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Monday, January 25, 2010
Ring Around the History Topic: A Method of Review
What you see here is a little booklet a group of students created in my classroom once we completed our study of World War I. It's very simple…just a ring binder and unlined index cards.
The activity begins by asking groups of students to review the notes in their notebook. Working with group members they should create a series of factual statements tracing the events of World War I. Statements should be fairly simple and straightforward.
The number of statements created should correspond to the number of students in the classroom. For this particular activity we needed 18 statements. Class size determines how many statements should be assigned. Now…..before you tell me how lucky I am that in this particular group I only had 18 students let me remind you that the actual class size was larger, but a few of my special needs students had been pulled out for the review and were working with the special needs teacher. Usually this activity would require 24 or 25 statements.
Once students work through their notes and determine which statements best illustrate the event we are studying they use chart paper to write their statements. Sometimes each group uses a different color to write their statements so that they can identify their work once the charts are hanging at various locations around the room.
Once all the charts are hanging up I ask students to grab a clipboard and walk the room. They should look for statements that are similar and statements that different. Do they see any statements that shouldn't belong? Do they see any statements that don't really get to the meat of the topic? I ask students to do this part of the activity on their own….no sharing.
Once students have had an opportunity to visit each chart I ask them to return to their original group. At that point they should share what they have discovered, and even it if means cutting out things from their own chart and adding statements from the other groups, they should arrive at a the best series of 18 statements they can.
Finally, I come into the picture. We tackle each statement number, and as a whole class we vote and decide which statement should number 1, number 2, number 3, etc. I write these on the board.
The next day I show students 18 index cards. Across the bottom of each card I have written one fact. On the back of each card I've recorded the number that corresponds to the fact. Each student is given one card at random. Their job at that point is to illustrate the fact as best they can.
What we finally end up with is a little booklet that tells the story in basic form regarding World War I. I've included our cards below. These little booklets really come in handy later in the year when we are reviewing even more content for that state test that looms in front of us every April.
Here are our little book pages....I've included the captions in case you can't make them. You can click on each page to make the picture larger.....
The causes of World War I were nationalism, militarism, imperialism, and a system of alliances.
Nationalism is having pride in your country. This can lead to "My country is better than your country."
Imperialism….many countries like France and England made colonies out of other countries to have more power.
Militarism…to protect themselves and compete with each other many countries formed large armies.
Because so many countries were competing with armies and colonies they needed to develop friendships and alliances. "We will help each other if we are attacked."
On June 28, 1914 events reached a boiling point when Archduke Franz Ferdinand of Austria Hungary was assassinated.
World War I was the first war where the tank and airplane was used.
Poison gas suffocated many soldiers.
Machine guns killed more soldiers than ever before.
Men lived, fought, and died in trenches. Each side was divided by no-mans land.
Germany knew they couldn't defeat the British navy. They decided to form blockades and use u-boats to sink ships.
The U.S. was upset when Germany sank the ship, Lusitania. 128 Americans lost their lives.
President Wilson asked Congress to declare war on April 2, 1917. The U.S. was now in the fight.
In order to have enough soldiers President Wilson signed the Selective Service Act. Healthy unmarried men were drafted to fight.
With so many men fighting American women had to take over jobs that were normally held by men.
President Wilson created the Food Administration to encourage farmers to raise more food.
Americans planted victory gardens so more food could go to the soldiers.
Many Americans bought savings bonds to help pay for the cost of the war.
World War I finally came to an end on November 11, 1918 the day the Treaty of Versailles was signed.
Posted by EHT at Monday, January 25, 2010
Labels: Lesson Ideas, Reviewing Content, World War I
6 comments:
- Ginger Snaps said...
I love this idea as a review activity! Thanks for sharing!
- DegreeFinders said...
The great part is the children are learning while they create these cards, and then they get to reinforce learning by studying them. It makes learning fun for them.
- Theresa Milstein said...
What a great idea! Students don't normally get excited about index cards, but have them illustrate them and made it into a book, and I'm sure they'll look at it more and remember the information. Thanks for the tip!
- Ahermitt said...
Thanks for your entry to the Carnival of Educators: http://nfahm.blogspot.com/2010/02/carnival-of-educators-14th-edition.html
- Duez said...
I love it. Great job.
wow thats amazing im 17 and thats impresive even to me
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subset: commoncrawl


