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Elvis Presley Biography | A Comprehensive history of Elvis Presley's dynamic life
Source: Elvis Australia
January 1, 2016
In the links below we have the important separate articles focusing on each of these individual topics and more and then following that, as much of an overview as one could reasonably be expected to want to read as a basic summary of the life of the one and only King Of Rock 'N' Roll ... Elvis Presley ...
Elvis Presley Family History
Jessie D. McDowell (J.D.) Presley: Elvis Presleys Grandfather
Gladys and Vernon Presley: Elvis Presley's Mother and Father
Elvis Presley: 1956 : The Year Elvis Bought Rock 'N' Roll To America
Elvis Presley on National TV: 1956-57
Elvis Presley's Graceland: 3764 Elvis Presley Boulevard
Elvis Presley In The U.S. Army
Elvis Presley's Movies
Elvis Presley's Lisa Marie : Convair 880 Jet Plane
The Death Of Elvis Presley: August 16, 1977
Elvis' middle name, is it Aron or Aaron?
Elvis Presley Biography
Elvis Aaron Presley was born to Vernon and Gladys Presley in a two-room house in Tupelo, Mississippi, on January 8, 1935. His twin brother, Jessie Garon, was stillborn, leaving Elvis to grow up as an only child.
Elvis and his parents moved to Memphis, Tennessee, in 1948, and Elvis graduated from Humes High School there in 1953. Elvis' musical influences were the pop and country music of the time, the gospel music he heard in church and at the all-night gospel sings he frequently attended, and the black R&B he absorbed on historic Beale Street as a Memphis teenager. In 1954, Elvis began his singing career with the legendary Sun Records label in Memphis. In late 1955, his recording contract was sold to RCA Victor. By 1956, he was an international sensation.
With a sound and style that uniquely combined Elvis' diverse musical influences and blurred and challenged the social and racial barriers of the time, he ushered in a whole new era of American music and popular culture. Elvis Presley's dynamic life story from his humble beginnings through his rise to stardom is a fascinating journey that has earned Elvis his still undefeated title of the 'King of Rock 'N Roll'.
Tupelo Childhood Classmates @ Lawhon Junior High School in 1943.
Elvis Presley; Evon Farrar, now Mrs. Bobby Richey; James Farrar, Fourth District Justice of the Peace; (middle row)
Guy Harris, captain with the Tupelo Police. Photo courtesy of Guy Harris and Wanda Powell Heagy.
His songs are unforgettable - they have stood the test of time, especially his singles of the 1950s, a decade in which he had a song at No. 1. for a full 6 months of that year. An even more incredible statistic is Elvis only started at RCA in January of 1956, there is only two years until he is drafted into the U.S. Army, he made 4 movies during this time. A testament to his incredible breakthrough is the fact that he managed to sell twice as many records in the entire decade of the 1950s with only these two years of recording than any other performer. (There were also the SUN years 1954-1955 but these were not huge for record sales like when he became a national sensation in 1956).
Dixie Locke Emmons | Elvis' girlfriend
They were also unpredictable. Who could know what the next one would be like? Elvis liberally altered his style to suit each song. There were the early country-boy rockabillies sung in a breathless high pitch, of which My Baby Left Me, Milkcow Blues Boogie and Money Honey are examples. His more mature, aggressive rock 'n' roll stance came out with songs such as Blue Suede Shoes, One Night and A Big Hunk O' Love. his approach to ballads ranged from the ethereal vocal effects on the guitar-tapping version of Blue Moon to smooth crooning on As Long As I Have You, Can't Help Falling In Love and many other slow numbers and movie songs.
January 8, 1935
Elvis Aaron Presley, in the humblest of circumstances, was born to Vernon and Gladys Presley in a two-room house in Tupelo, Mississippi on January 8, 1935. His twin brother, Jessie Garon, was stillborn, leaving Elvis to grow up as an only child. He and his parents moved to Memphis, Tennessee in 1948, and Elvis graduated from Humes High School there in 1953.
His First Guitar
On Elvis' eleventh birthday, his parents bought him a guitar. With the help of his uncle Johnny (Smith) and pastor Frank Smith of the Assembly of God Church, which the Presleys were now attending, he learned some basic cords. However while Elvis did play rhythm in the 1950's he never progressed further as a guitar player, content to let the guitar become more of a prop as time went on. When you have a voice as good as Elvis Presley's, you are not motivated to learn more, instead, he concentrated on improving his voice to get it where he wanted, to be able to sing the bigger songs, like Are You Lonesome Tonight?, It's Now Or Never, both from 1960 and songs such as My Way in the 1970s just to name but a few.
Getting to SUN
Soon after Elvis graduated in June of 1953, he began to explore the possibilities of singing professionally. In July, he went to 706 Union Avenue, a facility owned and run by Sam Phillips, where you could walk in and, for the amount of $3.98, record a two-sided record of your own performance. Elvis chose My Happiness and That's When Your Heartaches Begin. Amazingly both tracks and his follow-up recording in July 1954 of I'll Never Stand In Your Way / It Wouldn't Be The Same (Without You) survived and are available on CD to this day. Biographer Peter Guralnick argues that he chose SUN in the hope of being discovered. Asked by receptionist Marion Keisker what kind of singer he was, Elvis responded, 'I sing all kinds'.
When she pressed him on whom he sounded like, he repeatedly answered, 'I don't sound like nobody'. After he recorded, Sun boss Sam Phillips asked Keisker to note down the young man's name, which she did along with her own commentary: 'Good ballad singer. Hold'. Elvis cut a second acetate in January 1954 - I'll Never Stand In Your Way and It Wouldn't Be the Same Without You - but again nothing came of it.
Not long after, he failed an audition for a local vocal quartet, the 'Songfellows'. He explained to his father, 'They told me I couldn't sing'. Songfellow Jim Hamill later claimed that he was turned down because he did not demonstrate an ear for harmony at the time. In April, Elvis began working for the Crown Electric company as a truck driver. His friend Ronnie Smith, after playing a few local gigs with him, suggested he contact Eddie Bond, leader of Smith's professional band, which had an opening for a vocalist. Bond allegedly rejected him after a tryout, advising Elvis to stick to truck driving 'because you're never going to make it as a singer'.
Then Sam Phillips received a song from Nashville music publisher Sam Wortham, the same person who had delivered Just Walking In The Rain, SUN's first big hit record (The Prisonaires (Sun 186)). Phillips heard something in this new song, but he couldn't find the singer on the demo, so he finally decided that it just might fit the young man that Marion had kept reminding him about. The song was called Without You, a heartfelt, but an unexceptional ballad. The date, June 26, 1954, Marion phoned Elvis asking if he could come down to the studio. Elvis later said he ran all the way. But Elvis just couldn't get it right. This could have been the final rejection, the ultimate disappointment, if not for Sam's belief in raw talent and how to uncover it. He invited Elvis to sing everything he knew. Although just shop-worn ballads were presented to him, Phillips did not make a final decision on 'the boy'. Sam talked about it with Scotty Moore, guitarist in the group 'The Starlite Ranglers'. Sam told Scotty to check Elvis out and gave him Elvis' phone number.
On July 4, 1956 Elvis went over to Scotty Moore's house to sing with Scotty and Bill Black to see what Elvis could do. Bobbie Moore, Scotty's wife says he had a good voice and they sang a lot of songs like 'I Love You Because' (Eventually it become the second song professionally recorded and released on Elvis' first RCA LP, Elvis Presley). When Elvis left, Scotty and Bill discussed the proceedings, Bill turned to Scotty and looked at him kinda funny, 'What do you think of him?' Scotty said, 'Well, he's got a good voice, good singer, if we can find the right material'. So he called Sam and Sam said, You got the next night to rehearse' (At SUN).
July 5, 1954 : Rockabilly and Rock 'N' Roll are Born
July 5, as agreed, Elvis, Scotty, and Bill arrived at the SUN Studio after work. Sam went into the control room. The threesome continued, as they had done at Scotty's house, with what was basically a recap of artists like Eddy Arnold, Hank Snow and 'The Ink Spots'. The first documented song was Harbor Lights, a #1 hit in 1950 for Sammy Kaye and his Orchestra, but covered instantly by Bing Crosby.
The evening's defining moment came after four shaky attempts at Leon Payne's 1949 country hit, I Love You Because. It was during a break that Arthur 'Big Boy' Crudup's That's All Right materialized.
That's All Right
Scotty Moore: 'All of a sudden, Elvis just got started singing this song, jumping around and acting the fool, and then Bill picked up his bass and started acting the fool, too, and I started playing with them. Sam had the door to the control room open and stuck his neck out. 'What are you doing?' he asked. 'We don't know', we said. 'Well, back up, try to find a place to start, and do it again'.
Elvis: 'I never sang like that in my life, until I made that first record ... I remembered that song because I heard Arthur sing it, and I thought I would like to try it. That was it'.
The DJ : Dewey Phillips
After Elvis had gone home, Sam called local DJ Dewey Phillips (No relation) and played him 'That's All Right' over the phone. Sam was convinced, but both men were acutely aware of the big question: What was it, really? The next morning, Dewey call Sam and asked to have two reference discs made - his hesitation was over, he wanted to play it on the show that night. When Dewey played the song that night, the switchboard 'lit up like a Christmas tree'. Calls kept coming in and Dewey kept spinning the record - seemingly over and over, announcing that it was going to be a hit. No one knew it was the beginning of the phenomenal career of Elvis Presley, and arguably the birth of Rock 'n' Roll, and certainly modern music as we know it today.
Interviewing Elvis on-air, Phillips asked him what high school he attended in order to clarify his color for the many callers who had assumed he was black.
Blue Moon Of Kentucky: The 'B' Side
A B-side was needed so on July 7 the trio again gathered at SUN with nothing prepared. Scotty Moore: 'Bill was the one who started to clown around singing the Bill Monroe song, Blue Moon Of Kentucky, imitating Bill Monroe in a high falsetto voice, but at a fast tempo, whereas the original was done real slow. (But it can be said he was no imitating Elvis' performance on That's All Right). Elvis started singing along, with both singing high tenor. Things started to happen real fast. Two-sided dubs were sent to nearby radio stations, including Bob Neal at WMPS and 'Sleepy-Eyed' John at WHHM. Concerned about control, Sam convinced Scotty Moore to take on Elvis' management, ensuring that the teenager would be insulated from opportunists.
