text:
"We are part of a symbiotic relationship with something which disguises itself as an extra-terrestrial invasion so as not to alarm us."
Terence McKenna
The Barbury Castle 1st June formation was one of the most eye catching and discussed Crop Circles (CC/KK) of the season.
Early on a astrophysicist Micheal Reed, found Pi encoded in the design.
Barbury Castle, nr Wroughton, Wiltshire. Reported 1st June.
An insightful contribution about the circle was made at the Crop Circle Connector website:
Reaching? All possible connects are valid and meaningful. It is 'resonance bias' to imagine otherwise..
Not long after this Krop Kircle was formed I took my first dose of Ayahuasca. The very next morning I went on a camping trip through the Canadian wilderness. At this point Plant KKonsciousness had enveloped this city slicker - who spends most his time immersed in media - more thoroughly then ever before. While waking up on the first morning of the hike, still rising into normal awareness, my mind was drawn to the "Pi Snake" formation.
-Actor Jason Biggs as Jim, fornicating with a pie, as depicted suggestively with the pierced baked goods over his crotch on the poster. He is caught in the act by his father actor Eugene Levy.
-Actress Alyson Hannigan as Michelle repeatedly saying "This one time at band camp" followed by something inane, until the climax of the film where she says "This one time at band camp, I stuck a flute in my pussy" and de-virginizing Jim.
If we consider a snake as symbolic penis, we have all the elements of the "Pi Snake" present accounted for, albeit veiled, in "American Pie".
It also occurred to me that the flute can be associated to the instrument played by the horny goat god, Pan.
I was practically ecstatic at how perfect it felt. As is frequently the case, the impact lessened as I came fully into normal consciousness, thinking "what was so syncnificant about "American Pie"?"...
There the idea lay for a while, dormant and waiting...
Luckily "Buffy The Vampire Slayer" and Jack Parson's would have more to say on the subject as things continue to sync in and align..
Alyson Hannigan as Willow Rosenberg sports the blossoming Plant Consciousness over her Heart energy center in the opening sequence of "Buffy The Vampire Slayer". The Eye/I of a flowers Halo and Crown sync winks hello to You ALL.
Her "Buffy" persona's first name Willow, as well as her last name Rosenberg (with added mountain flavor, for good measure) accentuate this botanical beauty.
Plants have played a central role in realizing the consciousness we are NOW realizing and enjoying. The biosphere as a whole is a unified Kosmic Konsciousness of which the Human and Plant KKonsciousness are integrated systems realizing God in matter.
"Buffy" is distinctly polarized by the sun and moon. The moon ruling over the night are the domain of the vampires and demons while during the day we see the Scooby Gang (Buffy's friends) face the teenage awkwardness of high school at Sunnydale High.
No doubt Luna is the major sphere of Buffy and Vampires in general as even the title scene unveils.
Alyson and the other Stars of "Buffy" Entrain...
with the Stargate of Cosmic Illumination, thusly..
In the first season episode 11 "Out of Mind, Out of Sight" Alyson and the gang face the vengeful 'Invisible Girl' Marcy Ross (Rose) actress Clea DuVall. Owing to the eerie powers of the Hellmouth, a portal for dark forces upon which Sunnydale is built, along with being constantly ignored by her fellow students, Marcy has become invisible.
The Hellmouth portal of power is the Galactic or Kosmic Konsciousness Center of enlightenment. The ascension process is often portrayed as a dark flavored 'monster mouth' because of the ego's fear of letting go of attachment and the resistance pattern of allowing new mysterious facets of Being into collective awareness.
The Stargate Queens name appears over the Aquarian waters of Niagara Falls.
We are viewing 1997's "Niagara, Niagara". The last two letters, Ra, resonate the Egyptian sun god. This is most interesting as Tunney has been associated with Isis (the Is that Is or Aware Awareness) in videos like StarMummy.
Tunney as Marcy, with Tourette's, meets the equally socially awkward Seth (actor Henry Thomas) in a department store. They immediately 'hit it off' setting out, cross-country, to find a black Barbie head Tunney obsessively desires as the local stores only carry the 'Caucasian' variety.
We see the Stargate Mandala as Target behind Henry Thomas. The Target near the crown evokes the subtle body of Seth. We see facets of the Stars luminous self highlighted though the surrounding environment. These are emerging dynamics of the inseparable 'organism-environment-field' (a concept taken from Zen teacher Alan Watts).
The two decide Toronto Canada, the nearest big city, is there best bet for said head and hit the road.
We see a silver 5 pointed Star or pentagram, the Star of Isis, move into the Stargate Queen interacting with and accentuating her dynamic non-local Self.
This is the inside of a bus, turned into her home. The chariot dwelling of the goddess is also covered in Marcy's coveted animal, the horse.
Da Vinci's horse -resonating the Chariot/Merkabah and 4 Apocalypse steeds - woke me up to synchronicity which I now interpret as Kalki (double K), the last avatar before the end of the Kali Yuga. Horses in Stargate heavy sync webs thus resonate the ending of the age, the start of the awakening into Kosmic Konsciousness. The return move from Iron into Golden Age..
See Scarlet Dragon for Kalki and Chariot plus Galactic Center Temple for Merkabah details.
See Gemini for da Vinci's horse.
Note how Kalki in this depiction is blue and carries the Sagittarius arrow.
When the pair meet Seth is shoplifting a foot shaped gas pedal for his chariot which Robin eagerly helps him install.
The foot (of Ophiuchus), stinger (of Scorpio) and arrow (Sagittarius) are astrological pointers of the position in our sky of Galactic Center (GC).
The Stargate Queen is attaching a symbol of GC to her Chariot of the Gods, the vehicle that needs to find a black Barbie Head in Canada.
More disembodied feet as GC in Opening The Stargate Via Nicholas Cage
The Chariot brand the travel with is Chrysler with its Pentastar symbol. Yet another Isis resonating star echoed by the Statue of Liberty - a hair thinly veiled goddess - the lady who's Way is Milky.
This New York plate reminds us of the 911 Mega Ritual, unveiling of Isis or the 'WTC disaster' that marked the start of rapid ascension. The beginning of the 911-2012 or Galactic Center-Galactic Anticenter period.
The chariot has a mirror ball rear view mirror ornament, seen over the visage of Tunney, as SHE sync kisses Seth. Terrence McKenna often likened the Eschaton - Kosmic Konsciousness accessed through the Stargate... or whatever - as being created by 'the transcendental object at the end of space time'. A Black Hole type object from which even time couldn't escape and often associated in his numerous talks with a mirror ball, sending out numerous reflections of Itself.
A legend recounted by Manly P. Hall in "The Secret Teaching of All Ages" has Seth (the third son of Adam and Eve, brother of Cain and Able) returning to the Garden of Eden, under direction of his father and being given the seed of the Tree of Life by an angel. The seeds, having been planted inside of, and sprouting from, the dead Adams mouth, grow into a sapling with three trunks. Noah takes the tree onto the Ark and plants it on Mount Lebanon. Moses sees visions in this burning tree (the burning bush) and cuts a magical rod from it, with which he can issue water from a rock. Moses plants the sacred staff in the hills of Moab where King David finds it, he and his son, Solomon, attempting to use it for a pillar it in the Temple. The Queen of Sheba interacts with it and the tree eventually makes its way into becoming timber of the Cross on which Jesus is crucified.
This story of Seth's Tree describes the 'knowledge of the Tree' (Kosmic Konsciousness) being passed down from the previous Golden Age, through the enlightenment of key individuals, into the Common Era where it is about to open the collective Stargate, yet again.
Note the relationship to Seth and Sephiroth, the 10 spheres or aspects of God on the Tree of Kabala.
Other Seth's worth noting:
-The black Egyptian Typhonic beast (equitable to the GC Dragon) god, also known as Set, enemy of Horus and murderer of Osiris.
-The entity channeled by Jane Roberts and author of the Seth Material.
"Niagara, Niagara" sees Tunney alongside Seth, attracting the word "Falcon" (on a blue basketball T-Shirt) to her Crown. A group of rowdy punks harass the couple who Tunney successfully fends. This becomes very interesting when we remember Seth is the enemy of Horus (the Falcon) and Tunney is Isis. A sort of mini garbled account the War of the Gods has just transpired through a synchromystic reading of the scene.
The Moon rules over another classic piece of pop-culture..
Pizza is often cut into the 8 slices, evoking the 8 rayed Mandala Star shape and Octagon, often connected to the Stargate.
First contact is made in arguably the most iconic cinematic telling of the old tale. (E)llio(T), actor Henry Thomas, or the same Seth who charioteers to Canada with Robin in "Niagara, Niagara" carries a pizza towards the shed within which hides "E.T.: The Extra-Terrestrial"
We see the words MOM, for mother invoked at the pivotal point of true realization of 'other'. This MOM unveils some of its mystery when turned upside down as Elliot is amazed - exclaiming WOW! - by E.T's alien presence. The MOM is the mysterious doorway, spirit and womb from which all arises, Isis and our Galactic Center hOMe.
E.T. returns Elliot's "Reeces Pieces" candy, yet again connecting the Stargate to Sugar. He drops the sweets - the capstone of the food pyramid - on the image of the Hulk a Fool/Hermes/Osiris/Green Man resonater.
If we look close we can see Elliot's the bedspread, during First Contact, is that of The Green Man in his comic book Hulk incarnation.
The Hulk sync kisses E.T., two interrelated modern pop forms of Being or True Self masquerading as alien 'other' or superhero.
The vivid presence of deities like the Falcon/Horus, Green Man/Osiris and Tunney/Isis in this E.T. sync web unveils much.
Yes, we could say that these gods were E.T's, they clearly resonate each other powerfully, but what is the E.T? In my mind the mystery of the Alien is inseparable from the mystery of the Self. E.T's resonate Kosmic Konsciousness meaning Gods, Aliens and our own true nature beyond form are interwoven with each other. I would feel comfortable saying the E.T. and God is a facet of my Self which would apply to any and all parts of Konsciousness reading this right NOW.
As things start rapping up in "Niagara, Niagara" it become obvious that Marcy and Seth are burning out. Marcy (Robin Tunney) meets Marcy Ross (Clea DuVall just spotted in Buffy) and hold her up for money at a Convenience Store/Gas station.
Twin Marcy's? Marcy is from Mark, which in turn is from Mars, the Red or Scarlet Planet...
Actress Charisma Carpenter as Cordelia Chase becomes Sunnydale's May Queen and the focus of the Invisible Marcy's (Clea DuVall) wrath. As a real life and fictional CC she is a strong resonator of Double K. Because C and K sound the same they are synchromystically equivalent.
Reaching? All possible connects are valid and meaningful. It is 'resonance bias' to imagine otherwise..
Everything connects with everything else. Consensus usually describes what connections are valid and meaningful. Synchromysticism admits the reality that anything can be connected with meaning to anything else.
CC is crowned in the schools Quad directly behind an octagonal fountain.
"The May Queen is a girl (usually a teenage girl from a specific school year) who is selected to ride or walk at the front of a parade for May Day celebrations."
