives me the finger. It gives me a bogus error message, even if it's the one and only domain I've attempted to register with Google in a week's time:
We're sorry... ... but your computer or network may be sending automated queries. To protect our users, we can't process your request right now.
Of course, if I immediately turn around and enter one of my other non-dot.tk domains, Google has no trouble acknowledging that I'm not a bot. So, the Google BeanCounter group has obviously decided that the benefit outweighs the negative and they've banned the entire .tk TLD and I get the 3rd class postage treatment Oh well, Posterous didn't thumb their nose at me, so that's where http://tach.tk ended up.


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© 2019 RSM US LLP. All rights reserved.
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The Issue
The National Guard is a critical partner in developing, planning, and executing the Department of Defense strategy in operating in cyberspace, and needs to be appropriately resourced to support all facets of cyber operations.
Fiscal Year (FY) 2019 Department of Defense (DoD) appropriations legislation provides an additional $1.8 million for Army National Guard Cyber Protection Teams.
The FY19 National Defense Authorization Act (NDAA) requires the Secretary of Defense and Secretary of Homeland Security to study and report on potential establishment of reserve component cyber civil support teams in each state.


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Choreographer ~ Dancer ~ Artistic Director
Adrian del Arroyo is a choreographer and artistic director from Spain who lives and works in London, England. He has produced dance extensively across the UK, Europe and the USA.
His ensemble production, The Hive Minuet, was an official selection of the Mobile Dance Film Festival in New York in 2018.
Typically featuring Spanish baroque and folk influences, his work is often concerned with mental afflictions, social harms and healing.
In the past year he has created pieces for dancers from the Gothenburg Opera Ballet in Sweden, with support from the Swedish government's arts programme, and for performers from Madrid's Teatro Real. His choreographic work, Hostage, was performed at London's Oxo Tower for the opening night of the 2018 London Ultra.
Del Arroyo is currently producing H - a dance film.
Del Arroyo's affinity for film sees his work synthesising screen and stage effects; uniquely merging different forms of art.
His choreography is characterised by its original renderings of partner work, and by use of his signature bandages as a way of exploring and expressing physical and emotional connections. His productions carry the Churrigueresque architectural influences of his native Spain alongside the impactful simplicity inspired by poet and playwright F. Garcia Lorca.
As a former make-up artist and fashion director, Del Arroyo combines original musical scores with costumes, lighting and visual effects - reaching new levels of expression and taking audience members each on a personal journey.
Del Arroyo was classically trained at the Spanish National Conservatoire of Ballet, and has a contemporary dance degree from University of London, in partnership with Matthew Bourne's New Adventures and The Place.


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It seems like it was just yesterday when I had given a bath to my baby for the first time. I was anxious, worried and scared like crazy. I badly wanted someone else to take care of this major responsibility of bathing my child. However, I knew it was inevitable and I had to do it someday. This is how I began my journey of squeals, laughter, giggles, cooing with my baby and a bond that will last forever.
Bathing time is yet another opportunity for a parent to bond with their child. All the cooing, giggling and laughing make us, parents, childlike too. I always considered bath time to be the most intimate moment spent with my child and yes – quality time too. It is one of the perfect times to relax and bond with your bundle of joy. For some, this might sound like a daunting and worrisome task wherein they are scared that the baby might slip from their hands. Well, the answer to all that is to be prepared and ready with all the necessary bathing essentials.
Before you stop reading the article and start turning on that water for your child at home, read on and make sure you have everything you would need for safe and fun-filled splash time with your little one! From cleverly designed bathtubs, soaps, shampoos, bathing robes and diapers to skin care products – we have covered it all to make sure that bath times will always be fun with these top 8 bathing essentials.
Skin Care Products
Skin so soft and supple – it brings a smile on our face when we think of that feather-like skin of our child. In order to protect this satiny soft skin of your baby against harsh chemicals make a skin care kit that is chemical free and doesn't affect the soft skin of your child. You could add organic lotions, oils, powders and other products to the kitty and keep it handy to use immediately after the bath.
Bath Time Essentials
Shampoos and soaps are the two items that are must-haves for the bath time. Ensure that both these products are tear proof and don't hurt the sensitive eyes of your skin. Go for brands that have products with mild fragrance and don't irritate the sensitive nasal passage of your baby.
Immediately after bathing your bundle of joy you would need a perfectly fitted diaper to keep him dry and comfortable. When you use the soft and absorbent diapers, rashes are a rare occurrence. However, it's a good habit to keep a diaper rash cream handy.
Bath Tub
These little munchkins tend to slip during bath time. Buying an anti-skid bathing tub or keeping a thick towel in the sink to avoid baby slipping is recommended. There are many varieties of bathtubs available in the market – buy one that is suitable for baby and is made of non-toxic material.
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PS- This post was originally written for Mamypoko by Rakhi Parsai (www.lifethrumyeyes.com)
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Love Deeply. Give Freely. Laugh Often


