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Frequent Links
Eurovision Song Contest
|Eurovision Song Contest (ESC)
|File:Eurovision Song Contest.svg
|Song contest
|Created by
|Marcel Bezençon
|Presented by
|List of presenters
|Theme music composer
|Marc-Antoine Charpentier
|Opening theme
|Te Deum: Prelude (Marche en rondeau)
|Ending theme
|Te Deum: Prelude (Marche en rondeau)
|Country of origin
|List of countries
|Original language(s)
|English and French
|No. of episodes
|60 contests
|List of host cities
|Running time
2 hours (semi-finals)
3 hours 30 minutes (final)
4 hours (2015 Final)
|Production company(s)
|European Broadcasting Union
|Picture format
576i (SDTV) (1956–present)
720p (HDTV) (2003–present)
1080i (HDTV) (2007–present)
4K (UHDTV) (2013–present)
|Original release
|24 May 1956– present
|Related shows
Eurovision Young Musicians (1982–)
Eurovision Young Dancers (1985–)
Junior Eurovision Song Contest (2003–)
Eurovision Dance Contest (2007–2008)
|External links
|Official website
|Production website
The Eurovision Song Contest (French: Concours Eurovision de la chanson),[1] often shortened to ESC or Eurovision, is the longest running[2] annual TV song competition held, primarily, among the member countries of the European Broadcasting Union (EBU) since 1956. The competition was based upon the existing Sanremo Music Festival held in Italy. Each participating country submits a song to be performed on live television and radio and then casts votes for the other countries' songs to determine the most popular song in the competition. The contest has been broadcast every year for sixty years, since its inauguration in 1956 and is one of the longest-running television programmes in the world. It is also one of the most watched non-sporting events in the world,[3] with audience figures having been quoted in recent years as anything between 100 million and 600 million internationally.[4][5] Eurovision has also been broadcast outside Europe to such places as Argentina, Australia, Brazil, Brunei, Canada, China, Colombia, Egypt, India, Indonesia, Japan, Jordan, Malaysia, Mexico, New Zealand, Philippines, Singapore, South Korea, South Africa, Suriname, Taiwan, Thailand, the United States, Uruguay, Venezuela and Vietnam, although these countries do not compete. An exception was made in 2015 when Australia was allowed to compete as a guest entrant as part of the celebration of the 60th anniversary of the event.[6][7][8] Since 2000, the contest has also been broadcast over the Internet, via the Eurovision website.[9]
Winning the Eurovision Song Contest provides a short term boost to the winning artists' career, but rarely results in long-term success.[10] Notable exceptions are ABBA (winner 1974) and Celine Dion (winner 1988), both of whom launched successful worldwide careers after their wins.
The latest winner of the Eurovision Song Contest is Måns Zelmerlöw of Sweden, who won the 2015 contest in Vienna, Austria with the song "Heroes".
- 1 Origins
- 2 Format
- 3 Participation
- 4 Hosting
- 5 Rules
- 6 Expansion of the contest
- 7 Winners
- 8 Anniversaries
- 9 Criticism and controversy
- 10 Spin-offs
- 11 See also
- 12 Notes
- 13 References
- 14 Further reading
- 15 External links
In the 1950s, as a war-torn Europe rebuilt itself, the European Broadcasting Union (EBU)—based in Switzerland—set up an ad hoc committee to search for ways of bringing together the countries of the EBU around a "light entertainment programme".[11] At a committee meeting held in Monaco in January 1955, director general of Swiss television and committee chairman Marcel Bezençon conceived the idea of an international song contest where countries would participate in one television programme, to be transmitted simultaneously to all countries of the union.[11][12] The competition was based upon the existing Sanremo Music Festival held in Italy,[13] and was seen as a technological experiment in live television, as in those days it was a very ambitious project to join many countries together in a wide-area international network. Satellite television did not exist, and the Eurovision Network comprised a terrestrial microwave network.[14] The concept, then known as "Eurovision Grand Prix", was approved by the EBU General Assembly in a meeting held in Rome on 19 October 1955 and it was decided that the first contest would take place in spring 1956 in Lugano, Switzerland.[11] The name "Eurovision" was first used in relation to the EBU's network by British journalist George Campey in the London Evening Standard in 1951.[12]
The first contest was held in the town of Lugano, Switzerland, on 24 May 1956. Seven countries participated—each submitting two songs, for a total of 14. This was the only contest in which more than one song per country was performed: since 1957 all contests have allowed one entry per country. The 1956 contest was won by the host nation, Switzerland.[15]
The programme was first known as the "Eurovision Grand Prix" (in English). This "Grand Prix" name was adopted by Denmark, Norway and the Francophone countries, with the French designation being "Le Grand-Prix Eurovision de la Chanson Européenne".[16] The "Grand Prix" has since been dropped and replaced with "Concours" (contest) in French, but not in Danish or Norwegian. The Eurovision Network is used to carry many news and sports programmes internationally, among other specialised events organised by the EBU.[17] However, in the minds of the public, the name "Eurovision" is most closely associated with the Song Contest.[14]
|Other language
|Official logo language
|Eurovision Song Contest Grand Prix
|Grand Prix Eurovision de la Chanson Européenne
|Gran Premio Eurovisione della Canzone
|Grand Prix Eurovision de la Chanson
|Eurovision Song Contest
|Grand Prix de la Chanson
|Concours Eurovision de la Chanson
|Eurovisie Songfestival
The format of the contest has changed over the years, though the basic tenets have always been thus: participant countries submit songs, which are performed live in a television programme transmitted across the Eurovision Network by the EBU simultaneously to all countries.[18] A "country" as a participant is represented by one television broadcaster from that country: typically, but not always, that country's national public broadcasting organisation. The programme is hosted by one of the participant countries, and the transmission is sent from the auditorium in the host city. During this programme, after all the songs have been performed, the countries then proceed to cast votes for the other countries' songs: nations are not allowed to vote for their own song.[19] At the end of the programme, the winner is declared as the song with the most points. The winner receives, simply, the prestige of having won—although it is usual for a trophy to be awarded to the winning songwriters, and the winning country is invited to host the event the following year.[15]
The programme is invariably opened by one or more presenters, welcoming viewers to the show. Most host countries choose to capitalise on the opportunity afforded them by hosting a programme with such a wide-ranging international audience, and it is common to see the presentation interspersed with video footage of scenes from the host nation, as if advertising for tourism.[citation needed] Between the songs and the announcement of the voting, an interval act is performed. These acts can be any form of entertainment imaginable. Interval entertainment has included such acts as the Wombles (1974)[20] and the first international presentation of Riverdance (1994).[21]
As national broadcasters join and leave the Eurovision feed transmitted by the EBU, the EBU/Eurovision network logo ident (not to be confused with the song contest logo) is displayed. The accompanying theme music (used on other Eurovision broadcasts) is the prelude to Marc-Antoine Charpentier's Te Deum.[12] Originally the same logo was used for both the Eurovision network and European Broadcasting Union, however they now have two different logos; when the ident is transmitted it is the Eurovision network logo that appears.
