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OKLAHOMA CITY, Sept. 19, 2012 /PRNewswire/ -- Selexys Pharmaceuticals, Corp., announced today that it has successfully completed a $23 million Series A equity financing, led by MPM Capital. Additionally, Selexys entered into an agreement with Novartis Pharmaceuticals whereby Novartis has been granted an exclusive option to acquire Selexys and its lead asset, the anti-P-selectin antibody SelG1, following the successful completion of a Phase 2 clinical study in patients with sickle cell disease. Including upfront, acquisition and milestone payments, the agreement with Novartis could reach up to $665 million.
The Series A financing includes a new major investor, MPM Capital. Concurrent with the investment, Selexys also announced the addition of Todd Foley, Managing Director of MPM Capital, to the Selexys Pharmaceuticals Board of Directors.
"Patients with sickle cell disease endure great suffering and frequent hospitalization due to painful vasoocclusive crises. Chronic blockade of P-selectin function with SelG1 may improve clinical outcomes and lower the associated cost of patient care," said Dr. Scott Rollins, President and CEO of Selexys. "We are excited to welcome MPM and Novartis and look forward to a productive partnership." The combination of the Novartis agreement and the closing of the Series A financing will allow Selexys to advance the SelG1 program through a large Phase 2 clinical study in sickle cell patients and will also fund a second program at Selexys, an anti-PSGL-1 antibody, through a Phase I clinical study.
"Vasoocculsive crises represent a significant healthcare problem for sickle cell disease patients, and we were impressed by the early data for SelG1 and the quality of the Selexys team," said Todd Foley, Managing Director of MPM Capital. "We are pleased to be a part of this successful financing structure, and I look forward to working closely with Selexys."
About SelG1
SelG1 is an investigational humanized monoclonal antibody directed against P-selectin, a key member of the adhesion molecule family known as the selectins. In preclinical studies, inhibition of P-selectin has been shown to effectively prevent vasoocclusion by blocking critical cell-cell interactions that drive this process. Therapeutic blockade of P-selectin may therefore reduce or prevent vasoocclusive crises in patients with sickle cell disease.
"SelG1 is a first-in-class therapeutic approach for the treatment of vasoocclusive crisis in sickle cell disease," stated Dr. Russell Rother, Selexys Executive Vice-president and COO. "Results from the recently completed Phase I safety study indicate that SelG1 is safe and well tolerated in healthy human subjects, and we are now eager to investigate its safety and efficacy in the sickle cell disease patient population."
The SelG1 program for sickle cell disease is supported by Small Business Innovation Research (SBIR) fast-track award #5R44HL093893-02 and #2R44HL093893-03 through the National Heart, Lung and Blood Institute.
About Selexys Pharmaceuticals
Selexys Pharmaceuticals, Corp., is a privately held biopharmaceutical company that is focused on development of therapeutics for the treatment of inflammation, thrombosis and metastasis across a broad range of severe diseases. Selexys is also developing an antibody directed against PSGL-1 for the treatment of Crohn's disease, multiple myeloma, and other inflammatory disorders. Selexys is headquartered in Oklahoma City, OK. For additional information please visit our website at www.selexys.com.
About MPM Capital
MPM Capital is one of the world's largest life science-dedicated venture investors. With committed capital under management in excess of $2.6 billion, MPM Capital is uniquely structured to invest globally in healthcare innovation.
SOURCE Selexys Pharmaceuticals, Corp.
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(Pocket-lint) - While the Sony Bloggie 3D (MHS-FS3) is aimed at the pocket camcorder family man, Sony has also addressed those looking for something a bit more professional and we've dived in to get a feel for what you can expect.
The HDR-TD10E claims to be the world's first "Double Full HD" 3D consumer camcorder.
The camcorder employs an integrated dual lens system, which includes two of each key component - double Sony G Lenses, double "Exmor R" CMOS sensors, and double "BIONZ" image processors.
The dual recording system allows for 3D content to be played back in Full HD 2D automatically on non-3D displays, while 3D footage can be played back without glasses on the camcorder's crisp Xtra Fine 3.5-inch 3D LCD touchscreen display.
You can also play Full HD 3D videos on any 3D capable HDTV.
In addition to other innovative features, 10x optical zoom with Optical SteadyShot (Active Mode) and iAUTO are offered in 3D mode. Providing 64GB of flash memory, the HDR-TD10E will be available in April 2011 and cost you a pretty $1500.
In the hand the TD10 is a bit of a monster, the two lenses peering at you like it's the bastard love child of Johnny 5 and Wallee. It's certainly much wider than a regular camcorder to give space for both the imaging pathways, but it's difficult to assess exactly how much of an issue that would be as the sample we saw was tethered to the Sony bench.
The screen allows for glasses-free viewing of your 3D movies, but as is the case with other 3D displays we've seen, you'll need to get the angle right and be in the sweet spot or you lose the clarity.
CES 2011 is now in full-swing, be sure to check out our dedicated CES homepage for all of the news as it breaks, as well as detailed analysis.
You can check out the other world's first consumer HD 3D camera from JVC here.

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Digital Editions
Paul Schmutzler explains how you can take advantage of the cost and bandwidth savings of HEVC in your livestreams with the Teradek VidiU Go.
Paul Schmutzler demonstrates how to stream to multiple social platforms simultaneously with the Teradek VidiU Go.
Paul Schmutzler demonstrates how to deliver a solid stream from any location with the Teradek VidiU Go.
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Paul Schmutzler demos the new Camera Control interface in Wirecast 9 in conjunction with PTZOptics remote cameras in live-switched worship streaming production.
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Jan Ozer explores the new titling tools in Premiere Pro CC 2018, and explains how to create titles from scratch and work with title templates provided in Premiere Pro and imported from Adobe After Effects via the new Essential Graphics panel.
This tutorial will take a look at how to add clickable watermarks, links, and calls-to-action to the Vimeo platform.
This tutorial will take a look at how we can add clickable calls-to-action to the YouTube platform.
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PTZOptics cameras with built-in NDI support paired with the NewTek TriCaster TC1 can help you take your live-switched sports streaming work to the next level.
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The NewTek TriCaster TC1 has sports written all over it, featuring 4K, 60p, and built-in instant replay, all designed to give producers the latest and greatest live production tech in a compact package.
In this quick tutorial, Paul Schmutzler introduces you to the new Solo Cam app for iDevices, which makes going live with the LiveU Solo more portable and flexible than ever.
Mike Downey demonstrates how to post-produce your multicam content quickly and efficiently using Grass Valley EDIUS Pro 8 on Wirecast Gear.
Paul Schmutzler demos and discusses the first-ever Mac version of proDAD's popular and powerful Mercalli stabilization solution.
In this latest installment of our series on alternative NLEs from the perspective of a Premiere Pro editor, we'll look at EditShare's Lightworks, an NLE as noteworthy for its unique hardware as for the software itself.
Paul Schmutzler looks at Blackmagic Design's DaVinci Resolve editing and color grading solution from the perspective of a longtime Premiere Pro editor.
Titler Pro 5 is a time-saving tool that produces some stunning results, with a vast array of templates and pre-built animations that can add a lot to your videos.
Paul Schmutzler demonstrates quick and easy one-touch streaming to YouTube Live with the LiveU Solo.
Houses of worship are live streaming their services more and more, mostly relying on volunteers and easy-to-use PTZ camera systems. Here are the Top 10 ways to leverage the benefits of PTZ camera systems in your worship productions.
If you're looking for an iDevice-based video mixing solution, Switcher Studio should be on at the top of your short list.
