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Updated on September 15, 2023
August Back to School Banner. Using the We R Memory Keepers banner punch board create a fun and festive banner to welcome the kids back to school!
I am excited to share with you my first banner for my '12 Months of Banners' series. The first banner is for August. When I think of August, I think of back to school time. My kids actually go back this next week! Summer really flew by. I created a back to school banner to celebrate the season and to welcome my kids back to school. I thought it would be fun to hang it above our front door for our traditional first day of school photos.
This post contains affiliate links. If you purchase something through the link, I may receive a small commission at no extra charge to you. Please read my full disclosure policy here. Thank you to American Crafts with supplying me with the products for this series.
- We R Memory Keepers Banner Punch Board
- Black and Yellow patterned papers from Pebbles Paper Pad: Best of
- White Neutral Cardstock and Red Primaries Cardstock
- Adhesive Dots
- Yellow Twine
- Scissors
- Cricut Machine
August Back to School Banner
I chose some black/white and yellow/white papers from my paper pad. The black and white remind me of chalkboards and the yellow reminds me of pencils – perfect for back to school. I especially love the "You are awesome" paper. Such a fun message to share with my kids.
To begin you will use your banner punch board to cut out all the pennant shapes. Open the cutting arm. Align the top straight edge of your paper along the blue line that reads 6.5. Be sure the edge of your paper is far enough over to the left so that your blade doesn't cut off the top corner. Close the cutting arm. It stays in place with magnets.
Using the blade cut out your banner shape by first running the blade along the left inner edge.
Then, cut along the right inner edge.
Now you will have a 6.5″ pennant shape.
Using the top punch, align your angled corner and punch a hole. Flip the paper over and punch another hole. This will create the holes to thread your twine through.
Repeat this process until you have 12 pennant shapes, alternating the black and the yellow patterned paper.
I then used my Cricut to cut out twelve 3″ red apples from textured cardstock.
I attached the apples to the pennant shapes using the large adhesive square.
I also cut out the words 'Back to School' using my Cricut machine and the Varsity Letter font. The letters are 2.5″. Using only the outline and the corresponding inner pieces I attached the letters using the small adhesive squares. I had to cut them in half so they would not stick out the edges.
Note: If you don't have a die cut machine, you might be able to find pre-cut apples in your favorite scrapbook store. Or you can cut the apples out by hand using a template (search apple coloring page). You can also find plenty of letter stickers or die cuts that would work as well at the craft store.
Cricut Design Space File: August Back to School Banner
The last step is to add twine to the banner. I chose a yellow and white twine that complemented my banner perfectly.
Be sure to check back to see all the other banners coming up in the 12 Months of Banners series.
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A World Health Organization official said Thursday that the third wave of the COVID-19 pandemic on the continent appeared to be stabilizing, but numbers of infections are still very high, with almost 248,000 new cases reported in the past week alone.
During a virtual briefing on the status of the pandemic in Africa, WHO Africa Regional Director Matshidiso Moeti said that 24 countries were seeing a resurgence of infections and that deaths were rising in eight countries.
She said, "This is a preventable tragedy if African countries can get fair access to the vaccines."
Moeti said the good news was that 13 million doses of COVID-19 vaccines were administered in the past week, triple that of the previous week. She said many of the doses came from donations and sharing arrangements through the WHO-administered COVAX vaccine cooperative.
She said 117 million doses were due to arrive in Africa in the coming month. But to meet the goal of having at least 10 percent of the continent vaccinated by the end of September, she said, another 34 million doses will be needed.
The WHO Africa director urged nations with ample supplies to keep sharing doses. She said, "With international solidarity we can protect those at highest risk of COVID-19 in all countries in the world."
She also encouraged African governments to ensure that staffing and financial resources were available when shots arrived "to get vaccines into the arms of our populations. No precious doses should be wasted."
Source: Voice of America

subset: commoncrawl


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Support/Weekly Meetings/Minutes 2010-09-27
From MozillaWiki
< Support | Weekly Meetings
- Weekly metrics
- We only leave 18% of questions with votes unanswered, which means that the prioritization works.
Sumo Development
- not update, James is on PTO
Knowledge Base
- Mobile articles moved - thank you
- Android is done and waiting for review
- Signpost articles in KB
- Articles are waiting for review before they can be localized
- Need to find out how to align localization with the high development speed of the mobile team. (Michael, Kadir)
Live Chat
- Socorro is unstable, so people might have crashes without crash reports


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Welcome to McDonald Luxury Bath
Springfield Illinois Top Bathroom Remodeling Company
McDonald Luxury Bath is a bathroom remodeling company that has been creating beautiful bathroom remodels for almost 25 years! We currently serve the Springfield, Illinois area including, Chatham, Auburn, Petersburg, Rochester, Decatur, Jacksonville, and Effingham, Illinois.
Our beautiful bathroom remodeling projects include:
- Full Bathroom Remodeling
- Bathtub Replacement
- Tub to Shower Conversion
- Shower Replacement
- Walk In Tubs
- ADA Compliant Products
- Aging In Place Products
Our bathroom remodeling processes is designed to give you confidence that your bathroom remodeling project is our number one priority.
At McDonald Luxury Bath we understand our bathroom remodeling customer's wants, needs, and concerns.
- You can expect our bathroom remodeling team to be experts!
- You can expect our bathroom remodeling team to be trustworthy.
- You can expect our bathroom remodeling team to deliver exactly what is promised.
Bathroom remodeling is an exciting process for our customers. You can expect us to keep you informed on what to expect, what has been done and how your project schedule is progressing. Our team of bathroom remodeling experts only will give you 100% honest information.
Are you interested in learning how we can transform your bathroom in as little as one day? Download a design guide of our beautiful bathroom remodels to inspire your creativity, or meet with one of our designers for FREE bathroom remodeling plans and a no hassle quote today!
We look forward to working with you!


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There is so much to love about Chris and Jean's wedding at Settler's Creek by Crissie McDowell Photography. The casual but elegant style and personal details (coordinated by Alisa Lewis Event Design) are beyond fabulous, but I think what makes this wedding so special is how adorable Chris and Jean are. Here is what Jean had to say about the big day: "Back in 2008, I was visiting a friend in Coeur d' Alene, who happened to be planning her own wedding to the best friend of Chris. They introduced Chris and myself and sparks flew. We reconnected later at their wedding & were inseparable from that point on. After a year of long distance dating, I decided to take the plunge and move to CdA to see what this small town was really about. Well, I loved it-and still do. Three years later Chris popped the question during a hike on Tubb's Hill. As we started thinking about what we wanted our wedding day to look like, we had a couple of key principles.1, it should feel like us. We didn't want anything too over the top formal, or too fancy.2, we wanted the wedding to be a celebration of the amazing people in our lives. The wine we served came from a winery owned by an incredibly dear, and special family to me. The cupcakes were made by an employee of Chris'. We were married by a priest who has served three generations of the Carper family. The beer came from our best friends who introduced us & own their own brewery in Yakima. It is a personal day & we wanted everything from our flowers, decorations and ceremony to feel like us.None of this would have been possible without the amazing team of vendors who brought all this to life. Our venue, Settlers Creek, was a dream. Amy Page of Caravan Floral blew us away with her creativity & florals. She even worked to incorporate some personal touches like our wine boxes, into our centerpieces—amazing. The wonderful team at Alisa Lewis Event Design made sure everything came together on the day and as she is best known for, added her flawless touches to bring the venue to life. And then there was Crissie McDowell. Word's don't do justice for everything she did to make our wedding so special. Not only was she our photographer but she created all of our prints, invites, programs-you name it, then she crafted hand-made jewelry for each of the bridesmaids- really, the list goes on."
Photographer/Stationery: Crissie McDowell Photography Venue: Settler's Creek Planner: Alisa Lewis Event Design Flowers: Caravan Floral


