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RSPB Scotland Loch Leven's Writer in Residence Anita John brings us the latest sightings from the reserve and writes:
Ospreys have been sighted flying and fishing over RSPB Scotland Loch Leven in recent weeks - probably females as they are usually the first to begin their migration south to Africa, early as it may seem! Throughout August and September the females will be followed by male osprey and then the young, according to research from satellite-tracked osprey which you can read more about here.
British ospreys have been tracked crossing the English Channel and travelling down through France and Spain into North and West Africa. Apparently, each bird travels alone and follows its own route, some even crossing the Sahara Desert. During my visit I was lucky enough to see three of these magnificent flying and fishing birds passing over the Loch.
Another sight to take the breath away has been a marsh harrier! Frequenting the loch in recent weeks, its visits have caused, each time, a fracas among the wildfowl and their fledglings, of which there are many!
It's no wonder the parents are so anxious when the marsh harrier is around given the latter's diet of small birds, mammals and fledglings. In Eric Hosking's observations of food brought by both male and female marsh harriers to their chicks he reported the following: young pheasant, newly fledged meadow pipits, a young rat, day-old partridges, a half-grown lapwing and parts of rabbits! (1) The marsh harrier has been sighted flying around the Carden Hide, where there are many juveniles, including growing moorhen chicks and, during my visit, I counted at least 22 rapidly growing tufted ducklings, on which the harrier probably had its eye!
From the Carden Hide, as well as many tufted ducks, there were moorhen, little grebe, coot, black backed gulls, lesser black backed gulls and many greylag geese to be seen, most with their growing youngsters in close proximity. Tufted ducks and their growing ducklings were also seen from the Gillman Hide, as were several pairs of great crested grebes, two with their young.
One set of parents was dedicated to diving and bringing fish back for their patiently waiting charge while the other juvenile was happily diving and fishing for itself, following the pattern set by the adults. As I watched, I was treated to a flash of gold each time the adults turned their head and their vibrantly coloured feathers caught the sun.
From the Gillman Hide chaffinches and great tits were busy on the bird feeders as well as an animated family of tree sparrows. And walking back from the Carden Hide, at the end of day, I was treated to a volery of pied wagtails comprising nine youngsters and one adult, feeding along the path. I stood a long time watching them dart here and there in low dashing movements to catch their prey: spiders, ants and beetles that were taking advantage of the warmth of the path in the end of day sunlight. When the pied wagtails moved away, they had cleared the path of all signs of life - whereas the section of path they had not visited was still teeming with insects and invertebrates.
The juvenile pied wagtail does not have the distinctive black crown and black of the adult and it was lovely to see so many young in one place - testament that RSPB Scotland Loch Leven provides a great breeding site for so many species of our native birds and water fowl. The youngsters are rapidly growing though so why not pay us a visit as soon as you can?
Photo credits: Osprey - Alex Gilfillan; Marsh harrier - Alex Gilfillan; Tufted duck - Paul Ashcroft: Great crested grebes - Alex Gilfillan; Pied wagtail - Paul Ashcroft
References: (1) An Eye for a Bird by Eric Hosking, Arrow Books Ltd, 1973
We spend 90% of net income on conservation, public education and advocacy
The RSPB is a member of BirdLife International. Find out more about the partnership
© The Royal Society for the Protection of Birds (RSPB) is a registered charity: England and Wales no. 207076, Scotland no. SC037654


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Welcome to The Komodo Dragons!
The class teacher is Miss Furness.
Please click on the following link to view the curriculum map for The Komodo Dragons Year 4 Curriculum Map
This term we are learning about The Titanic and Carbon Footprint and we are investigating 'How can we learn from mistakes to prevent future tragedies?'
Please take a look at our curriculum overview to find out more information about our learning this term. This will be updated.
Please see our termly bulletin for more information about our class this term: This will be updated.
For any maths homework set on MyMaths, click on the link below to go to the website. You will need to have your username and password to log in. http://www.mymaths.co.uk/
Our British Values Focus this Term
In our assemblies this term, our British Values will link to our school values of Respect, Resilience and Responsibility. We will be looking primarily at the British Value of Individual Liberty.
In class, our focus will be on the British Value of Individual Liberty and the Mutual Respect and Tolerance for Those with Different Faiths and Beliefs. We will be looking at how we as individuals can reduce our carbon footprint and how we are responsible for our planet. We will also be studying Islam and Sikhism in R.E., comparing their ways of life to our own.
Please click on the following links for more information about the curriculum in Year 4 and ways you can support your child at home.
Year 4 Writing Parent Support Booklet
Year 4 Reading Parent Support Booklet

subset: commoncrawl


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Masaka is a large town in the Central Region of Uganda, west of Lake Victoria. The headquarters of the Masaka District are in the town.
The town was largely destroyed in the Uganda-Tanzania War of 1979 and again in the 1981-1986 civil war that removed Milton Obote from power for the last time.
Masaka is approximately 140 kilometres (87 mi) to the south-west of Kampala on the highway to Mbarara. The town is close to the Equator. The coordinates of the town are 0°20'28.0"S, 31°44'10.0"E (Latitude:-0.341111; Longitude:31.736111).
According to the 2002 national census, the population of Masaka was about 67,800. In 2010, the Uganda Bureau of Statistics (UBOS) estimated the population at 73,300. In 2011, UBOS estimated the mid-year population at 74,100. In August 2014, the national population census put the population at 103,829.
Most of the people are farmers with both cattle and other crops. Other economic activities include the following:
The following additional points of interest are located in Masaka or close to its borders:


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|Offensive tackle
|Personal information
|Date of birth:November 3, 1981
|Place of birth: Little Rock, Arkansas
|Career information
|College: Lambuth
|Undrafted in 2005
|No regular season or postseason appearances
|Career history
| * Tennessee Titans ( 2005)*
|Career highlights and awards
| * Second-team All-MSC (2003)
|Stats at NFL.com
Stefan Lemar Rodgers (born November 3, 1981) is a former American football offensive tackle. He was signed by the Tennessee Titans as an undrafted free agent in 2005. He played college football at Lambuth.
Rodgers has also been a member of the Tampa Bay Buccaneers, Philadelphia Eagles, New York Jets, Jacksonville Jaguars, Baltimore Ravens, Hamilton Tiger-Cats, and Edmonton Eskimos.
External linksEdit
Community content is available under CC-BY-SA unless otherwise noted.


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South Africans confident of challenging the hosts despite missing three top stars
The men may have moved on from the India blues into white flannels, but India's women cricketers will commence their final phase of the World T20 preparation on Tuesday in a five-match T20I series against South Africa at the Lalbhai Contractor Stadium here.
Considering the World T20 will start in Australia on February 21, captain Harmanpreet Kaur understands that the five T20Is under lights — India Women's first floodlit outing in a bilateral series at home — will offer her and coach W.V. Raman an opportunity to test the younger talent.
"As you know the World Cup is coming, that's why we are playing more T20s ahead of the tournament. We have 10-15 games to experiment and give chances to youngsters and see how they fit into the side," Kaur said on Monday, before slogging it out in the nets with her teammates.
The fact the team has several young faces — with 15-year-old Shafali Verma stealing the limelight — coincides with the onset of the post-Mithali Raj era in T20Is.
Raman also conceded that the inclusion of four pacers in the squad was "keeping the World T20 in mind". It remains to be seen if a youngster like Pooja Vastrakar, who has been recalled, can put in impressive performances.
Just like the host, the visiting outfit has also rested three of its key players — veteran batter Mignon du Preez along with star all-rounders Marizanne Kapp and Chloe Tryon. But captain Sune Luus exuded confidence that her bunch can stretch India over the next two weeks.
While the teams will have one eye on the World T20, the Surat District Cricket Association officials and volunteers will be hoping that the weather remains clear.
After all, they are hoping for a capacity crowd for what would be the maiden international cricket match to be staged in the Diamond City.
The teams (from): South Africa: Sune Luus (Capt.), Anneke Bosch, Tasmin Brits, Nadine de Klerk, Shabnim Ismail, Sinalo Jafta (wk), Ayabonga Khaka, Lara Goodall, Lizelle Lee, Nonkululeko Mlaba, Tumi Sekhukhune, Nondumiso Shangase, Mignon du Preez and Lara Wolvaardt.
India: Harmanpreet Kaur (Capt.), Smriti Mandhana (Vice-Capt.), Jemimah Rodrigues, Deepti Sharma, Taniya Bhatia (wk), Poonam Yadav, Shikha Pandey, Arundhati Reddy, Pooja Vastrakar, Radha Yadav, Veda Krishnamurthy, Harleen Deol, Anuja Patil, Shafali Verma and Mansi Joshi.


