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WE RECOMMEND OUR SISTER COMPANIES in LINCOLN NEBRASKA 68505 FOR ALL YOUR BUSINESS AND HOUSEHOLD NEEDS:
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Eppley Handyman Services Omaha
SERVICES: Handyman, Home Repair, Installation, Flooring, Assembly, Remodeling, House Renovation, Cabinet Installation, Door and Window Repair, Plumbing Fixture Repair, Drywall
WEB: www.handymanomahane.com
This is a 3rd party referral site all calls are serviced by local independent contractors. Website Policy.
Communities we serve: Lincoln NE, Omaha, Carter Lake, Council Bluffs, Crescent, Bellevue, Boys Town, La Vista, Papillion, Honey Creek, Offutt A F B, Bennington, Fort Calhoun, Washington, Elkhorn, St Columbans, Underwood, Kennard, Mc Clelland, Mineola, Waterloo, Springfield, Missouri Valley, Treynor, Cedar Creek, Gretna, Blair, Valley, Neola, Pacific Junction, Plattsmouth, Silver City, Glenwood, Louisville, Yutan, Arlington, Minden, Modale, South Bend, Logan, Murray, Ashland, Mead, Persia, Memphis, Manley, Magnolia, Macedonia, Malvern, Fremont, Carson, Oakland, Herman, Murdock, Nickerson, Shelby, Weeping Water, Hastings, Mondamin, Henderson, Ithaca, Hancock, Nehawka, Tabor, Union, Greenwood, Thurman, Portsmouth, Woodbine, Colon, Wahoo, Avoca, Emerson, Winslow, Avoca, Elmwood, Little Sioux, Cedar Bluffs, Pisgah, Tekamah, Alvo, Randolph, Ames, Hooper, Panama, Craig, Waverly, Ceresco, Percival, Otoe, Imogene, Malmo, Sidney, Uehling, Walnut, Harlan, Westphalia, Eagle, Lincoln, Dunlap, Moorhead, Red Oak, Morse Bluff, Weston, Griswold, Blencoe, Earling, Davey, Dunbar, Nebraska City, North Bend, Unadilla, Elliott, Lewis, Prague, Syracuse, Marne, Scribner, Oakland, Palmyra, Pilot Grove, Walton, Riverton, Farragut, Shenandoah, Valparaiso, Lorton, Essex, Soldier, Hamburg, Defiance, Kirkman, Raymond, Dow City, Stanton, Atlantic, Decatur, Bennet, Elk Horn, Snyder, Lyons, Kimballton, Irwin, Arion, Malcolm, West Point, Panama, Roca, Dodge, Manilla, Yorktown, Northboro, Coin, Hickman, Denton, Bancroft, Aspinwall, Sprague, Clarinda, Martell, Blanchard, Manning, Beemer, College Springs, Shambaugh, Braddyville, 50022, 51432, 51446, 51447, 51454, 51455, 51501, 51502, 51503, 51510, 51520, 51521, 51523, 51525, 51526, 51527, 51528, 51529, 51530, 51531, 51532, 51533, 51534, 51535, 51536, 51537, 51540, 51541, 51542, 51543, 51544, 51545, 51546, 51548, 51549, 51550, 51551, 51552, 51553, 51554, 51555, 51556, 51557, 51558, 51559, 51560, 51561, 51562, 51563, 51564, 51565, 51566, 51570, 51571, 51572, 51573, 51575, 51576, 51577, 51578, 51579, 51591, 51593, 51601, 51602, 51603, 51630, 51631, 51632, 51636, 51637, 51638, 51639, 51640, 51645, 51647, 51648, 51649, 51650, 51651, 51652, 51653, 51654, 51656, 52648, 68002, 68003, 68004, 68005, 68007, 68008, 68009, 68010, 68015, 68016, 68017, 68018, 68019, 68020, 68022, 68023, 68025, 68026, 68028, 68029, 68031, 68033, 68034, 68037, 68038, 68040, 68041, 68042, 68044, 68045, 68046, 68048, 68050, 68056, 68057, 68058, 68059, 68061, 68063, 68064, 68065, 68066, 68068, 68069, 68070, 68072, 68073, 68101, 68102, 68103, 68104, 68105, 68106, 68107, 68108, 68109, 68110, 68111, 68112, 68113, 68114, 68116, 68117, 68118, 68119, 68120, 68122, 68123, 68124, 68127, 68128, 68130, 68131, 68132, 68133, 68134, 68135, 68136, 68137, 68138, 68139, 68142, 68144, 68145, 68147, 68152, 68154, 68155, 68157, 68164, 68172, 68175, 68176, 68178, 68179, 68180, 68181, 68182, 68183, 68197, 68198, 68304, 68307, 68317, 68336, 68339, 68346, 68347, 68349, 68366, 68372, 68382, 68402, 68403, 68404, 68407, 68409, 68410, 68413, 68417, 68418, 68419, 68428, 68430, 68438, 68446, 68454, 68455, 68461, 68462, 68463, 68501, 68502, 68503, 68504, 68505, 68506, 68507, 68508, 68509, 68510, 68512, 68514, 68516, 68517, 68520, 68521, 68522, 68523, 68524, 68526, 68527, 68528, 68529, 68531, 68532, 68542, 68583, 68588, 68621, 68633, 68648, 68649, 68664, 68716, 68788
Best Lincoln Handyman at your service in LINCOLN NEBRASKA – Call Today!
The cost of building or renovating a home... This is probably one of the first questions most clients ask us when they call or email the first time, and this is probably why you are here in this section of our website. But should pricing be your main concern? Do you want your biggest investment (your home build or renovation) to be completed for the cheapest price? Or, should you ask instead: "What value (quality, service and experience) am I getting for the cost?"
As a client, we want the full service experience from a contractor. Clients want excellent workmanship, skilled management, to be priority, reliability from all crew, on schedule, meeting deadlines, warranty etc. I think it is safe to say that the cheapest price will not include most of these items on a project.
Average Cost of a Renovation Contractor
This Remodeling Costs Guide, updated for 2019, will help you research accurate pricing for the most popular home renovation and construction projects. On average, doing a complete house renovation costs $40,000-60,000. However, most homeowners choose to tackle one room or project at a time. This saves money and makes the process less overwhelming.For example, Renovation a whole house that's fewer than 1,000 square feet costs an average of $18,347, while a 3,000- to 4,000-square foot home costs an average of $36,121.
- Deck and Pergola Contractor in Lincoln NE
Our professional team providing handyman services in LINCOLN are the solution to your problem. We can handle any construction, remodeling, or repair you need and will be able to schedule your service within 24 hours.
Leave it to us!
Why select our professional Handyman for your service in LINCOLN?
1. Warranty on all parts and services
2. 100 percent customer satisfaction – The majority of our customers are repeat customers and are happy to refer friends and family for our services in Lincoln Nebraska.
3. 24/7 service - Yes. It is true that our handyman service team works 24 hours and 7 days a week!
4. Immediate Response - We accept service calls and inquires by email, our customer contact form and by phone. You will have an immediate response and most likely have your service completed within 24 hours.
5. Free Quote and Estimate on Handyman Repairs - Our expert team of handyman services in LINCOLN provide free quotes and estimates for all the handyman repairs prior to the work being started. Our quotes are 100% reliable.
6. Special Offers - Lincoln Handyman at your service in LINCOLN NE has many special offers. We have special offers for senior citizens and repeat customers. Check our website for current offers and discounts.
Our Team Specialize In:
1. Ikea Furniture Assembly Service in LINCOLN
2. TV Installation Services in LINCOLN
3. Custom Shelves Building and Assembly in LINCOLN
4. Carpentry Service in LINCOLN
5. Electrical Service in LINCOLN
6. Emergency Locksmith in LINCOLN
7. Plumbing Service in LINCOLN
8. Air conditioner installation and removal in LINCOLN
Don't wait – contact Lincoln Handyman at your service in LINCOLN NE today!
We guarantee the lowest prices in the market.
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Affordable, On-Call and High-Quality Handyman Service in Omaha Lincoln NEBRASKA
Lincoln Handyman Services
Best Handyman in Lincoln NE!
Lincoln NE
Monday to Sunday 7:00 am – 11:00 pm
WEB: www.handymanlincolne.com
How much do renovations cost per square foot?
Main floor renovation on average - starting from $140 to $180 per square foot. Interior renovation - starting from $150 to $180 per square foot. Complete home renovation inside and out - starting from $200 to $230 per square foot. (doesn't include tear down of the old home).
How much does the average renovation cost?
This Remodeling Costs Guide, updated for 2019, will help you research accurate pricing for the most popular home renovation and construction projects. On average, doing a complete house renovation costs $40,000-60,000. However, most homeowners choose to tackle one room or project at a time.
How do you budget for renovations?
Typically, you can expect to spend at least $100 to $200 per square foot on any renovation. When you're deciding on your home renovation budget, it can be easier, and more affordable, to prioritize projects by room and build a budget around the cost of each individual project.
How much did your renovation cost?
Bathroom renovations can cost anywhere from $10,000 to $35,000, depending on the size of your bathroom and the materials you intend to use. Simple renovations using budget materials and fittings can usually be kept under $15,000, whereas high end renovations will cost more than $25,000.
Looking for Renovation Contractor Cleaning Services in WALTON NEBRASKA?LINCOLN HANDYMAN SERVICES offers reliable and trusted local Renovation Contractor Cleaning Services to help you keep your rental space successful and clean. Creative Construction & Remodeling provides professional Renovation Contractor and Renovation Contractor services in LINCOLN HANDYMAN SERVICES. Cost of Renovation Contractor services WALTON NEBRASKA?
Call us Today.
After identifying the type of renovation you'd like to make to your property, our professional sales team will contact you to set up our initial consultation –
which will review several individual elements including:
LINCOLN HANDYMAN SERVICES is a well-respected name in the residential construction industry. The formula to our success is our relentless attention to detail, our exceptional customer service and our devotion to quality. We emphasize open communication with our clients throughout our custom projects and our homes feature the finest craftsmanship and materials in the market. We guarantee our clients' complete satisfaction with their custom build or renovation experience.
New Construction
Our new homes are custom designed and tailored to our clients' specifications and budget. We source properties directly in our community, and often work with prospective customers well in advance of securing a site to develop. We also engage with clients who have already purchased a property or are redeveloping their existing home. Our proven process encompasses all phases of the custom build process beginning with initial concepts and continuing through to the final finishing touches. As seasoned experts in residential home development, we have the experience and resources necessary to address the diverse styles and expectations of our client base.