Over the course of this three-part tutorial series, we'll show you how to deliver Dolby Audio via HLS and play it back on any audio endpoint, including device speakers, headphones, or external sound systems via AirPlay or HDMI.
Clear Online Video's Stjepan Alaupovic provides tips on how to increase audience engagement through streaming to social media from your DJI Phantom drone.
The Aero Drone LaunchPad provides filmmakers and pilots with a stable, portable platform for many popular industry drones for use in the field.
Combining the versatility of a ton of I/O ports and file format support, along with the security of an embedded OS and user-friendly hardware controls, the Grass Valley T2 provides you with a recipe for success.
This tutorial will demonstrate how to use the Red Giant Instant 4K plug-in for Adobe Premiere Pro or After Effects to upgrade your 1080p footage in 4K projects.
Art of the Cut author Steve Hullfish demos how to use axle Starter for media management and metadata-enhanced proxy screening with Avid NEXIS | PRO.
Art of the Cut's Steve Hullfish explains how to customize your keyboard and keyboard shortcuts for smooth and streamlined editing in Avid Media Composer.
This tutorial demonstrates how to create vibrant timelapses using high-resolution images captured with DSLRs, and edited and exported with Adobe Bridge, Camera Raw, and Photoshop.
This tutorial demonstrates how to create the dreamlike infrared effect commonly used in horror films, science and military shows, thermal imaging, and even medical videos by following a few simple steps in Adobe After Effects.
Here we demonstrate Frame.io and Wipster, two new services that enable client review of video projects in progress through direct integration with Adobe Premiere Pro and Media Encoder.
Paul Schmutzler demonstrates key animation features in the new Red Giant Universe effects and transitions suite.
This video tutorial provides a walkthrough of the PhotoMotion Speed and PhotoMotion Pro animation and 3D plug-ins for Adobe After Effects.
Clear Online Video's Stjepan Alaupovic demonstrates how to spotlight text in your projects using animated lighting effects with this simple technique in Adobe After Effects CC 2015.
The wiggle effect is a common look that editors use to enhance and add some randomness to a logo, text, or graphics. This tutorial demonstrates two quick ways to accomplish this look.
The Avid NEXIS | PRO has all the features that Avid's big NEXIS shared storage solutions have, but scaled down for producers with smaller shops but the same need for reliability and sharing functionality that makes NEXIS popular with bigger studios.
This tutorial demonstrates a nice way to highlight key words, titles, logos, and lower-thirds within your video graphics using a simple workflow in After Effects CC.
This tutorial looks at how to use a PTZ-based workflow to pull off a multicam live-switched stream with a single operator at the controls.
This tutorial will demonstrate how, with just a few PTZOptics cameras and a NewTek TriCaster Mini, you can get your live event onto the internet with ease.
This tutorial demonstrates Adobe Audition's Remix feature, which allows you to shorten the length of a music track to match the duration of your video edit.
Paul Schmutzler looks at BorisFX Continuum Complete 10 (BCC 10), the latest version of Boris's popular collection of professional plug-ins from BorisFX.
In this tutorial, Jan Ozer demonstrates how to boost your streaming throughput by sharing signals from up to four iPhones with the Teradek VidiU Pro via ShareLink.
Instagram is quickly emerging as one of the top social media video platforms in online video, and "Instagram looks" have become instantly recognizable to social media users. In this short tutorial, I'll demonstrate how you can achieve some of these stylized filtered looks in your videos by using gradients in Adobe After Effects.
One of the most commonly reported issues Adobe Premiere Pro editors experience when working with footage captured using iPhones, screencam tools, Wirecast, and Skype is a loss of A/V sync on clips that played fine outside Premiere Pro. Here is a simple fix using a freeware tool called HandBrake that will re-sync your audio so you're ready to edit.
In this tutorial we'll explore how you can use Adobe Photoshop to apply a customized black-and-white filter to your footage to created a stylized effect. Although Photoshop isn't a video-first tool, it does offer some nice features that aren't available in Premiere Pro or After Effects.
At the bare-bones, sub-$1000 level, there are very few HD mixers that combine the mixing, recording, and streaming capabilities that the Cerevo LiveWedge offers, although this device does come with a few caveats.
In this tutorial we'll look at using shape layers to create, customize, and animate lower-third graphics with Adobe After Effects CC 2015.
Premiere Pro CC has harnessed the power of multitouch gestures for a variety of editing functions. Paul Schmutzler looks at some of the ways you can be a more efficient editor with multitouch.
If you're looking for a portable and affordable way to add live streaming capabilities to one or more computers, the Wirecast AV.io bundle is a great option. Jan Ozer explains how it works.
Jan Ozer demonstrates how even the most non-technical user can pull off a live-switched stream with the Epiphan Pearl streaming appliance.
In the new worship video workflow from Datavideo described in this article and video tutorial, with just three products, you can switch up to four HD cameras and stream to your favorite CDN, while simultaneously recording an MP4 file to a USB thumb drive or external hard drive--all for around $3,000.
If you're already a monthly paying Creative Cloud member on a complete or single-app plan, you have access to the Adobe Typekit, a full library of fonts that you can download and sync to use with your Adobe applications. In this tutorial, I'll demonstrate how to use it with Adobe Premiere Pro.
I'm a big fan of Camera Raw because of its simple time-saving features. In this tutorial, I'll demonstrate how to enhance some GoPro footage with color and lens-distortion issues.
Often as video editors, we're tasked with adding motion and life to the logos of our clients we are working with. This tutorial is going to show you a cool approach to inspire some ideas for your next project.
With Adobe Premiere Clip, you can shoot your video with your iPhone or iPad, perform edits on that iDevice using Premiere Clip, then transfer the video and the project to the Creative Cloud and bring it into Adobe Premiere Pro on your workstation for finalization. Here's how.
This tutorial will describe a fog effect you can create to add some drama to your footage or alter the weather of your shot.
With the new Time Tuner feature in Premiere Pro, Adobe now makes it easy to adjust the length of a video to fit a specific requirement by adding or removing frames at scene changes, audio passages, and during periods of low visual activity.
In some scenes, particularly those with the static background, Adobe Premiere Pro CC's new Morph Cut transition will seamlessly eliminate jump cuts from your edit, but you may have to experiment to get there. This tutorial demonstrates how. Every editor who works with interviews will find this a great new tool that will make their footage look better and possibly eliminate the need to re-shoot.
Adobe Stock is a massive, high-resolution stock photo, illustration, and vector library that allows for easy integration with Premiere Pro, Photoshop, After Effects, and other Adobe programs. In this tutorial we'll explore how Adobe Stock can work with Adobe Premiere Pro in our video projects.
JVC;s GY-LS300 is an affordable ($3,995), interchangeable-lens, Super35/variable-sensor area, 4K/HD camcorder that also features internal streaming capability, first model in a new product line. Here's a look at how you can use it effectively.
The new Lumetri Color panel makes it simple to correct your footage and then creatively control the color with preset looks or your own adjustments. It's one of the best new additions in the Adobe Premiere Pro CC 2015 update.
If you have Camtasia for Mac 2.9 or later, a Mac running OS 10.10 or later, and an iOS device running 8.0 and later with a Lighting connector, you can record screencams of operations on your iOS device. This tutorial by Streaming Learning Center's Jan Ozer will show you how.
In this tutorial, Jan Ozer of StreamingLearningCenter.com demonstrates the Teradek Live:Air, which accepts multiple streams from different sources, and enables you mix an event, then send it to Livestream, Ustream, or any RTMP-compatible server, using only your iPad.
In this tutorial, Braintrust Digital's Paul Schmutzler demonstrates at the newly updated slideshow production capabilities in Adobe Lightroom 6--also known as Lightroom CC, depending on whether you buy it standalone or whether you download it as part of your Creative Cloud subscription service.