text: Thanks David, I guess we need to call for a volunteer to give us some idea what these classes are trying to do. Maybe if the original author is out there they could give us some hints. I have used both vtkCanvas and VtkRenderWindowPanel, I cannot find a significant difference in behavior. There is a comment in vtkRenderWindowPanel that says: // vtkRenderWindowPanel is a vtkCanvas which allows additional // vtkRenderers to be added. vtkPanel and vtkCanvas force you to // add actors to the internal vtkRenderer. vtkRenderWindowPanel // always renders, even if the internal renderer has no visible actors. I am not sure how I would test this behavior. I did an inventory of the set of methods implemented in the vtkPanel, vtkCanvas and vtkRenderWindowPanel. The set of methods provided by the three java interface classes I am aware of are: vtkPanel (extends Canvas) methods: void addWindowSetObserver(Observer obs) -- ?? void addNotify() -- invokes super.addNotify(), sets rendering to false. vtkRenderer GetRenderer() -- returns the ren variable. vtkRenderWindow GetRenderWindow() -- returns the rw variable void HardCopy(String filename, int mag) -- appears to write an image of the current window. boolean IsWindowSet() -- returns current windowset variable status. void InteractionModeTranslate() -- invoked from mousePressed() void InteractionModeRotate() -- invoked from mousePressed() void InteractionModeZoom() -- invoked from mousePressed() void keyPressed(KeyEvent e) -- appears to implement r, u, w and s keystroke events. void keyReleased(KeyEvent e) -- empty method void keyTyped(KeyEvent e) -- empty method. void LightFollowCameraOff() -- sets variable LightFollowCamera to 0 void LightFollowCameraOn() -- sets variable LightFollowCamera to 1 void lock() -- invokes jni lock(). void mouseClicked(MouseEvent e) -- empty method void mouseDragged(MouseEvent e) -- appears to perform camera interactions. Test shows default interactor supports Switch interactor functions (c, a, t, and j). void mouseEntered(MouseEvent e) -- invokes this.requestFocus() void mouseExited(MouseEvent e) -- empty method void mouseMoved(MouseEvent e) -- saves lastX and lastY void mousePressed(MouseEvent e) -- Selects and sets interaction mode based in mouse buttons and keys. void mouseReleased(MouseEvent e) -- sets desired update rate to .01. void paint(Graphics g) -- invokes this.Render() void pickActor(int x, int y) -- Creates a picker, performs picker.PickProp() using the current location and the current renderer. void removeNotify() -- sets rendering to true, invokes super.removeNotify() void removeWindowSetObserver(Observer obs) -- ?? void Render() -- calls rw.Render() void Report() -- writes some statistics to the java log. void resetCamera() -- calls ren.resetCamera() within lock. void resetCameraClippingRange() -- calls ren.resetCamerClippingRange() within lock. void setSize(int x, int y) -- calls super.setSize() then rw.setSize() within lock. void unlock() -- invokes jni unlock() void update(Graphics g) -- calls paint(g) void UpdateLight() -- resets light position and focal point to match variable cam. vtkCanvas (extends vtkPanel) methods: void addToBoxWidget(vtkProp3D prop) -- ?? adds property to vtkBoxWidget, calls placeWidget(). void addToPlaneWidget(vtkProp3D prop) -- ?? adds property to vtlPlaneWidget, calls placeWidget(). void BeginBoxInteraction() -- callback, writes to log only. void BeginPlaneInteraction() -- callback, writes to log only. void DestroyTimer() -- asserts timer is stopped. vtkGenericRenderWindowInteractor getIren() -- returns variable iren. void keyPressed(KeyEvent e) -- overrides vtkPanel, sets iren event information, calls iren.KeyPressEvent() then iren.CharEvent() only of visible actors. void keyReleased(KeyEvent e) -- overrides vtkPanel, also empty method. void keyTyped(KeyEvent e) -- overrides vtkPanel, also empty method. void mouseClicked(MouseEvent e) -- overrides vtkPanel, empty method void mouseDragged(MouseEvent e) -- overrides vtkPanel, sets interaction values in iren, then invokes iren.MouseMoveEvent(). void mouseEntered(MouseEvent e) -- Overrides vtkPanel, invokes this.requestFocus() then iren.EnterEvent(); void mouseExited(MouseEvent e) -- Overrides vtkPanel, invokes iren.ExitEvent(). void mouseMoved(MouseEvent e) -- Overrides vtkPanel, saves lastX and lastY, sets and invokes iren.MouseMoveEvent(). void mousePressed(MouseEvent e) -- Overrides vtkPanel, Sets then tests for and invokes left, Middle or Right button press events in iren. void mouseReleased(MouseEvent e) -- Overrides vtkPanel, sets then tests for and invokes left, Middle, or Right button release events in iren. void setInteractorStyle(vtkInteractorStyle style) -- Sets supplied interaction style in interactor. default appears to be the switch interactor. void setSize(int x, int y) -- calls super setSize, then rw.SetSize(), iren.SetSize() and iren.Configure() void StartTimer() -- asserts timer is started. vtkRenderWindowPanel (extends vtkCanvas) Methods void Render() -- overrides vtkPanel, removes test for visible actors for render. also light update. void mousePressed(MouseEvent e) -- overrides vtkCanvas, removes test for visible actor passes events to iren. void mouseDragged(MouseEvent e) -- overrides vtkCanvas, removes test for visible actor passes events to iren. void keyPressed(KeyEvent e); -- Overrides vtkCanvas passes event to iren even if no visible actors There also seems to me to be a philosophical difference between the mouse and keypress event implementations between vtkPanel and vtkCanvas / vtkRenderWindowPanel. I realize all of these classes may be in the "work in progress" category. If anyone can shed some insight in how these tools are intended to be used, I am sure we would all appreciate it. Only vtkRenderWindowPanel has any class level documentation. I am unclear why anyone would use vtkPanel without either vtkCanvas or vtkRenderWindowPanel. I also fail to understand the box widget and plane widget functions in vtkCanvas. If anyone can shed some light it would be appreciated. Thanks in advance, Jim David Gobbi wrote: > Hi Jim, > > The python helper classes have inline documentation that can be viewed > with python's help() command. The python and tcl wrappers both > include documentation from all the VTK C++ headers, as well. > > For Java, the first step would be to add javadoc comments to vtkPanel > and vtkCanvas. This could be done by anyone. The second step would > be to change the cmake files so that they use the javadoc tools to > convert the comments to html. > > David > > On Sun, Dec 5, 2010 at 11:49 AM, Jim Peterson <jimcp at cox.net > <mailto:jimcp at cox.net>> wrote: > > All, > I added a java example > (http://www.vtk.org/Wiki/VTK/Examples/Java/Interaction/SphereInteractorPanel) > to the vtk wiki that uses the vtkCanvas interface class and I > noticed there is nowhere for the doxygen link to go for the vtk > class used named vtkCanvas. This appears to be true for all of the > java classes in the <vtkhome>/wrapping/java/vtk directory. those > classes are included in the vtk package created with the > VTK_WRAP_JAVA option as if they are a part of vtk to the java > user. I noticed there is no vtkCanvas, or the class it extends > vtkPanel, Class documentation in Doxygen, and there is no useful > javadoc created for these classes during the build. > What would need to happen to document the set of java functions in > these and any other wrapper specific classes? > > thanks for any ideas, > Jim Peterson > > _______________________________________________ > Powered by www.kitware.com <http://www.kitware.com> > > Visit other Kitware open-source projects at > http://www.kitware.com/opensource/opensource.html > > Follow this link to subscribe/unsubscribe: > http://www.vtk.org/mailman/listinfo/vtk-developers > >


