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c++ overloaded equality check operator
"c++ overloaded equality check operator" Code Answer
c++ overloaded equality check operator
cpp by
Kamyab Rouhifar
on Mar 04 2020
lass Fred { public: // ... }; if // Without operator overloading: Fred add(const Fred& x, const Fred& y); Fred mul(const Fred& x, const Fred& y); Fred f(const Fred& a, const Fred& b, const Fred& c) { return add(add(mul(a,b), mul(b,c)), mul(c,a)); // Yuk... } else // With operator overloading: Fred operator+ (const Fred& x, const Fred& y); Fred operator* (const Fred& x, const Fred& y); Fred f(const Fred& a, const Fred& b, const Fred& c) { return a*b + b*c + c*a; } #endif
c++ overloaded equality check operator
cpp by
Spotless Sheep
on Jun 17 2020
class Car { private: std::string m_make; std::string m_model; public: Car(const std::string& make, const std::string& model) : m_make{ make }, m_model{ model } { } friend bool operator== (const Car &c1, const Car &c2); friend bool operator!= (const Car &c1, const Car &c2); }; bool operator== (const Car &c1, const Car &c2) { return (c1.m_make== c2.m_make && c1.m_model== c2.m_model); } bool operator!= (const Car &c1, const Car &c2) { return !(c1== c2); } int main() { Car corolla{ "Toyota", "Corolla" }; Car camry{ "Toyota", "Camry" }; if (corolla == camry) std::cout << "a Corolla and Camry are the same.\n"; if (corolla != camry) std::cout << "a Corolla and Camry are not the same.\n"; return 0; }
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text:
And so you might well spit, Jose, at the manner of your premature departure from the Bridge. But cry thee not, our Portuguese special one: the month of your skedaddling from a sinking ship coincides with the release of many – and that really is many – a fine album.
While Chelsea struggle to find a league goal – that's none in the month of September by our reckoning – DiS has been blessed by fine back-of-the-net offerings from a plethora of artists from myriad fields. Genres skewed, pigeonholes popped: all of the below are must-own LPs in our eyes. Or ears, we guess.
Will October be so bright and beautiful? Possibly: there's a Les Savy Fav album out this week, and later this month both Beirut and Efterklang issue their gorgeous new long-play offerings. Expect 'em all to feature in the next A Month In Records. Oh, and did someone already mention something about a new Radiohead album?
Yours in excitement…
Health (Lovepump United)
Says Kev Kharas: "A four-voice chant rises up, guitars sleep, drums just pound. It's restful, frightened; neo-tribalism when the camp fire's gone out - the thin line between good and evil feels thinner than ever and ears cling to its simple rhythm like a lullaby after the nightmare noises that shook before. HEALTH act the brave, but there's fear in the dark. The players are human, even if the world they raized seems alien, and the rhythms they make are innate as pulses. At its completion, it suddenly all fits."
Read the full review
Swimmer One
The Regional Variations (Biphonic Records)
Says Billy Hamilton: "This time of year can be a bitch alright – especially for the less optimistically minded – and with the release of The Regional Variations Edinburgh/Glasgow-based electro smugglers Swimmer One have perfectly encapsulated fall's bittersweet disposition. Captivating to the point of hypnosis, it is a record of such heart-melting honesty not even the bitter autumnal chill can penetrate its innately warm interior."
Read the full review
Animal Collective
Strawberry Jam (Domino)
Says Nicholas Garcia: "From the very outset, a transformation has clearly occurred. Whilst structurally Strawberry Jam largely adheres to pop conventions - most tracks being based around a simple verse/chorus progression - an immediate discord is struck by the treatment of the vocals. As Avey Tare's voice permeates the gurgling introduction to 'Peacebone', it enters unprocessed, unflanked by harmony and dominant in the mix. Utilised throughout, this new aesthetic enables the listener to inhabit the album's lyrical landscapes in all of their glittering light and ominous shadow."
Read the full 10/10 review
Autumn Of The Seraphs (Touch & Go)
Says Mike Diver: "Album four from San Diego indie-pop collective Pinback brims with more box-ticking excellence than its immediate predecessor, Summer In Abaddon. Whereas the band's 2004 long-player was a studied exercise in melancholic understatement, melded to some mightily addictive pop hooks, this ten-tracker is an immediately gratifying affair that pulls not a single punch in the catchiness stakes. Pinback may have successfully birthed the year's brightest indie-pop album."
Read the full review
Thurston Moore
Trees Outside The Academy (Ecstatic Peace)
Says Samuel Strang: "For over a decade Thurston Moore's solo ventures have provided a means to indulge and detail his deepest noise tendencies. Whether the spiralling improvisation of Three Incredible Ideas or the directionless avant-garde of Lost To The City, there has been little that resembled the Sonic Youth spill-over that Moore's 1995-released Psychic Hearts provided. But whilst Trees Outside The Academy is an explicit return to the realms of traditional song writing structures, this is a barren call."
Read the full review
Kevin Drew
Spirit If… (City Slang)
Says Alex Jones: "This is a remarkable collection of songs for so many reasons… I think it's best I wind down my praise before I begin sounding like a Bible Belt nutjob. Not since Mansun's Six have I heard an album twist its songs into a musical Lombard Street – and I can already picture the audience screaming its approval in the break – before a wall of static and synthesizers takes us home. And home is a little nicer place to be after taking a ride on Spirit If…"
Read the full review
Future Of The Left
Curses (Too Pure)
Says Nick Cowen: "Even though Curses blasts by in under 40 minutes it leaves a lasting impression. What's even more impressive is how Falco, Egglestone and Mathias manage to eclipse the efforts of their previous bands. Curses cuts a bloody swathe through your cranium, leaving you reeling and gasping for more. The battle cries have been practiced, the troops are focussed and playtime is well and truly fucking over."
Read the full review
PJ Harvey
White Chalk (Island)
Says Sean Adams: "There are many moments of genuine brilliance here to help you alleviate the day-to-day, and which remind you why people make music in the first place: to share their honesty and imaginative ideas, in a way that's so honest that its authenticity is refreshing… With its bones on show and chest wide open, White Chalk may not be the greatest album of all time, it may not be to everyone's tastes, and it may not even be Polly's finest. But let it and it'll haunt you."
Read the full review
Cadence Weapon
Breaking Kayfabe (Big Dada)
Says Francis Jones: "The first cut is deep indeed, synth stabs and severs, chopping rhythms rough and ready, creating a maelstrom of sound. Imposing order upon this musical chaos theory is Rollie Pemberton, aka Cadence Weapon, a precocious 21-year-old Canadian rapper. Cadence breaks the binds of convention, eschewing sloppy hip-hop clichés; his lyrical exhortations are as fresh and sharp as shrapnel, but as measured as the scales of justice."
Read the full review
Iron And Wine
The Shepherd's Dog (Transgressive)
Says Tom Milway: "The Shepherd's Dog proves that in the world of Iron And Wine change is, again, most certainly afoot, padded-out by full-band-encompassing electric guitars, banjos, pedal steel, horns and piano. But what really stands out is how …Dog literally hits the ground running from its opener, 'Pagan Angel And A Borrowed Car', cutting a clear slice from the organic and distinctive junkyard percussion and deep-fried blues stomps of Tom Waits."
Read the full review
We Are The Romans (Deluxe Edition) (Hydra Head)
Says Mike Diver: "There's no doubting that We Are The Romans is a genre-defining classic, second only if we're being really honest to Refused's The Shape Of Punk To Come in terms of lingering, influence-spreading aftershocks within the punk and hardcore community of today. If you've made it this far full of curiosity – Botch being just a name you've read other bands praising – then now is the time to take action."
Read the full review