In this tutorial, Anthony Burokas of IEBA Communicatins demonstrates an easy way to use a camera's or external monitor's focus peaking feature to assess your camera's noise profile as you change various camera settings.
For many of us who are creating business and branded videos, what a viewer does after watching our video is an essential part in our sales and marketing strategies. In this tutorial, Clear Online Video's Stjepan Alaupovic demonstrates how to create a clickable call to action within our videos using Vimeo Plus or Vimeo PRO. The purpose of a marketing call to action is to provoke an immediate response from our audience.
Gradients are a popular effect used in both broadcast and online video. You can use them to isolate something in your image, or add some style to your graphics and videos. In this tutorial, Clear Online Video's Stjepan Alaupovic demonstrates how to create and apply gradients in After Effects CC 2014.
Paul Schmutzler of Braintrust Digital provides a quick tutorial on how to get started with the new, simplified Colorista interface and quickly apply some interesting grades to create new looks in your clips.
Jan Ozer takes a look at the greenscreen and virtual set capabilities of the NewTek TriCaster Mini, which make it look like you spent a fortune on your production, while costing a fraction of what you'd spend if you built out a studio, bought multiple cameras, and hired operators to use them.
In this tutorial, Jan Ozer demonstrates how the NewTek TriCaster Mini delivers portable, affordable, and full-featured live production to producers using HDMI cameras.
In this tutorial, Clear Online Video's Stjepan Alaupovic demonstrates an advanced method of adding a slider or jib effect to timelapse footage in Adobe After Effects CC 2014.
Whether you need to connect multiple workstations together with shared storage or multiple storage devices to a single workstation, the ProMAX Platform Portable series has you covered.
In this tutorial, Streaming Learning Center's Jan Ozer explores the capabilities of vMix GO, an affordable, highly functional, and easy-to-use live production system.
Epiphan Pearl ($4,875 list) is a small, dual-input, touchscreen-driven video recording and streaming device for lecture or presentation capture. In this tutorial, Streaming Learning Center's Jan Ozer details how to stream and capture a presentation with Pearl.
In this video, Braintrust Digital's Tim Siglin takes a look at two new G-Tech Thunderbolt 2 solutions in different form factors that provide excellent solutions for video studios in need of RAID storage.
IEBA Communications' Anthony Burokas explains how to avoid some of the many pitfalls that you can fall into when doing audio mixing for live production.
Braintrust Digital's Paul Shmutzler demonstrates ow to use the Ambience Match natural sound-matching feature in iZotope RX4 Advanced to fix uneven ambient audio across multiple clips and scenes, using examples from Jason Prisk's new indie film, Crimes and Mister Meanors.
This tutorial by Clear Online Video's Stjepan Alaupovic demonstrates how to create jib/slider movement by using 2K footage in your 1080p Adobe Premiere Pro CC project.
In this walkthrough of the latest version of iZotope's powerful audio repair tool, RX4 Advanced, Braintrust Digital's Paul Schmutzler explores the RX4 interface and workflow, and use some of its key capabilities to clean up some persistent hum as it effects both dialogue and music.
In this tutorial, Clear Online Video's Stjepan Alaupovic demonstrates how to add depth and visual interest to your videos by applying 3D properties in Adobe After Effects and leveraging the additional pixel real estate in 4K footage used for 1080p HD projects.
While there are many built-in transitions available within Adobe After Affects and Premiere Pro, there may come a time where you want to organically create something to switch from one piece of video to another. In this tutorial, Stjepan Alaupovic demonstrates 3 ways to do this in After Effects.
While animating a client's logo can be a time-consuming process, it adds more production value and life to your video projects. In this tutorial, Stjepan Alaupovic demonstrates how to create dynamic logo animations using Adobe After Effects CC and Adobe Illustrator.
In this tutorial, Braintrust Digital's Tim Siglin takes a look under the hood of HP's new flagship workstation, the HP Z820, and examine both its design and performance advantages as a top-of-the-line system for video editing, graphics, effects, and other postproduction tasks.
Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial, Shawn Lam demonstrates how the ADVC-G1 works and how you can incorporate it into your workflow.
Stjepan Alaupovic presents a look at 15 keyboard shortcuts that will enhance the efficiency of your After Effects workflow.
In this tutorial, Stjepan Alaupovic shows you a quick way to create an animated lens flare effect that can enhance your transitions, lower-thirds, and more using Adobe After Effects CC 2014.
In this tutorial, Stjepan Alaupovic explores how to add another dimension to your text and titles using some basic 3D capabilities in Adobe After Effects.
In this tutorial, Shawn Lam explores the robust audio and video mixing, switching, and live-delivery feature set of Roland's versatile next-generation 4-input VR-3EX, HDMI-capable A/V mixer.
Stjepan Alaupovic demonstrates how, by using adjustment layers in Adobe After Effects, you can easily create a variety of looks for your videos and share and compare them with clients.
A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Braintrust Digital's Paul Schmutzler demonstrates how you can add it to your offerings when your clients or projects demand it.
Shawn Lam guides readers/viewers through a simple, powerful, and versatile live-switched production and streaming workflow with Roland's VR-50HD all-in-one multi-format AV mixer.
In this tutorial, Avid instructor Steve Hullfish demonstrates how to leverage Avid's powerful and efficient color correction by working in Color Correction mode, which allows you quick access to its color grading features but keeps them out of the way while you're editing.
In this tutorial, Streaming Learning Center's Jan Ozer demonstrates how to use the Teradek StreamReader plug-in to stream directly to Telestream Wirecast and NewTek TriCaster.
In this tutorial, Stjepan Alaupovic of St. Jepan Media demonstrates how to use an After Effects alpha matte to make your video "shine through" your text.
Cord3Films' Glen Elliott provides a look at two workflows for applying film grain to your footage in FCP X using cineLook (with and without Gorilla Grain), first with 4k footage shot with the Blackmagic Production Camera, and then with Cinestyle-flattened DSLR footage.
While After Effects may be daunting for some Premiere Pro editors, St. Jepan Media's Stjepan Alaupovic offers an easy-to-follow workflow that can enliven your text and titles with pre-built animations found in Adobe Bridge, applied in a few simple steps in After Effects, and imported directly into your Premiere Pro timeline.
In this tutorial, Streaming Learning Center's Jan Ozer provides a quick overview of how to mix multiple cameras, graphic overlays, and other media in the new version of Livestream Studio, as well as how to record isolated video program feeds, and configure your stream and send it out via Livestream or other RTMP-compatible streaming providers.
Hot on the heels of Adobe announcing updates to all Creative Cloud video apps that will debut at NAB, Streaming Learning Center's Jan Ozer provides details on the updates, plus a video tutorial on four key new features in Premiere Pro CC: Master Clips, Live Text, Masking and Tracking, and new 4K format support.
Here's a look inside EDIUS Pro 7's MultiCam Mode from EDIUS Pro instructor extraordinaire Mike Downey. In this tutorial, Mike explores how EDIUS Pro streamlines editing up to 16 cameras, and leaves plenty of room for adjustments and tweaks after you make your initial cuts.
iShowU, a Mac-based screencam app from ShinyWhiteBox.com, is quick, easy-to-use, and inexpensive, In this tutorial, Stjepan Alaupovic of St. Jepan Media provides a look at how to use it to produce pro screencams that you can import into Adobe Premiere Pro CC to integrate into your video projects.
One of the great things about Grass Valley EDIUS 7 is its ability to take footage in multiple codecs and frame rates, place them on the same timeline, and edit and play them in real time. In this tutorial, Mike Downey explores how to leverage this feature in your projects.