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Here is (at least some of) the water quality testing data Valdosta was required to collect after its major spills of June in the Withlacoochee River basin and August in the Alapaha River basin. Maybe Valdosta is right that neither of these spills got into waterways, but something sure did, according to this data. Curiously, in both cases the worst fecal coliform readings were upstream from the spill location.
Mud Creek WTP after the 13 August 2018 spill
Downstream at Johnson Road on Mud Creek from the Mud Creek WTP after the August spill
Upstream at Inner Perimeter Road on Mud Creek from the Mud Creek WTP after the August spill
Upstream also only one datapoint below 200 cfu/100 ml, and not in the same week as downstream.
The Mud Creek WTP is indicated by the image between the two F-grade water quality data blobs on the Water Reporter map.
I'm guessing I correctly positioned the data collection stations on that map, from the allusion in the data; see below.
The data
Thanks to Valdosta City Clerk Teresa Bolden for scanning and emailing this data, free of charge.
Image of the PDF file the City Clerk emailed.
What's your opinion? Does it look to you like this data was prepared on a typewriter, or handwritten? It looks to me like it was prepared in electronic format on a computer. Yet despite my request (see below) for electronic format, what I got was scanned paper. Which is better than paper not scanned, I suppose.
I'm interpreting "Fecal Results" to mean fecal coliform.
I don't know why Valdosta only returned that one parameter, when other permitted organizations, such as Lowndes County, also sent readings for dissolved oxygen, temperature, and pH to GA-EPD. Maybe it's something special in Valdosta's NPDES permits. Maybe I'll ask GA-EPD what Valdosta sent to the state of Georgia.
Onwards to the other Wastewater Treatment Plant (WTP) and the other followup data.
Withlacoochee WTP to the west and Mud Creek WTP to the east of Valdosta.
Withlacoochee WTP after the 26 June 2018 spill
Below at US 84, after the 26 June 2018 WWTP spill.
Above at GA 133, after the 26 June 2018 WWTP spill.
Below the WTP there's one datapoint below the state limit, in the same week as the lowest datapoint below.
The WWTP is indicated by the image in the middle, with US 84 to the left and GA 133 above right on the Water Reporter map.
We also got another GORA response from Valdosta today. More on that later.
-jsq, John S. Quarterman, Suwannee RIVERKEEPER®
You can join this fun and work by becoming a WWALS member today!
The GORA request
Here's what I sent to Valdosta Utilities and the Valdosta City Clerk, Friday, 14 September 2018, at 1:57PM EDT:
Dear Valdosta Utilities and Valdosta City Clerk,
Pursuant to the Georgia Open Records Act
(O.C.G.A. § 50-18-70 et seq., also known as GORA),
I am requesting data from all followup water quality testing
required by the NPDES permits
for the Withlacoochee WTP and the Mud Creek WTP,
after the recent spills there, which were on
June 26, 2018 and August 13, 2018, respectively.
If I am not mistaken, the applicable permits are:
Withlacoochee WPCP NPDES Permit No. GA0033235
located at 3352 Wetherington Lane, Valdosta, Georgia 31603 https://www.wwals.net/pictures/2018-08-30–permits/valdosta/NPDES-Permit-No-GA0020222-Final-Permit-Mod-2016-1.pdf
Mud Creek WPCP NPDES Permit No. GA0020222,
located at 1638 New Statenville, Valdosta, Georgia 31603 https://www.wwals.net/pictures/2018-08-30–permits/valdosta/NPDES-Permit-No-GA0033235-Final-Permit-Mod-2016.pdf
I agree to pay any copying and/or administrative costs incurred in fulfilling my requests to the extent permitted by Georgia law. Such costs may include copying charge of $.10 per page and administrative charges for search, retrieval, and other direct administrative costs, such administrative charges not to exceed the salary of the lowest paid full-time employee who, in the discretion of the custodian of the records, has the necessary skill and training to perform the request. (The requester is not charged for the first fifteen minutes of time).
However, the relevant data is very likely in electronic format
and I request to receive it in electronic format via email.
If at all possible, in a spreadsheet would be best.
If the data exists only on paper, scans would work.
My contact information is as below.
In a separate email message, I am filing another GORA request. Please do not delay one waiting for data for the other. Whichever you have first, please go ahead and send it.
For the rivers and the aquifer,
John S. Quarterman,
Suwannee RIVERKEEPER®
WWALS Watershed Coalition, Inc.
PO Box 88, Hahira, GA 31632
WWALS is the WATERKEEPER® Alliance
Member for the Suwannee River
and its tributaries the Withlacoochee,
Little, Willacoochee, and Alapaha Rivers.
WWALS is a member of
Georgia River Network, Georgia Water Coalition,
Floridians Against Fracking, and national River Network.
-jsq, John S. Quarterman, Suwannee RIVERKEEPER®
You can join this fun and work by becoming a WWALS member today!
Short Link:


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Irelia, the Blade Dancer
Irelia's one of the few champions who have truly vexed both Riot and myself for years and years. When you're a walking wall of stats whose sole job was originally to stop a marksman-heavy meta, it quickly becomes clear why "Just Nerf Irelia" became a long-term running joke.
Her recent VGU addressed some of her less healthy elements and introduced a few unique functions (that were quickly nerfed away), and my initial redesign attempted to do the same, but both feel like they fell flat. The question remains: how do you make Irelia healthy and distinct while bringing her theme to life?
The answer, I feel, lies not in any sort of new and innovative gameplay, but rather in tools that already exist but don't quite "fit" where they are. Shen's a master ninja who...teleports a blade around that just deflects attacks. Orianna's a clockwork ballerina who...makes a little robot ball zip around and shoot shockwaves. If there's any one master of a floating weapon that flits around the battlefield, shouldn't it be Irelia?
With flying blades as a dance partner, Irelia is now a more holistic representation of the "weaponmancer" archetype - Irelia's and her blades' positions in relation to one another are vital at every moment, and learning how to coordinate their movements and attacks is key to unlocking her potential. Flexible, fluid, and deadly: these are the qualities of the Blade Dancer.
Much of Irelia's previous identity - even post-VGU - was pretty conforming to League's early melee model (think Xin Zhao, Jax, etc.), but some of her current tools remain in this iteration, such as the ability to chain dashes together with judicious ability use or pincer multiple foes with well-placed blades. Also, she still loves flanking enemies, but now can pull off even fancier moves with the help of agile allies.
As mentioned earlier, Irelia's new gameplay hook borrows heavily from the current mechanics of two champions I had previously redesigned: Shen and Orianna. The mechanics behind the spirit sword and robo-ball were never "bad" - it's just that these floating weapons needed a proper home, leaving the ninja and ballerina to more wholeheartedly embrace their themes.
All values in blue are meant to give a general idea of the ability's properties, and are subject to change.
Class: Diver
Recommended Positions: Solo Sidelane, Solo Midlane
Complexity: Medium
Innate: Ionian Fervor
Upon using an ability, issuing a movement command causes Irelia to dash 300/400/500 units in the target direction. Ionian Fervor's dash distance scales with Irelia's boots tier.
Q: Bladesurge
Irelia launches Dancing Blades towards the target location, dealing 20/35/50/65/80 +
(100% total AD) physical damage to enemies in their path. The blades remain at their destination for 10 seconds or until Irelia moves more than 900 units away.
While Irelia's Dancing Blades are away from her, Bladesurge will launch them from their current location.
Range: 825
Targeting Type: Skill Shot - Line
Cooldown: 6/5.25/4.5/3.75/3
Cost: 30/35/40/45/50 mana
W: Flawless Duet
Irelia thrusts her blades towards the target point, dealing 80/115/150/185/220 +
(100% bonus AD) physical damage to enemies they hit.
Dancing Blades will also thrust towards the target point, dealing the same damage. Enemies hit by both Irelia and her Dancing Blades take 80/115/150/185/220 + (100% bonus AD) true damage instead.
Range: 425
Targeting Type: Skill Shot - Line
Cooldown: 7
Cost: 70/80/90/100/110 mana
E: Defiant Dance
PASSIVE: Allies protected by Dancing Blades take 6/7/8/9/10% + (2% per 100 AD) reduced damage from enemy champions' basic attacks.
ACTIVE: Irelia sends her Dancing Blades to protect the target ally champion, shielding them for 95/125/155/185/215 + (100% total AD) for 1 second. The Dancing Blades will continue to follow their target until they are called elsewhere, or until the target moves more than 900 units away.
Range: 825
Targeting Type: Targeted
Cooldown: 9
Cost: 60 mana
R: Vanguard's Edge
Irelia and her Dancing Blades switch places after a 0.75 second delay, dealing 200/300/400 + (120% bonus AD) physical damage to enemies between them and disarming them for 1.5/2/2.5 seconds.
If Irelia's Dancing Blades have been recalled, she instead performs a flourishing slash after a 1.25 second delay, dealing 200/300/400 + (120% bonus AD) physical damage to nearby enemies and disarming them for 1.5/2/2.5 seconds.
Range: 250 (effect radius), 450 (effect radius with Blades recalled)
Targeting Type: None
Cooldown: 120/100/80
Cost: 100 mana


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Creating New Opportunities at
SpineCore Foundation
"Our mission is to help people with physical disabilities concentrate on their abilities instead of their disabilities, exceed their expectations, and help them adapt to various situations."
– Anthony Regole, SpineCore President & Founder
Upcoming Events
Adaptive Water Sports Camp
Learn more about our adaptive water sports camp!
SpineCore Biking
Learn more about the mountain biking experience!
Our Sponsors
A special thanks to our sponsors who make opportunities that would otherwise not be possible… POSSIBLE!


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Season One, Episode Five – Povaçao and Ponta Delgada
On this episode we stay on the island of Sao Miguel with a chance to learn about the island's origins, taste delicious desserts and explore the capital city of Ponta Delgada!
We start along the rugged shores of Povaçao on Sao Miguel's southwestern coast. It's here that the early settlers came ashore, and Senhor Duarte is kind enough to show me around and tell me more about this fascinating history.
We didn't just come to Povaçao for the history, we came in search of a famous pastry: the Fofas! My tour with Senhor Duarte came to an end in the down plaza and he pointed me in the direction of Restaurante Jardim where senora Maria De Deus, the owner and pastry chef, serves these éclair like treats.
Following my time in Povaçao we made our way across the island, taking the scenic route on our way to the capital city of Ponta Delgada. It didn't take me long to find ourselves near a very quaint shop. It's a family shop led by Sra. Maria De Lurdes, a life long weaver, doing it the old fashion way with large wooden looms. I had to stop in to see all the beautiful handmade pieces for myself.
Ponta Delgada is considered the administrative capital of the Azores and is the most populous, metropolitan city in all of the islands. We based ourselves at the Hotel Atlantico by Bensaude Hotels and went exploring. The first stop was the mercado to buy some white corn flour to make a generations' old recipe of Carrilhos with a family friend.
After baking, we find time to explore the island's Jewish ancestry at the oldest synagogue in Portugal: Sahar Hassamain Synagogue. The history is quite unique, and knowing how many Azoreans know that there is an undercurrent of Jewish history in our roots it was fascinating to learn more.
We end the episode by sitting down for breakfast with Ponta Delgada's mayor, President Jose Manuel Bolieiro, who was kind enough to join me and walk me through the flavors of Sao Miguel. In bite sized flavors we tasted our way through some of the island's best homemade products while getting to know hear the mayor's personal story from humble beginnings to help lead the island of Sao Miguel.
It is always great to explore the island, and it is so much fun sharing it with you!


