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Spoiler alert: Pelto to challenge Malloy as 3rd-party candidate
The threat of a third-party candidate siphoning votes from Democratic Gov. Dannel P. Malloy in a potential November rematch with Republican Tom Foley is closer to reality.
Jonathan Pelto, a left-leaning blogger and former state representative from Storrs, is no longer just testing the waters with an insurgency candidacy for Connecticut's highest office.
The 53-year-old detractor of Malloy on education, taxes and corporate economic incentives announced Thursday that he is shifting from the exploratory phase of running for governor to a full-fledged campaign.
"I'm saying with a straight face that I'm in it to win it," Pelto told Hearst Connecticut Media. "I'm not in it to throw the election to Foley, but I'm much more aware after a month of campaigning and talking to people of the underlying fear and angst out there that we're heading in the wrong direction."
Requests for comment were left Thursday for Malloy's re-election campaign and the state Democratic Party, for whom Pelto worked as political director from 1986 to 1992. Pelto was also an architect of the successful 1986 re-election campaign of Democratic Gov. William O'Neill.
Pelto and running mate Ebony Murphy-Root filed paperwork last week with the secretary of the state and are embarking on a petition drive to get onto the November ballot.
The tandem is running under the banner of the Education and Democracy Party, which could play the role of spoiler in the general election. The governor's race is expected to be a toss-up between Malloy and Foley, though Foley first has to win the August primary against Danbury Mayor Mark Boughton and state Senate Minority Leader John McKinney.
"I really feel it's in democracy's interest, the state's interest and the Democratic Party's interest for more voices to be heard," Pelto said. "Quite frankly, I was pretty overwhelmed by the support I've been getting."
Propelled by his party's liberal base and a cross-endorsement from the Working Families Party, Malloy defeated Foley by fewer than 6,500 votes in 2010.
"I think he should be nervous," Gary Rose, chairman of the Department of Government and Politics at Sacred Heart University in Fairfield, said of Malloy. "Pelto's not going to get an extraordinary number of votes, but he might get enough to deliver this election to the Republican nominee."
Rose discounted the possibility of Malloy striking a deal with Pelto to keep him out of the race.
"The one thing about left-wing Democrats -- the same thing is true with right-wing Republicans -- they are ideological purists," Rose said. "So deals and compromises are not really on the agenda of very liberal Democrats. I don't know what the bargaining chip is on that."
Pelto characterized Malloy as pretty set in his ways, but is keeping his options open going forward.
"I'm not sure it's in his capacity to be open to change," he said.
Pelto has expended significant bandwidth on his blog, "Wait What?" -- jonathanpelto.com -- and on Facebook, railing against Malloy on issues such as Common Core, the controversial national curriculum mandate.
In order to compete for the endorsement of some labor unions and the Working Families Party, Pelto said he had to become a formal candidate for governor.
Pelto and Murphy-Root each must collect 7,500 signatures by 4 p.m. on Aug. 6 to have their names appear on the Nov. 4 general election ballot.
The hurdle is relatively manageable compared to the threshold for minority party candidates to qualify for $2 million in public campaign funding. To do that, the pair must raise $250,000 in political contributions -- the individual giving limit is $100 -- and get signatures from about 111,000 registered voters.
"The barriers toward third-party participation really have become much more clear to me," Pelto said.
firstname.lastname@example.com; 203-625-4436; http://twitter.com/gettinviggy


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"Celine at the Colosseum at Caesars Palace is a glamorous show directed by legendary Grammy Awards producer Ken Ehrlich and presented jointly by AEG Presents and Caesars Entertainment. Celine's updated Las Vegas show includes her biggest hits mixed with timeless hits by iconic artists that celebrate all generations and genres of music ranging from Elvis to the Bee Gees, Queen and Prince. The show features a full orchestra and band and is set to a visually stunning presentation designed exclusively for the 4,300-seat state-of-the-art venue. Celine also returns to The Colosseum with a new stage wardrobe composed of exclusive designs developed by her stylist in collaboration with Atelier Versace, Schiaparelli, Elie Saab and Mugler."
Event posted: July 12, 2013
Last updated: June 29, 2018

subset: commoncrawl


text:
If you're an Amazon Kindle for iOS app user, Amazon is warning you to avoid their latest update. Kelly Hodgkins from TUAW writes:
Apparently, a glitch in the update is erasing the user's entire book library from their iOS device.
Ouch. Since Amazon stores copies of every Kindle book you buy on the cloud, this is likely more annoying than annihilating, but it would absolutely interrupt your ability to keep reading on your iOS device, short term. Amazon is obviously aware of the issue, so a fix should be on its way. Until then, if you haven't updated already, stay clear.
Source: TUAW


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text:
Measuring Machine Analyzes Small Gears
Available from Liebherr Gear Technology, the Wenzel WGT 280 gear-measuring machine is designed to measure gears smaller than 280 mm in diameter as well as rotationally symmetrical parts.
Related Topics:
Available from Liebherr Gear Technology, the Wenzel WGT 280 gear-measuring machine is designed to measure gears smaller than 280 mm in diameter as well as rotationally symmetrical parts. The machine's compact construction and small footprint are said to ease integration into existing processes. The measuring volume and easy access simplify loading and operation of the system, making it suitable for use with automated loading systems. The smaller machine is an extension of the WGT series, designed for the requirements of the automotive industry.
The system enables measurements in a Z range as large as 500 mm, and the high-precision rotary table accommodates workpieces ranging to 50 kg. Equipped with the Renishaw SP 600 scanning probe system, the machine can measure gears starting with a module of 0.5 as standard. It can also be equipped with a tailstock for accurate measurement of shafts.
The base plate and linear guides are made of hard stone and finished by hand. The combination of granite technology and precise air suspension are said to provide a durable, highly accurate measuring system. A specially developed controller for gear metrology provides optimal four-axes control and measuring performance, the company says. The machine also is equipped with a modular software package which leads users through various input masks to enter parameters for measurement and analysis. The basic TGear package can be extended by different modules for measuring and analyzing different types of gears and shafts.
Related Suppliers
Editor PickEyeing Automotive Machining Applications in Taiwan
I took time to check out machining equipment geared toward components for automobiles—electric vehicles in particular—at the recent TMTS show in Taichung.
Hurco's Max5 Control Can Now Import Solid 3D CAD Models Directly
eNetDNC's Quality Control Dashboard Software Integrates with Machine Monitoring
EDM from MC Machinery Handles Larger Parts
Kaast's W-EDM S Boosts Productivity without Sacrificing Accuracy


text:
Graphic Design Companies in Castle Douglas
List of Castle Douglas based agencies offering offering professional web, print advertising (brochure, leaflet, flyer) and corporate brand identity graphic design services.
Business Listings
At Eikon Graphics, our sole objective is the successful delivery of each and every project, large or small, on time, in budget and to the total satisfaction of the client. To discover more about the Eikon Graphics, who we are, what we do, what we stand for and how we satisfy our clients objectives, visit our website and step into our centre of creative excellence.
Anything from a logo or business cards, through leaflets, brochures and magazines to town centre refurbishments. We use hand picked industry professionals and invite the best graphic designers, web designers, photographers,illustrators, film makers and animators to add their contribution where necessary. Our aim is to create an outstanding project.
We are a multi-discipline design consultancy covering graphic design for print, television and web - photography and make up; project management and illustration. Kingsley Media was established in 1994 and has a small but impressive list of clients from all over the UK representing a diverse range of industries. Our dedicated team of professionals deliver finished results that often exceed the expectations
Graphic Design Glasgow, EK. Print & Website Design. Logo Design, Branding. Professional Websites, Books, e-Books, Leaflets, Brochures, Annual reports, Flyers. Leaflet / Flyer / Menu Delivery / Distribution.
Graphic design for the Web, Social Media (such as Facebook pages and Twitter backgrounds), print and display. We create and build animations for the web and other media. We design and supply banner stands and all printed material.
We provide advertising, creative thinking, project management, artwork, design & illustration, print & digital production and a robust agency support service. We're here to help, just when you need us.
Graphic Design Studio based in North Lanarkshire that helps businesses and individuals to promote their services, products and ideas to the wider public. We create tailored creative designs from Branding, Brochures, Illustration, Logos, Marketing Material and also Photography needs. Bespoke visual creations is what we do best and we tailor it to your needs and budget.
Antimatter Design is the freelance work of Jonathan Stevens. I do graphic and web design, branding, photo manipulation and advertising. I also work with a great team of other creatives who can help to provide a full comprehensive marketing service for all your promotional needs - check out the site, hire me!
Affordable. Friendly. Creative. Vickers Creative is a freelance graphic design service based in Glasgow. Offering innovative graphic design solutions for small businesses, as well as a freelance design service to Glasgow's studios and agencies.
Specialising in unique and affordable design solutions. High quality designs and production in creative advertising, graphic and web design. Contact me for a free quote or to organise a free consultation on: email@example.com


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Express. Home of the Daily and Sunday Express.
Wilshere to go under the knife
Arsenal midfielder Jack Wilshere has suffered a fresh injury blow with the news he needs surgery on his injured right ankle.
Arsenal midfielder Jack Wilshere has suffered a fresh injury blow with the news he needs surgery on his injured right ankle.
The 19-year-old England international has been troubled by a stress fracture, but it was hoped the problem would heal itself with the help of a protective boot. However, Arsenal have confirmed in a statement that Wilshere's ankle has failed to respond to the treatment and he will now go under the knife on Monday morning.
The midfielder is expected to be sidelined for several months. "Throughout Jack's injury, the club has been guided by the continuous advice of several world-renowned specialists," said the statement on www.arsenal.com
"The information attained this week has led to the conclusion that surgery is now required to gain an optimal response. Wilshere is now expected to be out for a period of months. Following surgery these timescales will become more specific."
A club spokesman added: "We have given Jack time to heal naturally which is important wherever possible with a young player. The latest scans show surgery is needed. Everyone at the club wishes Jack a speedy recovery."
Wilshere has been troubled by his ankle throughout the summer, having sustained the original problem in the Euro 2012 qualifier between England and Switzerland in June and then aggravating it in a pre-season game a month later.
And while it had been hoped Wilshere would return in a matter of weeks, manager Arsene Wenger is now expected to be without the player until the end of this year.
Wilshere wrote on his twitter account: "Been in a boot for a month and the bone is not responding. i will have surgery on my right ankle on monday with the two best surgeons around.
"Hopefully i will return to action around christmas time. i am in good hands! thanks for your support everyone!"
The news also comes as a blow to England manager Fabio Capello, with Wilshere set to miss their final Group G qualifier against Montenegro on October 7.