Stjepan Alaupovic looks at how to create screencams with TechSmith Camtasia, and then import them into Adobe Premiere Pro to incorporate them into your existing Premiere Pro projects to create professional-quality instructional videos that seamlessly combine screencams and HD footage.
Jan Ozer offers up three quick tips that will streamline your titling workflow in Premiere Pro when you create styles you like and want to use them consistently without reinventing them each time.
In our first tutorial on the recently released FCP 10.1, Glen Elliott looks at the new Libraries feature, which enhances project and media organization and eases the adjustment for editors transitioning from FCP 7.
G-Tech's G-Dock ev with Thunderbolt delivers high-performance portable, expandable RAID storage tailor-made for the video production market, and accessorizes well with MacBook Pros, iMacs, and other Thunderbolt-compatible systems. Braintrust Digital's Paul Schmutzler explains how.
Squeeze offers great single- and multiple-file encoding performance, excellent quality, and a range of features that other encoders in its class simply can't match. Jan Ozer offers a look at how Squeeze works and how to leverage some of its key features.
We've all had the misfortune of recording clipped, distorted audio from a signal that's too hot, resulting in time-consuming retakes or total disaster if the audio is from a live event. Jan Ozer shows how the Declip feature in iZotope RX3 can reduce that disaster to a quick and easy fix.
Jan Ozer demonstrates how to restore muffled sections of spoken audio using the Multiband Compressor in Adobe Premiere Pro CC or Adobe Audition.
Jan Ozer demonstrates how to use and leverage 3 key new features in Adobe Media Encoder CC: Lumetri Looks support, and image, text, and timecode overlay.
Jan Ozer takes an in-depth look at StreamVu, a simple, inexpensive and well-featured service, and how it works in conjunction with the Matrox Monarch HD, the only hardware encoder that can produce one stream for live distribution and the other for archiving. In combination, they make an ideal solution for your live and on-demand video production requirements.
Jan Ozer demonstrates how to apply an effect to a portion of a video image while leaving the rest of the clip untouched, and how to track that portion of the image throughout the duration of the clip, using the Track Matte effect in Adobe Premiere Pro CC.
With Wirecast 5, Telestream has significantly improved usability with a redesigned interface, beneficially expanded the product's input capabilities, and upgraded the product's plumbing with features like x.264 encoding and HD-SDI output via Blackmagic Design Intensity or DeckLink cards. Jan Ozer's video tutorial guides you through the new release.
Recent upgrades to Adobe CC make it easy to apply graded looks in Adobe Premiere Pro CC and match shots with different color temperatures via seamless roundtripping between Premiere Pro CC and SpeedGrade CC; Paul Schmutlzer explains how it all works.
Jan Ozer explores Matrox's new Monarch HD, a portable live encoder that can send a stream to your streaming server and also record a master-quality copy to a network drive, or local USB or SD storage.
Jan Ozer explores the workflow and application of the DVEO Magnus Anytime family of products, which combine high-density H.264 encoding and an integrated streaming server for multiple screen delivery both inside and outside your firewall.
In this tutorial on Apple Final Cut Pro X, Cord3Films' Glen Elliott inspects the Video Inspector, a context-sensitive area of the FCP X interface that allows you to change settings of various filters and settings, and focuses on making basic but effective color adjustments.
Any time you produce a webinar that's got PowerPoint and a talking-head video, it's helpful to present them in the same video frame. In this tutorial, Streaming Learning Center's Jan Ozer explains how to composite these two sources in Telestream Wirecast.
In the final installment of our two-part series on how to create broadcast-quality live productions with the NewTek TriCaster TC40, Streaming Learning Center's Jan Ozer demonstrates how to mix and stream your show.
McKnight Video's David McKnight demonstrates a quick, easy way to generate sharp-looking titles for your Vegas Pro projects that requires no additional plugins.
In two tutorials I'm going to show you how to create broadcast-quality live production with the NewTek TriCaster TC40. In this first installment, I'll show you how to select and configure the inputs. In the second, you'll learn how to mix and stream the show itself.
Braintrust Digital's Paul Schmutzler explores 3 new key features in Audition CC, the newest version of Adobe's professional audio editing application: Sound Removal for eliminating hums and other variable-frequency unwanted noises, the Loudness Radar Meter for matching and adhering to broadcast volume standards, and Automatic Speech Alignment for ADR.
In this video tutorial Glen Elliott of Cord3Films looks at FCP X's Timeline Index which provides innovative options for viewing, navigating, and searching your projects, including three different types of timeline markers and the ability to create a navigable To Do list of editing notes that's indispensable for collaborative workflows.
In this tutorial, Cord3Films' Glen Elliott demonstrates how to mix audio from multiple off-camera sources in a multicam edit in Apple Final Cut Pro X.
In part 2 of our series on multicam editing in Final Cut Pro X, Glen Elliott explains how you can accelerate and streamline the multicam-syncing process in Red Giant's PluralEyes 3.
In thus tutorial for Premiere Pro CC users, Adobe Premiere Pro CC Visual QuickStart Guide author Jan Ozer explains how to migrate encoding presets that you created to customize and streamline encodes in Adobe Media Encoder CS5/6 into Adobe Media Encoder CC so you can pick up right where you left off.
If you ever find yourself having to render multiple sequences from Premiere Pro, there's an easier way to do it than by using the Premiere Pro Export control. In this tutorial, Adobe Premiere Pro CC Visual QuickStart Guide author Jan Ozer explain the easier and more efficient way using Adobe Media Encoder.
In this tutorial, Adobe Premiere Pro CC Visual QuickStart Guide author Jan Ozer explains how to create and edit industry-standard closed captions for video using the new closed-captioning capabilities in the just-released Adobe Premiere Pro CC.
Working with compound clips in FCP X is similar to nesting sequences in Final Cut Pro 7. In this tutorial, Cord3Films' Glen Elliott explains how it works, and how changes to compound clips can ripple across projects.
Go behind the scenes at Streaming Media East 2013's 4-track, 3-day, live-switched conference and 1-day webcast with producer and crew chief Shawn Lam and see the process and the gear and how it all fits together in live-switched webcast production.
In this tutorial, Glen Elliott of Cord3Films looks at several ways you can use connected storylines to enhance your FCP X edits and mix in cutaways and creative shots in a quick and efficient way.
In this tutorial, Cord3Films' Glen Elliott explores advanced editing techniques in FCP X including back-timing your edits, replacing edits and auditioning, top-and-tail editing, extend edits, trim-to-selection edits, keyboard trimming, and the Precision Editor.
The magnetic timeline is one of the major revolutionary changes in Apple Final Cut Pro X, and one of the areas editors struggle with when they're coming from track-based NLEs. In this tutorial, Cord3Films' Glen Elliott breaks it down and shows you how to make it work for you.
In this first installment of our new tutorial series,Cord3Films' Glen Elliott demystifies Final Cut Pro X, illustrates its core functions, and focuses on one of the most powerful new features for organizing, accelerating, and streamlining your edits: metadata keyword tagging.
Background noise and pops and clicks in audio are an unfortunate fact of life for many productions. In this tutorial, Jan Ozer explores some fixes you can try in Final Cut Pro X.
Two types of noises degrade the audio you shoot with your video: random noises like microphone clicks and pops, and consistent noises like white noise or air conditioning hum. This tutorial demonstrates how to remove both of them in Adobe Audition CS6.
If you're in the market for a portable video encoder/transmitter, you should consider the LiveGear Airstream from Vislink. It's mobile and easy to use, and it employs predictive forward error correction and adaptive bitrate H.264 encoding to reliably deliver top-quality video over broadband cellular networks. Jan Ozer explains how it works.