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To help eliminate the churn and streamline its processes, Fujitsu turned to Dassault Systèmes (3DS) and its high-tech solutions on the 3DEXPERIENCE Platform, custom built for the way high tech companies work. Fujitsu chose ENOVIA Version 6 (V6), the 3DS application for collaborative innovation, on the 3DEXPERIENCE Platform to address requirements, traceability and test. The goal was to improve Fujitsu's data visibility, eliminate rework, and streamline product development from initial customer requirement to manufacturing.
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Fujitsu has reduced flow-time by at least 20%, reduced quality issues by at least 10%, and improved security as well as data search, history and reporting.


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NASA Seeks Space Technology Graduate Fellowship Applicants
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the fellowships' continuing goal is to provide the nation with a
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"We're calling for our second round of applications from America's
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Reverse osmosis water filter
Reverse osmosis water filters units are probably the more sophisticated
and effective forms of a water filtering system available.
Reverse osmosis water filter
With your a method, the origin liquid is moved through a technique of multiple steps to purify and filter the fluid to be ready for drinking.
Osmosis units are getting to be more popular and they are available as under-counter units or as whole home water filtering systems.
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The greater you recognize the whole process of reverse osmosis and the way that process affects the fluids in your home, the harder you'll be equipped to make a wise and informed decision.
All of the reverse osmosis purified systems are in reality filtering systems that take the liquid through multiple steps of filtering and purification. In this process, very clean fluid that is free from contaminants and very-good tasting water is produced.
These reverse osmosis purified systems have three basic parts: the pre-filtration stage, the reverse osmosis membrane and the holding tank.
Pre-Filtration: Within this initial stage of the purification process, the greatest contaminating particulates as well as other impurities are removed. This prepares the fluid to follow with the remaining portion of the reverse osmosis water filters process.
Generally in most systems, the pre-filter is a carbon filter or a activated carbon-based filter which must periodically changed in order to keep the liver in proper condition.
Reverse Osmosis Membrane: Here is the second stage that reverse osmosis purified filters utilize in the act to create pure and clean drinking fluid. During this period, several different remaining impurities and contaminants are removed by a very fine membrane that your pre-filtered liquid passes through.
Because this membrane is indeed fine, the liquid should be passed through it under time limits which helps to ensure that the purified water has the capacity to pass to the other side as clean fluid. The contaminants and then any from the other impurities that have been removed are flushed out as waste water.
Holding Tank: The purified liquid is held on this tank until such time since it is useful for drinking or cooking. This holding tank is an essential part from the overall reverse osmosis purified filters system as the complete process is rather time-consuming and cannot match normal flow demands of a busy kitchen faucet.
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Before deciding upon a reverse osmosis water liver for you home, it is a good idea to first test the caliber of your fluid by using water test kits.
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Another significant consideration using these sorts of systems, may be the ready availability of fluid to use with reverse osmosis water filters.
The problem of these powerful systems is they make use of a great deal of liquid to make one gallon of purified water. About five gallons is needed for every gallon of purified liquid, while the rest is flushed out of the machine as waste fluid.
Reverse osmosis filter


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The unique coastal cuisine of Beaufort, SC is as rich in history as it is in Lowcountry flavor. Find the perfect brunch spot for Shrimp and Grits, casual cafe for healthy, fresh-caught seafood and local oysters, waterfront fine dining restaurant or late-night cocktail bar open post-sunset and harbor stroll. Make a reservation today!


