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zipDJ is one of the world's most advanced music promo pool designed for DJs by DJs. Over 1700 of the top international music labels rely on zipDJ as part of their marketing and promotion initiatives.
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Cell Phone Etiquette, If You Care
Sure you're busy and you want to stay in touch with loved ones or work. But, do you really want to get the evil eye from fellow commuters or shoppers when you're talking so loud?
Don't yell, advises Peter Laufer, author of Wireless Etiquette: A Guide to the Changing World of Instant Communication. Wireless phones use radio technology, not a waxed string between two cans. If it's a bad connection, volume won't help. Also, there are ear pieces so you can hear better and talk lower.
Open your eyes. (Yes, your eyes.) Where are you? If it's someplace quiet, and other people are enjoying the quiet, respect that. Take your call elsewhere. You shouldn't carry on a conversation in a church or theater, so don't use your wireless there.
Tip: Check it with the coats and hats; you'll survive. If the world depends on you taking the call, take it outside. Also, if you want to really relax, ditch the phone.
Save the inmates. We're all in line. We're all confined to the plane. We're all stuck at the boarding gate. We're all just trying to get home on the bus. So please, conduct your phone call among fellow captives of circumstance as you would any other -- in a quiet or normal conversational tone. We really don't want to relive the bumpy flight.
Seek refuge. Always assume that if other people are sitting quietly off in a corner of the airport concourse, they are waiting for a plane, not for you to conduct a phone call. Get thee to the side of a well-trafficked concourse, into a service door alcove or even an unused phone booth (but only if other people don't actually need the phone).
Related Items
Develop the Heart of a Champion
Taboos and Etiquette Worldwide
After writing and editing Pacific Northwest newspapers and magazines for more than 20 years, Stu Watson writes the On Your Side Column for Trip.com from his home in Portland, Ore.

