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The Uses of Streaming In a Business
A variety of companies have adapted to the streaming alternative to grow and expand their business.The nature of a business helps determine the different ways a business owner can use live streaming to better it.Social media has facilitated the connection of a large number of people, thus easing communication, as well as the spread of information.Once in a while, take the initiative to engage your viewers as you carry out the activities in your company.Once you are able to create a sense of belonging to them, you will be amazed by how your customers will rapidly increase in number.The pointers outlined below will help you identify how you can fully utilize streaming in developing your business.
You will be able to incur fewer expenses with the utilization of streaming as the only top tech devices needed to facilitate the task are minimal.A production crew and video equipment are no longer necessary, thus saving you a lot more expenses.As a business owner or member of a company, you can be able to announce some new changes or updates to the people through your social media accounts.Your followers should be aware of the upcoming video before you get to do it so that they can avail themselves.Using this means to spread information is way more effective than having to wait for it to appear on a news site.
A business owner should be able to fully involve their social media followers and fans in their undertakings for them to feel as if they are part of the enterprise.Take them through the business structure and make them feel fully engaged in knowing more about your products or services.Your fans will incredibly increase if you took the initiative to show them what you do so at to come up with the final product that they get to purchase.Your fans want to support you and make you feel appreciated, and vice versa.If you work in an office, introduce your workers or colleagues to your social media customers and give space for interaction.This goes a long way in creating a strong relationship with customers in a business.
Streaming events on your social media accounts can go a long way in attracting the attention of customers.When holding an event or a conference that is significant to your business, go live and allow your customers to watch it at their own comfort.Ensure that you are able to interact with them throughout the entire period.It is necessary for your viewers to feel acknowledged for sparing their time to join and connect with you, as well as other customers.


text: The fantasy genre can be a repository for the best in culture, celebrating diversity and joy. Or it can be a bunch of fart jokes and mayhem. This week, Josh, Ora, and contest winner Jessica talk about Rat Queens and Skullkickers, two modern Image books full of fantasy nonsense. Listen in and hear three theoretical adults talking about hobbits and wizards and shit. Theme: Chopin's Nocturrnes, Op. 9 no. 2, performed by Frank Levy.0101

subset: commoncrawl


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Tri-fold brochure for a good cause
Writing for non-profits is always interesting. Often copywriting is about 'what's in it for me', but with a charity it's all about something bigger than just that. This organisation is all about the bigger picture and the brochure was to introduce their ideals and encourage new members to join them.
An organisation steeped in history and integrity.
The Grand Commandery of Knights Templar is an organisation with deeply historic roots. Founded in 1118 by Hugues de Payens, its core values today hold true to those shaped over 850 years ago.
Those values, or core principles, are at the very heart of the Order and every one of its members. The Nine Core Principles are:
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The Order today is a membership based charitable association who's members commit selflessly to helping those in need.
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Joining us as an Order member allows you to engage with others who, like yourself, feel that there is something sadly lacking in our materialistic society.
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The Oxford Club hasn't gotten where it is today for no reason. They offer some of the most reliable advice out there and they don't mind doing what they can to help people better understand what they need to do to personally benefit from the exciting world of private capital. When you take some of the most brilliant minds in finance and bring them together you'll probably have some pleasing results. Their recent advice has helped many people prepare nest eggs and change things for the better. Others are trying to follow suit with their own way of doing things.
Investment U is giving people around the world the tips they want to give their investments better results. They know that there is a need to look for those investments that can be bought at a low price and then held as they gain value. There is an obvious advantage to this investment strategy, but the specifics are somewhat nuanced. For a beginner it's better to get the help of someone like the Oxford Club before going further. They've even taken their advice and compiled it through Investment U in order to make it easier for people to improve their investing.
The Oxford Club is an elite club for a reason. They understand and advise on a level that most others couldn't even begin to comprehend. The Oxford Club is doing for its followers what older financial clubs did in the past. They are giving away the secrets to better investing and others are taking this advice for themselves in order to see how they can make their life better and take one of the most lucrative opportunities in the right direction. This has been a winning strategy before and it seems it will still be a winning plan after all.
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Apr 2, 2018
By Jonah Raskin
The summit is coming. No, it's not a meeting of government officials. There will be no presidents, prime ministers and plutocrats in attendance, but rather students and teachers who care about climate change, sustainability and resilience, not just in the classroom as an academic exercise, but also in "real life," as educators like to call it.
The all-day, "One Planet Youth Summit" takes place on Saturday, April 14, at Credo High School in Rohnert Park. Jake Mackenzie, Rohnert Park's mayor and the chair of the Metropolitan Transportation Commission will speak, and so will representatives of groups and organizations that care about a green future.
But for the most part, the speakers and presenters will be students and teachers, not politicians, public office holders and entrepreneurs.
Marika Ramsden, a teacher at Credo, is one of the primary movers and shakers behind the summit, which aims to increase awareness about the need for recycling, restoration of the natural world and the creation of green schools, green towns and green communities. Born in California and educated in England from age two to age 16, Ramsden attended the Summerfield Waldorf School in Santa Rose. She has a degree in sustainable development from St. Andrews in Scotland.
"Students need to understand the gravity of the current local and global situation, but only talking about doom and gloom is disempowering for youth," she told me. "Asking students to have hope isn't enough, either. It's necessary to give them skills, information and knowledge so that they can have active hope and actually do stuff."
At Credo High School, seventh-to-twelfth graders learn about composting, recycling and landfill. They also collect and analyze their own trash, and then do research about alternatives to the current ways humans handle garbage. At Credo, "zero waste" is a guiding principle and a part of the curriculum.
Ramdsen calls the movement that she is in the process of creating, "One Planet." She hopes to spread it around the world. Not long ago, she bicycled from one end of California to the other and brought her environmental message to 30 schools. She also bicycled from Land's End, at the southern-most tip of England, to John o' Groats, at the northern-most tip of Scotland. She gave workshops along the way, provided students with video cameras and asked them to tell the story of sustainability in their own schools.
All that experience on the road makes her eminently suited to encourage a major paradigm shift. Indeed, what she'd like most of all would be for humans to work close to where they live and shop. She also wants to help create communities in which everyone knows his and her neighbors.
Meanwhile, the One Planet Youth Summit is at the top of her list of things to do. Local organizations, such as the Sonoma Ecology Center, Recology, the waste hauler, and The Switch Lab, will take part in the daylong event that includes a break for lunch.
The Switch Lab's website says, We are striving to build and market useful, sporty, safe, affordable electric vehicles while advancing electric vehicle education to create green employment locally and globally.
Sponsors of the summit include Sustainable North Bay, theCalifornia International Studies Project, and Bioregional, an international environmental organization created by Pooran Desai and Sue Riddlestone, a husband and wife team who inspired Marika Ramsden to create the "One Planet" movement."
We're sending out an SOS," Ramsden told me, and added that "The Earth is our ship; we all have to save it.
Caitlyn Thomasson will attend the summit. A 21-year-old- environmental-studies major at Santa Rosa Junior College, she said that not long ago she looked at the world and saw one big mess: species decline, deforestation, glaciers melting, oceans rising, loss of land, overpopulation and over consumption.
