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Email: https://www.xfinity.com/support/internet : Click this link and go to the bottom of the page. You will get the option of chatting with an agent or calling an agent. You can also find the nearest office.
Comcast has provided its customers with lots of easy bill payment options in order to ensure that all the monthly bills are paid on time in a safe, secure, and reliable manner. Customer service is extremely important to Comcast, which is why they have provided their customers with a whole host of easy bill payment options. Customers can choose any option that they prefer in order to ensure that their monthly bill payments are made before the due date.
The list of available bill payment options offered to customers of Comcast includes the following:
- Payment by phone
- Payment by mail
- Online payments
Payments by Phone
When you are looking to make your monthly payments by phone with Comcast, then you should ensure that you have all the details regarding the bill on hand. This will ensure that there are no issues with your bill payment, and you will not end up incurring any late fees or penalties. All customers can call the customer service department of Comcast by dialing the number 1-800-266-2278. It should be noted that if you choose to make payments by phone, then you will be liable to pay a processing fee as well.
Payments by Mail
All customers can also choose to make their monthly bill payments with Comcast through the mail, as well. You can easily send your bill to the mailing address that will be listed on the bill, or you can also visit any local Comcast office and mail your payment through there. Always ensure that you are sending your bill payment before the due date since it will take some time for Comcast to process your payment. It is advised that customers should never choose to send cash when they are mailing their monthly bill payments to Comcast.
Online Payment
All customers of Comcast can also choose to utilize the online payment system in order to make their monthly bill payments. You can choose to set-up a recurring online bill payment or make a one-time online bill payment through this option. You will also have to set up an account on the website and then sign in to the account to select the automatic payments option at the bottom of the overview page. You can then select the payment method of your choice and enter the required billing information. Customers should accept the terms & conditions and wait to receive a confirmation message that will state that the payment will be posted on your account within 45 days.
Types of Credit Cards for Comcast Bill Payment
Customers, who choose to make their bill payments with Comcast through their credit cards, can do so with the following options:
- American Express
- Discover
- MasterCard
- Bank-issued credit card
Help for Bill Payments
If you are unable to make your monthly bill payments with Comcast, then you can contact the customer service department before the due date and request a bill payment assistance plan. This will ensure that you come to a suitable conclusion regarding your monthly bill payment with Comcast.
Fairpoint Communications – Bill Payment Options
Fairpoint Communications has a great bill payment system that includes a number of options given to their customers. This makes bill payment fast, reliable, and highly convenient. The various bill payment options provided by the company are discussed in greater detail below:
Online Payment
There are separate online portals for business and wholesale consumers. Both of these portals can be accessed separately through their official website. These portals allow customers to check history and current balance, request any repair services, order services, pay bills, and set up payments on a recurring basis.
Setting Up The Online Account
In order to set up the online account, you can call in customer service representative on the following numbers:
- For Business customers: 1-800-400-5568
- For Residential customers: 1-800-400-5568
Customer Portal
Through this customer portal, consumers can check out their account and services related information, see the status of their appointments and orders, make online payments, and review all their statements.
PayDQ is the company's automated system for the payment of bills. Through this system, you can pay your bills using Discover, Visa, MasterCard, or electronic checks. The service is completely free and accessible whenever you want.
Phone Payments
You can pay your bills using your phone by simply calling in 1-866-658-9040. However, you will be required to pay a transaction fee of $3.50.
Check Free Payment
You can pay your bills in person by going to an authorized biller payment center. You can visit the official site to find out the locations of these payment centers. However, you will be required to pay a transaction fee of $1.50 if you wish to use this mode of payment.
Mail Payment
Mail payments should be made using money order or through checks. Cash payments will most likely not be accepted. You can mail in your payments at the address that has been stated on your billing statement. The addresses are given below as well for convenience:
New Hampshire And Maine
FairPoint Communications
Postal Office. Box No. 11021
Lewiston, ME 04243-9472
FairPoint Communications
Postal Office Box No. 5200
White River Junction, VT 05001-5200
For any questions or further assistance, you may contact:
- Small Business: 1.866.984.3001 Monday – Friday, 8:30am – 5pm EST
- Enterprise: 1.866.984.4001 Monday – Friday, 8:30am – 5pm EST
- Order Services Residential: 1.866.984.2001 Monday – Friday, 8am – 6pm EST
There is a form available online that you can submit in case you have any questions.
Do you have any other confusion with regards to the Fairpoint Communications bill payment options? Why not get in touch with us by giving us a call? We would be more than happy to help you out and answer any of the questions that you might have. It is always a good idea to clear out all your confusions beforehand so that you do not have to face any trouble later on. Overall, the company has great bill payment options that will prove to be highly convenient for all types of users.
Metropcs Bill Pay My Phone Bill – Payment Options
MetroPCS customers can easily pay their phone bill online, phone, in-store or mail a payment check. Listed below are some of the ways MetroPCS customers can pay their bill: metropcs bill pay Online:
- Express Pay is the easiest option for MetroPCS customers. Without setting up an account, MetroPCS customers can pay through Express Pay. Click Make Payment to continue paying your bill through Express Pay.
- AutoPay is another great option for MetroPCS customers. Autopay provides peace of mind. MetroPCS customers can set up their bank accounts to be automatically withdrawn each month. AutoPay not only saves time for MetroPCS customer, but also helps in avoiding late payment fees. Go to My Account at the MetroPCS website and choose eWallet to set up future payments.
- MetroPCS customers can make a one time payment through MetroPCS My Account. Customers will be asked to enter their Debit/Credit Card or MetroPCS payment card information. MetroPCS My Account lets customers store their Debit/Credit Card information which could be used again for coming months payments.
- MyMetro app available in app store is another easy way to metropcs bill pay. Customers can simply add their Debit/Credit card information within MyMetro app.
- MetroPCS customers can pay through their phone:
- Automated pay system: Dial *99
MetroPCS Customer Service Representative: Dial 888-8metro8 to pay
MetroPCS customer can use Stores to metropcs bill pay:
- MetroPCS store
Payment machine available at MetroPCS stores
Payment centers authorized by MetroPCS
In-store drop box by MetroPCS
- MetroPCS Customers can also Mail: MetroPCS Wireless, Inc. PO Box 5119 Carol Stream, IL 60197-5119
For all other inquiries call MetroPCS Customer Service Phone Number: 888-8metro8 or 1 (888) 863-8768
*MetroPCS customers please type account number on check before mailing.
Metro Pcs Bill Payment In Store Can Cost You Extra 3 Dollars
Metro Pcs has come come up with a very legitimate extortion scheme of charging their customers 3 USD as a service charge to the customers if they decide to pay their Metro Pcs phone bill at store locations. Are they trying to say that they have been a very generous company and paying the cost of running Metro Pcs stores from their own pockets. Such charges were not included in the bill already. A customer is spending his/her time and money to get to their store and then told to pay an extra 3 USD. That is so frustrating, especially in the current economy when It is so hard to earn and save money.
If you want to pay Metro Pcs bill on their website, sometimes you won't get their payment system up. Many customers complain about the website outages at the bill pay section. So you are left with the choice of paying either with check which many of us don't have or use other service like doxo.com or chek.me which also charge you money for paying your bill. They should charge this 3 USD in their bill and give a credit if you make the payment on Metro Pcs website. This way customers won't be shocked when they visits their store for paying a bill. As they would have already absorbed the shock at their home.
I find this scheme very similar to many of the ride sharing companies 1 USD safety fee charged for every ride. To accommodate this safety fee ride they have cut their prices. So they are grabbing money from the pockets of poor drivers by coming up with fancy words like the demand will increase, you will earn the same amount. But many of the drivers saw huge drop in their earnings and went on strike. But had to come back as they don't have the resources to carry on for a long time. And UBER safety standards have been confirmed in LA where a driver hit his passenger with a hammer.
Similar will be the fate of Metro Pcs customers, after a while they will get used to giving money to pay Metro Pcs bills. And then other companies will also follow their money extortion steps as it will be seen as totally legitimate.
DIRECTV – Bill Payment Options
As a customer of DIRECTV, you will not be facing any hassle when it comes to the payment of your bills. This is because they have numerous payment options to choose from. These options are mentioned below in detail:
Online Payments
You can pay all of your bills online using a debit/credit card or a checking account by simply creating an online account. You will have two options when it comes to online payments, i.e. making a one time payment or signing up for Auto Bill Pay. The one time bill payment option will submit your payments within an hour whereas the Auto Bill Pay option will deduct your bills automatically from the payment method that you have selected.
Text Message Payments
You can pay your bills very quickly no matter where you are by sending a text to 21880 saying 'Pay'. After this, you will be required to follow a few instructions. Also, note that you might incur certain costs when sending this message. However, these rates will be standard.
Phone Payments
You can call in 1-800-531-5000 to make your payments through an automation process over the phone. A representative is also available to speak to you regarding your payments. However, you will be charged an assistance fee of $5 in this case. Also, when you use this method, you should have all your credit/debit card and checking account information with you. Your payments will be made immediately.
Mail Payments
Your monthly bill includes an envelope in which you can mail your money order or check.
PreCash and PayExchange Payments
You can make a payment with cash at a participating retailer located within your vicinity. In order to find one, you can call in 1-800-PRECASH or visit www.precash.com. You will be required to bring along your DIRECTV account number.
For PayExchange, you can do the same thing. However, the information will be available to you on 1-777-477-7297 or www.payxchange.net. Bring along your DIRECTV account number.
Western Union Payments
You can visit Western Union to pay using cash. They will then wire the payments to DIRECTV. You should have with you your DIRECTV account number for this. There is also a Quick Collect payment method available. For further information in this regard, you can go to www.westernunion.com or call in 1-800-225-5227.
MoneyGram Payments
You can pay cash using MoneyGram who will then wire the payments to DIRECTV. A MoneyGram Express payment facility is also available. In order to get more information in this regard, you can go to www.moneygram.com or call in 1-800-MONEYGRAM.
Home Banking Payments
You can check in with your bank or your bill payment service for further information regarding this. They will then guide you in terms of how you can set this up and what fees they will incur (if any).
Have further questions regarding this topic? Why not ask us by giving us a call? We would be more than happy to help you out and answer any of the questions that you may have.


