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Aly Raisman finished the Olympics in style.
The U.S. captain matched Gabby Douglas in gold medals, winning the title on floor exercise Tuesday. Add in the bronze on balance beam from earlier in the day, and she becomes the most decorated of the Fierce Five.
"It definitely went better than I thought it would," Raisman said.
Good thing Raisman did so well because the rest of the Americans came up empty-handed. Douglas had another rough day, finishing seventh on balance beam after a fall. World champion Jordyn Wieber, voted most likely to leave the Olympics with the biggest haul, was seventh on floor and finishes without any individual medals.
Danell Leyva and Jonathan Horton were fifth and sixth, respectively, on high bar, leaving the U.S. men with only Leyva's all-around bronze.
"I'm so happy, going home with two Olympic gold medals and a couple of titles under my belt," Douglas said. "I'm so happy for Aly, she deserves to be up on that podium."
Raisman may not have Douglas' bubbly personality or Wieber's resume, but she is prized her for her steadiness, and that consistency paid off big in London.
Energized by her surprise bronze on beam, Raisman's floor routine had an extra spark. Her tumbling passes were some of the most difficult, and she got such great height on them you could have parked a double-decker bus beneath her. Her landings were not only secure, one was so powerful it practically shook the floor.
Coach Mihai Brestyan was hopping up and down and pumping his fist as she finished, and even Raisman was impressed with herself, mouthing "wow" after she saluted the judges. When her score, a 15.6, was posted, teammate McKayla Maroney yelled "whoa!" so loudly from the stands it could be heard across the arena.
"I felt like I had nothing to lose," Raisman said. "It was going to be my last memory for London, so I just wanted to make it count and enjoy it."
Five gymnasts followed her, but none came close. When reigning Olympic champion Sandra Izbasa landed her final tumbling run on her head, Raisman let herself exhale. And smile.
It was the first Olympic gold on floor for a U.S. woman.
"It was definitely the best floor routine that I've ever done," Raisman said. "To have it be at the Olympic Games, in the finals, is just really amazing and just a dream come true. That's what you work for your whole life."
Catalina Ponor, the 2004 champion on floor, won the silver. Aliya Mustafina of Russia got the bronze, her fourth medal of the Olympics.
Deng Linlin won the gold on balance beam, upstaging teammate and reigning world champion Sui Lu. It was the second gold of the day for the Chinese, following Feng Zhe's title on parallel bars. Epke Zonderland won gold on high bar, the first medal for a Dutch man and only the second Olympic medal overall for the Netherlands in the sport.
Raisman had just missed a medal in the all-around, finishing with the same score as Mustafina but dropping to fourth on a tiebreak.
But she was on the right end of the rules earlier Tuesday, bumping Ponor down to the bronze on balance beam.
"It's a huge payback," Brestyan said. "She was a little bit disappointed after the all around. It takes us two days to put her head back and it was hard work, but she stood up and today it was exactly what she was waiting for."
Raisman initially finished fourth with a score of 14.966. But she questioned it, and judges added an extra tenth to her routine's difficulty after a review. That gave her and Ponor identical scores of 15.066, but Raisman got the bronze because her execution score was higher.
"A gold medal is a gold medal, but I definitely felt like (beam) was redemption from the other night in the all-around," Raisman said. "I was in the same exact position, but it went in my favor this time."
Not so much for Douglas in the event finals.
Douglas' life has been a whirlwind since she won the all-around title last week, with media wanting a piece of her and celebs flooding her Twitter timeline, eager to be her new BFF. There was training to fit in, too, with finals on both uneven bars and balance beam. She admitted after Monday's lackluster showing on bars — she was last — that it was all catching up with her.
"I'm definitely not going to lie. It was definitely hard to regain your focus," Douglas said. "You're like, 'Yes, I'm the Olympic champion. I'm a world champion.' It's definitely kind of hard to turn the chapter for event finals."
It wasn't a lack of energy that cost her Tuesday — it was a misplaced foot. Her right foot could only brush the beam as she landed on a leap, and she had no chance to save herself. As the crowd gasped, she fell onto the beam in a straddle, hanging on tight as she swung partly underneath.
Still, she leaves the Olympics without complaint.
"Olympic all-around champion is going to be attached to my name," said Douglas, the first African-American to win the all-around title. "Life is going to be crazy for me. Even though we had a very bad ending of the chapter, the beginning was very strong."
On parallel bars, Feng gave the Chinese men their third gymnastics gold medal, following the team competition and Zou Kai's win on floor exercise. And they may not be finished, with Zou still to come on high bar, where he is the reigning world and Olympic champion.
Feng flashed a thumbs-up as he walked out for the medals ceremony, and planted a big kiss on the gold after he got it.
Germany's Marcel Nguyen was second, adding another silver to one from the men's all-around. Hamilton Sabot of France won the bronze.
Feng's routine was filled with intricate combinations, yet he did them with the precision of an artist and the rhythm of a musician. He held his handstands for what seemed like forever, looking like a statue, and there wasn't even the slightest hesitation as he went from one skill straight into another.
He hit the mat with a thud on his dismount and was pumping his fists even before he stood upright. He threw a roundhouse punch as he trotted off the podium, and his coach wrapped him in a big hug, pounding his back. When his score of 15.966 was posted, Feng, the 2010 world champion on parallel bars, nodded.
There were still six gymnasts to come, but it would take something pretty special to top Feng. And no one came close.
Nguyen's routine was impressive, but the European champion took a hop forward on his dismount and needed to windmill his arms to steady himself.
Zonderland has long been one of the world's best on high bar, his routine better than any circus act, and all that was missing was an Olympic medal. No longer.
He opened his routine with three straight release moves, not even pausing to catch his breath before tossing himself high into the air again. It's high risk, high reward, and the crowd loved it, oohing and aahing as he flew so high he could have waved into the overhead camera.
He was a blur as he pirouetted on the bar, yet never looked as if he was on the verge of going out of control.
When he hit the mat, he let out a roar. American Jonathan Horton, up next, could only laugh and shake his head, knowing there was no way he — or anyone — could top that show.
He was right, with Zonderland scoring a 16.533 — a number not usually seen outside the vault. Zonderland broke into a grin when he saw the mark and pointed at the scoreboard.
It was the Netherlands' first gymnastics medal since 1928, when the women's team won gold.
"It's unique to be in an Olympic final if you're a Dutch gymnast, but winning the gold is bizarre," Zonderland said. "I worked so long to achieve a result like this. This is amazing."


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This week—fuelling rumours of a massive bust-up—Colin is joined by none-other-than his mirror image, Nick Clark of Flight Coffee (NZ is the Ireland of the Southern Hemisphere, get it?), as they discuss everything from Nick's humble beginnings as an NZ milkmaid to Flight's future plans.
During this delightful romp through Nick's coffee career, the pair cover the difference between the NZ and AUS coffee cultures, the biggest mistake you can make when you finally branch out on your own, and all about what it means to be labelled a "hipster café". Also: what it's like to do business with your best mate, consumer confusion about coffee roasters, and the ever-popular #coffeewormhole.
Listen here! http://www.tampertantrum.com/episode-the-38th/
This podcast is brought to you with the kind support of Nuova Simonelli (http://www.nuovasimonelli.it/en/)--thank you!

subset: commoncrawl


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The Flowers from Hell are :
According to their myspace : the Flowers Of Hell are a London based 10 person collective encompassing side players for British Sea Power, The Tindersticks and The Early Years, with guest involvement from members of Death In Vegas and Spacemen 3. The group mix orchestral instruments with drones and twangy guitars, creating a sound which is reminiscent of The Velvet Underground & Nico and early Spiritualized, mixed with a classical twist.
Produced by Tim Holmes of Death In Vegas at the Contino Rooms, their self titled debut album comes via Earworm Records and follows a trio of releases for the Shifty Disco label's singles club in 2005. Sonic Boom of Spacemen 3/Spectrum/E.A.R. collaborated with the group on 'Through The F Hole ' and mentored the band during the recording of the album. For mastering, the group tracked down Denis Blackham who's credits include Kraftwerk's 'Autobahn ' and classic releases from Elvis, The Who, Led Zeppelin, & T Rex.
Notable shows over the past year have included supporting The Telescopes, supporting Slipstream (a Spacemen 3/Spiritualized spin off group), playing the ICA, having Jan Muchow of Ecstasy Of St Theresa sit in on bass for a Prague show, and playing a nuclear bomb shelter under a castle in Slovakia as part of an Eastern European tour done while warming up for recording the album.
Other forthcoming releases from The Flowers Of Hell include a version of the Jesus & Mary Chain's 'Darklands ' for Club AC30's Never Lose That Feeling covers compilation series and a track on Northern Star Records 'Psychedelica 2 ' compilation.