Not surprisingly, she felt depressed. Then she took a class on environmental science that she says charged her life. She studied in New Zealand and Australia, returned to Sonoma County, created the Eco Leaders Club at SRJC, and recruited people in her own generation.
"I used to go to events about the environment and was the only young person there," she said. "I felt like an outlier and wondered 'where are my people?' Now there are many more who are my age."
Teachers who are involved with the One Planet Youth Summit aim to help empower students. "We don't want to be sages on the stage, but guides on the side," Ramsden said. "It's essential for student voices to be heard."
At the summit, they will be loud and clear and inspiring.
Jonah Raskin is a professor emeritus at Sonoma State University.
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Is Gmail motion really possible or its just a joke?? Can't believe this!!!
Introducing Gmail Motion
A new way to communicate : Gmail Motion
The mouse and keyboard were invented before the Internet even existed. Since then, countless technological advancements have allowed for much more efficient human computer interaction. Why then do we continue to use outdated technology? Introducing Gmail Motion — now you can control Gmail with your body.
How it works
Gmail Motion uses your computer's built-in webcam and Google's patented spatial tracking technology to detect your movements and translate them into meaningful characters and commands. Movements are designed to be simple and intuitive for people of all skill levels.
Motion Guide
Familiarize yourself with some of the basic functionality of Gmail Motion using this printable guide of sample gestures. With it, you'll be able to start writing and responding to emails – with your body – in no time.
Safety precautions
Using Gmail Motion is not only safe but also healthy and fun. As with any physical activity, certain precautions are recommended. First, make sure to clear the area around you. Second, try to take short breaks every 30-40 minutes, just as you would if you were typing. And finally, take time to stretch after each session to give the muscles you'll be using some relief.
Coming soon to Google Docs
This new motion detection technology doesn't stop with Gmail. We're excited to announce that Google Docs Motion will be coming later this year. Learn more
- "No longer will people be required to bend to the will of technology. Instead, technology will now bend to our will." Lorraine Klayman, Environmental Movement Specialist, Nevada Polytechnic College
- "It is commonly known that 80% of communication is non-verbal. Gmail Motion not only accepts this fact – it embraces it." Dennis Tooley, Ph.D, California Center for Kinesis and Paralanguage
- "Kudos to the Gmail team for bridging the divide. I'm eagerly awaiting the next version with ASL turbo boost!" Ken Harrenstien, Software Engineer, Google Accessibility Team
16 Comments to "Introducing Gmail Motion"
John April 29, 2011 at 1:59 pm
tefa_96 August 25, 2013 at 3:59 pm
I am having trouble going from one gmail account to another. Ihave 2 gmail accounts.
I use yahoo and they have a out option, but gmail does not..HELP!
When to click on the drop down arrow on the right it just says mail settings mail help. There is no sign out on gmail that I could find.
Goe122 August 31, 2013 at 8:14 am
I created a gmail account on my iPhone and when I try to use the username and password on my laptop it says they are invalid. I am sure that I am putting in the right username and password.
Samuro September 4, 2013 at 1:40 pm
After I closed a youtube account and then tried to make new one it said my gmail account is already being used for the youtube account I closed. How can I keep using my gmail account for youtube without having to make a new one? Is this possible?
easton j September 9, 2013 at 9:42 pm
This individual created a gmail account with my daughter's name and used it for creating a Facebook profile and assumed my daughter's identity talking to her family and friends until family members started questioning her comments. Reported to Facebook and gmail. Other options?
Mak Sultan September 10, 2013 at 1:02 am
I must of logged into my gmail account one time on my phone, and even after logging out I keep on getting notifications on my phone every time I get an email from my gmail account. How do I stop this?
The Dark Knight September 15, 2013 at 8:32 am
I would like to add automatically contacts from Gmail to Filemaker. For instance, I receive a mail from a new contact and I want to add this person automaticcaly to my Filemaker database.
Is it possible ?
Thank you in advance.
D3ZZY September 16, 2013 at 8:20 pm
Recently, my gmail account has started marking random incoming emails as 'important'. Does anyone know why this is and how to stop it? Thanks!
prisha September 22, 2013 at 3:45 am
I know how to push gmail contacts to the iphone but I want to push iPhone contacts to gmail and I don't want to use a PC. Anyone know how?
Johnky J September 26, 2013 at 11:51 am
I have gmail, and I want to block a particular person from emailing me, but I also want that person to know that their email was blocked. Can this be done? If so how?
baldy eire September 30, 2013 at 6:23 pm
How does the Director communicate with studio camera operators?
Chester October 1, 2013 at 4:46 pm
I've been getting quite fed-up with people messaging me on Gmail Chat before I can reach the "Sign out of chat" tab every single time I sign in to check my e-mail. Is there a way to stay permanently out of chat and not auto-sign-in?
Thanks for your time!
Jeremy Xargor is my gamertag October 3, 2013 at 5:05 pm
I had a youtube account started years ago. Then a couple months ago i got a gmail account to handle my school email. Now when i log on to youtube, using a yahoo account email, it logs me out of my gmail account and when i log back into my gmail account, the youtube one is also logged out. How can i stop them from interacting together and watch youtube and check mail at the same time?
sean October 16, 2013 at 6:49 pm
I use gmail and have noticed whenever i am trying to send a text, the 'to' field is cluttered with tons of email contacts. How can I stop the phone from automatically suggesting email addresses as recipients?
Noe R October 19, 2013 at 5:01 pm
What does google offer with gmail that yahoo doesn't offer with it's email. I already have email with aol, sbc, and yahoo, so I don't need another email account unless there are features that make it worth my time.
norrin_shadowwolf November 2, 2013 at 7:05 pm
I have over 2000 messages in my gmail inbox. I want to get to the very oldest one but have to click previous page over and over again. Is there a fast way to do this? Something that will take me there with just one click?
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Well your wife does not have have the high frequency hearing loss we middle aged to older men do😢
Is it too bright or is it high resolution?
It has been said in the forums that one mans bright sounding amp is another mans high resolution amp. Some amps and preamp combinations can deliver a high resolution presentation and to others this may be considered too bright sounding. Is there a fine line that can distinguish between the two? Personally I like very revealing & the fine details delivered but the wife says it sounds a tad bit too bright.
53 responses Add your response
maplegrovemusic, you and I are on the same wavelink, to me it is not bright but to my ears it is revealing & exactly what you said, it is whats on the recording, bringing out all the details. I think you just stated the difference. I can understand how some inexperienced people could think otherwise.
I have always liked the "bright" highs, but I interpreted them as detailed. But as I aged, I find that my tastes have changed. Not wanting to dull the highs but to have the detail without the "Schrill" or piercing. I have begun looking to replace my Revel Performa F32's and am looking to gain a more balanced sound without drawing so much attention to the highs as in your face. I am sure my hearing is diminished over the past 30 years or so, although a recent hearing test, the Dr said I still had exceptional hearing for a man much younger. But he did say I am missing some mid to high frequencies. So my point, Phd, is maybe your listening habits have changed and might be part of what you're experiencing. One last thought, I have a good CD player and a few years back it seemed too bright and I changed cables. This made a significant difference in taming that "schrillness" for the lack of a better word.