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In this paper we describe the components of a novel audio coding algorithm capable of delivering high-fidelity CD-like stereo audio at the bit rates of 40-48 kbps and natural sounding FM grade mono at the bit rates of 18-22 kbps. Bandwidth Extension has emerged as an important tool for the satisfactory performance of low bit rate audio codecs. Recently we proposed two new bandwidth extension algorithms, Fractal Self-Similarity Model (FSSM) and Accurate Spectral Replacement (ASR), which belong to a new class of Bandwidth Extension techniques which are applied directly to the high resolution frequency representation of the signal (e.g., MDCT or ODFT). The proposed coding scheme uses FSSM and ASR in an adaptive and complementary framework. Another important component of the proposed codec is a wideband psychoacoustic model that makes an explicit use of the Comodulation Release of Masking (CMR) phenomenon. It also includes a novel parametric stereo coding technique. The proposed audio coding scheme is geared towards broadcast applications where codec latency and encoder complexity is generally not an overriding concern. In this paper we present algorithmic details of the new codec, audio demonstrations, and, comparison to other audio coding schemes. Further information and audio demonstrations are available at http://www.atc-labs.com/teslapro.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
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Regular price
Begg & Co handcrafts beautiful scarves, stoles and blankets from the finest yarn. Made in Ayr on Scotland's West Coast since 1866.
Woven from 15 micron 100% cashmere. Once woven, the scarves are washed to give a herringbone-like texture and softness.
62cm x 162cm.
100% Cashmere.
Made in Scotland.
is added to your shopping cart.


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We received a copy for review. All opinions are my own. I love a good comedy, especially when it features a great storyline and cast. BOOK CLUB is hilarious and a great addition to our movie collection. I really enjoyed watching this with my hubby. (This one is not for kids).
Starring legendary actresses Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen, BOOK CLUB follows four lifelong friends whose lives are turned upside down to hilarious ends when their book club attempts to shake things up by tackling the infamous "Fifty Shades of Grey." From discovering new romance to rekindling old flames, they inspire each other to make their next chapter the best chapter. The film also stars Andy Garcia, Don Johnson, Craig T. Nelson, Richard Dreyfuss and Ed Begley Jr.
You can check out the trailer here
The Blu-ray Combo Pack is loaded with uproarious bonus content including deleted and extended scenes, interviews with filmmakers and the iconic cast, explorations of the writing and casting process and behind-the-scenes footage from the set.
BOOK CLUB Blu-ray Combo Pack
The BOOK CLUB Blu-ray is presented in 1080p high definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Audio™, Spanish 5.1 Dolby Audio, and English Audio Description and English, English SDH, French, and Spanish subtitles. The DVD in the Combo Pack is presented in widescreen enhanced for 16:9 televisions with English 5.1 Dolby Audio, French 5.1 Dolby Audio, Spanish 5.1 Dolby Audio, and English Audio Description and English, French, and Spanish subtitles. The Combo Pack includes access to a Digital copy of the film as well as the following:
BOOK CLUB Blu-ray
- Feature film in high definition
- Bonus Content: Go inside the making of Book Club!
- Deleted & Extended Scenes
- It All Started with a Book – The journey from script to screen
- Casting Book Club – Working with Hollywood icons
- Location, Location, Location – Visit the set with filmmakers
- A New Chapter – The cast discuss themes of friendship and romance Living in the Moment – Creating the film's theme song
The DVD is presented in widescreen enhanced for 16:9 televisions with English 5.1 Dolby Audio, French 5.1 Dolby Audio, Spanish 5.1 Dolby Audio, and English Audio Description and English, French, and Spanish subtitles. The disc includes the feature film in standard definition.
You can learn more about the movie on:
Website: http://www.bookclub.movie | Facebook: https://www.facebook.com/BookClubMovie | Twitter: https://twitter.com/BookClub | Instagram: https://www.instagram.com/BookClubMovie
Buy the movie now on:
Amazon: http://paramnt.us/BookClubBlu-ray | iTunes: http://paramnt.us/GetBookClubNow
We are excited to be giving away a Digital copy of the movie! This is open to US. Must be 18 or older. Sweepstakes will run from 8/28/18 through 9/4/18. This contest is not endorsed or sponsored by Facebook, Twitter, Pinterest, Google or any other social media. The winner will be chosen using Random.org. The winner will be contacted via email. The winner is responsible for contacting me within 24 hours, or a new winner will be chosen. Prize is provided by Paramount. Lovebugs & Postcards and Daddy by Day are not responsible for prize fulfillment. Good Luck!


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Latest Design Women Black Abaya Farasha Jalabiya Arab Dress
£60.00 (-33%)
- Comes with a scarf
- Fabric: nida
- Open front
- stone work
- Latest new design!
- Suitable for easy iron.
- Do not tumble dry.
- Dry clean
Latest Design Women Black Abaya Farasha Jalabiya Arab Dress . As a result, comes in original plastic wrap with Hijab included. Beautiful material with a premium feel. Exclusive new design Abaya.
- Comes with a free scarf
- Open front
- Fabric: nida
- stone work
- Latest new design!
- Suitable for easy iron.
- Do not tumble dry.
- Dry clean
- The scarf is free and it may be little different in colour and design
Abayas are known by many name such as modest Islamic clothing, jilbab, jalabiya Arab rob, long dress, Muslim clothing, Kimonos . However, they serve the same purpose: to cover. Other models are usually kaftans, cut from light, flowing fabrics like crepe, georgette, nida, medina silk , satin ,zoom and chiffon. Other known styles are open ,closed front, Batwing. Styles differ from region. Some have embroidery and bead works, while others are brightly coloured and have different artwork. you will find a large quantity modest wear essentials & premium modest fashion online with Abayaenterprise from abayas ,jilbabs ,katan & thobe jubba djellaba & accessories.
If you require assistance with your purchase, please don't hesitate to contact us. We have a good track record of responding quickly to our messages.
» Please Note: Different monitors have different colour resolutions.«
» Different screens/monitors render colours differently meaning colours may not look exactly like they do on the screen. «
» Please expect some slight colour variations. «
We are always working to list new products, as a result, we will dispatch items from our warehouse within 1 working day.
Excluding Saturdays, Sundays and Bank Holidays.
Delivery estimates begin when the item is dispatched.
We love to ensure our customers are happy. For instance, we're offering 30day returns.
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Additional information
|800 g
52, 54, 56, 58, 60
Press Studs
Regular Fit
Full Length
|Sleeve Type
Long Sleeve
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WordPress, being as CMS, creates you with the login page by default to login to your site in order to manage out your site. However, it will by default, add its own logo in the login form when you view the login page for your site, ie, http://yoursite.com/wp-login.php. So, what about if you want to change it as you like/need for your site? Is it really doable? Well, it is doable and here we will describe about how to change login logo in WordPress.
How to view WordPress login page for your site?
Well, you already may know about how to view the login page for your site built within WordPress, right? If not then, you can view it via: http://yoursite.com/wp-login.php. However, it can be changed to any other for better security of your site using the plugin for same available via the WordPress plugin directory.
Also, by default, the WordPress login page will look like the below screenshot as you may know already.
From there, you can see that the logo is of WordPress itself. So, what about changing it? Well we will move further and will be changing it according to your site requirement.
When do you need to change the WordPress default login logo image?
Well, in some of the cases, you may create a site for your client, right? And on that site, they may also want to add their own branding to their login form too, right? Well, on this case, you will need to change WordPress default logo logo image to reflect their site branding.
Also, in some case, if they does not say the same too but, they are creating some of the social sites or eCommerce site then, most probably, you need to change the logo to match their branding, since seeing the same WordPress logo may annoy them to use up your service.
Now, after knowing why to change the WordPress login logo image, now, let's move ahead to learn about how to change login logo in WordPress.
How to change login logo in WordPress?
Well, if you have followed up our previous articles then, you may already know about which file in the theme should you maintain the changes. Well if you have not then, the file to be changed is the functions.php file of the theme. But, if you do not want any customization done on theme update then, you can use the functions.php file of the child theme.
Now, since you know about which file to edit to make the change, hence, let's move ahead to change login logo in WordPress.
Since, WordPress uses the CSS background image properly to display the login logo in login page, by default HTML tag:

Your Site Name
 hence, we will be using the function hook:
login_enqueue_scripts to enqueue our own custom CSS code to render/change the default WordPress login logo. Hence, let's move ahead and paste the below PHP code in the functions.php of the theme file:
function theme_slug_login_logo() { ?>


