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About the cleanse
Cleanse Guidelines: Before, during, and after.
Two - three days before you juice, you should avoid certain foods and substances including; meats and poultry, raw fish, refined starches like bread and pasta, dairy and eggs, sugar, alcohol and nicotine. Ideally you should be eating raw vegetables, steamed vegetables, vegetable broths and soups. Drink plenty of water. Did you know that the part of the brain that signals hunger is the same part that signals thirst? Often we mistake hunger for thirst. So drink up, your body is thirsty for pure H20! Try to eat as clean as you can. This will prepare you for the days to follow.
During your cleanse phase, juicing will promote cleansing and purification. The release of toxins during this phase will also help to minimize the need to produce free radicals in the body which can ultimately cause premature aging, excess growths (such as tumors and cysts) and cancer. *Free radicals are generated in the body to help rid the body of toxins, viruses, germs and fungi. Some causes of overproduction of free radicals include, poor air and water quality, denatured and excess fatty foods, radiation, computers, cell phones, cigarette smoke and alcohol. During this phase your body will be allowed to restore balance and promote the healing process of any weakness, deficiencies and/ or excesses. The key focus is in building the "qi" to optimum levels. Your body will start to encourage growth and repair and promote inner strength essentially building a solid foundation to outer physical strength. You may experience a higher level of clarity and focus which can provide mental stimulation needed to sustain increased energy levels. The increase in clarity will affect energy levels both physically and mentally.
Well done! With the allure of solid food closer than ever, you are probably wondering how to come out of this and maintain the results of all your hard work. It's likely that whatever indulgences you were enjoying only last week are probably not the first thing that appeal. You might even find that your attitude towards food has changed entirely, and you're craving new and different (and ridiculously healthy) things now. Well, good for you!
So now you're going to have to eat some real food again, and the key word here is SLOWLY! Ease into your routine by slowly introducing things back into your system. Use common sense when it comes to coffee, dairy and meat. You don't want to shock your system back into reality. Listen to your body, it will tell you what it needs.
Tip: Foods that are "dense" are hardest to digest, and will therefore present the most trouble for you. You don't want a wave of nausea ruining your first taste of solids. So even if you're craving brown rice like the dickens, it's best to hold off at least a day.
A sample menu for tomorrow:
Breakfast: Fruit - melon, mango, watermelon or other fruit (try not to mix fruits as it gives your digestive system extra work!)
Lunch: Fruit again or any combination of the following: cucumber, avocado, leafy greens, celery - add some lemon juice & olive oil to make a salad.
Dinner: Warm vegetable broth (low-sodium!) cucumber or avocado salad, mixed greens salad, arugula or spinach salad, lemon juice, olive oil (you get the picture)
If you MUST eat a cooked dinner, keep it to lightly steamed or sautéed
We'd love to hear from you after you finish. Tell us about your experiences, and give us any feedback you think might be useful for us in the future.
You can also connect with us on our Facebook page at facebook.com/juicecrafters
Q. In what order do I consume my juices?
A. The juices should be consumed is listed in the flyer every two hours in chronological order. The Aloe Vera water can be drank ananytime duduring the day.
Q. Does it really matter what order I drink the juices?
A. Yes, the order in which you consume your juices directly effects how you absorb, assimilate, and digest nutrients. For example, when your stomach is empty first thing in the morning, it's able to assimilate whatever you put in it much more than if you consumed something prior. That is why we always have Green Juice first. Your body will absorb ALL of the vitamins and nutrients without interruption. That said, don't worry if you DO have to switch it up a bit and maybe have half of your Almond Nut Milk first thing in the morning instead of last because you're used to a protein fix the second you open your eyes, and you'll absolutely lose it if you don't have it. This is when we can give ourselves permission to improvise.
Q. How long can my juices last?
A. You should consume your juice within 4 days after you receive it. It's super fresh, completely raw and unpasteurized.
Q. Who should cleanse?
A. Adults can benefit from a cleanse program as a regular part of their lifestyle regimen but no more than once a month. Children under 18 should not participate in our cleansing program. *Please keep in mind that our cleanse programs are NOT appropriate for those of you who are pregnant, breastfeeding, or suffer from certain medical conditions. Consult your health care provider before starting a cleanse program if you have a medical condition or take medications.
Q. How many calories are in your juices?
A. Most of our drinks range from 50-300 calories per bottle. All nutritional information can be found on our website.
Q. Am I going to lose weight on a cleanse?
A. The answer to this is variable. Your body knows what to do, so trust it. We try not to focus on weight loss as a goal at Juice Crafters. Balancing your natural, healthiest physical and mental state is what's key to you becoming your personal best.
Q. Can I add extra beverages to my day of cleansing?
A. We are totally for adding extra drinks if you feel you are in over your head with just 7 drinks and 1 Aloe Vera H20 per day, but make sure they are healthy! Stay away from carbonated and caffeine drinks. You are more than welcome to add extra doses of water with lemon, herbal teas and wheat grass shots.
Q. Can I exercise while on a cleanse?
A. Definitely! We are eliminating toxins and let us help this process along. You may have to modify your workout to a lighter load than usual.
Q. What are some of the symptoms that can be expected during a cleansing program?
A. During the cleansing your body is breaking down all of the obstructions in your body and essentially making room for the new building materials that will be taking place. This means that your body has to move out waste products while building new material. Some of the symptoms you may experience are: headaches, nausea, vomiting, diarrhea, skin eruptions, and body odor.
Q. Should I do a 3-day cleanse, 5-day cleanse or an 8-day cleanse?
A. Cleansing for 5 days is a deeper, more intense experience than cleansing for 3 days and cleansing for 8 days is the most intense. It's up to you and a health care professional to do an evaluation of where you are in your life and from there decide what works best for you.
Q. Can I cleanse while taking antibiotics?
A. Juice Crafters' cleanse is actually the perfect partner for your antibiotics. While antibiotics fight off harmful bacteria they also deplete the body's supply of healthy bacteria. Our juices are packed with nutrients that will help your body fight off the bad and replenish the good bacteria. An extended cleanse will even help strengthen your immune system to prevent illness in the future. We wish you a speedy recovery.
Q. Won't this slow my metabolism?
A. Yes and no. If your metabolism is fast right now, chances are it will slow a little as you are not taking in as much energy. This also depends on your body - everyone is different. On the other hand, if you have a slow metabolism, clearing out toxins opens up channels so your body functions more efficiently.
Q. Can I cleanse if I am lactose intolerant?
A. YES!!! There are absolutely NO animal products in our juice.
Q. Shouldn't I have fiber? Should I take fiber supplements?
A. Normally, fiber is great for moving things through your system, but when the body must separate out juice from fiber, there is an energy expenditure there that is significant. For our purposes, we want to reduce this burden as much as possible so that we can give the body and digestive tract a break from having to break down solid food – so that the saved energy can be transferred to cleansing processes. When you save energy in one department you can expend it somewhere else.


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A new report from the Yale Program on Climate Communication offers new data on Americans' beliefs and attitudes about climate change, with a particular emphasis on the influence of political views.
A new study suggests that textbooks that miseducate students about evolution and climate change may be in wide use in private schools that receive public funding through voucher or tax-credit schemes, according to Rebecca Klein in a lengthy article in the Huffington Post (December 7, 2017).
"A controversial new state law that makes it easier for Florida residents to challenge books used in public schools could get overhauled next year so those who dislike certain texts could also suggest replacements they find more appropriate," reports the Orlando Sentinel (December 1, 2017).
The eminent biological anthropologist Colin Groves died on November 30, 2017, at the age of 75, according to a press release from the Australian National University.
The distinguished philosopher of mind Jerry Fodor died on November 29, 2017, at the age of 82, according to The New York Times (November 30, 2017).
National Center for Science Education, Inc.
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subset: commoncrawl


text:
Futaba 2DR 2-Channel AM/2 S3003 ServosTower Stock# LXGRM7** • Manufacturer Stock# FUTJ25**
with two S3003 Standard Servos.
Ideal for boats, cars and trucks 27MHz or 75MHz
and gliders on 27MHz (channels A1-A6 only).
Easy to use basic two-stick radio system
One Futaba 2DR AM Radio Transmitter
8 AA batteries
This system does not include any servo mounting hardware. If mounting
The two small aluminum pieces included with this radio are
Updated JBM 12-7-05
Futaba is a registered trademark of Futaba Corporation.