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A decision has been reached.
After almost a decade battling in court, a California judge made a ruling in the federal case between the estates of Anna Nicole Smith and her late ex-husband, J. Howard Marshall II, on Wednesday, reports Forbes.
Judge David O. Carter ruled Marshall's late son, Pierce, to be sanctioned for using delaying tactics throughout the case, meaning Smith's estate could receive close to $49 million.
U.S. & World
WATCH: Larry Birkhead discusses Dannielynn's modeling career
So who would stand to get the potentially massive chunk of change? Smith's only surviving child, 6-year-old daughter Dannielynn.
While the amount of damages that Smith's daughter will receive has not yet be finalized, an Aug. 13 hearing has been set.
PHOTOS: Growing up in Anna Nicole Smith's shadow--see her daughter's story


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Answered By: Jessica Maris Last Updated: May 13, 2015 Views: 29
The LRC Suite A is located on the top floor of the Learning resources building. You can take the outside elevator or the outside stairs up and then enter through the glass doors. Suite A is in the north west corner, you should see a hanging sign directing you to where its located.
Please see attached Map
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We're just hours away from tonight's friendly between the LA Galaxy and Real Madrid so here are a few links and reminders ahead of tonight's clash.
Fans are encouraged to arrive early to the match due to the massive crowds expected.
Before heading to The HDC, remember to check out my Three Points to the game.
For more coverage on the match check out LAGalaxy.com's Match Report.
PREDICTED LINEUP vs. Real Madrid: GK: Saunders; RB: DeLaGarza, CB: Gonzalez, CB: Lopes; LB: Gaul; RM: Franklin, CM: Juninho, CM: Beckham, LM: Magee; F: Donovan, F: Keane


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Haven't found anything yet?
Kids will love this wallpaper border - fantastic colours and beautiful motifs will transform playrooms into a place of fun and action. Therefore, the Esprit Kids wallpaper border 2193-12 can be perfectly used to create an inspiring adventure atmosphere. Due to the wallpaper border's flower motif in cream white, rose, pink and grey it is possible to build up thematic room concepts that will fascinate boys and girls at the same time. In addition, the Esprit Kids wallpaper border has excellent material characteristics. The wallpaper border is highly washable, dry strippable and has a good lightfastness


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Version: 245.0.0.39.118
File size: 51.67MB
Requires: Android 4.0+
Package Name: com.facebook.katana
Developer: Facebook
Facebook is one of Most Popular Social Networking. You can connect your friends, chat, make a phone call, video call, keep update with your friends, your family every minutes.
Some android apps from Facebook facebook official: Messenger, Facebook Lite, Facebook Pages Manager, Stickered for Messenger ...
Keeping up with friends is faster than ever.
• See what friends are up to
• Share updates, photos and videos
• Get notified when friends like and comment on your posts
• Play games and use your favorite apps


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Riello Power Systems and RWE win the prestigious " Deutschen award Rechenzentrumspreis "
Munich - Bavaria, 25. Aprile 2018 - The innovative solution of uninterruptible power supplies (UPS) presented by Riello and RWE convinced the jury of experts
Riello Power Systems (the German subsidiary of Riello UPS) and its partner and customer RWE Supply & Trading received the first prize in the " Datacenter- Energietechnik " category ( Energy Solutions for Data Centers) of the prestigious Deutsche n Rechenzentrumspreis es (DRZP) , the "Oscars" of the Data Canter . The award was presented during the gala evening of April 24 organized in conjunction with the conference "future thinking", Darmstadt.
The uninterruptible power supply "Riello Master +", developed by a synergy between both companies was awarded as the innovative product. Improve the quality and safety of the data center power supply and at the same time reduce installation and operating costs - these were the goals of Riello and RWE at the "Future thinking " of Darmstadt . The two companies presented a new generation of uninterruptible power supplies ( UPS ) at the Data Center congress , in which the energy stored in the batteries can be marketed actively in the electricity grid .
"We have combined our expertise to develop an innovative UPS solution", s i congratulates Dr. Hans-Günter Schwarz, who for RWE Supply & Trading is involved in the development of new business models and deals with the introduction to the new market product . Dr. Schwarz continues : "Our system defines a new market reference for our customers as it reduces initial investment costs and running costs, while simultaneously increasing the reliability and quality of the power supply. "
Currently in each Computing Center or Data Center are installed UPS that uses no batteries as an energy reserve to be used in case of power failure, but fortunately it happens rarely . This means that UPS and batteries are used very little . This leads to an operational inefficiency to which we must add that often the functionality of the batteries is not checked as much as it should be with consequent reduction of the reliability of the whole system . RWE offers to the industry the opportunity to sell the 'accumulated energy in batteries connected to the UPS, in the electricity market regulation. This energy capacity can be used to manage imnbalance between demand and energy supply from renewable sources (PV, wind). Today, intelligent UPS systems, decentralized on the territory , can collaborate with large power plants to the stability of the electricity network both for transposition and distribution.
The customer who chooses this solution has multiple advantages: "It uses a UPS system and" Premium " type batteries , with an oversized accumulation capacity (that can be eventually use as extended time on battery mode) and an integrated battery supervision system (BMS) ", explains Ing. Luca Buscherini, Riello UPS marketing director "but at the same time costs are lower than a UPS-conventional battery system, as RWE takes charge of a part of the initial investment and the battery operating costs" Dr. Schwarz continues . The reliability of the 'whole system" increase because the batteries and the' UPS are continuosly tested and overviewed.


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New Hanover County settles with man who was stunned on funeral day
New Hanover County has reached a settlement with the family of a pallbearer who was zapped with a stun gun as he helped load his father's coffin into a hearse.
The StarNews of Wilmington reports the incident happened five years ago. The case has now been settled for $80,000. The payment comes from the county's insurance company.
The incident happened when deputies showed up to arrest Gladwyn Taft Russ III at his father's funeral on an outstanding warrant for making threats against his estranged wife. Authorities say he had earlier refused to turn himself in.
Sheriff's officials say the plan called for deputies to arrest Russ immediately after the funeral. But they said a miscommunication led deputies to make the arrest earlier and Russ was stunned.


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We are looking forward to finally getting our mitts on Gamepark Holding's latest does-it-all open source handheld console, the GP2X Wiz, which the company has now confirmed will be releasing in Europe in March.
"The release date has been changed and fixed from February 22, 2009 to March 5, 2009," the company informs TechRadar this week.
First impressions
TechRadar will be getting hold of a review sample of the GP2X Wiz in February, so once we have stopped fighting over who gets to take it home we will be sure to bring you our detailed first impressions of the latest handheld console on the block.
Pricing is yet to be confirmed, as we are told that "the release price will be changed to the euro currency, so we will inform you about the fixed release price later."
Watch out for more on this in the coming weeks, as well as a new, dedicated website for downloads, through which GP2X Wiz developers will be able to make commercial games available.
For more background, check out our interview with a GP2X developer from last year and for the detailed spec, check out T3's handy compare and contrast feature.


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Step #2 - Contact the Right Person!
Get your name on the ballot. Each campus is going to have a slightly different process for selecting the two nominees. So make sure you are in contact with the right person.
- check out our campus contact page
- speak with your student governance leader
- get support from your campus chancellor/director


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Hyundai Tucson Price in Dhule
Hyundai Tucson On Road Price in Dhule August 2020
|On Road Price
|Tucson 2.0 AT GL Opt
|Rs. 26.31 Lakh
|Tucson GLS AT
|Rs. 27.74 Lakh
|Tucson GL Opt Diesel AT
|Rs. 29.19 Lakh
|Tucson GLS Diesel AT
|Rs. 30.63 Lakh
|Tucson GLS 4WD Diesel AT
|Rs. 32.37 Lakh
Hyundai Tucson On Road Price in DhuleChange
2.0 AT GL Opt (Petrol) Ex-Showroom PriceDhule Rs. 22.3 Lakh RTO + Road Tax + Others Rs. 2.89 Lakh Insurance Rs. 1,11,700 On-Road Price Dhule Rs. 26.31 Lakh
GLS AT (Petrol) Ex-Showroom PriceDhule Rs. 23.52 Lakh RTO + Road Tax + Others Rs. 3.05 Lakh Insurance Rs. 1,16,272 On-Road Price Dhule Rs. 27.74 Lakh
GL Opt Diesel AT (Diesel) Ex-Showroom PriceDhule Rs. 24.35 Lakh RTO + Road Tax + Others Rs. 3.65 Lakh Insurance Rs. 1,19,382 On-Road Price Dhule Rs. 29.19 Lakh
GLS Diesel AT (Diesel) Ex-Showroom PriceDhule Rs. 25.56 Lakh RTO + Road Tax + Others Rs. 3.83 Lakh Insurance Rs. 1,23,917 On-Road Price Dhule Rs. 30.63 Lakh
GLS 4WD Diesel AT (Diesel) Ex-Showroom PriceDhule Rs. 27.03 Lakh RTO + Road Tax + Others Rs. 4.05 Lakh Insurance Rs. 1,29,426 On-Road Price Dhule Rs. 32.37 Lakh
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Hyundai Dealer Showrooms in Dhule
Navkar HyundaiS No 503,Plot No 6, Mumbai Agra Highway, Mohadi Upna, Opp Mseb Sub Station, Dhule, Maharashtra 424006Phone : 2562-661900, 9168695948 Phone : 2562-661900, 9168695948Email : firstname.lastname@example.com, firstname.lastname@example.com
Hyundai Tucson Overview
Must Read Questions & Answers Before Buying Tucson
- No, there is no 360-degree camera in Hyundai Tucson 2020.
- No, Hyundai Tucson 2020 gets a bigger grill like old Creta.
- Both the cars are of different segments and come under different price ranges too. The Hyundai Creta is clearly an impressive compact SUV. It is spacious, comfortable, loaded with features, easy to drive and offered with powerful petrol and diesel engine options. Compared to the old car, it is a huge upgrade, both in terms of drive and feel. It does have some shortcomings like the polarising design or the lack of features like front parking sensors and telescopic adjust for the steering. But other than that, it is hard to fault the Hyundai Creta and it comes across as a well rounded product. On the other hand, the updated BS6 drivetrains and the diesel gets a new 8-speed automatic. Features are now up to date with the rest of the Hyundai lineup with a panoramic sunroof, new infotainment and connected car tech. Petrol variants are cheaper than before. The Hyundai Tucson continues to be a great all-round, mid sized, urban SUV that's even a worthy upgrade from smaller SUVs like the Brezza, Nexon or even the Creta. You may compare both the cars according to their variants too. Do take a test drive in order to get better clarity. Check out authorised dealership details.
- Yes, GLS 4WD Diesel AT in Tucson 2020 is the only variant that offers a 4WD drive type.
- Hyundai Tucson 2020 is powered by BS6-compliant 2.0-litre petrol and diesel engines. While the petrol engine continues to come mated to a 6-speed AT, the diesel unit gets a new 8-speed automatic transmission option instead of the 6-speed AT in the pre-facelift model. The petrol engine produces 152PS and 192Nm, while the output of the diesel unit stands at 185PS and 400Nm.
- Hyundai Tucson 2020 has just recently launched so we haven't tested it in real-life conditions. So it would be too early to give any verdict on mileage. Rest, we would suggest you to wait for the next update.
Hyundai Tucson Price FAQs
What is the ex-showroom price of the top petrol variant of Hyundai Tucson in Dhule?
The ex-showroom price of the top petrol variant of Hyundai Tucson is 23.52 Lakh.
What is the ex-showroom price of the top diesel variant of Hyundai Tucson in Dhule?
The ex-showroom price of the top diesel variant of Hyundai Tucson is 27.03 Lakh.
What is the insurance cost of the Hyundai Tucson in Dhule?
The insurance cost of the base variant of Hyundai Tucson in Dhule is Rs. 1,11,700.
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Disclaimer : The data/calculations generated herein is completely and solely based on the information/details provided herein in response to the questions specified by Girnar Software Pvt. Ltd. on its ZigWheels.com Site is only for user's convenience and information purposes in Indian Currency.Read More
Girnar Software Pvt. Ltd. does not guarantee accuracy, completeness or correct sequence of any the details provided therein and therefore no reliance should be placed by the user for any purpose whatsoever on the information contained / data generated herein or on its completeness / accuracy. The use of any information set out is entirely at the User's own risk. User should exercise due care and caution (including if necessary, obtaining of advise of tax/ legal/ accounting/ financial/ other professionals) prior to taking of any decision, acting or omitting to act, on the basis of the information contained / data generated herein. Girnar Software Pvt. Ltd. does not undertake any liability or responsibility to update any data. No claim (whether in contract, tort (including negligence) or otherwise) shall arise out of or in connection with the services against Girnar Software Pvt. Ltd. Neither Girnar Software Pvt. Ltd. nor any of its agents or licensors or group companies shall be liable to user/ any third party, for any direct, indirect, incidental, special or consequential loss or damages (including, without limitation for loss of profit, business opportunity or loss of goodwill) whatsoever, whether in contract, tort, misrepresentation or otherwise arising from the use of these tools/ information contained / data generated herein.Read Less