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I first met Robin Bancroft-Wilson of Aatma Crystals through the SVI community in Vancouver and was struck by her genuine spirit. She radiates positive energy, and that must be why she was drawn to crystals. From what I understand, each … Continued
Passion, Ceremony & Ritual
For me, the path to storytelling was an arduous one at first. I didn't trust my own experience and instead looked to others to help define my vision. Many people I met along the way offered mentorship in the form … Continued
Walking the Hill
In Irish mythology, there is an ancient tale that when two people fall in love and decide to commit their lives to each other, they meet at sunrise on either side of a hill. They then walk up that hill … Continued

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Zhibin Qin
The Air Addiction project is about the smog issue in China. It was created in 2016 and is based on my personal experience of living in smog for years. The project includes three parts. The first part named Holding breath, tells my panic and helplessness of when I first realized the danger of inhaling the particulate matter. I locked myself at home and practiced the length of holding my breath, because I did not know how to avoid inhaling polluted air. The second part is called Protection, which describes my daily routine with different types of protective face masks after living in the smog for a year. I feel more depressed and sad instead of panic and fear, it seems like I surrendered. The last part is an imagination of my future life called Illusion. If the smog keeps blanketing the whole country, breathing clean air could easily become a luxuries consumption, like taking drugs, it creates hallucination and makes people get addicted. All videos were shot in heavy smoggy days in Hubei and Hunan provinces China during October and November in 2016, there are no images that have been edited by any special effect.
Yifei Gong
The film GREEN focused on the environment of public spaces. It explored how people interacted, made connections, develop collective identities and created restricted new "public" space in the context of contemporary urban life and digital era. By creating an imaginary journey seeking for the unknown GREEN in both the virtual world and reality with gestures and activities acted as clues, the artist questioned the definition of public as well as the performing elements of identity in everyday life. In the imaginary journey, the self in public spaces became a persona, the everyday gestures and languages became alienated, the communities formed there were highly restricted and the boundary between public and private was blurred.
Mirror and Corpse (2)
According to Michel Foucault, human beings have historically understood the unity of the body only through its mirrored image or after it has transitioned from a living thing into a corpse. Drawing on Lacan, the former is realised when the infant first sees their reflection and conceives of a unified being rather than a 'dispersed body of limbs, cavities and orifices'. The latter is observable in the absence of a word for 'body' in Homer's Greece, in which only 'raised arms, brave chests and nimble legs' are described. The single exception is in the description of a corpse, which is afforded the unity and wholeness that we typically associate with the human form.
These ideas form the starting point for me, I harness microscopic technology to explore the relationship between the body, technology and the self, recording my flesh in fragments in order to build a new, illusional ego.
Theodora Kalamatianou
In my keyboard
Nowadays due to technological, demographic and cultural shifts, all that matters regarding work is "being online". Individuals are given the chance to work from distance, while their workplace has been integrated into their portable devices and the human cooperation has been replaced by virtual collaboration technologies. Taking advantage of this opportunity, a new type of working class has been raised, known as "the digital nomads". Innovations, such as the common use of Wi-
Fi and the evolution of portable computers, have led to the diffusion of nomadic life and changed entirely the perception of the workspace and its characteristics. Our workspace is where our laptop is.In the following project, I am presenting my personal workspace, which is in my keyboard. As space, the interior of the keyboard consists of several characteristics such as structure, capacity, and malfunctions which determine its efficiency.
Szu-Yi Wang
narrative rooms
To navigate in the (unknown) narrative, feel free to forget the subtitle for a while and focus on your own immersion.—
Narrative rooms is a series derived from one's private, daily life. It is about the exploration of personal territories. Each part is a "long take" of a room. Stories emerge in both visual and verbal ways as the narrator illustrates her intimate, imaginative workspaces. They are rooms that contain space and time while mental activities and thoughts take place inside. In other words, each narrative room expresses a moment of the spiritual workspace.
These rooms are not merely monologues but intimate containers where you feel safe and contemplate. The film creates a peep at one's private fantasy and brings the audience to an immersive dreamland.
Between playing the Model and Muse
I believe in the flapper as an artist in her particular field, the art of being – being young, being lovely, being an object... – Zelda Fitzgerald.
Salvador Miranda
While you were sleeping
While you were sleeping is a short film made from stock footage and stock sound available online, with an original voice-over narrating the film. The film is divided into three acts, each exploring the disconnect between the narrators' dreams and their reality. The film's footage is a hallucination of archetypal dreams using modern landscapes and contemporary experiences that overwhelm the narrator. Throughout the film, the sound of fire and fireworks emerges in different forms: as part of city sounds or as violence. While you were sleeping is an experiment to tell stories that can be immediately understood, despite the combination of images from different locations, times and contexts, and ambiguous narrators. Framed through Carl Jung's concept of archetypal dreams, they draw out the popular myth of humanity, falling away from a Golden Age toward the inevitable Apocalypse.
Ryan Cherewaty
Static Glow
After the end of humankind, a rogue AI has encountered a data cloud consisting of a vast spectrum of our networked selves in an attemp to create a simulacrum of human emotion. The protagonist explores love, relationships, sexuality, gender and identity underscoring the ambivalent relationship that exists between real and virtual affect. As the avatar prods through the membranes of information that represent the emotive digital self, it's own desires of significance come through the syntax of culture and social media – the closer it gets to a spiritual reverie the more it loses its corporeality.
Ralph Pritchard
Heaven, Hell
Heaven, Hell is about needing and being needed in the digital age. The film brings the rhythm of instant online communication into a cinematic space. Ralph Pritchard uses memorable visual motifs and a mixture of both 'rich' and 'poor' images to build an atmosphere of distraction and disembodiment. Elemental textures of water and wind blend with gates and borders to accentuate the difficulty and necessity of reaching out and being vulnerable.
'One of the biggest challenges in building suspense while using informal text conversations is dealing with the body. When we write a message our body feels absent, and yet often our body is very present, shaking and aching as we ruminate with a friend or lover in the virtual space of the messages. Just as our bodies hold and remember trauma, we also experience longing and desire very physically.'
The Splintering Sun
The Splintering Sun is loosely based on life and works of Tommaso Campanella (1568-1639), a Dominican philosopher sentenced for heresy and treason at the hands of the Roman Inquisition. At first condemned to the capital punishment, after torture and a declaration of insanity Campanella's life is eventually spared. During the years of his long captivity, Campanella puts together an impressive body of work, which includes his utopian dialogue The City of the Sun.
Through minimal use of text, visuals and camera movement, The Splintering Sun explores the human need to build domains that transcend reality, connecting it with the notion of imprisonment, physical and psychological—that is, of how people create their own prisons in the guise of goodness and ultimately lock themselves in them. Combining computer generated and documental imagery, the work considers the feasibility of the creative act as something reflecting on and running away from itself. For the audience this is intended as a contemplative experience, albeit compressed to the duration of a glint.
Qian Hao
Unattributed Stimulations of Objects
"Unattributed Stimulations of Objects" is a video work based on my research on happiness in happy objects.
"Happiness" seems to be an abstract perception, feeling, people feel happy normally not because they feel happy, but because something / somebody makes them happy. In this short film, I try to get closer to the subtle feeling of happiness from selected daily objects. I describe this as "unattributed stimulations", "you feel happy. but not quite knowing why, and the feeling can be catchy, as a kind of brimming over that exceeds what you encounter." -- by Sara Ahmed.
These unattributed stimulations demonstrate the status of objects. Those objects are created by human for several certain usages. However, by trying out different ways or intentions of "using" these objects, it becomes as well as a process to explore the metaphorical reflections of desires behind, which can be controlling, twisting, distorting in sexual, violent or self-compulsive.
Journey I
This short film was conceived to show the journey I went through to become the speaking subject of my own work. Finally, I became the subject, the voice and the space that I could translate into a new vocabulary.
I believe that history and memory are linked and I also believe that identity is also a memory for this reason I think is essential not to forget. This work is about remembering, exploring and liking memories.
In this journey I could understand that skipping the past is not the solution, exploring and staying reflective is the solution and this process was in my case, a process of healing and transformation where I could recover my identity and where my own body together with the landscape, tells the story.
Photography Director,
Marta Hryniuk
salt fish will keep
The video explores both textual and visual research materials gathered around the theme of herring fishery. Both the visuals, and the text, are mashed up by means of collaging, creating a rhythmic ensemble. Fast pace and variety of altering imagery match up with obsessive and rough voice recording, which has a musical dimension.
Lili Huston-Herterich
"Shanties" was made while aboard CMA CGM Fidelio, a freight ship crossing the Pacific Ocean (from Vancouver to Shanghai) over the month of June 2017. The work explores the role of music and song at sea, through the historical tradition of sea shanties, and the contemporary past time of karaoke for the seamen onboard.
L.S. Baron
Kit Mead
Kernal_Data_Inpage_Error_Anthony's Fire
An exploration into the mind altering affects of the internet, through a multi-layered college. Appropriated footage from online, cut and pasted together in a GIF aesthetic, show imagery relating to the history of ergot mould, ranging from its possible impact on the work of Hieronymus Bosch and the Salem witch trials (from its consumption in bread from infected crops), the incorporation of it into migraine medication by pharmaceutical companies the 20th century and the mould being the source of chemicals in LSD. These images combine with computer graphic models of satellites and brains to set up a hallucinatory digital environment.
Katharina Cameron, Sophie Bates and George Nesbitt
The Cave
Janis Dzirnieks
I'm Still Thinking About The Title
The video is an 8-minute loop that goes through the morning, daytime, evening by rolling through different neighborhoods of Berlin.
It is a representation of walk around the city while other thoughts gets digested.
Most of the loading signs on our screens are circles that move in loops while we have to wait - part of the idea and title comes from here.
