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Thursday, December 20, 2007
Many development practitioners and researchers – including Papua New Guinea - have traditionally regarded the area of communication either as a technical field, or as a means of "delivering messages" and not so much as a tool for enterprise development.
Yet, these assumptions are increasingly questioned, as media and communication tools become more accessible to marginalised people, particularly those in micro and small enterprises in rural areas.
Rural areas such as Memyamya in Morobe province, Marawaka in Eastern Highlands province, Oksapmin in Sandaun province, Karimui in Chimbu province, Kaintiba in Gulf province, and the list goes on and on.
We have to find ways of making Information and Communications Technology (ICT) more relevant and practical for small and medium enterprises (SMEs) in rural areas.
Information and Communications Technology can also be used as a powerful weapon in the battle against the scourge of HIV/AIDS that is sweeping the world, including Papua New Guinea, where it now threatens the very livelihood of our people.
Examples can be found in uses of participatory video, community radio, print media such as newspapers and magazines, theatre-for-development, music, Internet, community television, and mobile phones and many other various forms of media.
These are used all over Papua New Guinea but have not been harnessed as much as a tool for enterprise development.
The technology is already there to take Internet to the rural areas of our country, such as Very Short Aperture Terminal (VSATs), but for reasons known to themselves; those in authority seem to be working at a snail's pace to let our rural areas see the light of ICT.
We have to make ICT affordable and accessible for our people or they will continue to remain in the dark.
All over this increasingly-globalised world, a massive Information Revolution is taking place as economies use ICT as a passport to what economists call the "New Economy".
Papua New Guinea will continue to remain light years behind the rest of the world if we do not jump on the ICT bandwagon in this globalised world.S
uccess in this globalised world is predicated on ICT knowledge and successful knowledge-based economies will be based on the efficient and widespread use of ICT by all sectors within any given country.
On the other hand, an increasing number of development projects on promoting mass media for development, such as the International Labour Organisation's Business Development Services (BDS) Zambia project, are beginning to demonstrate creative and innovative ways of unleashing the power of mass media for accelerating market information services and creating relevant and accessible social dialogue platforms for lobbying for enabling small business environments.
Leap-frogging technologies such as mobile Short Messaging Services (SMS) are enabling Micro and Small Enterprises (MSEs) in rural areas to access market information and opportunities in real time.
We only need to look within our own country to see the massive improvements in accessing market information and opportunities in real time since the introduction of mobile phone competition through Digicel.
There are real life stories of farmers, fishermen, artisans, PMV owners, trade store operators and many more seeing marked improvements in developing markets through their mobile phones.
The days of yodelling over the mountaintops to broker barter of goods is long over and our rural areas must also reap the benefits of the massive Information Revolution that is sweeping the globe.
Journalists also have a very important role in disseminating information to the bulk of our people in the rural areas rather than the bread-and-butter "shock and horror" stories.
The BDS Zambia project has been facilitating the capacity building of mass media and target MSEs in a few ways:
* Building the capacity of media to deliver market information services that are relevant and practical to MSMEs in rural and urban communities;
* Training and sensitising journalists on role of media in promoting access to service and commodity markets, creating a business enabling environment and promoting an entrepreneurial culture;
* Promoting a community journalism culture among farming communities to talk back to the media and make their views on access to services, information, markets known. And in turn, promote sustainable social enterprises whose business models thrive on harnessing a market of satisfied audiences;
* Enhance their participation in social dialogue processes and bottom-up communication on issues that concern micro-enterprise and community development, particularly at local government level by empowering Micro Small Medium Enterprise (MSME) rural and urban business communities to support and work with media that addresses their specific needs;
* Helping people in small businesses on how to cope with AIDS through relevant and practical information materials such as the HIV and AIDS Handbook for Entrepreneurs in Zambia.
The project has produced short videos highlighting the lessons and experiences of the ILO Business Development Services project in Zambia, working with media to facilitate information services for micro and small enterprises in rural markets.
Perhaps Papua New Guinea can take a leaf out of Zambia's book as we ponder the future of ICT in our beloved country.
Something to ponder over Christmas/New Year period as we wonder what benefits ICT will bring to us in 2008 and beyond.
* For comments and feedback, email email@example.com or SMS 6849763.
Tuesday, December 11, 2007
Lying just south of the equator, 160km north of Australia, Papua New Guinea is part of a great arc of mountains stretching from Asia, through Indonesia and into the South Pacific.
Papua New Guinea has a total land area of 463, 920 square kilometers and total sea area of 3.1 million square kilometers.
It has a moderate tropical climate with high levels of seasonal rainfall.
In the Highlands, temperatures can range from a low of 4 degrees Celsius to a high of 32 degrees Celsius.
The average daily temperature is 27 degrees Celsius.
Papua New Guinea's population is about 5.9 million people.
This fascinating land boasts more than 600 offshore islands and more than 800 indigenous languages (tok ples), and is home to the largest area of intact rainforest outside of the Amazon.
Papua New Guinea consists of four regions made up of 19 provinces and the National Capital District, each with its own special character and cultures.
Visitors will discover a wealth of tropical scenery, from the jungle-clad mountains of the Highlands to the sandy white beaches and atolls of the coastal and island provinces.
People, Language and Religion
Papua New Guineans, most of whom are Melanesians, vary widely in their physical characteristics, ethnic backgrounds and cultural types.
It is the most-heterogeneous country in the world because of the isolation of most communities.
In the past, more than 800 languages have evolved – many of which are still spoken – representing approximately one-third of the languages known in the world.
Due to the cultural diversity of the country, English is the language of Government, commerce and law.
English is a compulsory subject in school through Papua New Guinea and apart from isolated communities, is widely understood.
About 96 per cent of the population is Christian with the Catholic and Lutheran churches being the largest denominations.
In 1973 Michael Somare became the Chief Minister of a democratically-elected government and led the national to self-government on 1st October 1973.
Papua New Guinea became an independent nation on 16th September 1975 with Michael Somare being the nation's first Prime Minister.
The National Government consists of three independent branches: the Executive, the Legislative and the Judiciary.
The National Parliament consists of 109 members, including the current Prime Minister and his cabinet of 27 ministers.
There are 19 provinces in Papua New Guinea as well as a National Capital District, each of which are given grants by the National Government to operate such functions as capital works and maintenance, health, education, agriculture, town planning, forestry and business development in their respective provinces.
However, national laws do take precedence over provincial laws if there is conflict.
Papua New Guinea is an active member of the British Commonwealth and Queen Elizabeth 11 is the Head of the State, represented by her appointed Governor-General.
Economy and growth
Papua New Guinea is now on a sound financial path.
Economic growth looks to be around 2 ½ to 3 per cent, following several years during which the economy contracted.
Employment and incomes are picking up.
Inflation has fallen from over 20 per cent to around 1 per cent.
The Treasury Bill rate is now under 5 per cent compared with rates as high as 20 per cent around the middle of 2003.
The Kina has been stable.
There is increased optimism about projects for investment in Papua New Guinea, which has been reflected in developments such as the Papua New Guinea – Australia Gas Pipeline.
International reserves are at near record levels.
The deficit has fallen and last year Papua New Guinea repaid some debt.
Papua New Guinea has been described as a "mountain of gold floating on a sea of oil".
While this may be somewhat overstating the situation, it reflects the importance that Papua New Guinea's extensive natural resources play in the country's development.
It is also appropriate, from the agricultural point of view, to describe Papua New Guinea as a "Garden of Eden".
Fertile soils and a conducive climate allow most agricultural produce to be harvested.
At present there are two distinct economies existing side by side in Papua New Guinea: the traditional economy and the cash economy.
The traditional sector – mainly subsistence farming – supports about 85 per cent of the population.
Most villages are self-sufficient and only small surpluses of produce are available for trading.
The growth of towns has, however, encouraged small-scale cash cropping in nearby villages and these crops are sold by village people in the town market.
The cash economy in Papua New Guinea is very much an open economy geared for international trade.
Exports are mainly minerals, petroleum, gas and agricultural commodities.
The country imports most of the finished goods it requires.
The National Government actively encourages more production onshore for the needs of the population and for export.
The economy is dominated by mineral, petroleum and gas projects.
However, the agriculture, forestry, fishing and manufacturing sectors combined account for a significant proportion of the nation's gross domestic product.
Total exports from Papua New Guinea are valued at more than US $2 billion.
Vast tracts of the country are wild and undeveloped.
The towering Owen Stanley Range, a massive central spine, divides the mainland with peaks towering over 4000 metres.
Great rivers begin their journey to the sea from these mountains, among them the mighty Sepik River and Fly River waterways.
Beneath the mountain chain, fertile coastal plains, flooded delta regions and mangrove swamps exist alongside broad sandy beaches, colourful sheltered bays and dense rainforest.
The rugged mountain terrain and deep cave systems offer wonderful adventure opportunities for walkers, cavers and climbers, and there is canoeing, kayaking and fishing on the river and delta system.
Papua New Guinea also enjoys some of the world's best diving around its warm coastal waters, with rich coral reefs around the inland coast and the islands of the Bismarck Sea and the Milne Bay area.
Undiscovered marine life forms are continually being found on the reefs, and visitors can discover some of the world's rarest shells.
National Capital District
Port Moresby is the capital of Papua New Guinea and this area is sometimes referred to as the National Capital District.
Located on the southern coast of the mainland, it has a total population of 254, 158 made up from all regions of the country and including a large foreign population.
The striking Parliament House building reflects the harmony of modern architecture and traditional design, while the National Museum and Art Gallery exhibits cultural features of the country's complex tribal lifestyles.
