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Ladies get to grapple with Jets
GIVEN what they were wearing as they trained with the Ipswich Jets on Tuesday night, the women of the new Ladies Football League could be forgiven for wishing it was a summer competition.
But they are nothing if not tough, and they hope to prove it to Ipswich tomorrow night.
As a curtain raiser to the Jets' Queensland Cup clash with Mackay at the North Ipswich Reserve, women from the Ipswich Miners, Brisbane Thunder and Gold Coast Angels gridiron teams will put on an exhibition match.
They have already had one game, with Ipswich's Nicola Schoultz pumped for a second chance to get physical.
"The girls played really hard," Schoultz said. "I think a few girls were a bit nervous."
The women were able to share tips with Jets players on Tuesday, including three former gridiron players.
Former University of Hawaii running back Jayson Rego had just one piece of advice.
"When they tackle, keep their heads up and wrap up," Rego said.
The Ladies Football League game kicks off at 6pm tomorrow.


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Francisco Rodriguez today issued the following statement regarding the resolution of his grievance against the New York Mets:
"As I have expressed in the past, I deeply regret the incident that occurred on August 11, 2010. I sincerely apologize to Fred Wilpon, Jeff Wilpon and Saul Katz, Mets' fans, my teammates, and the entire Mets' organization. I have worked hard since the incident to make myself a better person and member of this organization. I have been participating in an anger management program since August, and I will continue in the program for the foreseeable future. I feel that anger management counseling is undoubtedly making me a better person and a better father, and will make me a better teammate and member of this great organization.
"I am responsible for my injury that occurred as a result of this incident, and prevented me from finishing the season with the Mets. As a result, I have instructed the Major League Baseball Players Association not to pursue the issue raised in the grievance regarding payment of my salary during the time that I was injured. Personally, in this situation, I do not feel that it is right for me to take a salary for the period of time in which I could not contribute as a player as a result of my off-field actions. In addition, I am directing each of my $100,000 annual charitable contributions to New York metropolitan area charities that further the purposes of the New York Mets Foundation.
"I appreciate the faith and support that this organization has shown me throughout this matter. I look forward to being a part of the 2011 Mets and hopefully beyond. I want to put these issues behind me, and behind this organization and its fans. I have instructed my attorneys to work toward amicably resolving the other legal matters resulting from this incident. I want my focus to be on my family, my team and being the best closer in baseball in 2011."
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subset: commoncrawl


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You can install a master system with a Solaris Flash archive for an initial installation by using any installation method: Solaris installation program, custom JumpStart, Solaris Live Upgrade, or WAN boot. All files are overwritten. The Solaris Flash installation is a five-part process.
Install the master system. You select a system and use any of the Solaris installation methods to install the Solaris OS and any other software.
(Optional) Prepare customization scripts to reconfigure or customize the clone system before or after installation.
Create the Solaris Flash archive. The Solaris Flash archive contains a copy of all of the files on the master system, unless you excluded some nonessential files.
Install the Solaris Flash archive on clone systems. The master system and the clone system must have the same kernel architecture.
When you install the Solaris Flash archive on a system, all of the files in the archive are copied to that system. The newly installed system now has the same installation configuration as the original master system, thus the system is called a clone system. Some customization is possible:
Scripts can be used for customization.
You can install extra packages with a Solaris Flash archive by using the custom JumpStart installation method. The packages must be from outside the software group being installed or a third-party package.
(Optional) Save a copy of the master image. If you plan to create a differential archive, the master image must be available and identical to the image installed on the clone systems.
For step-by-step instructions, see Installing the Master System.
Figure 1–1 shows an installation of clone systems with an initial installation. All files are overwritten.


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SUNNYVALE — Google (GOOG) confirmed Thursday it has leased a big office building in Sunnyvale where the technology titan could move 1,000 employees — part of an eye-popping growth surge of nearly 1 million square feet of leases in about a month.
Mountain View-based Google leased the offices in a five-building complex called Technology Corners near the intersection of Innovation Way and 11th Avenue in Sunnyvale. The latest lease gives Google all five buildings in the office development, as well as a cafeteria building, said Katelin Jabbari, a spokeswoman for the Internet giant.
In a lease deal last year, Google rented 715,000 square feet at the complex, according to Phil Mahoney, an executive vice president with commercial real estate firm Cornish & Carey Newmark Knight Frank, who is marketing the Technology Corners complex. That earlier deal and the new lease give Google a total of 947,000 square feet of offices in the project, which was developed by realty firm Jay Paul.
Based on typical zoning and planning guidelines, the five buildings could accommodate 3,800 to 4,700 Google employees.
"Google is growing like gang busters," said Chad Leiker, a vice president with Kidder Mathews, a commercial real estate firm. "They are taking a lot of space this year."
Including the latest deal, Google within the last 30 days has leased about 900,000 square feet of offices in Mountain View and Sunnyvale.
Together, the leases within the past few weeks would enable Google to move 3,600 to 4,500 employees into the various buildings.
In mid-August, Google confirmed it had struck a deal to lease a 500,000-square-foot office complex in Mountain View on the site of the former Mayfield Mall shopping center that could accommodate 2,500 workers. Then at the end of August, it leased an additional 168,000 square feet in Mountain View in a project developed by Sobrato Organization, an office center large enough for 800 workers.
Google also is laying plans for a 1 million-square-foot campus on the NASA Ames Research Center site, a short distance from its headquarters in Mountain View.
"This is great for the real estate market and the job market," said Jim Beeger, a senior vice president with Colliers International, a commercial realty firm. "Google is accounting for a huge amount of the total leasing activity in Santa Clara County."
Contact George Avalos at 408-859-5167 or 408-373-3556. Follow him at Twitter.com/georgeavalos.


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DGBigHead Aussie (Brown Merle Tan)
Supercute Australian Shepherd. Another DGBighead design. #bigheads #aussie #australianshepherd See more designs and merchandising in DoggyGraphics.com and http://shop.doggygraphics.com
A wardrobe staple, this men's classic t-shirt in a relaxed fit will update any look. • Fitted • Solid colours: 100% cotton • Heather colours: 65% cotton, 35% polyester
Your order will be printed exclusively for you within a few days. If you are in the US, Canada or Europe, you will receive your order within 3-7 business days after printing is complete. For all other countries, please allow between 10-14 business days.


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Industrial ruins. Abandoned institutions.
Continue exploring in the Galleries
or, Browse the full archives
The Control Room, Forgotten from the Richard L. Hearn Generating Station
Sunken Windows from the Toronto Power Generating Station
For about 10 years, I photographed various abandoned power stations, factories and industrial environments.
This site is the documentation of those explorations.
For more details, see the About page.
Invisible Threads is run by Kendall Anderson, a reformed architect masquerading as a software designer living in Toronto, Canada.
For licensing, print purchases and any other questions about the photography on this site, please Contact me.
Copyright © 2003–2019 Kendall Anderson / Invisible Threads.


text: PLEASE SPONSOR Peter Reuter Amount Raised $200.00 Fundraising Goal $200.00 DONATE NOW My Message Wars don't end on the battlefield. The burdens of military service take a large toll on our nation's veterans, who experience increased homelessness and suicide. Homeless veterans face a host of bureaucratic barriers on the path to successful civilian lives. Connecticut Veterans Legal Center helps veterans overcome legal barriers to housing, healthcare and income. CVLC was the first legal services organization in the country to be co-located, and staffed on a daily basis, within a VA community mental health facility. This is why I'm participating in The RIDE For Our Vets. The funds raised through The RIDE allow CVLC to serve hundreds of deserving Connecticut veterans each year. For every $1 raised, CVLC returns $8 to veterans in increased income and reduced debt. Need I say more? Donate now and change a veteran's life! Event Date Jun 16, 2018 5:00 AM Location Name Point72, Stamford, CT My Team Peter is part of Team BMO View Team Page %TeamName% is affiliated with %CorporateTeamName% View %CorporateTeamName% Page This field only allows 200 characters. My Supporters (1) Field is required Failed to post the message This field only allows 200 characters Post Message BMO Sponsorship donated $200.00 t May 15, 2018 9:34 AM View All View Less An anonymous donor an undisclosed amount donated left a message Are you sure? Yes No recently posted My Supporters (%NumOfSupporters%)


