text:
Terms and Conditions Schedule |
Item 1: Promotion Name |
Sheridan Survey |
Item 2: Permit Number |
Item 3: Promoter |
The promoter is Sheridan Australia Pty Ltd ABN: 89 094 091 380 Of: L6/45 Jones St, Ultimo NSW 2007 Phone: 1800 223 376 |
Item 4: Website |
Item 5: Promotion Registration Dates and Times |
Item 6: Promotion Period |
16th of July 2021 – 23rd of July 2021 |
Item 7: Entrant Restrictions |
Entrants must be residents of Australia and aged over 18 years old. |
Item 8: Method of Entry |
Entrants must complete the full survey to be eligible to enter. |
Item 9: Judging Details |
Item 10: Draw Details |
A prize draw will be conducted in respect of all valid entries received during the Promotion Period on July 27th 2021 at Sheridan, 6/45 Jones Street, Ultimo NSW 2007. The first 5 valid entries, randomly drawn will win the prize. |
Item 11: Prize Details |
Each winner will receive 1x $100 Sheridan gift card. Winners will be notified by email on date and will need to respond to the Promoter in order to claim their prize. Winners will receive their gift card via email within 10 business days of claiming their prize |
Item 12: Prize Winner Publication Details |
Winners details will be published on July 28th on Sheridan.com.au respective of which survey was completed. |
Item 13: Unclaimed Prize Draw Date and Publication Date |
If a winner has not claimed their prize within 3 months of notification, another random draw will take place at Sheridan, 6/45 Jones Street, Ultimo NSW 2007 from all remaining valid entries. The first entry randomly drawn will be the unclaimed prize winner. Winner details will be published on Sheridan.com.au on date irrespective of which survey was completed. |
Item 14: Use of Personal Information |
Personal information including an Eligible Entrant's name, address, telephone number and email will be collected and used for the purpose of conducting this Competition. This may require disclosure to third parties, including local regulatory authorities and the Promoter's agents or third party service providers, for the purpose of conducting the Promotion, or for promotional and marketing purposes including for direct marketing. By entering this Competition, Eligible Entrant's consent to the use of their personal information for the Purpose. |
Item 15: Other Conditions |
Terms and Conditions
- By submitting an entry into this Promotion, entrants warrant that they have read, understand and agree to be bound by these Terms and Conditions and the Terms and Conditions Schedule, including any special conditions set out in Item 15: Other Conditions.
- To the extent that there is any inconsistency between the Terms and Conditions Schedule and these Terms and Conditions, the Terms and Conditions Schedule will prevail.
- References in these Terms and Conditions to Items are references to the corresponding Item in the Terms and Conditions Schedule.
Entry into this Promotion will occur in accordance with Item 5: Promotion Registration Dates and Times and Item 6: Promotion Period.
- Entrants must at all times comply with Item 7: Entrant Restrictions. Those entrants who have not complied with Item 7: Entrant Restrictions will be disqualified.
- Employees of the Promoter and its related bodies corporate and all associated sponsors and participating companies, as well as the immediate families of those employees are ineligible to enter.
- Entrants warrant that they are entering the Promotion in a wholly private nature and are not entering on behalf of a business or enterprise activity they are involved in.
- Entrants may enter this Promotion is accordance with Item 8: Method of Entry. Those entrants who have not complied with Item 8: Method of Entry will be disqualified.
- Inaudible, incomplete, incomprehensible or late entries (whichever is applicable) will not be eligible and will be disqualified. The Promoter reserves the right to disqualify any entry which in the opinion of the Promoter includes any content which may be unlawful, profane, inflammatory, defamatory and/or damaging to the goodwill or reputation of the Promoter.
- Any person who is discovered to have used or attempted to use more than one name in entering the Promotion will be disqualified from participating in the Promotion and/or redeeming a prize.
- Unless otherwise stated in these terms and conditions, no person may enter this Promotion more than once and persons may not enter or participate in it on behalf of any third party.
- All entrants acknowledge that the Promoter may rely on clauses 4.3 and 4.4 even after the Promoter has awarded or appeared to have awarded the prize to a person or after a person is announced as the prize winner. The Promoter reserves its rights to require return of the prize, or payment of its value, to the Promoter if this occurs.
- Should an entrant's contact details change during the Promotion Period, it is the entrant's responsibility to notify the Promoter. A request to access or modify and information provided in an entry should be directed to the Promoter at its address identified in Item 3: Promoter.
- Should an entrant be required to submit a third party's personal information as a part of entry into or participation in this Promotion, each entrant must ensure that any other person whose details have been provided by the entrant to the Promoter for the purposes of the entrant's participation in this Promotion has given their express consent:
- for the details to be provided to the Promoter and any of its related bodies corporate;
- for that information to be used as intended in this Promotion; and
- to be contacted by the Promoter or any of its related bodies corporate in relation to this Promotion.
- Should the Promotion require the entrant to submit a photograph or other material as a part of entry into or participation in this Promotion ("Submission"), the entrant warrants in relation to any Submission:
- that it does not contain any material that is unlawful or fraudulent or that may be in breach of any intellectual property, privacy, publicity or other rights, defamatory, obscene, derogatory, pornographic, sexually inappropriate, politically incorrect, violent, abusive, harassing, threatening, racist, ageist, sexist or otherwise unsuitable for publication;
- they will only submit material which they have personally created or have the right to submit;
- the Submission shall not contain viruses or cause injury or harm to any person or entity;
- if their Submission depicts any person other than the entrant, the entrant has obtained that person's consent to inclusion in their entry for the purposes of this promotion;
- that it complies with all applicable laws and regulations, including without limitation, those governing copyright, content, defamation, privacy, publicity and the access or use of others' computer or communication systems;
- they have the full authority to grant to the Promoter the rights referred to in these Terms and Conditions; and
- they will indemnify the Promoter against all costs and claims by third parties arising from a breach of the warranties contained in these Terms and Conditions.
- Entries submitted via SMS, email or other electronic means are deemed to be received at the time of receipt into the Promoter's database not at the time of transmission by the entrant.
- If this Promotion involves:
- Entry via a phone call, each call is charged at no more than 55 cents (including GST) from a fixed phone. Calls may attract a higher rate from mobile or public phones; or
- Entry via SMS, each SMS is charged at 55 cents (including GST). To enter, entrants will need a compatible mobile phone connected to a service provider that permits text messaging to the abovementioned premium SMS number. It is recommended that entrants check with their individual service provider in this regard; or
- Entry via the internet, entrants are responsible are responsible for their own costs associated with accessing the Internet.
- Should the Promotion involve voting, the accuracy of the polling results received and published by the Promoter is final and binding and no correspondence will be entered into.
- If the prize is awarded by judging, the judging will take place in accordance with Item 9: Judging Details.
- If the prize is awarded via a prize draw, the draw will take place in accordance with Item 10: Draw Details.
- Subject to State regulations and anything expressly permitted in the Terms and Conditions Schedule, in the event that the Promoter becomes aware that the same person has been selected as a prize winner more than once, the Promoter will cause another name to be drawn/selected in their place.
- All prizes are awarded in accordance with Item 11: Prize Details.
- All prize values are the recommended retail value as provided by the supplier, are in Australian dollars and are correct at the time of printing. The Promoter takes no responsibility for variations in the prize value.
- Should the prize included tickets to an event at which alcohol will be served ("the Event") the prize winner and each guest of a prize winner must be aged 18 years or over. Minors are not permitted to attend the Event. All prize winners and their guests must vary valid photo identification with them at all times during the Event.
- If alcohol is made available as part of the prize at the Event, then this will be provided subject to the principles of responsible service of alcohol as exercised by the staff and management of the premised at the Event takes place. The premises staff and management reserve the right to refuse service of alcohol to any prize winner or their accompanying guest should they be deemed to be intoxicated.
- The Promoter does not warrant the merchantability, suitability and/or fitness for purpose of any goods and/or service awarded as a prize.
- No other costs will be included and all expenses (including, but not limited to, the costs of transport to and from a prize venue and meals), other than those specifically referred to in item 11: Prize Details, will be at each winner's and (if applicable) their accompanying guest's cost. Any accommodation is for room charges only.
- All prizes are subject to availability, non transferable and non exchangeable, must be used on any dates specified in these terms and conditions, by the Promoter and/or the prize provider and are not redeemable for cash unless cash is specified. Specifically, prizes may not be valid during school holidays or other peak times designated by the prize supplier.
- If a prize is in the form of a gift card or voucher, the prize is subject to any conditions specified by the issuer. The Promoter shall not be liable for any gift card or voucher that has been lost, stolen, forged, damaged or tampered with in any way.
- If a prize winner does not take any element of a prize at the time stipulated by the Promoter then that element of the prize will be forfeited by the winner and cash will not be awarded in lieu of that prize or any part of it.
- It will be each winner's and (if applicable) their accompanying guest's responsibility to take out all relevant insurance (including but not limited to travel insurance) which may be required or prudent to be taken (at their own cost).
- Where a prize involves a "meet and greet" element, the meet and greet with the celebrity/public figure will be at the discretion of the celebrity/public figure's management and will at all times be subject to availability of the celebrity/public figure. The Promoter will not be liable for the failure of the winner and any accompanying guests to meet the celebrity/pubic figure for whatever reason, and no cash or alternative tickers will be awarded in lieu of that element of the prize.
