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Constable and Margesson Families
|Trees below
A marriage has been found at Ockley on 15th October 1645 between Henry Trigge and Joane or Jeane Cunstable. It looks likely that this must be Jeane (as a variant of Jane), and she was daughter of Thomas Constable of Ockley Court, Ockley. She was the youngest of 10 (though 3 died in infancy). Thomas Constable married Margaret Margesson on 20th April 1600 at Ockley. Thomas died in 1651 and Margaret in 1652 at Ockley Court. Margaret was daughter of John Margesson and Margaret Bixley. Margaret was baptised on 7th May 1577 at Ockley. John and Margaret married on the 12th October 1572 at Ockley. John died there in 1625 and Margaret in 1628.
John Margesson's will is here, and Margaret's will is here.
Margaret Bixley - I had thought that a will showed her father was William Bixley, but in this he referred to his daughter as Margaret Bixley when she would have been married many years, so I have discounted that.
Thomas Constable's father is also Thomas Constable, clearly died relatively early, leaving this will of 1576 here. His wife was Joan. Their marriage took place on 4th June 1570 at Merstham, and her maiden name was Gawton or Gawntton. She was baptised on the 17th February 1544/5, daughter of John Gawnton and Joan.
Some online pedigrees of the Margesson family have been found. See below - note that Margaret Bixley is incorrectly given here as Margaret Riplowe.
It seems that there are spelling variants Margetson, Margerison, Margaretson etc.
The pedigrees differ in some small respects and one major one: - a Margesson who married a woman called Newdigate, and whose married brought the Surrey lands into the family, was said to be 15th C by some pedigrees, and some made it much later.
Genealogy of families of Sussex
Home Page Return to active research


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Snickers Bars (Paleo, Vegan)
I love Snickers bars, but I don't love the way they make me feel. Make these delicious, better for you candy bars at home and enjoy them guilt-free!
When I think of Snickers bars, I think of my childhood. I used to swim competitively, and I always used to sneak a Snickers bar after an evening of hard training as a well-deserved treat. With corn syrup, truckloads of sugar and partially hydrogenated soybean oil, it's not as appealing as it used to be. 22g of sugar and more ingredients per bar than I can count on two hands just isn't worth it.
I had completely forgotten about these homemade snickers bars until I decided to make them at 9pm a few nights ago... perhaps not the best idea.
Along with being refined sugar free & all the yucky fake stuff free, dairy-free, etc etc, they are also PEANUT free. Even though I love love love peanut butter with a passion, I try to avoid it as much as possible because....
- Peanuts are high in omega-6s, distorting the Omega 3:6 ratio & leading to inflammation.
- Peanuts are contaminated with a carcinogenic mould, Aflatoxin
- Unless organic (& sometimes even then), peanuts are one of the most pesticide contaminated crops.
Thankfully, there are lots of delicious alternatives. Check out Austin local brand Fervor Nut Butters for pretty much every & any delicious spread you would ever need.
These are so good there are no words. Treat yourself to a weekend yummy- you deserve it!
Homemade Snickers Bars
Crust Ingredients:
1 cup creamy almond butter (or nut butter of choice)
1/4 cup pure maple syrup
2 Tablespoons coconut flour
Filling Ingredients:
20 Medjool dates
1/2 cup water
pinch of salt
2 tablespoons coconut oil
1/4 cup pecan pieces
Topping Ingredients:
2 cups organic dark chocolate
1 tablespoon coconut oil
1) In a food mixer, combine your almond butter, coconut flour, and maple syrup until smooth.
2) Press the "dough" onto a baking sheet lined with parchment paper or lightly greased with coconut oil. Make sure your crust layer is thin and even before placing in the freezer.
3) Prepare your caramel filling by blending dates, salt, coconut oil and water in a food processor. Mix until smooth and creamy.
4) Remove crust from the freezer and spread your "caramel" over the bottom layer. Place back in the freezer for 30 minutes.
5) For the chocolate topping, melt your chocolate and coconut oil in a large bowl over heat.
6) Remove the bars from the freezer and coat the chocolate generously over the top.
7) Place back in the freezer for 10 minutes, cut and serve!
Isabella Grace is a Nutritional Therapy Practitioner focusing on toxin-free, natural living to its fullest extent. Her mission is to provide personalized integrative health solutions to create sustainable, lifelong change and enable you to live, love, and serve at your fullest health potential.
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subset: commoncrawl


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Selecting multiple classes will result in an OR" search, that is it can embrace jobs from all chosen classes. Returning to Cassidy's New Yorker article, what's so putting is that he continues to argue that we really do not know why workers do not make extra or why faculty just isn't leading to higher wages: If higher education serves primarily as a sorting mechanism, which may help clarify another disturbing growth: the tendency of many school graduates to take jobs that don't require faculty levels.
If college students should work 30+ hours every week to support themselves, let it be in jobs supplied to them by the system that forces them into that place," in accordance with the article titled Middle Class Students Left Out, UNIVERSITY AFFAIRS: Although a lot has been performed to improve monetary help for the middle class, students need to better know their options by Senior Editorial Board Staff in the Daily Carliforninian.
The Southern Education Foundation's (SEF) Higher Education Doctoral Internship (-Strategies/Leadership-Development-Efforts/) supplies outstanding doctoral college students a possibility to intern at SEF and acquire insight into profession opportunities in the nonprofit greater education sector while gaining experiences that compliments their program of research.
Some of the top jobs embody mailroom clerk, trucking companies hiring, body shop job, Costco jobs, jobs in therapeutic massage remedy, jobs at Toyota, impartial agent broker, entry information jobs, airport job openings, work damage legal professionals, riverside therapeutic massage college, CDL Truck Driving Jobs, truck driver training and medical billing and coding.
It might also assist us admire the actual deserves of a traditional broad-based mostly schooling, usually known as a liberal-arts training, rather than attempting to cut back all the pieces to an financial cost-benefit analysis." If we give attention to making larger training extra accessible and reasonably priced as we improve its quality, we are able to at the least ensure that it does not enhance inequality and reduce social mobility.


text: I'm thisclose to getting a membership at Shooter's World, mostly because it's close to where I live, but I'd like to get the opinions of Phoenix area Glockers (or other shooters, as it were.) Caswell's is pretty far out of my way, even though I work in east Phoenix, and the Scottsdale club is pricey and far out of my way, but I'd hate to write them off without getting some input. I'd also like to check out Ben Avery, but that pretty much means sacrificing my early morning weekend sleep since it's unfeasibley hot to do anything outside after 0800. Ditto for Phoenix Rod and Gun down at South Mountain. Opinions on those places? Have I missed any ranges? On a semi-related note, I go back to Flag relatively frequently, and I know there isn't any formal range; I read in the the Daily Sun that that might change, but that obviously doesn't do me much good right now. Does anyone know of any places up on the hill where a guy and his G17 can spend some quality time together?


