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Expert Garbage Removal Tips & Tricks
Did you know that the average American produces over 4 pounds of trash per day? That adds up to a staggering 1,460 pounds of garbage every year! Efficient garbage removal is not just about keeping your space clutter-free; it's about properly managing and disposing of your waste to maintain cleanliness, promote health and safety, and protect the environment.
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Sorting and organizing waste is an essential step in efficient garbage removal and waste disposal. By categorizing waste into different types, such as recyclables, organic waste, hazardous materials, and general trash, you can streamline the disposal process and maximize recycling efforts.
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Types of Waste | Sorting Guidelines |
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General Trash | Non-recyclable, non-hazardous items |
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Garbage Removal: Go Green with These Eco-friendly Strategies
In line with the growing focus on sustainability, adopting eco-friendly strategies for garbage removal has become essential. By incorporating these practices into your waste management routine, you can contribute to preserving the environment and creating a greener future.
One effective eco-friendly strategy is to donate usable items instead of throwing them away. By giving away items that are still in good condition, you can extend their lifespan and reduce waste. Charitable organizations, such as Goodwill and The Salvation Army, accept donations of clothing, furniture, electronics, and more, providing them to those in need.
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Opting for environmentally-friendly disposal methods is also crucial for sustainable waste management. Many cities and municipalities now offer recycling programs for a wide range of materials, including paper, plastic, glass, and metal. By properly sorting and recycling these items, you can divert them from the landfill and conserve valuable resources. Additionally, some waste management companies offer specialized services for the collection and processing of hazardous materials, ensuring their safe disposal and minimizing harm to the environment.
Eco-Friendly Garbage Removal Strategies | Benefits |
Donating usable items | Reduces waste and helps those in need |
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Opting for recycling programs | Diverts materials from landfills and conserves resources |
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Expert Advice on Choosing a Trash Removal Service
When it comes to efficient and hassle-free waste disposal, selecting the right trash removal service provider is crucial. To ensure you make the best choice, there are several factors to consider.
1. Reliability: A reliable trash removal service is essential to ensure your waste is collected promptly and consistently. Look for a company that has a track record of reliability and maintains a regular schedule for garbage removal.
2. Affordability: While cost shouldn't be the sole determining factor, it's essential to consider the affordability of the trash removal service. Compare prices and services offered by different providers to find one that fits your budget without compromising on quality.
3. Customer Reviews: Before selecting a trash removal service, take the time to read customer reviews. Check online platforms and review websites for feedback from previous customers. This can give you valuable insights into the company's level of service and customer satisfaction.
4. Range of Services Offered: Consider the range of services offered by the trash removal service provider. Do they offer recycling options? Can they handle hazardous waste? Having a provider that can handle all your waste disposal needs can save you time and effort.
5. Assess Credentials: It's important to assess the credentials of the trash removal service before making a decision. Look for licenses and certifications that demonstrate their commitment to proper waste disposal practices and compliance with regulations.
6. Waste Disposal Methods: Understand how the trash removal service disposes of the waste they collect. Ensure they follow environmentally-friendly practices and comply with local regulations. A responsible trash removal service will have proper waste management and recycling processes in place.
By considering these expert tips, you can make an informed decision when choosing a trash removal service. This will ensure that your waste is managed efficiently and responsibly, contributing to a cleaner and healthier environment.
Factors to Consider | Description |
Reliability | A reliable trash removal service ensures consistent and prompt waste collection. |
Affordability | Consider the cost of the service and find one that fits your budget without compromising quality. |
Customer Reviews | Read customer reviews to gain insights into the level of service and customer satisfaction. |
Range of Services Offered | Look for a provider that offers a wide range of services to meet all your waste disposal needs. |
Assess Credentials | Check for licenses and certifications to ensure the service provider follows proper waste disposal practices. |
Waste Disposal Methods | Ensure the service provider follows environmentally-friendly practices and complies with local regulations. |
In conclusion, efficient garbage removal is crucial for maintaining cleanliness, promoting health and safety, and preserving the environment. By understanding the basics of waste disposal and implementing expert tips and tricks, individuals can effectively manage their waste and contribute to a sustainable waste management system.
One key aspect of efficient garbage removal is sorting and organizing waste properly. By categorizing waste into different types and following local recycling regulations, individuals can maximize recycling efforts and minimize their environmental impact.
Another important consideration is adopting eco-friendly strategies for garbage removal. This includes donating usable items, composting organic waste, and selecting environmentally-friendly disposal methods. By incorporating these strategies into their routine, individuals can play an active role in preserving the environment and reducing their carbon footprint.
Choosing a reliable trash removal service is also essential for hassle-free waste disposal. By assessing the credentials of the company, checking their waste disposal methods, and considering customer reviews, individuals can make an informed decision and select a service that meets their specific needs.
Companies like Diligent Junk Removal provide expert guidance and services to ensure efficient and responsible garbage removal. By following these expert tips and tricks, individuals can maintain a clutter-free space that is environmentally-friendly and conducive to a healthier living or working environment.


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Black Indian Horn Cover Coin Mount and Never Forget
MotorDog69 Set Screw Black Indian Horn Cover Coin Mount with "Never Forget" Coin
• Fits All Stock Indian Horn Covers.
• Find out why our customers are riding with pride, when they mount something meaningful on their bike.
• Black Indian Horn Mount covers the round section on your Indian horn cover, adding an additional reflective surface and a custom look as in the online picture. Once it's mounted it looks like it's one piece.
• Now you can "Mount a coin, ride with pride, flip coin over, or re-mount a new coin, to get a new personalized look." USA Patented and Engineered, Show Chrome Plated. Other Finishes Available.
· USA Patented and Engineered, black powder coated finish to match your Indian Horn Cover, other finishes available.
• Bundle Includes; Set Screw Black Indian Horn Cover Coin Mount, Challenge Coin Shown, Set Screws, Allen Wrench, And Easy To Follow Instructions. Personalize Your Ride Today!
• Kit Benefits; Easily mount and remove challenge coins to personalize your own stock Indian Horn Cover.
• You can loosen one of the set screws in order to flip the coin over to display the other side, or re-mount a different coin, to get a new personalized look. Coin mount attaches with rtv silicone, found on our website.
• The feeling you get when you mount a personal challenge coin on your bike, is something only our customers know.
• "Add a piece of your life to your bike" with MotorDog69's Challenge Coin Mounts.
• MotorDog69 Is The Inventor and Designer Of The World's 1st Adaptable Challenge Coin Mounts For All Motorcycles And Vehicles.
"Mount a coin, ride with pride, pop coin out, remount a new coin, get a new personalized look."

subset: commoncrawl


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Inspired by true events, Eddie the Eagle is a feel-good story about Michael "Eddie" Edwards (Taron Egerton), an unlikely but courageous British ski-jumper who never stopped believing in himself – even as an entire nation was counting him out. With the help of a rebellious and charismatic coach (played by Hugh Jackman), Eddie takes on the establishment and wins the hearts of sports fans around the world by making an improbable and historic showing at the 1988 Calgary Winter Olympics. From producers of Kingsman: The Secret Service, Eddie the Eagle stars Taron Egerton as Eddie, the loveable underdog with a never say die attitude.
In Theaters – February 26, 2016
Cast: Taron Egerton, Christopher Walken, and Hugh Jackman
Directed by Dexter Fletcher
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Eddie the Eagle | "Never Give Up" Featurette | 20th Century FOX