subset: commoncrawl


text:
Image-Line is pleased to announce FL Studio Mobile is now available from your local App Store. There are two FL Studio Mobile applications:
- FL Studio Mobile: For iPhone & iPod Touch (inc with Retina display support) - $19.99
- FL Studio Mobile HD: For iPad 1 & 2 - $24.99
FL Studio Mobile is available in iPhone/Pod and iPad (HD) versions.
FL Studio Mobile Getting Started with the FL Studio Guru
- Load and extend projects in the FL Studio desktop version
- User instruments can be created from .instr and .zip files
- Sonoma AudioCopy. Audio can be sent to other apps via AudioCopy from the Export window
- Resizable, stackable piano keys & reconfigurable drum-pads
- Stuffed with FL Studio quality instruments, drum kits & loop files
- 99-track sequencer, Piano roll editor & Step sequencer
- WAV, MIDI & FLM (project) import/export
- iPad HD version, iPhone 4 Retina Display support
- Compatible with the Akai SynthStation 25
Just go to the App Store and if you have an iPhone/iPod Touch FL Studio Mobile OR if you have an iPad FL Studio Mobile HD.
What about Android OS? It's on the roadmap, stop nagging! We have a development team working on a low-latency Android audio-engine and there are many screen resolutions and device specifications to consider, it's not as simple as you may think :)
Does this mean FL Studio on Mac OSX soon? FL Studio Mobile is not a port of the Windows version of FL Studio. It is the product of a completely separate development team, and code, so FL Studio Mobile, while compatible with FL Studio has no impact on FL Studio development and vice versa.
Can I load my own samples? Not in version 1.0. We plan to enable user uploads in a future update.
Can I use VSTs? No, iOS does not support VSTs and frankly the devices it runs on don't have the CPU power to perform the synthesis you are used to on a desktop. FL Studio Mobile uses high quality sample based instruments made from Image-Line plugins and sample packs.
To win all the participants needed to do was blog THIS news item with a link on your Facebook Page, Website or anywhere you post AND report it to this Looptalk thread or here on Facebook. On July 10 2011 we randomly picked 5 winners:
1st - iPad 2 + FL Studio Mobile HD + $500 VCash - Hidenori Wanme
2nd - iPad 2 + FL Studio Mobile HD + $400 VCash - Shyam Sam
3rd - iPad 2 + FL Studio Mobile HD + $300 VCash - RpTheHotrod
4th - iPod Touch + FL Studio Mobile + $200 VCash - Kevin Richter
5th - iPod Touch + FL Studio Mobile + $100 VCash - Tricossoma
Congratulations from Image-Line!


text:
Coyotes, wolves, and coy-dogs
After hearing the coyotes howl for the last few nights, I read a little about the animal. One bit of trivia I picked up is that the word "coyote" comes from the Aztec word "coyotl", which is often translated as "trickster."
I came across some interesting spellings of the animal's name in old books: "cayute," "cayota," "cayeute," and so on. Today we have standardized the spelling, but pronunciations still vary. According to Merriam Webster's entry for the word, the primary pronunciation is \kī-ˈō-tē\ but in the West, it's sometimes pronounced \ˈkī-ˌōt\.
|Coyote in Yosemite National Park
Photo source: Wikipedia
On the rare occasion that I heard someone say \kī-ˈō-tē\ , it was obvious to me that they knew coyotes only from watching "Wile E. Coyote" on TV. To me, the three-syllable pronunciation was an overly-fancy version that only a dude would say.
Over the years, I've amended that preconceived notion because I've learned that many rural folks in other parts do say \kī-ˈō-tē\. However, I haven't changed my own way of saying the word. The three-syllable pronunciation will never feel right in my mouth.
I've also heard lots of people call them "wolves." But in my internal dictionary, the word "wolf" is used only for the larger wild dogs. To me, calling them "wolves" would feel just as silly as calling them \kī-ˈō-tēs\.
I base my mental image of a coyote on the animal I knew during my Nebraska childhood. The average male coyote there weighed maybe 30 lbs. But in the eastern U.S., the native coyote is a bigger animal -- at least a third bigger on average (10 to 15 lbs. heavier) -- than the Nebraska coyote. DNA testing has revealed that some eastern coyotes carry wolf genes as a result of coyotes and wolves mating with each other.
So my notion that no coyote should be called a wolf is probably wrong, too. I read that these crossbreed coyotes are called "coy-wolves." Now I wonder how they pronounce that first syllable, "coy." Is it \ˈkī\ or is it \ˈkȯi\?
|Range map of the coyote
Image from Wikimedia
Website of Jonathan Way, Ph.D., a Coy-Wolf expert


text:
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Toyota vehicles offer more to drivers and car buyers, and Milton Martin Toyota does as well. We carry the full lineup of new Toyota vehicles, with options to meet any driving need and price points to fit any vehicle budget. We have all of the most popular Toyota cars, trucks, and SUVs, including the RAV4, Corolla, Tacoma, Tundra, Highlander, and more. Start driving something you're genuinely excited to own and be confident it will serve you well for years to come. Be sure to also check out our extensive inventory of pre-owned vehicles from lots of major automakers. The level of variety and quality is truly something special, and these sedans, trucks, SUVs, and crossovers all come carefully inspected and competitively priced.
When you're ready to close the deal, count on our financing team to find you a generous auto loan at a fair rate. We will work with all credit scores to find the right financing opportunity. Our financing professionals will work closely with you to ensure you understand the details of your offer. After you're out on the road, make us your preferred service provider, and visit us to purchase official Toyota parts and accessories.
If you ever find yourself in an accident with substantial damage to your vehicle, use our Milton Martin Toyota Collision Center. We offer a free online estimation tool to make getting a price easy because we know your time is valuable. We can also offer you several custom truck and SUV options to enhance performance or give it some personalized features.
You will find everything you're looking for at Milton Martin Toyota, serving drivers in Braselton, Jefferson, and Gainesville. Our comfortable dealership features upscale lounges indoors and outdoors, as well as premium restroom facilities. We are also the only Toyota dealership in the country with a Chick-fil-A restaurant on site. Stop by to grab a bite to eat, relax, and get all your automotive needs met in one great location. Visit us Monday through Saturday, and contact us with questions.
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(770) 532-4355Call Now
3150 Milton Martin Toyota Way • Gainesville, GA 30507Get Directions
Open Today! Sales: 8:30am-8pm
Open Today! Service: 7am-5pm
Open Today! Parts: 7am-5pm


text:
I have an issue tracking system, but sometimes users report bugs directly to me in an email.
If I'm responding to a bug report in an email, what's a good etiquette to use? Do I thank them for reporting the bug? Do I apologize for it ? Is there a good template anywhere?