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klingemann needed a new logo design and created a contest on 99designs.
A winner was selected from 86 designs submitted by 25 freelance designers.
i am an artist.
i am looking for help for a logo to put it on a bus.
it's not for advertisment, it's for an artproject, but it should look like a kind of fake of advertisment/ busholidaytour/ tourbus or bands or kind like that.
the bus will be flashy-yellow.
the bus is for using to drive with the people throw an exhibition in public space.
it should be like a fake of a bustour/ a bandtourbus or a holidaybus or a bus with advertisment on it.
the logo should remind of advertisment.
his bus appears during an exhibition. it should remind of advertisment/ holidaytours/ energy (water/flash/energydrink/electricity/fitness..)
it should be demonstrative, flashy, retrolook like the 80ies maybe, should remind of energy. i would like the logo with a flash/thunderbolt.
it could remind of a holidaytourbus odr a musicbandtourbus.
the typo should be big. the word "energy" should be written very big, the word "tours" could be writtten under it or like a handwriting.
you are free to design a flashy-glaring-colorful-fake!
feel free, and think of the 80ies, think of bustours, think of energy!!!!
i am looking forward to have a great and logo/icon/design!
Find out how a design contest works or learn more about our logo design services.


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This Friday, when most people are heating up their Thanksgiving leftovers or decompressing from a day spent fighting hordes of Black Friday bargain hunters, local musician Chris Marsceill and a group of fellow local musicians will be prepping for a what's been billed as Black Friday Freak-Out.
The event, a three-band evening-long event at the Venetian Club, 8030 Germantown Ave.,features three area bands, an open bar and food from local establishments – all of it available for $35. Doors open at 6:30 p.m. Music begins at 7.
Marsceill said the event was conceived a year ago, when he, local band leader Roger Learnard and bass player Tony Garro were talking about doing a New Years show. The idea turned into a Black Friday event.
"We said lets do something for the day after Thanksgiving, Marsceill said. "It's easier to get people out, and a lot of people are home and looking for something to do. If you don't want to eat your leftovers the next day, come out to the show."
The lineup for the evening includes The Rusty Neils, a Neil Young tribute band; Urban Drawl, a rootsy rock band, and The Roger Learnard band, which features classic rock and originals. All three bands will play two sets. Marsceill, who plays keyboards for Learnard, said the band will be joined by local singer-songwriter David Cope, who is currently working on a new album of original material.
Tickets for the event can be purchased for $35 before the show at Hideaway Music, 8612 Germantown Ave. The price at the door is $40. In addition to an open beer and wine bar, the ticket price includes food from local eateries: wings from Tavern on the Hill, hoagie trays from Primo Hoagies, and hors d'oeuvres from Drake Gourmet food, including duck quesadillas and homemade pigs in a blanket.
For more information, visit blackfridayfreakout.com.


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Sennelier creates their extraordinarily luscious colors from the finest hand-ground pigments combined with pure, first-press, non-yellowing, safflower oils. They produce an outstanding collection of oils distinguished by a "satin" finish and buttery feel. Some colors may be made with linseed oil.
Color Swatches created using heavy application/medium application/50% tint and were applied on acrylic primed canvas (7 oz) material.
inorganic, cadmium
cadmium zinc sulfide
Cadmium Yellow is brilliant, dense, and opaque, with good tinting strength and very high hiding power. It is the artist's principal bright yellow and is available in light, medium, and dark shades. The deeper shades appear deep orange and have the greatest tinting strength. It is slow-drying in oil form and is used in both oil and watercolor form. It cannot be mixed with copper-based pigments. A clean Cadmium Orange is created when Cadmium Yellow is mixed with Cadmium Red. Hues vary by brand. Cadmium pigments have been partially replaced by azo pigments, which are similar in lightfastness to the cadmium colors, cheaper, and non-toxic.
Cadmium Yellow is usually available in a pure grade, or in a cadmium-barium mix. This mix has the same permanence with a lower tinting strength.
Cadmium Yellow is lightfast and permanent in most forms, but like most cadmium colors, it will fade in fresco or mural painting. The deeper shades are the most permanent. The pale varieties have been known to fade with exposure to sunlight in conditions where moisture is able to penetrate the binder.
Cadmium Yellow is a known human carcinogen. It can be hazardous if chronically inhaled or ingested.
Cadmiums get their names from the Latin word cadmia meaning zinc ore calamine, and the Greek word kadmeia, meaning Cadmean earth, first found near Thebes, the city founded by the Phoenician prince Cadmus. Metallic cadmium was discovered in 1817 by Friedrich Strohmeyer. Oil colors were first made from Cadmium Yellow pigments in 1819, replacing toxic Chrome (lead) Yellows. However, their production was delayed until 1840 due to the scarcity of cadmium metals. Landscape painters, such as Claude Monet, preferred Cadmium Yellow to the less expensive Chrome Yellow because of its higher chroma and greater purity of color.
Aurora Yellow, Cadmium Primrose Yellow, Cadmium Zinc Yellow, Lemon Yellow, Primrose Yellow. Deep Cadmium Yellow is sometimes called Orient Yellow.
chromium oxide
Chromium Oxide Green is a dull, dense, willow or pale green color that is completely opaque. It has an average drying time and a low tinting strength. It is fairly flexible in oil form and is suitable for all purposes and mediums. This pigment is less versatile in mixtures than Viridian and Phthalocyanine Green, but mixes well with other colors without overpowering them.
Chromium Oxide Green has excellent permanence, even at high temperatures.
Chromium Oxide Green is slightly toxic. Evidence of Chromium(III) carcinogenicity is inconclusive. Chromium(III) salts appear in greenish pigments such as PG17. Chromium(VI) salts, which appear in yellowish pigments, have been proven to cause cancer.
Louis-Nicolas Vauquelin discovered the element chromium in lead chromate in 1797. It began to be used as an enamel and ceramic color in 1809, but it had limited use as a pigment until 1862, because of its cost. It is the most commonly used green for military camouflage because it appears the same shade as living foliage under infrared light.
Chrome Oxide Green, Olive Green, Permanent Green. Varieties of Chromium Oxide Green include Arnaudon's Green, Dingler's Green, Plessy's Green, and Schnitzer's Green.
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From the AUR package page: "Folding@home is a distributed computing project which studies protein folding, misfolding, aggregation, and related diseases." For more information, see [1].
Install foldingathomeAUR from the Arch User Repository.
After installing the client, run
/opt/fah/FAHClient --configure as root. This will create a configuration file at
/opt/fah/config.xml. (the Arch Linux team number is 45032) With this in place, start the daemon:
# systemctl start foldingathome
If it started correctly (
systemctl status foldingathome), you can make the daemon start at boot:
# systemctl enable foldingathome
The graphical way
You can manage the daemon by opening a web browser and heading to http://localhost:7396/. Alternately, you can install fahclientAUR and use the FAHControl program.
The daemon can also be controlled remotely. Instructions for doing so are listed in
/opt/fah/sample-config.xml. Remember to open firewall ports if necessary.
The terminal way
To see the current progress of foldingathome, simply
cat /opt/fah/log.xml.
The behaviour of foldingathome can be customized by editing
/opt/fah/config.xml. Some options that can be specified:
- bigpackets, defines whether you will accept memory intensive work loads. If you have no problem with Folding@home using up more of your RAM, then set this to big. Other settings are normal and small.
- passkey, to uniquely identify you. Though not needed, it provides some measure of security. For details, see [2]
<passkey v='passkey'/>
- Slots for CPU or GPU
<slot id='0' type='CPU'/>
Multi-Core CPUs and Folding@home
As of version 7.x, multi-core CPUs no longer require any special configuration. If you are using version 6.x, read on.
A Quick Note On Hyperthreading
If you have a single-core hyperthreading CPU, you may be tempted to follow the multi-core instructions. It is highly recommenced that you do not do this as the Folding@home team prefers fewer results quickly, than more results slowly. There is also a time-limit on work-units, so if it runs slower, your work-units may not be returned in time, and so distributed to another user. If you have one core, run one folding process.
Multiple Folding@home Installs
Multiple installations of FAH on a single machine are useless, as in v7, you can use slots for every workload. The software is uniform now for gpu and cpu.
Monitoring Work-Unit Progress
There are several ways of monitoring the progress of your FAH client/s, both on the command line and by GUI.
The FAHControl software distributed by folding at home provides you with efficient means to control remote hosts. Just add another client with the corresponding button "Add" and enter the name, ip address, port and password (if you set one) and hit save. The software should now try to establish a connection to the remote host and show you the progress in a seperate client tab.
In AUR there is silent blades fahmon, which provides a GUI with the ability to watch multiple clients and get info on the work-unit itself. Fahmon has a dedicated site at http://www.fahmon.net/
On the CLI, you can add a command to your .bashrc , .zshrc or .whateverrc :
fahstat() { echo echo `date` echo cat /opt/fah/FAH_USER/unitinfo.txt #(replacing FAH_USER first) }
Or for multiple clients :
fahstat() { echo echo `date` echo echo "Core 1:";cat /opt/fah/FAH_USER/unitinfo.txt #(replace FAH_USER first) echo echo "Core 2:";cat /opt/fah2/FAH_USER/unitinfo.txt #(replace FAH_USER first) }
Also, replacing cat with tail -n1 will give just the percentage of work unit complete.
On foldingathome-smp 6.43, the unitinfo.txt file is not placed inside the user folder. The correct directory would be
External Resources
- Folding@home Site
- Folding@home FAQ
- Folding@home Configuration FAQ
- Folding@home Client in the AUR
- Folding@home SMP Client FAQ
- Arch Folding@home team page
- Extended Arch team statistics in extremeoverclocking.com