The Eurovision Song Contest finals are traditionally held on a Saturday evening in May, at 19:00 UTC (15:00 EDT, 20:00 BST/IST, or 21:00 CEST). Usually one Saturday in May is chosen, although the contest has been held on a Thursday (in 1956; and since 2005 in the semi-finals)[22] and as early as March (in 1979).[23]
Eligible participants include primarily Active Members (as opposed to Associate Members) of the EBU. Active members are those who are located in states that fall within the European Broadcasting Area, or are member states of the Council of Europe.[24]
The European Broadcasting Area is defined by the International Telecommunication Union:[25]
- The "European Broadcasting Area" is bounded on the west by the western boundary of Region 1, on the east by the meridian 40° East of Greenwich and on the south by the parallel 30° North so as to include the northern part of Saudi Arabia and that part of those countries bordering the Mediterranean within these limits. In addition, Armenia, Azerbaijan, Georgia and Ukraine and those parts of the territories of Iraq, Jordan and Syrian Arab Republic lying outside the above limits are included in the European Broadcasting Area.[a]
The western boundary of Region 1 is defined by a line running from the North Pole along meridian 10° West of Greenwich to its intersection with parallel 72° North; thence by great circle arc to the intersection of meridian 50° West and parallel 40° North; thence by great circle arc to the intersection of meridian 20° West and parallel 10° South; thence along meridian 20° West to the South Pole.[27]
Active members include broadcasting organisations, whose transmissions are often made available to at least 98% of households in their own country which are equipped to receive such transmissions.[24]
If an EBU Active Member wishes to participate they must fulfil conditions as laid down by the rules of the contest. A separate copy is drafted annually. As of 2015, this includes the necessity to have broadcast the previous year's programme within their country, and the broadcaster must have paid the EBU a participation fee in advance of the deadline specified in the rules of the contest for the year in which they wish to participate.[citation needed]
Eligibility to participate is not determined by geographic inclusion within the continent of Europe, despite the "Euro" in "Eurovision" – nor does it have any relation to the European Union. Several countries geographically outside the boundaries of Europe have competed: Israel and Cyprus in Western Asia (Cyprus is a member of the Council of Europe and a member state of the European Union), since 1973 and 1981 respectively; Australia in the Australian continent, in 2015[28] and Morocco, in North Africa, in the 1980 competition alone. In addition, several transcontinental countries with only part of their territory in Europe have competed: Turkey, since 1975; Russia, since 1994; Armenia, since 2006; Georgia, since 2007; and Azerbaijan, which made its first appearance in the 2008 edition.[29]
Fifty-two countries have participated at least once.[30] These are listed here alongside the year in which they made their début:
- a) Before German reunification in 1990 occasionally presented as West Germany, representing the Federal Republic of Germany. East Germany (the German Democratic Republic) did not compete.
- b) The entries presented as being from "Yugoslavia" represented the Socialist Federal Republic of Yugoslavia, except for the 1992 entry, which represented the Federal Republic of Yugoslavia. This nation dissolved in 1991/1992 into five independent states: Slovenia, Croatia, Macedonia, Bosnia and Herzegovina and the Federal Republic of Yugoslavia. The Federal Republic of Yugoslavia reconstituted itself as Serbia and Montenegro in 2003—entered the contest in 2004—and finally dissolved in 2006, making two separate states: Serbia and Montenegro; both of which debuted in the contest in 2007, the winner that year being Serbia.
- c) The participation of Australia is intended as a one-off event to commemorate the 60th anniversary of the Contest unless they win in 2015 in which case they will be allowed to defend their crown in 2016. However it was revealed in May 2015 that Australia might become a permanent participant following some reports by Jon Ola to the Swedish broadcaster.[31]
Most of the expense of the contest is covered by commercial sponsors and contributions from the other participating nations. The contest is considered to be a unique opportunity for promoting the host country as a tourist destination. In the summer of 2005, Ukraine abolished its normal visa requirement for visitors from the EU to coincide with its hosting of the event.[32]
Preparations for the event start a matter of weeks after the host wins in the previous year, and confirms to the EBU that they intend to—and have the capacity to—host the event.[citation needed] A host city is chosen—often a national or regional capital city—and a suitable concert venue is identified. The two largest concert venues were Parken in Copenhagen (which held approximately 38,000 people when Denmark hosted in 2001[15]) and the Esprit Arena in Düsseldorf (which held approximately 36,500 people when Germany hosted in 2011). The smallest town to have been hosts was Millstreet in County Cork, Ireland, in 1993. The village had a population of 1,500[33]—although the Green Glens Arena venue could hold up to 8,000 people.[34]
The hotel and press facilities in the vicinity are always a consideration when choosing a host city and venue.[35] In Kiev 2005, hotel rooms were scarce as the contest organisers asked the Ukrainian government to put a block on bookings they did not control themselves through official delegation allocations or tour packages: this led to many people's hotel bookings being cancelled.[36]
Host country
After the first two contests were hosted by Switzerland and Germany, it was decided that henceforth the winning country would host the contest the next year.[15] The winner of the 1957 Contest was the Netherlands, and Dutch television accepted the responsibility of hosting in 1958. In all but five of the years since this rule has been in place, the winning country has hosted the show the following year. The exceptions are:
- 1960—hosted by the BBC in London when the Netherlands declined due to expense. The UK was chosen to host because it had come second in 1959.[37]
- 1963—hosted by the BBC in London when France declined due to expense. Although the UK had only come fourth in 1962, Monaco and Luxembourg (who came second and third) had also declined.[37]
- 1972—hosted by the BBC in Edinburgh when Monaco was unable to provide a suitable venue: Monegasque television invited the BBC to take over due to its previous experience.[37]
- 1974—hosted by the BBC in Brighton when Luxembourg declined due to expense. The BBC was becoming known as the host by default, if the winning country declined.[20]
- 1980—hosted by the NOS in The Hague when Israel declined due to expense, having staged the 1979 event in Jerusalem, and the fact that the date chosen for the contest (19 April) was Israel's Remembrance Day that year. The Dutch offered to host the contest after several other broadcasters (including the BBC) were unwilling to do so.[37] The reluctance of those national broadcasters to stage the contest were due to already having hosted the event during the past couple of years, in addition to the expense involved.
Since 1981, all contests have been held in the country which won the previous year.
Eurovision logo and theme
The current generic logo was introduced for the 2004 Eurovision Song Contest in Turkey, to create a consistent visual identity. The host country's flag appears in the heart of the generic logo. Each year of the contest, the host country creates a sub-theme which is usually accompanied and expressed with a sub-logo and slogan. The theme and slogan are announced by the EBU and the host country's national broadcaster.
The generic logo was revamped in 2014, ten years after the first generic logo was created. The revamped logo was conducted by lead designer Cornelis Jacobs and his team of Cityzen Agency.[38] The logo will be used for the first time in the 2015 Eurovision Song Contest, the 60th anniversary of the contest.
Since the 2002 contest, slogans (or themes) have been introduced in the show (2009 being the only exception). The slogan is decided by the host broadcaster and based on the slogan, the theme and the visual design are developed.
|Host city
|23x15px Tallinn
|"A Modern Fairytale"
|23x15px Riga
|"Magical Rendezvous"
|23x15px Istanbul
|"Under The Same Sky"
|23x15px Kiev
|23x15px Athens
|"Feel The Rhythm!"
|23x15px Helsinki
|"True Fantasy"
|23x15px Belgrade
|"Confluence of Sound"
|23x15px Oslo
|"Share The Moment!"
|23x15px Düsseldorf
|"Feel Your Heart Beat!"
|23x15px Baku
|"Light Your Fire!"
|23x15px Malmö
|"We Are One"
|23x15px Copenhagen
|23x15px Vienna
|"Building Bridges"
Eurovision Week
The term "Eurovision Week" is used to refer to the week during which the Contest takes place.[39] As it is a live show, the Eurovision Song Contest requires the performers to have perfected their acts in rehearsals in order for the programme to run smoothly. In addition to rehearsals in their home countries, every participant is given the opportunity to rehearse on the stage in the Eurovision auditorium. These rehearsals are held during the course of several days before the Saturday show, and consequently the delegations arrive in the host city many days before the event. Journalists and fans are also present during the preceding days, and so the events of Eurovision last a lot longer than a few hours of television.[citation needed] A number of officially accredited hotels are selected for the delegations to stay in, and shuttle-bus services are used to transport the performers and accompanying people to and from the contest venue.[40]
Each participating broadcaster nominates a Head of Delegation, whose job it is to coordinate the movements of the delegate members, and who acts as that country's representative to the EBU in the host city.[41] Members of the delegations include performers, lyricists, composers, official press officers and—in the years where songs were performed with a live orchestra—a conductor. Also present if desired is a commentator: each broadcaster may supply their own commentary for their TV and/or radio feed, to be broadcast in each country. The commentators are given dedicated commentary booths situated around the back of the arena behind the audience.[citation needed]
Rehearsals and press conferences
Traditionally, delegations would arrive on the Sunday before the contest, in order to be present for rehearsals starting on the Monday morning.[citation needed] However, with the introduction of the semi-finals—and therefore the resulting increase in the number of countries taking part since 2004, the first rehearsals have commenced on the Sunday almost two weeks before the Grand Final. There are two rehearsal periods for each country. The countries taking part in the semi-finals have their first rehearsal over four days from the first Sunday to Wednesday. The second is from Thursday to Sunday. The countries which have already directly qualified for the Grand Final rehearse on the Saturday and Sunday.[42]
After each country has rehearsed, the delegation meets with the show's artistic director in the video viewing room. Here, they watch the footage of the rehearsal just performed, discussing camera angles, lighting and choreography, in order to try to achieve maximum aesthetic effect on television.[citation needed] At this point the Head of Delegation may make known any special requirements needed for the performance, and request them from the host broadcaster. Following this meeting, the delegation hold a press conference where members of the accredited press may pose them questions.[43] The rehearsals and press conferences are held in parallel; so one country holds its press conference, while the next one is in the auditorium rehearsing. A printed summary of the questions and answers which emerge from the press conferences is produced by the host press office, and distributed to journalists' pigeon-holes.[44]
Before each of the semi-finals three dress rehearsals are held. Two rehearsals are held the day before (one in the afternoon and the other in the evening), while the third is held on the afternoon of the live event. Since tickets to the live shows are often scarce, tickets are also sold in order that the public may attend these dress rehearsals.