text:
Posted 7 years ago
(486 items)
Local WWI soldiers paperwork, consisting of photographs, one showing him (sitting)and a friend, another showing his officer on horseback. His wartime diary, showing he was a signaller, and fought in several areas including the Somme. A note states he was wounded. A very poignant reminder of WWI are the names and addresses of his friends which were crossed out as they were killed. (Most are crossed out!!!!!). Particularly rare, and a fantastic item (I think) is his original thin paper decoder for the Morse code, given that they had to try to keep signals unreadable for the Germans, I have been told that the clock face on the paper would allow them to change the Morse code in some way at different times of day. To think he carried this in battle, in the trenches and it has survived is remarkable. Also included are his discharge papers.


text:
Top of Europe and Titlis
Top of Europe and Titlis
This package includes the transfer from any Swiss aiprort or border to Interlaken, overnight in Interlaken, excursion to Jungfraujoch, trip from Interlaken to Luzern, excursion to Engleberg and Mount Titlis ending with a transfer from Luzern to Swiss airport or border.
©Antonio Jorge Nunes
Package includes:
- 5 day/4 night package in 3 star hotels (2 nights in Interlaken and 2 nights in Luzern), breakfast included, based on double occupancy.
- Excursion to Jungfraujoch - Top of Europe and excursion to Mount Titlis.
- A Swiss card in 2nd class with the 5 transfers mentioned in the program.
- Day 1 : Transfer from any Swiss airport or border to Interlaken, overnight in Interlaken
- Day 2 : Excursion to Jungfraujoch included, overnight in Interlaken
- Day 3 : Travel from Interlaken to Luzern on GoldenPass line, overnight in Luzern
- Day 4 : Excursion to Engleberg and Mt Titlis included, overnight in Luzern
- Day 5 : Transfer from Luzern to Swiss airport or border or continue your stay in Switzerland at your own request
- 1st class rail upgrade.
- Upgrade to a 4-star hotel in Interlaken and Luzern.
- Upgrade to a 5-star hotel in Interlaken.
- Free rail travel for children under 16, request Swiss Family card.
- Children up to 5 years old stay free of charge in hotels.
- Get a 50% discount on additional excursions purchased locally, upon presentation of the Swiss Card. Here are a few recommended excursions: From Lucerne > Mont Rigi, Mount Pilatus. From Interlaken > Schilthorn, First, Brienzer Rothron.
Seat reservation is mandatory on the GoldenPass Line. This fee is not included in the package.
Peak / Off-Peak information:
Peak season: May 1 to Sep 30, 2017
Off-Peak season: Jan 1 to Apr 30 & Oct 1 to Nov 5 & Nov 18 to Dec 31, 2017


text:
Now we are in a recession, who are those who will reduce their consumption the most? There are two obvious candidates: those who get unemployed and those were consuming a lot to start with. We know since the work of Jonathan Gruber, that consumption drops by 7% at the start of an unemployment spell despite unemployment insurance, and with a recession more people are unemployed. But, usually, those most likely to become unemployed in a recession are lower-skilled workers, who earn and consume less than average. A drop in aggregate consumption cannot be solely attributed to them.
Jonathan Parker and Annette Vissing-Jorgensen argue that those at the top of the consumption distribution suffer from very large fluctuations in consumption. Why would we care about the very rich? Because they influence aggregates and we seem to care about those. Also, this means that consumption inequality will be reduce considerably during this recession, even more than usual as the incomes of the very rich appear to be more affected than typically.
In their study, Parker and Vissing-Jorgensen find that the high correlation of individual and aggregate consumption of the very rich is a recent phenomenon. This is not due to the composition of their income, which is increasingly wage-based, as both individual capital and labor income are procyclical, and became more so recently. This should lay to rest the idea that rich households are able to smooth much better their consumption over the business cycle.
Tuesday, February 17, 2009
Who bears the cost of fluctuations?
Posted by Economic Logician at 4:19 AM
Labels: consumption, recessions
2 comments:
" This should lay to rest the idea that rich households are able to smooth much better their consumption over the business cycle. "
I do not understand the logic. I though that the common belief is that high income people have better access to financial instruments and education, and as such they get better insurance against their IDIOSYNCRATIC risk. Aggregate risk is undiversifiable to begin with.
- February 28, 2009 at 1:23 PM
- Economic Logician said...
Correct, paimor. But it looks like their consumption fluctuates more that the aggregate.
- February 28, 2009 at 5:38 PM
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text:
Farmers Market at MAD
Name: Farmers Market at MAD
Date: July 14, 2018
Time: 8:00 AM - 12:00 PM CDT
Event Description:
The Farmers Market at MAD will bring together farmers and vendors from the region. Customers can expect a variety goods including produce, meat, herbs, bedding plants, baked goods, jams and jellies, canned products, homemade items, local honey, and more. The new market is a 'producer-only' market, consisting only of goods that are grown, raised, or made by participating vendors who are within the region. No resale of goods is allowed. A long list of products will be available at market throughout the 2018 season, including: tomatoes, carrots, pork (butts, chops, ribs, sausage), eggs, cucumbers, honey, kale, okra, onions, peas, potatoes, broccoli, cabbage, squash, zucchini, corn, peppers, radishes, green beans, garlic, eggplant, watermelons, pumpkins, peaches, pears, blueberries, blackberries, basil, parsley, chives, rosemary, flowers, cinnamon rolls, bread loaves, dinner rolls, cornbread, biscuits, cookies, candy, cakes, handcrafted wooden signs, wreaths, cookbooks, and any kind of jelly and jam you could think of! The Farmers Market at MAD is still accepting vendors. For a copy of the guidelines or an application, contact Elizabeth Young at firstname.lastname@example.com or 870-315-0380.


text:
- This event has passed.
Camtasia: Level 2
Event Description
Learn about advanced features in Camtasia, including cursor effects and testing. Also learn to save with SCORM, which makes compatibility with other e-learning software easy! We strongly recommend that you complete Camtasia: Level 1 before taking this course.
If you will need special accommodations, please contact the event organizer.


text:
Volvo V40 Parts
- Volvo
- Suspension
- Volvo
- Engine
Volvo V40 Parts
The Volvo V40 is a small family station wagon introduced in 2000 and mixes a stylish exterior with a premium, lifestyle alternative without sacrificing Volvo's core values of safety and the environment. The Volvo V40 is based on the same platform as the Volvo S40 sedan, which was the first car in its sector to be awarded a four star Euro-NCAP (European New Car Assessment Program), which is a safety and performance program based in Belgium. The Volvo V40 was made a reality by British designer Peter Horbury, Volvo's Design Director. The Volvo V40 was a completely new car from the ground up and all were equipped with highly reliable four cylinder engines. The North American version of the car received a 1.9L low compression turbo charged 4 cylinder engine. The Volvo V40 was named the 'The Most Beautiful Estate Car in the World' at an Italian Award ceremony.
Volvo V40 Parts at FCP Euro
FCP is enthusiastic about our car parts and we take pride in selling long lasting, quality Volvo V40 parts for your vehicle. FCP Euro offers Volvo V40 original parts as well as quality aftermarket parts. No matter what Volvo parts your checking out as you scroll through our Volvo V40 catalog, you can rest assured they are covered by our one year warranty. FCP Euro also guarantees quality and fitment of all our Volvo V40 parts. Trust all your Volvo V40 parts needs to FCP Euro, and enjoy the difference that over 20 years of experience in the Euro parts industry will have on your vehicle.


