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NOTD : Revlon Nail Art Expressionist ~ Silhouette
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Hey everyone!
Revlon has recently launched a whole range of nail art enamels. Few days back, I showed you a gorgeous blue one from the Moon Candy range. Today I'm showing you a classy beige-champagne duo called Silhouette from the Expressionist range.
Price : Rs 300
I think this is a lovely combination of shades and appropriate for work wear too. To keep it very subtle, you could just paint the tips with the sparkly color like I've done with my ring finger.
I think the Revlon Nail Enamels are fabulous! If you love painting your nails, you should definitely try at least 1 of these!
Price : Rs 300 (Buy online from Nykaa.com HERE)


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For the original version including any supplementary images or video, visit Medovex Corporation Attends Spine Week in Singapore – Yahoo Finance
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For the original version including any supplementary images or video, visit Vietnam's VietJet to buy 100 Boeing planes for $11.3 billion – Yahoo Finance
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subset: commoncrawl


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Saturday, May 31, 2008
With God nothing else shall be possible?
I had argued: "The first verse in scripture claims that in the beginning God created the heavens and the earth. (Genesis 1:1) We either understand this by faith, or we do not. (Hebrews 11:3) Consider God's first action. By definition, no act of God preceded that first act. So no causes preceded that action. Rather, God self-determined that action, by performing it. Thus, contrary to Calvinism, self-determining power exists."
TF responded: This argument is obviously fallacious, because it conflates "cause" with "action." Although there was no action before Creation, nevertheless God's nature and counsel, being eternal, preceded the first action. Scripture explicitly speaks of God's counsel existing "before the foundation of the Earth." (Ephesians 1:4 According as he hath chosen us in him before the foundation of the world, that we should be holy and without blame before him in love:) Thus, elsewhere we read, "In the beginning was the Word, and the Word was with God and the Word was God. The same was in the beginning with God. All things were made by him; and without him was not anything made that was made." (John 1:1-3) Thus, there is a cause and explanation for Creation: the Triune God.
Seems like TF is saying God's first act emanates from His nature a) without something external acting on Him and b) without something internal to God acting first. If that's the case, then God truly self-determines. On this much we can agree! Hurray!!! I am aware TF can argue that man can't self-determine or that God can only self-determine 1 thing. Please just let me enjoy the moment.
Not only that, TF called the agent (i.e. God) a cause. That is to say the agent, without a preceding action (either external or internal to the agent) is the cause of its action. This is nothing short of an affirmation of agent causation and denial of event causation on Tfan's part.
Normally, determinists wouldn't say call something inactive a cause. But if TF is willing to call agents causes, then the answer to TF's 2nd question is the agent.
Now then, let's get to the controversial part. It rained this afternoon. Was it absolutely impossible for God to create a world which didn't include rain this afternoon? Seems to me that unless Tfan says yes, God has LFW. Again, unless God was unable to have the slightest detail in the universe be any different that it was, is or will be, God had LFW.
There doesn't seem like much of a point in getting into the rest of Tfan's post without resolving this.
11 comments:
- natamllc said...
seems to me that you have so put it this way, you should let your shoe fall first, ok?
Job 11:7 "Can you find out the deep things of God? Can you find out the limit of the Almighty?
Job 11:8 It is higher than heaven--what can you do? Deeper than Sheol--what can you know?
Job 11:9 Its measure is longer than the earth and broader than the sea.
Job 11:10 If he passes through and imprisons and summons the court, who can turn him back?
Job 11:11 For he knows worthless men; when he sees iniquity, will he not consider it?
Job 11:12 But a stupid man will get understanding when a wild donkey's colt is born a man!
- May 31, 2008 at 5:32 PM
- Godismyjudge said...
Dear Natamllc,
That's a great chapter in Job, no?
Here's the rest:
Job 11:13 "If you would direct your heart right And spread out your hand to Him,
Job 11:14 If iniquity is in your hand, put it far away, And do not let wickedness dwell in your tents;
Job 11:15 "Then, indeed, you could lift up your face without moral defect, And you would be steadfast and not fear.
Job 11:16 "For you would forget your trouble, As waters that have passed by, you would remember it.
Job 11:17 "Your life would be brighter than noonday; Darkness would be like the morning.
Job 11:18 "Then you would trust, because there is hope; And you would look around and rest securely.
Job 11:19 "You would lie down and none would disturb you, And many would entreat your favor.
Job 11:20 "But the eyes of the wicked will fail, And there will be no escape for them; And their hope is to breathe their last."
God be with you,
- May 31, 2008 at 7:22 PM
- natamllc said...
now, now,
you mean to say this is your first shoe?
Me thinks, as another I am mindful of, you might have met your match with TF.
I do not consider your consideration a match with TF's reponse.
That is indeed my self determination for which Christ died, for me, happily! For Him, hmmmm, what was His determination in that?
Ok, here:
Psa 92:4 For you, O LORD, have made me glad by your work; at the works of your hands I sing for joy.
Psa 92:5 How great are your works, O LORD! Your thoughts are very deep!
Psa 92:6 The stupid man cannot know; the fool cannot understand this:
Psa 92:7 that though the wicked sprout like grass and all evildoers flourish, they are doomed to destruction forever;
Psa 92:8 but you, O LORD, are on high forever.
And not to be outdone, here too:
Psa 94:10 He who disciplines the nations, does he not rebuke? He who teaches man knowledge--
Psa 94:11 the LORD--knows the thoughts of man, that they are but a breath.
Psa 94:12 Blessed is the man whom you discipline, O LORD, and whom you teach out of your law,
Psa 94:13 to give him rest from days of trouble, until a pit is dug for the wicked.
You might say, I am a Scripture onlyist kinda guy. :)
- May 31, 2008 at 8:17 PM
- natamllc said...
Oh, and I can spell, just sometimes I cannot type.
Now for my determination using Zophar the Naamathite and then follow on with words of King David.
God was sore angry with him too:::>
Job 42:7 After the LORD had spoken these words to Job, the LORD said to Eliphaz the Temanite: "My anger burns against you and against your two friends, for you have not spoken of me what is right, as my servant Job has.
Job 42:8 Now therefore take seven bulls and seven rams and go to my servant Job and offer up a burnt offering for yourselves. And my servant Job shall pray for you, for I will accept his prayer not to deal with you according to your folly. For you have not spoken of me what is right, as my servant Job has."
Job 42:9 So Eliphaz the Temanite and Bildad the Shuhite and Zophar the Naamathite went and did what the LORD had told them, and the LORD accepted Job's prayer.
Now with that Shepherd boy David. He would be King for the King of Kings that Shepherd Boy!
So it seems to me that your consideration by quoting the rest of him at Job 11 seems to fit in here now doesn't it, or seems it not?
- May 31, 2008 at 8:32 PM
- Godismyjudge said...
Dear Natamllc,
You said: You might say, I am a Scripture onlyist kinda guy. :)
That makes two of us.
God be with you,
- June 1, 2008 at 2:00 PM
- Godismyjudge said...
Dear Natamllc,
You said: Me thinks, as another I am mindful of, you might have met your match with TF.
I am not trying to defeat TF. I am trying to learn from him.
God be with you,
- June 1, 2008 at 2:01 PM
- natamllc said...
wow Dan, you have a strange way of learning, I would say, ah, self determine then.
But, me too. I am learning a lot from this guy! It is refreshing to learn from someone who knows what they are teaching, unlike others.
- June 1, 2008 at 3:42 PM
- Godismyjudge said...
Dear Natamllc,
Perhaps so. I am trying to find our fundamental point of disagreement.
God be with you,
- June 1, 2008 at 6:10 PM
- natamllc said...
I cannot honestly tell when the day or hour was some time ago when I first crossed paths with TF. But I can tell you one thing I have learned about him, he does not equivocate and when he writes his word to you, the disagreement will be in what he wrote. Go to the first response from him where he lays it out plainly what the disagreement is. That is what it is. You do not have to "dig" deeper than what is written. You, if I remember correctly, laid out your disagreement with his response. So something there is here and here is there.
- June 2, 2008 at 12:30 AM
- Godismyjudge said...
Dear Natamllc,
Then why do we still disagree?
God be with you,
- June 2, 2008 at 6:00 PM
- natamllc said...
I don't know, you tell me what TF writes that troubles you.
- June 2, 2008 at 6:33 PM


