text:
Originally Posted: 02 Sep 2003 at:
This is a repost of a thread that came out last year at:
and relates to Eutanator's post at:
"I found this on the web and thought it might be very helpful to forward this to windsurfers or do whatever to inform non-kiters.
1) While we try to stay upwind, occassionally, due to the same
conditions that effect windsurfing we find ourselves downwind and
among the windsurfers. Our options are to make our way through
"the pack" or Bermuda. Basically, its the same rules as sailing.
If your right arm is forward on the boom you have the right of way.
Continue on your tack and let the kiter react. It was once thought
that kiters should always go downwind of any windsurfers. This does not work because we cant keep going downwind. This draws
us further into the pack. Also, sometimes there are other windsurfers downwind. Anyway, its the same rules as sailing. If
you are passing downwind of a kiter, just relax and hold your tack
or bear off a little downwind. Because of how high the kite usually flies the lines will rarely ever be low enough to hit you or your mast.
If I see a windsurfer looking kind of confused I signal my intention
by pointing in the direction I'm going to go.
2) What to do with a beginner kiter dragging or being dragged downwind.
We try to encourage rookies to seek lessons first. We are working with the shops in the area (Jim, Steve, etc.) and they have agreed
not to teach here. However, some people insist on doing things the hard way. Basically, beginners are easy. They usually blow by wherever you are in seconds.
If you see one coming, just jibe or get out of the way. They'll be gone in seconds. We tell beginners to launch all the way at the
seawall and to come in when they reach the most upwind windsurfers.
3) What to do if you see a kite in the water in your path.
First, try to avoid the area if possible. Jibe if you can or manuever around the kite (give 100 ft each way so you don't hit the
lines). If the lines are in the water, DO NOT SAIL OVER THEM.
Your fin will not cut them. What will happen is your fin will
power up the kite and the kiter will have no control over the kite.
You will probably be lifted and tossed off your board . If you realize you are about sail over the lines, jump off your board into water. This will defuse the entire situation. You can then grab your board and sail away. If you feel you are about to be hit by a kiter's lines, jump off the
board and into the water. I doubt this will ever happen but if you think its going
to, jumping off is what to do.
4) What to do if you see a kiter has lost his kite. This is optional but you might spare a beachgoer an "adventure" and the
grateful kiter is sure to reward you with a case of your favorite beverages. Rarely, but sometimes, #4%@ happens and you are seperated from your kite. The kite itself cannot hurt you. It weighs about 3 to 5 lbs and is filled with air. If you grab the KITE and not the LINES it has the same
power as a sheet blown off a clothesline. Just grab one of the edges and hold it tight. Any kiter can take a few seconds to show you how to catch it safely. DO NOT GRAB THE LINES OR THE KITEBAR. As much as we'd like to have our kite saved from a trip
the kite hospital we value you folks more.
5) Launching and Landing. We try to always have assisted launchings and landing. This is the part of kiting that can cause the most trouble. That is why we walk upwind and give ourselves a safety zone. Basically, if you are upwind of a launching or landing kiter there is no way you can be "involved". So, if you are
strolling down the beach and see somebody getting ready to launch, either stay upwind or stay way downwind (100 feet minimum).
6) Flying a kite on the beach over beachgoers. This is a kiting NO NO. We stop anybody foolish enough to do this. If you don't feel comfortable approaching anyone who does this, ask me or any of
the other kiters to do so for you. We APPRECIATE YOU and our access here. We send anyone who wants to just fly his kite on
the beach up to the northside, where at Chapin or Mayflower at low tide they can fly on the beach all day and only disturb the the seagulls. "


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23-year-old detained by police in Bahrain dies
MANAMA, Bahrain (AP) — A 23-year-old Bahraini suffering from sickle-cell anemia who was detained by police as part of a security investigation has died a week after being taken to the hospital, authorities in the Gulf island kingdom said Wednesday.
The country's main Shiite opposition group, al-Wefaq, hailed the man as a martyr and blamed the government for his death because of what it alleged was improper care while in custody.
The Ministry of Interior said the man, identified as Jaffar Mohammed Jaffar, had sickle-cell anemia and died at around 3:15 a.m. Wednesday. He had been receiving treatment at Salmaniya Medical Complex after being admitted on Feb. 19. It is unclear how — or if — his disease contributed to his death.
The office of public prosecution said in an email that the hospital report indicated that Jaffar died of a pulmonary embolism and that there were no signs of injury on his body. As a result of his sickle-cell condition, he suffered from blood clots in the lungs that led to respiratory failure and bleeding in his digestive system, it said. He was being held awaiting trial.
Opposition activists and human rights groups in the past have raised concerns about the alleged mistreatment of detainees amid a three-year uprising by a Shiite-dominated opposition seeking greater political rights from the country's Sunni rulers. Bahrain, an American ally that hosts the U.S. Navy's 5th Fleet, says it is committed to complying with human rights norms.
In April 2011, a supporter of Bahrain's anti-government movement, Rashid Zakaria Hassan, 40, was found dead in a detention facility. A medical examiner determined that complications from sickle-cell anemia resulted in his death.
Jaffar was one of several suspects detained in connection with an operation in December that resulted in the seizure of stocks of weapons and explosives, including some being smuggled in by sea.
The man's family alleges that their son was subjected to beatings and electric shocks, according to al-Wefaq.
A government ombudsman has opened an investigation into the death, and investigators have spoken to family members and "relevant persons" at the detention facility, according to an emailed statement in response to questions. It said results of the investigation will be made public once it is complete.
Jaffar is the second person to die in police custody this year. In late January, Fadhil Abbas Muslim, 20, died from injuries sustained when he was shot in the head while trying to flee the scene of a police investigation, according to authorities.
In a separate statement, the Interior Ministry urged Bahrainis not to take part in fighting in conflicts abroad and warned against becoming involved with religious extremist groups.
It specifically raised concerns about Bahraini citizens who have joined the fight in Syria, and said it was preparing draft legislation aimed at further deterring citizens from fighting abroad or receiving weapons training.
It follows a royal decree issued earlier this month by neighboring Saudi Arabia's King Abdullah punishing citizens who fight in conflicts outside the kingdom with prison sentences ranging from three to 20 years in jail.
Many Sunnis in the Arab Gulf back predominantly Sunni rebels against Syria's President Bashar Assad, who comes from a Shiite offshoot sect.
Associated Press writer Adam Schreck in Dubai, United Arab Emirates, contributed to this report.

subset: commoncrawl


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Payton and I got together yesterday and for the people of these forums we compiled this battle report. The new Hammerhead tank that I created was fielded and put to good use. So onto the battle. Payton forgot his army so he had to use one of mine.
My forces: one squad of infantry, one snipezooka squad with flamethrower, two hero's, a machine gun team, and the hammerhead tank.
Payton's forces: one squad of infantry, two hero's, two mechanics, two bazooka's, one remote operator pilot, one sniper, one heavy team, one creeper, one walker, and one medic.
About 24 minifigures each.
Turn one:
The tank fires for the first time and rips apart two soldiers in a gory explosion.
The tank fires again ending the lives of two more soldiers. Payton has now learned the hard way that riot shields do not stop tank shells.
My sniper kills one of Payton's rocket troops. More blood flies.
My snipezooka team wades into the water and aims at the closest target.
The machine gun is set on fire and the sniper is outright killed. Payton is losing men quickly.
I get my hero's own leg cut of by rolling a one against Payton's six.
My other hero slips into the shadows and is invisible.
The machine gun decides this is a great time to party and try to summon MFS. They fail but this guy is having a lot of fun. Payton went and found a pizza in my huge boxes of Lego.
He shoots of my hero's other leg. He's still not dead but will be by turn three. He needs medical attention.
One of his hero's summons a shark to bit of my soldiers legs. The water becomes red as the shark thrashes beneath the surface.
His men carry a box down to the pier. It contains random object depending on a d6 being rolled.
His creeper lets of the first missile with a perfect roll.
The wall is destroyed but all my men bail with 5 six's being rolled by yours truly.
My hero is finally killed by some special troops with flamethrowers that arrived as reinforcements.
Turn Two
My tank accidentally hits the remains of the walls and it crushes three of my troops. Blood gushes into my lieutenants face but he just looks away not caring a bit.
The tank rolls through the other entrance and it is awesome. It nearly crushed two more troops bu thankfully didn't.
The main cannon fires and hits.
For once a riot shield does the trick and stops the cannon sending the guy behind the shield flying. He becomes a minor hero for stopping a tank cannon with a riot shield.
The resulting explosion kills the two medics who were lounging behind cover drinking in their free time.
The minor hero lands in a bush but survives unhurt. I would have found it ironic if he had died from a blackberry plant.
He climbs out of the bush and wipes his forehead. Suddenly he hears the tank turret turning towards him.
It fires straight up and does nothing expect piss me off.
One of my normal soldiers picks up his friends body pulls the pin on a grenade attaches it to the body and throws it. For some reason he hears cursing coming from the body, but simply smiles and turns his back on the scene.
The body lands surprising all the soldiers around it.
It explodes and does....... nothing sh*t! Not shown but my medic goes and sits on a fuel tank annoying his friends who dared him to do it.
His soldiers dump the contents into the water which ignites and explodes killing many.
Soldiers are vaporized and thrown across the field converting the field to a blood bath.
Best picture in this whole battle report, the fuel tank where my medic was sitting explodes as the explosion from the crates hit it. My medic, and a soldier are sent flying, while others look for cover. This pretty much is the best image I have from a brikwars battle.
They both dies on impact with the ground.
Two other soldiers die from the explosion. The field is now ruined.
Payton shoots a rocket at my compound.
It flies through the window next to my hero. He is hiding because we have decided to end the game when all hero's are dead.
He stares at it not figuring out whats going on until he hears a feminine voice say, "Explosion in 10 seconds!"
Just as the rocket explodes he jumps backwards through the window surviving the blast and all the pieces of wreckage.
He lands and catches his breath for a second aka blacks out.
The creeper fires its last rocket towards the destroyed compound building.
Straight into the party room. They don't even notice until it's to late. By now Payton and I were laughing so loudly that my rabbit hid in her cage in pure terror. She later got a piece of dried apple to make up for it.
This poor guy goes flying as the explosion rocks the room.
All around tables burn and the building collapses. You can see it leaning a bit.
they are all disrupted but alive. The party guy is well and truly pissed of. He can't find his I-pod in all the wreckage.
Payton ends his turn by ending my snipers life.
Turn Three
The tank fires its gun at a target.
And so ends the minor hero, and the other infantry. His shield did not save him this time.
My lone hero jumps down with two chainswords and prepare to send red bricks flying.
And three more soldiers are killed. Payton is now just trying to defend his title as I shred his troops with bloody intent.
He then jumps towards the last hero, just as he brings his gun up to bear.
He shoots as my hero swings...........
A chainsword shreds his hero's neck and it passes right through.
Just as my hero is shot through the chest.
All hero's are dead so Payton's forces leave.
My soldiers sit down and relax. and party.
Thus ends the Bane of Reyo!