The same applies for the final, with two rehearsals on the Friday and the third on Saturday afternoon before the live transmission of the grand final on Saturday evening.[43] For both semi-finals and for the final, the second dress rehearsal is also the Jury Final, this is where the jury from each country casts their votes. This means that 50% of the result is already decided before the live contests have taken place.[42]
Parties and Euroclub
On the Monday evening of Eurovision Week, a Mayor's Reception is traditionally held, where the city administration hosts a celebration that Eurovision has come to their city. This is usually held in a grand municipally owned location in the city centre. All delegations are invited, and the party is usually accompanied by live music, complimentary food and drink and—in recent years—fireworks.[45]
After the semi-final and grand final there are after-show parties, held either in a facility in the venue complex or in another suitable location within the city.[46]
A Euroclub is held every night of the week: this is a Eurovision-themed nightclub, to which all accredited personnel are invited.[47]
During the week many delegations have traditionally hosted their own parties in addition to the officially sponsored ones. However, in the new 2000 millennium the trend has been for the national delegations to centralise their activity and hold their celebrations in the Euroclub.[47]
Numerous detailed rules must be observed by the participating nations, and a new version is produced each year, for instance the rules specify various deadlines, including the date by which all the participating broadcasters must submit the final recorded version of their song to the EBU. The rules also cover sponsorship agreements and rights of broadcasters to re-transmit the show. The most notable rules which affect the format and presentation of the contest have changed over the years, and are highlighted here.
Live music
All vocals must be sung live; no voices are permitted on backing tracks.[19] In 1999, the Croatian song featured sounds on their backing track which sounded suspiciously like human voices. The Croatian delegation stated that there were no human voices, but only digitally synthesised sounds which replicated vocals. The EBU nevertheless decided that they had broken the spirit of the rules, and docked them 33% of their points total that year for the purpose of calculating their five-year points average for future qualification.[48]
From 1956 until 1998, the host country was required to provide a live orchestra. Prior to 1973, all music had to be played by the host orchestra. From 1973 onwards, pre-recorded backing tracks were permitted—although the host country was still obliged to provide a live orchestra in order to give participants a choice. If a backing track was used, then all the instruments heard on the track were required to be present on the stage. In 1997 this requirement was dropped.[37]
In 1999 the requirement for a live orchestra was abolished: it was left as an optional contribution.[49] The host that year, Israel's IBA, decided not to use an orchestra in order to save expenses, and thus 1999 was the first year when all the songs were played as pre-recorded backing tracks (in conjunction with live vocals).
Each submission must have vocals; purely instrumental music has never been allowed. Originally, competitors were required to sing in their own national language, but this rule has been changed several times over the years. From 1956 until 1965, there was no rule restricting the languages in which the songs could be sung. In 1966 a rule was imposed stating that the songs must be performed in one of the official languages of the country participating, after Sweden presented its 1965 entry in English.[15]
The language restriction continued until 1973, when performers were again allowed to sing in any language they wished.[50] Several winners in the mid-1970s took advantage of this: performers from non-English-speaking countries sang in English, including ABBA in 1974.
In 1977, the EBU decided to revert to the national language restriction. However, special dispensation was given to Germany and Belgium as their national selections had already taken place; both countries' entries were in English.[51]
In 1999 the rule was changed to allow the choice of language once more.[48] Belgium entered the 2003 Contest with "Sanomi", a song sung in a constructed language,[52] finishing in second place. In 2006 the Dutch entry, "Amambanda", was sung partly in English and partly in an artificial language.[52] In 2008 the Belgian entry, "O Julissi", was sung in an artificial language.[52] In 2011 the Norwegian entry, "Haba Haba", which was sung in English and Swahili, was the first song to be sung in an African language, apart from Arabic.[53]
The voting system used in the contest has changed over the years. The current system has been in place since 1975, and is a positional voting system. Countries award 12 points to their favourite song, then 10 to the second favourite, and then scores from 8 down to 1 to another eight songs.[54]
Historically, a country's votes were decided by an internal jury, but in 1997 five countries (Austria, Switzerland, Germany, Sweden and the United Kingdom) experimented with televoting, giving members of the public in those countries the opportunity to vote en masse for their favourite songs. The experiment was a success,[37] and from 1998 onwards all countries were encouraged to use televoting wherever possible. Back-up juries are still used by each country, in the event of a televoting failure. Nowadays members of the public may also vote by SMS, in addition to televoting.[55] From 2013, the public may also vote via a mobile app.[56][57]
The current method for ranking entries is a 50/50 combination of both telephone vote and the votes of five jurymember made up of music professionals in each country.[58] It was first used in the final of the 2009 edition, and extended the following year to the semi-finals. In the event of a televoting(insufficient amount of votes/technical issues) or jury failure(technical issue/breach of rules), only a jury/televoting was used by each country[59][60]
Since 1964 the voting has been presided over by the EBU scrutineer, who is responsible for ensuring that all points are allocated correctly and in turn. The following are the scrutineers and Executive Supervisors of the Eurovision Song Contest appointed by the EBU:
- 23x16px Rolf Liebermann (1956)
- 23x15px Miroslav Vilček (1964–1965)
- 23x15px Clifford Brown (1966–1977)
- 23x16px Frank Naef (1978–1992)
- 23x15px Christian Clausen (1993–1995)
- 23x15px Christine Marchal-Ortiz (1996, 1998–2002)
- 23x15px Marie-Claire Vionnet (1997)
- 23x15px Sarah Yuen (2003)
- 23x15px Svante Stockselius (2004–2010)
- 23x15px Jon Ola Sand (2011–present)
According to one study of Eurovision voting patterns, certain countries tend to form "clusters" or "cliques" by frequently voting in the same way.[61]
Presentation of votes
After the interval act is over, when all the points have been calculated, the presenter(s) of the show call upon each voting country in turn to invite them to announce the results of their vote. Prior to 1994 the announcements were made over telephone lines; with the audio being piped into the auditorium for the audience to hear, and over the television transmission. With the advent of more reliable satellite networks, from 1994 onwards voting spokespeople have appeared on camera from their respective countries to read out the votes.[citation needed] Often the opportunity is taken by each country to show their spokesperson standing in front of a backdrop which includes a famous place in that country. For example, the French spokesperson might be seen standing in front of the Eiffel Tower.