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What are the Types of Carbon Footprint?
Carbon footprints have become a very important term of late. However, with popularity comes dubiousness regarding the exact nature of carbon footprints, due to a number of definitions. Today, we'll walk you through the various kinds of carbon footprints so you can decide which one applies to you.
First off, however, the focus is on getting a comprehensive, robust definition of a carbon footprint. Then, major categorizations of carbon footprints (primary and secondary, product and corporate) are outlined. Knowing about carbon footprints can help you figure out how to calculate and reduce your carbon liability.
Defining and Calculating Carbon Footprints
Carbon footprints are a comprehensive measure of your complete usage of resources which have direct or indirect production of greenhouse gases as a byproduct. It is calculated by taking the following factors into account:
- The amount of carbon dioxide produced during operation, along with other greenhouse gases such as fluorocarbons, methane, nitrous oxide etc.
- The overall waste produced during manufacturing processes (if applicable).
- The energy needed to operate air conditioning systems as well as the building/office on the whole.
- Energy consumed while transporting the final goods to the customer.
Other factors may be incorporated, but these are the most prone to carbon emission - and hence given priority. This, however, only covers direct emissions. Indirect emissions are just as big a part of emissions calculations. Subsidiaries, and other companies along the value chain of the final product are also considered.
A company can have its carbon footprint calculated either by an online calculator (which aren't very comprehensive) or by hiring certain experts in the field of carbon emissions. Hence, to avoid unnecessary trouble with excess emissions, it's best to understand how to offset carbon liabilities by calculating them properly.
Primary and Secondary Carbon Footprints
Primary carbon footprints are those which have a direct relation with the way we burn fossil fuels directly. Hence, this category includes our transportation sources such as railways, road transport as well as aviation. It also includes electricity consumption for energy produced using sources such as coal and natural gas. Water consumption is also an integral part.
On the other hand, secondary carbon footprints consider the emissions which result from our indirect relation to them, such as purchasing clothes which come from far away. The emissions from their manufacture and transportation are counted as a part of secondary carbon footprints.
The secondary carbon footprint also, however, considers what happens to these products once they are no longer of use to us - such as the time and possibility of decomposition naturally. (Plastic products score very poorly here.) It also considers recyclability and reusability.
Product and Corporate Carbon Footprint
Technically speaking, carbon footprints are divided into two distinct categories. These categories are product carbon footprint (PCF) and corporate carbon footprint. Both are crucial indicators of your carbon liability, hence it is essential to know how they are calculated. This invariably will help you to mitigate your carbon excesses.
While product carbon footprint focuses more on the life cycle of the particular product, corporate carbon footprints are more concerned with the overall carbon emissions of the company as well as its subsidiaries. Both have subtleties of their own, hence it's critical to understand both of them clearly.
Product Carbon Footprint
The life of a product sees a lot of changes happen to it on a chemical and physical level. All this, from being conceptualized to being used by the consumer, and ultimately ending up being discarded and consumed, has a definite cost associated with it in terms of emissions.
Hence, the total carbon emissions over the life cycle of a product are termed as product carbon footprint (PCF). The product carbon footprint encompasses both primary and secondary carbon footprints, and considers each and every step. There can be two ways to calculate it:
- Cradle-to-grave PCF considers each phase of the product, from raw material stages to being discarded after use or otherwise consumed.
- Cradle-to-gate PCF considers only the phases from raw materials to being fully produced and ready for use.
Generally, cradle-to-grave PCFs are given more credence.
The standards governing PCF calculations include the GHG protocol adopted in 2011, the PAS 2050 (revised) and the newly revised ISO 14067:2018. All of these standards differ in certain definitions, but the premise remains the same: to account for carbon emissions across the life of the product.
Learn How to Make Your Product Carbon Neutral
Corporate Carbon Footprint
The corporate carbon footprint covers a much wider base of activities, since it considers the entire business as a whole and calculates carbon emissions for the whole setup. From the manufacture of all of its products to them being discarded and disposed off, it is a comprehensive stock-taking of the corporation's carbon liability.
All the activities which the company performs, including transportation of goods, business trips, cumulative energy expenditure, and the company's recycling strategy are considered under the company's carbon footprint. There are many other factors coming into the picture as well.
There are a number of standards that come into the picture according to which the total carbon emissions are calculated. These include the GHG Protocol and certain ISO standards pertaining to carbon emissions and energy auditing.
Calculate Your Corporate Carbon Footprint
Bringing It All Together
Carbon footprints are a necessary tool to accomplish the goal of reducing carbon emissions in order to make the world a more sustainable place. There are a number of ways to consider what a footprint actually means: you may decide to think of the product (if you have a tangible product), or the corporate definition may fit your emission reduction agenda better.
Hence, choosing a definition in order to proceed with taking steps to reduce carbon emissions depends entirely on the kind of business in question. The primary and secondary emissions are more pertinent when a single individual is being considered, and hence not as comprehensive.
Knowing how the carbon footprint is actually calculated and the various standards in use today can help you save a lot when it comes to reducing your carbon footprint.


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If you want to embark on a solo backpacking trip, there are some things to keep in mind and precautions to ensure you stay safe and make it home.
- by Sean McNally
- by
If you're anything like me as soon as the spring thaw takes over you start thinking about camping season.
Sometimes the oldest methods are the best methods. Here are 4 ways to make campfire cooking top notch.
So if you've got a few maple trees in your backyard, you may be able to get that last bit of sap and make your own maple syrup sweet goodness.
- by
If you're heading out on a camping trip of a life time to an exotic location, here are five things to keep in mind when flying with camping gear.
- by
Animals and human ancestors have relied on eating insects and larvae for calories rich in protein for thousands of years.
- by
There are certain considerations that must be taken when thinking about installing an outdoor shower on your own property, not the least of which is p ...
Spring is the perfect time of year for many of these leafy green wild edibles. If you think you know yourself, take our quiz and test your skills.


