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news, mugshots.com, unconstitutional mugshot laws, exonerations,
arrest records, FBI most wanted
mugshot, mugshots.com news, mugshot news, editorials, opinion,
Lionel Williams
Who is Lionel Williams? Was Lionel Williams arrested? When was Lionel Williams arrested? What was Lionel Williams arrested for? Is this a mugshot of Lionel Williams? Are there more Mugshots of Lionel Williams? Is this the Lionel Williams you know? Who decides which Mugshots are Indexed online? Who decides what public records the American public sees? Why should Mugshots remain public record and available to all citizens? Are Mugshot laws unconstitutional?
Lionel Williams was booked in Smith County, TX
External Links:
Do you know of a related media coverage to this person and/or arrest? Submit a link now.
Mugshots.com : 183831023
Name : WILLIAMS, LIONEL
Race : Black
Gender : Male
Height : 6′ 0″ (1.83 m)
Weight : 285 lb (129 kg)
Hair Color : Black
Eye Color : Brown
Booking Number : 85236
Arresting Agency : Tyler Police Department
Current Facility : N/A
Booking Date : 7/26/2005
Release Date : 1/23/2006
SO Number : 108306
Address : WHITEHOUSE, TX 00000
Names / Aliases:
All are presumed innocent until proven guilty in a court of law. Published mugshots and/or arrest records are previously published public records of: an arrest, an indictment, a registration, supervision or probation, the deprivation of liberty or a detention. The mugshots and/or arrest records published on mugshots.com are in no way an indication of guilt and they are not evidence that an actual crime has been committed. Arrest does not imply guilt, and criminal charges are merely accusations. A defendant is presumed innocent unless proven guilty and convicted. For latest case status, contact the official Law Enforcement Agency which originally released the information.
The following Official Record of Lionel Williams is being redistributed by Mugshots.com and is protected by constitutional, publishing, and other legal rights. This Official Record was collected from a Law Enforcement agency on 6/21/2020.
Not the Lionel Williams you were looking for? Click here to search for other Lionel Williams


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64 W. Franklin St. Hagerstown MD 21740 Tel:1-888-748-2300 Int'l:1-240-683-0000
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We found 10 additional part(s) that are frequently viewed together.
Auto parts at wholesale prices is what you will find at AutohausAZ. Have you been searching the web for auto parts for your vehicle? You have come to the right place! Here at Autohaus, we strive to offer low prices on quality replacement parts and providing first rate customer service.
AutohausAZ offers free Standard shipping on auto parts orders over $99 shipped within the Continental USA.Learn More
Your auto parts purchases are protected by AutohausAZ's customer-friendly returns policy.Learn More
AutohausAZ offers industry-leading 3-years/36-months warranty on all auto parts purchases.Learn More
We steamlined our checkout process to get your order on the way faster.Learn More
AutohausAZ offers 65% discount on UPS shipping options for our international customers.Learn More
Check out what customers have to say about AutohausAZ on Google and ResellerRatings.com.Learn More
Application information below is for reference only and should not be used to determine the exact vehicle fitment. Please use the "Make Sure It Fits" vehicle selection box above to determine the exact fitment and review any application notes. If you need any help determining if this part works with your vehicle, please don't hesitate to contact us.


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shed dweller has not received any gifts yet
Greetings Dean
It is good to have you join us. Welcome to this cheerful friendly Internet community of rationality and peace, common sense and freethinking evidence-based wisdom.
We invite you to join the busy group "ORIGINS: Universe, Astronomy, Life, Earth, Humans, Religion, Gods, Atheism, Evolution, Darwin..." with 900 discussion topics and 4100 members. http://www.atheistnexus.org/group/originsuniverselifehumankindanddarwin
There are 1100 groups in Atheist Nexus. Do go visiting.
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Displaying items by tag: WordPress
The Law Offices of Mitchell Garabedian, a law firm specializing in sexual abuse cases, required a website that was responsive to quickly post breaking news of new settlements and media coverage. It was difficult to make changes to their previous site.
We redeployed the website and added new capabilities, including embedded video and transcripts of press conferences, and improvements to search engine optimization (SEO).
We continue to support the Law Offices of Mitchell Garabedian with site updates and improvements.
The Law Offices of Mitchell Garabedian, located in Boston, Massachusetts, offers help to those who were sexually abused by teachers, coaches, priests, scout leaders, and others in authority. Attorney Mitchell Garabedian has achieved results for more than 1000 victims / survivors and has been instrumental in publishing the names of the perpetrators that so long were kept silent.
Ursa Major supported the redeployment of the website, which had been hosted by Lexis Nexis Martindale Hubbell. When the site was at Lexis, it was difficult for the firm to get website updates made in a responsive manner. We are now in a position to provide nimble support to the law firm by keeping the website current, so that it reports the latest results achieved for victims and survivors of sexcual abuse. We are also applying Search Engine Optimization (SEO) best principles to increase website traffic and enable other sexual abuse survivors and their friends and families to find Garabedian Law.
Please visit the Garabedian Law website at www.garabedianlaw.com and see the compelling videos on YouTube as well.
Ursa Major's website development process focuses on understanding your:
- Goals and Objectives for the Site
- Audiences and Messages
- Business Functions Needed
- Search Engine Optimization (SEO) and Marketing Plans
We have experience defining requirements for enterprise level projects requiring integration of custom and off-the-shelf products, and supporting competitive procurement of solutions meeting those requirements, but less extensive website development projects follow a simple process.
Simple Sites
We review your existing site or any background material you can provide, and then conduct a structured interview process with you. We use a standard questionnaire, customized with what we already know about the project, to save time and make sure that we get the information we need. We use this information to develop a proposal to formalize our agreement.
We ask you to organize and provide us all content you already have for the site, including any logos, photos or other graphics, color choices, etc. that you want to have included. We review your existing site, including your plans for change, your hosting, and your current site traffic and SEO status, as applicable.
We then proceed to develop an initial site map and wireframe or set of wireframes for discussion and approval. Using that input, graphic design is done and/or a template is selected (if an off-the-shelf template is close to what is desired). Using an off-the-shelf template with a few tweaks may provide a great look and functionality for minimal cost.*
The flexibility of content management systems such as Joomla! and Wordpress means that navigation can be prototyped with a subset of actual content examples, while some graphic design decisions are still being made. Seeing is believing, and navigating real content stimulates further discussion of ways to enhance the site or the user experience.
Upon completion, we will do a full site review to test and correct any errors and ensure that the site meets your requirements. We'll ask that you then do the same, and let us know of any other changes that are needed. Scope management may dictate that some enhancements be delegated to a waiting list, but the productivity of Joomla! often means that a few extra features may be accommodated on the spot. We document what we have done and provide orientation and training of your staff, as agreed, so that they can add content as needed without relying on a developer.
We will host your site, recommend hosting, or use your current hosting. If desired, we will be available to support your SEO and site security.
More Complex Projects
While we love the productivity of Joomla! and WordPress, and the wide range of off-the-shelf widgets and components (particularly for Joomla!), some projects may need other tools or custom development. We will evaluate alternatives and provide you with our recommendations, staff the project appropriately, and incorporate the necessary quality assurance and testing into our project management plan. We will demonstrate the site on our test server so that adjustments can be made as appropriate.
Even for Joomla and Wordpress, note that the flexibility of templates varies, and customization of an existing template vs. development of a new, custom tempate presents real tradeoffs. When you're not exactly sure of what you want, letting us know examples of any sites you like (and what you like about them) is very helpful. We will have to help you know what to look for in templates. These days, the focus is increasingly on responsive design, and many currently available templates are not fully responsive. It all depends on what you need.
We have experience with e-commerce sites. Please contact us with your requirements.
Ursa Major Consulting has been involved in website development for many years, initially with hard-coded html and later using tools such as Dreamweaver and Cold Fusion. Typically, sites were built in conjunction with a given project, but some live on.
When WordPress became available, we began to use it. We watched Mambo's evolution, and loved Joomla! 1.0. Joomla! has come a very long way, now, and it has gotten better and better.
Joomla is one of the world's most popular software packages used to build, organize, manage and publish content for websites, blogs, Intranets and mobile applications. It is free and open source. Its overall design enables great productivity. Owing to its scalable architecture its also a great base to build web applications. It is famously extensible, with thousands of add-on components available, and it is natively responsive. Today, it can even be administered via smartphone.
So while we still consider websites a supporting tool to achieve a broader objective, we also love to create them. Give us a call if we can help you.