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Obama, the Rocky Mountain Blogger Bash, and me
After much deliberation, I finally decided on an outfit to wear last night (a black dress complete with – get this – a non-nursing bra!!!). I blew a kiss to my napping Julian and hugged and kissed my Ava and Jody (hubby) goodbye as I headed out for my first real night out on the town since Ava was born. It was a little hard to leave, but I knew the kids were in great hands with Jody and that there was nothing he couldn't handle. Me and my girls (women I've known as a result of attachment parenting since the birth of our kidsRead More →


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based in Espoo,, FINLAND
Genano® removes indoor air particles and contaminants more efficiently than any other air purifier. Therefore, Genano® air purifiers secure tens of thousands of people work in hospitals. The largest health risk in indoor air is associated with the ultra small particles and harmful gases. Such impurities include e.g. mold produced by gaseous toxins and gases released from ...
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Bounce Bounce Tigger: Six Years LaterCasey Mullins
I've notice several trends with almost all little kids and it goes a little something like this: Sesame Street, Winnie the Pooh, Superheroes/Princesses. Who or what each child chooses to be obsessed with within each category is debatable. For Addie it went Elmo, Pooh, Tigger then EVERY PRINCESS EVER ZOMG. The Pooh/Tigger phase was my favorite because she was at that magical age where she was just starting to talk and understand what we were telling her.
Vivi is currently phasing into Sesame Street (no clear favorite character yet) and so I can only assume she'll be moving on to Pooh very soon. So maybe Pooh isn't an every kid thing, but I loved Pooh well into my adult years therefore my children will go through a phase no matter what. When Addie was little I remember taking her to a toy store where she became enamored with Bounce Bounce Tigger. He bounced! He sang! I even took video to show Cody in an attempt to let me buy it for her (before smartphones!) I just found that video (2006!) as well as more vintage video evidence that Tigger + Toddlers are pretty much the cutest thing ever.
How cute was tiny little Addie?
So how is Bounce Bounce Tigger different this season? Buddy sings "BOUNCE BOUNCE!" to the tune of Kris Kross' JUMP! You guys? He even says "Wiggity Wiggity Wiggle" which means Vivi now says "Wiggity Wiggity Wiggle" and "WHOO HOO HOO!" Which is basically the most adorable thing since Vivi found that little puppy at Target last week.
Tigger is basically all hip and jazzy for 2012, and I've had "BOUNCE BOUNCE!" stuck in my head ever since we unwrapped the little dude. I may have never bought Bounce Bounce Tigger for Addie when she was little, but we're totally making up for lost bouncing time now.
A special thanks to Target for sponsoring this campaign. Click here to see more of the discussion.
Do you know a deserving family, school, or charity this holiday season? We're giving away one grand set of 20 toys from Target, including those mentioned in this post! To nominate, simply comment and tell us why you've selected them!
Find more of Casey's writing on her blog moosh in indy or her Babble Voices site Shutterlovely. She's also available on twitter, facebook, flickr and Instagram. If you can't find her any of those places? Check the couch, she's probably taking a nap.


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The future of pediatrics will be forged by thinking differently, breaking paradigms and joining together in a shared vision of tackling the toughest challenges before us."


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Interior designer Orla Collins reveals her glamorous apartment
Creating inspiring and timeless interiors is second nature to designer Orla Collins. The ex-model turned interior designer has worked her magic on her West London flat. She has transformed what was once a dingy, rundown apartment into a chic, glamorous one-bed pad. Take a look here...
To begin with, Orla gutted the place, knocking through walls and tearing down false ceilings, until the bones of it began to emerge and the serious decorating could begin. Her redesign created a sitting room that opens onto the kitchen and a shower room that opens onto the bedroom. Aside from a separate bathroom and some built-in cupboards in the front hall, that's it. It's a neat, streamlined solution, which cleverly cracks the small-space problem. It's also deeply luxurious, comfortable and sexy.
Once you've taken in the stunning furnishings, the statement lighting and the mushroom and purple colour scheme, it's the attention to detail that strikes you. Orla is a perfectionist and she's proud of it. 'Everything from the skirting boards to the lampshades has been carefully thought through,' she says.
Her bedroom is just three metres squared, but even so, it delivers quite an impact. 'It started with the wallpaper, which I think looks a million dollars,' she says. The carved four-poster bed, strewn with silk cushions is pretty imposing too, filling almost the entire room. There's just enough space for a pair of bedside tables, on top of which are two lamps with theatrically feathered shades. 'Don't you just love them!' she laughs.
Leading out of the bedroom is a wide hallway, which houses the tiny en-suite shower room. Here glass mosaic tiles cover the walls and a Perspex coffee table, with a hole cut into it, makes a unique stand for the small purple basin.
The living room is a lesson in chic boutique-hotel style, with sofas covered in seal-coloured linen, reproduction art-deco armchairs and a centrepiece chandelier. Next to the fireplace three tall vases, each sporting a purple hydrangea stand sentry. 'The three flowers have become my signature, along with the colour purple, of course,' she explains.
Meticulous attention to detail has gone into Orla's redesign. Custom cornices and skirting boards were made, extra-tall doors were installed, and sleek, made-to-measure kitchen storage has been fitted. Orla admits that she never cooks, so it was important for the space to be as un-kitchen-like as possible. The sink and hob are hidden away when not in use, leaving the surfaces completely flush. A splash of aubergine under the island unit and a chandelier within a metallic drum shade add colour and a touch of drama.
Orla has fitted down-lighters in strategic positions around the flat to create different moods. 'In the kitchen alone, I have four light circuits: a set of three skim-light the cupboards, a middle set highlights the worktop and another set throws light onto the blinds.' In the sitting room, a tiny ceiling lamp throws a single point of light onto the coffee table, which creates a soothing ambiance, especially in the evening. 'Lighting has to be decorative as well as functional. That's very important.'
A cream vinyl floor runs between the rooms. 'I'd love to have had parquet, but it would have smashed my budget, and this stuff is fantastic quality, feels great underfoot, and it has really good acoustic qualities, which is important in a flat,' she says.
Designing luxury spaces comes second nature to Orla. Her company, Purple Design creates dynamic interiors with a subtle sense of glamour and a strong sense of individuality. 'Having your own creative identity is essential in this business. I absolutely do not follow trends. If there's a rule to be broken, I'll break it.' It's a principle that clearly works.
Orla's top 5 tips for luxury living in a small space
1. Don't assume that white is the answer to living in a small space. Dramatic wallpaper and big pieces of furniture can work well and stop the space from looking sterile.
2. Cornicing and skirting boards are as important as the furniture. If you can't afford custom made, buy the very best you can afford off the shelf.
3. I love verticality and have used tall openings and high doors between rooms, This creates lovely views from one room into another and opens up the white space.
4. Using the same floor covering throughout creates unity, whether its parquet or cheap-as-chips vinyl.
5. Well-planned lighting will turn a bland space into something special. Use down-lighters and dimmers as well as one-off ceiling fixtures.
For beautiful furniture, accessories and daily design ideas for your home and lifestyle,
shop at ACHICA.
Ruth Corbett, Guest Editor
View all posts by Ruth Corbett, Guest Editor