As with our custom new construction, our proven process is applied to our smaller scale additions, renovations and home improvement projects. We offer the same quality, attention to detail and customer service whether our clients are renovating a bathroom, installing a new kitchen or adding a two story addition to an existing home. Our process is scalable and our service is consistent.
Whether the scope is basic built in sketches, a new kitchen or a full set of construction plans, the design phase is the essential first step in any successful development project. Our team draws from decades of experience in all aspects of home renovation and construction. Many of our clients are committed to a longer term custom build project with our firm, but we also work with homeowners and their architects who are developing ideas for their project – whether it is a two story addition, a new home or a kitchen/bath remodel. We help our clients define their scope to match their vision with their budget.
Home Management
Our client relationships do not end with us handing over the keys to their newly completed home. We recongize the value of the relationships that our entire team forms with our clients throughout the construction process. Our Home Management division was created to offer our resources on a subscription basis to former customers as well as general community residents.
Land Acquisition
We are local property developers interested in purchasing a home in the community. If you are considering selling your home, we can offer you fair market value (without contingencies) and a flexible closing date to accommodate your transition.
We love renovations at LINCOLN HANDYMAN SERVICES. It's a beautiful thing to see someone's home get a new life, and know that it will house happy generations to come.
At LINCOLN HANDYMAN SERVICES we work with a highly skilled team who respects your home and your time. We do it all, from full house renovation to paint jobs. We will answer all of your questions, there is no question too small or silly. We will work with our clients until they are 100% satisfied. We love the challenge and enjoy working with clients to get them the house they have been dreaming about for years.
At LINCOLN HANDYMAN SERVICES
Whether you want to make a small modification or carry out a full refurbishment job, at LINCOLN HANDYMAN SERVICES we offer a range of renovation services to bring your property to life. Working with some of the most talented commercial builders in the industry, our comprehensive building refurbishment service covers every single aspect of the build, including:
Our process
At the initial consultation will take the time to understand all of your requirements, as well as your expectations. We will provide you with a fully comprehensive quote at this stage, so there are no hidden costs further down the line.
Once all parties have agreed upon the end result, we will thoroughly plan out each stage of the project with our experienced project manager and ensure that all deliverables and deadlines can be met by our professional workforce.
Our project manager will allocate all of the necessary resources to complete your project on time and on budget. With our experienced team members, you can rest assured that our work will only be completed to the highest standards.
We Are One Of The Top Home Remodeling General Contractors In WALTON NEBRASKA. Our Porto folio Speaks Of Our Work...
Making the decision to renovate your home is always a smart choice but also a tough financial decision. And whatever the decision that incites you to renovate your home could be, our team of experienced designers and architects and general contractors can surely provide you with best advice on how to go about achieving a successful home renovation project while remaining within your dedicated budget.
Based on LINCOLN HANDYMAN SERVICES has been known WALTON NEBRASKA for offering quality-driven construction, remodeling and renovation services. Our licensed, certified and hardworking experienced contractors each with a specialty such; kitchen, bathroom, basement, interior or exterior renovation – are all dedicated to completing a home renovation project on schedule, within your budget and always with a focus on quality.
We provide several contracting services in the WALTON NEBRASKA including:


text:
Previous Lesson
Complete and Continue
The IMDG Code (Amd. 40-20) E-learning
Welcome lesson (2:19)
Navigating the IMDG Code (1:34)
Our IMDG Code guide books (0:58)
Changes in the IMDG Code Amd. 40-20 (0:39)
Introducing the IMDG Code
What are "Dangerous Goods"? (1:12)
Introduction summary (0:41)
The principles of classification (7:00)
Class 1 (8:33)
Class 2 (7:15)
Class 3 (1:15)
Class 4 (7:41)
Class 5.1 (2:12)
Class 5.2 (4:39)
Class 6.1
Class 6.2
Class 7
Class 8
Class 9 (1:26)
Marine Pollutant small packaging exemption (1:34)
Waste classification
Summary quiz (0:58)
Containment systems
Selecting suitable containment for dangerous goods (4:49)
Tested and certified packaging (2:58)
Intermediate Bulk Containers (IBCs)
Identifying dangerous goods (1:36)
Marking and labelling of packages
Overpacks (2:57)
The Limited Quantity provisions (3:27)
The Excepted Quantity provisions (5:14)
Tanks, MEGCs and CTUs
Tank selection and testing
Tank marking and placarding (1:49)
Containers and the CSC
Marking and placarding containers and other CTUs (3:16)
Loading, stowage and segregation
Loading CTUs & The CTU Code
Segregation (5:13)
4 Steps to segregation compliance
Segregation examples (5:44)
Segregation quiz
How to complete a Dangerous Goods Note (DGN) (3:07)
The information required
NOS entries: additional information required (2:04)
Supplementing the Proper Shipping Name and Description
Shipper's declaration
The Packing Certificate
Multimodal requirements
Summary quiz
Emergency response
General emergency response requirements
Shore side risk control
Shipments to, from, and through the USA
49 CFR: 'The HazMat Regulations'
Course completion test
Test information
IMDG Code course completion test
Refresher reminder
The Excepted Quantity provisions
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subset: commoncrawl


text:
I haven't written anything on Russia lately, being absorbed (obsessed?) with all things clearing, so I need to do something to stir up the natives in SWP-land;-)
There has been little concrete news to write about. The odd constitutional amendment Kabuki dance continues, but there's little more to say about it. The Russian central bank has loosened the ruble band a bit further, but is evidently still defending the ruble–effectively giving speculators a free put that will pay off when the bank cries uncle, as it inevitably must. This is a foolish economic policy dictated by political considerations; if rapidly deteriorating fundamentals justify a drop in the ruble, let it drop rather than throw away (I cleaned that up) hard won reserves in an ultimately futile defense of an overvalued currency. The only conceivable reason for engaging in this policy is that Putin has staked his reputation on the ruble and avoiding another 1998-esque collapse, and that relatedly, a rapid drop would give the lie to Putin's and Medvedev's public expressions of confidence. Timothy Post and Da Russophile are sanguine that the Russian people will not turn on the government out of anger over the economic situation, but its actions suggest that Putin and Medvedev are not quite so confident.
Speaking of deteriorating fundamentals, oil sold off sharply today after a nice rally yesterday. Urals Med was quoted at $45.86 in European trading today. Brent has sold off some since that price was quoted, so the current price of Urals is probably south of that number. $45.86 ain't $40, but it's a long way from where the price needs to be to stabilize the Russian economy.
The most interesting news is this Reuters report that the government has decided to "delay" electricity pricing reform. A long article in the Moscow Times last week suggested that such a move was in the offing. Russia had spun off its electricity generators from state monopoly UES, but prices are still regulated at very low levels that make it completely uneconomical to make desperately needed investments. The next step of the restructuring plan would have raised these prices to allow grid operators to earn a rate of return sufficient to attract new capital. Allowing generators to sell at higher prices was essential to attracting desperately needed investment in new capacity.
The suspension of the pricing reform will likely be viewed as the government reneging on a commitment. This will make it even more difficult to attact the massive amounts of capital necessary to improve Russia's decrepit power grid. (Though it should be noted that the financial crisis itself, and the problems in the real economy that will result from it, would undermine the investment case without the government's piling on. But the reputational effect of changing the rules will exacerbate the difficulties in attracting capital, and will have effects well after the financial crisis abates.)
The decision making process was typically opaque, but it appears that major industrial interests, especially the big energy and mining companies pressured the government to keep prices low in order to support their suddenly struggling operations. This will further discourage investors, not just in electricity, but in all sectors, as it provides additional evidence (as if any was needed) that political calculations, rather than economics, drive key policy decisions. (And, in a pre-emptive exercise of "whataboutism," I concur completely that this is going on the US and Europe too. Any bailout of the auto companies would be similarly egregious.)
The whole affair also shines a light on Russia's vast investment needs. Electricity, roads, rails, health care, to name just the largest, are all in need of massive investments. The politicized capital allocation mechanism was not directing the oil windfall to where it was needed when energy prices were high, and now tens, and perhaps hundreds, of billions prudently accumulated when oil prices were high are being frittered away bailing out oligarchs to keep the stock they have pledged in collateral out of the hands of western banks, and propping up an overvalued ruble. This will have deleterious effects on Russia's long term growth prospects.
Due to the closed nature of Russian governance, the silovikis' hands are invisible, but that's not what Adam Smith had in mind. The hidden hand of the siloviki distorts the allocation of capital and discourages badly needed investment. Russia will not make the transition beyond Nigeria with snow and missiles until their malign influence is eliminated.


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Tournament e-Boards are used at Chess Olympiads, World Chess Championships and all major chess tournaments around the world to show the games live as they happen. Also many smaller tournaments use the boards to show games live on their tournament website.
Showing live games attracts more visitors to your website and makes it easier to find sponsors.
Free DGT LiveChess software is used to manage the e-Boards and arrange the live transmission of games in real time via the internet or on screens at the playing venue.
Serial Tournament e-Boards are standard supplied in a custom made e-Board Storage Bag.
The difference between USB-, and Bluetooth e-Boards and DGT Serial Tournament e-Boards, is that the tournament boards can be connected together in large quantities in a serial network for a tournament set-up. They connect to the computer through cables or by using the wireless DGT Caïssa System.
When using cable connections, strings of serial e-Boards are connected to the serial port of the computer (or to a USB port using the Serial-to-USB Converter Cable that is included with the connection materials). Contrary to USB- and Bluetooth boards the serial board are not meant for individual use.
Serial e-Boards are available in Walnut, Rosewood or Wengé. All DGT electronic chess pieces sets are compatible. Walnut e-Boards do not have letters and numbers (indices) along the edge of the board. Only the Rosewood and Wengé e-Boards have these indices.
Similar products


text:
Foreign researchers are extremely excited for a biology project from five 9th grade girls.
Researchers from England, Holland and Sweden have shown great interest in the five girls' biology experiments.
Take 400 Cress seeds and place them into 12 trays. Then place six trays in two rooms at the same temperature. Give them the same amount of water and sun over 12 days, and remember to expose half of them to mobile [Wi-Fi] radiation.
