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Sheet music downloads have become the preferred method of acquiring classical music repertoire. Created by professional musicians, EveryNote.com presents classical sheet music download of over 20.000 popular and hard-to-find music scores over 1000 composers. A major Internet provider of classical sheet music files download online, EveryNote.com offers the largest and most complete digital sheet music download library on the Web in the world. Instantly download, view and print your favorite classical music score. Everynote.com currently offers thousands of classical music compositions for Piano, Violin, Cello, Flute, Clarinet, Classical Guitar, Voice, Chamber and Choral music.Many more instruments, composers, genres added every day! EveryNote.com has been featured in The New York Times, Globe and Mail, Musical America and many other publications.
Giulio Regondi
(1822 - 1872)
Giulio Regondi short biography
An outstanding guitarist and composer, Giulio Regondi showed enormous musical gifts as a guitarist at a very early age. Regondy received a great public and critical acclaim when he was only 8 years old. A great Spanish guitar virtuoso and composer, Fernando Sor dedicated his Fantaisie Souvenir d'Amitiè to Regondi.
More Classical Guitar sheet music download on EveryNote.com
Classical Guitar sheet music download on EveryNote.com
Web design by Web design SEO & Hosting Company - iGenii inc


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Get Your Business License
For start-ups and small businesses in need of a
business license, permit, or tax registration
Corporate Licensing Solutions
Advanced software and services for the procurement and management of business licenses, permits, and tax registrations
End your confusion. Get your required licenses with one of the options below.
Professional Advice
I want someone to tell me all my licensing requirements and provide me with the applications
"Business licenses is our only business, so we are experts at it."

subset: commoncrawl


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Tonight Philly synth pop band Instamatic will be bringing their electronic vibes to the North Star Bar for a melding of contemporary electo music with Chicago indie electronica band Gemini Club and Philly electro band The Bad Doctors. The 21+ show starts at 8 p.m. and tickets are available here for $10. Below, check out Instamatic's new remix EP.
Philly psychedelic dream pop band The Tweeds are set to play MilkBoy Philly tonight with local bands The Gazettes, We Are Fauna, and Forest Fools. Doors for the 21+ show open at 8 p.m. and the show kicks off at 9 p.m. Tickets are available here for $10. Listen to The Tweeds' latest release in the player below.
Montreal singer-songwriter Patrick Watson and his eponymous band will be playing a show tonight downstairs at World Cafe Live. The show also features fellow Canadian folk rock band Great Lake Swimmers. Doors open at 7:30 p.m. and the show starts at 8:30 p.m. Ticket prices range from $16 to $22 and are available for purchase here. Below watch the music video for Patrick Watson's song "Into Giants" from the band's latest album Adventures in Your Own Backyard.
Finally, WXPN welcomes English rock band Strawbs, who formed back in 1964, to the Sellersville Theater tonight for a show with English folk singer John Wesley Harding. The show starts at 8 p.m. and tickets are available here for $25.
- Categorized Under:


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JAWS Petition: Mea CulpaSeptember 01, 2003
Now the thing about having people you respect tell you when you're wrong is that it really sinks in. The recent JAWS petition has drawn criticism. Many have gone on record denouncing it, some more vociferously than others.
While the points against it have been made, you should not feel bad for signing it. Why? Because your hearts were in the right place, God bless you all.
The resulting dialogue has come up with this: Freedom Scientific, the creators of JAWS, offer a completely free demo version of the product that lasts for 40 minutes before requiring a system reboot. Wisdom of the moment says you have no need for a free or mostly so developer's edition because this demo version exists. It's good enough for you. (The question is begged: since Freedom Scientific makes zero profit either way, the effective difference is what? One way is 'legitimate', the other is not. Let's not get too tangled up in this, because both arguments have holes.)
We're all on the same side, and quibbles notwithstanding, we want the same thing. So in my journey of discovery over this past week, I continued re-phrasing the same question until I got an answer I was satisfied with. Kynn Bartlett provided me with what I needed to read, and I commend you all to give it your well-deserved attention.
Points made:
- JAWS is a specialized application; if you do not commit to a solid week of running it without a monitor to fall-back on you can't expect to use it to test effectively. So even using the demo version isn't going to get you very far.
- There are other screenreaders on the market; you shouldn't be catering to software, although it can't hurt to later run your work by someone who actually has a screenreader.
- If you code to WCAG, you are creating accessible sites, software quirks aside.
Read Kynn's tutorial and be aware of the issues. But instead of spending a bit of time fooling around with an application you have little hope of being able to use properly, instead spend that time familiarizing yourself with WCAG, and brush up with the plethora of information that's available for free already.
Reader Comments
i'd still say that, instead of any free versions, there is a need for some authoritive documentation from freedomscientific about JAWS' behaviour, how it handles things like @imported stylesheets etc…
Found a good little article on meeting 508(a) requirements here:
Juicy Studio has produced a chart giving details of how various screen readers behave at http://www.juicystudio.com/assistivedeviceschart.html
"There are other screenreaders on the market… If you code to WCAG, you are creating accessible sites, software quirks aside."
Come on. Would you really consider coding to the HTML and CSS specifications as an adequate substitute for testing in Internet Explorer? Does it matter that there are other visual browsers on the market?
"there is a need for some authoritive documentation from freedomscientific about JAWS' behaviour"
Agreed 100%.
Hrmph… I feel slightly duped. I signed that pettition under the impression that there was nothing available to developers aside from the behemoth $895 (or whatever) JAWS product. I didn't realize there was a "40 minute then you gotta reboot" free testing product. That seems more than fair for a software company to do, and pretty adequate to do a simple accessability test. If you code to the WACG before firing up the 40 minute JAWS "demo", then those 40 minutes should be 40 minutes of sheer confirmation that you did it right- and if you missed something, fix it and reboot. It's a small inconvinience, but it's adequate. Maybe a better solution would be an 80 minute before reboot testing product for cheap- like $200 - just a thought.
the problem i have with the demo solution is that it moves in the gray area of legality, if i'm not mistaken. the demo is provided as an evaluation of the product in the light of a possible purchase. consciously using the demo "instead" of the full product goes against the idea of demo (and probably some clause in the demo's EULA as well)…
The EULA is probably about 100 pages, and nobody's ever read it, but I'm sure it involves not using the product consistently for testing purposes.
This is why, though I understand those who think this is all the company should do, the demo is not a solution to the problem. It is a questionable hack at best.
Dave, it's good that this has given you food for thought, but I am disturbed that you are so willing to sell yourself and all web developers short - of course, we will never be able to know what it is truly like to _need_ a screen reader, but I reject the argument that we are making things worse by trying to test our sites with a reader. Give us all a little more credit.
We use a product called InFocus to determine 508 compatibility. It allegedly reads screens the way JAWS does but produces text output, so it's not necessary to run JAWS itself. In addition, it addresses a host of other 508 compatibility and usability issues, and will change HTML automatically (if so directed) which can save a lot of time fixing code, too, assuming your HTML is not the result of ASP, Cold Fusion, or some other HTML generator.
I've been in contact with JAWS (and several other screenreader/talking browser) companies over the past couple of years and I've found many to be very unhelpful which I personally find rather disconcerting.
I too worry about the legality of using what is essentially trial software constantly, I'm sure Macromedia and Adobe would have something to say about it if I downloaded their 30 day evals then reformatted my machine every 30 days… It's illegal, that's why I have licensed copies of Macromedia and Adobe software.
They are essential to what I do, and the cost of the software I use and it's updates (moving from photoshop 7 to CS and so on) make up a substansial part of my companies budget for software each year. However a screen-reader simply doesn't fall into this essential bracket, especially as many clients functional specs only cover testing on the latest crop of browsers that are all available freely over the internet.
I don't beleive that we designers as a group should be building essentially 'buggy' code to fit the quirks of screen-readers, but I would at least like to be able to test the work I do out in one instead of relying on bobby, watchfire, WAI and lynx as benchmarks for testing a sites compliance to 'AAA' standards and section 508.
What annoys me about this whole affair is the seeming distain most of the companies that produce accessibility software have for the design community and further more it *really* irritates me that when you approach them constructively in the essence of making more online media accessible they simply brush your comments to one side and then refer you to the sales department.
When you come to the bottom line the fact is that many companies simply cannot warrant the expense of buying several screen-readers to test their products on while screen-readers remain so expensive, it simply doesn't make financial sense to buy software that won't pay for itself. End of story from our perspective but from the screen-reader companies perspective, surely it would make sense to cater for the design community so they can get valuable feedback on how they could improve their software (which is generally buggy and ill-thought-out) from a community of people who (on the whole) are simply striving to do the best job possible?
I should also add that it's simply not the case that JAWS is free all over the world, for example in the UK JAWS is available through a UK distributor it would appear and even the demo costs ÂŁ50.
Now as with many firms we have to justify our purchases to our accountants, and paying ÂŁ50 for a piece of limited demonstration software would raise eyebrows in almost every accountants office.


