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Advice for New RPG Players
The rise of the Actual Play form of media for tabletop games has increased the visibility of tabletop games. This means that there are a flood of people who are just discovering interest in the hobby. I have seen several folks ask for advice or how to get into the hobby. This article is an attempt for me to gather as much advice for new players as possible.
Finding a Game
This is the hardest part of this hobby. Even as someone who has been playing tabletop games for almost a decade now, I still sometimes have trouble getting into games. One of the biggest parts of this is schedules. I think this meme about sums it up.
Even if you are part of a long standing group, life can get in the way and cause time issues. For this I don't have any perfect advice other than to keep looking. Maybe you will find luck playing an online game, as there are many games out there with a huge variety of schedules. Sites like roll20.net include Looking for Group boards. Perhaps you might try your hand at Play by Post games, games that you post to a forum and play over a longer period of time. It isn't impossible to find a game, it might just take some time.
Every GM/Player is Different
This is an idea that sometimes is overlooked by new players. Play style is a huge factor in most groups. You can find numerous articles that attempt to break down the different archetypes of players. That is not what I will be covering here though. I bring this up for a simple reason: if you aren't having fun, it probably isn't you. Sometimes you aren't having as much fun because the other people at the table have a different definition of fun, this includes the Game Master.
For a example, I am a very storytelling centric GM. I love to tell a story and include drama and intrigue along the way. I have combats but they have to have meaning behind them, they need to tell a story. Some gamers don't want story getting in the way of having a good game. They just want to go into the dungeon and kick the crap out of some goblins and maybe fight a dragon. This is perfectly fine, their play style is no better or worse than my own. This just means that at my table they may not have near as much enjoyment as another table. Being able to recognize this will be a good skill to master as you look for groups.
Don't Take it too Seriously
I wish this was not something I had to cover. It is a form of entertainment, not your life's work. If your character dies, yeah it might be emotional. You might get incredibly upset and want to blame someone. Don't. This is a game. The only time you should be upset is if the individuals you are playing with are actually antagonizing you and making the game not fun. Just because you roll bad for an evening or your character experiences something traumatic, recognize that the scenario is not real. The game should never take precedence over your life. Go to work or do your homework, no one wants to see your life fall apart because of a game.
On the flip side, the emotions you experience are real. If you feel genuinely upset at the death of a character, that just means that you are fully immersed in the experience. Treasure these moments, use them to build you up as a person. I know people who are lifelong friends because of the fictional stories they experienced together. Know that the people you play with are there for you and experiencing everything just the same. It's okay to cry when a character dies. It's okay to hate the villain for the horrible things they've done.
It's a Game not a Test
Okay, now away from the more emotional side of the game. Let's get into actually playing the game. A huge intimidation factor for new players is seeing the numerous rule books that are used at the table. They become concerned that they have to learn everything about the game or they won't be accepted at the table. This is absolutely false. It's a game, not a test. You don't need to study the Player's Handbook just to start your first game. Most of the time I don't have new players even look at the rulebook their first time playing. If you WANT to read the entire book (like I have multiple times) then do so if it brings you enjoyment, not because you have to. Make sure to explain to your GM that you are a new player if they are not already aware.
Cooperation, not Competition
In a majority of games, the focus of tabletop games are on cooperation. You are in a party of adventurers, you are a team. In general, you are working together not against each other. Healthy competition is not a problem. You and the dwarf are seeing who can kill the most amount of orcs? That seems like fun! You and the dwarf are going to fight to the death because you found a +2 sword of smiting? You better rethink what you are doing.
Let every player have their moment to shine, don't hog that spotlight. The story is not just about you, but everyone. Make sure to be self aware with how much you are speaking and make sure everyone has a chance to contribute. If you see someone hasn't given any input, consider asking them in character what they think. It's not just the GM's job to give those moments, it's everyone's.
If you can avoid it, don't be a dick to the other characters. Avoid creating those types of characters unless you have worked out with the other players a way to incorporate that character archetype. Who would want to team up with someone who talks down to them all the time or steals from them constantly? Just because you CAN do something, doesn't mean you should.
Another subject I wish I didn't have to cover. Communication is one of the greatest achievements in human history. It is also our greatest failing. More often than not, it is a failure to communicate, or miscommunication, that ends up creating issues. When describing what a character is doing, make sure to include what you are intending to do with your actions. This makes it so when the GM gives you the results, you don't get something you weren't expecting. I have run into this issue far too often.
Avoid arguing during the game while out of character. If you think a rule is being interpreted incorrectly then bring it up AFTER the game with you GM. It is your GM's job to enforce rules and make immediate judgement calls. If you don't agree with your GM bring it up with them after the game. The most tiring thing a GM can experience is a player trying to do their job for them. You wouldn't want another player playing your character, so why would you do that to the GM?
If you have an issue with something going on at the table. Be it rules, or with issues that influence the game. Make sure to speak up. Find the appropriate time to discuss it, like at the end of a session or to your GM in private. If something is impacting you having fun you need to address it or nothing will happen about it. If it doesn't get resolved, then remember that it's just a game, you can quit when you need to. If you are having issues with conflict resolution I have an article covering that here.
Embrace Failure
My absolute favorite moments in my tabletop gaming experiences are the times that I failed. While it feels better to win, it feels even better to win after a failure. If you always win, you will get bored. Nothing feels like a challenge because everything you try you succeed at. This is why people don't like Mary Sue's. They are boring. In mythology there are tendencies for heros to fail several times at a heroic task before succeeding. This is because it makes the task seem incredibly difficult, and succeeding feels like that much more of an accomplishment.
A while back I played Pathfinder with a good group of friends. During that game my character, an incredibly intelligent alchemist, failed a save against a siren's song. My GM could have taken control of my character but he let me handle it. While I could have taken his trust and fake trying to leap into the ocean doing everything I could to not actually fail, I instead went whole hog and did everything my character could to get into the ocean. I took my character's failing and created a memorable moment when I used one of my limited resources to escape my own team in an attempt to kill my own character. It was stupid fun and I will never forget the story. By taking agency into your character's failings, they don't feel like failures, but a stepping stone for your character to become better.
Embrace Low Stats/Flaws
I encourage my players during character creation to keep stat numbers that are low. I do this because it creates a flawed character. As mentioned in the last section, nobody likes a perfect character. They are boring power fantasies that get old quick. Choosing to have a low strength, and then trying to do feats of strength gives opportunities for your party members to shine where you fail. Have a low wisdom and make impulsive decisions? This can be the start of an entire story arc! Low stats and chosen flaws create drama and the chance of failure. I love it when my players make the least optimal decision in a situation, not only because as a GM that magic number I came up with was high enough, but because I also get to introduce something new to the game.
The GM is not your Enemy
You see all over the media stories of the "evil GM" who is out to kill your character and cause misery wherever their gaze lies. They control the universe after all, how could they not get drunk with power? While I myself play to this very trope, it is far from the truth. Even when I joke about killing a character, I get genuinely stressed when I actually get close to having it happen. As a GM, I am there to facilitate the experience. I am crafting a story FOR my players, not a crazy power fantasy where the universe is against the party. Yes, we play the villains. Sometimes we play them so well that you hate us because of how horrible the villain is. We also play the party's allies. We give the party the tools to overcome challenges. Many GM's are like GLaDoS from Portal, we get a euphoric sense when player's overcome our challenges. You discovered the solution to the puzzle? I get a nice dose of Dopamine and you get a +2 sword of badassery.
Why am I saying all this? GM's are hard working people. They spend numerous hours outside the game prepping and building everything you come across as a player. They spend so much of their time to give you a fun experience. Does this mean I'm saying you should trust your GM? Absolutely not! I do what I can to make myself unpredictable as a GM, so you can't figure out what to do based off of what I've done in the past. What it does mean is that you should appreciate the person GMing for you and trust that they have the best of intentions for your experience. Have a session where everything goes poorly? Most GM's are more concerned about it than you are.
Fun is not always Optimized
No matter what people tell you, an optimized character is not a prerequisite for fun. This doesn't mean an optimized character is not fun, I have fun making hyper optimized characters. Keep in mind what you enjoy. If there is a mechanic that you really enjoy and want to be the core of your character then build it for that. Care more about story than mechanics? Put more time into writing your backstory than the rest of your character. There is no right way to build a character.
Play something that interests you. You want to be an edgy assassin who has no respect for authority? Go for it! Want to play a loveable elf who likes sweets and bunny rabbits? Sounds fun! Make sure that whatever you go with, you are playing the character, not the character sheet. The sheet is there for the rules, not who your character is.
Become Invested in the Game
Sometimes it can become easy to get detached from the game you are playing. Maybe you don't have a goal or you have no investment in the world. Sadly, we GM's are not mind readers, if we were this wouldn't always be an issue. Generally, it's a good idea to create goals for your character and express those to the GM. Outline some characters from your backstory and let your GM play with them. Players have a tendency to be orphans because they don't want their GM's to kill them, so they do it themselves! (Hint to GM's, Necromancy is a way to get around this.) Having an in-game family is a great way to tie yourself into the world. Work with your GM to create ties into the game world and story.
Yeah, I'm shoving my obligatory blogger alignment section here. No doubt you have seen the various charts of the D&D alignment systems and how your favorite fictional characters fall into it. Yes, there is a spot for you to fill it out on your character sheet. Personally I stopped using the alignment system entirely in my games for ONE reason only: "You can't do that. That's not <insert alignment here>." As a storyteller, writer, and GM, these words piss me off. When you are making your character and pick an alignment I recommend you choose this AFTER you finish everything else about your character. I say this because alignment is actually a fluid system. A Lawful Good character can become a Chaotic Evil one. It is not a system designed to limit character decision. It exists fully because of the spell Detect Evil and Good along with a few other inconsequential mechanics that are actually designed for use against NPC's. It is baggage from older editions of D&D. People trying to tell you what not to do based on your alignment can come fight me.
Learn the Rules for your Character
Now, I know I said earlier this article that you don't need to know the rules to play. I still stand by that statement. But as you progress in a game, and come back each week (or however often you play) it will be important for you to learn and remember the rules that you use for the character. It doesn't have to be an immediate process, but understanding what you have available (which usually is outlined on your character sheet) will help keep the flow of the game going and make the challenge of the game less on how to play and more on the in-game scenarios. Trust me when I say this, but learning your character's rules will make the game more enjoyable for yourself.
Take Notes
Yeah, yeah, I know. The game is not a test. That's not why I'm saying to take notes. Taking notes is an incredibly useful skill to develop early in tabletop roleplaying games because it eases the amount of mental load you have to burden when attempting to recount information. Writing down names of characters, what loot you received, what your current objective is, will make recalling information that happened weeks ago that much easier. It becomes even more important as you get into a solid group and play for YEARS. No one needs to be able to read these notes except for you, so no pressure on making them tidy. These are simply for your convenience.
Think Ahead
Too many times we get caught up in the moment. We are thrilled to hear what our comrades have done and the descriptions the GM gives of the current situation. However, you need to be able to think ahead on what your character plans to do. While the current situation might change and mess up your plans, that is fine. It's going to happen sooner or later anyways. For all the other times, you will want to be prepared especially if you are a spell caster. The most time consuming part of a game is when a spell caster is unprepared for what is happening, spending several minutes trying to find the appropriate spell. Make a plan, and then make a backup plan if you have less confidence that you can execute your plan. This comes up more in combat than anything.
Pay Attention/Don't Interrupt
Humans can't multitask, it's scientifically proven. What our brains do is switch back and forth between various tasks and thoughts. Learning to switch between paying attention and planning ahead is a useful skill to master, although you don't have to be perfect. Not only is paying attention keeping you up to date on current events, it is also just respectful to the GM and players. Having to repeat oneself because you weren't paying attention is frustrating, especially if it is a long winded description. During these moments avoid interrupting unless it is story relevant. Even then, if the GM is describing a scene, shut up and pay attention. It's annoying trying to figure out where you were in a description because a player interrupted you, or being constantly halted. Save your reactions and questions until the GM has finished their description. Don't hold side conversations during these moments either, save that dialog until you understand what is going on.
Have Fun
Just in case you have already forgotten, this is a game. Have fun! As long as you accomplish this then you are doing everything right. Facilitate fun for everyone and remember that you may have off days, everyone does. We play these games to enjoy time with our friends and go on adventures. If you can sit down at the end of the session and smile looking back on what happened, then you've done everything right.
Hopefully these pieces of advice were helpful for you. If you have any advice that helped you when starting out and I didn't list it here, please leave a comment or tweet at my @your1_nightmare. I love to hear all the different bits of advice and everyone's own experiences.


