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If you want to pay with paypal
Click "Here" in the last step.
(You don't need Paypal ID!)
- Since Little Cho's head painting is all hand-made, a tiny bit of difference can be appeared.
- Little Cho's head color can vary depending on its model year.
- We check all products' quality before shipping.
- DO NOT rub the product roughly or wipe with water. It can erase your doll's painting
- Body parts can be stained by some clothes. DO NOT put dark-and-vivid-colored dress on it for a long-term storage. Always put white underwear on it to prevent stain.
- DO NOT swallow little parts by mistake. It can block your airway. Especially, if you have children, keep them out of children's eyes
- This product is for higher than 15-year-old.
- Compensation will not be available for your loss or damaging of parts while you open the package.
- DO NOT treat it roughly, for example throwing or wielding.
- Be careful not to prick your skin or eyes with its sharp point.
- Do NO press the doll too hard or try to move its driving parts by force. It can cause damage.
- DO NOT put the doll near sunlight and high temperature areas such as near fire, heating instruments or inside the car. It can transform the body.
- It requires careful handling to avoid damages or unpredictable accidents.
- If you have any problems or questions regarding body parts, please contact Obitsu Plastic Manufacturing
(Obitsu Plastic Manufacturing Web site http://www.obitsu.co.jp, Email email@example.com)
Head parts: Head, Head cap, Velcro
Head material: Head RESIN, Fixing magnet NdFeB
Body Product: Obitsu 23BD-F02W
Body parts: 3 sets of hand parts interchangeable (Each set contains left and right hands), 2 fixing adaptors for head
Body material: Body ABS resin, upper body cover PVC, joint spindle POM, Hands PVC or TPE
Seoul, Korea
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Not being a professional historian, I take on this essay with fear and trembling. That's because, although defeated, although dead, this man is frightening.
What was the secret of his power over his listeners? His demagogic appeal to immoderation, to excess and to simplifying hate? They spoke of his intuitive powers and his "luck" (he escaped several attempts on his life).
Adolf Hitler or the incarnation of absolute evil; this is how future generations will remember the all-powerful Fuhrer of the criminal Third Reich. Compared with him, his peers Mussolini and Franco were novices. Under his hypnotic gaze, humanity crossed a threshold from which one could see the abyss.
At the same time that he terrorized his adversaries, he knew how to please, impress and charm the very interlocutors from whom he wanted support. Diplomats and journalists insist as much on his charm as they do on his temper tantrums. The savior admired by his own as he dragged them into his madness, the Satan and exterminating angel feared and hated by all others, Hitler led his people to a shameful defeat without precedent. That his political and strategic ambitions have created a dividing line in the history of this turbulent and tormented century is undeniable: there is a before and an after. By the breadth of his crimes, which have attained a quasi-ontological dimension, he surpasses all his predecessors: as a result of Hitler, man is defined by what makes him inhuman. With Hitler at the head of a gigantic laboratory, life itself seems to have changed.
How did this Austrian without title or position manage to get himself elected head of a German nation renowned for its civilizing mission? How to explain the success of his cheap demagogy in the heart of a people so proud of having inherited the genius of a Wolfgang von Goethe and an Immanuel Kant?
Was there no resistance to his disastrous projects? There was. But it was too feeble, too weak and too late to succeed. German society had rallied behind him: the judicial, the educational, the industrial and the economic establishments gave him their support.
Few politicians of this century have aroused, in their lifetime, such love and so much hate; few have inspired so much historical and psychological research after their death. Even today, works on his enigmatic personality and his cursed career are best sellers everywhere. Some are good, others are less good, but all seem to respond to an authentic curiosity on the part of a public haunted by memory and the desire to understand.
We think we know everything about the nefarious forces that shaped his destiny: his unhappy childhood, his frustrated adolescence; his artistic disappointments; his wound received on the front during World War I; his taste for spectacle, his constant disdain for social and military aristocracies; his relationship with Eva Braun, who adored him; the cult of the very death he feared; his lack of scruples with regard to his former comrades of the SA, whom he had assassinated in 1934; his endless hatred of Jews, whose survival enraged him--each and every phase of his official and private life has found its chroniclers, its biographers.

subset: commoncrawl


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- Duration of movie : 126
- Societies of production : Touchstone Pictures
- Tagline : Rule Your Fate.
- Movie Genre : Adventure, War,
- Film Note : -movie_rating-
- Original title : King Arthur
- Release Date of film : 2004-07-07
- Status : Released
- Youtube Id : -youtube_id-
- Average rate : 6.1
- Languages spoken : Cymraeg
- Vote Count : 113
- Clive Owen Character (Arthur)
- Ioan Gruffudd Character (Lancelot)
- Keira Knightley Character (Guinevere)
- Mads Mikkelsen Character (Tristan)
- Joel Edgerton Character (Gawain)
- Hugh Dancy Character (Galahad)
- Ray Winstone Character (Bors)
- Stephen Dillane Character (Merlin)
- Ray Stevenson Character (Dagonet)
- Til Schweiger Character (Cynric)
- Stellan Skarsgrd Character (Cerdic)
- Sean Gilder Character (Jols)
- Pat Kinevane Character (Horton)
- Ivano Marescotti Character (Bishop Germanius)
- Ken Stott Character (Marius Honorius)
King Arthur Synopsis:
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REAL ESTATE- ON THE BLOCK- Bike or walk: Teachers, kiss your commute good-bye!
ADDRESS: 117 Oak Forest Circle
NEIGHBORHOOD: Oak Forest in Albemarle
SIZE: 1,889 fin. sq. ft.
LAND: 0.24 acres
CURB APPEAL: 7.5 out of 10
AGENTS: Kevin Holt and Wes Carr, ERA Bill May Realty Co., 978-7355
One summer during college, we hosted a European exchange student. "I find zee squirrel... very handsome," the goateed Belgian mused during a tour of Washington D.C., watching with fascination as one of the species of squirrels that plague American cities– a breed apparently not native to the Low Countries– sat on a park bench devouring a discarded pretzel.
With a name like Oak Forest, this subdivision just down the road from Albemarle High School might seem like paradise for that Belgian squirrel-watcher. During our tour, several frenzied tree rats chased each another across trees to rooftops and back– fat, dumb, and happy.
Just a loop connected to an easy-to-miss road in and out, Oak Forest contains a few dozen houses– all with wood siding to match the scenery.
There's no homeowner's association in the neighborhood conveniently close to Route 29 North as well as everybody's favorite 29 by-pass (Barracks-to-Georgetown-to Hydraulic and points beyond, for the three of you who don't already know this "shortcut").
While looking somewhat dated inside, 117 Oak Forest Circle offers a woodsy retreat. Did we say "dated" inside? Understatement! With parquet floors, apparently original wallpaper in several rooms, and vinyl underfoot in the kitchen, the interior might require a total makeover.
Other even more frozen-in-time interior accents include flower print drapes right out of Family Ties, and carpet in two of the three bathrooms. When were carpeted bathrooms popular?
Fortunately, the time warp doesn't extend to most of the house's major systems: the seller has recently replaced the HVAC, installed a new roof, and updated several appliances, including a liquid propane gas stove and front-loading washer and dryer set.
The retreat portion of the house begins in the bumped-out den, accessed through a set of double doors off the living room. Two skylights admit enough light to call it a sunroom in winter, although during other seasons the oaks may take most of the sun's rays for chlorophyll, photosynthesis, and all that (fortunately, the high school is within walking distance for folks who want the technical details).
In the den, a sliding glass door opens to a large, near-ground-level back deck with built-in benches. The yard, with bird feeders and baths (which probably feed and bathe more squirrels than jays), and surrounded by a split-rail fence, hosts a hammock in one corner that doesn't need moving at mowing time. In fact, there is no mowing time: grass doesn't easily grow under the canopy, so bring a rake instead of a Toro. The squirrels don't like noisy Saturday mornings, anyway.
Out front, a screened-in-porch contains a platform that at first glance looks like a hot tub cover. However, the empty hooks above reveal it's for a porch swing. Too late!– the wheels are already turning– with the right bathers in front, Oak Forest Circle could attract as much traffic in summer as the wonderfully decorated houses on Agnese Street at Christmastime. (But we advise anyone with a body like one of Agnese's luminescent Santas to position a hot tub only in the backyard.)
The agent notes that Albemarle currently has only eight single-family listings in the $250,000-260,000 price range, none of them as close to Charlottesville as this house. He has a point: below $260,000, brick ramblers and stoplight-ridden commutes are the norm in "the county."
As house prices continue to trend downward, maybe one of Albemarle High's teachers can move in here and trade their battered commuter car for a bicycle. Good things come out of even the worst situations, and affordability is clearly a good thing. We may not be there yet, but one way or another, a welcome equilibrium between wages and house prices will eventually arrive, and maybe those of us with earnings near the median income will once again be able to live near work.
Meanwhile, the squirrels frolic on, oblivious to the meaningless human chatter around them, content with backyard games of tag, subsisting on plentiful acorns and the occasional half-eaten pretzel.
Each week, a brave local seller invites the Hook to provide an impartial, warts-and-all look at their real estate listing. E-mail yours today!


