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Most of the users I requested friended me back on Facebook, and by the end of week two, I had 132 new friends. 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Snapchat started out as a safe way to send your sexy pics without having to worry about them sticking around on the internet forever.
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Heck, they practically invented sexting apps!
Standout feature: Ask me when SnapChat started and I'd say the fact that your sexy pics vanish, but screenshots have kind of ruined that game.
At least SnapChat will tell you if your sexting partner snapped a screenshot, so you can remember to never sext that creep again!
And of course their filters are world-class. Not sexy (unless you're into flower crowns, I don't know your life), but very fun.
I really only knew of KIK as the app that the Kardashians were promoting for a while, which probably just says a lot more about me and where my interests lie then it does anything else.
KIK was once Blackberry's messaging service, but now it's a standalone chat platform that lets you send texts without using a phone number.
Standout feature: The anonymity is nice, but the fact that you can chat with up to 50 folks in one group makes it ideal for planning your next sex party or orgy.
4. Tinder
You can't make a list of go-to apps for sexting and not mention Tinder.
Tinder uses your location to help you find and meet people in your area, making casual sex a breeze.
I also really love that Tinder puts YOU in control. Like someone, swipe right. Not into it, left you go.
It doesn't get easier than that.
Standout feature: Tinder cuts out any and all baloney. You find someone you like near you, and sex is had. BOOM. Doesn't get more straightforward than that.
And of course you can use it as a dating app if you want a little more than just hot sex.
5. Wickr
Wickr is kind of like Snapchat minus all of the filters and stories.
It's sole purpose is to provide a place for you to safely and discreetly share your nude photos with your sweetie.
I mean, you could also just be sharing pictures of cheesecake that you really don't want anyone else to see, but frankly, I don't think that's what you're up.
Standout feature
Wickr really does destroy your photos, complete with bomb-exploding graphics to make you feel like James Bond.
Plus all of their data is mega-encrypted, which basically means there is zero percent chance your boss will ever accidentally see your vagina.
Wickr was co-founded by a woman. So cool.
6. FaceTime
When you think "apps designed to help you have sexy sexts" you don't necessarily think FaceTime, right?
Time to change that.
FaceTime is the new Skype, making it easier than ever to connect with your sweetie for some face to face...time, even when you're both far apart.
Standout feature
The products designed to use WITH FaceTime. Lovehoney has actually designed a selfie-stick that live streams images from inside your vagina straight to your lover's eyeballs. Sounds pretty scary to me, but hey, whatever floats your boat.


text:
Dim oAction As CAction
Dim oSolic As CActionSolicitor
Set oAction = New CAction
oAction.Init REApplication.SessionContext
oAction.Load 1227 'Loading action by system record ID
For Each oSolic In oAction.Solicitors
If oSolic.Fields(ActionSolicitor_fld_NAME) = "John Doe" Then
oAction.Solicitors.Remove (oSolic.Fields(ActionSolicitor_fld_ID))
End If
Next oSolic
Set oAction = Nothing
Set oSolic = Nothing
End Sub
Disclaimer: We provide programming examples for illustration only, without warranty either expressed or implied, including, but not limited to, the implied warranties of merchantability and/or fitness for a particular purpose. This article assumes you are familiar with Microsoft Visual Basic and the tools used to create and debug procedures. Our Customer Support can help explain the functionality of a particular procedure, but we will not modify, or assist you with modifying, these examples to provide additional functionality. If you are interested in learning more about the VBA and API modules, contact your account manager.


text:
Celebrate the 250th birthday of one of the most beloved composers of all time during "Happy Birthday Amadeus" – a salute to the music of Wolfgang Amadeus Mozart – during final "Midsummer Music with the Westchester Philharmonic" concert Saturday, July 30, at Lasdon Park, Arboretum and Veterans Memorial in Somers.
The evening's program is a preview of the Philharmonic's upcoming season and will feature the Overture to Cosi fan tutti and Flute Concerto in D, K.314 with Paul Lustig Dunkel.
Under the direction of Paul Lustig Dunkel, the Westchester Philharmonic is a nationally recognized professional orchestra that has served the county's culturally diverse population and provided an artistic outlet for the area's composers and performers for more than 20 years. Now in its 22nd year, the Westchester Philharmonic comprises the finest musicians from the greater New York area, and many have played since its debut in 1983.
The gates open at 5 p.m. for picnicking; the music begins at 6 p.m.
Tickets for "Midsummer Music with the Westchester Philharmonic" are $10 for adults and $5 for children under 18 per event. Group tickets are available by calling the Westchester Philharmonic at (914) 682-3707 ext. 10. Somers residents receive a 20% discount on all tickets.
Seating at the park is informal and concert-goers should bring blankets or chairs for seating on the lawn. Refreshments will be available for purchase throughout the concert. No pets are allowed at the park.
Please note that parking is approximately one-third mile from the concert area. Shuttle bus transportation and parking for the disabled are available. Rest rooms are accessible to the disabled.
The "Midsummer Music with the Westchester Philharmonic" concert series is presented by the Westchester Philharmonic and Westchester County Parks. The series is sponsored by Astoria Federal Savings Bank, Ginsburg Development Corporation, Northern Westchester Hospital and the Town of Somers.
Lasdon Park, Arboretum and Veterans Memorial, a Westchester County Park, is a 234-acre developing arboretum. It is located on Route 35 in Somers, and can be reached via I-684, exit 6. Head west off the exit; the park is four miles ahead on the left. Or, take the Taconic State Parkway to Route 202 exit, and head east on Route 202. Follow to Route 35 and turn left; the park is three miles ahead on the right.
For more information on Midsummer Music with the Westchester Philharmonic, call (914) 682-3707 ext. 10, or the County Parks Department at (914) 864-PARK; or log onto www.westchestergov.com.


text:
Having carried out an analysis of training needs and agreed the outcome with the customer, Pilotwise brings the full course design team into the project. As a minimum, this is likely to include; the lead project manager engaged in the Training Analysis; instructional subject matter experts (SMEs), familiar both with the ultimate frontline role(s) and training platform type(s); a training psychologist; technical author(s); graphic artist(s) and animator(s).
The design team will set learning objectives, choose media applications, devise instructional and evaluation strategies, and develop course materials.
Pilotwise Directors and SMEs have recently designed, taught and managed military flying training programmes. We appreciate the need to deliver training that prepares a student to address the tasks of today and, wherever possible, the future. In these times of fiscal restraint we design to maximize the use of existing resources in order to achieve the desired outcome as cost effectively as possible.
We aim to deliver to the student a stimulating and structured programme of learning that properly prepares them for their operational role.
Keeping in sharp focus the required outcome, Pilotwise designs each system to take proper account of:
- Optimal live and synthetic flying balance
- Task to platform analysis and overall system management
- Training pipeline capacity
- Instructional facility requirements
- The need for an effective training management system
We regularly return to the customer to discuss the design; as it matures we present, discuss and agree the near-final design in order to fully develop the instructional and evaluation materials.


