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By Andrew Gough
April 2010
I never would have believed it, had it not happened to me; possession by the spirit guardian of Egypt's most controversial pharaoh and religious heretic? Not a chance. Such delusional and narcissistic fantasies are not my style. Nevertheless, the peculiar story I am about to tell is true; the obsession, the possession, the exorcism, the whole thing.
It all started several years ago when I travelled to Amarna, Middle Egypt, to visit the realm of the legendary king, Akhenaten. Located on the eastern bank of the River Nile, some 200 miles south of Cairo and 250 miles north of Luxor, Amarna's desolate ruins recall an inimitable period in Egyptian history when the status quo was turned on its head by a king, whose vision differed profoundly from that of his predecessors. Nobody really knows why Akhenaten chose this remote valley for his capital, but a clue can be found in his name. Akhenaten means Horizon of the Aten and the city is dominated by a mountain, whose natural ankh-shaped niche resembles the Egyptian hieroglyph for horizon; especially so, when the sun rises through its arches.
The phrase, Amarna Period, refers to a brief, albeit radical, period of Egyptian history when traditional governance was usurped by a king, whose state religion, a form of monotheism known as Atenism, or the worship of the sun as an aspect of the sun god Re, ignited no end of political unrest and religious quarrel. In addition to a new religion and capital, Akhenaten's court was more international than the others and this may have contributed to the creation of Amarna's unique and highly naturalistic style of art. Images of the pharaoh smiting his enemies were replaced by haunting perspectives depicting the king with an androgynous body and elongated head, and controversially portraying his family, especially his wife, Nefertiti, in open displays of affection. For all its audacity, the Amarna Period lasted little more than 20 years and its brevity ensured that those who longed for a return to the old ways – and there were many – could easily eradicate its memory from history.
Our guide for the trip was my friend, the chronologist and free-thinking Egyptologist, David Rohl. Although David had travelled to Amarna on many occasions, this would be my first trip and my sense of anticipation was heightened. I had read everything on the 'heretic king' that I could get my hands on over the years, and had attended countless lectures. Alas, this was one of those unique occasions when peak interest corresponded with being there. I would soon discover how true this was and, as our convoy of dilapidated 4×4's approached the fabled city, I reflected on the week that was; our trip through the Faiyum, a region less travelled, but well worth the journey.
The heart and soul of any trip to the Faiyum is Hawara, with its legendary labyrinth and impressive pyramid of Amenemhet III, the last true ruler of the Egyptian Twelfth Dynasty. Herodotus, the celebrated fifth century BC historian, was passionate about Hawara and wrote about it in his epic book, Histories: "I saw it myself and it is indeed a wonder past words; for if one were to collect together all of the buildings of the Greeks and their most striking works of architecture, they would all clearly be shown to have cost less labour and money than this labyrinth." Although I cannot not possibly comment on Herodotus' claims, I can confirm that, twenty-five centuries later, Hawara was still a wonder to behold.
Hawara was breathtaking, but equally as exquisite were the twin colossi of Biahmu, known locally as the 'Pharaoh's Chair'. The two giant statues of Amenemhet III were once part of Lake Moeris and, like Hawara, Herodotus preserved their importance for prosperity: "…in about the middle of the lake stand 2 pyramids that top the water, each one by 50 fathoms [300 feet], and each built as much again underwater; and on top of each there is a huge stone figure of a man sitting on a throne."
We also visited Beni Hassan, the ancient cliff-side necropolis, with a dramatic stairway that rises up through the desert to many wonderful Middle (2080 BC to 1640 BC) and even Old Kingdom (2686 BC – 2134 BC) tombs. Here, we observed a variety of reliefs, including paintings of Asiatic people with multicoloured coats, similar to the fabled 'Coat of Joseph'.
Other memorable sites include El-Lahun, the remarkable mud-brick pyramid of the Twelfth Dynasty Pharaoh, Senusret II (1897 BC to 1878 BC), and the sublimely austere pyramid of Meidum, believed to have been built by the Fourth Dynasty Pharaoh, Sneferu (2613 BC to 2589 BC).
The isolated and barren sites of the Faiyum had prepared me well for Amarna, for it too was remote and seldom visited, and I longed to spend some solitary time there, if possible, soaking up the atmosphere and 'feel' of the place.
We began by examining two of the fourteen boundary stelae, erected by Akhenaten to designate the far reaches of his kingdom. Their condition was poor, but I considered myself fortunate to view any remnants of Amarna's former glory.
Next, we visited the rock-cut Southern Tombs, including the tomb of the Eighteenth Dynasty Pharaoh Ay (circa 1323–1319 BCE) – the alleged power behind Tutankhamen – which contained a marvellous rendering of The Great Hymn to the Aten, believed to have been authored by Akhenaten. The hymn, which is conspicuously similar to the biblical Psalm 104, underscores the king's dedication to his new religion and opens with the poignant verse: "How manifold it is, what thou hast made! They are hidden from the face (of man), O sole god, like whom there is no other!"
We proceeded to the Northern Tombs apace, as the day was quickly getting on. Inside, we studied paintings of chariots, which complemented the spectacular views of chariot paths outside; tracks that seemed to extend into infinity and which remain intact to this day, over 3,300 years since they were first built for purpose.
The day was unfolding perfectly, but still I longed to contemplate Amarna's magnificent sites in private. "Perhaps I would find some solitude at our next stop," I thought, as we arrived at the North Palace, the only site that resembled the idyllic Amarna scenes of nature that I had long admired in books and museums. At last, I seized the opportunity to go for a walk, away from the others, and stumbled upon some shards of pottery, which I excitedly put into my rucksack as a souvenir.
Unfortunately, on trips like these, one is not afforded much time to explore and I soon rejoined the group as we prepared to depart for the Wadi Abu Hassah el-Bahari, better known as the Royal Wadi, gateway to the Royal Tombs. Along the way we stopped and admired the ruins of the 'Window of Appearance', or what was once a balcony on a bridge that covered a main road and connected the palace with the temple. Here, Akhenaten and Nefertiti would appear before their people and offer up gifts. It is where they connected with their flock, like a priest with their congregation. The moment was brief, but affecting. I wanted to stay longer, but we simply had to carry on.
Only the Royal Wadi now separated us from Akhenaten's tomb, and before embarking on the arduous 6-kilometre drive, we paused at the mouth of the narrow valley and reflected on what lay ahead. The Royal Tombs were officially discovered in 1891 by the Italian archaeologist, Alessandro Barsanti. "What is it about 1891 and the discovery of important tombs?" I mused, in reference to Bérenger Saunière, the priest of Rennes-le-Château, a tiny village in the foothills of the French Pyrenees, and his journal entry, which states that he 'discovered a tomb' that same year. Rennes-le-Château represented an equal, but altogether different passion of mine; yet, ironically, it would later serve as the catalyst for my confronting the affliction I was about to acquire.
Over the course of the trip I had become friends with various members in the group, seasoned travellers all, including a woman who revealed that she was an elder member of the Rosicrucians, an order devoted to the study of ancient, mystical, philosophical and religious doctrines. Much to my surprise, she confided that a visit to Akhenaten's tomb was compulsory for members of a certain status, such as her; not dissimilar to a Muslim's pilgrimage to Mecca. We chatted throughout the drive and continued as we walked the final leg, up the mountain, to the Royal Tombs.
I was intrigued by the Rosicrucian's provocative insights and watched with interest as she entered the tomb, ten minutes after the others. She must have ventured no more than 50 feet inside before retreating only moments later, noticeably upset. "She could not possibly have toured the vast labyrinth of chambers and corridors," I thought, and although I was given no indication in her behaviour then, she would later confide that the energy in the tomb had been so oppressive that she could only stand it for a minute or two. The only reason I witnessed her peculiar actions in the first place was because I too had waited for the others to enter, so that I could explore the tomb in private and experience more of what I had known at the North Palace – solitude.
Nobody is quite sure why Akhenaten's body, and that of his family and wife Nefertiti, were moved to another location, lost from history. All we know is that they are now gone and, although the Royal Tomb and its many chambers remain empty, and most of its reliefs have been destroyed by angry successors, bent on erasing Akhenaten's memory from history, one can still imagine the elaborate ceremony that would have accompanied Akhenaten's funeral. Nevertheless, the king had many enemies, as his heavy-handed enforcement of monotheism was far from popular, and this may have resulted in his burial – or subsequent interventions by succeeding rulers – having involved rituals of suppression, and not necessarily accession.
I made my way from chamber to chamber, in awe of my surroundings. I had examined many Egyptian tombs, but this was special and my fascination with the heretic king made it easy to lose track of the fact that our visit to the Royal Tomb was nearly over. Oblivious, I waited as the group vacated Akhenaten's chamber. I entered, unseen, and proceeded to set up my tripod for a photo shoot. I also intended to meditate, but, sadly, neither was to be, for what happened next was unexpected, to say the least. Off in the distance I heard a loud clang and, for a moment, my brain could not process what had happened.
I knelt on one knee in disbelief and waited, pensively, for an explanation. I did not have to wait long, for the tomb promptly fell into darkness, confirming my fear that the group had left and that the entrance had been shut behind them. I was amazed at how acute my senses had become. I could instantly hear, smell and sense like never before. It was uncanny. Within moments, my newly honed senses picked up on something that what was about to happen. I only sensed it, mind you, but I knew it was real. An entity of some sort was advancing through the darkened corridors at an astonishing pace. I never questioned its existence, and could not have resisted the pending collision if I had tried.
