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Showing results for tags 'Patenaude & Felix'.
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Cap One Debt Court Ruling 2010
Clark Griswold posted a topic in CollectionsCapital One Bank (USA), N. A. Balance: $4,704.79 I was laid off back in 2007 and defaulted on my capital one credit card. I was not in a good headspace and never opened my mail as it was always bills and collection notices. At some point a judgment was ruled against me in 2010 for the Cap One debt that I was unaware of (being taken to court) until I just received this letter from Patenaude & Felix, A.P.C. FKA Bleier & Cox, A.P.C. dated 2/25/19 this past week (it went to an old address). It reads I have 14 days to accept their offer (reduced to 70% - $3,293.35). 1) do lawsuits show on credit reports? As I don't see it or anything under collections on my reports. 2) is this place legit? 3) now that there is a judgment against me, I need to handle this. Which honestly. I do want to as it was a debt I accrued at the time. But the amount of money is still a lot for me. Is this amount negotiable you think? I want to handle this personally and not wait to see what happens and next thing I know my accounts are drained and paycheck garnished.
Hello, I was served a Complaint by Patenaude & Felix (in January) suing me for an account on a credit card debt with Capital One and I have already answered with a general denial. I was already skeptical about Patenaude & Felix's validity, but now my hunch has gotten even greater. I just got a letter in the mail from Capital One stating , "Thank you for contacting us.. (which I have not contacted them) ...and "Your credit card account was acquired by Portfolio Recovery Associates, LLC ." "Portfolio Recovery Associates, LLC now owns your account and may contact you either directly or through an affiliate or third party." Now I'm not sure what to do?? Can Patenaude & Felix sue me on an account owned by Portfolio Recovery Associates, LLC? Who contacted Capital One in the first place and should I contact Capital One?? I intend on fighting this in court thanks to the help of many of you on this board. Any help on this would be greatly appreciated! I have a court date set for next year (February 2017).
Being Sued by Patenaude & Felix
Niki87 posted a topic in Is There a Lawyer in the HouseHello, First off, thanks for checking out my post. I am being sued by Patenaude & Felix for a National Collegiate Loan. This is the first of two loans they have on me, so I suspect the second one is coming. So far, they have filed the suit on the first loan, but I have not been served yet. The suit is in California. My co-signer is being sued along with me. I qualify for the court fee waiver, but the co-signer does not. Can I singlehandedly file answers, motions, etc. or do both parties have to (so that the co-signer would have to pay filing fees)? A local attorney thinks we can settle for $0.50 on the $1 and spread out the payments for possibly 20 years (best case scenario). That would be great, but I don't know if I will be able to hire them (do not have the fees). Could I get a settlement like that by myself or is a deal like that usually only available when you use an attorney (maybe they fear the attorney or maybe the attorney has settlement prowess that I don't)? Should I try and call and see if I can get a settlement offer or would that be detrimental for my situation? Any help would be beneficial and thanks again.
Sued in Unlimited Civil Case - Pre-Trial
fxnub posted a topic in Is There a Lawyer in the HouseLast year I was sued in California by the esteemed firm Patenaude & Felix for a National Collegiate student loan, 39K or so. I hired a firm last year for attorney-assisted defense, and they prepared my answer and discovery, etc. That is all long done and now trial is coming up in 46 days on April 25th. To save some $ I would like to do the rest of this myself if I can, so what now? I know the rules for unlimited civil cases are different from limited (under 25K) cases, so I want to make sure I'm proceeding correctly, or if I can even do this on my own. It seems P&F is all bark and no bite when it comes to trial and I am determined at the very least to stand my ground until the last minute! Thanks in advance.
I have been sick with a very rare disease, just diagnosed, and I may have missed the boat on getting my discovery to them on time. My court date is August 26, 2013 and I sent my discovery on July, 9th 2013. They sent me a letter dated August 7th stating: Our offices have recieved your discovery requests with a proof of service dated July 9, 2013. As you may be aware, per CCP 2024.020 all discovery must be completed 30 days prior to trial. Currently, trial is set for august 26, 2013 and therefore your discovery requests are untimely and no responses will be provided. Any help is much appreciated.
Last minute BOP
bp306 posted a topic in Is There a Lawyer in the HouseI just recently sent a last minute BOP (7/26/13 they received 7/30/13) and received a response of "Our Office received your Demand for Bill of Particulars dated July 26, 2013. Per CCP 2024.40(a), your request is untimely and therefore no response will be provided . Please note, Plaintiff did supply 117 pages of billing statements in response for your request for production of documents on November 30, 2012. " I am sending them a meet and confer notice stating " On July 26th, 2013, Defendant served its request for a Bill of Particulars on Plaintiff. Pursuant to CCP section 454, Plaintiff has ten days to respond or it will "be precluded from giving evidence thereof. " As described below, plaintiffs' response is entirely deficient. Plaintiff has not provided an itemization of the account showing all items and details of the account on which the cause of action for unjust enrichment by goods sold and delivered, money had and received, and /or money lent or paid of plaintiff's complaint is based, including the date of each transaction, a description of the services, materials or goods supplied or other considerations rendered, the price or charge made for each item, and all payments or credits that have been made to the account including details of interest calculation or fees charged at issue in this litigation. Such basic information is required to prove plaintiff's claim. Plaintiff should have such information readily at hand. If not, it is difficult to understand how plaintiff acquired a good faith basis to file the lawsuit. Please serve a full response on or before August 9, 2013. If Plaintiff fails to do so, Defendant will move the Court for an order requiring a further response or, in the alternative, an order-precluding Plaintiff from offering any such evidence at trial." Problem is that my trial date is August 12, 2013. Background of my case is as follows: 1. Who is the named plaintiff in the suit? Capital One Bank (USA), N.A. 2. What is the name of the law firm handling the suit? (should be listed at the top of the complaint.) Michael Boulanger, ESQ Law Offices of Patenaude & Felix, A.P.C. 3. How much are you being sued for? $2882.29 4. Cause of Action: Common Counts " because an account was stated in action between plantiff and defendant in which it was agreed that defendant was indebted to plaintiff." "This cause of action is based upon account number XXX for the sum by which Defendant has been unjustly enriched by virtue of Defendant and/or accepting benefits bestowed. It is inequitable for defendant to retain said benefits without repaying Plaintiff the value thereof." 5. How do you know you are being sued? (You were served, right?) Serviced at my front door 6. How were you served? (Mail, In person, Notice on door) In Person 7. Was the service legal as required by your state? Yes 8. What was your correspondence (if any) with the people suing you before you think you were being sued? They may have sent notice however I was in the process of changing addresses and do not recall a letter, received summons at new address. 9. What state and county do you live in? San Joaquin County, CA 10. When is the last time you paid on this account? (looking to establish if you are outside of the statute of limitations) 7/4/2011 11. What is the SOL on the debt? 4 years 12. What is the status of your case? Suit served? Motions filed? You can find this by a) calling the court or looking it up online (many states have this information posted - when you find the online court site, search by case number or your name). Court date for 8/12/13 at Superior Court of CA, County of San Joaquin I filed/sent an Answer, Request for production of documents (12 Items) which they sent Credit card statements back to Aug 2008 (it had a beg bal of $2,642.92 at that time) and a Customer Agreement Copyrighted 2010, Case Management Statement (12/3/12), Bill of Particulars (7/26/13), going to send Meet & Confer (8/5/2013), I have not a trial brief. They Sent Summons 5/11/12, CMS, Production of Docs 11/30/12, Meet & Confer 7/30/13 (regarding BOP), Trial Notice 7/8/13. Need advice on Filing motion to Precluding Plaintiff from offering any such evidence at trial (not sure if filing it on 8/9/13 is ok), Also trial prep and defenses for account stated.