subset: commoncrawl


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Bret Easton Ellis
After six novels and one book of short stories, the career of Bret Easton Ellis, author, has come to an end. It is survived by a continued involvement in screenwriting and the film industry.
At least that was the rumor. I wasn't sure how trustworthy my source was, and I certainly hoped it wasn't true, but there were signs. The full circle nature of Imperial Bedrooms, for one, not to mention those pesky little dates at the end. It got me thinking- if this information was legit, I had quite the scoop on my hands. I had to know for sure, but didn't want to wait out the years in hopes of getting an answer. This desire was the motivating factor behind my interview.
So The Cult set it up. I had the pleasure of speaking with Bret not once, but twice regarding Imperial Bedrooms. The first attempt was a phoner, which went great, but thirty seconds after we hung up I realized I had been the victim of technology's caprice, as the recording had failed.
After Dennis talked me off a ledge, he convinced me to contact Bret's publicist and explain what happened. Fortunately, Bret was gracious enough to give me another chance, despite my seeming lack of computer proficiency. This time we sat down in the Knopf offices in New York, and I made sure I had multiple recording devices going, just to be safe.
Though the questions were the same, it was a completely different interview. I only had thirty minutes, which forced a more focused line of attack. Bret was very accommodating, and answered everything I asked with candor and honesty, but it also seemed he was careful not to sound as absolute on certain subjects. So as the clocked ticked we discussed new novel Imperial Bedrooms, his adventures in the screen-trade, and the reality of his current career crossroads.
Joshua Chaplinsky: I pretty much have the same questions as last time, but I have a feeling you're not going to give me the same exact answers, especially for the first one.
Bret Easton Ellis: That is correct.
JC: You're not going to give me the same answer?
BEE: I'm not.
JC: Alright, then. I had asked you, I had heard that Imperial Bedrooms was going to be your last novel.
BEE: Oh.
JC: And you asked me if my source on that was reliable.
BEE: And was your source reliable?
JC: According to your answer, they were. You did verify.
BEE: But how can I say that? How can I actually say that anything is the last novel, especially with the way that I work? I've said that a lot during my career. I remember when I finished Glamorama that I wasn't going to write Lunar Park. Glamorama took so long to write and was really difficult; I was kind of depleted after. And then I did a long tour for it and I thought, you know what? I'm never gonna write another book again. But then what happens is you get these emotions, and you become interested in a book again, regardless of whether you thought you ever wanted to write it. And I remember very clearly standing in my kitchen about a month after Glamorama was completely done, and I thought, what am I gonna do now? I was scrambling some eggs and suddenly I realized, oh my God, Lunar Park is gonna be about this, this and this. Out of the blue. I remember turning the stove off and immediately sitting down at my desk and starting to make notes.
Then, after Lunar Park, I thought, am I really going to go there, this idea of going back to Clay? Because that's the idea I had in my head while I was doing the research for Lunar Park, which was re-reading Less Than Zero. And I thought, no- and then of course, Imperial Bedrooms happens. So I can say, I don't know if I'm ever going to write another novel again, but that's just not how it works. I might say that, but that might not be the case. I might be feeling very differently about it a month or a year from now- I don't know. I can't answer that conclusively. I don't want this to be my last novel, but I'm also thinking about the novel- what more can be done with it? I'm interested in television right now. Television seems to be, in a way, where I want to take the novel. I want to take the novel into television. But we'll see.
JC: Were the dates at the end of Imperial Bedrooms a hint, or indicative of your feeling that it was the end of your writing career?
BEE: I think it was indicative of a couple things. The most obvious one, of course, is the link between the publication of Less Than Zero and the publication of Imperial Bedrooms. And then, in a way, I feel that this was a certain cycle of books that I wrote during a certain time in my life, and that Imperial Bedrooms kind of signaled the end of that period. So I was thinking a little bit about that when I put those dates there. It meant something to me, and I should have known that of course it was going to mean something to other people as well. I thought about taking them off, but it just felt good to have them there.
JC: Last time we spoke you said you regretted that decision.
BEE: Yeah, I did, and I still do regret it, to a certain degree. There are days when I think it's cool, and there are other days I regret it. I go back and forth.
JC: Has anyone else asked about that or brought it up?
BEE: Yes, people have asked me that. And those are the days when I regret it.
JC: So I'm making you regret it?
BEE: Whatever, I'm regretting a lot of things, but I'm also letting a lot of things go. So everything's cool.
JC: Because I've been reading the interviews and the reviews and I haven't really seen that mentioned anywhere. So I kind of selfishly thought, I've got a bit of a scoop here. Someone tells me, oh, you know this is Ellis' last book, so I thought I had this secret piece of information.
BEE: Well, you did for a while, because I probably did tell that to someone. I did see it appear in a British magazine, but I was really good friends with that reporter and we were talking with a kind of drunken honesty late at night, and he transcribed the drunken honesty into his piece, so...
JC: Last night at the reading (Barnes and Noble, Union Square) you joked that you contemplated writing a pornographic gay novel starring Sean Bateman.
BEE: I did.
JC: Is there any seriousness in that?
BEE: No.
JC: None at all?
BEE: It was something I was joking about with a couple of friends one weekend. Everyone kept bugging me, what's your next book going to be? And I asked them, what character do you think I should go back to? And somebody mentioned Sean Bateman, and I said, if I went back to Sean Bateman, he'd be doing this, this and this. He'd be living in West Hollywood, sucking a lot of dick, being a total male whore... So we started riffing on it a little bit and it became very funny, that this guy who positions himself as a certain person in Rules of Attraction might not be that person. But I talked to a gay friend of mine, and I said look, I can't write that book, because no matter what my sexuality is, I don't know anything about gay culture and I'm not particularly interested in gay culture. How do I write this book about gay culture if I don't know that much about it? And my gay friend said, that will make it even more interesting. And I thought, yeah, I guess I kind of get that. But honestly, at the moment, that isn't really at the forefront of my mind.
JC: So nothing on the horizon as far as novels? Nothing percolating?
BEE: Nothing on the horizon as far as novels.
JC: You've been concentrating on film, doing a lot of screenwriting. Do you think that screenplays and film have the same power as the novel, or are they different arenas for exploring different ideas?
BEE: Screenwriting is a social thing, and it's not that personal in a lot of ways. It's a collaborative thing. You meet with a lot of people while you're working on a script, and it's the blueprint for a much larger thing that's not about yourself. Movie-making is not a screenwriter's medium, it's a director's medium, it's an actors medium. So yes, screenwriting is incredibly different than working on a novel, which is very personal. A novel comes from a very emotional place. You spend many, many years working on it, and you have final say on how it appears. It's all yours. A screenplay is nothing like that.
I am not a screenwriter for hire, I am not a screenwriter who works with the big studios and I don't do script polishing. I have some personal projects that I am very interested in that I want to see through and I think these would not be books, but should be movies. That's mostly what I'm doing out in LA. It's frustrating because it is all about money, you know? It's about finding the money to make the film, whereas a book isn't anything like that. And stylistically, a screenplay doesn't have to have a style. You follow a story logically for a number of pages and make sure there is a resolution to it. It's almost a formula, whereas a novel is not a formula at all. A novel can go anywhere it wants to go. A movie kind of has to stay within the confines of what is expected of it.
JC: When you decided to write a sequel to Less Than Zero, were you afraid of people's reaction, or that you might ruin its legacy?
BEE: I look at Less Than Zero much differently than an audience looks at it. I spent many years working on that book, and it means something to me that it doesn't mean to a larger audience. I don't see it as having a legacy. Writing a novel doesn't involve audience testing, and if I ever decided to write a novel based on the needs of the audience, then I would rather be in advertising. Immediately after I thought, if I go with this idea of where Clay is now, that's going to upset some people, I thought, Fuck it, who cares? I got over that in about five seconds. I also think that Less Than Zero's legacy, whatever that means- and I know what it means, but to me, it's like, whatever. I know it exists and I know that people feel a certain way about Less Than Zero, but if I let the audience's feelings get in the way of what I want to do, then I'm fucked as an artist. So I've got to let go of that and I've just got to follow what I want to do, and I wanted to write Imperial Bedrooms. I also think Less Than Zero's legacy is pretty strong. I don't think this book is going to necessarily be popular enough to re-write it. Less than Zero can pretty much stand on its own.
JC: Do you feel Imperial Bedrooms is a better book than Less Than Zero?
BEE: I don't look at the books as being better or worse than each other, and I don't rate them. They are each individual achievements. Each book was written because at a certain point in my life I wanted to write them. They came out how they came out and I was obviously fine with them when they were published. I just don't rate them that way. There are things about Less Than Zero that I like, and then there are things about Imperial Bedrooms that I like as well. Of course, right now, I'm going to say Imperial Bedrooms is the better novel, which of course would cause a huge uproar, but that's just where I am right now. You have to understand, I am the writer of the books, and the writer of the books has a very different relationship to the books than the audience does, and that's something that I don't think the audience understands. It's interesting, Faulkner's favorite book of his was a novel called The Hamlet. I don't think anyone's read it.
JC: I haven't.
BEE: Faulkner thought it was his greatest achievement. I often say that, if I had to chose a favorite book at gunpoint, it would be Glamorama. I think that's probably the book that I worked the hardest on, and it was the book that meant the most to me, during the eight years that I worked on it. Yet, you can tell that to a Bret Easton Ellis fan and they would slap you.
JC: It's funny, at the reading last night I heard a girl behind me talking, and she was like, oh, Glamorama is my least favorite of his novels.
BEE: That's interesting, because at the reading last night I saw three guys from Long Island who looked like they were mechanics. They were wearing overalls and they looked kind of hickey and I thought, okay, they're gonna pull out their tattered copies of American Psycho, but no- they were all about Glamorama. They knew it by heart. They knew all of its secrets; they knew the code of Glamorama. They knew the secret of Bruce Reinhart, which was something that blew me away. They wanted certain quotes scrawled into their copies, and that was one of the most memorable things about last night.
JC: While we're on the subject of criticism, are you familiar with Lionel Shriver, who wrote the book, We Need To Talk About Kevin?
BEE: Yes. I know who this woman is.
JC: Did you hear what she said about Imperial Bedrooms?
BEE: Yes, I did.
JC: In an interview with The Independent, she said, "There are a lot of books that end up selling that aren't very good. I've just read Bret Easton Ellis' new book and it's awful, but it's had a big publicity campaign. I'm writing a 1,500 word review of it. The book doesn't deserve the attention. It's ghastly. In the meantime, there are lots of books that will not be reviewed." That's less of a negative review and more of an attack. Do you have any feelings about that?
BEE: I do have feelings about that, and I think that she's probably right. My publisher is going to spend a lot of money promoting Imperial Bedrooms, and there are a lot of writers who are young and unknown, and money won't go towards promoting their books. I understand where she's coming from. It's basically an argument against corporate greed. What she's saying is that my book is no good, and not only is it no good, it's a book written by a popular writer and that a big company is going to make money by promoting it. In doing so, other books will be hurt, because they will not have that same kind of promotional budget. I get it, totally. She's got a point. I mean, I wish she liked my book more, and if she thought it was so awful, why's she gonna write a 1500 word review on it? What can you do with the Lionel Shriver's of the world? Honestly, I didn't even know who Lionel Shriver was before this.
JC: I just know of her because they just turned We Need To Talk About Kevin into a movie.
BEE: Who's in the movie?
JC: John C. Riley? Maybe Tilda Swinton. I forget.
BEE: It's not about a shooting, is it?
JC: Yeah, the school shooting, told through a mother's letters.
BEE: Talk about awful.
JC: Haha.
BEE: No, I heard the book is actually good. But it's a terrible idea for a movie.
JC: It's a downer.
BEE: Well not only a downer, but it's just like, really? Is that what you're gonna write about? A mother whose life is affected because her son committed a Columbine [type] massacre? I mean, jeez, lighten up!
JC: I know you've said in the past that you weren't happy with people assuming that Clay was completely based on you. Do you think the release of Imperial Bedrooms is going to perpetuate that myth, considering he's now a screenwriter also? Is that something that bothers you?
BEE: No, not at all. It doesn't bother me when people assume anything about me. People assume many, many things about me, and none of it bothers me.
JC:You seem to like to play with people's perceptions of you.
BEE: If I'm doing that it's pretty unintentional. The only time that I'm doing that is with the author photos for my books. But even then, I think the book itself is sort of like this art object and the cover should be a certain way, and the author's photograph should be a certain way, and the whole design of the book should be a certain way. Other than that, people can think whatever they want about me. It's not going to bother me. People have many wide-ranging opinions about who they think I am or what they think I'm like- there's nothing I can do about it. I hear really negative stuff, I hear positive stuff. The truth is somewhere in the middle, if you really want to know.
JC: I just feel like sometimes you're pulling people's legs in interviews and stuff.
BEE: Yeah, but so what?
JC: I'm not saying it's a bad thing, it just seems like something you like to do.
BEE: Well, I've got to tell you. Talking about this now, I'm thinking, maybe I do do that. But I'm also thinking that I'm being totally authentic and real. I haven't said anything in this interview that's not true. I guess I just don't come off as sincere enough is the problem. And I like to make jokes.
JC: That's what it seems to me, more jokey than insincere.
BEE: Yeah, because how seriously can you take all this? If I started taking this all so seriously, I'd shoot myself in the head. I would be an abnormal person. If I took last night seriously, what an asshole I'd be. I mean, really, what a fucking asshole. I went out to diner with a couple of my friends afterwards and we all started laughing, like, this is ridiculous. Your life is ridiculous. How did it end up this way? And I said, I know, I know, it's crazy. It wasn't like I walked in and they all stood up and started applauding, and I bowed and said, I broke the house record for Barnes and Noble Union Square. It's just not part of who I am. If you start taking any of this too seriously- I don't want to meet that person.
JC: Well, for example, when we spoke last time, I asked you about who you would like to see direct an adaptation of Imperial Bedrooms, and I made a joke about Ben Stiller, because in an interview you said you had sued him because Zoolander was a rip-off of Glamorama. I've seen that in more than one place, and it came across as very serious, but you told me that it was a joke, a complete fabrication.
BEE: What have you found out about this? Have you found out whether it was true or not?
JC: You told me it that it wasn't true, that it was a lie.
BEE: Did I really tell you that?
JC: Yeah. And then I told you I was disappointed. Because it's funnier if it's true.
BEE: Well, I'm surprised that i told you that it didn't happen.
JC: Are you changing your tune?
BEE: I don't remember telling you that.
JC: No?
BEE: And plus you don't have it on tape.
JC: You bastard.
BEE: You can't even prove it.
JC: It's your word against mine.
BEE: I'm gonna skip that question. Let's go on to the next question.
JC: Alright. There are thinly veiled references to The Informers movie in Imperial Bedrooms, which you were a writer and producer on. A lot of Imperial Bedrooms deals with the darker side of Hollywood, casting couches and stuff like that. Has your real life Hollywood experience been that sordid?
BEE: No, it hasn't at all. And the casting couch, is that really the dark side of Hollywood? That seems to be the fun side of Hollywood. The casting couch is the light side. The dark part of Hollywood is when a movie completely falls apart or turns to shit. People trading sexual favors for stuff, that's nothing. That's a comedy.
I see Imperial Bedrooms as a Hollywood novel, and I see it as a dark novel, but I don't see it as a dark Hollywood novel. I think there is a darkness in any business, and I think that Imperial Bedrooms could have easily been reset in the corporate world. I think the main dynamics of Imperial Bedrooms are more universal. When someone wants a job somewhere in any kind of business, who knows. She's young, she's pretty, there's a boss, etc., etc.
I also have to defend Hollywood because there's a side of it that' s incredibly creative. The fact that I get to hang out and discuss making a movie with Gus Van Zant [The Golden Suicides] is incredibly cool. The fact that I talk to talented directors on a weekly basis and meet really enthusiastic actors and people who want to make good movies, that is also part of Hollywood. It is not all studio junk. It isn't all bad. I think the dark side of Hollywood is the fact that it's a little bit like Vegas. It's a gambling town; it has no logic. If you come out here and are severely disappointed at what the odds are, then you're slightly retarded. You've got to go in with your eyes open and understand, this is how it works. And you learn along the way. My most sordid experiences have really been being disappointed and being stressed out by what's going on within a certain project.
JC: Where does a film adaptation of Imperial Bedrooms stand right now? Is that in the works?
BEE: No, it's not in the works. I haven't sold the rights and I have no idea how a movie of Imperial Bedrooms really works in this movie culture now. I guess it's an independent film. Is it not if Robert Downey Jr. decides to be involved in it? Does it become a movie for HBO, does it become something that happens at Fox Searchlight because 20th Century Fox owns the rights to the characters? It's a complicated thing, and there has been some very mild talk about it being a movie, but nothing has been on the table and there is no one attached to anything.
JC: I read somewhere that you liked the idea of making a sequel to Less Than Zero the film, as opposed to a faithful adaptation of Imperial Bedrooms the novel.
BEE: No, I would rather see a faithful adaptation of Imperial Bedrooms the novel than a sequel to Less Than Zero [the movie.] I'm not interested in whatever that sequel to Less Than Zero would be, but I'd be interested in seeing Imperial Bedrooms turned into a movie.
JC: Would you like to see a more faithful remake of Less Than Zero?
BEE: Well, a remake of Less Than Zero- that's something that's talked about all the time, and everyone from Quentin Tarantino to Gregg Araki have looked into the rights situation. I'm not really interested enough to get myself involved in that, but I've read scripts people have written that are very faithful to the novel and I think the time is probably right to do it. If people are interested in making a faithful adaptation of that book, I'm all for it. I just don't know if it's going to happen.
JC: Have you ever considered making the move to directing yourself? If so, do you think you could have done a better job with The Informers movie, for example?
BEE: I don't think I could have done a good job with The Informers adaptation. It was a very big project, it was expensive, it was a period piece, and it had too many actors in it. Visually it was a complicated movie to make. It needed someone who'd made big movies before. Co-writer Nick Jarecki was going to direct the film, but when the producers realized the scope of the project they wanted someone who'd made big movies before, and Gregor Jordan had made a couple of big movies. So after seeing that movie I thought, yeah, I want to direct, because this didn't work out the way I wanted it too. He kind of mis-read the script. At the same time, I'm going through something similar with The Golden Suicides, the Gus Van Zant thing. Gus isn't committing to directing the movie, he keeps flip flopping back and forth. We've even gone out to other directors, with Gus' blessing. Gus is like, I don't know if I want to make this depressing movie or not, and I'm telling him it's not depressing, and he's going, I think it might be. And I have actually thought about directing it, but again, it's a movie that takes place over the course of twelve years, it's a period movie. Visually, it is a little complicated. But I might bring that up if we can't find a director. If the producers would get behind me on that, I would not mind directing that film.
JC: Any other projects floating around? What about The Follower?
BEE: The Follower. That's the project that I'm most interested in right now. That is my novel right now. I was developing it at HBO, and then it was moved over to Starz, and that's where it's being developed. That is pretty much what I'm concentrating on full time right now. That is the most important project that I'm working on. It basically is about... I want to say it's about stalking, but in the end it's about love.
JC: It's a fine line.
BEE: It is a fine line, and that's what the show's about.
(At this point, Bret's publicist had returned and was hovering, which basically signaled the end of the interview. I was not able to get in a good closer, so I will leave you with my closer from the first interview. Despite the audio being lost, I remember it pretty vividly, so I take the liberty of reproducing it here.)
JC: I have one final question, but it might be kind of lame.
BEE: There are no lame questions.
JC: Okay, if you hadn't become a novelist, where would Bret Easton Ellis be today? What would he be doing right now?
BEE: Hm... (silence.)
JC: Is that a shitty question?
BEE: No, it's not a shitty question, it's just... (more silence.)
JC: You don't have to answer it if it sucks.
JC: Well, on that note, thanks for taking the time to speak with me.
Joshua Chaplinsky has also written for Twitch. He is a guitarist in the band SpeedSpeedSpeed and alternately maintains/neglects his own blog at thejamminjabber.