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NOAA's Annual Greenhouse Gas Index
(An Introduction)
The Issue – Increasing concentrations of greenhouse gases in Earth's atmosphere represent a long-term commitment by society to living in a changing climate and, ultimately, a warmer world ( IPCC, 2014, Working Group I)
The Problem – Climate change has disruptive and uncertain consequences for agriculture, water supply, transportation, coastal communities, the economy, energy, ecosystems, and national security (IPCC, 2014, Working Group II)
The Question – How much is the human influence on climate changing, owing to continued emission of greenhouse gases?
The NOAA Annual Greenhouse Gas Index (AGGI) measures the commitment society has already made to living in a changing climate. It is based on the highest quality atmospheric observations from sites around the world. Its uncertainty is very low.
The AGGI is analogous to the dial on an electric blanket. Just as the dial does not tell you exactly how hot you will get, the AGGI does not predict how much Earth's climate will warm. You do know, however, that if the dial is turned up a little, the blanket will get warmer – and not immediately. If you turn it up a lot, you know the blanket will get a lot warmer – eventually.
Of course, the Earth System is more complicated than an electric blanket and climate change is expressed in many ways – e.g., drought, increased temperatures, altered storm patterns and precipitation rates, increased glacier melting, etc.
But each year the increasing AGGI reminds us that our on-going emission of long-lived greenhouse gases results in more of the sun's heat being trapped in the Earth system. In essence, we continue to increase the setting on Earth's "thermostat" by a small amount every year.
So, how much did the warming influence from GHGs increase last year?
How does that compare with previous years?
What gases contribute most to the change each year?
How does that compare with previous years?
What gases contribute most to the change each year?
From 2017 to 2018 the dial increased another 1.8% relative to 1990 levels, a rate that has been sustained for many years.
In a nutshell:
- The AGGI in 2018 was 1.43, which means that we've turned up the warming influence by 43% since 1990.
- It took ~240 years for the AGGI to go from 0 to 1, i.e., to reach 100%, and 28 years for it to increase by another 43%.
- In terms of CO2 equivalents, the atmosphere in 2018 contained 496 ppm, of which 407 is CO2 alone. The rest comes from other gases.
- CO2 is by far the largest contributor to the AGGI in terms of both amount and rate of increase.
- Note: The IPCC suggests that a constant concentration of CO2 alone at 550 ppm would lead to an average increase in Earth's temperature of ~3°C (5.4°F).
CO2 equivalent = 496 ppm
CO2 equivalent = 496 ppm


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Note: Windows XP End of Support -- What you need to know (PDF)
- Date: Dec 31, 2010
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- Size: 58.2 MB
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Xerox FreeFlow Accxes Printer Drivers v15.0.5
DescriptionCautionXerox FreeFlow Accxes Printer Drivers v15.0.5Note: To uninstall, use XFAInstaller.exeCaution: Running the installer will remove all previosuly installed Xerox FreeFlow Accxes Wide Format printer drivers. Unzip the files prior to installation. File contains signed HP-GL/2 and PS drivers for 6050A, 6204, 6279, 6604/05 and 6622.
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7142 32-bit Driver
DescriptionThis driver supports 32-bit Windows XP, Windows Vista, and Server 2003
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GDI Driver
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Utilities & Applications
- Date: Oct 7, 2010
- Version: 15.0.46
- Size: 40.1 MB
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FreeFlow Accxes Client Tools and Account Management Tool for Windows v15.0.46
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I have following method that adds passed arrays of txt files to zip. The method was working fine until I added a condition if (in.read() != -1){} that checks if a file is empty and skip it.
That works but, in every file added to a zip now first two characters on the first line are truncated like that
instead of
Here is the method:
public void compressFiles(String[] fileArray, String zipFileName){ byte[] buf = new byte[1024]; try { // Create the ZIP file String outFilename = zipFileName; ZipOutputStream out = new ZipOutputStream(new FileOutputStream(outFilename)); // Compress the files for (int i=0; i < fileArray.length; i++) { FileInputStream in = new FileInputStream(fileArray[i]); if (in.read() != -1){ // check if a file is not empty // Add ZIP entry to output stream. out.putNextEntry(new ZipEntry(fileArray[i])); // Transfer bytes from the file to the ZIP file int len; while ((len = in.read(buf)) > 0) { out.write(buf, 0, len); } // Complete the entry out.closeEntry(); } in.close(); } // Complete the ZIP file out.close(); } catch (IOException e) { } }
Any help is greatly appreciated.


text:
Writing at his eponymous website, billionaire Michael Bloomberg had some harsh words for the Republican tax bill Friday. The former New York City mayor rejected the basic idea behind the tax overhaul — namely, that corporations, which are sitting on a record $2.3 trillion in cash reserves, will invest their newly enhanced profits in ways that grow the economy and benefit workers:
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Worse, Bloomberg says, the tax bill does nothing about the many problems facing the United States:
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Bloomberg says he's all for reducing the corporate tax rate and closing loopholes, but only as part of a bipartisan plan that is revenue neutral. The current bill fails in that regard, resulting in an "economically indefensible blunder that will harm our future."
Read the full piece on Bloomberg.com.