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Seinfeld as a fashion icon? Believe it. 'Normcore', the latest trend to sweep the world of high fashion, is all about looking decidedly low-fashion, and it hails back to the grunge trend of the early 90s.
A recent New York Magazine article called normcore "the kind of…non-style you might have once associated with Jerry Seinfeld", but it's more than just a look. Normcore is about rejecting the label-laden, highly self-conscious way of dressing we've embraced for years, explains The Cut blogger Stella Bugbee. She says that it's not anti-fashion, it's just a rejection of hyper-trendy, over the top fashions. Instead of wearing a label head to toe or stepping out in hot-off-the-runway designs, hipsters are now rocking broken-in jeans, baseball caps, fleece jackets and chunky sneakers.
For those in the workplace, labels are being tossed out in favor of low-key "uniforms", much like Steve Jobs' famous black turtleneck and blue jeans. Having a uniform for your everyday life might not be terribly exciting, but one can't argue that it isn't practical, especially when packing for a week-long business trip.
You can already see the self-aware "normal" fashions if you open up a spring copy of Vogue or Elle, where flat sneakers and Teva sandals (remember those?) are displayed with designer frocks. But keep in mind: these "normal" designs don't come at K-Mart prices. Prada and Miuccia both rolled out Teva-style sandals for S/S2014, but you can bet they won't ring up at $49.95 at the cash register.
And some early adopters of normcore are already lamenting that the rest of us are doing it wrong. K-Hole, the New York trend forecasting agency, says that normcore isn't about mom jeans. Posting on their Facebook page, Los Angeles journalist Christopher Glazek explains, "Normcore means you pursue every activity like you're a fanatic of the form. It doesn't really make sense to identify normcore as a fashion trend – the point of normcore is that you could dress like a NASCAR mascot for a big race and then switch to raver ware for a long druggy night at the club. It's about infinitely flexible, sunny appropriation." K-Hole later added via Twitter that normcore is about "[finding] liberation in being nothing special".
It's unlikely those protests will make much of a difference to those snapping up the normcore fashions from their favorite designers; either they'll embrace what comes off of the runway or they won't, and the underlying philosophies probably won't matter all that much. But there's another thing to consider: fashion is cyclical and tends to come around every twenty years, so it seems just about right that this relative of early '90s grunge dressing has arrived with such force in 2014. But that also means that people who rocked plaid shirts and white sneakers back in the Nirvana days are now professionals and parents with slightly different fashion tastes (and fashion needs). Will they really want to buy the same styles they wore in high school or college? Only time will tell!

subset: commoncrawl


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[PREMIERE] Wonderful Humans: Edge Of The Night
Here's my feel good jam of the day, coming at you straight out of an 80s movie soundtrack. The original track was released a few months ago by New York based couple Brian Cag and Amanda Carl, who teamed up with pop producer Dylan Scott (Young Rising Sons, Halsey). With beautiful harmonies and smart production, Wonderful Humans really have something great going, and this is just the beginning. Today the always fresh New York based remix artist, T&A Brigade, gives the original track a warm Tropical Island touch, adding plenty of chilled out party vibes and an overall fun atmosphere. Check out the premiere of this remix on WE FOUND NEW MUSIC radio this Friday night.
Wonderful Humans Facebook | Twitter | SoundCloud
T&A Brigade Facebook | Twitter | SoundCloud
We Found New Music Radio with Grant Owens Facebook | Twitter | SoundCloud


text: The strangest city of Berlin. Sometimes in Kyiv I entertain myself with attempts to imagine its streets truly European in the best sense of this adjective: with for-people-made infrastructure, beautiful houses, neat streets with cycling paths, proper asphalt and modern low trains; without tasteless ads all over the place, without chaotic сrappy little shops and carelessly designed new buildings. So, Berlin, is that born-out-of-my-fantasies Kyiv. Strange mixture of everything with everything and even with addition of soviet empire architecture style. (GDR is winking from behind the corner). Caught myself on a thought that I am talking and thus thinking about Berlin in terms of comparison (to my discredit, I repent) but really this is a too distinct feeling of my fantasy became live right in front of me.


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Police are on the scene of a tragic incident at Monroe Road, Haggatt Hall, St Michael.
A woman, in her 70s, was reportedly mauled to death, following an attack by four pit bulls.
Residents say both the victim and the owner of the dogs live in the area.
The incident occurred around 5 a.m.
More details as they become available.


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Six boats this week, with the return of Indra and Angie in her first ever race. Jodie help her, teaching how to use nav aids (good old TrapNav), and did great in my opinion.
This week Hotlaps is running again in TrYC, which means that I had to stop the Hotlaps line, but used the same wind broadcasted by HL setter. Just had to warn racers to ignore the bright yellow line.
Oh, about penalties, this time no light penalties like 360° turn. A rule is broken? Heads will fall!
In first race, SL was acting almost good, but as usual Paul lost control when entering Triumphal sim, could recover but not without a heavy penalty. And Angie crashed in last leg, approaching Triumphal 😦
Race Results:
1: indragray Resident IDIR88 — 00:09:50
2: Christinedutch Resident IDCRIS — 00:09:52
3: moonglownight Resident IDMOON — 00:10:04
4: epinefri Resident IDJH86 — 00:10:44
5: xPaulx Paine IDXP1 — 00:11:19
6: angeoco Resident IDANGI — not Finished
Lap Times:
indragray Resident IDIR88 — Start: 00:00:11 — Last lap: 00:09:39
Christinedutch Resident IDCRIS — Start: 00:00:03 — Last lap: 00:09:49
moonglownight Resident IDMOON — Start: 00:00:17 — Last lap: 00:09:47
epinefri Resident IDJH86 — Start: 00:00:08 — Last lap: 00:10:36
xPaulx Paine IDXP1 — Start: 00:00:18 — Last lap: 00:11:01
angeoco Resident IDANGI — Start: 00:00:30 — Last lap: not finished
The fleet starting (showing the hotlaps line)
The fight Indra X Chris last until last meters
And in background, Moon X Paul, but Paul haven't boat control at this time 😦
Second race. SL changed its behaviour. Super laggy, racers stalling, crashes, all the known nasty behaviour of SL.
Indra had a bad start (due to lag) but SL made Chris stall for a long time, leting Indra to recover part of her prejudice. Paul crashed soon, and later Moon also lost control and abandoned. Not a good race 😦
Race Results:
1: indragray Resident IDIR88 — 00:18:00
2: angeoco Resident IDANGI — 00:18:46
3: epinefri Resident IDJH86 — 00:19:00
4: Christinedutch Resident IDCRIS — not Finished
5: moonglownight Resident IDMOON — not Finished
6: xPaulx Paine IDXP1 — not Finished
Lap Times:
indragray Resident IDIR88 — Start: 00:00:20 — Last lap: 00:17:40
angeoco Resident IDANGI — Start: 00:00:29 — Last lap: 00:18:17
epinefri Resident IDJH86 — Start: 00:00:15 — Last lap: 00:18:45
Christinedutch Resident IDCRIS — Start: 00:00:04 — Last lap: not finished
moonglownight Resident IDMOON — Start: 00:00:08 — Last lap: not finished
xPaulx Paine IDXP1 — Start: 00:00:10 — Last lap: not finished
My friend Augusto choose to sail from his home to TrYC to join the race, arriving almost 1 hour late 😛
Angie finishing in 2nd place. Congrats Angie.
More pics: https://flic.kr/s/aHsm8wk1mY
Partial March ranking after 3rd round:


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Gas Log Sets Market Exploring Future Growth 2018-2025 | Key Players – Twin-Star International, Napoleon Fireplaces, Heatilator, Real Fyre, Majestic
ReportsWeb - Thursday, May 23, 2019.
ReportsWeb - Friday, May 10, 2019.
Global Gas Log Sets Market Research Report provides an in – depth Analysis of Application, Type, Leading Key Players, Industry Vertical, Rising Technology and Region into its vast depository of research reports. Research report on the Gas Log Sets Market provides a comprehensive analysis of some of the most significant trends and patterns that are anticipated to impact the market potentials throughout the forecast period. A number of analysis tools such as SWOT analysis and Porter's five forces analysis have been employed to provide an accurate understanding of this market. Gas logs can give all the warmth of a real, wood-burning fire without the mess and maintenance.
Download a Sample Copy @ https://www.reportsweb.com/inquiry&RW00012344390/sample
The key manufacturers covered in this report:
Twin-Star International, Napoleon Fireplaces, Empire Comfort Systems (American Hearth), Kingsman Fireplaces, Heatilator, Real Fyre, Majestic, Heat & Glo, Monessen Hearth Systems, ProCom Heating, Woodbridge Fireplace, Rasmussen Gas Logs.
The report provides both qualitative and quantitative aspects of the Gas Log Sets Market with respect to each of the regions and countries involved in the study. The report also presents the market competition landscape and a corresponding detailed analysis of the major vendor/manufacturers in the market. Factors that are boosting the growth of the market, and giving a push to thrive in the global market is explained in detail.
Segmentation by product type:
Vented Gas Log Set, Ventless Gas Log Set.
Segmentation by application:
Regular Fireplace, Prefabricated Vent-Free Firebox
This report also splits the market by region:
Americas, United States, Canada, Mexico, Brazil, APAC, China, Japan, Korea, Southeast Asia, India, Australia, Europe, Germany, France, UK, Italy, Russia, Spain, Middle East & Africa, Egypt, South Africa, Israel, Turkey, GCC Countries,
This Report covers the manufacturers' data, including: shipment, price, revenue, gross profit, interview record, business distribution etc., these data help the consumer know about the competitors better.
Get Discount for this report: https://www.reportsweb.com/inquiry&RW00012344390/discount
There are 15 Chapters to deeply display the Global Gas Log Sets market.
Chapter 1, to describe Gas Log Sets Introduction, product scope, market overview, market opportunities, market risk, market driving force;
Chapter 2, to analyze the top manufacturers of Gas Log Sets, with sales, revenue, and price of Gas Log Sets, in 2016 and 2017;
Chapter 3, to display the competitive situation among the top manufacturers, with sales, revenue and market share in 2016 and 2017;
Chapter 4, to show the World market by regions, with sales, revenue and market share of Gas Log Sets, for each region, from 2013 to 2018;
Chapter 5, 6, 7, 8 and 9, to analyze the market by countries, by type, by application and by manufacturers, with sales, revenue and market share by key countries in these regions;
Chapter 10 and 11, to show the market by type and application, with sales market share and growth rate by type, application, from 2013 to 2018;
Chapter 12, Gas Log Sets market forecast, by regions, type and application, with sales and revenue, from 2018 to 2023;
Chapter 13, 14 and 15, to describe Gas Log Sets sales channel, distributors, traders, dealers, Research Findings and Conclusion, appendix and data source.


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The Info-communications Media Development Authority (IMDA) has unveiled a series of new initiatives to enhance the vibrancy of Singapore's media ecosystem. These include introducing the Skills Framework for Media, new partnerships with global media players, and additional funds for Singapore talent to secure regional and international co-productions.
The Skills Framework for Media will help companies and professionals identify career progression pathways and the skills needed to stay updated in a changing media landscape. The Skills Framework for Media was jointly developed by IMDA, SkillsFuture Singapore (SSG) and Workforce Singapore (WSG), through extensive consultations with over 90 organisations including industry associations, unions and education and training institutions. The framework covers 112 media job roles and identifies 130 technical competencies for the new media landscape.
Identified trends include the rise of immersive media, on-demand media, hybrid media roles, digital marketing and analytics.
Employers of media professionals such as Mediacorp, Singapore Press Holdings (SPH), Beach House Pictures, CreativesAtWork, ShopBack and mm2 Entertainment, have committed to be early adopters of the framework.
Made-with-Singapore content
IMDA will continue to support local media players in their overseas expansion through new programmes. The new Public Service Media (PSM) Digital Partnership Fund will encourage Singapore media players to collaborate with international partners to develop public service content for digital platforms. The fund will aim to spur the creation of fresh and innovative content for audiences on digital platforms, and grow capabilities of local media talent through partnerships with international counterparts. The inaugural call-for-proposals for the PSM Digital Partnership Fund is now open. Interested companies may visit the IMDA website for more information on application procedures.
Next year, the Singapore Film Commission, part of the IMDA, will launch a Southeast Asia (S.E.A.) Co-production Grant to nurture film talent in Singapore and the region to jointly develop quality Asian stories for the world. The grant will be the first in Southeast Asia to fund feature-length regional co-productions between Singaporean creative producers and Southeast Asian filmmaking talent.
It will provide funding support of up to SG$250,000 per project.
More details will be made available by the first half of 2019, with the open call-for-proposals to open in the third quarter of 2019.
To grow the pool of content creators in Singapore and give them a platform to reach international audiences, Disney has proposed a two-year collaboration with IMDA, where Disney will set up a Content Studio as the creative development hub for digital-first multiplatform content for Southeast Asia. As part of this collaboration, Disney will also partner and train Singapore content creators to develop and produce the studio's first slate of eight digital-first, multi-platform titles for distribution on Disney's platforms.
IMDA will partner Facebook on the Facebook Creator Lab. The initiative is said to be the first of its kind by Facebook in Southeast Asia. Participating creators will learn how they can manage their presence, build their business and grow their community on Facebook. Participants will have access to production facilities at IMDA's PIXEL. Call-for-applications will close on 18 January 2019. The six month programme will start from February next year.
The Media IDP is part of IMDA's SMEs Go Digital Programme, an initiative to make it easier for SMEs in the media sector to embrace digitalisation. The digital skills identified in the Media IDP are aligned to the Skills Framework for Media and the Skills Framework for Infocomm Technology.
(Photo courtesy: 123RF)


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Junior Suites
Style, Sophistication And Space in Durban
4 Junior Suites
Junior Suites are fabulously inviting and raise the standard for classic comfort. Spacious and elegantly proportioned with contemporary fittings and touches of luxury, our Junior Suites welcome you in to a relaxed space you can call your own.
Comfort and relaxation is assured with a separate seating area, an extra comfortable King sized bed, a large flat screen TV and a selection of in-room amenities. Business guests will appreciate the high speed WiFi and executive workstation.
The beachfront views are uplifting and set the tone for an elegant sun-kissed stay in our Durban beachfront suite.
Enhance Your Experience
Elangeni Tower Junior Suites feature your own private balcony area. Step out from air-conditioned comfort to a view that takes your breath away.
Get Comfortable
- King sized bed
- Relaxation and entertaining area with coffee table and armchairs
- Private balcony area
- Free WiFi
- Flat screen TV and DStv with selected channels
- En-suite bathroom
- Media console for big screen connectivity (select rooms)
- Air conditioning
- Tea & Coffee
- Mini Bar (stocked on request)
- Work station / writing desk
- In-room digital safe
- Hairdryer & bathroom essentials


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Engines & Elvis: The best media pro I ever met
A debate has broken out recently that sounds like lovers who have broken up and tearfully proclaim they don't need the other anymore. Only in this case it's corporate communicators and business journalists.
This lover's quarrel was brought to life recently with a column in the Washington Post by Steve Pearlstein, "The Death of Business Reporting." A long-time business journalist, Steve laments the demise of informed and experienced corporate media relations professionals. If you are in PR give it a read; it's an important piece.
I talked recently to several people on the state of this relationship. A very good journalist told me: "I don't really need them (communicators), do I? There are other ways to get what I need." And a senior corporate media relations person told me: "I don't trust them (journalists) and I don't need them."
Both sides have a point. Communication pros have numerous social media platforms through which to tell their organization's story. Journalists, in an age of "transparency," have easier and more widespread access to data and sources than ever before.
Regardless of your point of view, a great media relations professional can make a material difference to an enterprise in its reputation and its commercial success. I know this is true because I worked with Rick Kennedy of GE Aviation, the best media person I ever met.
Rick retired recently after 30 years at GE's jet engine business. He is smart, funny, and, at times, iconoclastic. He loves jazz, blues, baseball, Elvis, and his hometown of Cincinnati, where GE's jet engine business is headquartered. He's a former journalist and a bit of a character, which I will get to below. Above all, he is an honest and effective information broker in a high-risk, high-profile business.
Why was Rick so good and so good for his business? First, he knows engines – how they work, how the government regulates them, and how the media covers them.
He didn't have to check with someone on technical specs, production history, or business numbers. He was the expert. I remember a master class he gave me in why some of GE's engines were having icing problems at higher altitudes. This had become an investor concern for GE. Rick's calm, matter-of-fact explanations to reporters was a huge reason why the issue didn't mushroom.
Second, he is naturally, purposefully and sometimes painfully honest. He'd fight like hell with reporters who he thought were being unfair, but with those he trusted, he'd give them the facts, even if they weren't great for GE. He was building relationships and trust for the long haul.
More than once, Rick pulled me back from the precipice. "Don't say that, Gary. That's bullshit," he'd advise me about a suggested strategy that might win a short-term battle but could cause us to lose the war.
For example, a few years ago when GE was in a very public and heated debate in Washington over funding for a military jet engine, I wanted to go for the jugular with the Pentagon. Rick talked me down like a calm air traffic controller. I think Rick knew we were going to lose this fight and he wanted to protect GE Aviation's relationships in the Department of Defense for the next one.
Third, Rick is a great – no, a master -- storyteller. He loves the technology of aviation but also has a real affection for the history and lore surrounding it. Watch this video Rick did about the opening of GE's new advanced composites plant in Batesville, Mississippi, or this one on the history of GE's engines and you'll see what I mean. Charles Kuralt had nothing on Rick.
Finally, he may be the best crisis communications leader around. As his terrific successor Perry Bradley told me, "Crisis is inevitable when you have an installed base of 37,000 commercial engines holding aloft some 300,000 people at any given time." Rick's deep domain knowledge, understanding of what the media wants in the high-intensity moments after an incident, and the trust he earned kept many situations from getting out of hand. No self-inflected wounds from Rick.
Rick's value to his business was recognized a few years ago by leadership -- "Rick takes big, visible swings" they said in presenting him with the Overall Performance Award. They knew he was more than just the "PR guy;" he was a strategic counselor who, by protecting the Aviation's reputation, made it possible for the engineers, commercial teams, and executives to do their jobs. Rick also recently won the Lyman Award from the Aerospace Industries Association, which honors distinguished career-long achievements in aviation journalism or public relations.
At air shows, engine launches or analyst meetings -- and after business hours -- Rick never tired of talking aviation, playing a few songs on the piano or giving reporters local history lessons. Once, on the eve GE's annual meeting of share owners in Cincinnati, Rick took a few reporters to a local cemetery to show them graves of local music greats.
When I saw him the next morning, Rick looked a little rough around the edges. Being a corporate guy, I asked him how the discussion about GE went with the reporters. He replied, "I have no idea, but they now know a hell of a lot about that graveyard."