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Chiropractic Care For Pets
You know how chiropractic can help you, but what about your pets?View Article
You are using an outdated browser. Please upgrade your browser to improve your experience.
|Energy - Your Health Currency
The currency of U.S. corporations is dollars. In Europe, it's Euros. In Japan, corporations use yen. From a health perspective, the currency of your personal corporation is energy.
If we're not receiving sufficient amounts of any of these inputs, the debit side of our balance sheet increases. We don't have enough energy to accomplish our daily tasks, let alone do the things that will make our corporation profitable. With sufficient inputs we have energy to spare and our corporation thrives.
What are some outputs of a healthy personal corporation? A healthy, happy family. A creative work environment. Ongoing engagement in rewarding social activities. An ongoing experience of accomplishment. Self-expression. Peace. Joy.
In order for our personal corporation to continue to grow and prosper, it's basic needs must be met. In addition, it's always a good idea to make sure all the parts are working properly. That's where chiropractic care comes in. Just as an accountant reviews the financial health of a corporation, your chiropractor reviews its physical health. She makes "adjustments" wherever and whenever necessary, enabling your personal corporation to continue to evolve.
1Fitzbiggon ML, Beech BM: The role of culture in the context of school-based BMI screening. Pediatrics 124(Suppl 1):S50-S62, 2009
2Maizes V, et al: Integrative medicine and patient-centered care. Explore (NY) 5(5):277-289, 2009
3O'Donnell MP: Definition of health promotion 2.0: embracing passion, enhancing motivation, recognizing dynamic balance, and creating opportunities. Am J Health Promot 24(1):4, 2009


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Delivery and Returns
Delivery and service
We aim to dispatch orders within 1-2 full working days of receipt. From leaving our warehouse, deliveries are normally received in the number of days shown below. (Please understand, however, that these timings are beyond our control.)
|P&P Charge
|1st class mail
1 day
|Europe incl. Switzerland
|Air mail
3-5 days
|US & Canada
1 day
|Australia & New Zealand
|Air mail
5-7 days
|Rest of the World
Please ensure that you provide a delivery address where someone will be available to accept the goods.
If we're not able to supply all the items from stock, we will notify you and may offer an alternative. We only ship part-orders with your express agreement. There are no delivery charges on Gift Vouchers and Downloadable Patterns.
Incomplete, incorrect, damaged or missing orders
If your order is delivered incomplete, damaged or incorrect, please contact us within 24 hours of receipt. We will resolve the problem is the most appropriate way.
Returns and refunds
We want you to be happy with your purchase, however if you're unhappy, please let us know by email firstname.lastname@example.com or phone +44 (0)7486 463821.
Unless faulty, we'd like this to be within 30 days of receipt. We can only offer refunds on items returned in the condition in which they were supplied.
Please pack the parcel securely, enclosing a copy of your proof of purchase and tell us the reason for return. Post the parcel to the address that we will provide. You will be responsible for paying the shipping costs for returning an item.
When we receive the parcel, we will email you and a refund will be passed to your credit card or the original method of payment within 14 days. (Please allow 5 days for the bank to transfer the funds to your account).
If you have any queries, you can contact us by email firstname.lastname@example.com or call +44 (0)7486 463821.


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White cotton socks with organza ruffle.
Compliments: 5106 'Good Ship Lollipop' costume - see related products.
Measuring Guide A Wish Come True Costumes
For accuracy students should be wearing a leotard. These costumes are 100% American made therefore all measurements are in inches. To convert to centimetres, 1 inch is equal to 2.54 cm's.
GIRTH - Beginning at the middle of one shoulder, measure down through the legs and back up to meet the middle of the same shoulder.
BUST - Measure over the fullest part of the bust/chest, under the arms and around the widest part of the back.
WAIST - Measure around the natural waistline, the narrowest part of the upper torso.
HIPS - Measure around the fullest part of the lower torso.
INSEAM - Measure from the crotch down to the ankle bone.
Using Our Size Chart
To achieve the best fit for yourself/ students, use our size charts below. Select the size that most accurately reflects your or student's measurements. If a you fall between sizes or are on the borderline of one size, we recommend that you order one size up. If you are ordering a leotard based garment (one piece) or unitard, girth will be the most important measurement to fit. If you are ordering pants, hot pants, skirts, or two piece costumes, use waist, hips and inseam measurements as your guide.
If you have lots of students to measure we can arrange a fitting kit to be sent to you free of charge, contact us to arrange a sizing kit to be sent to you
View this video for a guide on how to accurately measure


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DevOps has become one of our industry's most popular buzzwords. Yet, surprisingly, there is little consensus as to what DevOps means beyond the high-level vision of tighter and more effective collaboration between development teams and operations teams. While DevOps might mean different things to different organizations, there is an emerging core of best practices that further its goals of enhanced collaboration to produce better software. I examine these practices here. Fair warning, though, I'm not just looking at this issue from the point of view of developers.
I've listed these items in priority order, with later practices often depending on those that come before.
Practice 1: Active Stakeholder Participation
A fundamental philosophy of DevOps is that developers, operations staff, and support people must work closely together on a regular basis. An implication is that they must see one other as important stakeholders and actively seek to work together. A common practice within the agile community is "onsite customer," adopted from Extreme Programming (XP), which motivates agile developers to work closely with the business. Disciplined agilists take this one step further with the practice of active stakeholder participation, which says that developers should work closely with all of their stakeholders, including operations and support staff--not just business stakeholders. This is a two-way street: Operations and support staff must also be willing to work closely with developers.
Practice 2: Automated Testing
Agile software developers are said to be "quality infected" because of their focus on writing quality code and their desire to test as often and early as possible. As a result, automated regression testing is a common practice adopted by agile teams, which is sometimes extended to test-first approaches such as test-driven development (TDD) and behavior-driven development (BDD). Because agile teams commonly run their automated test suites many times a day, and because they fix any problems they find right away, they enjoy higher levels of quality than teams that don't. This is good news for operations staff that insists a solution must be of sufficient quality before approving its release into production.
Practice 3: Integrated Configuration Management
With an integrated approach to configuration management (CM), development teams not only apply CM at the solution level as is customary, they also consider production configuration issues between their solution and the rest of your organization's infrastructure. This can be a major change for some developers because they're often used to thinking about CM only in terms of the solution they are currently working on. In a DevOps environment, developers need to be enterprise-aware and look at the bigger picture. How will their solution work with and take advantage of other assets in production? Will other assets leverage the solution being developed? The implication is that development teams will need to understand, and manage, the full range of dependencies for their product. Integrated configuration management enables operations staff to understand the potential impact of a new release, thereby making it easy to decide when to allow the new release to occur.
Practice 4: Integrated Change Management
From an IT perspective, change management is the act of ensuring successful and meaningful evolution of the IT infrastructure to better support the overall organization. This is tricky enough at a project-team level because many technologies, and even versions of similar technologies, will be used in the development of a single solution. Because DevOps brings the enterprise-level issues associated with operations into the mix, an integrated change management strategy can be far more complex, due to the need to consider a large number of solutions running and interacting in production simultaneously. With integrated change management, development teams must work closely with operations teams to understand the implications of any technology changes at an organization level. This approach depends on the earlier practices of active stakeholder participation, integrated configuration management, and automated testing.
Practice 5: Continuous Integration
Continuous integration (CI) is the discipline of building and validating a project, through automated regression testing and sometimes code analysis whenever updated code is checked into the version control system. CI is one of the sexier agile development practices (at least from a developer's perspective) that is typically associated with DevOps. CI enables developers to develop a high-quality working solution safely in small, regular steps by providing immediate feedback on code defects.
Practice 6: Integrated Deployment Planning
From the point of view of development teams, deployment planning has always required interaction with an organization's operations staff; in some cases, via liaison specialists within operations typically called release engineers. Experienced development teams will do such planning continuously throughout construction with active stakeholder participation from development, operations, and support groups. When you adopt a DevOps strategy, you quickly realize the need to take a cross-team approach to deployment planning due to the need for operations staff to work with all of your development teams. This isn't news to operations staff, but it can be a surprise to development teams accustomed to working in their own siloed environments. If your team is not doing this already, you will need to start vying for release slots in the overall organizational deployment schedule. Furthermore, to support continuous deployment, release engineers will need to increase the number of release slots available to agile teams that are disciplined enough to continuously and consistently meet the quality requirements for release.