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I have bound data to a repeater control in ab asp.net application. When the data is displayed in plain HTML text in the browser it comes with these characters: â€. I am unable to figure out the reason behind this.
Any help is appreciated. Thanks in advance!
I am using tFPDF to generate a PDF. The php file is UTF-8 encoded.I want
© for example, to be output in the pdf as the copyright symbol.
I have tried
htmlspecialchars_decode. When I take the string I am trying to decode and hard-code it in to a different file and decode it, it works as expected. So for some reason it is not being output in the PDF. I have tried output buffering. I am using
DejaVuSansCondensed.ttf (true type fonts).
Link to tFPDF: http://fpdf.org/en/script/script92.php
I am out of ideas. I tried double decoding, I checked everywhere to make sure it was not being encoded anywhere else.
In my html source code I have some special symbols like the copyright one
<meta content="© Copyright... />
For some text editors these are shown correctly as above, but on VS Code I see it as � and after I save the file, the symbol will be shown as � and � on other editors.
If I explicitly paste the © on VS Code and save it, then on another text editor it will be saved as ©.
How can I solve this? What should I do?
I have not experience with Yii2. I would like to be able to show the result of a form on the screen.With the fields name and email I have no problem but I can not show the selectionthat I make of my radioList. I have tried many methods but none works.Can you help me please?
These are my files.
public function actionEntry() { $this->layout = 'print'; $model = new EntryForm(); if ($model->load(Yii::$app->request->post()) && $model->validate()) { return $this->render('entry-confirm', ['model' => $model]); } else { return $this->render('entry', ['model' => $model]); } }
namespace app\models;use Yii;class EntryForm extends \yii\db\ActiveRecord{ public $name; public $email; public $category; public function rules() { return [ [['name', 'email'], 'required'], ['email', 'email'], ]; }
use yii\helpers\Html;use yii\widgets\ActiveForm;<?php $form = ActiveForm::begin(); ?> <?= $form->field($model, 'name') ?> <?= $form->field($model, 'email') ?> <?= $form->field($model, 'category')->radioList([ 1 => 'radio 1', 2 => 'radio 2' ]); ?>
 <?= Html::submitButton('Submit', ['class' => 'btn btn-primary']) ?>
<?php ActiveForm::end(); ?>

You have entered the following information:

Name: <?= Html::encode($model->name) ?>

Email: <?= Html::encode($model->email) ?>

Category: <?= Html::encode($model->category) ?>

Please note that by viewing our site you agree to our use of cookies (see プライバシー for details). You will only see this message once.


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ELIZABETHON, Tenn. --- Craig Simpkins finished third, and three other Bobcats placed in the top 10 to lead the Lees-McRae College men's and women's cross country teams to a pair of top-five finishes at the Stampede at the Shoals on Friday.
Lees-McRae finished second in the men's race, totaling 43 points as the Milligan College "A" team captured the team title with 27 points. The Milligan "B" team placed third with 92 points, followed by the University of Virginia-Wise (113) and Tusculum College (116).
The Lees-McRae women's team placed third in its race, finishing with 66 points behind the Milligan "A" and "B" teams, which amassed 15 and 60 points, respectively. UVA Wise finished fourth in the women's race with 113 points, while Tusculum placed fifth with 123 markers.
Simpkins finished the men's race with a time of 19:11.89, leading a trio of Bobcats in the top 10 as Less-McRae placed second in the team competition with 43 points. Joining Simpkins in the top 10 were Michael Davis (5th/19:53.27) and Luke Anton (10th/20:25.88).
Austin High finished just behind Anton in 11th place with a time of 20:27.77, while Will McCoy (20:35.38) and Jared Lupton (21:00.83) finished 14th and 16th, respectively. Jordan Gillespie also finished 20th with a time of 21:34.82, while Doni McCarty placed 28th with a time of 23:02.69.
Hannah Henderson led the way for the Lady Bobcats, finishing eighth with a time of 16:21.90. Heather Peterman placed 13th with a time of 17:26.43, followed by Erica Zaveta (14th/17:39.31), Cinthia Lehner (16th/17:43.07) and Crystal Fischer (17th/17:45.21). Rayne Delutis finished 21st with a time of 18:05.55, while Lindsey Bush placed 29th with a time of 19:48.41.
Lees-McRae returns to the course on Saturday, September 18 at the Winthrop Asics Invitational in Rock Hill, S.C.


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About Custom Bridal Shower Bottled Water Labels — Diy
DIY bottled water labels measure 7" wide x 1.875" tall and come six on a sheet. They will nearly wrap completely around a small plastic water bottle. We suggest purchasing a few bottles first and doing a test of the labels on them to be sure you get the look you like. Add more magic to your bridal shower with bottled water labels that have your shower colors, theme, and your bride's name, on them. Select a shape from above to begin customizing your DIY bottled water labels with Evermine.


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A delightful little quilt with classic design for a cat lover!. Note the excellent patchwork piecing and fine quilting. Made by local Mennonite woman. Even includes tabs for a hanging rod!
A high quality quilt.
Questions? Call Connie Lapp at (484) 880-3823 or email firstname.lastname@example.com
Sold -- no longer available
While the quilt shown here has been sold, we can arrange for this quilt to be custom made for you. The current price may be more because of increases in the cost of fabric.


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It incorporates a gas-charged cylinder of adjustable volume. As the temperature rises, the gas expands; it will open a 15 lb window, more than adequate in cold frames and greenhouses. A simple adjustment lets you control the operating range. As temperatures fluctuate, the 12-1/2" long unit will open and close a window as necessary to prevent disasters.
Made in England.
Non-rusting anodized aluminum and powder-coated steel.