Is it too bright or is it high resolution?
The answer is in the ear of the beholder.
There is a very fine line between high definition and too bright.
You will know it when you cross it. You will find that your listening sessions growing shorter as listening fatigue begins to set in sooner and sooner.
While I do enjoy high definition, I do realize that one can go too far.
I have heard systems that have reached the point of sterile, amusical, and uninvolving.
Too bright being high resolution is a generalization. To get high resolution, you need a system where the source and amp can actually reproduce the fine detail, and then speakers that can deliver it as well. Many budget and vintage speakers simply can not.
One can have a harsh/bright sounding system that can't reproduce fine detail.
Too bright being high resolution is a generalization ...I agree completely. There's no inherent link between brightness and resolution. In fact, some of the highest-res recordings I have - the ones that are filled with detail and nuance - aren't bright at all. They may be extended on top, but never bright. Brightness is actually often the result of distortion, not detail.
@onhwy61 "an audiophile who goes to a live symphony concert and turns to his companion and asks, "where are all the high frequencies?"
So true! I find many hifi systems present the treble region in greater volume than live. That is brightness, and shouldn't be a goal. In a full orchestra from the very back of the stage a delicate triangle can be heard throughout the hall, often cutting through louder passages of multiple strings or woodwinds. Great systems can do the same, allowing that clarity & detail without overemphasizing it. That's transparency, not brightness and more is almost always better. Brightness is fatiguing and amusical, but transparency isn't. As I've learned to become better at separating the two, my enjoyment and involvement in the music increases. Oh, and the brighter gear had to go! Cheers,
Bright is a bad thing. Its a coloration.
Detailed is a good thing.
Quite often the two are found together. This gives detail a bad name!
Its possible to be extremely detailed and yet quite relaxed. Brightness is often not an actual frequency response error; instead its often caused by distortion (particularly in solid state and digital but can manifest from tubes and analog easily enough) which the ear converts into tonality.
By adding brightness, this can cause a system to temporarily seem more detailed. But in time it will be seen for what it is- a coloration, and not a very pleasant one.
This is just another way of restating what Spencer posted above.
If recordings were all equal and a standardized perspective was established then an agreement on brightness vs high resolution could be discussed effectively. As recordings, material and perspectives can vary dramatically, the answer is a moving target. I favor detail but with warmth and liquidity. As a former drummer, cymbals need to cut through with all their complexity and shimmer! I hate dullness and cloudiness. That's a big reason why I gave up on tubes;)
theo, thank you for your thoughts on this subject matter, in fact I thank you all. You might be right, my listening habits have changed. Everytime I have revisted gear I remembered liking in the past has proven to be a disappointment, as this hobby is a progression. And yes some interconnects can change the sound up to be more agreeable but with this current combination has barely changed the sound to a warmer presentation.
The ss CJ amp does have a warm sound with more detail then one could ask for but its presentation became brighter with the addition of a CJ tube preamp I like what I'm hearing right now (although the wife thinks it sounds a bit bright) and as atmasphere and jmcgrogan2 mentioned if this would become intolerable over time then it would prove to be coloration.
IIRC, J Gordon Holt used to refer to bright as a proper attribute in audio reproduction. It was excessive brightness that was an issue.
Beyond that, the OP's question is like asking: Do apples taste good, or are they too sweet? It is indeed a matter of personal taste. Many peoople enjoy sound that I find excessively bright, etched and grainy. I value smooth, liquid sound with well-proportioned detail and transients that are there, but not over-emphasized. YMMV.
IMHO, much of the brightness attributed to amps is actually due to the speakers. Speakers which are not time & phase aligned have the tweeter in early arrival, leading to an impression of detail, and, or brightness (YMMV). Almost all of the speakers measured by JA in The Stereophile exhibit this. That this is generally successful in the marketplace can be seen in the preceding remarks. Many persons try to attenuate this effect by playing with cables. (Just my $0.02)
Improper room treatment can make neutral speakers seem overly bright.
Ragged top ends are often mistaken for "high resolution" because they over-emphasize narrow parts of the audible spectrum. Several "high end" makers use this trick. Because you can hear certain details stand out, the average listener doesn't realize what they are missing, or that it's not very natural sounding.
Also, having speakers that can show differences between gear is not very useful in my mind. I want speakers that can reproduce music. The discernment of upstream gear is usually a sign of inferior design IMHO. A good speaker should sound great with a variety of amps.
There are exceptions when the nature of the speaker is such, it must be hard to drive. I'm thinking of Apogee type full bandwidth ribbons or electro-statics. Just no way to make them amp friendly.
By the way, I completely disagree with the idea that lack of time alignment has anything to do with brightness.
Some of the brightest sounding speakers to my ears where old Thiels. Perfectly time aligned. Just like some garbage high-end speakers lately. No correlation between time-alignment and tonal balance.
The 2 pairs of speakers I listen to are smooth as butter and are NOT time co-incident and they do not sound bright, because that's how I designed them.
I think it's the sheer over-abundance of words that gets us in the end. Ever been in a room full of women before? It's daunting. Yet their hearing is better. I've come to realize that homosexual men are called gay because they're probably genuinely happy. And their hearing is probably fine. Just a theory.
Better hearing based on sex is a myth...... our household has been a living experiment in this regard with my wife 9 months younger than myself, and our fraternal twins - boy and girl.
In listening tests over the years, the results are usually the same as far as order, best to worst.
1) son 2) daughter 3) me 4) wife
Now what I do feel might be tainting the results is that I think my son is cheating, and my wife could care less. I am 55 and can still make out 17khz on a good day.
This video imo helps to prove that hearing is more than a sex thing; it is also based on many factors, and variables including lifestyle, health, heredity, occupation etc....
So IMO, in order to determine what a person means by bright or high resolution; I feel one needs to understand what their hearing ability is to begin with.
I could hear the 16khz tone in this video - how bout you phd, others ?
Every human ear is different. No two are alike. The brain receives impulses from tiny hairs growing in a snail inside your head. The size, shape and length of hairs are different in every ear. It really is amazing just how much we can agree. Traditionally men loose their hearing from working in loud environments, shooting guns, and playing in rock bands. If you've done none of those things, then your hearing can be every bit as good as a woman of your age, unless she has been doing those things.
'Bright', HO, seems to go 'mano e mano' with resolution. Speed in response of the given radiator is another factor....
Just another 'balancing act' with everything involved. One item in a given system could effect the overall performance....or what I gather from the various topics pursued in the forums here @ AG.....
Ah, male hearing. I will never forget the Twilight Zone episode in which a babbling wife never stopped talking. Her long suffering husband just suffered in silence (he dared not interrupt). Then, one day, while in the car, he rubbed his right ear, and discovered that tugging on his ear lobe shut off the hearing in that ear (the wife was seated to his right) until he tugged it a second time. The episode ended with the two of them cruising down the road, the wife rambling on about who-knows-what, and, having tugged his right ear lobe, a smiling, oblivious husband. I'd like to see someone try to air something like that these days!