It is interesting that Bill Monroe who wrote Blue Moon of Kentucky and recorded it with his Bluegrass Boys in 1946 re-recorded it himself in 4/4 time rather than the original 3/4 after hearing--and seeing--Elvis perform it and at the Louisiana Hayride. (See Peter Guralnick's Last Train to Memphis, pages 121-129, for a more detailed account of this interesting collision of musical worlds.) Sam Phillips was relieved when the country legend and 'founder' of Bluegrass offered praises rather than the anticipated scorn for Presley's version of his tune. At 19, Elvis somehow had the instinct to sing the song perfectly. Even the songwriter admitted it.
The First Live performances
The trio played publicly for the first time on July 17 at the Bon Air club - Elvis still sporting his child-size guitar.
At the end of the month, they appeared at the Overton Park Shell, with Slim Whitman headlining. A combination of his strong response to rhythm and nervousness at playing before a large crowd led Elvis to shake his legs as he performed: his wide-cut pants emphasized his movements, causing young women in the audience to start screaming. Moore recalled, 'During the instrumental parts he would back off from the mike and be playing and shaking, and the crowd would just go wild'. Black, a natural showman, whooped and rode his bass, hitting double licks that Elvis would later remember as 'really a wild sound, like a jungle drum or something'.
Soon after, Moore and Black quit their old band to play with Elvis regularly, and promoter Bob Neal became the trio's manager. From August through October, they played frequently at the Eagle's Nest club and returned to Sun Studio for more recording sessions, and Elvis quickly grew more confident on stage. According to Moore, 'His movement was a natural thing, but he was also very conscious of what got a reaction. He'd do something one time and then he would expand on it real quick'. Elvis made what would be his only appearance on Nashville's Grand Ole Opry on October 2; after a polite audience response, Opry manager Jim Denny told Phillips that his singer was 'not bad' but did not suit the program. Two weeks later, Elvis was booked on Louisiana Hayride, the Opry's chief, and more adventurous, rival. The Shreveport-based show was broadcast to 198 radio stations in 28 states. Elvis had another attack of nerves during the first set, which drew a muted reaction. A more composed and energetic second set inspired an enthusiastic response.
House drummer D.J. Fontana brought a new element, complementing Elvis' movements with accented beats that he had mastered playing in strip clubs. Soon after the show, the Hayride engaged Elvis for a year's worth of Saturday-night appearances. Trading in his old guitar for $8 (and seeing it promptly dispatched to the garbage), he purchased a Martin instrument for $175, and his trio began playing in new locales including Houston, Texas, and Texarkana, Arkansas. In October D.J. Fontana was hired to play drums for Elvis.
Using a very bare-bones drum kit, D.J. sat behind a curtain, unseen by the audience, and played behind Elvis and the boys as they performed the two songs allotted them, which were That's Alright Mama, and possibly (D.J.'s memory was a little sketchy) Blue Moon of Kentucky.
By early 1955, Elvis' regular Hayride appearances, constant touring, and well-received record releases had made him a substantial regional star, from Tennessee to West Texas. In January, Neal signed a formal management contract with Elvis and brought the singer to the attention of Colonel Tom Parker, whom he considered the best promoter in the music business. Parker, Dutch-born, though he claimed to be from West Virginia - had acquired an honorary colonel's commission from country singer turned Louisiana governor Jimmie Davis. Having successfully managed top country star Eddy Arnold, he was now working with the new number one country singer, Hank Snow. Parker booked Elvis on Snow's February tour. When the tour reached Odessa, Texas, a 19-year-old Roy Orbison saw Elvis for the first time: 'His energy was incredible, his instinct was just amazing, I just didn't know what to make of it. There was just no reference point in the culture to compare it'.
RCA and The Colonel
RCA Victor acquired Elvis' contract in a deal arranged by Colonel Tom Parker, who would go on to be his famous manager. Parker arranged with the owners of Hill and Range Publishing, Jean and Julian Aberbach, to create two entities, Elvis Presley Music and Gladys Music, to handle all of the new material recorded by Elvis. Songwriters were obliged to forego one-third of their customary royalties in exchange for having him perform their compositions. By December, RCA had begun to heavily promote its new singer, and before month's end had reissued many of his Sun recordings. Elvis, at 20, was still a minor, so his father signed the contract.
Commercial breakout and controversy (1956-58) : First national TV appearances
On January 10, 1956, Elvis made his first recordings for RCA in Nashville. Extending the singer's by now customary backup of Scotty Moore, Bill Black, and D.J. Fontana, RCA enlisted pianist Floyd Cramer, guitarist Chet Atkins, and three background singers, including Gordon Stoker of the popular Jordanaires quartet, to fill out the sound. The session produced the moody, unusual Heartbreak Hotel, released as a single on January 27. Colonel Parker finally brought Elvis to national television, booking him on CBS's Stage Show for six appearances over two months. The program, produced in New York, was hosted on alternate weeks by big band leaders and brothers Tommy and Jimmy Dorsey. After his first appearance, on January 28, Elvis stayed in town to record at RCA's New York studio. The sessions yielded eight songs, including a cover of Carl Perkins' rockabilly anthem Blue Suede Shoes.
In February, Elvis' I Forgot to Remember to Forget, a Sun recording initially released the previous August, reached the top of the Billboard country chart. Neal's contract was terminated and, on March 2, Parker became Elvis' manager. RCA Victor released Elvis' self-titled debut album on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks were of a broad variety. There were two country songs and a bouncy pop tune. The others would centrally define the evolving sound of rock and roll: Blue Suede Shoes - 'an improvement over Carl Perkins' in almost every way', according to critic Robert Hilburn - and three R&B numbers that had been part of Elvis' stage repertoire for some time, covers of Little Richard, Ray Charles, and The Drifters.
As described by Hilburn, these 'were the most revealing of all. Unlike many white artists, who watered down the gritty edges of the original R&B versions of songs in the '50s, Elvis reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases'. It became the first rock and roll album to top the Billboard chart, a position it held for 10 weeks. While Elvis was not an innovative instrumentalist like Moore or contemporary African American rockers Bo Diddley and Chuck Berry, cultural historian Gilbert B. Rodman argues that the album's cover image, 'of Elvis having the time of his life on stage with a guitar in his hands played a crucial role in positioning the guitar, as the instrument that best captured the style and spirit of this new music'.
Historic Television Guest Appearances
In 1956, Elvis made his network television debut.
The first of his six appearances on Stage Show, a weekly variety program hosted by Tommy and Jimmy Dorsey. He followed these with two appearances on The Milton Berle Show, the second of which included a performance of Hound Dog that was so provocative (for that time, anyway) that it caused a national scandal. Elvis next appeared on The Steve Allen Show, with Allen mocking the sensation of the Berle appearance by having Elvis dress in a tuxedo, eliminate his usual physical gyrations, and sing Hound Dog to a Basset Hound.
Ed Sullivan had once said he would never have the controversial singer on his top-rated show, but that was before the week that Elvis' appearance on Steve Allen had surpassed Sullivan's ratings.
After negotiating with Elvis' manager, Ed Sullivan paid Elvis the huge sum of $50,000 for appearing on three of his shows: September 9, 1956, October 28, 1956, and then on January 6, 1957. $50,000 was, at the time, more money than any performer had ever been paid to appear on a network variety program. Elvis' first appearance on The Ed Sullivan Show was a major success. Over 60 million people, both young and old, watched the show and many people believe it helped bridge the generation gap for Elvis' acceptance into the mainstream. Elvis performed, Don't Be Cruel, Love Me Tender, Ready Teddy and Hound Dog.
When Elvis made his third Sullivan appearance in January of 1957, Ed Sullivan surprised Elvis by telling him on camera that his show had never had a better experience with a name act, and said 'I wanted to say to Elvis and the country that this is a real decent, fine boy'.
It was on this very same Sullivan appearance that Elvis was shown on camera from the waist up only, one of early television history's most memorable moments. Elvis' next network television appearance was in 1960 when Frank Sinatra gave his variety show a 'Welcome Home, Elvis' theme to herald Elvis' return from the army. Elvis was paid $125,000 to appear - again, making history.
Barbara Gray reveals a secret
Milton Berle Show and 'Hound Dog'
Elvis made the first of two appearances on NBC's Milton Berle Show on April 3. His performance, on the deck of the USS Hancock in San Diego, prompted cheers and screams from an audience of sailors and their dates. A few days later, a flight taking Elvis and his band to Nashville for a recording session left all three badly shaken when an engine died and the plane almost went down over Arkansas. Twelve weeks after its original release, Heartbreak Hotel became Elvis' first number one pop hit. In late April, Elvis began a two-week residency at the New Frontier Hotel and Casino on the Las Vegas Strip. The shows were poorly received by the conservative, middle-aged hotel guests - 'like a jug of corn liquor at a champagne party', wrote a critic for Newsweek.
Amid his Vegas tenure, Elvis, who had serious acting ambitions, signed a seven-year contract with Paramount Pictures. He began a tour of the Midwest in mid-May, taking in 15 cities in as many days. He had attended several shows by Freddie Bell and the Bellboys in Vegas and was struck by their cover of Hound Dog, a hit in 1952 for blues singer Big Mama Thornton. It became the new closing number of his act. After a show in La Crosse, Wisconsin, an urgent message on the letterhead of the local Catholic diocese newspaper was sent to FBI director J. Edgar Hoover. It warned that 'Elvis is a definite danger to the security of the United States, (His) actions and motions were such as to arouse the sexual passions of teenaged youth, After the show, more than 1,000 teenagers tried to gang into Elvis' room at the auditorium, Indications of the harm Elvis did just in La Crosse were the two high school girls, whose abdomen and thigh had Elvis' autograph'.
The second Milton Berle Show appearance came on June 5 at NBC's Hollywood studio, amid another hectic tour. Berle persuaded the singer to leave his guitar backstage, advising, 'Let 'em see you, son'. During the performance, Elvis abruptly halted an uptempo rendition of Hound Dog with a wave of his arm and launched into a slow, grinding version accentuated with energetic, exaggerated body movements.
Elvis' gyrations created a storm of controversy. Television critics were outraged: Jack Gould of The New York Times wrote, 'Mr. Elvis has no discernible singing ability, His phrasing if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathtub, His one specialty is an accented movement of the body, primarily identified with the repertoire of the blond bombshells of the burlesque runway'. Ben Gross of the New York Daily News opined that popular music 'has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley, Elvis, who rotates his pelvis, gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos'. Ed Sullivan, whose own variety show was the nation's most popular, declared him 'unfit for family viewing'.
To Elvis' displeasure, he soon found himself being referred to as 'Elvis the Pelvis', which he called 'one of the most childish expressions I ever heard, comin' from an adult'.