In this tutorial, Jan Ozer demonstrates how you can use the Neat Video plug-in to remove noise from video, improving output quality for all outputs.
In this tutorial video editing expert Jan Ozer explains how to maximize the brightness and contrast of your video in Adobe Premiere Pro CS6 using the Brightness, Contrast, and Gamma Correction controls for effective and balanced adjustments.
Looking beyond the small set of white and bi-color LEDs specifically made for video production, live production pro Anthony Burokas shows how you can find a whole other world of LED fixtures made for other markets—including "disc jockey" LED lights and controllers. For the cost of one good fresnel light, you can have a multi-light, expandable LED lighting package.
The histogram and the waveform in Apple Final Cut Pro X are effective, easy-to-master tools that provide the clear input you need to diagnose and fix the contrast issues in your video simply and intelligently. In this video tutorial, video editing and encoding expert Jan Ozer explains how they work.
Video encoding and editing expert Jan Ozer provides three useful tips that will enhance your workflow and get you out of some editing jams in your Adobe Premiere Pro projects: editing audio without unlinking; Fill Left and Fill Right to create stereo audio; and creating nested sequences for smoother edits and creating reusable set pieces in your projects.
NewBlueFX ColorFast is a new color correction, color grading, and color enhancement plug-in for Vegas, Premiere Pro, Final Cut Pro X, Avid, and EDIUS. Editing instructor David McKnight demonstrates how it worls with a piece of footage from a recent project that calls for all three kinds of color adjustment, and show how to accomplish each task in ColorFast.
Adobe Premiere Pro Instructor extraordinaire Luisa Winters explains how to use the new and enhanced Multi-Camera Monitor for quick and efficient multicam edits in Adobe Premiere Pro CS6 in this video and text tutorial.
Sony SpectraLayers is a dynamic new audio editing tool for Mac and Windows users that might be best described as "Photoshop for Audio," featuring the ability to isolate and edit individual layers of a mixed track using frequency analysis. In this tutorial, David McKnight explains how it works and what it offers post-production pros with complex audio issues to resolve.
DSLRs produce cinematic-looking video that exceeds the capabilities of most video cameras, but they lack the professional audio connections and controls that come standard on traditional pro camcorders. Which means anyone shooting pro video with DSLRs needs to develop workarounds. Here Philip Hinkle offers some tips on getting great audio on a budget with a DSLR production workflow.
David McKnight explores the range of features in NewBlueFX Titler Pro that allow editors to produce creative titling effects, animations, and extrusions along the 3D plane using both manual controls and a host of preset styles and templates.
In this tutorial, encoding and streaming icon Jan Ozer describes how to install and configure ViewCast's dual-channel Osprey 820e card ($1,795 MSRP; as low as $1,400 street) into a Windows system for driving two cameras within Telestream Wirecast, and discusses the board's highly functional set of utilities and SimulStream feature, which allows it to feed audio and video streams to more than one encoding application.
This is the first of a three-part tutorial on using Wirecast to mix two streams of video and other disk-based content. In this first tutorial, Jan Ozer describes how to install and configure two Blackmagic Design Intensity Pro cards into an HP Z600 for switching with Wirecast.
The new version of Adobe Media Encoder, included in the just-released CS6 collection as well as as a standalone product, offers significant improvements in usability and performance, as well as new features. Here video encoding expert Jan Ozer explains what you need to know about it.
In this fifth tutorial in our six-part series on Sony Vegas Pro 11, Vegas instructor David McKnight talks about the Render dialog box. Every project you work on has to go through a rendering stage, so you'll find yourself getting quite familiar with it as you do more project. In Vegas Pro 11, Sony has added some new features to the Render dialog, and they've totally revamped the way that it works.
The new mixer layout in Sony Vegas Pro 11 makes editing audio for video in Vegas feel like you're using a pro hardware mixer. Vegas instructor David McKnight explains how it's done.
When Apple originally released Final Cut Pro 10, the biggest deficit for Pro users was the lack of multicam. With the 10.0.3 release, Apple has addressed this with a highly functional and easy-to-use multicam feature, which Jan Ozer explains in this tutorial.
Sony Vegas instructor David McKnight continues his video tutorial series with a look at Vegas' new GPU Assist feature, which enables Vegas editors to leverage the processing power of supported NVIDIA and AMD video cards to get full-frame previews of loaded timelines and accelerate rendering with many popular codecs.
Sync Linking is a cool new feature in Sony Vegas Pro 11 that allows you to group clips of events and move and control them in the timeline with a single Master clip, while still being able to fine-tune subordinate clips within the group.
In this tutorial you'll learn how to make the most of Vegas's new by-parameter keyframing capabilities for effects plug-ins that ship with Vegas Pro 11 using the new Sony Text & Titles plug-in as an example.
When you compress video for the web, the video can darken and colors can become muted. In this tutorial, I'll show you how to correct color and adjust brightness and color saturation with Adobe Premiere Pro's Fast Color Corrector.
If you're a streaming producer you have to know how to produce H.264 for both Flash distribution and for mobile devices. Fortunately, Adobe Media Encoder makes this simple with multiple presets for desktop and mobile players which I'll show you how to find and customize in this tutorial.
In this tutorial, learn how to deliver your digital content using Helix Universal Media Server. Step-by-step demonstrations cover formatting for 3GPP, Flash and Silverlight, as well as streaming to iPhone, iPad and other mobile devices. See just how easy streaming to mobile devices is with Helix Universal Media Server.
With Helix Universal Media Server, easily deliver multi-format content – including Flash, H.264, MPEG-4 (MP4), QuickTime, MP3 and RealVideo – to PCs, smartphones, iPhones and tablets. In this tutorial, learn how to install the 30-day trial version and see just how simple it really is.
The Accordent Media Management System controls the creation, management and distribution of rich media across enterprise networks, with portal-based viewing and extensive reporting. This tutorial provides an overview of these capabilities.


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Richard Barnes is back! Those of you who have been following the podcasts from the very beginning will remember that the first podcast was an interview with myself conducted by Richard Barnes. Over 80,000 podcast downloads later and Richard is back!
In this light-hearted podcast, Richard and I discuss my own personal journey through the martial arts; from my very first class to the current day. We also discuss the purpose of kata, the rise of the "McDojo", the realities of self-protection, the future for karate, my current training, and a number of important martial topics.
Regular listeners to the www.GeoffThompson.com podcast will also be treated to numerous "in-jokes" and an update on the unnatural urges that afflict Richard's dog! I had a lot of fun recording this podcast, and despite all the joking around and general silliness, I think we managed to fit some interesting discussions on the martial arts in there too!
I hope you have as much fun listening to this podcast as we had recording it! Thanks to everyone for the continued and enthusiastic support of the podcasts and I'll be back soon with more.
All the best,
- 5391 reads


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Recently, I finished reading Heaven, by famous Christian author Randy Alcorn. Along with the Bible, it made an extremely profound impact on my spiritual journey with the Lord. I became keenly aware that out of all God's promises we can't begin to fathom or have any idea of the eternal and unfailing love He has for us.
My eyes, and the doors of my heart opened to receive more of His promises and the glorious eternity He has prepared for us. It's hard to begin, or comprehend, what life will be like when I step over into eternity.
One important fact that we need to focus on is that our lives are but a vapor, here today and gone tomorrow. I fully believe that there will come a day, when I'll be able to look back on my life as the Lord lovingly guides me, allowing me to see how both tragedy and joyous events unfolded from an eternal perspective.
We should look forward to the end of our lives, praying daily, seeking God's will. His desire is for us to serve Him, showing Christ's love to a hurting world, in the process, continually mending broken relationships through forgiveness.