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Boston Creative Design, Inc. is dedicated to providing graphic design, web design, commercial printing and promotional goods and apparel to Lexington businesses of any size or industry. We offer both small businesses and large corporations a convenient, one-stop source for all visual marketing needs from the common to the complicated.
We'll do as much of the heavy lifting as you need. With our Complete Solution, we take the time to get to know you and your business, and develop a creative plan that makes sense for you, whether you just need printing and graphics support, or an entirely new brand package.
Our Wilmington office is an easy drive from Lexington. We make life easier for you by enhancing your business' image so you can focus on what you do best: running your business. Call or email us today to schedule a free consultation.
Boston Creative Design offers Lexington businesses of any size a convenient, one-stop source for visual marketing needs from the smallest logo to the largest billboard.
Drop us a line today, and we'll contact you to discuss how we can help make your business look its best.


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Sample Board Prospectus for a Proposed Charter School
Every new charter school will need a Board of Trustees. Pre-Authorization planning teams will also need to demonstrate a strong plan for governance and organizational design before they are awared a charter from the authorizing agencies. This document helps those teams in assembling the Board.


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Trifecta Cookies
At some point in your life you are supposed to start learning from your mistakes. Your parents allow you to start screwing up…expecting you to learn from your experiences. My Mom decided to let me start this process a little too late I think. I know I was the first and I was the guinea pig so I don't blame her (ok, maybe I do, but who doesn't blame their Mom every now and then?)..but I think that is why I still have not figured out, that if it didn't work out well the first time…it won't do much better the second time. I think you should start learning these lessons much earlier then I did. That way, by the time you get to my age, you have it figured out.
When I was 16 and driving my Mom told me I was NOT allowed to go over to my boyfriend's house after school. That I had to come STRAIGHT home (bold words are when she made the mom eyes and used the mom tone). So what did I do? Well I wanted to borrow my boyfriend's letterman jacket. So I figured I would stop by for a split second, run in, grab it, and leave. Sounds like a solid plan right? His house was on the way home and it would only take 5 minutes. Well what do I do? I locked my keys in the car…with it running. Yes, I know, I am an genius idiot. So of course who has the spare? And who do I have to call and admit that I blatantly disobeyed? Ya, fun times. And then I got caught going over there two more times before I finally learned that lesson.
And then I got a little older and a little more rebellious and started sneaking out. I thought I was sooo smart. Except my mother started coming in my room, around 10 in the morning, yelling at me. Asking why I was sleeping so late and why are my eyes so red. She would make me sit up and look her in the eyes and then say "Jessie, DO NOT LIE TO ME. Are you doing drugs?". Because apparently red eyes and a sleepy teenager pointed to drugs–don't ask me, I didn't write the handbook. At this point, I should have realized…hmm this whole sneaking out thing isn't gonna end well. She knows something is up. But no, I figure I'll just tell her I'm sick. A few more weeks go by of this…and then one night when I came home at around 3 in the morning I see the light on in my Dad's office. And I think maybe I left it on. So I quietly sneak back in and into my room and start changing into my PJ's…because I can't sleep in what I was wearing because then they really will know. And guess who opens the door and flips on the light? My Dad. And there I am, completely naked with glitter and mascara all over my face (stop snickering, I know we all went through the glitter as eyeshadow stage). I made up some story about waking up and wanting to change my clothes…and he was so embarrassed he said "Oh..Uh. Ok." and left. The next morning, I was grounded forever and all…but I still hadn't learned my lesson. I did it a few more times, with horrible consequences, before I finally figured out I wasn't doing myself any favors.
And these days, here I am. Old enough to go to war, to drink, and to vote. I'm married, pay my bills, and do all the grown up things my husband makes me do I should do. But I still have not started learning from my mistakes. For example, today I took out the garbage. And I know I bought the cheap bags and that they will tear if I fill them up too much. And last week I filled it up too much and it ripped on the way to the garbage can. So what do I do today? I pick up a full bag of garbage and think out loud "I should double bag this". Do I do that? Of course not, instead I make a run for the garbage can… And what happens? It tears and trash goes everywhere. And my dog ate an eggshell before I could get to him and now I get to play poop patrol for the next few days to make sure he's not dying. All because I can't learn from my mistakes.
I made these cookies a couple weeks ago for my dear friend Mi'a. She is a cookie lover and I had been promising to make cookies for her for awhile. I knew, from past experience, that I should half the recipe because I would have too many leftover delicious cookies. But no, I tell myself to make the whole batch. That I will have some willpower this time and I will save the leftovers for Jorge. Instead, I made the whole batch and found myself eating them for breakfast, over the kitchen sink, in shame.
I really thought these cookies were fabulous. I loved that they are a trifecta of the three greatest cookies! They are a mix of peanut butter cookies, chocolate chip cookies, and oatmeal cookies. I plan on making these over and over since they will travel well and are really fairly easy to put together!
Trifecta Cookies
1 cup all-purpose flour
1 teaspoon baking soda
1 teaspoon salt
1 stick unsalted butter, softened
1/2 creamy natural peanut butter
1/2 cup granulated sugar
1/3 cup light brown sugar
1/2 teaspoon vanilla extract
1 egg
1/2 cup old fashioned oats
1 cup semisweet chocolate bar, chopped coarsely
Preheat oven to 350 degrees. Line baking sheet with parchment paper or silpat.
Whisk together flour, baking soda and salt in a small bowl and set aside.
Cream together butter, peanut butter, granulated sugar, brown sugar and vanilla extract on medium speed for about 3 minutes. Add the egg and beat to combine. Reduce the speed to low and gradually add in the flour and mix until combined. Stir in the oats and the chocolate chunks.
Refrigerate the dough overnight or up to 24 hours. Allow dough to sit at room temperature for 30 minutes prior to baking.
Scoop the dough with a medium cookie scoop (about two tablespoons) onto lined baking sheet about two inches apart. Bake for 10 minutes until golden brown. Let cool for a few minutes on baking sheet then move to a wire rack. Serve immediately or store in an airtight container.
Adapted from Brown Eyed Baker


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The ever popular Weekly Bento Planner and Weekly Menu Planner forms are now available in more languages, thanks to our great international community. In addition to German, Portuguese and the original English, we now have French, Norwegian and Hungarian versions. Go to either page to download them. Many thanks to Ren for the Hungarian and Norwegian translations, Céline for the French version, and Antje for putting the forms together!
One thing I love about the Just Bento community is how international it is. Now thanks to Momoko * Bárbara, we have Portuguese versions of our Weekly Bento and Menu Planners, in addition to the original English and German. Many thanks to Momoko * Bárbara, as well as Antje who made the forms that much easier to adapt to other languages!
If you'd like to tackle other language versions of the forms, just let me know!
* Weekly Bento Planner page
* Weekly Menu Planner page continue reading...
The Weekly Bento Planner and Weekly Menu Planner with Bento printable forms have both been downloaded thousands of times. Now, they are available in German too, thanks to Antje. She has also offered to create other language versions too, if she is provided with the translations. So if you'd like to see the planner forms in your language, please download the original forms from their respective pages (Weekly Bento Planner link: Weekly Menu Planner with Bento link) and send in your translations to maki at makikoitoh dot com, and I will forward them to Antje.
Der Wochen-Mahlzeitsplaner und der Wochen-Bentoplaner, welche schon tausende male heruntergeladen wurden, sind nun in deutscher Sprache verfügar; vielen Dank, Antje!
[Update:] Now with a second page for the weekend plus expanded shopping list! See below.
Last year I introduced the Weekly Bento Planner, a simple form to plan your bento lunches. It's been very popular, and both files have been downloaded thousands of times.
One comment I got several times was that the form was fine for mapping out the week's bento plans, but what if you wanted to plan all of your meals for the week too? To address this need, after a lot of thinking and testing - and just in time for the Bento Challenge! - I present you the Weekly Menu Planner With Bento Lunch form.
The Weekly Bento Planner is a simple one-page form that I use to plan out my week, bento-wise. I don't really bother to plan out my other meals, but since time is at such a premium in the morning when I'm assembling bentos, I spend a few minutes on the weekend writing out what I intend to make for bentos during the upcoming week. continue reading...
This section contains the downloadable bento-related forms and other materials available on Just Bento.
@justbento - strictly site updates
@makiwi - Maki tweets at random