Carl Perkins and Elvis Presley swap autographs, Overton Park Shell, Memphis June 1, 1956.
Steve Allen Show and first Sullivan appearance
The Berle shows drew such high ratings that Elvis was booked for a July 1 appearance on NBC's The Steve Allen Show in New York. Allen, no fan of rock and roll, introduced a 'new Elvis' in a white bow tie and black tails. Elvis sang 'Hound Dog' for less than a minute to a basset hound wearing a top hat and bow tie.
As described by television historian Jake Austen, 'Allen thought Elvis was talentless and absurd, (he) set things up so that Elvis would show his contrition'. Allen, for his part, later wrote that he found Elvis' strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing' and simply worked the singer into the customary 'comedy fabric' of his program.
Elvis would refer back to the Allen show as the most ridiculous performance of his career. Later that night, he appeared on Elvis Hy Gardner Calling a popular local TV show. Pressed on whether he had learned anything from the criticism to which he was being subjected, Elvis responded, 'No, I haven't, I don't feel like I'm doing anything wrong, I don't see how any type of music would have any bad influence on people when it's only music, I mean, how would rock 'n' roll music make anyone rebel against their parents?'
The next day, Elvis recorded Hound Dog, along with Any Way You Want Me and Don't Be Cruel. The Jordanaires sang harmony, as they had on The Steve Allen Show; they would work with Elvis through the 1960s. A few days later, the singer made an outdoor concert appearance in Memphis at which he announced, 'You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight'. In August, a judge in Jacksonville, Florida, ordered Elvis to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order. The single pairing Don't Be Cruel with Hound Dog ruled the top of the charts for 11 weeks - a mark that would not be surpassed for 36 years. Recording sessions for Elvis' second album took place in Hollywood during the first week of September. Jerry Leiber and Mike Stoller, the writers of Hound Dog, contributed Love Me.
The Ed Sullivan Show
Allen's show with Elvis had, for the first time, beaten CBS's The Ed Sullivan Show in the ratings. Sullivan, despite his June pronouncement, booked the singer for three appearances for an unprecedented $50,000. The first, on September 9, 1956, was seen by approximately 60 million viewers - a record 82.6 percent of the television audience. Actor Charles Laughton hosted the show, filling in while Sullivan recuperated from a car accident. Elvis appeared in two segments that night from CBS Television City in Hollywood. According to Elvis legend, Elvis was shot only from the waist up. Watching clips of the Allen and Berle shows with his producer, Sullivan had opined that Elvis 'got some kind of device hanging down below the crotch of his pants - so when he moves his legs back and forth you can see the outline of his cock, I think it's a Coke bottle, We just can't have this on a Sunday night. This is a family show!' Sullivan publicly told TV Guide, 'As for his gyrations, the whole thing can be controlled with camera shots'.
In fact, Elvis was shown head-to-toe in the first and second shows. Though the camera work was relatively discreet during his debut, with leg-concealing close ups when he danced, the studio audience reacted in customary style: screaming. Elvis' performance of his forthcoming single, the ballad Love Me Tender, prompted a record-shattering million advance orders. More than any other single event, it was this first appearance on The Ed Sullivan Show that made Elvis a national celebrity of barely precedented proportions. Accompanying Elvis' rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. Igniting the 'biggest pop craze since Glenn Miller and Frank Sinatra, Elvis brought rock'n'roll into the mainstream of popular culture', writes historian Marty Jezer. 'As Elvis set the artistic pace, other artists followed, Elvis, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation - the first in America ever to feel the power of an integrated youth culture'.
Elvis Presley's Graceland
Graceland, Elvis Presley's home and refuge for twenty years, is one of the most visited homes in America today, now attracting over 600,000 visitors annually. It is also the most famous home in America after the White House. In 1991, Graceland Mansion was placed on the National Register of Historic Places.
Elvis Presley's Graceland - 3764 Elvis Presley Boulevard.
Military service and mother's death (1958-60)
On March 24, 1958, Elvis was inducted into the U.S. Army as a private at Fort Chaffee, near Fort Smith, Arkansas. Captain Arlie Metheny, the information officer, was unprepared for the media attention drawn by the singer's arrival. Hundreds of people descended on Elvis as he stepped from the bus; photographers then accompanied him into the base. Elvis announced that he was looking forward to his military stint, saying he did not want to be treated any differently from anyone else: 'The Army can do anything it wants with me'. Later, at Fort Hood, Texas, Lieutenant Colonel Marjorie Schulten gave the media carte blanche for one day, after which she declared Elvis off-limits to the press. Soon after Elvis had commenced basic training at Fort Hood, he received a visit from Eddie Fadal, a businessman he had met when on tour in Texas. Fadal reported that Elvis had become convinced his career was finished - 'He firmly believed that'.
During a two-week leave in early June, Elvis cut five sides in Nashville. He returned to training, but in early August his mother was diagnosed with hepatitis and her condition worsened. Elvis was granted emergency leave to visit her, arriving in Memphis on August 12. Two days later, Gladys died of heart failure, aged 46. Elvis was devastated; their relationship had remained extremely close - even into his adulthood, they would use baby talk with each other and Elvis would address her with pet names.
After training at Fort Hood, Elvis joined the 3rd Armored Division in Friedberg, Germany, on October 1. The Army also introduced Elvis to karate, which he studied seriously, later including it in his live performances. Fellow soldiers have attested to Elvis' wish to be seen as an able, ordinary soldier, despite his fame, and to his generosity while in the service. He donated his Army pay to charity, purchased TV sets for the base, and bought an extra set of fatigues for everyone in his outfit.
While in Friedberg, Elvis met 14-year-old Priscilla Beaulieu. They would eventually marry after a seven-and-a-half-year courtship. In her autobiography, Priscilla says that despite his worries that it would ruin his career, Parker convinced Elvis that to gain popular respect, he should serve his country as a regular soldier rather than in Special Services, where he would have been able to give some musical performances and remain in touch with the public. Media reports echoed Elvis' concerns about his career, but RCA producer Steve Sholes and Freddy Bienstock of Hill and Range had carefully prepared for his two-year hiatus. Armed with a substantial amount of unreleased material, they kept up a regular stream of successful releases. Between his induction and discharge, Elvis had ten top 40 hits, including Wear My Ring Around Your Neck, the best-selling Hard Headed Woman, and One Night in 1958, and (Now and Then There's) A Fool Such as I and the number one A Big Hunk O' Love in 1959. RCA also managed to generate four albums compiling old material during this period, most successfully Elvis' Golden Records (1958), which hit number three on the LP chart.
Elvis Presley In The U.S. Army
Focus on movies (1960-67) : Elvis Is Back
Elvis returned to the United States on March 2, 1960, and was honorably discharged with the rank of sergeant on March 5. The train that carried him from New Jersey to Tennessee was mobbed all the way, and Elvis was called upon to appear at scheduled stops to please his fans. Back in Memphis, he wasted no time in returning to the studio. Sessions in March and April yielded two of his best-selling singles, the ballads It's Now or Never and Are You Lonesome Tonight?, and Elvis Is Back! The album features several songs described by Greil Marcus as full of Chicago blues 'menace, driven by Elvis' own super-miked acoustic guitar, brilliant playing by Scotty Moore, and demonic sax work from Boots Randolph. Elvis' singing wasn't sexy, it was pornographic'.
As a whole, the record 'conjured up the vision of a performer who could be all things', in the words of music historian John Robertson: 'a flirtatious teenage idol with a heart of gold; a tempestuous, dangerous lover; a gutbucket blues singer; a sophisticated nightclub entertainer; (a) raucous rocker'. Released only days after recording was complete, it reached number two on the album chart.
Elvis returned to television on May 12 as a guest on The Frank Sinatra Timex Special - ironic for both stars, given Sinatra's not-so-distant excoriation of rock and roll. Also known as Welcome Home Elvis, the show had been taped in late March, the only time all year Elvis performed in front of an audience. Parker secured an unheard-of $125,000 fee for eight minutes of singing. The broadcast drew an enormous viewership.
It is important to note that at the time Elvis came to prominence it was the normal thing for a big star in the music field to cross over to movies. They did not have the technology nor music videos, MTV etc. So Hollywood it was, and it was Elvis' dream to be a good actor, he held out hope for years that he would be given a good script and succeed in the movie business, eventually accepting this was not to be ...
Ann-Margret talks about Elvis
Elvis Presley starred in 31 feature films as an actor and two theatrically released concert documentary films, all of which enjoyed financial success. For a number of years he was one of Hollywood's top box office draws and one of its highest-paid actors. His two most critically acclaimed films, Jailhouse Rock (1957) and King Creole (1958) have become classics of their era. His movies and concert films enjoy a healthy life today in television syndication and home video sales and rentals. Some of his top-selling music came from his movies. Eleven of his movie soundtrack albums went to the top ten, and of those, four went to number one.
The soundtrack for G.I. Blues (1960), was number one on the Billboard Top 100 album chart for 10 weeks and remained on the chart for 111 weeks. The album from Blue Hawaii was number one for 20 weeks and was on the chart for 79 weeks G.I. Blues, the soundtrack to Elvis' first film since his return, was a number one album in October. His first LP of sacred material, His Hand in Mine, followed two months later. It reached number 13 on the U.S. pop chart and number 3 in Great Britain, remarkable figures for a gospel album.
In February 1961, Elvis performed two shows for a benefit event in Memphis, on behalf of 24 local charities. During a luncheon preceding the event, RCA presented him with a plaque certifying worldwide sales of over 75 million records. A 12-hour Nashville session in mid-March yielded nearly all of Elvis' next studio album, Something for Everybody. As described by John Robertson, it exemplifies the Nashville sound, the restrained, cosmopolitan style that would define country music in the 1960s. Presaging much of what was to come from Elvis himself over the next half-decade, the album is largely 'a pleasant, unthreatening pastiche of the music that had once been Elvis' birthright'. It would be his sixth number one LP. Another benefit concert, raising money for a Pearl Harbor memorial, was staged on March 25, in Hawaii. It was to be Elvis' last public performance for seven years.
On location for the picture 'Follow That Dream'.