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"Winter's Love" on last night's episode of The Simpsons
edited April 2012 in Non-Animal Collective Discussion
I thought my ears were deceiving me, but after watching the first episode of The Simpsons I've seen in years last night, I noticed Winter's Love at the very end of the episode. Mind. Blown.
It was such a treat ! I was pretty shocked
Oh my goodness! why was that song played? and do you know the title of that episode?
The episode title is "A Totally Fun Thing That Bart Will Never Do Again" and it's episode 19 of season 23. At the end of the episode Bart's told by Homer to "stop thinking about fun and just have it" and he slides down a snowy slope with his family (and some penguins). Sort of a sentimental ending when it cuts to an elderly Bart reminiscing about the "great ride." All of this happens while Winter's Love is playing.
I just watched the whole episode. I loved the bit with Winters Love. This episode also reminded me of how much I like the Simpsons although they are 23 seasons in.
is the whole simpsons show on netflix? i need to see this! i dont like to pick favorites but winters love is probably the AnCo song that has changed my life the most
I think it is on Netflix. With in the context of the episode it almost made me cry, but it was only in their for about 40 seconds. The episode reminded me of that one Futurama episode with Fry and his older brother. The episode with the many leafed clover. I balled when I saw that episode.
the dog episode of futurama nearly made me cry
I feel as though I have seen this episode... I think I have actually... in a past life... before I knew AnCo...
this was absolutely beautiful! also, with that Hot Chip song, i can tell the editor/director/matt groening has great taste in music
I had a conversation with turtlebite (why are you not posting anymore) about those Futurama episodes today and she thought the episdoe with Fry's dog was more heart breaking, but since it is opinion based I think we can say that both episodes were genuinely saddening.
for anyone who hasnt seen it: http://billjohn.tumblr.com/post/22132514404/animal-collectives-winters-love-in-last-nights
Wow watching this again has me on the verge of tears
That is such a beautiful use of the song!
Very touching! This has wiped my bad association of Winter's Love with orgies. I don't recommend the movie Shortbus.
Jurassic Bark (the "dog episode" of Futurama as it's being referred to) and The Luck of the Fryrish are both infamous tear-jerker episodes. Like the opening of Pixar's Up, it's impossible for me to watch the ending of Jurassic Bark without shedding a little eyeball water. :')
The begining of UP and Finding Nemo...I can't watch them...so...sad. (
Wow. I usually don't like the Simpsons, but this was great.
I have to see this. Now.
I don't know why I was on the verge of tears when I saw this.
Can you guys tell me what it is that tugs at your heart?
melodies like Winter's love's
The fact that I have lived that episode and for the longest time I thought that way about it. Plus i'm not that emotionally stable! I cried at the begining of Finding Nemo for God's sake!
I'm sure a lot of people have, Peacey. You're stable.
I cry at a lot of stuff, too, that has nothing to do with stability unless you equate state-of-soul-death as stability. I wonder about people who don't feel! I don't ask because the evocations seem odd: I am just curious because we are all so different (and yet same)
I've never cried at any sort of film or media. Does that make me heart-less ?
God, no. Just like some of us are auditory, some are visual, some are olfactory, some are tactile, Proust was gustatory...with the whole eating a madeline thing... and then the same in expression (as opposed to Impression, which those were). Some people are laughers, yellers, criers, sublimators, writers, singers, etc. Even if you have never cried in your life you aren't heartless. For years the medication I was on numbed my ability to cry, or laugh really. Maybe you were kidding and I took you very seriously in which case I do not apologize. Because I am heartless. I am a heartless, ingluorious basterd. basterdette.
Don't you say that Wini. Don't you know that your heart is so big that it just makes you seem heartless although in turth you do what is right and fair for all. Crying is not for everyone, niether are those other feelings and emotions. I seem to be too connected to some of those and that makes me seem a little bit off at times. Especially when I am in sanger (sadness and anger) I become that way.
i glove this gland this state i'm in!


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text: Paul Nulty is an award winning architectural lighting designer who has involved with a wide variety of prestigious projects. Paul started his own practice in 2011. Combining creativity with an eye for detail, his theatrical lighting background provides a unique understanding of the relationship between space and light. Paul is a professional member of the Professional Lighting Designers' Association (PLDA).


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Diseñado para procesadores multinúcleo y optimizado para virtualización
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El adaptador para servidor Intel® Ethernet 10 Gigabit X520-T2 ofrece conectividad Gigabit multipuerto de alto rendimiento en plataformas multinúcleo y entornos virtualizados.
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Designed for Intel Multicore Processor-Based Dell PowerEdge ServersThe Intel Ethernet 10 Gigabit X520-T2 server adapter provides high-performance, multiport gigabit connectivity in multicore platforms and virtualized environments.
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text:
Don't forget to consider travel insurance when you plan your 2012 travels: Decide if you need it and figure the cost into your budgeting. Chances are it won't be a budget-buster, but failure to buy the right coverage could, in fact, bust your budget beyond any expectations.
When do you need travel insurance? I suggest that you consider two important coverages:
— You need trip cancellation (TCI) any time you have large prepayments — either nonrefundable or carrying cancellation penalties — that are more than you can afford to walk away from if you unexpectedly have to cancel a trip.
— You probably need medical insurance if your regular health insurance doesn't cover...


text:
Faculty of the college take full advantage of UIS' location in the state capital by maintaining close ties with the Illinois State Board of Education and the Illinois Department of Human Services. Faculty serve on a variety of professional advisory boards and on the boards of local social service delivery agencies. Due to the large number of state government employees, educators, and human service professionals in Springfield, the college's academic programs are vital to the city's economic and employment base.
Students enrolled in the college's programs prepare for professional careers as social workers, teachers, counselors, school administrators, gerontologists, public professionals, and researchers. Programs in the college are closely involved with the Applied Study and Experiential Learning Term and the Career Development Center to ensure that students have realistic career objectives and receive field experience in their chosen professional areas.
The Social Work department has national accreditation and works closely with a wide variety of human social service agencies.
The Human Development Counseling department is nationally accredited and provides three concentrations in Clinical Mental Health Counseling, School Counseling, and Marriage, Couple, and Family Counseling.
The Human Services department prepares graduate students for employment in the fastest growing segment of society, including providing direct services to senior centers and nursing homes, administering and evaluating service-delivery systems for the elderly, and assisting in legislative bodies that serve older persons. The human services program's areas of concentration are designed to provide advanced professional training for graduate students in human services such as family therapy, child therapy, social service administration, adult development and aging, social change, and substance abuse.
The Teacher Education department provides students majoring in other disciplines the opportunity to complete their required study to become licensed and enter the teaching profession. A major goal of the sequence is to prepare licensed elementary and secondary teachers who are competent in subject matter and who understand the psychological and sociocultural characteristics of learners.
Within the Educational Leadership graduate degree, students may choose between the General Administrative certification or the online Master of Arts in Education. Students completing the educational leadership graduate degree are prepared to become educational instructional leaders, supervisors, curriculum directors, or administrators in school systems.
Faculty use a variety of innovative teaching strategies and technologies in the classroom and apply their research and scholarship to the course work that they teach. Many of the faculty have national and international reputations in their areas of expertise.


