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Terms and conditions
Stickstagram is a social design service where you can create your own stickers and posters using Instagram™ photos. Stickstagram is provided by(the "Company", "we" or "us"). Stickstagram employs the Instagram™ API (Application Programming Interface) technology. However, we are not endorsed or certified by Instagram™ or their affiliates and we do not have any business relationship with Instagram™.
Instagram™ does not endorse Stickstagram, but we respect their products. By using the Stickstagram website (the "Website"), you are agreeing to be bound by the terms and conditions of Instagram™ (the "Instagram™ Terms and Conditions"), which can be viewed at http://instagram.com/legal/terms. Do not proceed any further and do not access or use the Website or any of the services made available in the Website if you do not agree to be bound by the Instagram™ Terms and Conditions.
The Website and all content, services and products available at or through the Website are governed by the following terms and conditions (the "Terms and Conditions"). These Terms and Conditions also govern in general your use of the Website and your relationship with us. The Website is owned and managed by us. The Website is offered for use subject to your acceptance without modification of all of these Terms and Conditions contained herein below, and all other operating rules, policies (including, without limitation, our privacy policy) and procedures that may be published from time to time on the Website (collectively, the "Agreement").
Before accessing or using the Website, please read the Agreement (in particular, these Terms and Conditions) carefully, as they affect your rights and liabilities under the law. Do not access or use the Website or our services if you do not agree to all of these Terms and Conditions. If you have any questions on the Agreement or any of these Terms and Conditions, please contact firstname.lastname@example.com
Use of the Website.
The Website is provided to you for your use subject to these Terms and Conditions. By using the Website you agree to be bound by (i) the Agreement (in particular, these Terms and Conditions) and (ii) the Instagram™ Terms and Conditions. Although we will normally only refuse use of the Website if these Terms and Conditions are violated, we reserve the right to refuse use of the Website to anyone for any reason at any time.
Your Content on the Website.
You are entirely responsible for the content (the "Content") that you submit, post and display on the Website, and any harm resulting from the submission, posting and display of the contents on the Website. These include, without limitation, posting material to the Website, posting links on the Website, commenting on the Website or otherwise making (or allowing any third party to make) material available via the Website. That is the case regardless of whether the Content constitutes data, text, files, information, images, screen names, graphics, photos, profiles, audio files, video files, audiovisual combinations, interactive features, musical works, works of authorship, applications, links, codes, scripts, computer software or other material. By making the Content available, you represent and warrant that:
• The proprietary rights, including but not limited to the copyright, patent, trademark, trade secret rights and other intellectual property rights of any third party in the Content will not be infringed by the copying, downloading and use of the Content;
• If the intellectual property rights or proprietary rights of the Contents belong to your employer, you must have either (i) received permission from your employer to post or make available the Content, including but not limited to any software, or (ii) secured from your employer a waiver as to all rights in or to the Content.
• Any third-party licenses relating to the Content must be fully complied with and successfully pass through to end users under any required terms and all royalties, fees and other monies owing to other persons and relating to the use of the Content must have been fully and duly settled;
• The Content is free from any bugs, viruses, worms, malware, trojan horses or other harmful or destructive content;
• The Content is not spam, is not machine- or randomly-generated, and does not contain unethical or unwanted commercial content designed to drive traffic to third party sites or boost the search engine rankings of third party sites, or to further unlawful acts (such as phishing) or mislead recipients as to the source of the material (such as spoofing);
• The Content does not contain any pornographic material, threats or material which incites aggression towards individuals or entities, and does not infringe
We may, but has no obligation to, remove the Content and the Stickstagram Account(s) containing Content that, in our sole discretion, are unlawful, offensive, threatening, libelous, defamatory, obscene or otherwise objectionable or violates the intellectual property rights or other proprietary rights of others, the Agreement (in particular, these Terms and Conditions) and the Instagram™ Terms and Conditions.
Our right to use Your Content on Website.
We do NOT claim ANY ownership rights in the Content that you submit, post and display on or via the Website. By submitting, posting and displaying any Content on or via the Website, you hereby grant to us a non-exclusive, fully paid and royalty-free, worldwide, limited license to use, modify, adapt, delete from, add to, publicly perform, publicly display, reproduce, transmit, store, translate, publish, broadcast, distribute, sell or otherwise exploit such Content, including without limitation, the adaptation, reproduction and distribution of part or all of the Content in any media formats through any media channels.
Visitors' Activities on the Website.
We have not evaluated, and cannot evaluate, all of the Contents posted by visitors (i.e. persons assessing the Website and without a Stickstagram Account) to the Website ("Visitors' Contents"), and will not be responsible for the Visitors' Contents or their use or effects. By using the Website, we do not stand for or imply that we supports the Visitors' Contents, or that we believe such Visitors' Contents to be accurate, useful or without harm. You are responsible for taking precautions as necessary to defend yourself and your computer systems from bugs, viruses, worms, trojan horses, and other harmful or destructive content. The Website may contain Visitors' Contents that are offensive, indecent, or otherwise objectionable, as well as containing technical inaccuracies, typographical mistakes, and other errors. The Website may also contain Visitors' Contents that violate the privacy or publicity rights, or breach the intellectual property and other proprietary rights, of third parties, or the downloading, copying or use of which are subject to additional terms and conditions, express or implied. We disclaim any and all responsibility for any harm resulting from the use by visitors of the Website, the submission, posting and display of Visitors' Content on the Website or from any downloading by those visitors of any Content on the Website.
Your Payment / Orders on the Website.
The orders placed on the Website are subjecting to being charged with import fees, taxes, custom duties, related package handling fees and/or any other relevant charges required by the corresponding designated country and/or the organization(s) that handle(s) the shipment / delivery of the orders. None of these charges are included in the price that you pay on the Website. Items cannot be sent as gifts, and your purchase may or may not have these charges, depending on the policies of the designated country and/or the organization(s) that handle(s) the package. If any of the said charges apply, you may need to pay for them to the respective collection authority in advance of receiving your purchase. You should check with any related authority of your country (or the designated country of the order) for any charges required to receive the goods you order from Stickstagram. Stickstagram is not responsible for any of these charges, and would not refund on item(s) returned to us due to unaccepted / undelivered and/or any other reasons unless otherwise agreed with Stickstagram in advance.
Furthermore, since products from Stickstagram are highly customized and tailor-made for individual customized and tailor-made for individual customers, products cannot be returned for refund. If you are not satisfied by defects on the products (such as scratched printing), please contact our customer services team for assistance and the team will investigate the problem and arrange an exchange of the product with a new one if necessary.
Shipping / Delivery of Your Order.
The delivery type "Standard Shipping" is done via international registered articles while the type "Express Mail (EMS)" is sent via Express Mail Service. Both of the delivery types are to be carried out by the national postal service when the articles arrive in the destination country.
The way the package is presented to the recipient will depend on the postal service provided in the designated country. Most of the time packages are delivered by postman to the address and require the recipient to sign to receive the package. However, this may not be applicable to some countries or particular areas in the country and recipients may sometimes be required to pick up the package from the postal service's office. Please contact the national postal service of your country to check the way packages are delivered.
Since shipping is often affected by the processing time of the Customs and delivery standard in the destination country,the estimated delivery date indicated on the Web site is strictly for reference only and shall not be regarded as a commitment. Stickstagram does not guarantee orders to be delivered by a particular time, and shall not be liable for any direct / indirect loss caused by delivery issues. If there is a necessity to check the status of the article in the destination country with local postal service, you will need to carry out the enquiry on your own and Stickstagram will not be responsible for any fees (such as communications) incurred.
Availability of the Website.
Although we aim to offer you the best service possible, we make no promise that the services at the Website will meet your requirements. We cannot guarantee that the services will be fault-free. If a fault occurs with the Website you should report it email@example.com and we will attempt to correct the fault as soon as it reasonably can. Your access to the Website may be occasionally restricted to allow for repairs, maintenance or the introduction of new facilities or services. We will attempt to restore the service as soon as we reasonably can.
Third Party Websites.
The Website includes links to other websites and webpages ("Third Party Websites"). We have not reviewed, and cannot review, all of the material made available through the Third Party Websites to which the Website links and that link to the Website. We do not have any control over the Third Party Websites, and will not be responsible for their contents, use, privacy policies, or practices. By linking to a Third Party Website, we do not represent or imply that we endorse such Third Party Website. You are responsible for taking precautions as necessary to protect yourself and your computer systems from viruses, worms, trojan horses, and other harmful or destructive content. We disclaim any and all responsibility for any harm resulting from your use of the Third Party Websites.
We reserve the right to amend the Agreement (in particular, these Terms and Conditions) from time to time for legal or regulatory reasons or to allow the proper operation of the Website. Any material changes in the Agreement (in particular, these Terms and Conditions) will be notified to you via the email address provided by you on registration or published via a suitable announcement on the Website. You should nonetheless periodically review the up-to-date version of these Terms and Conditions available at [*]. The changes will apply to the use of the Website immediately after such notice has been given. What constitutes a material change will be determined at our sole discretion. If you do not wish to accept any of the new Agreement, you must not continue to use the Website. If you continue to use the Website after the positing of the amendments on the Website, your use of the Website constitutes your agreement to be bound by the new Agreement (in particular, the new Terms and Conditions). We may also, in the future, offer new services and/or features through the Website (including, the release of new tools and resources). Such new features and/or services shall be subject to the Agreement (in particular, the Terms and Conditions).
Site Errors.
In the event a product is listed on the Website at an incorrect price or with incorrect information, orders for such products will be revised to reflect the correct price or information. We reserve the right to reject any orders placed on the site.
You agree to indemnify and hold harmless, to the fullest extent permitted under the applicable law, the Company, our contractors, licensors and licensees, and our/their respective directors, officers, members, employees and agents from and against any and all claims, demands, disputes, actions, proceedings, causes of action, judgments, damagers, losses, liabilities, costs or expenses (including without limitation, attorneys' fees and expenses, and all costs and expenses incurred in the recovery of the aforesaid amounts), arising out of your use of the Website, including but not limited to your violation of the Agreement (in particular, the Terms and Conditions) and the Instagram™ Terms and Conditions.
Disclaimer of Warranties.
The Website is provided "as is". We, our suppliers, licensors and licensees hereby disclaim all warranties of any kind, express or implied, including, without limitation, the warranties of merchantability, fitness for a particular purpose and non-infringement of any intellectual property rights, other proprietary rights or statutory requirements. Neither we nor our suppliers, licensors or licensees make any warranty that the Website will be error free or that access thereto will be continuous or uninterrupted. You will download from, or otherwise obtain content or services through, the Website at your own discretion and risk.
Stickstagram 's liability.
You understand that when using the Website, you will be exposed to content from internet sites or sources outside the Website, and that we are not responsible for the accuracy, usefulness, safety, or intellectual property rights of or relating to such content. You further understand and acknowledge that you may be exposed to content that is inaccurate, offensive, indecent or objectionable, and you agree to waive any legal or equitable rights or remedies you have or may have against us with respect to the aforesaid, and, to the fullest extent permitted under the applicable law, agree to indemnify and hold harmless the Company, our contractors, licensors and licensees, and our/their respective directors, officers, members, employees and agents to the fullest extent allowed by law regarding all matters relating to your use of the Website. Further, if we are in breach of these Terms and Conditions, we will only be responsible for any loss that you suffer as a result to the extent they are a foreseeable consequence to both we and you at the time you use the Website. Our liability shall not in any event include business losses such as lost data, lost profits or business interruption, but shall not limit or affect our liability resulting from any products sold through the Website being found to be unsafe or if something we do negligently causes death or personal injury.
Limitation of Liability.
To the fullest extent permitted under the applicable law, in no event will the Company, our contractors, licensors and licensees, and our/their respective directors, officers, members, employees and agents be liable with respect to any subject matter of the Agreement (in particular, the Terms and Conditions) under any contract, negligence, strict liability or other legal or equitable theory for: (i) any special, incidental, punitive losses or expenses or consequential damages; (ii) the cost of procurement or substitute products or services; (iii) for interruption of use or loss or corruption of data; or (iv) for any amounts that exceed the fees paid to us by you during the twelve (12) month period prior to the accrual of the cause of action. We shall have no liability for any failure or delay due to matters beyond our reasonable control.
Advertising and Sponsorship.
Part of the Website may contain advertising and sponsorship material. Advertisers and sponsors are responsible for ensuring that material submitted for inclusion on the Website complies with the relevant law. We will not be responsible to you for any error or inaccuracy in advertising or sponsorship material posted on the Website.
No partnership.
We and you shall be and act independently and not as partner, joint venturer, agent, employee or employer of the other. You shall not have any authority to assume or create any obligation for or on behalf of the Company, express or implied, and you shall not attempt to bind us to any contract.
General Representation and Warranty.
You represent and warrant that your use of the Website will be in strict accordance with our privacy policy, the Agreement (in particular, these Terms and Conditions) and all applicable laws and regulations (including without limitation any local laws or regulations in your country, state, city, or other governmental area, regarding online conduct and acceptable content, and including.