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Survived by wife Dora Torres of Runge; son Jose Torres, Jr of Kenedy; grandchildren Courtney and Sean Torres of Kenedy; sister Herminia Garcia of Runge.
Preceded in death by parents; daughters Diane and Mary Torres; brothers Alejandro and Jesse Torres, Jr.
Visitation will be 10:00 am to 8:00 pm Sunday May 8, 2011 with the rosary at 7:00 pm at Finch Funeral Chapel, 204 N Mugge Street, Runge. Mass will be celebrated 11:00 am Monday May 9, 2011 at St. Anthony Catholic Church, Runge. Interment will follow at Runge LA Cemetery.
You are invited to sign the online guest book at www.finchfuneralchapels.com.
Finch Funeral Chapel, Runge


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Want to do a multiday ride this year? Here are 10 of our favorite events. —Taylor Rojek
The Michigander offers riders plenty of options. Participants can choose from 2-, 6- and 7- day rides, which lets even the most time-crunched cyclist participate in a multi-day tour. Additionally, organizers welcome and accommodate all types of bikes. An all-paved route is available for roadies, while those with knobby tires have the chance to test out Michigan's singletrack.
Dates: July 14-20
Route: Starts in Indian River, MI; 30-57 miles a day
Info: michigantrails.org/michigander-bicycle-tour/


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A Jacksonville man remains in critical condition after a Tuesday wreck, according to hospital officials.
Stephen Thorne was ejected from a Federal Express delivery truck after the truck was struck by a 2009 Ford Super Duty pickup driven by Jose Castillo-Antigo, 29, of Selma, according to previous Daily News reports. Castillo-Antigo allegedly failed to stop at the red light at Western Boulevard and Memorial Drive.
After the initial collision, the delivery truck continued, unmanned, striking a 2007 GMC Yukon, 2011 Chevrolet Cruze, 2002 Suzuki passenger car and 2005 Jeep Grand Cherokee. The Federal Express truck came to a rest after colliding with a 2008 Mack Truck owned by Morton Trucking, Inc.
The wreck, according to Jacksonville Police Department, remains under investigation.
Amanda Hickey is the government reporter at The Daily News. She can be reached at firstname.lastname@example.com.
Location, ST | website.com


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T he National Inflation Association today an Inflation does notBook 5.34 MB | Ebook Pages: 81
1 National Inflation Association - www.inflation.us T he National Inflation Association today an nounced projections for future U.S. food prices based after this week
Understanding Inflation ConvexityBook 4.77 MB | Ebook Pages: 150
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NATIONAL INFLATION ASSOCIATION 20 10Book 5.63 MB | Ebook Pages: 79
2 . National Inflation Association - www.inflation.us. I. nflation, simply explained, is the printing of money. As the Federal Reserve prints money by
Inflation, Foreign Exchange, and Parsimonious Equity ValuationBook 1.34 MB | Ebook Pages: 63
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Bank of England Inflation Report May 2012Book 6.58 MB | Ebook Pages: 208
BANK OF ENGLAND Inflation Report May 2012 In order to maintain price stability, the Government has set the Bank's Monetary Policy Committee (MPC) a target for the
Inflation and Unemployment: What is the Connection?Book 1.62 MB | Ebook Pages: 241
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Treasury Inflation-Indexed Debt: A Review of the U.S. ExperienceBook 3.91 MB | Ebook Pages: 156
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Kliq backstage politics
Eric Bischoff conveyed a rather interesting story during a recent interview. He stated that Vince McMahon once had to hop on his private jet and fly to a live event because members of the Kliq refused to lose their matches for the evening. The booking team were not able to resolve the situation, so the SEO had no choice but to go out there himself.
July 30, 2015


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Burson-Marsteller is a leading global public relations and communications firm. Our strategic insights and innovative programming build and sustain strong corporate and brand reputations. We provide our clients with counsel and program development across the spectrum of public relations, brand marketing, public affairs, digital media, media relations, event management and other communications services. Our clients are global and local companies, industry associations, professional service firms, governments and other large organizations.
Burson-Marsteller entered China in 1985 at the invitation of the Xinhua News Agency, becoming one of the first global public relations firms to operate in the People's Republic of China. Today, we provide evidence-based communication and advisory services to clients from our offices in Beijing, Shanghai, Guangzhou and Chengdu. Burson-Marsteller's China team includes accomplished communications experts that offer a unique blend of local market knowledge, understanding and contacts and international experience. Our consultants have diverse backgrounds ranging from government service to consumer marketing to finance and technology, and all are focused on delivering measurable results to our clients.Burson-Marsteller guides clients towards success in the rapidly evolving and growing China market. Our services include corporate communications, brand and product marketing, issues and crisis management, and government relations and public policy consulting. We provide these services to clients in major industry verticals such as energy, banking, insurance, telecommunications, technology, healthcare, automotive, chemicals, retail, property and fast moving consumer goods.
To learn more about Burson-Marsteller China, please visit our blog.


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Buildogby RadekBlaska • Uploaded: Feb. 20 '10
Description: Buildog logotype
As seen on: MORE ABOUT Buildog HERE
Status: Client work
Commenting: Not seeking critique
mfrank said on Jul. 18 '10
Looks perfect.
firebrand said on Jul. 28 '10
The mockups for Buildog on your site look good.
raja said on Jul. 28 '10
oski - I think buildog has made a friend
davishama said on Jul. 31 '10
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© Copyright 2011 Go Yo! Franchise Corporation. All Rights Reserved Worldwide. For more information, Contact Us.
All third-party trademarks used on this website are the property of their respective owners, and nothing on this site is intended to suggest that these owners sponsor or endorse Go Yo! or its products and services.


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אנחנו בפייסבוק
Ynet-Gesher survey conducted after Itamar massacre shows nearly half of Jewish public believes extreme rightists' actions against Palestinians are justified
Published: 03.28.11, 14:19 / Israel Jewish Scene
The survey respondents were also asked whether rabbis were capable of preventing the "price tag" actions. Some 68% responded that rabbis were "quite capable" or "very capable" of preventing such actions.
Finally, the respondents were asked who should be held responsible for preventing "price tag" activities. The most popular answer was "the settlers' leadership" (52%), followed by the police (45%), rabbis (43%), the Israel Defense Forces (37%) and the legal system (22%).
According to Gesher Director Ilan Geal-Dor, "The pain over the terrible attack evokes bad feelings of revenge. The public feels something must be done, but the price tag solution does not improve the situation in any way. It can only make it worse.


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PENSACOLA, Fla. – Valdosta State ended a tough weekend against the Sunshine State Conference with a split Saturday. The Blazers fell to Saint Leo, 3-1, but beat Lynn, 3-2, to move to 13-11 on the season.
Chelsea Logan and Katie Onushko led the VSU offense Saturday. Logan finished with 24 kills while Onushko contributed 23. Tania Tauiliili and Brittany Smith each added 17 kills.
In the two matches Ashley Lala gave out 74 assists with 14 digs. A Valdosta State trio teamed up to clean the floor for the Blazers. Krista Bradford led the team in digs on the day with 29 while Onushko dug up 28. Chelsea Luttfring added 26 digs on the day.
Against Saint Leo, the Blazers won the second set, but could not get another one in the loss, 25-22, 22-25, 25-18, 25-21. The Blazers hit .083 in the match and Onushko led the team in kills with 10. Smith and Tauiliili each had nine while Logan added seven. Lala gave out 32 assists and Bradford had 17 digs.
The Blazers righted the ship against Lynn with a big day from Logan. She finished the five-set match with 17 kills while Onushko tallied 13. Lala gave out 42 assists while Onushko cleaned up 18 digs. Luttfring and Bradford teamed up for 26 digs.
Valdosta State hit .219 with an impressive .500 attacking percentage in the first set. The Blazers took the match, 25-21, 19-25, 16-25, 25-20, 15-12.
The Blazers will return to conference action at West Georgia at 6 p.m. Tuesday.


