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Computer Science Department
Donate Today!
Dr. Crick Awarded NSF National Robotics Grant
Dr. Christopher Crick, in partnership with colleagues in the College of Engineering and the Department of Psychology, has been awarded a $900,000 grant under the auspices of the National Science Foundation's National Robotics Initiative. This project will investigate learning from demonstration and skills transfer between humans and robots, with a primary focus on applications in the construction and farming equipment industry.
Dr. Crick in Partnership Awarded $6 Million NSF Award
Dr. Christopher Crick, in partnership with other colleagues at OSU and other universities, has been awarded a $6 million NSF Award. The award will be an OSU-led collaboration to develop weather research UAVs.
Privacy Issues in Smart Grid Data Sharing
Prediction is a critical aspect of any company. For an energy cooperative, predicting future energy demands, energy generation, and problems in energy transmission or production is important. Predicting the future requires data. The goal of this project is to enable this wide data collection and transmission back to the server so that predictions can be made. The accuracy of the predictions depends largely on the quality and amount of data. Most of the data collection are performed through sensors gathering information such as ambient information, power quality, and harmonics. Sensor data collection: Effective sensor data collection is a challenge because of the different types of sensors, different data formats and different sensor locations. Other challenges are the extensibility and modularity of the sensor hardware because the type of data collected can and will likely change in the future. Replacing the whole sensor infrastructure every few years is not desirable. The solution proposed is to design and deploy a new sensor infrastructure that will integrate all the sensors and aggregate all the data collection.
The Computer Science Department has a three-pronged mission:


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For ladies' love I late was fit,
And good success my warfare blest,
But now my arms, my lyre I quit,
And hang them up to rust or rest.
Here, where arising from the sea
Stands Venus, lay the load at last,
Links, crowbars, and artillery,
Threatening all doors that dared be fast.
O Goddess! Cyprus owns thy sway,
And Memphis, far from Thracian snow;
Raise high thy lash, and deal me, pray,
That haughty Chloe just one blow!
This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 United States License.
An XML version of this text is available for download, with the additional restriction that you offer Perseus any modifications you make. Perseus provides credit for all accepted changes, storing new additions in a versioning system.

subset: commoncrawl


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Coverage of Atsuko Kudo's latest latex collection is live!
Hailing from Japan, designer Atsuko Kudo has made a splash across the fetish and high fashion scenes with her couture latex creations. She's previously undertaken multiple collaborations with the likes of Lady Gaga, Chalayan and Vivienne Westwood, and has even contributed here at SHOWstudio, dreaming up the mesmerising Dressing For Pleasure LiveStudio and offering up her Armour for Prostitutes for display in our gallery.
This week Kudo took part in the Lingerie London show benefitting the Seven Bar Foundation, a initiative that promotes the empowerment of women. Her collection, titled Restricted Love, drew inspiration from Wong Kar-wai's In the Mood For Love, a tale of bitter-sweet unfulfilled love starring previous SHOWstudio contributor Maggie Cheung. To match the retro tone of the collection, SHOWstudio decided to capture the evening using a variety of vintage feel apps including Instagram, 8mm and Cinemagram. Explore the latex looks in our mini films (which nod to Kudo's interest in Hollywood noir), view all of the design sketches, or read Lou Stoppard report on the collection in our Restricted Love project now.


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New Pictures 2: Marco Breuer
Opens February 18, 2010
Second Solo Exhibition Continues MIA's New Photography Series
Presenting International Avant-garde Photographers
Minneapolis, MN. December 18—The second exhibition in the MIA's new photography series featuring important new work from artists from around the globe will present work of German artist Marco Breuer, one of the most innovative photographers working with abstraction today. His bold and experimental approach eschews the camera itself, inviting viewers to consider: What is a photograph? He strips photography to its essential materiality, presenting colorful and shapely works created by manipulating the surface of light-sensitive photographic paper. The exhibition will be on view from February 18 through August 1, 2010, in two parts. For the opening, Breuer will present ten works, including a dyptich and triptych, produced from 2001 to 2009. Then, in mid-March, he will alter the space in the Perlman Gallery by painting the walls black to evoke a darkroom and a space of creativity. The gallery will then serve as an arena for a site-specific drawing that integrates the exhibited works.
"Marco Breuer challenges the viewer to re-examine the most basic assumptions about photography," said curator David Little. "Both his hand-made process and the modest scale of his completed works suggest new ways to create photographs during a time when Photoshop and monumentality are de rigueur. His experience as an artist and his single-minded approach make him a terrific artist to participate in the MIA's 'New Pictures' series."
Using an extensive and continually evolving range of processes such as cyanotype, gum bichromate, and chromogenic paper, Breuer physically extracts abstract and visually compelling images from photographic paper. He might place burning coals on the paper, or slice into it, or sandpaper the emulsion until holes appear. Much like mid-20th century European and American abstract painters, Breuer said he likes "to be in there, physically involved with the image."
Breuer confronts and upends many of photography's historical and current conventions. In a time of technological progress, he employs antiquated printing methods to produce new images for the present. The distinctive blue tone of Spin (E-197) is the result of a cyanotype printing method invented by Sir John Herschel in the mid-19th century, at the very beginning of photography's emergence. In a medium known for multiple editions, he makes unique works of art. And at a time when large-scale is often equated with being contemporary, Breuer creates modestly scaled photographs in non-standard sizes.
Breuer was born in 1966 in Landshut, Germany. He has exhibited widely throughout the United States and Europe and his work is included in numerous collections, including those at the Albright-Knox Art Gallery in Buffalo, the Baltimore Museum of Art, the Fogg Art Museum at Harvard University in Cambridge, the Museum of Fine Arts in Houston, the Museum of Modern Art in New York, the New York Public Library, the Norton Museum of Art in West Palm Beach, the San Francisco Museum of Modern Art, and the Staatsgalerie in Stuttgart, Germany. His publication SMTWTFS received wide critical acclaim and a photo-eye Gallery Award for Best Photography Book of 2002. In 2007 Aperture published a monograph of his work titled Early Recordings. Breuer lives in upstate New York.
Breuer will lecture on his work March 13, 2010. For more information please go to the New Pictures Web site at http://www.artsmia.org/new-pictures/.
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1.06b - Homecoming
Title of Extra Story #4 (according to Wikipedia) - Japanese original title: Furusato
[Cover title: Gally in the tube]
This story takes place during Alita's days as a tuned agent working for Tiphares before she encounters Figure Four. Deckman 50, the sole survivor of an attack on a Factory convoy, sets off in search of water across the desert in response to a dying guard's plea. Alita, lying half buried in the sand, is given the mission to terminate him by Chief Bigott. On her way, she takes great delight in killing various forms of desert life which she comes across.
Deckman 50 eventually reaches the sea, where he becomes the center of attention of a group of children from a nearby fishing village. Alita has him in the sights of a sniper rifle, but does not shoot because of the children. When night falls and Deckman 50 is left alone, he is shot.
The cover:
Software: ShadeR2, Photoshop
This is an illustration for a cover of Gunnm complete edition volume 4.
Originally, it was scheduled that the cover of volume 4 was made Kansas Hunter Club for 3DCG. However, because the production days were few, I abandoned it. After all, I made it from an image near the cover picture of five volumes of the original books by the last resort. I wanted to do water green under the illustration to translucent impurity water. However, I gave it up because I had not done the feat of attenuating the transparency by Shade at that time.