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Shopping Index » Supplies
« Previous | 1 | 2 | Next »
Swarovski Crystal 3.5 mm
20 crystals per package
Flat back rhinestone crystals in clear or jet black
Swarovski Crystal 6 mm
10 crystals per package
Swarovski Crystal 5 mm
20 crystals per package
Swarovski Crystal 2.5 mm
Two 1" wood domes, bails, jump rings and earring findings
One 2 1/4" wood dome and bail.
Black or Silver 18 inch ball chain.
Americana Matte Decou-Page is a glue for mix media, seals paper to cardboard, paper mache, wood and more. The one I use to attached inked and mixed media projects to a surface.
Copyright © 2012
Web World Plus, LLC

subset: commoncrawl


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We're sorry,
This course is not currently open for online registration
Please contact us for more information regarding its availability at
email@example.com or 306.966.5539
Non-Credit Online Course
As organic farming continues to grow, farmers respond to the lucrative and expanding world market for healthy organic food, grown in an environmentally sustainable manner. To succeed in organic farming, producers need to develop systems based on the biological and ecological relationships of their farms. Weed control is an important component in organic management.
Course curriculum covers:
University of Saskatchewan students who wish to take this course as credit toward their degree must register through their PAWS account.
Cancellation Policy: A full refund will be issued, minus a $60.00 + GST administrative fee prior to the University of Saskatchewan issuing online course access (NSID) and password to the student. A 50% refund will be issued, minus a $60.00 + GST administrative fee within 10 business days after receiving online access (NSID) and password. No refund will be issued after 10 business days of receiving online access (NSID) and password.
Course Code: AGAG500


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Cabin Creek Landing Bed and Breakfast
Cabin Creek Landing Bed & Breakfast is a secret gem located in Northwest Montana. It is located on Cabin Creek Landing which is a private airport in Marion, Montana. This is a perfect place for you if you want to start your day waking up in the most comfortable bed and luxurious sheets and enjoy freshly baked scones, full gourmet breakfast, and a delicious cup of coffee.
Visit the official website: http://www.cabincreekbb.com/


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1/2 pound bacon
1 medium onion (chopped)
8-10 eggs (lightly beaten)
4 cups frozen, shredded hash browns (thawed)
1 1/2 cup (8 oz.) shredded cheddar cheese
1 1/2 cup (12 oz.) cottage cheese
Brown bacon and onion until crisp. Drain and break bacon into small pieces in a large bowl. Combine remaining ingredients. Stir in bacon and onion. Transfer to a 9"x13" pan sprayed with Pam. Bake uncovered 350 degrees for 35 to 40 minutes or until knife inserted near the center comes out clean. Let stand 10 minutes before cutting. Serves 12.
Potatoes can be replaced with shredded summer squash and hash browns can be replaced with tater tots. And turkey bacon or sausage can be substituted for bacon.


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Our Process begins by understanding your business goals, and identifying challenges known & unknown. We work to immediately identify urgent issues, while developing and managing a strategy tailored to realize your business goals.
With a well defined roadmap, your program is ready for ignition. Our team will carry out the implementation of your strategy while configuring the tools to measure its success.
Informed by continuous analysis, your program is refined and improved to accelerate achievement of your goals and to help you sleep better at night.
Our process uncovers insights and reveals opportunity. Achieving your goals is only the beginning.


