text:
(written from a Production point of view)
While exploring the energy barrier at galaxy's edge that crippled an earlier ship, Kirk's long-time friend and crewmate Gary Mitchell begins mutating into a god-like entity disdainful of the "mortals" around him. (Second pilot)
- "Captain's log, stardate 1312.4. The impossible has happened. From directly ahead, we're picking up a recorded distress signal, the call letters of a vessel which has been missing for over two centuries. Did another Earth ship probe out of the galaxy as we intend to do? What happened to it out there? Is this some warning they've left behind?"
In the briefing lounge, Captain James T. Kirk and Lieutenant Commander Spock are playing three-dimensional chess. Spock warns the captain that he's about to checkmate him on his next move, but the captain is preoccupied with awaiting the bridge's update on the unexplained Earth-vessel distress signal. The captain notes that Spock plays a very "irritating game of chess", to which Spock responds with "Irritating? Ah yes, one of your Earth emotions." Captain Kirk makes a move that surprises Spock, and smiles, to which Spock simply turns to look at him. "Certain you don't know what irritation is?" Kirk says wryly. As Spock begins to state that despite the fact that one of his ancestors married a Human female, Kirk interrupts him and jokingly chides him, saying it must be terrible to have bad blood like that. Just afterward then, a call comes over the comm. Navigator Lieutenant Lee Kelso informs the captain that the object is now within tractor beam range, and that it is only about a meter in diameter, too small to be a vessel or an escape pod. Kirk tells him to lock on to it, and the two of them head out.
In the transporter room, Lieutenant Commander Montgomery Scott is fine tuning the transporter, preparing to beam the object aboard. Kirk gives the order, and Scott transports the device into the transporter chamber. The captain immediately recognizes it as an old-style ship recorder, one that would be ejected in the event of an emergency. Spock agrees, but states that, based on the level of damage the object seems to have sustained, something must have destroyed the ship. Scott tries to feed the tapes into the computer when the marker begins transmitting a signal. Captain Kirk orders red alert, and the crew go to their stations.
Act One[]
Throughout the ship, the crew is reporting to their emergency stations. Kirk and Spock enter a turbolift to go to the bridge, and Lieutenant Commander Gary Mitchell enters just as the doors are closing. Kirk and Mitchell joke about Kelso sounding nervous, and Spock's chess skills, showing that they're comfortable being around each other even in times of red alert.
The three officers enter the bridge, Mitchell taking his station as Spock scans for the message. As they approach the edge of the galaxy, Kirk orders all stop. Captain Kirk announces ship-wide that what they picked up was a disaster recorder launched from the SS Valiant two hundred years prior. Department heads report to the bridge as ordered, and Captain Kirk is given introductions. Smith, whom he mistakenly addresses as "Jones", is his new yeoman. Sulu reports astrosciences ready, Scott reports the engineering division ready, "as always", and Chief Medical Officer Doctor Mark Piper reports life sciences ready, then introduces the USS Enterprise's new psychiatrist, Dr. Elizabeth Dehner, who came aboard the vessel back at the Aldebaron Colony to study the long-term effects of space travel on the crew. Spock points out he's been able to get a signal from the recorder, as Mitchell tries to flirt with Dr. Dehner, who rebuffs him only to overhear him call her a "walking freezer unit".
Spock interprets the Valiant's message: that they had encountered a magnetic storm and were pulled out of the galaxy, and that the crew accessed computer records on "ESP" in Humans, frantic to find information about it. The captain asks Dr. Dehner her opinion, and she mistakes the question as asking whether she has ESP. She reports that there are some Humans who can see "backs of playing cards and so on", but it is never very powerful. Spock goes on to explain that several crewmen had died aboard the Valiant, which had suffered severe damage. The Valiant crew continued researching ESP, until it seems the captain ordered a self-destruct. As future vessels will someday be coming out this far into space, Captain Kirk decides to go ahead anyway and engages warp factor 1.
The crew reacts with mixed emotions as the Enterprise heads out of the Milky Way Galaxy. The ship encounters a strange field and Spock orders a full array of scans – deflectors indicating something in front of them while sensors say there's nothing. Smith and Mitchell hold hands to comfort each other as the ship enters the field. Flashes of light fill the bridge and electric discharges penetrate the hull, causing several consoles to explode. Kirk orders Mitchell to reverse course, but, before he can carry out the order, Dr. Dehner and he are struck by a mysterious electric charge which drops them to the deck. With no one in control of the Enterprise, Spock dashes over to the helm console and pilots the starship clear of the energy field.
Taking damage reports, Spock informs Kirk that main power is out, the Enterprise is on emergency power cells, and nine crewmen are dead. Captain Kirk tends to Dehner and Mitchell, only to find that while Mitchell feels a little weak, his eyes are glowing an eerie silver…
Act Two[]
- "Captain's log, stardate 1312.9. Ship's condition – heading back on impulse power only. Main engines burned out. The ship's space-warp ability – gone. Earth bases, which were only days away are now years in the distance. Our overriding question now is – what destroyed the Valiant? They lived through the barrier, just as we have. What happened to them after that?"
Captain Kirk, while supervising repairs being made to the bridge, proceeds to the science station where he finds Spock reviewing medical records of the dead crew members, and the crew members who survived but seem to have been affected in some way. Spock is looking at ESP ratings of Dr. Dehner and Gary Mitchell. Both of the officers had high scores on ESP tests given by Starfleet Medical, Mitchell's having ultimately read as the highest in the crew.
Dr. Dehner approaches Captain Kirk and provides an autopsy report of the nine dead crew members. She mentions that in all cases, there was damage to a specific region of the brain. Kirk shares the fact that all of the dead crew members, as well as Dehner and Mitchell, had high ESP ratings. Spock also mentions that the captain of the Valiant was frantically searching through their records for information on ESP. Spock then reports that the Valiant's captain seems to have given a self-destruct order. Dehner defends those with ESP, stating that the ability is not harmful. Spock, however, reminds the doctor that there are the more extreme (and dangerous) abilities of ESP, such as the ability to see through solid objects or cause spontaneous combustion.
In sickbay, Mitchell is reading text on a viewer, trying to pass the time. Kirk enters the room, and Mitchell greets him by name without actually looking to see who it is. Kirk and Mitchell talk about some past experiences; it is obvious they have known each other well for many years. Mitchell mentions that he feels better now than he's ever felt in his life, and he's catching up on his reading, including Spinoza, which surprises Kirk. Mitchell finds Spinoza simple, almost childish, to him. The two continue to reminisce about their days at Starfleet Academy and Mitchell says that he "aimed that little blonde lab technician" at Jim. Kirk replies, "You planned that?!? I almost married her."
Kirk informs Mitchell that he's assigned Dr. Dehner to work with him. Mitchell doesn't seem happy, since Mitchell and Dehner have already gotten off to a tense start. As Kirk moves to leave, Mitchell, in an echoing voice, says, "Didn't I say you'd better be good to me?", prompting Kirk to pause and eye him with uncertainty.
Once Kirk leaves the room, Mitchell continues reading books on the viewer, at a steadily-increasing rate that soon far exceeds normal pace; the on-screen pages are nothing but a black-and-white blur. Kirk enters the bridge to find Spock monitoring Mitchell's viewer. Kirk assigns 24-hour security to keep an eye on Mitchell. Kirk approaches the science station viewer to look closely at Mitchell, and Mitchell looks directly at the security camera, seemingly aware that Kirk is watching him.
Dr. Dehner enters sickbay and acknowledges the fact that she realizes that Mitchell doesn't like her very much. He apologizes to her for calling her a "walking freezer unit." She asks him how he feels. Mitchell jokingly says that everyone thinks that he should have a fever or something and proceeds to change the vital signs monitor in sickbay with his mind. Then, he makes the readings show that he is dead. All indicators fall to zero, to Dr. Dehner's surprise and horror. Moments later, Mitchell awakens, and starts telling Dr. Dehner of some of his other abilities, like being able to read quickly, going through half of the Enterprise's database in less than a day.
Dr. Dehner decides to test his memory, and shows Mitchell the title of a record tape, asking him to recite what's on page 387. Mitchell recites, "My love has wings, slender feathered things with grace and upswept curve and tapered tip" from the poem "Nightingale Woman", written by Tarbolde on the Canopus planet back in 1996. Mitchell wonders out loud why she happened to choose that particular poem, which is considered to be one of the most passionate poems written in recent centuries. He then pulls Dehner close to him, and asks her how she feels. Her reply, that she only fell and that nothing else happened, is seemingly disbelieved by Mitchell, but the conversation is cut short by the arrival of Lieutenant Kelso, awkwardly entering at a time which might have seemed like an intimate moment. Mitchell smiles and invites him in, joking that his eyes are merely lit up "due to the lovely doctor."
Kelso reports that the main engines are in bad shape. Mitchell warns Kelso to check the starboard impulse engine packs, which Kelso jokingly dismisses. Mitchell snaps (once again in his "booming" voice) that he isn't joking, and that if they activate those engines that the entire impulse deck will explode. Kelso leaves sickbay and Mitchell tells Dehner that he could see the image of the impulse packs in Kelso's mind and that he is a fool not to have seen it.
In the briefing room, Kelso shows Kirk the burned out impulse circuit, which he had checked on Mitchell's recommendation, noting with puzzlement that their condition was exactly as Mitchell described. Dr. Dehner enters late, says she got held up observing Mitchell, and attempts to defend him in the face of Spock's and Kirk's seemingly cold assessment of him. She reports her observations of Mitchell's ability to control certain autonomic reflexes and increased memory. Scott reports that bridge controls had started changing on their own about an hour prior, and Spock adds that each time it happened, Mitchell could be seen smiling on the surveillance monitors set up in sickbay. Kirk is annoyed that Dehner hadn't reported Mitchell's new powers earlier, but she argues that no one has been hurt, furthermore saying that someone like Mitchell, with such powers, could give rise to "a new and better kind of Human being."