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I dont have time for a big post today but there was another interesting question I wanted to put forth here tonight.
I bet you readers have done some amazing things on the bicycle in your lives.
Taking into consideration your experience and the regional influence, what is your standard for climbing bragging rights? And is there an ultimate universal standard at all? I wouldn't know.
For example, very recently, I was told it was the 2% rule. Which means for every 10 miles you go in horizontal distance, the vertical has to be 1000 feet in climbing. So 30 miles equates to 3000 feet, 100 miles equates to 10000 feet of climbing and so on.
That sounds a little low to me, and I guess I could break that with a 10 mile ride with 1000 feet of climbing every day?!! And a bike messenger somewhere in the Alps (say) breaks the rule with a pretty solid margin on any short jolly ride to the grocery store. :)
Well, I'm not sure whether there are grocery stores near the Alpine passes but thats another matter. So anyway, Will, Don etc...what are your thoughts?
Monday, July 21, 2008
11 Standard for Climbing Bragging Rights
11 comments:
- Anonymous6:34 PM
It seems that 5%-6% is the standard on major passes in Colorado. You won't find modern roads with a sustained grade of more than 6%. Now, on the older roads, all bets are off. My Front Range favorites:
* Lookout Mtn: 4 miles, 1500' of climb and plenty of competition every day
* Lefthand Canyon w/Old Stage: 18 miles, 4000', including a full mile at 10%
* Squaw Pass: 15 miles, about 3500' ending at about 11,000'
* Mt Evans: 28 miles, about 7800', ending at over 14,000'
* Triple Bypass: 120 miles, 10,200' of climb
Locally, merely completing these is routine. I think that it is ok to brag if:
* You did the Bob Cook Memorial Mt Evans climb in 3 hours or less
* You did the Triple Bypass in under 7 hours
* You can do Lookout Mountain in under 20 minutes pretty much any day of the week.
I can't match those times, but I run into guys around here who can, and my hat is off to them. They can brag all they want. - Michael1:45 AM
Mt Seymour hill climb just outside of downtown Vancouver a few miles
1050m altitude gain in 12.9 km ie steep as hell at an average of 7%, but with ramps a little steeper than 10% thrown in
Cypress Mountain hill climb, also just a few miles away from downtown
700m gain in 10k. 5% average grade, but there are 2 long'ish flats which skew the equation. Average real climbing time is all in the 8-9% range.
All in all a couple of solid Cat.1/borderline HC TDF style climbs in our immediate neighbourhood.
Cypress is a mental grind with LOOOOOOOOOOOOONG straightaways, while the Seymour climb serves up loads of switchbacks and is a far more ascetic experience.
Just outside of Quebec City (my home town) you will find sustained climbs in the 12% range that are 6+ km long. They aren't bringing the ProTour there for nothing next year! I'm horribly late on this post, but I just stumbled across this blog looking for some VAM data. Great site!
I have to say that The Everest Challenge should be worth something for bragging rights - first day is 128mi and about 15,000', second day is around 80mi(?) and a bit over 14,000' - one "Mt Everest" worth of climbing in one looong weekend. Hell of a race!- Anonymous12:02 PM
I am proud to say there are three wonderful & well organized rides in WISCONSIN that have over 100' per mile - Horribly Hilly, Insane Terrain, and the Dairyland Dare. What makes these extra challenging is they are rollers, not just a few long steady climbs that allow one to get into their "rhythm".