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The post Houston Car Accident Lawyers – Bicycle Accidents and Avoiding Injury appeared first on Houston Car Accident Lawyer | RJ Alexander Law, PLLC.
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I'm Amanda... a wife, mother of two rambunctious kiddos, photography nerd, and bacon lover! I believe that gourmet meals should be something we can ALL enjoy. Now that you're here, stay a bit, browse a few recipes, and let's get cookin'!
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Shad Flannery created the group What Everybody Ought To Know About Pinterest Login And Password 2 years, 7 months ago
No Comments to Activity
[…] International Medical Corps via Worldfoodvision.com. […]
[…] International Medical Corps via Worldfoodvision.com. […]
Food Aids are badly needed by third world countries like in Africa in Asia.;:*
Food Stamps are nice and handy if you want some fast meals.,,-
food aids are badly needed by third world countries and we really need to give something to the poor.`'~
Food Stamps are great and i wish that there were more of them.:~:
Altus Consult (U) Ltd is pleased to invite program officers and development workers to a five (5) day training scheduled for 4th to 8th October 2010. This training is recommended for program officers, social scientists and all those engaged in development work and require an M&E skill. The class size shall strictly be limited to 35 participants on first come first served basis.
I believe by end of the session of 5 days, you will have had an opportunity to:
• Understand monitoring and evaluation and its importance in an organization
• Understand monitoring and evaluation tools and frameworks
• Design and develop a monitoring and evaluation system for your organization
• Evaluate and assess impact of any project or development programme
• Understand the role of the M&E Officer
• Learn how to collect and analyze the monitoring data
The Course Fees is Ushs: 300,000 and covers meals, refreshments and course materials but not accommodation.
Please confirm your attendance to Altus Consult office by 27th September 2010 using the attached form.
For more details, do not hesitate to contact me.
Christine Ayebazibwe
Program Coordinator
Email: firstname.lastname@example.com
Tel: 0414 668596
we can always avail of food stamps if we can't afford great food*."
organic farms will be the trend of the future coz we don't like artificial stuffs inside our body'**
our country received food aids from EU nations and it is a good thing to have those food aid programs`–
the homeless people in our area would always use food stamps to satisfy their hunger~*:
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sobuilding necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 104 diseños de 23 diseñadores freelance.
so building
i have been running my own building business for 25 years and every time i grow i freshen up my corporate image. i have had years of experience and know how to win jobs and impress clients, with my personal approach and excellent results...i solve problems they don't even know they've had.i will do small jobs with pleasure, i don't chase money, i chase personal satisfaction. then the financial rewards come. the image i need to communicate is personal, confident, fresh, enviromentally aware and sustainable, fun, professional. i am always punctual,responsible,hard working and my integrity is unquestionable.
my target cliental is affluent and appreciate quality, personal service, and value for money. they will build a trusting relationship with me over time and recommend me to their friends. i may fix a squeaking floor board for them this week and renovate their bathroom in 6 months then rebuild their house in 2 years. this is the timeline of trust i have been building for the last 25 years.i am in for the long haul and they like that. also architects and building consultants who need work done on time and budget will form part of my client base, although i prefer to work directly for the owners.
i need a logo which incorporates my name. it communicates: integrity, innovation, responsibility, fun,personal service, enviromental awareness.
it will be on business cards, stationery, clothing, and large signs on building sites.
i would like it to be subtle, yet interesting.
colours to be used should be greens, browns, blues, orange (earthy tones)
shirts will be brown or black, signs and business cards could be same colour.
font should be fresh/modern and easily readable.
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


text: AArchitecture is a journal published every term, edited and written the AA Community. This edition of AArchitecture aims to question the different roles that research, or the lack thereof, plays within the AA at the time in the academic year traditionally devoted to this task. From tutors to students, librarians to magicians, each one has a very different interpretation of what is meant by research and its use within the architectural discourse of the AA. Research manifests itself differently across the school, as the variety of standpoints within this issue attests.