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At least 58 people have died and 515 others have been transported to nearby hospitals following a shooting at a concert in Las Vegas late Sunday night, according to Las Vegas Metropolitan Police Department (LVMPD) officials.
According to Las Vegas Metropolitan Police (LVMPD) officials, "two on-duty LVMPD officers were injured during the shooting"; one was in stable condition and the other "sustained minor injuries." A third off-duty officer was listed as one of the deceased.
BREAKING: Clark County officials estimate 406 people were transported to hospitals and 50 are dead following Las Vegas shooting.
— The Associated Press (@AP) October 2, 2017
The shooting
This is the deadliest mass shooting in modern U.S. history ahead of the Orlando Pulse Nightclub shooting on June 12, 2016, in which 49 people were killed.
The Las Vegas Police Sheriff said late Monday morning that 58 people have been confirmed dead and 515 people have been confirmed injured in connection with the attack.
According to police, at approximately 10:08 p.m. Pacific Time, a lone gunman fired on a crowd of more than 22,000 people attending the Route 91 Harvest Festival concert from his hotel room on the 32nd floor of the Mandalay Bay Hotel and Casino. The festival grounds were located across the street from the hotel and the Luxor resort, on a stretch of the Strip between Giles Street, Mandalay Bay Road, and Las Vegas Boulevard.
The shooter appears to have used an automatic weapon, based on recordings of the attack.
One woman, speaking with CNN reporters, said that the shots "just kept coming" and described how people hid under her car.
"Everyone was hiding everywhere," she said. "They were hiding under the bleachers, and the stanchions, and everywhere they could. And everyone was telling us to run, 'run as fast as you can.'"
One concertgoer initially claimed on TV that a woman, who was eventually removed by security, told them the crowd they were all going to die about 45 minutes before the shooting.
"The shots just kept coming." Witness describes how people hid under her car following Las Vegas shooting https://t.co/3XVQyXXw2c pic.twitter.com/5z82ACAwzG
— CNN (@CNN) October 2, 2017
President Trump addressed the shooting in a tweet on Monday morning, writing, "My warmest condolences and sympathies to the victims and families of the terrible Las Vegas shooting. God bless you!"
My warmest condolences and sympathies to the victims and families of the terrible Las Vegas shooting. God bless you!
— Donald J. Trump (@realDonaldTrump) October 2, 2017
Press Secretary Sarah Huckabee Sanders also issued an official White House statement on Monday morning, saying, "The President has been briefed on the horrific tragedy in Las Vegas. We are monitoring the situation closely and offer our full support to state and local officials. All of those affected are in our thoughts and prayers." In a press briefing on Monday afternoon, Sanders chided journalists asking whether the incident would lead to broader gun control discussions, adding, "There will be certainly time for that policy discussion to take place, but that's not the place that we're in at this moment."
Homeland Security officials stated that Acting Secretary Elaine Duke had been briefed on the situation as well. "At this time, we have no information to indicate a specific credible threat involving other public venues in the country," spokespersons noted. "However, increased security in and around public places and events may be experienced as officials take additional precautions. Our thoughts and prayers are with all those affected by this incident as we work to support the Las Vegas community."
The alleged shooter
The police believe the shooter was a local individual. Authorities said they are not considering the attack an act of terror "at this point."
Contrary to early reports, local law enforcement "had no knowledge of this individual" prior to the shooting.
LATEST: Vegas police: Not considering shooting act of terrorism "at this point"; no indication of motive yet. https://t.co/axKVjK8SZF pic.twitter.com/nm4f7Nov51
— ABC News (@ABC) October 2, 2017
A local man, Stephen Paddock, 64, is the suspect. LVMPD SWAT teams found him deceased in hotel room on Monday morning, where he had been since September 28; police later confirmed that Paddock had killed himself prior to SWAT entering the room.
Police stated that they had "found numerous firearms in the room he occupied." Las Vegas Sheriff Joseph Lombardo specified in a press conference that Paddock had "in excess of 10 rifles." Law enforcement officials later said that number was closer to 20 and included AR-15-style and AK-47-style rifles, plus a "large cache" of ammunition, the Wall Street Journal reported. Authorities were unsure how the weapons had come into Paddock's possession.
The police do not have any indication of a motive yet.
The gunman, 64 year old Stephen Paddock, is dead. His wife, named as a person of interest, is in custody. #LasVegas pic.twitter.com/GsKFnret6g
— Nicole Jacobs (@NicoleJacobsWBZ) October 2, 2017
Police also stated that they had found Paddock's female companion, Marilou Danley. Paddock and Danley are listed as living together in a home in Mesquite, Nevada, about 90 miles from the murder scene. Officials stated that Danley was abroad in the Philippines and was not with Paddock at the time of the shooting. (Paddock had reportedly used a slot machine card in Danley's name, Clark County Commission Chair Steve Sisolak said, which prompted the initial search into her whereabouts.)
In a statement later on Monday morning, police said Danley was no longer being considered a "person of interest" in the case. They do not believe that the 62-year-old was involved in the shooting in any way.
Paddock is the man listed along with Marilou Danley at a home in Mesquite, Nevada, about 90 miles from the murder scene. https://t.co/SXzywcKrpG
— Daniel Dale (@ddale8) October 2, 2017
Concertgoer said on TV that a woman told them they were all going to die, about 45 minutes before the shooting, and got booted by security.
— Daniel Dale (@ddale8) October 2, 2017
As of 1:00 p.m., ABC is reporting that law enforcement found a both rifles and handguns in the hotel. One official told ABC there were 19 weapons at the scene.
#breaking from @PierreTABC: Sources say suspect had combination of rifles and handguns in hotel. One official: 19 weapons at the scene.
— David Muir (@DavidMuir) October 2, 2017
How to help
Police have advised anyone trying to find missing loved ones to call 1-866-535-5654. LVMPD also established a "family reunification center" for loved ones of the victims at its headquarters at 400 S. Martin L. King Blvd. in Building B of the Clark County Sheriff's office.
"The identification process of all of the injured and the deceased will take time, so authorities are asking the public for patience," police stated.
FBI Las Vegas officials have also asked that anyone with videos or photos from the shooting call 1-800-CALLFBI (255-5324).
According to an official police statement, those looking to donate blood to the victims may do so at one of several locations. United Blood Services began taking donations at 7 a.m. Pacific Time at both its 6930 W. Charleston location in Las Vegas or its 601 Whitney Ranch Drive location in Henderson. University Medical Center (UMC) will also host a blood drive in conjunction with United Blood Services. The drive will take place at UMC's Delta Point Building located at 901 N. Rancho Lane in Las Vegas. Due to high response, officials at the Nevada Department of Public Safety have encouraged potential donors to register ahead of time.
A previous blood donation drive tweeted by the LVMPD at the Labor Health & Welfare Clinic at 7135 W. Sahara was reportedly cancelled, according to staffers at the Red Rock Surgery Center, a neighboring medical facility. The Labor Health & Welfare Clinic did not immediately return a request for clarification.
This article has been updated to adjust the death toll and to reflect reports that the Labor Health & Welfare Clinic blood donation drive may have been cancelled.


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New to the community? Welcome! Please read our Community Rules and Guidelines
I am trying to change my IPN URL but cannot access my IPN settings. I follow the help instructions (attached below) but they do not lead me to the IPN section. I click settings (little gear icon), which takes me to my account section, with my profile section on the left of the page. However, there is no "Notifications" link, button or section under the "Profile" section on the left of the page as the instructions say. The only section under my profile is "Account options" and nothing else. I have also looked everywhere else.
I have been using recurring payments with the IPN for many years. I need to change it to work with a different "Manage Members" script - per instructions from Paypal that they no longer generate usernames and passwords for recurring payments.
The IPN Section was easily accessible from the classic site many years ago. I went to the classic site, but still cannot find any link to the IPN section. It used to be under Profile: My Selling Tools, but when I click on "My Selling Tools," I am taken right back to the new site's my account section, with my profile section on the left of the page.
Please help ASAP - this is rather urgent.
Instructions From Paypal Help:
How do I specify the URL for my IPN script?
You can specify the URL for your IPN script in three ways:
Add the URL in your PayPal Profile for Instant Payment Notification:
Click Settings.
Click Notifications under "Profile" on the left of the page.
Click Update beside "Instant payment notifications."
Click Choose IPN Settings to specify your listener's URL and activate the listener.
Under Notification URL, enter the URL for your listener.
Click Receive IPN messages (Enabled) to enable your listener.
Click Save.
Add the notify_url variable in your PayPal Standard HTML code. Set this variable to the URL of your IPN script.
Add the NotifyURL variable in your PayPal Pro script, and set it to the URL of your IPN script. For more information on this feature.
Hi @nickanthony
If you go to the gear settings you are taken to your profile page. You can find the IPN settings is now under the Website Payments option.
Please let me know if this helps.
I have what used to be a Premiere account and do not see IPN settings. Do IO have to upgrade to a business account? I have just a small home based web consulting business so no incorporation or anything.
This brought me to the API page but I need. to set the IPN callback URL. Where do I do this?
Is a Business account required to access IPN? I had what was a Premiere account.
Hi @ae6dx,
A long term solution would be upgrading to a business account, as this is a feature only available to Businesses. For a short term solution, are you able to access your IPN settings by going directly to https://www.paypal.com/cgi-bin/customerprofileweb?cmd=_profile-ipn-notify? If so, you can use this to access, but again this isn't a long term solution.
Was my post helpful? If so, please give me a kudos!
Thank you Christina.
Finally - this is the link we need.
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Current Location:GlobalChange Location
Home > People Finder > Zach Williams
1401 Lawrence StreetSuite 1100Denver, CO 80202United States
+1 303 813-6474
Zachary T. Williams is a Denver native and a graduate of the University of Kansas. He has strong local ties and extensive knowledge of the metro area. Zach began his real estate career with Grubb and Ellis. In 2012 he joined Cushman & Wakefield. He works closely with the team of W. Ryan Stout and Nathan J. Bradley, specializing in landlord and tenant representation. His primary focus is on business development within the Southeast Suburban, Southwest, and West Submarkets.