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Peter Andre and wife Emily bag first presenting gig together on This Morning — as they revisit romantic honeymoon destination for travel specials
Couple will go back to the place they celebrated their love for the travel segment on a stunning Greek island as Emily kicks off her TV career
PETER Andre and his wife Emily have landed a top presenting job on This Morning which will see them visit their idyllic honeymoon destination.
The pop star, 44, and doctor, 27, are fronting travel specials beginning on Thursday's episode, which will see them travel to Santorini, Greece.
The power couple, who have a daughter called Amelia and son called Theo, will be seen jumping on quad bikes, trying to make Santorini dish Tomatokeftdes and canoodling like the lovebirds they are.
A source from the show said: "This will be the first time viewers will have such an insight into their relationship and witness them fronting films together for This Morning.
"Their natural chemistry is hugely endearing as they relive their dream honeymoon destination — when Emily mocks Pete for his 'dad jokes'!"
Most Read in Tv and SHowbiz
The second part of the romantic travel special will air next week and now it looks like Emily's keen to get into TV presenting like her other half.
Emily and Peter wed in July 2015 after three years together and now act as parents to Peter and Katie Price's kids Junior and Princess as well as their own children.
But despite their harmonious relationship, Emily recently spoke out on the brutal criticism she received for snapping back into shape after the birth of her children.
- This Morning airs weekdays from 10.30am on ITV.
Got a story? email mailto:email@example.com or call us direct on 02077824220


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How Your Cars Suspension Works by: Kevin Schappell
"Suspension," when discussing cars, refers to the use of front and rear springs to suspend a vehicle's "sprung" weight. The springs used on today's cars and trucks are constructed in a variety of types, shapes, sizes, rates, and capacities. Types include leaf springs, coil springs, air springs, and torsion bars. These are used in sets of four for each vehicle, or they may be paired off in various combinations and are attached by several different mounting techniques. The suspension system also includes shocks and/or struts, and sway bars.
Back in the earliest days of automobile development, when most of the car's weight (including the engine) was on the rear axle, steering was a simple matter of turning a tiller that pivoted the entire front axle. When the engine was moved to the front of the car, complex steering systems had to evolve. The modern automobile has come a long way since the days when "being self-propelled" was enough to satisfy the car owner. Improvements in suspension and steering, increased strength and durability of components, and advances in tire design and construction have made large contributions to riding comfort and to safe driving.
Cadillac allegedly produced the first American car to use a steering wheel instead of a tiller.
Two of the most common steering mechanisms are the "rack and pinion" and the standard (or recirculating-ball) systems that can be either manual or assisted by power. The rack and pinion was designed for sports cars and requires too much driver muscle at low speeds to be very useful in larger, heavier cars. However, power steering makes a heavy car respond easily to the steering wheel, whether at highway speeds or inching into a narrow parking place, and it is normal equipment for large automobiles.
The suspension system has two basic functions, to keep the car's wheels in firm contact with the road and to provide a comfortable ride for the passengers. A lot of the system's work is done by the springs. Under normal conditions, the springs support the body of the car evenly by compressing and rebounding with every up-and-down movement. This up-and-down movement, however, causes bouncing and swaying after each bump and is very uncomfortable to the passenger. These undesirable effects are reduced by the shock absorbers.
The above information is directly from the Auto Insight program, which you can buy online from AutoEducation.com.
Common Problems:
Preventive maintenance:
About The Author
Kevin Schappell maintains http://www.carbuyersclub.com where he gives advice on buying, selling, insurance, and financing. A mechanical engineer and car guy, Kevin has decided to spend his online time helping others learn about automobiles. To learn more about how your car works, Kevin has created http://www.mycarwizard.com.


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DetailsFeatures shorter treatment times while maintaining the same efficient drug delivery. The new soft jet technology delivers greater than 65percent of the medication in the respirable range while speeding delivery by up to 20 percent. The Clear-View window allows the user to easily view the medication level remaining. New ergonomic design provides for improved ease of use and care.
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Additional Information
Manufacturer Pari Respiratory
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- Community Q&A
Product QuestionsWhat is the shipping charge for 2(EACH) PARI LC Sprint NEBULIZERS ?Question by: Gerald Evert on Dec 29, 2017 9:38:00 AMShipping costs are subject to change and is based on a number of factors. If you'd like to know the shipping cost for one of our items, place it in the cart and go to our checkout page. A variety of shipping options are available, along with their prices.Answer by: Shain Gillet (Admin) on Jan 17, 2018 2:00:00 PMIs this one dishwasher safe and boilable?Question by: mary on Aug 27, 2016 9:52:55 AMThis item is dishwasher safe and can be boiled, according to the manufacturer.Answer by: Shain Gillet (Admin) on Dec 2, 2016 2:48:00 PMDo they come with tubing?Question by: Susan Turrell on Jul 16, 2016 4:59:00 PMThis item does not come with tubing. There are other nebulizers available that have tubing available, or the tubing can be purchased separately.Answer by: Shain Gillet (Admin) on Oct 21, 2016 9:24:00 AMMust this nebulizer be paired with the Pari Trek compressor? or can it be used with other compressors like the Pari Vios?Question by: Eric on Jun 18, 2015 9:20:19 AMI use it with Pari ViosAnswer by: Louise on May 1, 2016 6:51:26 PM
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Hank 07/196/2017
Pari LC Sprint nebulizer
It was more than I expected, especially at this price. I was using the older Pari nebulizer and found this model superior in the amount of medication it delivered in less time.
These were shipped and received on the date promised.
Thanks all
These were shipped and received on the date promised.
Thanks all
Leota Polston 01/14/2016
great product & delivery
very happy to get this excellent product. My husband likes these better than other neb cups. Can't get them from our supplier anymore. Excellent service! Next day delivery!
2 Item(s)