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On Monday, Judge Koh denied Apple a permanent injunction against Samsung over the patents the jury had found infringed, but that does not mean that Samsung is free to infringe. Apart from the fact that I believe Apple will ultimately win some injunction on appeal (because patents are exclusionary rights under the Constitution and if Apple doesn't win one in this case, no patent holder in this industry ever will), there's an important consequence of the denial that I haven't seen addressed elsewhere, so I want to talk about it now.
Contrary to popular misbelief, the strategically most important issue now is not the one of whatever adjustments Judge Koh may make to the jury's billion-dollar damages award. Whether it goes up to $1.5 billion (Apple would love that) or down to $800 million is not going to change the situation between these two companies. In a way, even Samsung's withdrawal of its European SEP-based injunction requests is more important than the entire billion-dollar award because it wouldn't have taken Samsung too many months of blocking Apple's sales in a market like Germany to cause damage well in excess of a billion dollars. (There are steps Apple could have taken to avoid this, but those measures could also have been quite costly and, in the long run, might have resulted in licensing costs exceeding a true FRAND rate by far more than a billion dollars.)
The key issue remaining in Judge Koh's court now is about damages, but not about past damages. It's about future damages, more commonly referred to in legal documents and write-ups as "post-judgment royalties".
The denial of an injunction is not a determination that the future value of a patent is zero. Instead, the legal consequence is that the court must determine what the infringer needs to pay for future use of those patents. The court won't stop the infringement, but the infringement, if any still occurs going forward, must be compensated. The patent holder is always entitled to monetary compensation, which is a legal remedy (available under the law) as opposed to an equitable one (injunctions are in the discretion of the court).
Back in July I already reported on (among other things) the per-unit amounts that Apple wants to receive on an ongoing basis:
$2.02 for the "overscroll bounce" (or "rubber-banding") '381 patent
$3.10 for the "pinch-to-zoom API" '915 patent
$2.02 for the "tap to zoom and navigate" '163 patent
$24 for use of any of Apple's design patents or trade dress rights
From a practical point of view, we can forget about the last item ($24 for design patent or trade dress infringement). Samsung is not going to do that, not even if the cost was one tenth of that amount. Samsung benefited in the past from building iPhone/iPad lookalikes -- it no longer needs to do that.
For the three software patents, Samsung claims to have workarounds. I analyzed them in October and subsequently reported on Apple's claim that Samsung's purported workaround for the '915 patent isn't truly a workaround but just another act of infringement.
I believe the rubber-banding workaround is legally fine but it's just a throw-out (of a feature that's not just a visual effect but key to usability) and not a non-infringing implementation of comparable functionality. If it were just about this patent (and not about countless other patents Apple might assert over time, resulting in a huge aggregate cost), I actually believe that the $2.02 price would be worth paying because rubber-banding would palpably enhance the user experience of Samsung's phones. (Samsung hasn't implemented it for about a year because of various lawsuits around the world, but I'm sure it would love to re-implement it.) The cost to Samsung would, however, not be limited to whatever the court determines it has to pay Apple on a per-unit basis. There would also be the cost of having to maintain two different code trees (one for the U.S. and one for countries in which Apple has won or may win injunctions) for different jurisdictions. Also, the rubber-banding patent is under invalidation pressure in the U.S., so Samsung may ultimately get it for free anyway.
For tap-to-zoom, Samsung's workaround appears to solve the legal problem without any significant degradation of the user experience. The difference between the original implementation and the workaround is just what happens as a result of the next tap after the first tap-to-zoom operation. I'm not even sure Samsung would pay a few cents per unit to get to use that patent (unless Apple can really convince a court that the workaround isn't legally safe, but Samsung's non-infringement theory looks plausible to me).
The tricky part is the pinch-to-zoom API patent. There's a dispute (and to the extent that information was disclosed at all, it appears to be genuine) over whether or not the workaround still infringes. Apple believes this should be the most expensive one of the three software patents. If the court sets a low per-unit fee (instead of the $3.10 Apple asks for), Samsung might actually prefer to just pay it rather than fight with Apple over whether the workaround is a workaround, but since Apple will appeal the denial of the injunction, Samsung cannot know whether at some point it may really want to defend the workaround, so it might just have to fight over this.
Compared to the billion-dollar award for past infringement, these amounts of a couple of dollars per patent per unit (sold in the U.S. market) don't look huge. But strategically they are, because they have a relevance to long-term competitiveness and possible per-unit royalty rates for a license to Apple's entire portfolio. By contrast, the billion-dollar award is of a non-reoccurring nature. Apple might get other billion-dollar awards, but as long as Samsung doesn't infringe any design patents or trade dresses (or trademarks, which are not presently at issue), the likelihood of another billion-dollar award is very, very low. It's not that expensive to infringe utility patents. It's really the design and trademark stuff that gets costly, and Samsung will most probably avoid that one in the future.
Let's assume Judge Koh awards Apple a per-unit royalty for actual future use (Samsung won't pay if it just works around) of about $1 on average for each of these patents. And Samsung may decide to pay this for only one or two patents but probably not all three of them. But it may feel forced (or be forced, if its purported workaround doesn't withstand scrutiny) to pay $1 or $2 per unit. Big deal? Not big, but scalable.
It would be scalable because Apple has many more patents in stock. It would take time, but Apple might enforce more and more patents, and then reach a point at which Samsung would pay $10 or $15 for its use of only a dozen Apple patents. The alternative would be a license deal with a reasonable per-unit royalty and the anti-cloning provision that matters such a great deal to Apple in these kinds of deals.
The billion-dollar award, even if affirmed more or less, would just be like a sunk cost to Samsung. Water under the bridge. They would pay it mostly for the design and trademark stuff. It would have little bearing on a settlement involving technical patents. Sure, there could be a deal where Samsung pays more up front and a lower royalty going forward, or where Apple says "we'll drop or reduce the damages claim for past infringement if you pay more on a per-unit basis", but it would merely be a bargaining chip.
There are different ways in which Judge Koh could determine the post-judgment royalties. Theoretically, the parties could agree (as part of a wider settlement or just as a stipulation covering this specific issue). Most likely, they won't. Apple will want what it asked for in the summer, and Samsung will offer a few cents per unit. So the court will have to decide. Most patent cases get settled long before this point, and especially before any of this gets decided on appeal, which is why the law isn't completely settled in this area. There are three distinct possibilities:
For the first one it's too late in this case: Judge Koh could have asked the jury to determine post-judgment per-unit royalties for the event that an infringement is identified but an injunction denied. This jury wasn't asked to decide this, and it won't reconvene in court.
Judge Koh could put the issue before a new jury. This would require a jury trial at which the parties would present and defend their positions on the appropriate royalty rates. It would be a significant (but not huge) drain on court resources (also on the parties' resources, but those are vast).
Judge Koh could make the determination herself. In this effort, she could attach more or less weight to the per-unit past damages amounts set by the jury. Samsung reverse-engineered the jury's per-product damages figures, but only to the extent that it's clear what the jury award for design patents (in total) and for software patents (in total). It's not clear how much value the jury attached to, for example, rubber-banding relative to pinch-to-zoom. The jury award was, on a per-unit basis, much less than what Apple asked for, but still a huge multiple of whatever Samsung would consider reasonable.
For post-judgment royalties, Apple might ask for an enhancement (such as a tripling) based on willfulness. While there are legal scholars who believe there is no basis for willfulness enhancements of running royalties, there are courts who have done this. If Apple could actually get triple post-judgment damages, then we'd be talking about several dollars per unit per patent. It would take Apple only a handful of successfully-enforced, willfully-infringed patents that Samsung would continue to infringe in order to get something on the order of a $15 per-unit royalty.
Scalable revenue streams are the primary business objective of companies like Apple. Apple would certainly prefer a deal with Samsung over protracted litigation, and if litigation continued, it would prefer (and will at some point win) injunctions over post-judgment royalties. But even in this worst-case scenario for Apple (worst case after a finding of liability; obviously, when a lawsuit starts, the worst case is that no infringement of any valid rights is identified in the first place), with an injunction being denied, there's still plenty of upside in it for Apple, and considerable risk to Samsung's competitiveness.
Now that Judge Koh has denied Apple's motion for a permanent injunction, one of the next steps for Apple is to file a motion for an award of post-judgment royalties. Apple's September 21 motion was only about damages enhancements for past infringement (also including the time between the jury trial and the final judgment). Apple may now await the outcome of the other post-trial rulings (the jury might still be overruled on some counts), but at that point it's going to demand post-judgment royalties, and it's entitled to them (except that the amount is yet to be determined).
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12 Unexpected Subjects for Musicals
By Mark Mancini
Apparently, on Broadway and elsewhere, one can break out into song over any topic imaginable, no matter how odd. Here are a dozen real-life musicals covering such weird and improbable subjects as Jerry Springer, Hannibal Lecter, and public restrooms.
1. Octomom! The Musical (2009)
Photo courtesy Octomom! The Musical
Shamelessly satirical, this retelling of modern celebrity Nadya Suleman and her famed octuplets' rise to fame debuted in Los Angeles. But was the real Suleman invited? "We have a whole row of seats—14 of them—reserved just for her," said director Chris Voltaire. It's no longer playing, but you can see the whole show on YouTube.
2. Moby Dick (1992)
A musical adaptation of the classic novel? Not by a long shot. Instead, we get phallic puns. A handful of scantily-clad schoolgirls plan to rescue their struggling academy by staging the Herman Melville story in a local swimming pool. The title lends itself to plenty of unfortunate innuendos and this production left no double entendre unexplored.
3. Urinetown (2001)
Proof that a weird musical isn't necessarily a bad one, Urinetown took home three Tony Awards. That's quite impressive for a show about a city in which private toilets are outlawed and the citizenry is forced to utilize pay-toilets instead.
4. Ben Franklin in Paris (1964)
Amazon.comBen Franklin in Paris
tracks the beloved founding father's diplomatic efforts in Europe and includes such musical numbers as "I Invented Myself" and "God Bless the Human Elbow."
5. Charles Darwin: Live and in Concert (2001)
Think Benjamin Franklin's an unorthodox subject for a musical? Try Charles Darwin. This one-man show features what star and lyricist Richard Milner (a singer/anthropologist) describes as "antiquarian rap."
6. Carrie (1988)
Stephen King on Broadway? Based on the novel of the same name, Carrie herself is an awkward teenager with an abusive mother, telekinetic powers, and a violent menstruation phobia. Predictably, it didn't fare well: The New Yorker even asked various playwrights if Carrie was "The Worst Musical of All Time." Ouch! An Off-Broadway revival this year didn't fare much better.
7. Silence! The Musical (2005)
"Hello, Clarice!" This foul-mouthed off-Broadway farce bills itself as "the unauthorized parody of The Silence of the Lambs" and sports a biting sense of humor. Included are gratuitous violence, songs about nether-regions, and tap-dancing sheep.
8. Via Galactia (1972)
Via Galactia was intended to be a landmark in theatrical special effects and included UFOs and lasers with a plot set 1000 years in the future. Yet this strange show was the first Broadway production to lose over $1 million. In the words of one witness, "Via Galactica seemed plagued from the start. For a moment the show was to be called up, but when posted next to the Uris [the theater it debuted in] name on the marquee, it sent an unfortunate message."
9. Hope! Das Obama Musical (2010)
It's a German musical about the political rise of President Obama. Need I say more?
10. It's A Bird, It's A Plane… It's Superman! (1966)
Spider-Man wasn't the first superhero to get the Broadway treatment. That honor goes to the man of steel himself, Superman. The show was adapted into a TV special in 1975 and the clip above has to be seen to be believed ("Oh, Superman, you're WONDERFUL!" "Yeah, I know.")
11. Jerry Springer: The Opera (2003)
Despite the title, this show does include spoken dialogue. Unsurprisingly, however, it does not include any semblance of class. Even less startling was the inevitable controversy this musical caused when BBC opted to air a staging of it in 2005 (The Daily Mail newspaper counted "8,000 cases of swearing").
12. Triassic Parq (2012)
A phony Morgan Freeman narrates the dramatic story of a Tyrannosaur sex-change. I am not kidding one bit about this. This parody of
Jurassic Park
is told from the perspective of some genetically-revived dinos dwelling on a tropical island who hail the local laboratory as their deity. Live actors in colorful clothing bring these singing saurians to life.
For 12-12-12, we'll be posting twenty-four '12 lists' throughout the day. Check back 12 minutes after every hour for the latest installment, or see them all here.