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By Karl L. Wildes
Electrical engineering is a protean occupation. at the present time the sector embraces many disciplines that appear a ways faraway from its roots within the telegraph, phone, electrical lamps, cars, and turbines. To a outstanding quantity, this chronicle of swap and progress at a unmarried establishment is a tablet historical past of the self-discipline and career of electric engineering because it constructed around the world. even if MIT was once no longer best the way in which, the dep. used to be often quickly to evolve to altering wishes, pursuits, curricula, and study courses. What has remained consistent all through is the dynamic interplay of educating and learn, flexibility of management, the interconnections with business growth and nationwide priorities.
The book's textual content and plenty of images introduce readers to the popular academics and researchers who're nonetheless popular in engineering circles, between them: Vannevar Bush, Harold Hazen, Edward Bowles, Gordon Brown, Harold Edgerton, Ernst Guillemin, Arthur von Hippel, and Jay Forrester.
The e-book covers the department's significant parts of job -- electricity structures, servomechanisms, circuit thought, communications thought, radar and microwaves (developed first on the famed Radiation Laboratory in the course of international conflict II), insulation and dielectrics, electronics, acoustics, and computation. This wealthy historical past of accomplishments indicates furthermore that years earlier than "Computer technological know-how" used to be additional to the department's identify such pioneering ends up in computation and keep an eye on as Vannevar Bush's Differential Analyzer, early cybernetic units and numerically managed servomechanisms, the Whirlwind computing device, and the evolution of time-sharing computation had already been achieved.
Read or Download A century of electrical engineering and computer science at MIT, 1882-1982 PDF
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Additional info for A century of electrical engineering and computer science at MIT, 1882-1982
Sample text
Havi ng c a rried m aj o r res po n s i b ilities i n t h e setti n g u p o f t h e new d e p a rt m e n t i n 1 90 1 -2, a n d havi n g h e avily contri b uted to its m a n a g e m e n t d u ring the D uncan admin istration , C l ifford w a s a b l e to g ive i m m ed i a te and competent l e a d e rs h i p to d e p a rt m e n t affa i rs . H e looked upon the l ect u re m e thod o f teaching u n d e r gradu ates as infe rior to the u se of good text m ate ri a l with cla s s disc u s s ions o f difficult concepts a nd the worki n g of p ro b l e m s u n d e r the s u p e rvis ion of instruc tors.
Professor Dugald C. Jackson, who was to move to MIT in 1907, believed that the department of electrical engineering that he organized in 1891 at the University of Wisconsin was the nation's first. His cla1m seems not to have been challenged during h1s lifetime. In Europe, also. early courses had been established. Pioneers in electrical science in Germany, France, England, Italy, Austria. and Russia were teaching the practical applications of electricity before 1882. The Germans recognize Professor Erasmus Kittler as founder of the first faculty of electrical engineering in the German-speaking countries, authorized to administer doctoral programs at the Technische Hochschule Darmstadt in November 1882.
M I T m i g h t not h a ve been as pre p a re d for l a t e r c h alle n ges had n ot Compton been brou ght In at this p e riod . In a sense , his a c tivities were a return to the p rese n ce a n d style of Will i a m B a rto n Rogers, exc ept that t h e phYSICS was ra d i c a lly n ew . Com pton's close work with B ush d e scribed l ater, is represe ntative of the m o v e m e n t of eve nts d u ri n g the 1930s and 1940s. , In the arts , d u ring the sa m e p e riod, the world saw C ubism b u rst out of I m p ressio n ism , d a lly with D a d a is m , a n d move into p u re abst raction; i n m usic there were exp e ri m e n ts with ato n a l composition .


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Talk to Your Doctor Before You Decide About Senior Multivitamins
Vitamins and supplements are a massive worldwide industry – so much so, that every year, people spend billions of dollars on vitamins that they may or may not need. There is not a tremendous amount of scientific data to support the need to take a vitamin at any point in life, including the elder years. However, just one look down the supplements aisle in the grocery store will tell you there are tons of multivitamins formulated and marketed to seniors specifically.
With little in the way of scientific proof that taking a multivitamin will do anything to help you beat or avoid contracting disease, have more energy, preserve your short or long term memory, or live any longer, it is somewhat surprising that so many people feel the need to take vitamins. ln fact, taking vitamins may even be detrimental to the health of some seniors.
In this post we look at "senior" vitamins and discuss how to get all the nutrients your senior needs without necessarily resorting to additional pills.
What Exactly Is in "Senior" Vitamins?
A multivitamin is a multivitamin is a multivitamin, right? Well, not exactly. Just like multivitamins formulated and marketed for pregnant women, and vitamins for children are formulated with additions that are specifically intended to appeal to the perceived extras that those groups need, so too senior multivitamins have additional ingredients that are meant to appeal to the needs of seniors.
For example, a senior multivitamin may have an additional quantity of vitamin B12, because older people have a harder time absorbing this vitamin directly from their food. A multivitamin especially formulated for seniors may also contain a higher dose of vitamin D, because seniors statistically spend less time in the sun and get less D from their diet.
The same vitamin may not have iron, because most seniors don't need additional iron. And, it may contain herbs or other supplemental substances thought to help with energy levels and memory – most of which carry disclaimers regarding the lack of scientific data supporting their use as a treatment for low energy or memory loss.
How to Get All the Nutrients Your Senior Needs
If you've ever wondered why many supplements contain claims regarding their ingredients having been sourced from food, or what bioavailability might mean, then you aren't alone. Many people consume supplements or purchase them for their loved ones without truly understanding what they are, or if they will do any good in terms of one's health.
The truth is, if you eat well (and this goes for seniors as well!), then you will most likely get all or more than enough of the vitamins that your body needs directly from the foods you eat. Added to this simple fact, consuming too much of some vitamins and minerals can actually be bad for your health. Perhaps most importantly, the vitamins found in the food we eat generally have the greatest bioavailability.
Talk to Your Doctor Before You Add Supplements and Vitamins Into Your Diet
For those seniors with poor appetite or health issues that preclude them from eating a balanced and well-rounded diet, consulting with a physician is probably best. You can get tests done to see if your senior loved one is vitamin deficient.
Supplement companies are not tremendously well regulated and have a tendency to claim what they can get away with claiming. Because of this, it's always wise to check with your doctor about whether or not your senior needs vitamins or supplements, and if so, what kind and at what dose.