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Court:PUNJAB AND HARYANA HIGH COURT
Bench: JUSTICE MR. JUSTICE AJAY KUMAR MITTAL and MRS. JUSTICE SNEH PRASHAR.
Suman vs Gajender on 8 January 2015
Law Point:
False allegations by wife of illicit relationship of Husband were made and she had refused to consummate the marriage with husband. Mental cruelty caused to husband. Wife also abandoned the marital relationship without any reason amounting to desertion.
1. Delay of 7 days in refiling the appeal is condoned.
2. This appeal has been filed by the wife against the judgment and decree dated 16.9.2014 passed by the Additional District Judge, Family Court, Gurgaon whereby the petition filed by the husband- respondent under Section 13(1)(ia) and (ib) of the Act for dissolution of marriage by a decree divorce, was allowed.
3. Briefly stated, the facts necessary for adjudication of the instant appeal as narrated therein may be noticed. The marriage between the parties was solemnized on 21.4.2007 at village Sikanderpur Badha, Tehsil and District Gurgaon according to Hindu rites and ceremonies. As per the averments made in the petition, the appellant refused to consummate the marriage on the very first night, i.e. on 22.4.2007. When the respondent entered in the bed room, the GURBACHAN SINGH 2015.02.26 14:57 I attest to the accuracy and authenticity of this document High Court Chandigarh respondent had already prepared two separate beds and she did not permit him to approach her. She also threatened him to commit suicide in case he tried to force himself upon her. After some time, the respondent again approached the appellant but she refused to cohabit with him and declared that she did not want to be pregnant and was not ready to enjoy sex despite her capability and willingness of the respondent. When he tried to coax her, she started shouting and abusing him and called her parents telephonically. In the presence of all family members, she humiliated the respondent by levelling false allegations that he had tried to force upon her. On the next day, the parents of the appellant approached the respondent in his office and threatened his family with dire consequences. They took away the appellant to their house. The respondent approached the parents of the respondent after a week to take her back but the father of the appellant refused to send her. After some days, the respondent and his family again approached the appellant and persuaded her to return to her matrimonial home. On return, the appellant complained of being sick and wanted to be treated from the doctor in her own village. She refused to take medical aid from any other doctor. She did not perform any household chores. On her insistence for visiting her village doctor, the respondent took her there. On reaching the village, she refused to go to the doctor without visiting her family. At her house, she claimed that she was alright and not sick and wanted to stay with her parents for a few days. The respondent then returned back to his home. On the next day, on the occasion of Karvachauth, the brother of the appellant approached the respondent with customary gifts but there was an altercation between them and they refused to send back the appellant. GURBACHAN SINGH 2015.02.26 14:57 I attest to the accuracy and authenticity of this document High Court Chandigarh During the entire period of their married life, the appellant never cohabited with the respondent. She had taken away all her jewellery and other valuables including those gifted to her by the respondent's family. All the efforts to settle the matter had failed but she had returned at the instance of the panchayat. She refused to join the company of the respondent or to consummate the marriage with him. The respondent brought this fact to the notice of her mother but her mother and brother took her away on the pretext of resolving the matter. She stayed there for a few months. She was again left in the matrimonial house in 2009 by her father and some others but once again she returned to her parental house after few days. She had only stayed in her matrimonial house for about 15 days in all and during this period, her behaviour was rude and cruel towards every one. Even the respondent and his family members were involved in criminal case bearing FIR No. 259 dated 29.10.2010, registered under Sections 406, 498-A, 506/34 of the Indian Penal Code at Police Station Kherki Daula. She also filed a petition under Section 125 of the Code of Criminal Procedure. Accordingly, the respondent filed a divorce petition. The said petition was contested by the appellant by filing a written statement. Besides raising various preliminary objections, it was pleaded that sufficient dowry was given at the time of the marriage. The respondent and his family members used to harass and humiliate her as they were dissatisfied with the dowry given to them. It was pleaded that the respondent had illicit relations with someone else and whenever she objected to the said relationship, she was given beatings in the presence of his family members. It was further pleaded that her father convened a panchayat and under pressure of the panchayat, she was accepted back on 3.9.2010 but was GURBACHAN SINGH 2015.02.26 14:57 I attest to the accuracy and authenticity of this document High Court Chandigarh again thrown out on the following day after being beaten. The other averments made in the petition were denied and a prayer for dismissal of the same was made. From the pleadings of the parties, the court below framed the following issues:-
1. Whether the petitioner is entitled for a decree of divorce on the grounds as mentioned in the petition? OPP
2. Relief.
4. In support of his case, the respondent besides examining himself as PW1 also placed on record a copy of judgment dated 4.1.2014 as Ex.P1 and statements of Suman as Ex.P2 and Tirath Ram as Ex.P3. On the other hand, the appellant in support of her case examined herself as RW1 and her brother Tirath Ram as RW2.
5. The trial court on appreciation of evidence led by the parties, decided issue No.1 in favour of the respondent holding that the respondent was subjected to mental cruelty by the appellant as she had refused to consummate the marriage with him and had also alleged that he was involved in an extra marital relationship. Further, the appellant abandoned the marital relationship without any reason which amounted to desertion. Accordingly, the trial court vide judgment and decree dated 16.9.2014 allowed the divorce petition filed under Section 13 (1)(ia) and (ib) of the Act by the husband by passing a decree of divorce. Hence, the present appeal by the wife.
6. Learned counsel for the appellant submitted that due to cruel behaviour of the respondent towards the appellant, there was no physical relationship between the parties. Learned counsel further submitted that the respondent had failed to prove that he was treated GURBACHAN SINGH 2015.02.26 14:57 I attest to the accuracy and authenticity of this document High Court Chandigarh with cruelty and desertion by the appellant.
7. After hearing learned counsel for the appellant, we do not find any merit in aforesaid submissions.
8. The court below while rejecting the aforesaid contentions of the appellant had recorded as under:-
"14. It may also be pointed out here that where false allegations are made by the wife regarding the conduct of the husband especially pertaining to his illicit relations it amounts to mental cruelty. This view was taken by the Hon'ble Himachal Pradesh High Court in Rajna Choudhary versus Raghubir Singh 2012 (1) Civil Court Cases 347 (H.P.) as well as by the Hon'ble Apex court in Vishwanath s/o Sitaram Agrawal vs. Sau. Sarla Vishwanath Agrawal, 2012 (3) Civil Court Cases 292 (S.C.). In the instant case also, the respondent had mentioned in her written statement that the petitioner was having an extra marital affair. The respondent has failed to substantiate this contention in any manner. In fact, while deposing as RW1 she did not even reiterate this assertion and her brother Tirath Ram (RW2) also did not utter a single word in this regard. It is, therefore, apparent that this was a frivolous plea raised by her just for the sake of opposing the petitioner's claim. However, it would have caused much mental trauma to him.
15. In view of the foregoing discussion, it is GURBACHAN SINGH 2015.02.26 14:57 I attest to the accuracy and authenticity of this document High Court Chandigarh apparent that the petitioner has been subjected to much mental cruelty by the respondent in so far as she has refused to let the marriage be consummated and has also alleged that he is involved in an extra marital relationship. It is also apparent that she has abandoned the marital relationship without any reason which amounts to desertion. Though she had levelled allegations of demand of dowry, she has failed to substantiate the same. Thus, this issue is decided in favour of the petitioner and it is held that he is entitled to a decree for divorce as prayed for."
9. The Apex Court in Shobha Rani v. Madhukar Reddi, (1988) 1 SCC 105, while dealing with cruelty under Section 13(1)(ia) of the Act, had observed that cruelty has not been defined in the Act. It may be mental or physical, intentional or unintentional. In case of physical cruelty, the court will have no problem to determine it which is a question of fact and degree. Where cruelty is mental, certain difficulty arises to reach to any conclusion in that regard. Thereafter, the Bench proceeded to state as follows: –
"First, the enquiry must begin as to the nature of the cruel treatment. Second, the impact of such treatment on the mind of the spouse. Whether it caused reasonable apprehension that it would be harmful or injurious to live with the other. Ultimately, it is a matter of inference to be drawn by taking into account the nature of the conduct and its effect on the complaining spouse. There may, however, be cases where the GURBACHAN SINGH 2015.02.26 14:57 I attest to the accuracy and authenticity of this document High Court Chandigarh conduct complained of itself is bad enough and per se unlawful or illegal. Then the impact or the injurious effect on the other spouse need not be enquired into or considered. In such cases, the cruelty will be established if the conduct itself is proved or admitted."