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Suite 120
Herndon, VA 20171
If you need to enlist the expertise of a writing tutor for your child, the team at Sylvan Learning of Reston is here to help. Whether your son or daughter is starting to fall behind on writing homework, needs extra practice to boost certain skills or is ready to get ahead with advanced coursework, we can help your child achieve real results in the classroom and beyond.
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text:
14K Gold 1.1mm Wheat Chain
➤ Length: 16 inches Avg Weight: 2.24
➤ Length: 18 inches Avg Weight: 2.5
➤ Length: 20 inches Avg Weight: 2.74
➤ Length: 22 inches Avg Weight: 2.97
➤ Length: 24 inches Avg Weight: 3.21
- guaranteeQuality checked
- Free ShippingFree on all products
- Special gift cardsSpecial gift cards
- Free return Within 30 days
- ConsultancyLifetime
Our assortment of fine and fashion jewelry is individually inspected to ensure they meet our standards to offer stunning jewelry to compliment your fashion needs. IOKA Jewelry is guaranteed 100% authentic and conflict free. Gold jewelry pieces are beautifully crafted in 14k gold with the highest craftsmanship level and jewelry finish.
Brand: Ioka
Model No: IG-01-900-0196
Type: Wheat
Clasp: Lobster-Claw
Width: 1.1 MM
Length: various
Metal: 14K Gold (Not Gold Plated)
Avg Weight: various
Gender: Womens (Unisex)
-14K Gold Chain
-Jewelry Box
Limited Lifetime Warranty: Complimentary repair service on manufacturing defects.
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Your piece is under a limited lifetime warranty against manufacturer's defects under the terms and conditions. Proof of purchase in the form of Warranty Authenticity Card, receipt or registration is required. The warranty against defects does not cover loss, damage, breakage, changes in appearance, kinks, or the gradual degradation of all or part of the goods due to normal wear, mishap, careless handling, improper use, or use outside Ioka Jewelry's care instructions. Shipping and postage for both way are to be the customer's responsibility.
Please email email@example.com or take your jewelry to the place of purchase. If the retailer and Ioka Jewelry are satisfied that the warranty claim is valid, we will arrange for the repair or replacement of the jewelry. We will advise you of your repair options (if any) and the charge in the event that your warranty claim is not accepted by Ioka Jewelry.
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I'll be heading up to see this. Anyone else going?
Views: 127
Yes! If you want to join us to go hear James Randi then sign on to the Boulder Atheists or the Mile High Skeptics 'Meet-up groups" and RSVP.
The more the merrier!
Good to meet you last night. Let me know how it goes in California.
I will!
Great to meet you too, hopefully we can connect again soon.
Joined and RSVP'd through both.
Yes! Great to see James Randi live. The place was comepletely packed.
Next up, Mythbuster Live in Loveland Jan 12.


text:
F Thomas necesitaba un nuevo diseño de impreso o envases y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 54 diseños de 16 diseñadores freelance.
Baptist World Alliance Women's Department
The name of the book is "Coming Together - A History of the BWA Women's Department". Esther Barnes is the author.
We want the cover for our history book to be creative and something that will catch the attention of the women so that they will want to read it. Please remember that the BWA Women's Department is an international organization. The BWA Women's Department officially begin in 1950 to the present day, just to get a feel of the time line of the book. I have attached a logo that might be used or it might not. The following is our mission and vision statements to help understand the organization a little better. More information can be found on our website at http://www.bwawd.org .
Mission: To encourage and celebrate unity in Christ among Baptist women of the world and work towards peace, reconciliation, justice and development through prayer, witness and service.
Vision: Baptist women from every continent standing together, growing in effectiveness, and impacting our world for Christ.
I hope this will help in the creative process. Thanks.
Baptist women all around the world. Be sure to look at our website.
I have no further help for the creative process other than what is above.
I will need Photoshop and/or InDesign files with layers once the project is completed.
The size should be 6x9. This is for just the front cover. (If you want to do more, i.e. wrap around to the spine and back, that is fine. I do not have spine size at this time.)
The attached logo does NOT have to be in the project, and if it is, it does NOT have to be those colors.
Feel free to ask questions in case I left something out.