- The Promoter reserves the right to exclude any persons from the Promotion on the ground of their medical condition or history, for the safety of the Promoter's staff members or others or for any other reason, for example bringing the Promoter's brand into disrepute. The Promoter also reserves the right to disqualify contestants if:
- a contestant at any stage engages in, causes or incites physical violence, inappropriate, illegal, unsocial or unsafe behaviour; and/or
- the safety of any of the Promoter's staff members is compromised.
- The Promoter will not award the prize if the Promotion is terminated for whatever reason.
- All prize winner(s) will be notified either in writing or by telephone.
- Details of prize winners will be published in accordance with Item 12: Prize Winner Publication Details, if applicable.
- Prize winners will be required to collect their prize from the Promoter at the address listed in Item 3 of the Terms and Conditions Schedule unless otherwise stated in item 11: Prize Details or informed by the Promoter at the time of winning. The Promoter reserves the right to request winners to provide proof of identity, proof of residency and/or proof of entry validity (for example, a phone bill or store receipt for purchase requirement) in order to claim a prize. Proof of identity, residency and/or entry validity considered suitable for verification is at the Promoter's discretion. Where multiple entries are permitted provided that the entrant meets a purchase requirement in respect of each entry, entrants must retain their proof of purchase for each entry submitted and failure to do so may, at the promoter's sole discretion, invalidate all their entries. In the event that a winner cannot provide suitable proof, the winner will forfeit the prize in whole and no substitute will be offered.
- If requested by the Promoter at any time prior to receipt of a prize, all prize winners must sign these terms and conditions in a form prescribed by the Promoter in order to receive their prize.
- Entrants proposing to redeem prizes involving, or participate in the Promotion where it involves, travel, stunts or challenges, at the absolute discretion of the Promoter, may first be required to:
- Submit to a medical examination by a medical practitioner approved by the Promoter and obtain relevant medical clearance to participate in the Promotion and/or redeem the prize; and/or
- Execute a Deed of Release and Indemnify in a form prescribed by the Promoter in order to participate further in the Promotion and/or redeem the prize.
- The Promoter will not be responsible or liable if for any reason beyond their reasonable control any element of any prize is not provided. The Promoter may, subject to State regulations, substitute a different prize of equivalent value in place of any prize referred to in these Terms and Conditions or the Terms and Conditions Schedule.
- The Promoter will not be responsible for any changes in times or dates, or cancellations or rescheduling of events that may prevent the prize winner from redeeming the prize or any part of it.
- Where the prize involves the winners attendance at or tickets to an event, if any part of the event is cancelled, varied or rescheduled for any reason, then at the Promoter's discretion, the winner and any accompanying guests will forfeit all rights to attend the relevant event and no cash or alternative tickers will be awarded in lieu of that element of the prize.
Any tax payable as a result of a prize being awarded or received will be the responsibility of the winner. Winners should seek independent financial advice prior to accepting a prize if this is a concern.
Prizes unclaimed after a period of three (3) months will be forfeited subject to State regulations and any express provisions contained in the Terms and Conditions Schedule.
- It is a condition of entry that the Promoter has the right to publicise, broadcast or communicate to the public the names, characters, likenesses or voices of any entrants for any promotion or matter incidental to the Promotion.
- Entrants may be required by the Promoter to participate in photo, recording, video and/or film session(s) (the "publicity materials") and acknowledge that the Promoter has the right to use such publicity materials in any medium (including, without limitation, the internet) and in any reasonable manner it sees fit, unless that person advises the Promoter at the time of entering the Promotion that he/she wishes to retain his/her anonymity.
- Entrants also acknowledge that the publicity materials may be provided to the prize provider for the purposes of promotional display.
By entering this Promotion all entrants:
- Assign to the Promoter all rights including present and future copyright in their entry (including any Submission) and publicity material in all media (including, without limitation, the internet) and whether in existence not or created in the future;
- consent to any use of their entry which may otherwise infringe their moral rights and agree not to assert any moral rights in respect of their entry, (including any Submission) and the publicity materials (wherever and whenever such rights are recognised) against the Promoter, its assigns, licensees and successors in title; and
- Undertake to the Promoter that their entry (including any Submission) is not in breach of any third party intellectual property rights.
To the extent permitted by law, all entrants release the Promoter from, and indemnify the Promoter against, all liability, cost, loss or expense arising out of participation in the Promotion and/or acceptance and use of any prize(s) including (but not limited to) loss of income, loss of opportunity, personal injury and damage to property, whether direct, indirect, special or consequential, foreseeable, due to some negligent act or omission or otherwise.
- If for any reason this Promotion is not capable of running as planned as a result of any (including but not limited to) technical failures, unauthorised intervention, computer virus, mobile phone failure, tampering, fraud or any other causes beyond the control of the Promoter which corrupts or affects the administration, security, fairness, integrity or proper conduct of this Promotion, the Promoter reserves the right (subject to State regulations) to cancel, terminate, modify or suspend the promotion and/or any draw/s or judging related to the promotion and/or disqualify any individual who (whether directly or indirectly) causes the same.
- The Promoter accepts no responsibility for any late, lost or misdirected entries including but not limited to electronic messages not received by the Promoter due to technical disruptions, network congestion or other reasons. The use of any automated entry software or any other mechanical or electronic means that permits any person to enter the Promotion repeatedly is prohibited.
To the extent applicable by the nature of the Promotion, obtaining time off work and/or study or related activities to participate in the Promotion and/or a prize will be the sole and absolute responsibility of each contestant.
The Promoter reserves the right to exclude any person from participating in the Promotion or a prize for any reason (including but not limited to) that person's medical condition or history, the preservation of the safety of the Promoter's staff members or any other person or because the Promoter deems that the behaviour of a person may bring the Promoter's brand into disrepute.
- This clause applies where the promotion is operated or promoted via Facebook.
- Entry and continued participation in the competition is dependent on Participants following and acting in accordance with the Facebook Statement of Rights and Responsibilities, which can be viewed at http://www.facebook.com/terms.php.
- This competition adheres to the terms and conditions set out in the Facebook promotion guidelines which can be found at: http://www.facebook.com/promotions_guidelines.php#promotionsguidelines.
- This competition is in no way sponsored, endorsed or administered by, or associated with, Facebook. Participants understand that they are providing their information to the Promoter and not to Facebook. The information a Participant provides will only be used for the purposes outlined in these Terms and Conditions. Any questions, comments or complaints about this competition must be directed to the Promoter and not to Facebook.
- All Participants unconditionally and irrevocably release and discharge Facebook from any and all liability in relation to the competition.
- This clause applies where the promotion is operated or promoted via Instagram.
- Entry and continued participation in the competition is dependent on Participants following and acting in accordance with the Instagram Terms of Use, which can be viewed at http://www.instagram.com/legal/terms/.
- This competition adheres to the terms and conditions set out in the Instagram promotion guidelines which can be found at: https://help.instagram.com/179379842258600.
- This competition is in no way sponsored, endorsed or administered by, or associated with, Instagram. Participants understand that they are providing their information to the Promoter and not to Instagram. The information a Participant provides will only be used for the purposes outlined in these Terms and Conditions. Any questions, comments or complaints about this competition must be directed to the Promoter and not to Instagram.
- All Participants unconditionally and irrevocably release and discharge Instagram from any and all liability in relation to the competition.
The Promoter may (subject to State Regulations) vary the terms of, or terminate, this Promotion at any time at its absolute discretion without liability to any contestant or other person. The Promoter will not award the prize if the Promotion is terminated.
All decisions and actions of the Promoter relating to the Promotion and/or redemption of the prizes are excised accordingly at its absolute discretion are final. No discussions or correspondence with entrants or any other person will be entered into.
A failure by the Promoter to enforce any one of these terms and conditions in any instance(s) will not give rise to any claim or right of action by any other person or contestant.
The personal information supplied by entrants when entering this Promotion will be used by the Promoter for the purpose of conducting this Promotion and as set out in item 14: Use of Personal Information. Please also refer to the Promoter's Privacy Policy by visiting the website identified in Item 4: Website for more information as entry in this Promotion is an agreement to be bound by that policy in respect of personal information submitted in this Promotion. Entrants may have their details removed from the Promoter's database by contacting the Promoter using any of the details in Item 3: Promoter or by sending an email to firstname.lastname@example.com. If an entrant's details are removed prior to the conclusion of the Promotion and/or award of prize(s), entrants will forfeit their right to claim any prizes.
This Promotion is governed by the laws of New South Wales. Entrants submit to the jurisdiction of the courts of that State.