text:
003: Out of the Storm, by Ian O'Reilly/
[Click here to expand for trigger warnings][Click to hide trigger warnings]
This section is for readers who want to be prepared for the possibility of content they might find upsetting or triggering. If you don't feel you need this kind of warning, please ignore this box to minimize spoilers.
This story contains ocean travel, assault, and gun violence.
We include trigger warnings to make or work as accessible as possible. If you notice elements of the story you feel should have been forewarned and weren't, or if there's anything inadequate or misleading about the way we presented the information, please let us know so we can get better at giving adequate warning.
About the Author: Ian O'Reilly is a freelance writer from the UK, where he seems to tinker with imaginary worlds for a living. His work has been published in Third Flat Iron Anthologies, Voices of Imagination, and he is a somewhat sporadic reviewer for the British Fantasy Society. He remains interested in alternate realities, feral futures, and improbable myths.
Out of the Storm
by Ian O'Reilly
Pull, release. Catch, pull, release-
The triangle of slate gray sail above the woman's head snapped and billows as it responded to the rope playing out from her steady hands. Her movements are languid, seeming slow against the black backdrop of storm waves. Rise. Fall. Dark sea below, scattered with the boil of white foam, dark clouds above. Only the thin strip of white along the horizon separating the two.
Spray salted the woman's hair that was once curly and black, now shot through with grey. She looked to the only other passenger of the craft like a kind of storm spirit herself, her dark skin lined and etched by the elements, a small figure in a long twin-hulled catamaran, leaning and weaving with impeccable grace as she tacked ahead of the storm.
"The storms are getting worse, huh?" Muttered the passenger, a young woman halfway through her teens, round-eyed as she crouched in one of the boat's hulls.
"Tavi, shush." The pilot says, her voice as wrinkled with time as her hands. "What have I told you about buying bad news?"
"Don't advertise it," Tavi sighed, using a phrase that brought about great cackling by the older Mothers and Sisters of the People. Like it was some kind of inside joke that they weren't sharing with the youngsters like her.
Probably something to do with the Oil Age. Tavi rolled her eyes, looking at the point between the rising prow and the falling horizon beyond. That was what the Mothers and the Sisters called the time before taking to the sea. A time when they said the world was different, darker, greedier than it was now. Tavi sighed, the wood hard against her back. Ever since she could remember, there had been one of the male elders or a Mother or Sister watching over her and the other children. She had grown up on the floating community, its name as simple as its purpose: Home. Tavi could name all of the colors of the sea, from ultramarine to purple, grey, teal, turquoise to glas, hijo, biru. Tavi could recognise the smell of the spring-tide, rich and heavy with the bloom of algae that the People would harvest to make bio-fuel.¹
Tavi had lived her life leaping from one wooden and bamboo platform to another, painting and re-painting the boards with foul-smelling preservative oils, diving into the summer seas, checking the water turbines that spun lazy and constant under their huts.
I can catch a fish twice my height and weight, but they won't trust me to pilot a boat alone! Why did she need Mother Shibani here?
With another jolt of the waves, the girl's stomach lurched, the prow dropped and suddenly she was looking at dark shapes crowding the edge of the world. Tall colossi standing or leaning on each other like giants. Towers of a different age, crumbling and forever guarding the mainland.
"Land Ho!" Tavi shouted, mimicking one of the old films that she and a friend had streamed to their laptop. In it, there had been pirates racing across sun-burnt oceans, always scowling or laughing. She had wondered if that is what the rest of the world thinks of her floating community; ragtag clothes and bottles of rum. Mother! She thought with a sudden thrill of excitement. Life wouldn't be half as boring if we really were pirates. Instead, Tavi felt like just another teenager with too many boring and senseless tasks to do. Check the nets. Clean the solar-panels. Scrape the seaweed. Water the gardens.
"'Land Ho?'" Mother Shibani smirked as her hands wove the sail back and forth, back and forth. "It's been a long time since any of us saw the need to shout that out, child." She grumbled, and Tavi said nothing, ducking her head back to turn and look at the odd sentinels of stone and metal and concrete on the horizon.
Mother Shibani, unlike some of the other Mothers of the People, still had a slightly jaded view of the internet, with all of its adverts, subscriptions, and promotions. She had endeavoured to tell us that it was a tool.
"Just like this sail, these oars, or that water filtration unit. You use it to get stuff done. Add to the world, don't waste anything; not energy, not your time, and not your attention!"
Tavi had heard the lecture a thousand times before and more:
'There had been the Oil Age, and then we hit Peak Oil and no one could afford to run their cars and go on holiday. Wages dropped as the companies slashed their costs, and people fled to wherever there was work, and food, and the cities threw everything they had at nuclear power, and the seas were rising, and, and, and…' The girl had seen the news reports online of bread queues and the slums. None of it seemed real. How could it? A far away land where everything was grey and full of grey, angry-looking people.
But still the girl said her pirate words 'land ho' to herself, even though the Mother Shibani knew exactly where the land was going to be; she'd been sailing there for as long as Tavi could remember, starting her journeys from the People every spring, hardly spending a day with her feet at home, always sailing, always ferrying, back and forth, back and forth. Rise, fall. Catch, pull, release. Coming back with baskets of strange-looking fish or bundles of seaweed and algae from different sea-farms further out. Never speaking too much of her sea-salt adventures, chary with her stories unlike some of the other Mothers. Every one of her rare tales – of fish the size of the entire floating village, of whole seas glowing with phytoplankton – were as rare and as precious as golden honey, and equally as savoured by the People children. It didn't matter that Tavi could find out these things online (in the rare moments she wasn't busy) – the stories from a living, breathing person's lips meant something completely different to her.
When do we get to see for ourselves? Tavi had demanded once.
Mother Shibani had just nodded, saying nothing, her hands a landscape of lines and territories as they adjusted her rope-work, bringing their boat like a dart towards the shore.
The catamaran beached with a scream of pebbles, and it was Tavi's job to jump ahead of the boat, seize one of its wooden prows and pull the boat upwards as Mother Shibani reefed the sail. She had been told precisely how to do so but had never done it before.
The beach was rain-sodden shingle, and it crunched and sucked at her feet greedily as she fought the hungry gravity of the tide.
"Frickin' Hell!" Tavi swore as she struggled, sliding down on one knee before the hulls of their boat bit and caught onto the land.
"Tavi – language!" The Mother reminded her, but Tavi noticed that the woman didn't follow it up with her usual stern glance or warning finger. She was just as busy as Tavi was, trying to make sure the wire connectors between the solar sail and the backpacks didn't get wet in the storm as she hastily shielded and checked the batteries.²
"Sixty percent," Mother Shibani said with a pleased note to her voice. "These new photovoltaic fabrics even work through that storm."
"This storm," Tavi muttered, wading through the shallows to start unpacking the bundles and bags that they had brought with them.
The Mother could see that her companion was right; the storm was starting to break and the rain was coming in hard and fast now instead of the occasional drizzle. Thunderheads were piling up over the coast, and she wouldn't be surprised if there would even be lightning before the night was out.
"Come on," Shibani said, already shouldering bundles almost as big as she was, a staff in one hand as she powered up the beach. Tavi groaned, seeing her pace, marvelling at her resilience.
"You have your suit turned up?" Shibani called back, and Tavi made a noncommittal sound. She had completely forgotten about it in the excitement of the landing, and now she fumbled with the controls on her hip's waistband. In just a few seconds, she started to feel warmer as piezoelectric filaments in her suit, activated by walking, channelled the tiny residual electric charge to heating elements in her leggings and vest.
"Ugh." Tavi had barely walked five steps before a wave of giddiness washed over her. Her knees felt like jelly, and she stopped, breathing hard through her nose.
"Land-sickness." Mother Shibani was beside her, patting her gingerly on her sodden shoulder with one hand, before pulling a pouch from her side. "No matter how secure we anchor the community to the atoll, it is always hard to come off the sea," the woman explained. "Your body thinks that it is still at sea, and cannot understand why the ground isn't bobbing up and down. Chew this, ginger and mint. It'll settle your stomach." She produced a small lozenge, and after a few minutes, Tavi's sloshing stomach started to settle, although her legs still felt odd, wobbling and unsure of themselves.
"Here." The woman said at the head of the beach, her shoes standing on a broken slab of concrete. She pointed down into the deserted city for the girl, heedless of the roar of the wind and the rain that whipped her hair back and forth.
Tavi blinked, for a moment forgetting the assault of the gales. She had never seen a real city before, only the snatches of video footage through the electric light of laptop screens.
"Great Mother..." Tavi breathed. It felt to the girl like she had walked out of her life and into a dream. Or a nightmare, more like.
There were the cities trademark giants of concrete and steel; tower buildings like the skeletons of old animals. Impossible to bury or forget, they stood, quietly mouldering away, their glass windows missing as often as not. Rubble and trash lay collected here and there – drifts of plastic bags and wrappers collecting in sodden heaps. Tavi imagined the city itself sinking a little lower every year into the trash and debris, getting a little wilder perhaps, but not softer.
Despite the grey murk of the storm, Tavi could make out the straight lines and grid-like networks of the streets. Squares of concrete sitting next to other squares of concrete. It was nothing like the home of the People, with their constant movement, color, flowing lines, and curves.
But what was most shocking was the city's emptiness. There were no people in the streets. There were the shacks and huts and shelters where they had once lived; corrugated sheets laying propped against concrete walls, sheets flapping in the rain – but not occupied by anything other than roosting birds and scurrying animals.
"This is a dead place." Tavi whispered, using the one word that the People almost never did. "Why?" Tavi said after a moment.
"Pfagh." Mother Shibani said, apparently summing up her entire attitude to the Oil Age in one syllable. "You know nothing dies. Nothing. Not even this place, it just gets recycled. Come on."
It didn't look to Tavi as though the city could be recycled. It looked stale. There are no new currents here, she thought. Everything in their community got recycled and became something else in time. The roofs of their huts became gardens, their huts themselves eventually became the materials to re-patch the platform, or compost. The wool that they traded with far off, fairy-tale-like settlements became clothes, bedding, and then bandages, sails, compost. Even their dead became humus for their gardens.
"But – but where are all the people?" Tavi had been picturing the throngs that she saw on the video feeds, people wearing all styles and manners of clothing, living jammed side by side, in flats and apartment blocks, terraces and on balconies. It was clear that they had been here, once, but were now long gone.
"They were relocated by the government when the power started fading, migrating further inland to a bigger, much larger city. There're still some hanging onto to the outskirts, small groups living as refugees on international aid drop-offs." Mother Shibani said sadly. "The government here calls it a Managed Disaster Zone, although when there are many such Zones springing up all over the world, you have to wonder if they really are managed at all."
Tavi made an agreeing sound, but didn't understand. This was the most that she had heard Mother Shibani speak, and although she didn't want to break her unusual spell of candour, she had to ask:
"Is this why... Is this why we live out there? On the sea?" She looked at Mother Shibani carefully.
"Hm." Mother Shibani said, an answer that could have been both a yes and a no. The girl was about to ask again, but the older woman was already crossing the street.
The rain was pelting now as they passed rusted mounds of cars reclaimed by the wandering dunes of garbage and litter. The two figures made their way down streets of empty buildings, their floors host to nothing but weather and scavengers.
It's creepy, Tavi thought, looking around and seeing the open maws of windows and doors everywhere she turned. There were signs of the things that the refugees had been forced to leave behind: here a cup, there a set of summer-chairs. Endless amounts of plastic like a new form of weed, finding root anywhere the wind blew.
Despite the strange environment, she was glad when the Mother crossed another empty intersection, and lead her out of the weather and into the cover of an old stone building – this one with a peaked slate roof; a church. She marvelled at how the rooftops of the people of the Oil Age were solid, functional – nothing but what they were – a barrier between the sky and the earth. At home in the floating village, every roof that she had ever seen was either covered in panes of the colourful photovoltaic glass, or host to a nursery of plants, creeping ivy, fresh-scented herbs or trailing flowers.
"We'll wait here, just until the storm eases off." The Mother said, already busying herself with unpacking a small stove with an internal flint. With a spark, a friendly glow sprang up from the small wick of biofuel, and Shibani was humming as she set a small pan of water onto boil.
Tavi was cold around the edges, her core kept warm by the suit but her feet, hands, and hair sopping wet. She stood up and looked around the ruined church: the long hall with its old benches sat crumbling away in disorganized reverence.
Tavi wondered what denomination the church was as she walked down the central aisle, towards where the hall narrowed, and turned into a raised space with a shallow stone pond at the back. She wondered how many people had sat on those rotten seats, how many prayers they had said. Maybe she was being fanciful, but she wondered if there was still a whisper of something in the air – a quietness... The pond at the back had collected rainwater from the broken windows above, but somehow something greasy and shiny had gotten to it, giving it a vaguely iridescent, colorful tinge.
Chemicals. Brackish. Bad water. Tavi sniffed. "I think some of your Oil Age got left right here." She called back with a grimace to Mother Shibani.