10. In the present case, false allegations of illicit relations of the husband were made by the wife which would amount to mental cruelty. The appellant in her written statement had mentioned that the respondent was having an extra marital affair but she had failed to substantiate the said allegation in any manner. She while appearing as RW1 did not reiterate this assertion and her brother Tirath Ram (RW2) also did not utter a single word in this regard. Further, the appellant had refused to consummate the marriage with the respondent. This would also result in mental cruelty to the respondent-husband as the marital obligation was not being performed by the appellant-wife. She also abandoned the marital relationship without any reason which amounted to desertion. The trial court had, thus, rightly granted a decree of divorce to the respondent-husband on the ground of cruelty and desertion. Learned counsel for the appellant was unable to demonstrate that there was any error or perversity in the findings recorded by the trial court which may warrant interference by this Court. Accordingly, finding no merit in the appeal, the same is hereby dismissed.
11. There is a delay of 36 days in filing the appeal. CM No. 346-CII of 2015 has been filed for condonation of 36 days' delay in filing the appeal. Since the appeal has been dismissed on merits, no further orders are required to be passed in the application for condonation of delay in filing the appeal and the same is disposed of as such. GURBACHAN SINGH 2015.02.26 14:57 I attest to the accuracy and authenticity of this document High Court Chandigarh
12. An application bearing CMM No. 6 of 2015 has been filed under Section 24 of the Act for grant of maintenance pendente-lite and litigation expenses during the pendency of the appeal. Since the main appeal has been dismissed in limine, CMM No.6 of 2015 is also dismissed.
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Jazz Discography Project: Contents
Free/Open Modern Jazz Discography Projects
List of jazz musicians:
Adderley, Cannonball [Julian Edwin] (born Tampa, FL, September 15, 1928; died Gary, IN, August 8, 1975) alto saxophonist.
Ammons, Gene [Eugene; Jug] (born Chicago, IL, April 14, 1925; died Chicago, IL, August 6, 1974) tenor saxophonist.
Ayler, Albert (born Cleveland, OH, July 13, 1936; died New York, November between 5 and 25, 1970) tenor saxophonist.
Baker, Chet [Chesney Henry] (born Yale, OK, December 23, 1929; died Amsterdam, Netherlands, May 13, 1988) trumpeter and singer.
Blakey, Art [Buhaina, Abdullah ibn] (born Pittsburgh, PA, October 11, 1919; died New York, October 16, 1990) drummer.
Brooks, Tina [Harold Floyd] (born Fayetteville, NC, June 7, 1932; died New York, August 13, 1974) tenor saxophonist.
Brown, Clifford [Brownie] (born Wilmington, DE, October 30, 1930; died Pennsylvania, PA, June 26, 1956) trumpeter.
Brubeck, Dave [David Warren] (born Concord, CA, December 6, 1920; died Norwalk, CT, December 5, 2012) pianist.
Bryant, Ray [Raphael] (born Philadelphia, PA, December 24, 1931; died New York, June 2, 2011) pianist.
Byrd, Donald(son Toussaint L'Ouverture, II) (born Detroit, MI, December 9, 1932; died Dover, DE, February 4, 2013) trumpeter.
Clark, Sonny [Conrad Yeatis] (born Herminie, near Elizabeth, PA, July 21, 1931; died New York, January 13, 1963) pianist.
Coleman, Ornette (born Fort Worth, TX, March 9, 1930; died New York, June 11, 2015) alto saxophonist.
Coltrane, John (William) [Trane] (born Hamlet, NC, September 23, 1926; died Huntington, New York, July 17, 1967) tenor and soprano saxophonist.
Corea, Chick [Armando Anthony] (born Chelsea, MA, June 12, 1941) pianist.
Criss, Sonny [William] (born Memphis, TN, October 23, 1927; died Los Angeles, CA, November 19, 1977) alto saxophonist.
Davis, Miles (Dewey, III) [Prince of Darkness] (born Alton, IL, May 26, 1926; died Santa Monica, CA, September 28, 1991) trumpeter.
Desmond [Breitenfeld], Paul (Emil) (born San Francisco, November 25, 1924; died New York, May 30, 1977) alto saxophonist.
Dolphy, Eric (Allan) (born Los Angeles, CA, June 20, 1928; died Berlin, West Germany, June 29, 1964) alto saxophonist.
Donaldson, Lou (born Badin, NC, November 1, 1926) alto saxophonist and singer.
Dorham, Kenny [McKinley Howard] (born near Fairfield, TX, August 30, 1924; died New York, December 5, 1972) trumpeter.
Drew, Kenny [Kenneth Sidney] (born New York, August 28, 1928; died Copenhagen, Denmark, August 4, 1993) pianist.
Evans, Bill [William John] (born Plainfield, NJ, August 16, 1929; died New York, September 15, 1980) pianist.
Flanagan, Tommy (Lee) (born Detroit, MI, March 16, 1930; died New York, November 16, 2001) pianist.
Garland, Red [William M.] (born Dallas, TX, May 15, 1923; died Dallas, TX, April 23, 1984) pianist.
Getz, Stan(ley) (born Philadelphia, PA, February 2, 1927; died Malibu, near Los Angeles, CA, June 6, 1991) tenor saxophonist.
Gillespie, Dizzy [John Birks] (born Cheraw, SC, October 21, 1917; died Englewood, NJ, January 6, 1993) trumpeter.
Gordon, Dexter (Keith) (born Los Angeles, CA, February 27, 1923; died Philadelphia, PA, April 25, 1990) tenor saxophonist.
Green, Grant (born St. Louis, MO, June 6, 1931; died New York, January 31, 1979) guitarist.
Griffin, Johnny [John Arnold, III; Little Giant] (born Chicago, IL, April 24, 1928; died Mauprevior, France, July 25, 2008) tenor saxophonist.
Haig, Al(lan Warren) (born Newark, NJ, July 22, 1924; died New York, November 16, 1982) pianist.
Hawes, Hampton (born Los Angeles, CA, November 13, 1928; died Los Angeles, CA, May 22, 1977) pianist.
Henderson, Joe [Joseph A.] (born Lima, OH, April 24, 1937; died San Francisco, CA, June 30, 2001) tenor saxophonist.
Jackson, Milt(on) [Bags] (born Detroit, MI, January 1, 1923; died New York, October 9, 1999) vibraphonist.
Jarrett, Keith (born Allentown, PA, May 8, 1945) pianist.
Jones, Elvin (Roy) (born Pontiac, MI, September 9, 1927; died New Jersey, May 18, 2004) drummer.
Jones, Philly Joe [Joseph Rudolph] (born Philadelphia, PA, July 15, 1923; died Philadelphia, PA, August 30, 1985) drummer.
Jordan, Duke [Irving Sidney] (born New York, April 1, 1922; died Copenhagen, Denmark, August 8, 2006) pianist.
Kelly, Wynton (born Jamaica, December 2, 1931; died Toronto, ON, Canada, April 12, 1971) pianist.
Kirk, (Rahsaan) Roland (born Columbus, OH, August 7, 1936; died Bloomingto, IN, December 5, 1977) tenor saxophonist.
LaFaro, Scott (born Newark, NJ, April 3, 1936; died Geneva, NY, July 6, 1961) double bassist.
Little, Booker(, Jr.) (born Memphis, TN, April 2, 1938; died New York, October 5, 1961) trumpeter.
McLean, Jackie [John Lenwood, Jr.: Abdul Kareem, Omar Ahmed] (born New York, May 17, 1932; died Hartford, CT, March 31, 2006) alto saxophonist.
Metheny, Pat(rick Bruce) (born Lee's Summit, MO, August 12, 1954) electric guitarist.
Mingus, Charles(, Jr.) (born Nogales, AZ, April 22, 1922; died Cuernavaca, Mexico, January 5, 1979) double bassist and pianist.
Mobley, Hank [Henry] (born Eastman, GA, July 7, 1930; died Philadelphia, PA, May 30, 1986) tenor saxophonist.
Monk, Thelonious (Sphere) [Thelious Junior] (born Rocky Mount, NC, October 10, 1917; died Weehawken, NJ, February 17, 1982) pianist.
Montgomery, Wes [John Leslie] (born Indianapolis, IN, March 6, 1923; died Indianapolis, IN, June 15, 1968) guitarist.
Morgan, Lee (born Philadelphia, PA, July 10, 1938; died New York, February 19, 1972) trumpeter.
Navarro, Fats [Theodore] (born Key West, FL, September 24, 1923; died New York, July 7, 1950) trumpeter.
Newborn, Phineas(, Jr.) (born Whiteville, TN, December 14, 1931; died Memphis, TN, May 26, 1989) pianist.
Parker, Charlie [Charles, Jr.; Bird; Chan, Charlie; Yardbird] (born Kansas City, KS, August 29, 1920; died New York, March 12, 1955) alto saxophonist.
Pearson, Duke [Columbus Calvin, Jr.] (born Atlanta, GA, August 17, 1932; died Atlanta, GA, August 4, 1980) pianist.
Pepper, Art(hur Edward, Jr.) (born Gardena, CA, September 1, 1925; died Panorama, CA, June 15, 1982) alto saxophonist.
Peterson, Oscar (Emmanuel) (born Montreal, QC, Canada, August 15, 1925; died Mississauga, ON, Canada, December 23, 2007) pianist.
Powell, Bud [Earl] (born Harlem, NY, September 27, 1924; died New York, July 31, 1966) pianist.
Roach, Max(well) (born New Land, NC, January 10, 1924; died Manhattan, NY, August 16, 2007) drummer.
Rollins, Sonny [Theodore Walter; Newk] (born New York, September 9, 1930) tenor saxophonist.
Sanders, Pharoah [Farrell] (born Little Rock, AR, October 13, 1940) tenor saxophonist.
Scott, Shirley (born Philadelphia, PA, March 14, 1934; died Philadelphia, PA, March 10, 2002) organist.
Shepp, Archie (Vernon) (born Fort Lauderdale, FL, May 24, 1937) tenor saxophonist.
Shorter, Wayne (born Newark, NJ, August 25, 1933) tenor and soprano saxophonist.
Silver [Silva], Horace (Ward Martin Tavares) (born Norwalk, CT, September 2, 1928; died New Rochelle, NY, June 18, 2014) pianist.
Sims, Zoot [John Haley] (born Inglewood, CA, October 29, 1925; died New York, March 23, 1985) tenor saxophonist.
Timmons, Bobby [Robert Henry] (born Philadelphia, PA, December 19, 1935; died New York, March 1, 1974) pianist.
Tristano, Lennie [Leonard Joseph] (born Chicago, IL, March 19, 1919; died New York, November 18, 1978) pianist.
Turrentine, Stanley (William) (born Pittsburgh, PA, April 5, 1934; died New York, September 12, 2000) tenor saxophonist.
Tyner, (Alfred) McCoy [Saud, Sulaimon] (born Philadelphia, PA, December 11, 1938) pianist.
Waldron, Mal(colm Earl) (born New York, August 16, 1926; died Brussels, Belgium, December 2, 2002) pianist.
List of record labels:
Atlantic Records (founded New York, 1947; Herb Abramson and Ahmet Ertegun) record company and label.
Bethlehem Music Corp. (founded New York, fall 1953; Gustav Wildi) record company and label.
Blue Note Records (founded New York, January 6, 1939; Alfred Lion) record company and label.
Candid Records (founded New York, 1960; Archie Bleyer and Nat Hentoff) record label.
Contemporary Records (founded Los Angeles, CA, 1951; Lester Koenig) record company and label.
CTI Records (founded New York, 1967; Creed Taylor) record company and label.
Debut Records (founded New York, 1952; Charles, Celia Mingus and Max Roach) record company and label.
Dial Records (founded Hollywood, CA, 1946; Ross Russell) record company and label.
ECM Records (founded Munich, Germany, 1969; Manfred Eicher) record company and label.
ESP-Disk' (founded New York, 1963; Bernard Stollman) record company and label.
Impulse! Records (founded New York, 1960; Creed Taylor and Bob Thiele) record company and label.
Mercury Records (founded New York, around 1945; Irving Green, Berle Adams and Arthur Talmadge) record company and label.
Pablo Records (founded Los Angeles, CA, 1973; Norman Granz and Pablo Picasso) record company and label.
Pacific Jazz Records (founded Los Angeles, CA, 1952; Richard Bock and Roy Harte) record company and label.
Prestige Records (founded New York, 1949; Bob Weinstock) record company and label.
Riverside Records (founded New York, summer 1952; Bill Grauer and Orrin Keepnews) record company and label.
Savoy Records (founded Newark, NJ, late 1942; Herman Lubinsky and Ozzie Cadena) record company and label.
Verve Records (founded Los Angeles, CA, 1956; Norman Granz) record company and label.