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Darkman: Collector's Edition (US - BD RA)
Gabe revisits a favorite and demands that you take the f#@%ing elephant...
Dr. Peyton Westlake (Liam Neeson) is on the verge of realizing a major breakthrough in the creation of synthetic skin when his laboratory is blown up by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with his former love (Frances McDormand). (From Scream Factory's official synopsis)
Sam Raimi's Darkman is often remembered as the director's long game preparation for his biggest mainstream success – the Spider-Man trilogy. In this regard, Darkman is also something of a predecessor to the current wave of super-popular superhero movies. Coming off of his cult success with the Evil Dead movies, Raimi initially tried to make a movie based off an existing comic book property, but, at the time, studios did not consider superheroes a viable property. In the current climate, it seems ridiculous that Universal Studios would be more interested in making a movie based on an unknown property than making a film based on an existing Marvel or DC product, but there was very little precedent at the time (ironically enough, Marvel actually released a comic book adaptation of Raimi's film to coincide with the movie's release). Tim Burton's Batman (a movie Raimi himself had tried to make) made Warner Brothers fistfuls of cash in 1989, while the era's other name-brand superhero pictures (Mark Goldblatt's The Punisher and Albert Pyun's Captain America in particular) were far from successful. Universal decided that Raimi and his brother Ivan's original Darkman treatment was the better bet – especially considering its modest $16 million budget.
Darkman isn't necessarily a great movie, but it is the unique product of a rare cinematic business climate. It also bears the evidence of more of Raimi's influences than perhaps any other film in his oeuvre. It's a grab bag of comic book and film horror archetypes. By mixing these archetypes, the Raimis, working with comic book and future comic adaptation screenwriter Chuck Pfarrer ( Virus, Barb Wire), acknowledge the long-standing similarities between movie monsters and superheroes. The Incredible Hulk's Dr. Jekyll & Mr. Hyde/Frankenstein's Monster parallels have always been clearly stated, but other commonalities, like the ones between Spider-Man and the Wolfman, for example, are pretty easy to overlook. There are also a number of classic Hollywood monster analogues hiding within the popular heroes' rogues galleries, including Dr. Doom, Morpheus the Living Vampire, Man-Wolf, Man-Bat, Solomon Grundy, and Two-Face. Peyton Westlake/Darkman's origin and 'powers' are an amalgamation of a number of established properties, including The Phantom of the Opera (both Westlake and The Phantom are physically scarred that plot revenge from within darkened lairs), House of Wax (Westlake and Professor Henry Jarrod both create lifelike masks to cover their hideously mangled faces), Frankenstein/The Monster (in this case, Raimi's character fits both roles), Dr. Jekyll & Mr, Hyde (Westlake has a sort of implied split-personality and suffers from violent mood swings), and The Hunchback of Notre Dame (in terms of the tragic love story), Batman (at times, Darkman seems like a sort of parody of Batman's major character traits and modus operandi). Perhaps inspired by Raimi, Tim Burton also took cues from The Phantom of the Opera when developing The Penguin for his Batman follow-up, Batman Returns.
Darkman's greatest strengths aren't necessarily in concept, but Raimi's flamboyant direction and barely controlled manic tone. Every conceivable thing about the film is over the top. The camera work is swift enough to break your neck, the production design is outrageous, the dialogue is more comic book inspired than any modern adaptation would dare, and the performances are broader than a Nebraska barn. Raimi was permitted to load the cast with his personal friends, including his brother Ted, ex-housemate Frances McDormand, and Evil Dead 2 alumn Dan Hicks, but Universal wouldn't allow him to use Bruce Campbell for the title role, so he used a pre-superstardom Liam Neeson…and convinced him to act like Bruce Campbell. The resulting performance is a singular and strange event, one unlike anything else in Neeson's sadly stagnant current career. Despite his unmistakable face appearing sans-make-up several times, the actor is almost unrecognizable behind wild eyes and comic blubbering.
Raimi took some stylistic inspiration from Burton (the use of composer Danny Elfman is enough to verify this), but, watching the film again, I notice that his blend of comedy and drama has more in common with Paul Verhoven's Robocop, not to mention the evil CEO and city-rebuilding angles of both scripts. Raimi doesn't reproduce any of Verhoven's imagery, though, ensuring Darkman connects the likes of Evil Dead to the director's later budget-bursting superhero movies. For all of their elastic, digitally-created images and modern special effects, the Spider-Man movies (especially Spider-Man 3, which features basically the same climax) are definitely the children of his more gruesome comic-inspired work. And it's not all maniacal action and hallucinatory montage transitions – Raimi jams the film full of indelible images that transcend the vocabulary of the film itself, like Durant's cigar cutter, the drinking bird that triggers a push-button lighter, or the carnie fingers that Peyton breaks when he isn't given the pink elephant he won fair and square. In the tradition of Evil Dead II, Darkman is cartoonishly ultra-violent without much of the cruelty that normally coincides with graphic cinematic mayhem. I imagine it would get a PG-13 if released today, minus a couple of f-bombs.
Universal has been happy to release and re-release Darkman on home video over the years. It has a big enough cult following to make them a couple of bucks every time they add it to a new format. These include DVD, HD DVD, and Blu-ray releases. This may sound like good news – Scream Factory already has an HD print to work from – but we must remember that Universal was responsible for some awful, over-modulated, and DNR-heavy HD transfers at the beginning of the HD home video era. Among the most notorious of these bad transfers are Spartacus, Tremors, and Cat People. Last month, Scream Factory released a special edition of Cat People using that same unfortunate, but not entirely horrible, HD DVD transfer. Now, Universal's Darkman releases were not among these despised discs, but was similarly problematic, so fans worried that Scream Factory would, once again, reuse a less than stellar 1080p encode.
First, the bad news: this 1.85:1, 1080p transfer was definitely made using the same encode as Universal's Blu-ray and HD DVD releases. There are unmistakable signs of DNR and some images, wide-shots in particular, are over-sharpened, causing notable edge enhancement effects. Now, the good news: Universal didn't mangle this film nearly as much as those others. The digital augmentations are often pretty easy to overlook and the transfer is definitely an improvement over any of the DVD versions. Similar to Universal's Blu-ray release of Army of Darkness, this transfer is inconsistent from shot to shot in terms of image clarity and detail. This may be the fault of the original material; as in both cases, Raimi's use of layered process shots (I believe he used a mix of blue screen, Intravision effects, and rear projection) seems to cause the biggest downturns in quality. Having never seen Darkman in theaters, I'm not sure if the dated optical effects were as problematic on the big screen, but they've certainly been easy to notice on DVD and VHS. However, there is some comfort in the grain and minor print damage artefacts, because they represent scenes that have not been DNR'd into flat, broad shapes. Colours are a lot stronger and tighter than my DVD copy without the overall palette appearing over-modulated (maybe a shade more red than yellow/orange of older versions).
Scream Factory also snagged Universal's DTS-HD Master Audio 5.1 soundtrack for this release and improves upon that release by including the original 2.0, stereo surround in the form of another uncompressed DTS-HD Master Audio track. The 5.1 remix seems to be the same one that has been used since the original DVD release and is barely distinctive from its 2.0 basis. Flipping between the tracks the only major difference is the discrete center channel, which gives the 5.1 remix a slight edge. The LFE bounce is really not an issue, but the properly centered dialogue makes a small difference. The mix is pretty aggressive for one predating digital theatrical output, but follows the lead Raimi set with his aurally abstracted Evil Dead and Evil Dead 2 sound designs. The dialogue-heavy sequences are definitely low-key, but action scenes are poppy and brimming with directional cues. Perhaps more expressive are those wild Sam Raimi montages, which swirl with cartoonish aural hallucinogens. The sound quality of Danny Elfman's very Danny Elfman-esque score is the most impressive 2.0 to 5.1 upgrade. The LFE warms up the instrumentations and the multi-channel spread helps separate the subtler musical elements.
As far as I can tell, every single previous release of Darkman on home video has been barebones in terms of extras. This alone, I suppose, is a reason for fans that already own the older Blu-ray to double (quadruple?) dip with this Blu-ray.
These new extras include:
- An audio commentary track with director of photography Bill Pope.
- Dissecting Darkman (7:30, HD) – An interview with Liam Neeson where the actor respectfully and happily recalls working on his first starring role.
- An interview with Frances McDormand (10:50, HD) – McDormand's behind-the-scenes stories are delightfully personal, considering that she and Raimi were personal friends at the time of the film's production.
- My Name is Durant (16:00, HD) – An interview with Larry Drake, who also has particularly fond memories of the production, the first STV sequel, and an unseen pseudo-pilot for a Darkman TV series.
- The Face of Revenge (13:20, HD) – An interview with make-up Designer Tony Gardner, including some brief behind-the-scenes video.
- Henchman Tales (13:00, HD) – A pair of interviews with actors Danny Hicks and Dan Bell, who discuss the fun of playing the bad guy.
- Dark Design (16:50, HD) – A pair of interviews with production designer Randy Ser and art director Philip Dagort, including original sketches, models, and storyboards.
- A vintage EPK featurette (6:30, SD)
- Full-length interviews from the EPK (9:00, SD)
- Further vintage interviews with Raimi (23:10, SD), Neeson (28:00, SD), McDormand (20:40, SD), and Colin Friels (12:10, SD).
- Trailer
- TV spots
- Four still galleries – Posters & production stills, behind-the-scenes, make-up effects, and storyboards.
Darkman certainly represents director Sam Raimi in a transitional place in his career, mostly for the better. It's also a much more influential movie than I think it is credited for. Raimi's hyperactive direction didn't only foreshadow his work on the Spider-Man series – it helped inspire another of the unsung predictor of the now advantageous superhero subgenre in Stephen Norrington's equally R-rated Blade. Perhaps the strangest thing about Darkman is that its most science fiction element, the 3D printing of usable facial pieces, is very close to a scientific reality. It's disappointing that Scream Factory didn't go back to the negatives for a full-on remaster, but Universal's original transfer isn't nearly the problem of something like Cat People and is certainly an upgrade over DVD versions. Those that already own the barebones Blu-ray/HD DVD release have a very nice selection of new and newly available extras to look forward to.
* Note: The above images are taken from the Blu-ray and resized for the page. Full-resolution captures are available by clicking individual images, but due to .jpg compression they are not necessarily representative of the quality of the transfer.
Review by Gabriel Powers
DirkToesfeld Member Join Date: November 2009 Location: Germany Posts: 110
Larry Drake, Ted Raimi, Nicholas Worth. Instant buy then.
Under 17 requires accompanying parent or adult guardian
Disc Details
Release Date: 18th February 2014
Discs: 1
Disc Type: Blu-ray Disc
RCE: No
Video: 1080p
Aspect: 1.85:1
Anamorphic: No
Colour: Yes
Audio: DTS-HD Master Audio 5.1 and 2.0 English
Subtitles: English
Extras: Cinematographer Commentary, Interview with Liam Neeson, Interview with Frances McDormand, The Name is Durant, The Face of Revenge, Henchmen Tales, Vintage Featurette and Interviews, Trailer, TV Spots, Image Galleries
Easter Egg: No
Feature Details
Director: Sam Raimi
Cast: Liam Neeson, Frances McDormand, Colin Friels, Larry Drake, Ted Raimi, Nicholas Worth, Dan Hicks
Genre: Action, Adventure, Film-Noir, Horror and Thriller
Length: 96 minutes
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Anushka real name is Sweety Shetty. His screen name is Anushka Shetty,She basically from Bangalore. She did his schooling and college in Bangalore. after that she learnt Yoga, while doing his graduation in Computer Applications. Then she started teaching Yoga in Bangalore and Bombay.She don't have any prior experiences in modeling or acting .she knew director ENivas(Shool fame) through my Yoga guru Bharat . He suggested me to Puri Jagan. Then they selected for Super film.Sweety feel very lucky.
Wednesday, June 8, 2011
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"If you could have lunch with anyone, who would it be?" It's a fun hypothetical question for a lot of people, and often times the response is the president of the United States.
For four University of Rochester students and recent graduates, the hypothetical became very real on Aug. 22 as they found themselves as the exclusive lunch guests of President Barack Obama. The president made a stop at Magnolia's Deli and Cafe in Rochester as part of his college affordability tour through Upstate New York and Pennsylvania. At Magnolia's, he lunched with Douglas Brady '15, Evalyn Gleason '13, Wesline Manuelpillai '16, and Brandon McDonald '13as well as some of their family membersfor a conversation on their experience with college costs and loans, and ideas on improving college affordability in the United States.
U.S. Senator Charles Schumer liaised with the White House and the University to help create this momentous luncheon and conversation on Park Avenue, which also included discussion with U.S. Secretary of Education Arne Duncan.
"I'm so honored to have met the president and I thank Senator Schumer for allowing me to participate. This all happened very suddenly and it is still crazy to digest," said Brady, an international relations major from Rochester.
"My biggest take-away moment was not only how casual the conversation was, but the genuine interest that both the president and the education secretary had for our opinions and stories," said Gleason, a political science major from Rochester. "They really seemed to care and wanted to hear what we had to say. I was also impressed with how much is actually being done to make college more affordable for everyone. There are a lot of ideas being bounced around and both the president and education secretary are putting a lot of effort into making sure that everyone can afford a college education."
"Having the opportunity to talk about financial aid with the president was an incredible honor. I was blown away that the president and secretary of education took the time to sit down with University students and parents to talk to us about an issue that plays such an important role in our lives now and in the future," said Manuelpillai, an economics major from Horseheads, N.Y. "He not only took the time to talk to us about his plan, but also to listen to our concerns as students about the rising costs of a college education and the burden it places on the middle class."
"The entire experience was surreal. I feel extremely honored and humbled by Thursday's event and it truly is a once-in-a-lifetime experience," said McDonald, a public health major from Rochester.
To view President Obama's plan for college affordability, visit: http://www.whitehouse.gov/share/make-college-affordable.