It is a recipe for a biology test so brilliant that it has attracted international attention among acknowledged biologists and radiation experts. Behind the experiment are five girls from 9b in Hjallerup School in North Jutland, and it all started because they found it difficult to concentrate during the school day:
"We all think we have experienced difficulty concentrating in school, if we had slept with the phone next to our head, and sometimes also experienced having difficulty sleeping", explains Lea Nielsen, who is one of the five aspiring researchers.
The school was not equipped to test the effect of mobile phone radiation on them. Therefore, the girls had to find an alternative. And the answer was Cress.
Six trays of seeds were put into a room without radiation, and six trays were put into another room next to two [Wi-Fi] routers. Such routers broadcast the same type of radiation as an ordinary mobile.
Healthy Cress
Then it was just necessary to wait 12 days, observe, measure, weigh and take pictures along the way. And the result spoke was clear: cress seeds next to the router did not grow, and some of them were even mutated or dead. (emphasis added – Ed.)
"It is truly frightening that there is so much affect, so we were very shocked by the result", says Lea Nielsen.
Unhealthy Cress
ReactionsThe experiment secured the girls the finals in the competition "Young Scientists", but it was only the beginning. Renowned scientists from England, Holland and Sweden have since shown great interest in the girls' project so far.
The renowned professor at the Karolinska Institute in Stockholm, Olle Johansson, is one of the impressed researchers. He will now repeat the experiment with a Belgian research colleague, Professor Marie-Claire Cammaert at the Université libre de Bruxelles, for the trial, according to him, is absolutely brilliant:
"The girls stayed within the scope of their knowledge, skilfully implemented and developed a very elegant experiment. The wealth of detail and accuracy is exemplary, choosing cress was very intelligent, and I could go on", he says.
He is not slow to send them an invitation to go on the road:
"I sincerely hope that they spend their future professional life in researching, because I definitely think they have a natural aptitude for it. Personally, I would love to see these people in my team!"
No mobile by the bed
The five girls from northern Jutland have not yet decided their future careers. They are still very surprised by all the sudden attention.
"It has been such a rollercoaster ride. I still cannot believe it", says Lea Nielsen.
And Mathilde Nielsen added:
"It's totally overwhelming and exciting. It's just not something you experience every day".
But there have also been other consequences of the cress trial, which is quite low-tech in nature.
"None of us sleep with the mobile next to the bed anymore. Either the phone is put far away, or it is put in another room. And the computer is always off", says Lea Nielsen.


text:
National Cemetery Administration
Jacksonville National Cemetery
NCA marks 50 years (1973-2023) of serving America's Veterans, Service Members, and Families.
Learn more and watch NCA's 50th Anniversary Ceremony.
Visitation Hours: Open daily from sunrise to sunset. Open Memorial Day from 8:00 a.m. to 7:00 p.m.
Office Hours: Monday thru Friday 8:00 a.m. to 4:30 p.m. Closed federal holidays.
This cemetery has space available to accommodate casketed and cremated remains.
Burial in a national cemetery is open to all members of the armed forces who have met a minimum active duty service requirement and were discharged under conditions other than dishonorable.
A Veteran's spouse, widow or widower, minor dependent children, and under certain conditions, unmarried adult children with disabilities may also be eligible for burial. Eligible spouses and children may be buried even if they predecease the Veteran.
Members of the reserve components of the armed forces who die while on active duty or who die while on training duty, or were eligible for retired pay, may also be eligible for burial.
From Downtown Jacksonville: Take Interstate 95 North. Merge onto Interstate 295 South via Exit 362B. Merge onto Lem Turner Road/FL-115 North via Exit 32. Turn right onto Lannie Road. End at 4083 Lannie Road.
From Jacksonville Airport and South Georgia: Take Interstate 95 South. Merge onto Interstate 295 South via Exit 362B. Merge onto Lem Turner Road/FL-115 North via Exit 32. Turn right onto Lannie Road. End at 4083 Lannie Road.
From St. Augustine: Take Interstate 95 North. Merge onto Interstate 295 North toward Savannah. Merge onto Lem Turner Road/FL-115 North via Exit 32. Turn right onto Lannie Road. End at 4083 Lannie Road.
From the beaches: Take FL-9A North toward International Airport. FL-9A becomes Interstate 295 South. Merge onto Lem Turner Road/FL-115 North via Exit 32. Turn right onto Lannie Road. End at 4083 Lannie Road.
From Lake City: Take Interstate 10 East. Merge onto Interstate 295 North toward Savannah. Merge onto Lem Turner Road/FL-115 North via Exit 32. Turn right onto Lannie Road. End at 4083 Lannie Road.
Fax all discharge documentation to the National Cemetery Scheduling Office at 1-866-900-6417 and follow-up with a phone call to 1-800-535-1117.
For information on scheduled burials in our national cemeteries, please go to the Daily Burial Schedule.
The 526-acre national cemetery in Jacksonville, FL will serve veterans' needs for more than 100 years. The cemetery is located north of the Jacksonville International Airport and approximately five miles from Interstate 295.
For educational materials and additional information on this cemetery, please visit the Education section, located below.
Cemetery policies are conspicuously posted and readily visible to the public. The cemetery does not provide flower containers. However, bins are located throughout the grounds with recycled temporary containers for your use.
Two floral arrangements accompanying the casket or urn at the time of burial will be placed on the completed grave. Arrangements are removed from gravesites three days after the burial or when they become withered and unsightly. Natural cut flowers may be placed on graves at any time of the year. They will be removed when they become unsightly or when it becomes necessary to facilitate cemetery operations such as mowing.
Artificial flowers may be placed on graves only during the period of October 10 through April 15. In addition, potted plants will be allowed on graves for a period extending 10 days before and 10 days after Easter Sunday.
Christmas wreaths and grave blankets may be placed on graves from December 1 through January 20. They may not be secured to headstones or markers, and grave floral blankets cannot be larger than two to three feet. Do not attach any items to the headstone, marker or niche cover.
Permanent plantings, statues, balloons, vigil lights, breakable objects and similar items are not permitted on the graves. The Department of Veterans Affairs does not permit adornments which are considered offensive, inconsistent with the dignity of the cemetery or considered hazardous to cemetery personnel. For example, items incorporating beads or wires may become entangled in mowers or other equipment and cause injury.
The cemetery does not keep any unauthorized decorations once they have been removed from the grave.
The cemetery is not responsible for the loss or deterioration of potted plants, vases or flowers.
Permanent floral vases are not permitted.
VA regulations 38 CFR 1.218 prohibit the carrying of firearms (either openly or concealed), explosives or other dangerous or deadly weapons while on VA property, except for official purposes, such as military funeral honors.
Possession of firearms on any property under the charge and control of VA is prohibited. Offenders may be subject to a fine, removal from the premises, or arrest.
In 1997, St. Augustine National Cemetery closed to new interments, except for second burials of dependents. As a result, there was no local burial option for veterans in northern Florida. In response, the National Cemetery Expansion Act of 2003 authorized the Department of Veterans Affairs to establish six new national cemeteries in areas with at least 170,000 residents not currently served by burial locations for veterans. Jacksonville was one of the areas selected.
NCA acquired the site of Jacksonville National Cemetery in 2008. At the time, the property was owned by the city, and leased for ranching. Jacksonville National Cemetery was formally dedicated later that year, and opened for burials in 2009. Jacksonville National Cemetery is the seventh national cemetery in Florida and the 128th in the national cemetery system.
The City of Jacksonville was founded in 1821 on the St. Johns River, in northern Florida. The city was named after General Andrew Jackson, hero of the War of 1812, military governor of the Florida Territory, and future president of the United States (1829–1837).
Agriculture dominated the Florida Territory's early economy. During the Second Seminole War (1835–1842), military operations disrupted trade between Jacksonville and settlements in the interior of the territory, but the city itself was not the scene of fighting. A few years after the end of the war in 1845, Florida became a state.
At the onset of the Civil War Jacksonville served as a key Confederate port. The city was blockaded and occupied by Union forces in 1862; the occupation continued intermittently throughout the conflict. The largest battle in Florida took place 50 miles west of Jacksonville, in February 1864. In an attempt to push the war to an end, the Union Army launched an expedition into the interior of Florida to cut off Confederate supply routes and recruit African Americans. Union troops led by Brig. Gen. Truman Seymour moved west, meeting little resistance until February 20. On that day, Seymour's forces clashed with Brig. Gen. Joseph Finegan's Confederates in the Battle of Olustee. Finegan's troops repulsed the Union attacks, and forced Seymour and his army to retreat back to Jacksonville.
After the war, Jacksonville's economy was in ruins; the city grew slowly during Reconstruction. Bright spots included the timber and tourism industries, as Jacksonville served as the head of navigation for steamboats entering the St. Johns River. In the 1880s and 1890s, the city began to emerge as an important regional railroad hub. Due to its extensive transportation facilities, Jacksonville served as a troop cantonment during the Spanish-American War (1898).
On May 3, 1901, sparks from a kitchen fire ignited drying Spanish moss at a downtown Jacksonville mattress factory. The fire soon spread and a large swath of the city was destroyed. The Great Fire of 1901 was the largest urban fire in the southern United States; the city spent the next decade rebuilding. Many of the new downtown office and commercial buildings were designed by Henry John Klutho, an architect influenced by the Prairie-style popularized by Frank Lloyd Wright in Chicago. Kuthlo's 1912 masterwork, the St. James Building, covered an entire downtown block and may be the largest Prairie-style building in the world. Built as a department store, today it functions as the city hall. Jacksonville's rebuilding effort led to a surge of population in the 1920s.
In 1940, the U.S. Navy established Naval Air Station Jacksonville (NAS JAX), as part of the military buildup prior to World War II. Increased defense spending bolstered the economy during the war. NAS JAX continues to be a large employer in the area as the third largest U.S. Navy installation.
A surge in postwar suburban development led to emigration of affluent families from Jacksonville, leaving the city with a significantly reduced tax base. Concurrently, residents in the unincorporated suburbs had difficulty obtaining municipal services, including sewage and building code enforcement. By the 1960s, this combination of factors led to an effort to consolidate the city and Duval County governments. A 1967 referendum was overwhelmingly passed by voters, and the next year the consolidated City of Jacksonville was formed. Twenty times its former size, the new city became the world's largest as measured by land area. By this metric, today Jacksonville is the largest city in the contiguous United States.