Following an awkward silence, Sulu adds that the growth of Mitchell's abilities is a geometric progression, meaning they would increase at an exponential rate. Spock concludes that Mitchell would become uncontrollably powerful within a month. Kirk tells those present to not discuss their findings openly before dismissing them. After the others have left the briefing room, Spock advises taking the Enterprise to the planet Delta Vega, only a few light days away, where they can adapt the lithium cracking station's power packs to try to repair its damaged systems, and also strand Mitchell there. Kirk strongly disagrees with the plan, stating Delta Vega is uninhabited and automated, and ore ships only visit every twenty years. Spock informs Kirk the only other choice he has is to kill Mitchell before he overpowers the entire crew. Kirk tries appealing to Spock's conscience, saying Mitchell is his longtime friend, but Spock merely reminds him that the captain of the Valiant probably had a similar dilemma about his afflicted crew members but made his decision to self-destruct too late. Kirk reluctantly orders the Enterprise course set for Delta Vega.
Act Three[]
- "Captain's log, stardate 1313.1. We're now approaching Delta Vega. Course set for a standard orbit. This planet, completely uninhabited, is slightly smaller than Earth, desolate, but rich in crystal and minerals. Kelso's task – transport down with a repair party, try to regenerate the main engines, save the ship. Our task – transport down a man I've known for fifteen years, and if we're successful, maroon him there."
In sickbay, Mitchell's telekinetic power continues to grow. Feeling thirsty, he moves a plastic cup below a faucet and dispenses water from it with his mind. Kirk, Spock, and Dr. Dehner enter to see Mitchell's levitate the filled cup towards his outstretched hand. Mitchell senses worry in Kirk and Spock's continued urging for the captain to kill him while he still can. Mitchell quickly subdues both Kirk and Spock with an electric shock and informs them he knows the Enterprise is orbiting Delta Vega but won't allow them to force him down there. As he postures about what kind of a world he can use, Kirk and Spock jump him and hold him down long enough for Dr. Dehner to tranquilize him.
In the transporter room, preparing to beam down, Mitchell regains consciousness and proclaims "You fools! Soon I'll squash you like insects!" before being sedated again. After transporting down, Mitchell is confined to a holding cell as Lieutenant Kelso and the engineering team begin to salvage the needed components from the outpost to restore the Enterprise engines to full capacity.
As Mitchell regains consciousness, he reminds Kirk of how he saved his life on the planet Dimorus, taking poisonous darts meant for the captain and nearly dying from it. He wonders why Kirk should fear him now. Kirk retorts that Mitchell has been testing his ability to take over the Enterprise and reminds him of the threat he made in the transporter room to squash the crew like insects. Mitchell defends himself by pointing out that he was drugged at the time, then snaps back that mankind cannot survive if a true race of Espers like himself is born, and attempts to escape the force field of the cell. Kirk pleads with him to stop, but, Mitchell refuses and is jolted back, draining the light in the eyes. Gary pleads out to "Jim…", but, it doesn't last and the maniacal power that has now totally consumed Mitchell returns and he sneers that he'll "just keep getting stronger."
Back on board the Enterprise, the repairs are nearly complete as Scott beams a phaser rifle down to Spock. Kirk resents Spock's callousness towards Gary, but Spock retorts that he's just being logical and he believes that the crew will be lucky just to repair the Enterprise and get away from Mitchell in time. Kirk, finally seeing Spock's viewpoint, instructs Kelso to wire a destruct switch to the power bins of the outpost, an explosion that will destroy the entire valley and hopefully kill Mitchell, and orders him to hit the button if Mitchell escapes.
Act Four[]
- "Captain's log, stardate 1313.3. Note commendations on Lieutenant Kelso and the engineering staff. In orbit above us, the engines of the Enterprise are almost fully regenerated. Balance of the landing party is being transported back up. Mitchell, whatever he's become, keeps changing, growing stronger by the minute."
As the landing party prepares to return to the Enterprise, Dehner, completely transfixed on Mitchell, announces she's remaining on Delta Vega with him. At the same time, Mitchell uses his powers to remotely strangle Lieutenant Kelso with a cable. As Kirk orders Dehner to return to the ship, Mitchell turns to the captain and taunts him that Kirk should have killed him while he still had the chance. With that, he shocks both Kirk and Spock and easily eliminates the force field holding him. Dehner takes no action to stop him, and he slowly walks her over to a mirror, where she can now see the light in her own eyes.
A short time later, Dr. Piper revives Captain Kirk and informs him that Kelso is dead and that Mitchell and Dr. Dehner have left the facility. Kirk advises Piper not to revive Spock until after he's left as Kirk now blames himself for not listening to the Vulcan's warning. Taking Spock's phaser rifle, Kirk orders that Piper and Spock return to the Enterprise and to give him twelve hours to signal the ship. Failing that, Kirk recommends that the Enterprise proceed at maximum warp to the nearest starbase with his recommendation that the entire planet be subjected to a lethal concentration of neutron radiation. When Piper protests, Kirk firmly tells the doctor it is an order and leaves.
In an open valley, Mitchell (now sporting greying sideburns due to premature aging as a consequence of the stress from his advanced powers) conjures up Kaferian apples and water for himself and Dehner. He begins to sense Kirk approaching them, as does Dehner. Mitchell invites Dehner to talk to the captain and begin to realize just how unimportant Humans are compared to what they (Mitchell and Dehner) have become. Dehner appears before Kirk and advises the captain to retreat while he still can. Kirk appeals to what's left of Dehner's Humanity and her profession as a psychiatrist and asks her what she believes will become of Mitchell if his power is allowed to continue to grow. Dehner begins to see the wisdom of Kirk's words, but, before she can decide anything, Mitchell appears before both of them. Kirk opens fire with his phaser rifle, but, it has no effect on Mitchell who easily casts the weapon aside.
Taunting Kirk, Mitchell creates a grave for his "old friend", saying he deserves a decent burial, at the very least. Completely convinced of his power and his superiority, with absolute power corrupting absolutely, Mitchell uses his powers to force Kirk to pray to him as a god and for an easy death.
Dehner, now realizing that Mitchell is inhuman and becoming more and more dangerous, helps Kirk by blasting Mitchell with some of her power, stunning him. Mitchell turns away from Kirk and counters Dehner's attack, however, the battle drains both of them and they both collapse, Dehner's attack being sufficiently powerful enough to weaken Mitchell who temporarily loses his powers. As Dehner implores Kirk to hurry, the captain begins to attack his former friend, pummeling him to the ground. With a heavy rock raised high and preparing for the death blow, Kirk begs Gary to forgive him for what he must do. However, the captain's hesitation is enough for Mitchell to regain his powers and easily tosses Kirk away. With Kirk no longer able to cope with Mitchell's physical strength, he dives at him, sending both into the open grave. Kirk, scrambling to the discarded phaser rifle, is able to blast the rock face above Mitchell, sending him into the grave and entombing him, therefore ending Mitchell's threat forever.
Kirk, with his uniform torn, and beaten and battered, walks over to Dehner and kneels beside her. She apologizes to the captain for her actions, but offers that KIrk had no idea what it was like to be almost a god, before finally dying herself. Silently mourning Dehner's sacrifice, Kirk opens his communicator and hails the Enterprise.
- "Captain's log, stardate 1313.8. Add to official losses, Dr. Elizabeth Dehner. Be it noted she gave her life in performance of her duty. Lieutenant Commander Gary Mitchell. Same notation."
Back on the Enterprise, Kirk, sitting in his chair with a bandaged hand, laments to Spock that he wants Mitchell's service record to end with dignity as he didn't ask for what happened to him. Spock admits he felt for Mitchell as well. With a smirk, Kirk remarks that maybe there's hope for Spock after all, as the Enterprise continues to journey where no man has gone before.
Log entries[]
Memorable quotes[]
"Have I ever mentioned you play a very irritating game of chess, Mr. Spock?"
"Irritating? Ah, yes. One of your Earth emotions."
- - Kirk and Spock, in the recreation room
"Terrible, having bad blood like that."
- - Kirk to Spock, on his Human ancestry
"The first thing I ever heard from upperclassmen was: Watch out for Lieutenant Kirk. In his class, you either think or sink."
- - Mitchell to Kirk, reflecting on their time at the Academy
"My love has wings. Slender, feathered things with grace in upswept curve and tapered tip."
- - Mitchell, reciting "The Nightingale Woman" by Phineas Tarbolde
"Don't you understand? A mutated superior man could also be a wonderful thing!"
- - Dehner to Kirk, on Mitchell
"Will you try for one moment to feel? At least act like you've got a heart."
- - Kirk to Spock, before deciding to maroon Mitchell on Delta Vega
"The captain of the Valiant probably thought the same thing. And he waited too long to make his decision."
- - Spock, deliberating with Kirk on what to do with Mitchell
"If you were in my position, what would you do?"
"Probably what Mr. Spock is thinking now: kill me, while you can."
- - Kirk and Mitchell, discussing Mitchell's ultimate fate
"You fools! Soon I'll squash you like insects!"
- - Mitchell, in the transporter room
"There's not a soul on this planet but us?"
"Nobody but us chickens, Doctor."
- - Dehner and Kirk, on Delta Vega
"My friend, James Kirk."
- - Mitchell, mockingly addressing Kirk upon awakening in the cell on Delta Vega
"In the sickbay, you said if you were in my place you'd kill a mutant like yourself."
"Why don't you kill me then? Mr. Spock is right and you're a fool if you can't see it."
- - Kirk and Mitchell
"Man cannot survive if a race of true espers is born."