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Coursera expand further with ten more universities added
Coursera expand further with ten more universities added
Join the DZone community and get the full member experience.Join For Free
The whole MOOC movement has made a massive splash over the last year, but it's hard to dispute that Coursera have led the way in the innovation stakes.
Earlier this year they became the first MOOC to offer certification to students that complete their courses. Then this month they announced plans to offer teacher training related materials via the site in addition to innovative partnerships with text book publishers.
So it's no surprise to see them announce a further innovation today. They have revealed a further expansion of the institutions they work with, adding another 10 American universities to their platform.
What's more, the partnerships with these universities are very much two way. Much in the way Udacity and Georgia Tech have teamed up to allow students to complete a masters degree in computer science purely online, the new Coursera arrangement will see colleges adding the MOOC to their own courses.
The following schools will be joining the Coursera family:
- State University of New York (SUNY)
- Tennessee Board of Regents
- University of Tennessee Systems
- University of Colorado System
- University of Houston System
- University of Kentucky
- University of Nebraska
- University of New Mexico
- University System of Georgia
- West Virginia University
The universities have a combined student base of over 1.25 million and they team up with the 3.6 million strong student body on Coursera.
The arrangement differs from previous deals between Coursera and universities however. Whereas traditionally schools offer classes to the Coursera community via the platform, with this arrangement it is much more collaborative.
"We think the coming decade will see a transformation in the way education is delivered, where teachers and online content come together to better serve students on campus and beyond," Coursera co-founder Daphne Koller said in a statement. "With this announcement, we take a step further in our goal to expand quality education to all," Coursera co-founder Andrew Ng added.
It signals another step towards the inevitable coming together of MOOCs and traditional universities.
Opinions expressed by DZone contributors are their own.


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For mothers who have trouble breastfeeding or risk passing on HIV to their children, fortified goat milk could soon be the best alternative. Scientists at the Russian Academy of Sciences have genetically engineered goats that carry the human gene for the protein lactoferrin, normally found only in high concentrations in breast milk. The protein, which is absent in baby formula, is critical because it protects infants from bacteria and viruses while their immune systems are still maturing. In the next few years, scientists aim to stock a farm with engineered goats that would make fortified milk for rural villages, helping to lower infection babies.
*.* Source of Information : May 2008 Popular Science


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GOMA, Democratic Republic of Congo — Congolese rebels beat back a government counteroffensive and slowly pushed toward another big city on Friday, while government forces sank deeper into disarray after an army chief was suspended over allegations that he had supplied ammunition to militias and elephant poachers.
For the past week, a group of a few thousand well-disciplined rebel fighters, widely believed to be covertly supported by neighboring Rwanda, has captured a string of towns in eastern Congo, including Goma, a provincial capital, raising serious questions about the stability of this vast and often-troubled country.
Congo's Army, which has been notoriously corrupt and dysfunctional for decades, has been defeated in just about every recent battle. The government mounted a rare counteroffensive on Thursday on the rebel-held town of Sake, but by dawn on Friday it was clear that the rebels had repulsed the attack and were continuing their advance south toward Bukavu, one of the biggest cities in eastern Congo.
Many residents here say they hope that negotiations now under way in Uganda will bring an end to the fighting. But the rebels have a long list of demands, and it is not clear if the Congolese government has the will — or the capacity — to deal with them.
On Thursday, the Congolese government announced that it was suspending Gen. Gabriel Amisi, the chief of staff of ground forces, after a United Nations investigative panel found evidence that he ran a criminal network that supplied ammunition to elephant poachers and local militias with a reputation for brutality.
Africa is in the midst of a widespread elephant slaughter, and conservation groups say poachers are wiping out tens of thousands of elephants a year, more than at any time in the previous two decades, with the underground ivory trade becoming increasingly militarized.Continue reading the main story
According to a report written in 2010 by John Hart, an American scientist and one of the top elephant researchers in Congo, the "Congolese military are implicated in almost all elephant poaching," making the military "the main perpetrator of illegal elephant killing" in Congo.Continue reading the main story