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Mens Prelims - Italy v Japan
ATHENS - AUGUST 15: Yoshinobu Takahashi #24 of Japan is congratulated by teammates after Japan defeated Italy in the baseball preliminary game on August 15, 2004 during the Athens 2004 Summer Olympic Games at the Baseball Centre in the Helliniko Olympic Complex in Athens, Greece. Japan defeated Italy 11-0. (Photo by Nick Laham/Getty Images) *** Local Caption *** Yoshinobu Takahashi


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Although only 16 when he made his debut at hometown club NK Turbina Jablanica, Vahid Halilhodžić looked little more than a decent domestic striker until he came of age in the 1978 UEFA European Under-21 Championship a decade later. He had enjoyed moderate success after switching to FK Velez in 1971, but going into the U21 final against East Germany much of the Balkan state's hopes appeared to rest on the budding talents of Zlatko Krmpotić, Nenad Stojković and Blaž Slišković.
Nevertheless, Halilhodžić scored the only goal of the first leg in Halle with an instinctive strike shortly after half-time. The goal came two days after the forward's 26th birthday and he had more reason to celebrate in the second encounter in Mostar, notching up a quick-fire hat-trick as the home team raced into a 3-1 lead before the 15-minute mark.
The East Germans fought back, but Yugoslavia held on for a 5-4 aggregate win, giving man-of-the-match Halilhodžić the reward he deserved. "I will never forget those three goals," he later reflected after a career that saw him win the Yugoslav Cup in 1981 before a switch to FC Nantes Atlantique, with whom he won the French league title two years later. Capped 32 times at senior international level, he went on to gain more success as a coach.
©UEFA.com 1998-2017. All rights reserved.