Jack D. Hunter, Sr. was an author and artist, best known for his World War I aviation novel, The Blue Max, which was later turned into a film of the same name. He went on to write 16 more novels, many of them best-sellers. Mr. Hunter served in World War II first as an infantryman, but was later transferred to counter intelligence. After the war, he was sent to Germany where he played an instrumental role in "Operation Nursery," which resulted in the arrest of 2,000 Nazi seditionists. (Section 3 , Site 226)
We are developing educational content for this national cemetery, and will post new materials as they become available. Visit the Veterans Legacy Program and NCA History Program for additional information. Thank you for your interest.


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Why write biography? What are the advantages and disadvantages of using an individual's life as a vehicle to illuminate broader historical issues? Are there historical problems or questions best approached through writing an individual's life? Posed by Nancy F. Cott, director of the Schlesinger Library at the Radcliffe Institute for Advanced Study, these questions provided the theme of a five-day summer seminar on gender history, "Writing Past Lives: Biography as History," held at Radcliffe College June 25–29, 2007. With Cott serving as moderator, the conference featured 13 scholars who responded to her queries by discussing the lives of their chosen subjects as well as detailing the problems they faced in pursuing their research and writing.
In five daily plenary sessions the speakers explained in detail their choice of subject and their approach to biography. "Biography across Boundaries" featured Linda Colley, who recounted the life of the 18th-century English traveler, Elizabeth Marsh and Mae M. Ngai, who examined the rise of the Tape Family, a group of prosperous Chinese Americans living in San Francisco. "Twentieth-Century Independent Spirits" included Linda Gordon's work on photographer Dorothea Lange, Vicki L. Ruiz's investigation of the Guatemalan American labor organizer Luisa Moreno, and Alice Kessler-Harris's biography of controversial playwright Lillian Hellman. "Three Sisters, One Book" included a paper by Jacqueline Dowd Hall on the Lumpkin sisters of the early 20th-century South, focusing on writer Katherine Lumpkin, and Megan Marshall's collective biography of the Peabody sisters of Salem, Massachusetts. "Alliance and Authority in the Lives of Nineteenth-Century Activists" enabled Lori D. Ginzberg to discuss the life of well-known feminist Elizabeth Cady Stanton, Nancy A. Hewitt to evaluate the career of abolitionist-feminist Amy Post, and Jean M. Humez to analyze 19th-century autobiographies of black women, notably Sojourner Truth and Harriet Tubman. The final session, "Does Gender Matter?" featured Joyce E. Chaplin speaking on the role women played in the life of Benjamin Franklin and Jean Strouse on diarist Alice James and banker J. Pierpont Morgan. Susan Ware, editor of Notable American Women, offered reflections on the nature and purpose of biography as well as recommendations on writing one. She suggested that a biography served as a "window" onto a larger world as well as put a human face on broad historical trends. To produce a good biography, Ware insisted, was to do good history. She also advised her audience that lives of unfamiliar individuals would prove as valuable as those of more familiar ones. In concluding she urged her listeners, whatever their choice of subjects, to "just do it."
In addition to the five plenary sessions, which were attended by 114 academics and independent scholars, workshops for discussion of the individual research projects of smaller groups of scholars were held each afternoon. At the final luncheon held on Friday, June 29, Drew Gilpin Faust, the historian who had just then been designated president of Harvard, briefly addressed the participants and praised the conference for contributing to the understanding of the art of biography.
— teaches history at Montana State University-Billings.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Attribution must provide author name, article title, Perspectives on History, date of publication, and a link to this page. This license applies only to the article, not to text or images used here by permission.


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Armonite, the instrumental rock collective led by composer Paolo Fosso and violinist Jacopo Bigi, signed with LA-based indie label Cleopatra Records for the release of their new album, And the Stars Above.
Armonite's instrumental music is perfectly in line with the spirit of the label, especially now that Cleopatra expanded in the movie industry.
With the film division Cleopatra Entertainment, the company has distributed, developed, and produced several films most of which have a strong horror and/or music component, including The Devil's Domain (starring Michael Madsen), The Black Room (starring Lin Shaye), Halloween Pussy Trap Kill! Kill! (featuring the voice of Dave Mustaine from Megadeth), The 27 Club (featuring Todd Rundgren), England Is Mine (Steven Morrissey bio-pic), A Street Cat Named Bob.
Working with Cleopatra has been great, says Fosso, They're skilled and competent, I'm sure they will take Armonite to the next level. I've always been a great lover of movies and videogames, I was just moving forward to the composition of soundtrack music, so this collaboration comes right on cue.
As with the previous album, And the Stars Above is an instrumental mix of electric violin, keyboards, bass, and drums with focus on the amazing and powerful electric violin, performed by Jacopo Bigi. Interpreting the music composed by keyboardist Paolo Fosso, Armonite also performs with bassists Colin Edwin (Porcupine Tree) and Alberto Fiorani, along with drummers Corrado Bertonazzi, Emiliano Cava, and Jasper Barendregt.
The sound of the album is more oriented to soundtrack music with textures that feel very immediate. We consume tons of music every day, we can't just stick to one genre, says Fosso, generally speaking, the album is rock, but with this idea of soundtrack music.
Throughout the album, lingers a ghostly female voice, appearing and disappearing here and there before fully emerging in the band's first song with lyrics, Clouds Collide. The track tells the story of a girl between time and memories.
And the Stars Above is a journey through 12 tracks, starting with The March of the Stars inspired by Dante's Paradise and ending with Ghosts. The album also features two bonus tracks: a polyrhythmic piece for piano solo, The Fire Dancer, and the String Quartet A Playful Day.
Armonite have been awarded an Honorable Mention both in the Instrumental and Performance categories at the International Songwriting Competition 2017 from a top level jury including Tom Waits, Lorde, Bastille, Billy Cobham, Ziggy Marley, Don Omar, and Keane. With over 16,000 entries from 140 countries, this is a remarkable achievement of which they are extremely proud.
We're confident this is going to be a great release, with a rather peculiar view, says Fosso, "The Sun is New Each Day" had a heavy compact sound… "And the Stars Above" is groovy, with different vibes across a bunch of genres. There's something indie in this new sound that we've never explored before and it's kind of sexy for us!…
'And the Stars above' is available on CD through the Cleopatra Records online store: https://cleorecs.com/store/shop/armonite-and-the-stars-above-cd and for digital download from various platforms including iTunes (https://itunes.apple.com/us/album/and-the-stars-above/1380495940) and Bandcamp (https://armonite.bandcamp.com/album/and-the-stars-above).
- The March of the Stars
- Next Ride
- District Red
- Plaza de Espa
- Clouds collide
- Blue Curao
- By heart
- Freaks
- By the Waters of Babylon
- The usual drink
- What's the Rush?
- Ghosts
- A Playful Day (for Strings Quartet) [Bonus Track]
- The Fire dancer (for Piano solo) [Bonus Track]
Original music composed and arranged by Paolo Fosso.
Performed by Armonite
Jacopo Bigi – acoustic and electric violin
Paolo Fosso – piano and keyboards
Colin Edwin (The March of the Stars, District Red, Freaks, By the Waters of Babylon, What's the Rush?, Ghosts); Alberto Fiorani (Next Ride, Blue Curao, By heart) – bass
Giacomo Lampugnani (Plaza de Espa, Freaks); Gianmarco Straniero (By the Waters of Babylon) – double bass
Corrado Bertonazzi (The March of the Stars, District Red, Blue Curao, Freaks, What's the Rush?, Ghosts); Emiliano Cava (Next Ride, Plaza de Espa, By heart); Jasper Barendregt (By the Waters of Babylon) – drums
Maria Chiara Montagnari (The March of the Stars, Clouds collide, By the Waters of Babylon) – voice
Diletta Fosso (Ghosts) – child's voice
Marcello Rosa (District Red); Gabriele Montanari (The March of the Stars, A Playful Day) – cello
Quartetto Indaco: Eleonora Matsuno, violin; Jamiang Santi, violin; Francesca Turcato, viola; Cosimo Carovani, cello (District Red) – string quartet
Jacopo Bigi also plays viola (District Red, Ghosts) and ukulele (By the Waters of Babylon). He whistles on 'Freaks' and plays both violins and viola on 'A Playful Day'.
Website: http://www.armonite.com
Facebook: https://www.facebook.com/armonitemusic
Twitter: http://twitter.com/armonitemusic
Instagram: https://www.instagram.com/armonitemusic
Bandcamp: https://armonite.bandcamp.com
Soundcloud: https://soundcloud.com/armonite
YouTube: https://www.youtube.com/channel/UCc2jTstKBeJe0BI6o1pLGLA
CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
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Pro AV Catalog
More Information
MultiDyne Introduces COMMS-2000 TWO WIRE To Four Wire Intercom Interface At InfoComm 2009
Posted on Wednesday, June 17, 2009
Clear-Com® and RTS® Two- To- Four Wire Intercom Bridge
Orlando, FL, June 17, 2009 – MultiDyne Video & Fiber Optic Systems, a premier provider of fiber optic-based video and audio transport solutions for broadcast and pro A/V applications, introduces the COMMS-2000 Two Wire to Four Wire Intercom Interface at InfoComm 2009 (Booth 4629).
The COMMS-2000 interface allows for the conversion of a single channel of standard or TW party-line intercom to four-wire audio, while also converting call signals to RS-422 data. It also offers the capability to convert the signal back to its original form. The resulting audio and RS-422 data from the COMMS-2000 can then be sent to a Clear-Com Matrix port, fiber optic converter such as the MultiDyne Fiber-Comms or connected to another COMMS-2000 over twisted-pair cable such as CAT-5E. With its excellent hybrid null, offering superior isolation between sender and caller audio, and wide-range level controls, the COMMS-2000 may also be used as a high-quality stand-alone two-to-four-wire converter. It is also a cost-effective integrated component for the LiGHTBoX™ field portable fiber optic transport system.
Ideal for touring situations, the COMMS-2000 offers a lightweight, compact size in a design that does not call for an additional power source, as the COMMS-2000 obtains its DC operating current through the party-line connection on pin two of its XLR connector. Long copper cable runs are no longer required as the COMMS-2000 utilizes lightweight UTP cables. When used with a Clear-Com Matrix system, the COMMS-2000 allows a party-line channel to be connected to the Matrix frame with up to 5000 feet of cable. The COMMS-2000 can easily be rack-mounted, with up to three units fitting across a standard 1-RU rack space.