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Voters Head to the Polls for Texas Primary
Have you voted yet? Election officials in Angelina County say more than 5600 people voted early, in the two weeks prior to today's primary.
The race for Angelina County Sheriff is one to watch. On the Republican side voters will choose between Allen Hill and Greg Sanches. Jim Hodges runs unopposed as a Democrat for Sheriff.
The polls are open from 7am to 7pm today, so let your voice be heard. Voting is a good way to get out of the office and stretch your legs, and my political science teachers in high school and college always used to tell me it's my civic duty to get out there and fill out a ballot. The candidates are waiting for us to decide their fate.
Besides Sheriff, other interesting races include Constable, Angelina County Commissioner, and County Attorney.
Candidates have to get at least 50 percent of the vote to win the election today, so a crowded field that divides up the vote will probably lead to a runoff election July 31.
Today's vote will go a long way toward shaping life in Angelina County for the next 2 to 4 years. It's your chance to have in impact.


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Chris Young Extends His Losing Sleep Tour
Looks like Chris Young is going to lose a little more sleep. The burgeoning superstar has added a series of new dates to his 2018 Losing Sleep World Tour, including his first-ever headlining show at Nashville's Bridgestone Arena.
Young has booked nine new dates for September, adding stops in Texas, Mississippi, Charleston, S.C., Las Cruces, N.M. and more. This is the second time he has extended this tour after adding multiple dates throughout May and April.
Young has been on the road with Kane Brown and Morgan Evans since January, and they will continue to open for the "Sober Saturday Night" singer for the duration of the trek.
Young and crew make their hometown stop at Bridgestone Arena on Sept. 22.
He and Brown have been friends for a while — Young co-wrote the song "There Goes My Everything" which appears on Brown's EP Chapter 1 and "Comeback" off of Kane Brown.
"And now that he's done his deluxe, we have a duet on there, ["Setting the Night on Fire"], which I'm totally going to put into the show. It's going to be a cool moment in the show for me and for him — just a lot of cool stuff came together in a lot of ways," Young tells the Boot.
The song for which the tour got its name recently became Young's 10th No. 1 hit and has been certified gold, while the Losing Sleep album debuted at No. 1 on the Billboard Top Country Albums chart.
Additional Chris Young 2018 Losing Sleep Tour Dates:
Sept. 13 — Las Cruces, N.M @ Pan American Center
Sept. 14 — Lubbock, Texas @ United Supermarkets Arena
Sept. 15 — Tulsa, Okla. @ BOK Center
Sept. 20 — Biloxi, Ms. @ Miss Coast Coliseum
Sept. 21 — Tupelo, Ms. @ Bancorp South Arena
Sept. 22 — Nashville, Tenn. @ Bridgestone Arena
Sept. 27 — Charleston, S.C. @ Volvo Car Stadium
Sept. 28 — Greensboro, N.C. @ Greensboro Coliseum
Sept. 29 — Philadelphia, Pa. @ The Mann
More Great Country Tours on the Road in 2018
Country Artists Share the Most Embarrassing Songs on Their iPods


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What are the disadvantages of emergency contraception?
Emergency contraception is not as effective as using a reliable birth control method before or during sex, like the pill or condoms.
Emergency contraception can be expensive and hard to get in some countries or for some women. There are no other disadvantages.


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Research shows that homes owned by people of color in the U.S. are often overvalued when they're being taxed and undervalued when they're being sold. Now a Pittsburgh artist, along with a local museum, have found a way to highlight the disparities. Bill O'Driscoll of member station WESA reports.
BILL O'DRISCOLL, BYLINE: Five years ago, Chester Stoney bought a two-bedroom house on a quiet street on Pittsburgh's north side. He got it for a good price, just under $20,000. Still, Stoney quickly learned the place needed work.
CHESTER STONEY: I got the water turned on, and water was coming down in the ceiling in the kitchen. So I had to, you know, shut off the main valve. And I actually repaired it myself, you know, to save a little bit.
O'DRISCOLL: Then last year, out of the blue, an artist reached out to Stoney to inform him the property taxes on his house were too high.
STONEY: So he did his research on my property and found that I was one of the Black residents that was being essentially overtaxed.
O'DRISCOLL: The artist, Harrison Kinnane Smith, had a proposition. As part of his latest art project, the nearby Mattress Factory Museum would take out a $10,000 mortgage on one of its buildings. Then, for the next 15 years, the museum would hand Stoney the difference between what he should be paying in property taxes and what he is paying - an extra $475 a year. Smith researched local property taxes and sales prices with a data analyst. He says the disparity in Stoney's tax burden mirrors Pittsburgh's as a whole.
HARRISON KINNANE SMITH: There's a 7% difference over the last 10 years in property taxation rates for Black homes and white homes.
O'DRISCOLL: Smith, a Pittsburgh native, says it's not an issue just for those homeowners.
KINNANE SMITH: The property taxes are the primary source of government revenue. And so, you know, in all - whether or not you're being individually overtaxed, we as Pittsburghers are benefiting, complicit in, and these systems touch all of us in many different kind of pernicious ways.
O'DRISCOLL: Smith's exhibit is titled Sed Valorem, Latin for Without Value. The show also includes an experiment involving a different local Black homeowner. Smith commissioned two appraisals of her house. The first was conducted with the homeowner and her personal furnishings, including family photos and Senegalese masks. The second had a white person pose as the homeowner with all decor that might read as Black removed. The result - the quote, unquote, "white version" was appraised at $436,000, 9% higher than the Black-identified original. Megan Confer-Hammond heads Pittsburgh's Fair Housing Partnership. She says such appraisal inequities are widespread.
MEGAN CONFER-HAMMOND: We're removing Black wealth through our systems, and not due to any action by an individual, but due to the systemic racism that is giving a Black individual a different and lower rate than a white individual for the same house.
O'DRISCOLL: It's rare for art to be so data-driven. In the museum gallery, the visual focus is a stack of the Black homeowners' possessions, most in cardboard boxes under a clear plastic tarp. Mattress Factory Executive Director Hayley Haldeman describes Smith as a practical visionary.
HAYLEY HALDEMAN: He is someone who is operating both as an artist but drawing from really, really nuanced and complex concepts of law and data analysis and property tax, wading through them in a way that makes them understandable to the vast array of visitors who are coming to the Mattress Factory.
O'DRISCOLL: Homeowner Chester Stoney hopes Smith's art helps others, too.
STONEY: And it would be great if, you know, we find a way to bring it out, you know, to the city at large.
O'DRISCOLL: That would make this art exhibit one that literally hits home. For NPR News, I'm Bill O'Driscoll in Pittsburgh.
(SOUNDBITE OF MUSIC) Transcript provided by NPR, Copyright NPR.