From 1957 to 1962, the participating countries were called in reverse order of the presentation of their songs, and from 1963 to 2003, they were called in the same order in which their songs had been presented (except for 1974). Since 2004, when semi-finals were introduced, the order of the countries' announcements of votes has changed; and the countries that did not make it to the final each year could also vote. In 2004, the countries were called in alphabetical order (according to their ISO codes).[62] In 2005, the votes from the non-qualifying semi-finalists were announced first, in their running order on the Thursday night; then the finalists gave their votes in their own order of performance. Between 2006 and 2010, a separate draw was held to determine the order in which countries would present their votes.[63] In 2011, the voting order was determined by the results of a jury the day before the final so as to create as much suspense as possible when the votes were revealed.[64]
From 1971 to 1973, each country sent two jurors, who were present at the contest venue (though the juries in 1972 were locked away in the Great Hall of Edinburgh Castle) and announced their votes as the camera was trained on them. In 1973 one of the Swiss jurors made a great show of presenting his votes with flamboyant gestures. This system was retired the next year.[37]
In 1956 no public votes were presented: a closed jury simply announced that Switzerland had won.[65] From 1957 to 1987, the points were displayed on a physical scoreboard to the side of the stage. As digital graphic technology progressed, the physical scoreboards were superseded in 1988 by an electronic representation which could be displayed on the TV screen at the will of the programme's director.[66]
In 2006[63] the EBU decided to save time during the broadcast—much of which had been taken up with the announcement of every single point—because there was an ever-increasing number of countries voting. Since then, votes from 1 to 7 from each country have been displayed automatically on screen and the remaining points (8, 10 and 12) are read out in ascending order by the spokesperson, culminating with the maximum 12 points. Countries must announce the country names and points in either English or French and the scores are repeated by the contest's presenters in the other language. The expression douze points when the host or spokesperson states the top score in French is popularly associated with the contest.[49]
Ties for first place
In 1969, four of the sixteen countries taking part, France, Spain, the Netherlands and the United Kingdom, all tied for first place with 18 points each. There was nothing in the rules to decide an outright winner, so all four were declared joint winners. This caused much discontent among most of the other participating countries, and mass walkouts were threatened. Finland, Norway, Sweden and Portugal did not participate in the 1970 Contest as a protest against the results of the previous year. This prompted the EBU to introduce a tie-break rule.[67][68]
Under the current rules, in the event of more than one country scoring the same total number of points, a count is made of the numbers of countries who awarded points to each of the tied countries, and the one who received points from the most countries is declared the winner. If the numbers are still tied, it is counted how many sets of maximum points (12 points) each country received. If there is still a tie, the numbers of 10-point scores awarded are compared—and then the numbers of 8-point scores, all the way down the list. In the extremely unlikely event of there then still being a tie for first place, the song performed earliest in the running order is declared the winner, unless the host country performed first in the running order. Since 2008, the same tie-break rule now applies to ties for all places.[19]
As of 2016, the only time since 1969 when two or more countries have tied for first place on total points alone was in 1991, when France and Sweden both totalled 146 points. At that time, the rules did not include counting the numbers of countries awarding any points to these countries' songs, but began with tallying up the numbers of 12-point scores awarded. Both France and Sweden had received four sets of 12 points. However, because Sweden had received more sets of 10-point scores, they were declared the winners. Had the current rule been in play, France would have won instead.[37]
Each participating broadcaster is required to broadcast the show in its entirety: including all songs, recap, voting and reprise, skipping only the interval act for advertising breaks if they wish.[19] From 1999 onwards, broadcasters who wished to do so were given the opportunity to take more advertising breaks as short, non-essential hiatuses were introduced into the programme.[49] Three major contest preemptions[clarification needed] have taken place since 1999. The Dutch state broadcaster pulled their broadcast of the 2000 final to provide emergency news coverage of a major incident, the Enschede fireworks disaster. Spain's RTVE delayed their broadcast of the second semi-final in the 2009 Contest, due to the Madrid Open tennis tournament. The Albanian state broadcaster deferred their broadcast of the first semi-final in 2012 to provide emergency news coverage of a major bus accident.
Political recognition issues
In 1978, during the performance of the Israeli entry, the Jordanian broadcaster JRTV suspended the broadcast and showed pictures of flowers. When it became apparent during the later stages of the voting sequence that Israel was going to win the contest, JRTV abruptly ended the transmission.[37] Afterwards, the Jordanian news media refused to acknowledge that Israel had won and announced that the winner was Belgium (who had actually come in 2nd place).[69] In 1981 JRTV did not broadcast the voting because the name of Israel appeared on the scoreboard.
In 2005, Lebanon intended to participate in the contest. However, Lebanese law does not allow recognition of Israel, and consequently Lebanese television did not intend to transmit the Israeli entry. The EBU informed them that such an act would breach the rules of the contest, and Lebanon was subsequently forced to withdraw from the competition. Their late withdrawal incurred a fine, since they had already confirmed their participation and the deadline had passed.[70] However, the Eurovision Song Contest albums were still being sold in Lebanese music stores until 2009, with the word Israel erased from the back cover. As of 2010, the albums were banned completely from sale.[citation needed]
In 2009, the song "We Don't Wanna Put In" was selected to represent Georgia. However, the song text was banned by Eurovision as it was interpreted as criticism against Prime Minister of Russia Vladimir Putin after the Russo-Georgian War the previous year. When asked to change the lyrics of the song, the Georgian broadcaster GPB withdrew from the 2009 contest.[71]
- In the first contest in 1956, there was a recommended time limit of 3½ minutes per song.[72] In 1957, despite protests, the Italian song was 5:09 minutes in duration. This led to a stricter time limit of 3 minutes precisely.[73] Since the three-minute time limit was adopted in 1960, some artists have had songs longer than three minutes, which must be edited down to 3 minutes, though some songs exceed that time by a few seconds. Many of the entries also have longer versions (including different languages) for commercial release, and since the 1990s, some are released in additional remixed versions.
- The EBU impose no restrictions on the nationalities of the performers or songwriters. Individual broadcasters are, however, permitted to impose their own restrictions at their discretion.[41]
- From 1957 to 1970 (in 1956 there was no restriction at all) only soloists and duos were allowed on stage. From 1963, a chorus of up to three people was permitted. Since 1971, a maximum of six performers have been permitted on the stage.[41]
- The performance and/or lyrics of a song "must not bring the Contest into disrepute". No lyrics, speeches, gestures of a political or similar nature are permitted. No swearing or unacceptable language is allowed, neither are commercial messages.[19]
- From 1990 onwards, all people on stage must be at least 16 years of age.[19]
- Each performance may consist of a maximum of six people on stage. No live animals.[19]
- Each artist may perform for only one country per year.