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Ratings agency Moody's Investors Service stripped France of its prized triple-A credit rating on Tuesday, triggering worries the move could heighten the risk of a downgrade for other top-rated nations, including the United States and the single currency bloc's largest economy Germany.
"The downgrade is extremely significant considering there has been a lot of talk about the U.S. being downgraded as well. The first image that comes to mind is a line of dominos all standing upright, and one of them now tipping," Ben Lichtenstein, president at Tradersaudio.com told CNBC Asia's "Squawk Box" on Tuesday, adding that the spotlight could turn to Germany next.
Moody's lowered France's sovereign rating by one notch to Aa1 from Aaa, citing the country's "deteriorating" economic prospects and the consequent risk to government finances. The ratings agency kept its negative outlook on the country.
Standard and Poor's, which downgraded France by one notch in January, has an AA-plus rating and a negative outlook on the country. Fitch Ratings has a triple-A rating for the country, but with a negative outlook.
While France posted a surprise 0.2 percent rise in gross domestic product (GDP) for the third quarter, driven by household consumption and exports, the ratings agency said there are many risks to its growth outlook, pointing to rising unemployment and constraints to consumption as a result of tax increases and a subdued income growth.
The downgrade has called into question the resilience of Europe's strongest or "core" economies, and the case for buying debt issued by highly-rated sovereigns, said experts.
"What was originally a periphery story - that was going on in Greece, Portugal, Spain and Italy - is moving more to the core countries. France was one of those core countries which was in a stronger position," Paul Bloxham, chief economist for Australia and New Zealand at HSBC, said, adding that going forward, there's a possibility the ratings of other "core" countries will get reassessed.
The downgrade, coupled with the sharp deterioration in Europe's economic momentum, highlights the continued fragility of the euro zone, he added.
Clem Chambers, CEO of financial information website ADVFN agrees that France's downgrade has placed other major economies' sovereign ratings at risk.
"You're seeing downgrades as a part of an overall pattern that is to do with sovereign debts that are not reparable. (There are) balance of payments issues that are unsustainable," Chambers said.
"France is the next domino, and the markets will attack France. The domino will continue from there and it will go to America," he said, adding that investors underestimate the "desperate straits" of debtor countries.
Germany in a Better Position
Jacob Kirkegaard, research fellow at Peterson Institute for International Economics, however, notes that on a comparative basis, Germany's in a much healthier fiscal position than its neighbors.
"Germany fundamentally looks a lot stronger than France, even though the countries have the same debt-to-GDP levels," he said, citing the country's current account surplus of around 6 percent of gross domestic product (GDP) - compared to France which has a current account deficit of 2 percent.
(Read more: Can Germany Stay at Top of Euro Zone Ratings Class?)
According to Sean Callow, senior currency strategist at Westpac Bank, France's downgrade is unlikely to have a significant knock-on effect for the ratings of other nations.
"Given that S&P had already downgraded France in January, essentially, Moody's is just aligning it with the S&P rating. For Germany, it would be a whole different story and that's not something we're expecting in the near-term," he said.


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There's a long-standing — and incorrect, I think — view amongst publishers that a game pirated is a game stolen.
It's not (who says they'd ever have bought a copy anyway?), and in a great piece over on Gamasutra, Irish designer Tadhg Kelly (formerly of Lionhead) argues an even better reason why this isn't the case. Instead, he says, we shouldn't think of pirates as thieves. We should think of them as fans, and change the video game business accordingly.
Talking about publisher's stance on piracy, he says "They're seeing their business as a content business, where the content is the thing that has value. This is not the case."
"The games industry, like all the arts, is about finding and interacting with fans, so that value comes from a relationship."
"What it means is that your game, and you as a developer, needs to be built with the idea of forming a connection with players, and to do so with as many players as possible. The relationship that you establish with those players is the true source of revenue and success."
It's perhaps a little "pie in the sky" for big publishers as they exist today, but as Kelly's full article explains, there's something fundamentally broken with that, too, something that actually in some ways encourages piracy. It's an interesting read, if only because it seeks to tackle "piracy" not from a direct, reactionary standpoint but in terms of changing the entire business of video games.
Opinion: Game Developers Should Love Their Pirates [GameSetWatch]


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The Classpath
Of all the barriers to entry for beginning Java developers, the classpath is probably the most baffling. The problem is compounded by the fact that the documentation isn't the greatest. Even after reading the official documentation, I've seen countless beginners still struggle with the concept. The biggest problem, I think, is that the documentation separates what should be one topic in to three. So here I'm going to tackle three subjects at once in hopes of making a coherent whole: the classpath, packages, and imports.
Just about any non "Hello, World" program is going to need to import something. Imports are handled, conveniently enough, using the import keyword. Items are imported using their fully qualified class names, or FQCN . For example, to import the IOException thrown by virtually any method involving anything remotely related to IO, you would say: import java.io.IOException. This makes the class IOException available without having to fully qualify it every time it appears in your source code. You could of course just use the full name all the time. That's completely valid and completely annoying.
Now, sometimes you'll have no choice but to fully qualify a class name. For example, (just to stick with classes in the JRE) there's a java.util.List and a java.awt.List . They do completely different things but are conveniently named the same. In the case where you find yourself needing to use both classes, you can import one but you'll have to fully qualify the other. My advice is to import the more frequently used class and fully qualify the other. The more libraries you use the more likely you are to run in to this problem.
Going back to that import for a moment, let's dissect that line:
import java.io.IOException;
Apart from the import keyword, there are two important components to note here. As I've hinted at earlier, IOException is the class name. java.io is the package name. This is the part of the FQCN that makes it "fully qualified." You will need at least this much to import anything. Like many other languages, Java supports wildcard, or star, imports. Personally, I consider wildcard imports bad practice because they can pull in too much and pollute the local namespace. They can also lead to confusing errors in the middle of your code because you didn't import what you thought you did. I find it best to explicitly import each class that you need so that you're always sure what you're getting. That's a stylistic preference and many will argue the opposite. Just know that those people are all wrong. Regardless, imports are a compile time construct and have no bearing on the structure or runtime performance of the compiled bytecode.
So what are packages? Simply put, packages are namespaces in which classes are declared. They serve as logical or functional grouping to help you organize your code. They can also serve to isolate your code from other sections based on the access control modifiers you put on your classes and class members. There's not a whole to say about them but there are a few things to note.
Packages are flat namespaces. Take these two packages: java.awt and java.awt.event . These two have almost nothing to do with each other. The names are "nested" simply to provide a logical grouping showing that the classes in java.awt.event are logically related to those in java.awt. However, importing "java.awt.*" will not import anything from java.awt.event nor any other subpackages of java.awt. This is one of many reasons I discourage the use of star imports as mentioned above. I've lost count of the beginners who make this mistake.
So how do you make a package? Two things: a directory and a keyword. You can declare that your class lives in a particular package by putting something like the following at the top of your source file:
package org.something.somethingelse;
The recommended package structure is the reverse order of your domain name. This works well for companies who actually have a domain name but if you're a student or a 14-year old in your bedroom, that likelihood diminishes rather quickly. Other options I've seen are to include whatever hosting service you're using for your source repository (provide that it's open source). For example, if you put your code up on github, I've seen people use com.github.projectname as a package structure. This works fine until you move your project somewhere else and then that package name gets slightly moldy. Barring that, you're free to use whatever package structure you want. You just want to make sure that it's globally unique so that you don't end up sharing a namespace with someone else.
Another thing to note before we move on from packages, is that the package structure reflects where on the disk your code lives. We'll see why in the next section, but for now just know this: if your source file is Foo.java with a package statement of org.something.somethingelse, it should live in path structure on disk that looks like this:
<some root>/org/something/somethingelse/Foo.java
Those directories and the package statement need to match up. When you compile your source, the .class file will be created in a directory structure matching your package structures.
You've created your class with packages and everything. You've compiled it. And now you'd like to use that class. Before you can do that, though, you have to tell the JVM where to find it. How do you do that?
The Classpath
Finally. What you came here to learn about in the first place. There's nothing magical about the classpath. Think of it as the JVM analog of your operating system's PATH. It's a value that tells the JVM where to look for your classes. There are handful of ways to do this. The most basic version is to use the CLASSPATH environment variable. Using a global CLASSPATH (one visible to every user and application on your system) is generally a bad idea but if you set the CLASSPATH variable in a script, say, before launching your application it's not a big deal.
The "better" way to use the -cp option to both javac and java. Before continuing on, let me highlight something here. You need that classpath for both compiling and running your code. The values might differ between compiling and running but you'll still need to tell the JVM where your code is at runtime. I can't tell you how many times I've seen beginners compile with a classpath and try to run without it. Java classes aren't statically bound. They still need to be told where things are at runtime.
So now that you know how to use the classpath, how do we define one? Unlike the PATH environment variable, two things can go on the classpath: directories and files. The standard distribution format in java is the jar file. A jar file is "just" a zip file with some extra metadata. Using a plain zip file also works. The classpath works with either. A jar file just offers you the ability to do some more advanced things like declaring a bundled classpath and certain authentication/validation options of the classes inside. We're not going to cover them here as they'll only serve to cloud the discussion. The only requirement of the structure, whether in a jar or a zip file, is the structure and layout of the contents which we'll cover momentarily.
Directories can also be included on the classpath. The structure of the contents under a directory has the same requirements as a jar or zip. Each element on the classpath is called a root. Under each root, the class loader will append the fully qualified class name to try to find the class you've asked to use. For this reason, you don't add the directory where Foo.class lives to your classpath. You add the directory above where your package name starts. I know that sounds mildly confusing so let's look at an example.
In this example, we have three source files: Foo.java, Bob.java, and Bar.java. Foo and Bob both live in the package org.something.somethingelse while Bar lives in org.something . As you can see, when compiled the resulting .class files live in build under the root of the project. Under build, the directory structure matches that of our package structure. So then, if Bar is our main class and we wanted to run the project, it would look like this:
java -cp /usr/lib/java/some.jar:build org.something.Bar
Again, there are two pieces here. In bold, is the FQCN of the class you want to run. In italics is the classpath. In this UNIX-friendly example, I'm using : to separate the items. If you're on windows, you'll need to use ; . When the class loader goes to find org.something.Bar, it looks at each element of the classpath it's been given. The first item is some.jar that represents some external dependency. The classloader will look in that jar for some resource matching the name org/something/Bar.class. It won't find it there, of course. That's your class after all.
So it proceeds to the next element on the classpath: build. Here, again, it will look for org/something/Bar.class. And, of course, here it can find it. Now that it's found your class, it will load it and try to run the main() method you've surely written on that class. Since Bar uses the classes Foo and Bob, the classloader once again has to scan the classpath looking for those two classes. The classloader is a "first one, wins" component. If your package structure is not unique, it's conceivable that it finds an org.something.somethingelse.Foo that is not your class somewhere inside some.jar. In practice this is pretty rare largely due to the fact that everyone follows some basic rules when naming their packages.
And that's essentially it. That's the classpath in a nutshell. It's not a terribly complicated mechanism but can be confusing the first time you see it. There are some nuances and some more advanced variations to classpaths that aren't covered here but by the time you get there, you should be more than capable of handling those details.
Editor's note: This post is meant to exist as a tutorial and as such may be tweaked from time to time to clarify a point or tighten up the language. Most blog posts are largely left alone once posted but I intend to update this one as needed. If you find an error, please leave a comment and I'll try to address it.