text:
Classic black dress with a corset inside
Classic black dress with a corset inside
Attention: corset production time is up to 10 working days.
Classic dress with a corset inside
Corsets are made, from special certified materials. Spiral metal bones made of steel are used in the manufacture, which adapt to your figure.
▪ They tighten the waist by 10% of the real girth
▪ Straightens posture, tightens the sides and creates excellent silhouette
▪Beautifully lifts and supports breasts
▪Maybe with or without push up
Composition: 70%Viscose, 15%Polyester, 10%Nylon, 4%Cotton, metal bones
Size chart
Required measurements for ordering:
▪ Bust
▪ Girth under the bust
▪ Waist circumference
▪ Cup height
▪ Hip girth
▪ Hip girth on the level 15 cm from the waist
▪ Cup size if you need a corset with cups
On some occasions we may need some more measurements or a photo to understand your figure as best as we can. We will reach out to you personally if this is necessary.
Also, please find video instruction on how to take measurements correctly here.

subset: commoncrawl


text:
Hunter Hayes teamed up with one of the special guests on his ongoing "Red Sky Tour" to release a reimagined version of "Feelings." Now, Hayes blends Loren Gray's voice into the remix. The pair released "Feelings (Can I Be Honest?)" on Thursday (May 25).
The release comes shortly after Hayes teased the new version on his social media channels, including posting a video from a recent tour date from a moment that they took the stage together. He hinted in his caption, "Collab? 👀," spurring anticipation from eager commenters. Gray replied in the comments, "(:🎶can't wait !!" It wasn't long before the two artists revealed their collaboration and its release date.
"I'm SO excited to tell you Feelings (Can I Be Honest) with [Loren Gray] is OUT NOW!" Hayes wrote in an Instagram caption on Thursday. "It's been so fun getting to sing this together every night on tour and it was a blast to work on this fun new version of the song. …I cannot wait for you to hear it!"
The collaboration comes after the long-awaited release of Hayes' latest full-length album, Red Sky, which made its debut last month. The project includes "Missing You," "Lonely Loves Me," "Friend," "Someone Will" and other fan-favorites throughout the track list.
"The road to Red Sky has been one of the most life-changing adventures of my human experience. So many challenges and so much growth required to dive deeper and reach higher," Hayes reflected as he shared a series of photos on Instagram when he released the album. "I traveled around the world in search for what the purpose of this album was and what my role was in making this music. I'm so grateful to make music for people who champion honesty, share authenticity and create a safe space for vulnerability. We've had incredible chats around life lessons and how to be human. We've shared our nerd sides and embraced what makes us all unique. You've always encouraged me to push myself out of my comfort zones and you raise the bar for challenging the rules and for that, I'm deeply grateful."
Listen to "Feelings (Can I Be Honest?)" featuring Gray here:


text:
Hello Everyone,
Yes, I am in the giveaway mood!!! Another Kona Cotton Solid Roll Up to giveaway!! This one is the Merlot Palette.
You can find Kona Cotton Solids in my online shop by clicking here. But if you would like to enter for a chance to win the Merlot Roll up, you will need to visit my friend Jeni Baker at In Color Order. You are in for a real treat too.
She is a talented quilter and designer! So explore her blog while you are there and tell her I said hello!!
Until Next Time...


text:
Jane's Addiction finished their brief tour earlier today at the Rock In Rio festival in Madrid, Spain.
The set list for today's show was as follows:
- Mountain Song
- Ain't No Right
- Had A Dad
- Three Days
- Whores
- Been Caught Stealing
- Ted, Just Admit It…
- Ocean Size
- Stop!
- Jane Says
- Chip Away
Thanks go out to Dan Cleary for the set list hook up!


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text:
Bouquets by Occasions
Shop by:
Birthday Flowers
Look no further than Inglis Broadway Florist for birthday gifts! Liven up any birthday party with a festive birthday flowers or surprise them with a cheerful "Happy Birthday" bouquet! We offer birthday flower delivery to Tucson, AZ or nationwide.
Get Well Flowers
Nothing says "Get Well Soon" like a vibrant bouquet of fresh flowers! Look no further for get well gifts than Inglis Broadway Florist. We deliver get well flowers to Tucson, AZ or nationwide to brighten their day. They'll be sure to get well soon!
Just Because Flowers
You don't need a reason to make someone smile! Surprise someone special with a bouquet from Inglis Broadway Florist. From romantic roses to modern arrangements, we've got it all! We can even deliver your bouquet nationwide or locally to Tucson, AZ.
New Baby Flowers
There's no better way to greet a new born baby into the world than with flowers! Surprise a new baby girl or baby boy with a cheery bouquet from Inglis Broadway Florist. We can deliver your wonderful new baby gift of flowers to Tucson, AZ.


text:
Overview : Copyright
Copyright is unlike any other area of intellectual property.
Unlike any other area of intellectual property, all you need to do to have an original work protected by copyright is to create it. Registration is not a precondition to your work being protected by copyright. It arises merely by virtue of the work having been created. It is not unusual for people and companies to not even know that they own copyright in something that they have created.
Moreover, because most countries are members to one or more international treaties for protection of copyright, such as Universal Copyright Convention, the Berne Convention (over 160 member-states), WCT or TRIPS (over 150 member-states), once the work is created in one of these countries, it is also automatically protected in all other member-states. So even though in theory copyright, as all other intellectual property rights does not act extraterritorially, it is recognized in most countries of the world without any need to comply with any formalities.
What does copyright protect?
Copyright protects various results of human creative activity to the extent that such results have been expressed in a manner capable of being perceived by others. Most copyright laws refer to such results as "works". World Intellectual Property Organization's Glossary on Terms of the Law of Copyright and Neighboring Rights defines works eligible for copyright protection as "all original intellectual creations expressed in a reproducible form".
It is very important to distinguish ideas from their expressions. Copyright does not protect ideas, but it does protect their expressions. This is where the reproducibility requirement comes from. Until the idea is expressed in a manner that would allow others to reproduce it, it is still merely an idea that cannot be protected by copyright. As soon as the idea takes some shape, it moves to the realm of expressions, even if it is still a draft.
This is an example of the relationship between ideas and expressions. Before I started writing content for this page, I had a pretty good idea of what I am about to write. I knew what areas I would need to cover, all the definitions were in my mind, and I knew where I was going with that. But it was still an idea, until I started typing. The first thing I created was an outline, something you see as headings in bold. This was already an expression, even though it is unlikely that it would have attracted strong copyright protection, because the outline as such is not terribly original. Then, as I wrote these paragraphs, I created an expression, an original literary work that fully qualifies for copyright protect.
My idea to create a website related to copyright is not protected. The scope of protection of my outline is very limited and would not cover anything beyond the headings themselves. The contents of this page in their totality, however, are protected by copyright, even if the quality of my literary talent does not quite match that of [insert the name of your favourite writer].
Besides mere ideas, copyright traditionally does not protect methods, processes, principles, scientific discoveries or facts. Also, it is important to always bear in mind that copyright is separate from ownership of a material object in which a work is embodied. Hence, if you buy a laptop with a pre-installed operating system, you will own the laptop, but you will not own copyright in the OS whether it is Windows, MacOS, Linux or some other open source or proprietary operating system. Assuming that the operating system was installed legally, all you will have with respect of it is a limited license granted to you by the copyright owner to the OS.
What original works can be protected by copyright?
According to Canadian Copyright Act, copyright subsists in "every original literary, dramatic, musical and artistic work", which includes "every original production in the literary, scientific or artistic domain, whatever may be the mode or form of its expression, such as compilations, books, pamphlets and other writings, lectures, dramatic or dramatico-musical works, musical works, translations, illustrations, sketches and plastic works relative to geography, topography, architecture or science."
While division of works into literary, dramatic, musical and artistic may be useful in terms of enumeration, the actual scope of these categories is generally understood in the broadest possible sense. It is important to note that copyright protects works regardless of their artistic merit or quality, and also when it has very little in common with what is traditionally understood as literature, art or science.
For example, a comment you leave in someone else's blog may well be protected by copyright as a literary work. Likewise, an icon someone designs for your iPhone app may also be protected by copyright as an artistic work. Software code is also traditionally protected as literary works.
Is anything else protected by copyright?
Yes, performers' performances, phonograms (sound recordings) and communication signals, which are usually called "neighboring" or "related" rights in other countries, are collectively referred to as "other subject-matter" and are covered by copyright in Canada, albeit the scope of such protection is substantially more limited compared to copyright in works.
What does it mean when a work is protected by copyright?
According to s. 3 of the Copyright Act, copyright, in relation to a work, means the sole right to use the work in certain ways, and to authorize such use by others.
This covers three major areas: publishing an unpublished work or any substantial part thereof; producing or reproducing the work or any substantial part thereof in any material form whatever; and performing the work or any substantial part thereof in public.
Further, the Act enumerates, in a non-exhaustive list, several specific uses in respect of which copyright vests in the owner the sole right: creation and use of any translation of the work; conversion or an adaptation of the work into a different form; mechanical reproduction of the work; presenting the work at a public exhibition; communicating the work to the public by telecommunication; renting out the work (in case of computer programs or recorded musical works).
Because copyright vests in the copyright owner the right to control various ways in which the work can be used, and because there may exist very flexible schemes in which copyright owner decides to allow some but not other uses of the work, copyright is often referred to as a "bundle of rights".
In practical terms, in order to use the work created by someone else, in most cases the copyright owner's permission is required.
There are two major exceptions to this general rule.
First, there is a time limit after which the work is no longer protected and is said to have fallen into the public domain. Currently, the terms of copyright protection in Canada is merely 50 years counted from January 1 following the author's death. This is usually referred to as "Life + 50". Most developed countries currently protect copyright for 70 years counted from January 1 following the author's death.
Second, copyright laws usually contain a list of specific cases where the use of a work protected by copyright requires neither the copyright owner's permission, nor the payment of royalties. The most notable exceptions in Canada today are:
- use for the purpose of research or private study;
- use for the purpose of criticism or review;
- use for the purpose of news reporting;
- certain uses by educational institutions;
- certain uses by libraries, archives and museums;
- incidental use;
- certain uses by broadcasters;
- certain uses by persons with perceptual disabilities;
- and certain others.
The proposed Bill C-11 significantly encroaches the rights of authors and copyright owners and expands this list by legalizing unauthorized use of works:
- for the purpose of education, parody or satire;
- to create non-commercial user-generated content;
- by reproducing them for private purposes;
- by recording programs for later listening or viewing;
- by making backup copies;
- to ensure interoperability of computer programs;
- and certain others.
What remedies are available to copyright owners whose copyright was infringed?
Under s. 34 of the Copyright Act, where copyright or a moral right has been infringed, the owner of the copyright or the holder of the moral right is entitled to all remedies by way of injunction, damages (including exemplary and punitive damages), accounts, delivery up and to other remedies that are or may be conferred by law for the infringement of a right.
In addition to damages, an owner of the copyright may recover possession of all infringing copies and of all plates used or intended to be used for the production of infringing copies, as if they were the property of the copyright owner.
Instead of damages and profits, a copyright owner may elect to recover statutory damages that range from $500 to $20,000 with respect to all infringements involved in the proceedings for each work or other subject matter. Under the proposed Bill C-11, statutory damages for infringements effected for non-commercial purposes will range from $100 to $5,000 with respect to all infringements for all works or other subject matter involved in the proceedings. Courts have discretion to reduce statutory damages if they would otherwise be grossly out of proportion to the infringement.
Remedies may be limited to injunction when the infringer was not aware and had no reasonable ground for suspecting that copyright subsisted in the work. This limitation only applies to works and other subject-matter that had not been registered with the Canadian Intellectual Property Office.
Why register copyright in Canada?
While registration of copyright is optional and does not create substantive rights, it can provide substantial benefits in case of a dispute.
Registration certificate serves as evidence of ownership in the work or other subject-matter so registered. It is a useful addition to the statutory presumption that copyright subsists in the work or other subject-matter and that their respective creators are the owners of copyright. It must be noted that the certificate is not conclusive proof of ownership, it merely strengthens the registrant's position.
Registration creates a presumption that the infringer was aware of the subsistence of copyright in the work or other subject-matter, and therefore, the provision of the Copyright Act the limits the remedies of the copyright owner to injunction only in cases of innocent infringement no longer applies.


