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Hi Robert – I know I've read that more than a few times in some of the main stream aromatherapy books and think I was told that in my aromatherapy classes – about the 2% thing. So, it is a perception that I myself also have and have, therefore, spent long hours trying to determine if my sources are selling me what they say they are and who my sources should be – long hours and dollars spent to attend conferences to rub elbows with those who should know. However, at that time in 2006, organic essential oils were not readily or at all available. I have also read and have been told by those who should know, that just because an oil is certified organic, there is still no guarantee that said essential oil is not adulterated or for that matter really organic. The argument that I was given was that no one stays around to make sure that the material actually placed into the still was the same that was grown in the organic soil. We live in a world of distrust and for good reason as we look around at the greed in high places. I know this doesn't address your issues about your article but was and always will be interested in any discussion concerning what constitutes an unadulterated oil. That being said, I would think there are certain things to consider when purchasing an oil and the chances it may or may not be adulterated. Some oils are naturally inexpensive and there would be nothing gained by adulterating them. If you look at how many acres of a particular oil are said to have been grown for a particular year and for that same year there was a great more essential oil sold than could have been produced – then you know you probably have an issue. I know that you know far more about this issue than I do, but I would like to see more discussion concerning what things would throw up a red flag when purchasing an oil from a particular supplier. The internet is now so absolutely full of people selling essential oils and copying and pasting the same old information that it is a bit overwhelming. My concern is the same as other clinical aromatherapists and that is that people will try a particular oil, find that it doesn't work because it is either adulterated or the person selling the oil really doesn't have a clue which oil or chemotype should be used for a particular purpose, so the client then assumes that any and all claims made by the aromatherapy industry are false or vastly overstated. This is true in research studies that have been done as well. Is there an answer? I would like to see an article by someone as knowledgeable as yourself that gives you a list of possible red flags and things to consider when looking for suppliers, particularly bulk suppliers.
I've also been plagued with terrible leg cramps for about 3 years now. So bad at times i couldn't go up or down steps without cramping. They started like yours at night while I was trying to sleep. They would wake me from a sound sleep with excruciating pain and I couldn't even move to get out of bed to try to relieve them. Drs could not give me any help they only prescribed muscle relaxers which I didn't take.
The first thing to look for to determine essential oil authenticity is that each oil is identified with the plant's scientific or botanical name, and in appropriate cases, the chemotype. A chemotype is when the same plant, e.g. rosemary (Rosmarinus officinalis), will have a different chemical profile based on where it is grown. Only some plants have chemotypes. Country of plant origin, extraction process used, and either a distillation or expiration date are also important.
For some years now I have been applying several drops each of undiluted pure essential oils patchouli, ylang ylang, sandalwood and cedarwood to my neck and throat after a shower, and the fragrance is wonderful, but as a bonus this same fragrance comes up from the toilet bowl every time I do a dump. To confirm I wasn't imagining it, the first time it happened I smelt the loo paper after the first wipe and there was the fragrance of all those essential oils. Why is this, and has anyone else had the same experience ? I must be one of the very few people in the world who can say that not only does their shit not stink, but that it is exotically perfumed !
Plus, I don't care how wonderful an EO is, I don't think a certain combo is going to make someone "Thankful" or give them "Couraqe." Those are personality traits, not a response to treatment. Seems a bit hokey to me. I just gave her the catalog back and didn't say much. The MLM system is designed to make people antagonize their friends into feeling obligated to purchase stuff.
I wish that the essential oil market was more heavily regulated, however, this is not the case. Many of the "essential oils" and plant oils sold on Amazon and other sites are synthetic, and it is up to the consumer to do their homework and make sure to source from reputable companies that can provide paperwork and lab testing to back up their products. It is up to companies to do their homework as well—and to be transparent with their customers. A good rule of thumb is to ask companies to provide Certificates of Analysis and GC Reports when you order, any reputable essential oil supplier will be able to provide those.
Examples of these types of essence include: Cajeput (White Tea Tree), Cedar Leaf, Cinnamon Leaf, Eucalyptus Blue Gum, Eucalyptus Blue Mallee, Eucalyptus (Mint), True Eucalyptus, Laurel Leaf (pictured), Tea Tree, Mandarin Petitgrain, Lime Petitgrain, Orange Petitgrain, Manuka, Magnolia Leaf, Niaouli, Nerolina, Rosalina, Purple Sage and White Sage.
Bath: Avoid dripping your essential oil directly into the bath water; you always want to mix it first with a natural emulsifier like honey, milk, a carrier oil, or even sea salt. Doing this will help emulsify and disperse the essential oils into the water. If you don't do this, the oils will simply sit on the surface of the water and come into direct contact with your skin, possibly causing burns and dermal toxicity.
It's not an instant favorite (unlike Artemisia pallens and Inula graveolens), although I typically grow to like EO's once my body has had a chance to think them over and assimilate the new information. I gave it 5 stars for three reasons: It is unbelievably intense and lasting, which is how it is described around the web. It smells nothing like valerian, which I've heard people complaining gets substituted for the more-expensive vetiver. I've smelled a lot of valerian, and I just don't detect any of that here, so I'd say this hasn't been cut with anything. And despite washing with (unscented) soap and rinsing with isopropyl alcohol, the fragrance has not changed, it has only gotten a little weaker--I can't stand scents that change when they are watered down.
The oil of frankincense is an ancient remedy for infection, and recently its ability to fight cancer and support the immune system in general has begun to be studied rigorously, particularly in Europe. Scientists believe the main element in frankincense which fights cancer is a compound known as acetyl-11-keto-beta-boswellic acid, or AKBA for short. There have been many documented cases of frankincense curing cancer labeled as "incurable" by mainstream medicine, such as ovarian cancer and brain cancer. Research indicates it can prevent uterine cancer or help heal it.
It's very important to keep in mind that the American Food and Drug Administration (FDA) regulates essential oils mainly as cosmetics, NOT as therapeutic supplements, herbs or medications. So if you come across an essential oil company or salesperson who claims their oils can cure certain diseases or mental illnesses, they are violating federal law and can be prosecuted and fined by the US government.
This is the first time I've smelled this oil. I recall someone in a bookstore telling me once that this was the smell they used in that store but this oil does not smell like that too me. Perhaps it's not the exact oil as there seems to be 3 variations that I've read so far. But none the less it does not stink or have a heavy soap smell like most oils and I am happy to add it to mu collection. It seems like a very thin oil which will come in handy. It also arrived quickly and packaged well so I do recommend this seller. As to the actual quality of the oil, I have no clue as I'm no expert but happy to have it and look forward to using it more...