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THE stately and plump are everywhere to be found on the Upper East Side, but Sheila Callaghan is not among them. She is petite, girlish even, and more easygoing than you would expect given the tone and ambition of her latest play.
Ms. Callaghan's "Dead City," produced by New Georges and running through June 30 at 3LD Art & Technology Center at 80 Greenwich Street, in Lower Manhattan, roughly follows the outline of James Joyce's 1922 chestnut "Ulysses."
New York stands in for Dublin; Samantha Blossom, a middle-aged freelance consultant, stands in for Leopold Bloom; Jewel Jupiter, a self-destructive poet, for Stephen Dedalus; and the singer Patti Smith, as the object of Jupiter's absorption, for Shakespeare. (Stately, plump Buck Mulligan, who delivers the mock Mass at the beginning of Joyce's novel, has no counterpart here.) Jason Zinoman, writing in The New York Times, called "Dead City" "pleasingly witty," in a production in which "the entire dead city comes alive."
Though Ms. Callaghan's play follows its own dramatic course, the scenes hew closely to scenes in "Ulysses": the debate in the library (the mid-Manhattan branch here), the office visit (an online magazine that bears a striking resemblance to Slate), the appearance in a maternity ward (at St. Vincent's Manhattan Hospital), the collapse into bed at the end of the day.
It takes place on June 16, 2004, the 100th anniversary of the day Bloom and Dedalus wandered Joyce's Dublin. A few days before the 102nd anniversary Ms. Callaghan was in New York. It happened to be a good day for a walk.Continue reading the main story
We begin heading north from 73rd and Lexington, where Blossom, in the play, leaves her house in the morning. The Spa on Park, at 87th and Park, is the first of Blossom's appointments.
Ms. Callaghan had arrived a few hours earlier on the red-eye flight from San Francisco, where her latest play, "We Are Not These Hands," is opening in about a week. Some reviewer, inevitably, will call that play edgy and refer to Ms. Callaghan, 33, as an emerging playwright. She began emerging with "Scab" in 2002, continued to emerge with "Crumble (Lay Me Down, Justin Timberlake)" in 2004, and now, as part of the plucky 13P company of young playwrights, she has made quite a career of emerging.
"I'll be emerging for the next 10 years," she said. Then, as if to clarify: "I'm happy with emerging." Then, less sure: "It's better to be emerging than not emerging."
Voilà: the Spa on the Park, or the shell of it. The windows are almost completely whited out; the inside of the store is a cluttered hollow. A sign is taped in the window with a number to call for more information. The woman at the number reveals the information: "Went out of business."
"The city is so dynamic," Ms. Callaghan said with a smile.
THE NO. 6 SUBWAY TRAIN shows up immediately.
On the way downtown Ms. Callaghan explains that she read "Ulysses" with two of her playwright friends, Anne Washburn and Gary Winter, after moving to New York from Los Angeles in 1999. She decided she wanted loosely to adapt the book to the stage, with a woman as protagonist, a woman who is not primarily a mother nor a lover, a complicated person — like Bloom.
As Joyce conjured up his Dublin from self-imposed exile on the Continent, so Ms. Callaghan wrote most of "Dead City" while on a fellowship in Minneapolis, working from memory and citysearch.com. She was away from New York during 2001, and the play was a way of "recreating the city to come close to it."
THE STRAND BOOKSTORE. We are a little out of order here; the Strand is a late afternoon stop for Blossom. Ms. Callaghan, drumming her fingers on the back of the books on the dollar stands, discusses criticism.
"Dead City" is not a strict adaptation of Joyce's novel but even the attempt could be seen as presumptuous. That is also its charm.
"The irreverence of taking a book on the 100-best-whatever novels of all time," she said, "seemed a little wicked to me."
'FOR SOME REASON, when we were kids we used to go to cemeteries a lot," Ms. Callaghan said. "My mom knew a lot of dead people. I think it's because she was a nurse."
It is a bright, gorgeous noontime at the cemetery in Queens. Both Bloom and Blossom attend a funeral in the morning. Blossom goes to the Evergreens Cemetery, which Ms. Callaghan once visited in 1999 and where we think we are. As we later discover, we had been taken to the Calvary Cemetery. Oh well. We are all equal, as the ancient wit said, in the presence of death.
A man in a truck drives by and tells us to check out the statue of Charlie the Firefighter.
CHELSEA. There is a bar somewhere around here, where Samantha pours out her problems to a voiceless bartender, a scene distantly related to the Cyclops episode in Joyce's book.
The bar in "Dead City" is based on a real one, a dark and dingy dive where Ms. Callaghan often found herself when she first came to New York. It wasn't McKenna's, and it wasn't Flannery's. Bars, by nature of what you do in them, have a tendency to fade from memory. Perhaps it was the Village Idiot.
"There's probably a Curves there now," Ms. Callaghan said.
As it turns out, the Curves is several doors down. Where the Village Idiot once stood is a citadel of scaffolding. The nearest thing to a bar is a place called the Diner, where men in sunglasses with their ties thrown over their shoulders are chatting over Yellowfin Tuna Niçoise Salads.
The city, Ms. Callaghan repeats, is so dynamic.
NIGHTTOWN, as Dublin's red-light district is called in "Ulysses," shows up in "Dead City" as the meatpacking district, and Bella Cohen's nightmarish Dublin brothel as a crowded nightclub, where Blossom meets Jupiter at midnight.
Ms. Callaghan modeled the club after Lotus on West 14th Street; she is not sure if she has been here or not. During her first years in New York she worked occasionally as a club dancer, dancing anonymously atop pillars and in cages. Lotus might have been one of those clubs; they tend to run together.
This is the last stop. After the club Blossom, like Bloom, goes home, to her spouse. As for "Dead City"?
Ms. Callaghan said some interest had been expressed by a theater in Dublin, adding, with characteristic self-deprecation, "What they need is another adaptation of "Ulysses.' "
But she has relatives there. So why did she set this in New York in the first place? "It makes the most sense," she said. "It's a foot city, you can walk it. Plus I know it better than any other city."Continue reading the main story