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First Jumpstart day session of the SAP Insider BPM2008 in Vegas this week featured Column 2 author, analyst and blogger Sandy Kemsley .
SAP Insider BPM2008
Originally uploaded by marilynpratt
SAP Insider BPM2008
Originally uploaded by marilynpratt
Topics included: definitions of BPM and BPMM – Business Process Maturity Model.
Session started by attempting to create order around the confusion of BPM-related terms.
Three info packed hours further covered subjects such as understanding the range of process types in an organization, tips like: "Don't let the requirements become the design", warning around spending too much time modeling the "as is" state, and some fair accessments of SAP Netweaver BPM. Clear understanding that many "required" features are delayed until future versions. Outlined that there is more strategic integration with SAP ERP and a common process layer for modeling BPM and ERP. There was also a pronouncement that the goal was to become the BPM of choice for SAP customers rather than the best of breed BPM. What I further understood was that Sandy Kemsley liked the SAP NetWeaver BPM data mapping capability which although not inherently different from what you would see in other systems was highlighted as providing capabilities that are good.


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- Chapter 1
Ezekiel sees in vision four living creatures, four wheels, and the glory of God on His throne.
- Chapter 2
Ezekiel is called to take the word of the Lord to Israel—He sees a book in which lamentations and mourning are written.
- Chapter 3
Ezekiel is made a watchman unto the house of Israel—The blood of Israel is required at his hand unless he raises the warning voice.
- Chapter 4
Ezekiel symbolically illustrates the siege and famine that will befall Jerusalem.
- Chapter 5
The judgment of Jerusalem will include famine, pestilence, war, and the scattering of her inhabitants.
- Chapter 6
The people of Israel will be destroyed for their idolatry—A remnant only will be saved and scattered.
- Chapter 7
Desolation, war, pestilence, and destruction will sweep the land of Israel—The desolation of the people is foreseen.
- Chapter 8
Ezekiel sees in vision the wickedness and abominations of the people of Judah in Jerusalem—He sees idolatry practiced in the temple itself.
- Chapter 9
Ezekiel sees the marking of the righteous and the slaughter of all others, beginning at the Lord's sanctuary.
- Chapter 10
He sees in vision, as before, the wheels, the cherubims, and the throne and the glory of God.
- Chapter 11
He sees in vision the destruction of Jerusalem and the captivity of the Jews—He prophesies the latter-day gathering of Israel.
- Chapter 12
Ezekiel makes himself a symbol of the scattering of the people of Judah from Jerusalem—He then prophesies their scattering among all nations.
- Chapter 13
Ezekiel reproves false prophets, both male and female, who speak lies, to whom God has not spoken.
- Chapter 14
The Lord will not answer those who worship false gods and work iniquity—Ezekiel preaches repentance—The people would not be saved though Noah, Daniel, and Job ministered among them.
- Chapter 15
Jerusalem, as a useless vine, will be burned.
- Chapter 16
Jerusalem has become as a harlot, reveling in her idols and worshipping false gods—She has partaken of all the sins of Egypt and the nations round about, and she is rejected—Yet in the last days, the Lord will again establish His covenant with her.
- Chapter 17
Ezekiel shows in a parable how Israel, while subject to Babylon, wrongfully sought help from Egypt—Yet the Lord will bring forth in the last days a goodly tree from the cedars of Lebanon.
- Chapter 18
Men will be punished for their own sins—Sinners will die, and the righteous will surely live—A righteous man who sins will be damned, and a sinner who repents will be saved.
- Chapter 19
Ezekiel laments for Israel because she has been taken captive by other nations and has become like a vine planted in dry and thirsty ground.
- Chapter 20
From the time of their deliverance from Egypt to the day of Ezekiel, the people of Israel have rebelled and failed to keep the commandments—In the last days, the Lord will gather Israel and restore His gospel covenant.
- Chapter 21
Both the righteous and the wicked in Jerusalem will be slain—Babylon will draw a sharp and bright sword against Israel and will prevail.
- Chapter 22
Ezekiel catalogs the sins of the people of Judah in Jerusalem—They will be scattered and destroyed for their iniquities.
- Chapter 23
Two sisters, Samaria and Jerusalem, committed whoredoms by worshipping idols—Both are destroyed for their lewdness.
- Chapter 24
The irrevocable judgment of Jerusalem is foretold—As a sign to the Jews, Ezekiel does not weep at his wife's death.
- Chapter 25
The Lord's vengeance will fall on the Ammonites, on the Moabites and Edomites, and on the Philistines.
- Chapter 26
Because she rejoiced in the sorrows and fall of Jerusalem, Tyre will be destroyed.
- Chapter 27
Ezekiel laments the fall of Tyre and the loss of her riches and commerce.
- Chapter 28
Tyre and Sidon will fall and be destroyed—The Lord will gather the people of Israel to their own land—They will then dwell safely.
- Chapter 29
Egypt will be overthrown by Babylon—When Egypt rises again, it will be the basest of kingdoms.
- Chapter 30
Egypt and its helpers will be made desolate by Babylon.
- Chapter 31
Pharaoh's glory and fall are compared to that of the Assyrians.
- Chapter 32
Ezekiel laments for the fearful fall of Pharaoh and of Egypt.
- Chapter 33
Watchmen who raise the warning voice save their own souls—Repentant sinners are saved—The righteous who turn to sin are damned—The people of Judah in Jerusalem are destroyed because of their sins.
- Chapter 34
The Lord reproves those shepherds who do not feed the flock—In the last days, the Lord will gather the lost sheep of Israel—The Messiah will be their Shepherd—The Lord will make His gospel covenant with them.
- Chapter 35
Judgment will fall upon Mount Seir and all Idumea for their hatred of Israel.
- Chapter 36
In the last days, all the house of Israel will be gathered to their own lands—The Lord will give them a new heart and a new spirit—They will have His gospel law.
- Chapter 37
Ezekiel is shown the valley of dry bones—Israel will inherit the land in the Resurrection—The stick of Judah (the Bible) and the stick of Joseph (the Book of Mormon) will become one in the Lord's hand—The children of Israel will be gathered and cleansed—David (the Messiah) will reign over them—They will receive the everlasting gospel covenant.
- Chapter 38
The battle of Gog, from the land of Magog, against Israel will usher in the Second Coming—The Lord will come amid war and pestilence, and all men will shake at His presence.
- Chapter 39
Gog and the land of Magog will be destroyed—For seven years the people in the cities of Israel will burn the weapons of war—For seven months they will bury the dead—Then will come the supper of the great God and the continued gathering of Israel.
- Chapter 40
A heavenly messenger shows Ezekiel in vision a city where the temple is located—Ezekiel is shown the form and size of the temple and its courts.
- Chapter 41
Ezekiel sees the inner temple and the Holy of Holies, and he is shown their form and size.
- Chapter 42
Ezekiel sees in the temple the chambers for the priests.
- Chapter 43
The glory of God fills the temple—His throne is there, and He promises to dwell in the midst of Israel forever—Ezekiel sees the altar and the ordinances of the altar.
- Chapter 44
The glory of the Lord fills the house of the Lord—No strangers may enter the sanctuary—The services of the priests in the temple are explained.
- Chapter 45
Portions of land will be provided for the sanctuary and the dwellings of the priests—The people are to offer their sacrifices and oblations and keep their feasts.
- Chapter 46
The ordinances of worship and of sacrifice are explained.
- Chapter 47
Waters issue from the house of the Lord and heal the Dead Sea—The Lord shows the borders of the land.
- Chapter 48
The portions of land for the tribes are named—The gates of the city bear the names of the tribes—The name of the city will be The Lord Is There.