- The music and text must not have been published or performed before 1 September of the year before the contest is held. Many countries also have the additional rule that the song shall never have been performed before the relevant national Eurovision Contest. Covers, reworked or sampled versions of older songs are not allowed.[74]
Expansion of the contest
The number of countries participating has steadily grown over time, from seven in 1956 to over 20 in the late 1980s. In 1993, twenty-five countries participated in the competition, including, for the first time, Bosnia-Herzegovina, Croatia and Slovenia, entering independently due to the dissolution of Yugoslavia.[75]
Because the contest is a live television programme, a reasonable time limit must be imposed on the duration of the show. In recent years the nominal limit has been three hours, with the broadcast occasionally overrunning.[49]
Pre-selections and relegation
Since 1993, and following the cessation of the Eastern European OIRT network and the merger with the EBU, there have been more entries than there is time to reasonably include in a single TV show. Several relegation or qualification systems have been tried in order to limit the number of countries participating in the contest at one time. Thus the 1993 Contest introduced two new features: first, a pre-selection competition was held in Ljubljana in which seven new countries fought for three places in the international competition. Bosnia-Herzegovina, Croatia, Estonia, Hungary, Romania, Slovenia and Slovakia took part in Kvalifikacija za Millstreet; and the three former Yugoslav republics, Bosnia-Herzegovina, Croatia and Slovenia, qualified for a place in the international final.[76] Also to be introduced that year was "relegation": the lowest-placed countries in the 1993 score table were not invited in 1994, to allow the countries which failed the 1993 pre-selection into the 1994 Contest. The 1994 Contest included—for the first time—Estonia, Romania, Slovakia, Lithuania, Hungary, Poland and Russia.[77]
Relegation continued in 1994 and 1995;[78] but in 1996 a different pre-selection system was used, in which nearly all the countries participated. Audio tapes of all the songs were sent to juries in each of the countries some weeks before the television show. These juries selected the songs which would be included in the international broadcast.[79] Norway, as the host country in 1996 (having won the previous year), automatically qualified and so did not need to go through pre-selection.[citation needed]
One country which failed to qualify in the 1996 pre-selection was Germany. As one of the largest financial contributors to the EBU, their non-participation in the contest brought about a funding issue, which the EBU would have to consider.[79]
Big Four and Big Five
Since 2000, France, Germany, Spain and United Kingdom have automatically qualified for the final, regardless of their positions on the scoreboard in previous contests, as they are the four biggest financial contributors to the EBU.[49] These countries became known as the "Big Four". On 31 December 2010, it was announced that Italy would compete in the Eurovision Song Contest after a fourteen-year absence and that it would also automatically qualify for the final, joining the other four qualifiers to become the "Big Five", considered by some to be a controversial decision.[80] Germany became the first and, as of 2015, the only "Big Five" country to win the contest since the rule was made in 2000, when Lena Meyer-Landrut won the 2010 Contest. Turkey withdrew from the 2013 Contest with the status of the "Big Five" being one of the reasons cited.[81]
Qualification and semi-finals
From 1997 to 2001, countries qualified for each contest based on the average of their points totals for their entries over the previous five years.[82][83] However, there was much discontent voiced over this system because a country could be excluded merely because of poor previous results, which did not take into account how good a fresh attempt might be. This led the EBU to create what was hoped would be a more permanent solution to the problem. A qualification round, known as the semi-final, was introduced for the 2004 Contest.[84] This semi-final was held on the Wednesday during Eurovision Week, and was a programme similar in format to the grand final, whose time slot remained 19:00 UTC on the Saturday. The highest-placed songs from the semi-final qualified for the grand final, while the lower-placed songs were eliminated. From 2005 to 2007, the semi-final programme was held on the Thursday of Eurovision Week.[85] In these two shows there was enough time to include all the countries who wished to participate.
The ten highest-placed non-Big Four countries in the "grand final" were guaranteed a place in the following year's grand final, without having to qualify. If, for example, Germany came in the top ten, the eleventh-placed non-Big-Four country would automatically qualify for the next year's grand final.[41] The remaining countries—which had not automatically qualified for the grand final—had to enter the semi-final.[41]
At the 50th annual meeting of the EBU reference group in September 2007, it was decided that, with still more nations entering, starting from the 2008 contest onwards two semi-finals would be held,[86] from each of which one could qualify for the final.[87] From 2008 onwards, the scoreboard position in previous years has not been relevant, and—save for the automatic qualifiers—all participating countries have had to participate in the semi-finals, regardless of their previous year's scoreboard position. The only countries which automatically qualify for the grand final are the host country and the Big Five: France, Germany, Italy, Spain and the United Kingdom, who continue to enjoy their protected status.[19]
In each of the semi-finals the voting is conducted among those countries which participate in that semi-final. With regard to the automatic grand final qualifiers, who do not participate in the semi-finals, a draw is conducted to determine in which semi-final each of them will be allowed to vote. In contrast, every participating country in a particular year may vote in the Saturday grand final – whether their song qualified for the final or not.
The ten countries which receive the most votes in each semi-final qualify for the grand final. They are announced by the presenters in English and French, in a random order. Full voting results are withheld until after the grand final, whereupon they are published on the EBU's website.[19]
Winning artists
There have been a number of Eurovision artists and groups whose careers were directly launched into the spotlight following their win. Notable examples were ABBA, who won the contest for Sweden in 1974 with their song "Waterloo", and went on to become one of the most successful bands of all time,[88] and the French Canadian singer Céline Dion, who won the contest for Switzerland in 1988 with the song "Ne partez pas sans moi", which subsequently helped launch her international career.[10]
Other artists who have achieved varying degrees of success after winning the contest include France Gall ("Poupée de cire, poupée de son", Luxembourg 1965), Dana ("All Kinds of Everything", Ireland 1970), Vicky Leandros ("Après toi", Luxembourg 1972), Brotherhood of Man ("Save Your Kisses for Me", United Kingdom 1976), Johnny Logan (who won twice for Ireland; with "What's Another Year" in 1980, and "Hold Me Now" in 1987) and Bucks Fizz ("Making Your Mind Up", United Kingdom 1981),
Several other winners were well-known artists who won the contest mid-career after they had already established themselves, including Katrina and the Waves, winners in 1997 with "Love Shine a Light",[89] Lulu, winner in 1969 with "Boom Bang-a-Bang", and Sandie Shaw, winner in 1967 with "Puppet on a String".
The most recent Eurovision winner was Sweden in 2015. Sweden won for the sixth time and is now only one win behind Ireland, which holds the lead with seven wins.
Winning countries
Ireland holds the record for the highest number of wins, having won the contest seven times—including three times in a row in 1992, 1993, and 1994. Sweden are second with six wins as of 2015. France, Luxembourg and the United Kingdom are joint third with five wins. Next comes the Netherlands, with four victories. Three countries have won three times, Denmark, Israel and Norway. Five countries have won twice, Austria, Germany, Italy, Spain and Switzerland.[90]
The United Kingdom holds the record for the highest number of runner-up placings, coming in second on no less than 15 occasions as of 2015.
The early years of the contest saw many wins for "traditional" Eurovision countries: France, the Netherlands, and Luxembourg. However, the success of these countries has declined in recent decades; the Netherlands last won in 1975; France, in 1977; and Luxembourg, in 1983. Luxembourg last entered the contest in 1993.[91]
The first years of the 21st century produced numerous first-time winners, from both "new" and long-serving countries who had previous entered numerous times but without victories. Every year from 2001 to 2008 inclusive, a country won for its first time. Estonia was the first post-Soviet country to win the competition in 2001. The 2006 winner was Finland, which finally won after having entered the contest for 45 years. Ukraine, on the other hand, did not have to wait so long, winning with only their second entry in 2004.
Serbia won the very first year it entered as an independent state, in 2007, with a ballad in Serbian language.[92] Interestingly, in 2004, Serbia and Montenegro also almost won the initial year it entered as a competitor state, finishing up second behind Ukraine, also with a ballad in Serbian language.[93] Other relatively quick winners were Latvia, who won in 2002, only their third year competing, and Azerbaijan, who won in 2011 in only their fourth year in the competition.[94]
The country that has participated the longest without any win is Portugal, which made its debut in 1964 and has never finished in the top five. Malta is the most successful country without a win, achieving two-second places and two third places.[95]
In 2009, Norway won the contest with 387 points, the highest total in the history of the competition, becoming the first competitor to score 300 or more points, including 16 maximum scores. This feat was emulated in 2012, when Sweden won with 372 points, but with a new record of 18 maximum scores.[95] In 2015, Sweden won the contest with 365 points, becoming the first competitor to ever reach 300 points or more twice while winning both times. Russia placed second with 303 points, becoming the first country to score more than 300 points without winning.
Since the introduction of semi-finals, six countries, other than the big five, have always reached the final: Azerbaijan, Bosnia and Herzegovina, Greece, Romania, Russia, and Ukraine. However, both Bosnia and Herzegovina and Ukraine have missed at least one contest since the inception of the semi-finals.[95] Also Greece is the only country that has qualified from the 1996 Pre-qualifying round and from all the semi finals they've participated.
Songs of Europe
In 1981, a concert television programme was held to commemorate the contest's twenty-fifth anniversary. The event, entitled Songs of Europe, took place in Mysen, Norway, featuring nearly all the winners of the contest, from 1956 to 1981. It was hosted by Rolf Kirkvaag and Titten Tei.
Congratulations: 50 Years of the Eurovision Song Contest
In 2005, the EBU had agreed with the Danish Broadcaster, DR, to produce a programme to celebrate the 50th anniversary of the contest. The show, entitled Congratulations: 50 Years of the Eurovision Song Contest after Cliff Richard's 1968 entry for the United Kingdom, was held in Copenhagen, and featured a competition among fourteen of the most popular songs from the last 50 years of the contest. A telephone vote was held to determine the most popular Eurovision song of all-time, which was won by ABBA's "Waterloo" (winner for Sweden in 1974).[96] The event was hosted by the 1997 Contest winner for the United Kingdom, Katrina Leskanich, and Latvia's representative on its debut at the 2000 Contest, Renārs Kaupers.