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Scrum's Flawed Notion of Product Owner
One of the many things about Scrum that makes me uncomfortable is the notion of a Product Owner (PO), or more precisely, the lack of an on-site customer. The PO job typically mixes the role of customer surrogate with that of marketing-department or product-development representative. The PO "owns" the product in the sense that he or she makes decisions about content, the value of a story to the business, and so on.
Given that XP, from which most of Scrum derives, calls for an actual flesh-and-blood customer on the team, I both wonder where the PO notion comes from and am dismayed by the damage it can do. My guess about the former is that Scrum waters down agile to make it more palatable to large corporations, and most large corporations make it very difficult for an actual customer to enter the building, much less hire one. If a customer were required, the organization just wouldn't do Scrum.
The damage is another issue, since it can render the entire process ineffective.
The first problem is developing a product that somebody actually wants. To do that, you need to design. (Contrary to popular belief, design is integral to agile — it's one of XP's four core activities, in fact.) In a waterfall world, you develop your design from up-front customer interviews. The problem — and the raison d'être of agile — is that you never get it right up front. You miss important things, and customers often give you incorrect information, not because they're evil, but because they can't know what to ask for until they have working software in front of them. So they guess. The designers diligently record (and implement) that guess. The product fails.
Agile processes use incremental design, done bit by bit as the product evolves. There is no up-front requirements gathering, but you still need the answers you would have gleaned in that up-front process. The question comes up as you're working. The customer sitting next to you gives you the answers. Same questions, same answers, different time.
Put simply, agile processes replace up-front interviews with ongoing interviews. Without an on-site customer, there are no interviews, and you end up with no design.
But what about the PO? Since the PO is not an actual end user of your product, he or she probably won't know the answers to your design questions. You're now building on guesswork rather than facts. When the PO guesses, you implement the wrong thing. When the PO spends a day or more getting the answer, you lose a day's work (more if you had proceeded on a wrong guess and then had to undo whatever you did yesterday). You don't have time not to have a customer on the team. When the PO is a surrogate customer, the odds of building the wrong product are much higher, and that's a bring-the-company-down failure.
Of course, if the PO is just the mouthpiece of a separate product-development group (or a CEO) who thinks that they know more about what the customer wants than the actual customer, you're in even worse shape. That way lies Windows 8.
Finally, people complain that they can't afford the expense of an on-site customer. But if you can't afford to get the product right, then why are you building the product at all? In any event, the cost argument is specious. What's the cost of an 8-person team loosing a two-week iteration because of an incorrect answer from the PO? Assuming an average salary of $120K and 46 useful weeks in the year, you'll loose $41,000.00 in salary. Add benefits, taxes, the cost of the workplace, and you're up to about $82K. Double that because of the opportunity cost of being two weeks behind. We're at $160K. This is not chump change.
More to the point, what's the value of delivering a product that's useful to your customers? As MasterCard says, priceless.


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By Lisa Spodak (email@example.com)
Provided by WorldNow
Did you ever see the movie "Airplane"? There's a recurring joke (well, there are lots of recurring jokes!) that goes "Looks like I picked the wrong week to quit drinking." "Looks like I picked the wrong week to quit smoking." "Looks like I picked the wrong week to quit sniffing glue."
All this week I kept thinking: "Looks like I picked the wrong week to try to lose weight."
I managed to stay the same weight, so, at least that feels good. I'm trying to remember that not gaining is (almost) as good as losing.
It's just been really rough this week. Some personal issues have made it difficult to focus on my weight loss. And after 11 years, I'm moving out of Manhattan, which is freaking me out a little. Add in the specific stress of finding an apartment in New York City (which I did this past weekend!) and realizing that now I have to get packed and moved in 3 weeks and I've definitely been indulging in some emotional eating.
There has been one unexpected positive side-effect of getting ready to move, though. I decided that rather than move all of the food in my cupboards and refrigerator, I want to eat as much of it as possible. This has really helped me get back in the habit of eating breakfast at home, bringing my lunch to work, and cooking more often for dinner.
I haven't really stuck to my gym or Weight Watchers goals for this week, but, here I am, writing! So at least there's that.
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Restaurateurs might find the large selection of take out containers and disposable plates on the market to be staggering. From standard paper plates to eco-friendly disposables like those made from renewable resources or post-consumer recycled content, there are many types of disposable products to suit your needs. Great for mixers, catered events and take away from your restaurant, single-use products are used in abundance. At Tundra Restaurant Supply we feature a variety of disposables including portion cups, food trays, bowls and more from the industry's leading brands like Eco-Products. For more information on disposable dinnerware, check out our Disposable Dinnerware Buying Guide.
Disposables and Events
If you're hosting an event, chances are you'll opt for a single-use disposable product to ease service—don't think you can just pick up any disposable plate and call it good! Before jumping into any plating option always consider what you'll be plating first. Larger disposable plates (and even those with 3-compartments) work well for catered buffet lines when the majority of the meal is self-service. On the other hand, if you're one of many restaurants providing small tasters for guests, you may opt for smaller plates or portion cups (great for soups). When it comes to plating, do you like to have a larger plate to highlight a smaller entree? Or do you opt for smaller plates to make portions look larger? Do you prefer circular or square plates? Whichever you prefer, plating appropriately is key to enhancing the customer experience.
Types of Disposable Take Away Containers
When it comes to finding the best take away container for your restaurant, you want something that's sturdy enough to make the trip home! Opt for to go containers with lids or closures that stay put and are not at risk for spills—your customers will thank you. And like most plating considerations, make sure your containers are suitable for whatever you're packing up; don't try to pack up a leftover steak in a bowl and lid, customers will find that awfully strange.
And consider this: your takeaway container is an extension of your brand, and the last impression a customer gets once they take their meal home. If initiatives like sustainability are important to you make sure you walk the walk—don't send home a meal in a styrofoam container when more eco-friendly options like compostable or post-consumer recycled plastic are available!
Eco-Friendly Disposables
Disposable products were once a real threat to one's sustainability goals. Wasteful by nature, single-use products were used once and thrown straight into the landfill. But not anymore! With new advancements in compostable dinnerware, you can shop for products made from renewable resources (like sugarcane) that can be broken down in a commercial composting facility and turned into soil. You can also shop products that are made from post-consumer recycled content to minimize the impact on virgin resources.
At Tundra Restaurant Supply we want to make it easy for you to find eco-friendly restaurant supplies that help you achieve your sustainability goals. Visit our Eco-Friendly Specialty Shop or www.etundra.com/sustainability to learn more.


