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The Creative Power of the Imagination – Free Choice, Will, and the Nature of Memory
"The way to alter an outcome is to alter the pattern (memory) producing the outcome"
In order to create by way of laws in a fully aware manner, we have to create a working concept of how the laws operate within the material realm that allows us to understand and apply them in the practical sense. Once we're able to see something with absolute clarity, we can use it to create in our daily life and it forms the very basis of our perception of reality. In order to understand how our own mind works to create our experience of reality, we have to be able to self-reflect and observe natural processes and tendencies that operate from a primarily unconscious state.
Anything that we call "natural" comes as automatic processes and behaviors that don't require us to intentionally produce them by thinking about them or using our will as a form of discipline to create. We're always using our mind to create our reality, but because we do it without any direct awareness of what we're doing or the realization that our experience of reality is something we create for ourselves, we create our life in a way where we experience it as simply happening "to us". This is one of the most primary forms of ignorance that we're all conditioned to believe, and as a result, we can spend the better part of our life feeling helpless to change the course of events and the nature of how we use those events to create our experiences.
What we call our mind is a natural aspect of our soul, and like the soul, is threefold in nature, meaning it's comprised of three basic aspects that all play different parts in creating what appears as a single unified reality. The idea of what we have come to call "reality" is a bit elusive and misleading, because it's formed out of our "perception" of it. Perception "is" reality in terms of how we experience it. While we tend to form an idea that matter exists in a stagnate and solid form as something specific and that everyone experiences reality in the same way (mass consciousness), the fact is matter in its primary state is actually comprised of particles of light that exist in a "potential state" until organized into a "form" by the mind observing it.
All created material form exists as an organized field of information that produces the form as what we can call a universal archetype. The consciousness of the individual observing material form enters into "relationship" with the field of information and through an interaction of attention and resonance, the individual consciousness as a mental model or vibratory frequency, reorganizes the information to match the holographic pattern of the model being used for structuring it (information) into a specific "type" of reality as the "experience of it". Individual consciousness doesn't produce an entirely new material form, but merely modifies how the existing one "appears" to them. The mind is always taking a universal archetype as an idea and producing a personal version of the same idea as a unique possibility and variation. Consciousness influences and determines how matter is organized into a material matrix that forms what we can call the "illusion of reality" as a fixed idea or subjective reality.
While many of us have been taught that atoms exist as fixed systems that's comprised of electron, neutrons, and protons, the fact is an atom exists as a "cloud-like substance" (wave-form) of pure potential, meaning it contains the information as possibilities for being stabilized into an infinite number of possibilities, and only becomes organized into one possibility based on how it enters into relationship with the mind observing it and acting to shape it through resonance. The wave of possibility is "collapsed" around a single possibility, forming it into the reality of that possibility as the person's perception of it. Every single individual has a mental structure as a vibratory frequency that not only forms a holographic, 3-D pattern as a form of spatial map, but also contains a self-organizing mechanism that acts to structure matter into the corresponding shape of that same pattern.
Matter is neutral and passive in nature as a primordial substance that acts as an "empty shell" for consciousness as pure energy to enter into through sympathetic resonance, organize into the same thematic pattern as a frequency, and form a coherent outer reality that matches or is of the same nature as the inner reality of the mind shaping it. Matter is magnetic in nature and consciousness is electric, and together they copulate to form an electromagnetic field that organizes matter into living forms as the energetic matrix for producing the illusion of reality as both an inner and outer space-time continuum. The body, being structured by the consciousness that inhabits it and gives it life, vibrates at the frequency of the soul's consciousness, and is the active mechanism for orchestrating the entire outer world of material form.
The soul is comprised of "memory" as the dynamic pattern of its frequency, and is what provides the subconscious mind of the lower, material plane with the template for creating as an experience of reality. The subconscious is passive and receptive in nature and doesn't have the ability to make new decisions or act out choices to create in a unique and original manner through willful action that's outside of its "memory". In order to create within the material world, we have to seed the subconscious mind with a "memory" of the reality we want it to create and the nature of the experience we want to have by way of that reality.
Ideas, Archetypes, and the Nature of Vibration
All ideas and information form a mental image as the physical form of the idea that organizes the information available into a fixed pattern of some sort that forms a corresponding vibratory frequency. All vibration exists as an organized pattern of information that serves as a model for organizing all similar information into the same pattern as a correspondence. Frequencies exists as a wave-form that contains an infinite amount of information as a "theme" that can be organized into an infinite number of variations based on how the same information is structured and what emotion is animating and motivating it.
The vibration provides the type of information and the emotion is the motivating force that determines how that information is structured to create a certain "type of experience" as a story about it. Any scenario or live setting can be turned into a drama, adventure, comedy, or horror story based on the attitude and perspective it's being told from. Any scenario as a material setting (field of available information) being "shaped" by someone in a sad mood, will serve to tell a sad story that will create an experience of it that makes them feel sad. Whatever emotion being expressed in a situation shapes it in a way that produces and gives us more of that same emotion. The material reality itself is meaningless outside of its ability to give us a "feeling" of some kind.
An archetype exists as a universal idea that's thematic in nature (memory) and lends itself as a generic template for organizing matter into animated forms. An archetype not only has the basic type of idea inherent in its natural form, but also the operations of that form as a natural set of behaviors. All form that's produced by how information is organized into a pattern, determines the natural function, operation, and behavior of that form and the outcome it produces through a creative process. To change the function and the outcome, you have to change the pattern as the memory being used to produce it.
An idea as a material reality exists as a "memory" that comes to us in "whole form". It contains everything necessary to produce and replicate or reproduce more of that same idea. A universal memory as an archetype is used by the individual mind to produce a personal memory of the same kind, varied only by how it's adapted to the mental model of the individual and as applied to a unique set of circumstances and conditions. A universal theme as a memory lends itself to creating a personal experience as a memory of the same nature, and is returned to its universal status by how it's integrated into the overall model of the individual.
When we form a memory of a certain type of flower, we don't remember that specific flower itself, but it adds to our overall memory of that type of flower in general. As we create experiences that seem to be specific to the exact set of circumstances in which they took place, subconsciously, they form back into the general pattern as a theme that's being used to create them. So each time an idea is applied to a unique set of circumstances it creates a unique variation of that same idea as the feeling it gave us through the experience of it. The same idea as a pattern forms a memory as a vibratory frequency that's used to organize our experiences to be of the same nature by resonating with the field of information involved, reforming it as our interpretation and perception of it, forming a coherent inner and outer reality of the same idea and overall pattern as a theme.
The Nature of Memory and the Faculty of the Imagination
While many people think that memory is formed as a factual recollection of an event in our life, in reality, we create our memories in our imagination by how we form our experience of the event. We then use our imagination to recall the memory and play it out once again in our mind as the means of keeping ourselves tuned to the reality of the memory as a theme for producing more of the same type of experiences in our present situation. Our memories of the past are formed largely by what we told ourselves about the experience that made it mean something and formed the story we told ourselves about it as a way of experiencing it. The meaning and story we told ourselves about something gave us a certain internal feeling, and out of that feeling we formed our experience of it.
As we formed our experience, we also formed an experience of how other people are, the world in general, and how we are in relationship to it all. Meaning and experience, like the mind and soul that's creating it, is also threefold in nature and creates on three levels and scales simultaneously. As we create our experience of others and the world, we create ourselves by way of those same experiences. We create out of memory of the past as our mental paradigm to produce more of that same type of reality in the present, which sets the basis for the future as a form of self-regeneration and replication.
Our material body, which means the brain, heart, gut, nervous system, and all aspects of the body, as well as our outer material reality (the whole material plane) is created by the subconscious aspect of the mind through memory as whole patterns that form a theme as a generalized idea that can be applied adequately to any situations and circumstances to reshape it into the "nature of the memory" by how we form an interpretation of it. We're always looking through the memory of the past to perceive the present and interpreting it to mean the same thing. We only look at the information in any situation that matches or is conducive to forming the same idea over and over, and we ignore or can't see what doesn't. All of our perceptions are formed out of partial information that's been reorganized through our interpretation of it that forms how we perceive it and how we form an experience of it as a result.
We're always creating out of memory of some kind while in a material body, whether it comes as our own seemingly self-created memories, the ideas given to us or taught to us by others, or memories as archetypal ideas we draw into our mental sphere from higher planes. The subconscious, which is the creative aspect of the mind on the material plane, needs a memory as a thematic pattern for producing a perception of reality as our experience and personal creation. We change our experience by either changing the set of integrated memories producing it or by creating a virtual memory in the imagination that acts to give the subconscious a new idea for turning into a corresponding reality. The subconscious doesn't know the difference between an actual reality and an imagined one because they're both created the same way in the faculty of the imagination. As we conceive of something we form an internal representation of it in our imagination that conforms it to us, and provides a generalized idea for organizing how we first perceive, then experience it.
Transforming Memory
We transform our memory of something, not by intellectually reinterpreting it, but by emotionally creating a new experience of it. We reform how we experience it in our imagination, until we get it the way we want it, then we replay it several times until it comes naturally without having to think about it. Once we can recall it instantly and we begin thinking about it as a part of our natural thoughts, we produce what we can think of as an artificial or virtual memory that provides the subconscious with a pattern for creating as a reality. As we form an inner experience of it that's embellished with sensory information that naturally elicits an emotional response, and replay it in the exact same way over and over, we seat it in our subconscious and it becomes a natural part of our psyche. By changing our memories, we change our internal nature, and transform the nature of our outer reality as our experience of it.
