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Marfuga Olive Oil
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- Summary
Marfuga's award-winning Umbrian extra-virgin oil is crafted at a family-owned mill with a 200-year tradition of olive oil making. Artisans use a blend of local olives to create a vibrant emerald-green oil that combines a delicate fruity flavor with a fresh, peppery finish.
- This versatile oil showcases a flavorful blend of Moraiolo, Frantoio and Leccino olives, hand-picked from groves at the foot of the Marfuga hills.
- Olives are crushed and pressed within a few hours of harvesting.
- The extra-virgin oil is taken only from the first cold-pressing, which provides the purest olive flavor and aroma, as well as the lowest acidity.
- Italy's DOP (protected origin) certification guarantees this Umbrian extra-virgin olive oil's quality and authenticity.
- Perfect as a dipping oil for crusty breads or blending into salad dressings, this flavorful oil also adds a delicious finishing touch to soups, grilled meats and vegetables.
- 25.4 fl. oz.
- Made in Italy.
- Ingredients
- 100% Extra Virgin Olive Oil.
- Shipping
Shipping Information
UPS can deliver most in-stock items within 3–5 business days. UPS is unable to deliver to P.O. boxes.
Shipping Rates
The shipping rate varies depending on your order total and shipping destination. View Shipping Options and Charges.
Next Day Delivery
For an additional charge of $26 per address, we can expedite delivery to most destinations. This service is not available for some oversize items, items shipped directly from the supplier (including perishable and custom-manufactured items), out-of-stock items and items to be shipped outside the contiguous 48 states.
Orders received by 9:00 p.m. ET Monday through Thursday will arrive the next business day; orders placed Friday through Sunday will arrive on the following Tuesday.
Return Policy
At Williams Sonoma, we take great pride in the quality and craftsmanship of our products. Attention to design, materials, safety and construction are our priority. Upon receipt, please inspect your purchase and notify us of any damage; we will arrange for a prompt replacement.
If within 30 days, you are dissatisfied for any reason, you may return your purchase for a refund of the merchandise value. An original receipt or gift receipt is required for all returns and exchanges. Returns with a gift receipt will be refunded in the form of a Merchandise Credit for the amount indicated on the gift receipt. Returns with original receipt will be refunded in the original form of payment, cash and check refunds over $100 will be issued as a company check (may take 14 business days from time of request).
For all cutlery returns (knife sets, single knives, cutting boards, knife sharpeners and knife storage), please contact us at 888.922.4108 to initiate the return.
We cannot accept returns on monogrammed, personalized, special-order items, custom upholstery, food, items shipped direct from the vendor or on items damaged through normal wear and tear. Final sale items ending in .97 or .99 cannot be returned.
Made to Order and Final Sale Furniture items are non-returnable and cannot be cancelled once the order is placed.
For returns of items purchased from your Williams Sonoma Gift Registry, we will gladly provide a refund or exchange for the merchandise within 90 days of your event or within 90 days of purchase, whichever date is later. View Full Returns Policy.
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Rated 5 out of 5 by Clove from A perfect Umbrian Olive Oil As you can see from the reviews above, the opinions range from 1 star to 5 stars. Here's why, many of the reviewers don't realize that olives are a fruit, much like grapes, they are greatly influenced in their taste by their variety, the soil in which they grow, the weather, their exposure to the sun and temperature. Therefore the taste differently year fro year. The mass producers blend their oils (variety of olives, countries of origin etc.) to keep a common, consistent taste. Artisinal (Estate) bottled olive oils will vary year from year; just like wine. Having spent some time in Umbria, I can factually state that Marfuga olive oil is the oil served in the better restaurants (i.e.: il Corrorone in Montefalco) and they are proud of this oil. I have been using this oil for many years and, as I mentioned above, it varies, but I find it to be an excellent Umbrian oil. That is to say, good fruit up front, and a peppery finish.Date published: 2018-01-18Rated 1 out of 5 by Pampam from Dud Disappointing. Relegated to cooking only; intention is to use it up and be done with it. Will not buy again.Date published: 2017-06-19Rated 1 out of 5 by MarcelloAgostinelli from Sorry, this is not the real deal. (2015 Harvest) I got this for my birthday recently because I only use real olive oil. This "Marfuga Extra Virgin Olive Oil, Huile d'olive vierge extra," (Harvest date 2015, Lot# Z4 18) does not taste or smell like the real stuff. If you ever stood in front of the olive oil press in a farm, or passed by the crushed olives production line, then you would recognize the real deal. The stuff in this bottle is some unknown mixture, including crushed tree leaves. One out of 8 brands that I try from the market in L.A. these days might actually smell like the real thing, but not this bottle. It is an old fact that much of the olive oil on the market shelves is simply not the real deal. I did not invent this information. It is in the news. One example: Los Angeles Times Business Section article "Researchers at UC Davis find problems again with purity of imported olive oil;" an article based on science, which demonstrates that 75% of the top-selling imported olive oil fail international extra virgin standards.Date published: 2016-11-14Rated 5 out of 5 by NSB53 from One of Sonoma's best This is one of the best olive oils Sonoma has on their shelf. If you don't like this one, you don't know good olive oil.Date published: 2014-06-23Rated 1 out of 5 by ananas from 2011 harvest Purchased a bottle and discovered that it is from the harvest in 2011. It would be great if the product listing indicated the year of harvest.Date published: 2013-08-02Rated 5 out of 5 by DALEX from Good complexity This is perfect on caprese and for other raw preparations. I think it's equal to the olio santo.Date published: 2013-07-25Rated 5 out of 5 by Anonymous from Best olive oil This is the best olive oil available outside of Italy. I have tasted a lot of olive oils. Marfuga produces the best. We are lucky that Williams Sonoma carries this OUTSTANDING product!Date published: 2012-11-09


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Rigg runs riot for Vale
Sean Rigg scored twice and made another goal as Port Vale maintained their unbeaten start in League Two with a 4-1 victory over Accrington.
Rigg opened the scoring in the 18th minute with a crisp right-foot finish from 14 yards after a clever pass from Gary Roberts. He was then fouled by Luke Joyce just outside the penalty area to enable Roberts to drive home an unstoppable free-kick five minutes later.
The floodgates were open and Tom Pope made no mistake with a far-post header in the 37th minute after Adam Yates hung up an excellent cross from the right byline.
It was all over two minutes before the interval with Pope this time turning provider for Rigg to poach his fourth goal of the season with a deflected shot from six yards out.
Louis Moult, making his Accrington debut on loan from Vale's neighbours Stoke, blazed over a decent chance as the visitors attempted to get back into the game at the start of the second-half.
To their credit, Stanley kept plugging away and full-back Peter Murphy struck the crossbar before roaming forward again to net a consolation goal 10 minutes from time. Substitute Craig Lindfield bent over a left-wing corner which Murphy bundled over the line at the far post.
Source: DSG
Source: DSG

subset: commoncrawl


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Bicycle Diptych - Art Print
Bicycle Diptych - Art Print
Perfect for any cycling fan, this old still road bike looks great individually framed.
Two 16 x 20 inches, 2 colour screen print on Cougar Natural, a 100% recycled 230gsm paper. Each print is signed by the artist and is made to fit standard sized frames.
FREE SHIPPING on all orders within the UK
Free shipping is sent via 2nd Class shipping (3-4 working days)
Orders can be upgraded at checkout to 1st Class tracked & signed for shipping (1-2 working days)
All international orders are sent via standard airmail (3-6 working days for Europe, 5-8 working days Rest of the World)
International orders can be upgraded at checkout to tracked & signed for shipping (3-6 working days for Europe, 5-8 working days Rest of the World)
All prints were designed and hand printed by me in my studio in Leeds. Screen printing is often a long, messy process and I work hard to make each print as good as I can but each print has it's own little imperfections and I price my work to reflect this. All prints in my shop have passed the Sean Mort Print Shop quality test. If you are looking for 100% perfect printing, it's probably best not to buy my prints.


