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Correct spelling for RENENWAL
We think the word renenwal is a misspelling. It could be just an incorrect spelling of the words which are suggested below. Review the list and pick the word which you think is the most suitable. For your convenience, we put a usage example below each word
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Possible correct spellings for renenwal
- Renal
- Renewable
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- Wast On Hand
He did not look at madame de renal on a single occasion without that look having a reason, but nevertheless he was not sufficiently stupid to fail to see that he was not succeeding at all in being amiable, and was succeeding even less in being fascinating.
Courts of first instance, appeal, and cassation; an administrative court and a constitutional court were established in 2007; note - all judges are appointed by amiri decree based on the recommendation of the supreme judiciary council for renewable three-year terms
A child may have to die for its parents; but the purpose of heaven is that it shall rather live for them; that not by sacrifice, but by its strength, its joy, its force of being, it shall be to them renewal of strength; and as the arrow in the hand of the giant.
Harassed by leases, renewals, railroads, fines, and mines, you are determined that life shall not be worn out by these continual and petty cares.


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Our vision is more Successful Pacific Peoples.
We want to make sure the journey of a Pacific child born today in New Zealand is a happy and successful one. We're working with partner agencies across the public sector to make sure every child thrives.
We have also launched a refreshed Pacific Vision after a year-long talanoa (engagement) process with over 2,500 Pacific peoples about their concerns, hopes and aspirations for the future.
Pacific Values are our anchor, with each generation weaving the foundation for the next to stand on. Pacific communities are leading innovations within Aotearoa, the Pacific region and around the world.
We are confident in our endeavours, we are thriving, resilient and prosperous Pacific Aotearoa.
Find out more at www.pacificaotearoa.org.nz
The Ministry for Pacific Peoples is the Crown's principal advisor on policies and interventions that improve outcomes for Pacific Peoples.
We are here to ensure the success of our Pacific young people flowing through the pipeline from early childhood education (ECE), to schooling, tertiary education and finally the workforce, entrepreneurship and their own families.
The Ministry for Pacific Peoples works closely with Pacific communities' to maintain and promote heritage languages. Part of this work is the Ministry's support for Pacific Language Weeks, which have grown significantly since Samoan Language Week was first celebrated in 2007.
17th February 2019: A week-long internship at the New Zealand Consulate-General in Honolulu, Hawai'i has been a trip of a lifetime for 2018 Prime Minister's Pacific Youth Award winner Asena Tolungamaka. Read more
15th February 2019: A love for her culture, church and sport has been the driving force behind Vaine Arai Areora's desire to serve her community for many decades in Aotearoa. Read more
14th February 2019: Mother and daughter, Pusi and Sima Urale are part of a national campaign to encourage aiga and whānau to talk about future health planning and their health care needs at the end of life. Read more
07th February 2019: For four decades, PACIFCA Incorporated has provided an avenue for Pacific women in Aotearoa to be a collective voice, to champion good causes, and to effect real change at the grass roots level and beyond. Read more
07th February 2019: "I came to serve but not to be served." These are the Lord Jesus' teachings Reverend Tauinaola Tofilau has strived to uphold whole-heartedly throughout a life dedicated to serving God and the Pacific community. Read more

subset: commoncrawl


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San Francisco Police Say Latino Teen Used Skateboard To Attack White Man In Hate CrimeChris Menahan
Jul. 10, 2018
Tucker: Why Are These Professional War Peddlers Still Around?
Report: Jussie Smollett 'Staged' Attack With Help Of Extra From 'Empire,' Home Raided
Beto O'Rourke: We Should Tear Down The Walls Already In Place
Ann Coulter: 'The Only National Emergency Is That Our President Is An Idiot'
HATE HOAX: Native American Activist Approached Chanting Covington Catholic Teens, Got In Their Face
No doubt CNN will give this alleged hate crime wall to wall coverage!
From Fox News:
Authorities are investigating a suspected hate crime in San Francisco after a Latino teenager allegedly assaulted a white man with a skateboard while yelling racial slurs over the weekend.According to the FBI's report on 2016 Hate Crime Statistics, anti-white hate crimes are the fastest growing racial hate crimes in America, jumping 19.34 percent in just one year from 2015 to 2016.
Follow InformationLiberation on Twitter, Facebook and Gab.


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Orange Pleasure
The procedure starts with a body peeling that gently removes the skin of dead cells and gets it ready for the next step, a luxurious bath with the aromas of oranges, which the famous Cleopatra used to enjoy several times a day. This is followed by a massage with high quality aromatic oils, complemented by a roll massage that stimulates blood circulation.
The bath can be individually or in a pair.
Total ritual time:110 min
Ritual price for individuals:3 690 CZK
Ritual price for couples:6 190 CZK


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The hills around Audlem will soon be alive with 'The Sound of Music' as Audlem Methodist...
AMC BOOK GROUPThe next meeting of the Book Group is on Monday evening November 12th at 7.30pm...
Audlem Methodist Church presents 'The Vicar of Dibley'Dibley is a sleepy village...
Summer Holiday Club returns!
Come and join us at the Methodist Church Summer Holiday Club.
A great time will be had by all for children from Reception to Year 6 on the 26th July from 10.00am to 12.15 pm
Lots of fun including Simple Bushcraft, cookery, snacks and craft — bring along your friends and book early with Ruth on tel: 01782 752198
£4 per child but booking is advised because places are limited.
Love to see you there!
P.S. Click on the poster to enlarge


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Jamieson Coote Bonds Adopts Bloomberg Buy-Side Solutions
Melbourne-based active bond fund manager Jamieson Coote Bonds (JCB) has adopted Bloomberg's buy-side platform to simplify its technology infrastructure.
Charles Jamieson, executive director at JCB says the firm has been long-time users of Bloomberg's technology. "As we were looking for an order management system, we needed something that not only could simplify and streamline our workflow but also would be well-recognized institutionally as a robust and rigid operating model," he says.
More on Trading Tools
Waters Wavelength
Wavelength Podcast Episode 154: Bryan Cross, UBS Asset Management
Bryan Cross, who heads UBS Asset Management's QED group, joins to discuss alternative data and AI.Subscribe to Weekly Wrap emails
Most read
- JP Morgan's FX Algo Tool Launches on Bloomberg Terminal
- The Problem Solver: Paul Bari, Nordea
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Snow Candle Street in Ani
Make your own kamakura!