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There is nothing like a mother's love and wild animal mothers are no exception. From the deepest oceans to the leafy treetops – mothers of all species are caring for their babies with dedication and courage. Join us at IslandWood on Mother's Day for a celebratory look at the lives of wild animal mothers and the work they do to nourish, teach and protect their young.
After the 30 minute indoor presentation, you may enjoy our grounds and trails with your family and then join us in the Dining Hall starting at 2:30pm for a special Mother's Day Tea, IslandWood Style! The menu will include a selection of fresh and seasonal bites along with tea, coffee and fresh fruit juices.
The presentation, given by a naturalist and mother of three, is family-friendly, so please bring your little ones!
Our full menu is shown below. We source many ingredients from our organic garden and local farms. Vegan and gluten-free options will also be available.
Mother's Day Tea Menu
Mini spinach, ham & gruyere quiche
Hummus & roasted vegetable wraps
Smoked salmon with cream cheese pickled onions & capers on dark rye bread
Green salad & whole grain salads
Seasonal fruit galettes
Assorted scones
Assorted croissants
Chocolate torte
Fresh seasonal fruit
Coffee/ tea/ Fruit juice
*Vegan & Gluten free options will be available


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- Name: Gia Paloma
- Aliases: Mia Palama, Mia Paloma, Karen Christine Catanzaro
- Profession:
- Origin: United States, California
- Ethnicity:
- Birthday: 1984-06-27 (32 years old)
- Eyecolor:
- Haircolor:
- Height: 5ft 1inch (1.55m)
- Weight: 128 lbs (58 kg)
- Cup: C - natural ()
- Measurements: 34-25-38
- Updated at: 2010-09-12
- Sponsor: Twistys
Gia Paloma was born as Karen Christine Catanzaro but is now days known as Mia Palama, Mia Paloma or just Gia. She comes to the adult industry from Diamond Bar, California. Before appearing in front of the cameras, she worked for the well known coffee house. Her nick is a mix of a movies named Gia and Paloma.
Hot brunette with Italian background is 5 feet and 1 inch tall and weighs 128 pounds. Green eyed foxy has one belly button ring and measures 34C-25-38. Her exceptional performances won her an AVN Award in Best All Girl Scene category in 2005. Amazing Gia Paloma knows the importance of beauty and sexiness and is employed as a make-up and beauty artist. She also has a profile on Twitter.
Gia Paloma content categories
Babe sponsored by
Gia Paloma Galleries
Top sites with Gia Paloma
- Twistys [ Review: 96/100 ]
- Gloryhole [ Review: 87/100 ]
- WifeWriting [ Review: 80/100 ]
Gia Paloma's Links
- Gia Paloma at Freeones Stars
- Gia Paloma at Adult Fan Clubs
- Gia Paloma at DirtyPornStarts.com
- Gia Paloma at Pornstar Hangout
- Gia Paloma at ABC-Celebs.com
- Gia Paloma at Simply Pornstars
- Gia Paloma at NurglesNymphs
- Gia Paloma at Yeah! Pornstars
- Gia Paloma at The Book of Porn
- Gia Paloma at TGPornstars
- Gia Paloma at Pornstar Hoes
- Gia Paloma at Golden Pornstars


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A pattern for user experience design in predictive analytics
One of the most challenging aspects of designing the user experience of predictive analytics is communicating with users what a predictive system is planning to do next, or why it just did what it did. As I explained in the tablet edition of The Connective, the challenge lies in walking a line between over-communicating, which is annoyingly disruptive, and under-communicating, which makes the behavior of a predictive system appear random and out of control. Effective UX design provides the appropriate amount of communication for the situation and presents it at the right time and in a way that users can act on it. In theory.
In practice the UX of device behavior based on predictive analytics is a complex situation with few best practices, or even examples, available. In the spirit of distilling takeaways from strong design, here are a couple examples that may point the way toward better UX:
The Nest system is ahead of the pack, having shipped a predictive product used by thousands of people. Specifically, let's look at the documentation for Nest's Auto-Away feature, a system that attempts to predict when you're out of the house so it can switch to a lower-power mode. The premise is simple — it notices you're out of the house and goes into Auto-Away mode — but even with such a simple premise we can see in the FAQ the hard work put into explaining how the system works.
In the FAQ we can begin to discern a UX design pattern and the problems they're designed to address:
- First, the documentation educates customers that the system needs time to learn, and that it won't work exactly as expected immediately (it needs "about a week to tailor to your home").
- Then it explains behavior and sets the expectation that the more predictable the house residents are, the more predictable the results will be.
- It describes what to do when the system makes an incorrect prediction.
- It prepares users for situations where it won't work at all, for example when there's a paired smoke detector and pets in the home (presumably the pets trigger the overhead smoke detector's motion sensors in a problematic way).
All this for what's essentially an automatic binary switch.
Google Now
We can see many of these same principles in earlier predictive systems, such as recommendation systems from Amazon and Netflix. When Netflix engineers described the UX of their recommendations, they focused on the key qualities of education, explanation and correction. Specifically, they indicated an interest in awareness (that people are aware of the predictive behavior their system is engaging in), explanations that educate people about why a choice was made, and the opportunities for people to adjust the algorithms through feedback.
Similarly, if we look at Google Now, another predictive recommendation system, we can see that they broadly follow this same pattern. They try to set expectations in a variety of ways, largely by interactively explaining that the cards displayed are recommendations. They then try to explain how a specific choice was made through small italics below the recommendation (this is similar to Amazon's "Why recommended?" links), and they allow for the behavior to be adjusted either by swiping the card to one side or by clicking on the three vertical dots in the corner of each card.
Thus, we can start to see an outline for best practices in UX strategy:
1. Expectations: Set expectations by making people aware of the predictive nature of the device, perhaps by including how long it takes for it to learn or adjust.
2. Explanations: Explain or display when a state has changed or a decision has been made based on the predictive algorithm.
3. Affordances: Create clear affordances in the flow of the experience to allow the predictive behavior to be adjusted.
These considerations are by no means exhaustive for successfully communicating the results of predictive analytics, but a comparison of recommendation systems to predictive analytics systems uncovers some valuable common elements that point to a pattern for communicating the boundaries, possibilities and limitations of these systems to their users.
Illustration by GRPHKA


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Gold prices fell by Rs 100 to Rs 31,150 per ten grams in the national capital today on slackened demand amid a weak global trend.
However, silver recovered by Rs 50 to Rs 47,550 per kg on scattered buying.
Traders said sluggish demand and a weak global trend on speculation that recent rally is curbing physical demand in Asia and as the US Federal Reserve indicated that it will press on with cuts to stimulus, mainly influenced the sentiment.
Gold in Singapore, which normally sets price trend on the domestic front, fell by 0.5 per cent to USD 1,316.08 an ounce.
On the domestic front, gold of 99.9 and 99.5 per cent purity fell by Rs 100 each to Rs 31,150 and Rs 30,950 per ten grams, respectively. Sovereign followed suit and lost Rs 100 at Rs 25,400 per piece of eight grams.
On the other hand, silver ready recovered by Rs 50 to Rs 47,550 per kg and weekly-based delivery by Rs 140 to Rs 47,350 per kg, while silver coins remained steady at Rs 88,000 for buying and Rs 89,000 for selling of 100 pieces.