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Happy New Year! Congress is currently on recess. The House is scheduled to return on January 17, 2012 and the Senate will return on January 23, 2012.
Summer Jobs+ Aims to Increase Youth Employment
Yesterday President Obama unveiled Summer Jobs+, an initiative that brings together businesses, non-profits, and government to provide pathways to employment for low-income and disconnected youth in the summer of 2012. The President originally proposed investing in summer youth employment as part of the American Jobs Act which failed to pass Congress. As a result of Congressional inaction, the private sector has already pledged to create 180,000 employment opportunities for low-income youth this summer. The administration hopes that a total of 250,000 opportunities will be available this summer, at least 100,000 of which will be paid jobs and internships.
"America's young people face record unemployment, and we need to do everything we can to make sure they've got the opportunity to earn the skills and a work ethic that come with a job. It's important for their future, and for America's.†said President Obama.
Payroll Tax Cut and TANF Extended for Two Months
Before recess the House and Senate passed a two-month extension of the Social Security payroll tax cut and Temporary Assistance for Needy Families. The bill also extends Unemployment Insurance and the Medicare doc fix for two months. The Senate has appointed conferees on the original House-passed payroll tax bill and House Minority Leader Pelosi appointed House Democratic conferees to work out a year-long extension.
Race to the Top Awards Announced
The U.S. Department of Education announced the seven winners of round three of the Race to the Top competition. The winning states – Arizona, Colorado, Illinois, Kentucky, Louisiana, New Jersey, and Pennsylvania – will each receive a share the $200 million grant. This round focuses on comprehensive statewide reform, as well as improving STEM education. The seven winning applications include commitments to enhance data systems, raise academic standards, improve principal and teacher support and evaluation systems and implement school interventions in underperforming schools.
Nancy Conneely, Public Policy Manager
Tags: President Obama, race to the top, school reform, STEM, summer youth, TANF, unemployment insurance, youth employment


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Bears cornerback Charles Tillman was honored by his hometown last month when Copperas Cove, Texas, held a ceremony naming a street after the two-time Pro Bowler.
"Charles Tillman Way" is expected to be completed in June.
"I think it's pretty cool," Tillman said. "I'm from a small country town and I never in a million years thought I'd have my own street named after me. I remember growing up there, going to all the football games, and being a product of the community. It was good to go back and have them honor me like that. I was pretty humbled for that honor."
The son of an Army sergeant, Tillman graduated from Copperas Cove High School before heading to the University of Louisiana-Lafayette. Located near Fort Hood in central Texas, Copperas Cove is a military town with a population of about 33,000.
Tillman hopes that he and other Copperas Cove natives—such as Redskins quarterback Robert Griffin III—can inspire children to achieve even the loftiest of goals.
"I hope I can show kids that no matter where you come from, even a small town like Copperas Cove, you can go out and do big things," Tillman said. "You have me, Robert Griffin; we probably have had six or seven guys play in the league. Hopefully I can give other kids a passion and a dream that they can go out and do big things too."
When the street was named in his honor, Tillman was joined by several members of his family.
"It's special that they honored me, and one of the cool things was that it was like a little mini-reunion," Tillman said. "I was able to see my parents, all my aunts, my cousins and my grandmother. It was an amazing time to share that moment with them."
Tillman may be Copperas Cove's most well-known native son. Since joining the Bears in 2003, he has become one of the best defensive players in franchise history. He owns Bears career records with nine defensive touchdowns, eight interception return TDs and 675 interception return yards.
Tillman's 36 career interceptions are the most by a cornerback in Bears history and third most overall behind safeties Gary Fencik (38) and Richie Petitbon (37).
Since entering the NFL, Tillman is the league's only player with at least 30 interceptions and 30 forced fumbles. During that span he is second in forced fumbles, tied for fifth in interceptions, fifth in interception return yards and tied for second in interception return TDs.
Off the field, Tillman's contributions are equally impressive. He was selected the 2013 Walter Payton NFL Man of the Year primarily for his work with the Cornerstone Foundation. Since its inception in 2005, Tillman's efforts have impacted over one million Chicago-area children and raised more than $1 million.
During a recent interview in conjunction with a military event, Griffin discussed the influence that Tillman had on him while growing up in Copperas Cove.
"I was in junior high school and he was fresh into the league, doing a good job," Griffin said. "A lot of kids like myself looked up to him back in Copperas Cove. He came back and we were playing basketball. I was real shy and I didn't want to ask him for his autograph. He doesn't remember this, but I walked up to him asking for his autograph and he told me, 'Keep at it young buck, my friend is telling me that you've got a lot of success ahead.' "I told him after the game we played this year that it was an honor to play against this guy. He kind of showed a lot of the young kids in Copperas Cove -- the military brats -- that you can make it, no matter what's going on, how many times you move, no matter what happens with your family in the military. And he also showed that you gotta give back."


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Editorial note
[Fill in your editorial note here.]
Image credit: Rare Book Division, The New York Public Library Digital Collections, copy *KC 1608. His True Chronicle Historie of the life and death of King Lear and his three Daughters. First Quarto. London: 1608.
Citing this page: Shakespeare, William. King Lear, F4v. London: 1608. Cacodemon Digital Shakespeare. Edited by [your names]. Source edition: Rare Book Division, The New York Public Library (*KC 1608). http://cacodemonshakespeare.com/tragedies/lear/f4v.