Lost in Hollywood
Parker had by now pushed Elvis into a heavy movie making schedule, focused on formulaic, modestly budgeted musical-comedies. Elvis at first insisted on pursuing more serious roles, but when two films in a more dramatic vein - Flaming Star (1960) and Wild in the Country (1961) - were less commercially successful, he reverted to the formula. For the remainder of the decade, during which he made 27 movies, there were few further exceptions. His films were almost universally panned; one critic dismissed them as a 'pantheon of bad taste'. Nonetheless, they were virtually all profitable. Hal Wallis, who produced nine of them, declared, 'An Elvis picture is the only sure thing in Hollywood'. Of Elvis' films in the 1960s, 15 were accompanied by soundtrack albums and another 5 by soundtrack EPs. The movies' rapid production and release schedules - he frequently starred in three a year - affected his music.
According to Jerry Leiber, the soundtrack formula was already evident before Elvis left for the Army: 'three ballads, one medium-tempo (number), one up-tempo, and one break blues boogie'. As the decade wore on, the quality of the soundtrack songs grew 'progressively worse'. Julie Parrish, who appeared in Paradise, Hawaiian Style (1966), says that he hated many of the songs chosen for his films. The Jordanaires' Gordon Stoker describes how Elvis would retreat from the studio microphone: 'The material was so bad that he felt like he couldn't sing it'.
Most of the movie albums featured a song or two from respected writers such as the team of Doc Pomus and Mort Shuman. But by and large, according to biographer Jerry Hopkins, the numbers seemed to be 'written on order by men who never really understood Elvis or rock and roll'. Regardless of the songs' quality, it has been argued that Elvis generally sang them well, with commitment. Critic Dave Marsh heard the opposite: 'Elvis isn't trying, probably the wisest course in the face of material like No Room to Rumba in a Sports Car and Rock-a-Hula Baby.
In the first half of the decade, three of Elvis' soundtrack albums hit number one on the pop charts, and a few of his most popular songs came from his films, such as Can't Help Falling in Love (1961) and Return to Sender (1962). Viva Las Vegas, the title track to the 1964 film, was a minor hit as a B-side, and became truly popular only later.) But, as with artistic merit, the commercial returns steadily diminished.
During a five-year span - 1964 through 1968 - Elvis had only one top ten hit: Crying in the Chapel (1965), a gospel number recorded back in 1960. As for non-movie albums, between the June 1962 release of Pot Luck and the November 1968 release of the soundtrack to the television special that signaled his comeback, only one LP of new material by Elvis was issued: the gospel album How Great Thou Art (1967). It won him his first Grammy Award, for Best Sacred Performance. As described in The New Rolling Stone Album Guide, Elvis was 'arguably the greatest white gospel singer of his time (and) really the last rock & roll artist to make gospel as vital a component of his musical personality as his secular songs'.
Elvis Presley and Priscilla | Getting Married
Shortly before Christmas 1966, more than seven years since they first met, Elvis proposed to Priscilla Beaulieu. They were married on May 1, 1967, in a brief ceremony in their suite at the Aladdin Hotel in Las Vegas. The flow of formulaic movies and assembly-line soundtracks rolled on. It was not until October 1967, when the Clambake soundtrack LP registered record low sales for a new Elvis album, that RCA executives recognized a problem. 'By then, of course, the damage had been done', as historians Connie Kirchberg and Marc Hendrickx put it. 'Elvis was viewed as a joke by serious music lovers and a has-been to all but his most loyal fans'.
Lisa Marie growing up, Graceland
Comeback (1968-73) : Elvis: the '68 Comeback Special
Elvis' only child, Lisa Marie, was born on February 1, 1968, during a period when he had grown deeply unhappy with his career. Of the eight Elvis singles released between January 1967 and May 1968, only two charted in the top 40, and none higher than number 28. His forthcoming soundtrack album, Speedway, would die at number 82 on the Billboard chart. Parker had already shifted his plans to television, where Elvis had not appeared since the Sinatra Timex show in 1960. He maneuvered a deal with NBC that committed the network to both finance a theatrical feature and broadcast a Christmas special.
Later known as the '68 Comeback Special, the show featured lavishly staged studio productions as well as songs performed with a band in front of a small audience - Elvis' first live performances since 1961. The live segments saw Elvis clad in tight black leather, singing and playing guitar in an uninhibited style reminiscent of his early rock and roll days. Director and co producer Steve Binder had worked hard to reassure the nervous singer and to produce a show that was far from the hour of Christmas songs Parker had originally planned. The show, NBC's highest rated that season, captured 42 percent of the total viewing audience. Jon Landau of Eye magazine remarked, 'There is something magical about watching a man who has lost himself find his way back home. He sang with the kind of power people no longer expect of rock 'n' roll singers. He moved his body with a lack of pretension and effort that must have made Jim Morrison green with envy'.
From Elvis In Memphis and the International
Buoyed by the experience of the Comeback Special, Elvis engaged in a prolific series of recording sessions at American Sound Studio, which led to the acclaimed From Elvis in Memphis. Released in June 1969, it was his first secular, non-soundtrack album from a dedicated period in the studio in eight years. As described by Dave Marsh, it is 'a masterpiece in which Elvis immediately catches up with pop music trends that had seemed to pass him by during the movie years. He sings country songs, soul songs and rockers with real conviction, a stunning achievement'. The album featured the hit single In the Ghetto, issued in April, which reached number three on the pop chart - Elvis' first non-gospel top ten hit since Bossa Nova Baby in 1963. Further hit singles were culled from the American Sound sessions: Suspicious Minds, Don't Cry Daddy, and Kentucky Rain.
Elvis was keen to resume regular live performing. Following the success of the Comeback Special, offers came in from around the world. The London Palladium offered Parker $28,000 for a one-week engagement. He responded, 'That's fine for me, now how much can you get for Elvis?' In May, the brand new International Hotel in Las Vegas, boasting the largest showroom in the city, announced that it had booked Elvis. He was scheduled to perform 57 shows over four weeks beginning July 31. Moore, Fontana, and the Jordanaires declined to participate, afraid of losing the lucrative session work they had in Nashville.
Elvis assembled new, top-notch accompaniment, led by guitarist James Burton and including two gospel groups, The Imperials and Sweet Inspirations. Nonetheless, he was nervous: his only previous Las Vegas engagement, in 1956, had been dismal. Parker, who intended to make Elvis' return the show business event of the year, oversaw a major promotional push. For his part, hotel owner Kirk Kerkorian arranged to send his own plane to New York to fly in rock journalists for the debut performance.
Elvis Presley : Las Vegas : August 17, 1969.
Elvis took to the stage without introduction. The audience of 2,200, including many celebrities, gave him a standing ovation before he sang a note and another after his performance. A third followed his encore, Can't Help Falling in Love (a song that would be his closing number for much of the 1970s).
At a press conference after the show, when a journalist referred to him as 'The King', Elvis gestured toward Fats Domino, who was taking in the scene. 'No', Elvis said, 'that's the real king of rock and roll'. The next day, Parker's negotiations with the hotel resulted in a five-year contract for Elvis to play each February and August, at an annual salary of $1 million. Newsweek commented, 'There are several unbelievable things about Elvis, but the most incredible is his staying power in a world where meteoric careers fade like shooting stars'. Rolling Stone called Elvis' upernatural, his own resurrection'. In November, Elvis' final non-concert movie, Change Of Habit, opened.
The double album From Memphis To Vegas/From Vegas To Memphis came out the same month; the first LP consisted of live performances from the International, the second of more cuts from the American Sound sessions. Suspicious Minds reached the top of the charts - Elvis' first U.S. pop number one in over seven years, and his last. Cassandra Peterson, later television's Elvira, met Elvis during this period in Las Vegas, where she was working as showgirl. She recalls of their encounter, 'He was so anti-drug when I met him. I mentioned to him that I smoked marijuana, and he was just appalled'.
He said, 'Don't ever do that again'. Elvis was not only deeply opposed to recreational drugs, he also rarely drank. Several of his family members had been alcoholics, a fate he intended to avoid.
Back on tour and meeting Nixon
Elvis returned to the International early in 1970 for the first of the year's two month-long engagements, performing two shows a night. Recordings from these shows were issued on the album On Stage. In late February, Elvis performed six attendance-record - breaking shows at the Houston Astrodome. In April, the single The Wonder of You was issued - a number one hit in Great Britain, it topped the U.S. adult contemporary chart, as well.
MGM filmed rehearsal and concert footage at the International during August for the documentary Elvis: That's the Way It Is. Elvis was by now performing in a jumpsuit, which would become a trademark of his live act. During this engagement, he was threatened with murder unless $50,000 was paid. Elvis had been the target of many threats since the 1950s, often without his knowledge. The FBI took the threat seriously and security was stepped up for the next two shows. Elvis went onstage with a Derringer in his right boot and a .45 pistol in his waistband, but the concerts went off without incident.
The album That's the Way It Is, produced to accompany the documentary and featuring both studio and live recordings, marked a stylistic shift. As music historian John Robertson notes, 'The authority of Elvis' singing helped disguise the fact that the album stepped decisively away from the American-roots inspiration of the Memphis sessions towards a more middle-of-the-road sound.
With country put on the back burner, and soul and R&B left in Memphis, what was left was very classy, very clean white pop - perfect for the Las Vegas crowd, but a definite retrograde step for Elvis'. After the end of his International engagement on September 7, Elvis embarked on a week-long concert tour, largely of the South, his first since 1958. Another week-long tour, of the West Coast, followed in November.
On December 21, 1970, Elvis engineered a bizarre meeting with President Richard Nixon at the White House, where he expressed his patriotism and his contempt for the hippie drug culture. He asked Nixon for a Bureau of Narcotics and Dangerous Drugs badge, to add to similar items he had begun collecting and to signify official sanction of his patriotic efforts. Nixon, who apparently found the encounter awkward, expressed a belief that Elvis could send a positive message to young people and that it was therefore important he 'retain his credibility'. Elvis told Nixon that The Beatles, whose songs he regularly performed in concert during the era, exemplified what he saw as a trend of anti-Americanism and drug abuse in popular culture. (Elvis and his friends had had a four-hour get-together with The Beatles five years earlier.)
President Richard Nixon and Elvis Presley : The Oval Office : December 21, 1970.
The U.S. Junior Chamber of Commerce named Elvis one of its annual Ten Most Outstanding Young Men of the Nation on January 16, 1971. Not long after, the City of Memphis named the stretch of Highway 51 South on which Graceland is located 'Elvis Presley Boulevard'. The same year, Elvis became the first rock and roll singer to be awarded the Lifetime Achievement Award (then known as the Bing Crosby Award) by the National Academy of Recording Arts and Sciences, the Grammy Award organization. Three new, non-movie Elvis studio albums were released in 1971, as many as had come out over the previous eight years. Best received by critics was Elvis Country, a concept record that focused on genre standards. The biggest seller was Elvis Sings the Wonderful World of Christmas, 'the truest statement of all', according to Greil Marcus. 'In the midst of ten painfully genteel Christmas songs, every one sung with appalling sincerity and humility, one could find Elvis tom-catting his way through six blazing minutes of Merry Christmas, Baby, a raunchy old Charles Brown blues, If (Elvis') sin was his lifelessness, it was his sinfulness that brought him to life'.