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Craving more than "small talk" on a regular basis? Come and actively engage in stimulating conversation centered around important cultural topics, over a cup of tea. CIC Boston is excited to invite you to a monthly reoccurring event called TeaTalk. here at 50 Milk. It is an open tea and conversation event designed at fostering a diverse community.
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UPES is proud to announce an Inaugural Design Conclave in Delhi. Identifying the need of a forum for design professionals, academia and key stakeholders to meet in an atmosphere of creativity and discuss the latest thought and innovation in this complex field, UPES organizes this Conclave on 2nd June 2017.
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UPES aims to foster support for a new generation of design professionals and to nurture ideas on new ways of teaching tomorrows designers. Personal and professional creativity and important initiatives on the national level: "Make in India", "Digital India", "Swatch Bharat", and the creation of smart cities, add to the buzz and development of this emerging domain.
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This article is from WeChat public address: BitTiger (ID:bit_tiger).
On the occasion of Google's 20 birthday,Google official BlogThe article reviews the most interesting Doodles in the past 20 years.
To be exact, Google Doodles existed before the establishment of Google. A few days before registration, Google's founders added a Fireman's Day logo to the site's home page to indicate that they were out for the event. Since then, Google has made a colorful product: Doodles.
Over the past two decades, a brilliant team has created thousands of illustrations, animations and interactive changes for Google's logo. From the turkey clips in Thanksgiving graffiti in 1998 and 1999 to the VR clips we won Emmy Award nominations earlier this year, we witnessed the development of Google.
In celebration of Google's 20th anniversary, let's take a look at 20 of the best home page graffiti of the past 20 years.
The first graffiti in history: Fireman's day, 1998
Company founders Larry Page and Sergey Brin decorated logo by saying they would go to the Burning Man Festival in such a way as to tell users that they were
Early series: Google Aliens, 2000
In May 2000, illustrator Ian David Marsden's series of five graffiti tells the story of aliens meeting Google logo and dragging it to Mars. Although the release date is of great significance to Google, this series is still mainly funny.
The first international graffiti: Bastille Day, 2000
Larry Page and Sergey Brin asked Dennis Hwang, then an intern, to create a graffiti to mark Bastille Day. Dennis's work was so fruitful that he was appointed Google's first chief graffiti artist, and graffiti has become a regular feature on Google's home page ever since.
The first animation graffiti: Halloween, 2000
By guest artist Lorie Loeb, who used two jacks instead
The first interactive game graffiti: PAC-MAN was founded in 30th anniversary, 2010.
Inspired by his father's arcade hegemony, designer and engineer Marcin Wichary created a new PAC-MAN graffiti that truly showcased the various characteristics of PAC-MAN: the use of game logic, graphics, sound, and even the bugs of the beginning.
The first live-action graffiti: Charlie
This short film is performed by the entire graffiti team, and the graffiti division Mike Dutton plays the leading role. To get as close as possible to Chaplin's original movies, Google decided to record them in Niles, California, where many of Chaplin's silent movies were set. The Niles Essanay silent Museum in Niles served as a consultant for the film.
The first slide is doodling: the 200th anniversary birthday of Green's fairy tales, 2012.
The graffiti is inspired by comics that allow readers to browse the story at their own pace. Doodle artist Matt Cruickshank
The first open source code graffiti: Stanislaw Lem 60th anniversary, 2011
Written in memory of science fiction novelist Stanisaw Lem, the graffiti is a mini game designed by Sophia Foster-Dimino (inspired by Daniel Mr, a Polish illustrator who worked with Lem)
The first graffiti with piano accompaniment: the 151st birthday of Claude Debussy, 2013.
The graffiti spans the 1800-year-old city landscape at night and, with some ingenious techniques, perfectly adds light and smoke to Debussy's music. Interestingly, the author of this graffiti music is Sabrina Hong, the sister of Google graffiti division Leon Hong.
The first organic graffiti: Earth Day, 2012
Life is a garden, so is graffiti.
The first animated paper cutting graffiti, Lotte Reiniger's 117 birthday, 2016.
In this video, graffiti artist Olivia Huynh draws on the style of film producer and animator Lotte Reiniger to tailor thousands of paper cuts and move them frame by frame. So this short film is a perfect memory of her in the form of Reiniger.
The first graffiti with narrative poetry: Dr. Maya Angelou's birthday 90th anniversary, 2018.
In this video graffiti, people inspired by Dr. Angelou's deeds and legacy, including Alicia Keys,Martina McBride,Oprah Winfrey and the author's son Guy Johnson, tell about Angelou's iconic poetry.
The first VR graffiti: tribute to Georges M.
The VR/360 video graffiti, nominated for an Emmy, salutes the famous French special effects and film director George.
The first graffiti made on the same day: water found on the moon, 2009
When Jennifer Hom, a graffiti artist, read the news about the discovery of water on the moon, he was inspired to start making graffiti to commemorate the event. The graffiti was completed in about four hours and still holds the fastest graffiti release record ever.
The largest number of graffiti appeared: International Women's day, 2014.
The video graffiti includes more than 100 women from around the world, including inspiring women such as Russian actress, comedian and singer Nonna Grishaeva, 14-year-old Brazilian educational activist Isadora Faber, and Nigerian agricultural pioneer Foluso Olaniyan.
Most partners involved in graffiti: Hip Hop was born in 44th anniversary, 2017.
This graffiti brings interactivity to a new level, allowing you to mix the legendary DJ samples of music. Graffiti begins at one end by the front
Longest production: recall Selena Quintanilla, 2017
A music graffiti video by graffiti artist Kevin Laughlin commemorates the life of Mexican American musicians, fashion icons, entrepreneurs, philanthropists and international superstar Selena Quintanilla. This video shows one of Selena's most representative songs
If, as Perla Campos, a member of the graffiti team, said, she was born to help make this graffiti a reality, it would have been nearly 30 years of work.
The first Doodle 4 Google competition, 2005
The first Doodle 4 Google competition was held in the UK by 11-year-old Lisa Wainaina
First graffiti test, earth day test, 2015
This is a perfectly scientific test that helps people find themselves in the animal kingdom and learn interesting animal knowledge in the process. Animal-loving celebrities like Jane Goodall and Edward Norton share their own animal videos and raise money for several animal charities. Now you can still search on Google
Best cat short film: Momo the Cat, 2016 Halloween
An animated version of the domesticated cat Momo by graffitiist Juliana Chen appears in this lovely Halloween theme game, the second time the kitten appears in graffiti. The game is divided into five levels, using magic spells and powerful wands to resist the invasion of ghosts. Momo also appeared in Halloween graffiti in 2015 and 2017, and Momo fans have since created a lot of derivatives.
At the end of the article, Google said:
Recommended use China IT News APP
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Take 2 Phablets & call me in the morning??
Within the last two months we've seen Blackberry announce (and possibly hint) at some major Healthcare news-
15 April– announced a partnership with NantHealth to "collaborate on the development of HIPAA and other government privacy certified, integrated clinical systems that transform the delivery of medical care" via cloud-based services.
03 June– announced a native mobile application developed by CellTrak to "offer home healthcare agencies secure access to CellTrak's HealthLink™ their data integration server."
09 June– during an interview with Khoirul Amin of the Jakarta Post, BlackBerry CEO and Executive Chair John Chen was asked "Do you have any plan to launch other products besides cell phones in Indonesia?"His response was quite telling- "If we will do another thing, we will probably go to phablet. I think if you look at our strategy and if you look at where the market goes, there is definitely a good market for something between a phone and tablet.
I think the phablet could be early, the tablet is already late. That is not a bad thing, because you can bring new technology. But, if I have the opportunity I will go to phablet. […] we will build what the market wants." (italics added)
11 June– an announcement from Rocky Mountain Human Services a "Denver-based nonprofit that serves nearly 10,000 individuals with cognitive and intellectual impairments. We turned to mobile technology to allow our 350 employees to communicate on-the-go and share critical data and information while visiting and working with children, individuals and families who have suffered brain injuries, developmental delays."
Their decision was based on #4 factors-
1. Level of Security
2. Remote Control
3. Simplicity
4. Future Capabilities
Due to the private nature of individuals' personal medical information the last thing a patient, their physician, hospital, or BlackBerry want to occur is a hack of information – as we're well aware with the other platforms security is an afterthought and only addressed in a reactionary manner – after it's too late.


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Dues: $350 per year
Register Below!
The New York Institute of Food Technologists is better than ever. We invite your organization to get involved and show your support for NYIFT and the Food Industry through Corporate Sponsorship.
As a Corporate Sponsor, you'll enjoy some great benefits:
- A $100 discount per booth at Suppliers' Day
- Advance registration and premium booth placement for Suppliers' Day
- Complimentary employment advertising – savings of $200 per ad per month!
- Your company name publicized in each issue of our newsletter
- Publicity and recognition of your commitment to the Food Industry at Suppliers' Day
- Receipt of a full list of Suppliers' Day participants with name, company and contact information shortly after Suppliers' Day
- A link to your website on our Suppliers' Day site, nyift.org. Link will always be in effect!
- Cornell University Summer Scholar Program – Develop a written project brief and submit it to Cornell University by April 15, 2019 and potentially have your research project worked on by a Summer Scholar under the guidance of a Cornell Professor. Additional benefit: All corporate Sponsors may attend or dial-in for the final presentations and obtain a copy of the abstract booklet of the Summer Scholars. Read about the experience of one of our corporate sponsors.
Corporate Sponsorship dollars are used by the NYIFT to promote the Food Industry and provide you an array of services including:
- Keeping membership informed of day-to-day activities as they relate to the Food Industry
- Developing future leaders
- Supporting our students through scholarships, outreach and Student Association activities
- Delivering timely programs to keep you informed of technological advances, legislative activities and industry trends
- Providing a forum for networking
Corporate Sponsorship Dues: $350.00
There are 2 ways to complete the 2019 Corporate Sponsorship Application. You may use the form provided below or click here and fax us your submission. You can mail in a check or pay by credit card once you have completed the form.
Please make checks payable to: NYIFT and mail to Gerri Cristantiello, NYIFT Office, P.O Box 138, Cresskill, NJ 07626
To pay by credit card visit: https://squareup.com/store/nyiftshop/item/corporate-sponsorship
For additional information on becoming a Corporate Sponsor, please contact:
Chair: Joseph Syrko of Ingredion at (908) 725-5114; firstname.lastname@example.com or
Gerri Cristantiello at the NYIFT Office at (201) 905-0090; firstname.lastname@example.com.