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George Balanchine, 1904-1983
George Balanchine, regarded as the foremost contemporary choreographer in the world of ballet, came to the United States in late 1933 following an early career throughout Europe. The son of a composer, Balanchine early in life gained a knowledge of music that far exceeds that of most of his fellow choreographers. He began studying the piano at the age of five and following his graduation in 1921, from the Imperial Ballet School (the St. Petersburg academy where he had started his dance studies at the age of nine), he enrolled in the state's Conservatory of Music, where he studied piano and musical theory, including composition, harmony and counterpoint, for three years. Such extensive musical training made it possible for Balanchine as a choreographer to communicate with a composer of such stature as Igor Stravinsky; the training also gave Balanchine the ability to reduce orchestral scores on the piano, an invaluable aid in translating music into dance.
Balanchine made his own dancing debut at the age of ten as a cupid in the Maryinsky Theatre Ballet Company production of THE SLEEPING BEAUTY. He joined the company as a member of the corps de ballet at 17 and staged one work, ENIGMAS. Most of his energies during this period, however, were concentrated on choreographic experiments outside the company.
In the summer of 1924, Balanchine left the newly formed Soviet Union with three fellow dancers for a tour of Western Europe. They were invited by impresario Sergei Diaghilev to audition for his Ballets Russes in Paris and were accepted into the company.
Diaghilev had his eye on Balanchine as a choreographer as well, and after watching him stage a new version of the company's Stravinsky ballet, LE CHANT DE ROSSIGNOL, Diaghilev hired him as ballet master to replace Bronislava Nijinska. Balanchine served as ballet master with Ballets Russes until the company was dissolved following Diaghilev's death in 1929. He spent the next few years on a variety of projects which took him all over Europe: choreographing for the Royal Danish Ballet; making a movie with former Diaghilev ballerina Lydia Lopokova (then the wife of British economist John Maynard Keynes) in England; staging dance extravaganzas for Britain's popular Cochran Musical Theater Revues; and working with De Basil's Ballet Russe de Monte Carlo (where he discovered young Tamara Toumanova).
Returning to Paris, Balanchine formed his own company, Les Ballets 1933, collaborating with such leading artistic figures as Bertolt Brecht and Kurt Weill (THE SEVEN DEADLY SINS), artist Pavel Tchelitchew, and composers Darius Milhaud and Henri Sauguet. During this period a meeting occurred that would change the course of twentieth century dance.
Boston-born dance connoisseur Lincoln Kirstein harbored a dream: He wanted to establish an American school of ballet that would equal -- even rival -- the established European schools, and he wanted to establish an American ballet company. Through Romola Nijinsky, whom Kirstein had assisted in her research for a biography of her husband, Kirstein met Balanchine and saw in him the means by which this dream could be realized, if only the choreographer could be persuaded to relocate to the United States. Balanchine agreed to come to America that very year, and the first product of the Balanchine-Kirstein collaboration was the School of American Ballet, founded in January 1934. The first ballet Balanchine choreographed in this country -- SERENADE to music by Tschaikovsky -- was created as a workshop for students at the School and had its world premiere in June 1934 outdoors on the estate of a friend near White Plains, New York.
In 1935, Kirstein and Balanchine set up a touring company of dancers from the school and called it the American Ballet. That same year the Metropolitan Opera invited the Company to become its resident ballet troupe, with Balanchine as the Met's ballet master. Tight funding, however, permitted Balanchine to mount only two completely dance-oriented works while with the Met: a dance-drama version of Gluck's "Orfeo and Eurydice" and an all-Stravinsky program, featuring a revival of one of Balanchine's first ballets, APOLLO, plus two new works, LE BAISER DE LA FEE and CARD GAME. In 1937 these three ballets formed the program when Balanchine directed his first (of three) Stravinsky Festivals; paving the way for the later, larger efforts in 1972 and 1982.
Despite the popular and critical success of the latter program, Balanchine and the Met parted company in early 1938 and Balanchine spent his next years teaching at the school and working in musical theater and films. In 1941, he and Kirstein assembled the American Ballet Caravan, sponsored by Nelson Rockefeller, which toured South America with such new Balanchine creations as CONCERTO BAROCCO and BALLET IMPERIAL (later renamed TSCHAIKOVSKY PIANO CONCERTO NO. 2). From 1944 to 1946 Balanchine served as artistic director of the Ballet Russe de Monte Carlo where he created RAYMONDA and LA SONNAMBULA
In 1946, Balanchine and Kirstein collaborated again to form Ballet Society, a company which introduced New York subscription-only audiences over the next two years to such new Balanchine works as THE FOUR TEMPERAMENTS (1946) and ORPHEUS (1948). Morton Baum, chairman of the City Center finance committee, was so impressed with Ballet Society that he initiated negotiations that led to the company's being invited to join the City Center municipal complex as the "New York City Ballet." Balanchine's talents at last had found a permanent home. On October 11, 1948, the New York City Ballet was born, dancing a program consisting of CONCERTO BAROCCO, ORPHEUS and SYMPHONY IN C (a ballet which Balanchine had created for the Paris Opera Ballet under the title LE PALAIS DE CRISTAL the previous year).
From that time until his death, Balanchine served as ballet master of the New York City Ballet, choreographing (either wholly or in part) many of the productions the company has introduced since its inception. Among them were FIREBIRD (1949; restaged with Jerome Robbins, 1970); BOUREE FANTASQUE (1949); LA VALSE (1951); THE NUTCRACKER (his first full-length work for the company), IVESIANA and WESTERN SYMPHONY, (1954); ALLEGRO BRILLANTE (1956); AGON (1957); THE SEVEN DEADLY SINS (a revival of the original Les Ballets 1933 production) and STARS AND STRIPES, (1958); EPISODES (1959); MONUMENTUM PRO GESUALDO and LIEBESLIEDER WALZER (1960); A MIDSUMMER NIGHT'S DREAM (1962); MOVEMENTS FOR PIANO AND ORCHESTRA and BUGAKU, (1963); DON QUIXOTE (in three acts) and HARLEQUINADE (in two acts), (1965); JEWELS --his first and only full-length plotless ballet -- (1967); and WHO CARES?, (1970). In June 1972, Balanchine staged the New York City Ballet's first festival, an intensive one-week celebration of the music of his longtime friend and collaborator, Igor Stravinsky. Of the 20 works that received their world premieres during the Festival, he choreographed eight: STRAVINSKY VIOLIN CONCERTO, DUO CONCERTANT, CHORAL VARIATIONS (ON BACH'S "VOM HIMMEL HOCH," SCHERZO A LA RUSSE, SYMPHONY IN THREE MOVEMENTS, DIVERTIMENTO FROM "LE BAISER DE LA FEE," and new versions of PULCINELLA (with Robbins) and DANSES CONCERTANTES.
In the spring of 1975, the Entertainment Hall of Fame in Hollywood inducted Balanchine as a member in a nationally televised Special, hosted by Gene Kelly. The first choreographer so honored, he joins the ranks of such show business luminaries as Fred Astaire, Walt Disney and Bob Hope. That same year Balanchine staged a second New York City Ballet festival, the three-week Homage a Ravel . This celebration produced 16 new works and brought into the repertory such ballets as TZIGANE, LE TOMBEAU DE COUPERIN and SONATINE.
In the six years between 1976 and 1982 Balanchine introduced more than a dozen works into the New York City Ballet's repertory and directed two major festivals, the Tschaikovsky Festival in 1981, and the Stravinsky Centennial Celebration the following year. First came the lavish VIENNA WALTZES in 1976, followed by his offbeat bicentennial tribute to the dance traditions of Great Britain -- UNION JACK. BALLO DELLA REGINA and KAMMERMUSIK NO. 2 were choreographed in 1978, followed by BALLADE and ROBERT SCHUMANN'S "DAVIDSBUNDLERTANZE." That same year Balanchine staged WALPURGISNACHT BALLET (originally created for the Paris Opera Ballet) and LE BOURGEOIS GENTILHOMME (choreographed for Patricia McBride and Rudolf Nureyev as part of a special joint New York City Ballet/New York City Opera performance) for the Company. He contributed four pieces each to the Tschaikovsky Festival and the Stravinsky Centennial Celebration: MOZARTIANA, HUNGARIAN GYPSY AIRS, "The Garland Dance" from SLEEPING BEAUTY and the ADAGIO LAMENTOSO (from the SYMPHONIE PATHETIQUE) for the former and TANGO, ELEGIE, PERSEPHONE and a new version of VARIATIONS for the latter. A total of 23 new works were produced for the two festivals, of which Balanchine's contributions constituted nearly a third.
During these years Balanchine was the recipient of much official recognition for his contributions to the arts in the twentieth century. In 1978 he was one of five recipients -- with Marian Anderson, Fred Astaire, Richard Rodgers and Arthur Rubenstein --of the first Kennedy Center Honors, presented by President Carter at the White House. He was also presented by Queen Margrethe II of Denmark with a Knighthood of the Order of Dannebrog, First Class. In 1980 Balanchine was honored by the National Society of Arts and Letters with their Gold Medal of Merit, by the Austrian government with its Austrian Cross of Honor for Science and Letters, First Class, and by the New York Chapter of the American Heart Association with its "Heart of New York" award. These joined such earlier commendations as the French Legion of Honor, French Commander of the Order of Arts and Letters decoration and National Institute of Arts and Letters award for Distinguished Service to the Arts. In 1983 Balanchine was granted the Presidential Medal of Freedom, the highest honor that can be conferred upon a civilian in the United States and the last honor he would receive in his lifetime. President Ronald Reagan praised Balanchine's genius, saying he had "inspired millions with his stage choreography...and amazed a diverse population through his talents." Soon after, on April 30, 1983, George Balanchine died at the age of 79.
An authoritative catalogue of Balanchine's works lists 425 created in his lifetime, beginning with a pas de deux in 1920 (LA NUIT) and ending with a solo, VARIATIONS FOR ORCHESTRA in 1982. In between he created a body of work as extensive as it is diverse, ranging from the expansive SYMPHONY IN C and the lavishly theatrical ORPHEUS to such small-scale gems as PAVANE. Balanchine's style has been described as neoclassic, a reaction to the Romantic "anti-classicism" that was the prevailing style in Russian and European ballet when he had begun to dance. As a choreographer, Balanchine generally de-emphasized plot in his ballets, preferring, as he once told a reporter, to let "dance be the star of the show," .
Photo by Tanaquil LeClercq