May Queen Wiki
May Day is one of the four Cross-Quarter Days
A cross-quarter day is a day falling approximately halfway between a solstice and an equinox.
Together with the solstices and equinoxes (Yule, Ostara, Midsummer, and Mabon), these form the eight solar holidays in the neopagan wheel of the year. They are often celebrated on the evening before the listed date, since traditionally the new day was considered to begin at sunset rather than at midnight.
There are Christian and secular holidays that correspond roughly with each of these four, and some argue that historically they originated as adaptations of the pagan holidays, although the matter is not agreed upon.
Cross-Quarter Day Wiki
A Pagan and Wiccan 'Wheel of the Year'. The 8 rayed mandala or StarG8 shape of a year and our Star. Obviously if we connect the points of this wheel we get the octagon.
Thus there are 8 major points or markers of the solar year (including May Day) making the octagon a fitting resonator of our Stars cycles. The Octagon and the 8 rayed cross-quarter or octogram star shape are one the most commonly spotted shapes associated with the themes of alignment, galactic and spiritual.
Associating cross-quarter with Octagon is a concept I first heard about at Goro Adachi's Etemenanki.
Let's highlight a repeat of the pattern with one octogram, just spotted in "Dark City". "Dark City" is one of those pivotal late 90's films, marking, vivifying, realizing and entraining with the rapidly changing consciousness of humanity. The very fabric of reality is spectacularly brought into question as aliens swap memories between humans every evening, in a giant city sized interstellar lab experiment or human rat maze. The mind and environment are manipulated as these nefarious E.T.'s try and figure out what makes us human, what is the soul.
Movies like "Dark City", "Matrix" and "The Truman Show" affect Konsciousness so profoundly because they hit on the very nature of the rapidly changing human condition.
Who are we and what are we really? If our environments and our thoughts don't define us and can actually be manipulated to enslave us, then how can we be sure of anything? Who are we if we are not the things that surround us, or the thoughts about these things and ourselves?
The answer is profound and elegant, only elusive and mercurial because it is so simple. We are the Witness or the Observer beyond all things.
We are Infinte Depth and No-thing. If this sounds strange or hard to grasp, consider the following. What I am trying to describe is what you are already and have always been. Indeed you are it right NOW as you read these words. Maybe your mind or thoughts find this confusing, this is normal. Your are not those confused thoughts, you are that which is aware that there are confused thoughts.
The cross-quarter or 8 pointed Star is seen above the entrance of a freshly 'tuned' couples house. 'Tuning', the ability of the Aliens to transform matter, manipulates space and thus resonates the StarG8 of Kosmic Konsciousness.
Willow and Xander talk 'slayer shop' with Buffy while the Crowned - symbolic halo of Kosmic Konsciousness - May Queen faces the Octagon. They discuss how Marcy Ross played the flute in the school band, her only notable scholastic activity. Sarah Michelle Gellar a.k.a Buffy explains how the sound of a flute accompanies the invisible girl 'sightings'.
Of supreme relevance here is that Alyson Hannigan is famous for saying "This one time at band camp, I stuck a flute in my pussy" in "American Pie". The Scooby Gang, including Willow (Alyson) is later seen being lured into a trap by the playing of Ross' flute..
We have the flute - the instrument of Pan - and Alyson featuring significantly in this 1997 "Buffy" episode and in 1999's "American Pie".
Alyson's boyfriend in the show is actor Seth Green playing Oz. OZ is the mythic land accessed through the whirling tornado StarG8 by Dorothy in "The Wizard of Oz". As such it resonates activated Kosmic Konsciousness or the fully realized, integrated, aligned and accepted NOW (note the OZ (the N tilting) in NOW). Oz also resonates Aleister Crowley's Liber OZ, OZ being 77 in Gematria equivalent of the Goat or Pan. Thus our red headed Alyson resonates Pan through the flute she has placed inside the holiest of holies (as womb) and through her boyfriend, Oz. We can also ad all the Tree Of Life resonance we attributed to Tunney's boyfriend, also Seth, to Oz. The Tree Of Life is the equivalent of all the axis mundi (trees, poles, pillars etc) in the macro and microcosm all lumped together under the term Dragon Axis.
See Scarlet Dragon 1 for more on the Dragon Axis
Faith, Hope and Trick S3 E3
We see Oz with the letters RE (RA or Ray (as in sun ray)), the Egyptian Sun God. I interpret this as a clear connection between Oz and our Star, the most vivid and immediate pointer of the StarG8.
A further lesson being taught by the practice of synchromysticism is that we can make and interact with new forms of mythology. We can have a vibrant, fresh and living relationship to Divinity and its archetypes. I see no reason why we cant attribute as much validity to the movements of 'Buffy Star' Oz as we would Egyptian Star Ray/Re/Ra. They both emanate from Being beyond form. There is no need for the ancient Egyptian or any other religious divinities to be more relevant and important then the pop Star resonators. As long as WE note that its is Our own KKonsciousness and that animates this new pop-mythology I believe it can be supremely healthy and helpful to view Buffy's Stars on par with the traditional gods and goddesses. With the discovery of pop Stars as symbols of Divinity, we have the added benefit of seeing these entities in new contexts reflecting our current life situation.
Our Scarlet Woman heightens her association to OZ and Pan in "How I Met Your Mother" S2 E17 "Arrivederci, Fiero", through another T-Shirt sync wink. Plant KKonsciousness circles around our Buffy's Willow, here playing Lily Aldrin. The strange attraction of AlysON Hannigan with flora sees her sporting radiating plant world StarG8s over her brown Zebra striped top. These flowers mark her subtle body pillar and chakra wheels. Meanwhile a "No" (N becomes Z (Z-Spinner)) sync winks on actor JasON Segel's shirt, as Marshal Ericksen, playing Alyson Hannigan's boyfriend. We then have both "Buffy's" Oz and "HIMYM's" JasON lending Willow/Lily the wONderland of OZ i.e. consciousness freed from identification with form.
The CBS eye 'channel watermark' touches her while the NO/ZO aligns..
Lily rescues a goat - animal of Pan (OZ/77) - in S3 E17 "The Goat".
In Egyptian mythology, Osiris was killed on the 17th day of Athyr, the third month of the ancient calendar.
3/17 is also the date of a Masonically-created holiday, St. Patrick's Day.
From Christoper Knowles' Secret Sun post here
There is no shortage of such incidents when charting the movements of AlysON as we see such fun again in Buffy S3 E8 "Lovers Walk". The O of ZO in Razorbacks, the Sunnydale school football team, emanates from her head while a blazing sun (on a "Day By The River" sticker) and radiating Heart fronted M (WE3 Spinner) decorate her profile. At the same time Oz's orange shirt sports the letters RAM.
" I love the WE3M spinner concept. Aries is the RAM ruled by the planet MARs, the god of WAR."
Comment left by Z in the Black Star post.
Below we see the Ra of RAZOrbacks and solar rays (Day By The River) protrude from her Crown.
In the same vane but with added susynct context we see "Band Candy" S3 E6 below. The octagonal O of ZO forms a giant halo, fronted by the RA, while boyfriend OZ follows closely behind. A Cameo by actor Robin Sachs allows the Robin familiar or animal guide to say hi and confirms to me in internally that we are on the right track.
Jack ParsONs was a co-founder of Jet Propulsions Laboratories (JPL) - the dude was a pivotal and key figure in the movement of KKonsciousness towards space/star travel and rocket type chariots - and serious practicing magickian. ParsON's was a devout admirer of Aleister Crowley, particularly fond of To Mega Therion's (Crowley as "The Great Beast") "Liber OZ"/77/Pan "the rights of man", who would also recite Khaled Khan's* (as Crowley will henceforth be titled at "The Blob") Hymn To Pan, by memory, before rocket tests.
*Another of Crowley's pseudonyms, this one attaching KK and HH to AC!
Both Khan and Parson's had a particular interest in red headed woman or Scarlet Woman. In Parsons case, we are told, his series of sex magick rituals conducted with the help of none other then L. Ron Hubbard, called the Babalon Workings, were believed to have interacted with the arrival of a red headed woman, Marjorie Cameron in Parson life.
The Scarlet Woman is said to be intimately associated with the dawning Aeon of Horus.
I understand all these symbols as representative of, and entraining with, the realization of KKonsciousness by the human species.
I don't feel that Crowley, Tu Pac, R.A. Wilson, Darren Aronofsky, Da Vinci, Dee, Jung, Kubrick, Gautama, Alyson Hannigan. The Beatles, Genghis Khan, Kelley, Keith Harring, Amenhotep 4, Leary, Madonna, Blavatsky, McKenna or any other 'high level' starG8 entrainer/resonator 'called' these forces into Being. Like pronounced notes in a skilfully crafted symphony they resonated loudly with the overall structure, self reflecting and pronouncing to the point of standing out, seemingly separate. Just like a flower or crystal requires the entire ecosystem, nay the entire universe and beyond!, to form so do StarG8tors 'grow' out of KKonsciousness. To say the person influences the universe, rather then the verse influencing the person are both equally wrong. Both person and universe are inseparable facets arising non-locally out of that which can not ultimately be named. Yet if we tried IT could perhaps be called NO-thing beyond form or pure un-manifested consciousness.
A StarG8tor - like all else in existence - reflects, influences (and is influenced), affects (and is affected upon), entrains, emanates, resonates etc.. all at once!
In this way Thelema and Buffy (or any other phenomena) as StarG8tors 'entrain' or manifest, with equal profundity in my mind, aspects that are both reflective and affective of patterns Divine.
"John Parsons believed the 1940 story, Darker Than You Think, presaged the appearance of Babalon."
(The Jack Parsons info in this post is from "Sex and Rockets The Occult World Of Jack Parsons" (p 57-58) by John Carter. The above quote is from the plates section of this book.)
Parsons was a huge science fiction fan - no doubt influencing and partly fueling his rocketeering ambitions - and he met many of his favorite authors including Jack Williamson, author of "Darker Than You Think" who Parson's found extraordinarily inspirational.
"Parsons was particularly fascinated by Williamson's Darker Than You Think, the tale of an ancient lycanthropic race who seek to regain power amongst men through the birth of a magical child, "The Child of Night"."
Fortean Times Online
This image is from the Season 4 title sequence and episode "Fear Itself". The sticker on his shirt reads "Hello My name Is God", the sticker being Oz's Halloween Costume. God is Dog backwards, dogs are descended from wolves...
Oz (Seth Green), Willow's boyfriend our synchromystic Wiccan "Scarlet Woman" from "Buffy" is just that, a Lycanthrope or Werewolf.
Recapping these fascinating correlations between Jack Parsons and "Buffy The Vampire Slayer".
- He would invoke Pan (Oz/77) before rocket test launches.
- He had a fascination with a Red Headed representations of the Divine as potent sex magick allies.
- Crowley's "Liber Oz" was his personal mantra.
- He was influenced by a Science Fiction novel about Red Heads, magical children (Moonchild) and werewolves.
-"Buffy" sees a Red Headed magical practitioner Willow Rosenberg, with a boyfriend Oz, who she chooses to loose her virginity with.