There was a dry rasping sound from behind her, and Tavi realized that the Mother was chuckling as if she had said something very funny. "Maybe." She answered, busying herself with crumbling herbs and spices into her tea. Outside the tempest still beat itself against the stone building, gusting in through the empty windows.
She still won't tell me what this is all about. Tavi huffed in frustration. What am I doing here? What has this empty place got to do with me? Why were all the Mothers like this? Do they think I couldn't handle the truth?
She saw glint of odd-coloured light on the floor. The only light in the entire grey-filled day. Tavi followed it to find that it was reflected from a corner of a window, crisscrossed in lead to create the shape of half an alarmed human face. It was a little like their own colourful windows, with the multi-coloured solar-cells that they used to create whirling and elegant patterns throughout their buildings. Tavi wondered about the person in the window, and why on earth they hadn't decided to use solar cells instead.
"How much farther do we have to go?" Tavi asked as she turned back to Mother Shibani.
"Not much." Tavi's feet fell a little heavier on the ground as she stalked back.
"Mother?" She stopped over the crouching woman, as the fresh and spicy tang of tea drifted up between them.
"What? Drink your tea." Shibani gestured to a second cup.
"I want to know, Mother. Why are we here? Why did you bring me with you?" As soon as she had started, it was like the floodgates were opened and she couldn't stop. "Why won't you let me pilot the boat alone? I'm old enough to be a Sister now! This place is horrible – it's dead, it's stale, there's nothing here!" Tavi ended on a shout.
"Tavi, there is something here. There is you, and me." Shibani smiled nonchalantly. "You need to know about some things."
"At last," Tavi said under her breath, eliciting a dark look from her companion.
"People..." Shibani's eyes scanned over her head, searching for the words. "People are like plants... No matter whether they grow here, in the MDZ, or in North or South, or on the sea or land. We grow as much as we are able, as much as we are given the right nutrients, water, food," Shibani said seriously. It all seemed pretty obvious to Tavi. The Mother scuffed around until she found a handful of rocks, and set one on its own the bare stone floor.
"There was a time when all of that was threatened – in the Oil Age some people wanted all of the nutrients and food, and were obsessed with fuel, Oil, that allowed them to get more resources." She set another rock near the first, and another a little way off again, before pointing to the first. "If this one community had all of the resources, then there would be nothing for anyone else. Many people starved. Many animals died. The planet itself was injured."
Tavi rolled her eyes. "Yeah, I know. The storms came, the seas rose, and the People took to the ocean. I know all of that."
"But you don't understand it because you've never seen it, child."
"I'm no child!" Tavi protested.
"But that is why you are here. To see and to understand." Shibani pointed back to her three rocks on the floor. "Now, our People travel, just as we are doing, from one place to the other, offering them what spare resources we have, and bringing back supplies that we need. At one time on the earth they used to call it Kula ring; the Trobriand islanders used to offer Kula to each other in return for aid. No one community ever gets too big that it takes from any other."³
The old woman's fingers, scarred and cross-hatched with years, went back and forth from one rock to the other in a graceful, never-ending dance. "Recycling, see?"
"Hm." Tavi shrugged. She understood it of course. I'm not a child!
"Anyway. Tomorrow, you'll see why. You'll understand." Shibani shook out two mats of woven dried sea-grass, and two thick blankets of rare wool. As her younger companion settled down to attempt to sleep, her stomach still churning from the land-sickness, she wondered just how far these blankets had travelled already just to get here.
But what about the others? She thought sleepily, her eyes already drooping. All the people who don't live out on the sea?
The only answer to her question was the battering of the downpour against the stone walls of their shelter.
Tavi awoke to the sound of rustling -- a snuffling, furtive sound in the dawn light. The eye of the storm was passing, but the sky hadn't lifted yet, leaving a watered-down, ashen daybreak behind it.
Tavi opened her eyes to discover that they were not alone. There, rifling through the Mother Shibani's bags, was another figure. Tavi opened her mouth to gasp, but no sound came out. She was paralysed in fear.
The hunched figure was a man, but not like the men of the People – who were wiry, athletic, golden dark skin or the weathered orange from the many years in the sun. This one looked unhealthy, pale, deep bruised sockets around his eyes, his clothes a mixture of others, stitched and re-stitched together. His hands moved quickly, pawing at the bags, the clothes, reaching in-
"Hss!" Mother Shibani moved with an incredible speed for her age, apparently effortlessly in a crouch with no movement between her being curled up asleep on the floor, her bare hands held out in front of her.
"Mother!" Tavi said in shock. She had never seen any violence, a few wrestling matches grown angry perhaps, but never serious conflict.
The figure froze, his pale brown eyes watching Shibani like a hawk. Tavi could see the beads of sweat clearly on the man's forehead.
The Mother spoke slowly, as if to a child. "I don't want to hurt you. But if you attack us, I will. Do you understand?"
The figure didn't make a move, but his eyes flickered from the Mother's face, then Tavi's, and back to the bag.
"Are you hungry?" Shibani said. "You need food?"
The scavenger didn't respond.
"I'm going to get some for you. But I'll be watching you, so don't try anything," Mother Shibani said, holding her hands out in front of her before raising one slowly, and reaching to the nearest pack.
As soon as she moved, the man flinched, scrabbling back a few steps, and Tavi was struck by a swell of sorrow for him. He was like a gull – wild and hungry and angry all the time.
"Easy now, easy." Shibani reached again to the open pack, but before she could even reach to open it, a sound broke the taut silence.
The roar of machinery, and heavy feet outside the church.
"Hngh!" The thief made an angry noise as he panicked, leaping forward, his cracked and blackened fingernails not reaching for the bag, but instead closing on Mother Shibani's wrist.
"Stop! Hold it!" Someone was shouting; a deep voice, an angry voice.
"Agh!" Shibani was fit and strong, but she was still a lot older than the younger man. She rolled backwards as he pounced on her, all bony knees and elbows-
"Mother!" Tavi shouted, not knowing what to do, or what she could do. The thief was wrestling with Mother Shibani, and there were people running into their ruined church: men in dark grey and green uniforms, helmets on their heads, nasty, stubby-looking guns in their hands.
"I said stop!" The nearest was shouting, raising his gun as Tavi screamed-
BANG! the shot rang out and Tavi couldn't breathe. She realized that she had her eyes shut and slowly opened them, dreading what she would see in front of her.
"Mother? Mother!" the girl whispered, almost hyperventilating from fear.
The thief was on his back, holding his hands up, Mother Shibani was next to him, and the soldier's gun was pointed upward: he had fired into the air. The silence was heavy between them as they all stared at each other.
The soldier was the first to speak. "You." He pointed at the thief. "You're under arrest."
To Tavi's surprise, the plea didn't come from the man, but from Mother Shibani herself. Despite the reddening bruise on her temple, she pleaded for her attacker. "The man is hungry and starving. He just needs proper food, shelter."
Tavi's eyes were wide as she looked from the soldier to Mother Shibani and back again. The soldier was younger than the Mother, a pinkish face with brown eyes. He frowned for a moment, breathed out through his nose then said forcefully.
"Aw hell. Go on. I haven't got the stomach for this – you," he pointed one gloved hand at the thief on the floor. "Get out of here. Now."
"Thank you," the man breathed, jumping to his feet as his eyes darted wildly back and forth from the soldiers to their military jeep parked in the rain outside. Without another word, he ran in the opposite direction, towards a hole in the church wall, and disappeared into the ruins.
"And you?" The soldier rounded on them, seeing the two women for apparently the first time. "Ah shit, you're not from the camps, are you? You're part of that group – the Unregistered Atlantic People, right?"
No, we're the People. Tavi thought, not recognising what the man with the gun and the uniform called them.
But Mother Shibani just nodded.
"Oh hell. This is a right mess." The soldier was saying, but Tavi stopped listening as she went to the Mother and allowed the woman to fold her into her bony, strong arms. Words like 'registration' and 'protocols' and 'porous border territories' flowed around her, but Tavi wasn't listening to any of it.
Instead, Tavi was listening to Mother Shibani's heartbeat as a tear fell down the older womans' cheek. She had never known Shibani to cry before, over anything. "It's not his fault." The Mother whispered.
The two women sat in the lee of the stone church, the soldiers and their Jeep gone a while ago. Both women looked paler and shocked with their day's adventures, but it was still only barely midday. The soldiers had tried to press forms on Mother Shibani, getting her to sign up to something, but she had flatly refused, and, despite their protestations, it had eventually seemed like there was nothing that they could do. They had ridden off, back on their 'security detail' of the Managed Disaster Zone.
"He had no People?" Tavi asked quietly.
"Yes." Shibani looked as distraught as her companion did. "There are many communities of people in the world, Tavi. Some of them don'tshare our view of the world. Some of them never had the luck of good Mothers and good Sisters."
Tavi nodded, not understanding but also not wanting to.
"Some of the people out there don't have anyone or anywhere. Some wander alone, like rogue sharks. I think this one was like that one – they are the truly unfortunate." Mother Shibani shook her head, standing up slowly, grimacing as her knees cracked.
"Come. Not far now." The Mother stooped to pick up her heavy rucksack and her staff, and Tavi thought that she had never seen the pepper-gray haired Mother ever look so old as she did now.
Their path was slow, but at least the heaviest part of the storm had abated, Tavi thought. Now the rain had just become a constant, almost gentle drone around them. Their feet took them down the center of rubble-strewn streets, and under the arches of collapsed buildings. Twice, Tavi thought she saw animals flicker out of the corner of her eye – deer crossing at the intersection down the street? Something large and lumbering picking its way out of a building, lifting its head to snuff the air?
But Mother Shibani didn't pause or slow to allow Tavi to investigate these new and strange, land-based beasts. Her walk powered forward, her staff tapping, tapping, in a steady rhythm.
Pull, catch, release. Tavi found herself thinking in time to the sound.
"But Mother?" Tavi dared say a few hours into their hike across the feral city.
"What is it?" She snapped back.
"If – if there are others out there, like that one-" Tavi let the question drop.
"Aren't I scared? Shouldn't we be quiet?" Shibani asked herself, before shaking her head. "No. Some fear is healthy, if it warns you, and other fear is unhealthy, if it paralyses you. The communities like the one where the soldier came from? They are fighting a losing battle. They do not see that the world needs a different way of living on it now. But they aren't all of the people on the world. Most could see what needed to happen when the Oil Age ended. And besides-"
Their path had led them upwards, the street rising across metal lines in the ground, and the ruined buildings climbing the hill alongside them. Now Shibani didn't answer, but powered her way up the last of the concrete hill and stopped, wheezing at the top.
"Why should we be afraid?" She asked as Tavi reached the top.
Opposite the two women, there were splashes and blobs of color against the rain. On the other side of the hill the ground for a few hundred meters looked as though it had been scored and beaten with giant fists – but the damage and the destruction was gentled by the many house-shapes built into the floor and walls of the ruined buildings.
These new dwellings glowed with soft light, and were overflowing with greenery. Vines were being trained to climb up the sides of buildings, rooftops were being slowly covered, section by section, by graphene photovoltaic matts, or solar sails flapping and cracking in the wind. Atop the nearest building, a wind turbine buzzed happily in the weather, its blades the same beat as of a hand playing out rope on a sail.
The crater was filled with greenery, and Tavi saw, with wonder, that it wasn't empty either. Small figures of people were moving here and there in the rain, wearing colourful, diaphanous clothes. The rubble had been cleared for gardens and vegetable plots, or in some places the rubble had been left to form natural curving walls and rockeries.
"They call us the Unregistered Atlantic Peoples, but we call ourselves just the People." Shibani said. "We live on the seas, taking to the zones and places that the other nation-states abandon. Here, we are trying something new. Come on, this way." Shibani was already on her way, her steps seeming lighter as she picked her way through the well-cultivated paths down through the rubble. She stopped at the first shelter they encountered; a small breeze-block building where batteries and connectors were kept behind an unlocked door. "Power here." Shibani said, shrugging off her battery pack and seeing that the girl did the same, showing her how to plug the battery pack into the connectors that ran along the walls. All the power that they had harvested from the solar sail on the way over started pouring into the small community grid.
"You bring something. You make something. You add. You leave bearing only what is freely given." The Mother said in a familiar litany, before stepping through the open archway to admire the view.
"They're re-taking the city." Tavi said, imagining the scale of it all, the sheer audacity of the project. It would take generations to re-green a city of this size!
"Never take, Tavi! Re-making the city." Mother Shibani said, smiling.
1: The idea of floating communities is not so far-fetched, with several present-day equivalents (Seasteading, and the Principality of Sealand) trying to recover the skills of such groups as the sea nomad Sama-Bajau people of East Asia, and the Uru people of Peru and Bolivia.
The language used for the ocean comes from historical precedent, too: many cultures around the world have a much richer vocabulary for the different colors of the seas than we find in Western English. Glas is an old Welsh word, whilst hijo and biru are old Javanese words.
2: Photovoltaic solar sails like the ones used in the story's catamarans are actually in development today, and are called solar cloth. Engineers imagine that they will be used for purposes pretty similar to those depicted here.
3: The Kula-Ring is a real tradition practised by the people of the Trobriand Islands in the South Pacific Ocean, which is a form of different groups practising gift-exchange.