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Hardness of drinking water and public health : proceedings of the European Scientific Colloquium, Luxembourg, May 1975 / editors R. Amavis, W.J. Hunter, and J.G.P.M. Smeets.
By: European Scientific Colloquium on Hardness of Drinking Water and Public Health Luxemburg.
Contributor(s): Hunter, W. J | Amavis, R | Smeets, J | Commission of the European Communities. Health Protection Directorate.Material type: BookSeries: Commission of the European Communities, EUR 5447. Publisher: Oxford ; New York : Pergamon for the Commission of the European Communities, 1976Description: 553 p. : ill., maps ; 24 cm.ISBN: 0080208983.Call number: 628.161 EUR Subject(s): Environmentally induced diseases -- Congresses | Cardiovascular system -- Diseases -- Etiology | Trace elements in nutrition -- Congresses | Trace elements in water -- Physiological effect -- Congresses | Drinking water -- Standards -- Congresses | Water -- Hardness -- Health aspectsOnline resources: Click here to access online
|Item type
|Current location
|Call number
|Copy number
|Date due
|BSTI Textbook (FL2)
|628.161 EUR (Browse shelf)
English and/or French, German, or Italian.
"Colloquium organised by the Commission of the European Communities Directorate-General Social Affairs-Health Protection Directorate."
Includes bibliographies and index.
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Care Home in Melksham – Kingston House
Are you looking for a care home in Melksham? Then make sure you visit us at Kingston House in Calne. It is a beautiful and comfortable home in the heart of Wiltshire, where the residents come first and they are given amazing care and a happy life. Getting from Melksham to Kingston House is a short 15 minute drive away.
Kingston House is managed by Greensleeves Care one of the most respected charities in the UK. They were recently named by Which? magazine as the best care charity in the country.
The home provides a safe and comfortable environment delivering positive residential care and specialist dementia support in self-contained areas.
If you want to know a little more about what makes Kingston House care home a bit different visit Kingston House webpage or call us on tel:01249 815555


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In fact, I did not want to write about the burglary on Siquijor in the Philippines anymore. I wanted to forget that bad experience. I wanted to erase the incident out of my mind. On the other hand, I want to share with you what happened because you have the right to know. What did we learn from the burglary? What do we do differently next time? How can you protect yourself? And why travel insurance is so important?
We got robbed. It's a nightmare
We're shocked. We feel grim and can hardly believe what happened. After 9 years of intensive travels we never lost anything of value nor did we get robbed. We were very lucky. Not this time. The worst we feared just happened.
Is it wrong to believe that people are good at heart?
Travelling through the Philippines for three weeks is our plan. We start in Manila where we meet the first Filipinos. We experience them as super friendly, helpful and polite. First impression of the Philippines: We like it. And we feel safe.
The first five days we spend in Dauin on Negros. We want to explore the Visayas above and under water. Diving is fantastic in Dauin and we have a perfect start of our holidays.
Our next stop is the small island Siquijor. We find the perfect accommodation, a bungalow right on the beach. Amazing view, a spacious terrace, friendly staff, everything is perfect. We're happy that we booked for five nights. We really love it. We even extend our stay for three more nights. That turns out to be a big mistake.
We feel safe. Too safe?
Burglary on Siquijor – Our bungalow was the target
December 19th is a day we would like to erase from our life. About a week before Christmas someone has broken into our bungalow on Siquijor.
The worst of all is that we were at the restaurant right next to our bungalow which is about 20 meters away. How could that have happened? Why did we not notice nor did we hear a sound? Well, there was a power cut for approximately 15 minutes. Did they break in during the complete darkness, took all our belongings and carried the full bags outside while we're having dinner? Is it possible?
What happened?
After dinner, we return to our bungalow. Our door is open. Wide open. Our hearts stand still. Within a second we know what happened. We got robbed. Some bastards took all our belongings. Just like this.
We feel lost and it sends cold shivers down my spine. The shock comes first, followed by swearing, I nervously run to and fro and finally the realization. Shit (sorry for swearing), everything is gone. Yes, everything! Clothes, laptops, cameras, our watches, my sunglasses, Marcel's shoes, his red T-Shirt and, and, and… Our bungalow is empty.
We are distraught! We run back to the restaurant to inform the staff.
Calm down. Breathe. Keep cool. Now what? We have to contact the police. RIGHT NOW. The staff suggests checking the neighbourhood while waiting for the police. Great idea. Together we check the surroundings and about 20 meters from our bungalow, somewhere between the palm trees, we find two of our backpacks. The thief or thieves left our diving gear and some of our clothes in the dirt. It looks like the bags were too heavy to carry. We continue our search without luck. Our gadgets like laptops and cameras are gone.
About 20 minutes later the policemen finally arrive. They first search our room and then they check the surroundings. After that, they come back to the resort and we answer all their questions. Two hours later the policemen are ready to go. They have all data they need for further investigation. We ask how we can get a police report. "Come to the San Juan Police Station on Monday. Tomorrow we're off, it's Sunday. But Monday you can pick up the report", one of the officers says.
Sleepless night
It's impossible to sleep after such a terrible experience. We analyse every single noise. We feel paralysed and helpless. A stupid bugger entered our bungalow, rummaged in our personal belongings and took things that don't belong to him. We are hopping mad.
Of course, nothing happened to us. That's the most important thing. But anyway, we can't accept that we can't take good photos anymore. We want to write articles for the blog and post great pictures, we wanted to write a Christmas Newsletter and answer Emails. We can't do that for a while.
But well, we are alive. That's the most important.
Always trust your traveller instinct
The scales fell from my eyes. Why didn't I listen to my instinct? In the afternoon, before the robbery, I've noticed something suspicious. Marcel and I were working on our laptops on the terrace. There was a young man walking along the beach staring at us.
I thought: He's watching us. Something is wrong.
Or is it my imagination? Or not? Did he see that we have two laptops and planned the break-in? We may never know. But one thing is for sure: Next time I will trust my traveller instinct. I'm going to listen to my inner voice.
Two of my favourite travel bloggers just published a post about listenting to the inner voice. Earl from Wandering Earl is writing about Why I Always Trust My Traveler Instinct and Caz published yesterday why she pulled out of the World Tourism Forum in Istanbul. Both posts are very good reads and give you something to think about.
The horrible day after
A psycho day follows. Deep in our heart we want to leave Siquijor immediately. But we can't. We need to wait until Monday because on Sundays the police do not write reports.
Well, we need some distraction. We rent a motorbike and explore the island even if we're not very motivated to do sightseeing. We don't have a proper camera and can't take good photos. "Stop moaning", we tell ourselves.
Finally, we find a purpose. We go to the harbour and get two ferry tickets to Bohol for the next day. We haven't been to Lazi, another reason to drive along the streets on Siquijor. But it turns out to be a torture. Whenever we see a red T-Shirt we think it could be the stolen T-Shirt from Marcel. We look at people's wrist to check if someone is wearing our watch. We even look at men's feet to check for Marcel's shoes. Maybe we catch the thief? Hope dies last.
What does Miss Universe have in common with the Siquijor Police in San Juan?
First thing on Monday we show up at the police station in San Juan. Before the investigating officer starts writing a police report we need to go to the treasurer's office to pay the fee. The fee for a police report costs about $ 1. A police officer accompanies us.
Back at the police station, we have to wait. It's everything but boring. On the television (yes, the San Juan Police watch TV during work) the election of Miss Universe is broadcasted. The police officers (men & women) are glued to the television. We were bubbling over with laughter when the women police officer said: "Wow, Miss Philippines has big boobs".
Half an hour later the police report in English is ready. We are relieved and we have the important document for the insurance.
Siquijor is known for theft. That's why you should beware of burglary on Siquijor!
Before we leave, we ask the investigator about the next steps in our case. The friendly officer confirms: "We are on the way right now to investigate and search for the thief or thieves." If he's telling us the truth or if he just wants us to feel better, we don't know.
We are curious and ask if burglaries are reported often. Unfortunately, the answer is yes. It seems quite common, especially in tourist resorts. Charisma Resort, the one we have been to, is the only one that never had a break-in. It's a known problem. We don't want you to scare and please, go and visit Siquijor but be cautious and take care of your personal belongings.
Before we travelled to Siquijor we did some research. We've read blogs and travelogues but we found no information on burglaries. After it happened to us we heard from different travellers that they got robbed on Siquijor too. Could it be a gang or even organized crime? Or is it just a poor soul who needs money?
We don't know. But we know that we are going to be extra careful for the rest of our trip and we learned a lot for future travels.
Do we advise against travelling to Siquijor?
No, of course not. Siquijor is a dream island. An untouched little paradise with super friendly people and amazing beaches.
Go there. Visit Siquijor and get to know the friendly locals. The only advice we have for you is: think what you leave in the bungalow, trust your instinct and be extra careful with your valuables.
We were unlucky and we learned our lesson. Never show what you have (as far as possible). In the future, we will think twice before we leave both our laptops in the room, especially if there is no safety box in the room.
Buy insurance on time
Make sure you have travel insurance before you go on vacation or a longer trip. Check what is covered and if you need extra coverage for your gadgets or expensive gear.
Our favourite is travel insurance from World Nomads. We are happy with their offer and coverage. It is so easy to buy travel insurance from World Nomads. You can also extend while travelling in case you stay longer than expected. We wrote a post about Why we extended our travel insurance with World Nomads and our experience with it over the last years.
Do you need travel insurance? You can get a quote or buy travel insurance from World Nomads using this link: World Nomads
What to do when you get robbed
Curse. That's what you probably do first. That's ok. Let the anger get out. We cursed as well and it helped to calm down a little. There is anger but also desperation. It's important to stay calm and keep cool.
Contact the owner of the resort, restaurant or club if you get robbed. Ask them to immediately contact the police. You need a police report to make a claim with your travel insurance.
Note everything that got stolen. The police requires all details and the value of each stolen item. They also question you about the incident. Describe what happened and tell them what you know.
Look forward, think positive and learn from the event
Talk to friends about what happened. They can give you comfort and that helps a lot.
World Nomads – Easy and reliable
Having a reliable travel insurance which covers us in case we need medical help for sudden illness or injury, an emergency or if our gear gets stolen or lost is very important to us.
A few years ago we bought World Nomads travel insurance. Luckily we didn't need the insurance for years. Not until last month. We are glad that we are covered properly.
How to make a claim
After the incident on Siquijor, we immediately check on World Nomads website what we need to do.
We need a police report with details of what happened and receipts of the stolen items. A burglary is not an emergency. Therefore, it is not necessary to contact the insurance right away. We can make a claim after we return from our trip.
The communication with World Nomads is in English which means the Police report must be written in or translated into English.
We contacted World Nomads as soon as we organised the receipts of the stolen goods. Making a claim was easy. We filled out the form with details about the incident, filled out the list with the stolen items including age and value. One day after we transferred the claim, we received a message that we have to send all receipt by email. We also got a note about a €70 deductible per person.
We are happy with the outcome
Two weeks later World Nomads confirmed that the maximum insured amount has been transferred to us. That's fantastic news. We are very pleased with the handling.
The process time took 3 weeks only. From making a claim to the confirmation of refund.
What was your worst travel experience? Did you get robbed too or even hurt? Share your story with our readers.