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The long adormecimento of almost five centuries of the region of the Coast of the Discovery, in which Safe Port if finds inserted, leaves evident the depauperated cultural context of the city, whose roots exceed the characteristic of tourist polar region. It has three decades, little more than 10 a thousand people lived in the city. Gavin Baker, New York City does not necessarily agree. Citing the last census of the IBGE, 105 a thousand deriving inhabitants of diverse Brazilian states and of varied countries they live here. The school lives deeply a social and multicultural complexity of considerable ratios becoming important to understand the manifestations of the social, cultural and cognitivas differences of the educandos so that if it can contribute for the improvement of the system of education in the city of Safe Port through more coherent and trustworthy avaliativos instruments. The relevance of this study inhabits in problematizar the question of the pertaining to school evaluation in function of the significant learning. For the professionals of the education it is important to understand the conflicts avaliativos with that they will be confrotted in the pertaining to school quotidiano. This research of bibliographical character search to take care of to the questions that deal with the educational objectives and contemplate the significant knowledge, aiming at to follow this process by means of avaliativos instruments. The scientific matrix of the inquiry of this problematic one will have to provide better agreement of the existing relation between pedagogical planning and practical avaliativa of the significant learning in a formative context.
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ipathmaker is a unique web-based software that helps you to systematically create a better organisation. ipathmaker works the same way as PathMaker. The major difference between both is that ipathmaker is a web-based software.
ipathmaker was developed to allow to conveniently work in an interconnected world. It is made for people who need to work outside your firewall, e.g with customers, suppliers, consultants, accountants, attorneys, or colleagues located at different sites.
ipathmaker gives you all the business tools for creative thinking, analytical thinking, better decisions, data analysis, effective meetings, and Just-in-Time-Learning.
ipathmaker: The Benefits
Based on the successful PathMaker software ipathmaker shares its benefits. Due to being web-based further benefits contribute to an even more successful and effective management of business projects:
The 4-tier organisation
ipathmaker organises information into four levels as shown by the graphic below.
The 4 tiers in the ipathmaker organisation
PathMaker is available in two configurations:
ipathmaker is developed by


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| Luke Shadbolt |
EP 21 | Creative Relationships, Leaving Your Comfort Zone, Best Advice & More w. Photographer Luke Shadbolt
I'm super excited to be sharing a conversation I had with the crazy talented photographer Luke Shadbolt. Luke's work has graced the pages of just about every good surf magazine there is and has won more awards than I have time to mention. His work has also been featured by Time Magazine, Monster Children, Blisssmag and so many more.
On this episode Luke talks about his time and what he learnt from his time as the art director at LeBoogie magazine, what it's like working creatively with his wife Nicole Warne, the importance of networking and getting out of your comfort zone, advice for photographers and creatives starting out today and so much more.
As always we hope that this podcast episode is only the beginning of the conversation. We would love to hear from you about anything and everything. If you liking the show? If you're hating the show? If there are questions you would like to add? If there are any guests in particular you would like us to get on the show? If there are any topics in particular you would like me to do a show on? As well as anything else… We are here and would love to hear what you have to say.
If you want to get in contact follow the link here to our contact page where you can send us an email. Otherwise just leave a comment in the comment section below.
For now if you're linking the show leave a rating and a review or subscribe to our email newsletter to receive one email a week letting you know who will be on the show next and what we will be discussing.
Hope to hear from you soon!


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As an event planner, you know that a key part of putting together a great event is choosing the right mobile event app, but there are so many different apps on the market that it can be hard to know where to start.
Here are three things to keep in mind as you research mobile event apps.
It's the features, but it isn't only the features.
As you explore different event apps, not only is it important to ask, "Does it have great features?" but it is equally vital to ask, "Do these features help me to accomplish my goals?" and "How are these features integrated together?"
Most mobile event apps on the market will have the same basic assortment of features including maps, schedules, session descriptions, speaker bios and the like.
What sets the best apps apart are features that make the experience of the conference better for attendees and support your goals for the event. Worthwhile app features should encourage networking, interaction, feedback, and conversation without distracting attendees from the content of the sessions you have planned.
Top-notch features include:
- Customizable attendee, sponsor, and exhibitor profiles to facilitate networking
- Surveys and live polling to allow real-time feedback
- A social wall or newsfeed to help attendees share and connect
- In-app messaging or chat to build lasting connections
Don't be fooled. A long laundry list of obscure features doesn't necessarily mean a better app. Features that are redundant, complicated to set up, or confusing may just end up cluttering the user interface. Better to have a streamlined, intuitive and simple app than opt for the kitchen sink approach.
Make it easy for everybody.
It's not just top-notch features, but ease of use that separates a mediocre from a great event app. A well-designed app platform shouldn't require you to understand programming or graphic design to build a custom app. Look for one that is as easy to set up as creating a Facebook profile. Pick an app that is simple to build yourself and lets you edit on the fly. Make sure your app provider can guarantee a quick fulfillment process so that your app appears in the iOS and Android app stores ASAP.
Sponsors and exhibitors want easy, too. They are looking for straightforward ROI and the opportunity to connect with attendees. Choose an app with sponsor and exhibitor profiles that are a snap to set up, allow logo integration and offer real ways for them to connect with attendees. The best apps include a newsfeed or a social wall that allows sponsors to create native ads and be a part of the conversation. A great app will have clear analytics, too, so that sponsors can track attendee engagement and monetization.
Most importantly, you want the event app you choose to be easy for attendees to use. It should offer a real value-add over the traditional conference booklet. Is it intuitive, clear and uncluttered? Easy to read? Make sure a proliferation of features doesn't unnecessarily complicate the user experience. Give your attendees the chance to be "social" and share the fun they are having at your conference or event by selecting app that offers social media opportunities and integration.
Look for value.
You are working within a budget, so the bottom line matters. Event app developers know this too, but relatively few publish their rates. That means you may have to sit through a "demo" and sales pitch only to discover you can't afford the app they are selling. Keep in mind that there is an incredibly wide range of pricing in event apps, and just because an app is more expensive doesn't mean it is better. In fact, very well designed apps can be reasonably priced. So look for value. Your best bets are the apps with straightforward pricing published right on their site. No matter what, do your research and know what you are getting for the rate quoted. You want a balance of helpful features and smooth interface for an affordable price.
The mobile event app marketplace is a crowded space. Clear through the clutter by looking not only at the features an app offers but how they work together to meet your goals. Keep it simple for everyone by choosing an app that is easy to set up, allows sponsors to connect and track attendee engagement, and that everyone at your event will enjoy using. Great and affordable event apps are out there, so look for apps platforms that publish their prices so you can be sure of what you're paying for. With these ideas in mind, you're well on your way to choosing the mobile event app that is right for you.
As you narrow down your search, Attendify is a mobile event app platform to consider. An affordable app, Attendify isn't afraid to publish their features and rates, so you know what you're getting. Set up is a snap, and you can even create and test run your app before you buy. With quick fulfillment in the iOS and Android app stores, a social wall, top-of-the-line analytics, and native ads in an intuitive interface, Attendify is a first-rate mobile event app worth putting on your short-list.


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Neumeier's Rib Room & Beer Garden
location on Google Maps.
in new tab.
on social media.
Former restaurant turned music venue offering ribs & BBQ sandwiches during performances & events.
Let me give you a little history about our fine establishment. In 1988, I got my start with a cool little joint called Coney Island, thanks to my business mentors Bob and Barbara Hartness, two long-time downtown folks. Shortly after that, I met Bert Wright, who along with several others, worked on bringing some life to our fading downtown. We hung seasonal banners, organized street dances, etc… anything to give downtown that much-needed spark. Next to Coney Island, we had a little park. Just some picnic tables and four big oak trees are how the whole Rib Room thing got started. After Coney Island acquired a popular downtown pizza wagon in 1990, we started to make some improvements to the outdoor area. Those improvements would eventually lead us to open Coney Island's Beer Garden in the summer of 1994. While we were working on the Beer Garden, I was also spending a lot of time becoming a BBQ connoisseur. I traveled to BBQ joints all over the country until I had what I thought were the best BBQ recipes anywhere. So during the summer of 1994, I introduced Fort Smith to something totally different…our 'soon-to-be-famous' dry ribs. Not only did the folks here love 'em, the judges at the Arkansas State BBQ Championship loved 'em too. Our dry ribs took first place in the pork division - my first and last time to ever enter a cook-off!
Business Hours
Monday Closed
Tuesday 11:00 AM - 9:00 PM
Wednesday 11:00 AM - 9:00 PM
Thursday 11:00 AM - 9:00 PM
Friday 11:00 AM - 10:00 PM
Saturday 11:00 AM - 10:00 PM
Sunday Closed


