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Village Of Remsen
Oneida County
Among these pages you will be able to access information about the village, local government, community events and various programs. We value your comments and encourage you to get involved with our collective efforts to improve the Village of Remsen.
Remsen Barn Festival of the Arts
September 23 & 24, 2017
For more information visit
NY State Law limits each property to ONE UNREGISTERED VEHICLE.
Remove any additional unregistered vehicles from your property as soon as possible.
Information for removal of unregistered vehicles is available through the Town Hall at 831.5558
Unauthorizied use of ATV's within the village on Public Roadways & Posted Private Property is strictly prohibited & will be reported to Law Enforcement.


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- $235,000 |
- Sold |
- 4 Beds |
- 3 Baths |
$224,900 | MLS# 21920882 3 Beds | 3 Baths | 1,748 SqFt
Listed Courtesy of: P J Morgan Real Estate
MLS Provider: GPR
$210,000 | MLS# 21922846 2 Beds | 2 Baths | 1,193 SqFt
Listed Courtesy of: BHHS Ambassador Real Estate
MLS Provider: GPR
$400,000 | MLS# 21922784 4 Beds | 3 Baths | 3,482 SqFt
Listed Courtesy of: Nebraska Realty Burt St
MLS Provider: GPR
$350,000 | MLS# 21920471 4 Beds | 3 Baths | 2,834 SqFt
Listed Courtesy of: BHHS Ambassador Real Estate
MLS Provider: GPR
$370,000 | MLS# 21919883 4 Beds | 4 Baths | 3,808 SqFt
Listed Courtesy of: NP Dodge RE Sales Inc 148Dodge
MLS Provider: GPR
Listing Agent: Janice Faulkner
$430,166 | MLS# 21915588 4 Beds | 3 Baths | 2,960 SqFt
Listed Courtesy of: NP Dodge RE Sales Inc 204Dodge
MLS Provider: GPR
Listing Agent: Jeff Elsberry
Results from this calculator are designed for comparative purposes only, and accuracy is not guaranteed.
Cobalt Credit Union Mortgage Specialist
At Cobalt Credit Union it's easy to finance your new home. For 70 years we've been serving the local community with outstanding customer service. Whether you are looking to buy or build a home, Cobalt Credit Union has the financing to meet your needs. Purchasing a home is one of the most important financial decisions in your lifetime. Let us help you make an informed decision.
LaVista is a suburb of Omaha that was incorporated in 1960, the most recent city in the state of Nebraska to do so. With a current population of over 16,000 it has shown tremendous growth in home construction, educational and recreational facilities and commerce and industry, much of it within the last fifteen years.
In LaVista's early years it was the site of smaller homes and several strip centers, a popular location for families purchasing their first homes. In the 1990's service and light industries constructed facilities in an industrial park, providing well paying jobs. That growth continues and provides incentives for construction of larger homes. Today LaVista is part of the highly ranked Papillion/LaVista School district, has a recreation center for citizens of all ages, a modern city hall facility, a beautiful 23,000 square foot library which also houses the Sarpy Center for Metropolitan Community College.
Within the past few years several major hotels and motels were constructed along the Interstate 80 and Giles Road intersection, one being connected to a popular, new convention center. In the same general area there is a Cabela's Sporting Goods store, a large Oriental Trading Company Warehouse, a PayPal Payment Processing Center, and numerous restaurants and retail and service centers.
With its proximity to the Omaha metro area and Offutt, its solid economic base, good schools, and its homes of many styles and price points, the future looks bright for LaVista.
Learn more at: http://www.cityoflavista.org/
This data was last updated on Oct 23, 2019. The data is subject to change or updating at any time without prior notice. All properties are subject to prior sale or withdrawal. The information was provided by members of The Great Plains Regional Multiple Listing Service LLC Internet Data Exchange or members of the Broker Reciprocity program of the Southwest Iowa Association of Realtors (SWIAR) and is copyrighted. Any printout of the information on this website must retain this copyright notice. The data is deemed to be reliable, but should be independently verified as no warranties of any kind, express or implied, are given. The information has been provided for the non-commercial, personal use of consumers for the sole purpose of identifying prospective properties the consumer may be interested in purchasing, and any other use is prohibited. The listing broker representing the seller is identified on each listing.
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Internet giant Google has announced it will change the name of its digital marketplace from the Android Market to the Google-centric, Google Play.
For those that may have been living under a rock, the Android Market has long served as the center of Google's digital marketplace, offering mobile applications, movies, and eBooks. Recently, the company added its music service to the mix – all of which will be incorporated into the renamed Google Play Store.
According to Google – and along with the name change – the Google Play Store has been tweaked and designed to ensure an easier way for customers to manage their digital content and provide an overall streamlined user experience. If, for example, your immediate concern is for the well being of all your Crosby, Stills, Nash, and Young albums – or any of your other digital downloads – you need not worry. The change of name from the Android Market to Google Play Store will have no effect on any of the content you may have already purchased and stored on your password-protected accounts.
Why the name change you may ask? Well, it would appear in an effort to expand Google's revenue from online advertising, which it derives an overwhelming 96-percent from, the internet search giant is seeking to position its online store as a dominant and streamlined center for both mobile device shoppers and those simply browsing from their desktops.
With the switch to Google Play, no doubt Google is hoping to provide a central hub much like Apple did when it expanded beyond its initial offering of music for iPod customers through its iTune's store. With the addition of content, Google will surely hope it can lure customers — who may have simply shopped on the old Android Market for mobile apps – into buying other content that is on offer.
It's not often Google finds itself the underdog, but latest figures suggest that while over 13 billion apps have been downloaded from the Android Market, it pales in comparison to Apple's recent milestone of 25 billion apps downloaded since it opened in July 2008.
Of course one of the advantages customers will enjoy through the Google Play store is the ability to purchase content without it being tied down like an Apple device – giving consumers more mobility with their digital content than generally afforded Apple users.
Android users can expect mobile updates for the new Google Play store to be sent out automatically for their devices soon.
Editors' Recommendations
- Where is the Google Pixel Watch?
- Google Shopping gets a price tracker and a new 'Buy on Google' guarantee
- The Google Pixel Watch: Here's everything we know
- Apple Arcade vs. Google Play Pass: Which subscription is superior?
- Google kills Daydream with a lack of support on the Google Pixel 4


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Old Country Buffet Printable Coupons Buy One Get One Free
This article consist of many contents. I hope you can get some ideas from them. Eventhough they do not connect one another, but I am sure you can find some insights.
Creative development is one of the key benefits that crafts and art activities offer. Through the use of creative craft ideas for kids, the choice of materials and simple task related instructions, their imagination and ability to make creative choices can develop. Children create an image of what they want to create in their task. They can transfer this image through the use of their hands and the materials into their craft work. When developed appropriately, this important skill can assist children with skills such as visualizing details, the recall of information through mental imagery, creation of living pictures and visualizing of goals. Good kids craft and activities resources with easy to implement craft ideas are an important aspect for this learning.
2D shapes can be summarized by calling them flat shapes. Any shape that can be laid flat on a piece of paper or any mathematical plane is a 2D shape. 2D shapes including rectangles, squares, circle and triangles. 3D shapes including cubes, cuboids, pyramids and spheres. sort, make and describe common 2D and 3D shapes.
A chart is a graphical representation of data that is represented by symbols, such as bars in a bar chart, lines in a line chart, or slices in a pie chart. A chart can represent tabular numeric data, symbols, functions or some kinds of qualitative structure and provides different info.
An essay is, generally, a piece of writing that gives the argument of the author, but the definition is vague, overlapping with those of a paper, an article, a pamphlet, and a short story.