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Browse our specially curated collections from our expert gallery team.
You can request to view any piece at our gallery in Liverpool or have your favourite shipped straight to your door.
Under £50
Browse and shop a brand new collection of art for just under £50. With affordable pieces from over 20 different artists in a variety of styles, you can find a sentimental yet unique gift for an art lover or simply treat yourself to a brand new piece of art for your home.
le bateau£40.00
Goodison£30.00 – £495.00
Royal Albert Dock 2018£38.00 – £78.00
Under £100
Browse and shop local art for just under £100. We have specially selected a range of art which we think would make the perfect Christmas gift for an art enthusiast.
Under £250
Discover the gift they really want to see under the tree this year with our carefully selected collection of limited edition and original art for under £250. Indulge your loved one this festive season with a unique piece of art from a local artist.
Metropolis Exhibition
Exhibition Metropolis showcased the work of Susan Finch and John Charles, each depicting urban landscapes in their work, specifically Merseyside.
Borderline Exhibition
Exhibition Borderline showcased the work of five North West based artists, each exploring the relationship between geographical boundaries in a variety of artistic styles.
Figurative Art
The human form has been a subject of wonder and symbolism throughout the history of art. Discover a collection of portraiture and figuration which explores aspects of the real world and what it means to be 'us'.
The Female Gaze Exhibition
Missed our latest exhibition The Female Gaze: Women Depicting Women? Browse some of the pieces showcased, by three local women artists: Mia Cathcart, Liz Jeary and Becky Atherton.
Statement Art
Large-scale, emotive, bold. Browse a collection of art which will make an impact in any room.
Welsh Landscapes
A beautiful collection reflecting the connection between Liverpool and Wales. Discover beautiful Welsh landscapes and the striking topography our neighbouring region provides for us to enjoy and explore.
Tarren Hendre£350.00
Near Aberdyfi 1£450.00
Mawddach Estuary Light£110.00 – £1,750.00
Return To Snowdonia£750.00
The Liverpool Collection
We love our city and know you do too, so we've curated a collection filled with Liverpool-inspired original art and limited edition prints.
Liverpool Dawn£35.00 – £55.00
Cosmic Mersey
Rose Liver Bird£45.00
Mersey Composition (Synaesthesia 114)£35.00 – £75.00
The Abstract Exhibition
Browse a collection of original abstracts by local artists Emily Bartlett and Daniel John.
Light on Water Exhibition
Browse a collection of original and limited edition art from our recent exhibition Light On Water; a showcase of striking art exploring the interplay of the two elements.
Best Sellers
Browse a collection of the best selling limited edition prints from your favourite local artists.
The Rough With The Smooth
Browse a collection of art from our exhibition The Rough with The Smooth, which showcases art from five local artists whose artistic practice exploits the diverse physicality of materials and how different surfaces and textures affect the way we respond to art.
Metamorphosis: John Petch x OMD
A collection of art created by artist John Petch who designed the cover artwork for OMD's 16th studio album, The Punishment of Luxury. Browse original pieces and limited edition prints including The Punishment OMD Album Art signed by the band!
The Arboretum Collection
A beautiful collection of art inspired by nature and botanical subjects. Curated to be a forest of naturalism and abstraction, this collection contains a range of original artwork and limited edition prints that will create calm and tranquillity in any home.
Birchwood Suite II£175.00
Tree 71£71.00
Mellow Yellow£120.00 – £500.00
Of Gorse and Hedgerows£380.00
Unlock the subconscious and explore dreamlike landscapes with a collection of expressive and unique art that will take you beyond reality.
Browse a collection of art that will take you around the world. Transport yourself away from rainy Britain to far-flung destinations, from holiday-inspired beauty spots to culture filled city life. Feel holiday refreshed from your own home with our wanderlust prints and original art.
The Gift Collection
Nothing makes a more special and thoughtful gift than a piece of art. Browse our new collection of unique and sentimental limited editions and original pieces from local artists.
Browse a collection of dramatic and emotion driven art, each piece employing an effectual and fragmented black, grey, and white palette in order to provide structure to their space, subject and figures.
The Art of the Print
Browse a fantastic collection of affordable prints from the eight artists whose work was exhibited in The Art of The Print.
Bispham Tram Yellow£330.00
Palm House – Trees & Rain, Light Blue£40.00
Three Graces – Yellow Sky£35.00
Tree 79£71.00
Browse and buy affordable abstract artwork or request a viewing at the dot-art Gallery.
Browse our special collection of limited edition and original geometric artworks
composition no 5£750.00
Constellation III£850.00
back north john street medium£58.00
February 2016 (Synaesthesia 72)£150.00
Fabrication Exhibition
Saturday 15 July – Saturday 5 August 2017
Featuring Joanne Thompson.
The Figure Exhibition
Friday 3 February – Saturday 25 March 2017
Featuring Faith Bebbington and David Brightmore.
The Liverpool Collection Exhibition
Friday 25 November 2016 – Saturday 21 January 2017
Featuring Susan Finch, Michael James, Ali Barker, Helen Conway, Ken Lewis, Clare Bates, Lee Summerfield, Josh Worrall and Grahame Ashcroft.


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Product Recycling Fund
The price of this item includes a contribution to a Product recycling fund to ensure that waste electrical and electronic equipment is collected and recycled in a responsible manner.
Where do you want to start your day?
Welcome to the Bedroom gallery where you can browse tons of bedroom furniture combinations in loads of different styles and sizes – and at affordable prices. We've even picked the products for you, so it's easy to recreate what you see here in your own home. Take a look and find the bedroom you've been dreaming of.
- /
- Bedroom
- /
- Room settings


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We provide expertise services in development and operations of renewable power schemes with main emphasis on hydropower and geothermal power plants. Landsvirkjun Power is a subsidiary of Landsvirkjun, one of largest renewable energy companies in Europe,
operating about 2000 MW of hydropower and geothermal power plants. Constantly working as Owner´s Engineers and on operations and maintenance, we can provide unique lessons-learned engineering services to our customers.
Hydropower Experience
50 Years
Geothermal Experience
30 Years
International Experience
30 Projects
In over
15 Countries
We have skills and experience to turn an idea into a fully operable project, from study to supervising the construction and commissioning.
Read more
We have been part of numerous renewable projects in over 15 countries.
View projects
The installed capacity of the Kárahnjúkar Hydropower Station (HPP) is 690 MW, and generation is 4,800-5,000 GWh/year.
Since 2003, Landsvirkjun has carried out international activities in the hydropower, geothermal and transmission sector.
Founded in 2007 as a subsidiary of Landsvirkjun, the National Power Company of Iceland, to manage its international operations.
25 Years
25 Projects


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Alaskan artists, exotic foods and entertainers from all over Alaska!
The Girdwood Forest Fair is a family fair that has become an annual event in the resort town of Girdwood, Alaska located 36 miles south of Anchorage. This year event times are as follows:
Friday July 3 ~ 11:00 am – 8:00 pm
Saturday July 4 ~ 11:00 am – 8:00 pm
Parade at 10:00 am
Sunday July 5 ~ 11:00 am – 6:00 pm
The Forest Fair features Alaskan artists, hand-crafted items, exotic foods and entertainers from all over Alaska. Fun for the whole family is kicked off by the Forest Fair Parade on Saturday, at 10:00 am.
The fairgrounds are located at Mile 2.2 on the Alyeska Highway in the community park area. Limited parking is available at the Alyeska Resort Daylodge with Shuttle service provided. Car pooling is encouraged!
There is no admission fee, only good times! Be sure to purchase a limited edition Girdwood Forest Fair T-Shirt "The Cover Charge that Covers Your Back"!
Camping will be allowed in Forest Fair Campgrounds only for a fee – Camping permit required. Public Camping is prohibited in the town of Girdwood during Forest Fair Weekend. Law enforcement personnel will be patrolling the Girdwood Valley.