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Miracle at St. Anna
R| 2 hr. 40 min.
Plot Summary
During World War II, members of the U.S. Army's all-black division are stationed in the Tuscany region of Italy. Four of the soldiers (Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller) become trapped behind enemy lines and separated from the rest of their unit after one of them risks his life to save an Italian boy.
Cast: Derek Luke, Michael Ealy, Laz Alonso, Omar Benson Miller, Pierfrancesco Favino, Valentina Cervi, Matteo Sciabordi, John Turturro
Director: Spike Lee
Genres: War, Historical drama
Distributor: Walt Disney


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Madison College is piloting a program called the Patient Care Pathway. This project was designed to help students interested in the health and veterinary programs become program eligible. The goal of this program is to help you meet the qualifications to apply to your program in fewer semesters by focusing your studies on what you really need in order to succeed in your program and later in your career.
The Patient Care Pathway has three different tracks, CNA, Patient Care 1 and Patient Care 2.
CNA with Support
CNA is a Nursing Assistant course with a Support class along with it. It is a good fit for students who have a COMPASS Reading score lower than 80.
Patient Care 1
Patient Care 1 has two degree credit classes in it, Medical Terminology and Body Structure and Function, which are either required classes or recommended classes in many health programs. Patient Care 1 also has a number of support classes in math, reading and student success to prepare you for success in your classes and your program. Because of the support classes, you are able to take the Medical Terminology and Body Structure and Function classes with lower COMPASS scores than you would be able to otherwise. This means you may be eligible to take them now, without taking any math, writing or reading first or retaking the COMPASS. The COMPASS scores required to participate in Patient Care 1 are a Pre-Algebra 30, Reading 61 and Writing 31.
Patient Care 2
Patient Care 2 has three classes, Chemistry, a unique class called Applied Math for Chemistry and Written Communication with a focus on the health and veterinary professions. The Applied Math for Chemistry class allows students to take Chemistry with lower COMPASS scores without taking a math prerequisite first. This means you may be eligible to take Chemistry right away without retaking the COMPASS or taking a math class first. The COMPASS scores required to participate in Patient Care 2 are a Pre-Algebra 30, Reading 80, Writing 70.
View Current Schedules by Location
If you are interested in learning more about the Patient Care Pathways, please contact us at:
Click on the image below to view as a PDF (52 KB)
Patient Care Pathway Eligibility Information (PDF, 227 KB)