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Other Information:
Are you lost?
Cocoa Beach Scuba Diving Odyssey
Hook up with Joe at Cocoa Beach Scuba Odyssey and scuba dive the Atlantic Ocean off Cocoa Beach or any of it's surrounding area. Joe's retired and has a flexible to help accommodate yours. He has certified instructors who can also assist handicap scuba divers.
The guys at Cocoa Beach Scuba diving can guide you on local dives around Cocoa Beach or in several places in the surrounding area:
Dive Vacation Trips with Cocoa Beach Scuba Odyssey
If you want more than local Cocoa Beach scuba diving, Joe has semi regular dive trips to:
Fish School
Instead of a school of fish you can go to fish school. Sign up for one of Cocoa Beach Scuba diving's classes like fish watching. Kind of the Scuba divers equivalent to bird watching. Most classes are scheduled on a request basis.
Diving Certification and Training
Need certification, Joe and his team can get you NASE certified. Typically a 1 day turnaround for C-cards, and once your certified NASE is recognized worldwide. So use your certificate on another bikini-beach vacation.
The team of instructors at Cocoa Beach Scuba Odyssey can advance your scuba diving skills. They have specialized training al all levels of scuba diving from basic thru advanced. Leave your gills at home and strap on the tanks.
Joe owns Cocoa Beach Scuba Odyssey. He is a Trainer/Master Instructor with NASE, HSAI Instructor certified and Instuctor Emeritus - PAD/NASDS. He is a retired NASA Engineer, now dedicated to diving fulltime, underwater photography and promoting the Ocean Environment with particular concern for the Brevard, Indian River & St Lucie county offshore reefs.
If your a certified NASE Instructor, Joe is continually looking for new people to teach and guide dive tours.
Check out Cocoa Beach Scuba Odyssey for more information on dive conditions in and around the Cocoa Beach area, best times to go and what you might see.
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Four patients who switched to a regimen containing Isentress (raltegravir) had a temporary worsening of preexisting depression, according to a letter in the September 12 issue of AIDS that was reported by aidsmap.com.
The safety and efficacy results of several clinical trials of Isentress, Merck's HIV integrase inhibitor, have been published in journals and presented at medical conferences during the past two years. Thus far, no psychiatric side effects from Isentress have been reported in those clinical trials. Because most early studies of new drugs exclude people with serious underlying psychiatric problems, however, no data have been published on the use of Isentress in people being treated for depression and other mental illnesses.
Marianne Harris, MD, and her colleagues from the AIDS Research Program at St. Paul's Hospital in Vancouver, Canada, report on four cases of people living with HIV, who had sudden and significant worsening of depression for at least one month after starting Isentress. All four patients were men, and ranged in age from 40 to 55. Each had a history of significant clinical depression, and all were taking medication to treat their depression at the time that they started Isentress.
In each case, the men experienced a sudden onset of serious depression in the first few weeks after starting Isentress. One man's depression was so severe that he needed to be hospitalized. The men's health care providers made adjustments to their psychiatric medication, and the depressive symptoms in each man then improved within about 60 days. All the men remained on Isentress during this period.
Dr. Harris's team claims that they have ruled out other potential causes of the depressive symptoms and feels confident that Isentress was the cause. The authors suggest that there may be some kind of drug interaction between Isentress and psychiatric medications, though no known mechanism has been identified. They encourage health care providers of HIV-positive people being treated for serious mental illness to use caution when initiating treatment with Isentress.
Worsening Depression in Four Patients on Isentress
Four patients who switched to a regimen containing Isentress (raltegravir) had a temporary worsening of preexisting depression, according to a letter in the September 12 issue of AIDS that was reported by aidsmap.com.