Alyson's lies on her bed scanning her magick grimoires. The world is about to end before she has had time to explore all of life's mysteries. In the top right hand corner we note her taste in art, Alex Grey's "Theolugue".
Theologue; The Union of Human Consciousness Weaving the Fabric Of Space And Time in which the Self and Its Surroundings are Embedded, 1984.
The Scarlet Woman and virginity, a theme associated to Alyson already in "American Pie" where she 'deflowers' Jim. As virgin she resonates Isis, the Great Mother of the Milky Way.
This is also strongly in keeping with Babalon. The sexually liberated, fertile and active woman is symbolic of enticing ecstatic energy that lures us into the sudden dramatic shift of KKonsciousness. Our mother and lover, birthing and unveiling through her womb/ark what WE already are and have.
Khaled Khan's version of the "Strength" Atu/Trump "Lust". Babalon who's number is 77 and 777, riding the seven headed lion-serpent Beast while holding the Holy Grail.
Other syncnificant flavors that start bleeding into the sync web through the Scarlet Woman's grail:
-Thus the last Aeon, that of Osiris, is referred to as Aries and Libra, as the previous Aeon, that of Isis, was especially connected to the signs of Pisces and Virgo, while the present, that of Horus, is linked with Aquarius and Leo.
-...so that the Woman in the card may be regarded as a form of the Moon, very fully illuminated by the Sun, and intimately united with him in such wise as to produce, incarnate in human form, the representative or representatives of the Lord Of The Aeon.
Khaled Khan "The Book Of Thoth" p 93-94
It becomes more and more clear that heavenly bodies like the Moon, Jupiter and the Sun are indeed states of consciousness. But then, going to Safeway is also such a state of consciousness.
Alyson Hannigan is our helper across the Abyss, beyond which lies the StaG8way to The City Of Pyramids!
In S3 E18 "Earshot" another disgruntled teen, Jonathan, is potentially looking to 'reverse birth' (kill) his fellow students. Buffy, Scarlet Woman Willow and the gang intervene..
Above and below we see the Black Star bob in and out of the crown of Sarah Michelle Gellar, the OZ of RaZOrbacks and Jupiter behind Alyson.
Sarah plays porn Star and pop singer Krysta Kapowski a.k.a. Krysta Now in the director Richard Kelley's impenetrable "Southland Tales".
We have then the Konsciously Konscious Double K and and the eternal NOW at play in Buffy's sync web. The NOW/NWO interchangeability unveils how the New World Order itself is a tool of Kosmic Konsciousness to create Peace On Earth, whatever their human agenda might be.
Aeon of Horus=Kosmic Konsciousness=Heaven=OZ=NOW
K.K's album, with heart shape inside the O Mandala of NOW, and single "Teen Horniness Is Not A Crime"
Below is "The Scorpion King" Dwayne "The Rock" Johnson playing Boxer Santaros a.k.a Jericho Cane and love interest of Krysta Kapowski. This happens to be the name of Arnold Schwarzenegger, trying to protects Robin Tunney from Satanic impregnation in "End of Days"
See K2 and The 2012 Maya Mega Ritual for more about "The Scorpion King". Scorpio's stinger along with Sagittarius arrow forms the twin guardians or pointers of Galactic Center.
Above we can just make out Jericho's Black David Star tattoo over his belly.
Oz and Willow enter the room of a suspect in "Earshot". Their heads 'pass through' the image of the coiled serpent.
The exact early American flag (Gadsden Flag) that inspired the comparison of the Barbury Castle Pi Crop Circle, to a coiled rattlesnake.
The Great Pyramid in cubits measures 440 units at its base and 280 in height.
This gives us a ratio of 11:7 (2Pi) resulting in the connection to Pi (22:7) and the edifice.
It was John Taylor who first proposed the idea that the number π might have been intentionally incorporated into the design of the Great Pyramid of Khufu at Giza. He discovered that if one divides the perimeter of the Pyramid by its height, one obtains a close approximation to 2π. He compared this to the fact that if one divides the circumference of a circle by its radius, one obtains 2π. He suggested that perhaps the Great Pyramid was intended to be a representation of the spherical Earth, the height corresponding to the radius joining the center of the Earth to the North Pole and the perimeter corresponding to the Earth's circumference at the Equator.
Pi and the Great Pyramid
Below we see a diagram expressing the Great Pyramid as being in a 'times 40' relationship of 11:7.
Diagram from "Thoth: Architect of the Universe" p86 by Ralph Ellis
The 7 and 11 number, fit together popularly, in the name of the largest chain store in existence 7-Eleven.
The red part of the 7 is cut by the letters EVE, highlighting the Great Mother of the Garden.
Further we note that its tagline resonates the Divine themes inspired by the Great Pyramid "Oh thank heaven".
Buffy Summers a.k.a Krysta Kypowski with a food pyramid emanating from her crown in "Out of Mind, Out of Sight".
The consumption of sugar - the capstone of the food pyramid - is a theme often associated to the StarG8. My best guess for this recurring pattern being that sugar is in some form useful in the current transformation of the species. The themes of "enjoyment of youth" and "the sweet life" (Jimbo's take) also seem likely relevant here.
7-Eleven dispenses the popular frozen Carbonated beverage, the Slurpee.
7-Eleven stores are a franchise, and Slurpees are offered in many but not all covered countries.
Canadians purchase an average of 30 million drinks per year. Despite its status as the coldest city in the world with a population of over 600,000,[2] Winnipeg, Manitoba was crowned the Slurpee Capital of the world for the ninth time in a row in 2008. In Manitoba, 7-Eleven stores across the province sell an average of 8,330 Slurpee drinks per month. The rest of Canada sells an average of 5,990, which makes Manitobans the world leader of Slurpee sales.
Wikipedia - Slurpee: Worldwide Consumption
"Let's look at how the Zenith alignment was encoded into the Pyramid of Kukulcan. It's quite simple but, like a great deal of my reconstruction work, has been ignored. The diagram on the left shows the true importance of the Pyramid of Kukulcan, and how it encodes the precessional alignment of sun, Pleiades, and zenith"
The tangible, visible meaning of this pyramid is widely known, and in fact every equinox thousands of people flock to Chichen to watch a shadow-serpent appear and slither down the stairs of the northern balustrade. But this equinox appearance is not everything that's going on here. In fact, as marvelous and awe-inspiring as this event is considered to be, the real meaning of the Pyramid of Kukulcan makes this seem superficial. It is, in fact, only a shadow that points at a deeper truth. My decipherment of the true intention of the pyramid's shadow-serpent dawned when I read that, in the Yucatec Maya language, the word for a snake's rattle, tzab, is the same word for the Pleiades. In addition, research by Jose Diaz Bolio indicated that some Yucatecan rattlesnakes have a strange little three-dot marking in a circle near the rattle. This symbol was read by Bolio as a solar ahau face, a symbol of the sun. Now, when the serpent shadow appears, if we wish to imagine the snake's tail, it must pierce the temple on top of the pyramid (the fifth, central direction-the zenith direction) and then it points up into the center of the sky (see diagram). Since the rattle is called tzab (Pleiades) and the three-dot ahau face design is the sun, the symbolism states unequivocally: sun and Pleiades in the zenith. Of course, this alignment doesn't occur on the equinoxes, but at Chichen Itza it occurs on May 20 th in the 21st century. The point is that the pyramid "points", with this symbolism, to an astronomical alignment that occurs in a specific precessional era. As such, the Pyramid of Kukulcan is a precessional star clock constructed in stone. Can one imagine anything that compares to this anywhere else on earth? Something that combines architectural alignment to horizon astronomy and snake symbology to state something as specific and profound as a rare alignment in precession? In my view, the Pyramid of Kukulcan is unique. Again, this reconstruction of mine is supported by additional evidence and the skeptical reader should really check out the full argument in my book Maya Cosmogenesis 2012.
Alignment 2012 by John Major Jenkins
To be highlight in regards to Jenkin's observations about this pyramid:
- A Pyramid central to Galactic Alignment is connected to the zig-zag or step pattern and Rattlesnake.
- Kukulcan or Quetzalcoatl resonates Double K and Dragon/Wurm
- The word for snake rattle/tail is "Tzab" also meaning Pleiades (The Seven Sisters) which forms part of Taurus being Galactic Anti-Center. The knotted serpents tail, synchromystically equivalent to Tzab, is represented as Hindu god Ketu (and alternate name for K2!) and Southern Lunar node (and "shadow" planet) exalted in Sagittarius or Galactic Center.
See K2 and The 2012 Maya Mega Ritual for more on Ketu
We can NOW strongly synchromystically associate this Mayan building to K2, a mountain which resonates the Great Pyramid of Giza, both 'investigated' by Khaled Khan. Through synchromystic type reasoning the Great, Kukulcan and K2 Pyramounts start bleeding together, there individual resonance NOW being shared.
As stepped Rattlesnake/Pi and StarG8 Mandala Crop Circle (CC/KK) the combined Mayan and Egyptian pyramount resonance of the Barbury Castle (El Castillo!) phenomena can now be appreciated.
When the credits role for "American Pie" we note that Alyson Hannigan as Michelle is directly above Chris Klein as Oz, yet another endless such connection. If we scroll back up and look at the poster for "American Pie" we can now note that Pie/Pi, Flute (instrument of Pan/Oz/77) our Scarlet Woman and Oz (Chris Klein) are in direct alignment.
Another name, sharing the credits with Alyson and Oz is Jim's Dad, actor Eugene Levy. He has made a tiny ripple on the sync web before as Crowley in "Stay Tuned" (see this films credits above).
Crowley produces television for The Beast 666 (Satan/Lucifer) in "Stay Tuned", until his boss Spike (Jeffrey Jones) zaps him into the television StarG8. He thus resonates Khaled Khan and the symbolic doorway of Galactic and spiritual alignment.
Wort highlighting again, the Star of the film, John Ritter, died on September 11th 2003 and appears on screen with the Double K (below).
As Jim's Dad in "American Pie" our synchromystic 'composite character', now resonating Khaled Khan, is caught with the Grey type alien emanating from his crown as a green sticker on a basketball backboard. Basketball resonates the basket theme, last seen in Scarlet Dragon 1. This particular net gives our Khan a Halo.
We saw the word Falcon and a basketball attracted to Tunney's Crown in "Niagara, Niagara". More basketball syncs to follow in this and future posts.
E.T's and Grey's resonate Kosmic Konsciousness, things which the real Khan pursued with a remarkable zeal.
Jim's Dad/Khan, is very interested in his boy's coming of age and sexual experimentation. He awkwardly encourages and motivates his son to be active in this regard.
That a Crowley resonator would facilitate the union of Jim with the Scarlet Woman, is most susynct.
Jim sits in class, full well knowing the score, the relevant action in school is never happening at the front, it's at the side. He shoulders the tiger, the animal of 2010 "The Year We Make Contact".
The film "2010 The Year We Make Contact" is directed by Peter Hyams, he who brought us both "End Of Days" and "Stay Tuned".