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Our Score
Legend of Grimrock Review
May 7, 2012
The first time I heard about Legend of Grimrock was a news post on a gaming blog featuring a very early trailer showering only three or four enemies and some simple gameplay. I rather quickly forgot about it for a month until it crossed my mind and I conducted a desperate Google search to find it. After stumbling on its site I saw the progress developers Almost Human Games had made and was instantly convinced to pre-order. A few months later Grimrock has firmly hit digital shelves, but have I been justified in my excitement over this old-school dungeon-crawler?
For those unfamiliar with Grimrock, it's a call back to the many dungeon-crawl RPGs of two decades past. Staying faithful to its roots, Grimrock is a grid-based trek through the deep dark heart of Mount Grimrock's feared dungeon. In a world dominated by flashy, explodey RPGs like Mass Effect and Skyrim, the stripping of features and elements of a game may seem like suicide, but honestly I'd champion Grimrock alongside AAA RPGs any day of the week. Where it lacks open, freeform, and emergent (pronounced 'bugs') gameplay, it excels in being tight, well-refined, and well-tuned. The game chose quality over quantity, so all its features feel like they had deep thought put into them and everything is intentional.
Basic gameplay sees the player taking control of a party of four prisoners cast into Mount Grimrock, each represented by their portraits in the bottom of the screen. The game allows players to create their own party to play with, or offers up a default party to jump in with. Players drive their party from a first-person perspective, though the view is locked to their facing unless actively looking around. This is due to the mouse-driven interface. Actions are performed by clicking on the characters or their weapons, and objects in the environment. The interaction with the environment is also one of the most impressive things the game offers. Dragging keys to keyholes, pulling on chains and levers, and carefully placing items to weigh down floor plates, are all nice touches, but it's the small touch of hunting down hidden switches and buttons that's the icing on the cake. There are a few hotkeys, primarily menu items, but most everything except movement is done by the mouse, including all character attacks.
The combat itself is simultaneously one of the most satisfying and frustrating aspects of Grimrock. With the exception of spell casting attacking is a simple matter of right-clicking a party member's weapon. Spells are cast by picking the right combination of runes and hitting a cast button, something easier said than done in the middle of combat. For all the frantic mouse movement, combat is rarely complicated by controls. The only issues I had with controls in combat were the many times I frantically confused the turn and sidestep keys and ended up facing the wrong direction or walking off into something I didn't want to. Other things like trying to access something in your inventory or doing something complex like mixing potions are also difficult in a fight, but that's not the best time to be attempting such feats anyway. Real complications only come when you're faced with an environment favoring the enemy or have to fight multiple enemies. Any time you're faced with two or more enemies a regular fight turns in to a challenge, more so when trying not to back yourself into a corner. The fact that the game plays in real-time makes that even more difficult. However, the fact that the game plays in real-time is also what makes the combat satisfying, and even the most challenging enemies a simple task with proper management. Given four squares minimum you can easily kill almost any monster the game throws at you, taking minimal damage if any. This above all others is a saving grace in a game that can often by maddeningly difficult.
Like the games of old it so well emulates, Grimrock can be like a honey badger and just not [care – Ed.]. Save the first two levels or so where the mechanics are being introduced, the game is often merciless in its attempts to kill you, later levels stacking the odds heavily against you with tricks like filling a maze with respawning monsters or forcing combat in a room or hall the enemy has an advantage in. Ambushes are constant through the game and will always test your party's resolve and abilities. While always having the ability to save anywhere, a post-launch patch added the ability to quicksave, lessening the game's frustration. Sadly even with quicksaving the game has moments so aggravatingly difficult I was forced to quit and restart after a brief break, usually conquering whatever challenged me on the first attempt. Even then the game is jarring and unforgiving upon death, showing you a giant "Game Over" text you cannot skip before booting you to the front menu instead of letting you load. Despite being frustrating in terms of gameplay, it can't be faulted for breaking character when your party of lowly prisoners is running through an infamously dangerous dungeon.
At the heart of Grimrock lies a story that is actually surprisingly deep considering the initial premise of being prisoners dumped into a hole at the top of a mountain. Though most of the storytelling is done through a series of notes found lying around that are easy to miss, the story they tell is a fascinating one that mirrors your very own descent into the mountain. It could be said that the main story is that of your party of prisoners simply exploring their way through the dungeon and stumbling across the mysteries hiding behind its walls. Often the notes I found echoed thoughts that had naturally sprung in to my head while I was playing, mentioning the tremors shaking the mountain I had just found, or the fact that whoever left them was also disappointed when stumbling upon an empty room. The exposition has a very J.J. Abrams feel to the way that barely anything is explained to you, instead asking you to find out what's around the next corner for yourself. The curiosity of finding out about things much bigger than your party keeps pushing the urge to explore deeper into the dungeon and its mystery. In fact, the only detriment to the story would be that the ending and the end boss are both so ridiculous it's akin to ending an epic like The Lord of the Rings with a knock knock joke. I've put in hours of thought and I still can't decide if the ending was tongue-in-cheek or simply a very poorly executed plot.
Barring that one embarrassing exception the game has few faults. It looks fantastic (and why shouldn't it, rendering a grid-based underground dungeon isn't very demanding) and it's a testament that the game doesn't get visually old after crawling over tile after tile after tile of the same area. From beginning to end it was always a treat to look at. The enemies were visually varied and there were a lot more than I initially believed, all interesting to see and fight. Low light and a more available polygon budget kept all the creatures looking fantastic up until their last breaths. The audio was also a high point, delivering a spooky atmosphere that pervaded through every rock in the dungeon and left me wary of taking another step. Overall gloomy sounds and distant noises made it impossible to press on without some air of caution. Whenever the mountain shook it felt and sounded perfect, as if I was trapped underground and everything around me was violently trying to rip itself apart before settling back down to continue its eternity of uneasy unrest.
A mention should probably be thrown towards the obvious intention of mod support. Even on the initial launch version of the game you are asked to select the dungeon you want to play, 'Grimrock' currently being the only playable one. Hopefully soon Almost Human will have mod tools out for aspiring dungeon creators to make new mazes and for players to explore, keeping the game fresh.
Through my 17 hour journey inside Mount Grimrock, I experience elation, dread, and adrenaline rushes that compare to any big open RPG. It proves beyond doubt that a huge world isn't required for an immersive RPG to feel like you are somewhere, and to grant a feeling of exploration. While Skyrim took on a generic overworld at times, Legend of Grimrock's every tile has been thought out and placed perfectly to plan. There were times where I may not have agreed with that plan, but even still I followed it through to the questionable end and enjoyed the entire time I spent in that dark, dank, desolate hole in the ground.