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Byrd's ninth inning single helps Mets down Marlins
Flushing, NY – Marlon Byrd's two-run single in the ninth inning gave the New York Mets a 4-3 come-from-behind victory over the Miami Marlins in a rubber match on Sunday.
Steve Cishek (0-1) was on the mound in the ninth and got the first out, but then nicked Ruben Tejada with a pitch. Kirk Nieuwenhuis then dropped a single into left field that saw Tejada move to third and Nieuwenhuis take second on Juan Pierre's throw to third.
With the infield in, Byrd ripped a pitch down the third base line and past a diving Chris Valaika, scoring both runners for the victory.
"It feels nice to come through," Byrd said.
Byrd made a winner of Scott Rice (1-0), who got his first career win after pitching a scoreless ninth inning. Aaron Laffey gave up three runs on 10 hits with a walk and five strikeouts over 4 1/3 innings for the Mets, who took the final two of this series after dropping the opener. Daniel Murphy hit a solo home run and Anthony Recker added an RBI.
Jose Fernandez, who won't turn 21 until July 31, became the youngest Marlin to ever start a game. He gave up just one run on three hits with a walk and eight strikeouts over five innings, and was in line for the win until the ninth inning collapse.
"It looked like he had been there before," Pierre said of the rookie. "
Donovan Solano went 3-for-5 with an RBI while Justin Ruggiano and Valaika each added two hits and an RBI for the Marlins, who came into this season having been swept by Washington.
Miami left men in scoring position in the first and second innings, but got on the board in the third after Ruggiano's double scored Greg Dobbs, who reached the previous at-bat with a single.
In the fourth, the Marlins added to their lead as Adeiny Hechavarria walked and scored when Valaika followed with a double. Solano later doubled home Valaika for a 3-0 lead.
After being set down in order through the first three innings, New York left two men on in the fourth before getting on the scoreboard in the fifth.
With one out, Tejada singled and Recker chased him home with a double to make it a 3-1 contest.
Murphy's leadoff home run in the sixth made it a one-run game.
Game Notes
Miami has its home opener on Monday when it starts a three-game set against Atlanta ... The Mets play their first road game of the season on Monday when they begin a three-game series against Philadelphia ... Miami batted just 2- for-14 with runners in scoring position and left 12 men on base.


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Hello dear Stampers,
before we go to our new challenge we
We have a lovely time looking at all your beautiful creations in our last challenge.
Don't forget to check back next Sunday to see if you are a winner or are in our top three.
Sadly the winner of challenge 144 (Easter) didn't claim the Crafty Ribbons prize,
so we chose a new random winner:
#33 Artcardbox
Please contact Marlies HERE
You have five days to claim your prize.
Now on to our new challenge. The theme is:
(Don't forget to use at least one stamp, we are ADDICTED TO STAMPS)
You have two weeks to show us your creations. We can't wait to see your work.
You have chance to win this lovely prize from our sponsor Marianne Design
Please follow our challenge rules to be eligable for the prize
And here are the inspiration cards from our TEAM B.
To get to the blogs of our DT members just click on the name. You will find more inspiration there and we allways love to read your comments.
Please don't forget to put a direct link to Inlinkz and please link our challenge in the post on your blog.
Have fun!!
Next sunday we will publish the WINNER AND TOP 3 of our previous challenge.
Your Design Team
Max THREE (new) entries per person.
Will you please number your entries if you enter more than once
Thank you.