Eurovision Song Contest's Greatest Hits
In 2015, the EBU had decided again to commemorate the contest and agreed with the United Kingdom's broadcaster, BBC, to produce a show for the 60th anniversary of the contest, after evaluating several proposals from member broadcasters in regards to the anniversary celebration beyond the 2015 Contest in May.[97][98][99] The event, entitled Eurovision Song Contest's Greatest Hits, took place at the Eventim Apollo in Hammersmith, London[100] and featured fifteen acts from thirteen countries in the official line-up.[101][102] Unlike the 50th anniversary show in 2005 which was broadcast live, this event didn't feature a competition and was pre-recorded to be televised across Europe and other EBU members on various dates schedule by the respective broadcasters. The event was hosted by the British commentator for Eurovision, Graham Norton, and the host of the 2013 Contest, Petra Mede.
In late 2011, the EBU had begun archiving all the contests since the first edition in 1956 in order to be finalised before the 2015 Contest, for the 60th anniversary.[103] It was later reported that the archive is ready and will be released on the 60th anniversary with making the content available to journalists in broadcast-ready formats while also giving public accessibility to "selected content" through the official Eurovision website.[104]
Criticism and controversy
The contest has been the subject of criticism regarding both its musical and political content.[105][106] For example, on rare occasions, certain countries have been booed when performing or received points, specially when being given by a neighbour country. Most recently in 2014, Russia was heavily booed when it qualified to the final and received high points.[107] The reason for the booing is considered to be due to Putin's move in Ukraine and gay objection.[108]
Musical style and presentation
Because the songs are playing to such a diverse supranational audience with contrasting musical tastes, and countries want to be able to appeal to as many people as possible to gain votes, this has led to the music of the contest being characterised as a "mishmash of power ballads, ethnic rhythms and bubblegum pop".[109] This well-established pattern, however, was notably broken in 2006 with Finnish hard rock band Lordi's victory.[110] As Eurovision is a visual show, many performances attempt to attract the attention of the voters through means other than the music, notably elaborate lighting sequences and pyrotechnics; sometimes leading to bizarre on-stage theatrics, costumes, including the use of revealing dress.[111]
Political and geographical voting
The contest has long been accused by some of political bias: the perception is that judges and televoters allocate points based on their nation's relationship to the other countries, rather than the musical merits of the songs.[112] According to one study of Eurovision voting patterns, certain countries tend to form "clusters" or "cliques" by frequently voting in the same way.[61] Another study concludes that as of 2006, voting blocs have, on at least two occasions, crucially affected the outcome of the contest.[113] On the other hand, others argue that certain countries allocate disproportionately high points to others because of similar musical tastes and cultures and because they speak similar languages,[114][115] and are therefore more likely to appreciate each other's music.
Another influential factor is the high proportion of expatriates and ethnic minorities living in certain countries. Although judges and televoters cannot vote for their own country's entry, expatriates can vote for their country of origin.
The total numbers of points to be distributed by each country are equal, irrespective of the country's population. Thus voters in countries with larger populations have less power as individuals to influence the result of the contest than those voting in smaller countries. For example, San Marino holds the same voting power as Russia despite the vast geographic and population differences between them.
To try to reduce the effect of voting blocs, national juries were re-introduced alongside televoting in the final in 2009: each contributing 50% of the vote.[116] This hybrid system was expanded in 2010 to also be implemented in the semi-finals.[117] However, since 1994 no country has won two years in a row, and semi-finals have also been won by different countries, until 2012 when Sweden won the second semi-final in 2011 and 2012. Although many of them used to give their 12 points to the same country each year, like Cyprus and Greece, it has been noticed that factors such as the sets of other high votes received (7, 8 or 10 points) and the number of countries giving points to a specific entry, also highly affect the final positions.
Running order of the participating songs
The final running order of the competing performances at the semi-finals and the final were decided by the producers of the show and approved by the EBU Executive Supervisor and the Reference Group, as had been done since the 2013 Contest, and in contrast to a draw system for the contest's editions up until 2012; that is excluding an ongoing draw method for the host country's direct position at the final.[118] With the aim of making the shows more exciting and ensuring that all contestants had a chance to stand out, preventing entries that are too similar cancelling each other out.[119] The decision elicited mixed reactions from both fans of the contest and participating broadcasters.[120][121][122][123] The running order is decided by the producers, approved by the EBU Executive Supervisor and the Reference Group of the contest, some consider it to be controversial, there can be a risk of corruption, manipulation and benefits for some countries, running position is considered by some to be of importance to the result.[124][125] There has been allegations that EBU and the producers some years deliberately gave some highly ranked artists a bad running position and the favourites of the producers and the EBU had a better starting position.[126][127]
A number of spin-offs and imitators of the Eurovision Song Contest have been produced over the years, some national and other international.
Similar competitions that are still held, include:
- Sopot International Song Festival (1961–1980, 1984–2003, 2005–2009, 2012–present), held in Sopot, Poland, annually.
- Östersjöfestivalen also called Baltic Song Contest (1967–present), held annually in Karlshamn, Sweden.
- Cân i Gymru (1969–1972, 1974–present), held annually in Wales, was intended to be BBC Cymru's pre-selection show when Wales expressed an interest in participating in the 1969 Eurovision Song Contest.
- Intervision Song Contest (1977–1980, 2008, 2015), originally held by the Eastern Bloc countries of Europe and Finland. Now held by Post-Soviet states and members of the Shanghai Cooperation Organisation.
- Caribbean Song Festival (1984–present), held annually between members of the Caribbean Broadcasting Union.
- Junior Eurovision Song Contest (2003–present), for European artists under the age of 16.
- Bundesvision Song Contest (2005–present), held annually between the 16 states of Germany since 2005.
- ABU Song Festivals (2012–present), Two Asia-Pacific versions, the biennial ABU Radio Song Festival and the annual ABU TV Song Festival
- Türkvizyon Song Contest (2013–present), an annual competition that launched in December 2013, for countries and autonomous regions that have Turkish or Turkic links.[128]
Similar competitions that are no longer held, include:
- Castlebar Song Contest (1966–1986, 1988), held annually in Castlebar, County Mayo, Ireland.
- Yamaha Music Festival, also called World Popular Song Festival (1970–1987, 1989), held in Tokyo, Japan annually.
- OTI Festival (1972–1998, 2000), competed and hosted by the Hispanic countries of Europe, South and North America. Countries could only sing in Spanish and Portuguese.
- MGP Nordic (2002, 2006–2009), for artists under the age of 16 in Scandinavia and Finland.
- World Oriental Music Festival (2005), includes participants from Europe and Asia.
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- ^ "Malta slates Eurovision's voting". BBC News Online. 14 May 2007. Retrieved 25 May 2008.
- ^ "BBC News – Russia booed at Eurovision semi-final". BBC. 2014-05-07. Retrieved 2014-05-13.
- ^ "Eurovision 2014: the booing of Russia was a disgrace". Spectator Blogs.
- ^ Majendie, Paul (11 August 2007). "Edinburgh Fringe show celebrates Eurovision kitsch". Reuters. Retrieved 18 July 2009.
- ^ "Eurovision's Diamond Day".
- ^ Paul Allatson, "'Antes cursi que sencilla': Eurovision Song Contests and the Kitsch Drive to Euro-Unity," in the Special issue on Creolisation: Towards a Non-Eurocentric Europe, in Culture, Theory and Critique, vol. 48, no. 1 (Spring 2007): 87–98.
- ^ "Eurovision votes 'farce' attack". BBC News Online. 16 May 2004. Retrieved 15 July 2006.
- ^ Derek Gatherer. "Comparison of Eurovision Song Contest Simulation with Actual Results Reveals Shifting Patterns of Collusive Voting Alliances.", Journal of Artificial Societies and Social Simulation vol. 9, no. 2. 31 March 2006. Retrieved 14 May 2011.