There is a range of international hotels, as well as shops, restaurants, bars, nightclubs and other amenities.
Main Regions and Provinces
Papua New Guinea is divided into four main regions known as Highlands, Momase, New Guinea Islands and Southern.
The Highlands region is made up of the provinces of Eastern Highlands, Simbu, Western Highlands, Southern Highlands and Enga.
The Momase region consists of Morobe, Madang, East Sepik and West Sepik.
Southern consists of Central, National Capital District, Gulf, Western, Milne Bay and Oro.
The New Guinea Islands region comprises of East New Britain, West New Britain, Bouganville, New Ireland and Manus.
Flora and fauna
The country's pristine rainforest is home to some 700 species of birds, including parrots, pigeons, hornbills (kokomos) and cassowaries (Papua New Guinea's largest bird), but best know is the brilliantly coloured bird of paradise.
Thirty-eight of the 43 known bird of paradise species are found here, including the rare Blue and the Raggiana varieties, enticing birdwatchers from around the world.
The world's largest butterfly – the Queen Alexandra Birdwing – is also native to Oro Province, with a wingspan that reaches up to 30 centimetres.
Native mammals include bats and marsupials such as tree kangaroos, forest wallabies and echidnas (spiny anteaters).
Papua New Guinea is also especially famous for its stunning orchids.
Over two-thirds of the world's known species are found here, and new varieties are still being discovered.
National Parks and Reserves
Papua New Guinea has more than 1000 hectares of land dedicated to national parks.
Varirata National Park (1063ha), just 42km from Port Moresby, is a haven for native flora and fauna, and birdwatchers.
The park protects the Western end of the Sogeri Plateau, across to the Astrolabe Mountains.
McAdam National Park (2076 ha) stretches between Wau and Bulolo, protecting wildlife such as echidnas, cuscuses (a large marsupial), cassowaries and birds of paradise.
The Baiyer River Sanctuary, north of Mount Hagen in the Western Highlands, contains the world's largest collection of birds of paradise, and some shorter bushwalks.
Pokili wildlife area in West New Britain in unique for its hot springs, geysers and boiling mud pools, while Lake Kutubu in the Southern Highlands provides a refuge for birdlife, reptiles and turtles.
If Dr Quinn is television's "medicine woman", then Minnie Bate is Papua New Guinea's answer to her.
This quietly-spoken woman from Wedau village in Rabaraba, Milne Bay Province, has become a national icon since her herbal medicine products started winning wide acclaim.
She shot to prominence at the PNG-Made Trade Fair in Lae in 2003 when she won awards for "Small Business Encouragement" and "Best New Product" and has since never looked back.
The sky is now the limit as she awaits clinical trials and certification of her herbal products by an independent international team of scientific researchers.
"The ball is now in their court," she tells me.
"Appropriate license will be issued upon show of evidence of clinical trials.
"That's when the real business begins."
Mrs Bate currently produces herbal soap, hair and scalp care cream, face and body care cream, multi-purpose herbal cream, and multi-purpose herbal oil under her Gemins brand name.
All these are produced at her humble backyard.
She was enjoying a quite cup of tea on a typically-beautiful Milne Bay afternoon at her home at Goilanai Heights in Alotau when I drove in unexpectedly for a chat.
Her products are selling well all over the country, with Popondetta, Lae, Port Moresby and Madang leading the charge.
"I have reports from people in high places, especially ladies, who have opted to use our products," Mrs Bate tells me.
"They have found out that our products are better and also cheaper.
"They have done away with imported products and are using our products.
"Our fastest seller is the soap, sales of which are really picking up.
"All are products are made from traditional medicines."
Mrs Bate's humble beginnings with herbal medicine go back to 1987 when the qualified medical technologist successfully treated a young student who had a serious wart problem for seven years with herbal medicines.
"We successfully treated it using the traditional medicine we are now using in our products," she recalls.
"We conducted research into all techniques, products had to be tried out and modified where necessary.
"Over the years, we developed a list of all sorts of problems this product could treat like asthma, arthritis and all forms of skin diseases.
"In year 2003, we participated in the PNG-Made Trade Fair in Lae and we were recognised by being awarded 'Small Business Encouragement Award' and 'Best New Product'.
"That really opened up another chapter where we have to now look seriously at what we can do to get our products recognised by the Health Department.
"We were taken to all kinds of workshops by different organisations, including one on traditional medicine.
"This was more or less the Government recognising what we were doing.
"I think it was also a World Health Organisation direction to look at traditional medicine in the region."
Mrs Bate was trained as a medical technologist at the then Papuan Medical College in 1972 and 1973, worked for eight years with the Health Department, and then went back to the same school from 1980 to 1983 where she completed her Diploma in Medical Technology.
She then joined the Department of Agriculture and Livestock and taught basic science, nutrition and health to diploma students at the Vudal Agricultural College outside Rabaul from 1986 to 1990.
She then moved over to the Popondetta Agricultural College from 1990 to 1996 "when I stopped because of this thing (herbal medicine)".
"While I was teaching," Mrs Bate confesses, "I was also doing my personal research.
"When I finished from the public service, the product was already there and just had to be developed.
"A company was established in 1993 called Pomins Ltd.
"That happened during my long leave.
"While working, I was selling and promoting my products.
"Most of my promotion happened in Oro Province.
"Here I was, trying to create a change of attitude in people from imported medicine to traditional medicine."
Mrs Bate's big break came in 1995 when she attended a workshop in Fiji on traditional medicine.
"From that workshop," she remembers, "one thing that really hit me was the income that could be generated from traditional medicine, so we started producing multi-purpose herbal cream and multi-purpose herbal oil.
"It was quite exciting."
In 2002, she attended further workshops in Vanuatu and Fiji, where she learned about how seaweed could be blended into her products.
"I successfully produced seaweed-based products blended with herbs, mainly for face and baby care creams, as well as soap, which are now in high demand.
"The soap production thing has now evolved into a community-based project, as people have coconuts as resources we need to produce coconut oil for soap."
Mrs Bate, despite being pressed, would not reveal the ingredients or recipes for her products – which are a closely guarded trade secret.
Everything is produced in her backyard with the help of a very-supportive husband from Bubuleta village on the East Cape of Milne Bay, as well as her four grown-up sons.
"I depend on my family for support," Mrs Bate says.
"From the very beginning, they understood that I was trying to develop traditional medicine commercially.
"I have a very understanding family which has stood behind me in very tough times.
"Once I get my license (when the products are certified), I can do business in a big way.
"That's when employment will come in."
Mrs Bate can be contacted on telephone/facsimile (675) 6410699.
Battle of Isurava recalled
Isurava, which Australian Prime Minister John Howard visited in August 2002, was the site of a significant World War 11 battle.
Few Australians or Papua New Guineans seem to know the tremendous story of courage and tenacity at Isurava, but it is hoped that some will take the time to learn about it, especially after the Australian Prime Minister's visit.
Mr Howard's visit was even more momentous in that the 60th anniversary of this significant World War II battle critical to keeping Australia free from invasion fell on August 29, 2002.
The four-day Battle of Isurava along the Kokoda Trail in 1942 would not, in isolation, be regarded as a victory for Australian forces.
It was however vital to Australia's security, because it bought Australian and American forces the time they needed to fortify Port Moresby and ultimately stem the Japanese invasion of Papua.
By the time of the Battle of Isurava, Darwin had already been bombed and Japanese midget submarines had penetrated Sydney Harbour.
Australian and Papua New Guinean servicemen fighting along Kokoda were thelast line of defence against enemy invasion.
Those veterans who took part in this battle should be very proud of their service.
It has already become an important part of the heritage of all Australians and deserves to be honored likewise by Papua New Guineans.
During the period from 27-30 August 1942, under almost constant attack, soldiers of the 39th Australian Militia Battalion and the 2/14th Battalion, Second Australian Imperial Force, with the help of the 2/16th Battalion and the 53rd Battalions, held back the advancing Japanese at Isurava.
By late August 1942, the Japanese South Seas Force had fought its way into the Owen Stanley Range.
Four companies of the Australian 39th Battalion were drawn up in a defensive perimeter of Isurava village.
With support from the 2/14th and 2/16th battalions, 21st Brigade, Second Australian Imperial Force, their orders were to push the Japanese back beyond Kokoda.
On the afternoon of August 27, Japanese forces struck at the 39th Battalion, and only a determined Australian counter-attack forced back the enemy that day.
Attacks against the Australians continued throughout the next day, and
increased in intensity on 29 August.
At noon an enemy breakthrough threatened the whole left of the Australian position.
As a desperate counter attack developed, Private Bruce Kingsbury of the 2/14th Battalion rushed forward, through terrific Japanese machine gun fire, firing his Bren gun from the hip.
Before he fell to a sniper's bullet, Kingsbury cleared a way for his comrades, who were then able to restore the position.
Private Kingsbury's bravery was recognised by the award of the first Victoria Cross in the fighting in Papua New Guinea.
Indeed, Kingsbury's VC was the first VC ever won on Australian territory, as Papua then was.
In New Guinea, the Battalion to which Private Kingsbury belonged had been holding a position in the Isurava area for two days against continuous and fierce enemy attacks. On 29th August, 1942, the enemy attacked in such force that they succeeded in breaking through the Battalion's right flank, creating serious threats both to the rest of the Battalion and to its
To avoid the situation becoming more desperate it was essential to regain immediately lost ground on the right flank. Private Kingsbury, who was one of the few survivors of a Platoon which had been overrun and severely cut about by the enemy, immediately volunteered to join a different platoon which had been ordered to counter- attack.