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This is the 26th challenge in a weekly series from GeneaBloggers called 52 weeks of personal genealogy and history, suggested by Amy Coffin, that invite genealogists to record memories and insights about their own lives for future descendants. Week 26 – Songs.
The No.1 song here in the UK when I was born was Frankie Laine singing "I Believe". In the USA the No.1 song was "The Doggie in The Window" by Patti Page.
Neither of them are in my record / CD collection.
The first singles I remember buying were The Beatles "I Feel Fine" / "She's A Woman" and Brian Poole & The Tremeloes "The Three Bells".
So from the early sixties I started taking an interest in music. In my teenage years I didn't have a particularly favourite band although I bought quite a few records by the Bee Gees so their songs feature among my favourites of the time.
My interest in listening to music has continued to this day and my CD collection is really quite eclectic. However for the last eighteen years or so our house has been dominated by the music and songs of The Boss – Bruce Springsteen.
That obsession with The Boss has also influenced other music we buy and listen to. Sometimes it's because Bruce has mentioned them as someone he likes; sometimes it's an artist who he has played with Bruce in the early days (and even now); and if does a guest spot on someone's album then we would buy that.
I know that some people have songs that evoke particular memories for them – that isn't the case for me. For example Jayne and I didn't have a special song that we danced to when we got married – that's probably because we didn't have a dance when we got married – hmm.
I also listen to songs differently to Jayne. She focuses on the lyrics whereas for me it's the melody that grabs me.
I really can't imagine not being able to listen to music. If I had to choose between getting rid of the TV or CD player then it would definitely be the TV.
The way we buy songs in our house hasn't changed over the years. We don't download very many songs at all. We like to go to the music store and browse the CD's. For us having the physical CD is part of the attraction. Jayne avidly reads the lyrics and all the other words – the thanks, the production info and who the other musicians were.
So to round off the post here's a list of my top 20 songs (in no particular order)
|Something In The Air
|Thunderclap Newman
|I've Gotta Get A Message to You
|Bee Gees
|The Kinks
|Back In Your Arms
|Bruce Springsteen
|He Ain't Heavy He's My Brother
|The Hollies
|From The Underworld
|The Herd
|Please Stay
|Warren Zevon
|Atlantic City
|Bruce Springsteen
|Farewell Is A Lonely Sound
|Jimmy Ruffin
|All The Way Home
|Southside Johnny
|Lady Of The Night
|Donna Summer
|The Eagles
|The Rising
|Bruce Springsteen
|Saved By The Bell
|Robin Gibb
|When A Man Loves A Woman
|Percy Sledge
|Keep Me In Your Heart
|Warren Zevon
|Drive All Night
|Bruce Springsteen
|Wild Horses
|Rolling Stones
|I'd Rather Go Blind
|Fleetwood Mac
|Crimson and Clover
|Tommy James and The Shondells
Now if I did this list again next week it may well be different – I can already think of other songs that I would put in – maybe it should be a top 50…100…150.


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Please confirm whether this issue is in a private area, or a communal area.
So that your problem is dealt with as quickly as possible please provide us with as many of the details as possible for the affected appliance. Please include the appliance type, make, model and serial number (if possible). Please also provide an outline of the problem and describe any warning lights or unusual sounds.
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Please explain the extent of the leak by reference to: (a) how big a container is needed and how often the container has to be emptied e.g. one cup every hour or one cup every day; and (b) whether the leak is constant or intermittent. Please also provide us with as many details as possible about the item that is leaking.
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We have all experienced it. You buy a bunch of bright green fresh basil or parsley at the supermarket on Sunday and by Wednesday, it's all wilted and brown.
That's why I'm pleased to introduce you to Daregal Gourmet Herbs, a company specializing in fresh frozen herbs. That's right. Fresh herbs are chopped, washed, and packaged in user-friendly containers. Daregal offers basil, parsley, cilantro, dill and oregano as well as three spice blends.
Want to try some yourself? Well, here's your chance. Two lucky Food Blogga readers will receive four different spices from Daregal. Here's what you have to do to win:
Two winners will be randomly selected and announced in a future post next week, so please check back. Don't have a blog? Just leave an active email address where you can be reached. Also, winners will need to provide their real names and mailing addresses. My apologies to my international readers, but given the nature of the prize, winners will have to be limited to US residents.


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The farmers' markets here in Southern California are amazing -- you can find dates, figs, guavas, kumquats, passion fruit, persimmons, and pluots, but rarely do you see humble blueberries.
I grew up picking and eating fresh blueberries every summer back in New England. Why, I wondered, are they so hard to find in California?
The problem is dirt. Apparently blueberries like to grow in highly acidic soil and Southern California has alkaline soil. This presents a challenge to growing blueberries in Southern California (which explains why most the of the blueberries I buy at the market are from Washington).
New England's acidic soil is perfect for blueberry bushes. I don't know what was better, marching along rows of blueberry bushes, basket in hand, with blue lips and fingertips or standing in the kitchen watching my mom use my very own fresh picked berries to make sweet blueberry buns with lemon icing, old-fashioned double crust blueberry pie, or a loaf of hot blueberry-corn bread (that went straight from the oven to my mouth).
So when I found these pristine Washington State blueberries, I bought 3 pints. After eating enough berries to make me worried I might overdose, I decided to bake something with the remaining berries. So here is a variation of Mom's old-fashioned corn bread. Infused with tart lemon and savory basil, this moist cornbread makes a lovely addition to a summertime brunch or picnic.
After baking an Olive Oil Cake with Rosemary and Lemon last year, I have enjoyed experimenting with various fresh herbs in baked goods. Whereas rosemary's bold flavor remains unaltered by the oven's heat, fresh basil loses much of its intensity. So, here are my recommendations: use an ample amount of fresh basil, such as 1/3-1/2 cup. It won't be overpowering. Or use dried basil which maintains its flavor better. You could use 1-2 tablespoons of dried basil with some fresh basil for a prettier look. Also try serving the bread hot with butter -- you can even make your own basil butter, which has a mild but delicious flavor.
Lemony Blueberry Corn Bread with Basil
Print recipe only here.
Corn Bread:
1 cup all-purpose flour
1 cup medium coarse stone-ground cornmeal
1/2 cup granulated sugar
1 tablespoon baking powder
1/4 teaspoon baking soda
3/4 teaspoon salt
2 tablespoons canola oil
2 tablespoon butter, melted and cooled
1 cup buttermilk
2 large eggs, lightly beaten
1 teaspoon lemon extract
1/4 teaspoon lemon zest
2/3 cup fresh blueberries (dusted with flour)
1/3 cup fresh basil, thinly sliced (or 1-2 tablespoons of dried basil for a more intense flavor)
Basil Butter:
1/4 cup butter, slightly softened
1 tablespoon fresh finely chopped basil
Place a rack in center of oven and preheat to 375 degrees F. Butter or coat with cooking spray a a 5 by 9-inch loaf pan and set aside.
For the basil butter, stir chopped basil into softened butter and set aside.
Remove any blueberries stems. Wash the berries, pat dry, and lightly sprinkle with 1 tablespoon flour to help prevent them from sinking or bleeding color.
In a large bowl, combine flour, cornmeal, sugar, baking powder, baking soda, and salt.
In a separate bowl, whisk together oil, butter, buttermilk, eggs, lemon extract, and lemon zest. Add to the flour mixture and stir quickly until well combined. Using a rubber spatula, gently fold in the the fresh blueberries and basil.
Bake for 35-45 minutes, or until the top is golden and a cake tester inserted into the center of the bread comes out clean. If it needs to bake longer but the top is already golden, then place a a piece of tin foil over the top of the bread to prevent further browning. Transfer the pan to a rack to cool for 5 minutes before removing and placing on a wire rack to cool. Serve hot with basil butter.
You might also like these berry recipes:
Skinny Berry Parfaits
Fresh Blackberry, Oatmeal, and Cashew Cake
Peach and Blueberry Galette
And check out my Sugar High Friday round-up for more outstanding blueberry desserts including coffee cakes, financiers, muffins, and tarts.
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Thomas Musgrove was born c1894 in Horton in Ribblesdale, Yorkshire (England). He was the second son of my great grandparents Joseph Musgrove and Elizabeth Ann Musgrove (nee Turner). That makes Thomas my grand uncle.
Thomas served as a private in the 9th battalion of The Loyal North Lancashire Regiment. His service number was 29629.
He was killed in action on 7 April 1918 in Belgium.
Thomas is commemorated on the Ploegsteert Memorial in Belgium.
The Ploegsteet Memorial commemorates more than 11,000 servicemen of the United Kingdom and South African forces who died in this sector during the First World War and have no known grave. Those commemorated by the memorial did not die in major offensives, such as those which took place around Ypres or Loos. Most were killed in the course of day-to-day trench warfare, or in small scale set engagements, usually carried out in support of the major attacks taking place elsewhere. (information from the Commonwealth War Graves Commission website)