text:
By Jonnelle Marte
Stocks fell again Wednesday on new concerns over Greece, marking the sixth straight day of losses for the Dow Jones Industrial Average. But instead of a taking a cautious tone, some financial advisers are urging clients to use this latest dip to snap up shares — at a discount.
The Dow fell 97 points Wednesday, paring back some of its earlier losses after European officials agreed to release €4.2 billion ($5.5 billion) in bailout funds to Greece, while holding back €1 billion that will be paid by June, according to a report in The Wall Street Journal. The heightened anxiety comes as investors have been bailing from the market for safe-haven investments like Treasury bonds for months. According to the Investment Company Institute, investors yanked money out of stock funds 10 out of the past 11 months (the one exception was February).
Some investing pros, however, say these investors are going the wrong way, and that the recent stock slide offers a buying opportunity. Wells Fargo Advisers, for example, is recommending that clients buy more stocks from select sectors like consumer discretionary and materials that should do well if the economy picks up. Independent advisers are getting in on the action, too. "We're actually buying in our clients' accounts," says Mark Wilson, vice president of the Tarbox Group, a wealth management firm in Newport Beach, Calif. "The folks that have cash, we're putting that to work right now."
Critics of the strategy point out that investors have plenty to fear, including concerns that the election of a pro-stimulus president in France could leave Germany, the strongest economy in Europe, without support for its austerity and cost cutting approach, says John Lonski, chief economist for Moody's Analytics. "The market is confused," says Lonski. "What direction is Europe going to head in?"
And May is typically known as a month when investors ditch their stocks, as the next six-month period is typically the weakest of the year. The S&P 500 has returned an average 1.2% over that time period each year going back to 1945, the poorest for all rolling six month stretches, according to S&P Capital IQ. Since 1950, the market's strongest months have been December, April, November and March.
The current crop of stock-buyers, however, says history doesn't always repeat itself. Sometimes, they point out, the market surges over the summer, as it did in 2009, 2003, and 1997, according to S&P Capital IQ. Investors who sell now could miss out on a potential rebound later this year, says Scott Wren, senior equity strategist for Wells Fargo Advisors: "These seasonal trends aren't written in stone."
Experts also point out that the U.S. economy is on better footing than it was a year ago. A continuation of modest economic growth could help the market, says Wren, who is buying consumer discretionary stocks from retail companies and restaurants that should benefit from an increase in consumer spending. The Federal Reserve is likely to keep rates low, which should in turn keep borrowing costs down for companies that are seeing positive earnings growth. And the recent drop is making stocks more attractively priced, says Wren.
Wilson is using the recent dip to buy large-cap U.S. stocks and emerging-market equities. He is cutting back on small-cap stocks, which he says have gotten expensive after their run up over the last three years. Despite the recent market volatility, slow, but steady, growth in the U.S. should support market performance at home and abroad, he says.


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Laramie Man Allegedly Steals Car, 3 Kids Were in Backseat
A Laramie man was arrested on charges of Grand Larceny after he stole a vehicle from a West Laramie bar.
That Laramie Police Department says that Jake G. McKinney allegedly entered an SUV outside of Bud's Bar, on the 300 block of West University Ave, in Laramie, and demanded that three children sitting in the back seat leave the vehicle.
Police Commander Mitchell Cushman says that the owner of the SUV, with the children in the backseat, had only left for just a moment. " One of the parents had just run in to talk to her spouse when Mckinney got in the vehicle," Cushman says. "This could have been tragic if the children did not get out, or if the circumstances were changed just a little."
Court documents say that the children did leave the SUV and ran inside the nearby bar, where police were called. McKinney allegedly drove the car to the area of North 3rd Street and Curtis, where he was pulled over by officers and arrested.
The juveniles were not harmed during the incident. The suspect was described as appearing intoxicated at the time of the theft.
Grand Larceny is a felony and is punishable by a prison term of 10 years, a fine of $10,000 or both.