text:
Top Rated Décor
Decorating Glass Bottle Set - Clear
as cheap as $56.25 AUD $42.15 AUD sale
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as cheap as $90.00 AUD $67.50 AUD sale
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"LOVE" Plates Set
$75.00 AUD $56.25 AUD sale
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Mini Lanterns with Hanger (2)
as cheap as $7.50 AUD $5.63 AUD sale
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Love Wreath Personalised Premium Canvas Backdrop
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Happy Birthday Banner - Gold Metallic
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Acrylic Diamond Shaped Confetti - Clear
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How One Italian Village Helped Raise a Child
Castilenti, a remote Italian mountain village, will be pulling out all the stops to welcome Gertrude (Gerti) Goetz and confer an honorary citizenship on the Los Angeles resident on Saturday evening, July 28.
The first time Gerti saw Castilenti was back in 1940. She was 9 years old and had fled her native Vienna with her parents after Hitler's takeover of Austria.
Although Italy was allied with Germany, the villagers, who were barely eking out an existence and had never before seen a Jew, received the refugees with warmth and kindness.
Castilenti, in the east-central Abruzzo region of Italy, had a mayor, but the real power rested with the fascist secretary, Luigi Savini. The man, whom Goetz respectfully refers to as Don Luigi, was instrumental in saving the family by warning it of an upcoming SS roundup of Jews and deportation to a concentration camp.
Twelve years ago, Goetz wrote a book, "Memory of Kindness: Growing Up in War Torn Europe." It started out on a familiar note, with her father, a World War I veteran, and mother, both solid Austrian citizens, suddenly uprooted and stateless after German troops marched in in 1938.
But unlike most autobiographies of the Holocaust years, the author also celebrates the human decency and moral courage of the people of Castilenti.
So, on July 28, the mayor, the president of the cultural association, Holocaust scholars, regional dignitaries, a good part of the 1,600 inhabitants and the national media will gather in the Piazza Umberto I, the central square, "to transmit our history and remembrances from the old to the new generations," in the words of Gianni Cilli, the event organizer.
The people of Castilenti were not the only Italians to display kindness and courage during the war, and Jews were not the only beneficiaries. Historian Antonio Bini, who will speak during the celebration, noted "There were many people who paid with their lives for the help extended Jews and Allied prisoners during those terrible years."
Another speaker will be Giorgio Savini, the son of the now-deceased fascist secretary, whom Goetz credits with saving the family's lives.
Gerti and her husband, Dr. Sam Goetz, will present to the mayor a plaque from the Pacific Southwest Region of the Anti-Defamation League as well as a letter from the Los Angeles Museum of the Holocaust, expressing the gratitude of American Jews for the villagers' fortitude during the war.
The Goetz couple have petitioned Yad Vashem to add the name of the elder Savini to the ranks of the Righteous Gentiles who risked, or paid with, their lives to aid Jews during the Holocaust.
Earlier, Gerti had asked that the entire village be so honored, but she was told that Yad Vashem could recognize only individuals, not entire communities.
"Memory of Kindness," recently published in an Italian edition, is one of a million stories of the Holocaust years, but with a difference.
It is told from the emotional perspective of a bright and intelligent girl, two years younger than Anne Frank. Gerti was 9 when the family, then penniless, fled Vienna in 1939, and 13 when British forces liberated the family in 1944.
In one of the many oddities of the era, in mid-1939 the fascist government of Benito Mussolini allowed some 4,000 German and Austrian Jews to enter Italy — though only for a six-month stay en route, supposedly, to another country. Fortunately, the time limit was never enforced.
Gerti and her parents first settled in Milan, where the local Jewish community provided one room for the family, and a meal each day. As tough as times were, they got worse when Italy entered the war in June 1940, on the side of Axis partner Germany.
Gerti's father, Alfred Kopfstein, who had been held in the Dachau concentration camp under the Nazis, now found himself in an Italian prison as a Jewish alien.
In early 1942, Gerti and her mother were sent for wartime internment to Castilenti, later joined by the father, under a strict set of rules: No family member was allowed to leave the village, to seek work or to attend school, and they had to report each day to the fascist secretary, Don Savini.
Unlike the typical Nazi bureaucrat, Savini interpreted the rules quite leniently. Mother and daughter were allowed to roam the surrounding countryside to pick berries and beg for slices of bread from tenant farmers.
Best of all from Gerti's view, she was allowed to attend school, where she learned to speak Italian with the distinctive local dialect. She became fast friends with her classmates, who nevertheless wondered, without animosity, why her people had killed Christ.
Life was very difficult for the family, but still bearable. That changed when Italy signed an armistice with the Allies and German troops immediately occupied northern and central Italy, while American and British invasion forces were slowly moving up from the south.
Savini now allowed the family to leave the village for a nearby farm, but a few weeks later he called in Gerti's parents with ominous news.
He had received orders from the region's SS commander to round up all Jews, including the Kopfstein family, for "relocation" to Poland in three days. At the risk of his career, and probably his life, Savini gave the family a three-day head start to find refuge.
The family hastily packed the two suitcases containing all their possessions, disappeared into the surrounding forest and found shelter with an impoverished peasant, who put them up in a former pigpen.
There the family lived for nine months, until British troops pushed the Germans out of the Abruzzo region. Finally free, the family moved on to the first of three displaced persons camps in southern Italy, where they were to spend the next five years.
One camp, in Santa Maria, came with a beach bordering the Mediterranean. There one day in the summer of 1945, the 13-year-old Gerti, wearing her very first swimsuit, met a fellow camp inmate, Sam Goetz.
He was born near Krakow in Poland and had just turned 17 after surviving three years in Mauthausen and other concentration camps. The two became friends. Then, in early 1949, Gerti and her mother finally received the long-awaited entry permit for the United States and settled in Los Angeles.
Four months later, Sam was also admitted to the United States, staying with relatives in New York. But he could not forget the girl from the displaced persons camp and splurged $55 for a Greyhound bus ticket to Los Angeles.
Sam and Gerti married in 1950, and despite struggles, both went on to earn doctorate degrees — he in ophthalmology and she in Germanic languages and library science.
Gerti, now 80, worked for many years as a librarian, including at the Feuchtwanger Memorial Library at USC, and Sam still sees patients in his office. He has also become a leading figure in the Jewish and survivor communities and was instrumental in establishing the 1939 Club Chair in Holocaust Studies at UCLA. The couple has two children and nine grandchildren.
In 1976, Sam and Gerti Goetz traveled to Castilenti to thank Savini, the former fascist secretary, in person for his wartime help. They arrived to find that he had died five days earlier, and his death notice was plastered across the village market place.
Now few are left in Castilenti to remember the little Jewish refugee girl, but her story — and the story of a village that retained its humanity in the midst of hatred, persecution and death — will be passed on to another generation.
A version of this article appeared in print.