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Android Netrunner LCG: Fear and Loathing Data Pack
Android Netrunner LCG: Fear and Loathing Data Pack
Low stock: 7 left
"Can a single voice still make a difference? Probably not, but that won't stop me from trying. What GRNDL does to the environment is nothing short of criminal."
–Tallie Perrault
Fear and Loathing is the fifth Data Pack in the "Spin Cycle" for Android: Netrunner. The futuristic world of Android: Netrunner is one of vertiginous discrepancies between achievement and poverty. The megacorps that have redefined humanity with the development of custom genetics, bioroid manufacturing, and mind-machine interfacting are at least partially responsible for stabilizing social policies that mire countless masses in overcrowded, unsanitary living conditions. In the shadows of the megacorporations' towering corporate headquarters, the vast majority experience mundane desperations, fear for their jobs, loathe their limited social status, and fight a daily war for survival.
The sixty new cards of Fear and Loathing (three copies each of twenty individual cards) translate this dichotomous existence to your games of Android: Netrunner. On the one hand, you have powerful and exploitive business entities like GRNDL, a subsidiary of the Weyland Consortium, and on the other, you have the beaten down and fearful masses. But there are other categories, too, and while many people may be driven to silence, the game's Runners and other spirited individuals, like the investigative reporter Tallie Perrault, are driven to action.


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I think I have tried to avoid essentialism through my use of the term DNA. In other words, I have started my definition of connectivism by talking about the DNA of connectivism, but this DNA can quite easily be viewed as essential, and taken one step further, as essentialism. It is a short intellectual step from saying, "At the core of connectivism lies the conviction that knowledge is a network phenomenon," to saying "Connectivists must believe that knowledge is a network phenomenon." It doesn't help much, to my mind, to say that the first view is descriptive and the second is prescriptive; so before I continue defining connectivism, I want to address the issue of essentialism.
I chose the term DNA only half consciously, but it isn't such an unfortunate choice, I don't think. DNA is itself a network phenomenon. Look at the images from Wikipedia:
I am not quibbling with words here. I'm pointing to a problem with shifting among network scales, or levels. Any characteristic that I note at one network scale—my blue eyes, for instance—disappears when I shift down or up to another network scale. Moreover, those characteristics tend to shift through interactions with the other scales.
Consider Keats' sonnet On First Looking into Chapman's Homer:
Much have I travell'd in the realms of gold,The beauty, the meaning, and the passion for learning that we recognize in this poem (what we might call the poem's essence) is an emergent property. As soon as we dissect the poem into its individual words, we lose the beauty, the meaning, and the passion. We lose the poem. Though the poem absolutely depends on the properties of those individual words and sentence structures, it cannot be reduced to those structures. It cannot be reduced to the sonnet form: fourteen iambic pentameter lines arranged in two parts of two quartets and two tercets. Those things are essential starting points, DNA, but they ain't the poem.
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific--and all his men
Look'd at each other with a wild surmise
Silent, upon a peak in Darien.
So what prevents DNA from sliding into essentialism for me is that DNA is a beginning point not an ending point. It is a generative point, not a fixative point. It is where you start becoming, it isn't what you are.
But I can also avoid avoid entangling DNA with essentialism by distinguishing between two kinds of essentialism. I owe this distinction to a discussion about essentialism with Bruce Hood on the Edge website. Hood, an experimental psychologist, talks about what confers identity and uniqueness, and he works with two concepts that he picked up from the Medieval philosopher John Duns Scotus: quiddity and haecceity.
Quiddity is the invisible properties, the essence shared by members of a group, so that would be the 'dogginess' of all dogs. But the haecceity is the unique property of the individual, so that would be Fido's haecceity or Fido's essence, which makes Fido distinct to another dog, for example.I think that quiddity is the aspect of essentialism that troubles me most, for it is the kind of essentialism most implicated in my mind with the abuse of power. Quiddity views an entity solely as a member or not of a particular group. Haecceity, on the other hand, sees an entity as itself. In Haecceity, then, essentialism is not what confines a person to one group or another, with all the resulting social, economic, and political implications of such an assignment; rather, essentialism is what distinguishes one entity from all else. For me, that essentialism is the intersection of all the biological, social, intellectual, emotional, spiritual, political, and economic arcs that run through my life to meet in this place called me at this time. In Randall Collins' terms, I am the precipitate of all those different arcs. I am the result of shifting warm fronts and cold fronts, rising and falling barometric pressure and humidity, shifting winds, that all converge to make me sunny or cloudy, cold or warm, balmy or stormy. I can deal with this sort of essentialism. What I can't accept is static essentialism—weather that never changes.
By the way, I don't mean to imply that Bruce Hood would agree with my use of these terms or my definition of essentialism. I think he is talking about essentialism in a slightly different way, but without reading much more, I can't say for sure. I'm using these terms to suit my own purposes.
Hood does say, though, that he thinks the self is an illusion or a narrative, by which I take it that he thinks the self is a creation of imagination, a cognitive construct that seems to be necessary to maintain some sense of sanity and balance in the world. But we are not, in fact, a single entity, not even in our brains. As Hood says, "We're not integrated entities inside our head, rather we're the output of a multitude of unconscious processes." He goes on to clarify:
I happen to think the self is a narrative, and I use the self and the division that was drawn by William James, which is the "I" (the experience of conscious self) and the "me" (which is personal identity, how you would describe yourself in terms of where are you from and everything that makes you up in your predilections and your wishes for the future). Both the "I", who is sentient of the "me", and the "me", which is a story of who you are, I think are stories. They're constructs and narratives. I mean that in a sense that a story is a reduction or at least it's a coherent framework that has some causal kind of coherence.If even our sense of self is ever shifting under the influence of forces that we don't control and are hardly aware of, then where is the static essentialism that people want to discover in others and in the world? I don't think it exists.
This actually resonates with the ideas of John Locke, the philosopher, who also argued that personal identity was really dependent on the autobiographical or episodic memories, and you are the sum of your memories, which, of course, is something that fractionates and fragments in various forms of dementia. … As we all know, memory is notoriously fallible. It's not cast in stone. It's not something that is stable. It's constantly reshaping itself. So the fact that we have a multitude of unconscious processes which are generating this coherence of consciousness, which is the I experience, and the truth that our memories are very selective and ultimately corruptible, we tend to remember things which fit with our general characterization of what our self is. We tend to ignore all the information that is inconsistent. We have all these attribution biases. We have cognitive dissonance. The very thing psychology keeps telling us, that we have all these unconscious mechanisms that reframe information, to fit with a coherent story, then both the "I" and the "me", to all intents and purposes, are generated narratives. The illusions I talk about often are this sense that there is an integrated individual, with a veridical notion of past. And there's nothing at the center. We're the product of the emergent property, I would argue, of the multitude of these processes that generate us.
Rather, identity emerges in the interplay of lights that illuminate the dark from time to time, with different colors, different intensities, and different angles. We form these shifting lights into patterns that help us make sense of what we see only dimly, and we postulate a position for ourselves in this light show. Identity emerges from this, and then the lights change. Damn!
Well, this didn't go exactly where I thought it was going, but that's what makes it fun. I'll tell you a story about my hippie friend Boer. It was a cold, winter's day in 1970, and I was sitting with Boer as he tripped on acid. He asked me for a piece of paper, announcing that he wanted to write his name. He took up a pen and then paused, before saying, "I don't want to write my name. I already know my name. I want to write something I don't know so that I can read it and learn."
This has been my ambition for the past forty years. Sometimes I almost get there.