Marriage breakdown and Aloha from Hawaii
MGM again filmed Elvis in April 1972, this time for Elvis on Tour, which went on to win the Golden Globe Award for Best Documentary Film that year. His gospel album He Touched Me, released that month, would earn him his second Grammy Award, for Best Inspirational Performance. A 14-date tour commenced with an unprecedented four consecutive sold-out shows at New York's Madison Square Garden.
The evening concert on July 10 was recorded and issued in LP form a week later. Elvis: As Recorded at Madison Square Garden became one of Elvis' biggest-selling albums. After the tour, the single Burning Love was released - Elvis' last top ten hit on the U.S. pop chart. 'The most exciting single Elvis has made since All Shook Up, wrote rock critic Robert Christgau. 'Who else could make 'It's coming closer, the flames are now licking my body' sound like an assignation with James Brown's backup band?' Elvis and his wife, meanwhile, had become increasingly distant, barely cohabiting. The Presleys separated on February 23, 1972, after Priscilla disclosed her relationship with Mike Stone, a karate instructor Elvis had recommended to her. Five months later, Elvis' new girlfriend, Linda Thompson, a songwriter and one-time Memphis beauty queen, moved in with him. Elvis and his wife filed for divorce on August 18. In January 1973, Elvis performed two benefit concerts for the Kui Lee Cancer Fund in connection with a groundbreaking TV special, Aloha from Hawaii. The first show served as a practice run and backup should technical problems affect the live broadcast two days later.
Aired as scheduled on January 14, 'Aloha from Hawaii' was the first global concert satellite broadcast, reaching approximately 1.5 billion viewers live and on tape delay.
Elvis' costume became the most recognized example of the elaborate concert garb with which his latter-day persona became closely associated. As described by Bobbie Ann Mason, 'At the end of the show, when he spreads out his American Eagle cape, with the full stretched wings of the eagle studded on the back, he becomes a god figure'. The accompanying double album, released in February, went to number one and eventually sold over 5 million copies in the United States. It proved to be Elvis' last U.S. number one pop album during his lifetime. At a midnight show the same month, four men rushed onto the stage in an apparent attack. Security men leapt to Elvis' defense, and the singer's karate instinct took over as he ejected one invader from the stage himself.
Elvis Presley : Arriving In Hawaii : January 9, 1973
Elvis Presley : Aloha From Hawaii Rehearsal Concert : January 12, 1973
Elvis Presley : Receiving an award, backstage : January 13, 1973, before his Aloha Concert
Elvis Presley : Hawaii : January 14, 1973
Health deterioration and death (1973-77)
Elvis' divorce took effect on October 9, 1973. He was now becoming increasingly unwell.
On July 13, 1976, Vernon Presley - who had become deeply involved in his son's financial affairs - fired 'Memphis Mafia' bodyguards Red West (Elvis' friend since the 1950s), Sonny West, and David Hebler, citing the need to 'cut back on expenses'. Elvis was in Palm Springs at the time. An associate of Elvis', John O'Grady, argued that the bodyguards were dropped because their rough treatment of fans had prompted too many lawsuits. Elvis and Linda Thompson split in November, and he took up with a new girlfriend, Ginger Alden. He proposed to Alden and gave her an engagement ring two months later, though several of his friends later claimed that he had no serious intention of marrying again.
RCA, which had enjoyed a steady stream of product from Elvis for over a decade, grew anxious as his interest in spending time in the studio waned. After a December 1973 session that produced 18 songs, enough for almost two albums, he did not enter the studio in 1974. Parker sold RCA on another concert record, Elvis: As Recorded Live on Stage in Memphis. Recorded on March 20, it included a version of How Great Thou Art that would win Elvis his third and final competitive Grammy Award. (All three of his competitive Grammy wins - out of 14 total nominations - were for gospel recordings.) Elvis returned to the studio in Hollywood in March 1975, recording 10 songs that would form the Elvis Today album, (his last studio album). but Parker's attempts to arrange another session toward the end of the year were unsuccessful. In 1976, RCA sent a mobile studio to Graceland that made possible two full-scale recording sessions at Elvis' home. Even in that comfortable context, the recording process was now a struggle for him.
For all the concerns of his label and manager, in studio sessions between July 1973 and October 1976, Elvis recorded virtually the entire contents of six albums. Though he was no longer a major presence on the pop charts, five of those albums entered the top five of the country chart, and three went to number one: Promised Land (1975), From Elvis Presley Boulevard, Memphis, Tennessee (1976), and Moody Blue (1977).
'The Lisa Marie' : Elvis Presley's Convair 880 Jet
On April 17, 1975 Elvis bought a Convair 880 Jet recently taken out of service by Delta Airlines for the then-substantial sum of $250,000. With complete refurbishing the total exceeded $600,000. He immediately rechristened it the Lisa Marie. But this wasn't just an impulse purchase of some sort of ultimate flying Cadillac.
Elvis Presley' Lisa Marie Convair 880 Jet
The Death Of Elvis Presley
Elvis Presley died at Graceland on August 16, 1977. He was 42 years old.
Through the early morning of the 16th Elvis took care of last minute tour details and relaxed with family and staff. He was to fly to Portland, Maine that night and do a show there on the 17th, then continue the scheduled tour. Elvis retired to his master suite at Graceland around 7:00 AM to rest for his evening flight. By late morning, Elvis Presley had died of heart failure. In a matter of hours the shock registered around the world. Read more.
The Death Of Elvis Presley: August 16, 1977
Interview with Vernon Presley by Nancy Anderson: Good Housekeeping, January 1978
Overview of Elvis Presley's Achievements
Elvis starred in 33 movies, made history with his television appearances and specials, and knew great acclaim through his many, often record-breaking, live concert performances on tour and in Las Vegas.
Globally, he has sold over one billion records, more than any other artist. His American sales have earned him gold, platinum or multi-platinum awards for 131 different albums and singles, far more than any other artist. Among his many awards and accolades were 14 Grammy nominations (3 wins) from the National Academy of Recording Arts & Sciences, the Grammy Lifetime Achievement Award, which he received at age 36, and his being named One of the Ten Outstanding Young Men of the Nation for 1970 by the United States Jaycees. Without any of the special privileges his celebrity status might have afforded him, he honorably served his country in the U.S. Army.
His talent, good looks, sensuality, charisma, and good humor endeared him to millions, as did the humility and human kindness he demonstrated throughout his life. Known the world over by his first name, he is regarded as one of the most important figures of twentieth century popular culture. Elvis died at his Memphis home, Graceland, on August 16, 1977.
Record Sales
It is estimated that Elvis Presley has sold over one billion record units worldwide, more than anyone in record industry history. In America alone, Elvis has had 141 different albums and singles that have been certified gold, platinum or multi-platinum by the Recording Industry Association of America (RIAA), with more certifications expected as research into his past record sales continues and as current sales go on.
Research is also underway to document his record sales achievements in other countries. It is estimated that 40% of Elvis' total record sales have been outside the United States.
For The Billionth And The Last Time: Lifting the Lid on the King's record sales
Elvis Presley: Australia Single & Album Charts (With links to US and UK Charts)
International Acclaim
Elvis Presley's trophy room at Graceland is filled with gold and platinum records and awards of all kinds from around the world. Some of the countries represented are Norway, Yugoslavia, Japan, Australia, South Africa, England, Sweden, Germany, France, Canada, Belgium, and the Netherlands.
It is interesting to note that, except for a handful of movie soundtrack songs, Elvis did not record in other languages, and, except for five shows in three Canadian cities in 1957, he did not perform in concert outside the United States. Still, his recordings and films enjoyed, and continue to enjoy, popularity all over the globe, and he is known throughout the world by his first name.
Record Chart Statistics
Elvis Presley has had no less than 149 songs to appear on Billboard's Hot 100 Pop Chart in America. Of these, 114 were in the top forty, 40 were in the top ten, and 18 went to number one. His number one singles spent a total of 80 weeks at number one. He has also had over 90 charted albums with ten of them reaching number one. These figures are only for the pop charts, and only in America. He was also a leading artist in the American country, R&B, and gospel fields, and his chart success in other countries was substantial.
Television Specials
Elvis Presley's three network television specials: Elvis (1968), Elvis: Aloha from Hawaii, via Satellite (1973), and Elvis in Concert (1977) - stand among the most highly rated specials of their time. His 1968 special, Elvis, is one of the most critically acclaimed music specials of all time. His 1973 special, Elvis: Aloha from Hawaii, via Satellite, was seen in 40 countries by 1 billion to 1.5 billion people and made television history. It was seen on television in more American homes than man's first walk on the moon.
Mindy Campbell flight attendant
The Concert Stage
When Elvis returned to the live stage after the success of his 1968 television special and the wrap-up of his Hollywood movie contract obligations, he opened at the International Hotel in Las Vegas in the summer of 1969 for a 4-week, 57-show engagement that broke all existing Las Vegas attendance records.
He returned to the International a few months later in early 1970, during the slow winter season in Vegas, and broke his own attendance record. Right after that came a record-breaking six-show engagement at the Astrodome in Houston, where Elvis played to a total of 207,494 people.
Elvis took his elaborate live show on the road in the latter part of 1970 for his first concert tour since 1957. Throughout the 1970's Elvis toured America, breaking box office records right and left, and continued to play an engagement or two per year in Las Vegas and Lake Tahoe. Among the outstanding highlights of this period was in 1972, when Elvis performed four sold-out shows at Madison Square Garden. During his 'concert years' from 1969 to 1977, Elvis gave nearly 1,100 concert performances.
Elvis Presley's Grammy Awards
Elvis received 14 Grammy nominations from the National Academy of Recording Arts and Sciences (NARAS). His three wins were for gospel recordings - the album How Great Thou Art (1967), the album He Touched Me (1972) and his live Memphis concert recording of the song How Great Thou Art (1974). In 1971, NARAS also recognized him with their Lifetime Achievement Award (known then as the Bing Crosby Award ... in honor of its first recipient). Elvis was 36 years old at the time. Five of Elvis' recordings have been inducted into the NARAS Hall of Fame - his original 1956 recordings of Hound Dog (inducted 1988) and Heartbreak Hotel (inducted 1995), his original 1954 recording of That's All Right (inducted 1998), his original 1969 recording of Suspicious Minds (inducted 1999), and his original 1956 recording of Don't Be Cruel (inducted 2002). The Hall of Fame recognizes 'early recordings of lasting, qualitative or historical significance, with many inductees being recordings that were created and released before the 1958 inception of NARAS and the Grammy Awards.