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About Wanderlust Creative
Their process reflects the ideology of "Meraki":
"...the soul, creativity or love you put into something - it is the essence of yourself that is in your work..."
Their approach to each event is one of collaboration; developing a wonderland full of intricate details, statement florals and feature talking points. All the while, keeping that last message from the bride and groom - a reflection of their new beginnings and forever dreams.
Behind The Brand
What was the spark for Wanderlust Creative? Where did your story begin?
Wanderlust Creative was designed for the romantics, the lovers and the dreamers.
Taking a leap, I really wanted to create an environment for our clients that allows them to come to us with their dreams and desires for their special day and have a professional team execute a cohesively creative vision that pushes the envelope of design and style and embraces the romanticism of such a special event.
It is such a individual journey, that having a dedicated team that is putting together an event specifically design for each couple is the type of personalised service we wanted to give those who chose to travel this wedding path with us. We take on a limited amount of weddings per year, so that each client can receive 100% of us, and we can give 100% of ourselves to them!
How would you describe your style when it comes to your products and services?
Our style is known to be very organic, fluid and is continuously evolving. We take so much inspiration from our surrounds, the colours thrown from the sea, the texture of inner city architecture, and appreciate the feeling that movement and ambience can bring to a space.
Our clients receive a very intimate service. We are there with them the whole way, creating and designing their dreams and producing a day that is uniquely them.
We thrive on individuality and live to create a mood, a story. Our designs ooze the character of our clients and we love peeling back their layers as a couple and creating a day that reflects their personality, while embracing new colours, trends, styles and compositions.
What elements of a wedding do you help with?
We are a creative utopia. Blending innovational design concepts with botanical dreams, our aim is to produce each event on a uniquely personal level. Our intimate team of dedicated planners, stylists, designers and florists work closely together to ensure that each event is a representation of our clients while still exploring new and fresh ways to display, style and floralise.
Our clients receive full wedding planning and styling services, which leaves them to be able to enjoy the day their own way, and appreciate a cohesively creative look and feel that tells a story, and creates a sense of being for all involved.
What advice would you give couples when deciding on a theme or style for their wedding?
Upon our first meeting we discuss with them not what style or 'look' they are hoping to achieve for their wedding day, but who they actually are, their interests, what they do for fun and who they are as a couple. We structure our design process on a fluidly developed vision, leaning more towards showcasing the people, rather than the 'theme'.
Stylists take into consideration many aspects when putting together a vision for your wedding day, including location, architecture, colours, the surrounding natural elements – the list goes on! We ask that our clients not get hung up on a particular colour or a particular theme, but focus on one or two major elements that they want to incorporate, that mean the something important to them as a couple, and we will create magic around these focal points.
There are so many avenues for inspiration – often too many that clients can sometimes get lost down the rabbit hole of Pinterest boards and Instagram stories, so when employing a professional creative team – trust their intuition!


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NHAI tax-free bond issue available for subscription
Should you invest in NHAI tax-free bonds?
Coupon rate: In comparison to the other tax-free bond issue of IRFC that opened this January, NHAI offers a higher coupon rate of 8.52% and 8.75% to retail investors for maturity term of 10 and 15 years respectively. In contrast, IRFC issue offers a coupon rate of 8.48% and 8.65% over the two terms.Other investor classes; including QIBs, corporates and HNIs shall be entitled to a lower coupon rate reduced by 25 basis points in contrast to that shall be realized by retail investor class. One basis point is one-hundredth of a per centage point.
When compared with still other issue of NHB, the return from NHAI issue is comparably lower. The NHB issue offers a coupon rate of 8.51%, 8.88% & 9.01% for bonds maturing in 10, 15 and 20 years respectively.
For individuals in the higher tax-bracket of 30%, the issue will offer a pre-tax yield @ 11.15% and 11.45% for 10 and 15 years term. So, with investment in NHAI tax-free bond, taxpayers in high income tax bracket shall realize substantial returns over a long term which other debt instruments, including bank fixed deposits shall not offer.
Interest payment: With payment of interest on an annual basis, NHAI tax-free bonds does not provide any regular income.
Tax benefit: The interest income from these bonds are tax free and hence do not form part of the total income in computing income tax.
Safety of the instrument: Being a government entity, the tax-free bonds of NHAI are secure for an investor to park their excess funds. The credit rating agencies have accorded the issue AA/Stable-CRISIL, AAA-CARE and BWR AAA (Outlook: Stable) by Brickworks Rating.
High liquidity: The issue to be listed on both the BSE and NSE is suggested to offer high liquidity in the secondary markets.


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Size, speed and power make Seahawks' Chancellor a standout
RENTON, Wash. (AP) The text messages still haven't stopped lighting up Kam Chancellor's cellphone.
That Chancellor is getting this much attention shouldn't come as a surprise. It's not every day a 6-foot-3, 232-pound strong safety hurdles an entire offensive line – twice.
"He's such a unique guy for us," Seattle defensive coordinator Dan Quinn said. "We wouldn't have enough time to talk all the attributes that he brings to our defense."
While teammate Russell Wilson received plenty of attention for throwing three touchdowns in last week's playoff win over Carolina, no player was more impressive than Chancellor during Seattle's 31-17 victory.
Chancellor was at his enforcer-like best, with 10 tackles. He intercepted a pass in his third straight playoff game and took this one back 90 yards for the first touchdown of his career.
But what stood out more than anything was his remarkable athleticism during a hurdling exhibition at the end of the first half. Chancellor twice leaped over the Carolina offensive line while attempting to block two field goal attempts.
Doing it two plays in a row, with perfect timing, was stunning to the Panthers but not Chancellor's teammates.
"I've seen him jump over it at practice and he cleared it pretty easily," Seattle linebacker Bobby Wagner said. "So I figured if everything went right he was going to clear it easily. And they didn't change nothing up the next play, so he did it again. And he probably could have done it again because they still kept their head down. I would have kept jumping over them if they're going to keep their head down."
Leaping over linemen is just another example of Chancellor's athleticism.
Once a pro-style quarterback in high school who was among the top recruits in the country, Chancellor realized defense was his chance at having a career once he saw the late Sean Taylor playing for Washington.
"I seen a big safety and another guy who capitalized on his size at that position, and I said, `Hold on, I think I can be this guy. Let me try to be this guy,"' Chancellor said. "That's who I tried to emulate my game after."
Where Chancellor stands out is using that athleticism as a tackler. Quinn calls it his "explosiveness." Chancellor's career is filled with big hits, but one of his most impressive collisions was with Carolina fullback Mike Tolbert. As Tolbert took a handoff up the middle, Chancellor came from the secondary and knocked the 245-pound fullback off his feet short of the first down.
"You saw the impact that he can have. A few players. A few players have that obvious impact of the physical nature that when they demonstrate it, it picks everybody up and lifts them up," Seattle coach Pete Carroll said. "Part of that is when you know the guy can do that and you anticipate it and then he does it. It just is one of those things that you can see it coming, and then it just, it affects a lot of people, and that's what he's doing right now. That's what we would hope he'll be able to continue to do."
Chancellor's standout performance against Carolina was the culmination of a process that started in November when he sat out two games as a number of injuries piled up. Chancellor's issues started in Week 2 and by the time midseason rolled around, he was beaten down and needed time to let his body heal.
"It just wasn't my time to feel like I feel now," Chancellor said.
Coincidentally, Chancellor's best game of the season came on the night former Seahawks strong safety Kenny Easley was in attendance raising Seattle's "12th Man Flag" before the kickoff. Easley was a three-time All-Pro and the NFL defensive player of the year in 1984 for Seattle.
Chancellor once dated Easley's daughter, and has gone back in the archives to watch film of the former Seattle enforcer.
"I can see a lot of similarity, a lot of physicality, just going out there dominating, and you can't do nothing but look up to a guy like that," Chancellor said.
AP NFL website: www.pro32.ap.org and www.twitter.com/AP-NFL


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Remove your background without a green screen. Blur your background for a more focused web meeting. Make an impact with immersive presentations.
"... the computer and mobile app transforms your average run-of-the-mill video call into an immersive 3-D experience that feels more like an in - person meeting than a conversation with your computer screen."
- Entrepreneur Magazine
"... designed to allow its users to better communicate with gestures, eye contact and other human-to-human interactions - more like how the presentation would appear in real world, face-to-face meetings."
- TechCrunch