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In a perfect world, every single lip product worth its salt would come in a chubby pencil. Wouldn't that be great? You could fit more lip color in your makeup bag! NARS is helping make my dream one step closer to reality with its new Satin Lip Pencils.
These new pencils are rich in pigment and give lips a rich and creamy finish in 13 new shades:
- Het Loo – cognac
- Floralis – light apricot
- Isola Bella – peach beige
- Lodhi – vibrant coral
- Biscayne Park – pink guava
- Rikugien – rose pink
- Golshan – spiced wine
- Majella – garnet
- Luxembourg – vivid watermelon
- Hyde Park – cardinal red
- Palais Royal – sangria
- Yu – shocking pink
- Jardin Des Plantes – fuchsia (exclusive to boutiques)
I am already drooling over these and can't wait to get them into my hot, little hands. These new Satin Lip Pencils launch March 7th on narscosmetics.com but in the meantime, check out the Pinterest boards for a little lip inspiration.
What shade are you coveting?


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Museum Scientists Tweet From Hearst Mongolian Paleontological Expedition main content.
by AMNH on
Since 1990, scientists from the American Museum of Natural History have traveled to Mongolia's vast Gobi Desert each summer in search of fossils, continuing a tradition of Museum expeditions to the region that began in the 1920s. In 1993, Museum researchers working with Mongolian scientists uncovered one of the richest fossil beds ever found: Ukhaa Tolgod. The site produced hundreds of dinosaur, lizard, and mammal fossils from the Cretaceous period.
This month, a team led by the Museum's Provost of Science Mike Novacek and Paleontology Division Chair Mark Norell is once again heading to the Gobi-and one of the team members, Museum researcher Jonah Choiniere, will be checking in by satellite phone every few days with expedition updates that will be tweeted by @AMNH.
The 2011 Margaret and Will Hearst Mongolian Paleontological Expedition includes Dr. Khand Yondon of the Mongolian Academy of Sciences, Dr. Robert Hill of the New York College of Osteopathic Medicine, Dr. Jingmai K. O'Connor of Beijing's Institute for Vertebrate Paleontology and Paleoanthropology, Dr. Roger B.J. Benson of Cambridge University, Michael D. Pittman of University College London, and Hong-yu Yi, a graduate student in the Columbia University-American Museum of Natural History doctoral program. For updates from the Gobi, follow the Museum on Twitter @AMNH and look for the hashtag #GobiExpedition.


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Just look at all that merchandising and sequel potential!
I have a special relation to the Iron Man comic; it was my first. Due to Uncle Skeeter giving me issue 52 as a Christmas present, I developed a lifelong obsession with the graphic narrative form (i.e., it made me a comics nerd, but never this nerdy). Despite the ablative effects of my high school years, in which I temporarily replaced my adolescent recreational addiction with one of a more illicit kind, I still remember that comic, due to a picture of me clutching it by a Christmas tree. So, I guess it's a combination of nostalgia, the (more often than not) sobriety of adulthood and the promise of no Ben Affleck that keeps me going back to shitty Hollywood adaptations of superhero comics I rarely read these days. Thankfully, Iron Man the movie is pretty good.
Even without narcotics, the Iron Man comic is pretty forgettable. I only remember a few of his villains: The Mandarin, a Fu Manchu ripoff who wore a specially powered ring on each of his fingers; the Unicorn, a technological foe who shot repulsor beams from his forehead; the Viet Cong, dreaded communists who envied his capitalist knowhow and freedom (aka surplus leisure time); and the bottle, which took something like a 120 issues before it became a problem. Mainstream entertainment isn't allowed to mock other nationalities anymore -- at least not explicitly -- so the Mandarin was out as a villain for the movie. However, fearing foreign ideologies is still in fashion. Only problem is that communists make better capitalists than classic liberals do these days, so Red-baiting wouldn't hold much cachet. Ang Lee's The Hulk demonstrated that most people don't go to see superhero films for an analysis of domestic problems, so alcoholism will have to wait for a subplot in the turgid third installment. And a guy who shoots beams from his forehead would probably look pretty stupid on the big screen, giving the screenwriters and production designers migraines trying to come up with some phony explanation for why his head doesn't snap back when he fires.