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Parachutes (Hardcover)
**Book listings on our website do not always reflect the current availability of books on our store shelves. Check a book's in-store availability above the "add to cart" button. Or to be certain that a book you've found on our website is also here on our shelves, feel free to call us at 615-953-2243**
Speak enters the world of Gossip Girl in this modern immigrant story from New York Times bestselling author Kelly Yang about two girls navigating wealth, power, friendship, and trauma.
They're called parachutes: teenagers dropped off to live in private homes and study in the United States while their wealthy parents remain in Asia. Claire Wang never thought she'd be one of them, until her parents pluck her from her privileged life in Shanghai and enroll her at a high school in California.
Suddenly she finds herself living in a stranger's house, with no one to tell her what to do for the first time in her life. She soon embraces her newfound freedom, especially when the hottest and most eligible parachute, Jay, asks her out.
Dani De La Cruz, Claire's new host sister, couldn't be less thrilled that her mom rented out a room to Claire. An academic and debate team star, Dani is determined to earn her way into Yale, even if it means competing with privileged kids who are buying their way to the top. But Dani's game plan veers unexpectedly off course when her debate coach starts working with her privately.
As they steer their own distinct paths, Dani and Claire keep crashing into one another, setting a course that will change their lives forever.
Kelly Yang is the New York Times bestselling author of Front Desk, Three Keys, and Room to Dream and is the winner of the Asian/Pacific American Award for Children's Literature. She went to college at age thirteen and is a graduate of the University of California, Berkeley and Harvard Law School. She is the founder of the Kelly Yang Project, a leading writing and debating program for children in Asia. She lived in Hong Kong for fifteen years, where she taught many parachutes and was a columnist for the South China Morning Post. Her writing has also been published in the New York Times, the Washington Post, and the Atlantic. Kelly currently lives in Los Angeles with her family. Please find her online at www.kellyyang.com. Parachutes is her YA debut.
"[Parachutes] is about the radical possibility of young women finding and detonating their voices. Yang takes a sledgehammer to rape culture itself, swinging with equal parts artistry and force. If this were a television series it would look fabulous and land deep." — New York Times Book Review
"In her YA debut, Yang (Front Desk) draws from personal experience and the news to tell a contemporary story of class discrepancy, the pervasiveness of rape culture, and the Asian diaspora... a multifaceted read, by turns poignant, fun, and exultant in its celebration of the multitudinous experiences and strength inherent in diasporic identity." — Publishers Weekly (starred review)
"A fierce entrance into YA, navigating a plethora of complex themes with great honesty... Claire and Dani's mettle and solidarity as they contend with the institutions and privilege that hide abuse is gripping and empowering. Yang offers a compelling exploration of the parachute experience and the intersection of ethnicity, class, and reputation, while underscoring striking cultural parallels between America and China. Strong characterization and thoughtful writing make for an unforgettable read." — ALA Booklist (starred review)
"Yang deftly weaves in parallels to recent real-life events... On top of these explorations of nationality and wealth is the realistically pervasive look at rape culture... In short alternating chapters narrated by Dani and Claire, Yang creates a delicate balance between these heavier issues and the lighter moments of high school... [A] powerful exploration of race, class, and power through multiple lenses... An engrossing read that will spark discussions on a wide range of issues." — School Library Journal (starred review)
"Yang has created two distinct and vibrant voices that shimmer with passion for both justice and independence... The convincing narrative, told in alternating first-person perspectives, confronts pervasive and xenophobic stereotypes, with secondary characters' complex identities adding depth and emotion to the story." — Horn Book Magazine
"Yang writes astutely about the destabilizing combination of family expectations, copious wealth, and absence of adult supervision. She's also sharply perceptive about the class and race complexities of a community that contains rich Asian visitors and American-born Asians, great wealth and straitened circumstances... A spirited slice of cultural life and story of girls facing cruel inequities, and Yang's compelling author's note about parachutes and her own experience of being sexually assaulted adds another poignant facet." — Bulletin of the Center for Children's Books
"Parachutes is a force. As fast-paced as it is powerful, its story of immigration, social class, and rape culture calls out the damaging consequences of privilege in ways that will make readers want to speak up and take action." — Randy Ribay, National Book Award finalist and author of Patron Saints of Nothing
"Parachutes is not just a searing drama that explores the lives of Asians in America, it's a courageous, empowering story about how high women can soar when they lift each other up." — Stacey Lee, award-winning author of The Downstairs Girl
Awards and Praise for Front Desk: Asian / Pacific American Award for Children's Literature
Parents' Choice Gold Medal Fiction Award Winner
Named a Best Book of the Year by:
Kirkus Reviews
Publishers Weekly
Washington Post
School Library Journal
New York Public Library
Chicago Public Library
Top Ten Debut Novels 2018 — ALA Booklist
* "Debut author Yang weaves in autobiographical content while creating a feisty and empowered heroine. The supporting characters are rich in voice and context ...achingly reveal life in America in the 1990s for persons of color and those living in poverty." — Kirkus Reviews (starred review)
* "Mia herself is an irresistible protagonist, and it is a pleasure to see both her writing and her power grow... Many young readers will see themselves in Mia and her friends.... A swiftly moving plot and a winsome protagonist." — School Library Journal (starred review)
* "It's the details that sing in this novel...This book will help foster empathy for the immigrant experience for young readers, while for immigrant children, it is a much-needed and validating mirror....Deserving of shelf space in every classroom and library." — Booklist (starred review)
"Reminiscent of the television series Fresh Off the Boat... Basing the story on her own childhood experiences, Yang writes Mia's dreams into reality without sacrificing or minimizing the heartbreaking realities of many immigrants' hardships... there is much satisfaction in this book's powerful and heart-wrenching close." — Bulletin of the Center for Children's Books (starred review)
"Front Desk is a story about the hardships of immigrant life, the perpetuation of injustice, and a sweet, kind, indomitable young girl who chooses to rise up and fight no matter how hard it gets. Kelly Yang's debut is a stunner. — Mike Jung, author of Unidentified Suburban Object
"In this noteworthy, immensely enjoyable novel, Kelly Yang (Front Desk) tackles some of the systemic inequalities that foster racism, misogyny and sexual assault. She convincingly brings to light ways in which victims are often judged more harshly than their aggressors, but also provides a template for change. Yang dives with aplomb into issues of opulence and poverty, power and impotence." — Shelf Awareness