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Make the most of this b-e-a-UTIFUL weather and wander down Queen West to check out our Divergence exhibit!
There are over 70 graduating artists from Humber's Creative Photography program, and our walls are filled to the brim.
There are also some fancy snacks and a cash bar until 9pm this evening for you to enjoy.
Your Friday night = sorted.
He agrees.
Can't wait for you to check it out!


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Dan Bull's Favorite Techdirt Posts Of The Week
from the it's-dan-bull,-son deptLooking across Techdirt this week, two trends make themselves apparent time and time again. As artists utilize new ways to succeed, gatekeepers such as book publishers and record labels are becoming increasingly obsolete. The more obsolete these gatekeepers become, the crazier their tactics in trying to deny and prevent it.
It is futile to operate a tollgate when the fence it was attached to isn't there any more. Or, to paraphrase Patton Oswalt, there are no gates left to keep when "In my hand right now I'm holding more filmmaking technology than Orson Welles had when he filmed Citizen Kane." Of course, this paradigm shift in moving production and distribution into the hands of creators has been obvious for a long time, but several of this week's stories provide delicious examples of the trend.
Firstly, Blogger Penelope Trunk's conversations with her book publisher's PR team read like satire -- when asked how they might be promoting her book, their leading suggestion was to use newsgroups. I first had internet access at the turn of the millennium, and even then newsgroups were old hat. The fact that the professional PR wing of an esteemed publisher is still touting this kind of thing is astonishing. In fact, I'd wager that the Techdirt article about Trunk's situation will lead to more sales than any newsgroup promotion would.
At the same time, e-book author Stephen Leather was met with hostility at a literary festival for suggesting that anything except the traditional bookselling model was viable -- despite clear evidence to the contrary. The fact that Leather and others are successfully selling their e-books for such a low price is not devaluing literature. When production costs of publishing move towards zero, then it's inevitable that the sales point will move in that direction too. To deny such a trend with cries of not fair is not going to change the situation. Simple Darwinism is at work here. The ones who survive are the ones most adaptable to change. Although there is plenty that industry behemoths can do to close the gap, it will always be the lean, independent upstarts with nothing to lose who are the most nimble. And so it should be.
Rather than closing the gap though, it looks as if the industry old guard would prefer to carry on its war on the inevitable rather than focusing on how to meet consumer demands. The IFPI has announced that none of the money recovered from The Pirate Bay will be paid to the artists from whom it's been allegedly "stolen." Instead, it will be used to attempt to recover further moneys in the same manner. Dare we ask when that cycle will end. If recovering funds from infringement is funded by recovering funds from infringement, then stamping it out altogether would put a stop to the IFPI's new source of income. My friend spent eight years learning to drive, and I couldn't help wondering if her instructor was just milking her for as long as he could get away with it. Could a similar phenomenon be happening here?
Just for laughs, I was highly amused to see that a French company is attempting to
It was also entertaining to learn that due to a technicality in UK law, the simple act of visiting a website results in copyright infringement. If you're in the UK and have visited a website lately, I'd suggest uninstalling your browser and wiping your hard drive right now. You know, just in case those pesky gatekeepers discover the exciting new revenue stream of recovering money from everyone who has ever visited their websites. I'm just kidding - that's about as likely as someone selling I Am Not A Virgin t-shirts being challenged by Richard Branson.
If you want to discuss this article with me, I'm on Twitter and Facebook.


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Rutgers' Bee-ginner's Beekeeping 3-Day Training Course
October 11-13, 2012 | Bordentown, NJ | $175
This two and a half-day program covers the basics of apiculture by providing comprehensive information and hands-on experience to help students start, maintain and care for a honey bee colony. From disease and mite prevention and hive management to honey production, this class will cover everything you need to know to further your hobby or get your business off the ground.
Course topics include:
- Bee Biology
- Hive Management
- Queen Bee Purchasing
- Honey Extraction
- Candle-making
The apiculture course concludes with a half day hands-on program that will include assembling hives, opening and examining colonies as well as honey tasting.
>Bob Hughes, is a sideline beekeeper with over 25 years of beekeeping experience.
>Tim Schuler currently serves as State Apiarist with the NJ Department of Agriculture and has 22 years of beekeeping experience.
If you are interested in the October 2012 Bee-ginner's Beekeeping course, I suggest that you make a beeline for it and register as soon as possible!
See What All the Buzz is About - Register Online Today


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Shipping to: United Kingdom
The term "natural product" has no legal value and is usually used to indicate a series of products distributed through specific channels (e.g. herbalists) with a strong "botanical" connotation and a focus on the plant-based origin of the main ingredients. Our products contain the latest-generation, premium-quality ingredients derived from nature, biotechnology and synthesis, developed to optimize the performance of the product and ensure the best possible result.