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When a child gets left out from activities or cliques, we can all guess at the pain that's going through his or her mind. But what about the kids who do the excluding?
A new study searching for less harmful alternatives to social exclusion found kids had a wide range of experiences when excluding their peers. Therefore, believes Holly Recchia, Concordia University assistant professor and the study's first author, adults need to find different ways to approach these cases.
"The most useful interventions will be the ones that allow kids to weigh different goals, across different kinds of situations," she said. "This flexibility would allow them to handle exclusion in ways that minimize harm to other people while still recognizing their own legitimate desires and perspectives."
In Recchia's research, kids noted all kinds of reasons for excluding others, and even categorized them as good or bad. For instance, exclusion due to poor work compatibility was a good reason, while exclusion resulting in hurting someone's feelings was a bad one. In some cases, children would look for alternatives to exclusion, showing researchers an opportunity to change their behaviour.
The study asked 84 kids from ages seven to 17 to recall a time when they intentionally left out another kid (instead of creating hypothetical situations, like in studies past). Older children in their teens took more responsibility for excluding peers, while younger children mainly felt they excluded others for reasons beyond their control, such as peer pressure. This could indicate the possibility for exclusion alternatives based on age, researchers found.
When finding alternatives to social exclusion, another variable may include gender, as girls tend to exclude others in different ways than boys, PBS notes.
Some parents encourage social inclusion by getting kids to engage in more than one social group, develop solid social skills and value inclusive communities.
Also on HuffPost


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Universal 4-Sided Oven Door Seal Kit - 2m (For Square Corners) Stock Number: ES131929
Will this part fit my Appliance?
This product is compatible with:
- Cookers & Hobs - That Meet The Criteria In The Description
Universal 4-Sided Oven Door Seal Kit - 2m (For Square Corners)
This universal door seal is designed to fit most modern ovens that have a four sided seal with square corners. It will not effectively replace seals with curved corners. The seal attaches to the body of the oven by a single hook in each corner.
Please make sure that there is a single hole in each corner of your oven. This will not fit ovens that have two holes in each corner.
The kit includes a 2m length of black door seal that you cut to the right size for your oven, plus 4 corner hooks to attach the seal to the body.
PLEASE NOTE: Suitable to fit most ovens with four-sided seals, square corners and one hole in each corner.
For a kit with round corners please see ES1712443
Measure the distance between the holes
Cut the top, bottom and sides of the seal to size
Trim the corners to 45°
Insert the barbed corner hooks into the slot of the seal
Clip the corner hooks into the holes on the face of the oven
- Colour: Black
- Silicone
- Length: 2m
- Depth: 3mm
- Includes corner brackets
Note: This seal is the same 'thickness' as the vast majority of oven door seals but please compare with yours before trying to fit it and return if not suitable subject to our conditions.
44 Questions and 44 Answers
Is the seal for door side or oven side 3 Answers
because i need oven side door seal? (cannon winchester)
- oven door seal ,2 fixings each corner. also 1 off white oven control knob for Cannon 'Winchester gas cooker oven.
- My oven is a modern one and it fitted perfectly
- i bought it for the oven side but on other models maybe fited to the door
- No adhesives just clips
- See if the seal is anchored at each corner. If so the fixing is probably mechanical and not adhesive.
Chris at eSpares says...
The overal length of the seal is 200cm.
Chris at eSpares says...
Please see the video attached to the part.
Parminder at eSpares says...
This universal door seal is designed to fit most modern ovens that have a four sided seal with square corners and one hole in each corner. Please see our advice centre for more information: http://www.espares.co.uk/advice/1/1338/


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Extreme Racing Adventure for Alcatel One Touch Pixi 4007D
- Review
- Download
- Screenshots
- Discussions
How to download free Extreme Racing Adventure for Alcatel One Touch Pixi 4007D
Compatibility checkingIndicate
- Android version
- Android 9.0
- Android 9
- Android 5.0
- Android 4.4
- Android 4.3
- Android 4.2
- Android 4.1
- Android 4.0
- Android 3.2
- Android 3.1
- Android 3.0
- Android 2.3
- Android 2.2
To find Android version: go to "Settings" - "About the phone" - "Android version"
Installation options
With PC
Follow the link to Google Play and click "install"
Alcatel One Touch Pixi 4007D
Enter link in your mobile browser or scan the QR-code
Guides: «How to create a Google Play account», «How to purchase apps in Google Play»
Questions and support
Read the review Extreme Racing Adventure
«Take your racing to the next level»
Author: Brandon Girod 05 Jul 2017
Responsive controls, unlocks come at a good pace
Generic art, repetitive gameplay
Your next racing game has arrived. Or at least that's what Minimo wants you to think. Extreme Racing Adventure for Android is Minimo's newest game and the follow up to Mini Racing Adventures. Whereas the mini racing game was targeted more towards chi...


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Men Ted Baker
New Products For August - Men Ted Baker
We ship with the United States and UK DHL around the world. COD and UPS UE.
Take a look at our range of womens running shoes. If you're looking for a selection of running shoes for women from respected brands including Nike, Karrimor and adidas then look no further. Our running shoes for women are the perfect way to update your running kit or to introduce you to the sport so avoid disappointment purchase today!


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Like the idea of Google TV, with its web browsing, applications and powerful search, but don't want another box sitting around your TV? Then you'll love the new HDTVs Sony unveiled at a press event in New York today. They incorporate the same Google TV functionality right in the TVs' electronics.
Sony new TVs, which range from 24 to 46 inches, can access content via broadcast, the Internet and applications, just as the Logitech Revue, unveiled last week, can. The company also unveiled a Blu-ray player with Google TV features.
At the event, Sony representatives argued that the appearance of the Google-powered TV sets mark a groundbreaking moment that will change the way the public watches TV. As technical achievements go, "this is a pretty big one," said Mike Abary, senior vice president of Sony's Home Division, who pointed out that the Sony units would be the only Google-powered TVs available this holiday shopping season. "TV and the Internet, together at last."
The Google TV navigation, on-screen menus and results screens mirror the features seen in the Revue.
While the Revue comes with a full or mini Logitech keyboard, the Sony Internet TVs have their own style of mini keyboard, which feels a lot like a game controller. It's not backlit, but along with the keyboard includes two control pads. There's a touch pad on the right with which you can navigate Web sites. The pad on the left is a mechanical rocker switch used for navigation when the set is tuned into broadcast content. It operates like the directional buttons on a DVD remote.
The controller is very lightweight and proved very easy to learn and manipulated. It has the feel of a PlayStation remote for a good reason. "Some design elements were borrowed from the PS3," Abary said.
The new 24-inch (US$600), 32-inch (US$800), 40-inch (US$1,000), and 46-inch (US$1,400) Sony Internet TVs as well as the new Sony Internet Blu-ray player (US$400) are available for pre-order now and will be available at Sony Style this week and at Best Buy Oct. 24.


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APPLE Tablet accessories
Your active filters
iPad accessories are a must-have for Apple tablet owners - not only to make your device look unique, but to ensure you're making the most of your perfectly portable partner. Customise the look of your iPad with our range of tablet cases, available in a selection of colours, designs and materials. A case will protect your device as you go about your day-to-day life and it can also bring added functionality in the form of an integrated keyboard or a built-in multi-angle stand. For complete peace of mind, team a tablet case with a screen protector. Other iPad accessories available at Currys include spare cables and chargers for keeping your tablet full of juice and completely connected, and styluses to help avoid unsightly fingerprints.


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GS-Calc 17.2
GS-Calc is a spreadsheet application that will help you to organize your data, track your expenses and incomes, create reports, search, and edit databases.
* 12 million rows x 4,096 columns.
* A unique feature of organizing worksheets in a tree form.
* Efficient memory usage to quickly load and save the largest files.
* Fast pivot tables, optimization and other advanced statistical functions.
* Using up to 64 processor cores during calculations.
* Functions written by users in C/C++ as plain DLL libraries.
* Users can replace the default built-in functions retaining the multicore support.
* A unique feature of working in up to 100 synchronized panes to boost your productivity.
* GS-Calc can be installed on any portable device and used without performing any registry modifications.
* Two optional native file formats: Open Document *.ods spreadsheet format and exceptionally fast and compact binary format.
* Extensive match/look-up functionality for more precise and fastest possible searching. Regular expressions.
* Support for JScripts & VBScripts. Organizing scripts hierarchically in trees.
* 2D/XY and 3D charts capable of handling very large amounts of data.
* Saving workbooks to PDF: saving entire workbooks, single worksheets, ranges or single charts to compact PDF files.
* A complete set of functions to import, export and convert data in the text, dBase, Clipper, Fox Pro, Excel XML file formats.
* Around 300 built-in formulas including specialized numerical functions: matrix decompositions; linear equation sets with improving iterations; least squares (weighted, constrained), regression with orthogonal polynomials; time series analysis; minimization; linear programming, integer programming and quadratic programming.
Both 64- and 32-bit versions are available.


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Should Govt Regulate Executive Pay?
Every couple of weeks, the Economist conducts an on‐line debate between two economists over a timely public policy issue. This week's debate features yours truly, debating Professor Wayne Guay of the Wharton School. The question being debated: should government regulate the pay of corporate executives?
You probably won't be surprised to learn I take the position that government should generally stay out of regulating executive pay (or any pay). To see my argument, just follow the link.