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Following the success of our Spirit of Nashville collection, we've seen requests pour in for more city posters illustrated with our "Golden Age" style. Since 2010, we have created over 100 designs celebrating the history and charm of America's most beloved cities, parks, and destinations. We continue to add new images, so if you have a suggestion, let us know and we will consider adding it to our to-do list!
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text: FCC says Murdoch must seek waiver Published on May 04, 1995. The Federal Communications Commission, as expected, ruled that Rupert Murdoch's Fox network did not mislead the FCC a decade ago about its foreign-ownership when he applied to acquire six TV stations from Metromedia that formed the basis for Fox. However, the FCC determined that News Corp., which owns 99% of the equity in Fox, is not an American company and gave Mr. Murdoch 45 days to make his case that the FCC should grant him a waiver of rules prohibiting foreign companies from owning more than 25% of U.S. broadcasting companies. The FCC is expected to grant such a waiver, based on it being in the public interest. But some believe that move could open the door for a broader interpretation of the rules barring other foreign companies believed to be interested in acquiring U.S. broadcasting companies, including Seagram Co., which recently acquired MCA and is believed to be interested in CBS. Most Popular In this article: News


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Did you know that you can have your car towed in Palo Alto if you do not drive it at least 5/10 of a mile in a 72 hour period? Even if it is in front of your own home. I'll post more on this tomorrow. I'm infuriated and prefer to have a nice sleep–after a glass (or two) of wine–before posting anything. Grrr!
Stupid Palo Alto Laws
3 Responses to "Stupid Palo Alto Laws"
Anthony says:
May 31st, 2007 at 10:09 pm
Where do you live? In house? Apartment? Do you have a driveway or garage?
If you're in a situation where you have no choice but to park along the curb, that's especially infuriating.
I'm sure the law was intended to prevent abandoned cars or cars in disrepair from upsetting the sensibilities of rich homeowners.
But, of course, laws always have unintended consequences and rarely work perfectly as planned.
John says:
June 1st, 2007 at 11:16 am
You're making a mountain out of a molehill. That *only* applies to parking on the street or in public alleyways. Moreover, the police aren't allowed to tow your car without first giving you notice and time to move the car.
Here's a link to the city's website (you can find the ordinance summary on the front page):
And here's the Palo Alto Municipal Code if you want to look up the whole thing:
Chris says:
June 1st, 2007 at 11:50 am
I don't think this law is enforced unless someone complains, except for maybe in the main business districts. We had a someone leave a car full of stuff in front of our apartment for months until I finally called the police. Even after that, it took two weeks or so for it to disappear.


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Contact us today to discuss your project and arrange your design consultation. The lapd architects office is located in Oxfordshire at the Culham Science Centre (known as the 'silicon valley' for sustainable development in the UK), just outside of Oxford. And you are welcome to visit us to get to know the team in person.
|Our Offices:
Main Office
Summertown Office
| How to contact us:
lapd Limited (trading as lapd architects) is a private company registered in England and Wales no. 5324993. VAT Registration no. 879282958
Registered Office: Studio 24, Building C2, Culham Science Centre, Abingdon. OX14 3DB. Oxfordshire. UK.
The company is a Chartered Member of the Royal Institute of British Architects (RIBA). Membership No. 3202164P
As a Chartered Member of RIBA, lapd architects must comply with the Architects Registration Board's 'Architects Code: Standards of Conduct and Practice 2012 version' a copy of which can be found here: www.arb.org.uk
All architects are required to hold public liability insurance in the sum of £250,000. Lapd architects hold Professional Liability Insurance with Aon UK Limited and a copy of the policy is available upon request.
Insurance Policy Territorial limits - This policy of insurance excludes all liability for work performed to which the law of the United States of America and/or Canada applies or which is performed within or in connection with those two countries.
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email or call now to book your session.Get in touch
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Recent Awards
We are proud to have achieved the following awards for recent projects:
2013 Corporate Green Award - Sustainable Construction / Design
2012 Build it - Best Self Build Architect
2011 RICS Grand Award - Shortlisted for Sustainability
2011 RICS South East Award - Sustainability winner, shortlisted for Conservation
2010 LABC National Building Excellence Awards - Technical Innovation winner
2010 LABC Central Building excellence awards - best overall project, best small housing development, best sustainable project, best technical innovation.
2009 RIBA Downland Prize - Highly Commended for Sustainability


text: It's been just over 48 hours now, and that's been more than enough time to sit and digest the thought that WizKid was featured on Drake's latest single, One Dance. Nigerians are a very proud group of people, and recently haven't been tolerating too much sidelining from western entertainment powers. Any hint of giving the Nigerian the small portion causes a big social media uproar. But look at it this way, WizKid is featured on that song officially, credits are given to him, and the royalties are going into his account for life. Yep! That's a big financial move for him, and Nigerian music as a whole. Let's check out some of the reactions from Nigerian on the web. Quite honestly, some of them are just pure hilarious: Some questioned where WizKid actually contributed


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Edinburgh Book Festivals
Apart from the biggie, the Edinburgh International Book Festival, there are several, smaller but no less important literary festivals in Edinburgh.
Keep an eye on our What's On section throughout the year for some of the most exciting book events in the city.
Edinburgh Book Festivals
The Independent and Radical Book Fair
An annual fixture on the Edinburgh calendar, the Independent Radical Book Fair takes place in October 2014 in Out of the Blue Drill Hall, 30-38 Dalmeny Street, Edinburgh, EH6 8RG, Scotland, UK.Visit site
Portobello Book Festival
The Portobello Book Festival is a brilliant programme of book readings and literary events in Edinburgh's charming seaside libraries, book shops and cafe venues. This year it will run over the weekend of 3rd, 4th and 5th October 2014.Visit site
Duddingston Festival
The Duddingston festival takes place in May every year in Edinburgh, located in one of the city's oldest, prettiest areas. The festival has been developing an increasingly robust literary strand to its programme in recent years, making it an annual must for bibliophiles.Visit site
Christian Aid Book Sale Edinburgh
This is one of Edinburgh's largest book sales. Since it started 40 years ago the sale has raised over £2m for Christian Aid's work to end poverty.Visit site
The Provincial Booksellers Fairs Association was founded in 1974 with just 20 members. Its primary aim was to provide provincial bookdealers with a shop window in London by holding regular book fairs. Nearly 40 years later it has over 500 members and regularly organises more than 80 antiquarian and secondhand book fairs a year.Visit site