This "brightness or resolution?" question has been on my mind a long time. When I first got interested in high end audio in the mid-1980's, I visited many high-end audio stores around the country. I was struck me how, very often the most expensive equipment was (to me) noticeably & unacceptably bright--and often was also lacking in upper bass/lower midrange content. I ultimately found very high resolution systems (preamp/amp/speakers) that weren't bright in the least, had realistic warm/impact in the bass region, yet managed to convey all the details on LPs, FM radio, or CDs.
I am now repeating this journey in desktop audio & headphones, where many highly respected products are literally treble cannons.
My objection now, as it was then, is that elevated treble (whether in pursuit of "resolution," or just the pleasure some get from amped up treble) sounds nothing like real music. I've been in music halls, jazz clubs, and other performance spaces countless times, and barring music that's entirely electronically conveyed (which plays by different rules), the treble sounds nothing like it does on audio systems. IRL, treble from things like triangle, violins, and high notes of the piano shimmers & sparkles, but disappears quickly; while bass instruments create sound that lingers, while also impacting one's body. In actual performances, details are all simply there, as produced by musicians, with no emphasis needed in any part of the frequency range.
Only in audio equipment does elevated treble impersonate detail.
For me, with a new high resolution system, I do find that some recordings emphasize mid- to high- frequencies, more brittle sounding obviously than the actual performance live. Maybe it is the Wilson speakers.
Since I am also a neuroscientist/neurosurgeon, I would say that there is no gender difference between age-related hearing loss, unless you are referring to older men married to younger wives. I am a product of the 1960s, and went to about a dozen Jimi Hendrix concerts, and many more by Cream, the Doors, Big Brother, etc. I was recently tested by an audiologist and I have no loss of frequency across the entire range - there are significant inter-individual differences in the ability of the muscles of the inner ear to protect against volume-induced damage.
One must wonder if a "to bright" presentation may be the result of harmonic distortion. Whether this is an amplifier issue a preamplifier issue or the interplay between the electronics and speakers. I am certain that we all want all of the details without undue brightness.
Hearing checks are not the answer. If your system is unpleasant in the upper frequency(s) then it is time to approach your system problems in that area. Easier said than done.
For example if your speakers have metal dome tweeters then they could possibly be a source of the brightness. As others have mentioned, room acoustics and cables are certainly contributing as well.
One must wonder if a "to bright" presentation may be the result of harmonic distortion. Whether this is an amplifier issue a preamplifier issue or the interplay between the electronics and speakers. I am certain that we all want all of the details without undue brightness.Trace amounts of higher ordered harmonics cause brightness as the ear converts distortion into tonality. It also uses the higher ordered harmonics to gauge sound pressure (rather than fundamental tones) and so is more sensitive to them than modern test equipment.
@stringreen re the difference between brightness and clarity you are spot on. Your definition of clarity lines up exactly with what I got adding a super-tweeter to my system -- definitely not 'bright' but much more insight into the recorded space and the different elements of the performance -- more details on my experience here
The subjective term "bright" or "brightness" relates to the high frequency content of the sound source. It's a fact that human hearing is most sensitive to sound between about 500 Hz and 5000 Hz. Above and below that range the human auditory system falls off sharply and varies greatly one person to the next. That is to say we all hear differently which leads to the wide range of opinions on what sounds bright or dull and so forth. To further complicate matters, our hearing changes throughout the day, especially at higher frequencies. To prove that point, listen to your sound system in the morning after a quiet nights sleep then listen again after driving home in your car after a days work. It will sound different. The electronics and speakers did not change, your hearing did.
When it comes to high end amplifiers there are certain differences that cannot be measured but can certainly be heard. The classic example is tube amps versus solid state. Tube amps generally sound warmer while solid state amps are regarded as brighter. Again referring to high end equipment, the differences are small but they are there. I currently own a pair of Audio Research Ref 610T's and a Pass Labs 350.8 and must admit I hear differences with identical music sources. To me, some music selections sound better on one amp and others sound better on the other amp. In general, my wife prefers the 610T's which to her ear and I agree delicate and revealing yet enormously powerful when needed and above all, easy to listen to. The Pass seems to be a bit more punchy in the high end and harsher when pushed which may appear brighter but I don't think I would call it that. Perhaps a few harmonics are added but nothing big to speak of. So, problem solved. I got two great amps and one great wife and all is good just waiting for the next great audio adventure.
I have heard very expensive systems (even with tube electronics) that made my ears bleed - plenty of resolution, but also an a-euphonious bite. This is with recorded music that I was familiar with and generally enjoyed listening to on other systems. If this is how the original engineer intended it to sound, then we disagree on what sounds good.
On the other hand, I have heard other systems both modestly priced and quite expensive that have rewarding levels of content and spatial details and speed, while providing a neutral window on the recording, meaning some recordings are on the warm side, some slightly distorted or over heated, some emphasize the treble, and some/many sound just right. The difference along this price spectrum is that you generally pay to get more detail, speed and clarity at volume. Listening room plays a bigger role in all this than we may want to admit. Just try to tell your partner you need $100,000 for your new hifi and another $50,000 to redo your listening room so it doesn't hurt their ears. They will tell you what is not-too-bright...
I have heard very expensive systems (even with tube electronics) that made my ears bleed - plenty of resolution, but also an a-euphonious bite. This is with recorded music that I was familiar with and generally enjoyed listening to on other systems. If this is how the original engineer intended it to sound, then we disagree on what sounds good.
I agree reed and I'll actually go quite a bit further and say almost every system I've heard is way too distorted in treble especially but also everywhere else. And this is true even for mega buck systems. Time of day, weather, setup, mistakes in the system and simply being used to hearing the distortion all contribute to the sad state of affairs. And I don't even have to open the whole can of worms involving...you know.


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Boost Your Immune System!
As the weather is turning cooler and the leaves are turning colors, you should make sure that your immune system is ready for the inevitable germs you will be exposed to this winter. During the colder months illnesses are prolific and spread easily through public areas and among family members. If your immune system is strong you will more easily be able to fight off potential germs that can keep …Read More


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Outside the entrance to the king's palace.
Helen: "Ulfar! At last!".
Ulfar the Mighty: (Slightly out of breath) "Sorry I'm late everyone, I had a bit of trouble on the way in".
Samantha: "Ulfar, is there a small squirrel chewing on your arm?"
Ulfar the Mighty: "What? Oh, this. No, it's the latest in adventuring fashion. It's, uh... I... Oh who am I kidding. Excuse me ladies, I just need to run in a straight line for four hundred yards to get rid of it".
Runs off.
Comes running back, with five small animals all hanging from various limbs and appendages, all of them gnawing away in a furious and yet fruitless fashion.
Ulfar the Mighty: "Be right back".
Four hours later...
Helen: "Where the devil has Ulfar got to? We're supposed to be getting a quest from the king and the royal party is almost over."
A mound of forty or so writhing animals from around the countryside shuffles into the room, shifts around a bit and mumbles something unintelligible before collapsing in a heap on the floor.