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Car Review
2014 Nissan Murano: New Car Review
The 2014 Nissan Murano is a crossover that stands out in a sea of crossovers. With its modern and stylish design, sporting personality and well-crafted interior, it is a breath of fresh air in a segment that now suffers from the saturation of so many lookalike models. The Murano looks and feels anything but homogenized.
Although it doesn't offer the convenience of a third-row seat, the spacious interior can easily accommodate five passengers and some luggage, and the stylish interior layout has a decidedly upscale look and feel. On the negative side, the Murano is expensive, and Nissan doesn't offer it with a more fuel-efficient 4-cylinder engine.
But for those looking for a different kind of utility, this may be the one. It's fun to drive, well equipped, comfortable and capable, with a head-turning style that's all its own. The 2014 Murano is proof that all crossovers are not the same.
What's New for 2014?
A Graphite interior color is now available with the Tinted Bronze exterior.
What We Like
Well-built; sharp handling and steering; responsive engine; compliant ride; upscale cabin; plenty of advanced electronics
What We Don't
Poor rear visibility; no fuel-efficient 4-cylinder option; pricey next to competitors
How Much?
Fuel Economy
The front- or all-wheel-drive Nissan Murano gets its power from a robust 3.5-liter V6 that makes 260 horsepower and 240 lb-ft of torque. This engine has Continuous Valve Timing Control and Nissan Variable Induction Control, and is mated to a continuously variable automatic transmission (CVT). Maximum towing capacity is 3,500 pounds.
The Environmental Protection Agency estimates fuel economy for the Nissan Murano at 18 miles per gallon city/24 mpg hwy with front-wheel drive and a slightly lower 18 mpg city/23 mpg hwy with all-wheel drive.
Standard Features & Options
For 2014, the Murano continues to be offered in four trim levels: S, SV, SL and LE. Each trim can be ordered with either front- or all-wheel drive.
The Murano S ($29,300) includes the 3.5-liter V6, Xtronic CVT, 18-inch alloy wheels, halogen headlights, cloth seating, tilt/telescoping steering wheel, cruise control, power windows, mirrors and door locks, remote keyless entry system, AM/FM/6-CD stereo with six speakers and auxiliary audio input, Nissan Intelligent Key with push-button start and rear privacy glass.
The Murano SV ($32,390) models add roof rails, integrated halogen front fog lights, automatic on/off headlights, 8-way power driver's seat with power lumbar support, 4-way power front passenger seat, leather-wrapped steering wheel with audio switches, Bluetooth, a 7-in color monitor, USB/iPod integration, a rearview monitor, SiriusXM satellite radio and an auto-dimming rearview mirror with compass.
The Murano SL ($36,250) models add leather-appointed seats, heated front seats, driver's seat and outside mirror position memory, 60/40 fold-flat rear seat back with power return, dual-panel power moonroof, a power lift gate, Bose premium audio system with nine speakers plus dual subwoofers, body-color front and rear lower fascias, rain-sensing front wipers and heated outside mirrors.
The Murano LE ($38,740) models add 20-in aluminum alloy wheels, roof rails with silver accents, HID bi-xenon headlights, heated rear seats, power tilt and telescopic steering wheel, heated steering wheel, interior wood-tone trim and steering-wheel-position memory.
Three option packages are available for the 2014 Murano. The Value Package, available with Murano SV, includes voice-activated navigation with 7-in touchscreen, NavTraffic and NavWeather (SiriusXM subscription required), Bluetooth streaming audio, the Bose audio system and a power lift gate.
The Navigation Package, offered with Murano SL, features a voice-activated navigation, Bluetooth streaming audio and Safety Shield technologies with blind spot warning (BSW), lane-departure warning (LDW) and moving object detection (MOD) systems.
The Murano LE's Platinum Edition brings navigation, 20-in aluminum alloy wheels, exclusive Sapphire Black exterior color, Platinum Edition badge and Safety Shield technologies.
Standard safety features for the 2014 Nissan Murano include ABS, stability control, traction control, six airbags and active front head restraints. For the LE Platinum or SL with navigation, drivers can choose to add BSW, LDW and MOD as part of the Safety Shield package.
The Murano earned four out of five stars in crash tests from the National Highway Traffic Safety Administration and the highest ratings from the Insurance Institute for Highway Safety.
Behind the Wheel
The Nissan Murano is a crossover with noticeable athleticism. It's an agile handler that stays well planted in corners, thanks to a nicely balanced chassis. Also helping its cornering prowess is the Murano's wide stance and large, grippy tires. Turn-ins are quick and nimble thanks to a responsive and well-weighted steering system. For all these reasons, the Murano delivers one of the sportiest driving experiences you can find in a midsize crossover.
The Murano's V6/CVT combination offers powerful and responsive performance, whether from a standstill or at speed. Acceleration is strong, and the Murano's overall power is smoothly and evenly delivered throughout the rev band, thanks to the CVT.
At the same time, the Murano's ride is comfortable and composed. Regardless of its sporting personality, it delivers an on-road feel that is relaxed enough for daily commuting as well as for carting the family around town. Nissan seems to have it down in finding that just-right balance between ride and handling.
The Murano also has what it takes to tread in harsh road conditions or unpaved terrain. Large 18- or 20-in wheels coupled with more than seven inches of ground clearance and optional all-wheel drive grant the Murano enough capability to drive confidently through snow, rain or mud.
Other Cars to Consider
Ford Edge -- The Murano is more stylish and sporty, but the Edge has more technology and a more fuel-efficient 4-cylinder engine option.
Kia Sorento -- The Sorento is less expensive. And it's offered with a 4-cylinder engine and a third-row seat; neither of those choices are available on the Murano.
GMC Terrain -- Like the Murano, the GMC Terrain is strictly a 5-passenger CUV. But it too offers a choice of 4- or 6-cylinder engines and is now available with GMC's feature-rich Denali trim.
AutoTrader's Advice
Our recommendation for the Murano is the second-from-the-top SL model. The Murano SL has all the convenience and technology features of the S and SV but adds key upgrades such as a power lift gate, leather upholstery and a Bose audio. The range-topping LE is not worth the premium for enhancements such as rear-seat heat and wood trim. We'd add the navigation system with real-time traffic and weather and, for those in colder climates, optional all-wheel drive. The Murano's all-wheel-drive system is capable and has just a negligible effect on fuel economy.


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One of my all time favorite patterns is The Wonderful Wallaby by Cottage Creations. While it's true that the Wallaby is cozy and classic and the construction is beautifully engineered, the thing that makes this pattern my favorite is the charm and accessibility of the writing and illustrations.
You will be cheered through your Wallaby by encouraging tidbits like, "TREAT YOURSELF Take time to try on your Wonderful Wallaby, it feels so GOOD! Your Wallaby won't mind if tried on with needles remaining in the yarn!" You will love the homey drawings of knitting kangaroos, like grandma kangaroo knitting her Wallaby from yarn stored in her pouch (I wish I had that!). The pattern is also clearly written, very explanatory and 100% mistake free.
The Wonderful Wallaby is sized for toddlers age two all the way up to adult super size. My son, Bear, is only 13 months old, but he's really tall, and I just couldn't wait another year to knit him his own Wallaby. I love knowing that he'll get lots of wear out of it.
- The Wonderful Wallaby Pattern which you can find at this link.
- For this size I needed 3 skeins of Spud & Chloe's Sweater yarn, 55% Superwash Wool, 45% Organic Cotton. This color is "Ice Cream", knit at 4 1/2 stitches to the inch. (For yarn quatities for larger sizes please check the pattern.)
- 1 skein of Koigu's Kersti Merino Crepe, 100 % Merino Wool. This color is #822.
- A US #8, 24 inch circular needle.
- A set of US #8 double pointed needles.
- An extra pair of US #8 needles, either straight or any length circular. (These extra needles are for knitting the pocket.)
- 4 stitch holders (or scrap yarn).
- 4 stitch markers (or scrap yarn).
It's great that Spud & Chloe's Sweater yarn is machine washable and really soft, but mostly I love that the blend of wool and organic cotton truly makes this sweater year round. To add a little fun, I knit a stripe of multi-colored Kersti every fifth round. (By the way, the Kersti is also machine washable.) Adding this stripe does complicate the pattern in some places (like the pocket), so I wouldn't recommend it if you are a beginner knitter, but otherwise I thought the challenge was totally worth it.
Another materials note: The pattern uses US #6 needles for the ribbed edges which really draws in the bottom hem and cuffs. I wanted Bear's Wallaby to be a little looser fitting and so just used my #8's for everything. Be sure to have a smaller 24 inch circular needle and double pointed's on hand if you want to be a faithful follower of the directions.
The Wonderful Wallaby is such a perfect sweater that I'm going to make sure Bear is never without one. I hope I like his college colors! -Whitney


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Raising Readers is a registered Canadian charity supporting literacy in early childhood. At Raising Readers our mission is to nurture and spark the magic of stories and reading for children.
We run a series of Story-clubs & Literacy Clubs for children in the public school system.
Each Club includes story-telling, book presentation, and an opportunity for children to respond to stories with art, writing, drama or discussion. A child does not need to know how to read to join.
Please contact Michelle Kadarusman with any questions about the program:
Tel: 647 897 6017
Visit us on Facebook for weekly updates on Story-club books and activities:
To make a secure donation, please visit: https://www.canadahelps.org/CharityProfilePage.aspx?charityID=s90628
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We all about know caps and hats being used as fashion items to complete one's overall look or to make your clothing complement your personality. Mas, have you ever considered using caps for your business?
You may have not!
Wondering why any business would need caps? Curious if it has any effect on business growth?
Keep reading to find answers to your questions.
Business That Can Benefit By Making Their Employees Wear Caps
If you are a business owner, evaluate your needs to see if you need to make your employees wear caps or not.
Food Businesses
Whether you run a restaurant, own a factory where processed goods are made, or involved in any other business that has to do with food, you need to make sure that you follow the food standards set out by the government.
Every country and/or state has its own set of laws and policies with regards to food safety, hygiene, practices, use of equipment and regarding the health of people working at a place that somehow deals with food. Por exemplo, employees of a restaurant, particularly those working in the kitchen, are required to take special care of personal hygiene, wear caps to prevent the chances of their hair falling into the food, and go through annual medical checkups to ensure they are not suffering from any disease that can be transmitted to others.
Businesses That Include Outdoor Tasks
If a company requires its workers to go out and work on the field or site, it is required by the law to take certain measures to ensure the employees' safety and health. These include measures such as providing them protective and/ or high visibility clothing, safety shoes or boots, making it mandatory for the workers to wear sunscreen so that they remain protected from the harsh sunrays, and wearing gloves, hats/ caps or goggles.
Businesses That Strive To Come Up With Unique Marketing Strategy
The use of promotional clothing, also called branded clothing, is gaining huge popularity in the corporate world. Many companies are providing uniforms, jackets and/ or customized promotional caps, customized with their brand name, logos, and displaying the brand colours to their employees to make their brand travel wherever their employees go, to create a sense of unity and belongingness among the team members and to develop a professional image of their company. All of these benefits of providing customized clothing items to workers have been proved by research studies and surveys. Investing in a customized clothing item is a practice that can never go wrong.
There are a lot of services that offer customization services for clothing items. Make sure to research to find the one that offers the best value for your money.