For systems where only one or two party-line channels are needed, the COMMS-2000 is ideal. Simply run UTP cable from the Matrix frame to the COMMS-2000, which is connected to and powered by the party-line system. A rear panel dip-switch on the COMMS-2000 allows the four-wire audio and RS-422 data to be connected to the RJ-45 jack, instead of an all-inclusive, hardwired DB-15 connector, simplifying set-up.
"When combined with our new Fiber-Comms four wire optical extender for intercom and IFB, the COMMS-2000 becomes a vital component to our user's intercom-over-fiber transport needs," says Jim Jachetta, senior vice president of engineering and product development. "With more and more broadcast and AV setups incorporating intercom communications equipment, the COMMS-2000 allows for intercom connectivity through a standard analog audio fiber optic link."
In addition to its acting as a visual indicator, when used with two COMMS-2000 units, the call signaling function can be used to trigger relays or functions in other intercom equipment. An amber data LED provides the user with continuous status on the data link between two COMMS-2000 units and will indicate whether or not a proper link has been established. The COMMS-2000 also includes internal jumpers to select different baud rates for the RS-422 data.
About MultiDyne:
For more than 30 years, MultiDyne has been a leading provider of innovative and outstanding video and fiber optic-based transport systems for the broadcast, cable, satellite, production, digital cinema, pro A/V, corporate, retail, surveillance, teleconferencing, judicial arraignment, transportation, government, military, and healthcare markets. MultiDyne's fiber optic transport systems for video, SDI, 3G HD, DVB/ASI, VGA, DVI, HDMI, audio, AES, Ethernet, data, CATV, as well as the company's other broadcast accessories are used worldwide by such industry leaders as ABC, CBS, NBC, CNN, RAI, BBC and the Department of Transportation. MultiDyne provides a seven-year warranty on its core product line. For more information, call MultiDyne at 1-877-MULTIDYNE or 1-516-671-7278, visit the company's Web site at www.multidyne.com, or send an e-mail to email@example.com.
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Should We Track an "Index", or Follow the Evidence?
Legend has it, a pharmacist named John Pemberton was searching for a headache cure when he tried blending Coca leaves with Cola nuts. Who knew his recipe was destined to become such a success, even if Coca-Cola® never did become the medicine Pemberton had in mind?
In similar vein, when Charles Dow launched the Dow Jones Industrial Average (the Dow), his aim was to better assess stock prices and market trends, hoping to determine when the market's tides had turned by measuring the equivalent of its incoming and outgoing "waves." He chose industrials (mostly railroads) because, as he proposed in 1882, "The industrial market is destined to be the great speculative market of the United States."
While the actively minded Dow never did excel at market-timing (and neither has anyone else we're aware of), he did devise the world's first index. We'd like to think his creation turned into something even greater than what he'd intended – especially when John "Mac" McQuown, Vanguard founder John Bogle and other pioneers leveraged Dow's early work to create among the most passive ways to invest in today's markets: the index fund.
Bogle launched the first publicly available index fund in 1976. Initially dismissed by many as "Bogle's folly," its modern-day rendition, the Vanguard 500 Index Fund, remains among the most familiar funds of any type.
Index Investing Is Born
In defense of Dow's quest to forecast market movements, it's worth remembering that his was a world in which electronic ticker tape was the latest technology, there were no open-ended mutual funds or fee-only financial advisors, and safeguards and regulations were few and far between. Essentially, speculating was the only way one could invest in late-nineteenth century markets.
Compared to actively managed funds that seek to "beat" the market by engaging in these now-outdated speculative strategies, passively managed index funds can offer a more solid solution for capturing available market returns. As the name implies, an index fund buys and holds the securities tracked by a particular index, which is seeking to represent the performance of a particular slice of the market. For example, the Vanguard 500 Index Fund tracks the popular S&P 500 Index, which in turn approximately tracks the asset class of U.S. large-company stocks.
Compared to actively managed solutions, index funds lend themselves well to helping investors more efficiently and effectively target these three pillars of sensible investing:
- Asset allocation – How you allocate your portfolio across various market asset classes plays a far greater role in varying your long-term portfolio performance than does the individual securities you hold.
- Global diversification – Through broad and deep diversification, the sum of your whole risk can actually be lower than its individual parts.
- Cost control – The less you spend implementing a strategy, the more you get to keep.
Index Investing: Room for Improvement
Indexes weren't specifically devised to be invested in. There's often a lot going on underneath their outwardly simple structure that can lead to inefficiencies by those trying to retrofit their investment products on top of popular indexes.
Index Dependence – Whenever an index "reconstitutes" by changing the underlying stocks it is following, any funds tracking that index must change its holdings as well – and relatively quickly if it's to remain true to its stated goals. In a classic display of supply-and-demand pricing, this can generate a "buy high, sell low" environment as index fund managers hurry to sell stocks that have been removed from the index and buy stocks that have been added.
Compromised Composition – Asset allocation is based on the premise that certain market asset classes exhibit particular risk and return characteristics over time. That's why your investment "pie" should be carefully managed to include the right asset class "slices" for your financial goals and risk tolerances. If you're invested in an index fund and you aren't sure what its underlying index is precisely tracking, you may end up with off-sized pieces of pie. For example, the S&P 500 and the Russell 3000 are both positioned as U.S. stock market indexes, but both also track some real estate. If you don't factor that into your plans, you can end up with a bigger helping of real estate than you had in mind.
Introducing Evidence-Based Investing
So, yes, index investing has its advantages … It also has inherent challenges. No wonder academically minded innovators from around the globe soon sought to improve on index investing's best traits and minimize its weaknesses. In fact, many of these thought leaders were the same early adapters who introduced index fund investing to begin with. Building on index investing, they devised evidence-based investment funds, to offer several more advantages:
Index-independence – Instead of tracking an index that tracks an asset class … why not just directly capture the asset class itself as effectively as possible? Evidence-based fund managers have freed themselves from tracking popular indexes by establishing their own parameters for cost-effectively investing in most of the securities within the asset classes being targeted. This reduces the need to place unnecessary trades at inopportune times simply to track an index. It also allows more patient trading strategies and scales of economy to achieve better pricing.
Improved Concentration – Untethering themselves from popular indexes also enables evidence-based fund managers to more aggressively pursue targeted "risk factors"; for example, an evidence-based small-cap value fund often has more flexibility to hold smaller and more value-tilted holdings than a comparable index fund. This provides more refined control for building your personal investment portfolio according to your unique risk/return goals.
Focusing on Innovative Evidence – Evidence-based investing shifts the emphasis from tracking an index, to continually improving our understanding of the market factors that contribute to the returns we are seeking. By building portfolios using fund managers who apply this same evidence to their funds, you can make best use of existing academic insights, while efficiently incorporating credible new ones as they emerge.
While low-cost, well-managed index funds may play a role in your overall investment portfolio, it's worth ensuring that you select them when they are the best fit for your evidence-based investment strategy, and to help you meet your own individualized goals.
What else can we tell you about indexes or index investing? Let's take a look at your unique financial goals, and see how evidence-based investing fits into your plan. Feel free to give us a call.
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We've probably all had them - those dreams where you're having a lovely conversation with Jerry while driving down the road past a forest of purple trees, say. Or you're in this oddly familiar yet not familiar landscape, with the show for the ages going on in the background.
If you dream of the Dead, when you're asleep that is, post here!
And thanks to cosmicbadger for the suggestion!
Now that you mention it...
LOL yeah! --although it was ages ago, and I didn't jot down any notes afterwards. The scene was a smallish party...more a social obligation, really, like somebody's wedding reception.
In the dream, I'd fallen asleep on a lawn, and when I woke up, the guys were playing. Totally mellow, first-set vibe, with the band in the sun and me in the shade --think Alpine, only on a much smaller scale and with no seats or cement floor under the pavilion.
Can't remember what they were playing, or if I recognized it in the first place, and the crowd --such as it was-- measured only in the dozens. Could've walked right up to the edge of the stage and started making faces at 'em if I'd been so inclined.
And then I woke up.
.....was just a dream
Two dreams...
Recently I dreamt that I was in a near deserted supermarket and as I wheeled my cart to the only open checkout I saw that Jerry was sitting behind the till with an acoustic guitar singing Brokedown Palace!..then I woke up. On reflection I think this may have been to do with my frustration over the (temporary) disappearance of the online downloads!
I have another recurrent dream of seeing a fantastic GD show at an outdoor festival in a natural amphitheatre with a rainbow stage. I wake up convinced that I was really there, but as far as I know I never was!!
Happens all the time
I frequently have dreams in which I am in some club or bar, usually for some bizarre reason, and discover that the Dead is like the house band, or the visiting band. You know, the kind of place where there are maybe a dozen tables with a 12-inch high platform/stage stuck in the corner.I'm always terribly dissapointed when I wake up to find "it was only a dream."
1970s dream, 1990s dream
I have had several Dead dreams during my 30+ years as a deadhead. I will briefly describe two for now. 1) In the late 1970s, I dreamed Jerry Garcia was teaching my high school psychology class, and the song playing was The Golden Road to Unlimited Devotion. I couldn't understnd the words. 2) The night before or after Jerry died (can't find my notes right now), I dreamt he was sitting on the edge of my bed and I was sitting cross-legged in the middle. We were just talking. He was very animated and excited. He eagerly urged me to 'go ahead and try it' and to 'come on over'. I was not sure if I should go there, although I did believe him that it was safe - wherever it was. I replied, 'Uh, I'm not sure - maybe not right now...I think I should stay here for now.'
Weather Report Suite was the song in that dream
A bunch
I used to have dreams all the time involving the Dead and they almost always involved them playing at some venue I had never been to and it was really difficult to get inside to the show proper.
I could always hear the tunes faintly in the background and I'd be inside the building but like underneath the venue or back stage or somewhere and it was always like a maze and really difficult to get to the main room where they were playing.
I always make it into the room eventually but the frustration of having to get there always sticks out. Then again, the elation of finally reaching the main room where they're playing- the music is loud, the fans are happy, the light show is in full and bright force, etc.- is always a great feeling in the dream, too.