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Mystery Worshipper: Sparrow
St Anne's Lutheran
Location: City of London
Date of visit: Sunday, 15 July 2012, 11:00am
The building
Designed by Christopher Wren in 1680, St Anne's is a red-brick building in the form of a Greek cross, with a small parkette outside. The Baroque interior is largely done in dark-stained wood and gold. Above the altar are the tablets of the Ten Commandments, flanked by side panels with the Lord's Prayer and the Apostles' Creed. Bright fabric banners hanging from the altar and pulpit add a punch of colour.
The church
In addition to its regular morning services, St Anne's holds jazz, choral, and Bach vespers once a month, and afternoon services in Swahili and Latvian on alternate Sundays. St Anne's Music Society also hosts over 100 concerts every year, including free lunchtime concerts and an annual Bach festival. Notably, St Anne's is the only English-language Lutheran Church in London, although there is a Lutheran student chaplaincy.
The neighborhood
St Anne's in located in the City of London, and the surrounding neighbourhood is a dead zone on weekends. However, the area is well served by a number of Tube stops and bus routes.
The cast
The Revd Tumaini Kallaghe presided over the service. Martin Knizia, director of music, served as cantor and organist. Jean-Marc Heimerdinger, lecturer in Hebrew and Judaism at the London School of Theology, delivered the sermon.
What was the name of the service?
According to the website, "Holy Communion." According to the sign outside, "Choral Eucharist." According to the service leaflet, "Holy Eucharist." According to the first words spoken, "Morning Service."How full was the building?
The church probably seats around 150 people, but there were only a few dozen people in the congregation on this given Sunday.
Did anyone welcome you personally?
I was welcomed by a greeter who handed me a service leaflet and hymnal. Recognizing that I was new, she introduced me to the pastor and a few other church members, and we chatted while we waited for the service to begin. Later, an usher brought me a welcome package with information about the church history, services, and concerts.
Was your pew comfortable?
There were two rows of wooden chairs at the front, followed by five rows of high-backed, hard right-angled pews. No slouching here!
How would you describe the pre-service atmosphere?
Light, friendly, and welcoming.
What were the exact opening words of the service?
"Good morning, and welcome to our morning service!"
What books did the congregation use during the service?
Evangelical Lutheran Worship, the liturgical book and hymnal of the Evangelical Lutheran Church in America and the Evangelical Lutheran Church in Canada; and a reusable leaflet with the order of service.
What musical instruments were played?
Martin Knizia served as cantor and played on two separate pipe organs: a larger fixed one and a smaller portable one beside it. His playing was excellent throughout, including a lovely Bach prelude and postlude.
Did anything distract you?
The decor. I loved the contrast between the seriousness of the architecture and the playfulness of the banners. I also spent some time wondering why there were columns of a lion and a unicorn in a Lutheran church; apparently the building was originally consecrated as an Anglican church, and the two are heraldic symbols of the British Crown.
Was the worship stiff-upper-lip, happy clappy, or what?
We sang hymns from Evangelical Lutheran Worship, so the music itself was mostly traditional liturgy, but the worship had a modern, intimate feel to it.
Exactly how long was the sermon?
15 minutes.
On a scale of 1-10, how good was the preacher?
5 – It took me a long time to figure out what Jean-Marc Heimerdinger was getting at, and it wasn't until the end that I started warming up to the message. The sermon felt longer than the 15 minutes, yet I felt that he ended up saying less than he could've in that time. Another woman gave a pared-down version of the sermon for the children's lesson, and that made much more sense to me. Maybe I need to go back to children's church.
In a nutshell, what was the sermon about?
If we are to accept the word of God, we must also be willing to accept his claim to our lives and align ourselves with Christ. As humans, we are constantly stumbling and must therefore continually repent and re-align ourselves with Christ each day.
Which part of the service was like being in heaven?
That fine tradition of Lutheran hospitality, or the readiness to address the needs of others and to make them feel welcome. For example, the congregation were invited to say the Lord's Prayer in the traditional or modern form or in their own language, and we had a choice of taking communion from a drinking cup or a dipping cup.
And which part was like being in... er... the other place?
Pastor Kallaghe sang every line of the Great Thanksgiving in the wrong key, no matter how hard the organist tried to get her back on track.
What happened when you hung around after the service looking lost?
Several members of the congregation came to greet me after the service and invited me to join them for tea and biscuits at the back of the church. While waiting in line, I got to chat with a few more people, who all took a real interest in getting to know me. The cherry on the sundae was when I was asked if I wanted to help out with next week's service. I liked that (1) they had the confidence to believe that I was going to come back, (2) they wanted to make me feel part of the community right away, and (3) they expect service as a key component of Christian community.
How would you describe the after-service coffee?
How would you feel about making another visit (where 10 = ecstatic, 0 = terminal)?
8 – I enjoyed the overall atmosphere very much: formal but intimate, friendly without being fake. The music was excellent, as can be expected given the number of concerts the church puts on throughout the year. The sermon wasn't great, but I'm told that there is a regular rotation of speakers, so a single lacklustre one is less of a deal-breaker.
Did the service make you feel glad to be a Christian?
Yes. The atmosphere was very hospitable, and the service made clear that the congregation was welcoming of cultural diversity, accommodating to the differently abled, and environmentally aware (they had reusable offering envelopes and service leaflets).
What one thing will you remember about all this in seven days' time ?
Warm fuzzies from an all-round good service.


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WAKO Europe board members Miss Aleksandra Nedelkovska and Mr. Bojan Kolev, who is also a member of WAKO Europe Education and students committee, together with Mr. Vladimir Sitar, chairman of WAKO Europe Education and students committee, have visited European Association Of University Sport (EUSA). Visit was about including kickboxing in a big family of European University Sport Association which would be a great step forward for WAKO EUROPE and kickboxing.
In Ljubljana, capitol of Slovenia on February 21st, we had constructive meeting with the president of EUSA, Mr. Adam Roczek. On the meeting also were present Mr. Matjaz Pechovnik, secretary and Mr. Patrik Perosa , sport manager of EUSA.
EUSA has 45 country members from Europe and this year the EUSA Championship will be in Rotterdam, Holland, including 19 sports.
On the meeting, which started very well, we discussed about including kickboxing in a big family of University sport. We explained everything about championships organized by WAKO IF and WAKO Europe and big popularity of our sport around the world. We introduce WAKO as affiliate from GAISF and Sport Accord. Also, kickboxing is a sport which includes students in WAKO championships. For example, Mr. Kolev expressed his experience in Bulgaria where he has organized student championships 7 years in a row. That impressed representatives from EUSA. As a Balkan president, he suggested that Balkan championship this year should be separated from University championship. That was accepted from EUSA. President of EUSA was invited to be a part of this championships and he accepted.
That was one plus more for WAKO Europe and for us as, representatives of WAKO Europe on this meeting.
The president of EUSA, Mr.Roczek has introduced us with the terms that we must fulfill so WAKO Europe can be included in EUSA and also he gave us open hand for cooperation.
Country Members of Wako Europe already fulfill their activities and terms so that kick boxing will be a part of University sport as soon as possible.
WAKO Europe must send the official request letter to be a member of EUSA.
After that, EUSA office will send conditions about.
In April this year EUSA will have General assembly and they will discuss about us.
This meeting finished very well for both sides.
Aleksandra Nedelkovska, WAKO Europe board member
Picture 1. EUSA President, secretary General and sport menager with WAKO Europe representatives.
web: www.eusa.eu
A special meeting was also held with the representatives of the European kickboxing Federation (WAKO Europe) which is a Continental Division of the World Association of Kickboxing Organisations (WAKO). Mrs Aleksandra Nedelkovska (MKD), Boyan Kolev (BUL) and Vladimir Sitar (SLO) expressed interest in EUSA and its sports programme, discussing potential cooperation in the future.
The outcomes of the working meetings will be presented at the EUSA Executive Committee meeting in April.
Official Invitation
1st WAKO International University Kickboxing
1st WAKO International University Kickboxing Championship will take place in Ufa, Russia, from 12th to 17th July, 2014.
For the program and all necessary details please read carefully the enclosed invitation!
ATTENTIONAccording to WAKO rules®ulations the eligibility for the participation is reserved to WAKO national Federation/Association members.
For the program and all necessary details please read carefully the enclosed invitation!
ATTENTIONAccording to WAKO rules®ulations the eligibility for the participation is reserved to WAKO national Federation/Association members.