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Defending life from conception to natural death
SPUC supports parents and medical professionals in helping to protect children, before and after birth
SPUC has a team of highly trained speakers to visit your school free of charge.
Read about our founders, the aims spelt out in our constitution and some of the campaigns we've been involved in
We stand shoulder to shoulder with the African pro-life movement as part of the global witness to life
SPUC has been defending unborn children for nearly 50 years, both in the UK and internationally
We want you to be a part of our life-saving work: get in touch to find out how you can help end abortion
Be the first to know about breaking pro-life news stories
Read our latest blogposts from famous pro-lifers, local activists, SPUC staff, guest stars and more
Get the latest edition of our newsletter
SPUC's charities bulletin is a guide to where many well-known charities stand on abortion and other pro-life issues
The universal right to life of every human being is the foundation on which all other rights rely
Pro-life feminists represent a growing number of women who believe passionately in women's empowerment and the universal right to life
Want to find out more about abortion? Wondering about the hard cases? Our FAQ page is here to answer all your questions
1 August 2012
China has enforced a one-child policy since the late 1970s
A British academic has written that powerful financial and personal incentives for local officials will ensure forced abortions continue in mainland China.
Dr Jackie Sheehan, associate professor of Nottingham University's School of Contemporary Chinese Studies, said: "Coercion and violence are integral parts of the system ... Officials lose points for every out-of-quota birth in their area and earn cash bonuses for every abortion and sterilisation they enforce ... [D]esperate officials resort to forced abortions and sterilisations." [South China Morning Post, 25 July]
Anthony Ozimic, SPUC's communications manager, commented: "Dr Sheehan's analysis gives the lie to the claim by Western governments and the worldwide abortion lobby that the one-child policy is not intrinsically abusive and is capable of reform."


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This is the last week to apply for the Project Tuesday Design Team. If you are interested in a position on the PT team, please add DT after your name in Mr. Linky on the Project Tuesday post.
Have a wonderful week,
These clips are fantastic Jennifer! As for summer tv watching - there isn't too much on. We usually take the opportunity to catch up on some things on DVD.
Love these clips, can't wait to try my hand at making one.
As for sumemr tv, we watch baseball April-October. So I don't know what else is on!
Jennifer these are absolutely and DELICIOUSLY adorable!!! I love these little bookmarks :) Beautiful!
Adorable Jen, I love Cuppy!! Hugs Cindy xxoo
cool bookmarks!! my favorite summer show is Big Brother and wipe out
I love these bookmarks!! I wanted to make some, but can't find the large paperclips anywhere!!!
I would love to use one of these for my Reading. Pick me!!!
TOO CUTE!! I just want to eat that sparkly crunchy frosting! LOL! Adorable Jennifer!!
A-DOOR-A-BLE clips Jennifer!!
Right now my FAVE TV show that I CAN NOT miss is Hell's Kitchen!! Then it is America's Next Top Model... bonding time for my an the 13 year old DD.
Love ALL You Do,
Char in So Cal
{scrampaddict} {at} {cox} {dot} {net}
I love that chunky glitter.... looks just like sanding sugar.
I don't watch any special shows during the summer. I watch Days of Our Lives all year long though.
Super cute, Jennifer!! Are your paper clips HUGE? Mine say Jumbo on the box, but there is no way I could use Cuppy or Carl on them. Mine are done with 1" circles and rectangles! I want big paperclips like you used...where can I get em?
Absolutely Adorable!!! SO cute that image.
Oh Jennifer these are so dang cute. Love them!!
These are super cute!
Our summer watching favorite is Ice Road Truckers! It cools you off during the hot days in Michigan!
I read so many books and would love the adorable bookmark and clip!
During the summer, my husband and
our sons have baseball on daily!
Many thanks.....Cindi
My favorite summer tv show...well, I don't watch a lot of tv outside of the Disney channel. I guess I lead somewhat of a dull life. But, I do like to watch the Biggest Loser, I find it quite inspiring. The current season just finished last night and I am looking forward to the beginning of the next season.
love the bookmarks!!! soooo cute. My DD and I will watch The Bachelorette this summer. Cheesy and predictable, but we always watch anyhow.
these clips are totally cute!! Very cute!
I really love coming to your blog to see your fabulous artwork!
Thank you for visiting my blog!
Oh how cute! Funny, I posted paper clips on Wednesday - must say yours are MUCH cuter :) Adorable as always
Your cupcake clips remind me of the many cute things you can use to make clips. Thanks for sharing and for the candy chance.
Adorable clips!
Favorite summer TV show?!?!? I rarely watch TV in the summer. During the regular season, I love the CSIs.
Thanks for the chance to win.
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Love the clips! I always enjoy looking at these projects. Do you know why I can't go to the Project Tuesday Website? It now says you have to be invited. Any advice would be helpful.
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might be inciting crowds to chant "WAAGH!!" or href="http://www.tentonhammer.com/node/44003" target="_blank">growing
enormous blue beards. However, sometimes their energies
border on the creative, and through the lens of href="http://www.tentonhammer.com/war/launch" target="_blank">Justin
Webb's video camera we get an exclusive look at Paul
Barnett's hairy sack of magic. If you're curious to see what Justin's
video, check it out!
To read the latest guides, news, and features you can visit our Warhammer 40,000: Storm of Vengeance Warhammer Online: Age of Reckoning Game Page.