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It's been an exciting couple of months in the debate over Mexican maize with some good news for Mexican agriculture and biodiversity. However, the consequences of recent frosts in northern states and the aggressive propaganda of the industry is still putting at risk Mexican's basic grain. Here's the latest:
Because of the lack of interest of federal government to protect the large diversity of Mexican maize against the contamination of GM crop, Michoacán State congress passed by a majority the "Law of Promotion and Protection of Native Maize as Alimentary Patrimony of Michoacán State", which will allow the protection of 18 of the 59 races of this crop that exist in Mexico. Michoacán is the fourth largest maize producer on a national scale and represents 30 percent of Mexico's total maize crop area.
Michoacán's initiative follows the recent approval of the "Law of Promotion and Protection of Native Maize as an original patrimony, in constant diversification, and alimentary for Tlaxcala State". Both states decided to go ahead with the protection of such an important crop for Mexican society. This process is directly related to the lack of political will of the federal government to promote local production and the fierce interest of multinational companies such as Monsanto, Syngenta, Pioneer and Dow Agroscience to impose GM maize within Mexican territory. We hope that this process will continue and that more and more states will protect their maizes races, especially the northern states that are currently developing GM maize experimental trials such as "Sinaloa" and "Chihuahua".Learn more about the origin and diversity of maize in the american continent, Tlaxcala, Michoacán.
In January, the secretary of agriculture announced his decision to deny pilot trials to Monsanto in the State of Sinaloa - principal producer of white corn for human consumption in Mexico. Pilot trials are the next step after the experimental stage.We have been working hard in this state, facing the will of local authorities that are closely linked to the industry and have distributed GM maize propaganda widely within the region.Recently we've released a new report ""Cultivos transgénicos: cero ganancias" (GM crops,zero profit") in local meetings. Moreover, in 2007 we made a formal complaint to theProcuraduría General de Protección al Ambiente (Profepa) (Environment Protection Agency).We received additional information in 2010 related to the irregularities in GM trials in Sinaloa state. We published this information and we asked for the suspension of experimental trials in the country. Here is the what the government press release had to say: This is why all Federal Government resolutions are based in scientific principles are decided impartially according to the Law of Biosafety of Genetically Modified Organisms and all the implications it has of official institutions that are concerned"Read the whole press release in Spanish.
On the other side, the consequences of recent frosts in northern states on maize productionand the aggressive propaganda of the industry is still putting Mexican's basic grain at risk.Our warnings to the Mexican government have fallen on deaf ears and now the tragic loss of more than 5 millions foods grain confirms our worse fears: a model that neglects and excludes indigenous and small corn producers from public policies, that ignores and doesn't take care of the ecological production and instead concentrates the nation's resources in mono-crop industrial agriculture is vulnerable to massive failure. The biotech industry won't hold back and wants to take advantage of the recent crisis to push forward the planting of its transgenic seeds as the magic tool against climate extremes. We are fighting hard to counter these false statements despite of their strong lobbying. The biotech companies are trying to take advantage of a dramatic situation directly related to the economical model they represent.Our struggle for Mexican maize, people and agriculture is still on, and we hope that this year will be full of victories for our campaign, in order to prevent Mexico to be a center of origin of a basic grain to liberate the GM crop on a commercial scale within its territory.
Image: GM-free maize in Mexico © Greenpeace/Gustavo Graf
(Unregistered) Amit
Enough of profits, time for humanity
3 March, 2011 at 7:29
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(Unregistered) Terri
Keep going Mexico, stand up to Monsanto, we support you. New Irish government take note!
3 March, 2011 at 17:27
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(Unregistered) xiao_lai2
Down with GE!
4 March, 2011 at 13:17
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(Unregistered) plumeria
I have been working as a conservation biologist in Mexcio for 22 years. "Progress" seems to wear the banner for the short slide not the lon...
I have been working as a conservation biologist in Mexcio for 22 years. "Progress" seems to wear the banner for the short slide not the long term of our grandchildren.
It is good to know Greenpeace is hard at work opening minds to the dangers of regarding this issue of transgenetics.
Here in Sonora we work with primative crops for sustainability.
thank you
7 March, 2011 at 4:46
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(Unregistered) lucky bastard
im currently working for Greenpeace here in Guadalajara Mexico. and the transgenic campaing is my priority, because of the lack of information within ...
im currently working for Greenpeace here in Guadalajara Mexico. and the transgenic campaing is my priority, because of the lack of information within the people but little by little we are winning! and i gotta say that "Monsanto must let our maiz alone"
11 March, 2011 at 2:37
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Ajaya Padhan
this is disgusting of the fed govt to ignore genetically viable wild varieties of maize as these promise a future use.
23 June, 2014 at 19:34
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I think most position coaches have basically three jobs: (1) find talented players, (2) teach those players to improve, and (3) organize a scheme that best enhances the strengths and masks the weakness of those players. To separate a job into just three components is probably vastly oversimplifying the process. Moreover, it eliminates the substantial crossover between those jobs.
Still, I think it's a good framework for evaluating position coaches to the best of our ability. For example, Eagles running backs coach Ted Williams has been very successful grooming RBs over the years. Although everyone has his misses (see: Hunt, Tony), Williams has found quality players in all rounds of the draft and has coached many of them up to be at least contributors, and often Pro Bowlers. I would argue that he's very good at jobs one and two. Unclear about three, since the scheme the RBs play in has as much to do with the offensive coordinator and line coaches.
Jim Washburn is another good test case. His wide nine-based scheme shows that job three is one of his biggest strengths. Look at how it transformed Jason Babin from the part time player in 2009 to the full time monster in 2011. Washburn also doesn't seem to have any trouble teaching his guys. Trent Cole had one of his most productive seasons last year, as did Mike Patterson. Philip Hunt and Brandon Graham both look to have made strides this year. Whether Washburn can pick talent players is more of a question, but we will get to see with Fletcher Cox.
Can we evaluate Howard Mudd under those same basic criteria? I think so, and I don't think it comes out as favorably as we might expect for him.
The key thing about Mudd we've heard since the day he arrived in Philadelphia was his scheme, much like Washburn. Mudd takes smaller, athletic linemen and puts them on the attack, even in pass protection. He likes getting his linemen in space on stretch runs to maximize their athleticism. This is more or less the opposite scheme Juan Castillo employed while the line coach, leading to an exodus of big-bodied former starters like Winston Justice and Jamaal Jackson. The scheme, as evidenced by last year's reduction in sacks, clearly works. It maximized the pound-for-pound destruction of human wrecking ball Jason Peters and covered up the deficiencies of two rookies and one career journeyman in the interior. It also paved the way for LeSean McCoy to have a blockbuster season.
But Mudd's success at the first and second job requirements is in question. Starting with the teaching side of the equation, I think you have to seriously doubt his ability when it seems so difficult for veterans to learn his scheme (especially compared to Washburn). Demetress Bell is the latest example. He may just be bad, but when healthy Bell was supposedly a solid, athletic tackle in Buffalo. Since coming to the Eagles he's looked like he's forgotten how to block. More to the point, I don't see much improvement from the Eagles two sophomores, especially Danny Watkins. I'm no offensive line expert, but Watkins was beat often in that game. And he wasn't going up against Vince Wilfork here. Those were New England's third and even fourth string defensive tackles.
The Watkins pick, as it stands right now, seems like a failure of both jobs one and two. Ideally you pick a guy with more talent in the first round. But if the talent is there, as most draft experts thought it was, Watkins's slow development has to be blamed on Mudd's teaching skills. At this point, it's worth noting that in his 12 years with the Colts, Mudd had only two players ever reach the Pro Bowl. One was undrafted free agent Jeff Saturday (Kelce's predecessor) and the other was tackle Tarik Glenn, who was drafted the year before Mudd became OL coach. His scheme -- along with Peyton Manning's renowned skills -- helped make Indianapolis a great offense for years, but Mudd was never a great discoverer or developer of talent.
In the short term, as long as Watkins gets some help, this isn't such a big problem. The scheme worked last year and it should work again, even without Peters. Mudd will hopefully continue to stitch together a puzzle from mismatching pieces. But what about when he retires, which rumors suggest may be as soon as the end of the season? Suddenly, Eugene Chung will become the coach. He won't have decades of experience perfecting Mudd's scheme. Nor can we expect, in his early years, he would have any particular scouting or teaching prowess. Yet Chung would be left holding the bag on a group of linemen that may not be as good as the scheme would make you believe.
That's the most worrisome part.