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INTERVIEW: R. J. Cutler's "American High" Verite Factory
by Jesse Moss
Reality television gets welcome a dose of "reality " this Wednesday with the premiere of "American High," filmmaker RJ Cutler's new half-hour non-fiction TV series about suburban high school students. Cutler and his crew spent the 1999-2000 school year at Highland Park High School, outside Chicago, following 14 students verite-style through the rite-of-passage rituals of American teenage life.
The kids of "American High" represent the stratified caste of high school society: the jock, his girlfriend, the lonely beauty, the artist, the outcast, and the partier, to name a few. And like their fictional counterparts on "Beverly Hills 90210," Cutler's students are an attractive and affluent bunch.
The first two episodes of "American High," presented back-to-back by Fox, provide scattershot introductions to eight of the 14 characters, and set the stage for dramas ahead. The glimpses of home-life, relationships, sexual anxiety, and the petty and profound obsessions of high school are revealing -- a mixture of un-scripted verite intimacy and confessional candor.
Veteran political doc-maker Cutler ("The War Room," "A Perfect Candidate"), along with several ace documentary DPs and editors, haven't devised any punishing jungle adventures or Orwellian trials for these student-stars. Instead they've handed over small DV cameras and asked them to record their own video diaries, portions of which are inter-cut through the half-hour episodes. Morgan, one of the series' early standouts, sums up his existential dilemma this way: "If I don't pass high school, I can't go to college. If I can't pass college, I can't get a career. If I can't get a career, I might as well go pump gas."
"American High" lies at the far and untested end of the reality TV spectrum. Whether the series and the genre bloom may depend on whether the fickle summer TV audience is ready to embrace the musings of Morgan and his peers. The series premieres this Wednesday on Fox at 9:00 p.m.
indieWIRE: What's the genesis of the show?
"We couldn't go in there and say, 'But we're documentary filmmakers. It's going to take us two and a half years before you see this stuff.' . . . Nobody in a network environment is even thinking about two years from now. They don't even know if they'll be there two years from now."
Cutler: The genesis was partially content-driven and partially form-driven. I was really interested in spending a year with high school kids, because it's twenty years since I got out of school. And I was very curious about that unique moment in life when you're a child on the cusp of adulthood and you're an adult who still wants to be a kid, to quote Morgan. And so that was extremely intriguing to me. I also wanted to see if it was very different to be coming of age now as opposed to what it was like when I graduated from high school.
And then formally, at least as importantly, I've been convinced for a while that if you took cinema verite and produced it in a way that satisfied the needs of prime-time story-telling -- that was entertaining and engaging, and dramatic in the way that a prime-time drama is -- that it could potentially be very popular. Because, as you know, verite generally gets shown at festivals and to a very specialized audience and the audience really responds to it, they love it, they get connected to it the same way they get connected to any narrative drama. The whole idea behind verite is that real life can function in storytelling and be as satisfying and engaging to an audience as scripted drama is.
iW: And it must be exciting to the see the landscape shifting at the network level with the success of reality television.
Cutler: The truth is we presented this to Twentieth Century Fox a year and a half ago and they immediately leapt at it. I then developed it and worked to find a specific high school to do the first season. And that took about three or four months. And then we went in to Fox and pitched it and they bought it in the room, and ordered thirteen episodes. I described the project to Doug Herzog and he said, "Okay, we'll take thirteen." It was clear that people were looking for alternative formats, particularly for summer programming, particularly ones that were far less costly than scripted dramas and scripted comedies, which are extremely expensive. Well this program, from a business point of view, represented a very clear solution to that. Also, here was potentially an entirely new genre that, if successfully introduced, could build a franchise -- this whole idea of the non-fiction drama series that is unique to prime time American television. There are no other non-fiction drama series on the air.
iW: As a documentary filmmaker, someone who's used to making feature-length documentaries, was it daunting for you to suddenly have the responsibility of seven hours of verite programming?
Cutler: The answer is 'no,' but it is a huge project. There's no question this is enormous. Every step of the way it's enormous. There were two crews in the field shooting three weeks out of every month. We had 14 characters on whom we were focusing. We had a class within the school that those 14 kids were in and another ten or 11 kids were in as well, with personal video filmmaking. And everybody in that class had their own video camera, so they were shooting as well, mostly video diaries. And we shot 2,000 hours in the field, and the kids shot an additional 800 hours in the field. So this is a massive project. This is not "A Perfect Candidate" where Nick Doob had a camera and David Van Taylor and I were producing and directing in the field. Then there's the whole post side of it, which was going on simultaneously with the shooting, which is madness. But which is a necessary part, if you're going to do prime time television. You can't turn your show around in two years. You've got to turn it around in a year, because nobody in a network environment is even thinking about two years from now. They don't have their budgets for two years from now. They don't even know if they'll be there two years from now. We couldn't go in there and say, "Yes, but we're documentary filmmakers. It's going to take us two and a half years before you see this stuff." They just wouldn't have been interested.
So as huge as what was going on in the field was, it nevertheless followed the traditional model of cinema verite filmmaking: Our crews were tiny; we were as unobtrusive as possible; we were working with our subjects with the understanding that they were our collaborators. So we understood from the beginning what the model was, and, as different as I say it was from "The War Room" or "A Perfect Candidate," in terms of its scope and the length of time we were shooting and the amount of footage we got, it was essentially the same because you just apply the model on a larger scale. In post-production, it's unlike anything I've ever been involved with because even the process of logging, transcribing, analyzing the footage, working with six edit rooms, cutting while you're shooting, all of those things are completely different. There's no way I could see every frame of footage, which of course I would do on a feature project.
iW: How did you ration out your time in the direction?
Cutler: Well, the post-machine is massive in and of itself. There are about 25 people who are working full-time. We have loggers working around the clock. We have a story department that's screening and have done thorough analyses of all footage that's shot. The producers in the field do a kind of thumbnail sketch of what they've shot and then the loggers do a report on it. But then the different people in the story department, who each are assigned different characters, are doing a much more story-oriented analysis of what's going on. And we're selecting things that we're going to look at. Then we have half a dozen assistant editors as well half a dozen editors who are working. There are eight AVIDs here that are all fiber-optically linked, so if a scene falls out of episode four it might be perfect for episode six and it goes right into the episode six bin so that the person can work with it, if necessary. And how I ration out my time is, I took all of my personal life and I threw it out the window, basically.
This group of people has been working around the clock for the last nine months on the post-production side of this thing. And I'm also flying back and forth to Chicago working in the field as much as I could, which is about a third of my time, and working on the post side another two-thirds. But you can't possibly do a project like this if you're not working extremely closely with a team of unbelievably talented editors and people on the post-production side and in the field. It's just very different than the traditional model where the same tiny group of people is doing everything. Here, it's just much more specialized. Joan Churchill and Alan Barker were in the field for us. They've done dozens of films, but Joan was one of the two people who shot "An American Family." And we have half a dozen incredibly talented and experienced verite editors: Allison Ellwood, Jason Rosenfield, David Tedeschi. . . it's just like this incredible group of people with scores of years of experience at verite film production. And you can't do something like this, in this very, very, very limited amount of time unless you're bringing together on some level an all-star team of filmmakers.
iW: So tell me why you chose Highland Park High School?
Cutler: First, we realized that you could do this anywhere. You could do it in an inner-city community in New York, you could do a rural community in Indiana, you could do a high school up in the Pacific Northwest where every 14-year-old has already started their own dot-com. There are so many places where you could do this project. But we decided for season one that it would be a suburban community. Part of that had to do with the fact that it was my own background. Part of it had to do with the fact that it was the environment in which other Fox high school shows, other successful Fox high school shows, had been set.
We wanted a school that was going to simultaneously see the potential benefits of doing a project like this and have a healthy skepticism about it. When we met with them, they were exactly what we were looking for, which is a courageous community that said, "Yeah, this could be an amazing thing to do, especially in the wake of the Columbine tragedy. And if you're going to do it here, we're going to put you through a real wringer to make sure, first of all, that you are who you say you are, and, second of all, that all the concerns we have are somehow being anticipated."
So it was really a three-month back-and-forth negotiation process, more or less: meeting with faculty, the administration, students, their parents, the superintendent and the board of education, having the board of education call people who had been involved with other films that I had made. The George Stephanopolous recommendation turned out not only to be a critical piece of the puzzle, but actually a requirement given from the board of education to the superintendent.
Then the contract between the school and the studio itself was a month-long negotiation process because the school is concerned with things that the studio has never even thought about before. What happens if I get hit by a bus? It took us ten days to work that out and at some point was a deal-breaker because the studio is used to saying, "Well, we'll get somebody else to do it." Whereas the school was saying, "Like Hell you're going to bring in somebody who we don't know, who we haven't gone through this process with, who we don't trust." And the studio's point of view is -- and of course 'being hit by a bus' is a euphemism for if they decide to fire me -- "If it's not working out, we need to have the right to have anybody we want make this." And the school said, "We don't care about your money. We care about our kids and our school and who's coming in and who we're exposing them to." It was just like a culture clash in a way. And literally there were points where both sides thought, "You know what? We're not going to be able to work this out." And that wasn't the only point. A real process of diplomacy was required to get everybody to see that they weren't in conflict but that they just had different objectives that needed to be served.
iW: And what was the process like to select the kids?
"So it's good for the networks because it's relatively inexpensive. We, in the documentary community, know how to save a nickel. The talent involved in making these things, which should be incredibly expensive, especially when compared to Jennifer Aniston's salary, is pretty cheap."
Cutler: We had a big assembly at the very beginning of the year where we invited all of the seniors and their parents to an assembly in the school auditorium. It was the second day of school. A bunch of us were there and made a presentation of who we were, and what we were doing, and why we wanted to do it. We stood before them and said, "We're here to tell your stories and if you'd like to work with us we'd love to have you." There were probably about three hundred people in that room, including parents, and about 120 kids filled out applications. We met with every single one of them and then we just tried to form a group of kids who really wanted to tell their stories and seemed to have interesting stories to tell, and who represented a good cross section of the student body. As always with verite, you want people who really want to tell their stories. In this case, there are a lot of people who fit that bill because what they're doing is growing up and coming of age and that is something they care a tremendous amount about.
iW: How did the kids relate to the crew? How was the process of actually deciding where and when to film with them?
Cutler: It's the way it always works; it's a little bit of everything. And if you do your job right, about halfway through the process you realize the subjects are really making the film, you're just kind of following them along as much as you can. If you say, "I'm just here to watch," and if you turn out to just be there to watch, if you are non-intrusive and tell it as truthfully as possible, then before long they will join you in the process, because that's what they want as well. Of course, in this case, they all had cameras. They're also shooting these diaries that are telling us what's going on. And I would say even more so than any other project I've worked on, the degree of intimacy and the personal bond with the subjects was stronger and deeper than in any of the other projects, because you're living with people. The other films took place in the work environment and, as much as they were personal stories, they were personal stories told in a work environment. These are personal stories told in school, at home, in the bedroom, in very private moments. So your relationship with your subjects reflects that.
iW: The decision to give them their own cameras, was that something you had conceived of initially or did that develop as you were working with the school?
Cutler: I conceived it initially, but not from the very start. I was a having a conversation with a school administrator who was quizzing me about what was in it for the school, and there were a lot of things that are in it for the school. But they said, "But we're educators, is there an educational benefit to this other than an experiential one? Are there skills that kids will be learning?" And all of a sudden it just clicked into place for me, "My God, what an incredible opportunity this is. You've got these TRV 900 cameras, the Sony palmcorders, that are 3-chip mini-DV cameras, they cost two grand each, you put on some good audio attachments and maybe a wide-angle lens and for $2,700 you've got a camera that's pretty close to the quality of the $8,000 Beta-cam we used to shoot "A Perfect Candidate." And you can give 25 of these to kids and you're with them in a way that no verite crew, even the best one, could ever be.
iW: Were there boundaries that Fox or the school placed on you as far as following people and the kinds of stories you could get into?
Cutler: We were not to be with people in situations where they didn't want us. And the school just wanted us to keep our word on that. This is, again, a principle of verite for all the reasons I've been describing: If you're filming with somebody and they ask you to stop, you stop. Because otherwise you're not collaborating in the telling of a story, you're intruding, and you won't get to the point where you are full collaborators. Other than that, we are a network television show that's regulated by the FCC so we knew that we wouldn't show kids breaking the law on television. We figured, "Okay, let's not shoot it," cause what purpose could that footage serve?
iW: By my count, in the first two episodes, you introduced eight characters, which impressed me. That's a lot of characters to introduce in a relatively short amount of time. Tell me a little bit about episodes three through 13, structurally, and how you organize the shows.
Cutler: I'm standing in my office now and the walls are literally covered in wipe-off boards that have different story lines under each of the kids' names. Matching them together in a way that feels like there are going to be thematic lines that also push the overall story together, but comprise a self-contained episode, was the objective. It's tricky. It's a little geometric. Because you want episode two to connect to episode one but you also want someone who hasn't seen episode one to be able to watch it. Then you're also dealing with a time-line, cause you know for instance episode 13's going to be graduation, episode 12's going to set it up, you know that episode nine is spring break, so ten and 11 you want to cover whatever happened between spring break and graduation. That includes prom and also filling in all the missing stories. There's so many things, believe me, this is weeks of planning and moving magnets around a board and wiping things off and then you come up with an outline, you start building your episodes and you make changes again and you hope you're getting it right.
iW: What's the format that your crew shot on?
Cutler: We shot 100% digital. This is the first "dogma" television show, except I take a director credit, so does that count?
iW: I guess not.
Cutler: The crews had three cameras. They had the full-format DV camera, and we shot Sony (I can't remember the model number that we used), and then we also used the VX 1000's. So every crew had both of those and we had a lot of TRV 900's sitting around that we used. So the crews had three cameras at their disposal, all DV, but the VX 1000 and the TRV 900 are mini-DV. And the kids shot with the TRV 900.
iW: Do you think this kind of show is here to stay?
Cutler: Well, I will say this: this summer you have seen the introduction of two genres in the so-called reality style of making television. One is the extreme game show and the fact that it's called "reality television" is Orwellian at best. It's a completely artificial environment: they've hired actors; they're just not scripted. And they're paid to perform for a camera in an artificially created environment. And you know what? The shows, when they work, are very entertaining, and when they don't work, and I've got to watch people building potato clocks for six minutes, are torturous. But there's a great potential for that genre and that's a great thing. Then there's this other genre -- that our show at the moment is the only one -- the non-fiction drama series and I hope that it's here to stay. I hope that this presents an opportunity for other people to do the same thing because it's fun to watch, it's exciting for people to see, it's extremely satisfying, it's storytelling that's entertaining and engaging and all of the things you want it to be. So it's good for the networks because it's relatively inexpensive. We, in the documentary community, know how to save a nickel. The talent involved in making these things, which should be incredibly expensive, especially when compared to Jennifer Aniston's salary, is pretty cheap.
iW: Can you tell me what the budget was?
Cutler: I can tell you that an hour of our programming is significantly less than an hour of network programming. Really significantly less. And we wouldn't be here if it wasn't, I don't think.
[Jesse Moss is directing a documentary about a con-artist for HBO.]