text: Source: (2007) In Emmanuel Clapsis, ed., Violence and Christian Spirituality An Ecumenical Conversation. Geneva, Switzerland: World Council of Churches. Pp. 268-276."...This is the peace of Christ which can characterize our life even when we find ourself surrounded by turmoil and confronted with difficulties. It is an inner state of wellbeing which is present even in the face of disappointment, sickness, sorrow or troubles. A particular quality of persons who abide in this kind of peace is a strong yet subtle wholeness of character. While maintaining their personal uniqueness, these persons are not easily swayed with the fickle fads and priorities which sometimes mark the society around us. Under no circumstances do these persons of peace make others of good will feel religiously inferior or spiritually shamed. Rather than projecting to others contrived impressions of religiosity, spirituality or peace, these persons experss a peaceful and loving presence. These persons bear within themselves a kind of wholesomeness which is essential to their being." (abstract)


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How to Shutdown Windows 10 PC using Power Button
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Some geeks always want to try something new and something tricky to do the same task. It could be boring if you do the same task again and again with the same method. To make it interesting, we should always try to figure out different ways to execute the same task. Have you ever tried
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There are so many websites that were designed for earlier versions of Internet Explorer might not display correctly in IE8, IE9, IE10, or IE11. When you turn on Compatibility View, the web-page you're viewing, as well as any other web-pages within the website's domain will be displayed properly in latest version of Internet Explorer. In
How to Find WiFi Password on Windows 7, 8 & 10
There are so many stores, restaurants, coffee shops, service stations and so on offer free WiFi facility. If you visit these places, you connect your laptop or computer to avail the free WiFi facility. When you connect with WiFi, your system creates a profile and stores the WiFi password. When you visit the place again,
How to Install Intel Processor Identification Utility?
Intel® Processor Identification Utility is used to show your system's processor information. This is just a 3 Step guide to identify your processor information. Download & Run the Utility Install in your system. Launch and Identify. Follow below step by step guide to install and check your system's processor information. Step-1: Download Intel® Processor Identification
How to Configure Gmail in Outlook 2007 – Step by Step Guide
This tutorial will help you to configure your Gmail account in Microsoft Office Outlook 2007. To get email from Gmail account to outlook, you need to enable POP settings in your Gmail Account. How to Configure Gmail in Outlook 2007? Step-1: First Enable POP settings in your Gmail Account. Open Microsoft Office Outlook 2007. Step-2:
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What is POP and IMAP? POP and IMAP allows you to download messages from Gmail's servers onto your computer so you can access your mail with a program like Microsoft Outlook or Thunderbird, even when you aren't connected to the Internet. It means you can read all your emails when you are offline. Microsoft Office


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So glad that I got to meet with Fay; a lovely blogger (go check out her blog!) for this Bites n Sips sesh. We actually planned to have a cafe date from the month of January and only yesterday we got the chance to finally meet up. 😅 We know each other from blog years ago and then became a real friend in real life! Now baby how fun blogging is, right? 😎
We decided to try this new cafe located in Riverson – The Walk; Hello Stranger.
We arrived exactly during lunchtime so we decided to ordered some quite heavy meals.
On our table: Banh Mi (Vietnamese Baguette) Lemongrass Grilled Chicken (RM13.90), Banh Mi Teriyaki Chicken (RM13.90), Chicken Summer Roll (RM10) with Caramel Macchiato (RM9) and Iced Hazelnut Latte (RM12).
My first impression on the baguette was, it looks dry and I thought it would taste just like any other cheap sandwich but I was wrong. I never been to Vietnam yet but I believed that banh mi has brought me to Vietnam cuz it tasted so good with strong flavors of asian fusion; juicy chicken & fresh veggies. We both highly recommend you to try this banh mi if you're planning to visit this cafe. 😋 Personally, I'm not a fan of spring/summer roll but it tasted great after a dip into the sauce.
Fay's boyfriend came and joined us a bit later, so they ordered another banh mi and some cakes. Carrot cheese cake which tasted so-so & Napoleon pastry-cake that I don't really wanted to eat because of the hard and crumble textures 😂. Tried Fay's viet phin iced coffee, and it was the best strong coffee ever! On my next visit, definitely will picked banh mi and viet phin! 😃
We ate and talked for a good two hours and definitely will set another date for another cafe sesh. There's a lot more great new cafes to hunt. 😁 Next time, hopefully Jessica will be able to join us. 😊
That's all for my Bites n Sips series this time and till my next post!
📍Block B-2, No. B-G-53A & B-G-63, The Walk Riverson, Kota Kinabalu, Sabah.
Love, Mich 💗


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Meaning behind 26. Paramore share their meanings and inspirations for the uandishi and recording of each new song on their newly released record, After Laughter. HD Wallpaper and background images in the Paramore club tagged: photo paramore after laughter 2017 tracklist songs meanings behind the scenes.
imewasilishwa na tooch
neno muhimu: Paramore, after laughter, 2017, tracklist, songs, meanings, behind the scenes


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Why is this Manchester City fan crying at Swansea? (with Vincent Price laugh-over!)
NB, MCFC fans – Sunday, March 11th, 2012
The image of the day in the Premier League was undoubtedly a soon-to-be famous Manchester City fan caught by the TV cameras having a good cry when he saw his team concede what turned out to be the only goal of the game at Swansea.
Far be it from us to criticise the modern football fan, but what the hell was this Manchester City fan crying about?
In the context of the match, City still had time to recover at least a point and would have equalised but for an excellent call by lineswoman Sian Massey with seconds remaining.
Surely the time to shed some tears was at full time in Wales?
Roberto Mancini's side have put together their first credible title challenge in the Premier League era – City last won the title in 1968 – and defeat at Swansea, whilst being a major blow, leaves them just a point behind with 10 games to go.
Let's not forget that Manchester City still have to host their great local rivals at the end of April and have assembled the most expensive squad in the history of English football.
Since the crying Manchester City fan can't have been this upset over a loss at Swansea, we welcome your witty and clever comments in the comments below since there must be something deeper than just simple defeat…