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The Seeley Creek Nordic Trail system is undoubtedly the best-kept Nordic secret in the Rockies. An unbeatable combination of reliable snow, trail layout and a consistent grooming schedule makes the Seeley Creek Ski Trails one of the premier Nordic trail systems in the region.
It is not a resort. It is a great trail system adjacent to a small town. You can find overnight accommodations and various eateries in town.
Seeley Lake is blessed with an abundance of snow not found in neighboring valleys. That snow is groomed to perfection daily by our dedicated crew of volunteers led by longtime grooming guru, Lynn Carey. Our trails consistently receive rave reviews and regular use from skiers living within a 150-mile radius, while our races and other events bring many users from greater distances. There is a trail or a loop for skiers of all levels and abilities, from hard-core racers to families looking to experience some healthy outdoor activity in the fresh winter air of western Montana.
To sweeten the deal there are no user fees charged for our trail system. If you enjoyed your ski and are feeling generous, there is a "metal ranger" at the trail head where you can leave a donation of your choice. Or, if you're feeling a little light in the wallet, no problem, you can catch us next time. All donations go straight to the grooming fund helping us provide western Montana with the ultimate in cross country skiing.
The Seeley Lake Nordic Ski Club, under a special management agreement with the Lolo National Forest, is responsible for regularly grooming the trails. The club also hosts events including skate and classic clinics for beginning and intermediate skiers as well as the children's after school program and races (in conjunction with the Adventure Club). Two major races are held each year: the Seeley Lake Challenge Biathlon and our signature event, the legendary OSCR 50k.
Many kinds of nordic skiing are available along different trails in our community. We offer skate ski trails and classic ski trail within the 18 km Seeley Creek Nordic Ski Trail System located on Lolo National Forest Property. Backcountry opportunities abound: YurtSki offers yurts for rent in a challenging alpine area while less extreme backcountry options exist by Montour Cabin, a rental from the Lolo National Forest. Additionally, a network of forest roads offer a myriad of options for ski touring, as well as skijoring and dog mushing. Your Nordic experience in Seeley Lake is limited only by your imagination.
The OSCR (pronounced Oscar), originally stood for "Ovando to Seeley Citizens Race", because those two towns were the starting and ending points. The OSCR evolved into an annual race starting at the Seeley Creek Trails and and looping up across Rice Ridge for the 50k event. In the early 1990s there was a contest to come up with a name that fit the traditional acronym but better reflected the new race course; now OSCR means "Over Seeley's Creeks and Ridges."
The OSCR tradition is that of a ski marathon. Today its a 50 km race. Usually it is a single loop, incorporating specially groomed portions of the snow machine trails allowing us a challenging skate and classic ski course. In 2019 it will have to be more than one loop, because the regular course will be used as a winter haul road for fire salvage logging.
People come from many states to ski the OSCR. In the late 1980's the OSCR organizers started a 25 km race, and later added a 10 km race on the same day. On OSCR race day some of the racers from the early years still come and ski, ring the cow bells, and cheer on new and long standing participants. After the race there is a chili feed and awards ceremony. 2019 OSCR Details
The Seeley Lake Nordic Ski Club sponsors ski clinics for beginner and intermediate skiers in both classic and skate techniques. Instructors leading the clinics are certified Level 2 with the Professional Ski Instructors Association and are capable of assisting students who have never been on skis before as well as those wishing to refine their skills. Our popular clinics are a fun, safe and inexpensive way to introduce yourself to the world of cross country skiing in a friendly group setting. For more information email: firstname.lastname@example.com.
There are so many ways to have fun with nordic skis in Seeley Lake. Of course we have the great Seeley Creek Trails where any classic or skate skier can have fun, no matter what the skill level. The ski club, and the USFS are working together to create a new beginner loop for those just starting to ski, based on feedback from the community. Classic skiers also find groomed tracks right outside the Double Arrow Ranch Lodge. The great thing about nordic skiing in Seeley Lake is once you have some skills, there are hundreds of miles of ungroomed places you can go. For the skilled telemark skier there are yurts to rent, and places to go. for the Skijor enthusiast there are musher and snow machine trails to use.
Kids have a place to learn behind the Seeley Lake Elementary School. Many kids will continue to have fun with Adventure Club ski trips. Watch the Limelight for news of a new youth ski league that is just in the planning stages.
From December through March, the Seeley Lake Nordic Ski Club grooms about half the loops each day, resulting in the entire course being groomed several times a week. We have Ginzu groomers so our tracks get professional grooming, no matter what the weather (well almost any weather). Since all the grooming is done by volunteers, we cannot guarantee the time, but usually things are in great shape by about 10:30 AM. When the groomers are done they post the conditions on the Missoula Nordic Grooming page.
Double Arrow Lodge also grooms their trails regularly for classic skiers. Call the lodge for up to date information on those trails 406-677-2777.
The Driftriders, the local snow machine club uses a piston bully to groom portions of their more than 200 miles of trails several times a week. This is a good trail system for Skijoring enthusiasts as dogs are permitted on the mushing and snow machine trail systems. Maps of this trail system can be purchased at most shops in Seeley Lake.
Seeley Lake is a small town in western Montana with many recreational opportunities, places to stay and places to eat. Skiers that want to come and stay in Seeley Lake can consult the Chamber of Commerce for their business directory.


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Mr. Currys was founded as a community effort with the vision of promoting diversity in small/medium communities. Taking something as simple and essential as food and as exotic and alien to many as CURRYS and creatively introduce them to provide a lifetime experience to many people in the small/medium communities around the world otherwise miss-out something so fresh, healthy, and deliciously different.
We are providing this exposure and experience to put an end to our stereo typical thinking of things and people we are not exposed to.
Another key goal of Mr. Currys Restaurants is the practical implementation of our (Anoth Group's) business vision that"Doing business is a privilege to serve communities with our products and services at a very reasonable, lowest possible cost to the people, and the society at large.
------that is why our prices are surprisingly so LOW for the high quality products we serve........


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Light Art Print
by Cambion Art
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Light by Cambion Art - 5.375" x 8.000"
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Light art print by Cambion Art. Our prints are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All art prints include a 1" white border around the image to allow for future framing and matting, if desired.
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thank you very much!
A fantastic shot!
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thank you very much :D
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October 19th, 2019
I love this print. It is unusual to find a Multnomah Falls print with blue tints. I needed that tone to go in my remodeled room. The picture looks great in a grouping with my two other Oregon prints (mountain prints - so blue and white tones). I would have submitted a picture, but the print is across from a window. I could not get a shot without glare. Thanks for taking a picture of a common Oregon location and turning it into something special and unique by virtue of your artistry.
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I would like to populate a feature class float attribute with a numerical ranking of a text attribute of a geologic map. I have a field named [sheet_unit] with strings such as "H10, Q" and "J10, Pl" with I would like to relabel in another attribute [Stratigraphic_Rank] with a numerical value such as 0 and 10, etc. I was hoping to use an IF THEN statement but I cannot for the life of figure out how to use the field calculator to do this. Anyone willing to help me start?
This and my several variations of it don't work:
If [sheet_unit] = "H10, Q" THEN [Stratigraphic_Rank] = 0 ElseIf [sheet_unit] = "J10, Pl" [Stratigraphic_Rank] = 10 EndIf