In many MMOs mobs that are far below your character's level will still aggro. Admittedly it may be that the games will implement an aggro range, such that higher level mobs will aggro when you step foot on the same continent as them, and the vastly lower level mobs will require you to get fairly close to them before you get their attention, but invariably you will get close enough, and you will get their attention. And that's about all you'll get. They don't do enough damage to threaten your character, although it's just enough that if you're suddenly jumped by a suitably tough mob you will be disadvantaged. They don't give any XP because they're just too low in level, or if they do give XP it will be of any value you like as long as it falls between one and three. They don't drop any loot worth writing home about, in fact half the time it's just junk that will fill precious bag space, although just for added aggravation they will all drop the animal part you needed for that quest fifteen levels ago which you had to spend four hours grinding away for. Some of them will drop two, even if that part in question is, say, a nose...
The fact that these mobs can hit you at all is a total insult to your heroicalness. You're standing around in your armour of wonderment with its plus five bonus to Glinting Sexily in Sunlight, and suddenly a guinea pig sneak attacks you and starts doing annoying but negligible damage. This is a standard guinea pig mind you, not one of those dire, aged guinea pigs of yore, that would roam the frozen wastes of Niflheim and lay waste to entire villages with their mournful squeals, and who could only be appeased with a giant peanut from Yggdrasil. So there it is, this standard run of the mill guinea pig doing damage to you with its species' centuries-evolved ability to find weak spots in chain mail, and you have two options: fight or running away, because the feisty little fellow certainly isn't going anywhere, he's made the catch of his life and he's going to take you down, one hit point per hour until he is victorious and has avenged his entire family, who you killed five months ago for their noses. Your first choice will be, in all likelihood, to smite the foolish little critter, but unfortunately this will take an alarming amount of time. For a mob so far below you in levels it takes a surprising number of strikes to defeat it, as it dodges and parries blows that have felled demons. If that was the only fight you had in a day it wouldn't be so bad, but within five seconds of having defeated the mob, his brother will turn up and launch himself at you with wild abandon, possibly with a yell of "Freedom from nasal tyranny!" as he does so. Five minutes and three hundred guinea pig corpses later, you decide that running away would be the least frustrating option, besides, you need to empty your bags of all these sodding guinea pig noses.
Can there be anything more heroic than a full-armour-plated warrior running in a straight line with a train of small furry animals chasing behind them, some of which are crippled from previous battles and others so old they're in wheelchairs?
Thank you MMO developer for immersing me in this game, for convincing me that grinding away on your carefully crafted world will enable me to improve in power to the point that I'm known throughout the lands, cherubs sing my praises, cathedrals are built in my honour, demons cower at the mention of my name and small furry animals with only three legs will still make me run like a schoolgirl to get away from them. You don't read fantasy stories where the adventurers are travelling from one town to another, and at some point a wolf jumps out and attacks, and then a bird, and then another wolf, and a pack of rabid guinea pigs and another wolf, and a giant bear and a sabre-tooth duck. And even if you did, you wouldn't get a description of how the adventurers bravely ran away (Sir Robin, I'm looking at you) with all this wildlife trailing after them across the countryside. If someone wrote a fantasy book based on an MMO, it would be five hundred pages long, of which one hundred pages are just detailing the adventurers fighting off an endless stream of crap animals on their way between towns.
One hundred pages would describe the adventurers trying to form a group with the right class/race mix. Hmmm, The Book of the MMO, I like it. Coming to an Inferno near you soon!
The annoyance factor of low level mob aggro is so high that eventually you think 'sod it' and turn around and shout "Come on then you irritating bastards!" at which point you realise that all the crap mobs have stopped chasing you, and you're left facing the elite Fel Koala of Grungmar who promptly pokes you a new ar... well, you get the idea. If you look carefully before you begin your corpse run, you'll see all the low level mobs snickering from behind a nearby tree, flicking V signs and thumbing their noses at you. Those that still have noses.
And let's not forget the joy of the gathering profession in an MMO. If you think you're safe now that you're gathering in an area that you've out-levelled, guess again, there are more ways to defeat an adventurer than mere combat. Try to mine that ore and the mob attacks, and even though they're so low in level that they're effectively vegetation they'll still manage to get a hit in and interrupt you so you can't finish the task. So off you run, because killing them is too tedious, and just as you break their aggro range one of their friends, who was waiting for you, picks up the chase. So you run back in the other direction, past the ore that you note someone else is now mining, and pickup the original mob and two more of his friends as you go. Eventually you give up, turn around to fight them... and there's the Fel Koala of Grungmar, wearing an evil smile and punching his fist into the palm of his other hand.


text: Álfaprinsessur |Published on: 27. May. 2012|Categories: Börn, Fjölskyldan| 1 comment > 1 Comment Sharon on July 22, 2012 at 10:32 pm I popped over here from Clickinmoms to see your work and had to say how much I like it, especially this session of the young girls in red and in that session, especially the first one. Thanks for letting me have a look. Reply Submit a Comment Cancel reply Your email address will not be published. Required fields are marked *Comment Name * Email * Website Notify me of follow-up comments by email. Notify me of new posts by email. This site uses Akismet to reduce spam. Learn how your comment data is processed.


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Able Baker Contemporary
Able Baker Contemporary is an artist-run gallery with an open curatorial structure.
Group shows organized by guest curators (artists & otherwise) will set artists in conversation with peers, conspirators, competitors, dissenters, and friends (regional & from away). Curatorial strategies may be geographic, conceptual, historical, documentary, political, play-based, performative, etc. Calls to artists may take the form of assignments or games; a call to curators: propose a show.
Able Baker Contemporary is a traditional white-cube gallery that will have openings with wine and cheese and events that do not exclude the musical and literary arts. The main space will feature monthly and bi-monthly group shows. The mezzanine office will contain a flatfile & small wall representing selected artworks by featured artists; this space will be accessible to collectors, scholars, students, and Interested Parties.
Able Baker Contemporary is located at 29 Forest Avenue, Portland, Maine, 04101...on the Portland Stage block, and within 300 yards of the PMA, MECA, Space Gallery, and Space Studios.
Please visit our website for information about exhibits, submissions, etc.


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A little story about my ancestors…
As a child, Bethany Children's Home deep in the back hills of Kentucky left an indelible impression on me. Nestled in the bottom land by Holly Creek, the first sight looked like a brilliant painting by Thomas Kinkade. The Appalachian Mountains protected the home from modern civilization. Magnificent, aged trees hovered as angels spreading their wings. The only clearings were the fields on the farms, and the hillside where the old buildings seemed to harmonize with nature.
Living in the city, I rarely had the opportunity to breathe in the air God created our lungs to inhale. The aroma of huge oak, beech, cedar, and pine trees mixed with the tickling of the dust from the dirt road steadily lifted the soul. Pennyroyals and goldenrod lined the road creating a natural landscape along the curb of the forest. I often miss the simple beauty of a landscape created by God alone. A city offers neat little houses lined up in perfect rows. Shrubs, trees, plants, and flowers are precisely placed within utopian gardens. While the perfect houses and the precise gardens are charming, nothing compares with the picturesque beauty of nature.