The Aniai region of Kitaaktia is known for heavy snowfall in winter. To make the best of the huge snow drifts, the villagers come together and craft small igloos called kamakura and decorate them with candles. The lighting begins at 17:45 and a fireworks show is held starting from 18:50. There are food and drink stalls set up in the plaza.
★Volunteer offer
It recruits volunteers making mini-Kamakura together.
You prepare for a transplant seawife, a bucket, and please come to the Kitaakita-shi Ani Government building at 14:00.
★sunokyan is an inland line!
You can use the parking lot in front of the Kitaakita-shi Ani Government building, but would appreciate your using Akita inland railway running through the mainland as much as possible to be limited.
Where: Aniai Station surroundings
When: Saturday, February 17
※2018 event finished.
Contact: Ani Culture & Heritage Museum
Sponsors: Snow Candle Street Committee
Aniai Station Revitalizastion Committee


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To narrow the hundreds of VPN providers down to a manageable list, we first looked at reviews from dedicated sites like vpnMentor and TorrentFreak, research and recommendations from noncommercial sources such as That One Privacy Site and privacytools.io, and user experiences and tips on various subreddits and technology-focused websites like Lifehacker and Ars Technica. We settled on 32 VPNs that were repeatedly recommended. From there, we dug into the details of how each one handled issues from technology to subscriptions:
Español: conectarte a una VPN, Italiano: Connettersi a una VPN, Русский: подключиться к виртуальной частной сети (VPN), Português: se Conectar a uma VPN, Deutsch: Mit einem VPN verbinden, Bahasa Indonesia: Terhubung ke VPN, Français: se connecter à un VPN, العربية: الاتصال بشبكة افتراضية خاصة, 中文: 使用VPN, Tiếng Việt: Kết nối tới một Mạng VPN, Čeština: Jak se připojit k VPN, 한국어: VPN 연결하는 방법, हिन्दी: एक वीपीएन (VPN) से कनेक्ट करें, ไทย: เชื่อมต่อ VPN, Nederlands: Een verbinding maken met een VPN
As Internet security has become paramount in today's world, more and more companies have been adopting VPN software. As a matter of fact, the global VPN market is expected to grow at a CAGR of 13% by the end of 2022 and reach $106 billion. This growth is seen to be driven by the growth of the cyber security sector, the increase in the number of security proliferation, the growth of industries and the increase in the use of mobile devices. However, this projections could be hampered by high deployment cost and lack of technical skills.
FinancesOnline is available for free for all our business professionals interested in an efficient way to find top-notch SaaS solutions. We are able to keep our service free of charge thanks to cooperation with some of the vendors, who are willing to pay us for traffic and sales opportunities provided by our website. Please note, that FinancesOnline lists all vendors, we're not limited only to the ones that pay us, and all software providers have an equal opportunity to get featured in our rankings and comparisons, win awards, gather user reviews, all in our effort to give you reliable advice that will enable you to make well-informed purchase decisions.
Though TorGuard's support site offers in-depth information, finding specific info is harder, and the site is not as easy to follow as those for our top pick or ExpressVPN. TorGuard provides helpful video tutorials, but they're two years old now and don't show the latest versions of the company's apps. As with most of the VPNs we contacted, TorGuard support staff responded to our help ticket quickly—the response to our query came less than half an hour after we submitted it on a weekday afternoon. Still, if you're worried about getting lost in VPN settings or don't like hunting for your own answers, IVPN is a better fit.
CyberGhost operates an ample network of more than 1,200 servers, including 20 in Australia and more than 200 in the US. It has a strong focus on unblocking streaming services like Netflix and Amazon Prime Video. It's also popular with torrenters and has a dedicated "Torrent Anonymously" option within its apps. Plus, speeds are excellent, making it a great all-rounder. CyberGhost doesn't log user activity or record IP addresses. Apps are available for Windows, MacOS, iOS, and Android.
Buffered VPN doesn't disclose much about the size of its network, but the 30-day money back guarantee means that you can take their service for a test drive and really get a feel for how well it performs for you. The company lost a few points from us because they do keep some connection information. They gained points for their client support, unlimited bandwidth, and generous number of simultaneous sessions allowed.
MicVPN is a free and unlimited VPN (Virtual Private Network) proxy for All devices. MicVPN masks your IP address, encrypt your internet traffic, turns public Wi-Fi into a private network and helps login sites and apps on your iOS, Android phone, Mac OS,Windows etc. so that you can access any restricted contect safely and anonymously. MicVPN have a sound account management system, account can cross-platform login. The key is the beginning when you use the software, do not need to register and log in. MicVPN does not show ads, our goal is to allow users to fast, secure and stable Internet access.MicVPN works just like Tor proxy, also known as "the tunnel Router", to hide IP address and bypass internet censorship, to overcome geo-restriction and access the desired content.however, has a much faster connection speed, and better privacy and security protection than Tor. Our app is a trial app, you can use it for free for 1 day, if you want to support more countries, please subscribe to our app.
It's important to note that installing a VPN on one device will only protect that device. If you want your media streamer (say an Amazon Fire TV Stick) to use the VPN connection, you'll either need to try and install a VPN app on it, look for VPN settings where you can enter your account details, or install an app for your router that'll cover all devices connected to it. Find out more in our article on how to use a VPN with a Fire TV Stick.
Like Avast, Avira got into the VPN business to complement its antivirus offerings. Phantom VPN is easy to use and gives you up to 1GB of data per month for free, making this service ideal for vacation travelers who just need to check email. Its unlimited paid plans are reasonably priced, but it had slow downloads and dropped connections in our 2017 tests.
Reddit users give Nord praise because it actually seems trustworthy, especially compared to other VPNs that may hand over information to the wrong people. Nord is also equipped with the ability to connect to a Double VPN, which encrypts your traffic twice for double the protection. One NordVPN fan on Reddit, Sacredkeep, even mentioned that NordVPN solved the problems that PureVPN and PIA gave them. Plus if you have any issues, Nord offers a 24/7 live chat. If you want a no frills, no worries situation, NordVPN is the simple, smooth operator that has your back. Get one month for $11.95, one year for $6.99/month, or two years for $3.99 per month.
VPN services can also be defined as connections between specific computers, typically servers in separate data centers, when security requirements for their exchanges exceed what the enterprise network can deliver. Increasingly, enterprises also use VPN connections in either remote access mode or site-to-site mode to connect -- or connect to -- resources in a public infrastructure-as-a-service environment.