One recent study of 300 patients found that those who breathed a mixture of ginger, spearmint, peppermint, and cardamom had much less nausea after surgery. Other research shows that lavender oil can lower levels of the stress hormone cortisol, and inhaling lemongrass aroma before a stressful event can prevent anxiety. Studies also show that tea tree and oregano oils can fight microbes, making them popular treatments for dandruff and toe fungus. Others can be used as an anti-inflammatory.
I use Piping Rock EO and I love them. They do everything that any other brand does advice tried the more expensive ones like DoTerra and I find that Piping Rock is a great product with great results and one that I can easily afford. Sorry but those marketing companies are just about money. I love Essential Oils and how they have helped my family in so many ways with pain and other ailments. I also do not trust anyone who says to ingest the oils and unless a professional medical expert says it's ok I think you are asking for trouble. You don't have to pay ridiculous prices for good 100% pure Essential Oils.
An essential oil is a concentrated, volatile, aromatic liquid that is obtained from the fruits, seeds, flowers, bark, stems, roots, leaves or other parts of a plant. There are estimated to be 10,000 aromatic plants (ie that contain essential oils) on Earth, and about 500 of these are processed commercially for essential oil extraction. These oils have been used for centuries for both their healing and aromatic benefits. Plant Therapy offers over 100 of these essential oils.


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The Savage Riding Academy delivers equine education in a progressive way to promote comprehensive, deep learning. The program is designed so that students work their way through three levels of fifteen different badges across the areas of Knowledge, Skill, and Character. As they demonstrate mastery in each area, students level up, and eventually become mentors for incoming students as they continue to perfect the specialty area of their choosing. By the time they graduate the program, students will have learned how to ride in a variety of English and Western disciplines, gained a wide range of knowledge in horse care and hippology, and developed their attitude and character for success.
Riding lessons are available Monday - Friday from 1:30PM to 6:30PM, ages 3 and up, and open to riders of any incoming ability and discipline. Lessons are typically done in groups of 2-4 students of similar age and skill level who meet for an hour each week, currently priced at $25. Limited availability private 30 minute lesson slots are available for $25 as well. New riders do not need to bring anything as we have helmets available, but just be dressed for the weather - we have an indoor riding arena but it is not temperature controlled. We rarely cancel due to weather, but in extreme circumstances a text will be sent out by the morning of that day. If you have any other questions, please send us an email!
Monthly Skill & Event Calendar
Upcoming Events List
Events subject to change. More information can be found by clicking the photos to the right. Full information will be posted in a linked facebook event as it nears, and sign-ups will be on the bulletin board at the farm.
March 14-17, 10:00-5:00 Equine Massage Clinic @ Savage Riding
NE Indiana Equine Massage is a National Board Certified trainer in equine massage. They will be hosting a 4 day class that enables you to learn everything you need to know to massage horses professionally. Cost: $900 http://www.indianaequinemassage.com
March 24, 1:00-4:00 Medieval Equestrian Games @ Nitar Farms (~1 hr 20 min)
Step back in time and learn how to do a variety of medieval style mounted games, including jousting, mounted archery, stab the pigs, lance the rings, behead the enemy, and more! Cost: $30 total ($10 entrance, $20 coaching/rental)
April 27, 10:00-4:00 Extreme Cowboy Race @ Crazy Horse Arena (~45 min)
Test your leadership skills as you take you horse through challenging trail obstacles. Potluck lunch @ 12:30. Cost: $25 entry, $20 coaching/rental
May 18, 12:00-2:30 Goshen Painter's Guild Workshop @ Savage Riding
Learn how to draw and paint horses in front of live models. Open to lesson students and the greater community, all ages and levels welcome. More information coming soon.
June 23, 8:30-4:30 Hunter/Jumper Show @ Shrine Farms (~1 hr)
Test out your finesse over jumps in the Hunter classes and your speed in the Jumpers. This is a full-attire show with leadline through adult classes. Cost: $12 per class, $30 coaching/rental www.facebook.com/neighshowseries
July 14, 9:00-4:00 Youth Pleasure Show @ Elkhart County Fair Grounds (~10 min)
English and Western Youth Pleasure Competition for Levels 1+ (no leadline classes). Halter, trail, horsemanship, showmanship, and equitation classes will be available. $5 per class, $20 coaching/rental fee
August 24, 1:00-3:00 Mounted Games Day @ Savage Riding
Enjoy a variety of mounted team and individual games, such as golfball and spoon challenge, ride a buck, horsketball, polo, jousting, mounted archery, relay races, and more! Open to leadline to adult riders. Cost: $15
September 21, 10:30-2:30 Trail Rides @ Potato Creek State Park (~45 min)
Hit the trails atop your favorite 4 legged friend at our closest horse-friendly state park. Slots will be available hourly to join a group ride. Cost: $20

subset: commoncrawl


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Put-in-Bay Visitors & Convention Bureau
Welcome to Put-in-Bay! Put in Bay Ohio is a vacation island located in Lake Erie hosting over 1 million visitors a year, Explore our page and learn about our fine Resorts & Hotels, Home Rentals, and vibrant nightlife. Plan your island vacation today!
Added: June 09, 2018
URL: visitputinbay.org
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Category: Travel Websites
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A tall size is necessary if you are 6' to 6' 3" tall.
Merino Wool is soft, resists odor, insulates, doesn't shrink or itch, Midweight, Foot hugging fit and comfort, Fully cushioned, Stay put leg and top, Seamless toe closure.
My son loves the youth coverall I got him for X-mas. Gostwear is the only place I have found camouflage children's coveralls.- Sheila Burman of Vancouver


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ONO – An Unabridged History In Conversation
Initially established in 1980, ONO holds a legendary status in the experimental and fringe music scene in Chicago and beyond. After a 26 year hiatus, in 2012 ONO released Albino followed by Diegesis, 2014, and Spooks, 2015. Clearly, ONO have not tempered their artistic output nor performances in the slightest through continuing to present loud, provocative and unorthodox experiences. Last month, The COMP Magazine caught up with ONO during a practice session on the far South Side of Chicago to discuss their long history making music, their uncanny ability to organize sonic chaos, the innovative possibilities located in the intersection of Gospel, Industrial, Noise, and Punk, their process of arranging an album, and what's next on the band's horizon.
ONO For Al Jorgensen's Silly Carmichaels Record Release, Club 950, April 30, 1981,
photo by David Magdziarz
Note on Speaker:
PM: P.Michael Ono
T: travis
You guys have been making music for a really long time as ONO. "Kate Cincinnati" was released in 1982, followed up with "Machines that Kill People" (1983) and "Ennui" (1986). There was the hiatus. Then you reassembled, added new members and released "Albino" (2012), "Diegesis" (2014), and "Spooks" (2015). Lets rewind and look at the history. Can you share with us a bit of ONO's transformation over time?
PM: ONO began as an outlet to provide backing soundscapes / Noise for travis's poetry.