Horus is the Starchild and Jupiter. We could say this is the fully accepted present moment in what ever form it has taken. If you are flirting with a girl in a coffee shop, playing "Settlers of Catan", surfing the internet, ingesting an heroic dose of enthoegenics, paying bills, discussing a movie, flying to another country, riding the escalator in a mall or doing any other thing and can bring conscious presence and acceptance into that moment, you have become "Horus the Starchild".
Jupiter, the location of the films Kosmic Konsciousness StarG8 themes, can be associated with Horus , think of the big red storm/eye. The 2010 Starchild, is then our infantile, ready to be birthed - akin to Jupiter becoming the second sun a.k.a Lucifer - Kosmic Konsciousness.
Jim stairs at the object of his desire, at the far end of class. A true Zen moment, as The Holy Grail is already there, closer then he can imagine, in the form of The Scarlet Woman, Alyson Hannigan, yet he is blinded by the very act of reaching. The 8 rayed star burst shape sync winks, telling us there is always more to reality then the surface of things.
After reluctantly taking Michelle/Hannigan to prom she cuts through the customary heavy layers of awkward social niceties and protocol demanding to be "screwed soon". The room chosen for this union is decorated with Dinosaurs. The bed is overseen by the gaping Galactic Center jaws of a Dragon Axis and Alignment resonating T.Rex.
When he wakes up the next morning, having been bedded by the Scarlet Woman, he grabs the dinosaur mistaking it for Hannigan. Satisfied, she has slipped away during the wee hours of the morning after. Delighted by losing his virginity and being used in such a manner Jim heads of to the "Dog Years" diner with his chums to celebrate.
The Dog is God - the eternal Self beyond temporary thought and form - also resonating Sirius and the Hounds Of Hermes. Jim's Dad/Crowley, must be very proud.
Babalon as Lily in "How I Met Your Mother" (How I Met The Great Mother Of The Milky Way) S2 E8 "Atlantic City" (AC, Aleister Crowley).
The Great Mother walks into a Casino (above) immediately framed (above) by two 7's, 77/OZ/Pan.
Golden Heavenly type stars dance around Earthly Stars Crowns, two entraining right above Hannigan (Lilly) and Cobie Smulders (Robin). The Scarlet Woman and her partner, actor Jason Segal as Marshal Eriksen, have come to the gambling town attempting to be joined in matrimony.
Robins are my primary sync guide, when they 'speak' I listen...
"How I Met The Great Mother" S1 E5 "Okay Awesome".
Above the shows lead Josh Radnor, playing architect Ted Mosby, is inside a noisy night club. The music drowns out the actors voices and we follow along through subtitles. Ted asks his dance partner "So, how do you know Robin?".
She mishears his question and simply answers "Sagittarius!". The bowman/archer who's arrow points directly at womb of the The Great Mother in the night sky.
"So, how do you know Robin?"
Back in Atlantic City we catch the Great Mother (above) with the 777 emanating from her subtle body, the vivified Aureola. Below the Robin oversees the attempted holy matrimony, while the double K sync winks hello.
I wonder if they will, in future episodes, become pregnant with the symbolic Horus Moonchild of aligned Kosmic Konsciousness?
In "How I Met The Great Mother" S2 E12 "First Time In New York" Robin's little sister comes to town. While inside the lobby of the giant Manhattan Obelisk, the Empire State Building they way the pros and cons of the news that Robin's sister plans to loose her virginity, while reminiscing about their first sexual encounters.
We acknowledge the repeat of the Virgin/Isis theme in direct proximity to Alyson Hannigan. The Virgin is the Great Mother Goddess and Galaxy as the Creator of KKonsciousness. WE are the result and purpose of the Galaxy itself!
Above Robin is shown wearing the Zebra stripes while the Scarlet Woman has the arrow of Sagittarius and P(ARK) emanating from her crown. Below the scene has changed, ever so slightly, Lily now crowned by the Double K.
The New York Skyline resonance, in close association to these KKonsciousness birthing themes, echoes the role of the 911 Mega Ritual in Earths awakening process.
The destruction of the Twin Pillarmids unveiling to the whole planet the transient nature of form.
In S2 E8 "The Duel" Lily's Husband is crowned by a Golden crown on a Phonebooth. The word ONE furthers the Khrist Konsciousness rez of the Scarlet Woman's partner, NOW visibly worthy of his role has counterpart to Babalon.
Meanwhile, in the same episode, Robin is being served by a Grey alien - resonating Khaled Khan's Lam and Kosmic Konsciousness - in a sci-fi themed restaurant.
Bartender Carl brings over a free round of shots for the entire gang in S1 E10 "The Pineapple Incident". It is his own personalized concoction called "The Red Dragon"!
Marshal (actor Jason Segel, betrothed of Babalon) speculates that Carl is a vampire.
"Just think about it. He always wears black, we never see him in the daylight, only after dark."
Above we see Marshal as Peter in "Forgetting Shara Marshal" putting on his Dracula puppet musical. This adds more vampire resonance to the Husband of the Scarlet Woman (Hannigan), herself a vampire hunter in "Buffy".
Dracula means "Son of Dragon" getting us closer, I feel, to the point of all this vampire business. Vampire resonates Dragon, the animal of alignment with the Kosmic and spiritual axis.
Backstage at his Dracula puppet musical Peter unveils the PLAN of The E.T!
His profile enters the word PLANET, first revealing A NET. A net is what captures the Moonchild in Crowley's "Moonchild" novel, if we continue with the Crowliana. "The Net" is also the technology that allows the arising of KKonsciousness through the currently transpiring World War 3 or WWW.
Then his head reveals E.T, showing us how the PLANET EARTH has always been simply the PLAN of the E.T! We could say E.T. (Kosmic Konsciousness) seeded or intervened with life/DNA. Of course it did, Life/DNA is Kosmic Konsciousness.
PLANET can also be viewed as PLANT plus a WE3 as E...
The "How I Met The Great Mother" gang, including Marshal (ONE/Dracula), Lily (Babalon) and Robin stare at the "Red Dragon" shots.
It is decided Ted will drink them all, at once.
After brazenly chugging the brew he blacks out while the StarG8 opens!
A vortex is depicted populated by a pineapple and "The Scarlet Dragon". The pineapple is the 'ripe fruit' of the pineal gland which opens the G8, while the Dragon is the aligned axis mundi in all its fractal incarnations.
Robin Tunney leads the California Bureau if Investigations (CBI), a team of serious crime solvers, utilizing - often reluctantly - the help of "The Mentalist" Patrick Jane (actor Simon Baker).
On her right, in the image above, is the red headed CBI Amanda Righetti as Grace Van Pelt. Every episode, of the first season at least, contains the word red: "Red Tide", "Redwood" and Red Handed" etc.
Below we see red headed Grace in Episode 4 "Ladies In Red" wearing red. Grace is, at this very moment, being used as lure for a serial killer with a passion for red headed woman. Tunney and CBI having been called in to catch the killer.
We have here one of Tunney's underlings resonating the Scarlet Woman, in an episode placing particular emphasis on "Ladies in red", who then proceeds to interact with the 7 rayed star of Babalon on the officers uniform!
Note how the CBS eye/I/Self watermark hits the red dress, while three StarG8ways sync wink, hello!
If you will join me in whimsy, we are starting to see the opening of the G8way to the City of Pyramids.
Below we catch Tunney the StarMummy, in frame and sync kissed by the pineapple.
The Mentalist Episode 5 "Redwood"
Tunney exits the chariot, the pineapple is still in shot as something amazing happens to the very fabric of HER universe!
A flash with associated blue wisps and lens flares dance around the screen and StarMummy.
The light yellow mandala shape forms over Tunney and the surrounding woods, who speaks on the phone seemingly oblivious to the opening of the StarG8!
Of course from a consensus view these are just the stylized overlayed CBS network announcements. Yet, like all else in the universe, these phenomena entrain with everything else.
In Buffy S5 E9 "Listening To Fear" lovers Willow and Tara (actress Amber Benson) lie on their backs, admiring and pointing out star constellations. Hannigan highlights real ones like Canis Minor and Cassiopeia...
Tara makes up her own, above explaining the layout of "The Big Pineapple".
At that very moment, as if in response, a meteor streaks across the sky.
It passes directly over The Scarlet Woman. The space rock contains an E.T. and is the first ever appearance in "Buffy" of aliens as a monster, thus representing First Contact. First Contact is directly equatable to realization of Kosmic Konsciousness, Siriusly.
The Scoobies research the matter. A spiral Galaxy in front of Xander sync winks alignment as Giles (actor Anthony Stewart Head) points towards the Heavens. Two saucer shaped table lights illuminate the Galaxy while receding in perspective towards Hannigan.
Xander discovers that the E.T. demon is summoned from the Moon, the same sphere of Babalon our G8way To The City of Pyramids!
The ripe pineapple fruit of KKonsciousness, its plates arranged along the Golden Ratio with exploding Crown of leaves. A perfect fractal of Galactic and Spiritual alignment.
Back in "Forgetting Sarah Marshal" we note Hannigan's "How I Met The Great Mother" husband - who curiously is called Marshal in that show - syncing with the pineapple.
This is the opening scene from 1999's pre-millennium tension milking "End Of Days" with Arnold Schwarzenegger and Robin Tunney.
The camera pans up from the Vatican Dome to a comet passing over the Moon. This echoes Hannigan's meteor and Sphere of influence, La Luna.
We move inside the building seeing a priest take note of the celestial display.
The Moon sink winks through a window while a parchment confirms his suspicions. This is "The eye of God".
He runs to tell the Pope.
The Pope knowingly takes heed, intoning: "The child will be born today".
"She must be found"
The other camp, the evil Satanist, are not resting on there laurels and have already located the child.
The babe who was born under the Moon - our Moonchild - bears the mark of Omega, the End.
This symbol is found - as a stylized black Nut sky God (also Milky Way) - on Khaled Khans Thoth Tarot Major Arcana XX, AeON.
The Horus/Jupiter/Moonchild is surrounded by the womb of Omega. Very simply the birthing of the currently realized state of KKonsciousness, through the end of time (the mind made and time bound identity), ever deepening on Earth.
The Satanist have a sneaky ritual in the basement of the hospital before returning the baby to its mother.
A coiled rattlesnake resonating the Barbury Castle CC and early American Flag interacting with Hannigan (Scarlet) and Oz (Seth) is essential part of the Moonchild ritual. We also compared the coiled snake to the Mayan 2012 astro-clock "El Castilo".
The scaly plates of the rattlesnake and pineapple unveil the elegant and harmonious universe emanating from NOW. The pineapple is arranged according to the Golden Ratio while the coiled rattlesnake of the Barbury Castle CC encoded Pi.
The newly realized state of consciousness is bathed and made to consume the blood of the serpent. The coiled serpent and its blood resonating DNA, Dragon Axes (Axis Mundi), Kundalini and Ayahuasca (which started this Pi/Pie sync web).
The child is K2 mountaineer (2000's "Vertical Limit") Robin Tunney a.k.a StarMummy. Her first scene in "End Of Days" sees her placing roses by her parents grave. A gravestone behind her sees two broken pillars echoing the role of the 911 Mega Ritual in the birthing of the Moonchild.