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The Persistence of BrandApril 17, 2003
How well do you know your brands?
I can't get A D E F N O R Y. I blame it on my being Canadian, and not exposed to American brands on a daily basis.
(although I KNOW what E O and R are from, they're at the back of my mind, and I just can't pull out the rest of the logotype to make the connection)
4/20 update — it's been solved, thanks to the help of Dale, rhapsodie, and swimunderground.
Reader Comments
R is one of the few I did get: Hard Rock Cafe.
Oh, how about that, it is too. I was thinking Red Robin and couldn't get over the "Red" part, but it's obvious now that I see it. I've since deciphered the 'E" in "Home Depot", but the rest elude me.
The A comes from AMC Theatres (I don't know how I knew that) and thanks Dale for pointing out the N in Dunkin' Donuts.
That leaves DFOY. I'm racking my brains on that O, since it's pretty generic, yet oh-so-familiar. Kellogg's and Eggo it's not, so that leaves…? (DFY are going to be head-slapping 'oh yeah!'s when someone finally clues me in, I just know it)
Thanks to Dale for N and Y, rhapsodie for the R, and swimunderground for the D, we've got this sucker beat!
Amc theatres
lorD and taylor
homE depot
General mills
Jack in the box
Krispy kreme
dunkiN' donuts
jOhnson & johnson
Quaker state
hard Rock cafe
United airlines
That 'o' was heinous. I was convinced it was a food product. Jello, Kellogg's, Eggo, Knorr, Coca Cola, Crisco, even Betty Crocker all were coming up blank.
The D is from Lord and Taylor. I knew it was a department store; tried Harrod's first, but as soon as I saw their logo, I somehow knew it was in fact L & T.
How I got here: post in ljuser = steven's lj > hexkitten comment > her lj > her website > your website.


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Inspiration: White Plates at the Thanksgiving Table
White dishware might be what you pull out when you're entertaining over the Thanksgiving holiday. Many of us have simple whites in the largest quantity in our households, as they're versatile and can be inexpensive. So, how to fancy them up a bit for Thanksgiving?
We like whites best when mixed into a rustic table setting. From heavy old wooden tables to wood planks as placemats or centerpieces (see images 6 & 7), we think white dishware really comes alive when its stark simplicity is placed against something a little bit rough.
Using white dishware is also a chance to really showcase the food you've worked so hard in preparing. After all, it's the meal that's really at the heart of the day, anyway!
How do you dress up your whites for Thanksgiving?
Related: Should Food Always Be Served On A White Plate?
(Images: Emilia Ceramics, Eddie Ross, Oh Darling! via Merci, Pottery Barn, House Beautiful, Design Sherpa, Dandelion & Grey, Karen Mordechai/Sunday Suppers, Lucas Allen/Country Living)


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Sculpture by Jonna Ramey
Carving stone is like breathing; it feels so right, so automatic. Working with hand tools – hammers, chisels and rasps – allows me time to connect with the stone, my memory, and my self. This organic dialog is at the heart of my sculpture. It is a way to examine thoughts, emotions, cultural concerns, myths and taboos. Check out my website at http://jonnaramey.com or contact me at firstname.lastname@example.com More
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INTL FCStone Opens IT Development Services Office in Bangalore, India
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WCG 2019 Xian's closing ceremony, presenting value of participation and future
IIIT Hyderabad Starts Social Incubator AIC-IIITH Foundation
NEOM Showcases Stunning Coastline With Saudi Arabia's First Ever International Beach Sports Tournaments
42Gears Secures Office 365 Apps With Enhanced Data Loss Prevention Features
2019 World Brain Day Takes Aim at Migraine
Ganapati to Exclusively Produce Manny Pacquiao Slot Game
The Office of Solms Baruth: Grandson of Anti-Hitler Plotter Escalates Land Restitution Case
BrightCode, A Blockchain-based Commodity Confidence Index Initiated by VeChain and Bright Food, Introduces How VeChainThor Blockchain Empowered Their Business
National Car Rental's Emerald Club Earns the Brand Top Recognition by Travel + Leisure
Victor Restis Sues The American Interest, Inc. For Damages For Defamation And False Light
Cairn Oil & Gas Leads the Way in Digitalization of Indian E&P Sector; Signs MoU With 5 Digital Start-ups in DigiXplore 2019
Working to Lower Costs & Eliminate Barriers to Access for Students Worldwide, International Baccalaureate Eliminates its Student Exam Registration Fee
XCMG Global Operator Excellence Program Prepares All-around Talent for Construction Machinery Industry
Transforming Advantages into Quality Products: Yili to Enter Southeast Asian Market to Bolster Local Industry
Zinnov Awards 2019 Recognizes the Titans of Tech, Organizations Breaking New Ground, and the Leaders Who are the Harbingers of Change
Tyre Dealers Trust Tyremarket.com for Giving Them Digital Exposure and Increasing Sales
The Legend Returns! WCG 2019 XI'AN Grand Final Begins
Venture Global Secures Binding Commitments of over $10 billion for its $5.8 billion Calcasieu Pass LNG Construction Financing
LVC, COTS, and TaaS Models Transforming Military Training and Simulation Market
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GEP Wins Top Honors in Procurement Consulting at CIPS Supply Management Asia Awards in Singapore
Adoption of Service-based Model Spurs Growth in the Global Medical Imaging Industry
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Phunware Awarded Company of the Year by Frost & Sullivan for Multiscreen as a Service Platform
One of the world's leading certification bodies DNV GL speaks out about VeChainThor Blockchain after using the public blockchain for one year
Frost & Sullivan Honors Industry Leaders for Best Practices in Innovation and Leadership
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DLF Promenade Launches FASHIONATION
Elbit Systems Participated in Lockheed Martin's Supplier Conference in India
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Thomson Reuters Launches 'TR IGNITE' the Asia Pacific Technology Investment Programme, offering startups the opportunity to pitch for up to US $250,000
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Radiflow Commended by Frost & Sullivan for Elevating Customer Experience through its iSID Detection and Analysis Platform
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ELECRAMA 2020: Evolution of New Electricity Era
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I host a podcast called 7 minutes in heaven.
You can hear it here https://mix1051utah.com/life/7-minutes-in-heaven-ep-6/
I'm looking for anyone with NDE experiences who would like to share their story with me. The interview lasts about ten minutes. I record on Thursdays at 11aMT.
If you're interested, please email me firstname.lastname@example.com
Jon Watkins
Post Reply
1 post • Page 1 of 1
- jmwatkins2002
- Member
- Posts: 1
- Joined: Tue Nov 28, 2017 2:34 pm
Post Reply
1 post • Page 1 of 1


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PHOENIX--(BUSINESS WIRE)--Mesa Air Group, Inc., the #1 On-Time Regional Airline in 2010 and 2011, is pleased to announce its #1 rank among U.S. regional airlines for on-time arrivals in January 2012, according to the U.S. Department of Transportation Air Travel Consumer Report, the industry recognized measure of performance. In addition to being ranked first among regional airlines for on-time arrivals, Mesa was ranked first among regional airlines for fewest mishandled bags and first among all air carriers for fewest complaints per 100,000 passengers – the "Triple Crown" of operational performance. This recognition and the Company's strong operational performance reflect Mesa's continued commitment to its Code Share Partners and Passengers.
Mesa Chairman and Chief Executive Officer Jonathan Ornstein noted, "Our on-time performance for January continues the high on-time standard we have maintained throughout 2010 and 2011, and we are proud of DOT's recognition. I would like to thank our people for their unified effort to provide the best regional airline experience, and I thank our customers for their continued patronage."
Mesa Airlines currently operates 77 aircraft with over 395 daily system departures to 87 cities, 33 states, Mexico and the District of Columbia. Mesa operates as US Airways Express and United Express under contractual agreements with US Airways and United Airlines, respectively, and independently as go!. In June 2006, Mesa launched inter-island Hawai'i service as go! and in October 2009 formed a joint-venture with Mokulele Airlines. The go! Mokulele operation links Honolulu to the neighbor island airports of Hilo, Kona, Kahului, Ho'olehua, Lana'i and Lihu'e. Mesa, founded by Larry and Janie Risley in New Mexico in 1982, has approximately 1,850 employees.