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Remembering Ritchie Valens
Everyone knows about Buddy Holly, but the Ritchie Valens, who died at the same tragic airplane crash on 3rd february 1959, also left his mark in rock'n'roll...
Valens was an accomplished singer and guitarist. At his appearances, he often improvised new lyrics and added new riffs to popular songs while he was playing. This is an aspect of his music that is not heard in his commercial studio recordings. Due to his high-energy performances, Valenzuela earned the nickname "The Little Richard of the Valley".
In May 1958, Bob Keane, the owner and President of Del-Fi Records, a small Hollywood record label, was given a tip about a young performer from Pacoima by the name of Richard Valenzuela. Keane, swayed by the Little Richard connection, went to see Valenzuela play a Saturday morning matinée at a movie theater in San Fernando. Impressed by the performance, he invited Ritchie to audition at his home in the Silver Lake area of Los Angeles, where he had a small recording studio in his basement. The recording equipment comprised an early portable tape recorder — a two-track Ampex 6012 — and a pair of Telefunken U-47 condenser microphones.
After this first 'audition', Keane decided to sign Ritchie to Del-Fi, and a contract was prepared and signed on May 27, 1958. It was at this point that he took the name Ritchie, because, as Keane said, "There were a bunch of 'Richies' around at that time, and I wanted it to be different." Similarly, it was Keane who decided to shorten his surname to Valens from Valenzuela, in order to broaden his appeal to White Americans.
Several songs that would later be re-recorded at Gold Star Studios in Hollywood were first demoed in Keane's studio. The demos were mostly just Ritchie singing and playing guitar. Some of them featured drums. These original demos can be heard on the Del-Fi album Ritchie Valens — The Lost Tapes. As well as the aforementioned demos, two of the tracks laid down in Keane's studio were taken to Gold Star and had additional instruments dubbed over to create full-band recordings. "Donna" was one track (although there are two other preliminary versions of the song, both available on ''The Lost Tapes), and the other was an instrumental entitled "Ritchie's Blues".
After several songwriting and demo recording sessions with Keane in his basement studio, Keane decided that Ritchie was ready to enter the studio with a full band backing him. Amongst the musicians were Rene Hall and Earl Palmer. The first songs recorded at Gold Star, at a single studio session one afternoon in July 1958, were "Come On, Let's Go", an original (credited to Valens/Kuhn, Keane's real name), and "Framed," a Jerry Leiber and Mike Stoller tune. Pressed and released within days of the recording session taking place, the record was a success. Valens' next record, a double A-side which was the final record to be released in his lifetime, had the songs "Donna" (written about a real girlfriend), coupled with "La Bamba."
At this point, in the autumn of 1958, Valens quit high school to concentrate on his career. Keane booked appearances at venues all across the United States and performances on television programs. Valens, however, had a fear of flying brought on by a freak accident at his Pacoima Junior High School when two airplanes collided over the playground, killing or injuring several of his friends. Valens was not at school that day as he was attending his grandfather's funeral. He eventually succeeded in overcoming his fear enough to travel by airplane. One of his first stops was Philadelphia to appear on Dick Clark's American Bandstand television show on October 6, where he sang "Come On, Let's Go." In November, Ritchie traveled to Hawaii and performed alongside Buddy Holly and Paul Anka. Valens found himself a last-minute addition on the bill of legendary discjockey Alan Freed's Christmas Jubilee in New York City, singing with some of those who had greatly influenced his music, including Chuck Berry, Bo Diddley, The Everly Brothers, Duane Eddy, Eddie Cochran and Jackie Wilson. December 27th saw a return to American Bandstand, this time for a performance of "Donna."
Upon his return to Los Angeles, Valens filmed an appearance in Alan Freed's movie Go Johnny Go!. In the film, he appears in a diner, miming his song "Ooh! My Head," using a Gretsch guitar borrowed from Eddie Cochran. In between the live appearances, Ritchie returned to Gold Star several times, recording the tracks that would comprise his two albums.
In early 1959, Valens was traveling the Midwest on a multi-act rock and roll tour dubbed "The Winter Dance Party." Accompanying him were Buddy Holly with a new back-up band, Tommy Allsup on guitar, Waylon Jennings on bass, and Carl Bunch on drums; Dion and the Belmonts; J.P. "The Big Bopper" Richardson; and Frankie Sardo. None of the other performers had backing bands, so Buddy's backup band filled in for all the shows.
Conditions for the performers on the tour buses were abysmal, and the bitterly cold Midwest weather took its toll on the party; Carl Bunch had to be hospitalized with severely frostbitten feet, and several others (including Valens and The Big Bopper) caught colds. The show was split into two acts, with Ritchie closing the first act. After Bunch was hospitalized, a member of the Belmonts who had some drum experience took over the drumming duties. When Dion and the Belmonts were performing, the drum seat was taken by either Valens or Buddy Holly. There is a surviving color photograph of Ritchie at the drum kit.
The bus they all were taking on the tour broke down and Buddy Holly decided to charter a small plane for himself and his back-up band (The Crickets name was surrendered to Buddy's former bandmates Jerry Allison and Joe Mauldin) to get to the next show on time, get some rest, and get their laundry done. After the February 2, 1959, performance at the Surf Ballroom in Clear Lake, Iowa, Holly, Richardson (who pleaded with Waylon Jennings for his seat because he was stricken with flu), and Valens (who had won Tommy Allsup's seat after a coin toss) were taken to Clear Lake airport by the manager of the Surf Ballroom.
The plane, a four-passenger Beechcraft Bonanza, departed for Fargo, North Dakota, into a blinding snowstorm and crashed into farmer Albert Juhl's cornfield shortly after takeoff. The crash ended the lives of all three passengers, as well as that of the 21-year-old pilot, Roger Peterson. This event inspired singer Don McLean's popular 1971 ballad "American Pie", and immortalized February 3 as "The Day the Music Died." The event also inspired the Eddie Cochran song "Three Stars", which specifically mentions Holly, the Big Bopper, and Valens.
Valens was a pioneer of Chicano rock, Latin rock and was an inspiration to many musicians of Latino heritage. He influenced the likes of Los Lobos, Los Lonely Boys, and Carlos Santana among countless others at a time when there were very few Latinos in American rock and pop music. He is considered the first Latino to ever successfully cross over into Rock & Pop mainstream. He paved the way for all the other latinos, from Santana to J-Lo.
Like Buddy Holly, he was one of the first artists to popularize the Fender Stratocaster.
Artists as varied as Cliff Richard, The Ramones and The Misfits covered his songs. And, of course, Los Lobos had a worldwide hit with their cover of 'La Bamba', for the soundtrack of the Ritchie Valens biopic of the same name, released in 1987, which introduced his music to a whole new generation.


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New Car/Review
by Tom Hagin
SPECIFICATIONS Manufacturer's Suggested Retail Price $ 30,645 Price As Tested $ 31,375 Engine Type OHV 2-valve 4.3 Liter V6 w/SFI* Engine Size 262 cid/4300 cc Horsepower 190 @ 4400 RPM Torque (lb-ft) 250 @ 2800 RPM Wheelbase/Width/Length 107"/67.6"/183.7" Transmission Four-speed automatic Curb Weight 4086 pounds Fuel Capacity 18 gallons Tires (F/R) P235/70R15 Brakes (F/R) Disc (ABS)/disc (ABS) Drive Train Front-engine/all-wheel-drive Vehicle Type Five-passenger/five-door Domestic Content N/A Coefficient of Drag (Cd.) N/A PERFORMANCE EPA Economy, miles per gallon city/highway/average 16/20/17 0-60 MPH 10 seconds Payload 1301 pounds Towing capacity 5000 pounds * Sequential fuel injection
Oldsmobile was wise to re-introduce its slow-selling Bravada when its GM corporate siblings, the GMC Jimmy and Chevrolet Blazer, were redesigned for the 1995 model year.
Since then, Olds is selling Bravadas as fast as it can build them. And since luxury SUVs continue to be hot items, it doesn't look as if the company has any plans to stop producing them
OUTSIDE - Most of its body panels and sheetmetal are shared with the Chevy/GMC twins, though Oldsmobile has grafted a few design cues from its automobile line onto Bravada. These include the signature "twin kidney" grille separated by the new Oldsmobile logo and body-side cladding - minus the "ribs" of the previous vehicle. For cargo-loading ease, the tailgate is split in two, with the upper portion made of glass and the lower portion functioning much like that of a pickup's tailgate. New this year are a set of bright-faced six-spoke alloy wheels, each being more than two pounds lighter than before, and a heated outside driver's mirror. Also new is a slightly redesigned rear step bumper with rubber non-skid strips to make loading cargo onto the roof rack easier.
INSIDE - Inside is where Bravada separates itself from its GMC/Chevy clones. Where those two vehicles must be heavily optioned to reach luxury status, Bravada's options list is short. For 1998, the instrument panel contains new second-generation airbags that deploy with less force, offering smaller and lighter occupants a bit more assurance. Next, the radio and climate controls have been angled toward the driver to make adjusting the controls less of a reach. Finally, a pair of audio systems are new this year, with a standard AM/FM cassette or a cassette/CD system that is optional. Comfort-wise, Bravada's standard leather upholstery (cloth upholstery is a no-cost option) is soft and supportive, and now covers a new six-way power driver's seat with a new feature for 1998 - a power recliner. Also new are optional seat heaters and a split rear bench seat with headrests that fold automatically when the seat is flipped down.
ON THE ROAD - Powering Bravada is a tried-and-true 4.3 liter V6 engine that produces 190 horsepower and a whopping 250 lb-ft of torque. It is connected to a smooth and strong four-speed automatic transmission, the only gearbox available. And while the engine and gearbox are first-rate, what deserves the most mention is Bravada's full-time four-wheel-drive system, called SmartTrak. Instead of a viscous limited slip center differential, which has been state-of-the-art for many years, Bravada uses an electronically- controlled transfer case that works much the same as before, but now gives quicker reactions to wheel slippage, which in turn activates the 4WD system. It also transfers 100 percent of the engine's power to the rear wheels on dry pavement, reducing the negative influence of the drive line on the steering and front suspension components on dry pavement.
BEHIND THE WHEEL - Bravada rides on a full chassis, with rugged body-on-frame construction. Its suspension is independent up front, with upper and lower control arms, torsion bars for springs, and a thick stabilizer bar. In back is a solid axle with leaf springs and another stabilizer bar. This is pretty much the standard 4X4 setup these days, though it can be tuned by the maker to create a balance between a firm and a soft ride. Bravada's ride is just between the two, and while most won't see much off-road use, it is more than capable in the rough, except where a low gear range is necessary. Snow country is where it shines best, as it switches almost imperceptibly between rear and all-wheel-drive on alternating patches of icy and dry pavement. And since Oldsmobile made four-wheel disc brakes with anti-lock (ABS) standard equipment last year, the whole package feels very well-rounded.
SAFETY - Dual airbags, ABS and side-impact beams are standard.
OPTIONS - Our tester was fitted with a Value Options Package that added the CD player, a tow package and white-letter tires for $545. California emissions are $170, and the destination charge is $515.