He rushed forward firing the Bren gun from his hip through terrific machine-gun fire and succeeded in clearing a path through the enemy. Continuing to sweep enemy positions with his fire and inflicting an extremely high number of casualties on them, Private Kingsbury was then seen to fall to the ground shot dead by the bullet from a sniper hiding in the wood. Private Kingsbury displayed a complete disregard for his own safety.
His initiative and superb courage made possible the recapture of a position which undoubtedly saved Battalion Headquarters, as well as causing heavy casualties amongst the enemy. His coolness, determination and devotion to duty in the face of great odds was an inspiration to his comrades.
9th February 1943.
"To him go out the grateful thanks of those whose lives he saved that day by freely giving his own. Wherever men speak of courage, wherever men speak of sacrifice, he will be remembered, his name ever an inspiration and a challenge". (unit historian)
The fighting spirit of the militia men of the 39th Battalion at Isurava also earned for them the admiration of the battle-hardened soldiers of the Second AIF.
Two platoons of the 39th Battalion had been cut off along the Kokoda Track.
On August 29, as these exhausted men struggled into Alola village, they heard that their mates were under tremendous pressure from enemy attack at Isurava. Immediately they turned round and headed off to help them.
However, by the evening of August 29, despite their determined defence of the village, the Australian position at Isurava had become untenable.
What followed was the famous fighting withdrawal down the Kokoda Track during September 1942, which ended with the Australian dig-in on Imita Ridge on September 17, 1942.
From Imita, there was no further retreat.
On September 28, the Japanese began their withdrawal back across the Owen Stanleys along the Kokoda Track, having come within sight of the sea and the lights of Port Moresby on Ioribaiwa Ridge opposite Imita.
Whatever the estimate among historians of the immediate and medium term gains and losses for the Australians at Isurava, the courage and determination of those involved was in the finest traditions of Australian soldiers in battle.
Thursday, December 06, 2007
Welcome to the depth and diversity of Papua New Guinea in the National Museum and Art Gallery.
The Papua New Guinea National Museum and Art Gallery is the "spiritual house" for the rich natural, cultural and contemporary heritage of this country.
The museum is owned by the people of Papua New Guinea and to date has well over 30,000 anthropological collections, more than 25,000 archeological collections, more than 18,000 natural science collections, more than 20,000 war relics and more than 7000 contemporary art collections.
It consists of three premises which are the main museum located at Waigani in Port Moresby, the Mordern History (sometimes known as War Museum) at Gordons in Port Moresby, and the J.K. McCarthy Museum at Goroka in the Eastern Highlands Province.
The main museum at Waigani consists of five display galleries which are the Masterpiece Gallery, the Independence Gallery, the Sir Allan Mann Gallery (for temporary exhibits), Life and Land (natural history and prehistory) Gallery and the Sir Michael Somare (new acquisitions) Gallery.
In addition, there is a central court yard with live animals and birds, a theatrette, amphitheatre, amenities area, souvenir shop, four large storage rooms, conservation laboratory, photographic laboratory, carpentry workshop, graphic rooms and editing equipment rooms.
It is one of the "must visit" icons of Port Moresby like the neighbouring National Parliament and the National Capital District Botanical Gardens at Waigani.
It is open to the general public from Monday to Friday (8.30am to 3.30pm) and Sunday (1pm to 3pm).
It is closed to the public on Saturdays except for organised visits.
The Mordern History premises at Ahuia Street, Gordons, consist of office space, two storage rooms, display room and a library.
The collection includes aircraft, vehicles and war artifacts from pre-independence and post-independence.
Some of the unique objects in the national collection include a P-38F Lockheed Lightning aircraft, the oldest P-38 in a museum in the world.
The J.K. McCarthy Museum in Goroka consists of six display galleries which are the Niugini Room, Giddings Gallery, Leahy Wing, Soso Subi Gallery and the Archeological Room.
It also has offices for scientific and administrative staff, a storage room and a gift shop.
Its main collections are artifacts and specimens from the Highlands region.
Artifacts include wooden dishes, stone mortars, stone blades, magic stones, and sandstones for making stone blades.
Independence Gallery
This gallery features a stunning Kula canoe from the Trobriand Islands of the Milne Bay Province.
The upper section of the exhibit contains a fine collection of traditional fishing equipment, bilums (string bags), pottery, traditional ceremonial and casual dress and cooking utensils.
Traditional musical instruments and a variety of PNG's renowned kundu and garamut drums are also on display.
Masterpiece Gallery
This gallery brings to you a unique selection of the museum's most-important cultural objects in terms of religious significance and aesthetic excellence.
In this collection are tall posts from the Sepik which are used to decorate haus tambarans (spirit houses), ancestral boards from the Sepik and intricately-carved Malangan masks from New Ireland.
Papua New Guinea's astonishing diversity and depth of spiritual expression is demonstrated here.
Michael Somare Gallery
This gallery is named in honour of Papua New Guinea's first Prime Minister Sir Michael Somare and displays temporary exhibits.
It was opened in 1986 with an exhibition of Independence and State gifts Sir Michael received over the years.
Life and Land Gallery
This exhibition records the lives of the early inhabitants of New Guinea who arrived up to 50,000 years ago.
Archeological excavations have revealed the early Highlanders were among the world's first farmers.
Within this gallery is a colourful collection of preserved bird specimens including a variety of birds of paradise, while seashore to mountain diorama shows the variety of PNG vegetation and wildlife from the swampy mangroves to the cool of the Highlands.
Sir Allan Mann Gallery
This gallery is named in honour of the Museum's first Chairman of the Board of Trustees.
The gallery makes the display of traveling and temporary exhibitions possible.
This gallery has displayed a variety of important exhibitions over many years.
Other Features
Right in the heart of the museum is an enclosure of live birds and animals including hornbills, parrots and ducks.
The museum bookshop is located at the front of the entrance.
The bookshop sells a variety of carvings, bilums and cards as well as books on Papua New Guinea, which are excellent gift ideas.
A pleasant shady courtyard/reception area is also available for hire at a reasonable rate.
Within the museum is a small multi-screen lecture room, normally used for educational activities and a theatre that can hold up to 250 people.
Science and Research Division
The Science and Research Division consists of Mordern History, J.K. McCarthy Museum, Anthropology, Prehistory, Natural History, Conservation and Contemporary Arts.
These are specialised scientific and research areas that carry out the main functions of the museum's heritage and cultural collections.
Export Permits
Please be aware that an export permit is needed to take artifacts out of the country.
The permit, as gazetted under the provision of the National Cultural Property (Preservation) Act, is issued at the National Museum.
To obtain a permit, consult the museum and provide either the artifacts or a photograph for inspection.
If the items are permitted exports, an export permit will be issued.
Contact details:
Papua New Guinea National Museum and Art Gallery
P.O. Box 5660
National Capital District
Papua New Guinea
Telephone: (675) 3252522
Facsimile: (675) 3251779
Email: email@example.com
Colourful history of Seeto Kui
Seeto Kui |
James Seeto |
Seeto Kui in Wau, 1939 |
In James Seeto's Lae office is a larged framed photograph of his father Seeto Kui, his mother, as well as places precious to him such as Salamaua, Wau and Lae.
Theirs is a story of Salamaua, Wau, Lae, the horrors of war, and starting a company with only 100 Australia Pounds in war-devastated Lae into what is now a thriving business.
Seeto Kui was the founder of the current Seeto Kui Organisation, now a substantial multi-million Kina business with nearly 1000 employees, distributing throughout Papua New Guinea in the grocery, variety, supermarket, plumbing supplies, hardware, construction, and stationery and office supplies market.
He traveled from Canton, China, by ship and arrived in Rabaul, East New Britain, in 1914, at the tender age of 13 years to work as a tailor.
Some years later, he was sent to the then-thriving Salamaua, Morobe, to work as a trade store manager, where he earned himself sufficient money to go back to China in the early 1930s, where he married and returned to continue work and traveling back and forth to China.
James Seeto, Seeto Kui's first son, first arrived at Salamaua with his mother and sister, Joyce, in 1938, to be with their father.
Unfortunately, his mother died some time after and was buried in the local cemetery.
"My memories of Salamaua are very limited," Mr Seeto tells me.
"I went there when I was two or three years old.
"I went there about a year ago and the people made me feel very welcome."
The family then moved to the gold rush town of Wau from Salamaua, where Seeto Kui opened his own trade store.
"Wau has always had a very cool climate," Mr Seeto remembers.
"I would run around, playing.
"I remember one day, when I went over a cliff and got hurt."
In early 1942, World War 11 came to Wau with Japanese aircraft bombing the area.
"All I can remember about Wau is the bombing.
"We were glad to evacuate."
Men women and children were to be evacuated by two aircraft but unfortunately, one of the aircraft was damaged when a vehicle accidentally struck its landing wheels, disabling it and leaving only one aircraft to take the women and children.
The men, including Seeto Kui, were forced to escape the invading Japanese by trekking the whole way from Wau to Port Moresby over the infamous Bulldog Trail.
The family was reunited in Port Moresby and then evacuated by the famous ship "Macdhui" MV to Sydney, Australia, where they stayed in a refugee camp until the war ended.
During April of 1948, the family returned to Lae by Qantas DC3 aircraft, which then took two days to arrive, with an overnight stop at the Queens Hotel, Townsville, Australia.