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When you go to live in another country, you accept that its laws will apply to your daily life. Often the complexities of its property purchase laws are your first introduction to its legal system. However, you do not necessarily expect local rules to apply to your personal status - such as the recognition of your marriage, or of your divorce, or your obligations arising from a divorce. To a surprisingly large extent, people assume that they carry the law of their country of origin along with them.
Even within Europe, different countries' approaches to divorce and family law vary enormously. The extremes range from Malta, which has no divorce, through to the highly egalitarian Scandinavian approach that simply assumes that other than in special cases, each party can simply get on with their lives without further obligations. Different countries have different criteria as to how you can apply for divorce. Residence is of course the main basis, but certainly not exclusively so. The United Kingdom accepts "domicile" as a basis for filing in some cases. Some countries accept citizenship as a basis for filing. So there may be a choice.
The European Union has tried to harmonise some of the rules. There is a rule between EU countries that says that the first country of filing takes priority – which simply means the first person to file for divorce wins the "race" for jurisdiction. This was meant to simplify matters. Instead, it has added to complexity, and the outcomes can be very different. A recent attempt to harmonise financial settlements across borders ended in more or less complete failure.
As an expatriate deciding where to divorce, it is essential that you think about what is the most important factor for you. Is it ease of process and therefore where is the most convenient place? Is it which country's law will take the most beneficial view on your financial settlement with your estranged spouse? Is it where the pre-nuptial agreement you had drawn up before your marriage will be upheld? Or is it perhaps that you have children and you want to know which jurisdiction would allow you to keep custody of your children or allow you to return to your home country with them?
As you can see, the decision takes a lot more fore-thought than you would perhaps imagine.
In many parts of continental Europe and North America, pre-nuptial agreements or "pre-nups" are held to be legally enforceable if the parties divorce, provided that both parties received sound legal advice and signed up to the pre nuptial agreement without being coerced or bullied into doing so. As such, in much of the US and Europe pre-nuptial agreements are the norm. But will English courts pay attention to these pre-marriage agreements? They will certainly pay more attention to them since a significant Supreme Court decision at the end of 2010, involving a French former-banker husband and German wealthy heiress wife, in which a prenuptial agreement was upheld – this has set a precedent for other UK courts to follow. The Law Commission is also currently reviewing whether there should be legislation drafted to make prenuptials legally binding in England and Wales.
At present the United Kingdom and Ireland are virtually alone in Europe in their refusal to accept prenuptials as straightforward contracts. As contracts, they cannot exclude matters concerning child maintenance etc but otherwise the assumption is that adults can make their own terms. Even Malta, with no divorce, still has provision for contracts concerning marital property.
Divorce is naturally a very upsetting thing for any family to go through and none may feel it more than the children. As a parent as well as a husband or wife you will want the most efficient judicial system to oversee the process of divorce to make it as smooth and as painless as it possibly can be.
By and large western countries have two main principles: that the welfare of the child is to be assessed on a case by case basis; and that the Courts of the child's "habitual residence" are best placed to decide. Conflicts can easily arise if presumptions are applied to say that children up to a certain age must be with their mother. Another problem is if an expatriate couple simply do not have access to local courts because they are not citizens. Then you have a legal vacuum.
Let's say that Mrs Expat wants to return to England from continental Europe and take the children, aged eight and 10, with her but Mr Expat wants the family to stay together. One might expect that in those circumstances the local continental courts should determine the issue of custody as the children are habitually resident there, but the current waiting time for such cases is three years. In those circumstances is Mrs Expat entitled to rely on the fact that the children are British to bring them back to England and start custody proceedings in England? The quick answer is no: she cannot act without permission of the continental court. However she may be able to seek "temporary" permission to leave until the final hearing; and of course "temporary" will in the end morph into "permanent".
It takes all sorts...
The difference when it comes to the views of marriage and divorce even just between European countries can be astonishing. Let's take the juxtaposition between Malta and England as a good example: Malta does not have a divorce law, you can only obtain an annulment, and then only in restricted circumstances. Malta will sometimes recognise as valid a divorce granted in another country. By contrast, in some respects England provides for easier divorce than almost all other European countries. This is because provided the divorce is based on the grounds of adultery or unreasonable behaviour, there is no compulsory waiting period.
In the Gulf, expatriates will have no access to the local courts because these courts are wholly religious. In these circumstances a couple from the UK who have not relinquished their domicile will have to have recourse to the English courts to pursue divorce proceedings. A similar problem arises with China, where only its citizens can petition in its courts. An expatriate may fall into a legal vacuum. This is the kind of situation where expansive English grounds of jurisdiction are so useful.
Countries have very different financial outcomes from divorce. Even if there is no prenuptial agreement, rules can be restrictive. Often the rule is simply that each person keeps what they have. Few countries are as generous with spousal maintenance as the United Kingdom. However, some apply rigid percentages of a husband's income, an approach that is anathema to the English courts. This divergence means that getting it right at the beginning is absolutely crucial.
Lastly, there is always the question of enforcing any financial orders. A Court Order is only effective in the country that made it. If the assets are elsewhere, you can have a problem.
Some 15 per cent of UK marriages are said to have a foreign element and that probably is true across the developed world. Many of us are constantly subject to a mix of different countries' laws. A wise person takes prior advice before starting the divorce process in motion.
Henry Brookman is an international divorce lawyer for Brookman Solicitors, a London-based law firm specialising in international family law. For more information, visit their website here.


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Outline is a Belgian hardcorepunkband inspired by the late '90/early '00 bands they grew up with and as such has been described by some as a mix between Killing The Dream, Sinking Ships and From Ashes Rise. We don't disagree. They write about the stuff that pisses them off and as such, Outline is an outlet for the members everyday frustrations.
A1. Walking
A2. Choke
A3. Morning Again
B1. Faded
B2. Fever


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Several functions in PowerView are dependent on the lower-level Windows API. Specifically, Get-NetSession utilizes the NetSessionEnum call, Get-NetShare utilizes the NetShareEnum call, Get-NetLoggedOn utilizes the NetWkstaUserEnum call, and Invoke-CheckLocalAdminAccess utilizes the OpenSCManager call.
PowerView has gone through a few iterations of how to access this lower-level functionality. It started with using Add-Type to embed inline C# to compile all functionality in memory. This is what most PowerShell WinAPI examples utilize, as it's the 'easiest' method. There are a few downsides though: although this compiles the C# code in memory, some temporary files do touch disk. Also, we ran into a scenario where the particular csc.exe instance used to compile the code was failing in a client's environment. This, combined with inheriting Matt Graeber's philosophy of staying off of disk no matter what, led me to check out additional methods of API access for PowerView.
Luckily, Matt has us all covered. He has an excellent series of articles on multiple ways of interacting with the Windows API, as well as some awesome posts on accessing the API and using reflection to define structs and enums in PowerShell. Due to some eccentricities with the specific functions PowerView uses, I ended up going with the delegate method described on exploit-monday.com. Because of some ASCII vs Unicode issues for these methods, I had to "fake cast" some strings to Unicode because of some underlying weirdness. This always made me uncomfortable- I don't like hacky work-arounds unless absolutely necessary.
Matt recently released a simpler way of accessing the API that is much more 'C-like' that previous methods. He wrote an post about the method on PowerShellMagazine and his code is up on Github. He also has some examples of how to use this method. I recently integrated this into PowerView, and man is it way easier and cleaner than previous approaches!
In order to utilize this new PowerShell-reflection-black-magic, throw whatever functions from PSReflect you need into the top of your script. In my case, I didn't need enum, but did need New-InMemoryModule, func, Add-Win32Type, field and struct. Yes, this is a bit of overhead, but you cant trim out comments if you need to and I promise the end result will be super easy to use.
Let's see how an updated example for Get-NetSession how looks. Defining the functions you need is pretty easy:
$Mod = New-InMemoryModule -ModuleName Win32
$FunctionDefinitions = @(
(func netapi32 NetSessionEnum ([Int]) @([string], [string], [string], [Int], [IntPtr].MakeByRefType(), [Int], [Int32].MakeByRefType(), [Int32].MakeByRefType(), [Int32].MakeByRefType())),
(func netapi32 NetApiBufferFree ([Int]) @([IntPtr]))
$Types = $FunctionDefinitions | Add-Win32Type -Module $Mod -Namespace 'Win32'
$Netapi32 = $Types['netapi32']
This function can then be referenced like this:
$Result = $Netapi32::NetSessionEnum($HostName, ", $UserName, $QueryLevel,[ref]$ptrInfo,-1,[ref]$EntriesRead,[ref]$TotalRead,[ref]$ResumeHandle)
The result structure, SESSION_INFO_10, is now about as C-like as you can get:
$SESSION_INFO_10 = struct $Mod SESSION_INFO_10 @{
sesi10_cname = field 0 String -MarshalAs @('LPWStr')
sesi10_username = field 1 String -MarshalAs @('LPWStr')
sesi10_time = field 2 UInt32
sesi10_idle_time = field 3 UInt32
Casting this result structure no longer needs [system.runtime.interopservices.marshal]::PtrToStructure(), and can be done as easily as:
$newintptr = New-Object system.Intptr -ArgumentList $offset
$Info = $newintptr -as $SESSION_INFO_10
For comparison, this is how this all used to look and this is how it looks now. There's another nice side-effect as well. This new method is a massive speed increase versus how the previous method was implemented in PowerView (think 10-20x)! This is almost certainly because I implemented everything inefficiently in the previous method. But long story short, this new approach is in the same class as native C implementations like netview.exe.
Also take note: as Matt mentions, once you define your types/structs, they'll be baked in until you restart PowerShell.
Anyone interested in accessing the underlying Windows API through PowerShell, definitely check out Matt's new method!