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Is there a fix for this bug ? My app wont run. Or should I wait for a next release (still suck in 4.0.7 maybe for ever ...).
Did you realize, since the Ext 4.0.7 (slow version, with lot of bugs on scrollbars...), you made 3 releases, and none work with my app ? I spend lot of time tweaking my app in order to run with new releases but each time I never get something working. For this last release I can't even display anything (with the bug describe by jvdwiel). Each time there is a good reason but, the result is I can do anything with my app, I can deploy in production. I can run it on Explorer.
You should create a big demo application with ExtJS 4. I'll help you to test each release, before send it to all users. With my app it takes 5 mintutes to see there a major bug and should be fix before send the release. A big demo with source code will also help new user to see best practice.
Thanks for the link.
I don't have time to spend looking around all forum bugs. There is no official fix for this one. I have no more time to spend, on beta releases. I think I'll wait for a 4.1 release or 4.1.x stable release.
just tested if for 4.1.0 theming works without any workarounds, by changing in sass file in examples/panel/bubble-panel. And again doesn't work, disappointing. How many releases will be to have theming working without bugs and workarounds !!!
When I was checking the roadmap I see u write Right To Left Support, does it suppot ver 4.1 RTL !?
thank you
We have just refreshed the Ext JS 4.1 beta 2 build in our download site to expose one of our internal tools: the Page Analyzer tool. This Page Analyzer tool can help review application performance and is particular useful in identifying duplicated layout processes.
The MD5 of the refreshed beta 2 build is: 1489824ebbcdf701922909bb99e543b2
More details on how to use the Page Analyzer tool will come in about 2 weeks.
For those who are eager to try now, launch the page-analyzer page in the examples folder: examples/page-analyzer/page-analyzer.html, enter the application URL of the application into the Test URL box and hit the Load button. If you see the red "Disconnected" string changes to green "Ready", the page analyzer is connected to the application and you can see some results from the tool.
Edmund Leung
Sencha Product Management


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Thursday 21st February 2013
|Text too small?
Finished wood products manufacturer Tenon says it's on the cusp of profitability as the prolonged slump in the US housing market comes to an end, but its cost-cutting and efficiency investments in New Zealand have been completely eroded by the high kiwi dollar.
Tenon reported a reduced US$2 million loss in the six months to Dec. 31, down from US$6 million the year before. The company turned to positive earnings on an earnings before interest, tax, depreciation and amortisation basis, reporting a US$1 million surplus for the period from a US$2 million loss in the same period last year.
"The big picture environment for Tenon is now changing," said chairman Luke Moriarty and chief operating officer Tony Johnston in a statement to the NZX. "The US housing cycle is at last turning in our favour."
This "pre-recovery" was so far only affecting housing starts rather than the renovation market and the pick-up would be "a little bumpy", but "it appears clear now that we are heading out of the deep cycle trough that has plagued the industry for too many years now."
Tenon boasts substantial penetration of major US hardware and renovation chains, but has suffered in a historic seven year slump in US housing activity since the sub-prime debt crisis, which preceded the full-blown global financial crisis.
It expects the strong upturn in activity, which is already affecting sales, tightening supply chains and raising input prices, to become more apparent in the next six months, and the company's share price has lifted around 57 percent in the last six months. Directors upgraded their outlook for the sector last November.
Tenon shares closed at $1.02 yesterday, down on a recent 12 month high of $1.11, although a report by independent research house Edison suggested a fair value range of $1.79 to $2.05. The company would be "addressing this issue further as the year continues."
However, it is giving no specific earnings guidance, beyond saying "our expectation is that the company's North American financial performance in the second six months of the year will comfortably surpass that recorded for the six months just completed."
Tenon believes that under future mid-cycle conditions and assuming a 70 US cents exchange rate, the company is capable of producing ebitda of $35 million a year.
"The frustratingly strong and strengthening NZ/US dollar cross-rate and resolution to the US fiscal cliff issue (are) the two immediate factors that could chart a significantly different course than we currently anticipate."
At balance date, the kiwi dollar cross rate was at 82 US cents and had risen beyond that since.
"Internally, we think of this adverse currency movement as representing a 5 percent gross profit margin decline in the profitability of our New Zealand manufacturing activities, which we must make up with further cost-out initiatives across the group.
Gains from a $5 million profit improvement initiative at its Taupo manufacturing plant last year "have now effectively been 'stolen' by the strengthening New Zealand currency."
Total revenues were up 7.4 percent to US$174 million in the period, with growth in sales volumes and margins in key US sectors, while product from Taupo was also shipping to European and Chinese markets, and efforts to tap the Australian market ramped up during the period.
Debt on the balance sheet at US$44 million was down from the one-time peak of US$90 million, but was unlikely to fall further as the company requires additional working capital to meet anticipated sales growth and to help fund acquisitions yet to be identified in the Chinese and US markets to accelerate growth.
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CBS has given a pilot order to a multi-camera comedy from Ben Affleck and Matt Damon, TVGuide.com has learned.
More Time with Family stars Behind the Candelabra's Tom Papa as a husband and father making a career change to, well, spend more time with his family.
Damon and Affleck will executive-produce the project with writers Papa and 'Til Death's John Goldsmith and Cathy Yuspa. Dave Becky and Josh Lieberman are also attached as executive producers.
Would you watch this comedy?
(Full disclosure: TVGuide.com is owned by CBS.)


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The Berlin Wall divided Germany's present-day capital for 28 years. Today, you need a helping hand to explore the history of the former border installations and to find what remains of them. One of the best ways is by bike.
Travelling along the Berlin Wall Trail, the traces of Cold War tensions are never too far away. Much of the trail runs on border patrol paths in the west (Zollwege) and their equivalents in the east (Kolonnenwege). You cycle through the city centre, past the museums, memorial sites and the last remaining watchtowers, and along the old border outside the city. This mix of nature and dramatic history means the Berlin Wall Trail offers the best of both worlds. It is a themed city tour and scenic route rolled into one.
Terrain: signposted from beginning to end and largely traffic-free beyond the city limits. The cycle paths are mostly flat and asphalt; some sections are surfaced with crushed brick/stone or concrete.
Scenery: city sights and sounds in the Berlin metropolitan area, followed by quieter, scenic stretches in leafy surroundings or by the water. Numerous sections where fragments of the wall remain or its history can be traced.
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Rome Sweet Rome, the story about a gaggle of U.S. Marines who find themselves transported back in time and pitted against the might of Rome, started out as a question on Reddit: "Could I destroy the entire Roman Empire during the reign of Augustus if I traveled back in time with a modern U.S. Marine infantry battalion or MEU?" This question sparked James Erwin's story and garnered a crap load of readers.
As we reported back in 2011, the furor caught the eye of Warner Bros., and eventually the studio snapped up the story idea. And now, the studio has announced via Variety that Apollo 18 screenwriter Brian Miller has been hired to rework Erwin's original screenplay. Which means this may actually become a movie! According to Variety, the Marines have been swapped out with US Special Forces, and the studio is tagging it as 300 meets Black Hawk Down.
Read the original Rome, Sweet Rome saga over on Reddit.
Image via Prufrock451.