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text:
Job Information
Providence Health & Services RN – Labor & Delivery in Polson, Montana
Providence is calling a Registered Nurse (RN) (Labor & Delivery, Night Shift, 0.9 FTE) to Providence St. Joseph Medical Center in Polson, Montana. We are a community of caregivers delivering every day on our Mission to provide compassionate care that is accessible for all – especially those who are poor and vulnerable.
In this position you will:
Assess, diagnose, plan, implement and evaluate patients' care.
Effectively advocate for ethical and holistic care by partnering in care planning to promote the autonomy, dignity, rights, values and beliefs of those we serve.
Foster a learning environment for patient/families, nursing, and other members of the healthcare team including students.
Be accountable for safety, identify and correct problems, and integrate evidence, and best practice into nursing care.
Engage in ongoing professional development.
Lead and coordinate teams, appropriately delegate, coordinate care and collaborate with others as equal members of the inter-professional care team to integrate nursing knowledge.
Required qualifications for this position include:
Nursing degree/diploma required upon hire
Unencumbered Registered Nurse (RN) license in state(s) of hire, and wherever care is delivered. If RN holds a multistate license through the Nurse Licensure Compact (NLC), the RN must adhere to the requirements of licensure in the new state(s) of hire
Current Basic Life Support (BLS) card must be from the following authorized governing bodies: American Heart Association (AHA) - (BLS Provider), American Red Cross (ARC) - (BLS for Health Care Provider), or Military Training Network (MTN) – (Healthcare Provider) upon hire
Advanced Cardiac Life Support (ACLS) certification within 6 months of hire
Basic Fetal Monitoring Course within 6 months of hire
Neonatal Resuscitation Program (NRP) within 6 months of hire
Pediatric Emergency Assessment, Recognition, and Stabilization (PEARS) within 6 months of hire.
Preferred qualifications for this position include:
Bachelor's degree in Nursing upon hire or higher within 3 years of hire
National Certification in area of specialty
Recent Labor & Delivery nursing experience.
About the hospital you will serve.
Providence St. Joseph Medical Center is a 22-bed critical access hospital in beautiful northwest Montana employing nearly 250 employees, including physicians. With expanding services, building renovations and outstanding technology, our community hospital is the heart of medical care in Polson, Montana and the large, sparsely populated surrounding area. We have close ties to St. Patrick Hospital, Providence's tertiary center located 66 miles away in Missoula.
We offer a full comprehensive range of benefits - see our website for details
Our Mission
As expressions of God's healing love, witnessed through the ministry of Jesus, we are steadfast in serving all, especially those who are poor and vulnerable.
About Us
Providence Health & Services is a not-for-profit Catholic network of hospitals, care centers, health plans, physicians, clinics, home health care and services guided by a Mission of caring the Sisters of Providence began over 160 years ago. Providence is proud to be an Equal Opportunity Employer. Providence does not discriminate on the basis of race, color, gender, disability, veteran, military status, religion, age, creed, national origin, sexual identity or expression, sexual orientation, marital status, genetic information, or any other basis prohibited by local, state, or federal law.
Schedule: Full-time
Shift: Night
Job Category: Medical/Surgical Nursing
Location: Montana-Polson
Req ID: 254662


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Magical programme for classical music lovers in Kilkenny
The Chamber Philharmonic Europe in Watergate on Thursday
The Chamber Philharmonic Europe are in Kilkenny city on Thursday
The Chamber Philharmonic Europe take to the Watergate Stage on Thursday at 8pm. This is an orchestra of talented young musicians recruited from 18 European nations. Founded in Cologne in 2006, it has achieved an outstanding artistic level and tours widely across Europe.
The orchestra has made extensive tours to Switzerland, Sweden, Denmark, France, Netherlands, Great Britain and Ireland.
The Chamber Philharmonic Europe is a fully professional and privately financed organisation, which, with its increasing popularity, also is involved with several charities.
The orchestra periodically engages with various partners for benefit concerts throughout Europe.
In this concert Cyrill Gussaroff (trumpet) and Michel Gershwin (violin) will showcase their talent in two diverse concertos and the nine member ensemble will treat us to some well loved repertoire.
The instrumentalists exude energy, excitement, colour and virtuosic flair in their playing.
A. Corelli - Concerto Grosso Op.6 No.4 in D Major; A. Ponchielli - Concerto in F Major, for trumpet and orchestra; J. Suk - Serenade for Strings Op. 6; J. S. Bach - Concert for violin and orchestra a minor BWV 1041; S. Rachmaninoff - Vocalise
G. Holst - Suite for String Orchestra op.29. there will be an interval


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Relationships as a Policy Imperative: Robert Loe
This podcast conversation is packed with depth and implications for our profession and our work. Dr. Robert Loe shares energizing details on the Relational Schools Project and how having positive school relationships prior to the age of ten makes a significant impact on well-being in adulthood. Likewise, he takes it further and gives us a picture of what makes places like the XP school special.
Dr. Robert Loe is the Director of the Relational Schools Foundation (www.relationalschools.org). Having worked in education for over eighteen years with a range of leadership roles in schools throughout Essex and Cambridgeshire in the United Kingdom, Rob founded Relational Schools Project in 2014. He researches, writes and speaks on the importance of fostering positive relationships between key stakeholders in schools.


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This is a feedback on my experience with your colleague at Sales line 1630.
I called this afternoon to recontract my MaxMobile Plus with Digital Voice to HomeHub 200. During
our conversation, there are things which I wish to highlight:
1) I was told that additional device will be setup to port over my existing Digital Voice. As this Fibre will be lay into my living room and my exiting Digital Voice line is in another room, I do not wish to move my Digital Voice line. I told her that I wish to maintain my Digital Voice at the current platform on Cable. I was told that this cannot be done, this was different from my understanding. She sound very convincing and confident. I have to insist her to confirm with her colleague first. My line was put on hold. She reverted back later that it can be done.
2) Next I told her that I will be moving house a year later and would like to find out the cost involved as this is a 2-year contract. I was told early terminated at pro-rate price and for relocation is at $200 flat. Again she sound convincing and confident. I was told by another of your colleague previously that if the relocation is less then a year, the charges is pro-rated and if the relocation is after a year the cost is $30+$50. I am confused now. I have repeated asked her to clarify again, she still come back at $200. Please advice.
3) During our conversation, she mentioned of the devices I will be using for my mobile broadband so she can put up the type of simcard for my device. I told that there is no need for the new simcard, I requested her to transfer my existing mobile broadband under MaxOnline Plus to HomeHub 200. I was told that this cannot be done. I questioned her on Starhub's rationale of issuing a new simcard, going through the hassle of admin work and downtime on my side instead of transfering my existing mobile broadband to the new account. Again she sound very confident, I have to repeatedly ask her to seek her colleague for confirmation. Shortly she reverted back that this can be done. *sigh*
4) I was given 2 dates for my Fibre setup. The first date on 9 May and 2nd date on 13 May. Again I repeatedly asked whether is the 2nd date on 13 May and was given positive reply. Isn't 13 May Vesak Day? After that my 2nd date was change.
Lastly I asked whether is your colleague new, I do understand that new sales staff need time to brush up their knowledge. The reply she gave was that she is not a new. It is funny that as a customer I know more than your experience sales staff.
I must applaud that even she gave the wrong information and yet she still sound convincing and confident. However throughout the conversation she didn't sound apologetic even she provide me a lot of wrong information.
Just hope that your sales colleague can improve on her knowledge.
Lastly, can anyone tell me for early relocation of HomeHub, how much must I pay?


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Early Bird Discount
Background :
The introduction of Companies Act, 2013 in India has completely changed the working environment of Companies and its Board of Directors. An independent Board of Directors in public listed companies is seen as an integral element of a country's corporate governance norms. Board independence has taken on a pivotal status in corporate governance that it has become almost indispensable. Consequently, governance reforms in recent years has increasingly pinned hope as well as responsibility on independent directors to enable higher standards of governance. However, taking into consideration the corporate governance failures in India, the role of Independent Directors has taken a back seat in terms of promoting a culture of governance and ethics. In the wake of major corporate scandals, like Satyam, IL&FS, PNB, Enron, WorldCom and more, in India as well as globally, one of the factors that has been identified to be common is "failure of the Board of Directors to detect internal crisis early on and act in the timely manner to put the organization back on track before difficulties become irreversible."
Considering the aforementioned, we understand the criticality of the role of Independent Directors on Board and their ability to create an impactful governance system through their independent decision making capability. Training being one of the significant factors, we believe in constantly developing Director's approach towards their fiduciary duties, responsibilities and oversight role. Bombay Chamber and Legasis Services are jointly organizing the training to move towards ethical governance standards.
Empower and equip the Board with skills and attitudes required to perform their role in a transparent, objective and ethical manner to promote good corporate governance
Board's contribution to Value Creation
Ms. Aneeha Neeraja Rajan
Tel: 022 61200227
Email: firstname.lastname@example.com
Ms. Shruti Rathod
Tel: 022 61200268
Email: email@example.com