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|Other Collections - Glacial
The Glacial (tm) technology is the inspiration for Chromatone's latest collection. This exciting new yarn technology, developed by Wool Interiors, is a patented scouring process intended to produce the brightest, whitest shade available. From this, a greater brightness and clarity of colour can be achieved during the yarn dyeing operation.


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An Integrated Approach to Preparing Paul Hindemith's Sonata for Trombone and Piano: A guide to help achieve a better performanceInternational Trombone Association Journal (2013)
The aim of this article is to enhance understanding of the Hindemith Sonata and assist performers toward performances of the highest musical quality and emotional impact. The goal is to produce a musical and historically informed performance, based on a good theoretical foundation and thorough technical preparation. We will briefly discuss the history and theory behind Hindemith's Sonata, examine unique performance issues, and introduce ways to prepare for a successful performance with several specific exercises designed to help the trombonist decode Hindemith's complex compositional language, which involves a unique approach to tonality and rhythm.
- SONATAS (Trombone & piano),
- TROMBONE & piano music,
- MUSIC -- Performance,
- Musical Groups and Artists,
- Independent Artists Writers and Performers,
- Independent writers and authors,
- Paul HINDEMITH
Publication DateApril, 2013
Publisher StatementAvailable at https://www.trombone.net/journal/online/; reproduced here with permission of the editor.
Citation InformationJemmie Robertson. "An Integrated Approach to Preparing Paul Hindemith's Sonata for Trombone and Piano: A guide to help achieve a better performance" International Trombone Association Journal (2013)
Available at: http://works.bepress.com/jemmie_robertson/3/