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Can I adjust the sound level the shutter release makes?
This model has a true Focal Plane Shutter so the sound you are hearing is the actual sound of the shutter physically opening and closing. It is not possible to alter the volume of the shutter sound.
When recording movies I can hear the sound of the lens focusing, how can I reduce this sound?
When recording sound in a movie, the sound made by the lens and camera operating may be recorded. This is due to the proximity of the microphone to the lens. If desired, you can reduce these sounds by shooting with [AF Mode] set to [S-AF], or by limiting the amount of times you press the buttons. If your camera has the ability to use an external microphone this would allow you to extend the microphone away from the lens. If you are using a non-MSC lens, you may want to consider a lens with this type of mechanism which is near silent during AF operation.
When recording sound in a movie, the sound made by the lens and camera operating may be recorded. This is due to the proximity of the microphone to the lens. If desired, you can reduce these sounds by shooting with [AF Mode] set to [S-AF], or by limiting the amount of times you press the buttons. If your camera has the ability to use an external microphone this would allow you to extend the microphone away from the lens. If you are using a non-MSC lens, you may want to consider a lens with this type of mechanism which is near silent during AF operation.
What are the main features of the E-PL3?
The OLYMPUS PEN E-PL3 is tailor-made for people who live active lives online and offline. It blends the high-quality imaging of a digital single-lens reflex (DSLR) camera with High Definition (HD) video capture, stereo Linear PCM audio recording and creative in-camera multimedia tools into an ultra-compact, yet stylish body. No longer must you choose between powerful and portable; the E-PL3 will make you re-think what a small camera can do.
The E-PL3 showcases the best technologies of the acclaimed PEN Digital series -- a 12.3-megapixel Live MOS image sensor; 35-point autofocus (AF) system; intuitive, Live Control operation; in-camera image stabilization; the proven Supersonic Wave Filter (SSWF�) dust-reduction system; creativity-boosting Art Filters that can be applied to still images and movies alike; and a 3-inch, color, LCD screen -- and efficiently packages them all into a miniature frame.
The E-PL3's accessory port accommodates the FL-LM1 external flash (included) as well as the following optional accessories: VF-1 optical viewfinder, VF-2 and VF-3 electronic viewfinders, SEMA-1 external microphone adapter, MAL-1 Macro Arm Light, PP-1 PENPAL Bluetooth adapter and the FL-300R, FL-50R, FL-36R and FL-14 external flashes.
In addition, the Imager AF Live View autofocus system features continuous autofocus (C-AF) tracking and AF target registration. You can lock your subject into focus, and the camera will constantly adjust focus and exposure on your subject to compensate for your or your subject's motion. This mode helps you to keep fast-moving and unpredictable subjects in focus � from left to right and from back to front � automatically.
In the iAUTO mode, the E-PL3 offers Live Guide, which uses sliders displayed on the LCD screen to apply exposure controls that demonstrate the effect of the controls on the LCD before a photo is taken.
The E-PL3 also includes a new picture mode called iEnhance that automatically selects the correct exposure settings for subjects such as close-ups, sports and action scenes, landscapes, portraits and night scenes, and then applies additional adjustments to color or contrast, as needed, to make good images exceptional.
The E-PL3 also offers 6 Art Filters -- which automatically process images using special effects -- and a Scene mode that automatically applies the ideal camera settings for specific shooting scenarios. Just choose one of the 23 available scenes, and the camera instantly becomes optimized for the shot.
The E-PL3�s manual movie mode allows for independent control of aperture and shutter for expanded creative control. This fine control allows you to express your vision exactly how you want in your HD videos. It also allows you to apply Art Filters as you shoot so you can easily create movies with artistic effects.
Once you�ve captured your works of art, seamlessly mix your still images and videos in-camera to create a multimedia slideshow. Dub in one of the available background music options to provide a soundtrack for your cinematic creation, and play it back in the camera or on any television (A/V cable included; Mini HDMI Type C cable sold separately). When connected to an HDTV, you can use the television�s remote to navigate camera menus and perform playback operations by activating HDMI CONTROL.
Finally, like all of Olympus� PEN digital cameras, the E-PL3 supports all Micro Four Thirds-compliant lenses natively. With the addition of optional lens mount adapters it can also support Olympus� Four Thirds-compliant E-System lenses and OM-series film lenses � as well as legacy lenses from a variety of manufacturers. No matter which lens you choose, the E-PL3�s in-body image stabilization ensures you�ll have Olympus� best anti-blur protection.
Where can I find the documentation for this camera?
The E-PL3 is packaged with a printed Basic Manual and an electronic copy of the detailed Instruction Manual, which is located on the CD-ROM bundled with the camera. The detailed Instruction Manual can also be downloaded in Adobe PDF format by clicking here.
Adobe Reader� is required to view PDF files. The software is available as a free download from Adobe's web site.
The printed instruction manual refers me to a page that does not exist or does not address the topic I am trying to find. Why?
This camera is packaged with both a paperbound manual, which presents an overview of basic operations, and a complete, detailed instruction manual, which describes all functions.
Some of the topics introduced in the basic manual are explained in more detail in the full instruction manual. In cases such as these, the basic manual references the page(s) in the detailed instruction manual where the information can be found.
The detailed documentation is stored in Adobe PDF format on the CD-ROM packaged with the camera. It can also be downloaded by clicking here.
Adobe Reader� software is required to view PDF files. The software is available as a free download from Adobe's web site.
What types of memory cards can be used with the E-PL3?
The E-PL3 accepts SD media, including SD, SDHC and SDXC cards, in capacities ranging from 128 MB to 64 GB. It supports the SD speed class and the UHS-1 speed class, and it is Wi-Fi compatible when used with an optional Eye-Fi� card.
When shooting HD movies, please use a card with an SD speed class of 6 or higher or a UHS-1 speed class.
The E-PL3 does not accept xD-Picture Card media or CompactFlash� cards.
Memory cards are optional accessories and must be purchased separately. Olympus does not manufacture memory media. For a list of memory cards that have been tested and are known to be compatible with the E-PL3, please click here.
Is the E-PL3 splashproof?
No, the camera is not designed to be used in extreme environmental conditions. The Olympus E-5 would be more appropriate for use in severe conditions.
The E-PL3 features Live View. What is it and how does it work?
Live View is the technology that allows you to use the LCD screen to compose shots or to shoot while viewing an enlarged display on the monitor.
Live View uses the Imager AF system to secure focus. Using IMAGER AF, autofocus is acquired via contrast detection. The camera searches 35 AF targets to find the one that contains the greatest contrast and then focuses on it. Typically, this will identify the subject nearest to the lens.
The shooting sequence is as follows:
While in Live View the same functions of the shutter button can be used by tapping the desired subject on the screen. The camera will autofocus on that subject and trip the shutter.
IMAGER AF can only be used with Micro Four Thirds system lenses and Four Thirds system digital lenses that have compatible firmware.1
It is possible to pre-select a specific AF target. Doing so reduces shutter lag2 because the camera does not need to search for a subject in all AF targets. When selecting an AF target, choose one that contains an area of contrast. If the camera is unable to detect contrast (e.g., if the selected AF target is facing a stark white wall), it may not be able to take a picture.
To select a specific AF target, use the AF AREA function, which is accessible from the menu and the Super Control Panel. (The Custom menus and the Super Control Panel are not displayed by default; the user must configure the camera to use these navigation options.)
While using Live View, it may be desirable to magnify the subject on the screen. This is especially useful when using a Four Thirds system lens that is not compatible with IMAGER AF and/or when focusing manually because it makes focus confirmation and adjustment easier. If necessary, adjust the focus by rotating the focus ring. (AF MODE must be set to S-AF + MF or MF).
To view an enlarged display while using Live View in the still picture modes, first press the [INFO] button until you see a green AF Frame on the LCD. You can position the AF Frame to position it over the area to be mangnified. Then press the OK button to magnify the view. The magnification can be selected by rotating the Control Dial.
While viewing an enlarged display, the degree of magnification can be set to 5x, 7x, 10x or 14x by pressing the [INFO] button and then pressing the Up and Down arrows. Press the [OK] buton to register the setting. Press [OK] again to cancel the enlarged display.
1 To view a list of compatible lenses, click here. Depending on the date of the purchase, a compatible model may require a firmware update in order to support high-speed IMAGER AF. In the future, Olympus may add high-speed IMAGER AF support to other Zuiko Digital lenses via firmware updates.
2Shutter lag can also be minimized by acquiring and locking the autofocus prior to pressing the shutter button.
Can I preview changes to settings on the Live View monitor or through the optional electronic viewfinders?
While setting up a shot, changes made to the (exposure compensation) and WB (white balance) settings are displayed on the Live View monitor so their effects can be checked before shooting. The effects are previewed in all shooting modes, including those in which the camera automatically adjusts exposure and/or white balance. Live View Boost must be set to Off.
When Live View Boost is set to On, the camera automatically adjusts the brightness level and displays the subject on the monitor for easier confirmation. The effects of exposure compensation adjustments are not shown on the monitor when Live View Boost is enabled.
The Live View monitor cannot be used simultaneously with the optional VF-2 or VF-3 electronic viewfinders.
What is the origin and meaning of the SuperSonic Wave Filter (SSWF)? Where does the dust go?
The filter is so named because it shakes dust off the image sensor using supersonic wave vibrations. The displaced dust is affixed to dust-collection components around the filter.
What are the purposes of the different record modes?
Record modes allow photographers to quickly and conveniently vary the quality settings used to capture and save images in-camera. While it is possible to always shoot at the higher-quality settings and process the images down to lower file sizes later using a computer, it may be more convenient in some situations to shoot at other than the higher-quality settings. For example, it may be preferable to shoot using lower-quality settings when the shots are intended for use on the Internet, where small size is more important than rich detail.
The E-PL3 offers several record modes, whose benefits are outlined below.
RAW: This is the highest-quality record mode available in the E-PL3, and it allows the photographer the most creative control in post-production. Images are saved to the memory card from the camera sensor with minimal image processing. Factors such as white balance, sharpness, contrast, and color are unchanged so they can be modified later on a computer. Some photographers prefer to shoot RAW all the time for all subjects, while others may shoot RAW in situations that pose complicated exposure problems.
Each camera manufacturer has its own version of RAW tailored to its cameras; therefore, special software is required to process RAW files and convert them to other image file formats such as JPEG and TIFF. The OLYMPUS ib, OLYMPUS Master� 2 and OLYMPUS Studio� 2 and Olympus Viewer 2 applications contain RAW processing and conversion software for the Olympus RAW format, which bears the file extension *.orf. Third-party imaging software and operating systems may use RAW plug-ins or updates to process Olympus RAW files. Without them, they would not be able to read RAW images from Olympus digital cameras. Most photo kiosks, printers and photo labs cannot read unconverted RAW images.
JPEG: Four record modes create compressed JPEG image files. When the camera processes a captured JPEG image and saves it to the memory card, it uses algorithms to discard some of the data to make the file size smaller. The process of mathematically reducing a file's size by discarding some of its data is called compression. The greater the compression ratio, the more data will be discarded and the smaller will be the file size. When the image is opened on a computer, the JPEG algorithms reconstruct the discarded data.
The camera permits customization of the JPEG record modes by mixing and matching their quality settings. The factors that define a JPEG record mode are image size (determined by the number of pixels in the image) and compression ratio.
The table below shows all of the combinations of image size and compression ratio available in the E-PL3.
RAW+JPEG: Four record modes in the E-PL3 save both a RAW and a JPEG image when a picture is taken. This can be advantageous when shots are intended for use in multiple media or when the medium in which the images will ultimately be published has not been determined.
The quality settings used to process the JPEGs in the RAW + JPEG record modes are tied to the quality settings defined for the corresponding JPEG record modes on the menu. The first RAW + JPEG record mode uses the JPEG settings of the first registered JPEG record mode; the second RAW + JPEG record mode uses the JPEG settings of the second registered JPEG mode; and so on. Changing the JPEG quality settings via the and PIXEL COUNT menus affects both a JPEG record mode and its RAW + JPEG record mode "counterpart."
To activate a Record Mode, use the function in the menu or select the record mode directly from the display in the Live Control or Super Control Panel control view. You can also quickly toggle between a JPEG record mode and its corresponding RAW+JPEG mode if you pre-register that function to one of the function buttons. This can be accomplished via the Button Function item in the submenu.
What is the purpose of the SCN (Scene) modes?
The E-PL3 has a SCN (Scene) mode that optimizes the camera settings for specific shooting conditions. All of the settings applied in the 23 available Scenes can also be applied via controls in the camera menu, but applying them manually can be time-consuming. In addition, amateur photographers may not have a deep enough knowledge of photography to select the appropriate settings for some situations that advanced amateur and professional photographers would employ.
What are Art Filters?
Art Filters enable the application of creatve effects in-camera while shooting. The Art Filters available on the E-PL3 are:
Art Filters can be applied to still images as well as movies. When Art Filters are in use, the Super Control Panel is not available.
If you want to shoot an unaltered image as well as a copy processed with an Art Filter, shoot using one of the RAW+JPEG record modes. The RAW file will be unaffected, and the Art Filter will be applied to the JPEG.
What is the purpose of IMAGE ASPECT?
The IMAGE ASPECT function is used to change the aspect ratio (horizontal-to-vertical ratio) of captured images. The default aspect ratio is 4:3, which is the aspect ratio of the imaging sensor.
The E-PL3 provides five aspect ratio options. This allows the photographer to pre-visualize and shoot for specific print formats. For example - if the assignment were to shoot an event that will be printed as albums of 4 x 6 inch prints, the image aspect ratio would be set to 3:2. If the assignment were to shoot cover art for a CD sleeve, 6:6 would be selected since this would yield square images.
The table below shows the aspect ratios that are available in the E-PL3, the image size options for images captured using each ratio, and usage recommendations. When composing shots, select the aspect ratio that best fits the expression and purpose of your images.
When a non-default aspect ratio is selected, JPEG images are cropped and recorded using the selected aspect ratio. When the JPEG images are reviewed in Playback mode or in OLYMPUS ib, OLYMPUS Studio 2, OLYMPUS Master 2 or Olympus Viewer 2 software, they are displayed at the cropped dimensions.
RAW images are not cropped, but the aspect ratio information is recorded to the digital files with the image data at the time of shooting. When a RAW image is reviewed in Playback mode or in OLYMPUS ib, OLYMPUS Studio 2 or OLYMPUS Viewer 2 software, the uncropped image data is shown overlaid by a template, or frame, based on the selected aspect ratio. The frame is provided as a reference so you can preview the effect of applying the crop.
Note: The aspect ratio information stored with RAW images can be used to crop the images in the camera (via the EDIT menu) or in the OLYMPUS ib, OLYMPUS Studio 2, or Olympus Viewer 2 software. The software may require an update to recognize the saved aspect ratio information.