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! Drawing Now is open by appointment only from 19 July - 22 August !
As an alternative to Drawing Now Paris art fair which has been postponed to March 2021, Martin Assig and Ronald Versloot will show their drawings in the gallery as of 14 June. Paul van der Eerden and Romy Muijrers who would also exhibit in Paris show their collaborative Suite project in November in the gallery.
Martin Assig (1959) presents work from his St. Paul series in which he depicts the basic themes of human existence in a moving and poignant way. Often there is a combination of text and image as in the work of Paul Klee to which the title of the series refers. Ronald Versloot (1964) has been working on a series of pastel drawings in his Berlin studio in the months before and during lock down. In the series he undertakes an inward journey along memories dreams and images. The images can have an atmosphere of paradise lost or estrangement but each one is conceived in a spirit of hope and beauty, which turns things around into a Paradise (re)Found.
Tobias Gerber (1961) made a series of gouaches titeld Aus der schwarzen Kiste (From the Black Trunk) in 2016. In them you look through a keyhole out on a landscape. They are depicted in soft pastel colours but nevertheless contain slightly disturging elements like a fire in the distance or the chimneys of an oil refinery. One of the keyhole gouaches is part of the Unlocked / Reconnected project that draws attention to the reopening of museums and exhibition platforms venues in the Netherlands. more information on www.unlockedreconnected.nl
The fourth artist in Drawing Now is the young Chinese talent Dan Zhu (1985), who creates a magical world in a refined style in which for instance mussels can string together like a stick and walk on the beach proging the sand. In another work you look out of a train window where leaves, flowers, flying creatures and planets pass by as in a dreamed journey in which everything has its meaning.
In our newsletter of 13 May our director Arno van Roosmalen asked the question which exhibition or work of art you would like to revisit and see again - in this new world. And why? "The fact that, because of the radically changed context, we understand and interpret art differently, as new, is proof that we now live in a different world," he wrote. From the responses we received, we have put together a small but remarkable summer presentation in our exhibition space. With works by Marjolein van Haasteren, Lawrence Malstaf, Janice McNab and Richard Sluijs. You can find more information on our website.
Image: Janice McNab, 'Fabienne Last Went Outdoors in 1981'
On 11 July 2020, it is exactly 25 years ago that the Srebrenica genocide took place. In just a few day nationalistic (Bosnian-) Serb (para)militaries killed 8,372 Bosnian Muslim men and boys. At the time, Dutchbat, the Dutch infantry battalion that was part of the United Nations peacekeeping force, was responsible for the protection of the enclave of Srebrenica.
With the national campaign 'Srebrenica is Dutch History' we draw attention to the Srebrenica genocide and its role in Dutch history.
Part of the campaign is a temporary monument on the Plein in The Hague (from 11 July) , an initiative of the collective Bosnian Girl, consisting of Arna Mačkić, Daria Bukvić, Emina Ćerimović and Ena Sendijarević, four Bosnian-Dutch women with a background in architecture, theater, research and policy making and cinema respectively. 25 portrait photographs by Robin de Puy of Bosnian-Dutch women and men of 25 years old are placed in a circle. With their double identity they symbolize the connection between Dutch and Bosnian history. The portraits form a protective shell around the bereaved families, the survivors of the war in all of Bosnia-Herzegovina, Dutchbatters and others involved.
Stroom supports this project with a big window presentation as part of its own long-running program 'See You in The Hague', which explores the identity of The Hague as an International City of Peace and Justice through art.
SHOWCASE is a temporary and ever-changing exhibition to support young artists. Every week, from 12th July until 31st August, Stichting Heden Den Haag (Heden) will show a different artwork by a student of the Koninklijke Academie van Beeldende Kunsten / Royal Academy of Art, The Hague (KABK) in the window of the art space at the busy Denneweg. Students from all departments and all study years are welcome to participate. This rotating exhibition format is not limited to fine arts or photography only, every student from each department is welcome to submit their work, whether this is a performance, fashion design, or 'art and science' project for instance, anything is possible.
A presentation by Katerina Konarovská in the former Ondertussen space, that will change and grow over time. 'Escape Room' refers to the game in which people have to solve a riddle or assignment within a certain time limit in order to escape from an enclosed space. Konarovská offers an alternative version, in the shape of an artistic 'living space', reminiscent of our personal living environment - the space to which each of us was forced to withdraw in recent times, the space that defined our freedom of movement, forced us to stay still but also offered protection. During the run of the presentation Katerina will invite four other artists from The Hague to work (together) in the space and to show work.
From mid-February, the artist Cesare Pietroiusti will succeed the Taiwanese artist Tehching Hsieh with the second one-year-long exhibition. This exceptional exhibition model is reserved for prominent artists with a distinctly exemplary role. Just like in the work of Hsieh, Pietroiusti is not focused on art as an object, but on life itself as a form of art. Since 1977, Pietroiusti has built up a very impressive oeuvre with a continuous flow of presentations. At West he will show a monthly changing selection of his works in the 'corner offices' of the former American embassy. Varying from early works and 'artworks to be ashamed of' to works that have never been shown or are new.
By means of a video-interview project with artists, curators, theorists and organizers, Jack Segbars explores the question of authorship within contemporary art production. Through critical reception, and the way in which it is presented, begets its meaning, relevance and form. This means that the wider chain of production can be seen as co-authors. What possibilities arise by understanding authorship as communal e ort between the di erent positions of artist, curator, critique and the platform of presentation as site of production? And what can be its political relevance within the current conditions of artistic production?
Participants: Maziar Afrassiabi, Mohammad Salemy, Charles Esche, Rachel O'Reilliy, Armen Avanessian, Lietje Bauwens and Sami Khatib
Jack Segbars is a researcher within the PhDArts programme of Leiden University. Photo: Guido van Nispen
West Den Haag is thrilled to announce Tote Räume, Gregor Schneider's first solo exhibition in the Netherlands. Acknowledged as a groundbreaking artistic proposition, Schneider's work can be regarded also as prophetic in a time of mandatory social distancing since it is based on mechanisms of physical isolation. Unfolding a sequence of rooms, sculptures, human figures, photos and videos spanning four decades of radical art making, the exhibition is arranged in response to, and exchange with, the original function of its building as the U.S. Embassy in the Netherlands from 1959 until 2018.
A clear example to this exchange is the 'Interrogation Room' – a pristine room replicating one of the prison cell modules in Guantánamo Bay Detention Camp, the U.S. detention facility located on Cuba's southeastern coast. When incorporated into the setting of West Den Haag 'Interrogation Room' exceeds the boundaries of the aesthetic field and acquires the status of a real authoritarian space, outlining the exercise of power over the visitors and the potential violation of their bodily sovereignty.
Also included in the current sequence is 'Cold Storage Cell', which joins 'Interrogation Room' to politically contextualize Schneider's continuous experiments in sensory deprivation and practices of stealth interrogation and clean torture, intermittently conducted throughout his entire oeuvre.
With the display of 'Cryo-Tank Phoenix 3' Schneider's conception of sealed-off spaces extends beyond the political-jurisdictional framework provided by West Den Haag and obtains a metaphysical sense, turning every site in which it emerges into an intermediary zone situated between life and death, between this world and the world to come. A separate section in the exhibition is dedicated to 'Geburtshaus Goebbels', which involves the actual building in Mönchengladbach-Rheydt where Joseph Goebbels—the Reich Minister of Propaganda in Nazi Germany—was born. In 'Geburtshaus Goebbels' Schneider traces the roots of Nazi history almost literally, uncovering the physical foundations of Goebbels' birthplace—the origins of his origins. Within Schneider's universe 'Geburtshaus Goebbels' is also a follower of 'Haus u r', the artist's own site of origin, standing a short distance away from it. 'Haus u r' is the name Schneider gave to the abandoned residential building, which he occupied from 1985 until 2001, all the while ceaselessly reconstructing its inner structure as an idiosyncratic typology of visceral rooms built inside the house's preexisting rooms (with windows in front of windows, walls in front of walls, etc.). Being realized through a process of self-consuming duplication—whereby each room is also the concealed room into which it was inserted, and the space—the difference—between them—makes 'Haus u r' an enduring experience of cognitive dissonance in relation to which presence and absence, construction and elimination, are no longer distinguishable from one another.
In the context of the exhibition a series of performances will be staged specifically for the occasion. Additionally to the project 'Tote Räume' West will organise an international symposium in November of this year. With the working title: 'Gregor Schneider: Kunst im Kopf'.
Gregor Schneider (Germany, 1969) is cosidered one of the most influential artists of the last three decades. Since the end of the 1990s Schneider has been presenting solo exhibitions in leading museums around the world, including, among many others, Musée d'Art Moderne de Paris, Museun of Contemporary Art, Los Angeles, Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Museo d'Arte Contemporena Roma. In 2001 Schneider won the Golden Lion award in the Venice Biennale of Art, and from then on his work is the subject of worldwide discussions and controversies. Schneider's practice is an intersection between architecture, sculpture, and performance, intervening in the fabric of material, social and historical reality.
Writing Writing explores the connotative and the denotative through writing (e.g: literature) and writing (e.g.: composition). The presentation will include six new presentations by designers, writers, artists and critics, conjuring lyrical/poetic form both in text and how it is concocted. Writing Writing is conceived by Ian Lynam, who is working at the intersection of graphic design, design education and design research, and who is faculty at the Temple University Japan, Vermont College of Fine Arts USA, and CalArts USA.
With Ian Lynam, Matthew Monk, Randy Nakamura, Chris Ro, Laura Rossi Garcia and Gail Swanlund
The Alphabetum is an artistic space which explore the formative and formal aspect of (written) language and to show their underlying contingency. One emerges of the other: a letter is a letter, because it looks like a letter; and when something looks like a letter, it becomes a letter. Due to the self-evidence of written language and letters, we mostly overlook this important connection. This can even happen to people who deal with letters on a professional level. Typographers and type designers are primarily focused on the letterforms whereas writers do not see the forms of the letters they use to make their words visible. Despite the fact that we are all dealing with letters on a daily basis, we hardly notice the letters which are manifesting the languages in which we exist.
The Alphabetum aims to sensitise its audience to the phenomena of signs and written language through exhibition projects and events, to reveal the essential meanings of our 'culture of writing'.
PIP expo presents GRIP, a one day exhibition with spatial experiment, performances and installations. In The Grey Space in the Middle, PIP expo presents works by:
Aukje Dekker
Brigitte Louter
Lucas van Eeden
Loui Meeuwissen (i.c.w. Anouk van Klaveren)
Pim Kerssemakers
Schoch & de het boaz
PIP expo is curated by Laura Snijders and Jeannette Slütter
With special thanks to Stroom Den Haag
Exhibition@Nest and CBK Zuidoost
'If you would die today and reincarnate one generation later, in what world would you want to be born, regardless of where or who you are?' This is the question posed to the artists of 'A Fair Share of Utopia' and inspired them to create new works for Nest and CBK Zuidoost.
At Nest:
Brook Andrew
Raul Balai
Simphiwe Ndzube
Müge Yilmaz
At CBK Zuidoost:
Claudia Martínez Garay
Femke Herregraven
Ghana ThinkTank
Nástio Mosquito
Marianne Nicolson
Guest curator: Manon Braat
Can you put your own interests aside and really fight for a better world in the interest of future generations, or is it easier if you imagine yourself to be part of that unknown future? In her essay "What if We're All Coming Back?" in The New York Times of October 2018, human rights lawyer Michelle Alexander tries to imagine the world you would end up in if you were to reincarnate at a random place and under random circumstances.
Her essay is at basis of the exhibition. Out of this thought experiment, to imagine a fundamentally different, sustainable and more humane organization of society, the artists speculate about an unknown future of which they themselves are part. Through this exercise in imagination, the exhibition offers proposals for alternative ways of dealing with each other and with the earth.
The exhibition 'A Fair Share of Utopia' is accompanied by the publication 'Wat Niet Is Maar Kan Zijn', in which ten writers and nine artists explore the possibility of putting their own interests aside for a better world for future generations. They speculate about an unknown future of which they themselves are part. The book is published by publisher Jurgen Maas in collaboration with online art platform Mister Motley.
With contributions from the artists and essays by: Michelle Alexander, René ten Bos, Dean Bowen, Sander Donkers, Clarice Gargard, Sisonke Msimang, Rashid Novaire, Vamba Sherif, Jan van de Venis and Louwrien Wijers.
Opening Thursday 3rd of September, CBK Zuidoost
Opening Friday 4th of September, Nest
A Fair Share of Utopia is an initiative of Nest in collaboration with CBK Zuidoost Amsterdam.
The exhibition is at both institutions accompanied by an extensive context programme.
Keep an eye on the agenda from Nest and CBK Zuidoost for more information.
Design: buurmen
From 5 September to 12 October 'Stichting Heden Den Haag' will be exhibiting three exhibitions simultaneously.
1. With the exhibition 'Wolpertinger' Thijs Jaeger, Rik Laging and Joeri Woudstra want to investigate and question the current state and the influence of capitalism on the efficiency of our lives.
2. 'Haagse Heritage'
With the group exhibition 'Haagse Heritage' Heden pays homage to artists from The Hague and shows a wide range of contemporary artists that have a connection with this city.
3. 'Vroeger boven Heden'
JW Kaldenbach and Amber Jansen captured the history of Heden's upstairs apartment in a beautiful and enchanting series of photos and sculptures.
'Disruption as part of the deal' brings together two artists who have been manipulating strictly geometric shapes for decades: Diet Sayler (1939, Romania) and Ewerdt Hilgemann (1938, Germany). In the 1980s, both artists discovered a form and method that appealed to them in such a way that it still provides the basis for their art to this day.
In order to understand the almost obsessive occupation with their chosen form and method, it is useful to know that both artists are artistically children of the 1960s. In the 1960s, the legacy of concrete art from the first half of the twentieth century was extended and enriched.
But unlike concrete art from the beginning of the twentieth century, Hilgemann and Sayler do not strive for a universal language in which harmony between opposites is achieved, but rather their work seems to shout that harmony does not exist. Disruption is part of the deal. At a time when our system is being thoroughly tested and disrupted, this is a topical and recognizable message that can touch on what many people feel and experience.
Willy de Sauter toont niet alleen recent werk, maar een ook aantal werken uit de jaren 70.
Jan van Munster laat een van zijn highlights uit de jaren 90 zien.
During lockdown, Susanna Inglada (1983) was an artist in residence at the Accademia di Spagna in Rome. Here she made a series of new works on paper: Faces and Crowds: collaged portraits and accumulations of arms and hands. What strikes is her use of color has become more pronounced during her residency in Rome. Charlotte Schleiffert (1967) once was Inglada's teacher at the Willem de Kooning Academy. Her drawings have a similar intensity and vehemence as Inglada's theatrical work on paper.
Jaakko Pallasvuo takes on the historical lineage of hierarchies, originally meaning "sacred power", in his collaborative project Radical Angels. Namely, he explores angels and divine ministries as the blueprint for contemporary hierarchy, bureaucracy and administration. In a time when the balance between authority and expertise is proven to be increasingly unreliable, Pallasvuo invites us to question who has the mandate, and who even gave to them in the first place. How can the mystic authority of angelic ministries inform us on the diffuse nature of government sovereignty?
Agnes Scherer will present her solo-exhibition, The Salty Testament - Part 1: Melancholy of the Apostles, from October 10th at 1646 - Museum Night 2020.
The narrative installation Melancholy of the Apostles mobilizes sculpture, painting and video to recount and simultaneously prefigure The Salty Testament.
Scherer presents a theatrical dance piece that reimagines the narrative of the New Testament under water. This drastic and somewhat absurd relocation serves to reconsider bit-by-bit the biblical content down to its details. As with the Rose of Jericho, the "irrigation" of the narrative encourages it to unfurl into a liberated, more florid version of itself.
Step into a horizontal abyss inhabited by a mysterious triton, the Christ of the Seven Seas. With his charisma he targets a group of pearl divers who, with each new dive, follow him further down into the depts. The further they follow him, the lower on oxygen they are as they observe the wonders and revelations presented by their fishy Master and it becomes increasingly difficult to tell if what they experience is real.