Eight itself visually consists of two loops.
Johanna Kotlaris
Rhythm Within
In Rhythm Within an animal, a human and an architectural structure are interlaced through moving, still images and voice. Using a futuristic cave as shooting location, the work is interested in mental and bodily alienation while exploring the relation to natural, artificial and hybrid environments. Locations always have a symbolic function in my work and insinuate an oscillation between the the mental and the material. This fluctuation between speech and image, concrete and abstract spatiality, conceptualizes the self as a transitional, rather than a static being.
Honey Jones-Hughes
Roxy, Ashley and Monique
Honey Jones-Hughes is a Welsh artist based in Rotterdam, NL and currently studying her MFA at the Piet Zwart Institute, prior to this she studied at The Glasgow School of Art.
"Investigating the positions of women within workplaces (waged or unwaged), and in stereotypes, through role play, character development and performative research I deconstruct the expectations required of me as a woman, which, in turn, I hope opens up discussion of these expectations beyond my involvement.
My practice sits in a space that allows for discussion and debate to exist around social and political issues. I make works that lead on from historical content such as archives, conversations, and visual material; reframing and analysing from a feminist perspective. Works may manifest themselves into performances, publications, live works, video or a combination of all these things."
Hao Yang
news shadow
Chinese shadow play is using the character set made by hide or paperboard to play the story. In the play, the artists behind the white curtain are controlling the character sets and use the local melody to tell the story. The shadow play was very popular in many places.
When I see the news in TV in which the news anchor is telling news and the images are changing in screen, I think this form is similar to the shadow play. The news is showed on the screen, but it is difficult to discover the controller behind the curtain. In this project, I make use of the features of the shadow show and ink and washing painting to represent some current news.
Emma Finn
Diorama observes the changing shape and function of the first form of virtual reality, the museum diorama. One strand follows the story of a fisher looking for fur-bearing trout, while the other side, recreates the fishers event into a contemporary multimedia diorama.
"It is a fable about past and present concepts of media and mise-en-scène, wherein the turn-of- the-century diorama is revived as a retro joke, by two people conversing in screen captures. Diorama is a story about the secret life of artefacts, [in the classical sense but also in new terms; a digital artefact is a glitch]... As writer Rosa Menkman explains, the power of glitch is about the failure of the medium to disappear; glitches reveal the existence and artificial nature of the carrying system, [similar to how dioramas operate]. " - Louise Milne on Diorama
Florian Luthi
L'Herbe à Couteau / Bearded Darnel
This video starts with an excerpt from Bourlinguer from Blaise Cendrars. It tells the story of the silvery paper strips that were thrown out of planes to blur radar signals, during the second world war. The project is inspired from this somehow mystical description of greyish ribbons that filled the
heavens. An aluminum cloud scattered on the remains of bombarded cities. There are echoes of coded radio messages, that could have been heard during the war.
These starting points disappear in the final result to offer a new narrative, by means of a video installation consisting of two simultaneous projections behind closed doors. On one side, three characters lost in compulsive behaviors – a cyclic choreography, an endless back-and-forth that to prevent them from getting back to reality. On the other side, a young girl wandering in a wooded landscape, enduring the laws of nature.
Emily Huurdeman
Breaking-up appearances
When we look at films we identify with certain characters, reactions, and situations which may be representative for events in your own life and relationships. They become visual metaphors for how to deal with each other. Over time they become part of your relationship and part of your breakup. All the fragments together create a new chronology, as a trailer for your memory of each other.
The fragments are recorded with a handycam and shot from different screens, they witness what is seen. The scenes are taken from 11 different films, each with their own storyline. By placing them in a different narrative they become a new storyline without dismissing or denying their original context. Some films you might recognize, others you might not know; some might function as a single scene and others as a complete reference. The roles do not represent either the female and male side one on one, but stand in for the roles we play and act out.
Chris Zogopoulos, Theodora Kalamatianou and Livia Stacchini
The video is made in the Maastunnel in Rotterdam, this tunnel is connecting two sides of Nieuwe Maas. Walking, biking, driving the Maastunnel is crossed by thousands of people in their daily life. IN(DE)FINITO creates a dialog between the presence of people through various sounds recorded in situ and one defected light in the ceiling of the tunnel. The two dimensions of sight and hearing generate a visual and auditory indefinite and infinite rythm which represent the endless transitions of people in this important road network of the city.
Bobby Sayers
That's What the City Said
A semi-fictional video work that situates a male character as spending his life being able to hear cities speak to him. Using poetic language to consider our relationship to living within cities and the structures created within them.
Beatriz Peró, Amelie Unger & Magdalena Wierzbicka
To Reflect
Statement: The movie "To Reflect" works as an introduction to the building of DeSingel Campus Antwerp. It is a medium to design, not about the space, but through it. It explores a space suspended in time, inside the window, where the viewer inhabits the perpetual collapse of the interior and exterior. To achieve this, the experience of piercing through the layers that compose
the outside and inside of the building was created. Finally, the audio is a composition of thoughts in the three different languages of the designers, which creates the final layer to explore the building.
Anastasia Shin
Quantified Dividuals
Pointing to the shortcomings of quantification and pharmaceutical-designed behaviours a lo-fi, non- linear video loop tells a story which happens in circles.
In a networked and nomadic society we have become 'Dividuals' and 'surfing has replaced the older sports' teased Gilles Deleuze in his text 'Postscript on Societies of Control' (1992). Inhabiting a city's societal structures, two protagonists navigate tools which quantify - in various public, private and domestic locations: A thermostat dial is turned through icons indicating behaviour (in certain temperatures), a BMI & blood pressure report is printed, a parking ticket collected, and an answer phone machine re-plays. A sign (ostensibly in a hospital lift) indicates the observation of 'patients' privacy' and clipped conversation is pursued and interrupted throughout.
A monochrome graphic: (***) separates scenes and occasionally overlays the footage. This graphic, or double punctuation, functions as a signifier whose meaning shifts depending on the context. At times we're primed to see asterisks as they appear in the text of a novel (reading their indication as: meanwhile...) whilst at other times, conversation snippets, such as: "three strikes and then your out" are reiterated visually.
Alexandre Khondji
La Troisième Nature
La troisième nature takes the form of a journey through a mysterious and dark tropical vegetation. Neither clearly set at daytime nor at night, the film explores some of the tensions at the heart of this quasi-artificial environment, enclosed within the structures of its history. In its attempt to
deconstruct a certain illusion of nature, the film also becomes about cinema's own process of fabricating images.
Aleksandra Oszczak & Carlijn Olde Beverborg
[Our] inconstant capture
Our work explores space as a dynamic construct of experiences. The experience of one space continues into the experience of the next as we draw space as a structure of layers of experience to create depth that can otherwise only be felt and not seen. Our film elaborates on making visible of what was previously unseen; the inclusion of past experiences and memories to a point where mind, subject and surrounding space merge to what we call a room / interior. We're showing a process of INHABITATION and creation of place. The drawings encapsulate our bodies and our bodies inhabit the drawings. Space and human become one. [Our] Inconstant Capture - stands for the trial of reaching a point where you feel comfortable within the space. However it is inconstant because many external conditions influence our perception of space and our well-being. Our process of inhabitation is fluid as we are trying to adjust to the inconstant aspects of space.
Agnese Pellino
Objectified Room - The making of
Photographs are always slices, sections, which imply selection and choice, and therefore subjective interpretation, both by the maker of the image and by the viewer. 'Objectified Room', through the deconstruction of an architectural image in space, aims at questioning photography as a medium to convey architecture; it is a way to convey a message, to cut out the unwanted, to highlight a particular space at a specific time. A photographic image stops the fluidity of time and space, and crystalizes a time interval within which a mix of factors converge, resulting in a moment of coincidence; the instantaneous, more than being a recording of an instant, becomes the creation of one.
With the intent to interpret through the symbolism of multiple frames, I recorded with a fixed camera some of the actions I made while working on my project "Objectified Room". A collection of moments that can be reconducted to my critic of photography. A series of cuts, pastes, frames, filters, all aiming at showing in a poetic way the making of the installation, without ever showing the final result.
Music credits:
Philip Glass - Glassworks
A Lim Kim
Time Elapsed, Trapped in Blackness
While observing non-material out of dematerialising space, I discovered that temporality could be an intrinsic property of the object, like spatial position. Taking a hair, especially long black hair as a visual metaphor of time and blackness, this film work explores a sense of space where temporality is being trapped in the blackness. Hair is the symbol of "the fullness of time", since it grows endlessly like time goes by. And its color embodies the quality of being black on which the slow passage of time brings about different-looking spaces. The sound effects also strengthen the blackness, creating another layer on this film.


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Office Design
We believe that the design of a workplace should reflect the needs and aspirations of the organisation and the users. It should represent and reinforce the brand. It should be tailored.
We will therefore work with you from the inception to the completion of your project and beyond in order to ensure that our design for your space truly fulfils your brief.
Our comprehensive office interior project design services include:
Test-fit and feasibility space planning · Detailed space planning · Workplace utilisation and occupation analysis · User workshops and surveys · Churn and change planning drawings · Office space requirement analysis · Interior look and feel concepts · Mood boards and finish samples · Technical construction and services drawings · Office lighting design · Office branding design · Joinery and bespoke furniture design · Fabrics and finishes proposals · Building Control dialogue and Applications · 3D visualisation · 3D sketches and renders · Augmented reality visualisation
Contact us now to discuss your office design requirements.


text: In episode 238 two fan favorites Mr. Dana Greene and Dr. Steve Heffner continue from last week for the conclusion of our conversation on classification within the MDT assessment system. We focus on the challenging "Others" and non-responders this week. How to identify them, keys to appropriate education and how to manage them. This week on MCF!