- - Mitchell
"Dr. Dehner feels he isn't that dangerous! What makes you right and a trained psychiatrist wrong?"
"Because she feels. I don't. All I know is logic."
- - Kirk and Spock, as Spock brings a phaser rifle
"If Mitchell gets out, at your discretion, Lee, if sitting here makes you think you're the last chance, I want you to hit that button."
- - Kirk, ordering Kelso to destroy the station
"You should've killed me while you could, James. Command and compassion are a fool's mixture."
- - Mitchell to Kirk, before escaping the brig
"Above all else, a god needs compassion! MITCHELL!!"
- - Kirk, calling out to Mitchell
"What do you know about gods?"
"Then let's talk about Humans! About our frailties!"
- - Dehner and Kirk
"What's your prognosis, Doctor?!"
- - Kirk, to Dehner on Mitchell
"Morals are for men, not gods."
- - Mitchell, to Kirk
"Time to pray, Captain. Pray to me."
"To you? Not to both of you?"
"Pray that you die easily!"
"There'll only be one of you in the end. One jealous god. If all this makes a god, or is it making you something else?"
- - Mitchell and Kirk
"Do you like what you see? Absolute power corrupting absolutely?"
- - Kirk, persuading Dehner to turn on Mitchell
"For a moment, James… but your moment is fading."
- - Mitchell's last words
"I'm sorry. You can't know what it's like to be almost a god."
- - Dehner's dying words to Kirk
"He didn't ask for what happened to him."
"I felt for him, too."
"I believe there's some hope for you after all, Mister Spock."
- - Kirk and Spock
Background information[]
The second pilot[]
- This was the second Star Trek pilot. However, it has aired in syndication as the third regular series episode, after "The Man Trap" and "Charlie X". In their book Inside Star Trek: The Real Story, Robert H. Justman and Herbert F. Solow explain that because this segment was "too expository" in nature – a common fault with pilots – it would not have made a good premiere episode for the series.
- Although NBC rejected "The Cage", they felt that the series concept was strong enough to give Star Trek a second chance, despite having already spent an exorbitant US$630,000 on the first pilot. The network ordered three scripts, from which they would choose one to be developed into an unprecedented second pilot. The three scripts were "The Omega Glory" by Gene Roddenberry, "Mudd's Women" by Roddenberry and Stephen Kandel, and "Where No Man Has Gone Before" by Samuel A. Peeples. The advantage of "The Omega Glory" was that it showcased Roddenberry's "parallel worlds" concept and could be filmed using existing studio sets on the back lot as well as stock wardrobes. "Mudd's Women" was mainly a shipboard tale and could also be shot using the existing Enterprise sets left over from "The Cage". In addition, both required a minimum of new outer space effects shots. However, "Mudd's Women" guest starred "an intergalactic pimp", selling women throughout the galaxy, exactly what NBC didn't want, and "The Omega Glory" wasn't very good. The network finally chose "Where No Man Has Gone Before" which, although it required many new special effects, sets, props, and costumes, was the most powerful and compelling of the three scripts. (Inside Star Trek: The Real Story, pp 65-66; The Star Trek Compendium, p 17)
- There is a different, pre-broadcast cut of this episode in the archives of the Smithsonian Air and Space Museum. This unique cut includes a few brief scenes trimmed from the aired cut of the episode, different opening titles, and a unique opening and closing theme. The alternate themes can be heard on the GNP Crescendo CD Star Trek: Original Series (Volume 1) "The Cage" / "Where No Man Has Gone Before". This version was the one screened as the second pilot to NBC executives in the tail-end of 1965, and was originally available in bootleg form only, screened at numerous conventions, before becoming available commercially on the TOS Season 3 Blu-ray set. [1] James Doohan was credited as "Engineer", Paul Fix as "Ship's Doctor", George Takei as "Physicist", and Paul Carr as "Navigator" in the end credits of the original cut. It was in effect the Institution itself which had already recognized the cultural significance of Roddenberry's creation; in a rare move – considering the highly contemporary nature of a television series of such recent date – the Institution invited Roddenberry in 1967 to submit both pilots and assorted production material, such as still photography, scripts and story outlines, for safekeeping for posterity. This the consummate (self)promoter Roddenberry did in a formal presentation at the Institution, pursuant the conclusion of the series' first season. ("Smithsonian Seeks TV Pilot", Los Angeles Times, 13 June 1967, p. C19)
- A second different title sequence resulted from the fact that the main responsible visual effects director, Darrell Anderson of effects company Howard Anderson Company, suffered a third nervous breakdown, brought on by the stress he was under to deliver the new opticals in time and on budget. As Justman recalled, when he and Roddenberry came calling on Anderson in August 1966 to check on the status of the Enterprise footage for the title sequence, for the series slated to start its run on 8 September and "Where No Man" scheduled to air third, "We had seen maybe six good shots and some others that were partially usable. We had expected many more angles, some of which were badly needed for our series main title. "Where's all the other shots, Darrell?" Darrell began to shake. He jumped to his feet, screaming, "You'll never make your first airdate." Bursting into tears, he ran out of the room, still screaming, "You'll never make your first airdate! You'll never make your first airdate!" Gene sat there in shock. I raced after Darrell and caught him outside. He was weeping. And no wonder. We later found out he had been working both day and night for months, trying to satisfy our needs. That afternoon, Darrell went to Palm Springs for a rest cure." Roddenberry and Justman managed to compose a title sequence from the footage already shot, the same day. (Inside Star Trek: The Real Story, p. 281) This was the version as originally aired by NBC on 22 September 1966. The more sophisticated final title sequence was produced (with Anderson returned to his duties) for subsequent episode airings and replacing the improvised sequence for those episodes where it was utilized in reruns. Incidentally, Darrell Anderson suffered his second nervous breakdown while working on the second pilot the year previously, from which he needed two weeks to recover. (Cinefantastique, Vol. 27, No. 11/12, p. 69)
- The aired version of this episode features a different version of the first season opening credits, which does not have William Shatner's opening narration, and uses a different orchestration of the main and end title themes. These orchestrations were used until mid-season during the original run and the initial syndication showings. However, in the 1980s, Paramount withdrew the prints from syndication and redistributed remastered and pre-cut episodes with standardized opening and closing credit music for the first season (using the Fred Steiner arrangement created for the back half of the season). These remastered prints were also used, in their uncut form, for the video and laserdisc releases. Only this episode was permitted to keep the original Alexander Courage arrangement. The 1999 DVD volumes, and later season sets, however, restored the opening credits to their original form, while leaving the end credits in their altered state (again, except for this episode which remains as originally aired).
- The original narration spoken by Shatner was:
- "Enterprise log, Captain James Kirk commanding. We are leaving that vast cloud of stars and planets which we call our galaxy. Behind us, Earth, Mars, Venus, even our Sun, are specks of dust. The question: What is out there in the black void beyond? Until now our mission has been that of space law regulation, contact with Earth colonies and investigation of alien life. But now, a new task: A probe out into where no man has gone before."
- After NBC saw this episode, they were pleased with the results and decided that Star Trek would be a weekly television series. Gene Roddenberry said that, like "The Cage", "Where No Man Has Gone Before" still had a lot of science fiction elements in it, but that it was the bare knuckle fist fight between Kirk and the god-like Gary Mitchell that sold NBC on Star Trek. (The Star Trek Saga: From One Generation To The Next [page number? • edit])
- This was the first episode of Star Trek to be shown by the BBC in the UK when the series premiered on 12 July 1969.
Story and script[]
- TNG adopted a gender-neutral and species-neutral version of this episode's title for TNG: "Where No One Has Gone Before".
- This episode sets the original series record for Enterprise crew members killed: twelve (Mitchell, Dehner, Kelso, and the nine who Spock says died when crossing the galactic barrier).
- Kirk says he's been worried about Mitchell "ever since that night on Deneb IV." Coincidentally (or not), TNG's pilot episode "Encounter at Farpoint" takes place on Deneb IV, home of the Bandi.
- Gary Mitchell states that the "Nightingale Woman" poem was written in 1996 and that it is one of the "most passionate love sonnets of the past couple of centuries". Taken literally, this line of dialogue seems to suggest that "Where No Man Has Gone Before" takes place no later than the end of the twenty-second century, which in turn would imply that the Valiant was launched during the twentieth.
- In reality, the poem ("My love has wings…") was written by Gene Roddenberry about his World War II airplane.
- Bob Justman anticipated that the second pilot would take nine days to shoot. However, after "The Cage" went severely over schedule and budget, Desilu's "old guard" executives worried about the same situation regarding the second pilot. To avoid these fears, "Where No Man Has Gone Before" was scheduled to be filmed in seven days. The "old guards" skeptically expected that it will take ten or even eleven days. Filming began on Monday, 19 July 1965. As expected, filming the pilot went over schedule, finally resulting in eight days and an extra day of shooting pickup shots and "inserts" – nine days, exactly as Justman expected. (Inside Star Trek: The Real Story, p 85).
- Just as "The Cage", the second pilot was filmed at Desilu's Culver City studios. For the series itself, the entire production was moved to Desilu's main Gower Street facilities in Hollywood. (Inside Star Trek: The Real Story pp 113-116)
- On the fifth day of filming, Friday, 23 July 1965, a swarm of bees attacked the set, causing delay in filming, and injuries to William Shatner and Sally Kellerman, who were both stung by the bees. (Inside Star Trek: The Real Story, p 83)
Sets and props[]
- The gravestone Mitchell creates for Kirk reads "James R. Kirk". According to D.C. Fontana in the introduction for Star Trek: The Classic Episodes 1, when the mistake was discovered, Gene Roddenberry decided that if pressed for an answer on the discrepancy, the response was to be "Gary Mitchell had godlike powers, but at base he was Human. He made a mistake." The gravestone also suggests that an important event marked "C" took place on stardate 1277.1; Kirk may have assumed command of the Enterprise on this stardate.