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Protecting your privacy is important to Berkeley Lights. With this in mind, we are providing this Privacy Policy to explain Berkeley Lights' practices regarding the collection and use of information that we receive through your on-line accessing of the Berkeley Lights website.
Berkeley Lights may revise this Privacy Policy from time to time. If we make any material changes to this Privacy Policy, those changes will apply to data collected after the effective date set forth above. We will notify you of material changes by placing a notice on our website prior to the change becoming effective.
Please read this Privacy Policy carefully. Your use of the Berkeley Lights website indicates you have reviewed and accepted this Privacy Policy.
Our primary goal in collecting information is to help you learn about Berkeley Lights and our technologies and platforms. We have both a general, publicly accessible website located at www.berkeleylights.com (the "Berkeley Lights Website"), and a private portal, which is accessible through the Berkeley Lights Website, where individuals are able to access additional, and confidential, information about Berkeley Lights (the "Berkeley Lights Portal"). For purposes of this Privacy Policy, the Berkeley Lights Website and the Berkeley Lights Portal are also collectively referred to as the "BLI Website".
Through your accessing and using the BLI Website, you will be providing us data about you. Depending upon how you use the BLI Website, including whether you seek access to the Berkeley Lights Portal, that data may include both non-personal identification information and personal identification information. "Non-personal identification information" refers to data that does not specifically identify you, or has been processed so as to effectively prevent your identification, but does identify information associated with a particular computer or device you are using. "Personal identification information" (or "PII") refers to data that identifies you personally, such as your name and email address, or that we can reasonably link to you.
Like many website owners and operators, we use automated data collection tools such as "Cookies" and "Web Beacons" to collect certain information. "Cookies" are small text files that are placed on your hard drive by a web server when you access a website and/or engage in certain services or activities on a website. Berkeley Lights may use both session Cookies and persistent Cookies to identify that you have logged onto the Berkeley Lights Website, and onto the Berkeley Lights Portal if you have been provided access to the portal. These Cookies will also tell us how and when you interact with the BLI Website. We may also use Cookies to monitor aggregate usage and web traffic routing and to customize and improve the BLI Website. Unlike persistent Cookies, session Cookies are deleted when you log off from the BLI Website and close your browser. Although most browsers automatically accept Cookies, you can change your browser options to stop automatically accepting Cookies or to prompt you before accepting Cookies. Please note, however, that if you don't accept Cookies, you may not be able to access all portions or features of the BLI Website. "Web Beacons" (also known as Web bugs, pixel tags or clear GIFs) are tiny graphics with a unique identifier that may be included for several purposes, including to deliver or communicate with Cookies, to track and measure use of the BLI Website and to monitor visitors to the BLI Website. Unlike Cookies, which are stored on the user's hard drive, Web Beacons are typically embedded invisibly on web pages (or in an e-mail).
Our servers automatically record certain information about how a person uses the BLI Website (we refer to this information as "Log Data"), including both individuals who access the Berkeley Lights Portal, and those who do not access the Berkeley Lights Portal (either, a "User"). Log Data may include information such as a User's Internet Protocol (IP) address, browser type, operating system, the web page that a User was visiting before accessing the BLI Website, the pages or features of the BLI Website to which a User browsed and the time spent on those pages or features, search terms, the links on our BLI Website that a User clicked on and other statistics. We use Log Data to administer the BLI Website and we analyze (and may engage third parties to analyze) Log Data to improve, customize and enhance the BLI Website by expanding their features and functionality and tailoring them to our Users' needs and preferences. We may use a person's IP address to generate aggregate, non-identifying information about how the BLI Website is used.
You may access and use many parts of the BLI Website without telling us who you are. However, some parts of the BLI Website, such as a request for information about Berkeley Lights, require you to disclose PII. Berkeley Lights processes this PII only for specific purposes related to Berkeley Lights' business. We may use your PII when we download and audit information from the BLI Website. We also may use the PII to make follow-up contact with you, for example when you have requested certain additional information about Berkeley Lights.
First, you should understand that Berkeley Lights will not sell any PII that we collect from you or regarding you to a third party. Information that we collect from Users, including PII, is, however, considered to be a business asset. Thus, if we are acquired by a third party as a result of a transaction such as a merger, acquisition or asset sale, some or all of our assets, including your PII, may be disclosed or transferred to a third party acquirer in connection with the transaction.
There may be occasions when we share certain PII. For example, we may engage third-party services providers to work on behalf of Berkeley Lights and to help us administer the BLI Website. These third-party services providers may have access to your PII for further processing consistent with the purpose for which we originally collected the PII. We will retain your PII as necessary to fulfill the purposes outlined in this Privacy Policy, unless otherwise required by law.
We cooperate with government and law enforcement officials or private parties to enforce and comply with the law. We may disclose any information about you to government or law enforcement officials or private parties as we, in our sole discretion, believe necessary or appropriate: (i) to respond to claims, legal process (including subpoenas); (ii) to protect our property, rights and safety and the property, rights and safety of a third party or the public in general; and (iii) to stop any activity that we consider illegal, unethical or legally actionable activity.
As explained above, when you access the Berkeley Lights Website, we will be collecting certain non-personal identification information. You may certainly chose to not provide us with PII that we request, but in making that decision you may not be able to access all parts and/or features of the BLI Website.
If you want to modify, correct, update or delete your PII, please contact us in writing at the following address: Berkeley Lights Website Manager, Berkeley Lights, Inc., 5858 Horton Street, Suite 320, Emeryville, CA 94608, U.S.A. Please understand that there may be some information that remains in archived/backup copies of material for our recordkeeping purposes, or as otherwise required by law.
Our Site does not have the capability to respond to "Do Not Track" signals received from various web browsers.
We take reasonable administrative and electronic measures designed to protect the information that we collect from or about you (including your PII) from unauthorized access, use or disclosure. Please be aware, however, that no method of transmitting information over the Internet or storing information is completely secure. Accordingly, we cannot guarantee the absolute security of any information.
Our Services may contain links to websites and services that are owned or operated by third parties (each, a "Third-party Service"). Any information that you provide on or to a Third-party Service or that is collected by a Third-party Service is provided directly to the owner or operator of the Third-party Service and is subject to the owner's or operator's privacy policy. We're not responsible for the content, privacy or security practices and policies of any Third-party Service. To protect your information we recommend that you carefully review the privacy policies of all Third-party Services that you access.
Berkeley Lights is located in Emeryville, California in the United States. Your PII may be transferred to, and maintained on, computers located outside of your state, province, country or other governmental jurisdiction to a place where the privacy laws may not be as protective as those where you are located. Please note that if you are located outside the United States and choose to use the Berkeley Lights Website, you are giving Berkeley Lights your express and informed consent to transfer your PII to the United States and process it there.
California residents may request and obtain from us, once a year, free of charge, a list of third parties, if any, to which we disclosed their PII for direct marketing purposes during the preceding calendar year and the categories of PII shared with those third parties. If you are a California resident and wish to obtain that information, please submit your request by writing to us at Berkeley Lights Website Manager, Berkeley Lights, Inc., 5858 Horton Street, Suite 320, Emeryville, CA 94608, U.S.A.
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The Film For FallWednesday, September 28th, 2011
Images of Paul Newman are staples of the men's style sites and one of my favorties is a photograph of the actor straddling a dirt bike wearing trim white denim and slip on boots.
I'd assumed the image was taken off-duty some weekend on Newman's central California compound, but as channel surfing recently taught me, it's actually a publicity still from the 1971 film Sometimes A Great Notion. A film my fall wardrobe and I are now using as our official mood board for Fall 2011.
The film's plot revolves around an Oregon logging family facing ruin in the wake of a bitter union strike, but the finer points of the narrative faded deep into the background as I focused intently on the rugged (cars and) costuming.
Wardrobe Department basics included workshirts and sweatshirts in 70s sublime shades of celery green, and cuffed or cropped denim in dirty cream and cornflower blue.
Accessories included lambskin gloves, woolen night caps, amber lensed shades (and ultra-tough trucks).
Pretty much the only item from the foresting-chic film that I wouldn't swing my ax at this fall (without a drastic career change first) are the logging dudes' enameled hard-hats. (But what hats they are!)
Otherwise, every other piece Paul and his tree-chopping co-stars stomp around in are the perfect fit and in the ill-est tints to be taking into one's wardrobe about now.
Catch the flick on cable if you can, or stream it through Starz over on Netflix. Most importantly, direct tweet me immediately if you can think of a source for faded celery-colored sweatshirts.