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"Social media such as wikis, blogs, social bookmarking tools, social networking websites (e.g. Facebook), or photo– and video–sharing websites (e.g. Flickr, YouTube) facilitate gathering and sharing of information and resources and enable collaboration. Social media is a new form of communication that is changing behaviours and expectations of researchers, employers and funding bodies.
The goal of this handbook is to assist researchers and their supervisors to adopt and use social media tools in the service of their research, and, in particular, in engaging in the discourse of research. The handbook presents an innovative suite of resources for developing and maintaining a social media strategy for research dialogues."
(Careers Research and Advisory Centre Limited)
"Vitae is the UK organisation championing the personal, professional and career development of doctoral researchers and research staff in higher education institutions and research institutes.
We play a major role in the drive for high–level skills and innovation and in the UK's goal to produce world class researchers. Our vision is for the UK to be world–class in supporting the personal, professional and career development of researchers."
(Careers Research and Advisory Centre Limited, UK)
"Emerald will soon be offering a unique peer–reviewed reading list service to all subscribers – Emerald Reading ListAssist, which will help users to make the very most of their subscription. This service will raise awareness of Emerald's cross–disciplinary content, coherently combining new research with more seminal papers, in a format which breaks down a subject by sessions, making it easily applicable to under–graduate or post–graduate courses or modules.
Created for students and lecturers by students and lecturers, Emerald Reading ListAssist aims to improve and support faculty workflow. The service also provides students with a high–quality research tool, helping to build information literacy and research skills. The rigorous academic construction of Reading ListAssist assures a high level of quality for the user; each list is peer–reviewed by subject experts as well as in–house reviewers to make sure it meets the highest quality standards."
(Emerald Group Publishing Limited)
[Note that this is a subscription–only service.]
Sign-Up or learn more.


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Review: TRON: Legacy (2010)
At the climax of TRON: Legacy, Jeff Bridges' Kevin Flynn basically explains the theme of the film to his evil archenemy and digital double, Clu—and to any of us in the audience who didn't catch on. Flynn shouts: "The thing about perfection is that it's unknowable. It's impossible, but it's also right in front of us all the time." Flynn is telling Clu what is wrong with his tyrannical establishment and maintenance of the perfect system in the digital world, but Flynn is also implicitly saying that his own narrow-minded pursuit of perfection through computer programming obscured his view of the perfection in his son and their relationship. Interestingly, obscured vision and a similarly narrow pursuit of perfection is the ultimate flaw in TRON: Legacy. Let me explain.
The movie is superficially superb. First of all, it displays the best use of the 3D format since Avatar. I was lucky enough to see TRON on IMAX. As the mind-bending spectacles disorientate, excite, and impress us, we are transfixed by and absorbed into the visually distinct world within the computer.
Secondly, almost all of the special effects are seamless and convincing, even when witnessed six stories high. The only thing that is a little off is the de-aged version of Jeff Bridges. When this younger, fabricated version of Bridges is (or plays?) the villain Clu, it works sufficiently, because Clu is meant to be a digital clone after all. It works worse when the de-aged Jeff Bridges is the young Kevin Flynn. Knowing that we are supposed to be seeing a real breathing human being, we are unnerved by the imperfections, however slight they are. That said, the overall film is a stunning visual achievement.
Thirdly, the awesome minimalist electronica score by French duo Daft Punk perfectly compliments the streamlined high-tech visuals of the world within the computer. The soundtrack sounded great on the enormous theatre speakers!
Unfortunately, even though TRON: Legacy is technically excellent, other essential aspects of the film are mediocre. Like a wondrous mesa-covered landscape that contains only stale water beneath the surface, the accomplished visual and audio elements of TRON mask an unimaginative plot and a tired father-and-son relationship. Once the intoxicating effects of the eye candy have either burned out or worn off, we recognize the poor quality of certain fundamental elements of the story. The filmmakers focused only on technical perfection, overlooking what is really most important in a movie.
My point can also be seen if we consider the cinematic allusion contained within the set decoration of Flynn's digital world hideout. Although the room's blend of a high-tech unadorned white floor and ceiling with neoclassical furniture calls to mind the room at the end of David Bowman's space trip in 2001: A Space Odyssey, the reference is merely empty replication, lacking the symbolism, mystery, and meaning that lie at the core of Kubrick's masterpiece.
In short, TRON: Legacy is fun and shiny, but there's not much else to it. But, wow, is it ever shiny!
7 out of 10
TRON: Legacy (2010)
Directed by Joseph Kosinski; written by Edward Kitsis & Adam Horowitz; starring Jeff Bridges, Garrett Hedlund, and Olivia Wilde.


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Here's what our Carver County legislators are up to during the shutdown. Working hard to forge a compromise, you would hope. Well, not so much.
Sen. Julianne Ortman has a commentary in the Chaska Herald this week decrying the "Constitutional crisis of the governor's making". Unfortunately, Ortman repeats many of the same-old, same-old recycled nonsense that we've heard so many times before. No, the GOP budget is not a 6% increase in spending. It's also interesting to hear what Sen. Ortman believes is a "Constitutional crisis". She was perfectly fine two years ago with Governor Pawlenty's illegal unallotments. (Note the decision in the unallotment case was written by Republican jurist and Pawlenty appointee Eric Magnuson.) It seems that what qualifies as a "Constitutional crisis" to Sen. Ortman is when Republicans don't get their way.
Rep. Ernie Leidiger is unapologetic about taking his salary during the shutdown. He also continues to ignore any constituents that share contrary opinions. I know for a fact that many residents have sent messages to Leidiger complaining about his unwillingness to compromise, a fact that he publicly denies. Leidiger is also a party along with Glencoe Rep. Glenn Gruenhagen in a lawsuit designed to end the emergency funding authorized by Ramsey Court District Court Chief Judge Kathleen Gearin. If Leidiger and cohorts win their lawsuit, all services of the government — including public safety and other functions deemed critical by Judge Gearin — would shut down.
Rep. Joe Hoppe is, as usual, keeping a low profile. He missed his usual appearance in the Chanhassen Fourth of July parade and hasn't responded to local media asking about taking salary during the shutdown. If you can find him, please let him know his constituents are wondering about why he is doing that.
[UPDATE]: What you don't see from any of our reps are new ideas to bridge the gap between them and Governor Mark Dayton. You want to be serious about your job? You want to earn your pay, Sen. Ortman, Rep. Leidiger, and Rep. Hoppe? Then, get to work and start working on a compromise that everybody can accept. That's what being serious about your job means. Get off the sidelines and put the interests of the state ahead of the political interests of your party.