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One of the sweet spots on Respondo Pro is our use of buttons and shortcodes throughout the website in all instances and all functionality. What's so great about it? First, you get a bunch of options for outstanding shortcode buttons. Second, you can modify sitewide buttons in theme options. That's right, modify them in theme options and your styling takes over the site (keeping the consistency you need).
The options selected in this section will override the button styling defaults throughout the site. Override default, primary, danger, warning, success, info, inverse. You'll control the color of: background, bottom border, text, hover background, hover bottom border, hover text. Create and modify square or rounded corners, border radius, font face, font weight and bottom border option.


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Clavillè Fashion Truck will be parked at St. Edward's Epiphany School in Bon Air for their Chili Cook-Off and Fall Festival on Saturday, October 29th from 1-5pm! A portion of event proceeds will benefit the school.
Back to All Events
Earlier Event: October 28Fashion Truck Friday!
Later Event: October 30Clavillè at Aw Shucks!


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Efterklang's debut album and their first release for The Leaf Label.
"We started to write songs for a full-length album and recording began in December 2003. By May 2004, Tripper was almost finished and we planned to release it on Rumraket, this time intending to produce a thousand handmade copies. Well into the production of this edition we were approached by Tony Morley at The Leaf Label (who had previously rejected our mini-album 'Springer'). Before we knew it we were part of a real record label, and Tripper was released internationally in October 2004 (to be followed by a reissue of Springer in April 2005)."
The album features more than 30 guest musicians among them Hildur Ársælsdóttir and Edda Rún Ólafsdóttir from Icelandic amiina. Hildur and Edda was also part of the Efterklang live band in the year that followed the release of Tripper.


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Good Monday gentle readers. My weekend was long, full of shopping, mostly online and cleaning. Though I managed quite a bit of tatting over the weekend I have nothing new to share I'm afraid. For some reason most of my recent orders have been custom made pieces. A pair of barefoot sandals sized up to fit a mans size 12 foot, masks sized down to fit a smaller face and my most recent was a mask made in Ivory with a few crystals added. Of course the ivory bit leads me to my first embarrassing confession for the day. I've been asked a lot recently for pieces in ivory and I kept saying no thinking that not only did I have no ivory thread, but that I had not been able to find any. Then while cleaning I found a ball of it in my possession and then I began to recall when I did find some and bought it. Yeah...I feel a little foolish, but I've purchased more and now I really need to revamp my available thread list in the shop.
One more embarrassing confession, my communication skills are seriously failing me lately. I am usually the kind of person that responds immediately to correspondence. This is not out of some overinflated sense of the worth of my thoughts, but rather because not doing so inevitably results in me not responding at all. I forget, put it off and finally decided it has been far too long for a proper response. If I have done this to you I apologize, but it appears to be happening at a much increased rate as of late. I suppose with all the stuff I have to do particularly around the holidays, something is bound to fall through the cracks. If I have ignored you, feel free to shoot me another message, I won't be offended, I promise and I will respond straight away.
Last thing before I get to work for the day, an update on the weekend sales event. It was a complete bomb. I did have a few sales, about the same amount I would have any other week. I also only had one person actually plug in the discount code required for the sale. On one hand I count this as a failure of my ability to communicate a sale, on the other I don't lose any money to the discount, so I'm calling it a draw. I'm finished up some pieces that needed remaking today and I have a handful of orders to go out this morning. School is also back in session today so I have a few less hours than I had last week to work, so I best stop stalling and get on with it.
Monday, November 29, 2010
Weekend Recap
Posted by TotusMel at 5:22 AM
Labels: etsy, needle tatting, projects, totusmel
1 comment:
- Sewicked said...
My weekend internet & computer time was limited, so I did not shopping online. If that 'helps'. Maybe I wasn't alone in that.
- November 30, 2010 at 7:52 AM
Subscribe to: Post Comments (Atom)


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ACA Design Festival Mauritius
The first event of its kind, the ACA Design Festival will take place on 6 and 7 September at the Sofitel Impérial in Flic-en-Flac. Organised by the Association of Communication Agencies (ACA), the festival will celebrate creativity around the theme, 'Design is good for business,' over the course of two days, the first dedicated to the various speakers and the second at the Awards Night.
One of five keynote speakers, Pearlfisher Copenhagen's Strategic Creative Director, Jesper von Wieding, will discuss design and innovation in the packaging space. He joins a line up of four other internationally recognised design leaders including Ravi Naidoo, Founder and Managing Director of South Africa's Design Indaba, and Hugo Timm, co-founder of Julia in the UK.
ACA Design Festival
7 September 2017
Flic en Flac, Mauritius.


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Carol Merlo is a Practitioner with CSL Dallas. She has a passion for education and has been developing curricula and teaching personal development classes since 2010. Her interest in spirituality and psychology began in earnest when she was a teenager. She devoured books on philosophy and eastern mysticism and practiced lightwork and meditation beginning in her twenties. At the same time, she was a humanistic psychology peer counselor. This combination of experiences gave her a strong foundation for teaching and training.
Carol earned a Master's degree in Educational Psychology where she discovered a love for adult education. During her 15-year tenure as a leader in the direct sales industry, Carol provided nutrition, leadership and entrepreneurship training to thousands of people in the US and Canada. Carol retired from active business building to focus on coaching, writing and speaking.
She is the author of The Hemp Miracle, Miraculous CBD, Create a Happy Body, Create a Happy Business, The Networking Conversation, Networking Personalities, and Create a Happy Life.
Carol's intuitive focus and passion for living an optimal life gives people the tools to grow into a life of passion, purpose, and prosperity. She is very practical in her approach and people experience a clearer, greater vision for their own lives by working with her.
Learn more about Carol at www.createahappylife.com/classes


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|Publication Date
|RI82 Southern New Castle – Northern Kent Counties Groundwater Monitoring Project: Results of Subsurface Exploration and Hydrogeological Studies
|Andres, A.S., Coppa, Z.J., He, C., McKenna, T.E.
|RI79 Simulation of Groundwater Flow and Contaminant Transport in Eastern Sussex County, Delaware With Emphasis on Impacts of Spray Irrigation of Treated Wastewater
|He, C., Andres, A.S.
|RI74 Locating Ground-Water Discharge Areas in Rehoboth and Indian River Bays and Indian River, Delaware Using Landsat 7 Imagery
|Wang, L.T., McKenna, T.E., DeLiberty, T.L.
|RI60 Geochemistry of the Mafic Rocks, Delaware Piedmont and Adjacent Pennsylvania and Maryland: Confirmation of Arc Affinity
|Plank, M.O., Srogi, L., Schenck, W.S., Plank, T.A.
|RI52 Quality and Geochemistry of Ground Water in Southern New Castle County, Delaware
|Ferrari, M.J., Bachman, L.J.
|RI50 Plant Microfossils of the Calvert Formation of Delaware
|Groot, J.J.
|RI48 Geologic And Hydrologic Studies of the Oligocene - Pleistocene Section near Lewes, Delaware
|Benson, R.N., Andres, A.S., Ramsey, K.W., Talley, J.H.
|RI47 Ages of the Bethany, Beaverdam, and Omar Formations of Southern Delaware
|Groot, J.J., Ramsey, K.W., Wehmiller, J.F.
|RI41 Hydrogeology and Geochemistry of the Unconfined Aquifer, West-Central and Southwestern Delaware
|Denver, J.M.
|RI40 Sodium Concentrations in Water from the Piney Point Formation, Dover Area, Delaware
|Spoljaric, N.
|RI34 Long-Term Chemical-Quality Changes in Selected Delaware Streams
|McKenzie, S.W.
|RI23 Cretaceous and Tertiary Section, Deep Test Well, Greenwood, Delaware
|Talley, J.H.
|RI21 Guide to Common Cretaceous Fossils of Delaware
|Pickett, T.E.
|RI15 General Ground-Water Quality in Fresh-Water Aquifers of Delaware
|Woodruff, K.D.
|RI13 The Occurrence of Saline Ground Water in Delaware Aquifers
|Woodruff, K.D.
|RI7 An Invertebrate Macrofauna from the Upper Cretaceous of Delaware
|Shapiro, E., Richards, H.G.
|RI5 Planktonic Foraminifera and the Cretaceous-Tertiary Boundary in Central Delaware
|Jordan, R.R.
|RI3 Wells for the Observation of Chloride and Water Levels in Aquifers that Cross the Chesapeake and Delaware Canal
|Rasmussen, W.C., Groot, J.J., Beamer, N.H.


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High Fidelity
Do you know what I love most about summer? Over exposure. I don't speak necessarily to the "sun's out, buns out" mantra people hold to so dearly—though I'm all for wearing jean shorts that double as thongs, I guess (so . . . much . . . chafing . . . *shudder*)—but more the actual, physical brightness of the day. Walking around New York summer streets compares to being in a video game where the developer tweaked the contrast just a little too much, AND I LOVE IT.
And the reason why is because everything pops. That's why summer boasts the fluoros, and the rainbows, and the tropicals. All those turnt up ROYGBIV colors that massage our eyeballs with their vibrating hues. Pure, blissful daylight results from the convergence of that spectrum, so why not celebrate such harmonious matrimony by rocking out with our co . . . lors out?
Ah yes, summer in New York: the most wonderful time of the year. It's like being granted the opportunity to experience a real life Candy Land, though I wouldn't recommend eating or licking anything off the ground. In fact I would strongly advise against that. Like, really strongly. Seriously, don't do it. That is not a chocolate bar on the sidewalk, nor a lemonade puddle on your stoop.
H&M dress and platforms; J. Crew socks; Forever 21 shades; Vintage belt; Handmade necklace and pom-pom earrings.