The other night
I had a dream that I was in a motel room with some friends and Warren Haynes and the other members of Gov't Mule. I asked Warren if there was a possibility that the Dead of 2004 with him and Jimmy Herring could ever reunite. He told me you can't go back and recreate that time and that Phil, Bob, Mickey, Jimmy Herring and he were all so busy with their own projects at this time that it would probably never happen. I also asked him about the Phil and Friends band that he and Jimmy were a part of and he said the same thing about that. Nice down to earth guys in the dream. I think they probably are in real life.
If the doors of perception were cleansed, everything would appear to man as it is, infinite.
Wiliam Blake
Then I woke up
Many strange dreams with the Dead involved. They would play endless sets, and I still couldn't get close enough to meet any of them. Like when you're running in a dream but aren't getting anywhere.
just the other night...
just the other night I had a dream with Brent and Bobby in it, I do not remember too much, but we were looking at some song lyrics. in paranthesis under one of the lines were the words:
(sing in a raspy voice)
I turned to Brent, and said something like 'I guess that means you'
New dream
Had a Dead Dream last night. I was with an old girlfriend and going to a GD show in a big complex on a hill (looked from the outside like Alexandra Palace in London). We queued up to exchange vouchers for tickets Next to the ticket desk was a DJ console; the person spinning the discs before the show was Linda Ronstadt!!! Inside the theatre it looked like a Victorian courthouse with wood panelling and balconies. We were very early and so wandered around the tented city outside looking for some food. Girlfriend got bored and wandered off (no loss there I can assure you!) and I ended up sitting around a campfire talking with a bunch of crusty old deadheads wondering what the show would be like. As we wandered up the hill towards the show I was woken at 6am by the dog scratching on the bedroom door wanting to go outside to water the garden! Never got to see the show or to find out if Brent was there and sang in a raspy voice.
Note 1: I went on a train journey past Alexandra Palace a few weeks ago and thought about the '74 shows there.
Note 2: I saw Linda Ronstadt on an Emmylou Harris documentary last weekend: she was almost unrecognisably..eeerm…plump.
Question 1. Did any crusty old deadheads meet me in a dream last night?
Question 2: should I seek professional help?
Question 1
Well, I'm certainly old and crusty but don't recall meeting you last night.
Question 2
Bluto: My advice to you is to start drinking heavily.Otter: Better listen to him, BADGER. He's pre-med.
May I have your insurance information, please
All in a dream, all in a dream
In the dream, my wife (now ex) asks me to make up a joke about dead heads. And i tell her this:
How many dead heads does it take to screw in a light bulb?
One to actually screw it in
One to sell commemorative t-shirts
And one to say he saw it done better on the East coast.
Hey, i thought it was pretty good for being asleep....
~I was concealed
Now I am stirring
And I will lay my love around you...~
Made me Laugh BabylonDon
Good Joke my brother, keep em smilin!
stay safe and feel good!
cosmicbadger from the ~ dream zone ~
Posted: July 31, 2007 - 6:29am.....was just a dream
Two dreams...
Recently I dreamt that I was in a near deserted supermarket and as I wheeled my cart to the only open checkout I saw that Jerry was sitting behind the till with an acoustic guitar singing Brokedown Palace!..then I woke up. On reflection I think this may have been to do with my frustration over the (temporary) disappearance of the online downloads!
I have another recurrent dream of seeing a fantastic GD show at an outdoor festival in a natural amphitheatre with a rainbow stage. I wake up convinced that I was really there, but as far as I know I never was!!
OK...this one blew my mind when I first read it way back when it was written. I have also had spacey dreams about being at strange shows.
Seems as if the stage was really high and I was kind of close but people were sort of milling around more like in the parking lot or the arena decks. I can't recall the music but can still see the lights. The other side of the second part freaked me out for weeks. Now, I can finally write about it. I had been wanting to get around to posting about a surprise meeting with Mr. Garcia but thought it was sort of mundane. It was not at the show or the casino or the club...it was in a grocery store. A deserted one at that! Well, maybe a few last minute customers and a couple of other closers. I was just a workingman night guy doing my closing round laps killing time. As I came to the end of the isle I glanced over at the freezer and saw a man peering down at the frozen holiday turkeys. When he stood up I thought he kind of looked like Jerry from the back with the silver hair falling over a nice jacket. I doubtingly said "Mr. Garcia?" Then Jerry turned around and and said "Hello." He came walking over to me smiling and we shook hands as I turned into Garth from Waynes World...I think I kind of went into shock. Suddenly there he was. This amazing artist and person I had seen perform and listen to play for so many years. It was almost like meeting this legendary cartoon character that was really a real person just stopping in to the market on the way home. The Garth shock almost paralyzed me and then Jerry woke me up and asked me where the egg nog was. I picked my mind back up off the floor and put it back on my head and said "second shelf over in the dairy case next to the milk" He thanked me and then went about his shopping. The word on the street was just leave those guys alone when they are in town. Let them live some sot of a private life so I resisted the temptations to get an autograph or start talking to him about that certain show or song. Besides, my mind was to blown to speak. You've heard that high pitched Hiiiiii from Garth and that spacey stare.
Then, my pulse ran off to the hills. Jerry was loose in the store...vanishing off to get his egg nog. Now what do I do? I know...I'll go up to the cash register where I can help him checkout. I was still in shock but I just wanted to help him get out of there. I quickly got over to the cash register and told the guy bagging he could take a break. Then there he was again...waiting patiently in the short line next to the magazines. It was surreal. Jerry, just a regular guy getting his egg nog. Thats all he got. I took my time making sure I placed the carton in the bag perfectly for him. We exchanged "Happy Holiday" good-byes and off he went on his way. Again I resisted the urge to chase him into the parking lot. Just as he was heading out the door a group of younger guys were coming around the corner. They started yelling Jerry!Jerry! Hey Jerry!!...that's when I felt a little sad sbout the cost of celebrity for Mr. Garcia and others but he handled it well with a quick wave and made it out the door. This was winter of '89. The meeting was certainly mindblowing and reading cosmicbadgers dream was stunning 'cuz that was very close to what really happened long ago or maybe it was just a dream!*!
For you my friend... from the other world...
Grateful Dead Recordings
Date Album
studio 1970 American Beauty
Attics Of My Life
Lyrics: Robert Hunter
Music: Jerry Garcia
In the attics of my life
Full of cloudy dreams unreal
Full of tastes no tongue can know
And lights no eye can see
When there was no ear to hear
You sang to me
I have spent my life
Seeking all that's still unsung
Bent my ear to hear the tune
And closed my eyes to see
When there were no strings to play
You played to me
In the book of love's own dreams
Where all the print is blood
Where all the pages are my days
And all my lights grow old
When I had no wings to fly
You flew to me
You flew to me
In the secret space of dreams
Where I dreaming lay amazed
When the secrets all are told
And the petals all unfold
When there was no dream of mine
You dreamed of me
Kindest Regrads,
Superman Comes to the Supermarket
Great supermarket stories guys! Kind of appropriate that it is the day Norman Mailer checks out. Life is psychedelic!
Like a Road Leading Home...
...well, I might as well write about a dream that I've never told anybody about 'cuz nobody would understand in the "straight" world. My communication skills suck so I apologize that this is probably gonna be too long and somewhat unintelligible. Hopefully somebody will still find some value.....or something better from this dream from late 1995: I find myself sitting in a dark, empty auditorium with a very dim light emanating from somewhere near my seat. I couldn't see the stage but somehow I could sense I was about 20 rows back from the stage in a old-time, movie-theatre-style auditorium with plush leather seats. There is music playin' from a lone acoustic guitar ---- the music can only be described as "orgasmic" multiplied by a thousand. The beauty of the music was literally overwhelming my entire being --- I could feel it in my body --- total "bliss" I guess is another way to describe it along with "orgasmic."
As I am sitting there experiencing that bliss on every single level of my being I realize there is actually one other person in the building: a woman sitting two seats away from me. She just gives me a smile of "recognition" --- nothin' sexual between our "connection," but she definitely was some sort of archetype from the core of my being. The best description of the woman's role in the dream will possibly make sense for anybody familiar with Dante's "Divine Comedy." The woman in the dream was to me what Beatrice was to Dante (see note below for further description.)
So this acoustic guitar music is still playin', the place is still dark except for a dim light around my seat, the place is still empty except for The Woman beside me, and I am experiencing a state of Bliss that was beyond the greatest moment of my life (a 'shroom trip of Divine dimensions). For an unknown reason I turn around in my seat and there is Jerry sitting behind me strumming his acoustic guitar and flashes me that big, beautiful grin as if he's sayin', "Hey, Buddie, how ya' doin'(?)" The penultimate moment of perfection in a perfect dream.
Now some background:
1.) A day or two later the lyrics to "Like A Road Leading Home" hit me out of nowhere:
"When the road gets too long
And you run all out of song
And your pain gets too much
For you to bear
Turn around, turn around
Turn around, and I'll be there
Like a road, like a road
Leading home"
2.) As for the setting: I realized it was "West High Auditorium" from the "1980 Solstice Shows" that I was fortunate enough to be able to attend. Exact same location where my seat was located at the shows.
Thank You for reading this stuff if you read it this far. I'll put some stuff about Dante's "Divine Comedy" below for anybody who may be interested. --- ThePilgrimShadow
"In The Divine Comedy it is Beatrice who, out of love for the poet, initiates Dante's journey because she believes that he has strayed from a righteous path and she thinks that this divine journey will save him from himself. Thus, she leaves her seat in Heaven to descend to Hell where she asks Virgil to serve as Dante's guide. Beatrice meets Dante in Earthly Paradise (Purgatorio) and acts as his guide through Heaven. On many occasions during his travels through Hell and Purgatory, Dante believes that he can go no further but the promise of meeting Beatrice motivates him to continue. Beatrice amply rewards Dante for his travails when she leads him into Heaven and grows in radiance and beauty as they ascend toward God." (from the "Novel Analysis" site: http://www.novelguide.com/divinecomedy/characterprofiles.html)
Thanks again if you read this thing.
great stories Marshun and Shadow, send a shiver up the spine. Seems that the Grateful Dead experience continues to blur the boundaries between dreams and realities, and like the story teller in Terrapin, Jerry is shedding light all around, even in the strangest of places.
But what DID he want with the eggnog?