Seeto Kui arrived in Lae with only 100 Australian Pounds in his pocket from war compensation, and with this, he built his own trade store in the Lae Chinatown area.
He was assisted in building the store by fellow Chinese residents, displaying the community spirit that was possible in those days.
Young James Seeto commenced boarding school in Sydney during early 1950 but was recalled back to Lae in 1952 due to his father's illness and to take over the running of the family trade store.
He has been involved in the running of the business ever since.
Seeto Kui passed away on March 18, 1972, and was buried in Lae.
James Seeto has been active in the Lae community over the years including participation in fundraising committees, social clubs and organisations, local government councils and government statutory institutions.
He has held the following positions in the past, by election, appointment, or voluntarily:
Lae Chinese Club – Foundation Member, President for many years;
Morobe Chinese Association – Foundation member, President for many years;
Lae Rotary Club – member, all directorships, President;
Lae Golf Club – member, Vice President, Life Member;
Bank of Papua New Guinea Board – board member by appointment;
Lae Harbour Board – board member by appointment;
Town Advisory Council – board member by appointment;
Lae City Council – Elected, as board member of 14 years, the various positions held from times as Executive Finance Chairman, Building Board Chairman, and Vice President.
Mr Seeto has also been a member of committees in various organisations including:
· Salvation Army;
· Red Cross Appeal;
· Heart Foundation Appeal;
· University of Technology Appeal;
· Lae Chamber of Commerce;
· Disaster appeals created as required from time to time and supported by the Seeto Kui Group of Companies.
His efforts and contribution to the community have been officially recognised with the award of an MBE in 1980, and more recently, a CSM and the PNG Anniversary Medal during 2006.
The Seeto Kui business was further developed extensively with the assistance of James' brothers, Robert, Ronald and Danny, and included the establishment of further wholesale and distribution outlets in Lae, dealing in trade store goods, general merchandise and supermarket lines.
Additional branches were subsequently established in Port Moresby, Mount Hagen and Goroka.
The Mt Hagen and Goroka outlets have since been sold, but the business with the Highlands has in fact grown since then through trading with clients based in those areas, serviced by traveling representatives, who also travel extensively throughout the country to service customers.
James Seeto and the Seeto Kui Organisation has been involved in Mainland Plumbing Supplies (N.G.) Limited, based in Lae, since its incorporation in 1972, in both a managerial and minor equity capacity.
The majority shares in the company were purchased by the Seeto Kui organisation during 1989 and a branch has since been opened in Port Moresby.
Ardrossan Investments Pty Ltd, trading under the name of Bowmans – Lae, was purchased in 1991 and this hardware and construction business has further grown with diversification and the development of the stationery and office supplies division.
The business that was started by Seeto Kui with 100 Pounds nearly 70 years ago is now a substantial multi-million Kina business with nearly 1000 employees, distributing throughout Papua New Guinea in the grocery, variety, supermarket, plumbing supplies, hardware, construction, and stationery and office supplies market.
The Seeto Kui Organisation holds an enviable portfolio of local and overseas agencies including many internationally-recognised brands and the component of this business continues to grow.
The development of training facilities within the organisation has been highly successful with a large number of in-house training programmes on offer.
This is considered an important investment in, not only the development of the workforce, but also in the long-term success of the business.
The Seeto family has traditionally preferred to reinvest in growing the business and creating employment within Papua New Guinea, rather than transfer profits offshore.
The establishment of the Food Mart supermarket in Lae is a recent example of this policy and represented a huge investment in the local community.
The Seeto Kui Group of Companies underwent a company amalgamation during early 2005 and the organisation now trades as Seeto Kui (Holdings) Limited.
James Seeto and his family have lived and worked in Papua New Guinea for four generations and their shared vision is to continue to invest and assist in the development of Papua New Guinea for now and the future.
"Seeto Kui, from day one up until now, has never looked back," Mr Seeto says.
"We always try to look forward.
"We keep adding.
"We keep going into trade that is compatible with our business.
"I think our company is now in a much better situation."
Now aged 71, Mr Seeto has not retired, and remains active in running the company.
He also has a lot of time for wife Anna, children Belinda, Anthony, and Raymond, as well as his six grandchildren.
"I'm in the process of activating the next generation to take over," he says with a smile.
"I know that I will not last forever.
"In my own way, I do my part in looking after my company, my family and our interests in Lae."
Mr Seeto makes no secret that Papua New Guinea, and particularly Lae, is in his blood, and particularly stresses that Seeto Kui is not a "fly by night company" and is here for the long haul.
He remembers the country's Independence in 1975 when a lot of paranoid expatriates moved out of the country.
"A lot of people moved out of Lae because they feared Independence would cause chaos and problems," Mr Seeto says frankly.
"I stayed!
"All I can say is that the company has confidence in Papua New Guinea.
"We'd like to think that we help the country by providing employment.
"Papua New Guinea has been good to us and we hope that we, in turn, can help Papua New Guinea.
"If I wasn't confident in the country, I would not be here now.
"I've been here for too long and I think Papua New Guinea is in my blood."
His name is echoed over and over again.
Through a tribesman's heartbeat
Through the beat of the garamut
Or a crescendo of waves cascading along the shores of PNG
Sometimes you hear his name whispered
Across the silence of the ocean
Especially when the moon is high
And the turtles are on shore
Gently kicking sand in the air
But spoiling for a fight to survive
But most times you hear his name mentioned
In the classroom
And at orientation meetings
When a new batch of young men and women
Comes to colleges and universities
To study to learn and to write.
That is Kumalau Tawali.
And that is how he is known
Here in PNG
And all over the world.
In reality he is the soul of the nation.
I am always conscious of Kumalau as that man in attendance at each gathering of writers, artists, musicians, dancers and choreographers. He is the one seated at the gate and next to the garamut announcing the arrival of PNG scribes and intellectuals. The feast is at its peak. People of all walks of life come along to the gathering and Kumalau's poetry in correlative accompaniment of the garamut beat announces the presence of all.
That is how I picture those colorful days of 1970, 1971, 1972 and beyond. The poet indeed, as the dawn singer would, proclaimed the arrival of PNG Literature. At that time names such as Vincent Eri, Albert Maori Kiki, Ignatius Kilage, Michael Somare and others came into prominence through the written word. These were followed by John Kasaipwalova, Leo Hannett, John Waiko, Rabbie Namaliu, John Kadiba, Percy Chatterton, August Kituai, Wauru Degoba, Bedus Mapun, John Kaniku, Arthur Jawaodimbari, Jack Lahui, John Kolia, Bonita Jill Tiwekuri, Sally Anne Bagita, Josephine Abaijah, and Alice Wedega et al. Some years later we would hear other names such as Nora Vagi Brash, Loujaya Dunar, Toby Kagl, Michel Mel, Steven Edmund Winduo, Regis Stella, Carol Kidu, Moses Maladina and, of course, the list braces to build on.
But the poet has accomplished what he had set out to do. It was to put on record Papua New Guinea's true sentiment of what being a Papua New Guinean really means. How we feel about the weather, the environment, the topography that surrounds, the rivers we swim in and the seas that bring in a wealth of food and pleasure. How we view ourselves as contemporary citizens of our country. Kumalau said it all through his poetry, being one of the first of Papua New Guinea's poets to do so. His work is studied at universities everywhere, among them the famous poem "The Bush Kanaka Speaks", which often poses as one of the country's most significant commentaries ever made in its bid to gain political independence from Australia. His other works have been translated into many languages, and have also been represented in the pages of some of the most prestigious publications in the world.
- Russell Soaba.
Internet is the way to go for radio
We have recently been hearing a lot from our politicians about the development of radio and television stations, in an era when the Internet is now king
Our MPs should realise that computers take centre stage in the massive Information Revolution currently sweeping the globe.
In the near future, as wireless networking (Wifi) comes into play in Papua New Guinea, as in other countries, radio and television may become obsolete.
The newspaper you are reading may also follow the same trend because you don't need to buy a newspaper when you can read it online.
Radio has played a pivotal role in our development, however, times are changing.
Internet radio is the latest technological innovation in radio broadcasting since the business began in the early 1920s.
Internet radio has been around since the late 1990s.
Traditional radio broadcasters have used the Internet to simulcast their programming.
But, Internet radio is undergoing a revolution that will expand its reach from your desktop computer to access broadcasts anywhere, anytime - and expand its programming from traditional broadcasters to individuals, organisations and government.
Radio broadcasting began in the early '20s, but it wasn't until the introduction of the transistor radio in 1954 that radio became available in mobile situations.
Internet radio is in much the same place.
Until the 21st century, the only way to obtain radio broadcasts over the Internet was through your PC.
That will soon change, as wireless connectivity will feed Internet broadcasts to car radios, PDAs and cell phones.
The next generation of wireless devices will greatly expand the reach and convenience of Internet radio.
Traditional radio station broadcasts are limited by two factors:
The power of the station's transmitter (typically 100 miles); and
The available broadcast spectrum (you might get a couple of dozen radio stations locally).
Internet radio has no geographic limitations, so a broadcaster in Wabag, Enga Province, can be heard in Japan on the Internet.
The potential for Internet radio is as vast as cyberspace itself (for example, Internet radio network Live365 offers more than 30,000 Internet radio broadcasts).
In comparison to traditional radio, Internet radio is not limited to audio.
An Internet radio broadcast can be accompanied by photos or graphics, text and links, as well as interactivity, such as message boards and chat rooms.
This advancement allows a listener to do more than listen.
The relationship between advertisers and consumers becomes more interactive and intimate on Internet radio broadcasts.