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Distribution of Seeds of Saline Tolerant Traditional Paddy "Kagga" to Manikatta Farmers
Traditional landraces are valuable genetic resources, that are resilient to climate change, and well adapted to the local soil types, climatic conditions, cultivation practices etc. Saline tolerant Kagga rice was cultivated in more than 2,000 hectares (ha) in the bed of Aghanashini estuary. However, the current area under cultivation has shrunk to less than 10 acres. Farmers of Manikatta, Kumta in Karnataka, cultivate Kagga in a cooperative manner and farm families in Kumta region prefer Kagga for its good nutritional quality, taste and its adaptability. Farmers of Manikatta expressed their interest in reviving Kagga cultivation and reclaim the earlier cultivated land which is currently extensively used for prawn cultivation.
To increase the area under Kagga cultivation, technical guidance in the form of on-farm demonstration were provided to the Lukkeri – Manikatta farmers by MSSRF and University of Agricultural Sciences, Dharwad (UASD). In addition, MSSRF has initiated awareness meetings with the farmers and officials of the Department of Agriculture, Government of Karnataka for establishment of Seed Banks, educational tour for farmers to similar saline tolerant traditional paddy variety cultivation areas.
Recently, Kagga seeds were distributed to 100 farmers through the village Seed Bank for cultivation in the Lukkeri-Manikatta estuarine area in a function jointly organized by MSSRF, UASD and University of Agricultural and Horticultural Sciences, Shivamogga. This meeting was attended by 160 Kagga farmers and their representatives Mr. C.R. Naik, President of Manikkatta Growers Association, Shri. Shridhar Pai, Secretary, Mr Shivaprasad Gaonkar, Deputy Director of Agriculture (Uttar Kannada), Mr. Shankar Hedge, Assistant Director of Agriculture, Department of Agriculture, Government of Karnataka, and Officials from UASD and MSSRF Participated. This function is a part of the project entitled "Reclamation of Saline Soils of Karnataka: An integrated approach towards Biosaline agriculture" supported by the Department of Agriculture, Government of Karnataka.