January 5, 1980 — Original members were travis on voice and lap steel, Hallene Kathy Brooks on lead voice, Mark Berrend on guitar and Harvey on percussion. Harvey immediately left for Israel, after graduation from Northwestern. Hallene stuck around for a couple of rehearsals but was much too wild to be tamed. Leaving travis, Mark and me to man the ship.
And carry on we did for about a year till we came to the attention of Al Jourgensen while he was forming the Chicago Band Ministry. We met Al and his paramour Shannon Rose Riley at PopeFest when Pope John Paul II held a mass in Grant Park. We bonded over ART, intellectual pursuits and extreme Catholicism. We have remained close to this very day. Al J appears as a guest on our 2015 LP "SPOOKS." As Mark was leaving the band for NOLA, AL offered ONO Shannon Rose to have and to hold in perpetuity; she agreed; and, she is with us still.
1981 — ONO carried on as a trio with Shannon, travis and PM. Then we ran into Ric Graham at many punk shows. He had recently graduated from University of IL at Champaign Urbana, and was temporally living in a Northbrook graveyard, after being tossed out of his parents' North Shore suburban home. Ric joined us on guitar and we became a quartet. But that was short-lived. Shannon was working at the Candy Store by Night to pay for School (SAIC) and also performing with ONO. Till she left Al and met Jack Santee and became betrothed. Shannon and Jack set out for Jack's hometown, Tulsa Oklahoma. Shannon was not seen again till 2007.
1981 to 1986 — ONO carried on as a trio with travis, Ric and PM. We released two LPs, "MACHINES THAT KILL PEOPLE" and "ENNUI," on Thermidor Records and played all over Chicago and traveled to Milwaukee. Then, after having enough of this, we retired ONO in 1986; freeing up time to finish school, travel, and create a wide range of performance art projects.
2007 — ONO gets word that Steve Krakow (AKA Plastic Crimewave), who has a comic called "The Secret History Of Chicago Music" in the Chicago Reader, was looking to do a comic featuring ONO and get and Interview as well. travis Ric and PM come together to do the interview. PM gets a MYSPACE invitation from Abe Gibson to come check out his band, called "The End Of The World Band" (Abe Gibson on drums and Jesse Thomas on guitar), at Elastic arts. travis and PM go and enjoy the show.
Abe Gibson curates several large band Noise projects with multiple guitars. travis and PM participate: PM on bass or keyboards, travis on lap steel guitar. travis and PM meet and play with future ONO drummer Ben Baker Billington. Plastic Crimewave curates the Million Tongues Festival and invites "The End Of The World ONO Band" to play (Abe, Jesse, travis, PM).
2008 — Plastic Crimewave curates a series of acts on Chic-A-Go-Go, a public-access cable television children's dance show. ONO (PM and travis) reforms by enlisting Jesse as well as keyboard player Rebecca Pavlatos who had played with travis over the years in a band called Art Fiction as well as several performance projects. Dr. Shannon Rose Riley, now teaching in nearby South Bend, IN, rejoined ONO for the Chic-A-Go-Go show and began the reformation process. Soon after, Shannon accepts a teaching position in California.
So ONO continues with travis, PM, Jesse, Rebecca and Shannon when/if she is available.
2009 to 2015 — ONO plays many shows and becomes acquainted with DaWei Wang/Guitar. DaWei is then added to ONO. ONO then becomes acquainted with Mimi Wallman/Vocals. Mimi is added to ONO. ONO records "ALBINO." Mimi leaves to finish nursing school.
ONO then becomes acquainted with Adam Wolack/Drums, and with Jake Acosta/Trumpet. They join ONO. ONO records the album "DIEGESIS" and the album "BLACK POWER MOVE." Dr. Shannon Rose Riley flew in From California to assist with recording the albums. The two albums are fused into one and released as "DIEGESIS," leaving many tracks unreleased to this day. After 35 years, ONO tours for the first time.
ONO then becomes acquainted Brett Naucke/Modular Synth.
Adam announces he is moving to California. Ben Baker Billington steps in, and for several months, before Adam leaves, ONO has two drummers.
ONO records the LP "SPOOKS" with about 10 members, plus guests, including Shannon and Hilal Omar Jamal/Vocals.
2015 – Adam and Jesse move forward to pursue other projects. ONO then becomes acquainted with Connor Tomaka/Electronics.
The current ONO lineup is: Travis — PM – Rebecca — DaWei — Ben — Brett – Connor. Jake and Shannon appear when available.
ONO For EAROTICA Magazine, "VAdm Morrison", Intro by Louanne Ponder, Club Exit, November 18, 1982,
photo by David Magdziarz
T: Rimbaud : The Nigger Queen : Why Are travis's Lyrics So Insufferable?
I was born and raised Chickasaw-Black in pre-integration, pre-electricity, pre-indoor plumbing Itawamba County, Mississippi. On September 23, 1946, amidst by now done-deal U.S. land grabs, where runoff remnants of Mississippian > Chickasaw Nation intersected with the Natchez Trace, Rejatta Stegall (AKA "Rejetta" and "Jet") birthed Travis Stegall in the same "Shotgun Shack" kitchen where, on January 28, 1927, Finous Mary Magdalene Wall Stegall (October 9, 1890 to October 8, 1971) gave birth to the irrepressible Jet (d. November 13, 2010). A few feet to my right, New Chapel Cemetery; to my left, New Chapel School (eight grades) which shared the grounds of New Chapel AME/CME Church, on a rambling, deep-in-the-country dirt road off MS25.
As a relatively curious 16-year-old high school graduate, suddenly transplanted to Akron, Ohio, I wanted to experience the world of My Weekly Reader. Captivated by advertising and signage, I fixated on walls, windows and doorways. A few blocks from Akron Central High School, the Post Office/Federal Building at 168 E. Market Street, black-and-white pictures and full-color recruitment posters, some old, always new: "Join The Navy And See The World!"
On September 23, 1963, my 17th birthday, I convinced Mother to sign my U.S. military enlistment contract which (completely unexpectedly) listed shocking questions, then laid down the law, about same-gender sex, sodomy, and active vs. passive anal penetration. Departure date imminent, Mother warned the world was burning in hell and no one in the entire world would help me way up in the middle of the air. Her proof: Televised casualty rates from raging Vietnam War debates; JFK assassination on Friday, November 22, 1963; and Jack Ruby's point-blank assassination of Lee Harvey Oswald on Sunday November 24, 1963, which we watched, in real time, (LIVE!) on television, like another episode of "As The World Turns," "The Guiding Light," or "Search For Tomorrow;" expanded from 15 minutes to an underground railroad. Time to go. "Farewell!" Greyhound Bus trip to Mississippi; Greyhound Hearse.