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The Education and International Development MA will introduce students to the concepts of development and educational development, and help them assess the role of education and learning in the development process by examining theory and research. It will examine contemporary policy issues regarding education in low- and middle-income countries.
Key information
Programme starts
September 2019
Modes and duration
Part time/flexible students typically take one module each term. All students must attend at least one face-to-face module in London.
Application dates
Tuition fees (2019/20)
Note on fees: The tuition fees shown are for the year indicated above. Fees for subsequent years may increase or otherwise vary. Further information on fee status, fee increases and the fee schedule can be viewed on the UCL Students website. Fees for flexible, modular study are charged pro-rata to the appropriate full-time Master's fee taken in an academic session.
Entry requirements
A minimum of a second-class Bachelor's degree from a UK university or overseas qualification of an equivalent standard is required together with relevant experience in low or middle-income countries (normally a minimum of six months). Applicants should demonstrate commitment and genuine interest in issues relating to education and international development.
English language requirements
If your education has not been conducted in the English language, you will be expected to demonstrate evidence of an adequate level of English proficiency.
The English language level for this programme is: Good
Further information can be found on our English language requirements page.
International students
Country-specific information, including details of when UCL representatives are visiting your part of the world, can be obtained from the International Students website.
Visa information
This programme is suitable for international students on a Tier 4 visa - study must be full-time, face-to-face, starting October.
International applicants can find out the equivalent qualification for their country by selecting from the list below.
Select your country:
About this degree
This programme provides students with the opportunity to develop a critical understanding of key aspects of theory, policy and practice in relation to education and international development, and skills and knowledge in research methods and analysis. Students benefit from being taught by renowned researchers of education and international development, as well as international guest speakers. Students will also meet and study alongside a diverse student group: our alumni are from more than 80 countries.
There will be opportunities for students to be introduced to a number of key international development organisations involved in education and learn more about the nature of their work, as well as to find out about professional development opportunities. In previous years, students have organised career development events and benefited from volunteering opportunities via the Students' Union UCL Volunteering Service.
Students undertake modules to the value of 180 credits.
The programme consists of one core module (30 credits) and either three optional modules (90 credits) and a dissertation (60 credits) or four optional modules (120 credits) and a report (30 credits).
Compulsory modules
Optional modules
Three optional modules (90 Credits) or, if a report is presented, four optional modules (120 Credits) can be chosen. At least two optional modules must be chosen from the list of EID cluster modules and research modules below:
- Gender, Education and Development
- Education, Conflict and Fragility
- Planning for Education and Development
- Learners, Learning and Teaching in the Context of Education for All
- Promoting Health and Wellbeing: Planning, Practice and Participation
- Education and Muslim Communities
- African Studies and Education
- Understanding Education Research: Education and International Development
- Understanding Education Research
- Understanding Research
All students undertake an independent research project which culminates in a 20,000-word dissertation or 10,000-word report.
Teaching and learning
Teaching on the MA EID is intended to provide learners with a critical perspective on a range of different frameworks through which they can understand their experiences and practice. A range of teaching and learning methods are used including lectures, participant-led presentations, group work, workshops, online activities. Assessment is via various forms of coursework including discursive essays, critical analysis of empirical research, reviews of literature, and the dissertation or report.
Students may undertake fieldwork in relation to their research for their dissertation or report, but it is not a requirement. If undertaken, fieldwork must be self-funded.
Scholarships relevant to this department are displayed below.
Commonwealth Shared Scholarship Scheme (CSSS)
- Note:
- Now closed for 2019/20
- Value:
- Full fees, flights, stipend, and other allowances (1 year)
- Eligibility:
- Overseas
- Criteria:
- Based on both academic merit and financial need
IOE Centenary Masters Scholarships
- Note:
- Deadline is 5 April 2019
- Value:
- Accommodation plus tuition fees (1 year)
- Eligibility:
- Overseas
GREAT-UCL India Scholarship
- Note:
- Nominations have now been submitted
- Value:
- Full tuition fees (1 year)
- Eligibility:
- Overseas
- Criteria:
- Based on academic merit
IOE Fulbright
- Note:
- Now closed for 2019/20
- Eligibility:
- Overseas
For a comprehensive list of the funding opportunities available at UCL, including funding relevant to your nationality, please visit the Scholarships and Funding website.
Graduates of this programme are currently working across a broad range of areas and sectors in relation to education and international development worldwide. These include local and international NGOs, donor and multi-lateral agencies, national and local education departments, schools and universities.
It is intended that students who participate fully in the programme will develop the following:
- The ability to reflect critically on a wide range of contemporary debates and issues concerning education and international development
- Their knowledge of and understanding in the field of education and international development and the implications of published research in this area for their own practice.
- Their skills in oral presentation and discussion, critical reading and reflective and analytical writing
- An understanding of the processes entailed in research and the experience of conducting their own small scale research study
Why study this degree at UCL?
UCL Education, Practice and Society at the IOE is the well-established home of an interdisciplinary grouping bringing together high-quality teaching and research in the history, sociology and philosophy of education and international development. It houses the Centre for Education and International Development (CEID), which comprises a team of internationally recognised experts in international development, education, and international educational policy, and which has nurtured world leaders in educational practice and research for over 85 years.
The department has extensive experience and expertise in: education planning and policy; health; education in Africa, Asia and Latin America; education, equality and human rights; issues of gender, migration, race, sexuality, disability, and social class; and education in conflict and emergencies.
Linking research, policy and practice, the result is an extraordinarily powerful learning community.
Department: Education, Practice & Society
Application and next steps
Students are advised to apply as early as possible due to competition for places. Those applying for scholarship funding (particularly overseas applicants) should take note of application deadlines.
There is an application processing fee for this programme of £75 for online applications and £100 for paper applications. Further information can be found at: www.ucl.ac.uk/prospective-students/graduate/taught/application.
Who can apply?
This programme is suited to professionals working in the formal and non-formal sectors in education and international development who would like to reflect and build on their experience in these areas.
Application deadlines
- All applicants
- 30 May 2019
For more information see our Applications page.Apply now
What are we looking for?
When we assess your application we would like to learn:
- why you want to study Education and International Development at graduate level
- why you want to study Education and International Development at UCL
- what particularly attracts you to the chosen programme
- how your academic and professional background meets the demands of this challenging programme
- where you would like to go professionally with your degree
Together with essential academic requirements, the personal statement is your opportunity to illustrate whether your reasons for applying to this programme match what the programme will deliver.
Please make sure that your personal statement clearly outlines the nature and length of your relevant experience working in a low or middle income country
Contact information
- Dr Amy North, Programme Leader
- email@example.com
Page last modified on 16 May 2019 by UCL Student Recruitment Marketing