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At the recommendation of several friends over the past few weeks, I decided to check out Fleet Feet in West Hartford, Conn., after work today. All I can say is WOW. No doubt, I'll be a return customer.
It started with an in-depth consultation on my foot type and current sneakers. The customer service rep, Deb, shared her wealth of knowledge with me in a way that even I could understand. It also became pretty clear why I was experiencing some soreness on my right heel lately.
From there, I was taken to a treadmill, where my stride was recorded, and replayed in slow motion on a nearby monitor. What I was about to see was truly shocking. With each stride my right foot took, you could see my ankle roll in a way that just didn't seem natural. Yes, Running Ray is a victim of the dreaded overpronation.
Fortunately, there's an easy fix to that. Deb brought out a couple of sneaker models for me to sample. Rather than try to make a hard sale like some other shoe stores do, she took the time to explain each shoe so that I could make an educated decision. The kicker here was that I was given an opportunity to run on the sidewalk outside, to get a real feel for them!
(Blogger's note: If you go after work, consider bringing your sportswear. Somehow slacks and running shoes just don't jive.)
So after about 35 minutes, not only did I get a new pair of sneakers (don't worry, the NB 730s will still be in service…just not for running), but I also have a much better understanding of stability sneakers, equipment (wick socks, really?!), and injury prevention.
Many thanks to Deb and Fleet Feet. Now I'm really ready to conquer those long-distance running goals.
Until later – RR


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The inaugural Kodak Global Flexo Innovation Awards programme is designed to recognise the all-round impact of flexo-printed packaging on the value chain, and while the print quality of an entry is important, it's only the start of the evaluation process. These awards look beyond the technical specification alone, to reward entries that demonstrate...Read more
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This site is operated by a business or businesses owned by Informa PLC and all copyright resides with them. Informa PLC's registered office is 5 Howick Place, London SW1P 1WG. Registered in England and Wales. Number 8860726.
As a confirmed visitor for Arab Health, you are all set to to access more than 4,250 medical manufacturers from all around the world and insights into the latest innovations in the healthcare industry.
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New free-to-attend four-day forum will offer updates from key industry leaders in the fields of infrastructure, spanning the life-cycle of a healthcare facility.
Experience the future of the healthcare infrastructure industry at the Healthcare Infrastructure Forum - at Pavilion, behind Hall 8.
Innov8 Talks is back and better than ever at Arab Health 2020! With new content, innovations and ideas, come and discover the next big thing. Hear from Amazon's Chief Medical Officer - Dr Maulik Majmudar, Microsoft's Managing Director Health & Life Sciences, Europe Middle East & Africa - Elena Bonfiglioli and more at the Innov8 Talks, at the Plaza Hall.
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Darlene Eagles (nee Burbine)
Passed away peacefully with her family by her side, at the Stedman Community Hospice on Friday March 8, 2013 in her 51st year. After a long and courageous battle, Darlene has gone home to be with her Lord and Saviour.
Beloved wife for over 31 years of Larry Eagles. Loving and devoted mother of Sonya Eagles, and cherished Nanny of Kassidy and Karissa. Survived by her Loving mother Rose and her husband Ron Cormier. Will be greatly missed and forever remembered by her siblings; John Burbine, Wayne Burbine, Eugene (Louise) Burbine, Patti (Wayne) Balzereit, and sister in laws; Shirley Eagles, and Linda Johnson. Darlene will also be missed by many Aunts, Uncles, Nieces, Nephews, Cousins, and many dear friends. Heartfelt appreciation is extended to all the Doctors, Nurses, and Volunteers at the Stedman Community Hospice.
Friends were received at the " Thorpe Brothers' Funeral Home & Chapel", 96 West St, Brantford Ontario. on Saturday, March 9, 2013 at 9:30am for visitation, and the service followed at 10:30 am in the chapel. Interment at Mount Hope Cemetery.
In lieu of flowers, donations in memory of Darlene may be made to the Stedman Community Hospice, www.stedmanhospice.ca would be greatly appreciated. Online condolences at www.thorpebrothersfh.com


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Chief Mukuni Village Tour
Embark on a visit to the local Chief Mukuni Village which is home to some 7,000 Leya people. Gain valuable knowledge of how…
- Overview
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Embark on a visit to the local Chief Mukuni Village which is home to some 7,000 Leya people. Gain valuable knowledge of how an African village is run and the day-to- day routines of the people who live there.
A headman will escort you around the village to show how traditional huts are made and decorated, to explain village politics and to answer any questions that you may have.
There is also a large craft market in the village for you to buy some locally made crafts, or even attempt to give it a go yourself.
Dr David Livingstone visited this village on more than one occasion, sitting under a giant mango tree in the middle of the square, to meet with the current chief. As the Chief viewed David Livingstone as an unbeliever, he was not allowed into the chief's compound.
It was also two men from this village, long time retainers of David Livingstone, who carried his body all the way to the coast after he died near Lake Bangweulu. The descendants of these men still live in the village.
The current Chief Mukuni is a modern and enterprising man who is promoting tourism in his area while trying to minimize the adverse impact it might have on his people's way of life
Return Road Transfers from Lodges/Hotels within Livingstone
Bottled Water
Services of a Guide
Items of Personal Nature
Tips and Gratuity
Contribution/Donations to the Village


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It seems only yesterday that Angelina Jolie adopted her eldest son Maddox, yet in the blink of an eye he has grown up and the now-18-year-old has flown the coop to start university.
His famous mother dropped him off at Yonsei University in Seoul, South Korea, last week and has revealed that she is "proud" but understandably bereft.
Maddox will be studying biochemistry.
Angelina, who lives with her other five children in California, spent time with Maddox at the university campus helping him settle in before bidding farewell to him at the airport. The Maleficent star shared with media that saying goodbye to him was difficult, admitting she already missed him - and had to let out an 'embarrass-your-children ugly cry', too.
She told Entertainment Tonight: "I had the big glasses, and the amount of times I turned and waved. I do know it was the one moment in my life I think I turned around six times before the airport just… And he sweetly stayed and kept waving, knowing that I was going to keep turning around. You could feel he knew he couldn't leave.
"I am very proud of him. He is ready — he's good. I miss him, I miss him."
She said she's already set with plane tickets to visit him.
All five of Angelina and ex-husband Brad Pitt's other children, Pax, 15, Zahara, 14, Shiloh, 13, and twins Knox and Vivienne, aged 11, were also at the airport to wave off their big brother.
Angelina, 44, revealed: 'When you know that your kids love each other and you see the way they all – without any kind of prompting or pushing – give each other notes, hug each other, take each other, support each other, then you feel like they're going to be okay and they're always going to have each other."
Maddox was the first of Angelina's six children to come into her life when she adopted him from his birth country, Cambodia, in 2002. Four years later, her then-partner, Brad Pitt, also adopted Maddox although it's understood Pitt was not at the emotional send-off.
Maddox and Angelina have always shared a special bond, with Maddox even joining his humanitarian mother's side in Cambodia to work with her on the movie, First They Killed My Father.
Of working with his mum he told People, "[She's] fun, funny, and easy to work with. She's a wonder."
Angelina said Maddox had encouraged her to make the film about his home country, revealing he even studied documentaries to help her with the script.