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Sports Medicine Center
Accepting New Patients
Dr. Oh is an Orthopaedic Surgeon who specializes in minimally invasive arthroscopic techniques to treat shoulder, elbow and knee injuries in the young and young-at-heart, whether your goal is to compete in the Olympics or in your backyard.
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Note: This provider may accept more insurance plans than shown; please call the practice to find out if your plan is accepted.
After graduating from Cornell University, Dr. Oh attended Georgetown Medical School where he was elected to the Alpha Omega Alpha Medical Honor Society and awarded the Michael Caruso Humanitarian Award. He completed residency at the Hospital for Special Surgery and was awarded the Jean McDaniel Chief Resident Teaching and Leadership Award.
Dr. Oh completed 3 fellowships. His first was in Orthopaedic Sports Medicine at Mass General where he developed proficiency in minimally-invasive shoulder and knee arthroscopy and obtained experience in the care of professional and elite athletes. The second fellowship was in Elbow and Shoulder Surgery at the Mayo Clinic where he developed expertise in cutting-edge elbow arthroscopy and complex reconstructive surgery of the shoulder and elbow. The third was an apprenticeship with Dr. James Andrews where Dr. Oh learned the Andrews technique for Tommy John ligament reconstruction for pitchers.
Dr. Oh specializes in state-of-the-art arthroscopic procedures of the shoulder, elbow and knee. He is a member of the medical staff for the New England Patriots, New England Revolution, Boston Red Sox, Lowell Spinners and an orthopaedic surgery consultant for the Boston Bruins and Harvard University. His current research interests include injuries to overhead throwing athletes, osteochondritis dissecans, and shoulder and elbow biomechanics.
In the news:
Is 155 Pitches Too Many?, ESPNBoston.com, 04.2012Battered, broken, but not out, Tufts Daily, 04.2012Recovering pitcher's advice and Tommy John surgery fact and fiction, Eagle Tribune, 11.2011
Dr. Oh's clinical and research interests include treatment of elbow and shoulder injuries in the throwing athlete, rotator cuff repair, complex arthroscopic and reconstructive surgery of the shoulder and elbow, complex knee ligament and meniscus surgery, and elbow and shoulder joint replacement. His current cutting-edge research includes: 1) development of tissue engineering techniques for improvement of rotator cuff healing, 2) biomechanical investigation of dynamic shoulder joint kinematics after Latarjet coracoid transfer for shoulder instability, and 3) clinical outcomes studies of elbow function in baseball pitchers and gymnasts after arthroscopic treatment of osteochondritis dissecans (OCD) lesions.His research initiatives have received national recognition. In 2010, Dr. Oh was the recipient of the Melvin Post Award for Excellence in Clinical Research from the American Shoulder and Elbow Surgeons for a study conducted on the outcomes and complications associated with revision total elbow replacement. In 2009, he was a member of the MGH research team that received the O'Donoghue Sports Injury Award (Best Research in Sports Medicine) from the American Orthopaedic Society for Sports Medicine for a biomechanical investigation of ligament injuries in the knee and the effect of subsequent surgical reconstruction on knee joint function.Dr. Oh had previously been identified as an Emerging Leader by the American Orthopaedic Association and was one of 15 individuals selected nationally for participation in the Clinician-Scientist Development Program sponsored by the American Academy of Orthopaedic Surgeons, Orthopaedic Research and Education Foundation, and Orthopaedic Research Society.
Select Publications:
Foruria AM, Oh LS, Sperling JW, Cofield RH. Anteromedial approach for shoulder arthroplasty: current indications, complications, and results. J Shoulder Elbow Surg. 2010 Jul;19(5):734-8.
Seon JK, Park SJ, Lee KB, Gadikota HR, Kozanek M, Oh LS, Hariri S, Song EK. A clinical comparison of screw and suture fixation of anterior cruciate ligament tibial avulsion fractures. Am J Sports Med. 2009 Dec;37(12):2334-9.
Gill TJ, Van de Velde SK, Wing DW, Oh LS, Hosseini A, Li G. Tibiofemoral and patellofemoral kinematics after reconstruction of an isolated posterior cruciate ligament injury: in vivo analysis during lunge. Am J Sports Med. 2009 Dec;37(12):2377-85.
Song EK, Oh LS, Gill TJ, Li G, Gadikota HR, Seon JK. Prospective comparative study of anterior cruciate ligament reconstruction using the double-bundle and single-bundle techniques. Am J Sports Med. 2009 Sep;37(9):1705-11.
Gadikota HR, Seon JK, Kozanek M, Oh LS, Gill TJ, Montgomery KD, Li G. Biomechanical comparison of single-tunnel-double-bundle and single-bundle anterior cruciate ligament reconstructions. Am J Sports Med. 2009 May;37(5):962-9.
Seon JK, Gadikota HR, Kozanek M, Oh LS, Gill TJ, Li G. The effect of anterior cruciate ligament reconstruction on kinematics of the knee with combined anterior cruciate ligament injury and subtotal medial meniscectomy: an in vitro robotic investigation. Arthroscopy. 2009 Feb;25(2):123-30.
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Music-John Williams
This first episode, like all Allen series, expertly sets up the series. A jet plane flies and Senator LeRoy Clark is told over the intercom to fasten his seat belt. The plane lands in the desert. Clark gets out and waves goodbye to the pilot. A car comes and picks him up, a Dr. Douglas Phillips introduces himself and sits with Clark in the back seat of the limo. Doug calls in a pass word, "Mobile Tic Toc One to Tic Toc base--permission to enter." The car drives down into a rectangular opening that suddenly appears in the desert. We hear LOST IN SPACE music. The theme song plays.
We see the large shaft that Doug's limo rides down, a security guard waiting at the end. There is light from behind them so it doesn't look like it is underground but it is. They get out and go up steps to other rooms. They meet Master Sergeant Jiggs who checks in their suitcases--Doug calls him, "the ramrod of our security forces." They pass the security center and go into another area of large automatic doors. Doug takes the Senator out onto a bridge and they look down at a miles deep drop with towers on all sides, lights, elevators. There are 12,000 personnel in each of those complexes--each complex is over 800 floors deep. Clark asked, "Is time worth all this?" Doug telling Clark about all the personnel and the 800 floors being on each complex as well as Clark asking if it is worth is were not on my copy of the aired version. They are in the unaired version. It may have been an edit on the pilot as I believe it is there. Doug tells him, "The control of time is the most valuable treasure man will ever find." They go past double doors and onto an elevator which seems electrically and magnetically run. The elevator free falls for 800 floors, the Senator not being happy with it. They walk out of another huge door set in the wall (it is the Keeper spacecraft used on LOST IN SPACE's THE KEEPER two parter as well as reused in HIS MAJESTY SMITH). There is a hum and a door sliding sound. They walk out onto another bridge which is over the gigantic atomic furnace. On the bridge, a General Woody Kirk walks out to meet his old friend LeRoy. LeRoy jokes, "How'd they ever manage to get an old dog face like you out of the mud." Kirk laughs and tells Doug, "He was one of the worst paratroopers I ever commanded. I told him to go into politics where you couldn't hurt anyone." When LeRoy doesn't laugh, Kirk adds, "Oh, it was meant as a gag, not a dig." Clark is here to examine the experiment and keeps asking about the cost and where all the money is going. Doug tells them, "Tony should be in on this. Where is he?" "In the tunnel," Kirk leads the way and foreshadows. They go into a spectacular view of the round time tunnel set against the bridges and the area that is supporting it up--and the perspective is quite awesome, in fact, all the effects for this episode and the entire series are awe inspiring. Clark looks, "So, that's the monster that's cost us all this money." There is a great view of them coming into the complex, looking quite minute. He claims that all they have ever sent back are mice and monkeys and haven't yet been able to return them. He asks if they were just disintegrated. Doug tells him they were not--there would have been some kind of residual matter left over. Clark feels that there is enough guessing going on since the tax payers have paid into this project--seven and a half billion dollars. Doug calls Tony out of the tunnel which has its rings glowing white. Tony has on a white lab coat. Doug introduces him, the second in charge of the project and when Clark feels he is a bit young, Doug adds, "His youth is only a disguise, inside is an old genius struggling to get out." Clark says they either find success or scrap the project--today. Tomorrow he is going to write a blank check for them or cut their umbilical cord. Tony protests--they are close to sending a man back in time and returning him. Tony has been with the project seven years; General Kirk and Doug have been on it ten years. Tony wants to try to go back in time himself, he won't just give up. Doug won't allow it--it is too soon and he won't commit murder and won't allow Tony to commit suicide or sacrifice himself. Clark says, after Tony takes a control box back from Kirk and storms off, "He seems a little emotional for a scientist." Kirk and Doug show Clark more, leaving me wondering what more they have--Kirk telling him they haven't even begun.
Night (and an ABC promo used this sequence)--Tony sets the devices on the consoles and runs to the foot of the tunnel. The others are working behind three or more windows along the wall unit area--a window area we never really see again. He pauses, looks back at them, then moves into the tunnel. Doug calls a red alert as alarms ring out. All Time Tunnel Personnel are called to their stations. Men run across bridges and we see their point of view from the other side of the bridge. We also see a point of view from inside the tunnel to outside, a wide angle view as the others run into the complex control center. Kirk asks Doug if he can stop Tony but Doug informs him he can't--if he tried Tony might be burned alive. Doug orders George to start the countdown and George does start it--from the number 16. Clark asks an agitated Ann what is happening now. She explains Tony will be in a radiation freeze field which is the first step in his relocation. Doug orders a location probe on Tony. Jerry is ordered to set a five year time curve and Ray is told to find out the power and time distance ratio, Ann is ordered by task master Doug to find out what the specific radiation Tony used is. Clark asks where Tony has gone. Doug answers, "He can be living in yesterday, next week from now, or a billion years from now. You got your guinea pig, Senator." Kirk snaps, "Doug!" Clark tells Doug to take a sock at him if it will help make him feel better but he wants to know what is happening. We see the light walkway inside the tunnel--looking like a light bridge. Doug explains--Tony used the blue mist which is a radiation bath--to garner a magnetic fix like a homing device on a person going into the tunnel. This should help them locate him in time but if it doesn't work, Doug says, "Well, then he'll be lost in time for the rest of his life."
Tony flies through time vortex---a swirling maze of kaleidoscope colors and proportions. He seems stiff and turns in a closer up shot than we will see later. We see him in it for a long time. There is a ship as Tony flies in a long shot. Tony heads for it out of the time crystal like tunnel. This is quite a stunning effect and one which is far ahead of its...time. In slow motion, Tony falls out of the air onto the ship and into a corner. A pretty woman sitting in a beach chair nearby turns and hears and sees him fall, asking if he is all right. Jazz music seems to play as a band entertains. It is daytime. Tony gets up, "I made it." James Darren does a terrific job of acting here. We almost feel Tony's total disorientation. He had a very bad fall, the woman tells him. Tony looks out across the ocean, realizing he is on a ship at sea. He asks her about it---it is supposed to be the biggest one ever but in the middle of all this water, she says, it doesn't seem so. She is British she tells him, making her first trip to New York and wondering if it shows. Her name is Althea and she bids him to sit down. Tony is cold, hugging his arms to his body. She smiles and asks if all Americans have adapted the rigorous life to please Mr. Roosevelt. Tony, still disoriented asks, "Roosevelt?" She says, Teddy. She mentions the cold in London in April. She hopes it is warmer in NY. Tony tells her he forgot his jacket. Althea doesn't think America is filled with cowboys and indians like some Europeans do, but, "It is the other side of the world, isn't it?"
Tony jokes, depending on which side you start from. Althea mentions she hasn't seen much of him on the voyage and he tells her about working all the time. She tells him not to today---it is bad luck (Tony's forte) on a Saturday especially the 13th. Tony walks off to get that jacket he tells her. A young boy is cleaning the floor of the deck. Passengers are playing shuffleboard on the floor. One hits his foot as he realizes he walked into the game. When he picks it up to return it, he spots the life preserver of the ship hanging on the wall and says the name of the ship, "Titanic!" This sequence was used when THE TIME TUNNEL was first put into syndication in New York. This scene is also the most fondly remembered by people who haven't seen the show in a long time. It is quite well done and matches even the best of the time travel episodes of THE TWILIGHT ZONE, STAR TREK, THE OUTER LIMITS, and others. The strange feeling Tony has is excellently conveyed by James Darren.
The tunnel staff have collated an auto setting on the energy Tony used. Doug tells Ann to reduce her limits. They have to pinpoint where in over 200 years, nothing compared to the countless billions of years of time. Tony and his immediate environment will be relayed into the tunnel recorders and reproduced on the image area. They get an irregular coordination. They hear bell sounds. A corpsman is playing bells on the deck of the Titanic--a drizzle effect and we see him and the ship. Tony meets Capt. Smith (Oh dear! Never fear!) and tells him, "This is the Titanic. I don't know how to say it without sounding like I'm out of my mind. This ship, the Titanic sank. It struck an iceberg and was lost. How can I make you understand?" Tony admits to not being on the passenger list but he has a doctorate in electrophysics, "I know I sound insane. To me, it's history. I was born in 1938." The Capt tells him if he says so. "I'm part of a scientific experiment in the year 1968..." he continues to try to explain and the tunnel picks up his voice--the others in 1968 hear him. Smith asks Mr. Granger (they'll ride up with wear) to confine Tony under guard. Before being taken away, Tony tells Smith to go farther south. Smith won't do it, citing other TransAtlantic runs that do not want this ship to make a record speed on her maiden voyage. After they take Tony, Smith orders information double checked on icebergs in the area.
Ray is working in the tunnel complex. We hear a sound used in LOST IN SPACE-THE GALAXY GIFT and other shows, including Hanna Barbera series. The image projection grids come out from either side of the tunnel and they see the Titanic, figuring it to be a ship not too long ago in the past. Doug wonders if anyone recognizes it. Kirk says, "I do. I'd know those lines anywhere--gentlemen (hey, what about Ann?) that's the Titanic." Doug asks Ann to get the boys to give information on the Titanic including cross sections and other details--the works. If Tony is on the ship when it does go down, he'll die like all the rest.
Althea comes to see Tony and asks why he is behaving like he is--it's been a peaceful trip up to now. Tony tells himself more than her, "I must have been stupid to think anyone could understand." He asks Althea if she believes in the future...the future for herself and her children and children's children...after a moment of hesitation, she says she does. She also believes in it for mankind (hey, what about womankind?).
Tony then tells her, "What if I were to tell you the past and the future are the same?" Despite his wonderment at what she thinks of him, she lets him go on. "That time itself doesn't exist, it's only the motion we measure, the motion of the Earth spinning, the orbit of the Earth around the sun." This is one of the most important things said in the series regarding the time concept itself.
The guard kicks Althea out but before she lets him, she tells Tony she will give him a good word with the Captain--he let her come to see Tony--if Tony will promise to stop this talk of sinking. He tells her he can't do that---that he does know. She gets upset, "No one could know!" She leaves. The guard doesn't see that she has some kind of attack in the hallway and collapses to the stairs. She takes some kind of pill and she moves upward.
There is a shift as the tunnel people receive Tony's image--his hand up against the door of his small prison, his watch in his hand. A guard warns Tony that if he doesn't stop moving around and making noise, he will put him in chains. Tony calls Doug and tells him about the cabin--a forward cabin above the water line and it is April 14th (in the unaired pilot, Althea was asked by him the date and time so he could set it on his watch). Ann says, "He's a prisoner!" The area he is in was slashed open. The iceberg was hit on late Sunday April 14th and sank Monday. They have 14 hours. Kirk wonders if they can suspend Tony and change his time. While he is suspended his heart rate, tissue regeneration, and breathing stop. If he can't be switched to another time or brought back...he'll die in seconds. Doug figures 300 men survived the Titanic disaster...he wants to make sure Tony is one of those. "We could go back and help him." Ann says, "Doug, no." Kirk agrees with her.
Kirk says, "Doug you know me well enough to know I don't give orders just to play soldier." Doug tells him, "I know that, Woody." Doug gives a bold, daring speech about the need to help their friend who is in trouble...who risked his life to succeed where Doug failed. Clark tells General Kirk that Newman took off like a madman and, "If you let this man go, Woody, it's a cold blooded responsibility you might have to live with the rest of your life." Kirk asks Doug if their positions were reversed, if he would let him go. Doug says probably not but, "I'm hoping your tougher than I am." Kirk agrees and wants a briefing to begin.
Later, Clark reads a newspaper--The NY Sentinel--April 15th 1912 headline: USS Titanic Wrecked on Maiden Voyage. Clark gives the paper to Doug--it is tomorrow's paper to Capt. Smith and the time Tony is in, "Good luck, Doug." Ray tells Doug the master guidance control will be programmed so Doug's signal ID will be overlaid with Tony's. Doug thinks if they overshoot he may end up there before Tony...early. Kirk ponders a worse scenario--or end up a day late in the freezing waters of the ocean where the Titanic sunk with Tony on board and already dead. Doug smiles at that thought. Ann tries again, "Don't go, Doug." Doug puts a cap on. He tells her not to worry and shakes her hand! No kiss? Doug tells Ray, "Ray, you'll be calling the scientific shots from here. Don't gamble unless you have to but if you do have to, go for broke." He shakes his hand and then General Kirk's and Ann's. The hum of the Jupiter II builds--it is being used for the sound of the time tunnel power building. Ann goes to one of the side wall consoles and with anguish (good acting from Lee Meriweather--as always) pulls on the levers. Doug walks straight into the tunnel. Ann huffs but does her duty. The tunnel radiation bath bursts forth and Doug is behind it.