We will see another interesting gravestone interacting with the Great Mother Hannigan soon enough...
The next time she enters screen is on a New York city subway train. As her head moves into position, sync kissing the black and red 2K, a poster for soap company Lever 2000 is noted. As her Crown interacts with 2K the EVE in lEVEr is framed and unveiled in between the head and arm of a swaying commuter. Eve the Great Mother of the Garden.
11:11/KK/2K/K2 is the exact time of the December Solstice Alignment in 2012.
Hannigan's husband (The Great Father/Force) drinks at the "Scorpion And The Toad" (in the episode of the same name S2 E2) in "How I Met The Great Mother". The Toad who's gaping mouth is equivalent of Galactic Center to the Maya swallows First Father (the Sun) as symbol of alignment.
Scorpios' stinger along with Sagittarius' arrow points directly at the area in the night sky that houses Galactic Center (GC).
See K2 and The 2012 Maya Mega Ritual for more on Toads and Scorpions as GC/StarG8 syncs
Inside the bar HIS Crown hits the 8 rayed StarG8, last seen in shot with his wife in "American Pie".
In "Monday Night Football" S2 E14 Lily (The Great Mother of the Garden/Spirit) takes Marshal (Great Father/Force) to her day job, a Kindergarten (literally children's garden!).
The image of a clock gives her a Black Star - the minute and hour demarcations of the clock face radiating a circular mandala of stripes - halo, while she sports the green Zebra stripes of nature.
Marshal takes his seat amongst the children and is sync kissed by a Zebra.
The Zebra is the checkerboard animal associated with Kosmic Konsciousness by Philip K. Dick as VALIS/Zebra.
In "Aldrin Justice" S2 E6 the same happens accept this time the Zebra kisses the Scarlet Woman.
Lily wearing multicolor stripes and the Zebra plus Dragon Axis Dinosaurs. Hannigan was mistaken for a Dinosaur in "American Pie".
In "Nothing Good Happens After 2 A.M" S1 E18 Barney (Neal Patrick Harris) and Robin are roped into participating in Lily's Kindergarten Career Day.
We see Hannigan (Great Mother of The Moonchild) walk past images of the planets.
Above the red eye/I/Self of Jupiter (The Horus Moonchild) sync kisses and emanates from her crown. Indeed she has a Jupiter Halo!
She does so in stylish purple Zebra radials...
In "Mary the Paralegal" S1 E19 Robin (a news reporter), our ever present familiar, receives a Local Area Media Award (or as Lily calls it, a LAMA).
The word LAMA is seen below jutting out of her Crown. If you scroll back up you will see Robin eating in a Sci:Fi restaurant being served by a Grey type alien, resonating Khaled Khans Kosmic Konsciousness thingemagick. I felt LAMA dangerously close to LAM but not worth noting untill the episode below...
Witness patient and persistent reader "How I Met The Great Mother and Opened The Gateway To The City Of Pyramids" "The Worlds Greatest Couple" S2 E5...
Robin and Ted stand in the kitchen of the apartment he shares with Lily and Marshal. Robin wears the shirt of Apollo (Horus) 11, the first manned Moon landing. The Moon is the 'planet' of Babalon and landing on our mysterious neighbor is an important step in KKonscious Life's journey to the heavens and back to Spirit.
See Christopher Knowles latest Red Ice Interview for more syncs related to Parsons, Apollo/Horus, Moon etc..
S3 E1 "Wait For It"
Other features of this often sighted interior is a wall decoration reading Almond's. The almond shaped eye of the Grey's and sculptures of Akhenaton (probably a Biblical patriarch like Moses and more..) unveil its association to Kosmic Konsciousness.
"Then he looked right through me
With somniferous almond eyes"
Tool's 11 minutes and 11 seconds in length "Rosetta Stoned"
The Almond sync kisses Robins head as she wears a purple shirt with the image of Masons sticking their pole (penis) into the feminine Moon...
S3 E7 Dowisetrepla
The floor of Babalon's Kitchen is a checkerboard, symbol of the balanced duel nature of the universe and the night sky or Heavens. The checkerboard is also used as floor for the Masonic Lodge.
I don't believe Masons have there sites on programming us through "How I Met Your Mother". I think facets of KKonsciousness are waking up in the inseparable 'organism environment field' WE are. When you see something that resonates Horus (the newly birthed KKonsciousness of unified Life on Earth) it is literally the Horus state of awareness entering Life through you. The Masons have participated in carrying much of the symbolism Kosmic Konsciousness from the past Golden Age (a probable previous spike in the evolution of KKonsciousness) into the present. That a fraternity associates itself with certain symbolism doesn't mean they own or are sole purveyors of it. Indeed ultimately all symbolism emanates from your true Self in the Present Moment or NOW.
Back in "Atlantic City" before Lily entrains with the 777 inside the Casino (as seen earlier) our Great Father and Great Mother have sex on the checkerboard of there kitchen. Marshal's T-Shirt sees the spread wings of a golden bird (cant even bear to make up an excuse to justify why this is obviously the Horus/Phoenix or whatever).
We already saw Robin wearing an Apollo (Horus) 11 T in "Worlds Greatest Couple" NOw WE see Hannigan wearing a human cat hybrid. The Sphinx in Egypt is just such a beast - perhaps dating from the previous Golden Age - and is often associated with Horus.
Above Babalons' crown emanates a NASA space shuttle patch with Barney's robot collection in the background. The development of 'form level' progress in technology - such as space migration and artificial intelligence etc - are interrelated phenomena resulting from the ever deepening awakening KKonsciousness moving into matter. The external form reality We inhabit is a mirror of the development, growth and crystallization of Being.
Its not so much that NASA or Hollywood are practicing the occult, they are literally moved by Spirit/Gods/Aliens etc.
God works in mysterious ways. A powerful Sutra..
I had been thinking about LAM during the very period I was watching this episode. Reflecting that LAM can become MAL(l),WAL(l) and LAW owing to the WE3 spinner (W,M,E,3). After seeing the Apollo 11 and Sekhmet shirts in the amazing context described above a thought occured to ME. It just popped into my head that LAM is going to make an appearance in this episode.
It did, minutes after entraining with the Force that creates all, LAM appeared and sync kissed the husband of The Scarlet Woman!
In Scarlet Dragon 1 we investigated the synchronicity of both a film and Crop Circle called "The Basket" appearing in 1999.
Above an octagonal black StarG8 and halo of Time radiates from his crown suggesting major syncnificance to follow.
It's the midst of World War 1 and Coyote plays the classic "strange teacher with unconventional methods" such as introducing the class to opera and a new game called 'Basketball'.
The underdogs of Waterville (resonating the emerging age of Aquarius) couched by Coyote face off against the Spokane Spartans inside a Masonic Temple.
The teacher and coach kneels on the checkerboard floor while the Indented Tessel (the border zig-zag) and red line emerges from his profile.
Peter Coyote syncnifcantly appears in "The 4400", a show about 4400 people who have disappeared starting from 1946, all being returned at once without having aged or remembering where they have been.
The title appears over the blue waters with the number 40 underlined. Interestingly we saw the 40 earlier connected to the Great Pyramid. The structure being 11 over 7 (times 40) cubits in size.
Coyote plays Dennis Ryland, sometimes leader of NTAC, a governmental agency tasked with dealing with the 4400.
He returns to command in the S2 E4 "The Fifth Page" immediately caught in shot with the spiraling DNA, Dragon Axis variant.
Tests being run on the 4400 Center/Scientology Moonchild in "The Fifth Page".
Some of the returnees have created and joined the "4400 Center" an organization with clear allusions to Scientology.
The 4400 Center is particularly interested in returnee Lily Tyler's baby Isabelle. Lily became pregnant after being abducted and before being returned.
Above and below we see our Mother discovering that secrets tests are being run on her child at the 4400 Center. When confronting those responsible they justify there actions sighting Isabelle as "The Rosetta Stone of The 4400".
Another Lily - Hannigan's name in "How I Met Your Mother" - with clear synchromystic ties to the Moonchild pattern.
Remember that Scientology's founder L. Ron Hubbard was intimately involved with Jack Parson's Babalon/Moonchild sex magick rituals.
The Rosetta Stone in proximity and resonance with these Kosmic Konsciousness themes was also spotted earlier in this post in reference to Tool's "Rosetta Stoned" a song describing a probable First Contact type scenario (not to mention containing a reference to Krispy Kream donuts!).
See E.T Ipsissimus of the A.:A.: for more context on Tool etc.
The potent altered state leading to Illumination with perception of First Contact and the deep realization of Kosmic Konsciousness are one and the same. Depending on your personal make up you will see the event as contact with 'other' or 'self'. Final resolution of the paradox is moving beyond the 'myth of myself'.
A pattern emerges of synchromystic resonance between Babalon and First Contact, more of which will be explored in future posts, flux willing.
Tunney sowing seeds (feeding chickens) from a watering can in "Niagara, Niagara". She invokes the fertility and rebirth from the arising age of Aquarius.
Her further adventures in Canada, questing for the black Barbie head with Seth, are topics for 'future' discusion..
The kaleidoscope of Being rearranges playfully with the same elements in a different configuration. Tunney stands next to "The Mentalist' in S1 E9 "Flame Red". Water rains from the sky while MOM is safely sheltered between two pillars wearing a smile. A watering can sync winks with the CBS eye/I/self kissing the Aquarian object.
The "3D" Indented Tessel - the boarder of a Tracing Board - is of Greek Key type, resembling 21 or 12, depending on your perspective. This room is directly above and surrounds the Black Star, symbol of Galactic Center or the womb of Great Mother.
In Scarlet Dragon 1 we saw Tunney interact with the exact Indented Tessel design on the "3D" Tracing Board that is the rotunda of Galactic Center Temple (Winnipeg's Legislature). We saw her in shot with a sweater in "End Of Days" bearing the same Greek Key (21 or 12 resonating) design found in the building. The doormat - the tool for sanctifying feet before entering - appearing in "The Mentalist" still above, again sees Tunney interacting with this same design.
StarMummy guiding US to the Center.
Buffy a.k.a Krysta "Now" Kapowski and Dawn Summers (actress Michelle Trachtenberg) mourn the reverse-birth of their MOM in S5 E17 "Forever".
The graveyard sees Willow in alignment with numerous obelisks and a distinct pyramid shaped grave.
The camera pans as Babalon consoles Dawn, the pyramid moves in closer.
It sync kisses The Scarlet Woman and her red hair. The G8way to the City of Pyramids is NOW open.
"30 Rock" S2 E3 "The Collection". The NBC peacock watermark sync winks its phoenix/rebirth and other Cosmic Consciousness resonance.
I promised somebody a long time ago I would explain the inspiration for flipping MOM and WOW in the next big post...
Alec Baldwin as VP Jack Donaghy has an eccentric quirk of collecting cookie jars.
Tina Fey as Liz Lemon (LL/77) with the NBC peacock
Liz: What's with the cookie jar?
Jack: I collect them.
Liz: Really? Is that some sort of unresolved childhood thing?