The force of the entity knocked me backwards on all fours and I sat, horrified, on the floor of a tomb that was noticeably colder than before. I was in shock at having been locked in the tomb and in denial about the possession that had apparently just occurred. I suppressed the latter for the time being and attempted to collect myself, in order to deal with the more immediate concern of getting out. I regrouped and crawled, a hand in front of my face, abandoning various pieces of camera equipment in my wake. To make matters worse, upon exiting the chamber I turned the wrong way and plodded on, slowly, for a considerable distance, before realising that I was travelling even deeper into the tomb. "Might other entities be waiting?" I wondered. I had absolutely no idea what may be in store.
I was feeling disorientated, but not totally despondent; after all, I had inadvertently achieved what I had been longing for all day: quality time in Amarna and in the tomb of the heretic king himself no less. Not to be deterred by my encounter with the apparent guardian entity of the tomb, or the fact that I had no idea how or when I would get out, I paused to reflect upon the incredible situation I now found myself in. No sooner had I done so, than the image of a relief of an eye from the 'Gamma' chamber appeared in my head. Gamma was one of three rooms that comprised the Royal Tomb of Akhenaten and one of two, whose decorations were not later destroyed by the followers of Amun; those who returned the country to the old ways, before Atenism. I would never understand why this image came into my mind just then, of all times, but I have always found it peculiar that the relief of the eye was the only photograph that came out in focus, before the tomb fell into darkness.
I put the image of the eye out of my mind, as I realised I could not linger in the tomb for long, and promptly reoriented myself, reversed my direction, and headed for the entrance. "How much time had passed?" I wondered. I checked my watch and estimated that I had been locked in for 15, maybe 20 minutes. "How could that be?" I thought. It had seemed much longer. I proceeded towards the door, now walking upright, albeit cautiously, with my hands outstretched before me, as if to repel any further attacks. As I inched ever closer to the entrance, I recalled that the next scheduled tour was over two weeks away. This was worrying and I wondered if anyone would realise that I was in here; or would those back at our base in Minya (a city renowned for its high-profile terrorist groups) assume that I had been abducted?
Kidnapping was common in these parts and, only the night before, after our group had been confined by armed guards to the safety of the hotel, I had been publicly reprimanded for disobeying orders and sneaking into town to photograph a mosque and, therefore, jeopardising the safety of the group in the process. With that disheartening thought in my head, I arrived at the entrance and discovered it sealed, as expected. I screamed and pounded on the door for what seemed like hours, but nobody answered and, for the first time since the lights went out, I truly panicked.
I was feeling many different emotions, not only panic, things like fear, anger and sadness, to name a few. Then, just as I was running out of hope, a local Bedouin who had heard my plea contacted the military personnel, who had escorted the group to the tomb. Within minutes I was standing out in the bright haze of the late afternoon sun, a free man. The military men spoke scornfully and shouted things at me, and each other, which I suspected were rather unpleasant. I scampered down the mountain, debris flying from beneath my feet all along the way.
I arrived at the spot where the convoy had parked up a couple of hours earlier and, much to my surprise, the group had taken a break and was only just preparing to leave. Now that my cover was blown, I promptly received another verbal flogging for having gone walkabout and sheepishly climbed into the back of one of the 4×4's. The group's disapproval was palatable, but I kept my mouth shut and did not let on where I had been. I was embarrassed and confused, and needed to process the whole thing a little while longer. "If only they knew," I thought.
An hour later we arrived back at the hotel. I was exhausted and anxious; not myself. Nevertheless, a few of us decided to stop for a drink at the hotel bar, and only then did I recount my story; not the bit about the entity, mind you; just the facts. A cold beer had done the trick and I was beginning to think I had imagined the whole 'entity' thing: "Must have been a panic attack, that's all," I thought to myself. I bade farewell to the group and headed to my room to shower and prepare for dinner. That was the plan anyway, until it started. That was when the entity began to manifest itself.
I walked upstairs, fatigued, but more relaxed than before. That was the last thing I remember with any clarity, for as I turned to walk down the second floor hallway that led to my room I found myself frozen, unable to move. What is more, the hallway lights in the ceiling above my head had begun to melt, like in an Escher painting. Other guests – strangers, fortunately – passed by and stared, quizzically, but I simply could not move. I was no longer in control of my body.
Time had stood still and I had no idea how long I had been transfixed in the hall. The next thing I knew, however, was that I had arrived at my room as if nothing had happened. I opened the door and stood in disbelief as I witnessed a figure enter ahead of me. I closed my eyes and refocused, but I could still see it; a tall build, dressed in what appeared to be dark-coloured robes. I went in after it and became aware of an energy that I will never forget, and which I can only describe as horrific.
Panic returned, this time worse than before. I remember thinking, "Get a grip on yourself. This is not happening!" Or was it? I showered and switched on the television at full volume. I even tried to read, but nothing helped. Was the room possessed or was I somehow projecting the entire thing? Before I could answer I received a knock on the door. It was the Rosicrucian.
"Hi" I said, relieved to see a friendly face.
"Have I caught you at a good time?" she asked politely. "I missed you on the drive back," she continued, before I could reply, "and was wondering if you fancied a drink before…" Her voice trailed off, slowly, as her gaze veered over my right shoulder.
"What's going on in here?" she enquired, in a tone that had lost all sense of cordiality.
"What do you mean?" I asked.
"I mean what the HELL is going on in here?" she persisted, only this time for her benefit, not mine.
She darted past me into the room and I was preparing to explain the whole incident when she spotted the shards of pottery on my dresser table. "Where did you get those?" she enquired aggressively.
"I found them on the outskirts of the North Palace, on my walk. There were loads of them lying in the sand. Why do you ask?" I replied. Pretend as I might, I knew what was coming next.
"Hmm. Did you ask for permission – you know, before you took them?"
"No. I meant to, but I forgot. I was so excited to find them. Sorry."
With this, the Rosicrucian proceeded to guide me through a ritual designed to make amends for my thoughtless behaviour. This, she was certain, was the reason my hotel room felt so charged. As we were making plans to have the pottery shards returned to the North Palace the very next day, there was another knock on the door. This time it was Roberta, a gregarious Italian woman with a wicked sense of humour, whom I had become friends with during the trip. She exchanged greetings with the Rosicrucian, before suggesting that the three of us go for a drink.
"Well, I think we're done here. Sounds like a great idea. I know I could use one," the Rosicrucian confirmed.
"Great. Me too!" Roberta exclaimed. "And I figured Andy would need two or three, after being locked in the tomb this afternoon. I still don't know how you managed that. What are you like?" she added.
I looked sheepishly at the Rosicrucian and, once again, I knew what was coming.
"What?" she exclaimed. I will never forget the look of incredulousness that came over her.
"You were locked in Akhenaten's tomb? Why didn't you tell me? Do you have any idea what is in there? Do you know WHAT happened there?"
I said nothing, and just stood there, expressionless.
"Listen, we have some work to do," she continued. "This is far more serious than I thought." And so we performed yet more rituals, on into the night.
The years passed and I would never see or speak to the Rosicrucian again. I think we exchanged a few emails for a time, but that was all. I reflected on that evening often and wondered how much her rituals had helped, for the entity that I encountered in the Royal Tomb was, as best as I could tell, still with me. Now, I cannot be sure of that, but I can be sure that ever since that day I have experienced something quite peculiar whenever I become unconscious; for instance, when I daydream. It is in this relaxed state that I see a face, frowning and unmistakably judgemental, with long, piercing eyes. I have seen it in all sorts of places, too, such as floors, walls, table tops, even in clouds in the sky. Not surprisingly, when I regain consciousness and focus, the face disappears. Ironically, I never found this upsetting. At the end of the day, I guess I never took it seriously and, if the truth be known, I found the consistency of its appearances rather comforting. Until, that is, people began to tell me that they could see it, too.
Not everyone can see entities – thank god – and I must say that whenever someone reported seeing mine I would always ask them to describe it. Much to my surprise, they usually got it about right. However, I was not overly impressed by these observations. In fact, I found them annoying and rude. Nevertheless, their frequency increased over time and, when I was in Rennes-le-Château in the spring of 2009, I was approached by a respected and accomplished figure in the genre, a friend, who informed me, "You know, you can have those things removed?"
"What?" I said, a little taken aback by her cheek.
"Sorry, I couldn't help noticing. You have an entity. There are people who can remove them, you know. It's probably a good idea."
I resisted the temptation to counter her good intentions with sarcasm and, instead, I thanked her for her concern. Later that evening I made a note in my diary that commemorated the encounter: "Conditions like mine are treatable, I learned today, much like removing a wart, I suspect!"
By this time, my interest in Egyptology had led to the sacred bee and how the diminutive creature had been worshipped for its contribution to society by cultures of every epoch, especially in ancient Egypt. I interviewed Simon Buxton, whose book, The Shamanic Way of the Bee, was a classic in the genre, and later attended a workshop on shamanism, which Simon facilitated, presented by the Sacred Trust and the Centre for Shamanic Studies. I was grateful to have attended as Simon's guest and was eager to learn.
The workshop was terrific and I later blogged about the experience for my website. However, in the days that followed, the entity manifested in curious ways, including attacks on other members of the workshop, who underwent shamanic 'journeys' with me in the spirit world. My entity was fast becoming famous, if not infamous. Still, one of the more accomplished members of the group journeyed on my behalf, in the hope of understanding the entity's intentions. They returned with the understanding that I had been chosen by the entity for a variety of reasons, including the fact that we shared a similar physique and that we had both been a high priest in a past life. I was also told that the entity knew that its time on the earthly plane was nigh, and that it was not pleased. The last straw, however, was when I was informed that I had been speaking in a low-pitched voice, and in a language that sounded ancient, and that I did not appear to be myself.