Doug turns upsidedown in the time vortex. His cap stay on. He land in the engine room of the ship as a man stokes the fire or something. It was a neat landing--very mysterious even though we've already seen it with Tony. It appeared as if Doug landed in the fire from the angle it was shot at. Very nice camera work. Doug looks at an irate engineer who wonders where he came from. Doug says, "I guess I should be back where I belong." The engineer kicks him out, "Tourists." Doug sees the RMS ship insignia and sneaks out and then inside the hallways. He finds a bathroom...and Marcel Copo, a small French boy, also in cap, hiding behind the door. He is hiding from the ship's corpsman--a nice man but he cannot let all the immigrant children from 3rd class steal and horde the scraps of food from 1st class. Marcel has his pockets full of food. The steward comes in and asks about the boy and whose paper was on the counter. Doug says it is his. When the steward leaves, Doug enlists Marcel's help to find Tony. The music used here was also used in parts of LOST IN SPACE-A VISIT TO HADES and VOYAGE TO THE BOTTOM OF THE SEA-THE TERRIBLE TOYS. Marcel eats a banana. He distracts the guard on Tony's door by pulling a fire hose after staring at him. Doug gets in to Tony, who is asleep. Doug wakes him, "That radiation bath of yours was sheer genius. It homed me right in on you in this point in time." The time tunnel personnel hear Doug and Tony talking. Kirk, excited, wakes up a sleeping LeRoy Clark who is sitting on one of the chairs behind one of the three main consoles. They get an image of the boys. Ray orders them to regulate the probe 50 percent less radiation. Tony asks Doug, "Why did you come here?" Doug tells him maybe the ship won't sink. He says they could wire for help before the collision on the ship's radio. Tony makes a noise, Doug being more optimistic than Tony about getting out and changing time.
Tony yells, "I'm going to break a hole in this tub." The guard comes in and Doug knocks him out. Tony, in a ship's uniform and holding a gun, and Doug move into the radio room, tie up the radio operators, and take over the radio. Doug seems to reach a Dutch liner with CQD. Three more guards force the door open, knocking Tony over. They fight Doug and then Tony briefly. Doug tries to explain the Capt. Smith and to show him the paper, "The story's all here in tomorrow's paper." He tells his men to radio all ships and tell them to disregard all signals from them--they are safely underway.
The time tunnel staff view the ship at night as it nears the iceberg. Althea plays the piano in the ship's lounge but the room shakes, spoiling Smith's drink of champagne. He and Mr. Granger go up deck. The tunnel people view sailors watching the iceberg loom up at the side of the ship. Smith sees Tony and Doug, "We have hit an iceberg." Doug explains once again, "We come from 1968--this is history to us." The captain tells them his reasoning cannot accept that. Tony yells at him to give the order to lower the life boats. The room shakes and Smith does give the order. He tells Granger to initiate abandon ship procedures. He cannot ignore 23,000 lives on board but Doug tells him the life saving techniques on the ship are inadequate and outdated--the life boats will only hold 750. Smith says, "My mind will not let me believe you--only the fact that you are here are the only reason that those that survive will survive." He goes on to say, "I do believe in God--and perhaps your being here is God's mercy." Tony (who will later in WALLS OF JERICHO recall Bible passages) says, "In a way, Captain, maybe it is." Smith asks if he dies and Doug tells him yes, he does. This scene is filmed partly through one of the portholes from outside the ship! The three go out, Tony figuring they can be of more help on the decks.
The tunnel image screen shows the engine room flooding and men running out and being overcome by water. Kirk, Ann, and Ray talk. With no control, the two men could disappear into time to any moment amid billions of years in the past and the future. Ray asks, "Is that any worse than condemning them to certain death aboard the Titanic?" Kirk says, "I wonder."
Smith order that only women and children are to be put in the lifeboats. Tony runs to the upper deck. Doug goes below. Smith orders his men: Mr. Donas, Martin, Williams, and tells them that six able bodied seamen are to help the passengers with steering. People are running all over the ship in panic. Some are in night robes and caps. The lounge shakes and the chandelier moves back and forth. We hear a bit of LOST IN SPACE music leading to an ad.
The lounge continues to shake. Tony finds Althea sitting at the piano and stops in his tracks. She is a school teacher who gave up ten years of her savings for the trip. She tells him she has a growth in her head and will die in months. Her doctor in London is sure but he sent her to NY since a neurosurgeon in NY may save her, it is new--a brain operation. Tony tells her these things are common place in the time he comes from. Not a fad. Neurosurgery can save her life despite her reluctance to believe. They shake. Tony tells her she is deciding when it is her time to live or die, may survive and has a chance, and she tells him, mockingly that he is a doctor now. "I am not a doctor," he pleads with her angry, "...and you have no right to play God!" She asks if he is asking her to believe in miracles. He responds, "I'm asking to believe in life, not death!" He takes her hand and leads her away. Doug gets Marcel in the crowds on deck and gets the boy and his mother into a life boat. In the halls and deck vestibules, there are many other passengers including a man holding a boy. All adults are running. Tony fights though the crowds to get Althea upstairs. A sailor falls into the sea trying to help with the lifeboat (the unaired version had a few more others falling into the ocean). Clark watches Ann and Kirk as the time tunnel scanner sees the people struggling, dying. (In the unaired pilot, he comments on how horrible it is to have to sit here and watch people dying and not be able to do anything about it.) Tony leads Althea to the life boat area and puts on her life jacket. He gets her to a boat, she telling him she won't see him again. Doug and Tony remeet and climb up to a higher deck--Doug told him there was trouble up on A-Deck. A woman smashes a porthole from a cabin she may be trapped in--using a bottle. She may be drunk and screams. A man in another cabin smashes his window with a candle stick. They may be trapped.
Doug and Tony run but pass an open area where there is only a small chain. An explosion from the engines rips through the ship and knocks Tony and Doug over, through the chain, and they both plunge head first toward the ocean! Ann gasps, "Doug! Tony!"
Kirk snaps, "Freeze them!" They do and the two are frozen in image before they can hit the water. Ann says, "Establish limits." Kirk yells, "Hurry, they're dying!" Ray orders, "Accelerate power!" They switch them. Clark reports the tunnel has gone blank.
Ann says, "Wherever he (Tony) and Doug are...at least they're together."
Clark asks, "Where?" He is obviously sincerely concerned.
Ray answers, "We couldn't begin to guess."
Later, Clark is given his suitcase back as he prepares to leave. It is signed out at a desk near the doorway to the tunnel control room. Ann, Ray, Kirk, and Clark talk near the tunnel rings which we see very clearly---rings which have large spaces between them! Ann thanks Clark--he won't take any action until they safely get Phillips and Newman back...or beyond any hope. He wants to know what the estimates of their chances are. Ray and Kirk feel their procedures are being perfected more and more each day. Ray says, "I'd have to say without trying to be funny..it's just a matter of time." Clark shakes his hand, "Well, it helps to keep a sense of humor about these things." They bid him goodbye. After he leaves, Kirk says, "Ray, are you being optimistic or am I being pessimistic?" Ray tells him they know the boys are alive and they are doing a location probe for them right now.
Kirk says, "That won't mean beans unless they can survive wherever they are." He and Ray turn and look at the tunnel mouth, the pair having moved in front of it. It swirls with strange noises and lights.
CLIFFHANGER-Doug and Tony land on the bottom half of a rocket ready to take off. Doug comments if this is one of the early Canaveral jobs they could be incinerated right there on the pad at takeoff. They try to get the attention of the crew above. The countdown goes off and the rocket blasts off, pinning them down. The rocket soars up and we hear the music as the first cliffhanger freeze frames--the music is very different from what would becomes the cliffhanger freeze frame music.
END SCENES TO THE NEXT TIME TUNNELS TAGGED ONTO RENDEZVOUS WITH YESTERDAY INCLUDES: A narrator saying, "This is the incredible time tunnel in weeks to come," amid scenes of ONE WAY TO THE MOON, END OF THE WORLD, REVENGE OF THE GODS, and SECRET WEAPON. Quite impressive.
RENDEZVOUS WITH YESTERDAY was edited slightly in many scenes with key dialogue changed or removed. An example includes when Senator Leroy Clark says (just after Doug tells Tony they should go above to help out with trouble on A Deck), "We've got to stand here helpless and watch people die---its horrible!" This is in the unaired pilot but not in RENDEZVOUS WITH YESTERDAY as aired. Also--Tony gives Althea his 1968 watch in the unaired pilot but not in the aired one. There are also two men in the unaired pilot that fall from the lifeboats or the side of the Titanic---they fall into the icy waters. Sequences of people screaming and running are a bit longer.
THE UNAIRED PILOT 1958 sequences vs. the same 1958 sequence from the second to last scene in END OF THE WORLD: In the unaired pilot, Tony and Doug fly through time but Tony falls in a rare long shot of the whole area. He appears in thin air above the ground, then falls. Shift to the tunnel where Ray, Clarke, Kirk and Ann watch in medium shots. Ray says, "They've been separated in time." Cut to Tony calling for Doug, who is not around. Then comes the altercation with the 14 month on duty young soldier and Jiggs, neither of whom know Tony, who tells them he has been with the project for the last 7 years. (In the unaired and aired pilot Clarke tells Tony, "You've been with the project nearly 7 years."). Cut to the tunnel sequence with all four watching, including Clarke. Referring to Jiggs, I think, Kirk says, "He's younger." Close up shots of Ann and Kirk as they discuss where and when Tony is. Clarke asks, in a close up, "Why not just go out there?" Ann answers, "You'd see nothing. That's taking place ten years ago." Clarke sees the car drive up with Doug in it and says, "It's Phillips." Cut to scene with Doug meeting Tony, he doesn't know Tony. Senator Clarke watches and says it is Phillips. Cut to sequence with Tony breaking free up to his vanishing, also in a rare long shot. Clarke looks at it and says, "The tunnel's gone blank." Then dialogue with Ann, Ray, and Kirk about where Tony and Doug are and them at least being together (this conversation was used in the aired and unaired pilot and also in the later five edited opening to the TV movies--but only certain versions!?!). END OF THE WORLD: Tony lands. Ray, in a different scene--a long shot of the tunnel group but from a side view--Ray says, "They've been separated in time," in what seems to be dubbed from the previous dialogue. Cut to Tony's encounter with the guard and then Jiggs. Kirk says, "He's younger." Kirk goes on with the same dialogue about them bringing Tony back ten years too early--and he seems blaming and angry, frustrated perhaps. Ann counters as she did before. Close ups on both as before. Ann tells them to close the ten year gap and Jerry comes over in a long shot, "Why not just go out there?" Ann answers the same as before. In short, Jerry's dialogue replaces the Clarke dialogue with the exception being when Ray says, "It's Phillips," (something Clarke said before) when Doug drives out. Kirk says the same thing, "Ten years ago." The sequence goes on the same as before with the close ups all the same. The sequence goes on until we see Tony and Doug fly out to the Pearl Harbor Japanese consulate (with the only difference being that no one says, "The tunnel's gone blank," since they watch this next adventure beginning on it. The whole sequence is cleverly edited and not jarring at all.
THE UNAIRED PILOT & CHASE THROUGH TIME: A short segment of Doug and Tony re-meeting in the jungle and facing a lizard giant dinosaur. In the unaired pilot, Tony & Doug were separated after being transferred off the Titanic by the tunnel. They land in 1958 where Doug, Jiggs, and a soldier do not yet know Tony. Tony is switched out of this time and lands in a prehistoric jungle. He looks around and runs through fog. He finally bumps into Doug and looks at him as he calls Tony. "At least this time you know me," Tony grabs his friend's arm, happy to see him. They talk about what happened and feel they may be on an island--Doug's been trying to find his way for hours. It wouldn't matter to Tony if they were in 1968. A dinosaur-lizard giant on two legs roars and comes through the giant ferns and chases them. They run. END OF UNAIRED PILOT. This scene is used in CHASE THROUGH TIME. Now, it has ERRONEOUSLY been reported elsewhere, several times, that CHASE THROUGH TIME has left the dialogue of Tony saying, "At least this time you know me," in. THIS IS NOT TRUE. The entire scene plays as in the unaired pilot with one major difference. In CHASE THROUGH TIME, Tony's line, "At least this time, you know me," is not heard AT ALL. It wouldn't make sense to have it in CHASE THROUGH TIME and therefore, it is not there--and I've checked many sources and showings of CHASE THROUGH TIME. For the later edited two hour movie travesty, ALIENS FROM ANOTHER PLANET, the entire re-meeting of Tony and Doug as well as the very first dino chase scene has been removed; Tony and Doug were never separated in this TV movie (in my opinion the TV movies should never have been made).
KIRK'S NAME: It has been reported erroneously--do you see a trend?--that General Kirk's first name--Woody--was first mentioned in THE LAST PATROL. This is not true as he was called this in the very first episode.
MORE ABOUT THE UNAIRED PILOT: It hardly differs by much. The theme song is almost the same with the exception that the theme is played first, no teaser before it--but then the theme ends with a weird unused ending blending into the sequence of the plane flying over the desert. It has been erroneously reported elsewhere that the sequence with Clark's plane and his landing and being let out is not in the unaired pilot. It is in the unaired pilot. When scene not in the unaired version I saw was when Doug explains to Clark about the 12000 people in each of the complexes, each complex over 800 floors deep and then Clark asks, "Is time worth all this?" There seems to be a few different musical cues but not many and one of these occurs as Doug tells Clark about the control banks where their power is mixed. Doug and Kirk then take Clark to the tunnel and just before they call Tony out of the tunnel, Doug shows Clark Dr. Raymond Swain--an expert in electronics and Dr. Ann MacGregor--the leading electro-biologist whose unit determine the amount of force and heat a time traveller can obtain. On the Titanic, Althea asks Tony, "Are you a man of mystery, Mr. Newman," but this is in both version. When Tony sees the life preserver and realizes he is on the Titanic there is no break for commercial interruption, thus there are no "acts" to speak of. Each break is missing--to be added in later when the show sold and had to be re-cut for TV. In what would later become Act Two, Althea visits Tony in his prison cabin. Tony asks her the exact time and tells her it is deeply important. She tells him it is six minutes past ten. Tony sets his watch as she looks on. He then goes on to tell her about time and the same speech in the aired version. When Clark tells Kirk about Tony Newman running into the tunnel like a madman---the copy I viewed had some loud and strange whistling sound--sounding like a sound effect that went wrong--or perhaps it was the tape but I doubt it. It sounded like a flubbed sound effect. When Doug walks into the tunnel for the first time and the hum builds into blasts--there is no lapse--he is flying in time right after. While I didn't catch this during the aired version, in both versions, Capt. Smith tosses yesterday's newspaper that Doug brought with him from 1968---out the port hole window. Doug tells Smith that only 750 will be saved and that the life saving equipment is inadequate. Doug's cap is taken off when he first finds Tony in the cabin asleep. He takes it off and leaves it there. There are a few shots of a clock that I didn't recognize from the aired pilot but this may still be in the aired pilot. One sequence which was longer was when Tony with Althea fights his way through the crowd. There is a longer version of the on deck mayhem as more people run across the decks and at least three men fall overboard trying to help steer the lifeboats---or just save themselves. In what would be act four, more people run. Doug finds Marcel and his mother and gets them on a lifeboat.
Tony gets Althea out toward the lifeboats and then ties her life preserver. He then says, "Here, take this. It's mine...a 1968 wristwatch." Althea then says (belief in her voice and on her face), "Then it's true...all the things you were saying." He gets her to the side and a man helps her into the life boat.
Clark is watching Ann and Kirk and says, "We have to stand by helplessly and watch people die--it's horrible." Ann says, "There's not much time." A woman breaks the glass on her porthole with a bottle, then a man does the same thing to his porthole using a candlestick holder. Tony and Doug run up to the A Deck and then fall as in the pilot. They are transferred but Clark asks where---Ray answers they couldn't even begin to guess. They look at the screen and see Doug and Tony flying in the vortex. Ray says, "They've been separated in time." Tony materializes a few feet over the desert ground but falls. Clark's lines are later given to Jerry and a few are even spread out to Kirk and Ray in END OF THE WORLD. Tony encounters Jiggs and a soldier who has been here 14 months on the project--Project Tic Toc. Jiggs has no moustache and doesn't know Tony. The soldier doesn't know him either and Jiggs says he never had a moustache. Tony figures they brought him back in the wrong time. Kirk is mad, "You brought him back in the wrong time." Ten years ago. Ann says to close a ten year gap. Clark asks, "Why not just go out there?" Ann explains, "You'd see nothing. You're in the present--that's ten years ago." Doug pulls up in his 1950s car. Tony greets him, "They got you back, too." Kirk tells them Newman was still in school--he and Doug hadn't yet met. We see a shot of Senator Clark watching this. Doug tells Jiggs to give this strange man a ride back into town but Jiggs tells Doug that this man will have to answer to his security officer. Tony goes half out of his mind--as Kirk puts it--and Kirk worries the men may try to shoot him. Tony breaks free of the soldiers but vanishes in the familiar pop music sound---which is used extensively in later episodes, especially the second half of the season. Clark tells them, "The tunnel's gone blank." Ann says, "The tunnel's moved Tony from ten years ago. Wherever he and Doug are at least they're together." Clark asks, "But where?"
Ray says, "We couldn't even begin to guess."
A security guard gives Clark his suitcase back and they bid him goodbye, Ray making his crack about it only being a matter of time before they perfect the process. As Clark heads out, Kirk and Ray talk, walking to the front of the tunnel. Kirk wonders that all they do here won't mean beans unless the boys can survive. As he says this, he and Ray look into the tunnel, which seems to glow with a life of its own. The time tunnel lights up and hums with strange sounds.
Tony is in a jungle with smoke and heat, lightning, and thunder. Doug's clothes are torn and he finds Tony, telling him he's been clawing his way through this jungle for hours. Tony says, "Hey, at least this time you know me." Doug asks, "Know you? What do you mean?" Tony avoids this and it doesn't matter. They figure they are on an island, a hothouse. Tony says, "I'd settle for the Amazon as long as it's the 1968 Amazon." A giant lizard appears over the ridge of the dense forest and moves at them. They run. We hear the theme song.
Section headingEdit
Write the second section of your page here. Do not forget to add a category to help people find the page.