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Symmetric Bat Flight
By Robert Kosara
An award-winning image models the flow of air around a bat's wings
An award-winning image models the flow of air around a bat's wings
From a shimmering wave of orange emerges the shape of a bat, its outstretched wings ready to propel it out of the frame. The image, which took first place in informational graphics in the 2007 National Science Foundation–Science and Engineering Visualization Challenge, is in fact rich with aerodynamic detail derived from observations of bats in wind tunnels and simulations of the airflow around their wings when flying. It was created by David J. Willis of the Massachusetts Institute of Technology and Brown University, Mykhaylo Kostandov, Daniel K. Riskin, David H. Laidlaw, Sharon M. Swartz and Kenneth S. Breuer of Brown, and Jaime Peraire of MIT, with support from the U.S. National Science Foundation and the Air Force Office of Scientific Research. "Sightings" guest columnist Robert Kosara talked with Laidlaw, who works in virtual reality and visualization, about how this collaboration came about and what makes bats so interesting.
R. K. How did you get involved in this project?
D. H. L. A few of us met several years ago to talk about how to study flight. Sharon Swartz discussed her interest in how bones and different membranes work, and I described the challenges in looking at fluid flow data. We starting toying with the idea that it might be possible to simulate the air flow around a bat's wings. We chose the Southeast Asian short-nosed fruit bats (Cynopterus brachyotis) for very practical reasons, like its size, flight speed, the Reynolds number it flies at, how easy it is to train, house and acquire it. From there, things just grew as we approached different people and started addressing the questions in class projects, doing simulations and visualization, etc. There was quite an evolution over time.
R. K. What were the challenges in preparing these images?
D. H. L. The main challenge in this project was really the simulation. We have been working on this for several years now, but it remains hard. We can look at simulations that are not very accurate, but that doesn't tell us anything about the biology. We still don't have really good high-accuracy simulations, only approximate ones (from the group at MIT that has been collaborating with us) that assume a Reynolds number of infinity, which means no viscosity. We have some papers under review about this work now, and have had some posters at conferences in the past, but these were limited by the simulation issue.
R. K. What do the colors represent in the image?
D. H. L. The colors show the aerodynamic forces on the bat wing as it moves through the air. We chose a blackbody color scale, which is common in physics, to represent the values.
R. K. Why is a part of the image a mesh rather than solid?
D. H. L. This was mostly chosen by David Willis, who did the simulation, and also much of the visualization on this image. On the right, you get an idea of the mesh used in the simulation, the fact that it is curved, and also the discrete elements within the wake. On the left, you can see the bones better, and things also look more smooth and continuous, so you get a sense how they interpolate and blend together. The whole simulation is actually symmetric, so these are really two ways of looking at the same information.
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No one is happier about Tuesday's election outcome than the ghost of Ronald Reagan. Finally, the Gipper's spirit can pass over the River Styx to his great reward after being held hostage by a menagerie of right-wing freaks and loons since his death in 2004.
No name has been as consistently invoked during the primaries by candidates President Reagan wouldn't have bothered to spit on even had they set themselves on fire in front of him. Still, the Gipper was their spiritual prisoner despite the fact that he couldn't win a single GOP primary if he ran today because of the party's extremist drift.
Ironically, it took President Barack Obama's decisive re-election victory over the sad and delusional regional political party the GOP has become to finally liberate the Gipper's exhausted ghost from its ectoplasmic chains.
By giving the Republicans' chameleon-like presidential standard-bearer a proper and well-deserved drubbing in the electoral college, while also winning the popular vote, Mr. Obama has successfully defied the asinine meme that he was Jimmy Carter about to meet his fate at the hands of the new Reagan.
If anything, former Gov. Mitt Romney is President Gerald Ford minus the core of conviction that made the 39th president a far more credible and admired political figure.
"Obama wins because it's not a traditional America anymore," a visibly stunned Bill O'Reilly said on Fox News as the scope of America's rejection of the GOP's antediluvian political philosophy rolled in on election night. "The white establishment is in the minority. People want things."
For Mr. O'Reilly, the barbarians at the gates returning Mr. Obama to the White House on Tuesday night weren't fellow Americans asserting their constitutional right to elect their representatives. They were the deadbeats Mr. Romney referred to far less obliquely at an infamous fund-raising dinner as the "47 percent."
Mr. O'Reilly couldn't tell his viewers without bemoaning the death of "traditional America" and the white establishment why blacks, Hispanics, Asian-Americans, working-class whites in the Midwest and single women overwhelmingly rejected the "enlightened" majority rule he believes is America's birthright.
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Mr. O'Reilly isn't alone. The entire ecology of right-wing punditry and so-called "news" is characterized by a stubborn resistance to facts that don't fit the script. There is no dialogue or discussion across the impermeable surface of the right-wing bubble. The voters who rejected Mr. Romney don't exist, which is why the right-wing media's internal polls insisted Mr. Obama would be swept away in a GOP landslide.
Between Karl Rove's stunning on-air attempts to get Fox News to reverse its call that Mr. Obama had won Ohio, and thus the presidency, and Donald Trump's bizarre Twitter meltdown in which he urged Republicans to "rise up against this travesty" and join him in instigating a revolution, there appeared to be way too much daylight between reality and those on the right wing.
Election night 2012 was both a hilarious and pathetic spectacle for those of us who couldn't wait to see the GOP get its much-deserved comeuppance. We knew disaster was coming because we get our facts from outside the conservative movement's impenetrable bubble of unreality.
Those of us in the real world have black, lesbian and Hispanic friends who haven't been shy about expressing their rage at the GOP's attempts to marginalize them. They couldn't wait for Election Day. Most people I associate with who aren't journalists sent money to the Obama campaign, so I couldn't understand why Fox News analyst Dick Morris insisted that minority turnout would be less than 2008 and that there was an "enthusiasm gap."
Then again, fantastic slanders about where Mr. Obama was born, his intellectual fitness to hold office and his political philosophy have preoccupied the right wing's dullest and most credulous minds since he took the oath of office in January 2009.
Since then, Fox News, Drudge, gullible newspaper columnists and right-wing talk radio shouters have become as unmoored from reality as Wile E. Coyote chasing the Road Runner off a cliff. They have convinced a lot of folks that a second term for Mr. Obama will usher in an era of Stalinesque terror and military occupation by the United Nations.
Fine with me. Every day away from reality by conservatives means more room for progressives in politics. Ronald Reagan is dead. The future looks bright.


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April 29th-May 2nd, 2011
Theme: It's Dangerous to go Alone! Take this!
More Info: Ludum Dare 20 Has Begun! (Keynote), Theme Voting Results.
4 TEMPLESby MoltenMustafa - Competition Entry
A short game where you stroll through 4 different temples in search of treasure! Enjoy.
Downloads and Links
is there anyway to make it bigger? really strains my eyes!
and i died somehow on the second screen. i got past the "white" gate the first time, but after i died and tried again, it won't let me destroy it anymore.
looks nice and good music!
just saw that f4 makes it fullscreen. much better! ignore that comment above. :)
again, i'm here making a fool out of myself. didn't realize it was the fire that burns the gate down. sigh, sorry, ignore me. :D
Nah, it's fine. Let me know what you think of the difficulty, I'm worried that I might have made the game too hard.
okay, this time i'm pretty sure i DID find a bug. after going in the bottom middle door on the second "screen", i decided to go back inside for some reason. then i was stuck and couldn't do anything or see my character. but i could see the little puff from jumping...
Gah, I knew I should have checked all the doors. :( Oh well, I'll fix it tomorrow when I'm less tired. I appreciate the input! :)
Wow, this is really good! I'm really loving the art!
whoops! random equals sign :P
You should have included in the instructions that s makes you run/jump further! I could not work out how to do levels 3 or 4 for ages because of this. Otherwise, great game!
I have to agree with the above comment about running with S. The game was a challenge in some areas, and a bit unforgiving, but good.
Confirming that this doesn't work in osx under wine.
Certain level seems impossible and the controls are badly chosen.
I have not managed to use the shovel.
I love the ambience of "the temple of death"
I had fun ripping of Mario's hidden blocks with the temple of death, haha. Glad you liked the ambiance! :)
Oh, and on the level with the shovel, go as far to the right as you can at the beginning. I have a feeling that may have been a bit unforgiving; I was originally gonna put a secret there instead of making it mandatory.
Had a lot of fun with this one. It's awesome, enjoyed all the levels a lot. Good job, now make more levels :)
Game looks great. Might be nice to have a 2x windowed mode.
hehe, lovely game.. very fun and innovative for 48h especially! Awesome game without considering that fact.
Good work, cool gameplay, nice puzzles, cute graphics.
Very Snes era atmosphere.
Awesome! My only complaint is that I had to come here to figure out that S made you run faster. The audio & graphics fit together well, the gameplay was solid, and a good bit of diversity too! I'd love to see some more shovel-oriented puzzles.
I like the concept, and it was pulled off well.
I liked the first two temples best, as they seemed the most puzzle-y, and the items you took the most interesting.
This is a game I'm proud to have beaten. I really loved it.
I like how you get a different item every level, and the variety of levels is great. It was really fun all the way through.
Excellent effort. Really pretty, nice player control, and punishingly difficult.
Great showing!
Wow, very well done! Finished it!
Pretty nice, but quite horrible resetting long winded rooms even if you don't die - yikes. Rage-quit inducing! Solid controls and gameplay otherwise tho.
Nice gameplay mechanics with the fire-whip and whatnot. Somewhat difficult to control the height of the jumps, but the overall feeling of the character-control makes up for that.
Good job!
quite solid platformer.
Excellent work! You got an awful lot done for only 48 hours!
My only complaint is that I got stuck on the first part of the flashlight temple until I came back here and saw that holding s makes you walk faster. It did get a bit hard, especially in the double-jump temple where it is frustrating to hit jump slightly too late and have your first jump be your air jump.
I especially liked the shovel temple!
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Reklamfritt.se necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 88 diseños de 10 diseñadores freelance.
We're looking for a logo to be displayed on millions of doors and mailboxes in Sweden. The logo will also be used on our web site, which will be marketed in both social + traditional media.
We want a logo that can be used both on the web and for print.
The web version of the logo, primarily the red background, should be web 2.0ish with enviromental details (preferably trees). The focus of the text Reklamfritt.se should be the Reklamfritt part, with the .se part being somewhat toned down.
The print version of the logo should be identical to the web version, with the eco/web2.0 background details excluded.
The size of the logo needs to be 40 mm x 140 mm. We want a red background color (#CC0000 or similar) with a white surrounding border (border within the total size). The text Reklamfritt.se should be written in white also.
The font of the text should be easy to read (quickly). It should be somewhat classic and business, maybe with a stop sign style (no grunge). It doesn't matter if it's lower-case or upper-case.
Reklamfritt.se (translates to Advertisingfree.se) is a web service, due for a public beta release within a month. The service is environmentally friendly and aimed at all Swedish households. This logo will end up on doors and mailboxes of millions of homes in Sweden. It should be attractive and interesting.
- A fresh, clear and clean design and text
- Red background (#CC0000) with white border and text
- A mix of web 2.0 and environmental friendly
- Should work both on the web and in print
- Too much clutter
- Grunge
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