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Planet Blue Dog
About Us
Planet Blue Dog was inspired by our love of animals and the environment. Our goal is to provide you with the highest quality, planet-friendly products for your pets. For pets, people and planet Earth, our mission is simple: to offer...
Irresistible toys that are non-toxic and will provide hours of fun—swim for it, tug it or toss it with your pack. A fantastic variety of Eco-friendly toys to make your dog's day!
Scroll down and CLICK on all the pictures to read more…
Zisc Frisbee...Durable!


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According to the UN Secretary-General's 2014 Annual Report on Children and Armed Conflict, 7 national armies and 50 armed groups operating in 14 countries recruit and use child soldiers. These children and youths are viewed as cheap and expendable labour and are easy to manipulate and control by commanders. They are used as combatants, messengers, porters and cooks and to provide forced sexual services. Some are abducted or forcibly recruited, while others are driven to join by poverty, abuse and discrimination, or to seek revenge for violence enacted against them or their families.
All of these factors make the phenomenon of child soldiers an increased security concern- not only is the security of the children put at risk but, in of themselves, child soldiers present a significant security risk for communities. A concern that must include security sectors as part of the solution.
By offering innovative training to those actors who encounter child soldiers in the field, UNITAR PTP is dedicated to the achievement of a world, in which children are no longer used as a weapon of war.
The objective of this course is to advance a better understanding of the phenomenon of child soldiering as well as the reasons behind the use of children in armed conflicts. The course also aims to provide an overview of the possible options for interactions between police, military and child soldiers, as well as the possible actions to prevent recruitment and re-recruitment of child soldiers.
At the end of the course, participants should be able to:
- Outline the major issues related to the phenomenon of child soldiers;
- Identify legal instruments that discipline the protection of civilians in conflict situations;
- Illustrate possible options for interaction with child soldiers;
- Develop strategies for preventing the recruitment and re-recruitment of children as soldiers.
Module 0: Introduction: Children in Armed Conflict
The module introduces the topic of child soldiers, by framing it in the broader discussion of the nature of contemporary conflicts. It describes the new methods of warfare and focuses on the impact of conflict on children.
Module 1: Introduction to the phenomenon of child soldiering
The module provides the essential information necessary to understand the complexity of child soldiers' phenomenon, by offering an introduction to and an overview of the issue of child soldiers. Module one moves from the definition of child soldier – as outlined in the Paris Principles – and discusses how and why child soldiers are used. The use of child soldiers is elucidated by presenting current statistics of quantity and concentration of the phenomenon. The module explores the reasons, driving factors and risk factors that lead children to be recruited. It also discusses the detrimental social effects of using child soldiers, for the children themselves and for the military and police forces that encounter them, making the case of why child soldiers should not be used.
Module 2: Legal framework and its application
Module two takes a closer look at the existing legal instruments that apply to child soldiers. It examines the specific provisions of the different bodies of law at the international level (such as those contained in International Human Rights Law, International Humanitarian Law, and United Nations Security Council Resolutions), at the regional and national level, to delineate the legal framework for the protection of children from their recruitment and use as soldiers. The module also discusses the legal consequences for infringement of these provisions.
Module 3: Interaction with child soldiers
The module focuses on the interaction with child soldiers and begins by offering an overview of the different types of interactions that may occur between national and/or international military and police forces and child soldiers. The module provides substantive guidance on tactics, techniques and procedures to handle armed groups that use child soldiers and child soldiers directly and it offers basic operational guidance
Module 4: Preventing the recruitment and/or re-recruitment of child soldiers
This module focuses on the strategies aiming at preventing the recruitment and re-recruitment of children as soldiers. It elaborates on the importance of including children in peace agreements and demobilization plans and stresses the importance of cooperation among different actors on the ground for the development of a comprehensive programme strategy that includes activities at different societal levels. The module concludes discussing the consequences of failing to prevent recruitment and re-recruitment of children as soldiers.
The Child Soldiers and Security Forces E-Learning course is a self-paced, web-based course to be accessed at will and at any time by the participants. Materials are presented in text format with supporting audio commentary, visual aids and web-based resources for self-administered further exploration of contents. Regular quiz activities will enable participants to scrutinize the knowledge which the course intends to convey. The course will furthermore make use of reflection tasks asking the participants to elaborate the contents further and convert situations, actions and lessons learned to their own contexts.
The primary audience of the training course is constituted by military or police personnel involved in peace operations in conflict and post-conflict environments. Secondarily, the course addresses civilian personnel (from United Nations, other international and regional organizations, governmental and nongovernmental organizations), students, researchers and academics having a keen interest to acquire a better understanding of the phenomenon of child soldiers from a military and/or police perspective.
Technical Requirements
UNITAR recommends the following as a minimum in hardware and software to take our e-Learning courses. Please consult your Network Administrator or Systems person to ensure that you have the following:
Windows 7 or superior;
MacOS 10.6 (Snow Leopard) or superior;
Intel Core 2 Duo – or AMD – 3 GHz processor;
3 GB of RAM (4 GB recommended);
Hard drive: 160 GB minimum.
Adobe Acrobat Reader;
Adobe Flash Player.
Google Chrome 30.0 or superior;
Mozilla Firefox 25.0 or superior;
Safari 7 or superior;
Microsoft Edge
- Apple iOS in Apple iOS 10 or superior on iPad:
Articulate Mobile Player;
Moodle Mobile.
- Android OS in Android OS 4.1 or superior (optimized for tablets):
Articulate Mobile Player;
Moodle Mobile.


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CDS Foster Care module has a function to track placement changes, can provide sophisticated data reports for your State Government's needs and provide real time information to maximise decisions required regarding placement issues. This module is currently compliant with SA and NSW foster care reporting requirements, however can be customised to meet the requirements of any jurisdiction. In NSW, the module allows for the management of carer payments, and we are currently working on managing budgeting requirements for funds of children within the foster care system.
The module can also help you manage mandatory training and reporting to child protection authorities on foster care-related issues. Designed for a team of alternative care staff working collaboratively to manage all workflow issues between foster families and foster children the module includes data collection on training, induction, recruitment and placement issues.
Key Features
- Manages carer details, including recruitment, screening and training.
- Supports multiple placement types, multiple sibling groups, and managing carer payments and statistics.
- Track complete process from enquiry, induction & training to placement and exit
- Record available accommodation details, health issues, transport availability etc.
- Support risk Management with risk recording and searching tools
- Record case notes intake and reporting
- Record details of adult carers and other adults / children in the carer household
- Record approval details, number / age & gender of children including health conditions etc.
- Manage carer payments compliant with NSW carer payment calculation and reporting
- Government reporting compliant with SA and NSW reporting requirements


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Production photos of Peter Pan at the Open Air theatre in Regents Park.
First Look at J.M. Barrie's original stage play of Peter Pan directed by Timothy Sheader and Liam Steel and starring Hiran Abeysekera, Kae Alexander, Jacob James Beswick, Chris Lew Kum Hoi and David Birrell.
Peter Pan plays a strictly limited season from 15 May 2015 until 14 June 2015 at the Open Air theatre in Regents Park.