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My Life with the Saints (continued)
Sailing out ©Jennifer M. Carrasco
When I was 15, I lost my faith. After reading too much Dostoyevsky and agonizing over impure thoughts (what else do you think about in your early teens), I decided being a good Catholic was too exhausting and just went through the motions to keep my familly off my back. In time I was able to achieve the really important aspects of teen life. Namely cute clothes and boyfriends.
Later, I added my feminist objections, a hardheaded suspicion of dogma and a general bloody mindedness to the list. Now my impure thoughts have faded (somewhat) and I stay away from "Crime and Punishment".
But the Catholic upbringing shaped and sustained me in many positive ways as a person and an artist. Discipline and deadlines. "No excuses!" snapped Sr. Mary Eugenia, as I whined about my long division homework. If I stole or copied or cheated and and didn't make recompense, I would go to hell. (Create your own stuff or Mother Superior will lurch into your line of vision and shame you in front of the class). Long hours of sitting still in pews taught me to be patient in traffic jams and committee meetings. Giving up candy and movies during Lent taught me (mostly) to avoid temptation and keep plugging toward a goal. Eating fish on Friday taught me to despise certain colors, i.e. the particular brown and puce of salmon loaf.
And, I genuinely respect those who support the religious community and seek spiritual guidance and comfort. There's something out there. It's just that I'm not sure what it is.
In the esthetic arena, there are many I can count many Catholic influences. I like the flash of gold...the crowns on the Virgin, the monstrance on the altar and the golden chalice.......
Crown by Carrasco
The poetry of the liturgy of the Mass, the spare elgance of the Gregorian chant I sang as a child, and the litany to Mary, "Rose of Sharon, Tower of Ivory, House of David" still resonate. Drama and mysticism makes the hair on my head stand straight up. I wanted to have visions like Bernadette at Lourdes when I was a child. Now I often try to express the idea of spiritual ecstasy in some of my paintings.
Woman Singing Gregorian Chant (Detail) © Jennifer M. Carrasco
When I went to the Philippines as a Peace Corps Volunteer, I encountered another brand of Catholicism; a potent mixture of Spanish and animistic Malay/Chinese beliefs, and this too affected my art. As a naive country girl, I was fascinated to see believers lining up in Quiapo church to kiss the feet of the black crucified Christ, or to note that one could buy charms and herbs insuring both abortion and fertility for sale in the churchyard. I would sit on the balcony of rectories and chat with provincial priests and their "housekeepers" ( and his children.) I was enchanted and repelled by the life sized statues of Mary and Christ staring out of glass enclosures in the living rooms of prominent families.
(the following images are sketches scanned from my 1981 sketchbook journal)
The statues of the Saints were not only life sized, but elaborately dressed and given real jewels.gold crowns and sceptres, and placed on elaborate palaquins hoisted up and paraded by men on feast day processions around the barrios and cities. I was fortunate to see a very elaborate procession of Virgins in the old Walled City of Intramuros in Manila in l981.
Joan Orendain had told me about it, and we took our little boys over to stand on the top of the parapets to watch the statues of the Virgins emerge on their thrones from the darkened cathedral ..all brilliant in the lights of their thrones and jewels.
There were about 15 of them, all dressed and displayed as displays of a Manila family's religious devotion, and followed by crowds of women in black dresses and mantillas, children dressed as angels, young girls in their traditional butterfly sleeved dresses accompanied by men in their best embroidered barongs. Priests and acolytes were swathed in incense and the smell of burning beeswax, and a company of dogs and cats trotted along as well.
We looked down on the Virgins as they slowly paraded between the old stone walls. Generators surging as the lights glowed and dimmed. Exquisite details like hiding a statue with a jeweled painting, with all but her face peeking out of an opening in the canvas, or the long blond hair of one Holy Maiden held down by glittering silver clasps and chains. And several statues were almost eclipsed by huge sun haloes of gold surrounding their faces.
When the procession finally circled back to the cathedral yard, the statues were gathered in a line facing out at the crowds. All was dark and quiet except for the radiant statues on their glowing sedans. Then, all of a sudden, the bells of St. Augustine's cathedral rang out, and churches all over Manila began ringing as well. Fireworks and firecrackers began to sizzle and pop. And the Virgins remained in the middle of the noise and dazzle,tranquil, assured and glowing.
And of course, being the Philippines, there had to be a note of humor at the end. We followed a red Fiera Ford pickup as it jiggled it's Virgin and her minder all the way home to her glass cage in the family sala.
Procession of Virgins
The statues lurch from somber gates
on the backs of sweating men.
Feast of the Assumption,
Tonight, Manila frees
God's mothers
from their glassy cages
in the family salas.
Ave, Maria de Santa Rosa, the Virgin of Sampoloc.
Oh, Queen of Sorrows from Binondo,
you and your sisters show pale faces
like the tilted eye of God,
ivory ovals in a radiance of crinkled hair and diadems.
My childhood saints were plain.
My church , a part
Of pleasant neighborhoods.
Mary was our patron saint
of varnished pews.
Sexless, she and Jesus smiled
on farmers and their women;
the mothers soothing babies,
crying in the back.
A flash of gold along a hem.
A crown of flowers from the yard
Were our Mary's only ornament.
Where you, Maria, your Spanish shimmer casts
a retinue of comets in the dark.
The generators surge, electric candles
urge light across moire, along your goitered neck,
and snag on jeweled ears, the lace at breasts and cuff.
Your light slaps facets on the sweating walls,
spins glamour out of filthy ground
and clothes the beggars squatting by canals.
You scatter glitter in the streets
where day shows only garbage,
circling dogs,
and slinking rats.
©Jennifer Carrasco