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Thursday, 1 September 2011
I love football. I love watching the game, talking about it and even writing about it. Above all else, I love playing it. Which is somewhat ironic given that I'm definitely worse at kicking a ball around than I am at any of the other things listed.
I was a latecomer to the sport. I only really got interested in the game because my friend Sean Bonnett was an avid Manchester United fan – at the age of eleven this seemed as good as a reason as any to start supporting them. But despite acquiring the full set of United's Pro Set Collector Cards, it was not shiny pictures of Clayton Blackmore and Mike Phelan which caused me to truly fall in love with the sport.
Having been persuaded by friends to go to my school's football practice I struck a perfect left foot volley. It was an acrobatic scissor kick which smashed into the back of the net. I beamed with joy. The PE teacher, Mr Kirkwood, told me I was 'a natural'. I wasn't.
Nobody takes up football at the age of eleven and goes on to be a great player. Too many of the basic tools are missing. And this is why my primary school football career consisted of one abortive game in goal (my next- door neighbour scored a very soft hat-trick past me), an appearance in the second XI which we won 7-1 and a few turn-outs for the first team when they were particularly desperate. But I didn't care. I was now a footballer.
Secondary school was a far less enjoyable affair. I was thoroughly committed to turning out every game but out year group was, quite frankly, fucking useless. I developed into a left –sided forward who flitted in and out of games and scored an occasional goal. We always lost. Heavily. In one extremely one-sided defeat I caught the ball on my own goal line. I'd simply given up. I wanted to get sent off but the referee merely awarded a penalty – he felt pity on me. The shame.
Far more enjoyable were the endless nights spent playing small sided games, World Cup or knockouts at school. As soon as the bell went for the end of the academic day we'd rush to the pitch and belt a ball around. I was fairly good in goal thanks largely to a flagrant disregard for my own clothes. I'd throw myself at anything, caring not one jot how much mud I ended up caked in. My mother was less enthusiastic. But even when playing outfield I ended up filthy. I modelled myself on Mark Hughes – determined to spank overhead kicks, diving headers and flying volleys into the onion bag. It was the aspect of the game I understood most.
Sadly, it's also the reason I never turned into a very good eleven-a-side player. The majority of our games were played into one goal on a tiny pitch. I never learned to make space for myself, appreciate the game, read the play. The focus was always on charging towards goal. It's hugely enjoyable, but it's never gonna turn you into Xavi.
Despite this I was usually one of the better players in games at school. I was also bright and well behaved. And as such I became captain of the school team. I got to choose the line-up – a move which guaranteed me a place up front whether I deserved it or not. But bright moments were few and far between. I once celebrated a thirty yard strike by piggybacking a teammate back to the halfway line only to realise that it never went in – one of our strikers actually scored the goal when the ball broke back off the crossbar.
Our most infamous incident occurred in a cup-tie. Two or three goals down at half-time, the gigantic defender who had marked me out of the game remarked that we 'were easy'. I responded with a classic retort: 'like your mum'. Sadly, it transpired that his mum had died very recently. I spent the second period leaping out of scything challenges and running away from a furious beast of centre half. Realising that I was too quick/cowardly to be caught, he instead launched a potentially leg-breaking challenge at a teammate making his return from a pinned ankle. A 21 man brawl ensued (our keeper bottled it). Our fixtures were cancelled for the rest of the season.
Realising that the school football team was always destined to be dogshit, I searched for a new place to play – and found it in the Driffield & District Football League. A few of my mates played for Forester's Athletic and soon I did too. I was never likely to be talent spotted, but I had my moments.
In the world of park football, multiple pitches are crammed together in close proximity. During one pre-season game, a bunch of my friends were playing on the pitch behind ours. Having had two perfectly legitimate goals ruled out for spurious offsides, I intercepted a slack backpass. With only the keeper to beat, I nonchalantly bent the ball into the bottom corner with the outside of my left foot. My buddies on the opposite pitch were waiting for a corner to be pinged into their box and were all facing our goal at just the right time: I bowed straight at them rather than celebrating with my own team.
That was probably the highlight of my career at Forester's. Lowlights included getting struck directly in the testicles after charging down a clearance. And scoring a goal with my nose. I don't remember that strike fondly: it was a deflection which cracked me in the face and plopped over the line.
And so on to university. There was never any chance of me showing sufficient dedication to play for a decent uni team. Instead I threw myself into a very amateur form of football as a way of making friends. Tragically, my first game resulted in a rocket being launched at my groin from approximately three yards. I bled from my penis. For days. I'm pleased to announce there was no long term damage.
Nowadays a play five-a-side twice a week. On Mondays I'm definitely one of the weaker performers. It's clear that some of the guys play regularly and to a decent level. They push short passes around, seeking space and bossing each other around the pitch. I do as I'm told, work pretty hard and occasionally impress even myself with a piece of skill or a fine pass. On Fridays I play with colleagues. Some of them are knocking on for sixty and the vast majority are older than me. Even at 31. I'm the quickest, the most skilful and I score the most goals: I've found my perfect pitch.
Posted by The Author at 15:51
Labels: Autobiography, Bridlington, Football, Manchester United, Mark Hughes
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BIG ANNOUNCEMENT-- Not sure if I've already shared this or not, but Tammie Head has agreed to answer our questions! So if you are on Day 1 or tracking right along with us, be sure to submit your questions. You can email them to me or comment with a question. This will happen in a couple more weeks after we finish the study. But I want to be able to get the questions to Tammie ASAP. Not sure if she will write them out and we will post them on the blog OR if I'll to a video interview with her.
Back to our Week 5 Conversation...
Anyone have a hard week going through this? Anytime relationships are involved, inevitably hurt is involved too. People are people and therefore there will always be issues. Always. Sometimes intended, and often times, most of it completely unintended yet still hurtful. This week I found myself tempted to rush through, to run from the steps Tammie wanted us to do. Forgiveness is a hard step. One that, we as Christians, typically rush through real quick but hardly ever really go through. But man does it feel so good when you finally face it. OK truthfully it's like working out-- it's a hurt so good kind of a feeling. If you feel like you didn't give this week your all, I really encourage you to walk through it again. There was some really rich material in there that, more than likely, will be the key to change your relationship with Jesus... and your relationships with others too.
Be sure to watch "Week 5: God has Commanded Us" video by Tammie.
Click on the "Samples & Media" tab, then scroll down an select week 5.
I know many of you have said that you are doing the study at your own pace or at a later time. If you aren't able to be in a small group when you start the book, I encourage you to participate in ours! To check out past conversations, see these blog posts: "Duty or Delight: Week 4 Conversation," "Duty or Delight: Week 3 Conversation," "Duty or Delight: Week 2 Conversation," "Duty or Delight: Week 1 Conversation," and "Roll Call."
Before you comment-- this week contained A LOT of really personal issues and, more than likely, a lot of other people. Be aware to respect others. To respect their privacy. We never want the conversations on this blog to be gossip or judging. We want to focus on us and what God is doing in us. So be sure to be very vague if/when you refer to others or situations. I'm sure all that goes without saying, but I felt I should say it. :)


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On Aug. 4, 2018, at approximately 7:50 p.m., Guelph Police were called to the area of Elizabeth Street and Victoria Road for a report of a motor vehicle collision.
It is alleged that a red Ford Focus struck a vehicle while making a right turn and continued driving. Police located the Ford Focus at the intersection of Grange Street and Jackson Street.
Police spoke to the driver and detected an odour of alcohol. It is alleged that the driver blew over three times the legal limit.
Suzanne Bateson, a 40-year-old Guelph female was arrested and charged with impaired driving and drive over 80. She is scheduled to appear in court on Aug. 21, 2018.


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Ken & Dawn Ellis
Vacation 2001
Mackinac Island - Great Lakes - Niagara Falls
Day 4 - Tuesday, August 28th, 2001
Tuedsay morning, after a good night's sleep in our
at the Grand, I got up early and went up to the fourth floor bar to watch the sun rise. Then I decided to get a few more pictures of the Victorian houses.
We took a horse and buggy tour of the island enjoying the way nature has been preserved there. The most interesting site was a natural rock bridge through which you could see the beautiful blue water of the lake.
We walked down to the shopping district for lunch. At first, it seemed like the only food available was fudge and ice cream. There were actually two stores side-by-side that each made their own fudge.
After lunch, we decided to visit the
Butterfly House.
It was filled with hundreds of colorful butterflies dining on flower nectar. We stopped in a few more gift shops and then took a 'radio dispatched' horse drawn carriage to the
Internet Cafe
on our way back to the Grand Hotel for another fabulous dinner.
Shortcuts to Pictures:
Day 1
Day 2
Day 3
Day 4
Day 5
Day 6
Day 7
Day 8
Day 9
Vacation 2001
Ken & Dawn Ellis


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You need to become a Contributor to join the discussion.
I've been beta testing the new shots app for a few weeks now, really enjoying it. By far my favorite thing is actually quite simple: when you include a link in the caption all the viewer has to do is tap the caption and it takes you to the link. It's really intuitive... and that simple thing is why I post from the @ProductHunt shots account several times a day (specifically, over Instagram, where you can't link). I also really how it prompts you to share your clipboard link (if you have one) when opening the app (as shown below). In general, sharing any type of content feels really good on Shots (i.e. makes yo want to share more). And of course... I love the filters! Really cool to use the Camcorder App through shots (you should try it). My favorite moment so far @rrhoover branding an unannounced hackathon project as kitty ("we'll brand it, kitty.) last weekend, which was captured on Shots. Congrats to @John, @Sammy and the @Shots team on the launch!
Nathan Brakke@natebrakke · founder, the Soal App
Super new update! 🍻 I've been following @shots for a bit now. I'm a big fan of @john's anti-bullying push. Social media seems to be more and more dominated by trolls lately, so it feels good to....feel good. And laugh 😹🤓🤗. Camcorder feature is brilliant. Call me sentimental, but our future kids will have at least 50% of their lives saved with that. New shares and emojis are very cool. Would be awesome to see a mustache added to the app icon. And maybe a "Daily Diego" update from @awkwardpuppets. That dude is funny. Good to have the Biebs on your side too. He's a good man. So many @MakeAWish dreams come true. Keep on truckin'!
Jeff NeedlesHiring@jsneedles · Data @ Houseparty & Maker of Things
Love the update. The emoji reactions are 💯


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The Department of Physiology take pride in its qualified and dedicated faculty, well–equipped laboratories with various instrumental facilities for histological, bio–chemical and experimental studies. The course encompasses well–structured theory and practical classes which help the students to gain insight into the anatomy and function of the human body and also comprehend its application in domestic hygiene and social service.
Dr. Bikash Kr. Majumder, M.Sc., Ph.D
Sm. Farhat Nasin, M.Sc.