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Nathan Leopold's Confession
The confessions of Leopold and Loeb were transcribed interviews conducted by the State's Attorney Crowe and his assistants. Each boy's confession was read in the presence of the other. Both accused the other of committing the actual murder. At the end of Loeb's confession, Leopold adds to Loeb's statement, including his statement that Loeb committed the crime.
"Now, Nathan, I just want you to go on in your own way and tell us the story from the beginning, tell us the whole thing."
When we planned a general thing of this sort was as long ago as last November I guess at least, and we started on the process of how to get the money, which was the most difficult problem. We had several dozen different plans, all of which were not so good for one reason or other. Finally we hit upon the plan of having money thrown from a moving train, after the train had passed a given landmark. The landmark we finally chose was the factory of the Champion Manufacturing Company at 74th Street and the I.C. Railroad tracks. The next problem was the system of notification to the father. We originally planned a number of relays, in other words the man was to receive a special delivery letter telling him his son had been kidnapped and was being held for ransom, then to secure ten thousand dollars in fifty-dollar bills and two thousand dollars in twenty-dollar bills. He was to get old, unmarked bills whose numbers were not in sequence, and these he was to place in a cigar box, securely tied, wrapped in white paper, the ends were to be sealed with sealing wax. The reason for this was to give the impression that the box would be delivered personally to a messenger of the real executives of the plan. He was then to receive a phone call at about one or two o'clock in the afternoon instructing him to proceed to a 'Help Keep the City Clean' box whose location was to be definitely given. Then he was to find another note which would instruct him to proceed to a drugstore which had a public phone booth. He was to be called at this phone booth, the drugstore being very near the I. C. track, and given only just enough time to rush out, buy a ticket and board a through train without allowing him enough time to instruct detectives or police as to where he was going. In the train he was to proceed to the rear car, look in the box left for telegraph blanks for another letter. This letter instructed him to go to the rear platform of the car, face east and look for the first large red brick factory adjacent to the tracks which had a black water tower bearing a white inscription 'Champion.' He was to count two or three after that and then throw the box as far to the east as he could.
"The next problem was getting the victim to kill. This was left undecided until the day we decided to pick the most likely-looking subject that came our way. The particular case happened to be Robert Franks. Richard was acquainted with Robert and asked him to come over to our car for a moment. This occurred near 49th and Ellis Avenue. Robert came over in the car, was introduced to me and Richard asked him if he did not want to help him."
"Richard who?"
"Richard Loeb. He replied no, but Richard said, well, come in a minute. I want to ask you about a certain tennis racket. After he had gotten in, I stepped on the gas, proceeded south on Ellis Avenue to 50th Street. In the meantime Richard asked Robert if he minded if we took him around the block, to which Robert said, no. As soon as we turned the corner, Richard placed his one hand over Robert's mouth to stifle his outcry, with his right beating him on the head several times with a chisel, especially prepared for the purpose. The boy did not succumb as readily as we had believed so for fear of being observed Richard seized him, and pulled him into the back seat. Here he forced a cloth into his mouth. Apparently the boy died instantly by suffocation shortly thereafter. We proceeded out to Calumet Boulevard in Indiana, drove along this road that leads to Gary, being a rather deserted place. We even stopped to buy a couple of sandwiches and some drinks for supper."
"On Calumet Boulevard at I guess 132nd Street; the body was covered by an automobile robe which we had brought along for the purpose. We drove up and down this road until dark, then proceeded over the path which leads out towards Hegewich, from 108th and Avenue F to the prearranged spot for the disposal of the body. We had previously removed the shoes, trousers and stockings of the boy, leaving the shoes and the belt by the side of the road concealed in the grass. Having arrived at our destination we placed the body in the robe, carried it to the culvert where it was found. Here we completed the disrobing, then in an attempt to render identification more difficult we poured hydrochloric acid over the face and body. Then we placed the body into the drain pipe and pushed it as far as we could. We gathered up all the clothes, placed them in the robe and apparently at this point the glasses fell from my pocket. I carried the robe containing the clothes back to the automobile, a distance of some 300 yards, and one of the socks apparently dropped from the bundle. We then proceeded north to 104th and Ewing Avenue from where I telephoned my folks telling them I should be a trifle late in arriving home. We drove to 47th and Woodlawn and from there I telephoned the Franks' home. I spoke to Mrs. Franks and told her that my name was George Johnson and that her boy had been kidnapped but was safe, and that further instructions would follow. In passing 55th Street we had mailed a special delivery letter which had been completed except for the address which I printed on it. After taking my aunt and uncle home I returned to my home and after my father had retired, Richard and I proceeded to his home where we burned the remaining clothes, hid the robe and washed the more obvious blood stains from the automobile. Then I parked the automobile near my home. The next day at 2:30 Central time or 3:30 Chicago time we were down at the Illinois Central station at 12th Street. Here Richard bought a ticket to Michigan City on the three o'clock train , entered the train, and deposited the letter in the telegraph blank box. In the meantime I called the Franks' home and told Mr. Franks to proceed immediately to the drugstore at 1465 East 63rd Street and to wait at the easterly of the two public phone booths for a telephone call. I told him a Yellow cab would be at his door to take him. I repeated the number twice and he asked if he couldn't have a little more time, to which I replied no, it must be immediately. About the time I was phoning, Richard had returned from the train and we started out south intending to call the drugstore from Walgreen's store, 67th and Stony Island. We chanced to see a newspaper lying on the stand with headlines "Unidentified boy found in swamp." We deliberated a few moments as to what to do, Dick thinking that the game was up. I, however, insisted that it could do no harm to call the drugstore. This I did, but was told that no Mr. Franks was in the building. We then went to 68th and Stone Island, another drugstore, and again telephoned; we met with the same reply. Then we gave it up as a bad job and returned the car to a place where it had been rented. Our original plan had included a relay which was to send Mr. Franks to a "Help Keep the City Clean" box at the corner of Vincennes and Pershing but we had difficulty in making the envelope stick as we intended, and hence decided to eliminate this relay. Thursday, immediately after dinner, we drove the car to our garage and started to clean up the rest of the blood stains. Our Chauffeur, Sven Englund, noticed us and came out to help. Whereupon Richard told him it was merely some red wine which had been spilled."
"Who did clean it up?"
"Dick did most of it and I helped him."
"Is there anything else you can think of at this time?"
"Your original plan when you were thinking it out as late as last November, Nathan, did you have anyone at that time that was to be the victim?"
"Nobody in particular. We had considered Mr. Clarence Coleman, also Mr. Walter Baer, Walter Baer, Jr., as the victim and Clarence Coleman's son."
"When was the plan finally effected whereby you considered the Franks boy?"
"When we saw him on 49th by pure accident."
"At that time were you waiting for someone else?"
"We had been cruising around watching several groups of boys playing, waiting for somebody to start home."
"You had been doing that for how long, Nathan?"
"From about three o'clock in the evening until about five."
"And you did not have any boys prior to that time?"
"This day in particular you stayed out with the idea in mind of getting the boy that day, is that it?"
"Yes, sir."
"What time did you meet Richard Loeb that day , Wednesday, May 21st, 1924?"
"At eleven o'clock."
"Where did you meet him?"
"At the University."
"What did you do after that?"
"Drove down in my car to the Rent-a-Car people."
"Where is that?"
"That is at 1408 or 10 Michigan Avenue."
"Then what did you do?"
"Rent a Willys Knight."
"At that time?"
"Under what name."
"Morton D. Ballard."
"Had you ever rented a car there before?"
"Yes, sir."
"Under what name?"
"The same."
"When did you rent a car there?"
"About three weeks previously."
"And you used it for what purpose?"
"Merely so we would have no difficulty in getting the car next time."
"Is that the letter you typed?"
"Will you look at that, Nathan? Is that the letter you addressed?"
"They handle Willys-Knights and Fords?"
"Willys-Knights and Fords."
"Willys-Knights and Fords exclusively, is that right?"
"Yes, sir."
"What did you pay over there?"
"Seventeen cents a mile for Willys-Knights and 15 cents a mile for Fords."
"You could keep the car over night?"
"Yes, we made that arrangement Wednesday."
"After you got the car what time did you get the car down there that day?"
"At 11:30."
"Do you remember who you talked to there, Nathan?"
"It was one of two men, I don't remember."
"Can you remember the names?"
"You would know them if you saw them?"
"If I came over there for a car would they require any security?"
"Yes. The first time they made me deposit fifty dollars and the last time thirty-five. I was supposed to have an identification card of some sort, but I never received it, so I had to look up my old lease number and give that as reference."
"What address did you give, Nathan?"
"Originally the Morrison Hotel, went down and rented a room and left a suitcase in it, and sent some mail there for the purpose of having mail addressed to that address. When we went down to get our mail on the subsequent day the suitcase had been taken. Apparently the fact the beds had not been used was noticed and some suspicion occurred. The suitcase had been apparently confiscated and I therefore telephoned the Rent-A-Car people we had changed our address to Oakwood and Grand."
"You phoned over immediately that that was your new address?"
"Yes, sir."
"Did you ever get your suitcase, Nathan, from the Morrison Hotel?"
"Did you register at the Morrison Hotel?"
"I did not; Richard did."
"Under the name of?"
"Morton D. Ballard."
"What day was that, do you remember, Nathan?"
"That was just prior to us getting the first car, I would say two or three weeks before."
"Whose suitcase was it?"
"You never applied for the suitcase after that?"
"No, I figured the suitcase was worth less than we owed."
"What kind of a suitcase was it?"
"It was a dilapidated suitcase, I could not describe it very well."
"Did you have anything in it?"
"I think there were some library books in it."
"You went then to this--what is the name of that hotel?"
"The Trenier Hotel. I had expected to stop there, but changed my plans and asked them to hold mail coming for Morton D. Ballard. I stopped there on a number of occasions after that. I would say as much as half a dozen times, and never did get any mail from there. This seemed very peculiar inasmuch as Richard addressed two letters to the Trenier Hotel."
"Did you get the letters back?"
"No, no return address on them."
"Went in the dead letter office?"
"I do not see why they should have. We followed them up two days afterwards."
"You say you did stop there several times after that?"
"Yes, sir, a number of times."
"You stopped, went over for the mail?"
"You did not register there?"
"At no time you registered there?"
"Did you ever register in any other hotel, Nathan, during this period?"
"No. I further opened a bank account in the Hyde Park State Bank at the corner of 53rd and Lake Park."
"Under the name of Morton D. Ballard?"
"Yes, sir."
"How much money did you deposit there?"
"One hundred dollars."
"Have you drawn that out since that time?"
"Was it a checking account?"
"Checking account."
"And you have no balance in the bank now?"
"No, sir."
"That was opened up there during your negotiations with the deal on Michigan Avenue?"
"Yes, sir."
"What was that name again?"
"That was for the purpose of--?"
"Having a good identification."
"This day you went down there for the car, who drove it?"
"I did."
"Where was your car at that time?"
"Dick had my car just east of Michigan Boulevard."
"When you left there what did you do?"
"We drove up together, or rather we each one--we each drove one car up to Kramer's restaurant at 35th and Cottage."
"Kramer's restaurant at 35th and Cottage Grove?"
"Yes, sir."
"That was on Wednesday, the 21st?"
"Wednesday, the 21st."
"May 21st, 1924?"
"Kramer's restaurant is where?"
"35th and Cottage Grove Avenue."
"What did you do at that time?"
"Had lunch there and put up the side curtains on the rented car."
"About what time was that?"
"I imagine we got here about 12:15."
"What time did you leave there?"
"It must have been one or a little later."
"When did you put up the side curtains?"
"Just before coming, before coming into there to eat."
"After you came out, what time did you come out of there?"
"We left after one."
"Then what did you do?"
"We drove to my home and I put my car in the garage, then we drove over to Ingleside Avenue just south of a blind alley south of 47th Street."
"What time did you put your car in the garage that day?"
"I should say at about one-twenty or one-thirty."
"In the afternoon?"
"And where was the other when you put your car in the garage?"
"The other car was right back of mine because we wanted to fill it with gas."
"In the driveway?"
"You brought that in and filled it with gas, did you?"
"And left your car there?"
"Yes, sir."
"Then what did you do?"
"Then we drove over to Ingleside Avenue, which is south of the alley south of 47th Street."
"While you were filling the car up with gas, did you see anyone around the garage there?"
"I don't remember if Sven came down then or not."
"Did you see Mr. Sven or Mrs. Sven there?"
"Mr. and Mrs. Englund. I am under the impression that Mr. Englund was there. I am not sure."
"You talk about the brakes being bad on that car?"
"Yes, on my car. It was on that occasion that they squeaked, and he put on oil and he warned me about going out after they had been oiled."
"After you filled the car with gas what did you do?"
"I drove to this spot on Ingleside Avenue."
"About what time?"
"It must have been about a quarter to two."
"Then what did you do--you drove where, you say?"
"To a point just south of the alley, south of 47th Street, Ingleside."
"You drove to a point which is south of the alley, south of 47th Street?"
"Yes. I waited in the car."
"On Ingleside?"
"On Ingleside."
"What is there, anything?"
"Apartment buildings. I waited in the car there while Dick went through the alley to a place where he could either command a view of Harvard School, or if he saw any likely looking children he could start playing with them. After some time, I should say around three, several of the groups of boys playing in the afternoon with the so-called tutors had left for a vacant lot on 49th and Drexel. We followed them up there, I having made a stop at home for my field glasses in the meantime."
"And what time was that?"
"Around three or three-fifteen and we parked on the opposite side of Drexel Boulevard and watched these children at play. We also sneaked around on foot to the front, behind a lot, where we could observe without being seen. We also had another group of boys spotted in a lot just across the street from my home, 48th and Greenwood. We waited around until a quarter of five, when the gangs broke up, but one of the boys had run down the alley, as we thought merely in play, and would be back. Apparently they had greatly disappointed us. We missed our opportunity of following any of them home. We then went down Lake Park to 41st Avenue, where an acquaintance of Richard Loeb's had a son who might be expected home at that time."
"Do you remember the name?"
"Do you know the address?"
"No, it is Sol Levinson, a lawyer, 41st and Lake Park. We repassed the lot on Greenwood, 48th and Greenwood, came over 48th Street to Ellis--no, we came over 49th Street to Ellis, it was 48th Street to Ellis, and here Dick spied Robert Franks. He was at that time north of 48th Street on Ellis Avenue, on the west side of the street."
"You sure it was on the west side of the street?"
"Positively, walking south on the west side of the street."
"Then you were where at that time?"
"We were at 48th and Ellis."
"On 48th or Ellis?"
"On 48th."
"Facing what direction?"
"On what side of the street would that be, on the east side?"
"We were driving down there, we immediately turned around and about the time that we had turned around and given Robert a chance to get a sufficient distance from another pedestrian on the street he was almost at 49th Street. It was here that we picked him up."
"You turned your car and started South on Ellis Avenue, is that it?"
"Yes, south on Ellis Avenue."
"On the west side of the street?"
"On the west side of the street."
"Robert Franks was at 49th?"
"He was almost at 49th."
"On Ellis?"
"Was he on the northwest corner, approximately?"
"Not quite."
"You hadn't had a chance to cross?"
"And you drove up alongside of where he was?"
"And what happened?"
"Then Dick opened the front door and yelled, 'Hey, Bob.' He came over to the car and Dick asked him if he couldn't give him a lift home. He declined, but Dick said, 'Come in a minute. I want to talk to you about a tennis racket.'"
"That was the time he got into the car."
"Where were you sitting at that time?"
"I was sitting at the driver's wheel. Dick was in the rear seat."
"What time was it, approximately, Nathan?"
"Between five and five-fifteen."
"That was when you proceeded on your journey?"
"You went south then to 50th Street?"
"South to 50th."
"And east on 50th?"
"East on 50th to I believe, Dorchester or Blackstone."
"When was the first time that Richard struck Robert with a chisel, do you know?"
"Between Ellis and Greenwood on 50th."
"Had he become suspicious of anything when you returned for him at that time?"
"No, because Richard asked him if he minded if we took him around the block, to which he replied no."
"That was the original plan, to take him so no one would see him?"
"Yes, sir."
"And after you made this trip out in the country and came back, what time did you get back?"
"Get back to where?"
"To your home?"
"You still had the car that you had rented from the Rent-a-Car Company?"
"Yes, sir."
"Was that the car that you drove your folks home in?"
"What did you do with that rented car?"
"I parked it on Greenwood Avenue just north of our drive way."
"On Greenwood Avenue?"
"On Greenwood Avenue."
"And your had your car in the garage?"
"I got my own car in the garage and drove around to the side it was."
"Then what did you do with your other car when you came back?"
"When I took Dick home--let me see, God, I think they were in my car, because that chisel was thrown from my car, wasn't it? How could that have been accomplished? I am not quite clear on that point. But what he must have done was take the bundle--no, we didn't do that either, because I remember washing the other car."
"That was the car that you rented?"
"Yes, we must have taken the rented car."
"You must have taken the rented car and driven out 50th Street? In other words, that was after you came back?"
"Yes. I was around there until one o'clock."
"That was after you got back?"
"Yes. I was around there until one o'clock."
"Where did Richard wait for you?"
"At my home."
"What did you do with the rented car then?"
"Washed it fairly thoroughly there."
"When, that night?"
"One-thirty, yes."
"On 50th Street, at the gate to Loeb's."
"What did you wash it with?"
"We found a bucket with some water and a brush and some soap."
"In Loeb's basement"
"Then you came out and washed it?"
"Yes, sir."
"You were unable to get all the stains off?"
"Well, it was at night and we didn't want to be monkeying around too much."
"Where did you take your car to get some of the blood stains off?"
"No place."
"You drove the car in some place to get some of the blood stains off?"
"No, that was the next day in our garage. It was still Wednesday night you see."
"What did you do with the rented car that night?"
"I drove it back to the place previously occupied, which is just north of our driveway, and stood it in front of an apartment house."
"That was at one-thirty?"
"After you drove your aunt and uncle home in your car and came back what did you do in the house then? Richard Loeb was in the house?"
"Went in and had a few drinks, sat and talked with Dad."
"About what time was that?"
"That must have been about eleven o'clock."
"Then what did you do?"
"Dad retired about eleven-thirty or twelve, and we had a few more drinks and left about one o'clock."
"Did you play cards while you were there?"
"Yes, sir, I think we played two games of casino for fun."
"Well, what did you do after that?"
"We went over to Dick's house with the clothes."
"The clothes in the rented car?"
"Yes, sir."
"And those were out in the rented car all the time?"
"In a robe?"
"In a robe."
"When you got to Dick's house what did you do?"
"We went in the basement and burned the clothes. We intended burning the robe, but it was too large to fit in and would have caused an awful stench. Right after making that phone call to Franks, we were in the rented car, we drove over to Loeb's then in the rented car, burned the clothes, washed the blood stains, then took the rented car to my house and left it there, then I got my car out and took the folks home in that. Then after I got back to my house I still had that car, when I took Dick home it was in that car, and it was then we threw the chisel out."
"When you took Dick home you took the rented car, or your car?"
"My own car."
"What actually happened when you came in the first time?"
"We had disposed of the clothes."
"You had disposed of the clothes in the car?"
"Yes, sir."
"And left the robe hidden in the car?"
"No. I had left the robe hidden in some brush there."
"You mean outside?"
"Outdoors, yes."
"And Dick had the chisel in his possession?"
"Yes, sir."
"And when you changed cars he just took it from one car to another car?"
"Did he leave that in the car or not?"
"I don't believe so, no."
"Where did he throw the chisel out at?"
"It was over there between 48th and--or between 49th and 50th I think, on Greenwood."
"After you left Richard there and came back, you put your car in the garage, did you?"
"Yes, sir."
"Then what did you do?"
"I turned off the parking light on the parked car and went to bed."
"Then what did you do?"
"The next morning I got up and went to school as usual at eight o'clock. I met Dick at eleven."
"At the University."
"You had made arrangements the night before to meet the next day?"
"Yes, sir, we drove down to my house, and it was then that we drove the rented car to the garage to clean it up more thoroughly."
"In your garage?"
"Outside of my garage, but in my driveway."
"What did you clean up with?"
"With soap and water and some gasoline and a brush."
"Did anyone help you clean it up."
"Sven tried to, but we told him it was all right, that we were all through."
"Was there any remark made then with reference to the blood stains in the car?"
"Yes, Dick was afraid that possibly Sven had seen these blood stains and he said it was some red wine."
"He told the chauffeur that?"
"Yes, sir."
"Who drove the rented car downtown?"
"I drove the rented car downtown."
"And Dick drove your car, did he?"
"Dick drove my car."
"Then you went down, and how much did you pay, do you remember, for the use of the car?"
"This was Thursday, was it?"
"Wait just a moment. We cleaned the car out. I have forgotten where we ate, we stopped some place for lunch and we didn't have my car until we both drove the rented car."
"You didn't have your car at all?"
"No, my car was in the garage and we drove down to the 12th Street Illinois Central Station, and the rest of the account is contained in the previous part."
"With the rented car?"
"Yes, sir."
"When did you return the rented car?"
"We returned the rented car about five or five-thirty."
"How much money?"
"Twenty-five dollars and some cents on it."
"And he gave you the balance of your deposit back."
"Yes, sir."
"You drove the rented car, both of you, to the I.C. Station?"
"Yes, and then drove back south. After we had found that Mr. Franks was not at the drugstore we drove to my house, got my car, and Dick drove my car down, while I drove the rented car down. Dick parked on Wabash Avenue just south of 14th Street while I returned the car."
"About what time was that?"
"Between five-fifteen and five-thirty. When we returned we stopped to get a soda at the drugstore."
"47th and Ellis. I met Mr. Mitchell at that time."
"You had a conversation with him?"
"I had a conversation with him. I took Dick home and on the way back stopped and bought a paper at 48th and Ellis which told about the fact that this boy was Franks and went home."
"Then what happened?"
"I got supper. I stayed at home studying law."
"Did you see Dick the next day?"
"The next day was Friday, yes."
"Was that the time you had the conversation of what you would say in the event you were called in?"
"I am not sure if it was then or not. We discussed that a number of times."
"Prior to the happening or after the happening?"
"Possibly after that. I couldn't be sure."
"You discovered there was a pair of glasses found out there, Nathan?"
"You learned that through a newspaper?"
"Then you and Richard Loeb had some conversation about the glasses and so forth?"
"Yes, sir."
"You contemplated at the time that you would be called in and asked about it?"
"Yes, sir."
"In the event they were found. You never thought they would find the owner of the glasses, did you?"
"No, sir. I did not."
"You were called in by--"
"Captain Wolf." "What did Captain Wolf ask you?"
"Captain Wolf wanted to know whether I had visited the particular area frequently, whether there were many ornithologists whom I knew, or fishermen, particularly among the members of the Harvard School, or its faculty. Also whether the Franks boy had been interested."
"You gave him the information?"
"Did you mention the fact to him at that time that you had worn glasses?"
"He never asked you to produce your glasses?"
"Were you able to remove all those blood stains?"
"Almost entirely."
"Enough so that it was not noticeable?"
"What time was it, Nathan, now, you saw the newspapers announcing that?"
"About six o'clock."
"This chisel that was thrown out of the car by Richard that you told about, Nathan, that had what kind of tape on it?"
"Zinc oxide."
"Where did you get that tape from, from home?"
"In the bathroom."
"This was the tape you were telling me about that your brother had in the bathroom when you walked in?"
"Did you take the whole roll of it?"
"Where did you leave the rest of it?"
"We had discussed that, Dick and I, and we think it must have been in the car."
"Did you put tape on near the sharp end or the blunt end?"
"The sharp end."
"Using the head of the chisel, or the blunt end I guess you would call it, for the purpose of--"
"Which end did Richard strike with, do you know? Did he strike with the sharp end or the other end?"
"He struck with the other end. That is why I cannot explain the blood stains. Well, probably the blood was rather effusive."
"You don't know whether it was the other end or not, do you?"
"Yes, I know."
"You know it was the blunt end he was struck with?"
"Yes, sir."
"Where did the chisel come from?"
"From a hardware store between 45th and 46th on Cottage Grove Avenue."
"Who bought the chisel?"
"That same day?"
"No, I think he bought that a few days previously."
"For that purpose?"
"At a hardware store where?
"At 45th and Cottage."
"Do you remember what you paid for it?"
"I think it was seventy-five cents."
"Which one of you bought it?"
"You bought that two or three days before?"
"I think so, yes."
"How did you carry it around with you?"
"As I recollect, we put it in the pocket of the rented car. I think we bought that on the very day, on Wednesday the 21st, I am almost sure of that now."
"The same day?"
"Yes, sir."
"That was the day you went in and got the tape in the house?"
"Now the time you first started to wear glasses was when, Nathan?"
"In October or November, 1923."
"And who was your doctor that prescribed the glasses?"
"Emil Deutsch."
"And he is located where?"
"30 North Michigan."
"And the one who filled the prescription?"
"Almer Coe."
"How long did you wear the glasses, Nathan, afterward?"
"Until February or March...."