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Christiane Northrup
Christiane Northrup, MD, a board-certified ob/gyn, is a visionary pioneer, beloved authority in women's health and wellness, and the author of the groundbreaking New York Times bestsellers Women's Bodies, Women's Wisdom and The Wisdom of Menopause. Her third book, Mother-Daughter Wisdom, was voted Amazon's #1 book of 2005 (in two categories). In The Secret Pleasures of Menopause and The Secret Pleasures of Menopause Playbook, Dr. Northrup teaches how to experience joy, pleasure, prosperity, fulfillment, and vibrant health. Her children's book, Beautiful Girl, brings her positive message to the youngest of girls. Her books have been translated into 24 languages.
Following a 25-year career in both academic medicine and private practice, Dr. Northrup now devotes her time to inspiring women worldwide to truly flourish on all levels through tapping into their inner wisdom. She does this through speaking engagements, on Facebook, in e-newsletters, on her weekly Hay House internet radio show Flourish!, and in television appearances and specials.
Don't miss Dr. Northrup's cutting-edge information. Follow Dr. Christiane Northrup on Facebook, Twitter, and at drnorthrup.com.
Author photo © Barbara Peacock 2013


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|Biosequences .. Software .. Molbio soft .. Network News .. FTP
Matt Jones <jonesmat at ohsu.edu> wrote: >In article <542fb3$ht0 at falcon.le.ac.uk> Dr E. Buxbaum, EB15 at le.ac.uk >writes: >>On the other hand we have considerable problems in our society with >addictive >>drugs. Amplifying >>those by creating a legal market for jet another one of them should be >>considered only in dire >>emergency, if all other options are exausted. Opiates and >benzodiazepines show >>how easy it is >>to divert such substances from legal to illegal use. And cannabis IS an >addictive drug, >>contrary to the long disproved claims of its proponents. It can cause >>psychological dependency >>in "normal", and physical dependency in very high doses. > >Dr. Buxbaum, > >Would you mind providing citations to support your statement that >marijuana is addictive? That it can cause psychological dependency is by now widely accepted (note that "can" does not mean "will in every case"). The interesting bit is the physical addiction caused in very high doses. This was observed in certain asian countries, which virtually dried up the heroin market by introducing capital punishment for heroin dealers (so much for harsh punishment not being an effective deterrent). This of course left a considerable number of addicts without supply. So, in order to avoid the nasty withdrawl symptoms, they smoked cannabis. Since opiates and THC go to different receptors, this "substitution" required very large quantities of pot. This indeed resulted in physical dependency, which was even harder to treat then the opiate dependency of these people would have been. The moral of that story, of course, is that whatever you do about reducing the supply of drugs, you have to have some idea of what to do with the addicts first. >I would also point out that derivatives of the opium poppy are addictive >(I'm sure I can find references for this if I need to), but that doesn't >prevent us from making excellent use of these compounds in operating >rooms or cough syrup. Cough syrup contains small amounts of Codein, wich is not very addictive in the first place (it does not give a "kick", although it can be used in substitution), it is also used oraly, not intravenously (which reduces the problem further, as the "kick" from other opiates depends on the speed of flooding of the nervous system, which is larger when the drugs are injected. This is the reason why in substituion therapy drugs like methadon are given oraly, and the addicts are supervised that they realy take them this way). Despite these facts, codein containing cough medicin can be obtained only on prescription in many countries (I was actually quite surprised to find them freely available here in Britain). Other than that, you only amplify my point: there are already enough dangerous and addictive substances around, so lets be carefull in introducing new ones.