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The receiver for Zeek Rewards is requesting more than $850,000 for him and his team for about 45 days of work.
The receiver for Zeek Rewards is requesting more than $850,000 for him and his team for about 45 days of work.
In his first interim application for fees and expenses, court-appointed receiver Kenneth Bell requested about $768,102.23 for him and his counsel at McGuireWoods LLP of Charlotte. The receiver also requested about $85,389.06 for a retained forensic accountant and database consultant, FTI Consulting, for its work in the case.
Bell, his constituents at McGuireWoods and FTI, the three entities that make up the "receiver team," have been working since mid-August to recover money connected to Zeek Rewards. The company, headquartered in Lexington under the parent entity Rex Venture Group LLC, has been charged by the federal government of operating one of the densest Ponzi schemes of all time. The company's owner, Lexington resident Paul Burks, has already settled securities fraud charges filed by the U.S. Securities and Exchange Commission, without admitting or denying the agency's accusations.
The receiver is requesting compensation and reimbursement from Aug. 17 through Sept. 30. During that period, Bell said he and his team worked a total of about 2,226 hours on tasks ranging from operating the receivership estate, to investigating the company's financial condition, to analyzing "terabytes" of information, to locating and identifying foreign bank accounts connected to Zeek Rewards or Rex Venture Group.
Court records show that Bell, himself, charged an hourly billing rate of about $612 per hour and worked about 189 hours during the compensation period, totaling about $115,790. Bell, as well as his counsel of about 30 McGuireWoods attorneys, partners and paralegals, charged 15 percent lower than their normal rates, according to court records.
FTI, the company retained as the forensic accountants, litigation and database consultants for the case, expended about 200 hours during the compensation period from August to September. The amount the company is seeking includes a discount of about 23 percent from the company's normal rates, Bell said.
According to rules set out by the SEC, the receiver and his team are entitled to "reasonable" compensation and expense reimbursement from the entire receivership estate.
In his application filed Wednesday in U.S. District Court in Charlotte, Bell said both McGuireWoods and FTI all discounted their rates after realizing the "public service nature" of the case.
Bell said he believes the compensation requested is discounted and is beneficial to the overall estate. He asked the court, when evaluating the request, to consider the highly complex nature of the case, which he said required the investigation of an alleged fraud that included about two million affiliates and one million investors throughout the world.
"The professional services were performed expediently and efficiently," Bell said. "Accordingly, the receiver and (McGuireWoods) submit that the compensation requested herein is reasonable and warranted in the light of the nature, extent and value of such service to the receivership estate and all parties in interest."
Bell, who has said he intends to make all victims as whole as possible, has also indicated that this could be a lengthy process. Bell and the receivership team will make applications for compensation and fee reimbursement quarterly, according to court-ordered guidelines.
Receivership has been a lucrative practice for several court-appointed officials and trustees in recent years. The New York Times reported earlier this year, for instance, that Irving H. Picard, the court-appointed trustee responsible for recovering funds in the Bernie Madoff Ponzi scheme, charged $850 per hour and has personally taken in about $5.1 million.
Launching in 2011, Zeek Rewards was one of the first penny auction-based companies to present profit-sharing opportunities to its customers. Its users, who were referred to as affiliates, essentially invested in the program by purchasing large quantities of bids for the penny auction site Zeekler.com, which was also operated by Rex Venture Group. To earn a profit, affiliates were required to give those bids away to new customers and post a daily advertisement for the site online. For buying bids, giving them away and placing an ad, affiliates shared in the company's daily net profits through "rewards" — bonuses they could compile over time and eventually turn into cash.
Affiliates could also earn commissions with every friend, family member or average Joe they signed up. The longer an affiliate's "downline," the more money there was to be made, something the SEC called classic pyramid style.
The SEC, which issued a civil enforcement action against the company Aug. 17, alleges that the money from new Zeek Rewards investors was simply financing the payouts for higher-up affiliates. About 98 percent of Zeek Rewards' total revenues, and subsequent payouts to its affiliates, were comprised of funds received from new investors, according to the SEC's complaint.
So far, Bell's investigation has identified about 2.2 million unique Zeek Rewards users, and he says about 1 million of those users invested money in the program.
While the majority of Zeek Rewards affiliates lost money, including some who sent in cashier's checks just hours before the SEC's action, others profited heavily. Bell estimates that more than 100,000 affiliates made money on the program.
Bell sent out more than 1,200 subpoenas to affiliates who "took out more than they put in" last month, asking the profiteers to surrender their gains or face legal action.
The receivership team has collected more than $300 million since the investigation began. Bell has estimated that the failure of the company could result in losses up to $600 million.
Bell, who filed his preliminary liquidation plan Oct. 8, was scheduled to submit his final plan Thursday. However, the receiver motioned the court to extend the deadline one month, until Dec. 17, so his team could continue to sort through hundreds of boxes of documents and more than 10 terabytes of electronic data.
"The defendants' books and records were inadequate or incomplete, and the receivership team is still in the process of reconstructing over 18 months of Zeek Rewards financial information, involving more than 931 million transactions," Bell said in the motion.
Nash Dunn can be reached at 249-3981, ext. 227, or at email@example.com.