What are MULTIPLE EXPOSURE and IMAGE OVERLAY?
MULTIPLE EXPOSURE and IMAGE OVERLAY are options built into the E-PL3 that enable multiple images to be combined and saved as a single image.
MULTIPLE EXPOSURE, located in the menu, is used at the time of image capture -- for example, to add a telephoto shot of the moon to a night skyline shot. Two RAW or JPEG shots can be combined into one image. (The record mode is fixed after the first shot in the sequene.)
When the function's Frame setting is set to 2f, you can also select a stored RAW image and shoot additional RAW or JPEG exposures to overlay onto the stored image. The record mode used to capture the overlaying exposure(s) will determine the file format of the final, combined image. If JPEGs are shot, the combined image will be a JPEG; if RAW is selected, the combined image will be a RAW file.
IMAGE OVERLAY, located in the > EDIT menu, is used to combine up to three RAW images previously saved on a memory card.
When and why should I manually set the white balance value?
Many light sources and situations are best served by setting the white balance value manually. There are many noncontinuous light sources that do not have all of the colors of the spectrum, such as fluorescent, mercury vapor and sodium vapor lights. There are also situations in which many different types of lights are used in one environment. These do not neatly fit into what the camera firmware knows about white balance, so it is necessary to �educate� the camera about the specific light balance by shooting a white reference subject such as a white card and saving the data in the WB menu as a custom white balance.
When manually setting the white balance, what do all those numbers followed by a "K" mean?
The color balance of different light sources in the color spectrum is rated numerically by color temperature in the standard Kelvin (K) temperature scale. A color temperature value is expressed as a number followed by a �K,� for Kelvin.
The E-PL3 provides an array of preset white balance options that correspond to various common light sources. These options are convenient for when you wish to set the white balance value manually. The chart below shows the approximate values of different light sources that can be selected from the WB (white balance) menu:
It's also possible to fine-adjust the values of all preset white balance settings, including Auto, by manipulating the Amber-Blue and/or Green-Magenta channels. This tweaking can be performed from the WB menu, which is located under the menu.
For even greater control, you may wish to set a custom white balance (CWB). CWB settings allow photographers to shoot with more granular color temperature settings, which leads to more acurate color rendition.
The CWB function is especially useful when working with studio lighting. Many commercially available lamps are labeled with color temperature ratings so that a photographer can match a camera's CWB value to the lamp's rating. The CWB values available to the E-PL3 range from 2000K to 14000K. (The step interval varies.) Up to two CWB values can be registered for re-use, and these stored values can be fine-tuned just like the other presets.
Color temperature settings can be applied in situations for which they are not intended in order to produce creative effects. For example, a tungsten setting can be used on a cloudy day to produce a surreal effect suggesting cold.
Is movie editing possible using the bundled software?
OLYMPUS Viewer 2 HD Edition for Windows supports clipping, joining and fading movies in the .AVI Motion-JPEG format. With the AVCHD format, only clipping is possible. "Clipping" means extracting a still image from one frame of a movie file. This software can also convert .AVI movie files to the AVCHD format.
OLYMPUS Viewer 2 for Macintosh supports clipping, joining and fading movies in the AVI Motion JPEG format. It does not support AVCHD-formatted movies.
OLYMPUS ib HD Edition for Windows will support clipping, joining and fading movies in both the .AVI and AVCHD formats.
What is the resolution of a still image clipped from a movie file?
The following resolutions are supported: 1920 x 1080, 1280 x 720 and 640 x 480 pixels.
Approximately how many shots can be taken with a fully-charged battery?
When composing shots using Live View (the back panel monitor), a fully charged battery should capture approximately 300 shots, according to the CIPA standard. When composing using the Live Finder (EVF), a fully charged battery should take approximately 90% as many shots as when shooting using Live View, or about 270 shots.
Generally, more battery power is consumed when the fulltime AF is ON, but this cannot always be assumed to be the case because battery life varies more depending on shooting conditions. From the viewpoint of the CIPA standard, the battery life specifications are identical whether AF is ON or OFF, but you may switch the fulltime AF off if you are concerned about battery drain.
How do I enable the custom menu options?
The Custom Menu can be used to personalize camera settings and operations. This menu is not visible by default to prevent unintentional adjustments. To view the Custom menu, locate Menu Display in the Setup Menu, and set Menu Display to On.
How do I enable the optional navigation interfaces, including the Live Control and Super Control Panel options?
The Control Settings function determines which camera navigation options are available in each shooting mode. While the hierarchical menu is always available by pressing the [MENU] button, Control Settings presents convenient short-cut options to help you quickly access frequently used controls. The control view options are Live Guide�, Live Control and SCP (Super Control Panel).
The Live Guide view, designed for novice photographers, lets you fine adjust photographic effects such as brightness, color saturation, color balance and background blur using convenient and intuitive slide bars. As you rotate the wheel controller, a slider moves up or down the slide bar. You can preview the effect of repositioning the slider on the LCD monitor before you snap the picture. A technical understanding of photography concepts and jargon is not necessary.
The Live Control view presents narrow banners along the right side of, and at the bottom of, the LCD monitor. The banner on the right is filled with icons that represent camera settings such as White Balance and ISO; use the Up and Down arrows, or simply rotate the wheel controller, to select a setting you wish to edit. The bottom banner contains icons that represent the options available for the selected setting; use the Left and Right arrows to scroll through the options and select a setting. Press the [OK] button to activate the new setting.
The SCP view presents the Super Control Panel, a grid that overlays the image on the LCD screen. Use the arrow buttons to select a setting on the grid and press [OK] to activate it.
Before you can access a control view from a particular shooting mode, it must be activated for that mode by changing its Control Settings value to On. The Control Settings function is located in the submenu.
Once a control view is activated, you can access it by pressing the [OK] button. If multiple views are activated for a particular shooting mode, pressing the [INFO] button repeatedly will cycle through the enabled views. To exit any control view, press the shutter button halfway down.
� Live Guide is available only in the iAUTO shooting mode. Because iAUTO is a fully automated shooting mode, some settings cannot be adjusted when using Live Guide.
What are the differences among the three Image Stabilizer functions?
The Image Stabilizer has the following three options:
When attaching the camera to a lens other than a Micro Four Thirds or Four Thirds lens, the Image Stabilizer corrects the camera shake based on the focal length of the lens. You must manually set this value. The focal length can be set from 8 mm to 1,000 mm. Set the focal length to the value (or the nearest value) that is displayed on the lens.
I have a lens from another manufacturer that has built-in optical image stabilization. Will I get more image stabilization if I enable the image stabilization in this camera?
In such a scenario, it is recommended to use one or the other, but not both image stabilizers simultaneously. If both lens and body image stabilization are being used at the same time, the combination may be counter-productive because the camera image stabilization would be trying to compensate for the lens image stabilization and not be able to arrive at a stabilized image.
How do I update the firmware in the E-PL3 body and the Micro Four Thirds lenses?
For complete instructions, please download this file.
Can I use the E-PL3 to update the firmware in any Micro Four Thirds compliant lens?
The answer depends on what company manufactured the lens.
Olympus Imaging Corp., Panasonic Corporation and Sigma Corporation offer a joint firmware update service that makes it possible to download and install firmware for one another's Micro Four Thirds System-compliant and Four Thirds System-compliant lenses when the lenses are attached to any of the companies' Micro Four Thirds System-compliant cameras. The service is not available for Four Thirds System-compliant lenses manufactured by other companies, such as Kodak, Fuji and Sanyo.
Panasonic/Leica and Sigma lenses mounted on this camera can be updated using the OLYMPUS Digital Camera Updater software. For details on how to acquire the software and how to update the firmware of a Micro Four Thirds or Four Thirds System lens or camera, please click here.
For more information on the joint firmware update service, please click here.
The subject I want to focus on doesn't line up with the AF frame on the screen. How do I get the camera to focus where I want it to?
The Focus Lock function enables the photographer to prefocus on a specific subject, lock the focus, and then re-compose the image and shoot the picture.
At first this may seem cumbersome, but with practice it can become a fluid movement.
Why doesn't the lens focus when I turn the lens focus ring?
The manual focus ring will only function if it is activated, since it uses focus-by-wire technology. Choosing a focusing mode with MF options such as MF or S-AF+MF, will activate the manual focus ring.
The 12mm M.Zuiko Digital f2.0 lens has a mechanical focusing option, so it can be manually focused in any autofocus mode.
Which ISO should I use for my shot?
Think of the ISO values as film speeds. Low ISOs are better suited to situations in which there is a lot of light � for example, outdoors scenes. ISOs 400 and 800 would be used outdoors where there is plenty of light and fast shutter speeds are desired � sports and air shows, for example � or indoors for available light shooting. ISO 1600 and above would be used where there are very low light levels, such as indoors or at night.
How does the E-PL3 combat sensor noise commonly found at high ISOs?
Digital cameras vary the light sensitivity of the image sensor by varying the gain voltage applied to the sensor, much like turning up the volume on a stereo. When the gain voltage is increased, as it is when shooting with higher ISOs, the sensor becomes hot. Hot pixels perform differently under extreme conditions. The result is a graininess known as �noise.�
Noise occurs whenever sufficient heat has built up on the image sensor. Therefore, it can also be seen in images with long exposures, such as night photographs, due to the additional heat generated by charging the sensor for an extended period of time. All digital cameras include technologies to minimize the effects of noise. The E-PL3 uses a sensor that dramatically decreases noise. In addition, it combats noise with two methods: NOISE FILTER and NOISE REDUCTION.
The Noise Filter function is found in the menu. It has four options: Off, Low, Standard and High. The majority of digital cameras have a default noise filter that is always on. Some photographers feel that this reduces detail, so Olympus has included the option to not use a noise filter at all.
If Noise Filter is set to Off, it is recommended to set the Sharpness setting for the selected Picture Mode to �2. If Sharpness is set to 0, it may exaggerate the noise when no noise filtering is being applied.
The Noise Reduction function can also be enabled from the menu. After the first exposure, the camera makes a second exposure of equal length with the shutter closed. It then, in effect, overlays the two images, finds the hot pixels in the second image (essentially, any pixels that aren't black) and deletes the corresponding pixels from the first image. This doubles the shooting time. If the first exposure is 12 minutes 30 seconds, the second, black exposure will also be 12 minutes 30 seconds for a total exposure time of 25 minutes.
In the CARD SETUP menu, the options are ALL ERASE and FORMAT. What are the differences between these options?
All Erase deletes all of the images from the memory card directory except for those that have been protected. Format deletes all of the images from the memory card directory and overwrites the directory. In both cases, the actual digital images are still on the memory card until new images are shot that overwrite the old images. Therefore, if images are inadvertently erased or formatted, it may be possible to retrieve them via image recovery software.
If All Erase is used exclusively to delete images, over time a buildup of artifacts in the directory may corrupt the memory card. The Format option is recommended to preserve the integrity of the memory card and extend its useful life.
How do I use TONE CONTROL?
In image post-processing software, there is often a feature called Tone Control or Tonal Curves which can be used to selectively control the brightness and contrast of images. The contrast of an image in tonal controls is called gamma and is represented by a slope in a square box. A 45 degree slope is a gamma of 1.0, which is considered normal contrast. However, tonal controls allow the slope to be pulled above and below the center line at selected points. At the bottom of the slope (the toe) are the shadows; pulling the slope upward lightens the shadows and pulling the slope downward darkens the shadows. At the top of the slope (the shoulder) are the highlights; pulling the slope upward lightens the highlights and pulling the slope downward darkens the highlights. In the middle of the slope, pulling the slope upward brightens the midtones, and pulling the slope downward darkens the midtones.
The E-PL3 has a Tone Control option that provides some limited options to select preset tonal curves to change the contrast and brightness of images when shooting, with preset one-step values of -7 to +7. The minus values primarily control the midtone to shadow portion of the slope and the plus values control the midtone to highlight portion of the slope, with the zero value representing the normal 1.0 gamma.
To enable the Tone Control function, press the [] button (the Up arrow position on the wheel controller) and then the [INFO] button. A new icon will appear in the lower right quadrant of the LCD screen. The minus and plus values are selected by rotating the wheel controller. You will be able to see the effect of the various setings on the Live View screen before shooting. The effect is persistent from shot to shot until the control is reset.
Where can I find information on how to use the bundled [ib] software?
Answers to the most frequently asked questions about [ib] are collected here.
Detailed documentation of the software's functions is available in the application's Help file. To access the Help file, launch [ib] and choose ib Help from the Help menu.
I am a Mac user. What software can I use to view my images and movies on my computer?
The OLYMPUS Viewer 2 for Mac software included on the CD-ROM bundled with this camera is compatible with Mac OS X versions 10.4.11 ("Tiger") through 10.7 ("Lion"). Mac users may install this program to transfer their images and AVI Motion JPEG-formatted movies to a supported Macintosh operating system.
However, the software does not support the transfer or playback of AVCHD-formatted movie files on the Mac OS platform. Four of the camera's six movie recording modes, including the default mode, capture movies in the AVCHD format. Therefore, Mac users have the following options:
What is the OLYMPUS AVCHD Codec Update, and do I need it?
The OLYMPUS AVHCD Codec Update is a downloadable module that upgrades the OLYMPUS AVCHD Codec from version 1.0 to 1.0.1.
The codec allows certain software programs to import, display, play and edit AVCHD-formatted movies captured by supported Olympus digital cameras, including this camera. The codec is installed automatically along with the OLYMPUS ib HD Edition for Windows and OLYMPUS Viewer 2 HD Edition for Windows applications that are packaged with this camera.
Macintosh users do not need, and cannot use, the Olympus AVCHD Codec or its update.
This update module improves the stability of playback operations when viewing AVCHD-formatted movies. (It does not affect playback of AVI-formatted movies.) Full HD movies use the AVCHD format, so the update is recommended for those who record Full HD movies, especially for playback on a high-definition television (HDTV).
For more information about the udpate, please review the readme file. To download the OLYMPUS AVCHD Codec Update, please click here.
What are SDHC and SDXC?
SDHC (Secure Digital High Capacity)and SDXC (Secure Digital Extended Capacity) are types of removable flash memory cards that are an outgrowth of the SD (Secure Digital) format. SDHC and SDXC cards have the same form factor as SD cards, although they can store much more data - up to 32 GB for SDHC and 32 GB to 1 TB for SDXC.
SDHC and SDXC cards come in a variety of capacities and speed classes. A speed class refers to how quickly data can be written to the card.