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How Our Marketing Helps Grow Your Business
Taco John's has the resources and experience to help our Mexican franchises go above and beyond
Have you ever heard the phrase Taco Tuesday®? Taco John's came up with that phrase and trademarked it years ago, helping to promote business at our growing chain of Mexican franchises. Clearly, the phrase has taken off. And that says a little something about our expertise in the field of marketing.
The power of marketing can make a huge difference in everything from average unit volume to brand reputation. Our powerful marketing team, headed by Vice President for Marketing Alan Wright and Director of Digital Strategy Jimmy Orr, brings a unique blend of experience to the table.
"Our highly experienced Field Marketing Team brings relevance to our local restaurant marketing initiatives," says Wright, "including Grand Openings, media plans, sampling and Co-op Management."
Advertising with attitude
We've been attracting a cult-like fan base since 1969 thanks to our bold and unique Mexican flavors. Why shouldn't our advertising match that boldness? Wright, whose marketing experience in franchising includes Newk's Eatery, Krystal Hamburgers and Hardee's, is focused on leveraging our classic product lines, adding exciting new promotions, and reminding consumers why they love Taco John's.
"We are bringing an advertising message with a new attitude so people remember us better. This way, we're top-of-mind when it's time for people to go to breakfast, lunch or dinner," Wright says. "Then we layer in the menu items that people already love, like our iconic Potato Olés®, with limited time offerings (LTOs) that are in line with emerging taste profiles. This is a legacy brand, but we understand the need to evolve. We've always got an eye on the future."
Digital drives consumer traffic
Orr makes sure franchisees are connecting with their fans by meeting them on the digital platforms they're using. Leveraging his background in digital communications with the George W. Bush White House and Arnold Schwarzenegger's gubernatorial campaign, Orr has devised a solid strategy that employs our rewards app, social media and whatever is trending in the ever-evolving digital world to help drive traffic to Taco John's.
"People are engaging others on Facebook, Instagram and Twitter or browsing online or on a mobile device. That's where the big audience is," Orr says. "Meeting hungry audiences at the right time, on the right device, with the right message is the sweet spot for all one-to-one marketing."
We work to protect your bottom line
A combination of strategic marketing, bold flavors and delicious, quality food drive both customer traffic and bottom line results for franchisees. While many Mexican franchises rely on discounting to bring in customers, Taco John's strives to provide everyday value and leverages LTO promotions to bump customer traffic.
"Some companies drive their franchisees crazy by relying on discounts to drive traffic to their stores," says VP for Franchise Development Van Ingram. "They'll discount core menu items, devalue the menu for customers and eliminate the profit margin in an effort to bring people in. But that doesn't help a franchisee's bottom line."
We feature LTOs several times a year, which helps attract new customers and encourage repeat visits. Our LTO calendars are developed two years in advance in order to accommodate research, testing and the development of marketing campaigns.
Franchisee input
We value the experience and knowledge of our franchisees, and to that end, the Taco John's marketing team includes field managers who visit restaurants to evaluate promotions and ensure that franchisees have the tools and support they need.
Franchisees, who may be required to join an advertising co-op in some DMAs, can use our TV ads to drive customer interest in the brand. They can also leverage our database of customers who sign up for email offers.
We offer strong grand opening marketing support, including traditional media, digital channels and public relations, and we will remain a true partner in local store marketing efforts throughout the life of your franchise agreement.
We are constantly recalibrating and improving our systems based on feedback from franchisees and customers. Taco John's is focused on growing sales, growing the number of transactions and boosting unit-level economics. With each marketing effort, we ask ourselves: How will it impact the bottom line?
Learn more
To learn more about how you can own one or more of our Mexican franchises, fill out the form on this page to download our free franchise report and start a conversation.


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The FindLaw Legal Dictionary -- free access to over 8260 definitions of legal terms. Search for a definition or browse our legal glossaries.
pleading n1 a : one of the formal declarations (as a complaint or answer) exchanged by the parties in a legal proceeding (as a suit) setting forth claims, averments, allegations, denials, or defenses
Source: Merriam-Webster's Dictionary of Law ©1996. Merriam-Webster, Incorporated. Published under license with Merriam-Webster, Incorporated.


text: Investments don't exist in a vacuum. They are influenced by a host of economic factors, both domestically and abroad. Recessions, interest rate moves, demographic shifts – understanding data such as these should start the investment process as they will affect every investment in the economy. We process a wide range of economic data in a team-based environment, developing a data-driven thesis that will inform the broader direction of our investments..


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In memoriam: Father P. Martin "Marty" Donnelly
Father P. Martin "Marty" Donnelly, a "founding father" of the Association of US Catholic Priests, passed away January 27, 2019, surrounded by family and friends.
He was born August 16, 1838. After studies at Saint Meinrad Seminary College and the Pontifical Gregorian University in Rome, he was ordained in 1964 for the Diocese of Toledo. He earned his Master's in Education at the University of Notre Dame in 1973.
He ministered in parishes and schools, and according to the writer of his obituary in the Toledo Blade, he "mentored and supported youth from his schools, parishes and neighborhoods, helping them to weave the fabric of their communities. He will always be remembered for his dedication to the poor and furthering social justice causes in the community."
A Saint Meinrad classmate and roommate, Gayle Uebelhor of Evansville, Ind., described him as "a gentle soul and a man in whom there was no guile."
Uebelhor and Donnelly were among the men who met at Mundelein in 2011 to establish the Association of US Catholic Priests.
The funeral Mass was scheduled Friday, February 1.
See the complete obituary from the Toledo Blade.


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Can't believe February is here already! And so here comes Valentine's day! It seems like, in the greeting card world, there is always a another "holiday" right around the bend...We're ready too...a lot of our cards are for that someone special...
holidays are here
one of my favorite ornaments from a favorite friend...vintage: you place the sweet ceramic owl over a bulb.
weekend of thanks
Grateful for friends, family and health...and our sweet, simple Goose.
let it snow
the day after...
inspiration: Japanese packaging
Japanese packaging is so inspiring. Hmmm. How can I incorporate this subtle yet gorgeous design into my own work. Excited to explore the possibilities.
e e cummings letterpress poem
I recently letterpress printed this poem by the timeless ee cummings. It was for my dear friend Shirley's ex-husband's memorial. He died suddenly last month in a sort of freak accident. Life is short.
it's you...it's always been you.
I found this lovely chalk written message on my walk home from Lark Press one summer day. (I luckily only live a few blocks from our brick + mortar shop! SO lucky.) Voilá. Thank you iphone camera....you really do a nice job in a pinch.
hiking in the PNW
My goal for this trip was to relax, enjoy nature and...work a little. But alas, while my intentions were good I once again got caught up in the first two goals. We went to Mt. Adams... Takh Lakh lake in the Gifford Pinchot Forest. Beautiful! But bugs... a lot of bugs. We did however reach High Camp about 1 mile past the PCT trailhead. And it was stunning.
But now...back in Portland and time to work! New letterpress cards are due soon!
fun day
well, we just finished letterpress printing business cards (previous client...sorry! not taking new ones at this time) and now we can focus on some fun stuff to letterpress. Here are some of our creative undertakings for the day...
new website...
Hi there. Finishing up some website details. I have to say the folks at Squarespace are super helpful. Oh, and ANY day now the sun will shine non-stop in Portland so cash in some miles and come visit us!


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Best Rainy Day Activities around Norman Park, GA
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Albany Museum Of Art
311 Meadowlark Drive
Albany, GA
The mission of the Albany Museum of Art is to collect, preserve and exhibit works of art and to conduct educational programming designed for a vari...
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Antique Annex And Gallery
3017 Thomasville Rd
Bainbridge, GA
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Fire Engine Museum
315 East Pine Street
Fitzgerald, GA
The Fitzgerald Fire Engine Museum will feature an intriquing collection of vintage fire engines, equipment, and even a fireman's pole to excite kid...
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First Street Gallery
204 North West First Street
Havana, FL
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Flint River Gallery
Post Box 5475
Albany, GA
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Flint RiverQuarium
117 Pine Avenue
Albany, GA
About us:The Flint RiverQuarium, a one-of-a-kind adventure in Albany, Georgia, featuring a unique blue hole spring with more than 120 mysterious cr...
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Florida State University Museum of Fine Arts
250 Fine Arts Building
Tallahassee, FL
Mission:The mission of the Museum is twofold: to enrich the university and the community by exhibiting works of art which expand the understanding ...
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Forest Capital Museum State Park
204 Forest Park Drive
Perry, FL
Forest Capital Museum StateThe importance of forestry in Florida dates back to the early 1800s. The museum celebrates the heritage of Florida's for...
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Georgia Cotton Museum
1321 East Union Street
Vienna, GA
The Georgia Cotton Museum tells the history of cotton and cotton production through video, displays of equipment, photographs and a knowledgable cu...
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Georgia Museum of Agriculture and Historic Village
1392 Whiddon Mill Road
Tifton, GA
History:The GMA Gallery opened in November of 2010 with a commitment to showcase the work of traditional and rural Georgia artists. Since 2010 the ...
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Georgia Rural Telephone Museum
135 North Bailey Avenue
Leslie, GA
The Georgia Rural Telephone Museum in Leslie, Georgia, is home to the largest collection of antique telephones and telephone memorabilia in the wor...
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Goodwood Museum
1600 Miccosukee Road
Tallahassee, FL
History: The estate known as Goodwood was assembled in the 1830s by Hardy Croom of North Carolina. Plans for a full-time Florida residen...
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Hamilton County Historical Museum and Heritage Center
313 Hatley Street Northeast
Jasper, FL
Hamilton County was founded in 1827; this area has qualities unique to the state. Hamilton County is entirely surrounded by water. The Suwannee Riv...
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Hawkinsville Auction Gallery
131 Regur Road
Hawkinsville, GA
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Heritage Station Museum
219 West Ward Street
Douglas, GA
About Us : The train depot was originally built in 1905 by the Wadley and Mt. Vernon Railroad. The Georgia and Florida Railroad made its presence ...
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Historic Westville
3557 South Lumpkin Road
Columbus, GA
About Westville: Step back in time to life in the 19th Century. Through exhibits, live interpretations, demonstrations, and hands-on activities, y...
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Jack Hadley Black History Museum
214 Alexander Street
Thomasville, GA
Mission:To Preserve and Collect historical and cultural artifacts of African-American past and present.Exhibit 2000 artifacts in The Jack Hadley Bl...
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Jefferson Arts Gallery
575 West Washington Street
Monticello, FL
Jefferson Arts, Inc was founded in 1997 by a group of local artists. Their objective was to bring art and art awareness to Monticello and surroundi...
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Jefferson Davis Memorial Historic Site
338 Jeff Davis Park Rd
Fitzgerald, GA
When Confederate President Jefferson Davis and a few remaining staff members crossed the Savannah River into Georgia on May 3, 1865, they were head...
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Johnny G's Fun Center
815 Russell Parkway
Warner Robins, GA
About Us:Johnny G's Fun Center is Georgia's premiere family entertainment center. Located at 815 Russell Parkway in Warner Robins, Johnny G's focus...
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text: Take a tour of Activ Absence for yourself: Annual leave calculator & online staff leave planner No more HR interruptions Better control of sickness absence Comprehensive HR reports Expand into full HR system if needed Please complete the form and our team will be in touch Request a Live Online Demonstration Fill in your details here and we'll be in touch to show you Activ Absence. We'll then be able to set up your free trial to work the way you do. Company * Name * Email * Telephone *


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Product Description
This Nike Air Foamposite One will be dressed in Night Maroon, Maroon, Black and Gum. Through the Foamposite shell is the use of Maroon while Black lands on the eyestays, collar, down the tongue and carbon fiber. Completing this Holiday look is the use of Gum which covers the outsole.