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Video: Planning Your Outdoor Speaker System
Heads up!Welcome to this article from the Crutchfield archives. Have fun reading it, but be aware that the information may be outdated and links may be broken.
Get tips on planning your outdoor speaker system, including where to place your speakers and the other items you'll need to complete your setup. For more info, watch our videos on choosing and installing outdoor speakers.
Video Transcript
Tara: The great outdoors presents a different listening environment than your typical room. Inside your home, there are walls to reflect and contain sound. Outside, of course, it's wide open, and there are usually background noises like wind, traffic, or barking dogs. The guidelines we'll offer in this video will help you overcome some of the acoustical challenges that you'll find outside. Then we'll talk about all the gear you'll need to create an outdoor system.
First determine what your main listening area will be. Plan on placing your speakers roughly 12 feet away from that listening area and roughly 8 to 10 feet apart from each other. For example, if you want to listen to music on your deck, you can place one speaker at either end.
What if you need to cover a larger area? Think more speakers, not higher volume. Cranking up the volume could result in uncomfortably loud music in parts of your listening area. For example, if you wanted to cover your patio and pool deck, we'd recommend placing four speakers at the corners. Depending on your space you might opt for traditional speakers, stereo input speakers, or a mix of both. To get good stereo sound with traditional speakers alternate left and right channels. For more info on choosing speakers see our video at crutchfield.com/chooseoutdoor.
We recommend placing your outdoor speakers in a protected location whenever you can, like under the eaves. Some models labeled as "weather-resistant" require that kind of placement. If you do need to put a speaker in a fully exposed location, like on the ground by the pool, be sure it's fully weather-proof.
To cover the broadest listening area, you can mount your speakers up high, above six feet but not higher than ten feet. This will help disperse the sound over more of your yard. And one last tip. If you want to get more bass out of your speakers, place them near a wall of corner.
To create a full outdoor speaker system there are a few things you'll need. First, you'll want enough speakers to adequately cover your listening area. Second, you'll need plenty of power to drive the speakers. You can use a separate amplifier although most home theater receivers these days can power an extra pair of speakers in one or more additional listening zones. Third, look for speaker wire designed for outdoor use. It's labeled CL2 or CL3. This kind uses durable jackets that can stand up to the elements. For some installations you may also need wire that's designed to be safely buried in the ground labeled "direct burial". Fourth, think about outdoor volume controls. This isn't a must have but it adds a lot of convenience, since you won't have to run back inside to turn up your favorite song.
For information on choosing speakers watch our video at crutchfield.com/chooseoutdoor and to see the basic steps of outdoor speaker installation visit crutchfield.com/outdoorinstall. You can also call our A/V design group for help planning your system at 1-800-555-9407.
Carolyn Wisman from Cincinnati, OhioPosted on 10/18/2017
I am new at outdoor entertainment. I want to include my tv and music off phone. Have a phonograph that would hook up too. But, do I need a transmitter, recover? Tv? Can it be in house?div>
Matt from Salt Lake CityPosted on 11/9/2016
What is the best receiver to use for outdoors? It will be in my house. How many HDMI's should I run to my projector? Is one enough? I want to be able to watch Football on the projector but play music through the speakers as the women like the music but the guys want to watch the game.... do I need to run multiple HDMI cords to do this?div>
Moosie from StevensvillePosted on 10/16/2016
Did you ever ask neighbors of outdoor speaker users what it's like to live there!!!???div>


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The Essence of Liberty: Property Rights and Non Aggression
The Essence of Liberty: Property Rights and Non Aggression.
This is a great blog posting over at "the Humane Condition" by @AdamBlacksburg.
Check out his other writings, too!
The Essence of Liberty: Property Rights and Non Aggression.
This is a great blog posting over at "the Humane Condition" by @AdamBlacksburg.
Check out his other writings, too!
Tim Ferriss's 4-Hour Workweek and Lifestyle Design Blog. Tim is an author of 5 #1 NYT/WSJ bestsellers, investor (FB, Uber, Twitter, 50+ more), and host of The Tim Ferriss Show podcast (300M+ downloads)
Imagination becomes art when passion tricks insecurity
Telling it as it is since 2013 - Living in Edinburgh, Scotland as a single Dad to 2 little Girls, trying to live with Agoraphobia, Osteoporosis, Psychosis, M.E (Chronic Fatigue), PTSD and Fibromyalgia - "Life is Hard, don't make it worse" - Enjoy the Journey with me, follow me, and I will follow back. Thanks 😁 Shauny
The Real England is a concise, direct, and not-so-gentle window into the depths of the leftovers of the world's once greatest empire. It is told from the perspective of one lone (or not so lone) long term visitor. It informs one of the dregs of the country and helps to explain quaint British oddities such as the crack addicted chav.
because anything is possible with Charisma
Commenting on culture and politics from the conviction of enlightened individualism — since 2007
For you, brethren, have been called to liberty; only do not use liberty as an opportunity for the flesh, but through love serve one another. -- Galatians 5:13
let's create something beautiful - Katie Ann De Crescenzo
the Story within the Story
A collection of philosophical writings and awesome poems written with my Marines in Mind.
Global issues, travel, photography & fashion. Drifting across the globe; the world is my oyster, my oyster through a lens.
WE Build Our Society
Anarchist opinions.
Your One-Stop-Shop for Jeremiah's Thought
The adventures of a Kyu grade Karateka


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2001 F150 Headlight Wiring Diagram - Auto Electrical Wiring Diagram wire diagram 2002 chevy truck u2022 wiring diagram for free01 Town Car Radio Wiring Diagram - 01 lincoln town car fuse box diagram further ou4p 13359 as well as ford ranger 1995 wipers quit the motor runs fine within wiring diagram for also fan relay location 98 town car as well as 1993 buick lesabre starter relay location together with 1999 chevy s10 blazer stereo wiring diagram further 92 lebaron fuel pump location together with 2004 lincoln navigator repair manual along with. Jan 07, 2014 · The headlight wiring and radio wiring is getting in contact and causing the short.Both the grounds needs to be checked.Because when headlight is off,the radio work's fine.As soon as the headlights are turned on,the radio goes in scan mode.Its clear indication of radio and headlight wiring issue.The wiring's are getting in contact with ant metal. Wiring Diagram Data: Lincoln Wiring Diagram » 1997 Lincoln Town Car Radio Wiring Diagram. 1997 Town Car Radio • 2002 Lincoln Town Car Radio Wiring Diagram Ive Automotive • 1993 Lincoln Town Car Radio Wiring Diagram Schematic • 1997 Lincoln Town Car Radio Wiring Diagram Instruction • Lincoln Town Car Radio Wiring Diagram Stereo • 1994.
I need a stereo wiring diagram for a 97 Lincoln town car can anyone help. My wiring does not match any of the diagrams that I've seen if you can help I thank you. 01 Ford Taurus Radio Fuse Location ~ here you are at our site, this is images about 01 ford taurus radio fuse location posted by Benson Fannie in 01 category on Oct 26, 2018. You can also find other images like ford wiring diagram, ford parts diagram, ford replacement parts, ford electrical diagram, ford repair manuals, ford engine diagram, ford engine scheme diagram, ford wiring harness. Information about 2001 lincoln town car engine diagram has been uploaded by Brenda Botha and tagged in this category. Sometimes, we might need to slightly customize layout, color, or even accessories. Wed like a new idea for it and one of these is 2001 lincoln town car engine diagram..
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Jul 27, 2009 · Does anyone know where I could find the inside wiring diagram for a 1989 Lincoln Town Car online for the "under the dash" areas I need to install a CD player. 1989 Lincoln Town Car Stereo Wiring: Car Radio Battery Constant 12v+ Wire: Green/Yellow 01:10 PM. I thought the walmart adaptor could help you with some of the color codes.. 01 Crown Vic Radio Wiring Diagram - Start Building A Wiring Diagram. 1994 Grand Marquis Wiring - Detailed Schematics Diagram 2000 Lincoln Town Car Original Wiring Diagrams - Just Wiring Data. 1993 Lincoln Town Car Wiring Schematic - Data Wiring Schema. Grand Marquis Radio Wiring Diagram. Recent Post. Tecumseh Ohh60 Parts Diagram Wiring.
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Brazil playmaker Kaka scored his first goal, a delightful curling shot, since his return to AC Milan at the start of the season but his struggling team were held 1-1 at home by Lazio in Serie A on Wednesday.
Second-placed Napoli won 2-1 at Fiorentina who were furious after midfielder Juan Cuadrado was sent off after twice being booked for diving in the penalty area, with the second incident coming in stoppage time.
Champions Juventus, helped by a trademark Andrea Pirlo free kick, trounced Catania 4-0 to stay level on points with Napoli.
Napoli and Juventus have 25 points from 10 games, two behind leaders AS Roma who host Chievo Verona on Thursday.
Kaka, back at the San Siro after four unhappy seasons with Real Madrid and recovered from a thigh injury he suffered in his first game, gave Milan the lead in the 54th minute.
Lazio replied with a goal from defender Michael Ciani, leaving Milan 10th on 12 points.
"I am always working hard," the Brazilian told the ANSA news agency. "I don't know if I can go back to play at the level of eight years ago but I'm trying very hard.
"Everyone is saying I am giving a lot to Milan. I want to play in the World Cup in my country next year and this is where Milan is helping me."
Jose Callejon gave Napoli a 12th minute lead at Fiorentina when he volleyed in Gonzalo Higuain's cross but the hosts levelled with a penalty converted by Giuseppe Rossi, his ninth league goal of the season.
The spot kick was awarded after Matias Fernandez went flying, a harsh decision hotly protested by the Napoli players.
Cuadrado hit the post for Fiorentina before Belgian Dries Mertens put the visitors back ahead in the 36th minute.
Fiorentina left the field fuming after they had three penalty appeals turned down after the break, two from Cuadrado and one by Rossi. The referee showed a yellow card for simulation each time.
Gokhan Inler appeared to make contact with Cuadrado in the last of the three incidents although the Colombian exaggerated when he went down.
Arturo Vidal put Juventus ahead with a deflected shot before Pirlo struck with a typically brilliant free kick before halftime.
Carlos Tevez and Leonardo Bonucci added two more goals in the second half.
Alberto Gilardino made up for a second-minute penalty miss by scoring the winner as Genoa overcame Parma 1-0 and Livorno recovered from conceding two goals in the first eight minutes to draw 3-3 at home to Torino.