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Rotorua i-SITE Visitor Information Centre
We provide a comprehensive, impartial information and booking service for Rotorua and New Zealand for accommodation, activities, attractions and travel bookings.
The Rotorua i-SITE Visitor Centre is part of New Zealand's official nationwide Visitor Information Network.
Our staff will help make your visit to Rotorua and throughout New Zealand memorable and stress free.
In Rotorua you can feel rejuvenated, relaxed and welcome. You will feel the earth's power through the natural geothermal wonders, feel paradise with the 16 sparkling lakes and will discover authentic Maori culture. It is the place to explore physical pursuits and enjoy family fun that will leave you thrilled and inspired whilst feeling at home with the multitude of accommodation options available for you.
Endereço físico
Rotorua i-SITE Visitor Information Centre, 1167 Fenton Street, Rotorua Central, Rotorua, New Zealand.
Horários de abertura
- Expediente:
- Monday to Sunday 7.30am-7.00pm
Open Public Holidays 7.30am-6pm/7pm, Christmas Day closed


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Additional information
|0.1 kg
|28 × 8 × 7 cm
"Kornåker" on Favorite Sock
"Kornåker" is the Norwegian word for Cropland & is the feel that inspired this color.
Hand wash in lukewarm water with mild wool wash & lay flat to dry.
These are hand dyed in small batches. We always try to match the color in the photos to the actual skeins, but the colors will vary per skein.
All yarn is hand washed until the water runs clear after dyeing. But slight bleeding may occur.
3 in stock , ships within 3 days. Need more? Then your items will be DYED TO ORDER, usually ships within 10 days.
|0.1 kg
|28 × 8 × 7 cm
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Center for
Biological Diversity
| For immediate release: July 12, 2006
Kempthorne Approves New Controversial Grazing Rules
Tucson, Ariz. - The first major policy change under the new Secretary of the Department of the Interior does not bode well for the future of America's public lands: Kempthorne's Bureau of Land Management today released hotly contested new rules for livestock grazing that limit public participation, make it harder to improve land management, and are aimed at "improving the working relationship with ranchers."
"Secretary Kempthorne is following Gale Norton's lead in allowing private interests to control our public lands," said Greta Anderson, Range Restoration Coordinator for the Center for Biological Diversity. "The new rules are an unabashed hand-out to the grazing industry."
These revisions will no longer require the BLM to inform or consult with the general public on numerous issues, including designating and adjusting allotment boundaries, renewing/issuing grazing permits and leases, modifying permits or leases, or issuing temporary permits or leases. The new regulations also give ranchers title to new structures built at taxpayer expense on their leased allotments, as well as provide opportunities for private interests to gain new water rights on public land. Additionally, the new regulations call for taking up to two years for proposing management changes and up to five years to phase in grazing reductions needed to protect wildlife or water quality, rather than requiring a response the following year. This allows damage to continue for up to seven years.
"Essentially, the new regulations limit the agency's ability to manage pro-actively, and it reflects the prioritization of the industry agenda," said Anderson. "They limit the BLM's ability to implement timely changes, limit public oversight of the process, and thereby impair the quality of wildlife habitat, soils, water and cultural resources on millions of acres of public land."
If this policy change is any indication of Kempthorne's agenda, there is good reason to worry about the upcoming changes to the Endangered Species Act that Kempthorne is reportedly working on.