From December 1963 to December 1969 I served as U.S. Navy Radioman/Data Communications Supervisor. Even though President Truman, on July 26, 1948, signed Executive Order 9981 in a begging attempt to "establish equality of treatment and opportunity in the U.S. military regardless of race, "desegregation" and "equality" were neither fully implemented nor respectfully accepted by LBJ's U.S. Navy when I arrived at Great Lakes Recruit Training Command, December 27, 1963, for nine weeks of boot camp. Every day at Glakes presented new race-based survival challenges above and beyond the vagaries of assimilation within an armed unit whose leaders, administrators and civilian staff openly expressed, to me personally, their antipathy, and their racial hatred even to the extent of gleefully recounting gory, detailed lynchings or kidnapped Black males in Mississippi, dragged to their death behind pick-up trucks; or tied up, whipped and executed; for entertainment. Similar tales bonded Navy communicators everywhere I was stationed.
In 1955, Money, Mississippi was three hours drive from Itawamba County. In 1963, Birmingham was 60 miles away. A little over four hours drive to see friends in Tuskegee, or Nashville, or Memphis. In Amory, 30 minutes from my birthplace, Mommie Mae Carter Sarter, my paternal grandmother, drove year-round. She and my grandfather always, and at regular intervals, bought two cars; one for the family (four sons and three daughters), and one for grandmother. I sang Spirituals at Carter's Chapel Church, at Pentecostal jubilees, at Apostolic/Holiness revivals and, occasionally, for prisoners in a Mississippi penitentiary. Church folks talked. Pullman Porters spread the word. Mommie Mae's mother, Jennie Carter, and her Chickasaw "Indian" husband occupied traditional Chickasaw lands near the Tombigbee River. I was traumatized when, around age six-to-eight, Whites set fire to our substantial extended family property and animal stock; relatives killed. Fire raged for days. Jennie Carter suffered a stroke, paralyzing the right side of her body. I developed acute asthma, and lost my ability to speak until an all-female team induced a "White Egg Sweat" and healing ritual in Carter's Chapel Church, previously settled by Jennie Carter, on the Black side of US278, on the Black side of MS25; on the Black side of Amory's Kansas City, Memphis, Birmingham train tracks. Significantly, Mommie Mae's youngest daughter, 90-year-old India Moore, lives there still. Aunt India became my surrogate mother when Jet ran off to St. Louis and became a radical basketball player/motorcyclist, shortly after I was born. Nearby, Cotton Gin Port, Mississippi, the first White settlement in North Mississippi after the Chickasaw Treaty of 20SEP1816, was absorbed by Amory, which became "the first planned city in Mississippi."[Noteworthy: From 1932-1972, the U.S. Public Health Service/National Institutes of Health experimented with gonorrhea, syphilis and other sexually transmitted diseases using illiterate Black subjects; in the U.S. Penitentiary Terre Haute, IN; in Tuskegee, AL; and "Natives" in undeveloped Central American countries such as Guatemala.]
For nine weeks, RTC GLakes reinforced Mother's vigilance. In addition to traditional tests measuring GCT/ARI, et al., I was obliged to sustain batteries of brutal "standardized" tests relative to "Behavior" or "Socialization" where I was always the lone participant. I reported (alone!) to Protestant religious lectures several evenings each week while other men in my Company enjoyed recreation hour smoking lamp lit. Nevertheless, batteries of MOS skills and security assessment tests resulted in my selection for Radioman A School/Bainbridge, Maryland. At RMA, perfect grades and "Outstanding Man" personnel inspection honors resulted in my selection to the RMA Drill And Honor Guard, composed of Honor students who, in addition to maintaining Honor-level grades, also traveled, representing the U.S. Navy by performing close-order precision drills at holidays, openings or special events, even when it meant not fighting back when verbally and physically attacked on our bus by Anti-War protesters; bricks, bottles and broken windows.
On a date forever emblazoned in my memory as "Forever Friday Night," my Drill Instructor, a decorated Army and Navy career serviceman, attempted to sodomize me, as I studied in my rack, in the RMA School barracks (Bldg 517) while my classmates enjoyed weekend liberty. The tests never ended. And true to the Chief's warning, delivered the first day at RMA: "… [O]nly half of you will graduate." Reasons: Grades; Nervous Breakdowns; Suicide. I graduated at the top of my class, and was awarded my choice of next duty station. I chose Guantanamo Bay, CUBA. And with GTMO Communications came the clandestine world of U.S. preemptive infiltration>exfiltration>invasion; U.S. Manifest Destiny; NSA sex with machines.
Next: USS America (CVA 66), USS Liberty (AGTR 5) and Shellback Initiation en route to Vietnam.
In 1969, after six years of attempted sodomy by three superior officers, accusations of sodomy by the Office of Naval Intelligence (NSA), endless sodomy interrogations, and high-level lie detector tests, etc., from GTMO to Spain to Greece to S.E. Asia, proof of sodomy ("Penetration however slight") never surfaced. But now, 50-year-old ONI scars, still deep, raw and bleeding, stalk my paralyzed isolation, diffraction and fragmentation. Even as pathologized nationalist historicity cleaves against colonized underpinnings, black market emotions inform, critique or oversee my artistic product.
Having fulfilled my military obligation overmuch, I became a U.S. Navy Reservist in SEP69, and returned to the University of Akron. On December 27, 1969 my Honorable Discharge became official, along with a fistful of awards and medals, and I infiltrated a civilian population which labeled me a "Baby Killer" and much worse, because I survived my Vietnam service. Five months later, May 4, 1970, nearby Kent State University erupted in National Guard gunfire and murder. I was visiting KSU that day, along with my UA Sociology class. UA closed for four days; "rallies, protests and vigils." Around May 8, 1971, UA Administration Building, Buchtel Hall, burned. Gutted to the bricks!
By 1972, I split my time between Akron and Cleveland where I studied Kundalini and KunTao. With stunning regularity, I witnessed well-connected White students commit suicide by defenestration, at the YMCA at 22nd Street and Prospect Avenue, where I rented rooms continuously from 1972-1976. I worked as a Data Communications Supervisor at the Kidd Computer Center., Bratenahl, 15 minutes from Terminal Tower. Meanwhile, Cleveland's poverty stricken Blacks were routinely beat back, herded ever deeper, into Hough; burnt-out but still seething.
Seeking creative outlets for a seabag full of obsessive, disruptive literary sketches, I studied what was later labeled "Poetry Performance" with poet-playwright-musician Russell Atkins at Cleveland's Karamu House, America's first Black theatre, from 1972-1976. International pop stars filled Cleveland Stadium/World Series Of Rock, and warned that life ends at age 30. At 29, I had lived too long. In July 1976, after surrendering all earthly desires, possessions, etc., I set out driving from Cleveland to New Mexico to spend the rest of my life studying Kundalini with Harbhajan Singh Khalsa JogiJi. But then, summertime Chicago seduced me. Northwestern University School of Law (NULS) hired me for the summer. They liked my work ethic and rapidly promoted me to successive supervisory roles.