Jack: Nice try. Uh, we never had any cookie jars in my home because my mother never baked us any cookies because she never felt we deserved any cookies. So obviously it has nothing to do with my childhood.
Liz: But that cookie jar says "MOM" on it.
Jack: Uh, I don't think so. I've always viewed it as an upside-down "WOW"
"Buffy The Vampire Slayer" S4 E9 "Something Blue"
Have a wonderful winter solstice, one of the 8 points on the StarG8 of the Year.
A Merry Khrist Konsciousness and a HHappy New Year.


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Demi Lovato Goes Makeup-Free + Dyes Hair Purple [PHOTOS]
Demi Lovato is queen of the makeup-free selfie, but this time, her bare-faced photo came with a little surprise.
"No makeup.. 4am…," she captioned the makeup-less image, which shows her chilling in a cozy-looking white bathrobe as her hair cascades down over her shoulder. There is no doubt that the 'Neon Lights' singer looks gorgeous in the shot, with all of her natural beauty on display. But the pic also hints at something else, especially with her use of purple heart emojis in the caption.
That's right: Lovato -- ever the hair chameleon -- has dyed her locks yet again, this time rocking an ombre, lilac shade.
"Lavender/ silver ombre…," the pop star captioned another pic showing off of her new hue -- one she posted right before her makeup-free shot.
"I know I said I was gonna give my hair a break but... I#REALLYDONTCARE," she continued, referencing her hit with Cher Lloyd.
And why not switch it up a little? Lovato is in the midst of a pretty exciting time in her life: She just announced her new fan club and will be hitting the road in a world tour starting in September. It's only a little natural to want to commemorate all of the changes with a new look. Of course, in addition to being the queen of the bare-faced selfie, Demi Lovato is also the reigning champ of hair dye.
Check out some more Insta pics of Demi Lovato's new purple hair below.
Whoops! See Celebs' Most Embarrassing Wardrobe Malfunctions

subset: commoncrawl


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Singles vs. Doubles:
Part 1- Introduction
Part 2- Evidence for doubling: training in glycogen depleted state
Part 3-Revisiting Single vs. Doubles: Evidence from Dathan Ritzenhein
I've been dabbling around with this idea in my head for quiet some time. I've even mentioned it on this blog before. The question is how long should easy days be and can they be split into relatively short runs?
It's common sense to think that one 8mi run is better than two 4mi runs, and that definately holds true when building general endurance. During a period of time when the focus is on general aerobic base building, it makes sense that you want that longer stimulus.
However, when it comes time to start doing harder work and ultimately during racing season, is it better to do one 8-10mi or two 4-5mi during an easy day?
I really have no idea what the answer is. So feel free to write in with thoughts, comments, critiques. I'm going to do a little bit of thinking out loud to try and see if I can wrap my head around this issue.
The initial reason that I've kicked this idea around so much is my own training in HS. Due to circumstances at my HS, we trained twice a day and generally split our mileage right down the middle. Why did we do this? First off, we had CC first period, so running in the morning made sense. We also had afterschool practice, so once again it made sense to run again. Secondly, and perhaps most importantly, we were restricted to running on our campus. So, we had a 1.5mi loop that I ran way too many times. No one wanted to run 8mi straight doing loops, it was mind numbing to do that every day. Lastly, it's just how things had been done traditionally. Starting out, we weren't running that much mileage so a couple loops in the morning and afternoon was all that was done.
If I go back and look at my logs, in 2002 I mostly ran 4.5 and 4.5. In 2003, most of the time I was doing 5 and 5 or 6 and 6. It should be noted that in the summer, I, and my teammates, ran longer and didn't stick to the straight split doubles. That could be important.
Now, this wouldn't be a big deal, except it kind of defies the conventional wisdom. If it was just me doing this and having success, you could dismiss this for talent. However, for the past 10 years KO has had one of the more consistant and successful distance programs in Texas, sometimes with not the most talented of guys. For example, this years teams was just ranked #21 in the nation by Marc Bloom. So, it obviously is not taking anything away from the development of good runners.
Conventional wisdom would expect the aerobic system to be the one that took the hit if the mileage is split in half. However, this does not show up at all with the athletes. Through the years, numerous guys have run 5:30's for a staple yearly 10mi tempo run that is tradition. That means there high end aerobic abilities aren't taking a hit at all. Two more examples are that one guy who was only a 10min type 2miler at the time, ran a 1:13 half marathon off of the training, which one would not expect for a HS kid, since it takes years to get the aerobic system up to where it can be. Similarly, this year, a runner came through 5mi in mid 25's on a tough course on a 7.5mi threshold run. The point is, the aerobic system's, developed through a good deal of high end aerobic work, are not taking a hit because of the split mileage.
Which leads me to my next example. I was looking at some training done by former world class marathoner Kenny Moore. When I read it, I quickly noted that his easy days were filled with days of just 4-5mi runs or days of 3 and 3 or 5 and 3. Seeing this in an elite runner really made me reevaluate things. The key was that Kenny was hitting his workouts every couple days and had a good long run.
If splitting the mileage on easy days doesn't affect the runner's performance or aerobic abilities, then what does it do and can it be beneficial?
Here is my theory. Once general endurance is built during the base for that season, and especially in older athletes who have years and years of general aerobic work, you're not going to get much benefit from running 8mi at 6:30 pace. It's going to be the same stimulus that it's gotten for months. So, it's not going to force the body to go through some adaptation phase. It's basically going to be maintenance. But, we know that it is much easier to maintain than to build. So, it is not necessary to do a longer 8-10mi run during some easy days.
What happens when you split it with shorter doubles is that it might enhance recovery. The runs are shorter so that not much mechanical damage is going to happen, same with oxidative damage. Secondly, and perhaps most importantly, splitting may aid in glycogen replenishment. It's much easier to restore glycogen stores after an easy 4-5mi run then after a 10mi run. Yes, you run twice, so you have to replenish glycogen twice, but I'd still argue that it is easier to replenish glycogen twice with several hours in between. Lastly, running twice may mean that you get some sort of hormonal release twice in the day, which could improve recovery.
If we look at growth hormone release during easy running, there's a swift rise intitially for the first 30-40min of a run, and then it levels off significantly to 60min. In one study, it showed an increase of about 550 percent from 0-40min, yet from 40-60min it only went up another 40-50percent.
The second part of my theory involves the rest of the training done. My hypothesis is that these shorter double days will only work if the athletes have a good deal of high end aerobic workouts, and there is a long run on the weekend. Kenny Moore mentions his 25-30milers some weekends as being key for him. Similarly in HS, the weekly long run of ~11-15mi seems to be enough to sustain general aerobic endurance during the season.
Lastly, it's likely that there is an individual component to this question. Some runners may adapt better with a split while others may need the single run. What runners need which is beyond me at this point. You could make all sorts of hypothesis at this point based on aerobic abiltities, fiber type, glycogen storage capacity, and a whole host of other things.
To sum things up. What do I truly think? I think the idea has a lot of merit. If I truly could find a reason for the HS kids to do 9mi all at once instead of doubling 4.5 and 4.5, then I would make them do that (even with the boredom factor of loops…). However, with the past 4 years of helping them, and with my own experience of 4 years in HS, I really can't find any physiological reason or, more importantly, practical performance difference to make the change. If it ain't broke, don't fix it. Sometimes we can't explain why things work, yet they still do.
What does this mean practically? Test it out if you want to. During the season replace one day with an easy double of 4 and 4 or something similar. Monitor how you feel and how you respond the next day. You might be surprised.
Hopefully all of that made sense. This is just a pet theory of mine and it admittedly has wholes, so feel free to tear those apart, but if you look at it without being trapped into the traditional idea of longer is always better, even on easy days, it kind of makes sense. Thoughts, comments, critiques, welcome.
Part 2- Evidence for doubling: training in glycogen depleted state


text:
EB Da Iceman (NMB Stunnaz) - Marvin's Room Remix [LPMG Films Submitted]
EB Da Iceman of NMB Stunnaz music video for "Marvin's Room Remix". New EB Da Iceman mixtape "Worldstar Junkie" coming soon. New NMB Stunnaz mixtape "Money Power Fame" coming real soon! Directed by Edgar Esteves. Follow now on Twitter @ebdaiceman @slimkidd305 @nmbstunnaz @edgarestevess. http://www.nmbstunnaz.com
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Use Key Vault from App Service with Managed Service Identity
For Service-to-Azure-Service authentication, the approach so far involved creating an Azure AD application and associated credential, and using that credential to get a token. The sample here shows how this approach is used to authenticate to Azure Key Vault from a Web App. While this approach works well, there are two shortcomings:
- The Azure AD application credentials are typically hard coded in source code. Developers tend to push the code to source repositories as-is, which leads to credentials in source.
- The Azure AD application credentials expire, and so need to be renewed, else can lead to application downtime.
With Managed Service Identity (MSI), both these problems are solved. This sample shows how a Web App can authenticate to Azure Key Vault without the need to explicitly create an Azure AD application or manage its credentials.
Here's another sample that shows how to programatically deploy an ARM template from a .NET Console application running on an Azure VM with a Managed Service Identity (MSI) - https://github.com/Azure-Samples/windowsvm-msi-arm-dotnet
Here's another .NET Core sample that shows how to programmatically call Azure Services from an Azure Linux VM with a Managed Service Identity (MSI). - https://github.com/Azure-Samples/linuxvm-msi-keyvault-arm-dotnet
To run and deploy this sample, you need the following:
- An Azure subscription to create an App Service and a Key Vault.
- Azure CLI 2.0 to run the application on your local development machine.
Step 1: Create an App Service with a Managed Service Identity (MSI)
Use the "Deploy to Azure" button to deploy an ARM template to create the following resources:
- App Service with MSI.
- Key Vault with a secret, and an access policy that grants the App Service access to Get Secrets.
Note: When filling out the template you will see a textbox labelled 'Key Vault Secret'. Enter a secret value there. A secret with the name 'secret' and value from what you entered will be created in the Key Vault.
Review the resources created using the Azure portal. You should see an App Service and a Key Vault. View the access policies of the Key Vault to see that the App Service has access to it.
Step 2: Grant yourself data plane access to the Key Vault
Using the Azure Portal, go to the Key Vault's access policies, and grant yourself Secret Management access to the Key Vault. This will allow you to run the application on your local development machine.
- Search for your Key Vault in "Search Resources dialog box" in Azure Portal.
- Select "Overview", and click on Access policies
- Click on "Add New", select "Secret Management" from the dropdown for "Configure from template"
- Click on "Select Principal", add your account
- Click on "OK" to add the new Access Policy, then click "Save" to save the Access Policies
Step 3: Clone the repo
Clone the repo to your development machine.
The project has two relevant Nuget packages:
- Microsoft.Azure.Services.AppAuthentication - makes it easy to fetch access tokens for Service-to-Azure-Service authentication scenarios.
- Microsoft.Azure.KeyVault - contains methods for interacting with Key Vault.
The relevant code is in WebAppKeyVault/WebAppKeyVault/Controllers/HomeController.cs file. The AzureServiceTokenProvider class (which is part of Microsoft.Azure.Services.AppAuthentication) tries the following methods to get an access token:-
- Managed Service Identity (MSI) - for scenarios where the code is deployed to Azure, and the Azure resource supports MSI.