This expanded media capability could also be used in other ways.
For example, with Internet radio, you could conduct training or education and provide links to documents and payment options.
You could also have interactivity with the trainer or educator and other information on the Internet radio broadcast site.
Internet radio programming offers a wide spectrum of broadcast genres, particularly in music.
Broadcast radio is increasingly controlled by smaller numbers of media conglomerates.
In some ways, this has led to more mainstreaming of the programming on broadcast radio, as stations often try to reach the largest possible audience in order to charge the highest possible rates to advertisers.
Internet radio, on the other hand, offers the opportunity to expand the types of available programming.
The cost of getting "on the air" is less for an Internet broadcaster, and Internet radio can appeal to "micro-communities" of listeners focused on special music or interests.
What do you need to set up an Internet radio station?
CD player;
Ripper software (copies audio tracks from a CD onto a computer's hard drive);
Assorted recording and editing software;
Audio mixer;
Outboard audio gear (equaliser, compressor, etc.);
Digital audio card;
Dedicated computer with encoder software; and
Streaming media server.
Getting audio over the Internet is pretty simple:
The audio enters the Internet broadcaster's encoding computer through a sound card.
The encoder system translates the audio from the sound card into streaming format.
The encoder samples the incoming audio and compresses the information so it can be sent over the Internet.
The compressed audio is sent to the server, which has a high bandwidth connection to the Internet.
The server sends the audio data stream over the Internet to the player software or plug-in on the listener's computer.
The plug-in translates the audio data stream from the server and translates it into the sound heard by the listener.
There are two ways to deliver audio over the Internet: downloads or streaming media.
In downloads, an audio file is stored on the user's computer.
Compressed formats like MP3 are the most popular form of audio downloads, but any type of audio file can be delivered through a Web or FTP site.
Streaming audio is not stored, but only played.
It is a continuous broadcast that works through three software packages: the encoder, the server and the player.
The encoder converts audio content into a streaming format, the server makes it available over the Internet and the player retrieves the content.
For a live broadcast, the encoder and streamer work together in real-time.
An audio feed runs to the sound card of a computer running the encoder software at the broadcast location and the stream is uploaded to the streaming server.
Since that requires a large amount of computing resources, the streaming server must be a dedicated server.
•For feedback and comments, email email@example.com or SMS 6849763/72580278.
Wednesday, December 05, 2007
It was truly a touching and very sad moment as three Australian brothers paid tribute to an elder brother they lost 65 years ago on the bloody battlefields of Buna, Oro Province, on December 2, 1942.
They cried, hugged each other, and talked about the love they had for William Dennis Blake, who was barely out of his teens when killed by a Japanese sniper in Buna during the dark days of World War 11.
All of us there, including me, had tears in our eyes as we watched this truly-moving ceremony.
Private William Dennis Blake was only 20 years of age when he made the supreme sacrifice for peace whilst a member of the 2/6 Independent Company of the Australian Infantry Forces.
He left behind a heartbroken young family who have never let got of their memories.
His three surviving brothers Robert (84), Roger (80), and Maurice 77, together with nephew Bill (53), made the emotional pilgrimage to his graveyard at Bomana War Cemetary last Sunday, December 2, the 65th anniversary of his death.
Earlier, last Saturday, they flew over their brother's battlefields of Buna and Gona.
They said a prayer for peace, read a message from their family members, and then laid a wreath on the grave of their brother.
"It's a very sad and emotional time," Robert said after the poignant ceremony.
"He (William) was born in Waikerie, South Australia.
"We left home when he was 14 and I was 13.
"We went to a boarding house and attended school."
The winds of war were blowing across the world during those days of the late 1930's and early 1940's and both brothers joined the Australian army – William with the Infantry and Robert with the Navy.
"When we joined the army, he (William) had a horse," Robert recalled.
"He rode the horse 120 miles to join up (with the army).
"That was quite a thing to do, to ride a horse for 120 miles.
"He trained in Victoria and Townsville before being sent to New Guinea.
"He served on the Kokoda Track and then Oro Bay.
"He was shot by a Japanese sniper at Buna."
Robert, meantime, joined the Royal Australian Navy and served on the HMAS Corvette in the waters of New Guinea and Borneo.
He was earlier on the HMAS Adelaide when news came of the death of his beloved elder brother.
"I was in Melbourne on the HMAS Adelaide when the news came," Robert remembers.
"You break down, that's all, it's really, really sad.
"My mother took it very bad, and my father, he didn't show much because he served for four years in the Great War at Gallipoli and in France and was awarded the Military Cross for gallantry."
William was survived by his parents, four brothers and a sister.
Robert last visited the grave of William on what would have been his 50th birthday in 1972, and since then, had been planning a pilgrimage until this year
This was the prayer read last Sunday: "Almighty God, our Heavenly Father, we remember with thanks William who made the supreme sacrifice for us in time of war.
"We pray that the offering of his life may not have been in vain.
"May your Grace enable us this day to dedicate ourselves to the cause of justice, freedom and peace; and give us the wisdom and strength to build a better world.
"May your strength and peace be ours as we mourn again the loss of William, and may your peace surround us this day of remembrance.
"We make this prayer through Jesus Christ our Lord."
And this, the message from his many nieces and nephews, for their perennially-young uncle: "Although we never had the privilege and honour to have met you, we feel we have come to know you through your letters to the family.
"What a tremendous uncle you would have been to us.
"Today, we feel your spirit would be happy that your three brothers have come to visit your final resting place.
"So we say today:
Remembrance is a golden chain
Death tries to break
But all in vain.
To have, to love, and then to part
Is the greatest sorrow of one's heart.
The years may wipe out many things
But some they wipe out never.
Like memories of those happy times
When we were all together.
"Uncle Bill, your legacy will never be forgotten.
"Love from your nephews, nieces and our children."
Monday, December 03, 2007
Welcome to Russell Soaba's world.
He is the portrait of the odd man out, an individual, and a great thinker.
Russell Soaba is also one of he greatest, if not the greatest, writer in Papua New Guinea.
His works, particularly novels Maiba and Wanpis, are studied in universities all over the world by students of literature and philosophy.
Followers of the existentialism philosophy all over the world dote on the writings of Russell Soaba.
It is, however, a paradox that Russell Soaba is not even recognised in his own country Papua New Guinea for his great contribution to the country's literature.
Only recently, he was awarded a Papua New Guinea independence medal, something that was supposed to have been given in 2000 but deferred because of the troubles on the University of PNG campus.
For this he is grateful, and adds that it is something for all the writers of Papua New Guinea, both young and old.
The 56-year-old, who speaks in parables, was born the "day after the 4th of July in 1950".
"I think it's about time," he tells me in a rare interview.
"The only writer we have honoured, but in that matter for some other reason, is Sir Paulias Matane, with Michael Somare, Rabbie Namaliu, these people.
"But they are being honoured for some other reason than writing, and that's the saddest thing.
"What these men must realise is that we deserve the same type of recognition as they do, even though they may think that the work they do differs from us.
"If you look at it closely, it all boils down to one important aspect of our society, and that is 'communal service'.
"Every other journalist or scribe does exactly the same thing.
"So we must all be recognised on an equal footing.
"Ultimately, there is no denying that we all serve our community with the same amount of determination, commitment and dedication.
"What's the difference between a good accountant who gets all his figures correct at the end of the day, and a writer who records the same sort of events in our lives, but in a different form?"
"It always comes back to what I always complain about.
"A writer is an unofficial ombudsman of the country.
"That means duties more in the area of human relationship.
"By that, I mean that as an ombudsman, or as an unofficial ombudsman, he does not set out to correct his neighbour, rather, what he is doing as that type of ombudsman, is lightly tapping a colleague on the shoulder and saying 'listen brother, let's no overdo this. It might have some negative results for both of us'.
"A writer is an ombudsman in that sense.
"He's likely to correct a brother, who is likely to make a serious mistake.
"He's acting more as a friend than a colleague or neighbour."
Soaba then speaks three parables to me - that of the girl who does not serve him at Big Rooster, Asian efficiency as compared to his owned beloved country, and Alotau laziness – to point out the very serious attitude problem Papua New Guinea has.
"We as Papua New Guineans have this very bad attitude," he says.
"If we change these bad attitudes, how much more easier, better and happier it would be?
"Looking at the way a writer looks at the society he lives in, and how he feels about certain things, why are things suddenly so wrong?
"We can't blame the politicians too much.
"He is merely behaving like why is he a politician.
"The real wrong lies within out attitudes.
"I could write a long, long book about these bad attitudes we have as Papua New Guineans.
"You're seeing the writer passing over as an unofficial ombudsman; a friend who cares to give some good advice because he cares about you.
"I see all of our writers as unofficial ombudsman of the society we live in.
"It comes back to the age-old slogan that 'the pen is mightier than the sword'.
"Its might is seen when there's so much of small detail faithfully recorded without any grudges, put with a great amount of passionate zeal.
"Because of its sense of simplicity, it lasts forever."
Soaba, Australian-educated high school student from Cape Vogel in the Milne Bay Province, talks fondly about his schooling days including the visit of Prince Charles to Martyrs Memorial High School in 1967.
"We were able to push him and given him a nudge.
"It was quite an experience."
In 1968 and 1969, this precociously-talented Papua New Guinean was awarded an Anglican Church Scholarship to Australia to complete 11 and 12 at Baldwyn High School in Melbourne.
"Around that time I read in the Melbourne Age about 10,000 Years in a Lifetime (by Albert Maori Kiki) and I became excited about a Papua New Guinean writing a book," Soaba tells me with emotion.