With scarcely a motor vehicle traveling back and forth, we could hear only the sound of nature. Maple, hickory and walnut leaves played their stringed instruments in the wind. Cardinals sang harmony and mockingbirds sang backup. A woodpecker led the percussion. Only the fighting of my siblings interrupted the earthly orchestra.
Throughout time, Bethany Children's Home, a place we call Bethany, seemed unchanged. The plain, wood buildings always needed paint. An old windowless, three-room, two-story log cabin was on the property when a local man donated the land in 1926. It stood silently still. The original wooden church burnt to the ground before I was born; therefore, they built the new church of cement blocks. No steeple stood on top of the church, just a small wooden cross on the front attic roof. Sounds from the "Liberty" bell in front of the church called all to worship. The two-story dorms were endlessly long. They reminded me of old government apartment buildings. Several smaller buildings just as dilapidated as the first, were scattered on the hillside. The home began with only three little orphaned girls. Known as "The Bethany Orphanage" in 1926, in just a few short years, by 1956 the home gained a Board of Trustees and became "Bethany Children's Home, Inc." The home was started by three women : Marjorie Burt and Laura Wendland, missionaries at the Free Methodist Mission at Oakdale, Kentucky. They were joined by Lina Miller (from the Chicago Evangelistic Institute class of 1924, Miss Burt's Alma Mater), who resigned her position in the office of a business firm in Dixon, Illinois to join her two friends in the bottom land of Holly Creek with nothing but a dream, a prayer, and a miracle.
I visited the home as a child and Great-great-aunt Mildred was the first to greet us. Great-grandma Frantz was waiting anxiously in the background. I never fully appreciated the sisters. As any child would, I only saw them as old. Born in 1896 and 1898, respectively, they wore the dress of spinsters. Their gray hair projected a crown of righteousness. Thick glasses kept secret the direction of dissenting looks. When Aunt Mildred welcomed us, her voice was not a loud voice, yet she commanded attention. Great-grandma Frantz had a quieter nature about her, yet she never went unheard.
Aunt Mildred had an abundance of spirited energy. Always working, she expected an equivalent effort from others as well. She gave orders with an air of sternness, apparent even when she smiled. A well-deserved air of authority emanated from Aunt Mildred. The children knew, in her devoted manner, she loved them deeply. Somehow, through her gruff exterior, she obviously loved her stature in life. Called to the mission field by God, she originally set her sights on India. Aunt Mildred graduated from Asbury University in 1925, and subsequently began nurse's training at Christ Hospital in Cincinnati, Ohio. Through a series of events, she left Ohio and arrived at Bethany on March 29, 1927, the year after its conception. There she stayed; a towering rock that helped build Bethany Children's Home. Nearly sixty years later, her declining health forced her to move in with my grandparents in 1983, just before her death in 1986. Her primary position was a school teacher and nurse. She became the first clerk at the Bethany Post Office on July 28, 1928; Acting Postmaster in 1950; and Postmaster, April 19, 1951, maintaining that position until May 31, 1970. During her nearly sixty years at the orphanage, as a pioneer nurse she delivered 267 babies without a doctor being on the case at the time of delivery. Aunt Mildred never married. The orphanage became her mission…and her family.
Quite a bit shorter than her older sister, great-grandma walked with a limp, crippled from polio as a child. Deep down inside this quiet spirit lay a gentle sense of humor. During evening assembly, great-grandma acted out one of her many readings. They were always funny, and some were quite ornery for a conservative great-grandmother. I enjoyed her peaceful demeanor, but being an inquisitive child, I eventually ran off to find some adventure of my own.
In the dining hall, everyone ate on long tables with a staff member on the end of each. That was quite an experience. They always expected proper manners from the children. The food was home-grown, and the milk was fresh from the cow. I didn't care for the vegetables, but I always begged for more fresh, raw milk. The flavor was sweet and strong, a very different flavor from a city, store-bought milk. Great-grandma packed a jug for our trip home, just for me. My most memorable time came on a walk across the road to the farm which supplied most of the food and milk for the orphanage. Being from the city, I was unaware of the shock I would receive when I unconsciously grasped the electric fence to aid my hike up the hill. While I was listening to the bellowing cows, and the yellow-bellied sapsucker in the Forrest, I suddenly found my backside in the middle of the dirt road! While the laughter flowed easily from the children, aside from my embarrassment, I sensed an air of contentment.
Great-grandma spent most of her days running the used clothing store. An old tin building, it was more of a shack that reeked with the aroma of moth balls. All the clothes at the home were donated by outsiders. The staff rationed the children out what they needed, and the children could buy extras with money they earned from chores. My mother gave us spending money to buy items in the store, not because we needed any clothes, but as a means to help support the children's home. Great-grandma always smiled and patted our heads, as older people do, when we gave her the money for our purchase.
Through her peaceful spirit, given to her by God himself, it was apparent Great-grandma's life had not been easy. She was young when she married. While pregnant with her second child, my great-grandfather left. No one ever saw him again, except in the features of the two children he left behind. After living at Bethany for a school year in 1927, she returned to her parents in March of 1928 to East Liverpool, Ohio to have help in raising my grandmother and her brother. During that winter, it was not unusual for them to find streaks of snow across the bed clothing in the morning, after a night of snow that had blown through the cracks in the walls of the side room that had been added to the store where they lived. Great-grandma visited often, and in 1939, she returned to Bethany to take care of the Home Girls and was in charge of the used clothing store until her death in 1977, thirty-eight years later. Great-Grandma never remarried, finding contentment in her position at Bethany and the many children she cared for. My Grandma loved Bethany so much she actually sent my dad and his two siblings to live with Great-Grandma and Great-Aunt Mildred at Bethany for three years in the late 40's to attend school while Grandpa worked out west, giving three generations to have lived in the bottom land by Holly Creek.
Unwanted children…that's what they called them. I never thought of my newfound friends in that regard. We played on the large iron swings, and ran through the fields just the same as my friends at home. The children were loved and well adjusted, a far cry from the horror stories about orphanages in the media today. I remember stories of the mountaineers leaving children to the door of the orphanage during the night, especially during the depression years. They had no means of feeding their families, yet loved their children and wanted for them a better life. At the orphanage, instead of a mountain shack, they were placed under a roof with heat on their feet. The children were fed, schooled, and definitely loved.
I have not returned to the tranquil valley in the Appalachians since the sisters passed away. Often, I consider taking my own children to the place which holds a few very dear memories for me. They need to experience the natural tranquility of the bottom land near Holly Creek, to experience the joy of giving love to those who have so much to give back. I cannot give this priceless heritage to my children for the Bethany Children's Home we knew no longer exists. Government red tape forced the orphanage to close in the 1980's. The home then became a private Christian school in 1986, leaving the mountaineers to fend for themselves or depend on government handouts. My children will see the orphanage only through my eyes when I reminisce on my own experience. I often wonder, since Great-grandma is gone, since Aunt Mildred is gone, and since the home where so much love abounded is gone, who will take care of the orphans?