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Scenic × Deru × Navis × Holtermand
Outliers, Vol. I: Iceland is a collaborative multimedia project about a small group of filmmakers, photographers and a musician who set out on a journey to explore the remote countryside of Iceland in October of 2011, meeting there for the first time. The film features photographers Tim Navis (LA) and Kim Holtermand (Denmark), as well the electronic composer Deru - who composed and curated an original score based on field recordings from the trip.
Produced by Scenic, the mission was to improvise and document our experiences with the landscape, residents, and traditions we encountered. We aimed to synthesize the material we came back with into a group-produced collection of moving pictures, photography, and music. The production and materials for the project were almost entirely funded through a Kickstarter campaign. The countless post-production hours were volunteered and the tracks on the music compilation have been contributed by many talented international producers and composers who have been gracious enough to collaborate on this not-for-profit project.
"Black Beach" by Deru
Outliers Title Sequence / Music by Deru
The Music
In addition to Deru's score produced from field recordings taken in Iceland, the soundtrack also includes original tracks by an amazing lineup of electronic and modern classical composers and producers.
Outliers, Vol. I: Iceland / The Soundtrack
Listen / Buy
Outliers, Vol. I: Iceland available digitally, as well as part of a physical box set in the shop.
1 Our Word for Warmth / Asura
2 The Wind Sings / Goldmund
3 Titles / Deru
4 Filthy, Wild Animals / A Lull
5 I Gave in to It / Shigeto
6 Pruma / Sweatson Klank
7 Nilas / Joby Talbot
8 Power Plant / Deru
9 Outliers / Ryuichi Sakamoto
10 Glacier / Eskmo
11 The Sun At Night / Loscil
12 Mud Pits / Deru
13 Resound / Son Lux
14 Lower Dome / Heathered Pearls
15 Choir / Deru
16 Island / Opiate
17 Black Beach / Deru
The Artists
Outliers, Vol. I: Iceland is a collaborative multi-media project involving several artists meeting for the first time in Iceland.
Initially purchasing a camera with the intent to document his fine art work, LA-based Tim Navis' passion for photography was born as the result of chance. Alongside a breathtaking body of model portraits, he has shot a variety of landscapes from the Southern California desert to the outer reaches of Mongolia, and is a firm believer in the inherent adventure of traveling.
Born into a family of artists and architects, Danish photographer Kim Holtermand began shooting his signature landscapes and architectural forms a few short years ago as a creative outlet to augment his day job as a fingerprints expert in the Crime Scene Unit of the Danish National Police.
Deru »
Deru is LA-based Benjamin Wynn, an electronic music producer and composer for television, film, dance and performance art. A graduate of the CalArts music technology program, he has released music with Ghostly International, Merck, Neo Ouija and Mille Plateaux, amongst others.
Scenic »
Founded in Chicago by a group of agency creatives and friends, Scenic is an art & film collective dedicated to collaboratively helping each other produce personal works. It's members - Anthony Ciannamea, Mark Wisniowski, Ryan Sievert, and Brett Carlson - have years of production experience in video, photography, art direction, visual effects, interactive design, and creative coding.


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Timberwolves' second-half charge falls short against Mavericks
MINNEAPOLIS (AP) — Shawn Marion was getting to the rim at will, knocking down 3-pointers and playing tough defense.
Even if the Minnesota Timberwolves think his defense was a little too tough on the last shot of the game, there was no disputing that "The Matrix" was back for Dallas on Monday night.
Mavericks 100, Timberwolves 98
Marion scored 32 points, hit two huge 3-pointers in the fourth quarter and swatted away Kevin Love's 21-foot jumper at the buzzer to help the Mavericks outlast the Timberwolves in a 100-98 victory.
The Mavs led by 19 late in the first half and seven with 3 minutes to play, but the Wolves had the ball down two in the closing seconds. Love got the ball in the corner and rose up for a 3-pointer, but Marion swooped in and swatted it away as Love looked for a foul. None was called.
"Heh, heh. It was not a foul," Marion said.
The Timberwolves disagreed.
"He got fouled," Minnesota coach Rick Adelman said. "I wonder what that would have been if (Dirk) Nowitzki, LeBron James, all the top players in the league — a guy reaches on a last-second shot like that, instead of challenging it. Maybe they don't understand that Kevin is one of the top five players in this league. You make that call. But they didn't."
Love, who had 36 points, 11 rebounds and four assists, stood watching the scoreboard in disbelief, and the Mavericks walked off the court winners against the Wolves for the first time in three tries this season.
"I'm the type of person that if you see a foul, an obvious foul, you call it," Love said. "And I thought that was pretty, pretty obvious. . . . You look at the replay and it was obvious he got arm."
Nowitzki had 16 points for the Mavericks, who led by 19 late in the first half before the Wolves came back. But this win was all Marion. He topped 30 points in a game for the first time since the 2008-09 season, and made 14 of 19 shots to go with six rebounds and three assists.
"I'm all about winning games, man," Marion said. "Whatever it takes."
After the Timberwolves were down 19 at halftime, Love shot 6 of 8 in the third quarter and the Wolves outscored Dallas 38-21 to tie the game heading into the fourth.
Adelman, however, might have stuck with a struggling J.J. Barea too long in the final period. Rather than going back to Ricky Rubio during a timeout with just more than 5:30 to play, Adelman kept Barea, who had five turnovers in 17 minutes, on the floor.
That's when Marion hit two of his four 3s for a 97-90 lead with 3:04 to play.
"Shawn was the key to the game, no question about it," Mavericks coach Rick Carlisle said. "If we're giving out game balls, it'd be two game balls in a row for him. Activity was great. Played both ends of the floor. Didn't run one play for him. He just produced."
Nowitzki finished the run with a baseline jumper, the original "Stretch 4" finding a way to best the newest version in Love.
The Wolves had beaten the Mavericks soundly in the first two meetings of the season, so Dallas came in with some extra motivation. And the Wolves' woeful defense did little to deter the Mavericks.
Dallas shot 60 percent in the first half and scored 34 of its 62 points in the paint, with Love, Nikola Pekovic and the rest of the Wolves defense just letting the Mavericks parade to the rim.
Marion scored 21 points and hit 10 of his 12 shots — most from within 5 feet — in the first half. Nowitzki threw down a rare dunk to get his teammates off the bench and give the Mavs a 60-41 lead late in the second quarter.
The loss followed a pattern for the Wolves, who were trying to climb over .500 for the fifth time in December. They were 0-4 in their previous four tries, having shot 39 percent while allowing their opponents to shoot 52 percent.
Pekovic had 18 points and 10 rebounds and Rubio had four points, 13 assists, nine rebounds and three steals for Minnesota.
Notes: Brandan Wright had 14 points off the bench for Dallas. . . . Injured Wolves Fs Chase Budinger (knee) and Ronny Turiaf (elbow) played 3-on-3 at the morning shootaround. There is still no timetable for their return. . . . Rubio picked up his 1,000th career assist in the first quarter.