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|Thread Tools
AFTER (that was about 90%, I need to take the real "completed" photos" - have been too busy watching movies to bother):
low voltage wiring
entry doors / drywall mud
exterior stucco / more drywall mud / recessed lights / GrafikEye
start of soffit framing
soffit bulkhead / false wall
THT LP #1 started
THT LP #1 finished
more soffit framing and soffit insulation
CHT 6x PRO-10, 1x SHO-10 arrive / QSC power amp fan mod
soffit recessed and rope lighting, more soffit insulation
ceiling painted / MA rack purchased
doors painted / superchunk bass traps / column framing / screen wall absorption
column face panels / carpet samples / berkline boxes
column framing finished / wall furring going up
wall panels framing mostly done
panel construction details
soffit fabric covering
soffit fabric done
column vinyl covering
column vinyl covering done / screen wall absorption fabric covering
column face fabric covering
false wall C section / door jamb fabric covering
wall panel fabric samples
berklines in / THT LP #1 in place
first attempt at sub EQ
projector purchased / testing on temporary screen
wall panel fabric going up
wall panel fabric almost done / some screen shots (still on a temp screen)
screen assembled
screen mounted (piano hinges) / screen shots
left / right / bottom screen surround panels
THT LP #2 under construction
both THT LPs installed / hinged screen supports
EQ for the two subs
XBMC talk
Unacceptable's step by step panel framing tutorial
new SEOS LCR
(this used to be the first post - moved it here, so I can turn the first post into a distilled before/after, and TOC)
Hi all - back from the dead here. I had a dedicated theater thread about 3 1/2 years ago (last post to my old thread was late 2006), but the project stalled mostly due to lack of funds, and other things that took priority (we did a major remodel on our house, and the bank account took a while to recover as a consequence; had to buy a new car; the market didn't help any either).
Anyway, back up and running, project is underway, I'm hiring out a good portion of the work (framing, drywall, electrical).
model (not up to date, but its the general idea thus far):
floorplan (up to date):
SketchUp model (not up to date - since then, decided to go AT screen, a bit bigger, decided where to add closet entry, and rear entry changed to double doors):
- The theater is being constructed in one half of a 4 car detached garage (concrete slab floor).
- Inner dimensions are roughly 17'3" wide, 23' long (21' after subtracting 2' for false screen wall); 9' ceilings.
- Construction is "room within a room" - double stud walls.
- A/V equipment will be located in a rack inside a closet connected to the HT.
- Curved 12" riser, insulation filled; curved 8" stage, sand filled.
- Entry is via double doors in the rear of the room, over stone steps up outside, and onto the riser behind the rear seating (note: double door entry is not centered, shifted left to within about 2 1/2 ft of left wall - creates some challenges for rear surround placement, but should be manageable).
- Distance eyeballs to screen ~ 11.5 ft. front row, ~ 17 ft. back row.
- I wired from a switch to a junction box up high to support rope lighting, but still waffling on whether to add soffits - I have nothing I need to hide in them, so they'd just be decorative. Looking at the ceiling on my SketchUp model just now though, it looks pretty bland without, so I'm leaning towards adding them, at least something a little shallow to hang rope lighting and trim molding on.
- Two rows of seats (3 in front, 4 in rear), Berkline style (although I may try to find something similar a bit cheaper), in curved rows.
- Walls will be treated with GPowers style acoustic panels.
- projector: Panasonic PT-AE4000u projector, using zoom feature for poor man's CIH.
- screen: 2.40:1 DIY Seymour A/V AT screen, thinking 136", but will finalize size after getting the projector mounted and the screen wall set up.
- receiver: Tentatively Pioneer Elite SC-27 (pending my "connection" coming though on a nice deal).
- speakers: Currently have 2 B&W 602s, 2 601s, and 1 CC6 that I'll use initially; looking to upgrade to 7.1 via 7 TCA PRO-10s if they turn out as good as they are made up to be, and when my wife has gotten over the initial shock of what Phase 1 has cost already.
- subwoofer: Currently have Velodyne VA-1215x that I'll use initially; I wired to the attic space for a planned IB (2x Fi 18s), but having cold feet, I think I will "settle" for an upgrade from the Velodyne to a THT.
- sources: XBOX 360, PS3, DirecTV HD DVR.
- A/C: LG ArtCool 12K BTU, or Mitsubishi Mr. Slim - I wired for 110v, will need to retrofit to 220v if I use the Mr. Slim (I like the look of the LG, but the Mitsubishi looks to be quieter).
- stone steps into the the theater room built.
- concrete block (retaining) wall that forms the lower half of the back wall was sealed / waterproofed.
- framing done.
- electrical done, including upgrade to subpanel
- low voltage (speaker, HDMI, RCA subwoofer/buttkicker, ethernet, coax (DirecTV), IR extender) wiring done.
- insulation filled riser w/ steps completed.
- sand filled stage completed.
- drywall installed.
- drywall taping/mudding.
- exterior lath/stucco/paint.
- connect head ends of ethernet and sat tv coax to switch / multiswitch in the house.
- build screen wall.
- build top of proscenium (mirror of stage more or less on the ceiling).
- build columns.
- buy or build A/V rack - it will be hidden from view, so doesn't need to be a work of art.
- buy and install A/C unit.
- buy and install A/V closet cooling (tentatively Panasonic Whisper bathroom fan, and passive vent - from back of closet to garage).
- install carpeting.
- buy seating.
- buy more stuff and install more stuff, bah, this list is making me sad, I'm going to stop typing now...
I had some questions that I thought I'd put here rather than creating a lot of separate posts.
- If given a choice for rear surrounds being in the rear corners (or close to it), but at or near ear level; or mounting them higher up (above the door), above ear level - which would be preferable? I'm leaning towards the corners, perhaps building into corner columns that double as bass absorbers.
- Given that the room is inside a separate structure (not attached to the house) - how important is having the riser and stage decoupled from the wall framing? The framers want to tie it into the framing before drywalling.
Thanks in advance for your thoughts...
Bump (I guess I really need to add some pictures, changing the title didn't get any attention ;-)
A couple of quick observations (no pics, no layout, no real help)
A stand alone garage, 1/2 converted to an HT, in Torrance and only 10K BTU's? That could be a problem. Once you get further down the path of actually providing a layout, photos, and do a bit more documentation of what you're doing, it'll be possible to be a bit more accurate on what is really needed.
Sound isolation ... yeah, it will be important. It's going to be important, in your case, from two aspects ... first will be the ambient noise level inside the completed room. If that isn't right, you're equipment will have problems, the noise transmitted outside the room will be exacerbated, and you'll be unhappy with the room and be off looking at HT Project Revision 3.
Don't allow your builder to do what is convenient for him. You have him do what is important to achieving your goals. The only reason he wants the stage/seating platform framed with the room is so he doesn't have to bring his framing crew in again after the drywall is up. While there may be less reason to isolate the stage from the structure in this case, there are still arguments to keep it isolated. These are, we really don't want to run the risk of resonances with in the structure of the room (which gets back to our ears); and, lastly it is far, far easier to sound isolate a rectangular room, than to even attempt to isolate around the seating platform and stage.
Dennis Erskine
CEO Erskine Group, Inc.
Erskine-Group on Facebook
Here is a grainy Google Earth image of where the garage sits in relation to our house and our neighbors.
I was going according to this, are there better resources (DIY)? I'm between 350 and 400 sq ft, most of the time it will be just me + wife + son (3), so I planned based on that (vs. all 7 seats filled).
The climate where I live is quite moderate - we'll get a random 100+ day thrown in once in a while just to keep us honest, but for the most part, 60s and 70s (we're about a mile and a half from the coast).
Will get to work on that - I have some old pictures of the space I took before I went into self-imposed HT planning exile for the past 3 years, I'll see if those might be useful, or take some new pics this afternoon.
I'm going to have to frame that or make a T shirt up. =) You're right of course, I think honestly I sometimes just look to avoid conflict, to "just be nice", but when tens of thousands of dollars are at stake, I should ensure that he's doing what I want - or find someone else who will.
Reconsider your AC system, you will be surprised how warm a room full of people can get. The human body gives off 300-400 BTU's per hour, so your theater will be looking at around 21,000-28,000 BTU's per hour all in very well insulated room. I have designed many rooms that incorporate cooling even during a Chicago winter.
Thanks Chicago - as above, are there better resources available for planning adequate A/C?
Also, when using a split A/C, how do people get fresh air in (since the A/C unit is just cooling and recirculating the air in the room)?
This won't be the last time some of the hired hands will want to short cut a proven HT building technique. You either do what you know is right or allow your theater to be built in the most builder friendly methods.
The framers only want to visit your house once. If they have to wait until the room is drywalled before framing the stage and riser it will require a break of several days between visits.
My place PROJECTS:Bacon Race, Ohio, Bethesda, Swizzle Stick, Summer Fun, Curve Frenzy, Staggered Walls, Rawlinsway, Lemonade,
Also, when using a split A/C, how do people get fresh air in
are there better resources available for planning adequate A/C?
Me? Here's the problem ... residential HVAC contractors are out. You tell them you need NR20 (or NC20), you have deer in headlights. You tell them a room like that needs a ton or ton and a half, they tell you that you are nuts, you don't know what you're doing, you're and idiot and they had to go to school to learn this stuff so they are good. They will also tell you they've done lots of home theaters (maybe, but not like what you're doing). Your best bet is a pro designer OR contact an HVAC company that only does commercial work or, alternatively, a mechanical engineer.
Dennis Erskine
CEO Erskine Group, Inc.
Erskine-Group on Facebook
If given a choice for rear surrounds being in the rear corners (or close to it), but at or near ear level; or mounting them higher up (above the door), above ear level - which would be preferable? I'm leaning towards the corners, perhaps building into corner columns that double as bass absorbers.
I have a similar problem in my game room "theater," which has a large window on the back wall opposite the screen. My rear surrounds are mounted close to optimal height but much further to the outside than they should be because they flank the window. I think it's an OK compromise. I experimented for a while with putting them above the window at close-to-optimal horizontal positions (but too high vertically). I prefer the current "good height but too wide" position, especially in the rear seats. I don't think there is a huge difference in the front seats. My rear seats are very close to the back wall so mounting the rear surrounds high meant most of their energy was going over the heads of folks in the back row.
Hope this helps.
MY Custom AV Cabinet with DIY Pull-Out and Rotate Rack
Framing - back wall / stage (8" high). Back wall of the garage is part retaining wall (hollow block ), up to about 4-5' (slopes down to the left), and then framing on top of that. The black stuff on the concrete block wall is waterproofing - not sure what exactly - asphalt based? fiberglass? An inner wall has been framed about an inch away from that (primarily to give a level surface, not specifically for isolation, but will help some I suppose - although not going whole hog with decoupled ceiling, etc.).
False wall will be added about 2' from the new back wall, for AT screen / speakers.
Detail of framing on back wall. All the conduit is old, will be pulled as new wiring goes in.
Here's the outside, showing the retaining wall that extends from the back of the garage.
Detail of the double wall on the right side:
View to the rear, showing the seating riser and entry (minus door, which is on order):
Left side, showing standard entry door framing into equipment closet. The closet is about 28" deep and 9' long (most of it to the right of the door). I wanted to have some extra space in there to store the HT equipment, and also some music equipment (guitar/synth rack, stand up rack for guitars, etc.). Not sure exactly how I'm going to arrange it in there just yet.
In the left way in the back you can see the electrical subpanel - inspector is saying we need to upgrade the panel and perhaps also replace the cable from the main panel to the subpanel - yikes, going to be expensive, will call him tomorrow and get an explanation, hoping to not have to do that, especially if the cable can't be pulled through the conduit (replace 8ga with 4ga is what he said, according to the contractor).
New ceiling joists - existing only had 2x6" collar ties, not sufficient to support a drywall ceiling, so added 2x12" 16" OC joists all the way across (including garage side which will also get a drywall ceiling). Planning on adding a 2x18" Infinite Baffle subwoofer manifold up there.
Underground conduit to pull satellite coax and cat5 from
house to garage:
Ordered $200 worth of wiring, wall panels and cables from monoprice yesterday, should be here tomorrow, so I can run the A/V wiring.
My place PROJECTS:Bacon Race, Ohio, Bethesda, Swizzle Stick, Summer Fun, Curve Frenzy, Staggered Walls, Rawlinsway, Lemonade,
Thanks Jeff! I really appreciate the support.
Don't forget to fill the stage/riser to avoid them resonating like drums. Sand for the stage, insulation for the riser is the preferred approach. Or at least insulation in each.
Yes, the stage will be lined with plastic sheeting and filled with sand; and the riser will be filled with insulation.
I'm planning on installing an Infinite Baffle subwoofer in my attic space - and was wondering if doing so is pretty much incompatible with sound isolation efforts (since there will be a large opening in the ceiling to the IB manifold, and plenty of back wave generated in the attic)? For example, should I bother building backer boxes for my recessed lighting (and multi-gang electrical boxes), or would it be effort wasted due to the IB "leak"?
Builders are doing electrical now, and put up new installation recessed lighting cans (telescoping arm), and I started thinking about backer boxes, which would mean I'd want to replace those cans with remodel cans.
There are a few particularly courageous people here that have done the IB system with sound isolation. THe only way to do it is to have the baffle area sound isolated as well.
The Soundproofing Company
Thanks Ted - I don't know how you find the time to follow up on all of our threads, but I'm sure glad you do! (search all forums for "Ted" every 10 minutes? ).
I assume in my case that would mean isolating the attic itself. I don't think I'm quite that courageous. The attic is also required to have dormer vents, not sure if there's really anything that could keep those from leaking sound, while allowing air to flow.
So assuming I don't "harden" the attic - would it still help to back the recessed lights with boxes (attic will leak LF, but could block non-LF through cans?)? Ceiling is not decoupled btw.
Or am I missing something?
The Soundproofing Company
The Soundproofing Company
Another option I have would be to mount the IB manifold behind the screen false wall - but if I did that, I'd need to turn that false wall into a "real" wall, vs just open framing - and would need to bring planned corner traps out from behind it. Or just scrap the IB, and go with a conventional subwoofer. Choices choices. Hard to choose when so much of this is based on a leap of faith vs. actual personal experience with many of the options.
Corner placement affects a speaker's bass response. With surrounds, you have two advantages: (1) most surround speakers don't go deep enough into the bass region for corner loading to make a big difference; and (2) you can change the crossover point between the surrounds and the subwoofer. If the bass from the surrounds is too boomy, you can always try moving the crossover point up.
Incidentally, I think putting a speaker at the wall/ceiling corner creates the same kind of bass problems as putting the speaker in a wall/wall corner.
MY Custom AV Cabinet with DIY Pull-Out and Rotate Rack
My place PROJECTS:Bacon Race, Ohio, Bethesda, Swizzle Stick, Summer Fun, Curve Frenzy, Staggered Walls, Rawlinsway, Lemonade,
I like how it's in a separate building completely for noise. But with that setup if the spouse can hear it so can the neighbors.
My Demo Disc Recommendations (Updated 10/01/2010)
Corner placement affects a speaker's bass response. With surrounds, you have two advantages: (1) most surround speakers don't go deep enough into the bass region for corner loading to make a big difference; and (2) you can change the crossover point between the surrounds and the subwoofer. If the bass from the surrounds is too boomy, you can always try moving the crossover point up.
Incidentally, I think putting a speaker at the wall/ceiling corner creates the same kind of bass problems as putting the speaker in a wall/wall corner.
Thanks, I'll keep the crossover point in mind if I run into any trouble.
I do remember checking his thread before, but it was a while ago, and not sure how far through I waded - or if he had implemented the IB at the time. I'll take a look again.
She sleeps like a rock, she shouldn't be a problem. Neighbors, well, we'll see...
The inspector required that all the framing for the riser and stage be treated - not sure why, since it sits on top of pressure treated underneath, but OK:
The stage was filled with sand (is it dry, well not exactly):
New sub panel installed, and new 4 GA wiring pulled through conduit to main panel - thankfully it pulled OK, no need to break any concrete, which was my main worry:
All electrical boxes installed and wired, ceiling cans installed:
The weekend is here, and so is my box of wiring stuff from monoprice, so I should be busy (back willing - tweaked it last week somehow) - and can finally start contributing more than finger pointing and writing checks.
Today, the construction crew will install the entry doors, attic ladder (garage side), insulate the riser, and put the tops on the riser and stage.
- 7 runs of CL2 14 GA to each of the speaker locations
- 2 runs of CL2 12 GA to the ceiling, for future IB subwoofer use (if I decide to - still on the fence)
- 3 RG6 RCA cables - to left front and right front for subwoofer(s); and to front of riser for possible Buttkicker.
- 2 RG6 from house wiring closet, through underground conduit, and into the HT A/V closet
- 1 CAT5 through conduit
- 1 CAT5 from A/V closet to front center, for IR repeater "eye", to be located above screen
- 2 HDMI cables from A/V closet to PJ mounting location
doors are in - still need to buy lockset, and interior door for A/V closet:
stage - filled with sand, and plywood on top - looks kind of spartan, not sure if I should add a "step" ledge in front like many do, or leave it as is:
riser - filled with insulation and two layers of plywood on top, 1 1/2" overhang:
riser has been decoupled from exterior walls:
Buttkicker RCA cable:
steps on sides of riser, also with 1 1/2" lip:
conduit with wires pulled:
a/v closet, yup, lots of wires there:
HDMI drops near projector:
IB subwoofer wiring drop - as mentioned, still on the fence whether to go ahead with an IB, it might be more hassle than its worth, I may just go for a DIY THT instead, and hide it behind the screen - any thoughts from those with experience with one or both (IB or THT)?
junction box on the right side for split A/C:
junction box up high on the left side for potential rope lighting - not sure whether to install a soffit and rope lighting, it would be purely decorative - or maybe I could create something less than a soffit but somewhat more than crown molding, to support rope light
- For anyone who is using a split A/C, in a room that is not connected to the house A/C / ventilation - what are you doing for ventilation / fresh air?
- What are you using to exhaust hot air from your A/V closet? I'm thinking some type of thermostat controlled fan to exhaust hot air into the attic, but not sure of what type - PC/rack types seem very small for the task, perhaps a low SONE rated bathroom type fan?
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With June behind us, we're continuing our monthly materials theme in July with "Plywood Month."
Actually, it's "Plywood Month" only because "Manufactured Wood Panel Month" doesn't exactly roll off the tongue. But it's all fair game for this theme: MDF, particleboard, OSB, LVL, PSL, and any other alphabet-soup type panel products mostly made from cellulose. In fact, alternative plywood-replacement panel products made from minerals, plastics or other non-biological, recycled and/or recyclable materials could also fit the bill. If you can cut it, fasten it, and use it like plywood, we're interested in it.
This subject is a real smorgasboard, for us, but as always we're glad to have your feedback and suggestions for themed content. If there's something topical you'd like to see, please let us know, below.