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Market Scene: Bellevue and Crossroads Farmers' Markets in Washington
In the lush evergreen lands of Washington state, for those who live on the Eastside, across the lake from Seattle, you long for the daily farmers' market freshness of Pike Place Market, but feel guilty about that pesky carbon footprint of driving a few cities over for a fresh bit of leafy greens. Thankfully, there are several great neighborhood farmers' markets that are in full swing, offering the latest midsummer goodies and their own unique charm.
I recently visited the two main markets in the city of Bellevue, the Bellevue Farmers Market and the Crossroads Farmers Market.
More photos in the slideshow »
Right now, the bright colors of cherries and berries are everywhere, and yes, Bob, the price is most definitely right, so make it a point to have a cherry-berry good time.
The marbled swirls of yellow and orange Rainier cherries are making their splash across the market tables, as are the crimson-red Bing varieties. The Rainiers have a lighter, almost creamy sweetness in comparison to the deeper, wine-soaked richness of their Bing counterparts. Either are delicious on their own, or baked in a pie, but they're also a nice hit of sweetness when pitted and mixed in a summer salad of peppery greens, crumbles of a creamy cheese and crushed bits of hazelnuts.
In terms of berries, strawberries are still in the spotlight but having to nestle over to make room for the raspberries, with their plump, delicate bundles of juicy freshness that seem like they're literally plucked from the sunlight. People are buying them by the box-load. So what to do when you've bought a small pony's weight in berries? An excess of strawberries or raspberries make for great sorbets and are a lovely way to capture the freshness of the berry harvest, since most recipes usually call for a harvest's worth of berries for a single batch of sorbet.
What's New On Serious Eats
Yes, it's true that summer has been slow to arrive to the Pacific Northwest. The unusually cool and rainy summer has meant a slower rollout of some fruits and vegetables, but the silver lining on the grey clouds still hanging over our heads is a prolonged season for things like Swiss chard, broccoli, and foraged items like dandelion greens. Fat bundles of asparagus have only recently started to disappear from the market tables.
The cooler weather has been a boon for sugar peas—several vendors like Bautista Farms at the Crossroads Market are selling big, fat pods of sugar snap peas. They're plucked when they're nearly bursting at their stringed seams, looking more like shell beans, but when you sample one of the peas and take a bite into its crisp membrane and get a bit of its light, sugary sweetness, it's like a lingering whisper of spring reminding one that it's not so bad the hot days of summer are lazy to arrive.
Several farms like the Kittitas Valley Greenhouse from Ellensburg are offering hothouse items like tomatoes of all sorts, including the beautifully funky shapes of heirlooms, with their wabi-sabi wonderfulness of variegated color and flavor. Their greenhouse tomatoes were one of the first on the scene when the Bellevue Farmers Market first opened in May, and their jewel-toned tomatoes stood out like a bright blaze amid all the mellow springtime hues of green. Their table is now offering a wider variety like lovely clusters still on the vine and plump, oblong Romas neatly stacked and displayed.
A farm from LaConner, a small city located further north, near Anacortes, garnered a bit of passerby attention at the Bellevue Farmers Market with some unique items like Thai eggplant, adorable ping pong ball-sized eggplants in a dappled green that were reminiscent of a tomatillo. More bitter than the typical grocery store variety, it's advised to remove the seeds to curb the bitterness and the flesh is cubed and often stewed in curries. The slender curved lavender-shaded Pingtung long eggplant were also available, which is a pleasantly sweet variety to cook with and the skin is tender enough to not require peeling.
The LaConner farm also had a metal bin full of small artichokes, which brought in many admirers (myself included). I only wish they had a website and an official farmers market name to share with others, but they were a great reminder that half the pleasure behind visiting these markets is meeting the small family farms who spend more time tending to their seedlings than sending emails.
Not to say high-tech farming is a bad thing. Full Circle Farm, located in the Snoqualmie Valley east of Seattle is one of the largest CSA networks and it has a well-known presence across the local farmers' markets, including the Bellevue Farmers Market. Their CSA program of organic produce and artisan grocery delivery extends throughout Washington and as far as Alaska. Big business aside, it doesn't take away from the experience of browsing through their table of bright carrots nestled in a basket, little bouquets of French breakfast radishes, or a bright jumble of sunburst squash shaped like little UFOs, practically screaming, "take me home to meet your dinner!" Which of course, I did.
Another thing I did across both markets was browse. People are picking up on the cachet of farmers markets because they're a great opportunity for unusual gifts: a pot of live herbs like parsley, chives and basil for a housewarming gift. A flour-dusted boule of artisan bread from Tall Grass Bakery and a bouquet of fresh lavender would be a lovely hostess gift. The Crossroads Farmers Market has a large stand for Pappardelle's dry pasta, with unusual flavors like chocolate gemelli and a colorful rainbow of dried orzo. Almost too pretty to eat, the little ruffles of a lemon parsley malfadine would make for a visually appealing for a foodie friend. Consider a trip through the markets as a chance to be inspired for gift ideas.
So what if you're overwhelmed by the farm-freshness and stricken with sensory overload? Sit back, relax, and have a bite to eat. Both Bellevue farmers markets are good spots to have a quick meal or get something to-go. The Crossroads Market opens at lunchtime and there are prepared foods like empanadas from Maria Luisa, and gourmet falafel from 2 Chefs. For dinner, head to the weekday Bellevue Farmers Market for dinner and a show, where they have bands regularly performing and grab a slice of freshly-made pizza. Veraci, a local Seattle favorite, specializes in pizza-to-go, as in they have a mobile wood-fire pizza oven and mini-kitchen that makes every crispy-thin Neapolitan style pizza to order. Make sure not to overstuff with pizza and save room for dessert, as the baby blue ice cream truck from Molly Moon's visits the Bellevue Farmers Market, offering heavenly flavors like Honey Lavender or Balsamic Strawberry.
More photos in the slideshow »
How to Get There
The Bellevue Farmers Market is open on Thursdays from 3 to 7 p.m. at the First Presbyterian Church of Bellevue's parking lot, located on Bellevue Way, and Saturdays at Washington Square off NE 8th Street from 10 a.m. to 2 p.m. They offer live music, chef demos (Chef Holly Smith from Cafe Juanita has rescheduled for July 22). Sorry, no pets allowed!
The Crossroads Farmers Market is open on Tuesdays from 12 to 6:30 p.m. at the Crossroads Mall on NE 8th and 156th Ave. NE. The market is in the parking lot in back, where the old Circuit City building is. Notable specialty items include gourmet dried pasta from Pappardelle's, Leave Fido at home—also not pet-friendly.
In Season
Basil Broccoli Chard Cherries, Rainier and Bing Chives Cilantro Cucumbers Dill Garlic Greens Jerusalem Artichokes Lavender Onions, Walla Walla Sweets Parsley Sugar Snap Peas Raspberries Rosemary Sage Strawberries Tarragon Thyme Tomatoes, hothouse Turnips Zucchini
Coming Soon
Blackberries Blueberries Cauliflower Corn Eggplant Green Beans Loganberries Marionberries Nectarines Peaches Plums Pluots Peppers Summer Squash
All products linked here have been independently selected by our editors. We may earn a commission on purchases, as described in our affiliate policy.


text:
Nursing: Scope and Standard of Practice (American Nurses Association), 5 with ISBN 9781558102156 and ISBN 1558102159.[read more]
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Renee Splichal Larson, A Witness: The Haiti Earthquake, A Song, Death, and Resurrection (Eugene. OR: Resource Publications, 2016), 264 pp.
This book could have been titled so many different ways: A Love Story; Tragedy in Haiti; Loss and Grief. But I think A Witness is just right. Renee Splichal Larson is a participant witness to the 2010 earthquake in Haiti that killed her husband, Ben, and left her a widow at age 27. A Witness is a very personal and also a very global book. In telling her painful yet hopeful story, Renee invites us to enter, from wherever we are; to see, to feel, to question, and to understand more deeply the power, grace, and love of God. This is a communal story. It is about accompaniment and relationship, about Ben, Renee, and Jon, all Wartburg Seminary seniors, who went to Haiti to be with the people there, and who became part of the shaking of the earth with them.
This book is about a few minutes in history and about the years that surround them. It is not a short book, but you won't want to put it down. The book is intimate, deep, and profound, but not heavy. We laugh as well as cry. We see people who go to amazing lengths to care for each other. Care across boundaries!
As the book begins, we meet these three young people and enjoy setting out on life's journey with each of them. Ben and Jon are cousins who are closer than brothers. We hear Renee's own story about her early years. I have witnessed in Renee an incredible woman. You will discover this, too, as you come to know her and see how she views life and the people whom she comes to cherish. We see Christ in people, because Renee is a witness to Christ in their lives and to Christ at work in the midst of tragedy, care, connection, and the renewal of resurrection.
The story's focus is on one very gifted young man who died too soon. But the story is also about two people, and three, and about the families of Renee, Ben, and Jon. This is a book about family. Yet we also meet strangers, and we learn from them, and learn what it means to be served by them as much as serving among them. We see, really see, the people of Haiti: Bellinda, Livenson, Kez, Louis, Mytch, and more. Soon we are a witness to hundreds and yes, thousands. This story is about the global church. It is about faith and what it means to be church together in life and death, and in new life.
We see the Haitian people, who have suffered so much and continue to care for the outsider. We hear their faith and song in the midst of despair. We see their resilience, but dare not romanticize the complex issues. In our own ignorance and arrogance, we who live in affluent countries benefit from countries that remain poor and dependent. These are the causes and ramifications of poverty. The call of A Witness is to community and justice.
Poetry from fellow witnesses (friends and classmates) comforts us as well as the author as we walk and weep with each step from earthquake to resting place. This is a book for all who have suffered trauma, sudden tragedy, or the sadness of long suffering.
Renee is a theologian—of the best sort—who lives life fully, and is forever asking questions. (So the title could also have been A Theology.) Her reflections are existential and challenging, and she invites her readers to reflect theologically with her. She also knows that the resurrection of Jesus Christ is true, and that new life in Christ is real. But this new life comes only after lamentation and loneliness and deep grief.
Together with Renee, we become witnesses to the importance of pastoral care and of a worshipping and caring community. Friends carry a body out of Haiti, and all are carried by the body of Christ. This is a theology of grace, of the cross and resurrection, of Christ with people in their dying as much as with the living. This power of God, God's own commitment to us, empowers us for commitments to all of God's global family.
There are more ministry opportunities for this now-ordained pastor and for us all. Renee goes where God leads, including to the people of Heart River, North Dakota. I believe this work is and will be a blessing to all who read it, to all for whom she is a witness to Christ and to his cross and resurrection.
is a pastor in the Evangelical Lutheran Church in America. Born and raised in North Dakota, Renee is a graduate of Concordia College, Moorhead, Minnesota, and Wartburg Theological Seminary, Dubuque, Iowa. She is married to Jonathan Splichal Larson, who is also a pastor in the ELCA, and their son is named Gabriel. Renee and Jon are both survivors of the 2010 Haiti earthquake. A Witness is Renee's first book.