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Hang on. You are eligible to register online in your state.
You can complete your voter registration online with the state right now - using the application provided by Secretary of State.
If your driver's license or state identification card is invalid or the state can't find or confirm your DMV record - don't worry - you can also finish your registration with Rock the Vote. You will just have to print, sign, and mail it in.


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DIY Media of the Future (1981)
What we now call user-generated content was predicted in the 1981 book Tomorrow's Home by Neil Ardley. I dare say that this is the most accurate prediction we've looked at in 2009 (provided we ignore that robot arm, offering up delicious Christmas treats before it slaughters the entire family in a bloody rampage). Enjoy!
The caption:
Christmas in the future is an exciting occasion. Here the children have been given a home music and video system that links into the home computer. They are eagerly trying it out. The eldest boy is using the video camera to record pictures of the family, which are showing on the computer viewscreen. However, someone else is playing with the computer controls and changing the images for fun. At the same time, another child is working at the music synthesizer, creating some music to go with the crazy pictures.
Main text:
Have you ever wanted to conduct a huge orchestra, or direct a film? Very few people now get to do these thrilling jobs. However, the techniques of microelectronics are beginning to invade music and the visual arts, making possible all kinds of new and mazing ways of creating music and images. As computers develop, these techniques will begin to enter the home. You'll have the glorious sounds of vast orchestras and the excitement of the movies at your fingertips.
Your orchestra will not be a real one, but an electronic one with sounds created by a synthesizer. On command, the synthesizer's computer will play the music with any sounds you want. Singing is easy too. You can speak the words into the computer, and out will come choirs using your words or maybe even the voice of a famous singer of your choice.
You can make a film electronically too, by using video cameras and recorders. You can record family events, holidays, the world of nature, and even make your own video films with actors.
However, the home computer video system of the future will enable you to make these shows into spectacular entertainments. The computer will be able to take the images you record and assemble and treat them in all kinds of ways to produce a whole range of special effects of your very own. And you will also be able to use the computer to produce unusual moving designs and patterns, rather like making video cartoons or electronic paintings that move. Then you can put your video shows together with your own electronic music, and create the most stunning experiences -- perhaps even a totally new art form of the future!


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I've been using BURG for years to get rid of the eye sore that is the standard GRUB interface. When I upgraded to Quantal, the repository does not contain the updated information. I.e. after I add
sudo add-apt-repository ppa:n-muench/burg sudo apt-get update
I get the annoying response
W: Failed to fetch http://ppa.launchpad.net/n-muench/burg/ubuntu/dists/quantal/main/binary-amd64/Packages 404 Not Found
It's been like this for a month, contrary to various websites which say it works.
Is BURG being maintained? Have they created a better alternative (such as integration with GRUB, like it should have been in the first place). How do I get a decent-looking bootloader?


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The Alkhalij oilfield is located about 50 kilometers offshore from the island of El Halul (where there is an important QGPC sea terminal), in water depths between 42 and 55 meters.
The type of contract is a production sharing agreement (PSA) between the Consortium formed by Agip Qatar BV (45 percent) with Elf Petroleum Qatar (55 percent-operator) and the State-owned Qatar General Petroleum Corporation (QGPC).
Presently Alkhalij produces 23,000 b/d, of which approximately 6,500 b/d is the Eni quota, from a central platform (DP1) plus two satellite ones connected by a submarine pipeline and an electric cable to the island of El Halul, where the crude oil treatment plants are located.
The development so far reached constitutes a first stage because the area presently in production is just part of the field. In this first stage a simple but technologically advanced scheme has been implemented, producing with horizontal wells, from "unmanned" platform (i.e. without any personnel on board), and delivering of the oil to the shore directly by means of submersed pumps (ESP).
An important part of the scheme is the cooperation with QGPC, with provides the consortium with offshore maintenance services and, at the El Halul terminal, with treatment, storage and loading of the crude for export. The scheme as a whole has led to development and production costs being among the very lowest in the area.
Considering however the higher potential of the Alkhalij field, after the start-up of production, a pilot project was performed for injecting water into the reservoir, while a three-dimensional high-resolution (3D-HR) seismic has been acquired over the full areal extent of the concession.
Alkhalij is therefore at the decision point for a further development stage covering the whole field, making use of a water-injection mechanism aimed at increasing the field reserves and maintenance of a higher production plateau.
Once the required evaluations being conducted are completed, together with a higher production quota attributed to Alkhalij (within the framework of the OPEC quota system applied by Qatar), it is forecast that the project for the second stage of the development will start in 2000.
The production of the field could reach 60,000 b/d already in 2002, bringing Eni's share of the output quota up to some 16,000 b/d, more than doubling the present figure. When carried out, the project will include the installation of four more platforms (similar to the DP1), the use of the same technologies (horizontal drilling, pumping the crude to the shore terminal by ESP) and extending the collaboration with QGPC for the production operations.