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One of the quintessential Malaysian breakfast is of course, nasi lemak, and sometimes nothing beats a good plate of nasi lemak with goreng ayam on a lazy weekend morning. I recently went to Ali, Muthu, and Ah Hock (AMAH) at Ara Damansara Oasis Square to try their version while having a chat with Colin, one of the co-owners of the restaurant.
Ali, Muthu, and Ah Hock (AMAH)
The restaurant is located within Oasis Square, a place that starts to look like a very nice commercial area with ample parking, good pedestrian walking space, and many restaurant choices. AMAH is one of the more unique restaurants that serves local delights such as nasi lemak, mee rebus, roti jala, Hainanese chicken rice, and so forth.
None of the item on the menu exceeds RM 10.
nasi lemak ayam at AMAH
The nasi lemak ayam (RM 9.50) comes with sambal, ikan bilis, kacang, a few slices of cucumber, fragrant rice cooked in coconut milk, and a full 1/4 fried chicken.
The rice was proper, and I was surprisingly impressed by the sambal and chicken as well, which was properly seasoned with a hint of tumeric and has a crispy skin while being juicy inside. A few asked how is this compared to the famous Village Park nasi lemak, and I'd say that they are on par, with AMAH offering a much more pleasant dining experience.
Ali, Muthu and Ah Hock
Lot B-G-01, Oasis Square Ara Damansara,Â
2, Jalan PJU 1A/7A, Petaling Jaya
Tel:Â 03-7832 3138
One of the men behind AMAH is as mentioned earlier, Colin Soh, born 1978, who is one of the prime examples of a Malaysian success story. An entrepreneur with a good vision, strong passion, and who are willing to work hard and get their hands dirty to build up their business.
Colin is co-owners the co-owner of several F&B businesses, including TDH, Hoofed, Ali, Muthu & Ah Hock Kopitiam (AMAH), and The Royal Flush.
Born and grew up in KL, Colin finished school locally before obtaining a degree in Marketing and Management with Middlesex University, UK. He then spent 3 months working at Leo Bernard before deciding to be an entrepreneur.
The first business started by Colin was actually a laundry back in 2002, with a lot of late nights, early mornings, detergent, and washing machine. It grew from a small shop to a commercial laundry factory, and by 2008, the business was sold and not long after that, TDH was born with a few other friends.
Like any other business, the F&B industry has its challenges. There are always new concepts and innovating ideas on the market. Colin and partner always try to be versatile by staying relevant with current environment and receptive to new ideas.
Other than the above mentioned restaurants, there's also Crazy Crabs, a new restaurant that is currently being built as of writing, and a TDH flagship outlet in the pipeline.
Colin & KY at Ali, Muthu, and Ah Hock
All these hard work and dedication has brought Colin and partners awards and recognitions as well. TDH has recently been named Winner of Best Pub Grub 2013 by the Time Out Food Awards. Apart from that, The Royal Flush was also nominated for both the Best New Restaurant and Best Chinese Restaurant, respectively.
In his free time, Colin likes going to gym, biking, running, and fishing.
You can find more inspiring stories like these at malaysiaresume.com, a site for contemporary Malaysian success stories.


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Class-Size Reduction: Policy, Politics and Imlications for Equity
April 2, 2008
Equity in Education Forum Series, Spring 2008
Teachers College, Columbia University
Featuring the research of Douglas Ready, who will review the research
on class size with a focus on whether there is evidence that class-size
reduction is an effective strategy to promote educational equity.
Class-size reduction is an enormously popular reform, but a complex and
nuanced issue--especially considered in relation to educational equity. Ready argues that the effectiveness of
class-size reduction for educational equity depends on its context and
argues for a better understanding of the contextual factors that make
it effective.
Program Agenda
Douglas Ready,
Assistant Professor, Teachers College, Columbia University
Charles Achilles, Co-Principal Investigator, STAR Study, and Professor of Educational
Administration, Seton Hall University
Garth Harries, Chief Executive of Portfolio Development,
New York City Department of Education
Carolyn Riehl, Associate Professor, Teachers
College, Columbia University
Audio Podcast (Requires iTunes - free download)
Ready, Douglas, Class-Size Reduction: Policy, Politics and Implications for Equity, Equity Matters: Research Review No. 2, The Campaign for Educational Equity, Teachers College, Columbia University, April 2, 2008.
Published Friday, Oct. 8, 2010


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The real estate market continued to improve for buyers in November. Interest rates dropped slightly, price increases slowed and inventory soared. It's important to note that inventory increases, while significant, are being compared to the record low supply of last year. We're still far short of the inventory needed for a truly balanced market, however buyers have greater choice and less competition than they've had in years. Sellers who price their home according to current market conditions continue to see strong interest. Heading into the holiday season, there's something for everyone to celebrate.
The Eastside economy continues to be very strong. Heavy investment in commercial construction from companies such as Vulcan boost expectations that the area will continue to thrive. The median price of a single-family home in November hit $885,000 on the Eastside. Although an increase of 4 percent from a year ago, home prices have remained steady since this fall. With continued demand and only 2.4 months of inventory, the market has a long way to go to becoming balanced.
King County
Price increases continued to slow in King County. The median single-family home price was $643,913 in November, an increase of 2 percent over a year ago. South King County, where the most affordable homes in the county are located, saw significantly greater increases compared to a year ago. North King County also posted greater increases than the county overall. Inventory has skyrocketed as the number of homes for sale in King County more than doubled year-over-year. While that's good news for buyers, there is only 2.1 months of available inventory in the county, slightly down from October and not nearly enough to meet demand.
The median price of a single-family home in Seattle was $760,000 in November. This is up 3 percent from a year ago and slightly up from October. Inventory jumped 177 percent year-over-year however, at just two months of supply, the Seattle area has the tightest inventory in King County. With the city's strong economy and lifestyle appeal, that's not expected to change any time soon. Forbes recently named Seattle as the best place for business and careers in the nation. U.S. News & World Report ranked the University of Washington among the top ten universities in the world with Money Magazine rating Seattle the #5 Best Big City to Live In.
Snohomish County
Inventory in Snohomish County continued to climb, surging 88 percent in November as compared to a year ago. That said, the area has fewer homes for sale than King County with just 1.8 months of inventory. This is still far short of the four to six months of supply that is considered a balanced market. The median price of a single-family home sold in November was up 6 percent from last year to $470,000, virtually unchanged from October.
This post originally appeared on the WindermereEastside.com blog.