When choosing your VPN, do your research and mind the legal aspects. Countries like Germany, France or Japan are cracking down on copyright infringement, while the members of the 14 Eyes treaty have draconian data retention laws and extensive surveillance. So, if you're looking to maximize your privacy, you might want to avoid connecting to servers in those countries.
With VPNs you can access streaming services which are usually blocked to overseas viewers. You can do this by simply connecting to a VPN server in the appropriate country. Unsurprisingly, both Netflix and BBC iPlayer attempt to block VPN users. These blocks are often ineffective, and many providers have found ways around them. For more information about unblocking the most common services see our VPN for Netflix and VPN for BBC iPlayer guides.
How to buy and pay with bitcoin anonymouslyApril 18, 2018 / by Aimee O'DriscollWhat bitcoin is and how to buy it and use itApril 6, 2018 / by Aimee O'DriscollMonero vs zcash vs dash: which is the most anonymous cryptocurrency?April 4, 2018 / by Aimee O'Driscoll20+ Bitcoin scams and how to spot and avoid themMarch 8, 2018 / by Aimee O'DriscollWhat is Bitcoin mining and how can you do it?March 7, 2018 / by Aimee O'Driscoll
Along with securing your private information and activity online, a VPN for home is a great way to stream your favorite TV shows and movies. When using a VPN, you can be sure that your online activity is secure and private, so you can simply enjoy your TV show or movie. Be sure to choose the best home VPN for your needs, such as one that works well with Windows, to help make movie and TV show streaming a possibility for you.
Most VPN services allow you to connect to servers in many different countries. In our VPN directory, we list both the number of servers the service maintains, as well as the number of countries. By default, you'll usually be assigned a server in your home country, but if you want to obfuscate your location, you may want to connect to a server in a different country.
CyberGhost operates an ample network of more than 1,200 servers, including 20 in Australia and more than 200 in the US. It has a strong focus on unblocking streaming services like Netflix and Amazon Prime Video. It's also popular with torrenters and has a dedicated "Torrent Anonymously" option within its apps. Plus, speeds are excellent, making it a great all-rounder. CyberGhost doesn't log user activity or record IP addresses. Apps are available for Windows, MacOS, iOS, and Android.
Since it takes research to find out if a VPN service has a history of good or bad behavior, we've done the legwork to find the best VPN out there. In order to win our seal of approval, the service has to protect online privacy; allow you to keep anonymity; offer a good variety of locations from which to direct your traffic; offer fast, reliable performance; and provide an easy-to-use interface.
Chosen as one of Mashable's top three for staying anonymous online, NordVPN is a choice backed by much of Reddit. It's made for fast streaming and torrenting, P2P and non P2P options, and is one VPN that can actually bypass the American Netflix block anywhere in the world. Plus, a single NordVPN login can be used on up to six devices simultaneously, so sharing the perks and splitting the price is a major bonus for savvier internet users. Reddit user ambillop writes:
Before you decide which best home VPN network client you want to download and install on your device, take some time to ask yourself a few questions, the most important of them being "what exactly do you need the VPN for?" For example, do you want a VPN for your Windows computer? Regardless of the platform or firmware that your devices operate on, certain aspects of a VPN are critical and should be considered before making the purchase. Regardless of why you need a VPN, unlimited access to all the Internet has to offer is of top importance when making your decision. With a VPN like Express VPN or NordVPN, you will be able to surf securely and privately. There are a number of features you might want from a VPN - unlimited number of devices, fast surfing speeds, Android and iOS apps, major VPN protocols. All are important in choosing the right VPN for you. Check out our guide to choosing the right unlimited VPN for your needs to help you decide which of the best VPNs in 2018 is right for you.
In addition to blocking malicious sites and ads, some VPNs also claim to block malware. We don't test the efficacy of these network-based protections, but most appear to be blacklists of sites known to host malicious software. That's great, but don't assume it's anywhere near as good as standalone antivirus. Use this feature to complement, not replace, your antivirus.
VPN is an excellent choice in order to obtain the necessary data protection, as well as freedom and anonymity while surfing the Internet. When choosing a VPN provider, be sure to pay attention to some features that will help you find exactly the VPN that you need. For you, we have collected the main factors that need to be taken into account when selecting personal VPN services:
Mobile VPNs are designed and optimized to ensure a seamless user experience when devices are switching networks or moving out of coverage. It generally has a smaller memory footprint, and because of that, it also requires less processing power than a traditional VPN. Therefore, it enables your applications to run faster while the battery pack is able to last longer.


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615-397-1260 - firstname.lastname@example.com
The Bluebird Cafe is headed to the big screen. The documentary, titled Bluebird: The Movie, will debut in March at the 2019 SXSW Film Festival in Austin.
Located in the heart of Green Hills, The Bluebird Cafe's history dates back to 1982. Since then, countless aspiring songwriters and household names — some of whom were even discovered there — performed at the famed 90-seat venue.
"We are honored to be chosen to premiere our film Bluebird: The Movie this March at SXSW Film Festival," the Bluebird Cafe said Wednesday. "We're so excited to tell the stories of Garth Brooks, Taylor Swift and so many other songwriters who have been a part of the Bluebird history."
The feature film covers the venue's 36-year history, unearthing stories from those who have worked, performed, been discovered and helped preserve it. In the trailer, you'll hear from Faith Hill, Kacey Musgraves, Vince Gill, Kelsea Ballerini, Trisha Yearwood and others.
You can watch the trailer at bluebirdthemovie.com.
"If you had a discography of all the songs that got played in here, I bet it would just be staggering," Vince Gill says in the new trailer for the film.
"All walks of life are inspired to come here and tell their story," Kacey Musgraves later added.
The Bluebird Cafe launched an Indiegogo crowdfunding campaign in 2017, raising more than $40,000 to complete the film.
Dylan Skye Aycock is a Nashville-based journalist and photographer. As a reporter for Rover, Aycock follows transportation, housing and retail trends, as well as other hyperlocal and city-wide issues that affect residents in Green Hills and Belle Meade.
She previously contributed written and visual content to The Murfreesboro Pulse, American Songwriter Magazine and The Tennessean. Aycock earned a journalism degree from Middle Tennessee State University, where she honed her craft as editor-in-chief of Sidelines, the university's student-run publication. When she's not out on assignment or live-tweeting city council meetings, you can find her discovering new local spots or catching a show at one of Nashville's many music venues.


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Elf Cake Stand
Elf Cake Stand is free HD wallpaper. This wallpaper was upload at February 22, 2019 upload by admin in .You can download it in your computer by clicking resolution image in Download by size:. Don't forget to rate and comment if you interest with this wallpaper.