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5 ways to experience Alaska's glaciers
09/20/2016Back To Blog
#1: Take an exciting hike to Worthington Glacier from our Copper River Princess Wilderness Lodge. This excursion will have you suited up in the proper glacier gear so you'll be able to confidently navigate the icy terrain and observe the glacier formations from an up-close point of view that you wouldn't be able to experience any other way.
#2: As soon as winter comes around, the adventurers who've spent the season climbing on mountains and rock faces take to the ice to get their climbing fixes. Glaciers are a popular site for climbing up walls of ice with ice picks, crampons and ropes to assist with the ascent. With the proper safety gear and a trained guide, ice climbing is an exhilarating Alaska activity.
#3: If you're staying at our Copper River Princess Wilderness Lodge, hop on the Prince William Sound glacier cruise and see the Columbia Glacier up close from the water. It's one of the fastest moving glaciers on the continent, and you'll also have the opportunity to see icebergs and Alaska wildlife in Columbia Bay as the boat cruises around.
#4: Another way to experience Alaska's glaciers is on a dog sled tour over the icy landscape. Via a brief helicopter flight to a glacier, you'll hop in a sled and depart on a guided dog sled tour, showcasing similar views to a hike across a glacier, but at a quicker pace. It's the Alaska version of cruising along a scenic byway in the backseat of a snazzy convertible – the perfect combination of thrill and relaxation.
#5: Some say you haven't really seen a glacier until you've seen it from a bird's-eye view, and this is something you can easily do with the Glacier Landing Explorer excursion at the Mt. McKinley Princess Wilderness Lodge. Not only will you be able to see glaciers from above during the flightseeing tour, the airplane will actually land on Ruth Glacier in the middle of the Alaska Range, home of Denali. Up-close views of North America's tallest peak and the jaw dropping surrounding scenery make for a truly unforgettable experience you'll recount for years.


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by Asa Brown
Policy Board. Elegant words seemingly glaze over all the potential problems here in the Upper School. But I have some questions.
For starters, I am confused about Policy Board's ability to make any sort of lasting or important changes. The supporters of Policy Board would point to the Honor Code. But to me, the Honor Code doesn't seem to be anything more than a new name for the Disciplinary Committee. And although my skeptical bravado may seem to be the result of demanding immediate and visible changes, I am realistically confused why my vote for policy board matters. And no, I'm not one of those 'voting doesn't matter' people, and I understand the work the Policy Board does. However, I believe that Policy Board's structure and purpose needs to be modified.
To me, it seems that Policy Board has either been unable to make the student body aware of their changes or made chances in policy that are truncated and don't solve the problems that they are intended to solve. And I'm not trying to roast the members of Policy Board; they are work hard and do their best to makes changes. For the challenges of student representation in decision making are not merely the case our humble institution. Many other schools of eleemosynary decent struggle with the same issue.
And there are other examples of failed policies besides the Honor Code. To my knowledge, the new policy on drugs and alcohol has not been utilized. Additionally, two more students were expelled this year due to drug and alcohol-related instances. Clearly, this policy, though valiant in effort, has failed on its mission to prevent complications from drugs and alcohol. And the trivia dilemma, climaxing in 'ICUP' shirts work by seniors last Friday epitizes the reoccurring issue that Policy Board is unable to solve: a lack of trust between students and faculty. And if Policy Board is unable to solve this distrust, why will ot even be able to, especially in its current form?
Adult-teenage conflicts and disagreements are nothing new, especially at a school as robust as OES, so having students at the decision table makes sense. But two things are true. First, I doubt Policy Board is truly at the table when it is time for the administration to make decisions. Second, teenages will always find themselves in troubling positions. Policy Board is designed to be preemptive, to prevent those positions. Unfortunately, averting those complications are pretty challenging, if not impossible. And if you think I am being completely capricious and pessimistic, and that what I am saying is false, then I challenge you to be the one who changes Policy Board, brings it to the real administrative decision making, and makes it actually solve problems.


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Agencies near Painesville, OH
Painesville, OH Home Health Care Agencies
Maxim Health Care Services70 West Erie Street, Suite 200
Around-the-Clock Home Care33 Mill Street, PO Box 71
Heritage Home Health Care Of Lake & Geauga Counties1 Victoria Place Suite 315 Medicare Rating:
★★★★★ Care
Griswold Special CarePO Box 1324
Health District Home Care33 Mill Street
Lake Hospital System Home Health Services10 East Washington Street
Add Your Facility Adding your assisted living to the directory is completely free.
Other Senior Care Providers in Painesville
- Adult Day Care Facilities in Ohio
- Assisted Living Facilities in Painesville, OH
- Skilled Nursing Care Facilities in Painesville, OH
Cities Near Painesville, OH
- Beachwood, OH (15)
- Bratenahl, OH (1)
- Chadron, OH (1)
- Chardon, OH (3)
- Chesterland, OH (3)
- Cleveland Heights, OH (4)
- Concord, OH (1)
- Eastlake, OH (1)
- Euclid, OH (10)
- Fairport Harbor, OH (1)
- Highland Heights, OH (4)
- Lyndhurst, OH (2)
- Mayfield Heights, OH (3)
- Mentor, OH (10)
- Mentor-on-the-Lake, OH (1)
- Newbury, OH (2)
- Richmond Heights, OH (1)
- South Euclid, OH (6)
- Wickliffe, OH (1)
- Willoughby, OH (4)
Painesville seniors that want to remain independent and live in their homes but need some assistance should consider an in-home care provider. Painesville, OH home care agencies can provide seniors with assistance with daily activities and minor medical services in the comfort of the resident's home or apartment.
Seniors in Painesville can stay in their homes and have home care workers visit to help with basic daily tasks and other services such as medication management. There are 6 home care companies that serve the Painesville market.
Some page content retrieved from Google Places
Search Home Health Care Providers
Getting Started
- What is Home Care?
- Home Health Care vs. Non-Medical Home Care
- Home Health Care Services
- Non-Medical Home Care Services
- How is Home Care Different from Other Care Options?
- When is Home Care Needed?
- Benefits of Home Care
- Talking to a Loved One
Choosing Home Care
- Selecting a Home Care Agency
- Medicare Quality Data
- Hospice Care
- Home Care Safety
- Considering Home Care Staff
Paying for Home Care
- Home Health Care Costs
- Ways to Pay for Home Care
- Medicare and Home Care
- Medicaid and Home Care
- Does Insurance Cover Home Care
- Using a Reverse Mortgage to Stay Home
For Caregivers
For Staff and Owners
Experts Weigh In