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Erbe, Glover, Cerveris & More Star in Lincoln Center's NIKOLAI AND THE OTHERS, Beg. Tonight
Lincoln Center Theater previously announced that Betsy Aidem, Blair Brown, Michael Cerveris, Anthony Cochrane, Lauren Culpepper, Alvin Epstein, Kathryn Erbe, John Glover, Jennifer B. Grace, Katie Kreisler, Stephen Kunken, Haviland Morris, Dale Place, John Procaccino, Gareth Saxe and Alan Schmuckler would be featured in the 18-member cast of its world premiere production of NIKOLAI AND THE OTHERS, a new play by Richard Nelson. The play, which was commissioned by Lincoln Center Theater, will be directed by David Cromer and will begin performances tonight, April 4 at the Mitzi E. Newhouse Theater. Opening night is Monday, May 6.
It's 1948 and during a spring weekend in Westport, CT a close-knit group of Russian emigres, including choreographer George Balanchine (to be played by Michael Cerveris), composer Igor Stravinsky (John Glover), conductor Serge Koussevitsky (Dale Place), painter/set designer Sergey Sudeikin (Alvin Epstein) and composer Nikolai Nabokov (Stephen Kunken), gather to eat, drink and talk. In NIKOLAI AND THE OTHERS playwright Richard Nelson reimagines, during the course of this weekend, the creation of Balanchine and Stravinsky's historic collaboration, the ballet Orpheus, and explores the interesting and controversial ways American art was funded at the outset of the Cold War. Interspersed throughout the action of the play will be moments of Balanchine's original Orpheus choreography.
NIKOLAI AND THE OTHERS will have sets by Marsha Ginsberg, costumes by Jane Greenwood, lighting by Ken Billington, sound by Daniel Kluger, choreography by George Balanchine and ballet staging by Rosemary Dunleavy. Jeff Edwards is Ballet Master.
Richard Nelson's plays include Some Americans Abroad and Two Shakespearean Actors (both plays produced by Lincoln Center Theater, the latter receiving a Tony Award nomination for Best Play), The General From America, Franny's Way, Madame Melville, Goodnight Children Everywhere, New England, Life Sentences, Principia Scriptoriae, The Vienna Notes and Conjuring An Event. He wrote the book and lyrics and directed the musical My Life with Albertine, wrote the book for the musical Chess, and wrote the book, conceived and adapted the lyrics and directed the musical The Dead, winning a Tony Award for his book.
David Cromer directed LCT's production of When the Rain Stops Falling, for which he won a Lucille Lortel Award for Best Direction. His other credits include the recent Broadway productions of The House of Blue Leaves and Brighton Beach Memoirs. Off-Broadway credits include, Our Town, Adding Machine, the musical (Lortel and Obie Awards for Best Direction for both), Orson's Shadow, Tribes and the current Really Really. He recently directed Sweet Bird of Youth at the Goodman Theater in Chicago and A Streetcar Named Desire at Williamstown Theatre Festival and the Writers Theatre of Chicago. He is a recipient of a 2010 MacArthur Fellowship.
This spring Lincoln Center Theater is also presenting The Nance, a new play by Douglas Carter Beane, directed by Jack O'Brien, beginning performances Thursday, March 21 at the Lyceum Theatre and the LCT3 productions of Luck of the Irish by Kirsten Greenidge, directed by Rebecca Taichman (now through March 10) and A Kid Like Jake by Daniel Pearle, directed by Evan Cabnet (June 2 through July 14) at the Claire Tow Theater.Tickets to NIKOLAI AND THE OTHERS, priced from $75 to $85, will go on sale beginning Sunday, March 10 at the Lincoln Center Theater box office, at telecharge.com or by visiting www.lct.org. A limited number of tickets priced at $30 will be available at every performance through LincTix, LCT's new program for 21 to 35 year olds. For information and to enroll, visit LincTix.org.
Betsy Aidem LCT: Road. Off-Broadway: Steel Magnolias, A Lie of the Mind, Balm in Gilead, and productions at the Atlantic, Vineyard, 2nd Stage, Playwrights Horizons, 2007 Obie Award for Sustained Excellence of Performance. Film: Margaret, Arbitrage, Far From Heaven, You Can Count on Me, Music of the Heart, Fool's Fire. TV: The Big C, Smash, Law & Order SVU, The Good Wife, Nurse Jackie, Rescue Me, The West Wing, Sex and the City.
Blair Brown LCT: The Clean House, Arcadia. Broadway: Copenhagen (Tony Award), James Joyce's The Dead (OCC nomination), Cabaret, The Secret Rapture, Threepenny Opera. Off-Broadway: Humble Boy, The Comedy of Errors. Film: The Sentinel, Loverboy, Dogville, Space Cowboys, Random Hearts, The Astronaut's Wife, Strapless, A Flash of Green, Continental Divide (Golden Globe Award nomination), Altered States, One Trick Pony. TV: many credits include Fringe, The Days and Nights of Molly Dodd (five Emmy Award nominations), Kennedy (Golden Globe, BAFTA Award nominations), Wheels, The Captains and the Kings, Hamlet, In His Life: The John Lennon Story.
Michael Cerveris LCT: In The Next Room, or the vibrator play, Cymbeline. Broadway: Evita (Tony nomination), Hedda Gabler, LoveMusik (Tony, Drama Desk, OCC Award nominations), Sweeney Todd (Tony, Drama Desk, OCC nominations), Assassins (Tony, OCC Awards), Titanic, Tommy (Tony, OCC nominations, Theatre World Award). Off-Broadway: Road Show, King Lear, Fifth of July, Hedwig & The Angry Inch. Film: Cirque du Freak, Temptation, The Mexican, Lulu on the Bridge. TV: Fringe, Treme, Fame, The Equalizer, Person of Interest, CSI, Dream On.
Anthony Cochrane LCT: War Horse, The Coast of Utopia, Cymbeline. Off-Broadway: 12 years and 18 productions with Aquila Theatre, Dense Terrain (BAM). Regional: Amadeus, Much Ado About Nothing, The Tempest (Old Globe), Henry VIII (Helen Hayes nomination). Composed music for over 30 productions. Film: Wall Street, II, Apocalypse Watch. TV: Law & Order SVU, Benjamin Franklin (PBS).
Lauren Culpepper Off-Broadway: Really Really, I Capture The Castle. Film/TV: Twylight Zones, House of Cards, Lie Detector.
Alvin Epstein Former Artistic Director of the Guthrie Theater and Associate Director of Yale Repertory Theater. Broadway: Marcel Marceau and Company, Orson Welles' King Lear, Peachum in The Threepenny Opera with Sting, A Kurt Weill Cabaret. Off-Broadway: Hamlet (Theater for a New City), Tuesdays With Morrie, The Madwoman of Chaillot, the title role in King Lear, Dynamite Tonight (Obie Award), Howard Katz, The Cherry Orchard, Sam Mendes' Bridge Project at BAM and internationally. Known for his dedication to the works of Samuel Beckett he created the roles of Luck and Clov in the American premieres of Beckett's Waiting For Godot and Endgame.
Kathryn Erbe Broadway: A Month in the Country, Speed of Darkness (Tony Award nomination), The Grapes of Wrath. Off-Broadway: Yosemite, Down the Shore, The My House Play. Regional: many productions with the Steppenwolf Theatre Company. Film: Speaking of Sex, Entropy, Love From Ground Zero, Kiss of Death, The Addiction, D2: The Mighty Ducks, Rich in Love, What About Bob?. TV: Law & Order: CI, Oz, Homicide: Life on the Street.
John Glover Broadway: Death of a Salesman; The Royal Family; Waiting for Godot (Tony Award nomination); The Drowsy Chaperone; Love! Valour! Compassion!; Tartuffe. Off-Broadway: The Marriage of Bette & Boo, The Paris Letter (Drama Desk nomination), The Winter's Tale, Sorrows and Rejoicings, Oblivion Postponed. Film: Sanitarium; Dead Broke; Batman & Robin; Love! Valour! Compassion!; Robocop 2; Scrooged; Rocket Gibraltor; 52 Pick-Up; White Nights; Melvin and Howard; Annie Hall; Julia. TV: many credits include regular roles on the series Smallville and Brimstone and Emmy Award-nominated appearances in the series Frasier, L.A. Law, Crime & Punishment and in the TV film David.
JENNIFER B. GRACE Off-Broadway: Emily in Our Town (Theatre World Award). Regional theater: Our Town (with Helen Hunt), Chemin de Fer, The Sea Gull, Cat on a Hot Tin Roof, Angels In America, Balm in Gilead, Arcadia. Film: The Escape, The Casserole Club, Anecdote.
Katie Kreisler Broadway: The House of Blue Leaves, Noises Off. Off-Broadway: Our House, I'm in Love With Your Wife, Psych. Film: Children of Invention, Full Grown Men, Approaching Union Square, Heights, Melinda & Melinda. TV: Law & Order, The Good Wife, Medium, It's Always Sunny in Philadelphia, Without A Trace.
Stephen Kunken LCT: Rock n' Roll. Broadway: The Columnist, High, Enron (Tony Award nomination), Frost/Nixon, Festen, Proof. Off-Broadway: RX, Lost in the Stars, Our Town, Our House, Arrangements, The Story, A Dybbuk, Henry VIII. Film: The Wolf of Wall Street, Extremely Loud & Incredibly Close, All Good Things, Taking Woodstock, Bamboozled. TV: Blue Bloods, Elementary, The Good Wife, Law & Order: CI, Gossip Girl, Sopranos, Mary and Rhoda.
Haviland Morris LCT: Ring 'Round the Moon, Arcadia. Broadway: Tartuffe: Born Again. Off-Broadway: Rodney's Wife, The Uneasy Chair, Uncommon Women and Others, Aristocrats, The Milk Train Doesn't Stop Here Anymore. Film: Home Alone 3, Dear Diary, The Last Supper, Gremlins 2, Who's That Girl, Sixteen Candles, Reckless. TV: The Good Wife, Girls, Army Wives, Law & Order: CI, Third Watch, Homicide: Life on the Street, Sex and the City, Cosby.
DALE PLACE Off-Broadway: Happy Birthday, Wanda June, Hedda Gabler, The Water Engine. Regional theatre: many credits include productions at the Huntington Theatre Company, Lyric Stage of Boston, Cleveland Play House. Film: The Fighter, The Proposal, Gone Baby Gone.
John Procaccino LCT: Blood and Gifts, An American Daughter, The Light in the Piazza. Broadway: An Enemy of the People, Conversations with My Father, A Thousand Clowns, Art. Off-Broadway: Coming of Age in Soho. Film: The Runner Stumbles, Born to be Wild. TV: Law & Order, Red Rose, NYPD Blue, Northern Exposure.
Gareth Saxe Broadway: The Lion King, The Homecoming, Heartbreak House. Off-Broadway: Harper Regan, The Duchess of Malfi, Kimberly Akimbo, Futher From the Futhers Thing, The Wax, The Winter's Tale. Regional theater: many productions at such theaters as the Mark Taper Forum, ACT (San Francisco), Huntington Theatre Company, the Kennedy Center, the Denver Center Theatre Company and Colorado Shakespeare Festival. Film/TV: Public Enemies, The Auction.
Alan Schmuckler: Theater credits in Chicago include Rent, Sugar, Murder for Two, A Minister's Wife (Jefferson nominations for the last three productions), Merrily We Roll Along, The Two Noble Kinsmen, The Time of Your Life, She Stoops To Conquer.
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I need to locate a driver that causes some errors in my applications and was thinking about the easiest way of doing that.
Does the ThinkVantage System update ALL drivers/application or I can select what I want?
The ThinkVantage will present a list that you can check/uncheck individually.You can select the application or driver you want to install.
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Come winter, cold feet are the bane of every cyclist's life, mine especially. Thicker socks can reduce blood circulation, ironically causing cold feet when you'd hope to cure them, and I find overshoes can be a bit of a faff, and never where they're supposed to be when you need them. So, a fully winterized cycling specific shoe seemed to be just the job.
First off, this is not strictly a road orientated winter cycling boot. Lake do produce a winter road boot (the CXZ302) but it's not available in the UK. Personally, I'd be less than happy tackling icy road surfaces wearing a smooth road type sole anyway, so the rugged Vibram outsole of the MTB orientated MXZ302 is definitely not a negative feature. The downside of this is that the MXZ302s are only suited to use with SPD cleats rather than road style cleats. Again though, if you're a multi-cycle household (and let's face it who isn't?) then a boot you can pop on for road riding, touring or mountain biking has got to be a good thing- provided you run SPD pedals on all of them obviously.
The Vibram outsole, as mentioned, is rugged, grippy and has an aggressive tread that'll cope well with snow or mud. The boots also take removeable studs (two on each foot) and eight are supplied as standard along with a stud spanner. The outer of the boot is high quality Pittards leather, which can easily be protected with waterproofing products such as Nikwax (a sample sachet sufficient to treat both boots is provided). This does not have the lifespan issues that similar footwear using Gore-Tex can experience. In prolonged heavy use the pores in Gore-Tex membranes can become clogged, greatly diminishing the breathability of the shoe and leading to uncomfortable perspiration issues- not good in a winter shoe where sweaty feet = cold feet. So an all-leather boot, using no waterproof membrane, just the external leather treatment should remain breathable and serviceable for many years, provided you continue to look after it. There are generous Scotchlite reflective patches on the leather too for increased after dark visibility.
The boots work beautifully at keeping feet dry, even in torrential rain, provided your tights or socks give a sufficient 'seal' around the top of the boot. The neoprene collar is comfortable to wear, but for those with slimmer ankles, it might be a little roomy without longs or long socks. The boots fasten using the glove friendly Boa mechanism – as commonly seen on triathlon shoes- which is really easy to both tighten and release, as well as giving a comfortable wear and easy on the fly adjustment. The upper ankle area secures with a simple Velcro fastening flap. A special little tool comes in the box with the shoes for Boa maintenance.
In addition to simply keeping feet dry and blocking wind, the MXZ302s also feature Outlast technology, which was developed by NASA to help astronauts manage their temperature. Roughly speaking Outlast holds heat when you don't need it and releases it when you do, meaning your feet stay a stable temperature rather than fluctuating between hot and cold. It certainly seems to do the trick, even on a very cold hilly ride of a few hours, where my feet would normally have been frozen after the first descent.
The only minor niggle, apart from the staggeringly high price, is the fact that cleat adjustment is somewhat limited by the volume of the boots. Position the cleat too far over and you can end up rubbing the boot against the crank on every pedal stroke. The narrower the crank and bottom bracket, the less this is a problem, but it's still something to watch out for.
The MXZ302s come in a unisex fit (suited my average feet just fine) in sizes 40-48. Sizing is a little on the small side, so a 40 was perfect for my size 38.5-39 feet with warm but not over-thick socks.
An investment piece of kit that will help keep winter riding as enjoyable as the rest of the year and hopefully prevent slackening off.
Warm, dry and well put together.
If you're thinking of buying this product using a cashback deal why not use the road.cc Top Cashback page and get some top cashback while helping to support your favourite independent cycling website
road.cc test report
Make and model: Lake MXZ302 Winter Boot
Size tested: 39
Tell us what the product is for, and who it's aimed at. What do the manufacturers say about it? How does that compare to your own feelings about it?
Primarily aimed at mountain bikers for winter use, but I feel applicable to any winter cyclist using SPD style pedals.
Road specific version not available in UK
Designed to help keep feet dry and warm in the most hostile cycling conditions.
Tell us some more about the technical aspects of the product?
NASA developed Outlast technology to keep feet a stable comfortable temperature.
PIttards leather uppers protect from wind and rain or snow. Easily waterproofed using Nikwax or similar (sachet provided)
Boa dial-in steel lacing fastening- similar to triathlon shoes.
Vibram outsole with aggressive tread.
Takes studs (two at forefoot)- 8 supplied with stud spanner.
Reflective patches on outer shoe.
Unisex fit- available in size 40-48
Incredibly well made with high quality components. A simple design means there's less to go wrong, and even the high tech Boa fastening comes with a little tool for maintenance.
Feet stayed warm and dry in conditions where I'd normally have been forced to curtail the ride and go home.
Use of waterproof membrane free high quality leather means these boots will last longer than similar products using Gore-Tex. Waterproofing is easy to maintain by using Nikwax or similar products and you even get a free sample in the box. This also maintains the condition of the leather.
Replacement parts are available for life for the Boa fastening system free of charge from the Boa direct.
Not the lightest, but what do you expect from a fully winterised leather boot with SPD cleats?
Extremely comfortable to wear for long periods of time. Fine to walk in too.
Very expensive but it's hard to put a price on actually enjoying winter rides, rather than enduring thawing your feet out afterwards and the ensuing chilblains.
Better value for multi-bike users, where SPDs are the pedal of choice.
Will last for years if you look after them.
Tell us how the product performed overall when used for its designed purpose
Kept feet dry and warm and was very comfortable to wear. Performed excellently and did what it says on the tin.
Tell us what you particularly liked about the product
Ease of use, wear comfort and how effective they were at keeping my feet warm.
Tell us what you particularly disliked about the product
The price.
Did you enjoy using the product? Yes.
Would you consider buying the product? Yes.
Would you recommend the product to a friend? Yes.
Anything further to say about the product in conclusion?
A good long term investment for riders who really suffer from the cold and want to really make the most of winter riding.
About the tester
Age: 37 Height: 1.65m Weight: 67kg
I usually ride: My best bike is:
I've been riding for: 10-20 years I ride: Most days I would class myself as: Experienced
I regularly do the following types of riding: commuting, touring, general fitness riding, mtb,
Lara has been riding bikes for longer than she'd care to admit, and writing about them nearly as long. Since 2009 she has been working as part of the road.cc review team whilst championing women's cycling on the side, most notably via two years as editor of the, sadly now defunct, UK's first and only women's cycling mag, erm, Women's Cycling.
Believing fervently that cycling will save the world, she wishes that more people would just ride a bike and be pleasant to each other.
She will ride anything with two wheels, occasionally likes to go fast, definitely likes to go far and is always up for a bit of exploring somewhere new and exciting.