The whole 'entity' thing was now playing with my head. Was I going mad? I reflected on my life since 2002, the year I had visited Amarna, and, while there had been many great times, there had also been some hardship. However, I refused to attribute my fortune – good or bad – to anything external; certainly not an entity, if they even existed. My feet are firmly planted on the ground and I have always taken full responsibility for my actions. Nevertheless, just to ensure that this remained the case, I decided to take action and explained the whole thing to Simon, who, as a matter of urgency, recommended someone in London who might be able to help.
I contacted the shamanic healer that Simon recommended and made an appointment to have the entity removed. We agreed a date in mid-April, but when a cancellation created an opportunity to meet sooner, we rescheduled for 3 April. The symbolism of the date – the day before Easter, the ancient feast of death and resurrection – was not lost on me. I arrived at the home of the shamanic healer, accompanied by my good friend, Stephen. It soon became clear that the ritual I was about to embark upon was as much, if not more, geared for the well-being of the entity, than me. Selfishly, I was disappointed that the shamanic healer was less concerned about who the entity had been, and why he had entered me, and more focused on ensuring that it could return to an appropriate place in the spirit world. "At least it will soon be gone," I thought. That was the important thing. So, after a brief preamble, we got down to the business of releasing the spirit.
I sat in a chair with my eyes closed as the healer stood in front of me, guiding me through the ritual known as a 'spirit release'. I spoke to the entity by silently repeating questions, prompted by the shamanic healer, and learned that the entity's name was 'Ahgu', or something like that. All seemed to be going well until we discussed Ahgu's options for transitioning to another realm. This clearly upset the entity, which then proceeded to manifest in a more physical, if not violent, manner. In fact, each time I pressed Ahgu for more information about his preferred destination, my legs would abruptly fly up into the air, rigidly maintaining the right-angle position I had assumed while sitting, before being thrust back onto the floor with terrific force. The routine seemed to occur in increments of three and, after an hour, the whole thing had begun to take its toll, emotionally, as well as physically. It was painful!
"Shamanistic spirit release, is that what they call this?" I thought to myself. Were those just trendy, holistic words used to disguise the fact that this so-called spirit release ritual was nothing short of an exorcism? Call it what you will. As the ritual progressed, I began to see a white light in my mind's eye, like a bright cloud above my head. Additionally, it was apparent that my chest was attached to this light by a translucent cylinder that appeared to be transporting the entity into the cloud above. Ahgu was attached to me; just how, I could not make out, but I sensed it vividly and I soon learned that there were other, lesser entities, supporting him in his request to remain on the earthly plane. They too, would have to be released back into the spirit realm, and thus the task at hand became even more daunting.
I feared that the ritual was not working, until I studied the outline of Ahgu's body, which appeared to be some 15 feet or so behind me, and noticed that it was gradually becoming smaller. What reinforced my belief that the ritual was working was the fact that the cylinder connected to my chest, which I now sensed was attached directly to my heart, was getting wider; so wide that it engulfed the entire room. The massive cylinder was now full of blue and black coloured arteries, which were attached to the cloud like the roots of a tree. I now understood. This was Ahgu's essence, and that of the other entities, being transported to the light. The ritual was working.
When it became apparent that Ahgu and his helpers had finally made their way to the light, my healer requested that I fill the room with the colour that I saw in my heart, including the cylinder that was attached to my chest – which by now was entirely white; reflective of the fact that the cloud of light above had actually come down into the cylinder and spread throughout the room. I did as he advised and, when I looked at my heart and concentrated intently, the colour purple appeared and filled the room. I instantly felt a sense of calm and the likeness of Akhenaten, laden in purple, was the only image that I held in my head.


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2012 FAOBMB Young Scientist Award Winner Announcement
We are proud to announce Dr. Jade Forwood and Dr. Goh Lai Kuan have been awarded the 2012 FAOBMB Young Scientist Award. Dr. Jade Forwood and Dr. Goh Lai Kuan will attend the award ceremony and present their research work hosted by the FAOBMB President, Dr. Andrew H.-J. Wang at the 13th FAOBMB congress in Bangkok on November 28, 2012. FAOBMB Young Scientist Awards are to be given to highly qualified young scientists, one male and one female, from the FAOBMB region. These awards were made possible by a generous endowment from Professor Yasuhiro Anraku who was FAOBMB President in 1996-1998.
Dr. Jade Forwood
Young scientist winners (Male awardee)
Dr. Forwood's research focuses on the nucleocytoplasmic transport mechanisms of proteins involved in viral replication, embryonic development and cancer, as well as enzymes involved fatty acid metabolism and inflammation. Using a range of structural and molecular biology techniques, he has made significant contributions to these research fields, including the X-ray crystallographic structure determination of the nuclear import receptor importin-β, a very large and flexible protein of 861 amino acids, both in complex with the GTPase regulatory protein Ran, and in its unliganded form. These structures have provided important insights into the flexibility within this class of nuclear import receptors, and importantly, their role in enabling solenoid proteins to orchestrate a wide range of protein interactions in nuclear import pathways. He has also determined the structures of a wide range of thioesterases ranging from prokaryotes to humans to provide important new functional insights into domain recruitment in eukaryotes and inflammatory pathways. His work has been published in many eminent international journals including Proceedings of the National Academy of Sciences, Progress in Lipid Research, Plant Cell, Journal of Biological Chemistry, Biochemistry, Structure, and Journal of Molecular Biology. Dr Forwood has solved and deposited 14 protein structures to the protein data bank, and been awarded funding support totaling more than $31 million (c. half as CIA), including grants from highly competitive national and international funding agencies.
Dr Forwood completed a BBiomedSc. (Hons I) at James Cook University, a PhD in Biochemistry and Molecular Biology at the John Curtin School of Medical Research (Australian National University), and was awarded the University Medal in 1998 and the Frank Fenner Medal in 2002 for most outstanding PhD thesis. Since completing his graduate studies, he undertook postdoctoral research in industry (Bresagen Ltd., Adelaide University), and then under an NHMRC CJ Martin Fellowship, research at the Laboratory for Molecular Biology (LMB) in Cambridge for two years, followed by an additional two years at the University of Queensland. In 2007, he joined the School of Biomedical Sciences at Charles Sturt University to coordinate and lecture in Biochemistry, and currently supervised 6 PhD students, including a National Synchrotron Scholarship (Roman), 1 honours student and 4 masters students. He is the head of the Cell Biology research group within the Centre for Inland Health, Associate Head of School, editor for 2 international journals, and reviewer for many journals and funding agencies. In 2012 he was awarded a prestigious 4-year ARC Future Fellowship, and has been the recipient of various awards over his research career including an American Society of Cell Biology Travel Award, Centre for Inland Health research fellowship, Vice Chancellors Award for research excellence, and the FAOBMB Young Scientist Award.
Dr. Goh Lai Kuan
Young scientist winners (Female awardee)
Dr. Goh Lai Kuan received the Fulbright scholarship to pursue a Ph.D. in Cell Biology, Stem Cells and Development at the University of Colorado, United States. She joined the laboratory of Alexander Sorkin, a renowned investigator of epidermal growth factor receptor (EGFR) endocytosis. EGFR is a transmembrane receptor tyrosine kinase with known roles in maintaining cellular growth, survival, and differentiation and established importance in cancer development.
Through decades of intensive study, the molecular mechanisms that regulate internalization of EGFR have remained elusive. While in graduate school, Dr. Goh successfully generated the first kinase-active, internalization-defective EGFR mutant. This unique receptor mutant has provided a better understanding of the correlation between EGFR endocytosis and signal transduction in the context of cellular homeostasis in normal and disease conditions. While experimenting with this receptor mutant, she serendipitously discovered acetylation at three lysine residues in the carboxyl-terminal domain of EGFR. Dr. Goh went on to elucidate that multiple mechanisms—including acetylation, ubiquitination of the kinase domain, and AP-2 binding motifs—function in a combinatorial manner to induce EGFR internalization.
Findings from these studies led to the publication of highly cited original and review articles. In addition, these studies have been presented at conferences and invited lectures occurring across North America, Europe, and Asia. Dr. Goh has been the recipient of multiple awards from the University of Colorado and the National Institute of Health. She has also received individual funding through the Delta Kappa Gamma World fellowship and the American Heart Association predoctoral fellowship. Dr. Goh is honored to be the recipient of this year's FAOBMB Young Scientist Award.

subset: commoncrawl


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We build the temporary structure each year and know that it is only meant to last for the week-long holiday. It sways in the breeze. The raindrops land inside. The animals nibble at our decor. We know it could come crashing down on us.
The blessings of our health is so fragile. The vibrancy of our children sways in the breeze, and sometimes the raindrops hit our lives. A diagnosis...it all comes crashing down.
The Sukkah is a symbol of uncertainty.
We don't know what tomorrow will bring. We only know that here and now, we stand together in our uncertain structure. We build without looking at the weather forecast. Will this be the year that snow keeps us inside?
What will tomorrow bring? Will the next test show a new worry? Will the next day bring pain and tears or will smiles rule the day? Day by day, each one is different. We don't know what we don't know.
We believe that he will return to health. We must hold on to the hope of the skilled hands of his doctors and nurses. We fight and fight and fight because we see the future in his eyes. We talk about tomorrow and tomorrow and tomorrow. We plan and prepare. And we celebrate today.
We build, knowing that we are vulnerable. We build, knowing that it may all collapse. But we still build. And that is our strength. Year after year, we build and re-build. We share our fragile strength with others and we grow stronger.