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The Fluid Power Conference & Expo returns to Milwaukee, with the Milwaukee School of Engineering (MSOE) hosting the event Tuesday and Wednesday, June 11-12. Milwaukee also is home to the Fluid Power Institute and the National Fluid Power Association, so many consider it the geographic center of North America's fluid power industry.
The Conference & Expo gives OEMs, users, and distributors the ability to learn more about technologies, components, and services they can incorporate into their designs. Numerous technical sessions are scheduled on basics and troubleshooting, while others are presented by manufacturers to offer more details on specific technologies and components.
In addition to the conference and an opportunity to visit manufacturers' booths, attendees can network with them during a special cocktail reception on Tuesday evening, courtesy of Brand Hydraulics Co.
Finally, on Wednesday morning, attendees can join a breakfast tour of the Grohmann Museum at MSOE, which is home to an art collection dedicated to the evolution of human work. A tour of the MSOE fluid power lab will also be offered.
Keynote address: The Future of the Fluid Power Industry
The opening keynote address will discuss how an integrated supply chain, new fluid power technologies, and a more-educated workforce will advance the effectiveness of fluid power technology.
Presented by Eric Lanke, National Fluid Power Association
Hydraulic System Troubleshooting Part 1
This session introduces a systematic approach to troubleshooting, which identifies malfunctions and finds their most likely causes instead of using ineffective trial-and-error component replacement techniques. Attendees will also learn the differences between electrical problems and fluid power problems and how to tell them apart.
Presented by Thomas Wanke, CFPE, Fluid Power Institute at the Milwaukee School of Engineering
Sponsored by Webster Instruments
Mobile and Industrial Electrohydraulic Systems
This course will cover the principles and components utilized in current design mobile and industrial proportional and servo systems. Participants will be exposed to concepts, valves, feedback devices and controllers that are utilized in a variety of applications. Open- and closed-loop techniques will be discussed in detail. Proportional sectional directional control valves with IEC 61131 compliant mobile controllers will be detailed in comparison to precision industrial closed-loop systems.
Presented by Jon Rhodes, CFC Industrial Training
Introduction to Hydraulics 1
This session provides a basics for a comprehensive understanding of hydraulic and pneumatic (fluid power) systems. It compares fluid power to other forms of power transmission and discusses the advantages and disadvantage of each. It also explains the basic parameters (pressure, flow, geometry, force, torque, efficiency, etc.) and calculations for working with fluid power components and systems. Attendees will then learn of the basic components that make up a fluid power system, the standard graphic symbols of each, and how to create a basic circuits.
Presented by Tim Kerrigan, Fluid Power Institute at the Milwaukee School of Engineering
Avoiding Pitfalls of Design Mistakes
This presentation covers design errors that often find their way into fluid power circuit designs, resulting in erratic operation, poor performance or efficiency, or machine malfunctions. The session will examine some of the most common design flaws and how to avoid or correct them. The presentation will cover hydraulics and pneumatics in both stationary and mobile equipment.
Presented by Jon Rhodes, CFC Industrial Training
Hydraulic System Troubleshooting Part 2
This session picks up where part one left off by introducing realistic system malfunctions and having attendees apply troubleshooting techniques they have learned to find the likely sources of the malfunctions. The session also introduces preventive maintenance techniques that can extent help prevent future malfunctions and extend component life.
Presented by Thomas Wanke, CFPE, Fluid Power Institute at the Milwaukee School of Engineering
Sponsored by Webtec-Webster Instruments
Designing More Energy Efficient Systems
This session offers tips on improving energy efficiency in fluid power systems without sacrificing performance. Topics will include pumps and controls, prime movers, valves, line sizing, actuators, and even some little known tricks of the trade. The presentation will cover hydraulics and pneumatics in both stationary and mobile equipment.
Presented by Jon Rhodes, CFC Industrial Training
Sponsored by Brand Hydraulics Co.
Introduction to Hydraulics 2
This session continues a tutorial on fluid power systems by explaining how basic components become building blocks for designing circuits that control direction, force, torque, speed, acceleration, and deceleration. It also covers proportional and discrete control, solenoids, sequential control, and safety.
Presented by Tim Kerrigan, Fluid Power Institute at the Milwaukee School of Engineering
Tips and Tricks for Circuit Design
This presentation explores circuits, sub-circuits, and components to improve fluid power system designs. Attendees will advance their design skills to the next level, resulting in systems with improved functionality, greater reliability, higher efficiency, less leakage, and more compact design. The presentation will cover hydraulics and pneumatics in both stationary and mobile equipment.
Presented by Jon Rhodes, CFC Industrial Training
Closed-Loop Control with Practical Second Order System Consideration
Considerations and techniques for closing the control loop of electrohydraulic systems, including the valve, actuator, sensors and motion controller. Precision positioning and speed control can be seemlessly coupled with accurate pressure/force control to deliver improved product quality while maintaining smoother motion and longer life for machine components in both small and large machine appliances.
Presented by Peter Nachtwey, President, Delta Computer Systems Inc.
Effective Manifold Design; An Innovative Manufacturers' Perspective In the World of Automation
Today's age of automation allows for compact and efficient manifold system design and manufacturing; reducing weight, hose & fitting requirements, system complexity and overall serviceability, allowing for ease of maintenance in the field, minimizing downtime and disruption in your real-world application. Gain the competitive edge in designing cost effective hydraulic manifold systems. Learn effective manifold design processes from an innovative manufacturer deeply immersed in today's world of automated production techniques. This presentation will take you through the manifold production process including, manifold design requirements & parameters, programming, complete robotic end to end cell production & flexible manufacturing, paperless final assembly, validation and protective packaging. A good design can save thousands of dollars that will eventually find their way to your bottom line.
Presented by Attilio Treglia, P. E., Lynch Fluid Controls Inc.
Improve Your Systems With Accumulators
On many applications, accumulators can be used to reduce pump and motor sizes which can result in substantial savings on the initial cost of equipment as well as reduced operating costs.
Presented by Jim Tobul, Tobul Accumulator Inc.
Manufacturing Benefits of Ductile Iron Components in High Pressure Systems
Until recently, pressure ratings for ductile iron components were based on book values and theoretical calculations and have been somewhat conservative. This presentation will highlight the manufacturing benefits that can be gained by using continuously cast ductile iron bar stock for ductile iron components. The recent developments being done at Milwaukee School of Engineering determining the pressure ratings for ductile iron will also be presented. Presented by Bob O'Rourke, Dura-Bar
Cyclone Reservoir for Hydraulic Applications – A Technical Overview
At a fraction of the size of traditional reservoirs, the revolutionary Cyclone Reservoir utilizes well known cyclonic technology to rapidly remove free air and gasses from fluid prior to being returned to the pump inlet. Learn about this game-changing technology and how it can remove fluid weight, volume and substantial cost from your platform.
Presented by Terry Glidden and Bob Doll, Price Engineering
Designing Hydraulic Circuits with HyDraw CAD
This session introduces modern techniques for CAD systems to remember data, relationship, and company standards. It demonstrates efficient ways to select components, and generate Automatic Bills of Materials within the AutoCAD environment. ISO standards and symbols will be discussed, and time-saving drafting techniques will be discussed. VEST's HyDraw CAD will be used for demonstration.
Presented by Yudi Raina, VEST Inc.
Methods to Adjust the Characteristic Curves of Electrohydraulic Proportional Valves in Mobile Applications
Because the benefit of electrohydraulics applications in mobile machinery are approved by the market, many proportional pressure reducing valves are often used in pilot stages. Despite of high development effort and optimized production processes, small deviations between the valves (valve-to-valve accuracy) cannot be avoided. For some applications it is necessary to adjust the valve characteristics very accurately. This session shows different examples of valve adjustment with and without the compensation of the hydraulic main stages including new approaches in mechanical and electronic adjusting. The systems are compared with regards to functionality, price, and benefit.
Presented by Mark Jankowski CFPHS, PS, S, Thomas Magnete USA
Fast and Efficient Off-Line Kidney Loop Fluid Conditioning
When working with original equipment manufacturers, hydraulic system designers and plant maintenance engineers, one of the key factors for long system life and low down time is to provide isolated 'Off Line Kidney Loop Fluid Conditioning & Monitoring.' Hydraulic system efficiency, eliminating break downs and predictive maintenance are all keys that play a significant role in clients being able to more efficiently manage their hydraulic applications and systems, while maintaining peak power and efficiency of those systems. In the field of fluid contamination, 'Cool Loop' off line kidney circuits become a key component in the monitoring of hydraulic circuits where OEM's/MRO's are guarding against machine failure without disruption and system spikes, by isolating key system components such as; Filtration and Coolers. Today's hydraulic system capital expenditures and machine downtime misfortunes are too costly for anyone to miss this seminar.
Presented by: Tim McDonald, Thermal Transfer Products
Visit www.fluidpowerexpo.com/msoe for complete session descriptions, up-to-date conference schedules, and a list of exhibitors. Register now with the discount code PREVIEW to extend the early bird rate of $110 for a full day of sessions and $215 for both days. Lunch and printed course materials for one or both days are included in the registration fee.