Emotion is the motivating force of the subconscious and imagination, which is the creative component of the mind in terms of its ability to shape reality. Regardless of what intellectual or conscious decision we appear to make, it's the emotion associated with our decision that determines what aspect of it we focus on and run through our imagination consistently that actually creates the experience we produce. Thought as an imagined reality is creative, and emotion drives the nature of our thoughts and how they form to tell a story. If we seem to consciously choose success, but then dwell in the fear of failure, we're actually (unconsciously) choosing to create the experience of failing. By imagining an experience vividly and with intense feelings, we're literally giving the subconscious the command and pattern as the "type of experience" we want it to create around the idea of what it means to succeed.
When our three minds are not coherently "aligned" and all acting in unison to create the same idea as a reality, we naturally default in favor of whatever has the strongest emotion associated with it. Strong emotion acts as a "hook" that controls our attention and what we consistently focus on, causing us to dwell in the reality of it repeatedly. Whatever idea produces a strong emotional charge in us tends to control what we focus on and create as an inner reality by how we run it through our mind as an actual scenario or possible experience. Our imagined experience acts as a rehearsal and preview of what's to come.
The Conscious and Unconscious Nature of Choice
While we tend to relate to the idea of choice as something we only engage in consciously through a form of deliberate and calculated act, the fact is we're making a very fundamental decision to create by whatever it is we focus on and think about. While we can say the subconscious doesn't have the ability to discriminate or "choose possibilities" as a means of consciously creating, it does have the ability through our emotional state to determine what it is we give our attention to, think about on a consistent basis, and therefore use our will to create as an outer reality.
The outer perception of reality ALWAYS comes as a correspondence to the inner reality of the imagination. This is because both are being created by the same aspect of the mind through the natural laws that govern it. You can't dwell in hardship and suffering by constantly imagining it as an experience in your mind while acting to produce its opposite as an outer experience. You can't produce what "you want" by constantly thinking about and creating the emotional state of what you "don't want". Whatever we dwell in, good or bad, we use our will to create as our experience of reality. Even if we are a part of what exists as a primarily positive set of circumstances that contradict our imagined idea for things, we'll act to distort it and make it into the same feeling experience as our imagined thoughts by how we interpret it to create our experience of it. The mind uses its mental paradigm as the means for interpreting things to create a consistent story about them.
Material reality in and of itself is not the point or objective of the mind (soul) in creating reality, it's the "experience" created through the material means. It's how we use whatever material means or situation is available to us as our means for creating the "same type" of experience as our imagined ones. The material objects themselves have no meaning or value outside of the one we give them. Things only mean what we say they mean. Truth is whatever we say and believe is true. There really is no such thing as a truly "objective reality" because all reality is created by our mind as our perception of it formed by our mental paradigm as our vibratory frequency, and is ultimately "subjective" in nature. This means that not only are we the one creating our reality, but that we are then subject to (formed and determined) our own creation. We are always "creating ourselves" through how we create our experience of reality. We're always acting on ourselves to create ourselves by how our mind operates to form the entire material plane as our experience of ourselves within a specific type of reality.
The Nature of an Idea as a Memory
All ideas come to us and exist as a form of memory. They provide us with a pattern as all the information needed that's structured in a specific way to create the reality as a material form of the idea. An archetype of a chair, for example, provides us with the basic idea of "sitting" that we can then use to produce any number of styles or different types of chairs. And idea as a specific type of form vibrates at a specific frequency as a thematic pattern that can be used to organize matter on any level and scale of existence. If we have accumulated memory of being "betrayed", we can interpret any number of behaviors or scenarios into meaning we're being betrayed once again.
We form ideas into realities in our imagination, and in doing so, "tune ourselves" energetically to the reality of that idea where we act as the channel or vehicle for that idea to express through and produce an experience of itself. By tuning ourselves to an idea, we form it as an internal representation that acts as a virtual memory to produce a live simulation as an outer reality that allows us to experience that idea and our self "through that idea". We first act to reshape the outer world to match the theme of the inner world as its creator that provides us with the means for creating an "experience of our self" through it. Whatever ideas we become a channel for as memory that we embody, we shape ourselves through the expression of those ideas, and they become a part of our personal memories forming our essential nature as a soul.
The subconscious can't tell the difference between an actual experience and an imagined one, because they're both created with the same faculty of the mind. They're both created in exactly the same way. Our memories of the past are the creative template for creating more of the same type of experiences in the present. As we think about memories of various sorts, whether those of our actual experiences or ideas we've been taught and given by others, we use them to direct and command our subconscious to create more of the same type of experiences within our current situation. We literally tune ourselves to the vibration of our thoughts as a theme for creating experiences of our self. The soul is comprised of memory acquired through an infinite number of combining various forms of memory to express and reform the same basic idea of "itself".
The Motivating Force of Pleasure and Pain
The subconscious and all memory is driven by emotional states and motivated by ideas that represent pleasure or pain. These two types of motivational forces can also be translated as being similar to the idea of love and fear, which act to produce complementary opposites of the same idea. Regardless of what idea we hold in our mind, the emotion we associate to it determines whether we create an experience of it as being either pleasurable and therefore desirable, or painful and therefore something to be avoided. Whatever emotion we experience in relation to the idea determines whether or not we create it or its opposite as a possible variation. Whether or not we expand and move into an idea with the desire to become one with it, or contract and move away from an idea as a means of separating ourselves from it.
Many times we say we want something, yet, at the same time, we fear it, and in thinking about it we create it in our mind as a fearful experience rather than enjoying or loving it, and we program our own mind to dread and move away from or avoid something we ultimately desire. These same laws apply and operate in an absolute fashion regardless of our ideas of right and wrong, and good or bad, and serve to create in a negative fashion just as readily as they do in a positive fashion, all based on how we imagine them and create an inner experience of them as a command, rehearsal and preview for our subconscious to produce as an outer reality.
Belief and Knowing through Direct Experience
It's very important to get a thorough understanding of an idea as a law or principle in order to use it by applying it in a fully aware and deliberate manner. While belief is important until we actually know something as a fact through the direct experience of it, it can also lead us astray if we believe in the wrong thing, and therefore can never create the actual experience of our belief, while unconsciously engaging in creating the opposite without realizing it, because of course we're the ones that are creating it by how we use our mind. We only truly know what we can do. All law is known by its ability to produce our experience of reality. When we're asked to believe in something we can't apply and experience, we invest in a fundamental form of deception.
A lack of belief in what operates as law negates and argues against something, producing the imaginary reality of its beliefs, entering doubt as a form of contesting its own psychological powers. It directly challenges an operation out of a lack of true self-awareness and understanding. When we don't realize we're the ones creating the reality of our beliefs, regardless of what they are, we imagine that reality is something that exists separate from us instead of as an inherent part of us. We believe our perception of reality comes from our ability to accurately observe and evaluate it from a detached perspective where "we're in reality and it's happening to us from outside of us". While this is true in one respect of the objective reality of the collective unconscious that we are all a part of as the "original creation" that provides the primary substratum as a universal idea that we all use to create personalized versions, "how" we experience our joint reality is a personal creation based on our "model of the world".
Once true clarity is achieved through the self-recognition of how we're always using our mind to create, we come to know it as a fact through the direct experience of it, and we begin working cooperatively with it by learning how to operate our own mind and imagination. The truth is there is no absolute truth in terms of the true nature of "what reality is" in the objective sense of a generalized consensus, because every single person perceives the same general idea as a potential wave-form of information, in a slightly different way, based on their mental paradigm and conditioning as the memory being used as a filter to perceive it. The only way we have of trying to figure out if something is actually real or not, is if two or more people "appear to be seeing the same thing". Even then, they'll see a somewhat different version of the same thing based on what stands out and is emphasized and what's ignored or not noticed. A unique version is formed through a filtering system that determines what they're able to see and comprehend, and what they can't see or comprehend.
The Nature of Will – Self and Others
One of the most prevalent laws there are as a kind of universal rule that governs both good and evil, and everything in-between, is that we can't ever act to violate another person's free choice and will. This isn't just a nice idea or a form of courtesy, it's a universal law. What this means in terms of our ability to create at a personal level, is that whatever we imagine and set forth as a vivid internal experience as the means of producing the outer equivalent, can't involve another person specifically. If someone else is involved in our wish, we have to create a generalized or universal idea of the person as simply being someone of the same desire, karma, and will as we are. While realizing that when the experience manifests, the other person that will be a natural part of it will be of the same memory (vibratory frequency) and will as we are. If we form an idea that involves a specific person that won't naturally play a part in that kind of reality, then we experience it as not working, or we struggle endlessly in an attempt to get the other person to comply and cooperate in an agreeable manner.
All wishes and virtual memories produced in the imagination as a request and template for creating as an experience of reality, should only involve yourself or a universal concept of another person who would naturally be a part of that same type of experience. Just as the realization that when we act to change actual memories that were formed with other people, we have to change their nature in order to act it out in a different way, because as long as their nature stays the same, they can only participate in creating the same type of experience over and over again. You can't create a new type of experience from the same old memories as perceptions and behavioral attitudes. In creating a new experience based on a new idea, you have to leave the nature and identity of the people involved open knowing that only those who are capable of creating those types of experiences will be involved in the actual reality that manifests.
Transpersonal Psychologist, Spiritual Mentor, and Integrative Mind-Body Health Consultant