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Miss Wood
Europe Woody Map L
The European classic.
A European political map on corkboard ideal to plan your next travels and keep a beautiful memory of the places you've been to.
- Made in Barcelona
- Material: natural cork
- Printed with screen printing.
- Size: L 60 x 45 x 0.4 cm
- Includes 10 green pins, 10 red pins
- Available with white or black frame
- World Flags not included
- Includes instructions to hang it - Includes nails to hang it. If the wall is very resistant, we recommend using some double-sided tape.


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The structure of your chin and jawbone are crucially important for maintaining a youthful appearance, both for the neck and for facial balance. Chin enhancement surgery can greatly improve facial harmony. There is a balance between the tip of the nose, lower lip, and chin. You may feel that your nose is too big, when in fact your chin may be too short or lack projection for good facial balance. A small incision is made either under the chin or inside the mouth behind the lower lip. The implant is placed along the border of your existing bone in a small pocket. A chin implant is often performed in combination with nose reshaping, as well as to enhance the results of facelift and necklift surgery. It can make your chin and jawline appear younger and more defined.
Duration: 30 mins
Recovery Time: 1 to 2 wks
Anesthesia: Monitored Sedation
Helpful Hints:
- Soft foods for the first week
- Complete work 2 weeks in advance
Commonly Combined with:
- Nasal Surgery
- Liposuction of Neck


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Stan Getz & João Gilberto – Getz/Gilberto (1964) [Analogue Productions' Remaster 2011]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 33:50 minutes | Scans included | 1,37 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 637 MB
One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators — guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim — to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history — "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre — "Corcovado" (which featured another vocal by Astrud), "So Danço Samba," "O Grande Amor," a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential.
01. The Girl From Ipanema
02. Doralice
03. P'ra Machucar Meu Coracao
04. Desafinado
05. Corcovado
06. Só Danço Samba
07. O Grande Amor
08. Vivo Sonhando
Hi-Res FLAC


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Since 1991 ANCOM has provided superior two-way radio expertise and service, as demonstrated by the following success stories:
Metro Mechanical Contractor
It has always been a pleasure to do business with ANCOM Communications.
From their great salesmen, who have always been considerate and gone beyond the required job to fulfill our needs, to their very prompt service.
I will continue to do business through ANCOM Communications and ANCOM Technical Center. They make themselves the easy choice for all our radio equipment needs.
– Warehouse Manager
Twin Cities Area Middle School
Our middle school serves 1,300 students and the campus covers 54 acres. Two-way radio communication provided by ANCOM solves many of our urgent, complex, and vital communication needs. The principals can be contacted immediately and are not "tied" to the office. Custodians are accessible no matter where they are in the building. Physical Education classes carry radios when they are outside for class so that they can report injuries and request assistance. Two programs for at risk students also have a radio for communication with the office.
Ross Cirksena, our ANCOM representative, recommended the Motorola HT750 for our use. The frequencies are assigned exclusively to us. There is no interference, we are confident that our communications are secured, and with the repeater antenna we are able to communicate anywhere in a five mile radius. This is extremely important for district-wide emergencies, and works effectively for our grounds and maintenance crew.
The durability, reliablility, and security of the radios have proven themselves over the past five years. Just as importantly, the service provided by Mr. Ross Cirksena has been prompt, professional, and reliable. In this day and age of always having to do more with less, two-way communication has allowed us to become extremely efficient. Our Middle School is safe, secure, efficient, and focused on education. The Motorola radios assist us greatly in these important efforts.
– Twin Cities Area Middle School Principal
Wisconsin County Sheriff's Department
We recently changed providers for our Motorola equipment. ANCOM came in and did a complete evaluation of our equipment before they took over the system. They found problems which our previous provider had not caught and advised us of the corrections needed.
We previously had chronic problems with one of our repeaters that never seemed to satisfactorily have been corrected. Within 2 months of taking over the service contract, this repeater again "acted up". ANCOM came in gave us a loaner unit and then went on to replace the problem system. We haven't had a problem since.
The staff at ANCOM is extremely easy to work with scheduling of work and questions we have. As a newly elected Sheriff, they had the patience to explain the problems and how they could be dealt with.
– Wisconsin County Sheriff


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Welcome to "Introducing…", EBONY.com's showcase for the hottest independent artists bubbling up underneath the mainstream music industry! On a weekly basis, "Introducing…" features video visuals and info on some of the most talented artists around the country. These singers and songwriters craft albums from GarageBand to home studios to (low-cost) professional studios, touring locally, nationally and worldwide to bring their music to the masses. Now, EBONY.com's "Introducing…" helps indie artists spread their voices internationally! Music acts: email [email protected] to be considered for "Introducing…"! (Indies with major distribution also considered!)
TSoul has the goods: rich tones and poignant writing, with a sense of melody that allows his music to linger on long after the song's over. My first time hearing Terry "TSoul" Pinkard was in Washington DC, at Wednesday Verses night in the capitol's legendary jazz club, Bohemian Caverns. The Virginia-born wonder was performing a song right before my own set; I wondered why they even needed a headliner when this big-voiced, piano-playing twentysomething had the crowd in the palm of his hand.
Often, new voices are compared (often unnecessarily) to some already established singer to provide context. TSoul's melodic approaches are reminiscent of Bill Withers. The quiet strength of his powerful vocals bring Solomon Burke to mind (sans the screaming). His lyricism recalls Stevie Wonder or Leon Ware. But in this situation, "good music" alone is the only really necessary context. Yes, there's an old soul pushing his music along, but his vibe feels modern and now.
Simply put: TSoul has the goods. — Tai Allen
TSoul's Love & Music album is available here at TSoul.bandcamp.com. Follow him on Facebook and on Twitter @TSoulMusic.
Tai Allen is the creative director of the arts & design collective, vicelounge. Check out their latest designs, poetry and music at vicelounge.com, and follow vicelounge on Twitter @vicelounge.


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The Living Desert Zoo and Gardens
The Living Desert Zoo and Gardens is a nonprofit, accredited member of the Association of Zoos and Aquariums, ensuring the highest of standards of all aspects of animal care, education, conservation, public service, and operations. The Zoo is active in conservation research, habitat protection, breeding programs, and education initiatives around the world, as well as in its own community. The Zoo has been a top destination in the Palm Springs area for more than 50 years.