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Produced & Mixed Blue Ray of Woolf Works - Royal Ballet, music composed by Max Richter
Recorded & Mixed August and Everything After with the Counting Crows, Vince Mendoza and strings with cor anglais - recorded all together at Air Studios
EP I produced for Sheku, Isata & Braimah - Studio 2 Abbey Rd
Sept - 2018 UPDATE
Recorded and mixed a soundtrack album for Deutsche Gramophone of Valentin Hadjadj's music for the award winning film Girl by Lukas Dhont - recorded at British Grove Studios
Recorded & Mixed the orchestra for Andrea Bocelli's new album Si - Arrangements by John Metcalfe
Album Produced by Bob Ezrin - recorded at Air Studios
Produced / edited / mixed two new albums for HYPERION of Steven Isserlis & Denes Varjon performing Chopin and Schubert and Steven with the Olli Mustonen performing a programme of Shostakovich and Kabalevsky (recording engineer Dave Hinitt). Denes played an 1861 Errard Piano - Both Gramophone CDs of the month
Recorded the orchestral arrangements for Michael Buble's new album - LOVE
Produced by David Foster (Abbey Rd 2 & Angel Studios 1)
Wonderful to spend 8 days in Cologne at producer Ralf Kemper's excellent Riverside Studios recording music composed by the great Argentian composer and arranger Jorge Calandrelli - piano - Stanislava Stoytcheva & the WDR big band's clarinettist Andy Miles
Produced and Recorded the Orchestra tracks for Renee's new album
Abbey Rd Studio 2 - BBC Concert Orchestra
Overall album Produced by David Frost - MD - Rob Fisher
Recorded and Mixed 2 new soundtracks composed by Alexandre Desplat for the films KURSK directed by Thomas Vinterberg & THE SISTERS BROTHER directed by Jacques Audiard
Produced & Mixed Sheku's first DECCA CLASSICS album - INSPIRATION - recorded with City of Birmingham Symphony Orchestra & Mirga Gražinytė-Tyla (recording engineers - Jonathan Stokes & Neil Hutchinson from Classic Sound & Mark Rogers)
Mixed and help prep Sony's Cast Album of the Old Vic's production of Conor Mcpherson's unique play Girl From the North Country - intergrating Bob Dylan's songs into a new drama. Magnificent arrangements by Simon Hale who produced the album - recorded by John Barrett all in the room together!
Recorded Composer Kenneth Fuchs masterly new disc of four new concertos with the London Symphony Orchestra
Concertos for Saxophone / Electric Guitar / Piano & Voice
Produced & Mixed the violinist Ray Chen's first album for DECCA CLASSICS - THE GOLDEN AGE
Produced and Mixed Rebecca's debut album for DECCA CLASSICS - MATERNA REQUIEM - recording engineer Mark Rogers
Recorded & edited Renee Fleming with jazz trio singing You'll Never Know for the film Shape of Water produced and arranged by Alexandre Desplat (who won the 2018 Oscar for his music for this film) - full mix and orchestra record by Peter Cobbin
Produced, Recorded & Mixed Blu Ray of The Royal Opera House's new production of Verdi's OTELLO conducted by Antonio Pappano, starring Jonas Kaufmann - Royal Opera House Orchestra - really wonderful performances.
Produced, Recorded & Mixed the new Blu Ray to the Royal Ballet's Alice's Adventures in Wonderland - composed by Joby Talbot
Produced, Recorded & Mixed Opus Arte's Blu Ray of the Royal Opera House's new production of La Boheme - conducted by Antonio Pappano
January 2017 - Recorded & Mixed a CD/LP release of a really special album from the great Jazz Pianist Alan Broadbent (played with so many great musicians from Woody Herman to Nelson Riddle) - a 3 movement symphony and arrangements of melodies like Milestones and Coltrane's Naima.
The mighty Rob Mathes produced & arranged this fabulous album of symphonic arrangements of the songs by the ridiculously talented songwriter Albert Hammond. We recorded in studio 1 & 2 at Abbey.
January 2017 - Recorded the Orchestra at Air studios for the new Disneyland Orlando Magic Castle Show
January 2017 - Produced and engineered Sheku's first EP for DECCA CLASSICS
December 2016 - Grammy Nomination for Producing & Engineering Symanowski's opera Król Roger at the Royal Opera House conducted by Antonio Pappano
December 2016 - recorded and mixed some episodes of BBC's Call the Midwife (including the Christmas day special) composed by Maurizio Malagnini - - Bringing a big heart to Sunday evenings on BBC 1 - Maurizio's a great talent & great fun!
November 2016 - Hollie McNish music by Jules Buckley and Chris Wheeler with the Metropole Orchestra - A wonderfully inventive album to be involved with - Hollie's poetry, and the way she reads it coupled with wonderful music that fits around the words like a glove - CHECK.IT.OUT...please...
October 2016 - Gabriel Yared score for the film Si Tu Voyais Son Coeur - Recorded in Studio Ferber, Paris - wonderful...
October 2016 - Mixed the main themes and opening title of the new video game Titanfall 2 video game - epic music composed by Stephen Barton
Sept 2016 - Eric the Stork - Film Score composed by Eric Neveux - Pleasure to mix Eric's terrific and fabulously crazy wall-to-wall score for this really lovely European funded CGI animation.
Sept 2016 - Lang Lang & Herbie Hancock play Rhapsody in Blue. Treat to record this with the London Symphony Orchestra in Studio 1 at Abbey Rd.
Aug 2016 - First ever opera released in Dolby Atmos - Proud of this - Antonio Pappano conducts the Royal Opera House Orchestra in the wonderful coupling of Cavalleria Rusticana and Pagliacci. I produced, recorded and mixed this new Blue Ray - mixed for Dolby Atmos in Studio 3 at Abbey Road. When I record at the opera house there are 12 microphones hung from the roof, spread across the auditorium which, in Atmos, can be panned discretely above your head and creates a much more immersive and subtle sound space - perfect for live opera . In 5.1 musical details compete for space, particularly in the large tuttis - Not any more folks!
July 2016 - Mixed new surround sound album for Detroit Techno Pioneer Jeff Mills - Fabulously inventive one hour work reinterpreting the planets and our solar system 100 years after Holst incorporating all the new discoveries in the language of music.
June 2016 - Recorded & Mixed the music for the opening ceremony for the new Disneyland in Shangahi - Music composed by Tan Dun, performed by the Shanghai Symphony Orchestra...fabulous experience.
May 2016 - New John Wilson Album live at the Royal Albert Hall - band on fizzing form...
April 2016 - BBC Music Magazine Record of the Year - Loved working on Aida in the audio world separated from the staging..
March 2016 - International Opera Awards - Three of my projects are nominated. In the DVD category I Produced & Engineered two operas, Symanowski's magnificent Krol Roger (seriously, check out the first ten minutes...) and Puccini's Manon Lescaut with Jonas Kaufmann and Kristine Opolais for the Royal Opera House, both conducted by Tony Pappano. In the CD category I recorded and mixed the new Warner Classics recording of Aida in Rome with Accademia Nazionale di Santa Cecilia.
February 16th 2016 - The Grammys - Yey! Two projects won - Recorded & Mixed the live album at Wigmore Hall with Joyce Didonato & Tony Pappano for Warner Classics & Recorded the strings for Eliane Elias' album Made in Brazil (arranged by Rob Mathes).
January 15th 2016 - The Times - 3 album reviews. Produced & Engineered Milos' new album of Beatles arrangements. Also reviewed are Janine's album I recorded & mixed for DECCA (the Brahms) and Beatrice Rana's new album for Warner Classics.
November 2015 - Latin Grammys - Classical CD of the year
Thrilled Gabbi won for an album I produced and recorded with her in Costa Rica. She is a huge talent with a huge heart - and this CD has her first orchestral work, Ex Patria, a deeply personal and political lament for her home country, Venezuela.


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At Maureen's (with Greg Masters) (2013)
At Maureen's is a joint journal, a record of Mayer's and Masters' stay at the house of poet Maureen Owen in Guilford, Connecticut, from June 21 to July 18, 1980. At the time this book was written, summer 1981, Bernadette Mayer was director of the Poetry Project, at St. Mark's Church. Greg Masters was editor of the Poetry Project Newsletter and co-editor of the poetry magazine Mag City. The two poets detail their adjustment to their new rural surroundings in this daily journal. Their joint perspective offers a detailed landscape featuring a horse, raspberries, diapers, books, and each other.


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Deuce Double Faux Fur Pom Hat
Meet Deuce! She's twice the fur and twice the fun!
Seed Stitched Stocking cap with not one but TWO adorable faux fur poms!
Prices shown are for 'clean' styles, for customized finished items please email firstname.lastname@example.com
100 Premium Acrylic
Available in Ice with Polar Poms and Pitch with Panther Poms


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What I love about Squeak and what I …
I'm a long time developer with Squeak. And I've seen a lot of the changes and how it has morphed over time. Literally. Remember when everyone using Squeak used MVC? I've made a number of contributions over the past 13 years or so to Squeak. So make no mistake about it. I love Smalltalk, I love Squeak and working with Squeak.
This entry is about something that I both love about Squeak and occasionally get frustrated about.
There are about 3 or 4 (but who's counting?) personal on-going projects I'm developing with Squeak. Over the weekend I was working on one of those projects. And I noticed how frustrating the behavior of the system browsers are when resizing the panes. Here's what I mean.
This is the standard Squeak system browser when it's first opened up. Click on the image to see it full size.
The browser is highly functional in its current presentation. You may have noticed that I use the Optional Buttons and Annotations Pane for my browsers when I work.
It's all fine until you resize the browser window. Here's how it appears when you make it really tall.
Again, click on the image to see it full size.
Notice what happened to the Class/Instance switch? Stretched out. And those Optional Buttons and Annotation Pane? Same thing.
It gets especially interesting when you want to shrink it down to something taking up less space on your desktop. Click on the image to see it full size.
I'm not sure how or when this happened, but I'm 100% certain there were versions of Squeak older than this that didn't behave this way with code browsers. I remember working with Scott Wallace on the Optional Buttons and Annotations Pane layouts in earlier Squeak browsers maybe 9 to 10 years ago.
Now, I'm not frustrated that this is happening. No, no. Well, maybe a little. It does seem like we get pretty good at "chewing the same meat twice."
But in fact this leads me to one of the things I really love about programing in Squeak, or any Smalltalk for that matter.
It's easy to fix.
I spent a couple of hours over the weekend digging around inside the classes that constitute the System Browser and its related components, and created my own version that behaves like this.
Here's my new System Browser when first opened up. Click on the image to see it full size.
Notice that it looks the same as the original did. I actually think it looks a little "tighter", with less space, around the optional buttons and annotations pane.
Here's how it works now when stretched really tall. Click on the image to see it full size.
The buttons, all of them, stay the same size. This remains true for the annotations pane as well.
And here's how it works when squeezed. Again, click on the image to see it full size.
Same result. The buttons remain the same size, and even better, you can still read them.
So that was fun and rewarding in its own way. That's one of the things I love about Squeak. But alas, this is also one of my frustrations.
I find myself getting distracted by this sort of thing all the time. Instead of working on the task at hand, I find new "interesting" diversions. Sure these have value and it's always good to dig around inside Squeak to learn how it works under the covers now and then.
As an aside, that's one of the things I have come to admire about Smalltalk developers that have spent a lot of time with Squeak. Historically, there's been no documentation to speak about. Books and tutorials have appeared only recently. Well, there were Mark Guzdial's excellent Squeak books years ago, but for the most part you had to figure things out on your own. You had to learn to read the code and dig things out to understand. Skilled Squeak programmers end up being good at understanding and extending other complex Smalltalk systems and applications.
What I would like to say is that I love how Squeak is open under the covers, and so easy to explore and extend. All the Smalltalk tools do that. But I'm also aware of how these little annoying behaviors about Squeak have more that just a few times caused me to become diverted by yet again another tools enhancement run. The temptation to personalize it, which is exactly what I think Alan Key and Dan Ingalls had in mind, can be great enough to the point of distraction. You just have to remember that.
Comments and feedback on my personal BLOG are welcome.