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River Queen (2005)
Directed by Vincent WardGenres - Drama | Sub-Genres - Period Film | Run Time - 114 min. | Countries - United Kingdom , New Zealand | MPAA Rating - R
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Synopsis by Mark Deming
A woman who has come to a strange land is torn between the life she knows and the new life around her in this epic-scale historical drama. In 1854, New Zealand's indigenous Maori tribes were engaged in an ongoing battle to drive away European settlers eager to establish colonies in the nation's wilderness, which the Maori saw as a threat to their way of life. However, some outsiders had made a home in New Zealand with the cooperation of the Maori, and an Irish settlement had been established, with Francis (Stephen Rea), the colony's doctor, bringing his daughter Sarah (Samantha Morton) with him to this new land. Sarah becomes acquainted with the son of one of the Maori leaders, and in time their friendship grows into something deeper. When Sarah discovers she's pregnant with the chief's son's child, the father has been called off to fight against the Europeans, and by the time her son is born, his father is dead. Sarah raises her child, whom she simply calls "Boy," but when Boy reaches the age of six, he's abducted by his father's family, who believes he should grow up among the Maori. Fearing further reprisals, Francis returns to Ireland, but Sarah stays behind to care for the sick and look for her son. Years later, while in search of Boy, Sarah encounters Wiremu (Cliff Curtis), a Maori warrior whose father Te Kai Po (Temuera Morrison) is ill. When Wiremu learns that Sarah is well versed in medicine, he makes an offer -- if she will treat Te Kai Po and return him to health, he will find Boy. Sarah is able to cure Te Kai Po's ailment, and Wiremu returns the now-teenaged Boy (David Rawiri Pene) to his mother. Boy is not eager to leave behind the Maori people who have become his family, and he and Sarah stay with Te Kai Po's tribe for a while, but in time she is drawn back to the Irish colony, where she finds herself torn between Doyle (Kiefer Sutherland), the soldier who loves her and wishes to protect her, and Wiremu, who she has grown to love.
Irish [nationality], land-war, Maori, New-Zealand


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It recently occurred to me (no less than 3 weeks ago) that I am dating a man with zero spatial and time awareness. I probably should have recognised the signs when we first met, noticed the odd throwaway comment about how it would only take 10 minutes to get there, that he only wants to watch the football for a quick second, that he just wants to play games on my iPhone for 5 minutes, that the shop was just round the corner, and he was just going to pop to the pub for a quick pint.
The reality of the situation is that it took 45 minutes to get there, that he watched the football for an hour, that he played games on my iPhone for 20 minutes, it's a 2 mile walk to the shop, and I found him a bit tipsy at the front door 4 pints later.
It's lovable I suppose, and when we discuss things now I subconsciously double, triple and then add 20 minutes to any amount of time he informs me things are likely to take. That's fine, not a problem, what makes me laugh however is the fact that despite a ton of evidence to the contrary he still continues to quote these daft figures at me and then argue when I suggest they might be anything other than accurate.
We've been dating 2 years in January and so you might well ask the question as to why I'm only really noticing this problem now. I guess the answer to that is that now we are in business together so it's no longer just about getting slightly irritated by the fact that I've ended up doing a 2 mile hike in 4 inch heels, or nagging him to turn the football off once it's been on for 2 hours, it has a more noticeable impact.
While I am not one to gather evidence in order to rattle off a plethora of 'I told you sos', I am feeling a little obligated to quote a few examples in order to illustrate the extent of the problem.
Just 3 weeks ago I found myself staring at a storage space the size of a portaloo while Danny tried to convince me that we should at least 'try' to get all our stuff in there before upgrading to a larger space. I kid you not, this storage room was barely big enough to house my wardrobe let alone a settee, a disassembled double bed, a chest of drawers, 6 chairs, a table, and all our boxes of stuff. I stared at him in disbelief as he started indicating the height of the room and discussing how we would just pile things up to fit it all in. It's neither here nor there that Danny and I (at our tallest) stand no more than 5'5″ but it certainly doesn't help, and that room was certainly not big enough.
At my insistence that I wasn't even prepared to try and squeeze everything in, we upgraded to a larger room and I can't help but add that, even then, it was only just the right size. As if to demonstrate that point, we briefly debated trying to retrieve something yesterday but decided against it just in case, when we opened the door, everything fell out.
Not one to admit a weakness in understanding spacial capacities, Danny then proceeded to tell me I was being ridiculous by asking my folks to come round and collect a bit of stuff before the final day of the move – just to ensure that we wouldn't have to do two trips the following evening. I would add that less than 24 hours later he commented that it was a good job my parents had already taken some boxes because the car was fit to burst on that last evening and we wouldn't have been able to fit another box in.
Gloat?? Me?? Never!
Then there's the timing… Everything in 'Danny's World' takes 5 minutes. It must be a wonderful thing – really – to do everything you need to do in just 5 minutes. Organisation – not needed thank you very much, mainly because that task will take 5 minutes. Make a list? No way, it'll take longer to write the list than it will to re-do the bathroom which – yes, you guessed it – will only take 5 minutes. This characteristic, in turn, led to a number of interesting (and repetitive) calls to Streetcar to extend the amount of time we hired the van for, as Danny's inital estimate that it would take 3 hours (and that was him being cautious) to move him out of his flat and into storage was nowhere near the 5 hours we ended up needing.
While this can be an increasingly irritating trait I wonder whether Danny has it easy? After all, a task may take 3 days when he's estimated 2 hours but the absolute belief that it will take a significantly shorter amount of time must save that 'dread' feeling that I often get when I start contemplating a mammoth task. Erring on the side of caution I probably allow a lot of time to do even the smallest of things, worrying that if I don't it will surely over run and impact on something else, and I can spend an awful lot of time 'warning' Danny that something will take a lot longer than he thinks it will.
Yes, I was indeed right about the storage space and about the capacity of my mother's car; but I must confess that moving out of my flat did not take 6 hours, it was probably more like 2, and we didn't really need to leave an entire week free to pack up my wardrobe, a night would have done it.
So, going forward, while I will still take his estimates and double them I should probably also halve my own. We then might – just might – manage this guest house project in a realistic and timely manner.


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To me to keep kiteboarding interesting I need to try new things, and I think one of the best ways of making sure I keep on trying things, is to tell people what I am trying to do. You add your under. Then we'll reevaluate after the summer.
So here goes:
I am not sure what to call these but...
I want to consistently land no grab front rolls. I've landed a few, but nothing consistent.
I also want to be able to do a strapless surface rotation of the top of a wave
Racing: Much faster tacks. If I could gain more upwind ground in the tacks and then go right back into the straps it would make it much much better.
TT: add more style to the darkslide. I am not sure why I like floaty rotations and darkslide so much. They just feel great. Maybe add a jesus walk or something like that (it is super shallow where I ride). Still thinking about this.
Foilboard: strapless tacks while hovering


text: In 2006 at the Summit of the Masters I saw Mikhail Ryabko sitting behind a table with a bunch of Cossack whips on sale. I was dumb enough to ask what the whips were for. He needed an interpreter to comprehend my question. His non-verbal answer did not! So, after being at once humbled and enligh..read more >>