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January 24, 2016
Our Tikkun Olam Committee has outdone themselves with this year's Tu BiSh'vat Seder. Come celebrate the birthday of the trees with song, poetry, and opportunities for community action. We will have table displays for how you can contribute to local, national and Israeli environmental work.
This event is free, but please RSVP with our Tikkun Olam Committee Chair, Lenny Dov.
Child care will be provided for those parents who would like to attend. Please contact Ronnie Lane to let her know.


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Depressed Man Kills Himself On Facebook Live After His Wife Left Him (Photo)
A 27-year-old man has killed himself while being watched by many people on Facebook after his wife left him.
A young man has killed himself on a live web stream watched by thousands of people after his wife left him and took their children with her, Dailymail has reported.
According to the report, the man recorded his own death in the town of Pataudi in the northern Indian state of Haryana.
Police said Amit Chauhan, who was only 27, began a Facebook Live stream shortly after his wife walked out on him, taking their two children with her.
In the first of two live streams, both posted in a span of 15 minutes, he told viewers that he would kill himself on camera and asked them to share the footage with others.
However, the video ended abruptly.
In the second clip, he was seen killing himself.
Both videos have been viewed around 5,000 times and shared over 50 times.
Amit's parents heard about the incident late at night and cremated his body early in the morning without informing the authorities.
Police spokesperson Subhash Boken said the police heard about the incident after an anonymous call around 10pm.
Mr Boken added: '[The wife] left her in-laws home on Monday after a tiff with her husband and called her parents, who took her to their house in a village near Sohna.
'Anguished, Chauhan hanged himself and the posted a video of the suicide on Facebook.'
He said he was 'in depression' and 'being treated'.
Deputy commissioner Sumit Kuhar said: 'The family had already cremated the body in the village and they said he was mentally disturbed and was undergoing treatment for last six months.'
Since his death was reported, local authorities have launched an investigation.
It comes after a 43-year-old builder from Cardiff hanged himself on Paltalk, a controversial chat site where users can stream video to strangers.
The victim, who had not been named last night, set up a webcam and beamed his suicide to other users around the world as online bullies taunted him.
The trolls – including some based in Britain – encouraged him to go through with it, saying: 'Why don't you just do it? Your life isn't worth it.'