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Would it behoove me to not pump through the 2 Chillzillas during the whirlpooling? Would that make it faster? It seems like it would, but how much I don't know.Thoughts?
Do you get a visible whirlpool? When I do a manual whirlpool I stir it with my mash paddle until there is a visible whirlpool and then stop and give it 15 minutes or so to settle out. It gives me a nice cone on the bottom.The Chillzilla's will certainly decrease your pressure.
perhaps I need to stop pumping and let it rest longer (I did about 5 min last time). do you think the increased pressure would cause a 'better' cone to form if I were to bypass the chillers during the whirlpool?
The steepness of the coned material in the center of the kettle is dependent upon the 'shear strength' of the material. In the case of the ground hop matter in pelletized hops, the shear strength is nearly zero since that cone is composed of hydrated proteins and vegetative materials. Essentially, its goose crap. If you use whole hops, then the cone can take on more shape because there is mechanical, 'particle to particle' contact between the individual hop cones. That mechanical contact increases the shear strength of the mass and allows it to 'cone' better. One of my old brewing buddies pointed out that a good technique for improving the coning of the hops and trub was to include at least a small proportion of whole or plug hops in the hop bill to provide that strength to hold the cone together. I prefer pellet hops, but using 100% pellets hops will leave you with a 'flatter' cone nearly every time.