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subset: commoncrawl


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Written by: Jamie L. B. Deenihan
Illustrated by: Lorraine Rocha
For ages: 3 years and up
Language: English
Topics Covered: POC-Centric Narratives, Family, Love, Rhyming, Community, Independence, Etiquette.
Summary: This book is SO cute! The story begins with our main character making a birthday wish list filled with electronics. What she receives however, is unexpected…a lemon tree!
The clever part of this book is it teaches proper politeness etiquette when receiving something unexpected for a gift and ties in helping the community. The illustrations assist with the lesson, helping the reader and audience understand what not to do so that feelings of the gift-giver are not hurt!
The story goes through what to do and what not to do in the care and keeping of a lemon tree. Water, sunlight, and year-round care until….lemons!! The main character and her grandma pick lemons and make some delicious lemonade. Remember those electronics that she wanted? What better way to get them than to earn the money yourself? The main character sets up a stand in the neighborhood, earning the money for the items she wanted. Upon getting to the store, she sees a huge plant sale! The young girl buys enough plants to jazz up the vacant lot near her apartment building, beautifying the space for everyone (who finally look up from their electronics to notice the beauty surrounding them)!
About the Author & the Illustrator:
Jamie was a first grade teacher and certified reading specialist in Western Massachusetts for ten years. After her husband was diagnosed with a brain tumor in 2015, she took time away from her classroom to be home with her family, teach part-time, and pursue a writing career.
Her debut picture book, WHEN GRANDMA GIVES YOU A LEMON TREE, illustrated by Lorraine Rocha, was released on March 5, 2019. To learn about Jamie's other upcoming picture books, please visit the "Books" page of this website.
Jamie lives in Connecticut, near the family farm she grew up on, with her husband, two children, and a growing collection of lemon trees. She's a member of the Society of Children's Book Writers and Illustrators and Julie Hedlund's 12X12 Picture Book Challenge. Jamie is represented by Linda Camacho at Gallt & Zacker Agency.
Lorraine Rocha started out studying architecture but quickly realized she wanted to draw more than just floor plans and returned to school to study illustration and animation at San Jose State University. After graduation, she worked at Industrial Light + Magic in the art department, contributing to such films as National Treasure: Book of Secrets, Miracle at St. Anna, and Indiana Jones and the Kingdom of the Crystal Skull, and Ironman.
Following her time at ILM, Lorraine worked as a concept artist on the game Bioshock 2 and taught classes at The Art Institute of Las Vegas.
Upon her return to the San Francisco bay area, Lorraine focused on picture book illustration, and creating funny, whimsical images. Lorraine's debut picture book, Zebra On The Go, will be published in 2017.
Lorraine lives with her two favorite people, her husband and daughter. All three enjoy singing and dancing, and Lorraine's cooking.


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Linx Hypnos Zero Wax Vaporizer
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Atomizer: All ceramic heating chamber with a uniquely designed ceramic plate.
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Material: Vapor path is constructed entirely from medical grade components. No plastics, no paints, and no fibers.
Dimensions: 14 mm (Diameter) x 107 mm (Length)
Weight: 46g
Voltage: Input: 2.7 – 5.5v; Output: 3.5v – 4.1v
1. Charge the battery by threading the USB charger onto the battery and plugging into a viable power outlet.
2. Turn the device on by pressing the power button 5 times quickly.
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If the button is held down for fifteen seconds the battery will enter stand by mode and will no longer heat. To exit standby mode, press the button five times.
Temperature Settings:
Press the power button three times quickly to toggle between four temperatures.
Blue: Low
Green: Medium
Yellow: Medium high
Red: High