- ^ Ginsburgh, Victor and Abdul Noury. 2006. The Eurovision Song Contest Is Voting Political or Cultural?
- ^ Spierdjik, Laura; Vellekoop, Michel (18 May 2006). "Geography, Culture, and Religion: Explaining the Bias in Eurovision Song Contest Voting" (PDF). rug.nl. Retrieved 18 April 2007.
- ^ Viniker, Barry (8 December 2008). "EBU confirms 50/50 vote for Eurovision Song Contest". ESCToday. Retrieved 8 December 2008.
- ^ Bakker, Sietse (31 December 2009). "Exclusive: 39 countries to be represented in Oslo". EBU. Retrieved 31 December 2009.
- ^ "Heads of Delegations meet in Vienna". eurovision.tv. European Broadcasting Union. Retrieved 16 March 2015.
- ^ Siim, Jarmo (7 November 2012). "Running order Malmö 2013 to be determined by producers". European Broadcasting Union. Retrieved 9 November 2012.
- ^ Repo, Juha (8 November 2012). "Mixed feelings about Eurovision rule change". ESCToday.com. Retrieved 22 November 2012.
- ^ Jiandani, Sanjay (19 November 2012). "Ireland reacts to running order rule". ESCToday.com. Retrieved 22 November 2012.
- ^ Sanjay, Jiandani (16 November 2012). "San Marino reacts to running order rule". ESCToday.com. Retrieved 22 November 2012.
- ^ Jiandani, Sanjay (14 November 2012). "Moldova reacts to running order rule". ESCToday.com. Retrieved 22 November 2012.
- ^ Gavster. "Producers To Decide Eurovision Running Order". esctips.com.
- ^ "eurovision 2013 running order rule change controversy". Eurovisiontimes. November 9, 2012. Retrieved 23 May 2015.
- ^ Fahl, Hanna (22 May 2015). "Startnummeranalys". DN. Retrieved 23 May 2015.
- ^ Färsjö, Therese (22 May 2015). "De är hotet mot Måns Zelmerlöw i finalen". Expressen. Retrieved 23 May 2015.
- ^ Granger, Anthony (21 September 2013). "Turkvision a snub at Eurovision?". Eurovoix.com. Retrieved 21 September 2013.
Further reading
- Raykoff, Ivan and Robert D. Tobin (eds.), A Song for Europe: Popular Music and Politics in the Eurovision Song Contest (Burlington, VT: Ashgate, 2007).
- Yair, G; (1995). 'Unite Unite Europe' The political and cultural structures of Europe as reflected in the Eurovision Song Contest, Social Networks. 17: 147–161.
- Yair and Maman (1996). The Persistent Structure of Hegemony in the Eurovision Song Contest, Acta Sociologica. 39: 309–325
External links
|Wikinews has related interviews:
- 16x16px Media related to Eurovision at Wikimedia Commons
- 16x16px Quotations related to Eurovision Song Contest at Wikiquote
- Eurovision Song Contest official website
- Eurovision Song Contest's channel on YouTube
Template:Eurovision Song Contest


text:
Steven Brent necesitaba un nuevo diseño de impreso o envases y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 18 diseños de 10 diseñadores freelance.
Lifestyle Fitness 24/7
Lifestyle Fitness 24/7, based in Las Vegas Nevada, is a state-of-the-art 24 hour fitness center.
We provide members a fast, convenient and affordable workout alternative to oversized, overpriced and overcrowded health clubs.
Our facilities feature 24 hour 7 day a week access, cardio and strength-training equipment that set industry standards, value-add fitness services not available at comparable clubs and a safe, and a secure environment.
At Lifestyle Fitness, we understand how important convenience is to our members. People want to exercise on their own terms, whenever their busy schedules allow, close to their homes and work places. That's why Lifestyle Fitness clubs are open 24/7, allowing members to work out any time of the day or night, even when our clubs are not staffed.
Other features which separate Lifestyle Fitness from the rest of the pack include 24-hour tanning facilities and our integrated use of access software, security, and surveillance systems.
We offer our members straight forward pricing.
No Contracts
No Hidden Fees
No Enrollment Fees
No B.S.
Our Target markets are people ages 18-45 who are local to our locations. Our facilities are open to both males and females.
This is a flyer design project. We are looking for a double sided flyer that is 6'x11' in size.
I will attach an existing flyer we have had designed. I would like to use the same vector background to keep our design consistence. Please pull the vector off the attached file.
As far as wording goes, I would like to emphasize:
No Contracts, No Hidden Fees, No B.S.
And add a little coupon section in a corner that says "Bring this flyer in and get $20 in Dues Buy Down Bucks"
I would also like a map showing the location of the facility and of course our name, logo, address, and phone number on the design.
I like having pictures on the flyer but will leave that to the designers.
I have attached our logo and past flyer.
Our colors are light blue (Pantone 2935) and gray (Pantone 425)
Our Address is:
8680 W Warm Springs Rd #140
Las Vegas, NV 89148
Website is http://www.lifestylefitness247.com
Telephone number is: (702) 256-2424

subset: commoncrawl


text:
Disclaimer: You do that because you want it. Noone forces you to do that. Problems always can be solved, I will help as much as I can.
you can now watch a video where you see how to do it. But quality, sorry I have no good camera.
This will downgrade your hboot to 1.49.0007
If you is branded by any other carrier then vodafone, this won't work. (Unbranded Device's too)
Why is that so? Because it is not possible til now to debrand your device.
I have tried plenty things with some friends, sadly no luck at all.
CID changing does not work for branded devices, if there is not more than one RUU.
This Tool will work, if your device has one of the following CID's.
cidnum: HTC__001 cidnum: HTC__032 cidnum: HTC__A07 cidnum: HTC__102 cidnum: HTC__304 cidnum: HTC__203 cidnum: HTC__E11 cidnum: HTC__N34 cidnum: HTC__405 cidnum: HTC__Y13 cidnum: HTC__016 cidnum: HTC__J15
This Tool will work, if your device has one of the following CID's.
cidnum: VODAP001 cidnum: VODAP102 cidnum: VODAPE17 cidnum: VODAP304 <New> cidnum: VODAP120 cidnum: VODAP203
How to:
- Download this Tool for an unbranded device
- Download this Tool for a vodafone branded device
- Download this Tool for a vodafone branded device with CID VODAP120 OR VODAP203!
- RUN Step1.exe
- RUN Step2.exe
- RUN Step3.exe
It might stuck at the very end of the procedure.
Don't worry, it's okay. Just remove battery and reboot.
Please, if you are experience problems, describe everything you have done and I will try to help.
Have fun and enjoy your freedom.
Always remember; you are a noob on xda I am also one, so does not one feel attacked.
HTC for the leck
Revolutionary Team for ZergRush
s_uperman for the idea


text:
Welcome to Premier Foot Clinic's Online Store
We are pleased to offer the products we trust and recommend to our patients.
We offer this site to our patients as a way to ensure that you get the products and devices that we believe will best assist you in your treatment. Many of the products available here, are not available through regular retailers or pharmacies, but are only dispensed by doctors. Our intention is to make it simple and easy for you to find the products you need, in one central location.
Please visit Our Store today!
If you have a question about any of the products you see on this site, please call toll free 1.866.610.2238 or email us.
If you have a medical question related to these products, please contact Premier Foot Clinic directly.


text:
NEW YORK (AP) — Dallas has been so bad that Dirk Nowitzki wasn't aware the Mavericks hadn't won on the road in more than a month.
"I didn't even know it's been this long," he said. "We keep playing hard. There's obviously some teams that are going for some losses now, and we're one of the teams that still wants to win and we'll see where we end up at the end in the draft."
Probably right around the Knicks, because they look every bit as bad.
Harrison Barnes scored 30 points and Dallas turned around the game in the third quarter on its way to a 110-97 victory Tuesday night over New York, which lost its eighth straight game.