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JavaFX 8: Combining New Language Features: Part 1
SizeView container.
About two years ago, I wrote about a custom container that I created, which allows you to position other JavaFX controls side by side in a grid where you can drag the space between them to resize the individual controls. This is useful when showing lists of content side-by-side, for example, or any other case where you might want to adjust component sizing using a mouse. Additionally, the components will automatically resize if you shrink or enlarge the containing window. Consult this past blog to refresh yourself on the details of the SizeView custom container.
In this blog and the next few, we'll revisit this container, upgrade it to Java SE 8 and JavaFX 8, and combine it with the latest Java EE concepts to build an "Enterprise JavaFX" application to illustrate the power of Java 8 end-to-end. Not only will it run on any desktop or tablet that can run Java (i.e., a Mac, Windows 8 desktop or laptop, or a Microsoft Surface Pro tablet), but it will also run on embedded devices such as a Raspberry Pi. At the end of this blog series, the final JavaFX application will run in Kiosk mode on a Pi, where it will allow you to view and manipulate files on a remote server as though they were local. Before we dive in, let's take a quick look at what's new in JavaFX 8.
JavaFX 8 Features
JavaFX 8 brings with it all of the enhancements to the Java SE 8 JVM and language, including Lambdas, default methods, and so on. It also includes:
- A new embedded JavaFX runtime with ARM support to work on constrained devices such as those similar to and including a Raspberry Pi
- Support for GPU acceleration, as well as software-based acceleration for devices that lack a GPU
- Integrated window management: X windows not required
- OpenGLES2
- The new Modena GUI theme, which looks consistent and attractive across platforms (Mac, Windows, and Linux)
- 3D text support
- Rich text support
- HTML5 improvements via WebView (including the use of Nashorn)
- New controls, such as
- Multi-touch support for tablets such as the Microsoft Surface Pro
- Integrated virtual keyboard (for tablets)
- Hires/retina screen support
- SwingNode: to include Swing code in your JavaFX application
- Printing support enhanced
The Java File Manager
It's no secret that JavaFX is Java's client API going forward, and that Swing will more than likely no longer be enhanced. Instead, if you're interested in building platform-independent GUI applications that run on desktops and embedded devices with graphics support, JavaFX is the way to go. Not only is JavaFX easy to use, packed full of support for animations, gradients, special effects, and 3D features, JavaFX is really just Java, and there's no need to download anything else: JavaFX comes with the latest JDKs, including versions 7 and 8.
To build the basic file manager application, I'm going to combine another custom control I built, which I call the JavaFX
HeaderList. It contains a base JavaFX
ListView control to display a list of entries, but it adds an attractive list header, and search/filter functionality so that you can find an entry (or entries) within a large list of data quickly (see Figure 1).
Figure 1: The HeaderList custom JavaFX control.
As you type into the list's search field, the contents dynamically update to filter out all entries except those that contain the matching text. I've written about similar functionality for a JavaScript list in the past.
JavaFX and Lambdas
If you look at the code from my previous blog on the
SizeView container, or any JavaFX application for that matter, you'll see event-handling code that looks like this:
Rectangle rect = ...; rect.setOnMouseEntered( new EventHandler<MouseEvent>() { public void handle(MouseEvent me) { setCursor(Cursor.W_RESIZE); } });
With Java SE 8's Lambda expressions, this is simplified nicely to look like this:
rect.setOnMouseEntered( me -> { setCursor(Cursor.W_RESIZE); });
It gets reduced to essentially the only the code that matters: changing the cursor as the mouse enters the shape's region. By the way, this works for controls and other JavaFX components as well. Lambdas are a welcome enhancement that seem made for UI event-handling code like this. For a more in-depth discussion on Lambda's, don't miss Cay Horstmann's excellent explanation here. After reading that, it should be clear that
me is the
MouseEvent object, which you can reference in the enclosed code between the brackets (my example doesn't use it but it could).
Most uses of Lambda's in JavaFX 8 are straightforward and beneficial like this example. However, I was challenged to convert the following non-Lambda code:
// Listen for changes to the pane's child nodes ObservableList<Node> children = this.getChildren(); children.addListener( new ListChangeListener<Node>() { public void onChanged(ListChangeListener.Change change) { // your code here... } });
In summary, the intent is to listen for changes to an observable list of items (such as those that you place within a ListView control, or a JavaFX container). With it, you can be notified as items are added to it, removed, or changed. In this example, it's not important what we do when the list changes. Instead, how do you use a Lambda expression here?
At first, I tried the following:
// Error: ambiguous since there are two addListener() methods children.addListener(changed -> { // your code here... }
Since there are two
addListener methods, one that takes an
InvalidationListener, and another that takes a
ListChangedListener, we need to be more expressive. So I tried the following:
// Error: this syntax is invalid children.addListener( (ListChangeListener<Node> changed) -> { }
The compiler won't accept the syntax above. Instead, you need to form the expression as a type cast on the parameter:
children.addListener((ListChangeListener<Node>) (changed) -> { // your code here... });
Voila! Once I figured that out, I was able to simplify much of my JavaFX code; in this case, event and change listeners.
Handling Directories and Files
I decided a somewhat useful JavaFX sample application would be one that could be used on any Java-compatible device to manipulate files. For now, the sample application begins with the user's home directory on a local filesystem. But thanks to Java's relatively new
FileSystem object, and its brand new Streams API and other subtle enhancements, we'll build a version of this JavaFX File Manager application that will work on local and remote filesystems via various protocols with minimal change.
First, let's explore how this works with the local filesystem. To begin, I wanted to build a File Manager application that works similar to how I use my Mac's Finder: in column mode. As I click on a folder, that folder's contents are displayed in the next column, and so on, until I choose a file (see Figure 2).
Figure 2: A Mac OS X Finder in "column mode."
So my application contains a loop at startup that creates a number of
HeaderList controls, places them within a
SizeView container, and populates the first
HeaderList with the contents of my home directory:
// Create a few empty lists for ( int n = 0 ; n < CONTROLS; n++ ) { HeaderList list = new HeaderList("" , true); nodes.add( list ); // Lambda that calls method to handle list mouse clicks list.getList().setOnMouseClicked(me -> { onListClicked(me,list); }); } container = new SizeView(); container.getChildren().setAll(nodes); // Create Scene graph and size components here // Show contents of user's home directory populateList( System.getProperty("user.home"), // path null, // filename 0); // list index
The main code to populate a list traverses the home directory's contents (or the contents of a subsequently selected directory) like so:
public void populateList(String path, String filename, int listIndex) { HeaderList list = nodes.elementAt(listIndex); list.getList().getSelectionModel().clearSelection(); list.setHeader(path); // get file list List<String> results = new ArrayList<String>(); File[] files = new File(path).listFiles(); if ( files == null ) return; for (File file : files) { if ( ! file.isHidden() ) { if ( file.isFile() ) { results.add(file.getName()); } else if ( file.isDirectory() ) { results.add("<" + file.getName()+">" ); } } } list.setItems(results.toArray()); }
Handling mouse clicks is a bit more complex (and in my sample application it's a bit hacked), but you get the point. The algorithm is as below; feel free to download and inspect the code if you're curious but it will get more interested in the next blog:
- If the user clicks on a directory, check the list number and:
- If there's an available list to the right:
- Display selected directory's contents there
- Clear all remaining right-hand lists
- If there are no available lists:
- Add a new
HeaderListon the right
- Display selected directory's contents there
- Add a new
- If the user clicks on a file
- Open the file using the default viewer
- If there's an available list to the right:
As a result, what starts like the following:
Looks like this as you traverse your directory structure:
If you run the sample application, you'll notice that as you expand the application window, each column grows to take up the additional space and show more of the contents. In the next blog, we'll begin retrofitting the code to use some of the newer features of Java to make it easy to display files over various protocols (i.e., FTP).
Happy coding!
JavaFX 8: Combining Language Features, Part 2