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Have you ever ever stopped to think about your vehicle's locks? Now this may shock to most people, that when these Jaguar lovers are able to pay any quantity for the old version of Jaguar, why not they purchase any of the latest models like XF, XJ or XK. Well, a solution to this question in easy words is a plethora of Jaguar upgrade options obtainable in the market which offer them an advantage of enjoying the identical energy of those vehicles which they've been delivering throughout their first technology.
The primary logo of Fiat nonetheless marks the time by which the automotive firm introduced the primary "horseless carriages." The emblem of 1899 seems like a leather parch where the company details have been written on. The brown leather-like logo is a reflection of the time.
Totally different corporations have different histories, thus completely different tales behind car logos. A emblem certainly offers zest to a automotive and that's why automakers try to invent a peculiar and exquisite visual image to make their cars particular and simply recognizable amongst others.
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For example the Alpha Romeo badge represents the town of Milano's court of arms and the Ferrari design is homage to the famous Italian air pressure pilot who gave his life for the nation throughout World Warfare I. Many companies have also used animal pictures like a bull or an enormous cat to associate animal attributes to their firm features.
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Follow these steps to customize a perfect automotive & auto emblem with nice ease. These automobile logos are like symbols and are additionally known as Automotive Emblems". For example, automotive emblem designs can have a tattoo type of design displaying a automotive.
The ancient symbol for the Roman god Mars has lengthy been associated with weapons and warfare, and can be the alchemist image for iron The Swedish firm, known for its protected, sturdy vehicles, adopted the iron badge when it started manufacturing cars within the 1920s.
Auto Body Store Advertising
Bayerische Motoren Werke AG, in English, Bavarian Motor Works, like Mercedes-Benz is a German vehicle producer. That is usually the purpose the customer begins to understand it isn't solely the automotive logos that differ on the automotive it is a lot more and the salesman lied to him. four. Black Ceramic Paint Design – Each types of glass will sometimes have the identical exact paint designs across the edges of the glass, though there are a few unique OEM windshields out there.
If we focus on simply three of the key automobile producers, we would understand that they manage to supply related luxury autos in order to cater to the market segments and but keep a unique character in those autos that is specific to their make and symbolizes their brand.
The Special Partnerships Between Luxurious Watches & Automobile Brands
Each Image of automobile company has his own meaning and history, and i am inviting you to browse and find it to the most attention-grabbing and most informative manner.
Searching for some design inspiration to steer your automotive, car, and vehicle logos in the fitting route? A. Coloration: The colors utilized in such logos are splashy and shiny to spotlight the speed and zeal linked to vehicles as a shifting object. A automobile logo is like a form of autograph of a automobile producer, but the brand is even more symbolic and informative.
Accounts differ on what impressed Chevrolet and Normal Motors co-founder William C. Durant to assist him create the automobile firm's well-known bowtie brand Some say Durant had a dream stirred by a wallpaper design from a French hotel; or, according to his daughter, it was a random design he sketched on a tablecloth.
The Traction Avant is a automobile that pioneered the mass production of three revolutionary options which might be nonetheless in use at present: a unitary physique with no separate frame , 4 wheel unbiased suspension and entrance-wheel drive Whereas for many decades, the vast majority of motor vehicles were similar in conception to the Ford Mannequin T – a physique bolted onto a ladder body which held all the mechanical parts of the automotive, a strong rear axle that rigidly linked the rear wheels and rear wheel drive The Model T college of vehicle engineering proved fashionable as a result of it was thought-about low-cost to construct, though it did pose dynamic defects as automobiles had been becoming extra capable, and resulted in heavier automobiles, which is why immediately vehicles are extra just like the Traction Avant than the Model T below the pores and skin.
It has more than 1260 automobile logos of firms what is must say the largest collection on the web. Coverking's custom auto flooring mats are made to the precise specs of your automobile. The importance of car logos can be recognized by considering the folks's discussions and ideas, and their discussion about completely different automotive logos and car symbols.
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Customized auto shades positioned in cars are primarily used for 2 reasons. A number of the Automotive Brands that utilizing Image Automotive Logos are: Mercedes-Benz, Renault, Ferrari, Porsche, Citroen. Some auto glass installation corporations remove the windshields manufacturer logo to fool consumers into thinking its really OEM. Individuals like to have vehicles and so they use it to move from one place to another.
BMW stresses on performance and pleasure of driving of their automobiles. Such companies may use, automobile keys, greenback signal with car, highway or tyre In logos. The logos symbolize the animal, jaguar. I will not be mistaken if I say, car logos photos symbolize luxury as properly and they're conspicuously used to represent sumptuousness and opulence.
The Windshield Alternative Survival Information
Subaru was an plane manufacturer within the early 1900s and worked its means into the automobile industry by the Fifties underneath the Fuji Heavy Industries Ltd banner. Some of the Automotive Manufacturers that using Textual content Car Logos are: Mazda, Toyota, Ford, Fiat. This is another German brand that's famous world over for cars that characteristic cutting edge dynamics and impeccable performance with unmatched styling.
Although the official name of Mercedes Benz didn't become a part of the company till later the symbol has been an integral part of the Mercedes Benz Company since its conception in 1909. 24 These autos shared the distinguishing function of rising to operating experience top when the engine was turned on, like a "mechanical camel" (per Car & Driver journal).
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The truth that automotive logos differ from country to nation is true it's not solely the automotive logos that differ. An auto restore enterprise might use screw drivers, nuts or bolts in their logos. In actual fact, the spherical blue, white, and black BMW brand represents its legacy as an aircraft manufacturer: the symbol very carefully resembles airplane propellers chopping by way of a blue sky.


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This lovely plait is a rich sweet dough studded with raisins and chopped almonds, you can add chopped glace cherries too if liked or you could also drizzle it with a little runny glace icing as soon as it comes out of the oven, to make a sweet sticky glaze. If you feel that making a plait is hard work, why not shape the mixture into round buns or even bake as a whole loaf in a 900g loaf tin. This makes a lovely loaf to serve for brunch or tea time with a nice cup of tea.
- 500g strong white bread flour
- 50g butter
- 2tsp easy bake or fast action yeast
- 1tbsp sugar
- 1tsp salt
- 150ml milk
- 75ml water
- 1 egg, beaten
- 50g raisins
- 50g chopped almonds
- Good pinch ground cinnamon
- 25g flaked almonds
- Icing sugar for dusting
- Place the flour in a mixing bowl, add the butter and rub in until it forms fine crumbs. Stir in the yeast, sugar and salt.
- Warm the milk until it is just hot, then add the water – the mixture should be just warm to the touch. Add to the flour with the beaten egg, raisins, almonds and cinnamon and mix well to make a soft dough. Add a little more water or milk if necessary.
- Knead in an electric mixer for 5 mins or turn out onto a lightly floured work top and knead for 10 mins until smooth and elastic.
- Divide the dough into 3 equal pieces. Roll each into a long sausage about 45cm long. Join together at one end, then plait together. Place on a baking tray and cover loosely with oiled cling film. Leave in a warm place to rise for about 45 mins to an hour or until doubled in size.
- Pre heat the oven to 190°C/170°C Fan/Gas Mark 5.
- When the dough has doubled in size sprinkle with the flaked almonds. Bake the plait for 25-30 mins until golden brown, risen and it sounds hollow when tapped underneath. Allow to cool on a wire rack and dust thickly with icing sugar.
Top Tip for making Sweet almond bread plait
If liked you can soak the raisins in 1-2 tbsp rum or brandy before adding to the dough. This bread is best eaten the day it is made, but can be toasted the next day.
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Mars bar Easter nests
Mini Mars bar nests are so easy to make with the kids and can be decorated with your favourite Easter treats like chocolate eggs
By Jessica Dady Published
Creme Egg Scotch eggs
We all love a Scotch egg – on a picnic out or as a delicious snack at home. But this is the ultimate Scotch egg – the Scotch Creme Egg.
By Octavia Lillywhite Published


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Starting School at Richmond?
Everything you need to know...
Make sure you have read our Why choose Richmond? page before you start!
If your child is going to be starting school with us, scroll through this page for lots of useful information for new parents.
Who we are
Miss L Conway
Deputy Headteacher
Miss E Smith
Miss C Mansell
How we communicate
Reach More Parents is our communication app for all current parents with children at the school.
It is our primary method of communication and essential for day to day contact with the school.
We use weduc to:
- Send messages (which parents receive as app notifications)
- Receive messages (parents can message the school office from the Weduc app)
- Share letters and newsletters
- Share key dates on our calendar
- Share what's been going on at the school in our newsfeed
- Share useful links and information in 'The Hub' (Term dates, Staff list, Policies, etc.)
You can download the Weduc app onto your smart phone or tablet from the App Store or Google Play.
To register to use the app, please ask the school office for your unique enrolment code if you have not received one.
Please note that parents will only be able to receive an enrolment code once their child has started school.
School Uniform
We have thought carefully about our school uniform and have chosen it to be comfortable and practical for primary aged children whilst also being affordable for families.
Our sweatshirt/cardigan is the only piece of school uniform where it is important that the School logo is present. These can only be purchased from the Mapac Online Shop where parents can choose to have orders delivered to the school free of charge.
This means that all other items of uniform/accessories can be purchased in supermarkets and/or local uniform shops, as well as the Mapac online shop.
Use the link below to purchase uniform from the Mapac online shop.
If you do not have access to a computer/internet, you can contact Mapac's friendly team on 01923 255525.
If you have any queries before, during, or after placing your order call 01923 255525 or firstname.lastname@example.com
Size Guide (Samples of uniform are available at the main office to try on)
School Meals
Our school meals are provided by Chartwells. At £2.45 per day, we offer a balanced and nutritious menu daily. To accompany our menu, there is a fresh salad bar every day where children are encouraged to try a variety of new foods.
If you pay for school meals this must be done in advance via the Parent Pay website/app.
Wrap around care
We recognise the importance of providing childcare options to assist working parents.
Richmond Academy is open from 7:30am – 4:30pm Monday to Friday.
As well as our Breakfast Club and After School Club, we offer a range of free Extra-Curricular Clubs every term that children can take part in after school.
Our curriculum
At our school, we work hard to offer an exciting curriculum that helps students become caring, lifelong learners who are ready to make a positive difference in the world. Our curriculum focuses on several important areas:
- Teaching students about unfairness in the world and inspiring them to take action to improve it.
- Helping students understand their feelings and how to get along with people from different backgrounds.
- Encouraging students to think creatively and critically to solve problems by working together and using different subjects.
- Supporting students in learning at their own pace in a welcoming environment that values everyone's uniqueness.
- Creating memorable learning experiences that students will remember and cherish.
- Preparing students for an unpredictable future by showing them how to use technology for learning.
- Using a mastery approach to help students gain a deep and lasting understanding of what they learn, which can be adapted as needed.
Timings of the school day/term dates
Over a school year, pupils are required to attend school for 190 days. Children do not come into school on Staff Development Days or Bank Holidays.
Richmond Primary School is open from 7.30am – 6.00pm Monday to Friday.
Compulsory times for children are 8.45am – 3.15pm which equates to 6 hours 30 minutes a day, or 32.5 hours per week.
Parent Support Advisor
We have an in-school PSA who can support parents both practically and emotionally with any issues they may have regarding their children and/or school.
Every Thursday, 4pm – 6pm, we host Swale Foodbank's very first Sheppey-based foodbank centre.