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I start this thread hugely embarrassed to admit that I've already dabbled, but I only start this thread because my 8/1 bet is now 3/1 !
Altior to win the 2017 Arkle and 2018 Champion Chase, 8/1 Skybet special....
I start this thread hugely embarrassed to admit that I've already dabbled, but I only start this thread because my 8/1 bet is now 3/1 !
Altior to win the 2017 Arkle and 2018 Champion Chase, 8/1 Skybet special....
I've been itching to start this thread too....glad you took the plunge Ista
Annoyed I missed that price on Altior - very nice.
2 bets, 1 horse for me so far:
Death Duty - RSA Chase - 25/1 & 16/1
Always good to take a little look at this market a day or two before the festival kicks off as a few more of the markets will be available
I have two.
Altior at 6/1 for the Champion Chase and Charli Parcs at 33/1 for the Champion Hurdle.
I backed Death Duty at a whopping 14s..... was too excited before jono went and asked other bookies for bigger prices
Charli Parcs.... who was that with FM .... out of pure denial I want to back it too
- The current division looks weak (could be proved wrong after but everything suggests such) and no horse makes you think they could dominate for the next few years. Buveur D'air perhaps if he was to win this years well.
- The last 2 winners missed this year and will be 10 year olds next year, if they both even make it to next years festival with Annie a possible to be retired and Faugheen an unknown.
- Again difficult to say with any amount of certainty but the novice hurdlers don't look like a really string group this year from what we have seen. The Neptune is usually the best race for a CH contender to emerge from. Neon Wolf looks the pick right now but he's got chaser written all over him.
So a bonkers selection (especially as I haven't even sided on a horse for this years Supreme yet!!)...
Melon for Champion Hurdle 2018. I see SkyBet have it requested at 25/1. I'd want 33's to consider (or they offer Supreme/CH double at 40's)
Mullins mentioned several times about the CH in his stable tour on Monday for the horse (and obviously also the possibility of fences...)
I guess you could look at a Yorkhill JLT 2017 and Yorkhill CH 2018 request, but imagine that would be quite short. 8/1 at best maybe?I suppose when I bought him I thought 'Champion Hurdle horse' but if you look at the size of him now I think he's really grown and matured. He could easily jump fences. Let's see what he does here first.
You'll have Willie Mullins bingo and a year plus of guessing targets etc but Mullins needs in all likelyhood a new CH contender to take up the mantle so if you can get that right it might be worth a point thrown at it imo.
IF he did go and win the Supreme off 1 maiden hurdle win. You can forget any double figure prices for him, circa 7-8/1 i'd say
Anyway back to this years festival...got enough on my plate working that out!
I requested Altior QM and Death Duty RSA and got £6.25 at 80/1 start of Feb, came back just over a week later and the price was 18's, think it's about 16 now.
Really annoyed i couldn't get more on, seriously fancy it
Only 54 weeks to go
I have backed Lough Derg Spirit for the 2018 Arkle at 33/1.
I've this sort of bet a lot, always get the first part up and sitting on a great price, then goes down
Last samurai 60-1 to win grimthorpe and national last year
2 that got away were pennekamp to win 2000 guineas and derby 200/1 won guineas and went off 6/4 for derby to not finish I don't think
Entripeneur to do same double at 150/1 and was beat in derby at odds on,
Keep trying. I'll nail one at some point
But noticed bookies do offer some terrible prices now, as 3/1 now for altior is ridiculous. Should be 3-1 to get there having seen how this season has gone,
8/1 well worth a punt tho ista