- Their crew files show that Mitchell and Dehner were born in cities called "Delman" and "Eldman."
- The mountainous backdrop painting from "The Cage" is reused in this episode.
- In this episode, the helm console from the bridge was moved to the transporter set to double as the transporter console. Thus, the three levers used to "energize" are not yet in place.
- When he complies with Kirk's order to "Address intercraft," i.e. put open the intercom, Mitchell merely wipes the edge of his hand over his navigation plotting board and does not manipulate any buttons or switches.
- A bit of the transporter chamber was changed from "The Cage." The center of the ceiling was "hollowed out," allowing white light to pour down onto the platform when the "materializer" was not in operation. After this episode, however, the dark, grilled ceiling from "The Cage" was restored and remained in place throughout the series.
- The phaser rifle that Kirk uses appears for the first and only time in the series. However, it can be seen on many pre-season 1 promotional photos being held by Kirk performer William Shatner, who had especially been taken with the prop rifle. It was designed and created by Reuben Klamer, who, being subcontracted, received no credit for it. (Julien's Auctions presents: Star Trek)
- In this episode, the sickbay walls are green.
- The alert light on the helm console is of a different shape in this episode.
- A large panel seen in the background of the Delta Vega control room was recycled as part of the main engineering set in the series itself.
- Spock carries a laser pistol (somewhat modified) as first seen in "The Cage".
- This episode features the goose-neck tubes also used in "The Cage".
- The communicator Kirk uses at the episode's end to hail the Enterprise is the Lucite-encased, circuit board-filled version from "The Cage".
- The insignias for the Sciences and Engineering divisions were opposite in this episode of what they were in every other episode.
Cast and characters[]
- It was the first appearance for Trek mainstays Kirk, Sulu, Scott, and Leslie. Other regulars McCoy and Uhura did not appear until the next episode. In Star Trek III: The Search for Spock, Uhura is said to be a twenty year space veteran as of 2285, suggesting that she began her career sometime around this episode.
- Leonard Nimoy (Spock) is the only actor to appear in both this episode and the first pilot, "The Cage". His pointed ears are a bit smaller than in the first pilot, and his eyebrows are severely slanted (yet not as bushy as in "The Cage"). Most importantly, his hairstyle is reworked to show the bangs typical of his race – and that of eventual nemeses, the Romulans.
- William Shatner was actually the third actor to be considered for the role of James T. Kirk. Jack Lord and Lloyd Bridges were each offered the role before him. (The Star Trek Compendium [page number? • edit])
- Veteran character actor Paul Fix got the role of the ship's doctor, replacing John Hoyt. Gene Roddenberry wanted to cast DeForest Kelley in the part, whom he originally wanted to play Doctor Boyce in "The Cage". Then, he was overruled by director Robert Butler's suggestion. Here again, Fix was recommended by director James Goldstone. Roddenberry thought Fix didn't work out well in the role, and decided that if Star Trek became a weekly series, he would cast Kelley as the ship's doctor. (Inside Star Trek: The Real Story, pp 74-75, 152)
- Andrea Dromm replaced Laurel Goodwin in the role of the captain's yeoman. According to Herb Solow and Bob Justman, her role was actually a "non-part" and Roddenberry claimed he cast her so he could "score with her". They added, it was not just a "non-part", but a "non-score" as well. (Inside Star Trek: The Real Story, p 75) Dromm didn't return to the series, and was replaced by Grace Lee Whitney as Yeoman Rand.
- Roddenberry, Solow, and NBC were all happy about the casting of Lloyd Haynes as communications officer Alden. Haynes was one of the first African-Americans hired to play an important role in a network series pilot. However, he was not rehired for the series itself, as the production staff saw the role as dull and uninteresting. (Inside Star Trek: The Real Story, p 75-77, 153)
- This is the only episode of the series in which James Doohan (Scott) appears but DeForest Kelley (McCoy) does not.
- This is the only episode where Spock and Scott wear gold and tan tunics instead of their better known blue and red, respectively.
- The matte painting of the lithium cracking station was created by matte artist Albert Whitlock for this episode. A still exists showing the entire landing party in the doorway within the matte, but only the shot of Kirk and Dehner ended up being used. The matte painting was later altered and reused in "Dagger of the Mind". The image of the matte painting later appeared on the March 1953 issue of the Incredible Tales magazine in the Star Trek: Deep Space Nine episode "Far Beyond the Stars".
- Film trickery enabled Kirk, Spock, and Mitchell's elevator ride to look like an actual ride from one deck to another, without relying on editing. When Mitchell jumped in, there was a gray wall outside the door that hid the bridge set. When the doors closed, the wall was removed by the stage crew, and then seconds later, they're on the bridge. The turbolift in the background after this scene sports "double doors" like modern elevators – the inner one is gray and the outer is red. This feature survived into "The Corbomite Maneuver" and at least until "Tomorrow is Yesterday", but then was phased out.
- When Kirk, Spock, and Mitchell emerge from the turbolift, the main viewscreen can be seen in its "off" setting – a kind of "psychedelic" visual effect that was never used again.
- The voices of damage control personnel responding to the emergency situation were reused many times in subsequent episodes. These voices were provided by Gene Roddenberry, Robert Justman, Majel Barrett, Herb Solow, and other production staff members, including some from Mission: Impossible. Roddenberry can be heard saying, "Communicator, we need more lines to the impulse deck!" in subsequent episodes. (Inside Star Trek: The Real Story, pp. 190-191)
- Except for the shot of the Enterprise leaving the Barrier – which was shot using the three-foot unlighted model – all other ship fly-bys were produced using the eleven-foot model used in all subsequent episodes. At the time, this model still had no sparkling effects on the front of the nacelles. It also had a larger sensor dish, grilles on the backs of the nacelles, and not as many lighting effects. This footage was re-used in later episodes, often mixed in with shots of the improved model that is on display in the Smithsonian Air and Space Museum. In the standard side-to-side fly-by, two lights on the angled pylon (which connect the two hulls) go out, followed one second later by two near the shuttlebay.
- The original "bridge zoom-in" Enterprise shot from the beginning of "The Cage" is reused from stock footage in this episode, making it the only shot from the original pilot to appear in the second one.
- The same shot is also used when the Enterprise hits the barrier with added purple background and lightning effects.
- Stock footage of the Enterprise in the barrier was reused in "By Any Other Name" and "Is There in Truth No Beauty?". These are the only three original series episodes in which the Enterprise leaves the galaxy.
- The preview contains a Captain's Log recorded solely for the preview: "Captain's log, stardate 1312.4. The next mission of the Enterprise takes us into an unknown force field which affects the destiny of my closest friend."
- A print of the pre-broadcast version of this episode was taken by Roddenberry to the annual World Science Fiction Convention in Cleveland, Ohio to be presented to the convention goers. This marked Star Trek's second showing to the general public, on 4 September 1966 with Harlan Ellison having premiered a color print of one of the unaired episodes (those in attendance give conflicting reports on exactly which one of the early episodes was shown) earlier at the San Diego Westercon 19 the previous July. ("What We Did On Our Visit To Desilu" by John & Bjo Trimble, ST-PHILE #1, Jan 1968, p. 33) Allan Asherman, author of The Star Trek Compendium, was present among the audience. He recalled, "There must have been 500 people in that audience. When the Enterprise hit the galactic barrier, 1,000 eyes opened wide. Five hundred respiratory rates accelerated with that wonderful pleasure that comes over lovers of all things when they see their favorite subject being treated well. (…) If he [Roddenberry] could have read our minds at any moment during the screening, he would have been the happiest producer in the world. (…) Here was a future it did not hurt to imagine. Here was a constructive tomorrow for mankind, emphasizing exploration and expansion. This was a science fiction television series we all wanted to see. We were extremely impressed. (…) In fact, we liked everything about the episode more than anything else shown at the convention. (…) Roddenberry seemed to have no idea of the effect his show was having on us. (…) He asked for the audience's opinion; we gave him a standing ovation. He smiled, and we returned the smile before we converged him. We came close to lifting the man upon our shoulders and carrying him out of the room." (The Star Trek Compendium, pp 2-3)
- Later, a group of the audience asked Roddenberry if he had brought any other episodes of Star Trek with him. He had a black-and-white copy of "The Cage", which was then screened to the audience. (The Star Trek Compendium, p 3)
- Herb Solow commented on Gene's success: ""Where No Man," unlike the other television and theatrical films screened, was well received. The science-fiction aficionados at the convention were entranced by the new show. But in four days, the series would premiere on television to a national audience that thought science fiction was comic books of busty women being dragged away by alligator people, or a giant purple blob intent on dissolving Tokyo." (Inside Star Trek: The Real Story, p 263)
- Bjo Trimble and her husband, John, were members of the audience at the convention, and it was the first time they'd met Roddenberry. They persuaded him to allow the Star Trek costumes he brought along to be displayed during the fan-made costume competition. (Inside Star Trek: The Real Story, p 378)
- Isaac Asimov was also a member of the audience. At the start, Roddenberry shushed a loud man to be silent, not knowing that the man was actually Asimov. [2] When Roddenberry found out it was Asimov, he was horrified. (Inside Star Trek with Gene Roddenberry [page number? • edit])
- Roddenberry picked this as one of his ten favorite episodes for the franchise's 25th anniversary. (TV Guide August 31, 1991)
- Jason Isaacs also cited this as one of his favorite Star Trek episodes, remarking that he "loved" it. Regarding the transformation to god-like status that happens to Gary Mitchell and Elizabeth Dehner in this episode, Isaacs joked, "I tried for years to do that. In fact, I still try sometimes, in quiet moments." [3]
- The book Star Trek 101 (p. 17), by Terry J. Erdmann and Paula M. Block, lists this episode as one of "Ten Essential Episodes" from the original Star Trek series.