We are strong because we continue the fight, and we are not alone. For Jack and Ian and Jake and Eric and Bo and Carli and Hannah and Cara and Ari and Mia and Mya and Aidan and Donna and Blake and Sam and...Day after day...we build, knowing that we are vulnerable. We build, knowing that it may all collapse. But we still build.
Zman simchateinu - each day of life is the time of our rejoicing.


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For the fourth Drums record, frontman (and now only remaining member of the original lineup) Jonathan Pierce jumped ship from New York to LA and teamed up with engineer Jonathan Schenke. The results of the move and some big life changes is an enjoyable yet emotional guitar-pop album.
Abysmal Thoughts is dense yet pleasantly less chaotic than its predecessor Encylopaedia. Jangling guitars, washes of vocals, retro synth overtones and surf-rock rhythms are all intricately layered. Opening track 'Mirror' is an immediate start, warming up to a sonic richness that defines the best moments of the record. Songs of heartbreak and loneliness mesh with more optimistic stories such as the sunnier 'I'll Fight For Your Life' and the punchy 'Your Tenderness'. There is the same simplistic frankness that made their debut record so special, and something I have been searching for with that same potency since. Abysmal Thoughts comes close.
The tempo is upbeat, at points even straight up groovy, all whilst tapping into Pierce's signature self-deprecation and vulnerability. 'Head of the Horse' is a dreamy retreat, balancing out the pace and ensuring things don't get lost in the sauce. Another take on the slow-build is 'If All We Share'. However, the deliberate tweeness doesn't translate, making it a low point. The title track atones. It is a fast-paced circular track laced with interesting knocks and clangs and a full-bodied guitar backbone. The lyrics, whilst simple, convey the reigning pathos of the record with conviction. Whilst not a huge divergence from their past, there is still plenty of gorgeous noise and an abundance of feelings to get lost in here. Give yourself time to explore Abysmal Thoughts.


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You most likely have some favorite recipes that you like to cook with June's wonderful produce. I certainly do but I also like to try out new ideas. My weekly CSA share began on Memorial Day weekend and so I have plenty of June produce to experiment with at this time. Here are a few of my ideas. Give them a try.
Green Peppers
Shrimp and Bell Peppers in Orange Sauce
1 pound Gulf shrimp (wild caught), peeled and deveined
2 bell peppers, cut into 1 inch cubes
1 large sweet onion, cut into 1 inch cubes
1 tablespoon olive oil
1 tablespoon honey
1 cup orange juice
2 tablespoons cornstarch
Sea salt and fresh ground pepper, to taste
Preheat a large sauté pan over medium-high heat. Add 1 tablespoon of olive oil and the peppers and onions to the pan. Season with salt and pepper. Cook 5 minutes or until tender. Remove the vegetables to a bowl.
Add the shrimp to the pan. Cook about 3 minutes. Turn the shrimp over when one side turns pink. Cook the second side. Push the shrimp to one side of the pan.
Whisk the cornstarch and orange juice together. Add the honey.
Pour the mixture into the pan. Turn the heat up slightly. Bring the liquid ingredients up to a boil. Turn the heat back down to medium-high and push the shrimp into the sauce.
Add the peppers and onions. The sauce should have thickened and the shrimp should be completely cooked.
Corn on the Cob
Fresh Corn and Ricotta Cakes
Makes 8 cakes
2 cups fresh corn kernels
½ cup ricotta cheese
2 large eggs, beaten
1/4 cup chopped chives
1/3 cup self-rising unbleached flour
Olive oil
Fresh ground pepper, to taste
In a medium bowl combine the corn, chives, ricotta, eggs, flour and a pinch of black pepper.
Cover the bottom of a large skillet with a thin layer of olive oil. Using a 1/4 cup measuring cup, drop the corn mixture into the skillet. Do not crowd the cakes in the pan.
Cook the cakes on both sides until golden brown. Season with sea salt and pepper, to taste.
Serve with sour cream or a tomato salsa, if desired.
Pizza With Basil Pesto and Ricotta
1 lb pizza dough, at room temperature
1/2 cup prepared basil pesto
1 cup ricotta cheese
2 plum tomatoes, sliced thin
7 oz fresh mozzarella balls, sliced
Place the sliced tomatoes on paper towels to remove some of their moisture.
Oil a large pizza pan and stretch out the dough to fit the pan.
Spread the basil pesto over the dough.
Spread the ricotta over the pesto and layer the sliced tomatoes over the ricotta.
Place the pizza in the oven and bake for about 10 minutes. Take the pizza out of the oven and top with slices of fresh mozzarella. Return the pizza to the oven and bake for 10 minutes more or until the cheese melts and the crust is cooked.
Remove the pizza from the oven and let rest about 5 minutes before cutting into slices.
Blueberry Cheesecake Pie
8 servings
Topping Ingredients
1 pint blueberries, rinsed and drained
1/2 cup sugar
2 tablespoons fresh squeezed lemon juice
1/2 cup water
Crust Ingredients
1 1/2 cups amaretto cookie crumbs or crush your favorite cookies
1/3 cup butter, melted
Filling Ingredients
2 cups (Two 8 oz packages) cream cheese, at room temperature
2 large eggs
2/3 cup sugar
1 teaspoon vanilla extract
To make the topping:
In a small sauce pan combine the blueberries, sugar, lemon juice and water. Place the pan over medium high heat. Stir until the mixture comes to a boil and reduce the heat to a simmer. Cook the blueberry mixture for 20 minutes or until it thickens and coats the back of a spoon.
Let the blueberry sauce cool to room temperature and store in the refrigerator until the cheese pie is ready.
To make the crust:
Select a pie pan whose inside top dimension is at least 9 inches and whose height is at least 11/4 inches. Preheat the oven to 350°F.
Make the crust by stirring together the butter and cookie crumbs. Press the crumbs into the bottom and up the sides of the pie pan, making a thicker layer on the bottom than on the sides.
To make the filling:
Beat together the cream cheese and sugar until smooth. Add the eggs and vanilla and beat until smooth.
Set the pie pan on a baking sheet and pour the filling into the crumb crust.
Place the cheesecake in the oven. Bake for 35 minutes or until an instant-read thermometer inserted into the crust 1 inch from the edge reads between 165°F and 170°F. The filling won't look entirely set in the center.
Remove the cheesecake from the oven and set it on a rack to cool. Once the cake is cool, refrigerate it, covered, until completely chilled.
Just before serving, spoon a little of the blueberry topping over the cheesecake and cut into slices.
Yogurt-Zucchini Bread
1 cup walnuts (4 ounces), chopped and toasted
2 cups all-purpose flour
1/2 teaspoon baking powder
1/2 teaspoon baking soda
1/2 teaspoon salt
3/4 cup plus 2 tablespoons sugar, divided
2 large eggs
1/2 cup vegetable oil
1/2 cup fat-free plain Greek yogurt
½ teaspoon pure vanilla extract
1 cup coarsely grated zucchini (about 1 medium zucchini)
Preheat the oven to 325°F.
Place the grated zucchini on a paper towel to drain while you prepare the other ingredients.
Butter and flour a 9 x 4 1/2-inch metal loaf pan.
In a large bowl, whisk the flour with the baking powder, baking soda and salt.
In a medium bowl, mix the 3/4 cup sugar with the eggs, vegetable oil and yogurt. Add the wet ingredients to the dry ingredients along with the grated zucchini and toasted walnuts and stir until the batter is evenly moistened.
Pour the batter into the prepared pan and sprinkle the top with the 2 tablespoons sugar.
Bake for about 1 hour and 10 minutes or until the loaf is risen and a toothpick inserted in the center comes out clean. Let the loaf cool on a rack for 30 minutes before unmolding and serving.
The zucchini loaf can be wrapped tightly in plastic and kept at room temperature for up to 4 days, or frozen in plastic and foil for up to 1 month.


text:
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text:
(TheMadIsraeli returns with another quick heads-up about . . . something different from an English band called Hacktivist.)
I am either about to be extremely surprised or lose all metal credibility in front of all of you.
Rewind to the 90's and early, early 2000's.
I know, I know. You wonder to yourself why do I assail you with such trauma? Why have I caused your soul such ache? Why doth I penetrate thy conscience with such unfathomable knives of contempt!?
Like a lot of metalheads in my age range (18-23, or thereabout), I started at nu metal. Yes, in hindsight the music for the most part sucked. No matter how many times you go back in retrospect, you can't justify 90% of the shit that went on. Yeah, Korn was onto something, maybe, on their first two albums, and Wes Borland was the only talented member of Limp Bizkit, but overall nu metal was definitely a failed experiment as far as musical legitimacy goes, despite its staggering commercial success. HOWEVER…
I always felt rap could, AND DOES, have a place in metal. In my opinion, nu metal wasn't a permanent testament to the failure of rap and metal mixing; it was too much a victim of commercialism and teenage angst to make a lasting mark. However, I think we can all agree that the only heavy band who incorporated rap and did it right, with intelligence and intricacy, was the mighty Rage Against The Machine (a band I still love to this day) — but maybe I'm about to be proven wrong. Maybe all of us are.
This is where Hacktivist comes in. I've been waiting for this to happen, and it finally has.
Rap djent.
I leave you only with the music to evaluate for yourselves, but in dong this I'm not afraid or ashamed. I'm digging the everloving fuck out of this. Is this the next big thing? In my honest estimation, probably.
87 Responses to "BANDS YOU NEED TO HEAR: HACKTIVIST"
I am legitimately feeling this song. BACKING HACKTIVIST..
Also: "think we can all agree that the only heavy band who incorporated rap and did it right, with intelligence and intricacy, was the mighty Rage Against The Machine"…..