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All official European Union website addresses are in the europa.eu domain.
See all EU institutions and bodiesDo something for our planet, print this page only if needed. Even a small action can make an enormous difference when millions of people do it!
Attention is often on efforts to reduce greenhouse gas emissions, and for good reason. But adaptation is inevitable, so it is positive that there is now political focus on this issue across Europe. Many countries now need to turn plans into action.
Hans Bruyninckx, EEA Executive Director
The survey brings together detailed responses from 30 European countries, which are analysed in 'National adaptation policy processes in European countries - 2014', a new report from the European Environment Agency (EEA).
Climate change adaptation is an issue on the political agenda in more than three quarters of countries, according to the survey. Almost all countries stated that extreme weather events have triggered adaptation responses. The second most cited reason for developing national adaptation policies was European Union policies integrating climate change adaptation, followed by damage costs and scientific research.
Most countries identified barriers to taking action – more than three quarters of countries cited a lack of resources such as time, money or technologies as a barrier. 'Uncertainties about the extent of future climate change' and 'unclear responsibilities' were both seen as barriers by a large number of countries.
Despite these difficulties, half the countries reported a high or very high willingness to develop policies and to adapt at the national level. Willingness to adapt may be linked to a growing awareness of climate change, which has increased over the last five years in two thirds of the countries covered, according to respondents.
"This is the first time European countries' adaptation efforts have been analysed comprehensively," Hans Bruyninckx, EEA Executive Director, said. "Attention is often on efforts to reduce greenhouse gas emissions, and for good reason. But adaptation is inevitable, so it is positive that there is now political focus on this issue across Europe. Many countries now need to turn plans into action."
Climate change is expected to affect Europe with increased floods, droughts, heatwaves, rising sea levels and other widespread environmental changes, such as changing species distribution and crop growing seasons. The EEA's climate change indicators show the extent to which these trends have already been observed in Europe and beyond.
Despite a widespread awareness among politicians – 21 countries have National Adaptation Strategies – concrete action is still at an early stage in many European countries. So far 13 countries are already implementing adaptation policies, according to the survey. Providing information was the most commonly-mentioned type of adaptation policy instrument, while water management was the most commonly prioritised sector for adaptation.
Several countries have already put in place schemes to monitor, evaluate or report on their progress, while more than half are planning or working on such a scheme, the survey shows.
The main aim of the report is to share experiences, lessons learned and good practice in adaptation. The survey was carried out on a voluntary, self-assessment basis.
Climate-ADAPT, the European Climate Adaptation Platform, is a comprehensive portal for information on climate change adaptation in the EU. It includes a wealth of information on climate change impacts, varied case studies, EU policies, countries, decision-making tools and other resources.
For references, please go to https://www.eea.europa.eu/highlights/extreme-weather-driving-countries-to or scan the QR code.
PDF generated on 25 Jul 2024, 12:01 PM
Engineered by: EEA Web Team
Software updated on 26 September 2023 08:13 from version 23.8.18
Software version: EEA Plone KGS 23.9.14


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Longer length episodes that dive into some of the fundamental issues surrounding forests and our relationships to them. Settle in for 30 minutes of cross-disciplinary discussion with conservationists, scientists, designers and architects. Available on all of your usual streaming platforms - Spotify, Acast & Apple Podcasts.
Introducing our bitesize podcasts. Your opportunity to eavesdrop on some of Australia's top industry figures chatting to each other about topics pertinent to their work. Pop on your headphones, relax and enjoy 10 minutes of conversation.


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Jul 4, 2022
Mike talks about how to find motivation when training alone.
4-Time Trainer Of The Year Mike Dolce shares his thoughts on topics ranging from losing baby weight to bench pressing twice your body weight. He also answers your fitness and health questions, and brings you behind the scenes of his world-class training camps. The founder of The Dolce Diet, Mike is known the world over for his work managing the weight loss, weight cuts and muscle gains of professional athletes worldwide. His #1 international best-selling books include The Dolce Diet: 3 Weeks to Shredded, The Dolce Diet: Living Lean, & The Dolce Diet: Living Lean Cookbook. For more information on Mike's books, MMA weight cuts, weight management, gaining muscle, weight loss, overall healthy living, UFC FIT and so much more, visit TheDolceDiet.com and DolceDietShop.com
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Posts tagged with: events
2007 Naturalization Ceremony at Monticello
February 3, 2017 · by Justin Hankins
Earlier this week, my old UVA compadre, Alexis Ohanian, posted a heartfelt Open Letter to the Reddit Community, discussing the role immigration has played in his own family. It's a great piece, and I'd encourage you to read it for yourself. (Don't skip the comments!) One thing he mentioned was the experience of witnessing people […]


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We buy any van for cash regardless of the condition in Scarborough.
Get an instant, free van valuation Scarborough in less than 2 Minutes
Call us on 01795 250 065 for an instant price or complete the form and we will call you with your free quote.
Quick Cash Cars offers prompt and professional service in Scarborough. We buy all used, end-of-life, damaged and non-running vans are paid for in cash.
We buy any van for cash regardless of condition; we will go through a checklist with you to determine the value of your vehicle and provide you with a quote. If you are satisfied with this and are happy to move forward, we will organise the best time to collect your van. Payment and collection of your van are usually made on the same day.
If you're in need of some quick cash, by selling your van in Scarborough we can help by making the process, as hassle-free as possible. We will give you a quote, if accepted we'll take care of everything from organising all the necessary documentation through to vehicle collection by our licensed recovery vehicle is always arranged for a time that best suits you. We make the process easy, which means you can save time and money on advertising your vehicle.


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Job Description
We specialise in partnering with Continuing Healthcare teams (CHC) to organise and coordinate packages of NHS funded care to the most vulnerable and socially excluded people within our communities.
This Care Assistant / Support Worker position is to support a gentleman who has a brain injury located in Ongar. To be considered for this position experience within healthcare is required and experience supporting clients that have a brain injury is an advantage.
Care Assistant / Support Worker – Role and Responsibilities:
- Tracheostomy care
- Personal care
- Paid induction
- Free uniform
- Ongoing training and support including 2 days complex care training
- Career progression within a specialist complex care company


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Installation & Warranty
Commercial and/or Residential manufacturer product guarantee to give you peace of mind.
5 Year LimitedThe surface for which the product can be installed upon. The surface should be clean, stable, and meet installation and warranty guidelines prior to installation.
Floor Only
Show More
Product Details
Schluter Schiene Edge Trim 3/8in. Aluminum Brushed Chrome is a finishing and edge-protection profile for the outside corners of tiled surfaces on walls. The vertical wall section of the profile provides a decorative finish and protects adjacent tiles. Other applications include transitions for dado coverings such as carpet, natural stone, or cold-cured resin coatings.


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Numbers 0-6
When you have a display of 0, 1, 2, 3, 4, 5, or 6 your Cel-Fi system has established a connection but is not working to the fullest ability.
Try this… move your units further apart. If you have a particular spot in your home that you want coverage more than others try installing your Cel-Fi system in reverse. Put your Coverage Unit where you need coverage the most then place your Window Unit at the furthest location where you can get at least 1 bar of service.
If you cannot get your systems further apart, and you have the coverage you need, a higher number is not always possible or necessary.
When you have a solid "0" zero display you may also see a flashing green power indicator. This display indicates that your Window Unit and Coverage Unit are "Too Close" together. Try moving the units further apart, starting with the Coverage Unit.


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Aretha Franklin is surrounded by those closest to her as the legendary singer receives hospice care.
A source close to Franklin tells CNN's Don Lemon the 76-year-old "Queen of Soul" is being visited by people close to her who are reading messages from friends and loved ones, holding her hand.
The Rev. Jesse Jackson visited Franklin on Wednesday, said Rainbow Push spokesperson Chinta Strausberg.
Stevie Wonder and her ex-husband Glynn Turman paid the singer a visit, Franklin's publicist Gwendolyn Quinn told
Social media has also been flooded with tributes to Franklin.
Former president Bill Clinton tweeted late Monday asking others to "lift" the ailing star.
"Like people all around the world, Hillary and I are thinking about Aretha Franklin tonight & listening to her music that has been such an important part of our lives the last 50 years," the tweet read. "We hope you'll lift her up by listening and sharing her songs that have meant the most to you."
He joined a chorus of other famous voices, including Mariah Carey, Lin-Manuel Miranda and Chance the Rapper, who offered well-wishes and prayers for the the 76-year-old singer.
Her popularity has spanned generations and some fans shared personal stories of having met the icon.
"I met Aretha Franklin when I was 9, my grandfather's gf was her close friend," one person tweeted. "They took me to a concert and remember watching her backstage with her fur and diamonds commanding the room like a boss. I just knew I wanted to be like that!"