Dallas couldn't stop New York early, and then dominated the second half to win for the third time in four games, with only a loss to NBA-leading Houston in that stretch.
Rookie Dennis Smith Jr. added 17 points for the Mavs and Nowitzki had 13. Yogi Ferrell finished with 10, but eight came during a game-changing 14-0 run in the third quarter. Smith said it was clear the Knicks' spirits sagged during that stretch.
"Yeah, they lost a little spunk whenever we really locked in defensively," he said.
Dallas (22-46) ended a six-game road skid with its first victory since Feb. 3 at Sacramento.
Michael Beasley scored 21 and Tim Hardaway Jr. had 19 for the Knicks (24-44), who got a visit from Kristaps Porzingis before the game and then showed again that they have no hope of winning without him. They lost for the 16th time in 17 games, most coming since their All-Star forward tore his left ACL on Feb. 6.
This one looked as if it could be different when the Knicks made 17 of their first 24 shots against defenseless Dallas. But the Mavs made enough shots of their own to stay in the game, then surged ahead after halftime.
"They kind of lit us up there in the first quarter and I thought after that we adjusted pretty well, made it a little harder," Nowitzki said.
It was tied at 64 before Barnes scored on a follow shot to start the 14-0 spurt that included two 3-pointers and another basket by Ferrell.
Dallas outscored New York 26-12 in the third, a problematic period lately for the Knicks.
"I think it's a lack of focus," guard Trey Burke said. "First half we play a certain way. Second half we have our stretches where we are not as locked in as we need to be on the defensive end. It showed tonight and it is showing last couple of weeks."
New York closed within four in the fourth quarter as Burke led a rally, but Smith made a 3-pointer and Barnes followed with four straight points to put it away.
Mavericks: Dorian Finney-Smith started after sitting out against Houston while continuing his recovery from left quadriceps tendinitis.
Knicks: Enes Kanter (back spasms) and Lance Thomas (sprained right thumb) were back in the starting lineup. ... The Knicks signed F Troy Williams for the rest of the season after the expiration of his second 10-day contract. Williams averaged 8.1 points in eight games after signing the initial contract on Feb. 21.
Porzingis said Tuesday there is no timetable for his return from his knee injury, which will keep him out the remainder of this season and at least some of the next. The All-Star forward was hurt upon landing after a dunk against Milwaukee on Feb. 6. The 7-foot-3 forward said there was sharp pain when the injury happened, but that he quickly felt better and thought he'd be able to go back into the game. But doctors sent him for testing, which revealed the tear.
"I was shocked at first. I couldn't believe that it happened to me, and then about 30 seconds later I said, 'OK, what can I do now?'" Porzingis said. "Now it's just time for me to make a comeback and then I focused on the next thing, and that was prepare myself for the surgery."
The Mavericks won the lottery Tuesday for the first pick in the inaugural NBA 2K League draft. Mavs Gaming will select first in the April 4 draft at Madison Square Garden, followed by Celtics Crossover Gaming and Jazz Gaming. Knicks Gaming will select ninth in the 17-team esports league.
Mavericks: Visit Toronto on Friday.
Knicks: Host Philadelphia on Thursday.
Copyright 2018 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


text:
As a consumer concerned about my family's health, I ask that the U.S. Food & Drug Administration reject the food industry's latest plan to preempt state and federal mandatory GMO labeling laws, a plan that includes asking the FDA to provide weak, voluntary rules.
More than 60 other countries have banned GMOs, or require labels on foods that contain them. But here in the U.S., consumers remain unprotected. It's time to correct this wrong.
Mounting scientific evidence supports the claims that GMO crops and foods that contain GMOs pose a real risk to human health, and the health of the environment. Without mandatory GMO labeling, there is no way to fully understand the impact of GMOs on public health or conduct epidemiological research on diets containing GMOs. There is no traceability, and no accountability.
More than 90 percent of consumers polled say they want strong, mandatory labeling laws, not weak, voluntary laws designed to protect industry profits.
The FDA made the wrong decision in 1992 when it ruled that genetically engineered foods were "substantially equivalent" to non GE foods. It's time for the FDA to protect consumers, not corporations.
Organic Consumers Association
This petition closed almost 5 years ago
The food industry has drafted a bill intended to preempt state mandatory GMO labeling laws by substituting a weak, watered-down federal "solution" that would limit the U.S. Food & Drug...
The food industry has drafted a bill intended to preempt state mandatory GMO labeling laws by substituting a weak, watered-down federal "solution" that would limit the U.S. Food & Drug Administration's ability to require mandatory labeling of genetically modified organisms (GMOs) in food ingredients.
Tell the FDA: U.S. Consumers Want Mandatory GMO Labeling Laws, Not Watered-Down, Voluntary Rules!
The Grocery Manufacturers Association (GMA), which represents more than 300 food manufacturers and trade groups, and companies like Coca-Cola, Pepsi, General Mills, Nestle, Unilever and others, spent millions of dollars to defeat GMO labeling initiatives in California and Washington State.
Now, fearful that states like Vermont, Oregon, Colorado and others will pass mandatory GMO legislation, similar to laws passed last year in Connecticut and Maine, Big Food wants to cut a deal with Congress and the FDA. A deal that will provide no meaningful protection for consumers, and hand industry yet another free pass to poison and pollute.
As part of the food industry's plan, the FDA would finalize its 2001 voluntary guidance for GMO labeling and rule against mandatory labeling laws at both the state and federal levels.
The GMA's bill also calls for the FDA to allow the use of the word "natural" on products that contain GMOs. On January 6, the FDA rejected a court request to define the word "natural," claiming it would be a long and complicated process, and that the agency has more pressing issues. The move could be a sign that the FDA will cave to the food industry's demands to allow GMO foods to be called natural.
More than 60 countries have banned GMOs, or require mandatory labeling of foods that contain GMOs. Yet here in the U.S., consumers are denied this same basic protection.
Consumers have been clear. More than 90 percent of us want mandatory GMO labeling laws. No voluntary schemes. No watered-down regulations. No compromises.
The FDA made the wrong decision in 1992 when it ruled that genetically engineered foods were "substantially equivalent" to non GE foods. It's time for the FDA to protect consumers, not corporations.


text:
Call Me Montana
French Montana ft. Drake
Call me Montana, call me Montana
Frenchy Montana
Fresh up out the streets, call me Montana
Hottest out the East, Frenchy Montana
Got this little thing
Stomach's so polluted homie play with my franks
Now I'mma shoot em with the chopper like Omar
I be in a coma, sleeping with them black shades
Say she's in a a coma
Junkie for a woman
Belly for a bag
And I'm about go to see Sosa
Got it in the bag, getting money like the ace
Everybody startin
Black and white Mercedes
SLR McLaren from the gutter where I come
Porsche with the fog lights in case I'm in the swamp
Drove the Bentley drunk
When I saw you knew you're mine
Looking like a tiger
Anything you want I'm buying
I stand like a cycle
On the hood you see a stallion
Passenger's a stallion
Niggas getting nervous
I'm passing out the valium
I suggest you pop it
But please don't get too sleepy
Used to have them bitches twerking
Up in 400 West Peach Street
Now them same hoes will see me
Be like 'if this is how you feeling
Used to stay up after 12
Now you're worth like $12 million!
Boy you did it, boy you did it!
You did the unexpected!'
I say 'fuck the unexpected I just did
What I projected'
I swear young women are lost these days
But older women dig me
Fucking women that knew Biggie
So it really ain't no biggie
It's just OVO and XO, and Free Bands is the committee
And shout out to Toronto, bitch I'm Tony in my city
Comparte si te ha gustado


text:
Liverpool manager Brendan Rodgers has been struck down by illness and will miss his side's Premier League fixture at Queens Park Rangers on Sunday, the club said.
Assistants Colin Pascoe and Mike Marsh will take charge at Loftus Road after Rodgers was sent home by team doctors after succumbing to a likely virus, a statement on the club's website said.
The statement added: "It was impossible for him (Rodgers) to be in close proximity with the players."
Liverpool are 10th in the standings with QPR at the bottom ahead of their kickoff.