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"Our Dragon doesn't eat the girls he takes, no matter what stories they tell outside our valley. We hear them sometimes, from travelers passing through. They talk as though we were doing human sacrifice, and he were a real dragon. Of course that's not true: he may be a wizard and immortal, but he's still a man, and our fathers would band together and kill him if he wanted to eat one of us every ten years. He protects us against the Wood, and we're grateful, but not that grateful."
Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life.
Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the Wood.
The next choosing is fast approaching, and Agnieszka is afraid. She knows—everyone knows—that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things Agnieszka isn't, and her dearest friend in the world. And there is no way to save her.
But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.
I went into this with very high expectations because a lot of people have constantly been raving about how magical and unique this novel is and that's indeed exactly what I got. But it probably wasn't the best time for me to read it for I'm in a, what feels like, everlasting reading slump. No joke! According to Goodreads I've been reading this book from July 25 to August 10. And it's not like you could call this book a tome. It's barely 400 pages long which I would consider average. But well, there's nothing to be done about it now so let's get ahead with the actual review.
As I've already said I was highly anticipating this book for all the recommendations I got and the fact that this is a fantasy standalone. Yes, you heard that right! It's a fantasy standalone. Even though I love my series to bits I just can't resist a good, old standalone from time to time but that would be my first in the genre of fantasy. I'm eager to read a lot more than just this one and to dive into the world of standalones because, obviously, there are some serious differences in writing style and pacing between the two that need to be discussed further.
But before I start: Can we just take a moment to appreciate the glory that we refer to as a book cover like this? It's breathtaking in every aspect! The spine, the deckled pages and don't even get me started on the dust jacket. I love all things old and vintage and this cover just looks the part, let's be honest about that. I know you're probably going to go all "Don't judge a book by its cover" on me but come on! You can't avoid falling in love with this design and if you, in some miraculous way, do just that, then tell me, are you a robot?
And the story resembles the cover to a certain extent. Namely that both things remind me of a fairytale in some way. The author, Naomi Novik, was inspired by Slavic mythology and Polish folklore such as Baba Jaga. You'll find many traces of these inspirations of hers in the book. I really liked this aspect to it for it gives the book its very own character and makes it unique, in a very good way. Actually that should be enough to make you want to read it immediately. At least, that's what it did to me. I mean, who isn't intrigued by mythical creatures as such and to see their typical traditions come to life? I know that I am! I love Greek, Roman and Norse mythology so much and now I just have to add Slavic to the list as well.
As for the characters, this story doesn't include a dragon even though it's said to be. Sorry, to disappoint you there. No, "the Dragon" is the nickname of a wizard who plays a big role in our protagonist's life, Agnieszka. Agnieszka is this cute, clumsy mess for a girl who gets her dress dirty with what felt like perfect ease. The dirt just seemed to crawl its way up to her feet and onto the fabric of her dress. I'm not kidding, I swear! She isn't the typical beautiful and flawless heroine you usually get in a story and her clumsiness just made me warm up to her in an instant.
So, the story starts off with her being chosen as a tribute to the Dragon for some mysterious reason even though she normally would've been the least likely choice. After everyone seemed to catch their breaths again she went with him to his Tower where she is supposed to spend the next 10 years with him. And that's when things start to go downhill for real…
I have to say I went into this with next to no knowledge about the actual plot which made it all the more intriguing and that's why I won't tell you anymore just yet.
The world was, well, how could I best describe it? It had a very strong, magical feeling to it that made the world feel special and, I won't lie, like home. But here's a reason why I couldn't give it 5 stars: It was very complicated to sort of locate all the cities and places and to ultimately tell them apart because they often sounded very much alike. It would've been better to have an actual map for this book. I know you can't blame the author for not creating a map, that's the publisher's job. But maybe, Novik, could've tried more to create this map with the magic of so-called words. It's not like she didn't and perhaps you'll see it completely differently but for me it didn't work out well.
The writing style and pacing, as I've already said, differs a lot from those in a series but I think that should've been obvious right up from the start for it's only one book and not many where things could be stretched out a lot more. But here, I often got distracted and drifted off to other things. I told you I was (or better still am) in a reading slump and that may have been the cause for my slow reading process but I'm sure that was not the only reason. And when I think back to that time when I've been reading this book I struggled with myself every once in a while because I wanted to know how the story continues but I just couldn't bring myself to actually get the book and read it. What a misery that was! I think it was because I just couldn't properly connect with the writing or characters or whatever. For all I know her style of writing wasn't exactly my type but don't get me wrong! It was by no means bad or something of the kind. It had a magical flow to it which I actually really liked.
And here's a little advice on my part: Read this book with Viktoria's (@seelieknight) playlist in the background. She picked so many beautiful songs that fit the story and catch its atmosphere perfectly. Here's the link if you want to: http://8tracks.com/seelieknight/uprooted
Well, I can't think of anything else I might want to add so let me call this a day by summarizing my thoughts again. This intriguing book, based on Polish folklore, takes you on a mesmerizing journey with a lot of twists and turns. Self-discovery and finding one's strength play important roles in this book. Add a hint of magic to the mix and this unique story is almost impossible to ever forget.


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Make a sewn rope basket
I recently shot a series of workshops for Creativebug – they came out to me this time and we had a couple of very hot days in my studio, sweating and crafting, and filming 3 kid workshops and one sewing project that is going live tomorrow. This one:
It is a simple project with a ton of creative variations, if you choose to do it your own way. Just think of all of the things you could put in a pretty like that! It is akin to knitting in the round, or throwing a pot on a wheel – meditative (like that sort of knitting) and sculptural (like the pots). I just really love making these and I think you all would too! You just need to make sure you have a nice even zig zag stitch on your machine and you are ready to go.
And, if you have kids (or even if you don't, since all of my kid workshops are things I love to do too), then check out my first Creativebug Summer Camp workshop on making Shrinky Dink Jewelry:
Now that school is about to end and you might be realizing that you need a few tricks up your sleeve, let Creativebug offer you a wee hand. I promise you won't be disappointed!


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As fix seat belt
You was seat belt. Served it to you more years. But unexpectedly bam - and it fails. what to do in such case? Actually, about this article.
Possible my advice you seem unusual, however still for a start there meaning set himself question: does it make sense general fix out of service seat belt? may wiser will buy new? Me seems, has meaning ask, how is a new seat belt. For it necessary talk with seller profile shop or just make desired inquiry every finder.
First has meaning search specialist by repair belt. This can be done using bing or mail.ru, portal free classified ads. If price fix you want - consider task solved. If no - then you will be forced to solve this problem own forces.
So, if you decided own hands do fix, then first necessary learn how repair seat belt. For it sense use finder, or view archive numbers magazines "Skilled master", "Home workshop", "Fix it all own forces" and etc., or read profile forum.
Think this article least anything could help you repair seat belt.


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This Harry Potter-themed lingerie is the most outrageous merch yet
First it was butter beer, then it was a vibrating broomstick, now there's a new piece of Harry Potter merchandise taking the cake for strangest thing on the Internet.
Yesterday, online lingerie retailer Yandy launched its wizard-inspired collection in celebration of the beloved fictional character's 37th birthday.
Described as a "Magical Student Fantasy" costume, the outfit features sheer high-waisted briefs, a lace collared crop top and a Griffindor-themed suspender and tie set.
Naturally, fans of the hit franchise were quick to weigh in on the news on Twitter, with many keen to get their hands on the skimpy outfit.
However, others were not as easily convinced:
The outfit is available for pre-order at Yandy.com for just $45.25, with the shipment expected later this month.
You might also like…


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Certified Email Income Expert
Current Clients Include
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Bre will tailor weekly or daily emails to your specific business needs. Adding value, increasing revenue, and building trust in customer relationships.
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"Her problem-solving skills, creative ideas, and positive ambitious vibe can easily skyrocket your business.
She is especially good at working in the personal touch to her emails and that's one thing a lot of email marketers do wrong."
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[Founder of 10 Day Drummer]
Bre Yamazaki
"America was founded on entrepreneurship. It's important to give financial freedom back to small business owners so they can continue to help others."
Hidden G.E.M. (Genuine Email Mastery) is an email marketing solution for entrepreneurs and business professionals. Bre has been personally trained and mentored by Jason Capital, who is recognized by President Barack Obama as a Top 100 White House Entrepreneur and considered by many to be the most dominant Email Income Expert in the world.
After graduating Magna Cum Laude from the University of California Irvine with a B.A. in Psychology and Social Behavior, a minor in Innovation & Entrepreneurship from the Paul Merage School of Business, and her Certification as an Email Income Expert she targeted her true passion: Succes & Self-Improvement.
"What I love about my job as a Professional Email Marker/Copywriter is that it combines all of my passions together: psychology, business, and creative writing. This unique mixture helps dedicated entrepreneurs drastically improve their email revenue.
It's what that extra revenue does for my clients that makes it all worthwhile. They have more time and money to take that trip with their family that they've been putting off. They have less work-related stress about their email program. They have the freedom to invest themselves in their own passion projects and side endeavors. That's why I love what I do."