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Mars may look red from here on Earth, but up close, the surface of the "Red Planet" is actually a variety of colors. In fact, many of them aren't very red-looking at all.
Case in point: the dunes in Mars' northernmost latitudes, like the ones pictured here. But wait a minute, you may be thinking. Those dunes look pretty red to me, or at least a little pinkish. And you'd be right — if what you were describing was in fact the Martian surface. But it isn't. [Hi-res image available here]
What are these black splotches on the surface of Mars? Those black splotches are the surface of Mars. The dunes only appear pink because they are covered in frozen carbon dioxide. NASA HiRISE scientist Cindy Hansen explains:
In the winter, Martian dunes north of 70 degrees latitude are covered by a seasonal layer of carbon dioxide ice (dry ice). In the spring as the ice sublimates (goes directly from solid to gas) numerous seasonal phenomena are observed.
Mars' sand dunes are dark, but appear pinkish because they are still covered by ice. Where the ice has cracked, dark sand is visible. On the steep sides of the dunes sand slides down in thin rivulets.
According to Hansen — who uses images taken by NASA's HiRISE camera to study seasonal changes that take place on Mars' surface — scientists think the biggest, darkest patches (the ones lining the crests of the dunes) may be places where sublimating gas was released in pops; "similar to champagne," she says, "carrying sand out in multiple directions."
[Via HiRISE]


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For over 50 years, the Division of Nephrology has been nationally and internationally recognized for the excellence of its clinical care, and its rich and diverse research and education programs.
"Our focus is to provide sensitive, comprehensive care to our patients, conduct cutting-edge research and advance education to prevent and treat kidney disease" - Subramaniam Pennathur, MD, Chief, Division of Nephrology
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We provide state-of-the-art care to patients from across the country in all areas of kidney disease - acute and chronic kidney diseases, cystic diseases of the kidney, diabetes, fluid and electrolyte disorders, glomerulonephritis and glomerular diseases, lupus, hypertension, kidney and pancreas transplantation, kidney-related metabolic disorders, kidney stones, and rate and genetic kidney diseases. Learn more.
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Education and Training
We believe that because of the diverse interests of our talented faculty and the outstanding strengths of Michigan Medicine, we provide one of the premier training experiences in Nephrology in the United States. Learn more.


text:
Anti-press attacks increased in Guinea in 2013 amid political unrest and inter-ethnic clashes in the run-up to the country's long-delayed legislative elections. The voting was finally held on September 28 and won by President Alpha Condé's party. Journalists were threatened and assaulted while covering pre-election activities, with some saying the assailants were security forces or political party supporters. Journalists were caught up in tension between supporters of Condé, mostly of the Malinke ethnicity, and opposition militants of the mainly Peul ethnicity. Some journalists were also accused of being spies for political parties. Government officials and security forces supportive of Condé shut down radio stations, suspended and detained their staff, and barred journalists from reporting on Condé's pre-election campaign tour. Though many journalists have been attacked in Guinea over the years, CPJ research shows that not one perpetrator of an anti-press attack has been held responsible since 2008.
CPJ documented at least 51 attacks against journalists in 2013. Most occurred in the capital, Conakry.
Security forces and government officials were believed responsible for 21 of the 51 attacks on the press documented by CPJ. Other attacks came from supporters of the ruling party as well as supporters of opposition political parties, CPJ found.
|Security forces, government
|Militants of the opposition Union of Democratic Forces of Guinea political party
|Supporters of the ruling Rally of the Guinean People
|Others (non-partisan civilians and unidentified assailants)
No one has been brought to justice in any of the attacks that CPJ has documented over the past five years.
Radio station Planète FM, which is owned by vocal opposition leader Abubacarr Sylla, was attacked, censored, or harassed on at least eight occasions in 2013, according to CPJ research.
March 1, 2013:
|An unidentified gunman fires a bullet into the offices of Planète FM during a visit by an opposition leader to the station.
March 2013:
Chérie FM director Chantal Colle sues Mandian Sidibe, director of Planète FM, for defamation, insult, racism, and ethnocentrism in connection with on-air comments criticizing Chérie FM for firing 26 journalists, news reports said. Espace FM journalist Aboubacar Diallo and David Youmbouno, one of the fired journalists, are also sued.
In May, a court rules Sidibe must pay Colle a fine of 500,000 Guinean francs (US$71) and symbolic damages of 1 franc, according to news reports. The court dismisses the claims against Diallo and Youmbouno.
April 18, 2013:
|Police fire live bullets into Planète FM studios in apparent retaliation for the station's coverage of a police crackdown on protesters, according to the Ghana-based Media Foundation for West Africa (MFWA).
May 25, 2013:
|Planète FM reports that its 106.3 FM radio frequency has been jammed. The station says the reason is unclear.
May 30, 2013:
|Five days later, the state-run National Communications Council hands a one-month broadcasting suspension to Planète FM and bars Mandian Sidibe, the station's director, from the airwaves for a month for inciting hate and violence. The CNC does not offer any evidence for its allegations.
July 4, 2013:
|Mandian Sidibe is charged with libel for comments he made during a radio broadcast, MFWA reports. Sidibe's lawyer says he will appeal the indictment. An appeal was pending by late year.
November 17, 2013:
Mandian Sidibe announces live on Planète FM that unidentified assailants are at the radio station to assassinate him, according to news reports.
At least one individual is killed and several are injured during ensuing clashes between the police and protesters who mobilized to protect Sidibe.
November 22, 2013:
|The National Communications Council bars Mandian Sidibe from performing any journalistic work for 45 days, saying he had failed to prove that there was an assassination attempt on his life.