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Kearny 4, Morse 0
Kearny High pitcher Daniel Arellano ranks second in the state with 114 strikeouts. Impressive as that is, the 6-foot-1, 190-pound senior right-hander is lucky to be playing baseball at all.
As an 8-year-old, Arellano was stricken with Guillain-Barré syndrome, a rare neurological disorder that causes the immune system to attack the nervous system.
Doctors aren't sure what causes GBS, but some cases have been linked to viral or bacterial infections.
"My doctors told me that the chance of me ever walking again was slim to none," said Arellano, who was paralyzed from the neck down and hospitalized for several weeks.
Despite his youthfulness, Arellano vowed that he would regain his mobility.
And so he has.
He pitched the final two innings with five strikeouts in Kearny's 4-0 City League victory Tuesday at Morse. Before moving to the mound, Arellano sparkled at shortstop and was 2-for-4 with a double and an RBI against the Tigers.
"After I got out of the hospital I went through four to five months of physical therapy," Arellano said. "I had to learn to walk and use my muscles again. It was basically like starting over."
Arellano was unable to begin his baseball career until he was 9. His first position was catcher and he also played third base and shortstop. He didn't pick up pitching until his sophomore year in high school.
"This is my fourth year on varsity," Arellano said after the Komets (13-9, 8-0) blanked Morse for the third straight game. "People have looked at Kearny as a doormat, and we've worked hard to change that. We feel like every time we go out there we have something to prove."
Quiency Burnell pitched the first five innings for the Komets to earn his sixth win in seven decisions. He allowed two hits, walked three and struck out seven.
"Quiency is a five-tool player," said second-year Kearny coach Cheyne Whitney.
Burnell struggled at times with his control, but his defense came up with key plays. The biggest play of the game for the Komets came in the fifth inning when left fielder Larry Young threw out the potential tying run with a strike to catcher Tony Olivier to end the inning.
"I made some mistakes," Burnell said, "but I've learned to keep my composure and not let things mess me up when they're not going good."
That's a motto Kearny has learned to live by.


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Are you an art enthusiast or a scholar of Italian art or would you simply like to know more about one of the key aspects of our culture? Enrol in a language course and attend lectures on the History of Art. This extracurricular program offers students the opportunity to learn about and admire the masters and masterpieces of Italian art.
A long journey of discovery through the Romanesque, Gothic, Renaissance and Baroque periods with protagonists such as Giotto, Botticelli, Da Vinci, Raffaello, Piero della Francesca, Mantegna, Caravaggio and many others. This course devotes particular attention to the Italian Renaissance, the monuments and art of Verona, the flourishing art of Venice and the genius works of Andrea Palladio.
If you would like to discover the most intriguing aspects and secret heart of Verona, don't miss the afternoon Guided Tours of Verona held once a week.


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SPM Biology 2013 – Tips and Predictions for Paper 4551/2 and 4551/3
Paper 2 – Structure
F4 C4 Chemical composition of the cell (Factors affecting enzyme activities)
F4 C6 Nutrition
F4 C7 Respiration
F4 C5 Cell division (Cancer, Tissue culture)
F4 C8 Dynamic ecosystem
F5 C5 Inheritance / Variation
F4 C2 Cell structure and cell organisation
F5 C2 Support and locomotion
F5 C3 Coordination and responses
*menstrual cycle & negative feedback mechanism
*double fertilation
*air pollution / greenhouse effect
Paper 2 – Essay
F4 C9 Endangered ecosystem
F5 C1 Transport
F5 C3 Coordination and responses
F5 C4 Reproduction & Growth
*respiration & photosynthesis
*movement of substance across semipermeable membrane
*dynamic ecosystem
Paper 3
F4 C6 Nutrition (Vitamin C determination)
F4 C3 Movement of substance across the plasma membrane
F4 C4 Chemical composition of the cell (Factors affecting enzyme activities)
F4 C7 respiration (anarobic respiration)
F4 C8 Dynamic ecosystem (capture, mark, release, recapture)
F4 C9 Endangered ecosystem (air pollution)
F5 C6 Variation
(Notes for some of the chapters are available under the Berry Notes section, so make sure you read and understand the chapters. Bookmark them too and revise often if you want to do well in your SPM examinations.)
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text: This past weekend, the National Aquarium, Washington, DC hosted its annual Shark weekend celebration and introduced its newest exhibit, Sherman's Lagoon. The permanent exhibit is home to Sherman the Shark, a popular character created by nationally syndicated cartoonist Jim Toomey, and is dedicated to the Aquarium's important work on shark education and conservation. Jim Toomey partnered with the Aquarium's shark experts to share his creative ideas of communicating fun and interesting facts about sharks. The exhibit features interactive workstations, educational videos, shark myths and conservation messages from Sherman the Shark. Activities include spinning the "Wheel of Doom" to learn about the dangers that sharks face as well as an art station where visitors can draw their own illustrations of Sherman. Sherman himself has been brought to life as a costumed character exclusively for the Aquarium. Sherman helps promote greater awareness and protection of these ancient, mysterious and often misunderstood ocean dwellers. "For nearly 30 years, the National Aquarium has been a leader in shark conservation through our care and research," commented Bob Ramin, executive director of the National Aquarium's DC venue. "With the help of Jim Toomey, we have created an engaging exhibit that will now help us educate our visitors about the importance of shark conservation and eliminate misconceptions about these fascinating ocean creatures." Sherman's Lagoon is one of the many exhibits in the aquarium that incorporates education with fun. While tending to the activities, visitors will learn about sharks and the National Aquarium's ongoing work in shark conservation and protection. Visitors are encouraged by the Aquarium to help their cause by signing a personalized petition to send to congressional lawmakers just down the street in support of the Shark Conservation Act. The act is intended to protect sharks, mainly from fishing and shark finning, from possible endangerment or extinction. On average around 73 million sharks are killed each year equating to around 200,000 per day, making them one of the most threatened animals in our waters. After exploring Sherman's Lagoon visitors can also stop by the Channel Islands, National Marine Sanctuary Exhibit to see the various sharks lurk around in their exhibit and witness Lunchtime with Sharks, one of the Aquariums many daily animal encounters. Feeding of the Leopard, Swell and Horn shark take place on Mondays, Wednesdays, and Saturdays at 2:00 p.m. Visitors will also learn what makes sharks different from other ocean creatures. Conservation of animals and the environment continues to be a large priority of the National Aquarium. The National Aquarium promotes respect and care for the environment and the animals that live in it through research and multiple education programs. To learn more about the National Aquarium's conservation work, aqua.org. Categories: Exhibits


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DJ Brad? Keselowski to host local radio show
For those about to rock, Brad Keselowski salutes you.
Keselowski, a rock music fan who also happens to be the defending NASCAR Sprint Cup Series champion, griped about the choice of bands on Charlotte's WEND-FM upon meeting one of its disc jockeys last year.
The DJ, who goes by "DZL," said he told Keselowski to worry about winning the championship -- but that he'd let the driver come on the radio station and play whatever he wanted after he won.
SLIDE RIDE:Track offers nifty bar entry
Well, Keselowski became the NASCAR champion in November. So on Jan. 25, Keselowski will take over for one hour during Friday afternoon drive time (5-6 p.m.).
"This is something I've wanted to do since I was a kid," Keselowski said in a statement. "I always thought that radio deejays, along with race car drivers, had one of the coolest jobs around. Why wouldn't you like fast cars and rock and roll?"
WEND is a favorite of Keselowski's. He began listening to the station in 2007 after he moved to Charlotte, since it plays the rock and alternative rock he prefers over other forms of music.
Naturally, there's a Twitter tie-in to Keselowski's appearance. The Penske Racing driver -- who was the first NASCAR driver to tweet from his car, during last year's Daytona 500 -- will take requests via the social media site, but only if the requests are accompanied by a donation to his Checkered Flag Foundation, which benefits wounded military members and first responders.
There will also be a charity auction where fans can meet Keselowski at the station.
DZL compared giving up his seat to letting someone turn a few laps at Bristol.
"I just hope he doesn't hit the wall with my car," DZL said.
Follow Jeff Gluck on Twitter @jeff_gluck
PHOTOS: Brad Keselowski's career