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Life University is looking to make it three major 7s tournaments in a row, as the defending South college 7s and USA Rugby college 7s champions hope to take the USA 7s LLC Collegiate Rugby Championship qualifier at the Las Vegas Invitational February 9-11 (www.lvirugby.com ).
Thirty-two teams are playing for the one qualifier spot at the CRC in Philadelphia in June. Life knows they have some tough teams to get through, including 2011 CRC Qualifier finalists Kutztown University, 2010 CRC Champions Utah, and 2011 CRC Qualifier winners (and the team Life beat in the USA final in overtime), Central Washington.
"We're just going to take it one game at a time," said Cariaga. "The path is not clear as to which teams we'll play, but we know there will be some good teams there and we have to do well in our pool first. If we do make it to the big game, we're expecting a good game. If we play Central Washington, we know it will be tough because they fought for everything that they got, as we did."
Life has a DI-A season to worry about, as does CWU, Kutztown, UCLA, Cal Poly, Air Force, and Utah. Balancing both 15s and 7s is a tough job.
"After the [USA Rugby 7s] championships were recharged our batteries a little bit," said Cariaga. "But we got back into Marietta and we've been drilling our basic skills, prepping for both the 15s and 7s seasons. We're driving 15s first but as the 7s approaches we're going to do more 7s-specific training. We try to stay focused on 15s, but winning the 7s national championships has sparked new energy in the 7s program. We're just rugby players at the end of the day, whether it's 15s or 7s we're going to do whatever it takes."
Director of Rugby Dan Payne said the lure of winning the Qualifier and getting Life University some national TV exposure at the main CRC event is strong, but it's not the only reason he is taking a team to Vegas.
"Any time we get to compete against an elite group of teams we want to take on that competition," Payne said. "We respect all our opponents and our guys train extensively to seek out the competition. Sure the driving impetus is to get to the CRC and be in that stadium and on NBC, but more than that, it's a championship and we want to compete."


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Published by Steve Miley
Tuesday, September 25th, 2018
All pricing data was obtained from a published web site as of 01/08/18 and is believed to be accurate, but is not guaranteed. The UK.StockBrokers.com staff is constantly working with its online broker representatives to obtain the latest pricing data. If you believe any data listed above is inaccurate, please contact us using the link at the bottom of this page.


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New Range Rover Evoque starts production
London, July 5, 2011
The new Range Rover Evoque passed a milestone on Monday (July 4) when the first production vehicle was driven off the line at Land Rover's Halewood manufacturing plant in Liverpool.
Jaguar Land Rover's CEO, Dr Ralf Speth together with JLR executive officers, union representatives and employees, gathered to celebrate the start of new Range Rover Evoque production.
The first car to come off the line will be donated to the British Motor Industry Heritage trust.
'The Evoque is an incredibly exciting vehicle that joins a product range which across both of our brands is the strongest we have ever had – and it fits in perfectly,' said Dr Speth.
'The teams that have designed engineered and built the new Evoque, working together with our research and supplier partners, can be immensely proud of their achievement. Worldwide interest in our new car has been exceptional, with 18,000 customer orders received from customers eager to be among the first to own the new Range Rover," he said.
Halewood Operations is central to the success of the Evoque, with the workforce doubling to more than 3,000 employees in order to deliver the new model. Seventy-five per cent of production is destined for export to more than 170 countries around the world, adding around £2 billion to the UK economy.
The launch of the Range Rover Evoque is just one of 40 new product actions that Jaguar Land Rover will carry out in the next five years in the most ambitious market offensive in the history of its two brands.
This product creation programme is supported by annual investment of £1.5 billion in developing new models, engines, technologies and vehicle lines, he said. – TradeArabia News Service


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Santa Bárbara1 - 1 of 1 listings
https://www.myfitnessfacts.com/ultimate-testo-explosionHealth - Beauty - Protección (Santa Bárbara) - February 2, 2017 Check with seller
https://www.myfitnessfacts.com/ultimate-testo-explosion Ultimate Testo Explosion It is a muscle boosting supplement. It is designed to furnish your body with all of the stamina and energy which is required for an efficiency in the gym. It help you be...
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Making Sense of Google Spreadsheet Data with Conditional Formatting
When working with data in spreadsheets, you can use automatic formatting rules (aka conditional formatting) to help make sense of data. Conditional formatting can automatically change font or background color, making spreadsheet data more easily understandable at a glance.
*Must know the basics of Google Sheets and Google Drive.
Audience: Clubs, Faculty, Researchers, Staff, Students and Teaching Assistants
Workshop Level: Intermediate
What is Conditional Formatting?
With conditional formatting, data that meets a set requirement will display differently than data that doesn't. Data can be crossed off, underlined, bolded, colored, highlighted, etc..
For example, you can set up conditional formatting so that guests who respond that they're not coming to an event are automatically crossed-off.
Conditional formatting allows for easy visual comprehension, a tool that is very helpful when dealing with large sets of data.
At The End Of This Workshop You Will Be Able To Automatically Format Cells Based On
Current Workshop Schedule
- February 28th, 2019 10:00 am
- Online DoIT Training Adobe Connect Room
- Clubs, Faculty, Researchers, Staff, Students, Teaching Assistants
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