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3600 Hustead Rd, Springfield, OH 45502
Come visit us at our new location at the Hustead School House at Oak Dale Farm in Springfield. We offer a wide variety of wood furniture and crafts, country signs, vintage items, and liquidation...
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518 Palm Dr, Hallandale, FL 33009
$2,250,000 4 beds 5 baths 3,413 sqft
Waterfront luxury masterpiece tucked away in the prestigious Golden Isles community. Fully renovated & turn key this stunning residence features 4 oversized bedrooms and 5 bathrooms, 4,000 Sq Ft of living space. A tranquil entry covered in bougainvillea welcomes you to a sleek modern vibrant place to call home. Open concept floor plan. White 32' porcelain tile throughout, custom doors, closets, LED lighting. Snaidero-Pininfarina Kitchen includes Subzero refrigerator & wine cooler, Quartz countertops, Wolf oven & range. 14' high ceilings, impact windows. Resort style backyard perfect for entertaining, custom designed infinity edge salt water pool w/ built in swim up tiki hut including summer kitchen & bar overlooking 85' of water frontage.Easy access to intracoastal,a plus for avid boaters!
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PUBLIC ENEMY feat. Branford Marsalis / "Powersaxx"
This entry was posted on Sunday, August 14th, 2005 at 12:01 am and is filed under Classic. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
7 Responses to "PUBLIC ENEMY feat. Branford Marsalis / "Powersaxx""
August 14th, 2005 at 1:50 am
Fight the Power was a major statement in 89. Spike Lee had shot the video for this summer sizzler in Bed Stuy (do or die) Brooklyn. A rally ensued and there were some actual discourse about nation building (imagine that). You can hear snippets of the Branford version towards the end of that classic video.
It was ingenious to have Flava Flav (the resident coon/jester) say "muthafuck him (elvis) and john wayne" in reference to our heroes not appearing on stamps, instead of the group leader/activist Chuck D. This showed that every Blackman was on board to fight the system.
I remember how hot it was that summer, and how hype we were in the theatre every time "radio raheem" came on the scene with the boom box blasting Fight The Power.
As a fan of hip hop, I would be remised if I didn't point out this fact:
Fight the Power was the final public enemy song produced by the bomb squad (hank shocklee left the group before "fear of a black planet' was recorded). After his departure, their sound was never the same. No songs, post fight the power, came close to the bar that was set by PE during spike lee's best movie (four little girls was a documentary), or any cut on "It takes a nation on millions to hold us back" (PE's classic 2nd album).
Mtume says:
Gotta disagree with you Nadir. "By The Time I Get To Arizona." "Can't Truss It." "Hazy Shade Of Criminal." "Live & Undrugged" (especially Part 2). All of these cuts were done post-"Fight The Power" and are at least the equal of anything P.E. on their first two albums. IMO, 1990's-era P.E. is vastly underrated.
August 14th, 2005 at 6:14 am
Every time I hear "Fight The Power," I am pulled back to late eighties NYC and my political awakening. Around that time, I remember going to my first rally on the steps of a courthouse in Brooklyn where Joseph Fama was being tried for the murder of Yusef Hawkins. I had read Malcolm's autobiography and the world was looking different to me. "Fight The Power" embodied many things I felt at that time.
Public Enemy is AMAZING because they conjure a mood, they never let you chill with blindfolded eyes. Yes, "By the Time I get To Arizona" and "Can't Truss It" –and the videos–were VERY powerful. Two years ago I saw PE in London and I am telling you, I left that theater with chills, I was not ready to leave or even have drinks, I was ready to get in the trenches. They did this joint called "What Good Is A Bomb"–whew.
A few years ago, a friend and I talked about how the hip-hop in the late eighties and early nineties used to send us to the library; hell, it even made us reconsider our diets (Beef by KRS) . Mtume, I think you wrote about this period in hip hop last week and said it didn't do much for you, but something tells me that you were already very aware; for me that musical period coincided with an awakening . "Fight The Power" is defintely THE rally cry Anyway, I wish hip-hop still moved me like "Fight The Power" does.
Mtume says:
Wow. There aren't too many things I read or hear that cause me to COMPLETELY reevaluate things, but one line Ekere wrote definitely did that.
He She (sorry) said: "You wrote about this period in hip hop last week and said it didn't do much for you, but something tells me that you were already very aware; for me that musical period coincided with an awakening."
There is a lot, a whole lot, of truth in that. I guess so much time has passed since then, that I've forgotten what it meant to people—especially young Black people—to see those images (firehoses, lynchings, bombings) and hear those things (X, King, Davis, Chesimard/Shakur, etc.) for the first time. I grew up seeing and hearing those images. There was a book in our house of first-hand accounts from the days of slavery. By the time we kids (there were five of us) were eight or nine years old, we'd all read it cover to cover. And not because we 'had' to, we read it just because it was on our bookshelf. We had no TV—we actually read for fun. Hell, WE HAD A BOOKSHELF!!! I just realized what I wrote. How many children grow up with a frickin' bookshelf—not a collection of kiddie books, but honest to goodness, politically-charged, factually-accurate books—in their rooms? (Well, not always factually accurate. Remember the comic-book-style histories of the adventures of Mao's army, Baba? All the heroes were women who were big and strong and young and gorgeous and unafraid, striding their fine-ass, fearless selves into the glorious, perfect future-to-be with an automatic rifle in their hands and a baby strapped on their backs. What was that all about? Talk about propaganda. I should sue. )
But on the serious tip, Malcolm X has been a hero figure for me for as long as my memory extends back. (Since at least five, six years old.) I was 21 years old when Spike Lee's X came out and I already knew the story so well (The Autobiograpy of Malcolm X) that I got aggravated every time the movie deviated from the book. (Which was very often—particularly in the first third or so.) On the walls in our family home there were paintings and photographs of the same political figures who would eventually find their way onto the album jackets of my 12" singles. We had a Black Liberation flag (red, black & green for those not in the know) in the house. We had a map of Africa (with countries and capitol cities listed) in the house.
Last night, I saw Four Brothers (it's worth seeing by the way, just keep in mind that it's a movie, not a film; meaning, it wants to entertain you, not teach you/move you/hurt you/help you, etc.), and I couldn't believe the number of children in there. The movie is rated R for all the reasons movies should be rated R and by 'children' I don't mean twelve- and thirteen-year-olds (although the movie is clearly inappropriate for them too), I'm talking about two- and three-year-olds. At first I wrote it off as a generational thing ("Man, these young people today need help") but as the closing credits rolled, my sister Asante ('Thank you, Peace' in Swahili) and my Mama, Tayari ('Always prepared for Peace'—dig the names, y'all), and I, sat there amazed (well, I was amazed—they were like, "You need to get out more") as we watched a pair of sixty-somethings walk out holding the hands of a little girl who couldn't have been more than three years old. About half the audience was white, but all of the kids I saw in there were Black. Which reminds me of a Raphael Saadiq song, "Grown Folks," that I need to post one of these days. The chorus—"Lord, help these grown folks / They need more help than the children do"—is true like a motherfucker. How do you think the children got that way? They're not raising themselves. Well, actually, they are—which is exactly the fucking problem. Those grandparents I saw last night need one of my Baba's classic ass whippings (which entailed severe pain followed by a candle-lit, one-on-one dinner date to discuss why your ass was hurting so much in the first place). In less than two hours, their poor little grand-daughter had seen and heard more sex, violence, profanity and negative images of Black folk than I saw and heard during my entire childhood. (By the way, I'm joking about the whipping thing. There never were any candles.)
Anyway, y'all can tell how hard Ekere's line hit me. (Wait, hold on. "There never were any candles." Oh, that's good. Wait 'til my Baba reads that part. I probably just won't answer the phone. ) When I evaluate an issue, I try to leave my personal opinion out of it (as ridiculous as that sounds—and yes, I'm aware that it's impossible to actually do so) and simply 'go with the facts.' Well, the facts in this case are that the political era in hip-hop was very, very meaningful to a great number of young people. I forget that. It was the first time some of my young people ever heard X or King speak. I forget that. It was the first time they ever saw images of the slave ships or the cotton fields or the fire hoses. I forget that. It was the first time they ever felt strong and beautiful because of, as opposed to 'in spite of' (or as opposed to 'at all') their dark skin, wide features and nappy hair. I grew up singing songs with lyrics like, "Look at [name] she/he's Black and beautiful!" For us, that was a nursery rhyme (and I'm not kidding). So, again, I forget.
I could go on (and on and on and on) but I'm going to stop now. Just know, Ekere, that I respect what you had to say and I'll remember it. For me, the messages of the political hip-hop era might've been a review; for most, it was probably a baptism. Hip-hop music, baby.
August 15th, 2005 at 5:12 pm
You know what's bugged out? I had a set of encyclopedias and a rack of Hardy boys books, but my parents had three, count'em, 3 books in the house NOT related to church- a reader's digest trilogy that included Jaws, Alex Haley's Roots, and the Autobiography of Malcolm X….I had read excerpts of the first two before I was twelve, and then at thirteen, I finally pulled that tattered book with the angry man wearing glasses pointing off of the coffee table. It was 1984 Bruh and LL Cool J was hard as …HELL.