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Thursday, August 27, 2009
Dam Bank - Golden Girl
This Dam bank girl has on golden colored clothing and has greenish/yellow eyes. She's pretty and wants a hug.
Labels: dam bank, golden girl, troll doll, trolls
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This site is designed to share my love of trolls with other collectors. Browse around. You never know what you'll find just trolling around.


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Monday, March 28, 2011
National Watercolor Society All Members Show 2011
8 comments:
Congratulations!!! It is a beautiful painting!ReplyDelete
I'm not normally a huge fan of blues, but love them in this w/c. Beautiful! Congratulations!ReplyDelete
Wonderful news, Lorraine. Beautiful painting and deserves to be seen in a show.ReplyDelete
OK Lori, just signed up with Google...will make it easy to respond. Congratulations on this acceptance. I don't know what shows you entered that would have turned down this painting. It is beautiful and well-executed...one of your best.ReplyDelete
Carrie, Patsy, Ann, Hanni821,ReplyDelete
Thanks so much for the kind comments! This is the 4th blue pot painting I have done. I love the blue of these pots and the reflections in them.
Beautiful painting - congratulations!ReplyDelete
Congratulations! It's a beautiful piece and deserves recognition.ReplyDelete
Love, love it!!!! Congratulations!!!ReplyDelete


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IT'S been four weeks. Four weeks since the election. Twenty-eight days of maddening gamesmanship by Al Gore and his supporters, who have made claim after claim about the essential fraudulence of the Florida results – every single one of which has been rejected by the courts they profess to love so much.
Rejected: Warren Christopher's contention that the "butterfly ballot" used in Palm Beach County was "illegal."
Rejected: The insistence that tiny indentations on or near the punch-card chad for Al Gore had to be counted as votes, and that the county canvassing boards did not have the discretion to judge them in every other way.
Rejected: David Boies' repeated argument that Florida law required manual recounts simply because they had been requested.
Rejected: The Gore campaign's assertion that Florida's secretary of state did not have the right or the authority to certify the election until every manual recount had been completed.
Rejected: Boies' novel notion that in filing a contest of the certified results, the remedy sought in such a contest – the manual recount of disputed ballots – ought to take place before a judge had even determined that a remedy was warranted under Florida law.
Rejected: The argument that the Nassau County canvassing board did not have the discretion to determine that in the machine recount, more than 200 ballots had been inadvertently left out – and therefore that the election-night count should stand instead.
Rejected: Laurence Tribe's statement before the U.S. Supreme Court that the statutory deadline for the reporting of results to the secretary of state was "Pickwickian."
Rejected: Boies' assertion that in the "contest" period, the judiciary has unlimited authority to ignore other aspects of Florida election law and consider the Gore camp's claims "de novo."
Rejected: The claim that recounting only a few thousand disputed ballots in the contest period did not create a "two tier" system making the votes in the
three Democratic counties chosen by the Gore campaign count for more than the votes in other counties in which there were no recounts.
Rejected: The assertion that the Miami-Dade canvassing board abused its discretion by abandoning its manual recount.
Rejected: The late-entering notions that the supposed hardening of the rubber in the Votamatic devices and the failure to empty them of chads meant that "machine error" was at work.
Rejected: The argument that the secretary of state should accept the results of partial manual recounts.
Rejected: The contention that the evidence unambiguously proved manual recounts were necessary because they might change the outcome of the election.
Al Gore and his supporters believe they won Florida, and everything they've done emanates from that conviction – this, despite the fact that after two machine counts of the vote and manual recounts of nearly 1 million ballots, they have failed to overtake George W. Bush's admittedly minuscule lead.
So what they've done in the past 28 days is advance every argument, every contention, every notion, every assertion possible both in the media and in the courtroom. And with the exception of the delay in certification ordered by the Florida Supreme Court – which the U.S. Supreme Court suggested yesterday was illicit – they have lost and lost and lost. George W. Bush will be president of the United States come Jan. 20.
Florida's Supreme Court simply cannot act quickly enough to satisfy the Gore team's increasingly deranged effort to overturn the results of a certified and entirely legal election.
And even if the judge hearing the case involving the illegally-executed absentee-ballot applications in Seminole County takes it upon herself to throw out 15,000 certified votes that no one argues were cast fraudulently, she will only embolden the Florida Legislature to assert its constitutional prerogative and send another slate of Bush electors to Washington.
It will be messy, and tens of millions of Americans will think that George W. Bush is an illegimate president. It's hard to imagine how he will manage once in the Oval Office. But he will be the occupant of 1600 Pennsylvania Ave.
He won it at the ballot box, where it should have ended. But what few people have mentioned is that he has won it in the courts as well.
E-mail: firstname.lastname@example.com


text: Severin, Not sure what I did with your original message - sorry, probably starting a new thread on the same topic, but this was the only way I could manage. Thank you for your detailed reply. It would indeed make a very good wiki article, and I would like to see that created soon, but possibly amended slightly. I do have a few other thoughts about the validation process though. My thoughts are from my own personal experience, and it would be good to obtain the views of several people, preferably fairly new to the system; When I first started mapping for HOT I found I was checking the squares that I had marked as complete on a regular basis. I was looking for some kind of confirmation that the work I was submitting had been checked and found to be of some kind of use. As an experienced 'mapper' I know that a lot of work I submit will be amended/refined in some way in the future by another mapper, but I felt that the validation which was obviously going to take place would provide some acknowledgement that I was producing something that moved the project forwards & wasn't hindering. Having looked back through the tasks I have been involved in, I can see that very few squares are actually marked as validated. Life experience has taught me there are circumstances where people can make quite serious mistakes by accident, or indeed deliberately sabotage a project, and I became concerned that this may not be discovered very quickly. Before I retired I spent many years working as a supervisor in an emergency control room, and found that the operators I was working with were keen to improve their capabilities, and prompt feedback & encouragement was extremely valuable for many reasons. In this work environment, the agreement between the supervisors was that we did not validate our own work, but that it was validated by another - thus avoiding as much human error as possible. Obviously providing individual tailored feedback on each 'square' would be practically impossible, being extremely time consuming, and would probably cause offence amongst mappers who are experienced & devoted to HOT. Would it be possible, when a square is marked as validated, for some kind of auto generated message to be sent to the person who marked the square as complete - simple message something like /"Thank you for the time & effort you have provided in mapping square xxxx on HOT task 326. This square has now been validated by another experience mapper. If there is any particular feedback it will be listed here:- // //Your further involvement in mapping//areas in which relief organisations are working would be appreciated & welcome.// // //Further information about the work of HOT can be found at .............., and if you have not already done so, subscribing to ........... will give you more information & updates.