"And then I read I bit in Melbourne about Uli Bier (literature lecturer) influencing on (UPNG) campus.
"Even when I qualified to enter any Australian university then, I discovered that it would be far more exciting if I came back to UPNG.
"I was able to terminate the church scholarship, come back, and apply for government scholarship at the university.
"In 1970, I became so excited meeting Leo Hannett, Uli Bier, Arthur Jawodimbari, Rabbie Namaliu, a certain angry student politician called John Kasaipwalova, and a certain angry young man from outside called Michael Somare.
"These people I felt thrilled in meeting in person in the years 1970 and 1971.
"And of course, the personality who really thrilled me most was Vincent Eri, author of the first Papua New Guinean novel called The Crocodile.
"There was another quite personality I felt proud to meet: that was the poet Kumulau Tawali, and also another poet called Jack Lahui.
"In a way, I felt proud to be among this famous group of PNG writers.
"That was it.
"Since then I attended Uli Bier's creative writing classes.
"He exercised that same sort of influence he had in Nigeria.
"His presence merely motivated PNG writers to emerge into worldwide recognition like Vincent Eri, Albert Maori Kiki, and the plays of Leo Hannett, Arthur Jawodimbari and John Kasaipwalova.
"Writing flourished at that time.
"Since then I have enjoyed the privilege of being among these famous people.
"Since then, of course, I consider myself as a writer.
"But whether or not a successful or great writer, that is highly questionable."
Soaba's greatest works are Wanpis (1977) and Maiba 1986 – studied all over the world - and poem anthologies Naked Thoughts (1978 and Kwamra (2000), among various others.
"Since then, I sort of became lazy, not really lazy, but too much of teaching commitments," he laughs.
"As such, much of the writing that I do has dwindled.
"It's good to work and write at the same time."
The government, Soaba feels, must give more support to writers.
"What the government of Papua New Guinea must do is institutionalise a writers' and artists' endowment fund, a grant programme," he tells me.
"The government of PNG has no choice but do what is honourable by creating a grant programme for our writers and artists throughout the country.
"There is a place where this can be housed.
"This is the National Cultural Commission.
"The National Cultural Commission does have a Literature Board.
"What the government needs to do is use the literature board as the clearing house for this grant programme.
"The Somare government must recognise that, along with any government that comes along into power.
"It's only honourable that they entertain it, support it in the best way possible.
"Consider the percentage of tax that government solicits out from business houses, companies, corporations.
"What I would ask for is 2 per cent tax money to go towards the writers' grant scheme.
"The government can enjoy its 98 per cent.
"We have been ignored for too long."
I ask Soaba about how he describes in writing, which I – personally – would describe as way beyond its time.
"My writing is highly personal, very intimate," he replies,
"It addresses the individual man than the community as a whole.
"This is because I believe that this is where things start.
"Everything starts off with an individual and progresses to two people, on three, and then the community.
"Also, the characters that I create are these Papua New Guinean individuals.
"So really, if I concentrate on an individual, that doesn't mean that I am working alone.
"In fact I'm speaking for the whole population.
"Each of these individuals gets born, cries to be heard, becomes an individual, and becomes a Papua New Guineans man or woman.
"Their fears, the hardships that they go through, their romantic experiences, tragedies, and all these things that is most human to us."
So how this he feel about his books being studied all over the world by students of literature and philosophy?
"The books themselves are studied not only in literature out there, but also in philosophy, social work and cultural studies.
"There are a great number of universities throughout the world who use the novel Maiba as a textbook.
"There is a women's university in the USA who use the book Maiba every now and then as a textbook.
"I recall how pleased I felt with that school at one time.
"The principal wrote to me about the book, and that they were happy to teach the book at the school, they regarded me as an up-and-coming African woman writer.
"I replied and said 'thank you'," Soaba laughs wickedly.
His future
"I am really anxious to publish one more novel before I call it quits
"I have had an offer from an Italian publisher who wants to translate Maiba and Wanpis into Italian.
"I also have recently selected a biographer to write my biographer.
"The other thing I would like to add is that I want to encourage our young writers of today to write seriously about us as Papua New Guineans.
"Give ourselves some kind of identity on the face of the world."
Aaron Hayes first came to Papua New Guinea in 1997 to work with the Education Department as a guidance officer.
Part of his job involved providing careers counselling to students in the secondary schools, and helping them prepare for life after Grade 10 or 12.
Hayes wrote a book called the PNG School Leaver's Handbook which is still available in schools.
"In the book I tried to present all kinds of ideas for young people to be self-employed in the village instead of hanging around unemployed in the towns," he says.
"While researching village tourism for the Handbook I found out that hardly any tour companies were offering village-based tourism products to overseas travel agents and tour wholesalers.
"When I enquired, tour operators said that village tourism was unreliable, difficult to book and difficult to sell.
"They also said they couldn't make any profit out of it because village guest houses didn't pay commissions to agents who send them tourists."
Hayes took the bull by the horn, and when he finished his contract with the Education Department at the end of 2002, he decided to stay in Papua New Guinea and start up two companies.
One is PNG Development Services which helps design community projects and business ventures for people in rural areas and the other company is Ecotourism Melanesia. Ecotourism Melanesia is an inbound tour company which specialises in sending tourists into the rural areas of PNG.
"My company has a policy that every one of our tours must include at least one night in a village guest house or rural lodge, no matter 'how high' the tourist is," Hayes says.
"We offer tours all over PNG and also do Kokoda Trail trekking.
"My main aim was to prove that village tourism could be successfully packaged and sold through travel agents all over the world and I have already proven this because my company is growing after four years.
"My main frustration is that I cannot do enough to promote village tourism in PNG because I am only one person and one small tour company."
In 2004, Hayes and a few like-minded people set up a non-profit organisation to help village people get involved in ecotourism and to help market PNG village guest houses overseas.
This organisation is the Community-Based Tourism Foundation of PNG Inc.
The organisation plans to run proper training for village guest house operators with training books and videos in Tok Pisin, and have its own website with all the village guest houses in PNG listed on the website and provide a booking service for all the guest houses, and market village tourism on the internet.
"We printed an awareness pamphlet about village tourism and distributed the pamphlet through provincial tourism officers and we have been flooded with hundreds and hundreds of letters from village people all over the country requesting help and advice on village-based tourism," Hayes says.
"What an opportunity to help the rural people!
"But the CBTF only ran well for a year with funding from the Tourism Promotion Authority and since then we have been unable to get any more funding so the Community-Based Tourism Foundation is currently inactive.
"Letters continue to arrive every week asking for help but we are unable to respond at the moment.
"This was the only organisation dedicated to supporting the growth of the village guest house industry in PNG so it is sad that this organisation cannot be better supported.
"Requests for help sent to various donors and government departments have not been answered."
Ecotourism involves visitors coming to interact with the natural and cultural attractions of a place rather than visiting man-made attractions like resorts, fun parks, museums, and so forth.
In some countries ecotourism is also taken to mean tourism that has very little impact on the natural environment, even to the extent of implementing measures like composting toilets, raised walkways and solar power to make ecotourism facilities environmentally friendly.
Australian Aaron Hayes, who runs Ecotourism Melanesia, a Port Moresby-based inbound tour company which specialises in sending tourists into the rural areas of Papua New Guinea, is one those who takes a special interest.
"Here in PNG, we use the word 'ecotourism' more generally to mean 'nature and culture based tourism'," Hayes expounds.
"Other catchphrases these days are 'responsible tourism' and 'community-based tourism'.
"Responsible tourism denotes tourism that cares for both the environment and the local people by ensuring that the tourism activity treads softly on the environment and also has decent benefits for local communities.
"These days many tourists browsing holiday pamphlets and websites tend to ask tour operators for information about how their tours benefit local communities.
"Community-based tourism involves tourism ventures that are actually owned and operated by people who live in the community area where the tourism activity takes place.
"For example village guest houses and village tours.
"Over at Tufi the Dive Resort takes groups of tourists to see a demonstration of sago-making in a local village beginning with cutting the sago stands and ending with cooking and eating the sago in somebody's home and this is an excellent example of community-based tourism.
"Some community-based tourism ventures like village guest houses are run by individuals and families whereas larger ventures like a Wildlife Management Area or village singsing experience might involve the whole village.
"Community-based tourism enterprises owned by whole villages are generally not sustainable here in PNG because there are too many hands out for a share and the income from the enterprise is generally too low to satisfy every shareholder's expectations.
"Many politicians and donors have given money to kick-start village-based lodges and eco-resorts but how many of them are still operating today?
"Not many.
"Generally they collapse due to poor management, lack of marketing, and disputes which arise when shareholders are not satisfied with the amount of money they are receiving compared to the effort they are giving.
"One sad case is the Kamiali Guest House in Morobe which is owned by the Lababia Village community and situated in a magnificent Wildlife Management Area.
"This place could be the biggest ecotourism attraction in PNG but it is poorly marketed and poorly managed.
"My company refuses to send any more tourists there after a number of our clients reported disappointment with the accommodation and tour activities there."
These days many tourism destinations in our region have focused on mass tourism that caters for the Australian holiday market, what we call "beach-and-palm-tree tourism".
These tourists don't mind if they go to Fiji or Bali, whichever one is cheaper, as long as there's a beach with palm trees and a nice resort with a swimming pool.