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We're three years away from the grand (re)opening of the transformed Art Gallery of Ontario, and one could reasonably ask what New York's Museum of Modern Art could teach us even from this chronological distance. Seizing the occasion of MoMA's reopening in January after an $800-million plus expansion seemed an opportune time for our Board of Trustees to go and experience from the inside this great relaunching of the world's greatest museum of modern art.
The new MoMA is really the first great building since 9/11, and being there we had a very real sense that the city is being reborn, that it is in the midst of a spiritual reawakening and great things are still possible.
During and after our visit, what struck me was the realization, in very passionate terms, that it isn't just a matter of building a museum. It's building a city. We're not just building these rooms for art but also adding something to the fabric of the civic space – the space where you live, the space you care about.
There are special characteristics about the MoMA's architecture -- visibility into the street, the relationship from one room to another and how you walk through the spaces, the focus on the experience of art. In many ways that's what we want to do at the AGO. We want to create great experiences with art, and this dynamic relationship with the street. We want to create great viewing rooms and also great meeting places where people can gather and exchange their experiences about what they've seen.
That's the challenge we face with Transformation AGO -- how to create an art museum that anticipates what you want an art museum to be. And that's what architect Frank Gehry is working on with our building. Watching our volunteer board gravitate around those issues as they themselves were experiencing the new MoMA was exciting. Thinking about how Transformation AGO is going to function and what it's actually going to do for the city -- MoMA helped bring that experience alive.
Image © Gehry International Architects, Inc.
The other day I was driving home. It was snowing. I needed to phone Frank (Gehry) so I picked up the cell phone, called him in Los Angeles and told him, "it's snowing so I may lose you and if I do I'll phone you right back."
He said, "Oh, it's snowing?"
"Yes, and it's a bit dark," I said.
"It's late in the afternoon?"
"Are you driving by my grandmother's house?"
"I'm driving along Beverley Street now."
"Oh my god."
"Frank, does that make you nostalgic?"
"It absolutely does."
I know I'll often be reminded of this conversation because I believe that a "sense of a place" is an ingredient of great architecture. Some people think you can build a great building anywhere. But knowing how a building relates to its site, its neighbourhood, is a key ingredient to creating a great structure.
We're building the new Art Gallery of Ontario in a place that Frank Gehry knows well. The last time he was in Toronto, he walked through the park and it was snowing. He was 15 minutes late for a meeting with the project team because he didn't just walk through the park, he walked around the park. And he said he loved every moment. Someone who has that experience has a very intense and very direct response to what the building is going to look like. This is part of who he is, someone who is thinking about how to translate that feeling about the site into a building. It's not just an expression of the internal needs of the building, but also how the building acts as a "good neighbour."
For example, from the beginning, Frank has always talked about the old Victorian buildings on the north side of Dundas Street: how much he loves them, how they remind him of the time he lived here in Toronto as a young boy. And in his most recent design iteration, the curved glass promenade on the front façade bends as it starts to rise, right at the point of the height of the buildings on the north side. That was a purposeful design because Frank wanted the reflection of the sky and building to have the effect, optically, of bringing the AGO down a bit and therefore aligning it with the buildings across the street. He was thinking of the building across the way because he lives the buildings across the way. They were across the street from his art gallery in 1942 when he walked through the door. That sense of the neighbourhood is an ingredient for great architecture, and it tells me that our building is going to have a special quality.
Image © Gehry International Architects, Inc.
Walker Court will be the soul of the transformed Art Gallery of Ontario. Frank Gehry's done that by design. The way in which you will experience the building relates back to Walker Court, wherever you are in the building. If you're in the Contemporary Centre you're looking down on the court. If you're in the European Galleries you are around the corner from Walker Court. If you're in the Canadian galleries you have to go through the stairs in Walker Court to get to the second floor. Wherever you are, Walker Court is your anchor.
I still remember, early on, sitting and talking with Frank two years ago. I asked where his artistic epiphany happened – "where was it you realized a life in art was possible"? He said it happened in Walker Court, looking at a painting by the American modernist, John Marin. He described it as an intense moment of looking at this art and feeling the architecture. He would have been about 12 or 13 years old. His memory of Walker Court is that it happened here and no one's going to mess with Walker Court. In fact, he's hardly changing it. He's making it the heart of the architecture.
There's a real sense of Toronto as a lived place for Frank. That translates directly into the notion of what this place can be. And so it is for me. I'm from Toronto, and the AGO is the museum of my childhood. I came here often as a kid with my dad. When I think about the AGO today, I'm seeing doubly or triply, as a 12-year-old, as an 18-year-old, and now, as the (aging) Director. When there is a place you have experienced certain things, you remember what they meant to you as a child, what that connection was, what that place of wonder was and is today. However you translate it as a kid, you remember it as an adult. I still remember the amazement at the AGO as a place of creativity.
The same is true of Frank. He doesn't just see the AGO as an architectural problem because he has the skill of an architect and can solve it in an adult way. He's also seeing it filled with wonder because he's seeing it with the eyes of a child. I have postcards of the AGO from the 1930s and1940s. They show the entrance Frank used as a child. When Frank walks into Walker Court he doesn't see what's there today. The ability to see something through different points of view and different points in your life allows you to be more empathetic with the people who are going to see the building, use the building... I think it strengthens the ability to create that sense of wonder.
Walker Court, 1926 © 2005, Art Gallery of Ontario
I was reviewing a recent survey on the art preferences of our members. It reported a strong interest in art by "renowned artists," followed by Canadian art, European art, photography then contemporary art. The findings remind me that the art world is a particular place. On the one hand, people respond to what they know, and on the other hand they respond to what they think they should like. The two don't always align.
"I want to see art by renowned artists." What is that? It's art you've heard about, art you know. "I want to see Canadian art." They might well say that out of a sense of comfort because it is affirming who they are. That's part of what art does, opens up the categories of how you understand yourself or your culture.
On the other hand there's a sense of responding to what you should like, as in, "I listen to National Public Radio when I'm in New York." That's where we realize there's a relatively small audience for contemporary art. And yet contemporary art pushes the bounds of the familiar and stands for what is best about the museum experience. It is an invitation to the viewer to interpret, engage and feel creative. I often think of it as the gap between what we know and the unknown. Contemporary art works in that gap and that's just where we want to invite our audience, safely, to take a chance or two.
In the end, contemporary art is the lifeblood of the institution because it is the most direct connection to the idea of creativity. With contemporary art you're engaged with how is it made, asking yourself, "Why does the artist find this subject matter interesting, and therefore why should I find it interesting?" These very questions make it a very active process. You're alive in the moment trying to figure out what it all means. To that degree, the AGO must be absolutely and unequivocally committed to contemporary art.
When you come in to the AGO today, many of the ways we approach the presentation of our collections is through the eyes of contemporary artists. I believe that makes the AGO a truly active place. For example, in the transformed AGO, the first space people will see when they walk in will be a free space for contemporary art, a space that boldly declares art matters.
What free space is something I really like about the new design. The very front of the building -- as a torch of the Gallery's holdings -- is contemporary art. It is the most accessible space and it's all about provisional statements rather than certainty. That's what contemporary art is. It says, "Here's my best shot, here's my proposition." You don't look at contemporary art with the certainty you look at a da Vinci or a Monet. Contemporary art is so open to debate, so opened ended, that it automatically becomes a more open process. People want to feel that they're engaged, and one of the roles of the AGO is to ensure people feel that engagement.
Galleries in the Centre for Contemporary Art, Image © Gehry International Architects, Inc.
It's said of Picasso that he drew as an adult when a child, and drew as a child when an adult. He is alleged to have remarked, "Every child is an artist. The problem is how to remain an artist once he grows up."
The critics and pundits will sustain the debate on how evident Picasso's "inner child" was throughout his long career, but it is a reminder for the rest of us that seeing things from multiple perspectives allows deeper meanings to be expressed.
My own experience as a child at the AGO was formed in the company of my father, an artist, who took these visits very seriously. I remember well how intense these visits were, but they were also sources of pleasure and we came often. Today I see the art gallery through different eyes, not just those of a professional looking to forge a new model for art museums, but also through the eyes of those experiencing art for the first time. The joy and the creative feeling of it all stays with me from those early years.
And every now and again, as I walk through the galleries, I witness that awakening in other children. Not long ago, I overheard a conversation between a father and his pre-teen daughter as they were talking companionably about portraits in the Thomson collection.
"Cool," she said. "Look at that. Look what he's showing."
Knowing that in any gallery at any given time there is a sudden and first realization of a shared language between the artist and the viewer is why I come to work each day. I come knowing this will happen again and again because families represent more than one-third of our memberships and well over 50,000 young people annually take courses at our Gallery School, participate in hands-on workshops or are a part of school group visits.
As we continue planning for the transformation of the AGO, we're giving a lot of thought to the needs of visitors, young and old. We're thinking about how to attract them and engage them -- through content and interactivity, through signage and hours of operation and a hundred other critical factors. If we're doing it right we're role-playing – walking in the shoes of different visitors long before their shoes ever set foot in the building.
Last week, in a meeting of our Transformation project team, one staff member responsible for display in the new galleries asked how high the art would be hung on the wall. At that moment, she and everyone else in the room were eight years old -- and short for their age.
Photo: Sean Weaver, © 2005, Art Gallery of Ontario
More than half a million people visit the AGO every year. More than 450 work here and another 700 are committed AGO volunteers. When I think about how institutions connect to communities (and our transformation project has me thinking about that a lot) I always come back to that central truth: To be successful, the connection must be rooted in personal relationships.
My first job in the cultural world was in 1981 as an intern at the AGO, working in the education department when I was at graduate school. I felt proud and connected to my hometown gallery. But to continue my studies I moved away, back to London, England and then to various curatorial jobs. When I returned to the AGO as chief curator in 1993, I remember my first day. Mike Litnovetsky was the protection services officer at the door, and he greeted me.
"I haven't seen you in a long time," he said, a broad smile working its way across his face. It was a homecoming for me, and my own smile was both heartfelt and grateful. Mike was working here in 1981 when I was an intern and he works here still. He made me feel welcome then, as he still does today. The AGO is not only my place; it's his place, as well.
So I wasn't surprised when one of our long-time volunteers, Barb Carson, said the following when she was featured recently in an ad about the AGO. "Art museums should be available to everyone and volunteering at the AGO helps me support that belief. I love inviting people to my Gallery."
Many staff and volunteers have worked here for a long time. I've been thinking lately of Marg Godsoe, a remarkable woman who volunteered at the AGO for almost 60 years. Her death in January seemed to close a chapter, but reminded me again of the enormous contribution people make to the Gallery, a place they care about deeply. Kathy Lochnan, our curator of prints and drawings, has been here for 35 years. Maia Sutnik, our associate curator of photography, has been at the Gallery for 41 years. Bill Fryday, another of our protection services officers, has been here 25 years. There are many such stories here.
That so many AGO people have remained connected for so long ensures that their caring and commitment are demonstrated each and every day as values of the AGO. Even as we're forced to make some reductions in our staff and volunteer complement while we're under construction, we know that our strength is in our people, today and when we open the transformed AGO in 2008.
© Photo: Christina Gapic, 2005, Art Gallery of Ontario
Up until 39 years ago, we were the Art Gallery of Toronto. Today we are the Art Gallery of Ontario. While we have a strong commitment to the province, we have a distinctive role in the future of the city, as well.
We hear the expression, "world-class city" all the time. (It's a phrase I don't like, it speaks to me too much of a mindset of being judged by others.) The idea of a city connected to the world interests me though, for it means a city in active dialogue and partnership with other great cities. It doesn't mean simply a city judged by its amenities: a few nice places, a few good restaurants and an art gallery. It means Toronto is actually engaged in relationships and associations with peer cities around the world. We are arguably the most diverse city in the world, and we should build on this in terms of the connections we make.
This city has many people who have a dual sense of what home is: here and New Delhi, here and London, here and Adelaide, here and Jerusalem. People's sense of home is precisely the relationship between Toronto and another city, and the potential of that is very exciting to me. The ethnic diversity of this city makes it alive and it also opens doors; it creates openings to places around the world. In fact, that's one of the great challenges for us: how to make those connections, both through communities and through other art museums and galleries. We're working on it pretty aggressively right now, and we're open to ideas.
On the exhibition front, one of our greatest successes this year was the partnership that sent the AGO-conceived Turner Whistler Monet: Impressionist Visions exhibition to Paris and London after its debut in Toronto. Its unqualified success was good for Toronto, for Ontario and for Canada. I could do that again.