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Guernsey freesias by post. This selection contains 25 white sweetly scented Guernsey freesias, complimented with pretty white gypsophilia. Delicate and stunningly beautiful - Guernsey freesias are always popular and consistently one of our best selling arrangements. Your flowers are finished off by wrapping in our stylish packaging and your message card, bearing your personalised message, is added. Everything is then despatched by Royal Mail's first class post to be delivered to your chosen recipient. You can either choose our standard postal option which is completely free - or you can choose special delivery to guarantee the flowers arrive on your chosen date. (There is a small charge for this service). Vase is not included.


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The Duggar clan has welcomed their first grandchild.
Mackynize Renee Duggar is the newest addition to the ever-expanding family featured on TLC's "18 Kids and Counting," Usmagazine.com reported.
The baby girl was born to Josh Duggar -- the oldest of the 18 children -- and his wife, Anna, both 20. The baby girl was 8 pounds and 19-1/2 inches.
"We're really excited about being grandparents. [Josh and Anna] are going to make great parents," Michelle Duggar, Josh's mom, told the "Today" show.
Josh met his wife at a home-schoolers' conference and dated for two years but only held hands during their courtship. They kissed for the first time when they were married in Sept. 2008 at the Buford Grove Baptist Church in Hilliard, Florida.
Mackynzie Renee will soon have a 19th aunt or uncle. Her grandmother Michelle announced in the spring that she is expecting a 19th child.


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Photos: Celtics Media Day
Photos: Celtics Media Day
Jeff Green was surrounded by green basketballs to sign at the Celtics' Media Day at the team's facility in Waltham.
First-round draft pick Kelly Olynyk smiled while doing a radio interview. Players posed for photos, did promos, and answered questions from reporters.
Gerald Wallace listened to instructions while doing a promotional video.
Head coach Brad Stevens filmed a promotional video during which he was told to try to appear as if he was stressed on the sidelines.
Jared Sullinger had a laugh during a television shot.
Team president Danny Ainge was at the event.


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Item number: 9310.76325
Sleek and understated design makes this belt by SANTONI the perfect versatile accessory for every occasion. Minimalistic elegance in its purest form to emphasize your personality with style – be it with jeans or a suit.
Size Advisor
We calculate the perfect fit based on your unique measurements - VIEW INDIVIDUAL SIZE ADVISOR
This article has the following dimensions.
To find out your ideal belt size in cm, measure your waist width where you wear the belt and round up or off to the next belt size in cm, both is possible.
A = Width
About the designer
Santoni – design, quality, craftsmanship, passion, luxury, and the desire for perfection. Santoni is renowned for these qualities and for his unusual creations in leather since 1975, and is regarded as one of the greats of his craft. Exclusive shoe fashion bearing the quality seal "Made in Italy". The Italian shoe artist Andrea Santoni never strays from his pride as a master of his craft and his natural flair for elegance. His hand-crafted shoes, exceptional shapes and structures, unique manufacturing processes and techniques make Santoni shoes part of the cultural heritage of Italian craftsmanship. The exclusively tanned and hand-dyed leather needs up to 20 days until it takes its final shape on the last. The manually applied patina is an unmistakable trademark of the brand, and an expression of the exclusivity of its products. A pair of Oxfords or slippers requires 600 individual stitches, which are all done by hand. During the polishing process, which can last for several days, the shoe will receive up to nine layers of colour. Santoni collections are available in selected boutiques around the globe, as well as in flagship stores in Milan, Rome, Torino, Capri, Cannes, St. Moritz, Tokyo, Beijing, Shanghai, and Moscow. more about Santoni
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Designer menswear at BRAUN Hamburg: the long-standing, family-owned company represents an assortment of luxury garments that is unparalleled in Germany, not least due to its close relationship with premium manufacturers from all over the world. The BRAUN Hamburg online shop offers more than 150 international menswear brands as well as high-quality editorial content. An all-embracing commitment to service is what has made BRAUN so unique over the years, in addition to making international brands and luxury designs available to their fashion-conscious clientele 24/7. Our customers, their individual needs and a personal approach are at the heart of the BRAUN philosophy, with excellent service well beyond the ordinary.
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Thanks to six-game winning streak, Golden Hurricane seem to be peaking, but don't tell coach, players that just yet
TULSA — For those who either watched on television or in person (as I did) the Tulsa Golden Hurricane's 59-17 rout of Marshall Satruday at a windy Skelly Field at H.A. Chapman Stadium, this team looks to be not only peaking at the right time, but is definitely set itself up for a Conference USA Western Division title showdown at 11 a.m. Nov. 25 at home with undefeated Houston — and possibly the C-USA Championship game (which could be here if Tulsa runs the table).It's hard to fathom that this team started out 1-3 this season, but remember who the three teams were to beat the Golden Hurricane — Oklahoma, Oklahoma State and Boise State, all of which are, or at one time were, primed to be Bowl Championship Series bowl teams (possibly a BCS Championship Game team in the case of OSU, and possibly still OU).But since Oct. 1, the Golden Hurricane (7-3, 6-0 in conference play) have not lost a game, and talk about a well-oiled machine on offense. Tulsa had nine scoring drives, three of them were less than 40 seconds — which gives the Golden Hurricane 10 such drives this season.Still, despite the appearance of the Golden Hurricane peaking and riding a six-game winning streak, Tulsa Coach (and Spiro native and former Spiro Bulldogs coach) Bill Blankenship, quarterback G.J. Kinne and running back Trey Watts (son of former OU quarterback J.C. Watts) still believe the team's best performance is still forthcoming.


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New York-based First Niagra Financial Group announced Wednesday it has provided $15 million in financing to John R. Cali for a large housing complex in Hudson County. The project is expected to be completed and ready to lease in September.
According to the announcement, John R. Cali, formerly of Mack-Cali Real Estate Corp., will use the funds for the construction of The Park at Bayonne, a 60-unit multifamily housing complex.
In addition to 60 studio, one-, two-, and three-bedroom units, the building will feature a rooftop patio and garden, a private penthouse clubhouse, and a fitness center. It also will provide private shuttle service for residents to public transportation into New York, First Niagra said in a statement.


text:
It would be unwise for a prime minister to make himself vulnerable to scandals like the ''cash for honours'' police investigation that dogged the Blair government in Britain in its last years, especially in light of recent NSW scandals over political donations. Yet this is what Tony Abbott has done.
An unsought honour, conferred by an independent and respected body, is a delight to the recipient and a well-respected acknowledgement of the individual's contribution to society. But once honours fall within the gift of politicians, history has shown that they can become burdens on the recipients and a millstone around the neck of the donor.
First, it is inevitable that people will try to draw connections between honours and the making of political donations. Abbott's new knights and dames are appointed upon his recommendation alone. This is a departure from precedent. Other civilian honours under the Order of Australia are independently assessed and recommended by a council headed by the Governor-General. The order's website proudly states that it ''operates on the principles of independence and freedom from political patronage''. When Malcolm Fraser introduced knighthoods under the Order of Australia in 1976, it was the council that made the recommendations - not the prime minister.
Abbott has instead taken us back to the early 1970s, when knighthoods were within the gift of the prime minister. Former governor-general Sir Paul Hasluck left in the archives a vivid account of the political skulduggery behind the granting of honours at that time.
Knighthoods were then a form of political currency, used to buy supporters or to damage their reputations by making them appear to have been bought. This led to exquisite dilemmas for those, such as John Gorton, who wanted the honour but did not want to seem to be beholden to the person who had recommended it.
Gorton, when prime minister, had agreed to be made a ''companion of honour''. So as not to be seen to be conferring an honour on himself, it had been arranged that the British prime minister, Edward Heath, would make the recommendation. This plan was thwarted when Gorton lost the leadership to William McMahon and Heath concluded that it was up to McMahon to recommend Gorton's honour.
According to Hasluck, Gorton refused to accept any honour on McMahon's nomination. He argued that McMahon was blatantly seeking to buy political support through the conferral of knighthoods and that two people had already asked to be withdrawn from the Queen's Birthday honours because ''acceptance would have the public appearance that they had been bought''.
Hasluck explained to Buckingham Palace: ''We are not unfamiliar with the possibility that there may sometimes be a political purpose in recommendations for honours. Damage comes not from putting a precious vase on the wrong shelf but from doing it clumsily. It seems to me that Mr McMahon may have made wrong guesses or received incorrect hints about the intended recipients and he has foolishly exposed himself to persons who may continue to resist him.''
A compromise was reached and Gorton was nominated by Heath, but with McMahon's support. McMahon then arranged for his own nomination for the same honour shortly afterwards. This did not end their enmity. Gorton had asked for his investiture to be conducted by the Queen. Hasluck suggested the Queen might personally invest this honour on both Gorton and McMahon when visiting Australia in 1973. According to Hasluck, Gorton ''replied in effect that he would not share a ceremony with 'that little lying bastard''' and so the matter was dropped''.
State premiers too used knighthoods as currency to reward supporters. In 1971, the West Australian premier, Sir David Brand, after having lost office in an election but before handing over to a Labor premier, insisted on submitting an honours list including knighthoods for two of his ministers. The governor suggested that it ''smells a bit'', but Brand insisted and the incoming Labor premier, John Tonkin, was not consulted. Tonkin smartly vetoed the list once in office, but one of the intended recipients, Charles Court, was undeterred, instead pressuring the prime minister for his knighthood.
On Hasluck's account, Gorton, as prime minister, was unwilling to consider Court for a knighthood ''partly because of the poor opinion he had of Court and partly because he objected to the prime minister being used to 'get around' a difficulty created by the legitimate decision of a state premier not to recommend''.
McMahon, however, succumbed to the pressure and Court got his knighthood in 1972.
McMahon then faced a problem. He had nominated too many knights and the British government complained. When Hasluck tried to persuade McMahon to knock a few knighthoods off the list, McMahon confided in him his greater concern. Both the Victorian premier, Sir Henry Bolte, and Australia's then high commissioner to London, Sir Alexander Downer, were heavily pressuring McMahon to recommend them for peerages.
Bolte was keen to be called ''Baron Bolte''. Hasluck objected to Australians being made peers. ''Appointment to the House of Lords seemed to me to be contrary to the direction of Australian constitutional development and to the growth of Australian nationhood and against the mainstream of Australian opinion. What was an Australian, as an Australian, to do in the House of Lords except take part in the government of Great Britain?'' Hasluck asked. ''If, however, elevation to the peerage were regarded only as the conferring of an additional honour, I thought that however much it might gratify the vanity of the newly created lord, it was not in keeping with Australian opinion.''
Richard Casey had previously received a peerage, but Hasluck regarded him as belonging to ''a different era''.
''His peerage belonged to the past. I doubted if Australian opinion would take kindly to the idea of Australian prime ministers recommending that Australians be made lords. I also asked the prime minister to consider carefully the risks of creating an embarrassing precedent. There would be many people who would say: 'If Henry got one, I ought to have one, too.'''
McMahon agreed ''but revealed with unusual frankness that Bolte kept on asking for a peerage, that it was the only way to keep him 'on side', that he dare not refuse it to him for fear of losing his support, that he [the PM] badly needed support at the present time and, if he did not do it, he would not only lose support but would make a determined enemy out of Bolte''. Hasluck suggested that McMahon might lose votes for recommending peerages, but McMahon replied: ''I must do something. I must make some move. He keeps asking me what I have done about it.''
McMahon made the recommendations but got ''a dusty answer''. Both nominees were rejected by the British and had to settle with ''Sir'' rather than ''Lord''.
Hasluck's words resonate today in asking whether this is now a ''different era'' and whether Australians would take kindly to the conferral of imperial-type honours. Could the Prime Minister lose votes over it? Is he opening himself up to charges of buying influence or being bought by others whose political support he needs? It is a short step between a grace note and disgrace. History shows the risks are real and should be heeded.
Anne Twomey is a professor of constitutional law at the University of Sydney.