The E-PL3 can support SD, SDHC and SDXC media up to 64 GB. Cards must have a minimum speed class of 6 in order to record movies with the E-PL3.
Can this camera be used for time-lapse photography?
This camera's ANTI-SHOCK function, located in (Custom Menu E), can be used in conjunction with the sequential shooting Drive mode to shoot time lapse photography sequences. The series of captured images can later be converted into movies using third party software, such as QuickTime Player Pro.
Anti-shock is used to delay firing the shutter after the shutter button has been pressed. This allows any vibration to dissipate before the exposure is made. Anti-shock allows intervals of up to 30 seconds to be preset.
When combined with sequential shooting, Anti-shock can be used to command the camera to shoot at preset intervals much like the way an intervalometer can control a camera. In this configuration, the camera will take the first picture when the shutter button is pressed and then it will continue to capture images at the preset interval � for example, every 5 seconds � until one of the following occurs:
Using the optional Remote Cable Release (RM-UC1) will be more convenient because the remote can be locked once the button on the remote control is pressed and the camera will continue to shoot unattended. To purchase the RM-UC1, click here.
Notes: Olympus recommends mounting the camera on a tripod or securing it with a camera clamp when shooting time lapse sequences. It is also recommended to use Manual Focus to prevent focus from shifting during the sequence. A lower quality record mode may have to be used to reduce the size of the frames when creating a movie.
What is the PP-1 PENPAL?
The PENPAL (PP-1) is a Bluetooth� standard-compliant transmitter/receiver/storage device that mounts in the hot shoe and Accessory Port 2 of certain Olympus PEN digital cameras, including this one. It can wirelessly interface with smart phones, laptop computers, or even another PEN camera that supports the PENPAL. The PENPAL formats images to be sent so that they are Internet-ready, so you don't have to worry about resizing or reformatting your pictures. Just send your picture to a mobile phone and it's ready to post on your social network. Plus, you can store up to 2,600 pictures on the PENPAL's internal memory.
The PENPAL is enabled and connectivity established through the camera's menu.
For more details on the PENPAL and to purchase the PENPAL, click here.
Is my smartphone compatible with the PP-1 PENPAL wireless transfer accessory?
Please refer to the PENPAL Smartphone Compatibility table to see if your specific model is compatible with the PP-1 and to view any special considerations required for pairing with your device.
What lenses are compatible with the MMF-1 and MMF-2 Four Thirds to Micro Four Thirds adapters?
For a list of Four Thirds lenses that are compatible with the MMF-1 and MMF-2 Four Thirds-to-Micro Four Thirds lens adapters, please click here.
Does the image stabilizer function on the E-PL3 work with my Olympus OM-Series lenses?
The Image Stabilizer function in the E-PL3 can be applied to OM-series manual lenses.
The Image Stabilizer function must know the focal length of the attached lens in order to apply the correct compensation to the sensor when the camera senses camera shake. Zuiko� Digital lenses, being "smart" lenses, automatically provide this information from the firmware in the lens to the firmware in the camera body. Manual lenses contain no electronics, so focal length information must be entered manually by the photographer.
The MF-2 OM Lens Adapter is required to attach an OM-Series lens to the Micro Four Thirds� mount on the camera. To purchase the MF-2 OM Lens Adapter (Item 260051) from the Olympus Store, click here.
The focal length can be manually entered using the menu or, if enabled, the Live Control or Super Control Panel views.
To set the focal length using the menu, do the following:
To set the focal length using the Live Control or Super Control Panel view, activate the Image Stabilizer function and then do the following:
The available focal length settings are shown below:
Do not take into account the 2x magnification factor applied in the Four Thirds system; enter the actual focal length of the lens being used. If the attached lens has a focal length that is not shown on the chart, please select the closest value.
The focal length setting cannot be entered manually when a Four Thirds or Micro Four Thirds system lens is attached.
I have a third-party flash. Can I use it with the E-PL3?
Flash units that are not specifically identified by Olympus to be compatible with this camera may pose problems if used on this camera.
Thyristor-type flash units can be used with the E-PL3�s Manual shooting mode as long as the sync voltage does not exceed 24 VDC. Third-party TTL flash units will not have TTL capability but possibly may be used with Manual exposure control. Olympus can only guarantee the operation of Olympus flash units.
Can I use a shutter sync spreed higher than 1/160 second with the E-PL3?
The optional FL-50R, FL-36R, FL-50 and FL-36 flash units have a Super FP Flash mode which enables flash sync at shutter speeds higher than 1/160th of a second. This is accomplished by the flash emitting what is essentially a very high-speed stroboscopic �flicker� flash, rather than a single flash of light. Situations in which this would be desirable would be fill-flash outdoors in bright sunlight where high shutter speeds would be needed.
Can I use the E-PL3 with studio flash equipment?
The E-PL3 uses an electronic rather than mechanical sync circuit that is rated at 6.5 VDC maximum sync voltage. Also, the polarity of the studio flash sync pulse may be opposite the polarity of the E-PL3 sync circuitry.
Studio flash equipment should be connected to the E-PL3 using the Safe Sync Hot Shoe to PC Sync Adapter. The adapter protects the camera from excessive sync voltage up to 400 VDC, and automatically corrects sync pulse polarity.
This item (#200329) may be purchased from authorized Olympus dealers and also online directly from The Olympus Store. To order from The Olympus Store, click here.
Can I use an accessory microphone rather than the built-in microphone when shooting videos?
The hotshoe and accessory port of the E-PL3 can accept the External Microphone Adapter Set (SEMA-1), which includes the SEMA-1 Adapter, the ME-51S Stereo Microphone, and an extension cable with a tie clip to hold the microphone.
The SEMA-1 Adapter has a 3.5mm stereo jack that can accept other microphones with 3.5 mm plugs or receivers for wireless microphones that have a 3.5mm stereo plug.
To order the External Microphone Adapter Set (SEMA-1) click here
Is there a macro ligthing accessory for the E-PL3?
The Macro Arm Light (MAL-1) mounts into the hot shoe and accessory port of the E-PL3 and is powered by the camera. It has flexible arms that each have a directional LED lamp. Each arm has a three position slide switch on the mounting block to independently control the light intensity. It can be used as the sole light source or as fill light.
To order the Marco Arm Light (MAL-1) click here
I had an Olympus digital camera that accepted wide-angle and telephoto accessory lenses. Are there any such lenses for the E-PL3?
Olympus released three optional lens attachments that attach to the bayonet mount on specific M.ZUIKO Digital Micro Four Thirds lenses.
Do I need a voltage converter to use my battery charger outside of the United States?
The BCS-1 Battery Charger for the E-PL3 is rated at 100-240 VAC and automatically adjusts itself for the local electrical current. However, you may have to get a set of plug adapters for the different wall outlets used in foreign countries. Plug adapter kits are available at electronics and luggage stores.
Does Olympus offer a remote control for this camera?
The RM-UC1 Remote Cable Release is compatible with this camera.
The RM-UC1 connects to the same USB port on the camera that is used to connect the camera to a computer via the bundled USB cable. The RM-UC1 has a sliding lock to lock the cable release for BULB exposures.
The RM-UC1 is available from authorized Olympus dealers and also online directly from The Olympus Store. To order the RM-UC1 (Item #260237), click here.
After I mount a lens to the camera, the camera cannot secure autofocus. The problem is intermittent and can occur with any of my lenses. What is going on?
If the problem occurs with every shot taken with every accessory lens, the camera may be broken. However, if the problem occurs sporadically � and chiefly only after attaching a lens � then it is possible the lens(es) may not have been attached properly.
Remove the lens from the camera and look at the silver mount. Eleven gold-colored pins are arranged below the mirror in an arc. These pins must make firm contact with the gold-colored touch points on the back of the lens. This happens naturally when the lens is attached properly, but if the lens is not locked into place then one or more pins may not receive sufficient pressure to maintain contact during use.
To attach a lens to the camera body, align the lens attachment mark (red circle) on the camera mount with the alignment mark (raised red knob) on the side of the lens. Then insert the lens into the camera�s body. Rotate the lens clockwise and listen for a click. The click is an audible indication that the lens lock pin has snapped into place on the back of the lens and has secured the lens in the proper position. The lens lock pin is the small silver pin on the lens mount in between the mirror and the lens release button.
Do not press or hold down the lens release button while attaching a lens to the mount. The lens release button forces the lens lock pin to retract into the camera so that the lens can be removed without breaking the pin. If the button is held down while attaching the lens, it may not align with the hole on the back of the lens after the button is released. This will result in a situation in which the lens is attached to the camera mount but is not locked into place. It is possible that this condition will prevent the lens from making and retaining a firm connection to the camera. This will inhibit autofocus and may increase the lag time between shots.
When I am shooting closeups, I can see and hear the lens trying to autofocus but it fails to secure autofocus. What can I do?
If the lens seems to be unsuccessfully searching for a focus point, you may be too close to the subject matter for that particular lens. Lenses have a minimum focusing distance, and zoom lenses have different minimum focusing distances at different zoom settings. If you back away from the subject, the lens will focus at some point.
If you intend to do macro or close-up photography, you may wish to invest in a macro lens attachment or a lens specifically designed for macro shooting.
The Macro Lens Attachment (MCON-P01) fits onto a variety of Olympus lenses and instantly enhances their capabilities for shooting macro photography. With the MCON-P01 attached, the minimum focusing distance of the lens becomes 24 cm. The compatible lenses are the M.ZUIKO DIGITAL 14-42 mm 1:3.5-5.6 II (R), M.ZUIKO DIGITAL ED 14-150 mm 1:4.0-5.6 and the M.ZUIKO DIGITAL ED 40-150 mm 1:4.0-5.6.
You may also wish to add the Macro Arm Light (MAL-1) for greater control over lighting conditions. The MAL-1 features two 17cm LED lamps set into flexible arms. The strength of the light from each lamp can be adjusted individually. The MAL-1 attaches to the camera's hot shoe and accessory port.Another option is to purchase either of the available Olympus E-System macro lenses.
A Four Thirds lens-to-Micro Four Thirds lens adapter is required to mount these macro lenses on this camera. Olympus makes two such adapters: the MMF-1 (silver) and the MMF-2 (black). To order an adapter from Olympus, please visit The Olympus Store.
When my camera is connected to my TV, I don't see photos or movies. Why not?
Most televisions manufactured in the past decade provide a variety of input jacks so that multiple audio/visual devices (for example, a cable or satellite signal converter box, a movie player, a computer, a video game console and a digital camera) can display content on a shared screen. This eliminates the need to have separate screens for each device. Although many devices can be connected to the television simultaneously, the television screen usually can display content from only one device at a time. Therefore, when you connect your camera to the television, you must select the proper input source in order to view your images and movies.
The method for selecting input channels varies with brand and model, but in general the TV and/or its remote control will have a button for selecting a desired input signal. This button may be called "Source" or "Aux" or it may be a combination of various device labels, such as "TV/AV" or "TV/Cable/DVD." Pressing this button repeatedly will cycle through all of the input sources available to your television. Keep pressing the button until you see the camera menu on the TV screen. (The display on the camera LCD screen or electronic viewfinder will be blacked out.) If the camera menu does not appear, the signal is not reaching the television. Verify that the cable is properly connected.
If you have connected the camera to the television using the yellow and white AV cable bundled with the camera, look for source options named "AV," "Video," or "Aux." If your television has multiple sets of AV jacks, you may need to further choose between, for example, "Aux 1" and "Aux 2" or between "Front" and "Rear" jacks.
If you have connected the camera to a high-definition television (HDTV) using an optional HDMI cable so that you can view HD movies stored on your camera, look for a source option with "HDMI" in its name.
Please refer to the user documentation for your television or TV remote control for specific instructions and to verify that all source devices' cables have been connected to the proper input jacks.
Note: If the image quality on the screen appears to be distorted, the camera may be set to a video output format that is incompatible with the television. In the camera�s menu, check the VIDEO OUT setting. In North America, the setting should be NTSC. If it is set to PAL, change it to NTSC.
Why can't I format or shoot images with my SD card?
The SD card body has a write protect switch. If the switch is set to the "LOCK" side, you will not be able to add, modify or delete data on the card. The card cannot be formatted. Return the switch to the unlocked position to enable writing.
I have taken pictures using a number of memory cards. Now, when I try to download images into my computer, I see a message that says "Image file name_.jpg already exists. Replace it with the new file?" What's going on?
When saving image and movies, the E-PL3 creates folder and file names that include a numeric variable. The number in the file name changes with each shot so that the new image won�t overwrite a previous one saved in the same folder. The folder name may also change, depending on the configuration of the camera�s File Name function.
File Name has two settings that govern the naming of files and folders:
Reset can be useful for organizing files � for example, you may choose to use a separate memory card for each event or client. However, if you download all your files to the same folder on your computer and there is a file in the camera with the same name as a previously transferred file, the computer will see the duplicate file name and display the above message. In this scenario, the files with duplicate names will overwrite the original files when they are saved to the computer. The original images will no longer be viewable.
To avoid this costly mistake, save the new files to a different folder or manually rename the files before transferring.
Another way to avoid this problem is to change the first character of the file name using the Edit Filename function in the camera's Record/Erase menu. This has an added benefit of identifying which camera captured each image.
I inserted a memory card that contains movies shot with another Olympus digital camera. The movies play, but there is no sound. Why?
The reason is that the audio sampling frequency in this camera is different from that in older models. Following the standard for the AVCHD format, this camera uses a sampling frequency of 48 kHz; previous Olympus models used a sampling frequency of 44.1 kHz.
When I try to use the AE Bracketing function, why do I only get one shot instead of the number I selected?
The camera's Drive mode is set to (Single Frame shooting). Configured this way, which is the default setting, the shutter button must be pressed for each bracketed frame. If the Drive mode is set to a sequential shooting option, then pressing and holding down the shutter button will cause the camera to shoot all the bracketed frames in one burst.
In the sequential shooting drive modes, images are captured at a predetermined frame rate for as long as the shutter button is held down. The frame rate is set in (Custom Menu C). The "L" (low-speed) option can be set to 1, 2 or 3 frames per second (fps); the "H" (high-speed) option can be set to 4 or 5 fps.
To change the Drive mode, do the following:
The LCD screen displays "Internal camera temperature too high. Please wait for cooling before camera use." Then the camera shuts off. What causes this message to appear?
As a safety measure, the E-PL3 issues this message and shuts itself off whenever its internal temperature climbs too high. This may happen after frequent or continuous use of Live View or a shooting mode that captures many images in a short time, such as the Sequential Shooting drive mode. In these situations, the image sensor may not get a chance to cool off in between shots. The heat of the sensor raises the camera�s internal temperature. If it gets high enough, the camera must turn itself off. Once the camera has cooled for a few minutes, you will be able to resume shooting.