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I am stressed out! I'm moving to a new apartment tomorrow and ever since I packed up my kitchen more than a week ago, my eating habits have been a crapshoot.
I used the excuse of being in the midst of packing to keep from weighing myself for the past couple of weeks, but, I bit the bullet this morning and was pleasantly surprised that I had not, in fact, gained the 10 pounds I was expecting to see reflected on the scale. I hadn't lost anything either. But, right now, staying where I am is just fine.
I've felt like I've been in a bit of a holding pattern as I've prepared for this move. "I can't wait to be in the new apartment… I'll cook all the time," I tell myself. "I'll be eating so much more healthfully after I move," I promise. "I'll start going to the gym again once I'm settled," I say over and over.
Of course, next week I'm sure I'll still be in the "settling in" phase. The real test will be where I am two weeks from now!


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Celebrating illustration, design, cartoon and comic art of the mid-20th century.
Wednesday, February 03, 2010
Robert Fawcett: On Artistic Integrity... and Making a Living
"What a great teacher was Robert Fawcett, even for those who never had the privilege of being personally instructed by him. His understanding of the nature of art as expressed in "On the Art of Drawing" has been an inspiration for many, for he wrote with the same degree of grace and passion with which he drew. Much of his work was for magazine stories and advertising beneath his talents but the grandeur of vision that he brought transforms these works. Take for instance his John Hancock advertisement "where he walked, freedom grew... ", the low perspective and the sombre tones make it a little masterpiece. I heartily endorse the call for a publication about him and his work."
While I can only agree with the commentor's praise for Fawcett and his work, that remark about him doing work for magazine stories and advertising that was "beneath his talents" makes me cranky.
I'm in agreement that Fawcett elevated the quality of his assignments with his exceptional, thoughtful, sincere devotion to doing only his best work (not for no reason was he known as "the illustrator's illustrator"). But why must we consider most story assignments or ad projects "beneath him" - or anyone, for that matter? This statement suggests that there is a better class of illustrators too good to do crass commercial art intended only to help sell base products and services to the unwashed masses.
Fawcett himself seems to have agreed at least to some extent with that notion. In a 1946 interview in American Artist magazine Fawcett said, "It should be the aim of every illustrator to withstand the tendency of publications to force his work into a mould, to make him conform to an accepted pattern. This is a difficult thing to do - the financial rewards are great. But I am convinced that this is the short view. We must be ready to refuse work unless it allows us to conform in some degree to standards we ourselves set, and the result should add life and character to the printed page that would surprise the most skeptical art editor."
"Refuse work"?! Huh! Spoken like someone who never had to live through a recession, eh?
Of course the key words in Fawcett's statement were "...unless it allows us to conform in some degree to standards we ourselves set..."
That to me is Fawcett's way of hedging his bets. I don't blame him one bit. "Some degree" is a very flexible unit of measurement - even for a Robert Fawcett.
There's an essay or introduction or something (I can't seem to lay my hands on it at the moment) that Robert Fawcett wrote wherein he blasted the ad agency culture that only calls in an illustrator after all the conceptualizing on a campaign has been done. If given the opportunity to contribute from the inception of the concept, argues Fawcett, the illustrator wouldn't end up doing nothing more than rendering his style over some art director's horridly designed layouts. He's not the first illustrator that felt that way. But I'd be surprised if he didn't try to find "some degree" of standards he could live with for the kind of money the agencies paid.
Part of being a professional is rising to the challenge of making silk purses out of sows' ears. No illustrator should ever think this task is beneath them, nor should any admirer of illustrators. Visual problem solving is the cornerstone of what we do... more often than not, its dirty work. As professionals we have a duty to roll up our sleeves and attack it with gusto. Ultimately, like Fawcett, we may elevate the ordinary into something extraordinary... and in the process reward ourselves, our clients and the public by demonstrating that illustration is the best way to "add life and character to the printed page."
* The commentor's wish comes true this spring when a new book on Robert Fawcett is expected from Auad Publishing!
* Thanks to Chuck Pyle for the scan at the top of this post.
* My Robert Fawcett Flickr set.
40 comments:
Good God!, your last paragraph was exactly what I was going to reply. Why should good art be only for the elite. I just did diagrammatic illos for exercises, but I made them little gems as best I could. Anyone who looks at art deserves to see something done well. And it is an honor to be able to ad to the beauty in the world in ay small (or large) way.ReplyDelete
thank you very much for post Leif! amazing artist!ReplyDelete
Really interesting questions posed. Personally I do try to select projects with a degree of integrity: I refuse to sell out. I guess I try to choose things suited "in some degree" to my work and I've turned down some pretty lucrative stuff, not because I disapprove or consider it beneath me, but because I have considered myself ill-suited to the task.ReplyDelete
Personally I'd rather be poor than produce work I'm unhappy with - you're only as good as your last job in this industry and you should see everything you do as an advert for yourself.
But then I work mainly in publishing. Perhaps that's less cut-throat than advertising. It's certainly less well paid, alas!
James; I can only say, I respect your choices. That kind of integrity is admirable. As a hypothetical question, would you be prepared to let your children starve to preserve your artistic integrity? Or would it be acceptable to "sell out" to make sure they stay well clothed and fed?ReplyDelete
Full disclosure, I've turned down work on a few occasions - not often - but I have. and in every case it was when I had more than enough better work to do. But I've also suffered some very lean times ... and on those occasions I've thought back to the turned away work and wished they were there so i could earn that income, sell out or not.
In my opinion, artistic integrity ends where responsibility for the health and welfare of another human being begins. I don't doubt for a second that you'd agree. :^)
While people may have different views still good things should always be appreciated. Yours is a nice blog. Liked it!!!ReplyDelete
Nice post Leif!ReplyDelete
It definitely feels terrible and wrong to take on a project that's beyond your abilities (I'm alluding to what I think James meant) because you'll struggle with it and probably end up hating it (and worrying that the ADs hate it too). But I've got no problem taking on work I know I can do even if it's executing the lame vision of a bad editor or designer. Convincing them you know best is part of the fun!
- Anonymous3:04 PM
"...Spoken like someone who never had to live through a recession, eh?"ReplyDelete
No, just a depression.
I'll bet you Fawcett took every job that paid a dollar during the depression Anonymous - what's your point ... besides being flippant?ReplyDelete
I'm smiling to myself as I weigh in on this interesting and frequently pondered question. Actually, it started in my art school days. Then, later with my illustrator friends and acquaintances during a span of 40 years. It varied in their attitude and approach to this question of self guided professional standards, integrity, values, etc. It seemed to me that it depended on two main ingredients, degree of ego and availability. Those that displayed a considerable amount of ego and self confidence, usually were more opinionated and selective. Some illustrators I knew, were virtually "rendering machines". Their achievements were based on how much work they could crank out each week, month and year, without regard to restrictions or status.. and with others, how much total income they could bill each year was their goal. Some illustrators were satisfied with doing the best job possible in the time they had, and others complained that the A.D.'s or clients had too much input, control and put too many restrictions on their work. In other words, for some illustrators, they felt they knew best and it should be done their way. For other illustrators, their goal was to stay busy, and work hard and make a pile of money. My friendship with these illustrators was never based on their personal attitude of how an illustrator should function in the business.ReplyDelete