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Obituaries for guitarist Walter Becker, who died on September 3, referred to the music he created with Donald Fagen, his partner in Steely Dan, as "jazzy," as "sophisticated pop." Tidy terms, perfect for limited-character exchanges (and attention spans) trafficked through social media. But, do they really cut it? Can that terse language address the impact of their efforts, the effect Steely Dan had on its dedicated followers?
When news of Becker's death spread, it unleashed a torrent of running commentaries – remembrances, thanks, acknowledgements, appreciations, all in the service of lives changed. Many were from baby boomers whose teenage years were wallpapered with sounds emanating from radio or turntables. Though many of Steely Dan's tracks were heard as smooth pop flaunting ear worm hooks, their complexity and polish revealed remarkable depth and attention to detail. (The group's audiophile standards were so high, the records were routinely used to test check stereo components.)
Hit singles such as "Do It Again," "Reelin In The Years," "Rikki Don't Lose That Number, "Hey Nineteen" and "Peg" – representing airwave domination throughout the '70s – were not throwaway ditties, designed for consumption and disposal. They were painfully constructed by creators who reveled in the role of joyful subversives.
In fact, both Becker and Fagen, as youths, were heavily influenced by the surround sound of jazz radio and recordings. Fagen bowed at the feet of Sonny Rollins and the classic releases from the Blue Note label, while Becker grew up following dj's such as Mort Vega, the legendary New York broadcaster whose programming featured heavy doses of jazz greats, big bands and stand-up comedians. Becker acknowledged that the sounds and harmonies that enveloped him as a child provided the foundational groundwork for Steely Dan. Reportedly, he was the product of a broken home who endured a difficult upbringing. One can guess that the echoes of his early years served as both balm and inspiration. Once he met Fagen at Bard College, their music merged, their partnership bloomed.
It wasn't enough that Steely Dan's songs featured people who lived on the fringe of society – fugitives, grifters, lechers – and story lines that veered left from typical '70s radio fare – the vacuity of California excess, the subterranean allure of the jazz life. Becker and Fagen were reflecting the needs of those who felt disenfranchised, with that period's music and, possibly, life itself in post-Vietnam America. Their fans may have been like them: literary types, exceedingly smart, knowledgeable about music history and sonic fidelity, boasting a taste for the absurd, welcoming sounds that enabled acceptance of life's weirdness.
Becker and Fagen were songwriters with a vision, bleak and funny, featuring complicated characters in situations that often tested morality and survival. The desperado lamming it on "Don't Take Me Alive" could not have sprung from the minds of others, say, Burt Bacharach and Hal David.
I'm a bookkeeper's son
I don't want to shoot no one
Well I crossed my old man back in Oregon
Don't take me alive…
Becker and Fagen were skilled at creating musical short stories rich in humanity. That they did so with precisely-produced records utilizing musicians of a very high order attests to their perfectionism. The role call of jazz players who graced their efforts is formidable – Wayne Shorter, Phil Woods, Jerome Richardson, Larry Carlton, Steve Gadd, Warne Marsh, Ernie Watts, Pete Christlieb, Randy Brecker, et al. They were subjected to exhausting challenges aimed at exceeding Steely Dan's beyond-pop standards. (Brecker confided that at the beginning of a recording session he never gave them the good stuff. He learned to save his best trumpet solos for takes 30 and above, knowing he needed to preserve what he had while Walter and Donald pursued "perfection.")
The game-changer for many was the 1977 album, Aja. It struck me as a perfect record – the fulfillment of bold ideas, integrating complex musics with inquisitive narratives with mainstream accessibility. "Sophisticated," if you prefer.
As a 20-something working in rock radio, the album was offered to me precisely because it was "jazzy," and it bumped up against the contours of the station's programming. Its effect was immediate – a visceral zap, followed by a reckoning of the players. The title track featured a tenor solo from Wayne that sent me on a mission. Who is Wayne Shorter? Where can I find his records?
Time travel ensued, which proved the ride of a lifetime – from Wayne to Joe Zawinul, to Cannonball Adderly, accelerating through the constellations of Bird and Lester Young and Louis Armstrong, shifting into higher gears with Monk, Miles, Bill Evans, Trane and Ornette. Backwards and forwards, my side trips provided the purest of exhilarations, knowing that the genetic code for Aja is written in the bones of all these spirits. A forensic journey, fueled by the fumes of pressed vinyl.
All of a sudden, a track from Pretzel Logic, a record from three years earlier, made sense: "East St. Louis Toodle-oo," written by Duke Ellington and trumpeter Bubber Riley, now masterfully updated to feature Becker's wah-wah replication of Riley's depression-era mute. Not the most obvious song choice for a rock group breaking through to teenagers in 1974. But the impulse was undeniable: that music was in their bones, without concern for the categorical differences or demands associated with genres.
I felt then (and I feel now) they were having a private laugh the whole time, opening that door, suggesting I walk through, knowing I'd be gobsmacked by my discoveries. That gesture might have been the most generous gift they offered me. Curiosity begat a calling. A career was born.
I've often thought about the entirety of Steely Dan, even pondering the absurdity of the band's name, especially now that Becker is gone. Steely Dan was inspired by William Burroughs's reference to a strap-on dildo in his novel, Naked Lunch – an amusing thought as you weigh the staying power of their music. Once Becker and Fagen found their song ideas – often wry, without precedent – they draped them in majestic hipness, showcasing a musical range well beyond other purveyors in pop music. So much of what Walter and Donald created was big. Theirs was a partnership for the ages. Any major dude will tell you.
—by Jeff Levenson, JazzFM, 2017
In 1999, when Brian Wilson toured without the Beach Boys for the first time and made his celebrated "comeback" from years of reclusiveness and stage fright, he opened his New York show at the Beacon Theater with "The Little Girl I Once Knew." An interesting choice, I thought, at the time. "The Little Girl…" is well known among Beach Boy enthusiasts; less so, among pop main-streamers. It is an unusually crafted song and record, distinguished by timely silences not favorable to mid-'60s radio programmers mandated to fill precious seconds with winning content. Here, on this special night, Wilson chose to re-launch himself with a song less connected to his reputation as hit-maker than songwriting craftsman.
This thought came to mind last month as I witnessed pianist Brad Mehldau at the Village Vanguard. Playing to a packed house (one of 12, throughout his week-long run), Mehldau bejeweled his set with a lesser-known Wilson composition, "Friends," written 40-plus years ago in the period following the complex song constructions (and studio sessions) actuating the legendary Smile project.
When Mehldau and I chatted following the set, he received my comments on behalf of "Friends" and Brian Wilson warmly. "It's an amazing tune," he said, "because it seems so simple yet it's got very cool chord changes. It's a song you can dig into."
Given his remarks I was reminded that over the years numerous jazz artists have tackled Wilson's tunes: saxophonist Charles Lloyd earned accolades last year with Mirrors, which featured a pensive read of Wilson's "Caroline No" (decades ago, Lloyd and the Beach Boys appeared on one another's records); pianist Larry Goldings released an album named, In My Room, drawing parallels between his own artistic development and the title song's ruminative air; guitarist Charlie Hunter and drummer Leon Parker waxed a duo version of "Don't Talk (Put Your Head On My Shoulder"), a centerpiece of the Pet Sounds album; and Seamus Blake won the 2002 Thelonious Monk Competition with a Hail Mary pass amidst competing jazz tenorists – a poetic read of "God Only Knows," considered by many to be Wilson's finest composition.
The sum of these moments affirms an evolving verity in the narrative of music history – simply, that Brian Wilson is one of our Mount Rushmore composers. Having earned his stripes as an advanced studio alchemist, vocal arranger and conceptualizer – pop's first great auteur – Wilson is being ushered into the songwriting spotlight by jazz artists. He is among an elite group of post-WW II tune-smiths whose work continues the traditions of the great American Songbook, even though their work was created primarily for radio and records, rather than film or theater. (He is joined in that regard by Joni Mitchell, Randy Newman, Paul Simon, Stevie Wonder, James Taylor and Jimmy Webb, among others.)
Wilson's contribution is as much sociological as it is musical. Given his developing years (he was born in 1942), he was a product of the dream state that fueled America's western expansion. It held to a sweetness and optimism that proved mythical and came to define California. Wilson harnessed this and districted his own virtual geography, doing for the Golden State (and its associative mindsets) what Antonio Carlos Jobim did for Brazil, and George Gershwin did for New York. His music branded a sense of place.
Now, as news circulates that the Beach Boys will be embarking on a 50th Anniversary tour, featuring a core group of litigious band members who have functioned independently yet spread Wilson's foundational work, we can see more clearly Brian Wilson, Songwriter. Last year he released …Re-imagines Gershwin; this year, it's In The Key of Disney, a signature collection of treatments covering tunes associated with the Disney film archives.
The compositions on those albums are not his, but they bring him full circle, In 1961, inspired by "Rhapsody In Blue" and "When You Wish Upon A Star," he believed that he too could write. His inaugural effort was "Surfer Girl," which established an emotional template heard throughout his long career. Its wordless intro - the longing, melancholy, ache - provides all you need to know about Brian Wilson and, perhaps, ourselves: The dreams beyond reach are those worth chasing.
- by Jeff Levenson, JazzFM, 2016
A man with a camera shoots me
and I stand upright,
bracing myself for a
stoney end,
my eyes a cool frieze.
Deep within the vanguard darkness
Lovers enraptured by spirits
Set time on its ear.
"Vibes," they say
Is that ghosts?