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Lane was always "you"
Mad Men Season 5 Episode 12 recap
There's only so long I can procrastinate before bellying up to the truth - I don't want to write this Mad Men recap, because there's little joy to be found, and because the show said almost everything that could be said, in a relatively dialogue-light episode. But that doesn't mean there aren't things to unpack here, and generally finding the reason behind the discomfort tells me something. So, onward ...
Where last week was about events - big, dramatic happenings - this week was about eventualities. The small ones, like the fact that Ken Cosgrove was eventually going to have to examine his "I don't work anywhere near my father-in-law's business" policy, and the ones that were much, much larger.
Let's start with the happiest ones we can, and go from there.
I know it's a sport to hate on Betty Draper and it's not like her character has had a whole lot to do this year but can I just point out how much I love the conversations between her and Don as co-parents? Whatever animosity they have about their failed marriages and subsequent new spouses, that phone call she made to Don sounded like any frustrated mother dealing with an infuriating tween, and I loved it. Even more real, his response: "Well, if you think killing her is the only way to go..." Yes. These two have made countless mistakes in the parenting arena ("she lets me eat whatever I want") and I'm sure there are more to come, but Betty's exasperation with her fresh daughter felt really real. That, and I loved the moment where, when yelling upstairs about Sally's sour puss, she had the delicacy to cover the mouthpiece. Don also accepts that Betty's probably right. They may fight, but it's not about who's doing what to the children, at least, not on a daily basis. Nice realism here.
So Sally wants to be a grownup, of course, and experiments with it, and gets what she deserves. Sorry. I don't actually believe that, but there was a definite "be careful what you wish for" tone here, and this is around the time when "the curse" was pretty popular slang for your period. Her experimentations with Glenn are, of course, very tentative; though I remember even talking on the phone to be a bigger deal than Sally lets on, she's clearly nervous. When her maybe-swain shows up with a dirtstache and a story about what he said he was doing with his Manhattan girlfriend, well, that's as good a reason as any to fake sick and kill the endeavour right there. We realize, of course, that she wasn't faking but I'm willing to bet some of her stomach-ache was from non-biological circumstances.
There's a whole lot going on here outside of a couple of kids trying to have a date and not knowing why it's uncomfortable: Glenn calls Megan "Megan" to her face and refers to "Betty" while Don is a lot less distressed about his daughter missing and driving Glenn back to Hotchkiss than I'd have expected for a man who has flown off the handle for less. It follows a theory that I've heard that he'll save his rage for Sally, for Megan - until recently, for Peggy -and that people save their anger for people they're sure won't, or can't, leave them. Just like his daughter does. Sally spends a lot of time throwing abuse at her mother, but when push comes to shove, she wanted her mother. The scenes between them were really, really sweet and made all the more poignant by the fact that Kiernan Shipka's getting taller; when they spooned together, I got a little teary. I even enjoyed the restraint Betty showed when she called Megan to rub it in that her daughter needed her mother; the implication being that they both know it's a situation Megan wouldn't have been ready to handle. I love Betty this week, what's wrong with me?
Of course, what's wrong with me is that I have to take my warm moments where I can get them. Don saves his expectations for the people who will stay with him, and when he needs to feel like he has some fight left in him on a professional level, he begs for a meeting where he knows, as Roger points out, that he'll be eating sh-t. And he does, and he deals with it. The people he wants to deal with are repugnant so can there be any joy in it if getting the work is about revenge instead of creativity? I don't know. It does mean Don's going against his earlier instincts - usually not a plus where Draper is concerned. But there would be a case for him to ditch his instantaneous reactions, too, after this week.
I've never really loved Lane Pryce. I wasn't really supposed to, of course; with all the vibrant characters we love on this show, his mutedness was pointed. He pointed out to us last week that he's never known to ask for what he really wanted. That was obvious here as Don pointed out that Lane could have simply asked for a loan. But the visible weakness was a bridge too far for Lane, so this is the result. His lack of communication with his partners and his wife meant, for him, anyway, that the only real outlet he had was to kill himself. That he resorted to hanging after the unreliable Jaguar failed him seems appropriate, a final f-ck-you to the men who weren't there for him, rather than a horrifying surprise in the car for the wife who was finally beginning to love him the way he needed to be. That his resignation letter wasn't a suicide note is even more pointed - he wanted the partners at SCDP to know, in death, if not in life, that they had driven him to this. That Don did. Because, of course, he's the only one who knows why. He'll either have to confess it and seem a monster in retrospect - even if it's what they all would have done - or remain silent and live with the knowledge that had he done even one thing differently, this wouldn't be the end result.
It's been implied that Lane's failings, ultimately, aren't solely because of the person he is, but because of the English he is, or at least the way the British cultures and mores affected him. "Stiff Upper Lip" is a clam, but Lane's shown over and over again that he will subvert his own feelings if it seems like they're ridiculous, rather than go against the grain. Fighting Pete Campbell, even though every one of them wanted to do so, didn't gain him any particular points; kissing Joan got him rebuffed - we got a reminder of that again last night - and let's not forget what happened to Lane, a grown man, when his father found out he was carrying on with a Bunny Of Colour.
If I seem flip, I'm sorry; the seemingly unending portrait of Pryce as a man who couldn't get his head above water was touching, at times - how often did he cry this year? - but somewhat predictable. If I were a gambling woman, I would have gone with his wife leaving him first, but either way, what happened here wasn't so much a shock as it was a logical conclusion. We've heard that this business will eat you alive and here's the literal representation. But of course, Lane was always "you". He was never, truly, one of us.
Will they rebrand the agency name? Or does Lane's wife become a silent partner?
Photos courtesy AMC