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[caption id="attachment_101678" align="aligncenter" width="768"] Apart, together, Vaiva Slapsys, 2018, 73×83, acrylic and thread on raw canvas[/caption]
affect / effect… features large scale abstract paintings and prints by 4th year Visual Art Studio student Vaiva Slapsys.
Everything that we do as people has an effect on someone else, and everything that we come into contact with affects us is some way. Our emotions are constantly shifting, able to be flipped one way or another in the blink of an eye, delicate and forever changing, easy to manipulate, affected by all that is around us. Although we all experience the unpredictability of our emotions as a normal part of our every day lives, we are often asked to put these feelings away as invalid or unimportant, and rarely do we have the opportunity to explore how we are feeling and truly reflect on it.
My work focuses on these emotional effects that we express with our bodies, and how that expression can, in turn, affect another. Using large motions with brushes, my hands, other various assorted tools, and pouring methods, my canvas is stained and marked in immediate ways that reflect the emotions that I feel while I work, and invite viewers to connect with these emotions and reflect on what it brings up for them. The size of the work envelops the viewer, allowing them to wholly sit with what they feel and to give them the opportunity to reflect. My work also includes intricate detail through the use of sewing, embroidery and detail painting work that asks the viewer to come closer, to pay attention, and to really allow themselves to be engrossed by what they see and what they feel.
The show will also include print media that complements the large abstract paintings. My print-making focuses on the effect that a place or time can have on memory. Nostalgic screen prints filled with photographic imagery, whimsical colours and both representational and abstract shapes, bring us back to a specific time or place in our memories and ask viewers to reflect on what kinds of feelings are being harboured there.
Gallery Hours:
Monday to Friday, 9am – 4pm
Admission is free and all are welcome.
[caption id="attachment_101732" align="aligncenter" width="600"] My Body by Deana Gisborne (2019), 43' x 39.5', Graphite on Paper[/caption]
The State of Not Knowing is an exhibition works on paper by Ernesto Hidalgo (print media) and Deanna Gisborne (painting & drawing).
Artist statement: Ultimately, a search for our complicated identities is at the heart of our work, whether this is manifested by obscuring the body, multiplying form, collapsing into a writhing vortex or creating dream-like worlds where animals and humans intersect. We try to reconcile contradictions in ourselves, made possible through the unbounded language of art. All of this probing of the self-conscious mind is expressed in bodies, trying from all angles to reach that same conclusion and achieve resolution: Who am I, and how can I grasp this ever-evolving self? This question is, of course, unanswerable, but we continue this cycle indefinitely, because we are human, and we are curious.
Gallery Hours:
Monday-Thursday, 9am – 4:00pm
Free admission
[caption id="attachment_101733" align="aligncenter" width="600"] Felt, by Ernest Hidalgo (2019) Screen print on rag paper; mounted on foamcore. 20" x 28"[/caption]
Jazz bassist, composer and arranger, Al Henderson, leads an ensemble of colleagues and friends in a signature performance. The show is part of the Department of Music's Faculty Spotlight Series, taking place in the Martin Family Lounge at York's Keele campus.
Joining Henderson onstage are York instructors Richard Whiteman (piano) and Barry Romberg (drums) and guest artists Alex Dean (saxophones) and Pat LaBarbera (saxophones). The concert will feature a selection of Henderson's original compositions and arrangements.
Henderson has been a seminal force on the Canadian jazz scene for more than 30 years. He has earned critical acclaim and legions of fans as leader of his own bands – the Al Henderson Septet, Quintet and Quartet – and co-founder and co-leader of the groundbreaking group, Time Warp. He has also performed as sideman with many leading jazz artists including Diana Krall, Jane Bunnett, Arnett Cobb, Hank Crawford, Slim Gaillard, Jimmy Knepper and Flip Phillips.
As a composer, Henderson has created a large and distinctive repertoire of original works. More than 60 of his compositions have been recorded by his bands as well as other eminent artists such as Don Pullen, Jane Bunnett, Shox Johnson & the Jive Bombers, Alex Dean and Richard Whiteman. His accolades include the Jazz Report's Composer of the Year designation and the prestigious SOCAN Award for Original Jazz Composition."… Al Henderson is the real thing, a composer in the tradition of Duke Ellington and Charles Mingus, whose works have distinctive energy and melodic and harmonic character," said jazz writer Stuart Broomer (Toronto Life).
Admission: Free
Doug Van Nort with special guest Anne Bourne
In this on going series Doug Van Nort performs with curated and invited guests.
This first event will feature an electronics and cello duo with Doug Van Nort and longtime friend and collaborator, Anne Bourne.
All are welcome to come and listen in this immersive sonic space.
The Music at Midday series presents a recital featuring student soloists in the classical performance program.
Admission is free. Everyone welcome.
all from one is an exhibition of large scale found object paintings by 4th year visual art studio student Catherine Hois exploring the artist's fascination with the everlasting connection of all living things to the earth.
Artist Statement: This group of works represents my belief that we are protected and taken care of by the earth, because we are connected to the earth as living beings. Why are humans provided everything we need to survive and live a healthy life on earth? Is it coincidence? I believe that is it not. All species on this planet are genetically connected; we are a part of the harmony and flow of life, not apart from it as superior beings, and all atoms that make up life are in constantly rearranging from one living thing to another. Humans are organisms that consist of many functions; we ingest food, absorb nutrients, and excrete waste, we have senses, we have memories, we get sick when we are poisoned, along with many other functions. I think of Mother Nature; life itself as one organism with many functions as well; similar to our own bodies. My inspiration sprouts from these themes and phrases: Intertwine, interconnected, "circle of life," and "All from one."
My art works connect to these concepts with the materials I use, the colours, the gestural brush strokes, and the overall unity that I aim for in every piece. The found objects I use are all recycled materials, for example plastic bags, water bottles, plastic containers, old toys, old Christmas decorations, egg cartons, old Tupperware, broken instruments (the list goes on and on). My idea was not only to be less wasteful, but to bring life to the items that would have gone into the trash and disguise "garbage" as lively works of art. In creating these works, I tried to be as environmentally friendly as possible, from using empty paint containers, paint rags, coffee cups, and even snack wrappers; all waste that I produced throughout my painting process.
Gallery Hours:
Monday to Friday, 9am – 4pm
Admission is free and all are welcome.
[caption id="attachment_101740" align="aligncenter" width="700"] Detail from A Lament, by Kristen Elizabeth Donoghue-Stanford, 2019, Acrylic Yarn, 15ft x 5ft x 10ft[/caption]
Lifelines (Hilda) is a solo sculpture and time based art installation by Kristen Elizabeth Donoghue-Stanford focused on the theme of lamentation and mourning of someone who is no longer present.
Artist statement: The exhibition will focus around ideas of life, death, loss, and remembrance, interplaying with one another. 87 knitted tubes in neutral colours will be suspended within the gallery space, arranged to create guided pathways and a knitted canvass for video projection.
The installation will be curated in order to showcase a metaphorical image of the lifelines of a particular life; that of a woman named Hilda, whom the footage collected belonged to. 87 knitted tubes will be used within the installation showcasing the number of years Hilda lived until she passed away on January 6th, 2019. The video shows Hilda and her family throughout several years of their lives and will be played on loop throughout the exhibition. A slight distortion will be used in order to hide or blur certain images within the video frame, as well as the projection onto the knitwork will add its own distortion. This is meant to symbolize the memories we don't always get to keep with us, even when someone has left us. As one of Hilda's favourite pastimes and a skill that she passed onto the next generation of her family, the knitwork could not more perfectly summarize the complicated, yet beautiful framework of a life. In this installation we experience the feelings of remembrance and loss and face the concepts of life and death as we witness the lifelines of somebody who is no longer with us through the process of lamenting. It opens the possibility for reflection and the ability to express gratitude towards such a life.
Gallery Hours:
Monday-Thursday, 9am – 4:00pm
Free admission
Catch a rising wave of electrifying film talent!
Now in its 17th year, CineSiege presents a collection of short films – riveting fiction, cutting-edge alternative works and provocative documentaries – selected by leading lights of Canadian film and media culture.
The films selected for CineSiege 2019 were chosen from a shortlist, culled from 186 productions made last year.
The nominees were reviewed by five jurors: Maya Bankovici, Franci Duran, Stuart Hands, Adina Pintilie and Ravi Srinivasan.
Jurors will be in attendance at CineSiege to introduce the winning films and explain why they were selected.
CineSiege is made possible through the generous support of
After Party
Immediately following screening (approx. 10:30pm)
The Monarch Tavern
12 Clinton St, Toronto, ON M6J 2N8
DRUM CLINIC with JOHN RILEY
Sponsored by the Oscar Peterson Fund
John began playing drums at age eight, after receiving a snare drum as a gift. With the support, encouragement and patience of his parents, John and Mary Ann, he played in the school band and began drum lessons with a good local teacher, Tom Sicola. While under Tom's guidance, he gained control of the snare drum through work on the rudiments and reading. Eventually, he acquired a complete drumset and lessons expanded to include "beats of the day," coordination and reading studies for the drumset. At age twelve, John began playing in rock bands and heard his first jazz recordings, the soundtrack to The Gene Krupa Story and Max Roach's Conversation. Two years later, he played his first "professional" gig, which he obtained through an audition played over the telephone. John began studying with Joe Morello in 1971, after meeting him at a drum symposium. John went on to attend the University of North Texas, where he was introduced to a larger world of music and percussion. While at UNT, he played in, toured, and recorded with the famed One O'clock Lab Band. In 1976, he moved to New York City and was soon called to join the Woody Herman Band. Following that great experience, John returned to New York and began freelancing with a wide spectrum of world class musicians including Stan Getz, Milt Jackson, Miles Davis, Dizzy Gillespie, John Scofield, Bob Mintzer, Gary Peacock, Mike Stern, Joe Lovano, the Vanguard Jazz Orchestra, the Carnegie Hall Jazz Band, John Patitucci, Bob Berg, and many others.
John has a Bachelor of Music degree in jazz education from the University of North Texas and a Master of Music in jazz studies from Manhattan School of Music. He is on the faculty of Manhattan School of Music, and Kutztown University, and is an Artist in Residence at Amsterdam Conservatory, Holland. John is also the author of The Art of Bop Drumming, Beyond Bop Drumming, The Jazz Drummer's Workshop, The Master Drummer DVD, and has taught master classes around the world.
Free Admission.
Faculty Concert Series: Leaving Kansas Compositions by Dorothy de Val
Faculty member, pianist and musicologist Dorothy de Val reflects on her twenty years at York with a lighthearted program of original songs and instrumental music.
Dorothy de Val, piano
Paula Arciniega, mezzo soprano
Susanna McCleary, soprano
Anne Lederman, fiddle
Kye Marshall, cello
Patricia Wait, clarinet
Barbara Ackerman, flute
Dorothy de Val is a musicologist and pianist whose research interests include Scots Gaelic song, the first English folksong revival, pianos and pianism, and Haydn reception in England. Particular research interests include early 20th-century collectors and arrangers of folksong, particularly Broadwood and Grainger, and collectors of Gaelic song (Tolmie, Broadwood, Murray and Kennedy-Fraser).
Dr. de Val is the author of In Search of Song: The Life and Times of Lucy Broadwood, published by Ashgate in July 2011. She is a contributor to the Oxford Dictionary of National Biography and many music reference works including The Haydn Companion, and is a regular reviewer for the journal Music and Letters. With Patricia Debly of Brock University she organized a conference on Haydn in 2009, sponsored by York University, SSHRC and The Wirth Institute. She is also a member of the North American British Music Studies Association, whose conference she organized at York in 2008.
Professor de Val's research extends into the field of dance, focusing on English social dance and Morris dance (especially Mary Neal and the Esperance Club). She co-organized a conference at York on English country dance in the summer of 2010, and performs regularly as pianist for English country dances with her group, Playford's Pleasure, with a focus on the life and times of Jane Austen. Her most recent project involves performing music from Jane Austen's own collection, featuring composers such as Pleyel, Sterkel, Storace and Kotzwara.
Dr. de Val has taught at the Royal Academy of Music (London), Oxford Brookes University and the University of Oxford, and served as assistant curator of musical instruments at the Royal College of Music (London). She joined York University's Department of Music in 1999 and served as Associate Dean in the Faculty of Fine Arts from 2004 to 2007, and as Graduate Program Director in Dance from 2009 to 2011.
Admission: Free
The York University Chamber Choir
Master's Recital
Craig Garnham, guest conductor
Edward Moroney, piano
The choir will be performing works by Palestrina, Schütz, Monteverdi, Mendelssohn and Britten.
Ticket Admission:$15 adults | $10 students & seniors
Box Office: Purchase tickets online or call 416-736-5888
ENSEMBLE JENG YI is a Korean performing arts ensemble based in Toronto. Since their formation in 1998, the group has entertained audiences with their exciting repertoire of original compositions and traditional pieces.Building upon the conventions of Korean performing arts, Ensemble Jeng Yi has created a variety of innovative productions including intimate mu
sic recitals, site-specific works, interactive performances for young audiences, and ambitious multi-disciplinary productions. Not just talented drummers, the members are also accomplished performers of the ribbon-hat dance in which each member spins a ribboned-hat called the sangmo–all while dancing and drumming.
Guest Artist
Joo Hyung Kim, Kayagum
Joo Hyung Kim is an accomplished performer of the Kayagum,the traditional Korean zither. Born in Korea, she began her traditional Korean music training at the age of six. She majored in traditional Korean music at Kyung Buk University, and completed her M.A. in traditional music at Sook Myung University. She immigrated to Canada in 2005 and has been an active performer and composer.
Admission is free.
An evening of improvisation in a participatory "open mic" set-up, hosted by the improve studios of Matt Brubeck.
Performers and observers welcome.
Admission is free.
Good Night Desdemona (Good Morning Juliet) is a beloved feminist revisioning of two of Shakespeare's most well-known plays, Othello and Romeo & Juliet. Written by Canadian playwright Ann Marie MacDonald, the play explores the hypothetical question: what if Shakespeare's tragedies were actually intended to be comedies? To learn the answer to this question, please join us November 16-25 in the Joseph G. Green Theatre to find out.
Performance Schedule:
Sat, Nov. 16 (preview 1) @ 7:30 pm
Sun. Nov. 17 (preview 2) @ 7:30 pm
Tues. Nov. 19 (Opening) @ 7:30 pm
Wed. Nov. 20 @ 1:00 pm
Wed. Nov. 20 @ 7:30 pm
Thurs. Nov. 21@ 7:30 pm
Fri. Nov. 22 @ 1:00 pm
Fri. Nov. 22 @ 7:30pm
Sat. Nov. 23 @ 2:00 pm
Tickets $7- 20
Online Box Office or call 416-736-5888
[caption id="attachment_101693" align="aligncenter" width="800"] Photograph of the 2018 Fundamentals Group Exhibition[/caption]
The Fundamentals group exhibition showcases work by first year Visual Art Studio students in the VISA 1010 6.0-Art Fundamentals: Concept, Creativity and Production. Art Fundamentals introduces students to the visual arts studios, faculty and a spectrum of production methods addressing two dimensional, three dimensional and the element of time in art making. An established theme provides students with a starting point for research, conceptualization and the exploration of fundamental processes as a means of visualizing their creative ideas.
Gallery Hours: Monday to Friday, 9am – 4pm
Reception: Wednesday November 18, 6 – 8pm