Hardly: http://www.stuffyouwillhate.com/2011/10/lets-talk-about-real-rap-metal/
Hell no. I really hope that doesn't become popular. Big poly-rhythms with some white guy rapping over it just doesn't sound right, or good for that matter…imo
Waiting for the elitists to start piling in with the massive hate surge.
Ha, this ISN'T REAL METAL!!!!! THIS IS A FUCKING JOKE!
For tru kvlt br00tal metal, check out SLAYER, MEGADETH, ANTHRAX, old METALLICA, old MORBID ANGEL, DARK ANGEL, TESTAMENT, IRON MAIDEN, BLACK SABBATH etc.
\m/, Metalz for lifez. \m/,
Hope I did a pretty good impersonation and satisfied your desire.
Mediocre rap + bad djent = awful music. Seriously, this shit needs to go away. Even Busdriver or Aesop Rock couldn't save this.
Comparing this to Busdriver and Aesop Rock isn't really fair, don't you think?
But, on that note, something like Busdriver + SiKth might be an improvement.
Not comparing to, just saying that even if either rapper mentioned were to replace these guys, the music still would be pretty bad.
I seldom bring the hate, but as a fan of hip hop and metal, I think this is some false money-grabbing trendcore. Neither of those rappers are saying anything meaningful or using any creative poetic devices, and the djent behind them is so generic i'm faceplaming.
The wolf disapproves.
It's okay when you do it Joseph, you're the hipster after all =p
Joking aside… I very much so disagree. There hasn't been djent with this sense of cadence and funk before ever. Find me something similar within the next 4 hours and I'll agree with you otherwise I don't think so.
I'm not saying it's unoriginal.
I'm saying it's bad.
also, good rap metal?
But Ministry never dedicated themselves to the idea as a whole =p
I very much so disagree although I admit to not having the depth of knowledge into rap you do. Looking at it from the perspective of a metal head who doesn't listen to much else who wants to see other shit incorporated into it though, I dig it quite a bit.
The only idea ministry ever dedicated themselves to completely was Heroin.
If you want to good hip hop, the place to start is:
All those songs in the youtube sidebar are classics. Fear of a Black Planet is the hip hop Master of Puppets.
Yes, that makes Lars Ulrich the heavy metal Flava Flav
And if you want to hear it meshed with sick mathcore?
The Dillinger Escape Plan feat. Chuck D? Interesting…
The cover turned out to be everything one expected it to be.
Hmm, I hear everything you are saying clearly.
The only thing I can respond with is: I Am Moshing.
And truth be told, I dont think these kids give a flying fuck about trending or poetry or saying anything meanigful. Looks like they have no other mission than to bring the slams for the children in the pit, and I cant possibly hate anyone for that. One could also argue that sub-genres like brutal death or stoner sludge are in their own rights derivative and only the really good bands stand out. I wont dare engage in a genre pissing contest though, because one can see the strengths in all of them easily enough.
Hip Hop was born as party music, punk was all about minor variaitions of three chords not being played well. Even shit like this, as crazy/horrendous as it sounds to us old people, has just as much chance to grow as any other music style ever has.
Hip hop as party music is a devy devisive statement. The origins of hip hop during the civil rights movement and the Harlem Rennaissansce were INTENSELY political, cultural, and sophisticated. While early hop hop groups like Grandmaster Flash and The Furious Five PLAYED at block parties, their lyrics were quite intense! Even Run DMC had a strong 'pull up the poor' vibration going on!
The term 'rap' as a genre began as a derivative term to differentiate acts like Public Enemy from, say, Lil Wayne. This is the difference between The Clash and, say, Nickelback.
Or, to put it another way. Let's say a hip hop artist decided to incorporate Metal elements (YAY!)
Would you want them to use Slayer riffs? Or Disturbed riffs?
Yeah, that's what I thought. This is the latter of those two options.
And to clarify: I'm not saying it could not become a good thing! I think it could, and hope that it will.
But this is not good. This is some bro shit.
Can you even understand the lyrics, ALL OF THEM to get the message? I can't really considering the UK accents are hard to decipher.
I can hear the lyrics in Carcass. I can understand this.
One shares this sentiment… O_O
@BadWolf: Seriously? You're able to make out the lyrics to Carcass songs by just listening to the songs? One can barely do that even with TesseracT or Periphery songs… >_>
Of course, one can also make out the lyrics to Vader songs. So…
I see what you mean.
The disturbed riffs would have more bounce, thus being more fitting to the rhyming.
System of a down did a fantastic cover of Shame that was Nu Metal as fuck.
At the same time though, MOP themselves basically "covered" Angel of death for their "Raise Hell" track.
All of which is to say, it doesnt matter who or what or where your being influenced from, so long as it works; I think it flows pretty well in this case.
Also regarding Hip Hop artists incorporating metal: http://www.youtube.com/watch?v=8-uCDyDGalk
This is the first time I've ever actually enjoyed rap in metal this heavy before. For Ever Forthright and Painted in Exile, it didn't work for me at all, but that's probably partially because I also prefer the underlying riffage and drums here as well. I can't say I love it, but it works surprisingly well.
I'm just not looking forward to the huge surge of horrible attempts by other bands to come.
Here are the lyrics to Cold Shoulders.
"Theres a shining at the skyline and its twisting
manifesting into something big
you can try to hide but it won't do a thing
next level more than anything seen
we take over your days over
two blades on my cold shoulders
contagious like a Trojan you're frozen ice age
these days are far from golden
Volcanoes erupt from beneath
as we stand here gritting our teeth
a thousand years go by in a week
as we lose the world to this piece by piece
as thunder rips through the seams
like a lightening strike
you can never break free can't leave
like a government scheme
your sucked in locked in
without no key
They ain't got no patience
bodies get left with bare lacerations
you don't wanna see their retaliation
no explanation they start an invasion
They've been incarcerated sedated
their pupils dilated most hated
for making you open your mind
to what we've designed
As nations divide
you can't test whats happening
its more real than its ever been
I'm looking from the other side
Times are hard as nations divide
gotta choose a path
hold on hurricanes and shooting stars
hope mother earth takes me with open arms
I'm looking from the other side
I'm nothing but an outcast
hear the sounds from the blast
catastrophic turn the amp up a couple notches
put your hands up if you got this
As nations divide
you can't test whats happening
its more real than its ever been
I'm looking from the other side
this poison's destiny
the one thing that was meant to be
Theres a shining at the skyline and its twisting
manifesting into something big
you can try to hide but it won't do a thing
next level more than anything seen
we take over your days over
two blades on my cold shoulders
contagious like a Trojan you're frozen ice age
these days are far from golden
As nations divide
you can't test whats happening
its more real than its ever been
I'm looking from the other side
this poison's destiny
the one thing that was meant to be
Walk this line
So far from a day dream
how can i choose when i can't see
you will never out last me
I'm on top of this don't put it past me
lets wake to reality"
post about carcass – no comments
post about autopsy – no comments
rap meets metal – over 9000
I think I get it now. It's like when your really, really high and you think that a mustard-ham-ice cream burrito would be so damn tasty right now. Then you actually make said mustard-ham-ice cream burrito and realize you should have just stuck to Doritos.
I feel its more like a Peanut butter and banana sandwich. You'd think it wouldn't work in principle, but it turns out better than expected.
My headphones just tried to strangulate me. Jesus Christ, this is what the Mayans meant.
Sorry, I would have to disagree with the take on this band. I am however,(at times during the new song) reminded of Fear Factory's Mechanize when I hear this guitarists tone and riffs. That is about the only nice thing I can say about this band.
At first when I heard their self-titled song it made me cringe, I think I can appreciate them now, took some time though.
at least they got the "hack" part right.
I think this shit is cool. Metal is not an image. It may be for some of you but not me. Like it or not that's your prerogative, but shut the fuck up about what is or isn't metal, cause no one gives a fuck. Really. Artists don't argue about that shit, they just make music. You don't have to like it, that's fine, but get off your fucking pedestals jesus
Wow. You have no idea of how much crap we shoot at each other do you? 😛
"…about what is or isn't metal, cause no one gives a fuck." There are quite a few people who do really.
In any case, this wasn't so much about the music being "not metal" as much as it was about the music being mediocre and unmemorable in comparison to other stuff we listen to.
Of course, the album isn't yet out. We'll see…
Hmmm, unfortunately I'm going to have to go with the negative-nancys on this one.
It does seem to me another bit of supporting evidence that djent is the "new" nu-metal, as hackneyed as that phrase might sound.
Although it does differ in that its original innovators (to perhaps misuse the word) had some aim at progress and creativity, it has to be said that the rapid slide into generic repetition, pop-djent covers of bad songs, and now the appearance of rap-djent does seem to echo the decline of nu-metal.
It's become a genre so easy to pick up and bash out without depth or thought and, due to its rather basic nature, one that easily accepts mediocre and pop influences. Essentially the formula is so basic that you can apply it to anything, hence "rap-djent" and "pop-djent", etc.
Sorry to be another negative voice, and I apologise to "Hackrivist" for my negativity, but the whole sound has just been so bastardised as to be ultimately rather hollow and lifeless.
" the whole sound has just been so bastardised as to be ultimately rather hollow and lifeless"= every genre in the last 10 years thanks to the exponential proliferation of metal in the digital age.
Its kinda funny how "basic" people consider Djent when its all about playing complex riffs. Then again, I totally get how it could also be called "just copy Meshuggah". I could also say sludge= Doom+ Hardcore or "just copy crowbar", and how many sludge bands are out playing now? I personally do not believe those descriptions whatsoever, but my point is any genre can be broken down to its basic elements and ridiculed ad infinum if one were so inclined.