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JACKSONVILLE, Fla. – Ten suspects have been arrested and four are still being sought on charges of trafficking cocaine locally and statewide, Jacksonville Sheriff John Rutherford announced Tuesday.
The investigation was dubbed Operation Deja vu because the suspects have been arrested before, Rutherford said.
He said the operation began early last year when Jacksonville Sheriff's Office detectives identified a local man named Jamael Tyson (pictured below) as a multi-kilo drug trafficking suspect.
IMAGES: Evidence, mug shots in Operation Deja vu
Tyson was a key player in a large group, purchasing cocaine from Miami, Rutherford said. He said that in March 2013, police realized there were two organizations and learned Tyson was purchasing cocaine from the organizations and shopping for the best deal.
Rutherford said a Dunn Avenue warehouse on the Northside was used to store the drugs.
In April, the FBI set up surveillance on the warehouse and observed key members of the group dropping off cocaine, Rutherford said.
"Before it was busted, I did notice a lot of cars coming in and out," said Nicole Rigsby, who works at Pet Grooming Salon. "I didn't think anything of it at the time."
On April 18, a search warrant was issued and investigators found 8 kilos of cocaine, $104,000 in a case, two handguns, motorscooters, jet skis, SUVs and cars, Rutherford said.
He said another search warrant was obtained for a house and investigators recovered a kilo of cocaine in a vacuum cleaner bag.
The FBI continued surveillance on Tyson, who police said was moving drugs from Texas to Miami to Jacksonville.
Rutherford said police set up in St. Augustine to seize cocaine during a traffic stop to capture Tyson and an unnamed driver. Rutherford said Tyson increased his speed and drove away, and police called off the chase.
Tyson is still at large.
In February, an unnamed conspirator was located in Riverside, where investigators found $282,000 in cash, ledgers to keep track of money, several vehicles and weapons. They said there were several bank accounts linked to the co-conspirator, netting $100,000.
Rutherford said both organizations have been dismantled, and all 14 suspects face at least 15 years in prison.
The street value of cocaine seized is $500,000, including 2 kilos thrown out of Tyson's vehicle during the chase, Rutherford said.
"These guys are all carrying guns, too. I mean, they are a murder waiting to happen," Rutherford said.
Among those arrested were Cedrick Sapp, Jackie Wyman, Samantha Colon, Jerrold Miller, Kenneth Caldwell, Jackie Wyman and Alexander Lascalzo.
The others who have been arrested are cooperating with police but are not being named because they are giving police information, Rutherford said.
Of the 10 arrested so far, investigators said they have seized 400 grams of cocaine valued at more than $800,000, and $370,000 cash. Drug agents also seized a pound of marijuana and nine vehicles.
Anyone with any information on Tyson's whereabouts is asked to call Crime Stoppers at 866-845-TIPS.