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ENBIS: European Network for Business and Industrial Statistics
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Not yet a member? Please register
Greenfield Challenge by Wiley
In his 2009 Box Medal Acceptance Address Tony Greenfield challenged the members of ENBIS with the following words:
My challenge to you is that you will tell some audience about work you have done, and completed successfully because you used a statistical method. But that audience must be of people who are not statisticians.
And you will have spoken to those people through publications that are for the wider public, through magazines or newspapers, or from a public platform. You might even write a short story or a play.
That is my challenge: Tell the world, outside your circle, of work you have done, and done successfully because you used statistics.
With the kind support of Wiley ENBIS decided to pick up the glove thrown by Tony: in 2010 the Greenfield Challenge sponzored by Wiley was launched as an ongoing ENBIS activity and for the first time ever the prize was awarded at ENBIS-11 in Coimbra (Portugal). The winner was Richard Marsh (UK).
At ENBIS-12 in Ljubljana (Slovenia) the prize went to Galit Shmueli (USA) and Bernard Francq (Belgium). At ENBIS-13 in Ankara (Turkey), in celebration of the International Year of Statistics, there were several prize recipients .
How to participate in the Greenfield Challenge sponzored by Wiley?
We would like to encourage you to report immediately whenever you've had dealings with non-statisticians – in whichever form (face-to-face, in writing, in form of an audio or video recording, in interactive social media … ) or context (interactions with students, educators, managers and employees of organizations in private and public sectors … ).
A procedure to submit is simple. All those who wish to enter need to provide the following per e-mail:
- A short (half a page) summary in English (specifying – choose as applicable - date, venue, target population / target publication and topic).
- Presentation slides (if applicable; whatever the language they are in; we are confident that somebody in ENBIS will have some working knowledge of it).
- A web link / web links (if applicable).
- Other supporting material (e.g. newspaper clippings).
Every submission will be announced as a short news item on the ENBIS website and in ENBIS News.
In 2015 the Greenfield Challenge Committee shall review all submissions that will come in no later than June 30th. The Committee shall choose the most outstanding submissions to be awarded and presented as the best-practice examples at ENBIS-15 in Prague (Czech Republic). While Wiley will provide the award (a book voucher of EUR 300), ENBIS will waive the conference fee and contribute up to EUR 500 towards the travel and subsistence costs of the Challenge winner.