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Golden State Flooring
Note: The site I built and describe here is currently dead. The company has gone into bankruptcy and I have no association with the current group calling themselves Golden State Flooring. Their site is not the site that I worked on for years. The best I can offer as far as viewing it is to go to the Internet Archive and view it there. Unfortunately, only about a third of the pages work.
If I can get a copy of the original site, I'll post it here.
Golden State Flooring is a website that served flooring dealers and contractors throughout California. I was responsible for, well, everything on it, except, for it's current design. I did the original designs and, I'll admit, design is not my strong suit.
Specifically, the site provided customer credit information, pricing, promotions and other items for customers. The back-end allowed for an account to be limited in it's access to certain product lines, or, for instance, a credit person to see a customer's aging and purchase information but not allow a salesperson to see it. The site and the database running it also tied into the Higgins Hardwoods site. In other words, a user could log into either site and see, mostly, but not always, the same information. Both companies used the same ERP, and shared some customers, so it made sense to tie the two together in that way. Today, those sites would be built around Joomla or Drupal, and my life would have been a bit easier in that regard. But I started working on these in 2003, built the back end somewhere around that time, and, well, those two products weren't as well done as they are today.
One question I always get asked was, did you do E-Commerce? The answer is a resounding No. And there are a couple of solid reasons for that. First, we didn't sell directly to the public. We sold to flooring dealers and contractors or cabinet shops (Higgins). So giving the appearance that we sold online, especially in the flooring game, was problematic.
The second reason we didn't sell online is that our data was a mess. The ERP did a very poor job of product attributes. Basically, they didn't have any, so we didn't have any. Flooring, which has at least a dozen potential attributes (species, width, length, warranty, color, stain, etc) had all of that information stored in a SKU description field where Red Oak might be "RO", "Red Ok", "Red Oak", "Rd Oak" and so forth. As such, every SKU would have had to have been recreated with a cross-reference outside the ERP and the will to do such a thing was lacking.
We did come close, building an Overstock section, which took months, and as near as I can tell is broken, that allowed a visitor to request more information on a specific SKU.
Finally, the sites are LAMP based and supported around 2,500 registered users. That number, while small by many standards, represented significant market penetration in the flooring dealer and contractor business. I'm amazed at how well we did, most of which is owed to a very determined vice-president who pushed the sales team to sign people up.


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Success AND Balance
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Family Physician
Exp 50 years
I will be looking into your question and guiding you through the process. Please write your question below.
Hi, I have been suffering for the past 7 months with chronic dizziness, light headedness, headaches and occasional migraines, palpitations and chest pains. I have seen my GP who had referred me to a cardiologist, neurologist and ENT. My Dr first referred me to a cardiologist after she couldn t find the cause for my dizziness to have a 24hr holter monitor the results came back as a First Degree AV Block but no further action was taken regarding this. They later done an ECO, Stress ECO, Brain MRI, Brain CT and they all came back clear. My cardiologist wasn t satisfied so he referred me to another Cardiologist interstate in Queensland for a Transcranial Doppler. My results where positive Grade 5 so 2 weeks later they attempted a PFO Closure which was unsuccessful, they could not locate the hole. After surgery they told me it was the first time this had happened to them and they were unsure of why they couldn t find the hole or a reason for the test to be positive at a Grade 5 level and he told me to see a ENT. The ENT i seen done a hearing test, allergy test and another test where they squirt water in your ear. All results come back normal except they discovered a dust might allergy. They later done food allergies and blood tests to check for other virus the results came back with no food allergies but a positive to Epstein Barr Virus. The ENT told me and made me believe it was a rare viral infection from the middle east that could be fixed with vitamins and B12 injections. I went home done some research and discovered over 95% of the population has it, i went and seen my GP the next day to discuss my results which she had sent to her to discover i do not have a current infection and the ENT had lied. I had a slight B12 deficiency so my GP gave me the injections anyway and she also gave me a dose of steroids in case it was Vestibular Neuritis but unfortunately they didn t work. My GP has referred me back to another Cardiologist in Sydney this time my appointment is in 7 weeks. I am not confident any more about My current Dr situation, It seems like i am just going around in circles and i am getting no answers. I have just turned 21 i should be working and having fun but instead i have had to put my life on hold. I can no longer drive or work. Just Before i had gotten sick my Boyfriend and i had planned to move interstate to be closer to our families but we have had to postpone it until i can work again. Please help me i am begging you to please give me some suggestions to what it could be or ideas as to what to do next. I want to start living again and i can t afford to keep having the same tests done over and over again. I am exhausted.
i am suffering from localized chest pain in the 5th to 6th inter coastal space 3 to cm right to sternum even at rest aggravating with movement (even in inspiration and expiration)and slight tenderness at the site no respiratory symptoms like cold and cough....what could be the probable diagnosis and treatment
I have chest pain just above my sternum mid chest are along with slight earache and jaw pain. I m a black male, 49 and just got over a real bad sinus allergy episode. I m asthamtic, which is triggered by allergies and I m overweight at 5 2 . What is it?


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February 26, 2015 at 3:43PM
Owning Your Own Equipment Vs Renting
Is it the norm to own your own equipment as a DP? On most professional sets I've been on, and according to most of my friends who are also DPs, the equipment is usually rented out, but whenever I go on sites like Mandy, people always expect that you own all of your own equipment? To me that seems a bit ridiculous and exploitative to expect someone to throw down $10,000+ on camera, lenses, and lighting. I'm going to be graduating from film school in May and I have no idea supposed to acquire all of this gear. Does anyone else feel this way?
44 Comments
It all depends on the budget. If the budget is tight, then hiring a DOP with his own camera can save a production a lot of money. It usually means that the DOP is serious and experienced if they own a decent camera with a basic lens kit.
You don't have to own a lot of gear, but owning a basic camera that can produce a good image is pretty essential for smaller budget shoots.
I've also heard of DOPs that have no camera, but they own a lot of lighting gear that they use for almost every project they are hired to shoot. ( lighting can cost as much or more than a good camera )
February 26, 2015 at 6:22PM, Edited February 26, 6:22PM
I used to own by own camera - back when Betacam was the only game in town. It made sense and allowed a higher profit margin on your day rate. Now? I don't and never will own a camera again. The cameras are evolving so rapidly, and there are so many options out there that the chances of owning a camera that a client needs for that particular shoot are low. I have a good friend that runs a rental company - on average he turns cameras over every 9 months! I own lights and grip equipment. I own audio gear and I own other grip equipment - how often do you get a new and revised C-stand?