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Feed Efficiency in the Beef Industry
Feed Efficiency in the Beef Industry
ISBN: 978-1-118-38824-2 June 2012 Wiley-Blackwell 328 Pages
Download Product Flyer
Feed Efficiency in the Beef Industry provides a thorough and concise overview of feed efficiency in beef cattle. It frames the great importance of feed efficiency to the industry and details the latest findings of the many scientific disciplines that intersect and aim to improve efficient and sustainable production of nutritious beef. The vast majority of production costs are directly tied to feed. With increased demand for grains to feed a rapidly increasing world population and to supply a new demand for alternative fuels, feed costs continue to increase. In recent years, the negative environmental impacts of inefficient feeding have also been realized; as such feed efficiency is an important factor in both economic viability and environmental sustainability of cattle production.
Feed Efficiency in the Beef Industry covers a broad range of topics ranging from economic evaluation of feed efficiency to the physiological and genetic bases of efficient conversion of feed to high quality beef. Chapters also look at how a fuller understanding of feed efficiency is leading to new selective breeding efforts to develop more efficient cattle.
With wide-ranging coverage from leading international researchers, Feed Efficiency will be a valuable resource for producers who wish to understand the complexities, challenges, and opportunities to reduce their cost of production, for students studying the topic and for researchers and professionals working in the beef industry.
Table of contents
Contributors ix
Foreword xi
Preface xiii
Acknowledgments xv
Introduction 1
Rodney A. Hill
Chapter 1 Input Factors Affecting Profitability: a Changing Paradigm and a Challenging Time 7
Jason K. Ahola and Rodney A. Hill
Chapter 2 Measuring Individual Feed Intake and Utilization in Growing Cattle 21
D.H. (Denny) Crews, Jr. and Gordon E. Carstens
Chapter 3 Producer Awareness and Perceptions about Feed Efficiency in Beef Cattle 29
J.D. Wulfhorst, Stephanie Kane, Jason K. Ahola, John B. Hall, and Rodney A. Hill
Chapter 4 Feed Efficiency in Different Management Systems: Cow-Calf and in the Feedyard 47
Keela M. Retallick and Dan B. Faulkner
Chapter 5 Lessons from the Australian Experience 61
Robert M. Herd and Paul F. Arthur
Chapter 6 Nutrition and Feed Efficiency of Beef Cattle 75
Monty S. Kerley
Chapter 7 Genetic Improvement of Feed Efficiency 93
Paul F. Arthur and Robert M. Herd
Chapter 8 Feed Efficiency and Animal Robustness 105
Wendy M. Rauw
Chapter 9 Interactions with Other Traits: Reproduction and Fertility 123
John A. Basarab, Carolyn Fitzsimmons, C. Scott Whisnant, and Robert P. Wettemann
Chapter 10 Feed Efficiency Interactions with Other Traits: Growth and Product Quality 145
Rodney A. Hill and Jason K. Ahola
Chapter 11 Estimating Feed Efficiency of Lactating Dairy Cattle Using Residual Feed Intake 159
Erin E. Connor, Jana L. Hutchison, and H. Duane Norman
Chapter 12 Muscle and Adipose Tissue: Potential Roles in Driving Variation in Feed Efficiency 175
Cassie M. Welch, Marcus McGee, Theresa A. Kokta, and Rodney A. Hill
Chapter 13 Epigenetics and Effects on the Neonate That May Impact Feed Efficiency 199
Allison M. Meyer, Joel S. Caton, Bret W. Hess, Stephen P. Ford, and Lawrence P. Reynolds
Chapter 14 Hormonal Regulation of Feed Efficiency 225
Michael E. Davis, Macdonald P. Wick, and Martin G. Maquivar
Chapter 15 Variation in Metabolism: Biological Efficiency of Energy Production and Utilization That Affects Feed Efficiency 251
Walter G. Bottje and Gordon E. Carstens
Chapter 16 Modeling Feed Efficiency 275
Roberto Sainz
Index 287