Needless to say, things changed. Couple my reading of the Autobiography with the appearance of one Rakim Allah and next thing you know, it was on. PE's ascension of interesting, because when their first album, 'Yo, Bum Rush The Show' came out, nobody in my area liked it, me included. I thought Chuck's voice was dope, but he was trying to experiment with flows that didn't rhyme, and at that point, that was a no-no in Hip-Hop. But when they dropped 'Rebel Without a Pause' as a b-side to the single 'My Uzi Weighs A Ton'-'Rebel' that was when PE took off.
PE, along with BDP were the groups that jump started 'conscious Rap', and for those of us who weren't initiated into a family where liberation struggle was an everyday function, they are extremely important. For the first generation that was brought up in front of the color TV (with cable), having a group that was part of Pop culture 'in crowd' provided reinforcement that at least led us to investigate…like who is Joanne Chesimard and why is Chuck supporting her? That kind of thing is why PE carries weight even with Flav bugging out….
August 16th, 2005 at 1:42 pm
This is truly a stolen legacy.
It is an extremely interesting phenomenon how rap music is raising itself while simultaneously defending itself from attackers of both native and foreign origin. I know many claim that rappers are not 'real' musicians or how rappers steal others music. Try to avoid this perception. If rap music is a forest then this argument is the thin veneer covering porous walls that small people wish were sound proof. A tree fell and even if you didn't hear it, if you were down with your roots, you felt the vibrations.
Any sensible person should admire one who has the awareness to carve and hollow-out a tree trunk, stretch a goat's hide across the top and make a drum. Or what about a person who takes a wooden box, connects a pole and strings cat guts to make a stringed instrument and then uses this to accompany him/herself while singing. This is the same creativity employed by rap. It is both Black and organic. Rap is the sound of life and if this sound concerns you then you must certainly ask yourself why because it is the sound your children use to reflect the world.
Look at the culture and music of the BaBenzele or the BaMbuti people of the Ituri forest as an example: these people (erroneously referred to as pygmies) see themselves as simply another organism, of no more or less importance than any other organism, in the forest. The BaMbuti derive 100% of their sustenance from the forest. They give thanks to the larger organism of the forest as a whole by mimicking and singing in harmony with the sounds of the forest. It is an ecstatic cacophony of harmony, ensemble performance, soloing, call and response and trading verses. It is the sound of their environment. Hello Bomb Squad.
At its best, rap is an inherently gifted descendant reflecting the resourcefulness of African culture while projecting its own unique I AMness across the diaspora. Rap utilizes whatever means necessary to compel you to hear the world. Perhaps the world is changing and your ears have become complacent.
Taking music out of public schools doesn't necessarily mean you can take away music. It may not sound like what you are used to hearing but most rap is not music in the traditional sense though it is definitely artistic expression. The underlying sound may very well be bombs, gunshots, sirens, shouts, traffic and other 'urban' sounds surgically cut into dense, tightly packed grooves of funky drum beats and booming bass lines. This is the soundtrack to life for the majority of Black youth. But rap music is being forced to grow up too fast because the children are being forced to grow up too fast. Not enough time is being spent nurturing our children. Commerce is not allowing the children their childhood. And even though the music may swing, the sound of dissonance is evidence that there's a lot of shit that ain't been resolved. We have not shown our children how to resolve the seventh chords of life. Who's gonna take 'em to the bridge? Who's going to show today's youth how to navigate the channels connecting streams of awareness to oceans of consciousness? Who's gonna break down the hipness of the 2-5-1 turn around? I'll tell you who. Nobody, that's who, because in the age of computers, software, internet and virtual reality it's not about music in the known sense. (It's becoming less and less about a human teacher or positive human contact.) Whether real or virtual, it's more about sound. They weren't asking Branford to play a D7 or Bbm7. They were asking Branford to play Branford. We've been practicing revolution for over four hundred years; let's get free. Or at least give me the sonic equivalent to how you feel about life, the world. It's an honest request. But in Branford's world there is a universe of discipline that has to be mastered before you can attain that freedom. Sun Ra's Arkestra sounds like the last jazz on earth yet Sun Ra demanded discipline. I imagine one of the reasons Branford thought John Gilmore on Powersax was because Gilmore had spent damn near his whole adult life learning discipline with Sun Ra and the Arkestra and as a result that education delivered freedom to Gilmore and those who heard the urgency of his tenor. For those who don't know just who John Gilmore is find the recording Sun Ra Live at Montreux and listen to Take The A Train.
But in this case there ain't no chart because The Bomb Squad doesn't need their shit to conform to the same old ways. This time the revolution will not be telegraphed by charts. Welcome to the Terrordome; a musical collage of all sounds scored by (orchestrator) turntablist, (accompanist) human beatboxes and (soloist) mc's, So part of rap's legacy is that it broke down beats in ways beats ain't never been broke before. This beat down was a major battle that almost broke the music industry. It just goes to show you that in this power-mad, money-crazed world ain't shit safe or sacred. Anybody can get got and anybody can get free. Everybody get a damn bookshelf! Know Yourself. Do your thing. Fight the power.
August 16th, 2005 at 4:27 pm
Free Professor Griff Now!
April 8th, 2006 at 11:48 pm
Thanks so much for all this information… I am remaking all the samples that PE usedon Nation& Fear (sound-alikes), and then re-mashing them together to recreate Instrumental versions of those CD's. Part of the rights to the sounds will be owned by the Zulu Nation, part owned by me, part Public Enemy, and part a tribe in the Amazon Rain Forest called the Schuar.
My dream is to bring these remixes down to the Amazon in the future and teach my friends down there how to remix these tracks. And teach their neighbor tribes how to do the same … I've talked to Chuck & Hank & the s1w's about this , hopefully they can come down and bring the "Flavof all Flavors".
I really appreciate the scholarship … Powersaxxx is one of my favorite tracks, too!
What's interesting most to me about Brandford's sax is that on the chorus, when the track goes to Bb Major (really Bb Major 7th because the original guitar groove has an "A" in it), Brandford makes it into a BbDominant 7th chord… which means during that part he must have heard the chord change to Bb. Otherwise, if hadn't played the Ab in the Bb7 chord, he could have played the same Dminor (really dorian, I think) mode/scale over the chorus and it would have worked. Obviously I'm speaking from a strictly technical sense, since the Blues notes he puts into the chorus part show that he heard it as a BbDominant (NOT Major) 7th chord. ie it's rare for a musician to play blues notes over a major 7th chord.
Anyway, I have pictures of me with Hank, Chuck, and Rod Hui (inventor of the 808 boom) on my myspace.com/raspberryx page.
I will have info up on http://www.chrisdefendorf.com this year.
Please send me an email if you'd like to hear some dubby versions I made of the "Fight the Power " track. I remade the Funkadelic "You'll like it too" beat , "Hot Pants Road" drums, guitar & bass line, "FunkyDrummer" beat, "Let a Woman Be a Woman and a Man be a aMan" beat, as well as all the other little sounds that make up the basic part of the "Fight the Power" groove. Then I added analog echo effects to the mix and dubbed it out into 2 mixes, each around 10 minutes long…
email me at firstname.lastname@example.com for some sounds!
peace. i haven't read everything that's been written, but I'm psyched that all of you are writing about this one song…
Fight the Power,
Peace, Unity, Love, and Having Fun,
Chris Defendorf
True School
aka DJ Chris Def
aka Raspberry
aka As8auQaa (pronounced Ahh-Sahh-Haaaa)
April 17th, 2006 at 2:04 pm
yo public enemy is sick i wish they were back but there legends now so respect i love the song fight the power respect shout out to public enemy number 1.
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Research Experience
Abilities and Interests
Kevin G. Yager
Millisecond Ordering of Block-Copolymer Films via Photo-Thermal Gradients
Majewski, P.W.; Yager, K.G. "Millisecond Ordering of Block-Copolymer Films via Photo-Thermal Gradients"
ACS Nano
doi: 10.1021/nn5071827
We demonstrate a remarkable new method for ordering self-assembling thin-films of block-copolymers. Using a focused laser-line, we generate an extremely localized thermal zone. The high temperatures and sharp thermal gradients greatly enhance ordering kinetics. Simultaneously, we can align and pattern the block-copolymer morphology.
For the promise of self-assembly to be realized, processing techniques must be developed that simultaneously enable control of the nanoscale morphology, rapid assembly, and, ideally, the ability to pattern the nanostructure. Here, we demonstrate how photo-thermal gradients can be used to control the ordering of block-copolymer thin films. Highly localized laser heating leads to intense thermal gradients, which induce a thermophoretic force on morphological defects. This increases the ordering kinetics by at least 3 orders-of-magnitude, compared to conventional oven annealing. By simultaneously exploiting the thermal gradients to induce shear fields, we demonstrate uniaxial alignment of a block-copolymer film in less than a second. Finally, we provide examples of how control of the incident light-field can be used to generate prescribed configurations of block-copolymer nanoscale patterns.
Primary links
Research Experience
Abilities and Interests