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Syria air strikes: Key quotes from Trump's address
President Donald Trump announced launch of joint US-British-French operation targeting Syria's government.
President Donald Trump late Friday announced the launch of a joint US-British-French operation targeting Syria's "criminal" regime in retaliation for a suspected chemical attack that he called a "significant escalation" in the crisis.
Here are key excerpts from Trump's televised address to the nation, which lasted just under eight minutes:
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'Operation under way'
"My fellow Americans – a short time ago, I ordered the United States armed forces to launch precision strikes on targets associated with the chemical weapons capabilities of Syrian dictator Bashar al-Assad.
"A combined operation with the armed forces of France and the United Kingdom is now under way. We thank them both."
'Crimes of a monster'
"Last Saturday, the Assad regime again deployed chemical weapons to slaughter innocent civilians – this time in the town of Douma, near the Syrian capital of Damascus. This massacre was a significant escalation in a pattern of chemical weapons use by that very terrible regime.
"The evil and the despicable attack left mother and fathers, infants and children thrashing in pain and gasping for air. These are not the actions of a man. They are crimes of a monster instead."
'Strong deterrent'
"The purpose of our actions tonight is to establish a strong deterrent against the production, spread and use of chemical weapons.
"Establishing this deterrent is a vital national security interest of the United States. The combined American, British and French response to these atrocities will integrate all instruments of our national power – military, economic, and diplomatic.
"We are prepared to sustain this response until the Syrian regime stops its use of prohibited chemical agents."
Message to Russia, Iran
"To Iran and to Russia, I ask: what kind of nation wants to be associated with the mass murder of innocent men, women and children?
"The nations of the world can be judged by the friends they keep. No nation can succeed in the long run by promoting rogue states, brutal tyrants, and murderous dictators."
Russia must decide
"In 2013, President Putin and his government promised the world that they would guarantee the elimination of Syria's chemical weapons. Assad's chemical attack – and today's response – are the direct result of Russia's failure to keep that promise.
"Russia must decide if it will continue down this dark path, or if it will join with civilized nations as a force for stability and peace."
Syria's fate in its own hands
"America does not seek an indefinite presence in Syria under no circumstances.
"No amount of American blood and treasure can produce lasting peace and security in the Middle East.
"The United States will be a partner and a friend, but the fate of the region lies in the hands of its own people."