That takes faith! Yet, remember, Romans 8:28? 'We know that all things work for the good to those who love the Lord, those who have been called according to his purpose.
Years ago, I read Why do bad things happen to good people?
I don't recall the name of the author, but he had an intriguing way of describing events that occur throughout our lives.
To paraphrase, our lives are like part of a tapestry, we only see the threads closest to us, each thread woven in alongside and beside us, but God sees the full picture of a beautifully complete tapestry, every thread carefully placed, and sewn in, by our Creator.


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Physicians who care for patients with diabetes may wish to steer clear of prescribing systemic fluoroquinolones for bacterial infections in these individuals, according to a recent warning from the FDA(www.fda.gov) and the findings of a study recently published in the journal Clinical Infectious Diseases(cid.oxfordjournals.org).
In an Aug. 15 drug safety communication, the FDA informed physicians and other health care professionals it is requiring changes to the labels and medication guides for the broad-spectrum antibiotics because of the possibility of permanent nerve damage.
Fluoroquinolone drugs approved by the FDA include levofloxacin (Levaquin), ciprofloxacin (Cipro), moxifloxacin (Avelox), norfloxacin (Noroxin), ofloxacin (Floxin), and gemifloxacin (Factive). "The risk of peripheral neuropathy occurs only with fluoroquinolones that are taken by mouth or by injection," the FDA said in the warning. "The topical formulations of fluoroquinolones, applied to the ears or eyes, are not known to be associated with this risk."
Story highlights
- Because of the possibility of permanent nerve damage, the FDA is requiring changes to the labels and medication guides for all fluoroquinolone drugs taken by mouth or by injection.
- Topical formulations of fluoroquinolones, applied to the ears or eyes, are not known to be associated with the risk of peripheral neuropathy.
- A study published in Clinical Infectious Diseases indicates that oral fluoroquinolones also increase the risk of severe dysglycemia in patients with diabetes.
According to the agency, physicians should halt the use of fluoroquinolones and switch to another class of antibacterial drug if a patient develops peripheral neuropathy symptoms unless the benefit of continued fluoroquinolone use outweighs the risk.
Oral fluoroquinolones pose other risks, as well, according to an article published Aug. 14 in Clinical Infectious Diseases. In a population-based cohort study that involved 78,433 Taiwanese patients with diabetes, those who received fluoroquinolones showed an increased risk of severe dysglycemia compared with those who received macrolides or cephalosporins, with the risk of hypoglycemia, in particular, varying according to which fluoroquinolone was administered.
Moxifloxacin appeared to pose the greatest threat, showing a 10 percent absolute risk for hypoglycemia and a nearly 7 percent absolute risk for hyperglycemia.
"Our results identified moxifloxacin as the drug associated with the highest risk of hypoglycemia, followed by levofloxacin and ciprofloxacin," said the authors. "As expected, patients who suffered from comorbid chronic kidney disease, as well as those who were concomitantly treated with insulin or sulfonylurea, were more vulnerable to abnormal fluctuations in glucose homeostasis."
An April 2012 study in JAMA: The Journal of the American Medical Association found that oral fluoroquinolones also may increase the risk for retinal detachment. And, in 2008, the FDA required manufacturers(www.fda.gov) of the drugs to add boxed warnings to their package labels highlighting an increased risk of tendonitis and even tendon rupture associated with their use.
Given these data, study researchers suggested that clinicians carefully consider the risks when treating patients with diabetes and prescribe fluoroquinolones cautiously.
AAFP members can report adverse events linked to drugs and biologic agents via RxEvent, an adverse drug event reporting service that has partnered with the Academy. All physicians, health care professionals and patients can report such events through MedWatch(www.accessdata.fda.gov), the FDA's Safety Information and Adverse Event Reporting Program.
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What is April 1, how come it a laugh, how long has it been?
April 1 is one of the days celebrated in our country, as in the rest of the world. So, why are people joking to one another on today? Aware of the problem of the problem, the commander of the Crusader army is considering different tactics to drop the castle.
What's April 1, why do people joke on April 1, and the date of April 1 was on the list of curious ones. Defined by many different names such as for instance cheat day, fool's day and fish day, the date of today dates back to 15th century. So just why do people joke on April 1? What happened on April 1? Here's all the data about April 1 in our news.
527 – Byzantine Emperor Justinus declared his nephew Justinian I. Heir.
1564 – The very first "April 1" jokes started initially to be produced in France. Based on the calendar, that was changed in 2010, 1 of April, the old Christmas, was replaced by the brand new Christmas on January 1. On the very first day of April, the folks have been used to celebrate the new year and those that didn't like the brand new calendar application began to make various jokes. The French called these jokes "Poisson D'avril" (April fish).
1778 – Oliver Pollock created the symbol of the Dollar.
1826 – Samuel Morey patents the inner combustion engine.
1867 – Singapore becomes the Royal Colony of the United Kingdom.
1873 – British steamboat "SS Atlantic" sank off the coast of Scotland; 547 people died.
1873 – The very first representation of Namık Kemal's play Vatan Yahut Silistre took place at the Gedikpaşa Theater in Istanbul.
1916 – Mustafa Kemal was promoted to Miraculousness (Colonel).
1921 – After the 10th Greek Division in Metristepe withdrew, Kuva-yi Milliye won the Second Battle of İnönü ;.
1924 – Nazi leader Adolf Hitler was sentenced to 5 years in prison for the coup attempt in Munich. But only 9 months of imprisonment remained and meanwhile he wrote his book Mein Kampf (Kavgam).
1925 – Anadolu Anonim Türk Sigorta Şirketi was established.
1926-30 August in Turkey, "Victory Day" was accepted law on the celebrated.
1939 – In Spain, nationalists announced that the Spanish Civil War was officially over.
1947 – II without children. Following the death of Georgios, his brother I. Paulos became the King of Greece.
1948 – Cold War: Military forces connected with the East German Government took West Berlin from land to blockade relating with the directives of the Soviet Union.
1948 – The Fine Arts Academy building in Istanbul Fındıklı is burned.
1949 – The 26 counties in the south, forming the Free Irish State, merge, forming the Republic of Ireland.
1949 – Newfoundland joins Canada.
1950 – The UN adopts the plan to divide Jerusalem into two.
1955 – Greek Cypriots initiate the EOKA movement, which envisions the island to be independent from the UK.
1955 – The Turkish Strength Organization begins operations in Cyprus.
1957 – Scientists in West Germany refuse to focus on nuclear weapons.
1958 – EOKAists declared war on Britain in Cyprus. EOKA's leader, Georgios Grivas, also intimidated Turks.
1961 – The activities of the banned political party activities after the May 27 coup in Turkey was published partially.
1964 – The proposal of Archbishop Makarios to come back to the Garrison of the Turkish Cypriot Regiment was rejected by the Turkish Government.
1969 – Münir Nurettin Selçuk's concert in America broadcasted by 525 televisions.
1970 – Richard Nixon signed the decree stipulating the inclusion of warning letters on tobacco products sold in the USA and prohibiting the advertisement of tobacco products on television and radio.
1971 – Robert College is closed for 4 days as a result of events.
1975 – Ondokuz Mayıs University was founded.
1976 – Apple; It was founded by Steve Jobs, Steve Wozniak and Ronald Wayne.
1979 – Khomeini proclaims the Islamic Republic of Iran.
1981 – Daylight saving time was implemented for initially in the Soviet Union.
1982 – Nokta magazine started its publishing life.
1991 – Warsaw Pact dissolved.
1999 – Nunavut, leaving the Northwest Territories, became the region of Canada.