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6 What shall we say then? mAre we to continue in sin that grace may abound? 2 By no means! How can nwe who died to sin still live in it? 3 Do you not know that all of us owho have been baptized pinto Christ Jesus were baptized into his death? 4 We were qburied therefore with him by baptism into death, in order that, just as rChrist was raised from the dead by sthe glory of the Father, we too might walk in tnewness of life.
5 For uif we have been united with him in va death like his, we shall certainly be united with him in a resurrection like his. 6 We know that wour old self1 xwas crucified with him in order that ythe body of sin might be brought to nothing, so that we would no longer be enslaved to sin. 7 For zone who has died ahas been set free2 from sin. 8 Now bif we have died with Christ, we believe that we will also live with him. 9 We know that cChrist, being raised from the dead, will never die again; ddeath no longer has dominion over him. 10 For the death he died he died to sin, eonce for all, but the life he lives he lives to God. 11 So you also must consider yourselves fdead to sin and alive to God in Christ Jesus.
12 Let not gsin therefore reign in your mortal body, to make you obey its passions. 13 hDo not present your members to sin as instruments for unrighteousness, but ipresent yourselves to God as those who have been brought from death to life, and your members to God as instruments for righteousness. 14 For jsin kwill have no dominion over you, since you are not under law but under grace.
15 What then? lAre we to sin mbecause we are not under law but under grace? By no means! 16 Do you not know that if you present yourselves nto anyone as obedient slaves,3 you are slaves of the one whom you obey, either of sin, which leads to death, or of obedience, which leads to righteousness? 17 But othanks be to God, that you who were once slaves of sin have become obedient from the heart to the pstandard of teaching to which you were committed, 18 and, qhaving been set free from sin, rhave become slaves of righteousness. 19 sI am speaking in human terms, because of your natural limitations. For tjust as you once presented your members as slaves to impurity and to lawlessness leading to more lawlessness, so now present your members uas slaves to righteousness leading to sanctification.
20 vFor when you were slaves of sin, you were free in regard to righteousness. 21 wBut what fruit were you getting at that time from the things xof which you are now ashamed? yFor the end of those things is death. 22 But now that you zhave been set free from sin and ahave become slaves of God, bthe fruit you get leads to sanctification and cits end, eternal life. 23 dFor the wages of sin is death, but the free gift of God is eternal life in Christ Jesus our Lord.
About English Standard VersionThe English Standard Version™ is founded on the conviction that the words of the Bible are the very words of God. And because the words themselves—not just the thoughts or ideas—are inspired by God, each word must be translated with the greatest precision and accuracy. As Jesus Himself stressed, "Man shall not live by bread alone, but by every word that proceeds from the mouth of God" (Matt. 4:4). This passion for God's Word is the driving force behind the translation of the ESV™ Bible. The English Standard Version™ does not try to "improve" on the original in light of today's culture or by using trendy language. Instead, the utmost care has been taken to express God's Word in English that most closely captures the meaning of the original, with understandability, beauty, and impact. |
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Guild cites confidentiality in request to state judge
Oct 26, 2011
By Dave McNary
The Screen Actors Guild has asked a state court judge to seal information about how it handles millions of dollars of foreign levies as part of the settlement in the tangled class-action suit over the funds.
Lawyers for Ken Osmond, who filed the suit over the funds in 2007, oppose the motion and assert that SAG is required by federal labor law to disclose any disbursements of more than $5,000.
At issue is an exhibit dubbed a Foreign Royalty Status Table, which details the status of SAG's foreign levy program, including specific dollar amounts collected from the inception of the program through March 21, 2011.
SAG is insisting that it has "an overriding interest" in protecting its confidential financial information which outweighs "right of public access" to the information. "If this motion is denied, then sensitive confidential financial information will be exposed, to SAG deteriment," the guild said in a filing to Superior Court Judge Carl West.
The judge met with attorneys for more than an hour Wednesday and said he'd decided not to hold a public hearing that had been scheduled to address unresolved issues that he didn't identify, adding that he's scheduled a Jan. 10 hearing.
"We have identified several open issues and reporting requirements," he told William Richert, the lead plaintiff in a similar suit filed against the Writers Guild of America.
Neville Johnson, attorney for Richert and Osmond, said Wednesday that the confidentiality issue remains unresolved. He's contended that SAG's required to disclose the information to the U.S. Dept. of Labor under the Labor-Management Reporting Act in a Form LM-2 and that the majority of the dollar amounts detailed on Exhibit 1 are in excess of $5,000.
"Further, the foreign levy funds detailed in Exhibit 1 are being paid out to members of the class, and thus are distributions of SAG," Johnson contended. "Therefore, the contents of Exhibit 1 are to be included in SAG's report to the DOL and must be included on the Form LM-2. As stated above, such report is to be made public.As a result, SAG has an obligation to make the contents of Exhibit 1 public."
The Osmond suit was settled earlier this year and the Richert suit was setted in June 2010. In 2008, the Directors Guild of America settled a suit filed by William Webb.
The lawsuits stem from "foreign levies" for American actors, writers and directors — which began to flow in 1989 after the U.S. agreed to the terms of the Berne Convention, which established the right of authorship for individuals who create works of art. SAG, the WGA and the DGA began collecting the foreign funds in the early 1990s on behalf of members and nonmembers who had a stake in films and TV programs.
The funds are collected from countries through mechanisms such as taxes on video sales and rentals to compensate copyright holders for reuse. All three guilds have denied any wrongdoing. SAG announced earlier this year that it had created an online Foreign Royalties tracker for actors and asserted that the guild has collected $18.1 million in foreign royalties for performers and had distributed $8.78 million in more than 273,000 checks to more than 76,000 individuals.
Johnson said that both sides have resolved long-standing disagreements on the issue of engaging consultants Donald Jasko and Daniel Gervais to review the foreign levies programs at SAG and the WGA West.


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Christmas was filled with a different light that didn't filter through the rest of the year, sent electric shivers through the complacent houses up and down the block. Anything was possible. We made the pilgrimage to pick out the exquisite tree as soon as December hit. My siblings and I argued over which tree was the tree until Dad said 'This is it.' Then the guy who worked there, cut off the bottom while Mom collected boughs to place on the mantel and around a candle on the dining room table. The tree was strapped to the top of the station wagon and everyone was smiling, even Dad. We spent that night decorating, with Mom leading the way. The pulsating large, multi-colored lights blasted around the picture window and the tree until nothing was stagnant in our house. Our faces flickered on and off in flaming reds, blues, greens and yellows. Mom was somebody else during the holidays, a treasure chest filled with some kind of happiness and brilliance that blazed out of her being. She would put on the Dylan Thomas scratchy album "A Child's Christmas in Wales," and we'd all hover close by with the throbbing neon bulbs illuminating our faces as we listened to that lilting waver of a voice that sounded like crashing waves against rocks from a distant planet.
Our neighbors and my older brother and sister went to the midnight mass, smoked cigarettes and drank whatever they could steal from their parent's stash that night, while the rest of us sat in the living room, stared into a space that believed everything could change like the glistening snow and the charged air and rainbows that rearranged the tragic misery of that room. Mom chugged her glass of wine and laughed, sat back in her recliner as the deceptive varnish of fresh snow and glittering lights through the night air wedded all of us to a holiday season packed with expectation.
The brutal realm of day-to-day existence had multitudes dissociated, walking back and forth through malls with bags full of ridiculous crap they would never think of buying at any other time of year, unless they were under the gun, which 'twas the season. Thank god for wrapping paper. Even a package of Hanes underwear looked much better in a box under a bow.
It was a state of siege that had me engulfed in that anticipatory surge of life that came with sledding, snowball fights, transient lights and music. Tearing open presents always rocked more than what was beneath the ribbon and paper. It was this belief that inside one of those presents was the promise of another life. The reality was that a week later, snow was gray and yellow, gifts were forgotten, and parents, school, neighborhood and myself were still there.
And so what about the special delectables? I'd always assumed Christmas snacks would come through with what they promised and why wouldn't I? They had never let me down. Yes, I sat in the lunchroom when I was eight, psyched that instead of a few Fig Newtons glued to each other, my mom had packed an exquisite Twinkie for the holiday. Now that was golden! The outside was peachy and euphoric in the phallic shape of dessert ecstasy, but when I took that first bite of a third of the submarine, I realized something was wrong. It was grainy like when you get smacked by a wave in the lake and come up with sand in your mouth. The thing about a Twinkie was that when you bit into it your eyes close automatically. It was only for one sense to absorb. The sad part was that when I opened my eyes to look at the two-thirds left of my spongy delicacy, I was face to face with the color green puffing out of the center. Not a pastel green or an olive green, but the Christmas evergreen that had no pretense of hiding its ornamental beauty from anyone. I was positive I turned a green that gave away the Irish half-breed of me as I imagined what the rest of the tasty treat was doing now to my stomach and my brain. I was sweating and nauseated when Maggie Felsteder asked if she could finish the remnants of the Twinkie I was stuffing into my brown paper bag. I never liked Felsteder. I started to feel a little bit better at that point. Yeah, sure, I said, as I launched the torpedo at her from the unbitten end. Merry Christmas.
- Guest Post, Meg Tuite: Christmas Twinkies - December 22, 2013