- An alternate explanation for the "James R. Kirk" reference is given in Peter David's novel Q-Squared, which suggests that the events of this episode take place in a parallel universe where Kirk's middle initial is indeed R (and not T as we now know it to be). This same book suggests that Gary Mitchell's god-like powers were a result of him being temporarily possessed by Q, and the powers simply drove Mitchell insane.
- Another explanation for the R as Kirk's middle initial comes from Michael Jan Friedman's three-part novel series, My Brother's Keeper. In it, Kirk claims his middle name to be "Racquetball" to Mitchell upon an early meeting. Later, Mitchell "changes" it to "Rhinoceros" after Kirk steamrolls through a conversation. The grave is thus explained by Kirk as an in-joke.
- Mandala Productions' Fotonovel #2, in its cast of characters section, identified the captain for this episode as "James R. Kirk", even though all the other Star Trek Fotonovels listed him as "James T. Kirk".
- The alternate reality's version of events in this episode were depicted in issue 1 and issue 2 of IDW Publishing's ongoing Star Trek comic book. In this version, only Mitchell is affected – Dehner was a former lover of Dr. McCoy, and after the affair ended badly, their relationship was so strained that she rescinded her requested transfer to the USS Enterprise after finding out he was on board. Also, while Mitchell was in sickbay, Spock mind melded with him and reported to Kirk that he found "No consciousness. No sentience of any kind."
- The Pocket TNG novel The Valiant acts as a prequel and sequel to this episode, telling the story of the SS Valiant's demise and reveals that some of the crew did survive the self-destruction.
Remastered information[]
- The remastered version of this episode premiered in syndication the weekend of 20 January 2007 and featured shots of a digital version of Enterprise, consistent with the model used in this episode, which had a slightly different appearance from both the version seen in the production of the series and that seen the original pilot, "The Cage". Enhanced effects also included more detailed shots of the barrier, Delta Vega from space as well as on the surface, a subtle touch-up to a phaser shot during Kirk and Mitchell's fight, and an opening titles sequence featuring the pilot-version Enterprise.
- While the final frontier speech was absent from the original, it was brought into the remastered opening.
Production timeline[]
- Episode commissioned by NBC: 26 March 1965
- Story outline by Samuel Peeples: first week of April 1965
- Revised story outline: second week of April 1965
- First draft teleplay by Peeples: late-April 1965
- Revised first draft teleplay: 27 May 1965
- Second draft teleplay by Gene Roddenberry: 16 June 1965
- Final draft teleplay: 26 June 1965
- Revised final draft teleplay: 8 July 1965
- Additional revisions: 12 July 1965, 14 July 1965, 15 July 1965
- Filmed: 19 July 1965 – 29 July 1965
- Day 1 – 19 July 1965, Monday – Desilu Culver Stage 15: Int. Recreation room, Corridors, Transporter room, Briefing room
- Day 2 – 20 July 1965, Tuesday – Desilu Culver Stage 15: Int. Turbolift, Bridge
- Day 3 – 21 July 1965, Wednesday – Desilu Culver Stage 15: Int. Bridge
- Day 4 – 22 July 1965, Thursday – Desilu Culver Stage 15: Int. Bridge, Sickbay
- Day 5 – 23 July 1965, Friday – Desilu Culver Stage 15: Int. Sickbay; Desilu Culver Stage 17: Int. Delta Vega control room
- Day 6 – 26 July 1965, Monday – Desilu Culver Stage 17: Int. Delta Vega control room, Security area, Ext. Beam down area
- Day 7 – 27 July 1965, Tuesday – Desilu Culver Stage 17: Int. Delta Vega security area; Desilu Culver Stage 16: Ext. Planet surface site
- Day 8 – 28 July 1965, Wednesday – Desilu Culver Stage 16: Ext. Planet surface site
- Day 9 – 29 July 1965, Thursday – Desilu Culver Stage 15, Stage 16 & Stage 17: Extra pickup shots
- Score recorded: 29 November 1965
- Original airdate: 22 September 1966
- Rerun date: 20 April 1967
- First UK airdate (on BBC1): 12 July 1969
- First UK airdate (on ITV): 20 September 1981
- Remastered airdate: 20 January 2007
Video and DVD releases[]
- Original US Betamax/VHS release: 28 February 1985
- Original UK VHS release (two-episode tapes, CIC Video): Volume 2, catalog number VHR 2210, release date unknown
- As part of the UK Star Trek - The Three Beginnings VHS collection: 31 January 1994
- US VHS release: 15 April 1994
- As part of the UK Star Trek - The Four Beginnings VHS collection: 1995
- UK re-release (three-episode tapes, CIC Video): Volume 1.1, 24 June 1996
- Original US DVD release (single-disc): Volume 1, 17 August 1999
- As part of the TOS Season 1 DVD collection
- As part of the TOS Season 1 HD DVD collection
- As part of the TOS Season 1 Blu-ray collection
- As part of the TOS Season 3 Blu-ray collection, entitled "Where No Fan Has Gone Before" – The Restored, Unaired Alternate Pilot Episode
- As part of the Star Trek: The Original Series - Origins Blu-ray collection
Links and references[]
- William Shatner as Capt. Kirk
Also starring[]
- Leonard Nimoy as Mr. Spock
Guest stars[]
- George Takei as Sulu
- James Doohan as Scott
- Lloyd Haynes as Alden
- Andrea Dromm as Yeoman Smith
- And
Uncredited co-stars[]
- John Burnside as Operations crewman
- Darren Dublin as Sciences crewman
- Robert Metz as Technician #1
- Eddie Paskey as Leslie
- Unknown performers as
Stunt doubles[]
- Dick Crockett as stunt double for William Shatner
- Hal Needham as stunt double for Gary Lockwood
1996; 21st century; 22nd century; 203-R; 2065; 2242; 2244; 2250; 2260s; 2265; ability; address; Aldebaron Colony; amusement; ancestor; annoyance; answer; area; argument; assignment; astrosciences; auto-destruct; autonomic reflex; autopsy report; battery; blasphemy; blindness; blonde; blonde lab technician; blood; body; book; brain; breed; briefing lounge; bridge engineering; burial; button; "by comparison"; call letters; Canopus Planet; case; casualty; century; chance; checkmate; chicken; choice; class; coffee; coffee break; compassion; computer; computer record; consciousness; Constitution-class decks; contact; control room; counterorder; crew; crystal; damage; damage report (aka damage control report); dart; day; de Spinoza, Benedict; deck; deflector; Delta Vega; Delta-Vega Station; Deneb IV; density; department head; destruct button; dial; diameter; Dimorus; disaster recorder; dispensary; distress signal; duty; earphone; Earth; Earth base; electrical charge; electricity; emergency; emergency condition; emergency power cell; emergency stations; emotion; energy; Engineering Deck 3; engineering division; engineering staff; Enterprise casualties; esper; Ethics, The; extrasensory perception (aka ESP or ESP power); evidence; evil; eye; fact; faucet; feeling; fever; fire; fire alert; fission chamber; fool; force field; freezer unit; fuel bin (aka power bin); g; galactic barrier; Galactic Mining Company; galaxy; glove; god; gravestone; gravitation; gravity control; Grayson, Amanda; heart; helmsman; hour; hull; Human (Human being); hundred; idea; image; impulse deck; impulse engine; impulse pack; indication; information; initials; insect; intercraft; irritation; jealousy; Jones; Kaferian apple; Kaferian apple planet; lab technician; landing party; lateral power; lead; learning; leg; lifeboat; life sciences; light day; light year; lithium; lithium cracking station; logic; longhair; love; magnetic space storm; marooning; marriage; mathematics; materializer; maximum warp; medical examination; medical officer; medical test; memory bank; metaphysics; meter; Milky Way Galaxy; million; millionaire; mind; mineral; monitor screen (aka screen); monster; moral; mutant; name; neural circuit; neutron radiation; night; "Nightingale Woman"; officers' quarters; object; observation; orbit; order; ore ship; overcompensation; page; patient; penny; person; personnel file; phaser; phaser rifle; pill; place; playing card; points; Pointed Peaks; poison; power; power; power cell; power pack; prayer; professional; prognosis; psionic energy; psychiatrist; psychiatry; question; radiation; repair party; restricted area; rodent; "rodent things" on Dimorus; rook; Sarek; science officer; search; second; sensor; sensor beam; service record; sharing; shaving; ship's library; shock; signal; silver; solid object; sonnet; soul; space warp; speaking; speculation; spontaneous combustion; standard orbit; "stand by"; starboard; stardate; Starfleet Academy; strange energy; strangulation; street; subject; tape; Tarbolde; telekinesis; thief; thing; thought (thinking); three-dimensional chess; toy; tractor beam range; transporter room; type 3 phaser; transporter; upperclassman; Valiant, SS; SS Valiant personnel; valley; vessel; visual contact; voice; Vulcan; Vulcan (planet); warning; warp factor; white mice; wings; wisdom; worry; wristwatch; year; yeoman; zipper
S/COMS references[]
aperception quotient; birthplace; card; College of Medical Sciences; date of birth; Dehner, Gerald; Delman; Deneb IV inhabitants; Duke-Heidelburg quotient; Eldman; esper rating; father; first name; foot; general knowledge quotient; generation; grade school; guessing game; height; inch; last name; lineage; magic; magician; metaphysics; Mitchell's ancestors; mother; permanent address; personnel file; PhD; present address; secondary school; spiritual reading; thesis; Tri-Planetary Academy; vocational training; weight
Unused references[]
4-0; energy; galactic survey cruiser; Johanson; matter; mile per hour; Parsons; Q-signal; space law regulation
External links[]
- "Where No Man Has Gone Before" at Memory Beta, the wiki for licensed Star Trek works
- "Where No Man Has Gone Before" at the Internet Movie Database
- "Where No Man Has Gone Before" at MissionLogPodcast.com
- "Where No Man Has Gone Before" at Orion Press
- "Where No Man Has Gone Before" at Wikipedia
Previous episode produced: "The Cage" |
Star Trek: The Original Series Season 1 |
Next episode produced: "The Corbomite Maneuver" |
Previous episode aired: "Charlie X" |
Next episode aired: "The Naked Time" | |
Previous remastered episode aired: "Wink of an Eye" |
TOS Remastered | Next remastered episode aired: "For the World is Hollow and I Have Touched the Sky" |


text:
In a groundbreaking move, the African Union was inducted as a permanent member of the G20 today. The induction took place in New Delhi at the opening session of the G20 Summit. Prime Minister Narendra Modi, leading the session, formally invited Azali Assoumani, the Head of the African Union, to assume this esteemed position. This development arose from India's initiative, emphasizing the theme of "Sabka Saath Sabka Vikas" – an ethos of collective progress.