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Plant this Crocosmia 'Lucifer' is a stalwart of a "hot" border, producing generous explosions of scarlet flowers against stiff iris-like foliage in late summer. It makes a wonderful cut flower, too. Grow in full sun or partial shade in any reasonably fertile soil. Height and spread 1m x 1m.
Treat this If something is taking irregular notches out of leaf edges, it's most likely vine weevil. The adults chew on leaves, while the white C-shaped grubs chomp on the roots of everything. Nemasys vine weevil killer (from gardening-naturally.com) is a safe, biological control that's best applied now while soils are warm.
Visit this Borde Hill in West Sussex is celebrating its 125th anniversary, and tomorrow it's hosting more than a dozen specialist growers at the Plant Fairs Roadshow. Fit in the redesigned Round Dell, too, to see some of the rare species for which the garden is famous; go to bordehill.co.uk for details.
This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase. All our journalism is independent and is in no way influenced by any advertiser or commercial initiative. By clicking on an affiliate link, you accept that third-party cookies will be set. More information.


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Smitty's Study Pub at the Fluno Center
- 601 University Ave.
- Madison, WI 53713
- Phone: (608) 441-7117
Madison's best kept secret, serving classic tavern fare and barrel-aged crafted cocktails. Found on the 8th floor of the Fluno Center, enjoy spectacular views of the Madison skyline. Underground parking available.
Meeting Facility
- Reception Capacity: 100