If you look at the pamphlets and advertisements put out by tourism operators in Malaysia, Bali, Fiji, New Caledonia, Vanuatu, Cook Islands, Samoa and even the Whitsunday Islands in Queensland, you'll see that they are all advertising the same thing: a resort holiday by the beach where tourists can relax and enjoy themselves.
"If PNG tries to compete in the beach-and-palm-tree mass tourism market we are doomed," Hayes warns.
"PNG doesn't have enough postcard-perfect white beaches in accessible locations where resorts can be built, and even if we did there are too many turn-offs in PNG that resort developers will shy away from including the urban crime problem, a generally violent society nationwide, health risks like malaria and TB and the mess created by betel nut everywhere.
"If beach-and-palm tree tourists have a choice between a resort in PNG and a resort in Vanuatu or Queensland, they won't pick PNG because in many ways PNG is less visually attractive and coming here involves higher risk for the traveler.
"Last year my company made arrangements for a wealthy resort developer from Brazil to fly down to an uninhabited island in Milne Bay where he wanted to build a luxury getaway resort.
"But when he arrived in Port Moresby he took one look at Jackson's Airport terminal and said 'cancel the trip to the island, there's no way I can bring my guests through this grubby looking airport with people spitting red stuff everywhere'.
"And he turned around and left on the next flight out.
"I wasn't worried because I don't think luxury resorts offer much for Papua New Guineans anyway ... most of the money just goes into some millionaire's pocket and the only benefits for local people are those few who get jobs in the resort which are mostly low-paid jobs anyway."
If the Papua New Guinea tourism industry is smart it will not try to compete in the mass tourism market but will focus on offering "niche" (specialised) tourism products that appeal to travellers with specific interests, including scuba diving, surfing, fishing and even unusual interests like volcano climbing and collecting beetles.
Travellers with special interests tend to stay longer and spend more.
"For example, my tour company Ecotourism Melanesia gets a steady stream of cultural tourists interested in 'primitive' cultures," Hayes says.
"Many of them live in Europe and North America, they are often very wealthy and they spend two or three months every year travelling the world visiting different cultures.
"They read National Geographic magazine and International Travel News and they subscribe to websites like http://www.responsibletravel.com/ .
"They have visited many countries already and are looking for somewhere new and different to experience so they come to PNG.
"These visitors often stay three to four weeks in the country and visit four or five different destinations and do outdoor activities like hiking from village to village to meet the people and really experience the country.
"They often spend K10,000 to K15,000 per head on the ground while in the country and a lot of this money goes straight into the pockets of local people that my company pays to provide guest house accommodation, village tours, village singsing entertainment, dinghy and road transport, access to special sites and trekking guide services.
"These 'high-yield' tourists also spend a lot on local souvenirs like tapa cloth, carvings, shells and paintings that they like to take home with them.
"Compare this with the average beach-and-palm-tree tourist from Australia who goes to Fiji or Vanuatu for five nights.
"This tourist on average spends less than K5000 in the country, and most of that goes into the resort owner's pocket with only a little filtering through to the salaries of the local staff working there.
"There is almost no direct benefit to people living out in the villages."
Although the overall economic benefit from ecotourism is not as high as mass tourism, local communities get a greater proportion of the money that is spent by ecotourists compared to resort tourists.
If Papua New Guinea could be marketed world-wide as an ecotourism destination offering the best ecotourism experiences in the world such as village-to-village trekking, bird watching and encounters with traditional cultures, we could attract more of these high-yield ecotourists which would better satisfy the needs of all the empty village guest houses all over PNG.
Over the past 10 years, hundreds and hundreds of village guest houses have popped up all over Papua New Guinea but most of them have not had any guests yet, or have only had a few.
"Every week my company receives letters and faxes from village guest house owners asking us to send tourists to their guest houses," Hayes says.
"As we are only one small company we cannot possibly supply enough tourists to meet the demand from all of PNG's village guest houses.
"This demand will only be met when the number of ecotourists visiting PNG increases and when more tour companies start selling ecotourism as a tour product.
"The main impediment to the growth of ecotourism is the lack of targetted marketing.
"We need to reach the type of travellers interested in ecotourism experiences in 'frontier' countries like PNG.
"We need to advertise PNG in places where these types of travellers are likely to see the advertising such in nature magazines and on travel-related websites.
"Ecotourists tend to do a lot of research on the internet when planning their trips but PNG is not advertised on the internet enough, we are still spending too much money on sending tourism officials to travel agent trade shows overseas instead of advertising on the internet where we can get 1000 times the exposure for a fraction of the price.
"I think some tourism officials are hooked on overseas trips and that is why they are resistant to refocusing on web-based marketing.
"At the moment only a couple of private tourism operators are spending money advertising PNG on major information sites like Google and Yahoo! while the government is spending nothing.
"Even the main PNG tourism website is not helping us very much; the site needs a complete make-over to make it more attractive and user-friendly.
"At the moment the first thing you see when you log on to the PNG tourism web portal is a guy with teeth stained black by betel nut... what a turn-off, somebody is not thinking right.
"The lack of marketing is also a problem in village tourism training workshops which are held around the country.
"These workshops focus on how to build and operate a guest house but do not provide enough training in how to market it and manage it profitably.
"Village people get excited and run back to their village and build a guest house and then sit in their empty guest house waiting for tourists to appear by magic.
"Tourism officials keep saying we have to do the awareness and the training before we can do the marketing otherwise if tourists come and we are not prepared for them they will not have a good time and they will never come back.
"That's all poppycock.
"I've never met an ecotourist who didn't have a good time in PNG, no matter what goes wrong ecotourists are always thrilled with the experience of visiting this country and always very forgiving for any problems because they understand PNG is a frontier country with a less-developed tourism industry.
"They like it like that... if everything in PNG were developed it wouldn't be attractive to ecotourists any more.
"Too much tourism training is done by officers from NGOs and government organisations that don't actually run tourism businesses themselves, they are all theorists.
"And when they do cover marketing it's all theoretical gobbledygook without any hands-on skills training on how to design a pamphlet or how to work out the price to charge for a day trip for a group of visitors, or whatever.
"Tourism trainers keep referring to village-based tourism as 'projects' - they're not projects, they are business ventures and they have to be marketed and operated so that they will make a profit, that's what it's all about.
"Village people need money to buy supplies and pay school fees; they are not setting up village guest houses for the fun of it."
The old Lae airport
Lae airport in its heyday in the 1970s |


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In 1967 or '68, a plumber doing renovation work on a building in a quiet North Center neighborhood of Chicago broke through an old wall to discover a hidden space. Inside this time capsule, hidden for over 50 years, stood a pristine motorcycle. The paint, white rubber tires and even the leather of the seat were incredibly well preserved, and it was soon realized that almost every part of the bike had been meticulously hand crafted.
It was truly an one-off, possibly one of the rarest motorcycles in the world, and the only clue to its origins lay in the name "Traub" which was painted on the tank and cast on the engine covers.
The elderly owners of the building were tracked down and told about the mystery, and they admitted that their son had stolen the motorcycle in 1917; how it came to be walled up in the building is still unknown, and after their son had been killed in the First World War it had been left there all but forgotten.
Almost every item on it had been engineered and manufactured specifically for this bike; aside from a Schebler carburetor, Bosch magneto, Troxel Jumbo seat and a period wheel rim there are no shared components from any other motorcycle of that era. The pistons are hand made and have gap-less cast iron rings and much of the engineering and machining is years ahead of its time.
The v-twin engine is unique to the Traub; with a sand-cast, hand-built, 80 cubic-inch side valve motor and a three-speed transmission thought to be one of the first of its kind. The rear brake setup is also unique, consisting of a dual-acting system that employs a single cam that pushes an internal set of shoes, while simultaneously pulling an external set of contracting shoes.
The motorcycle utilizes two clutch levers; the conventional foot-operated mechanism along with a hand lever that sits alongside the fuel tank on the left side. The lever gate for the shifter is also unique, operating what could have been the first three-speed gearbox on an American motorcycle. The transmission has two separate neutral positions, between first and second gear and again between second and third, marked on the shift mechanism with a zero.
The powerhouse is a beautifully crafted 78ci V-twin engine with a 4in stroke and a 3 7/16in bore; 1,278cc, which was large for the time. (The majority of big displacement motorcycle engines from the Traub's era were around 1,000cc (61ci). Using a side-valve arrangement, the top of the cylinders feature a gas primer valve, adjustable crankcase breather and unique engine mounts.
After its discovery, the motorcycle was first traded to Torillo Tacchi, a motorcycle shop owner in Chicago, in exchange for a $700 Suzuki. Tacchi restored it and kept the bike for some 10 years. He later sold it to Bud Ekins (Steve McQueen's stuntman) while Ekins was on set of the Blues Brothers movie in the late 1970s. The Traub was later sold to California collector and restorer, Richard Morris, who then sold it to Wheels Through Time Museum curator, Dale Walksler, in 1990.
It has been on permanent display in the museum collection ever since.
Allegedly the only parts that had to be fabricated in the final restoration were the base gaskets; the bike is so perfectly machined that no other gasket was used anywhere in the engine, one more significant indicator that this was not a mass-production machine.
For many years a mystery lingered as to who had built the Traub, and whether any other examples existed.
In the May 25, 1907 issue of Motorcycle Illustrated a letter was printed from a Richard "Traut", 749 North Paulina Street, Chicago, Illinois;
Gottlieb Richard Traub is listed in the 1900 census at this address; his occupation was simply noted as "a laborer".