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Contact Us
There are several ways to get in touch with us - we have live chat (from 08h00 - 22h00 GMT +2) enabled on our website. Simply click on the tab below to connect. Alternatively, contact us via the form below or directly;
+27 (0)21 424 4744
Click here to download our digital business card.


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Please enter your name, mobile number and E-mail ID, and we will send you an email when the requested item is back in stock.
Misol 200mg Tablet 4'S
and Fulfilled by Netmeds.com
What is MISOL 200MG?
- MISOL 200MG contains Sertraline which belongs the group of medicines called Selective Serotonin Re-uptake Inhibitors (SSRIs)
What MISOL 200MG is used for?
It is used to treat,
- depression and prevention of recurrence of depression
- social anxiety disorder
- post-traumatic stress disorder (PTSD)
- panic disorder
- obsessive compulsive disorder (OCD)
Talk to your doctor before taking MISOL 200MG, if you:
- are allergic to MISOL 200MG or any other ingredients of this medicine
- have epilepsy (fit) or a history of seizures
- have suffered from manic depressive illness (bipolar disorder) or schizophrenia
- have or previously had thoughts of harming or killing yourself
- have Serotonin Syndrome
- have low sodium level in your blood
- have liver disease
- have diabetes
- have suffered from bleeding disorders
- having electro-convulsive therapy (ECT)
- have eye problems, such as certain kinds of glaucoma (increased pressure in the eye)
- have heart problems
- consume alcohol
- MISOL 200MG will only be given to you when pregnant if your doctor considers that the benefit for you is greater than any possible risk to the developing baby
- If you are pregnant or breast-feeding, think you may be pregnant or are planning to have a baby, ask your doctor before taking this medicine
- MISOL 200MG must only be used to treat children and adolescents suffering from OCD aged 6-17 years old
Tell your doctor if you are taking medicines such as,
- monoamine oxidase inhibitors (MAOIs), like moclobemide (to treat depression)
- Products containing the amino acid tryptophan
- tramadol,to treat severe pain
- fentanyl, mivacurium and suxamethonium used in anaesthesia or to treat chronic pain
- sumatriptan used to treat migraines
- blood thinning medicine (warfarin)
- Nonsteroidal anti-inflammatory drug (NSAID) such as ibuprofen, acetylsalicylic acid (aspirin) to treat pain/arthritis
- diuretics
- phenytoin, phenobarbital, carbamazepine to treat epilepsy
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- For panic disorder, social anxiety disorder and posttraumatic stress disorder, treatment should be started at 25 mg/day, and increased to 50 mg/day after one week
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Obsessive Compulsive Disorder:
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I'm confused about how the following sentences should be analyzed, in terms of which words are prepositions and adverbs, how the phrases break up, etc.:
- She was going home.
- She was home.
She was at home.
- She got home.
- My height is six feet.
- I am six feet.
- I am about six feet.
- He is my height.
- He is about my height.
- I saw a man my height yesterday.
- I saw a man about my height yesterday.
For instance, is it possible that my height falls into different categories in #8 and #9?
EDIT: Ok, now I have one answer from Daniel δ and a some requests for more specific questions.
- I'm most concerned about home, about, six feet, and my height.
- Daniel δ says that home is an adverb in #1, #2, and #4. I'm assuming this is just a special quirk that happens with home?
- I'm not convinced that my height is always a noun phrase, or there's something I'm missing. In #8, if my height is just a noun phrase, that would mean that He, the subject, is actually a height, but he's a person, not a height any other form of measurement (Same for six feet in #6). Daniel δ suggests that #10 is short for "I saw a man who was my height yesterday", but something seems special about this construction. If height is just a noun, then why does switching it for some other noun like lawyer fail? We could say "He is a lawyer" but not "I saw a man a lawyer yesterday". But my height does make sense as a noun in #9, since we can call about a preposition that just takes my height as part of a prepositional phrase...
- As FumbleFingers noted, #11 can be interpreted in at least two ways. I'm interested in the sense that fits the analogy #8:#9 :: #10:#11.


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Low-profile and dexterous, the Mountain WINDSTOPPER® Glove keeps your fingers warm in the mid season. The sheath of Pittard's Oiltac Leather and rugged nylon provide a solid grip, while the WINDSTOPPER® insert and lofted micro-check fleece liner stave off autumn's nip.
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A 100% windproof GORE® WINDSTOPPER® membrane with a soft micro-grid fleece liner seals out the cold.
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Routine Care and maintenance ensures the optimum performance of your SITKA Gear.
Be sure to follow the manufacturer's care instructions –typically found on the inside tag.
- Machine Wash Cold Delicate + Tumble Dry Cool
- Do Not Bleach + Do Not Dry Clean
Product Technology
WINDSTOPPER® products shelter hunters from the adverse effects of bone-chilling winds. The WINDSTOPPER™ membrane works with our base layers to prevent overheating and perspiration build-up by allowing moisture vapor to easily escape.


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UMass edges La Salle on Chaz Williams layup with 8.1 seconds left
PHILADELPHIA — Brotherly Love has been the last thing the UMass Minutemen have felt whenever they've ventured to this part of town.
La Salle's Tom Gola Arena, in fact, named for one the game's greats who played in the '50s, has been their personal chamber of horrors the last four years, never more so than last season when they buried themselves into a 26-point halftime hole before eventually falling by 7.
Despite that, UMass coach Derek Kellogg — who actually went 1-3 in his trips to Philly last year, losing Atlantic 10 games not only to La Salle but Temple and Saint Joseph's before beating Drexel in the N.I.T — had a good feeling going into this one.
"Once we were able to nestle in the first 6-8 minutes, I knew we were going to be in for a battle the rest of the night,'' said Kellogg, after Chaz Williams, held in check all night, spun down the lane for a layup with 8.1 seconds left to give the Minutemen a 61-60 win. "I could see in shootaround and on the bus ride over the guys had a different edge about them coming into this game.
"I didn't know if we would win it, but I had confidence we were gonna be there at the end. I said to them, 'Let's give ourselves a chance with 2-3 minutes at the end to win the game.' That's really what happened. Two pretty good teams going at it, going down to the last possession at both ends of the floor.
"That's what A-10 basketball is all about.''
Had UMass lost this one, the Minutemen undoubtedly would be kicking themselves for letting a 12-point first-half lead, which they built back as high as 9 midway through the second half, slip away. While leading scorer Williams was kept under wraps until the end, Raphiael Putney (17) and Maxie Esho (11) picked up the load, enabling UMass to maintain control most of the night.
The problem was the 14-6 Explorers, coming off a momentous week in which they knocked off No. 9 Butler here, then won at No. 19 VCU, wouldn't go away. Trailing, 45-36, La Salle took advantage of some UMass fundamental breakdowns at both ends of the floor to go on a 15-5 run and take a 51-50 lead on Steve Zack's tap-in with 8:03 left.
From there it went down to the wire, the lead changing hands three times heading into the final minute with the Explorers clinging to a 58-57 edge.
After UMass's Terrell Vinson and Tyreek Duren traded hoops on tough drives to the hoop — making it 60-59 La Salle with 37.9 seconds left, Kellogg decided not to call timeout and just let Williams do his thing.
Good decision.
"I just wanted to make a play,'' said Williams, held to a season-low 6 points while handing out six assists. "I wasn't making shots all day, but this time I was able to get to the rim.
"It's good to win here. The last four years here have been tough.''
Kellogg said it's a sign of his kids' maturation to pull one out like this, which wasn't secure until Duren lost the handle rushing up the floor in the final eight seconds, then Jerrell Wright's desperation shot was well short.
"To go on the road and win here after the way we've played in years past we needed a lot of big plays,'' said Kellogg, whose 14-5 club (4-2 A 10) heads to Charlotte Saturday, before hosting Rhode Island and Saint Joseph's next week. "When guys become seniors they get a sense of urgency.
"It's nice to come here and win against what I consider one of the teams that has separated itself as one of the upper-echelon teams in this league, after beating Butler and VCU.''
But for the first time in recent memory in the city that finally lived up to its "Brotherly Love'' motto, not UMass.