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Crazy Day: A House, and Senate, of Cards
WASHINGTON–Partisan gridlock has at times slowed proceedings in Congress virtually to a halt. Not on Thursday.
Both the House and Senate Thursday passed a jumble of high-profile bills under rapid, occasionally eyebrow-raising, and sometimes downright sneaky procedures.
In the day's boldest maneuver, House GOP and Democratic leaders enabled a measure to pass by staging a quick voice vote shortly after reconvening from a recess. The bill, a 12-month patch preventing a 24% cut to physicians' Medicare payments from kicking in next week, faced ebbing support from lawmakers and industry groups pushing for a longer-term deal.


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Van Damme Collection (US - DVD R1)
Gabe is hypnotized by the silliness of Brussels' finest gluteus maximus...
LionsGate home video acquired the rights to Artisan Entertainment's video library in 2003, and in turn acquired the rights to Carolco Pictures, Live Entertainment, Vidmark, Trimark, and Vestron's video libraries. One might assume the horror hungry studio might get going on a special edition of Peter Jackson's Braindead (called Dead/Alive in these parts), or cult favourites like Waxworks, Class of 1999, Life Force, and Lair of the White Worm. I don't know, maybe they could get on that special edition of From Beyond we heard about so very long ago. Maybe an unrated version of Total Recall? Perhaps a widescreen copy of Ginger Snaps? Nope, the folks at LionsGate seem content to just re-release Artisan's Jean-Claude Van Damme DVDs. Lucky us.
Maybe I misunderstand the rights issues for these films, and maybe I misunderstand the supply and demand facts of Van Damme's filmography, but this kind of seems like a waste of time to me. Wouldn't Van Damme's fans already own these discs? I suppose repackaging is a cheap way of double-dipping, and LionsGate doesn't stand to lose any money on the deal, but the whole release strikes me as kind of silly, but that might just be because I'm suddenly stuck watching three of the Muscles from Brussels 'best' motion pictures.
When Rocky Balboa's friend and trainer Apollo Creed is killed in the ring by the brutal Ivan Drago, Rocky decides to train even more and beat Drago...what? What's Rocky IV? Oh, oops, my bad. Let me start over. Eric goes to Thailand to take on the country's most brutal fighter. He travels with his lover, Kurt, who looks up to...what? They're brothers? Are you serious? Oh. Jeeze, I'm not doing so well am I? Um, anyway, when Eric is beaten and paralyzed in the ring, Kurt, the raging Belgium decides to train...what?! He's suppose to be an American? No, maybe a Frenchmen or...you swear? An American. Huh.
Kickboxer is exactly the kind of medium budgeted action movie one might expect from the late '80s. It's brutally unoriginal, it pretends to have interest in a non-American culture (but really doesn't), it's crammed full of montages, the characters don't require names but titles (boss bad guy, tough bad guy, second in command bad guy, old man who trains, arrogant 'American', jive talkin' black dude, etc), and can be summed up in a single sentence—guy loses fight, guy's brother trains for vengeance, vengeance is served. Oh, there's some 'spiritual' gobbly-gook thrown in to appeal to the intellectual crowd, but really it's all a big pile of garbage.
But what a joyous pile of garbage. I'm pretty sure I've seen Kickboxer before, but I could very easily be confusing it with just about any other Van Damme flick, or about a million other flicks from the era. I enjoyed the film for this uncanny familiarity, and had fun counting off the numbers a they ticked by. The musical parts are the most entertaining bits (there's an 'I'm sad about my brother' musical montage, about three separate training montages, and an unbelievably hysterical dance scene), but the insanely evil bad guys and their hilariously obvious tactics (they rape the girl, they cripple the 'brother', they even stab the dog) are pretty great too. Easily one of the most unintentionally hilarious films ever made. The best part? It took three directors to bring this to the screen.
Universal Soldier
Add Robocop to The Terminator, divide by Van Damme, multiply by Dolph Lundgren, subtract one studio on the road to bankruptcy, add the square root of Platoon, and divide again by a young German director on his way to superstardom, and you get Universal Soldier, probably the closest thing to a 'good' movie on Jean-Claude Van Damme's imdb.com page.
Before he was making half good movies (usually the first half, where cities are being destroyed) Roland Emmerick was expertly filming JC's naked butt in loving close-up. Universal Soldier shares quite a bit in common with Paul Verhoven's RoboCop, beyond the whole 'recycled soldier' plot. Both films represent the Hollywood débuts of their European directors, and both directors would go onto Sci-Fi/Action super-stardom. Both films were made as studies of American action cinema, and both films were relatively popular. The difference is that one film ( RoboCop) was an ironic comedy in disguise and was a true screen original, where the other film ( Universal Soldier) was a retread, not very good, and wears its sense of humour on its blazing red sleeve.
I coulda sworn I'd seen the movie before, but I must've only caught it in bits and pieces on TV because I know I'd remember seeing Dolph Lundgren chopped to shreds in a hay bailer (and the next person that tells me my favourite Italian horror film is sick better not have this in his or her collection). The film is perfectly entertaining, if not entirely (purposefully?) stupid. It contains plenty of violence, but not enough nudity (at least not of the feminine persuasion, though that may be Emmerich's point). I'm impressed with its vulgarity, but not amazed. Besides spectacular action set pieces (which the movie has plenty of), late '80s/early '90s vulgarity is really the only reason to watch such a film.
My favourite thing about Universal Soldier is Dolph Lundgren. I made fun of Dolph with the rest of them back in the day, but when I rewatched The Punisher and saw I Come in Peace for the first time in a row I had a change of heart. You know what? For an action guy with precious few lines Dolphy is pretty damn good in my book. He's defiantly better than Van Damme, and probably deserved Van Damme's career more than Van Damme did. Not to mention the fact that he's got a Masters in Molecular Biology, had a Fullbright scholarship to M.I.T., he's a real life Karate champion, and he speaks Swedish, English, German, Japanese and some French. And he gets hay bailed to death in this movie! What else could you want?
The final and most brutally convoluted film in this set features Van Damme as a very bad mom and baby killer who has successfully evaded capture for years. In a last ditch effort to catch him, and as a test of new cloning technology, a secret government lab engineers a 'replicant' of the killer, complete with psychic abilities and shared memories. But can special agent Michael Rooker trust this clone, or will the new Van Damme end up a murdering psychopath like his 'brother'?
I've already made it pretty clear that I'm not much of a Van Damme fan, so the thought of watching one of his STV films is not one I'm likely to get too excited about. The plot synopsis didn't do much to lift my spirits. The fact that this was a recent film also hurt. When I finally got around to sticking the damn thing in my DVD player three things struck me immediately—Van Damme is playing a shockingly convincing bad guy, Michael Rooker is playing a shockingly convincing good guy, and most importantly, the film is directed by one Ringo Lam.
Lam is the director behind two of Hong Kong action cinema's greatest films, City on Fire and Full Contact, both staring Chow Yun-fat at his very best. City on Fire was the basis for Tarantino's debut [/i]Reservoir Dogs[/i], and Full Contact rivals even John Woo's finest work. Lam also directed Jackie Chan as duplicates in the halfway decent Twin Dragons, so it seems he has the right credentials. I figured I had to give the film a chance, despite the fact that my other Hong Kong directing heroes, John Woo and Tsui Hark, had made nothing but crap ( Face Off being the sole exception) when they finally made the move to the West.
The story is super convoluted (and super lame, not to mention super unoriginal), but Rooker, and again, surprisingly Van Damme (as both the man dog and the villain) are pretty good, and Lam's overall direction solid enough to entertain. Those expecting an action packed stunt-fest will probably be a little disappointed, as will those expecting a serial killer film equivalent to Silence of the Lambs, though that really should go without saying based on stars and budget. An average film overall, and not one to shake any non-fans out of contention, but better than expected.
Kickboxer is presented, curiously enough, in 1.33:1 full frame. I took the liberty of matting the film when I watched it by zooming in on my widescreen television. After doing this I noticed nary a single cropped head. The transfer's biggest problem is that it's washed out. Details dissipate with the background, and blacks aren't very rich. Colours are hit and miss throughout, and there are a few artefacts here and there. In short, not a great transfer, about a good as the average television presentation.
Universal Soldier looks awful at the outset; the studio logos are filthy and riddled with artefacts. Fortunately things clear up a bit after that. The transfer is grainy, and blacks could be a bit richer, but most details are sharp and the film's blue hues look awfully, um, bluey. Blocking is rare, but darker backgrounds are still a bit stifled.
Replicant is the newest film in the set, and not surprisingly looks the best overall. Detail is sharp in spite of some grain. Ringo Lam's neon colours shine nicely, and blacks are effectively deep. During darker scenes things kind of become muddled, but well placed highlights make sure this doesn't become too much of a problem.