Wow! Shivers up my spine
Wow! Shivers up my spine too. Especially Shadow with the time frame. I also had a dream in late 95. Jerry and I were walking in SF and he was pointing out some of the local landmarks. I kept asking him over and over "why Jerry, why did you have to leave us?". He didn't answer but continued to take me on a tour of the city. I woke up sobbing wishing the dream lasted longer. What made it so different was the clarity. I was totally concious and in total contol of what I was saying and doing. I remembered every second of it for years, but time has since faded it some. I never told anyone except my wife, thinking who was I thinking I was special enough to be visited by him. Seeing some of these posts, I now know I'm not the only one. I can only hope everyone who admired and loved Jerry so much can or already has experienced something similiar. Thank you all for sharing.
wow, shadow...
I've always been bummed that I came to this JUST too late to have seen those shows, but now I'm REALLY bummed (not to mention convinced that they really were that special).
Strangest Places
Shadow, you may never know how meaningful that post is to me, presently. Thanks.
"Ultimately a hero is a man who would argue with the gods, and so awakens devils to contest his vision." - Norman Mailer
Had a dream that Jerry was marching down Pennsylvania Ave. playing gospel songs and behind him were our best generals and a troop of our best soldiers. they got to the gates of the white house and jerry stood aside and saluted as our troops went throught the gates and arrested a president and vice-president and all their advisors and sent them off to Guantonamo where they were water-boarded with liqiud LSD until they were deemed no longer a threat to our country and then stript of their citizenship and deported to Iraq where they were to spend their time picking up body parts from truck-bomb explosions. Then a big stage was set up in front of the white house and millions of people came to sing and dance in the new president.
Goodnight, George
This wasn't a Dead dream, (I've had a few) but George Harrison & Ringo came to visit me in a dream. The next day it was announced he had died & was on his way to India..........Gypsy Cowgirl
well i had several dreams
well i had several dreams where i was in the band...there i am up on the stage looking out watching everyone dance and i get so high on the vibe the only thing i can think is how amazing life is i get so excited i wake up with my heart racing the weird thing is i don't play any instruments..maybe its just wishful thinking
I have had a few dreams.....My favorite is that I am sitting on a couch with Jerry in is his house, and it seemed to be surrounded by low rolling hills. Jerry is older he has very gray hair and is wearing a dark T Shirt and blue cut off pants . He does not have carpet in the house but a very rich green lawn. He is asking me if I would cut the grass and take care of the yard in his house ( I like to garden). This seems perfectly normal to me and I ask him why he has a yard in his house.and he says something like....." being on the road... hotels,,,blah blah...wanted to be surrounded by nature.when I can,blah blah (it was Jerry's voice).., I take out a pair of hand sheers and kind of spruce up the floor (lawn). I am totally at peace with this, where as many of my other dreams are manifestation's of stress and work.
That morning I told my wife ( who is a forensic psychologist) about it and remarked what a nice calming effect it had on me. She of course is laughing about how "I have become consumed by the GD" but was struck by how happy I was.
I have a theory about this dream. I have read every book I could on Jerry and the band. I have watched many Shows and interviews. I have been to California once and was in Reno, Sonoma Valley, Yosemite and San Fran and I can picture the area he lived in (at least in my dream).
Jerry does not come across as a superstar but clearly as a content person who seems to want to remain as close to real things (such as nature) as possible. He acts friendly but also somewhat detached. My feeling was one of him feeling tired not so much physically but having to be "Jerry Garcia". I have had it twice.
I have had several dreams of playing guitar with the band. I have also had a great dream of being in the Beatles and watching my self on a Black and white TV. I love these dreams to.
I thought I was the only one who had these type of dreams. Everytime I "relax" with a few of my Dead head friends they always ask me to tell the Jerry dream
And the road goes on forever....
last night
i didn't have a dream with the dead in it....just the song lazy lightning from 05-05-77 was in the backgroundi guess cause i was up late putting music on my hard drive...so i wake up with it still playing in my head...so i had to burn it onto cd so i could listen to it on my way to work..awesome commute the boys jamming away clouds rolling off the francoina mountain range...simply magical
I was "backstage" recently in a dream, when Jerry experienced a problem onstage and in what seemed to be unusual for him, he hurried straight for me. I was immediately terrified as I saw him coming at me! What had I done... kicked out a power cord or something? What the hell was I doing backstage, for that matter? When Jerry got to me, I could see I was not his target specifically. He was looking past me, unconcerned about me yet quite comfortable to enlist my help, in fact. "I need to find my guitar! Can you help me?" Without hesitation and relieved I wasn't in trouble... I began to look around the area for his guitar among the various equipment, crates and stage sundries, without asking about the guitar hanging from his shoulder. After digging through what was in plain sight, I opened a door to a shallow closet that contained several music stands... the old black metal ones I was familiar with as a kid playing sax in the school band. Behind the music stands were a STACK of beat up guitars laying horizontal on top one another. I promptly and excitedly presented Jer with two from the top of the stack. "Nope... nope, not those.", he stated without so much of a hesitation or inspection. Several more trips produced the same results, with the exception of Jerry's demeanor, which grew more and more distracted and detached. After a handful of more axes and denials, I was getting the impression that Jerry was messing with me and I gathered my nerve to ask finally, "Well what does it look like? What color is it? What make and model is it?", to which Jerry replied, "Oh it wouldn't be IN THERE!" His tone was almost mocking but there seemed, the entire time, to be an intent that was directed FOR ME, not to me or at me. I could write a book about what has happened since then, in regards to "links" to a possible meaning of this dream but recently I stumbled upon this quote that called for a post here (see below). Thanks Jerry... I miss you.
"You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly — radio, records, churches, cats on the street, everywhere music, man. And with records, the whole history of music is open to everyone who wants to hear it. ... Nobody has to fool around with musty old scores, weird notation, and scholarship bullshit... you can just go into a record store and pick a century, pick a country, pick anything, and dig it, make it a part of you, add it to the stuff you carry around, and see that it's all music." ~ Jerry Garcia
worrisome dream
Last night I had a real nightmare involving my cat Pumpkin (he's orange and white and we got him on Halloween) and Jerry in some woods being chased by a pack of wild dogs. It was dusk and I was on the back porch of a very large estate with acres and acres of grass and trees. There was a pack of wild dogs all different sizes running around and barking. and my cat was trying to cross the yard to get inside. Suddenly I saw an older Jerry looking quite worried hiding from the dogs. Once again he was dressed in dark shorts and a black t-shirt. I was yelling and waving to him to come inside. I was worried about my cat because he really seemed to hesitate every time I would I yell and wave at Jerry. Finally the dogs went under a fence into another yard and Jerry picked up Pumpkin and walked towards the house. I woke up before I was able to talk with him.
You know sometimes i wonder if I listen to too much Jerry......
And the road goes on forever....
once on backstage
Got invited by I don't remember who to go on backstage while the band was having a laid out breack and I stumbled up close to Jerry somehow and i preferred to reel back taking a safer distance between us where felt better to really enjoy seeing him.!
I'll dream about the GD 2-3
I'll dream about the GD 2-3 times a year. Usually I'll dream that they're playing somewhere nearby, but I can't get to the show.
When I was 22, I was fresh out of college and not real sure what I was going to do next. One night, I dreamed I was a movie star. I was lolling poolside with Lucas and Spielberg, discussing my next starring role, when someone suggests I play Peter Pan. Seemed silly to me, so I dove into the water. Swimming the length of the pool, the idea started to grow on me. I pop out at the other end, and hey, there's Jerry Garcia. "Jerry," I tell him. "I'm going to play Peter Pan!" He gives me that knowing, compassionate smile and says, "You're demented".
Next morning, I took the hint from my subconscious. Started figuring out what I wanted to do, seeing how I was a boy who had already grown up.
A Sunny Happy concert
This dream happened last night.I was at a country fair with rides etc and the Dead were playing under a small tent. The equipment was on the ground and there was no stage in fact there was only a short picket fence separating the small crowd and the band. It was a Brent era band and the music being played was "Without A Net". I have been listening to that CD every day for the past week.
It went from Victim or Crime to China Cat what was strange was even though I could not see the band super clear they played the full version of the song.
It was very sunny and bright a color dream and everyone in the band had on shades.
3 dreams in 6 months oh my!
And the road goes on forever....
Last night I had this dream...
I was at a show with my ex. The Dead were playing outside on a very small stage. There were only about 200 Dead Heads there. I remember they played " Scarlet Begonias", and everyone was jumping up and down. Bobby called everyone by name up to the stage and was handing out slices of psychedilic cucumber. Then I woke up....."Without love in the dream, it'll never come true."
Wearing Phil's bedroom slippers
Funny was looking for info on the furthur tour but just went to see them at Hamptong & Patriot Center in VA...haven't had a deadhead dream since Jerry died until this tour! I can't remember much about it but I had all access badge to see furthur at hampton, they had this big long conference table to sit at and watch the band (they hadn't started yet) but Phil was barefoot and I had on his bedroom slippers...weird
i had never had a GD dream until 3 weeks ago. My son (14) was trying out for the Governor's School of Music as a guitar and bass player. He worked hard for months to prepair himself only to not due well at his audition. I told him things always work out for the best, but i could see he was heart broken even though they only chose 24 out of 175 applicants and did not add any guitar or bass players.That night i had a hard time falling asleep, not knowing if i had said enough to console him or wondering what else i could have done to help him prepaire for the failed audition. When i finally drifted off to sleep Jerry came to visit me, sitting next to me on the bed he told me that i had done all a dad could do, and to trust him, things always work out for the best.......then he was gone.
Two days later my son is asked to audition for the vacant bass job in a local band, and gets it. They will be opening April 2 in Hampton Virginia for Craig Morgan.
Guess Jerry was right after all...........strange but 100% true i promise you.
Dancing Terrapins
I had a dream a few weeks ago when I fell asleep listening to Terrapin Station with my headphones on. The dream was not long or detailed, all I can remember is hundreds of upright turtles dancing and turning in synchronization similar to a marching bands form. It is a great mental picture that I will keep forever.
yeah I have em'
But it seems when ever I dream about a dead show or any other concert, they are always full of anxiety. There are always obsticles and I always seem to run very slow. It really pisses me off. Sometimes I finally get there and I forget my car keys or something and I have to leave then fight to get back in again. I think the key to it all folks is LUCID dreaming. Cause then anything can happen and YOU are in control.I'm tired...
a few months ago
i had this dream about Jerry , who was in another dimension , a twilight baren land . He seemed quite glad to be there , roaming with about 30 dogs ! Then he looked at me and said : never give your heart to dogs who can tear it apart ! Had a big grin , then he left .