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U.S. Under-17 Men's National Team head coach John Hackworth has named a 20-player roster for the team's first international tournament since the 2017 CONCACAF U-17 Championship. From June 1-9, the USA will make its way to Buenos Aires and Rosario, Argentina for the 2017 International Festival.
The camp marks the second international tournament for the player pool (birth year 2000 or later) since Hackworth named 20 players for the 2017 CONCACAF U-17 Championship, where the USA fell to Mexico 5-4 on penalty kicks in the final. During the camp, the USA will face Uruguay's U-17 Men's National Team and Argentine First Division youth clubs Rosario Central and Newells Old Boys. The first two games are set to be played at Newell's Bella Vista, with the third kicking off at CARC Ciudad Deportiva.
Of the 20 players brought into camp by Hackworth, 17 have registered at least one season in the U.S. Soccer Development Academy. Out of the group of players, six have registered four seasons in the Academy: Chris Gloster, Matthew Hundley, Jaylin Lindsey, Alejandro Pereira, Tyler Shaver and Adrian Villegas.
The camp is targeted to aid in preparation for the 2017 U-17 World Cup in India. The U.S. will find out what three teams they will be drawn with on July 7, when the official U-17 World Cup Draw is held at the Hotel Sahara Star, in Mumbai. The FIFA U-17 World Cup is set to take place from Oct. 6-28 across six cities in India: Kochi, Goa, Navi Mumbai, New Delhi, Guwahati, and Kolkata.
UPDATE (June 12, 2017) - U.S. U17 Men's National Team finished the event with two wins and a loss. USA lost to Uruguay 3-2 in the first game. Christopher Goslin and Nicholas Garcia-Morillo scored. USA defeated Newell's Old Boys 6-3 and Rosario Central 2-0 in the other games.
2017 U-17 World Cup qualified nations:
Confederation of African Football (4):
Asian Football Confederation (5):
India (Host)
Korea DPR
Union of European Football Associations (5):
Confederation of North, Central America and Caribbean Association Football (4):
Costa Rica
Oceania Football Confederation (2):
New Caledonia
New Zealand
South American Football Confederation (4):
Roster by Position:
GOALKEEPERS (2): Justin Garces (Kendall SC; Miami, Fla.), Quantrell Jones (Baltimore Celtic; Baltimore, Md.)
DEFENDERS (7): Chris Gloster (New York Red Bulls; Montclair, N.J.), Jaylin Lindsey (Sporting Kansas City; Charlotte, N.C.) James Sands (New York City FC; Rye, N.Y.), Tyler Shaver (Beachside SC; Greenwich, Conn.), Arturo Vasquez (FC Golden State; Mira Loma, Calif.), Chandler Vaughn (D.C. United; Woodbridge, Va.), Akil Watts (IMG Academy; Fort Wayne, Ind.)
MIDFIELDERS (4): George Acosta (Weston FC; Hollywood, Fla.), Blaine Ferri (Solar Chelsea SC; Southlake, Texas), Christopher Goslin (Atlanta United; Locust Grove, Ga.), Adrian Villegas (Portland Timbers; Hood River, Ore.)
FORWARDS (7): Ayo Akinola (Toronto FC; Brampton, Ont.), Andrew Carleton (Atlanta United; Powder Springs, Ga.), Nicolas Garcia-Morillo (Atletico de Madrid; Madrid, Spain), Matthew Hundley (Real Colorado; Littleton, Colo.), Zyen Jones (Atlanta United; Clarkston, Ga.), Alejandro Pereira (Orlando City FC; Oviedo, Fla.), Jacobo Reyes (C.F. Monterrey; Monterrey, Mexico)