Cameras? Never again.
February 28, 2015 at 12:52AM
Hilarious!! according to Guy McLoughlin, who calls himself a Video Producer, "the DOP is serious and experienced if they own a decent camera with a basic lens kit". What he's actually saying is that a cheap, amateur producer who's not professional neither serious, expects to save money by making the DoP PAY for what the producer can't pay, because he has no clue about how to raise funds and how to fund his own film. On the other hand, DoPs exist from a huge range of different types: they are the DoPs who own all kind of gears, the ones who own only gear they like to experiment with and DoPs who are all the time recycling their gear, so they find themselves with no gear many times at some point. The issue here is, a PROFESSIONAL Cinematographer would recommend what type of camera, lenses, accessories, support, dollies, and workflow are necessary for a certain type of script and production budget. That's what rental houses are for, because each script when paired with each budget and logistics, call for different cameras, lenses, lighting and workflow, so you go to the rental house and GET WHAT'S RIGHT FOR YOUR OWN PRODUCTION. Amateurs like Guy McLoughlin want DoPs to have their own gear, no matter which one, whatever, as long as he can use it, so he doesn't have to learn the process of raising funds for his film.
March 4, 2015 at 11:52AM
Sometimes a client will phone you up and say that they've got a limited budget to produce a 10 minute promotional or training video, so you have to find a way to work with this limited budget. There's no budget for rentals, so you work with people that can bring a good basic kit to the job.
On larger jobs it's not an issue, but most of us are not shooting large budget jobs all the time, so you have to be able to produce a good product when the budget is limited, or you will have to pass on these smaller budget jobs.
March 4, 2015 at 12:41PM
If they have no money to pay for a camera, just turn them down. A "Producer" who wants to film something without money for a camera is just a plain liability.
March 4, 2015 at 12:50PM
You might be surprised at how many $1,000/day shoots there are. If you have to spend $500/day on camera/lenses/lighting/audio, then another $200 for transportation/food/expendables, you've got $300 left in the budget to pay yourself and anyone else you hire for the shoot. If you can cover the equipment requirements without renting, then you've got $800/day to pay people with.
I don't like working for free, and I don't like turning down jobs if I am not working on something better at the time.
March 4, 2015 at 2:16PM
Wow!? Really!? We can't all be Warner Brothers. I own my camera(s) and lenses and a good bit of other gear because I KNOW I can get more work having what I need available the moment I need it. On projects that can afford it I rent my gear to them, on project that can't I'll waive the rental fee. On BIG projects I'll rent nicer gear but if there's one thing I've learned it's that if you want a good product spend your money on PEOPLE not equipment. Owning my own gear means I never have to chose between the two.
May 13, 2015 at 9:26PM
I am with Guy. You must have essentials, but there is a lot of thinks that you can rent. When something is for a particular shoot, don't need to buy it.
February 27, 2015 at 7:26AM
I own all my own gear but it's all lower budget type gear. DSLRs and a BMPCC. If it came down to a high budget shoot, I'd definitely be renting more professional gear.
February 27, 2015 at 2:34PM
At our company we own Canon DSLR's and basic lens it works flawlessly on lower budget shoots because they can still produce 1080p footage that is in amazing quality and the client is pleased by. But when a higher-budget shoot comes in we rent! I think in this technological revolution age you just can not buy a "proper" camera! So I think DSLRs/Mirrorless or BlackMagics + Renting is ideal!
February 28, 2015 at 5:21AM
that's actually not correct. You can buy "the proper camera" (and lenses) if you have the money. For instance, the AMiIRA would get you really far, covering a relatively large niche, and same is true for the mini S4s. But again, I'm not going to take my AMIRA and S4s to a production with shity logistics and which can't afford to pay me for it, since I've invested over 85 grand in keeping a tight nice package, not counting what I pay monthly for insurance, storage space and maintenance. So, back to square one, GET PRODUCTION TO RENT THE PROPER GEAR, FOR THE PROPER JOB. THAT WILL ASSURE YOU THEY HAVE INSURANCE AND COMPETENT PEOPLE AT THE HELM.
Now, I would like to move on to another (related) topic. Most (90%) Producer who say they don't have money for the camera (and lenses, and dolly and bartech, and, and, and...) when they are pressed hard to come up with the money, YOU'LL FIND OUT THE MONEY WAS ALWAYS THERE. What actually happens, is that most of these little guys don't really know what they are doing, so after making a deal with the client, they find out the have sold themselves for pennies. So in order to keep any money at all (because they had mistakenly budgeted his own production) they have to nickel and dime you, the camera guy. So they start "do you have your own camera?" or "can you bring your own lighting" and so on. It's not that they are trying to scam you, it's that they have very little idea of what they are doing, and at the end, the one who carries THEIR MISTAKES on his/her shoulders, is the cameraman and the crew. Which brings me to the last part of this subject matter: you can see clearly when a kid is desperately trying to make ends meet, learning on the process, by trying to make his own film. These kids don't have a "client", don't have a "sponsor", they are just plain honest, hard working filmmakers with a dream. For these kids it's absolutely worth it to go under, to bring in your own camera and lighting and even to pay for your own food (I've done it). These kids, the next generation of filmmakers, deserve the support of all of us, and to be allowed to learn by doing. NOT SO PRODUCERS WITH A CLIENT. If you are a producer with a client (or a GRANT, or with a TAX BREAK FROM THE GOVERNMENT) YOU SHOULD KNOW YOUR SHIT, no matter how independent-low budget you may be.
March 4, 2015 at 1:14PM
I try to own all my stuff as i find it helps with doing personal projects without having the "i need to rent x + x + x just to do a interior" as well as bringing something to set that others might not have helps everyone without having to go into their pocket. Over the years i've just found it better to have everything i might need in order to produce what i want to, more of a personal goal then a "client" goal to me.
March 1, 2015 at 11:52AM
I run a company, I'm not just a freelancer. We are on location shooting something at least once a week, if not a lot more. So, I own a ton of Grip/Lighting/Audio equipment that really won't go bad. I am shooting with GH4's and Metabones Speedboosters right now, with a full set of Rokinon Prime lenses all that I own. When we need nicer stuff that GH4's, I rent.