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Deep Greens
Deep Greens is a MUSE Wall Studio exclusive, designed by artist Jessa Bray of Flax + Wool Designs. Jessa describes this as wallpaper for a woman who desperately longs for floral, but who lives in a house full of boys. The flowers are girly — the colors anything but.
For more inspiration from the artist: check out the the Deep Greens Wallpaper Mood Board! Jessa Bray shows us her vision for this wallpaper, with coordinating furniture, decor, and color ideas for this print.
Read about how to create this bedroom look here at Mix and Match Design Company.
Our Peel and Stick Wallpaper is made from high quality, 100% polyester fabric.
Our Traditional Wallpaper is made from high-quality Lead Certified wallpaper.
Why get a reduced-scale sample?✔ Gain confidence using the material✔ See the colors in person✔ Test the peel & stick material on your surface
Beautiful designs + superb quality. Feel confident knowing you have very best peel & stick wallpaper and here's why:
★ Stays on the wall. Patented technology means our wallpaper will not fall off your smooth, dry wall.
★ Easy to remove. MUSE wallpaper will not peel off paint or leave residue on the wall. Safe for renters and indecisive decorators — hooray!
★ Reposition and Reuse. Peel & stick as many times as you'd like, or move it to another wall (just remember to save the paper backing).
★ Easy to apply. The paper has just the right sturdiness and weight to make seam matching super easy.
★ Durable. Wash it, use it, love it — our material is ready for whatever you've got.
Good to know:
Our removable wallpaper is a special matte polyester wall fabric (not vinyl). You can apply it on a wide variety of surfaces, including furniture, glass, wood, etc.
Do not apply the wallpaper to freshly painted surfaces, or surfaces painted in the last four weeks. For best results, apply to light-colored, smooth surfaces.
Washable with mild soap and water.
Measure the height and width of your wall, then use our size chart to determine how much to get. Still unsure? Checkout our how-to video on measuring and ordering here.
Contact us if you have questions!
NOTE: We make your order just for you, so processing time is about two weeks. We offer FREE standard shipping within the USA. Standard shipping is via USPS Priority Mail (typically 3 days). We also offer USPS Priority Express Shipping (typically 2 days) for domestic orders as an upgrade option. For international orders, we offer DHL express (delivery typically within 5 business days once shipped).
Please ensure your address is correct before placing your order. We cannot replace missing packages if your address information was not correct on your order.
Items are specially made for you and non-returnable. Please order samples first and contact us if you have a problem with your order and we will help to resolve the issue.
Enchanting Blue Herringbone
This two-toned blue herringbone wallpaper was created by Whitney Hawkins for her Enchanted collection, exclusive to MUSE Wall Studio. This restful blue hue would be gorgeous in the bathroom, bedroom, or nursery. Each herringbone column is approximately 4.5 inches wide (a single column consists of both a downstroke and upstroke side). See the rest the Whitney's collection for coordinating designs.
Ferns in White
The Ferns wallpaper in white is an intricate design hand painted by Naomi McCavitt of Thickett Design for her wallpaper collection, exclusive to MUSE Wall Studio. This wallpaper features a lush variety of incredibly detailed ferns on a bright white background. Most plants are approximately 12 inches tall.
The Naturalist on White
This incredibly detailed wallpaper was hand painted by Naomi McCavitt of Thickett Design for her wallpaper collection, exclusive to MUSE Wall Studio. This wallpaper features exquisitely lifelike birds, ferns, acorns, eggs, mushrooms, insects, and more on a crisp white background. For scale, large dark butterfly is approximately 7 inches wide x 6 inches high. Blue egg is approximately 4 inches tall.
Settle Down Watercolor Dots
Take a deep breath with this soothing print. Blue watercolor dots create a peaceful retreat in your home, perfect for calming ragged nerves in a bedroom, bathroom, or reading nook. Individual dots measure approximately 1.5 inches x 1.5 inches.
Susie Q
Retro and refined at the same time, our Susie Q peel and stick wallpaper is just the thing for your mid Century Modern home. We've taken classic mid century colors and given them a subtle update. Lovely paired with white, cream, and brown. Each oblong oval is about 4.5 inches x 5.5 inches.
Woodland Forest Wall Mural on White
This large scale woodland wall mural in white was designed by Whitney Hawkins for her Enchanted collection, exclusive to Muse Wall Studio. The mural features deer, foxes, squirrels, owls, and rabbits among lush woodland flora.
Standard sizing for this wall mural:
The wall mural design may be altered slightly from these pictures to best fit the dimensions you choose. Please contact us about custom sizes for your wall.
Black Format Ferns
Our Black Format Ferns wallpaper beautifully shows detailed fern illustrations in high contrast on a dramatic black background. This black and white removable wallpaper makes for a bold statement wall, and looks rich and moody in a small room. The largest fern leaf is approximately 19 inches high x 10 inches wide.
Light Marble Mural
We've searched high and low for the perfect marble to bring to full life in a wall-scale mural, and we've finally found it. This delicate natural marble mural with gorgeous veining and subtle color blends seamlessly into any space. This is perfect to fill an entire wall, or go small and wrap around a cabinet or table for a fun refresh.
The wall mural design may be altered slightly from these pictures to best fit the dimensions you choose. Please contact us about custom sizes for your wall.
Canyon Sands
Looking for a neutral wallpaper that's a little something special? That's just how we feel about Canyon Sands by Britt Mills — soft, unassuming, and majorly interesting. The colors are an earthy mix that coordinate well with both warm and cool colors, which means we give this style major bonus points for being easy to incorporate into your decor.
Sprinkles! Isn't this wallpaper deliciously awesome? This wallpaper would look absolutely darling in a nursery or child's room. Or turn a cupboard into a baking pantry with this fun color pop. Each sprinkle is approximately 1 inch long.
Small Dainty Rainbows
Increase your home's happiness vibe with this fun print from Simplified® by Emily Ley. Small, hand drawn rainbows scatter across the wall to provide a constant infusion of peppy harmony. Try it out in your office, child's room, or bathroom (good morning, sunshine!). Each rainbow is approximately 4.5 inches wide. For a larger scale version of this pattern check out Dainty Rainbows.
White Brick Peel & Stick Wallpaper
Our faux white brick peel & stick wallpaper is photorealistic and easy to use. Each brick measures approximately 9 inches wide x 2 inches high.
Dainty Rainbows
This wallpaper with rainbow pops of color from Simplified® by Emily Ley bring the party to your house. Try it out in your office, child's room, or bathroom (good morning, sunshine!). Each rainbow is approximately 8.5 inches wide. For a more petite version of this design, check out Small Dainty Rainbows.
Blue Sky Magnolias
A colorful, modern twist on a traditional chinoiserie wallpaper design, our Blue Sky Magnolias removable wallpaper is so versatile. We love it for a bathroom, bedroom, living room, closet, kitchen...you get the idea. Each bud is approximately 3.5" x 3.5".
Out of the Box Black and White Geometric
This 3D modern box design is a light, stylish, geometric pattern that will add some texture to your walls without weighing it down. This modern design helps your space feel put-together and is easy to incorporate into your existing decor, as the pattern works well with almost any furniture style.
Botanic Ink in Blush
This modern and nature-forward print is an exclusive of Muse Wall Studio. The blush pink color — so soft and lovely — gives this design a sweetly understated botanical feel. Take a close look for the pressed ink details. Each leaf is approximately 25 inches high x 15 inches wide.
Blue Eyelet Twist
A modern twist on the classic eyelet design, this abstract blue and white wallpaper is refreshing and inviting. An easy way to create a space that's comfortable and peaceful for you and your guests. Each large oval measures approximately 4.5" high x 3.25" wide.
Flowers for Hours
Relaxed and happy, we love what this black and white floral wallpaper does to a room. Customers proudly send us their "after" photos of this wallpaper because it looks stunning in their rooms, from bedrooms to office nooks to nurseries. Larger flowers are approximately 11 inches x 11 inches.
Black and White Peony
It's easy to create a dark, dramatic wall that doesn't overwhelm with this black and white removable wallpaper. The white flowers balance the black background so it's dark and moody, but also soft and delicate. Each flower measures approximately 10" x 10".
Natural Wonder Beetles in White
Open your eyes to the wonder of the world around us with this amazing insect wallpaper. Naomi McCavitt masterfully paints intricately detailed beetles, highlighting their natural beauty. This collection of beetles is something special, not to mention a wonderful conversation starter for dinner parties or houseguests. Background is lightly textured with paintbrush strokes. Largest beetles are about 9 inches tall.
Adaline Black Floral
Created by artist Jessa Bray of Flax + Wool Designs, this black and white removable wallpaper has an edgy feel that we just love. The black and white contrast gives this floral pattern a bold, not-so-feminine identity. Drama, elegance, and sass combine to make this just right for breaking the mold.
Looking for a slightly more feminine look? Check out Jessa's white version.
For more inspiration from the artist, check out the Adaline Wallpaper Mood Board! Jessa Bray brings the wallpaper to life with matching furniture, decor, and colors for this print.
Climbing Bird and Branch in White
Both strikingly beautiful and insanely easy to apply, our Climbing Bird and Branch peel and stick wallpaper designed by Naomi McCavitt transforms spaces into dream escapes. Your accessory choices can take this wallpaper from classic to vintage to eclectic to modernist. When applying multiple panels, seam matching is white on white so no chance of misaligned seams, even if you're *ahem* not a patient DIYer. Larger birds are approximately 9 to 12 inches tall.
Doodle Daydream
This pattern is so much fun and works amazingly well in hallways, playrooms, and any other space that could use an extra dose of whimsy. Stir up your inner daydream doodler with this precocious print. Larger circles are approximately 9 inches x 9 inches.
Thin Line Herringbone
This pattern is just the right choice to add a little structure and texture to your space. The thin lines are a dark gray, rather than black, which softens the look and makes your room look organized and fresh.
Magic Garden
Bursting with vibrant leafy branches, Magic Garden was created by Whitney Hawkins just for MUSE Wall Studio. These trees climb ever upward, weaving a magical carpet of greenery on your wall. See the rest the Enchanted collection for coordinating designs!
Artist Loft Splatter Paint Wall Mural
This explosion of color is calling for the free-spirited, wanderlust souls. This splatter paint design is an edgy, bold statement, but it's also a slam-dunk choice because the colors work in almost any space.
Standard sizing for this wall mural:
The wall mural design may be altered slightly from these pictures to best fit the dimensions you choose. Please message us about custom sizes for your wall.
This wallpaper is très chic. You'll see this interlocking square pattern in the pages of ultra luxe design magazines, used in high style bathrooms, offices, and entryways. We love the beauty in its simplicity. Each square is approximately 6 inches x 6 inches.
Installation is easy and simple. No water. No glue. Just peel, stick, and smooth it out! Read our instructions to see just how 'do-able' it is!
Read what our customers have to say about our peel and stick wallpaper & get ideas from their completed project photos.
Whether you're looking for design ideas or see our wallpaper in our customers' homes, you're bound to be inspired from our blog.