text:
Mobile Friendly Chip Load Calculator - Check Out the New GDP|GUHDO
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Felder CNC anyone?4/18
Is anyone here running a Felder nesting CNC or at least does anyone know of a shop running one? Just about to buy our first CNC - leaning toward Thermwood but considering Felder as well.
Talked to a guy in Chicago area that has two. Got his number from sales. Has had good success
I'm thinking you would do well with Thermwood or Felder. I was looking at a Felder but we just can't knock the reliability of all our Biesses
Getting ready buy our 5th Biesse product another cnc router. Then an Intermac stone cnc. The stuff just works great
Good luck. Don't forget dust collection, added vacuum, electric and air to be in place. Start looking on e-bay for 200# vac lift
I think the weak Euro makes the Felder a pretty good value right now. I've seen it in action, seems like a well designed machine.
I don't own a Felder or Thermwood, but own two Busellatos, a Weeke and a Cr Onsrud. I can tell you this: I have looked at a lot of machines and if you are comparing the two, Felder would be my choice. It has great software - Albatros, the same as my Busellatos and we have about 20,000 hours collectively on them. You will benefit greatly by the front end on the Felder as it will allow programing at the machine and altering programs on the fly as well as calling up programs that are stored. Additionally, the people are competent and the machine is built well. It was on our top three pick list recently and space consideration knocked it out for us. Additionally, you must have an off-load table! That new concoction that Thermwood is promoting has no off-load. Good luck and get references!
john take alook:
I would be more inclined to buy a Busellato from Busellato vs. a "Felder" which is a Busellato with their badging.
I own 2 Busellato's Jet4 and 130, both great machines with excellent service/support.
I have personally had HORRIBLE!!! service with felder and would avoid them at all cost.
To avoid any confusion about Felder and Busellato... Busellato did build CNCs for Felder for a few years in mid-2000's. Since around 2008, there has been no collaboration between the companies.
Bill Blackmon, Busellato product manager
We have a Felder machine and it has been a rocky road. We process what they consider a unique material "plastic" so it has been a long learning curve teaching them how to make their machine do it.
I would be happy to address any questions or hear your feedback on this subject.
hello all
No we still didnt get one yet. we looked at a biesse and found it built way more robust than the felder. That being said I dont know if that adds to the machine or not. We had the scm rep in our shop but have not seen one in action. They are trying to get into the saskatchewan market and wanted to use us as a demo shop. We have had a big downturn in work volume since oil prices dropped as we are right north of williston ND and 1/2 of the economy is oil based here. Still busy but the focus of work has shifted. Stull looking at all options though as this is the way we want and need to go. From what I understand is that the format4 is and was always a pod based machine that was adapeted to a flat table nesting router. The scm seems robust as well, but i would look for progarmming eas as the first thing and software flexibility. I used ecabinets for a few years but found it to be too cumbersome on the computer although it works perfectly. Now we use Mozaik which is quite nimble but the output to the panel saw is harder to read. I chose this software so that it could portal to any cnc.
The Astra R-Nesting software can export layouts to any cnc saws: Felder, SCM, Holz-Her etc.
Look at the BOSS CNC machine - made in Texas. Great turnkey package deal. We've had great success with it.


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CalWORKs Education & Training
Welcome to the CalWORKs Education and Training Program. We are here to help potential, current, and former welfare recipients obtain valuable work experience and complete their educational goals at City College of San Francisco.
We offer a variety of services and serve a diverse CalWORKs population. If you are interested in becoming a participant of our program, please contact the CalWORKs Office today to schedule an appointment.
Some Services Include:
- Employment opportunities (Income does not affect your cash aid)
- School Supplies Assistance
- Financial Aid and Tuition Fee Waiver
- Transportation Assistance
- Paid Book Support
- Laptops Available to Loan
- Academic & Career Counseling
- County Employment Specialist conveniently located on campus


text:
MySQL 5.5 Reference Manual Including MySQL NDB Cluster 7.2 Reference Guide
The discussion in the following paragraphs does not apply when
binlog_format=ROW because, in
that case, temporary tables are not replicated; this means that
there are never any temporary tables on the slave to be lost in
the event of an unplanned shutdown by the slave. The remainder
of this section applies only when using statement-based or
mixed-format replication. Loss of replicated temporary tables on
the slave can be an issue, whenever
binlog_format is
STATEMENT or
MIXED, for
statements involving temporary tables that can be logged safely
using statement-based format. For more information about
row-based replication and temporary tables, see
RBL, RBR, and temporary tables.
Safe slave shutdown when using temporary tables. Temporary tables are replicated except in the case where you stop the slave server (not just the slave threads) and you have replicated temporary tables that are open for use in updates that have not yet been executed on the slave. If you stop the slave server, the temporary tables needed by those updates are no longer available when the slave is restarted. To avoid this problem, do not shut down the slave while it has temporary tables open. Instead, use the following procedure:
Issue a
STOP SLAVE SQL_THREAD statement.
SHOW STATUS to check the
value of the
If the value is not 0, restart the slave SQL thread with
START SLAVE SQL_THREAD and repeat the
procedure later.
When the value is 0, issue a mysqladmin shutdown command to stop the slave.
Temporary tables and replication options.
By default, all temporary tables are replicated; this happens
whether or not there are any matching
--replicate-do-table, or
options in effect. However, the
--replicate-ignore-table and
options are honored for temporary tables.
A recommended practice when using statement-based or
mixed-format replication is to designate a prefix for exclusive
use in naming temporary tables that you do not want replicated,
then employ a
option to match that prefix. For example, you might give all
such tables names beginning with
norep (such
norepyourtable, and so on), then use
to prevent them from being replicated.


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In 1787, the year Franklin College was dedicated, its first benefactor, Benjamin Franklin, declared that the College would be an integral part of the community, and that its students would set an example as model citizens.
The dedication happened shortly before the U.S. Constitution was signed. "The College in many ways has moved forward in lockstep with the country ever since," Professor David Schuyler said during Franklin & Marshall's Common Hour Thursday, Nov. 8.
Schuyler, the Arthur and Katherine Shadek Professor of Humanities and American Studies, and fellow historian David Stameshkin, retired F&M associate dean and prefect emeritus of Bonchek College House, recounted highlights of the College's 225-year history during a talk titled "Picture This: Images and Stories of F&M's History." The talk spanned from Franklin College's first class of 114 students to its merger with prestigious Marshall College in 1853 through its physical and intellectual growth into a diverse residential liberal arts institution that draws students from across the country and around the world.
The talk coincided with a yearlong celebration of F&M's heritage, "Beyond 225: Inspired For Life," which continues throughout the academic year. Common Hour, held on Thursdays throughout the academic year, is intended to bring the entire F&M community together for culturally and academically enriching events and to promote dialog on international, national, local and institutional issues.
"This College has a long and distinguished history, and you are now part of it," Schuyler told the audience of several hundred students, faculty and staff. "I always tell students, 'You are not just passing through for four years on your way to someplace else. You have taken your place in the history of a College that goes back 225 years and now will continue to go forward.'"
History Lives On
As historic images of the College's campus, students and faculty were projected on a screen behind them, Schuyler and Stameshkin recounted how the College has grown over the years. Its first permanent buildings -- the Gothic revival trio now called Old Main, Diagnothian Hall and Goethean Hall -- emerged in a wheat field, followed by dormitories, academic centers, libraries, and centers for music, the performing arts and athletics.
Reminders of the past are everywhere on campus, Schuyler said. In 1857, for example, a professor, Thomas Conrad Porter, led his students in an effort to plant trees -- which the students purchased themselves for $1.18 each -- throughout campus. At least one of the trees still stands on the south side of Keiper Liberal Arts Building, Schuyler said.
The historians explained that before they were called the Diplomats, sports teams at F&M were known as the "Nevonians," taking their name from John Williams Nevin, the president of Marshall College and the second president of F&M. Today, alumni celebrating the 50th anniversary of their graduation are admitted into the Nevonian Society.
As the focus of the College shifted to include the residential experience in the late 19th century, students formed eating clubs, and a gymnasium was built in what is now Distler House and the campus bookstore.
"There were very few students living on campus, so the question was: How do you form a community?" Schuyler said.
An Expanding Campus
The year 1925 was a turning point for expansion of the physical campus. In the 1950s and 1960s, dormitories were built to compete with other residential colleges, Stameshkin said. In 1969, women again were admitted -- 182 years after the first class of students, which did include women. The year 2001 was the first year F&M enrolled more women than men.
Schuyler and Stameshkin noted that their presentation merely scratched the surface of the rich history of F&M, which continues to evolve and grow each day.
After the talk, Czarina Hutchins '15, who is considering history as a major, said she had learned a few new historical tidbits that would come in handy for her job as an admission student ambassador.
One of those facts: "It was interesting how students in the olden days had to pay for the buildings because they did not have the benefit of endowments and alumni support," she said.
Sarah Strong '14, a biology and dance joint major, said she enjoyed hearing about landmarks from the campus' early days that still remain.
"I always come to Common Hour because you never know what's going to spark your interest," Strong said. "This was a very different Common Hour. It was interesting to hear about the history of where I go to school and to learn things like that there was a building, Hartman Hall, where Hartman Green is, and that there are still two trees that were there 50 years ago."