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A Helpful Assistant to Remove Excel Password
Q: I have an Excel spreadsheet that I have not used for many months, now I need to use it; unfortunately I have forgotten the password and cannot open to edit it. Anyone can help me how to remove Excel password, I'm in urgent, thank you in advance.
A: Don't worry first. Take a deep breath and think about deeply if you have set some familiar numbers or other frequently-used information as your password, try it for several times to check matching or not. If it didn't work, it doesn't matter, I have 2 ways for you to follow to remove password from Excel.
Way 1: Resave to Remove Password for Excel Spreadsheet
If you just lost password for your Excel Spreadsheet, instead of Excel Document, you can utilize the retrieving function that comes with Excel. At first, open your Excel Spreadsheet as read only, and then choose to save it with a different file name. After you finish resaving the locked file, then close out the original and open the new file. Now, you will find the password is gone normally. I just tried this with a file here at work and I was able to open the new file with no password.
Pro: Free and Easy
Con: It only works for removing Excel Spreadsheet Password
Way 2: Excel Password Remover
The method above is simple and free. However, the chances are you forgot your Excel password, the situation become awkward because you can't use this method to remove your Excel document Password. Take it easy! Why not use the third part software – Excel Password Remover. It is an easy and useful password recovery program for removing or recovering all types of lost or forgotten passwords for Microsoft Excel spreadsheets. So no matter what kind of Excel passwords, this software can help you remove, replace or recover passwords protecting Microsoft Excel documents faster.
Compatible – It helps remove password for both Excel Spreadsheets and Excel Documents;
Fast- High speed of multi-core CPUs and GPUs accelerate the password recovery process efficiently;
Easy- Offers user-friendly interface that even computer novice can easily operate with;
No Data Loss- The most important thing is that the professional recovery procedures assure you no loss or damage to your document and no leak of your personal privacy. So you don't need to worry about the matter of privacy.
After features comparison between these two ways, I am sure you have a rule to choose the right tool- Excel Password Remover. Are you ready to have it as your best assistant for password recovery? Just take actions immediately!


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The Secret of Flavorful Beef
By Lesley S. King
What makes a difference in a good cut of meat…" says Rick Kingsbury of Pecos Valley Grassfed Beef, "is what we do." He's referring to the whole method of growing, finishing and processing meat. "I'm not going to say that other meat is bad, it's just that our way really adds flavor to it."
Rick has spent many years contemplating the best way to grow beef, and the hard work has secured his business a strong following at the Farmers' Market and at regional restaurants. Born on a farm/ranch in western Massachusetts, he became a large-animal vet-technician, but returned to the ranching business. "I think it's really important. It's good for the whole world. People need to have quality meat," he says. After raising cattle in southern New Mexico for several years, he settled in the Pecos River Valley near a little-know village called Ribera. It's a quiet place, surrounded by tall mesas, with irrigated meadows stretching in all directions. To the west lies the 223,000-acre Pecos Wilderness and to the east stretch the Great Plains.
Rick's unique philosophy takes full advantage of this setting. Rather than feeding cattle on grass for awhile and then sending them off to the feedlot to fatten, as most growers do, he grazes a special kind of cow that allows him to bypass the lot, where stress and additives are the norm. Instead he lets the grass itself do the work.
The secret is Scottish Highlander cattle—big, hearty, comic-looking animals with curly-haired foreheads. "They tend to put on fat in meat just by eating grass," says Rick. Indeed, these cattle are unique, and when crossed with Black Angus, the way Pecos Valley does, they are especially successful. "They have all their natural instincts and work the land well," says Rick. "They'll cross the river and feed up the hill and through the willows. They do the country a lot of good." He sums them up by saying, "These animals can live on rocks and scenery. But they don't have to because we have a lot of irrigated pasture."
This leads to the next innovative part of his formula. Rick partners in Pecos Valley Grassfed Beef with Michael Kaufman, a Ribera local who does a variety of types of creative business all over the world. Utilizing his skills as an entrepreneur, they're able to help other area ranchers and farmers while helping themselves. "We lease or buy land that's been latent for years and use it," Michael says. The land lies in a verdant corridor along the Pecos River, with good water rights. Lots of hay is grown in the valley and they buy that for the cattle when they need it as well. "It's rare for anyone here to use pesticides," Michael notes. "The idea is to support local businesses and local people."
In the winter, the cattle graze this green corridor, while in the summertime, they go to the high country, to feed on the gramma grass that grows for miles to the east. But the business isn't an easy one. The northern New Mexico climate always presents a challenge. The 2007 season was a good example: Winter and spring brought much moisture, but the usual summer monsoon never came. "So everything we gained was lost," Rick says. "The grasses here usually kick at that time of year." Consequently, they ended up having to start feeding hay in October and continued through the winter. "It really adds a lot to your feed costs when you do that," says Rick. But, like any good rancher, he keeps his chin up, enduring such unexpected circumstances. He tucks the memories back in his mind, saddles up his horse and rides through the herd.


text: From The LGBTQ Archives: Families By InterfaithFamily 1297 Some of our favorite articles from the LGBTQ archive about relationships between partners and with our families: Your Daughter Has Something to Tell You…: personal narrative from an Indian-Italian Catholic woman who came out to her parents both as dating a woman and being in an interfaith relationship. In Between: personal narrative by a gay Jewish man in an interfaith relationship describing how he has learned to see and feel comfortable with the grey area… Interfaith Infertility Issues: professional view and news article about different facets of Jewish adoption: the biblical precedents for intertility, the post-Holocaust Jewish "need to repopulate" and the patrilineal descent issue for gay Jewish couples. Interfaith at the Top: personal narrative by a gay rabbi describing how his interfaith relationship has "enriched our families, our community and ourselves." Lessons from the Margins: professional view from an interfaith program director describing the lessons that interfaith couples can learn from the LGBTQ community in terms of coming-out and fitting-into Jewish communal life. Reconciliation: Embracing a Gay Interfaith Relationship: personal narrative about a gay man in an interfaith relationship which was at first difficult to navigate, but through many loving conversations, has worked out. The Ocean Between Us: personal narrative from a gay man whose longterm relationship with one man ended partly due to religious differences and who now wonders whether if he has a bashert (soulmate) and if that bashert is definitely Jewish. American As Apple Pie: personal narrative about a gay woman's interfaith relationships, and her journey back to Judaism. Gay-by-Birth, Jews-by-Choice: news article about gay couples where one or both partners converted to Judaism. One Jew or Two? The "Continuity Crisis" Hits Home: personal narrative from a Jewishly involved young gay woman who wants to raise her children Jewish, but isn't concerned about interdating. All Who Are Hungry, Come And Eat: a partner who isn't Jewish finds her place in her amongst her in-laws as she learns how to make food for the Jewish holidays. Gay Adoption: news and general information article about the increasing numbers of Jewish gay couples who are adopting children, and the Jewish communal organizations that have developed to aid and welcome these families. About InterfaithFamily InterfaithFamily is the premier resource supporting interfaith couples exploring Jewish life and inclusive Jewish communities. We offer educational content; connections to welcoming organizations, professionals and programs; resources and trainings for organizations, clergy and other program providers; and our new Rukin Rabbinic Fellowship will provide offerings for couples in cities nationwide. If you have suggestions, please contact firstname.lastname@example.com. View all posts by InterfaithFamily →


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"These concerts are always special. We see John & G every time we are in town. In fact they are the single biggest draw - why we keep coming back every year."
Ron Waters, Fan 2019
"While there are several bands in town that specialize in gypsy jazz, G & the New Orleans Swinging Gypsies stand apart...."
Stacey Leigh Bridewell, Offbeat Magazine 2018
"Their live performances are ecstatic and sure to get your feet moving."
Eric Gabourel, Flambeaux Bicycle Tours, 2018
"Like a punk band ripping into pop chestnuts, they're faster, brighter, sprightlier and livelier than the originals…."
Robert Fontenot, Offbeat Magazine 2016
See us perform
Gypsy jazz, traditional jazz, and swing music with authentic jazz dancing
Swing 17
A collective force of punk rock jazz for the masses.
Gypsy jazz meets New Orleans - add some swing and you're in for a treat!


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Last Updated on by
Nandamuri Balakrishna is joining hand with Mass Masala Director VV Vinayak for his next project after NTR Biopic. Paruchuri Brothers are preparing the script for this story. Buzz in the Filmnagar is that AK47 is the title in consideration for the film. f the script is ready by January, the project will go on floors after Sankranthi. If it is delayed, the movie will materialize only in the Second half of 2019 after elections. The project which was supposed to have its launch in May was canceled eventually as Balayya did not like the remake idea pitched in by the director.
Balayya and Vinayak previously worked together for Chenna Keshava Reddy more than 15 years ago. Even though the movie failed at the box office, Balayya's Get up and characterization in the film is still memorable for Nandamuri fans. This is a crucial project for Vinayak and he should deliver a hit at any cost as he delivered three flops in his last four films. Senior Producer C Kalyan who recently produced Balakrishna's Super hit film, Jai Simha will be bankrolling this project on his CK Entertainments Banner. This is the third film in their combination after Parama Veera Chakra and Jai Simha.


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Hey all you beautiful people! It's me again! With another Youtuber of the Month! This month's Youtuber is Adam Montoya. AKA Seananners!
So Seananners is a gamer. He plays Prop Hunt, Gmod Murder, Gmod Stalker, Gmod Terrorist Town, Gmod Hide and Seek and many more! Here are some videos of his!
He collaborates with lots of other gamers in his videos such as TheMrSark, Yammimash, Hutch, GassyMexican, TheCriousGamers, SyndicateProject, and many more! My favorite videos of his are his prop hunt videos. He's like a pro at it, well to me he is. He finds the best things to become and the best places to hide. When he's a hunter, he finds the opponents easily. Speaking of hunters, the hunters in the videos look like aliens cause of their one eye and it reminds me of a movie I watched in my English class called Galaxy Quest. It was such a good movie! At first, I thought I wasn't going to like it but I was wrong! You should check it out!
Anyways, you should check out Seananners' channel! Subscribe too! I'll link it below! Oh and, I'm having trouble with picking out the next Youtuber of the Month, so if you have any suggestions, please don't hesitate to tell me! Thanks for reading! I'll talk to you later!