At NULS I worked with a literary genius, A. W. Brooks, who introduced me and my work to state and local politicians, Hyde Park writers and MENSA thinkers. Her daughter, Shakespearean actress Hallene Kathy Brooks, introduced me to her friend PMichael Grego, Medical student at St. Xavier College. PM introduced me to radically creative Music and Art students. He knew and cared more about my work w/Peter Laughner/CLE, than I did. I fell in love with NULS. Decided to spend "a couple years" before moving on to Yogi Bhajan.
On Friday, October 5, 1979, I laced up my Chicago Skates and rolled from NULS to Grant Park where I met up with PMichael and two of his friends, Shannon Rose Riley and Al Jourgensen, for Catholic Mass celebrated by His Holiness John Paul II.
Roller skating home from work, I met Mark Berrend at Lincoln Park's Theatre On The Lake, when Mark, quite literally, collided with me at the bike path water fountain. Invited me to view his art exhibition "Chicago Bug People At The Opera." I bought my first original painting: "Sir Edgar Ravenswood Entered The Room (From The Opera Lucia di Lammermoor)," which he installed, occupying an entire wall in my NULS office. Big installation party with wine and cheese. We became roommates; never lovers. He created Abiogenesis Art Studio in our apartment, painted large-scale portraits of me and gave me my first hand's-on "art" intro, alongside PMichael, as we held weekly training/creating sessions. I argued vehemently about the absurdity of Art "rules."
PMichael switched from Medicine to Art, and proposed creating a band. I objected. Not interested in Music. No desire to compete with musicians. Other plans.
Ric Graham's Front Cover design (Photo: A. M. Stanzler) for a 45 RPM "Machines That Kill People" backed with "The Model Bride." Never released. Instead, ONO returned to Hedden West Studios on August 7, 1982, edited the audio, and the LP "MACHINES THAT KILL PEOPLE" became available on Thermidor Records, S.F., CA, and November 2, 1983, at Wax Trax Records, Chicago, IL
On Saturday, January 5 1980, PMichael proposed a band to create Noise environments and sonic accompaniment for my writing. I proposed the name ONO[matopoeia] and a guiding phrase: "ONOmatopoeia Before Music." I suspect I was hurt by my surrender, and so I further sought to deny any pretense at Music and "to maximize flexibility, to act out various punishments derived from verbal inference, cognition and reinforcement, and to vigorously distinguish [ONO] organized noise from Music." All agreed. PMichael sent me to Clark Street Pawners to buy a Fender lap steel he saw in the showcase long ago. "And," he said, "don't take lessons." Around this period, I encountered a transformation. I met and chatted with Yogi Bhajan (and a squadron of Sikhs attending him) at a monumental conference "For The Soul Of The World." He actually made a B-Line across the large hall, which was serving breakfast, and landed at my table, where I read, alone. For the next 10 minutes into eternity, I trembled. Highly evolved Sikhs, Saddhus and spiritual bodies chanted, meditated and levitated in a South Michigan Avenue hotel. From that day to the present, I have committed my life to PMichael's vision for ONO. And, in a final act of transference, I proposed a codification of ONO's raison d'être.
ONO STATEMENT OF PURPOSE: "Experimental Performance, NOISE, and Industrial Poetry Performance Band; Exploring Gospel's Darkest Conflicts, Tragedies and Premises."
ONO agreed. Then began nine months of PMichael's rigid regimen of pre-perfomance rehearsals: Friday, Saturday and Monday (without fail!). And we have sought to fulfill ONO's Statement Of Purpose from January 5, 1980 to the present day.
ONO: THE FIRST YEAR. (1) October 24, 1980, ONO opened the record release party for Al Jourgensen's band Special Affect at Wizards Dance Club. ONO intro by Chicago artist Deborah Cadavre. (2) February 13, 1981, "My Experimental Valentine" at NULS. (3) April 12, 1981, "Spring Fling" Palm Sunday show at NULS. (4) April 30, 1981, ONO opened for the first show of Al Jourgensen's band The Silly Carmichael's at Club 950/Lucky Number. ONO intro by Ric Graham of Clutch Cargo. (5) June 26, 1981, Benefit For Prop Theatre. ONO intro by Ric Graham. (6) July 8, 1981, ONO "Sacred Music" show for Irish Protestant/Catholic students touring USA, at Our Lady Of Mercy Mission. ONO opened for End Result. Intro by Ric Graham. (7) July 11, 1981, ONO played an outdoor show for WZRD/Northeastern University. Ric Graham replaced Mark who left for NOLA to work as a carpenter and set designer. (8) August 8, 1981 Private birthday party in Glencoe, IL. (9) September 12-13, 1981, Al Jourgensen & Iain Burgess produced "Machines That Kill People" b/w "The Model Bride" & "Bushy-Bushy" at Hedden West Studios. Planned as a 45 RPM, but not released. Instead, ONO returned to Hedden West on 07AUG82, edited the audio, and the LP MACHINES THAT KILL PEOPLE became available on Thermidor Records 01NOV83 in CA, and 02NOV83 at Wax Trax Records/Chicago. (10) October 2, 1981, ONO opened for Snakefinger at Misfits. (11) October 16, 1981, ONO presented "Farewell Farewell Thorne Hall"/"Woman After Death." Monumental multi-media event sponsored by NULS the night before demolition of Thorne Hall, 800 North Lake Shore Drive, to make way for Rubloff tower. Featured: Invocation: History Of Thorne Hall. An epic recital on Thorne Hall's original pipe organ, Ghost Stories, Art, Chants, Dance, Vintage film from Thorne's vintage collection using the original projection equipment, Gossip, Sound, Music, Ritual of lights, Ritual of leaves, Submission theatre. (12) December 31, 1981, Misfits Canceled ONO show as "Too Avant-garde." (13) December 31, 1981, ONO published the LIVE cassette "A Suite For Christmass."
Ric Graham's Back Cover design for unreleased 45 RPM "Machines That Kill People" b/w "The Model Bride." featuring PMichael's art depicting PMichael, Shannon, Ric and travis
In April 1982, Al Jourgensen recommended ONO to Thermidor Records manager Joe Carducci and Jim Nash of Wax Trax, resulting in two experimental LPs. MACHINES THAT KILL PEOPLE (recorded at Hedden West Studios; engineered by Iain Burgess; produced by Iain Burgess, Al Jourgensen and ONO (August 07, 1982). Distribution contract Thermidor Records (November 1, 1983). ENNUI (recorded at Acme Studios; engineered by Mike Rasfield, assisted by Todd Colburn. Recorded LIVE, in Acme Studios. No Overdubs! Distribution contract Thermidor Records (1985). See, Rock And The Pop Narcotic by Joe Carducci, pp. 33, 466. See also, Enter Naomi by Joe Carducci, p.64.