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We love Christmas time and how it creates an exciting and memory building moment for a family. This year we have 10 services in Anaheim and 3 in Park Rapids. Mark the calendar and invite your friends, family, co-workers, and neighbors.
19th @ 5pm
20th @ 9:30aM, 11:30aM, 5pm
21st @ 7pM
22nd @ 7pm
23rd @ 5pm, 7pm
24th @ 3pm, 5pm
Fun children's program birth - Pre-K at every service: Christmas cookie decorating, snow, & more!
Special Needs: Our ministry for special needs kids and teens ages birth-8th grade will be available at all services on Sunday 12/20 in Meeting Room A. For more information and to register your child, please contact Erin Gaxiola at 714.678.1700.
20th @ 11AM & 5PM
21st @ 6:30PM
16623 State 87
Park Rapids, MN 56470


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Just looking for new people to meet and get to know as friends or more....send me a msg or add me as a friend if you want to chat.
i also have bbm :p
My name is Ash. I work full time and am a mom to a wonderful 3 year old son, who drives me crazy! hes my life.
i like to go out to the bars with friends, go to movies, concerts, dinners, walks and just anything to get me out of the house!
I love tattoos and piercings, currently have most of a sleeve on my left arm...a few different pieces all mashed together, and 7 piercings
I love rock/alternative and club music, anything with a good beat!
movies anything really that sounds interesting and isnt too terribly scary :p
Anything else? ask away


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Many so-called "human rights" workers have criticised Philippine President Rodrigo Duterte's war on drugs while curiously they have said nothing of the fact that dangerous criminals whose drug of choice is Shabu, a dangerous methamphetamine, are behind a wave of violent crime ranging from mass murder, bodily mutilation, the taking of hostages, mass rape, the rape of the elderly, child rape and even infant rape.
The drug problem in The Philippines has for years represented a threat to the human rights of normal citizens who lived in fear of violent drug gangs, dealers, drug users and corrupt officials from politicians to police who were on the take from the narcotics trade.
Duterte was elected on a promise to put an end to normal Filipinos being victimised by a violent death culture that sprung from drugs use, dealing and trafficking. His decades of success in tackling the drug problem in the southern Philippine city of Davao convinced national voters to give Duterte the opportunity to test his methods at a national level. The results have thus far been praised by ordinary Filipinos who now feel safer in their homes and on the streets throughout the nation, ever since Duterte's victory in the 2016 Presidential election.
The fact that nothing was said about the human rights of normal Filipinos whose lives were destroyed by having to live around drugs and the crime, perversion, violence and terrorism they cause, is as clear a sign as any that the so-called 'human rights workers' are simply another tool at the disposal of the neo-colonial powers in their mission to undermine President Duterte on the basis of his foreign policy, rather than his domestic policy.
While many of Duterte's foreign backed domestic opponents as well as those from abroad continue to lie about the actual numbers of arrests, shootings and state funded rehabilitation of offenders, Real Number PH continues to publish information regarding the accurate statistics pertaining to the war on drugs.
The following infographic shows the most up to date statistics on the drug war from the time Duterte took office until mid-May of this year:
The statistics show that there were 33 times more successful arrests of suspected drug traffickers, dealers and users than there were killings. This is in line with Duterte's stance that officers should prioritise the arrest of offenders, but as in line with international policing standards, if the offender in question is a danger to bystanders or officers, the reasonable use of lethal force becomes necessary.
The individuals killed in such situations are typically heavily armed narco-gangsters who refuse to go down without a fight, in addition to a number of those whose uncontrollable drug induced violence is a threat to anyone in the vicinity of their criminal activities.
Far from Duterte simplistically "unleashing the police" on criminals, Duterte is also policing the police and other public officials in order to purify the state from corruption. The infographic below, also from Real Numbers PH shows the number of officials brought to justice under the Duterte Presidency.
But while Duterte's genuine commitment to fighting genuine crime continues to be misrepresented by those with a strategic goal of undermining his leadership, the United States is in the midst of a genuine crisis of extrajudicial killings that is not only significant statistically, but one which shows a clearly racist trend in policing techniques in the United States.
Between 2015 and the present day 3,832 African Americans were killed by police throughout the United States. Several infamous instances of US police committing extrajudicial killings against unarmed African Americans have made international headlines, although none of these cases have inspired the kind of international meddling that Duterte's war on drugs has done.
In 2014, an unarmed African American man Eric Garner was choked to death by local police who suspected him of selling tobacco without a tax licence. The clearly non-violent Garner died after several officers violently threw him to the ground. His last words were "I can't breathe".
But while African Americans remain disproportionately victimised by police, a further video of an extrajudicial killing of an unarmed white American in a hotel corridor further shocked the world due to the intense brutality of the shooting.
A very recent video of two male police in the United States savagely beating a woman in spite of not issuing a court summons as is required by local law, simply because she exercised her right not to inform the officers of her surname, has further raised the question of the extrajudicial protocol of many police in the United States.
While a majority of Filipinos support their President, Americans are increasingly coming to understand that the extrajudicial mentality of killer cops is at odds with the US Constitution and any standard of decency. Currently, the most popular song in the US, the aptly titled "This Is America" concerns a culture of repressive, racist police brutality that is spiralling out of control. This trend in pop culture shows that ordinary Americans are deeply worried about their own culture of police violence while by contrast, most Filipinos support the reasonable and necessary war on drug violence.
In spite of that fact that much of the US is talking about the police violence problem, the same so-called international community that has meddled in The Philippines is doing nothing about extrajudicial killings in the United States. It seems that the colonial mentality that Duterte warned against remains the guiding force of such super-national bodies. The 'human rights' cabal is happy to interfere with Duterte's enforcement of existing laws against violent criminals, but they are silent when it comes to the US targeted the young, the black, the unarmed and the vulnerable. Hypocrisy is without a doubt an item that is first and foremost 'made in the USA'.