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Educational posters on prevention and treatment will be displayed at polling places
Washington, D.C., November 25, 2010 (PAHO) — Going forward with elections in Haiti this Sunday is not expected to increase the spread of cholera, a top official at the Pan American Health Organization/World Health Organization (PAHO/WHO) said today.
Cholera is transmitted almost exclusively through fecal contamination of water and food, noted Dr. Jon K. Andrus, PAHO's Deputy Director. Cholera is not a communicable disease, such as influenza or the common cold, which can be passed among people in close contact via coughs or sneezes.
"The kind of movement and congregating you see with people going to vote is not the kind of movement that creates an increased risk of cholera transmission," Andrus said. "Close contact does not put people at greater risk of cholera the way it would, for example, for flu."
Cholera has spread rapidly in Haiti due to poor sanitation and water infrastructure as well as associated behaviors such as defecating in the open instead of in a latrine, Andrus said.
To stem cholera's spread, health and relief workers have been working to provide potable water supplies and chlorine tablets to Haitian families and communities. They have also been distributing oral rehydration salts, which can prevent severe illness and death from cholera if administered promptly.
In addition, the Haitian government is disseminating prevention messages through the mass media and through public education materials that encourage hand washing, safe food handling and prompt treatment for people who have symptoms.
To further encourage prevention, PAHO/WHO is providing 22,000 educational posters for distribution to voting places around the country. The posters, produced in collaboration with Haiti's Ministry of Health, describe how to prevent cholera and what to do if one becomes ill. They are being distributed by the U.N. Stabilization Mission in Haiti (MINUSTAH) as part of its efforts to support the elections.
Meanwhile, the cholera epidemic continues to spread, and Haiti's Ministry of Health has confirmed cases in all 10 of the country's departments. PAHO/WHO experts believe that official case counts significantly undercount cholera's toll, due to gaps in the surveillance system.
PAHO/WHO's country office in Port-au-Prince has reported that the spreading epidemic has put increased pressure on newly established Cholera Treatment Centers, which are intended to provide medical care for severe cases. More work needs to be done at the family and community level to encourage treatment at home with oral rehydration salts or at a local community health center, to prevent cases from becoming too severe.
PAHO/WHO is coordinating with dozens of other international and nongovernmental organizations in the response to cholera to ensure the prompt acquisition and distribution of medical supplies. Last weekend, PAHO/WHO, in coordination with Haiti's Ministry of Health and the World Food Program, distributed 87 tons of essential medicines and supplies via truck and helicopter in nine departments of the country. The supplies were intended to replenished stocks in areas already affected by the epidemic and to prepositioned supplies sufficient to treat about one-third of the expected cases during the coming months. This week, PAHO/WHO and its partners have been distributing medical supplies to 23 hospitals and health centers in metropolitan Port-au-Prince.
PAHO/WHO is also providing training, technical cooperation and expertise to Haiti's Ministry of Health and other partners in areas including epidemiology and surveillance, logistics, case management, laboratory, water and sanitation, and risk communication.
PAHO recently sent an alert to health officials in other Member States in Latin America and the Caribbean urging them to take steps to prepare for the possible arrival of cholera. PAHO recommended stepped-up surveillance, preparedness planning, improvements in water and sanitation, and increased public education.
For more information on the Cholera Outbreak in Haiti
- PAHO-Haiti on radio and tv cholera program (In French and Creole) Part I - Part II
- PROMESS, NGO's and Hospitals continue to function as if there was no hurricane
- Cholera in the Americas
- The Seventh Epidemic


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Chain Reaction: McDonald's Mighty Wings, Revisited
Would you like fries (or onion rings or chicken tenders) with that?
A little over a year ago, McDonald's tested a new product, Mighty Wings, in the Atlanta market. And Atlanta-based Serious Eats columnist Todd Brock got his hands on them. His review of the then 'limited release' wings can be found here: McDonald's Debuts Mighty Wings in Atlanta, They're Actually Mighty Good.
Now, go back and actually read the damn review. I'll wait.
Pretty good piece, right?
This month, McDonald's launched its Mighty Wings nationwide, so we felt a follow-up was in order. So what, if anything, has changed? It seems fair to highlight a couple of things Todd said, drop in a couple of updates, sprinkle some photos here and there, and wrap it on up. Whaddya say?
"They have a genuinely spicy kick."
The 2013 version hasn't lost a step in the spice department. Again, not "hot wings" in the traditional sense (though I'm pretty sure "hot wings" usually refers to a chicken wing with a hot sauce application), but spicy enough to satisfy people who currently have two or more unique bottles of hot sauce in their pantry/fridge. Undoubtedly, some customers will find the spice unpleasant. They're wrong.
"A word about sauces"
No changes to the sauce offerings (Creamy Ranch, Honey Mustard, Spicy Buffalo, BBQ, and Sweet & Sour). No real need, either. Now as they did then, the wings stand well on their own merit. The sauces were more enjoyable than other recent offerings from Popeye's, so there's that. (Note: Americans love sauces, but 'more' does not always equal 'better.') It's important to note that, given the Mighty Wings size (see wing vs. cell phone picture below), McDonald's may want to consider reengineering the sauce containers rather than just using the same Chicken McNugget packages. It's easy to mush a McNugget into a thumb sized BBQ sauce; a firm, bone-in wing is another matter.
"Some wings showed patchy bare spots."
None that I noticed, actually, but admittedly I didn't look very hard. I housed 10 Mighty Wings in, oh, roughly the same number of minutes. Lay off me, I was starving (man, I hope someone gets this reference).
"I feel like McDonald's could have a perception problem to overcome if they are to go wide."
I feel you on this one, Todd. They're working hard, sure, as evidenced by their new commercials featuring NFL Quaterbacks Joe Flacco and Colin Kaepernick, but I doubt "McDonald's" comes to mind in the first 10 places you think about when you're craving chicken wings. The best thing McDonald's has going for it is the taste, and that's huge, maybe?
I don't remember waiting particularly long for my 10-piece order of Mighty Wings (still being served in two 5-piece boxes, by the way; c'mon, McDonald's, that's rookie stuff...), but I also downed a small McCafé Mocha Frappé while I was waiting, so maybe I got lost in the sugar rush. A $9.19, 10-piece order also chimes in at 960 calories. Both the price and the calorie count struck me as large then, and I don't feel any better about either when writing this now.
Yes, this review is light on the product itself. Everything Todd said about the crispiness, juiciness, and meatiness still holds true a year later. I can't say it any better then he did, folks:
"Holy crap, those are really freakin' good."
Todd Brock Lee Movic
All products linked here have been independently selected by our editors. We may earn a commission on purchases, as described in our affiliate policy.


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Hey there, alien, why so blue? Is it because you've already ingested that squad of marines and have nothing else to play with? You know what'll cheer you up? A little Eiffel 65.
Here's the official box art for Aliens: Colonial Marines, a rather fetching image that's sure to draw the eye, and once the eye is drawn the creepy tongue-with-a-mouth strikes! I figured I'd be nice and share that with you.
<a href="http://www.youtube.com/watch?v=68ugkg9RePcAnd then counterbalance the nice with this. In your head. All day long.