2001 – Former President of Yugoslavia Slobodan Miloševic surrenders to the police for trial at the International Criminal Court.
2001 – The Netherlands became the very first country in the world to legalize gay marriage.
2002 – Euthanasia became legal in the Netherlands.
2004 – Google announced Gmail to the public.
2005 – 24th International Istanbul Film Festival "Lifetime Achievement Award" was presented with to cinema artist Sophia Loren.
2005-10 61 22 years of Hezbollah accused shooter in case in Turkey, was sentenced to aggravated life imprisonment.
2009 – Croatia and Albania join NATO.
APRIL 1 JOKES : April 1 jokes , creative fun and new April 1 jokes questions are among the absolute most sought after today. The'fools'day'April 1, that has been named with different names throughout history, is recognized as"Fish Day' '. On this day, people prepare jokes for each other and accumulate pleasant memories. Here is the most fun, new and funny April 1st jokes.
PREGNANT JOKE: Yes, let's confess, it doesn't sound like a joke, but one of the jokes which will make April 1 unforgettable may be a pregnant joke. For instance, you are able to cut the positive result pregnant test you can find on the web and add it to your personal photo and send it to the individual you wish to joke by saying'I'm pregnant '.
POSTING JOKE: Locate a hairpiece that suits your girlfriend's hair color and pretend to cut probably the most precious bit of it.
EDIBLE CASE BOTTLE: It can also be possible to try a cola bottle that can be cut and eaten by putting brown jelly in the cola bottle.
SLEEPING SLEEP: You are able to turn your sleeping friend right into a Rock Star with toothpaste, and even get him a video by making him a little sleep solo.
LEAVE BROCOLI FROM THE POCKET: For true evil, you can also fill out broccoli or carrots for the chips pack.
CARTON BOX AND WATER FILLED BALLOON: There's a cardboard box and a bubble full of water until the last drop. Then watch the roar. The balloon bursts and the water drains from the holes of the box. The function ends with a nice chase.
BISCUIT WITH DENTAL PASTE: A group of cream biscuits is taken. A few biscuits are cut at the center and the creams are taken as opposed to the toothpaste. An ordinary biscuit with a toothpaste is stacked on top of the package, respectively. When we arrive at the friend to be joked, we put one in our mouth and then offer it to the friend. Naturally, Bööööoo will say what this biscuit is. You can say what happened without missing the situation and throw it for your requirements in the next normal biscuit. You can look at again and offer the next biscuit again.
LIKE A FAMOUS: You can record the name of a celebrity, old friend or cartoon character you love with your own number on your own relative's phone. So, you can call her early on the morning of April 1 or send a note and get confused.
1 APRIL JOKE FOR THOSE WHO WANT TO MARRY: Each time a man is by using his lover, he pretends to be prone from a high place. When his lover runs after him in wonder, he sees what's written on the bed he fell on. He writes on the bed as follows… Will you marry me?
CLASSIC COOKIE MEDIA JOKES : There are jokes manufactured in the crowd. Although these are classic jokes , let's speak about them. Three to four people get together, start walking in a crowded street, and when someone is met, the legs are lifted as when there is a rope in front of it, as if passing over it. Having too many people increases credibility. Or instead of rope, it's looked at at the same time frame by concentrating on a place somewhere as if there is something. Meanwhile, a person is assigned to observe the result of those people who are joking. It may also be looking upwards together, nonetheless it is really a well-known joke.
In 1564, the king of France IX. Charles got the start of the year on the 1st day of January. The start of the entire year, which was previously common in Europe, was 25 March. With the communication conditions at that time, this decision of Charles didn't spread much. Those that heard continued their old customs for protest purposes. On April 1, they held parties. Others called them April fools. They called April 1 the "fools day ".On today, they gave everyone surprise gifts, produced false news. Years later, when January was used to being the initial month of the entire year, the French continued April 1 by seeing it included in their culture. From there, it spread to depends upon as a laugh day.


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Maryland (15-12, 7-7 ACC) vs. Syracuse (25-2, 12-2 ACC)
Maryland takes on its sixth nationally ranked opponent of the season and third in four games Monday as it welcomes Syracuse to Comcast Center for a 7 p.m. tip on ESPN. It is the first and final regular season meeting between the teams as Atlantic Coast Conference foes.
Fans are encouraged to wear GOLD!
Watch: ESPN – Sean McDonough (Play-by-Play), Jay Bilas (Analyst), Jeannine Edwards (Sideline)
Listen: Terrapin Sports Radio Network – Johnny Holliday (Play-by-Play), Chris Knoche (Analyst), Walt Williams(Sideline); Sirius/XM 91
• The Terps are 5-2 all-time against the Orange in a series that dates back to 1972, when Tom McMillen scored 25 points and added 16 rebounds in an NIT victory at Madison Square Garden. This is the first non-tournament meeting between the teams, who have met twice in NCAA Tournament play.
• Maryland has fared well against AP top-5 teams in College Park, winning 34 of 85 meetings (40 percent). The Terrapins earned a pair of top-5 victories last season, defeating No. 2 Duke on two separate occasions — the last coming in the ACC Tournament quarterfinals, 83-74, on March 15, 2013.
• Junior Nick Faust gave the Terrapins a much-needed spark against Wake Forest last Tuesday, scoring a career-high 20 points on 4-of-7 shooting from 3-point range. On a night when Maryland struggled from the field, Faust sparked the team off the bench en route to a double-digit victory.
• Sophomore forward Charles Mitchell turned in his second consecutive 12-point scoring performance last Tuesday against Wake Forest, providing strong interior play for Maryland. Mitchell ranks sixth in the ACC in offensive rebounds (2.81/g) and sixth in rebounds among underclassmen (6.5/g).
• Maryland guard Nick Faust and preseason ACC Player of the Year, C.J. Fair, are childhood friends from Baltimore, Md.
Terps Power Past Wake Forest
Nick Faust scored a career-high 20 points, and Maryland defeated Wake Forest 71-60 Tuesday night to kick off a two-game homestand.
Faust, a junior guard, went 7 for 11 from the floor and sank four 3-pointers. Charles Mitchell contributed 12 points and Jake Layman added 11 for the Terrapins (15-12, 7-7 Atlantic Coast Conference).
Maryland has eight straight wins over Wake Forest, the longest run in a series that began in 1953 and will end after this season.
Travis McKie scored 16 for the Demon Deacons (14-12, 4-9) and Devin Thomas had 11 points and 15 rebounds. Wake Forest went 3 for 15 from 3-point range and 9 for 20 at the free throw line.
Scouting Syracuse
Syracuse (25-2, 12-2 ACC) has hit a bump in the road since opening the season 25-0 and climbing to the number one spot in the associated press national rankings. After a pair of close calls against Pittsburgh and NC State, the Orange finally dropped their first ACC game when they were knocked off by Boston College on Feb. 19. Syracuse then lost to Duke Saturday night, 66-60.
Featuring its patented 2-3 zone defense, Syracuse has caused trouble for opposing offenses all season. The Orange are fourth in the nation in forced turnovers (9.2/g) and 19th nationally in steals (8.3/g).
Freshman phenom Tyler Ennis leads the ACC in assists (5.7/g) and ranks sixth nationally in assist-to-turnover ratio (3.64). Preseason ACC Player of the Year C.J. Fair — a childhood friend of Nick Faust — is seventh in the conference with 16.5 points per game.
Too Faust, Too Furious
On a night when Dez Wells and Seth Allen combined for 4-of-18 shooting from the field, junior Nick Faust gave the Terrapins a much-needed lift off the bench in the win against Wake Forest last Tuesday.