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Adventure Island is a seasonal park. View our park hours and event schedule to help plan your visit.
Find your way to slides, pools, restaurants, shops and more with the park map.
Enjoy Florida's Family Thrill Ride Leader, Busch Gardens, when you buy a Multi-Park Ticket or Annual Pass.
Get ready for twists, turns, drops, and surprises along the way! Spend the day having fun on all 10 of our adrenaline-fueled water slides.
From our 17,000 square foot wave pool to our calming lazy river, there is something for everyone to enjoy!
We have many kid-friendly water slides and attractions to provide the entire family with a day of wet fun!
Already a Pass Member? Log in to access special offers or to update your account.
Pass Members enjoy exclusive benefits including discounts, guest tickets and more.
Get the best value all year when you become an Annual Pass Member.
Make the most of your Adventure Island visit by including a Cabana, Chickee Hut or lounger.
Splash your way to unlimited priority access with the purchase of Adventure Island Quick Queue.
Pay once and enjoy delicious meals and exclusive benefits throughout the day with the purchase of the All-Day Dine Deal.
It's a convenient way to link your money to a waterproof wristband allowing you to swim, slide and make purchases without worrying about misplacing your cash or credit cards.
Visit guest relations or any ticket booth window to receive a complimentary wristband and link it to a credit card, debit card, or cash.
When setting up a Quick Pay Cashless Wristband using a credit or debit card, an initial $50 hold will be placed on the card. Each time spending exceeds $50, an additional $50 hold will be placed on the card. At the end of the day, the card will only be charged once and only for the total day's spending on the wristband. The previous holds will be released by the card's bank in accordance with the individual bank policies.
Cash must be presented upfront when setting up an account. However, spending the entire amount is not required to and more dollars may be added throughout the day if necessary. Visit Guest Relations upon exit to collect any unspent money.
Quick Pay Cashless Wristband is quick and simple. Leave the waterproof wristband on your wrist while playing in the park and when ready to make any purchase in the park, present your wristband for the cashier to scan. The cost will be deducted from the account and the purchase is complete.
Quick Pay Cashless Wristband is a courtesy service and there are NO FEES associated with its use.
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About us
Magacin represents a former publishing company's warehouse, which has been adapted into a cultural centre of 1000m2– consisting of several offices, a large gallery/debate room, dance room for rehearsals and a smaller cinema hall. The space is situated in Savamala quarter, in the immediate vicinity of Belgrade Waterfront project. The Cultural Center Magacin exists since 2007, when city authorities announced the open call in which five organizations got the space at their disposal. It was not lawfully possible for the City of Belgrade to directly assign the space to the organizations, hence the solution was found through the mediator – The Belgrade Youth Centre, to whom the City formally gave the space to manage, in order to assign it to the organizations. Before the assignment, the City was supposed to renovate it and adapt, however, that was never realized. Therefore, the organizations chosen at open call to use the space for two years have not signed any contract. This illegal situation, with silent approval of local authorities, has provoked various problems such as: dysfunctional space, lack of investment in infrastructure and slow decay of the space.
However, in meanwhile, since 2007, Magacin has held a very important role within the independent cultural scene. This was the space at disposal to everyone who needed it. The gallery was available to everyone who could not exhibit at other places, the dance hall has been used for rehearsal of performances which are performed in numerous theatres; debates and other programs took place very often. The availability of the space was of enormous significance for a large number of organizations.
In December 2014, The Belgrade Youth Center tried to move out the organizations in order to rent the space for commercial purposes. As the contract was never signed, they had a full right to do that. Nevertheless, the Association Independent Cultural Scene of Serbia (ICSS), whose members are some of those organizations, has been engaged in this problem, initiating the campaign for this space to remain the Cultural Center.
After nine years of creation of the cultural center, and around 1.5 years after the establishment of a new model of functioning, based on principles of open calendar, Magacin has reached very successful results judged bythe number of events, as well as their quality, diversity and availability. More than 1000 events were held in Magacin in 2016. Even 60 organizations and individuals used this space, and approximately 3 events per day were realized, without taking into account organizations that use the offices on a regular, everyday basis. In comparison with official users of this space, The Belgrade Youth Center, in the same period organizes around 1600 programs, with many employees, charging entrance fees, and financial budgetary resources. These fascinating numbers and results confirm not just the fact that this space is rather valuable, but also the success of its current management and operational model, which includes the principles of availability to a large number of organizations, joint work and sharing, openness and tolerance, based on the mechanism of open calendar that all organizations can use.
Furthermore, Magacin has become increasingly important since the introduction of necessary minimum amount of money (grant) that certain organizations can receive on a yearly concourse of Ministry of culture and information, which left small and new organizations without any financial sources. Nevertheless, it is obvious that all this was not enough to save Magacin, one of the rare examples of good practice on the cultural scene, and to finally resolve the legal status of organizations that use it. On the contrary, Magacin has been continuously exposed to the interests of individuals who would prefer to see it in a commercial activity.In 2014 there was an attempt to move out the organizations that work in it, and the latest intentions in late 2016 to move out the artists in order to use the space for more lucrative purposes.
The Association ICSS has been trying for the past two years, together with formal user of the space – Belgrade Youth Center and the Secretariat of Culture of Belgrade, to find solutions to this issue, in order to maintain the current purpose and use of the space, continue to pursue successful results and to be open and accessible to organizations that work in the field of contemporary artistic creativity, with maximum utilization and sharing of the space. Unfortunately, their proposals have not been met with understanding from the authorities.
The model proposed by the Association ICSS to the authorities relies on practice of using the Magacin so far. This means that its availability (accessibility) to all organizations, not just to members of the ICSS, will be realized formally through an open calendar ¬– an online tool in which all interested parties can schedule to use certain parts of the space. The space would be intended for contemporary artistic creative work (creativity) and the model is based on idea that users manage the space on their own. When it comes to program characteristics, this model does not include an editorial board, neither curators, or some other, concrete designation, taking into account that program will depend on people and organizations that will sign up for its use. The space is used as a resource center where people work together sharing their resources, and it offers notable support to small productions that do not have their own space, but need this kind of help in their work.
The implementation of this model is possible in three ways:
1) The government should be responsible for implementing it, but it has been already shown as not functional in the last 8 years
2) To establish a new institution whose representatives would be both from authorities and civic sector, such as Pogon from Zareb, for instance. This way was rejected by the City, due to expenses that it would incur
3) To assign the space to Association ICSS, that would be responsible for the model implementation
The most realistic solution is the third option, and the City and the Belgrade Youth Center are considering announcing a concourse for the associations and networks based on proposed principles, which would solve the issue and contribute to the functioning of the space at full capacity.
About MKM (PDF)