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sledge 2.0
Surf the synthetic wave, sample your music.
Sledge 2.0 introduces new features and sound innovations that set the instrument above any competitor, thanks to a mix of pure synthesis and sound sampling.
In addition to the incredible sound engine and the user-friendly vintage style control panel, the new features further expand the synthesizer's power and versatility.
Auto Dual Mode, mix the sound
Combine and play two sounds at the same time, in Split or Layer mode.
Every sound combination can be stored in any of the 999 available presets.
Hold the loop and pitch the sound
Pitch and Hold functions can be enabled separately for the Lower and Upper sounds in Dual Mode, allowing you to keep the sample loop running while playing the upper sound.
Elevate your performance.
Let your samples play
Sound samples and new waves can be loaded in the internal memory, played by OSC 1 and modifiable by all parameters of the control panel, adding other oscillators, setting filters, envelopes and effects.
Spectre & Sound Mapper
Create and transfer Sample content, manage and reorganize the internal sound library of your Sledge. Load, save, copy, send, receive. Everything you want to do with your sound library, you can do that thanks to a user-friendly interface.
- Tonewheel organsdownload
Each downloaded file include a Sample and the related Sound.
- 61 Keys, TP/9S unweighted
- Dual switch detection system
- Aftertouch
- Touch
- Soft, Medium, Hard, Fixed (programmable) 1
- Max Polyphony 24 voices
- 2 Parts
- Modulation
- LFO1, LFO2 (phase synchronized), WHEEL (for Mod wheel and Aftertouch)
- Adjustable LFOs speed and depth
- LFO shapes: sawtooth, square, triangle, sine, sample & hold, ramp
- Destinations: OSC1, OSC2, OSC3, PWM / Wave / FM, Volume, Filter Cutoff
- Oscillators (OSC1, OSC2, OSC3)
- Range from 64' to 1' with semitone and detune controls
- Shapes: sawtooth, square, triangle, sine, pulse (with pulse modulation)
- OSC1 with 66 original PPG Wavetables + Sample Player (60 Mb internal memory)
- FM (Tone generation): OSC2, OSC3 amount control - Oscillator hard sync (OSC2 to OSC3)
- Mixer
- Volume and On/Off switch for each oscillator
- Noise generator: White/Pink - Volume control
- Filter & Amplifier
- Slope (24/12 db) - lowpass, highpass, bandpass
- Resonance up to self oscillation
- Adjustable key track and drive
- Filter envelope - ADSR with amount control
- Amplifier envelope - ADSR with velocity control
- Proportional velocity control on Filter and Amplifier sections
- Arpeggiator
- Latch mode
- Syncable to MIDI clock
- Direction up, down, alternate
- Range up to 10 octaves
- 2 simultaneous effects
- FX1: Chorus / Phaser / Flanger
- FX2: Reverb / Delay / Reverb + Delay
- 999 User Programs (+13 Categories)
- Fast sound selection via numeric keypad or encoder
- Auto Dual Mode - Split/Layer - programmalbe Split pount for each program
- Global
- Master tune - Transposer - Pitch/Bend range - Pedal functions (volume, mod wheel, cutoff) - Pot mode (snap/direct) - Display time - Pitch wheel, hold pedal assign
- MIDI Channel - Local On/Off - Clock control - Send/Receive controls
- Display 2x16 digits backlit LCD
- Pitch wheel
- Modulation wheel
- 35 Pots
- 3 "chicken head" rotary switches (7 positions)
- 1 rotary encoder with push function
- Master volume control (with panic and anti-thump circuit)
- Numeric keypad
- Audio OUT: 2x 6,3 mm mono jack (L+R)
- Headphones: 2x 6,3 mm stereo jack
- Pedals: Hold, Expression
- MIDI: In, Out
- USB: USB to Host, MIDI
- Width: 97 cm / 38,2"
- Depth: 40,5 cm / 16"
- Height: 11 cm / 4,5"
- Weight: 8,3 Kg / 18,3 lbs
- Sledge 2.0
- Power cord
- On MIDI output only.
Specifications are subject to change without notice.
import_contactsSledge - User Manual
Available languages
Cannot find the document in your language? Please contact your local distributor.
import_contactsSpectre - User Manual
Available languages
Cannot find the document in your language? Please contact your local distributor.
insert_drive_fileWavetable list
insert_drive_fileMIDI Implementation Chart
insert_drive_fileDownloading and organizing Samples and Sound Programs
Available languages
Cannot find the document in your language? Please contact your local distributor.
insert_drive_fileSave and load Sound Banks
Firmware and updates
memorySledge OS
By installing the 2.5.1 version or upper, you will not be able to downgrade to versions older than 2.5
Update procedure
- Connect Sledge to the computer with a standard USB cable and power it ON;
- Verify that it is recognized by the computer (according to the local settings);
- Download the new OS and play it with a MIDI Player application (like MIDI OX for Windows or QMidi for Mac);
- Note: before sending the OS/MIDI file, verify that the MIDI OUT data of the PC are sent to Sledge;
- A message on the display will notify that the update is operating; wait for the end of the playing/programming procedure on the computer player;
- Turn Sledge OFF/ON: the new Firmware version will be shown on the display.
Release note
Bug fix: disabled protection of the Factory Samples (of Firmware 2.5) that could not allow to install new samples.
Enhanced audio output level (+ 100% peak level) for a stronger, cleaner and fatter sound.
Synchronized LFO2, allowing to keep the same modulation phase on all notes.
Sample Licence included (free of charge) that allows all previous Sledge to play samples, with no need of further updates or extra costs.
Implementation of the MIDI standard message "All notes Off" (also known as "MIDI panic") in case of hanging notes after releasing all keys (also coming by MIDI IN) not correctly stopped by the related "note off". To activate the command, set MASTER VOLUME to zero (all the way to the left) and then rotate it again, to reach the desired value.
Protection against rare random hanging notes (created by the Arpeggio function) that could occur when selecting many programs with Arpeggio in a very fast sequence.
Protection against a very rare random INIT sound, recalled when rotating or selecting many Programs in sequence, under stressed conditions (full memory, many samples installed, complex programs).
Fast and correct auto-setting of the Arpeggio TEMPO (as stored in the related Program) when recalling various Programs withe Arpeggio active, in a fast sequence.
AUTO DUAL MODE: Sldge 2.0 can now play two sounds at the same time, in Split or Layes mode; the feature is controlled by a new page of the Global function and allows to simply keep one note (for Split) or more notes (for Layer) and then slect a new sound, that will be added to the previous sound; as any other sound, also Dual Sound combinations can be permanently stored in any of the 1.000 avaiable presets.
GLOBAL PITCH & HOLD CONTROLS: a new Global page allow to enable the Pitch and the Hold separately for the Lower and Upper sounds in Dual Mode, allowing to use the Pitch bend on the Upper sound (i.e. for solo parts) and the Hold pedal to control only the Lower (to kepp playing a Drums groove or as a Damper for a Piano sound) and vice-versa, or to enable Pitch Bemd and Hold or both Upper and Lower sounds.
REVERB + DELAY: a new function allows to mix both effects; the Reverb keeps the setting previously selected, while the real time controls (time and level) allows to set the parameters of Delay also when mixed to the reverb.
SAMPLES: sound Samples can be trasmitted to Sledge and loaded in the internal 60 Mb of Flash memory, played by OSC 1 and modifiable by all parameters of the control panel, adding oscillators 2/3, setting filters, envelopes and effects. This feature can constantly expands the instrument's sounds and create a totally new combination of synthesis and sampling.
ENHANCED POLYPHONY: the total maximun number or notes that can be playes at the same time have been expanded to 24, allowing to get a better real time control over the new sound pollibilities from synthesis and sampling together.
When Sldge is connected with USB cable to a computer or MIDI Controller, with the control "All controls reset" the volume goes now to value 127 (instead of 0 or minimum, as in previous versions).
Protection of the system when receiving data from MIDI IN during Power on; in previous version the instrument could ramdomly stop working correctly.
Notes on the highest octabe could remain sustained when the instrument was transported to other tonality (different from 0=default).
Arpeggiator speed adjustments and correct initial value.
Improved stability on potentiometer's position and related value.
library_musicFactory Sound Bank
Includes all factory sounds of the Yellow Sledge and all exclusive sounds of the Black version for a total of 208 sounds. Load it and manage other sounds with Sound Mapper.file_downloadDownload
library_musicTheodosys Sound Bank
51 new sounds! Load it and manage other sounds with Sound Mapper.file_downloadDownload
music_noteFactory Samples
Load and manage your custom Samples with Spectre.
Factory Samples include:file_downloadDownload
Stage Grand, EP-Mark 1, Wulrix, Clavinex, Acoustic Bass, Drums Loops
Release note
Improved conversion of Stereo to Modo samples, with anti-clipping protection;
Optimized conversion of short Loops in various format, with anti-click protection.
Initial release.
Choose you operating system
desktop_windowsSound Mapper
Sound Mapper allows to manage and re-organize the internal sounds of the Studiologic Sledge Synthesizer:
● Load a sounds library (.syx) from your computer;
● Copy or move any sound from/to any other positions and create a new Library;
● Save a new Library (.syx) to your computer;
● Send or receive one, more or all sounds to/from Sledge via USB MIDI connection.
Java 6 or higher, downloadable from www.java.com.
Choose you operating system


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Have Suitable Dental Treatment for Your Children2 min read
If you have babies, it's duty to make sure that they may be properly cared for. Usually, mothers and fathers think that food along with protection would be the main essentials. Whatever they typically neglect would be the fact young children need frequent dentistry. Bring your kids with a springfield pediatric dentist setting up at a early age. Preferably, as a result, it's going to encourage a long lifetime of great dentistry behavior.
Children have to be taught about taking good care of their very own tooth. If you take these people to some sort of fairfax pediatric dentist, they may find out about brushing and flossing. Should they have the tooth cavity, it may be set immediately. Never ever believe that you are a awful mother or father as your young children have got oral cavities. This is something which transpires with virtually any kid.
It is important for the children to acquire typical sessions using their pediatric dentist springfield va. Commonly, every six months could be the regular period pertaining to a scheduled appointment. In this way, the actual dentist can easily thoroughly clean the youngster's tooth and also search for any kind of potential problems. If you teach your kids to obtain dental care in a early age, it will with any luck , become something they continue over the rest of their own life.
If your little child is actually informing you that they are experiencing discomfort because of their enamel, this really is something that needs to be addressed at the earliest opportunity. With respect to the seriousness of the pain, it can be necessary to schedule a crisis consultation with a pediatric dentist fairfax va. If this is the case, speak to the actual dentist whenever day or night. They can be very happy to complete what you may to eliminate the agony so the kid might be comfortable again.
If your child hasn't ever been for the dental professional, it might be the perfect time to set up an appointment. Be sure they may be informed about who their very own dental professional might be and just how he is able to enable them. By doing this, there'll be no concern whether or not or perhaps not they can be able to go back when necessary. By training children wholesome oral behavior, you may well be in the position to save all of them an eternity involving needless soreness. Set up your very first consultation nowadays.


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Community Contributions
At Heathcote & District Community Bank® Branch and Nagambie branch, our major point of difference is our commitment to the sharing of profit with the community. Since opening the Heathcote branch in 2005 more than $800,000 has been invested in community organisations and projects.
Heathcote and Nagambie branches invest up to 80% of profits back into the community through sponsorship, grants, scholarships and donations.
Mission Statement
Heathcote and District Community Bank® Branch and Nagambie branch are owned by the community. We provide excellent banking services and return the profits to the community by way of grants, sponsorship, donations and dividends.