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Given the daily announcements of this reboot or that prequel, it's depressing out there for a screenwriter. The iconic dream of writing an original script and hitting it big overnight often seems to have faded into impossibility. Consider, then, the case of new screenwriter Lauryn Kahn, as delivered by THR. Kahn just sold a spec comedy script entitled He's Fucking Perfect to Fox 2000 for somewhere around a million bucks. It's being produced by Will Ferrell and Adam McKay. Cynicism be damned! The dream is alive!
Well, sort of. One small but crucial detail is that Kahn had a nice little in: she's worked as McKay's assistant at Ferrell and McKay's Gary Sanchez Productions for several years now. An assistant gig is hardly the magical skeleton key to making it big in Hollywood, but it certainly didn't hurt her chances of selling a comedy script that she was working for two of the biggest players in that genre. It's just another example of the truth that success is a strange alchemical mixture of drive, passion, talent, and luck. She could have worked that job for a decade, but if she didn't have the chops and discipline to actually churn out a solid script when the opportunity presented itself, she'd still be just another Hollywood dreamer.
As for the script itself, He's Fucking Perfect tells the story of a cynical gal who spends her time using the Internet to evaluate the men her friends date, looking for dark secrets and red flags. Her cold veneer begins to chip when the new guy one of her friends starts dating seems to be perfect... for her. She sets about trying to break the two of them up so she can snatch him up for herself, and pits all her online ninja skills to the task of making herself irresistible to him.
It'll also be interesting to see what bland, generic title they slap on it if the film gets release, because there's no way we're getting a He's Fucking Perfect one-sheet. It will follow in the same footsteps as Fuck Buddies, which eventually became No Strings Attached. Only better, hopefully.