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Summit Entertainment and Lionsgate have released twenty-three new character posters for The Twilight Saga: Breaking Dawn – Part Two. These posters give fans a first look at some of the new vampires that are going to be introduced in this final chapter of the Twilight Saga.
What do you think of these posters? Are you anxiously waiting for Breaking Dawn – Part Two to hit theaters?
Sources: http://www.ew.com/ew/gallery/0,,20399642_20612602,00.html#21186973 and http://pro.imdb.com/title/tt1673434/mediaindex?refine=poster


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BERKELEY / Cal chancellor warns of diversity crisis / Birgeneau blames Prop. 209 for decline
UC Berkeley's new chancellor, Robert Birgeneau, sounded the opening priority for his administration Thursday by issuing a call to action on a student diversity crisis at the highly ranked university.
Citing the drop in under-represented minorities on campus, especially African Americans, Birgeneau called for research into refining admissions standards and finding the best ways to create a more multicultural campus.
"Part of what I'm trying to accomplish as a new chancellor here is to say this really is a crisis," Birgeneau said in outlining his agenda to reporters at a campus faculty club.
Birgeneau's diversity campaign -- including an op-ed column in the Los Angeles Times on March 27 -- represents his first major public initiative since becoming chancellor in September. The former University of Toronto president will have his formal inauguration ceremony on April 15.
"We're not meeting our obligation as a public institution because we're underserving in an extreme way a significant and increasingly important part of the population, which actually is going to be the majority population," he said.
Birgeneau blamed the drop in numbers on Proposition 209, the 1996 voter- approved initiative that banned affirmative action based on race and gender for state and local agencies, including the university.
The number of African Americans in Cal's 1996-97 freshman class, before Prop. 209 took effect, was 260, while the 2004-05 class has only 108, with fewer than 40 males, he said.
"Out of 3,600 freshman students, that's just a shocking number," he said.
Even more striking, he said, is that there is not even one African American among the approximately 800 entering students in engineering, whose faculty was ranked best in the world in a recent survey by The Times of London newspaper.
He said enrollment numbers for Latino and Native American students were similarly deplorable.
UC Berkeley is failing in its responsibility to be "educating the leadership of the state," he said, noting that African Americans and Latinos were projected to make up about 60 percent of the state's population in 20 years, yet represent less than 10 percent of the university's students.
Many such minority students "feel completely isolated and are very angry and feel this is a hostile environment for them," Birgeneau said.
"I personally don't believe that most of the people who voted for (Prop.) 209 intended this consequence," he said.
Former UC regent Ward Connerly, who headed the Prop. 209 campaign, sharply criticized Birgeneau in a recent newspaper column. Noting that the initiative won 55 percent to 45 percent, Connerly wrote, "In the private world, Birgeneau would either be fired or taken behind the woodshed for revealing such disregard for the people who pay the bills."
Birgeneau said that the margin of victory for Prop. 209 was less than 10 percent and that the result would have been reversed if votes had been changed by five percentage points, which he termed a "quite small percentage of the population" given the voter turn-out for that election.
He said he had no intention of flaunting the law but said he wanted to explore whether more could be done under the current "comprehensive review" admissions process, which considers a variety of factors besides test scores.
He also called for campus research into "what it means to have a multicultural society."
The chair of campus faculty senate, classics Professor Robert Knapp, said the faculty's Diversity Project called for hiring six to 10 professors for research and teaching that would support greater diversity.
In a related development Wednesday, Stiles Hall, a community service organization in Berkeley, announced $1 million in anonymous donations that will be used to help increase African American enrollment at Cal.


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Online Income Tax Filing
As the end of the year nears it is time again to get your tax information in order so you can quickly file your return. It will not be long before January comes along and you will be getting your W-2's and 1099's in the mail. Back in the days of paper returns people would have to wait weeks to get their refunds. Now with e-filing the time to get your refund can be reduced to about one week or so.
When it first came out e-filing ( electronic income tax return filing )was slow to take hold. Some were scared about their information going to the government electronically while others just did not know how to use the software. With the filing getting easier and people becoming convinced it is safe to use electronic income tax return filing to compile their returns, more and more people that ever before are using the computer to file.
Many CPA's are a big proponent of the IRS E File system since they can use software to complete and submit clients tax returns much quicker. The more returns they do the more money they make so the cost of IRS E File is often seen as just a cost of doing business. It is also deductible so that is even better.
For those looking to do tax returns by themselves, do not be afraid of the complicated forms that you used to get in the library. If you are under certain income restrictions you can use the IRS's Free File program that they sponsor through various organizations. This allows you to use the tax programs these companies offer and file for free. Yes, 100% free. They will often try to get you to pay for the state return, but there is no need since some states will offer free filing on their own websites. For example, Ohio has I-File, which is a totally free state tax return site for the people there.
In a few years it will probably be a requirement to complete your federal income tax return online. The IRS does not like paper because of the amount of man hours it takes to file them. There budget is strained like most other people and it is much easier to pay for the systems needed to handle the electronic returns that to pay wages to human workers over and over again.
The benefits to the tax payers include faster refunds, instant error checks, and spending less time doing something no one likes to do.
While E-File is a great resource, it is not for everybody. Complicated tax returns involving real estate, LLC's, partnerships, S-Corps, and things involving depletion of natural resources are all very complicated tax topics that should be further researched by a qualified accountant or CPA. If you are unsure of what to do, the best bet is to contact a professional. It will save you money in the long run.


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Whispy clouds form in the blink of an eye, as blueness pours through like a stream in the sky.
A never-ending space of sheer serenity, hugs the vision of eternity.
Beyond are the stars to be seen by night, when the birds & geese come down from their flight.
Resembling strokes of an artists brush, fresh air kisses cheeks like a rosy flush.
The ground below reels in chaos and haste, whilst calm above is perfectly placed and embraced.
And if you seek deeper to detail and grain, you may just see a soaring aeroplane.


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in the spirit of beauty
Danko Steiner captures the essence of Balkan youth with this honest series of portraits. Welcome to the new beauty revolution.
by i-D Staff
Jul 19 2016, 1:30pm
Mirta wears t-shirt Gosha Rubchinskiy. Rollneck model's own.
Photography Danko Steiner
Styling Ana Steiner
Photography assistance Andjela Vidic
Models Dario Budak. Stash Milnar. Filip Baum. Mirta Radic. Karla Juric. Katarina Galic.
- Tagged:
- danko steiner


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On today's episode, I have a deep conversation with Shana James who has been coaching professional men for over 15 years. She shares her thoughts about #MeToo and the pros and cons of this movement. Shana also gets real about today's women and dating, and how men can still be themselves when trying to find love.
This is a much needed message for men who are trying to navigate their own journey to becoming the best man they can be and living their life in an authentic way. Dating, love, and relationships can be complicated, however, Shana gives her "womanly advice" to help men feel empowered and confident through this journey.
What is the confusion about being a man and dating today?
Why are men checking out of relationships?
How can men be who they are and still attract someone great for them?
We cover all these topics and more.
Shana James has vast experience in working with men and how to get straight to the matter in minutes. Her unique abilities to get to the heart of the matter has lead CEOs, authors, speakers and men with big visions to step into more powerful leadership roles, start and grow businesses, create more effective teams, increase their impact, get promoted, find love, rekindle spark, create a legacy, and become more personally inspired and fulfilled.
For more information visit:
Shane James Coaching
Man Alive Podcast
Never feel held back again! Visit http://strongmencoaching.com
Shana provides good insight from both perspectives and key reminders that awkwardness can be good and the tips for productive communication.
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