Right out of art school, as novices, most of us just wanted the experience, and were not that fussy about doing low level illos to gain the experience. As we matured and developed into a seasoned professionals, we became more selective and critical of client input. My solution was to become an A.D. and eventually a C.D. for an ad agency, design and layout illustrations for ads and brochures, sell our clients, and then do the finished illustrations myself to my own standards. Although, not always an easy road, it was satisfying as an illustrator, to art direct my own work. Later in my career when I freelanced as primarily an illustrator, I had the advantage of understanding the A.D.'s point of view and expectations. It gave me invaluable credentials and opened doors that were not always open for the exclusive illustrator. As it turned out, less experienced A.D.'s would ask me to recommend how the illustration should look. And, the seasoned A.D. wanted the same standards I did. With that approach, I didn't have to compromise my integrity or standards, and I was also able to make a good living.
Tom Watson
- Charlie Allen4:14 PM
Good blog, Leif, and right on. Take 'em as they come was my approach....or maybe, do your very best on every job....then, take the money and run. Advertising was never a rose garden in the first place. What bothers me is an ad illustration that is poorly done when it could have been a lot better. Regarding an illustrator being in on the concept from the start....AD's had to sit through countless meetings, do almost countless roughs or comps while clients made up their minds....or changed requirements and subjects during the process. No thanks. Better to try to improve the comp when it came in. Or, as Jim Hastings used to say, 'PLUS the job, Charlie!'ReplyDelete
"In my opinion, artistic integrity ends where responsibility for the health and welfare of another human being begins."ReplyDelete
I think most people have their lines. I suppose that if I was put in the position of having my child starve and doing an illustration job for, say, KKK Monthly (subscribe now! Barely literate articles on the whitest paper possible!), I would do the job. But, my very next crucial step would be to stop being an illustrator and find work where I wouldn't end up in that situation.
I am, of course, just speaking for myself, as I'm almost 100% positive that I'm not up to the talent level where I could get enough non-soul crushing work to support a family.
- Anonymous5:59 PM
Your article is written as if by Salieri.ReplyDelete
The key words in Fawcett's statement are not "...unless it allows us to conform in some degree to standards we ourselves set..." but rather, "It should be the aim of every illustrator to withstand the tendency of publications to force his work into a mould, to make him conform to an accepted pattern. This is a difficult thing to do."
Fawcett is empathetically talking about retaining individuality and artistic freedom and to not accept work in which the illustrator will be either overly art directed, creatively stifled or morally broken. Not every story one illustrates will be written by Arthur Conan Doyle. But that doesn't necessarily mean you have to accept a job written by Hitler or Solymon Brown.
And that's what he means when he talks about "conforming to standards we ourselves set". If you don't feel good doing it, if it will compromise your creative goals – don't whore yourself out.
And why the crankiness over the comment that, "much of his work was for magazine stories and advertising beneath his talents". "Making silk purses out of sows' ears" is the same thing – doing work that you deem beneath your own talents.
I always liked this discussion as an artist.ReplyDelete
I made sure I didn't have anyone depending on me for what I did in my life as an artist. This allowed me to turn down work I thought was demeaning or too confined for me personally.
As people said we all make choices; mine was I wanted to be an artist and I gave up having a family to be the kind of artist I wanted to be.
Let's not get carried away to extreme examples of Ayn Randian proportions. We're talking about whether or not Fawcett could bring himself to accept the equivalent of $7,000 in today's money to draw a picture for Cosmopolitan or Good Housekeeping - not the cover of some white supremacist magazine, ok?
And as it turns out, more often than not, he was able to find some way to dig deep into his artistic soul and accept the money.
I don't think being an illustrator is any better or worse than being a salesman, baker, fireman or a doctor. Regardless of our trade, if we have standards and integrity as a person, it will carry into our professional life. I believed that if I did the best illustrations I could in the time I had, I wasn't compromising my creativity or prostituting myself, even though the job may, on occasions, have been for a "Mickey Mouse" hole in the wall agency, with "rinky dink" little clients. In fact I considered it my responsibility to help upgrade their advertising by giving them my best efforts. I did illustrations for major ad agencies down to a three man ad agency working out of his house, and took pride in doing work for all of them. But, where I drew the line was when I was asked to work on a major brand cigarette promotion, for a very prestigious art studio. My dad had died a few years before of lung cancer, caused by nearly a life-time of smoking.. and I turned down the job without a second thought.ReplyDelete
Tom Watson
A note from the blog author: From now on I will no longer directly address comments from anonymous commenters. Since anonymous commenters don't show me the courtesy of commenting with a name, they will be referred to in the third person.ReplyDelete
The commenter in question indicates that the excerpt of the Fawcett quote I chose is not the key segment. The commenter is wrong.
The commenter then makes an irrelevant argument that misses the point of my post.
The commenter then makes a disparaging remark regarding the nature of the profession of commercial artist. The commenter is behaving inappropriately and does not understand the nature of the profession of commercial artist.
The commenter then draws an inaccurate comparison between the quote that provided the basic premise of this post and one of my remarks. Again, the commenter is wrong and misses the point.
And finally, the commenter attempted to insult me by referencing Salieri, a composer of some admirable ability who had the bad luck to have been born during a time when he had to compete for the attention of his patrons with Mozart. As the purpose of this blog has always been as much to acknowledge the accomplishments of - not only the titans of mid-century illustration - but also those many other worthy (if perhaps slightly lesser) talents, I do not consider the comparison an insult.
Ha ha! Hey now, I didn't start the hyperbole train, Mr. "Would you let your children starve!" I just got onboard. You can replace my KKK mag joke with a corporate report for an environmentally unsound oil company or a childhood diabetes-inducing candy company for something more real-world.ReplyDelete
In any case, my point is more addressing your kid-starving comment than the $7000 for a ho-hum illustration. Hell, I'm the first to say that I'd take $7,000 to draw almost anything with the phrase "ENDORSED BY CHIP ZDARSKY" stamped across it.
In good times I pick and choose my jobs, in bad times I get less picky, but if I was presented with something that truly turned my stomach and crossed my line and I was in severely bad times with mouths to feed I would go back to Canadian Tire, which, in hindsight, was a pretty sweet job.
Does anyone have $7,000? I will draw all of your deepest, darkest desires.ReplyDelete
Tom and Charlie; Thanks god for your reasonable, thoughtful comments, based in sound experience. Thank you to you both, and to those others who have shared their thoughts on the topic in a reasonable manner.ReplyDelete
Frankly I find the opinions of those who see this issue in black and white completely baffling, not to mention laughable and naive.
Have any of you champions of 'artistic integrity' ever seen the photos I've posted here of Bob Fawcett's house? He was, by the time of this 1946 article, enjoying a quality of life most people could only ever dream about. I'm not saying he didn't work hard to get those rewards... I completely respect the man, his work ethic, his hard fought journey to success and his accomplishments as an illustrator. But it was easy for Fawcett to issue his decree of refusing work from where he was in 1946 (the year before he would become one of the 12 founding faculty of the Famous Artists Course, btw). Proclamations like that are always easier to make on a full stomach.