To match the bland video Kickboxer features an average surround audio track. Made-for-television Surround is the name of this game. Everything sounds satisfactory, except the music, which is awful. Have you ever noticed that bad electronic pop scores from the late '80s/early '90s are totally tolerable until someone starts singing? Universal Soldier was made around the time of the 5.1 inception, so it sounds pretty good overall. I'm not impressed by the bass levels, but I noticed more than a few surround channel effects, and fidelity is fine. Replicant is pretty aggressive for a STV feature, especially during the bigger action scenes and the more Sci-Fi related scenes. Bass is reasonably heavy and dialogue is centred and clear.
The only special edition here is Universal Soldier, the other two discs are mostly bare bones. Kickboxer is entirely dry, but Replicant has a few extras, which I'll start with. First up is a commentary with JC and Michael Rooker, which has been edited from two separate sittings, so the two actors don't get a chance to bounce off one another. Rooker is a bit talkier, but even with Van Damme's help he seems unable to fill up the film's runtime. Van Damme also has a habit of repeating himself. The disc also houses eight deleted scenes, which are pretty much all easy throwaways. They offer little to the already paltry plot, and would've slowed the already faltering movie to a crawl. The storyboards included on the disc are interesting in that they aren't very well drawn. Factually they're downright difficult to decipher.
Now onto Universal Soldier, which again, is a reprint of the special edition already available. The commentary track features director Roland Emmerich, co-writer Dean Devlin, Dolph, and JC himself all edited together. Only Emmerich and Devlin share a microphone, and they pretty much rule the track, Dolph and JC interject every once and a while. The track is entertaining, as the filmmakers seem to kind of think the film is crap and take the piss out of it over and over, but even with three tracks edited together there's still a lot of empty space.
The making-of documentary, 'Guns, Genes and Fighting Machines: The Making of Universal Soldier' is a nice companion piece to the commentary, and covers much of the same ground. Those that don't want to sit through an entire commentary track will end up almost as knowledgeable about the making of the film just watching the brief (less than twenty minutes) doc. The second featurette is called 'Tale of Two Titans', and gives us a brief history of stars Van Damme and Lundgren. It's really a lot more entertaining than it has any right to be.
The disc and set is finished up with an alternate ending and trailers. The alternate ending is pretty much the same as the used ending, but slightly less spectacular, and much bleaker.
I'm going to speak the unspeakable and say that I'm simply not that impressed with Jean-Claude's ass. It sits too high on his body, and is too heart shaped, like a woman's ass should look. Maybe I'm not the best judge of dudes' asses, but I can't live a lie just because it's the 'cool' thing to do.
And I leave you with an excerpt from the best scene in the collection:
Review by Gabriel Powers
Frank The Rabbit Member Join Date: March 2005 Location: United States Posts: 180
Hahaha! That's great!
YlowBstard66 Member Join Date: May 2007 Location: Canada Posts: 661
The collection does seem like a waste of time. I already own Universal Soldiers and Kickboxer on VHS, and there's no way I'm double dipping for van Damme.
The collection does seem like a waste of time. I already own Universal Soldiers and Kickboxer on VHS, and there's no way I'm double dipping for van Damme.
Lincoln6Echo Member Join Date: August 2004 Location: United States Posts: 1,125
Gotta love those '80s styles in womens' jeans.
El Mariachi Member Join Date: September 2004 Location: Canada Posts: 460
For some reason I can't help but think about "Space Mutiny" after looking at that .gif
ShaiBrooklyn Member Join Date: March 2004 Location: United States Posts: 257
I will honestly say I own the SE DVD and the movie on PSP as sadly for some reason it's one of my favorites. I saw it in theater when I was 12 and it just went from there, I think I might even have a US comic book around here somewhere.
triply Member Join Date: May 2007 Location: India Posts: 329
Any idea if this DVD of Kickboxer has the scene in the hospital where Eric (the brother) introduces his room-mate to Kurt (Van Damme) and then breaks down cos he can't walk anymore? The DVD I've seen omits this scene and is also slightly edited at other places, like the master telling Van Damme that he has new clothes for him right before the scene where he throws water to wake up Van Damme and says "Change clothes".
David Blackwell Senior Member Join Date: February 2004 Location: United States Posts: 2,831
good one. I do like Van Damme more than you and yes Dolph is underrated (love I Come In Peace).
when I saw Gabe reviewing this, I thought the Anti-Christ had come.
good one. I do like Van Damme more than you and yes Dolph is underrated (love I Come In Peace).
when I saw Gabe reviewing this, I thought the Anti-Christ had come.
porkys8077 Member Join Date: September 2006 Location: United States Posts: 143
No thanks.
Sam Spade Member Join Date: January 2007 Location: United States Posts: 2,032
Bloodsport is Van Dammes best film and the only one worth owning.
Chaos Engine Member Join Date: April 2006 Location: Anguilla Posts: 625
I loved the ending of Replicant, in which he returns to see the hooker, it's like a jilted love story, fairytale gone wrong ahahahah!! I have time for early Van Damme efforts, as mindless but fun ways of spending 90 mins, but forget about Second In Command & Hard Corps, my god!!
Dunny Member Join Date: October 2006 Location: United Kingdom Posts: 347
I liked the all! :D
Look, I'm making fun, but honestly I enjoyed myself. Totally stupid, but entertaining. I gave the set a 6/10 guys!
Wake Of Death and his latest, Until Death are pretty damn good. The less said about Derailed, the better...
Nic Mall Member Join Date: November 2005 Location: United Kingdom Posts: 1,202
Sure I saw this or something verrrrry similar in the Virgin sale the other day.
Chaos Engine Member Join Date: April 2006 Location: Anguilla Posts: 625
Forgot about Wake, how many 'Deaths' are in his titles? Surely the latest one should begin with "Career" ugh?
pitdeadite Member Join Date: August 2006 Location: United States Posts: 662
If only they would release the workshop print of Hard Target on DVD.
Hard Target, Bloodsport, Timecop? Van Damme you guys. He was the man back in the day.
RalphFiennes Member Join Date: August 2006 Location: United Kingdom Posts: 741
I agree, Hard Target's great fun, along with many of his other films. They're right up there with Star Wars and Indiana Jones for me in terms of escapist entertainment, although their are slight differences in terms of quality.
Never thought the bulging Belgian would be a breath of fresh air, but it's nice to see a review of something that isn't an Asian horror film though. Yes, I understand the reasons for all those reviews lately, and I'm not knocking them, they were damn fine in and of themselves. Just nice to see another genre reviewed.
Never thought the bulging Belgian would be a breath of fresh air, but it's nice to see a review of something that isn't an Asian horror film though. Yes, I understand the reasons for all those reviews lately, and I'm not knocking them, they were damn fine in and of themselves. Just nice to see another genre reviewed.
Whatever they send me, I review, unless it's Will and Grace, then I pawn it off on Dustin.
Ray Waterway Member Join Date: September 2004 Location: United States Posts: 462
From what movie is the screencap that shows some woman grimacing at what I could only think are Van Damme's buttocks? For some reason, that shot is hilarious. I would guess that it's from "Replicant", seeing as how that woman may be well on her way to having something horrible happen to her, but the look on her face combined with a shot of muscular legs just makes for the funny...
it's from Timecop when she has to remove the tracking device by gouging a knife into his otherwise flawless hindflanks.
mikey mike Member Join Date: March 2006 Location: Yemen Posts: 256
lol! that was funny. I have no interest in getting the set since "Kickboxer" is the only one amongst them that I like
Kaya Savas Member Join Date: April 2004 Location: United States Posts: 1,254
the dancing is hypnotic, lol.
TheMacLennan wrote: it's from Timecop when she has to remove the tracking device by gouging a knife into his otherwise flawless hindflanks.
It was actually Universal Soldier.
It was actually Universal Soldier.
Blue-Kal-El Member Join Date: October 2006 Location: United States Posts: 602
Are the screenshots in this review intended for gay men and straight females or what?
Both! And curious straight men!
i meant universal soldier...man i feel dumb now
chen lung Member Join Date: January 2006 Location: United Kingdom Posts: 52
Waste of a DVD set.
The HBO DVD of 'Kickboxer' had a nice transfer. Shame it had to go OOP for the other lousy DVDs to take it's place.
The HBO DVD of 'Kickboxer' had a nice transfer. Shame it had to go OOP for the other lousy DVDs to take it's place.
I actually liked the first two Daniel Bernhardt,(is that how you spell it?) Bloodsport sequels, good beer and curry flicks. Part 4 was horrendously bad,though.
Worst Nightmare Senior Member Join Date: July 2002 Location: Australia Posts: 6,716
Face it Gabe, you only watched these so you could see Van Damme's butt
Under 17 requires accompanying parent or adult guardian
Disc Details
Release Date: 1st May 2007
Discs: 3
Disc Type: Single side, dual layer
RCE: No
Video: NTSC
Aspect: Various
Anamorphic: Yes
Colour: Yes
Audio: Dolby Digital 5.1 English, Dolby Digital 2.0 English
Subtitles: English, French, Spanish
Extras: Commentaries, Featurettes, Behind the Scenes, Trailers
Easter Egg: No
Feature Details
Director: Mark DiSalle, Roland Emmerich, Ringo Lam
Cast: Jean-Claude Van Damme, Dennis Alexio, Michael Rooker, Dolph Lundgren
Genre: Action and Sci-Fi
Length: 299 minutes
6Review Guide
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