The significance of the G20, particularly under India's presidency, was underscored by Prime Minister Modi in his opening remarks. Referring to the Summit's theme, "One Earth", he highlighted how India's tenure at the helm has been emblematic of inclusivity. According to Mr. Modi, the G20 has now resonated with the broader Indian populace, transforming it into a people's movement in the country.
Furthermore, the Indian Premier took the opportunity to address global challenges and the need for united efforts. In a world marred by a trust deficit, he urged nations to foster a culture of trust and collaboration. Highlighting the range of current global challenges – from food and fuel management, cyber security, terrorism, to health, energy, and water security – Mr. Modi asserted that finding robust solutions is imperative for the welfare of future generations.
Emphasizing the necessity for a new direction in the 21st century, he propounded a human-centric approach to resolve longstanding issues. Addressing recent global events, the Prime Minister extended his condolences for the tragic earthquake in Morocco. Assuring his prayers for the speedy recovery of the injured, he pledged India's readiness to provide any necessary assistance to Morocco during this challenging period.
The G20 Summit's first day saw a packed schedule with two main sessions titled "One Earth" and "One Family". Additionally, multiple bilateral meetings with countries such as the United Kingdom, Japan, Germany, and Italy are on the docket.
Today's proceedings also include a working lunch hosted by Prime Minister Modi and a state dinner orchestrated by President Droupadi Murmu. President Murmu, on her part, welcomed all attending dignitaries through a heartfelt social media post. She accentuated India's G20 Presidency theme, 'Vasudhaiva Kutumbakam – One Earth, One Family, One Future', depicting a vision for a globally inclusive future.

subset: commoncrawl


text:
What can I say that hasn't already been said? We've been celebrating our 20th Anniversary for three months now, and the rest of our team has covered how important our Affiliates are to us and how GreenEarth has grown over the years. With that said, I feel like I'm in a unique position with the company. So let's talk about how a 21-year-old Canadian earned a role with GreenEarth Cleaning.
I learned about an opportunity for employment at GreenEarth through Tim Maxwell, who was my hockey coach when I was starting as a goalie. He saw in me a strong work ethic and the skill set to accomplish the tasks necessary every day. My trust in Tim made me take the plunge and apply for a position for Product Inventory Management. While I still work in product inventory, I took the initiative to involve myself in the eCommerce side of things as well. This gave me a better sense of what's happening and allowed me to learn how I could improve in my role with GreenEarth. My hard work paid off as I was included in multiple projects and opportunities, resulting in my current title, E-Commerce Specialist.
After almost two years with GreenEarth, I consider myself lucky to work with a great team of professionals. The team at GreenEarth has taught me many new skills and expanded my horizons. In addition to the experience I have gained, GreenEarth has allowed me to pursue my passion for music and a degree in Music Therapy. I'm forever grateful to the entire team for allowing me to grow as a person and I look forward to my future with GreenEarth Cleaning!


text:
'Explorers,' who embrace the uncertainty of choices, use specific part of cortex
Life shrouds most choices in mystery. Some people inch toward a comfortable enough spot and stick close to that rewarding status quo. Out to dinner, they order the usual. Others consider their options systematically or randomly. But many choose to grapple with the uncertainty head on. "Explorers" order the special because they aren't sure they'll like it. It's a strategy of maximizing rewards by discovering whether as yet unexplored options might yield better returns. In a new study, Brown University researchers show that such explorers use a specific part of their brain to calculate the relative uncertainty of their choices, while non-explorers do not.
The study, published in the journal Neuron, newly exposes an aspect of the brain's architecture for producing decisions and learning, said co-author David Badre, assistant professor of cognitive, linguistic, and psychological sciences at Brown. There was no consensus that a precise area of the prefrontal cortex, in this case the right rostrolateral prefrontal cortex, would be so clearly associated with a specific operation, such as performing the requisite uncertainty comparison for supporting a decision-making strategy.
"There has long been a debate about the functional organization of the frontal cortex," Badre said. "There has been a notion that the frontal lobe lacks specialization when exercising cognitive control, that it's undifferentiated. This study provides evidence that there is a kind of organization. This is an example of how higher-order functions such as decision-making may relate to the frontal lobe's more general functional architecture."
Stop the clock
To spot explorer behavior among their 15 participants, Badre and Michael Frank, associate professor of cognitive, linguistic, and psychological sciences, slid them into an MRI scanner and presented them with a game to play. Participants had to stop the sweeping hand of a virtual clock to win points in different rounds. They were told that they could maximize their rewards by responding quickly in some rounds, and slowly in others. The trick is they did not know round-to-round which response prevailed, and the number of points they could win was highly variable. They therefore had to employ a strategy to discover how to maximize their rewards among uncertain options, keeping track of the current expected value of fast and slow responses in each round.
While the MRI scanner tracked the blood flow in the brains of the subjects — a proxy for neural activity — the game's software tracked their response times in each round. The computer then fed the game's data into mathematical models devised to determine whether participants adapted their response times by taking relative uncertainty into account or adapted in another manner.
Over dozens of rounds a clear pattern emerged. Regardless of which version of the model they used, the researchers found that about half the subjects were engaging in exploratory behavior based on uncertainty: Their choices of response times correlated strongly with the choices that had the greatest outcome uncertainty.
Badre, Frank, and their team then looked at the MRI scans, reasoning that if decision-making is based on relative uncertainty, then the subjects' brains must somehow represent this uncertainty. Sure enough, as relative uncertainty between choice options increased, so did activation in the right rostrolateral prefrontal cortex. This effect was substantially stronger in the explorers than the nonexplorers.
The result is the first to show that this region of the brain keeps track of relative uncertainty to guide exploration, but is consistent with previous studies that have shown an association between the right rostrolateral prefrontal cortex and relative comparisons. It also provides a potential explanation for Frank's previous findings that explorers were more likely to have a variation in a gene called COMT that affects dopamine levels in the prefrontal cortex.
From cortex to choice
Frank said researchers still don't know why some people employ the explorer strategy while others do not, but they might not be so different. According to one hypothesis, they all have an aversion to uncertainty and ambiguity.
"The difference could be that some people are averse to ambiguity in the time point where they make a single decision and other people are averse to ambiguity about their strategy over the long run," Frank said.
In other words, explorers may seek to reduce uncertainty by confronting it, rather than avoiding it.
Badre said that while the study has no direct clinical implications, the findings may still inform efforts to understand a broad set of disorders that affect frontal lobe function.
"There are a lot of diseases and disorders that affect the frontal lobes," Badre said. "They affect the ability to live independently, to carry out the day and make good decisions that get you where you want to go. The more we know about the specificity of these systems, the better that you can diagnose and suggest treatments."


text:
16W Twinkle RGBW Fiber Optic Star Ceiling Car Kit with Bluetooth APP Control is a kind of advanced Starlight Headliner Kit for Car, Truck, SUV or Yacht, Boats.
The Advantages for 16W Twinkle Fiber Optic Star Ceiling Car Kit
- 【Premium Material】 Flexible transparent plastic end glow fiber optic cable, and the LED projector with RGBW lamp beads, have PURE WHITE (the most suitable light) and RGB mixed white.
【Perfect Decoration】 The 16W Twinkle RGBW Fiber Optic Star Ceiling Car Kits are suitable to install in indoor KTV, home, car, trucks, SUV, festival, party to make curtain, screen, starlight ceiling interior decoration.
【Multicolor Changing & Mode】 With RF 28key remote controller, easy to choose all light change modes, including static colors, jump, fade, flash and breath mode, allowing to combine RGB colors with Pure White light to create other colors, In music mode and twinkle mode by APP control after Bluetooth connected with Cellphone.
- 【Twinkle & Music Mode】 The fiber optic cables twinkles would like dancing with the rhythm in the music mode, enjoying the beautiful sparkle light and the favorite music at the same time, perfect to make a cozy, romantic, wonderful and amazing atmosphere for you.
- 【2022 Upgraded APP/Bluetooth & Remote Control】 It is so much convenience to control light engine by supporting Android and IOS System "MySmartLED" APP device, Bluetooth Wireless Control and 28 Key remote control, offering 2-year warranty guarantee to satisfy your need.
- 【100% SATISFACTION SERVICE】2-year Service. No matter what reason cause dissatisfaction, We would love to provide you with a satisfactory solution! Think about the Rolls Royce Headliner Lights it will have on your car truck or SUV.