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A little over a month ago I watched the documentary "Fat, Sick & Nearly Dead". I was intrigued by the title. The documentary is about a man by the name of Joe Cross who is 100 pounds overweight, loaded up on steroids and suffering from a debilitating autoimmune disease. Joe's health was very poor and he weighed 310 pounds. He knew he needed to do something fast, otherwise he was headed for an early grave. Joe decided to hit the road and drive 3,000 miles across the U.S. while going on a 60 day juice fast. All he would drink for those 60 days is juice made from fresh fruits and vegetables. Along the way, Joe talked to over 500 Americans about food, health and longevity. He meets a lot of people who also want to live a better, healthy lifestyle. One of those people is Phil Staples. Phil is an obese man weighing 429 pounds. He too suffers from the same autoimmune disease as Joe. Joe helps Phil start his own juice fast and excercise program to get him on the road to health. This is a very inspiring documentary. I highly recommend it if you have been thinking of rebooting your life and start living a healthier lifestyle.
Less than a week after watching this documentary, I ordered a Breville juicer like the one Joe used. For the past month, I have been using my juicer everyday. I have been wanting to incorporate more nutritious food into my diet and juicing has allowed me to get the micro-nutrients my body has been missing. I have been slowly cutting out all the junk food, processed foods, sugar, salt, and any other foods bad for me out of my diet. My first step was cutting out soda from my diet. The was probably the hardest thing to do. I was raised on soda. I have been a Pepsi fanatic all my life. I would easily drink a case of Pepsi a week, if not more. It has been almost a year since I had my last soda, and now I don't miss it. Since I have been juicing, I feel better, have more energy, and my skin complection has improved. I have also noticed my finger nails have been growing faster. I have mentioned "Fat, Sick & Nearly Dead" to friends and family, and now six friends and family members are juicing also!
Joe Cross started a website called jointhereboot.com. The site has all the info you need to reboot your life with juicing. It offers juice recipes, nutritional information, and a large community of fellow juicers for guidance and encouragement. I'll soon be trying one of the juice fasts. I figured I would use my blog to document my experience with juicing. Below is a trailer of the documentary. Check it out.


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[Jeremy Cook] is getting in on the panning time-lapse craze with his offering for a camera mount that pans automatically. In this case he's using a GoPro camera, but since the camera connects using a 1/2 1/4 – 20 bolt it will work with any camera that has a standard threaded tripod mounting bracket.
The base of the rig is an egg timer he picked up for about eight dollars. It's magnetic so that you can stick it to your refrigerator, but has enough gripping power to hold the camera upside down. The image above shows it stuck to his garage door opener housing. A PVC cap makes up the black part. Before painting it (with truck bed liner so that it's a bit grippy) he used his lathe to remove the flat areas from the sides, and to cut it in half. He then drilled and threaded a hole in the center to accept the bold for the camera. The cap was super glued to the egg timer, which happens to have a window on the side so that you know how long you're setting it for.
This is an easy alternative for those that don't have the resources to make a 3D printed egg timer mount. The lathe step is not necessary, but since [Jeremy] had one he used it. It does make the final product look quite a bit nicer.


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Late start to the annual "Year in Review" series, but we weren't about to let up on one of our favorite annual traditions in this occasionally great but more often awful year. We are going to condense the first installment into ten entries for the sake of time. One a week from here on out though :)
Past Editions: 2015, 2014, 2013, 2012, 2011, 2010
25. Pratt Degrees Get Put To Use
The 2016 reality of bust-free spots in the nation's largest city is grim (e.g. they knobbed a bump in the ground this year, and people are literally interrupting their lives to argue about the placement of a trash can on the street.) And so, New York's underemployed population of industrial design grads began to ransack the plastic horizontal beams off construction barriers city-wide, and stacking them to create some sort of pathetic poverty row parking block.


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Two weeks into this trip to Paris I gave up on going to all the newly opened hyped up bars and restaurants. In part, checking out new places to go is work for me - to potentially review for HiP Paris for example. But a big part of it is that I genuinely enjoy trying new places when they open; the holy grail being that they might become a favourite I'll want to return to. Variety is the spice of life, non?
While my friends are messaging me from London asking which date I'm back so we can go to Balthazar, it doesn't really work like that in Paris! I'm becoming convinced that the new restaurant/bar openings' lifeblood here is made up of reviewers and what I'm dubiously terming foodie tourists. Many Parisians and "people who aren't Parisians but live here" alike just don't really care that much about going to new places, which leads to weird scenarios where you end up taking them to places they hadn't heard of. It also means that if you do go, you might discover a great place not particularly full of people speaking English, plus the owner's friends, or just a great place that lacks atmosphere or a sense that something is *happening*. So while I'm not quite at the stage of being content to rock up to the most convenient corner brasserie for a croque monsieur (I tried) I really had to calm it down a bit in terms of what I expect to happen on a night out.
Out of all the places I've been that were newly opened, the one place that stands out and that I'd happily visit again - and again - is Bones. The most talented young chef in Paris (I'm trying to avoid typing hottest, well, because...) opens own restaurant in the 11th, food bloggers get all in a lather, all I hear before I come to Paris is Bones, Bones, Bones. I managed to get a table for the early seating by booking three weeks in advance. Bones. I was expecting all hype and no substance to be honest. The description of it being punk that I kept hearing didn't help. I was a bit worried that the friend I was taking would hate it and we'd be served something really unappetising, but worse that we'd be uncomfortable and unconvinced. The way it was described in some reviews you'd think they had fluorescent strip lighting, chainsaws for chairs and the meal would consist of them throwing pork scratchings at you from the kitchen.
So I was relieved when we turned up at this lovely, slightly industrial, sensitively renovated stripped back room, with a big bar area at the front featuring a suckling pig resting on the bar; no more than ten tables with comfortable chairs or banquettes and an open kitchen at the back. The staff was friendly and relaxed, the music was GREAT, natural wines were offered, discussed and ordered, we both noticed that the bread was really nice, the butter was delicious. Hmm, nice stoneware plates. Then we got into the prix fixe menu of the day, which at €40 is pretty amazing value. There were five courses on the menu, including cheese and dessert, but I'm sure we were given at least three other dishes in between the courses. Everything we ate was good. Everything was balanced, had care taken over it - whether it was on the menu or not. That is some sophisticated freestyle cooking if that was all based on what they felt like doing that day. Saint-Jacques with pear, smoked? octopus, duck heart, boudin noir - a lazy person like me could say the food was a bit like St. John crossed with 40 Maltby Street in London. By about 9pm the bar area was heaving and I felt that elusive *something's happening* vibe, which is so important in creating an atmosphere that makes you want to return.
Good food, good wine, comfortable surroundings, good music, good atmosphere - if that's considered punk, I'm into it.


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Category: Photo Developing nectarine > 1. nectarine leaf buds early winter
Photo: 1. nectarine leaf buds early winter
Keywords: 1. nectarine leaf buds early winter, fruit, pollination,
Image information
This file is licensed under the GNU Free Documentation License
The author of this image is Wikipidia user John O'Neill .
1. Bud formation can be observed on new growth on the plant (early winter)
2. Flower buds clearly formed and leaves start to develop (early spring, ? 3 months)
3. Flowers fully develop and are pollinated by wind or insects (early spring, ? 3½ months)
4. If successfully pollinated, flowers die back and incipient fruit can be observed; leaves have quickly grown to provide tree with food and energy from photosynthesis (mid-spring, ? 4 months)
5. Fruit is well developed and continues to grow (late spring, ? 5½ months)
6. Fruit fully ripens to an edible form to encourage spreading of seed contained within by animals (midsummer, ? 7½ months)