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Blog of Dr. Miland Brown that features different aspects of world history. Not everything can be covered but sites dealing with any historical issue or topic are possible future posts. Also includes sites which discuss teaching history. Dr. Brown is an academic in North America.
Sunday, November 06, 2005
Google Print
I have spent most of today browsing Google Print. And I am amazed.
Here is a description of the project from the Google Blog:
"The world's libraries are a tremendous source of knowledge, much of which has never been available online. One of our goals for Google Print is to change that, and today we've taken an exciting step toward meeting it: making available a number of public domain books that were never subject to copyright or whose copyright has expired. We can show every page because these books are in the public domain. (For books not in the public domain we only show small snippets of the work unless the publisher or copyright holder has given us permission to show more.)"
"Our partner libraries –- the University of Michigan, Stanford, Harvard, the New York Public Library, and Oxford –- have preserved and nurtured these books through decades of wear and tear, and we're excited to play a part in ensuring that they, and the knowledge they contain, will be more accessible than ever for decades to come."
Google is still early in this project but there is a ton of information online already. Historians are going to have easy acces to everything published before 1923 (and hence in the public domain) and owned by a participating library when this is completed.
For example, I did a phrase search for "Abraham Lincoln" and limited it to the years 1840 to 1922. This resulted in over 9000 hits! Many of these were references to Lincoln in material not primarily about Lincoln but a lot of it was actual public domain books about him.
This is just overwhelming. The world has changed dramatically seemingly overnight. We all know that people get most of their information on the Web now. This has meant that books have been excluded when searches are done. Not anymore! As Google scans them in, they now also appear when you type in information in that box. Further, as copyright limits the transmission of information from newer books, it will invariably aim searchers to full-text public domain material. This will help to bring primary source material to the front of web searching.
I do have one complaint. Printing and copying text from the books is impossible. I fully understand this with books still under copyright. By all means, give the searcher just enough to encourage them to buy the book. But public domain books? Why not allow searchers to copy and print it? Many students (and scholars) will give up on Google Print if they have to manually retype everything they find to use it in a paper.
I will be using Google Print a lot. I have found a great deal of source material for several of my research projects I had no clue was out there before today. And I am a good library researcher! The world has changed. And I am liking it.
3 comments:
- FreebornMD said...
This is amazing. I have spent the last two hours just reading through documents on Roger de Flor. I think the beauty of this is the ability to really narrow in on a focused search and yet yield numerous yet meaningful results. How great is it to pull up the original texts that previous we were forced to read other author's interpretations of?
I wont get into the copyright debate but purely from a history-buff perspective its a game-changer.
- Sumir Sharma said...
It is so great.
I think just a few weeks back, you have expressed this desire.
Even I have written long response to your comment that the books which are out of print should be made available to interested people. Well, in those days, there was news that google was working on that line.
Even some of us are mainly doing the same job here. We are trying to locate the authentic sources on net. You have achieved a great success.
Before that there was only guttenberg.org giving 16000 titles. Now, here another source is available. Some days back on my blog I have given links to information provided by Ian Sinclair who has given information on Digital Library, Kaiser Library and Indology.
Now we have another source.
I have just started with Baburnama query. So before closing I just thanks you for pointing out this source.
- M said...
Sumir, yeah I did express this a few weeks back. I was aware that Google Print was in the works but I had no idea how great it would be.
Also check out http://www.bl.uk/news/2005/pressrelease20051104.html. MSN is going to scan the public domain collection of the British Library and put it online!


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text: Thanks to all of you for making emtacl12 a really memorable conference. Three days packed with good keynotes, good speakers, great sociable conference attendees, great conversations and new friendships/acquaintanceships. Taking all this into consideration there could be no other thing to say than welcome to emtacl14, time will tell where and when…..


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I finally have my PayPal account working, so as I figure it out I'll be opening commissions. I quit my job and now have plenty of time to focus on school and art. IT'S LIKE THE TETRIMINOS OF LIFE ARE FALLING INTO PLACE.
So the way this will work is I think I'm going to have two separate types of commissions. Full-body character and head-shot/forum avatar commissions. Until I can get into the real swing of how I'm going to do this, I think I'll have ONE full-body and TWO head-shot commissions open at any one time. The two different types will have different (but fair!) prices, along with optional additions for things like color (curse you, color).
Da Rules
Of course, nothing is complete without rules. Simple rules. Any commissions I complete will be posted here as an example to potential future commissioners. The copy posted here will be watermarked. Unfortunately, for the current time, things like mailing the paper-copy of the drawing to the buyer is impossible, so I hope digital copies sans-watermark will be fine D: The only person with permission to reuse the drawing would be the buyer. Easy, amirite?
Note: Prices are not yet set in stone, as I go I'll figure out what people think is fair, unfair, mudkips, etc etc. But for now, this is what I'm thinking.
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Edit: ALREADY? Yes. I may or may not add a signature section in the future if this proves fruitful. :3
Edit 2: Adding commission for a pencil crayon Chinese Dragon. I even have an example.
Edit 3: Knocked down all prices $5.


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Un ganador ha sido elegido entre 111 diseños de 20 diseñadores freelance.
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I have spent the last 17 years in the sales, marketing and advertising business and I have been approached by several clients to represent them in their advertising needs. However, I believe that there is more to helping a company with their advertising message. It's about understanding their core brand value to the market, how you attract that customer in today marketplace and how you capture future buyers. That is why I am approaching this company as a consulting firm vs. an advertising agency.
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Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


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Transfer of Academic and Administrative Records
The Archives welcomes transfer from departments and offices of the College of academic and administrative records that can help document the work and history of the College. Documents in a variety of formats are welcome – paper (bound and loose leaf), photographic negatives, transparencies, and prints, as well as digital records. Records to transfer may include:
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Please contact the Archivist when considering transfer of records. We may be able to help with selection and arrangement of the records.
Please fill out the College Archives Transmittal Form and send to email@example.com
Also see Preparing Records for Donation or Transfer to the Archives.


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Throughout the year we offer many ways to connect with God and others through worship services, LifeGroups, various ministries, and special events.
Here are 5 next steps you can take:
1. Visit Connection Point Central
Connection Point Central is an informational resource and gathering place in the Worship Center lobby where you can meet one of our pastors and find out more about Calvary. We'd also love to give you a gift of a free drink from our bookstore just stopping by. Hope to see you this Sunday after the service.
Learn what to expect on Sunday Mornings
2. Attend a "Discover" Class
Discover Classes are interactive experiences designed to help you learn how to live out the Christian life. Come take a next step in your faith by getting connected in community with God and others at Calvary, by growing as a follower of Jesus and by discovering your purpose.
3. Find a LifeGroup
LifeGroups are small group communities that gather together to CONNECT in a smaller setting, GROW together in our faith, and REACH out together to our community.
4. Get Involved
As followers of Jesus, we are called by God to reach out to those around us through acts of service and compassion and through the sharing of the good news of the gospel. At Calvary, we offer a wide variety of opportunities to reach out to others in our church, in our community and around the world.
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5. Connect Online
Check out the latest issues of The Current, subscribe to Pastor Eric's weekly email and like us on Facebook to stay up to date on life at Calvary and be a part of our online community.
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Disney details upcoming events at Seven Dwarf Mine Train announcement
Summer specials planned at Epcot, Magic Kingdom, Animal Kingdom
ORLANDO, Fla. – Disney on Friday announced several new events at its parks, including details on Star Wars weekend, an after-hours event at Epcot and a "Frozen" cruise.
The news came at an event for Disney's Seven Dwarfs Mine Train debut on Friday. Officials announced that the roller coaster will officially open May 28.
Star Wars weekends will run from May 16 to June 15 and feature a special character dining, along with a Symphony of the Stars featuring famous characters, Disney officials said.
At Epcot, an after-hours wine down event will allow park guests to stay after the fireworks every night through the summer and visit one of the four lounges for drinks.
Park officials also said for the third time they will host a 24-hour event on May 23-24 where Magic Kingdom will stay open all night.
At Animal Kingdom, theatrical performances of the "Lion King" will be a part of "Harambe Nights" from June 7- Aug. 9. Celebrities such as Viola Davis and David Allen Greer will narrate the performances.
Avatarland will have three interactive elements open to guests in 2017 in Animal Kingdom, officials said. Guests will experience the world of Pandora with the floating mountains, the biolumminist rain forest and ride the Banshee.
Disney Cruise Lines also announced a new cruise to Norway and Iceland in 2015. The cruises will be based off on "Frozen."
In Downtown Disney news, officials announced in 2015 that "The Landing" will open with shops and entertainment, as Downtown Disney is renamed "Disney Springs" permanently in 2015.
Copyright 2014 by Local10.com. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


text:
Facing the cameras before a national television audience appeared more nerve-racking than participating in a perfect game for the White Sox's Mark Buehrle and teammates Dewayne Wise and Josh Fields. …
July 27, 2009
Mark Buehrle's Top 10 (text)
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