Faust eclipsed the 20-point barrier for the first time in his career, pouring in 20 points on 7-of-11 shooting in the effort. The Baltimore, Md. native did it all for the Terps, knocking down four 3-pointers, grabbing five rebounds and also dishing four assists.
Maryland improved to 9-4 on the season when Faust scores at least 10 points in a game. The sixth man averages 11.1 points per game (45 percent shooting) in Terrapin victories, in contrast to 8.8 points (35 percent shooting) in losses.
A Series History: Syracuse
Tonight's contest marks the only non-tournament meeting in the short seven-game history between Maryland and Syracuse. The teams have met four times in postseason play — twice in the NCAA Tournament (1973, 2004) and twice in the NIT (1972, 2008).
Maryland holds a 5-2 advantage in the series, although its last win came in 1980. This will mark the seventh time in eight meetings that one of either Maryland or Syracuse appears in the national rankings.
The last meeting came on March 20, 2008, when the Orange came away with an 88-72 victory on 23 points from Jonny Flynn. James Gist had 23 points and 11 rebounds in the loss.
In the last NCAA Tournament meeting, Syracuse knocked off the No. 19 Terrapins in the second round on March 20, 2004 after nearly squandering a 16-point second half lead. See pg. 4 for a complete history.


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Pioneered Simple-swap and Remove ODD/HDD Slot Design (*optional)
The ingenious design of simple-swap and remove ODD/HDD slot brings more choices as well as opportunities for gamers. The swappable bay can take a DVD RW drive or swap for an additional 2TB HDD. Switching between massive storage and comprehensive media takes just seconds. Now customize your system for unprecedented flexibility!!
XSplit Gamecaster + Broadcaster: Cast Your Game Anytime Anywhere
Now set up the stage and share your greatest gaming moments with XSplit Gamecaster + Broadcaster! Fully optimized social media integration is ready for real-time chats—keeping you notified yet focused in the game. It takes just one click to stream your gameplay to Twitch. Host your game like a pro! The show starts wherever you flip open your P15!
TriDef® SmartCam | Custom Stream Modding
To facilitate being the full streaming solution each AORUS includes TriDef® SmartCam software, you are now able to remove backgrounds without the hassle of using a green screen. Through the SmartCam application you can now apply live filters, and fully control your background, not only while streaming, but also through other video applications such as Skype.
Re-live Your Games with Sound Blaster™ Cinema 2
Sound Blaster™ Cinema 2 includes professionally-tuned presets to deliver exceptional audio experiences. With SBX Surround, an improved surround algorithm expanding the virtual surround spaciousness, you are off to enjoy cinema-quality sound when on the move. SBX Dialog Plus enhances the voice quality for clearer dialog, allowing the listener to hear the dialog over the rest of the soundtrack and over ambient noise in the listening environment.
Array Microphone - Voice Chat Clarity and Quality
The P15 sound quality and clarity is upgraded with the newly added Array Mic feature. Now with the dual microphones, the Array Mic setup is able to enhance noise cancelation and voice accuracy by being able to differentiate voice chat from the laptop user and back ground noise. No matter if you're at a coffee shop, a LAN party, or in the comfort of your home, the microphone sound quality will remain consistent and crystal clear.
Flexikey - Take full control of your Keyboard
The Flexikey accommodates different style and approach from different gamers. The all-new feature now not only allows you to create customized macros or actions for each individual key on the keyboard and the external mouse, giving you the upper hand during gaming sessions. The Flexikey also records your key press frequency stats that helps you improve through each match, giving you a tactical advantage for victory.
Full-Sized Chiclet Keyboard
The full-sized chiclet keyboard creates snappy yet responsive typing experience for long-hour operation. The independent numeric keyboard brings desktop experience to your laptop, improving typing experiences while eliminating mistypes.
Unique Design: Lead the pack
The P15 features angular diamond lines in quality matte black finish, creating an all new unique design element. The outstanding design will definitely distinct you from the crowd either in any gatherings or your next LAN party.
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A common way to measure energy intensity is to look at the ratio of energy production and use to GDP. This is a better measure than per capita energy use because energy use is affected, to a large degree, by per capita income. Measuring energy production and use per unit of gross domestic product (GDP) controls for the effect of country income.
To measure energy intensity, we use a country's primary energy supply per unit of GDP. Primary energy supply refers to all energy produced within a nation in its raw form—crude oil, coal, hydro, raw natural gas, etc. Primary energy supply measures energy before it is transformed into the fuels we use (crude oil vs. gasoline, coal vs. electricity, etc.) and therefore includes energy used in conversions from one form to another (in power generation, for example). It also reflects all energy production, including energy that is supplied to export markets. But it does not include energy imported from other nations.
Increasing energy efficiency and reducing energy intensity should be a policy goal for Canada and its peer countries as a way to mitigate climate change and conserve energy. For a sustainable energy future, Canada must encourage economic activity and GDP growth that does not rely on increased energy consumption.
Canada's industrial structure, vast geography, and cold climate make it a highly energy-intensive country. Countries with more favorable economic and geographic conditions are generally less energy intensive than Canada. Canada's energy intensity also reflects our role as a significant energy exporter.
Canada ranks in last place out of 17 peer countries and earns a "D" grade for energy intensity. In 2009, Canadian primary energy supply was 0.25 tonnes of oil equivalent (toe) per US$1,000 GDP—significantly more than the peer country average of 0.15 toe. Primary energy supply in the top country, Ireland, was only 0.10 toe. The U.S. used 0.19 toe and receives a "C" grade.
Finland, the other "D" performer, is similar to Canada in that its industrial structure is highly energy intensive. In a review of Finland's environmental performance, the OECD noted Finland's prominence of energy intensive industries, such as pulp and paper, and steel.1
On a more positive note, Canada has reduced its energy intensity over the past few decades. Since 1971, energy intensity has fallen by 39 per cent. Ireland, the best performer on this indicator, decreased its energy intensity by 64 per cent over the same period. The U.S. managed a reduction of 54 per cent.
Still, compared with its peers, Canada has been a "D" performer for four decades. The U.S. moved up from a "D" to a "C" in the 1990s.
Use the drop-down menu to compare the change in Canada's energy intensity with that of its peer countries.
Ireland—this year's top performer—achieved a 64 per cent reduction in energy intensity between 1971 and 2009, and maintained lower energy intensity than Canada for four decades. As the most energy-efficient peer country, Ireland used 0.10 toe (tonnes of oil equivalent) per US$1,000 of GDP in 2009. A review of Ireland's environmental performance by the OECD said the country's reduction in energy intensity was closely linked to three factors:
1 OECD, OECD Environmental Performance Reviews: Finland 2009 (Paris: OECD, 2009), 51.
2 OECD, OECD Environmental Performance Reviews: Ireland 2009 (Paris: OECD, 2009), 145–46 and 159.
Total primary energy supply per unit of gross domestic product (GDP), measured by tonnes of oil equivalent (toe) per US$1,000 GDP.
Please note:
The data on this page are current as of January 2013.


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Out Now:
Here it is - the latest edition of The Front Row, our exclusive online e-magazine with a full wrap on last weekend's NRL and Super League along with the match programme for the coming round!
In this week's edition Paul Jobber has a piece on the future of Kurt Mann at the Knights in light of the recent signing of five-eighth Blake Green.
On top of that there's info on the COVID protocol breaches in recent weeks, our legendary crossword and word jumbles, along with all the regular features wrapping last weekend's action and your full match programme for NRL Round 14 and Super League Round 9.
Guest, click here to read online or download your free PDF copy
Coronavirus and NRL
Discussion in 'NRL' started by Knight76, Mar 2, 2020.
Page 310 of 328
Page 310 of 328


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