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I, and 3 of my colleagues from Chamber Choir Ireland, will be joining the RTÉNSO and Storm Large for a concert performance of Kurt Weill's 7 Deadly Sins. Also in the programme, Ravel, Schubert and Prangcharoen. Tickets and info here: https://www.nch.ie/Online/RTENSO-Weill-Schubert-Ravel-27Apr18
Back to All Events
Earlier Event: April 19PREMIÈRE of Oxen of the Sun
Later Event: April 30PREMIÈRE of Childish Things


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The Bonfils-Stanton Lecture Series at the Denver Botanic Gardens continues with "Local Flavors: Cooking and Eating From America's Farmers' Markets," with author/chef Deborah Madison.
A tour of heirloom vegetables in the gardens at 5:15 p.m. and a Slow Food Denver tasting at 6 p.m. precede the lecture, which starts at 7. The Denver Botanic Gardens is located at 1005 York Street; admission is $20 to $30, or $110 to $140 for series tickets. E-mail your reservation to firstname.lastname@example.com; for more info, go to www.botanicgardens.org or call 720-865-3580.
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Define J1939 network configuration name and database file
Vehicle Network Toolbox: J1939 Communication
The J1939 Network Configuration block is where you define a configuration name and specify the associated user-supplied J1939 database. You can include more than one block per model, each corresponding to a unique configuration on the CAN bus.
You need a license for both Vehicle Network Toolbox™ and Simulink® software to use this block.
The J1939 communication blocks support the use of Simulink Accelerator™ and Rapid Accelerator mode. Using this feature, you can speed up the execution of Simulink models. For more information on this feature, see the Simulink documentation.
The J1939 communication blocks also support code generation with limited deployment capabilities. Code generation requires the Microsoft® C++ compiler.
Define a name for this J1939 network configuration. The default
ConfigX, where the number
X automatically
increases from 1 based on the number of existing blocks.
Specify the J1939 database file name relative to the current
folder. For example, enter
J1939.dbc if the file
is in the current folder; otherwise enter the full path with the file
name, such as
The database file defines the J1939 parameter groups and nodes,
and must be in the
.dbc format defined by Vector
Informatik GmbH.


text: Nearly 9 in 10 long-term care staff experience violence Study finds abuse has been normalized within the sector 04/15/2019| www.cos-mag.com Unions are calling for statutory protection for staff who report or speak up about the problem of violence in long-term care facilities. Shutterstock A new survey has found that 88 per cent of personal support workers (PSWs) and registered practical nurses (RPNs) in long‐term care facilities in Ontario experience physical violence on the job. Nearly two-thirds (62 per cent) of the PSWs and 51 per cent of the RPNs experience at least one incident of physical violence each week."These results paint a grim picture of a scandalously unsafe environment," said Candace Rennick, Canadian Union of Public Employees (CUPE) Ontario secretary-treasurer and former PSW. "We should not believe that this culture cannot be changed. Violence should never be seen as part of the job."The survey, commissioned by the Ontario Council of Hospital Unions and the Ontario division of the CUPE, also revealed the following: 69 per cent of racialized, indigenous and minority staff experience related harassment; 75 per cent of all respondents believe that they are not able to provide adequate care due to workload and low staffing; and 69 per cent of nurses and personal support workers acknowledge wanting to leave their jobs.Another study titled Breaking Point: Violence Against Long-Term Care Staff was also recently conducted by Canadian researchers. The study revealed a largely overlooked culture of abuse, a lack of uniform protections and regulations, understaffing and underfunding, as well as resulting high levels of stress and burnout among the front-line care givers."We found that physical, sexual and verbal abuse have been allowed to become normalized within the long-term care work environment," said James Brophy, one of the researchers from the University of Windsor. "We believe the health and well-being of health care staff reflect the health of the health care system itself and, therefore, these findings should precipitate a critical examination of the institutional factors that allow for such high levels of violence."One of the study participants summarized her experiences with workplace violence as follows:"I've been kicked. I've been scratched. Last night I got punched in the back. I've had shoes, hats, everything thrown at me. There's not a day that I haven't been abused whether it's verbal or physical. Ever," said one of the survey respondents. Michael Hurley, the president of the Ontario Council of Hospital Unions, who collaborated on the research study, wants to see regulatory changes."We call on the provincial government to adopt minimum staffing levels in long-term care and statutory protection for staff who report or speak up about the problem of violence," he said. "We call on the federal government to treat sexual and physical assaults against health care staff by mentally competent persons as a serious criminal offence." See More Articles in Psychological ▶ Related Articles Alberta lifts ban on school seclusion rooms Four Mounties sue attorney general over 2014 Moncton shootings Videos You May Like How do I deal with violence in the workplace? Safety Tip - Workplace Violence Add Comment * Title * Name * Email Anonymous * Comment Submit


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"Spanish bombs, yo te quiero infinito
yo te quiero oh mi corazón
Spanish bombs, yo te quiero infinito
yo te quiero oh mi corazón" – "Spanish Bombs", The Clash
So … the first time Spain played Russia at Euro 2008, I used a line from "My Fair Lady" — a movie I've never seen, mind you — to emphasize the rain at the game falling gently on the plain. Looking back, it wasn't the wisest choice considering the mindset of the Deadspin commenting community. Raw steak filets have fared better against zoo carnivores.
Lo and behold, it's two weeks later, and again Spain laid the smackdown against the Ruskies, winning again by three goals, this time in a thorough, soup-to-nuts 3-0 victory in Vienna. Hopefully citing a bulletproof band like The Clash gains me a little redemption, even if the song brings back memories of the bloody Spanish Civil War.
Hey, if you don't like the Clash, would "Mean Mr. Mustard" have been more your speed? Safe to guess that Spain coach Luis Aragones, who hates yellow, is a bit of a "dirty old man." Until Sunday, though, it doesn't much matter much as it's time to hail mighty (and muy macho) Espãna.
At least Aragones, who once again defied common sense and subbed off Fernando Torres for the immortal Dani 'The Umlaut' Güiza in the second half, gained his redemption. This time around Güiza didn't attempt to catch balls with his hands, or miss a penalty kick, instead he netted a class goal to put Spain up 2-0 and all but end the life of the Russians. You know it's not going to be Russia's day when Güiza nets a classy chip over Igor Akinfeev. That's assuming the Russians had any life in their thoroughly un-Soviet performance.
Thursday the Russians — especially the world's next big thing Andrei Arshavin — played with about as much vigor as 11 guys returning from one of Josef Stalin's old Siberian re-education camps. For all the pregame talk that Russia was about to ascend to the top of the world football ladder, it's hard to think of a more listless, non-descript showing that what the Russians put forth. Another analogy, perhaps the Russian bears were a little groggy and over-engorged on Dutch oranges and ready for an early hibernation.
Either way it didn't much matter; Spain strung together its most dominating performance since the days of Phillip II in the 16th century. Stats don't usually tell the story in soccer, Thursday they did. Spain out fired Russia with shots on goal 11-1. One match report (not official) had the Spanish with a 65-35 advantage in possession. As is the usual refrain, about all Russia did correctly Thursday was show up and put on the uniforms.
Spain didn't do much differently than their previous four games. It was methodical in passing and held the ball until it could that final pass into the area for a shot. Pretty basic, the Spanish could have played with bellies full of tapas. You could quibble that Andres Iniesta's service to Xavi was a shot, didn't much matter as the Barcelona teammates hooked up for the first goal.
There's really not a whole lot to say about this match. Of the 30 matches played, it's difficult to think of one where one team simply strolled to a victory, and for it to finally play out in a semifinal is remarkable.
Thursday's heroes: Fabregas. Like Alec Guinness, genuine class Thursday.
Sergio Ramos. The right back finally showed up Thursday, completing 75 passes and causing trouble for Russia all night.
On second thought: The Arshavin saga encapsulates one of my major peeves about the European game. In certain situations all it takes is one or two standout performances for a player to ascend to "it" status. After his blinding showings vs. Sweden and the Netherlands, Arshavin certainly earned his praise. Still, some of the reports labeled him the next big player, and that's a little crazy. After getting man-marked out of the game by Marcos Senna Thursday, the 27-year-old's price tag went down a few Euros. He'll probably still end up at Barcelona, which is a perfect place for a guy who took some advanced sewing classes (no joke) growing up in St. Petersburg.
Pun-ier Friday morning headline: "Joy of Cesc" or "Russia's Guus is cooked"?
Tell me once again, who's fat?: Mentioned a few times during the Euro tournament was that Russia striker Roman Pavlyuchenko was deemed too fat to play. The Spartak Moscow lists his at 84 kilograms, which is roughly 180 pounds or, if you prefer, 13 stone. He stands 6-foot-2. Only in the world of soccer is a player killed for being overweight at that kind of weight. Frank Lampard, Ronaldinho, etc. it reeks of petty jealous and tabloid journalism at its worst. If Pavlyuchenko had a little more accuracy, maybe Thursday's result changes.
Still special in my book: Held out this long, but boy, how I've missed Jose Mourinho. Although you said you were no longer special at your Inter Milan introduction, you're Adidas 'Dream Big' spots beg to differ. "It is … better to be a top man." That line gets me every time. I'd pay good money for Mourinho to read me the phonebook.
No one else was available?: Guess it beats scoping out Barry Bonds' groin, but could ESPN have found someone other than Pedro Gomez to send over to Switzerland/Austria? Gomez is a baseball guy first and foremost, and his reports have had about as much bite as a glass of lactose-free skim milk. Overall ESPN's done a commendable job, but its lack of a serious soccer-head on the ground takes it down a notch. Hell, the 'Worldwide' could have shipped over Kenny Mayne (forgive me for typing this) and set him lose in the fan zones. At least those reports would have been entertaining.
Andy Gray line of the day: To Belgium ref Frank de Bleeckere, "If that's an elbow he wants (sic) to go out on a Saturday night in Glasgow." (Please ESPN, we need Gray working the final Sunday.)
You still gotta love those wacky Dutch: Various reports from Swiss brewers say that Dutch fans consumed close to 1.3 million gallons of beer during the Euro. The Dutch, kings among men.
Sunday's match – das Euro 2008 Final:
Germany v. Spain, Erst Happel Stadion, Vienna, Austria (2:30, ABC): Hard to argue with this final. Two world superpowers stocked with household names (well, in Europe at least). The bigger picture is the final pits the classic European achiever (Germany) against the classic underachiever (Spain), which has won 21 straight.
Finals history: Germany, winners: 1972, 1980, 1996; runners up: 1976. Spain, winners 1964; runners up: 1984.
Series: Germany leads 8-5-6, last meeting was in December 2003 where Spain won 3-1 in Mallorca. The nations last met at the Euro in the 1988 Group Stages, with Germany winning.
Coaches: Only a scant 31-years separate Germany's Jogi Löw and Spain's Luis Aragones. The gulf in their performances at the Euro isn't nearly that large, as both have been solid tactically. The only blemish was Löw's ban for 'incessant bickering' during the Austria match. The biggest difference in the coaches is Aragones has stuck with a standard 4-4-2 formation, but will likely need to revert to a 4-5-1 if David Villa is out for Sunday. Löw changed things up from a 4-4-2 to a 4-2-3-1 and found success. In short, in a game with such class on the field the coaches shouldn't have too huge an influence unless Aragones old age senility rears is ugly head in his last match as Spain coach.
Questions: Can Spain, a traditionally emotionally fragile team, overcome the ruthlessly efficient Germans? … Should past history even matter? … Can Fernando Torres work effectively as a lone striker? … Will Aragones finally give Cesc the start? … Will Spain be able to work its one-touch passing game against the stronger, taller Germans? Can Spain cope for a full 90 without Villa? … Will perceived the slow feet of Per Mertesacker finally catch up with Germany? … Will the Jens Lehmann's horror-show continue? … Does Spain have the resolve to stay in the match if they fall behind? … Can Bifi Schweinsteiger keep it up? … Can Lukas Poldolski catch or surpass the injured Villa for the Golden Boot? … Will Löw play with two strikers, or try to match up with Spain with five midfielders? … Will the tall, stout German defense frustrate Spain like Sweden did? … Can Spain expose Philipp Lahm did Croatia and Turkey did? … Who's the bigger babe in the VIP box, Spain's Princess Letizia or German Chancellor Angela Merkel? (Those power suits get me every time.)
Key matchups: Torsten Frings/Michael Ballack vs. Marcos Senna/Xavi. Whichever of these defense-offense midfield tandems asserts themselves ought to determine the flow of the game, though we know Germany doesn't need flow to score.
Lukas Podolski vs. Sergio Ramos. As noted above, Ramos was wonderful getting forward against Russia. The speed of Podolski on the break might make the long-haired Real Madrid defender from coming forward. (Either way both guys make the ladies swoon.) Overall, both teams will likely try to pick their spots when the opposing defenders get caught up the field, because Main Street will be clogged.
Player to watch, Germany: Herr Ballack. Der captain probably needs a win in this game more than anyone. Though he's found moderate success at the club level, winning the Bundesliga four times, he's had trouble in the big games. He lost in the 2002 Champions League final with Bayer Leverkausen on Zidiane Zidane's unreal left-foot volley for Real Madrid. He lost the 2008 Champions League final to Manchester United on kicks last month. Oh right, Ballack was part of the German team that lost to Ronaldo and Brasil at the 2002 World Cup and then placed third in 2006. Ballack was invisible vs. Turkey in the semifinals. In my book he's better than a 50/50 proposition to find the net, either on a freekick or a header.
Player to watch, Spain: Andres Iniesta. He's a pesky little player that might cause the bigger German defenders to lose their balance. He'll have to fill the void for Villa, who would have been a weapon in this game. Maybe Iniesta gets lost in the shuffle of marking Torres, Xavi, et al. and rises to the occasion like the 2006 Champions League final.
For the American neutrals: Guess it's not easy to make a compelling argument to support Germany. Six years ago when the U.S. played Germany in the World Cup quarterfinals in Korea, it appeared we leveled the match when Torsten Frings blocked a ball on the goal line with his hand. Bastards. The disdain for Germany was lessened a tad when I first witnessed Ollie Pocher's lighthearted sing along "Schwarz und Weiss" two years ago. Pocher's new Euro 2008 video, not so much. As for Spain? Meh. Barcelona is trendy and Penelop Cruz is saucy. Does that do anything for ya?
Outlook: Pressure is a weird thing in soccer. As we've seen time and time again at this tournament, the team with expectations struggles. Wearing the favorite crown is a tough deal, since you're expected to make something happen, while the opponents have nothing to lose. Sunday, there isn't really a true favorite. It's splitting hairs. Odds makers have Germany as slight favorites, around 6-to-5, while Spain is at 11-to-5. The fear, from a neutral standpoint, is for about 60 minutes both sides are too afraid to try anything and the game grinds to a standstill. Though that could happen, it doesn't seem to be in either team's M.O. Instead this game is more likely to be back-and-forth game of swings and momentum. If Torres was in a little better form, it'd be a lot easier to like Spain's chances. Germany, by hook or by crook, will find a way to find at least one goal, likely using its size on a set play. The biggest difference here is that Spain is probably happy just to be playing in the final, whereas Germany's been waiting for this chance since it lost to Italy in the 2006 World Cup semifinals in Dortmund. It's a coin flip, but the Germans, who don't sweat pressure, were my pre-tournament pick so I'll stick with Die Manschafft. … Germany 2, Spain 1