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So some of you may have noticed (a lot of you probably didn't), but I have been MIA this last while.
I had a lot of stuff come up recently and to deal with it I ended up neglecting the online community, but I'm back. Oh yeah, I'm back.
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Interview with Neil Labute
A few weeks back, I wrote an article about "An Evening with Neil Labute," where I attempted to analyze the appeal and occasional controversy of Labute's work. His play Mercy Seat, which runs at [Inside] the Ford Amphitheatre until April 24th, is one of my favorites, and I was fortunate enough to be able to ask him a few questions about the piece and his work in general:
Q: Mercy Seat, for many, seemed to be your 'mercy seat' as a writer in that you seemed softer, for lack of a better word. Here you were taking on a subject that could have been more provocative and controversial (at least at the time of the original premiere) than anything you'd written to that point. And yet, at least in my opinion, it turned out to be one of your more emotional pieces. Is there truth to this claim, and if so, why do you think that is?
A: I don't suppose I can judge any of that very clearly—as the author you're just usually too close to the damn thing to know the truth. That's why you spend so much of your writing time searching for the truth—in good literature, it never feels like the author is there as a teacher but as a fellow explorer. Struggling to find meaning if any exists. If the play was softer and more emotional in the end it's simply where those characters led me—I go on the ride and see where it takes me but I do know that I cared for the characters and the dilemma they found themselves in and that's my job as an author: to create people that an audience can find interesting and complex enough to care about, even if what they're up to is highly questionable.
Q: In hindsight, do you feel Mercy Seat makes a political statement at all? And do you feel any responsibility toward exploring bigger global/societal issues in your work? Or is the personal political in itself?
A: I try to steer clear of politics, on the page and in my life. Personal politics are where I find my work and my interests colliding most successfully. There are enough people out there who want to screw things up on a local, national and global basis; they don't need an amateur like me helping them out.
Q: I've read and seen much of your work, and the more I investigate it, I can't shake the idea that a lot of it might be allegorical? Do you ever write with the intention of allegory?
A: Some of it probably is but I try not to do it too intentionally—I did a bit more with my newer play THE BREAK OF NOON and I received many resounding critical slaps for it. Mind you, that won't stop me doing it again; I have a general disregard for authority that makes me want to push back when I get pushed.
Q: Have you ever received (or considered receiving) any chances in your own life to simply start over? Escape? Or does drama and the theatre provide such escape already?
A: That's a great question and I probably won't answer it honestly—but yes, my work is a great escape. It allows me to turn the page (quite literally) all the time and start fresh with new ideas and faces and locales. I couldn't ask for more (or could I?)
Q: The last time I saw you talk, you brought up how much you love seeing the work of younger playwrights. I was wondering if you could recommend any?
A: I love other writers, whether they're young or not. I think Christopher Shinn is writing very good stuff lately and Polly Stenham over in London. It's happening all the world (new writing), it's just getting the stuff produced that's the trick. I like when people do not take 'no' for an answer and produce the work themselves—I'd like to see more of that from young writers.
Q: Mercy Seat is partly about revisiting one's life, reexamining it. And for you, this show presents another opportunity for you to reexamine your own work. How would you compare that process to putting up a brand new production?
A: Sadly I've been out of the country so it's been a bit from afar—that said, I always take a look at the play again and I think this one holds up. I love a good two-hander in real time and I think MERCY SEAT is a great test for actors. I'm working on a new one in London right now and it's the same thing—a real Olympic event for actors. I like it on stage when there is no place to hide; just like a wounded animal, actors are at they're best when they are a little scared, a little wounded and completely cornered (or without props!)
Q: One criticism I've read of your work is that you write for an ending. Is this true? If not, what do you say to that?
A: Critics, like cabbages, should be eaten and not heard (to anyone who's had his or her work reviewed by the critical community, this meaningless phrase will make complete sense).
Q: What is it about infidelity that attracts you and so many other writers? Is the subject ever exhausted?
A: Betrayal is a pretty fascinating subject—why people turn on those they supposedly love or care about. Betrayal of a sexual nature is only one tree in this fertile soil (to coin a really lame expression).
Q: There's a sense of humor that's prevalent in most of your work, even at its darkest. And this is a trend I see more and more in mainstream drama (the show Eastbown and Down is one example that comes to mind). What is the effect, do you think, of blending darkness or sadness with comedy? And why not just attack pathos straight-on?
A: Comedy is the 'Neosporin' of dramatic life—I like to apply a little from time to time to make the audience feel a false sense of hope and security. I've done this 'theater' thing enough that people should know that we're going to be peeling the scab off at some point during the evening but they still like to laugh and think it's all going to be ok in the end. That's fine by me—theater is about allusion and if laughter helps, then I'm all for it.
Q: Finally, I wonder what advice, as a director, you would give (or have given) an actor preparing to perform your work?
A: Take no prisoners. People are there for the ride and want you to show them something magical and different and new. No one gets points for being mediocre, so go for it.
Neil Labute's The Mercy Seat, presented by Vs. Theatre Company and starring Michelle Clunie and Johnny Clark, runs at [Inside] the Ford Amphitheatre until April 24th. Wednesday evenings are pay-what-you-can nights. For more information, visit www.fordtheatres.org, or call (323) 461-3673.
Tags: Ford Amphitheatre, interview, Johnny Clark, Michelle Clunie, Neil Labute, The Mercy Seat, [Inside] the Ford
Posted in Art, Contemporary Art, Hollywood, Neighborhoods, Performance, Personalities, Theatre No Comments »