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Showing Collections: 1 - 3 of 3
Records of the Art History Department
Identifier: 11/3/4/1
Abstract The Department of Art History records chiefly contain letters, inter-office memos, vitae and bibliographic material relating to faculty, a few students, and visiting artists and lecturers. There is considerable biographical material on several specialists in African art, Rene Bravmann, Zdenka Volavka and Phillip Dark, as well as files concerned with art of the American Indian, Joel Bernstein's lecture in 1972 (Box 1 Folder 4) and records on an Indian Art Exhibition in 1974 (the T.W. Van...
Dates: c. 1920s-2000
James D. Breckenridge (1926-1982) Papers
Identifier: 11/3/4/3
The James Breckenridge Papers, spanning the period 1924-1983, contain: biographical materials, education files, correspondence, teaching files, research and consulting files, professional organizations files, speeches and papers, and publications.
Dates: 1924-1983
Richard Wendorf (1948- ) Papers
Identifier: 11/3/11/21
Abstract Richard Wendorf was a professor of English and of Art History at Northwestern University and served the College of Arts and Sciences as associate dean from 1984-1987. His primary research interests involved the eighteenth century poet William Collins and the relationship between biography and portrait painting. The Richard Wendorf Papers are composed of eight categories: biographical materials, education files, correspondence, teaching files, administrative files, professional organizations...
Dates: 1965-1986
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- English literature--Study and teaching 1
- Names
- Northwestern University (Evanston, Ill.). Department of Art History 2
- Breckenridge, James D. (James Douglas), 1926-1982 1
- Northwestern University (Evanston, Ill.) 1
- Northwestern University (Evanston, Ill.)--Faculty 1
- Northwestern University (Evanston, Ill.). Department of English 1
- Panofsky, Erwin, 1892-1968 1
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LA 600ème (Eps. 600 of the collection!)
Director(s): Veronique BERTHONNEAU – Writer(s): Véronique BERTHONNEAU Contact Print page
20 years of in the history between the deaf community and the 'hearing society'. 20 years of (hi)stories of the deaf... An opportunity to take stock?
Let us look back together on some of the highlights of the show: What does this long-running show represent for those who make it, week after week? And for you, who've been watching for all these years?
Available for viewing: French sub-titled version only.


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The ŠKODA KODIAQ GT:
A New Flagship for China
ŠKODA's first ever SUV-coupé is a dynamic car featuring state-of-the-art connectivity and innovative advanced driver-assistance systems. The ŠKODA KODIAQ GT combines the robust look and versatility of an SUV with the grace and vigour of a coupé.
The fascia attracts attention with its chrome-slatted grille, LED headlights and the distinctive bumper incorporating large air intakes. The LED tail lights have the brand's signature crystalline-inspired design. Other attractive features of the car's rear section include a reflective strip running the entire width of the car, and a black diffuser. The KODIAQ GT is the brand's first production model to feature the ŠKODA name in letters in the middle of the fifth door.
The beating heart of this 4.6-metre long car will be one of the two engines on offer. The 2.0 TSI engine with power output of 137 kW (186 PS) is available with front-wheel drive, while the 2.0 TSI engine with output of 162 kW (220 PS) will be factory fitted with a seven-speed DSG gearbox and all-wheel drive.
The KODIAQ GT offers a host of advanced driver-assistance systems, including active ACC, a WLAN connection, Apple CarPlay services, and Baidu Carlife.
Another three more SUVs – the KAROQ, KODIAQ and KAMIQ – will be available alongside the KODIAQ GT on the Chinese market. Besides its SUVs, ŠKODA also markets the SUPERB, OCTAVIA, OCTAVIA COMBI, RAPID and RAPID SPACEBACK in China.
Since 2010, the Chinese market has been the biggest outlet for ŠKODA cars. In 2017, 325,000 ŠKODAs were delivered to customers in China. In the period from January to the end of September 2018, sales exceeded 250,000 cars. More than thirty per cent of cars sold this year in China have been SUVs.


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Bryan Cranston and James Franco are at odds with each other in the first trailer for R-rated comedy Why Him? BryCran stars as a straight-laced dad who is less than impressed that his daughter (Zoey Deutch) is dating an obnoxious internet billionaire (Franco). Naturally, Papa Cranston does everything he can to split them up, but he's underestimated his daughter's new boyfriend and it doesn't take long before things get out of hand. Really out of hand.
To an entire generation, Cranston is best known as meth kingpin Walter White in the multi-award-winning Breaking Bad, but it was his performance as strung out parent Hal in Malcolm in the Middle that introduced me to the powerhouse of Cranston. While he's detoured back into comedy here and there (his Super Sweet 60th sketch went viral), he has has continued turning in dramatic performances aplenty in the likes of Trumbo, The Infiltrator, and Argo. So it's something of a departure for BC to be going all out comedy, but it's a welcome return to the genre for the supremely likeable actor.
Directed by John Hamburg (I Love You, Man) and also starring Megan Mullally, Adam Devine and Keegan-Michael Key, Why Him? is released in the UK on Boxing Day. Check out the two new clips below.
Over the holidays, Ned (Bryan Cranston), an overprotective but loving dad and his family visit his daughter at Stanford, where he meets his biggest nightmare: her well-meaning but socially awkward Silicon Valley billionaire boyfriend, Laird (James Franco). The straight-laced Ned thinks Laird, who has absolutely no filter, is a wildly inappropriate match for his daughter. The one-sided rivalry—and Ned's panic level—escalate when he finds himself increasingly out of step in the glamorous high-tech hub, and learns that Laird is about to pop the question.


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For many non-smokers, the lingering smell of cigarettes in the home can be frustrating and distracting. The distinct, cloying scent is difficult to mask and even more difficult to outright remove. Once it has made its way into the fibers of your home, it may intend to be there for a long while. Cigarette smoke removal is a layered and occasionally difficult process, but with the help of smoke damage cleanup experts like those with ServiceMaster Fire & Water, you can restore your Quarryville, PA, home to the most neutral smelling home on the block.
Whether you live in an apartment or a previously owned house, cigarette smoke removal may be a necessity in order to make your home smell like home. The problem with cigarette smoke is that it travels easily and likes to adhere to any sort of fibrous surface. This can include carpet and drapes of course, but even the wood in the walls of your home is fibrous enough to absorb residue. This is what makes amateur smoke damage cleanup so difficult.
Even if you wash your carpet and steam the drapes on your own, there's always a good chance that you won't be able to fully cleanse every single surface in sight (and those out of sight). Plus, even if you manage to wrangle the smell, that doesn't mean that no damage has been done to your home. Smoke damage can also include stains, discoloration, and even occasional burn marks. The smell may be the most obvious symptom, but that doesn't mean it's the only one.
That's why relying on cigarette smoke removal professionals is especially important. Smoke damage cleanup is all about addressing every level of the problem, from the surface to far below. If your Quarryville, PA, home is suffering from residual cigarette smells or any visible smoke damage, contact the cigarette smoke removal professionals with ServiceMaster Fire & Water Clean Up at (717) 299-2261 today or visit their website here.


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On this day in 1927, former Red Joe Adcock was born in Coushatta, LA. Adcock spent the first three years of his career in the Queen City, where he slashed .271/.314/.415 (92 wRC+) and mainly played left field. After the 1952 season, the Reds traded Adcock to the Milwaukee Braves in a four team deal that also involved the Philadelphia Phillies and the Brooklyn Dodgers. (Cincinnati received cash from Milwaukee and Rocky Bridges from Brooklyn in the transaction.) The Braves moved Adcock to first base where he blossomed as a hitter and remained a fixture in the middle of the Milwaukee lineup for the next 10 seasons. While in Milwaukee, Adcock made two all-star teams and placed in the MVP voting in several seasons. After a season in Cleveland and three in California, he retired.
Looking at his Baseball-Reference page, I am not sure why the Angels released him following the 1966 season. Adcock had a down year in 1965, but he tore the cover off the ball in 265 plate appearances in 1966 (.273/.355/.576, 163 wRC+). Even without the benefit of today's advanced metrics, Adcock hit .273 in a league that hit .240 while he smacked 18 round-trippers and drove in 48 runs in limited time. I do not think Adcock was as good as his slash line (265 PAs is not anywhere near a full season's worth of data), but even if he was battling injuries, the Angels could have used a pinch-hitter like Adcock. The Angels finished fourth the following season with Don Mincher at first. Admittedly, Mincher had a big season (.273/.367/.487, 154 wRC+), but California only had two good bench players who had significant playing time (Bubba Morton and Roger Repoz). I think the Angels or another team should have given Adcock a chance in 1967, but that is probably why I am not a general manager.
On this day in 1980, former Red and Mads favorite Laynce Nix was born in Houston, TX.
On this day in 1999, the Reds traded Stan Belinda and Jeffrey Hammonds to Colorado for Dante Bichette and cash.
On this day in 2006, the Reds signed catcher Ryan Jorgensen.