I'm actually not a serious fan of Djent nor Nu metal, but I absolutely refuse the inclination to dismiss a band who may be doing something interesting, incorportating known elements into something different, or simply just make a killer song just because they fall under a certain genre.
Honestly though, i think that if you look at the riffs they aren't really "complex", they just have pretensions to that.
Semi-polyrhythms (mostly in 4/4) aside, a lot of it isn't much more than big chords + twinkly.
And just because you can say that about other sub-genres (I totally agree you can, just to a much lesser extent) doesn't make it any less true for "djent".
I'm not angry at djent, I'm just disappointed in it. It promised so much, but ultimately delivers so little.
Ah, excellent point about the promise and payoff, probably the fairest assessment I've heard on that style of music.
I couldn't even allow myself to listen to more than a minute of the first Hacktivist song, but the second one was far better. I didn't exactly like it, but I made it to the end.
Djent and its bastard offspring are similar to nu-metal in that there's some really good stuff and a lot of stuff that doesn't really go anywhere with it. I agree with TMI about Korn being on to something in the beginning (although I am also quite fond of Untouchables, which I don't think is typical of Korn) and about Limp Bizkit being a burden for Wes Borland. On the other hand, I've never really liked RATM much, although I did end up learning how to play "Killing In The Name", but wasn't able to play it live (the drummer had a hard time keeping up with me and the lead guitarist didn't have a lot to work with). I would also add the likes of Linkin Park, Cold (first album only!) or Papa Roach (same) as some of the other decent stuff to come out of nu-metal, although they aren't the only ones.
Like its nu-metal cousin, I hope that there are more bands that explore their options instead of worshipping the fretboard of Thordendal and his peers. Seriously, how many bands that sound like Meshuggah or Periphery do you really need? There's a reason why Tesseract has gained the kind of following they have; they haven't forgotten to write songs. Same goes for Cloudkicker, Animals As Leaders or Om Mani. A lot of the rest of the stuff that gets called djent, I can pretty much tell what I'm about to hear, which isn't necessarily a bad thing. But when it's not really interesting or gets predictable, it's time to move on.
So, to the other part mentioned within the comments, rap and metal can indeed mix, so there's no reason to prepare the male sexual organ in the lower abdominal area. As with most anything else, there's some good and a whole lotta bad. Timing and pacing are key and the two genres have different standards and to force one to work with the other isn't going to work; you need to have something that can work with both, which the majority of existing songs aren't.
Now, to veer off a bit, lets look at Slayer, who have also dabbled in the forbidden arts. Tom Araya's vocals are of a rap-like velocity, but most of their songs would suck with a rapper on the mic, just as a metal singer can butcher a decent rap song. Their deliveries are different. Maybe with some of today's rap and hip-hop, the melding of genres might work. There's a lot more actual singing and melody in some of the stuff i end up hearing and the music itself has come a long way and there's stuff to be heard that's more than canned beats and synthesizer laid on top. Like metal in general, the consistency and quality has impvoved. Hell, look at what metal had to offer in the 80's as opposed to now; rap/hip-hop isn't a lot different in that department.
Unfortunately, I wish I could say the same for rock, pop or pop-rock. Hell, I think country music has declined even more. Granted, I don't actively listen to this stuff, but I do end up hearing enough of it. Maybe if I took the time to find the good stuff, I'd actually find what's worthwhile, but for the most part, the stuff that's popular doesn't sound very promising. True, that's how it it with all music – most of the decent stuff gets pushed aside for something that's easier to promote and make a buck off of, with a handful of good bands/artists somehow getting a bit of the attention they deserve.
Now, to close this rambling post, I have one question to ask of Islander:
Do you feel dirty now, having had to embed that LB video? Or hell, any LB video, for that matter.
One cringed a little at the mention of Om Mani… But, one does agree with you. With the variety in
both the genres of late, somebody should be able to come up with fairly interesting and memorable rap-metal by experimentation with various ideas and tweaking(?).
But, that begs the question of whether any artist(s) attempting such fusions are really exploring their options, or if they are even aware of their …options.
Better Nookie than Rollin' (Air Raid Vehicle). Then again, better Counterfeit than Nookie, one thinks.
Well, I know some don't like the band (I listen to Apology quite a bit, myself), but I list them because they've done something with the tools at hand.
Problem with the genre is that you can get away with being mediocre. If you have the sound, you can make it work. Thus, you have a handful of really good bands, a bunch of interchangable bands in the middle and some shitty bands on the other end of the spectrum. But looking at the technical side (since that's a part of some djent), that would not work with the uptight older brother that is neoclassical (which has its share of crap as well, but not due to lack of talent or ambition) or its mutant half-brother that is technical death metal. With few exceptions, these forms of metal do not allow much room for half-assed attempts.
Cringed a little… They do make for an enjoyable listen. But, one wouldn't want to listen to it as often as, say, anything by Megachurch.
But, putting them down in a playlist along with CiLiCe and Hypno5e helps keep the mood for one.
"Problem with the genre is that you can get away with being mediocre. If you have the sound, you can make it work." One never really thought about it like that. But, in hindsight, it is kinda obvious. Yes.
Perhaps a comparison can be made between this and something Justin Gosnell mentioned in his column on Heavy Blog is Heavy:
"Due to how easy it is to access free sites for bands/artists such as MySpace, Facebook, ReverbNation, Soundcloud, Soundclick, Purevolume, etc., the internet has provided an easy outlet for every shitty artist to post their horrendous recordings online for all the world to hear (and promptly vomit to). Prior to the internet you had to be pretty serious to get your music out there."
One thinks that this is true, although on a smaller scale, for the djent "scene". With a decent PC (or even a fairly powerful netbook) and a Line6 POD UX2 (or something), any ass like oneself could start churning out stuff like this and dumping it on SoundCloud. [Not that one would preferentially dump djent onto SoundCloud…] It does require some amount of skill to get to a level where you can even be satisfied with your own work. But, that threshold is not very high, one thinks – like you said – as in the case of Neo-Classical Metal or Technical Death Metal.
Perhaps there is also the factor of psychological payoff from owning superior recording equipment, amp modelers and the sexiest looking 8-string that barely even fits in the hand.
That would be the shittiest of the shitty. The less shitty ones know about bands other than Periphery and Meshuggah. The mediocre ones also use truly complex melodies and true(?) poly-rhythms based on MATH! …or they have a fairly good gimmick that works for them. The good ones simply ooze groove and melody (without having to use keyboards) in varying consistencies.
Fuck I think this post has got the most comments of any article I've read on here!
Re: Hactivist. You know, surprisingly I think I actually like this. The problem (I see at least) with almost all the rap/r'n'b crap that permeates every radio station and 'club' nowadays is the lack of ability to play an instrument (and the *cough* lack of talent *cough*). I'm sure one of the reasons Prodigy were so big was that during a show there's actually guys on stage playing instruments rather than pushing buttons on a mixing machine. And so that's one of the big differences that these guys will be able to work. Also, in this day and age of music oversaturation and copying it's pretty unusual to find an original niche, and I think they've got it.
I'm intrigued….
You gotta hear The Spindle Sect
I really really really hope that no one tries to copy this because of all the hype.
Hacktivist is great, let it be at that. If you are thinking about starting a project that sounds like Hacktivist, fuck off and forget it. Just… forget it.
Hacktivist is great. Love their hybrid sound. The OP didn't post their best stuff though. I like Cold Shoulders, but Unlike Us is a bit more in the pocket: http://www.youtube.com/watch?v=qJrEBqTCK50
So I bet half you faggots are choking on your words after their EP dropped. Dead shits.


text:
If it's not in the manual, or you're a long way from home, some of these tips & tricks from Bongo owners could save your day.
Allan Bugg offers a range of tips on his website, including several PDFs lower down the page..
Cannot remove the ignition key
Click here to see full information.
Cannot raise or lower the AFT (Auto Free Top) roof
There's nothing quite like an immovable roof to induce panic in a Bongo owner. However, check the following and try again:
- Handbrake is on (You'd be surprised how easily this can be forgotten)
- Handbrake light is illuminated on the dashboard
- Vehicle is in park or neutral
- Engine is started (to give more power than the battery on its own)
- Check that you have pressed the 'cancel' switch in the roof area
- Check the number 12, 30 Amp fuse is okay
Raising and lowing the roof
If the handbrake is on, but no handbrake/park light shows on the dashboard (and you know that light has been working), you could remove the centre console and check the connection of the wire on the back of the handbrake.
When the roof is lowered, it stops about two thirds down. Some say (as in the video above) that this is to allow you to double check nothing has been left in the roof space – but you probably already did that. I think it is more likely to allow trapped air to dissipate, allowing full deflation and proper folding of the tent, before the final closure. Pressing the close button again should complete the process.
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Bellingham Public Library Director Pam Nyberg Kiesner recently was elected to chair the Library Council of Washington, an organization dedicated to promoting access to library services throughout the state.
Kiesner has served as director of the Bellingham Public Library since August 2004. Prior to that she was interim director and assistant director of the Brown County Library in Green Bay, Wisconsin. She has served on the Library Council of Washington, representing libraries serving populations under 100,000, since 2012.
"People in Washington value the role of libraries in their communities. Libraries provide access to materials and resources, promote lifelong learning, and improve quality of life," she said. "Libraries across the state share resources and information, and I'm proud to serve in a role that fosters those connections."