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Roadtrip from Melbourne to Brisbane
Moving to Brisbane. We have four days and are camping on our way up. Trying to see as much as possible on the way.
Mexico - Central and Yucatan
Mexico is a bit of an enigma - feared by its northern neighbours, a complete unknown to most Australians. We want to find out about Mexico for ourselves We are cruising in our converted 2004 Town and Country, Pickles
Mexico - Chiapas to the West Coast
What goes south must go north... or something like that? We are heading back to where we came from and Mexico was in the way. What a shame! (joking) :-) We are still on the road with Pickles, our trusty little car camper.
Belize - that little 'used to be British' country between Guatemala and Mexico. After 3 months speaking very poor spanish we are just excited to speak english for a bit! We are going to spend a couple of weeks on the islands, and getting our dive ticket, heading out to the Cayes, exploring the ruins and generally just having a brilliant time.
Next country on our epic roadtripping adventure - bring it on! Pickles hasn't skipped a beat so far, so we will be sticking with her for a while longer yet!
USA - southwest and grand circle
An amazing month exploring the best that the USA has to offer - and hitting more national parks then we knew existed!


text: If you're still searching for a fun new updo for your Quince, homecoming, prom, or other big event, stop now. In our November issue, singer Becky G shows up on our Quinceañera pages rocking this totally amazing fishtail 'do that's the only look you need to know! It looks way fancier than your average halo braid, but is surprisingly simple to recreate. Check out the video below to learn how to get fishtailing and put together this boho-chic style!


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How well do you know the Code? Think you can spot violations the original installer either ignored or couldn't identify? Here's your chance to moonlight as an electrical inspector and second-guess someone else's work from the safety of your living room or office. Joe Tedesco, who has a knack for finding shoddy electrical work, did the dirty work and found this mess. Now it's your turn to identify the violation.
Find the Answer
This cable and connector were discovered on a job where someone tried to isolate the equipment grounding conductor. If you look close, you'll see the insulation covering on the light green cable is continuous right on through the connector bolt head. The "bug" is even attached backward.
As per 110.14(A), "Connection of conductors to terminal parts shall ensure a thoroughly good connection without damaging the conductors and shall be made by means of pressure connectors (including set-screw type), solder lugs, or splices to flexible leads. Connection by means of wire-binding screws or studs and nuts that have upturned lugs or the equivalent shall be permitted for 10 AWG or smaller conductors. Terminals for more than one conductor and terminals used to connect aluminum shall be so identified."


text: A gallery is running an exhibit that features portrait photographs of those considered to be the 100 coolest Americans. The "American Cool" exhibit is currently on show at the National Portrait Gallery, in Washington, D.C., USA, and will run until September 7th. Included in the exhibit are the likes of jazz musicians such as Miles Davis (above)Picture: National Portrait Gallery/Caters


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Will I locate a fully grown promiscuous female if I look for one today?
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text:
Debt Repair Kit For Dummies®, Australian Edition
Table of Contents
Author Information
Are you seeking straightforward advice on how to avoid debt and establish a good credit standing? With this book, you discover how to dispute inaccurate information in your credit report, communicate with debt collectors, set financial goals and build a good credit history, as well as how to detect and avoid scams and identity theft.
- Check your credit report - find out how to obtain your credit report and correct any mistakes
- Establish a strong credit standing - build up a credit history with the financial services sector
- Negotiate with debt collectors - understand how you can reach an arrangement that satisfies both you and your creditors
- Find expert and independent guidance - seek help from a financial counsellor who can help you overcome your money problems
- Manage your finances effectively - learn how to set financial goals, use credit
Visit the companion website at www.wiley.com/go/ debtrepairkitfd for a guide to the legislation that protects consumers; letters to the Australian credit reporting agency, creditors, banks and more; and forms and worksheets, including financial calculators and budgeting tools.


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Every move Janoris Jenkins makes leading up to the 2012 NFL Draft will be scrutinized, and that comes as no surprise to those close to the probable first-round pick.
The talented cornerback simply wants his version of the events heard, rather than forcing the public to rely on whispers. With that in mind, Sandy Cornelio, who describes himself as Jenkins' mentor, spoke with NFL.com to dispute a report that Jenkins had been "fired by" Creative Artists Agency super agent Ben Dogra. Cornelio insists it's just the opposite.
"Janoris is getting bashed because he moved on," Cornelio said Saturday in a phone conversation. "Because of his background, yes, (I understand). But that doesn't mean anything here. They didn't want to fire Janoris. They didn't fire Janoris. We told them we were moving on."
Recently, Jenkins hired agent Malik Sharif of Dimensional Sports, Inc., the same agent who now represents New York Giants receiver Victor Cruz. Cornelio said the decision wasn't complicated.
"The only reason we decided to move on is because they're too big," said Cornelio, who is called "C" by his friends. "We weren't getting personal attention, so we decided to move on. That was it. And we told them. We called them professionally and said, 'Hey, we're moving on. We came to the conclusion that we honestly believe a smaller agency that pays us more attention will be better for us.' (Dogra) told us that he understood and he would help in any way he could. At the end of the day, we came to the conclusion that the kid drafts himself by his performance."
Dogra said he merely wants Jenkins to be successful.
"We wish Janoris well," Dogra said. "It's for the best interests that we go in different directions. We wish him well, and we think he'll have an excellent NFL career."
Jenkins, a 5-foot-10, 193-pound cornerback, is one of the draft's most polarizing figures. Few dispute his immense talent, and if that was the only consideration, he would certainly be a first-rounder. Yet NFL Network draft analyst Mike Mayock described him as "one of the ultimate boom-or-bust guys in this draft" because of issues that took place off the field.
Jenkins came clean at the NFL Scouting Combine in February.
Prior to being dismissed at the University of Florida after three seasons, he said he failed one drug test and was arrested three times (two marijuana incidents). In addition, Jenkins said he has four children ages three-and-under, with three different mothers.
"I'm pretty sure it will hurt me," said Jenkins at the combine, adding that he no longer smokes marijuana. "But I'm looking past that, looking forward to moving on and being successful from here on out."
Rather than enter the supplemental draft, he finished his career at Division II North Alabama and attempted to rebuild his image. He is trying to show teams they won't be taking a chance by picking him, and Jenkins has a visit scheduled with the St. Louis Rams on Monday and another with the Indianapolis Colts on Friday. Yet, even in the pre-draft process, Jenkins is "taking shots," according to Cornelio.
For some, Jenkins' split with the respected Dogra raised questions. The Orlando Sentinel reported that it was CAA that decided to no longer represent Jenkins, essentially firing its client. That prompted Cornelio -- an Army sergeant who befriended Jenkins while the cornerback was at Pahokee (Fla.) High -- to attempt to set the record straight.
"We just thought we needed someone who could give us more personal time," Cornelio said. "His image has been tarnished already, and we don't want it to keep getting tarnished because people are taking shots at him because he's in a vulnerable position. Because we moved on from this agent, and we tried to do it the right way, now people are taking shots."
Follow Ian Rapoport on Twitter @RapSheet