In 1986, NULS selected me Employee Of The Year; gave me a $1K savings bond, a personal computer, a UNIX account, advancement in pay and responsibilities, and classes at substantially reduced-tuition as long as I kept a straight-A average. Result: 1990/BS; 1993/MA both With Highest Distinction; completed while working full-time at NULS. Research: "The Role Of The Shotgun House In Afro-American Vernacular Architecture."
I incorporated highly experimental ONOcentric sonic, visual and literary investigations into virtually every class project/presentation/performance. By then, Chicago's underground and Art school media, and a smattering of international writers, documented ONO as "Chicago's Gallery touring band" or "Chicago's Premiere Avant-Garde Ensemble."
From 1986-2007, ONO studied, collaborated, traveled and exhibited with a wide variety of local, national and international underground artists. That non-ONO work is also well documented.
The current ONO performance era began in 2007 when Steve Krakow (AKA Plastic Crimewave) interviewed ONO for "The Secret History Of Chicago Music." The current ONO recording era began with ALBINO/Moniker Records (recorded April 14, 2012 at Minbal Studios; engineer/producer Cooper Crain, assisted by Patrick LaBahn).
ONO, "ZaDa", (Dedicated to John Cage), NULS/Lincoln Hall, February 13, 1981, photo by David Magdziarz
Sonic and performative experimentation has been a mainstay of ONO. At times, there are lengthy poetic instrumentals coupled with narratives examining self, society and mindscapes that run for over 20 minutes to tightly knit accents that appear to be segues or directed statements. Can you discuss how the physical process of making music intersects with the narrative elements?
PM: For all performances ONO works within a well-defined Premise. All shows are worked out sonically and visually, from instrumentation and costuming to sampled interludes. ONO is telling a story and not just performing songs.
T: Evacuation : Greetings From The Prison Plantation. PMichael is tasked with writing each ONO performance, based in a clearly defined Premise. I perform a "Character's" point of view. What does the Character want? What role does their Conflict play in the unfolding drama? Conflict is the heart of all art. I studied "Urban Festivity" post-Grad with Northwestern University ethnographer Dr. Dwight Conquergood. Prior to that, and following Russell Atkins/Karamu House, I studied under Chicago/Mississippi playwright Stacy Myatt, whose work is rooted in Lajos Egri's The Art Of Dramatic Writing.
ONO signing their first Thermidor Records Contract, Summer 1983
While sitting with you at the recent practice session, I noticed that there was a great deal of improvisation occurring as you worked through your set. For instance, Da Wei was applying a pocket-fan to the neck of his guitar for a directed sonic purpose while P. Michael, Connor, and Brett were measuring treble, tenor, and bass electronically, Ben and Rebecca were keeping time, and Travis was developing lyrics. This process appeared to be simply organized chaos at the highest of levels. So, how do you organize these efforts into a coherent work you want to present to the public?
PM: Improvisation is a word that continues to come up a lot with us. Truth is, improvisation plays a very small part in what we do. What is really happening is that we have worked out our own vocabulary of sound and we arrange it to suit our purpose. Our sound and vision are actually designed and given much thought. It is organized chaos and only sounds like improvisation.
T: Home Brew : You Will Never Cover Dirt. Not sure I understand what "Improvisation" entails. Except for "Yam," all the work you heard during ONO practice was old. At least two pieces were performed over 30 years ago. Any ONO songs that members feel should be "learned" and repeated musically are performed by another vocalist, not me. I am pleased to leave the stage. Everyone understands my "Characters" may overlay the emotional narrative, or, indeed false narrative where appropriate, of any work within the (recontextualized) real time performative limitations unique to space, time and audience. At this point, I do not understand Improvisation relative to Character Arc.
ONO, "Queen Of The Ministry", Smart Bar, May 25, 1983, photo by David Magdziarz
Lets talk about your 2015 release "Diegesis". Can you walk us through the development, process, and intent of your most recent release?
PM: Our albums are worked out before we enter the studio. They are recorded live with all of us in the same room, then overdubs are applied. The tracks are then edited by our Producer, Cooper Crain, in a style similar to Teo Macero, the producer of Miles Davis.
"DIEGESIS" was a hybrid of two recording sessions, one called Diegesis and another called Black Power Move. Tracks were combined from each source and the unused tracks remain in the vault.
"SPOOKS" is the latest ONO LP. It was also recorded in two sessions, one at Electrical Audio Studios with the band OBNOX, and a second session at Minbal studios with Cooper Crain. SPOOKS featured many guests assisting ONO, with Shannon in attendance.
Additionally, there was Lamont Thomas from OBNOX, Hilal Omar Jamal from Night Auditor and Al Jourgensen from Ministry, collaborating directly with Shannon. The LP featured a very large ONO ensemble.
For the recording at Minbal ONO was about 10 people strong. The band was divided into two bands of five members each, with each group hearing differing rhythms in their headphones. Thus, the members of each band played counterpoint to the other. The product was then mixed by Cooper so that the listener hears two different bands play against, or over, each other. It was a crazy experiment but somehow it worked.
T: Brown Paper Poke : Spooks Dupe The Color Line. ["Eli Whitney's Cotton Gin revolutionised the cotton industry in the United States, but also led to the growth of slavery in the American South as the demand for cotton workers rapidly increased. The invention has thus been identified as an inadvertent contributing factor to the outbreak of the American Civil War."/Wikipedia]
===COTTONGIN (1)Shot El Gato Negro / I.C.U. cotton gin / Critical mass fibre-fit fitbit fast ass harlequin / Forty acres and a cotton gin. (2)False teeth praise God / Fatback feedback fingerprint cotton gin / Friction on the surface undercover firing pin / Bloody Mary Hot Toddy next-o-kin cotton gin. (3)Her lats Her quads Her oblique tail fins / Radar love assisted living in the cotton gin / Critical mass fibre-fit fitbit fast ass harlequin / Forty acres and a cotton gin.
ONO For Al Jorgensen's "Special Affect" Record Release, Wizards Dance Club, October 24, 1980
There's a real physicality to the approach and interaction in your live performances. You just never know what Travis and the rest of the ensemble will do. What are your thoughts on the immediate experience in your performances vs. the listening of your music in solitary?
PM: ONO live has been described as a religious experience. There are elements of gospel music and people "catching the Holy Ghost train." With ONO live the point is that you must feel it deep in your soul as we the band are feeling it. If there is no feeling there is no point.
Can't really say much about listening to ONO in the home in private. I usually put ONO on my mix tapes and it just pops up.