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Refine your search
Meg O'Loughlin
Lewis Gardens,
High Street,
Firstsite's Education studios transform into a stylish function space that's ideal for wedding celebrations.
Th function space can accommodate up to 160 people seated banqueting-style at circular tables.
The space is flooded with natural light, and in summer, guests can spill out onto the D-shaped garden which overlooks historic nearby East Hill House.
You can hire firstsite's 190-seat tiered auditorium, hi-spec meeting rooms and vast foyer space for a host of business purposes, including conferences, presentations, and product launches. firstsite is also available for club and society meetings, and makes a spectacular backdrop to private parties and celebrations.
Free entry
Various - please contact us for details
By car
There is good access to Colchester from all parts of the country via the A12, A120, M25 and A14.
firstsite offers parking for disabled visitors only; there is no on-site parking. We are a short walk from all Colchester's town centre car parks. Outside the building is a drop-off point for cars and coaches, and special access for disabled visitors.
By bus
The High Street and East Hill are well served by many local bus routes.
By rail
firstsite is a few minutes' walk from Colchester Town Station or 25 minutes' walk from Colchester North mainline station. Journey time from London Liverpool Street to Colchester is around 50 minutes on InterCity services, and around an hour on local services.
: 0 miles from Colchester Town station
- Baby changing facilities
- Coach parties accepted
- Credit cards accepted (no fee)
- Disabled toilets
- Education/study area
- Facilities for groups
- Facilities for educational visits
- Gift shop
- On-site catering
- On-site light refreshments
- Public toilets
- Regional Tourist Board Member
- Accepts groups
- Facilities for conferencing
- Facilities for corporate hospitality
- Children welcome
- Disabled access
- Dogs not accepted (except guidedogs)
- Smoking not allowed
- Facilities for hearing impaired
You can hire firstsite's 190-seat tiered auditorium, hi-spec meeting rooms and vast foyer space for a host of business purposes, including conferences, presentations, and product launches. firstsite is also available for club and society meetings, and makes a spectacular backdrop to private parties and celebrations.
Self-Assessed Accessibility Details
- Designated parking for guests with disabilities
- Within 50 metres approx. of entrance
- The surface of the car park and pathway leading to entrance:
- is solid
- Drop-off point for guests outside entrance
- The route from the parking area to the entrance:
- Is flat (i.e. without steps)
Public Areas
- Level access (no steps/thresholds) or access by ramp or lift:
- From the entrance to reception / ticket area
- To a specially adapted public toilet suitable for wheelchair users
- To the gift shop
- Good contrast between the floor and walls
- Contrast markings on clear surfaces such as glass doors
- Baby changing facilities
- Visitor information available in large print (14pt and over)
- Hearing loop installed in public areas
- Seating available for visitors with limited mobility
- Clear signage
- Effective lighting for visually impaired visitors
- Good colour/tonal contrast for visually impaired visitors
- Routes/pathways suitable for wheelchair users or visitors with limited mobility
- Displays at suitable height for wheelchair users / children
- Audible alarm system
- Entrance is well lit
- Automatic door at the main entrance
- Level access (no steps/thresholds) or access by ramp or lift to cafeteria
- Good contrast between the floor and walls
- Restaurant / cafe provide meals for visitors with special dietary requirements:
- Sugar free (diabetic)
- Gluten free (coeliacs)
- Lactose free (dairy free)
- Nut free
- Additive free
- Vegetarian
- Vegan
- Seating suitable for wheelchair users, ie moveable and good height for person sitting in a wheelchair
- High chairs for children
- Children's menu


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CORBA was very much involved in last week's California Trails and Greenways Conference. This annual event brings together land managers at the Federal, State, County and City levels, along with resource planners, volunteers, non-profit organizations and professional landscape architects and trail builders.
The theme for this year's conference was "Navigating Radical Change." The most radical of all changes that land managers are facing is the shrinking of budgets for trail and open space projects. Another is the changing demographic of trail users.
Many sessions at the conference talked about the importance of engaging volunteers, of reaching out to foster public-private partnerships between land managers and non profit advocacy groups.
CORBA has already been putting into practice many of these principles, partnering with the Forest Service and State Parks to help maintain trails; partnering with the So Cal High School League to empower the next generation of off-road cyclists as advocates and stewards.
CORBA President Mark Langton participated in a rousing panel presentation on the Conejo Open Space Conservation Agency, a multi-use trail system that has worked successfully with minimal conflict for more than two decades. An entertaining keynote address was given by conservation celebrity Ed Begley Junior. He treated the attendees to stories of how and why he came to be so ingrained within the conservation movement.
Among the volunteer groups in attendance, there were at least five bicycling advocacy groups represented. IMBA's new regional director Patrick Kell was there, along with representatives from the San Diego Mountain Bike Association, Central Coast Concerned Mountain Bikers, Santa Barbara Trail Volunteers, CORBA, the Los Angeles County Bicycle Coalition and other groups.
On Friday morning of the conference, 8 bicycle adovocates joined Steve Messer and past CORBA board member Hans Kiefer in a tour of Rocky Peak. They had a great ride, showing once again that there is some great mountain biking around Los Angeles.
A conference such as this is vital for bringing disparate user groups, land managers and trail stewards together, where we always learn we have much more in common than we think. The fact that working together is often the only way anything can be accomplished was one of the most important take-home messages from the conference.
On Saturday, after the conference, Orange County's Trails4All brought 6 equestrians, 4 hikers, and about a dozen mountain bikers from CORBA, SHARE, SDMBA, CCCMB together for a ride/hike/run/hoof event. We travelled together on the trails of Malibu Creek State Park, showing again that where there is respect and cooperation it is very possible for all user groups to co-exist peacefully on the trails.
Our since thanks to the organizers, the presenters, the sponsors, and to all our fellow attendees at the conference. These meetings underscore the importance of working together, and create at an atmosphere conducive to constructive and informative exchanges of information and viewpoints. We look forward to next year's Trails and Greenways conference in Lake Tahoe.


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More children being diagnosed with autism
Tuesday is World Autism Day
Tuesday is World Autism Day, and the U.S. Centers for Disease Control came out with a new report and new numbers that shows one in 50 school aged children are diagnosed with autism in the United States.
The Maine Autism Alliance says there are 3,000 children with some form of autism.
Geiger Elementary School in Lewiston has a unique program in place to help educate those students with autism, setting up two of its 32 classrooms dedicated to autistic students.
Principal David Bartlett said there are plans to add a third classroom next year.
"It's very exciting to see kids grow and become interactive with their peers," he said.
Bartlett said the school partnered with the Lewiston-Auburn-based Margaret Murphy Center in 2003 in order to provide specialized teachers who come to Geiger to help.
The partnership began with one classroom serving seven to eight autistic students. The current enrollment is 17 students, with an upcoming classroom that could add room for an additional 8 to 10 students.
Bartlett said the effects of the classrooms are very apparent.
"I see many of them become more comfortable with their peers, reaching out to their peers, developing healthy relationships and growing academically," he said.
Click here for autism facts and statistics.
Maine Autism Alliance Director Heidi Bowden said Lewiston's situation is unique because parents are moving to Lewiston so their children can be assisted by staff at the Margaret Hathaway Center, which provides services in schools and other sites.
"We need support groups, we need social clubs for children and adults with autism. We need family events to reduce the isolation. We need to educate our educators, because even though they have the qualification, autism is different. We know that there are certain evidence-based interventions that work and others that typically don't. So there's a lot of education that needs to go on. Its education is the key," Bowden said.
Bowden said plans are also in the works to open Maine's first Autism Community Center in Scarborough.
A lease has just been signed and it could be four to six weeks before the center is up and running.