Pamie: A Freudian Analysis:
Vell, in dis story it is interesting to zee dat Pamie's ego & id are clashing and trying to settle for 1/4 of Weir.
You can't get a 1/4 of Weir, Pamie -- take my word for it. My Rx is to use my 12% solution after dinner after evening.
So in my dream I had a phone
So in my dream I had a phone call in France telling me that there was a big Further Festival coming up in the USA and they wanted ME , Cosmic Badger, to organise all the supplementary entertainment (secondary stages and bands, décor, programmes, all that kind of thing). So we cut months forward to the Festival and all appears to be going quite well. Midway through I am summoned to a big meeting to discuss my performance. Phil is there, and Marye and Gypsy Cowgirl and Buddy Plant and they are really nice to me, but there is also a big group of what I can only describe as self-appointed snobby 'Deadhead Aristocracy' and they are being really mean, trashing everything I have done and sending me into a complete panic
Then I wake up!
Insecure? Moi? LOL
Those are some grateful dreams everyone. I can relate... especially PonchoBill's.
I had one a few nights back where Larry Campbell was trying to teach me how to play bass guitar. All I can say (or ask) is; how the heck does Phil do THAT... and why does God hate people named Larry? Sorry to LC... but I'm all thumbs it seems ; - )
Where the heck is Mr. Campbell these daze... does anyone know? I miss him...
"The only true currency in this bankrupt world is what you share with someone else when you're un-cool." ~ Lester Bangs
You may say I'm a Dreamer
Thus the dream takes on a bizarre quality as images that, normally kept apart, are blended. The dreamer has entered the unconscious mind, and there is synchronicity going on all over the place. -Fred Alan Wolf-The Dreaming Universe: A mind-expanding journey into the realm where psyche and physics meet.I enjoy seeing the thoughts that arise from the mind of Dead.net. Sometimes the band will take some of these thoughts, find a song that fits, and blast it out to the universe in front of thousands. It's an honor to be part of the dream, God Bless you Furthur
Then please don't be surprized if you find me dreaming too
A Crazy Dream Came To Me
I've had around four dead dreams each month for the past year and a half. They are always intensely vivid and sometimes completely unexpected. Usually these dreams include many dayglo characters and anthropomorphic plants and animals.
Sadly, one of my earliest dead memories is of Uncle Jerry's death. I was 5 years old and my dad took me to a vigil in Balboa Park, San Diego. Generally, all of my dead dreams take place in this park. I am usually with a few close friends walking through the park, drinking beers and telling jokes. In each dream, I hear the solo bridge from Not Fade Away to Goin' Down the Road Feeling Bad played exactly like it is on Skull & Roses. This is always a treat for me because that section always sends me into a euphoric state. After recognizing the sounds, my friends and I stumble upon the guys playing in front of a large crowd in an orchestral amphitheater. Everybody is dancing and we join the party.
When I wake up, I'm not disappointed that it didn't actually didn't happen. It's no sunshine daydream, but it is great to know that the dead jump out of my subconscious and into my dream reality. Hey, I must be doing something right. Also, I do get to talk to Phil about playing the bass. I wouldn't have it any other way.
Live a good one. Very cool man.
spam and troll posts deleted
we return you to the topic of bona fide dreams about the Dead...
just deleted a spam post
but that does remind me that people have told me some great Dead Dream stories over the years so if you've had any recent adventures along these lines feel free to share them.


text:
Since I last posted I have:
Started a new job (from home but it even pays...)
Said good bye to my sister and cried for about 2 days because of it
Done the laundry, cleaned my house, grocery shopped, cooked and meal planned
Volunteered at my girl's school
Youngest started karate
Slept and not slept
prepped for my next round of visitors...Jenn (The Leftover Queen), Roberto and Pepperoncino!
that's about it...
Wait, I also got to have a play date with............Jaden of Steamy Kitchen!!! How lucky am I????
Jaden is truly an incredible person and a natural born teacher. Seeing as I have no (and I truly mean no) knowledge of Asian cooking beyond what I get served in sushi places or a Japanese Steakhouse she was kind and incredibly patient with all of my questions!
As an added bonus I got to leave with a grocery bag (no joke here!) of goods. I have jalapenos and lime leaves from her garden, tofu, noodles and some of the wonderful sauce that we made when I was there, and a plethora of other things that she so generously kept shoving in.
I have a noggin now full of photography knowledge and even some things I can do to help mine out without buying the Mother of all cameras!!! The only thing I did not get was some of that wonderful Wild Boar that they have in a cooler in their garage!!! Not yet butchered and I wasn't really up to doing that myself!
Did I get a picture of Jaden and me? Nope sadly not but she has one and will send it to me when she can and I will post it here.
What I did get was a great recipe with tons of instruction along the way! Jaden had chosen to try a recipe from Heidi of a 101 Cookbooks, granted it was heavily modified but this was the inspiration behind it...
Otsu (101 Cookbooks)
Grated zest of 1 lemon
Fresh ginger, cut into a 1-inch cube, peeled, and grated
1 tablespoon honey
3/4 teaspoon cayenne
3/4 teaspoon fine-grain sea salt
1 tablespoon freshly squeezed lemon juice
1/4 cup unseasoned brown-rice vinegar
1/3 cup shoyu sauce (wheat-free soy sauce)
2 tablespoons extra-virgin olive oil
2 tablespoons toasted sesame oil12 ounces dried soba noodles
12 ounces extra-firm nigari tofu
1/4 cup chopped fresh cilantro
3 green onions, thinly sliced
1/2 cucumber, peeled, cut in half lengthwise, seeded, and thinly sliced
1 small handful of cilantro sprigs, for garnish
1/4 cup toasted sesame seeds, for garnish
Make the dressing by combining the zest, ginger, honey, cayenne, and salt in a food processor (or use a hand blender) and process until smooth. Add the lemon juice, rice vinegar, and shoyu, and pulse to combine. With the machine running, drizzle in the oils.
Cook the soba in plenty of rapidly boiling salted water just until tender, then drain and rinse under cold running water.
While the pasta is cooking, drain the tofu, pat it dry, and cut it into rectangles roughly the size of your thumb (½ inch thick and 1 inch long). Cook the tofu in a dry nonstick (or well-seasoned) skillet over medium-high heat for a few minutes, until the pieces are browned on one side. Toss gently once or twice, then continue cooking for another minute or so, until the tofu is firm, golden, and bouncy.
In a large mixing bowl, combine the soba, the ¼ cup cilantro, the green onions, cucumber, and about ⅔ cup of the dressing. Toss until well combined. Add the tofu and toss again gently. Serve on a platter, garnished with the cilantro sprigs and the toasted sesame seeds.
***I loved this recipe and now that I have gotten over my "fear" of Asian cooking I will be making this again and again. The ingredient list seemed so long and foreign to me but once it is broken down and explained it takes most of the intimidation out of it!!! I brought the leftovers home and my whole family was humped up over a big bowl of this just slurping away!
As Always...
Happy Entertaining!!!


text:
CHICAGO—Music, a mode of creative expression consisting of sound and silence expressed through time, was given a 6.8 out of 10 rating in an review published Monday on Pitchfork Media, a well-known music-criticism website.
According to the review, authored by Pitchfork editor in chief Ryan Schreiber, the popular medium that predates the written word shows promise but nonetheless "leaves the listener wanting more."
According to the review, authored by Pitchfork editor in chief Ryan Schreiber, the popular medium that predates the written word shows promise but nonetheless "leaves the listener wanting more."
"Music's first offering, an eclectic, disparate, but mostly functional compendium of influences from 5000 B.C. to present day, hints that this trend's time may not only have fully arrived, but is already on the wane," Schreiber wrote. "If music has any chance of keeping our interest, it's going to have to move beyond the same palatable but predictable notes, meters, melodies, tonalities, atonalities, timbres, and harmonies."
Schreiber's semi-favorable review, which begins in earnest after a six-paragraph preamble comprising a long list of baroquely rendered, seemingly unrelated anecdotes peppered with obscure references, summarizes music as a "solid but uninspired effort."
"Coming in at an exhausting 7,000 years long, music is weighed down by a few too many mid- tempo tunes, most notably 'Liebesträume No. 3 in A flat' by Franz Liszt and 'Closing Time' by '90s alt-rock group Semisonic," Schreiber wrote. "In the end, though music can be brilliant at times, the whole medium comes off as derivative of Pavement."
While Schreiber concedes that music is still "trying to find its aesthetic," he also claims the form has not yet lived up to the lavish praise heaped on it by pop culture journalist Chuck Klosterman and 19th-century French romantic composer and critic Hector Berlioz, among others.
Schreiber concludes his critique by calling on music to develop a more cohesive sound in its future releases.
Schreiber concludes his critique by calling on music to develop a more cohesive sound in its future releases.
"We can only hope that [music] will begin to grow with its fans over the next few millennia," Schreiber said. "If it can stick to what it does well, namely the song 'Peg' by Steely Dan, and Tuvan throat singing, then a sophomore effort will indeed be something to get excited about."
The review has split the music community, with many decrying Pitchfork's lukewarm reception of music as a contrarian move designed to propel the publication's tastemaker status.
"It's elitism for the sake of elitism," said Rolling Stone senior editor David Fricke, who refuted Pitchfork's middling rating, describing the entire art form as "transcendent." "I've been listening to music for over 30 years, and it's consistently some of the best stuff out there."
Despite music's defenders, the Pitchfork review has made a deep impression on the thousands of music fans who slavishly follow the website's advice when it comes to enjoying things.
"Music used to be great, but let's be honest, it's a 6.8 now at best," said Los Angeles resident Lowell Radler, 23, who admitted that he just looked at the rating rather than reading the whole review. "I seriously might never listen to music again."
Still, most analysts agreed that the impact of Pitchfork's scathing review of music will be dampened by the 2.4 rating it received from Pitchfork staff writer Dave Maher just moments after the initial critique was published online. Maher termed Schreiber's assessment of music "overwrought, masturbatory posturing intended to make insecure hipsters feel as if they're part of some imagined elite beau monde."