March 1, 2015 at 12:40PM
Curious as to what mount speed booster // lenses you went for? (I have one of these rokinon primes that's m 4/3 but i'm looking to get a speed booster just not sure which mount, I'm assuming nikon but just needed to ask)
March 3, 2015 at 8:21AM
It Depends, im run a small production company and i have Canon and Blackmagic cameras and some canon and sigma glass and some basic lighting gear. I realize that when i have my own stuff that i can make more money from it, Some people (client) prefer that you have your gear because it will work out cheaper as opposed to renting plus paying you to use gear that they pay for. So find a suitable camera package and buy it, it does work out in the end.
March 1, 2015 at 1:00PM
I have owned, and sold a couple of cameras, and i'd never be without a camera which belongs to me, simply because you know it in & out. For the run & gun-type work I do, that's incredibly important.
Although it still depends on the type of work & what your client demands of you. I wouldn't invest in an Arri Alexa or a similar 15K+ € camera right now because my clients wouldn't pay for that gear. If a client was to ask for a certain format, or camera for a long-term job, i might reconsider.
The first year you finish school, you're probably mostly shooting music videos, indie shorts, some corporate stuff, maybe. Nobody cares about the camera you use for these jobs, and nobody's going to pay for them. If your clients want a certain format, and you're a starter, chances are they have a camera for you. If you really want: buy yourself a decent DSLR and, even more important: decent lenses. A 35mm f1.4 will suit your needs for most jobs, or if you have the money, the Sigma Art 18-35 f1.8 gives you some more wide and is a mean sharp lens. You can be all set for around 2000€ .
My weapons of choice at the moment are a Panasonic HDX900 (ENG-type shouldercam), the GH4 with prime lenses, and a Canon 650D as backup (to rig in a car, cramped spaces ...)
March 1, 2015 at 1:17PM, Edited March 1, 1:17PM
Its tough starting out, because if you don't have much work to show and no gear, you aren't nearly as likely to be hired by anyone. On a lot of starter type jobs, you'll get hired just because you have the gear, and then you build your reel with that stuff. With that said, however, I don't think buying an Epic Dragon or Alexa is a good idea unless you have tons of extra cash lying around. Looking into the lower priced cameras such as a BMPCC/A7S/GH4 is probably your best bet.
I currently own a Blackmagic Production Camera, and a Canon t3i, so that covers a lot of bases, and I rent for anything beyond what my gear can do. I don't think I could stand not owning a camera.
March 1, 2015 at 1:34PM
I own a DSLR, Blackmagic Pocket, various lenses, interview light kit, basic audio recording gear (Tascam DR60d), lav mic, tripod, slider, boom/shotgun mics and a few other small pieces. Total investment - Probably $3500+ or so. I started with just one camera. This gets me by on a lot of lower budget shoots. Delivers nice 1080p. Interviews can look great etc.
On higher budget shoots, typically a specific camera (or quality level of camera) is requested. I just work the rental price into the quote. If most of my shoots required (and had the budget for) higher priced gear - I would purchase something like an FS7/C300. But right now, where I'm at and where I make my money - it would make no sense.
My advice is just start small and grow as you need to. Here's my essential list for starting out (in no real order of importance)
1. 1080p camera (so many to choose from - I went the GH2 route to start - and clients still love the footage from it!) By the way, some people still request a 720p deliverable. Go figure.
2. Audio recorder
3. Lav mic (giant squid audio makes a decent $40 mic - then get a 20' cable and you're set for interviews)
4. Light kit (fluorescent is great and pretty inexpensive)
5. Fluid head tripod (B&H has pretty good ones for $150 - $180)
6. Vintage lenses. I bought a few Canon FD's. They look really great and are pretty cheap. Even a kit zoom lens can be handy with corporate b-roll stuff.
March 1, 2015 at 1:54PM
That's interesting that you recommend Canon FD lenses. When I tried to get some, it seemed like the only EOS adapter had glass in it that reduced light by a stop or so. Wound up getting an old vivitar pk mount instead.
March 4, 2015 at 9:21AM
short answer: It depends on the type of shootings and projects you want to work on.
In general, most of professional cinematographers own some personal equipments..
like (light meter, color meter, grip bags ect)..
If you want to be 1st AC its good to buy a professional wireless focus system..
for director of photography you dont need to own everything..its good to invest in cinema lenses because digital cinema cameras are always in change.
However, its good to invest in Light, you keep it personal..
other than that it depends on what kind of projects the clients want you to work on..
most of Steadycam operators own their own steadicam because many producers when they look to hire steadicam they search for someone who already own it (easier to contact one person than two, besides its cheaper to hire someone with his own equipments than to hire him and rent by your own, Think of Assurance responsbility that you will take off your shoulder as producer or cinematographer when you hire someone with his equipments)..
So In general, its not bad to have your own essential equipments (light meter, color meter, slider, essential light equipments, cinema lenses)..
but its not recommended to buy expensive cameras as they are always in change except if your budget allows you getting Alexa..
(for Red and Black magic or anything else its cheaper to rent than to buy, and technically speaking renting goes on the shoulder of producer and the client should pay so it should not be a problem for the cinematgrapher anyway)..
Except if you are thinking of not more than Dslr shooting projects then its good to own the camera too if your work always requires that...
March 1, 2015 at 2:00PM
It makes a lot of sense to own equipment you regularly need, as you'll be the one making money off it, instead of the rental house. Prices of most rental gear is about 2-3% of its total value, so if you would need it over 30-50 times in say 2-3 year, it would be wiser to own.
Also, it depends on the average budget of your productions. Most of my clients will accept paying 200-300 Euro a day for my camera equipment. (So, that'd be total value of 15k euro max, at 2% 'rental' price and 300 eur a day).
With that budget I can afford to shoot on my Blackmagic cameras. No RED/Alexa however. Those I rent, whenever needed.
March 1, 2015 at 4:55PM
As someone who has looked for DPs on Mandy, it's always a plus to find someone who has their own equipment and clearly knows how to use it. I expect them to charge a "kit fee" in addition to their rate, which I always assume goes to paying off their debt on the camera and so forth. What sticks out to me most though, is working with someone who knows their equipment well. It's always a big leap to buy a camera and all the needed lenses, accessories, and so forth... but the benefit to always have an opportunity to make your own content too - which can enhance your knowledge, your experience, your reel, and get you more work - seems important to me for a DP in a digital world.
March 1, 2015 at 6:38PM
Having your own kit is worthwhile, especially if you are new to the industry and likely to be working on more low budget jobs. Knowing your own gear inside and out is also a bonus on a set when things need to move quickly.
Having said that, there is a ceiling in production where owning your own gear is not affordable. DOP's on larger productions tend to have built relationships with rental houses and can obtain good camera package deals for the production. As the DOP, you need to be able to recommend the best camera, lenses and lighting for the job and use a budget given to you by the producer to hire the required gear.