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The Road Ahead Q2: Informed Optimism and Continued Flux (Recorded April 8, 2021)
ELI member? Log in now to view this course.
Not a member? Sign up today to view this course.See pricing
Download a copy of the PPT slides
With an optimism informed by vaccine rollout and loosening of capacity restrictions at venues, the meeting and event industry is poised to enter a new era in the coming months. What will it look like?
The Event Leadership Institute gathered event professionals to share their insights and predictions on topics from the future of trade shows and user conferences to permanent changes in how businesses approach their event strategies. Their experiences will help point the way to new ideas in the industry and what challenges have yet to be tackled.
Kathryn Frankson
Kathryn is the Director of Event Marketing at Informa, the global leader in specialized events and event intelligence. After 48 straight quarters selling exhibition space and custom event sponsorships, Kathryn launched Informa's sales marketing team, modernizing demand generation. Kathryn now leads the experience and digital marketing efforts for Informa's content-led events in the architecture, event planning, and hospitality space.
Tavar James
Tavar is currently Director, Head of Experiential Marketing for Equitable, a New York-based leading financial services company.
His role includes oversight of Equitable meetings, events, and experiences reporting to the company's Chief Marketing Officer. Tavar specializes in event planning and execution with a focus on creating memorable and impactful moments in virtual, hybrid, and in-person formats. At his core, he is a creative visionary who enjoys the transformation from "blank canvas to beautiful art" as it relates to planning an experience.
Before joining Equitable, Tavar worked in the hospitality industry, holding numerous Sales & Marketing and Event Planning roles with Marriott and Ritz-Carlton. He has worked across all group categories from corporate events to social gatherings to more high-profile programs like American Idol, NBA season events, and Atlantic10 conference. His first role in hospitality was as a Front Desk Night Auditor for a Courtyard by Marriott hotel in South Florida. He quickly climbed the ranks and was promoted to a Senior Event Planning role that moved him to New York City in 2010 where he filled a Regional Sales position and finally, his last position in hotels as the Associate Director of Meetings & Special Events with Ritz-Carlton.
Tavar has two dogs, Nova, a Golden Retriever, and Sno, a Bichon Poodle and he works remotely from South Florida. His passions are his family, friends, dogs, fitness, volleyball, dancing, and good wine with a good book or movie. In looking ahead, Tavar anticipates getting back to traveling so he can resume his personal commitment of visiting two new countries every year. He believes in a cautiously optimistic outlook on life and lives by the idea that "the only thing constant in the world is change." His driving mantra is
"positive approach equals exceptional results" and he carries this attitude across his team and throughout his work.
Brian Morrissey
Brian is the Founder and writes The Rebooting, a weekly newsletter focused on the path to sustainable media businesses.
For a decade, he was the president and editor-in-chief of Digiday Media. He's covered the digital media industry for 20 years.
Nico van Praag
Prior to joining the Freeman Strategy Leadership Team, Nico was most recently the VP of Strategy at GPJ and Chief Strategy Officer at Kenwood Experiences. He's led experiential and digital strategy for technology brands including Salesforce, Hitachi, WorkDay, Pure Storage, EMC, and Visa. As an advertising strategist and consultant, Nico has worked with many brands including Audi, Red Bull, Nike, Lexus, General Motors, and Xbox. He's a creative at heart and loves to design inspiring integrated customer and attendee journeys that are catalytic and a true reflection of the brand.
Kevin White, CSEP
Kevin has been a storyteller his entire life. That love of capturing attention and engaging people is what brought him to work with global organizations on their marketing and development efforts for nearly a quarter-century.
In 2011 he founded XPL, an award-winning experiential agency that delivers bold, powerful live events that transform audiences around the world. Clients include institutions such as Harvard Business School, non-profits such as The Special Olympics, governmental units such as the US Department of State, and corporations such as Bugatti. Each brings a diverse set of needs that they entrust Kevin and his team to fulfill.
In addition to serving as an instructor for several Event Leadership Institute professional development courses —including Pandemic Meeting & Event Design and Pandemic On-Site Protocol Training — Kevin has undergone training from the World Health Organization (WHO) on mass gatherings and has also received the Event Safety Access certification from the Event Safety Alliance.
Kevin's commitment to his industry is demonstrated by his willingness to give back. He has been a professor at New York University and was selected by his peers to serve as the international president of the International Live Events Association (ILEA) in 2014-1015. He is currently working on his first book on innovation in experiential design and recently launched a series of entrepreneurial-based retreats worldwide under the brand, The Table.
Howard Givner
With over 20 years of industry experience, Howard is a widely recognized expert and innovator in the field of special events, meetings, and small business growth strategy. Howard is currently serving as SVP of Knowledge & Innovation with PCMA.
Prior to joining PCMA, Howard was the Founder & CEO of the Event Leadership Institute, a leading provider of best-in-class training and education for the events industry through online, on-demand video professional development classes, interviews with industry leaders, white papers, webinars, and live events. In addition, Howard also was the CEO and Founder of Paint The Town Red, Inc., and the former CEO of North America for Global Events Group, the 13th largest event agency in the world, which acquired Paint The Town Red in 2008. During his tenure, the company won over 30 industry awards. He is a Past President of the ILEA (International Live Events Associate) NY Metro Chapter; has served on the board of directors of MPI (Meeting Professionals International) Greater NY Chapter as VP of Education; has served on the Advisory Board of Special Events Magazine; been a judge of the Gala Awards & HSMAI's Adrian Awards.
He is a frequent speaker at industry conferences on a wide range of topics. He has been profiled in The New York Times, The Wall Street Journal, CNBC, National Public Radio, ABC News, The Apprentice, and USA Today, in addition to numerous trade media.


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Google has some egg on its face today, after it was discovered to be overcharging on its Pixel 2 smartphones.
At least one of Google's New York City pop-up stores overcharged customers by $30 for the Pixel 2 and Pixel 2 XL, according to a report from The Verge. So rather than a $649 starting price, Google was charging customers $680 on the Pixel 2, and the 64GB Pixel 2 XL was going for $880.
Google announced the Pixel 2 and Pixel 2 XL handsets earlier this month and released the handsets on Thursday. While the devices have the correct listing price online and in Verizon stores, the pop-up store in question had it all wrong.
In a statement to The Verge responding to the problem, Google said that it will reimburse all customers affected by the overcharge. A company spokesperson apologized for the problem and said that it "was an error, which is now fixed."
"We'll be reaching out shortly to reimburse those impacted," the spokesperson said.
MORE: 9 Reasons to Buy the Google Pixel 2 (and 4 Reasons to Skip)
To be clear, it doesn't appear that the people handling transactions at the pop-up store are actual Google employees. Instead, The Verge believes it was operated by employees at a Verizon reseller that handled the process of customers buying the devices and getting them up and running on Verizon's network.
Interestingly, the reseller, called Victra, also lists the Pixel 2 on its website. Its pricing there is similarly $30 over the regular retail price. However, if you mention to its staff that prices are lower elsewhere, Victra would price match.
Now, though, it appears the problem has been solved and Google is moving forward with the stores as a way to attract shoppers who want to try out its handsets first.


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235 North Northwest Highway
Palatine, IL 60067
96 N Bokelman Street
Roselle, IL 60172
A beautiful smile can brighten your life! If you are continuously hiding your chipped, stained, or cracked teeth from others, it's time for a change! William Wolski, D.D.S., a trusted Roselle area dentist, can fix chips, cracks, and stains to reveal a great new smile - and a new you. You'll look so good you'll wonder why you waited so long!
Dr. William Wolski at his Roselle dentistry practice is pleased to offer you a free smile analysis if you are 18 years old or older. Our friendly and professional team will make you feel comfortable and welcome.
We'll answer your questions and assess your dental needs to achieve long term oral health. Our goal is to make your visit enjoyable, and to give you the smile you deserve.
William Wolski, D.D.S., offers convenient, comfortable, and virtually pain-free cavity repair at his Roselle, Illinois area practice. Using a drill-free and needle-free cavity repair method called air abrasion, Dr. Wolski applies a stream of fine particles to the decayed tooth area, gently removing decay in preparation for a new dental filling. During the procedure, you won't experience any vibration, noise, heat, or pressure.
If you're looking for dentures that look great and last, look no further than Smiles Dental Care located in the Roselle, IL area. William Wolski, D.D.S. will assess your needs and fit you with durable, comfortable, natural-looking dentures - at a price you can afford.
William Wolski, D.D.S. is proud to be a popular Roselle area Lumineers® dentist. If you have sensitive teeth and want pain-free dental veneers, we can help.
Our highly trained team has extensive experience with this quick and easy procedure. We'll help you transform from feeling self-conscious to feeling confident about your bright new smile.
Bernero, James L D.D.S.
735 Plum Grove Rd
Roselle, IL, 60172-1372
Schmit, Richard J D.D.S.
910 Lake St # 106
Roselle, IL, 60172-3384
Kao, William C D.D.S.
1150 Lake St # A
Roselle, IL, 60172-3350
Patel, Nita H D.D.S.
350 E Irving Park Rd
Roselle, IL, 60172-2007
If dental implants are what you need to best replace your missing teeth, you should select a implant dentist with in-depth knowledge of and prior experience with all aspects of the treatment. It is important to know that dental implant treatment consists of two components: a surgical phase and a restorative phase.
Traditionally, a dental surgeon, like an oral surgeon or a periodontist, performs the surgical component. A general dentist, or prosthodontist and laboratory technician, performs the restorative component.
As implant dentistry has become more sophisticated, the restorative dentist, at times, also has become the one that places the dental implant. However, each clinician involved in implant treatment must be aware that the type of final restoration a patient wants dictates the position, size, and number of teeth implants within the jaws.
For each unique missing tooth situation, there is an equally unique way to use implants to replace teeth. However, all of the treatments can be placed in two categories: removable or fixed prostheses.
Implant dentist use removable implant dentures when a patient is missing all of his or her teeth. Fewer dental implants are necessary when used in conjunction with a removable denture.
Conversely, more implants are necessary when used in conjunction with a fixed bridge. Fixed bridges feel most like your natural teeth and are usually more desirable than removable dentures.
Mastering new surgical and restorative techniques as they are developed is the mark of an excellent implant dentist as well as overall dental implant dentistry. A implant dentist's meticulous attention to fine detail conveys a feeling of confidence to the patient. The implant dentist should be committed to restoring full function to the missing teeth as well as recreating natural-looking teeth. These are the qualities a patient should look for in a implant dentist to place and restore their implants.
By Laura Minsk, DMD
You're missing a single tooth. Until recently your only options were limited: a fixed bridge or a removable partial denture -- which meant removing enamel from adjoining teeth. It was a very short list.
Thanks to modern dentistry techniques, single tooth implants are now a good alternative. Although most patients use tooth implants to replace an ill-fitting denture, or to bridge a large gap of several missing teeth, it's now possible for you to have a single tooth replacement.
You're a good candidate for single tooth implants if you are in good health and the jawbone where the tooth implant will be fitted has not receded. You have to be of age, since your facial growth must be complete.
There are many advantages to this procedure. Single tooth implants are strong. Unlike dentures, they require less care. And the implants look and feel natural. So instead of being embarrassed by a missing tooth, you'll have something to smile about.