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Just came back to post something...
I'm recently learning about using Sine, Cosine and Tangent, but I have no idea where people would use it in life... I guess I was partially wrong
I noticed that you used *Cos(0.017453278*GetUnitFacing(u) and *Sin(0.017453278*GetUnitFacing
I'd like to know, how did you get 0.017453278?
I'd also like to know what is Atan2? (In "Information for Dummies" talk)
And is there a way to increase the turn speed of your system (It won't turn any faster from like... 0.5 turning speed to 1 turning speed).


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Running Time: 163 minutes
Released: 12/2017
Studio Name: Hussie Auditions
Categories: Amateur Small Tits Teen Gonzo P.O.V.
Description: An 18 or 19 Year Old. A Teenage Grown-Up.
4 Scenes from Teen-Ups
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Scott Jaschik
Scott Jaschik, Editor, is one of the three founders of Inside Higher Ed. With Doug Lederman, he leads the editorial operations of Inside Higher Ed, overseeing news content, opinion pieces, career advice, blogs and other features. Scott is a leading voice on higher education issues, quoted regularly in publications nationwide, and publishing articles on colleges in publications such as The New York Times, The Boston Globe, The Washington Post, Salon, and elsewhere. He has been a judge or screener for the National Magazine Awards, the Online Journalism Awards, the Folio Editorial Excellence Awards, and the Education Writers Association Awards. Scott served as a mentor in the community college fellowship program of the Hechinger Institute on Education and the Media, of Teachers College, Columbia University. He is a member of the board of the Education Writers Association. From 1999-2003, Scott was editor of The Chronicle of Higher Education. Scott grew up in Rochester, N.Y., and graduated from Cornell University in 1985. He lives in Washington.
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I had previously ranted about the lack of information and education concerning the 32-bit-to-64-bit development transition, and to this day still seems to remain a significant worry from what I observe of the developer community. In recent activity to look up 64-bit development issues, I came across Arthur C Clarke's blog entry which explains some "initimate" details about .NET assemblies.
Thought I'd just add this to my collection of notes. Worth a read.