My suggestion is build yourself a kit good for low budget projects, which would include a camera, tripod, lenses, a mic and a basic 3-point lighting kit, and then assume you will hire any gear above and beyond that specific for each job. When the jobs get bigger and the producer has a budget you can hire better cameras, lenses and lighting.
Hope this helps, Ben
Director/Producer, Global Pictures
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March 1, 2015 at 7:51PM
Buying second hand is very cheap. I'd absolutely going that path rather than getting into debt straight out of school!
For instance a Panasonic GH1 for US$150 (is the one I started out with, and still use. Is as good as the 5Dmk2), a decent tripod with a fluid head for US$150ish (I recommend a video monopod too, I got mine for sub $100), a couple hundred more for lights, a few hundred for a couple of mics (shotgun + lav mic) with a recorder, and finally a few hundred more for a small set of vintage lenses (together with a RJ Lens Turbo focal reducer). With care, you might even squeeze this all in under $1k. Which even if you can't buy right now, you could easily save up and buy in a short enough space of time even just working at McD's.
This can easily take care of your needs for the first year out working as you build yourself up, and along the way picking up a few extra bits and pieces such as a few more lenses and another GH1 (as I believe a professional should always have a back up body on a shoot. Plus having a second and third body is very useful for many kinds of shoots, such as interviews or filming live events).
Then in your second year you might pick up a cheap 4K camera such as a Samsung NX1 or Panasonic GH4 and get a few more specialists bits of pieces which are still reasonably affordable to own. Depending on what you're doing, for instance for real estate videos I've got a quadcopter with a GoPro.
Then in your 3rd year pick up Sony FS7 or fully kitted out BMPC4K (or who knows what cameras will be out 3yrs from now....) or similar, depending on your clients' regular needs.
Then from that point onwards you'll keep on owning an entry to mid range level professional camera (such as a Sony FS7 or fully kitted out BMPC4K is today, depending on your needs, and what niche you're working in) which you'll refresh and buy another once every 2 to 4 years. (for instance you could have a few years ago purchased the FS700, then this year be getting the FS7, and then in a few years more be replacing the FS7 with another newer camera. If that is what your clients were needing at the time. The difference between the sale price of the old camera you'd get for it, then the purchase price of the new one, spread out over several years, isn't really that much if you've got the paying clients for it)
Then for anything at a higher level than the camera you own, or has different needs than the camera you own you would rent it and charge the production (for instance if you're a C300 owner and you need high speed, then you rent a FS700 perhaps. Or if you own a BMPC4K and need good low light on a small budget you might rent an A7s),
March 2, 2015 at 6:42AM, Edited March 2, 6:42AM
I agree. Don't go into debt on something that you honestly don't need. Let the jobs pay for it. A used Canon/Panasonic/Nikon/Sony DSLR that shoots good 1080p can be found for cheap. Check craigslist even...
At lower budgets it is very rare for a client to request a specific camera. Most producers at that level barely ask what you have. I still use my GH2 on tons of business - corporate type shoots. (I saw one for sale for $350 on dvxuser.com the other day!)
You'll find that you get hired because of your reel, not your gear. After you start earning, then upgrade. This has been my path and I'm glad I didn't bring on debt. It's tempting to have the latest and greatest gear, but that's always changing anyway. And - you would be hard pressed to find clients that can really tell the difference between RED/C300 footage when compared to a DSLR - especially when it's final destination is YouTube. (Obviously there IS a difference, but low budget clients will never want to PAY for the difference!)
Get a camera, get a 3 point light kit, get some audio recording gear and a tripod. But, most importantly - build a reel. In the beginning you may make a little less if you need to rent things (wireless lav, lenses - whatever)... but at least you can grow without being put in a hole to start out with.
Hope that helps.
March 4, 2015 at 9:36AM
I bought some various kind of gear, that falls under the category "too expensive for most to buy themselves" and "too little revenue for the big rental houses to want to own and rent out", and now I have my own gear.... that I rent out as much as possible when I don't need it.
You don't need big insurrance, just formulate a hefty contract that forces people not to be careless with the gear, then you'll be fine.
The few times people have lost or broken gear, they have coughed up without issue.
The bonus for those who rent? I'm significantly cheaper than the big rental houses. Half price on some gear.
March 2, 2015 at 8:50AM
If you are waiting to buy gear until after you graduate, you may be too late. When I was in film school five years ago and DSLR's started coming out, I saved up and bought a 60D. By the time I graduated I had a 5Dmark3(along with 3 60D's) and all the basic accessories like a 3 light kit, shotgun boom, audio recorders, lavs, slider, jib, glidecam and more.
Sure I didn't spend my money going out to party like all my fellow students, but when I graduated I already had a successful business up and running. Most of the other students I went to school with had to go get their masters, because no one will really pay you anything if you have a bachelors in film and 0 experience/gear.
The sad fact is that we live in an age in filmmaking where gear is most important. If I have a kick ass reel, but you have a red dragon with no reel, you will get the job.
Down here in south Florida several Red operators will go out with a full package for under $350 a day. That is because they own it and can easily pay off the camera in a year with the amount of work they get from people with only a DSLR.
March 2, 2015 at 9:20AM
Unless you are shooting on a consistent basis, meaning you are earning enough to live comfortably on, I would rent. Because as others have mentioned, anything you buy will become obsolete within a year or two. My rule of thumb, don't buy unless it costs more to rent. Then when you equipment becomes obsolete, at least it will have some trade-in value.
March 3, 2015 at 6:15AM
I think it really depends on your market. I work very consistently in the south Florida market (over 150 shoots a year) and not one client has ever been willing to pay extra for me to rent the gear I can't afford to buy. If I don't have my own gear, I don't get the work. DSLR's have changed everything and if you want $2K to rent lights, cameras, sound gear and more you WILL NOT GET THE JOB. No matter what your work looks like, clients don't really know the difference anyway. Renting gear is usually only possible in the high end or on budgeted film sets.
I wish I could go back in time too where clients would freely rent me a kick ass camera, but times have changed and if you don't have your own gear, you will have trouble getting consistent work.
Here's an example, I have a shoot Sunday where I'm making $800 to film all day. This includes my assistants and any gear I may need. If I need to rent gear, I will not make anything. The client doesn't care and if I mention I need more $$ to rent gear I don't have, they may look elsewhere. At the end producers want to save money where they can and if you don't have your own equipment, you will not be competitive.