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On May 28 at 3 pm CEST we invite you to the Online Presentation of the Major in Corporate Finance and the Major in Risk and Insurance Management of the Full-time Master in Financial Management.
The digital event will allow you to learn more about the next editions of the two Majors starting in September 2020 and to attend a Masterclass on the Bloomberg Financial Lab held by prof. Antonio Fasano.
Luiss Business School is one of the few Italian Business Schools offering the Bloomberg Laboratory to the students of Master in Financial Management.
The topic of the Masterclass
During the Masterclass you will discover the Bloomberg Terminal that allows professors to bring the real world into the classroom providing students with the same platform used by the world's leading banks, corporations and government agencies.
You will learn more about the different functions that this platform offers to the different professionals such as: Portfolio Managers and Traders, Investment Bankers, Risk Managers, and Data Scientists and how to use the Bloomberg Trading Challenge to present and craft your trade ideas.
Finally, you will find out how this laboratory will help you have access to job offers in the finance industry through the Bloomberg Careers.
Prof. Antonio Fasano, Professor of Financial Markets and Institutions at University of Salerno and Equity markets and alternative investments for Master of Science in Finance at Luiss University
Luisa Iannelli, Full-time Master Coordinator at Luiss Business School
Giulia Antenucci, Full-time Master Coordinator at Luiss Business School
Participants and speakers can actively interact during a Q&A session on the discussed topics and the career opportunities offered by the two Majors.
Target Audience
The Masterclass is aimed at students or recent graduates with a BA or a MS in Economics or other scientific disciplines interested in starting their professional career in the finance sector.
The event will be held in English.
The event is free upon registration.


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Author: Molly Petrilla
Burnout. Stress. Anxiety. Exhaustion.
They're issues that people in every industry report suffering from, but for those in the medical field, they can be especially severe.
Complete the form below to receive a link to the report in PDF format. Your information will be shared with Destination Cleveland.
Related content: Six Ways Medical Meetings Are Proving Their Value To Exhibitors


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Search public documentation:
Interested in the Unreal Engine?
Visit the Unreal Technology site.
Looking for jobs and company info?
Check out the Epic games site.
Questions about support via UDN?
Contact the UDN Staff
Interested in the Unreal Engine?
Visit the Unreal Technology site.
Looking for jobs and company info?
Check out the Epic games site.
Questions about support via UDN?
Contact the UDN Staff
UE3 Home > Performance, Profiling, and Optimization > Memory Usage and Profiling
Memory Usage and Profiling
- Memory Usage and Profiling
- Overview
- Debugging memory: Step by step
- Memory Tracking Tools and Techniques
- DVD Footprint
- Executable Size
- Always Loaded Content
- Content Cost Comparison
- Engine Memory Pools
- Hot Spot Reports
- MemLeakCheck Tracking
- Texture Pool
- TArray Slack
- Memory Fragmentation
- Stack Memory
- Finding Referenced Assets
- Memory On Consoles
Memory usage is always a concern for video games, especially those destined for consoles or mobile devices where memory is limited. This extends from the amount of space taken up by content assets on disk to memory usage of different systems during runtime. These are all extremely important pieces of information that make it possible to constrain memory usage within acceptable limits.
Debugging memory: Step by step
1. Load the Game If you can't load the game due to running out of memory, please refer to the Level Optimization page to find out how to optimize the level. It is generally a good idea to have established guidelines for a memory budget – for example, how many Static Meshes you can use in a level; or other assets such as Skeletal Meshes, Animations or Sounds. This can vary dramatically based on what your game does and what it is about. 2. Run the Game and Observe Even if the game runs, it doesn't necessarily mean you're safe from running out of memory. You need to know how much memory your game is using and how much is available for new content and features. 3. Reduce memory usage (no OOM) When you're running out of memory, you need to narrow down the possible causes. Some possibilities include:
- The level that has too many Static Meshes.
- AIs that create too many projectiles and particles.
- Code that allocates too much memory.
- Budget: Decide what to use memory on.
- Make sure all assets are optimal and don't have unnecessary references.
- Make sure you have enough buffer (for fragmentation) to keep your game running.
Memory Tracking Tools and Techniques
STAT LEVELSThe
STAT LEVELS command can be used to see how many levels are loaded in memory.
- Red - Level is loaded and visible.
- Orange - Level is in the process of being made visible.
- Yellow - Level is loaded but not visible.
- Blue - Level is unloaded but still resident in memory, will be cleaned up when garbage collection occurs.
- Green - Level is unloaded.
- Purple - Level is preloading.
STAT MEMORYThe
STAT MEMORY command provides a basic outline of assets' memory usage in the level
- Audio Memory
- Novodex Allocation
- Animation
- Vertex Lighting
- StaticMesh Vertex/Index
- SkeletalMesh Vertex/Index
- Decal Vertex/Index
- VertexShader
- PixelShader
- Texture Pool Size
- FaceFX
Content Cost Comparison
When you have lots of content you can often have vastly different memory costs for objects that are used in the game. Often these massive differences are a side effect of having multiple people create assets. Or from having something change from a "Boss Encounter" to just being a mini-boss encounter. Over time things change. If you don't have a way to track and compare assets to each other then you will end up mis-using resources. Basically, we want a have Weapons of the same type cost about the same. Characters of the same type cost about the same. Doing so allows us to more easily plan out levels that will work without special casing everything
GAMENAME ContentComparisonCommandlet
NOTE: You probably want to run this nightly
This will break down the asset's total memory into a number of "key" categories for better comparison.
Those are currently located in the BaseEngine.ini and are the following:
[ContentComparisonReferenceTypes] +Class=AnimSet +Class=SkeletalMesh +Class=SoundCue +Class=StaticMesh +Class=Texture2DWe are using these attributes as they usually represent the majority of memory usage and are also the easiest to compare across assets. For example, if you have N weapons. You can probably break them up into: Small, Medium, and Large weapons. In general we don't want to have small weapons cost more than Large weapon. So being able to visualize how much each weapon cost is a great way to make certain our costs are in line. More generally, we want to have a really low standard deviation across our asset types. Example: If we have N similiar characters, we don't want one character to cost 1.5 to 2.0 times more than all the other characters in terms of SkeletalMesh. There are lots of reasons why a character could end up costing more than others. And some of those reasons are just ignorance. The idea with this commandlet is to list out the costs and then make certain they fall in line with our expectations. This also provides a nice way to investigate outliers. To set up which classes the
ContentComparisionCommandlet looks at modify
Content HistogramsSeeing that you have 15 megs of sounds always loaded in nice to know. But what are those sounds? If you do "listsounds" you get a huge list of hundreds of sounds, which is pretty painful to get an idea of what the distribution is. The same occurs for textures where you have hundreds of textures loaded. Getting a quick high level view of what TYPES of sounds are in memory can save you lots of time. If the percentages are correct then everything is Good. But if you see that you are using 40% of your sound budget on footstep sounds that gives you a quick place to optimize. By using a combination of MemLeakCheck and xls spreadsheets you can make useful histograms. A sample .xls file that can be used for sounds and textures is provided: SoundTextureHistograms.xlsx Load up your level and then:
- Run MemLeakCheck
- Copy and paste out the list of Sounds into the SoundData tab in the .xls
- Copy and paste out the list of Textures into the TextureData tab in the .xls
- The .xls will then give you each category and the amount of memory used by that category
Engine Memory Pools
As the engine loads new levels and creates new objects there are a number of Pools/Caches/Lists that will grow over time. These will stabilize after a number of levels have been loaded. The issue is that not all of them are "capped" and not all of them are "cleared" often. So you can get some high water marks that don't seem to be in the normal "stat memory" type logging. Some of these are cleared by calling WorldInfo.ClearObjectPools or per-pool clear functions. Here are some example of the pools/caches/lists:
- Name Table
- Octree
- RB_BodyInstance Pool (c.f. DISABLE_POOLED_RB_INSTANCES)
- RB_ConstraintInstance Pool (c.f. DISABLE_POOLED_RB_INSTANCES)
- Static Mesh Collision Scales
- Static Draw lists on render thread
- Particles if using the EmitterPool
- Decals if using the DecalManager
Hot Spot Reports
Hot spot reports are useful in identifying memory dips due to sub-levels streaming in and out. They will allow your LDs to better see which buckets are costing the most memory, and should allow them to optimize their levels to better fit in memory. For a complete guide to creating and using hot spot reports, see the Hot Spot Report Generation page.
MemLeakCheck Tracking
MemLeakCheck provides a really easy to use and understand view of where memory is being used in your game. It is just a text file so you can diff it easily to see changes over time. For more detail on this technique, see the MemLeakCheck Tracking page.
Texture Pool
The texture pool is a fixed size so we will not have any adverse affects on overall system memory for having a huge amount of textures. That said we want to make certain that we are effectively using that memory. That means we need to make certain that the amount of texture memory that we can see is within the pool size. We could have GIGs of textures across the entire map as long as the area around us does not exceed the texture pool. Using the
stat streaming command will display texture streaming stats. The stats you care about are:
- Streaming Fudge Factor: We want this to be as close to 1.0f as possible
- Over Budget: We want this to be as close to 0.0f as possible
listtextures console command displays all of the textures currently in the pool and their current size. Looking at that list will allow you to see if there are questionable textures existing in the pool!
In the Editor there is the TextureStats tab. Running through your level in PIE and then looking at that tab will show a lot of stats about Textures. One of the really important ones is the "Last Seen(sec)" column. If you have a texture in that is never seen even tho it is referenced, then that is a candidate for looking to see where it is used and perhaps removing it!
All textures except render targets use texture pool. This includes lightmaps. (Using lightmaps instead of vertex lighting is a clear win on memory savings because they won't fluctuate system memory.)
Also make sure you have an optimal texture pool size for your game. Stat Memory will show how much of texture pool is being used. Based on that, you'll be able to determine the best number for your game.
[TextureStreaming] PoolSize=120
Memory Fragmentation
MEM STAT: summary only MEM DETAILED: This prints out useful information for allocator. Please refer to the platform section below. You need to keep a buffer (depending on platform) of memory around to deal with fragmentation issues. Your game will crash out of memory before it reaches "0" reported free memory.
Finding Referenced Assets
As the levels from the game get closer to completion, it is well worth taking a pass over all of them to ensure that only the assets needed are loaded. In Unreal Engine 3, any referenced content will be loaded in the game, and with so many ways to reference content – both directly and indirectly – you can end up loading large assets without realizing it. For example, a Pawn referencing a Skeletal Mesh automatically will load the AnimSet that is referenced by the Skeletal Mesh, thus all animations(Pawn->Skeletalmesh->Animsets->Animations). This chain relation can be dangerous in terms of memory as more Actors reference each other. You will normally have to work with a level designer to determine if there are things being loaded that should not be, or that could be split across streaming levels and not all loaded at the same time. An example might be the mesh of a enemy that is not present in this level. MEMLEAKCHECK:
Memleakcheck prints a lot of basic game data to one output file as text file in
This will at least show you the snapshot of object list of Skeletal Meshes, AnimSets, Sounds, and so on. Once you have a basic snapshot, you can go through them and see if there are unnecessary assets loaded. If so, trace it down to who references it and remove the reference is the key to the solution.
Below is the case study...
Lists all SkeletalMeshes loaded, sorted by size.
MEMLEAKCHECK includes this information, but it is sorted alphabetically, which makes it hard to find content to optimize.
Lists all SoundCues loaded, sorted by size.
MEMLEAKCHECK includes this information, but it is also sorted alphabetically, which makes it hard to find content to optimize.
Lists all StaticMeshes loaded, sorted by size.
Lists all AnimSets loaded, sorted by size. MEMLEAKCHECK also includes this info.
The most useful way to find why an asset is being loaded is using the
OBJ REFS command. To use this, you need to run the game on PC, as it requires a deep stack due to the recursive functions and usually crashes the console versions of UE3.
Play to the point where the asset in question is loaded, and then type:
For example:
OBJ REFS CLASS=SKELETALMESH NAME=BIG_OGRE_2It will then show what the chain of references is that is pulling in this asset e.g.:
Log: Shortest reachability from root to SkeletalMesh COG_Bolo_Grenade.Frag_Grenade: Log: SkeletalMesh COG_Bolo_Grenade.Frag_Grenade [target] (root) (standalone) Log: SkeletalMeshComponent GearGame.Default__GearProj_FragGrenade:COGGrenadeMesh0 (root) (ObjectProperty Engine.SkeletalMeshComponent:SkeletalMesh) Log: Class GearGame.GearProj_FragGrenade (root) (standalone)In the example above, the Frag_Grenade mesh is being referenced by the default properties of the GearProj_FragGrenade native class. Note that there may be more than one reference, in which case you will have to take care of them one at a time. Here are some reasons we have found for assets being incorrectly loaded:
- The asset is referenced by a native class.
- UnrealScript code references the class (that references the asset) to get a default property from it:
Asset = class'MyGameContent.Pawn_BigOgre'.default.Mesh.PhysicsAsset;
- A Touch Kismet event (SeqEvt_Touch) references the class in its ClassProximityTypes or IgnoredClassProximityTypes arrays.