T: I Dream Of Sodomy : Death And Transfiguration. I listen to ONO only when prodded to do so by PMichael. I have not heard SPOOKS, DIEGESIS or ALBINO in their entirety. Why? Pain. By the end of studio sessions, I prefer a personalized therapy; researching old wounds; illustrating new tragedies. I maintain a Tumblr account (djPTSD) and a SoundCloud account (travis_DJptsd) to which I regularly post head-space tantrums in an attempt to decipher traumas endured 50 years ago during my Vietnam-era military engagement; civilian anti-war attacks on my person (and my enforced restraint); as well as enduring persistent U.S. institutionalized racism back-boned by Black American self-hatred; or vice-versa. Therapy. Maybe even avoidance, panic and/or proximity, lo! 50 years on. That said, PMichael willfully, and with some frequency, snatches pieces from my accounts and reworks them for ONO presentation. I do not object. I work for PMichael. I am a good dog. I perform the triggers in Character, not "travis." On some level, travis stands guard; a rescue agent. Yes, there is always suffering, dysfunctional emotion, episodic helplessness. There is, indeed, a razor's edge of schizophrenic flashback. Art For Art's Sake is unknown in my Itawamba County, Mississippi/Chickasaw heritage.
Nevertheless, after virtually every venue on ONO's APR16 tour, attendees, both young and old, pulled me aside for "confessionals" dealing with dissociation, hyper-vigilance, emotional detachment and the persistence of memory. I live alone.
I Dream Of Sodomy
Napoleon! Andrew Jackson! ARTILLERY. And me?
Mississippi Itawamba Chickasaw Nation // ARTILLERY Penetration
Haitian Reparations! Indian Removal Act 1830! Smallpox ARTILLERY
ARTILLERY! ARTILLERY! I Dream Of: SODOMY.
IDO: NSA whips/Liberty ship === IDO: ONI Ass Cracks Unzipped
IDO: Penetration However Slight === ONI House Niggers Every Night.
ARTILLERY! ARTILLERY! I Dream Of: SODOMY.
© 2015 by travisDjPTSD
ONO for Al Jorgensen's "Special Affect" Record Release,
Wizards Dance Club, October 24, 1980
What do you value most in your aesthetic practice?
PM: That ONO is based in Political Activism and Art. All Art Is Political!
T: Captivity : Old Age Black America! I am 70 Years Old!
ONO, "My Experimental Valentine" NULS/Lincoln Hall, February 13, 1981, photo by David Magdziarz
We're in mid 2016. What's the plan for the remainder of 2016? Do you have any recording plans, upcoming shows or just inspirational jam sessions on the docket?
PM: It's mid-2016 and ONO is back in full force. We will play a few key local shows with G.W. Sok from Dutch group The EX; Helltrap Nightmare; The Hecks record release show; and a private wedding.
We will play a show in August at the Cleveland Museum of Modern Art, which is in conjunction with the Mark Mothersbaugh exhibit. In September/October we will tour the South with the Band Buck Gooter. Playing Kansas City, Houston, NOLA, and more. When we return from tour we start the next ONO LP.
T: Urgent Poverty : Strange : My Flower Bed Cannot Hold You. (1) Illustrating Here In The by Russell Atkins, 1976. (2) Illustrating passages from Dhalgren by Samuel R. Delany. (3) Creating a short series of short Noises tentatively called "FRAG." Bursts of human emotion. All instruments are INDEPENDENT. They are not permitted to synchronize. Drums not permitted any "steady beat" designed to "organize" or "order" other instruments. Nearly fascist. Voice determines beginning/end. Closest approximation: Symphony tune-ups? NAP? ASYLUM? PANIC? Perhaps lock-down prison wing. DEDICATED to Pedro Albizu Campos (Radiation), Frantz Omar Fanon (Radiation) and "Covert Economic Sabotage."
ONO: DaWei Wang, P. Michael Ono, Connor Tomaka, Travis, Ben Baker Billington, Rebecca Ono, and Brett Naucke,
Chicago, IL, 2016, photo by Chester Alamo-Costello
For additional information on ONO, please visit:
ONO – [ono1980.com]
Chicago Punk Database – [punkdatabase.com]
Huffington Post – [www.huffingtonpost.com]
Moniker Records – [monikerrecordsss.bandcamp.com]
Interview by Chester Alamo-CostelloAugust 7, 2016 Tagged with: Adam Wolack, Ben Baker Billington, Brett Naucke, Chester Alamo-Costello, Chicago Artist Interview, Chicago Band, Chicago Music, Connor Tomaka, DaWei Wang, Hilal Omar Jamal, Jazz/Punk/Gospel/Experimental Music, Mimi Wallman, ONO, P.Michael, Rebecca Ono, Travis
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That sounds like a contradiction! Let me explain.
Many years ago, I remember an ad from a dealer who offered a lifetime guarantee for any purchases made from him. If you bought a stamp from him and it wasn't genuine or it had faults that weren't noted, he would refund your money. It sounds like a sweet deal, huh? I bet he sold lots of stamps. Collectors had it made. How could they go wrong with a lifetime guarantee?
The truth is, this guy was a crook. Sorry folks, crooks happen, even in the stamp world.
This guy was selling regummed stamps as NH. I don't know if he sold fakes or not, but he probably did. Anyway, I bet he made a bundle of money selling these kinds of stamps.
For the few collectors who noticed, the good news is, he did honor the refund. But for every one collector who complained, how many bought those stamps and never questioned them because they were backed by a lifetime guarantee?
In a few years, this guy was gone from the stamp world. Another big splash (see previous topic) followed by silence.
What about those people holding those stamps? How good is your guarantee now? If you sent that stamp off for a certificate and the stamp wasn't genuine, who is going to refund your money? Sadly – no one.
Because this happened so many years ago, I'm sure many of the collections that were formed by buying this man's junk have since been sold. How many collectors took a beating to find out that the stamps they paid thousands of dollars for were worth pennies on the dollar? That lifetime guarantee didn't help them at all. And the original dealer is long gone with his ill-gotten profits.
Moral of the story? Be careful of the dealers you buy from. And a lifetime guarantee isn't as long as you think it is!
By the way, I do stand behind the stamps I sell. If something isn't as described, I offer a full refund. However, I don't offer a lifetime guarantee. As of this writing, I'm 48. Given the average life expectancy of a male living in the US, I figure I'm going to be here another 35 years or so before I croak, assuming nothing else happens in the meantime. If your stamp isn't as described, see me soon. When I'm gone, you're not going to be able to get your money back!


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Product Description
The Furno Large Cook Set is a great companion for cooking while camping and on the move.
The 6 piece set is made from lightweight and durable hard-anodised aluminium alloy.