text: lego architecture pas cherVendita lego costruzionicheap lego setslego architectureBrinquedo de lego Jacket spiral zipper, dividable, plastic, 6 mm wide, 50 cm long | FJOELNER 0, 0, FJOELNER Search term Toggle main menu visibility Home Fabrics New fabrics Awnings, tents, spayhoods Childrens fabrics Christmas fabrics Corduroy and Velvet Costume fabrics Cotton fabrics Elegant and stylish Embroidery fabrics Fashion, dress and blouse fabrics Faux furs and hides Flax and linen Fleece, windproof, terry cloth and quilts Home deco, furniture fabrics Jersey and knits Lace fabrics Lining and insulation Pants fabric, denim, twill Patchwork fabrics Rib Silk and sateen Taffeta and tulle Waxed and coated fabrics Wool and felt wool Woven fabrics Patterns New patterns Burda patterns Fall and winter 2020-2021 Spring and summer 2020 Baby Bags, hats, mittens and shoes Bridal dresses and wear Children 7-16 yrs Coats and Jackets Coordinates, pantsuits and suits Costumes Doll clothes Dresses Evening and party dresses Home, interior and the kids room Lingerie and underwear Maternity clothes Menswear and Sportswear Plus size Skirts, Pants and Jumpsuits Stuffed animals / toys Toddler 2-6 yrs Tops, blouses and shirts Butterick patterns Spring 2020 Fall 2019 Coats, jackets, vests Costumes and vintage Dresses Evening, prom and bridal dresses Girls and boys Infants, Toddlers, Children Large sizes, plus sizes Skirts and pants Sleepwear, Maternity, Men, Uniforms Sportswear, swimsuits, suits Tops, shirts CD-rom patterns Minikrea patterns Onion patterns Onion new patterns Accessories, bags, hats etc. Baby 6-18 months Children 2-8 years Dresses and gowns Jackets and vests Pants Patterns for children 7-13 years Skirts Spacious and maternity models Upper body, tops, blouses, shirts Patterns for kids Simplicity patterns Winter 2019 Accessories Aprons Babies and toddlers Bags, hats, scarfs Children Coats, jackets Costumes Craft Dolls and doll clothing Dresses Evening and dinner dresses Fabric animals, clothing for animals Home and decoration Lingerie, underwear Men and boys Plus sizes Skirts, pants, trousers Tops, blouse, shirts, vests Unisex & Scrubs/Lounge and Sleepwear Wedding dresses and clothing Vogue patterns Spring 2020 Dresses Evening and Bridal dresses Jackets and coats Skirts and Pants Tops and blouses Notions New accessories Buttons Embroidery patches for sewing and ironing Mannequins and sewing boxes Metal rings Needles and safetypins Patches for ironing on and repairs. Pillows, cushions, wadding, foam Press-on buttons, rivets, fasteners Ribbons, bias, drape Scissors and shears Sewing machine needles Sewing threads, yarn and elastic bands Textile glue and dye Tools for sewing Trims and lace Zippers Embroidery Permin news Baby, newborn, child, babtism Christmas calendars Christmas socks / stockings / ornaments Christmas tree skirts and rugs Easter Embroidery Embroidery materials Kids embroidery Pictures and wall embroidery Runners and table cloths Wall mounting for Permin calendars Wall pockets for mail Sewing machines On sale News Contact #Notions#Zippers Jacket spiral zipper, dividable, plastic, 6 mm wide, 50 cm long Colors: black, white, green, olive, orange, blue, turqouise, purple. Product no. 19475 5.20 € Color Choose color BlackWhiteGreenOliveOrangeBlueTurqouisePurple Quantity (pcs) 1 2 3 4 5 6 7 8 9 10 12 14 15 20 25 30 35 40 45 50 60 70 80 90 100 Add to wishlist Similar items Jacket spiral zipper, dividable, plastic, 6 mm wide, 70 cm long6.27 €Jacket spiral zipper, dividable, plastic, 6 mm wide, 65 cm long6.04 €Jacket spiral zipper, dividable, plastic, 6 mm wide, 60 cm long5.77 €Jacket spiral zipper, dividable, plastic, 6 mm wide, 55 cm long5.50 €Jacket spiral zipper, dividable, plastic, 6 mm wide, 45 cm long5.03 €Jacket spiral zipper, dividable, plastic, 6 mm wide, 40 cm long4.76 €Jacket spiral zipper, dividable, plastic, 6 mm wide, 35 cm long4.53 €Jacket spiral zipper, dividable, plastic, 6 mm wide, 30 cm long4.26 €Jacket spiral zipper, dividable, plastic, 6 mm wide, 25 cm long3.99 € Shopping cartCart is empty Burda fall-winter 2020-202160 new, beautiful patterns for the season5 new Onion patterns Questions? Call us! +4586625414 We ship worldwide. Opening hours Monday10:00-17:30Tuesday10:00-17:30Wednesday10:00-17:30Thursday10:00-17:30Friday10:00-18:00Saturday10:00-13:00SundayClosed Newsletter We send out a newsletter with information and great offers about every other month. Enter your email. Thanks for subscribing! You have successfully unsubscribed Show form again The email is not correct FJOELNER Sct. Mathiasgade 43 DK-8800 Viborg Danmark Phone. +45 86625414 CVR: 32845118 © FJOELNER 2004-2020 Customer service Direct payment Returns Translations Terms and Conditions Privacy policy Information About FJOELNER Contact us Find us / map Facebook Sitemap Danish site Log in 0


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June 24, 2004
Third time is apparently the charm for 135 W. 50th St..
Neither Douglas Durst nor Jerry Speyer could complete the deal, but now Murray Hill Properties has signed a contract and put down a hard deposit towards a lease for the building, also known as the Sports Illustrated building.
The Estate of Dr. Laszlo Tauber is selling the 100-year lease for $143 million. The land is owned by the Estate of Peter Sharpe and the Lehmon family. The price, sources said, comes to less than $200 a foot.
Murray Hill Properties, led by investment maven Norman Sturner, is partnering with Blackacre Capital and not Lehman Bros., as was reported elsewhere. Eastdil is handling the sale, but agents declined comment.
Interestingly, Lehman which is headquartered at 750 Seventh Ave., across the street is now seeking to rent 300,000 square feet in the Sports Illustrated building through Bob "Mr. Big" Alexander of CB Richard Ellis.
Copyright 2004 NYP Holdings, Inc.