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The are many Florida legends, but who was Pervert Dave?
When the Florida man's obituary appeared in the Tampa Bay Times on April 16, it revealed he was a veteran of the Air Force, and loved motorcycles and woodworking. But one big mystery remained: Why was Pervert Dave so named?
Pervert Dave, whose real name is David W. Cummings, passed away on April 13, of liver cancer. He was 65. His obit quickly circulated on social media, with many hailing him as a folk hero, based solely on his nickname. Florida Man jokes were made, but like so many meme-ready Florida stories we joke about and share on Facebook and Twitter, there was darkness to the tale of Pervert Dave.
Postmortem, he's become a bit of a social media legend, and while it's hard to discern whether he was one of the original Florida Men, he led quite a life. Tampa Bay Times writer Andrew Meacham wrote this impressive follow-up yesterday and looked a bit deeper into the life of Cummings.
An undated photo of Cummings, via the Tampa Bay Times
According to Meacham's report, Cummings was allegedly in three planes that were shot down in Vietnam. In 1970, he was honorably discharged for a "character disorder." That's when life got dark:
"Over a 13-month period in the late 1980s, Mr. Cummings killed two people. One was a guy known as Wheelchair Skip, an amputee roommate in Inglis he shot six times during an argument over money. He was also charged with driving under the influence manslaughter when a woman who was riding with him died after Mr. Cummings slammed into a tree.
He claimed self-defense in the shooting death of Furman W. Toney III, the amputee who had his own violent history. (Six months earlier, Toney had fired a sawed-off shotgun at an imaginary intruder, instead hitting a 5-year-old girl in the face; she was not seriously injured.)"
There's no explanation for why Toney was called Wheelchair Skip, but Cummings spent two years in prison for his death, and one for the DUI manslaughter charge. Then Meacham gets to the nickname:
"Though he never had children, he married at least three times, including a short-lived marriage to a 17-year-old when he was 32. (While this seems to be a potential source for Pervert, friends say he was given the name much earlier in life.)"
His longtime friend Karen Baker placed the obituary, which included his nickname. Apparently it did not bother him and was "something he came back with from Vietnam." She added that he was "very remorseful" over the deaths he caused.
He spent the last years of his life near Crystal River, Fla., a couple hours north of Tampa, where he would ride his Harley and engrave "images into wood, including a skeleton riding a motorcycle."
He many be gone, but the spirit of Pervert Dave no doubt lives on in the gentle breeze of Crystal River.
H/T Uproxx | Photo via eutrophication&hypoxia/Flickr (CC BY 2.0)


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- Our Communities
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All of Immanuel Village's assisted living and independent senior living apartments include either fully equipped kitchens or kitchenettes, allowing you to continue setting the table with your traditional and well-loved culinary creations.
When you're looking for a break from the stove, chef-inspired dining is just steps away. Retirement living dining takes on new levels as our chefs lean on their culinary expertise to develop ever-changing menus inspired by resident tastes and preferences. Whether you're in the mood for a New York strip steak, a Mediterranean omelet, a rodeo burger or a Caesar salad, you're sure to find affordable and tasty options from our Immanuel Village chefs. Click below to view our sample menus.
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Superstar VB homebrewer Martin Kujaczynski has just launched an indiegogo crowdfunding campaign in order to be able to spend the rest of the year finishing up his VB Music Tracker, the respective sound player code, as well as a new game called "Bombenleger", that bears a striking resemblence to Bomberman.
Most homebrew games and demos for the Virtual Boy have inferior sound and music due to the lack of proper sound tools. To change that fact I started the development of a music tracker that will allow developers and composers to create high quality music for the Virtual Boy. At the moment the tool is half-finished. If the funding campaign is successful, I will spend the next few weeks working full time on the project to complete it till the end of December.
To raise interest in the campaign I decided to pair it with the development of a small but fun game for the VB. It's similar to a well know game, where you have to make your way through a labyrinth by placing bombs to destroy walls and defeat enemies.
The campaign will run for
a week only two weeks and requires €1,200 to be raised. Let's make it a success!
See all the info here.
Very cool! This is much needed!
I totally agree! I wonder why nobody got around to doing this before MK would.
I'm more excited for the game. I paid 150 euros to make the game look much more handsome. You are welcome everybody.
I want to contribute, but IGG won't accept my CC unless the campaign is in the U.S., and I don't feel comfortable putting my debit card in there.
Would it be possible to PayPal some money to one of the existing contributors, and have him/her back it on my behalf? Or, if you're reading this Martin, could we just buy a copy after you're done, via PayPal? (Which, unfortunately, won't help get the IGG funding…)
I wouldn't mind doing that for you, Runnerpack. We can just let MK know to ship the item direct to you instead of me.
Backed! :thumpup:
Excited for the tracker!
and of today, it's been (over) 100% funded! with five days left, no less 😮
Yay! Earlier, I read RetroRGB's post about the tracker, and it says that it might come by February, unless that's just the Bombenleger game.
Backed… Can't wait!! 🙂
Any word on this?
@KommodoreKaplan MK told me last month that all backers get an early-access version of the music tracker by the end of this year. Probably.
Anyone heard anything yet? Didn't get any response on indiegogo when I sent a message.
I imagine Martin is just MIA as usual. He's one of the most elusive people on this site.
Since he apparently backed out on the early access perk, here's to hoping the February deadline hasn't been tossed out the window as well…
Is this still slated for February?
Haven't heard anything either so for now it's 50/50. 😛
Now that February has come and gone, I'm going to assume that there's little chance of this seeing release any time soon.
I wonder if he's still developing this project after all.
Guessing no one heard anything?
Got a response from Martin today. Tracker should hopefully be ready by next week and the game with other perks in 3-4 weeks. 🙂 :vb:
I know it's going to be exciting as soon as this tracker comes out. Hopefully, but maybe, the songs he played in this video will be released as demo songs that come included with the tracker.
For now until then, I'll just stick to DefleMask if I want to make some VB-style tunes using the PC Engine mode. Although the PC Engine/TurboGrafx16 doesn't have the same soundchip as the VB, they both are comparable.


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Wednesday, July 5th, 2017...3:28 pm
Krasnyi arkhiv digital archive
Krasnyi Arkhiv digital archive
Minneapolis, MN : East View Information Services
Harvard ID-holders now have access to another online primary source archive: Krasnyi arkhiv digital archive. Krasnyi arkhiv was a scholarly historical journal published in Moscow in 1922-1941 by the Central Archive and later by the Central Archival Administration of the USSR and Russian Federation. Krasnyi arkhiv published important archival materials on the history of Tsarist Russia and the early years of the Soviet Union.
The journal published archival documents related to the Soviet history as well as pre-Revolutionary period, members of the royal family and top officials of the Tsarist Russia, World War I, the Revolution and civil war, the Bolshevik / Communist party and its dignitaries, Russian politics in Siberia, Central Asia and Kazakhstan, etc. In addition to that, it published archival documents and literary materials on prominent Russian classical authors and literary critics (e. g. Alexander Pushkin, Fyodor Dostoyevsky, Leo Tolstoy and others.
The present database, Krasnyi Arkhiv. Digital Archive contains the entire collection (106 volumes, 1,010 articles, more than 23,000 pages), completely digitized with full-image browsing and full-text article-level search and browse functions.


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I have been so busy this week going to many ghabghat , gathering either family , or social media events .
I had that thought in my mind , what if my life was not what Iam living now ?? if I am married to a man who believes that blogging , twittering or the Internet is a waste of time ??
I am not showing off , but thanks God my husband is a supportive man , at the same time I am supporting him on whatever he likes . Marriage is all about friendship , that is the most important element for a successful marriage .
This is for the guys :
i am wondering , why some of you will never accept to be in a relationship with a girl who is active in blogging or twittering ??
what will make you marry and support a girl with the engagements of the blogosphere and the Internet generally ??
Iwould like to know what are you thinking of ???
Moreover , girls will you tell they guy who is proposing that you r a blogger , twitter user etc.... ??
I will tell you what i think , giving faith and trusting one another will make your life successful and happier , both of you will face the challenges and the obstacles that attack every relationship .
So be , there for each other and never ever loose faith in your partner , don`t be self-centered , and think about what will make him / her happy .
then you will get the life of fairytale lovers


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