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Get DVD Talk Feeds
A Paramount-owned movie licensed to Olive Films, King of the Pecos looks terrific in high-def, if a notch below The New Frontier, which Olive is releasing simultaneously. As noted in that review, die-hard fans of these kinds of B-Westerns for years suffered through positively dire public domain offerings on VHS and, later, DVD. Those awful video transfers made assessing such films extremely difficult and unpleasant viewing experiences. These releases, on the other hand, are a real pleasure to watch and worth their higher cost (some online retailers are presently offering them at 50% off or more).
"In the '70s," in Texas, land-grabber Alexander Styles (Cy Kendall) loosely interprets Right of Discovery laws to gobble up a cool million acres ("Not bad for a start," he says). At his side are two enforcers: a crooked lawyer to help Styles buy up land on the cheap and a sadistic killer, Ash (Jack Clifford), to gun down those refusing Styles's pittance offers.
One of Styles's victims is a rancher named Clayborn (John Beck), whose water-rich land is certain to become prime real estate when trains come through the territory in the near future. In an opening sequence anticipating Once Upon a Time in the West (1967), Styles orders Ash to gun down the Clayborn family. Their boy, John (Bradley Metcalfe, Jr.), survives the shooting but Ash viciously beats him unconscious with a tree branch before leaving him for dead.
The boy returns to the territory 10 years later as an attorney named John Clay (John Wayne), a man who intends to use the law to take down Styles and Ash. The King of the Pecos now operates a land and water agency out of Cottonwood, selling cattle to ranchers only to fleece them later via worthless scrip payments and by denying their cattle access to the water supply he monopolizes. ("Sounds like a polite form of cattle rustling," John says sarcastically.) Clay takes Styles to court with some success, but in having Styles's land rights overturned the territory is thrown into chaos, for even honest ranchers, resentful of John, are forced to refile their claims or lose all rights to their land.
Although filmed cheaply and quickly (at a cost of just $18,000 and seven shooting days), King of the Pecos is extremely effective and exciting, while the good use of Lone Pine locations lend the film an air of grandeur belying its small budget.
Edited by future director Joseph H. Lewis, King of the Pecos is incredibly well paced. Varying but always interesting action or suspense-filled scenes never let up.
Barrel-chested Cy Kendall and facially-scarred Jack Clifford are like two halves of Henry Fonda's shockingly evil character in Sergio Leone's Once Upon a Time in the West. Kendall's Styles unhesitatingly robs and murders his way to the top while Clifford's Ash clearly enjoys doing the bulk (but hardly all) of Styles's killing. King of the Pecos has an unusually high body count, from which women and children are not spared. In these populist films, Kendall was the B-movie equivalent of Edward Arnold, usually cast as the nefarious banker or crooked businessman Depression era audiences instinctively despised and whom audiences in 2013 will certainly recognize.*
The picture doesn't much resemble Republic's later Gene Autry and Roy Rogers Westerns, or even the vast majority of Wayne's pictures for the studio. There's no singing and comedy relief is thankfully understated and actually funny. Hank and Josh (Arthur Aylesworth and Herbert Heywood, the former reminiscent of Harry Morgan) are a couple of Styles's rancher victims who quickly throw in with John. Their comedic byplay, with Hank a crusty cigar chomper and Josh his comically deaf companion, works because the comedy grows out of their characterizations and their role in moving the story forward, as opposed to the literal relief of broader, more conventional sidekicks like Smiley Burnette.
Video & Audio
The New Frontier looks quite good, especially given its age and bottom-of-the-bill, B-picture status. The black-and-white, 1.37:1 image is in great shape, though dissolves and other opticals are a bit beat up. However, these are obviously inherent in the original negative. The opening titles are windowboxed. The Region A disc has decent audio, English only with no subtitle options, and no Extra Features.
Parting Thoughts
The best of John Wayne's B-Westerns released by Olive thus far, King of the Pecos still impresses all these decades later, and at last is available in a form that's equally pleasurable to watch. Highly Recommended.
* (Major Spoiler): During the highly satisfying climax, Styles is crushed to death by his own safe. I know a few Wall Street bankers...
Stuart Galbraith IV is a Kyoto-based film historian whose work includes film history books, DVD and Blu-ray audio commentaries and special features. Visit Stuart's Cine Blogarama here.


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"Pat Fish is a veteran tattooist internationally renowned for her powerful and intricate Celtic knot-work tattoos" -Inked Magazine
"Pat Fish has long been renowned across the globe as one of the most talented Celtic tattoo artists.
Her personal connection with Irish culture and knowledge of its symbolism, as well as her steady hand and talented artistry, make her a top choice for anyone wanting a Celtic tattoo." -about.com
All of these images and more are featured in the Portfolio. Click Here for a closer look.
Visit the Publicity Page to learn more about Pat Fish and her work.


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S.F. police seek cameras to capture whole picture
A brawl broke out Friday between San Francisco police officers and residents of the Valencia Gardens public housing complex. There were videos of police punching angry residents, handcuffing a distraught 20-year-old bicyclist and leading away a man, his face covered in blood.
Frankly, it didn't look good for the cops.
But Police Chief Greg Suhr has an interesting response. He wants more video - he wants his officers to wear cameras.
He's about to get his wish. In two weeks, with the help of a $250,000 federal grant, the Police Department will begin equipping some officers with wearable cameras in a pilot program.
Initially the small, cigar-shaped cameras will be issued to 50 plainclothes officers who execute search warrants and parole checks and who might enter people's homes. The idea is to blunt suggestions that officers aren't identifying themselves properly when they knock on doors.
Suhr contends that if a camera - and not one from the cell phone of a bystander - had been present at Valencia Gardens, it would have recorded what really happened: A man riding his bike on a sidewalk started to fight when a plainclothes officer tried to stop him, "the guy biting the officer as soon as he touched him."
Camera always running
That may be true, although the plainclothes officer who can be seen raining punches on a witness has some explaining to do. But the chief's point is that most witnesses don't start filming until fists start to fly.
"It's always the second punch," he says. "When the cell phones go on, we're in the middle of a response and we're losing the argument."
The new cameras will catch the second punch, the first punch and whatever started the altercation - because they'll always be running.
That is just the start. If the cameras are as successful in San Francisco as they've been elsewhere, they will become standard issue.
BART Deputy Chief of Police Benson Fairow says that when the transit agency began to roll out video cameras last year after two fatal police shootings, "there was a little apprehension" among officers. There was a two-month pilot program last November, with full implementation in June.
"It's been wonderful," Fairow says. "This is the future in law enforcement, just like when we introduced radios, cars and bulletproof vests. People say they are worried that video is looking at them all the time. Really? Today? There's video looking at us right now."
Valuable evidence
SFPD will be using the same system as BART, the Axon Flex by Taser International. The camera is light enough to clip to the bill of a cap or a shirt lapel. There's also an important feature called the pre-event video buffer.
The camera, always on, records half-minute clips. If nothing happens, the piece is erased and the camera starts over. But if an officer spots something and hits the record button, the previous 30 seconds is preserved at the beginning of the recording.
BART Sgt. Tanzanika Carter says she was patrolling this week when "my camera showed a guy jumping over the rail." She hit the record button and captured the whole sequence for posterity.
That pretty much ended any discussion of whether he was a fare evader.
SFPD Commander Mikail Ali, whom Suhr calls his "gadget guy," says that after the short pilot program, the plan is to give cameras to traffic control officers.
"You see a guy run a red light, you activate, and it captures him," Ali said. "In terms of best evidence, that's huge."
Even for a city that has always been concerned with protecting privacy, the video plan seems to have broad support.
Public Defender Jeff Adachi, who has criticized the police for giving cursory or nonexistent identification when serving search warrants in the past, is behind the concept.
"Absolutely. It makes sense," Adachi said. "It will protect both the individual that is being approached as well as the officer. Instead of a 'he said, she said,' you will have an objective record."
Reducing complaints
In fact, a news story this year says that studies by a criminologist at the University of Cambridge show that when cameras are in use, there is a decrease in citizen complaints against officers as well as a reduction in the use of force by the police.
Adachi wonders if officers would be required to tell subjects that a video camera is running. BART's Carter says that turns out to be an advantage.
"I've had cases where someone is causing a problem and I hold up the camera and say, 'You know I'm recording this, right?' " she says. "And they calm right down."
There are potential problems.
"If I am in close proximity to having shots fired, the last thing I am thinking about is turning on a camera," Ali says. "There will be occasions when the officer doesn't capture the event."
Conspiracy theories
That brings us back to the Valencia Gardens controversy. When video of an encounter is not available, Suhr says, conspiracy theories abound.
"We've gone through this before in a place where there were three cameras and some are not working," he says. "If the cameras malfunction or the officer forgets to turn them on, then the suggestion is that it was deliberate."
At Valencia Gardens, Suhr says, there was a camera that could have recorded the initial encounter. Unfortunately, the view was blocked by a tree.
"And," Suhr says, "we did not put the tree there."
C.W. Nevius is a San Francisco Chronicle columnist. His columns appear Tuesday, Thursday and Saturday. E-mail: firstname.lastname@example.com Twitter: @cwnevius