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DCR Workshop: Color Management, Part I
Anyone who's done much image post-processing knows it's true: what you see on your screen doesn't always tell you much about how something's going to look in print. If you've ever fine-tuned a photo in Photoshop only to be disappointed when the printed results didn't even come close to the power and punch of the shot on your screen, the importance of having your monitor's output match your printer's is probably evident. While full-time pros recognize the need to be able to accurately control color from one end of their workflow (the camera) to the other (the print) and through all the stops in between (the computer), this idea has only recently come into its own with hobbyist photographers, fueled to some degree by the availability of lower cost color management tools.
(view large image)
If you've been scared off of color management in the past by the mystique that surrounds it, fear not: with the current crop of hardware and software color management tools, especially, calibrating and profiling your workflow is not only manageable but even downright easy, even for profiling newbies. In this first installment of a two-part DCR Workshop series, we'll move through calibrating and profiling your display – the process of standardizing your monitor's output that forms the foundation of making what you see on screen what you get when you print your images: why is it important, how does it work, and what do you need to make it happen? In an overview that's part tutorial, part product review, we'll also demo the display profiling process using a particular color management tool – in this case, Datacolor's Spyder3 Elite system.
Admittedly, for casual photographers carefully controlled color may not be the most photographically effective use of time and money. For basic calibration solutions, if you're working on a Macintosh try the built-in calibration utility in OS X's display controller; on a PC, Adobe Gamma performs a similar function, though you have to have Photoshop installed to use it (and don't forget to disable/remove it if you move up to a third-party calibration/profiling system). For many users, these basic correctives may well be enough to get your display close enough to what you're getting from your preferred photo output method – whether it's your home printer or a photo lab.
What happens, though, when "close enough" isn't close enough? Getting the perfect look on your screen after hours of editing only to spend countless more hours trying to get a print that aligns with what you're seeing is one of the most frustrating aspects of digital photography. Often, the differences that we're talking about at this level are subtle (they certainly were in our testing), but if they aren't usually the difference between a bad print and a good one, they can easily constitute the minutia that separates good prints from great ones. Given the wide variance we experienced in comparing color on one monitor to the next, it's probably safe to say that a fair number of DSLR users have spent more time and money on camera-side equipment upgrades that will make a less apparent impact on the final printed image than a calibrated display and profiled print workflow.
While advanced display calibration isn't a "magic bullet" for color and tonal range issues – there's output device profiling to consider, for starters, and even the best calibration systems can't fully account for hardware and image handling differences – it's an important first step in making what you're seeing when you edit photos a reproducible situation across a range of devices. With display calibration and profiling, what you're ultimately doing is bringing what you're seeing on a specific monitor – in terms of color, brightness, and contrast – into line with a widely accepted standard for image reproduction, and in this sense, calibration is an investment in peace of mind. With a calibrated and profiled display, you have some assurance that what you see on-screen is, up to a pretty tightly defined standard, what you should expect to get in print, taking a lot of the guesswork about how something will print up out of the image workflow.
I'll repeat that for novice shooters looking to get decent, consistent snapshot prints, a color management system like the one described in the sections that follow may well be overkill. But if you're running up against colors that just won't cooperate from one side of your workflow to the other, keep reading…
Once you're sold on the idea of display calibration and profiling, it's time to get down to the actual process of calibrating a display. Anyone who has attempted to understand calibration and profiling before is probably aware that this is where things get technical (and, in many cases, more than a little obtuse), and those of us without advanced degrees in physics start getting scared. In calibrating and profiling a display, however, there are only a few basic concepts at work, and before we jump into the calibration process itself, a little demystification is in order.
Calibration and Profiling: What's the Difference?
First, a quick note on the fundamental terms themselves, as the words "calibration" and "profiling" are not interchangeable. At its most basic, "calibration" has to do with setting a monitor's brightness and contrast to accepted standards. A "profile" stores the information needed to bring the display into calibration, along with information used to correct how the monitor displays color. To use the technical terms, calibration (the first step) focuses primarily on adjusting gamma, white point, and luminance, while profiling (which happens after the display is calibrated) stores this calibration information and also adjusts the monitor's gamut. If these terms mean nothing to you, don't worry: we'll move through them step by step.
Understanding Gamma
Correcting a display's "gamma" is probably the most talked about, and least understood, part of the calibration process. In order to ensure that what you see is what you get, it's also potentially the most important. In essence, "gamma" refers to the contrast curve of your monitor; it doesn't effect the maximum values (pure white and pure black), but rather, changes the way the tones between these two extremes relate to each other. If you've ever played with the contrast of an image, you can probably visualize this basic concept:
Normal Contrast (view large image)
Increased Contrast (view large image)
As I increase the contrast on this image (I've used a black and white to make the tonal changes easier to see), the very lightest and very darkest areas of the image are still just as they were before. What has changed, however, are the gray values in the middle of the range, with the darker grays "moving" closer to pure black, and the lighter grays "moving" closer to pure white. To oversimplify somewhat, your display's gamma refers to how much of this kind of mid-tone shifting contrast it applies to what's being displayed.
LUTs and Profiles
The final displayed gamma is the result of both the monitor's contrast tendencies and information supplied to the display by the graphics card through a system known as the look-up table, or LUT. Now that you know this acronym, you can probably let it pass immediately from your mind – unless you have an older graphics card or you get into much more advanced profiling, the user and the LUT have no direct interaction, and each need only trust that the other exists and is doing its job and leave it at that. In the interest of full disclosure, though, the final word on this topic is that in calibrating a monitor, you are essentially supplying data through the means of a utility or piece of software to the LUT, which compensates for the display's contrast tendencies to arrive at the chosen contrast level – the chosen gamma.
Along with color rendering information, this calibration data forms the "profile" that the computer uses to bring the display into conformity with the standards you select. More on this a little later on.
Gamma and White Point, Mathematically
Where an actual display is concerned, gamma isn't just a general concept but a specific, expressed number value – normally between 1.0 and about 2.5 (though it can theoretically be higher). These numbers come from the mathematical representation of a particular contrast curve – if you've ever used the "Curves" function in Photoshop or similar programs to manipulate image contrast, this idea will be familiar. (For tech heads who insist on knowing more, gamma, or γ, is the exponent in an equation f(x)=xγ relating display intensity, x, and luminance, f(x). In terms of actually calibrating a monitor, this specific piece of knowledge is completely superfluous as well.)
Obviously, then, a purely linear curve (one that applies, for purposes of the contrast analogy, no contrast adjustment to the display) has a value of 1.0, with values greater than 1.0 increasing the amount of contrast, in effect. With many calibration utilities, you can calibrate your gamma to whatever value you'd like, but these days a gamma of 2.2 is the accepted standard for most uses. Thus, if you're using one of these color calibration utility that allows you to set gamma – whether a third-party system, an Adobe or Apple utility, or your graphics card's control panel – use 2.2 as a starting point.
Similarly, monitor calibration must also take the device's displayed "white point" into account. Anyone who's familiar with digicam white balance can probably foresee where this related concept is heading: white point is, for all intents and purposes, the color temperature of the image. While the choice of white point (which is, like white balance, defined as a temperature value in degrees Kelvin) for your display is somewhat arbitrary, the accepted standard is 6500K – essentially, the color temperature of mid-day daylight.
Why Does it Matter?
So why these standards for gamma and white point, and why do they matter? Basically, the human eye doesn't see the world in a linear way, and a contrast curve with a gamma of 2.2 provides a nice match for the way our eyes see: calibrating a monitor to a gamma of 2.2 helps make the display's color space better align with the way we see the world. It's all more complicated than that in truth, and there are other accepted gamma standards for different uses, but if you're a Windows user, especially, with a typical monitor working in the sRGB color space – the default setting for most cameras, if they have a setting at all – 2.2 is the most commonly accepted choice.
Likewise, calibrating the white point on your monitor to 6500K gives you, in most basic terms, a picture of what your printed images should look like under daylight-colored lighting (though as we'll see, calibration utilities sometimes recommend a different white point to account for ambient light conditions in your work environment).
Ultimately, a corrected gamma and white point, along with appropriately set brightness (which establishes the pure white and pure black points in which the contrast curve operates), form the basis of monitor calibration, allowing you to distinguish subtle changes in shading.
With a calibrated monitor, you should be able to view a series of stepped "gray percentage" blocks like the ones above and make out the distinctions between each segment. If you can't, your display isn't showing you everything that's potentially going on within your images.
Gamut and Profiling
As noted, the calibration data used to set your monitor's displayed gamma to 2.2 and white point to 6500K is a large part of the profile that your chosen calibration software or utility adds to your machine. The profile (technically known as an "ICC profile") is nothing more than a file that stores data used by your graphics card to adjust your display output to conform to the standards used in the calibration process. In short, the profile is used by your graphics card to tell the display what to do to achieve correct gamma and white point. It's also crucial to the other piece of the profiling equation: gamut.
Not to be confused with gamma, "gamut" refers to the range of colors your monitor is capable of displaying. In addition to correcting gamma and white point to specified standards, a color management system also analyzes the monitor's output gamut and compares the colors it displays with known values. If your monitor oversaturates certain greens, for instance, a profile can zero in on these specific color values and apply a corrective via your graphics card.
Building a color profile is where visual calibration becomes too subjective to be of much use. While you can usually get gamma calibrated to an acceptable standard, for dealing with your display's color reproduction issues, a third-party system using a colorimeter is really almost a must.
Thankfully, understanding the intricacies of what color management tools are doing is much more difficult than actually using one. When it comes to consumer-level hardware and software packages for calibrating and profiling your display, it's really a two-horse race. For this tutorial and test, we went with Datacolor's Spyder3 Elite system, though the somewhat more dominant X-Rite (to use another analogy, the Canon to Datacolor's Nikon) has several interesting tools out there with similar functionality.
For casual users, the Spyder3 Elite system (at around $270) comes off as a bit pricey, though advanced photographers will appreciate the more open features set it provides over previous and current step-down Spyder models. Given the level of customizability and the decent amount of power it offers, it's a relative bargain compared to a commercial spectro system. Still, for users looking to wade into the monitor calibration pool rather than dive in head-first, both X-Rite and Datacolor offer more basic monitor calibration and profiling systems in the $150 range.
The walk-through that follows, then, deals specifically with the Spyder3 Elite system, though the process is much the same whatever hardware and software package you choose.
The Tools for the Job
Whatever company you go with and whichever system you choose, if you're shopping in the consumer and entry-pro level markets that the devices mentioned previously cover, what you're buying is essentially a two-part apparatus. The primary (really the only) piece of hardware needed is a colorimeter – a small USB device used to measure and evaluate the output of your display and communicate this information back to the computer.
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The latest, greatest technology for consumer colorimeters is a built-in ambient light measurement system (that little "eye" on the front of the device), though the business end of the colorimeter is the sensor found on the flipside.
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In Datacolor's lineup, at least, it's the software package – the second part of our two-part system – that defines the setup (all of the consumer-level Spyder systems use the same colorimeter). As noted, we gave the Spyder3 Elite system a run, though Datacolor's Spyder3Pro software does much of the same thing without a few of the custom functions and bells and whistles.
Installing the Software
The entire process of installing Datacolor's software, connecting the Spyder, answering some questions, and letting the device build a profile took less than ten minutes, start to finish. If you're feeling impatient, a quick video walk-through shows how it's done:
To get things rolling, we dropped the Spyder3 Elite CD into the drive (in the case of the photos and video, on my workhorse Dell business notebook) and clicked "Install" from the pop-up menu.
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On a PC, the Spyder3 utility loads a standard installer screen and goes to work. Everything was finished in less than three minutes, and with no restart required I plugged my colorimeter in via its USB connection was ready to calibrate. (Just for the sake of comparison, we also tried out the installation on four other machines – desktops and notebooks – including an iBook G4, with similar results and no installation glitches all around; if anything, the interface is a little cleaner, and the software runs a little smoother in a Macintosh environment.)
Launching the Spyder3 Elite utility for the first time, the system immediately detects an unprofiled display and automatically loads the "New Monitor" window.
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Select the checkbox for "Calibrate this display," click "Next," and you're off and running.
Screen Settings and Options
At this point, the user is called on to provide some information about the display being calibrated/profiled, and to make some baseline hardware adjustments to get the monitor ready for the software's process. The Spyder's first question should be obvious: what kind of display are we dealing with?
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In reading down the list of options, you'll note that the Spyder3 Elite system even allows calibration and profiling of projectors, ensuring color control for slideshows and presentations. While most casual users will likely be indifferent to this feature, for pros and other serious shooters looking to show off their work in a larger setting, it's a neat addition to the package. As interested as I was to see how the process for a projector might actually work – this is where the tripod socket on the bottom of the Spyder's stand apparently comes in handy – I selected "Laptop" as my display type (note that it's separate from "LCD," for reasons that will become obvious momentarily).
The next order of business involves specifying the level of hardware-side control your particular display provides.
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Depending on the display type selected, the list of options is tailored to cover the common range of adjustments (a second screen covers the RGB and Kelvin sliders found on many newer LCD displays, for instance). In this case, my tester laptop has only backlight adjustment.
Once you've selected the hardware-side adjustments that can be made, the software walks you through what to do with them. In my case, the backlight control was used to visually set the white luminance, based on a quick visual analysis of a series of stepped gray blocks like the ones mentioned earlier.
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For displays with more controls, Spyder3 Elite may prompt you to restore some to their default settings, or to use others to optimize your display output. Whatever the specifics, however, the software's instructions are, in most cases, reasonably clear and easy to follow, even for users unfamiliar with the technical aspects of calibration.
At this point, Spyder3 Elite goes ahead and fills in the rest of the details based on its baseline configuration.
Notice that, as expected, the Spyder3 Elite calibrates to a white point of 6500K and a gamma of 2.2 by default. For more advanced users needing to customize their calibration, however, adjustments to all of these values are just a click away under the "Expert Console."
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As we'll see shortly, the Spyder3 system also sometimes suggests modifications to these default settings based on hardware limitations or ambient light conditions as measured during its analysis.
Ambient Light Analysis
With most user variables supplied, the process is now largely back in the Spyder3 Elite's automated hands. Though not all calibration tools are so equipped, our test setup is able to make adjustments based on ambient light measurements, and thus before analyzing the display itself, the Spyder prompts the user to setup the colorimeter to take an ambient light measurement.
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As before, with a visual guide on the screen showing you exactly what to do, taking the measurement isn't difficult at all: set the colorimeter in its stand and near the computer, click "Next," and the device handles the rest.
In my specific case, the ambient light levels during testing were "Very Low" according to the Spyder (an ideal situation, given that too much ambient light can alter how a screen appears to the eye). For this kind of lighting, the Spyder software suggests that a 5000K white point and a lower white luminance level than the default setting might be appropriate.
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Because I regularly use my notebook under extremely high ambient light, I'll opt to keep my settings (which are optimized for bright ambient conditions), but in general, if your software and hardware support ambient light analysis and you tend to use your computer under consistent lighting conditions, it's best to accept the suggested settings. Also, whether or not your calibration tools measure ambient light, it's recommended that you do what you can to reduce overly bright external light sources for the reasons stated above. In the case of the Spyder3 Elite, the system will warn you repeatedly if your ambient light levels are too high.
Building a Profile
For the final phase of the calibration and profiling process, the colorimeter must actually come into contact with your display's surface in order to measure the monitor's output and make appropriate adjustments. In our case, the Spyder3 software shows exactly where to position the device.
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Attaching the colorimeter to the screen is usually done either via a suction cup (better on CRTs than LCDs) or by hanging the colorimeter with its cable draped over the back of the display (many colorimeters have a sliding counterweight on the cable lead to facilitate this).
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Theoretically, you could just as easily hold the device in place, though the process does take several minutes and the colorimeter needs to stay reasonably still during this time.
With the colorimeter in place, click "Continue" and the software begins, placing a series of solid color fields in front of the colorimeter for the device to "read" and evaluate. Roughly four minutes later, our machine wrapped up and prompted me to give the new profile a name.
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With a profile created, Spyder3 Elite shows users the before-and-after results of calibration and profiling right in the utility interface. Several test images of different types (saturated, black and white, low-key, high-key, etc.) can be called up on the screen; click "Switch" and the profile is alternately turned on and off, allowing users to see before-and-after images in real time and evaluate the difference for themselves.
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A display profile has now been built, and the utility can be closed out. That's really all there is to it.
With a display profile built, you're ready to get to work, and in most cases your involvement with the calibration tool will be limited until you need to calibrate again (Datacolor allows you to set a pop-up recalibration reminder and recommends that you recalibrate your display once a month or thereabouts, as display output tends to shift over time). The software automatically stores the profile such that the computer loads it on startup without being prompted.
Glitches and Bugs
At least that's the ideal setup, and in most cases it seemed to work alright for us. This is where making sure that all other calibration/profiling utilities are removed or disabled becomes critical, though: we had one test machine in our group of five (a PC laptop with multiple displays connected) that didn't want to automatically load its profiles on startup, though I'm not entirely convinced that this issue didn't relate to a phantom version of Adobe Gamma that we kept uninstalling but never seemed to actually go away. Chalk it up to a unique system problem, since it was isolated to one machine of five.
It should also be noted that the software was a little screwy on PCs, in particular, with multiple displays, only detecting the display that the software window was launched onto on the first load. To find the second display, I had to calibrate the first monitor, close the software, and relaunch it on the other display. Strange, but apparently true, as the process proved to be the same on two different machines with this setup. In a similar vein, be aware that a notebook that uses multiple displays only part of the time (as in a docking arrangement, where you use the notebook plus an external display at your desk, but also use the notebook stand-alone at home or on the road) can occasionally give Spyder3 Elite fits, causing it to clear the profile for the notebook display.
The Visual Results
In testing the system on several machines, the results, while not always dramatic, were often revealing. For instance, as I had long suspected based on comparisons with my other machines, the laptop shown in the walk-through tends to push a broad swath of the highlight range, making areas of an image look blown out that, in truth, contain plenty of tonal information. Similarly, the laptop's default profile tends a bit cool, though I honestly hadn't even noticed until I side-by-sided the new version with its original profile.
If you work under bright ambient light (most overhead fluorescents in office environments fall into this category), you may find that calibrated color on your screen looks a bit dull at first, with whites that look closer to gray to unaccustomed eyes. The Spyder3's ambient light measurement function strongly disliked the light in our office, and wasn't able to sufficiently adjust the white luminance to compensate. Similarly, it's widely known that the apparent contrast and brightness of LCDs, and especially laptop displays, shifts dramatically based on viewing angle. Again, ambient light and working conditions can be as important to accurate color reproduction as the display setup itself, and doing what you can to create a consistent work environment for photo editing will make the output results more consistent.
The Spyder's Studio Match function does a decent job of bringing multiple displays to parity, though differences in hardware often make exact matches difficult to achieve – the more different the hardware (trying to match a new LCD and an aging CRT, for instance), the less you should expect the displays to match exactly. In some extreme cases, you'll have to decide what match points are most important to you and calibrate with this in mind; thankfully, the Spyder's Expert Console is generally up to the task of making these kinds of one-off adjustments, and all but the most exacting users will do just fine in trusting the system to make the match as it thinks best. Even without running Studio Match, we found the Spyder's profiles to yield extremely similar results across a range of hardware – producing a slightly warm profile compared to other systems I've used, but showing few variations in color/hue and no apparent discrepancies in tonal range across systems.
Long story short, the calibration and profile tool does exactly what it claims to do, providing consistent color, contrast, and brightness (and, in turn, consistent image appearance) from one computer to another.
Even in limiting the discussion (for now) to display calibration alone, this overview is really just the tip of the iceberg. There are simply too many hardware- and software-specific differences in implementing consistent color management to even begin to touch on in a single review and tutorial. We'll talk a bit more about device-specific ICC profiling in Part II of this series, but if there are specific questions about calibration and profiling as it relates to a certain setup or piece of software, or about controlling workspace in programs like Photoshop to make the most of a profiled display, we're glad to continue the discussion in the forums.
Larger than this, however, I hope that this walk-through gets at the idea that while the concepts may be complex, using color management tools to calibrate and profile your display really isn't hard and shouldn't be intimidating. With a growing number of options on the market and prices for these systems coming down into very reasonable territory, if you've been struggling to get your images under control, it's never been easier or cheaper to manage color in your workflow.
Stay tuned for Color Management, Part II, in which we'll bring things full-circle by profiling our printer output and do some analysis to see how much of a difference it ultimately makes.