One of the Ten Outstanding Young Men of the Nation
The United States Junior Chamber of Commerce (the Jaycees) named Elvis Presley One of the Ten Outstanding Young Men of the Nation for 1970 in a ceremony on January 16, 1971, one of Elvis' proudest moments. This award has been given since 1938 and has honored men of achievement in all areas of endeavor - sports, government, science, medicine, entertainment, etc. It recognizes outstanding personal achievement and the exemplification of the opportunities available in the free enterprise system, along with patriotism, humanitarianism, and community service. (In the 1980s, eligibility was opened to women as well as men, and the award has since been presented to the year's Ten Outstanding Young Americans.)
Charitable Endeavors
Elvis Presley was famous for giving away Cadillacs, cash, and jewelry, often on the spur of the moment. But, the true depth and breadth of his generosity and community involvement is not so widely known.
In 1961, Elvis gave a benefit concert at Bloch Arena in Hawaii that raised over $65,000 toward the building of the U.S.S. Arizona Memorial at Pearl Harbor. The resulting publicity gave new life to the fund-raising effort, which had, by then, lost its momentum. The memorial opened a year later.
Audience tickets for his 1973 Aloha from Hawaii television special and its pre-broadcast rehearsal show carried no price, as each audience member was asked to pay whatever he or she could. The performances and concert merchandise sales were a benefit raising $75,000 for the Kui Lee Cancer Fund in Hawaii.
Each year, for many years, Elvis gave $1,000 or more to each of fifty Memphis-area charities, but also continually made many other charitable donations in Memphis and around the country. Most of Elvis' philanthropic endeavors received no publicity at all. Throughout his adult life, for friends, for family, and for total strangers, he quietly paid hospital bills, bought homes, supported families, paid off debts, and much more.
Elvis' legacy of generosity continues through the work of the Elvis Presley Charitable Foundation, which is the philanthropic branch of Elvis Presley Enterprises, Inc. and the creator of the Elvis Presley Endowed Scholarship Fund at the University of Memphis. The tradition of giving also continues through the work of the Elvis fan clubs worldwide, most of which are heavily involved in charitable endeavors in Elvis' memory.
The Elvis Presley Stamp
In 1992, the U.S. Postal Service announced that Elvis' image would be used for a commemorative postage stamp. The Postal Service narrowed the artwork choices down to two images - one of Elvis in the 1950s as a sizzling young rocker, and one of him as a still-svelte concert superstar in his 1973 Aloha from Hawaii special. In an unprecedented move, the USPS put the decision to the American people and distributed ballots coast to coast. Over 1.2 million votes were cast, and the image of the young rocker won. The stamp was released on January 8, 1993, with extravagant first day of issue ceremonies at Graceland. The Elvis stamp is the most widely publicized stamp issue in the history of the U.S. Postal Service, and it is the top-selling commemorative postage stamp of all time. The USPS printed 500 million of them, three times the usual print run for a commemorative stamp. Several countries outside the USA also have issued Elvis stamps over the years.
Special Posthumous Honors
The 1984 W.C. Handy Award from the Blues Foundation in Memphis recognized Elvis for 'keeping the blues alive in his music - rock and roll'. The Academy of Country Music's first Golden Hat Award presented in 1984 recognized Elvis' influence on country music. In 1986, Elvis was among the first group of inductees into the Rock and Roll Hall of Fame. In 1987, Elvis was honored with the first posthumous presentation of the Award of Merit by the American Music Awards, 1987. In 1998, Elvis received the Country Music Association's highest honor, induction into the Country Music Hall of Fame. In 2001, Elvis was inducted into the Gospel Music Association's Gospel Music Hall of Fame. With that honor, Elvis is the only person, so far, to become a member of all three of these halls of fame - Rock and Roll, Country and Gospel.
Generations of Fans
Currently, there are over 625 active Elvis Presley fan clubs worldwide. Elvis' popularity is at an all-time high, and his legacy continues to reach new audiences. Half of Graceland's visitorship is age 35 and under.
A New Concert Career
On August 16, 1997, Elvis Presley, via video, starred in an extravagant concert production titled Elvis in Concert '97 at the Mid-South Coliseum in Memphis, Tennessee, accompanied live on stage by over thirty of his former bandmates and the Memphis Symphony Orchestra. The show played before a capacity crowd of fans who had come to Memphis from around the world to commemorate the twentieth anniversary of Elvis' death. Elvis broke the Mid-South Coliseum's all-time record dollar figure for box office sales. This concert was the prototype for the 1998/99 touring production Elvis Presley In Concert (On DVD as Elvis Lives). By being the first performer ever to headline a live concert tour while no longer living, Elvis made history again. The March 1998 tour included a three-show smash engagement at Radio City Music Hall in New York. The August 1998 tour included the excitement of Elvis' 'return' to the Las Vegas Hilton with an eight-show engagement. The January/ February 1999 European tour opened with a sell-out at London's Wembley Arena and, in effect, marked Elvis Presley's first-ever concerts outside of North America. The show continues to tour periodically.
Elvis Presley: A Musical Prodigy
Elvis was a genius. He didn't express himself the way the middle classes do, which is with wordplay and being able to explain his actions and reactions. He acted on gut instinct and expressed himself by the way he held the microphone, by the way he moved his hips, by the way that he sang down the microphone. That was his genius ... I believe the essence of any performer is gut instinct ... Because it's all in you, it's instinct.
Elvis' musical style, as a musician and impact as a vocalist and stage performer
'Elvis Presley has been described variously as a baritone and a tenor. An extraordinary compass- the so-called register-, and a very wide range of vocal color have something to do with this divergence of opinion. The voice covers two octaves and a third, from the baritone low-G to the tenor high B, with an upward extension in falsetto to at least a D flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down. Call him a high baritone. In 'It's Now Or Never', (1960), he ends it in a full voice cadence (A, G, F), that has nothing to do with the vocal devices of R&B and Country. That A-note is hit right on the nose, and it is rendered less astonishing only by the number of tracks where he lands easy and accurate B-flats. Moreover, he has not been confined to one type of vocal production. In ballads and country songs he belts out full-voiced high G's and A's that an opera baritone might envy. He is a naturally assimilative stylist with a multiplicity of voices - in fact, Elvis' is an extraordinary voice or many voices.
The Fifty Voices of Elvis Presley
So different are Elvis' voices, that if one could find a person who has never heard his recordings and you put him or her on an island and then had them listen to these fifty songs, mixed with say, those of 12 other distinctive singers, and then you then ask him or her, to classify them, to separate the singers, I could bet a million dollars that the person will never say that there are 13 singers, as would be the case, but at least 25.
Elvis Presley and Racism: The Ultimate, Definitive Guide
Elvis Presley Family History
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Tupelo's Own Elvis Presley DVD
Never before have we seen an Elvis Presley concert from the 1950's with sound. Until Now! The DVD Contains recently discovered unreleased film of Elvis performing 6 songs, including Heartbreak Hotel and Don't Be Cruel, live in Tupelo Mississippi 1956. Included we see a live performance of the elusive Long Tall Sally seen here for the first time ever. + Plus Bonus DVD Audio.
This is an excellent release no fan should be without it.
The 'parade' footage is good to see as it puts you in the right context with color and b&w footage. The interviews of Elvis' Parents are well worth hearing too. The afternoon show footage is wonderful and electrifying : Here is Elvis in his prime rocking and rolling in front of 11.000 people. Highly recommended.
Tupelo's Own Elvis Presley DVD Video with Sound.


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int | GRBaddgenconstrCos ( | GRBmodel | *model, |
const char | *name, | ||
int | xvar, | ||
int | yvar, | ||
const char | *options ) |
Add a new general constraint of type GRB_GENCONSTR_COS to a model. Note that, due to our lazy update approach, the new constraint won't actually be added until you update the model (using GRBupdatemodel), optimize the model (using GRBoptimize), or write the model to disk (using GRBwrite).
A cosine function constraint states that the relationship should hold for variables and .
A piecewise-linear approximation of the function is added to the model. The details of the approximation are controlled using the following four attributes (or using the parameters with the same names): FuncPieces, FuncPieceError, FuncPiecesLength, and FuncPieceRatio. For details, consult the General Constraint discussion.
Return value:
A non-zero return value indicates that a problem occurred while adding the general constraint. Refer to the Error Code table for a list of possible return values. Details on the error can be obtained by calling GRBgeterrormsg.
model: The model to which the new general constraint should be added.
name: Name for the new general constraint. This argument can be NULL, in which case the constraint is given a default name.
xvar: The index of variable .
yvar: The index of variable .
options: A string that can be used to set the attributes that control the piecewise-linear approximation of this function constraint. To assign a value to an attribute, follow the attribute name with an equal sign and the desired value (with no spaces). Assignments for different attributes should be separated by spaces (e.g. "FuncPieces=-1 FuncPieceError=0.001").
Example usage:
/* y = cos(x) */ error = GRBaddgenconstrCos(model, "cos", xvar, yvar, "FuncPieces=-2");

subset: commoncrawl


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Check out "Estimated Charges", our new iTunes Exclusive EP! » click here «
Visit our website at moonaliceband.com for more tour details and updates and to sign up for our mailing list. As soon as we record some music, we'll put it up on the site.
The band is taking some time off from performing, but not from releasing recorded music!! We now have our first recordings on iTunes!
We recorded seven songs for an iTunes Exclusive EP called Estimated Charges.
The songs were recorded live in a studio in San Francisco, with vocal overdubs. Were really excited about these recordings, which include both new material and old favorites.
o Wise Man o Take Me With You o Blink of an Eye o Kick It Open o Slow Dance o Nick of Time > Devils Kitchen
These are the first recordings we have released of Blink and Slow Dance. The performance of Nick > Devils is 20 minutes very live and it is only available when you buy the whole album for $5.99. The album also comes with a digital booklet filled with lyrics, chords, and lots of cool photos. So, head over to the iTunes store and check it out, or just click here.