Kiesner will serve as chair of the group for 2015. The Library Council of Washington is composed of members representative of the library community who act as a catalyst for dealing successfully with library-related issues of statewide concern, and advise the State Librarian and the Office of the Secretary of State on statewide library issues and the expenditure of federal funds.
Media contacts
Pam Nyberg Kiesner, Director, Bellingham Public Library, email@example.com or 360-7797221.
Brian Zylstra, Deputy Communications Director, Office of the Secretary of State, firstname.lastname@example.com or 360-902-4173


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Many travelers planning an Italian itinerary are set on a summer getaway. Daydreaming about dining in piazzas and sunbathing by the sea can be tempting, but it discounts the downsides of high tourist season: bloated crowds, heavy heat and inflated prices. An early-winter getaway in November is a smart alternative. As long as you don't mind decreased daylight, cooler weather and modified museum hours, traveling to Italy in November can save you money and stress.
Italian Weather in November
Italy is known for its balmy Mediterranean climate, but November can turn chilly, windy and drizzly. As long as you're prepared for this possibility, however, it shouldn't dampen your enthusiasm. Pack a pair of weather-resistant boots, particularly if you plan to travel to Venice, where, in November and December, water levels are known to rise. In Italy, as in most of Europe at this time of year, it's usually dark by 5 p.m. Prepare for cool temperatures and rain, but focus mostly on packing layers you can easily add and remove - much like Italy's infamous transportation strikes, its temperatures can be unpredictable.
November Culinary Offerings
Apart from the obvious advantages of the low tourist season, November in Italy has much to offer that sets it apart from other months, particularly for your palate. November is when truffle season truly picks up. Not to be mistaken with the boxed-chocolate treat, truffles are a culinary delicacy in Italy, deriving from a rare type of mushroom. White truffles are the most coveted type, but they are abundantly available at San Miniato's White Truffle Festival, held each November in the Tuscany region.
November also marks the beginning of wild boar hunting season across Italy. The meat, known in Italian as "cinghiale," can be served in numerous ways and is particularly prevalent in the countryside. For an unbeatable "primo" (first course), try it paired with pappardelle pasta.
Italian Museums and Monuments
Being the home of major cultural capitals such as Rome, Venice and Florence, Italy attracts visitors year-round, particularly in the cities. But the winter off-season, stretching from November to March, draws noticeably less tourist traffic. An advantage of this, of course, is that you're not likely to face claustrophobia-inducing crowds or stand in long lines - taking in the Sistine Chapel ceiling is more likely to inspire you when you're not standing shoulder-to-shoulder with strangers.
With that said, however, museums, churches and major monuments often have modified off-season hours, with occasionally unpredictable opening times. English-language tours are often organized by demand, so make bookings well in advance rather than planning to grab a guide at the last minute. Plan all you can and call ahead to double-check hours and prices, but don't let angst overwhelm you if you end up dealing with last-minute changes to your itinerary.
A Few More Tips
Airfare pricing across the off season tends to be lower. As a general rule, in early November, hotel rates don't differ much from those of October but after the first 10 days of the month or so, the prices may fall. If you're planning to shop in any of Italy's street markets, vendors may be more likely to give you a good price in an effort to keep sales going in the slower months.
Writer Bio
A pop culture junkie, Italophile and chronic sufferer of the travel bug, Mary Gray is an arts, entertainment and travel writer. Based in Florence, Italy, she is the Tuscany news editor of "The Florentine" English newspaper, co-manages social media for an international tour operator, and has been published in Italian daily "La Repubblica."


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4x4 Soccer
This is a unique game wher you will have to play football while driving a car! Choose a country you would like to play for and start the ball chase! Outdistance and block your rivals to score a goal!
Game Statistics
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The absence of a coherent strategy for getting the UK out of Europe is becoming increasingly clear. Brexit is construed ever more narrowly as simply a bid for independence, a search for sovereignty (not parliamentary sovereignty, it seems, as parliament will have no say in triggering the negotiations leading to the UK's departure).
This tells us something about referendums as a decision-making device, and points to what a bad idea Brexit as a pretext for another Scottish independence referendum is. But, paradoxically, the government's post-Brexit destination might just offer the chance of a more constructive resolution for Scottish-UK relations.
It is increasingly clear that Brexit was a nationalist referendum. Both sides would be insulted by the comparison, but Messrs Johnson and Gove spent the campaign singing the same tune as Alex Salmond. Both claimed to be positive, but were essentially negative. They were telling people to vote against a union – European or British. But voting against something is writing a blank cheque for something else. And if you write a blank cheque, somebody else fills it in.
In Whitehall today, the three Brexit ministers can't agree how to fill that cheque in. That's hardly surprising, since their pre-referendum promises were inconsistent: we are not going to get the single market without free movement of labour. This shows the first big problem with the referendum as a device. If people vote against something, there is no saying what they will get instead, and when the campaigners aren't in a position to deliver their promises, the outcome will probably be something the population don't actually want. Chances are, had it been offered them in terms, a majority of voters would have rejected the Brexit deal we are about to get.
By polarising the question into yes or no, with a winner takes all outcome, referendums are guaranteed to split countries. In Scotland in 2014 nearly half the population were disappointed, and a good number simply refused to take no for an answer. On Europe, half the population are now confused and worried, with the other half triumphant. Significant parts of the country, including Scotland, Northern Ireland, London and some other major cities, are being pulled somewhere they don't want to go.
So it's not too strong to argue referendums can produce anti-democratic outcomes: voters get something they don't want, and winner takes all is not the only definition of a democratic outcome. On existential issues like Brexit or Scottish independence we'd be better to look for solutions that most people can live with, rather than leave half triumphant and half bitterly resentful.
Little sign of that on Europe: there is not much scope for compromise, but there is the option of rejoining the European Free Trade Area. Driven by internal party politics, ministers are rejecting that, even though the population might grudgingly accept it.
Up in Edinburgh, SNP ministers contemplate their options, mostly driven by opinion polling. These give them little comfort: Brexit has not changed opinion on independence. But they would be wise to reflect instead on the lessons of Brexit. An independence vote could leave Scotland like Britain today, with a government unable to deliver on the promises it made to get the vote through, and a country split from top to bottom.
A new compromesso storico
The paradox in all this is that Brexit could create for Scotland – Northern Ireland and others too – the conditions for the kind of strategic compromise the UK government is rejecting over Europe, one that leaves most people happy enough, and does not leave half resentful. Powers are coming back to Britain from Brussels. As a result, all of the UK's governments will become more powerful, the devolved administrations as well as Whitehall. At the moment Brussels rules create UK uniformity in major areas of policy, like agriculture, fisheries and the environment. These powers will flow straight through to Edinburgh, Cardiff and Belfast. The UK should and probably will resist the temptation to arrogate to itself the EU's present powers of control: unlike the principle of Brexit, taking such powers would require devolved consent under the Sewel convention.
This will make the devolved administrations more like equal partners to the UK government, and will mean, for the first time in the UK, genuine inter-governmental negotiations from which both sides need agreement. An imaginative UK government could build on that in two ways. First, recognising that devolution is about reflecting different preferences – if the population of the devolved areas wanted a different relationship with Europe on devolved matters, they should be able to have one. So the Scottish government (Belfast and Cardiff too) should be given power to make international agreements with the EU for devolved matters. They could, for example, buy into Erasmus studentships, or EU research programs, or reciprocal access to health services.
The second possibility is more intriguing, and follows from the UK government's likely approach on migration. Ministers look like rejecting free movement of labour in the EU. But they are also going to end up agreeing Visa free travel to EU citizens. They have to, because otherwise they cannot keep the common travel area with the Republic of Ireland, and anyway could not manage the border checks needed at other UK entrances. So EU migration will be managed on a 'point' basis. Employers, say, will have to check whether people have the right to work; maybe even landlords or public service providers will have to check whether they are allowed to settle. Whatever the mechanism, it is done not at the border but in country. That means it can be different in different places. Scotland has already made a case for a different migration policy (the demographics are more challenging) and devolved EU migration policy is now an obvious response. And if Scotland, why not Wales or London too?
Put all this together, added to the substantial increases in devolved powers already in train, and you see a picture of a quite different UK. More like a confederation of nations of radically different sizes, sharing things that matters hugely, like economic management, access to welfare services and defence, but prepared to let the small nations be quite different.
People often talk about federalism as if it were a solution for the UK. In truth the UK is already moving beyond it, to a more confederal solution. But a confederation needs policies and institutions of shared rule, as well as self-rule. Brexit immediately offers one: the UK's first chance in decades of an effective regional economic policy, so that central government can direct resources to the poorer areas of the country and use them in imaginative ways. Another might be finding a way to use the House of Lords as an effective Senate or Council of the Isles, holding the UK's governments to account for their joint activities. My suggestion would be a grand committee of the House of Lords, with no partisan majority, and with 55 per cent English members so the devolved are consciously overrepresented.
All this takes the UK and Scottish governments well outside their different comfort zones. Theresa May would have to show much more imagination about the consequences of Brexit than she has yet shown about its content. Nicola Sturgeon would have to show courage in putting the traditionally conceived dream of independence aside, at least for this generation. Do they have the courage and generosity to do this? I don't know, but it's surely worth asking.
This article was first published by the Constitution Unit at UCL and reproduced with the author's permission
The full text of Prof Gallagher's lecture can be accessed here


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Children's Art Gallery
>> Return to the Main Galleries Page
Art is an essential part of our preschool curriculum. Art is wonderful for eye-hand coordination, building small muscles needed for writing, and for increasing attention span. Children's self-esteem grows as they are allowed to be creative and learn new techniques.