- Azure CLI (for local development) - Azure CLI version 2.0.12 and above supports the get-access-token option. AzureServiceTokenProvider uses this option to get an access token for local development.
- Active Directory Integrated Authentication (for local development). To use integrated Windows authentication, your domain's Active Directory must be federated with Azure Active Directory. Your application must be running on a domain-joined machine under a user's domain credentials.
public async System.Threading.Tasks.Task<ActionResult> Index()
AzureServiceTokenProvider azureServiceTokenProvider = new AzureServiceTokenProvider();
var keyVaultClient = new KeyVaultClient(
new KeyVaultClient.AuthenticationCallback(azureServiceTokenProvider.KeyVaultTokenCallback));
var secret = await keyVaultClient.GetSecretAsync("https://keyvaultname.vault.azure.net/secrets/secret")
ViewBag.Secret = $"Secret: {secret.Value}";
catch (Exception exp)
ViewBag.Error = $"Something went wrong: {exp.Message}";
ViewBag.Principal = azureServiceTokenProvider.PrincipalUsed != null ? $"Principal Used: {azureServiceTokenProvider.PrincipalUsed}" : string.Empty;
return View();
Step 4: Replace the key vault name
In the HomeController.cs file, change the Key Vault name to the one you just created. Replace KeyVaultName with the name of your Key Vault.
Step 5: Run the application on your local development machine
AzureServiceTokenProvider will use the developer's security context to get a token to authenticate to Key Vault. This removes the need to create a service principal, and share it with the development team. It also prevents credentials from being checked in to source code. AzureServiceTokenProvider will use Azure CLI or Active Directory Integrated Authentication to authenticate to Azure AD to get a token. That token will be used to fetch the secret from Azure Key Vault.
Azure CLI will work if the following conditions are met:
- You have Azure CLI 2.0 installed. Version 2.0.12 supports the get-access-token option used by AzureServiceTokenProvider. If you have an earlier version, please upgrade.
- You are logged into Azure CLI. You can login using az login command.
Azure Active Directory Authentication will only work if the following conditions are met:
- Your on-premise active directory is synced with Azure AD.
- You are running this code on a domain joined machine.
Since your developer account has access to the Key Vault, you should see the secret on the web page. Principal Used will show type "User" and your user account.
You can also use a service principal to run the application on your local development machine. See the section "Running the application using a service principal" later in the tutorial on how to do this.
Step 6: Deploy the Web App to Azure
Use any of the methods outlined on Deploy your app to Azure App Service to publish the Web App to Azure. After you deploy it, browse to the web app. You should see the secret on the web page, and this time the Principal Used will show "App", since it ran under the context of the App Service. The AppId of the MSI will be displayed.
The web app was successfully able to get a secret at runtime from Azure Key Vault using your developer account during development, and using MSI when deployed to Azure, without any code change between local development environment and Azure. As a result, you did not have to explicitly handle a service principal credential to authenticate to Azure AD to get a token to call Key Vault. You do not have to worry about renewing the service principal credential either, since MSI takes care of that.
Running the application using a service principal in local development environment
Note: It is recommended to use your developer context for local development, since you do not need to create or share a service principal for that. If that does not work for you, you can use a service principal, but do not check in the certificate or secret in source repos, and share them securely.
To run the application using a service principal in the local development environment, follow these steps
Service principal using a certificate:
- Create a service principal certificate. Follow steps here to create a service principal and grant it permissions to the Key Vault.
- Set an environment variable named AzureServicesAuthConnectionString to RunAs=App;AppId=AppId;TenantId=TenantId;CertificateThumbprint=Thumbprint;CertificateStoreLocation=CurrentUser. You need to replace AppId, TenantId, and Thumbprint with actual values from step #1.
- Run the application in your local development environment. No code change is required. AzureServiceTokenProvider will use this environment variable and use the certificate to authenticate to Azure AD.
Service principal using a password:
- Create a service principal with a password. Follow steps here to create a service principal and grant it permissions to the Key Vault.
- Set an environment variable named AzureServicesAuthConnectionString to RunAs=App;AppId=AppId;TenantId=TenantId;AppKey=Secret. You need to replace AppId, TenantId, and Secret with actual values from step #1.
- Run the application in your local development environment. No code change is required. AzureServiceTokenProvider will use this environment variable and use the service principal to authenticate to Azure AD.
Please see the troubleshooting section of the AppAuthentication library documentation for troubleshooting of common issues.


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lasagna is a typical Italian dish, it has many variations even in the same regions there can be big differences. I've developed my own over the years as I like the northern style with plenty of Béchamel sauce while also liking the simple tomato based meat sauces of the southern regions. This recipe combines the best of both and one or two other influences as well.
While it's very common to see lasagna not many people realise just how much goes into it, you cook up a meat sauce, then you make the Béchamel sauce and finally you layer it all together and bake it. A 3 part process that can be a little time-consuming but is well worth the effort.
Oh and before anyone says it, I know, a Béchamel sauce with cheese added is a Mornay sauce so this is not a traditional lasagna at all really.
I use a lasagna tray for making this (approx. 32cm x 26cm x 8cm), if you don't have one of similar size you could use a number of smaller ones, just be aware of the depth, you'll be surprised how much the layers add up to.
Meat Sauce
1 x Anchovy fillet
6 x slices of pancetta or bacon, chopped
1 x large sprig of rosemary, picked and finely chopped
2 x bay leaves
1 x large red onion, diced
2 x sticks of celery, diced
1 x carrot, diced
2 x cloves of garlic, crushed
500g Beef mince
500g Pork mince
250ml Red wine
3 x 400g tins of tomatoes, chopped (plus one tin of water)
1 x Star Anise
Béchamel (Mornay) sauce
100g flour
100g butter
1L milk
1/2 onion
6 x cloves
75g x parmesan
3 x mozzarella balls, diced
400g of lasagna sheets
Freshly grated Nutmeg
Serves 12 – 15 portions
The meat Sauce
Begin by heating a large saucepan over a medium heat, once it's up to temperature add a little extra virgin olive oil, then the anchovy and pancetta/bacon, fry them for about a minute and add the onion, celery, carrot, garlic, rosemary and bay leaves. Cook these together gently for about 20 minutes.
Next you want to add your meat, making sure to break it up as much as possible as you're adding it and keep it moving over a high heat until it browns, then add the wine and simmer for a minute before adding the 3 tins of chopped tomatoes and a tin of water.
Finally add a single star anise, bring the lot to a boil and simmer for 1 hour. Then taste and season before removing the bay leaves and star anise as they can have a very unpleasant texture and it's only their flavour we're after anyway.
While the meat sauce is simmering get on with the Béchamel sauce.
Béchamel (Mornay) sauce
Take the half onion and skewer it with the cloves, now place this in a saucepan along with the milk and warm it but do not let it boil.
In another slightly larger saucepan, start melting the butter but do not let it burn, keep the heat as low as possible. Once melted add the flour and quickly stir it in until you have a sandy paste like substance. Now using a wooden spoon or plastic whisk start to slowly add the warmed milk, (but not the onion and cloves) mixing it in as you go, the slower you can add the milk the less likely you are to end up with a lumpy sauce so take your time.
Once all the milk has been added you need to "cook out" the flour, this is done by continuing to bring the sauce slowly up to temperature, stirring regularly and tasting. This can take as little as 10 minutes or as long as an hour. When you taste it, if you can still taste flour then keep going and taste again in another few minutes. Once you've "cooked out" the flour you have a Béchamel sauce and this can be used with many dishes or subtly changed by adding things like chopped parsley or dill to create other sauces.
But what we want to do is make a Mornay sauce so we add in about half the diced mozzarella and most of the parmesan cheese, hold back enough to cover the top of the final dish. Stir the sauce until the cheese melts and combines completely with the sauce, if it's too thick use a little milk to thin it, but don't go crazy we want it a little thick so it will sit on top of the meat layer rather than combining with it.
Final assembly and baking
Take some kitchen paper dipped in extra virgin olive oil and oil up your lasagna dish. If you have a non stick dish, I prefer to start with a pasta layer as it makes the lasagna a little easier to serve. next you want to add a layer of meat sauce followed by a layer of the Béchamel/Mornay sauce. Then sprinkle at little less than a third of the remaining mozzarella over the Béchamel, sprinkle a little grated nutmeg and repeat the Pasta, meat sauce, Béchamel, mozzarella and nutmeg, layers twice more using all the remaining mozzarella on the top, also sprinkle the top with the remaining parmesan.
Bake for 30 – 40 minutes at 180C until the top is golden and bubbling. You can serve this immediately although it's best to let it cool a little first as the portions will stay together better.
This also freezes very well just wait for the lasagna to cool completely and portion into freezer suitable bags or boxes. Then when you just have to defrost them and reheat when you want Lasagne.


text:
The SEC's new TV network sure is coming, probably
This is on the first page of image search results for Bill Dance. Look, we just work here. (AP)
This has to be Mike Slive's plan, doesn't it? To tease the formation and launch of an SEC network so many times over the course of so many months that by the time a date actually gets set, every possible fake TV show that we could ever hope to see on it has already been thought of, and we're all too spiritually exhausted to protest whatever quality of product results.
Would Slive and his underlings borrow some of our ideas? We'll believe they love us and want us to be happy when we see Bill Dance's show airing in prime time. But what about borrowing from other conference networks? Let us look to the brave pioneers of the BTN, and the straightforwardly-named program "Step Into My Office," in which "Mike Hall goes inside the office of the Big Ten's top football coaches for a revealing, exclusive one-on-one conversation." The SEC is characterized by nothing so much as a deplorable excess of personality; any such show in God's Chosen Conference would need to be adapted on a team-by-team basis. A modest list of suggestions follows after the jump:
• I Would Ask You To Step Into My Office But I Have Lost Control Of The Door, with Coach Mark Richt
• Do Not Step Onto My Greens, with Coach Steve Spurrier
• Step Into My Hat, with Coach Les Miles
• Step Onto This Nondescript Platform That Most Certainly Does Not Have The Capacity To Disappear From Beneath Your Feat, Plummeting You Into A Pit Of Petulant Piranhas, Unless Perhaps You Are A Grayshirt, with Coach Nick Saban
• Step Into My Office, Unless You'd Rather Settle, with Coach James Franklin
• Step Into My -- yes, we're related; no, Oklahoma is not interested in offering you a scholarship at this time, with Coach Mark Stoops
• Mind Your Step, We Have Cows Here, with Coach Dan Mullen


text:
Alioth has been switched off. You cannot use it anymore!
Please see Salsa for the replacement.
This page was maintained primarily by the administrators of alioth.debian.org (see Alioth) to help spread knowledge about the service. You can also check the other Alioth-related pages:
|/Bzr /CollabMaintImport /Darcs /FAQ /Git /GitNext /GitNext/GitLab /Hg /MailingListContinuation /MailingListContinuation/Plan /OtherForges /PackagingProject /SSH /Svn /Web /Web/Discussion /ikiwiki
Common questions
- Why do I have a "-guest" suffix on my account ?