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Mormons The Latest To Make Their Secret Documents More Popular By Trying To Take Them Down
from the is-streisand-a-mormon? dept
That situation got so much publicity, you would think that anyone would think twice about going down the same path. No such luck. Last month, Scientology threatened Wikileaks for hosting Scientology documents, and this morning (as a whole bunch of folks have sent in) news is coming out that the Mormon Church is threatening Wikileaks as well, for hosting church documents. In this case, the Mormon Church isn't just going after Wikileaks, but also threatened the WikiMedia foundation and document hosting site Scribd. It went after WikiMedia because WikiNews ran an article about the document and linked to them (which is hardly copyright infringement). Scribd was apparently hosting a copy of the documents as well (since taken down). Wikileaks, however, true to its charter, is refusing to take down the documents.
While you can understand why the Church might not like it's documents being made public, it does seem ridiculous that whoever decided to start threatening everyone didn't do the most basic research to recognize what would happen as soon as they threatened sites. Given what happened with Julius Baer, it should have been abundantly clear that threatening Wikileaks would almost guarantee that the documents were both more widely seen than before and copied widely across the internet.


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From: Adam Hart (email suppressed)
Date: Wed Nov 26 2008 - 11:30:25 PST
Call for Papers:
*Cinema, Nature, Ecology*
University of Chicago
Committee on Cinema and Media Studies
Graduate Student Conference
April 3 & 4, 2009
300-word paper abstracts due January 4, 2009. Please send abstracts by email
to (address suppressed)
For up-to-date conference information, please see our website:
Recent films such as An Inconvenient Truth and The Day After Tomorrow
reflect urgent and ongoing public discourse on global warming, natural and
human ecology, and green activism. When we consider not only filmmaking,
but other immersive media (from the virtual worlds of Second Life to
large-scale installations from artists like Christo and Jean-Claude or
Tadashi Kawamata), it is clear that the impact of these practices on the
environmental imagination is profound. However, this timely discourse
should not obscure the rich tradition concerned with the relation between
cinema, nature, and the environment. From the beginnings of film theory and
film practice, the cinema has been imagined as transformative for the
relationship between humanity and nature. This transformation is at the
heart of this conference.
Cinema, Nature, Ecology will bring together scholars working on a diverse
but deeply interrelated set of questions in the domains of the history,
theory, and practice of cinema and other experiential media. We especially
welcome papers that will engage with the transformative power of these
practices, and investigate how these transformations -- whether
psychological, biological, geological, or physical -- have been
conceptualized at different points in time. How should we think of cinema
and other technologies within the context of ecological and evolutionary
theory? What is an environment? What sorts of possibilities for
re-imagining "environment" are on offer in immersive technologies such as
cinema, the panorama, and virtual environments? How have different media
technologies, from pre-cinematic optical toys to new media practices,
changed the possibilities for interactions between humans and nature?
We are proud to announce that our keynote speaker for *Cinema, Nature,
Ecology* will be Hanna Rose Shell, Society of Fellows, Harvard University,
and assistant professor of Science & Technology Studies, Massachusetts
Institute of Technology. Professor Shell has a book forthcoming in 2009 with
Zone Books, *Hide and Seek: Camouflage, Photography, and the Media of
Reconnaissance*.* *She is also a practicing filmmaker and media artist. Her
work includes the video installation *Aqua Kinema* (commissioned in 2005 by
ZKM) and the co-directed 24-minute experimental documentary *Secondhand
(Pepe) *(2007).
Possible topics include, but are not limited to:
*Nature and film theory*
- Cinema and the (re)mediation of nature in classical film theory
(Balazs, Epstein, Bazin, Kracauer, etc.)
- Natural history, mimesis, and the Frankfurt School and critical theory
- Cinema, ontology, history, and geological deep time
- Vitalism and the cinema (Bergson, Deleuze)
*Nature and cinema practice*
- Nature, special effect, and spectacle
- Landscape, aesthetics, and nature in cinema
- Animals and the natural world in animation (Disney, Miyazaki)
- Environmental disasters/utopias (The Day After Tomorrow, Jurassic Park,
*Ecology, the environment, and cinema*
- Ecological psychology, phenomenology, and media aesthetics
- Ecocritical approaches to film and media
- Large-format cinema, surround sound, immersion, and environmental
- Cinema, architecture, and the built environment (e.g. Situationism)
*Cinema, media, and nature*
- Visual media, perceptual devices, experimental psychology, and
- Aesthetics and imaging technologies (electron microscopy, medical
imaging, astronomical imaging)
- Virtual environments and virtual environmentalism (from first-person
shooters to Second Life and beyond)
For info on FrameWorks, contact Pip Chodorov at <email suppressed>.