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Robert Homer, MD, PhD
Professor of Pathology; Director, Thoracic Pathology; Director of Medical Studies; Director, Medical Student Course Module
Departments & Organizations
Pathology: Autopsy | Experimental Pathology Graduate Program | Surgical Pathology: Genitourinary Pathology; Thoracic Pathology | Thoracic Pathology
Interstitial Lung Disease (ILD) Program
Occupational & Environmental Lung Diseases Program
Yale Cancer Center: Thoracic Oncology Program
Yale Tissue Regeneration and Fibrosis Program
Office of Cooperative Research
My major interests are in diagnostic and experimental lung pathology.
I entered the MD-PhD program at Yale School of Medicine in 1979. My PhD was with Donal Murphy on a novel antigenic structure within the murine MHC. Upon graduation I trained in Anatomic Pathology under the supervision of Dr. Juan Rosai and simultaneously completed a post-doctoral fellowship with Richard Flavell, Chair of the section of Immunobiology, with a focus on T cell tolerance.
For many years, I worked on various murine models of inflammatory lung disease, ran a morphology core and a laboratory at West Haven VA. I now still consult on various experimental models of lung disease (both neoplastic and non-neoplastic) and work with collaborators using human tissues.
I am heavily involved in medical school curriculum development as Director of Medical Studies for Pathology, am on the curriculum committee and am Co-Director of one of the new master courses for the new (starting 2015) pre-clinical curriculum for YSM.
I have been Director of Anatomic Pathology at West Haven VA since 1994. I have been lead thoracic pathologist at Yale since 2004.
Education & Training
|Yale University (1987)
|Yale University (1987)
|Yale-New Haven Hospital
|Board Certification
|AB of Pathology, Anatomic Pathology (1991)
Honors & Recognition
Keynote addressPulmonary Pathology Society (2009)
Professional Service
Yale School of Medicine (2009 - 2012) Term Appointments and Promotion committee


text:
We are asking residents to be aware of their surroundings and any suspicious activity in their neighborhoods and workplace.
for Women Backpack Capacity Bag Function Travel Hylaea Bag Mummy Large Canvas Floral Multi3 Muti We recommend that citizens take the following measures:
Who should you call to make a report?
Take the time to lookup your local emergency numbers and write them down next to your phone. To report suspicious activity, call 911 or your local police department, or the nearest GBI or FBI Office. The Cobb County Department of Public Safety non-emergency number at 770-499-3900.
What is suspicious activity?
Citizens could observe a variety of actions, statements, associations, timing or patterns of activity that may create suspicions of illegal conduct in their community. No one has a better perspective about what is defined as "normal" activity in the communities, than the people who live there. Law Enforcement has always relied upon the commonsense perceptions of Cobb citizens who notice something or someone that appears suspicious or out of place. Participating in Cobb's Homeland Security is just like taking part in your local Neighborhood watch, only much more is at stake.
When under Women Canvas Floral Muti Multi3 Bag Large Capacity Hylaea Travel Bag Mummy for Backpack Function High Alert, the Cobb County Department of Public Safety has increased security at key county facilities. Access will be restricted at some facilities, and unescorted visitors will not be permitted.
- Familiarize yourselves with buildings you frequent, prepare a disaster kit and report any suspicious activity to the police departments by calling 911 or the Cobb County Department of Public Safety non-emergency number at 770-499-3900.
- Have alternate routes to get to and from work and to pick your kids up from school, daycare and after school activities.


text:
The new Signature watch is a true classic for any gentleman or lady. Clean, elegant and functional, this watch displays the perfect traits of British tradition and style. This watch features a white dial, silver case and matching hardware. This edition comes with a 20mm Tan Leather strap.
• Movement Miyota 1L45
• Mineral Glass
• Case 316L Stainless Steel
• 5ATM Water Resistant
• Size: Case Diameter 38mm, Case Thickness 8mm (including lens and back case)
• Tan Leather Strap
• Fits our 20mm Grosgrain Watchstraps.
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Wooster Geology Alumni Gather at the 2011 Geological Society of America Annual Meeting
Mark Wilson October 10th, 2011
MINNEAPOLIS, MINNESOTA–It is a tradition that Wooster geology alumni, faculty, students and friends gather at the Geological Society of America meeting on Monday evening. Twenty-three of us were there tonight, although we never seem to get everyone in the same place at the same time for the photograph. It's interesting how we actually talk very little about past Wooster experiences. Most of the time we're comparing notes about our current projects and planning when we will see each other again. That and apologizing for missing each other's talks!


text:
Signup Deadline: Thursday, November 29
Join Players Sport & Social Group and Michelob Ultra on Saturday, December 1st for the Holiday Indoor Luau Volleyball Tournament! The event will feature a morning wave starting at 8 AM for men's & women's 6's and an afternoon wave starting at 5 PM for coed & reverse coed 6's! In keeping with The Luau tradition, each player gets a wristband for all-you-can-drink Michelob Ultra, Bud Light & Bud Strawberritas/Limeritas as well as DJ music playing all day long! No refunds!
One Day Tournament - Includes: pool play with top teams making playoffs and a wristband for Michelob Ultra & Bud Strawberritas/Limeritas for all players listed on the roster (max 10). Prizes include cash (top divisions only), Bud Light prize packs, Players Champions fleeces, future tournament entries & more!
Regular Coed 6's divisions play with 3 men & 3 women on a men's net with no playing restrictions. Reverse Coed 6's divisions play with 2 men & 4 women on a women's net. Men are not allowed to jump serve, block or attack front or back row.
It only takes a $50 non-refundable deposit from the captain to register your team! You can use Team Payer or collect from your teammates offline. The payment deadline is Thursday 11/29, so the card used to make the deposit will be charged any remaining balance after that date!
Click here for the Facebook Event Page!
You won't want to miss all the great indoor, grass & beach tournaments coming up soon! Click here for a list of all upcoming volleyball tournaments!
Check out upcoming indoor, grass & beach tournaments...we have something running nearly every single weekend! Click the link below for the complete list!
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