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Credit is due to Rhys for his subtle character work, because without all of his microexpressions and charm, their dialogue would have felt more like computer chess than two people talking.
Hannah has basically been turned into an Evil Kermit meme.
He wants to treat women who he knows will be deferent to him in any manner he chooses, but still lean on the concept of affirmative consent when he gets called out on it.
Description: The premise is Hannah—a woman much like Dunham—confronting a type of person whose perspective is naturally limited to her.


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Lausanne, Switzerland, May 30, 2018 - With both standing at 7-1 records
thus far in the 2018 FIVB Volleyball Nations League, something has to
give Thursday when The Netherlands host Brazil in Apeldoorn. But the
odds stack up against the hosts, who have only ever once beaten Brazil
in 23 head-to-head encounters - eleven years ago at the 2007 FIVB World
Grand Prix.
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Today as I sat on my desk, a woman came to meet me with an application. She started off with how she had been to the local police but nobody is taking cognizance of her complaint. Then she narrated her woes. It transpired that she was a widow, albeit a young one, having lost her husband in a road accident few years back. Thereafter she met this man, who professed his unconditional love for her and persuaded her for a relationship after putting the sindoor on her forehead (a supposedly clandestine marriage) assuring her that after his parents' consent they will have a social wedding. Of course that never happened but what did happen was that she got pregnant. Now she had come to us for help in asserting her right and the right of her unborn child viv a vis the supposed husband and in-laws. The local police did act on her complaint initially by calling the other side but there a compromise was reached and the in-laws accepted her as a member of the family, promising her social acceptance in near future which never came about. The story was so similar to the once I have heard earlier, narrated by different women at different times but the gist remains the same. Women, always so easy to be led, trusting the one they love, believing the one who professes love for them and then giving themselves to that another in every manner. Open to being abused emotionally, physically, financially……… Are they the emotional fools? Cant they see it coming? Why are they so eager to believe when all the signs say no no no? I guess the entire mind driven race will think so! However, here lies the difference between a man and a woman. One driven by mind, and the other by heart. Ready to believe and to trust. A tough battle. If she gets the guy to marry her and accept her, will this relationship ever last or have any meaning? What will happen after that? What will the legal action get her? Some settlement for herself and her unborn child for not proceeding with her complaint or punishment for the culprit for having befooled her in next 5-6 years? And during this period what will she do? How will she bring about a child on her own in today's society which is always ready to ridicule and criticize but never willing to lend a helping hand? Here she is open to being branded a woman with loose moral values, a vamp, a whore doing it for money and what not but nobody bothers about the man who was an equal partner to where she is today. He will not be labeled as the rapist, a cheater, a fraud but an unfortunate guy who got hooked to a wrong woman while a woman seeking justice wards off the abuses hurled upon her and her character. Is it so wrong to trust! Have we all been not in a situation at one point of our life where we realized we committed a mistake in trusting a wrong guy but does this wrong judgment justify the cruelties meted out to this and many such women? Suman Nalwa 15th oct 2012
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My 2020 theme is Fruits & Harvest.
Last year I focused on growth, working hard to create new opportunities, and setting myself up for future success. This year is about realizing those successes (fruition) with tangible results (the harvest.)
The purpose of a yearly theme is to bring actions into focus, to shape behavior in service of your goals without only setting specific resolutions. Usually it's a word or succinct phrase used to guide decisions in the context of a larger whole.
Harvesting fruits is a natural continuation of "planting seeds", a metaphor I've used often to describe hard work and habits that (hopefully) lead to future blessings. I'm looking forward to applying this in my Cortex Theme System Journal when it arrives!
Pictured: rambutans! Sweet white fruit, similar to lychee, covered in fiery colored soft spikes. A fun new "try" to kick off 2020.
For examples and further discussion on yearly themes, have a listen:
Happier Podcast, Episode 254: Choose a One-Word Theme for the Year, and a Tough Question About Neighbors.
Cortex Podcast, Episode 95: 2020 Yearly Themes


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Neighbours of a former governor of defunct Bendel State, Dr. Samuel Ogbemudia, on Iheya streets and environs off New Lagos Street have said that they would miss a good man.
Iheya Street is not a high brow area in Benin City.
It was former Governor Adams Oshiomhole that rescued residents from perennial flooding by constructing all the 12 streets that linked Iheya with sidewalks and street lights.
The residents, who spoke to newsmen, said the presence of Dr. Ogbemudia made them have access to constant power supply.
Many of them have visited the deceased's residence to sign the condolence register.
Zonal Accountant of the National Commission for Mass Literacy, Pastor Joshua Effiong, recalled it was late Ogbemudia that gave them electricity when they first moved to the area.
He said: "I worked with the national commission for mass literacy. Our office moved into Edo State 2004. Before that time, this place was a bushy environment.
"When we came in, he assisted us in putting this place in order. In fact, he gave us direct line and we were using his own light for a quite a while.
"He has been a good neighbour. When we have the problem of water, we go there to fetch water.
"And during his birthday, he gave everybody access to his compound. So, Ogbemudia was a nice man.
"Really for few days he has not been around, there has been darkness because the light from his compound always reflect to this area. We missed him a lot.
"He was a cool headed man, a man that can accommodate people. A man that accepted all people and not really mind that you must be an Edo man," he said.
State Secretary of Spray Painters Association, Comrade Andrew Ehigiamusoe, whose mechanic workshop is adjacent to Ogbemudia's house, described him as a good man that loved everybody.
"The man is a very good man. In this state, he did many things that have made the state to develop.
"You can see everybody mourning. We are in the state of sober reflection. We are even crying for him now. He was a good man to us.
"I prayed that God should grant him rest and whatever sins he has committed that God should forgive him.
"Look at this road. He was the person who made it to be like this. If he were not residing here, I do not think that the comrade governor would have constructed this road. We missed him so much," he said.
Ehis Aigberemolen, a mechanic, said late Ogbemudia respected landlords in the area and gave them gifts.
"The man was a good man who respected the land lords. He has given clothes, cows and other items to the people of the street. Whenever Ogbemudia is around, BEDC does not interrupt the light.
"What I want the federal government to do is to give him a befitting burial.
" He spent over 24 years in this quarter but if it were to be some big men, they would have asked us to relocate our mechanic workshop from this area.
"But since I came, he has not harassed us but instead whenever he is celebrating his birthday, he invites us to join him in the celebration and gifts are usually given to us," he said.
For Reverend Tina Solomon, late Ogbemudia was like a father figure to all in the community. "He has been there for every one of us both in the street and especially in this very family.
"Anybody that has an encounter with this man will know that he was a God sent especially to the family of late pastor Tina Solomon and my grandmother, late madam Modupe Poopola.
"I will miss his kindness, generosity and his love for mankind. He does not discriminate even we in the street will live to remember him always".