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Great news! Title IV, Part A funds can be used to purchase Readorium
Title IV: How does it Support Students?
The Every Student Succeeds Act (ESSA) includes funding for Title IV, Part A. The priorities are:
"1. Providing students with a well-rounded education including programs such as college and career counseling, STEM, arts, civics and International Baccalaureate/Advanced Placement.
2.Supporting safe and healthy students with comprehensive school mental health, drug and violence prevention, training on trauma-informed practices, and health and physical education.
3. Supporting the effective use of technology that is backed by professional development, blended learning and ed tech devices."
Allocations depend on the formula that determines Title I allocations. The regulations for using the funds depend on the amount that the district receives as follows:
- For school districts that receive more than a $30,000 allocation, the district must conduct a needs assessment and allocate:
- 20% to provide a well-rounded education outlined in #1 above
- 20% on the safe and healthy school activities outlined in #2 above (not appropriate for Readorium purchase)
- 60% can be spent on any of the three priorities, but there is a 15% cap on technology.
- For school districts that receive less than $30,000, the only restriction is the 15% technology cap.
What is the basis for funding these three priorities?
- Research shows that physical and mental health has a strong impact on success in school and ultimately, being a productive adult.
- Students need more than "reading, writing and arithmetic" to be successful. Title IV funds can support "music, art, STEM, computer science, accelerated learning, history and civics courses, as well as expand access to college and career guidance and counseling."
- It goes without saying that to succeed in this world, every student needs access to technology and support to use it most effectively.


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Improving Your Smile With Implants: Preventing A Dry Socket
Posted on: 14 April 2015Share
The underlying health of your mouth, teeth, and gums is important, but the overall look of your smile is essential for your confidence level. Unfortunately, due to decay or infections, you may require an extraction on one or more teeth. While the procedure is necessary to prevent further dental damage, you can correct your smile with dental implants. However, painful dry sockets are common issues that may arise before you receive your implants. To continue on your cosmetic dentistry journey, proper recovery is imperative for preventing dry sockets.
The 101 on Dry Sockets
During a surgical tooth extraction, your dentist will make one or more incisions in the gum tissue surrounding the problematic tooth. After removing the tooth and suturing the incision, a blood clot will naturally form over the tooth socket. This clot protects the nerve endings and any exposed bone from food particles and bacteria. Unfortunately, certain problems may arise that cause the blood clot to come loose or dissolve, resulting in a painful dry socket.
You may experience the initial signs of a dry socket 3 to 4 days after a tooth extraction. Of course, the pain is the most common sign of a dry socket due to the exposed nerve endings. For most people, this pain radiates from the nerves, through the mouth, and across the face.
Recovery Instructions
After your tooth extraction, your dentist will give you detailed recovery instructions based on your specific needs. However, use the following tips to ensure an efficient, healthy recovery:
- Rinse – Use an antibacterial mouthwash after your extraction. Rinsing a few times each day will rid the mouth of leftover food particles and bacteria.
- Pressure – Apply pressure to the incision site with gauze even if there is no more bleeding. The gauze should stay in place a few hours after the extraction to ensure the blood clot forms correctly.
- Rest – While minor, a tooth extraction is a surgical procedure, so ample rest is key for proper recovery. Avoid heavy exercise for a few days after the extraction.
- Quit – Smoking cigarettes and chewing tobacco can damage the blood clot, resulting in a dry socket. Do not use tobacco products after your extraction.
- Eat – Soft foods are best to eat the day of your extraction, but add different foods each day.
- Drink – Stay hydrated with water, but avoid alcohol, coffee, and soda for a day after your extraction.
Treatment and Pain Relief
Developing a dry socket is unavoidable for many people. If you are experiencing pain after your extraction, contact your dentist immediately. Fortunately, there are treatment and pain relief options available.
To treat the actual dry socket, your dentist will first recommend flushing out the socket. This forces an antibacterial solution into the socket of your extracted tooth to remove food particles and bacteria from the incision site.
After a socket flush, you will most likely need prescription antibiotics to treat infections that may have already developed. If there is no presence of an infection, your dentist can help you treat the pain.
For fast relief at home, consider the following natural options:
- Clove Oil – Massing a few drops of clove oil onto the extraction site is a great way to prevent infections and relieve pain. Not only is clove oil antifungal and antimicrobial, its antiseptic properties ease tense nerve endings to reduce dry socket pain.
- Salt Water – A saline solution is an efficient way to rid the mouth of germs and bacteria. Dissolve ½ teaspoon of salt into an 8-ounce glass of warm water and rinse your mouth multiple times a day.
Extracting problematic teeth is necessary for preventing further damage to your smile, but proper recovery is key to avoiding the pain of a dry socket. Once your heal, you can continue on your dental improvements.