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Gluten-Free Tuesday: Rustic Rhubarb Pie with Sorghum Crust
Delicious, no-compromise recipes for those who need to live a gluten-free lifestyle, but don't want it to taste like it.
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Rhubarb and I got off to a rocky start. One day, as my mother began to make a strawberry rhubarb pie, I snuck a slice of rhubarb from her prep bowl. My ten-year-old self expected fruity sweetness, not the puckery sourness that greeted me. Until then, the only other culinary betrayal of this magnitude I'd experienced was the time I grabbed a piece of unsweetened chocolate from the cabinet. In both cases, I could not understand why in the world someone would bake with such awful-tasting ingredients.
Now, of course, I know better. And each spring I look forward to the arrival of rhubarb at the market.
This year, instead of a double crust pie, I made a rhubarb galette. My first few attempts had one serious problem: they leaked. A lot. Gluten-free crust is delicate and rhubarb lets go of a lot water as it bakes. Try as I might, I could not prevent my galette from leaving juice all over the baking pan. While the galette itself tasted fine, the juice that leaked out onto the pan burnt during baking.
How can you hold onto all that juicy filling? Bake the galette in a pie pan instead! Moving the galette to a pan transformed it into a rustic, open-faced pie, but that was fine with me. The juices from the filling no longer leaked out of the pie. Here are some tips to make this preparation even easier:
- Lightly grease your pie pan. While the crust won't stick, some juices from the pie seep out during baking. Those sugary juices are sticky. A little mist of cooking spray prevents the pie from sticking to the pan.
- Roll out the crust on a large piece of parchment paper. Then transfer the crust to the pan by inverting the pie pan and placing it over the center of the rolled-out dough. Slide your hand under the parchment (between your counter and the parchment) and flip the dough and pan in one quick motion. Gently peel parchment away from the crust.
- Bake until the juices boil. Corn starch thickens this filling. It needs to reach a boil to achieve its thickening properties. If the juices don't boil, the filling won't thicken.
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