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CERRITOS - The 2011 Miss Cerritos Contest will take place March 22 from 5-7 p.m. at the Cerritos Center for the Performing Arts.Sponsored by the Cerritos Regional Chamber of Commerce, the contest is not a pageant but a "professional development opportunity for young women." Contestants chosen for Miss Cerritos will represent the chamber as an ambassador throughout the year. To be eligible, women must be a high school graduate or equivalent, no older than 27, live, work or go to school in Cerritos, or work for a business that belongs to the Cerritos chamber. Interested contestants should call the chamber at (562) 467-0800 for more information.
********** Published: January 6, 2011 - Volume 9 - Issue 38


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Product-colour may differ from image
Flexible, versatile, hands-free convenience that goes on your back, as a comfy slingpack or on the front for extra security. The new RFIDsafe™ blocking pocket provides that extra peace of mind while that extra added space gives you plenty of room for all your travel essentials. Anti-theft features • eXomesh® slashguards• Slashproof Carrysafe® shoulder strap• Smart zipper security™• Dual release security buckle• RFIDsafe™ blocking pocket Additional features• Map printed liner• Roomy zippered main compartment for guidebook, tickets, passport and more• Small front zippered pocket for coins and receipts• Zippered front pocket for electronic gadgets• Key / wallet ring• Pen holder• Padded adjustable cross-body strapSpecifications• Materials: 400 denier nylon oxford / 210 denier nylon 3 line ripstop, PU1000mm coating• Dimensions (W x H x D): 32 x 17 x 6 cm / 12.6 x 6.7 x 2.4 in• Weight: 340 g / 11 oz• Volume: 2.2 L / 134.2 in3• Strap length max: 114 cm / 44.9 in• Strap length min: 72 cm / 28.3 in


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The Great Wildebeest Migration
Serengeti Masai Mara migration.
Wildebeest migration safarisAn idea you can't afford to let it slip. Each year, nearly 2 million animals move through Tanzania and Kenya driven by seasonal rain and drought in what is known as the Great Migration,through crocodile infested waters of theMasai Mara river,the herd cross theMasai Mara from serengeti to Masai Mara Kenya and back for (Survival) of the fitest is the name of the game for this kenya safari.
The Wildebeest arrive at theMasai Mara River around July and cross over onto the Masai Mara plains. The wildebeest remain here until October, when they return to Tanzania. Gazetted in 1961, the Reserve is located west of the Rift Valley and is a natural extension of the Serengeti plains. The Masai Mara River, the reserve's backbone, traverses north to south. This river course is the natural barrier crossed every year by the large herds of wildebeest and zebra during their migration.
May & June
In late May, the herds leave the Western Corridor for the northern Serengeti plains and woodlands. The fresh, tender and mineral-rich pastures on the other side of the humans' border, in Masai Mara , are the irresistible bait for the animals to finally invade the Kenyan reserve, an event which usually starts in late June to early July. The troops coming from the south meet here another migratory contingent: the resident wildebeest herds of theMasai Mara region. These animals reside in the Loita Plains and Hills, northeast of theMasai Mara , until the dry season brings the tougher days and it is time to seek the evergreen Masai Mara basin.
July to October
Throughout the month of July, the herds cross the Sand River, a mostly dry tributary of theMasai Mara which roughly follows the boundary line between Kenya and Tanzania. The parade takes the eastern sector of Masai Mara , surrounding the Keekorok Lodge area. The trek follows westward, leading the herds to face the major challenge along their quest: crossing the Masai Mara river and frequently also its tributary, the Talek. By then, the rains at the Mau Escarpment, where theMasai Mara rises, have fed the stream to its highest levels.
The steep banks are populated with trunk-looking basking crocodiles that seem almost to be expecting their annual banquet. The operation of fording the river is the most delicate along the migration, and as such seems to plunge the gnus in a state of anxiety that only relieves when the whole herd has crossed. The trekkers walk along the left (eastern) bank of theMasai Mara looking for a suitable point to cross. There are plenty of preferred crossings along the course, which are easily identifiable by the lack of vegetation, the depressed slopes and the deep grooves carved by the animals' hooves. These are the most secure places to ford the river, those that ensure a minimal mortality. Nonetheless, the apparent programming of the whole process sometimes seems to collapse, and the nervous herds occasionally choose places where the banks are too steep and many of the animals break their legs down the cliff or fall flat into the waters. The herds gather at the suitable points and wander around nervously, their grunts sounding loud in the air. Eventually, one animal takes the lead and approaches the rim, scanning the opposite edge to analyze if any danger awaits after the crossing. When it finally dives into the stream, this seems to haul the rest of the herd. More animals follow in a single line across the river, while the lagged ones throw themselves towards the stream until the rearguard pushes the troops to a frantic race that ends up with some animals trampled to death, lying aside the course. Along the boreal summer, the crossings repeat over and over, and the survivors graze peacefully on theMasai Mara Triangle grasslands unless disturbed by the early-morning and late-evening hunts of lion and cheetah, the latter preying on the calves.
By October, the rains are heading south back to the Serengeti. This is when the pace of the march reverses, bringing the herds to face once more the quest for the southern grasslands. The rite of fording the river is again part of nature's call. In the last days of October, the migration heads towards the vast plains of the southern Serengeti, where a new generation of calves will be born to start the cycle of life all over again. Normally the route is down the eastern side and the pace is fast. Quite often a million animals can be seen stretched out.
Masai Mara
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Visitors to the Masai Mara can experience the rare excitement of game viewing from a hot air balloon. In the crisp air of dawn, the passengers drink coffee while the crew partially inflates the balloon with enormous fans. The gas burners are then ignited and the balloon fills with hot air slowly raising the baskets. Before departing, finalized checks are made, and the passengers then climb into the balloon basket for a take off.
The balloons lift off just before sunrise when the breeze on the plains is still cold. Once airborne, the balloons are blown by the prevailing winds across the broad landscape. Apart from the hiss of the burners, the flight above the Masai Mara plains is magically silent. The pilot controls the height of the craft by regulating the flow of hot air into the balloon. Sometimes the balloon will descend over the plains for a close up view of the wildlife; on other occasions, it rises to clear a tree canopy and rise over the reverine forest.
At the end of the flight, the passengers are treated to a champagne breakfast, complete with flowers. China and crystal are set out on the table that is placed under a convenient acacia tree. The finishing touch to the flight is a game drive back to the lodge or camp, and the possibility of seeing the same pride of lions, or herd of elephants that had been viewed while ballooning. Over a dozen balloons depart from sites near six of the lodges and tented camps. Our customers are often able to view four of the 'Big Five' while ballooning. A flight certificate is issued on completion of the balloon safari.
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The Great Migration - Masai mara
Kenya luxury lodge safari.
Masai mara Kenya 4 days tour.
- Day 1. Nairobi - Masai Mara
- Distance: 275 Kms (5 hrs). Pick up from your hotel at 7.30am. Drive into the Masai Mara with its amazing migration, concentration of wildlife and outstanding scenery. Lunch. Afternoon game drive. Overnight at Mara Sopa Lodge or Mara Simba Lodge, L,D.
- Day 2 & 3. Masai Mara
- Morning and afternoon game drives in the finest game sanctuary in Kenya, noted for its wildebeest migration, lions and other wildlife, Mara Sopa Lodge or Mara Simba Lodge, B,L,D.
- Optional activities:
- Day 4. Masai Mara - Nairobi
- After breakfast, drive back to Nairobi where the tour ends (Optional lunch at the Carnivore Restaurant: US$ 45 per person), B.
- Tour price: US$ 965 per person sharing. Single room supplement: US$ 265
Tour cost includes:
-Guarantee price; Guarantee departure
-Ground transport in a safari van with pop up roof for game viewing, photography and touring
-Full board accommodation whilst on safari
-Meal plan as described, B=Breakfast, L=Lunch and D=Dinner
-Accommodation in double/twin/triple room sharing
-All park entrance fees to include government taxes
-Service of an English speaking professional driver/guide
-Game drives as detailed in the itinerary
-Start and end in Nairobi
Tour price excludes:
-International flights
-Items of a personal nature
-Optional activities and any other extras not detailed in the above itinerary
plan your Africa safari