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Recommended Reading: Man's Search for Meaning by Viktor Frankl
- Even during our darkest times we always have the freedom to choose how we react to our circumstances, this can never be taken away from us
- Expectations can be dangerous, when we build up and expectation of what the future may hold we are setting ourselves up for potential failure
- While we may lose our health, possessions and all that we hold dear, our actions and how we conduct ourselves through it is something that nobody can remove
- With the freedom we enjoy to live our lives, comes a great responsibility to live a life we can look back on and be proud of
- The greatest of successes may not be found in winning lots of trophies or gaining admiration but facing up to tough situations with dignity and courage
As the inner life of the prisoner tended to become more intense, he also experienced the beauty of art and nature as never before.
The attempt to develop a sense of humor and to see things in a humorous light is some kind of a trick learned while mastering the art of living.
everything can be taken from a man but one thing: the last of the human freedoms—to choose one's attitude in any given set of circumstances, to choose one's own way.
Life ultimately means taking the responsibility to find the right answer to its problems and to fulfill the tasks which it constantly sets for each individual.
What matters, therefore, is not the meaning of life in general but rather the specific meaning of a person's life at a given moment.
"Live as if you were living already for the second time and as if you had acted the first time as wrongly as you are about to act now!"
At any moment, man must decide, for better or for worse, what will be the monument of his existence.
I have realities in my past, not only the reality of work done and of love loved, but of sufferings bravely suffered.
every human being has the freedom to change at any instant.
Man is capable of changing the world for the better if possible, and of changing himself for the better if necessary.
What he becomes—within the limits of endowment and environment—he has made out of himself. In the concentration camps, for example, in this living laboratory and on this testing ground, we watched and witnessed some of our comrades behave like swine while others behaved like saints. Man has both potentialities within himself; which one is actualized depends on decisions but not on conditions.
And doesn't this final meaning, too, depend on whether or not the potential meaning of each single situation has been actualized to the best of the respective individual's knowledge and belief?
study the lives of people who seem to have found their answers to the questions of what ultimately human life is about as against those who have not."
those held in highest esteem by most of the people interviewed are neither the great artists nor the great scientists, neither the great statesmen nor the great sports figures, but those who master a hard lot with their heads held high.
Live as if you were living for the second time and had acted as wrongly the first time as you are about to act now.
My interest does not lie in raising parrots that just rehash "their master's voice," but rather in passing the torch to "independent and inventive, innovative and creative spirits."
"It is we ourselves who must answer the questions that life asks of us, and to these questions we can respond only by being responsible for our existence."
All the best,


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Training Information
New Horizons holds formal volunteer and intern trainings three times a year (February, May and September) from 5:00pm to 9:00pm for three consecutive days. If you are interested in working with a great team while providing empowering life skills to persons who have been effected by abuse in their lives, we invite you to join us!
You will be provided with the following knowledge:
- Structure of our organization
- Our history
- Our various programs
- The important role volunteers and interns provide
- Guidelines for volunteers and interns
- Our policies and procedures
- How to have boundaries and work with confidential issues
- How victims handle their life experiences
- Hands on experience (provided through role play)
- The affects of domestic abuse on all classes, cultures, races, and social structures
- Different types of abuse and the "red flags"
- How to provide and maintain supportive and non-judgmental advocacy


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Ingredients:1 medium onion, peeled and halved
4 teaspoons canola oil
1 tablespoon and 1 teaspoon minced garlic
1 1/4 teaspoons black pepper
1/8 teaspoon ground cumin
2 bay leaves
8 cups water
salt to taste-do not add with about ingredients
Directions:Add everything above, except salt to electric pressure cooker. Lock top in place and cook for 30 minutes under high pressure. Once finished, let natural pressure release(let it release pressure itself, when it is done it will allow you to easily open).
Drain beans, but set aside liquid. Remove onions and bay leaves and discard.
Start mashing beans with a potato masher. Add liquid as needed while mashing beans, until desired consistently. Add salt to taste, once mashed.


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Angel's Influence Herbal Votive Candle
The Reiki charged Angel's Influence herbal votive candle has been
specifically crafted to aid you in seeking and finding angelic guidance
and support. Light it to aid within your prayer, affirmations, and
meditation and allow the energies within to help carry your pleas or
requests to the ears of angels and to help open the door to the warmth
of angelic love. Measuring approximately 2" tall, this teal candle is
scented with a blend of Honeysuckle, Rose, Peppermint, and Sweet


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Looking for a cute gift for...
A friends birthday?
A new baby?
A bride and groom?
A House warming?
Teacher Appreciation?
New grandparents?
Notecards, Return address labels, Enclosure cards, Luggage tags, and other labels make GREAT GIFTS! Let me create a special and AFFORDABLE gift for someone special. Contact firstname.lastname@example.com for more information!


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Enjoy this wonderful song from the movie BACK TO THE FUTURE, by Huey Lewis & the News . As you listen, you do the various activities (fill in blanks, put in order, choose the correct word). Feel the power of love!
Upload date: 2015-03-29 19:11:22