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Nathan, David, and Solomon
1After him came NATHAN*
who served in David's presence.a
2Like the choice fat of sacred offerings,
so was DAVID in Israel.b
3He played with lions as though they were young goats,
and with bears, like lambs of the flock.c
4As a youth he struck down the giant
and wiped out the people's disgrace;
His hand let fly the slingstone
that shattered the pride of Goliath.d
5For he had called upon the Most High God,
who gave strength to his right arm
To defeat the skilled warrior
and establish the might of his people.
6Therefore the women sang his praises
and honored him for "the tens of thousands."
When he received the royal crown, he battlede
7and subdued the enemy on every side.
He campaigned against the hostile Philistines
and shattered their power till our own day.f
8With his every deed he offered thanks
to God Most High, in words of praise.
With his whole heart he loved his Maker
9and daily had his praises sung;
10He added beauty to the feasts
and solemnized the seasons of each year
9bWith string music before the altar,
providing sweet melody for the psalmsg
10bSo that when the Holy Name was praised,
before daybreak the sanctuary would resound.
11The LORD forgave him his sins
and exalted his strength forever;
He conferred on him the rights of royalty
and established his throne in Israel.h
12Because of his merits he had as successor*
a wise son, who lived in security:i
13SOLOMON reigned during an era of peace,
for God brought rest to all his borders.
He built a house to the name of God,
and established a lasting sanctuary.j
14How wise you were when you were young,
overflowing with instruction, like the Nile in flood!k
15Your understanding covered the whole earth,
and, like a sea, filled it with knowledge.
16Your fame reached distant coasts,
and you were beloved for your peaceful reign.
17With song and proverb and riddle,
and with your answers, you astounded the nations.
18You were called by that glorious name
which was conferred upon Israel.*
Gold you gathered like so much iron;
you heaped up silver as though it were lead.
19But you abandoned yourself to women
and gave them dominion over your body.l
20You brought a stain upon your glory,
shame upon your marriage bed,
Wrath upon your descendants,
and groaning upon your deathbed.
21Thus two governments came into being,
when in Ephraim kingship was usurped.m
22But God does not withdraw his mercy,
nor permit even one of his promises to fail.
He does not uproot the posterity of the chosen,
nor destroy the offspring of his friends.
So he gave to Jacob a remnant,
to David a root from his own family.n
Rehoboam and Jeroboam
23Solomon finally slept with his ancestors,
and left behind him one of his sons,
Broad* in folly, narrow in sense,
whose policy made the people rebel.
Then arose the one who should not be remembered,
the sinner who led Israel into sin,o
Who brought ruin to Ephraim
24and caused them to be exiled from their land.
Elijah and Elisha
25Their sinfulness grew more and more,
and they gave themselves to every evil*
* [47:1–11] An idealized portrait of David; cf. 1 Chronicles.
* [47:12–24] The standard view of Solomon is echoed by Ben Sira, but he affirms the divine promise (v. 22) to David's line.
* [47:18] Cf. 2 Sm 12:25, where Solomon is called Jedidiah, "beloved of the Lord." A similar term is used of Israel in Jer 11:15.
* [47:23] Broad: the name Rehoboam means "the people is broad, or expansive," that is, widespread. The sinner: Jeroboam; cf. 1 Kgs 12:1, 20, 26–32.
* [47:25–48:11] The prophetic ministry of Elijah amid widespread idolatry is here described as a judgment by fire (48:1). Through his preaching, marvels, and acts of vengeance against God's enemies, he succeeded for a time in restoring faith in and worship of the Lord (vv. 2–8). His mysterious departure from this life gave rise to the belief that he did not die but would return before the day of the Lord. Cf. Mal 3:23–24; Mt 17:9–13.
b. [47:2] 1 Sm 16:11–13.
c. [47:3] 1 Sm 17:34–36.
d. [47:4] 1 Sm 17:49.
g. [47:9] 1 Chr 16:4–37; 23:5; 25:1–7.
h. [47:11] 2 Sm 12:13; 7:12–16.
i. [47:12] 1 Kgs 2:12.
j. [47:13] 1 Kgs 5:1, 5; 6:2–38.
k. [47:14–18] 1 Kgs 5:9–14; 10:14–29.
l. [47:19] 1 Kgs 11:1–10.
m. [47:21] 1 Kgs 12:1–25.
o. [47:23] 1 Kgs 11:43; 12:13, 21; 13:34; 2 Kgs 17:6–22.
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This job posting is for a position in a restaurant owned and operated by an independent franchisee and not McDonald's USA. This franchisee owns a license to use McDonald's logos and food products, for example, when running the restaurant. However, this franchisee is a separate company and a separate employer from McDonald's USA. If you are hired for the job described in this posting, the franchisee will be your employer, not McDonald's USA. Only the franchisee is responsible for employment matters at the restaurant, including hiring, firing, discipline, supervisions, staffing, and scheduling employees. McDonald's USA has no control over employment matters at the restaurant. McDonald's USA will not receive a copy of your employment application and it will have no involvement in any employment decisions, including whether you receive an interview for the job or whether you are hired.
McDonald's Works for Me.
I'm going places. I want a satisfying career with good benefits and great opportunities for advancement. I have a lot to offer and I want to grow.
The Job for Me – Get a job that inspires your best and moves you forward. Choose your hours. Pursue your education. Build your skills and be yourself.
The Team for Me – Our people want to say YES — to working with energy and purpose, finding new talent, providing coaching and direction, honing their leadership skills, and helping to run a business that serves up delicious food and feel-good moments. Does this sound like you? You'll fit right in.
The Company for Me – From here, you can go further than you thought possible. Reach your goals and build your future with college tuition assistance, valuable job training, and retirement benefits.
Let's talk. Make your move.
Managers lead shifts every week, making sure customers get a fast, accurate, friendly experience every visit. But some managers also lead Departments. These managers' responsibilities may include managing assigned Systems, like Training, Food Safety, and Inventory Management, setting goals, delegating tasks to their teams, following up, and reporting results back to their team and other managers.
The Guest Service Department Manager's responsibilities may include making sure Crew and Managers deliver a great customer experience, that sales promotions are done well, that all service staff are trained in service procedures, and that the Front Counter McCafé and Drive-Thru areas are organized for the best service.
The Kitchen Department Manager's responsibilities may include making sure the restaurant delivers great quality food to customers, and fast, that food is always safe, that food cost is controlled, and that all kitchen staff are trained in production procedures, including new items that are added to the menu.
The People Department Manager's responsibilities may include making sure the restaurant hires qualified crew, trains them well, and schedules them to meet restaurant sales and profit goals. This manager's responsibilities may also include making sure Crew get off to a good start at the restaurant and that they are recognized and motivated throughout their time working there.
Previous managerial experience is preferred, ideally within a restaurant, retail or hospitality environment. We're looking for positive team players with flexible schedules who like to have fun, with the passion to work the famously fast paced McDonald's environment. You must be 18 years or older to be a manager in our corporate owned and operated restaurants.
Additional Info:
Along with competitive pay, a Department Manager at a McDonald's owned store is eligible for incredible benefits including:
• Education through Archways to Opportunity including opportunities to earn a High School degree, college tuition assistance and English classes as a second language
• Medical, dental and vision coverage
• Short- and Long-Term Disability, life and accident insurance
• Service awards
• Employee Resource Connection
This job posting contains some information about what it is like to work in a McDonald's restaurant, but it is not a complete job description. People who work in a McDonald's restaurant perform a number of different tasks every day, and this posting does not list all of the essential functions of this job.
By applying to this position, I understand that I am applying to work at a restaurant that is owned and operated by an independent franchisee, not McDonald's USA. I understand that this franchisee is a separate company and a separate employer from McDonald's USA. Any information I provide in this application will be submitted only to the independent franchisee, who is the only company responsible for employment matters at this restaurant. I recognize that the independent franchisee alone will make all decisions concerning employment matters, including hiring, firing, discipline, supervision, staffing and scheduling. By applying for a job at a franchisee operated restaurant, I understand that the information I provide will be forwarded to the franchisee organization in order for that organization to reach out to me and process and evaluate my application. I acknowledge that McDonald's USA will not receive a copy of my employment application and will have no involvement in any employment decisions regarding me, including whether I receive an interview or whether I am hired to work for the franchisee. I understand that I need to contact the franchise organization for information about its privacy practices.


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Abel Tasman National Park is New Zealand's smallest national park - but it's perfectly formed for relaxation and adventure.
The Abel Tasman National Park is an easily-accessible coastal paradise. You can choose to explore the park from land, on the water, or in the air, with tour operators aplenty offering cruises, water taxi services, kayaking options, heli-tours and sailing catamarans.
Whilst summer is a popular time to visit, locals believe that the shoulder seasons are actually the best time to explore the park, as crisp mornings, calm waters and quiet beaches allow you to truly enjoy the peace and serenity.
Those who crave home comforts can stay in luxurious lodges, but sleeping under the stars is regarded as the ultimate way to experience the spirit of the Abel Tasman.
Here, inviting sandy beaches fill the spaces between trees and tide line. Crystal clear streams tumble down mossy valleys to join the ocean. Granite and marble formations fringe the headlands, which are cloaked in regenerating native forest.
At Te Puketea Bay, a perfect crescent of golden sand, a walking track leads up Pitt Head to an ancient Maori pa (fort) site. Terracing and food pits are still visible, and it's easy to see why the location was chosen as a defensive site - the views are huge.
Native wildlife is an essential part of the scenery. Tui and bellbird song fills the forest; shags (cormorants), gannets and little blue penguins dive for their dinner; fur seals lounge on the rocks around the edge of Tonga Island.
The park is accessible from Marahau and Kaiteriteri in the South, and from Golden Bay and Totaranui in the North. Most water taxi services depart from Marahau or Kaiteriteri and travel only as far north as Totaranui.
There are comfortable private lodges at Awaroa and Torrent Bay. The Department of Conservation (DOC) provides four 'Great Walk' hikers' huts along the Coastal Track and four standard huts on the inland tracks. These huts(opens in new window) have mattresses, water and toilets - some have cooking facilities. Campsites with water, toilets and fireplaces are also available within the park. Bookings are required in peak season.
Various types of accommodation can be found at the settlements of Motueka, Marahau and Kaiteriteri at the southern end of the park, and Golden Bay and Totaranui at the northern end.
The coastal track and other walks
Classed as one of New Zealand's 'Great Walks', the Abel Tasman Coastal Track takes between 3 and 5 days to complete. It climbs around headlands and through native forest to a series of beautiful beaches. The track is walkable at any time of the year. Expect to see lots of other walkers and day visitors in summer, though the northern stretch from Totaranui to Wainui is far-less frequented. For a different view of the park, there are inland tracks that lead up to the dramatic karst landscape of Takaka Hill.