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The release date for Ridley Scott's Prometheus is so damn close, but we've still got nearly two weeks to go. It's been a tough road of anticipation, but the finish line is in sight, folks. In the meantime, two new featurettes for the film have gone online to whet fans' appetites. The first one, entitled "The Vision of Prometheus", features Scott and some of the actors (including Guy Pearce) talking about the larger themes of the film, shooting in 3D, and more. The second featurette focuses on the character played by Logan Marshall–Green and gives us a bit of insight into what his role in the film will entail.
Hit the jump to check out the featurettes. The film also stars Noomi Rapace, Michael Fassbender, Charlize Theron, and Idris Elba. Prometheus opens in 3D on June 8th.
Here are links to our previous coverage:
- New Clip from the Film
- New Featurette focusing on Charlize Theron's Character
- Damon Lindelof talks Lost homages, 3D vs. 2D, and further sequels in a Twitter Q&A
- New viral video featuring Noomi Rapace's character
- A very spoilery TV spot
- The first clip
- Damon Lindelof talks turning an Alien prequel into Prometheus, the viral campaign, revealing too much in trailers, and much more
- 17 new images
- A new featurette
- Confirmation that Prometheus is rated-R
And here's the official synopsis for Prometheus:
Ridley Scott, director of "Alien" and "Blade Runner," returns to the genre he helped define. With PROMETHEUS, he creates a groundbreaking mythology, in which a team of explorers discover a clue to the origins of mankind on Earth, leading them on a thrilling journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.


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A comment from Lia in the past post made me think of this.
Every Monday night at Family Home Evening, we take a moment for "I love you because." One person starts and chooses any other person in the family (except for #7 at this point) and tells that person 3 or 4 or 5 things that he/she loves about that family member. One rule: you cannot use the words, "Most of the time."
The code words that you're done are "...and you're so cute." This is because we started doing this when #4 was about two, and this is all he would say when it was his turn. On one particular Monday, we decided that this would be each person's last words--just to be funny.
The second person chooses another person and it goes around the entire family circle with each person being chosen only once and ends when the last person goes back and tells the first person what he/she loves about him/her.
This has become one of our favorite parts of Family Home Evening.


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This enticed some laughter from his daughter, which is good to see at a time like this.
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Many wildfires burn unnoticed in remote forests and grasslands, far from major population centers. Satellites detect the majority of them, but in many cases, images of the fire from the ground are scarce.
Not so for an Australian bushfire in January 2013 that passed through the campus of Siding Spring Observatory in New South Wales. The world-class astronomy facility houses numerous powerful telescopes. They're designed to peer out into space, but webcams on a few of the telescopes captured remarkable images of smoke billowing and flames blazing. See, for instance, the all-sky view from the MOPRA SkyCam shown above.
Other webcams around the observatory were also capturing images as the fire raged nearby. The video below, a time lapse of webcams compiled by Las Cumbres Observatory Education Director Edward Gomez, offers a remarkable perspective on the blaze. For more, on-the-ground coverage of the fire, see the Astropixie blog.