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Two persons duped a Delhi man of Rs 18.2 lakh by promising an MBBS seat in a medical college in Katraj. Himendra Kohli (52) of Kirti Nagar, New Delhi, has lodged a complaint at Bharti Vidyapeeth police station.
Police have booked suspects Yogesh and Rajesh under IPC sections 406, 420 and 34.
Assistant inspector S B Chavan said, Kohli came in contact with Yogesh and Rajesh about 12 days ago. They promised his son admission in an MBBS course at a medical college in Katraj, saying they were agents. Kohli came to Pune and paid Rs 18.2 lakh to Yogesh and Rajesh, who went missing soon after.


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LHS boys' soccer playing with post-season in mind
- Published in Local Sports
LACONIA – The Laconia high school boys' varsity soccer team's consistent performance throughout this season, has helped them claim a spot in the Division III Playoffs. Entering the last week of regular season, the boys are currently in in 8th place overall in the Division. To protect a first round home game, the boys must win both upcoming games to either keep their current standing or potentially improve in ranking.
At the start of the season the boy's determination to get back into postseason play for the second consecutive year wasn't matched, at least initially, by their performance on the field. The team lost their first match of the season and was 3 and 3 through the first six contests.
The team turned its season around on September 23 with a 6-0 win against Newfound. This win set off a seven-game winning streak, broken on October 16 by a 5-1 loss against neighboring rival Gilford.
Coach Matt Dubois attested that it was the team's hard work and practice that allowed the members to form a more fluid team. Last week's loss against Gilford was a clear example of how communication loss and forgotten standard procedures on the field can negatively impact the team.
"Making it to the playoffs is a huge accomplishment," said senior Jake Sykes. "Losing against Hopkington in the second round last year was hard, but I know that our team has the potential to make to father than we did last year."
In response to making it to the playoffs, Dubois said, "The seniors have been working hard for three varsity seasons to get to this place, and have made much progress during these years. The playoffs will be challenge, as it's hard with teams you haven't played, but if the team plays consistently they should do well in the first few rounds."
This afternoon the boys will be traveling to Belmont to play the Red Raiders. Having already won against Belmont 3-1 for their first victory of the season, the team expects to manage another win today.
The Senior Night game will be this Friday, October 25 starting at 5:30 p.m. The Sachems will host Mascoma Valley, a team which has only won two matches this season.
The playoff schedule will be posted after the scores from this week's regular season games have been finalized.


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Obama not an isolationist
In support of Obama
Michael Taube ("Countering Obama's second-term agenda," Opinion, Jan. 24) tries to portray President Obama as a dangerous, dogmatic leftist. Regrettably, he fails to back up this assertion with any actual facts. Two of his claims are especially unconvincing:
- "Obama is a tax-and-spend liberal who believes government can help, rather than hinder, the American people." Well, so what? This is far from a radical position. A vast majority of Americans, not just peopleon the left, believe that the government has a necessary role in the American economy.
- "Moreover, he is a conciliator who would rather refrain from military conflicts." Mr. Taube must have not watched the news the last four years. The administration has launched unprecedented drone attacks on Pakistan, removed Gadhafi from power in Libya, and escalated the war in Afghanistan. Whether you agree with these actions or not, they aren't remotely "isolationist." – Jack Davis, Vista
Silence about U.S. greatness
Regarding the letter written by Hal Valderhaug (Jan. 23) questioning Rep. Duncan Hunter's use of the phrase "opportunities for engagement" in reaction to President. Obama's inaugural speech, may I suggest that Valderhaug's alternative phrase "opportunities for negotiation and compromise" might have been nice to actually hear from the president himself. Much of his inaugural address was, on the contrary, bereft of any mention of working with the opposition party, and full of recriminations about our supposed lack of equal opportunities for women and gays, and voters not being able to cast a ballot. I didn't hear enough about the greatness of this nation and the president's desire to do his part to continue to protect and promote this greatness, and too much, in my opinion, about what's wrong with this country. It's going to be a long four years. – Marsha Ruiz, Lakeside
Letters and commentary policy
The U-T welcomes and encourages community dialogue on important public matters. Please visit this page for more details on our letters and commentaries policy.
- E-mail firstname.lastname@example.com
- Mail: Andrew Kleske, Reader Outreach Editor
U-T San Diego,
P.O. Box 120191
San Diego, CA 92112-0191.
A thumbs-up for Israel
In response to "Israeli vote revives peace-talk hopes" (Jan. 24): I see that the people of Israel are again showing good intelligence by moving somewhat to the left. They can't have missed the fact that much of the world which used to support their cause has now turned somewhat against them as a result of their shoddy treatment of the Palestinians. Maybe now they can get back to solving a problem that needs to be solved. – Hal Valderhaug, La Mesa
Guns or no guns?
If it weren't for all the deaths and violence they're responsible for one could almost feel a sort of admiration for the gun enthusiasts. They are the last of the true romantics, whose worldview is based entirely on fiction and fantasy. In westerns and cop shows the good guys shoot the bad guys and law and order is restored to Dodge City, or wherever. In the real world things seldom work out so simply and neatly. Police blotters everywhere are overflowing with unsolved crimes.
And they tell us that an armed citizenry is necessary to prevent the takeover of the country by a tyrannical government. It seems not to have occurred to them that the government has already been taken over – by the 1 percent. – Jesse R. Ranney, Escondido
I have been trying to pay attention to the debate over guns and possible causes of violence in America. I even read some of the transcripts from Vice President Biden's committee. Here is what I have learned about who might be partially responsible for this ugly phenomenon.
Legitimate gun owners of high-powered [rifles] – nope they aren't responsible. Neither is the NRA, or gun sellers. Maybe it is all the violence in the media. No way. The media are clean, too. Perhaps it is because of hate filled lyrics in some music. Clearly that can't be one of the causes. OK then, could the makers of video games, which allow [players] virtually to vaporize human flesh be the culprit? Certainly not, says the video game industry. Well, it can't be a problem that our mental health system lets dangerously ill, repeat hospitalized mental patients out on the streets without any support.