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Karachi > Bahria Town Karachi – Here is All About Bahria Town Karachi Rates
Bahria Town Karachi Rates – Bahria Town Karachi Property Prices
Bahria Town Karachi is leading the property market of the city and featuring a wide range of residential and commercial properties in its precincts and projects. This page contains updated rates of Bahria Karachi properties of all projects be it residential and commercial plots or homes, villas, apartments, and flats.
Keep visiting this page to get the Latest Property Rates of Bahria Karachi which are updated on daily basis.
Bahria Town Karachi Property Rates keep changing on daily basis and this page will provide you latest prices of all properties. It will include current prices (minimum to maximum) of Bahria Paradise Karachi, Bahria Sports City Karachi, Bahria Golf City Karachi, Bahria Homes Karachi, Bahria Heights Karachi, Bahria Hills, Iqbal Villas, Quaid Villas, Bahria Sports City Villas, Bahria Paradise Villas, Leaf Paradise, ARY Residencia Karachi, Midway Commercial, Liberty Commercial and Jinnah Avenue Commercial mainly. In case of own price, it has been clearly mentioned whereas full prices of Bahria Town Karachi projects are given whose installment period has been completed. In case of a new project is announced by Bahria Town Karachi, its prices are added in time to update buyers.
Bahria Town Karachi
Bahria Town Karachi is the grandest real estate project launched in Pakistan. Divided into 45 precincts, the project presents number of beautiful housing communities including Bahria Paradise, Bahria Golf City, Bahria Sports City and Bahria Heights. Numerous commercial projects are also available for investment in BTK like Midway Commercial, Old Commercial and Iqbal Commercial. Bahria Karachi is a home of amazing landmarks and attractions including International Theme Park, Grand Jamia Mosque, Trafalgar Square, Taj Mahal Replica, Night Safari, Dancing Fountain, Eifel Tower Replica, Five Star Hotels. Ample opportunities for sports enthusiasts will also be available in Bahria Town Karachi as Rafi Cricket Stadium and 27-Hole PGA standard Golf Course are also included.
Bahria Karachi will consist of all the features and amenities that are a trademark of Bahria Town (Pvt) Ltd. Nonstop electricity supply, family parks, gated community with round the clock security network, exceptionally planned precincts, green belts, schools, beautifully designed mosques in each precinct and a round the clock functioning state of the art hospital are all going to be part of BTK. Property rates in Bahria Town Karachi fluctuate according to market demands and trading trends. Universal Property Network is an authorized dealer of Bahria Town (Pvt.) Ltd and we are going to make sure that you are updated about any change in prices of Bahria Town Karachi.
Most of these prices are own-prices and have to be paid in addition to original prices of the plots. In case of total prices, it has been properly noted in front of the plot category.


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Another month, another maid café opening. Cute Room opening in Akihabara on Oct. 4 boasts a bevy of girls who offer a wide range of services from a relaxing shoulder massage to a slap in the face. Why on earth, you ask, would any self-respecting otaku pay for this, when you can get smacked in the gob free of charge while taking up skirt shots of girls on the Yamanote Line?
Despite the obvious advantage of avoiding prosecution by the transport police for perversion, there are added advantages of doing this in privacy of the maid kissa (café). First, you get to dress the girl up in a costume of your choice. Then she can act out the moe (roughly translates as character charm) of your favorite tsundere anime character. The tsundere character type is basically a pretty disagreeable figure, whether it be stroppy, conceited or just plain mean, who suddenly becomes sweet and agreeable in certain situations, revealing her inner charms.
To see a tsundere girl in action watch this video of the Little Sister maid café in Akihabara. It doesn't contain subtitles, but here's the gist of one of the funnier moments. When the men are at the door of the café, the girl says, "Why did you come here? Just go home. Well, if you're going to stay standing in the way, you might as well come in." After grumpily throwing down their napkins, she takes their order, grumbling, "That's a pain to make." As you see, toward the end of the video, she finds it hard to keep her tsundere character up as the hosts of the show tease her and she bursts into giggles.


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*this post is with Alive Multivitamins, but as always, if I didn't love them I wouldn't be sharing!
Let's talk about, what I would consider, the most important part of the day, the morning. The reason I feel it's most important is because it sets the tone for your day. Personally, if I let myself wake up and be lazy, I typically end up having a lazy day. Tasks seem impossible. I get overwhelmed by everything going on.
Whereas if I wake up and start my day in a productive way, the rest of my day seems to fall into step and I'm able to be more productive, stay on top of my work, and generally feel better about myself.
Let's get more specific…
Full disclosure, I'm a 32 year old dude. It's young, but also not as easy to feel young as it used to be in my 20's. Small things affect me much more than they used to. Ever since I read about the benefits of multivitamins, I've been taking an Alive Multivitamin Ultra Potency every morning with my coffee. To be honest I always thought vitamins were for kids, but these have majorly helped me feel better on a regular basis.
While I'm drinking my coffee, I allow myself 15-20 minutes of reading. Maybe it's catching up on some news, maybe it's a chapter or two in the latest novel I'm reading. (Just finished a book called The Path by Drew Magary that was AWESOME!) I let the vitamin digest a bit and then I start my work day with emails and scheduling.
These vitamins in particular are good for me because they help support eye health, bone health, immunity, muscles (gotta stay fit!), energy metabolism, as well as heart health and digestion. *Yes, it's wild, but one pill does all of this. I would think I sounded crazy if I hadn't experienced these results first hand.
Remember when I said that I thought vitamins were for kids? Well Alive also makes gummy vitamins…wait for it…FOR ADULTS!! How fun is that?? After I've finished with my emails and planned out my day, I go grab these for a nice boost before I start on my content creation for the day.
Three little gummies are packed with nutrients to give me a little boost and help me get everything done. I've stopped eating big breakfasts, so these are a welcomed treat in my mid-morning. PS, you should eat a little something when taking the vitamins, though. It helps them work better. I usually do a single egg or maybe some wheat toast with peanut butter.
Ultimately, the sooner you ditch your youthful pride and realize that taking care of yourself with Alive Multivitamins, the sooner you'll be feeling your best and getting more done! It's not shameful to want to be healthy. As tough as it was for me to admit that my body isn't recovering quite as easily and quickly as it once did, I'm so glad I faced the truth and am actually doing something about it. I know I'll be so glad I did when I'm in my later 30's and beyond.
Alive Multivitamins has all kinds of different options, whether you're looking for something for yourself, the lady in your life, or whomever. Be sure to check them out and start down the path to feeling awesome! You can check them out here! Also, use code 15ALIVE1 for 15% off your order.
Thanks for reading, if you have any questions or comments you can find me on social media @parkeryorksmith or email me directly at firstname.lastname@example.com!
*This statement has not been evaluated by the FDA. This product is not intended to diagnose, treat, cure or prevent any disease.


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Jentezen Franklin: Recharge Your Spiritual Energy
CBN.com -A SUBTLE DESTROYER
Jentezen says that there is a very real enemy who first showed up in the Garden of Eden in the form of a serpent. He says that snakes differ in the way they hunt and kill their prey. One snake destroys its victims in a unique way. The python slowly coils itself around its victim and begins to squeeze the life out of it, little by little. Jentezen gives the analogy that in the Bible breath, air and wind are symbols of the Holy Spirit. There is only one thing that the enemy wants to do with our lives and that is to suffocate us. "Without the power and anointing of the Holy Spirit, we cannot do anything," says Jentezen. "The devil wants to squeeze the life out of us." When Paul and Silas went to prayer in Acts 16:16, Jentezen says that a certain maid having a spirit of Python met them. This is the only time in the Scriptures that the name of an unclean spirit was given.
To have life, we must inhale. Jentezen says that is reading the Word of God. When we pray, that is like exhaling. "We breathe in the Word of God and pray. It's the releasing of the promises of God through prayer," says Jentezen. There are key weapons in our arsenal and prayer is the greatest weapon against the devil. "Many of us are too busy to pray," says Jentezen. "We are almost asthmatics spiritually, barely alive, going to church on Sunday," he says. "I believe there is an unseen war going on that is causing the church not to pray." It is time for Christians to pray. The enemy wants to distract us and keep us from praying. "Prevailing prayer is vital in the life of every believer," says Jentezen. Prevailing prayer is not praying when we are in trouble. It is the consistent, insistent, continual life of communication with God. "With that kind of prayer life, you will know victory," says Jentezen.
The most powerful people on earth are those who have learned how to pray. "Prayer changes the atmosphere and shifts things in the spirit realm," says Jentezen. Prayer is holy communication with heaven that creates an atmosphere for God's presence but it's the devil's strategy to stop or hinder your prayer life. For example, instead of praying, we watch TV. The python is hindering you. Sometimes it takes persistence before you see results. It seems like nothing changes in the midst of a struggle, but Jentezen reminds us that when we push harder and pray again, it's as if heaven breaks open and victory is won.
Jentezen says there are warning signs of being attacked spiritually. He says it is crucial to recognize the warning signs for survival. 1. Loss of spiritual desire; 2. Physical fatigue; 3. "Lack attack" (when everything goes wrong at the same time); 4. Weak prayer life; 5. Feeling overwhelmed and hopeless; 6. Old habits and lifestyles resurface; 7. Pulling away from godly relationships.
Two churches in Atlanta had merged several years ago and were doing well. Jentezen says that church split again and his church was able to obtain that church building at a remarkable price. The sanctuary seats 1,200 people and the congregation is going into the building debt free. They are currently renovating and will open in September. Jentezen says they have over 2,000 families signed up to attend that location.
He flies to California twice a month. There is a team of pastors that handles 4 services a day and averages 4,000 people each week.