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– Count: 10
– Weight: 225g Each
– Type: Chocolate
– Country: Australia
– Made By: Kellys Candy Co
A bulk box of 10 Kellys Dark Chocolate Ginger Bags.
These bags of ginger chunks coated in dark chocolate are perfect for candy buffets, morning or afternoon teas and also parties too.
It is also ver popular at Christmas as well as on Mother's Day and Father's Day too.
Each of the Kellys Dark Chocolate Ginger Bags weighs 225 grams.
This brand of dark chocolate ginger is one of the best selling products from the Kelly's Candy Company.
They have been making a high quality range of traditional favourites for more than 20 years.
The ingredients listing for this product reads as dusted ginger (50%) (ginger, sugar, hydrolised starch), sugar, vegetable oil, cocoa, milk solids, cocoa, emulsifier (soy lecithin, 476, 492), salt, flavours.
This product is made in Australia by Kellys Candy Co. It has soy and also milk in it. It may also have traces of peanuts, tree nuts and wheat in it too.
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At Moo-Lolly-Bar we dispatch all orders via either Australia Express or Registered Post (depending on the size or number of shipping boxes required) or Fastway Couriers, as we believe collectively they are the safest, most reliable and cost effective way of dispatching confectionery items to customers in a warm weather country like Australia. Both methods are also fully trackable.
Of the two, Fastway is our preferred method so if you live in non-remote areas of Queensland, New South Wales, Victoria or Adelaide and Canberra we will more likely than not send your order via this courier as standard.
Similarly if you live in parts of the country that Fastway does not service in a timescale of less than 1-4 working days then your order will be dispatched via Australia Post.
As a general rule any order that can fit into an Australia Express or Registered Parcel Post 3kg or 5kg satchel will be sent via that method. If the products you ordered do not fit into an Australia Express or Registered Parcel Post 3kg or 5kg satchel then they will be sent to you via Australia Registered Post.
Regardless of the courier we use you will receive via email a tracking number that will allow you to track the progress of that order. Either by visiting http://www.auspost.com.au/ or http://www.fastway.com.au/.
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Property Location
A stay at Hotel Elysè places you in the heart of Rome, within a 15-minute walk of Colosseum and Basilica di Santa Maria Maggiore. This hotel is 1.5 mi (2.5 km) from Trevi Fountain and 2.1 mi (3.3 km) from Spanish Steps.
Make yourself at home in one of the 13 air-conditioned rooms featuring refrigerators and flat-screen televisions. Complimentary wireless Internet access keeps you connected, and cable programming is available for your entertainment. Private bathrooms with bathtubs or showers feature complimentary toiletries and hair dryers. Conveniences include safes and desks, and housekeeping is provided daily.
Take in the views from a terrace and make use of amenities such as complimentary wireless Internet access and concierge services.
Satisfy your appetite at the hotel's coffee shop/café, or stay in and take advantage of the 24-hour room service. Continental breakfasts are available daily from 7:30 AM to 9:30 AM for a fee.
Business, Other Amenities
Featured amenities include a 24-hour front desk, multilingual staff, and luggage storage. A shuttle from the hotel to the airport is provided for a surcharge (available 24 hours).


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Advertising is a way of communication which is used to attract the audience towards your company or your specific work that you are offering people to. Advertising is basically used to encourage people or persuade them to continue or take some new action. Most frequently the preferred result is to obtain purchaser's behavior with respect to a commercial contribution. The purpose of advertising can be taken in a sense that it is used to ensure the people that the company people are advertising about is actually successful not some random new company. Advertising can be in the form of many ways like newspapers, mass media, sponsors, television commercials, radio advertisements, outdoor advertising, websites and text messages. But there are loads of free advertising sources over the internet. Text message services are low cost, but internet is the key to free advertising and attracting huge amount of customers.
In the early ages Egyptians used papyrus to makes sales and posters for advertising. Both political and commercial messages were displayed on the walls in this way. Wall or rock painting was another method that was used for advertising purposes. History tells us that outdoor advertising and billboard advertising are the oldest forms of advertising. As the times went by, in 1925 the main advertising sources were newspapers, magazines, signs on streetcars and outdoor posters. In 1998 television and radio had become a large way of communication so people started using these means for advertising purposes.
Advertising is the way you can build up your business and spread it to the world. Text messaging advertising is very common, where as internet is a huge source for advertising. With the development of the society internet is commonly use in every house. Different websites offer you to advertise your business out of cost. Such deals are commonly known as free advertising. One of the most common search engines, Google gives you a free advertising opportunity if your business is small. You can place the advertisements for free on their maps and local searches. You can advertise for free and market your good worldwide via the internet websites. Such as Google gives you free advertising opportunities, another website Hong Kong classifieds gives you the same opportunity to open your business worldwide and make people aware of your work. Both these websites have huge traffic so it won't take long to attract the customers. There are these forums available on different websites through which you can post your business and let people know about you and your company. Similarly blogging websites are available too which give you free advertising opportunities you can blog about your business for free.
Tips and comments
Before getting started with your advertising business you need to look at a few things. First of all you need to have full description about your business, your phone number, address, and any other contact information that you want to place in the advertisement. You will also need an official logo which represents your business and a coupon if you are offering any special offers to the people.


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(02-03-2017, 08:39 PM)Don Wrote: I believe I've pretty much announced to the FB cyber crowd I have completely departed from the Fundy Fold and after the F bomb rant I went on the other day I'm sure most of the ones from the IFB who were friends with me now believe me to be an apostate at best and the anti-Christ at worst.
My Fundy programming shows strongest with my lack of courage regarding my marital situation.
When I feel the strongest that I should gather what dignity I have left and screw up a bit of courage... the guilt steam rolls me.
I know the marriage is dead... but my Fundie and Christian programming still heaps on the guilt about vows, what God hath joined together...
So I surrender to the programming and accept that part of my life is over for now, and given I'm past my best-if-used-by date I doubt I'll ever know ... that again in my life.
Geeze that was an epic downer.
Don, as you may know I am going through related issues. Latent fundy issues stipped me from doing it 10 years ago. I paid a price, and what is worse, my kids did.
A friend of mine, a lawyer who is also a Lutheran and who often deals with family law told me that it is often the case - Christians stay on far too long and when the split finally comes it is messier, more painful and protracted than it need have been.
Just my 5c. You know your own situation best.


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It was a hot day in August but I finally got my wish. Going to Fenway was a strange experience for me, there was both a sense of aww and a sense of weirdness. This place is the home to so much history, which I respect, but at the same time, it's enemy territory.
Fenway is one of the few historical ball parks that is still standing. While someone still comes out of the Green Monster to update the scores between innings, it also has modern screens with graphics that mimic it's historic look. It reminded me of the old Yankee Stadium in some ways, but unlike Yankee Stadium, it was packed! I know Fenway has a historical streak of sell out games, which explains why the seats are so tight in there.
I went in a Yankees shirt, people said we were being brave, but others than some heckling from the vendors on the way in, everyone was quite nice. We had Yankee fans around us too, including one only a few years old, so I'm sure that helped. What surprised me though is that most of the people present were Boston fans. I try to get to at least a half dozen home games in NY and any games against Boston will see at least half the place in red. Any games against teams further away will be 20-30% or higher. In Boston against the Yankees? We were maybe 10-20% of the fans.
The game was good, until it wasn't, but we made a run of it in the 9th. Final Score Boston 5, New York 3. Read a full game recap here.