In the 1910 census a Richard Traub lived at 1520 North Paulina St .,Chicago, with the same family members as resided at 749 North Paulina. He was born on 23rd of March, 1883, in Chicago; of German descent, a common heritage in that neighborhood. In 1910 he was 27 years old, and a now said to be a "toolmaker at a factory". According to his WW1 draft registration of 1917-18 he was still at 1520 North Paulina, but most interestingly he was then listed as a self employed 'experimental machinist'. Two years later in 1920 he was at the same address, his occupation shown as "a laborer at an experimenting co."
By 1930 he had moved to Park Ridge Illinois, possibly as plater or chromer at an experimental company. His 1942 draft registration card has him self employed in Park Ridge. There are references to him building telescopes in Park Ridge in the 1940's, and he died in 1952 aged 69. He was buried in Concordia Cemetery, Forest Park Illinois.
It should be noted that North Paulina st. in Chicago is in the same neighborhood, and in fact may be the same street, as the building where the motorcycle was found in 1967.

subset: commoncrawl


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Master Song Leonard Cohen interpretted by seth sazant The pattern remains the same throughout the song: play the verse then the intro (played twice at the start) once. Intro: X2 -3-------------3---------------------------------------- -----------------------------1-------------1------------ ---0---0---0-----0---0---0-----0---0---0-----0---0---0-- -----2---3---------2---3---------2---3---------2---3---- -------------------------------------------------------- -------------------------------------------------------- G# Gm I believe that you heard your master sing G# Gm when I was sick in bed. G# Gm I suppose that he told you everything G# Gm that I keep locked away in my head. G# Cm Your master took you travelling, Eb F well at least that's what you said. Bb Bb/A Bb Bb/A And now do you come back to bring Eb D your prisoner wine and bread? Intro x1 You met him at some temple, where they take your clothes at the door. He was just a numberless man in a chair who'd just come back from the war. And you wrap up his tired face in your hair and he hands you the apple core. Then he touches your lips now so suddenly bare of all the kisses we put on some time before. And he gave you a German Shepherd to walk with a collar of leather and nails, and he never once made you explain or talk about all of the little details, such as who had a word and who had a rock, and who had you through the mails. Now your love is a secret all over the block, and it never stops not even when your master fails. And he took you up in his aeroplane, which he flew without any hands, and you cruised above the ribbons of rain that drove the crowd from the stands. Then he killed the lights in a lonely Lane and, an ape with angel glands, erased the final wisps of pain with the music of rubber bands. And now I hear your master sing, you kneel for him to come. His body is a golden string that your body is hanging from. His body is a golden string, my body has grown numb. Oh now you hear your master sing, your shirt is all undone. And will you kneel beside this bed that we polished so long ago, before your master chose instead to make my bed of snow? Your eyes are wild and your knuckles are red and you're speaking far too low. No I can't make out what your master said before he made you go. Then I think you're playing far too rough for a lady who's been to the moon; I've lain by this window long enough to get used to an empty room. And your love is some dust in an old man's cough who is tapping his foot to a tune, and your thighs are a ruin, you want too much, let's say you came back some time too soon. I loved your master perfectly I taught him all that he knew. He was starving in some deep mystery like a man who is sure what is true. And I sent you to him with my guarantee I could teach him something new, and I taught him how you would long for me no matter what he said no matter what you'd do. I believe that you heard your master sing while I was sick in bed, I'm sure that he told you everything I must keep locked away in my head. Your master took you travelling, well at least that's what you said, And now do you come back to bring your prisoner wine and bread? Chords: Bb/A (x0333x)
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The Bank of England's chief economist, Andy Haldane, has urged his colleagues to examine the musical mood of the nation when contemplating changes to the bank's interest rate. How could an increase in Taylor Swift downloads or a decline in the popularity of rock and roll be relevant for managing the economy?
It all comes down to measuring economic sentiment. This is a way of gauging how people feel about the economy, which behavioural economists use to make predictions about how it will respond to different policies. For example, if people are generally pessimistic about the economy then raising interest rates might encourage them to stop borrowing and spending by so much that it harms the economy.
For some time, researchers have been able to measure economic sentiment by analysing the language used in large numbers of online news stories and Twitter posts. But recently, researchers from Claremont Graduate University have shown that sentiment may be extracted from pop music top-100 lists and music platforms such as Spotify. What's more, these new sentiment indicators are at least as useful as conventional surveys of consumer confidence.
The idea is that songs have an emotional component that anyone can relate to, encoded in musical attributes such as the songs' energy, tempo and volume. Online music services such as Spotify already use these kinds of attributes to categorise songs and recommend new music to users based on similar tracks they have already listened to.
You can also understand the emotions expressed by songs from their lyrics, depending on your cultural background. These can be analysed using the same "natural-language processing" software that is used to assess the language of news and Twitter feeds.
This can be done in a simple fashion, encoding words' positive or negative emotional loading, or more elaborately by matching words to eight core emotions: joy, sadness, anger, fear, disgust, surprise, trust and anticipation. The software then counts up the number of times each emotion is cued within a song's lyrics.
By identifying the emotional components of the most popular songs, researchers can put together a picture of listeners' own feelings and use this to predict economic sentiment. Running the emotion mapping exercise on all songs in a top-100 chart captures the lion's share of new music being purchased and listened to on a month-by-month basis.
This is where the advantages of using "big data" from large numbers of people come to the fore. Survey results only tell you what people who have chosen to participate want you to know. Music charts, on the other hand, reflect actual consumer choices from a much wider group of people.
Emotional downturn
The Claremont researchers applied this technique to charts from before and after the 2008 global economic crisis. They found that, after the crash, the frequency of words associated with anger and disgust increased while the frequency of words associated with trust decreased. This type of evidence strongly suggests that music consumers' states of mind do have a bearing on what music they choose to pay for and listen to.
This research and Andy Haldane's comments suggest that both the music and lyrics of popular songs can indeed be used to predict economic sentiment, and even short-term stock market movements. Streaming services such as Spotify and Apple Music are sitting on data that could help build a far more detailed map of economic sentiment than top-100 lists. Because these companies have data on individual households, we could even create sentiment indexes for different regions and groups of people (for example, based on how much they earn).
Calling for economists to consult the musical mood of the nation may seem somewhat surprising, bizarre even. But research suggests that the big data approach to tracking consumer sentiment really could be useful. It is just one aspect of the Bank of England's general drive to broaden and diversify the sources of information it consults in its analyses and decision making. And that should be welcomed.


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June 17, 2024
Blacklisted by History: The Untold Story of Senator Joe McCarthy and His Fight Against America's Enemies Paperback - November 24, 2009 by M. Stanton Evans (Author) 4.7 4.7 out of 5 stars 676 ratings See all formats and editions
Accused of creating a bogus Red Scare and smearing countless innocent victims in a five-year reign of terror, Senator Joseph McCarthy is universally remembered as a demagogue, a bully, and a liar.
History has judged him such a loathsome figure that even today, a half century after his death, his name remains synonymous with witch hunts.
But that conventional image is all wrong, as veteran journalist and author M. Stanton Evans reveals in this groundbreaking book. The long-awaited Blacklisted by History, based on six years of intensive research, dismantles the myths surrounding Joe McCarthy and his campaign to unmask Communists, Soviet agents, and flagrant loyalty risks working within the U.S. government.
Evans's revelations completely overturn our understanding of McCarthy, McCarthyism, and the Cold War. Drawing on primary sources--including never-before-published government records and FBI files, as well as recent research gleaned from Soviet archives and intercepted transmissions between Moscow spymasters and their agents in the United States--Evans presents irrefutable evidence of a relentless Communist drive to penetrate our government, influence its policies, and steal its secrets.
Most shocking of all, he shows that U.S. officials supposedly guarding against this danger not only let it happen but actively covered up the penetration. All of this was precisely as Joe McCarthy contended. Blacklisted by History shows, for instance, that the FBI knew as early as 1942 that J. Robert Oppenheimer, the director of the atomic bomb project, had been identified by Communist leaders as a party member; that high-level U.S. officials were warned that Alger Hiss was a Soviet spy almost a decade before the Hiss case became a public scandal; that a cabal of White House, Justice Department, and State Department officials lied about and covered up the Amerasia spy case; and that the State Department had been heavily penetrated by Communists and Soviet agents before McCarthy came on the scene.
Evans also shows that practically everything we've been told about McCarthy is false, including conventional treatment of the famous 1950 speech at Wheeling, West Virginia, that launched the McCarthy era ("I have here in my hand . . ."), the Senate hearings that casually dismissed his charges, the matter of leading McCarthy suspect Owen Lattimore, the Annie Lee Moss case, the Army-McCarthy hearings, and much more. In the end, Senator McCarthy was censured by his colleagues and condemned by the press and historians.
But as Evans writes, "The real Joe McCarthy has vanished into the mists of fable and recycled error, so that it takes the equivalent of a dragnet search to find him." Blacklisted by History provides the first accurate account of what McCarthy did and, more broadly, what happened to America during the Cold War. It is a revealing exposé of the forces that distorted our national policy in that conflict and our understanding of its history since.


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Basic Search Stone Collection: Volume 41 - Item 11 | Advanced Search | Online Archives | Help | ||||||||||||
11. Walter L. Fleming, ed., The Constitution and the Ritual of the Knights of the White Camelia [sic], West Virginia University Documents Relating to Reconstruction, no. 1 (Morgantown, WV: [Acme Publishing Co.?], 1904). (32 p.)
Reprint of the constitution and ritual of a white supremacist organization organized in New Orleans in 1867. Explanatory comments by the series' editor precede the documents.