// // //Thanks again// // //.............. (Validator)/" The aim of this initial validation is to encourage new mappers to HOT to continue, and for preference should take place fairly soon after they have marked the square as complete. I accept that 'Fairly soon' can be a difficult/impossible target when vast quantities of mappers suddenly start work because a disaster is imminent or has just occurred, but feel that encouraging new mappers to continue should provide dividends in the long run. The option to not send the message should also be available, especially in the event of a long delay between mapping and validation. To be feasible would require that a number of people are willing to validate for part of the time they devote to HOT. It would be good to target the HOT tasks that have involved recent activity, such as those on the featured list, but care would be needed as some mapping took place when only poorer or older satellite imagery was available. In the event that information about who actually marked a square as complete is not available, perhaps the message could be sent to the individual(s) who have recently mapped in that square? Just marking the square as validated would provide enough encouragement for most people who continue to map with HOT, but the message gives you the opportunity to pass out substantially more information - not sure how to manage the communication with different languages though! I get a great deal of satisfaction from mapping, and would not want to validate all the time, but feel that using it as a tool to encourage others to continue aiding the project is worth trying. If the HOT members feel there is some merit in trying this, I feel it should be documented on the wiki, so that messages do not come as a surprise, or worry people because they think they are being singled out. Thanks for reading - sorry there is so much of my message! Regards Nick (Tallguy) ------------------------------------------------------------------------ Thank you for your email. My answers inline. >/ Date: Sun, 12 Jan 2014 13:48:00 +0000 />/ From: Nick Allen <nick.allen.54 at gmail.com <https://lists.openstreetmap.org/listinfo/hot>> />/ To:HOT at openstreetmap.org <https://lists.openstreetmap.org/listinfo/hot> />/ Subject: [HOT] Validation queries />/ Message-ID: <52D29D10.6010009 at gmail.com <https://lists.openstreetmap.org/listinfo/hot>> />/ Content-Type: text/plain; charset="iso-8859-1"; Format="flowed" />/ />/ Hi, />/ />/ Would you like me to join in with the validation process? I am />/ experienced in mapping OSM, but am fairly new to regularly mapping HOT />/ projects. />/ /Would be great! Thanks for the proposition! Indeed you have contributed a lot in OSM. Mapping HOT projects is not very complicated, as you saw with the Highway_Tag_Africa<https://wiki.openstreetmap.org/wiki/Highway_Tag_Africa>, it is less detailed then in developed countries, at least regarding remote mapping. Maybe the difficulty is when you do not know how those contexts look like. A goo way to compensate this is to look for videos posted on Youtube (examples here<http://www.youtube.com/results?search_query=bangui&sm=3>), especially the ones taken along road or streets. This is how you figure out if properties enclosures are walls, fences or hedges, what is often a cultural feature. Ah, just saw you mapped some wall enclosures (eg here<http://www.openstreetmap.org/node/27564988#map=19/4.41952/18.51870>). They actually are buildings (houses) under construction. It is frequent in developing countries that such works last a long time or even be abandoned. >/ />/ I'm responsible for some of the mapping in />/ http://tasks.hotosm.org/job/72, as well as trying to change some of the />/ more obvious 'highway=track to highway=residential or unclassified etc.. />/ or it may be easier to check what I've done using my OSM profile />/ />/ http://www.openstreetmap.org/user/Tallguy/history#map=13/4.4168/18.4936&layers=N />/ />/ How much validation is actually needed / done? Is it a proportion of the />/ whole task, or just until you are confident that, all things considered, />/ the task is fulfilled? You're never going to get 100% as some things />/ boil down to opinion about what the images actually are of, but the vast />/ proportion is pretty obvious. />/ /This is something that still needs to be settled and documented. I would say a validation is about both identifying mistakes/mapping lacks and standarzation/consolidation and has 2 or three steps, related to scale: 1. At neighborhood scale, check notably if: - buildings are missing. Sometimes it happens and if actually it represents a consequent number of building over a TM task, it can be invalidated - buildings are correctly traced. Hopefully it is not frequent, but sometimes mappers made really coarse outlines that do not respect either the buildings proportions or angle. More frequent are mappers that do not know how to square the buildings. In this case, after having checked what is their preferred editor, I generally send a message to their OSM message box to give them the tip to do it - highway tags are correct. This is what you described. Some mappers put tracks wherever it is not a main road considering it is not paved, but this is not a meaningful criteria in these developing countries considering 99% of roads are unpaved. - road geometry. Some mappers do not put enough details and other too much (eg a node every 10 or 20 m even if the road is straight). First case is quickly corrected with the (magical) Improve Way Accuracy mode in JOSM; second case requires deleting extra nodes when they actually make weave a straight road. - start/end of roads. Some mappers are experts of giant snake roads or loop roads, Requires to pass the mouse over the streets to see their extent and cut them where it makes sense. On the contrary, some streets or roads are sawed without any reason (same tags for all the sections) - general issues of connections between objects. Some that should be connected and those that should not. Requires both Validator and also eye control 2. at the town or city scale, it is quite related to the road network and its main highways. Having a larger view to identify the highways that are not simple residential roads. They are often larger and frame a larger area or can be a parallel way to main roads. It is also important to check where they start and when they stop, what is often not possible to do when you map with the Tasking Manager. This is what I tried to do with Bouar<http://www.openstreetmap.org/#map=14/5.9374/15.5879>; here are some examples of issues for Bangui: - missing parts of highway<http://www.openstreetmap.org/node/27564988#map=17/4.38964/18.54186>. Looks weird on Mapnik and the check of the imagery confirms the two sides of the road separated by a drain are not finished - road continuity<http://www.openstreetmap.org/node/27564988#map=17/4.38686/18.50796>. The situation here seems weird as well as we expect the 2 unclassified roads to be connected and not joined by a simple path. The imagery confirms that the southern highway looks the same, and should be tagged the same, whatever the tag. The example is actually good as farther south<http://www.openstreetmap.org/node/27564988#map=17/4.37643/18.50931>, it changes for tertiary. No reason for this, says the imagery. It should be cut when it becomes a straight road, though - isolated upper-level road sections<http://www.openstreetmap.org/node/27564988#map=15/4.4070/18.5068>. Drivable highways cannot be isolated and connected to the drivable road network by paths, they must be connected to it - tagging coherence <http://www.openstreetmap.org/#map=15/4.4333/18.5314>. in this example, the primary and tertiary road are connected by a unclassified road. Same thing between the two tertiary roads. After having checked the imagery this road would deserve to be tagged as tertiary. This obvious example apart, this requires to check the streets width to identify the main ones that needs not to be tagged as residential but unclassified or even tertiary. Hope this can help! I had in mind to give some tips and it became a start for a future wikipage :) Hope other people will read/discuss/complete this. Sincerely, Severin Any constructive feedback from experienced HOT mappers is welcomed. >/ />/ />/ Regards />/ />/ Nick/ -- Nick Volunteer 'Tallguy' for https://wiki.openstreetmap.org/wiki/Humanitarian_OSM_Team Mapping volunteer 'Tallguy' for http://www.openstreetmap.org <http://www.openstreetmap.org/> Treasurer, website & Bonus Ball admin for http://www.6thswanleyscouts.org.uk/ (treasurer at 6thswanleyscouts.org.uk <mailto:treasurer at 6thswanleyscouts.org.uk>) -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://lists.openstreetmap.org/pipermail/hot/attachments/20140117/825d009a/attachment-0001.html>


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