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Open Mic at Belleville
August 28 @ 6:00:00 - 9:30:00
|Recurring Event (See all)
An event every day that begins at 6:00:00, repeating until 31.08.2019
Belleville Restaurant & Lounge proudly presents Open Mic every day of the week starting at 6pm and running through to 9.30pm. It's open to all comers and spare guitars are available. Come to Belleville and show the world what you've got and have a great time while you're at it.


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BBA Alanon Steps 1-3
Ogden, UT August 2018
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4924 Balboa Boulevard
Encino, CA 91316
(818) 789-7314
The Nachshon Minyan was established to bring a unique Jewish experience to the San Fernando Valley. Our goal is to reach out to those who have felt disconnected from Judaism or for whom it seems to have little relevance to their lives. We understand those feelings because many of us have felt the same way. We are a warm and welcoming community that observes Shabbat and holidays with services that are meaningful, joyful and inspiring.


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Magnolia818 necesitaba un nuevo diseño de página web y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 80 diseños de 28 diseñadores freelance.
We are based in downtown New York. We love movies, TV shows and books. We work with all kinds of cool creative people like studio executives, writers and directors. Our company believes that the future of entertainment is online. We aim to help our clients take advantage of cool new tools on the web like Facebook and Twitter. We are a company that people depend on for information but think of us as a fun, cool place that everyone likes to use.
Studio executives at the biggest Hollywood companies like Warner Bros., Paramount and Universal Studios. International media companies like BBC. Very cool creative people like writers, directors, actors and actresses. We help people make money, but our users don't think of us as a business site - it is just as cool to use as Foursquare or Facebook.
The homepage should do four main things:
1. Market what we do as a company
2. Make it easy, convenient and encourages users to sign up
3. Have a search box on the site that our users can go use quickly to find available content they're interested in licensing
4. Since it is a site for films, TV shows and books, we need a section that has links to specific titles.
We are happy with the red logo. But we are open to seeing any other innovative approaches to make this home page look better and more engaging.
Here is the copy that needs to be included:
Slogan: Connecting Content with Audience.
The best way to find available films, television shows, and books.
Search and discover new and old titles.
Connect with thousands of companies and people.
Create new opportunities.
Expanded copy:
RightsGenie helps entertainment content owners maximize the value of their films, television shows, and books.
Major and independent studios, producers, library holders, publishers, distributors, and individual content creators use RightsGenie everyday to find and discover content and connect with more buyers.
We are attaching a design here. We think it looks boring and bland.
Our current website: http://www.rightsgenie.com
Some of our most well-designed favorite sites are:
We love the simple designs, the colors. We like how sections of the site appear as widgets and don't feel like a standard website but feel interactive. We like the spacing - doesn't feel crowded.


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Undergraduate Degrees, Majors and Concentrations
SPMG3341 - Spec Topics: Intercoll Athlet
Summer 2019
In this course, students will look at the various elements of making a golf club/course operate successfully. Material will cover the golf industry, golf course design and maintenance, financing and business operations, marketing, legal issues, and the role and career of the course general manager and golf professional. Classes will cover both U.S. and overseas golf clubs/courses.
3 Credits
Schedule Book for All Active and Available Future Terms, Course starting with SPMG3341
No Courses Found