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2.1 Centre of diversity and domestication 4
2.2 Commercial uses 4
2.3 Cultivation in Australia 5
2.4 Crop Improvement 13
3.1 Plant morphology 15
3.2 Reproductive morphology 16
4.1 Reproduction 17
4.2 Pollination and pollen dispersal 18
4.3 Fruit/seed development and seed dispersal 19
4.4 Seed dormancy, germination, seed banks and persistence 21
4.4.1 Dormancy and germination 21
4.4.2 Seed banks and persistence 22
4.5 Vegetative growth 24
5.1 Toxins 25
5.2 Allergens 25
5.2.1 Dust and flour allergies 25
5.2.2 Coeliac disease 26
5.3 Other undesirable phytochemicals 26
5.4 Beneficial phytochemicals 27
6.1 Abiotic stress limiting growth 28
6.2 Abiotic tolerances 29
7.1 Weeds 29
7.2 Pests and pathogens 30
7.2.1 Vertebrate pests 30
7.2.2 Invertebrate pests 30
7.2.3 Pathogens 31
7.3 Other biotic interactions 33
8.1 Weediness status on a global scale 34
8.2 Weediness status in Australia 34
8.3 Weediness in agricultural ecosystems 34
8.4 Weediness in natural ecosystems 34
8.5 Control measures 35
8.6 Weed risk assessment of wheat 35
Section 9 Potential for Vertical Gene Transfer 35
9.1 Intraspecific crossing 36
9.2 Natural interspecific crossing 37
9.3 Natural intergeneric crossing 37
9.4 Artificial interspecific and intergeneric crossing 40
References 42
Appendix A Weed Risk Assessment of Wheat 59
ABARES Australian Bureau of Agriculture and Resource Economics and Sciences
ABS Australian Bureau of Statistics
ACIAR Australian Centre for International Agricultural Research
AEGIC Australian Export Grains Innovation Centre
APVMA Australian Pesticides and Veterinary Medicines Authority
ASA Australian Seeds Authority
BAA Biofuels Association of Australia
DNA Deoxyribonucleic acid
DAFWA Department of Agriculture and Fisheries Western Australia
FAO Food and Agriculture Organization of the United Nations
FAOStat Statistics Division Food and Agriculture Organization of the United Nations
GM Genetically modified
GMO Genetically modified organism
GRDC Grains Research & Development Corporation
ha Hectare
m Metres
n Haploid number of chromosomes
NLRD Notifiable Low Risk Dealing
NSW New South Wales
NSW DPI New South Wales Department of Primary Industries
NVT National Variety Trials
OECD Organisation for Economic Co-operation and Development
OGTR Office of the Gene Technology Regulator
QDAF Queensland Department of Agriculture and Fisheries
Qld Queensland
SA South Australia
spp. Species
Tas. Tasmania
USA United States of America
USDA United States Department of Agriculture
Vic. Victoria
WA Western Australia
WQA Wheat Quality Australia
In Australia, the majority of wheat grown is T. aestivum and its cultivars. The other wheat species grown in Australia is Triticum turgidum subsp. durum (Desf.) Husn., also known as durum or pasta wheat. The terms 'wheat' and 'bread wheat' will be used as general terms to refer to T. aestivum throughout this document.
Bread wheat is an annual grass generally grown in Australia as a rotation crop. The varieties grown in Australia are spring wheat varieties although they are grown during the winter growing season and harvested in early summer. Bread wheat is the most widely grown food crop in the world and Australia is one of the four major exporters of wheat in the world.
Worldwide, two species of wheat are commonly grown. The first, T. aestivum, or bread wheat, includes the classes hard 'red winter', 'hard red spring', 'soft red winter', 'hard white' and 'soft white'. The second, T. turgidum subsp. durum, includes the 'durum' and 'red durum' wheat classes (macaroni or pasta wheats). In Australia, production is limited to these two types. Bread wheat grown in Australia is exclusively white and does not have the red colour typical for most bread wheat grown in the northern hemisphere.
Bread wheat is an allohexaploid (6x) that regularly forms 21 pairs of chromosomes (2n = 42) during meiosis. Chromosomes are organised in the A, B and D genomes (AABBDD). Each genome normally contains seven pairs of chromosomes (Hegde & Waines 2004) and the chromsomes belong to seven homoelogous groups of three (Sears 1954; Hegde & Waines 2004). Chromosomes may be numbered such that the chromosomes of the AB genome are I to XIV and those of the D genome are XV to XXI (Sears 1954), or as 1A, 1B, 1D to 7A, 7B, 7D (Hegde & Waines 2004). Each chromosome in hexaploid wheat has a homologue in each of the other two genomes, however pairing between homoeologous chromosomes of the A, B and D genomes is prevented by a gene, now designated Ph1 (Riley & Chapman 1958; Sears 1976) on chromosome 5B (Riley & Chapman 1958). This gene acts as a dominant gene suppressing pairing of homeologous chromosomes while allowing pairing between homologous chromosomes (from the same genome) (Hegde & Waines 2004). The Ph1 locus has been shown to prevent homoelogous pairing between wheat and several related genomes in hybrids (Riley et al. 1959; Jauhar & Chibbar 1999), but conversely, expression of Ph1 is suppressed in hybrids between bread wheat and some diploid Aegilops species, thus allowing homoeologous pairing of chromosomes (Hegde & Waines 2004). Practical consideration of the role of this gene is needed in both breeding of hybrids and in interpreting phylogenetic relationships (Riley & Chapman 1958; Riley et al. 1959).
This homology in hexaploid wheat and also in tetraploid wheat (AABB) allows a range of chromosomal abnormalities (aneuploidy) to survive, which cannot survive in diploid species such as barley (Hordeum vulgare L.). Sears (1954) described the effects of aneuploidy for each wheat chromosome, including the nullisomics1, monosomics2, telocentrics3 and isochromosomes4. Examination of wheat aneuploids has been important in furthering understanding of the evolution of the genome of modern cultivated wheat.
Currently it is thought that hexaploid wheat is the product of two hybridisation events. In the first, the A genome progenitor combined with the B genome progenitor to form a primitive tetraploid wheat (2n=28, AABB) (Feuillet et al. 2007). Analysis of chloroplast and mitochondrial genomes showed that this hybridisation occurred with the B genome - from the maternal parent (Tsunewaki 1988). The second event involved hybridisation between the tetraploid (AABB) form and the D genome progenitor to form the basic hexaploid configuration, AABBDD (Kimber & Sears 1987; Feuillet et al. 2007), again in the B genome cytoplasm.
While there is still some debate about the origin of the three genomes of T. aestivum (in particular the B genome), there is a degree of consensus for the A and D genomes.
Triticum uratu Thumanjan ex Gandilyan, has been suggested as the progenitor of the A genome in cultivated tetraploid (Feuillet et al. 2007) and hexaploid wheat (Kimber & Sears 1987; May & Appels 1987; Feuillet et al. 2007), as has T. monococcum (Kimber & Sears 1987), a cultivated diploid wheat (Feuillet et al. 2007). Early work (McFadden & Sears 1946a; McFadden & Sears 1946b) identified the D genome progenitor as Aegilops tauschii Coss. Schmal. (formerly Triticum tauschii Coss. or Aegilops triuncialis L.), which is also supported by later authors (Kimber & Sears 1987; Feuillet et al. 2007). A later review summarised much of the earlier work, concluding that T. aestivum originated from a cross between T. turgidum and Ae. tauschii (Matsuoka 2011).
The identity of the B genome donor remains unclear. It was originally proposed that the B genome donor was Aegilops speltoides Tausch (see Sarkar & Stebbins 1956). Feldman (1978) concluded that although Ae. longissima Schweinf. and Muschl in Muschler (as Triticum longissimum (Schweinf. & Muschl.) Bowden) was a candidate for the B genome progenitor, based on genetic compatibility, the lack of geographical contact between this species and tetraploid wheat or wild tetraploid wheat and suggested, as did (Feldman & Kislev 1977), that this was unlikely. The 1977 work suggested that Ae. searsii Feldman and Kislev, formerly believed to be a variant of Ae. longissimi, was the B genome progenitor, as did Nath et al. (1983) (as Triticum searsii). It has more recently been suggested that the original B genome donor of wheat no longer survives in the wild but was probably a member of the Sitopsis section of the Triticeae most closely related to Ae. speltoides (Feuillet et al. 2007). The processes of interspecific hybridisation and the ubiquitous nature of the B genome cytoplasm have been reviewed by Tsunewaki (1991). The origin and taxonomy of cultivated wheat have been reviewed by Feuillet et al. (2007).


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The Michelle in Midnight Navy is the perfect cocktail dress with a twist. Designed in sumptuous silk satin, this full length silhouette features a dramatic neck, gathered halterneck and flattering empire waist with a flowing a-line skirt.
• Silk Satin Midi Dress
• Voluminous Neck Tie/Scarf
• High Neck
• Halterneck Sleeveless Bodice
• Flattering Empire Waist
• Back Bodice Keyhole Opening
• Bias Cut A-Line Skirt
• Concealed Centre Back Skirt Zip Fastening
• Floor Length
Composition & Care
100% Silk
Dry Clean Only Avoid Contact With Suntan Lotion / Oils And With Harsh Chemicals
Stand with your feet together and measure around the fullest parts of your hips. If you measurements are between sizes, select the size based on the largest measurements.See our Size Guide
Need Help?
Spring Summer 2020
The elemental balance of forest and creature, light and shade, stillness and motion provides inspiration for Saloni's SS20 collection.Shop Now


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"We had a great family vacation!"
There were 6 adults and one infant! We had a blast. The unit was comfortable, but it needed some light bulbs! The TV acted strange-sound got muffled-so we had to turn it off and then back on about o… More
Response from the manager Thank you for taking the time to write us this great review. We will get the light bulbs replaced and will look into the tv issue. We have also passed your feedback about the wine and tapas to One Steamboat so hopefully they will be back to the old standard when you return. We look forward to making your next stay just a little better.