text:
X4 Technology and Advanced Flash Memory Solutions Earn SanDisk Second Consecutive Lewis Winner Outstanding Paper Award
ISSCC CONFERENCE, San Francisco, February 8, 2010 - SanDisk Corporation (NASDAQ: SNDK), the global leader in flash memory cards, today announced that it has received the ISSCC 2009 Lewis Winner Outstanding Paper Award at the 2010 IEEE International Solid-State Circuits Conference (ISSCC), held Feb 8-12 at the San Francisco Marriot Hotel. The award was presented to Cuong Trinh, director, design engineering, SanDisk, who delivered a paper at last year's conference entitled "A 5.6MB/s 64Gb 4b/Cell NAND Flash Memory in 43nm CMOS", which detailed key advancements leading to the development of 4-bit-per-cell (X4) memory on 43 nanometer (nm) technology.
"On behalf of the team at SanDisk, I am honored to receive this prestigious award in recognition of our successful development of X4™ technology," said Cuong Trinh, SanDisk. "Using our patented X4 controller technology's memory management, signal processing schemes and exceptionally robust error correction code, we were able to achieve four-bits-per-cell with strong performance and low cost."
"This exceptional paper describes how SanDisk has combined advanced algorithms with four-bit-per-cell technology to produce the world's largest-capacity monolithic 64 Gigabit flash chip. The fact that SanDisk has received two consecutive ISSCC Outstanding-Paper Awards is a dramatic demonstration of their continuing breakthrough research," said Dr. Kenneth C. Smith, ISSCC Awards/Recognition Chair.
SanDisk co-developed 4-bit-per-cell technology with its memory technology and manufacturing partner, Toshiba. X4 enables high manufacturing efficiency and lowest die cost, while meeting the reliability and performance requirements of industry standard cards that employ MLC NAND. Volume shipments of SanDisk® SDHC™ and Memory Stick PRO™ cards employing X4 technology began in September 2009.
About SanDisk
SanDisk Corporation is the global leader in flash memory cards, from research, manufacturing and product design to consumer branding and retail distribution. SanDisk's product portfolio includes flash memory cards for mobile phones, digital cameras and camcorders; digital audio/video players; USB flash drives for consumers and the enterprise; embedded memory for mobile devices; and solid state drives for computers. SanDisk is a Silicon Valley-based S&P 500 company, with more than half its sales outside the United States.
SanDisk's product and executive images can be downloaded from:
SanDisk's web site/home page address: http://www.sandisk.com
®2010 SanDisk Corporation. All rights reserved. SanDisk and the SanDisk logo are trademarks of SanDisk Corporation, registered in the United States and other countries. X4 is a trademark of SanDisk Corporation. SDHC is a trademark of SD-3C LLC. Memory Stick PRO is a trademark of Sony Corporation. Other brand names mentioned herein are for identification purposes only and may be the trademarks of their respective holder (s).
This press release contains certain forward-looking statements, including specifications, applications, markets, and customers that are based on our current expectations and involve numerous risks and uncertainties that may cause these forward-looking statements to be inaccurate. Risks that may cause these forward-looking statements to be inaccurate include among others: our products may not perform as and the other risks detailed from time-to-time in our Securities and Exchange Commission filings and reports, including, but not limited to, our most recent annual report on Form 10-K/A and our subsequent quarterly reports on Form 10-Q. We do not intend to update the information contained in this press release.
|Media Contact:
|SanDisk Corporation
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spectrasonic.com presents
Dead Letter Circus, 12 Foot Ninja, Colour Me Crimson
137 Besserer Street
Ottawa, ON, K1N 9J9
Doors 5:30 PM / Show 5:55 PM
This event is 16 and over
Hailing from Washington DC, Periphery is one of the freshest progressive metal acts on the scene today. With their signature blend of polymetric grooves and soaring melodies, the band continues to push the envelope of modern metal music. The Band released their first full length album 'Periphery' on April 20th in 2010. It debuted at #128 on the Billboard Top 200, as well as #2 on the Billboard Heatseekers chart.
Periphery formed in 2005 and currently consists of Misha 'Bulb' Mansoor, Jake Bowen and Mark Holcomb on guitars, Matt Halpern on drums, and Spencer Sotelo on vocals. Since its inception, the band has been relentless its effort to have their music be heard. Allowing free access to almost their entire catalog, including over one hundred and thirty download-able songs, this self produced band is seeking to redefine the way music is experienced.
Periphery has toured extensively since 2008, supporting artists including DevilDriver, Emmure, Veil of Maya, Animals as Leaders, God Forbid, The Dillinger Escape Plan, A Life Once Lost, This Time Its War, Tony Danza Tap Dance Extravaganza, Fear Factory, Darkest Hour, Fair To Midland, The Human Abstract, Textures, The Contortionist and Stray From The Path. The band's first European headline tour in early 2011 titled 'The League of Extraordinary Djentlemen' with TesseracT, Monuments and The Safety Fire was a huge success. They released their 'Icarus EP' on April 19th, 2011. Make sure to catch them on their current European tour supporting prog-metal legend Dream Theater!
When Dead Letter Circus blasted onto Australian airwaves in 2007, their bombastic yet nuanced take on alternative rock left most observers struggling to process what they were hearing. It was epic, it oozed confidence, it was intense and open all at once. It was the debut of a sound so fresh and unique that it was hard to classify.
Their self-titled EP launched a wild ride of sold out shows, massive radio airplay, festival sing-a-longs, and international airports via US major label interest. Barely a moment was spent at their Brisbane home as the band criss-crossed the country satiating hard-core fans and building an ever-growing army of DLC disciples.
Everywhere the band went, that army sang every word of the EP back, loud and clear – it was music that clearly resonated with many, capturing an angst of the everyday and an emotional link to the yearning for a freedom unknown. Completely independently, the band shifted well over 13,000 units of the debut EP and subsequent double A side single 'Next in Line / Reaction'. Triple J radio placed everything that the band released on high rotation. Live, the band were festival favourites, with the choir of voices roaring both approval and vocalist Kim Benzie's lyrics with the passion of a frantic soccer crowd. Word spread – the EP was released in Japan, and the band was flown to LA to sample the catering and perform a string of label showcases.
Yet the question on every fan and media onlooker's lips was – when would the debut album be released? And how do you follow up something as mesmerising and universally acclaimed as their initial forays?
The band were well aware of the standards they had set for themselves, but had an unwavering confidence in the creative process that had given life to their EP and follow up single. They did what they had always done. The four members looked inwardly, critically, at every element of every song written in the run to the album, and took an uncompromising stance when it came to writing,re-imagining, refining and ultimately recording their debut, 'This is the Warning'.
They also brought in the producer who had been onboard since the first EP – Forrester Savell, who is thought of as an honorary fifth member of the band for his significant contribution in weaving the elements together, providing song-writing input, and adding a touch of "special sauce". Expectations were high – Savell's last two projects had been certified Gold (The Butterfly Effect, Karnivool), and after a lengthy pre-production, writing and re-writing phase, he brought the band to Melbourne's famous Sing Sing Studios to track 'This is the Warning'.
Set up in four separate working environments within the Sing Sing complex, each member of the band worked tirelessly over their individual parts and contributions, conducted by maestro Savell, in a unique and ultimately successful experiment in sonic creation.
The process was intense to say the least. Over an incredible 18 month gestation period, with every deadline pushed, every note analysed, every resource pooled, and every avenue of exploration exhausted, 'This Is The Warning' was injected a transfusion of every ounce of available energy that the band possessed.
The sound of Dead Letter Circus on This is the Warning is more than just a singular representation – rather, it is the redefining of how adrenaline and emotion can be blended seamlessly into works of sonic art; of how soaring melodic adventures can be let fly above a mountain range of raw but somehow channeled rhythmic power. In short, it rocks. But it also catches the light of your reflection and beckons you to look inside yourself. It's music that lures you towards your speakers, then seizes you by the throat. It's love, loss, betrayal, humanity, societal norms, questioning, and the search for meaning. And it's unlike anything you've ever heard.
Guitarist Rob Maric explains: "Our aim for the album was to take the sound we established with the EP and explode in every possible direction from there… we wanted to make the big moments more powerful and the spacious moments more ambient. But, more importantly, we wanted those ambient moments to be just as engaging as the rest… to have the listener leaning in, hanging off every note even in the record's most subdued moments."
Album opener 'Here We Divide' is undulating, ignited by a shimmering riff from Maric and a wall of clinically precise work from the rhythm section, with Benzie's lyrics screaming forth, at once rapid fire and soaring. 'One Step' is a monster of a song; "If ever a song wrote itself, 'One Step' is that song for us" remarks Benzie. It's a stadium filling track that has an undeniable, incendiary movement, that carries you to an outro waiting to deliver the first sensation of the hair standing on the back of your neck as Benzie cries "Just can't find a way", and we're only 8 minutes in.
'Big' takes you on a journey through a typically unconventional DLC structure that rewards with a killer bridge. "Drums are so critically important to our sound, and in 'Big' there is a vulnerability here when we strip that all away," says Benzie. 'The Space on the Wall' builds layer upon layer on a foundation of groove and then strips it all
away again, leaving the stark questions "Do you feel anything inside anymore? How far will you go?" hanging hauntingly.
'This Long Hour' is a departure from most previous Dead Letter Circus releases, pulling down the tempo and allowing space to engulf the listener. It delves deep, and if you let the track immerse you, it's a striking, powerful place with an electronic current that drags you over the falls as the chorus hits.
The slink of 'Cage' catches you unawares, with a dark ebb and flow and a melodic hook that seems to creep in and out of the shadows, building uniquely from an electronic pulse to a full-blown rock resolution, Mezzanine-era Massive Attack on steroids.
'Reaction' is already established as a live and radio favourite. Hook-laden and delivering all of the key DLC elements; cascading guitars from Maric, Stewart Hill's distinctive and fat machine gun bass lines, drummer Luke William's interplay of virtuosity and restraint, all combined with Benzie's unique vocals and sensational ear for melody around the lyrical concept of "calling out to someone I've been missing most of my life to say – stop thinking it over, just do it."
'The Drum' is an atmospheric and electronic bed for Benzie's philosophical take on the everyday. "In day to day life I believe I can't feel anything, like I'm numb. But 'The Drum' finds in the dissatisfaction there's a glimmer or a spark that brings you back to the side of hope." And as Benzie beckons to "help me change my ways" the band obliges with a frenetic, layered and progressive closing that takes the intensity to a dark new level.
'The Design' has a different feel again, almost swinging into life, with a tenderness that is new and intoxicating. "Even just playing it live feels vulnerable and it really shows another side of the band" says Hill. 'Next in Line' is a thunderous tune that cranks up the tempo and delivers serious energy, with Williams' furious drumming flowing into 'Walk', which is a beautifully balanced blend of power and subtlety. Benzie likens the song to "the feeling of the axe falling when you make a snap decision if something's not working. You can't take that back. So sometimes you have to make it work, not just walk away. It's not perfect, but that's OK." 'Walk' scales toward a crescendo that seems to make you hold your breath until the final note rings out.
The title track, 'This is the Warning', aims to shake the sleeping masses awake with a resonant call "not to ignore the feeling in your chest that something's not right, and there's more to the truth than what we're being told" explains Benzie. A massive percussion section generates a huge impact as the vocalist cries "we're running out of time." And after an intense hour of listening, it's time to take that breath.
What are Dead Letter Circus fans going to think of This is the Warning? Maric pauses for a moment. "For some it will be a challenging first listen. For others it will click immediately. We've come a long way since our inception and we're reaching a point of our growth as artists where we are not afraid to open doors that were once closed. True art comes from taking risks and that's what we've done with this album. At the end of the day we write music that we love and that is the only formula we adhere to. If it doesn't give us goose bumps, then it's not worth our time and certainly not something we would want to release to our fans."' "A DLC fan that hears this album will find all the songs are from a first person basis" comments Benzie. "A person in a world, talking to a friend, struggling to describe something in a place were words don't seem adequate, so sounds are the things that make sense. I hope they feel that where EP tracks like 'Lines' and 'Alien' finish, that's where this album begins and expands." "Yeah. The album is definitely a new beginning," agrees Hill.
And after joining some elite company with 'This is the Warning' landing at Number 2 on the album charts, you get the impression that the band themselves are also at the beginning of a whole new chapter.
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Ok so the question we were given was:
Suppose that f is continuous with |f(x)| $\displaystyle \leqslant$ 1 for all x $\displaystyle \in$ R (R being the real numbers). Show that there exists some c $\displaystyle \in$ R such that f(c) = c. Hint: apply Bolzano's theorem on a suitable interval.
I tried a few different things originally, but I just couldn't get it out, and handed up my homework. I then found out that the solution he gave was:
"Being the difference of two continuous functions, g(x) = f(x) - x is continuous with
g(2) = f(2) - 2 $\displaystyle \leqslant$ 1 - 2 < 0
g(-2) = f(-2) + 2 $\displaystyle \geqslant$ -1 + 2 > 0
According to Bolzanos theorem then, some c $\displaystyle \in$ (-2, 2) exists such that g(c) = 0."
I don't really understand how this proves that c $\displaystyle \in$ R such that f(c) = c, though? Also, why pick (-2, 2) as the interval for g? If someone could explain it to me please, that'd be very handy!