Fiber Optic Star Ceiling Car Kit's Light Engine Parameter
- Wattage: 16W
- Work voltage: AC85~265V 50/60Hz, DC 12V
- Remote Function: Twinkle effect (4-level)+static color +dynamic mode +music mode
- Remote Type: 28key remote control +APP(MySmartLED)
- The fiber optic cable operation temperature: -58°F- 167°F
- Shell material: Strong Aluminum
- Diameter of connector: 20mm
- Light source device size: L105*W87*H61mm
- Remoter dimension: L85*W52*H7mm
- Lifetime: Over 50,000 hours
16W Fiber Optic Star Ceiling Car Kit Package Included
(LED Light Source +Fiber Optic Light Cables)
- 1x 16W RGBW twinkle Music, APP control light source
- 1x Various kinds of end glow fiber optic cable bundle
- 1x 28key RF remote controller (Battery NOT included)
- 1x User manual
- 1x Power plug(US plug, UK plug, European plug, Australia plug are optional)
- 1x Car Adapter
Install Fiber Optic Star Ceiling Lights for your Car Truck NOW!


text:
If there's one thing I'm particularly fond of, it's the swinging Lester Melrose-style Chicago blues of the mid-1930s, by the likes of Big Bill Broonzy, Washboard Sam, Memphis Minnie, Blind Boy Fuller, and so many others. This record is one that I think you'll find is most befitting of that description.
The State Street Boys (not to be confused with the Jimmy Blythe's State Street Ramblers) were a studio group that managed to blend modern swing music and country blues. They cut eight sides for the American Record Corporation in January of 1935, of which three records were issued on Okeh at the very end of their "race" records series (all of which were re-released on Vocalion shortly thereafter), and the last on Vocalion. The following year, they were reincarnated as the State Street Swingers, with even more jazz in their style.
Vocalion 03002 was recorded on January 10, 1935 in Chicago, Illinois. It was more-or-less concurrently issued on Okeh 8962. Personnel for this session is disputed, and differs for each side. According to the ever-reliable Stefan Wirz' American Music discographies, both sides feature the talents of Black Bob on piano, and possibly Bill Settles on string bass. The first side features Carl Martin on guitar and singing and Zeb Wright on fiddle, while the second has Big Bill Broonzy on fiddle and singing and Bill "Jazz" Gillum on harmonica.
"Don't Tear My Clothes"—seemingly the first recording of the blues standard—is one of my personal favorites, and I consider it to be the definitive version. Some sources state the vocalist on this side to be Big Bill rather than Carl Martin, and it does sound a bit like Broonzy. But it also sounds like Carl Martin. I long believed it to be Broonzy myself (with admittedly very little research into it at the time), but I've come around to agree that it sounds more like Martin's voice and guitar picking.
On the "B" side, Big Bill (and this time it's definitely him) sings and plays fiddle on "She Caught the Train"—a great opportunity to hear him on an instrument other than his usual guitar. The identity of the second (frankly rather bad) vocalist is unknown, but I would imagine that it would have to be one of the other members of the band.


text:
Jesus Foretells Destruction of the Temple
1And as he came out of the temple, one of his disciples said to him, "Look, Teacher, what wonderful stones and what wonderful buildings!" 2And Jesus said to him, "Do you see these great buildings? There will not be left here one stone upon another that will not be thrown down."
Signs of the Close of the Age
3And as he sat on the Mount of Olives opposite the temple, Peter and James and John and Andrew asked him privately, 4"Tell us, when will these things be, and what will be the sign when all these things are about to be accomplished?" 5And Jesus began to say to them, "See that no one leads you astray. 6Many will come in my name, saying, 'I am he!' and they will lead many astray. 7And when you hear of wars and rumors of wars, do not be alarmed. This must take place, but the end is not yet. 8For nation will rise against nation, and kingdom against kingdom. There will be earthquakes in various places; there will be famines. These are but the beginning of the birth pains.
9"But be on your guard. For they will deliver you over to councils, and you will be beaten in synagogues, and you will stand before governors and kings for my sake, to bear witness before them. 10And the gospel must first be proclaimed to all nations. 11And when they bring you to trial and deliver you over, do not be anxious beforehand what you are to say, but say whatever is given you in that hour, for it is not you who speak, but the Holy Spirit. 12And brother will deliver brother over to death, and the father his child, and children will rise against parents and have them put to death. 13And you will be hated by all for my name's sake. But the one who endures to the end will be saved.
The Abomination of Desolation
14"But when you see the abomination of desolation standing where he ought not to be (let the reader understand), then let those who are in Judea flee to the mountains. 15Let the one who is on the housetop not go down, nor enter his house, to take anything out, 16and let the one who is in the field not turn back to take his cloak. 17And alas for women who are pregnant and for those who are nursing infants in those days! 18Pray that it may not happen in winter. 19For in those days there will be such tribulation as has not been from the beginning of the creation that God created until now, and never will be. 20And if the Lord had not cut short the days, no human being would be saved. But for the sake of the elect, whom he chose, he shortened the days. 21And then if anyone says to you, 'Look, here is the Christ!' or 'Look, there he is!' do not believe it. 22For false christs and false prophets will arise and perform signs and wonders, to lead astray, if possible, the elect. 23But be on guard; I have told you all things beforehand.
The Coming of the Son of Man
24"But in those days, after that tribulation, the sun will be darkened, and the moon will not give its light, 25and the stars will be falling from heaven, and the powers in the heavens will be shaken. 26And then they will see the Son of Man coming in clouds with great power and glory. 27And then he will send out the angels and gather his elect from the four winds, from the ends of the earth to the ends of heaven.
The Lesson of the Fig Tree
28"From the fig tree learn its lesson: as soon as its branch becomes tender and puts out its leaves, you know that summer is near. 29So also, when you see these things taking place, you know that he is near, at the very gates. 30Truly, I say to you, this generation will not pass away until all these things take place. 31Heaven and earth will pass away, but my words will not pass away.
No One Knows That Day or Hour
32"But concerning that day or that hour, no one knows, not even the angels in heaven, nor the Son, but only the Father. 33Be on guard, keep awake.1 For you do not know when the time will come. 34It is like a man going on a journey, when he leaves home and puts his servants2 in charge, each with his work, and commands the doorkeeper to stay awake. 35Therefore stay awake—for you do not know when the master of the house will come, in the evening, or at midnight, or when the rooster crows,3 or in the morning—36lest he come suddenly and find you asleep. 37And what I say to you I say to all: Stay awake."
The Coming of the Son of Man
Mark 13:24–31 Sermon • Includes Transcript • 38:42 • ID: 2899Mark 13: An Introduction
Mark 13:1–37 Sermon • Includes Transcript • 40:42 • ID: 2888The Present Kingdom — Part One
Matthew 1:1 – John 21:25 Sermon • Includes Transcript • 37:00 • ID: 2392Stories of the Kingdom
Mark 4:1–34, Mark 10:17–22, Mark 11:12–25, Mark 12:1–12 Series • ID: 27201A Study in Mark, Volume 7
The Last Days and Christ's Return Mark 13:1–37 Series • ID: 14107Scripture taken from The Holy Bible, English Standard Version. Copyright ©2001 by Crossway Bibles, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. Text provided by the Crossway Bibles Web Service.


text:
Dassault Systemes, a 3DEXPERIENCE software company in more than 140 countries, specializes in the development of 3D design, 3D digital mock up and product lifecycle management (PLM) software. They're able to provide a 3D vision of a products' entire lifecycle, from conception to maintenance. As a world leader in business solutions centered on design, Dassault Systemes is launching a 3DEXPERIENCE Executive Center in South Korea this June. To accurately and impressively display the virtual universes they create for their customers, they've selected the Barco 3D experience with Barco RigiFlex, UDX-4K and Barco UniSee.
An industry front runner, Dassault Systemes transforms the way products are made, allowing the virtual world to foster positive real world impact with sustainable innovations. They're industry leaders with computer aided design, leading the way in PLM and support a wide range of industries all over the world, from aerospace and defense to transportation and mobility. The company is continually striving to improve and expand its software and services, with partnerships and capabilities that far exceed most competition. Dassault Systems Korea's new will have an 3DEXPERIENCE Executive Center that will help clients and customers better appreciate and understand the full breadth of potential that collaboration will offer.
3DEXPERIENCE Executive Center to Impress
One of the main purposes of this 3DEXPERIENCE Executive Center is to promote a Dassault VR/S/W with verification of design. To successfully achieve this, Barco proposed customizing a 3D solution to meet the needs in a limited work space.
A 2x2 Barco UniSee tiled LCD video wall in the lobby provides the initial impression for everyone who enters. With NoGap technology, this powerhouse of a visual tool creates a strong visual impact with automatic real time calibration for perfect inter and intra-tile uniformity.
A few meters further, a 4m x 2.25m Barco RigiFlex screen, the first of its kind to be installed in APAC, and UDX-4k22and UST Lens complete the VX room. This screen was specifically designed to be rolled up, making it easy to transport and time saving in installation. In such tight quarters, having a screen provide superb performance is optimal. Thanks to the Barco RigiFlex high tension surface, the screen won't sag or vibrate. The install space and projection distance was reduced with a 0.3 UST lens. Combined with a UDX-4K using Ultra-Short throw optics to save space whilst offering laser-sharp 4K image, the Barco RigiFlex is a powerwall with superb image quality.
Innovation Requires the Best Technology
"As a unique and cutting edge service provider that offers pioneering and creative software, we need equally competent and innovative companies to partner with for the ultimate positive result. No other company has a product like RigiFlex that is both reliable and groundbreaking. Combined with UDX-4K and UniSee, Dassault Systemes is now able to display our state-of-the-art work on platforms that serve to highlight our advanced capabilities."
"Dassault Systemes Korea is thrilled to have chosen the Barco RigiFlex in our 3DEXPERIENCE Executive Center as the vehicle to showcase the high-quality work and detail we create in our 3DEXPERIENCE Executive Center," comments SungJoon CHO, GEO Marketing Leader, Korea Marketing Director.