March 3, 2015 at 8:49AM
Its good to own gear, DSLR, etc. But you will always want to rent cameras depending on project and aesthetics. Therefore buying anything more than a BMCC or a DSLR is a waste of money, unless you want to get in the renting game, but that seems like a headache. Renting is easier for cameras, let the renter deal with upkeep and maintenance.
March 3, 2015 at 2:21PM
Everyone has said so many great things already! For me personally - I have a decent setup, plenty of nice glass, A7s, GH4, Canon 6D, wireless lapel, some simple shoulder rigs and cages etc. If I need lighting or a steadicam or whatever, chances are I know someone that I can borrow it off.
For me it is less about the cost and more about the convenience. At a moments notice I may have to rush somewhere (we're talking getting a call only an hour before they want you), if I didn't have a half decent setup I'd be losing money, unable to take the gig because it may take me an hour or two to rent the gear. Of course when it comes to bigger projects, I turn to a DP that owns plenty of gear. It is just like someone mentioned before, the safety net of knowing your operator knows his or hers setup back the front and blindfolded can save you BIG TIME. It also saves producers on having to worry about more paper work (like they don't have enough paper already) as you get the invoices from the hire companies as well as operators. Take the leap and invest in good gear, it will not only be more convenient but help nurture your own creativity and experience.
March 3, 2015 at 11:51PM
A number of years ago I decided to own, and in the time since the gear as more than paid for itself. But it comes down to the kind of work you're doing. A handful of times a month I'll get a call for a job simply because I have a certain peice (glidecam, slider, hacked 5D, wireless sound etc). My decision came about when I needed something, and even tho I searched for the better part of a week, every rental house was out. And it was for something really simple: matte box and follow focus. It hurt me on a shoot, and I decided to never rely on rentals as the work I do is usually fairly quick turnaround, without the time for prep.
This of course will depend greatly on where you are located and the exact industry you'd be catering towards.
Owning the gear also allows me to know it inside out and stay updated on unique ways people may be using it and so I can try it out myself at no cost and then have an additional "tool/service" with my experience.
Now I own a 5D, a7s, fs700 (which has brought me way more work than when I simply had a 5D), gh4 and gopro 4 for the phantom, among various other support gear. I'm also 4k ready with the odyssey 7Q+ and shogun. It's a bit overkill, but I have the choice to decide the best camera for any shoot now as well as a backup whenever I go out.
All this started long ago with purchasing the hvx200 (very fond memories of that one) and it's easy enough to sell and upgrade gradually.
March 4, 2015 at 3:19AM, Edited March 4, 3:19AM
That's been my thinking on the topic lately. It can really be worth the peace of mind to know that you can take a job whenever because you know you at least have the minimum equipment to do it. If you're needing the same equipment every time you go out then, I say why not buy it if you can afford it. Save the renting for specialty or expensive items.
March 4, 2015 at 9:12AM
I'm a big fan of owning a core kit. I have a small set of primes, 20, 50, 85. and 2 cameras A7 and A6000. Working to move up to a FS700 shortly. Plus lighting and sound equipment.
I don't do a huge volume of work, but enough that it covers maintaining all that. While still taking home enough to live off of.
Owning at least 1 solid camera and lenses set I think is essential nowadays. Something Versatile, based on focus. FS700, C100m2, Blackmagic
March 6, 2015 at 11:07AM
Unfortunately there does appear to be a trend that a DP is expected to own a bigger looking camera. Usually they include their camera in their day rate and offer to get a bigger camera for an additional cost difference. i.e. We can should on my epic for just my day rate, or for $300~$750 more a day we can rent the "Academy award wining" Arri... (I say this w/ sarcasm through tightly clenched teeth)
Funny enough, I know one guy who started out using a DLSR sandwiched between a big "empty" matte box and a red brick (not connected to anything). He mounted small flags on the sides. His clients (mostly corp video) saw the "big" camera and the "Red" logo on the back and felt secure. Yes it is deceitful and down right comedic, but I have to give the guy credit for being inventive. I suspect you could do a similar thing w/ the BM USRA and maintain more integrity (or a used Red One).
March 6, 2015 at 10:23PM
I've been doing video production and photography for roughly 3-4 years and to this day i have never owned a camera yet, even when it boils down to still photography.
Recently i've been looking forward to owning a sony pxw-fs7 for sometime now (which is more of a personal goal to be honest) and its of my option that owning it will allow me to grow as an indie filmmaker and aspiring cinematographe. In fact, in my experience i've learned that most clients do not cared whether you shoot shot on an Arri Alexa, RED, s16 or s35 Camera but if you are able to produce an aesthetically pleasing image.
Funny enough , recently i was told that "due to the rapid advances in technology, it makes no sense purchasing a camera when there will be a new toy in a few months down the line which will have better specks and ergonomics which might make me regret my decision......and that is why renting might be the best option"
I am not debating that this is not true.....However, i believe that it is always good to have some personal equipment needed to get get the job done. It will allow you to be more flexible and marketable. (p.s Used gear form a credible sources wouldn't be a bad idea)
Lets just hope these rumors about the c300 mark ii will not make me regret my decision. (if they are true ;)
March 6, 2015 at 11:25PM
I rather own my own glass. That stuff lasts many many years. Cameras not so much.
March 8, 2015 at 6:53PM
I didn't read all the responses, but for Andrew the poster, here are a few things to contemplate…
Somewhere I read a quote from a very experienced DP that said something like "early in your career, owning gear will get you started with small and modestly budgeted projects. Then move up out of that as soon as you can."
Your ultimate goal as a DP should be to have producers hiring "you", not simply as the operator/human chaperone that accompanies the camera package.
Do you want to position yourself as a DP for hire, or as a production company? If both, I strongly suggest you present them as separate entities (just basically two websites). Because those are two very different things with very different career trajectories.
-- Oops, I didn't realize this thread was old as shit… popped up near the tops of the board for some reason. --
August 19, 2015 at 4:14PM, Edited August 19, 4:18PM


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This is my official, marketed and promoted store. I sell unique clothes that are branded, the brand will move into your name if you do wish to purchase it. The fans love the store and I constantly add new clothes. The store comes with an amazingly large email list with mostly teenage to young adult females from the U.S who are engaged shoppers. The email list advertisements work extremely well with any product that they may take a liking to. If this wont be you first store, you can even use the email list to advertise your own other products. Also, for reference, the price evaluation for this store is $8,860 (ask for proof) so I definitely will be accepting bids.
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