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Share: As per the quote above, I like the idea of fashion representing both "social change" and "social cohesion"; it fits well with what we're trying to achieve at The Social Outfit this year…
And as for fashion "speaking for us" – if it did speak for me in this outfit – it would be saying, "I love the 1980s and Tokyo-style"… check out my t-shirt from Galaxxxy in Shibuya, Tokyo, and the wonderful peeps modelling on the front. It's like *ace-ness* personified! In fact, I liked the look so much I copied the eye-makeup! 😉
Tell: Glasses from Japan, 'Pearls before Swine' earrings from the MCA, 'Galaxxxy' t-shirt from Japan, Saba belt, Dragstar denim skirt, retail tights, Happy Socks, Fluevog loafers from Sole Devotion, Ken Done vintage bag, Tatty Devine glasses charm bracelet.
Share More: These photos are actually from a week ago. The busy-ness has continued, and that included going to Brisbane this week for my Vodafone Foundation 'World of Difference' training (NOTE: Tomorrow is the last date to apply for WOD2014, people! So recommended!), and then I came home and got sick momentarily.
But before then, and the week before, I went to the launch of the Social Enterprise Manifesto, hosted by the School for Social Entrepreneurs in Sydney, and launched by SIEEA secretariat and all-round legend, Meredith Turnbull (not that I'm biased at all, right?!!). As part of the invitation we were asked to wear 'social enterprise' clothing, and my friends and old colleagues, Kirsten (left) and Sally (right) came wearing The Social Outfit. How lovely of them! Don't they look *smashing*? xo
The quote that this post starts with is actually from an exhibition at the Powerhouse Museum that we went and saw recently. The words are on a poster next to this *subtle* costume piece by Ron Muncaster for his late partner, Jacques Straetmans. Given that this weekend is Mardi Gras in Sydney, again I like the idea of fashion as "social change" and "social cohesion". And I tell you what: if I was offered to wear this piece, you'd have me in it within a nanosecond!! xo xo


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Glass Microfibers Series
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Non Woven Fabric ( 52 )
Auto Filter Paper ( 27 )
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Chain Series For Industrial And Mining Accessories ( 2 )
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Flame Retardant Activated Carbon Filter Media for Cabin Filters Flame Retardant Activated Carbon Filter Media provides enhanced protection and reduces the risk of fire for the cabin air filter in the car cabin
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Automotive Cabin Air Pleated Filter Media Material
Automotive Cabin Air Pleated Filter Media Material The Air filter efficiency of automotive cabin air pleated filter media material HDJ130W for PM2 5 is about 95 and its filter efficiency for PM1 0 is over 85 while its air permeability is over 2100 L M2 S Mainly used for automotive cabin
Auto Fuel Filter Paper
Packaging: carton box
Supply Ability: 500TON
Min. Order: 1 Ton
Auto Fuel Filter Paper Fuel filter media is applied to the fuel filter of automobile s engine Currently there are two types of oil filter media one is made of acrylic resin the other is made of phenolic resin It will filtrate the impurities when the fuel goes through media to enter in engine Therefore its filtration...
Glass fiber filter media
Packaging: carton boxes
Min. Order: 50 Kilogram
Glass fiber filter media FY Filter material mainly businesses include glass fiber material and its down stream products of filter composite materials machinery and equipment for glass fiber paper and composites etc Filter material we are most sepcification in north of China Our Fiberglass filter materail range from...
Air filtration Pleated panel attached metal mesh
Packaging: package roll
Supply Ability: 200000 Roll/Rolls per Month
Min. Order: 10 Roll
Air filtration Pleated panel attached metal mesh This material used in Panel Filter aslo named pleated panel filter media the medium material is Synthetic Fiber attached mesh metal that metal mesh can plastic galvanized wire mesh that is easy floding filtration efficiency high and dust holding capacity is high The...
HVAC panel filter medium attached metal mesh
HVAC panel filter medium attached metal mesh Expanded metal mesh Plastic mesh or galvanized mesh can be added onto single surface of the filter non woven which is easy for folding and of no deformation for washing The non woven fabric can be thin as 2mm and light as 70g m2 and it mainly used in the filter of auto...
CELLULOSE FILTER PAPER-Air Oil Fuel
Packaging: Inside: Plastic film middle: Kraft paper outside: Plastic film
Supply Ability: 5000TON
CELLULOSE FILTER PAPER Cellulose Filter Paper Air Filter Paper Oil Filter Paper Fuel Filter paper and Industrial Fitler Paper The Material Cellulose Synthetic fiberglass fiber Resin Acrylic The Filter Level F7 F8 F9 EN779 2012 So that Good air
Filter Paper for Oil and gas separation
Packaging: carton with paper or wood pallets
Min. Order: 1000 Kilogram
Filter Paper for Oil and gas separation The glass fiber filter media is made from superfine glass fibers as filtration layer mainly used in hydraulic filter it is laminated with synthetic fiber as protection layers on both sides or one side it has the advantages of high efficiency high dust holding capacity good...
Fiberglass Filter Paper for Air Compressor
Fiberglass Filter Paper for Air Compressor The glass fiber filter media use in Fuel diesel gasoline Aviation fuel pharmaceutical compression air chemical industry compressed air Oil and gas separation hydraulic oil Lubricating oil and filter etc The glass fiber filter media is made from superfine glass fibers as...
Polypropylene Melt-Blown Filter Media
Packaging: 1ROLL/POLYBAG
Supply Ability: 50000SQM
Min. Order: 1000 Square Meter
Polypropylene melt blown air Filter Media PP melt blown filter media is made from special polypropylene resins by unique techniques with the high temperature melt blown non woven technology In particular pleatable product has a higher tensile strength higher break endurance and higher stiffness which is critical in...
Composite Bag Filter Media F5/F6/F7/F8
Bag Filter Media Bag filter media is compounded by various technical polypropylene Not only does the material have three dimensional net structure but also forms rough fine filter layers and intensive layer and embodies the integral advantage The media adapts to demands of multilayers of filter material and gradient...
Glass Fiber Bag Filter Media
Packaging: plastic bag and nonwoven bag or carton
Glass Fiber Bag Filter Media Glass fiber bag filter media has been developed together with our partner to reflect latest market demands The glass media is a laminated glass fiber media and non woven basic pre filter fabric The pre filter layer increases the strength of the material and enhances filter service life It...
PP Mini Pleat Filter Media
PP Mini Pleated HEPA Filter Media Mini pleat filters tend to be used in situations where higher filtration levels than normal are required The new technology is much more efficient than older versions The product is cost efficient taking up less space but providing just as much filter media and having a long
Wire Mesh Backed Composite Filter Media
Diamond Expanded Metal Square Wire mesh Backed Composite Air Filter Media 1 This product is of coarse and medium efficiency synthetic fiber 2 Adhered with wire mesh to enhance the stiffness and hardness 3 Easy to finalize the design after folding and will not distort under great
Polypropylene Filter Media for Respirator
Packaging: Roll
Min. Order: 10 Kilogram
Polypropylene Filter Media for Respirator Introduced the most advanced melt blown line from Germany in 2009 and the latest technology assures a steady stable quality for various mask media such as surgical face masks particulate respirators and cartridge filters Our products conform to the Chinese standards of GB2626...
HEPA Filter Composite Base Fabric
HEPA Filter Composite Base Fabric HEPA base fabric is wet laid non woven and made from high quality polyester short fibers The shortness of the fiber enhances its reinforcement properties The weight of the material ranges from 25 gsm to 140 gsm and many functional features such as anti bacterial dyeing flame retardant...
Cleaner Milk Filter Paper
Cleaner Milk Filter Paper The product is made of various superfine fibers after ultrasonic recombination and many other processes forming into multilevel structure that is free from chemical resin It is of good airflow and hydrophobicity small resistance and long service life and mainly used in car cabin filters...
Polypropylene Nonwoven Fabric For Air Filter
Polypropylene Nonwoven Fabric For Air Filter Hot forming air filter fabric is made based on needling machine of ordinary pp fiber and ES fiber low melting point fiber and it is of uniform thickness and can be cut into different thicknesses according to customers demands After high temperature forming the hot forming...
Coarse Polyester Synthetic Fibre Filter Media
Coarse Polyester Synthetic Fibre Filter Media Polyester synthetic fibre filter media is manufactured from matched various specifications of synthetic fibers by different traditional techniques such as needle punching adhesion with adhesive thermo adhesion method etc The product can be widely used in bag filters plate...
Auto Ceiling Filter Media for Ventilation System
Auto Ceiling Filter Media for Ventilation System This product use several different specifications of non silicon synthetic fibre which take the technology of carding lapping thermal shaping and post processing etc The product has progressively structure and polyester reinforcement scrim or fiberglass mesh adhesived...
Cotton Fibre Coarse Filter Media
Cotton Fibre Air Filter Media Cotton Fibre Air Filter Media is a new product which is developed by our Company for more than three years It is produced by advanced equipment and technology and it is the first time by using cotton fibre for air filtration in China Cotton Fibre Filter Media is made by cotton fibre with...
Filter Core of Wet Film Humidifier
Filter Core of Wet Film Humidifier The filter core of wet film humidifier adopts high hydrophilicity polypropylene melt blown filter media which made by special technique it hasn t any binding material will not mould or transform when long term in the water It is acid resistant and corrosion resistant can be continue...
Polypropylene Melt-Blown Filter Media
Polypropylene Melt Blown Filter Media PP melt blown filter media is made from special polypropylene resins by unique techniques with the high temperature melt blown non woven technology Basic weight 85 120g m2 Efficiency 50 99 5 We can also product Nonwoven Filter bag Activated Carbon Nonwoven Fabric Meltblown...
HVAC pleated filter medium for auto cabin filter
HVAC pleated filter medium for auto cabin filter This filter media is made of synthetic PP fiber It can use in auto filter air filtration Automobile plastic Air Filters Auto eco air filters Cabin air filters Common Air Conditioner Filters Engine filters Panel filters etc Quality filtration materials Filtration...
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Sep 20, 2019
Gas turbines are protected by air inlet filters that remove particulate contaminants to prevent blade fouling and erosion The most common filters used today are medium grade filters which are...
1 air conditioning filter commonly known as pollen filter automotive air conditioning filter s role is filter from the outside into the air to improve air cleanliness the general filter material...
Along with the application of the glass fiber and its composite materials in the field of industrial application of filter materials how to select the high cost of the material has become the hot...
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Micro fiberglass Filter Paper for ashrae F8
Glass Microfiber Oil and Liquid Filter Media
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U15 Glassfiber microfiber ULPA air filter paper
H13 fiberglass HEPA air filter paper
Fiberglass Filter Media For Oil and Air Separator
H13 mini-pleat fiberglass HEPA filter paper
Filter Paper for Oil and gas separation
Laminated composite fiberglass filter media
Glass microfiber air-laid mat
Fiberglass insulation blanket mat
Glass Fiber Bag Filter Media
H13 fiberglass 0.3 micron HEPA filter paper
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Auto Air Filter Paper
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1um Oil filter Paper
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3DS » Simulation » Virtual » Career
Imagine Fashion Designer
The Ranking
|Overall Rank: n/a
3DS Rank: n/a
2011 Games Rank: n/a
2011 3DS Rank: n/a
Score based on 2 reviews
Imagine Fashion Designer invites players to become hip Manhattan designers handling all aspects of the fashion business, from creating their own line of clothing to directing photo shoots. Online gameplay allows players to share their designs and ideas with friends and fellow aspiring young fashionistas.
Release Date: November 15, 2011