Chip; to clarify, I actually didn't start the hyperbole train about starvation, it was engineered by an earlier commenter who stated he'd rather starve than sell out.ReplyDelete
I just hooked my little red caboose to that train. ( because I thought I could, I THOUGHT I could! )
It's funny seeing this discussion on a day where rumours abound that DC Comics is planning possibly attempt a sequel to Watchmen.ReplyDelete
Who would take that writing/art job? It would certainly mean a lot of cash, but at what cost to integrity and professional reputation? Can a bad piece of art damage future earnings?
One must wonder if the commenter in question is referring to Chip being a snob, since his (or her) comment appears directly below Chip's last comment, or if he is directing his/her comment at me. Since the commenter in question continues to hide in a cloak of anonymity, the commenter's remarks continue to carry no real weight.ReplyDelete
I'm called a snob by more anonymous men/women before breakfast than most people get called all day. This is my life.ReplyDelete
Wow, some subjects really stir the pot! I happily chose illustration as a career back in the late seventies and have never regretted it. Unless you're illustrating your own stuff, the job is usually to interpret someone else's ideas to the best of your abilities, adding as much creatively as you can. Every job is different, and some I dreaded doing turned out to be great learning experiences. If you can afford to be choosy, more power to you! I hope to get there someday. Great work as always, Leif!ReplyDelete
- Anonymous10:29 AM
Leif is the snob.ReplyDelete
"The commenter in question indicates that the excerpt of the Fawcett quote I chose is not the key segment. The commenter is wrong."
What kind of rebuttle is that? I'm wrong? Where's the debate? Explain why I'm wrong.
Just replying, "the commenter is wrong ... From now on I will no longer directly address comments from anonymous commenters. " sounds pretty snobby to me.
God forbid anyone disagrees with one of your posts.
The commenter continues to insist on anonymity despite my clearly stating that I find it inconsiderate behaviour, especially when one's intent is to debate the topic being discussed in an insulting manner. So far the commenter in question has called me a "Salieri" ( his/her intent being to suggest that I'm a talentless apologist for "also rans" ) and, having read my position on artistic integrity, the commenter chose to equate such a position with being "a whore", an offensive and entirely undeserved derogation that casts a countless number of creative arts professionals in a disparaging light.ReplyDelete
The commenter in question then dogmatically continues to hide behind anonymity while returning time and again to hurl insults from the safety of said anonymity - but I'm the snob because I refuse to acknowledge the commenter in a respectful manner - a manner the commenter hasn't granted to me.
Let's see, so far, "Salieri, whore, and snob." But I'm the one expected to provide a reasonable rebuttal. Right.
The commenter then casts aspersions on my willingness to allow dissenting opinion on my blog.
The commenter may wish to review all of the comments in this discussion and note that James Mayhew, Armand Cabrera, Chip (and continuing on to the next post) Chad Sterling all presented counter arguements to my position and all received respectful replies.
The commenter may wish to consider that, in future, good etiquette will attract a better response than anonymous trollism.
* And I'm sure there will be future comments from the commenter in question... because the commenter in question seems unable to let this topic go - or stop reading this blog. ;^)
- Anonymous12:10 PM
I apologize for calling you Salieri. I didn't think it would bother you so much. I guess my ire began when you, sarcastically and in my opinion disrespectfully, said "Refuse work"?! Huh! Spoken like someone who never had to live through a recession, eh?". Sounds pretty sarcastic to me. Choosing to accpet or refuse work is a matter of choice for the artist. And I see no reason for you to malign Robert Fawcett.ReplyDelete
As for the word "whore";
A definition for "whore" is: 3. To compromise one's principles for personal gain.
Charles Shultz, whom to me is a God, chose to "whore" his art out and produce every product imaginable. Yet Bill Watterson refused to do so, regardless of the promised return. Who is right?
In my opinion, both are. Who are we to judge other artists principles?
And why is it so difficult for you to accept my using the word "whore" when you say the same thing, "he was able to find some way to dig deep into his artistic soul and accept the money"?
What's good for you is not good for others and that makes you, in my opinion, a snob.
Because you apologized for one of your three insulting remarks, I'll address you directly - just this once - "Anonymous". But I'm still annoyed as hell by your cowardice for hiding behind anonymity. Its my blog and I can decide what I like about who gets considerate replies. Having the guts to commit your identity to your statements carries FAR more weight with me.ReplyDelete
How dare you think I wouldn't be offended to be called a Salieri? Its not the comparison to the actual man - as I said, Salieri was a fine composer unlucky to be born at a time when he had to compete with Mozart for a limited audience of wealthy patrons. But its the implication that offends me - and to have it thrown at me (from the rather snobbish position, I might add) of correcting me on what part of Fawcett's quote was the important part. The part I chose was important (i.e. relevant) to the point I was making. That's why I said you were wrong.
Listen, "Anonymous", you came here full of attitude and arrogance and tried to chop me down with a lot of insulting insinuations from the safety of anonymity. That kind of "contribution" to the conversation ought to piss anyone off, including you. Type "Robert Fawcett" in the search window of this blog and see how many posts come back - you could hardly find a spot on the Internet that showers the man with more praise than this blog has and does. That doesn't mean I can't ever take a single quote he said and disagree with it for the purpose of intellectual discourse.
And that crack about him never having lived through a recession -- that's called "levity". Not every word I write needs to be entirely serious. If you didn't already have a chip on your shoulder you might have realized that. No one else, including those who disagreed with me, seem to have felt the need to get outraged about it.
Its time for you to put this behind you, "Anonymous" - it saddens me that in your black and white world Sparky's a whore, and Bill Watterson's (I guess) a virgin, but maybe one day you'll grow up and realize the world's made of shades of grey and that calling artists whores because they want to make a good living from their creative endeavors doesn't exactly make you Mr. Popularity around here (or for that matter, Miss Popularity - how would we ever know?)
- Anonymous3:58 PM
Well Leaf, I can go on pointing out your contradictions forever, but after you referred to Charles Schulz in the familiar, I give up.ReplyDelete
You've got to be kidding. You're still coming back here? The conversation has moved on "Anonymous" - let it go. I'm beginning to think my 15 year old son is right that you're, as he put it, "probably some 33 year old loser still living in his parents' basement with nothing better to do than troll around the Internet all day."ReplyDelete
Please "Anonymous", tell me you weren't serious about going on to point out my contradictions forever! Lord, give me strength!
Btw, my name is pronounced "Life".ReplyDelete
... and, er, how do I pronounce yours... ?
Boo-yah, that was a good one!ReplyDelete
I agree with Chris. If you can afford to be choosy, well go for it sugar.
The only difference between me and the garbage man, is that I kinda like what I do.
But we both wouldn't do it for free.
Blogs are so informative where we get lots of information on any topic. Nice job keep it up!!ReplyDelete
International Politics Dissertation
It's very nice and interesting!ReplyDelete
Than you for sharing this images!


text:
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I'm always interested when Boy Scouts take on history (since my son is a Scout and a budding historian), so I was delighted to see this article: Boy Scout Takes on Massive Job of Replacing Civil War Headstones in Harrisburg Cemetery.
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text:
Saturday, July 26. 2008
MoMA Sightings - Part 3
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Dennis, you post this entry on 2007... but it is the first t ime I see it! Even late many t hanks! Congratulations [...]
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