text:
Stolen Randy Rhoads Items Found in Los Angeles Dumpster
Though Ozzy Osbourne has put a $25,000 reward for info leading to the return of Randy Rhoads-related items absconded in a recent Thanksgiving night theft, several of the items have already turned up.
According to Los Angeles' ABC News affiliate, a keen eyed viewer who had seen the report on the theft spotted some of the missing Rhoads items in a dumpster.
Local resident Bobbi Fredriksz says she spotted a guitar and photos in a dumpster as she was walking her dog early Sunday morning (Dec. 8). When she saw the news report about the theft, it dawned on her what she had come across.
"As I was laying in bed, not feeling well, when it came on I was like wait a minute, oh my God," Fredriksz said. "I ran all the way back over here it was still here. Somebody else started to see it and called police." While waiting on the police, she pulled a few of the items from the dumpster to protect them from the rain.
The Musonia School and Museum in North Hollywood has long had an association with the Rhoads family, as Randy had taught there prior to his death and his mother had helped to run the school. On Thanksgiving night, a theft occurred at the Musonia school, with thieves taking memorabilia, some of Randy's gear and more. Among the items taken was the first guitar that Rhoads had ever played.
After hearing of the theft, Osbourne put up $25,000 reward for info leading to the return of the items or the capture and prosecution of the thieves.
"We're really thankful the Osbournes sent a message out to the community yesterday," said Nick D'Argenzio, Rhoads' nephew, told ABC. "I think that's what spread the word further. We're grateful to the Osbournes for helping promote the news about it."
See Where Randy Rhoads Ranks in Our 66 Best Rock + Metal Guitarists of All-Time


text:
Our back is under constant stress at all times. As a result, it is not surprising that individuals can develop back pain. In this article, we shall briefly review the common causes of back pain.
- A Bad Diet
- Insufficient Exercise
- Bad Office Paraphernalia
- Bad Posture
- A Poorly Supportive Mattress
- A Poorly Supportive Bra
- Heavy Shoulder Bag
- Smoking
- Clinical Depression and Stress
In order to maintain a strong back, we are required to have a good diet in maintain a healthy body weight. Unfortunately, in this area of fast foods and junk foods, obesity seems to have become a big problem. Weight gain can place a great deal of stress on the back, and can cause back pain. Calcium and vitamin D are essential elements required to maintain the structural integrity of the bones. Insufficient amounts of these can cause thinning of the bones and back pain.
Leading a sedentary lifestyle or having a sedentary job can all result in weight gain. Regular exercise keeps the body fat levels low, keeps the bones strong and keeps the ligaments and joints supple. Insufficient exercise can result in all this becoming stiff and painful. This holds true with regards to the back as well.
In individuals who spend most of the time in the office or at a desk, it is essential to have ergonomically designed chairs and appropriately positioned the tables to ensure that their back is straight at all times. These days, large companies have health and safety training videos that discuss back problems in individuals who spend a majority of the time at a desk. It is important for all people who have sedentary jobs to ensure that they have the appropriate office equipment such as chairs and tables that provide them with the right support and help prevent back pain.
Sitting slumped on a couch or a chair can place a great deal of stress on the back. The constant stretching of ligaments and twisting and turning of the spine and discs can cause inflammation and this can result in pain. Maintaining a straight posture and the normal contour of the spine can help prevent back pain.
When taking rest, it is important than the mattress that the person uses provides the right support to different parts of the back. These days, memory foam mattresses are available that mould themselves to the shape of the body and provide support in all the right places on the back. Using an old mattress lacks the support and can cause back pain.
In women who have larger than normal breasts, low back pain can be an issue. The primary cause for this is a change in the centre of gravity which requires constant strain to be placed in the lower back. Wearing a properly supportive bra can help maintain the normal centre of gravity and prevent lower back pain.
It is not uncommon to see table walking around with an overfilled shoulder bag to carry each and everything that they probably own in it. When carrying such a heavy bag, the brunt of the weight is borne by the back. This can cause back pain that can worsen if the bag is not made lighter soon.
Smoking is well recognised as a cause for a number of different conditions in our body ranging from chronic lung disease to heart disease and cancer. Studies have shown that regularly smoking can cause problems with the spine and result in back pain. Stopping smoking can reduce this risk greatly.
In individuals who have been diagnosed with clinical depression or who deal with a very stressful life on a regular basis, pre-existing back problems can flare-up and can cause back pain. Patients are often recommended to see a psychiatrist with regards to treating the depression and undertake an exercise program or some form of relaxation therapy to help manage the stress.
It is not uncommon for individuals who tend to add poorly fitting shoes to develop low back problems. This is particularly the case in women who enjoy wearing high heels. It is recommended that patients were comfortable footwear that can maintain the arches of their feet and also prevent lower back pain.
As it is seen above, there are a number of different causes of back pain. All of them are reversible causes and can be treated very easily.


text:
Living with the pandemic has been difficult for everyone: the isolation, the need to wear protective gear like masks and gloves, the adjustment to working or learning from home.
For those living with or caring for someone with severe autism, those challenges can be exponentially more difficult.
"Wearing gloves or masks, you know, things like that? That's just not going to happen here," says Feda Almaliti.
Almaliti is the mother of 15-year-old Muhammed, who has severe autism. She is also vice president of the National Council on Severe Autism.
In an emotional interview with NPR, she describes the toll the current crisis is taking on her family and others like hers.
"Muhammed is an energetic, loving boy who doesn't understand what's going on right now. He doesn't understand why he can't go to school. And school is one of his favorite places to go. He doesn't understand why he can't go take a walk in the mall when that was one his favorite things to do. He doesn't know why he can't go to the park, why he can't go down to the grocery store," Almaliti says. "So he's incredibly confused, in this time when we're all confused, but he really doesn't understand it."
Here are excerpts from the interview.
How does distance learning work for your son, who has limited language and other difficulties?
It does not work for him. And I don't think it works for a lot of kids like him. Our kids need highly structured, one-to-one, specialized teachers and staff to teach them. We can't do that over the Internet.
You wrote an essay and quoted a study from the University of Wisconsin-Madison that found that mothers of children with autism experience stress levels comparable to those of combat soldiers. And that is before you layer a deadly pandemic on top of things.
It's the unknowing. ... We don't know when it's going to end. We don't know what's going on, and to deal with autism at home makes it even harder. The only support that I get to get through it is through fellow autism parents. We have Zoom calls, and we try to find humor in this thing. ... We're just trying to lean on each other to get through. Because I can't do it alone. Nobody can.
What about the rest of your family? How are they coping?
They're doing the best they can every day. ... But I don't know how to accurately convey, it's really hard. ... It's really hard because I almost feel like nobody hears us. Because my son doesn't really talk. He doesn't talk. And I'm supposed to be his voice. And no one's listening to what's going on for our families. You know, no one gets that we are just as vulnerable as coronavirus people. The coronavirus is going to come and go. Autism is here to stay. ...
We desperately need extra help to get through this. And I firmly believe that autism support workers, aides, their teachers and caregivers are as essential as nurses and doctors and should be given the same accommodations. People don't understand that for our families, caregivers are our first responders. Special needs schools are our hospitals. Our teachers are our ventilators. And we can't do this without them.
Listen to the full interview at the audio link above.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


text:
This wiki has been archived and is now read-only.
The WG has decided to manage issues in Tracker at the OWL Issue/Action Tracker.
There are a few quirks of Tracker that we are working around at the moment.
Working group members can add new issues to Tracker. We want to start managing issues a little more carefully, and making better use of tracker. In order to achieve this, the new procedure for issues will be as follows:
- When creating new issue, it should initially be assigned the state "Raised" (rather than "Open")
- Before adding a new issue, please check if a closely related issue already exists and consider augmenting or commenting on that issue.
- New issues should be given a short informative "Nickname" (e.g., "datatype facets").
- Editorial-only issues should have EDITORIAL in their title.
- Editorial issues can be immediately RESOLVED and closed by a WG member working on the appropriate documents; email should then be sent to firstname.lastname@example.com so that consideration of the resolution can be added to the teleconf agenda.
- The WG will briefly consider newly raised issues during weekly teleconfs
- Issues that are considered out of scope and/or which don't have reasonable support from the WG (at least a seconder) will be rejected
- Issues that are in scope and have reasonable support will be given the status "Open", and will be discussed via email (and possibly in future teleconfs)
- Each open issue will be assigned an "owner" whose responsibility it is to initiate/lead a discussion, the objective of which is to bring to the WG a proposal to close the issue as RESOLVED, POSTPONED or REJECTED; the owner will normally be the same person who raised the issue.
- A note must be added to closed issues explaining how and when the issue was closed, linking to relevant documents (such as meeting minutes or email); where resolving the issue leads to changes in WG documents, a "diff" link showing the differences between the version immediately before and immediately after the changes should also be included in the closing note (see http://www.w3.org/2007/OWL/wiki/index.php?title=Syntax&diff=2107&oldid=2103 for an example).
- To document changes in figures, the easiest way is to click on the image after it has been changed, and from the information page, note the date of the current image, and the date of the previous version of the image. For example, for Image:Ontology.gif, there are two versions as of today, 18:28, 25 October 2007 and 06:19, 19 December 2007. Noting the image wiki page and these dates is adequate documentation.
The initial issues lists were the OWLED issues list and postponed issues from the WebOnt WG issues list.
The OWLED issues list (as of 24 October 2007) has now been migrated into Tracker. The WG expects to monitor this issues list and transition new issues that arise there, but there is no commitment to do so. The postponed issues from the WebOnt WG issues list have also been migrated into Tracker.