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Survivor: Cagayan Interview — Trish Hegarty Calls Kass McQuillen "Awful"
May 15, 2014 03:00 PM by Ryan Haidet
Although Tony promised her a final-three deal, Trish Hegarty was ultimately voted out of Survivor: Cagayan in fifth place. During her time on the show, Trish had several big arguments and made headlines after joking that she was actually a man — which some fans took far too seriously. In my interview with her today, Trish revealed why she was so loyal to Tony despite his lies, labeled Woo as a "weasel" for reasons she couldn't disclose and unleashed her sharp tongue on Kass. Plus, she talked about the viewers who question her gender and discussed the hilarious YouTube video showcasing her cackling, rotating head.
Are you on Twitter? Please take a moment to follow me @RyanSurvivor for behind-the-scenes Survivor updates. I will be tweeting live from the finale on Wednesday night.
Question: Is it tough watching yourself get voted out?
Trish Hegarty: I was at peace with it before I even got to the last Tribal Council. It was a game of 18 people and only one person can win. I would have loved to win the money, I could have really used it. But I had a great experience. Yeah, it was hard, but it wasn't devastating. … It was a great game. I had a wonderful experience and made some unbelievable friends out of it. It was a total win-win for me.
Question: Did Tony have any real conversations with you about giving you one of his Idols?
Trish Hegarty: He told me all along that he was gonna use that Idol for me if I needed it. I think what went wrong is that Kass and Woo convinced Tony that there was no way he could beat me in the end.
Question: Tony did keep you out of his plans in several big moves. Why did you choose to stay with him?
Trish Hegarty: I genuinely am a loyal person. Tony and I got to know each other on a really personal level. I really knew he was a stand-up guy outside of the game. He really loves his wife very much, and his mother and his family. I stayed loyal to him for a couple of reasons. I started the game with him. He told me all about the Idols. So, if I bailed on him and went with Tash and Spence, I would have been like Kass. I would've bailed on my alliance and been on the bottom of another alliance when I knew he had two Idols. I knew he didn't take too kindly to people going against him. I thought my better choice was to stick with him. It doesn't mean I necessarily always trusted him, I just thought it was the better option for me.
Question: Did Tony actually give you the specifics of what his special Idol could do?
Trish Hegarty: By the time he was done talking about those powers, I thought this Idol could microwave food and I thought it could become a spaceship to get us out of there (laughs). He did lie about the length of time it could be used. He said that he could use it after the vote up until the final four, but he could really only use it up until the final five.
Question: Would you have ever turned on Tony and voted him out?
Trish Hegarty: It's tough to answer that. I'm a pretty loyal person. I would've had a really hard time voting Tony out. You know, I really like the guy. We were frick and frack out there. We were like a team. That was the hardest part for me, having to put peoples' names down. You get to know them and you're squashing their dreams. I didn't feel good about that.
Question: What did you think of Kass giving you the middle finger as you were voted out?
Trish Hegarty: I think it shows exactly who she is. I think she lacks people skills. I think she has no class. I think she's an instigator, an agitator. I think she has no respect for other people. She's a crier, a whiner and a crybaby. The fact that she got me voted off was enough, but to stick up your middle finger? I'm the type of person, if I'm gonna give you the finger, I'm going to put right up in the middle of your nose between your eyes so you can see it came right from my hand. I don't do it behind peoples' backs. I think this shows exactly who she is. Not a nice person.
Question: You had two big arguments this season. One with Lindsey, the other with Kass. Who is worse and why?
Trish Hegarty: They were both equally awful, but I can say that Kass was much worse to be around because she was such an antagonizer. She loved stirring the pot. She was talking about people like Spencer in college, calling me a goat. She was just a freak. She was just awful to be around. When I snapped on her, there was no strategy behind that. I literally just couldn't take another second of her. I just couldn't. She made my skin crawl.
Question: Is Kass really thinking she's playing a smart game? Does she believe she can win?
Trish Hegarty: She's completely a delusional woman. What she saw herself as and what she was, is completely different than 99.9 percent of the population. She actually thinks she's gonna win the game. She actually thinks she's a better player than Tony. She actually thinks she made the best and biggest moves. She even said in her interview, "I don't need to play this game anymore. I'm done here." That's what she said. You're never done until the end. She was awful. She was just awful. She's the worst person I've ever met in my entire life.
Question: What are your thoughts on Spencer?
Trish Hegarty: He's a great human being. He's one of my favorite people. He's just really easy to talk to. He's very well-read. He's extremely smart. He's not a kiss-ass. If he doesn't agree with you, he'll tell you. He's something special, I can tell ya that.
Question: How would you describe each of the final four castaways using just one word?
Trish Hegarty: Tony = character. Kass = awful. Spencer = Spencer is a wonderful, wonderful human being. Woo = weasel.
Question: I'm surprised to hear you call Woo a weasel because he seemed to be a critical part of your alliance. Why was he a weasel? What didn't we see?
Trish Hegarty: I think weasel wasn't the greatest word. I really like Woo. But he did something that I can't talk about that showed me he's a bit of a weasel. I'm not allowed to talk about it. I really like Woo, but I didn't trust him all that much.
Question: You made a remark this season that got a lot of attention after you said you are a man. Are you still hearing about it from viewers?
Trish Hegarty: I think I finally squashed it. Literally people would inbox me, women would say, "I can't tell, are you a man?" I put on my Facebook, "For all you people that are gender confused, I am clearly a woman. Did you not see my papayas?" Are you kidding me? What the fuck? Of course I'm a woman. I made the joke because everybody went around the circle admitting a lie they had told. I hadn't told any lies, so I just made that up as a joke. I thought it was hilarious. People just took it so real, which is actually scary. I seriously want to come out with boxer shorts on scratching my imaginary balls just to see what people would say.
Question: Somebody made a three-minute video of your head slowly rotating with your cackle on a loop. Did you see it?
Trish Hegarty: I thought it was a riot! People always say they love when I laugh. I didn't realize my laugh was so annoying. That cackling thing was pretty frightening. I put it on a couple of my friends' Facebook pages saying, "Wake up." If you get to know me, you learn I have a very very very good sense of humor and I have very thick skin. If you recognize that about me, you could have so much fun with me. These people that made these things of me, didn't do it because they're mean, but I think they thought I would really get a kick out of it. I did!
Question: How did you get on the show?
Trish Hegarty: I tried for 10 years. I put in like seven different tapes over the years or something like that. I tried for a long time to get on this show. I was out there for the $1 million.
Photos: CBS
Survivor: Cagayan Interview — Tasha Fox Dishes On Tony Vlachos
Survivor: Cagayan Interview With Jefra Bland — "I Tried Not To Be A Bitter Jury Member"
Survivor: Cagayan Interview — Jeremiah Wood Explains Why He Kept His Modeling Career A Secret
Survivor: Cagayan Interview — LJ McKanas Reveals What "LJ" Stands For
Survivor: Cagayan Interview — Morgan McLeod Says She's Really Not Lazy
Survivor: Cagayan Interview — Sarah Lacina Discusses Her Shocking Elimination
Survivor: Cagayan Interview With Alexis Maxwell — Twerking Helped Get Me On The Show
Survivor: Cagayan Interview — Lindsey Ogle Unleashes Her Thoughts On Trish Hegarty
Survivor: Cagayan Interview — Cliff Robinson Says He Wasn't Truly Blindsided
Survivor: Cagayan Interview — J'Tia Taylor Defends Dumping Out The Rice
Survivor: Cagayan Interview — Brice Johnston Says Jeremiah Wood Is A Cockroach
Survivor: Cagayan Interview — Garrett Adelstein Reveals What Happened To His Hidden Idol
Survivor: Cagayan Interview — David Samson Says J'Tia Taylor Was Useless
Survivor: Cagayan Episode 12 Recap (With A Twist) — Strategy Firestorm
Survivor: Cagayan Episode 11 Recap — "I Have A Special Idol"
Survivor: Cagayan Episode 10 Recap — Auction Chaos
Survivor: Cagayan Episode 9 Recap — Spy Shack Part 2
Survivor: Cagayan Episode 8 Recap — A Beautiful Blindside
Survivor: Cagayan Episode 7 Recap — Goofiest Idol Hunt Ever!
Survivor: Cagayan Episode 6 Recap — Merge Madness
Survivor: Cagayan Episode 5 Recap — Big Fight Leads To Big Decision
Survivor: Cagayan Episode 4 Recap — Drop Your Buffs!
Survivor: Cagayan Episode 3 Recap — It's Tough Throwing A Challenge
Survivor: Cagayan Episode 2 Recap — Let It Rain!
Survivor: Cagayan Premiere Recap — Brains Tribe? How About Dumbass Tribe?
Topics: CBS Reality TV Shows, Survivor |
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