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How To Become A Licensed Practical Nurse in Alaska
In order to qualify for Vocational Nursing jobs in Alaska, you should compare all available technical schools in your target area, as well as consider taking some of your courses online. Check with each nursing school below for assistance with certificate program requirements, degree prerequisites, and class registration. You may request information from several different schools below, without making a commitment.
|College Guide
|In-state Tuition
|Out-of-state Tuition
|Student Body Size
|Request Info
|University of Alaska Anchorage
Anchorage, AK
|very large
|Program Info
|Alaska Pacific University
Anchorage, AK
|Program Info
|University of Alaska Fairbanks
Fairbanks, AK
|Program Info
|University of Alaska Southeast
Juneau, AK
|Program Info
To prepare for Vocational Nursing careers in Alaska, you need to complete a technical education in your specialty area, as well as consider taking part of your required courses online. Which college degrees give you the best chances of finding employment after graduation? Accredited engineering programs, combined with a brief internship or prior work-experience, offer a great return on your engineering education. Check with the licensed practical nurse lpn department for course registration deadlines, and engineering program requirements.
Licensed practical nurses (LPNs) and vocational nurses (LVNs) provide basic medical care, such as checking a patient's blood pressure. Duties of LPNs and LVNs vary, depending on their work setting and the state in which they work. For example, they may reinforce teaching done by registered nurses regarding how to help care for newborn infants, attend to the needs of inpatients, or collect laboratory samples for testing. Nurses must often be on their feet for much of the day. They are vulnerable to back injuries, because they may have to lift patients who have trouble moving in bed, standing, or walking.
LPNs and LVNs may be limited to doing certain tasks, such as feeding patients who cannot care for themselves, depending on the state where they work. For example, in some states, LPNs with proper training can give medication or start intravenous (IV) drips, but in other states LPNs cannot perform these tasks. State regulations also govern the extent to which LPNs and LVNs must be directly supervised. For example, an LPN may provide certain forms of care only with instructions from a registered nurse. Beyond major requirements within the licensed practical nurse lpn department, you may consider Saint Augustines University automotive program as a complementary elective.


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Linked by Thom Holwerda on Sun 4th Sep 2011 15:48 UTC
"Secret U.S. government cables show a stunning willingness by senior Canadian officials to appease American demands (more here) for a U.S.-style copyright law here. The documents describe Canadian officials as encouraging American lobbying efforts. They also cite cabinet minister Maxime Bernier raising the possibility of showing U.S. officials a draft bill before tabling it in Parliament. The cables, from the U.S. Embassy in Ottawa, even have a policy director for then industry minister Tony Clement suggesting it might help U.S. demands for a tough copyright law if Canada were placed among the worst offenders on an international piracy watch list. Days later, the U.S. placed Canada alongside China and Russia on the list." Unbelievable. Suddenly I understand why the SFPD had no qualms about acting as henchmen for Apple goons to violate someone's constitutional rights. If a government is messed up, it only makes sense this is reflected in the corporate policies of its prime corporations.
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RE: Just Desserts
by Not2Sure on Mon 5th Sep 2011 07:19 UTC in reply to "Just Desserts"
RE[2]: Just Desserts
by gregthecanuck on Mon 5th Sep 2011 10:22 in reply to "RE: Just Desserts"
Well the good news is that if the economy keeps on going the way it is, Canada will probably be able to buy Alaska or maybe Minnesota soon.
Actually, we are starting with the banking system first. That should take about another decade to really become noticeable to the average Americanite. After that we will open up a Tim Horton's in all the banks. It's all ours!!! Mwa-hahahahaha....


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5 Minute Face
I am a firm believer in trying to look polished almost all of the time.
But, and it is a big but, I don't have the time (or the inclination, most of the time!) to spend half an hour "putting on my face". I timed my everyday look the other day, and I had it down in just under 5 minutes. I change it up slightly from day-to-day - different colours, different textures - but overall, this 5 Minute Face is what I am doing every morning.
base with fingers - I am currently using Chanel's Vitalumiere Aqua foundation in shade 40 beige, which is a sheer coverage foundation that looks exactly like my skin, only better. It doesn't completely cover the hyperpigmentation on my cheeks, but "hazes" them.
on a single shade of eyeshadow on eyelids, up into crease, with a medium sized eyeshadow brush. I use the same colour almost everyday, a slightly shimmery deep nude (Clinique's Like Mink eyeshadow duo). If I look particularly tired, I will use Stila's Kitten shade instead.
eyes - I find using a gel eyeliner with a flat eyeliner brush the quickest way (even quicker than a pencil, once you get the hang of it) and it seems to last so much longer on me. In the pic above, I'm using Bobbi Brown's Sepia Ink, a dark brown shade, which I like much better for daytime than a black, which can seem too harsh on me.
mascara - I pretty much use whatever I get for free; I only buy mascara when I exhaust my stash of freebies! Right now, the freebie I'm using is from Rimmel, which is OK, but can be a bit clumpy if I'm not paying attention.
on blush - A quick dusting on the apples of my cheeks in sheer colour, usually a discontinued plummy shade from Clinique.
on lipstick - I constantly mix up what shade and type of lipstick I am wearing, but it is generally a cream or matte formula as they last longer. I don't bother with lipliner.
And that is it!! In 6 steps and less than 5 minutes, I look polished and put together for almost any situation.


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Special Timetable
Event date: 28 June 2018
Every year the Keighley & Worth Valley Railway run Santa Specials. Join us for a journey behind one of our iconic steam locomotives for festive fun when Santa Clause travels along the Railway spreading goodwill all round. Tickets are now on sale via our On-line booking service.