- Will you accept my project ?
- Do I need an Alioth project ?
- How can I migrate my -guest account to my new official Debian account ?
- How can I remove my old -guest account ? an unused project ?
- How can I remove spam from list archives?
- What is the SSH key fingerprint of alioth?
Common problems
- I try to identify on the web but I get "username doesn't exist"
- I created my account on Alioth but I can't login via ssh
- I'm a Debian developer but I can't connect to alioth.debian.org with my Debian password
- I can't ssh to svn+ssh://${email@example.com
- I lost the password for a mailing list
- BTS/ftpmasters messages to lists are held for moderation
- I'm getting lots of spam on the forums/trackers
- Something deletes my ~/.ssh/authorized_keys file
- SSH port is blocked, it doesn't ask me my password anymore
- FusionForge
Subversion/arch/bzr/git/hg/darcs/CVS repositories
- How do I create a subversion/arch/bzr/git/hg/darcs repository for my project ?
- Can I use baz/tla/another arch implementation ?
- How do I give write permission outside my Alioth project ?
- What happens when I change the type of VCS repository? Is the previous repository removed?
- I gave a new developer commit access, how soon until it takes effect ?
- More questions ?
1. Common questions
1.1. Why do I have a "-guest" suffix on my account ?
All Debian developers automatically have their usual Debian account on Alioth. Since new people join Debian all the time, a login name already used on alioth may be in conflict with the login of a new Debian developer.
That's why all public accounts created on Alioth have a "-guest" suffix.
1.2. Will you accept my project ?
Please read the guidelines given in the announce of Alioth. Alioth is meant as a service for the Debian community. More precisely, any free software project with a Debian developer in the team can be hosted on alioth.debian.org. Non-Debian developers can request projects, but they'll be rejected if their purpose is not directly related to Debian. If you can find a Debian Developer willing to sponsor your project, the project will most likely be approved. In that case, ask the sponsor to register the project for you.
1.3. Do I need an Alioth project ?
Yes if:
- you want to host upstream development of something
- the project is affiliated with a Debian team who is going to maintain many packages
No if:
- you just need a SVN/bzr/git/hg/darcs repository for package maintenance. But you can still host that repository on Alioth within the collab-maint project. See the link below.
Please check Alioth/PackagingProject for generic guidelines.
1.4. How can I migrate my -guest account to my new official Debian account ?
There's no way to migrate anything. You need to contact all project admins of projects that you are part of and ask them to add the new account and to remove the old -guest account. When you're done, please request the removal of the old -guest account.
You need not request addition/removal to/from the collab-maint project. All official Debian developers have access to it by default and removing an account also removes it from all projects.
Note that since Alioth does not use the official password database, you need to request a new password before you can log in with your Debian account.
1.5. How can I remove my old -guest account ? an unused project ?
You can't do that yourself. Please request the removal via the siteadmin support request tracker.
1.6. How can I remove spam from list archives?
Unfortunately there's no easy way to do it. List archives are owned by a dedicated user and we're not sure how to properly regenerate the HTML pages anyway. In addition, regenerating the archives would result in URL changes for the messages. A future version of mailman or switching to lurker or lists.debian.org's version of mhonarc would fix this.
1.7. What is the SSH key fingerprint of alioth?
See Alioth/SSH.
2. Common problems
2.1. I try to identify on the web but I get "username doesn't exist"
If you just created your account, remember that your username has a "-guest" suffix.
2.2. I created my account on Alioth but I can't login via ssh
The alioth account doesn't imply a unix account. You get a unix account only when you're added to a project. Unix accounts are created daily, thus if you have just been added to a project, please wait 24 hours.
If after that delay, you still can't login, please contact the admins.
2.3. I'm a Debian developer but I can't connect to alioth.debian.org with my Debian password
Your alioth account has a different password from your usual Debian one. To activate your alioth account, you have to request a new password. The gforge-inject.pl script, responsible for retrieving the latest list of Debian accounts and adding the missing ones to the FusionForge database, runs hourly.
2.4. I can't ssh to svn+ssh://${firstname.lastname@example.com
See Alioth/SSH.
2.5. I lost the password for a mailing list
If you're a project admin, you can request that the password be reset by clicking on the "Reset admin password" link in the Admin section of the Lists tab under your project. All current list owners will get the new password. If the list owners are no longer reachable, please send a mail to email@example.com explaining the situation and we'll change the password manually.
2.6. BTS/ftpmasters messages to lists are held for moderation
If your list is set as Maintainer, and depending on your list configuration, messages from BTS and other sources will be held for moderation with a "message has implicit destination" reason.
To whitelist those messages go to "privacy options" -> "spam filters" in the list administration interface. From here you can match against headers and put "accept" as action for messages matching those rules.
Most likely some of the rules you want to apply are:
Those will whitelist messages from BTS, from testing migration scripts, and from ftpmasters respectively.
2.7. I'm getting lots of spam on the forums/trackers
You need to restrict anonymous posting to the forums and trackers. For this you have to edit the rights associated with the "observer" role. In your project, click in the "administration" tab and then click on the "Modify observer" button (on the right, just below the list of members).
2.8. Something deletes my ~/.ssh/authorized_keys file
See Alioth/SSH.
2.9. SSH port is blocked, it doesn't ask me my password anymore
See Alioth/SSH.
3. FusionForge
Alioth runs FusionForge. Alioth is running the last version (5.2.3).
3.1. Source ?
Alioth uses a modified version of FusionForge. It is stored in a bzr branch at https://alioth.debian.org/anonscm/bzr/users/lolando/fusionforge/
Feel free to send us patches that apply to this tree if you want to get something fixed in a more timely fashion.
4. Subversion/arch/bzr/git/hg/darcs/CVS repositories
The repositories are hosted on svn.debian.org, arch.debian.org, bzr.debian.org, git.debian.org, hg.debian.org, darcs.debian.org and cvs.debian.org. They are all hosted by alioth.debian.org itself.
All the repositories are directly handled by FusionForge.
4.1. How do I create a subversion/arch/bzr/git/hg/darcs repository for my project ?
You don't need to submit a ticket any more. Enable "Use Source Code" in your project administrative interface ("Tools", in the "Admin" tab) and then go to "Admin", "Tools", then "Source Code Admin" in the "Tool Admin" box. There you can select the type of repository wanted. Be sure to link the external role "Anonymous/not logged in" and give them read access to your SCM repository, otherwise the repository will be private and only project members will be able to access its content. Note: You need to wait for the hourly cron job to effect the change.
4.2. Can I use baz/tla/another arch implementation ?
Your arch repository is an empty directory. You can use any tool that you want provided that it has a method to access it which works with the services available on arch.debian.org (sftp, rsync over ssh, http for read-only access).
4.3. How do I give write permission outside my Alioth project ?
The repositories have access control lists—ACL(5)—that can be used to extend their write permissions to other Alioth projects, or to the special Debian group, that includes all the Debian developers. This can be very useful for packaging projects with a broad scope. Only the administrators can change the ACLs on the repositories, so you will have to ask them to do it for you.
4.4. What happens when I change the type of VCS repository? Is the previous repository removed?
The previous repository is not removed, it remains available just like usual and you can continue using it. However you might lose the web browser interface integrated in FusionForge (in the alioth.debian.org domain). The other web interfaces (available at anonscm.debian.org) are not affected. The ?FusionForge VCS-related cron jobs (fixing permissions, generating snapshots and gathering statistics) only go over the currently selected type of repository.
4.5. I gave a new developer commit access, how soon until it takes effect ?
If the developer already has a Unix account, they should be added to the dedicated group almost immediately. They might have to have to wait a bit because the NSS information might be cached by nscd.
5. More questions ?
Please be sure to checkout the other dedicated pages:
|/Bzr /CollabMaintImport /Darcs /FAQ /Git /GitNext /GitNext/GitLab /Hg /MailingListContinuation /MailingListContinuation/Plan /OtherForges /PackagingProject /SSH /Svn /Web /Web/Discussion /ikiwiki
You can also join the channel #alioth on irc.debian.org.


text:
Renowned 'social media guru' Gary Vaynerchuk has released a book called Jab, Jab, Jab, Hook. The basic principle is that your attempts at selling in social media will not be successful if you have not spent time 'softening your target up' with jabs first. A boxer who keeps going for the knock-out punch all the time will not be very successful, as it is too easy to avoid his wild swings. Similarly, if all you do is jab, then you won't ever get the knockout punch (the hook).
I agree with his principles, I just think the analogy is too aggressive, and doesn't really expand on what the jabs and hooks should be.
So I worked on my own version, which I called:
"Giving your social content LEGS (Listen, Engage, Give, Sell)"
It's essential that you start with listening, to understand the people with whom you want to build relationships. There are great tools available now to help with this, but really Twitter and Google search and some good old fashioned effort can get you there too.
Once you have been listening for some time and you feel ready, start by engaging with your prospects. Find common points of interest, ask questions, things that will encourage conversation and relationships and all that good stuff.
Give something. Add some real value. By now you should have worked out what your potential customers are trying to achieve. So help them achieve it, using your own social platforms or other means at our disposal. They will love your for it, and want to repay you.
(then, and only then)
It's clear that Social Media is becoming a great place to drive sales. But remember to keep Listening, Engaging and Giving, so that you don't become Spam.


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Tata has 12 car models in Hyderabad available in Hyderabad, the lowest price Tata model is the Tata Nano XE GenX at Rs 2,34,332 and the highest price model is the Tata Hexa XT 4X4 Rs 17,00,636 (Ex-showroom Price in Hyderabad).
Tata, Founded in 1945 as a manufacturer of locomotives, the company manufactured its first commercial vehicle in 1954 in a collaboration with Daimler-Benz AG, which ended in 1969. Tata Motors entered the passenger vehicle market in 1991 with the launch of the Tata Sierra, becoming the first Indian manufacturer to achieve the capability of developing a competitive indigenous automobile. In 1998, Tata launched the first fully indigenous Indian passenger car, the Indica, and in 2008 launched the Tata Nano, the world's cheapest car. Tata Motors acquired the South Korean truck manufacturer Daewoo Commercial Vehicles Company in 2004 and purchased Jaguar Land Rover from Ford in 2008.
Tata Motors Limited, a USD 42 billion organisation, is a leading global automobile manufacturer with a portfolio that covers a wide range of cars, sports vehicles, buses, trucks and defence vehicles, sold more than 9 million vehicles, have global presence across 50 countries. Tata Motors is among the top passenger vehicle brands in India with products in the compact, midsize car, and utility vehicle segments. The company's manufacturing base in India is spread across Jamshedpur (Jharkhand), Pune (Maharashtra), Lucknow (Uttar Pradesh), Pantnagar (Uttarakhand), Dharwad (Karnataka) and Sanand (Gujarat). Tata's dealership, sales, service, and spare parts network comprises over 3,500 touch points. Tata Motors has more than 250 dealerships in more than 195 cities India. It has the third-largest sales and service network after Maruti Suzuki and Hyundai.