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Luxury resorts ready to pamper you. Bed and breakfasts ready to welcome you. Hotels and motels to meet your every need. Charming rental homes or serene evenings on the marina. Or maybe looking up at the stars from a wooded campground. It's all here in Plymouth County.
Perfectly situated, Plymouth County is the gateway to the Cape and the Islands. And driving distance to Boston and so much more. We're ready to make sure you have an unforgettable visit.


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Rep. Lipinski Joins Blue Dog Coalition to Fight for Fiscal Discipline01/31/2013
U.S. Rep. Dan Lipinski (IL-3) announced today that he is the newest member of the Blue Dog Coalition, a group of fiscally responsible House Democrats committed to promoting commonsense, moderate policies that keep America strong. In accepting Rep. Lipinski into their ranks, his fellow Blue Dog members noted the congressman's work in bringing people together to solve problems and his leadership in fighting for fiscal discipline in Washington.
"The federal government has built up an unacceptable level of debt and faces an even worse debt problem in the future if we do not change current policies. I have pursued a sensible, responsible approach to fixing our budget problems and bringing our skyrocketing debt under control. I am excited to join the Blue Dog Coalition in order to help me expand on those efforts," Rep. Lipinski said. "In the coming weeks, we are facing tough decisions in Congress regarding the sequestration budget cuts, the possibility of a federal government shutdown at the end of March, and the debt ceiling. I am eager to work with my fellow Blue Dogs to tackle these important issues."
Rep. Lipinski has been a champion of fiscal discipline and responsibility in Congress. Last year, he was one of a bipartisan group of nine members who brought to the House floor a budget based on the recommendations of the Simpson-Bowles Fiscal Responsibility and Reform Commission. This budget would have reduced the national debt by $4 trillion over 10 years through spending cuts and new revenue. Rep. Lipinski recently was named by the nonpartisan grassroots No Labels organization as one of the congressional Problem Solvers charged with making Congress work again on behalf of the American people.
"Never have America's problems looks so big, and Congress looked so small. I'm glad to welcome Congressman Lipinski to the Blue Dogs," said U.S. Rep. Jim Cooper (D-TN). "We need more thoughtful members like him who are willing to work across the aisle for the good of the country."
"The Blue Dogs are proud to welcome into their ranks Dan Lipinski, who is a well-respected, hardworking and fiscally responsible member of Congress," said U.S. Rep. Kurt Schrader (D-OR). "Dan will add an even stronger voice to the Blue Dogs as we find bipartisan, commonsense solutions to help fix the ongoing fiscal crisis in Washington. Just as we have done since our inception, the Blue Dog Coalition will continue to represent political moderates across this nation and we stand ready and willing to work with whoever it takes to get the job done."
For more information on the Blue Dog Coalition, click here.