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Friday, April 9, 2010
5:00 Fridays - For Duke
So I suppose it's not news anymore that Duke won some big basketball tournament. I inadvertently taught my sons to do air quotes and say "the game" because everyone around the water cooler seems to talk incessantly about "the game" regardless the time of year. Now Bird and Deal taunt and mock Mac Daddy every time he watches sports (It's only sports or the news with that guy. I don't know why he can't branch out into quality programming like Gossip Girl.).
I don't know squat about sports and usually choose my bracket based on very important, studied criteria such as school colors, mascot, and the city the school is located in. I don't know any player names and sure as hell don't know any stats. I didn't even know what "in the paint" meant until I got my friend John Hollis' book called Life in the Paint (Dude, it's for sale on Amazon. Check it out. John is a whole mess of awesome, but don't tell him I told you so. I like to keep him on my curmudgeonly stubborn side.). And then on Twitter @illig sent me straight to Google with his cager reference.
It would only make sense that I honor Duke in today's 5:00 Fridays post.
Duke Ellington, that is. You didn't really think I'd toast Coach K and the Dukies, did you?
Duke's a Champ (from The Daily Cocktail book my friend Kate gave me)
1-2 ounces vodka
1/2 ounce blackberry brandy
Pour the vodka and blackberry brandy into a mixing glass half filled with ice (cubed, not crushed). Stir and strain into a martini glass. Kick back and listen to some jazz...and I ain't talkin' Utah.
A few lyrics from Duke Ellington's Cocktail for Two:
"Most any afternoon at five
We'll be so glad we're both alive
Then maybe fortune will complete her plan
That all began
With cocktails for two"
Posted by Ilina at 6:54 AM 4 Folks Talking Dirty, Getting Noisy Links to this post
Labels: 5:00 Fridays, cocktail, fun, happy hour, music, party, sports
Wednesday, April 7, 2010
Wordless Wednesday: Snack EnvyWordless Wednesday: Snack Envy
Posted by Ilina at 7:26 AM 2 Folks Talking Dirty, Getting Noisy Links to this post
Labels: Bird, Deal, Lark, wordless Wednesday
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6 reasons why you mustn't miss impact Person of the Year 2010...
With just a few hours left for the unveiling of the impact Person of the Year 2010, the industry is waiting with bated breath. The impact Person of the Year 2010 is presented by Jagran. The Indian media and communications industry's most awaited event, iPOY is attended by the who's who of the industry, and for those who are in two minds about attending, exchange4media lists no less than six reasons for not missing the celebrations…
Published - Dec 16, 2010 8:35 AM Updated: Dec 16, 2010 8:35 AM
The Indian media and communications industry saw one of its most competitive and trying years in 2010. Coming out of a grave slowdown, every step differentiated the men from the boys. There were many in the year gone past, whose resilience and determination benefited not just their businesses and their companies, but the industry at large. And the fraternity is quick to recognise the achievements of these individuals because it is names such as these that define the communication agenda. This year, there was not one name, not two names, but 10 names that the industry picked of such individuals, and then from these emerges one, who is crowned the impact Person of the Year (iPOY)... the first among equals. The impact Person of the Year 2010 is presented by Jagran.
Why are we telling you this? To ensure that you do not miss the single most happening night for the media industry. And if you have attended even one impact Person of the Year Award ceremony, you don't need to hear this from us – you already know that this night is to be with friends and rejoice in the success of a colleague, whom in all likelihood you have voted for. But if you have not yet attended impact Person of the Year, here are six reasons why you should keep December 16, 2010 blank – and be in Mumbai.
1. The impact Person of the Year is a much sought after accolade for the industry professionals. Weeks back, industry leaders were called and were asked for the names of individuals whom they would choose as their impact Person of the Year. And then they wait for this big night, when they discover whether the person they voted for won.
2. Needless to say, this is the hottest event of the year. The stage, as they say, is set, and the evening is geared towards that memorable moment, when industry CEOs, biggies and all the people who matter gather to applaud this winning individual.
3. And we pack in a whole set of happenings for you, so it is not just impact Person of the Year. We will also unveil the exchange4media India's Top Spenders and Billings Report 2010. And the best of Bharat Kapadia's KMT... and above all...
4. Yes, we are enjoying breaking this to you... The New Look impact. After six years, your favourite marketing, media and advertising weekly, impact, is going through a complete overhaul to bring to you the best of the news, in the best of forms. One we think you would truly enjoy in terms of reading and consuming your weekly dose of the developments of the space that matter… Not to mention that the global biggies and the big reports would continue in the smart presentation format, but more importantly, in a look that would make every page worth spending time on.
5. Your fifth reason is the networking. Over the years, some industry fellow-beings have become iPOY friends, people who catch up with each other at this time of the year. It's the place to meet and we know from you, that this is the place where there are some people who meet just here.
6. And finally, to feel sad for those who missed it. There are some genuine ones also – those who aren't in the city, some who don't make it to the invitation list (some who cry about it, some don't)…
This is our attempt to ensure that you won't be someone people would feel sad for. Be there. On a very serious note, this is the event that has no agenda, no funda, no gyaan – just the spirit of brotherhood where even the worst of rivals drop all grudges and applaud. In any story, after all, there is only one Winner. This is the spirit of celebrating that Winner.
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OAKLAND, Calif. — The Texas Rangers clinched the AL West title Saturday and their first playoff berth in 11 years, beating the Oakland Athletics 4-3 on Jorge Cantu's tiebreaking homer in the eighth inning.
Players streamed from the Texas dugout after closer Neftali Feliz retired Cliff Pennington on a fly ball to left field for the final out with the potential tying run on second base.
Rangers slugger Josh Hamilton, who has been sidelined with broken ribs for three weeks, hugged teammates and jumped up and down near third base as a mob of players celebrated.
The Rangers became the second big league club to lock up a postseason spot this season, joining the AL Central champion Minnesota Twins.
Texas is the only current major league franchise never to win a playoff series. The Rangers won three AL West crowns from 1996-99, their only postseason appearances, but lost in the first round to the New York Yankees each time.
Cantu hit a solo shot off Michael Wuertz (2-3) in the eighth, his first homer since being traded from Florida to Texas on July 29, and the Rangers hung on. Darren O'Day (5-2) pitched a scoreless inning and Feliz got four outs for his 38th save — breaking the previous rookie record of 37 set by Seattle's Kazuhiro Sasaki in 2000.
• Red Sox 7, Yankees 3
NEW YORK — Jon Lester took a no-hit bid into the sixth inning and became the first Boston left-hander in 57 years to win 19 games, leading the Red Sox to the victory.
Lester (19-8) was overpowering before Francisco Cervelli singled off the glove of diving rookie Daniel Nava in left field with one out in the sixth. Lester wound up allowing two hits in seven shutout innings. He won his sixth straight start, extended his scoreless innings streak to 15 and lowered his ERA to 2.96.
•Blue Jays 5, Orioles 4
TORONTO — Lyle Overbay hit a game-ending homer in the 11th inning to lift Toronto to the win.
Edwin Encarnacion, Aaron Hill and Travis Snider also had solo drives for the Blue Jays, who lead the major leagues with 241 home runs this season, including a baseball-best 140 at home. Toronto hit a team-record 244 homers in 2000.
•Rays 9, Mariners 1
ST. PETERSBURG, Fla. — Matt Garza allowed one run over seven innings and the AL East-leading Rays beat Seattle.
Matt Joyce and B.J. Upton homered for the Rays, who moved 1 games ahead of the New York Yankees. Tampa Bay, bidding for its second division title in three years, has a magic number of two (any combination of Rays wins or Boston losses) to clinch a playoff berth.
Garza (15-9) allowed eight hits, struck out five and walked none. He was 0-2 with a 10.93 ERA in his previous three starts.
•Indians 7, Royals 1
It's not every day the Cleveland Indians beat Zack Greinke.
Try every two years.
Shin-Soo Choo had four hits and the Indians beat Greinke for the first time since Sept. 7, 2008, with a 7-1 victory over the Kansas City Royals on Saturday night.
The win, which moved Cleveland out of last in the AL Central, left Greinke searching for an answer.
"As soon as I got out of the game, we started getting everybody out, so I must have been doing something wrong," he said.
Greinke (9-14) lasted just 3 2-3 innings in his second-shortest outing of the season. He was charged with seven runs and a season-high 11 hits. The Indians managed three hits after Greinke departed.
The reigning AL Cy Young Award winner was 5-0 with a 2.73 ERA in his previous nine starts against Cleveland, including a 2-0 record with a 3.15 ERA in three outings this season.


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Data Management/Conversion Consultant
- Employer
- Sparks Group
- Location
- Herndon, Virginia
- Salary
- Competitive pay
- Posted
- May 24, 2018
- Closes
- Jun 28, 2018
- Ref
- Function
- IT, Database Administrator
- Industry
- Consulting, Government and Public Services
- Career Level
- Experienced (Non-Manager)
- Hours
- Contract
Job Summary/Company:
Are you a highly organized ERP/Database Developer who likes to work in a fast-paced environment? If so, then we have the contract opportunity for you! Sparks Group has partnered with a leading Government Contractor in the area to support this immediate need. We are seeking someone to support the DataWarehouse team to integrate applications across various platforms and portals and help with various Data Conversion activities.
- Work with a Data Warehousing team in all aspects of the project lifecycle. The position is responsible for technical analysis, design, development, testing, documentation, deployment and production support
- Expereince with Data Conversion, cleansing and data quality
- Experience working with ERP packages and working with Reports, Interfaces and Conversions in a large- scale ERP systesm.
- Ability to analyze and resolve technical problems.
- Ability to learn DW/ETL technologies and Cloud technologies
Qualifications/Background Profile:
- 5+ years of experience, working with ERP and Data warehouse projects, working through Migrations and Conversions
- Experience working with Supply chain Data and ETL projects
- Some experience as a LEAD or SME on critical projects
- Industry recognized certifications
Qualified candidates should send their resume to Sparks Group for additional details. Please note resume must include a valid email address in order to be considered.
We look forward to discussing your background, your current job search, and your potential career path with Sparks Group!