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Does your business need real estate to conduct operations? Or does it otherwise hold property and put the title in the name of the business? You may want to rethink this approach. Any short-term benefits may be outweighed by the tax, liability and estate planning advantages of separating real estate ownership from the business.
Tax implications
Businesses that are formed as C corporations treat real estate assets as they do equipment, inventory and other business assets. Any expenses related to owning the assets appear as ordinary expenses on their income statements and are generally tax deductible in the year they're incurred.
However, when the business sells the real estate, the profits are taxed twice — at the corporate level and at the owner's individual level when a distribution is made. Double taxation is avoidable, though. If ownership of the real estate were transferred to a pass-through entity instead, the profit upon sale would be taxed only at the individual level.
Protecting assets
Separating your business ownership from its real estate also provides an effective way to protect it from creditors and other claimants. For example, if your business is sued and found liable, a plaintiff may go after all of its assets, including real estate held in its name. But plaintiffs can't touch property owned by another entity.
The strategy also can pay off if your business is forced to file for bankruptcy. Creditors generally can't recover real estate owned separately unless it's been pledged as collateral for credit taken out by the business.
Estate planning options
Separating real estate from a business may give you some estate planning options, too. For example, if the company is a family business but some members of the next generation aren't interested in actively participating, separating property gives you an extra asset to distribute. You could bequest the business to one heir and the real estate to another family member who doesn't work in the business.
Handling the transaction
The business simply transfers ownership of the real estate and the transferee leases it back to the company. Who should own the real estate? One option: The business owner could purchase the real estate from the business and hold title in his or her name. One concern is that it's not only the property that'll transfer to the owner, but also any liabilities related to it.
Moreover, any liability related to the property itself could inadvertently put the business at risk. If, for example, a client suffers an injury on the property and a lawsuit ensues, the property owner's other assets (including the interest in the business) could be in jeopardy.
An alternative is to transfer the property to a separate legal entity formed to hold the title, typically a limited liability company (LLC) or limited liability partnership (LLP). With a pass-through structure, any expenses related to the real estate will flow through to your individual tax return and offset the rental income.
An LLC is more commonly used to transfer real estate. It's simple to set up and requires only one member. LLPs require at least two partners and aren't permitted in every state. Some states restrict them to certain types of businesses and impose other restrictions.
Proceed cautiously
Separating the ownership of a business's real estate isn't always advisable. If it's worthwhile, the right approach will depend on your individual circumstances. Your CPA can help determine the best approach to minimize your transfer costs and capital gains taxes while maximizing other potential benefits. If you have questions, leave a comment below, or feel free to contact me directly. I'm happy to help!


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The Games Archive - Sierra Abandonware
Sierra On-Line was founded by Ken and Roberta Williams in 1979 as a video game developer and publisher. They are best known for its multiple lines of seminal graphic adventure games started in the 1980s, some of which proved influential in the history of video games. Some of their more recognizable games are Mystery House, King's Quest, Space Quest Leisure Suit Larry and Gabriel Knight Series. Recently there have been game companies which have been remaking these old classics for newer systems allowing fans to download them and relive the magic of the golden adventure era.


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GEE Global Heights Academy Academies curriculum will be sufficiently broad to allow students the opportunity to study a range of subjects including: English Language Arts, Mathematics, Arabic Language, Science, Social Studies, PE, Technology, Art and Music.
GEE Global Heights Academy Academy is committed to teaching and enforcing high-quality academic standards. It is the goal of the academic program at GEE Global Heights Academy Academy to encourage each student to reach his/her maximum learning potential in all subject areas. GEE Global Heights Academy Academy will achieve this level of excellence by providing an instructional program that directly meets the needs of every student. The mission and vision of the Academy is closely connected to the curriculum, which is the American Common Core State Standards. The American Common Core State Standards curriculum covers Mathematics and English Language Arts. The science standards to be used will be the Next Generation Science Standards. Therefore, all GEE Global Heights Academy Academy students will acquire the skills necessary to be a well-rounded person on the path towards a successful educational and professional career.
GEE Character Traits
We believe that character education is a basic ingredient in the education process and this component hasn't received the needed attention in the traditional educational system. Therefore, the Academy staff has identified the following character traits as important for the development of responsible citizenship. These character traits are taught and practiced throughout the school year in a variety of specific lessons and settings.
Respect is the foundation for a safe and peaceful school environment that is conducive to learning. Respect may be further divided into respect for oneself, respect for others and respect for property.
We have an obligation for our own thoughts, actions and feelings, taking pride in our efforts and successes. It also means that we admit when there is need for improvement. We apply what we have learned and make appropriate decisions.
Being grateful for the wonder and beauty of the world and its people.
Being dedicated to learning, persevering, and showing self-discipline and responsibility.
We believe that by working together we will produce quality work and achieve academic excellence.
Being innovative and imaginative in their thinking and in their approach to problems and dilemmas.
Having a strong desire about the nature of learning and of the world, its people and cultures.
Imaginatively projecting oneself into another's situation, in order to understand his/her thoughts, reasoning and emotions.
Having strong moral principles and a firm sense of fairness and honesty.
Feeling sensitivity towards differences and diversity in the world and being responsive to the needs of others.
This site provides information using PDF, visit this link to download the Adobe Acrobat Reader DC software.


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View WooCommerce Customers in a Table , Bulk Editor for User Profiles and Create New Customers Quickly.
Use Cases for WooCommerce Stores
View all your customers in a Table
Search Customers by Name, Email, or Username
See all the Customer Profiles at once in a Single Table
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Provide Support to your Customers : Change passwords , Edit emails and other fields
Sort customers by name, email, and any other field
View customers shipping information
View customers billing information
Stop wasting time and clicks, view all the information in a single table
Create new Customers in Bulk
Edit A lot of Customers using your keyboard only
Manage your Store more easily
You can edit Email, Username, Password, Role, First name, Last name, description, nicename, website, display name, nickname, rich editing, comment shortcuts, admin color scheme, show admin bar on frontend , language, and more.
Limitations in the free version:
- You can only edit users with "customer" role. You can not edit Administrators, Editors, Authors, Shop Managers, Employees
- You can not edit custom fields
- You can not edit WooCommerce Billing and Shipping information
- You can not search / find customers by WooCommerce Billing and Shipping information
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WooCommerce Stores: Edit Customers Shipping Information
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You can use multiple search conditions and different operators (=, LIKE, <, >, <=, >=).
Advanced search for Users. Find Users by Email, Role, Sign up date, Custom Fields.
Use multiple search criterias and advanced operators during the search. -
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Zrzuty ekranu
Automatic installation
Automatic installation is the easiest option as WordPress handles the file transfers itself and you don't need to leave your web browser. To do an automatic install log in to your WordPress dashboard, navigate to the Plugins menu and click Add New.
In the search field type WP Sheet Editor and click Search Plugins. Once you've found our plugin you can install it by simply clicking "Install Now".
Manual installation
The manual installation method involves downloading our plugin and uploading it to your webserver via your favourite FTP application. The WordPress codex contains instructions on how to do this here.
Najczęściej zadawane pytania
What user roles can I edit?
The free version lets you edit subscribers only.
The premium version lets you edit all user roles, including administrators, editors, authors, shop managers, customers, etc.
What user information can I edit?
The free version lets you edit these fields:
Email, Username, Password, Role, First name, Last name, description, nicename, website, display name, nickname, rich editing, comment shortcuts, admin color scheme, show admin bar on frontend , language.The premium version lets you edit all fields, including custom fields. You can create new columns for editing new fields.
Yes. You can set up the number of posts to save per batch and the waiting between batches. Tweaking those settings you can make it work with any server.
Kontrybutorzy i deweloperzy
"WooCommerce Customers Table: View, Search, Bulk Editor" jest oprogramowaniem open source. Poniższe osoby miały wkład w rozwój wtyczki.
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Przeglądaj kod, sprawdź repozytorium SVN lub czytaj dziennik rozwoju przez RSS.


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Princess Cristina, the sister of Spain's King Felipe VI, has been acquitted in an alleged embezzlement scheme — but her husband was found guilty Friday, as a court handed down a prison sentence of more than six years to Iñaki Urdangarín for an assortment of crimes.
"They were accused of embezzling millions of dollars in public donations to a sports charity they ran," Lauren Frayer reports from Madrid for NPR's Newscast unit. "Both are former Olympians. Princess Cristina was the first royal to face criminal charges in Spain's modern history. Urdangarín's lawyers are expected to appeal."
Lauren adds, "Cristina and her husband are believed to be at their luxury villa in Switzerland, and were not in the courtroom for sentencing. Both denied wrongdoing."
Infanta Cristina de Borbón, 51, had faced charges of tax fraud; although she was acquitted, a provincial court also ordered her to pay a fine of 265,000 euros (around $280,000).
Urdangarín was a main defendant in the case, which also involved more than a dozen other people. The charges leveled against him included money-laundering and forgery.
As Lauren reported last month:
"Cristina's defense appears to be two-pronged: She denies knowledge of her husband's business dealings and repeated the phrase "I don't know" 182 times in response to a judge's questions at a February 2014 pretrial hearing, according to a transcript.
"Her lawyers also want her case dismissed because charges were brought by a private anti-corruption group, not Spanish authorities. (A quirk of Spanish law allows this.) In fact, Spain's tax authorities have sided with the princess, arguing for an administrative fine rather than criminal charges."
Copyright 2020 NPR. To see more, visit https://www.npr.org.