Day trips
For those with only a day to see Abel Tasman National Park, water taxi companies can provide a personalised mix of sightseeing by boat and track walking. It's easy to arrange pick-up or drop-off points at various points along the tracks. Pre-booking is advised. Enquire at Motueka, Marahau or Kaiteriteri.
Sea kayaking
Abel Tasman National Park is an idyllic sea kayaking region with a number of kayaking companies that run guided tours from Marahau, Kaiteriteri and Golden Bay.
If you'd rather be independent, you can rent sea kayaks and stay at campsites, huts or lodges within the park.
Be sure to hire your sea kayak before you go into Abel Tasman National Park. At the southern entrance to the park, sea kayak hire is available at Kaiteriteri and Marahau. At the northern Golden Bay entrance, enquire at Takaka. Commercial operators require you to participate in a full safety brief before hiring sea kayaks for independent trips.
A large tidal range on the coast requires expert local knowledge to get the most out of each day and to experience some unique features that cannot be seen on certain tides.
A guide designs each day around your interests and abilities, taking care of your comfort, and providing all necessary training. Whether you are a skilled sea kayaker, or it is your first time giving it a go, expert guides are trained to show you the best of what the Abel Tasman National Park has to offer.
The Abel Tasman National Park is renowned for its protected coastline but it's impossible to guarantee the conditions. It is important to check the weather report and pack suitable clothing and supplies before heading out on your journey.


text:
Remember Me
The Classic range is the worlds first, patented insulin cooling wallets. Launched in 1996, the Classic range has kept insulin cool and safe for millions of people living with diabetes over the past three decades.
The Collection range features inner wallets in a choice of fun designs. This is the ultimate capsule collection for those who embrace life and are proud to express themselves.
All the practicality of the Classic range with the added benefit of a zipper we introduce the VIVA range! With two sizes for 2 or 5 pens and a selection of colors to choose from, the award winning VIVA is our most versatile wallet.
Introducing the Lifestyle range of premium handcrafted insulin cooling wallets. The Lifestyle wallets consists of five limited edition designs and feature a selection of Italian designed zips.
We have a range of sharps bins to choose from ideal for travel or home. Keep your syringe and auto pen protected with our cases.
We have incorporated the FRIO cooling technology to create a range of body wear products. From your ankles to your head our Sports and Leisure range will keep you cool in the most challenging of temperatures.


text:
Take propaganda with a pinch of salt
Take propaganda with a pinch of salt
Propaganda and Islam: What you're not Being Told
This blog is my little slice of this here internet pie. I use it as my mouthpiece sharing tidbits with people and giving you a window into my world. However, there are instances where other people can articulate better than me or have even beaten me to it. So I am not about to reinvent the wheel. I don't want anyone to think that I in any way condone the atrocities that occurred on November 13th 2015 because I don't I just feel there needs to be balance and objectiveness. Don't rush to persecute all people who identify (or don't) with the religion of Islam. It is very easy to other people we all do it occasionally. I am on the side of equality and social justice and humanity (what's left of it)
This article below and all links has been reproduced on ashleighsworld.com in FULL with permission and was originally posted on 'The Antimedia.Org'. It was written by Justin King
The western media wonderfully paints Islam as a death cult bent on world domination. Over and over again the American populace is shown footage of the atrocities committed by fanatics or of Arab men burning American flags. The problem, of course, is that this isn't remotely representative of the Islamic population of the world. Are there Muslims who employ terrorism? Of course. Are there Christians who employ terrorism? Of course. There are even Buddhists who employ terrorism.
Some general facts about Islam might help break the noose of wartime propaganda that rests around America's neck. Below is a list of statements this journalist has seen in the last week on social media, followed by the data to put that statement in perspective.
"All [or most] Muslims are terrorists."
There are 1.6 billion Muslims in the world. The much-discussed ISIS (Islamic State of Iraq and Syria) organization, which has been described as the "richest terrorist group in the world" can only field between 7,000 and 15,000 troops in its battle to create a fundamentalist homeland. Even taking the highest estimate of their troop strength means that fewer than 1 out of every 106,000 Muslims from all over the world are actually willing to take up arms and fight for the fundamentalist dream. The Iraqi army, however, can field 250,000 soldiers to fight against that fundamentalist vision. That figure does not include irregular forces allied to the Iraqi army. The premise that all Muslims are terrorists falls flat by a mere study of the numbers. It isn't a majority of Muslims. It isn't even 1% of Muslims.
"Muslims want Sharia law."
While many Muslims believe in Sharia law, what is considered Sharia law is not universal. In Lebanon, which has been considered a hotbed of Islamic terrorism ever since the bombing of the US Embassy in Beirut, 38% of Muslims don't even believe it is the Word of God. Among those that do believe it to be the direct Word of God, only 29% believe in making it the legal system for the country, and a majority of Lebanese Muslims don't believe Sharia law should apply to non-Muslims. Even among those that believe whole-heartedly in Sharia law, they don't necessarily believe in some of the most violent aspects. The crime of adultery is punishable by stoning under some forms of Sharia law. Some quick and simple math shows that in Lebanon, less than 3% of Muslims believe that punishment should be applied to the population at large. Meanwhile in America's heartland, a political candidate has advocated or silently endorsed the idea of stoning homosexuals. The vast majority of Muslims believe that Sharia law should be used to settle family or property disputes among Muslims.
Some countries have higher rates of belief in using Sharia law, and some have lower. Lebanon was chosen because it falls in the middle as far as averages go.
"They beat their women."
First, the very phrase "their women" suggests that the individual might fall close to the more radical elements of Islam in regards to the belief that women are property. Yes, some Muslim men beat "their women." In the United States, 25% of women will be beaten by "their men" in their lifetime. This is not an Islamic issue, this is an issue rising from the idea that women are property and somehow belong to the men. If this is justification for war, the United States might consider invading Belfast, where 60 cases of domestic violence are reported daily.
"They are stuck in the Stone Age, and they want to stay there."
This statement marginalizes the thousands of Muslim men and women who sit in prison for attempting to change their government and those that died in the attempt. Political prisoners throughout the Arab world sit rotting away for attempting to bring about change in their nations. They are Muslims. Four Saudi Princesses are currently being starved to death by the King for speaking out in favor of women's rights. Countless journalists and bloggers sit behind bars for questioning their governments. The US government continually props up these brutal dictatorships with multi-million dollar arms deals and keeps the power in the hands of those that don't want change.
"Muhammad was a pedophile and his wife was only 6 [or 7]."
Most historians agree that Aisha and Muhammad were married after she reached puberty. They place her age, on average, around 13 years old at the time of marriage, though she may have been betrothed to him much earlier. Americans need to keep in mind that while they might not have heard of Islam prior to September 11th, Muhammad lived in the early 600s A.D. It might surprise them to learn that marriage at such an early age was extremely common not only in the Arab world but the Western world as well. King John of England married a12-year-old around 1198. Romeo's love, Juliet, was only 13. No subset of people is more hated in the West than pedophiles. An attempt to cast the founder of the perceived enemy as a pedophile would certainly benefit the war effort.
"Muslims take child brides and rape children."
Does it occur in the Muslim world? Sure. It occurs in the United States as well, typically deep in America 's heartland. The Catholic Church is well-known for its abuse of the youth. Again this is a worldwide issue, not an Islamic one. There is not a single Middle Eastern country listed among the top 20 nations with a high prevalence of child brides.
Most of the information that is spread via social media is simply not accurate. It only serves to plant the idea in the American psyche that somehow the United States must save the Muslims from themselves. The goal of this propaganda is to make Americans believe that Muslims are somehow lesser people. After all, it's easier to condemn people to die in air strikes if they aren't really human. Before clicking the share or retweet button on an inflammatory article, try to determine if the information being presented is an accurate portrayal of the Muslim world, or if you are simply furthering the government's march towards war.
The Islamic world is not without its problems. The struggle for equal rights for women and homosexuals continues to meet roadblock after roadblock on the streets of Amman, Damascus, Riyadh, and Tehran; however, if the United States seeks to use this as justification for intervention, maybe it should invade Mississippi orArkansas."
Let me know what your thoughts are, hit me up on social media! use the links below
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Until next time


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Polaris is a dynamic medium-gain overdrive, with incredibly flexible tone-shaping capabilities. Featuring a 2-pole resonant filter, fully controllable via expression pedal for filter sweeps and out-of-this-world overdrive tones.
Polaris is a dynamic medium-gain overdrive, with incredibly flexible tone-shaping capabilities. Its unique feature set includes an optional 2-pole resonant filter, controllable via expression pedal for filter sweeps and out-of-this-world overdrive tones.
Designed to help you explore the outer-limits of harmonic overdrive, Polaris's Drive control goes from just a touch of harmonics to full-tilt, live-wire overdrive on the brink of distortion, while staying reactive to your instrument and dynamics for an experience that's addicting.
The shinning beacon of Polaris is contained within the unique tone shaping center at the heart of its control panel. Four out of the six controls are purely for tonal adjustments. The Filter control is the star of the show, an extremely effective control with three filter options, selectable via the Depth toggle switch above it. First position is a standard, single-pole low pass filter to adjust the high-end content. In the middle, you'll find a deeper 2-pole filter for serious sculpting. Last and certainly far from least, is the 2-pole resonant filter for the most extreme shaping.
The Bass toggle switch offers three options for keeping your low frequencies under control. Whether you need a tasteful bass cut or boost, or you simply want them untouched, Polaris has you covered.
The Initial control blends in your raw, pre-filtered overdrive tone. Using this control in conjunction with the Filter control allows for serious tone shaping, by re-introducing the raw signal to balance more extreme Filter settings.
All three filter options are fully sweep-able via the EXP jack, using a standard TRS expression pedal or expression device, opening the door to inspiring movement within your overdrive tones. In addition, Polaris is fully compatible with Mission Control for interstellar filter sweeps and dirty auto-filter effects.
Polaris is completely hand-soldered and handmade in Portland Oregon to the highest degree of quality possible. These are truly artisan-crafted tone devices, sparing no detail within or without. Polaris utilizes true-bypass switching via the highest quality mechanical footswitch available, while your tone is transferred via quality open-frame Switchcraft jacks. Open one up and you'll see an unparalleled display of craftsmanship; with immaculate hand-soldered PCB's and detailed military-spec wiring. On top of the cast aluminum enclosure sits a durable, engraved vinyl faceplate and large jewel indicator light. This pedal is truly built to last a lifetime.
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