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13 Nov 2012 10:06
Candidates from eight political parties are running against incumbent President Ernest Bai Koroma, who was elected in 2007. (AFP)
The elections are viewed as a test of the country's democratic institutions.
After the 11-year-long civil war, which ended in 2002, "political, social and commercial institutions have been rebuilt from virtually nothing", an analyst of the London-based think tank Chatham House says.
Authors of the Pan-African Pambazuka News concur with the importance of progress made, especially "in the area of electoral management," but warn that "legacies of identity politics, violence, corruption and inequality have been – and will continue to be – harder to overcome."
Candidates from eight political parties are running against incumbent President Ernest Bai Koroma, who was elected in 2007. The United Democratic Movement's candidate pulled out from the race with just days to go, reportedly to support Koroma.
Contenders include 58-year-old Julius Madda Bio, the main opposition Sierra Leone People's Party (SLPP) candidate, who led a military coup that won widespread support in 1996.
If elected, Bio says he will cut rising food prices, invest in the agriculture sector, and undertake a review of Sierra Leone's mining industry.
Several international mining companies have sites in the West African country, which has reserves of gold, diamonds, bauxite and iron ore.
Allegations of corruption
Bio is expected to win the youth vote, while Koroma – whose All People's Congress party has its roots in the northern Limba ethnic group – is likely to retain a large body of support, analysts say, despite allegations of corruption surrounding his running mate, Samuel Sam-Sumana.
About 15 000 security personnel will be on duty throughout the country on voting day, and vehicle movements will be severely restricted in the capital Freetown in an effort to secure peace.
Election observers report that the campaign period has taken place without serious incident so far, although 10 people were injured in the north of the country at the end of October, when campaigners clashed with police.
"The campaign period has been generally peaceful," the US-based Carter Centre, which is monitoring the vote alongside observers from the European Union and African Union, said in a statement.
"Sierra Leone emerged from its post-war phase, the role of the security sector as an impartial guarantor of peaceful elections remains essential," it said.
"The elections represent a critical test ...
There are no women contesting the presidency in the country of 2.5-million voters, although Sierra Leone sees its first female vice presidential candidate, the SLPP's Kadi Sesay, running for office.
Sierra Leone reached a milestone earlier this year in its effort to move on from the brutal civil war, when former Liberian president Charles Taylor was convicted of aiding and abetting war crimes in the country.
Taylor was sentenced to 50 years behind bars by a UN-backed tribunal in The Hague for his part in masterminding the atrocities.
If no candidate wins more than 50% of the votes on Saturday, a second round will be held on December 8.
This year's elections will be the third since Sierra Leone emerged from a civil war that left at least 50 000 people dead and forced 270 000 others to flee. Despite the availability of precious mineral deposits, two-thirds of the nearly 6-million population live on less than one US dollar per day. Transparency International ranks Sierra Leone 134 on its corruption index of 181 countries. – Sapa-dpa
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Over the past decade, companies have become increasingly aware of the social and environmental pressures facing business. Many management scholars and consultants have argued that these new demands offer terrific opportunities for progressive organizations, and innovation is one of the primary means by which companies can achieve sustainable growth.1 Companies that ignore these pressures, the argument goes, do so at their own peril. But the reality is that managers have had considerable difficulty dealing with sustainable development pressures. In particular, their innovation strategies are often inadequate to accommodate the highly complex and uncertain nature of these new demands.
A strategy that integrates the goals of innovation and sustainable development is needed. In contrast to conventional, market-driven innovation, sustainable development innovation (SDI) must incorporate the added constraints of social and environmental pressures as well as consider future generations.2 SDI is therefore usually more complex (because there is typically a wider range of stakeholders) and more ambiguous (as many of the parties have contradictory demands). Furthermore, sustainable development pressures can be driven by science that has yet to be accepted fully by the scientific, political and managerial communities. Amid such uncertainty, sustainable development innovation is often difficult and risky. Nevertheless, faced with increasing pressure to consider sustainable development, many organizations have revised their business models, and these changes are often highlighted in corporate sustainability reports and Web pages.3 For instance, DuPont Co. has publicly stated that, by 2010, it will reduce its greenhouse gas emissions by two-thirds while holding its annual energy use to 1990 levels.
Achieving such goals requires investments in innovation, and that has been an alluring argument for improving both environmental and economic performance — the so-called win-win situation. Some observers assert that sustainable development can generate a round of what the economist Joseph Schumpeter called "creative destruction," offering opportunities for new entrants and potential threats for incumbent businesses. Others have advocated radical new technologies, products, processes, business models and environmental innovations to change the present unsustainable industrial patterns. According to that argument, competency-enhancing incremental innovation is insufficient to meet sustainable development pressures. Instead, competency-destroying radical innovation is needed, and it will likely create new capabilities that will ultimately challenge current business practices.
Those arguments aside, few companies have been investing heavily in sustainable development innovation.


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Sarah Carey is Food Editor of Martha Stewart Living. In addition to developing recipes for stories in the magazine, she shares her passion for cooking and her deep fund of knowledge about food on Martha Stewart Living Radio on SIRIUS channel 112 and XM Radio 157 and on MSLO television programs including the Emmy-winning daily, nationally syndicated television series, "The Martha Stewart Show." As a co-host of the weekly cooking series "Everyday Food," Sarah shares useful tips and recipes for creating mouthwatering meals that are as simple as they are delicious. Sarah also co-authored the best-selling book Martha Stewart's Cooking School which hit bookstores in October 2008. Growing up on a commune in Woodstock, NY, Sarah was exposed to a variety of diverse foods and cuisine types at an early age. After receiving a bachelor of fine arts in photography from the School of Visual Arts in New York City, Sarah was drawn to her real passion: cooking. She received her formal training at the Culinary Institute of America in Hyde Park, NY. Before joining Martha Stewart Living Omnimedia in 1999, she worked as a Recipe Developer for cookbook writer Barbara Kafka and former New York Times food columnist Molly O'Neil.
Sarah Carey | Courtesy Everyday Food


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John Day Fossil Beds Total Solar Eclipse
John Day Fossil Beds Total Solar Eclipse
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Roanuz Cricket Ball By Ball API - Followers
This REST API allows you to get all details about balls of requested over. The response will equal 1st over of 1st innings if the over key is not provided with request. Roanuz Cricket API's provide real time data on stats and other metrics for various leagues including; International (ICC), Indian Premier League (IPL T20), Big Bash League and more. Roanuz is a software company specializing in AI, web and mobile apps.