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A bit about us
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Nokia Lumia 800 Manual / User Guide
This is the official Nokia Lumia 800 User Guide in English provided from the manufacturer. If you are looking for detailed technical specifications, please see our Specs page.
Nokia Lumia 800 - the first Nokia Windows Phone! Stephen Elop actually went so far as calling it "the first real Windows Phone". Available in black, cyan and magenta, it is crafted in the ergonomic pillow-shaped form of the Nokia N9, made out of deep-colored polycarbonate, and sporting a 3.7" 480x800 pixels ClearBlack display, as expected. The handset is 0.48" (12.1mm) thick, on 124g of weight. It is powered by a 1.4GHz processor, with 16GB of internal storage, 1540mAh battery and a microSIM slot. An 8MP camera with Carl Zeiss lens sports f/2.2 aperture and an optimized dual-LED flash aims to avoid washing out the details. A lot of the initial presentation was spent to tout features that already come with Windows Phone Mango - People Hub, Pictures Hub, Microsoft Office Hub, IE9 Mobile, Xbox Live, 25GB SkyDrive storage, etc. - which are a first for a Nokia handset, of course.


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text:
Here is the current API - any comments are welcome. First you need to declare the controller using the new Moose style:
package RavLog::Controller::View;
use Moose;
extends 'Catalyst::Controller';
with 'CatalystX::Comments::ControllerFormRole';
has model_name => ( is => 'ro', isa => 'Str', default => 'DB' );
The important part for us is of course
with 'CatalystX::Comments::ControllerFormRole', the
model_name attribute should hold the name of the model CatalystX::Comments will use to store the comments.
After the declarations you can use CatalystX::Comments to put the comment form on the stash:
sub view : Chained('base') PathPart('view') Args(0)
my ( $self, $c, $id ) = @_;
$self->stash_comment_form( $c, $self->article->id );
That's the whole controller part - what it handles is generating the form for display and saving the submitted comments. In the view templates you need to add:
[% comment_form.render %]
For displaying the comments themselves ravlog already had some template code and I did not change it.
Next is the model part. The library assumes that the DBIC model contains a Comment Result class like that one in ravlog. Of course it does not need to have all of the columns, and can also have other columns - but these are the columns that will be filled by the CatalystX::Comments form. Ideally that model part should be a Result base class - so that it can be subclassed and adapted to local circumstances (for example the belongs_to relationship to article needs to be changed), but for now I don't know how to do that.
Now some more details. Thanks to
html_prefix all parameters sent from this form are prefixed with the form name - so this form can be added to pages with other forms, it will recognize it's parameters. The comments are saved only when the HTTP method used is POST, and after a successful comment creation the user is redirected to the same page (this seems a bit constraining - but see next paragraph - this is only meant to be temporary solution - I try to keep the API simple).
Of course I understand that this can never cover the needs of a comment sub-system in a mature social web site. I am thinking about it as more of scaffolding - code that let's you quickly develop a feature, see how it integrates with the rest of the user experience, formulate a more complete requirements list - and replace it part by part.