Hard anodising improves corrosion and abrasion resistance by building up a coating of oxidized aluminium on the surface of the pots. This also makes them easy to clean. The compact nesting design makes great use of space and fast, even heat transfer allows food to cook efficiently and avoids hot spots.
Set includes:
- 2L pot with lid 168g
- 3L pot with lid 235g
- 1L frypan 126g
- Pot grip 44g
- Dish cloth 12g
- Storage pouch
Material: Hard annodised alloy


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One of the great truisms of Wall Street is "Don't fight the Fed". For the long term investors this has resulted in greater profits. When the Federal Reserve Board hikes interest rates look out and when the do it 3 times in a row it is called "3 jumps and a stumble". We have just gone through the stumble and it has been costly.
When you go back in history you will find that the stock market has almost always gone down substantially after the Fed has jumped interest rates 3 time in a row. As of this writing the Fed has lowered rates twice and we are looking for a third cut very soon. When that happens you will know that there is very little likelihood of the market going lower.
The stock market moves more on anticipation than fact. Another old saying is "Buy the rumor and sell the news". Because of what Mr. Greenspan has done we anticipate the market will rally and the rumor is he will do it again so we have two reasons to think that stock prices will move higher. He caused all this mess and now we look to him as our savior. It should be as the Queen of Hearts said, "Off with his head". Unfortunately he is appointed and cannot be removed from office even by the President. Just don't give him undo credit for lowering interest rates when he should not have raised them in the first pace.
For the smart long term investors when they see the Fed raising interest rates they should immediately pay attention top their stock and mutual fund holdings with the idea of selling them and placing the funds in a money market account. The investors won't be making any capital gains, but they also won't be standing in front of the train as it comes barreling down the track and runs them over. No, you don't have to sell immediately as it takes several months for interest rate increases to take effect - usually about 9 months.
When rates are lowered there will also be a time lag of 6 to 12 months which gives you opportunity to start picking some winners for the next bull market. Forget that Wall Street conventional wisdom of "do your research". Research is basically worthless. If you can find it out then everyone else already knows it and it has been reflected in the price of the stock. Let me give you a method that is too simple for your broker. He will tell you it won't work except it does.
Every Friday there is a listed in Investor's Business Daily on the back page about 40 charts of the week's best performing stocks. Notice they are all in uptrends. You could buy almost any one of these and check it weekly to see that it remains in the trend. When it falls out, sell it.
There are other equally simple methods your broker will not recommend. They want to keep the Wall Street mystique. Once you find out how easy it is to make money you won't need them. It is your money. Are you willing to work a little to make it grow?
Al Thomas' book, "If It Doesn't Go Up, Don't Buy It!" has helped thousands of people make money and keep their profits with his simple 2-step method. Read the first chapter at http://www.mutualfundmagic.com and discover why he's the man that Wall Street does not want you to know.
Copyright 2005
[email protected]; 1-888-345-7870
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Örtofta manor was first mentioned in 1346 and it has been owned by several noble families. The original brick castle was built in the late 1400s and parts of it still remains. In 1857-1861 Henry Dücker enlarged and reconstructed Örtofta to the present appearance. Today the castle hosts a hotel and provides conference and wedding services.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.


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Best Things To Do in Antigua
Antigua vacations are almost always centered on the beaches. Should you tire of the sand, consider smelling the flowers and buying the local produce at St. John's Saturday Morning Market, learning about Antigua's naval history at Nelson's Dockyard National Park, or touring a former sugar cane plantation like Betty's Hope in St. Peter parish. Nightlife is available in the Falmouth and English harbors.How we rank Things to Do.
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You know those top-down cooking or craft videos you just can't seem to get away from these days? There are people out there making a living from them. 78% of B2C companies depend on user-generated content, like those videos, for their marketing campaigns. You can sign up as a creator on a site like Darby Smart and potentially work with brands like Nordstrom, Mattel, and BarkBox. Or, use them to build your YouTube following and monetize through ads and views.
A corporation is a state-chartered organization, owned by shareholders who can appoint or elect a board of directors to manage the business. Incorporating protects the business owner from liability, so if the business was financially backed by a bank and the business failed, the bank cannot seek to collect from the owners' personal assets. The same protection applies if the business is sued.
While you could launch a regular business selling someone else's products, you could also invent your own product, like billionaire fitness pioneer, Howard Panes who teamed up with Ab Roller creator, Don Brown to create the Stealth, a fitness system that gamifies core workouts. While businesses based on inventions might seem more complex to create, they do present attractive investment opportunities as depicted on popular shows like billionaire, Mark Cuban, and Daymond John's, Shark Tank.
Diligence. In this industry, the line between scams and honest businesses is blurry, so you need to do your homework before accepting a position. Call the Better Business Bureau in your area to find out if there have been any complaints filed against the company, and do an online search on their name. Alpine Access is a well-respected company in the field, and Call Center Careers is a great place to look for legitimate call centers looking to hire.
Another strategy to make money online is to become a social marketing manager. Being present on social media is key for any business that wants to attract new customers, promote their products and grow their following. However, constantly posting, liking and commenting on the numerous social media channels is extremely time-consuming. More and more businesses are recruiting social media managers to run and organize all their social media. And to save money, social media employees are often employed as online freelancers.
Yet another Amazon service providing the possibility to make money online is the Audiobook Creation Exchange. You can create a standalone audiobook, or create an audio version of your eBook as complementary media. And you can narrate your audiobook yourself, or Amazon can put you in contact with a professional to help. Once sold, you can then earn up to 40% royalties per audiobook.
If you have previous experience as a computer programmer or have skills in this field, then there is plenty of work you can pick up as a freelancer. If lack of confidence is holding you back, then Free Code Camp is an excellent way to get your foot in the coding door. This organization provides free courses where you will build real-life apps and programs, giving you experience and plenty to add to your CV.
My name is Jamie Spencer and I have spent the past 5 years building money making blogs. After growing tired of the 9-5, commuting and never seeing my family I decided that I wanted to make some changes and launched my first blog. Since then I have launched lots of successful niche blogs and after selling my survivalist blog I decided to teach other people how to do the same.
Build up a following on your Instagram account and you could quickly be making extra money online. Major brands, gear companies, and even startups are willing to shell out $500-$5,000+ per post to get in front of your audience. While it's getting harder and harder to build a massive Instagram audience, if you already have a solid niche and are posting quality content regularly with a great camera for taking Instagram photos, with a few small tweaks you can make yourself an influencer. Check out this awesome article from Shopify on how to build and grow your Instagram following to get started.
How much will you make? I think my best month with Google AdSense was almost $5,000 over the last ten years. That amazing month blew my mind since it was actually near the beginning of my blogging journey. When you go from making zero to $5,000 in a month, that will rock your world. For me, it also got me even more excited because I knew there were other ways to monetize.