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Bathroom Window Treatments & Bathroom Blinds
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text: Fire & Life Safety Fire and Life Safety involves everyone in every area of the university and refers to the prevention of fire, accidents, injury, and property damage. Through inspections, fire safety equipment is checked and maintained; food safety standards are adhered; and safety concerns such as frayed electrical cords, trip hazards, broken or inappropriate equipment and fire hazards are identified and removed. Through design and plan review, architects and engineers are assisted in ensuring that fire and life safety measures are built into areas under construction. Through emergency management, assistance is available to develop specific evacuation plans. Through training, classes are available for evacuation planning, fire and life safety, fire extinguishers, and food safety.


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The Game & His Weed Man @ Summer Jame KUBE 93 2008 "Some Niggas Travel With Body Guards, I Travel With A WeedMan"
The Game and his Weed Man Summer Jam Kube 93 2008
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Wednesday, April 23, 2008
Comic 410: Math Paper
This is a fairly good comic; I like the idea of revoking a "math license." It reminds me that there do exist happy numbers.
3 comments:
- AnonymousMay 23, 2009 at 8:26 AM
Why doesn't anyone comment on the good ones?ReplyDelete
this post was I think literally the second day of this blog - so basically no one has read this one. Hell, this was back when I could write a whole post with only two short sentences. Ah, the old days.ReplyDelete
Take a look at some newer comics that you might consider "good" and see what we said.
some how I get the feeling you liked this one for the satisfaction of imagining of Randall actually did something like this in real life and hot his "math license" provoked for being a quirky douche. I must say I'm with you on thatReplyDelete
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Lots to talk about this week, so let's push off the dock and get underway.
On Sept. 12 the Newport Beach City Council voted 4 to 3 to increase the marina tidelands permit costs over the next seven years. The annual rate will be 36 cents per square foot through 2014 and will rise to $2.52 per square foot by 2020.
Will the marina owners continue their fight? You betcha.
While putting this weeks column together, I kept flashing back to the Bugs Bunny, Daffy Duck and Elmer Fudd skit centering on "duck season-wabbit season." I changed "duck" to "dock."
That's right, the city is Elmer with his shotgun and laugh.
For the homeowners who received City Manager Dave Kiff's letter this week, it seems it's definitely dock season right now. The letter goes on to explain the difference between tax and rent, and that the bottom line is the rent will go up soon.
The devil is always is always in the details.
Harbor Commission divvies up tasks
I attended last week's Harbor Commission meeting, an important meeting because our commissioners volunteered to take on certain tasks this year.
The following is my rendition of their tasks, as pulled from the commission's agenda. To see the complete list, visit http://www.newportbeachca.gov.
"Ensuring the long-term welfare of our harbor"
1. "Investigate potential solutions to long standing obstacles to maintenance," like permitting, the lack of small-scale dredging operators. Chairman Doug West and Commissioners Duncan McIntosh and Brad Avery. Strange that this was the first task listed because it is the most important.
2. Best use of the Lower Castaways: Commissioners Avery, David Girling and Karen Rhyne
3. Resetting harbor lines: Commissioners Ralph Rodheim and Rhyne
4. Enforcement of harbor codes: Commissioners West, Paul Blank, Avery
5. Improve boating education, especially for Newport Beach residents: Blank, Rodheim
7. " ... Strategies to maintain water-related businesses" on the harbor: McIntosh, Rodheim
8. Communicate the Harbor Commission's role with the public: Girling, Avery
9. Alternative mooring design solutions: Rodheim, Avery
"Promoting Newport Harbor as a preferred and welcoming destination"
1. Define strategies for increasing the number of visiting vessels: Blank, Girling, West
2. "Evaluate public anchorage alternatives": West, Avery
3. Evaluate public piers that facilitate visitor access: Girling, Blank
If you would like to get more involved with the harbor this coming year, go over this list, then contact the commissioners tasked with the issues that interest or affect you.
Want a marine recycling center?
We might have made some progress this week toward the installation of a marine recycling center.
What is a marine recycling? It's where anyone can dispose of waste oil, oil filters, batteries, transmission fluid, zincs and coolant at no cost.
How many times a year do you have to dispose of such items? Not easy, is it?
Mayor Nancy Gardner invited me to speak at the Coastal/Bay Water Quality Committee meeting last week regarding the need for these centers, and I felt it was well received. With the mayor's help copying what's already in place in Dana Point, this might just happen!
BCYC crowns champs
Last weekends Bahia Corinthian Yacht Club's championship races were a huge success, with 21 teams competing in the championship division and 18 teams in the family division. Mark Gaudio won the championship division and the Mayol family won the family division.
The competition was exceedingly tough, and I am confident the event will improve next year. I made it into the championship finals and finished in sixth place. The club also awarded me with one of the five Corinthian Awards for sportsmanship, which I am having framed.
Harbor 20s for the weekend
This weekend I will be sailing with Marry Bacon aboard her Harbor 20 Rascal II in BCYC Tune-up Regatta and then I will charter the Harbor 20 Adrenalin from the Harbor 20 Sailing Club for Sunday's Fall Schock Regatta.
If you ever wanted to sail a Harbor 20, contact the sailing club; it's a great way to give these boats a try and see if this fleet works for you.
Sea ya!
LEN BOSE is an experienced boater, yacht broker and boating columnist.


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Soak the TVP with enough water to cover it for a couple of hours. Prepare the filling. Put TVP, tomatoes, onions, tomato paste, vegetable stock, salt and pepper, and oil in a saucepan, and cook for about 15 to 20minutes. If necessary, add some water. Normally it is not needed as the soaked TVP and the tomatoes have enough juice. If the TVP is cooked and has not absorbed all the water, strain it. (You can save the liquid and substitute for water in the sauce.)
While the filling is cooking, prepare the eggplants. Wash them and cut them into slices about 1/2-inch thick. Cook them in the oven (low heat) until very soft.
Prepare the sauce. In a small saucepan, heat the olive oil and add the flour. Add the water or juice from filling. Stir constantly over low heat until the sauce thickens. The sauce should be creamy but not lumpy.
In a large oven proof dish arrange half of the cooked egg-plants and cover them with half the filling. Add another layer of eggplants end the rest of the filling. At the end, pour the sauce evenly and cook in the oven at 425°F for about 1 hour or until the sauce is brown.
Rita Haritakis of Doctors in Greece for Responsible Medicine, Athens, Greece.


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NEW YORK - November 30, 2012 - Serinda Swan ("Breakout Kings," "Hawaii Five-O") has been tapped as a series regular on USA's gritty new drama GRACELAND opposite Daniel Sunjata ("Rescue Me"), Aaron Tveit ("Les Miserables"), Vanessa Ferlito ("Wall Street: Money Never Sleeps"), Brandon Jay McLaren ("The Killing"), and Manny Montana ("Chicago Code"). From WHITE COLLAR executive producer and creator, Jeff Eastin, the series will premiere summer 2013 on USA.
GRACELAND delves into the lives of an elusive group of undercover agents from the Federal Bureau of Investigations (FBI), Drug Enforcement Agency (DEA) and US Customs, whose worlds collide at a repossessed Southern California beachfront mansion called "Graceland."
In GRACELAND, Swan stars as Paige Arkin, an intuitive and merciless DEA undercover agent living at the mansion. She uses her sex appeal and unorthodox resourcefulness to infiltrate deep into drug organizations. Partying just as hard as she works, Paige gets a rush from being at "Graceland," as if living a lie is her drug of choice.
Paige's roommates at "Graceland" include legendary FBI agent and house mentor Paul Briggs (Sunjata), by-the-books FBI rookie, Mike Warren (Tveit), strong-willed DEA agent Catherine "Charlie" Lopez (Ferlito), quick-tempered US Customs agent Dale Jakes (McLaren) and fun-loving prankster FBI agent Joe "Johnny" Tuturro (Montana).
From Fox Television Studios, Jeff Eastin serves as creator and executive producer. Sean Daniel served as executive producer on the pilot with producer Russell Fine (WHITE COLLAR, NECESSSARY ROUGHNESS) directing.
Fox Television Studios produces scripted and unscripted programming for US broadcast and cable networks, and international broadcasters. The studio produces the hit series Burn Notice, currently in its sixth season, and White Collar, now in its fourth season and renewed for season 5, both for USA; and the series The Glades for A&E, recently renewed for season four. FtvS also is in production on Graceland, its new series for USA from White Collar creator Jeff Eastin; The Americans for FX, starring Keri Russell, scheduled to premiere in early 2013; and Maron, a fictionalized look at the life of comedian and podcast sensation Marc Maron, for IFC. The studio is also developing and producing several pilots, including Sirens for USA, written by Denis Leary and Bob Fisher who executive-produce along with Jim Serpico (project is from Leary and Serpico's Apostle and Fox TV Studios). FtvS also produces original movies for various cable networks. Home Alone: The Holiday Heist, starring Malcolm McDowell, will air this winter on ABC Family, and Prosecuting Casey Anthony, starring Rob Lowe, will air in 2013 on Lifetime.
The #1 network in all of basic cable for six consecutive years and an unprecedented seven straight summers, USA Network is seen in over 102 million U.S. homes. USA is a leader in scripted programming with a powerful stable of originals, spectacular live television and is home to the best in blockbuster theatrical films, a broad portfolio of acquired series and entertainment events. A trailblazer in digital innovation and storytelling, USA is defining, driving and setting the industry standard for Social TV. USA is a program service of NBCUniversal Cable Entertainment, a division of NBCUniversal. The award-winning website is located at http://www.usanetwork.com. Characters Welcome.


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