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|Donna Madsen
school photo
Here are a few of the pages that caught my eye:
This is the first page of the book. The cover is missing.
Rules for Work (below)
My mom and I had a good laugh over "Work quietly" -- nobody in our family ever mastered that rule.Always have clean apron
Wash hand
Study recipe
Get utensils
Get supplies, measure accurately
Work quietly
Set table
Serve food
Stack dishes
Wash dishes
Leave kitchen in order
Coffee experiments
Table Manners
(I love "Make the meal a pleasant one.
Do not talk about disagreeable subjects or your troubles.")
Do not talk about disagreeable subjects or your troubles.")
Recipe for Mayonnaise Cake
(in Grandma Donna's own handwriting)
|Recipe for Mayonnaise Cake,
in Grandma Donna's writing
Lesson on "Food Nutrients"
You can see just how fragile the book is. It kind of scares me to handle it...
As I mentioned before, there are a whole bunch of recipes in this book that were written in Grandma Donna's hand. You can bet that some of these recipe's will be popping up in my upcoming "Family Recipe Friday" posts.


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Dj Khaled Birthday Party At Liv! (Performances by Kanye West, Lil Wayne, Diddy, Ace Hood, Busta Rhymes, French Montana, Fat Joe, Mavado, Kirko Bangz & Jeremih)
Follow @DjKhaled @WeTheBestMusic
Shot by @EdgarEsteves
Posted by @Worldstarvids
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Snaid1 wrote:UniverseKeeper2 wrote:Nothing? :/ I understand if it's a weird glitch that has no fix at the moment but no reply?
I think it's more the timing of your last post caused it to be missed. I had to search back in the thread to find what you asked.
What mods do you have installed? the only time I've had that issue is when I some parts mod installed that caused the crash. removing the mod with the issue solved the problem. unfortunately there's no easy way to find out without just removing things until you find what's causing the crash.
Ah I see, I was worried I upset the mod lol. I fixed the problem ^^ had to reinstall games in order and reupdated them, now everything works! Though I have to say that DavoUnlimitedBoundries mod doesn't seem compatible with DI v9 sadly :/, I have tried the installer and no luck.


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Tiny Toadstool
November 2, 2010
Have you seen the most recent Etsy featured seller ?!
I love everything in the first photo, especially the hat! The items and pictures above came from Shan Shan's etsy shop.
Definitely give her own website, Tiny Toadstool, a proper look too…You'll see her awesome sense of style!
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