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Adam Douglass was born in Belfast on 1 November 1790. His father, William Douglas (1746–1832), was born in Killinchy, and married Margaret Walker there in 1763. William was said to have been a 'captain in the Irish Rebellion' of 1798, under the leadership of his Killyleagh neighbour Archibald Rowan Hamilton. Both sets of grandparents were Scottish.
In the summer of 1798, after the failure of the Rebellion, young Adam, accompanied by his uncle who was also called Adam, fled to America. Young Adam eventually returned to Ireland and signed up with the army, and fought at Waterloo in 1815 "where he was twice wounded and had his horse shot from under him". He went back to America where he settled at New Market in the Shenandoah Valley of Virginia, among many Ulster families, and became a teacher and surveyor.
He wrote a two volume book - The Irish Emigrant: An Historic Tale Founded on Fact - which was published by John T Sharrocks at the town of Winchester, Virginia, in 1817. Winchester was the 'gateway to Appalachia', whose "inhabitants are a spurious race of mortals known by the appellation of Scotch-Irish." It has been called 'the first Irish-American novel'.
The story begins in County Antrim, goes to America, and ends up back in Ulster again. In the pics below you'll see an extract which has the lead character returning to Ulster disguised in "the insignia of an Orange Man". To have that reference this early is fairly significant. It's useful to point out that at this time, King George III had been the British monarch who had 'lost' America in 1776; his son Ernest Augustus was the top Orangeman in Ireland from 1817 until 1836, so this might well have 'chimed' with an informed Ulster-American audience at the time.
The thrust of the book seems to be to try to communicate to an American readership that the 1798 Rebellion was justified and that the peoples of Ireland could indeed co-operate and get along with one another, and no better place to do that than frontier America. Bear in mind that this is 30 years before the Potato Famine. This book, although 'poorly constructed', 'melodramatic' and 'contains numerous awkward phrasings' is none the less pretty important.
Adam Douglass must have later moved north west, into Kentucky, for when he died he was buried in the Baptist cemetery of Old Goshen at Laconia, Indiana, just on the other side of the Ohio River. His wife, Nancy Pennebaker, was the sister of Isaac Pennebaker, a senator from Virginia. Nancy was from New Market so she and Adam Douglas may well have me there. She died six years earlier than Adam and was also buried at Old Goshen.
(PS: as an aside, when in Staunton during the summer, which is in the same Shenandoah Valley, I got talking to a shop assistant. She was about my age, caught the accent and we got talking. She said something like 'it's still very Scotch-Irish round here even after nearly 300 years. I'm Irish Catholic from New York, been living here for about 10 years, and there's almost none of us around here even today". She wasn't making a loaded sectarian point, just a simple demographic one.)


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Vermont White Cheddar Cheese
Made with milk sourced from regional family farms, this cheese has a pleasantly mild, rich flavor and smooth, creamy texture. Boar's Head Vermont Cheddar Cheese is aged for three months to achieve the classic Cheddar taste. This Cheddar is made with 100% USA produced pasteurized cow's milk and proudly features the Real Seal stamp.
Available sliced fresh in the deli.
Country of OriginUnited States (Vermont)
Beverage PairingChardonnay
- Lactose Free
- Premium Vegetarian Products
- Raised Without Added Hormones
- Sugar Free Not a reduced calorie food.


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With our projects There's Idea in the Network, RoPE and Portugol, LITE was feature in education on NASA Science Days, that happened on march 3 and 4, in Balneário Camboriú, Brazil. Many children were delighted with LITE's booth attractions, as the maker culture attracted attention of adults. There's Idea in The Network was the main project on the first day, and count with the winners teams of 2017 edition. On the second day, RoPE was the featured project.
The LITE booth provided the visitors with the attractions related to the projects developed in the laboratory. Through Portugol, a tool for beginners in programming, the laboratory researchers developed a touch-controlled game, which people have fun in a kind of table tennis just touching on buttons made of clay. The RoPE was placed on the floor with a rug, where it became an obligatory stop for the children in the booth.
The project There's Idea in the Network, which was only on the first day, had the participation of the teams SustentaTec and De Bem com a Vida, winners of the 2017 edition. It was the six students and two teachers who presented all the projects developed by them, during the second edition of There's Idea in the Network. "For the students of the Municipal Network of Teaching of Itajaí was a singular moment, which they could experience new possibilities of knowledge and innovation and also being motivated for a better and promising future.", says the teacher, Edizael Adriana da Rosa, instructor of the two winning teams of There's Idea in the Network. "I believe that this incentive can be determinant for the student to succeed in any discipline, recognizing the abilities of each one", concludes.
Hundreds of people passed through the laboratory booth during the event and in general had a great deal of interaction with all the projects presented, providing new experiences for the visiting public. Check out the image gallery:
Check out the image gallery:


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Group ID
Jump to navigation Jump to search
The Group ID (GID) of a SimCity 4 Object is the second set of eight hexadecimal alphanumeric characters making up the object's Type Group Instance (TGI) address. As an example, in the TGI "AAAAAAAA BBBBBBBB CCCCCCCC", the sequence "BBBBBBBB" is the object's GID. Group IDs are used in SC4 to organize related objects of the same file type. For example, all Transit Textures have a GID of 1ABE787D.
A list of all Groups, and the format of the Instance ID's that go with them is here. Note that certain custom content uses a Group ID that is unique to the computer that generated the item, as part of a method to avoid conflicts in custom content.
See also:


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Applications are invited from qualified and experienced teachers for the following positions.
Montessori Dir, PTI, Arts Teacher, English teacher, Math teacher, Urdu teacher, Computer teacher, history teacher, physics teacher and Islamiat teacher required at Army Public school saddar Karachi Pakistan. If you have 2 or 3 years experience from good school than apply for below these teaching jobs, sunday news paper advertisement dated 07-07-2019
Send your job applications before 10-July-2019